Download Yamaha CVP-202 Specifications
Transcript
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÇÄÜçé! èӂ¸Ú ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌË ‚ ÓÁÂÚÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, Û͇Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ Ò̇·ÊÂÌ ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ÔflÊÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚È fl‰ÓÏ Ò ÒÂÚ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. èË ÔÓÏÓ˘Ë ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁΠÛ͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. Model _____________________________________ Serial No. __________________________________ 92-469- ➀ (bottom) Purchase Date ______________________________ èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡˘‡Ú¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. OCTOPOÜHO! Bo ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ‚Ó ËÁ·ÂʇÌË ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ԇ‚Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË, Ô˜ËÒÎÂÌÌ˚ ‰‡ÎÂÂ. ùÚË Ô‡‚Ë· ‚Íβ˜‡˛Ú, ‚ ˜‡ÒÚÌÓÒÚË, ÒÎÂ‰Û˛˘ÂÂ: • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ËÌÒÚÛÏÂÌÚ‡. ùÚÓ Ì‡ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ. • èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎflÈÚÂ Ò Ì „flÁ¸ Ë Ô˚θ. • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ÔÓÒÚ‡‚ÎflÂÏ˚Â Ò ËÌÒÚÛÏÂÌÚÓÏ. • 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë Ú.Ô.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ÔÂÂ͇ÚËÚ¸ ˜ÚÓ-ÎË·Ó ÔÓ ÌÂÏÛ. • ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl ‡Á·Ë‡Ú¸ „Ó, ‡ Ú‡ÍÊ ÏÓ‰ËÙˈËÓ‚‡Ú¸ ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚ ͇ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ. Ç ËÌÒÚÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • ç ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰Óʉ¸, fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‡ Ú‡ÍÊ ‚ Ò˚˚ı Ë ‚·ÊÌ˚ı ÔÓÏ¢ÂÌËflı. ç ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ÔÓÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚ÂÒÚËfl. • çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚ ‚ËÎÍÛ ‚ ÓÁÂÚÍÛ Ë Ì ‚˚ÌËχÈڠ ‚·ÊÌ˚ÏË Û͇ÏË. • ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ Ô‰ÏÂÚ˚. ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ. • Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ‡ Ú‡ÍÊ ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ÇçàåÄçàÖ! ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡ ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ԇ‚Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË. ùÚË Ô‡‚Ë· ‚Íβ˜‡˛Ú, ‚ ˜‡ÒÚÌÓÒÚË, ÒÎÂ‰Û˛˘ÂÂ: • éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË ÓÌ Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚. • ç ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË. • ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚. • ÇÌËχÚÂθÌÓ ÓÁ̇ÍÓϸÚÂÒ¸ Ò ËÌÒÚÛ͈ËflÏË ÔÓ Ò·ÓÍÂ. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚χÏ. • ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë Ì ÔËÏÂÌflÈÚ ˜ÂÁÏÂÌÛ˛ ÒËÎÛ Í ÍÌÓÔ͇Ï, ‚˚Íβ˜‡ÚÂÎflÏ Ë ‡Á˙ÂχÏ. • Ç˚ÌËχfl ¯ÌÛ ÔËÚ‡ÌËfl ËÁ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÁÂÚÍË, ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. çËÍÓ„‰‡ Ì ÚflÌËÚ Á‡ ¯ÌÛ. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ. • ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ ‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ (̇ÔËÏ ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl). • ç ÔÓθÁÛÈÚÂÒ¸ ËÌÒÚÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌËÍÌÛÚ¸ ¯ÛÏ. • ç ÓÒÚ‡‚ÎflÈÚ ̇‰ÓÎ„Ó ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û. ■ àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË Ó̇ ÂÒÚ¸) • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. • ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎflı ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ. • ë͇ÏÂÈ͇ ‡ÒÒ˜Ëڇ̇ ÚÓθÍÓ Ì‡ Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇. • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÒÚ‡‚¸ÚÂ Â„Ó Ì‡ ÌÂÛÒÚÓÈ˜Ë‚Û˛ ÔÓ‚ÂıÌÓÒÚ¸. • ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡ÚflÌËÚ Ëı ÓÚ‚ÂÚÍÓÈ. • èÂʉ ˜ÂÏ ‰‚Ë„‡Ú¸ ËÌÒÚÛÏÂÌÚ, ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË. ■ ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı • ç ÒÚ‡‚¸Ú ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌÂ, ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ̉ÓÒÚ‡ÚÓ˜ÌÛ˛ ˆËÍÛÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, Ô„‚ ËÌÒÚÛÏÂÌÚ‡. ê‡ÒÒÚÓflÌË ÏÂÊ‰Û ÒÚÂÌÓÈ Ë ËÌÒÚÛÏÂÌÚÓÏ ‰ÓÎÊÌÓ ÒÓÒÚ‡‚ÎflÚ¸ ÔÓ Í‡ÈÌ Ï 3 ÒÏ. • ÇÌÛÚÂÌÌË ‰‡ÌÌ˚ (ÒÏ. ÒÚ. 152) ı‡ÌflÚÒfl ÓÍÓÎÓ Ì‰ÂÎË ÔÓÒΠ‚˚Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡. èÓÒΠ˝ÚÓ„Ó ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚. é·flÁ‡ÚÂθÌÓ ‚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ıÓÚfl ·˚ ‡Á ‚ ̉Âβ ̇ ÌÂÒÍÓθÍÓ ÏËÌÛÚ. чÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂflÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË. ï‡ÌËÚ ҇Ï˚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ. (ÒÏ. ÒÚ. 139). • èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ‚˚Íβ˜ËÚ ‚Ò ÍÓÏÔÓÌÂÌÚ˚. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. • ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË Ë ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ. • ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì ÔˢÂÏË· ‚‡Ï ԇθˆ˚. ç ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ̇ ËÌÒÚÛÏÂÌÚÂ. • óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl, ÂÍÓÏẨÛÂÚÒfl ı‡ÌËÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÛÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl. 1 (1)B-7 CVP-202 3 Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Yamaha Clavinova! êÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ Ï ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÒÂÏË Ô‰ӂ˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌ͈ËflÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. å˚ Ú‡ÍÊ ÒÓ‚ÂÚÛÂÏ ‰Âʇڸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë Û‰Ó·ÌÓÏ ÏÂÒÚ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ● ÑËÒÍÂÚ‡ Music Software Collection (Ë Music Book) ç‡ ˝ÚÓÈ ‰ËÒÍÂÚ Ô‰ÒÚ‡‚ÎÂÌ˚ ÔËÏÂ˚ ÔÂÒÂÌ, ÍÓÚÓ˚ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. ● ÑËÒÍÂÚ‡ (Floppy Disk) ç‡ ˝ÚÓÈ ÔÛÒÚÓÈ ‰ËÒÍÂÚ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ. ● êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova. ● ëÔËÒÓÍ ‰‡ÌÌ˚ı (Data List) Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÒÔËÒÍË ÚÂÏ·Ó‚, ÒÚËÎÂÈ, Ô‡‡ÏÂÚÓ‚ Ë Ú.Ô., ‡ Ú‡ÍÊ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ËÌÒÚÛ͈ËË ÔÓ Ò·ÓÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ● ë͇ÏÂÈ͇ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ. • àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â. • çÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ÍÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Á‡˘Ë˘ÂÌÌÓ„Ó ‡‚ÚÓÒÍËÏ Ô‡‚ÓÏ, ÍÓÏÂ Í‡Í ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ΢Ì˚ı ˆÂÎflı, Á‡Ô¢ÂÌÓ. ● íÓ‚‡Ì˚ Á̇ÍË • Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer. • IBM-PC/AT fl‚ÎflÂÚÒfl ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines. • Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®. • ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚. ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ËÌÙÓχˆËÓÌÌÓ ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡Ú¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl, ‚ ˜‡ÒÚÌÓÒÚË, ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. àÏÂÌ̇fl Ô·ÒÚË̇ ɇ‚Ëӂ͇ ̇ ËÏÂÌÌÓÈ Ô·ÒÚËÌ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı Òڇ̉‡Ú‡ı/ÙÓχڇı Ë ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡. GM System Level 1 ëڇ̉‡Ú GM System Level 1 fl‚ÎflÂÚÒfl ‰ÓÔÓÎÌÂÌËÂÏ Í Òڇ̉‡ÚÛ MIDI Ë „‡‡ÌÚËÛÂÚ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ Òڇ̉‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ̇ β·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-„Â̇ÚÓÂ Ë ÒËÌÚÂÁ‡ÚÓ β·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡. îÓÏ‡Ú XG XG - ˝ÚÓ ÌÓ‚‡fl ÒÔeˆËÙË͇ˆËfl MIDI ÍÓÔÓ‡ˆËË Yamaha. é̇ Á̇˜ËÚeθÌÓ ‡Ò¯ËfleÚ Ë ÛÎÛ˜¯‡eÚ Òڇ̉‡Ú GM System Level 1 Á‡ Ò˜eÚ Û‚e΢eÌËfl ‚ÓÁÏÓÊÌÓÒÚeÈ ÛÔ‡‚ÎeÌËfl ÚeÏ·‡ÏË, Òe‰ÒÚ‚‡ÏË ‚˚‡ÁËÚeθÌÓÒÚË Ë ˝ÙÙeÍÚ‡ÏË Ë Ó‰ÌÓ‚eÏeÌÌÓ Ó·eÒÔe˜Ë‚‡eÚ ÔÓÎÌÛ˛ ÒÓ‚ÏeÒÚËÏÓÒÚ¸ ÒÓ Òڇ̉‡ÚÓÏ GM. íÓ, ˜ÚÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛeÚ ÚeÏ·˚ XG, ÔÓÁ‚ÓÎfleÚ Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔeÒeÌ ‚ ÙÓχÚe XG. îÓÏ‡Ú XF îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha Òӂ¯ÂÌÒÚ‚ÛÂÚ Òڇ̉‡Ú SMF (Standard MIDI File) Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ÙÛÌ͈ËÓ̇θÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. ÖÒÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ù‡ÈÎ ‚ ÙÓχÚ XF, îÓÏ‡Ú Disk Orchestra Collection (DOC) îÓÏ‡Ú DOC ‰Îfl Á‡ÔËÒË ÚÂÏ·Ó‚ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI. îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF) îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha. Ç ÌÂÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÂÚ ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È ‚ Ô‡ÏflÚ¸, Ò˜ËÚ˚‚‡ÂÚ ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ËÒÍË ÒÓ ÒÚËÎflÏË SFF Ë ÒÓÁ‰‡ÂÚ ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ Ò‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂθ ÒÚËÎÂÈ). 2 4 ÒÓ‰Âʇ˘ËÈ ÚÂÍÒÚ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ. (SMF - ˝ÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓÏ‡Ú Ù‡ÈÎÓ‚ MIDI. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓχڇÏË SMF 0 Ë 1, ‡ ÔË Á‡ÔËÒË "ÔÂÒÂÌÌ˚ı" ‰‡ÌÌ˚ı ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SMF 0.) CVP-202 ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ● ì‰Ó·Ì˚È Üä-˝Í‡Ì ÅÓθ¯ÓÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì (‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔ͇ÏË Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔ˜˂‡ÂÚ ÛÌË‚Â҇θÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ÛÔ‡‚ÎÂÌË ‚ÒÂÏË ÓÔ‡ˆËflÏË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. ● ÅÓ„‡ÚÒÚ‚Ó Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û˜‡ÌËfl ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ӷ·‰‡ÂÚ ·Óθ¯ËÏ Ì‡·ÓÓÏ ‚˚‡ÁËÚÂθÌ˚ı Ë ‰Ë̇Ï˘Ì˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl 243 ËÒıÓ‰Ì˚ı ÚÂÏ·‡, 480 ÚÂÏ·Ó‚ ‚ ÙÓχÚ XG Ë 14 ̇·ÓÓ‚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı /SFX. ùÚË ÚÂÏ·˚ ‚Íβ˜‡˛Ú ÂÒÚÂÒÚ‚ÂÌÌÓ Á‚Û˜‡ÌË ÙÓÚÂÔ¸flÌÓ, ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊ ˜ÂÁ‚˚˜‡ÈÌÓ ‚˚‡ÁËÚÂθÌ˚È ÚÂÏ· SweetTrumpet («ÌÂÊ̇fl ÚÛ·‡»). äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÂÒÚÂÒÚ‚ÂÌÌÓ Á‚Û˜‡ÌË ۉ‡Ì˚ı ÔflÏÓ Ò Í·‚ˇÚÛ˚ (ÒÚ. 31). ● ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ‰ËÒÍÂÚ˚ Ò ÔÂÒÌflÏË, ÔËÓ·ÂÚÂÌÌ˚ ‚ ÚÓ„Ó‚ÓÈ ÒÂÚË. ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ Ì‡ ‰ËÒÍÂÚ ÏÓÊÌÓ Ò‡ÏÓÒÚÓflÚÂθÌÓ Ë„‡Ú¸ Ô‡Ú˲ ÙÓÚÂÔ¸flÌÓ Ì‡ ÙÓÌ ˆÂÎÓ„Ó ÓÍÂÒÚ‡ ËÎË ËÌÒÚÛÏÂÌڇθÌÓ„Ó ‡Ì҇ϷÎfl (ÒÚ. 93). ÖÒÎË ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË ÒÓ‰ÂÊËÚ ÚÂÍÒÚ˚ ÔÂÒÂÌ, ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ Ëı ̇ Üä-˝Í‡Ì ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ● ëÔˆˇθÌ˚ ӷۘ‡˛˘Ë ÙÛÌ͈ËË èË Ì‡Î˘ËË Ì‡ ‰ËÒÍÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl ÏÓÊÌÓ ‡Áۘ˂‡Ú¸ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÔÓ‰Ò͇ÁÓÍ Ì‡ Üä-˝Í‡ÌÂ Ë Ë̉Ë͇ÚÓÓ‚, ÔÓ͇Á˚‚‡˛˘Ëı, ÍÓ„‰‡ Ë Í‡ÍË ˄‡Ú¸ ÌÓÚ˚. íÂıÒÚÛÔÂ̘‡Ú‡fl ÒËÒÚÂχ Ó·Û˜ÂÌËfl ÔÓÏÓÊÂÚ ·˚ÒÚÓ ‡Áۘ˂‡Ú¸ ÔÂÒÌË (ÒÚ. 105). ● ÑË̇Ï˘Ì˚È ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ - ˝ÚÓ Û‰Ó‚ÓθÒÚ‚Ë ĂÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ ÔÓÎÛ˜ËÚ¸ ·Ó„‡ÚÓ ËÌÒÚÛÏÂÌڇθÌÓ ÒÓÔÓ‚ÓʉÂÌË ‚ ‚‡¯Ëı β·ËÏ˚ı ÏÛÁ˚͇θÌ˚ı ÒÚËÎflı ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓË„˚‚‡ÂÏ˚ÏË ‡ÍÍÓ‰‡ÏË (ÒÚ. 57). ÖÒÚ¸ ‰‡Ê ·Ó„‡Ú˚È ‚˚·Ó ÒÚËÎÂÈ «Pianist» («èˇÌËÒÚ») ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ ÍÓÚÓ˚ı ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÚÓθÍÓ ÔˇÌËÌÓ (ÒÚ. 58). Ç ‚‡¯ÂÏ ‡ÒÔÓflÊÂÌËË 170 ‡Á΢Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç˚ ÏÓÊÂÚ ڇÍÊ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË (ÒÚ. 73). ● Å˚ÒÚ˚È ‰ÓÒÚÛÔ Í ‡Á΢Ì˚Ï ÏÛÁ˚͇θÌ˚Ï ÙÛÌ͈ËflÏ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ô‰ÓÒÚ‡‚ÎflÂÚ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚ ·˚ÒÚÓÈ ÒÏÂÌ˚ ̇ÒÚÓÂÍ Ì‡ Ô‡ÌÂÎË. ç‡ÒÚÓÈÍÛ ÚÂÏ·‡, ˝ÙÙÂÍÚ‡ Ë ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ) (ÒÚ. 72). åÓÊÌÓ Ú‡ÍÊ ÔÓθÁÓ‚‡Ú¸Òfl ÏÛÁ˚͇θÌÓÈ ·‡ÁÓÈ ‰‡ÌÌ˚ı Music Database, ‚Íβ˜‡˛˘ÂÈ 463 ̇ÒÚÓÈÍË ÒÚËÎfl Ë ÚÂÏ·‡. Ç˚·Ó ‚ÓÁÏÓÊÂÌ ÔÓ Ì‡Á‚‡ÌËflÏ Ë ÔÓ ÒÚËÎflÏ (ÒÚ. 67). ë ÔÓÏÓ˘¸˛ Û‰Ó·ÌÓÈ ÙÛÌ͈ËË Registration (Á‡ÔËÒ¸) ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË, ˜ÚÓ·˚ ·˚ÒÚÓ ‚˚Á˚‚‡Ú¸ Ëı ‚ ·Û‰Û˘ÂÏ (ÒÚ. 89). ● ì‰Ó·Ì˚ ÙÛÌ͈ËË Á‡ÔËÒË á‡ÔËÒ˚‚‡Ú¸ ÔÂÒÌË ÏÓÊÌÓ ‡ÁÌ˚ÏË ÒÔÓÒÓ·‡ÏË, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯Â„Ó ÛÏÂÌËfl Ë Ê·ÌËfl. Ç ‚‡¯ÂÏ ‡ÒÔÓflÊÂÌËË ÙÛÌ͈ËË Quick Recording (·˚ÒÚ‡fl Á‡ÔËÒ¸), Track Recording (Á‡ÔËÒ¸ ‰ÓÓÊÂÍ) Ë Chord Sequence Recording (Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚) (ÒÚ. 110). ● ì‰Ó·Ì˚ ‡Á˙ÂÏ˚ TO HOST ‰Îfl ÔflÏÓ„Ó ÔÓ‰Íβ˜ÂÌËfl Í ÍÓÏÔ¸˛ÚÂy ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Í‡Í Í‡˜ÂÒÚ‚ÂÌÌ˚È ËÒÚÓ˜ÌËÍ Á‚Û͇ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÛÁ˚͇θÌ˚ı Ù‡ÈÎÓ‚ ËÁ èé ÍÓÏÔ¸˛Ú‡. ë Â„Ó Í·‚ˇÚÛ˚ ÏÓÊÌÓ Ú‡ÍÊ ‚‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚Ó„Ó ÏÛÁ˚͇θÌÓ„Ó ÔÓËÁ‚‰ÂÌËfl ̇ ÍÓÏÔ¸˛Ú (ÒÚ. 160). ÑÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó «The Clavinova-Computer Connection» (èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ) Ô‰̇Á̇˜ÂÌÓ ‰Îfl ̇˜Ë̇˛˘Ëı ÔÓθÁÓ‚‡ÚÂÎÂÈ Ë ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔˇÌËÌÓ Clavinova (ÓÔËÒ‡Ì˚ Ó·˘Ë ÔË̈ËÔ˚ ·ÂÁ ÔË‚flÁÍË Í ÍÓÌÍÂÚÌ˚Ï ÏÓ‰ÂÎflÏ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ): http://www.yamahaclavinova.com/ 3 ëÔ‡‚Ә̇fl ·Ë·ÎËÓÚÂ͇ ÍÓÔÓ‡ˆËË (˝ÎÂÍÚÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚): http://www2.yamaha.co.jp/manual/english/ CVP-202 5 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ é„·‚ÎÂÌËÂ à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓ̇ı Í·‚ˇÚÛ˚: ÂÊËÏ Split ÉãABA 1: èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ éÔËÒ‡ÌË ÛÍÓ‚Ó‰ÒÚ‚‡ 8 àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ 9 èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova 10 è˛ÔËÚ .................................................................................................................... 10 ä˚¯Í‡ Í·‚ˇÚÛ˚ .............................................................................................. 10 ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ .............................................................. 11 CÚÂpÂÓ̇ۯÌËÍË .................................................................................................... 11 èÓ‰Íβ˜ÂÌË ‰Û„Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËfl ................................................................... 11 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ 40 臂‡fl Ô‰‡Î¸ (Right) ............................................................................................ 40 ë‰Ìflfl Ô‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) (Center) ................................................................... 40 ょfl Ô‰‡Î¸ (ÔË„ÎÛ¯ÂÌË Á‚Û͇) (Left) ............................................................ 40 12 ÉãABA 4: ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 14 ê‚·‡ˆËfl Ë ‰Û„Ë ˝ÙÙÂÍÚ˚ ê‚·‡ˆËfl 16 Ç˚·Ó ÙÛÌ͈ËË ...................................................................................................... 16 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ .............................................................................................. 17 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ ............................................................... 18 ëÏÂ̇ ÒÚ‡Ìˈ ̇ ˝Í‡Ì ...................................................................................... 19 ÇÓÁ‚‡Ú Í Á̇˜ÂÌ˲ ÙÛÌ͈ËË ÔÓ ÛÏÓΘ‡Ì˲ ...................................................... 19 îÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌ˚ı ‡Ï͇ı ....................................................................... 20 ÇÓÁ‚‡Ú Í „·‚ÌÓÏÛ ˝Í‡ÌÛ ................................................................................... 21 îÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access) ........................................................... 21 ê„ÛÎËpӂ͇ „pÓÏÍÓÒÚË 23 ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË ................................................................................. 23 ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ............................................. 23 ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ ....................................................................... 23 ç‡ÒÚÓÈ͇ ÛÓ‚ÌÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ................................................. 24 MÂÚÓÌÓÏ 41 ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚·‡ˆËË ............................................................ 41 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ Â‚Â·Â‡ˆËË ..................................................................... 41 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ̇ Üä-˝Í‡Ì 36 Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡ ............................................................................................ 36 ëÏÂ̇ „·‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Split ............................................................... 36 ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡ ......................................................... 37 é‰ÌÓ‚ÂÏÂÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Dual Ë Split ........................................ 39 Ç˚ıÓ‰ ËÁ ÂÊËχ Split ........................................................................................... 39 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ÉãABA 2: 25 ùÙÙÂÍÚ Chorus 44 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ˝ÙÙÂÍÚ‡ Chorus ................................................................ 44 àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÚÂÏ·‡ 46 ÇÍβ˜ÂÌË ˝ÙÙÂÍÚÓ‚ ........................................................................................... 46 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚ ........................................................................... 46 ÉãABA 5: ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ËÚÏ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 49 Ç˚·Ó ÒÚËÎfl ........................................................................................................... 49 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 51 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ ................................................................................... 25 àÁÏÂÌÂÌË ̇ÒÚpÓÂÍ ÏÂÚpÓÌÓχ .......................................................................... 26 LJ¸ËÓ‚‡ÌË ÒÚËÎfl .............................................................................................. 51 á‡ÔÛÒÍ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................................................. 52 éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................................ 55 êeÊËÏ ÒÔ‡‚ÍË (HELP) 27 à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ 29 àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .................................................................. 57 á‡ÔÛÒÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................ 58 Ç˚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ...................................................................... 58 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ......................................................... 59 ê„ÛÎËӂ͇ ÛÓ‚ÌÂÈ ÓÚ‰ÂθÌ˚ı ÏÛÁ˚͇θÌ˚ı Ô‡ÚËÈ ..................................... 65 ÉãABA 3: íÂÏ·˚ Ç˚·Ó ÚÂÏ·Ó‚ Ç˚·Ó ÚÂÏ·‡ ̇ ˝Í‡Ì VOICE SELECT ............................................................ 29 Ç˚·Ó ÚÂÏ·Ó‚ ̇ „·‚ÌÓÏ ˝Í‡Ì ...................................................................... 30 à„‡ ÚÂÏ·‡ÏË Û‰‡Ì˚ı Ò Í·‚ˇÚÛ˚ (ÙÛÌ͈Ëfl Keyboard Percussion) ........... 31 ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ................................................... 31 à„p‡ ‰‚ÛÏfl ÚÂÏ·p‡ÏË Ó‰ÌÓ‚pÂÏÂÌÌÓ: pÂÊËÏ Dual 33 Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡ .......................................................................................... 33 ëÏÂ̇ ocÌo‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Dual Mode .................................................. 33 ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ‚ÚÓÓ„Ó ÚÂÏ·‡ ....................................................... 34 Ç˚ıÓ‰ ËÁ ÂÊËχ Dual .......................................................................................... 35 ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 57 67 åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı (Music Database) ....................................................... 67 îÛÌ͈Ëfl „‡ÏÓÌËÁ‡ˆËË (Harmony) ........................................................................ 69 ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌË (ÙÛÌ͈Ëfl One Touch Setting) ................................... 72 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ 73 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl .................................................................................. 73 ÑÓÔÓÎÌËÚÂθÌ˚ ÙÛÌ͈ËË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl .................................................. 80 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ............................................................... 84 ëÓÓ·˘ÂÌËfl ‚ ÂÊËÏ Custom Style (ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ) ................................. 84 4 6 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ CVP-202 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓθÁÓ‚‡ÌË هÈÎÓ‚ ÒÚËÎÂÈ 86 é ÙÓχÚ هÈÎÓ‚ ÒÚËÎfl ÍÓÔÓ‡ˆËË Yamaha .................................................. 86 ᇄÛÁ͇ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ˚ ................................................................................... 86 ÇÓÒÔÓËÁ‚‰ÂÌË Á‡„ÛÊÂÌÌ˚ı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ ................................................ 88 ÉãABA 6: á‡ÔËÒ¸ àÒÔÓθÁÓ‚‡ÌË „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ (ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ̇ÒÚÓÂÍ Ô‡ÌÂÎË) 89 ëÓı‡ÌÂÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË ............................................................................. 89 Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË .................................................... 90 ᇢËÚ‡ ̇ÒÚÓÂÍ Ô‡ÌÂÎË ...................................................................................... 91 ÉãABA 7: á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ........................................................................................ 93 éÚÍβ˜ÂÌË ԇÚËÈ ............................................................................................... 97 ç‡Á̇˜ÂÌË ‰ÓÓÊÂÍ Ô‡ÚËflÏ 1/RIGHT Ë 2/LEFT. Ç˚·Ó ÚÂÏ·‡ ................................... 98 ìÔ‡‚ÎÂÌË ӷ˘ÂÈ „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË .................................. 99 ê„ÛÎËӂ͇ ̇ÒÚÓÂÍ ‰ÓÓÊÂÍ ......................................................................... 100 àÁÏÂÌÂÌË ̇ÒÚÓÂÍ Ì‡ ˝Í‡Ì MIXER .............................................................. 100 îÛÌ͈ËË ÔÓ‚ÚÓ‡ ................................................................................................. 101 BÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË .................................................................................... 103 ÑÛ„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ........................................... 104 105 åÂÚÓ‰˚ Ó·Û˜ÂÌËfl Ë ‚˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll) ........................................ 105 àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Guide ...................................................... 106 ÑÛ„Ë ӷۘ‡˛˘Ë ÙÛÌ͈ËË ............................................................................... 108 á‡ÔËÒ¸ ÔÂÒÂÌ 138 ùÍ‡Ì FUNCTION [PEDAL] — ÒÚ. 3 ................................................................... 138 ÑËÒÍÂÚ‡ 139 ùÍ‡Ì FUNCTION [DISK 1] — ÒÚ. 4 ùÍ‡Ì FUNCTION [DISK 2] — ÒÚ. 5 ùÍ‡Ì FUNCTION [DISK 3] — ÒÚ. 6 ùÍ‡Ì FUNCTION [DISK 4] — ÒÚ. 7 ùÍ‡Ì FUNCTION [DISK 5] — ÒÚ. 8 ................................................................... 139 ................................................................... 142 ................................................................... 144 ................................................................... 145 ................................................................... 146 MIDI 147 ùÍ‡Ì FUNCTION [MIDI 1] — ÒÚ. 9 .................................................................... 147 ùÍ‡Ì FUNCTION [MIDI 2] — ÒÚ. 10 .................................................................. 148 ùÍ‡Ì FUNCTION [MIDI 3] — ÒÚ. 11 .................................................................. 149 ùÍ‡Ì FUNCTION [MIDI 4] — ÒÚ. 12 .................................................................. 150 Backup 93 ìÔ‡‚ÎÂÌË ӷۘÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) 艇θ 110 152 ùÍ‡Ì FUNCTION [BACKUP 1] — ÒÚ. 13 ........................................................... 152 ùÍ‡Ì FUNCTION [BACKUP 2] — ÒÚ. 14 ........................................................... 153 Utility 154 ùÍ‡Ì FUNCTION [MICRO TUNING] — ÒÚ. 15 .................................................. 154 ùÍ‡Ì FUNCTION [SCALE TUNING] — ÒÚ. 16 .................................................. 155 ÉãABA 9: èÓ‰Íβ˜ÂÌË èÓ‰Íβ˜ÂÌË ‡Û‰ËÓÛÒÚÓÈÒÚ‚ 158 ç‡Û¯ÌËÍË .............................................................................................................. 158 ÄÛ‰ËÓ ‚ıÓ‰ Ë ‚˚ıÓ‰ ............................................................................................. 158 èÓ‰Íβ˜ÂÌËÂ Í ‡Á΢Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï 160 èÓ‰ÒÓ‰ËÌÂÌË MIDI-ÛÒÚÓÈÒÚ‚ .......................................................................... 160 èÓ‰Íβ˜ÂÌËÂ Í „·‚ÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ .............................................................. 160 臇ÏÂÚ˚ Á‡ÔËÒË: îÓÏ‡Ú ‰ËÒÍÂÚ ................................................................... 111 Å˚ÒÚ‡fl Á‡ÔËÒ¸ .................................................................................................... 112 á‡ÔËÒ¸ ‰ÓÓÊÂÍ (MÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸) .................................................... 115 ÑÓ·‡‚ÎÂÌË ÌÓ‚˚ı ‰ÓÓÊÂÍ ............................................................................... 118 á‡ÔËÒ¸ Punch-in/out .............................................................................................. 118 ëÔËÒÍË ˝ÙÙÂÍÚÓ‚ 163 ÄÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ëÓÓ·˘ÂÌËfl 165 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ 170 ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı 172 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ 173 121 ÑÛ„Ë ÙÛÌ͈ËË Chord Sequence ....................................................................... 124 ÑÛ„Ë ÙÛÌ͈ËË Record Edit 126 Setup Memory ........................................................................................................ 126 Song Name ............................................................................................................ 127 Track Edit ............................................................................................................... 128 Initial Edit (àÁÏÂÌÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı) .......................................................... 130 ç‡ÒÚÓÈÍË Ì‡ ˝Í‡Ì INITIAL EDIT ..................................................................... 131 á‡ÔËÒ¸ ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl ‰ËÒÍÂÚ˚ èËÎÓÊÂÌË 133 é CVP MEMORY Song ......................................................................................... 133 ÉãABA 8: îÛÌ͈ËË Utility ä·‚ˇÚÛ‡ 136 5 ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 1 ........................................................ 136 ùÍ‡Ì FUNCTION [KEYBOARD 2] — ÒÚ. 2 ........................................................ 137 CVP-202 7 É·‚‡ 1: èÓ‰„ÓÚӂ͇ Í ‡·ÓÚe éÔËÒ‡ÌË ÛÍÓ‚Ó‰ÒÚ‚‡ ○○○○○○○○○○○○○○○○○○○○○ Ç ˝ÚÓÏ ‡Á‰ÂΠӷ˙flÒÌfl˛ÚÒfl ÚÂÏËÌ˚ Ë Ó·ÓÁ̇˜ÂÌËfl, ËÒÔÓθÁÛÂÏ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â. ■ 䂇‰‡ÚÌ˚ ÒÍÓ·ÍË [ ] ............................................................................................................... Ç Í‚‡‰‡ÚÌ˚ı ÒÍӷ͇ı Û͇Á˚‚‡˛ÚÒfl ̇Á‚‡ÌËfl ÍÌÓÔÓÍ, ÔÓÎÁÛÌÍÓ‚ Ë ‡Á˙ÂÏÓ‚ ̇ Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ç‡ÔËÏÂ, ÍÌÓÔ͇ DEMO Ó·ÓÁ̇˜‡ÂÚÒfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â Í‡Í [DEMO]. DEMO HELP ■ ÜËÌ˚È ¯ËÙÚ ................................................................................................................................. ÜËÌ˚Ï ¯ËÙÚÓÏ Ó·ÓÁ̇˜‡˛ÚÒfl ÚÂÏËÌ˚, ÔÓfl‚Îfl˛˘ËÂÒfl ̇ Üä-˝Í‡ÌÂ, ‡ Ú‡ÍÊ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë Üä-ÍÌÓÔÍË (Ú.Â. ÍÌÓÔÍË ÔflÏÓ ÔÓ‰ ˝ÚËÏË ˝ÎÂÏÂÌÚ‡ÏË, Ò΂‡ ËÎË ÒÔ‡‚‡ ÓÚ ÌËı). ç‡ÔËÏÂ, Ù‡Á‡ «Select RIGHT1 VOICE» (‚˚·ÂËÚ RIGHT1 VOICE) ÓÁ̇˜‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ ̇ʇڸ ÍÌÓÔÍÛ ÔÓ‰ ̇‰ÔËÒ¸˛ «RIGHT1 VOICE» ‚ÌËÁÛ ˝Í‡Ì‡. ■ ëÚÂÎÍË ‚ Ó·˙flÒÌÂÌËflı ÓÔ‡ˆËÈ ............................................................................. óÚÓ·˚ ÓÚ΢‡Ú¸ ˝Ú‡Ô˚ ÓÔ‡ˆËË ÓÚ ÂÁÛθڇڇ, ËÒÔÓθÁÛ˛ÚÒfl ‡ÁÌ˚ ÒÚÂÎÍË. ùÚ‡Ô˚ ÓÔ‡ˆËË ♥➾♣ …ÓÁ̇˜‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ Ò̇˜‡Î‡ ‚˚ÔÓÎÌËÚ¸ ♥, ‡ Á‡ÚÂÏ ♣. Operation results ♥➔♠ 6 8 …ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÂÁÛθڇÚÓÏ ‚˚ÔÓÎÌÂÌËfl ♥ fl‚ÎflÂÚÒfl ♠. CVP-202 àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● åÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÅeeÊÌÓ Ó·‡˘‡ÈÚÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓÎÌflÈÚ ‚Ò Û͇Á‡ÌÌ˚ ԇ‚Ë·. ● ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5 ‰˛Èχ 2DD Ë 2HD. ■ ÇÒÚ‡‚͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ ................................... ÇÒÚ‡‚͇ ‰ËÒÍÂÚ ‚ ‰ËÒÍÓ‚Ó‰ ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı Ë ¯ÚÓÍÓÈ ‚Ô‰ ‚ ÒÚÓÓÌÛ ˘ÂÎË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ˘Âθ Ë Ïfl„ÍÓ ÚÓÎ͇ÈÚ ‚Ô‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡. DISK IN USE ■ óËÒÚ͇ „ÓÎÓ‚ÍË ˜ÚÂÌËfl/Á‡ÔËÒË................... ● ÉÓÎÓ‚ÍÛ ‰ËÒÍÓ‚Ó‰‡ ÌÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ ˜ËÒÚËÚ¸. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ ‚˚ÒÓÍÓÚÓ˜ÌÓÈ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı. ● ÑÎfl ÓÔÚËχθÌÓÈ ‡·ÓÚ˚ ‰ËÒÍÓ‚Ó‰‡ ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ÒÔˆˇθÌÓÈ ‰ËÒÍÂÚÓÈ ‰Îfl ÒÛıÓÈ ˜ËÒÚÍË „ÓÎÓ‚ÓÍ, ÍÓÚÓÛ˛ ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ χ„‡ÁËÌÂ. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ڇÍË ‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha. ● çËÍÓ„‰‡ Ì ÓÚÍ˚‚‡ÈÚÂ Ë Ì Á‡Í˚‚‡ÈÚ Í˚¯ÍÛ Í·‚ˇÚÛ˚, ÂÒÎË ‰ËÒÍ ˜‡ÒÚ˘ÌÓ ‚˚ÌÛÚ ËÁ ‰ËÒÍÓ‚Ó‰‡. ä˚¯Í‡ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‰ËÒÍÂÚÛ Ë ‰‡Ê ‰ËÒÍÓ‚Ó‰. ● çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ. èÓÒÚÓÓÌÌË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ. ■ 낉ÂÌËfl Ó ‰ËÒÍÂÚ‡ı ............................................................ àÁ‚ΘÂÌË ‰ËÒÍÂÚ˚ èÂʉ ˜ÂÏ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ Ì ‡·ÓÚ‡ÂÚ (Ë̉Ë͇ÚÓ [DISK IN USE] Ìe „ÓËÚ). åfl„ÍÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ‰ËÒÍÓ‚Ó‰‡ ‰Ó ÛÔÓ‡, Ë ‰ËÒÍÂÚ‡ ‚˚ÒÍÓ˜ËÚ ‡‚ÚÓχÚ˘ÂÒÍË. äÓ„‰‡ ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ÓÒ‚Ó·Ó‰ËÚÒfl, ÓÒÚÓÓÊÌÓ ‚˚̸Ú ÂÂ. à̉Ë͇ÚÓ «Ñàëä àëèéãúáìÖíëü» (Disk In Use) DISK IN USE èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ԇ‚Ë· Ô‰ÓÒÚÓÓÊÌÓÒÚË: ● ç ÒÚ‡‚¸Ú ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ ̇ ‰ËÒÍÂÚ˚, Ì ҄˷‡ÈÚ Ëı Ë Ì ÔËÏÂÌflÈÚ ÒËÎÛ. äÓ„‰‡ ‰ËÒÍÂÚ˚ Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı. ● ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, ‚˚ÒÓÍËı ËÎË ÌËÁÍËı ÚÂÏÔ‡ÚÛ Ë ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË. àÁ·Â„‡ÈÚ ÔÓÔ‡‰‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÊˉÍÓÒÚË. ● ç ÓÚÍ˚‚‡ÈÚ ¯ÚÓÍÛ Ë Ì ÔË͇҇ÈÚÂÒ¸ Í ‚ÌÛÚÂÌÌÂÈ ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚. ● ç ÓÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ ÔÓ‰‚„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚. 凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛ ÔÓÚ² ‰‡ÌÌ˚ı Ë Ò‰Â·ڸ ‰ËÒÍÂÚÛ ÌÂÔË„Ó‰ÌÓÈ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl. ● çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ ¯ÚÓÍÓÈ ËÎË ‚̯ÌËÏ ÔÓÍ˚ÚËÂÏ. ● ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÒÔˆˇθÌ˚ı ̇ÍÎÂÂÍ. èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÂ. ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ÂÎ͇ ‰Îfl Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË): óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚˇÌËfl, ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË Á‡˘ËÚ˚ (˜ÚÓ·˚ ÓÚ‚ÂÒÚË ·˚ÎÓ ÓÚÍ˚ÚÓ). êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ÑÎfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓΠ‚‡ÊÌ˚ı ‰‡ÌÌ˚ı ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. èË ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Ó‰ÌÓÈ ËÁ ‰ËÒÍÂÚ Û ‚‡Ò ·Û‰ÂÚ Â˘Â Ó‰Ì‡ ÍÓÔËfl. ÑÎfl ÒÓÁ‰‡ÌËfl ÂÁ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Disk Copy (ÒÚ. 142). 7 çËÍÓ„‰‡ Ì ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ÓÚÍβ˜‡ÈÚ ÔËÚ‡ÌË ‚Ó ‚ÂÏfl Á‡ÔËÒË, ˜ÚÂÌËfl Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÂÚ˚, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÒÎ˯ÍÓÏ ·˚ÒÚÓ ËÎË Ì ‰Ó ÍÓ̈‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË ÌÂÔ‡‚ËθÌÓ. äÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡ ÏÓÊÂÚ Á‡ÒÚflÚ¸ ̇ ÔÓÎÔÛÚË, ‡ ‰ËÒÍÂÚ‡ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡ ÚÓθÍÓ Ì‡ ÌÂÒÍÓθÍÓ ÏËÎÎËÏÂÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ. èËÏÂÌÂÌË ÒËÎ˚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÓ‚Ó‰‡ ËÎË Ò‡ÏÓÈ ‰ËÒÍÂÚ˚. óÚÓ·˚ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚ ̇ʇڸ ÍÌÓÔÍÛ Â˘Â ‡Á ËÎË ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚ Ôӈ‰ÛÛ. èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ ‰ËÒÍӂӉ Ì ÓÒÚ‡ÎÓÒ¸ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚ ‰ËÒÍӂӉ ‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ‡ ˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË. CVP-202 9 èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ○○○○○○○○○○○○○○○○○○ è˛ÔËÚ ■ ä‡Í ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ: .................................................................................................................. Z ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. X éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ̇ Á‡‰ÌÂÈ ÒÚÂÌÍ ԲÔËÚ‡. C ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡Á‡‰ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔˇÎÒfl ̇ ÙËÍÒ‡ÚÓ˚. ■ ä‡Í ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ: ................................................................................................................ Z ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. X èÓ‰ÌËÏËÚ ‰‚‡ ÏÂÚ‡Î΢ÂÒÍËı ÙËÍÒ‡ÚÓ‡ Ú‡Í, ˜ÚÓ·˚ ÓÌË ÔÎÓÚÌÓ ÔË΄‡ÎË Í Á‡‰ÌÂÈ ÒÚÓÓÌ ԲÔËÚ‡. C éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. ÇçàåÄçàÖ! • ç ËÒÔÓθÁÛÈÚ ԲÔËÚ+, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚ+, Ì ‚˚ÔÛÒ͇ÈÚÂ Â„Ó ËÁ +ÛÍ, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. ä˚¯Í‡ Í·‚ˇÚÛ˚ ■ ä‡Í ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: ............................................................................ Z çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ (Ì ÒÎ˯ÍÓÏ ÒËθÌÓ). X éÚÍÓÈÚ Í˚¯ÍÛ ÒÍÓθÁfl˘ËÏ ‰‚ËÊÂÌËÂÏ. éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ Í·‚ˇÚÛ˚ ·Û‰¸Ú ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Ì ÔˢÂÏËÚ¸ ԇθˆ˚. ■ ä‡Í Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: ............................................................................. Z ëÍÓθÁfl˘ËÏ ‰‚ËÊÂÌËÂÏ ÔÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl. X åfl„ÍÓ Á‡ÍÓÈÚ Í·‚ˇÚÛÛ Í˚¯ÍÓÈ. ÇçàåÄçàÖ! • ÑÂ+ÊËÚ Í+˚¯ÍÛ Ó·ÂËÏË +Û͇ÏË Ë Ì ÓÚÔÛÒ͇ÈÚÂ, ÔÓ͇ Ó̇ ÔÓÎÌÓÒÚ¸˛ Ì ÓÚÍ+ÓÂÚÒfl ËÎË Ì Á‡Í+ÓÂÚÒfl. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊË ԇθˆ˚ ÏÂÊ‰Û Í+˚¯ÍÓÈ Ë ÍÓ+ÔÛÒÓÏ. • ç Í·‰ËÚ ̇ Í+˚¯ÍÛ ÔÓÒÚÓ+ÓÌÌË Ô+‰ÏÂÚ˚. äÓ„‰‡ Í+˚¯Í‡ ÓÚÍ+˚‚‡ÂÚÒfl, ÏÂÎÍË Ô+‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ+¸ ÍÓ+ÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ·Û‰ÂÚ Ô+‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ Ô+Ë‚ÂÒÚË Í ÔÓ+‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓ+ÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓʇ+Û Ë ‰+Û„ËÏ ÒÂ+¸ÂÁÌ˚Ï ÔÓ‚+ÂʉÂÌËflÏ ËÌÒÚ+ÛÏÂÌÚ‡. 8 10 CVP-202 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Z èÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl. ÇÒÚ‡‚¸Ú ӉËÌ ÍÓ̈ ͇·ÂÎfl ‚ ‡Á˙ÂÏ AC INLET ̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, a ‰Û„ÓÈ ‚ Ó·˚˜ÌÛ˛ ÓÁÂÚÍÛ. Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. X ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER]. ç‡ Üä-‰ËÒÔΠÔÓfl‚ËÚÒfl „·‚Ì˚È ˝Í‡Ì. (èÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡˛ÚÒfl ÚÂÏ· GrandPiano 1 Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 60'sGtrPop.) à̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ ÔÓ‰ ΂˚Ï ÍÓ̈ÓÏ Í·‚ˇÚÛ˚ Ú‡ÍÊ Á‡„Ó‡ÂÚÒfl. POWER C éÚ„ÛÎËÛÈÚ Üä-˝Í‡Ì. ÖÒÎË ËÁÓ·‡ÊÂÌË ̇ ˝Í‡Ì Ì˜ÂÚÍÓÂ, ̇ÒÚÓÈÚ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [LCD CONTRAST] Ò΂‡ ÓÚ ˝Í‡Ì‡. CONTRAST VOLUME MASTER VOLUME V éÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME]. ACMP/SONG VOLUME MAX MAX MIN ● äÓ„‰‡ ‚˚ „ÓÚÓ‚˚ Í ‚˚Íβ˜ÂÌ˲ ÔËÚ‡ÌËfl, ̇ÊÏËÚ ¢ ‡Á ÍÌÓÔÍÛ [POWER]. Üä-˝Í‡Ì Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl (Ò΂‡ ÔÓ‰ Í·‚ˇÚÛÓÈ) ÔÓ„‡ÒÌÛÚ. MIN CÚÂÂÓ̇ۯÌËÍË PHONES ëڇ̉‡ÚÌ˚ ‡Á˙ÂÏ˚ ‰Îfl ÒÚÂÂÓ̇ۯÌËÍÓ‚ èÓ‰Íβ˜ËÚ (‰ÓÔÓÎÌËÚÂθÌ˚Â) ÒÚÂÂÓ̇ۯÌËÍË Í ‡Á˙ÂÏÛ [PHONES]. èË ÔÓ‰Íβ˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ ‚ÌÛÚÂÌÌË ‰Ë̇ÏËÍË ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡˛ÚÒfl. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÏÂÂÚ ‰‚‡ ‡Á˙Âχ PHONES, Ú.Â. Ó‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ‰‚ ԇ˚ ̇ۯÌËÍÓ‚. èÓ˝ÚÓÏÛ ÒÎÛ¯‡Ú¸ Ë„Û Ì‡ ÔˇÌËÌÓ ÏÓ„ÛÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚‡ ˜ÂÎÓ‚Â͇. ■ ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚: ......................................................................................................... PH O NE S ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ CVP-202 Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. èËÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ Í ÍÓÔÛÒÛ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 x 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. ÇçàåÄçàÖ! • ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í+˛˜ÓÍ Ì˘„Ó, Í+ÓÏ ̇ۯÌËÍÓ‚. à̇˜Â ÏÓÊÌÓ ÔÓ‚+‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í+˛˜ÓÍ. èÓ‰Íβ˜ÂÌË ‰Û„Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËfl MIDI IN AUX IN R OUT THRU AUX OUT L/L+R R L/L+R PEDAL HOST SELECT PC-1 Mac TO HOST 9 PC-2 MIDI ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò̇·ÊÂÌÓ fl‰ÓÏ ‡Á˙ÂÏÓ‚, ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Â„Ó Í ‰Û„ÓÏÛ ‡Û‰ËÓ- ËÎË MIDI-Ó·ÓÛ‰Ó‚‡Ì˲. ùÚË ‡Á˙ÂÏ˚ ‡ÒÔÓÎÓÊÂÌ˚ Ò΂‡ ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡. óÂÂÁ ‡Á˙ÂÏ˚ AUX IN ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ‰Û„Ë ËÌÒÚÛÏÂÌÚ˚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova, Ë ÚÓ„‰‡ ‚ ‰Ë̇ÏË͇ı ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÏÛÁ˚͇ Ò ˝ÚËı ËÌÒÚÛÏÂÌÚÓ‚. åÓÊÌÓ Ú‡ÍÊ ‚˚‚ÂÒÚË Á‚ÛÍ Ò ÔˇÌËÌÓ Clavinova ̇ ‚̯ÌË ‰Ë̇ÏËÍË ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX OUT. ÖÒÎË ‚˚ ıÓÚËÚ ÛÔ‡‚ÎflÚ¸ ‰Û„ËÏ MIDI-ËÌÒÚÛÏÂÌÚÓÏ c ÔˇÌËÌÓ Clavinova (ËÎË, ̇ӷÓÓÚ, Á‚Û˜‡ÌËÂÏ ÔˇÌËÌÓ Clavinova Ò ‰Û„Ó„Ó MIDI-ËÌÒÚÛÏÂÌÚ‡), ËÒÔÓθÁÛÈÚ ‡Á˙ÂÏ˚ MIDI. ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ÔˇÌËÌÓ Clavinova Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ ËÏÂÂÚÒfl ‡Á˙ÂÏ TO HOST. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÎË ÓÚÍβ˜‡Ú¸ ‰Û„Ó ӷÓÛ‰Ó‚‡ÌËÂ, ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ. ÑÓÔÓÎÌËÚÂθÌ˚ ËÌÒÚÛ͈ËË ÒÏ. ‚ „·‚ 9 ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡. CVP-202 11 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ AUX IN R L AUX OUT L/L+R L/L+R R x MIDI IN OUT THRU PEDAL HOST SELECT PC-2 MIDI J K 1 2 MAX z 7 STYLE POP BALLADS DANCE SWING & JAZZ R&B PIANIST MIN & * MUSIC DATABASE w 4 COUNTRY HELP LATIN MARCH & WORLD METRONOME WALTZ BALLROOM DISK 9 HARMONY 6 CUSTOM ACMP ON INTRO CANCEL A-1 B-1 C0 D0 E0 F0 G0 A0 B0 MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT 0 ! @ # $ % ^ RESET 8 r START /STOP TAP SYNCHRO START/STOP ( ) q y CONTRAST TEMPO BEAT AUTO ACCOMPANIMENT MIN TO HOST PC-1 Mac 5 POP & ROCK DEMO ACMP/SONG VOLUME MAX : 3 VOLUME MASTER VOLUME ○○○○○○○○○○○○ FUNCTION MIXER PAGE u e t DIRECT ACCESS i o C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 PHONES H * TEMPO [–], [+] ........................................................ ÒÚ. 25 á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇ 1 [MASTER VOLUME]............................................... ÒÚ. 23 2 [ACMP/SONG VOLUME ] ...................................... ÒÚ. 23 ( [TAP] ....................................................................... ÒÚ. 53 ) [SYNCHRO] ............................................................ ÒÚ. 53 q [START/STOP] .................................................ÒÚ. 52, 55 ëÔˆˇθÌ˚ ÂÊËÏ˚ ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ̇ ˝Í‡Ì ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË 3 [DEMO] .................................................................... ÒÚ.14 4 [HELP] ..................................................................... ÒÚ. 27 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 5 äÌÓÔÍË STYLE ....................................................... ÒÚ. 49 6 [DISK/CUSTOM] ..................................................... ÒÚ. 73 7 [MUSIC DATABASE] .............................................. ÒÚ. 67 8 [HARMONY] ............................................................ ÒÚ. 69 Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ 9 [ACMP ON] ............................................................. ÒÚ. 57 0 [INTRO] ................................................................... ÒÚ. 54 ! [MAIN A] .................................................................. ÒÚ. 51 @ [MAIN B] .................................................................. ÒÚ. 51 # [MAIN C].................................................................. ÒÚ. 51 $ [MAIN D].................................................................. ÒÚ. 51 % [ENDING] ................................................................ ÒÚ. 55 ^ [FADE IN/OUT] .................................................ÒÚ. 55, 56 åÂÚÓÌÓÏ &[METRONOME] ....................................................... ÒÚ. 25 CVP-202 á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ E [SONG] .................................................................... ÒÚ. 94 R [PLAY/STOP] .......................................................... ÒÚ. 95 T [REC] ..................................................................... ÒÚ. 113 Y [PAUSE] ................................................................ ÒÚ. 103 U [REW] .................................................................... ÒÚ. 103 I [FF] ........................................................................ ÒÚ. 103 10 12 w [CONTRAST] .......................................................... ÒÚ. 11 e à̉Ë͇ÚÓ˚ [BEAT] .............................................. ÒÚ. 52 r [FUNCTION] ......................................................... ÒÚ. 136 t [MIXER] ................................................................... ÒÚ. 24 y Üä-˝Í‡Ì ............................................................... ÒÚ. 16 u PAGE [<], [>] ....................................................... ÒÚ. 19 i [DIRECT ACCESS]................................................. ÒÚ. 21 o Üä-ÍÌÓÔÍË ............................................................. ÒÚ. 18 p [EXIT] ...................................................................... ÒÚ. 21 Q 燷ÓÌ˚È ‰ËÒÍ ...................................................... ÒÚ. 17 W [–], [+] ...................................................................... ÒÚ. 17 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ è‡ÌÂθ c v b s SONG CONTROL Q E Y SONG PLAY/ STOP PAUSE REW VOICE REC R U FF T I PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG GUIDE CONTROL EXIT p EASY PLAY W NEXT NOTE SOUND REPEAT O P a REGISTRATION/ 1 2 3 j 4 ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ONE TOUCH SETTING BANK BANK d S DISK IN USE DUAL REVERB SPLIT EFFECT g D f h REGISTRATION ONE TOUCH SETTING k l ; A G CVP-202 F POWER F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 O [EASY PLAY] ........................................................ ÒÚ. 105 P [NEXT NOTE] ....................................................... ÒÚ. 105 a [SOUND REPEAT] ............................................... ÒÚ. 106 L [PEDAL] .................................................................. ÒÚ. 34 : MIDI [IN], [OUT], [THRU]...................................... ÒÚ. 160 z [HOST SELECT] ................................................... ÒÚ. 160 x [TO HOST] ............................................................ ÒÚ. 160 íÂÏ·˚ 艇ÎË îÛÌ͈ËË Ó·Û˜ÂÌËfl s ÍÌÓÔÍË VOICE ........................................................ ÒÚ. 29 d [DUAL] ..................................................................... ÒÚ. 33 f [SPLIT] .................................................................... ÒÚ. 36 g [REVERB] ............................................................... ÒÚ. 41 h [EFFECT] ................................................................ ÒÚ. 46 c ょfl Ô‰‡Î¸ (ÔË„ÎÛ¯ÂÌËÂ) .............................. ÒÚ. 40 v ë‰Ìflfl Ô‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) ............................... ÒÚ. 40 b 臂‡fl Ô‰‡Î¸ ...................................................... ÒÚ. 40 á‡ÔËÒ¸/ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌË j [1] - [4] ...............................................................ÒÚ. 72, 90 k [BANK -] .................................................................. ÒÚ. 89 l [BANK +] ................................................................. ÒÚ. 89 ; [REGISTRATION] ................................................... ÒÚ. 90 A [ONE TOUCH SETTING] ....................................... ÒÚ. 72 S à̉Ë͇ÚÓ «Ñàëä àëèéãúáìÖíëü» ................. ÒÚ. 9 D ÑËÒÍÓ‚Ó‰ (3,5 ‰˛Èχ) ............................................ ÒÚ. 9 F [POWER]................................................................. ÒÚ. 11 G à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ ................................... ÒÚ. 109 ê‡Á˙ÂÏ˚ 11 H [PHONES] ............................................................. ÒÚ. 158 J AUX IN [L/L+R], [R] .............................................. ÒÚ. 158 K AUX OUT [L/L+R], [R] .......................................... ÒÚ. 159 CVP-202 13 ÇÓÒÔÓËÁ‚‰eÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ○○○○ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ı‡ÌËÚÒfl 50 ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔeÒeÌ: 4 ÔÓÎÌ˚ı ÔÂÒÌË, 24 Ó·‡Áˆ‡ ÚÂÏ·Ó‚ Ë 22 Ó·‡Áˆ‡ ÒÚËÎeÈ. èÓÒÎÛ¯‡ÈÚe Ëı ‚ÒÂ, ˜ÚÓ·˚ ÓˆÂÌËÚ¸ ‚ÓÁÏÓÊÌÓÒÚË ÔˇÌËÌÓ Clavinova. Z Ç˚·ÂËÚ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË (Demo Play). ........................................................................................................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. à̉Ë͇ÚÓ˚ STYLE Ë VOICE ̇˜ÌÛÚ ÏË„‡Ú¸, Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì DEMO. DEMO HELP X Ç˚·ÂËÚ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl. .................................................................... Ç˚·ÂËÚ ÂÊËÏ, ̇ÊËχfl ͇ÈÌ˛˛ ÍÌÓÔÍÛ ÒÔ‡‚‡ ̇ Üä-‰ËÒÔÎÂÂ. åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ eÊËÏÓ‚: ALL ÇÒ ÔÂÒÌË ÔÓË„˚‚‡˛ÚÒfl Ӊ̇ Á‡ ‰Û„ÓÈ, ̇˜Ë̇fl Ò ‚˚·‡ÌÌÓÈ. ÇÓÒÔÓËÁ‚e‰eÌËe ÔÓ‰ÓÎʇeÚÒfl ‚ ˆËÍ΢eÒÍÓÏ eÊËÏe ‰Ó Úeı ÔÓ, ÔÓ͇ Ìe ·Û‰eÚ ÓÒÚ‡ÌÓ‚ÎeÌÓ. RANDOM ÇÒ ÔÂÒÌË ÔÓË„˚‚‡˛ÚÒfl ‚ ÔÓËÁ‚ÓθÌÓÏ ÔÓfl‰Íe, ̇˜Ë̇fl Ò ‚˚·‡ÌÌÓÈ. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓ‰ÓÎʇÂÚÒfl ‚ ˆËÍ΢eÒÍÓÏ eÊËÏe ‰Ó Úeı ÔÓ, ÔÓ͇ Ìe ·Û‰eÚ ÓÒÚ‡ÌÓ‚ÎeÌÓ. SINGLE èÓË„˚‚‡eÚÒfl ÚÓθÍÓ ‚˚·‡Ì̇fl ÔeÒÌfl. Ç ÍÓ̈e ÔeÒÌË ‚ÓÒÔÓËÁ‚e‰eÌËe ‡‚ÚÓχÚ˘eÒÍË Ôe͇˘‡eÚÒfl. C Ç˚·ÂËÚ ÔÂÒÌ˛ Ë Ì‡˜ÌËÚ ‚ÓÒÔÓËÁ‚e‰eÌËÂ. ...................................... äÓ„‰‡ ‚˚·Ë‡ÂÚÒfl ÔÂÒÌfl, ‚ÓÒÔÓËÁ‚‰ÌË ‡‚ÚÓχÚ˘eÒÍË Ì‡˜ÌÂÚÒfl ‚ ‚˚·‡ÌÌÓÏ ÂÊËÏe. Ç˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ ÏÓÊÌÓ ÚeÏfl ÒÔÓÒÓ·‡ÏË, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊe: èêàåÖóÄçàÖ • åÓÊÌÓ Ú‡ÍÊ ̇˜‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ò Ô‚ÓÈ ÔÓÎÌÓÈ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [START/ STOP] ËÎË [PLAY/STOP]. • èÓÎÌ˚È ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÔˇÌËÌÓ Clavinova ÒÏ. ̇ ÒÚ. 7. (A) ÑÎfl ÔÓÒÎۯ˂‡ÌËfl Ó‰ÌÓÈ ËÁ ˜ÂÚ˚Âı ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ 1 — 4 ̇ ˝Í‡Ìe. ➔ ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰eÌËfl ̇ ˝Í‡Ìe ‚˚Ò‚e˜Ë‚‡ÂÚÒfl ÌÓÏe ÔÂÒÌË. CVP-202 12 14 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰eÌË (B) ÑÎfl ÔÓÒÎۯ˂‡ÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ Í‡Ú„ÓËË ÚÂÏ·‡. ➔ ÇÓÒÔÓËÁ‚‰eÌË ̇˜ÌÂÚÒfl Ò Ô‚ÓÈ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‰Îfl ‚˚·‡ÌÌÓÈ Í‡Ú„ÓËË. ëÓÓÚ‚eÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ VOICE ÏË„‡ÂÚ. ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ èêàåÖóÄçàÖ ÑÎfl ͇ʉÓÈ Í‡Ú„ÓËË ÚÂÏ·Ó‚ ÂÒÚ¸ ‰‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌË. óÚÓ·˚ Ò‡ÁÛ ÔeeÈÚË ÍÓ ‚ÚÓÓÈ Ì‡ÊÏËÚ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ Â˘Â ‡Á. VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT (C) ÑÎfl ÔÓÒÎۯ˂‡ÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ Í‡Ú„ÓËË ÒÚËÎfl. ➔ ÇÓÒÔÓËÁ‚‰eÌË ̇˜ÌÂÚÒfl Ò Ô‚ÓÈ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‰Îfl ‚˚·‡ÌÌÓÈ Í‡Ú„ÓËË. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ STYLE ÏË„‡ÂÚ. èêàåÖóÄçàÖ ÑÎfl ͇ʉÓÈ Í‡Ú„ÓËË ÒÚËÎÂÈ ÂÒÚ¸ ‰‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌË. óÚÓ·˚ Ò‡ÁÛ ÔeeÈÚË ÍÓ ‚ÚÓÓÈ Ì‡ÊÏËÚ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ Â˘Â ‡Á. STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B BALLROOM PIANIST MUSIC DATABASE DISK HARMONY CUSTOM V éÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸. ................................................................................................ ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚe ÔÓÎÁÛÌÓÍ [MASTER VOLUME]. B éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰eÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË. ...... ÑÎfl Ôe͇˘eÌËfl ‚ÓÒÔÓËÁ‚e‰eÌËfl ̇ÊÏËÚe ÍÌÓÔÍÛ [START/STOP], [PLAY/STOP] ËÎË Üä-ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÔÓË„˚‚‡ÏÓÈ ÔÂÒÌÂ. N Ç˚ıÓ‰ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ. ........................................................... èêàåÖóÄçàÖ ùÎeÏeÌÚ ÛÔ‡‚ÎeÌËfl [ACMP/SONG VOLUME] ËÒÔÓθÁÓ‚‡Ú¸ ÌeθÁfl. èêàåÖóÄçàÖ ëÏÂ̇ ÔÂÒÌË ‚Ó ‚+eÏfl ‚ÓÒÔ+ÓËÁ‚e‰eÌËfl: ç‡ÊÏËÚ Üä-ÍÌÓÔÍÛ, ÍÌÓÔÍÛ VOICE ËÎË ÍÌÓÔÍÛ STYLE ‰Îfl ‰Û„ÓÈ ÔÂÒÌË, Ë ÔÓËÁÓȉÂÚ ÒÏÂ̇ ÔÂÒÌË. EcÎË ‚˚·‡Ì ÂÊËÏ ALL ËÎË RANDOM, ÔÓÒΠÓÍÓ̘‡ÌËfl ‚˚·‡ÌÌÓÈ ÔÂÒÌË ·Û‰ÛÚ ÔÓË„˚‚‡Ú¸Òfl ‰Û„Ë ÔÂÒÌË. ÑÎfl ‚˚ıÓ‰‡ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ ̇ÊÏËÚ ÒÌÓ‚‡ ÍÌÓÔÍÛ [DEMO] (ËÎË [EXIT]). 13 ● à„‡ ‚ÏÂÒÚÂ Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌÂÈ ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰eÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı. åÓÊÌÓ Ú‡ÍÊe ÏeÌflÚ¸ ÚeÏÔ (ÒÚ. 25) Ë ÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË [REW], [FF] Ë [PAUSE]. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡eÚe 3. Lyric Demo, ̇ ˝Í‡Ìe ËÌÒÚÛÏÂÌÚ‡ ÔÓfl‚Îfl˛ÚÒfl ÒÎÓ‚‡ Ë ‚˚ ÏÓÊÂÚ ӉÌÓ‚ÂÏÂÌÌÓ Ë ÔÂÚ¸, Ë Ë„‡Ú¸. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚ 4. GUIDE Demo, ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl Ó·Û˜‡˛˘eÈ ÙÛÌ͈ËeÈ Guide (ÒÚ. 105). çÓ ‚Ó ‚eÏfl ‰ÂÏÓÌÒÚ‡ˆËË ÌÂθÁfl ÏÂÌflÚ¸ ÚÂÏ·. èêàåÖóÄçàÖ Ñ‡ÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË Ì ‚˚‚Ó‰flÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ [MIDI OUT], ‡ ‰‡ÌÌ˚ ‚‡¯eÈ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ‚˚‚Ó‰flÚÒfl. CVP-202 15 É·‚‡ 2: éÒÌÓ‚Ì˚ ÓÔe‡ˆËË ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe ○○○○○○○ ÇÓ ‚ÂÏfl ‡·ÓÚ˚ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ‚‡Ï ÔˉÂÚÒfl ˜‡ÒÚÓ Ó·‡˘‡Ú¸Òfl Í Üä-˝Í‡ÌÛ. ùÚÓÚ ‡Á‰ÂΠ̇ۘËÚ ‚‡Ò ˜ËÚ‡Ú¸ Üä-˝Í‡Ì Ë ËÒÔÓθÁÓ‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl. Ç˚·Ó ÙÛÌ͈ËË åÌÓ„Ë ÙÛÌ͈ËË ËÌÒÚÛÏÂÌÚ‡ ÔÓ͇Á‡Ì˚ ‚ ÌËÊÌÂÈ ˜‡ÒÚË Üä-˝Í‡Ì‡. É·‚Ì˚È ˝Í‡Ì, ÔÓ͇Á‡ÌÌ˚È ÌËÊÂ, ÒÓ‰ÂÊËÚ 2 ÙÛÌ͈ËË: KBD VOL Ë RIGHT1 VOICE. ùÚË ˝ÎÂÏÂÌÚ˚ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ ‡Ï͇ı Ò ÁaÍÛ„ÎÂÌÌ˚ÏË Û„Î‡ÏË. ùÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝ÚË ÛÒÚ‡ÌÓ‚ÍË ÏÓ„ÛÚ ·˚Ú¸ ËÁÏÂÌÂÌ˚. çÓ ÔÂʉ ˜ÂÏ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË Í‡ÍÓÈ-ÚÓ ÙÛÌ͈ËË, ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ˝ÚÛ ÙÛÌÍˆË˛. ç‡ „·‚ÌÓÏ ˝Í‡Ì ‚˚҂˜˂‡ÂÚÒfl ÙÛÌ͈Ëfl RIGHT1 VOICE. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚·‡Ì‡ ËÏÂÌÌÓ ˝Ú‡ ÙÛÌ͈Ëfl. óÚÓ·˚ ‚˚·‡Ú¸ ÙÛÌÍˆË˛, ̇ÊÏËÚÂ Ë ·˚ÒÚÓ ÓÚÔÛÒÚËÚ Üä-ÍÌÓÔÍÛ, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÔflÏÓ ÔÓ‰ ÌÂÈ. ç‡ÔËÏÂ, ̇ʇ‚ Ò‡ÏÛ˛ ÎÂ‚Û˛ Üä-ÍÌÓÔÍÛ, ‚˚ ‚˚·ÂÂÚ ÙÛÌÍˆË˛ KBD VOL. èêàåÖóÄçàÖ É·‚Ì˚È ˝Í+‡Ì èÓÏÌËÚÂ, ˜ÚÓ É·‚Ì˚È ˝Í‡Ì - ˝ÚÓ ˝Í‡Ì, ÍÓÚÓ˚È ÔÓfl‚ÎflÂÚÒfl Ô‚˚Ï ÔË ‚Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡. èêàåÖóÄçàÖ Ç˚‰ÂÎÂÌÌ˚ ˝ÎÂÏÂÌÚ˚ Ç˚·‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚ ‚˚‰eÎfl˛ÚÒfl ̇ ˝Í‡Ìe (ÓÚÓ·‡Ê‡˛ÚÒfl ·ÂÎ˚ÏË ·ÛÍ‚‡ÏË Ì‡ ÚÂÏÌÓÏ ÙÓÌe). èêàåÖóÄçàÖ äÌÓÔÍË Üä-˝Í+‡Ì‡ èflÚ¸ Üä-ÍÌÓÔÓÍ ÔÓ‰ Üä-˝Í‡ÌÓÏ ÏÓ„ÛÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡ÁÌ˚Ï ÙÛÌ͈ËflÏ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó ˝Í‡Ì‡. ç‡ÊÏËÚÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÙÛÌÍˆË˛. CVP-202 14 16 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ÑÎfl ËÁÏÂÌÂÌËfl Á̇˜ÂÌËfl ÙÛÌ͈ËË ÒÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚. ÇÓÚ ‰‚‡ ÓÒÌÓ‚Ì˚ı: ■ àÒÔÓθÁÓ‚‡ÌË ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+] ....................... àÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ ÙÛÌ͈ËË ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. í‡Í Í‡Í ‚˚ ÚÓθÍÓ ˜ÚÓ ‚˚·‡ÎË ÙÛÌÍˆË˛ KBD VOL, ÔÓÔÓ·ÛÈÚ ÔÓ‚ÂÌÛÚ¸ ‰ËÒÍ ËÎË Ì‡ÊËχÈÚ ÍÌÓÔÍÛ [–] ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ÔÓfl‚ËÚÒfl 0. îÛÌ͈Ëfl KBD VOL Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚. ÖÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸  ̇ Á̇˜ÂÌË 0, Í·‚ˇÚÛ‡ Ì ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ÓÓ·˘Â, Í‡Í ·˚ ‚˚ Ì ‰‚Ë„‡ÎË ÔÓÎÁÛÌÓÍ [MASTER VOLUME]. ■ àÒÔÓθÁÓ‚‡ÌË Üä-ÍÌÓÔÓÍ .................................................................................................. óÚÓ·˚ Û‚Â΢ËÚ¸ Á̇˜ÂÌËÂ, ÏÓÊÌÓ Ì‡Ê‡Ú¸ Ë ÔÓ‰Âʇڸ ÌÂÍÓÚÓÓ ‚ÂÏfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Üä-ÍÌÓÔÍÛ. óÚÓ·˚ ‚‡¯‡ Í·‚ˇÚÛ‡ ‚ÌÓ‚¸ Á‡Á‚Û˜‡Î‡, ̇ÊÏËÚÂ Ë ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓ‰ÂÊËÚ ҇ÏÛ˛ ÎÂ‚Û˛ ÜäÍÌÓÔÍÛ, ÔÓ͇ Á̇˜ÂÌË KBD VOL Ì ÒÚ‡ÌÂÚ ‚ÌÓ‚¸ ‡‚Ì˚Ï 127. èêàåÖóÄçàÖ ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [-] ËÎË [+] ÌÂÒÍÓθÍÓ ‡Á, Á̇˜ÂÌË ·Û‰eÚ ÏÂÌflÚ¸Òfl ÔÓÒÚÂÔÂÌÌÓ. ÑÎfl ·˚ÒÚÓ„Ó ËÁÏÂÌÂÌËfl ÒΉÛÂÚ Ì‡Ê‡Ú¸ Ë ‰Âʇڸ ˝ÚË ÍÌÓÔÍË. èêàåÖóÄçàÖ ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ‡·ÓÚ ÙÛÌ͈ËË KBD VOL ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ̇ ÒÚ. 23. èêàåÖóÄçàÖ èË ‚˚·Ó ÙÛÌ͈ËË Ì ‰ÂÊËÚ Üä-ÍÌÓÔÍÛ ÒÎ˯ÍÓÏ ‰Ó΄Ó: Ë̇˜Â ‚˚ ÏÓÊÂÚ ÒÎÛ˜‡ÈÌÓ Û‚Â΢ËÚ¸ Á̇˜ÂÌËÂ, ÍÓ„‰‡ ıÓÚÂÎË ÛÏÂ̸¯ËÚ¸. ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚÂ, ˜ÚÓ·˚ Û‚Â΢ËÚ¸ Á̇˜ÂÌËÂ. 15 íÂÔ¸, ÍÓ„‰‡ ‚˚ ‚ÂÌÛÎË ËÒıÓ‰ÌÛ˛ „ÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚, ‡ÒÒÏÓÚËÏ ‰Û„Ë ÒÔÓÒÓ·˚ ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ. CVP-202 17 ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ àÁÏÂÌÂÌË ̇ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ ÑÎfl ËÁÏÂÌÂÌËfl ÚÂÏ·‡ ‚˚ ÏÓÊÂÚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl β·˚Ï ËÁ ‚˚¯ÂÛ͇Á‡ÌÌ˚ı ÏÂÚÓ‰Ó‚. ç‡ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚ ÍÌÓÔÍÛ RIGHT1 VOICE. åÓÊÌÓ Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [+] ‰Îfl ÔÓÒÏÓÚ‡ Á̇˜ÂÌËÈ. èÓÒÎÛ¯‡ÈÚ ÌÂÒÍÓθÍÓ ÚÂÏ·Ó‚... èÓ·ÎÂχ Ò ˝ÚËÏ ÏÂÚÓ‰ÓÏ Á‡Íβ˜‡ÂÚÒfl ‚ ÚÓÏ, ˜ÚÓ ÚÛ‰ÌÓ Ì‡ÈÚË ÌÛÊÌ˚È ÚÂÏ· - ‚‰¸ ‚ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚÒfl ·ÓΠ700 ÚÂÏ·Ó‚! èÓ˝ÚÓÏÛ ‰Îfl ‚˚·Ó‡ ‚˚ ÏÓÊÂÚ Ô‰ÔÓ˜ÂÒÚ¸ ÏÂÌ˛. èÓÔÓ·ÛÈÚ ÒÂȘ‡Ò ̇ʇڸ ÍÌÓÔÍÛ [PIANO&HARPSI.]. PIANO & HARPSI. E. PIANO ORGAN & ACCORDION èêàåÖóÄçàÖ íÂÏ·+ íÂÏ· - ˝ÚÓ ‡ÁÌӂˉÌÓÒÚ¸ Á‚Û˜‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. PERCUSSION ÖÒÎË ‚˚ ̇ÊÏÂÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ VOICE, ̇ Üä-˝Í‡Ì ÔÓfl‚ËÚÒfl ÌÓ‚˚È Ì‡·Ó ÙÛÌ͈ËÈ ËÁ ÒÔËÒ͇ ÚÂÏ·Ó‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚËÔ‡. ëÂȘ‡Ò ‚˚ ‰ÓÎÊÌ˚ ‚ˉÂÚ¸ ÏÂÌ˛ ÙÓÚÂÔ¸flÌÌ˚ı ÚÂÏ·Ó‚. èêàåÖóÄçàÖ ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ‚˚·Ó ÚÂÏ·Ó‚ ÒÏ. ̇ ÒÚ. 29. ■ àÒÔÓθÁÓ‚‡ÌË Üä-ÍÌÓÔÓÍ .................................................................................................................... ä‡Ê‰˚È ÚÂÏ· ÔˇÌËÌÓ Ì‡ ˝ÚÓÏ ˝Í‡Ì Ô‰ÒÚ‡‚ÎÂÌ ‚ ‚ˉ ÓÚ‰ÂθÌÓÈ ÙÛÌ͈ËË ‚ ‡ÏÍÂ Ò ÁaÍÛ„ÎÂÌÌ˚ÏË Û„Î‡ÏË. ÑÎfl ‚˚·Ó‡ ÚÂÏ·‡ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÜäÍÌÓÔ͇ÏË ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í ‚˚ ‚˚·Ë‡ÎË ÙÛÌ͈ËË KBD VOL Ë RIGHT1 VOICE ‚ ̇˜‡Î ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡. ç‡ÊÏËÚ Üä-ÍÌÓÔÍÛ, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÚÂÏ·. ■ àÒÔÓθÁÓ‚‡ÌË ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–]/[+] .............................................. ùÚÓ Â˘Â Ó‰ËÌ ÒÔÓÒÓ· ‚˚·Ó‡ ÚÂÏ·‡ ̇ ˝ÚÓÏ ˝Í‡ÌÂ. ÑÎfl ÒÏÂÌ˚ ÚÂÏ·‡ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ̇·ÓÌ˚Ï ‰ËÒÍÓÏ, ÍÌÓÔ͇ÏË [–] ËÎË [+]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [–] ËÎË ÔÓ‚ÂÌËÚ ̇·ÓÌ˚È ‰ËÒÍ ÔÓÚË‚ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍË, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚÂÏ· Ò΂‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+] ËÎË ÔÓ‚ÂÌËÚ ‰ËÒÍ ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚÂÏ· ÒÔ‡‚‡. èêàåÖóÄçàÖ MÂÌ˛ åÂÌ˛ ÔÓ̇‰Ó·flÚÒfl ÚÓθÍÓ ‚ ‰‚Ûı ÒÎÛ˜‡flı: ÔË ‚˚·Ó ÚÂÏ·‡, Ó ˜ÂÏ Ò͇Á‡ÌÓ Á‰ÂÒ¸, Ë ÔË ‚˚·Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49). Ç˚·ÂËÚ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òfl ̇·ÓÌ˚Ï ‰ËÒÍÓÏ Ë ÍÌÓÔ͇ÏË [–]/[+] ‰Îfl ‚˚·Ó‡ ÙÛÌ͈ËÈ ÚÓθÍÓ ÔË ÔÓÒÏÓÚ ÏÂÌ˛. ç‡ ‰Û„Ëı ˝Í‡Ì‡ı ˝ÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ·Û‰ÛÚ ÏÂÌflÚ¸ Á̇˜ÂÌË ‚˚·‡ÌÌÓÈ ÙÛÌ͈ËË. èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ÔˇÌËÌÓ, ÔÂʉ ˜ÂÏ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û. CVP-202 16 18 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe ëÏÂ̇ ÒÚ‡Ìˈ ̇ ˝Í‡Ì ÖÒÎË ‚˚ ÒÎÛ¯‡ÎË ‡ÁÌ˚ ÚÂÏ·˚ ÔˇÌËÌÓ Ì‡ Ô‰˚‰Û˘ÂÏ ˝Ú‡ÔÂ, ÚÓ ÏÓÊÂÚÂ Ò Û‰Ë‚ÎÂÌËÂÏ Á‡ÏÂÚËÚ¸, ˜ÚÓ ‚Ò ̇Á‚‡ÌËfl ÚÂÏ·Ó‚ ‚ÌÂÁ‡ÔÌÓ ÔÓÏÂÌflÎËÒ¸ ̇ Òӂ¯ÂÌÌÓ ‰Û„ËÂ. Ç ˜‡ÒÚÌÓÒÚË, ˝ÚÓ ÔÓËÒıÓ‰ËÚ, ÍÓ„‰‡ ‚˚ ‚˚·Ë‡ÂÚ ̇ ˝Í‡Ì ҇Ï˚È Ô‡‚˚È ÚÂÏ· (Midi Grand), ‡ Á‡ÚÂÏ ÔÓ‚Ó‡˜Ë‚‡ÂÚ ̇·ÓÌ˚È ‰ËÒÍ ‚Ô‡‚Ó ËÎË Ì‡ÊËχÂÚ ÍÌÓÔÍÛ [+]. ùÚÓ Ò‰Â·ÌÓ ÔÓÚÓÏÛ, ˜ÚÓ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ ÚÂÏ·˚ ÔˇÌËÌÓ CVP-202 Ì ÔÓÏ¢‡˛ÚÒfl ̇ Ó‰ÌÓÏ ˝Í‡ÌÂ. ÖÒÎË ‚Ò ÙÛÌ͈ËË Í‡ÍÓ„Ó-ÎË·Ó ËÁ ÙÛÌ͈ËÓ̇θÌ˚ı Ò‰ÒÚ‚ ÔˇÌËÌÓ Clavinova Ì ÔÓÏ¢‡˛ÚÒfl ̇ Ó‰ÌÓÏ ˝Í‡ÌÂ, ÓÌË ‡ÒÔ‰ÂÎfl˛ÚÒfl ÏÂÊ‰Û ‰‚ÛÏfl ËÎË ·ÓΠÒÚ‡Ìˈ‡ÏË ˝Í‡Ì‡. ùÍ‡Ì ‚˚·Ó‡ ÚÂÏ·Ó‚ VOICE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ÒÚ‡Ìˈ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ: èêàåÖóÄçàÖ ëÚ+‡Ìˈ˚ ˝Í+‡Ì‡ çÂÍÓÚÓ˚ ˝Í‡Ì˚ ‰ÂÎflÚÒfl ̇ ‰‚ ËÎË ·ÓΠÒÚ‡Ìˈ, Ó·ÓÁ̇˜‡ÂÏ˚ı fl‰ÓÏ ÔÂÂÍ˚‚‡˛˘ËıÒfl ˜ÂÚ˚ÂıÛ„ÓθÌËÍÓ‚ ‚ ‚ÂıÌÂÏ Ô‡‚ÓÏ Û„ÎÛ ˝Í‡Ì‡. ñËÙ‡ ‚ Ò‡ÏÓÏ ‚ÂıÌÂÏ ‰Ë‡ÎÓ„Ó‚ÓÏ ÓÍÌ - ˝ÚÓ ÌÓÏ ÚÂÍÛ˘ÂÈ ÒÚ‡Ìˈ˚ ˝Í‡Ì‡. PAGE ÑÎfl ÔÓÒÏÓÚ‡ ÒÚ‡Ìˈ ÔÓθÁÛÈÚÒ¸ ÍÌÓÔ͇ÏË PAGE. ÖÒÎË ˝Í‡Ì ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓθÍËı ÒÚ‡Ìˈ, ‰Îfl ÔÂÂıÓ‰‡ ̇ ‰Û„Û˛ ÒÚ‡ÌËˆÛ ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË PAGE. èÓÔÓ·ÛÈÚ ˝ÚÓ Ò‰Â·ڸ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [<] ‰Îfl ÔÂÂıÓ‰‡ ̇ ÒÚ‡ÌËˆÛ 1 ËÎË ÍÌÓÔÍÛ [>] ‰Îfl ÔÂÂıÓ‰‡ ̇ ÒÚ‡ÌËˆÛ 2. é͇Á‡‚¯ËÒ¸ ̇ ÌÛÊÌÓÈ ÒÚ‡ÌˈÂ, ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Üä-ÍÌÓÔÓÍ, Í‡Í ÔÓ͇Á‡ÌÓ ‚ Ô‰˚‰Û˘ÂÏ ¯‡„Â. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÛÌ͈Ëflı ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ FUNCTION [PEDAL] ÒÏ. ̇ ÒÚ. 138. ÇÓÁ‚‡Ú Í Á̇˜ÂÌ˲ ÙÛÌ͈ËË ÔÓ ÛÏÓΘ‡Ì˲ èÓÏÂÌfl‚ Á̇˜ÂÌË ÙÛÌ͈ËË, ‚˚ ÏÓÊÂÚ Á‡ıÓÚÂÚ¸ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸  ËÒıÓ‰ÌÓ Á̇˜ÂÌËÂ. ÑÎfl ˝ÚÓ„Ó ‡ÒÒÏÓÚËÏ Â˘Â Ó‰ËÌ ˝Í‡Ì ÔˇÌËÌÓ Clavinova. ç‡ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION] . FUNCTION MIXER 17 ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚Á˚‚‡ÂÚÒfl Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚ FUNCTION. ùÚËÏ ˝Í‡ÌÓÏ ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ̇ÒÚÓÈÍË Ë Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl Í·‚ˇÚÛ˚. îÛÌ͈Ëfl TUNE ̇ ˝ÚÓÏ ˝Í‡Ì ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Üä-ÍÌÓÔÍ‡Ï t Ë s. ùÚËÏË ÍÌÓÔ͇ÏË ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÔÓ‚˚¯ÂÌËfl ËÎË ÔÓÌËÊÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl Í·‚ˇÚÛ˚. ÑÎfl χÍÒËχθÌÓ„Ó ÛÏÂ̸¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ̇ Í·‚ˇÚÛ ̇ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚ ÌÂÍÓÚÓÓ ‚ÂÏfl ÍÌÓÔÍÛ t (ÎË·Ó ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [–]). èêàåÖóÄçàÖ éÒÌÓ‚Ì˚ ̇ÒÚ+ÓÈÍË • èˇÌËÌÓ Clavinova ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓθÁÓ‚‡ÚÂβ ÒÓ Òڇ̉‡ÚÌ˚Ï Ì‡·ÓÓÏ ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ ËÎË ÛÒÎÓ‚ËÈ. ùÚË Ì‡ÒÚÓÈÍË ËÎË ÛÒÎÓ‚Ëfl ̇Á˚‚‡˛ÚÒfl ·‡ÁÓ‚˚ÏË Ì‡ÒÚÓÈ͇ÏË. • ŇÁÓ‚˚ ̇ÒÚÓÈÍË ÙÛÌ͈ËË Ó·˚˜ÌÓ Û͇Á˚‚‡˛ÚÒfl ‚ ËÌÒÚÛ͈Ëflı (Ò·ÓÍÛ ÒÚ‡Ìˈ˚) ‚ÏÂÒÚÂ Ò Ì‡·ÓÓÏ ‚ÒÂı ‚ÓÁÏÓÊÌ˚ı ̇ÒÚÓÂÍ ‰Îfl ˝ÚÓÈ ÙÛÌ͈ËË. • ÇÓÒÒÚ‡ÌÓ‚ËÚ¸ ·‡ÁÓ‚˚ ̇ÒÚÓÈÍË ÏÓÊÌÓ ‚ β·ÓÈ ÏÓÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Recall (ÒÚ. 153). èêàåÖóÄçàÖ ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ‡·ÓÚ ÙÛÌ͈ËÈ TUNE Ë TRANSPOSE ÒÏ. ̇ ÒÚ. 136. CVP-202 19 ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÖÒÎË ‚˚ Ò˚„‡ÂÚ ÌÂÒÍÓθÍÓ ÌÓÚ, ÚÓ Á‡ÏÂÚËÚÂ, ˜ÚÓ ÔˇÌËÌÓ Á‚Û˜ËÚ Á̇˜ËÚÂθÌÓ ÌËÊÂ. è‰ÔÓÎÓÊËÏ, ‚˚ ıÓÚËÚ ‚ÂÌÛÚ¸Òfl Í Òڇ̉‡ÚÌÓÏÛ Á̇˜ÂÌ˲ ˜‡ÒÚÓÚ˚ 440,0 Ɉ. ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ s (ÎË·Ó Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [+]), ÌÓ ÂÒÚ¸ ·ÓΠ΄ÍËÈ ÒÔÓÒÓ·. ÖÒÎË Û ÙÛÌ͈ËË ÂÒÚ¸ ·‡ÁÓ‚Ó Á̇˜ÂÌËÂ, ‰Îfl Â„Ó ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ‰ÓÒÚ‡ÚÓ˜ÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË s Ë t (ËÎË ÍÌÓÔÍË [–] Ë [+]). èÓÔÓ·ÛÈÚ ҉·ڸ ˝ÚÓ ÒÂȘ‡Ò. èêàåÖóÄçàÖ çÓ ÂÒÚ¸ ÙÛÌ͈ËË, ·‡ÁÓ‚˚ ̇ÒÚÓÈÍË ÍÓÚÓ˚ı ÌÂθÁfl ‚ÂÌÛÚ¸ Ó‰ÌÓ‚ÂÏÂÌÌ˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ ▲ Ë ▼ (ËÎË [–] Ë [+]). ÇÂÌÛ‚ ÔÂÊÌ˛˛ ̇ÒÚÓÈÍÛ Í·‚ˇÚÛ˚, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË. îÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌ˚ı ‡Ï͇ı èÓ Ô‡‚ÓÏÛ ‚ÂıÌÂÏÛ Û„ÎÛ Üä-˝Í‡Ì‡ ‚ˉÌÓ, ˜ÚÓ ˝Í‡Ì FUNCTION ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓθÍËı ÒÚ‡Ìˈ. ç‡ÊÏËÚ ÍÌÓÔÍÛ PAGE [>] ‰Îfl ÔÂÂıÓ‰‡ Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ, ÍÓÚÓ‡fl ̇Á˚‚‡ÂÚÒfl FUNCTION [KEYBOARD 2]. ÑÎfl ÓÔËÒ‡ÌËfl ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË Ì‡Ï ÔÓ̇‰Ó·flÚÒfl ÙÛÌ͈ËË Ì‡ ˝ÚÓÈ ÒÚ‡ÌˈÂ. äÓÏ ÙÛÌ͈ËË FIXED VELOCITY, ÒÚ‡Ìˈ‡ FUNCTION [KEYBOARD 2] ÒÓ‰ÂÊËÚ Â˘Â ‰‚ ÙÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌ˚ı ‡Ï͇ı: KEY TOUCH Ë VOICE SETTING. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë Üä-ÍÌÓÔÍË ÒÎÛÊ‡Ú Ì ‰Îfl ‚˚·Ó‡ ˝ÚËı ÙÛÌ͈ËÈ, ‡ ‰Îfl ÔflÏÓ„Ó ËÁÏÂÌÂÌËfl Ëı Á̇˜ÂÌËÈ. CVP-202 éÔËÒ‡ÌË ÙÛÌ͈ËË FIXED VELOCITY Ô˂‰ÂÌÓ Ì‡ ÒÚ. 137. 18 20 èêàåÖóÄçàÖ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ùÎÂÏÂÌÚ˚ ç‡ÔËÏÂ, Ò ÔÓÏÓ˘¸˛ Üä-ÍÌÓÔÍË, ‡ÒÔÓÎÓÊÂÌÌÓÈ ÔÓ‰ ̇‰ÔËÒ¸˛ KEY TOUCH, ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ ÔˇÌËÌÓ Clavinova Í ÒËΠۉ‡‡ ÔÓ Í·‚˯‡Ï. á̇˜ÂÌË ˝ÚÓÈ ÙÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌÓÈ ‡ÏÍ ÏÂÌflÂÚÒfl ÓÚ NORMAL Í SOFT, ‡ Á‡ÚÂÏ Í FIXED Ë HARD, ÌÓ ‚˚·‡ÌÌÓÈ ÓÒÚ‡ÂÚÒfl ÙÛÌ͈Ëfl FIXED VELOCITY. îÛÌ͈Ëfl VOICE SETTING ÓÔ‰ÂÎflÂÚ, ‚Íβ˜‡˛ÚÒfl ÎË ‡‚ÚÓχÚ˘ÂÒÍË ÔË ‚˚·Ó ÚÂÏ·‡ Ú‡ÍË ̇ÒÚÓÈÍË, Í‡Í Â‚Â·Â‡ˆËfl, ıÓÛÒ, ˝ÙÙÂÍÚ Ë ‰. á‰ÂÒ¸ Ôӈ‰ۇ ÌÂÒÍÓθÍÓ Ë̇fl: ÔË Ì‡Ê‡ÚËË ÜäÍÌÓÔÍË ÔÓËÒıÓ‰ËÚ ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û Ì‡ÒÚÓÈ͇ÏË AUTO Ë MANUAL. Ç˚·‡ÌÌÓÈ ÓÒÚ‡ÂÚÒfl ÙÛÌ͈Ëfl FIXED VELOCITY. ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÛÌ͈ËË KEY TOUCH ÒÏ. ̇ ÒÚ. 137. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÛÌ͈ËË VOICE SETTING ÒÏ. ̇ ÒÚ. 137. ÖÒÚ¸ Ë ‰Û„Ë ÙÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌ˚ı ‡Ï͇ı, ÔÓ‰Ó·Ì˚ ÚÂÏ, ÍÓÚÓ˚ÏË ‚˚ ÔÓθÁÓ‚‡ÎËÒ¸ ‰Îfl ‚˚·Ó‡ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‚ ÂÊËÏ Demo (ÒÏ. ÒÚ. 14). é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ˝ÚË ÙÛÌ͈ËË ÌÂθÁfl ‚˚·‡Ú¸, Ëı ÏÓÊÌÓ ÚÓθÍÓ ‚˚ÔÓÎÌËÚ¸. íÂÔ¸ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ. çÓ Ò̇˜‡Î‡ ‚ÂÌËÚ ÙÛÌ͈ËË KEY TOUCH Ë VOICE SETTING Í Ëı ËÒıÓ‰Ì˚Ï Á̇˜ÂÌËflÏ (NORMAL Ë AUTO ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). ÇÓÁ‚‡Ú Í „·‚ÌÓÏÛ ˝Í‡ÌÛ óÚÓ·˚ ‚˚ÈÚË ËÁ ÚeÍÛ˘e„Ó ˝Í‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. EXIT É·‚Ì˚È ˝Í‡Ì ‰ÓÎÊÂÌ ÔÓ͇Á˚‚‡Ú¸ ̇Á‚‡ÌË ÔÓÒΉÌÂ„Ó ÙÓÚÂÔ¸flÌÌÓ„Ó ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ì‡ ˝Í‡Ì VOICE SELECT. èêàåÖóÄçàÖ é·˚˜ÌÓ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EV t]. çÓ ËÌÓ„‰‡, ̇ʇ‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ‚ÓÁ‚‡˘‡ÂÚÂÒ¸ Í Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍÂ. Ç Ú‡ÍËı ÒÎÛ˜‡flı ̇‰Ó ̇ʇڸ ÍÌÓÔÍÛ [EXIT] ¢ ‡Á, Ë ‚˚ ‚ÂÌÂÚÂÒ¸ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ. îÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access) éÒÚ‡ÎÓÒ¸ ‡ÒÒÏÓÚÂÚ¸ ÙÛÌÍˆË˛ ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [DIRECT ACCESS] ÏÓÊÌÓ Ò‡ÁÛ ‚˚ÈÚË Ì‡ ÒÚ‡ÌËˆÛ Ò ÌÛÊÌ˚ÏË Ì‡ÒÚÓÈ͇ÏË. äÓ„‰‡ ‚˚ ̇ÊËχÂÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ̇ Üä-˝Í‡Ìe ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘eÌËe «Press a button to display corresponding settings» (ç‡ÊÏËÚ ÍÌÓÔÍÛ ‰Îfl ‚˚·Ó‡ ÒÓÓÚ‚eÚÒÚ‚Û˛˘Ëı ̇ÒÚÓeÍ). 19 DIRECT ACCESS CVP-202 21 ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËfl ̇ Üä-˝Í‡Ìe ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÚÓ ÒÓÓ·˘ÂÌË ÓÒÚ‡ÂÚÒfl ̇ ˝Í‡Ì ÔËÏÂÌÓ 3 ÒÂÍÛ̉˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ ÌÛÊÌÓÈ Ì‡ÒÚÓÈÍË ÔÂʉÂ, ˜ÂÏ ÓÌÓ ËÒ˜ÂÁÌÂÚ. ëÔËÒÓÍ ÒÚ‡Ìˈ, ̇ ÍÓÚÓ˚ ÏÓÊÌÓ ÔÓÔ‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ Direct Access: [DIRECT ACCESS] ÔβÒ: [HARMONY] [ACMP ON] [METRONOME] ã˛·‡fl ÍÌÓÔ͇ VOICE [DUAL] [SPLIT] [REVERB](4) [EFFECT](4) [REGISTRATION] ëÚ‡Ìˈ˚ ˝Í‡Ì‡: HARMONY ACCOMPANIMENT MODE METRONOME KEYBOARD [RIGHT1](1) KEYBOARD [RIGHT2](2) KEYBOARD [LEFT](3) KEYBOARD [RIGHT2] KEYBOARD [LEFT] REVERB REVERB DEPTH EFFECT EFFECT DEPTH REGISTRATION [FREEZE] ëÚ.: 69 59 26 31 31 31 34 37 41 43 46 48 91 èêàåÖóÄçàÖ åÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [DIRECT ACCESS] . èêàåÖóÄçàÖ (1) (2) (3) (4) ÖÒÎË Ì‡ „·‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ· RIGHT1 VOICE. ÖÒÎË Ì‡ „·‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ· RIGHT2 VOICE. ÖÒÎË Ì‡ „·‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ· LEFT VOICE. Ç˚·Ë‡ÂÚ ÒÚ‡ÌˈÛ, ÍÓÚÓ‡fl ·˚· ÔÓ͇Á‡Ì‡ ÔÓÒÎe‰ÌÂÈ. ● ëÓÓ·˘ÂÌËfl ÑÎfl ӷ΄˜ÂÌËfl ‡·ÓÚ˚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚˚‰‡ÂÚ ‡Á΢Ì˚ ÒÓÓ·˘ÂÌËfl (͇Í, ̇ÔËÏÂ, ÔË ‡·ÓÚÂ Ò ÙÛÌ͈ËÂÈ Direct Access, ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â). ùÚË ÒÓÓ·˘ÂÌËfl ÔÓ‰Ò͇Á˚‚‡˛Ú, Í‡Í ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË, ÔÓÒflÚ ÔÓ‰Ú‚ÂʉÂÌËfl ËÎË ÒÓÓ·˘‡˛Ú Ó ÌÂÛ‰‡˜ÌÓÏ ‚˚ÔÓÎÌÂÌËË ÔÓÒΉÌÂÈ ÓÔ‡ˆËË. èË ÔÓfl‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËfl ÒΉÛÈÚ ˝ÚËÏ ËÌÒÚÛ͈ËflÏ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÒÓÓ·˘ÂÌËË ÒÏ. ‚ ‡Á‰ÂΠ«ëÓÓ·˘ÂÌËfl» ̇ ÒÚ. 165. ● ëÓı‡ÌÂÌË ËÁÏÂÌÂÌËÈ íÂÔ¸, ÔÓÁ̇ÍÓÏË‚¯ËÒ¸ Ò Ôӈ‰ÛÓÈ ËÁÏeÌeÌËfl ̇ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‚˚ ÏÓÊÂÚ ÒÔÓÒËÚ¸, ÓÒÚ‡ÌÛÚÒfl ÎË ˝ÚË ËÁÏÂÌÂÌËfl ‚ Ô‡ÏflÚË ÔÓÒΠ‚˚Íβ˜eÌËfl ËÌÒÚÛÏeÌÚ‡. éÚ‚ÂÚ – «‰‡», Ìo ÌÂÓ·ıÓ‰ËÏÓ ÛÚÓ˜ÌËÚ¸, ͇ÍË ̇ÒÚÓÈÍË ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸. èÓ ÛÏÓΘ‡Ì˲ ÔˇÌËÌÓ Clavinova Ì Á‡ÔÓÏË̇ÂÚ ËÁÏÂÌÂÌËfl ·Óθ¯ËÌÒÚ‚‡ ̇ÒÚÓÂÍ. ëÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË: • á‡ÔËÒ‡Ú¸ ̇ÒÚÓÈÍË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Registration (ÒÚ. 89). á‡ÔËÒ‡‚ ̇ÒÚÓÈÍË, ÏÓÊÌÓ ‚ β·ÓÈ ÏÓÏÂÌÚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Ëı Ò ÔÓÏÓ˘¸˛ Ô‡˚ ÍÌÓÔÓÍ. • чڸ Û͇Á‡ÌË ËÌÒÚÛÏÂÌÚÛ ÒÓı‡ÌflÚ¸ ÓÔ‰ÂÎÂÌÌ˚ ̇ÒÚÓÈÍË ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl Ë ‚˚Á˚‚‡Ú¸ ÔË ‚Íβ˜ÂÌËË. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍË ÙÛÌ͈ËË Backup (ÒÓı‡ÌÂÌËfl) (ÒÚ. 152). CVP-202 20 22 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ○○○○○○○○○○○○○○○○○○○○ ç‡ ÔˇÌËÌÓ Clavinova ÂÒÚ¸ ‰‚‡ ÔÓÎÁÛÌ͇: ‰Îfl „ÛÎËÓ‚ÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË Ë ‰Îfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌeÏÂÌÚ‡ ËÎË ÔÂÒÌË. ÖÒÚ¸ Ú‡ÍÊ ̇ÒÚÓÈÍË ‰Îfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ Ë „ÓÏÍÓÒÚË Í‡Ê‰ÓÈ Ô‡ÚËË ‡‚ÚÓχÚ˘eÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ ËÎË ÔÂÒÌË. VOLUME MASTER VOLUME MAX ACMP/SONG VOLUME MAX VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB SPLIT EFFECT BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG CUSTOM AUTO ACCOMPANIMENT ACMP ON MIN INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING MIN ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÈÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME]. VOLUME MASTER VOLUME èêàåÖóÄçàÖ ACMP/SONG VOLUME MAX MAX MIN MIN • èÓÎÁÛÌÓÍ [MASTER VOLUME] ÓÔ‰ÂÎflÂÚ Ú‡ÍÊ ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ̇ ‡Á˙ÂÏ [PHONES]. • ç‡ÒÚÓÈ͇ [MASTER VOLUME] ‚ÎËflÂÚ Ú‡ÍÊ ̇ Ò˄̇Î˚, ÔÓÒÚÛÔ‡˛˘Ë ̇ ‡Á˙ÂÏ˚ AUX IN, ÌÓ Ì ‚ÎËflÂÚ Ì‡ Ò˄̇Î˚, ‚˚ıÓ‰fl˘Ë ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX OUT . ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ÑÎfl ÛÒÚ‡ÌÓ‚ÍË „ÓÏÍÓÒÚË ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÂÌ ËÒÔÓθÁÛÈÚ ÔÓÎÁÛÌÓÍ [ACMP/ SONG VOLUME]. èêàåÖóÄçàÖ VOLUME MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN ùÚÓÚ ˝ÎÂÏÂÌÚ ÛÔ‡‚ÎÂÌËfl Ì ‚ÎËflÂÚ Ì‡ „ÓÏÍÓÒÚ¸ ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ Í·‚ˇÚÛÂ. ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ 21 Ç˚·ÂËÚ ÙÛÌÍˆË˛ KBD VOL ̇ „·‚ÌÓÏ ˝Í‡ÌÂ Ë ËÁÏÂÌËÚ „ÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. CVP-202 23 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ç‡ÒÚÓÈ͇ ÛÓ‚ÌÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË Ç˚ÁÓ‚ËÚ ˝Í‡Ì MIXER Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MIXER]. ç‡ ˝ÚÓÏ ˝Í‡Ìe ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ Ë ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ ÔÂÒÌË. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ÒÌÓ‚‡ ̇ÊÏËÚe ÍÌÓÔÍÛ [MIXER] (ËÎË [EXIT]). ä‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ, ÒÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ Ú‡ÍÓ„Ó ÏËͯÂÌÓ„Ó ˝Í‡Ì‡. ● åËͯe ‡‚ÚÓχÚ˘eÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌeÏeÌÚa ùÚÓÚ ˝Í‡Ì MIXER ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ‚˚ Ì ËÒÔÓθÁÛÂÚ ÂÊËÏ Song. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«ê„ÛÎËӂ͇ ÛÓ‚ÌÂÈ ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ» (ÒÚ. 65). ● Song Mixer ùÚÓÚ ˝Í‡Ì MIXER ÔÓfl‚ÎflÂÚÒfl ‚ ÂÊËÏ Song. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«ê„ÛÎËӂ͇ ÛÓ‚ÌÂÈ ÓÚ‰ÂθÌ˚ı ‰ÓÓÊÂÍ» (ÒÚ. 100). CVP-202 22 24 åÂÚÓÌÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Ç ÍÓÏÔÎÂÍÚ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ‚ıÓ‰ËÚ Û‰Ó·Ì˚È ÏÂÚÓÌÓÏ, ˉ‡θÌ˚È ‰Îfl ÛÔ‡ÊÌÂÌËÈ. èӈ‰ۇ ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ÏÂÚÓÌÓχ ÔÓ‚ÚÓflÂÚ Ôӈ‰ÛÛ ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ ÂÊËÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49) Ë ÔÂÒÌË (ÒÚ. 93). VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM METRONOME AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ ÇÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ Ë Á‡‰‡Ú¸ Â„Ó ÚÂÏÔ ÏÓÊÌÓ Ì‡ β·ÓÏ ˝Í‡ÌÂ, ‚Íβ˜‡fl „·‚Ì˚È. ■ á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ ..................................................................................... óÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME]. TEMPO METRONOME RESET ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [METRONOME], Ë ÏÂÚÓÌÓÏ Ì‡˜ÌÂÚ ÓÚÒ˜ËÚ˚‚‡Ú¸ ‚ÂÏfl (˜ÚÓ Ó·ÓÁ̇˜‡ÂÚÒfl ÏË„‡˛˘ËÏË Ë̉Ë͇ÚÓ‡ÏË BEAT). èêàåÖóÄçàÖ • åÂÚÓÌÓÏ ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ ÂÊËÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49) ËÎË ‚ ÂÊËÏ ÔÂÒÌË (ÒÚ. 93). • åÂÚÓÌÓÏ Ì Á‡ÔÛÒ͇ÂÚÒfl ÔË ÔÓË„˚‚‡ÌËË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ Ò ‰ËÒÍÂÚ, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ (ÒÏ. ÒÚ. 96). CONTRAST BEAT èêàåÖóÄçàÖ ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ÏÂÚÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] ¢ ‡Á. ■ ê„ÛÎËӂ͇ ÚÂÏÔ‡ ........................................................................................................................ íÂÍÛ˘ËÈ ÚÂÏÔ, Û͇Á‡ÌÌ˚È Û ÎÂ‚Ó„Ó Í‡fl ˝Í‡Ì‡, Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÒÏ. ÒÚ. 49). ÑÎfl ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ TEMPO [–] ËÎË [+]. íÂÏÔ • ÑˇԇÁÓÌ: 32 — 280 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÒÚËÎfl. èêàåÖóÄçàÖ ÇÓÁ‚+‡Ú Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ àÒıÓ‰Ì˚È ÚÂÏÔ ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚÒfl ‰Îfl ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl Ó‰ÌÓ‚ÂÏÂÌÌ˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ TEMPO [–] Ë [+]. TEMPO METRONOME RESET Slower Faster ➔ é·ÓÁ̇˜ÂÌË ÚÂÏÔ‡ ̇ „·‚ÌÓÏ ˝Í‡Ì ‚˚‰ÂÎflÂÚÒfl, Ë ÔÓËÒıÓ‰ËÚ ËÁÏÂÌÂÌË ÚÂÏÔ‡. 23 äÓÓÚÍÓ ̇ʇÚË ÍÌÓÔÓÍ TEMPO [–] Ë [+] ÏÂÌflÂÚ Á̇˜ÂÌË ÚÂÏÔ‡ ̇ ‰ËÌˈÛ. ÑÎfl Á̇˜ËÚÂθÌÓ„Ó ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ̇ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚ ÍÌÓÔÍÛ. EcÎË Ì‡ ˝Í‡Ì ‚˚‰ÂÎÂÌ Ô‡‡ÏÂÚ «ÚÂÏÔ», ‚˚ ÏÓÊÂÚ ڇÍÊ ÛÒÚ‡ÌÓ‚ËÚ¸ Â„Ó Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. èêàåÖóÄçàÖ ÇÓ ‚+ÂÏfl ‚ÓÒÔ+ÓËÁ‚‰ÂÌËfl ÒÚËÎfl ËÎË ÔÂÒÌË... • ÖÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ËÎË ÔÂÒÌË Ì‡˜Ë̇ÂÚÒfl ̇ ÙÓÌ Ò˄̇ÎÓ‚ ÏÂÚÓÌÓχ, ˝ÚË Ò˄̇Î˚ ·Û‰ÛÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÒÓ ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ. • èË ˝ÚÓÏ ÏÂÚÓÌÓÏ ·Û‰ÂÚ ÓÚÒ˜ËÚ˚‚‡Ú¸ ‡ÁÏ ÒÚËÎfl ËÎË ÔÂÒÌË, ‡ Ì ̇ÒÚÓÈÍÛ BEAT. • åÂÚÓÌÓÏ ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ÏÂÒÚ ÒÓ ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ. CVP-202 25 åÂÚÓÌÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ÏÂÚÓÌÓχ ÉÓÏÍÓÒÚ¸ Ë Ú‡ÍÚÓ‚˚È ‡ÁÏ ÏÂÚÓÌÓχ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ̇ÒÚÓÂÍ Ì‡ ÒÚ‡Ìˈ METRONOME. ■ ç‡ÒÚÓÈÍË ÏÂÚÓÌÓχ .................................................................... ÑÎfl ÔÂÂıÓ‰‡ ̇ ÒÚ‡ÌËˆÛ METRONOME ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], Ë Á‡ÚÂÏ ÍÌÓÔÍÛ [METRONOME]. DIRECT ACCESS ➾ TEMPO METRONOME RESET ➔ èÓfl‚ËÚÒfl ˝Í‡Ì METRONOME. ■ ìÒÚ‡Ìӂ͇ ‡Áχ (Time Signature) ............................................ ÑÎfl ËÁÏÂÌÂÌËfl ‡Áχ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË BEAT t Ë s. (ÖÒÎË Ì‡ ˝Í‡Ì ‚˚‰ÂÎÂ̇ ÙÛÌ͈Ëfl BEAT,  ̇ÒÚÓÈÍË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+].) ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË NORMAL, ÏÂÚÓÌÓÏ ‡‚ÌÓÏÂÌÓ «ÚË͇ÂÚ» ‚ ÚÂÍÛ˘ÂÏ ÚÂÏÔÂ, Ë ÌË͇ÍË ‰ÓÎË Ì ‚˚‰ÂÎfl˛ÚÒfl. ÖÒÎË ÙÛÌ͈Ëfl BEAT ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ Á̇˜ÂÌË 2, 3, 4 ËÎË 5, ÏÂÚÓÌÓÏ ÓÚÒ˜ËÚ˚‚‡ÂÚ Ú‡ÍÚ˚ ‚ ÓÔ‰ÂÎÂÌÌÓÏ ËÚÏÂ, ‡ ̇ Ô‚ÓÈ ‰ÓÎÂ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡ Á‚Û˜ËÚ ÍÓÎÓÍÓθ˜ËÍ. ■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ ................................................ ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË VOLUME t Ë s. (ÖÒÎË Ì‡ ˝Í‡Ì ‚˚‰ÂÎÂ̇ ÙÛÌ͈Ëfl VOLUME,  ̇ÒÚÓÈÍË ÏÓÊÌÓ ÔÓÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+].) èêàåÖóÄçàÖ BEAT • ç‡ÒÚÓÈÍË: NORMAL, 2 - 5 • éÒÌӂ̇fl ̇ÒÚÓÈ͇: NORMAL èêàåÖóÄçàÖ VOLUME • ÑˇԇÁÓÌ: 0 - 127 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 64 ÉÓÏÍÓÒÚ¸ ÏeÚÓÌÓχ Á‡‰‡eÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VOLUME Ë ÔÓÎÁÛÌ͇ [ACMP/SONG VOLUME] (ÍÓÏe eÊËχ Song, „‰e ÔÓÎÓÊeÌËe ÔÓÎÁÛÌ͇ Ìe ‚ÎËfleÚ Ì‡ „ÓÏÍÓÒÚ¸ ÏeÚÓÌÓχ). èÓÎÓÊeÌËe ÔÓÎÁÛÌ͇ Ú‡ÍÊe ‚ÎËfleÚ Ì‡ „ÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ (ÒÚ. 50). CVP-202 24 26 êÂÊËÏ ÒÔ‡‚ÍË (Help) ○○○○○○○○○○○○○○○○○○○○○○○ êÂÊËÏ HELP (êÂÊËÏ ÒÔ‡‚ÍË) ÔÓÁ‚ÓÎflÂÚ ÔÓÎÛ˜ËÚ¸ ҂‰eÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈Ëflı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. Ç˚·‡Ú¸ ÚÂÏÛ, ÔÓ ÍÓÚÓÓÈ ÌÛÊ̇ ÒÔ‡‚͇, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ ̇ Üä-˝Í‡Ìe. åÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ Ì‡ Ô‡ÌeÎË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ Ó· ˝ÚÓÏ ˝ÎÂÏÂÌÚe ÛÔ‡‚ÎeÌËfl. HELP VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT Z Ç˚ÁÓ‚ËÚ ÂÊËχ HELP ...................................................................................................... EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING èêàåÖóÄçàÖ Ç eÊËÏe HELP ÌË͇ÍË ‰Û„Ë ÓÔe‡ˆËË ‚˚ÔÓÎÌflÚ¸Òfl Ìe ÏÓ„ÛÚ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [HELP]. DEMO HELP ➔ èÓfl‚ËÚÒfl ÏÂÌ˛ HELP. X Ç˚·ÂËÚ flÁ˚Í, ÂÒÎË Ú·ÛÂÚÒfl. .............................................................................. Ç˚·ÂËÚ ÌÛÊÌ˚È flÁ˚Í ‰Îfl ÂÊËχ ÒÔ‡‚ÍË (ENGLISH, JAPANESE, GERMAN, FRENCH ËÎË SPANISH) Ò ÔÓÏÓ˘¸˛ ˜ÂÚ‚ÂÚÓÈ Üä-ÍÌÓÔÍË. èêàåÖóÄçàÖ Ç˚·‡ÌÌ˚È ‚‡ÏË flÁ˚Í ÒÓı‡ÌfleÚÒfl ‰‡Êe ÔË ‚˚Íβ˜ÂÌÌÓÏ ÔËÚ‡ÌËË. C Ç˚·eËÚ ÚÂÏÛ, ÔÓ ÍÓÚÓÓÈ ÌÛÊ̇ ÒÔ‡‚͇. .............................................. àÒÔÓθÁÛÈÚ Üä-ÍÌÓÔÍË SELECT s Ë t ‰Îfl ‚˚·Ó‡ Ó‰ÌÓ„Ó ËÁ ‚ÓÒ¸ÏË ÏÂÌ˛. íÂÏ˚ ÒÔ‡‚ÍË • éÒÌÓ‚Ì˚ ÓÔ‡ˆËË • ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË • íÂÏ·˚ • ëÚËÎË • ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ • ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË • á‡ÔËÒ¸ ÔÂÒÌË • îÛÌ͈ËË 25 ➔ Ç˚·‡ÌÌÓe ÏÂÌ˛ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ìe. ➾ óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó, ̇ÊÏËÚ Üä-ÍÌÓÔÍÛ ÔÓ‰ ̇‰ÔËÒ¸˛ ENTER. ➔ èÓfl‚ËÚÒfl Ô‚‡fl ÒÚ‡Ìˈ‡ ‚˚·‡ÌÌÓÈ ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓχˆËË. CVP-202 27 êÂÊËÏ ÒÔ‡‚ÍË (Help) ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ V èÓÎËÒÚ‡ÈÚ ÒÚ‡Ìˈ˚ Ë ÓÁ̇ÍÓϸÚÂÒ¸ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘eÈ ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓχˆËeÈ. ........................................................... ÑÎfl ÔÂÂıÓ‰‡ Í ÒÎÂ‰Û˛˘eÈ ÒÚ‡Ìˈe ËÒÔÓθÁÛÈÚ ˜ÂÚ‚eÚÛ˛ ÜäÍÌÓÔÍÛ. ÑÎfl ‚ÓÁ‚‡Ú‡ Í Ô‰˚‰Û˘eÈ ÒÚ‡Ìˈ ̇ÊÏËÚ ÚÂÚ¸˛ ÜäÍÌÓÔÍÛ. B Ç˚ȉËÚ ËÁ ÂÊËχ ÔÓÒÏÓÚ‡ ˝ÎÂÏÂÌÚ‡ HELP...................... ç‡ÊÏËÚ Üä-ÍÌÓÔÍÛ ÔÓ‰ ̇‰ÔËÒ¸˛ EXIT, Ë ‚˚ ‚ÂÌeÚeÒ¸ ‚ ÏÂÌ˛ HELP. Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ‰Û„ÓÈ ˝ÎÂÏÂÌÚ ÏÂÌ˛ ËÎË ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË Ë ÓÁ̇ÍÓÏËÚ¸Òfl ÒÓ ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓχˆËeÈ Ì‡ ‰Û„Ë ÚÂÏ˚. N Ç˚ȉËÚ ËÁ ÂÊËχ HELP. ........................................................... ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ HELP Ë ‚ÓÁ‚‡˘eÌËfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [HELP]. DEMO HELP CVP-202 26 28 É·‚‡ 3: íÂÏ·˚ Ç˚·Ó ÚÂÏ·Ó‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Ç ÒËÌÚÂÁ‡ÚÓ Clavinova Ô‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È fl‰ ËÒÍβ˜ËÚÂθÌÓ Â‡ÎËÒÚ˘Ì˚ı Ë ‰Ë̇Ï˘Ì˚ı ÚÂÏ·Ó‚, ‚ ÚÓÏ ˜ËÒΠÚÂÏ·˚ ÙÓÚÂÔˇÌÓ, ÒÚÛÌÌ˚ı Ë Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. îÛÌ͈Ëfl Keyboard Percussion ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ‡ÎËÒÚ˘Ì˚È Á‚ÛÍ ·‡‡·‡ÌÓ‚ Ë Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ ÔflÏÓ Ò Í·‚ˇÚÛ˚. VOICE PIANO & HARPSI. VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ R&B PIANIST MUSIC DATABASE SONG CONTROL TEMPO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY LATIN MARCH & WORLD METRONOME WALTZ BALLROOM DISK RESET FUNCTION HARMONY MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 ● íËÔ˚ ÚÂÏ·Ó‚ • íÂÏ·˚ Clavinova: 243 • íÂÏ·˚ XG: 480 • 쉇Ì˚Â/ÒÔˆ˝ÙÙÂÍÚ˚: 14 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING BRASS * ëÏ. ÒÔËÒÓÍ ÚÂÏ·Ó‚ ‚ Ò·ÓÌËÍ ڇ·Îˈ ̇ ÒÚ. 3. * íÂÏ·˚ Clavinova ‰ÂÎflÚÒfl ̇ ‰‚Â̇‰ˆ‡Ú¸ „ÛÔ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëx ‰‚Â̇‰ˆ‡ÚË ÍÌÓÔÍ‡Ï VOICE ̇ Ô‡ÌÂÎË. Ç˚·Ó ÚÂÏ·‡ ̇ ˝Í‡Ì VOICE SELECT Z Ç˚·ÂËÚ „ÛÔÔÛ ÚÂÏ·Ó‚. ........................................................................................... Ç˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË VOICE. èêàåÖóÄçàÖ ➔ èÓfl‚ËÚÒfl ˝Í‡Ì VOICE SELECT. Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡ ÑÎfl ‚ÓÁ‚‡Ú‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. VOICE PIANO & HARPSI. E. PIANO ORGAN & ACCORDION PERCUSSION STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB èêàåÖóÄçàÖ 27 BRASS WOODWIND SYNTH. XG SPLIT EFFECT ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ • èË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl (ON) ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ÚÂÏ· Grand Piano 1. é‰Ì‡ÍÓ, ÂÒÎË ÙÛÌ͈Ëfl ÂÁ‚ËÓ‚‡ÌËfl Backup (ÒÚ. 152) ‚Íβ˜Â̇ (‚˚·‡ÌÓ Á̇˜ÂÌË ON), ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚÒfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÚÂÏ·. • ÖÒÎË ÙÛÌ͈Ëfl Backup (ÒÚ. 152) ‚Íβ˜Â̇, ‰‡Ê ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ Ô‡ÏflÚË ÒÓı‡ÌËÚÒfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÚÂÏ· ËÁ ͇ʉÓÈ „ÛÔÔ˚. CVP-202 29 Ç˚·Ó ÚÂÏ·Ó‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X Ç˚·Ó ÚÂÏ·‡. .................................................................................................................................. Ç˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä‰ËÒÔÎÂÂ. í‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı Ë ÍÌÓÔÍË [–] Ë [+]. ä‡Ê‰˚È ˝Í‡Ì VOICE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ËÎË ·ÓΠÒÚ‡Ìˈ. ÑÎfl ‚˚ÁÓ‚‡ ÒÚ‡Ìˈ ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË PAGE [<] Ë [>]. C à„‡ ‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ. ............................................................................................... ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸∂ ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ [MASTER VOLUME]. èêàåÖóÄçàÖ Ä‚ÚÓχÚ˘ÂÒÍË ̇ÒÚÓÈÍË ÚÂÏ·‡ èË ‚˚·Ó ÚÂÏ·‡ ‰Îfl ÌÂ„Ó ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡˛ÚÒfl ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ë ‚·‡ˆËfl, ˝ÙÙÂÍÚ Chorus, ÒÔˆˇθÌ˚È ˝ÙÙÂÍÚ Ë ‰Û„Ë ̇ÒÚÓÈÍË. Ä‚ÚÓχÚ˘ÂÒÍËÈ ‚˚·Ó Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡ ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VOICE SETTING (ÒÚ. 137). Ç˚·Ó ÚÂÏ·Ó‚ ̇ „·‚ÌÓÏ ˝Í‡Ì íÂÏ· Ú‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ „·‚ÌÓÏ ÓÍÌÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË RIGHT1 VOICE. Z Ç˚·Ó ÙÛÌ͈ËË RIGHT1 VOICE. ........................................................................... ÖÒÎË ÙÛÌ͈Ëfl RIGHT1 VOICE ¢ Ì ‚Íβ˜Â̇, ‚Íβ˜ËÚ ÂÂ, ̇ʇ‚ ˜ÂÚ‚ÂÚÛ˛ ÍÌÓÔÍÛ Ì‡ Üä-‰ËÒÔÎÂÂ. èêàåÖóÄçàÖ X Ç˚·Ó ÚÂÏ·‡. ................................................................................................................................... Ç˚·ÂËÚ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ÑÎfl ÔÂÂÏ¢ÂÌËfl ÔÓ ÒÔËÒÍÛ ÚÂÏ·Ó‚ Û‰ÂÊË‚‡ÈÚ ̇ʇÚÓÈ ÍÌÓÔÍÛ RIGHT1 VOICE. (í‡Í ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÂÏ· Ì ËÁ Ó‰ÌÓÈ, ‡ ËÁ ‚ÒÂı „ÛÔÔ.) C à„‡ ‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ. ................................................................................................ ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ [MASTER VOLUME]. CVP-202 èêàåÖóÄçàÖ íÂÏ·˚ XG îÓÏ‡Ú XG ÍÓÔÓ‡ˆËË Yamaha - ˝ÚÓ Ó‰ÌÓ ËÁ ÓÒÌÓ‚Ì˚ı ÛÎÛ˜¯ÂÌËÈ ‚ ÙÓχÚ GM (General MIDI) System Level 1. éÌ ÔÓ‰‰ÂÊË‚‡ÂÚ ·Óθ¯Â Á‚ÛÍÓ‚ ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ Ë Ëı ‚‡Ë‡ˆËÈ, ‡ Ú‡ÍÊ ÔÓÁ‚ÓÎflÂÚ ·ÓΠÚÓ˜ÌÓ ÛÔ‡‚ÎflÚ¸ ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË. XG Ú‡ÍÊ ӷÂÒÔ˜˂‡ÂÚ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÏÛÁ˚͇θÌ˚ÏË ËÌÒÚÛÏÂÌÚ‡ÏË Ë ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ, ÍÓÚÓ˚ ÔÓfl‚flÚÒfl ‚ ·Û‰Û˘ÂÏ. • ÑÎfl ‚ıÓ‰‡ ‚ ÏÂÌ˛ ˝ÚËı ÚÂÏ·Ó‚ ̇ÊÏËÚ ÍÌÓÔÍÛ [XG]. • ÑÎfl ‚˚‚Ó‰‡ ÒÔËÒ͇ ÚÂÏ·Ó‚ XG ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Í‡Ú„ÓËË Ì ÓÚÔÛÒ͇ÈÚ ÍÌÓÔÍÛ [XG] Ë Ì‡ÊÏËÚ ‰Û„Û˛ ÍÌÓÔÍÛ VOICE. 28 30 íÂÏ·˚ Ensemble íÂÏ·˚ Clavinova „ÛÔÔ˚ Ensemble - ˝ÚÓ Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·˚, ÔÓıÓÊË ̇ ÚÂÏ·˚ ‚ ÂÊËÏ Dual, ÍÓÚÓ˚ÏË ÏÓÊÌÓ Ë„‡Ú¸, Ì ÔÂÂıÓ‰fl ‚ ˝ÚÓÚ ÂÊËÏ (ÒÚ. 33). ÑÎfl ‚ıÓ‰‡ ‚ ÏÂÌ˛ ˝ÚËı ÚÂÏ·Ó‚ ̇ÊÏËÚ ÍÌÓÔÍÛ [Ensemble]. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Ç˚·Ó ÚÂÏ·Ó‚ à„‡ ÚÂÏ·‡ÏË Û‰‡Ì˚ı Ò Í·‚ˇÚÛ˚ (ÙÛÌ͈Ëfl Keyboard Percussion) Ç ÒËÌÚÂÁ‡ÚÓ Clavinova ‰‚Â̇‰ˆ‡Ú¸ ̇·ÓÓ‚ Û‰‡Ì˚ı Ë ‰‚‡ ̇·Ó‡ Á‚ÛÍÓ‚˚ı ÒÔˆ˝ÙÙÂÍÚÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚x ̇ ÒÚ‡Ìˈ‡ı 3 Ë 5 „ÛÔÔ˚ ÚÂÏ·Ó‚ [PERCUSSION]. èË ‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ ÒÔˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡‡·‡ÌÓ‚ ͇ʉÓÈ Í·‚˯ ÔËÒ‚‡Ë‚‡˛ÚÒfl Á‚ÛÍË, ‚ıÓ‰fl˘Ë ‚ ˝ÚÓÚ Ì‡·Ó. ê‡Á΢Ì˚ ۉ‡Ì˚Â Ë ÔÂÍÛÒÒËÓÌÌ˚ ËÌÒÚÛÏÂÌÚ˚ ̇·Ó‡ Standard Kit Ó·ÓÁ̇˜ÂÌ˚ ÒËÏ‚Ó·ÏË Ì‡‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í·‚˯‡ÏË. ëÔËÒÓÍ Á‚ÛÍÓ‚, ‚ıÓ‰fl˘Ëı ‚ ͇ʉ˚È Ì‡·Ó Û‰‡Ì˚ı/ÒÔˆ˝ÙÙÂÍÚÓ‚, ÒÏ. ‚ Ú‡·Îˈax ̇ ÒÚ‡Ìˈ 8. èêàåÖóÄçàÖ • ÖÒÎË ‚˚·‡Ì ̇·Ó Û‰‡Ì˚ı, Á‚Û˜‡Ú¸ ·Û‰ÛÚ ÚÓθÍÓ Í·‚Ë¯Ë Ò ÒËÏ‚Ó·ÏË Û‰‡Ì˚ı. • ÖÒÎË ‚˚·‡Ì ̇·Ó ÒÔˆ˝ÙÙÂÍÚÓ‚, Á‚Û˜‡Ú¸ ·Û‰ÛÚ ÚÓθÍÓ Í·‚˯Ë, Á‡ ÍÓÚÓ˚ÏË Á‡ÍÂÔÎÂÌ ÓÔ‰ÂÎÂÌÌ˚È ˝ÙÙÂÍÚ. • îÛÌ͈ËË Transpose (ÒÚ. 136), Tune (ÒÚ. 136) Ë Octave (ÒÚ. 32, 34 Ë 38) Ì ‰ÂÈÒÚ‚Û˛Ú Ì‡ ̇·Ó˚ Û‰‡Ì˚ı/ ÒÔˆ˝ÙÙÂÍÚÓ‚. VOICE D ORGAN & ACCORDION PERCUSSION GUITAR STRINGS CHOIR & PAD SYNTH. ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË RIGHT1 VOICE, Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ̇ÒÚÓÈÍË Ì‡ ÒÚ‡Ìˈ ˝Í‡Ì‡ KEYBOARD [RIGHT1]. èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË, ҉·ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡ÌˈÂ, ‰ÂÈÒÚ‚Û˛Ú ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË RIGHT1 VOICE. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÌÂθÁfl. ■ Ç˚‚Ó‰ ̇ÒÚÓÂÍ Í·‚ˇÚÛ˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ..................... ZèË Ë„Â ‚ ÂÊËÏ Dual ËÎË Split ̇ „·‚ÌÓÏ ˝Í‡Ì ‰ÓÎÊ̇ ·˚Ú¸ ‚˚·‡Ì‡ ÙÛÌ͈Ëfl RIGHT1 VOICE. èêàåÖóÄçàÖ X ç‡ÊÏËÚ [DIRECT ACCESS] Ë Î˛·Û˛ ÍÌÓÔÍÛ VOICE. ÑÎfl ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ‡Ìˈ‡ÏË KEYBOARD [RIGHT1] Ë [RIGHT2] (ÒÚ. 34) ËÎË [LEFT] (ÒÚ. 37) ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË PAGE [<] Ë [>]. ➔ èÓfl‚ËÚÒfl ˝Í‡Ì KEYBOARD [RIGHT1]. VOICE 29 DIRECT ACCESS PIANO & HARPSI. ➾ BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT CVP-202 31 Ç˚·Ó ÚÂÏ·Ó‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ........................................................ ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ VOLUME ̇ ÒÚ‡Ìˈ KEYBOARD [RIGHT1]. èêàåÖóÄçàÖ ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl KBD VOL ‚ „·‚ÌÓÏ ÓÍÌ (ÒÚ. 23). Z ç‡ÊÏËÚ ÍÌÓÔÍÛ VOLUME. ➔ îÛÌ͈Ëfl VOLUME ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. àÁÏÂÌËÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. ■ ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ .................................................................. îÛÌ͈Ëfl OCTAVE ̇ ˝Í‡Ì KEYBOARD [RIGHT1] ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ Ë ÔÓÌËʇڸ ‚˚ÒÓÚÛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ OCTAVE. ➔ á̇˜ÂÌË ËÁÏÂÌflÂÚÒfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË. èêàåÖóÄçàÖ VOLUME („ÓÏÍÓÒÚ¸) • ÑˇԇÁÓÌ: 0 — 127 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 127 èêàåÖóÄçàÖ OCTAVE • ç‡ÒÚÓÈÍË: –2 (̇ 2 ÓÍÚ‡‚˚ ‚ÌËÁ) –1 (̇ 1 ÓÍÚ‡‚Û ‚ÌËÁ) 0 (·ÂÁ Ò‰‚Ë„‡) +1 (̇ 1 ÓÍÚ‡‚Û ‚‚Âı) +2 (̇ 2 ÓÍÚ‡‚˚ ‚‚Âı) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 0 èêàåÖóÄçàÖ èË ‚˚·Ó ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îfl ÌËı ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ÒÚÓÈÍË ÓÍÚ‡‚˚. (í‡ÍË ̇ÒÚÓÈÍË Ì ÓÚÓ·‡Ê‡˛ÚÒfl ÙÛÌ͈ËÂÈ OCTAVE.) óÚÓ·˚ ̇ÒÚÓÈÍË ÓÍÚ‡‚˚ Ì ÏÂÌflÎËÒ¸ ÔË ‚˚·Ó ÚÂÏ·‡, ̇‰Ó ‚˚·‡Ú¸ ‰Îfl ÙÛÌ͈ËË VOICE SETTING (ÒÚ. 137) Ô‡‡ÏÂÚ MANUAL. ■ ç‡ÒÚÓÈ͇ ÒÚÂÂÓ-ÔÓÁˈËË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ........................................ îÛÌ͈Ëfl PAN ̇ ˝Í‡Ì KEYBOARD [RIGHT1] ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ ÒÚÂÂÓ-ÔÓÁËˆË˛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. èêàåÖóÄçàÖ PAN (Ô‡ÌӇχ) • ç‡ÒÚÓÈÍË: L — — R • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: (ÔÓ ˆÂÌÚÛ) Zç‡ÊÏËÚ ÍÌÓÔÍÛ PAN. ➔ îÛÌ͈Ëfl PAN ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ ÒÚÂÂÓ-ÔÓÁËˆË˛. àÁÏÂÌËÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË PAN. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. CVP-202 30 32 à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual ○○○○○○○○○○○○○○○ êÂÊËÏ Dual ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎflÂÚ ‚‡Ï Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ë Ë„‡Ú¸ ËÏË, ‡ Ú‡ÍÊ ˄‡Ú¸ ËÏË ‚ Ó‰ÌÓÏ ÒÎÓÂ. ùÚÓ Ó·Î„˜‡ÂÚ ÒÓÁ‰‡ÌË ËÒÍβ˜ËÚÂθÌÓ Ì‡Ò˚˘ÂÌÌ˚ı Ë ÔÓÎÌ˚ı ÚÓ̇θÌ˚ı ÒÚÛÍÚÛ. í‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, ÓÍÚ‡‚Û Ë ÒÚÂÂÓ-ÔÓÁËˆË˛ ‚ÚÓÓ„Ó ÚÂÏ·‡ Ë ÒÏÂÒÚËÚ¸ Â„Ó ‚˚ÒÓÚÛ, ˜ÚÓ·˚ ÒÓÁ‰‡Ú¸ ·ÓΠ̇Ò˚˘ÂÌÌ˚È Á‚ÛÍ. VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB SPLIT EFFECT BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG DUAL CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡ Z Ç˚·Ó ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. .................................................................................................. Ç˚·ÂËÚ ÚÂÏ·, Í‡Í Ó·˚˜ÌÓ (ÒÚ. 29), Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] ‰Îfl ‚ÓÁ‚‡Ú‡ Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ. X Ç˚ÁÓ‚ ÂÊËχ Dual. .................................................................................................................... ÑÎfl ‚˚ÁÓ‚‡ ÂÊËχ Dual ̇ÊÏËÚ ÍÌÓÔÍÛ [DUAL]. ➔ Ç Ô‡‚ÓÏ ÌËÊÌÂÏ Û„ÎÛ Üä-˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÙÛÌ͈Ëfl RIGHT2 VOICE, ‡ ÚÂÍÛ˘ËÈ ‚ÚÓÓÈ ÚÂÏ· ÓÚÓ·‡Ê‡ÂÚÒfl ÒÔ‡‚‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ (Á‡ Á̇ÍÓÏ ÔβÒ). VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT C Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡. ......................................................................................................... Ç˚·ÂËÚ ‚ÚÓÓÈ ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ‚˚·Ë‡ÎË ÓÒÌÓ‚ÌÓÈ ÚÂÏ· (ÒÚ. 29). ÑÎfl ‚˚·Ó‡ ‚ÚÓÓ„Ó ÚÂÏ·‡ ‰ÓÎÊ̇ ·˚Ú¸ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl RIGHT2 VOICE. èêàåÖóÄçàÖ ÇÚÓÓÈ ÚÂÏ· • ÑˇԇÁÓÌ: ‚Ò ÚÂÏ·˚ • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: SlowStrs ëÏÂ̇ ocÌo‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Dual Mode 31 ÑÎfl ÒÏÂÌ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Dual ‚˚·ÂËÚ ÙÛÌÍˆË˛ RIGHT1 VOICE, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚ ӷ˚˜ÌÛ˛ Ôӈ‰ÛÛ ‚˚·Ó‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. èêàåÖóÄçàÖ ÖÒÎË ÍÌÓÔÍË VOICE ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡, ÍÓ„‰‡ ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl TEMPO ËÎË KBD VOL, ÚÓ ‚˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ ÓÒÌÓ‚Ì˚Ï. CVP-202 33 à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual ○○○○○○○○○○○○○○○○○○○○○○○○○ ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ‚ÚÓÓ„Ó ÚÂÏ·‡ ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË RIGHT2 VOICE, Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ̇ÒÚÓÈÍË Ì‡ ÒÚ‡Ìˈ ˝Í‡Ì‡ KEYBOARD [RIGHT2]. ■ Ç˚‚Ó‰ ̇ÒÚÓÂÍ Í·‚ˇÚÛ˚ ‰Îfl ‚ÚÓÓ„Ó ÚÂÏ·‡ ............................. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [DUAL]. VOICE CUSSION DIRECT ACCESS ➾ OIR & PAD GUITAR BASS DUAL REVERB SYNTH. XG SPLIT EFFECT ➔ èÓfl‚ËÚÒfl ˝Í‡Ì KEYBOARD [RIGHT2]. ■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‚ÚÓÓ„Ó ÚÂÏ·‡ ............................................................... ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË ‚ÚÓÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ VOLUME ̇ ÒÚ‡Ìˈ KEYBOARD [RIGHT2]. èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË, ҉·ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡ÌˈÂ, ‰ÂÈÒÚ‚Û˛Ú ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË RIGHT2 VOICE. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÌÂθÁfl. èêàåÖóÄçàÖ ÖÒÎË ÙÛÌ͈Ëfl RIGHT2 VOICE ‚˚·‡Ì‡ ‚ ÓÒÌÓ‚ÌÓÏ ÓÍÌÂ, ÏÓÊÌÓ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ KEYBOARD [RIGHT2], ̇ʇ‚ ÍÌÓÔÍÛ [DIRECT ACCESS] Ë Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ VOICE. èêàåÖóÄçàÖ ÑÎfl ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ‡Ìˈ‡ÏË KEYBOARD [RIGHT2] Ë [RIGHT1] (ÒÚ. 31) ËÎË [LEFT] (ÒÚ. 37) ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË PAGE [<] Ë [>]. èêàåÖóÄçàÖ ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl KBD VOL ‚ „·‚ÌÓÏ ÓÍÌ (ÒÚ. 23). Z ç‡ÊÏËÚ ÍÌÓÔÍÛ VOLUME. ➔ îÛÌ͈Ëfl VOLUME ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ ‚ÚÓÓ„Ó ÚÂÏ·‡. àÁÏÂÌËÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. ■ ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ ‚ÚÓÓ„Ó ÚÂÏ·‡ ......................................................................... îÛÌ͈Ëfl OCTAVE ̇ ˝Í‡Ì KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ Ë ÔÓÌËʇڸ ‚˚ÒÓÚÛ ‚ÚÓÓ„Ó ÚÂÏ·‡ ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ OCTAVE. ➔ á̇˜ÂÌË ËÁÏÂÌflÂÚÒfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË. èêàåÖóÄçàÖ VOLUME („ÓÏÍÓÒÚ¸) • ÑˇԇÁÓÌ: 0 — 127 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 127 èêàåÖóÄçàÖ OCTAVE (c‰‚Ë„ ̇ ÓÍÚ‡‚Û) • ç‡ÒÚÓÈÍË: –2 (̇ 2 ÓÍÚ‡‚˚ ‚ÌËÁ) –1 (̇ 1 ÓÍÚ‡‚Û ‚ÌËÁ) 0 (·ÂÁ Ò‰‚Ë„‡) +1 (̇ 1 ÓÍÚ‡‚Û ‚‚Âı) +2 (̇ 2 ÓÍÚ‡‚˚ ‚‚Âı) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 0 èêàåÖóÄçàÖ èË ‚˚·Ó ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îfl ÌËı ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ÒÚÓÈÍË ÓÍÚ‡‚˚. (í‡ÍË ̇ÒÚÓÈÍË Ì ÓÚÓ·‡Ê‡˛ÚÒfl ÙÛÌ͈ËÂÈ OCTAVE.) óÚÓ·˚ ̇ÒÚÓÈÍË ÓÍÚ‡‚˚ Ì ÏÂÌflÎËÒ¸ ÔË ‚˚·Ó ÚÂÏ·‡, ̇‰Ó ‚˚·‡Ú¸ ‰Îfl ÙÛÌ͈ËË VOICE SETTING (ÒÚ. 137) Ô‡‡ÏÂÚ MANUAL. CVP-202 32 34 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual ■ ç‡ÒÚÓÈ͇ ÒÚÂÂÓ-ÔÓÁˈËË ‚ÚÓÓ„Ó ÚÂÏ·‡ .............................................. îÛÌ͈Ëfl PAN ̇ ˝Í‡Ì KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ ÒÚÂÂÓ-ÔÓÁËˆË˛ ‚ÚÓÓ„Ó ÚÂÏ·‡. Z ç‡ÊÏËÚ ÍÌÓÔÍÛ PAN. ➔ îÛÌ͈Ëfl PAN ·Û‰ÂÚ ‚Íβ˜Â̇. èêàåÖóÄçàÖ PAN (Ô‡ÌӇχ) • ç‡ÒÚÓÈÍË: L — — R • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: (ÔÓ ˆÂÌÚÛ) X ç‡ÒÚÓÈÚ ÒÚÂÂÓ-ÔÓÁËˆË˛. àÁÏÂÌËÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË PAN. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. ■ àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ ‚ÚÓÓ„Ó ÚÂÏ·‡ ..................................................................... îÛÌ͈Ëfl DETUNE ̇ ˝Í‡Ì KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎflÂÚ ÌÂÏÌÓ„Ó ÒÏÂÒÚËÚ¸ ‚˚ÒÓÚÛ ‚ÚÓÓ„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌ˲ Ò ‚˚ÒÓÚÓÈ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, ˜ÚÓ ‰Â·ÂÚ Á‚ÛÍ Â˘Â ·ÓΠ̇Ò˚˘ÂÌÌ˚Ï. Z ç‡ÊÏËÚ ÍÌÓÔÍÛ DETUNE. èêàåÖóÄçàÖ DETUNE (cÏ¢ÂÌË ‚˚ÒÓÚ˚) • ÑˇԇÁÓÌ: 0 — 10 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 5 ➔ îÛÌ͈Ëfl DETUNE ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ÒÏ¢ÂÌËfl. àÁÏÂÌËÚ „ÎÛ·ËÌÛ ÒÏ¢ÂÌËfl Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË Û‚Â΢¸Ú ÂÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË DETUNE. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. Ç˚ıÓ‰ ËÁ ÂÊËχ Dual ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Dual ̇ÊÏËÚ ÍÌÓÔÍÛ [DUAL]. ➔ à̉Ë͇ÚÓ ÍÌÓÔÍË [DUAL] ÔÓ„‡ÒÌÂÚ, Ë Í·‚ˇÚÛ‡ ‚˚ȉÂÚ ËÁ ÂÊËχ Dual. VOICE CUSSION 33 OIR & PAD GUITAR BASS DUAL REVERB SYNTH. XG SPLIT EFFECT CVP-202 35 à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓ̇ı Í·‚ˇÚÛ˚: ÂÊËÏ Split ○○○○○○○○ êÂÊËÏ Split ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎflÂÚ ‚‡Ï Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡Ú¸ ‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‰Îfl ͇ʉÓÈ ÛÍË. ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ÚÂÏ· ·‡ÒÓ‚Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ‡ Ô‡‚ÓÈ - ÙÓÚÂÔˇÌÓ. VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡ Z Ç˚·Ó ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. ................................................................................................... Ç˚·ÂËÚ ÚÂÏ·, Í‡Í Ó·˚˜ÌÓ (ÒÚ. 29), Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] ‰Îfl ‚ÓÁ‚‡Ú‡ Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ. Ç˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Ë„˚ Ô‡‚ÓÈ ÛÍÓÈ. X Ç˚ÁÓ‚ ÂÊËχ Split. .................................................................................................................... ÑÎfl ‚˚ÁÓ‚‡ ÂÊËχ Split ̇ÊÏËÚ ÍÌÓÔÍÛ [SPLIT]. ➔ Ç Ô‡‚ÓÏ ÌËÊÌÂÏ Û„ÎÛ Üä-˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÙÛÌ͈Ëfl LEFT VOICE, ‡ ÚÂÍÛ˘ËÈ Î‚˚È ÚÂÏ· ÓÚÓ·‡Ê‡ÂÚÒfl Ò΂‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ (Ô‰ ÍÓÒÓÈ ˜ÂÚÓÈ). í‡ÍÊ Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ Í·‚ˇÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÚӘ͠‡Á‰ÂÎÂÌËfl. èêàåÖóÄçàÖ TӘ͇ ‡Á‰ÂÎÂÌËfl TӘ͇ ‡Á‰ÂÎÂÌËfl - ˝ÚÓ Í·‚˯‡, ‡Á‰ÂÎfl˛˘‡fl Ô‡‚Û˛ Ë ÎÂ‚Û˛ ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚. íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË SPLIT POINT ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ KEYBOARD [LEFT] (ÒÚ. 39). èêàåÖóÄçàÖ VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT ÇÓ ‚ÂÏfl Ë„˚ ‚ ÂÊËÏ Split ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ú‡ÍË ÂÊËÏ˚ ÙÛÌ͈ËË Automatic Accompaniment (‡‚ÚÓχÚ˘ÂÒÍËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ), Í‡Í Single Finger, Multi Finger, Fingered1 ËÎË Fingered2 (ÒÚ. 59). Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ʇÚË Í·‚Ë¯Ë ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÚÂÏ·˚ ËÁ „ÛÔÔ˚ Automatic Accompaniment, Ú‡ÍÊÂ Í‡Í Ë Î‚˚È ÚÂÏ·. èêàåÖóÄçàÖ C Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡. ............................................................................................................. Ç˚·ÂËڠ΂˚È ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ‚˚·Ë‡ÎË ÓÒÌÓ‚ÌÓÈ ÚÂÏ· (ÒÚ. 29). ÑÎfl ‚˚·Ó‡ ÎÂ‚Ó„Ó ÚÂÏ·‡ ‰ÓÎÊ̇ ·˚Ú¸ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl LEFT VOICE. ã‚˚È ÚÂÏ· • ÑˇԇÁÓÌ: ‚Ò ÚÂÏ·˚ • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Aco.Bass ëÏÂ̇ „·‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Split ÑÎfl ÒÏÂÌ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏ Split ‚˚·ÂËÚ ÙÛÌÍˆË˛ RIGHT1 VOICE, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚ ӷ˚˜ÌÛ˛ Ôӈ‰ÛÛ ‚˚·Ó‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. CVP-202 34 36 èêàåÖóÄçàÖ ÖÒÎË ÍÌÓÔÍË VOICE ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡, ÍÓ„‰‡ ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl TEMPO ËÎË KBD VOL, ÚÓ ‚˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ ÓÒÌÓ‚Ì˚Ï. à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓ̇ı Í·‚ˇÚÛ˚: ÂÊËÏ Split ○○○○○○○○○○○○○○ ç‡ÒÚÓÈÍË Í·‚ˇÚÛ˚ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡ ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË LEFT VOICE, Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ̇ÒÚÓÈÍË Ì‡ ÒÚ‡Ìˈ ˝Í‡Ì‡ KEYBOARD [LEFT]. èË ÔÓÏÓ˘Ë ÙÛÌ͈ËÈ Ì‡ ˝ÚÓÈ ÒÚ‡Ìˈ ڇÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ‚ÓÁ‰ÂÈÒÚ‚Ëfl Ô‰‡ÎÂÈ Ë ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ■ Ç˚‚Ó‰ ̇ÒÚÓÂÍ Í·‚ˇÚÛ˚ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡ ................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [SPLIT]. ➔ èÓfl‚ËÚÒfl ˝Í‡Ì KEYBOARD [LEFT]. èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË, ҉·ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡ÌˈÂ, ‰ÂÈÒÚ‚Û˛Ú ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË LEFT VOICE. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÌÂθÁfl. èêàåÖóÄçàÖ ÖÒÎË ÙÛÌ͈Ëfl LEFT VOICE ‚˚·‡Ì‡ ‚ ÓÒÌÓ‚ÌÓÏ ÓÍÌÂ, ÏÓÊÌÓ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ KEYBOARD [LEFT], ̇ʇ‚ ÍÌÓÔÍÛ [DIRECT ACCESS] Ë Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ VOICE. VOICE CUSSION DIRECT ACCESS ➾ OIR & PAD GUITAR SYNTH. BASS XG DUAL SPLIT REVERB EFFECT ■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÎÂ‚Ó„Ó ÚÂÏ·‡ ................................................................. ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ VOLUME ̇ ÒÚ‡Ìˈ KEYBOARD [LEFT]. èêàåÖóÄçàÖ ÑÎfl ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ‡Ìˈ‡ÏË KEYBOARD [LEFT] Ë [RIGHT1] (ÒÚ. 31) ËÎË [RIGHT2] (ÒÚ. 34) ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË PAGE [<] Ë [>]. èêàåÖóÄçàÖ ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl KBD VOL ‚ „·‚ÌÓÏ ÓÍÌ (ÒÚ. 23). Z ç‡ÊÏËÚ ÍÌÓÔÍÛ VOLUME. ➔ îÛÌ͈Ëfl VOLUME ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ ÎÂ‚Ó„Ó ÚÂÏ·‡. 35 àÁÏÂÌËÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ VOLUME („ÓÏÍÓÒÚ¸) • ÑˇԇÁÓÌ: 0 — 127 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 127 CVP-202 37 à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓ̇ı Í·‚ˇÚÛ˚: ÂÊËÏ Split ■ ç‡ÒÚÓÈ͇ ÓÍÚ‡‚˚ ÎÂ‚Ó„Ó ÚÂÏ·‡ ............................................................................ îÛÌ͈Ëfl OCTAVE ̇ ˝Í‡Ì KEYBOARD [LEFT] ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ Ë ÔÓÌËʇڸ ‚˚ÒÓÚÛ ÎÂ‚Ó„Ó ÚÂÏ·‡ ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ OCTAVE. ➔ á̇˜ÂÌË ËÁÏÂÌflÂÚÒfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË. ○○○○○○○○○○○○○○○ èêàåÖóÄçàÖ OCTAVE (Ò‰‚Ë„ ̇ ÓÍÚ‡‚Û) • ç‡ÒÚÓÈÍË: –2 (̇ 2 ÓÍÚ‡‚˚ ‚ÌËÁ) –1 (̇ 1 ÓÍÚ‡‚Û ‚ÌËÁ) 0 (·ÂÁ Ò‰‚Ë„‡) +1 (̇ 1 ÓÍÚ‡‚Û ‚‚Âı) +2 (̇ 2 ÓÍÚ‡‚˚ ‚‚Âı) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: +1 èêàåÖóÄçàÖ èË ‚˚·Ó ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îfl ÌËı ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ÒÚÓÈÍË ÓÍÚ‡‚˚. (í‡ÍË ̇ÒÚÓÈÍË Ì ÓÚÓ·‡Ê‡˛ÚÒfl ÙÛÌ͈ËÂÈ OCTAVE.) óÚÓ·˚ ̇ÒÚÓÈÍË ÓÍÚ‡‚˚ Ì ÏÂÌflÎËÒ¸ ÔË ‚˚·Ó ÚÂÏ·‡, ̇‰Ó ‚˚·‡Ú¸ ‰Îfl ÙÛÌ͈ËË VOICE SETTING (ÒÚ. 137) Ô‡‡ÏÂÚ MANUAL. ■ ç‡ÒÚÓÈ͇ ÒÚÂÂÓ-ÔÓÁˈËË ÎÂ‚Ó„Ó ÚÂÏ·‡ ................................................... îÛÌ͈Ëfl PAN ̇ ˝Í‡Ì KEYBOARD [LEFT] ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ ÒÚÂÂÓ-ÔÓÁËˆË˛ ÎÂ‚Ó„Ó ÚÂÏ·‡. èêàåÖóÄçàÖ PAN (Ô‡ÌӇχ) • ç‡ÒÚÓÈÍË: L — — R • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: (ÔÓ ˆÂÌÚÛ) Z ç‡ÊÏËÚ ÍÌÓÔÍÛ PAN. ➔ îÛÌ͈Ëfl PAN ·Û‰ÂÚ ‚Íβ˜Â̇. X ç‡ÒÚÓÈÚ ÒÚÂÂÓ-ÔÓÁËˆË˛. àÁÏÂÌËÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË PAN. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. ■ ç‡ÒÚÓÈ͇ ‰Ë‡Ô‡ÁÓ̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‰‡ÎÂÈ .................................................................................................................................................. ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË PEDAL ̇ ˝Í‡Ì KEYBOARD [LEFT] ÏÓÊÌÓ Û͇Á‡Ú¸, ̇ ͇ÍË ˜‡ÒÚË Í·‚ˇÚÛ˚ ÔË Ë„Â ‚ ÂÊËÏ Split ·Û‰ÛÚ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ‰ÂÏÔÙÂ̇fl ÙÛÌ͈Ëfl Ë ÙÛÌ͈Ëfl ÒÍÓθÊÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇, ÛÔ‡‚ÎflÂÏ˚ ԇ‚ÓÈ Ë Î‚ÓÈ Ô‰‡ÎflÏË. ç‡ÊÏËÚ ÍÌÓÔÍÛ PEDAL. ➔ á̇˜ÂÌË ËÁÏÂÌflÂÚÒfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË. CVP-202 PEDAL (Ô‰‡Î¸) • ç‡ÒÚÓÈÍË: R (ÚÓθÍÓ Ô‡‚‡fl) L (ÚÓθÍÓ Î‚‡fl) L+R (Ó·Â) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: R èêàåÖóÄçàÖ ëÔËÒÓÍ ÙÛÌ͈ËÈ, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡ ΂ÓÈ Ô‰‡Î¸˛, ÒÏ. ̇ ÒÚ. 138. 36 38 èêàåÖóÄçàÖ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡ ‰‚ÛÏfl ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓ̇ı Í·‚ˇÚÛ˚: ÂÊËÏ Split ■ àÁÏÂÌÂÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ................................................... ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ̇ β·Û˛ Í·‚Ë¯Û ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ SPLIT POINT ̇ ˝Í‡Ì KEYBOARD [LEFT]. Ç ÂÊËÏ Split ΂˚È ÚÂÏ· Ë„‡ÂÚÒfl ‚ÒÂÏË Í·‚˯‡ÏË, ‡ÒÔÓÎÓÊÂÌÌ˚ÏË Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (‚Íβ˜‡fl ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl). ŇÁÓ‚ÓÈ ÔÓÁˈËÂÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl fl‚ÎflÂÚÒfl Í·‚˯‡ F#2. èêàåÖóÄçàÖ SPLIT POINT (ÚӘ͇ ‡Á‰ÂÎÂÌËfl) • ç‡ÒÚÓÈÍË: β·‡fl Í·‚˯‡ Í·‚ˇÚÛ˚ • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: F#2 F 2 ょfl ˜‡ÒÚ¸ C0 C1 C2 C3 C4 C5 C6 C7 臂‡fl ˜‡ÒÚ¸ Z ç‡ÊÏËÚ ÍÌÓÔÍÛ SPLIT POINT. ➔ îÛÌ͈Ëfl SPLIT ·Û‰ÂÚ ‚Íβ˜Â̇. X àÁÏÂÌËÚ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl. àÁÏÂÌËÚ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË SPLIT POINT. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. ➔ ç‡ Í·‚ˇÚÛ Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÚӘ͠‡Á‰ÂÎÂÌËfl, ‡ ÙÛÌ͈Ëfl SPLIT POINT ‚˚‚‰ÂÚ Ì‡ ˝Í‡Ì ËÏfl Í·‚˯Ë. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Split ̇ÊÏËÚ ÍÌÓÔÍÛ [SPLIT]. C3 é‰ÌÓ‚ÂÏÂÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Dual Ë Split äÌÓÔÍË [DUAL] Ë [SPLIT] ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. èË ˝ÚÓÏ ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ò‡ÁÛ Ë ÓÒÌÓ‚ÌÓÈ, Ë ‚ÚÓÓÈ ÚÂÏ·˚. èêàåÖóÄçàÖ ÖÒÎË ‚Íβ˜ÂÌ˚ Ë ÂÊËÏ Dual, Ë ÂÊËÏ Split, ÚÓ Ì‡ ÓÒÌÓ‚ÌÓÏ ˝Í‡Ì ‚ÏÂÒÚÂ Ò ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ÓÏ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÚÓÓÈ ËÎË Î‚˚È ÚÂÏ·. Ç˚ıÓ‰ ËÁ ÂÊËχ Split ➔ à̉Ë͇ÚÓ ÍÌÓÔÍË [SPLIT] ÔÓ„‡ÒÌÂÚ, Ë Í·‚ˇÚÛ‡ ‚˚ȉÂÚ ËÁ ÂÊËχ Split. 37 OIR & PAD SYNTH. XG SPLIT EFFECT CVP-202 39 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ○○○○○○○○○○○○○○○○○○○○ ì ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÂÒÚ¸ ÚË Ô‰‡ÎË. 臂‡fl Ô‰‡Î¸ (Right) ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ ÚÛ Ê ÙÛÌÍˆË˛, ˜ÚÓ Ë ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÚÓ ÂÒÚ¸ ÔӉ΂‡ÂÚ Á‚Û˜‡ÌË ÚÂÏ·‡ ‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚÔÛÒÚËÎË Í·‚˯Û. èêàåÖóÄçàÖ • ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ Ì ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌ˚ ÚÂÏ·˚ „ÛÔÔ [PERCUSSION] Ë [XG]. • ÖÒÎË Ì‡Ê‡Ú‡ ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸, ÌÂÍÓÚÓ˚ ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔÂ˚‚ÌÓ ËÎË ÒËθÌÓ ÔӉ΂‡Ú¸Òfl ÔÓÒΠÚÓ„Ó, Í‡Í Í·‚˯‡ ·˚· ÓÚÔÛ˘Â̇. ë‰Ìflfl Ô‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) (Center) ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ», ÔÓ͇ Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸, ÌÓ ‚Ò ‰Û„Ë ÌÓÚ˚ ÔӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÂÒÎË, ̇ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘Ë ‚ÒΉ Á‡ ‡ÍÍÓ‰ÓÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ. èêàåÖóÄçàÖ • 艇θ «ÒÓÒÚÂÌÛÚÓ» Ì ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌ˚ ÚÂÏ·˚ „ÛÔÔ [PERCUSSION] Ë [XG]. • çÂÍÓÚÓ˚ ÚÂÏ·˚, ̇ÔËÏ [ORGAN&ACCORDION] ËÎË [BRASS], ÌÂÔÂ˚‚ÌÓ ÔӉ΂‡˛ÚÒfl, ÂÒÎË Ì‡Ê‡Ú‡ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ». ょfl Ô‰‡Î¸ (ÔË„ÎÛ¯ÂÌË Á‚Û͇) (Left) ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡ ÌÓÚ. ᇠ˝ÚÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÙÛÌ͈ËÈ; ̇ÔËÏÂ, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸  ‰Îfl Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ Fill In (‚ÒÚ‡‚ÓÍ). èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ̇ ÒÚ. 138. CVP-202 Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ˝ÙÙÂÍÚ˚ ÔÓ„‡ÏÏËÛÂÏÓÈ Ô‰‡ÎË ÏÓ„ÛÚ ÌÂÏÌÓ„Ó ÏÂÌflÚ¸Òfl. 38 40 èêàåÖóÄçàÖ É·‚‡ 4: ê‚ ·Â ‡ˆËfl Ë ‰ Û„Ë ˝ÙÙÂÍÚ˚ ê‚ ·Â ‡ˆËfl ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ê‚·‡ˆËfl – ˝ÚÓ ˝ÙÙÂÍÚ, ‚ÓÒÒÓÁ‰‡˛˘ËÈ ‡ÍÛÒÚËÍÛ ÔÓÏ¢ÂÌËfl, ‚ ÍÓÚÓÓÏ Ë‰ÂÚ ËÒÔÓÎÌÂÌË — ÓÚ ÍÓÏ̇Ú˚ ‚ ‰Ê‡Á-ÍÎÛ·Â ‰Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. ç‡ Clavinova ‰ÓÒÚÛÔÌÓ ÌÂÒÍÓθÍÓ ˝ÙÙÂÍÚÓ‚ ‚·‡ˆËË, ‰Îfl ÍÓÚÓ˚ı ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÛÊÌÛ˛ ‚‡Ï „ÎÛ·ËÌÛ. VOLUME MASTER VOLUME CONTRAST STYLE DEMO ACMP/SONG VOLUME MAX MAX MIN MIN POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO REVERB VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB SPLIT EFFECT BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ ·Â ‡ˆËË óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ‚·‡ˆË˛ ‰Îfl ˜‡ÒÚË Í·‚ˇÚÛ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [REVERB]. èêàåÖóÄçàÖ Çäã/Çõäã ‚·‡ˆËË Å‡ÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT èêàåÖóÄçàÖ ç‡ÒÚÓÈ͇ ÍÌÓÔÍË [REVERB] Ì ‚ÎËflÂÚ Ì‡ ÂÊËÏ Song ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ‚·‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [REVERB] ¢ ‡Á. ➔ à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÍÌÓÔÍË [REVERB] Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ ‚·‡ˆËfl ÏÓÊÂÚ ‚Íβ˜‡Ú¸Òfl Ë ‚˚Íβ˜‡Ú¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. àÁÏÂÌÂÌË ̇ÒÚ ÓÂÍ Â‚Â ·Â ‡ˆËË àÁÏÂÌËÚ¸ ÚËÔ Ë „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Ì‡ ÒÚ‡Ìˈ‡ı REVERB Ë REVERB DEPTH. ■ Ç˚‚Ó‰ ̇ÒÚ ÓÂÍ Â‚Â ·Â ‡ˆËË .................................................................................... Z ç‡ÊÏËÚ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [REVERB]. 39 DIRECT ACCESS ➾ BASS DUAL REVERB XG SPLIT EFFECT CVP-202 41 ê‚ ·Â ‡ˆËfl ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ➔ ç‡ Üä-˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ REVERB ËÎË REVERB DEPTH (ÔÓÒΉÌflfl ‚˚·‡Ì̇fl). èêàåÖóÄçàÖ X ÑÎfl Ô ÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ ‡Ìˈ‡ÏË REVERB Ë REVERB DEPTH ÒÎÛÊ‡Ú ÍÌÓÔÍË PAGE [<] Ë [>]. ■ àÁÏÂÌÂÌË ÚËÔ‡ ‚ ·Â ‡ˆËË ................................................................................... àÁÏÂÌËÚ¸ ÚËÔ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Ì‡ ˝Í‡Ì REVERB. àÒÔÓθÁÛÈÚ ‰Îfl ËÁÏÂÌÂÌËfl ÚËÔ‡ ‚·‡ˆËË ÍÌÓÔÍË TYPE s Ë t, ËÎË ‚˚·ÂËÚ ÙÛÌÍˆË˛ TYPE Ë ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ➔ Ç˚·‡ÌÌ˚È ÚËÔ Â‚Â·Â‡ˆËË ‚˚‰ÂÎflÂÚÒfl. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÚËÔ‡ ‚·‡ˆËË Á‡‚ËÒÚ ÓÚ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÒÚËÎfl ÚËÔ Â‚Â·Â‡ˆËË ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. ■ ç‡ÒÚ ÓÈ͇ Ó·˘ÂÈ „ÎÛ·ËÌ˚ ................................................................................................. é·˘Û˛ „ÎÛ·ËÌÛ ‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ‚·‡ˆËË ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË TOTAL DEPTH ̇ ˝Í‡Ì REVERB. Z Ç˚·Â ËÚ ÙÛÌÍˆË˛ TOTAL DEPTH. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [>], ÍÓ„‰‡ ̇ ˝Í‡Ì ÓÚӷӇʇÂÚÒfl ÒÚ‡Ìˈ‡ REVERB DEPTH, ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ CHORUS. èÓ‰Ó·Ì ӷ ˝ÙÙÂÍÚ Chorus Ë ‰Û„Ëı ˝ÙÙÂÚ‡ı ÒÏ. ‚ ‰Û„Ëı ‡Á‰Â·ı ˝ÚÓÈ „·‚˚. èêàåÖóÄçàÖ íËÔ Â‚Â·Â‡ˆËË • ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 163. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÒÚËÎfl. èêàåÖóÄçàÖ • Ç˚·‡ÌÌ˚È ÚËÔ Â‚Â·Â‡ˆËË ‰ÂÈÒÚ‚ÛÂÚ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚, ËÒÔÓÎÌflÂÏ˚ı ̇ Í·‚ˇÚÛÂ, Ë ÚÂÏ·Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÌÂθÁfl. • Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òfl ËÎË ÓÒ··ÌÛÚ¸, ‰‡Ê ÂÒÎË ‚˚·‡Ì ÚÓÚ Ê ÚËÔ Â‚Â·Â‡ˆËË. • ùÙÙÂÍÚ Â‚Â·Â‡ˆËË ÌÂθÁfl ÔËÏÂÌËÚ¸ Í Á‚Û͇Ï, Ô‰‡˛˘ËÏÒfl ̇ ÒËÌÚÂÁ‡ÚÓ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX IN [R] Ë [L/L+R]. • èËÏÂÌËÚ¸ ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË Í ÚÂÏ·‡Ï Í·‚ˇÚÛ˚ Ú‡ÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EFFECT]. èÓ‰Ó·Ì ÒÏ. ‡Á‰ÂÎ «àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 46. • ÖÒÎË ‚Íβ˜ÂÌ˚ Ë ÍÌÓÔ͇ [REVERB] Ë ÍÌÓÔ͇ [EFFECT], ·Û‰ÛÚ ÔËÏÂÌflÚ¸Òfl Ó·‡ ˝ÙÙÂÍÚ‡. èêàåÖóÄçàÖ TOTAL DEPTH (o·˘‡fl „ÎÛ·Ë̇) • ÑˇԇÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 64 ➔ îÛÌ͈Ëfl TOTAL DEPTH ·Û‰ÂÚ ‚Íβ˜Â̇. CVP-202 40 42 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ê‚ ·Â ‡ˆËfl X ᇉ‡ÈÚ ӷ˘Û˛ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‚ ·Â ‡ˆËË. àÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TOTAL DEPTH t Ë s, ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ÑÎfl ‚ÓÁ‚‡Ú‡ Í ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍ (64) Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË TOTAL DEPTH t Ë s ËÎË ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ • ç‡ÒÚÓÈ͇ TOTAL DEPTH ‚ÎËflÂÚ Ò‡ÁÛ Ì‡ ‚Ò ÚÂÏ·˚. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÌÂθÁfl. • í‡Í Ê ÏÓÊÌÓ Á‡‰‡Ú¸ ÓÚ‰ÂθÌÛ˛ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ËÚχ, ‡ÍÍÓÏÔ‡ÌÂÌÏÂÌÚ‡ Ë Í‡Ê‰ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. (ëÏ. ÒÎÂ‰Û˛˘Û˛ ÓÔ‡ˆË˛.) ■ ç‡ÒÚ ÓÈ͇ „ÎÛ·ËÌ˚ ‚ ·Â ‡ˆËË ‰Îfl ͇ʉÓÈ ˜‡ÒÚË ................... ë ÔÓÏÓ˘¸˛ ̇ÒÚÓÂÍ Ì‡ ˝Í‡Ì REVERB DEPTH (ÒÚ. 42) ÏÓÊÌÓ ÓÚ‰ÂθÌÓ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ËÚχ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Ô‡ÚËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ Í·‚ˇÚÛÂ. Z Ç˚·Ó Ô‡ ÚËË. ç‡ÊÏËÚ ̇ Üä-˝Í‡Ì ÍÌÓÔÍÛ RHYTHM, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl Ô‡ÚËË ·‡‡·‡ÌÓ‚, ËÎË ÍÌÓÔÍÛ ACMP, ˜ÚÓ·˚ Á‡‰‡Ú¸  ‰Îfl ‚ÒÂı ‰Û„Ëı Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç˚·ÂËÚ LEFT, RIGHT1 ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ • í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÁÏÂÌËÚ¸ Ëı ̇ÒÚÓÈÍË. ➔ Ç˚·‡Ì̇fl ÙÛÌ͈Ëfl ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. X ᇉ‡ÈÚ „ÎÛ·ËÌÛ Â‚Â ·Â ‡ˆËË. ᇉ‡ÈÚ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ì‚Â΢ËÚ¸ Á̇˜ÂÌË ڇÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ RHYTHM Ë ACMP (pËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) • ÑˇԇÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 64 LEFT, RIGHT1 Ë RIGHT2 • ÑˇԇÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ᇂËÒËÚ ÓÚ ÚÂÏ·‡. èêàåÖóÄçàÖ 41 í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ‰Îfl ÙÛÌ͈ËÈ LEFT, RIGHT1 Ë RIGHT2 Á‡‚ËÒÚË ÓÚ ‚˚·‡ÌÌ˚ı ÚÂÏ·Ó‚, ÔË ‚˚·Ó ÌÓ‚ÓÈ Ô‡ÚËË Ì‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. ÇÂ΢Ë̇ ‚·‡ˆËË, ÔËÏÂÌflÂχfl Í Ô‡ÚËË, Á‡‚ËÒËÚ Ë ÓÚ „ÎÛ·ËÌ˚ Ô‡ÚËË Ë ÓÚ Ì‡ÒÚÓÂÍ ÙÛÌ͈ËË TOTAL DEPTH. ÖÒÎË Ó‰Ì‡ ËÁ ̇ÒÚÓÂÍ ‡‚̇ 0, ‚·‡ˆËfl Ì ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í ˝ÚÓÈ Ô‡ÚËË, ‰‡Ê ÂÒÎË ‰Îfl ‰Û„ÓÈ Ì‡ÒÚÓÈÍË ‚˚·‡ÌÓ Á̇˜ÂÌË 127. CVP-202 43 ùÙÙÂÍÚ Chorus ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÙÙÂÍÚ Chorus ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÂÏ·˚, ËÒÔÓÎÌflÂÏ˚ ̇ Í·‚ˇÚÛÂ, ÛÒËÎËÚ¸ Ëı Ë ‰‡Ê ҉·ڸ Á‚ÛÍ ·ÓΠ̇Ò˚˘ÂÌÌ˚Ï. ùÙÙÂÍÚ˚ Flanger ‰Ó·‡‚Îfl˛Ú ˜ÂÚÍÛ˛ ÏÓ‰ÛÎflˆË˛, ÒÓÁ‰‡˛˘Û˛ Ù‡ÌÚ‡ÒÚ˘ÂÒÍÓ ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓ ͇˜ÂÒÚ‚Ó. åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÌÂÒÍÓθÍËı ˝ÙÙÂÍÚÓ‚ Chorus Ë Flanger Ë ÛÒÚ‡ÌÓ‚ËÚ¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ‰Ó·‡‚ÎÂÌ Í Í‡Ê‰ÓÏÛ ÚÂÏ·Û Í·‚ˇÚÛ˚. àÁÏÂÌÂÌË ̇ÒÚ ÓÂÍ ˝ÙÙÂÍÚ‡ Chorus Ç ÓÚ΢ˠÓÚ Â‚Â·Â‡ˆËË (ÒÚ. 41) Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚ (ÒÚ. 46), ÍÓÚÓ˚ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË, ÙÛÌ͈Ëfl Chorus ‚Ò„‰‡ «‚Íβ˜Â̇». èËÏÂÌÂÌË ˝ÙÙÂÍÚ‡ ëhorus Í Î˛·ÓÏÛ ÚÂÏ·Û Á‡‚ËÒËÚ ÓÚ ÚÂÍÛ˘Â„Ó ÚËÔ‡ Chorus Ë Ì‡ÒÚÓÂÍ „ÎÛ·ËÌ˚ ˝ÚÓ„Ó ˝ÙÙÂÍÚ‡. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Ì‡ ˝Í‡Ì CHORUS. èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË ˝Í‡Ì‡ CHORUS Ì ‚ÎËfl˛Ú ̇ ÂÊËÏ Song ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ■ Ç˚‚Ó‰ ̇ÒÚ ÓÂÍ Chorus ........................................................................................................ Zç‡ÊÏËÚ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [REVERB]. ➔ ç‡ Üä-˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ REVERB ËÎË REVERB DEPTH (ÔÓÒΉÌflfl ‚˚·‡Ì̇fl). X ç‡ÊÏËÚ ÍÌÓÔÍÛ PAGE [>] (Ó‰ËÌ ËÎË ‰‚‡ ‡Á‡, ÂÒÎË Ú Â·ÛÂÚÒfl). Ñ‚‡Ê‰˚ ̇ÊÏËÚ ÍÌÓÔÍÛ PAGE [>], ÂÒÎË ÓÚÓ·‡Ê‡ÂÚÒfl ÒÚ‡Ìˈ‡ REVERB, Ë Ó‰ËÌ ‡Á, ÂÒÎË ÓÚÓ·‡Ê‡ÂÚÒfl ÒÚ‡Ìˈ‡ REVERB DEPTH. ➔ èÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ CHORUS. ■ àÁÏÂÌÂÌË ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus ............................................................................. íËÔ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ ÒÚ‡Ìˈ CHORUS. àÒÔÓθÁÛÈÚ ‰Îfl ËÁÏÂÌÂÌËfl ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus ÍÌÓÔÍË CHORUS s Ë t ËÎË ‚˚·ÂËÚ ÙÛÌÍˆË˛ CHORUS Ë ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. CVP-202 èêàåÖóÄçàÖ íËÔ ˝ÙÙÂÍÚ‡ Chorus • ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 163. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÒÚËÎfl. 42 44 èêàåÖóÄçàÖ • í‡ÍÊ ÏÓÊÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EFFECT] Ë ÍÌÓÔÍÛ PAGE [<], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÒÚ‡ÌËˆÛ CHORUS ÒÓ ÒÚ‡Ìˈ˚ EFFECT ËÎË EFFECT DEPTH. • èÓ‰Ó·ÌÂÂ Ó Â‚Â·Â‡ˆËË Ë ‰Û„Ëı ̇ÒÚÓÈ͇ı ˝ÙÙÂÍÚ‡ ÒÏ. ‚ ‰Û„Ëı ‡Á‰Â·ı ˝ÚÓÈ „·‚˚. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ùÙÙÂÍÚ ➔ Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ Chorus ‚˚‰ÂÎflÂÚÒfl. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus Á‡‚ËÒËÚ ÓÚ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÒÚËÎfl ÚËÔ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. ■ ç‡ÒÚ ÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Chorus ‰Îfl ͇ʉÓÈ Ô‡ ÚËË ......... ÑÛ„Ë ̇ÒÚÓÈÍË Ì‡ ÒÚ‡Ìˈ CHORUS ÔÓÁ‚ÓÎfl˛Ú ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÛ˛ „ÎÛ·ËÌÛ ‰Îfl ͇ʉÓÈ Ô‡ÚËË, ËÒÔÓÎÌflÂÏÓÈ Ì‡ Í·‚ˇÚÛÂ. Z Ç˚·Ó Ô‡ ÚËË. ç‡ÊÏËÚ LEFT, RIGHT1 ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Chorus ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË Í·‚ˇÚÛ˚. Chorus èêàåÖóÄçàÖ • Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ Chorus ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚ÒÂı ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÌÂθÁfl. • Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òfl ËÎË ÓÒ··ÌÛÚ¸, ‰‡Ê ÂÒÎË ‚˚·‡Ì ÚÓÚ Ê ÚËÔ ˝ÙÙÂÍÚ‡ Chorus. • èËÏÂÌËÚ¸ ˝ÙÙÂÍÚ Chorus Í ÚÂÏ·‡Ï Í·‚ˇÚÛ˚ Ú‡ÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EFFECT]. èÓ‰Ó·Ì ÒÏ. ‡Á‰ÂÎ «àÁÏÂÌÂÌË ̇ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 46. èêàåÖóÄçàÖ í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÁÏÂÌËÚ¸ Ëı ̇ÒÚÓÈÍË. ➔ Ç˚·‡Ì̇fl ÙÛÌ͈Ëfl ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. X ᇉ‡ÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Chorus. ᇉ‡ÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Chorus ‰Îfl ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ì‚Â΢ËÚ¸ Á̇˜ÂÌË ڇÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. 43 í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. èêàåÖóÄçàÖ îÛÌ͈ËË Chorus Depth • ÑˇԇÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. èêàåÖóÄçàÖ í‡Í Í‡Í ÙÛÌ͈Ëfl Chorus ‚Ò„‰‡ ‚Íβ˜Â̇, ‚˚·ÂËÚ ‰Îfl „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Chorus ‰Îfl Ô‡ÚËË Á̇˜ÂÌË 0, ÂÒÎË Ì ıÓÚËÚÂ, ˜ÚÓ·˚ ˝ÙÙÂÍÚ Chorus ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Î ̇ ˝ÚÛ Ô‡Ú˲. CVP-202 45 àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ Ô Ë ‚ÓÒÔ ÓËÁ‚‰ÂÌËË ÚÂÏ· ‡ ○○○○○○○○○○○○○○○○ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÏ ‚·‡ˆËË Ë ˝ÙÙÂÍÚ‡ Chorus ÂÒÚ¸ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇˜ÂÒÚ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚ ËÎË ÒÓÁ‰‡ÌËfl ÒÌӄү˷‡ÚÂθÌ˚ı ÒÔˆ˝ÙÙÂÍÚÓ‚. ç‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ÔÓ Ò‚ÓÂÏÛ ‚˚·ÓÛ. VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING START /STOP FADE IN/OUT TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ÇÍβ˜ÂÌË ˝ÙÙÂÍÚÓ‚ óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÙÙÂÍÚ ‰Îfl Ô‡ÚËÈ Í·‚ˇÚÛ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [EFFECT]. VOICE PIANO & HARPSI. BRASS E. PIANO WOODWIND ORGAN & ACCORDION PERCUSSION STRINGS CHOIR & PAD GUITAR SYNTH. DUAL BASS XG SPLIT REVERB EFFECT èêàåÖóÄçàÖ ùÙÙÂÍÚ Çäã/Çõäã ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. èêàåÖóÄçàÖ à̉Ë͇ÚÓ [EFFECT] Ì ·Û‰ÂÚ „ÓÂÚ¸, ÂÒÎË ‰Îfl „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ (ÒÚ. 48) ‚˚·‡ÌÓ Á̇˜ÂÌË 0. èêàåÖóÄçàÖ ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ˝ÙÙÂÍÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EFFECT] ¢ ‡Á. ➔ à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÍÌÓÔÍË [EFFECT] Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ ˝ÙÙÂÍÚ ÏÓÊÂÚ ‚Íβ˜‡Ú¸Òfl Ë ‚˚Íβ˜‡Ú¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. ÖÒÎË ÒËÒÚÂχ ˝ÙÙÂÍÚÓ‚ Ú‡ÍÊ ËÒÔÓθÁÛÂÚÒfl ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌÂÈ, ˝ÙÙÂÍÚ, ÔËÏÂÌflÂÏ˚È Í Ô‡ÚËË Í·‚ˇÚÛ˚ ÏÓÊÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡Ú¸Òfl ÔË Á‡ÔÛÒÍ ÙÛÌ͈ËË Auto Accompaniment ËÎË ÔË ‚˚·Ó ÔÂÒÌË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ùÚÓ Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ ˝ÙÙÂÍÚ‡, ‚˚·‡ÌÌÓ„Ó ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ. ÖÒÎË ˝ÙÙÂÍÚ ‚˚Íβ˜ËÎÒfl, ÏÓÊÌÓ ÔËÏÂÌËÚ¸ Â„Ó Í Ô‡ÚËË Í·‚ˇÚÛ˚, ¢ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ [EFFECT], ˝ÚÓ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡. ÖÒÎË ˝ÚÓ Ò‰Â·ڸ, ˝ÙÙÂÍÚ Ì ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í ÚÂÏ·‡Ï ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË. àÁÏÂÌÂÌË ̇ÒÚ ÓÂÍ ˝ÙÙÂÍÚÓ‚ àÁÏÂÌËÚ¸ ÚËÔ Ë „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Ì‡ ÒÚ‡Ìˈ‡ı EFFECT Ë EFFECT DEPTH. ■ éÚÓ· ‡ÊÂÌË ̇ÒÚ ÓÂÍ ˝ÙÙÂÍÚ‡ .............................................................................. \ Z ç‡ÊÏËÚ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [EFFECT]. DIRECT ACCESS ➾ BASS DUAL REVERB XG SPLIT EFFECT èêàåÖóÄçàÖ ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [>] ‚ ÚÓ ‚ÂÏfl, ÍÓ„‰‡ ̇ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ÒÚ‡Ìˈ‡ EFFECT, ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ CHORUS. èÓ‰Ó·ÌÂÂ Ó Â‚Â·Â‡ˆËË Ë ˝ÙÙÂÍÚ Chorus ÒÏ. ‚ ‰‚Ûı Ô‚˚ı ‡Á‰Â·ı ˝ÚÓÈ „·‚˚. ➔ ç‡ Üä-˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ EFFECT ËÎË EFFECT DEPTH (ÔÓÒΉÌflfl ‚˚·‡Ì̇fl). CVP-202 44 46 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ Ô Ë ‚ÓÒÔ ÓËÁ‚‰ÂÌËË ÚÂÏ· ‡ X ÑÎfl Ô ÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ ‡Ìˈ‡ÏË EFFECT Ë EFFECT DEPTH ÒÎÛÊ‡Ú ÍÌÓÔÍË PAGE [<] Ë [>]. ■ àÁÏÂÌÂÌË ÚËÔ‡ ˝ÙÙÂÍÚ‡ .................................................................................................... íËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ ÒÚ‡Ìˈ EFFECT. Ç˚·ÂËÚ ÚËÔ ˝ÙÙÂÍÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TYPE s Ë t ËÎË ‚˚·ÂËÚ ÙÛÌÍˆË˛ TYPE Ë ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ÑÎfl ‚ÓÁ‚‡Ú‡ Í ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍ ӉÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË EFFECT TYPE s Ë t ËÎË ÍÌÓÔÍË [–] Ë [+]. ➔ Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ ‚˚‰ÂÎflÂÚÒfl. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ ÚËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. ■ LJ ¸Ë Ó‚‡ÌË ˝ÙÙÂÍÚ‡ ........................................................................................................ ì ‚ÒÂı ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÂÒÚ¸ ‚‡Ë‡ˆËfl, ÍÓÚÓÛ˛ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VARIATION ̇ ÒÚ‡Ìˈ EFFECT. ÑÎfl ‚‡¸ËÓ‚‡ÌËfl ˝ÙÙÂÍÚ‡, ÒÓÁ‰‡‚‡ÂÏÓ„Ó ‚˚·‡ÌÌ˚Ï ÚËÔÓÏ ˝ÙÙÂÍÚ‡ ̇ÊÏËÚ ̇ Üä-˝Í‡Ì ÍÌÓÔÍÛ, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÔÓ‰ VARIATION . èêàåÖóÄçàÖ íËÔ ˝ÙÙÂÍÚ‡ • ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 164. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. èêàåÖóÄçàÖ • Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚ÒÂı Ô‡ÚËÈ Í·‚ˇÚÛ˚. ᇉ‡Ú¸ ÓÚ‰ÂθÌ˚ ̇ÒÚÓÈÍË ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚ ÌÂθÁfl. • ÖÒÎË ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÍÌÓÔÍË [EFFECT] ‚Íβ˜Â̇ (ON) ‰Îfl ‰‚Ûı ËÎË ÚÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı ‚ ÂÊËÏ Dual Ë/ËÎË Split, Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚ Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘ËÈ ÚËÔ ˝ÙÙÂÍÚ‡ Ë Â„Ó „ÎÛ·ËÌÛ (ÒÚ. 48) ‰Îfl ͇ʉÓÈ Ô‡ÚËË. • Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òfl ËÎË ÓÒ··ÌÛÚ¸, ‰‡Ê ÂÒÎË ‚˚·‡Ì ÚÓÚ Ê ÚËÔ ˝ÙÙÂÍÚ‡. • ÖÒÎË ‚Íβ˜ÂÌ˚ Ë ÍÌÓÔ͇ [EFFECT], Ë ÍÌÓÔ͇ [REVERB], ÚÓ ·Û‰ÛÚ ÔËÏÂÌflÚ¸Òfl Ó·‡ ˝ÙÙÂÍÚ‡. èêàåÖóÄçàÖ îÛÌ͈Ëfl VARIATION • ç‡ÒÚÓÈÍË: ON,OFF (‚ÍÎ.,‚˚ÍÎ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. ➔ á̇˜ÂÌËÂ, ÓÚÓ·‡Ê‡ÂÏÓ ÙÛÌ͈ËÂÈ VARIATION, ÔÂÂÍβ˜‡ÂÚÒfl ÏÂÊ‰Û OFF, ON Ë ËÁÏÂÌÂÌËflÏË ˝ÙÙÂÍÚ‡. 45 àÁÏÂÌÂÌË ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÒÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 164). í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÙÛÌ͈ËË VARIATION Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ ̇ÒÚÓÈ͇ ÏÓÊÂÚ ËÁÏÂÌËÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. CVP-202 47 àÒÔÓθÁÓ‚‡ÌË ˝ÙÙÂÍÚÓ‚ Ô Ë ‚ÓÒÔ ÓËÁ‚‰ÂÌËË ÚÂÏ· ‡ ○○○○○○○○○○○○○○○○○○○○○ ■ ç‡ÒÚ ÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ‰Îfl ͇ʉÓÈ Ô‡ ÚËË ............................... ç‡ÒÚÓÈÍË Ì‡ ÒÚ‡Ìˈ EFFECT DEPTH ÔÓÁ‚ÓÎfl˛Ú ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÛ˛ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ͇ʉÓÈ Ô‡ÚËË, ËÒÔÓÎÌflÂÏÓÈ Ì‡ Í·‚ˇÚÛÂ. Z Ç˚·Ó Ô‡ ÚËË. ç‡ÊÏËÚ LEFT, RIGHT1 ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË Í·‚ˇÚÛ˚. ➔ Ç˚·‡Ì̇fl ÙÛÌ͈Ëfl ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. X ᇉ‡ÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡. ᇉ‡ÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. èêàåÖóÄçàÖ îÛÌ͈ËË Effect Depth • ÑˇԇÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡. ì‚Â΢ËÚ¸ Á̇˜ÂÌË ڇÍÊ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÔË ‚˚·Ó ÌÓ‚Ó„Ó ÚÂÏ·‡ „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ËÁÏÂÌflÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. CVP-202 46 48 É·‚‡ 5: ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (êËÚÏ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○ Clavinova ÒÓ‰ÂÊËÚ ·Óθ¯ÓÈ Ì‡·Ó ÏÛÁ˚͇θÌ˚ı ÒÚËÎÂÈ, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÔÓÒÚÓ„Ó ÔÂÍÛÒÒËÓÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Í ·‡ÁÛ ‰Îfl ÔÓÎÌÓÒÚ¸˛ ÓÍÂÒÚÓ‚‡ÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚Íβ˜‡fl ËÚÏ˘ÂÒÍÛ˛ Ë ·‡ÒÓ‚Û˛ Ô‡ÚËË, Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Accompaniment (Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) (ÒÚ. 57). ëÛ˘ÂÒÚ‚ÛÂÚ Ú‡ÍÊ ‚˚·Ó ÙÓÚÂÔˇÌÌ˚ı ÒÚËÎÂÈ, ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú Ë„‡Ú¸ ÙÓÚÂÔˇÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÂÒÎË ‡ÍÚË‚ËÓ‚‡Ì‡ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. STYLE POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY VOLUME MASTER VOLUME COUNTRY CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP BALLROOM COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING CANCEL CUSTOM ● íËÔ˚ ÒÚËÎÂÈ • êËÚÏ˘ÂÒÍË ÒÚËÎË: 134 • îÓÚÂÔˇÌÌ˚ ÒÚËÎË: 36 • èÓθÁÓ‚‡ÚÂθÒÍË ÒÚËÎË: 4 * àÌÙÓχˆË˛ Ó ÒÚËÎflı ÒÏ. ‚ ëÔËÒÍ ÒÚËÎÂÈ Ì‡ ÒÚ. 10 ‚ Ò·ÓÌËÍ ڇ·Îˈ. * ëÚËÎË Clavinova ‰ÂÎflÚÒfl ̇ Ó‰ËÌ̇‰ˆ‡Ú¸ „ÛÔÔ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ó‰ËÌ̇‰ˆ‡ÚË ÍÌÓÔÍ‡Ï STYLE ̇ Ô‡ÌÂÎË. * îÓÚÂÔˇÌÌ˚ ÒÚËÎË Ë ÒÚËθ Guitar Serenade ‚ „ÛÔÔ ÒÚËÎÂÈ WALTZ Ì ÒÓ‰ÂÊ‡Ú Á‚ÛÍÓ‚ Û‰‡Ì˚ı. àÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 58) ‰Îfl ÔÓË„˚‚‡ÌËfl ˝ÚËı ÒÚËÎÂÈ. Ç˚·Ó ÒÚËÎfl Z Ç˚·ÂËÚ „ÛÔÔÛ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. .................................................. Ç˚·ÂËÚ ÌÛÊÌÛ˛ „ÛÔÔÛ ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË STYLE. STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B BALLROOM PIANIST MUSIC DATABASE DISK HARMONY èêàåÖóÄçàÖ èÓθÁÓ‚‡ÚÂθÒÍË ÒÚËÎË Ë ÒÚËÎË Ò ‰ËÒÍÂÚ˚ äÌÓÔ͇ [DISK/CUSTOM] ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËÎË Ò ‰ÓÔÓÎÌËÚÂθÌÓÈ ‰ËÒÍÂÚ˚ Style File (ÒÚ. 86) ËÎË ÓË„Ë̇θÌ˚ ÔÓθÁÓ‚‡ÚÂθÒÍË ÒÚËÎË (ÒÚ. 73). CUSTOM ➔ èÓfl‚ËÚÒfl ˝Í‡Ì STYLE SELECT. èêàåÖóÄçàÖ 47 • ÖÒÎË ÙÛÌ͈Ëfl Backup (ÒÚ. 152) ‚Íβ˜Â̇, ‰‡Ê ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ Ô‡ÏflÚË ÒÓı‡ÌËÚÒfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÒÚËθ ËÁ ͇ʉÓÈ „ÛÔÔ˚. • èË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ÒÚËθ 60'sGtrPop. é‰Ì‡ÍÓ, ÂÒÎË ÙÛÌ͈Ëfl ÂÁ‚ËÓ‚‡ÌËfl Backup (ÒÚ. 152) ‚Íβ˜Â̇, ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚÒfl ÔÓÒΉÌËÈ ‚˚·‡ÌÌ˚È ÒÚËθ. • Ç ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (ÒÚ. 93) ‚˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̉ÓÒÚÛÔÂÌ. CVP-202 49 Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X Ç˚·ÂËÚ ÒÚËθ. .................................................................................................................................................. Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä-‰ËÒÔÎÂÂ. èêàåÖóÄçàÖ íÂÏÔ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • èË ‚˚·Ó ÒÚËÎfl Ú‡ÍÊ ‚˚·Ë‡ÂÚÒfl Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚È ÚÂÏÔ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl (ÍÓÏ ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ÒÚËθ ÏÂÌflÂÚÒfl ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl; ÚÓ„‰‡ ÒÓı‡ÌflÂÚÒfl ÚÂÍÛ˘ËÈ ÚÂÏÔ). • ç‡ÒÚÓÈÚ ÚÂÏÔ, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 25. èêàåÖóÄçàÖ PAGE ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌ͇ [ACMP/SONG VOLUME] (ÒÚ. 23). Ç˚·‡Ú¸ ÒÚËθ ÏÓÊÌÓ Ú‡ÍÊÂ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ä‡Ê‰˚È ˝Í‡Ì STYLE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ËÎË ·ÓΠÒÚ‡Ìˈ. ÑÎfl >]. ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÒÚ‡Ìˈ‡ÏË ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË PAGE [<] Ë [> C ÇÓÁ‚‡Ú Í „·‚ÌÓÏÛ ˝Í‡ÌÛ. ................................................................................................................. óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. EXIT CVP-202 48 50 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÑÎfl ‚˚·Ó‡ ‚‡Ë‡ˆËÈ ÒÚËÎfl Ë ÛÔ‡‚ÎÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ËÒÔÓθÁÛ˛ÚÒfl ÍÌÓÔÍË AUTO ACCOMPANIMENT Ë START/STOP. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C VOLUME MASTER VOLUME MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ TAP SYNCHRO START/STOP CONTRAST STYLE ACMP/SONG VOLUME MAX START /STOP FADE IN/OUT ENDING MAIN D R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING LJ¸ËÓ‚‡ÌË ÒÚËÎfl ä‡Ê‰˚È ÒÚËθ Clavinova ËÏÂÂÚ ˜ÂÚ˚ ‚‡Ë‡ˆËË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍÌÓÔÍ‡Ï AUTO ACCOMPANIMENT: [MAIN A], [MAIN B], [MAIN C] Ë [MAIN D]. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT àÒÔÓθÁÛÈÚ ÍÌÓÔÍË ‰Îfl ‚˚·Ó‡ ‚‡Ë‡ˆËË. Main A - ̇˷ÓΠÔËÏËÚ˂̇fl ÙÓχ ÒÚËÎfl; ÓÒڇθÌ˚ ‚‡Ë‡ˆËË Ì‡ ·‡ÁÓ‚Û˛ ÚÂÏÛ ‚ ÚÓÈ ËÎË ËÌÓÈ ÒÚÂÔÂÌË ·ÓΠ˘Â‰Ó Û͇¯ÂÌ˚. ê‡ÁÛÏÌÓ ˜Â‰Ûfl ‚‡Ë‡ˆËË ‚Ó ‚ÂÏfl Ë„˚, ÏÓÊÌÓ Ôˉ‡Ú¸ ‡ÁÌÓÓ·‡ÁËÂ Ë Ò‰Â·ڸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·ÓΠËÌÚÂÂÒÌ˚Ï. ■ Ç˚·Ó ‚‡Ë‡ˆËË ................................................................................................................................. LJˇˆË˛ ÒÚËÎfl ÏÓÊÌÓ ‚˚·‡Ú¸ ‰Ó ̇˜‡Î‡ ÔÓË„˚‚‡ÌËfl ÒÚËÎfl. óÚÓ·˚ ‚˚·‡Ú¸ ‚‡Ë‡ˆË˛, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË. Clavinova ̇˜ÌÂÚ ÔÓË„˚‚‡ÌË ‚‡Ë‡ˆËË ÒÚËÎfl, Í‡Í ÚÓθÍÓ ÒÚËθ ·Û‰ÂÚ Á‡ÔÛ˘ÂÌ Ó‰ÌËÏ ËÁ ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ. ■ èÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ............................................................................................................. 49 èË ‚˚·Ó ‰Û„ÓÈ ‚‡Ë‡ˆËË ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ÔÓË„˚‚‡ÂÚ ‚ÒÚ‡‚ÍÛ ‚ ÏÓÏÂÌÚ ÔÂÂıÓ‰‡ Í ÌÓ‚ÓÈ ‚‡Ë‡ˆËË. ÑÎfl ͇ʉÓÈ ‚‡Ë‡ˆËË ÒÛ˘ÂÒÚ‚ÛÂÚ Ò‚Ófl ‚ÒÚ‡‚͇, Ú‡ÍÊÂ Í‡Í Ë Ò‚Ófl ÓÒÌӂ̇fl ˜‡ÒÚ¸. èêàåÖóÄçàÖ ÇÒÚ‡‚ÍË ÇÒÚ‡‚ÍË - ˝ÚÓ Û͇¯ÂÌËfl ÓÒÌÓ‚ÌÓ„Ó ËÚχ, ÔÓË„˚‚‡ÂÏ˚ ӷ˚˜ÌÓ ‚ ÍÓ̈ ÏÛÁ˚͇θÌÓÈ Ù‡Á˚ ÔË ÔÂÂıÓ‰Â Í ÒÎÂ‰Û˛˘ÂÏÛ Ò„ÏÂÌÚÛ. CVP-202 51 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÑÎfl ÔÂÂÍβ˜ÂÌËfl ‚‡Ë‡ˆËË ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓ‚ÓÈ ‚‡Ë‡ˆËË. ➔ à̉Ë͇ÚÓ ÍÌÓÔÍË ÏË„‡ÂÚ, ÍÓ„‰‡ Clavinova Ë„‡ÂÚ ‚ÒÚ‡‚ÍÛ. ÇÓÓ·˘Â „Ó‚Ófl, Clavinova ̇˜ÌÂÚ ÔÓË„˚‚‡Ú¸ ‚ÒÚ‡‚ÍÛ ÔÓ˜ÚË Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË. ÖÒÎË ‚˚ ‚˚·‡ÎË ‚‡Ë‡ˆË˛ ÔÓÒΠÔÓÒΉÌÂÈ ‚ÓÒ¸ÏÓÈ ÌÓÚ˚ Ú‡ÍÚ‡, ‚ÒÚ‡‚͇ ̇˜ÌÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Ò‰Â·ڸ Ô‡ÛÁÛ ËÎË ÔÓË„‡Ú¸ ÒÔˆˇθÌÛ˛ ‚ÒÚ‡‚ÍÛ, ÂÒÎË ÔËÒ‚ÓËÚ¸ ΂ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÙÛÌÍˆË˛ BREAK ËÎË BREAK FIL. ➔ äÓ„‰‡ ‚ÒÚ‡‚͇ Á‡ÍÓ̘Â̇, Ë̉Ë͇ÚÓ ÍÌÓÔÍË „ÓËÚ ÔÓÒÚÓflÌÌÓ, ÔÓ͇ Clavinova Ë„‡ÂÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. îÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ ‚ÒÚ‡‚ÍË ÓÒÛ˘ÂÒÚ‚ÎflÂÚ ÔÂÂıÓ‰ ÓÚ Ó‰ÌÓÈ ‚‡Ë‡ˆËË Í ‰Û„ÓÈ. ÖÒÎË Á‚Û˜ËÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸ A Ë ‚˚, ̇ÔËÏÂ, ̇ÊÏÂÚ ÍÌÓÔÍÛ [MAIN B], Clavinova ÔÓË„‡ÂÚ ‚ÒÚ‡‚ÍÛ B, ‡ Á‡ÚÂÏ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË B. èêàåÖóÄçàÖ ÇÒÚ‡‚ÍË ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ Ë ·ÂÁ ÔÂÂÍβ˜ÂÌËfl ̇ ‰Û„Û˛ ‚‡Ë‡ˆË˛. èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Á‚Û˜‡˘ÂÈ ‚‡Ë‡ˆËË. Clavinova ÔÓË„‡ÂÚ ‚ÒÚ‡‚ÍÛ ˝ÚÓÈ ‚‡Ë‡ˆËË, ‡ Á‡ÚÂÏ ‚ÂÌÂÚÒfl Í ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË. ■ ÑÓÔÓÎÌËÚÂθÌ˚ ‚ÓÁÏÓÊÌÓÒÚË ‚ÒÚ‡‚ÓÍ ............................................................ ● àÁÏÂÌÂÌË ‚ÒÚ‡‚ÍË ÇÓÁÏÓÊÌÓ ÔÂÂÍβ˜ËÚ¸Òfl ̇ ‰Û„Û˛ ‚‡Ë‡ˆË˛ ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ‚ÒÚ‡‚ÍË. Clavinova ÔÂÂÍβ˜ËÚÒfl ̇ ‚ÒÚ‡‚ÍÛ ‰Îfl ÌÓ‚ÓÈ ‚‡Ë‡ˆËË, ‡ Á‡ÚÂÏ ÔÓ‰ÓÎÊËÚ ÌÓ‚Û˛ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ‚ Ó·˚˜ÌÓÏ ÔÓfl‰ÍÂ. ● èÓ‚ÚÓ ‚ÒÚ‡‚ÍË ÖÒÎË Û‰ÂÊË‚‡Ú¸ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ ËÎË Ì‡Ê‡Ú¸  ÔÓÒΠÔÓÒΉÌÂÈ ‚ÓÒ¸ÏÓÈ ‰ÓÎË Ú‡ÍÚ‡ ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ‚ÒÚ‡‚ÍË, ‚ÒÚ‡‚͇ ·Û‰ÂÚ ÔÓË„‡Ì‡ ÔÓ‚ÚÓÌÓ. ● éÚÏÂ̇ ‚ÒÚ‡‚ÍË ÖÒÎË Ì‡Ê‡Ú¸ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ ‡Ì¸¯Â ÔÓÒΉÌÂÈ ‚ÓÒ¸ÏÓÈ ‰ÓÎË Ú‡ÍÚ‡ ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ‚ÒÚ‡‚ÍË, Clavinova Ô‚ÂÚ ‚ÒÚ‡‚ÍÛ Ë ÔÓ‰ÓÎÊËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË. á‡ÔÛÒÍ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚ Á‡ÔÛÒ͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÌË ÓÔËÒ‡Ì˚ ÌËÊÂ: ■ é·˚˜Ì˚È Á‡ÔÛÒÍ ................................................................................................................................ ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÒÔÓÒÓ· Á‡ÔÛÒÚËÚ¸ ÒÚËθ. ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ÒÚËθ, ÂÒÎË Î‚ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl START/STOP. START/STOP TAP SYNCHRO START/STOP èêàåÖóÄçàÖ ➔ à̉Ë͇ÚÓ Á‡„ÓËÚÒfl, Ë ÒÚËθ ·Û‰ÂÚ Á‡ÔÛ˘ÂÌ. CVP-202 50 52 à̉Ë͇ÚÓ ËÚχ ÇÓ ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ͇ÈÌËÈ Î‚˚È Ë̉Ë͇ÚÓ (͇ÒÌ˚È) ‚ÒÔ˚ıË‚‡ÂÚ Ì‡ Í‡Ê‰Û˛ ÔÂ‚Û˛ ‰Óβ Ú‡ÍÚ‡, ‡ ÓÒڇθÌ˚ Ë̉Ë͇ÚÓ˚ (ÁÂÎÂÌ˚Â) - ̇ Í‡Ê‰Û˛ ÔÓÒÎÂ‰Û˛˘Û˛ ‰Óβ. íÂÍÛ˘ËÈ ÚÂÏÔ Ë ‡ÁÏ ÔÓ͇Á‡Ì˚ ‚ ΂ÓÈ ˜‡ÒÚË ÓÒÌÓ‚ÌÓ„Ó ˝Í‡Ì‡. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ■ ëËÌıÓÌËÁËÓ‚‡ÌÌ˚È Á‡ÔÛÒÍ ........................................................................................... ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ Á‡ÔÛÒÚËÚ¸ ÒÚËθ, ‚Áfl‚ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛÂ. Z ìÒÚ‡ÌÓ‚ËÚ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇. ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [SYNCHRO]. START/STOP TAP SYNCHRO START/STOP ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ, Ë Í‡ÒÌ˚È Ë̉Ë͇ÚÓ [BEAT] ̇˜ÌÂÚ ÏË„‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ‚˚·‡ÌÌÓÏÛ ÚÂÏÔÛ. X 燘ÌËÚ ˄‡Ú¸. èêàåÖóÄçàÖ • ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNCHRO] ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂ͇˘‡ÂÚÒfl, Ë ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÂÊËÏ ÓÊˉ‡ÌËfl ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇. • ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ Í·‚ˇÚÛÛ ‚ ÂÊËÏ Split (ÒÚ. 36) ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ β·ÓÏ ÂÊËÏÂ, ÍÓÏ FULL KEYBOARD (ÒÚ. 61), ÒËÌıÓÌËÁËÓ‚‡ÌÌ˚È Á‡ÔÛÒÍ ÏÓÊÌÓ ‡ÍÚË‚ËÁËÓ‚‡Ú¸ ÚÓθÍÓ Ò Î‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ äÓ„‰‡ ‚˚ „ÓÚÓ‚˚, ̇ÊÏËÚ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. ëÚËθ Á‡ÔÛÒ͇ÂÚÒfl, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ÔÂ‚Û˛ ÌÓÚÛ. ➔ à̉Ë͇ÚÓ [SYNCHRO] ÔÓ„‡ÒÌÂÚ, Ë̉Ë͇ÚÓ [START/STOP] Á‡„ÓËÚÒfl, Ë ÒÚËθ ·Û‰ÂÚ Á‡ÔÛ˘ÂÌ. ■ á‡ÔÛÒÍ ÍÌÓÔÍÓÈ [TAP] .................................................................................................................. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÂÏÔ Ë Á‡ÔÛÒÚËÚ¸ ÒÚËθ Ó‰ÌÓÈ ÓÔ‡ˆËÂÈ. ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ ÔÓÒÚÛ˜ËÚ ÔÓ ÍÌÓÔÍ [TAP] ‚ Ê·ÂÏÓÏ ÚÂÏÔÂ. H‡ÊÏËÚ ÍÌÓÔÍÛ ˜ÂÚ˚ ‡Á‡ ‰Îfl ‰‚Ûı- Ë ˜ÂÚ˚Âı‰ÓθÌ˚ı ÒÚËÎÂÈ, ÚË ‡Á‡ - ‰Îfl ÚÂı‰ÓθÌ˚ı, Ë ÔflÚ¸ ‡Á - ‰Îfl ÔflÚˉÓθÌ˚ı ÒÚËÎÂÈ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇ ‰Ó ÚÓ„Ó, Í‡Í ·˚Î Á‡ÔÛ˘ÂÌ ÒÚËθ, ̇ÊÏËÚ ÔÓ‚ÚÓÌÓ ÍÌÓÔÍÛ [SYNCHRO]. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ [TAP] ̉ÓÒÚ‡ÚÓ˜ÌÓ ÍÓ΢ÂÒÚ‚Ó ‡Á (̇ÔËÏ 3 ‡Á‡ ‰Îfl ÚÂı‰ÓθÌÓ„Ó ÒÚËÎfl), ÙÛÌ͈Ëfl Á‡ÔÛÒ͇ ÍÌÓÔÍÓÈ [TAP] ·Û‰ÂÚ ÓÚÏÂÌÂ̇ ˜ÂÂÁ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉. START / STOP TAP SYNCHRO START/STOP ÑÎfl ˜ÂÚ˚Âı‰ÓθÌÓ„Ó ÒÚËÎfl… ➾ ̇ÊÏËÚ ÍÌÓÔÍÛ «Tap» ˜ÂÚ˚ ‡Á‡. 51 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP] ÏÓÊÌÓ Ú‡ÍÊ ÏÂÌflÚ¸ ÚÂÏÔ ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl (̇ʇڸ ‰‚‡ ‡Á‡). Ç ˝ÚÓÏ ÒÎÛ˜‡Â Á‚ÛÍ, Á‡‰‡˛˘ËÈ ÚÂÏÔ, ÒÎ˚¯ÂÌ Ì ·Û‰ÂÚ. CVP-202 53 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ ÑÓ·‡‚ÎÂÌË ËÌÚÓ‰Û͈ËË ...................................................................................................... ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û͇ÒËÚ¸ ̇˜‡ÎÓ ÏÂÎÓ‰ËË Ò ÔÓÏÓ˘¸˛ ‰Ó·‡‚ÎÂÌËfl ËÌÚÓ‰Û͈ËË. Z ᇉ‡ÈÚ ËÌÚÓ‰ÛÍˆË˛. Ç˚·ÂËÚ ‚‡Ë‡ˆË˛, ÍÓÚÓ‡fl ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸ ËÌÚÓ‰ÛÍˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. ëÛ˘ÂÒÚ‚Û˛Ú ÚË ‚‡Ë‡ÌÚ‡ ËÌÚÓ‰Û͈ËË, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ: àÌÚÓ‰Û͈ËË Ù‡Á‡ àÌÚÓ‰Û͈Ëfl A àÌÚÓ‰Û͈Ëfl B àÌÚÓ‰Û͈Ëfl C/D èÓË„˚‚‡ÂÚÒfl: [MAIN A] [MAIN B] [MAIN C] ËÎË [MAIN D] ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [INTRO], ‡ Ë̉Ë͇ÚÓ ‚˚·‡ÌÌÓÈ ‚‡Ë‡ˆËË Á‡ÏË„‡ÂÚ. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT èêàåÖóÄçàÖ åË„‡˛˘ËÈ Ë̉Ë͇ÚÓ Û͇Á˚‚‡ÂÚ, ͇͇fl ‚‡Ë‡ˆËfl ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔÓÒΠËÌÚÓ‰Û͈ËË. ç‡ ËÎβÒÚ‡ˆËË Ò΂‡ ÔÓ͇Á‡ÌÓ, ˜ÚÓ Clavinova ·Û‰ÂÚ Ë„‡Ú¸ ËÌÚÓ‰ÛÍˆË˛ Ä, ‡ Á‡ÚÂÏ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ Ä. X Ç˚·ÂËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. Ç˚·ÂËÚ ‚‡Ë‡ˆË˛ ‰Îfl ÔÓË„˚‚‡ÌËfl ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ÔÓÒΠÓÍÓ̘‡ÌËfl ËÌÚÓ‰Û͈ËË. (ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ Á‚Û˜‡Î‡ Ú‡ Ê ҇χfl ‚‡Ë‡ˆËfl, ˜ÚÓ Ë ‚ ËÌÚÓ‰Û͈ËË, ˝ÚÓÚ ¯‡„ ÏÓÊÌÓ ÔÓÔÛÒÚËÚ¸.) ➔ à̉Ë͇ÚÓ ‡Ì ‚˚·‡ÌÌÓÈ ÍÌÓÔÍË Á‡„ÓËÚÒfl, ‡ Ë̉Ë͇ÚÓ ÔÓÒΉÌÂÈ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍË Á‡ÏË„‡ÂÚ. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT C á‡ÔÛÒÚËÚ ÒÚËθ. ÑÎfl Á‡ÔÛÒ͇ ÒÚËÎfl ËÒÔÓθÁÛÈÚ ӉËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ̇ Ô‰˚‰Û˘Ëı ÒÚ‡Ìˈ‡ı. CVP-202 èêàåÖóÄçàÖ óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÌÚÓ‰ÛÍˆË˛ ‰Ó ÚÓ„Ó, Í‡Í Á‡ÔÛ˘ÂÌ ÒÚËθ, ̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO] ÔÓ‚ÚÓÌÓ. 52 54 èêàåÖóÄçàÖ èÓÒÍÓθÍÛ ÏË„‡˛˘ËÈ Ë̉Ë͇ÚÓ ÔÓ͇Á˚‚‡ÂÚ, ͇͇fl ‚‡Ë‡ˆËfl ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔÓÒΠËÌÚÓ‰Û͈ËË, ̇ ËÎβÒÚ‡ˆËË Ò΂‡ ‚ˉÌÓ, ˜ÚÓ Clavinova ÔÓË„‡ÂÚ ‚ÒÚÛÔÎÂÌË C/D, ‡ Á‡ÚÂÏ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ A. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ■ îÛÌ͈Ëfl FADE IN ...................................................................................................................................... ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢˂‡Ú¸ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl. îÛÌÍˆË˛ Fade In ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ β·Ó ‚ÂÏfl ‰Ó Á‡ÔÛÒ͇ ÒÚËÎfl Ë ËÒÔÓθÁÓ‚‡Ú¸  ‚ ÍÓÏ·Ë̇ˆËË Ò Î˛·˚Ï ÏÂÚÓ‰ÓÏ Á‡ÔÛÒ͇ (‚Íβ˜‡fl ÙÛÌÍˆË˛ ËÌÚÓ‰Û͈ËË). Z ç‡ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT]. èêàåÖóÄçàÖ AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Û‚Â΢˂‡Ú¸ ËÎË ÛÏÂ̸¯‡Ú¸ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÂÒÎË Î‚ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl FADE IN/OUT. ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ, Ë ÙÛÌ͈Ëfl ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. X á‡ÔÛÒÚËÚ ÒÚËθ. ÑÎfl Á‡ÔÛÒ͇ ÒÚËÎfl ËÒÔÓθÁÛÈÚ ӉËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ̇ Ô‰˚‰Û˘Ëı ÒÚ‡Ìˈ‡ı. èêàåÖóÄçàÖ óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT]. ➔ à̉Ë͇ÚÓ [FADE IN/OUT] ÏË„‡ÂÚ ‚Ó ‚ÂÏfl ̇‡ÒÚ‡ÌËfl „ÓÏÍÓÒÚË, Á‡ÚÂÏ „‡ÒÌÂÚ, ÍÓ„‰‡ ̇‡ÒÚ‡ÌË „ÓÏÍÓÒÚË ÔÂ͇˘‡ÂÚÒfl. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ëÛ˘ÂÒÚ‚ÛÂÚ Ú‡ÍÊ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚ ÓÒÚ‡ÌÓ‚ÍË ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÌË ÓÔËÒ‡Ì˚ ÌËÊÂ: ■ é·˚˜Ì‡fl ÓÒÚ‡Ìӂ͇ ....................................................................................................................... ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. START /STOP TAP SYNCHRO èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ÒÚËθ, ÂÒÎË Î‚ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl START/STOP. START/STOP ➔ à̉Ë͇ÚÓ „‡ÒÌÂÚ, Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ÌÂωÎÂÌÌÓ. ■ ÑÓ·‡‚ÎÂÌË ÙË̇· ...................................................................................................................... ÑÎfl ÔÓË„˚‚‡ÌËfl ÙË̇· ‰Ó ÔÂ͇˘ÂÌËfl Á‚Û˜‡ÌËfl ÒÚËÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [ENDING]. AUTO ACCOMPANIMENT INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT èêàåÖóÄçàÖ 53 ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ENDING, Ë Clavinova ÔÓË„‡ÂÚ ÙË̇ΠÔ‰ Á‡‚¯ÂÌËÂÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENDING] ‚ ÏÓÏÂÌÚ ËÎË ÔÓÒΠ‚ÚÓÓÈ ‰ÓÎË Ú‡ÍÚ‡, ÙË̇ΠÔÓÁ‚Û˜ËÚ Ì‡˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. CVP-202 55 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ä‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ, Clavinova ‚ÓÒÔÓËÁ‚‰ÂÚ Ó‰ËÌ ËÁ ÚÂı ÙË̇ÎÓ‚, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ͇͇fl ÓÒÌӂ̇fl ˜‡ÒÚ¸ Á‚Û˜ËÚ ‚ ̇ÒÚÓfl˘ËÈ ÏÓÏÂÌÚ. îË̇Î˚ Ù‡Á‡ îË̇ΠA îË̇ΠB îË̇ΠC/D èÓË„˚‚‡ÂÚÒfl: [MAIN A] [MAIN B] [MAIN C] ËÎË [MAIN D] èêàåÖóÄçàÖ ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENDING] ‚ÚÓÓÈ ‡Á ‚Ó ‚ÂÏfl Á‚Û˜‡ÌËfl ÙË̇·, ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ ËÚ‡‰‡Ì‰Ó (ÔÓÒÚÂÔÂÌÌÓ Á‡Ï‰ÎÂÌËÂ). ■ FADE OUT .................................................................................................................................................... ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FADE IN/OUT] ÏÓÊÌÓ ‡‚ÚÓχÚ˘ÂÒÍË Á‡‚¯ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò ÔÓÒÚÂÔÂÌÌ˚Ï Á‡ÚÛı‡ÌËÂÏ „ÓÏÍÓÒÚË. ENDING FADE IN/OUT START/STOP TAP SYNCHRO àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÙË̇· Ò ˝ÙÙÂÍÚÓÏ ËÚ‡‰‡Ì‰Ó, ÂÒÎË Î‚ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ENDING/RIT. èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ë ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Û‚Â΢˂‡Ú¸ ËÎË ÛÏÂ̸¯‡Ú¸ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÂÒÎË Î‚ÓÈ Ô‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl FADE IN/OUT. START/STOP ➔ à̉Ë͇ÚÓ Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸, Ë „ÓÏÍÓÒÚ¸ ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÂÚ. îÛÌÍˆË˛ FADE OUT ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ÍÓÏ·Ë̇ˆËË Ò Î˛·ÓÈ ˜‡ÒÚ¸˛, ‚Íβ˜‡fl ËÌÚÓ‰ÛÍˆË˛ Ë ÙË̇Î. CVP-202 54 56 à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○ ì Clavinova ËÏÂÂÚÒfl ÒÎÓÊ̇fl ÒËÒÚÂχ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ‡fl ‚Íβ˜‡ÂÚ ËÚÏ, ·‡Ò Ë ‡ÍÍÓ‰Ó‚Ó ÒÓÔÓ‚ÓʉÂÌË 134 ‡Á΢Ì˚ı ÒÚËÎÂÈ, ‡ Ú‡ÍÊ 36 ÚËÔÓ‚ ÙÓÚÂÔˇÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èêàåÖóÄçàÖ Ñ‡ÌÌ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓ„Ó ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·˚˜ÌÓ Ì ‚˚‚Ó‰flÚÒfl ̇ ÔÓÚ MIDI [OUT]. óÚÓ·˚ ÔÂÂÒ·ڸ ‰‡ÌÌ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ‰Û„ÓÈ MIDI-ËÌÒÚÛÏÂÌÚ, ËÒÔÓθÁÛÈÚ ÙÛÌ͈ËË ACMP&RHY Ë HARMONY ̇ ˝Í‡Ì FUNCTION [MIDI 4], ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 150. ACMP ON VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING àÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÑÎfl Á‡‰‡ÌËfl ‡ÍÍÓ‰Ó‚, ÍÓÚÓ˚ ·Û‰ÛÚ ÔÓË„˚‚‡Ú¸Òfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ËÒÔÓθÁÛÈÚ ӉËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÏÂÚÓ‰Ó‚. Ç˚·ÂËÚ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚‡¯ÂÏÛ ÒÚËβ Ë„˚. èêàåÖóÄçàÖ èÓ‰Ó·Ì˚ ÔÓflÒÌÂÌËfl ÔÓ Í‡Ê‰ÓÏÛ ÂÊËÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰‡Ì˚ ̇ ÒÚ. 60 Ë 61. ● Single Finger åÂÚÓ‰ Single Finger ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÒÓÁ‰‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ χÊÓÌ˚ı, ÏËÌÓÌ˚ı ‡ÍÍÓ‰‡ı, ‡ Ú‡ÍÊ ‚ χÊÓÌ˚ı Ë ÏËÌÓÌ˚ı ÒÂÔÚ‡ÍÍÓ‰‡ı ̇ʇÚËÂÏ ÓÔ‰ÂÎÂÌÌ˚ı Í·‚˯ (‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÒÚ˚ÏË Ô‡‚Ë·ÏË) ΂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚, ÓÚϘÂÌÌÓÈ Ë̉Ë͇ÚÓÓÏ. (ëÏ. ÒÚ. 60.) ● Multi Finger ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÂÊËÏ Multi Finger, ‚˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÏÂÚÓ‰ Single Finger ËÎË Fingered 1 ‰Îfl Á‡‰‡ÌËfl ‡ÍÍÓ‰Ó‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. (ëÏ. ÒÚ. 60.) ● Fingered 1 åÂÚÓ‰ Fingered 1 ÔÓÁ‚ÓÎflÂÚ ÛÔ‡‚ÎflÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, Ë„‡fl ÔÓÎÌ˚ ‡ÍÍÓ‰˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. (ëÏ. ÒÚ. 60.) ● Fingered 2 ùÚÓÚ ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ Ú‡ÍÛ˛ Ê ‡ÔÔÎË͇ÚÛÛ, ˜ÚÓ Ë Fingered 1, Ò Ó‰ÌËÏ ÓÚ΢ËÂÏ: ‚ ˝ÚÓÏ ÂÊËÏ ·‡ÒÓÏ fl‚ÎflÂÚÒfl ҇χfl ÌËÁ͇fl ÌÓÚ‡, ‚ÁflÚ‡fl ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (‚ ÂÊËÏ Fingered 1 ‚ ͇˜ÂÒÚ‚Â ·‡Ò‡ ‚Ò„‰‡ ËÒÔÓθÁÛÂÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡). í‡ÍËÏ Ó·‡ÁÓÏ, ˝ÚÓÚ ÏÂÚÓ‰ ÒΉÛÂÚ ‚˚·‡Ú¸, ˜ÚÓ·˚ Ë„‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓËÁ‚ÓθÌ˚Ï ·‡ÒÓÏ Ë "ÛÒ˜ÂÌÌ˚Â" ‡ÍÍÓ‰˚. (ëÏ. ÒÚ. 61.) 55 ● Full Keyboard êÂÊËÏ Full Keyboard ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡ÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˜ÚÓ ·˚ ‚˚ ÌË Ë„‡ÎË, ‚ β·ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. (ëÏ. ÒÚ. 61. ) CVP-202 57 à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ á‡ÔÛÒÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ è‰ ÚÂÏ Í‡Í Ì‡˜‡Ú¸ Ë„‡Ú¸, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 59). äÓ„‰‡ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌ, ‚˚ ÏÓÊÂÚ Á‡ÔÛÒÚËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: Z Ç˚·Â,ËÚ ÒÚËθ. ............................................................................................................................. Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ. (ëÏ. ÒÚ. 49.) STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B BALLROOM PIANIST MUSIC DATABASE DISK HARMONY èêàåÖóÄçàÖ îÓÚÂÔˇÌÌ˚ ÒÚËÎË ë ÔÓÏÓ˘¸˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ Ë„‡Ú¸ ÙÓÚÂÔˇÌÌ˚ ÒÚËÎË Ë ÒÚËθ Guitar Serenade ËÁ „ÛÔÔ˚ ÒÚËÎÂÈ WALTZ (ÒÚ. 49). èÓÒÍÓθÍÛ ˝ÚË ÒÚËÎË Ì ÒÓ‰ÂÊ‡Ú Ô‡ÚËË Û‰‡Ì˚ı, ‚‡Ï ÔˉÂÚÒfl ‚ÁflÚ¸ ‡ÍÍÓ‰, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. CUSTOM X ìÒÚ‡ÌÓ‚ËÚ ÚÂÏÔ Ë „,ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ................................... ÑÎfl „ÛÎËÓ‚ÍË ÚÂÏÔ‡ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TEMPO (ÒÚ. 25), Ë ÔÓÎÁÛÌÓÍ [ACMP/SONG VOLUME] - ‰Îfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 23). C ÇÍβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. .................................................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON]. ACMP ON ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [ACMP ON]. à̉Ë͇ÚÓ [SYNCHRO] Ú‡ÍÊ Á‡„ÓËÚÒfl, ˜ÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ‚˚ ÏÓÊÂÚ ̇˜‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇ (ÒÚ. 53). ë‚ÂÚÓ‰ËÓ‰ ̇ Í·‚ˇÚÛ ·Û‰ÂÚ Û͇Á˚‚‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ • Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ÍÓ„‰‡ ‚˚ ‚˚·ÂÂÚ ÒÚËθ ËÁ ÙÓÚÂÔˇÌÌÓÈ „ÛÔÔ˚. • Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÂÚ Ú‡ÍÊ ·˚Ú¸ ‚Íβ˜ÂÌ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-202. • ÖÒÎË ‚˚ ‚Íβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰ÓÓÊ͇ Á‡ÔËÒ‡ÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔË„ÎÛ¯Â̇, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË ‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ ̇ Í·‚ˇÚÛÂ. V á‡ÔÛÒÚËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ................................................................................. 燘ÌËÚ ˄‡Ú¸, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÂÚÓ‰ÓÏ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇, ËÎË Á‡ÔÛÒÚËÚ ÒÚËθ, ËÒÔÓθÁÛfl Ó‰ËÌ (ËÎË ÌÂÒÍÓθÍÓ) ËÁ ‰Û„Ëı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ̇ ÒÚ. 52 Ë 55. åÂÚÓ‰˚ Û͇Á‡ÌËfl ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÓÔËÒ‡Ì˚ ̇ ÒÎÂ‰Û˛˘Ëı ÒÚ‡Ìˈ‡ı. èêàåÖóÄçàÖ • Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ‚˚·Ë‡Ú¸ ‚‡Ë‡ˆËË ÒÚËÎfl Ë ÔÓË„˚‚‡Ú¸ ‚ÒÚ‡‚ÍË, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. • óÚÓ·˚ Ô‰ ̇˜‡ÎÓÏ Ë„˚ ÓÚÍβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON] ¢ ‡Á. Ç˚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ àÒÔÓθÁÛÈÚ ӉËÌ ËÁ ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ̇ ÒÚ. 55, ˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ‚Íβ˜‡fl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON]. à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ. CVP-202 56 58 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ àÁÏÂÌÂÌË ̇ÒÚ,ÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ç˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÍÓÚÓ˚È ÓÔ‰ÂÎflÂÚ ÏÂÚÓ‰ Û͇Á‡ÌËfl ‡ÍÍÓ‰Ó‚), ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ‰Û„Ë ̇ÒÚÓÈÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ÒÚ‡Ìˈ ACCOMPANIMENT MODE ˝Í‡Ì‡. ■ éÚÓ·,‡ÊÂÌË ̇ÒÚ,ÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [ACMP ON]. DIRECT ACCESS ➾ ACMP ON ➔ èÓfl‚ËÚÒfl ˝Í‡Ì ACCOMPANIMENT MODE. ■ Ç˚·Ó, ,ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .................................................................................. ÑÎfl ‚˚·Ó‡ ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË FINGERING ▲ Ë ▼. èêàåÖóÄçàÖ êÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • ç‡ÒÚÓÈÍË: cÏ. ‚ÂÁÍÛ ÌËÊÂ. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: MULTI FINGER ➔ ç‡Á‚‡ÌË ‚˚·‡ÌÌÓ„Ó ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‚˚‰ÂÎÂÌÓ. 57 ëÔÓÒÓ·˚ Û͇Á‡ÌËfl ‡ÍÍÓ‰Ó‚ ‰Îfl Í‡Ê‰Ó„Ó ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓ‰Ó·ÌÓ ÓÔËÒ‡Ì˚ ÌËÊÂ. CVP-202 59 à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ êÂÊËÏ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ● Single Finger ìÔ‡‚ÎflÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ÏÓÊÌÓ Ì‡Ê‡ÚËÂÏ Ó‰ÌÓÈ, ‰‚Ûı ËÎË ÚÂı Í·‚˯ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÌËÊ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Ë ‚Íβ˜‡fl ÂÂ), Òӄ·ÒÌÓ ÓÔËÒ‡ÌÌ˚Ï ÌËÊ ԇ‚Ë·Ï. åÂÎӉ˲ ‚‰ËÚ ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. èêàåÖóÄçàÖ • ç‡Á‚‡ÌËfl ÔÓË„˚‚‡ÂÏ˚ı ‡ÍÍÓ‰Ó‚ ÓÚÓ·‡Ê‡˛ÚÒfl Û ÎÂ‚Ó„Ó Í‡fl ‰ËÒÔÎÂfl ÔÓ‰ Ë̉Ë͇ÚÓÓÏ ÚÂÏÔ‡. • íÓÚ Ê ҇Ï˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓ‰ÓÎʇÂÚ Á‚Û˜‡Ú¸ (‰‡Ê ÂÒÎË ‚˚ ÓÚÔÛÒÚËÎË Í·‚Ë¯Ë ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚), ÔÓ͇ ‚˚ Ì ‚ÓÁ¸ÏÂÚ ÒÎÂ‰Û˛˘ËÈ ‡ÍÍÓ‰. ■ ÄÍÍÓ,‰˚, ‚ÓÒÔ,ÓËÁ‚Ó‰ËÏ˚ ÏÂÚÓ‰ÓÏ Single Finger åÂÚÓ‰ÓÏ Single Finger ÏÓÊÌÓ Ë„‡Ú¸ ÒÎÂ‰Û˛˘Ë ˜ÂÚ˚ ÚËÔ‡ ‡ÍÍÓ‰Ó‚: C • å‡ÊÓ,ÌÓ Ú,ÂÁ‚ۘˠç‡ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡. Cm • åËÌÓ,ÌÓ Ú,ÂÁ‚ۘˠ[m] èêàåÖóÄçàÖ àÎβÒÚ‡ˆËfl ÔÓ͇Á˚‚‡ÂÚ, ͇ÍË Í·‚Ë¯Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡. C# Eb F# Ab Bb (Db)(D#) (Gb)(G#)(A#) é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë Î˛·Û˛ ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. C7 • ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ,‰ [7] é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë Î˛·Û˛ ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. Cm7 C D E F G A B • åËÌÓ,Ì˚È ÒÂÔÚ‡ÍÍÓ,‰ [m7] é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë Î˛·Û˛ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚Ë¯Ë Ò΂‡ ÓÚ Ì (ÚË Í·‚Ë¯Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ). ● Multi Finger ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÛÔ‡‚ÎflÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ò ÔÓÏÓ˘¸˛ ÏÂÚÓ‰‡ Single Finger (ÓÔËÒ‡ÌÌÓ„Ó ‚˚¯Â) ËÎË ÏÂÚÓ‰‡ Fingered 1 (ÓÔËÒ‡ÌÌÓ„Ó ÌËÊÂ). é‰Ì‡ÍÓ ‰Îfl Û͇Á‡ÌËfl ÏËÌÓÌÓ„Ó ‡ÍÍÓ‰‡, ÒÂÔÚ‡ÍÍÓ‰‡ ËÎË ÏËÌÓÌÓ„Ó ÒÂÔÚ‡ÍÍÓ‰‡ ÌÂÓ·ıÓ‰ËÏÓ Ì‡ÊËχڸ ·ÂÎÛ˛ Ë/ËÎË ˜ÂÌÛ˛ Í·‚˯Û, ·ÎËÊ‡È¯Û˛ Í Í·‚˯ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡. èêàåÖóÄçàÖ ● Fingered 1 ÑÎfl ÛÔ‡‚ÎÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ë„‡ÈÚ β·˚ ‡ÍÍÓ‰˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÌËÊ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Ë ‚Íβ˜‡fl ÂÂ). åÂÎӉ˲ ‚‰ËÚ ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. • àÌÓ„‰‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ÏÂÌflÂÚÒfl, ÂÒÎË Ó‰ÒÚ‚ÂÌÌ˚ ‡ÍÍÓ‰˚ ÔÓË„˚‚‡˛ÚÒfl ÔÓÒΉӂ‡ÚÂθÌÓ (̇ÔËÏ ÌÂÍÓÚÓ˚ ÏËÌÓÌ˚ ÚÂÁ‚Û˜Ëfl, Á‡ ÍÓÚÓ˚ÏË ÒΉÛÂÚ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰). • ÖÒÎË Clavinova Ì ÏÓÊÂÚ ‡ÒÔÓÁ̇ڸ ‚ÁflÚ˚È ‚‡ÏË ‡ÍÍÓ‰, ‚ÏÂÒÚÓ Ì‡Á‚‡ÌËfl ‡ÍÍÓ‰‡ ̇ ‰ËÒÔΠÓÚÓ·‡ÁËÚÒfl Á‚ÂÁ‰Ó˜Í‡ «*». • óÚÓ·˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‚Û˜‡Î‡ ÚÓθÍÓ Ô‡ÚËfl Û‰‡Ì˚ı, ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÚË ÔÓÒΉӂ‡ÚÂθÌÓ ‡ÒÔÓÎÓÊÂÌÌ˚ı Í·‚Ë¯Ë (̇ÔËÏ C, C#, D). ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘ÂÒÍË ԇÛÁ˚ (·ÂÈÍË) Ò Û‰‡Ì˚ÏË ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÇÏÂÒÚÓ Ì‡Á‚‡ÌËfl ‡ÍÍÓ‰‡ ̇ ‰ËÒÔΠÔÓfl‚flÚÒfl ÔÓ˜ÂÍË «- - -». èêàåÖóÄçàÖ ç‡Ê‡ÚË ‰‚Ûı Í·‚˯ „ÂÌÂËÛÂÚ ‡ÍÍÓ‰ ̇ ÓÒÌÓ‚Â Ô‰˚‰Û˘Â„Ó ‡ÍÍÓ‰‡. CVP-202 58 60 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ■ ÄÍÍÓ,‰˚ ‚ ,ÂÊËÏ Fingered 1 Ç ÂÊËÏ Fingered 1 ÏÓÊÌÓ Ë„‡Ú¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ‡ÍÍÓ‰Ó‚. èÓÎÌÛ˛ Ú‡·ÎËˆÛ ‡ÍÍÓ‰Ó‚ Ò ÓÒÌÓ‚‡ÌËÂÏ ë ÒÏ. ̇ ÒÚ. 12 ‚ Ò·ÓÌËÍ ڇ·Îˈ. • å‡ÊÓÌÓ ÚÂÁ‚ۘˠ• ëÂÍÒÚ‡ÍÍÓ‰ [6] • ÅÓθ¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] • ÅÓθ¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7 (b5)] • ÅÓθ¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò Û‚Â΢ÂÌÌÓÈ Û̉ˆËÏÓÈ [M7 (#11)] • å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ‰Â‚flÚÓÈ ÒÚÛÔÂ̸˛ [add 9] • ÅÓθ¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [M7 (9)] • ëÂÍÒÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [6 (9)] • íÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [(b5)] • ì‚Â΢ÂÌÌÓ ÚÂÁ‚ۘˠ[aug] • ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Í‚ËÌÚÓÈ [7 (#5)] • ì‚Â΢ÂÌÌ˚È Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7 (#5)] • åËÌÓÌÓ ÚÂÁ‚ۘˠ[m] • åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6] • åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] • èÓÎÛÛÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7 (b5)] • åËÌÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m add 9] • åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [m7 (9)] • åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò Û̉ˆËÏÓÈ [m7 (11)] • ÅÓθ¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7 (b5)] • ÅÓθ¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7] • ÅÓθ¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [mM7 (9)] • åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m (b5)] • ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7] • ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ [7] • Sus-ÒÂÔÚ‡ÍÍÓ‰ [7sus4] • çÓÌÒÂÔÚ‡ÍÍÓ‰ [7 (9)] • ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Û̉ˆËÏÓÈ [7 (#11)] • ëÂÔÚ‡ÍÍÓ‰ Ò Úˆ‰ÂˆËÏÓÈ [7 (13)] • ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 (b5)] • ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ ÌÓÌÓÈ [7 (b9)] • ëÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÔÓÌËÊÂÌÌÓÈ Úˆ‰ÂˆËÏÓÈ [7 (b13)] • ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7 (#9)] • ᇉÂʇÌ̇fl Í‚‡Ú‡ [sus4] ● Fingered 2 ÑÎfl ÛÔ‡‚ÎÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ·ÂËÚ ‡ÍÍÓ‰˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, Í‡Í Ë ‰Îfl Fingered 1. çÓ ‚ ˝ÚÓÏ ÂÊËÏ ҇χfl ÌËÁ͇fl ÌÓÚ‡, ÍÓÚÓÛ˛ ‚˚ ·ÂÂÚÂ, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì‡ ‚ ͇˜ÂÒÚ‚Â ·‡Ò‡, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍ ÒÔ‡‚‡. ■ ÄÍÍÓ,‰˚ ‚ ,ÂÊËÏ Fingered 2 èêàåÖóÄçàÖ ÄÍÍÓ‰˚ Ò ·‡ÒÓÏ C Ò ·‡ÒÓÏ E C C Ò ·‡ÒÓÏ G Clavinova ‡ÒÔÓÁ̇ÂÚ Ú Ê ÚËÔ˚ ‡ÍÍÓ‰Ó‚, ˜ÚÓ Ë ‚ ÂÊËÏ Fingered 1. ● Full Keyboard èË ‚˚·Ó ÂÊËχ Full Keyboard Clavinova ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ÌÓÚ˚ Ë ‚ ͇ÍÓÏ ‡Á‰ÂΠÍ·‚ˇÚÛ˚ ËÒÔÓÎÌfl˛ÚÒfl. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË. Ç‡Ï Ì ÔˉÂÚÒfl ÛÚÛʉ‡Ú¸ Ò·fl Û͇Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ç‡Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ ÓÚÓ·‡ÊÂÌ˚ ̇ ‰ËÒÔÎÂÂ. èêàåÖóÄçàÖ • ïÓÚfl ÂÊËÏ Full Keyboard Ô‰̇Á̇˜ÂÌ ‰Îfl ‡·ÓÚ˚ ÒÓ ÏÌÓ„ËÏË ÚËÔ‡ÏË ÏÛÁ˚ÍË, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï. • ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ‰ÎËÚÂθÌÓÒÚ¸˛ ÔËÏÂÌÓ ‚ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛. ÄÍÍÓ‰˚ ÏÂÌ ÔÓ‰ÓÎÊËÚÂθÌÓ„Ó Á‚Û˜‡ÌËfl, ˜ÂÏ Ó‰Ì‡ ‚ÓҸχfl, ÏÓ„ÛÚ Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl. èêàåÖóÄçàÖ 59 ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ... ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÂÊËÏ˚ Dual Ë Split. CVP-202 61 à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Synchronized Stop ............................................... îÛÌ͈Ëfl SYNCHRO STOP ̇ ˝Í‡Ì ACCOMPANIMENT MODE (ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÂÒÎË Ì ̇ʇڇ ÌË Ó‰Ì‡ Í·‚˯‡ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ SYNCHRO STOP. èêàåÖóÄçàÖ ùÚ‡ ÙÛÌ͈Ëfl ÏÓÊÂÚ ·˚Ú¸ ‚Íβ˜Â̇, ÚÓθÍÓ ÂÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë Ì ‚˚·‡Ì ÂÊËÏ Full Keyboard. ➔ ç‡Á‚‡ÌË ÙÛÌ͈ËË SYNCHRO STOP ·Û‰ÂÚ ‚˚‰ÂÎÂÌÓ, Ë Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ [SYNCHRO]. Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇ÂÚÒfl, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ ͇ÍÛ˛-ÎË·Ó Í·‚Ë¯Û ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, Ë ÔÂ͇˘‡ÂÚÒfl, ÂÒÎË ÌË Ó‰Ì‡ Í·‚˯‡ Ì ̇ʇڇ. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛, ÔÓ‚ÚÓÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SYNCHRO STOP. ■ èÓ‰Ò͇Á͇ ÔÓ ‡ÍÍÓ,‰‡Ï ............................................................................................................ îÛÌ͈Ëfl CHORD ASSIST ̇ ˝Í‡Ì ACCOMPANIMENT MODE (ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛ Û͇ÊÂÚ ÔÓ‰ıÓ‰fl˘Û˛ ‡ÔÔÎË͇ÚÛÛ ‰Îfl ‡ÍÍÓ‰‡. Z ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Chord Assistance. ç‡ÊÏËÚ ÍÌÓÔÍÛ CHORD ASSIST. èêàåÖóÄçàÖ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇ ‰Îfl ̇˜Ë̇˛˘Ëı ÏÛÁ˚͇ÌÚÓ‚, ÍÓÚÓ˚Ï ÚÛ‰ÌÓ Òӷβ‰‡Ú¸ ‡ÁÏÂ. í‡ÍÊ ÏÓÊÌÓ ˝ÙÙÂÍÚË‚ÌÓ ÒÓÁ‰‡‚‡Ú¸ Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Ó ‚ÂÏfl Ë„˚. èêàåÖóÄçàÖ îÛÌ͈Ëfl Chord Assistance îÛÌ͈Ëfl Chord Assistance - ˝ÚÓ Ù‡ÍÚ˘ÂÒÍË ˝ÎÂÍÚÓÌÌ˚È «ÒÔ‡‚Ó˜ÌËÍ ‡ÍÍÓ‰Ó‚», ÔÓ͇Á˚‚‡˛˘ËÈ ÔÓ‰ıÓ‰fl˘Û˛ ‡ÔÔÎË͇ÚÛÛ ‰Îfl ‡ÍÍÓ‰Ó‚; Ò Â ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ·˚ÒÚÓ ÛÁ̇ڸ, Í‡Í Ë„‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓ‰. ᇉ‡ÈÚ ÌÛÊÌ˚È ‡ÍÍÓ‰ ˜ÂÂÁ ‰ËÒÔÎÂÈ, Ë ‡ÔÔÎË͇ÚÛ‡ ‰Îfl ÂÊËχ Fingered 1 ·Û‰ÂÚ ÔÓ͇Á‡Ì‡ Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛÂ. èêàåÖóÄçàÖ ➔ èÓfl‚ËÚÒfl ˝Í‡Ì CHORD ASSIST, Ë ‡‚ÚÓχÚ˘ÂÒÍË ÛÒÚ‡ÌÓ‚ËÚÒfl ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Fingered 1. CVP-202 60 62 • é̇ ‚Íβ˜ËÚÒfl, ÂÒÎË ‚˚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP ON]. • ÖÒÎË ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂ̇ ÌËÊÂ, ˜ÂÏ F#2, Ó̇ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÏÂÒÚËÚÒfl ̇ F#2. • à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ ‚ ÂÊËÏ Chord Assistance Ì ÔÓ͇Á˚‚‡˛Ú ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚, ÔÓÒÍÓθÍÛ ÓÌË Á‡‰ÂÈÒÚ‚Û˛ÚÒfl ‰Îfl Û͇Á‡ÌËfl ‡ÔÔÎË͇ÚÛ˚. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ X á‡ÔÛÒÚËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÑÎfl Á‡ÔÛÒ͇ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ËÎË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇ (ÒÚ. 53). C ǂ‰ËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ,‰‡. èêàåÖóÄçàÖ Ç˚·ÂËÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ROOT. ÙÛÌ͈Ëfl ROOT ç‡ÒÚÓÈÍË: ëÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 60. ➔ îÛÌ͈Ëfl ROOT ·Û‰ÂÚ ‚˚‰ÂÎÂ̇, Ë ÓÒÌÓ‚ÌÓÈ ÚÓÌ ËÁÏÂÌËÚÒfl. èêàåÖóÄçàÖ ÖÒÎË Û‰ÂÊË‚‡Ú¸ ÍÌÓÔÍÛ ROOT ̇ʇÚÓÈ, ̇ÒÚÓÈ͇ INVERT ÏÓÊÂÚ Ú‡ÍÊ ËÁÏÂÌËÚ¸Òfl. äÓ„‰‡ ÙÛÌ͈Ëfl ROOT ‚˚‰ÂÎÂ̇, ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. V ǂ‰ËÚ ÚËÔ ‡ÍÍÓ,‰‡. èêàåÖóÄçàÖ Ç˚·ÂËÚ ÚËÔ ‡ÍÍÓ‰‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TYPE t Ë s. îÛÌ͈Ëfl TYPE ç‡ÒÚÓÈÍË: cÏ. ÒÔËÒÓÍ Ò΂‡. ➔ îÛÌ͈Ëfl TYPE ·Û‰ÂÚ ‚˚‰ÂÎÂ̇, Ë ÚËÔ ‡ÍÍÓ‰‡ ËÁÏÂÌËÚÒfl. äÓ„‰‡ ÙÛÌ͈Ëfl TYPE ‚˚‰ÂÎÂ̇, ÚËÔ ‡ÍÍÓ‰‡ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]. åÓ„ÛÚ ·˚Ú¸ Á‡‰‡Ì˚ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ‡ÍÍÓ,‰Ó‚: å‡ÊÓÌÓ ÚÂÁ‚ۘˠåËÌÓÌÓ ÚÂÁ‚ۘˠ[m] ëÂÔÚ‡ÍÍÓ‰ [7] åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] èÓÎÛÛÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7 (b5)] ëÂÍÒÚ‡ÍÍÓ‰ [6] åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6] ÅÓθ¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] ᇉÂʇÌ̇fl Í‚‡Ú‡ [sus4] ì‚Â΢ÂÌÌÓ ÚÂÁ‚ۘˠ[aug] åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m (b5)] ëÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [7sus4] ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Í‚ËÌÚÓÈ [7 (#5)] ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7] å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [(b5)] ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7b5] ÅÓθ¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7] B àÒÔÓθÁÛÈÚ β·˚ ӷ,‡˘ÂÌËfl ‡ÍÍÓ,‰Ó‚. 61 ç‡ÊÏËÚ ÍÌÓÔÍÛ INVERT, ˜ÚÓ·˚ «ÒÏÂÒÚËÚ¸» ‡ÍÍÓ‰ ‚ÎÂ‚Ó Ì‡ Í·‚ˇÚÛÂ. ä‡Ê‰˚È ‡Á ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË INVERT ÔÓfl‚ÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÈ ‰ÓÔÛÒÚËÏ˚È ‚‡Ë‡ÌÚ ‡ÔÔÎË͇ÚÛ˚ Á‡‰‡ÌÌÓ„Ó ‡ÍÍÓ‰‡. îÛÌ͈Ëfl INVERT ÓÚÓ·‡Ê‡ÂÚ ÌÓÏ ӷ‡˘ÂÌËfl. CVP-202 63 à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ N ǂ‰ËÚ ‡ÍÍÓ,‰. à̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ ÔÓ͇Á˚‚‡˛Ú ‡ÔÔÎË͇ÚÛÛ ‚˚·‡ÌÌÓ„Ó ‡ÍÍÓ‰‡. Ç˚ ÏÓÊÂÚ ÎË·Ó ‚ÁflÚ¸ ‡ÍÍÓ‰ ̇ Í·‚ˇÚÛÂ, ÎË·Ó Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ENTER, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡. èêàåÖóÄçàÖ M éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË ‚˚ ·Óθ¯Â Ì ÌÛʉ‡ÂÚÂÒ¸ ‚ ÔÓ‰Ò͇ÁÍ ÔÓ ‡ÍÍÓ‰‡Ï, ÓÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [START/STOP] ËÎË [ENDING]. • ã˛·ÓÈ ‡ÍÍÓ‰, ‡ÒÔÓÁ̇‚‡ÂÏ˚È ‚ ÂÊËÏ Fingered 1, ÏÓÊÂÚ ·˚Ú¸ ‚‚‰ÂÌ Ò Í·‚ˇÚÛ˚. • ç‡Á‚‡ÌË ‡ÍÍÓ‰‡, ‚‚‰ÂÌÌÓ„Ó Ò Í·‚ˇÚÛ˚, ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ΂ÓÈ ˜‡ÒÚË Üä-‰ËÒÔÎÂfl ÔÓ‰ Ë̉Ë͇ÚÓÓÏ ÚÂÏÔ‡. óÚÓ·˚ ۷‰ËÚ¸Òfl, ˜ÚÓ ‡ÍÍÓ‰ ‚ÁflÚ ÍÓÂÍÚÌÓ, ÏÓÊÌÓ Ò‡‚ÌËÚ¸ Â„Ó Ì‡Á‚‡ÌËÂ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ Ë ÚËÔÓÏ, ÓÚÓ·‡Ê‡ÂÏ˚ÏË ÙÛÌ͈ËflÏË ROOT Ë TYPE. ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ó‰ÌÓÈ ËÁ ˜ÂÌ˚ı Í·‚˯, ÓÌ ÏÓÊÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ‰ËÒÔÎÂÂ Ò Î˛·˚Ï Á̇ÍÓÏ ‡Î¸Ú‡ˆËË, ̇ÔËÏÂ, Bb ÏÓÊÂÚ Ú‡ÍÊ ÓÚÓ·‡Ê‡Ú¸Òfl Í‡Í A# (‰ÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚Ó ‚ÂÁÍ ̇ ÒÚ. 60). • åË„‡˛˘ËÈ Ë̉Ë͇ÚÓ Ì‡ Í·‚ˇÚÛ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝Ú‡ ÌÓÚ‡ ÏÓÊÂÚ ·˚Ú¸ ÓÔÛ˘Â̇. < éÚÍβ˜ËÚ ÔÓ‰Ò͇ÁÍÛ ÔÓ ‡ÍÍÓ,‰‡Ï. óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Chord Assistance, ̇ÊÏËÚ [EXIT] ËÎË [ACMP ON]. ➔ èÓfl‚ËÚÒfl ÓÒÌÓ‚ÌÓÈ ˝Í‡Ì. ÖÒÎË Ì‡Ê‡Ú¸ [ACMP ON], Ó‰ÌÓ‚ÂÏÂÌÌÓ ·Û‰ÂÚ ÓÚÍβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ■ àÁÏÂÌÂÌË ÚÓ˜ÍË ,‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ,˚ .................................................... ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ̇ β·Û˛ Í·‚Ë¯Û ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ SPLIT POINT ̇ ˝Í‡Ì ACCOMPANIMENT MODE. ä·‚Ë¯Ë Î‚Â ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Ë ‚Íβ˜‡fl ÂÂ) ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl Á‡‰‡ÌËfl ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ β·ÓÏ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÏ Full Keyboard. èêàåÖóÄçàÖ îÛÌ͈Ëfl SPLIT POINT • ç‡ÒÚÓÈÍË: β·‡fl Í·‚˯‡ Í·‚ˇÚÛ˚ • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: F#2 F 2 ょfl ˜‡ÒÚ¸ C0 C1 C2 C3 C4 C5 C6 C7 臂‡fl ˜‡ÒÚ¸ ÑÎfl ËÁÏÂÌÂÌËfl ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ • ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard, ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ì ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂ̇. • Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÏÂÌflÂÚÒfl Ë ‰Îfl ÂÊËχ Split (ÒÏ. ÒÚ. 39). ➔ ç‡Á‚‡ÌË ‚˚·‡ÌÌÓÈ Í·‚Ë¯Ë ÓÚÓ·‡Ê‡ÂÚÒfl ÙÛÌ͈ËÂÈ SPLIT POINT. ÖÒÎË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÂÊËÏ Split (ÒÚ. 36), Ë̉Ë͇ÚÓ Ì‡ Í·‚ˇÚÛ Û͇Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. CVP-202 62 64 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ê„ÛÎËӂ͇ ÛÓ‚ÌÂÈ ÓÚ‰ÂθÌ˚ı ÏÛÁ˚͇θÌ˚ı Ô‡ÚËÈ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛ˛ÚÒfl ÔflÚ¸ Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Rhythm, Bass, Chord, Pad Ë Phrase. RHYTHM ùÚ‡ Ô‡ÚËfl ÒÓÒÚ‡‚ÎflÂÚ ÓÒÌÓ‚Û ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. êËÚÏ˘ÂÒ͇fl Ô‡ÚËfl Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ó‰ÌÓÈ ËÁ Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ. BASS ŇÒÓ‚‡fl Ô‡ÚËfl ËÒÔÓθÁÛÂÚ ÚÂÏ·˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇ʉÓÏÛ ÒÚËβ, ‚Íβ˜‡fl ‡ÍÛÒÚ˘ÂÒÍËÈ Ë ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò. CHORD ÄÍÍÓ‰Ó‚˚ ԇÚËË Ó·ÂÒÔ˜˂‡˛Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÚÏ˘ÂÒÍËÈ ‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl. á‰ÂÒ¸ ‚˚ ̇ȉÂÚ „ËÚ‡Û, ÙÓÚÂÔ¸flÌÓ Ë ‰Û„Ë ‡ÍÍÓ‰Ó‚˚ ËÌÒÚÛÏÂÌÚ˚. PAD è‡ÚËfl «ÔӉͷ‰ÍË» ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚ÓÒÔÓËÁ‚Ó‰ËÚ ‰Ó΄Ë ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ÏÓÌÓÚÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚, Ú‡ÍËı Í‡Í ÒÚÛÌÌ˚Â, Ó„‡Ì ËÎË ıÓ. PHRASE è‡ÚËfl Ù‡Á˚ ËÒÔÓθÁÛÂÚÒfl ‰Îfl Ó·˚„˚‚‡ÌËfl ÏÂÎÓ‰ËË Ò ÔÓÏÓ˘¸˛ ‡ÍˆÂÌÚËÓ‚‡ÌÌÓÈ Ï‰Ë, ‡ÍÍÓ‰Ó‚ ‡Ô‰ÊËÓ Ë ‰Û„Ëı ‰ÓÔÓÎÌËÚÂθÌ˚ı Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚ ‰Â·˛Ú ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·ÓΠËÌÚÂÂÒÌ˚Ï. åÓÊÌÓ ÓÚ‰ÂθÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ͇ʉÓÈ Ô‡ÚËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ˝Í‡Ì MIXER. èêàåÖóÄçàÖ • é·˘Û˛ „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎflÚÓÓÏ [ACMP/SONG VOLUME]. • ê„ÛÎËÛfl ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ‡Á΢Ì˚ı Ô‡ÚËÈ ËÎË ÛÒڇ̇‚ÎË‚‡fl „ÓÏÍÓÒÚ¸ ÌÂÍÓÚÓ˚ı Ô‡ÚËÈ Ì‡ 0, ‚˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ‚‡Ë‡ˆËË ÓÒÌÓ‚Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • çÂÍÓÚÓ˚ ÒÚËÎË Ì ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚Ò ÔflÚ¸ Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • í‡ÍÊ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÛÓ‚Â̸ ‚·‡ˆËË ‰Îfl Ô‡ÚËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ̇ ÒÚ. 43. èêàåÖóÄçàÖ ÇÁ‡ËÏÓÒ‚flÁ¸ „ÓÏÍÓÒÚË Ô‡ÚËÈ • ÉÓÏÍÓÒÚ¸ ͇ʉÓÈ Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡‚ËÒËÚ ÓÚ Ì‡ÒÚÓÈÍË [ACMP/SONG VOLUME]. • ç‡ÒÚÓÈ͇ [ACMP/SONG VOLUME] Á‡‚ËÒËÚ ÓÚ Ì‡ÒÚÓÈÍË [MASTER VOLUME]. Z ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIXER]. .................................................................................................... FUNCTION MIXER ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ, Ë ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡ MIXER. X Ç˚·Ó Ô‡ÚËË. ................................................................................................................................... ç‡ÊÏËÚ ̇ Üä-‰ËÒÔΠÍÌÓÔÍÛ ‰Îfl Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ Ì‡‰Ó ËÁÏÂÌËÚ¸. 63 ➔ Ç˚·‡Ì̇fl ÙÛÌ͈Ëfl ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. CVP-202 65 à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ C ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË. ............................................................................................................. ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ú‡ÍÊ ۂÂ΢ËÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓÈ ‚˚ ‚˚·‡ÎË ‰‡ÌÌÛ˛ Ô‡Ú˲. ç‡Ê‡‚ Ë ·˚ÒÚÓ ÓÚÔÛÒÚË‚ ÍÌÓÔÍÛ, ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ì‡ 0. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Ô‰˚‰Û˘Â Á̇˜ÂÌËÂ, ¢ ‡Á ̇ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚ ÍÌÓÔÍÛ. óÚÓ·˚ ‚ÂÌÛÚ¸ Ô‚Ó̇˜‡Î¸Ì˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË (110), Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ ÉÓÏÍÓÒÚ¸ Ô‡ÚËÈ • ÑˇԇÁÓÌ: 0 (ÏËÌ.) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 110 V èÓ‚ÚÓËÚ ¯‡„Ë XË C. ...................................................................................................... èÓ‚ÚÓËÚ Ô‰˚‰Û˘Ë ¯‡„Ë, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸ ‰Û„Ëı Ô‡ÚËÈ. (í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Ë ËÁÏÂÌËÚ¸ Ëı „ÓÏÍÓÒÚ¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ.) B Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡ MIXER. ....................................................................................................... óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXER] ËÎË Ì‡ÊÏËÚ [EXIT]. FUNCTION MIXER EXIT ➔ à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ, Ë ÔÓfl‚ËÚÒfl „·‚Ì˚È ˝Í‡Ì. CVP-202 64 66 ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○ ○ ○ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÂÒÚ¸ fl‰ ‰Û„Ëı ‚ÓÁÏÓÊÌÓÒÚÂÈ Ë ÙÛÌ͈ËÈ, ·Î‡„Ó‰‡fl ÍÓÚÓ˚Ï ËÒÔÓθÁÓ‚‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÚ‡ÌÓ‚ËÚÒfl ¢ ·ÓΠÔËflÚÌ˚Ï Ë Û‰Ó·Ì˚Ï. ùÚË ÙÛÌ͈ËË ÔÓÁ‚ÓÎfl˛Ú ΄ÍÓ ‚˚·Ë‡Ú¸ ̇ÒÚÓÈÍË Ô‡ÌÂÎË ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ ÏÛÁ˚ÍË, ‡ Clavinova ÔÓ‰·ÂÂÚ ÒÓÔÓ‚ÓʉÂÌË ‰Îfl ‚‡¯ÂÈ ÏÂÎÓ‰ËË. MUSIC DATABASE VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB SPLIT EFFECT BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING HARMONY REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING åÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı (Music Database) ë ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌÓÈ ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı, ‚˚ ΄ÍÓ ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÒÚËθ, ÚÂÏ· Ë ‰Û„Ë ̇ÒÚÓÈÍË ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ ÏÛÁ˚ÍË. èÓÒÚÓ ‚˚·ÂËÚ ӉÌÛ ËÁ 463 Á‡ÔËÒÂÈ ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı ̇ ˝Í‡Ì Music Database, ‡ Ó· ÓÒڇθÌÓÏ ÔÓÁ‡·ÓÚËÚ¸Òfl Ò‡ÏÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova! ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ ̇ÒÚÓÈÍË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ̇ ˝Í‡Ì Music Database ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (ÒÚ. 11). Z éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ Music Database. ................................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ [MUSIC DATABASE]. MUSIC DATABASE HARMONY ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì MUSIC DATABASE. àÏfl ÒÚËÎfl èêàåÖóÄçàÖ • èË ÓÚÓ·‡ÊÂÌËË ˝Í‡Ì‡ Music Database ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡ÂÚ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË, ËÒÔÓθÁÛ˛˘Û˛ ÚÂÍÛ˘ËÈ ÒÚËθ. (àÏfl ̇ÒÚÓÈÍË ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ì Music Database.) ÖÒÎË ‚˚ ıÓÚËÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚˚·‡ÌÌÛ˛ ̇ÒÚÓÈÍÛ, ÔÂÂȉËÚÂ Í 4 ¯‡„Û ˝ÚÓÈ Ôӈ‰Û˚. • èË ÓÚÓ·‡ÊÂÌËË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË ‚˚ ‚ıÓ‰ËÚ ‚ ÏÛÁ˚͇θÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı ‰Ó Á‡ÔÛÒ͇ ÒÚËÎfl, ‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Synchronized Start (ÒÚ. 53). Ç˚‰ÂÎÂÌ̇fl ̇ÒÚÓÈ͇ 65 ç‡ ˝Í‡Ì MUSIC DATABASE ÔË‚Ó‰ËÚÒfl ÒÔËÒÓÍ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË, ÍÓÚÓ˚È ÏÓÊÌÓ ÓÚÒÓÚËÓ‚‡Ú¸ ÔÓ ÒÚËβ ËÎË ÔÓ ‡ÎÙ‡‚ËÚÛ. àÏfl ÒÚËÎfl, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ‚˚‰ÂÎÂÌÌÓÈ Ì‡ÒÚÓÈÍÂ, ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ‚ÂıÌÂÏ Ô‡‚ÓÏ Û„ÎÛ ˝Í‡Ì‡. CVP-202 67 ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚÒÓÚËÛÈÚ ÒÔËÒÓÍ. ................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ SORT, ˜ÚÓ·˚ ÔÂÂÍβ˜ËÚ¸ ‚˚‰ÂÎÂÌÌÛ˛ ̇ÒÚÓÈÍÛ Ò STYLE ̇ A-Z Ë Ì‡Ó·ÓÓÚ. èêàåÖóÄçàÖ óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ̇ÒÚÓÈÍË Ô‡ÌÂÎË ‰Îfl ÓÔ‰ÂÎÂÌÌÓÈ „ÛÔÔ˚ ÒÚËÎÂÈ, ÔÓÒÚÓ Ì‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ STYLE. åÂÌ˛ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ÔÓ ÒÚËβ, Ë ÔÓËÒıÓ‰ËÚ ‚˚‰ÂÎÂÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ÍÓÚÓ‡fl ËÒÔÓθÁÛÂÚ ‚˚·‡ÌÌ˚È ËÁ „ÛÔÔ˚ ÒÚËθ. ➔ ÖÒÎË ‚˚‰ÂÎÂÌ STYLE, ÚÓ ÒÔËÒÓÍ ÏÂÌ˛ ÒÓÚËÛÂÚÒfl ÔÓ ÒÚËβ Ë ÔÓËÒıÓ‰ËÚ ‚˚‰ÂÎÂÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ÍÓÚÓ‡fl ËÒÔÓθÁÛÂÚ ‚˚·‡ÌÌ˚È ÒÚËθ. ➔ ÖÒÎË ‚˚‰ÂÎÂÌ A-Z, ÏÂÌ˛ ÒÓÚËÛÂÚÒfl ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. C Ç˚·Ó Ë ‚˚ÁÓ‚ ̇ÒÚÓÈÍË Ô‡ÌÂÎË. ......................................................................... àÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌÛ˛ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ÒÔËÒÍ ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SET, ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ‚˚‰ÂÎÂÌÌÛ˛ ̇ÒÚÓÈÍÛ. èêàåÖóÄçàÖ ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard, ÙÛÌ͈Ëfl Harmony Ì ·Û‰ÂÚ ‚Íβ˜Â̇, ‰‡Ê ÂÒÎË ‚˚·‡Ì̇fl ̇ÒÚÓÈ͇ ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı ‚Íβ˜‡ÂÚ ÒÓÒÚÓflÌË «Harmony On». ➔ èÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ËÁÏÂÌÂÌË ÒÚËÎfl, ÚÂÏ·‡ Ë Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚. Ç˚·‡‚ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı, ‚˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÒÚËθ, ÚÂÏ· Ë Ì‡ÒÚÓÈÍË ˝ÙÙÂÍÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏË Ô‰ÔÓ˜ÚÂÌËflÏË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‚˚ Ú‡ÍÊ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Registration (ÒÚ. 89). V ÇÓÁ‚‡˘ÂÌË ̇ „·‚Ì˚È ˝Í‡Ì. ............................................................................... ç‡ÊÏËÚ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ ÏÂÌ˛ ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı. ➔ èÓfl‚ÎflÂÚÒfl Ô‰˚‰Û˘ËÈ ˝Í‡Ì. B éÚÍβ˜ÂÌË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı. ....................................................... äÓ„‰‡ ‚˚ Á‡ÍÓ̘ËÚ ËÒÔÓθÁÓ‚‡ÌË ̇ÒÚÓÈÍË ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [MUSIC DATABASE]. ➔ à̉Ë͇ÚÓ [MUSIC DATABASE] ÔÓ„‡ÒÌÂÚ, Ë ÔÓËÁÓȉÂÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ̇ÒÚÓÂÍ Ô‡ÌÂÎË, ÍÓÚÓ˚ ‚˚ ËÒÔÓθÁÓ‚‡ÎË ‰Ó ÔÂÂıÓ‰‡ Í ÏÛÁ˚͇θÌÓÈ ·‡Á ‰‡ÌÌ˚ı. CVP-202 66 68 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ îÛÌ͈Ëfl „‡ÏÓÌËÁ‡ˆËË (Harmony) ùÚ‡ ÙÛÌ͈Ëfl ÒÎÛÊËÚ ‰Îfl „‡ÏÓÌËÁ‡ˆËË ËÎË Ó·˚„˚‚‡ÌËfl ÏÂÎÓ‰ËË, ÍÓÚÓÛ˛ ‚˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÂ Ò ÔÓÏÓ˘¸˛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÁ‰‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡ÍÍÓ‰‡ÏË, ËÒÔÓθÁÛÂÏ˚ÏË ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ■ ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÁ‡ˆËË ................................................................................................. í‡Í Í‡Í Ô‰ÛÒÏÓÚÂÌÓ ‚Íβ˜ÂÌËÂ Ë ÓÚÍβ˜ÂÌË ÙÛÌ͈ËË Harmony ‚Ó ‚ÂÏfl Ë„˚, ‚˚ ÏÓÊÂÚ Ôˉ‡Ú¸ Ò‚ÓÂÏÛ ËÒÔÓÎÌÂÌ˲ «ËÁ˛ÏËÌÍÛ» Ë «ÔÓÙÂÒÒËÓ̇θÌ˚È» ÎÓÒÍ, ‰Ó·‡‚Ë‚ „‡ÏÓÌËÁ‡ˆË˛ ‚ ‚˚·‡ÌÌ˚ هÁ˚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË. Z ÇÍβ˜ÂÌË ÙÛÌ͈ËË Harmony. èêàåÖóÄçàÖ • îÛÌÍˆË˛ Harmony ÌÂθÁfl ‚Íβ˜ËÚ¸, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì Full Keyboard (ÒÚ. 59). • îÛÌ͈Ëfl Harmony ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ÔÓË„˚‚‡ÌËË ‚ÒÚÛÔÎÂÌËfl ËÎË ÍÓ̈ӂÍË ËÎË ÔË ÓÚÍβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÂÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË (ÒÚ. 70): Octave, 1+5, Echo, Tremolo ËÎË Trill. ç‡ÊÏËÚ ÍÌÓÔÍÛ [HARMONY]. MUSIC DATABASE HARMONY èêàåÖóÄçàÖ ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ. X à„‡ ̇ Í·‚ˇÚÛÂ. à„‡ÈÚ ̇ Í·‚ˇÚÛÂ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. • ë ÌÂÍÓÚÓ˚ÏË ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl „‡ÏÓÌËÁ‡ˆËË, ·Û‰ÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ ‚˚·‡ÌÌÓ„Ó Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. • ÖÒÎË ‡ÍÍÓ‰˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, „‡ÏÓÌËÁ‡ˆËfl ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í ÔÓÒΉÌÂÈ ÔÓË„˚‚‡ÂÏÓÈ ÌÓÚÂ. C éÚÍβ˜ÂÌË ÙÛÌ͈ËË Harmony. èêàåÖóÄçàÖ Ö˘Â ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [HARMONY]. ➔ à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ. ■ éÚÓ·‡ÊÂÌË ̇ÒÚÓÂÍ „‡ÏÓÌËÁ‡ˆËË ................................................................ àÁÏÂÌËÚ¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ „‡ÏÓÌËÁ‡ˆËË Ë ‰Û„Ë ̇ÒÚÓÈÍË ÏÓÊÌÓ Ì‡ ÒÚ‡Ìˈ ˝Í‡Ì‡ HARMONY. óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÒÚ‡ÌËˆÛ HARMONY, ̇ÊÏËÚ [DIRECT ACCESS], Á‡ÚÂÏ [HARMONY]. àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ • ÖÒÎË ÙÛÌ͈ËË LEFT PEDAL Á‡‰‡ÂÚÒfl Á̇˜ÂÌË HARMONY (ÒÚ. 138), ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ÔËÏÂÌflÚ¸ „‡ÏÓÌËÁ‡ˆË˛ ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË Î‚ÓÈ Ô‰‡ÎË. • ÖÒÎË ‰Îfl ÍÓÌÚÓÎfl ̇‰ „‡ÏÓÌËÁ‡ˆËÂÈ ‚˚ ËÒÔÓθÁÛÂÚ ÎÂ‚Û˛ Ô‰‡Î¸, ˝Ú‡ Ô‰‡Î¸ Ì ·Û‰ÂÚ ‡·ÓÚ‡Ú¸ ÔË ÓÚÍβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Harmony (Ú.Â. ÍÓ„‰‡ Ì „ÓËÚ Ë̉Ë͇ÚÓ [HARMONY]). MUSIC DATABASE DIRECT ACCESS ➾ HARMONY 67 ➔ èÓfl‚ËÚÒfl ˝Í‡Ì HARMONY. CVP-202 69 ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË .................................................................................................. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, ÍÓÚÓ‡fl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË TYPE ̇ ˝Í‡Ì HARMONY. óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TYPE ▲ Ë ▼ ËÎË ‚˚·ÂËÚ ÙÛÌÍˆË˛ TYPE Ë ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. èêàåÖóÄçàÖ îÛÌ͈Ëfl TYPE • ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ˝ÚÓÈ ÒÚ‡ÌˈÂ. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ᇂËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. ➔ Ç˚·‡ÌÌ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚˚‰ÂÎflÂÚÒfl. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ·‡ÁÓ‚Û˛ ̇ÒÚÓÈÍÛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË TYPE s Ë t ËÎË ÍÌÓÔÍË [–] Ë [+]. í‡Í Í‡Í ·‡ÁÓ‚‡fl ̇ÒÚÓÈ͇ ÙÛÌ͈ËË TYPE Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, ÔË ËÁÏÂÌÂÌËË ‚˚·Ó‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÏÓÊÂÚ ÔÓËÁÓÈÚË ‡‚ÚÓχÚ˘ÂÒÍËÈ ‚˚·Ó ‰Û„Ó„Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË. íËÔ˚ „‡ÏÓÌËÁ‡ˆËË CVP-202 Speed Duet – Trio – Block – 4 Part – Country – Octave – 1+5 – Echo ❍ Tremolo ❍ Trill ❍ Strumming – Add Jazz Gtr – Add Brass – Add Strings – In The Forest – èêàåÖóÄçàÖ • ÑÎfl ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË (Û͇Á‡ÌÌ˚ı ÔÓÒ‰ÒÚ‚ÓÏ «❍» ‚ ÒÚÓηˆÂ Speed Ú‡·Îˈ˚ Ò΂‡) Ô‰ÛÒÏÓÚÂ̇ „ÛÎËÛÂχfl ̇ÒÚÓÈ͇ ÒÍÓÓÒÚË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ. 68 70 Type ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ■ àÁÏÂÌÂÌË ÒÍÓÓÒÚË „‡ÏÓÌËÁ‡ˆËË ........................................................................ Ç˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓÚ „‡ÏÓÌËÁ‡ˆËË, ËÒÔÓθÁÛÂÏ˚ı ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË Echo, Tremolo Ë Trill, Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË SPEED ̇ ˝Í‡Ì HARMONY. Z Ç˚·ÂËÚ ÙÛÌÍˆË˛ SPEED. èêàåÖóÄçàÖ îÛÌ͈Ëfl SPEED • ç‡ÒÚÓÈÍË: 4, 6, 8, 12 (Echo) 8, 12, 16, 32 (Tremolo) 12, 16, 24, 32 (Trill) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl ÔÓ‰ ÙÛÌ͈ËÂÈ SPEED. ➔ îÛÌ͈Ëfl SPEED ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. X Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ SPEED. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ SPEED, ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ËÁÏÂÌËÚ¸ Á̇˜ÂÌË ÙÛÌ͈ËË SPEED. ■ àÁÏÂÌÂÌË „ÓÏÍÓÒÚË „‡ÏÓÌËÁ‡ˆËË .................................................................... åÓÊÌÓ ËÁÏÂÌËÚ¸ „ÓÏÍÓÒÚ¸ „‡ÏÓÌËÁ‡ˆËË, ÍÓÚÓ‡fl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VOLUME ̇ ˝Í‡Ì HARMONY. èêàåÖóÄçàÖ îÛÌ͈Ëfl VOLUME • ç‡ÒÚÓÈÍË: 0 (ÏËÌ.) — 127 (χÍÒ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ᇂËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. Z Ç˚·ÂËÚ ÙÛÌÍˆË˛ VOLUME. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ Üä-‰ËÒÔÎÂfl ÔÓ‰ ÙÛÌ͈ËÂÈ VOLUME. ➔ îÛÌ͈Ëfl VOLUME ·Û‰ÂÚ ‚Íβ˜Â̇. X Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ VOLUME. 69 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË VOLUME t Ë s, ‰ËÒÍ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ËÁÏÂÌËÚ¸ Á̇˜ÂÌË ÙÛÌ͈ËË VOLUME. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÛ˛ ̇ÒÚÓÈÍÛ ÙÛÌ͈ËË VOLUME ‰Îfl ‚˚·‡ÌÌÓ„Ó Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË VOLUME t Ë s ËÎË ÍÌÓÔÍË [–] Ë [+]. CVP-202 71 ÑÛ„Ë ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ç‡ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌË (ÙÛÌ͈Ëfl One Touch Setting) ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ‰Îfl ÒÚËÎfl ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡Ë‡ÌÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ·ÛÍ‚‡Î¸ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ ̇ÒÚÓÈÍË ÙÛÌ͈ËË One Touch Setting ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (ÒÚ. 11). èêàåÖóÄçàÖ îÛÌ͈Ëfl One Touch Setting Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÒÓ ÒÚËÎflÏË „ÛÔÔ˚ [DISK/ CUSTOM]. Z Ç˚·Ó ÒÚËÎfl. ...................................................................................................................................... Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ, Í‡Í Ó·˚˜ÌÓ (ÒÏ. ÒÚ. 49). STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY BALLROOM CUSTOM X èӂ¸ÚÂ, ˜ÚÓ·˚ ·˚· ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ONE TOUCH SETTING. ..................................................................................................................................................... èË ÌÂÓ·ıÓ‰ËÏÓÒÚË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ONE TOUCH SETTING]. REGISTRATION ONE TOUCH SETTING èêàåÖóÄçàÖ ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [ONE TOUCH SETTING]. C Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË. ........................................................................................ ç‡ÊÏËÚ ӉÌÛ ËÁ ˜ÂÚ˚Âı ÔÓÌÛÏÂÓ‚‡ÌÌ˚ı ÍÌÓÔÓÍ ÔÓ‰ REGISTRATION/ONE TOUCH SETTING. REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING • èË ‚˚·Ó ̇ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‰Ó Á‡ÔÛÒ͇ ÒÚËÎfl, ÔÓËÒıÓ‰ËÚ Ú‡ÍÊ Á‡ÔÛÒÍ ÙÛÌ͈ËË Synchronized Start (ÒÚ. 53). • ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard, ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Harmony Ì ÔÓËÁÓȉÂÚ, ‰‡Ê ÂÒÎË ‚˚·‡Ì̇fl ̇ÒÚÓÈ͇ One Touch Setting ‚Íβ˜‡ÂÚ «Harmony On». èêàåÖóÄçàÖ ➔ èÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ËÁÏÂÌÂÌË ÚÂÏ·‡ Ë Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚. Ç˚·‡‚ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËË One Touch Setting, ‚˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÚÂÏ· Ë Ì‡ÒÚÓÈÍË ˝ÙÙÂÍÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏË Ô‰ÔÓ˜ÚÂÌËflÏË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‚˚ Ú‡ÍÊ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Registration (ÒÚ. 89). CVP-202 70 72 á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓ ÛÏÓΘ‡Ì˲ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ӷ΄˜ËÚ¸ ‚˚ÁÓ‚ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË. ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË REGISTRATION Á‡Â„ËÒÚËÛÈÚ ه·Ë˜Ì˚ ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ (Ô‚Ó̇˜‡Î¸ÌÓ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ̇ÒÚÓÈÍË ÔÓfl‚Îfl˛ÚÒfl ÔË Ô‚ÓÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova) ‚ [REGIST A-1] (ÒÏ. ÒÚ. 89). íÂÔ¸, ÂÒÎË ‚˚ ‚˚·ÂÂÚ [A-1], ‚Ò ̇ÒÚÓÈÍË Ô‡ÌÂÎË ‚ÂÌÛÚÒfl ‚ ËÒıÓ‰ÌÓ ÒÓÒÚÓflÌËÂ. ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○ ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‡ÔÓÏË̇ڸ Ëı Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‚ β·Ó ‚ÂÏfl ÔÓ Ê·Ì˲ ̇‡‚Ì ÒÓ ‚ÒÚÓÂÌÌ˚ÏË. Ç Ô‡ÏflÚË ÔˇÌËÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ı‡ÌËÚ¸ ‰Ó ˜ÂÚ˚Âı ÔÓθÁÓ‚‡ÚÂθÒÍËı ÒÚËÎÂÈ Ë ÌÂÓ„‡Ì˘ÂÌÌÓ Ëı ÍÓ΢ÂÒÚ‚Ó ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ̇ ‰ËÒÍÂÚÛ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ÑÎfl Á‡ÔËÒË ‚‡¯Ëı ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ËÒÔÓθÁÛÈÚ ÒÎÂ‰Û˛˘Û˛ Ôӈ‰ÛÛ. Z Ç˚·ÂËÚ „ÛÔÔÛ ÒÚËÎÂÈ DISK/CUSTOM. ......................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ [DISK/CUSTOM]. STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B BALLROOM PIANIST MUSIC DATABASE DISK HARMONY CUSTOM èêàåÖóÄçàÖ • èË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ Ô‡ÏflÚ¸ DISK/ CUSTOM ‡‚ÚÓχÚ˘ÂÒÍË Á‡„ÛʇÂÚÒfl ‚ÂÏÂÌÌ˚È ÒÚËθ (Ò Ì‡Á‚‡ÌËÂÏ TEMP.STYLE). • ÖÒÎË ‚ Ò‚Ó ‚ÂÏfl ‚˚ Á‡„ÛÁËÎË Ù‡ÈÎ˚ Ò ‰Û„ËÏË ÒÚËÎflÏË (ÒÏ. ÒÚ. 87), ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ DISK/CUSTOM STYLE Ë ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó Í‡Í ÓÒÌÓ‚Û ‰Îfl ÌÓ‚Ó„Ó ÒÚËÎfl. ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì DISK/CUSTOM STYLE. X Ç˚·ÂËÚ ÙÛÌÍˆË˛ CUSTOM STYLE. ............................................................. 71 ç‡ÊÏËÚ ÍÌÓÔÍÛ CUSTOM STYLE. CVP-202 73 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ➔ ç‡ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Select a source style», ÍÓÚÓÓ ÒÏÂÌËÚÒfl Á‡ÚÂÏ 1-È ÒÚ‡ÌˈÂÈ ˝Í‡Ì‡ CUSTOM STYLE. 燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì ̇ ˝Í‡Ì DISK/CUSTOM STYLE. C Ç˚·ÂËÚ ËÒıÓ‰Ì˚È ÒÚËθ. .............................................................................................. Ç˚·ÂËÚ ÒÚËθ ÒÂ‰Ë Ì‡·Ó‡ Ëϲ˘ËıÒfl ÒÚËÎÂÈ, ·ÎËÁÍËÈ Í ÚÓÏÛ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ÒÓÁ‰‡Ú¸. Ç˚·Ó ËÒıÓ‰ÌÓ„Ó ÒÚËÎfl ÔÓËÁ‚Ó‰ËÚÒfl Ó·˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ (ÒÚ. 49). åÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËθ, ‚˚·‡ÌÌ˚È ‚‡ÏË Ì‡ ˝Í‡Ì DISK/ CUSTOM STYLE ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚˚ ‰Îfl ÌÓ‚Ó„Ó ÒÚËÎfl, ËÎË ‚˚·‡Ú¸ ‰Û„ÓÈ ÒÚËθ ËÁ ̇·Ó‡ DISK/CUSTOM, ÔÓ‰Ó·ÌÓ ÚÓÏÛ, Í‡Í ‚˚·Ë‡ÂÚÒfl ‚ÒÚÓÂÌÌ˚È ÒÚËθ. V Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸. ..................................... ç‡ ÒÚ‡Ìˈ 1 ˝Í‡Ì‡ CUSTOM STYLE ̇ÊÏËÚ ÍÌÓÔÍÛ SECT. ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ Ì ÔÓfl‚ËÚÒfl ÌÛÊ̇fl ‰Îfl Á‡ÔËÒË ˜‡ÒÚ¸: MAIN A, MAIN B, MAIN C, MAIN D, INTRO, FILL IN ËÎË ENDING. èêàåÖóÄçàÖ • ëÚËÎË PIANIST Ì ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl. èêàåÖóÄçàÖ • ç‡·Ó ‚‡Ë‡ˆËÈ Ë ÏÛÁ˚͇θÌ˚ı Ù‡Á ̇ ˝Í‡Ì CUSTOM STYLE, ÍÓÚÓ˚ ÒÓÁ‰‡˛Ú ÚÓÚ ËÎË ËÌÓÈ ÒÚËθ, ̇Á˚‚‡˛ÚÒfl «˜‡ÒÚflÏË». • èÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ‚Íβ˜‡ÂÚ ÚÓθÍÓ Ó‰ÌÛ ËÌÚÓ‰ÛÍˆË˛, Ó‰ÌÛ ‚ÒÚ‡‚ÍÛ Ë Ó‰ËÌ ÙË̇Î. • àÌÚÓ‰Û͈Ëfl, ‚ÒÚ‡‚͇ Ë ÙË̇ΠÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl ÓÒÌÓ‚‡Ì˚ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÏÛÁ˚͇θÌ˚ı Ù‡Á‡ı ÚÓÈ ‚‡Ë‡ˆËË ÒÚËÎfl (MAIN A, MAIN B, MAIN C ËÎË MAIN D), ÍÓÚÓ‡fl ‚˚·Ë‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË CUSTOM STYLE (ÒÚ. 73). ➔ 燉ÔËÒ¸ SECT. ‚˚‰ÂÎflÂÚÒfl, Ë Í‡Ê‰‡fl ˜‡ÒÚ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ÔÓ Ó˜Â‰Ë. èˇÌËÌÓ Clavinova ˆËÍ΢ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÚÂÍÛ˘Û˛ ÓÚÓ·‡Ê‡ÂÏÛ˛ ˜‡ÒÚ¸. B àÁÏÂÌËÚ ÏÛÁ˚͇θÌ˚È ‡ÁÏÂ Ë ‰ÎËÌÛ ˜‡ÒÚË. .................................... ÖÒÎË ‚˚ ıÓÚËÚ ÒÓÁ‰‡Ú¸ ÒÚËθ Ò ‰Û„ËÏ ÏÛÁ˚͇θÌ˚Ï ‡ÁÏÂÓÏ ËÎË ËÁÏÂÌËÚ¸ ˜ËÒÎÓ Ú‡ÍÚÓ‚ ‚ ‚‡¯ÂÈ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ PAGE [>]. ➔ èÓfl‚ËÚÒfl ÒÚ. 2 ˝Í‡Ì‡ CUSTOM STYLE. CVP-202 72 74 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌË ● àÁÏÂÌÂÌË ‡Áχ: ÑÎfl ËÁÏÂÌÂÌËfl ÏÛÁ˚͇θÌÓ„Ó ‡Áχ ̇ÊÏËÚ ÍÌÓÔÍÛ BEAT. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Clear style?» (é˜ËÒÚËÚ¸ ÒÚËθ?). ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ èêàåÖóÄçàÖ îÛÌ͈Ëfl BEAT • ç‡ÒÚÓÈÍË: 2, 3, 4, 5 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ᇂËÒËÚ ÓÚ ÒÚËÎfl. èêàåÖóÄçàÖ Clear style? èÓÒÍÓθÍÛ ÏÛÁ˚͇θÌ˚È ‡ÁÏ ËÒıÓ‰ÌÓ„Ó ÒÚËÎfl Ì ·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓ‚ÓÏÛ, ÌÂÓ·ıÓ‰ËÏÓ ÔÓÎÌÓÒÚ¸˛ Ó˜ËÒÚËÚ¸ ÒÚËθ Ë Á‡ÔËÒ‡Ú¸ Â„Ó Á‡ÌÓ‚Ó, ÂÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ ‡ÁÏÂ. ➾ ÑÎfl ÚÓ„Ó, ˜ÚÓ·˚ Ó˜ËÒÚËÚ¸ ÒÚËθ, ̇ÊÏËÚ ÍÌÓÔÍÛ OK, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ CANCEL. èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÒÚÂÎË ÒÚ‡˚È ÒÚËθ, ‰Îfl ‚˚·Ó‡ ÌÓ‚Ó„Ó ÏÛÁ˚͇θÌÓ„Ó ‡Áχ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ BEAT, ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+]. ● Ç˚·Ó ‰ÎËÌ˚ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË: ç‡ÊÏËÚ ÍÌÓÔÍÛ MEAS. ‰Îfl ËÁÏÂÌÂÌËfl ˜ËÒ· Ú‡ÍÚÓ‚ ‚ ÚÂÍÛ˘ÂÈ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË. èêàåÖóÄçàÖ îÛÌ͈Ëfl MEAS. • ç‡ÒÚÓÈÍË: 1 — 8 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Á‡‚ËÒËÚ ÓÚ ÒÚËÎfl. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Clear section?» (é˜ËÒÚËÚ¸ ˜‡ÒÚ¸?). èêàåÖóÄçàÖ Clear section? • ÖÒÎË ‚˚ ÏÂÌflÂÚ ˜ËÒÎÓ Ú‡ÍÚÓ‚, ‚‡Ï ÔˉÂÚÒfl ÔÓÎÌÓÒÚ¸˛ Ó˜ËÒÚËÚ¸ ‚Ò ԇÚËË ÚÂÍÛ˘ÂÈ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË Ë Á‡ÔËÒ‡Ú¸ Ëı Á‡ÌÓ‚Ó. • ÖÒÎË ‚˚ ÛÊ ӘËÒÚËÎË ˝ÚÛ ˜‡ÒÚ¸, ËÁÏÂÌË‚ ‡ÁÏÂ, Í‡Í ·˚ÎÓ ÓÔËÒ‡ÌÓ ‚˚¯Â, ÒÓÓ·˘ÂÌË «Clear section? (é˜ËÒÚËÚ¸ ˜‡ÒÚ¸?)» Ì ÔÓfl‚ËÚÒfl. èêàåÖóÄçàÖ ➾ ÑÎfl ÚÓ„Ó, ˜ÚÓ·˚ Ó˜ËÒÚËÚ¸ ˜‡ÒÚ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ OK, ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË - ÍÌÓÔÍÛ CANCEL. èÓÒΠÚÓ„Ó, Í‡Í ‚˚ Ó˜ËÒÚËÎË ÔÂÊÌËÈ ÒÚËθ, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË MEAS., ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+] Á‡‰‡Ú¸ ‰ÎËÌÛ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË. ÑÎË̇ ˜‡ÒÚË FILL IN ÏÓÊÂÚ ·˚Ú¸ Á‡‰‡Ì‡ ÚÓθÍÓ ‡‚ÌÓÈ Ó‰ÌÓÏÛ Ú‡ÍÚÛ. ● ÖÒÎË ‚˚ ÔӉ·ÎË Ô‰˚‰Û˘Ë ÓÔ‡ˆËË: 73 èÓÒΠÚÓ„Ó, Í‡Í ‚˚ ÛÒÚ‡ÌÓ‚ËÎË ÌÛÊÌ˚ ԇ‡ÏÂÚ˚ BEAT Ë/ËÎË MEAS., ̇ÊÏËÚ ÍÌÓÔÍÛ PAGE [<], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl ̇ ÒÚ. 1 ˝Í‡Ì‡ CUSTOM STYLE. CVP-202 75 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ N Ç˚·ÂËÚ ԇÚ˲, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸. ............................... ÑÎfl ‚˚·Ó‡ Ô‡ÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ PART Üä-‰ËÒÔÎÂfl, ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+]. R1 R2 Bs C1 C2 Pd P1 P2 èêàåÖóÄçàÖ àÁ̇˜‡Î¸ÌÓ ‚˚·‡Ì‡ Ô‡ÚËfl R1. Rhythm 1 (ËÚÏ 1) Rhythm 2 (ËÚÏ 2) Bass (·‡Ò) Chord 1 (‡ÍÍÓ‰ 1) Chord 2 (‡ÍÍÓ‰ 2) Pad («ÔӉͷ‰˚») Phrase 1 (Ù‡Á‡ 1) Phrase 2 (Ù‡Á‡ 2) á‡ÔËÒ¸ Ô‡ÚËË ÇÓÒÔÓËÁ‚‰ÂÌË ԇÚËË OFF (Çõäã) è‡ÚËfl ·ÂÁ ‰‡ÌÌ˚ı ã˛·Û˛ ‚˚·‡ÌÌÛ˛ ÏÛÁ˚͇θÌÛ˛ Ô‡Ú˲ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸, ‚˚·‡‚ ‰Îfl ÌÂÂ Ò ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍË Üä-‰ËÒÔÎÂfl Á̇˜ÂÌË REC. ➔ çÓÏ ԇÚËË ‚˚‰ÂÎflÂÚÒfl. ÖÒÎË ‚˚·‡Ì̇fl ‚‡ÏË Ô‡ÚËfl Ì R1 Ë Ì R2, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Clear part?» (é˜ËÒÚËÚ¸ Ô‡Ú˲?). èêàåÖóÄçàÖ • á‡ÔËÒ¸ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ÚÓθÍÓ ‰Îfl Ó‰ÌÓÈ Ô‡ÚËË. • ÇÒ ÓÒڇθÌ˚ ԇÚËË ·Û‰ÛÚ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË PLAY (ÌÓÏ ԇÚËË ·Û‰ÂÚ ‚˚‰ÂÎÂÌ ‡ÏÍÓÈ) ËÎË OFF (ÌÓÏ ԇÚËË Ì ‚˚‰ÂÎÂÌ). èêàåÖóÄçàÖ Clear part? • ÖÒÎË ËÒıÓ‰Ì˚È ÒÚËθ fl‚ÎflÂÚÒfl ‚ÒÚÓÂÌÌ˚Ï ÒÚËÎÂÏ ËÎË ÒÚËÎÂÏ, Á‡„ÛÊÂÌÌ˚Ï Ò ‰ËÒÍÂÚ˚ Style File, ÚÓ ‰Ó Á‡ÔËÒË ÏÛÁ˚͇θÌÓÈ Ô‡ÚËË (ÂÒÎË ˝ÚÓ Ì R1 Ë Ì R2) ÌÛÊÌÓ Û‰‡ÎËÚ¸ ÔÂÊÌ˛˛. • ÖÒÎË ‚˚·‡Ì̇fl Ô‡ÚËfl Ì ÒÓ‰ÂÊËÚ ÌË͇ÍËı ‰‡ÌÌ˚ı, ÒÓÓ·˘ÂÌË «Clear part?» (é˜ËÒÚËÚ¸ Ô‡Ú˲?) Ì ÔÓfl‚ËÚÒfl. ➾ ÑÎfl Û‰‡ÎÂÌËfl Ô‡ÚËË Ë ÔÓ‰ÓÎÊÂÌËfl ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ OK ËÎË ÍÌÓÔÍÛ CANCEL ‰Îfl ÓÚÏÂÌ˚. M Ç˚·Ó ÚÂÏ·‡ ‰Îfl Ô‡ÚËË. ................................................................................................ Ç ˝ÚÓÚ ÏÓÏÂÌÚ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ÚÂÏ· ‰Îfl Ô‡ÚËË ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. Ç˚·ÂËÚ ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ÓÒÌÓ‚ÌÓÈ ÚÂÏ· ̇ Í·‚ˇÚÛ (ÒÏ. ÒÚ. 29). íÂÏ·˚, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ R1 ç‡·Ó ÚÂÏ·Ó‚ Drum ËÎË SFX (Û‰‡Ì˚Â Ë ÒÔˆ˝ÙÙÂÍÚ˚) ‚ „ÛÔÔ PERCUSSION R2 ã˛·ÓÈ Others (‰Û„ËÂ) äÓÏ ̇·ÓÓ‚ ÚÂÏ·Ó‚ Drum ËÎË SFX CVP-202 74 76 Part (Ô‡ÚËfl) èêàåÖóÄçàÖ èÓ ÛÏÓΘ‡Ì˲ ‰Îfl Ô‡ÚËË ÔË Â Á‡ÔËÒË ‚˚·Ë‡ÂÚÒfl ‚ÒÚÓÂÌÌ˚È ÚÂÏ·. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ëÓÁ‰‡ÌË < á‡ÔËÒ¸ ‚˚·‡ÌÌÓÈ Ô‡ÚËË. ...................................................................................... íÂÔ¸ ‚˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚ ÌÓÚ˚ ‰Îfl ‚˚·‡ÌÌÓÈ Ô‡ÚËË, Ë„‡fl ̇ Í·‚ˇÚÛ ‚ ÌÛÊÌÓÏ ËÚÏÂ. çÂ-ÔÂÍÛÒÒËÓÌÌ˚ ԇÚËË Á‡ÔËÒ˚‚‡ÈÚÂ Ò ÔÓÏÓ˘¸˛ ÒÂÔÚ‡ÍÍÓ‰Ó‚ ‚ ÚÓ̇θÌÓÒÚË ‰Ó χÊÓ (CM7), Ú.Í. ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ Á‡ÔËÒ˚‚‡ÂÚÒfl ËÏÂÌÌÓ ‚ ÚÓ̇θÌÓÒÚË ‰Ó χÊÓ. ÖÒÎË ‚˚ ıÓÚËÚ ÒÓÁ‰‡Ú¸ Òӂ¯ÂÌÌÓ ÌÓ‚Û˛ Ô‡Ú˲, Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË Û‰‡ÎËÚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË CLEAR Üä‰ËÒÔÎÂfl. ÖÒÎË Û‰‡ÎÂÌ˚ Ó·Â Ô‡ÚËË R1 Ë R2, ̇˜ÌÂÚ Á‚Û˜‡Ú¸ ÏÂÚÓÌÓÏ, ˜ÚÓ·˚ ÔÓÏÓ˜¸ ‚‡Ï Òӷβ‰‡Ú¸ ËÚÏ. (á‚ÛÍ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡ÂÚÒfl, Ë ÏÂÚÓÌÓÏ ÓÒÚ‡ÌÓ‚ËÚÒfl Ò‡ÁÛ Ê ÔÓ ÓÍÓ̘‡ÌËË ‡·ÓÚ˚ ÒÓ ÒÚËÎÂÏ.) ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ èêàåÖóÄçàÖ • ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ë ÓÒÚ‡ÌÓ‚ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [START/STOP]. (ÖÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, Á‡ÔËÒË ‰‡ÌÌ˚ı Ì ÔÓËÒıÓ‰ËÚ.) • á‚Û˜‡ÌË ‚ÒÂı ÌÓÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇˘‡ÂÚÒfl, ÍÓ„‰‡ ÒÚËθ Á‡Í‡Ì˜Ë‚‡ÂÚÒfl (Ú.Â. ‚ ÚӘ͠ÏÂÊ‰Û ÔÓ‚ÚÓ‡ÏË ÔË Á‡ÔËÒË). èÓ ˝ÚÓÈ Ô˘ËÌ Ì ÂÍÓÏẨÛÂÚÒfl ÔÓ‰ÓÎʇڸ Á‡ÔËÒ¸ ÔÓÒΠ˝ÚÓÈ ÚÓ˜ÍË. 75 èË Á‡ÔËÒË Û‰‡Ì˚ı ‚ Ô‡ÚËË R1 ËÎË R2 ÏÓÊÌÓ Û‰‡ÎËÚ¸ ͇ÍÓÈ-ÎË·Ó Ó‰ËÌ ËÌÒÚÛÏÂÌÚ ËÁ ˝ÚÓÈ Ô‡ÚËË, ÂÒÎË Ì‡Ê‡Ú¸ Í·‚˯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÏÛ ËÌÒÚÛÏÂÌÚÛ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl ̇ Í·‚ˇÚÛ Í·‚Ë¯Û «‰Ó» ·Óθ¯ÓÈ ÓÍÚ‡‚˚ (C1). (ä·‚˯‡ C1 ÔÓϘÂ̇ ÒÎÓ‚ÓÏ «CANCEL»). á‚Û˜‡ÌË ÏÂÚÓÌÓχ Ú‡ÍÊ ÏÓÊÌÓ Û·‡Ú¸ ˝ÚËÏ ÒÔÓÒÓ·ÓÏ. Ö˘Â Ó‰Ì‡ ÍÌÓÔ͇ Üä-‰ËÒÔÎÂfl, ÔÓÎÂÁ̇fl ÔË Á‡ÔËÒË, SOLO: ÂÒÎË Ó̇ ̇ʇڇ Ë ‚˚‰ÂÎÂ̇, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÚÓθÍÓ ‚˚·‡Ì̇fl Ô‡ÚËfl. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ «ÒÓÎÓ» Ë ÛÒÎ˚¯‡Ú¸ ‚Ò ԇÚËË ‚ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ SOLO ¢ ‡Á. CVP-202 77 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ > Ç˚‡‚ÌË‚‡ÌË Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË. ....................................................................... Ç˚ ÏÓÊÂÚ ‚˚Ó‚ÌflÚ¸ ËÚÏ˘ÂÒÍËÈ ËÒÛÌÓÍ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ PART QUANTIZE ̇ ÒÚ. 2 ˝Í‡Ì‡ CUSTOM STYLE. ç‡ÊÏËÚ ÍÌÓÔÍÛ PAGE [>] ‰Îfl ÓÚÓ·‡ÊÂÌËfl ˝ÚÓÈ ÙÛÌ͈ËË, ‡ Á‡ÚÂÏ ÒÂ‰Ì˛˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl ‰Îfl ‚˚·Ó‡ ‡Á¯ÂÌËfl ‚˚‡‚ÌË‚‡ÌËfl: Úˉˆ‡Ú¸ ‚ÚÓ˚ 3 ÚËÓÎË ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı ¯ÂÒÚ̇‰ˆ‡Ú˚ 3 ÚËÓÎË ËÁ ‚ÓÒ¸Ï˚ı ‚ÓÒ¸Ï˚ 3 ÚËÓÎË ËÁ ˜ÂÚ‚ÂÚÂÈ ˜ÂÚ‚ÂÚ¸ èÓÒΠÚÓ„Ó, Í‡Í ÌÛÊÌÓ ‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl ‚˚·‡ÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ START Üä-‰ËÒÔÎÂfl, ˜ÚÓ·˚ ‚˚Ó‚ÌflÚ¸ ÚÂÍÛ˘Û˛ Ô‡Ú˲. è‡ÚËfl ̇˜ÌÂÚ Á‚Û˜‡Ú¸ Ò ÌÓ‚˚Ï ËÚÏ˘ÂÒÍËÏ ËÒÛÌÍÓÏ, Ë Ì‡‰ÔËÒ¸ START ̇ ÍÌÓÔÍ ÔÓÏÂÌflÂÚÒfl ̇ UNDO, Ô‰·„‡fl ‚‡Ï ÓÚÏÂÌËÚ¸ ‚˚‡‚ÌË‚‡ÌË ËÚχ Ë ‚ÂÌÛÚ¸Òfl Í ÔÂÊÌÂÏÛ ËÒÛÌÍÛ, ÂÒÎË ÂÁÛÎ¸Ú‡Ú ‚‡Ò Ì ÛÒڇ˂‡ÂÚ. çÓ Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ‰Û„Û˛ ÍÌÓÔÍÛ, ÓÚÏÂÌËÚ¸ ‚˚‡‚ÌË‚‡ÌË ËÚχ ÍÌÓÔÍÓÈ UNDO ÛÊ ·Û‰ÂÚ ÌÂθÁfl. ? èÓ‚ÚÓËÚ ‚‡¯Ë ‰ÂÈÒÚ‚Ëfl ‰Ó ÓÍÓ̘‡ÌËfl ÒÓÁ‰‡ÌËfl ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl. ................................................................................................. ÑÎfl Á‡ÔËÒË ‰Û„Ëı Ô‡ÚËÈ ÚÂÍÛ˘ÂÈ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË ÔÓ‚ÚÓËÚ ¯‡„Ë Ò 4 ÔÓ 9. èêàåÖóÄçàÖ èË Á‡ÔËÒË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl ˝Í‡ÌÓÏ MIXER ÔÓθÁÓ‚‡Ú¸Òfl ÌÂθÁfl. ÑÎfl Á‡ÔËÒË ‰Û„Ëı ˜‡ÒÚÂÈ ÔÓ‚ÚÓËÚ ¯‡„Ë Ò 4 ÔÓ 10, ÔÓ͇ ‚Ò ˜‡ÒÚË Ì ·Û‰ÛÚ Á‡ÔËÒ‡Ì˚. [ èËÒ‚ÓÈÚ ËÏfl ÒÓ·ÒÚ‚ÂÌÌÓÏÛ ÒÚËβ. ................................................................ èÓÒΠÁ‡‚¯ÂÌËfl ÒÓÁ‰‡ÌËfl ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË PAGE Ë ‚˚·ÂËÚ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM STYLE, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ STYLE NAME Üä-‰ËÒÔÎÂfl. éÚÍÓÂÚÒfl ÒÚ‡Ìˈ‡ NAME. CVP-202 76 78 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË > Üä-‰ËÒÔÎÂfl ÔÓ‰‚‰ËÚ ÍÛÒÓ Í ÒËÏ‚ÓÎÛ, ÍÓÚÓ˚È ıÓÚËÚ ËÁÏÂÌËÚ¸ (̇Á‚‡ÌËfl ÒÚËÎÂÈ ÏÓ„ÛÚ ·˚Ú¸ ‰ÎËÌÓÈ ‰Ó 12 ÒËÏ‚ÓÎÓ‚). ë ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ Ë/ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚ ÒËÏ‚ÓÎ ËÁ ÒÔËÒ͇ ‚ ˆÂÌÚ ˝Í‡Ì‡, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ CH.SET Üä‰ËÒÔÎÂfl, ˜ÚÓ·˚ ‚‚ÂÒÚË ˝ÚÓÚ ÒËÏ‚ÓÎ ‚ ÔÓÁˈËË, „‰Â ̇ıÓ‰ËÚÒfl ÍÛÒÓ. èÓ‚ÚÓËÚ ˝ÚË ‰ÂÈÒÚ‚Ëfl, ÔÓ͇ ËÏfl Ì ·Û‰ÂÚ ‚‚‰ÂÌÓ ÔÓÎÌÓÒÚ¸˛. ÑÎfl ‚ÓÁ‚‡Ú‡ ̇ Ó‰ÌÛ ÔÓÁËˆË˛ Ë Û‰‡ÎÂÌËfl Ô‰˚‰Û˘Â„Ó ÒËÏ‚Ó· ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ BACK. äÓ„‰‡ ËÏfl ÔÓÎÌÓÒÚ¸˛ ‚‚‰ÂÌÓ, ̇ÊÏËÚ OK, Ë ÓÌÓ ·Û‰ÂÚ ÔËÒ‚ÓÂÌÓ ‚‡¯ÂÏÛ ÚÂÍÛ˘ÂÏÛ ÒÚËβ, ËÎË Ì‡ÊÏËÚ CANCEL ‰Îfl ÓÚÏÂÌ˚. ëÓı‡ÌËÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ. ................................................................... ÑÎfl ÒÓı‡ÌÂÌËfl ÚÂÍÛ˘Â„Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl ‚ Ô‡ÏflÚË ÔˇÌËÌÓ Clavinova ̇ÊÏËÚ ÍÌÓÔÍÛ STORE ̇ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM STYLE. èêàåÖóÄçàÖ íÂÍÛ˘‡fl ̇ÒÚÓÈ͇ ÚÂÏÔ‡ ‚ ÏÓÏÂÌÚ ÒÓı‡ÌÂÌËfl ÒÚËÎfl ÒÚ‡ÌÓ‚ËÚÒfl ËÒıÓ‰Ì˚Ï ÚÂÏÔÓÏ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ Ò ÔÓÒ¸·ÓÈ ÔӉڂ‰ËÚ¸ ‚‡¯Â ¯ÂÌËÂ Ó ÒÓı‡ÌÂÌËË ÒÚËÎfl. 77 ➾ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË MEMORY No. t Ë s, ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÓÏ fl˜ÂÈÍË Ô‡ÏflÚË (ÓÚ 1 ‰Ó 4), ‚ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ OK ‰Îfl ÒÓı‡ÌÂÌËfl ËÎË CANCEL - ‰Îfl ÓÚÏÂÌ˚. èêàåÖóÄçàÖ ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ fl˜ÂÈÍ ԇÏflÚË ÛÊ ËÏÂÂÚÒfl ÒÚËθ, Â„Ó ËÏfl ÔÓfl‚ËÚÒfl fl‰ÓÏ Ò ÌÓÏÂÓÏ fl˜ÂÈÍË. èË ÒÓı‡ÌÂÌËË ÌÓ‚Ó„Ó ÒÚËÎfl ÒÛ˘ÂÒÚ‚Ó‚‡‚¯ËÈ ‡Ì ÒÚËθ ·Û‰ÂÚ Û‰‡ÎÂÌ. CVP-202 79 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌflÈÚ ‰‡ÌÌ˚Â! ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ Ì ÒÓı‡ÌflÂÚÒfl ‚ Ô‡ÏflÚË ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl, ÔÓ˝ÚÓÏÛ Ó·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚ ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ Ô‰ ÚÂÏ, Í‡Í ÓÚÍβ˜‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ (ÒÏ. ÒÚ. 82). ᇂ¯ÂÌË ÓÔ‡ˆËË. ........................................................................................................... ÑÎfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ CUSTOM STYLE Ë ‚ÓÁ‚‡˘ÂÌËfl Í É·‚ÌÓÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. EXIT ÑÓÔÓÎÌËÚÂθÌ˚ ÙÛÌ͈ËË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl äÓÏ ÙÛÌ͈ËÈ, ÍÓÚÓ˚ Ô‰̇Á̇˜ÂÌ˚ ‰Îfl Á‡ÔËÒË ·‡ÁÓ‚Ó„Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl (ÒÏ. ‚˚¯Â), ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ CUSTOM STYLE ‚Íβ˜‡˛Ú ÌÂÍÓÚÓ˚ ‰Û„Ë ÙÛÌ͈ËË, ÔÓÎÂÁÌ˚ ÔË ÒÓÁ‰‡ÌËË ÒÚËÎfl. ■ îÛÌ͈Ëfl RECALL SECTION ...................................................................................... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÔÓÒÎÂ‰Ì˛˛ ‚ÂÒ˲ ÚÂÍÛ˘ÂÈ ÏÛÁ˚͇θÌÓÈ ˜‡ÒÚË (ÔË ˝ÚÓÏ ‚˚Á˚‚‡˛ÚÒfl ‚Ò ԇÚËË ˝ÚÓÈ ˜‡ÒÚË). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ RECALL SECTION Üä-‰ËÒÔÎÂfl ̇ ÒÚ. 2 ˝Í‡Ì‡ CUSTOM STYLE. ÖÒÎË Ô‰˚‰Û˘‡fl ÓÔ‡ˆËfl ÔÓ˜ÂÏÛ-ÎË·Ó Ì ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡Ì‡ ËÁ Ô‡ÏflÚË ÔˇÌËÌÓ Clavinova (̇ÔËÏÂ, ·˚Î ËÁÏÂÌÂÌ ÏÛÁ˚͇θÌ˚È ‡ÁÏÂ), ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Can't recall!». Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ÊÏËÚ OK Ë ‚ÂÌËÚÂÒ¸ Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ■ îÛÌ͈Ëfl STYLE CLEAR ................................................................................... ÑÎfl ÚÓ„Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎËÚ¸ ÚÂÍÛ˘ËÈ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ, ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE CLEAR Üä-‰ËÒÔÎÂfl ̇ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM STYLE. èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?». ÑÎfl Û‰‡ÎÂÌËfl ÒÚËÎfl ̇ÊÏËÚ YES, ‰Îfl ÓÚÏÂÌ˚ ̇ÊÏËÚ NO. CVP-202 78 80 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ■ ÉÓÏÍÓÒÚ¸ Ë ˝ÙÙÂÍÚ˚ ............................................................................................................. ç‡ ÒÚ. 4 ˝Í‡Ì‡ CUSTOM STYLE ÔÓ͇Á‡Ì˚ ÙÛÌ͈ËË, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓ˚ı ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ „ÓÏÍÓÒÚ¸, ‚·‡ˆË˛, ÚËÔ Ë „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ chorus, ‡ Ú‡ÍÊ ԇÌÓ‡ÏÛ ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í‡Ê‰ÓÈ ˜‡ÒÚË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl. Z Ç˚·ÂËÚ ˜‡ÒÚ¸ Ë Ô‡Ú˲. àÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ SECT. ‰Îfl ‚˚·Ó‡ ˜‡ÒÚË (Ô‡‡ÏÂÚ ALL ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ‚Ò ˜‡ÒÚË Ò‡ÁÛ) Ë ÙÛÌÍˆË˛ PART ‰Îfl ‚˚·Ó‡ Ô‡ÚËË (Ô‡‡ÏÂÚ ALL ‰Îfl ‚ÒÂı Ô‡ÚËÈ Ò‡ÁÛ). X Ç˚·ÂËÚ ԇ‡ÏÂÚ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ÛÒÚ‡ÌÓ‚ËÚ¸. íÂÚ¸fl ÍÌÓÔ͇ Üä-‰ËÒÔÎÂfl ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ̇Òڇ˂‡ÂÏ˚È Ô‡‡ÏÂÚ ‰Îfl ÚÂÍÛ˘ÂÈ ˜‡ÒÚË Ë Ô‡ÚËË. Ç˚·ÂËÚ VOLUME, REVERB, CHORUS ËÎË PAN. C Ç˚·ÂËÚ ÚËÔ ˝ÙÙÂÍÚ‡ chorus. ÖÒÎË Ì‡ ¯‡„ 2 ‚˚ ‚˚·‡ÎË CHORUS, ̇‰ ˜ÂÚ‚ÂÚÓÈ ÍÌÓÔÍÓÈ Üä‰ËÒÔÎÂfl ÓÚÓ·‡ÁËÚÒfl ÙÛÌ͈Ëfl TYPE. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚·ÂËÚ ÚËÔ ˝ÙÙÂÍÚ‡ chorus ‰Îfl ÚÂÍÛ˘ÂÈ ˜‡ÒÚË Ë Ô‡ÚËË. ëÔËÒÓÍ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Chorus 79 • CHORUS 1 • CHORUS 2 • CHORUS 3 • CELESTE 1 • CELESTE 2 • CELESTE 3 • FLANGER 1 • FLANGER 2 • OFF CVP-202 81 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ V ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌËÂ Ë „ÎÛ·ËÌÛ ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡. á̇˜ÂÌËÂ Ë „ÎÛ·Ë̇ Ô‡‡ÏÂÚ‡, ‚˚·‡ÌÌÓ„Ó Ì‡ ¯‡„ 2, ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VALUE (ËÎË DEPTH), ÍÓÚÓ‡fl ÓÚÓ·‡Ê‡ÂÚÒfl ̇‰ ͇ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍÓÈ Üä-‰ËÒÔÎÂfl. ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË VOLUME, ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË ALL Ô‡‡ÏÂÚ‡ SECTION, ‡ ‰Ë‡Ô‡ÁÓÌ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚ‡ VALUE ÒÓÒÚ‡‚ÎflÂÚ ÓÚ –50 ‰Ó +50 (ÔÓ ÓÚÌÓ¯ÂÌ˲ Í Ì‡˜‡Î¸ÌÓÈ „ÓÏÍÓÒÚË ËÒıÓ‰ÌÓ„Ó ÒÚËÎfl). èË ‚˚·Ó ÙÛÌ͈ËË Ì‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË REVERB ËÎË ˝ÙÙÂÍÚ‡ CHORUS „ÎÛ·Ë̇ (DEPTH) ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 0 ‰Ó 127. èË Ì‡ÒÚÓÈÍ ÙÛÌ͈ËË Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl PAN Á̇˜ÂÌË VALUE ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ L10 (Á‚ÛÍ Ë‰ÂÚ ÚÓθÍÓ Ò΂‡) Í C (ˆÂÌÚËÓ‚‡ÌÌÓ Á‚Û˜‡ÌËÂ) Ë ‰Ó R10 (Á‚ÛÍ Ë‰ÂÚ ÚÓθÍÓ ÒÔ‡‚‡). èêàåÖóÄçàÖ • íËÔ Â‚Â·Â‡ˆËË ‚ ÔÓθÁÓ‚‡ÚÂθÒÍÓÏ ÒÚËΠÓÔ‰ÂÎflÂÚÒfl ÒÚËÎÂÏ, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì ‚ ͇˜ÂÒÚ‚Â ÓÒÌÓ‚˚ ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚Ó„Ó ÒÚËÎfl. • èÓ ÛÏÓΘ‡Ì˲ ‚ ͇˜ÂÒÚ‚Â Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ VALUE Ë TYPE ‰Îfl ˝ÙÙÂÍÚ‡ chorus ‚˚·Ë‡˛ÚÒfl ̇ÒÚÓÈÍË ËÒıÓ‰ÌÓ„Ó ÒÚËÎfl. ÖÒÎË ÙÛÌ͈Ëfl PART ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ ALL, ÓÚÓ·‡Ê‡˛ÚÒfl ËÒıÓ‰Ì˚ Á̇˜ÂÌËfl ‰Îfl Ô‡ÚËË R1. ÖÒÎË ÙÛÌ͈Ëfl SECTION ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ ALL, ÓÚÓ·‡Ê‡˛ÚÒfl ËÒıÓ‰Ì˚ Á̇˜ÂÌËfl ‰Îfl MAIN A. • ÇÏÂÒÚÓ ÚËÔ‡ ˝ÙÙÂÍÚ‡ chorus ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÎÓ‚Ó «OTHERS» (‰Û„ËÂ), ÂÒÎË ‚ ËÒıÓ‰ÌÓÏ ÒÚËΠËÒÔÓθÁÓ‚‡Ì ÚËÔ ˝ÙÙÂÍÚ‡ chorus, ÓÚÒÛÚÒÚ‚Û˛˘ËÈ ‚ ÒÔËÒÍÂ. ÖÒÎË ‚˚ ‚˚·‡ÎË ‰Û„ÓÈ ÚËÔ ˝ÙÙÂÍÚ‡ chorus, ̇ÒÚÓÈÍÛ OTHERS ‚˚·‡Ú¸ ÛÊ ÌÂθÁfl. B èÓ‚ÚÓËÚÂ, ÂÒÎË ÌÛÊÌÓ. èÓ‚ÚÓËÚ Ô‰˚‰Û˘Ë ¯‡„Ë Ë ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ‰Îfl ͇ʉÓÈ Ô‡ÚËË Ë Í‡Ê‰ÓÈ ˜‡ÒÚË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl. ■ ëÓı‡ÌÂÌË ÒÚËÎÂÈ Ì‡ ‰ËÒÍÂÚÛ ......................................................................... ç‡ ÒÚ. 5 ˝Í‡Ì‡ CUSTOM STYLE ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ Ò‚ÓË ÒÚËÎË Ì‡ ‰ËÒÍÂÚÛ. åÓÊÌÓ ÒÓı‡ÌflÚ¸ Ëı ÔÓ ÓÚ‰ÂθÌÓÒÚË ËÎË Ò‡ÁÛ ÔÓ 4 ÒÚËÎfl. ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ÔˇÌËÌÓ Clavinova ÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ (ÒÚ. 111) Ë ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË MEMORY No. t ËÎË s ‰Îfl ‚˚·Ó‡ ÒÚËÎfl, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ̇ ‰ËÒÍÂÚÛ, ËÎË ‚˚·ÂËÚ ALL, ÂÒÎË ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ Ò‡ÁÛ ˜ÂÚ˚ ÒÚËÎfl. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SAVE Üä-‰ËÒÔÎÂfl, ˜ÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÛ. Ç ˝ÚÓÚ ÏÓÏÂÌÚ ÔÓfl‚ËÚÒfl ˝Í‡Ì SAVE. ǂ‰ËÚ ËÏfl هȷ ÒÚËÎfl. èӈ‰ۇ ‚‚Ó‰‡ ËÏÂÌË ÔÓ‚ÚÓflÂÚ Ôӈ‰ÛÛ ÔËÒ‚ÓÂÌËfl ËÏÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍÓÏÛ ÒÚËβ (ÒÚ. 140). èÓÒΠ‚‚‰ÂÌËfl ËÏÂÌË Ì‡ÊÏËÚ SAVE. ÖÒÎË Ù‡ÈÎ Ò Ú‡ÍËÏ ËÏÂÌÂÏ ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Same name! Overwrite?» (íÓ Ê ҇ÏÓ ËÏfl! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚ OK, ÂÒÎË ‚˚ ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÈ Ù‡ÈÎ, ËÎË CANCEL ‰Îfl ÓÚÏÂÌ˚. CVP-202 80 82 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌË ÑÓ Á‡ÔËÒË Ì‡ ‰ËÒÍÂÚÛ ÔÓθÁÓ‚‡ÚÂθÒÍË ÒÚËÎË ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ Ô‡ÏflÚË ÔˇÌËÌÓ Clavinova. ÖÒÎË ‚˚ ˝ÚÓ„Ó Ì ҉·ÎË Ë Ô˚Ú‡ÂÚÂÒ¸ ÒÓı‡ÌËÚ¸ Ëı ̇ ‰ËÒÍÂÚÛ, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Store in memory before saving to disk» (ëÓı‡ÌËÚ ‚ Ô‡ÏflÚË Ô‰ Á‡ÔËÒ¸˛ ̇ ‰ËÒÍÂÚÛ). Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ÊÏËÚ OK Ë ‚ÂÌËÚÂÒ¸ Í ÒÚ. 5 ˝Í‡Ì‡ CUSTOM STYLE. á‡ÔÓÏÌËÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ (ÒÏ. ¯‡„ 12 ̇ ÒÚ. 79), Á‡ÚÂÏ ÒÌÓ‚‡ ÔÓÔÓ·ÛÈÚ ÒÓı‡ÌËÚ¸ „Ó. ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ èêàåÖóÄçàÖ î‡ÈÎ˚ ÒÚËÎÂÈ ÏÓÊÌÓ Á‡„Ûʇڸ Ò ‰ËÒÍÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ ALL LOAD Ë SINGLE LOAD (ÒÏ. ‡Á‰ÂÎ «á‡„ÛÁ͇ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ», ÒÚ. 86). ■ 쉇ÎÂÌË هÈÎÓ‚ ÒÚËÎÂÈ .................................................................................................... î‡ÈÎ˚ ÒÚËÎÂÈ ÏÓÊÌÓ Û‰‡ÎflÚ¸ Ò ‰ËÒÍÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË DELETE ̇ ÒÚ. 5 ˝Í‡Ì‡ CUSTOM STYLE. ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ò Ù‡È·ÏË ÒÚËÎÂÈ ‚ ‰ËÒÍÓ‚Ó‰ ÔˇÌËÌÓ Clavinova Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ DELETE Üä-‰ËÒÔÎÂfl. ÑÎfl ‚˚·Ó‡ هȷ ÒÚËÎfl, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ۉ‡ÎËÚ¸ Ò ‰ËÒÍÂÚ˚, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË FILE s Ë t. èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl Û‰‡ÎÂÌËfl هȷ ̇ÊÏËÚ ÍÌÓÔÍÛ YES, ‰Îfl ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ NO. ■ Ç˚ıÓ‰ ËÁ ÂÊËχ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎfl ............................................................. 81 ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Custom Style Ë ‚ÓÁ‚‡˘ÂÌËfl ̇ É·‚Ì˚È ˝Í‡Ì ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. CVP-202 83 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ èÓÒΠÚÓ„Ó, Í‡Í ‚˚ ÒÓÁ‰‡ÎË ‚‡¯Ë ÒÓ·ÒÚ‚ÂÌÌ˚ ÔÓθÁÓ‚‡ÚÂθÒÍË ÒÚËÎË, ‚˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëı, ̇ʇ‚ ÍÌÓÔÍÛ [DISK/CUSTOM] Ë ‚˚·‡‚ ÒÚËθ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ STYLE s Ë t Üä-‰ËÒÔÎÂfl, ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. èÓÒΠ˝ÚÓ„Ó ‚˚·‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ‚ÒÚÓÂÌÌ˚ ÒÚËÎË (ÒÚ. 51). èêàåÖóÄçàÖ ÑÎfl Í‡Ê‰Ó„Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ó‰ÌÛ ËÌÚÓ‰ÛÍˆË˛, Ó‰ÌÛ ‚ÒÚ‡‚ÍÛ Ë Ó‰ËÌ ÙË̇Î, ÔÓ˝ÚÓÏÛ ‰Îfl ÌËı Ì‚ÓÁÏÓÊÌÓ ‚˚·Ë‡Ú¸ ‚‡Ë‡ˆËË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË. ëÓÓ·˘ÂÌËfl ‚ ÂÊËÏ Custom Style (ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËθ) èË ÒÓÁ‰‡ÌËË Ë Á‡ÔÓÏË̇ÌËË ÒÚËÎfl ‚ ÂÊËÏ Custom Style ÏÓ„ÛÚ ÔÓfl‚ËÚ¸Òfl ÒÎÂ‰Û˛˘Ë ÒÓÓ·˘ÂÌËfl. ■ Memory Full During Recording (èÂÂÔÓÎÌÂÌË ԇÏflÚË ÔË Á‡ÔËÒË) ...................................................................... ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË Â‰‡ÍÚËÛÂÏ˚ ËÎË Á‡ÔËÒ˚‚‡ÂÏ˚ ‰‡ÌÌ˚ Ô‚˚ÒËÎË Ó·˙ÂÏ Ô‡ÏflÚË. ç‡ÊÏËÚ OK Ë ‚ÂÌËÚÂÒ¸ Í ˝Í‡ÌÛ CUSTOM STYLE. èÓÔÓ·ÛÈÚ ÛÔÓÒÚËÚ¸ ÒÚËθ, Û‰‡ÎË‚ Ó‰ÌÛ ËÁ Ô‡ÚËÈ, Ë Ú.‰. ■ Insufficient Memory To Store (ç‰ÓÒÚ‡ÚÓ˜ÌÓ Ô‡ÏflÚË ‰Îfl ÒÓı‡ÌÂÌËfl) ......................................................... ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ËÚÒfl, ÂÒÎË ‰Îfl Ôӂ‰ÂÌËfl ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl Ì ı‚‡Ú‡ÂÚ Ô‡ÏflÚË. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ ÎË·Ó Û‰‡ÎËÚ¸ ÒÚËθ, ÍÓÚÓ˚È ‚‡Ï ·Óθ¯Â Ì ÌÛÊÂÌ, ÎË·Ó ÛÔÓÒÚËÚ¸ ÒÚËθ, ÍÓÚÓ˚È ‚˚ Á‡ÔËÒ˚‚‡ÂÚ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ CUSTOM STYLE Ë ÛÔÓÒÚËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËθ (Û‰‡ÎË‚ Ó‰ÌÛ ËÁ Ô‡ÚËÈ Ë Ú.‰.), ËÎË DELETE, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ÒÚËÎÂÈ. ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÙÛÌÍˆË˛ DELETE, ÓÚÓ·‡ÁËÚÒfl ÒÓÓ·˘ÂÌË «Select style to delete» (Ç˚·ÂËÚ ÒÚËθ ‰Îfl Û‰‡ÎÂÌËfl): CVP-202 82 84 èêàåÖóÄçàÖ êfl‰ÓÏ Ò ËÏÂÌÂÏ ÒÚËÎfl Û͇Á‡Ì Ó·˙ÂÏ Ô‡ÏflÚË, Óڂ‰ÂÌÌÓÈ ÔÓ‰ ˝ÚÓÚ ÒÚËθ (‚ ä·). èÓ ˝ÚËÏ ‚Â΢ËÌ‡Ï ÏÓÊÌÓ ÒÛ‰ËÚ¸, ÒÍÓθÍÓ Ô‡ÏflÚË ÓÒ‚Ó·Ó‰ËÚÒfl (ËÁ ÒÛÏχÌÓÈ ‚Â΢ËÌ˚ 100 ä·) ÔË Û‰‡ÎÂÌËË ÚÓ„Ó ËÎË ËÌÓ„Ó ÒÚËÎfl. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË MEMORY No. t Ë s ‰Îfl ‚˚·Ó‡ ÒÚËÎfl, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ۉ‡ÎËÚ¸, Á‡ÚÂÏ Ì‡ÊÏËÚ OK, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ÒÚËθ, ËÎË CANCEL ‰Îfl ÓÚÏÂÌ˚. ÖÒÎË ÔˇÌËÌÓ Clavinova ‚˚‰‡ÂÚ ÒÓÓ·˘ÂÌË «Can't delete this style!» (ç ÏÓ„Û Û‰‡ÎËÚ¸ ˝ÚÓÚ ÒÚËθ!) ÔË ÔÓÔ˚ÚÍ ۉ‡ÎËÚ¸ ÒÚËθ, ˝ÚÓ Á̇˜ËÚ, ˜ÚÓ ‚˚ ÔÓÔ˚Ú‡ÎËÒ¸ Û‰‡ÎËÚ¸ ÒÚËθ, ÍÓÚÓ˚È ÒÎÛÊËÎ ÓÒÌÓ‚ÓÈ ÔË ÒÓÁ‰‡ÌËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ÊÏËÚ OK Ë ‚ÂÌËÚÂÒ¸ Í ˝Í‡ÌÛ «Select style to delete», Á‡ÚÂÏ ‚˚·ÂËÚ ‰Û„ÓÈ ÒÚËθ ‰Îfl Û‰‡ÎÂÌËfl. ■ Ç˚ıÓ‰ ·ÂÁ ÒÓı‡ÌÂÌËfl ............................................................................................................ ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Custom Style, Ì ÒÓı‡ÌË‚ ÔË ˝ÚÓÏ ÒÚËθ, ÔˇÌËÌÓ Clavinova ‚˚‰‡ÒÚ ÒÓÓ·˘ÂÌËÂ, ÔÓ͇Á‡ÌÌÓ ÌËÊÂ: Ç˚·ÂËÚ fl˜ÂÈÍÛ Ô‡ÏflÚË Ë Ì‡ÊÏËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËθ Ô‰ ‚˚ıÓ‰ÓÏ, NO, ÂÒÎË ‚˚ Ì ıÓÚËÚ ÒÓı‡ÌflÚ¸ ÒÚËθ, ËÎË CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl ‚ ÂÊËÏ Custom Style. ■ àÁÏÂÌÂÌË ÒÚËÎfl ‰Ó ÒÓı‡ÌÂÌËfl .............................................................................. ÖÒÎË ‚˚ ÔÓÔ˚Ú‡ÂÚÂÒ¸ ‚˚·‡Ú¸ ‰Û„ÓÈ ÒÚËθ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl, Ì ÒÓı‡ÌË‚ ÒÚËθ, Ò ÍÓÚÓ˚Ï ‚˚ ‡·ÓÚ‡ÎË, ÔÓfl‚ËÚÒfl ÒÎÂ‰Û˛˘Â ÒÓÓ·˘ÂÌËÂ: èêàåÖóÄçàÖ ÖÒÎË ‚˚ ıÓÚËÚ ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ, Ì ÒÓı‡Ìflfl ÚÂÍÛ˘ËÈ, ‚˚ȉËÚ ËÁ ÂÊËχ Custom Style ·ÂÁ ÒÓı‡ÌÂÌËfl ÒÚËÎfl (ÒÏ. «Ç˚ıÓ‰ ·ÂÁ ÒÓı‡ÌÂÌËfl») Ë ÒÌÓ‚‡ ‚ÓȉËÚ ‚ ÂÊËÏ Custom Style. 83 Ç˚·ÂËÚ fl˜ÂÈÍÛ Ô‡ÏflÚË Ë Ì‡ÊÏËÚ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËθ Ô‰ ‚˚·ÓÓÏ ÌÓ‚Ó„Ó, ËÎË Ì‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl ‚ ÂÊËÏ Custom Style. CVP-202 85 àÒÔÓθÁÓ‚‡ÌË هÈÎÓ‚ ÒÚËÎÂÈ ○○○○○○○○○○○○ Ç˚ ÏÓÊÂÚ Á‡„Ûʇڸ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ù‡ÈÎ˚ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ Style File ÍÓÔÓ‡ˆËË Yamaha ËÎË Ò ‰ËÒÍÂÚ, ÒÓ‰Âʇ˘Ëı Ù‡ÈÎ˚ Ò ‚‡¯ËÏË ÒÓ·ÒÚ‚ÂÌÌ˚ÏË ÔÓθÁÓ‚‡ÚÂθÒÍËÏË ÒÚËÎflÏË. DISK VOLUME MASTER VOLUME CONTRAST STYLE DEMO ACMP/SONG VOLUME MAX MAX MIN MIN POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT CUSTOM ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING é ÙÓχÚ هÈÎÓ‚ ÒÚËÎfl ÍÓÔÓ‡ˆËË Yamaha îÓÏ‡Ú Style File - ˝ÚÓ ÓË„Ë̇θÌ˚È ÙÓÏ‡Ú Ù‡ÈÎÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha. Ç ÙÓχÚ Style File ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ÒÓÁ‰‡‚‡Ú¸ ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ‡ÍÍÓ‰Ó‚ ‡ÁÌ˚ı ÚËÔÓ‚. Ç ‰ÓÔÓÎÌÂÌËÂ Í ‚ÌÛÚÂÌÌËÏ ÒÚËÎflÏ, ‚ ÙÓχÚ Style File ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òfl ‰Û„ËÏË ÒÚËÎflÏË Ò ‰ÓÔÓÎÌËÚÂθÌ˚ı ‰ËÒÍÂÚ Style File, ‡ Ú‡ÍÊ ÒÚËÎflÏË, ÒÓÁ‰‡ÌÌ˚ÏË Ë ÒÓı‡ÌÂÌÌ˚ÏË Ì‡ ‰ËÒÍÂÚÛ ‚ ÂÊËÏ Custom Style. èêàåÖóÄçàÖ î‡ÈÎ˚ ÒÚËÎÂÈ, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ·ÓΠ‡ÌÌËı, ˜ÂÏ CVP-202, ÏÓ‰ÂÎÂÈ ÔˇÌËÌÓ Clavinova, ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÏÌÓ„Ó ‰Û„Ë ÙÓχÚ˚. èË ÔÓÔ˚ÚÍ Á‡„ÛÁËÚ¸ Ú‡ÍË هÈÎ˚ ‰‡ÌÌ˚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ÒÓ‚ÒÂÏ Ô‡‚ËθÌÓ. (ùÚÓ Ú‡ÍÊ ÓÚÌÓÒËÚÒfl Í ËÒÔÓθÁÓ‚‡Ì˲ ÒÚËÎÂÈ CVP-202 ̇ ·ÓΠ‡ÌÌËı ÏÓ‰ÂÎflı ÔˇÌËÌÓ Clavinova.) ᇄÛÁ͇ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ˚ Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ. ......................................................................................................................... ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ò Ù‡È·ÏË ÒÚËÎÂÈ ‚ ‰ËÒÍÓ‚Ó‰. ç‡ ÍÓÓÚÍÓ ‚ÂÏfl, ÔÓ͇ Clavinova Ò˜ËÚ˚‚‡ÂÚ ‰ËÒÍÂÚÛ, Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ [DISK IN USE]. ÖÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡ Style File, ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì STYLE FILE LOAD (ÒÏ. ¯‡„ 2 ‚ÌËÁÛ). ÖÒÎË ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂ̇, ‡ ˝Í‡Ì STYLE FILE LOAD Ì ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [DISK/CUSTOM], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì DISK/CUSTOM STYLE, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ LOAD SINGLE. èêàåÖóÄçàÖ ÖÒÎË ‚ÒÚ‡‚ÎÂÌ̇fl ‰ËÒÍÂÚ‡ ÒÓ‰ÂÊËÚ Ù‡ÈÎ˚ Ò ÔÂÒÌflÏË Ë Ù‡ÈÎ˚ ÒÓ ÒÚËÎflÏË, ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì SONG PLAY. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG] ËÎË [EXIT], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í É·‚ÌÓÏÛ ˝Í‡ÌÛ, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DISK/CUSTOM]. DISK IN USE ÑÎfl Á‡„ÛÁÍË Ì‡·Ó‡ ËÁ ˜ÂÚ˚Âı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ, ÒÓÁ‰‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡ ALL ÔË ÒÓı‡ÌÂÌËË ‚ ÂÊËÏ Custom Style (ÒÏ. ÒÚ. 82), ̇ÊÏËÚ ÍÌÓÔÍÛ ALL LOAD Üä-‰ËÒÔÎÂfl (‚ÏÂÒÚÓ ÍÌÓÔÍË LOAD SINGLE). CVP-202 84 86 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓθÁÓ‚‡ÌË X Ç˚·ÂËÚ هÈÎ ÒÚËÎfl. ........................................................................................................... Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. Ç˚ ÏÓÊÂÚ Ô‰‚‡ËÚÂθÌÓ ÔÓÒÎÛ¯‡Ú¸ ‚˚·‡ÌÌ˚È ÒÚËθ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË LISTEN Üä-‰ËÒÔÎÂfl. (îÛÌ͈Ëfl LISTEN ̉ÓÒÚÛÔ̇ ̇ ˝Í‡Ì ALL LOAD.) ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ÔÓÒÎۯ˂‡ÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ LISTEN ¢ ‡Á ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. C Ç˚·ÂËÚ fl˜ÂÈÍÛ Ô‡ÏflÚË Ë Á‡„ÛÁËÚ ÒÚËθ. ........................................... ÑÎfl ‚˚·Ó‡ fl˜ÂÈÍË Ô‡ÏflÚË, ‚ ÍÓÚÓ˚È ÌÛÊÌÓ Á‡„ÛÁËÚ¸ Ù‡ÈÎ ÒÚËÎfl, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ MEMORY (ÓÚ 1 ‰Ó 4), Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ LOAD ‰Îfl Á‡„ÛÁÍË ˝ÚÓ„Ó ÒÚËÎfl. ÑÎfl Á‡„ÛÁÍË Ù‡ÈÎÓ‚ Ò ‰Û„ËÏË ÒÚËÎflÏË ÔÓ‚ÚÓËÚ ¯‡„Ë 2 Ë 3. 85 ÖÒÎË Ì‡ ¯‡„ 1 ‚˚·‡Ì Ô‡‡ÏÂÚ ALL LOAD, Ì ÌÛÊÌÓ ‚˚·Ë‡Ú¸ ÌÓÏ fl˜ÂÈÍË Ô‡ÏflÚË. èÓÒÚÓ Ì‡ÊÏËÚ OK ‰Îfl Á‡„ÛÁÍË ËÎË CANCEL ‰Îfl ÓÚÏÂÌ˚. ÖÒÎË ‰Îfl Á‡„ÛÁÍË Û͇Á‡ÌÌÓ„Ó Ù‡È· Ì ı‚‡Ú‡ÂÚ Ô‡ÏflÚË, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Not enough memory! Delete an unneeded style?» (ç ı‚‡Ú‡ÂÚ Ô‡ÏflÚË! 쉇ÎËÚ¸ ÌÂÌÛÊÌ˚È ÒÚËθ?). Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ô‰ Á‡„ÛÁÍÓÈ ÌÓ‚Ó„Ó ÒÚËÎfl ÌÂÓ·ıÓ‰ËÏÓ Û‰‡ÎËÚ¸ ͇ÍÓÈ-ÎË·Ó ÌÂÌÛÊÌ˚È ÒÚËθ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË MEMORY No. t Ë s ‰Îfl ‚˚·Ó‡ ÌÓχ ÒÚËÎfl, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ۉ‡ÎËÚ¸, Á‡ÚÂÏ Ì‡ÊÏËÚ DELETE ‰Îfl Û‰‡ÎÂÌËfl ÒÚËÎfl ËÎË CANCEL ‰Îfl ÓÚÏÂÌ˚. Ù‡ÈÎÓ‚ ÒÚËÎÂÈ èêàåÖóÄçàÖ • ÖÒÎË ‰Ó Á‡„ÛÁÍË ÒÚËÎfl ‚˚ ÛÊ ÛÒÚ‡ÌÓ‚ËÎË ÚÂÏÔ, ˝ÚÓÚ ÚÂÏÔ ·Û‰ÂÚ ÔÓ ÛÏÓΘ‡Ì˲ Á‡‰‡Ì ‚‡¯ÂÏÛ ÒÚËβ. • çÂÍÓÚÓ˚ ÒÚËÎË ÏÓ„ÛÚ ÒÓ‰Âʇڸ ÒÎ˯ÍÓÏ ÏÌÓ„Ó ‰‡ÌÌ˚ı, Ë Ëı ÌÂθÁfl Ô‰‚‡ËÚÂθÌÓ ÔÓÒÎÛ¯‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË LISTEN. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Too much data for LISTEN function! Please load data.» (ëÎ˯ÍÓÏ ÏÌÓ„Ó ‰‡ÌÌ˚ı ‰Îfl ÙÛÌ͈ËË LISTEN! ᇄÛÁËÚ ‰‡ÌÌ˚Â.) ᇄÛÁËÚ ÒÚËθ Ò‡ÁÛ, Í‡Í Ì‡ ¯‡„ 4. • èË Ì‡Ê‡ÚËË ÍÌÓÔÍË LOAD SINGLE ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË LISTEN Üä-‰ËÒÔÎÂfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÒÚËθ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ‚ ÚÓ̇θÌÓÒÚË ‰Ó χÊÓ. åÓÊÌÓ ËÁÏÂÌËÚ¸ ‡ÍÍÓ‰ ËÎË Ë„‡Ú¸ ̇ Í·‚ˇÚÛ ‚ ÂÊËÏ Ô‰‚‡ËÚÂθÌÓ„Ó ÔÓÒÎۯ˂‡ÌËfl ÒÚËÎfl. èêàåÖóÄçàÖ • ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ fl˜ÂÈÍ ԇÏflÚË ÛÊ ÒÓ‰ÂÊËÚÒfl ÒÚËθ, ̇ ˝Í‡Ì ̇‰ ÙÛÌ͈ËflÏË MEMORY Ë LOAD ÔÓfl‚ËÚÒfl Â„Ó ËÏfl. èË Á‡„ÛÁÍ ÌÓ‚Ó„Ó ÒÚËÎfl ÒÛ˘ÂÒÚ‚Ó‚‡‚¯ËÈ ‡Ì ÒÚËθ ·Û‰ÂÚ Û‰‡ÎÂÌ. (èË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ Ô‡ÏflÚ¸ [DISK/ CUSTOM] ‡‚ÚÓχÚ˘ÂÒÍË Á‡„ÛʇÂÚÒfl ‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚È ‚ÂÏÂÌÌ˚È ÒÚËθ.) èêàåÖóÄçàÖ • ùÍ‡Ì ALL LOAD ‚˚„Îfl‰ËÚ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: äÓ„‰‡ ‚˚ÔÓÎÌflÂÚÒfl Á‡„ÛÁ͇ ̇ ˝Í‡Ì ALL LOAD, ‚Ò ‰‡ÌÌ˚ ‚ ˜ÂÚ˚Âı fl˜ÂÈ͇ı Ô‡ÏflÚË Á‡ÏÂÌfl˛ÚÒfl ÌÓ‚˚ÏË ‰‡ÌÌ˚ÏË. • êfl‰ÓÏ Ò ËÏÂÌÂÏ ÒÚËÎfl ÓÚÓ·‡Ê‡ÂÚÒfl Ó·˙ÂÏ Ô‡ÏflÚË, Óڂ‰ÂÌÌ˚È ÔÓ‰ ˝ÚÓÚ ÒÚËθ (‚ ä·). èÓ ˝ÚËÏ ‚Â΢ËÌ‡Ï ÏÓÊÌÓ ÒÛ‰ËÚ¸, ÒÍÓθÍÓ Ô‡ÏflÚË ÓÒ‚Ó·Ó‰ËÚÒfl (ËÁ ÒÛÏχÌÓÈ ‚Â΢ËÌ˚ 100 ä·) ÔË Û‰‡ÎÂÌËË ÚÓ„Ó ËÎË ËÌÓ„Ó ÒÚËÎfl. CVP-202 87 àÒÔÓθÁÓ‚‡ÌË هÈÎÓ‚ ÒÚËÎÂÈ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ V èÓÒΠÓÍÓ̘‡ÌËfl ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ ‚˚̸ڠ ËÁ ‰ËÒÍÓ‚Ó‰‡. .............................................................................................................................................. èÓÒΠÓÍÓ̘‡ÌËfl ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ Style File ̇ÊÏËÚ ÍÌÓÔÍÛ EJECT ̇ ‰ËÒÍÓ‚Ó‰Â, ˜ÚÓ·˚ ‚˚ÌÛÚ¸ ‰ËÒÍÂÚÛ Ë ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ Ó·˚˜ÌÓ„Ó ÂÊËχ Ë„˚. åÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í ÌÓχθÌÓÏÛ ÂÊËÏÛ Ë„˚ Ë Ì ‚˚ÌËχfl ‰ËÒÍÂÚÛ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EXIT]. ÇçàåÄçàÖ! ÇÓ ‚'ÂÏfl Á‡„'ÛÁÍË ÒÚËÎfl „Ó'ËÚ Ë̉Ë͇ÚÓ' [DISK IN USE]. ç Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌÛÚ¸ ‰ËÒÍÂÚÛ, ÔÓ͇ Ë̉Ë͇ÚÓ' [DISK IN USE] „Ó'ËÚ. ÇÓ ‚ÂÏfl Á‡„ÛÁÍË ÒÚËÎfl (Ú.Â. ÔÓ͇ „ÓËÚ Ë̉Ë͇ÚÓ [DISK IN USE]) ÍÌÓÔÍË LISTEN, LOAD, [EXIT] Ë STYLE Ì ‡·ÓÚ‡˛Ú. ÇÓÒÔÓËÁ‚‰ÂÌË Á‡„ÛÊÂÌÌ˚ı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ á‡„ÛÊÂÌÌ˚È ‚ Ô‡ÏflÚ¸ Ù‡ÈÎ ÒÚËÎfl ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DISK/CUSTOM], Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË STYLE s Ë t Üä-‰ËÒÔÎÂfl, ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÒÚËÎfl. èÓÒΠ˝ÚÓ„Ó ‚˚·‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ‚ÒÚÓÂÌÌ˚ ÒÚËÎË (ÒÚ. 51). èêàåÖóÄçàÖ ëÚËÎË, Á‡„ÛÊÂÌÌ˚Â Ò ‰ËÒÍÂÚ˚, ·Û‰ÛÚ ÓÒÚ‡‚‡Ú¸Òfl ‚ Ô‡ÏflÚË ÚÓθÍÓ ‰Ó ‚˚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl. STYLE POP & ROCK COUNTRY POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B BALLROOM PIANIST MUSIC DATABASE DISK HARMONY CUSTOM CVP-202 86 88 É·‚‡ 6: á‡ÔËÒ¸ àÒÔÓθÁÓ‚‡ÌË „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ (ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ̇ÒÚÓÂÍ Ô‡ÌÂÎË) ○○○○○○ îÛÌ͈Ëfl Registration ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ÔÓÎÌÛ˛ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ‰‡Î¸ÌÂȯÂÏ ‚ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓÒÚË. Ç Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ 20 ̇ÒÚÓÂÍ (5 ·‡ÌÍÓ‚ Ô‡ÏflÚË (ÔÓ 4 ‚ ͇ʉÓÏ ·‡ÌÍÂ)). VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB SPLIT EFFECT REGISTRATION/ BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG 1 CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ëÓı‡ÌÂÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË óÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ‚ˉ „ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡È· ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Û˛ Ôӈ‰ÛÛ. Z ç‡ÒÚÓÈ͇ ÌÂÓ·ıÓ‰ËÏ˚ı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl. ............................... ëÔËÒÓÍ Ì‡ÒÚÓÂÍ, ÒÓı‡ÌÂÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Registration, ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (ÒÚ. 11). X Ç˚·Ó „ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇. ............................................................................... óÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È ·‡ÌÍ, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [BANK +] Ë [BANK –]. REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION èêàåÖóÄçàÖ ê„ËÒÚ‡ˆËÓÌÌ˚È ·‡ÌÍ • ÑˇԇÁÓÌ: A – E • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: A ONE TOUCH SETTING ➔ Ç˚·‡ÌÌ˚È ·‡ÌÍ ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡. 87 ê„ËÒÚ‡ˆËÓÌÌ˚È ·‡ÌÍ CVP-202 89 àÒÔÓθÁÓ‚‡ÌË „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ C ê„ËÒÚ‡ˆËfl ̇ÒÚÓÈÍË Ô‡ÌÂÎË. ................................................................................. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REGISTRATION], ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION/ONE TOUCH SETTING (Ò ÔÓÏÂÚÍÓÈ [1] — [4] ÔÓ‰ ÌÂÈ), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ‚ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ. REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION èêàåÖóÄçàÖ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ • ÑˇԇÁÓÌ: 1 — 4 (‚ ͇ʉÓÏ ·‡ÌÍÂ) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: çÂÚ ONE TOUCH SETTING ➔ çÓÏ ‚˚·‡ÌÌÓÈ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ÔÓfl‚ÎflÂÚÒfl fl‰ÓÏ Ò ËÏÂÌÂÏ ·‡Ì͇ ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡. ç‡ÒÚÓÈÍË Ô‡ÌÂÎË, ‡Ì ÒÓı‡ÌÂÌÌ˚ ‚ ‚˚·‡ÌÌÓÏ Â„ËÒÚ‡ˆËÓÌÌÓÏ Ù‡ÈÎÂ, Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl ÌÓ‚˚ÏË Ì‡ÒÚÓÈ͇ÏË. ê„ËÒÚ‡ˆËÓÌÌ˚È ÌÓÏ èêàåÖóÄçàÖ • èË Ô‚ÓÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ̇ÒÚÓÈÍË ÒÓı‡Ìfl˛ÚÒfl ‚Ó ‚ÒÂı ·‡Ì͇ı „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. • èÓ ÛÏÓΘ‡Ì˲ ̇ÒÚÓÈÍË Â„ËÒÚ‡ˆËË ÒÓı‡Ìfl˛ÚÒfl ‰‡Ê ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÒÏ. ÒÚ. 152). í‡ÍÊ ‚˚ ÏÓÊÂÚ ÒÓı‡ÌËÚ¸ ÓÚ‰ÂθÌ˚ „ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ (ËÎË ÔÓÎÌ˚È Ì‡·Ó ËÁ 20 „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚) ̇ ‰ËÒÍÂÚ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl (ÒÏ. ÒÚ. 139). Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË Z ç‡ÊÏËÚ ÍÌÓÔÍÛ [REGISTRATION]. .......................................................................... REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [REGISTRATION]. X Ç˚·ÂËÚ ·‡ÌÍ. ................................................................................................................................ óÚÓ·˚ ‚˚·‡Ú¸ ·‡ÌÍ Ò ÌÛÊÌ˚ÏË Â„ËÒÚ‡ˆËÓÌÌ˚ÏË Ù‡È·ÏË, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [BANK +] Ë [BANK –]. REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ➔ Ç˚·‡ÌÌ˚È ·‡ÌÍ ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡. C Ç˚·Ó „ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡È·. ............................................................................. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION/ONE TOUCH SETTING (Ò ÔÓÏÂÚÍÓÈ [1] — [4] ÔÓ‰ ÌÂÈ), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ‚˚Á‚‡Ú¸. CVP-202 88 90 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓθÁÓ‚‡ÌË REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ➔ çÓÏ ‚˚Á‚‡ÌÌÓ„Ó Â„ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl fl‰ÓÏ Ò ËÏÂÌÂÏ ·‡Ì͇ ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡. á̇˜ÓÍ Í‡‡Ì‰‡¯‡ ÔÓfl‚ËÚÒfl ̇ ˝Í‡Ì ÒÔ‡‚‡ ÓÚ Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ÌÓχ Ò‡ÁÛ ÔÓÒΠËÁÏÂÌÂÌËfl ̇ÒÚÓÈÍË Ë ÍÌÓÔÓÍ Ô‡ÌÂÎË. ùÚÓÚ Á̇˜ÓÍ Ì‡ÔÓÏË̇ÂÚ ‚‡Ï Ó ÚÓÏ, ˜ÚÓ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË ÓÚ΢‡˛ÚÒfl ÓÚ ÚÂı, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ÙÛÌ͈ËÂÈ Registration. „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ èêàåÖóÄçàÖ • èË ‚˚·Ó ·‡Ì͇ ‚˚ÁÓ‚‡ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË Ì ÔÓËÒıÓ‰ËÚ. Ç˚ÁÓ‚ ̇ÒÚÓÂÍ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÓÍ Ò ÌÛχˆËÂÈ (ÓÚ [1] ‰Ó [4]). • äÓ„‰‡ ÙÛÌ͈ËË LEFT PEDAL Á‡‰‡ÂÚÒfl Á̇˜ÂÌË REGISTRATION (ÒÏ. ÒÚ. 138), ÔË ÔÓÒΉӂ‡ÚÂθÌÓÏ ‚˚·Ó „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (ÓÚ A1 ‰Ó E4) ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ΂‡fl Ô‰‡Î¸, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ‡Á΢Ì˚ „ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ô‰‡ÎË. íÂÏ Ì ÏÂÌÂÂ, ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂθÁfl ‚˚Á‚‡Ú¸ ‰Û„Ë ̇ÒÚÓÈÍË Î‚ÓÈ Ô‰‡ÎË, ÒÓı‡ÌÂÌÌ˚ ÙÛÌ͈ËÂÈ Registration.case. èêàåÖóÄçàÖ á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓ ÛÏÓΘ‡Ì˲ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ӷ΄˜ËÚ¸ ‚˚ÁÓ‚ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË. ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË REGISTRATION Á‡Â„ËÒÚËÛÈÚ ه·Ë˜Ì˚ ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ (Ô‚Ó̇˜‡Î¸ÌÓ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ̇ÒÚÓÈÍË ÔÓfl‚Îfl˛ÚÒfl ÔË Ô‚ÓÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova) ‚ [REGIST A-1] (ÒÏ. ÒÚ. 89). íÂÔ¸, ÂÒÎË ‚˚ ‚˚·ÂÂÚ [A-1], ‚Ò ̇ÒÚÓÈÍË Ô‡ÌÂÎË ‚ÂÌÛÚÒfl ‚ ËÒıÓ‰ÌÓ ÒÓÒÚÓflÌËÂ. ëËÏ‚ÓΠ‰‡ÍÚËÓ‚‡ÌËfl ᇢËÚ‡ ̇ÒÚÓÂÍ Ô‡ÌÂÎË óÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ËÁÏÂÌÂÌË ÓÔ‰ÂÎÂÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ‚Ó ‚ÂÏfl ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡È·, ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Registration Freeze. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ‚˚Á˚‚‡Ú¸ ‡Á΢Ì˚ „ËÒÚ‡ˆËÓÌÌ˚ ̇ÒÚÓÈÍË ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·ÂÁ ÌÂÓÊˉ‡ÌÌÓ„Ó ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÒÚËÎfl Ë „ÓÏÍÓÒÚË. Z éÚÍÓÈÚ ˝Í‡Ì REGISTRATION [FREEZE]. ..................................................... ç‡ÊÏËÚ [DIRECT ACCESS], Á‡ÚÂÏ [REGISTRATION]. REGISTRATION/ DIRECT ACCESS ➾ 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION èêàåÖóÄçàÖ ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ‰Îfl ͇ʉÓÈ Í‡Ú„ÓËË Á‡ÏÓÓÁÍË ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (ÒÚ. 11). ONE TOUCH SETTING ➔ èÓfl‚ËÚÒfl ˝Í‡Ì REGISTRATION [FREEZE]. ä‡Ú„ÓËË ‰Îfl Á‡ÏÓÓÁÍË 89 Ç ÒÔËÒÍ ÏÂÌ˛ ͇Ú„ÓËË ‰Îfl Á‡ÏÓÓÁÍË ÔÓϘÂÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*). í‡ÍÊ ÔË ‚˚·Ó ͇Ú„ÓËË ‰Îfl Á‡ÏÓÓÁÍË ‚˚‰ÂÎflÂÚÒfl ̇ÒÚÓÈ͇ ON (‚ ÙÛÌ͈ËË ON/OFF ̇‰ ˆÂÌڇθÌÓÈ ÍÌÓÔÍÓÈ Üä-‰ËÒÔÎÂfl). CVP-202 91 àÒÔÓθÁÓ‚‡ÌË „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X ì͇Á‡ÌË ͇Ú„ÓËË ‰Îfl Á‡ÏÓÓÁÍË. ..................................................................... Ç˚·ÂËÚ ͇Ú„Ó˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ s Ë t, ‰ËÒ͇ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ON/OFF, ˜ÚÓ·˚ ÔÓÏÂÚËÚ¸ ‚˚·‡ÌÌÛ˛ ͇Ú„Ó˲ ËÎË ÓÚÏÂÌËÚ¸ ÔÓÏÂÚÍÛ. èêàåÖóÄçàÖ ä‡Ú„ÓËË ‰Îfl Á‡ÏÓÓÁÍË • ç‡ÒÚÓÈÍË: ON (‚ÍÎ.), OFF (‚˚ÍÎ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ON (ACMP SETTING) OFF (‰Û„ËÂ) ëÓı‡ÌÂÌË ÔÓÒΉÌËı ̇ÒÚÓÂÍ: ON èÓ‚ÚÓËÚ ˝ÚÓÚ ¯‡„, ˜ÚÓ·˚ ÔÓÏÂÚËÚ¸ ‰Û„Ë ÌÛÊÌ˚ ͇Ú„ÓËË ËÎË ÓÚÏÂÌËÚ¸ ÔÓÏÂÚÍÛ. C ÇÍβ˜ÂÌË ËÎË ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Freeze. ........................................ óÚÓ·˚ Á‡ÏÓÓÁËÚ¸/ÓÚÏÂÌËÚ¸ Á‡ÏÓÓÁÍÛ Í‡Ú„ÓËÈ, ÔÓϘÂÌÌ˚ı ‚ ¯‡„ 2, ̇ÊÏËÚ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl FREEZE. ➔ èË Á‡ÏÓÓÁÍ ÔÓϘÂÌÌÓÈ Í‡Ú„ÓËË ÙÛÌ͈Ëfl FREEZE ‚˚‰ÂÎflÂÚÒfl ‰Û„ËÏ ˆ‚ÂÚÓÏ. ÖÒÎË ÙÛÌ͈Ëfl Freeze ÓÚÍβ˜Â̇, ̇ÒÚÓÈÍË ‚Ó ‚ÒÂı ͇Ú„ÓËflı ÓÒÚ‡˛ÚÒfl ÌÂÁ‡˘Ë˘ÂÌÌ˚ÏË. V Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡. ............................................................................................................................. óÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ REGISTRATION [FREEZE] Ë ‚ÂÌÛÚ¸Òfl ̇ „·‚Ì˚È ˝Í‡Ì, ̇ÊÏËÚ [EXIT]. CVP-202 90 92 èêàåÖóÄçàÖ FREEZE • ç‡ÒÚÓÈÍË: ON (‚˚‰ÂÎÂ̇), OFF (Ì ‚˚‰ÂÎÂ̇) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF ëÓı‡ÌÂÌË ÔÓÒΉÌÂÈ Ì‡ÒÚÓÈÍË: ON É·‚‡ 7: á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○ ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Song Record (ÒÚ. 110), ‡ Ú‡ÍÊ ÔÂÒÌË Ò Ëϲ˘ËıÒfl ‚ ÔÓ‰‡Ê ‰ËÒÍÂÚ. é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË ÏÓÊÌÓ Ú‡ÍÊ ˄‡Ú¸ ̇ Í·‚ˇÚÛÂ. ÅÓΠÚÓ„Ó, ÂÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ ÒÎÓ‚‡, ‚˚ ÏÓÊÂÚ ‚˚Á˚‚‡Ú¸ Ëı ̇ ˝Í‡Ì ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. èêàåÖóÄçàÖ èêàåÖóÄçàÖ èêàåÖóÄçàÖ èêàåÖóÄçàÖ • àÌÙÓχˆË˛ Ó ‰ËÒÍÂÚ‡ı ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 9). • ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰Ó 99 ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ̇ Ó‰ÌÓÈ ‰ËÒÍÂÚÂ. ÖÒÎË ÌÓÏ ÔÂÒÌË Ô‚˚¯‡ÂÚ ˝ÚÓ ˜ËÒÎÓ, ÔÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ·Û‰ÂÚ. • é·˚˜ÌÓ ‰‡ÌÌ˚Â Ó ‚ÓÒÔÓËÁ‚‰ÂÌËË Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ MIDI. é‰Ì‡ÍÓ ‚˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ ÔˇÌËÌÓ Clavinova ‰Îfl Ô‰‡˜Ë ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Song Transmission ̇ ˝Í‡Ì FUNCTION [MIDI 4] (ÒÚ. 150). • äÓÏ ÔÂÒÂÌ, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ‡ÎË Ò‡ÏË, ̇ ÔˇÌËÌÓ CVP-202 ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò Ëϲ˘ËıÒfl ‚ ÔÓ‰‡Ê ‰ËÒÍÂÚ ‡Á΢Ì˚ı ÙÓχÚÓ‚: Yamaha DOC, XG, Disklavier PianoSoft, ‡ Ú‡ÍÊ GM. ëÏ. ‡Á‰ÂÎ «ÇÓÒÔÓËÁ‚‰ÂÌË ‰Û„Ëı ÚËÔÓ‚ ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı» ̇ ÒÚ. 104. • èÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ Ó ÚÓÏ, ͇ÍË ÔÂÒÌË ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÛÌ͈ËÂÈ Lyric Display ÔˇÌËÌÓ Clavinova, ÏÓÊÌÓ Û Â„ËÓ̇θÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha. SONG CONTROL VOLUME MASTER VOLUME MAX CONTRAST STYLE ACMP/SONG VOLUME DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ R&B PIANIST MUSIC DATABASE SONG CONTROL TEMPO SONG PLAY/ STOP REC PAUSE REW FF VOICE SONG PLAY/ STOP REC PIANO & HARPSI. PAUSE REW FF BRASS SOUND REPEAT 1 E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT BEAT MAX HELP COUNTRY LATIN MARCH & WORLD METRONOME WALTZ BALLROOM DISK RESET FUNCTION HARMONY MIXER CUSTOM AUTO ACCOMPANIMENT ACMP ON MIN INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS MIN EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË èËÏÂ˚ ˝Í‡ÌÓ‚ Üä-‰ËÒÔÎÂfl, Ô˂‰ÂÌÌ˚ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ۘ·Ì˚ı ˆÂÎÂÈ. ç‡Á‚‡ÌËfl ÔÂÒÂÌ Ë Ú.Ô. ·Û‰ÛÚ ‚˚„Îfl‰ÂÚ¸ ÔÓ-‡ÁÌÓÏÛ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰ËÒÍÂÚ˚. Z ÇÓȉËÚ ‚ ÂÊËÏ Song Play. ....................................................................................... éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ «Music Software Collection» (ëÓ·‡ÌË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ) ËÎË ‰ËÒÍÂÚÛ Ò ‚‡¯ËÏË ÒÓ·ÒÚ‚ÂÌÌ˚ÏË Á‡ÔËÒflÏË ‚ ‰ËÒÍÓ‚Ó‰. ÇÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚÛ Îˈ‚ÓÈ ÒÚÓÓÌÓÈ ‚‚Âı, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, ‰Ó ˘ÂΘ͇. äÓ„‰‡ ‰ËÒÍÂÚ‡ Ò ÔÂÒÌflÏË ‚ÒÚ‡‚ÎÂ̇ ‚ ‰ËÒÍÓ‚Ó‰, ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (Song Play) ‚˚Á˚‚‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. èêàåÖóÄçàÖ êÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔË ‚ÒÚ‡‚Í ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰, ÂÒÎË Ì‡ ‰ËÒÔÎÂÈ ‚˚‚‰ÂÌ ˝Í‡Ì FUNCTION ‰Îfl ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ (ÒÚ. 139) ËÎË Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚ CUSTOM STYLE (ÒÚ. 174). DISK IN USE òÚÓ͇ ‰ËÒÍÂÚ˚ 91 ç‡ÍÎÂÈ͇ CVP-202 93 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ➔ ÇÓ ‚ÂÏfl Ò˜ËÚ˚‚‡ÌËfl ‰ËÒÍÂÚ˚ ̇ ÔˇÌËÌÓ Clavinova „ÓËÚ Ë̉Ë͇ÚÓ DISK IN USE. èÓ ÓÍÓ̘‡ÌËË ÔÓˆÂÒÒ‡ Ò˜ËÚ˚‚‡ÌËfl ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì SONG PLAY [MAIN] (ÒÚ‡Ìˈ‡ 1 ˝Í‡Ì‡), Ë Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ [SONG]. ÖÒÎË ‰ËÒÍÂÚ‡ Ò ÔÂÒÌÂÈ ‚ÒÚ‡‚ÎÂ̇, ÌÓ ÂÊËÏ Song Play Ì ‚Íβ˜ËÎÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG]. ➔ ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ [SONG]. ÖÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ Ì ̇ ˝Í‡Ì SONG PLAY [MAIN], ̇ÊÏËÚ ÍÌÓÔÍÛ PAGE [<] ËÎË [>], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÔÂ‚Û˛ ÒÚ‡ÌˈÛ. X Ç˚·ÂËÚ ÌÓÏ ÔÂÒÌË. ................................................................ Ç˚·ÂËÚ ÌÓÏ ÔÂÒÌË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË SONG, ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–], [+]. ➔ èÓfl‚flÚÒfl ÌÓÏ ÔÂÒÌË,  ̇Á‚‡ÌËÂ, ÚÂÍÛ˘ËÈ ÚÂÏÔ Ë Á̇˜ÓÍ, Ó·ÓÁ̇˜‡˛˘ËÈ ÚËÔ Ù‡È·. èêàåÖóÄçàÖ ç‡ ˝Í‡Ì ÔÓfl‚Îfl˛ÚÒfl ÌÓχ ÔÂÒÂÌ ÓÚ 1 ‰Ó 99, ‚ ÚÓÏ ˜ËÒΠÔÂÒÂÌ, ÍÓÚÓ˚ Ì ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚ı. èÂÒÌË, Ì ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚ı, ·Û‰ÛÚ ÔÓ͇Á‡Ì˚ ·ÂÁ ̇Á‚‡ÌËÈ. ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ·˚ÎË ÔÓË„‡Ì˚ ‚Ò ÔÂÒÌË ÔÓ ÔÓfl‰ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ «ALL». ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ÔÂÒÌË Ì‡ ‰ËÒÍÂÚ ÔÓË„˚‚‡ÎËÒ¸ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ «RANDOM». çÂÁ‡‚ËÒËÏÓ ÓÚ ‚˚·‡ÌÌÓ„Ó ÂÊËχ, «ALL» ËÎË «RANDOM», ÔÂÒÌË ·Û‰ÛÚ ÔÓ‚ÚÓflÚ¸Òfl ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚ÓÒÔÓËÁ‚‰ÂÌË Ì ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌÓ. íÂÍÛ˘ËÈ ÚÂÏ· Í·‚ˇÚÛ˚ íÂÏÔ á̇˜ÓÍ Ù‡È· çÓÏÂ/̇Á‚‡ÌË ‚˚·‡ÌÌÓÈ ÔÂÒÌË ● á̇˜ÍË Ù‡ÈÎÓ‚ íËÔ Ù‡È· Ó·ÓÁ̇˜‡ÂÚÒfl Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ˜ÂÚ˚Âı Á̇˜ÍÓ‚ (ÒÏ. ÌËÊÂ). èêàåÖóÄçàÖ á̇˜ÍË íËÔ Ù‡È· î‡ÈÎ ‚ ÙÓχÚ XG/SMF î‡ÈÎ ‚ ÙÓχÚ DOC/ESEQ î‡ÈÎ ‚ ÙÓχÚ Yamaha Disklavier PianoSoft ËÎË XG/ESEQ • ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÓχڇı ÒÏ. ‚ ‡Á‰ÂΠ«ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDIÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı» (ÒÚ. 172). • Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ̇Á‚‡ÌËfl Ù‡ÈÎÓ‚ ÓÚÓ·‡Ê‡˛ÚÒfl ·ÂÁ Á̇˜ÍÓ‚, ÂÒÎË ÓÌË ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ GM ËÎË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ Ì ̇ ÔˇÌËÌÓ CVP-202. èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ÔˇÌËÌÓ CVP-202 CVP-202 92 94 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË ÑÎfl ÔÓÒÏÓÚ‡ ‚ÒÂ„Ó ÒÔËÒ͇ ̇Á‚‡ÌËÈ ÔÂÒÂÌ Ì‡ ‰ËÒÍÂÚ ‚˚ÁÓ‚ËÚ ˝Í‡Ì SONG PLAY [LIST] (ÒÚ‡Ìˈ‡ 3 ˝Í‡Ì‡), ‰Îfl ˜Â„Ó ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ PAGE [<] ËÎË [>]. çÛÊÌÛ˛ ÔÂÒÌ˛ ΄ÍÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ç‡ ˝Í‡Ì ӉÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Û‚Ë‰ÂÚ¸ ‰Ó 8 ÔÂÒÂÌ. ÖÒÎË Ì‡ ‰ËÒÍÂÚ ·Óθ¯Â, ˜ÂÏ 8 ÔÂÒÂÌ, ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë 8 ̇Á‚‡ÌËÈ, ÔÓÍÛÚË‚ ÒÔËÒÓÍ ‚ÌËÁ. ÔÂÒÌË èêàåÖóÄçàÖ ÖÒÎË ÔÓΠ̇Á‚‡ÌËfl ÔÂÒÌË ÔÛÒÚÓÂ... ùÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÔÂÒÌfl ÔÓ‰ ˝ÚËÏ ÌÓÏÂÓÏ Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı. èêàåÖóÄçàÖ èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇˜Ë̇fl Ò ‚˚·‡ÌÌÓÈ ÔÂÒÌË IÖÒÎË Ì‡ ˝Í‡Ì SONG PLAY [MAIN] ‚˚ ‚˚·Ë‡ÂÚ ALL, ‡ Á‡ÚÂÏ Á‡‰‡ÂÚ ÚÛ ËÎË ËÌÛ˛ ÔÂÒÌ˛ ̇ ˝Í‡Ì SONG PLAY [LIST] (ÒÚ‡Ìˈ‡ 3 ˝Í‡Ì‡), ÔÂÒÌË ·Û‰ÛÚ ÔÓ‚ÚÓflÚ¸Òfl, ̇˜Ë̇fl Ò ÌÂÂ. èêàåÖóÄçàÖ èÓ‚ÚÓ ‚˚·‡ÌÌÓÈ ÔÂÒÌË IÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÔÂÒÌ˛ ̇ ˝Í‡Ì SONG PLAY [MAIN] ËÎË Ì‡ ˝Í‡Ì SONG PLAY [LIST] (ÒÚ‡Ìˈ‡ 3 ˝Í‡Ì‡), ‡ Á‡ÚÂÏ Ì‡ ˝Í‡Ì SONG PLAY [REPEAT] (ÒÚ‡Ìˈ‡ 4 ˝Í‡Ì‡) – 1 SONG, ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÚÓθÍÓ ˝Ú‡ ÔÂÒÌfl, ÔÓ͇ ‚˚  ̠ÓÒÚ‡ÌÓ‚ËÚÂ. C á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ..................................... á‡ÔÛÒÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚·‡ÌÌÓÈ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. SONG CONTROL SONG PLAY/ STOP REC èêàåÖóÄçàÖ Ç˚·Ó ÚÂÏ·‡ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl íÂÏ·, ‚˚·‡ÌÌ˚È ‚‡ÏË Ì‡ Í·‚ˇÚÛÂ, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ Ó·˚˜ÌÓÈ Ôӈ‰Û˚ ËÁÏÂÌÂÌËfl ÚÂÏ·‡ (ÒÚ. 29). íÂÏ·˚ Ô‡ÚËÈ 1/RIGHT Ë 2/ LEFT ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ ˝Í‡Ì SONG PLAY [L&R VOICE] (ÒÚ. 98). èêàåÖóÄçàÖ ➔ 燘Ë̇ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÖÒÎË Ì Á‡‰‡Ì ÂÊËÏ ALL ËÎË RANDOM, ÔÂÒÌfl ÔÓË„‡ÂÚÒfl ‰Ó ÍÓ̈‡ Ë ‡‚ÚÓχÚ˘ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒfl. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ ˝Í‡Ì ·Û‰ÛÚ ‚ˉÌ˚ ÌÓÏ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡ Ë ÚÂÏÔ. åÓÊÌÓ Ú‡ÍÊ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚·‡ÌÌÓÈ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [START/STOP]. óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ èÂÒÌfl ÓÒÚ‡ÌÓ‚ËÚÒfl. éÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÌÓ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [START/STOP]. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Song Play, ̇ÊÏËÚ [SONG] ËÎË [EXIT]. à̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ, Ë ÔÓfl‚ËÚÒfl Ô‰˚‰Û˘ËÈ ˝Í‡Ì. àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [PLAY/STOP] ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÏÓÊÂÚ Ì‡˜‡Ú¸Òfl Ì ҇ÁÛ. èêàåÖóÄçàÖ Ç˚Íβ˜ÂÌË ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ı Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛÂ ç‡ Í·‚ˇÚÛ ‚Ó ‚ÂÏfl Ë„˚ ·Û‰ÛÚ Á‡„Ó‡Ú¸Òfl ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ‡Ï ÔÓË„˚‚‡ÂÏ˚ı Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT. ùÚË Ë̉Ë͇ÚÓ˚ ÏÓÊÌÓ ‚˚Íβ˜ËÚ¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.) èêàåÖóÄçàÖ éÚÍβ˜ÂÌË ˝Í‡Ì‡ ÒÓ ÒÎÓ‚‡ÏË ÔÂÒÂÌ ÖÒÎË ‚ ÔÓË„˚‚‡ÂÏÓÏ ‚‡ÏË èé ÒÓ‰ÂʇÚÒfl ÚÂÍÒÚ˚ ÔÂÒÂÌ, ÓÌË ·Û‰ÛÚ ‚˚‚Ó‰ËÚ¸Òfl ̇ ‰ËÒÔÎÂÈ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ÖÒÎË ‚˚ Ì ıÓÚËÚ ‚ˉÂÚ¸ ÒÎÓ‚‡, ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ ˝ÚÛ ÙÛÌÍˆË˛ ̇ ÒÚ. 5 ˝Í‡Ì‡ SONG PLAY [GUIDE MODE]. èêàåÖóÄçàÖ 93 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË ‰Îfl Á‡ÔÛÒ͇/ ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ç‡ ˝Í‡Ì FUNCTION [PEDAL] (ÒÚ‡Ìˈ‡ 3 ˝Í‡Ì‡) ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ÙÛÌ͈ËË Left Pedal Á̇˜ÂÌË START/STOP. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ΂‡fl Ô‰‡Î¸ ·Û‰ÂÚ ‚˚ÔÓÎÌflÚ¸ Óθ ÍÌÓÔÍË [START/ STOP]. (ëÏ. ÒÚ. 138.) CVP-202 95 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● ê„ÛÎËӂ͇ ÚÂÏÔ‡ èË Ê·ÌËË ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. (ëÏ. ÒÚ. 25.) àÒıÓ‰Ì˚È ÚÂÏÔ ÔÂÒÌË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‚ β·ÓÈ ÏÓÏÂÌÚ, ÂÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË TEMPO [–] Ë [+]. é·˚˜ÌÓ ÚÂÏÔ Ó·ÓÁ̇˜‡ÂÚÒfl ˆËÙ‡ÏË. àÌÓ„‰‡ ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ. íÓ„‰‡ ̇ ˝Í‡Ì ‚ÏÂÒÚÓ Ó·ÓÁ̇˜ÂÌËfl ÚÂÏÔ‡ ÔÓfl‚ËÚÒfl «- - -» Ë ÔÓfl‚Îfl˛˘ËÂÒfl ÌÓχ Ú‡ÍÚÓ‚ Ì ·Û‰ÛÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡θÌ˚Ï; ÔÓ ÌËÏ ÏÓÊÌÓ ·Û‰ÂÚ ÍÓÒ‚ÂÌÌÓ ÒÛ‰ËÚ¸ ÚÓθÍÓ Ó ÚÓÏ, ͇͇fl ˜‡ÒÚ¸ ÔÂÒÌË ÛÊ ÔÓÁ‚Û˜‡Î‡. ìÒÍÓÂÌË ËÎË Á‡Ï‰ÎÂÌË ÚÂÏÔ‡ ÔÓ ÓÚÌÓ¯ÂÌ˲ Í ËÒıÓ‰ÌÓÏÛ Ó·ÓÁ̇˜‡ÂÚÒfl ‚ ÔÓˆÂÌÚ‡ı ̇ ˝Í‡Ì (χÍÒËχθÌÓ ËÁÏÂÌÂÌË ÓÚ –99 ‰Ó +99; ‰Ë‡Ô‡ÁÓÌ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ èé). èêàåÖóÄçàÖ à̉Ë͇ÚÓ˚ BEAT (ÒÚ. 52) ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ ÏÓ„ÛÚ Ì ‡·ÓÚ‡Ú¸. èêàåÖóÄçàÖ ì ÌÂÍÓÚÓ˚ı ÔÂÒÂÌ ÔÓfl‚Îfl˛˘ËÂÒfl ̇ ˝Í‡Ì ÌÓχ Ú‡ÍÚÓ‚ ÏÓ„ÛÚ Ì ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ú‡ÍÚ‡Ï Ì‡ Ô‡ÚËÚÛÂ. TEMPO METRONOME RESET V Ç˚̸Ú ‰ËÒÍÂÚÛ. .............................................................................................................................. ÖÒÎË ‚˚ Á‡ÍÓ̘ËÎË ‡·ÓÚ‡Ú¸ Ò ‰ËÒÍÂÚÓÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ EJECT Ë ‚˚̸Ú ‰ËÒÍÂÚÛ ËÁ ‰ËÒÍÓ‚Ó‰‡. ➔ ç‡ Üä-‰ËÒÔΠÔÓfl‚ËÚÒfl „·‚Ì˚È ˝Í‡Ì. ÇçàåÄçàÖ! ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ ÔË „Ófl˘ÂÏ Ë̉Ë͇ÚÓ DISK IN USE, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. èêàåÖóÄçàÖ ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ‰Îfl ͇ʉÓÈ Ô‡ÚËË ÉÓÏÍÓÒÚ¸ ͇ʉÓÈ Ô‡ÚËË ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ̇ ˝Í‡Ì MIXER. DISK IN USE èêàåÖóÄçàÖ ê„ÛÎËӂ͇ ÛÓ‚Ìfl „ÓÏÍÓÒÚË ÔÂÒÌË Ë ÚÂÏ·Ó‚ Í·‚ˇÚÛ˚ ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÔÓθÁÛÈÚÂÒ¸ ÔÓÎÁÛÌÍÓÏ [ACMP/SONG VOLUME] (ÒÚ. 23). èêàåÖóÄçàÖ èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ÔˇÌËÌÓ CVP-202, ÏÓÊÌÓ ‚Íβ˜‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ACMP ON]. CVP-202 94 96 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË éÚÍβ˜ÂÌË ԇÚËÈ ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË 1/RIGHT (Ô‡‚‡fl Û͇), 2/LEFT (΂‡fl Û͇) Ë ORCH (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) ̇ ˝Í‡Ì SONG PLAY [MAIN]. èË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË Â ÍÌÓÔ͇ ‚˚‰ÂÎflÂÚÒfl. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ÓÚÍβ˜ËÚ¸ Ô‡Ú˲ Ô‡‚ÓÈ Ë/ËÎË Î‚ÓÈ ÛÍË Ò ÚÂÏ, ˜ÚÓ·˚ Ò‡ÏÓÒÚÓflÚÂθÌÓ Ò˚„‡Ú¸ Ëı ̇ Í·‚ˇÚÛÂ. èêàåÖóÄçàÖ • è‡ÚËË ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. • çÂθÁfl ‚Íβ˜‡Ú¸ Ô‡ÚËË, ÍÓÚÓ˚ Ì ÒÓ‰ÂÊ‡Ú ÌË͇ÍËı ‰‡ÌÌ˚ı. í‡ÍË ÒÎÛ˜‡Ë ·˚‚‡˛Ú, ÍÓ„‰‡ ‚˚·‡Ì‡ ‰ÓÓÊ͇, ̇ ÍÓÚÓÓÈ Ì ÒÓ‰ÂÊËÚÒfl ÌË͇ÍËı ‰‡ÌÌ˚ı (ÒÚ. 98), ËÎË ÍÓ„‰‡ ‰Îfl ‰ÓÓÊÍË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË 2/LEFT, ‚˚·‡ÌÓ Á̇˜ÂÌË «TRK -- (OFF) «. èêàåÖóÄçàÖ Ç ˝ÚÓÏ ÔËÏ ԇÚËfl 1/RIGHT ÓÚÍβ˜Â̇. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡ÈÎÓ‚ ‚ ÙÓχڇı Yamaha Disklavier PianoSoft, DOC Ë XG/ESEQ Ô‡ÚËË, Ì ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚ı, ̇ ‰ËÒÔΠÓÚÓ·‡Ê‡Ú¸Òfl Ì ·Û‰ÛÚ. ç‡ ÒÚ‡Ìˈ 6 ˝Í‡Ì‡ SONG PLAY [L&R VOICE] (ÒÚ. 98) ÏÓÊÌÓ ‚˚·‡Ú¸, ͇ÍÓÈ ÍÌÓÔÍ ·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ͇͇fl ‰ÓÓÊ͇. ■ ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ é·˚˜ÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË Ì‡ Üä-˝Í‡Ì ORCH (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Íβ˜‡˛ÚÒfl ËÎË ‚˚Íβ˜‡˛ÚÒfl ‚Ò ÓÍÂÒÚÓ‚˚ ԇÚËË (‰ÓÓÊÍË 3 - 16) — ËÎË ‚Ò ԇÚËË 1/RIGHT Ë 2/LEFT. åÓÊÌÓ Ú‡ÍÊ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ˝ÚË Ô‡ÚËË ÔÓ ÓÚ‰ÂθÌÓÒÚË Ì‡ ˝Í‡Ì SONG PLAY [TRACK PLAY] (ÒÚ‡Ìˈ‡ 2 ˝Í‡Ì‡). Z Ç˚·ÂËÚ ÒÚ‡ÌËˆÛ SONG PLAY [TRACK PLAY]. ÑÎfl ‚˚·Ó‡ ˝Í‡Ì‡ SONG PLAY [TRACK PLAY] (ÒÚ‡Ìˈ‡ 2 ˝Í‡Ì‡) ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË PAGE [<] Ë [>]. 95 ➔ ÑÓÓÊÍË Ò ‰‡ÌÌ˚ÏË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ÍÌÓÔ͇ÏË TRACK < Ë >. çÓÏ ‰ÓÓÊÍË, ‚˚·‡ÌÌÓÈ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÓÍÛÊÂÌ ‡ÏÍÓÈ. ÑÓÓÊÍË, Ì ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚ı, Ì ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. èêàåÖóÄçàÖ èË ‚˚·Ó ÔÂÒÌË ËÁ هȷ Standard MIDI (Á‡ ËÒÍβ˜ÂÌËÂÏ ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ̇ ÔˇÌËÌÓ CVP-202), ÏÓ„ÛÚ ÔÓfl‚ËÚ¸Òfl ÌÓχ ‚ÒÂı ‰ÓÓÊÂÍ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ÒÓ‰ÂʇÚÒfl ÎË ‚ ÌËı ͇ÍËÂ-ÎË·Ó ‰‡ÌÌ˚Â. CVP-202 97 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X Ç˚·ÂËÚ ÌÛÊÌÛ˛ ‰ÓÓÊÍÛ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (PLAY/OFF, SOLO). Ç˚·ÂËÚ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TRACK < ËÎË > ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ➔ Ç˚·‡Ì̇fl ‰ÓÓÊ͇ ·Û‰ÂÚ ‚˚‰ÂÎÂ̇ ÔÓ‰˜ÂÍË‚‡ÌËÂÏ. ÑÓÓÊ͇ ‚Íβ˜‡ÂÚÒfl Ë ‚˚Íβ˜‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ ÒÔ‡‚‡ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ Ë ‚˚·Ó‡ PLAY (‚ÓÒÔÓËÁ‚‰ÂÌËÂ) OFF, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. äÓ„‰‡ ‰ÓÓÊ͇ ÔË„ÎÛ¯‡ÂÚÒfl, ‡Ï͇ ‚ÓÍÛ„  ÌÓχ ËÒ˜ÂÁ‡ÂÚ. íÂÏ·, ËÒÔÓθÁÛÂÏ˚È ÚÂÍÛ˘ÂÈ ‰ÓÓÊÍÓÈ, ÓÚÓ·‡Ê‡ÂÚÒfl ̇‰ ÍÌÓÔ͇ÏË PLAY/OFF. ÖÒÎË ‚˚ ıÓÚËÚ ÔÓÒÎÛ¯‡Ú¸ ÚÓθÍÓ Ó‰ÌÛ ‰ÓÓÊÍÛ, ‚˚·ÂËÚ ÂÂ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl SOLO. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Solo, ̇ÊÏËÚ SOLO ¢ ‡Á. ç‡Á̇˜ÂÌË ‰ÓÓÊÂÍ Ô‡ÚËflÏ 1/RIGHT Ë 2/LEFT. Ç˚·Ó ÚÂÏ·‡ ■ ç‡Á̇˜ÂÌË ‰ÓÓÊÂÍ Ô‡ÚËflÏ 1/RIGHT Ë 2/LEFT ........................ ç‡ ˝Í‡Ì SONG PLAY [MAIN] ÏÓÊÌÓ Ì‡Á̇˜‡Ú¸ ÙÛÌ͈ËflÏ 1/RIGHT Ë 2/LEFT Ú ËÎË ËÌ˚ ‰ÓÓÊÍË. íÓ„‰‡ ‚˚ ÒÏÓÊÂÚ ‚˚·ÓÓ˜ÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ˝ÚËı ‰ÓÓÊÂÍ. è‡ÚËË 2/LEFT ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ Á̇˜ÂÌË TRK - - (OFF). é‰ÌÛ Ë ÚÛ Ê ‰ÓÓÊÍÛ ÌÂθÁfl ̇Á̇˜ËÚ¸ ‰Îfl Ó·ÂËı Ô‡ÚËÈ. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>] ‚˚·ÂËÚ ˝Í‡Ì SONG PLAY [L&R VOICE] (ÒÚ‡Ìˈ‡ 6 ˝Í‡Ì‡). ➾ Ç˚‰ÂÎËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÙÛÌÍˆË˛ ̇ ˝Í‡ÌÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË 1/RIGHT ËÎË 2/LEFT, Á‡ÚÂÏ ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓÈ ‰ÓÓÊÍË. åÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ 1/RIGHT ËÎË 2/LEFT. CVP-202 èêàåÖóÄçàÖ ç‡Á̇˜ÂÌËfl ‰ÓÓÊÂÍ ‰Îfl Ù‡ÈÎÓ‚ ‚ ÙÓχÚ DOC Ë Disklavier PianoSoft ÙËÍÒËÓ‚‡Ì˚ Ë Ì ÏÓ„ÛÚ ·˚Ú¸ ËÁÏÂÌÂÌ˚. èêàåÖóÄçàÖ ÑÓÓÊÍË ÏÓÊÌÓ Ì‡Á̇˜‡Ú¸ ÚÓθÍÓ ‰Ó ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. 96 98 èêàåÖóÄçàÖ 1/RIGHT • ìÒÚ‡ÌÓ‚ÍË: 1 — 16 • ŇÁÓ‚‡fl ÛÒÚ‡Ìӂ͇: Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ هȷ. 2/LEFT • ìÒÚ‡ÌÓ‚ÍË: 1 — 16, -- (off) • ŇÁÓ‚‡fl ÛÒÚ‡Ìӂ͇: Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ هȷ. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË ■ Ç˚·Ó ÚÂÏ·Ó‚ ‰Îfl Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT ç‡ ˝Í‡Ì SONG PLAY [L&R VOICE] ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÂÏ·˚ ‚ÓÒÔÓËÁ‚‰ËÏ˚ı Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT. ÑÎfl ‚˚‰ÂÎÂÌËfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÙÛÌ͈ËË Ì‡ ˝Í‡Ì ̇ÊÏËÚ ÍÌÓÔÍÛ L&R VOICE ▼ ËÎË ▲ Á‡ÚÂÏ ‚˚·ÂËÚ ÚÂÏ· Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. åÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ „ÓÎÓÒ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ L&R VOICE ▼ ËÎË ▲. ÔÂÒÌË èêàåÖóÄçàÖ íÂÏ· ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÓθÍÓ ‰Ó ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË.the song. ìÔ‡‚ÎÂÌË ӷ˘ÂÈ „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÑÎfl ÛÔ‡‚ÎÂÌËfl Ó·˘ÂÈ „ÓÏÍÓÒÚ¸˛ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÔÓÎÁÛÌÍÓÏ [ACMP/SONG VOLUME]. èË ‚ıӉ ‚ ÂÊËÏ Song Play ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ̇ ÚÓ Á̇˜ÂÌËÂ, ÔÓÒΉÌËÏ ËÒÔÓθÁÓ‚‡ÎÓÒ¸ ‚ ˝ÚÓÏ ÂÊËÏÂ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl „ÛÎflÚÓ‡. á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌ͇ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ „ÓÏÍÓÒÚ¸ ̇ ÌÛÊÌ˚È ÛÓ‚Â̸. èêàåÖóÄçàÖ ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ÔˇÌËÌÓ CVP-202, ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÙÛÌ͈Ëfl [ACMP/SONG VOLUME] ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸ ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ì ÔÂÒÌË. VOLUME 97 MASTER VOLUME ACMP/SONG VOLUME MAX MAX MIN MIN CVP-202 99 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ê„ÛÎËӂ͇ ̇ÒÚÓÂÍ ‰ÓÓÊÂÍ ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Á‚Û͇ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË, ÚÂÏ·‡, ̇ÒÚÓÂÍ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl, ‡ Ú‡ÍÊ „ÎÛ·ËÌ˚ ‚·‡ˆËË, ˝ÙÙÂÍÚ‡ chorus Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl ÓÚ‰ÂθÌ˚ı ‰ÓÓÊÂÍ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [MIXER] ‚ ÂÊËÏ Song Play Ë ‚˚ÁÓ‚ËÚ ˝Í‡Ì MIXER. FUNCTION MIXER ë ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ MIXER ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ ̇ÒÚÓÈÍË ÒÎÂ‰Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ (ÒÏ. ÌËÊÂ). éÔËÒ‡ÌË ÍÓÌÍÂÚÌÓ„Ó Ô‡‡ÏÂÚ‡ ÒÏ. ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÒÚ‡ÌˈÂ. 臇ÏÂÚ˚, ‰ÓÒÚÛÔÌ˚ ̇ ˝Í‡Ì MIXER ● èË ‚˚·Ó ‰ÓÓÊÂÍ 1 — 16: ● èË ‚˚·Ó TOTAL: • VOLUME (ëÏ. ÒÚ. 32.) • TEMPO (ëÏ. ÒÚ. 25.) • VOICE (ëÏ. ÒÚ. 29.) • Overall REVERB DEPTH (ëÏ. ÒÚ. 42.) • PAN (ëÏ. ÒÚ. 32.) • REVERB TYPE (ëÏ. ÒÚ. 42.) • REVERB DEPTH (ëÏ. ÒÚ. 43.) • CHORUS TYPE (ëÏ. ÒÚ. 44.) • CHORUS DEPTH (ëÏ. ÒÚ. 45.) • EFFECT TYPE (ëÏ. ÒÚ. 47.) • EFFECT DEPTH (ëÏ. ÒÚ. 48.) èêàåÖóÄçàÖ Ç ÂÊËÏ ‚˚·Ó‡ ÚÂÏ·‡ (VOICE) ÓÚÓ·‡Ê‡˛ÚÒfl Ô‡‡ÏÂÚ˚ Program Change Number (PRG#), Bank LSB (BKL) Ë Bank MSB (BKM), ËÒÔÓθÁÛÂÏ˚ ÔË ‚˚·Ó ÚÂÏ·Ó‚ ‰Îfl MIDI. èêàåÖóÄçàÖ ÑÎfl Ù‡ÈÎÓ‚ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ fl‰ Ô‡‡ÏÂÚÓ‚ ËÁÏÂÌËÚ¸ ÌÂθÁfl. í‡ÍË ԇ‡ÏÂÚ˚ ÓÚϘ‡˛ÚÒfl ÒÎÓ‚ÓÏ «Fixed» (Á‡ÙËÍÒËÓ‚‡Ì˚). àÁÏÂÌÂÌË ̇ÒÚÓÂÍ Ì‡ ˝Í‡Ì MIXER Z Ç˚·ÂËÚ ‰ÓÓÊÍÛ, ‚ ÍÓÚÓÛ˛ ·Û‰ÛÚ ‚ÌÂÒÂÌ˚ ËÁÏÂÌÂÌËfl. .... Ç˚·ÂËÚ ÌÛÊÌÛ˛ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TRACK < ËÎË >. ÖÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Ì ̇ÒÚÓÈÍË ÓÚ‰ÂθÌ˚ı ‰ÓÓÊÂÍ, ‡ ‚Ò ̇ÒÚÓÈÍË ÔÂÒÌË, ‚˚·ÂËÚ ÂÊËÏ TOTAL. óÚÓ·˚ ‚˚·‡Ú¸ ‰Îfl ‰ÓÓÊÍË ÂÊËÏ PLAY (‚ÓÒÔÓËÁ‚‰ÂÌËÂ), OFF, ËÎË SOLO, ̇ÊÏËÚ ͇ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl. ÖÒÎË ‚˚ ıÓÚËÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ‰ÓÓÊÍÛ, ‚˚·ÂËÚ SOLO. CVP-202 98 100 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË X Ç˚·ÂËÚ ԇ‡ÏÂÚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. ................................................... ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó Ô‡‡ÏÂÚ‡ ̇ÊÏËÚ SELECT ▼ ËÎË ▲. ÔÂÒÌË èêàåÖóÄçàÖ ÑÎfl Ù‡ÈÎÓ‚ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÂÏ·˚ ÚÓθÍÓ Ì‡ ‰ÓÓÊ͇ı 1 Ë 2. íÂÍÛ˘Â Á̇˜ÂÌË ‰Îfl ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË è‡‡ÏÂÚ, ‚˚·‡ÌÌ˚ȉÎfl ‰‡ÍÚËÓ‚‡ÌËfl èêàåÖóÄçàÖ çÓÏ ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË ‚˚‰ÂÎflÂÚÒfl. • àÁÏÂÌÂÌË ԇ‡ÏÂÚ‡ REVERB DEPTH ‚ ÂÊËÏ TOTAL Ú‡ÍÊ ·Û‰ÂÚ ‚ÎËflÚ¸ ̇ Á‚Û˜‡ÌË Í·‚ˇÚÛ˚. • åÓÊÌÓ ÏÂÌflÚ¸ ÚÂÏ·˚ ̇ ‰ÓÓÊ͇ı, ̇ ÍÓÚÓ˚ Á‡ÔËÒ‡Ì˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ËÚÏ Ë „‡ÏÓÌËfl. C ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚ‡ ËÎË Ì‡ÒÚÓÈÍË. .............................................. ÑÎfl ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚ‡ ËÎË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ̇·ÓÌ˚Ï ‰ËÒÍÓÏ, ÍÌÓÔ͇ÏË [–] ËÎË [+]. àÁÏÂÌÂÌËfl ÏÓÊÌÓ ‚ÌÓÒËÚ¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ˝ÚÓ ‰‡ÒÚ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ Ò‡ÁÛ Ê ÛÒÎ˚¯‡Ú¸ ÂÁÛθڇÚ˚ ‰‡ÍÚËÓ‚‡ÌËfl. • ÑˇԇÁÓÌ „ÓÏÍÓÒÚË: 0 — 127 • èË ‚˚·Ó ‰Û„ÓÈ ÔÂÒÌË ‚Ò ̇ÒÚÓÈÍË ‚ÓÁ‚‡˘‡˛ÚÒfl Í ËÒıÓ‰Ì˚Ï ‰Îfl ˝ÚÓÈ ÔÂÒÌË (ËÎË Ì‡ÒÚÓÈ͇Ï, ËÒÔÓθÁÓ‚‡ÌÌ˚Ï ÔË Á‡ÔËÒË ÔÂÒÌË). • ÖÒÎË ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ÔˇÌËÌÓ CVP-202, ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ËÁ ˝Í‡Ì‡ MIXER ·Û‰ÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ÛÔ‡‚ÎÂÌË „ÓÏÍÓÒÚ¸˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment Part Volume Control) (ÒÚ. 65), ‡ Ì „ÓÏÍÓÒÚ¸˛ ‰ÓÓÊÍË ÔÂÒÌË (Song Track Volume Control). îÛÌ͈ËË ÔÓ‚ÚÓ‡ ç‡ ÔˇÌËÌÓ Clavinova ËϲÚÒfl Û‰Ó·Ì˚ ÙÛÌ͈ËË ÔÓ‚ÚÓ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌ˛ ËÎË ÓÚ‰ÂθÌ˚ı  ˜‡ÒÚÂÈ. ùÚÓ ÔÓÎÂÁÌÓ ÔË ‡Áۘ˂‡ÌËË ÚÛ‰ÌÓÈ ÏÛÁ˚͇θÌÓÈ Ù‡Á˚. Ç˚·ÂËÚ ÌÛÊÌ˚È ÂÊËÏ ËÁ ˜ÂÚ˚Âı ÂÊËÏÓ‚ ÔÓ‚ÚÓ‡ ̇ ˝Í‡Ì SONG PLAY [REPEAT] (ÒÚ‡Ìˈ‡ 4 ˝Í‡Ì‡). 99 óÂÚ˚ ÂÊËχ ÔÓ‚ÚÓ‡ • OFF (îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ ‚˚Íβ˜Â̇) • PHRASE (èÓ‚ÚÓÂÌË هÁ˚) • 1 SONG (èÓ‚ÚÓÂÌË 1 ÔÂÒÌË) • êÂÊËÏ AB (èÓ‚ÚÓÂÌË ˜‡ÒÚË AB) èêàåÖóÄçàÖ • ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÂÊËÏÓ‚ ÔÓ‚ÚÓ‡, ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ALL ËÎË RANDOM (̇ ˝Í‡Ì SONG PLAY [MAIN]) ·Û‰ÂÚ ÓÚÍβ˜ÂÌ. • èË ‚˚·Ó ‰Û„ÓÈ ÔÂÒÌË Î˛·ÓÈ ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚È ‡Ì¸¯Â ÂÊËÏ ÔÓ‚ÚÓ‡ ·Û‰ÂÚ ÓÚÍβ˜ÂÌ (OFF). CVP-202 101 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ èÓ‚ÚÓÂÌË هÁ˚ ........................................................................ çÂÍÓÚÓ˚ ÏÛÁ˚͇θÌ˚ هÈÎ˚ ËÁ èé ÍÓÔÓ‡ˆËË Yamaha, ̇ÔËÏ DOC-Ù‡ÈÎ˚, ÒÓ‰ÂÊ‡Ú ÒÔˆˇθÌ˚ ӷÓÁ̇˜ÂÌËfl Ù‡Á. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ú‡ÍËı Ù‡ÈÎÓ‚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÓÚ‰ÂθÌ˚ هÁ˚ ÔÓ Ëı ÌÓÏÂ‡Ï (Ò ÔÓÏÓ˘¸˛ ÌÓÚ, ÍÓÚÓ˚ ÔÓÒÚ‡‚Îfl˛ÚÒfl ‚ ÍÓÏÔÎÂÍÚÂ Ò ËÌÒÚÛÏÂÌÚÓÏ) Ë ‡Áۘ˂‡Ú¸ ËÏÂÌÌÓ Ëı. (Ç åÛÁ˚͇θÌÓÈ äÌË„Â Ô˂‰ÂÌ˚ ÌÓÚ˚ ˜ÂÚ˚Âı ÔÂÒÂÌ, ‰Îfl ÍÓÚÓ˚ı ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Phrase Repeat). èÓÒΠ‚˚·Ó‡ ÂÊËχ PHRASE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ REPEAT MODE ▼ ËÎË ▲ ÒÔ‡‚‡ ÓÚ ÍÌÓÔÍË ÔÓfl‚ËÚÒfl ˝Í‡Ì PHRASE, ‚ ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÓÏ هÁ˚. ÑÎfl ‚˚‰ÂÎÂÌËfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÙÛÌ͈ËË Ì‡ ˝Í‡Ì ̇ÊÏËÚ PHRASE ▼ ËÎË ▲, Á‡ÚÂÏ ‚˚·ÂËÚ ÌÓÏ هÁ˚ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. çÓÏ هÁ˚ ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PHRASE ▼ Ë ▲. íÂÔ¸, ÍÓ„‰‡ ‚˚ Á‡ÔÛÒÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Ù‡Á‡ ̇˜ÌÂÚ ÔÓ‚ÚÓflÚ¸Òfl ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚ÓÒÔÓËÁ‚‰ÂÌË Ì ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌÓ. ■ îÛÌ͈Ëfl 1 Song Repeat ................................................................. èË ‚˚·Ó ÙÛÌ͈ËË ÔÓ‚ÚÓ‡ 1 SONG Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË REPEAT MODE ▼ ËÎË ▲ β·‡fl ÔÂÒÌfl, ‚˚·‡Ì̇fl ÓÔËÒ‡Ì̇fl ‚˚¯Â ÒÔÓÒÓ·ÓÏ, ·Û‰ÂÚ ÔÓ‚ÚÓflÚ¸Òfl, ÔÓ͇  ̠ÓÒÚ‡ÌÓ‚ËÚ¸. èêàåÖóÄçàÖ • ÇÓ ‚ÂÏfl Ë„˚ ÏÓÊÌÓ ‚Íβ˜‡Ú¸/‚˚Íβ˜‡Ú¸ Ô‡ÚËË. • é‰ÌÓ‚ÂÏÂÌÌÓ Ò ÙÛÌ͈ËÂÈ ÔÓ‚ÚÓ‡ Phrase Repeat ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËÂÈ Guide. • èË ‚Íβ˜ÂÌËË ÂÊËχ ÔÓ‚ÚÓ‡ Ù‡Á˚ Ô‰ ̇˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ù‡Á˚ ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒÚÛÔËÚÂθÌ˚È ÓÚÒ˜ÂÚ@@. é‰Ì‡ÍÓ, ‚ÒÚÛÔËÚÂθÌ˚È ÓÚÒ˜ÂÚ Ì ‡·ÓÚ‡ÂÚ ‚ ÔÂÒÌflı, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ. èêàåÖóÄçàÖ ÇÒÚÛÔËÚÂθÌÓ„Ó ÓÚÒ˜ÂÚ‡ ÌÂÚ. èêàåÖóÄçàÖ ■ îÛÌ͈Ëfl AB Repeat ..................................................................................................................... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚˚‰ÂÎËÚ¸ β·ÓÈ Û˜‡ÒÚÓÍ ÔÂÒÌË (ÏÂÊ‰Û ÚӘ͇ÏË A Ë B) ‡Áۘ˂‡Ú¸ Â„Ó ‚ ÂÊËÏ ÔÓ‚ÚÓ‡. èË ‚˚·Ó ÂÊËχ AB mode Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË REPEAT MODE ▼ ËÎË ▲ ̇ ˝Í‡Ì ÒÔ‡‚‡ ÓÚ ÍÌÓÔÓÍ ÔÓfl‚flÚÒfl ÒËÏ‚ÓÎ˚ A ➔ Ë B, Ó·ÓÁ̇˜‡˛˘Ë ÔÓÎÓÊÂÌË ÚÓ˜ÂÍ A Ë B. • èË ‚˚·Ó ÔÂÒÌË Ò ‰Û„ËÏ ÌÓÏÂÓÏ ËÎË ‰Û„Ó„Ó ÂÊËχ ÔÓ‚ÚÓ‡ ̇Á̇˜ÂÌÌ˚ ÚÓ˜ÍË A Ë B ·Û‰ÛÚ ÒÚÂÚ˚. • è‰ ̇˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÚϘÂÌÌÓ„Ó Û˜‡ÒÚ͇ A–B ‚ ÂÊËÏ ÔÓ‚ÚÓ‡ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜ËÚÒfl ‚ÒÚÛÔËÚÂθÌ˚È ÓÚÒ˜ÂÚ Á‡Ú‡ÍÚ‡. é‰Ì‡ÍÓ, ‚ÒÚÛÔËÚÂθÌ˚È ÓÚÒ˜ÂÚ Ì ‡·ÓÚ‡ÂÚ ‚ ÔÂÒÌflı, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ. • ÖÒÎË ‚˚ ıÓÚËÚ ÔÓÒÚ‡‚ËÚ¸ ÚÓ˜ÍÛ A ‚ ̇˜‡Î ÔÂÒÌË, ̇ÊÏËÚ A ➔ Ô‰ ̇˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚ÒÚÛÔËÚÂθÌÓ„Ó ÓÚÒ˜ÂÚ‡ Ì ·Û‰ÂÚ. • ÖÒÎË ‚˚ Û͇ÊÂÚ ÚÓθÍÓ ÚÓ˜ÍÛ A, ÔÂÒÌfl ·Û‰ÂÚ ÔÓ‚ÚÓflÚ¸Òfl, ̇˜Ë̇fl Ò ˝ÚÓÈ ÚÓ˜ÍË ‰Ó ÍÓ̈‡. • èÓ͇ ÚӘ͇ A Ì ‚˚·‡Ì‡, ÚÓ˜ÍÛ B ÚÓÊ ÌÂθÁfl ‚˚·‡Ú¸.an A point is selected. CVP-202 100 102 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ A ➔ ‚ ̇˜‡Î ۘ‡ÒÚ͇, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ÔÓ‚ÚÓflÚ¸Òfl. ➾ Ç ÍÓ̈ ˝ÚÓ„Ó Û˜‡ÒÚ͇ ̇ÊÏËÚ ÍÌÓÔÍÛ B. èË ˝ÚÓÏ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó Û˜‡ÒÚ͇ (ÓÚ ÚÓ˜ÍË A ‰Ó ÚÓ˜ÍË B). èÓÎÓÊÂÌË ÚÓ˜ÂÍ A Ë B Á‡ÔÓÏË̇ÂÚÒfl ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ‚˚·‡Ì‡ ‰Û„‡fl ÔÂÒÌfl ËÎË ‰Û„ÓÈ ÂÊËÏ ÔÓ‚ÚÓ‡. ùÚÓÚ Ê ۘ‡ÒÚÓÍ ·Û‰ÂÚ ÔÓ‚ÚÓflÚ¸Òfl ÒÍÓθÍÓ Û„Ó‰ÌÓ ‡Á ÔÓ ‚‡¯ÂÏÛ Ê·Ì˲, ÂÒÎË ‚˚ ‚ÓÒÔÓθÁÛÂÚÂÒ¸ ÍÌÓÔÍÓÈ [PLAY/STOP]. Ç˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ ÚÓ˜ÍË A Ë B, ̇ʇ‚ ÍÌÓÔÍÛ A ➔. ç‡Ê‡‚ ÍÌÓÔÍÛ B, ‚˚ ÓÚÏÂÌËÚ ÚÓθÍÓ ÚÓ˜ÍÛ B. èÓÒΠ˝ÚÓ„Ó ÏÓÊÌÓ Ì‡Á̇˜ËÚ¸ ‚ÌÛÚË ÔÂÒÌË ‰Û„Ë ÚÓ˜ÍË A Ë B. BÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔecÌË SONG CONTROL SONG PLAY/ STOP REC PAUSE REW FF ■ è‡ÛÁ‡ ................................................................................................. ÖÒÎË ‚˚ ıÓÚËÚ ̇ ‚ÂÏfl ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [PAUSE]. ÑÎfl ÔÓ‰ÓÎÊÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ò ÚÓÈ Ê ÚÓ˜ÍË ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [PAUSE] ËÎË [PLAY/STOP]. èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË ÍÌÓÔÍË [REW] ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ËÁÏÂÌÂÌË ÚÂÏ·‡, ÚÂÏÔ‡ Ë/ËÎË „ÓÏÍÓÒÚË. ■ èÂÂÏÓÚ͇ ............................................................................................................................................... 101 ÑÎfl ÔÂÂÏÓÚÍË ÔÂÒÌË Ì‡Á‡‰ ËÎË ‚Ô‰ ̇ÊÏËÚ ÍÌÓÔÍÛ [REW] ËÎË [FF], ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. • äÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ ËÎË Ì‡ıÓ‰ËÚÒfl ‚ ÂÊËÏ ԇÛÁ˚, ÍÌÓÔ͇ÏË [REW] Ë [FF] ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÔÂÂÏ¢ÂÌËfl ‚ÌÛÚË ÔÂÒÌË Ì‡Á‡‰ ËÎË ‚Ô‰ ̇ Ó‰ËÌ Ú‡ÍÚ. ÖÒÎË Ì‡Ê‡Ú¸ Ë Û‰ÂÊË‚‡Ú¸ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ, ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl ‚ÌÛÚË ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Ì‡Ô‡‚ÎÂÌËË. • ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ [REW] ËÎË [FF] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ˝ÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ·˚ÒÚÓ ÔÂÂÏÂÒÚËÚ¸Òfl ‚Ô‰ ËÎË Ì‡Á‡‰ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ‰ÓÎ„Ó ‚˚ ·Û‰ÂÚ ۉÂÊË‚‡Ú¸ ÍÌÓÔÍÛ. èÓ͇ ̇ʇڇ ÍÌÓÔ͇ [REW], Á‚Û͇ Ì ·Û‰ÂÚ ÒÎ˚¯ÌÓ. CVP-202 103 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÑÛ„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ■ ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl ............................................ ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-202 ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ‰‡ÌÌ˚ı. èêàåÖóÄçàÖ îÛÌÍˆË˛ Lyric Display (ÒÚ. 109) ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÙÓχÚ 1 SMF. • ÙÓχÚ˚ ÒÂÍ‚Â̈ËË: SMF (ÙÓχÚ˚ 0 Ë 1), ESEQ • îÓχÚ˚ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ëڇ̉‡Ú GM System Level 1, XG, DOC ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÓχڇı ÒÂÍ‚Â̈ËË Ë ÙÓχڇı ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÒÏ. ‚ ‡Á‰ÂΠ«ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı» (ÒÚ. 172). ÇÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ ÔˇÌËÌÓ CVP-202 ‡‚ÚÓχÚ˘ÂÒÍË Ò·‡Ò˚‚‡ÂÚ ‚Ò ̇ÒÚÓÈÍË ‰Îfl ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò ÙÓχÚÓÏ XG ÍÓÔÓ‡ˆËË Yamaha (‚Íβ˜‡fl Òڇ̉‡Ú GM System Level 1) ËÎË ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Yamaha DOC (ÒÚ. 172), ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ‰‡ÌÌ˚ı. (èË ˝ÚÓÏ ‚˚·‡ÌÌÓ ‡ÒÔ‰ÂÎÂÌË ÚÂÏ·Ó‚ ̇ Ô‡ÌÂÎË Ì ·Û‰ÂÚ ÏÂÌflÚ¸Òfl.) ■ èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı ............................................. èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ˆËÙÓ‚˚ı ÔˇÌËÌÓ ÏÓ‰ÂÎÂÈ Clavinova, ÓÚ΢Ì˚ı ÓÚ CVP-202, Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ò ÚÂÏË Ê ÚÂÏ·‡ÏË, ıÓÚfl ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl. ÇÏÂÒÚÂ Ò ÚÂÏ, Á‡ÔËÒË, ҉·ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Accompaniment ̇ ÏÓ‰ÂÎË CVP-50/70, ·Û‰ÛÚ Á‚Û˜‡Ú¸ ÔÓ-‰Û„ÓÏÛ. åÓÊÌÓ Ú‡ÍÊ ÔÓË„˚‚‡Ú¸ Á‡ÔËÒË, ҉·ÌÌ˚ ̇ Yamaha Disklavier. CVP-202 102 104 èêàåÖóÄçàÖ çÂÁ‡‚ËÒËÏÓ ÓÚ ÚËÔ‡ èé, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚ ‰ËÒÍÂÚ: 3,5‰˛ÈÏÓ‚˚ ‰ËÒÍÂÚ˚ 2DD ÂÏÍÓÒÚ¸˛ 720 ä· Ë 3,5-‰˛ÈÏÓ‚˚ ‰ËÒÍÂÚ˚ 2HD ÂÏÍÓÒÚ¸˛ 1,44 å·. ○ ìÔ‡‚ÎÂÌË ӷۘÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) ○○○○○○○○○○○○○○○○○○○ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÏÂÂÚÒfl ÒÔˆˇθ̇fl Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl Guide, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓÈ ÏÓÊÌÓ ÛÔ‡ÊÌflÚ¸Òfl ‚ Ë„Â ÔË Ì‡Î˘ËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó èé ̇ ‰ËÒÍÂÚÂ. Ç˚‚Ó‰ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ Ì‡ ˝Í‡Ì Ë ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ ÔÓÏÓ„‡˛Ú ÓÔ‰ÂÎËÚ¸, ͇ÍË ÌÓÚ˚ Ë ÍÓ„‰‡ ÒΉÛÂÚ Ë„‡Ú¸. Ç˚ ÏÓÊÂÚ ˄‡Ú¸ ‚ Ò‚ÓÂÏ ÒÓ·ÒÚ‚ÂÌÌÓÏ ÚÂÏÔÂ, ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ‰Â·ڸ Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÔÓ͇ ‚˚ Ì Ò˚„‡ÂÚ ÌÛÊÌ˚ ÌÓÚ˚. (Ç˚ ÏÓÊÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl Ò Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËÂÈ Guide, ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË «4. GUIDE Demo» ‚ ÂÊËÏ Demo.) GUIDE CONTROL VOLUME MASTER VOLUME MAX CONTRAST STYLE ACMP/SONG VOLUME DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO PLAY/ STOP SONG VOICE REC PIANO & HARPSI. FF BRASS E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS SYNTH. XG DUAL REVERB BEAT MAX HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SPLIT EASY PLAY NEXT NOTE SOUND REPEAT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON MIN INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT MIN EASY PLAY NEXT NOTE SOUND REPEAT REGISTRATION/ 1 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ åÂÚÓ‰˚ Ó·Û˜ÂÌËfl Ë ‚˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll) èˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚ Ó·Û˜ÂÌËfl, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯Ëı ̇‚˚ÍÓ‚ Ë Ô‰ÔÓ˜ÚÂÌËÈ. 燘Ë̇˛˘ËÏ ÏÛÁ˚͇ÌÚ‡Ï ÂÍÓÏẨÛÂÚÒfl ̇˜‡Ú¸ Ò ÏÂÚÓ‰‡ Easy Play, Á‡ÚÂÏ ÔÂÂÈÚË Í ÏÂÚÓ‰Û Next Note Ë Á‡ÚÂÏ Í ÏÂÚÓ‰Û Sound Repeat. èêàåÖóÄçàÖ «FOLLOW LIGHTS» Ë «CueTIME» ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÔË Ó·Û˜ÂÌËË ÔÓ ÏÂÚÓ‰Û Next Note. ä ÏÂÚÓ‰‡Ï Easy Play Ë Sound Repeat ˝ÚÓ ÌÂÔËÏÂÌËÏÓ. GUIDE CONTROL EASY PLAY NEXT NOTE SOUND REPEAT ■ íÂÌËӂ͇ ËÚÏ˘ÌÓÒÚË Ë„˚: Easy Play .................................................... èÓÒÍÓθÍÛ ÏÂÚÓ‰ Easy Play Ô‰ÔÓ·„‡ÂÚ, ˜ÚÓ ‚˚ Ó·Û˜‡ÂÚÂÒ¸ ÚÓθÍÓ Ë„Â ‚ ÌÛÊÌÓÏ ËÚÏÂ, ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ÖÒÎË ‚˚ Ë„‡ÂÚ ‚ Ô‡‚ËθÌÓÏ ËÚÏÂ, ÏÂÎÓ‰Ëfl ·Û‰ÂÚ Á‚Û˜‡Ú¸ Ô·‚ÌÓ. (èË ˝ÚÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.) ■ é·Û˜ÂÌË ÔÓ ÏÂÚÓ‰Û: Next Note ................................................................................... 103 åÂÚÓ‰ Next Note ÔÓÁ‚ÓÎflÂÚ Û‚Ë‰ÂÚ¸, ͇ÍÛ˛ Í·‚Ë¯Û ÒΉÛÂÚ Ì‡Ê‡Ú¸, Ò ÔÓÏÓ˘¸˛ ‡Á‚ÂÚÍË ÌÓÚ Ì‡ ˝Í‡ÌÂ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ı Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛÂ. Ç˚ ÏÓÊÂÚ ˄‡Ú¸ ‚ Ò‚ÓÂÏ ÒÓ·ÒÚ‚ÂÌÌÓÏ ÚÂÏÔÂ, ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ‰Â·ڸ Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÔÓ͇ ‚˚ Ì Ò˚„‡ÂÚ ÌÛÊÌÛ˛ ÌÓÚÛ. ÇÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ ÔÓ‰Ò͇ÊÛÚ ÌÛÊÌ˚È ËÚÏ ‰Îfl Ë„˚: ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÏÓÏÂÌÚ ÓÌË Ì‡˜Ë̇˛Ú ÏË„‡Ú¸. èêàåÖóÄçàÖ ÖÒÎË ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ Ì ÏË„‡˛Ú... çÂÍÓÚÓ˚ ÔÂÒÌË, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÚÓ‰‡ Ë„˚, ÏÓ„ÛÚ Ì ÒÓÔÓ‚Óʉ‡Ú¸Òfl ÏË„‡ÌËÂÏ Ë̉Ë͇ÚÓÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚ ÔÂÂÍβ˜ËÚ¸Òfl ̇ ÏÂÚÓ‰ Next Note Ë Ë̉Ë͇ÚÓ˚ ̇˜ÌÛÚ ÏË„‡Ú¸. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«ÑÛ„Ë ӷۘ‡˛˘Ë ÙÛÌ͈ËË» ̇ ÒÚ. 108. ÖÒÎË Ë̉Ë͇ÚÓ˚ Ë ‡Á‚ÂÚ͇ ÌÓÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì˚ ‚‚Âı ËÎË ‚ÌËÁ... ÑÎfl ÌÂÍÓÚÓ˚ı ÔÂÒÂÌ Ë̉Ë͇ÚÓ˚ Ë ‡Á‚ÂÚ͇ ÌÓÚ ÏÓ„ÛÚ ÔÓ͇Á˚‚‡Ú¸ ÌÓÚ˚ ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚ ‚˚¯Â ËÎË ÌËÊÂ. çÓÚ˚, ‚˚ıÓ‰fl˘Ë Á‡ Ô‰ÂÎ˚ ‰Ë‡Ô‡ÁÓ̇ Í·‚ˇÚÛ˚ ËÁ 88 Í·‚˯, Ì ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl Ë̉Ë͇ÚÓ‡ÏË Ë ‡Á‚ÂÚÍÓÈ Ì‡ ˝Í‡ÌÂ. CVP-202 105 ìÔ‡‚ÎÂÌË ӷۘÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ à„‡ «î‡Á‡ Á‡ Ù‡ÁÓÈ»: ÏÂÚÓ‰ Sound Repeat ....................................... èË ÏÂÚӉ ӷۘÂÌËfl Sound Repeat ÔˇÌËÌÓ Clavinova ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÍÓÓÚÍÛ˛ ÏÛÁ˚͇θÌÛ˛ Ù‡ÁÛ. èÓÒÎÛ¯‡ÈÚ ÂÂ Ë ÔÓÔÓ·ÛÈÚ Ò˚„‡Ú¸. ä‡Í ÚÓθÍÓ ‚˚  Ò˚„‡ÂÚ ԇ‚ËθÌÓ, ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒÔÓËÁ‚‰ÂÚ ÒÎÂ‰Û˛˘Û˛ Ù‡ÁÛ. èêàåÖóÄçàÖ óËÒÎÓ ÔÓ‚ÚÓÂÌËÈ ç‡ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸, ÒÍÓθÍÓ ‡Á ‰ÓÎÊ̇ ·˚Ú¸ Ò˚„‡Ì‡ Ù‡Á‡. (ëÏ. ÒÚ. 109.) èêàåÖóÄçàÖ à̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.) ● Ç˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll) ÑÎfl ÓÚÓ·‡ÊÂÌËfl ‡Á‚ÂÚÍË ÌÓÚ Ì‡ ˝Í‡Ì ̇ÊÏËÚ β·Û˛ ÍÌÓÔÍÛ GUIDE CONTROL, ‡ Á‡ÚÂÏ [PLAY/STOP], ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÔÓÎÓÒ͇, ‰ÎË̇ ÍÓÚÓÓÈ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰ÎËÚÂθÌÓÒÚË ÌÓÚ˚. ùÚË ÔÓÎÓÒÍË «ÔÓÍۘ˂‡˛ÚÒfl» ̇ ˝Í‡Ì ҂ÂıÛ ‚ÌËÁ. Ç˚ ‰ÓÎÊÌ˚ Ò˚„‡Ú¸ ÌÓÚÛ ‚ ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ÔÓÎÓÒ͇ ‰ÓȉÂÚ ‰Ó ÌËÊÌÂ„Ó Í‡fl ˝Í‡Ì‡. óÚÓ·˚ Ò˚„‡Ú¸ ÌÓÚÛ ÌÛÊÌÓÈ ‰ÎËÚÂθÌÓÒÚË, Û‰ÂÊË‚‡ÈÚ ÂÂ, ÔÓ͇ ÔÓÎÓÒ͇ ‚ˉ̇ ̇ ˝Í‡ÌÂ. èêàåÖóÄçàÖ ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚˚‚Ó‰‡ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll ON/OFF) Ç˚‚Ó‰ ÌÓÚ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.) àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Guide Z ìÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ·Û‰ÂÚ ‡Áۘ˂‡Ú¸. ....................... è‰ ‚˚ÁÓ‚ÓÏ Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË Guide ۷‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂ̇ ‚ ‰ËÒÍÓ‚Ó‰. èêàåÖóÄçàÖ è‰ ÛÔ‡ÊÌÂÌËÂÏ è‰ ̇˜‡ÎÓÏ ÛÔ‡ÊÌÂÌËÈ ‚ÌËχÚÂθÌÓ ÔÓÒÎÛ¯‡ÈÚ ÔÓÎÌÛ˛ Á‡ÔËÒ¸ ÔÂÒÌË (‚Íβ˜‡fl Ô‡Ú˲, ÍÓÚÓÛ˛ ‚˚ ÒӷˇÂÚÂÒ¸ Ë„‡Ú¸). Å·„Ó‰‡fl ˝ÚÓÏÛ ‚˚ ÔÓÎÛ˜ËÚ flÒÌÓ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÚÓÏ, Í‡Í ‰ÓÎÊ̇ Á‚Û˜‡Ú¸ ÔÂÒÌfl, Ë ÒÏÓÊÂÚ ÔÓÒÚÂÔÂÌÌÓ ÛÎÛ˜¯‡Ú¸ Ò‚Ó˛ Ë„Û. èêàåÖóÄçàÖ ➾ Ç˚·ÂËÚ ÔÂÒÌ˛ Ë Ì‡ ˝Í‡Ì SONG PLAY [MAIN] (ÒÚ‡Ìˈ‡ 1 ˝Í‡Ì‡) ÓÚÍβ˜ËÚ ԇÚ˲, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ˄‡Ú¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. CVP-202 104 106 Ä‚ÚÓχÚ˘ÂÒÍÓ ÓÚÍβ˜ÂÌË ԇÚËË (Auto Part Cancel) ÖÒÎË ‚Íβ˜ËÚ¸ Ó·Û˜‡˛˘Û˛ ÙÛÌÍˆË˛ Guide, Ì Û͇Á‡‚ Ô‡Ú˲ ‰Îfl Ò‡ÏÓÒÚÓflÚÂθÌÓÈ Ë„˚, ·Û‰ÂÚ ‚˚·‡Ì‡ Ô‡ÚËfl 1/RIGHT (ËÎË Ô‡ÚËfl 2/ LEFT, ÂÒÎË ‚ Ô‡ÚËË 1/RIGHT ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚Â). ÖÒÎË ÓÚÍβ˜ËÚ¸ Ô‡Ú˲ ‰Ó ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Guide, ˝Ú‡ ̇ÒÚÓÈ͇ ÒÓı‡ÌËÚÒfl, ÔÓ͇ ‚˚ Ì ÔÂÂȉÂÚÂ Í ‰Û„ÓÈ ÔÂÒÌÂ. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ìÔ‡‚ÎÂÌË ӷۘÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) X Ç˚·Ó ÏÂÚÓ‰‡ Ó·Û˜ÂÌËfl. ..................................................................................................... ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL: [EASY PLAY], [NEXT NOTE] ËÎË [SOUND REPEAT]. GUIDE CONTROL EASY PLAY NEXT NOTE èêàåÖóÄçàÖ Ç˚Íβ˜ÂÌË ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ı Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛ ÇÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE]. (ëÏ. ÒÚ. 109.) SOUND REPEAT èêàåÖóÄçàÖ ÖÒÎË ÍÌÓÔÍË GUIDE CONTROL Ì ‚Íβ˜‡˛ÚÒfl... äÌÓÔ͇ÏË GUIDE CONTROL ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‚ ÂÊËÏ Song Play ËÎË ‚ ÂÊËÏ Demo, ÍÓ„‰‡ ‚˚·‡Ì‡ ‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÔÂÒÌfl «4. GUIDE Demo». çÂθÁfl ‚˚·‡Ú¸ ·Óθ¯Â Ó‰ÌÓ„Ó Ó·Û˜‡˛˘Â„Ó ÂÊËχ Ó‰ÌÓ‚ÂÏÂÌÌÓ. ➔ ᇄÓËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ. C ê‡Áۘ˂‡ÌË ԇÚËË. ................................................................................................................. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ èÓfl‚ËÚÒfl ‡Á‚ÂÚ͇ ÌÓÚ Ì‡ ˝Í‡ÌÂ. à„‡ÈÚ ‚ÏÂÒÚÂ Ò ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. SONG CONTROL SONG PLAY/ STOP èêàåÖóÄçàÖ ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚˚‚Ó‰‡ ÌÓÚ Ì‡ ˝Í‡Ì Ç˚‚Ó‰ ÌÓÚ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.) REC èêàåÖóÄçàÖ Ç ÂÊËÏ EASY PLAY ‚Ò„‰‡ Á‚Û˜ËÚ Ô‡‚Ëθ̇fl ÏÂÎÓ‰Ëfl, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ÌÓÚ˚ ‚˚ Ë„‡ÂÚÂ. èêàåÖóÄçàÖ ÇÓ ‚ÂÏfl Ë„˚ ÏÓÊÌÓ ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÏÂÚÓ‰Û Ó·Û˜ÂÌËfl. çÓ ÂÒÎË ‚ ÔÓΠGUIDE MODE ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡) ÒÚÓËÚ ÓÚÏÂÚ͇ SPECIAL, ÚÓ ‰Îfl Ú‡ÍÓÈ ÔÂÒÌË ÌÂθÁfl ËÁÏÂÌËÚ¸ ÏÂÚÓ‰ Ó·Û˜ÂÌËfl. èêàåÖóÄçàÖ Ç ÏÂÚÓ‰‡ı Next Note Ë Sound Repeat ÌÂθÁfl ÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [PAUSE]. V ä‡Í Á‡ÍÓ̘ËÚ¸ ÛÓÍ. ................................................................................................................... é·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl Guide ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl, ÍÓ„‰‡ ÔÂÒÌfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP] Ú‡ÍÊ ÏÓÊÌÓ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛. ÑÎfl ÓÚÍβ˜ÂÌËfl Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË Guide ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ: [EASY PLAY], [NEXT NOTE] ËÎË [SOUND REPEAT] - Ú‡Í, ˜ÚÓ·˚ ÔÓ„‡Ò Ë̉Ë͇ÚÓ. èêàåÖóÄçàÖ • ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ ̇ Í·‚ˇÚÛ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓÚ‡ÏË ‚ Ô‡ÚËflı 1/RIGHT Ë 2/LEFT, ‰‡Ê ÂÒÎË ÙÛÌ͈Ëfl Guide ÓÚÍβ˜Â̇, ÌÓ ˝ÚÓ ÚÓθÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ÍÌÓÔ͇ LAMP Ì ÓÚÍβ˜Â̇ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE]. ÇÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚ ÔÓ͇Á˚‚‡˛Ú ÌÓÚ˚, ÍÓÚÓ˚ ÌÛÊÌÓ Ë„‡Ú¸ ‚ Ô‡ÚËflı 1/RIGHT Ë 2/LEFT, ÂÒÎË Ó·Â ˝ÚË Ô‡ÚËË Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Íβ˜ÂÌ˚ ËÎË ‚˚Íβ˜ÂÌ˚. ÖÒÎË ‚˚Íβ˜Â̇ ÚÓθÍÓ Ó‰Ì‡ ËÁ ˝ÚËı Ô‡ÚËÈ, Ë̉Ë͇ÚÓ˚ ÔÓ͇Á˚‚‡˛Ú ÌÓÚ˚ ÚÓÈ Ô‡ÚËË, ÍÓÚÓ‡fl ÓÚÍβ˜Â̇. 105 • ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ‚˚·Ë‡Ú¸ Ô‡Ú˲ ‰Îfl ÛÔ‡ÊÌÂÌËfl, ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‡Á‚ÂÚÍÛ ÌÓÚ Ë ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ Ë̉Ë͇ÚÓ˚, ‡ Ú‡ÍÊ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ Ò‡ÏÛ Ó·Û˜‡˛˘Û˛ ÙÛÌÍˆË˛ Guide. CVP-202 107 ìÔ‡‚ÎÂÌË ӷۘÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ èêàåÖóÄçàÖ • èÓÒΠ‚˚·Ó‡ ÔÂÒÌË ÏÓÊÌÓ Á‡‰‡Ú¸ β·ÓÈ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [–] Ë [+]. • ÖÒÎË ÏÛÁ˚͇θÌ˚ ÔËÎÓÊÂÌËfl Ì ÔÓÁ‚ÓÎfl˛Ú ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÂÁ‡‚ËÒËÏÓ Ô‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË, ÙÛÌ͈Ëfl Guide ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Ì ‚ÔÓÎÌ ԇ‚ËθÌÓ. • èÓÒÍÓθÍÛ Û˜Â·Ì˚ هÁ˚, ÍÓÚÓ˚ ËÒÔÓθÁÛ˛ÚÒfl ‚ ÏÂÚӉ Sound Repeat, ÓÔ‰ÂÎfl˛ÚÒfl ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË, ÓÌË ÏÓ„ÛÚ Ì ‚ÔÓÎÌ ÒÓ‚Ô‡‰‡Ú¸ Ò Â‡Î¸Ì˚ÏË ÏÛÁ˚͇θÌ˚ÏË Ù‡Á‡ÏË. î‡Á˚ ÏÓ„ÛÚ ‰Â·ڸÒfl ÍÓÓ˜Â, ÂÒÎË ÙÛÌ͈Ëfl Guide ËÒÔÓθÁÛÂÚÒfl ‰Îfl Ô‡ÚËÈ Ë Î‚ÓÈ, Ë Ô‡‚ÓÈ ÛÍË. ÑÛ„Ë ӷۘ‡˛˘Ë ÙÛÌ͈ËË ç‡ÒÚÓÈÍË ÙÛÌ͈ËÈ Guide ÏÓÊÌÓ Á‡‰‡Ú¸ ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] (ÒÚ‡Ìˈ‡ 5 ˝Í‡Ì‡). ■ îÛÌ͈Ëfl GUIDE MODE ................................................................... é·˚˜ÌÓÈ Ì‡ÒÚÓÈÍÓÈ ÙÛÌ͈ËË GUIDE MODE ̇ ˝Í‡Ì SONG PLAY [GUIDE MODE] fl‚ÎflÂÚÒfl NORMAL. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË GUIDE MODE ÏÓÊÌÓ ÔÂÂÈÚË Í Ì‡ÒÚÓÈÍ ENSEMBLE; Ô‡Ú˲, ÍÓÚÓ‡fl ·˚· ËÒÍβ˜Â̇ Ô‡‡ÏÂÚÓÏ Part Cancel ̇ ˝Í‡Ì SONG PLAY [MAIN] (ÒÚ‡Ìˈ‡ 1˝Í‡Ì‡), ÏÓÊÌÓ ÚÂÔ¸ Ë„‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Part Cancel, ‡ ‰Û„Û˛ Ô‡Ú˲ (Ì ËÒÍβ˜ÂÌÌÛ˛ Ô‡‡ÏÂÚÓÏ Part Cancel) ÏÓÊÌÓ Ë„‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Easy Play. ÖÒÎË ‚˚·‡Ì ÏÂÚÓ‰ Next Note Ë Ì‡ ˝Í‡Ì GUIDE MODE Á‡„Ó·Ҹ ̇‰ÔËÒ¸ SPECIAL, ÔÂÒÌfl ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ÒÔˆˇθÌÓÏÛ Ó·Û˜‡˛˘ÂÏÛ ÏÂÚÓ‰Û. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ÌÓχθÌÓÏÛ ÂÊËÏÛ Next Note, ̇ÊÏËÚ ÍÌÓÔÍÛ GUIDE MODE. ç‡ ˝Í‡Ì ‰ÓÎÊ̇ Á‡„ÓÂÚ¸Òfl ̇‰ÔËÒ¸ NORMAL. èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË, ҉·ÌÌ˚ ̇ ˝ÚÓÏ ˝Í‡ÌÂ, ·Û‰ÛÚ Ú‡ÍÊ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ‰Îfl ÙÛÌ͈ËË Guide ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË «4. GUIDE Demo» ‚ ÂÊËÏ Demo. èêàåÖóÄçàÖ • Ç ÂÊËÏ ENSEMBLE ÏÓÊÌÓ Ë„‡Ú¸ ÚÓθÍÓ Ú ÔÂÒÌË, ÍÓÚÓ˚ ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚ ‰Îfl Ó·ÂËı Ô‡ÚËÈ [1/RIGHT] Ë [2/LEFT]. • êÂÊËÏ ENSEMBLE ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ Ò ÏÂÚÓ‰ÓÏ Next Note Ë Sound Repeat. • ç‡ÒÚÓÈÍÛ ÙÛÌ͈ËË GUIDE MODE ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÓθÍÓ ‰Ó ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. èêàåÖóÄçàÖ • èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ÔÂÒÂÌ ‡‚ÚÓχÚ˘ÂÒÍË Á‡„Ó‡ÂÚÒfl ̇‰ÔËÒ¸ SPECIAL. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰Û„Ëı ÔÂÒÂÌ, ÍÓÚÓ˚ Ì ÔÓ‰ıÓ‰flÚ ‰Îfl ÒÔˆˇθÌÓ„Ó Ó·Û˜‡˛˘Â„Ó ÂÊËχ, ̇‰ÔËÒ¸ SPECIAL Ì ÔÓfl‚ËÚÒfl, ‰‡Ê ÂÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ GUIDE MODE. • åÂÚÓ‰˚ Easy Play Ë Sound Repeat ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰‡Ê ‚ ÂÊËÏ SPECIAL. èêàåÖóÄçàÖ îÛÌ͈Ëfl GUIDE MODE • ç‡ÒÚÓÈÍË: NORMAL, ENSEMBLE, (SPECIAL) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: NORMAL ËÎË SPECIAL (‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÔÂÒÌË) CVP-202 106 108 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ìÔ‡‚ÎÂÌË ■ ç‡ÒÚÓÈ͇ ˜ËÒ· ÔÓ‚ÚÓÓ‚ (Sound Repeat Number) ...................... ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ˜ËÒ· ÔÓ‚ÚÓÓ‚ Ù‡Á˚ ‚ ÂÊËÏ Sound Repeat ̇ÊÏËÚ ÍÌÓÔÍÛ SOUND REPEAT. èË ÛÒÚ‡ÌÓ‚Í ԇ‡ÏÂÚ‡ AUTO ÔÓ‚ÚÓfl˛ÚÒfl ÚÓθÍÓ Ú هÁ˚, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ ÌÂÔ‡‚ËθÌÓ; Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl Guide ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÍβ˜‡ÂÚÒfl ̇ ÒÎÂ‰Û˛˘Û˛ Ù‡ÁÛ ÔÓÒΠÚÓ„Ó, Í‡Í Ô‰˚‰Û˘‡fl ·˚· Ò˚„‡Ì‡ Ô‡‚ËθÌÓ. ■ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˝Í‡Ì‡ Ò ÚÂÍÒÚ‡ÏË ÔÂÒÂÌ (Lyric Display ON/OFF) ........................................................................................................... ÑÎfl ‚˚Íβ˜ÂÌËfl (OFF) ˝Í‡Ì‡ Ò ÚÂÍÒÚ‡ÏË ÔÂÒÂÌ Ì‡ÊÏËÚ ÍÌÓÔÍÛ LYRICS. Ó·Û˜ÂÌËÂÏ (ÙÛÌ͈Ëfl Guide) èêàåÖóÄçàÖ SOUND REPEAT • ç‡ÒÚÓÈÍË: AUTO, 2 — 10 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: AUTO èêàåÖóÄçàÖ ç‡ÒÚÓÈÍÛ ÙÛÌ͈ËË SOUND REPEAT ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÓθÍÓ ‰Ó ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. èêàåÖóÄçàÖ LYRICS (ÚÂÍÒÚ ÔÂÒÌË) • ç‡ÒÚÓÈ͇: ON, OFF (‚ÍÎ./‚˚ÍÎ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ON èêàåÖóÄçàÖ • îÛÌÍˆË˛ Lyric Display ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÙÓχÚ 1 SMF. • ÖÒÎË Û ÔÂÒÌË ÌÂÚ ÒÓÔÓ‚Óʉ‡˛˘Ëı  ÒÎÓ‚, ÔË ÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËÂÈ LYRICS ÔÓfl‚flÚÒfl ÔÓ˜ÂÍË (- - -). èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ú‡ÍËı ÔÂÒÂÌ ÙÛÌ͈Ëfl LYRICS Ì ‡·ÓÚ‡ÂÚ. ■ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚˚‚Ó‰‡ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll ON/OFF) .................................................................................................................. Ç˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË PIANO ROLL. Ç ÂÊËÏ AUTO ‡Á‚ÂÚ͇ ÌÓÚ ‚Íβ˜‡ÂÚÒfl Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL. ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ‚Íβ˜Â̇ (ON), ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì; ‚ ‚˚Íβ˜ÂÌÌÓÏ ÒÓÒÚÓflÌËË (OFF) ‚˚‚Ó‰‡ ÌÓÚ ÌÂÚ. èêàåÖóÄçàÖ PIANO ROLL • ç‡ÒÚÓÈÍË: AUTO, ON, OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: AUTO èêàåÖóÄçàÖ ÖÒÎË Û ÔÂÒÌË ÂÒÚ¸ ÒÎÓ‚‡, ÙÛÌ͈Ëfl Lyric Display ËÏÂÂÚ ÔËÓËÚÂÚ Ì‡‰ ÙÛÌ͈ËÂÈ Piano Roll. çÓÚ˚ ·Û‰ÛÚ ‚˚‚Ó‰ËÚ¸Òfl ̇ ˝Í‡Ì ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Lyric Display, Í‡Í ·˚ÎÓ ÓÔËÒ‡ÌÓ ‚˚¯Â. ■ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ı Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛ (Keyboard Guide Lamp ON/OFF) .................................... 107 ÑÎfl ‚˚Íβ˜ÂÌËfl ‚ÒÔÓÏÓ„‡ÚÂθÌ˚ı Ë̉Ë͇ÚÓÓ‚ ̇ Í·‚ˇÚÛ ̇ÊÏËÚ ÍÌÓÔÍÛ LAMP. CVP-202 109 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Clavinova ÓÒ̇˘Â̇ ·Óθ¯ËÏ Ì‡·ÓÓÏ ÙÛÌ͈ËÈ Á‡ÔËÒË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÍÓÏÔÓÁˈËË Ì‡ ‰ËÒÍÂÚ˚. ëÛ˘ÂÒÚ‚ÛÂÚ ÚË ÏÂÚÓ‰‡ Á‡ÔËÒË. Å˚ÒÚ‡fl Á‡ÔËÒ¸ (ÒÚ. 112), ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ·˚ÒÚÓ Ë Î„ÍÓ; á‡ÔËÒ¸ ‰ÓÓÊÂÍ (ÒÚ. 115), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓÈ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ ËÌÒÚÛÏÂÌڇθÌ˚ ԇÚËË; Á‡ÔËÒ¸ èÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚ (ÒÚ. 121) ‰Îfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • ç‡ Ó‰ÌÛ ‰ËÒÍÂÚÛ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó 60 ÔÂÒÂÌ, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓ΢ÂÒÚ‚‡ ‰‡ÌÌ˚ı, ÒÓ‰Âʇ˘ËıÒfl ‚ ͇ʉÓÈ ÔÂÒÌÂ. • è‰ ÚÂÏ Í‡Í Á‡ÔËÒ˚‚‡Ú¸ ÔÂÒÌË Ì‡ ÌÓ‚Û˛ ‰ËÒÍÂÚÛ, ‰ËÒÍÂÚ‡ ‰ÓÎÊ̇ ·˚Ú¸ ÓÚÙÓχÚËÓ‚‡Ì‡ ‰Îfl Clavinova (ÒÏ. ÒÚ. 111). èêàåÖóÄçàÖ SONG CONTROL VOLUME MASTER VOLUME MAX CONTRAST STYLE ACMP/SONG VOLUME DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ R&B PIANIST MUSIC DATABASE SONG CONTROL TEMPO SONG PLAY/ STOP REC PAUSE REW FF VOICE SONG PLAY/ STOP REC PIANO & HARPSI. PAUSE REW FF BRASS SOUND REPEAT 1 E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS DUAL REVERB WOODWIND STRINGS CHOIR & PAD SYNTH. XG SPLIT EFFECT BEAT MAX HELP COUNTRY LATIN MARCH & WORLD METRONOME WALTZ BALLROOM DISK RESET FUNCTION HARMONY MIXER CUSTOM AUTO ACCOMPANIMENT ACMP ON MIN INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START/STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS MIN EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING ● ëÚÛÍÚÛ‡ ÔÂÒÌË èÂÒÌfl ÏÓÊÂÚ ÒÓÒÚÓflÚ¸ ËÁ ÌÂÒÍÓθÍËı ËÌÒÚÛÏÂÌڇθÌ˚ı Ô‡ÚËÈ, ͇ʉ‡fl ËÁ ÍÓÚÓ˚ı Á‡ÌËχÂÚ ÓÚ‰ÂθÌÛ˛ ‰ÓÓÊÍÛ, Í‡Í ÔÓ͇Á‡ÌÓ ‚ ÔËÏ ÌËÊÂ. 퇷Îˈ‡ ‰ÓÓÊÂÍ ÔÂÒÌË ÑÓÓÊ͇ Ô‡ÚËfl 1 èˇÌËÌÓ (Ô‡‚‡fl Û͇) 2 èˇÌËÌÓ (΂‡fl Û͇) 3 Bass (ŇÒ) 4 : 9 Strings (ëÚÛÌÌ˚Â) 10 : 16 èêàåÖóÄçàÖ • àÌÙÓχˆË˛ Ó ‰ËÒÍÂÚ‡ı ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 9). • CVP-202 Á‡ÔËÒ˚‚‡ÂÚ ÔÂÒÌË ‚ Ù‡ÈÎ˚ SMF (ÙÓÏ‡Ú 0). èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ ͇Ú„ÓËË [XG], XG-ÒÓ‚ÏÂÒÚËÏ˚. àÌÙÓχˆË˛ Ó XG/SMF (ÙÓÏ‡Ú 0) ÙÓχÚ ÒÏ. ̇ ÒÚ. 172. : Rhythm (êËÚÏ) Rhythm (êËÚÏ) : Organ (鄇Ì) (ç ·ÓΠ16-ÚË ‰ÓÓÊÂÍ.) Ç ıӉ ‡·ÓÚ˚ ÏÓ„ÛÚ ÔÓfl‚ÎflÚ¸Òfl ‡Á΢Ì˚ Ô‰ÛÔÂʉÂÌËfl, ÔÓ‰Ú‚ÂʉÂÌËfl Ë ÒÓÓ·˘ÂÌËfl Ó· ӯ˷͇ı. èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ÒÓÓ·˘ÂÌËflı ÒÏ. ‚ ‡Á‰ÂΠ«ëÓÓ·˘ÂÌËfl» (ÒÚ. 165). CVP-202 108 110 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ á‡ÔËÒ¸ ÔÂÒÂÌ è‡‡ÏÂÚ˚ Á‡ÔËÒË: îÓÏ‡Ú ‰ËÒÍÂÚ èÂʉ ˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ̇ ÔË·„‡ÂÏÛ˛ ˜ËÒÚÛ˛ ‰ËÒÍÂÚÛ, ÌÂÓ·ıÓ‰ËÏÓ Â ÓÚÙÓχÚËÓ‚‡Ú¸. àϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ Ú‡ÍÊ ÚÂ·Û˛Ú ÙÓχÚËÓ‚‡ÌËfl Ô‰ ËÒÔÓθÁÓ‚‡ÌËÂÏ. ÑËÒÍÂÚ˚, ̇ ÍÓÚÓ˚ ‡Ì ÛÊ ÔÓËÁ‚Ӊ˷Ҹ Á‡ÔËÒ¸, ÏÓÊÌÓ ÔÓ‚ÚÓÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Format ̇ ˝Í‡Ì FUNCTION [DISK 5] (ÒÚ. 146). Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ. ..................................................................................................................... ÄÍÍÛ‡ÚÌÓ ‚ÒÚ‡‚¸Ú ˜ËÒÚÛ˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Îˈ‚ÓÈ ÒÚÓÓÌÓÈ ‚‚Âı Ë Á‡‰‚Ë̸Ú ‰Ó ÍÓ̈‡, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ. ➔ óÂÂÁ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ÔÓÒΠ‚ÒÚ‡‚ÍË ‰ËÒÍÂÚ˚ ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ: «Start disk format?». ÑÎfl Á‡ÔÛÒ͇ ÙÓχÚËÓ‚‡ÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ OK. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ÙÓχÚËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ «CANCEL». èêàåÖóÄçàÖ èË ‚ÒÚ‡‚Í ˜ËÒÚÓÈ ÌÂÓÚÙÓχÚËÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚ˚ Ë ‰ËÒÍÂÚ˚ ‰Û„Ó„Ó ÙÓχڇ ÔÓfl‚ËÚÒfl Ó‰ÌÓ Ë ÚÓ Ê ÒÓÓ·˘ÂÌËÂ. èêàåÖóÄçàÖ íËÔ˚ ÙÓχÚÓ‚ é·˙ÂÏ ÓÚÙÓχÚËÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚ˚ 2DD ÒÓÒÚ‡‚ÎflÂÚ 720 äÅ, ‡ 2HD — 1,44 åÅ. DISK IN USE òÚÓ͇ ëÚÓÓ̇ ‰ËÒÍÂÚ˚ Ò Ì‡ÍÎÂÈÍÓÈ X Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÙÓχÚËÓ‚‡ÌËfl (Format). ........................... ç‡ Üä-‰ËÒÔΠÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ: «Are you sure?» («Ç˚ Û‚ÂÂÌ˚?»); ̇ÊÏËÚ ÍÌÓÔÍÛ YES ‰Îfl Á‡ÔÛÒ͇ ÓÔ‡ˆËË ËÎË NO ‰Îfl ÓÚÏÂÌ˚. 109 ç‡ Üä-‰ËÒÔΠÔÓfl‚ËÚÒfl ÒÚÓ͇ Ë̉Ë͇ÚÓ‡ ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË. èÓ ÓÍÓ̘‡ÌËË ÙÓχÚËÓ‚‡ÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ÂÌÂÚÒfl Ô‰˚‰Û˘ËÈ ˝Í‡Ì. CVP-202 111 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Å˚ÒÚ‡fl Á‡ÔËÒ¸ ZÇÒÚ‡‚¸Ú ÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ. ........................................................... ì·Â‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ÂÎ͇ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÁËˆË˛ «Á‡ÔËÒ¸», Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Îˈ‚ÓÈ ÒÚÓÓÌÓÈ ‚‚Âı Ë ¯ÚÓÍÓÈ ‚Ô‰ ‰Ó ˘ÂΘ͇. DISK IN USE òÚÓ͇ èêàåÖóÄçàÖ êÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔË ‚ÒÚ‡‚Í ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰, ÂÒÎË Ì‡ ‰ËÒÔÎÂÈ ‚˚‚‰ÂÌ ˝Í‡Ì FUNCTION ‰Îfl ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ (ÒÚ. 139) ËÎË Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚ CUSTOM STYLE (ÒÚ. 174). èêàåÖóÄçàÖ ëÚÓÓ̇ ‰ËÒÍÂÚ˚ Ò Ì‡ÍÎÂÈÍÓÈ á‡˘ËÚ‡ ‚˚Íβ˜Â̇ (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ, Á‡ÔËÒ¸ ‡Á¯Â̇) àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÂÚ Style File èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË Style File Ò̇˜‡Î‡ Á‡„ÛÁËÚ Ú·ÛÂÏ˚ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ Style File (ÒÚ. 86), ‡ Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‰Îfl Á‡ÔËÒË. ➔ à̉Ë͇ÚÓ DISK IN USE ·Û‰ÂÚ „ÓÂÚ¸ ‚Ò ‚ÂÏfl, ÔÓ͇ Clavinova Ò˜ËÚ˚‚‡ÂÚ Ë ‡ÒÔÓÁ̇ÂÚ ‰ËÒÍÂÚÛ. ➾ ÖÒÎË ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì ‚˚ÁÓ‚ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG]. ➔ ᇄÓËÚÒfl Ë̉Ë͇ÚÓ, Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì SONG PLAY [MAIN]. ÖÒÎË Ì ÔÓfl‚ËÎÒfl ˝Í‡Ì SONG PLAY [MAIN], ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË PAGE [<] Ë [>], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÚ‡ÌËˆÛ 1 ˝Í‡Ì‡. X Ç˚·ÂËÚ ÌÓÏ Á‡ÔËÒ˚‚‡ÂÏÓÈ ÔÂÒÌË. ............................................................. Ç˚·ÂËÚ ÙÛÌÍˆË˛ SONG, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ SONG, ‰ËÒÍ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÓÏ ÌÛÊÌÓÈ ÔÂÒÌË. ➾ Ç˚·ÂËÚ ÌÓÏ ÔÂÒÌË ÓÚ 1 ‰Ó 60. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÌÓÏ ÔÂÒÌË ÓÚ 61 ‰Ó 99, ‚˚ Ì ÒÏÓÊÂÚ ‚Íβ˜ËÚ¸ ÂÊËÏ Á‡ÔËÒË ÔÂÒÌË ‚ ¯‡„ 3. Clavinova ÏÓÊÂÚ ÔÓË„˚‚‡Ú¸ ‰Ó 99 ÔÂÒÂÌ Ò Ó‰ÌÓ„Ó ‰ËÒ͇, ÌÓ Á‡ÔËÒ‡Ú¸ ‚ÓÁÏÓÊÌÓ ÚÓθÍÓ 60 ÔÂÒÂÌ. Ç˚·‡ÌÌ˚È ÌÓÏ Û͇Á˚‚‡ÂÚ, ÍÛ‰‡ ·Û‰ÂÚ Á‡ÔË҇̇ ÔÂÒÌfl. ÖÒÎË fl‰ÓÏ Ò ÌÓÏÂÓÏ ÔÓfl‚ÎflÂÚÒfl ̇Á‚‡ÌË ÔÂÒÌË, ˝ÚÓ Á̇˜ËÚ, ˜ÚÓ Û͇Á‡Ì̇fl ÔÂÒÌfl ÛÊ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â. è‰ ÚÂÏ Í‡Í ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û, ۷‰ËÚÂÒ¸, ˜ÚÓ Ó̇ Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı, ÍÓÚÓ˚ ‚˚ ıÓÚÂÎË ·˚ ÒÓı‡ÌËÚ¸! ÖÒÎË ‚˚ ÔÓËÁ‚Ó‰ËÚ Á‡ÔËÒ¸ ‚ ÔÂÒÌ˛, ÒÓ‰Âʇ˘Û˛ ‰‡ÌÌ˚Â, ˝ÚË ‰‡ÌÌ˚ ·Û‰ÛÚ Á‡ÏÂÌÂÌ˚ ÔË Á‡ÔËÒË. CVP-202 110 112 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸ C Ç˚·Ó ÂÊËχ Á‡ÔËÒË ÔÂÒÌË. ............................................................................................ SONG CONTROL PLAY/ STOP èêàåÖóÄçàÖ • çÓÏ ÔÂÒÌË, ‚ ÍÓÚÓÛ˛ ÔÓËÁ‚Ó‰ËÚÒfl Á‡ÔËÒ¸, ÏÓÊÂÚ ·˚Ú¸ ËÁÏÂÌÂÌ ‚ ˝Í‡Ì QUICK RECORD. ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. SONG ÔÂÒÂÌ REC • ÖÒÎË ‚ ÏÓÏÂÌÚ ÔÂÂıÓ‰‡ ‚ ÂÊËÏ Á‡ÔËÒË ‚Íβ˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÔÂÂÍβ˜‡ÚÂθ ‰ÓÓÊÍË ACMP&RHY ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÔÓÎÓÊÂÌË REC. èêàåÖóÄçàÖ ➔ à̉Ë͇ÚÓ [REC] Á‡„ÓËÚÒfl, Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì QUICK RECORD (ÒÚ‡Ìˈ‡ 1 ˝Í‡Ì‡ ÂÊËχ Á‡ÔËÒË). èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı • èË ÔÓÔ˚ÚÍ Á‡ÔËÒË ‰‡ÌÌ˚ı ‚ ÔÂÒÌ˛, ÒÓÁ‰‡ÌÌÛ˛ ̇ ‰Û„ÓÏ ËÌÒÚÛÏÂÌÚÂ, ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÓÓ·˘ÂÌË «Convert to CVP song?» (ÒÚ. 166). óÚÓ·˚ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ÔÂÒÌ˛ ‚ ÙÓÏ‡Ú CVP, ̇ÊÏËÚ YES. • ÖÒÎË ÔÂÒÌfl ÍÓÌ‚ÂÚËÓ‚‡Ì‡, Í‡Í ÓÔËÒ‡ÌÓ ‚˚¯Â, Á‡ÔËÒ¸ ÏÓÊÂÚ ·˚Ú¸ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ ‚ ‰ÓÓÊÍË 1 ËÎË 2. èêàåÖóÄçàÖ èÂÂÍβ˜‡ÚÂÎË 1/RIGHT Ë 2/LEFT Ì ÏÓ„ÛÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌË REC Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ç˚ÁÓ‚ËÚ ÒÚ‡ÌËˆÛ 1 Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>], ÂÒÎË Ë̉Ë͇ÚÓ „ÓËÚ, ÌÓ ˝Í‡Ì QUICK RECORD (Å˚ÒÚ‡fl Á‡ÔËÒ¸) Ì ÔÓfl‚ËÎÒfl. Ç˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ Á‡ÔËÒ¸ ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ β·ÓÈ ÏÓÏÂÌÚ ‰Ó ¯‡„‡ 6 Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REC] ËÎË [EXIT]. VÇ˚·ÂËÚ Á‡ÔËÒ˚‚‡ÂÏÛ˛ Ô‡Ú˲. ....................................................................... Ç ÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚË Ô‡ÚËË: Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË (1/RIGHT), Ô‡Ú˲ ΂ÓÈ ÛÍË (2/LEFT) Ë Ô‡Ú˲ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚχ (ACMP&RHY). ç‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ — 1/RIGHT, 2/LEFT ËÎË ACMP&RHY, — ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÔÂÂÍβ˜‡ÚÂθ ‚ ÔÓÎÓÊÂÌË REC (Á‡ÔËÒ¸ ‚Íβ˜Â̇) ËÎË OFF (Á‡ÔËÒ¸/‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚Íβ˜ÂÌÓ). èÓÎÓÊÂÌË PLAY (‚ÓÒÔÓËÁ‚‰ÂÌËÂ) ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡ÌÓ ÚÓθÍÓ ‰Îfl Ô‡ÚËË, ÍÓÚÓ‡fl ÛÊ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â. èÂÂÍβ˜‡ÚÂθ Ô‡ÚËË ACMP&RHY ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÔÓÎÓÊÂÌË REC ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [ACMP ON] ̇ Ô‡ÌÂÎË. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ ËÚÏ, ÓÒÚ‡‚¸Ú ÔÂÂÍβ˜‡ÚÂθ ACMP&RHY ‚ ÔÓÎÓÊÂÌËË REC, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON], ˜ÚÓ·˚ ÔÓ„‡Ò Ë̉Ë͇ÚÓ. èêàåÖóÄçàÖ á‡ÔËÒ¸ „‡ÏÓÌËË Clavinova Á‡ÔËÒ˚‚‡ÂÚ „‡ÏÓÌ˲, ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Harmony (ÒÚ. 69). ÖÒÎË ‚˚·‡Ì ÚËÔ „‡ÏÓÌËË Duet, Trio, Block, 4 Part, Country, Octave ËÎË 1+5, Á‡ÔËÒ¸ ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl ‚ ‚˚·‡ÌÌÛ˛ ‰ÓÓÊÍÛ. ÖÒÎË ‚˚·‡Ì β·ÓÈ ‰Û„ÓÈ ÚËÔ „‡ÏÓÌËË, Á‡ÔËÒ˚‚‡˛ÚÒfl ‰ÓÓÊÍË Ò 6 ÔÓ 8. èêàåÖóÄçàÖ á‡ÔËÒ¸ ‚ ÂÊËÏ Dual/Split • ÑÎfl Á‡ÔËÒË Ô‡ÚËË 1/RIGHT ‚ ÂÊËÏ Dual ËÒÔÓθÁÛ˛ÚÒfl ‰ÓÓÊÍË 1 Ë 3. • ÑÎfl Á‡ÔËÒË Ô‡ÚËË 1/RIGHT ‚ ÂÊËÏ Split ËÒÔÓθÁÛ˛ÚÒfl ‰ÓÓÊÍË 1 Ë 5. • ÑÎfl Á‡ÔËÒË Ô‡ÚËË 2/RIGHT ‚ ÂÊËÏ Dual ËÒÔÓθÁÛ˛ÚÒfl ‰ÓÓÊÍË 2 Ë 4. • ÑÎfl Á‡ÔËÒË Ô‡ÚËË 2/LEFT ‚ ÂÊËÏ Split ËÒÔÓθÁÛ˛ÚÒfl ‰ÓÓÊÍË 2 Ë 5. • èË ËÁÏÂÌÂÌËË Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË [HARMONY] Ë [SPLIT] ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡˛ÚÒfl. èêàåÖóÄçàÖ á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • ÖÒÎË ‚˚ Á‡ÔËÒ˚‚‡ÂÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‰Îfl Á‡ÔËÒË ËÚχ ËÒÔÓθÁÛ˛ÚÒfl ‰ÓÓÊÍË 9 Ë 10, ‰Îfl ·‡Ò‡ — ‰ÓÓÊ͇ 11, ‡ ‰Îfl ‡ÍÍÓ‰Ó‚Ó„Ó ÒÓÔÓ‚ÓʉÂÌËfl — ‰ÓÓÊÍË Ò 12 ÔÓ 16. • îÛÌ͈Ëfl Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË (ÒÚ. 121) ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë„‡fl ‡ÍÍÓ‰˚, Ì ÔˉÂÊË‚‡flÒ¸ ÚÂÏÔ‡. èêàåÖóÄçàÖ 111 ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ Ô‡ÚËË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË REC (Á‡ÔËÒ¸), ‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇, Ë Á‡ÔËÒ¸ ̇˜ÌÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. • äÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ β·ÓÈ Ô‡ÚËË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÔÓÎÓÊÂÌË REC, Ò‚Ó·Ó‰ÌÓ ÏÂÒÚÓ Ì‡ ‰ËÒÍÂÚ (‚ ÍËÎÓ·‡ÈÚ‡ı) ÔÓ͇Á˚‚‡ÂÚÒfl ÒÔ‡‚‡ ÓÚ Ë̉Ë͇ÚÓ‡ ÚÂÏÔ‡ ̇ ‰ËÒÔÎÂÂ. óËÒÚ˚ ‰ËÒÍÂÚ˚ 2DD Ë 2HD ËÏÂ˛Ú Ó·˙ÂÏ ÓÍÓÎÓ 690 äÅ (ÔËÏÂÌÓ 69 000 ÌÓÚ) ËÎË 1400 äÅ (ÔËÏÂÌÓ 140 000 ÌÓÚ) ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. • äÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ ACMP&RHY ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÔÓÎÓÊÂÌË REC, Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË ·Û‰ÂÚ ÒÎ˚¯ÂÌ Á‚ÛÍ ÏÂÚÓÌÓχ. CVP-202 113 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ B Ç˚·ÂËÚ ÚÂÏ·, ÒÚËθ Ë Ú.‰. ....................................................................... Ç˚·ÂËÚ ÚÂÏ· Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÛÒÚ‡ÌÓ‚ËÚ ‚ Ó·˚˜ÌÓÏ ÔÓfl‰Í ÚÂÏÔ Ë ‰Û„Ë ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚. (ÖÒÎË ‚˚ ıÓÚËÚ ÔÓ‚ÂËÚ¸ ‚˚·‡ÌÌ˚ ÚÂÏ·˚, ÒÚËθ, ÚÂÏÔ Ë ‰Û„Ë ԇ‡ÏÂÚ˚, ҉·ÈÚ ˝ÚÓ ‰Ó ÔÂÂıÓ‰‡ Í ¯‡„Û 3, Ú.Í. Á‡ÔËÒ¸ ̇˜ÌÂÚÒfl ÌÂωÎÂÌÌÓ, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ͇ÍÛ˛-ÎË·Ó Í·‚Ë¯Û ËÎË ÍÌÓÔÍÛ [START/STOP]). èêàåÖóÄçàÖ àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÂÚ Style File èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË Style File Ò̇˜‡Î‡ Á‡„ÛÁËÚ Ú·ÛÂÏ˚ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ Style File (ÒÚ. 86), ‡ Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‰Îfl Á‡ÔËÒË. èêàåÖóÄçàÖ í‡ÍÊ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ù‡„ÏÂÌÚ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: INTRO, AUTO FILL, ENDING Ë FADE IN/OUT. ç‡ÊÏËÚ ÍÌÓÔÍÛ INTRO Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË, ÍÌÓÔÍË AUTO FILL ‚Ó ‚ÂÏfl Á‡ÔËÒË, ÍÌÓÔÍÛ ENDING ‚ ÍÓ̈ Á‡ÔËÒË Ë ÍÌÓÔÍÛ FADE IN/OUT ‚ ̇˜‡Î ËÎË ‚ ÍÓ̈ Á‡ÔËÒË. ÖÒÎË ‚ ÍÓ̈ Á‡ÔËÒË Ì‡Ê‡Ú¸ ÍÌÓÔÍË ENDING ËÎË FADE IN/OUT, Á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË Á‡‚¯ËÚÒfl ÔÓÒΠÙË̇· ËÎË Á‡ÚÛı‡ÌËfl „ÓÏÍÓÒÚË Á‚Û͇. N 燘ÌËÚ Á‡ÔËÒ¸. .............................................................................................................................. 燘ÌËÚ ˄‡Ú¸ ̇ Í·‚ˇÚÛ ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ÑÎfl Á‡ÔËÒË Ô‡ÚËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌËÚ Á‡ÔËÒ¸ Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ (ÒÚ. 58) Ë Ë„‡ÈÚ ‡ÍÍÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÚÂÍÛ˘ÂÏÛ ÂÊËÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·‡ÁÓÏ (ÒÚ. 60 Ë 61). èêàåÖóÄçàÖ á‡ÔËÒ¸ Ò ‚Íβ˜ÂÌÌ˚Ï ÏÂÚÓÌÓÏÓÏ 1. èÓÒΠ‚˚·Ó‡ ÚÂÏ·‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME] Ë ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ËÚχ ̇ ˝Í‡Ì METRONOME. ➔ åÂÚÓÌÓÏ Á‡Á‚Û˜ËÚ. 2. á‡ÔËÒ¸ ̇˜ÌÂÚÒfl, Í‡Í ÚÓθÍÓ ‚˚ ̇˜ÌÂÚ ˄‡Ú¸. ë˄̇Î˚ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡˛ÚÒfl. ÖÒÎË Ì ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡… • èÂÒÌfl ÏÓÊÂÚ ·˚Ú¸ Á‡ÔË҇̇ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸, ÂÒÎË Ó̇ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÍÓÓÚ͇fl. å‡ÍÒËχθ̇fl ‰ÎË̇ Á‡ÔËÒ˚‚‡ÂÏÓÈ ÔÂÒÌË ÒÓÒÚ‡‚ÎflÂÚ ÔËÏÂÌÓ 2500 ÌÓÚ (26 ä·); ÚÂÏ Ì ÏÂÌÂÂ, ÂÒÎË ‚Íβ˜ÂÌ˚ ‰ÓÔÓÎÌËÚÂθÌ˚ ÙÛÌ͈ËË, ‰ÎË̇ ÏÓÊÂÚ ·˚Ú¸ Ë ÏÂ̸¯Â. èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸, ·Û‰ÂÚ Û‰‡ÎÂ̇ ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË ÔË Á‡„ÛÁÍ ‰Û„ÓÈ ÔÂÒÌË. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ‚ ‡Á‰ÂΠ«á‡ÔËÒ¸ ·ÂÁ ‰ËÒÍÂÚ˚» (ÒÚ. 133). èêàåÖóÄçàÖ ê„ÛÎËÓ‚‡ÌË „ÓÏÍÓÒÚË ‚Ó ‚ÂÏfl Á‡ÔËÒË ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl Á‡ÔËÒË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÔÓÎÁÛÌÓÍ [ACMP/SONG VOLUME] Ë ˝Í‡Ì ÏËͯ‡. ÉÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚ „ÛÎËÛÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË KBD VOL ̇ ˝Í‡ÌÂ. èêàåÖóÄçàÖ ÖÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Harmony ËÎË ÂÊËÏ Split… • Ç˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ „‡ÏÓÌ˲ ËÎË ÌÓÚ˚, ‚ÁflÚ˚ ̇ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ‚Ó ‚ÂÏfl Á‡ÔËÒË Ô‡ÚËË 1/RIGHT. • ÇÓ ‚ÂÏfl Á‡ÔËÒË Ô‡ÚËË 2/LEFT Clavinova Ì ·Û‰ÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÚËÔ˚ „‡ÏÓÌËË, Ó·˚˜ÌÓ Á‡ÔËÒ˚‚‡ÂÏ˚ ‚ ‰ÓÓÊÍË Ò 6 ÔÓ 8 (ÒÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 113), ËÎË Ô‡Ú˲, Ë„‡ÂÏÛ˛ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ Ì „ÓflÚ ‚Ó ‚ÂÏfl Á‡ÔËÒË. CVP-202 112 114 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ á‡ÔËÒ¸ M éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸. ................................................................................................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ á‡ÔËÒ¸ ÔÂ͇ÚËÚÒfl. èÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÛ Ë̉Ë͇ÚÓ [REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì SONG PLAY. èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [START/STOP] ÔÂ͇ÚËÚÒfl Á‡ÔËÒ¸ ÚÓθÍÓ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚχ. Ç˚ ÏÓÊÂÚ ÔÓ‰ÓÎʇڸ Á‡ÔËÒ¸ Ò Í·‚ˇÚÛ˚ ·ÂÁ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚχ. óÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ÖÒÎË ‚˚ ÓÒڇ̇‚ÎË‚‡ÂÚ ÒÚËθ ̇ʇÚËÂÏ ÍÌÓÔÍË [ENDING] ËÎË [FADE IN/OUT], Á‡ÔËÒ¸ Ò Í·‚ˇÚÛ˚ Ú‡ÍÊ ·Û‰ÂÚ ÔÂ͇˘Â̇. ÔÂÒÂÌ ÇçàåÄçàÖ! Clavinova ÏÓÊÂÚ ÔÓ‰ÓÎʇڸ ÒÓı‡ÌÂÌË ‰‡ÌÌ˚ı ̇ ‰ËÒÍ Â˘Â ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓÒΠÚÓ„Ó, Í‡Í ‚˚ Á‡‚¯ËÚ Á‡ÔËÒ¸. ç ËÁ‚ÎÂ͇ÈÚ ‰ËÒÍÂÚÛ, ÔÓ͇ Ì ÔÓ„‡ÒÌÂÚ Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ DISK IN USE. èêàåÖóÄçàÖ • èÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË ÔÂÒÌ ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl ‚ÂÏÂÌÌÓ ̇Á‚‡ÌË SONG *** („‰Â *** — ÌÓÏ ÔÂÒÌË). Ç˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ̇Á‚‡ÌË ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. (ëÏ. ÒÚ. 127.) • à̉Ë͇ÚÓ [ACMP ON] „‡ÒÌÂÚ ÔÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË Ô‡ÚËÈ. • èÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË „ÓÏÍÓÒÚ¸ ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ̇ χÍÒËÏÛÏ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl ÔÓÎÁÛÌ͇ [ACMP/ SONG VOLUME]. < ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó. ............................................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ 燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [REW], [FF] Ë [PAUSE] ‰Îfl ÛÔ‡‚ÎÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ Ë ÍÌÓÔÍË TEMPO [–] Ë [+] ‰Îfl ËÁÏÂÌÂÌËfl ÚÂÏÔ‡. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Ú‡ÍÊ ˄‡Ú¸ ̇ Í·‚ˇÚÛÂ. ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒfl, Í‡Í ÚÓθÍÓ ·Û‰ÂÚ ‰ÓÒÚË„ÌÛÚ ÍÓ̈ Á‡ÔËÒË; Ú‡ÍÊ ÏÓÊÌÓ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ β·ÓÈ ÏÓÏÂÌÚ ÔÓ‚ÚÓÌ˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [PLAY/STOP]. èêàåÖóÄçàÖ • ÖÒÎË ÔÓ ıÓ‰Û Á‡ÔËÒË ÔÓËÒıÓ‰ËÎË ËÁÏÂÌÂÌËfl ÒÚËÎfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÓÊÂÚ ·˚Ú¸ Ò΄͇ Á‡Ï‰ÎÂÌÌ˚Ï ‚ ÏÂÒÚ‡ı ÔÂÂÍβ˜ÂÌËfl ÒÚËÎÂÈ, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ͇ÍË ÒÚËÎË ËÒÔÓθÁÓ‚‡ÎËÒ¸. • ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÂÊËχı Dual (ÒÚ. 33) Ë Full Keyboard (ÒÚ. 57), ÏÓÊÂÚ Ú‡ÍÊ Á‚Û˜‡Ú¸ Ò΄͇ Á‡Ï‰ÎÂÌÌÓ. á‡ÔËÒ¸ ‰ÓÓÊÂÍ (åÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸) Z Ç˚·ÂËÚ ËÌÒÚÛÏÂÌÚ ‰Îfl Á‡ÔËÒË. .................................................................... è‚˚ ÚË ¯‡„‡ ‰Îfl Á‡ÔËÒË ‰ÓÓÊÂÍ Ú‡ÍË ÊÂ, Í‡Í Ë ‰Îfl ·˚ÒÚÓÈ Á‡ÔËÒË. (ëÏ. ÒÚ. 112. ) X Ç˚·ÂËÚ ÒÚ‡ÌËˆÛ TRACK RECORD. ............................................................. 113 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË PAGE [<] Ë [>], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÚ‡ÌËˆÛ TRACK RECORD (ÒÚ‡Ìˈ‡ 2 ˝Í‡Ì‡ ÂÊËχ Á‡ÔËÒË). 16 ‰ÓÓÊÂÍ ÔÓfl‚flÚÒfl ̇‰ ÍÌÓÔ͇ÏË TRACK < Ë >. ÖÒÎË ÌÓÏ ‰ÓÓÊÍË Á‡Íβ˜ÂÌ ‚ ‡ÏÍÛ, ˝ÚÓ Á̇˜ËÚ, ˜ÚÓ ‰ÓÓÊ͇ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl; ‚˚‰ÂÎÂÌÌ˚ ÌÓχ ‰ÓÓÊÂÍ ÓÁ̇˜‡˛Ú, ˜ÚÓ Ì‡ ˝ÚÛ ‰ÓÓÊÍÛ ÏÓÊÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl Á‡ÔËÒ¸. çÓχ ‰ÓÓÊÂÍ, Ì ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚ı, Ì ÓÚÓ·‡Ê‡˛ÚÒfl. CVP-202 115 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ C Ç˚·ÂËÚ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË. ................................................................................... ÑÎfl ‚˚·Ó‡ ‰ÓÓÊÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TRACK < Ë >, ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ➔ Ç˚·‡Ì̇fl ‰ÓÓÊ͇ ·Û‰ÂÚ ‚˚‰ÂÎÂ̇. àÒÔÓθÁÛÈÚ ͇ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰Îfl ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË ÂÊËÏ REC (Á‡ÔËÒ¸) ËÎË OFF (Á‡ÔËÒ¸/ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚÍβ˜ÂÌ˚). ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ ‰ÓÓÊÍË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË REC, ‚Íβ˜‡ÂÚÒfl ÂÊËÏ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒ͇. Clavinova ̇˜ÌÂÚ Á‡ÔËÒ¸, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ͇ÍÛ˛-ÌË·Û‰¸ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. êÂÊËÏ PLAY ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡Ì ÚÓθÍÓ ‰Îfl ‰ÓÓÊÂÍ, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚Â. ÖÒÎË ‰ÓÓÊ͇ ÔË„ÎÛ¯Â̇, ÌÓÏ ÓÚÓ·‡Ê‡ÂÚÒfl ·ÂÁ ‡ÏÍË. èË Á‡ÔËÒË Ò Í·‚ˇÚÛ˚ ÏÓ„ÛÚ ·˚Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÒÔÓθÁÓ‚‡Ì˚ ÚË ÓÚ‰ÂθÌ˚ ‰ÓÓÊÍË. ÖÒÎË ‚˚ ̇ÏÂÂÌ˚ ÔË Á‡ÔËÒË ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË Dual ËÎË Split, ‰ÓÎÊÌ˚ ·˚Ú¸ ‚˚·‡Ì˚ ‰‚ ‰ÓÓÊÍË. ÖÒÎË ‚˚ ̇ÏÂÂÌ˚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË Dual Ë Split Ó‰ÌÓ‚ÂÏÂÌÌÓ, ‰ÓÎÊÌ˚ ·˚Ú¸ ‚˚·‡Ì˚ ÚË ‰ÓÓÊÍË. ÖÒÎË ‚Íβ˜ÂÌ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë/ËÎË „‡ÏÓÌËfl, ÌÓχ ‰ÓÓÊÂÍ ‰Îfl Á‡ÔËÒË ÙËÍÒËÛ˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ. * ÑÎfl Á‡ÔËÒË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÂÒÎË ÓÌ ‚Íβ˜ÂÌ, Ô‰̇Á̇˜ÂÌ˚ ‰ÓÓÊÍË Ò 9 ÔÓ 16. ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Harmony Ë ‚˚·‡Ì˚ ÚËÔ˚ „‡ÏÓÌËË (ÒÚ. 70), ÓÚ΢Ì˚ ÓÚ Duet, Trio, Block, 4 Part, Country, Octave ËÎË 1+5, ÚÓ ‰Îfl Á‡ÔËÒË „‡ÏÓÌËË ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Á̇˜‡˛ÚÒfl ‰ÓÓÊÍË Ò 6 ÔÓ 8. èêàåÖóÄçàÖ • ÑÓÓÊ͇ 10 (Ë ‚ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı 9) ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl Á‡ÔËÒË ËÚχ ËÁ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‡ÔËÒ¸ Ô‡ÚËË Ò Í·‚ˇÚÛ˚ ‚ Ì ̠ÔÓËÁ‚Ó‰ËÚÒfl. è‡ÚËfl Ò Í·‚ˇÚÛ˚ Ú‡ÍÊ ‰ÓÎÊ̇ Á‡ÔËÒ˚‚‡Ú¸Òfl ̇ ‰ÓÓÊÍÛ, ÓÚ΢ÌÛ˛ ÓÚ Ô‰̇Á̇˜ÂÌÌ˚ı ‰Îfl Á‡ÔËÒË „‡ÏÓÌËË Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • äÓ„‰‡ ÔÂÂÍβ˜‡ÚÂθ ‰ÓÓÊÂÍ ËÚχ (9 Ë 10) ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ò 9 ÔÓ 16) ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÔÓÎÓÊÂÌË REC, ̇˜Ë̇ÂÚ Á‚Û˜‡Ú¸ ÏÂÚÓÌÓÏ. • ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë/ËÎË „‡ÏÓÌËfl ÛÊ ‚Íβ˜ÂÌ˚ ‰Ó ‚˚·Ó‡ ÒÚ‡Ìˈ˚ Track Recording, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‰ÓÓÊÍË ‡‚ÚÓχÚ˘ÂÒÍË ÓÚϘ‡˛ÚÒfl Í‡Í ‚˚·‡ÌÌ˚ ‰Îfl Á‡ÔËÒË. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ RHYTHM, ‰ÓÓÊÍË 9 Ë 10 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Á̇˜‡˛ÚÒfl ‰Îfl Á‡ÔËÒË ËÚχ. ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂÎË ‰ÓÓÊÂÍ 9 Ë 10 ‚ ÔÓÎÓÊÂÌË REC, PLAY ËÎË OFF Ò ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍË Üä-‰ËÒÔÎÂfl. CVP-202 114 116 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸ ÔÂÒÂÌ V ìÒÚ‡ÌÓ‚ËÚ ‚Ò ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚. ............................................... äÓ„‰‡ ‰ÓÓÊÍË ‰Îfl Á‡ÔËÒË ‚˚·‡Ì˚, ÛÒÚ‡ÌÓ‚ËÚ ‚Ò ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚: ÚÂÏ·, ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ, ‚·‡ˆË˛ Ë ‰. B 燘ÌËÚ Á‡ÔËÒ¸. .......................................................................................................................... 燘ÌËÚ ˄‡Ú¸ ̇ Í·‚ˇÚÛ ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ÑÎfl Á‡ÔËÒË Ô‡ÚËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌËÚ Á‡ÔËÒ¸ Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ (ÒÚ. 58) Ë Ë„‡ÈÚ ‡ÍÍÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÚÂÍÛ˘ÂÏÛ ÂÊËÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·‡ÁÓÏ (ÒÚ. 60 Ë 61). çÓÏ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ ‰ËÒÔΠÔÓ ıÓ‰Û Á‡ÔËÒË. 臇ÏÂÚ˚, Ô˜ËÒÎÂÌÌ˚ ÌËÊÂ, Ú‡ÍÊ Á‡ÔËÒ˚‚‡˛ÚÒfl ‚ÏÂÒÚÂ Ò ÌÓÚ‡ÏË, ÍÓÚÓ˚ ‚˚ Ë„‡ÂÚÂ. (á‡ÔËÒ˚‚‡ÂÏ˚ ԇ‡ÏÂÚ˚ ÓÚ΢‡˛ÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌ˚ı ÒÚËÎÂÈ Ë ÛÒÚ‡ÌÓ‚ÓÍ.) èêàåÖóÄçàÖ ÖÒÎË ‚˚ ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ Ô‡Ú˲ ÔÂÒÌË (̇ÔËÏÂ, ÂÒÎË ‚˚ ҉·ÎË Ó¯Ë·ÍÛ ÔË Á‡ÔËÒË), ˝ÚÓ ÏÓÊÌÓ Î„ÍÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Punch-in/out (ÒÚ.118). èêàåÖóÄçàÖ êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ä‡Ê‰˚È ‡Á ÔÓÒΠÁ‡ÔËÒË Í‡ÍËı-ÎË·Ó ‰‡ÌÌ˚ı ÒΉÛÂÚ ÒÍÓÔËÓ‚‡Ú¸ Ëı ‚ ÔÂÒÌ˛ Ò ‰Û„ËÏ ÌÓÏÂÓÏ Ò ˆÂθ˛ ÒÓı‡ÌÂÌËfl ÂÁ‚ÌÓÈ ÍÓÔËË (‰ÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ‚ ‡Á‰ÂΠ«éÔ‡ˆËfl ÍÓÔËÓ‚‡ÌËfl», ÒÚ. 142). ùÚÓ ‰ÓÎÊÌÓ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌ˚ ÔÓÚÂË ‚‡ÊÌÓÈ ËÌÙÓχˆËË, ‰‡Ê ÂÒÎË ‚˚ Û‰‡ÎËÚ ‰‡ÌÌ˚ ‚Ó ‚ÂÏfl Á‡ÔËÒË. 臇ÏÂÚ˚, Á‡ÔËÒ˚‚‡ÂÏ˚ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ‰ÓÓÊÍË è‡‡ÏÂÚ˚, Á‡ÔËÒ˚‚‡ÂÏ˚ ‰Îfl ÔÂÒÌË ‚ ˆÂÎÓÏ • çÓÚ˚ • íÂÏ· • ÉÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚ • Pan (è‡ÌӇχ) • 臂‡fl Ô‰‡Î¸ (‰ÂÏÔÙÂ) • ょfl Ô‰‡Î¸ (ÒÚ. 138) • ë‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») • ÉÎÛ·Ë̇ ‚·‡ˆËË • ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Chorus • ÉÎÛ·Ë̇ ˝ÙÙÂÍÚÓ‚ • ÉÓÏÍÓÒÚ¸ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÓÒÌÓ‚ÌÓÈ, ‚ÚÓÓÈ, ΂ÓÈ) • 燇ÒÚ‡ÌËÂ/Á‡ÚÛı‡ÌË Á‚Û͇ (ÍÓÌ‚ÂÚËÛÂÚÒfl ‚ ÚËÔ ‰‡ÌÌ˚ı Ó „ÓÏÍÓÒÚË) • åÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ (ÒÚ. 155) • íÂÏÔ • íËÔ Â‚Â·Â‡ˆËË • é·˘‡fl „ÎÛ·Ë̇ ‚·‡ˆËË • íËÔ ˝ÙÙÂÍÚ‡ Chorus • íËÔ ˝ÙÙÂÍÚ‡* • ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • ó‡ÒÚË ÔÓËÁ‚‰ÂÌËfl (ËÌÚÓ‰Û͈Ëfl, ÓÒÌÓ‚Ì˚ ˜‡ÒÚË ÓÚ A ‰Ó D, ‚ÒÚ‡‚͇, ÙË̇Î) * èËÓËÚÂÚ ËÏÂÂÚ ˝ÙÙÂÍÚ ÔÓÒΉÌÂÈ Á‡ÔËÒ‡ÌÌÓÈ ‰ÓÓÊÍË. ÑÛ„Ë Á‡ÔËÒ˚‚‡ÂÏ˚ ԇ‡ÏÂÚ˚ 115 чÌÌ˚Â Ó ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ì Ô˂‰ÂÌÌ˚ ‚˚¯Â, ‚Íβ˜‡˛Ú: • ÉÓÏÍÓÒÚ¸ Ô‡ÚËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (‰‡ÌÌ˚Â Ó „ÓÏÍÓÒÚË, ‚ıÓ‰fl˘Ë ‚ ÒÚËθ, ÔÎ˛Ò ÛÒÚ‡ÌÓ‚ÍË ÏËͯ‡ ‚Ó ‚ÂÏfl Á‡ÔËÒË) CVP-202 117 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ N éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸. ............................................................................................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ á‡ÔËÒ¸ ÔÂ͇ÚËÚÒfl. èÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÛ Ë̉Ë͇ÚÓ [REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì SONG PLAY. èêàåÖóÄçàÖ èÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË ÛÓ‚Â̸ [ACMP/SONG VOLUME] ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ̇ χÍÒËÏÛÏ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl ÔÓÎÁÛÌ͇. èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [START/STOP] ÔÂ͇ÚËÚÒfl Á‡ÔËÒ¸ ÚÓθÍÓ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚχ. Ç˚ ÏÓÊÂÚ ÔÓ‰ÓÎʇڸ Á‡ÔËÒ¸ Ò Í·‚ˇÚÛ˚ ·ÂÁ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚχ. óÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ÖÒÎË ‚˚ ÓÒڇ̇‚ÎË‚‡ÂÚ ÒÚËθ ̇ʇÚËÂÏ ÍÌÓÔÍË [ENDING] ËÎË [FADE IN/OUT], Á‡ÔËÒ¸ Ò Í·‚ˇÚÛ˚ Ú‡ÍÊ ·Û‰ÂÚ ÔÂ͇˘Â̇. ÑÓ·‡‚ÎÂÌË ÌÓ‚˚ı ‰ÓÓÊÂÍ Ç ÔÂÒÌ˛ ÏÓÊÌÓ ‰Ó·‡‚ËÚ¸ ÌÓ‚˚ ‰ÓÓÊÍË, ‚˚·‡‚ ‰ÓÓÊÍË Ë ÚÂÏ·˚ ‰Îfl Á‡ÔËÒË, Í‡Í ÓÔËÒ‡ÌÓ ‚˚¯Â. ÇÓ ‚ÂÏfl Á‡ÔËÒË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Ë ÔÓÒÎÛ¯‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ‰ÓÓÊÍË. èÓ‚ÚÓflfl ˝ÚË ‰ÂÈÒÚ‚Ëfl, ‚˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ ˆÂÎÛ˛ ÔÂÒÌ˛. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ÔÓËÁ‚Ó‰ËÚ Á‡ÔËÒ¸ ‚ ‰ÓÓÊÍÛ, ÛÊ ÒÓ‰Âʇ˘Û˛ ‰‡ÌÌ˚Â, ÔÂʉ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ·Û‰ÛÚ Û‰‡ÎÂÌ˚ Ë Á‡ÏÂÌÂÌ˚ ÌÓ‚˚ÏË. á‡ÔËÒ¸ Punch-in/out Ç˚·ÓÓ˜ÌÓ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÓÚ‰ÂθÌ˚ ه„ÏÂÌÚ˚ ÔÂÒÌË ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Punch-in/out. îÛÌ͈Ëfl Punch-in/out ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸ Á‡ÔËÒ¸ Ò ÔÓËÁ‚ÓθÌÓÈ ÚÓ˜ÍË ‚ ÛÊ Á‡ÔËÒ‡ÌÌÓÈ ‰ÓÓÊÍÂ Ë Á‡‚¯ËÚ¸ Á‡ÔËÒ¸ ‚ β·ÓÈ ‰Û„ÓÈ ÚÓ˜ÍÂ, ÓÒÚ‡‚Ë‚ ·ÂÁ ËÁÏÂÌÂÌËÈ ‚Ò ‰‡ÌÌ˚ ‰Ó ̇˜‡Î‡ Ë ÔÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË Punch-in/out. èêàåÖóÄçàÖ á‡ÔËÒ¸ Punch-in/out Ì ÏÓÊÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ‰ÓÓÊ͇ı, „‰Â ‡Ì ·˚Î Á‡ÔËÒ‡Ì ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ËÚÏ˘ÂÒ͇fl Ô‡ÚËfl, ‡ Ú‡ÍÊ ̇ ‰ÓÓÊ͇ı Ò 6 ÔÓ 8, ÂÒÎË Ì‡ ÌËı ·˚· Á‡ÔË҇̇ „‡ÏÓÌËfl (ÒÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 113). Z á‡ÔÛÒÚËÚ ÔÂÒÌ˛. ........................................................................................................................... ÇÓÒÔÓËÁ‚‰ËÚ ÔÂÒÌ˛, ˜ÚÓ·˚ ÓÔ‰ÂÎËÚ¸, ͇ÍÓÈ Ù‡„ÏÂÌÚ ‚˚ ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸. SONG CONTROL SONG CVP-202 REC 116 118 PLAY/ STOP ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸ ÔÂÒÂÌ X èËÓÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË Ô‰ ÔÂÂÁ‡ÔËÒ˚‚‡ÂÏ˚Ï Ù‡„ÏÂÌÚÓÏ. ....................................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ [PAUSE], ˜ÚÓ·˚ ÔËÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ˜ÛÚ¸ ‡Ì¸¯Â ÏÓÏÂÌÚ‡, Ò ÍÓÚÓÓ„Ó ‚˚ ıÓÚËÚ ̇˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸. éÒÚ‡‚¸Ú ӉËÌ ËÎË ÌÂÒÍÓθÍÓ Ú‡ÍÚÓ‚ Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË, ˜ÚÓ·˚ ÛÒÔÂÚ¸ ÛÒÎ˚¯‡Ú¸ ËÚÏ. PAUSE REW FF C ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Punch-in/out. ......................................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. SONG CONTROL SONG PLAY/ STOP REC ➔ èÓfl‚ËÚÒfl ˝Í‡Ì PUNCH IN/OUT. V Ç˚·ÂËÚ ‰ÓÓÊÍÛ. ................................................................................................................ ÑÎfl ‚˚·Ó‡ ‰ÓÓÊÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TRACK < ËÎË >, ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. ➔ Ç˚·‡Ì̇fl ‰ÓÓÊ͇ ·Û‰ÂÚ ‚˚‰ÂÎÂ̇ ÔÓ‰˜ÂÍË‚‡ÌËÂÏ. 117 àÒÔÓθÁÛÈÚ ͇ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂfl, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰Îfl ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË ÂÊËÏ REC (Á‡ÔËÒ¸) ËÎË OFF (Á‡ÔËÒ¸/ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚÍβ˜ÂÌ˚). êÂÊËÏ PLAY ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡Ì ÚÓθÍÓ ‰Îfl ‰ÓÓÊÂÍ, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚Â. ÖÒÎË ‰ÓÓÊ͇ ÔË„ÎÛ¯Â̇,  ÌÓÏ ÓÚÓ·‡Ê‡ÂÚÒfl ·ÂÁ ‡ÏÍË. èêàåÖóÄçàÖ Ä‚ÚÓχÚ˘ÂÒ͇fl ÛÒÚ‡Ìӂ͇ ÙÛÌ͈ËË Punch-in/out ÖÒÎË Ì ‚˚·‡Ì‡ ‰ÓÓÊ͇ ‰Îfl ÔÂÂÁ‡ÔËÒË, ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ÔÓÒΉÌflfl Á‡ÔËÒ‡Ì̇fl ‰ÓÓÊ͇. Punch-in/out. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ‚˚·‡ÎË ‰ÓÓÊÍÛ, ËÒÔÓθÁÛÂÏÛ˛ ‰Îfl Á‡ÔËÒË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚÏ˘ÂÒÍÓÈ Ô‡ÚËË, ËÎË ‰ÓÓÊÍÛ (6,7 ËÎË 8), ÒÓ‰Âʇ˘Û˛ „‡ÏÓÌ˲ (ÒÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 113), ‚˚ Ì ÒÏÓÊÂÚ ÔÓËÁ‚ÂÒÚË Á‡ÔËÒ¸. CVP-202 119 á‡ÔËÒ¸ ÔÂÒÂÌ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ B Ç˚·ÂËÚ ÂÊËÏ Ì‡˜‡Î‡ ÔÂÂÁ‡ÔËÒË. ................................................................. Ç˚·ÂËÚ Ú·ÛÂÏ˚È ÂÊËÏ Ì‡˜‡Î‡ ÔÂÂÁ‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ˜ÂÚ‚ÂÚÓÈ ÍÌÓÔÍË Üä-‰ËÒÔÎÂfl. ÑÓÒÚÛÔÌ˚ ‰‚‡ ÂÊËχ, ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ. 1ST KEY á‡ÔËÒ¸ ̇˜ÌÂÚÒfl, Í‡Í ÚÓθÍÓ ·Û‰ÂÚ Ì‡Ê‡Ú‡ β·‡fl Í·‚˯‡ ÔÓÒΠ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ‚ ¯‡„ 7 (ÌËÊÂ). PEDAL á‡ÔËÒ¸ ̇˜ÌÂÚÒfl, Í‡Í ÚÓθÍÓ ·Û‰ÂÚ Ì‡Ê‡Ú‡ ΂‡fl Ô‰‡Î¸ ÔÓÒΠ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ‚ ¯‡„ 7 (ÌËÊÂ). èêàåÖóÄçàÖ ÖÒÎË ‚˚·‡Ì ÂÊËÏ PEDAL, ΂ÓÈ Ô‰‡ÎË ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl ÙÛÌ͈Ëfl Punch In, Ó·˚˜Ì‡fl ÙÛÌ͈Ëfl Ô‰‡ÎË ÓÚÏÂÌflÂÚÒfl. N Ç˚·ÂËÚ ÂÊËÏ ÓÍÓ̘‡ÌËfl ÔÂÂÁ‡ÔËÒË. ...................................................... Ç˚·ÂËÚ Ú·ÛÂÏ˚È ÂÊËÏ ÓÍÓ̘‡ÌËfl ÔÂÂÁ‡ÔËÒË Ò ÔÓÏÓ˘¸˛ Ò‰ÌÂÈ ÍÌÓÔÍË Üä-‰ËÒÔÎÂfl. ÑÓÒÚÛÔÌ˚ ‰‚‡ ÂÊËχ, ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ. REPLACE ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÓÍÓ̘‡ÌËfl ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ·Û‰ÛÚ Û‰‡ÎÂÌ˚. PCH.OUT ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÓÍÓ̘‡ÌËfl ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÓÒÚ‡ÌÛÚÒfl ̇ ÏÂÒÚÂ. M á‡ÔÛÒÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ë Á‡ÔËÒ¸. .............................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP] ËÎË [PAUSE], ˜ÚÓ·˚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ÚÓ„Ó ÏÓÏÂÌÚ‡, „‰Â ҉·̇ Ô‡ÛÁ‡. ÖÒÎË ‚˚·‡Ì ÂÊËÏ 1ST KEY, ˜ÚÓ·˚ ̇˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸, ÔÓÒÚÓ Ì‡˜ÌËÚ ˄‡Ú¸ ‚ ÌÛÊÌ˚È ÏÓÏÂÌÚ. ÖÒÎË ‚˚·‡Ì ÂÊËÏ PEDAL, ˜ÚÓ·˚ ̇˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸, ̇ÊÏËÚ ÎÂ‚Û˛ Ô‰‡Î¸ ‚ ÏÓÏÂÌÚ Ì‡˜‡Î‡ Á‡ÔËÒË. < éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸. ................................................................................................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/STOP]. ➔ á‡ÔËÒ¸ ÔÂ͇ÚËÚÒfl. èÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÛ Ë̉Ë͇ÚÓ [REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓfl‚ËÚÒfl ˝Í‡Ì SONG PLAY. CVP-202 èêàåÖóÄçàÖ ÖÒÎË ‚˚·‡Ì ÂÊËÏ ÔÂÂÁ‡ÔËÒË PEDAL, Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊ ÓÒÚ‡ÌÓ‚ËÚ¸ ̇ʇÚËÂÏ Î‚ÓÈ Ô‰‡ÎË. 118 120 èêàåÖóÄçàÖ ÖÒÎË ‚˚·‡Ì ÂÊËÏ ÔÂÂÁ‡ÔËÒË PEDAL, Á‡ÔËÒ¸ ÏÓÊÌÓ Ì‡˜‡Ú¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡Ê‡ÚËÂÏ Î‚ÓÈ Ô‰‡ÎË, Ì ̇ÊËχfl Ô‰‚‡ËÚÂθÌÓ Ì‡ ÍÌÓÔÍË [PLAY/STOP] ËÎË [PAUSE], ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. ÄÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ○○○○○○○○ îÛÌ͈Ëfl Chord Sequence ÔÓÁ‚ÓÎflÂÚ ‚‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓ¯‡„Ó‚Ó, ËÒÔÓθÁÛfl ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ô‡Ú˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË, Ì ÌÛÊÌÓ Ë„‡Ú¸ ‚ ÓÔ‰ÂÎÂÌÌÓÏ ËÚÏ ËÎË ÚÂÏÔÂ. Z Ç˚·ÂËÚ ËÌÒÚÛÏÂÌÚ ‰Îfl Á‡ÔËÒË. .................................................................... èÓ‚ÚÓËÚ ¯‡„Ë Ò 1 ÔÓ 3 ‰Îfl ·˚ÒÚÓÈ Á‡ÔËÒË: ‚ÒÚ‡‚¸Ú ÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ, ‚˚·ÂËÚ ÌÓÏ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [REC], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ Á‡ÔËÒË. èêàåÖóÄçàÖ ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÏÛÁ˚͇θÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı (ÒÚ. 67) ËÎË ÙÛÌÍˆË˛ Registration (ÒÚ. 89) ‚Ó ‚ÂÏfl Á‡ÔËÒË ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. SONG CONTROL SONG PLAY/ STOP REC ➾ Ç˚·ÂËÚ ˝Í‡Ì RECORD EDIT (ÒÚ‡Ìˈ‡ 3 ˝Í‡Ì‡ ÂÊËχ Á‡ÔËÒË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>]. X ÇÍβ˜ËÚ ÙÛÌÍˆË˛ Chord Sequence. .............................................................. 119 ç‡ÊÏËÚ ÍÌÓÔÍÛ CHORD SEQ. ̇ ˝Í‡Ì RECORD EDIT. èêàåÖóÄçàÖ äÓ„‰‡ ÌÂθÁfl ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Chord Sequence... îÛÌÍˆË˛ Chord Sequence ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ Ì ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡. CVP-202 121 ÄÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ➔ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ èÓfl‚ËÚÒfl ˝Í‡Ì CHORD SEQUENCE, ‚Íβ˜ËÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ·Û‰ÂÚ ‚˚·‡Ì ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Fingered 1. èêàåÖóÄçàÖ àÁÏÂÌÂÌË ÂÊËχ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ç‚ÓÁÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÂÒÎË ‡ÍÚ˂̇ ÙÛÌ͈Ëfl Chord Sequence. íÂÏ Ì ÏÂÌÂÂ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÓÚ΢Ì˚È ÓÚ Full Keyboard) ‚ ˝Í‡Ì ACCOMPANIMENT MODE, ̇ʇ‚ ÔÓÒΉӂ‡ÚÂθÌÓ ÍÌÓÔÍË [DIRECT ACCESS] Ë [ACMP ON]. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ú‡ÍÊ ÏÓÊÂÚ ·˚Ú¸ ËÁÏÂÌÂ̇ ‚ ˝ÚÓÏ ˝Í‡ÌÂ. èêàåÖóÄçàÖ C èÂÂÏÂÒÚËÚ ÍÛÒÓ Í ÚӘ͠‚‚Ó‰‡. ....................................................................... ç‡ ‰ËÒÔΠڇÍÚ˚ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ ‚ˉ „ÓËÁÓÌڇθÌÓÈ ÎËÌËË Ò ‰ÂÎÂÌËflÏË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ‚ÓÒ¸Ï˚Ï ÌÓÚ‡Ï. óÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÚÂÛ„ÓθÌ˚È ÍÛÒÓ ‚‰Óθ ÎËÌËË Ú‡ÍÚ‡ Í ÚÓ˜ÍÂ, ‚ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚ ‚ÒÚ‡‚ËÚ¸ ‡ÍÍÓ‰ ËÎË ËÁÏÂÌËÚ¸ ÒÚËθ, ̇ÊÏËÚ ̇ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ CURSOR < ËÎË >, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÙÛÌÍˆË˛, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. í‡ÍÊ ÍÛÒÓ ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸ ÍÌÓÔ͇ÏË CURSOR < Ë >. • чÌÌ˚ ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÏÂÌflÚ ‚Ò Ô‰˚‰Û˘Ë ‰‡ÌÌ˚ ‚ ‰ÓÓÊ͇ı ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚχ, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÂÊËχı ·˚ÒÚÓÈ Á‡ÔËÒË Ë Á‡ÔËÒË ‰ÓÓÊÂÍ. • ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Chord Sequence ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó 999 Ú‡ÍÚÓ‚ • çÓÚÌÓ ‡Á¯ÂÌË ‚‚Ó‰ËÏ˚ı ‡ÍÍÓ‰Ó‚ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡ÌÓ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÍÛ˘Â„Ó ÒÚËÎfl. ÑÎfl ÒÚËÎÂÈ Ò ‡ÁÏÂÓÏ 2/4, 3/4, 4/4 Ë 5/4 Ó‰ËÌ ‡ÍÍÓ‰ ÏÓÊÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ ËÎË ÚËÓÎË, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı. ÑÎfl ‰Û„Ëı ‡ÁÏÂÓ‚ Ó‰ËÌ ‡ÍÍÓ‰ ÏÓÊÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ó‰ÌÓÏÛ Ú‡ÍÚÛ. èêàåÖóÄçàÖ èÂÂÍβ˜ÂÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ˜‡ÒÚË ÔÓËÁ‚‰ÂÌËfl àÁÏÂÌÂÌË ÒÚËÎfl ËÎË ÔÂÂÍβ˜ÂÌË ˜‡ÒÚË ÔÓËÁ‚‰ÂÌËfl (ÒÚ. 123) ÏÓÊÂÚ ·˚Ú¸ ÔÓËÁ‚‰ÂÌÓ ‚ ̇˜‡ÎÂ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡ (ËÌÚÓ‰Û͈Ëfl ÏÓÊÂÚ ·˚Ú¸ ‚‚‰Â̇ ÚÓθÍÓ ‚ ̇˜‡Î ÔÂÒÌË). é‰Ì‡ÍÓ ‚ÒÚ‡‚͇ ÏÓÊÂÚ ·˚Ú¸ ‰Ó·‡‚ÎÂ̇ ‚ β·ÓÏ ÏÂÒÚÂ. èêàåÖóÄçàÖ ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÉÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ú‡ÍÊ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸. èË ‡ÁÛÏÌÓÏ ËÒÔÓθÁÓ‚‡ÌËË ˝Ú‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡˘Ë ‰Ë̇Ï˘ÂÒÍË ˝ÙÙÂÍÚ˚ ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚‡¯ÂÈ ÔÂÒÌË. ÑÎfl ˝ÚÓ„Ó Ò̇˜‡Î‡ Á‡„ÛÁËÚ ËÌÙÓχˆË˛ Ó „ÓÏÍÓÒÚË Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ˝Í‡Ì‡ MIXER; ÒËÏ‚ÓÎ ( ) ÔÓfl‚ËÚÒfl ‚ ‡ÏÍ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ‰ËÒÔÎÂfl. óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ Á‡ÔËÒ¸ ËÌÙÓχˆË˛ Ó „ÓÏÍÓÒÚË ‚ ÚÂÍÛ˘ÂÈ ÔÓÁˈËË, ̇ÊÏËÚ ÍÌÓÔÍÛ SET ˝Í‡Ì‡ CHORD SEQUENCE. (Ç Ì‡˜‡Î ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á‡‡Ì Á‡‰‡ÌÌÓ Á̇˜ÂÌË ÛÓ‚Ìfl „ÓÏÍÓÒÚË.) CVP-202 120 122 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÄÍÍÓ‰Ó‚‡fl V ǂ‰ËÚ ‡ÍÍÓ‰˚ Ë/ËÎË ÛÒÚ‡ÌÓ‚ËÚ ËÁÏÂÌÂÌËfl ÒÚËÎfl. ............ ÄÍÍÓ‰ ÏÓÊÌÓ ÎË·Ó Ò˚„‡Ú¸ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÌËÊ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl), ÎË·Ó ‚˚‰ÂÎËÚ¸ ÔÓÎfl ROOT ËÎË TYPE ̇ Üä-‰ËÒÔÎÂÂ Ë ‚‚ÂÒÚË ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ‡ÍÍÓ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ROOT Ë/ËÎË TYPE. ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ èêàåÖóÄçàÖ ç‡Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚, ‚‚‰ÌÌ˚ı Ò Í·‚ˇÚÛ˚, Ú‡ÍÊ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ ÔÓÎflı ROOT Ë TYPE. ➔ ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ ÓÚÓ·‡Ê‡ÂÚÒfl fl‰ÓÏ ÒÓ Á̇˜ÍÓÏ Í·‚ˇÚÛ˚ ‚ ‡ÏÍ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ‰ËÒÔÎÂfl. ➾ óÚÓ·˚ ‚‚ÂÒÚË ËÁÏÂÌÂÌËfl ÒÚËÎfl (ÒÚËθ, ˜‡ÒÚ¸ ÔÓËÁ‚‰ÂÌËfl, ÚÂÏÔ), ÔÓÒÚÓ ‚˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë Á̇˜ÂÌËfl ‚ Ó·˚˜ÌÓÏ ÔÓfl‰ÍÂ. ➾ äÓ„‰‡ ‡ÍÍÓ‰ Ë/ËÎË ÒÚËθ ‚˚·‡Ì˚, ̇ÊÏËÚ ÍÌÓÔÍÛ SET. ➔ óÂÌ˚È ÔflÏÓÛ„ÓθÌËÍ ÔÓfl‚ËÚÒfl ̇‰ ÎËÌËÂÈ Ë̉Ë͇ÚÓ‡ Ú‡ÍÚ‡ ‚ ÚÂÍÛ˘ÂÈ ÔÓÁˈËË; ˝ÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ‚ ˝ÚÓÈ ÔÓÁˈËË ·˚ÎË Á‡ÔËÒ‡Ì˚ ‰‡ÌÌ˚Â. äÛÒÓ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÏ¢‡ÂÚÒfl ‚ ÒÎÂ‰Û˛˘Û˛ ÔÓÁËˆË˛. á‡ÔËÒ˚‚‡ÂÏ˚ ‰‡ÌÌ˚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ‰ËÒÔÎÂÂ: ҂‰ÂÌËfl Ó ‡ÁÏÂÂ, ̇Á‚‡ÌËË ÒÚËÎfl Ë ˜‡ÒÚË ÔÓËÁ‚‰ÂÌËfl ̇ıÓ‰flÚÒfl ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ ˝Í‡Ì‡, ‡ ̇Á‚‡ÌË ‡ÍÍÓ‰‡ Ë ÚÂÏÔ — ‚ ‡ÏÍÂ Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡. èêàåÖóÄçàÖ ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Á‡ÚÛı‡ÌËfl „ÓÏÍÓÒÚË ‚Ó Ù‡„ÏÂÌÚÂ, „‰Â ÛÊ Á‡‰‡ÌÓ Ì‡‡ÒÚ‡ÌË „ÓÏÍÓÒÚË. èêàåÖóÄçàÖ Ç‚Â‰ÂÌË ه„ÏÂÌÚÓ‚ ÚÓθÍÓ Ò ËÚÏÓÏ Ç ÔÂÒÌ ÏÓ„ÛÚ ·˚Ú¸ Ù‡„ÏÂÌÚ˚ ÚÓθÍÓ Ò ËÚÏÓÏ (·ÂÁ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡). ÑÎfl ˝ÚÓ„Ó ‚ÒÚ‡‚¸Ú ‚ ÌÛÊÌ˚È Ú‡ÍÚ ÔÛÒÚÓÈ ‡ÍÍÓ‰, ÛÒÚ‡ÌÓ‚Ë‚ ‚ ÔÓΠTYPE Á̇˜ÂÌË «---». èêàåÖóÄçàÖ èÓ‰ÓÎʇÈÚ ÔÂÂÏ¢‡Ú¸ ÍÛÒÓ ‚ ÒÎÂ‰Û˛˘Ë ÔÓÁˈËË Ë ‰Ó·‡‚ÎflÈÚ ڇÍËÏ Ó·‡ÁÓÏ ‡ÍÍÓ‰˚ Ë ‚ÌÓÒËÚ ËÁÏÂÌÂÌËfl ÒÚËÎfl. á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ÏÓÊÌÓ ÔÓ‚ÂËÚ¸, ‚ÓÒÔÓËÁ‚‰fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. çËÊ Ô˜ËÒÎÂÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Chord Sequence. чÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Chord Sequence • ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • ó‡ÒÚ¸ ÔÓËÁ‚‰ÂÌËfl (MAIN A/B/C/D, ËÌÚÓ‰Û͈Ëfl, ÙË̇Î, ‡‚ÚÓχÚ˘ÂÒ͇fl ‚ÒÚ‡‚͇, ̇‡ÒÚ‡ÌËÂ/ Á‡ÚÛı‡ÌË „ÓÏÍÓÒÚË, ·ÂÈÍ) • ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ • íÂÏÔ • ÉÓÏÍÓÒÚ¸ Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÛÒÚ‡ÌÓ‚ÍË ÏËͯ‡) • êËÚÏ (‚Íβ˜ÂÌ/‚˚Íβ˜ÂÌ) 121 • „ÓÏÍÓÒÚ¸ ACMP/SONG (̇˜‡Î¸Ì‡fl ÛÒÚ‡Ìӂ͇) ÑÓ·‡‚ÎÂÌË ԇÛÁ˚ • è‡ÛÁÛ ‚ Á‚Û˜‡ÌËË ÏÓÊÌÓ ÒÓÁ‰‡Ú¸, Á‡‰‡‚ ÚËÔ ‡‰‡ «---» Ë ÓÚÍβ˜Ë‚ Á‚ÛÍ ËÚχ (ÒÏ. ÌËÊ ÓÔËÒ‡ÌË ÙÛÌ͈ËË «RHYTHM ON/OFF»). • èË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ì‚ÓÁÏÓÊÌÓ ‚ÒÚ‡‚ËÚ¸ Ô‡ÛÁÛ Ò ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË (ÒÚ. 138). • é·˚˜ÌÓ Clavinova ÔÓË„˚‚‡ÂÚ ‚ÒÚ‡‚ÍÛ ÔË ÔÂÂÍβ˜ÂÌËË ÏÂÊ‰Û ‚‡Ë‡ˆËflÏË (ÓÚ MAIN A Í MAIN D). óÚÓ·˚ ÔËÏÂÌËÚ¸ ‰Û„Û˛ ‚‡Ë‡ˆË˛ ‚ ̇˜‡Î ڇÍÚ‡, Ì ÔÓË„˚‚‡fl ‚ÒÚ‡‚ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ ‚‡Ë‡ˆËË, ‰‚‡Ê‰˚, Ô‰ ÚÂÏ Í‡Í Ì‡Ê‡Ú¸ SET. èêàåÖóÄçàÖ • çÓÏ ڇÍÚ‡ ÔÓ͇Á‡Ì Ò΂‡ ÓÚ Ë̉Ë͇ÚÓ‡ Ú‡ÍÚ‡. • àÌÙÓχˆË˛ Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı Ò‰ÒÚ‚‡ı ‰‡ÍÚËÓ‚‡ÌËfl ÒÏ. ÌËÊ ‚ ‡Á‰ÂΠ«ÑÛ„Ë ÙÛÌ͈ËË Chord Sequence». • é‰ËÌ Ë ÚÓÚ Ê ‡ÍÍÓ‰ Ì ÏÓÊÂÚ ·˚Ú¸ ‚‚‰ÂÌ ‰‚‡ ‡Á‡ ÔÓ‰fl‰. ÖÒÎË ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡ÂÏ˚È ‚ ÔÓÎflı ROOT Ë TYPE, Ú‡ÍÓÈ ÊÂ, Í‡Í Ô‰˚‰Û˘ËÈ Á‡ÔËÒ‡ÌÌ˚È ‡ÍÍÓ‰, Clavinova Ì Á‡Ô˯ÂÚ ËÁÏÂÌÂÌËfl ‡ÍÍÓ‰‡ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË SET. CVP-202 123 ÄÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ B éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸. ..................................................................................................................... äÓ„‰‡ Á‡ÔËÒ¸ Á‡ÍÓ̘Â̇, ‚˚·ÂËÚ ÒÚ‡ÌËˆÛ 2 ˝Í‡Ì‡ CHORD SEQUENCE, Á‡ÚÂÏ Ì‡ÊÏËÚ ÔÓÒΉӂ‡ÚÂθÌÓ ÍÌÓÔÍË END MARK Ë SET Ë ‚‚‰ËÚ ÏÂÚÍÛ ÓÍÓ̘‡ÌËfl, ÍÓÚÓ‡fl ÓÔ‰ÂÎflÂÚ ÏÂÒÚÓÔÓÎÓÊÂÌË ÙË̇·. åÂÚ͇ ÓÍÓ̘‡ÌËfl ·Û‰ÂÚ ÓÚÓ·‡ÊÂ̇ ‚ ‡ÏÍÂ Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC]; ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Save recorded data?». ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â Ë ÔÓÍËÌÛÚ¸ ÒÚ‡ÌËˆÛ ÙÛÌ͈ËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË; ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl ˝Í‡Ì SONG PLAY. ÑÎfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ÊÏËÚ NO. ÑÎfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ÊÏËÚ CANCEL. èêàåÖóÄçàÖ • íÂÔ¸ ‰‡ÌÌ˚ ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Á‡ÔËÒ‡Ì˚ ̇ ‰ÓÓÊ͇ı Ò 9 ÔÓ 16 Ë ÏÓ„ÛÚ ·˚Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ‚ Ó·˚˜ÌÓÏ ÔÓfl‰ÍÂ. èÓ Ê·Ì˲ ÏÓÊÂÚ ‰Ó·‡‚ËÚ¸ ‰Û„Ë ‰ÓÓÊÍË, ËÒÔÓθÁÛfl Òڇ̉‡ÚÌÛ˛ Ôӈ‰ÛÛ ‚˚·Ó‡ ‰ÓÓÊÍË Ë Á‡ÔËÒË. Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ÔÓ‚Âı Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Á‡ÏÂÌËÚ¸  ÓË„Ë̇θÌÓÈ ÍÓÏÔÓÁˈËÂÈ, ËÒÔÓθÁÛfl Òڇ̉‡ÚÌÛ˛ Ôӈ‰ÛÛ ‚˚·Ó‡ ‰ÓÓÊÍË Ë Á‡ÔËÒË. • èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÏÓÊÂÚ ÔÓÁÊ ·˚Ú¸ ÓÚ‰‡ÍÚËÓ‚‡Ì‡; ‰Îfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÒÌÓ‚‡ ‚ÓÈÚË ‚ ÂÊËÏ ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ë ‚ÌÂÒÚË Ú·ÛÂÏ˚ ËÁÏÂÌÂÌËfl. íÂÏ Ì ÏÂÌÂÂ, ÒΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ÔÓ‚Âı Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ó·˚˜Ì˚Ï ÏÂÚÓ‰ÓÏ Á‡ÔËÒË ‰ÓÓÊÍË), ·Û‰ÛÚ Á‡ÏÂÌÂÌ˚ ‰‡ÌÌ˚ÏË Òڇ̉‡ÚÌÓ„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. (ç‡ÔËÏÂ, ‰‡Ê ÂÒÎË ‚˚ Á‡ÔËÒ‡ÎË Ò‚Ó˛ ÒÓ·ÒÚ‚ÂÌÌÛ˛ ·‡ÒÓ‚Û˛ Ô‡Ú˲, Ó̇ ·Û‰ÂÚ Û‰‡ÎÂ̇ Ë Á‡ÏÂÌÂ̇ Òڇ̉‡ÚÌÓÈ ·‡ÒÓ‚ÓÈ Ô‡ÚËÂÈ, ÂÒÎË ‚˚ ‰‡ÍÚËÛÂÚ ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Chord Sequence.) ÑÛ„Ë ÙÛÌ͈ËË Chord Sequence ëÚ‡Ìˈ‡ 2 ˝Í‡Ì‡ CHORD SEQUENCE ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‡ÁÌÓÓ·‡ÁÌ˚ı ÙÛÌ͈ËÈ, ÔÓÁ‚ÓÎfl˛˘Ëı ·ÓΠ˝ÙÙÂÍÚË‚ÌÓ ‡·ÓÚ‡Ú¸ Ò ‰‡ÌÌ˚ÏË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. ■ ALL DELETE ................................................................. óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ‰‡ÌÌ˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ ALL DELETE. èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?». ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ËÎË NO ‰Îfl ÓÚÏÂÌ˚. ■ DELETE ......................................................................... óÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ ÚÂÍÛ˘Â„Ó ÔÓÎÓÊÂÌËfl ÍÛÒÓ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ DELETE. èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?». ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ËÎË NO ‰Îfl ÓÚÏÂÌ˚. CVP-202 122 124 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÄÍÍÓ‰Ó‚‡fl ■ END MARK .................................................................... óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ÏÂÚÍÛ ÓÍÓ̘‡ÌËfl ‚ ÚÂÍÛ˘Â ÔÓÎÓÊÂÌË ÍÛÒÓ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ END MARK, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ SET. åÂÚ͇ ÓÍÓ̘‡ÌËfl ÓÔ‰ÂÎflÂÚ ÍÓ̈ ÔÂÒÌË Ë ‰ÓÎÊ̇ ̇‰ÎÂʇ˘ËÏ Ó·‡ÁÓÏ ‚‚Ó‰ËÚ¸Òfl ‚ ÍÓ̈ ͇ʉÓÈ ÔÂÒÌË. (åÂÚ͇ ÓÍÓ̘‡ÌËfl ÌÂÓ·flÁ‡ÚÂθ̇, ÂÒÎË ÔÂÒÌfl Ó͇̘˂‡ÂÚÒfl ÙË̇ÎÓÏ ËÎË ÔÓÒÚÂÔÂÌÌ˚Ï Á‡ÚÛı‡ÌËÂÏ Á‚Û͇.) äÛÒÓ Ì ÏÓÊÂÚ ÔÂÂÏ¢‡Ú¸Òfl ‰‡Î¸¯Â ÏÂÚÍË ÓÍÓ̘‡ÌËfl. åÂÚÍÛ ÓÍÓ̘‡ÌËfl ÏÓÊÌÓ Û‰‡ÎËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË DELETE, Í‡Í Ë Î˛·˚ ‰Û„Ë ‰‡ÌÌ˚Â. ■ RHYTHM ON/OFF.......................................................... 123 óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ Á‚ÛÍ ËÚχ, ̇ÊÏËÚ ÍÌÓÔÍÛ RHYTHM ON/OFF, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ SET. 燘Ë̇fl Ò ÚÓ˜ÍË, „‰Â ËÚÏ ·˚Î ‚˚Íβ˜ÂÌ Ë ‰Ó ÚÓ˜ÍË, „‰Â ÓÌ ·˚Î ÒÌÓ‚‡ ‚Íβ˜ÂÌ, Á‚ÛÍ ËÚχ ÒÎ˚¯ÂÌ Ì ·Û‰ÂÚ. ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ èêàåÖóÄçàÖ åÂÚ͇ ÓÍÓ̘‡ÌËfl ÖÒÎË Ì ‚‚‰Â̇ ÏÂÚ͇ ÓÍÓ̘‡ÌËfl, ÔÂÒÌfl Á‡ÍÓ̘ËÚÒfl ˜ÂÂÁ Ó‰ËÌ Ú‡ÍÚ ÔÓÒΠÔÓÒΉÌËı Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı. ÖÒÎË Á‡‰‡Ì ÙË̇ΠËÎË Ù‡„ÏÂÌÚ Fade-out, ÔÂÒÌfl Á‡ÍÓ̘ËÚÒfl ̇ ÔÓÒΉÌÂÏ Ú‡ÍÚ ÙË̇· ËÎË Ù‡„ÏÂÌÚ‡ Ò Á‡ÚÛı‡˛˘ËÏ Á‚ÛÍÓÏ. èêàåÖóÄçàÖ ëÓÒÚÓflÌË ÔÂÂÍβ˜‡ÚÂÎfl RHYTHM ON/OFF ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ‡ÏÍ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ˝Í‡Ì‡. CVP-202 125 ÑÛ„Ë ÙÛÌ͈ËË Record Edit ○○○○○○○○○○○○○○○ Ç ÂÊËÏ Á‡ÔËÒË Record Ô‰ÛÒÏÓÚÂÌÓ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı ÙÛÌ͈ËÈ Â‰‡ÍÚËÓ‚‡ÌËfl, ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ¢ ÎÛ˜¯Â ÛÔ‡‚ÎflÚ¸ ‰‡ÌÌ˚ÏË ÔÂÒÌË. ä ÙÛÌ͈ËflÏ Record Edit ÓÚÌÓÒflÚÒfl: Setup Memory - ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, Í‡Í ˜‡ÒÚ¸ ‚˚·‡ÌÌÓÈ ‚ ˝ÚÓÚ ÏÓÏÂÌÚ ÔÂÒÌË; Song Name - ÔÓÁ‚ÓÎflÂÚ ÔËÒ‚ÓËÚ¸ ËÏfl Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Ù‡ÈÎÛ; Track Edit - ̇·Ó ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ‰‡ÍÚËÓ‚‡ÌËÂÏ ‰ÓÓÊÍË (̇ÔËÏ Track Mix Ë Track Delete); Initial Edit - ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ‰‡ÌÌ˚ („ÓÏÍÓÒÚ¸, ‚·‡ˆË˛, ˝ÙÙÂÍÚ˚) ‚ ̇˜‡Î ÔÂÒÌË. Ç˚·‡‚ ÔÂÒÌ˛ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl, ÔÂÂȉËÚ ̇ ˝Í‡Ì RECORD EDIT (˝Í‡Ì Record mode, ÒÚ.3). á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚ ÙÛÌ͈ËË. Setup Memory îÛÌ͈Ëfl Setup Memory ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË Ì‡ ‰ËÒÍ ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‚ β·ÓÈ ÏÓÏÂÌÚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ ·˚ÎÓ ‡‚ÚÓχÚ˘ÂÒÍË Ëı ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸. Z ç‡ÒÚÓÈ͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. ...................................................................................................... àÁÏÂÌËÚ ÙÛÌ͈ËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ì‡ÒÚÓÈ͇ÏË, ÌÂÓ·ıÓ‰ËÏ˚ÏË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Â‰‡ÍÚËÛÂÏÓÈ ÔÂÒÌË. X Ç˚·Ó ÙÛÌ͈ËË Setup Memory. ..................................................................................... àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ PAGE [>], ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ RECORD EDIT (ÒÚ. 3 ˝Í‡Ì‡ Song Record), ÂÒÎË ˝ÚÓ ÌÂÓ·ıÓ‰ËÏÓ; Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SETUP MEMORY. èêàåÖóÄçàÖ • ÑÎfl ÔÓÎÛ˜ÂÌËfl ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËË Ó ÚÓÏ, ͇ÍË ̇ÒÚÓÈÍË ÒÓı‡Ìfl˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Setup Memory, ÒÏ. Ú‡·ÎËˆÛ Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ. 11 ‚ Ò·ÓÌËÍ ڇ·Îˈ. • ç‡ÒÚÓÈÍË, ÒÓı‡ÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Setup Memory, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÔË ÔÂÂÁ‡ÔËÒË ‰‡ÌÌ˚ı ËÎË ‚ ÒÎÛ˜‡Â ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËË Initial Edit (ÒÚ. 130) ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl ̇ÒÚÓÂÍ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚. ➔ ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Save panel settings to disk?» («ëÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË Ô‡ÌÂÎË Ì‡ ‰ËÒÍ?»). CVP-202 124 126 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„Ë ÙÛÌ͈ËË Record Edit ➾ ç‡ÊÏËÚ YES ‰Îfl ÒÓı‡ÌÂÌËfl ÚÂÍÛ˘Ëı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ËÎË CANCEL ‰Îfl ‚ÓÁ‚‡˘ÂÌËfl Í ˝Í‡ÌÛ RECORD EDIT. ➔ ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Don't remove the disk!» (ç ‚˚ÌËχÈÚ ‰ËÒÍ!) Ë ÔÓfl‚ËÚÒfl ÒÚÓ͇ Ë̉Ë͇ˆËË ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı; Á‡ÚÂÏ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Completed!» («ÉÓÚÓ‚Ó!») Ë ÔÓËÁÓȉÂÚ ÔÂÂıÓ‰ Í ÒÚ‡Ìˈ RECORD EDIT. Song Name ùÚ‡ ÙÛÌ͈Ëfl ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÔËÒ‚ÓÂÌËfl ËÏÂÌ Ù‡È·Ï, Á‡ÔËÒ‡ÌÌ˚Ï Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, ËÎË ‰Îfl ËÁÏÂÌÂÌËfl ËÏÂÌ ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ù‡ÈÎÓ‚. ÑÎfl ‚˚ÁÓ‚‡ ÙÛÌ͈ËË Song Name ̇ÊÏËÚ ÍÌÓÔÍÛ SONG NAME ̇ ˝Í‡Ì RECORD EDIT. èêàåÖóÄçàÖ îÛÌÍˆË˛ Song Name ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ Ì ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡. Z Ç‚Ó‰ ÌÛÊÌÓ„Ó ËÏÂÌË. ........................................................................................................... àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ >, ˜ÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÍÛÒÓ ‚ ÌÛÊÌÓ ÏÂÒÚÓ Ì‡ ˝Í‡Ì ËÏÂÌË Ù‡È·. (àÏfl هȷ ÏÓÊÂÚ ÒÓÒÚÓflÚ¸ Ì ·ÓΠ˜ÂÏ ËÁ 12 ÒËÏ‚ÓÎÓ‚.) ➾ àÒÔÓθÁÛÈÚ ‰ËÒÍ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+] ˜ÚÓ·˚ ‚˚·‡Ú¸ Ë ‚˚‰ÂÎËÚ¸ ·ÛÍ‚Û ËÎË Á̇Í, ÍÓÚÓ˚È Ì‡‰Ó ‚‚ÂÒÚË. ç‡ÊÏËÚ ÍÌÓÔÍÛ CH.SET, ˜ÚÓ·˚ ‚‚ÂÒÚË ÒËÏ‚ÓÎ, ‚˚‰ÂÎÂÌÌ˚È ÍÛÒÓÓÏ Ë ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÔÓÁˈËË. ÑÛ„Ë Á̇ÍË Ë ÒËÏ‚ÓÎ˚ ‚‚Ó‰flÚÒfl Ú‡ÍËÏ Ê ӷ‡ÁÓÏ. óÚÓ·˚ Û‰‡ÎËÚ¸ Ô‰˚‰Û˘ËÈ Á̇Í, ̇ÊÏËÚ ÍÌÓÔÍÛ BACK. á̇Í, ÒÚÓfl˘ËÈ Ô‰ ÍÛÒÓÓÏ Û‰‡ÎflÂÚÒfl, ‡ ÍÛÒÓ ÔÂÂÏ¢‡ÂÚÒfl ̇ Â„Ó ÏÂÒÚÓ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Song Name Ë ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ RECORD EDIT, ̇ÊÏËÚ ÍÌÓÔÍÛ CANCEL. X ëÓı‡ÌÂÌË ËÏÂÌË. .................................................................................................................. 125 á‡ÍÓ̘˂ ‚‚Ó‰ ËÏÂÌË Ù‡È·, ̇ÊÏËÚ ÍÌÓÔÍÛ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ „Ó. çÓ‚Ó ËÏfl ÒÓı‡ÌflÂÚÒfl Í‡Í ÚÂÍÛ˘Â ËÏfl هȷ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ CANCEL. CVP-202 127 ÑÛ„Ë ÙÛÌ͈ËË Record Edit ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Track Edit ç‡ÊÏËÚ ÍÌÓÔÍÛ TRACK EDIT ̇ ˝Í‡Ì RECORD EDIT, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ TRACK EDIT. ùÍ‡Ì TRACK EDIT ÒÓÒÚÓËÚ ËÁ ÚÂı ÒÚ‡Ìˈ: TRACK EDIT [MIX], TRACK EDIT [DELETE] Ë TRACK EDIT [QUANTIZE]. ■ Track Mix (TRACK EDIT ÒÚ‡Ìˈ‡ 1) îÛÌ͈Ëfl Track Mix Ó·˙‰ËÌflÂÚ ‰‡ÌÌ˚Â Ò ‰‚Ûı Á‡‰‡ÌÌ˚ı ‰ÓÓÊÂÍ Ë ÍÓÔËÛÂÚ ÂÁÛÎ¸Ú‡Ú Ì‡ ÚÂÚ¸˛ Û͇Á‡ÌÌÛ˛ ‰ÓÓÊÍÛ. èêàåÖóÄçàÖ Track Copy îÛÌ͈ËË TRK A Ë TRK B ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ‰Îfl ‰ÓÓÊÂÍ, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚Â. ÑÎfl TRK B Ú‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ Ô‡‡ÏÂÚ «---» (ÌÂÚ ‰ÓÓÊÍË). Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‰‡ÌÌ˚Â Ò ‰ÓÓÊÍË A ÔÓÒÚÓ ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ̇ ‰ÓÓÊÍÛ ë. èêàåÖóÄçàÖ èÓÒΠËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËË Track Mix Á‡‰‡ÌÌ˚ ÚÂÏ·, „ÓÏÍÓÒÚ¸ Ë Ú.‰. (Ú.Â. ‚Ò ‰‡ÌÌ˚Â, ÍÓÏ ÌÓÚ) ‰ÓÓÊÍË A ·Û‰ÛÚ ‰ÓÒÚÛÔÌ˚ ̇ ‰ÓÓÊÍÂ, „‰Â ÒÓÁ‰‡ÂÚÒfl ÍÓÔËfl. Z ì͇Á‡ÌË ‰‚Ûı ‰ÓÓÊÂÍ ‰Îfl Ó·˙‰ËÌÂÌËfl. ................................................... ç‡ÊÏËÚ ÍÌÓÔÍË TRK A Ë TRK B ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÙÛÌ͈ËË, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚ ÌÓχ ‰ÓÓÊÂÍ, ÍÓÚÓ˚ ÌÛÊÌÓ Ó·˙‰ËÌËÚ¸. íÂÏ·˚, ËÒÔÓθÁÛÂÏ˚ ‰Îfl Á‡‰‡ÌÌ˚ı ‰ÓÓÊÂÍ, Û͇Á˚‚‡˛ÚÒfl ̇‰ ̇Á‚‡ÌËflÏË ÙÛÌ͈ËÈ Ì‡ Üä-‰ËÒÔÎÂÂ. X ì͇Á‡ÌË ‰ÓÓÊÍË, ̇ ÍÓÚÓÛ˛ ·Û‰ÂÚ Á‡ÔËÒ‡Ì Á‚ÛÍ. ........................ àÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ TRK C, ˜ÚÓ·˚ Á‡‰‡Ú¸ ‰ÓÓÊÍÛ, ̇ ÍÓÚÓÛ˛ ̇‰Ó Á‡ÔËÒ‡Ú¸ Ó·˙‰ËÌÂÌÌ˚ ‰‡ÌÌ˚Â. í‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË Ó·˙‰ËÌÂÌÌ˚ı ‰‡ÌÌ˚ı, ̇ʇ‚ ÍÌÓÔÍÛ TRK C, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·‡Ú¸ ‰ÓÓÊÍÛ. ÇÒ ‰‡ÌÌ˚Â, ̇ıÓ‰fl˘ËÂÒfl ̇ ‰ÓÓÊÍÂ, ÍÛ‰‡ ·Û‰ÂÚ Á‡ÔËÒ‡Ì Á‚ÛÍ, ·Û‰ÛÚ ÒÚÂÚ˚. C Ç˚ÔÓÎÌÂÌË ÓÔ‡ˆËË Track Mix. ............................................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ MIX ‰Îfl Á‡ÔÛÒ͇ ÓÔ‡ˆËË Track Mix. èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ Track Mix, ËÎË NO ‰Îfl ÓÚÏÂÌ˚. èÓ Á‡‚¯ÂÌËË ÓÔ‡ˆËË ÙÛÌ͈Ëfl MIX ÒÏÂÌËÚÒfl ̇ UNDO, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ÓÔ‡ˆËË Track Mix Ë ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Mix ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] (Ë̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ). äÌÓÔ͇ [EXIT] Ú‡ÍÊ ÔÓÁ‚ÓÎflÂÚ ‚˚ÈÚË ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Mix. CVP-202 • ÇÓ ‚ÂÏfl Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl Ô‡ÌÂθ, ÓÚÓ·‡Ê‡˛˘‡fl ÒÓÒÚÓflÌË ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Track Mix. • Ç˚ ÏÓÊÂÚ ӈÂÌËÚ¸, ̇ÒÍÓθÍÓ ÂÁÛθڇÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊˉ‡ÂÚÂ, Á‡ÔÛÒ͇fl Ë ÓÒڇ̇‚ÎË‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï ÒΉÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ ҉·ڸ ˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚ ‚˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚ËÂ, ÔÓÒΠÍÓÚÓÓ„Ó ÌÂθÁfl ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ UNDO.) • çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË ‚˚ ÛÊ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË ‚˚¯ÎË ËÁ ˝ÚÓ„Ó ÂÊËχ. • çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îfl ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ (ÒÏ. ÒÚ. 133). 126 128 èêàåÖóÄçàÖ • èÓÒΠ‚˚ÔÓÎÌÂÌËfl ÙÛÌ͈ËË Track Mix, ̇ ‰ÓÓÊ͇ı A Ë B ÓÒÚ‡ÌÛÚÒfl ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â. ÖÒÎË ÒÚ‡˚ ‰‡ÌÌ˚ ‚‡Ï Ì ÌÛÊÌ˚, Û‰‡ÎËÚ Ëı. (ëÏ. ÌËÊ ‡Á‰ÂÎ «Track Delete».) ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„Ë ÙÛÌ͈ËË Record Edit ■ Track Delete (TRACK EDIT ÒÚ‡Ìˈ‡ 2) îÛÌÍˆË˛ Track Delete ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Û‰‡ÎÂÌËfl ‰‡ÌÌ˚ı Ò Î˛·ÓÈ Á‡‰‡ÌÌÓÈ ‰ÓÓÊÍË. Z ì͇Á‡ÌË ‰ÓÓÊÍË ‰Îfl Û‰‡ÎÂÌËfl. ....................................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ TRACK ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÙÛÌÍˆË˛, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔ͇ÏË [–] Ë [+] ‚˚·ÂËÚ ‰ÓÓÊÍÛ, ÍÓÚÓÛ˛ ÌÂÓ·ıÓ‰ËÏÓ Û‰‡ÎËÚ¸. X Ç˚ÔÓÎÌÂÌË ÓÔ‡ˆËË Delete. .................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ DELETE. èË ÔÓfl‚ÎÂÌËË ÒÓÓ·˘ÂÌËfl «Are You Sure?» (Ç˚ Û‚ÂÂÌ˚?), ̇ÊÏËÚ YES ‰Îfl ‚˚ÔÓÎÌÂÌËfl Û‰‡ÎÂÌËfl ËÎË NO ‰Îfl ÓÚÏÂÌ˚. èÓÒΠ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Û‰‡ÎÂÌËfl ÙÛÌ͈Ëfl DELETE ËÁÏÂÌËÚÒfl ̇ UNDO. ÖÒÎË ÂÁÛÎ¸Ú‡Ú Ì ۉӂÎÂÚ‚ÓflÂÚ ‚‡Ò, ̇ÊÏËÚ ÍÌÓÔÍÛ UNDO, ˜ÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ۉ‡ÎÂÌÌÓÈ ‰ÓÓÊÍË. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Delete ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] (Ë̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ). í‡ÍÊ ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Delete ÏÓÊÌÓ ‚˚ÈÚË, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ Ç˚·‡Ú¸ ÏÓÊÌÓ ÚÓθÍÓ ‰ÓÓÊÍË, ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚Â. èêàåÖóÄçàÖ • ÇÓ ‚ÂÏfl Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl Ô‡ÌÂθ, Û͇Á˚‚‡˛˘‡fl ÒÓÒÚÓflÌË ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Track Delete. • YÇ˚ ÏÓÊÂÚ ӈÂÌËÚ¸, ̇ÒÍÓθÍÓ ÂÁÛθڇÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊˉ‡ÂÚÂ, Á‡ÔÛÒ͇fl Ë ÓÒڇ̇‚ÎË‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï ÒΉÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ ҉·ڸ ˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚ ‚˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚ËÂ, ÔÓÒΠÍÓÚÓÓ„Ó ÌÂθÁfl ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ UNDO.) • TçÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË ‚˚ ÛÊ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË ‚˚¯ÎË ËÁ ˝ÚÓ„Ó ÂÊËχ. • TçÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îfl ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ (ÒÏ. ÒÚ. 133). ■ Track Quantize (TRACK EDIT ÒÚ. 3) 127 åÓÊÌÓ ÛÏÂ̸¯ËÚ¸ ‚ÂÏfl Á‚Û˜‡ÌËfl Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË, ‚˚Ó‚Ìfl‚ ‚Ò ÌÓÚ˚ ÔÓ Á‡‰‡ÌÌ˚Ï ‰ÓÎflÏ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Track Quantize. ç‡ÔËÏÂ, ÏÓÊÌÓ ‚˚Ó‚ÌflÚ¸ ‰ÎËÚÂθÌÓÒÚ¸ Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ ‰Ó ‚ÓÒ¸Ï˚ı Ë ¯ÂÒÚ̇‰ˆ‡Ú˚ı. CVP-202 129 ÑÛ„Ë ÙÛÌ͈ËË Record Edit ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Z ì͇Á‡ÌË ‰ÓÓÊÍË ‰Îfl ‚˚‡‚ÌË‚‡ÌËfl. ......................................................... ç‡ÊÏËÚ ÍÌÓÔÍÛ TRACK ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÙÛÌÍˆË˛, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔ͇ÏË [–] Ë [+] ‚˚·ÂËÚ ‰ÓÓÊÍÛ, ÍÓÚÓÛ˛ ÌÂÓ·ıÓ‰ËÏÓ ‚˚Ó‚ÌflÚ¸. èêàåÖóÄçàÖ Ç˚·‡Ú¸ ÏÓÊÌÓ ÚÓθÍÓ ‰ÓÓÊÍË, ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚Â. X ì͇Á‡ÌË «‡Áχ» ‚˚‡‚ÌË‚‡ÌËfl. ................................................................ ç‡ Üä-‰ËÒÔΠ̇ÊÏËÚ ÍÌÓÔÍÛ ÔÓ‰ ÒËÏ‚ÓÎÓÏ ÌÓÚ˚ ˜ÚÓ·˚ ‚˚·‡Ú¸ «‡ÁÏ» ‚˚‡‚ÌË‚‡ÌËfl, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ. Úˉˆ‡Ú¸ ‚ÚÓ˚ 3 ÚËÓÎË ¯ÂÒÚ̇‰ˆ‡Ú˚ÏË ¯ÂÒÚ̇‰ˆ‡Ú˚ 3 ÚËÓÎË ‚ÓÒ¸Ï˚ÏË ‚ÓÒ¸Ï˚ 3 ÚËÓÎË ˜ÂÚ‚ÂÚÌ˚ÏË ˜ÂÚ‚ÂÚÌ˚ ÌÓÚ˚ C Ç˚ÔÓÎÌÂÌË ÓÔ‡ˆËË Quantize. ................................................................................. ç‡ÊÏËÚ ÍÌÓÔÍÛ QUANTIZE. äÓ„‰‡ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?), ̇ÊÏËÚ YES ‰Îfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË ‚˚‡‚ÌË‚‡ÌËfl ËÎË NO ‰Îfl ÓÚÏÂÌ˚. èÓÒΠ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË ÙÛÌ͈Ëfl QUANTIZE ËÁÏÂÌËÚÒfl ̇ UNDO. ÖÒÎË ÂÁÛÎ¸Ú‡Ú Ì ۉӂÎÂÚ‚ÓflÂÚ ‚‡Ò, ̇ÊÏËÚ ÍÌÓÔÍÛ UNDO, ˜ÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ̇ ‚˚Ó‚ÌÂÌÌÓÈ ‰ÓÓÊÍÂ. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Quantize ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] (Ë̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ). àÁ ÏÂÌ˛ ÙÛÌ͈ËË Track Quantize ÏÓÊÌÓ Ú‡ÍÊ ‚˚ÈÚË, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ • Ç˚‡‚ÌË‚‡Ú¸ ÏÓÊÌÓ ÚÓθÍÓ ‰‡ÌÌ˚ ÌÓÚ Ë ÚÂÏ·‡. • ÇÓ ‚ÂÏfl Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl Ô‡ÌÂθ, Û͇Á˚‚‡˛˘‡fl ÒÓÒÚÓflÌË ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Quantize. • Ç˚ ÏÓÊÂÚ ӈÂÌËÚ¸, ̇ÒÍÓθÍÓ ÂÁÛθڇÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊˉ‡ÂÚÂ, Á‡ÔÛÒ͇fl Ë ÓÒڇ̇‚ÎË‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï ÒΉÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ ҉·ڸ ˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚ ‚˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚ËÂ, ÔÓÒΠÍÓÚÓÓ„Ó ÌÂθÁfl ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ UNDO.) • ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË ‚˚ ÛÊ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË ‡ÁÏ ‚˚‡‚ÌË‚‡ÌËfl ËÎË ‚˚¯ÎË ËÁ ˝ÚÓ„Ó ÂÊËχ. • çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îfl ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ (ÒÏ. ÒÚ. 133) Initial Edit (àÁÏÂÌÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı) îÛÌ͈Ëfl Initial Edit ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ „ÓÏÍÓÒÚ¸ ͇ʉÓÈ ‰ÓÓÊÍË ËÎË ËÒıÓ‰Ì˚ ̇ÒÚÓÈÍË ‰Îfl ˆÂÎÓÈ ÔÂÒÌË ÔÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË. Ç˚Á‚‡Ú¸ ˝Í‡Ì INITIAL EDIT ÏÓÊÌÓ, ̇ʇ‚ ÍÌÓÔÍÛ INITIAL EDIT ̇ ˝Í‡Ì RECORD EDIT. ç‡ ˝Í‡Ì ‚˚‚Ó‰flÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Ò ¯ÂÒÚ̇‰ˆ‡Ú¸ ‰ÓÓÊÂÍ, Ë ‚˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍË („ÓÏÍÓÒÚ¸, ÚÂÏ·, ‚·‡ˆË˛). CVP-202 128 130 èêàåÖóÄçàÖ • ã˛·Ó ËÁÏÂÌÂÌË ÚÂÏ·‡ ‚ Ò‰ËÌ ÔÂÒÌË ·Û‰ÂÚ ÒÚÂÚÓ, ÂÒÎË ‚˚ ËÁÏÂÌËÚ ԇ‡ÏÂÚ˚ ‚ ÂÊËÏ Initial Edit. • èË Â‰‡ÍÚËÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ‰‡ÌÌ˚ı ÌÂθÁfl ËÁÏÂÌËÚ¸ ÓÔ‰ÂÎÂÌÌ˚ ԇ‡ÏÂÚ˚ (ÓÚϘÂÌÌ˚Â Í‡Í Fixed) ËÎË ÚÂÏ· ‰ÓÓÊÂÍ (ÍÓÏ ‰ÓÓÊÂÍ 1 Ë 2). ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ ç‡ ˝Í‡Ì INITIAL EDIT ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÒÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó Í‡Ê‰ÓÏ Ô‡‡ÏÂÚ ÒÏ. ̇ Û͇Á‡ÌÌÓÈ ÒÚ‡ÌˈÂ. 臇ÏÂÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Initial Edit: ● ÖÒÎË ‚˚·‡Ì‡ ‰ÓÓÊ͇ 1 - 16: • VOLUME (ëÏ. ÒÚ. 32.) • VOICE (ëÏ. ÒÚ. 29.) • PAN (ëÏ. ÒÚ. 32.) • REVERB DEPTH (ëÏ. ÒÚ. 43.) • CHORUS DEPTH (ëÏ. ÒÚ. 45.) • EFFECT DEPTH (ëÏ. ÒÚ. 48.) ÙÛÌ͈ËË Record Edit èêàåÖóÄçàÖ • èË ‚˚·Ó ÏÂÌ˛ VOICE Ú‡ÍÊ ÓÚÓ·‡Ê‡˛ÚÒfl Ô‡‡ÏÂÚ˚: ÌÓÏ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ (PRG#), Ï·‰¯ËÈ ·ËÚ ·‡Ì͇ (BKL) Ë ÒÚ‡¯ËÈ ·ËÚ ·‡ÈÚ‡ (BKM), ÍÓÚÓ˚ ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ MIDI. ● ÖÒÎË ‚˚·‡ÌÓ TOTAL: • TEMPO (ëÏ. ÒÚ. 25.) • Overall REVERB DEPTH (ëÏ. ÒÚ. 42.) • REVERB TYPE (ëÏ. ÒÚ. 42.) • CHORUS TYPE (ëÏ. ÒÚ. 44.) • EFFECT TYPE (ëÏ. ÒÚ. 47.) ç‡ÒÚÓÈÍË Ì‡ ˝Í‡Ì INITIAL EDIT Z Ç˚·Ó ‰ÓÓÊÍË ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. ........................................................... ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TRACK < ËÎË > ‚˚·ÂËÚ ‰ÓÓÊÍÛ, Ô‡‡ÏÂÚ˚ ÍÓÚÓÓÈ ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸. ÖÒÎË ‚˚·‡ÌÓ TOTAL, ËÁÏÂÌÂÌËfl ÔÓËÁÓȉÛÚ ‚Ó ‚ÒÂÈ ÔÂÒÌÂ, ‡ Ì ̇ ÓÚ‰ÂθÌÓÈ ‰ÓÓÊÍÂ. X Ç˚·Ó Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸. ................. Ç˚·ÂËÚ ԇ‡ÏÂÚ˚, ÍÓÚÓ˚ ̇‰Ó ËÁÏÂÌËÚ¸, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ SELECT ▼ ËÎË ▲. 臇ÏÂÚ, ÍÓÚÓ˚È ÌÛÊÌÓ ËÁÏÂÌËÚ¸. á̇˜ÂÌË ÚÂÍÛ˘Â„Ó Ô‡‡ÏÂÚ‡ ‰Îfl ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË. èêàåÖóÄçàÖ Ç˚·‡Ì̇fl ‰ÓÓÊ͇ ‚˚‰ÂÎflÂÚÒfl. C àÁÏÂÌÂÌË ̇ÒÚÓÂÍ. ............................................................................................................ 129 ÑÎfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ËÒÔÓθÁÛÈÚ ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+]. èÓ‚ÂËÚ¸ ÂÁÛÎ¸Ú‡Ú ÏÓÊÌÓ Ò‡ÁÛ, Ú‡Í Í‡Í Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. • ÖÒÎË ‚˚·‡ÌÓ TOTAL Ë ËÁÏÂÌÂÌÓ Á̇˜ÂÌË „ÎÛ·ËÌ˚ ‚·‡ˆËË, ÌÓ‚˚ ̇ÒÚÓÈÍË Ú‡ÍÊ ·Û‰ÛÚ ÔËÏÂÌflÚ¸Òfl Í Á‚ÛÍÛ Í·‚ˇÚÛ˚. • íÂÏ·˚ ‰ÓÓÊÂÍ, ̇ ÍÓÚÓ˚ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‰‡ÌÌ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÚχ Ë/ËÎË ˝ÙÙÂÍÚ‡ Harmony, Ú‡ÍÊ ÏÓÊÌÓ ÏÂÌflÚ¸. • чÌÌ˚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂÚÓ˜ÌÓ, ÂÒÎË ‚Ó ‚ÂÏfl Ëı ‰‡ÍÚËÓ‚‡ÌËfl ‚˚ ËÒÔÓθÁÛÂÚ ÍÌÓÔÍÛ [REW]. CVP-202 131 ÑÛ„Ë ÙÛÌ͈ËË Record Edit ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ V á‡ÔËÒ¸ ËÁÏÂÌÂÌËÈ. .................................................................................................................. äÓ„‰‡ ‚Ò ÌÛÊÌ˚ ËÁÏÂÌÂÌËfl Initial Data ҉·Ì˚, ̇ÊÏËÚ ÍÌÓÔÍÛ WRITE. èË ÔÓfl‚ÎÂÌËË ÒÓÓ·˘ÂÌËfl «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?) ̇ÊÏËÚ YES ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl ËÁÏÂÌÂÌËÈ ËÎË NO ‰Îfl ÓÚÏÂÌ˚. äÓ„‰‡ ÓÔ‡ˆËfl ·Û‰ÂÚ Á‡‚¯Â̇, ÍÌÓÔ͇ WRITE ËÁÏÂÌËÚÒfl ̇ UNDO, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ÓÔ‡ˆËË Write Ë ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓÈ ‰ÓÓÊÍË. èêàåÖóÄçàÖ • ÇÒ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ‰‡ÌÌ˚ ‰Îfl β·Ó„Ó ÍÓ΢ÂÒÚ‚‡ ‰ÓÓÊÂÍ Ó‰ÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ó‰ÌÓÈ ÓÔ‡ˆËÂÈ Write (Ó‰ËÌ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ WRITE). • Ç˚ ÏÓÊÂÚ ӈÂÌËÚ¸, ̇ÒÍÓθÍÓ ÂÁÛθڇÚ˚ ÙÛÌ͈ËË Initial Edit ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊˉ‡ÂÚÂ, Á‡ÔÛÒ͇fl Ë ÓÒڇ̇‚ÎË‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/ STOP]. (Ç‡Ï ÒΉÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ ҉·ڸ ˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚ ‚˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚ËÂ, ÔÓÒΠÍÓÚÓÓ„Ó ÌÂθÁfl ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ UNDO.) • çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË ‚˚ ÔÓ‚ÚÓÌÓ ËÁÏÂÌËÎË Ì‡ÒÚÓÈÍÛ, ËÁÏÂÌËÎË ‰Û„Û˛ ̇ÒÚÓÈÍÛ ËÎË ‚˚¯ÎË ËÁ ÂÊËχ Initial Edit. • çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îfl ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ (ÒÏ. ÒÚ. 133). B Ç˚ıÓ‰ ËÁ ÏÂÌ˛ ÙÛÌ͈ËË Initial Edit. ........................................................................ ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. ➔ éÔ‡ˆËfl Initial Edit Á‡‚¯‡ÂÚÒfl, Ë Ë̉Ë͇ÚÓ [REC] „‡ÒÌÂÚ. àÁ ÏÂÌ˛ ÙÛÌ͈ËË Initial Edit Ú‡ÍÊ ÏÓÊÌÓ ‚˚ÈÚË, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. ÖÒÎË ‚˚ ‚˚ıÓ‰ËÚ ËÁ ÏÂÌ˛ Initial Edit, Ì ÒÓı‡ÌË‚ ҉·ÌÌ˚ ËÁÏÂÌÂÌËfl, ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ: «Write edited data?» («á‡ÔËÒ‡Ú¸ ËÁÏÂÌÂÌÌ˚ ‰‡ÌÌ˚Â?») ç‡ÊÏËÚ YES ‰Îfl ÒÓı‡ÌÂÌËfl ËÁÏÂÌÂÌËÈ Ë ‚˚ıÓ‰‡ ËÁ ÂÊËχ Initial Edit, NO ‰Îfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ËÁÏÂÌÂÌËÈ ËÎË CANCEL ‰Îfl ‚ÓÁ‚‡Ú‡ ‚ ÂÊËÏ Initial Edit Ë ÔÓ‰ÓÎÊÂÌËfl ‰‡ÍÚËÓ‚‡ÌËfl. CVP-202 130 132 á‡ÔËÒ¸ ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl ‰ËÒÍÂÚ˚ ○○○○○○○○○ ÇÌÛÚÂÌÌflfl Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 26 ä·,  ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Á‡ÔËÒË ÓÔ‰ÂÎÂÌÌÓ„Ó Ó·˙Âχ ‰‡ÌÌ˚ı ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl ‰ËÒÍÂÚ˚ - ÔËÏÂÌÓ 2500 ÌÓÚ (ÂÒÎË Ì ÒÓı‡ÌflÂÚÒfl ‰Û„‡fl ËÌÙÓχˆËfl). é CVP MEMORY Song èË ‚ıӉ ‚ ÂÊËÏ Song Record (·ÂÁ ‰ËÒÍÂÚ˚) ̇ ˝Í‡Ì SONG ÔÓfl‚flÚÒfl ÒÎÓ‚‡ CVP MEMORY (Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ) Ë ÒÚ‡ÌÛÚ ‰ÓÒÚÛÔÌ˚ÏË ÙÛÌ͈ËË Quick Recording, Track Recording Ë Punch-in/out Recording. èêàåÖóÄçàÖ • чÌÌ˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚ (ÒÚ. 121) Ì ÏÓ„ÛÚ ·˚Ú¸ Á‡ÔËÒ‡Ì˚ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. • îÛÌ͈ËË Song Name (ÒÚ. 127) Ë Setup Memory (ÒÚ. 126) ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÔË Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. • èË Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËflÏË Track Edit (ÒÚ. 128) Ë Initial Edit (ÒÚ. 130). ÖÒÎË ‚˚ ‚ıÓ‰ËÚ ‚ ÂÊËÏ Song Play, Á‡ÔËÒ‡‚ ÔÂÒÌ˛ ‚ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ÚÓ ‚ÏÂÒÚÓ ÌÓχ ÔÂÒÌË Ì‡ ˝Í‡Ì SONG ÔÓfl‚flÚÒfl ·ÛÍ‚˚ CVP. Ç˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ˝ÚÛ ÔÂÒÌ˛, Í‡Í Ë Î˛·Û˛ ‰Û„Û˛, Á‡ÔËÒ‡ÌÌÛ˛ ̇ ‰ËÒÍÂÚÛ (ÒÏ. ÒÚ. 93). ùÍ‡Ì SONG PLAY [MAIN] ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ (CVP MEMORY). 131 ÖÒÎË ‚˚ ‚ÒÚ‡‚ËÚ ‰ËÒÍÂÚÛ Ë ‚˚·ÂeÚ ÌÓÏ ÔÂÒÌË ÚÓ, ÔË Ì‡Î˘ËË ‰‡ÌÌ˚ı ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Delete CVP MEMORY?» («é˜ËÒÚËÚ¸ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ?»). ç‡ÊÏËÚ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. èË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‰‡ÌÌ˚Â, ı‡Ìfl˘ËÂÒfl ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, Ú‡ÍÊ ·Û‰ÛÚ Û‰‡ÎÂÌ˚. ÖÒÎË ‚‡Ï ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÙÛÌ͈ËÂÈ Song Copy (ÒÚ. 142), ˜ÚÓ·˚ ÒÍÓÔËÓ‚‡Ú¸ Ëı ̇ ‰ËÒÍÂÚÛ. èêàåÖóÄçàÖ Ñ‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‚ Ô‡ÏflÚ¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÔË Á‡„ÛÁÍ هÈÎÓ‚ ÒÚËÎfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌË͇ÍË ÒÓÓ·˘ÂÌËfl Ì ‚˚‚Ó‰flÚÒfl. CVP-202 133 É·‚‡ 8: îÛÌ͈ËË UTILITY êÂÊËÏ Function Ô‰·„‡ÂÚ ·Óθ¯ÓÈ Ì‡·Ó ÒÓ‚ÂÏÂÌÌ˚ı ÙÛÌ͈ËÈ, ÔÓÁ‚ÓÎfl˛˘Ëı, ̇ÔËÏÂ, ̇Òڇ˂‡Ú¸ ‡ÁÌ˚ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë Î„ÍÓ ÛÔ‡‚ÎflÚ¸ ÓÔ‡ˆËflÏË Ò ‰ËÒÍÂÚÓÈ. ë ÔÓÏÓ˘¸˛ ˝ÚËı ÙÛÌ͈ËÈ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÔˇÌËÌÓ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚ·ÌÓÒÚflÏË Ë ‚ÍÛÒ‡ÏË. FUNCTION VOLUME MASTER VOLUME CONTRAST STYLE ACMP/SONG VOLUME MAX MAX MIN MIN DEMO POP & ROCK POP BALLADS DANCE SWING & JAZZ LATIN MARCH & WORLD WALTZ R&B PIANIST MUSIC DATABASE DISK HARMONY SONG CONTROL TEMPO VOICE REC PIANO & HARPSI. FF BRASS SOUND REPEAT 1 PLAY/ STOP SONG E. PIANO ORGAN & ACCORDION PERCUSSION WOODWIND STRINGS CHOIR & PAD GUITAR BASS DUAL REVERB BEAT HELP COUNTRY METRONOME BALLROOM RESET FUNCTION MIXER PAUSE REW SYNTH. XG SPLIT EFFECT CUSTOM AUTO ACCOMPANIMENT ACMP ON INTRO MAIN A AUTO FILL MAIN B MAIN C MAIN D ENDING FADE IN/OUT START /STOP TAP SYNCHRO GUIDE CONTROL START/STOP PAGE DIRECT ACCESS EXIT EASY PLAY NEXT NOTE REGISTRATION/ 2 3 4 ONE TOUCH SETTING BANK BANK REGISTRATION ONE TOUCH SETTING 艷„‡˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÙÛÌ͈ËË: ÉÛÔÔ‡ ùÍ‡Ì 136 Transpose 136 Key Touch & Fixed Velocity 137 Voice Setting 137 3 Left Pedal & Glide Range 138 4 î‡ÈÎ˚ Á‡ÔËÒË Ë Ì‡ÒÚÓÈÍË 139 5 Song Copy & Disk Copy 142 6 Song Delete 144 7 Song Data Transform 145 8 Disk Format 146 Send Channel (Í·‚ˇÚÛ‡) 147 Local Control 147 ëËÌıÓÌËÁ‡ˆËfl 148 MIDI Filter 148 KEYBOARD 2 DISK 9 10 MIDI 11 Receive Filter 149 MIDI Transpose 150 Send Channel (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ/„‡ÏÓÌËfl) 150 Song Transmission 151 Remote Keyboard 151 13 Backup 152 14 Recall 153 15 Micro Tuning 154 16 Scale Tuning 155 12 BACKUP UTILITY ëÚ. Tune 1 PEDAL îÛÌ͈Ëfl ç‡ ˝Í‡Ì ‚Ó ‚ÂÏfl ÓÔ‡ˆËË ÏÓ„ÛÚ ÔÓfl‚ÎflÚ¸Òfl ‡Á΢Ì˚ ÒÓÓ·˘ÂÌËfl (ÔÓÒ¸·˚ Ó ÔÓ‰Ú‚ÂʉÂÌËË, Ô‰ÛÔÂʉÂÌËfl, ÒÓÓ·˘ÂÌËfl Ó· ӯ˷͇ı). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ÒÏ. ‚ ‡Á‰ÂΠ«ëÓÓ·˘ÂÌËfl» (ÒÚ. 165). CVP-202 132 134 ■ ë‚ËÒÌ˚ ÙÛÌ͈ËË (Utility) ................................................................................................ èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‡ÁÏ¢ÂÌ˚ ̇ 16 ÒÚ‡Ìˈ‡ı ˝Í‡Ì‡ (ÒÏ. Ú‡·ÎËˆÛ Ì‡ Ô‰˚‰Û˘ÂÈ ÒÚ.). ÑÎfl ‚˚ÁÓ‚‡ ÒÚ‡Ìˈ˚ Ò ÌÛÊÌÓÈ ÙÛÌ͈ËÂÈ ÔÓθÁÛÈÚÂÒ¸ ÒÎÂ‰Û˛˘ÂÈ Ôӈ‰ÛÓÈ. Z ç‡ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION]. FUNCTION MIXER ➔ á‡ÊÊÂÚÒfl Ë̉Ë͇ÚÓ, Ë ÔÓfl‚ËÚÒfl ÒÚ‡Ìˈ‡, ÍÓÚÓ‡fl ‚˚Á˚‚‡Î‡Ò¸ ÔÓÒΉÌÂÈ ‚ ÂÊËÏ Function. X Ç˚ÁÓ‚ËÚ ÌÛÊÌÛ˛ ÒÚ‡ÌˈÛ. ÑÎfl ‚˚ÁÓ‚‡ ÒÚ‡Ìˈ˚ Ò ÌÛÊÌÓÈ ÙÛÌ͈ËÂÈ ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË PAGE [<] Ë [>]. PAGE C Ç˚ÔÓÎÌËÚ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛. é ÚÓÏ, Í‡Í ‚˚·‡Ú¸ Ë ËÒÔÓθÁÓ‚‡Ú¸ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛, ÒÏ. É·‚Û 2 «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË». V Ç ÍÓ̈ ̇ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION]. 133 ➔ à̉Ë͇ÚÓ [FUNCTION] ÔÓ„‡ÒÌÂÚ. èêàåÖóÄçàÖ àÁ ÂÊËχ Function ÏÓÊÌÓ Ú‡ÍÊ ‚˚ÈÚË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EXIT]. CVP-202 135 ä·‚ˇÚÛ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 1 ■ Tune .................................................................................................................................................................... îÛÌ͈Ëfl Tune ÔÓÁ‚ÓÎflÂÚ ÚÓ˜ÌÓ ÔÓ‰Òڇ˂‡Ú¸Òfl ÔÓ‰ ‚˚ÒÓÚÛ Á‚Û͇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. îÛÌ͈Ëfl TUNE ÓÚÓ·‡Ê‡ÂÚ ˜‡ÒÚÓÚÛ ‚ „ˆ‡ı ÌÓÚ˚ Îfl Ô‚ÓÈ ÓÍÚ‡‚˚ (Ä3). Ç˚ÒÓÚÛ Á‚Û͇ ÏÓÊÌÓ ÔÓ‰ÌflÚ¸ ËÎË ÓÔÛÒÚËÚ¸ ¯‡„‡ÏË ÔÓ 0,2 Ɉ ÔËÏÂÌÓ Ì‡ 26 Ɉ (ÌÂÏÌÓ„Ó ·Óθ¯Â 100 ˆÂÌÚÓ‚). èêàåÖóÄçàÖ TUNE • ÑˇԇÁÓÌ: 414,8 Ɉ — 466,6 Ɉ (–102,1 — +101,62 ˆÂÌÚ‡) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 440 Ɉ èêàåÖóÄçàÖ Éˆ˚ Ë ˆÂÌÚ˚ • Ç˚ÒÓÚ‡ Á‚Û͇ ËÁÏÂflÂÚÒfl ‚ „ˆ‡ı (Ɉ). 1 Ɉ - ˝ÚÓ ˜ËÒÎÓ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û. • ñÂÌÚ - ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl ‚˚ÒÓÚ˚, ‡‚̇fl 1/100 ÔÓÎÛÚÓ̇ (100 ˆÂÌÚÓ‚ = 1 ÔÓÎÛÚÓÌ). èêàåÖóÄçàÖ • îÛÌ͈Ëfl Tune Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·˚ Û‰‡Ì˚ı ËÁ ̇·Ó‡ Drum Kit. • 臇ÏÂÚ XG Master Tune ÔÓÎÂÁÂÌ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚ ‚ ÙÓχÚ XG Master Tune. ■ Transpose .................................................................................................................................................... èêàåÖóÄçàÖ îÛÌ͈ËË TRANSPOSE • ÑˇԇÁÓÌ: –24 — +24 ÔÓÎÛÚÓ̇ (–2 — +2 ÓÍÚ‡‚˚) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 0 èêàåÖóÄçàÖ ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Transpose ÏÓÊÌÓ ÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl Í·‚ˇÚÛ˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ËÎË ÓÚ‰ÂθÌ˚ı ÔÂÒÂÌ Ò ¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ ‰Îfl ÔÓ‰ÒÚÓÈÍË ÔÓ‰ ‰Ë‡Ô‡ÁÓÌ˚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ô‚ˆÓ‚. Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ‰‚ ÙÛÌ͈ËË Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl: ALL Ë SONG. 肇fl Ú‡ÌÒÔÓÌËÛÂÚ ‚Ò ÌÓÚ˚, ÔÓË„˚‚‡ÂÏ˚ ̇ ÔˇÌËÌÓ, ‡ ‚ÚÓ‡fl ÚÓθÍÓ ÌÓÚ˚ ÔÂÒÂÌ. ÖÒÎË ‚˚ ÏÂÌflÂÚ Á̇˜ÂÌË ÙÛÌ͈ËË ALL, ÚÓ Ì‡ÒÚÓÈ͇ SONG ÏÂÌflÂÚÒfl ̇ ÚÛ Ê ҇ÏÛ˛ ‚Â΢ËÌÛ. CVP-202 134 136 • îÛÌ͈Ëfl Transpose Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·˚ Û‰‡Ì˚ı ËÁ ̇·Ó‡ Drum Kit. • èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÂÌ, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚ ‚ ÙÓχÚ XG Transpose, ‰‡ÌÌ˚ XG Transpose ‚ÎËfl˛Ú ÚÓθÍÓ Ì‡ Á‚ÛÍ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ‰‡ÌÌ˚ı. á̇˜ÂÌËÂ, Á‡‰‡ÌÌÓ ̇ Ô‡ÌÂÎË, ÓÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚. • ᇉ‡ÌÌ˚ Á‰ÂÒ¸ Á̇˜ÂÌËfl ‚ÎËfl˛Ú ̇ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‡ÌÌ˚ı, Ô‰‡ÌÌ˚ı ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. • ÖÒÎË ‰Îfl ÙÛÌ͈ËË Transpose Á‡‰‡ÌÓ ‚˚ÒÓÍÓ Á̇˜ÂÌËÂ, ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ‰Ë‡Ô‡ÁÓ̇ ‚ Ô‡‚ÓÏ ÍÓ̈ Í·‚ˇÚÛ˚ (̇ÔËÏ ÓÚ «‰Ó» ÚÂÚ¸ÂÈ ÓÍÚ‡‚˚ (ë5) ‰Ó «‰Ó» ÔflÚÓÈ ÓÍÚ‡‚˚ (ë7) ÔË Á̇˜ÂÌËË Ô‡‡ÏÂÚ‡ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl +24), ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ì ڇÍ, Í‡Í ‚˚ ÓÊˉ‡ÎË. ùÚÓ ÓÚÌÓÒËÚÒfl Ë Í ÌÓÚ‡Ï ‚ ΂ÓÏ ÍÓ̈ Í·‚ˇÚÛ˚ ÔË ÌËÁÍÓÏ Á̇˜ÂÌËË ÙÛÌ͈ËË Transpose. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ä·‚ˇÚÛ‡ ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 2 ■ Key Touch Ë Fixed Velocity ..................................................................................................... îÛÌ͈Ëfl Key Touch Á‡‰‡ÂÚ Á‡‚ËÒËÏÓÒÚ¸ „ÓÏÍÓÒÚË ÚÂÏ·Ó‚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ̇ Í·‚ˇÚÛ ÔˇÌËÌÓ Clavinova, ÓÚ ÒËÎ˚ (ÒÍÓÓÒÚË) ̇ʇÚËfl. ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Key Touch ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Í·‚ˇÚÛÛ ˜ÂÚ˚¸Ïfl ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÏ·‡, ÚËÔ‡ ÔÂÒÌË ËÎË ‚‡¯Â„Ó ÒÚËÎfl Ë„˚. ÑÎfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÈÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ KEY TOUCH. 燷ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–] Ë [+] ‰Îfl ˝ÚÓ„Ó Ì ËÒÔÓθÁÛ˛ÚÒfl. èêàåÖóÄçàÖ Velocity (ÒÍÓÓÒÚ¸ ̇ʇÚËfl Í·‚˯) • ëË· ̇ʇÚËfl Í·‚˯ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ˜‡ÒÚÓ Ì‡Á˚‚‡ÂÚÒfl ÒÍÓÓÒÚ¸˛ ̇ʇÚËfl. ùÚÓ Ó·˙flÒÌflÂÚÒfl ÚÂÏ, ˜ÚÓ ÔˇÌËÌÓ Clavinova ÓÔ‰ÂÎflÂÚ ‚Â΢ËÌÛ ˝ÚÓÈ ÒËÎ˚, ËÁÏÂflfl ÒÍÓÓÒÚ¸, Ò ÍÓÚÓÓÈ ·˚· ̇ʇڇ Í·‚˯‡. • á̇˜ÂÌË ˝ÚÓÈ ÙÛÌ͈ËË Ì ‚ÎËflÂÚ Ì‡ ‡θÌ˚È ‚ÂÒ Í·‚˯. ç‡ÒÚÓÈÍË Key Touch NORMAL ùÚÓ Òڇ̉‡Ú̇fl ̇ÒÚÓÈ͇, ËÒÔÓθÁÛÂχfl ‰Îfl Ë„˚ ̇ Í·‚ˇÚÛÂ. SOFT ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÎÛ˜ËÚ¸ ‰Ó‚ÓθÌÓ „ÓÏÍËÈ Á‚ÛÍ ‰‡Ê ÔË ÌÂÒËθÌÓÏ Û‰‡Â ÔÓ Í·‚˯‡Ï. FIXED ùÚ‡ ̇ÒÚÓÈ͇ ‰‡ÂÚ Ó‰Ë̇ÍÓ‚Û˛ „ÓÏÍÓÒÚ¸ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ Í·‚˯‡Ï. ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË Á‚Û˜‡ÌËfl Í·‚˯ ÔÓθÁÛÈÚÂÒ¸ ÙÛÌ͈ËÂÈ FIXED VELOCITY. HARD èË ˝ÚÓÈ Ì‡ÒÚÓÈÍ ‰Îfl ‰ÓÒÚËÊÂÌËfl χÍÒËχθÌÓÈ „ÓÏÍÓÒÚË ÌÂÓ·ıÓ‰ËÏÓ ‰Ó‚ÓθÌÓ ÒËθÌÓ Ì‡ÊËχڸ ̇ Í·‚˯Ë. ■ Voice Setting (̇ÒÚÓÈ͇ ÚÂÏ·‡) ................................................................................. 135 ùÚ‡ ÙÛÌ͈Ëfl ÓÔ‰ÂÎflÂÚ, ‚Íβ˜‡˛ÚÒfl ÎË ‡‚ÚÓχÚ˘ÂÒÍË ÔË ‚˚·Ó ÚÂÏ·‡ Ú‡ÍË ̇ÒÚÓÈÍË, Í‡Í Â‚Â·Â‡ˆËfl, Chorus, ˝ÙÙÂÍÚ Ë ‰. ÑÎfl ËÁÏÂÌÂÌËfl ˝ÚÓÈ Ì‡ÒÚÓÈÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ VOICE SETTING. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË AUTO, ·‡ÁÓ‚˚ ̇ÒÚÓÈÍË ‰Îfl Í‡Ê‰Ó„Ó ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ‚˚·Ë‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË MANUAL, ̇ÒÚÓÈÍË ÔË ÒÏÂÌ ÚÂÏ·Ó‚ Ì ÏÂÌfl˛ÚÒfl. èêàåÖóÄçàÖ KEY TOUCH • ç‡ÒÚÓÈÍË: ÒÏ. Ú‡·Î. Ò΂‡. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: NORMAL èêàåÖóÄçàÖ FIXED VELOCITY • ÑˇԇÁÓÌ: 1 — 127 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 76 èêàåÖóÄçàÖ VOICE SETTING • ç‡ÒÚÓÈÍË: AUTO, MANUAL • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: AUTO èêàåÖóÄçàÖ ÖÒÎË ÙÛÌ͈Ëfl VOICE SETTING ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ AUTO, ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ÒÎÂ‰Û˛˘Ë ̇ÒÚÓÈÍË: îÛÌ͈Ëfl ëÚ. Reverb ON/OFF 41 Reverb depth settings 42 Chorus depth settings 45 Effect ON/OFF 46 EFFECT TYPE 47 EFFECT DEPTH 48 EFFECT VARIATION 47 HARMONY TYPE 70 Harmony SPEED 71 Harmony VOLUME 71 ç‡ÒÚÓÈÍË OCTAVE 32, 34, 38 CVP-202 137 艇θ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [PEDAL] — ÒÚ. 3 ■ Left Pedal Ë Glide Range ........................................................................................................... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÎÂ‚Û˛ Ô‰‡Î¸ ̇ ‚˚ÔÓÎÌÂÌË ‡Á΢Ì˚ı ‰ÂÈÒÚ‚ËÈ. èêàåÖóÄçàÖ LEFT PEDAL • ç‡ÒÚÓÈÍË: ÒÏ. Ú‡·Î. Ò΂‡. • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: SOFT ç‡ÒÚÓÈÍË LEFT PEDAL ç‡ÒÚÓÈ͇ éÔËÒ‡ÌË SOFT èÓ ÛÏÓΘ‡Ì˲ ΂‡fl Ô‰‡Î¸ ÔË„ÎÛ¯‡ÂÚ Á‚ÛÍ. (ëÏ. ÒÚ. 40.) START/STOP ょfl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ Óθ ÍÌÓÔÍË [START/STOP]. (ëÏ. ÒÚ. 52.) HARMONY ÖÒÎË ÙÛÌ͈Ëfl Harmony ‚Íβ˜Â̇ (ON), Ó̇ ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚÓÈ Î‚ÓÈ Ô‰‡ÎË. (ëÏ. ÒÚ. 69.) REGISTRATION ä‡Ê‰˚È ‡Á ÔË Ì‡Ê‡ÚËË Î‚ÓÈ Ô‰‡ÎË ‚˚Á˚‚‡˛ÚÒfl ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ÒÓı‡ÌÂÌÌ˚ ‚ ÒÎÂ‰Û˛˘ÂÏ ÌÓÏ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. (ëÏ. ÒÚ. 91.) REG.FREEZE ょfl Ô‰‡Î¸ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Registration Freeze, Ú.Â. ‚˚ÔÓÎÌflÂÚ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ FREEZE ̇ ˝Í‡Ì REGISTRATION [FREEZE] (ÒÚ. 91). ENDING/RIT ょfl Ô‰‡Î¸ ‰ÂÈÒÚ‚ÛÂÚ Í‡Í ÍÌÓÔ͇ [ENDING]. åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ÔÂÒÌfl ÔÓÒÚÂÔÂÌÌÓ Á‡Ï‰Îfl·Ҹ Í ÍÓ̈Û, ̇ʇ‚ ÎÂ‚Û˛ Ô‰‡Î¸ ‰‚‡ ‡Á‡ ÔÓ‰fl‰. (ëÏ. ÒÚ. 56.) BREAK ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ Ô‰‡Î¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl, ̇ÒÚÛÔ‡ÂÚ Ô‡ÛÁ‡ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ Ë ËÚÏÂ. ùÚ‡ Ô‡ÛÁ‡ ‰ÎËÚÒfl, ÔÓ͇ ̇ʇڇ Ô‰‡Î¸. äÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛÒ͇ÂÚÒfl, Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ̇˜Ë̇ÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ Ô‰‡Î¸ ¢ ‡Á ‚ ÚÓÏ Ê ڇÍÚÂ, ÌÓχθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÓ·ÌÓ‚ËÚÒfl ÌÂωÎÂÌÌÓ. BREAK FIL ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ Ô‰‡Î¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl, ÔˇÌËÌÓ Clavinova ÔÓË„˚‚‡ÂÚ ÒÔˆˇθÌÛ˛ «‚ÒÚ‡‚ÍÛ ‚ Ô‡ÛÁ» (break fill-in). ùÚ‡ ‚ÒÚ‡‚͇ ÓÚ΢‡ÂÚÒfl ÓÚ ÚÂı, ÍÓÚÓ˚ Á‡‰‡˛ÚÒfl ÙÛÌ͈ËÂÈ Auto Fill. (ëÏ. ÒÚ. 51.) BASS HOLD ÖÒÎË Ì‡Ê‡Ú‡ ΂‡fl Ô‰‡Î¸, ·‡ÒÓ‚‡fl ÌÓÚ‡, Á‡‰‡Ì̇fl ÙÛÌ͈ËÂÈ Auto Accompaniment, ·Û‰ÂÚ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÏÂÌflÂÚÒfl ‡ÍÍÓ‰. Ç ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ FULL KEYBOARD ˝Ú‡ ÙÛÌ͈Ëfl Ì ‡·ÓÚ‡ÂÚ (ÒÚ. 61). FADE IN/OUT ょfl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ ÚÛ Ê ÙÛÌÍˆË˛, ˜ÚÓ Ë ÍÌÓÔ͇ [FADE IN/OUT]. (ëÏ. ÒÚ. 55 Ë 56.) EFFECT VARI ùÚ‡ ÙÛÌ͈Ëfl ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚‡Ë‡ˆË˛ ˝ÙÙÂÍÚ‡, Ú.Â. Ó̇ ‰ÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ VARIATION ̇ ˝Í‡Ì EFFECT (ÒÚ. 47). GLIDE UP S èË Ì‡Ê‡ÚËË Î‚ÓÈ Ô‰‡ÎË ‚˚ÒÓÚ‡ Á‚Û͇ Û‚Â΢˂‡ÂÚÒfl Ë ÓÔ‰ÂÎflÂÚÒfl ÙÛÌ͈ËÂÈ GLIDE RANGE. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ÔÓÒÚÂÔÂÌÌÓ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ÌÓχθÌÓÏÛ Á̇˜ÂÌ˲. íÂÏÔ ˝ÚÓ„Ó ‚ÓÁ‚‡Ú‡ ÏÓÊÂÚ ·˚Ú¸ ωÎÂÌÌ˚Ï, Ò‰ÌËÏ ËÎË ·˚ÒÚ˚Ï ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓÈ Ì‡ÒÚÓÈÍË. èêàåÖóÄçàÖ ÖÒÎË Î‚‡fl Ô‰‡Î¸ ̇ÒÚÓÂ̇ ̇ REGISTRATION, ̇ÒÚÓÈ͇ ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ì ‚˚Á˚‚‡ÂÚÒfl. èêàåÖóÄçàÖ GLIDE UP M GLIDE UP F GLIDE DOWN S GLIDE DOWN M GLIDE DOWN F CVP-202 èË Ì‡Ê‡ÚËË Î‚ÓÈ Ô‰‡ÎË ‚˚ÒÓÚ‡ Á‚Û͇ Ô‡‰‡ÂÚ Ë ÓÔ‰ÂÎflÂÚÒfl ÙÛÌ͈ËÂÈ GLIDE RANGE. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ÔÓÒÚÂÔÂÌÌÓ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ÌÓχθÌÓÏÛ Á̇˜ÂÌ˲. ÇÓÁ‚‡Ú ÏÓÊÂÚ ·˚Ú¸ ωÎÂÌÌ˚Ï, Ò‰ÌËÏ ËÎË ·˚ÒÚ˚Ï ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓÈ Ì‡ÒÚÓÈÍË. 136 138 GLIDE RANGE • ç‡ÒÚÓÈÍË: 1 — 12 (ÔÓÎÛÚÓÌÓ‚). • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: 1 ÑËÒÍÂÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [DISK 1] — ÒÚ. 4 ■ î‡ÈÎ˚ Registration Ë Setup .................................................................................................. îÛÌ͈ËË Ì‡ ˝ÚÓÈ ÒÚ‡Ìˈ ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl Á‡„ÛÁÍË, ÒÓı‡ÌÂÌËfl, ÒÚˇÌËfl Ë ËÁÏÂÌÂÌËfl ËÏÂÌ Ù‡ÈÎÓ‚ ‰‡ÌÌ˚ı, ÒÓ‰Âʇ˘Ëı ‰‡ÌÌ˚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (ÒÚ. 89) ËÎË Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË. èÂʉ ˜ÂÏ ÔÓθÁÓ‚‡Ú¸Òfl ˝ÚËÏË ÙÛÌ͈ËflÏË, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÌÛÊ̇fl ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂ̇ ‚ ‰ËÒÍÓ‚Ó‰. Z Ç˚·Ó ÚËÔ‡ هȷ. óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ Ù‡È· ‰Îfl Á‡„ÛÁÍË, ÒÓı‡ÌÂÌËfl, Û‰‡ÎÂÌËfl ËÎË ÔÂÂËÏÂÌÓ‚‡ÌËfl, ̇ÊÏËÚ β·Û˛ ËÁ ‰‚Ûı Ò‡Ï˚ı ΂˚ı Üä-ÍÌÓÔÓÍ. REGISTRATION ê„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ ÏÓÊÂÚ ‚Íβ˜‡Ú¸ ‰‡ÌÌ˚ ÚÓθÍÓ Ó‰ÌÓÈ Á‡ÔËÒË ËÎË ÔÓÎÌÓ„Ó Ì‡·Ó‡ ËÁ 20 Á‡ÔËÒÂÈ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Registration, ÒÏ. ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List». ALL SETUP î‡ÈÎ All Setup ÒÓ‰ÂÊËÚ ‚Ò ‰‡ÌÌ˚Â Ó Ô‡ÌÂθÌ˚ı ̇ÒÚÓÈ͇ı, Ô˜ËÒÎÂÌÌ˚ı ̇ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List». ➾ ÖÒÎË ‚˚·‡Ì ÚËÔ Ù‡È· REGISTRATION, ÏÓÊÌÓ Ú‡ÍÊ ÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ REGIST, ÍÓÚÓ‡fl ÓÔ‰ÂÎflÂÚ, ÔÓ‚ÎËflÂÚ ÎË ÓÔ‡ˆËfl ̇ Ó‰ÌÛ fl˜ÂÈÍÛ Ô‡ÏflÚË ËÎË Ì‡ ‚ÂÒ¸ ̇·Ó ËÁ 20 fl˜ÂÂÍ. èË ÒÓı‡ÌÂÌËË ‰‡ÌÌ˚ı „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ì‡ÒÚÓÈ͇ REGIST ÓÔ‰ÂÎflÂÚ, ͇͇fl ËÏÂÌÌÓ fl˜ÂÈ͇ ËÎË fl˜ÂÈÍË Ô‡ÏflÚË ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍÂÚÛ. èË Á‡„ÛÁÍ ‰‡ÌÌ˚ı ̇ÒÚÓÈ͇ REGIST ÓÔ‰ÂÎflÂÚ, ͇ÍËÏ Ó·‡ÁÓÏ ·Û‰ÛÚ Á‡„ÛʇڸÒfl ‰‡ÌÌ˚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (ÒÏ. Ú‡·Î.): èêàåÖóÄçàÖ çÂÁ‡‚ËÒËÏÓ ÓÚ Ì‡ÒÚÓÈÍË REGIST ‚˚ ÏÓÊÂÚ ÒÚÂÂÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸ β·ÓÈ Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈΠ̇ ‰ËÒÍÂÚÂ. ç‡ÒÚÓÈ͇ REGIST: ëÓ‰ÂÊËÏÓ هÈ· ÇÒ Á‡ÔËÒË 137 é‰Ì‡ Á‡ÔËÒ¸ ALL (BCE) ᇄÛʇ˛ÚÒfl ‚Ò Á‡ÔËÒË. A1 — E4 èÂÂÁ‡„ÛÁ͇ Á‡ÔËÒÂÈ, ҉·ÌÌ˚ı ËÁ ÍÓÌÍÂÚÌÓ„Ó ‡‰ÂÒ‡ (‚ ËÒıÓ‰Ì˚È ‡‰ÂÒ). ᇉ‡ÌÌ˚È Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈΠᇉ‡ÌÌ˚È Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ Á‡„ÛʇÂÚÒfl ‚ Á‡‰‡ÌÌ˚È ‡‰ÂÒ. Á‡„ÛʇÂÚÒfl ‚ ËÒıÓ‰Ì˚È ‡‰ÂÒ. CVP-202 139 ÑËÒÍÂÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ X Ç˚·Ó ÓÔ‡ˆËË Ò Ù‡ÈÎÓÏ. ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔ‡ˆËË Ò Ù‡È·ÏË ËÒÔÓθÁÛÈÚ ‚ÚÓÛ˛ Üä-ÍÌÓÔÍÛ ÒÔ‡‚‡: LOAD, SAVE, DELETE ËÎË NAME. èêàåÖóÄçàÖ èÓ͇ „ÓËÚ Ë̉Ë͇ÚÓ [SONG], ÓÔ‡ˆËË Ò Ù‡È·ÏË ÔÓ‚Ó‰ËÚ¸ ÌÂθÁfl. èÂʉ ˜ÂÏ ‚˚ÔÓÎÌflÚ¸ ‰ÂÈÒÚ‚Ëfl Ò Ù‡È·ÏË, ̇‰Ó ‚˚ÈÚË ËÁ ÂÊËχ Song. C ç‡ÊÏËÚ ÍÌÓÔÍÛ START. ➔ éÔ‡ˆËfl Ò Ù‡ÈÎÓÏ Ì‡˜Ë̇ÂÚÒfl. ëÎÂ‰Û˛˘Ë ˝Ú‡Ô˚ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË ·Û‰ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚËÔ‡ ÓÔ‡ˆËË. ëÏ. ËÌÒÚÛ͈ËË ÔÓ Í‡Ê‰ÓÈ ÓÔ‡ˆËË (ÒÏ. ÌËÊÂ). ■ LOAD .......................................................................................................................................................................... ÖÒÎË ‚˚·‡Ì‡ ÓÔ‡ˆËfl Á‡„ÛÁÍË LOAD, ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì ÙÛÌ͈ËË Load. èË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË ÔÂÊÌË ‚ÌÛÚÂÌÌË ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚. èÂʉ ˜ÂÏ ‚˚ÔÓÎÌflÚ¸ ÓÔ‡ˆË˛ Load, ÒÓı‡ÌËÚ ‚Ò ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ (ÒÏ. ÌËÊÂ). ë̇˜‡Î‡ ‚˚·ÂËÚ هÈÎ ‰Îfl Á‡„ÛÁÍË. ÑÎfl ‚˚·Ó‡ هȷ ̇ÊÏËÚ ӉÌÛ ËÁ ‰‚Ûı ͇ÈÌËı ΂˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ Á‡„ÛÁËÚ¸ ‚˚·‡ÌÌ˚È Ù‡ÈÎ, ËÎË ÍÌÓÔÍÛ NO ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Load. ■ SAVE ........................................................................................................................................................................... ÖÒÎË ‚˚·‡Ì‡ ÓÔ‡ˆËfl SAVE, ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì ‰Îfl ‚‚Ó‰‡ ËÏÂÌË Ù‡È·, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸. èÂÂÏ¢‡fl ÍÛÒÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË >, ‚˚·ÂËÚ ÔÓÁËˆË˛ ‚ ËÏÂÌË Ù‡È·. (àÏÂ̇ Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ÒÓ‰Âʇڸ ‰Ó 12 ÒËÏ‚ÓÎÓ‚.) ➾ ÑÎfl ‚˚·Ó‡ ÒËÏ‚ÓÎÓ‚, ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ‚‚ÂÒÚË, ÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+]. CVP-202 138 140 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡ ÑÎfl ‚‚Ó‰‡ ‚˚·‡ÌÌ˚ı ÒËÏ‚ÓÎÓ‚ ‚ ÚÂÍÛ˘ÂÈ ÔÓÁˈËË ËÏÂÌË Ù‡È· ̇ÊÏËÚ ÍÌÓÔÍÛ CH.SET. èÓ‰ÓÎʇÈÚ ‚‚Ó‰, ÔÂÂÏ¢‡fl ÍÛÒÓ Í ‰Û„ËÏ ÒËÏ‚Ó·Ï. óÚÓ·˚ ÒÚÂÂÚ¸ Ô‰˚‰Û˘ËÈ ÒËÏ‚ÓÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ BACK. ëÚˇÂÚÒfl ÒËÏ‚ÓÎ Ò΂‡ ÓÚ ÍÛÒÓ‡, Ë ÍÛÒÓ ‚ÓÁ‚‡˘‡ÂÚÒfl ̇ Ó‰ÌÛ ÔÓÁËˆË˛ ̇Á‡‰. ÖÒÎË ‚˚ ‡Á‰ÛχÎË ‚‚Ó‰ËÚ¸ ËÏfl هȷ Ë ıÓÚËÚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ FUNCTION [DISK 1], ̇ÊÏËÚ ÍÌÓÔÍÛ CANCEL. èÓÒΠ‚‚Ó‰‡ ËÏÂÌË Ù‡È· ̇ÊÏËÚ ÍÌÓÔÍÛ SAVE, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl. ÖÒÎË ‚‚‰ÂÌÌÓ ËÏfl ÛÊ ÂÒÚ¸ ̇ ‰ËÒÍÂÚÂ, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Same name! Overwrite?» (àÏfl ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚ ÍÌÓÔÍÛ OK, ÂÒÎË ıÓÚËÚ Á‡ÏÂÌËÚ¸ ÔÂÊÌËÈ Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË ÍÌÓÔÍÛ CANCEL ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË. ■ DELETE .................................................................................................................................................................. ÖÒÎË ‚˚·Ë‡ÂÚÒfl ÙÛÌ͈Ëfl DELETE, ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì Delete. ë̇˜‡Î‡ ‚˚·ÂËÚ هÈÎ, ÍÓÚÓ˚È ıÓÚËÚ ÒÚÂÂÚ¸. ÑÎfl ‚˚·Ó‡ هȷ ̇ÊÏËÚ ӉÌÛ ËÁ ‰‚Ûı ͇ÈÌËı ΂˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Ù‡ÈÎ, ËÎË ÍÌÓÔÍÛ NO, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Delete. ■ NAME ........................................................................................................................................................................ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÙÛÌÍˆË˛ NAME, ÔÓfl‚ÎflÂÚÒfl ˝Í‡Ì Name. Ç˚·ÂËÚ هÈÎ, ÍÓÚÓÓÏÛ ıÓÚËÚ ÔËÒ‚ÓËÚ¸ ËÏfl. óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ӉÌÛ ËÁ ‰‚Ûı ͇ÈÌËı ΂˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK. ➾ èÓfl‚ËÚÒfl ˝Í‡Ì ‰Îfl ‚‚Ó‰‡ ËÏÂÌË Ù‡È·. ǂ‰ËÚ ÌÓ‚Ó ËÏfl ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í ‰Îfl ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl. 139 ➾ ç‡Ê‡‚ ÍÌÓÔÍÛ OK, ‚˚ ÔÓÏÂÌflÂÚ ËÏfl هȷ ̇ ÚÓθÍÓ ˜ÚÓ ‚‚‰ÂÌÌÓÂ. óÚÓ·˚ ÓÚ͇Á‡Ú¸Òfl ÓÚ ˝ÚÓÈ ÓÔ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ CANCEL. ÖÒÎË ‚‚‰ÂÌÌÓ ËÏfl ÛÊ ÂÒÚ¸ ̇ ‰ËÒÍÂÚÂ, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Same name! Overwrite?» (àÏfl ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚ ÍÌÓÔÍÛ OK, ÂÒÎË ıÓÚËÚ Á‡ÏÂÌËÚ¸ ÔÂÊÌËÈ Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË ÍÌÓÔÍÛ CANCEL ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË. CVP-202 141 ÑËÒÍÂÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [DISK 2] — ÒÚ. 5 ■ Song Copy Ë Disk Copy ................................................................................................................ ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Ì‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ ÍÓÔËÓ‚‡Ú¸ ÔÂÒÂÌÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova, ̇ ÚÛ Ê ҇ÏÛ˛ ‰ËÒÍÂÚÛ ÔÓ‰ ‰Û„ËÏ ÌÓÏÂÓÏ ËÎË Ì‡ ‰Û„Û˛ ‰ËÒÍÂÚÛ. ÑÎfl ÍÓÔËÓ‚‡ÌËfl ‚ÒÂÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl Disk Copy. Z Ç˚·Ó ÙÛÌ͈ËË ÍÓÔËÓ‚‡ÌËfl. ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ, ÍÓÚÓÛ˛ ÌÛÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˆÂÎËÍÓÏ, ËÎË ‰ËÒÍÂÚÛ Ò ÌÛÊÌÓÈ ÔÂÒÌÂÈ. ➾ ÑÎfl ‚˚·Ó‡ ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl ̇ÊÏËÚ ӉÌÛ ËÁ ‰‚Ûı Ò‡Ï˚ı ΂˚ı Üä-ÍÌÓÔÓÍ. ëÛ˘ÂÒÚ‚ÛÂÚ ÚË ‡ÁÌ˚ı ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl. DISK1 – 1 ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ ÔÓ‰ ‰Û„ËÏ ÌÓÏÂÓÏ Ì‡ ÚÛ Ê ҇ÏÛ˛ ‰ËÒÍÂÚÛ. DISK1 – 2 ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ ̇ ‰Û„Û˛ ‰ËÒÍÂÚÛ. DISK COPY ùÚ‡ ÙÛÌ͈Ëfl ÍÓÔËÛÂÚ ‚Ò ‰‡ÌÌ˚Â Ò Ó‰ÌÓ„Ó ‰ËÒ͇ ̇ ‰Û„ÓÈ. (ÇÒ ÔÂÊÌË ‰‡ÌÌ˚ ̇ ÔËÌËχ˛˘ÂÏ ‰ËÒÍ ÒÚˇ˛ÚÒfl.) èêàåÖóÄçàÖ îÛÌ͈ËË ÍÓÔËÓ‚‡ÌËfl Song Copy Ë Disk Copy Ì ÏÓ„ÛÚ ‚˚ÔÓÎÌflÚ¸Òfl, ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [RECORD]. èÂʉ ˜ÂÏ ÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ ËÎË ‰ËÒÍÂÚ˚, ‚˚ȉËÚ ËÁ ÂÊËχ Á‡ÔËÒË Song Record. èêàåÖóÄçàÖ • ÖÒÎË ‚ÒÚ‡‚ÎÂÌ̇fl ‰ËÒÍÂÚ‡ Á‡˘Ë˘Â̇ ÓÚ Á‡ÔËÒË (ÒÚ. 9), ÙÛÌ͈Ëfl ÍÓÔËÓ‚‡ÌËfl DISK1 — 1 ̉ÓÒÚÛÔ̇. • ÖÒÎË Ô‡ÏflÚ¸ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ·ÂÁ ‰ËÒÍÂÚ˚ (ÒÚ. 133), ‚ ͇˜ÂÒÚ‚Â ÙÛÌ͈ËË ÍÓÔËÓ‚‡ÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl CVP — DISK. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÔÂÒÌË ËÁ Ô‡ÏflÚË CVP MEMORY Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ‰ËÒÍÂÚÛ. (ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ, Á‡‰‡ÈÚ ÌÓÏ ÔÂÒÌË, ÔÓ‰ ÍÓÚÓ˚Ï ıÓÚËڠ ÒÓı‡ÌËÚ¸ (ÒÏ. ˝Ú‡Ô 3), Ë ‚˚ÔÓÎÌËÚ ÍÓÔËÓ‚‡ÌËÂ, Í‡Í Ó·˚˜ÌÓ.) èÓÒΠ˝ÚÓ„Ó ÏÓÊÌÓ Û‰‡ÎËÚ¸ ÔÂÒÌ˛ ËÁ Ô‡ÏflÚË CVP MEMORY Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Song Delete (ÒÚ. 144). äÓ„‰‡ ÔÂÒÌfl Û‰‡ÎÂ̇, ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ ÌÓ‚Ó ÍÓÔËÓ‚‡ÌËÂ. X Ç˚·Ó ÔÂÒÌË ‰Îfl ÍÓÔËÓ‚‡ÌËfl. ÖÒÎË ‚ ¯‡„ 1 ‚˚ ‚˚·‡ÎË ÙÛÌÍˆË˛ DISK1 — 1 ËÎË DISK1 — 2, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG ➔, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚ ÌÓÏ ÔÂÒÌË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 1 ‰Ó 99. ➔ 燉 ÚÂÚ¸ÂÈ Ë ˜ÂÚ‚ÂÚÓÈ Üä-ÍÌÓÔ͇ÏË ÔÓfl‚flÚÒfl ÌÓÏÂ Ë Ì‡Á‚‡ÌË ÔÂÒÌË. CVP-202 140 142 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡ C Ç˚·ÂËÚ ÌÓÏÂ, ÔÓ‰ ÍÓÚÓ˚Ï ıÓÚËÚ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛. ÖÒÎË ‚ Ô‚ÓÏ ¯‡„ ‚˚ ‚˚·‡ÎË ÙÛÌÍˆË˛ DISK1 — 1, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚ ÌÓÏ ÔÂÒÌË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 1 ‰Ó 60. (çÓχ ÔÂÒÂÌ Ì ÏÓ„ÛÚ Ô‚˚¯‡Ú¸ 60.) ➔ ÖÒÎË ÔÂÒÌfl Ò Ú‡ÍËÏ ÌÓÏÂÓÏ ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ,  ̇Á‚‡ÌË ÔÓfl‚ËÚÒfl ‚ ˆÂÌÚ ˝Í‡Ì‡. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔË ÍÓÔËÓ‚‡ÌËË ÔÂÊÌflfl ÔÂÒÌfl ·Û‰ÂÚ ÒÚÂÚ‡ Ë Á‡ÏÂÌÂ̇ ÌÓ‚ÓÈ. V éÔ‡ˆËfl ÍÓÔËÓ‚‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ COPY. ➔ 燘Ë̇ÂÚÒfl ÓÔ‡ˆËfl ÍÓÔËÓ‚‡ÌËfl. ÖÒÎË ‚˚ ÍÓÔËÛÂÚ ̇ ÚÛ Ê ҇ÏÛ˛ ‰ËÒÍÂÚÛ, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?) ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ YES, ‰Îfl ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ NO. èêàåÖóÄçàÖ éÔ‡ˆËfl ÍÓÔËÓ‚‡ÌËfl Ì ÏÓÊÂÚ ·˚Ú¸ ‚˚ÔÓÎÌÂ̇, ÂÒÎË ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl DISK1 — 1 Ë Ó‰ËÌ Ë ÚÓÚ Ê ÌÓÏ ÔÂÒÌË Á‡‰‡Ì ‚ ͇˜ÂÒÚ‚Â ËÒıÓ‰ÌÓ„Ó Ë ÍÓ̘ÌÓ„Ó. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Select a different number!» (Ç˚·ÂËÚ ‰Û„ÓÈ ÌÓÏÂ!) ÖÒÎË ‚˚ ÍÓÔËÛÂÚ ‰‡ÌÌ˚ ̇ ‰Û„Û˛ ‰ËÒÍÂÚÛ (ËÎË ÍÓÔËÛÂÚ ˆÂÎÛ˛ ‰ËÒÍÂÚÛ), ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Number of disk exchanges (**)», Û͇Á˚‚‡˛˘ÂÂ, ÒÍÓθÍÓ ‡Á ÔˉÂÚÒfl ÏÂÌflÚ¸ ‰ËÒÍÂÚÛ. ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ OK, ‰Îfl ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ CANCEL. èË ÍÓÔËÓ‚‡ÌËË ‰‡ÌÌ˚ı Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛ ÒΉÛÈÚ ËÌÒÚÛ͈ËflÏ Ì‡ ˝Í‡ÌÂ, ÏÂÌflfl ‰ËÒÍÂÚ˚, Í‡Í Û͇Á‡ÌÓ. ÖÒÎË ÔÂÒÌfl ÍÓÔËÛÂÚÒfl ̇ ‰Û„Û˛ ‰ËÒÍÂÚÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË DISK1 — 2, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Select destination song number» (Ç˚·ÂËÚ ÌÓÏ ÔÂÒÌË ‰Îfl ÍÓÔËË), Í‡Í ÚÓθÍÓ ‚˚ ‚ Ô‚˚È ‡Á ‚ÒÚ‡‚ËÚ ÔËÌËχ˛˘Û˛ ‰ËÒÍÂÚÛ. Ç˚·ÂËÚ ÌÓÏ ÓÚ 1 ‰Ó 60 Ò ÔÓÏÓ˘¸˛ ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. (åÓÊÌÓ ‚˚·Ë‡Ú¸ ÌÓχ ÚÓθÍÓ ‰Ó 60.) 141 ➾ ÖÒÎË ÔÂÒÌfl Ò Ú‡ÍËÏ ÌÓÏÂÓÏ ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ, ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl  ̇Á‚‡ÌËÂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔË ÍÓÔËÓ‚‡ÌËË Ó̇ ·Û‰ÂÚ ÒÚÂÚ‡ Ë Á‡ÏÂÌÂ̇ ÌÓ‚ÓÈ. ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ OK, ‡ ‰Îfl ÓÚÏÂÌ˚ CANCEL. èêàåÖóÄçàÖ äÓÔËÓ‚‡ÌË ÎˈÂÌÁËÓÌÌÓ„Ó èé • äÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Ëϲ˘Â„ÓÒfl ‚ ÔÓ‰‡ÊÂ, ‡Á¯ÂÌÓ Î˯¸ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. • çÂÍÓÚÓ˚ ÏÛÁ˚͇θÌ˚ ÔÓ„‡ÏÏ˚ ÒÔˆˇθÌÓ Á‡˘Ë˘ÂÌ˚ ÓÚ ÍÓÔËÓ‚‡ÌËfl. èêàåÖóÄçàÖ î‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË (ÍÓÏ ÚÂı, ÍÓÚÓ˚ ·˚ÎË ÒÓÁ‰‡Ì˚ ̇ ÔˇÌËÌÓ CVP-202) ÏÓ„ÛÚ ·˚Ú¸ ÒÍÓÔËÓ‚‡Ì˚ ÚÓθÍÓ Ó‰ËÌ ‡Á. ëÍÓÔËÓ‚‡Ú¸ Ëı ¢ ‡Á ̇ ‰Û„ÓÈ ‰ËÒÍ Ì‚ÓÁÏÓÊÌÓ. äÓÏ ÚÓ„Ó, ‰ÓÔÓÎÌËÚÂθÌ˚ ‰‡ÌÌ˚ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÚÓθÍÓ ‚ Ô‡‚Û˛ /ÎÂ‚Û˛ ˜‡ÒÚË ÒÍÓÔËÓ‚‡ÌÌ˚ı Ù‡ÈÎÓ‚ ÙÓχڇ DOC. CVP-202 143 ÑËÒÍÂÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [DISK 3] — ÒÚ. 6 ■ Song Delete ................................................................................................................................................ çÂÌÛÊÌ˚ ÔÂÒÌË ÏÓÊÌÓ Û‰‡ÎËÚ¸ Ò ‰ËÒÍÂÚ˚ ̇ ˝ÚÓÏ ˝Í‡ÌÂ. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚, ˜ÚÓ·˚ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â. ÇÂÌÛÚ¸ Û‰‡ÎÂÌÌ˚ ‰‡ÌÌ˚ Ì‚ÓÁÏÓÊÌÓ. èêàåÖóÄçàÖ îÛÌ͈Ëfl Û‰‡ÎÂÌËfl Song Delete ̉ÓÒÚÛÔ̇, ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [RECORD]. èÂʉ ˜ÂÏ Û‰‡ÎflÚ¸ ÔÂÒÌ˛, ‚˚ȉËÚ ËÁ ÂÊËχ Á‡ÔËÒË Song Record. Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ. ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ÔÂÒÌÂÈ, ÍÓÚÓÛ˛ ıÓÚËÚ ۉ‡ÎËÚ¸. X Ç˚·ÂËÚ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ÌÛÊÌÓ Û‰‡ÎËÚ¸. ÑÎfl ˝ÚÓ„Ó ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË SONG ▼ Ë ▲, ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+]. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ Ú‡ÍÊ ۉ‡ÎËÚ¸ ÔÂÒÌË ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ÑÎfl ˝ÚÓ„Ó ‚ÏÂÒÚÓ ÌÓχ ÔÂÒÌË ‚˚·ÂËÚ ÙÛÌÍˆË˛ CVP MEMORY (ÙÛÌ͈Ëfl CVP MEMORY ÔÓfl‚ËÚÒfl ÚÓθÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ‚ ˝ÚÓÈ Ô‡ÏflÚË ÂÒÚ¸ Ù‡ÈÎ˚ Ò ÔÂÒÌflÏË). C Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ Û‰‡ÎÂÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ DELETE. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛, ËÎË ÍÌÓÔÍÛ NO ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË. CVP-202 142 144 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡ ùÍ‡Ì FUNCTION [DISK 4] — ÒÚ. 7 ■ Song Data Transform ...................................................................................................................... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂÓ·‡ÁÓ‚‡Ú¸ ÔÂÒÌ˛, Á‡ÔËÒ‡ÌÌÛ˛ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-202, ‚ ‰Û„ÓÈ ÙÓχÚ, ÒÓ‚ÏÂÒÚËÏ˚È Ò ‰Û„ËÏË ÏÓ‰ÂÎflÏË Clavinova ËÎË Disklavier. Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ. ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ 2DD Ò ‰‡ÌÌ˚ÏË, ÍÓÚÓ˚ ÌÛÊÌÓ ÔÂÓ·‡ÁÓ‚‡Ú¸. X Ç˚·ÂËÚ ÙÓÏ‡Ú ‰‡ÌÌ˚ı. ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÙÓχڇ هȷ (‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ËÌÒÚÛÏÂÌÚ‡, ̇ ÍÓÚÓÓÏ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔÂÓ·‡ÁÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â) ̇ÊÏËÚ ӉÌÛ ËÁ ‰‚Ûı ͇ÈÌËı ΂˚ı Üä-ÍÌÓÔÓÍ. åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÚËÔÓ‚: CVP PERFORMANCE ùÚ‡ ÙÛÌ͈Ëfl ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ CVP-50/70/55/65/75/83S/85A/87A/89, DOM-30 Ë DOU-10. PIANO FORMAT 1 ùÚ‡ ÙÛÌ͈Ëfl ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ ‚ÒÂı ÏÓ‰ÂÎflı Disklavier, ÍÓÏ MX100A Ë MX100B. PIANO FORMAT 2 ùÚÓÚ ÚËÔ ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ Disklavier MX100A ËÎË MX100B. èêàåÖóÄçàÖ îÛÌ͈Ëfl ÔÂÓ·‡ÁÓ‚‡ÌËfl ÔÂÒÂÌ Song Data Transform ̉ÓÒÚÛÔ̇, ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [SONG]. èÂʉ ˜ÂÏ ‚˚ÔÓÎÌflÚ¸ ÓÔ‡ˆË˛ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Song. èêàåÖóÄçàÖ èÓ‰ıÓ‰flÚ ÚÓθÍÓ ‰ËÒÍÂÚ˚ 2DD! èÂÓ·‡ÁÓ‚‡Ú¸ ÏÓÊÌÓ ÚÓθÍÓ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ̇ ‰ËÒÍÂÚ‡ı 2DD. óÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ÔÂÒÌË, ÍÓÚÓ˚ ÒÓ‰ÂʇÚÒfl ̇ ‰ËÒÍÂÚ 2HD ËÎË ‚ Ô‡ÏflÚË ÔˇÌËÌÓ Clavinova, Ò̇˜‡Î‡ ÒÍÓÔËÛÈÚ Ëı ̇ ‰ËÒÍÂÚÛ 2DD Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Song Copy (ÒÚ. 142). èêàåÖóÄçàÖ ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ÙÓχڇ ‰‡ÌÌ˚ı åÓ‰ÂÎË ÒÂËË CVP, Ì Û͇Á‡ÌÌ˚ ‚ Ú‡·Îˈ Ò΂‡, ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-202, ·ÂÁ ÔÂÓ·‡ÁÓ‚‡ÌËfl ‰‡ÌÌ˚ı. ÖÒÎË ‚˚ Ô·ÌËÛÂÚ ÔÓË„˚‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ÔˇÌËÌÓ CVP-202, ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı Ë ıÓÚËÚÂ, ˜ÚÓ·˚ ÓÌË Í‡Í ÏÓÊÌÓ ÚӘ̠‚ÓÒÔÓËÁ‚Ó‰ËÎË Á‚ÛÍ ÓË„Ë̇·, ÎÛ˜¯Â ‚ÒÂ„Ó ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ·˚ XG ̇ ‚ÒÂı ‰ÓÓÊ͇ı Ò ÌÂÙÓÚÂÔ¸flÌÌ˚ÏË ÚÂÏ·‡ÏË (ÒÏ. ÒÚ. 30). C Ç˚·ÂËÚ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ÌÛÊÌÓ ÔÂÓ·‡ÁÓ‚‡Ú¸. ÑÎfl ‚˚·Ó‡ ÌÓχ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+]. ➔ 燉 ÍÌÓÔÍÓÈ ÙÛÌ͈ËË SONG ÔÓfl‚flÚÒfl ÌÓÏÂ Ë Ì‡Á‚‡ÌË ÔÂÒÌË. V ç‡ÊÏËÚ ÍÌÓÔÍÛ TRANSFORM. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛, Ë ÍÌÓÔÍÛ NO ‰Îfl ÓÚÏÂÌ˚. äÓ„‰‡ ÔÓˆÂÒÒ ÔÂÓ·‡ÁÓ‚‡ÌËfl Á‡ÍÓ̘ËÚÒfl, ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Completed! SONG No.**» Ò ÌÓÏÂÓÏ, ÔÓ‰ ÍÓÚÓ˚Ï ·˚· ÒÓı‡ÌÂ̇ ÔÂÒÌfl. èêàåÖóÄçàÖ • чÌÌ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‚ˉ ÔÂÒÌË ÔÓ‰ ÌÓÏÂÓÏ ÓÚ 1 ‰Ó 60. (çÓχ ·ÓΠ60 Ì ËÒÔÓθÁÛ˛ÚÒfl.) • àÒıÓ‰Ì˚ ‰‡ÌÌ˚ ÓÒÚ‡˛ÚÒfl ‚ ÔÂÊÌÂÏ ‚ˉ ÒÓ ÒÚ‡˚Ï ÌÓÏÂÓÏ ÔÂÒÌË ‰‡Ê ÔÓÒΠÓÍÓ̘‡ÌËfl ÓÔ‡ˆËË ÔÂÓ·‡ÁÓ‚‡ÌËfl. • á‡ÔËÒ¸ ËÎË Â‰‡ÍÚËÓ‚‡ÌË ÔÂÓ·‡ÁÓ‚‡ÌÌ˚ı ÔÂÒÂÌ Ì‚ÓÁÏÓÊÌ˚. 143 ÖÒÎË ‚ ¯‡„ 2 ‚˚·‡Ì‡ ÙÛÌ͈Ëfl CVP PERFORMANCE, ‚ ̇˜‡ÎÓ ËÏÂÌË ·Û‰ÛÚ ‰Ó·‡‚ÎÂÌ˚ ÒËÏ‚ÓÎ˚ «C)». ÖÒÎË ‚˚·‡Ì ‰Û„ÓÈ ÙÓχÚ, ·Û‰ÛÚ ‰Ó·‡‚ÎÂÌ˚ ÒËÏ‚ÓÎ˚ «P)». CVP-202 145 ÑËÒÍÂÚ‡ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [DISK 5] — ÒÚ. 8 ■ îÓÏ‡Ú ‰ËÒÍÂÚ˚ ............................................................................................................................... èêàåÖóÄçàÖ ÑËÒÍÂÚ˚, ÍÓÚÓ˚ ‚˚ ÒӷˇÂÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, ‰ÓÎÊÌ˚ ·˚Ú¸ Ô‡‚ËθÌÓ ÓÚÙÓχÚËÓ‚‡Ì˚. ÖÒÎË ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÌÓ‚Û˛ ÌÂÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ (ËÎË ‰ËÒÍÂÚ˚ Ò ‰Û„ËÏ ÙÓχÚÓÏ), ÔˇÌËÌÓ Clavinova Ó·flÁ‡ÚÂθÌÓ Ô‰ÎÓÊËÚ Â ÓÚÙÓχÚËÓ‚‡Ú¸. (ëÏ. ÒÚ. 111.) Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÂÒÚ¸ ÙÛÌ͈Ëfl Disk Format, ÍÓÚÓ‡fl ÒÎÛÊËÚ ‰Îfl ÔÂÂÙÓχÚËÓ‚‡ÌËfl ‰ËÒÍÂÚ, ÛÊ ËÒÔÓθÁÓ‚‡ÌÌ˚ı ̇ ˝ÚÓÏ ÔˇÌËÌÓ. èÂÂÙÓχÚËÓ‚‡ÌË ۉ‡ÎflÂÚ Ò ‰ËÒÍÂÚ˚ ‚Ò ‰‡ÌÌ˚Â. îÛÌ͈Ëfl ÙÓχÚËÓ‚‡ÌËfl Disk Format ̉ÓÒÚÛÔ̇, ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [SONG]. èÂʉ ˜ÂÏ ÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Song. Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‰Îfl ÙÓχÚËÓ‚‡ÌËfl ÇçàåÄçàÖ! îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ Û‰‡ÎflÂÚ Ò Ì ‚Ò ‰‡ÌÌ˚Â. èÂʉ ˜ÂÏ ÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ó̇ Ì ÒÓ‰ÂÊËÚ ÌÛÊÌ˚ı ‰‡ÌÌ˚ı. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Á‡˘ÂÎ͇ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË Ì‡ ‰ËÒÍÂÚ ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «Á‡ÔËÒ¸», Ë ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ ̇ÍÎÂÈÍÓÈ ‚‚Âı Ë ¯ÚÓÍÓÈ ‚Ô‰, ˜ÚÓ·˚ ÔÓÒÎ˚¯‡ÎÒfl ˘ÂΘÓÍ. X Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÙÓχÚËÓ‚‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ START. èêàåÖóÄçàÖ íËÔ˚ ÙÓχÚÓ‚ èÓÒΠÙÓχÚËÓ‚‡ÌËfl ÂÏÍÓÒÚ¸ ‰ËÒÍÂÚ 2DD Ë 2HD ÒÓÒÚ‡‚ÎflÂÚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ 720 K· Ë 1,44 M·. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚ ÍÌÓÔÍÛ YES ‰Îfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË ÙÓχÚËÓ‚‡ÌËfl ËÎË ÍÌÓÔÍÛ NO ‰Îfl ÓÚÏÂÌ˚. ïÓ‰ ÔÓˆÂÒÒ‡ ÙÓχÚËÓ‚‡ÌËfl Ó·ÓÁ̇˜‡ÂÚÒfl Ë̉Ë͇ÚÓÓÏ. èÓÒΠÙÓχÚËÓ‚‡ÌËfl ‰ËÒÍÂÚÛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ı‡ÌÂÌËfl ÔÂÒÂÌ Ë ‰Û„Ëı ‰‡ÌÌ˚ı ÔˇÌËÌÓ Clavinova. CVP-202 144 146 MIDI ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [MIDI 1] — ÒÚ. 9 ■ Send Channel (Í·‚ˇÚÛ‡) .................................................................................................. Ç Î˛·ÓÏ MIDI-ËÌÚÂÙÂÈÒ MIDI-͇̇Î˚ ‰Îfl Ô‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı (1 - 16) ‰ÓÎÊÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‰Û„ ‰Û„Û ‰Îfl Ô‡‚ËθÌÓÈ Ô‰‡˜Ë ‰‡ÌÌ˚ı. ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË SEND CH ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ MIDI-͇̇Î˚ Ô‰‡˜Ë ‰Îfl ‡Á΢Ì˚ı ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚. è‡ÚËfl é·˙flÒÌÂÌË èêàåÖóÄçàÖ SEND CH • ç‡ÒÚÓÈÍË: OFF, 1 — 16 • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ÒÏ. Ú‡·Î. Ò΂‡. ŇÁÓ‚‡fl ̇ÒÚÓÈ͇ LEFT ã‚˚È ÚÂÏ· ‚ ÂÊËÏ Split (ÒÏ. ÒÚ. 36) 3 RIGHT1 éÒÌÓ‚ÌÓÈ ÚÂÏ· 1 RIGHT2 ÇÚÓÓÈ ÚÂÏ· ‚ ÂÊËÏ Dual (ÒÏ. ÒÚ. 33) 2 à„‡ ‚ ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸Òfl ÔÓ Ò‚ÓÂÏÛ Í‡Ì‡ÎÛ. ÖÒÎË ‰Îfl Ó‰ÌÓÈ ËÁ ˜‡ÒÚÂÈ Á‡‰‡Ú¸ Á̇˜ÂÌË OFF, MIDI-‰‡ÌÌ˚Â Ò ˝ÚÓÈ ˜‡ÒÚË Ô‰‡‚‡Ú¸Òfl Ì ·Û‰ÛÚ. ● èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔËÌËχÂÚ MIDI-‰‡ÌÌ˚ ‚ ÂÊËÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ (Multi Timbre). Ç ˝ÚÓÏ ÂÊËÏ ÛÔ‡‚ÎÂÌË ÚÂÏ·‡ÏË ÔˇÌËÌÓ Clavinova ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ÓÚ‰ÂθÌÓ ‰Îfl Í‡Ê‰Ó„Ó MIDI-͇̇· (1 - 16) ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡ ËÎË MIDI-ÒÂÍ‚ÂÌÒÓ‡ ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ̇ ÔˇÌËÌÓ Clavinova Á‚Û˜‡ÌË ˆÂÎÓ„Ó ‡Ì҇ϷÎfl ËÎË ÓÍÂÒÚ‡. ■ Local Control ........................................................................................................................................... 145 íÂÏËÌ «local control» ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÛÔ‡‚ÎÂÌË ‚ÒÚÓÂÌÌ˚Ï ÚÓÌ„Â̇ÚÓÓÏ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ÎÓ͇θÌÓ Ò Í·‚ˇÚÛ˚. é·˚˜ÌÓ, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ ÔˇÌËÌÓ Clavinova, ÙÛÌ͈Ëfl Local Control ‚Íβ˜Â̇ (ON). Ç˚Íβ˜ÂÌË ˝ÚÓÈ ÙÛÌ͈ËË ÓÚÍβ˜‡ÂÚ Í·‚ˇÚÛÛ ÓÚ ÚÓÌ-„Â̇ÚÓ‡, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛ Ì ·Û‰ÂÚ ÒÎ˚¯ÌÓ ÌË͇ÍËı Á‚ÛÍÓ‚. çÓ ÔÓÒÍÓθÍÛ ËÒÔÓÎÌÂÌË ̇ Í·‚ˇÚÛ ‚Ò ‡‚ÌÓ Ô‰‡ÂÚÒfl ̇ MIDI‡Á˙ÂÏ˚, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚÛ Ì‡ÒÚÓÈÍÛ, ˜ÚÓ·˚ ÛÔ‡‚ÎflÚ¸ ‚̯ÌËÏ ÚÓÌ-„Â̇ÚÓÓÏ MIDI Ò Í·‚ˇÚÛ˚ ÔˇÌËÌÓ Clavinova, ÍÓ„‰‡ ‚ÌÛÚÂÌÌË ÚÂÏ·˚ Ì Á‚Û˜‡Ú. ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË ÎÓ͇θÌÓ„Ó ÛÔ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl ÍÌÓÔ͇ LOCAL. 燷ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–]/[+] ‰Îfl ˝ÚÓ„Ó Ì ËÒÔÓθÁÛ˛ÚÒfl. èêàåÖóÄçàÖ LOCAL • ç‡ÒÚÓÈÍË: ON, OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ON CVP-202 147 MIDI ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ■ ëËÌıÓÌËÁ‡ˆËfl .................................................................................................................................... íÂÏÔÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl Ó·˚˜ÌÓ ÛÔ‡‚ÎflÂÚ ‚ÌÛÚÂÌÌËÈ Ú‡ÈÏ ÔˇÌËÌÓ Clavinova. ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ÚÂÏÔ Ë„˚ ̇ ÔˇÌËÌÓ Clavinova ÓÔ‰ÂÎflÎÒfl ‚̯ÌËÏ ÒÂÍ‚ÂÌÒÓÓÏ ËÎË ËÚÏ-χ¯ËÌÓÈ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁ‡ˆËË Ú‡Í, ˜ÚÓ·˚ Ó̇ ‡·Óڇ· Ò ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚ÓÏ. ç‡ÔËÏÂ, ˝ÚÛ ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒËÌıÓÌËÁ‡ˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔˇÌËÌÓ Clavinova Ò ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚ÓÏ. óÚÓ·˚ ÔÂÂÈÚË Ò ‚ÌÛÚÂÌÌÂÈ ÒËÌıÓÌËÁ‡ˆËË Ì‡ ‚ÌÂ¯Ì˛˛ (ËÎË Ì‡Ó·ÓÓÚ), ̇ÊÏËÚ ÍÌÓÔÍÛ SYNC. 燷ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–]/[+] ‰Îfl ˝ÚÓ„Ó Ì ËÒÔÓθÁÛ˛ÚÒfl. èêàåÖóÄçàÖ SYNC. • ç‡ÒÚÓÈÍË: INT. (‚ÌÛÚÂÌÌËÈ Ú‡ÈÏÂ), EXT. (‚̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: INT. ùÍ‡Ì FUNCTION [MIDI 2] — ÒÚ. 10 ■ MIDI Filter ................................................................................................................................................. ë ÔÓÏÓ˘¸˛ ̇ÒÚÓÂÍ MIDI-ÙËθڇ ̇ ˝Í‡Ì FUNCTION [MIDI 2] ÏÓÊÌÓ ‡Á¯ËÚ¸ ËÎË Á‡ÔÂÚËÚ¸ Ô‰‡˜Û Ë ÔËÂÏ ÓÔ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚ MIDI-‰‡ÌÌ˚ı. ● ëÓÓ·˘ÂÌËfl Program Change é·˚˜ÌÓ ÔˇÌËÌÓ Clavinova ‡„ËÛÂÚ Ì‡ ÌÓχ ËÁÏÂÌÂÌËfl MIDIÔÓ„‡ÏÏ, ÔÓÒÚÛÔË‚¯Ëı Ò ‰Û„ÓÈ Í·‚ˇÚÛ˚ ËÎË ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. ç‡ÔËÏÂ, ‚ ÓÚ‚ÂÚ Ì‡ ÒÓÓ·˘ÂÌËfl PROGRAM CHANGE, ÔÓÎÛ˜ÂÌÌ˚ ÓÚ ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡, ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÚÂÏ·˚. (ùÚË ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇ ÚÂÏ·˚, ÔÓË„˚‚‡ÂÏ˚ ̇ Í·‚ˇÚÛÂ.) íÂÏ·˚ ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ Ú‡ÍÊ ÏÓÊÌÓ ÔÓÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓ·˘ÂÌËÈ PROGRAM CHANGE, Ô‰‡‚‡ÂÏ˚ı ÓÚ ÔˇÌËÌÓ Clavinova. (ùÚË ÒÓÓ·˘ÂÌËfl Ô‰‡˛ÚÒfl ÔË ÒÏÂÌ ÚÂÏ·Ó‚ ̇ Ô‡ÌÂÎË ÔˇÌËÌÓ Clavinova.) Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯ÂÈ MIDI-̇ÒÚÓÈÍË, ˝Ú‡ ÙÛÌ͈Ëfl ۉӷ̇ ‚ Ó‰ÌËı ÒÎÛ˜‡flı Ë ÌÂۉӷ̇ ‚ ‰Û„Ëı. ÑÎfl ÓÚÍβ˜ÂÌËfl Ô‰‡˜Ë Ë ÔËÂχ ÒÓÓ·˘ÂÌËÈ PROGRAM CHANGE ‚˚Íβ˜ËÚ ÙÛÌÍˆË˛ PROGRAM (ÛÒÚ‡ÌÓ‚Ëڠ ̇ OFF). CVP-202 èêàåÖóÄçàÖ ëÓÓ·˘ÂÌËfl Bank MSB Ë Bank LSB ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸ ‰‡Ê ÔË ‚˚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË PROGRAM. 146 148 èêàåÖóÄçàÖ PROGRAM • ç‡ÒÚÓÈÍË: Tx&Rx (Ô‰‡˜‡/ÔËÂÏ), OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Tx&Rx ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI ● ëÓÓ·˘ÂÌËfl Control Change ëÓÓ·˘ÂÌËfl Ó· ËÁÏÂÌÂÌËË ÛÔ‡‚ÎÂÌËfl (CONTROL CHANGE) ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ˝ÎÂÏÂÌÚÓ‚, Ì ҂flÁ‡ÌÌ˚ı Ò Í·‚ˇÚÛÓÈ (̇ÔËÏÂ, Ô‡‚ÓÈ Ô‰‡ÎË), ËÎË ‰Îfl ÛÔ‡‚ÎÂÌËfl Á‚ÛÍÓÏ Ì‡ ÔÓ‰Íβ˜ÂÌÌÓÏ MIDIÛÒÚÓÈÒÚ‚Â. èˇÌËÌÓ Clavinova ÏÓÊÂÚ Â‡„ËÓ‚‡Ú¸ ̇ ÒÓÓ·˘ÂÌËfl CONTROL CHANGE, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡. (ùÚË ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇ ÚÂÏ·˚, ÔÓË„˚‚‡ÂÏ˚ ̇ Í·‚ˇÚÛÂ.) èˇÌËÌÓ Clavinova Ú‡ÍÊ ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ ‡·ÓÚÓÈ ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡, ÔÓÒ˚·fl ÒÓÓ·˘ÂÌËfl CONTROL CHANGE. (ëÓÓ·˘ÂÌËfl CONTROL CHANGE Ô‰‡˛ÚÒfl, ̇ÔËÏÂ, ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ Ô‰‡ÎË Ì‡ ÔˇÌËÌÓ Clavinova.) ÑÎfl ÓÚÍβ˜ÂÌËfl Ô‰‡˜Ë Ë ÔËÂχ ÒÓÓ·˘ÂÌËÈ CONTROL CHANGE ÓÚÍβ˜ËÚ ÙÛÌÍˆË˛ CONTROL (Ô‚‰ËÚ ‚ ÔÓÎÓÊÂÌË OFF). ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ CONTROL CHANGE, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ÔˇÌËÌÓ Clavinova, ÒÏ. ̇ ÒÚ. 14 ·ÛÍÎÂÚ‡ «Data List». ● ëÓÓ·˘ÂÌËfl System Exclusive ëÓÓ·˘ÂÌËfl SYSTEM EXCLUSIVE ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ·ÓΠÒÎÓÊÌÓ„Ó ËÎË ‰ÂڇθÌÓ„Ó ÛÔ‡‚ÎÂÌËfl MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, ‡ Ú‡ÍÊ ‰Îfl ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, Ò‚flÁ‡ÌÌ˚ı Ò ÌÂÍÓÚÓ˚ÏË ÍÓÌÍÂÚÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ‡ÁÌ˚ı ÙËÏ. éÚÍβ˜ËÚ ÙÛÌÍˆË˛ SYS EX. (Ô‚‰Ëڠ ‚ ÔÓÎÓÊÂÌË OFF), ÂÒÎË ıÓÚËÚ Á‡ÔÂÚËÚ¸ Ô‰‡˜Û Ë ÔËÂÏ ÒÓÓ·˘ÂÌËÈ SYSTEM EXCLUSIVE. ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ SYSTEM EXCLUSIVE, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ÔˇÌËÌÓ Clavinova, ÒÏ. ̇ ÒÚ. 16 ·ÛÍÎÂÚ‡ «Data List». ● äÓχ̉˚ Start/Stop ìÒÚÓÈÒÚ‚Ó, Ô‰‡˛˘Â ÍÓÏ‡Ì‰Û Start/Stop, ÏÓÊÂÚ Á‡ÔÛÒ͇ڸ Ë ÓÒڇ̇‚ÎË‚‡Ú¸ ËÚÏ ËÎË ËÒÔÓÎÌÂÌË MIDI-‰‡ÌÌ˚ı ̇ ÔËÌËχ˛˘ÂÏ ÛÒÚÓÈÒÚ‚Â ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. ç‡ÔËÏÂ, Ò ‚̯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡ ÏÓÊÌÓ Ô‰‡Ú¸ ÍÓÏ‡Ì‰Û Start/Stop, ÔÓ ÍÓÚÓÓÈ ÔˇÌËÌÓ Clavinova ̇˜ÌÂÚ ËÎË ÔÂ͇ÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË. íÓ˜ÌÓ Ú‡Í Ê ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ‚̯ÌËÈ MIDI-ÒÂÍ‚ÂÌÒÓ ËÎË ËÚÏχ¯ËÌÛ ÔÛÚÂÏ Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ÔˇÌËÌÓ Clavinova. óÚÓ·˚ ‡Á¯ËÚ¸ Ô‰‡˜Û Ë ÔËÂÏ ÍÓχ̉ Start/Stop, ÛÒÚ‡ÌÓ‚ËÚ ÙÛÌÍˆË˛ START/STOP ‚ ÔÓÎÓÊÂÌË ON. èêàåÖóÄçàÖ CONTROL • ç‡ÒÚÓÈÍË: Tx&Rx (Ô‰‡˜‡/ÔËÂÏ), OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Tx&Rx èêàåÖóÄçàÖ SYS EX. • ç‡ÒÚÓÈÍË: Tx&Rx (Ô‰‡˜‡/ÔËÂÏ), OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: Tx&Rx èêàåÖóÄçàÖ START/STOP • ç‡ÒÚÓÈÍË: Tx&Rx (Ô‰‡˜‡/ÔËÂÏ), OFF • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF ùÍ‡Ì FUNCTION [MIDI 3] — ÒÚ. 11 ■ Receive Filter ........................................................................................................................................... 147 ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Receive Filter ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔˇÌËÌÓ Clavinova ÔËÌËχڸ ÓÔ‰ÂÎÂÌÌ˚ MIDI-ÒÓÓ·˘ÂÌËfl (̇ÔËÏ ‰‡ÌÌ˚Â Ó ÌÓÚ‡ı Ë ÒÓÓ·˘ÂÌËfl CONTROL CHANGE) ÔÓ ÌÂÍÓÚÓ˚Ï MIDI-͇̇·Ï. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ̇ÔËÏÂ, ‚ ÒÎÛ˜‡Â, ÂÒÎË ‚˚ ıÓÚËÚ ÛÔ‡‚ÎflÚ¸ ÌÂÍÓÚÓ˚ÏË ÚÂÏ·‡ÏË ÔˇÌËÌÓ Clavinova ÚÓθÍÓ Ò ‚̯ÌÂ„Ó ÒÂÍ‚ÂÌÒÓ‡, ‡ ‰Û„ËÏË - ÚÓθÍÓ Ò ÔÓÏÓ˘¸˛ Í·‚ˇÚÛ˚ ÔˇÌËÌÓ Clavinova ËÎË Â„Ó ‚ÌÛÚÂÌÌËı ÙÛÌ͈ËÈ ‚ ÂÊËχı Auto Accompaniment Ë Song. (åÓÊÌÓ Á‡‰‡Ú¸ ÂÊËÏ, ÔË ÍÓÚÓÓÏ ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ Ë„ÌÓËÓ‚‡Ú¸ ÒÓÓ·˘ÂÌËfl ͇̇ÎÓ‚, Ô‰̇Á̇˜ÂÌÌ˚ ‰Îfl ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ÔˇÌËÌÓ Clavinova ˜ÂÂÁ ‡Á˙ÂÏ MIDI [THRU].) èÓ ÛÏÓΘ‡Ì˲ ÔˇÌËÌÓ Clavinova ÔÓÎÛ˜‡ÂÚ ÒÓÓ·˘ÂÌËfl ÔÓ ‚ÒÂÏ 16 ͇̇·Ï. ÑÎfl ‡ÍÚË‚‡ˆËË ËÎË ‰ÂÁ‡ÍÚË‚‡ˆËË Í‡Ì‡Î‡ ҉·ÈÚ ÒÎÂ‰Û˛˘ÂÂ: èêàåÖóÄçàÖ RECEIVE FILTER • ç‡ÒÚÓÈÍË: ON, OFF (x 16) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ON (x 16) CVP-202 149 MIDI ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Z Ç˚·ÂËÚ ͇̇Î. ÑÎfl ‚˚·Ó‡ ÌÓχ ͇̇·, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË CHANNEL < Ë > ̇ Üä-˝Í‡ÌÂ. ➔ èÓ‰ ‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ Í‡Ì‡Î‡ ÔÓfl‚ËÚÒfl ÍÛÒÓ. X ç‡ÊÏËÚ ͇ÈÌ˛˛ ÍÌÓÔÍÛ ÒÔ‡‚‡ ̇ Üä-˝Í‡ÌÂ. ➔ äÓ„‰‡ ͇̇Π‚Íβ˜ÂÌ, ‚˚‰ÂÎÂ̇ ̇‰ÔËÒ¸ ON Ë ÌÓÏ ͇̇· ÓÚÓ·‡Ê‡ÂÚÒfl ‚ ÒÔÎÓ¯ÌÓÈ ÔflÏÓÛ„ÓθÌÓÈ ‡ÏÍÂ. äÓ„‰‡ ͇̇Π‚˚Íβ˜ÂÌ, ‚˚‰ÂÎÂ̇ ̇‰ÔËÒ¸ OFF Ë ÌÓÏ ͇̇· ÓÚÓ·‡Ê‡ÂÚÒfl ·ÂÁ ‡ÏÍË. ùÍ‡Ì FUNCTION [MIDI 4] — ÒÚ. 12 ■ MIDI Transpose ...................................................................................................................................... îÛÌ͈Ëfl MIDI Transpose ÓÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË Ì‡ÒÚÓÈ͇ Transpose, ÛÒÚ‡ÌÓ‚ÎÂÌ̇fl ̇ ˝Í‡Ì FUNCTION [KEYBOARD 1] (ÒÚ. 136), ‚ÎËflÚ¸ ̇ MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚ ÔˇÌËÌÓ Clavinova. Ç Ó·˚˜ÌÓÏ ÒÓÒÚÓflÌËË ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÓÌÓ ÔËÌËχÂÚ. ÑÎfl ‚Íβ˜ÂÌËfl ËÎË ‚˚Íβ˜ÂÌËfl ˝ÚÓÈ ÙÛÌ͈ËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ MIDI TRANSPOSE. ■ Send Channel (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ/„‡ÏÓÌËfl) ......................................................... ÖÒÎË ÙÛÌ͈Ëfl ACMP&RHY ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ Á̇˜ÂÌË 9–16ch, ˜ÂÂÁ ‡Á˙ÂÏ MIDI [OUT] ÔÓ MIDI-Í‡Ì‡Î‡Ï 9 - 16 Ô‰‡˛ÚÒfl ‰‡ÌÌ˚Â Ó ËÚÏÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÖÒÎË ÙÛÌ͈Ëfl HARMONY ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË 6-8ch, ˜ÂÂÁ ‡Á˙ÂÏ MIDI [OUT] ÔÓ MIDI-Í‡Ì‡Î‡Ï 6 - 8 Ô‰‡˛ÚÒfl ÌÓÚ˚ Ë Û͇Á‡ÌÌ˚ ÌËÊ ÚËÔ˚ „‡ÏÓÌËË (ÒÏ. ÒÔËÒÓÍ). CVP-202 èêàåÖóÄçàÖ SEND CH (ACMP&RHY) • ç‡ÒÚÓÈÍË: OFF (Ì Ô‰‡˛ÚÒfl), 9–16 ch (Ô‰‡˛ÚÒfl) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF SEND CH (HARMONY) • ç‡ÒÚÓÈÍË: OFF (Ì Ô‰‡˛ÚÒfl), 6–8ch (Ô‰‡˛ÚÒfl) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF 148 150 èêàåÖóÄçàÖ MIDI TRANSPOSE • ç‡ÒÚÓÈÍË: ON (‚ÍÎ.), OFF (‚˚ÍÎ.) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: ON ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI èêàåÖóÄçàÖ íËÔ˚ „‡ÏÓÌËË, Ô‰‡‚‡ÂÏ˚ ÔÓ Í‡Ì‡Î‡Ï 6 - 8: • Echo • Add Jazz Gtr • Tremolo • Add Brass • Trill • Add Strings • Strumming • In The Forest * èÓ‰Ó·ÌÂÂ Ó ÙÛÌ͈ËË Harmony ÒÏ. ̇ ÒÚ. 69. çÓÚ˚ ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ÚËÔÓ‚ „‡ÏÓÌËË ‚Ò„‰‡ Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ RIGHT1 (ÒÚ. 147) ÌÂÁ‡‚ËÒËÏÓ ÓÚ ˝ÚÓÈ Ì‡ÒÚÓÈÍË. ÖÒÎË ˝ÚË ÙÛÌ͈ËË ‚Íβ˜ÂÌ˚, ̇ ÍÓÏÔ¸˛Ú ËÎË ‚̯ÌÂÏ ÒÂÍ‚ÂÌÒÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ËÚÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë „‡ÏÓÌ˘ÂÒÍË ԇÚËË. ■ Song Transmission ............................................................................................................................ ÖÒÎË ÙÛÌ͈Ëfl SONG ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË ON, ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ Ò ÔˇÌËÌÓ Clavinova ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ ‡Á˙ÂÏ MIDI [OUT]. ùÚ‡ ̇ÒÚÓÈ͇ ËÒÔÓθÁÛÂÚÒfl ÚÓ„‰‡, ÍÓ„‰‡ ̇ ‚̯ÌÂÏ ÚÓÌ-„Â̇ÚÓ ÌÛÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ÔÂÒÌ˛, ÔÓË„˚‚‡ÂÏÛ˛ ̇ ÔˇÌËÌÓ Clavinova. èÓ ÛÏÓΘ‡Ì˲ Ô‰‡˜‡ ‰‡ÌÌ˚ı Ó ÔÂÒÌ ÓÚÍβ˜Â̇. ■ Remote Keyboard ............................................................................................................................... èË ‚Íβ˜ÂÌÌÓÈ Ì‡ÒÚÓÈÍ REMOTE KBD MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ Ë„Û Ì‡ ‚‡¯ÂÈ Í·‚ˇÚÛÂ. èÓÎÛ˜ÂÌÌ˚ ‰‡ÌÌ˚ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸. ÖÒÎË ‚˚ Ì ıÓÚËÚÂ, ˜ÚÓ·˚ ‰‡ÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ‚ÎËflÎË Ì‡ ‚‡¯Û Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË OFF. åÓÊÌÓ ÔÓÎÛ˜‡Ú¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ‰‡ÌÌ˚ı: • Key ON/OFF (Í·‚˯‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇) • Control Change (‰‡ÌÌ˚ ӷ ËÒÔÓÎÌÂÌËË - ÚÓθÍÓ Ô˜ËÒÎÂÌÌ˚ ÌËÊÂ) #1 #7 #11 #64 #66 #67 #123 åÓ‰ÛÎflˆËfl ÉÓÏÍÓÒÚ¸ Ç˚‡ÁËÚÂθÌÓÒÚ¸ 臂‡fl Ô‰‡Î¸ ë‰Ìflfl Ô‰‡Î¸ ょfl Ô‰‡Î¸ ÇÒ ÌÓÚ˚ ÓÚÍβ˜ÂÌ˚ #0 #32 #6 #96 #97 #100 #101 BANK Select MSB* BANK Select LSB* Data Entry MSB (‰Îfl ‰Ë‡Ô‡ÁÓ̇ RPN Pitch Bend Range) Data Increment (‰Îfl ‰Ë‡Ô‡ÁÓ̇ RPN Pitch Bend Range) Data Decrement (‰Îfl ‰Ë‡Ô‡ÁÓ̇ RPN Pitch Bend Range) RPN LSB (ÚÓθÍÓ ‚ ‰Ë‡Ô‡ÁÓÌ Pitch Bend Range) RPN MSB (ÚÓθÍÓ ‚ ‰Ë‡Ô‡ÁÓÌ Pitch Bend Range) • ÖÒÎË ‚˚ Ô‰‡ÂÚ ËÚÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË „‡ÏÓÌ˘ÂÒÍË ԇÚËË ˜ÂÂÁ MIDIËÌÚÂÙÂÈÒ, Ì ‚˚·Ë‡ÈÚ ‰Îfl Ô‰‡˜Ë MIDI-͇̇Î˚, ËÒÔÓθÁÛÂÏ˚ ‰Îfl Ô‰‡˜Ë ‰‡ÌÌ˚ı ̇ Í·‚ˇÚÛÛ (ÒÚ. 147). à̇˜Â ‰‡ÌÌ˚ ÔÓ Ë„Â Ì‡ Í·‚ˇÚÛ ·Û‰ÛÚ Òϯ˂‡Ú¸Òfl Ò ‰‡ÌÌ˚ÏË Ó· ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË „‡ÏÓÌËË. • ÖÒÎË ÙÛÌ͈Ëfl ACMP&RHY ËÎË HARMONY ‚Íβ˜Â̇, ‰‡ÌÌ˚ ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ MIDIËÌÚÂÙÂÈÒ ‰‡Ê ÔË ÓÚÍβ˜ÂÌÌÓÏ Í‡Ì‡Î Ô‰‡˜Ë RIGHT1 (ÒÚ. 147). èêàåÖóÄçàÖ SONG • ç‡ÒÚÓÈÍË: OFF (Ì Ô‰‡˛ÚÒfl), ON (Ô‰‡˛ÚÒfl) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF èêàåÖóÄçàÖ REMOTE KBD • ç‡ÒÚÓÈÍË: OFF (ÌÂÚ ÔËÂχ), 1 — 16 (ÔËÂÏ ÔÓ Í‡Ì‡Î‡Ï) • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: OFF èêàåÖóÄçàÖ MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â Ò Û‰‡ÎÂÌÌÓÈ Í·‚ˇÚÛ˚, ÌÂθÁfl Ô‰‡‚‡Ú¸ ˜ÂÂÁ ‡Á˙ÂÏ MIDI [OUT]. • Program Change (‰‡ÌÌ˚ ӷ ËÁÏÂÌÂÌËË ÚÂÏ·‡)* • Pitch Bend 149 èËϘ‡ÌËÂ: 臇ÏÂÚ˚, ÓÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ, ËÁÏÂÌfl˛Ú „·‚Ì˚È ÚÂÏ·. CVP-202 151 Backup ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [BACKUP 1] — ÒÚ. 13 ■ ëÓı‡ÌÂÌË ............................................................................................................................................... ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ‡Á΢Ì˚ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚. ÖÒÎË Ó̇ ‚Íβ˜Â̇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË Ì ·Û‰ÛÚ ‚ÓÁ‚‡˘‡Ú¸Òfl Í ËÒıÓ‰Ì˚Ï Á̇˜ÂÌËflÏ (ÔÓ ÛÏÓΘ‡Ì˲) ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl. ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓÈ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚ ̇ÊÏËÚ ÍÌÓÔÍÛ ▼ ËÎË ▲, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+]. èÓÎÓÊÂÌË ͇ÈÌÂÈ ÒÔ‡‚‡ ÍÌÓÔÍË Ì‡ Üä-˝Í‡Ì (on/off) Óڂ˜‡ÂÚ Á‡ ÒÓı‡ÌÂÌË ˝ÚÓÈ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚. á‚ÂÁ‰Ó˜Í‡ («*») Ô‰ ̇Á‚‡ÌËÂÏ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚ ÔÓ͇Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌ͈Ëfl ÒÓı‡ÌÂÌËfl ‚Íβ˜Â̇. ç‡ÒÚÓÈÍË „ÛÔÔ Ô‡‡ÏÂÚÓ‚ Ò ‚˚Íβ˜ÂÌÌ˚ÏË ÙÛÌ͈ËflÏË ÒÓı‡ÌÂÌËfl ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ‚ÂÌÛÚÒfl Í Ò‚ÓËÏ ËÒıÓ‰Ì˚Ï ÒÓÒÚÓflÌËflÏ (ÔÓ ÛÏÓΘ‡Ì˲). èêàåÖóÄçàÖ îÛÌ͈ËË ÒÓı‡ÌÂÌËfl • ç‡ÒÚÓÈÍË: ON, OFF (‚ÍÎ./‚˚ÍÎ.) • éÒÌÓ‚Ì˚ ̇ÒÚÓÈÍË: ON (REGISTRATION) OFF (‚Ò ÓÒڇθÌ˚Â) ç‡ ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ÒÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚. ÉÛÔÔ‡ éÔËÒ‡ÌË VOICE SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ÚÂÏ·‡ÏË REVERB/EFFECT ç‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË, ıÓÛÒ‡ Ë ˝ÙÙÂÍÚ‡ TUNE é·˘‡fl ̇ÒÚÓÈ͇, ÏËÍÓ̇ÒÚÓÈ͇ ÚÓ̇, ̇ÒÚÓÈ͇ ÓÚ‰ÂθÌ˚ı ÌÓÚ PEDAL ç‡ÒÚÓÈ͇ ÙÛÌ͈ËÈ Ô‰‡ÎË ACMP SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ SONG SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ÂÊËÏÓÏ Song REGISTRATION ç‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ë ÙÛÌ͈ËË Freeze MIDI SETTING ç‡ÒÚÓÈÍË ÙÛÌ͈ËÈ MIDI èêàåÖóÄçàÖ èÓÒÚÓflÌÌ˚ ̇ÒÚÓÈÍË ÇÒe„‰‡ ÒÓı‡Ìfl˛ÚÒfl ÒÎe‰Û˛˘Ëe ̇ÒÚÓÈÍË: • Help language (üÁ˚Í ÒÔ‡‚ÍË (HELP)) • Song volume (ÉÓÏÍÓÒÚ¸ ÔÂÒÌË) • Backup ON/OFF (ëÓı‡ÌÂÌË ON/OFF) èÓ‰Ó·ÌÂÂ Ó ÚÓÏ, ͇ÍË ԇ‡ÏÂÚ˚ ‚Íβ˜ÂÌ˚ ‚ Í‡Ê‰Û˛ „ÛÔÔÛ, ÏÓÊÌÓ ÔÓ˜ÂÒÚ¸ ̇ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List». 臇ÏÂÚ˚ ·Û‰ÛÚ ı‡ÌËÚ¸Òfl ‚ Ô‡ÏflÚË ÔˇÌËÌÓ Clavinova ÚÓθÍÓ ‚ Ú˜ÂÌˠ̉ÂÎË. èÓÒΠ˝ÚÓ„Ó Á̇˜ÂÌËfl ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ÂÌÛÚÒfl Í ËÒıÓ‰ÌÓÏÛ ÒÓÒÚÓflÌ˲. ÑÎfl ÒÓı‡ÌÂÌËfl ̇ÒÚÓÂÍ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ıÓÚfl ·˚ ̇ ÌÂÒÍÓθÍÓ ÏËÌÛÚ ÔÓ Í‡ÈÌÂÈ Ï ӉËÌ ‡Á ‚ ̉Âβ. CVP-202 150 152 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Backup ùÍ‡Ì FUNCTION [BACKUP 2] — ÒÚ. 14 ■ Recall ................................................................................................................................................................. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÂÌÛÚ¸ ËÒıÓ‰Ì˚ ه·Ë˜Ì˚ ̇ÒÚÓÈÍË (ÓÒÌÓ‚Ì˚Â) ‰Îfl „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚ ËÎË ‰Îfl ‚ÒÂı Ô‡‡ÏÂÚÓ‚ Ò‡ÁÛ. ÑÎfl ‚˚·Ó‡ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ˜¸Ë ̇ÒÚÓÈÍË ‚˚ ıÓÚËÚ ӷÌÓ‚ËÚ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ ▼ ËÎË ▲, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+], Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ START. ➔ èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ YES, ‰Îfl ÓÚ͇Á‡ - ÍÌÓÔÍÛ NO. ÇÓÁ‚‡˘‡Ú¸ ËÒıÓ‰Ì˚ ̇ÒÚÓÈÍË ÏÓÊÌÓ ‰Îfl ÒÎÂ‰Û˛˘Ëı „ÛÔÔ Ô‡‡ÏÂÚÓ‚ ÔˇÌËÌÓ Clavinova. ÉÛÔÔ‡ éÔËÒ‡ÌË VOICE SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ÚÂÏ·‡ÏË REVERB/EFFECT ç‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË, ıÓÛÒ‡ Ë ˝ÙÙÂÍÚ‡ TUNE é·˘‡fl ̇ÒÚÓÈ͇, ÏËÍÓ̇ÒÚÓÈ͇ ÚÓ̇, ̇ÒÚÓÈ͇ ÓÚ‰ÂθÌ˚ı ÌÓÚ PEDAL ç‡ÒÚÓÈ͇ ÙÛÌ͈ËÈ Ô‰‡ÎË ACMP SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ SONG SETTING ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ÂÊËÏÓÏ Song REGISTRATION ç‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ë ÙÛÌ͈ËË Freeze MIDI SETTING ç‡ÒÚÓÈÍË ÙÛÌ͈ËÈ MIDI ALL ÇÒ ‚˚¯ÂÛ͇Á‡ÌÌ˚ ̇ÒÚÓÈÍË èêàåÖóÄçàÖ èÓÒÚÓflÌÌ˚ ̇ÒÚÓÈÍË ç ‚˚Á˚‚‡˛ÚÒfl Ù‡·Ë˜Ì˚ ̇ÒÚÓÈÍË ‰Îfl ÒÎÂ‰Û˛˘Ëı Ô‡‡ÏÂÚÓ‚: • Help language (üÁ˚Í ÒÔ‡‚ÍË (HELP)) • Song volume (ÉÓÏÍÓÒÚ¸ ÔÂÒÌË) • Backup ON/OFF (ëÓı‡ÌÂÌË ON/OFF) é‰Ì‡ÍÓ ˝ÚËÏ Ë ‚ÒÂÏ ‰Û„ËÏ Ì‡ÒÚÓÈÍ‡Ï ÏÓÊÌÓ ‚ÂÌÛÚ¸ Ëı Ô‚Ó̇˜‡Î¸Ì˚ ه·Ë˜Ì˚ Á̇˜ÂÌËfl, ÂÒÎË ‚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ͇ÈÌ˛˛ Ô‡‚Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛ (ë7) - ÌÓÚÛ ÑÓ 5-È ÓÍÚ‡‚˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Back up data erased and replaced by factory data» (ÒÓı‡ÌÂÌÌ˚ ‰‡ÌÌ˚ ۉ‡ÎÂÌ˚ Ë Á‡ÏÂÌÂÌ˚ Á‡‚Ó‰ÒÍËÏË Á̇˜ÂÌËflÏË). óÂÂÁ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ (‚ Ú˜ÂÌË ÍÓÚÓ˚ı ‚˚҂˜˂‡ÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ) ÔÓfl‚ÎflÂÚÒfl „·‚Ì˚È ˝Í‡Ì. 151 ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÚÓÏ, ͇ÍË ԇ‡ÏÂÚ˚ ÒÓ‰ÂʇÚÒfl ‚ ͇ʉÓÈ „ÛÔÔÂ, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ̇ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List». CVP-202 153 Utility ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÍ‡Ì FUNCTION [MICRO TUNING] — ÒÚ. 15 ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Micro Tuning ÏÓÊÌÓ ÓÚ‰ÂθÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Í‡Ê‰ÓÈ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ ‰ËÒÍÂÚÂ Ë Á‡„Ûʇڸ, ÍÓ„‰‡ ‚ ˝ÚÓÏ ‚ÓÁÌËÍÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚ¸. íÂÍÛ˘Ë ̇ÒÚÓÈÍË ÔÓθÁÓ‚‡ÚÂÎfl ‚ β·ÓÈ ÏÓÏÂÌÚ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ Ò΂‡ ÍÌÓÔÍË Ì‡ ˝ÚÓÏ Üä-˝Í‡ÌÂ. ■ ìÒÚ‡Ìӂ͇ ÙÛÌ͈ËË Micro Tuning .................................................................................. Z Ç˚·ÂËÚ Í·‚˯Û. ç‡ÊÏËÚ Í·‚˯Û, ÍÓÚÓÛ˛ ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸. ➔ ç‡ ˝Í‡Ì ÔÓfl‚flÚÒfl ̇Á‚‡ÌË ˝ÚÓÈ ÌÓÚ˚ Ë ÚÂÍÛ˘Â Á̇˜ÂÌˠ ̇ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ. X ìÒÚ‡ÌÓ‚ËÚ ҉‚Ë„ ÔÓ ‚˚ÒÓÚÂ. ÑÎfl ̇ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚ ‚˚·‡ÌÌÓÈ Í·‚Ë¯Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ TUNE ▼ ËÎË ▲, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+]. ìÒÚ‡ÌÓ‚Ë‚ ͇ÈÌ˛˛ ÎÂ‚Û˛ ÍÌÓÔÍÛ Ì‡ Üä-˝Í‡Ì ‚ ÔÓÎÓÊÂÌË ON, ÏÓÊÌÓ ‚Ó ‚ÂÏfl ̇ÒÚÓÈÍË ÔÓË„˚‚‡Ú¸ ̇Òڇ˂‡ÂÏÛ˛ Í·‚Ë¯Û Ë ÒÎÛ¯‡Ú¸, Í‡Í Ó̇ Á‚Û˜ËÚ. Ç Î˛·ÓÈ ÏÓÏÂÌÚ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í ÌÓχθÌÓÈ Ì‡ÒÚÓÈÍ Í·‚˯Ë, ±0 ˆÂÌÚÓ‚, ÂÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË TUNE ▼ Ë ▲. èêàåÖóÄçàÖ TUNE (ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚) • ÑˇԇÁÓÌ: –100 ˆÂÌÚÓ‚ — +100 ˆÂÌÚÓ‚ –1 — +1 ÔÓÎÛÚÓÌ • éÒÌÓ‚ÌÓ Á̇˜ÂÌËÂ: 0 ˆÂÌÚÓ‚ (‰Îfl ‚ÒÂı Í·‚˯) C èÓ‚ÚÓËÚ ¯‡„Ë 1 Ë 2. èÓ‚ÚÓËÚ ¯‡„Ë 1 Ë 2 ‰Îfl ͇ʉÓÈ Ì‡Òڇ˂‡ÂÏÓÈ Í·‚˯Ë. ■ î‡ÈÎ˚ Micro Tuning (̇ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ) ................................................... Ç˚ÔÓÎÌÂÌÌÛ˛ ̇ÒÚÓÈÍÛ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ ‰ËÒÍÂÚ ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·. î‡ÈÎ˚ ̇ÒÚÓÂÍ Á‡„Ûʇ˛ÚÒfl ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË. ÖÒÎË ÓÌË ·Óθ¯Â Ì ÌÛÊÌ˚, Ëı ÏÓÊÌÓ Û‰‡ÎËÚ¸. Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰. ë̇˜‡Î‡ ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÒÚ‡‚ÎÂÌ̇fl ‰ËÒÍÂÚ‡ Ô‡‚ËθÌÓ ÓÚÙÓχÚËÓ‚‡Ì‡. ÑËÒÍÂÚ‡ ‰ÓÎÊ̇ ÒÓ‰Âʇڸ Ù‡ÈÎ Ò Ì‡ÒÚÓÈÍÓÈ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ Á‡„ÛÁËÚ¸, Û‰‡ÎËÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸. CVP-202 152 154 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○Utility X Ç˚·ÂËÚ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ Ò Ù‡ÈÎÓÏ. ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔ‡ˆËË ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ‚ÚÓÓÈ ÒÔ‡‚‡ ÍÌÓÔÍÓÈ Ì‡ Üä-˝Í‡ÌÂ: LOAD, SAVE, DELETE ËÎË NAME. C ç‡ÊÏËÚ ÍÌÓÔÍÛ START. èÓÒΠÚÓ„Ó, Í‡Í ‚˚ ̇ʇÎË ÍÌÓÔÍÛ START, ÔÓfl‚ËÚÒfl ˝Í‡Ì, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÓÔ‡ˆËË. èÓÒÎÂ‰Û˛˘Ë ¯‡„Ë Ú‡ÍË ÊÂ, Í‡Í Ì‡ ÒÚ. 140-141. ç‡È‰ËÚ ÓÔËÒ‡ÌË ÌÛÊÌÓÈ ÓÔ‡ˆËË. LOAD ëÏ. ÒÚ. 140. SAVE ëÏ. ÒÚ. 140. DELETE ëÏ. ÒÚ. 141. NAME ëÏ. ÒÚ. 141. ùÍ‡Ì FUNCTION [SCALE TUNING] — ÒÚ. 16 ìÒÚ‡ÌÓ‚Ë‚ Á̇˜ÂÌË PRESET ̇ ˝ÚÓÏ ˝Í‡ÌÂ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÏÛÁ˚͇θÌ˚È ÒÚÓÈ (ÚÂÏÔ‡ˆË˛). ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË USER ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ Ò‚Ó˛ ÒÓ·ÒÚ‚ÂÌÌÛ˛ ¯Í‡ÎÛ ‚˚ÒÓÚ. èË ˝ÚÓÏ Ì‡ÒÚÓÈ͇ ÔÓ ‚˚ÒÓÚÂ, ҉·Ì̇fl ‚‡ÏË ‰Îfl Ó‰ÌÓÈ ÓÍÚ‡‚˚, ‡ÒÔÓÒÚ‡ÌËÚÒfl ̇ ‚Ò˛ Í·‚ˇÚÛÛ. Ç˚ÔÓÎÌÂÌÌÛ˛ ̇ÒÚÓÈÍÛ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ ‰ËÒÍÂÚ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. èêàåÖóÄçàÖ îÛÌ͈Ëfl Scale Tuning Ì ‚ÎËflÂÚ Ì‡ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ÔÂÒÌË, ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ Ì‡ ÔˇÌËÌÓ Clavinova. ■ Preset Scale ............................................................................................................................................... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌÛ˛ ̇ÒÚÓÈÍÛ ÔÓ ‚˚ÒÓÚ ËÎË ÚÂÏÔ‡ˆË˛. ÑÓ ÔÓfl‚ÎÂÌËfl ‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌÓ„Ó ÒÚÓfl, ¯ËÓÍÓ ‡ÒÔÓÒÚ‡ÌÂÌÌÓ„Ó ‚ ̇ÒÚÓfl˘Â ‚ÂÏfl, ‚ ‡ÁÌ˚ ˝ÔÓıË Ë ‰Îfl ‡ÁÌ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ ÒÓÁ‰‡‚‡ÎËÒ¸ ‡Á΢Ì˚ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ ÏÓÊÂÚ ‚ÓÒÒÓÁ‰‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ÏÛÁ˚͇θÌ˚È ÒÚÓÈ Ë ÔË·ÎËÁËÚ¸Òfl Í ‡‰ÂÍ‚‡ÚÌÓÏÛ ‚ÓÒÔËflÚ˲ ‰Â‚ÌËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ. Ç ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ÒÂϸ ÚÂÏÔ‡ˆËÈ: 153 • EQUAL • PURE(MAJOR) • PURE(MINOR) • MEANTONE • PYTHAGOREAN • WERCKMEISTER • KIRNBERGER CVP-202 155 Utility ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ Z ë ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ Ò΂‡ ÍÌÓÔÍË Ì‡ Üä-˝Í‡Ì ‚˚·ÂËÚ ÙÛÌÍˆË˛ PRESET. ➔ èÓfl‚ËÚÒfl ÒÎÂ‰Û˛˘ËÈ ˝Í‡Ì: X Ç˚·ÂËÚ „‡ÏÏÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ SCALE ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌ˚È Ô‡‡ÏÂÚ, ‡ Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ̇·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–]/[+] ‰Îfl ‚˚·Ó‡ ÚËÔ‡ ÚÂÏÔ‡ˆËË. ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ β·Û˛ ÚÂÏÔ‡ˆË˛, ÍÓÏ ‡‚ÌÓÏÂÌÓÈ (EQUAL), ÌÂÓ·ıÓ‰ËÏÓ Á‡‰‡Ú¸ ˆÂÌڇθÌÛ˛ Í·‚Ë¯Û (ÓÔÓÌÛ˛ ‚˚ÒÓÚÛ). í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÚÂÏÔ‡ˆË˛ ‚ ÌÛÊÌÓÈ ÚÓ̇θÌÓÒÚË. C Ç˚·ÂËÚ ˆÂÌڇθÌÛ˛ Í·‚˯Û. ç‡ÊÏËÚ ÍÌÓÔÍÛ KEY, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌ˚È Ô‡‡ÏÂÚ, ‡ Á‡ÚÂÏ ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ̇·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔ͇ÏË [–] Ë [+] ‰Îfl ‚˚·Ó‡ ˆÂÌڇθÌÓÈ Í·‚˯Ë. èêàåÖóÄçàÖ KEY • ç‡ÒÚÓÈÍË: C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B • ŇÁÓ‚‡fl ̇ÒÚÓÈ͇: C (ÌÓÚ‡ ÑÓ) ■ ç‡ÒÚÓÈ͇ User Scale (ÏÛÁ˚͇θÌÓ„Ó ÒÚÓfl ÔÓθÁÓ‚‡ÚÂÎfl) ..... ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÓÚ‰ÂθÌÓ Ì‡Òڇ˂‡Ú¸ Í‡Ê‰Û˛ ÌÓÚÛ ‚ÌÛÚË ÓÍÚ‡‚˚. ç‡ÒÚÓÈ͇, ‚˚ÔÓÎÌÂÌ̇fl ‰Îfl Ó‰ÌÓÈ Í·‚˯Ë, ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl Ú‡ÍËÏ Ê Í·‚˯‡Ï ‚Ó ‚ÒÂı ÓÒڇθÌ˚ı ÓÍÚ‡‚‡ı. Z Ç˚·ÂËÚ ÙÛÌÍˆË˛ USER Ò ÔÓÏÓ˘¸˛ ͇ÈÌÂÈ Î‚ÓÈ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ. ➔ èÓfl‚ËÚÒfl ÒÎÂ‰Û˛˘ËÈ ˝Í‡Ì: X ç‡ÊÏËÚ Í·‚˯Û, ‚˚ÒÓÚÛ ÍÓÚÓÓÈ ÌÛÊÌÓ ËÁÏÂÌËÚ¸. ➔ èÓfl‚flÚÒfl ̇Á‚‡ÌË ÌÓÚ˚ Ë ÚÂÍÛ˘Â Á̇˜ÂÌË ̇ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ. C ìÒÚ‡ÌÓ‚ËÚ ҉‚Ë„ ÔÓ ‚˚ÒÓÚÂ. ìÒÚ‡ÌÓ‚ËÚ ‚˚ÒÓÚÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TUNE ▼ ËÎË ▲, ̇·ÓÌÓ„Ó ‰ËÒ͇ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ÇÓ ‚ÂÏfl ̇ÒÚÓÈÍË ÏÓÊÌÓ Ì‡ÊËχڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ë ÒÎÛ¯‡Ú¸  Á‚Û˜‡ÌËÂ. Ç Î˛·ÓÈ ÏÓÏÂÌÚ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍ Í·‚Ë¯Ë ±0 ˆÂÌÚÓ‚, ÂÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË TUNE ▼ Ë ▲. èêàåÖóÄçàÖ TUNE (ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚) • ÑˇԇÁÓÌ: -64 ˆÂÌÚ‡ — +63 ˆÂÌÚ‡ • éÒÌÓ‚ÌÓ Á̇˜ÂÌËÂ: 0 (‰Îfl ‚ÒÂı Í·‚˯) V èÓ‚ÚÓËÚ ¯‡„Ë 2 Ë 3 ‰Îfl ̇ÒÚÓÈÍË ‚ÒÂı ÌÛÊÌ˚ı Í·‚˯. CVP-202 154 156 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Utility ■ î‡ÈÎ˚ User Scale (ÏÛÁ˚͇θÌÓ„Ó ÒÚÓfl ÔÓθÁÓ‚‡ÚÂÎfl) ............... ëÓ·ÒÚ‚ÂÌÌ˚È ÏÛÁ˚͇θÌ˚È ÒÚÓÈ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ̇ ‰ËÒÍÂÚ ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·. î‡ÈÎ˚ ÏÛÁ˚͇θÌÓ„Ó ÒÚÓfl Á‡„Ûʇ˛ÚÒfl ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË. àı ÏÓÊÌÓ Û‰‡ÎËÚ¸, ÂÒÎË ÓÌË ·Óθ¯Â Ì ÌÛÊÌ˚. Z ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰. è‰ ˝ÚËÏ Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ Ô‡‚ËθÌÓ ÓÚÙÓχÚËÓ‚‡Ì‡. ÑËÒÍÂÚ‡ ‰ÓÎÊ̇ ÒÓ‰Âʇڸ Ù‡ÈÎ Ò ÏÛÁ˚͇θÌ˚Ï ÒÚÓÂÏ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ Á‡„ÛÁËÚ¸, Û‰‡ÎËÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸. X Ç˚·ÂËÚ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ Ò Ù‡ÈÎÓÏ. ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔ‡ˆËË ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ‚ÚÓÓÈ ÒÔ‡‚‡ ÍÌÓÔÍÓÈ Ì‡ Üä-˝Í‡ÌÂ: LOAD, SAVE, DELETE ËÎË NAME. C ç‡ÊÏËÚ ÍÌÓÔÍÛ START. 155 èÓÒΠÚÓ„Ó, Í‡Í ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ START, ÔÓfl‚ËÚÒfl ˝Í‡Ì, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÓÔ‡ˆËË. èÓÒÎÂ‰Û˛˘Ë ¯‡„Ë Ú‡ÍË ÊÂ, Í‡Í ÚÂ, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ̇ ÒÚ. 140 - 141. ç‡È‰ËÚ ÓÔËÒ‡ÌË ÌÛÊÌÓÈ ‚‡Ï ÓÔ‡ˆËË. LOAD ëÏ. ÒÚ. 140. SAVE ëÏ. ÒÚ. 140. DELETE ëÏ. ÒÚ. 141. NAME ëÏ. ÒÚ. 141. CVP-202 157 É·‚‡ 9: èÓ‰Íβ˜ÂÌË èÓ‰Íβ˜ÂÌË ‡Û‰ËÓÛÒÚÓÈÒÚ‚ ○○○○○○○○○○○○○ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò̇·ÊÂÌÓ ‡Á˙ÂχÏË, ˜ÂÂÁ ÍÓÚÓ˚ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ‡ÁÌÓÓ·‡ÁÌ˚ Á‚ÛÍÓ‚˚ ÛÒÚÓÈÒÚ‚‡. ä ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ ‚˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸ ̇ۯÌËÍË, ÒÚÂÂÓÒËÒÚÂÏÛ ËÎË Á‚ÛÍÓÛÒËÎË‚‡˛˘Û˛ ‡ÔÔ‡‡ÚÛÛ, ‡ ÍÓ ‚ıÓ‰ÌÓÏÛ — ÚÓÌ-„Â̇ÚÓ ËÎË ‰Û„ÓÈ ËÌÒÚÛÏÂÌÚ. ÇçàåÄçàÖ! éÚÍβ˜‡ÈÚ ÔËÚ‡ÌË ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË ËÎË ÓÚÒÓ‰ËÌÂÌËË Á‚ÛÍÓ‚Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËfl ‚Ó ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl ‰Ë̇ÏËÍÓ‚ ËÎË ‚ÓÁÌËÍÌÓ‚ÂÌËfl ‰Û„Ëı ÔÓ·ÎÂÏ. PHONES ç‡Û¯ÌËÍË ç‡Û¯ÌËÍË ÒΉÛÂÚ ÔÓ‰Íβ˜‡Ú¸ Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂ͇), ‡ÒÔÓÎÓÊÂÌÌ˚ı ÔÓ‰ ΂˚Ï Í‡ÂÏ Í·‚ˇÚÛ˚. èË ÔÓ‰Íβ˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ ÔÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ÓÚÍβ˜ÂÌË ‚ÒÚÓÂÌÌ˚ı ‰Ë̇ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. èÓ‰Íβ˜Ë‚ ‰‚ ԇ˚ ̇ۯÌËÍÓ‚ Í ‰‚ÛÏ ‡Á˙ÂχÏ, Ò‡ÁÛ ‰‚‡ ˜ÂÎÓ‚Â͇ ÏÓ„ÛÚ Ì‡Ò·ʉ‡Ú¸Òfl Á‚Û˜‡ÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. èêàåÖóÄçàÖ êÂÍÓÏẨӂ‡ÌÌ˚ ̇ۯÌËÍË: Yamaha HPE-160 headphones ÄÛ‰ËÓ ‚ıÓ‰ Ë ‚˚ıÓ‰ ë ÔÓÏÓ˘¸˛ ‡Á˙ÂÏÓ‚ AUX IN Ë AUX OUT, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ò΂‡ ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÛÒÚÓÈÒÚ‚‡, ‚˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Í ‡Á΢ÌÓÈ ‡Û‰ËÓ-‡ÔÔ‡‡ÚÛÂ. ■ ê‡Á˙ÂÏ˚ AUX IN ......................................................................................................... AUX IN R L/L+R ÉÂ̇ÚÓ ÚÓ̇ Tone Generator CVP-202 ÇçàåÄçàÖ! çËÍÓ„‰‡ Ì ÔÓ‰ÒÓ‰ËÌflÈÚ ‡Á˙ÂÏ˚ AUX OUT ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í Â„Ó ‡Á˙ÂÏ‡Ï AUX IN ̇ÔflÏÛ˛ ËÎË ˜ÂÂÁ ‚̯Ì ‡Û‰ËÓ-Ó·ÓÛ‰Ó‚‡ÌËÂ. í‡ÍÓ ÒÓ‰ËÌÂÌË ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÂÚβ Ó·‡ÚÌÓÈ Ò‚flÁË, ˜ÚÓ Ò‰Â·ÂÚ Ì‚ÓÁÏÓÊÌ˚Ï ÌÓχθÌÓ ËÒÔÓÎÌÂÌË ËÎË Ô˂‰ÂÚ Í ÔÓ‚ÂʉÂÌ˲ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. èêàåÖóÄçàÖ èÓÎÁÛÌÍÓÏ [MASTER VOLUME] ÏÓÊÌÓ '„ÛÎË'Ó‚‡Ú¸ „'ÓÏÍÓÒÚ¸ ‚ıÓ‰ÌÓ„Ó ‡Û‰ËÓ Ò˄̇· ̇ '‡Á˙Âχı AUX IN. 156 158 á‚ÛÍË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÓ‰ÛÎÂÈ ÚÓÌ-„Â̇ÚÓ‡ ÏÓÊÌÓ ‚˚‚ÂÒÚË ˜ÂÂÁ ÒËÒÚÂÏÛ ‰Ë̇ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÔÓ‰ÒÓ‰ËÌË‚ ‡Û‰ËÓ Í‡·ÂÎË Í ‡Á˙ÂÏ‡Ï AUX IN, Í‡Í ÔÓ͇Á‡ÌÓ Á‰ÂÒ¸. àÒÔÓθÁÛÈÚ ‡Á˙ÂÏ AUX IN [L/L+R] ‰Îfl ÏÓÌÓÙÓÌ˘ÂÒÍÓ„Ó ‚ıÓ‰‡. ÑÎfl ÒÚÂÂÓ ‚ıÓ‰‡ ÔÓ‰ÒÓ‰ËÌËÚ ‚˚ıÓ‰ ÎÂ‚Ó„Ó Í‡Ì‡Î‡ Í ‡Á˙ÂÏÛ AUX IN [L/L+R], ‡ ‚˚ıÓ‰ Ô‡‚Ó„Ó Í‡Ì‡Î‡ – Í ‡Á˙ÂÏÛ AUX IN [R]. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰Íβ˜ÂÌË ‡Û‰ËÓÛÒÚÓÈÒÚ‚ ■ ê‡Á˙ÂÏ˚ AUX OUT .................................................................................................... AUX OUT R L/L+R 157 ëÚÂÂÓÒËÒÚÂχ Stereo System èÓ‰ÒÓ‰ËÌË‚ ‡Û‰ËÓ-͇·ÂÎË Í ‡Á˙ÂÏ‡Ï AUX OUT, Í‡Í ÔÓ͇Á‡ÌÓ Á‰ÂÒ¸, ‚˚ ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ì‡ ÒÚÂÂÓÒËÒÚÂÏÛ, ÛÒËÎËÚÂθ, ÍÓÌÒÓθ ÏËͯ‡ ËÎË Á‡ÔËÒ˚‚‡˛˘Â ӷÓÛ‰Ó‚‡ÌËÂ. í‡Í Í‡Í ‡Á˙ÂÏ˚ AUX OUT Ó·ÂÒÔ˜˂‡˛Ú ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·, ‰Îfl „ÛÎËÓ‚ÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË Á‚Û˜‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ÔÓ‰Íβ˜ÂÌÌÓÏ Ó·ÓÛ‰Ó‚‡ÌËË. àÒÔÓθÁÛÈÚ ‡Á˙ÂÏ AUX OUT [L/L+R] ‰Îfl ÏÓÌÓÙÓÌ˘ÂÒÍÓ„Ó ‚˚ıÓ‰‡. ÑÎfl ÒÚÂÂÓ ‚˚ıÓ‰‡ ÔÓ‰ÒÓ‰ËÌËÚ ‡Á˙ÂÏ AUX OUT [L/L+R] ÍÓ ‚ıÓ‰Û ÎÂ‚Ó„Ó Í‡Ì‡Î‡, ‡ ‡Á˙ÂÏ AUX OUT [R] – ÍÓ ‚ıÓ‰Û Ô‡‚Ó„Ó Í‡Ì‡Î‡. CVP-202 159 èÓ‰Íβ˜ÂÌËÂ Í ‡Á΢Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï ○○○○○ Ç˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ MIDI-‡Á˙ÂÏ˚, ˜ÚÓ·˚ ÔÓ‰ÒÓ‰ËÌËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Í ‡Á΢Ì˚Ï MIDIÛÒÚÓÈÒÚ‚‡Ï, Ú‡ÍËÏ Í‡Í èä, ÒÂÍ‚ÂÌÒÓ˚, ÚÓÌ-„Â̇ÚÓ˚ Ë Ú.‰. í‡ÍÊ ‚˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, ÔÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ [TO HOST] ËÎË [MIDI]. ÇçàåÄçàÖ! é·flÁ‡ÚÂθÌÓ ÓÚÍβ˜‡ÈÚ ÔËÚ‡ÌË ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË ËÎË ÓÚÒÓ‰ËÌÂÌËË ÍÓÏÔ¸˛ÚÂÓ‚ ËÎË MIDI-ÛÒÚÓÈÒÚ‚ ‚Ó ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl. ÑÎfl ̇˜Ë̇˛˘Ëı ÒÛ˘ÂÒÚ‚ÛÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ («The Clavinova-Computer Connection»). Ç ÌÂÏ ÓÔËÒ‡Ì˚ ‚ÓÁÏÓÊÌÓÒÚË, ÍÓÚÓ˚ ‰‡ÂÚ Ú‡ÍÓ ÔÓ‰Íβ˜ÂÌË (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ÓËÂÌÚËÓ‚‡ÌÓ Ì‡ ÍÓÌÍÂÚÌ˚ ÏÓ‰ÂÎË). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ): http://www.yamahaclavinova.com/ ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha (ùÎÂÍÚÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚): http://www2.yamaha.co.jp/manual/english/ èÓ‰ÒÓ‰ËÌÂÌË MIDI-ÛÒÚÓÈÒÚ‚ àÒÔÓθÁÛÈÚ ͇·ÂÎË MIDI, ˜ÚÓ·˚ ÔÓ‰Íβ˜ËÚ¸ ‡Á˙ÂÏ˚ MIDI, ‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, Í ‰Û„ËÏ MIDIÛÒÚÓÈÒÚ‚‡Ï. ê‡Á˙ÂÏ˚ MIDI ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‡ÒÔÓÎÓÊÂÌ˚ ‚ ΂ÓÈ ˜‡ÒÚË Á‡‰ÌÂÈ Ô‡ÌÂÎË ÛÒÚÓÈÒÚ‚‡. íÓÌ-„Â̇ÚÓ˚ Ë ‰Û„Ë ÛÒÚÓÈÒÚ‚‡, ÍÓÌÚÓÎËÛÂÏ˚ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova, ÏÓ„ÛÚ ÔÓ‰Íβ˜‡Ú¸Òfl Í ‡Á˙ÂÏÛ MIDI [OUT]. ìÒÚÓÈÒÚ‚‡, ÛÔ‡‚Îfl˛˘Ë ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova, ‰ÓÎÊÌ˚ ÔÓ‰ÒÓ‰ËÌflÚ¸Òfl ˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN]. ÖÒÎË ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ·Û‰ÛÚ ÛÔ‡‚ÎflÚ¸ èä ËÎË ÒÂÍ‚ÂÌÒÓ, ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ‰‚ÛıÒÚÓÓÌÌÂÈ Ò‚flÁË Ëı ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í ÔÓÚ‡Ï [IN] Ë [OUT]. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, β·˚ ‰Û„Ë ÛÒÚÓÈÒÚ‚‡, ÛÔ‡‚ÎflÂÏ˚ ÚÂÏ Ê MIDI ÛÒÚÓÈÒÚ‚ÓÏ, ÏÓ„ÛÚ ·˚Ú¸ HOST SELECT PC-1 PC-2 ÔÓ‰ÒÓ‰ËÌÂÌ˚ Í ÔÓÚÛ MIDI [THRU] MIDI Mac ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ ‡Á˙ÂÏ˚ MIDI, ÛÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ [HOST SELECT] ‚ ÔÓÎÓÊÂÌË «MIDI». ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ MIDI-ÒÂÍ‚ÂÌÒÓ ÉÂ̇ÚÓ ÚÓ̇ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ‰Û„Ó ÔÓÎÓÊÂÌËÂ, ÔÓÚ˚ MIDI Ô‰‡‚‡Ú¸ ËÎË ÔÓÎÛ˜‡Ú¸ ‰‡ÌÌ˚ Ì ·Û‰ÛÚ. êÂÍÓÏẨ‡ˆËË ÔÓ ÛÒÚ‡ÌÓ‚Í ԇ‡ÏÂÚÓ‚ MIDI ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÏ. ̇ ÒÚ. 9 – 12 ˝Í‡Ì‡ FUNCTION (ÒÚ. 147 – 150). OUT IN èêàåÖóÄçàÖ [TO HOST] ËÎË MIDI? • ÖÒÎË ‚˚ Ô'ÓÒÚÓ ıÓÚËÚ ÔÓ‰ÒÓ‰ËÌËÚ¸ ˆËÙ'Ó‚Ó ÔˇÌËÌÓ Clavinova Í èä, ·Û‰ÂÚ Û‰Ó·Ì ËÒÔÓθÁÓ‚‡Ú¸ '‡Á˙ÂÏ [TO HOST], Ú‡Í Í‡Í ÍÓÏÔ¸˛ÚÂ'Û Ì ÔÓ̇‰Ó·ËÚ¸Òfl ÒÔˆˇθÌ˚È MIDI-ËÌÚÂ'ÙÂÈÒ, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÒÓ‰ËÌÂÌËÂ.è'Ë ËÒÔÓθÁÓ‚‡ÌËË USB-ÔÓ'Ú‡ ÍÓÏÔ¸˛ÚÂ'‡ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˆËÙ'Ó‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ú'·ÛÂÚÒfl USB-ËÌÚÂ'ÙÂÈÒ. • ê‡Á˙ÂÏ˚ MIDI ÓÒÓ·ÂÌÌÓ Û‰Ó·Ì˚, ÍÓ„‰‡ ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ˆËÙ'Ó‚Ó ÔˇÌËÌÓ Clavinova ÙÛÌ͈ËÓÌË'Ó‚‡ÎÓ Í‡Í ˜‡ÒÚ¸ ·ÓΠӷ¯Ë'ÌÓÈ ÒËÒÚÂÏ˚ MIDI. THRU èÓ‰Íβ˜ÂÌËÂ Í „·‚ÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ èêàåÖóÄçàÖ CVP-202 158 160 • è'Âʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ˆËÙ'Ó‚Ó ÔˇÌËÌÓ Clavinova Í èä Ë ÛÒڇ̇‚ÎË‚‡Ú¸ ÔÂ'ÂÍβ˜‡ÚÂθ [HOST SELECT], ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ӷÓËı ÛÒÚ'ÓÈÒÚ‚. ëÓ‰ËÌË‚ ÛÒÚ'ÓÈÒÚ‚‡ Ë ÛÒÚ‡ÌÓ‚Ë‚ ÔÂ'ÂÍβ˜‡ÚÂθ, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ', ‡ Á‡ÚÂÏ ˆËÙ'Ó‚Ó ÔˇÌËÌÓ Clavinova. • ÖÒÎË '‡Á˙ÂÏ [TO HOST] ˆËÙ'Ó‚Ó„Ó ÔˇÌËÌÓ Clavinova Ì ËÒÔÓθÁÛÂÚÒfl, ÓÚÒÓ‰ËÌËÚ ͇·Âθ ÓÚ '‡Á˙Âχ. ÖÒÎË Í‡·Âθ ÓÒÚ‡‚ËÚ¸ ÔÓ‰Íβ˜ÂÌÌ˚Ï, ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÌÂÔÓ·‰ÍË ‚ '‡·ÓÚ ˆËÙ'Ó‚Ó„Ó ÔˇÌËÌÓ Clavinova. • ÖÒÎË ÔÂ'ÂÍβ˜‡ÚÂθ [HOST SELECT] ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «PC-1», «PC-2» ËÎË «Mac», ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ '‡Á˙ÂÏ [TO HOST]. é‰Ì‡ÍÓ Ô'Ë ˝ÚÓÏ ÓÚÍβ˜‡˛ÚÒfl ÔÓ'Ú˚ MIDI, ÔÓÒÍÓθÍÛ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ˜Â'ÂÁ ˝ÚË ÔÓ'Ú˚ Ì Ô'ÓËÁ‚Ó‰ËÚÒfl. ë ‰'Û„ÓÈ ÒÚÓ'ÓÌ˚, ÂÒÎË ÔÂ'ÂÍβ˜‡ÚÂθ [HOST SELECT] ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «MIDI», ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÔÓ'Ú˚ MIDI, ÌÓ Ì '‡Á˙ÂÏ [TO HOST], Ú‡Í Í‡Í ˜Â'ÂÁ ÌÂ„Ó Ì Ô'ÓËÁ‚Ó‰ËÚÒfl Ó·ÏÂÌ ÒÓÓ·˘ÂÌËflÏË. ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰Íβ˜ÂÌËÂ Í ‡Á΢Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï ■ èÓ‰ÒÓ‰ËÌÂÌË ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ÔÓÚ‡ ÍÓÏÔ¸˛Ú‡ Í ‡Á˙ÂÏÛ [TO HOST] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova .......................................................................... èÓ‰ÒÓ‰ËÌËÚ ÔÓÒΉӂ‡ÚÂθÌ˚È ÔÓÚ ÍÓÏÔ¸˛Ú‡ (RS-232C ËÎË RS-422) Í ‡Á˙ÂÏÛ [TO HOST] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. èË Ú‡ÍÓÏ ÔÓ‰Íβ˜ÂÌËË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‡·ÓÚ‡ÂÚ Í‡Í MIDIËÌÚÂÙÂÈÒ. ëΉӂ‡ÚÂθÌÓ, ÒÔˆˇθÌÓ„Ó MIDI-ËÌÚÂÙÂÈÒ‡ Ì Ú·ÛÂÚÒfl. ● èÓ‰Íβ˜ÂÌË ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ÔÓÚ‡ ÍÓÏÔ¸˛Ú‡ (RS-232C ËÎË RS-422) Í ‡Á˙ÂÏÛ [TO HOST] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÈÚ ÒÔˆˇθÌ˚È Í‡·Âθ. Clavinova HOST SELECT PC-2 MIDI TO HOST PC-1 Mac TO HOST ê‡Á˙ÂÏ RS-232C (9-ÍÓÌÚ‡ÍÚÌ˚È ÚËÔ‡ D) ÔÓÚ ÏÓ‰Âχ Windows å‡ÍËÌÚÓ¯ ● èËϘ‡ÌË ‰Îfl ÔÓθÁÓ‚‡ÚÂÎÂÈ Windows (ÓÚÌÓÒËÚÂθÌÓ MIDI-‰‡È‚‡) ÑÎfl Ô‰‡˜Ë ‰‡ÌÌ˚ı ÏÂÊ‰Û ÔÓÒΉӂ‡ÚÂθÌ˚Ï ÔÓÚÓÏ ÍÓÏÔ¸˛Ú‡ Ë ‡Á˙ÂÏÓÏ [TO HOST] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÒÔˆˇθÌ˚È MIDI-‰‡È‚ (‰Îfl Windows – ‰‡È‚ Yamaha CBX). ùÚÓÚ ‰‡È‚ ÏÓÊÌÓ Á‡„ÛÁËÚ¸ ËÁ ·Ë·ÎËÓÚÂÍË XG (XG Library) ̇ Ò‡ÈÚ ÍÓÔÓ‡ˆËË Yamaha. http://www.yamaha-xg.com ● íËÔ˚ ÔÓÒΉӂ‡ÚÂθÌ˚ı ͇·ÂÎÂÈ Ë ¯Ú˚¸ÍÓ‚˚ ÍÓÌÚ‡ÍÚ˚ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ÔÓ‰Íβ˜‡ÂÏÓ„Ó ÍÓÏÔ¸˛Ú‡ ËÒÔÓθÁÛÈÚ ӉËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÔÓÒΉӂ‡ÚÂθÌ˚ı ͇·ÂÎÂÈ. Windows (ÔÓÒΉӂ‡ÚÂθÌ˚È ÔÓÚ, 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D) Macintosh • 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌË ‡Á˙ÂÏ ÚËÔ‡ DIN → 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D (Yamaha CCJ-PC2 ËÎË ˝Í‚Ë‚‡ÎÂÌÚ̇fl ÏÓ‰Âθ) • èÂËÙÂËÈÌ˚È ÒËÒÚÂÏÌ˚È ‡Á˙ÂÏ → 8-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ (Yamaha CCJ-MAC ËÎË ˝Í‚Ë‚‡ÎÂÌÚ̇fl ÏÓ‰Âθ) 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌˇÁ˙ÂÏ DIN 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌˇÁ˙ÂÏ DIN 1 2 3 4 8 5 8 (CTS) 7 (RST) 2 (RxD) 5 (GND) 3 (TxD) 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D 1 2 3 4 5 6 7 8 2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+) 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌˇÁ˙ÂÏ DIN ëıÂχ ÍÓÌÚ‡ÍÚÓ‚ • ç‡ ‰Ë‡„‡ÏÏ ÔÓ͇Á‡Ì‡ ÒıÂχ ÍÓÌÚ‡ÍÚÓ‚ ‰Îfl Í‡Ê‰Ó„Ó Í‡·ÂÎfl. 159 çÓχ ÍÓÌÚ‡ÍÚÓ‚ (‚ˉ ÒÔ‰Ë) 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌˇÁ˙ÂÏ DIN 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D 6 7 8 3 4 5 1 2 5 4 3 2 1 9 8 7 6 CVP-202 161 èÓ‰Íβ˜ÂÌËÂ Í ‡Á΢Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● ìÒÚ‡Ìӂ͇ ÔÂÂÍβ˜‡ÚÂÎfl [HOST SELECT] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ [HOST SELECT] ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ ÔÓ‰Íβ˜‡ÂÏÓ„Ó ÍÓÏÔ¸˛Ú‡. • Macintosh: «Mac» (ÒÍÓÓÒÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı: 31 250 ·ËÚ/ÒÂÍ, 1 åɈ) • Windows: «PC-2» (ÒÍÓÓÒÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı: 38 400 ·ËÚ/ÒÂÍ) ■ èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í USB-ÔÓÚÛ ÍÓÏÔ¸˛Ú‡ ˜ÂÂÁ USB-ËÌÚÂÙÂÈÒ, ̇ÔËÏ UX256, UX96 ËÎË UX16 ................................................................................................... èêàåÖóÄçàÖ ÖÒÎË ÓÔÂ'‡ˆËÓÌ̇fl ÒËÒÚÂχ ÍÓÏÔ¸˛ÚÂ'‡ ̇˜Ë̇ÂÚ ‰‡‚‡Ú¸ Ò·ÓË Ô'Ë ‚˚¯ÂÔÂ'˜ËÒÎÂÌÌ˚ı ̇ÒÚ'ÓÈ͇ı, ˝ÚÓ ÏÓÊÂÚ ÓÁ̇˜‡Ú¸, ˜ÚÓ Ú'·ÛÂÚÒfl ÔÂ'Â̇ÒÚ'ÓÈ͇ ‚‡¯Â„Ó èé. ë‚Â'¸ÚÂÒ¸ Ò 'ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ËÒÔÓθÁÛÂÏÓÏÛ èé Ë ÛÒÚ‡ÌÓ‚ËÚ ÔÂ'ÂÍβ˜‡ÚÂθ [HOST SELECT] ‚ ÔÓÎÓÊÂÌËÂ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÔÓ‰‰Â'ÊË‚‡ÂÏÓÈ ÒÍÓ'ÓÒÚË ÔÂ'‰‡˜Ë ‰‡ÌÌ˚ı. èË ÔÓÏÓ˘Ë USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Í USB-ËÌÚÂÙÂÈÒÛ (̇ÔËÏÂ, UX256, UX96 ËÎË UX16). ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚ (ÍÓÚÓ˚È ·˚Î ÔÓÎÛ˜ÂÌ ‚ÏÂÒÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) ̇ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰Íβ˜ËÚ USB-ËÌÚÂÙÂÈÒ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova, ËÒÔÓθÁÛfl ÔÓÒΉӂ‡ÚÂθÌ˚È Í‡·Âθ ËÎË MIDI͇·ÂÎË. ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ USB-ËÌÚÂÙÂÈÒÛ. ● èËÏ ÔÓ‰ÒÓ‰ËÌÂÌËfl USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó Í‡·ÂÎfl HOST SELECT PC-1 USB TO HOST Mac ËÎË USB ëڇ̉‡ÚÌ˚È 8-ÍÓÌÚ‡ÍÚÌ˚È ÔÂËÙÂËÈÌ˚È ÒËÒÚÂÏÌ˚È Í‡·Âθ ‰Îfl ÍÓÏÔ¸˛Ú‡ å‡ÍËÌÚÓ¯ 䇷Âθ USB äÓÏÔ¸˛Ú Clavinova USB-ËÌÚÂÙÂÈÒ ● èËÏ ÔÓ‰ÒÓ‰ËÌÂÌËfl USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ MIDI ͇·ÂÎÂÈ MIDI IN OUT HOST SELECT MIDI USB USB 䇷Âθ USB MIDI-͇·ÂÎË äÓÏÔ¸˛Ú Clavinova USB-ËÌÚÂÙÂÈÒ CVP-202 160 162 èËÎÓÊÂÌË ëÔËÒÍË ˝ÙÙÂÍÚÓ‚ ○○○○○○○○○○○○○○○○○○○○○○○ Ç Ú‡·Îˈ‡ı ‰‡ÌÌÓ„Ó ÔËÎÓÊÂÌËfl ÒÓ‰ÂʇÚÒfl ÓÔËÒ‡ÌËfl ‡Á΢Ì˚ı ÚËÔÓ‚ ‚·‡ˆËË, ˝ÙÙÂÍÚÓ‚ chorus Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚, Ó·ÂÒÔ˜˂‡ÂÏ˚ı ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CVP-202. íËÔ˚ ‚·‡ˆËË íËÔ HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 WHITE ROOM TUNNEL CANYON BASEMENT éÔËÒ‡ÌË ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË. ê‚·‡ˆËfl ‰Îfl ÒÓÎËÛ˛˘Ëı ËÌÒÚÛÏÂÌÚÓ‚. àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚. Ö‰ËÌ˘̇fl ÍÓÓÚ͇fl ‚·‡ˆËfl Ò Ì·Óθ¯ÓÈ Ì‡˜‡Î¸ÌÓÈ Á‡‰ÂÊÍÓÈ. àÏËÚ‡ˆËfl ˆËÎË̉˘ÂÒÍÓ„Ó ÔÓÏ¢ÂÌËfl, ÔÓÚflÊÂÌÌÓ„Ó ‚ÎÂ‚Ó Ë ‚Ô‡‚Ó. àÏËÚ‡ˆËfl „ËÔÓÚÂÚ˘ÂÒÍÓ„Ó ÌÂÓ„‡Ì˘ÂÌÌÓ„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔÓÒÚ‡ÌÒÚ‚‡. ê‚·‡ˆËfl Ò fl‚Ì˚Ï ÂÁÓ̇ÌÒÓÏ ÔÓÒΠ̷Óθ¯ÓÈ Ì‡˜‡Î¸ÌÓÈ Á‡‰ÂÊÍË. ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus íËÔ 161 CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 éÔËÒ‡ÌË ëڇ̉‡ÚÌ˚ ˝ÙÙÂÍÚ˚ Chorus ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ Ó·˙ÂÏÌÓÒÚË. ùÙÙÂÍÚ, ËÒÔÓθÁÛ˛˘ËÈ ÚÂıÙ‡ÁÌ˚È ÌËÁÍÓ˜‡ÒÚÓÚÌ˚È ÓÒˆËÎÎflÚÓ (LFO) ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ ÏÓ‰ÛÎflˆËË Ë Ó·˙ÂÏÌÓÒÚË. ùÙÙÂÍÚ˚ ÏÓ‰ÛÎflˆËË, ̇ÔÓÏË̇˛˘Ë Á‚ÛÍ ‚ÁÎÂÚ‡˛˘Â„Ó Ë Ë‰Û˘Â„Ó Ì‡ ÔÓÒ‡‰ÍÛ Â‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡. CVP-202 163 ëÔËÒÍË ˝ÙÙÂÍÚÓ‚ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ íËÔ˚ ˝ÙÙÂÍÚÓ‚ íËÔ HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 ER1 ER2 GATE REVERB REVERS GATE éÔËÒ‡ÌË ê‚·‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡ ê‚·‡ˆËfl χÎÂ̸ÍÓÈ ÒÚÛ‰ËË ê‚·‡ˆËfl ‰Îfl ÒÓÎËÛ˛˘Ëı ËÌÒÚÛÏÂÌÚÓ‚ àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒڇθÌÓÈ Ô·ÒÚËÌ˚ äÓÏÔÓÌÂÌÚ˚ ‡ÌÌÂ„Ó ÓÚ‡ÊÂÌËfl ˝ÙÙÂÍÚ‡ ‚·‡ˆËË àÏËÚ‡ˆËfl ÔÓÓ„Ó‚ÓÈ Â‚Â·Â‡ˆËË àÏËÚ‡ˆËfl ÔÓÓ„Ó‚ÓÈ Â‚Â·Â‡ˆËË Ò Â‚ÂÒË‚Ì˚Ï Û‚Â΢ÂÌËÂÏ KARAOKE1 KARAOKE2 KARAOKE3 CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 SYMPHONIC1 SYMPHONIC2 PHASER1 PHASER2 EP PHASER1 EP PHASER2 ùıÓ ‰Îfl ͇‡ÓÍ ëڇ̉‡ÚÌ˚ ˝ÙÙÂÍÚ˚ Chorus ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ Ó·˙ÂÏÌÓÒÚË íËÔ ROTARY SP1 ROTARY SP2 ROTARY SP3 ROTARY SP4 ROTARY SP5 ROTARY SP6 ROTARY SP7 ROTARY SP8 ROTARY SP9 ROTARY SP10 TREMOLO1 TREMOLO2 TREMOLO3 TREMOLO4 GT TREMOLO1 EP TREMOLO EP TREMOLO2 AUTO PAN1 AUTO PAN2 AUTO PAN3 EP AUTOPAN EP AUTOPAN2 AUTO WAH1 AUTO WAH2 AUTO WAH3 AUTO WAH4 DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY ùÙÙÂÍÚ, ËÒÔÓθÁÛ˛˘ËÈ ÚÂıÙ‡ÁÌ˚È ÌËÁÍÓ˜‡ÒÚÓÚÌ˚È ÓÒˆËÎÎflÚÓ (LFO) ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ ÏÓ‰ÛÎflˆËË Ë Ó·˙ÂÏÌÓÒÚË ùÙÙÂÍÚ˚ ÏÓ‰ÛÎflˆËË, ̇ÔÓÏË̇˛˘Ë Á‚ÛÍ ‚ÁÎÂÚ‡˛˘Â„Ó Ë Ë‰Û˘Â„Ó Ì‡ ÔÓÒ‡‰ÍÛ Â‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡ DIST HARD DIST HARD2 DIST HARD3 DIST SOFT DIST SOFT2 DIST HEAVY OVERDRIVE ñËÍ΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl ÔÓ „ÓÏÍÓÒÚË ùÙÙÂÍÚ ÚÂÏÓÎÓ ‰Îfl Á‚Û͇ „ËÚ‡˚ ñËÍ΢ÂÒ͇fl ÏÓ‰ÛÎflˆËfl ÔÓ „ÓÏÍÓÒÚË ùÙÙÂÍÚ˚ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl, ÒÏ¢‡˛˘Ë Á‚ÛÍ ‚΂Ó-‚Ô‡‚Ó Ë ‚Ô‰-̇Á‡‰ èÓ‚ÚÓfl˛˘ËÂÒfl ̇ÔÎ˚‚˚ ˝ÙÙÂÍÚ‡ «‚‡Û»; ‰Îfl Á‚ÛÍÓ‚ ˝ÎÂÍÚÓ„ËÚ‡˚ Ë Ú.Ô. ᇉÂÊ͇ Á‚Û͇ ÔÓ ÚÂÏ Í‡Ì‡Î‡Ï: L (΂˚È Í‡Ì‡Î), R (Ô‡‚˚È Í‡Ì‡Î) Ë C (ˆÂÌÚ) ᇉÂÊ͇ ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ (ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó) Ò ‰‚ÛÏfl Á‡‰ÂÊ͇ÏË Ó·‡ÚÌÓÈ Ò‚flÁË á‡‰ÂÊ͇ ÔÓ Î‚ÓÏÛ Ë Ô‡‚ÓÏÛ Í‡Ì‡Î‡Ï Ò ÌÂÁ‡‚ËÒËÏÓÈ Ó·‡ÚÌÓÈ Ò‚flÁ¸˛ ᇉÂÊ͇ ÔÓ Î‚ÓÏÛ Ë Ô‡‚ÓÏÛ Í‡Ì‡Î‡Ï Ò ÔÂÂÍÂÒÚÌÓÈ Ó·‡ÚÌÓÈ Ò‚flÁ¸˛ ùÙÙÂÍÚ ÚËÔ‡ «‰ËÒÚӯ̻ ̇ „‡Ìˈ ‡ÏÔÎËÚÛ‰˚ Ò˄̇·; ÔËÏÂÌflÂÚÒfl ‰Îfl Á‚Û͇ ˝ÎÂÍÚÓ„ËÚ‡˚ Ë Ú.Ô. ÑÓ·‡‚ÎflÂÚ Ïfl„ÍËÈ ˝ÙÙÂÍÚ «‰ËÒÚӯ̻. ëÓÁ‰‡ÂÚÒfl ¯ÛÏÓ‚ÓÈ ÔÓÓ„, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚÓÚ ˝ÙÙÂÍÚ Ú‡ÍÊÂ Ò ‡Ì‡ÎÓ„Ó-ˆËÙÓ‚˚Ï (A/D) ‚ıÓ‰ÓÏ. AMP SIM ST AMP2 ST AMP3 àÏËÚ‡ˆËfl „ËÚ‡ÌÓ„Ó ÛÒËÎËÚÂÎfl ùÙÙÂÍÚ ÏÓ‰ÛÎflˆËË Ò ÔÂËӉ˘ÂÒÍËÏ ÒÏ¢ÂÌËÂÏ Ù‡Á˚ EQ DISCO EQ TEL ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡ ‰ËÒÍÓ ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁ‡, ËÏËÚËÛ˛˘ËÈ Á‚ÛÍ ÔÓ ÚÂÎÂÙÓÌÛ ëÚÂÂÓ ˝Í‚‡Î‡ÈÁÂ Ò ‚˚‡‚ÌË‚‡ÌËÂÏ ÔÓ ‚ÂıÌËÏ Ë ÌËÊÌËÏ ˜‡ÒÚÓÚ‡Ï. à‰Â‡Î¸ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ÒÂ͈ËË Û‰‡Ì˚ı. 3BAND EQ CVP-202 ùÙÙÂÍÚ˚ ÏÓ‰ÛÎflˆËË, ËÏËÚËÛ˛˘Ë ‚‡˘‡˛˘ËÈÒfl „ÓÏÍÓ„Ó‚ÓËÚÂθ åÌÓ„ÓÒÚÛÔÂ̘‡Ú‡fl ÏÓ‰ÛÎflˆËfl, ÒÓÁ‰‡‚‡Âχfl ˝ÙÙÂÍÚÓÏ ÚËÔ‡ «ÒÂÎÂÒÚ‡» 2BAND EQ 164 éÔËÒ‡ÌË åÓÌÓ-˝Í‚‡Î‡ÈÁÂ Ò ‚˚‡‚ÌË‚‡ÌËÂÏ ÌËÊÌËı, Ò‰ÌËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ëÓÓ·˘ÂÌËfl ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● 鷢ˠ(éÔ‡ˆËË Ì‡ Ô‡ÌÂÎË) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ̉ÓÔÛÒÚËÏÛ˛ ‚Ó ‚ÂÏfl Á‡ÔËÒË ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËfl (̇ÔËÏ ÍÓÌ‚ÂÚ‡ˆË˛ ‰‡ÌÌ˚ı ÔÂÒÌË). ➾ éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸ ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË ‚˚ȉËÚ ËÁ ÂÊËχ Song Record ËÎË Song Play, ‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÌÓ‚‡. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ̉ÓÔÛÒÚËÏÛ˛ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (̇ÔËÏ ‚˚·Ó ÒÚËÎfl ËÎË Ì‡ÒÚÓÈÍÛ ÏÛÁ˚͇θÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı). ➾ éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË ‚˚ȉËÚ ËÁ ÂÊËχ Song Play, ‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÌÓ‚‡. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ̉ÓÔÛÒÚËÏÛ˛ ‚ ÂÊËÏ Song Record (̇ÔËÏ ÍÓÔËÓ‚‡ÌË ËÎË Û‰‡ÎÂÌË ‰‡ÌÌ˚ı ÔÂÒÌË). ➾ éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸ ËÎË ‚˚ȉËÚ ËÁ ÂÊËχ Song Record, ‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÌÓ‚‡. ç‡Ê‡Ú‡ ÍÌÓÔ͇, Ì Óڂ˜‡˛˘‡fl ÌË Á‡ Ó‰ÌÛ ËÁ ÙÛÌ͈ËÈ ‚ ÚÂÍÛ˘ÂÏ ÂÊËÏÂ. ● 鷢ˠ(èflÏÓÈ ‰ÓÒÚÛÔ) ùÚ‡ ÔÓ‰Ò͇Á͇ ÔÓfl‚ÎflÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [DIRECT ACCESS] (ÒÚ. 21). ➾ ç‡ÊÏËÚ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ̇ÒÚÓÈÍÂ, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ÓÚÓ·‡ÁËÚ¸. (ëΉÛÂÚ Ì‡Ê‡Ú¸ ‚ÚÓÛ˛ ÍÌÓÔÍÛ, ÔÓ͇ ˝ÚÓ ÒÓÓ·˘ÂÌË ̇ ‰ËÒÔÎÂÂ.) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ÔÓÒΠÍÌÓÔÍË [DIRECT ACCESS] ̇ʇڇ ÍÌÓÔ͇ ̇ Ô‡ÌÂÎË, Ì ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˝Í‡ÌÛ Direct Access. (ëÏ. ÒÚ. 21.) ➾ ç‡ÊÏËÚ ÔÓ‚ÚÓÌÓ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˝Í‡ÌÛ Direct Access. ● 鷢ˠ(éÔ‡ˆËË Ò ‰ËÒÍÂÚÓÈ) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ‰ËÒÍÂÚ‡ Ì ‚ÒÚ‡‚ÎÂ̇ ‚ ‰ËÒÍÓ‚Ó‰. ➾ ÇÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ÌÛÊÌÛ˛ ‰ËÒÍÂÚÛ Ë ÔÓ‚ÚÓËÚ ÓÔ‡ˆË˛. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÔÂÂËÏÂÌÓ‚‡Ú¸ ËÎË ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ÔÂÒÌ˛, Ì ÒÓ‰Âʇ˘Û˛ ‰‡ÌÌ˚ı. ➾ Ç˚·ÂËÚ ÔÂÒÌ˛, ÒÓ‰Âʇ˘Û˛ ‰‡ÌÌ˚Â, ËÎË ‚ÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ Á‡„ÛÁËÚ¸, ÔÂÂËÏÂÌÓ‚‡Ú¸ ËÎË Û‰‡ÎËÚ¸ Ù‡ÈÎ, ÌÓ Ù‡ÈÎ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÙÓχڇ ̇ ‰ËÒÍÂÚ Ì ÏÓÊÂÚ ·˚Ú¸ ̇ȉÂÌ. ➾ ëÓÁ‰‡ÈÚ هÈÎ ËÎË ‚ÒÚ‡‚¸Ú ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ÌÛÊÌ˚Ï Ù‡ÈÎÓÏ. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÓı‡ÌËÚ¸ ̇ ‰ËÒÍÂÚÛ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ (ÒÚ. 82), ÌÓ ‚˚·‡ÌÌ˚È ÌÓÏ fl˜ÂÈÍË Ô‡ÏflÚË Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó ÒÚËÎflı. ➾ ëÓÁ‰‡ÈÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ËÎË ‚˚·ÂËÚ ÌÓÏ fl˜ÂÈÍË, ÒÓ‰Âʇ˘ÂÈ ‰‡ÌÌ˚Â Ó ÔÓθÁÓ‚‡ÚÂθÒÍÓÏ ÒÚËÎÂ. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂ̇ ÌÂÓÚÙÓχÚËÓ‚‡Ì̇fl ËÎË ÌÂÔ‡‚ËθÌÓ ÓÚÙÓχÚËÓ‚‡Ì̇fl ‰ËÒÍÂÚ‡. (ëÏ. ÒÚ. 111.) ➾ ÖÒÎË ‚˚ ıÓÚËÚ ÓÚÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ, ̇ÊÏËÚ OK. ÖÒÎË ‚˚ ıÓÚËÚ Ô‚‡Ú¸ ÔÓˆÂÒÒ, ̇ÊÏËÚ CANCEL. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ Á‡ÔËÒË ËÎË ‰Û„Ëı ÓÔ‡ˆËÈ Ò Ù‡È·ÏË Ì‡ ‰ËÒÍÂÚÂ Ò ÓÚÍ˚ÚÓÈ Á‡˘ÂÎÍÓÈ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË («Á‡ÔËÒ¸ Á‡Ô¢Â̇»). 163 ➾ á‡ÍÓÈÚ Á‡˘ÂÎÍÛ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË (ÒÚ. 112), ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚ ÓÔ‡ˆË˛. ÖÒÎË ÓÔ‡ˆËfl ÔÓ-ÔÂÊÌÂÏÛ Ì ÏÓÊÂÚ ·˚Ú¸ ‚˚ÔÓÎÌÂ̇, Á̇˜ËÚ ‰ËÒÍÂÚ‡ ÓÒ̇˘Â̇ ‚ÌÛÚÂÌÌÂÈ Á‡˘ËÚÓÈ ÓÚ Á‡ÔËÒË; ‚ ˝ÚÓÏ ÒÎÛ˜‡Â Á‡ÔËÒ¸ Ë ÓÔ‡ˆËË Ò Ù‡È·ÏË Ì‡ ˝ÚÓÈ ‰ËÒÍÂÚ Ì‚ÓÁÏÓÊÌ˚. CVP-202 165 ëÓÓ·˘ÂÌËfl ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÎË·Ó ÔÓ‚Âı Ô‡ÚËÈ ËÎË ÔÓËÁ‚ÂÒÚË ‰Û„Ë ÓÔ‡ˆËË Ò Ù‡È·ÏË ÔÂÒÂÌ ÌÂÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ËÎË ÙÓχÚÓ‚, Ì ‰ÓÔÛÒ͇˛˘Ëı Ú‡ÍËı ÓÔ‡ˆËÈ. ë هȷÏË ÌÂÍÓÚÓ˚ı ÙÓχÚÓ‚ Ú‡ÍË ÓÔ‡ˆËË, Í‡Í ‰ÓÔÓÎÌËÚÂθ̇fl Á‡ÔËÒ¸, ÍÓÔËÓ‚‡ÌËÂ, Û‰‡ÎÂÌËÂ Ë ‰., Ì ÏÓ„ÛÚ ·˚Ú¸ ‚˚ÔÓÎÌÂÌ˚ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-202. ÇÓ ‚ÂÏfl Á‡ÔËÒË ËÎË ˜ÚÂÌËfl هȷ ÔÓËÁӯ· ӯ˷͇. ➾ ç‡ÊÏËÚ OK Ë ÔÓ‚ÚÓËÚ ÓÔ‡ˆË˛. ÖÒÎË Ó¯Ë·Í‡ ÔÓËÁӯ· ÔÓ‚ÚÓÌÓ, ‚ÓÁÏÓÊÌÓ, ÌÂËÒÔ‡‚̇ ‰ËÒÍÂÚ‡ ËÎË ‰ËÒÍÓ‚Ó‰. ÖÒÎË ‚˚ Ô‰ÔÓ·„‡ÂÚÂ, ˜ÚÓ ÌÂËÒÔ‡‚ÂÌ ‰ËÒÍÓ‚Ó‰, Ó·‡ÚËÚÂÒ¸ Í ‚‡¯ÂÏÛ ‰ËÎÂÛ Yamaha. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ̇ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ÔÓÒΠÁ‡‚¯ÂÌËfl ÓÔ‡ˆËÈ ÙÓχÚËÓ‚‡ÌËfl, ÍÓÔËÓ‚‡ÌËfl Ë ‰. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ‚Ó ‚ÂÏfl Ó·ÏÂ̇ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û Clavinova Ë ‰ËÒÍÓ‚Ó‰ÓÏ. ➾ ëÓÓ·˘ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ËÒ˜ÂÁ‡ÂÚ ÔÓÒΠÁ‡‚¯ÂÌËfl ÓÔ‡ˆËË. í·ÛÂÚÒfl ÔÓ‰Ú‚ÂʉÂÌË ÔÓ‰ÓÎÊÂÌËfl ÓÔ‡ˆËË Û‰‡ÎÂÌËfl ÔÂÒÌË ËÎË ÙÓχÚËÓ‚‡ÌËfl. ➾ ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ÔÓ‰ÓÎÊËÚ¸ ÓÔ‡ˆË˛. ç‡ÊÏËÚ NO, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ÑËÒÍÂÚ‡ Á‡ÔÓÎÌÂ̇, ‰ÓÔÓÎÌËÚÂθÌ˚ ‰‡ÌÌ˚ Ì ÏÓ„ÛÚ ·˚Ú¸ Á‡ÔËÒ‡Ì˚. ➾ ç‡ÊÏËÚ ÍÌÓÔÍÛ OK, Û‰‡ÎËÚ ÌÂÌÛÊÌ˚ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ (ÒÚ. 144) ËÎË ‚ÒÚ‡‚¸Ú ‰Û„Û˛ ‰ËÒÍÂÚÛ, ̇ ÍÓÚÓÓÈ ·Óθ¯Â Ò‚Ó·Ó‰ÌÓ„Ó ÏÂÒÚ‡. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ‚Ó ‚ÂÏfl Á‡ÔËÒË ÔÂÒÌË. á‡ÔËÒ¸ ·Û‰ÂÚ ÔÂ͇˘Â̇, ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‰Ó ˝ÚÓ„Ó ÏÓÏÂÌÚ‡, ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌÂÌ˚. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÓÁ‰‡Ú¸ ·Óθ¯Â ÍÓ΢ÂÒÚ‚Ó Ù‡ÈÎÓ‚, ˜ÂÏ ÏÓÊÂÚ ‚ÏÂÒÚËÚ¸ ‰‡Ì̇fl ‰ËÒÍÂÚ‡. ç‡ ‰ËÒÍÂÚ˚ 2DD ËÎË 2HD ÏÓÊÂÚ ·˚Ú¸ Á‡ÔËÒ‡ÌÓ ‰Ó 60 ÔÂÒÂÌ. ÑËÒÍÂÚ‡ 2DD ÏÓÊÂÚ ‚ÏÂÒÚËÚ¸ ÓÍÓÎÓ 107 Ù‡ÈÎÓ‚ (‡Á΢Ì˚ı ÙÓχÚÓ‚), ‡ ‰ËÒÍÂÚ‡ 2HD — ÔËÏÂÌÓ 219 Ù‡ÈÎÓ‚. ➾ ç‡ÊÏËÚ ÍÌÓÔÍÛ OK, Û‰‡ÎËÚ ÌÂÌÛÊÌ˚ هÈÎ˚ Ò ‰ËÒÍÂÚ˚ (ÒÚ. 144) ËÎË ‚ÒÚ‡‚¸Ú ‰Û„Û˛ ‰ËÒÍÂÚÛ, ̇ ÍÓÚÓÓÈ ·Óθ¯Â Ò‚Ó·Ó‰ÌÓ„Ó ÏÂÒÚ‡. î‡ÈÎ Ò Ú‡ÍËÏ ËÏÂÌÂÏ ÛÊ ÒÛ˘ÂÒÚ‚ÛÂÚ. ➾ ç‡ÊÏËÚ OK, ÂÒÎË ‚˚ ıÓÚËÚ Á‡ÏÂÌËÚ¸ ÓË„Ë̇θÌ˚È Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË CANCEL, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÔÓÎÌËÚ¸ ‰Û„Ë ÓÔ‡ˆËË ‚Ó ‚ÂÏfl ˜ÚÂÌËfl ËÎË ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÛ. ➾ ÑÓʉËÚÂÒ¸ Á‡‚¯ÂÌËfl ˜ÚÂÌËfl/Á‡ÔËÒË, Á‡ÚÂÏ ÔÓ‚ÚÓËÚ ÓÔ‡ˆË˛. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚ ÍÓÏϘÂÒÍÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl ËÎË ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚ‡ı, ÓÚ΢Ì˚ı ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-202. ➾ ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚ ‰Îfl Á‡ÔËÒË Ë Â‰‡ÍÚËÓ‚‡ÌËfl ‚ ÙÓÏ‡Ú CVP-202. ç‡ÊÏËÚ NO, ÂÒÎË ‚˚ Ì ıÓÚËÚ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â. Ç ÔÂÒÌflı, ÍÓÌ‚ÂÚËÓ‚‡ÌÌ˚ı Ú‡ÍËÏ Ó·‡ÁÓÏ, ÏÓÊÂÚ ·˚Ú¸ Ì‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰ÓÓÊÍË, ÍÓÏ 1 Ë 2. ● 鷢ˠ(éÔ‡ˆËË Ò Ô‡ÏflÚ¸˛) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË Á‡ÔËÒË ÔÂÒÌË ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ Clavinova, ÂÒÎË Ô‡ÏflÚ¸ ÔÂÂÔÓÎÌÂ̇ (ÒÚ. 133). á‡ÔËÒ¸ ·Û‰ÂÚ ÔÂ͇˘Â̇, ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‰Ó ˝ÚÓ„Ó ÏÓÏÂÌÚ‡, ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌÂÌ˚. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË Ô‡ÏflÚ¸ Clavinova ÔÂÂÔÓÎÌflÂÚÒfl ‚Ó ‚ÂÏfl Á‡ÔËÒË ‰‡ÌÌ˚ı ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl (ÒÏ. ÒÚ. 84). ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ‚Ó ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸ ÔÓÒΠ‰‡ÍÚËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Track Edit ËÎË Initial Edit. ➾ ᇂ¯ËÚ ÓÔ‡ˆË˛ Á‡ÔËÒË ‰‡ÌÌ˚ı, Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ‰Û„Û˛ ÓÔ‡ˆË˛. 166 CVP-202 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÓ·˘ÂÌËfl ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ڇÍÓÈ ÓÔ‡ˆËË, Í‡Í ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‡ÌÌ˚ı Ò ‰ËÒÍÂÚ˚, ˜ÚÓ ÔӂΘÂÚ Á‡ ÒÓ·ÓÈ Û‰‡ÎÂÌË ‰‡ÌÌ˚ı ËÁ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË Clavinova. ➾ ç‡ÊÏËÚ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË, Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ Ê·ÂÏÛ˛ ÓÔ‡ˆË˛. ç‡ÊÏËÚ NO, ÂÒÎË ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚·‡Ú¸ Ó‰ÌÛ ËÁ ÒÎÂ‰Û˛˘Ëı ÙÛÌ͈ËÈ ‚Ó ‚ÂÏfl ‰‡ÍÚËÓ‚‡ÌËfl ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸: Chord Sequence (ÒÚ. 121), Setup Memory (ÒÚ. 126) ËÎË Song Name (ÒÚ. 127). ➾ ëÍÓÔËÛÈÚ ÔÂÒÌ˛ ̇ ‰ËÒÍÂÚÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Song Copy (ÒÚ. 142), Û‰‡ÎËÚ ÔÂÒÌ˛ ËÁ CVP MEMORY (ÒÚ. 144), Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ Ê·ÂÏÛ˛ ÓÔ‡ˆË˛ Ò ‰‡ÌÌ˚ÏË Ì‡ ‰ËÒÍÂÚÂ. ● êÂÊËÏ Custom Style ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ̇ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ÔË ÔÂÂıӉ ‚ ÂÊËÏ ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl. (ëÏ. ÒÚ. 74.) á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ËÁÏÂÌËÚ¸ Ú‡ÍÚÓ‚˚È ‡ÁÏ ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl. (ëÏ. ÒÚ. 75.) á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ËÁÏÂÌËÚ¸ ÍÓ΢ÂÒÚ‚Ó Ú‡ÍÚÓ‚ ‚Ó Ù‡„ÏÂÌÚ ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl. (ëÏ. ÒÚ. 75.) á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔË ÔÓÔ˚ÚÍ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛, ÚÂ·Û˛˘Û˛ Û‰‡ÎÂÌËfl Ô‡ÚËË. (ëÏ. ÒÚ. 76.) á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÒÓı‡ÌÂÌËfl ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl (ÒÚ. 79). ùÚÓ ÒÓÓ·˘ÂÌË ڇÍÊ ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ËÁÏÂÌËÚ¸ ÒÚËθ ‰Ó ÒÓı‡ÌÂÌËfl ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl (ÒÚ. 85). ➾ Ç˚·ÂËÚ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËθ. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÈÚË ËÁ ÂÊËχ Custom Style ‰Ó ÒÓı‡ÌÂÌËfl ÒÚËÎfl. (ëÏ. ÒÚ. 85.) ➾ Ç˚·ÂËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËθ. ÑÎfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ̇ÊÏËÚ NO. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË Ì‚ÓÁÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ‚ÂÒËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÒÚËÎfl, ÔÓÒÍÓθÍÛ ·˚Î ËÁÏÂÌÂÌ Ú‡ÍÚÓ‚˚È ‡ÁÏÂ. (ëÏ. ÒÚ. 80.) èË ÔÓÔ˚ÚÍ Á‡ÔËÒ‡Ú¸ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ̇ ‰ËÒÍ, Ì ÒÓı‡ÌË‚ Â„Ó ‚ Ô‡ÏflÚË, ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌËÂ, ̇ÔÓÏË̇˛˘Â ÒÓı‡ÌËÚ¸ ÒÚËθ Ô‰ Á‡ÔËÒ¸˛ ̇ ‰ËÒÍ. (ëÏ. ÒÚ. 83.) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË Ì‰ÓÒÚ‡ÚÓ˜ÌÓ, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ. (ëÏ. ÒÚ. 84.) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ‚˚·Ó DELETE ̇ ˝Í‡ÌÂ, ÔÓ͇Á‡ÌÌÓÏ ‚˚¯Â. ➾ Ç˚·ÂËÚ ÒÚËθ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ۉ‡ÎËÚ¸, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ OK. ÖÒÎË ‚˚ Ì ıÓÚËÚ ۉ‡ÎflÚ¸ ÒÚËθ, ̇ÊÏËÚ CANCEL. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ÒÚËθ, ‚˚·‡ÌÌ˚È ‰Îfl Û‰‡ÎÂÌËfl ‚ ˝Í‡ÌÂ, ÔÓ͇Á‡ÌÌÓÏ ‚˚¯Â, fl‚ÎflÂÚÒfl ÒÚËÎÂÏ-ËÒÚÓ˜ÌËÍÓÏ ‰Îfl ‰‡ÍÚËÛÂÏÓ„Ó ‚ ̇ÒÚÓfl˘ËÈ ÏÓÏÂÌÚ ÒÚËÎfl. 165 ➾ ç‡ÊÏËÚ OK, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ Ë ‚˚·‡Ú¸ ‰Û„ÓÈ ÒÚËθ ‰Îfl Û‰‡ÎÂÌËfl. CVP-202 167 ëÓÓ·˘ÂÌËfl ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ● ᇄÛÁ͇ هȷ ÒÚËÎfl ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ Á‡„ÛÁËÚ¸ Ù‡ÈÎ ÒÚËÎfl, ÂÒÎË Ó·˙ÂÏ Ô‡ÏflÚË Ì‰ÓÒÚ‡ÚÓ˜ÂÌ ‰Îfl ‚˚·‡ÌÌÓ„Ó Ù‡È·. (ëÏ. ÒÚ. 87.) çÂÍÓÚÓ˚ هÈÎ˚ ÒÚËÎfl ËÏÂ˛Ú ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ Ó·˙ÂÏ Ë Ì ÏÓ„ÛÚ ·˚Ú¸ Ó·‡·ÓÚ‡Ì˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË LISTEN. (ëÏ. ÒÚ. 87.) ➾ ᇄÛÁËÚ هÈÎ ÒÚËÎfl, Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚‰ËÚÂ Â„Ó ‚ Ó·˚˜ÌÓÏ ÔÓfl‰ÍÂ. ● Chord Sequence (ÄÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸) á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÈÚË ËÁ ÙÛÌ͈ËË Chord Sequence (‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸) ‚Ó ‚ÂÏfl Á‡ÔËÒË. ➾ ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â. ÑÎfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ̇ÊÏËÚ NO. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ÙÛÌ͈ËË Chord Sequence (‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸) ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚ÌÂÒÚË ËÁÏÂÌÂÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ˜‡ÒÚË ÔÓËÁ‚‰ÂÌËfl ‚ ÔÓÁˈËË, ÓÚ΢ÌÓÈ ÓÚ Ì‡˜‡Î‡ Ú‡ÍÚ‡, ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË (Chord Sequence). ➾ ÇÌÂÒËÚ ‡ÒÒχÚË‚‡ÂÏ˚ ËÁÏÂÌÂÌËfl ‚ ̇˜‡Î ڇÍÚ‡. (ëÏ. ÒÚ. 122.) ● ÑÛ„Ë ‰ÂÈÒÚ‚Ëfl Ò Á‡ÔËÒ¸˛ ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚˚ÈÚË ËÁ ÙÛÌ͈ËË Initial Edit ·ÂÁ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÛ. ➾ ç‡ÊÏËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â. ÑÎfl ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËfl ̇ÊÏËÚ NO. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ Initial Edit ·ÂÁ ÒÓı‡ÌÂÌËfl. ùÚÓÚ Á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂʉÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ‚˚ÔÓÎÌÂÌËË ÙÛÌ͈ËË Setup Memory (ÒÚ. 126) ‰Îfl ÒÓı‡ÌÂÌËfl ÚÂÍÛ˘Ëı ̇ÒÚÓÂÍ ‚ ÔÂÒÌÂ, ‰‡ÍÚËÛÂÏÓÈ ‚ ÂÊËÏ Song Record. ➾ Ç˚·ÂËÚ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË. ç‡ÊÏËÚ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ RECORD EDIT 2 ·ÂÁ ÒÓı‡ÌÂÌËfl. ● äÓÔËÓ‚‡ÌË ÔÂÒÂÌ Ë ‰ËÒÍÂÚ ùÚÓ ÒÓÓ·˘ÂÌË ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ÍÓ΢ÂÒÚ‚Ó Ô‰ÒÚÓfl˘Ëı Á‡ÏÂÌ ‰ËÒÍÂÚ˚ Ô‰ ̇˜‡ÎÓÏ ÓÔ‡ˆËÈ Song Copy ËÎË Disk Copy. (ëÏ. ÒÚ. 143.) ùÚÓ ÒÓÓ·˘ÂÌË ̇ÔÓÏË̇ÂÚ Ó ÚÓÏ, ˜ÚÓ ‚ ‰ËÒÍÓ‚Ó‰ ÌÛÊÌÓ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ, ̇ ÍÓÚÓÛ˛ ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl Á‡ÔËÒ¸ ÍÓÔËÛÂÏ˚ı ‰‡ÌÌ˚ı. (ëÏ. ÒÚ. 143.) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ 2DD ̇ ‰ËÒÍÂÚÛ 2HD — ËÎË Ì‡Ó·ÓÓÚ — Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Disk Copy (ÒÚ. 142). ➾ ç‡ÊÏËÚ OK ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚ ‚Ò˛ ÓÔ‡ˆË˛ Ò Ì‡˜‡Î‡. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡, ̇ ÍÓÚÓÛ˛ ÔÓËÁ‚Ó‰ËÚÒfl ÍÓÔËÓ‚‡ÌËÂ, Ú‡ÍÓ„Ó Ê ӷ˙Âχ (2DD ËÎË 2HD), ˜ÚÓ Ë ÍÓÔËÛÂχfl ‰ËÒÍÂÚ‡. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÒÌÓ‚‡ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ ‚ÏÂÒÚÓ ‰ËÒÍÂÚ˚, ̇ ÍÓÚÓÛ˛ ‰ÓÎÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸Òfl ÍÓÔËÓ‚‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Disk Copy (ÒÚ. 143). ➾ ç‡ÊÏËÚ OK ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl; Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ Disk Copy Ò Ì‡˜‡Î‡. èË Á‡ÏÂÌ ‰ËÒÍÂÚ ‚Ó ‚ÂÏfl ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl ·Û‰¸Ú ‚ÌËχÚÂθÌ˚, ˜ÚÓ·˚ Ì ÔÂÂÔÛÚ‡Ú¸ ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ Ë ‰ËÒÍÂÚÛ, ̇ ÍÓÚÓÛ˛ ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÍÓÔËÓ‚‡Ì˚ ‰‡ÌÌ˚Â. 168 CVP-202 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ëÓÓ·˘ÂÌËfl ùÚÓ ÒÓÓ·˘ÂÌË ̇ÔÓÏË̇ÂÚ, ˜ÚÓ ÌÛÊÌÓ Û͇Á‡Ú¸ ÌÓÏ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‰‡ÌÌ˚Â Ò ËÒıÓ‰ÌÓÈ ‰ËÒÍÂÚ˚. ëÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÍÓ„‰‡ ÂÁ‚̇fl ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎflÂÚÒfl ‚ ‰ËÒÍÓ‚Ó‰. (ëÏ. ÒÚ. 143.) ùÚÓ ÒÓÓ·˘ÂÌË ̇ÔÓÏË̇ÂÚ, ˜ÚÓ ÌÛÊÌÓ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ ÔË ÍÓÔËÓ‚‡ÌËË ‰‡ÌÌ˚ı Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛. (ëÏ. ÒÚ. 143.) ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÌÂ̇‰ÎÂʇ˘Û˛ ‰ËÒÍÂÚÛ (ËÒıÓ‰ÌÛ˛ ËÎË ÂÁ‚ÌÛ˛) ÔÓÒΠ̇ÔÓÏË̇ÌËfl Á‡ÏÂÌËÚ¸ ‰ËÒÍÂÚÛ ‚ ıӉ ‚˚ÔÓÎÌÂÌËfl ÙÛÌ͈ËË Disk Copy (ÒÚ. 143). ➾ ç‡ÊÏËÚ OK ‰Îfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl; Á‡ÚÂÏ ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ Disk Copy Ò Ì‡˜‡Î‡. èË Á‡ÏÂÌ ‰ËÒÍÂÚ ‚ ıӉ ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl ·Û‰¸Ú ‚ÌËχÚÂθÌ˚, ˜ÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ̇‰ÎÂʇ˘Û˛ ‰ËÒÍÂÚÛ. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ‚˚·‡ÌÌ˚È ÌÓÏ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÛÚ ÍÓÔËÓ‚‡Ú¸Òfl ‰‡ÌÌ˚Â, ÒÓ‚Ô‡‰‡ÂÚ Ò ÌÓÏÂÓÏ ËÒıÓ‰ÌÓÈ ÔÂÒÌË ÔË ÍÓÔËÓ‚‡ÌËË ‰‡ÌÌ˚ı ‚ ԉ·ı Ó‰ÌÓÈ ‰ËÒÍÂÚ˚. (ëÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 143.) ➾ ì͇ÊËÚ ‰Û„ÓÈ ÌÓÏ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÂÚ ÔÓËÁ‚‰ÂÌÓ ÍÓÔËÓ‚‡ÌËÂ. ● äÓÌ‚ÂÚËÓ‚‡ÌË ‰‡ÌÌ˚ı ÔÂÒÂÌ ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔË ÔÓÔ˚ÚÍ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚ ÔÂÒÌË, ÒÓı‡ÌÂÌÌÓÈ Ì‡ ‰ËÒÍÂÚ 2HD. (ëÏ. ÒÚ. 145.) ➾ ç‡ÊÏËÚ OK Ë ÒÍÓÔËÛÈÚ ÔÂÒÌË Ì‡ ‰ËÒÍÂÚÛ 2DD, Á‡ÚÂÏ ÍÓÌ‚ÂÚËÛÈÚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ 2DD. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl ÔÓÒΠÍÓÌ‚ÂÚËÓ‚‡ÌËfl ‰‡ÌÌ˚ı ÔÂÒÌË Ë Û͇Á˚‚‡ÂÚ ÌÓÏ ÔÂÒÌË, ‚ ÍÓÚÓÛ˛ ·˚ÎË ÒÓı‡ÌÂÌ˚ ‰‡ÌÌ˚Â. ● éÚÌÓÒfl˘ËÂÒfl Í ‡ÔÔ‡‡ÚÌÓÈ ˜‡ÒÚË ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË Ì ‚Íβ˜ÂÌ ‚Â‰Û˘ËÈ ÍÓÏÔ¸˛ÚÂ, ÌÂÔ‡‚ËθÌÓ ÔÓ‰ÒÓ‰ËÌÂÌ Í‡·Âθ, ÔÂÂÍβ˜‡ÚÂθ HOST SELECT ̇ıÓ‰ËÚÒfl Ì ‚ ÌÛÊÌÓÏ ÔÓÎÓÊÂÌËË, ‡ Ú‡ÍÊ ÂÒÎË Ì Á‡ÔÛ˘ÂÌ˚ MIDI‰‡È‚ ËÎË MIDI-ÔËÎÓÊÂÌËÂ. ➾ Ç˚Íβ˜ËÚ Clavinova Ë ÍÓÏÔ¸˛ÚÂ. èӂ¸Ú ԇ‚ËθÌÓÒÚ¸ ÔÓ‰Íβ˜ÂÌËfl ͇·ÂÎfl Ë ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl HOST SELECT (ÒÚ. 160), Á‡ÚÂÏ ‚Íβ˜ËÚ ÍÓÏÔ¸˛ÚÂ, ‡ ÔÓÚÓÏ Clavinova. 168 Clavinova ÒÓı‡ÌflÂÚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ë ÛÒÚ‡Ìӂ͇ı, Á‡˘Ë˘ÂÌÌ˚ ÙÛÌ͈ËÂÈ Backup (ÒÚ. 152), ÂÒÎË Â ‚Íβ˜‡Ú¸ „ÛÎflÌÓ. ÖÒÎË ËÌÒÚÛÏÂÌÚÓÏ Ì ÔÓθÁÓ‚‡ÎËÒ¸ ̉Âβ ËÎË ‰Óθ¯Â, ‰‡ÌÌ˚ ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂflÌ˚. ùÚÓ ÒÓÓ·˘ÂÌË ÔÓfl‚ÎflÂÚÒfl, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‚Íβ˜ÂÌ ÔÓÒΠÚÓ„Ó, Í‡Í ‰‡ÌÌ˚ ·˚ÎË ÛÚÂflÌ˚. éÌÓ Ú‡ÍÊ ÔÓfl‚ÎflÂÚÒfl ÔÓÒΠÁ‡„ÛÁÍË ÛÒÚ‡ÌÓ‚ÓÍ ÔÓ ÛÏÓΘ‡Ì˲ (ÒÚ. 153). CVP-202 169 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ 170 è˘Ë̇ ○○○○○○○○○○○○○○○○○○○○○ ê¯ÂÌË Clavinova Ì ‚Íβ˜‡ÂÚÒfl. Clavinova ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜Â̇ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ. èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯ÂÌ ıÎÓÔÓÍ ËÎË ˘ÂΘÓÍ. ç‡ ËÌÒÚÛÏÂÌÚ ÔÓ‰‡ÂÚÒfl ˝ÎÂÍÚÓÔËÚ‡ÌËÂ. ùÚÓ ÌÓχθÌÓ, ÌÂÚ ÔÓ‚Ó‰Ó‚ ‰Îfl ·ÂÒÔÓÍÓÈÒÚ‚‡. àÁ ‰Ë̇ÏËÍÓ‚ Clavinova ÒÎ˚¯ÂÌ ¯ÛÏ. òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒΉÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó ÔÓ‰‡Î¸¯Â ÓÚ Clavinova. ùÍ‡Ì ÒÎ˯ÍÓÏ flÍËÈ ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È, ÚÛ‰ÌÓ ˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸. ç‡ flÍÓÒÚ¸ ‰ËÒÔÎÂfl ÏÓÊÂÚ ‚ÎËflÚ¸ ÓÍÛʇ˛˘‡fl ÚÂÏÔ‡ÚÛ‡. ÑÎfl ̇ÒÚÓÈÍË ÍÓÌÚ‡ÒÚ‡ ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [CONTRAST]. (ëÏ. ÒÚ. 11.) ä·‚ˇÚÛ‡ Á‚Û˜ËÚ ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌÂÈ. 鷢 Á‚Û˜‡ÌË Í·‚ˇÚÛ˚ ËÎË ÓÚ‰ÂθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì‚Â΢¸Ú ӷ˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ ËÁ „·‚ÌÓ„Ó ˝Í‡Ì‡ (ÒÚ. 23) ËÎË ‚ ÔÓˆÂÒÒ ‡·ÓÚ˚ „ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VOLUME ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ KEYBOARD (ÒÚ. 32, 34 ËÎË 37). Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ‚ÓÒÔÓËÁ‚Ó‰Ëχfl ÔÂÒÌfl Á‚Û˜‡Ú ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò Í·‚ˇÚÛÓÈ. ê„ÛÎflÚÓ [ACMP/SONG VOLUME] ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸. ì‚Â΢¸Ú ÛÓ‚Â̸ [ACMP/SONG VOLUME]. ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰ÓÓÊÂÍ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ‰‡ÌÌÓÈ Ô‡ÚËË ËÎË ‰ÓÓÊÍË Ì‡ ˝Í‡Ì MIXER (åËͯÂ) (ÒÚ. 65 ËÎË 100). é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â. ê„ÛÎflÚÓ [MASTER VOLUME] ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸. ì‚Â΢¸Ú ÛÓ‚Â̸ [MASTER VOLUME]. ä ËÌÒÚÛÏÂÌÚÛ ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË. éÚÍβ˜ËÚ ̇ۯÌËÍË. îÛÌ͈Ëfl Local Control ÓÚÍβ˜Â̇. ÇÍβ˜ËÚ ÎÓ͇θÌÓ ÛÔ‡‚ÎÂÌË (ÙÛÌÍˆË˛ Local Control). (ëÏ. ÒÚ. 147.) 臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl, ‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ. òÌÛ Ô‰‡ÎË ÏÓÊÂÚ ·˚Ú¸ Ì ÔÓ‰ÒÓ‰ËÌÂÌ Í ‡Á˙ÂÏÛ. èÓ‰Íβ˜ËÚ ¯ÌÛ Ô‰‡ÎË Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ. (ëÏ. ÒÚ. 34 ‚ Ò·ÓÌËÍ ڇ·Îˈ.) ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË. ìÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË EXT ÙÛÌ͈ËË MIDI Sync. ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË INT ÙÛÌ͈ËË MIDI Sync. (ëÏ. ÒÚ. 148.) èË Ì‡Ê‡ÚËË ÌÂÍÓÚÓ˚ı Í·‚˯ ̇ Í·‚ˇÚÛ ÓÚÒÛÚÒÚ‚ÛÂÚ Á‚ÛÍ. è‚˚¯ÂÌ˚ ÔÓÎËÙÓÌ˘ÂÒÍË ‚ÓÁÏÓÊÌÓÒÚËClavinova (ÍÓ΢ÂÒÚ‚Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ÌÓÚ). èÓÒÍÓθÍÛ ÍÓÌÙË„Û‡ˆËfl ÚÓÌ„Â̇ÚÓ‡ Ú‡ÍÓ‚‡, ˜ÚÓ ÔÓÒΉÌË ‚ÁflÚ˚ ÌÓÚ˚ ËÏÂ˛Ú ÔËÓËÚÂÚ, ÚÓ Ô‰˚‰Û˘Ë ÌÓÚ˚ ÏÓ„ÛÚ ËÌÓ„‰‡ ÓÚÒÂ͇ڸÒfl. (ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó ÔÓÎËÙÓÌ˘ÂÒÍËı ‚ÓÁÏÓÊÌÓÒÚflı ÒÏ. ‚ ‡Á‰ÂΠ«íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË» ‚ Ò·ÓÌËÍ ڇ·Îˈ.) CVP-202 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ìÒÚ‡ÌÂÌË 169 èÓ·ÎÂχ è˘Ë̇ ÌÂÔÓ·‰ÓÍ ê¯ÂÌË ç ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ‚Íβ˜ÂÌ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. çÛÊÌ˚È ‡ÍÍÓ‰ Ì ‡ÒÔÓÁ̇ÂÚÒfl ËÎË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. àÒÔÓθÁÛÂÚÒfl Ì‚Â̇fl ‡ÔÔÎË͇ÚÛ‡. ëÏ. Ú‡·ÎËˆÛ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ (ÒÚ. 12 ‚ Ò·ÓÌËÍ ڇ·Îˈ). àÒÔÓθÁÛÂχfl ‡ÔÔÎË͇ÚÛ‡ Ì ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‚˚·‡ÌÌÓÏÛ ÂÊËÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èӂ¸ÚÂ, ͇ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë ËÒÔÓθÁÛÈÚ ‡ÔÔÎË͇ÚÛÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˝ÚÓÏÛ ÂÊËÏÛ. (ëÏ. ÒÚ. 59.) ç‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ 60 ÔÂÒÂÌ. è‡ÏflÚ¸ ÔÂÂÔÓÎÌÂ̇ ËÁ-Á‡ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ‰ÎËÌ˚ Á‚Û˜‡ÌËfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ÔÂÒÂÌ ËÎË ËÒÔÓθÁÓ‚‡ÌËfl ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÙÛÌ͈ËÈ. 쉇ÎËÚ ÌÂÌÛÊÌ˚ ÔÂÒÌË (ÒÚ. 144) ËÎË ÔÓËÁ‚‰ËÚ Á‡ÔËÒ¸ ̇ ÌÓ‚˚È ‰ËÒÍ. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ì Á‚Û˜‡Ú ÌÂÍÓÚÓ˚ ‰ÓÓÊÍË. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÓÓÊÍË (‰ÓÓÊÂÍ) ÓÚÍβ˜ÂÌÓ. ÇÍβ˜ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÓÓÊÂÍ, ÍÓÚÓ˚ ‚˚ ıÓÚËÚ ÒÎ˚¯‡Ú¸. (ëÏ. ÒÚ. 97 Ë 100.) CVP-202 171 ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı ■ MIDI MIDI (Musical Instrument Digital Interface, ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) — ˝ÚÓ ÔËÌflÚ˚È ‚Ó ‚ÒÂÏ ÏË Òڇ̉‡ÚÌ˚È ÍÓÏÏÛÌË͇ˆËÓÌÌ˚È ËÌÚÂÙÂÈÒ, ÔÓÁ‚ÓÎfl˛˘ËÈ MIDIÒÓ‚ÏÂÒÚËÏ˚Ï ÏÛÁ˚͇θÌ˚Ï ËÌÒÚÛÏÂÌÚ‡Ï Ó·ÏÂÌË‚‡Ú¸Òfl ËÌÙÓχˆËÂÈ Ë ÛÔ‡‚ÎflÚ¸ ‰Û„ ‰Û„ÓÏ. • 艇‚‡ÂÏ˚Â Ë ÔÓÎÛ˜‡ÂÏ˚ ‰‡ÌÌ˚ ‡Á΢‡˛ÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ MIDI-ÛÒÚÓÈÒÚ‚‡, Ë ÚÓθÍÓ ‰‡ÌÌ˚Â, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ӷÓËÏË ÒÓ‰ËÌÂÌÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÏÓ„ÛÚ Ô‰‡‚‡Ú¸Òfl Ë ÔËÌËχڸÒfl. óÚÓ·˚ ÛÁ̇ڸ, ÔÓ‰‰ÂÊË‚‡ÂÚ ÎË ‚‡¯ ËÌÒÚÛÏÂÌÚ ÚÓÚ ËÎË ËÌÓÈ ÚËÔ ‰‡ÌÌ˚ı, ÒÏ. Ú‡·ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ. 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-202 ̇ıÓ‰ËÚÒfl ̇ ÒÚ. 30 Ò·ÓÌË͇ Ú‡·Îˈ. MIDI-‡Á˙ÂÏ˚ чÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN, Ô‰‡˛ÚÒfl ˜ÂÂÁ ˝ÚÓÚ ‡Á˙ÂÏ ·ÂÁ ËÁÏÂÌÂÌËÈ. óÂÂÁ ˝ÚÓÚ ‡Á˙ÂÏ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ô‰‡˜‡ MIDI-‰‡ÌÌ˚ı. ùÚÓÚ ‡Á˙ÂÏ ÒÎÛÊËÚ ‰Îfl ÔËÂχ MIDI‰‡ÌÌ˚ı. THRU OUT IN MIDI 䇷Âθ MIDI MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‰ËÌfl˛ÚÒfl ÒÔˆˇθÌ˚ÏË Í‡·ÂÎflÏË MIDI. • ç‡ÒÚÓÈÍË MIDI ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ̇ ÒÚ‡Ìˈ‡ı MIDI ˝Í‡Ì‡ ÂÊËχ Function. (ëÏ. ÒÚ. Ò 147 ÔÓ 150.) • ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó Òڇ̉‡Ú MIDI Ë MIDIÔËÎÓÊÂÌËflı ÏÓÊÌÓ Ì‡ÈÚË ‚ ‡Á΢Ì˚ı ËÁ‰‡ÌËflı ÔÓ ÏÛÁ˚͇θÌÓÈ ÚÂχÚËÍÂ. ■ ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÒÔÓÒÓ·Ì˚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CVP-202, Ë ÏÓÊÂÚ ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÔÂÒÌË ËÎË ÔÂÒÌË, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡ ÍÓÏÔ¸˛ÚÂÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı, ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ÎË·Ó Ò̇˜‡Î‡ ̇‰Ó ‚˚ÔÓÎÌËÚ¸ ÌÂÍÓÚÓ˚ ‰ÂÈÒÚ‚Ëfl. ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌË͇˛Ú ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘Ë ‡Á‰ÂÎ˚. ● éÒÌÓ‚ÌÓÂ, ˜ÚÓ ÌÛÊÌÓ ÔÓ‚ÂËÚ¸ чÌÌ˚Â Ë MIDI-ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÓ‚ÏÂÒÚËÏ˚ ÔÓ ÒÎÂ‰Û˛˘ËÏ ‡ÒÔÂÍÚ‡Ï: • îÓÏ‡Ú ‰ËÒÍÂÚ • îÓÏ‡Ú ÒÂÍ‚Â̈ËË • îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ● îÓÏ‡Ú ‰ËÒÍÂÚ ÑËÒÍÂÚ˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ÌÓÒËÚÂÎÂÈ ‰‡ÌÌ˚ı, ËÒÔÓθÁÛÂÏ˚ı ‡Á΢Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ˚. ëËÒÚÂÏ˚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Û ‡ÁÌ˚ı ÛÒÚÓÈÒÚ‚ ‡Á΢Ì˚. èÓ˝ÚÓÏÛ ÔÂʉ ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ‡ÁÏÂÚËÚ¸ ‰ËÒÍÂÚÛ ‰Îfl ‡·ÓÚ˚ Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔ‡ˆËfl ̇Á˚‚‡ÂÚÒfl «ÙÓχÚËÓ‚‡ÌËÂÏ». • ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ, ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓ ÙÓχÚËÓ‚‡ÌËÂ. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Ò Ó·ÓËÏË ÚËÔ‡ÏË ‰ËÒÍÂÚ. • èÓÒΠÙÓχÚËÓ‚‡ÌËfl ‰Îfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-202 ÂÏÍÓÒÚ¸ ‰ËÒÍÂÚ˚ 2DD ÒÓÒÚ‡‚ÎflÂÚ 720 ä·, ‡ ‰ËÒÍÂÚ˚ 2HD — 1,44 å·. (åÂÚÍË 720 ä· Ë 1,44 å· Û͇Á˚‚‡˛Ú ÂÏÍÓÒÚ¸ ‰ËÒÍÂÚ˚. éÌË Ú‡ÍÊ ËÒÔÓθÁÛ˛ÚÒfl Ë ‰Îfl Ó·ÓÁ̇˜ÂÌËfl ÙÓχڇ ‰ËÒÍÂÚ˚.) • ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚. 172 CVP-202 ○ ○ ○ ○ ○ ○ ● îÓÏ‡Ú ÒÂÍ‚Â̈ËË ëËÒÚÂχ, Á‡ÔËÒ˚‚‡˛˘‡fl ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ, ̇Á˚‚‡ÂÚÒfl ÙÓχÚÓÏ ÒÂÍ‚Â̈ËË. • ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ, ÚÓθÍÓ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË, ËÒÔÓθÁÛ˛˘ËÈÒfl ̇ ‰ËÒÍÂÚÂ. [ê‡ÒÔÓÒÚ‡ÌÂÌÌ˚ ÙÓχÚ˚ ÒÂÍ‚Â̈ËË] SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ùÚÓÚ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓχÚ. • ÖÒÚ¸ ‰‚‡ ÚËÔ‡ SMF ÙÓχڇ: Format 0 Ë Format 1. • åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. ÅÓθ¯ËÌÒÚ‚Ó Ëϲ˘ËıÒfl ‚ ÔÓ‰‡Ê ÔÂÒÂÌ Á‡ÔËÒ‡ÌÓ ‚ ˝ÚÓÏ ÙÓχÚÂ. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÔÓ‰‰ÂÊË‚‡ÂÚ Ë Format 0, Ë Format 1 (‚ ÙÓχÚ 1 ‰Ó 17 Ù‡„ÏÂÌÚÓ‚). • èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-202, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0. ESEQ ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ÒÂ˲ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ‡ÁÌÓÏ ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔ˜ÂÌËË Yamaha. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓχÚÓÏ ESEQ. ● îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓfl‰ÓÍ ‡ÁÏ¢ÂÌËfl ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒfl «ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚». • 臂ËθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ˝ÚÓÚ ÙÓÏ‡Ú ‰Îfl ‰‡ÌÌ˚ı ÔÂÒÌË ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓχÚÓÏ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. [éÒÌÓ‚Ì˚ ÙÓχÚ˚ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚] ëڇ̉‡Ú GM System Level 1 ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı ÙÓχÚÓ‚. • åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍËı Á‡ÔËÒÂÈ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ GM System Level 1. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò GM System Level 1. XG îÓÏ‡Ú XG fl‚ÎflÂÚÒfl ‡Ò¯ËÂÌËÂÏ Òڇ̉‡Ú‡ General MIDI (GM System level 1 format). îËχ Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ ‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ‰Îfl ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓχÚÓÏ XG. • èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-202 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ „ÓÎÓÒÓ‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG. DOC ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ˚ ÒÂËË Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ‡ÁÌÓÏ ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔ˜ÂÌËË Yamaha. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓχÚÓÏ DOC. чÊ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Ófl˛Ú ‚ÒÂÏ ‚˚¯ÂÔ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı. è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ D Ç ä DETUNE (˝ÙÙÂÍÚ ‡ÒÒڇ˂‡ÌËfl) ......................... 35 Direct Access (ÔflÏÓÈ ‰ÓÒÚÛÔ) ................................. 22 Dual ..................................................................... 33-35 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË .................................. 93-104 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ..... 58, 60-61 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË .. 14-15 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÔÂÒÌfl .................................. 93-104 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ .......... 84 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÒÚËÎË .................................... 51-56 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ ........................... 88 ‚ÒÚ‡‚ÍË ................................................................ 51-52 ‚ÚÓÓÈ „ÓÎÓÒ ....................................................... 33-35 ‚˚·Ó ÚÂÏÔ‡ˆËË ......................................... 155-156 ‚˚‰ÂÎÂÌÌ˚ ÔÛÌÍÚ˚ ................................................ 16 ͇̇ΠÔ‰‡˜Ë ...................................... 147, 150-151 Í‚‡ÌÚËÁ‡ˆËfl ‰ÓÓÊÍË .................................... 129-130 Í‚‡ÌÚËÁ‡ˆËfl .............................................. 78, 129-130 Í·‚Ë¯Ë ÔÂÍÛÒÒËË .................................................. 31 ÍÌÓÔÍË ÛÔ‡‚ÎÂÌËfl ............................................. 12-13 ÍÓÏÔ¸˛Ú ...................................................... 160-161 ÍÓÌ‚ÂÚËÓ‚‡ÌË ‰‡ÌÌ˚ı ÔÂÒÌË ........................... 145 ÍÓÌ‚ÂÚËÓ‚‡ÌË ‰‡ÌÌ˚ı ÔÂÒÌË ........................... 145 ÍÓÌÚ‡ÒÚÌÓÒÚ¸ .......................................................... 11 ÍÓÔËÓ‚‡ÌË ‰ËÒÍÂÚ˚ .................................... 142-143 ÍÓÔËÓ‚‡ÌË ÔÂÒÌË ........................................ 142-143 Í˚¯Í‡ Í·‚ˇÚÛ˚ ................................................. 10 Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ............................................ 11 E Easy Play (΄͇fl Ë„‡) .................................. 105, 107 F Fade In (ÔÓÒÚÂÔÂÌÌÓ ̇‡ÒÚ‡ÌË „ÓÏÍÓÒÚË Á‚Û͇) ............................................................ 55 Fade Out (ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË „ÓÏÍÓÒÚË Á‚Û͇) ............................................................ 56 G Guide, ۘ·̇fl ÙÛÌ͈Ëfl .......................... 15, 105-109 H Harmony (ɇÏÓÌËfl) .......................................... 69-71 M MIDI-͇̇Î˚ ............................................ 147, 150-151 MIDI-Ó·ÓÛ‰Ó‚‡ÌË ................................................ 160 MIDI-‡Á˙ÂÏ˚ ......................................................... 160 P pan (è‡ÌӇχ) ............................................ 32, 35, 38 Punch-in/out (ÔÂÂÁ‡ÔËÒ¸) .............................. 118-120 R Registration Freeze, Á‡ÔÂÚ ËÁÏÂÌÂÌËÈ ............. 91-92 S Synchronized Start (ÒËÌıÓÌËÁËÓ‚‡ÌÌ˚È Á‡ÔÛÒÍ) .......................................................... 53 Synchronized Stop (ÒËÌıÓÌËÁËÓ‚‡Ì̇fl ÓÒÚ‡Ìӂ͇) .................................................... 62 Ä ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ........................................... 57-72 ‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ................. 121-125 ‡ÔÔÎË͇ÚÛ‡ (‡ÍÍÓ‰˚) ........................... 60-61, 62-64 ‡Û‰ËÓ ÒÓ‰ËÌÂÌËfl .......................................... 158-159 Å ‚‡ÁÓ‚˚ ̇ÒÚÓÈÍË .................................................. 19 ‚˚ÒÚ‡fl Á‡ÔËÒ¸ .............................................. 112-115 ‚˚ÒÚ‡fl ÔÂÂÏÓÚ͇ ‚Ô‰ ................................... 103 ‚Â‰Û˘ËÈ ÍÓÏÔ¸˛Ú ...................................... 160-161 ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ËÚχ ............................. 125 É „·‚Ì˚È ˝Í‡Ì .......................................................... 16 „ÓÏÍÓÒÚ¸ ‰ÓÓÊÍË ........................................ 100-101 „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ .............................................. 26 „ÓÏÍÓÒÚ¸ Ô‡ÚËË .................................... 65-66, 81-82 „ÓÏÍÓÒÚ¸ Ô‡ÚËÈ .................................... 65-66, 81-82 „ÓÏÍÓÒÚ¸ ÔÂÒÌË ....................................................... 99 „ÓÏÍÓÒÚ¸ ÚÂÏ·Ó‚ ...................................... 32, 34, 37 „ÓÏÍÓÒÚ¸ ............................................................ 23-24 Ñ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË .............. 14-15 ‰Ë‡Ô‡ÁÓÌ ÒÍÓθÊÂÌËfl ............................................ 138 ‰ËÒÍ ‰Îfl ‚‚Ó‰‡ ‰‡ÌÌ˚ı ............................................ 17 ‰ËÒÍÂÚ˚ ....................................................................... 9 ‰ËÒÍÓ‚Ó‰ ..................................................................... 9 ‰Ó·‡‚ÎÂÌË ‰ÓÓÊÍË ............................................. 118 ‰ÓÎfl ............................................................... 26, 74-75 ‰ÓÓÊÍË, ÒÚÛÍÚÛ‡ ÔÂÒÌË .................................... 110 Ü Êä-‰ËÒÔÎÂÈ, ‚˚·Ó ÙÛÌ͈ËË .................................. 16 Êä-‰ËÒÔÎÂÈ, ËÁÏÂÌÂÌË Á̇˜ÂÌËfl ......................... 17 ã ΂‡fl Ô‰‡Î¸ (‰Îfl ÔË„ÎÛ¯ÂÌÌÓ„Ó Á‚Û͇) ..... 40, 138 ΂‡fl Ô‰‡Î¸ .......................................................... 138 å ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ...................................... 155-157 ÏÂÚ͇ ÓÍÓ̘‡ÌËfl ............................................ 124, 125 ÏÂÚÓÌÓÏ ............................................................ 25-26 ÏËÍÓÔÓ‰ÒÚÓÈ͇ ........................................... 154-155 ÏËͯÂ, ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ............................ 65-66 ÏËͯÂ, ÔÂÒÌfl ................................................ 100-101 ÏÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸ ............................. 115-118 ÏÛÁ˚͇θ̇fl ·‡Á‡ ‰‡ÌÌ˚ı ................................ 67-68 ç ̇Á‚‡ÌË ÔÂÒÌË ...................................................... 127 ̇ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ; ÙÛÌ͈Ëfl One Touch Setting ........................................ 72 ̇ۯÌËÍË .......................................................... 11, 158 ̇ÒÚÓÈ͇ ........................................................ 136, 156 é á Á‡„ÛÁ͇ „ËÒÚ‡ˆËË ........................................ 90-91 Á‡„ÛÁ͇, ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ԇ‡ÏÂÚÓ‚ ................ 153 Ác‡„ÛÁ͇, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................................ 140 Á‡„ÛÁ͇, Ù‡ÈÎ˚ ÒÚËÎÂÈ .................................... 86-88 Á‡ÔËÒ¸ ·ÂÁ ‰ËÒÍÂÚ˚ ................................................ 133 Á‡ÔËÒ¸ ‰ÓÓÊÍË .............................................. 115-118 Á‡ÔËÒ¸ ÔÂÒÂÌ ................................................... 110-120 Á‡ÔËÒ¸ ÔÂÒÌË ................................................... 110-120 Á‡ÔËÒ¸, ‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ .... 121-125 Á‡ÔËÒ¸, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ...................... 73-80 Á‡ÔÛÒÍ ÍÌÓÔÍÓÈ «Tap» .............................................. 53 Á̇˜ÍË Ù‡ÈÎÓ‚ ......................................................... 94 à Ë̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ ....................................... 109 Ë̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ ....................................... 109 Ë̉Ë͇ˆËfl ‡ÍÍÓ‰Ó‚ .......................................... 60-61 ËÌÚÓ‰Û͈Ëfl .............................................................. 54 171 ○○○○○○○○○○○○○○○○○○○○ ÓÍÚ‡‚‡ ........................................................... 32, 34, 38 ÓÒÌÓ‚ÌÓÈ ÚÂÏ· ...................................... 29-32, 33, 36 ÓÚÍβ˜ÂÌË ԇÚËË ............................................ 97-98 è Ô‡ÏflÚ¸ CVP (ÔÂÒÌfl) ............................................... 133 Ô‡ÏflÚ¸ ÛÒÚ‡ÌÓ‚ÓÍ ........................................... 126-127 Ô‡ÏflÚ¸, Á‡ÔËÒ¸ ....................................................... 133 Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl ............................................ 12-13 Ô‡ÌӇχ, ÔÂÒÌfl ............................................. 100-101 Ô‡ÌӇχ, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ................. 81-82 Ô‡ÚËfl, Á‡ÔËÒ¸ .................................................... 76-78 Ô‡ÚËfl, ÔËÒ‚ÓÂÌË ‰ÓÓÊÍË ........................... 98-99 Ô‡ÛÁ‡ ....................................................................... 103 Ô‰‡ÎË ................................................................. 38, 40 Ô‚˘ÌÓ ‰‡ÍÚËÓ‚‡ÌË .......................... 130-132 Ô‰‡˜‡ ‰‡ÌÌ˚ı ÔÂÒÌË ......................................... 151 ÔÂÂÏÓÚ͇ ̇Á‡‰ .................................................... 103 ÔÂÒÌfl, ‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ..... 121-125 CVP-202 173 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ÔËÚ‡ÌË ..................................................................... 11 ÔÓ‚ÚÓÂÌË ............................................. 106, 107, 109 ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ................................... 73-88 ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚÓÈ ............................... 156-157 ÔÓÚ˚ Ë ‡Á˙ÂÏ˚ ............................................... 12-13 Ô‡‚‡fl Ô‰‡Î¸ («ÒÛÒÚÂÈÌ») ............................. 40, 138 ÔËÒ‚ÓÂÌË ËÏÂÌË, ÔÂÒÌfl ...................................... 127 ÔËÒ‚ÓÂÌË ËÏÂÌË, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ .. 78-79 ÔËÒ‚ÓÂÌË ËÏÂÌË, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................. 141 ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË .................................... 104 ÔÓˆÂÒÒ ÛÒÚ‡ÌÓ‚ÍË ................................................... 10 Ô˛ÔËÚ ...................................................................... 10 ê ‡Á‰ÂÎÂÌË ÚÂÏ·Ó‚ .......................................... 36-39 ‡ÁÏ ........................................................... 26, 74-75 ‚·‡ˆËfl ..................................................... 41-43 ‚·‡ˆËfl, ÔÂÒÌfl ..................................... 100-101 ‚·‡ˆËfl, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ......... 81-82 „ËÒÚ‡ˆËfl ........................................................ 89-92 ‰‡ÍÚËÓ‚‡ÌË ‰ÓÓÊÍË ............................. 128-130 ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .............................. 57, 59-61 ÂÊËÏ Guide ........................................................... 108 ë ҂‰ÂÌË ‰ÓÓÊÂÍ ................................................. 128 Ò‚Ó·Ó‰Ì˚È ÚÂÏÔ ....................................................... 96 ÒË· ̇ʇÚËfl ......................................................... 137 ÒËÌıÓÌËÁ‡ˆËfl (MIDI) ............................................. 148 ÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ ............................................. 105, 107 ÒÓÓ·˘ÂÌËfl ...................................................... 165-169 ÒÓÓ·˘ÂÌËfl, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ ............... 84-85 ÒÓı‡ÌÂÌË „ËÒÚ‡ˆËË ................................... 89-90 ÒÓı‡ÌÂÌË ............................................................. 152 ÒÓı‡ÌÂÌËÂ, Ô‚˘ÌÓ ‰‡ÍÚËÓ‚‡ÌË ............. 132 ÒÓı‡ÌÂÌËÂ, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ .............. 79-80 ÒÓı‡ÌÂÌËÂ, ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÒÚËθ .............. 82-83 ÒÓı‡ÌÂÌËÂ, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ..................... 140-141 ÒÔ‡‚͇ ............................................................... 27-28 Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») ................................ 40 ÒÚÂÂÓ ÔÓÁˈËfl .................................. ÒÏ. «Ô‡ÌӇχ» ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................ ÒÏ. «ÒÚËÎË» ÒÚËÎË, ‚ÓÒÔÓËÁ‚‰ÂÌË .................................... 51-56 ÒÚËÎË, ‚˚·Ó ....................................................... 49-50 ÒÚËÎË, ÔÓθÁÓ‚‡ÚÂθÒÍË .................................. 73-88 ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ ...................................................... 19 ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ ...................................................... 19 í ÚÂÍÒÚ .................................................................. 15, 109 ÚÂÏ· ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ........................ 36-39 ÚÂÏ·˚, ‚˚·Ó ....................................... 29-30, 76, 99 ÚÂÏÔ ............................................................. 25, 96, 100 ÚËÔ˚ ‚·‡ˆËË ............................................... 163 ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus ......................................... 163 ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ ...................................................... 164 ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ................... 36, 39, 64 174 CVP-202 Ú‡ÌÒÔÓÌËÓ‚‡ÌË MIDI ......................................... 150 Ú‡ÌÒÔÓÌËÓ‚‡ÌË ......................................... 136, 150 Ú‡ÌÒÙÓÏËÓ‚‡ÌË (ÍÓÌ‚ÂÚ‡ˆËfl) ..................... 145 ÚÂÌËӂ͇ ..................................................... 105-107 ì Û‰‡ÎÂÌË ‰ÓÓÊÍË ................................................. 129 Û‰‡ÎÂÌË ÔÂÒÌË ...................................................... 144 Û‰‡ÎÂÌËÂ, ‡ÍÍÓ‰Ó‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ....... 124 Û‰‡ÎÂÌËÂ, ‰ÓÓÊÍË ................................................ 129 Û‰‡ÎÂÌËÂ, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................................ 141 Û‰‡ÎÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ ......................................... 83 Û‰‡ÎÂÌ̇fl Í·‚ˇÚÛ‡ ........................................... 151 ÛÒÚ‡Ìӂ͇ ÚÂÏ·‡ .................................................. 137 ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ................................... 170-171 î Ù‡ÈΠ„ËÒÚ‡ˆËË .......................................... 139-141 Ù‡ÈÎ ÒÚËÎfl ......................................................... 86-88 Ù‡ÈÎ˚ All Setup .............................................. 139-141 Ù‡ÈÎ˚ ÛÒÚ‡ÌÓ‚ÍË ........................................... 139-141 ÙËÍÒËÓ‚‡Ì̇fl ÒË· ̇ʇÚËfl .............................. 137 ÙËÎ¸Ú MIDI .................................................... 148-149 ÙËθÚ, ÙËÎ¸Ú MIDI ..................................... 148-150 ÙË̇Π.................................................................. 55-56 ÙÓÏ‡Ú ‰ËÒÍÂÚ ............................................... 111, 146 ÙÓχÚËÓ‚‡ÌËÂ, ‰ËÒÍÂÚ˚ ........................... 111, 146 ÙÓÚÂÔˇÌÌ˚ ÒÚËÎË ......................................... 49, 58 Ù‡„ÏÂÌÚ ...................................................... 74-75, 80 ÙÛÌ͈ËË MIDI .................................................. 147-151 ÙÛÌ͈ËË ‚ ÔflÏÓÛ„ÓθÌ˚ı ‡Ï͇ı ................... 20-21 ÙÛÌ͈ËË ‚ ‡Ï͇ı ÒÓ ÒÍÛ„ÎÂÌÌ˚ÏË Û„Î‡ÏË ......... 16 ÙÛÌ͈ËË ‰Îfl ‡·ÓÚ˚ Ò ‰ËÒÍÓÏ ...................... 139-146 ÙÛÌ͈ËË Ô‰‡ÎË ..................................................... 138 ÙÛÌ͈ËË Â‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒË ................. 126-132 ÙÛÌ͈Ëfl Chord Assistance ................................. 62-64 ÙÛÌ͈Ëfl Local Control ............................................ 147 ÙÛÌ͈Ëfl Piano Roll ................................. 106, 107, 109 ÙÛÌ͈Ëfl Recall Section ............................................ 80 ÙÛÌ͈Ëfl Receive Filter (‚ıÓ‰ÌÓÈ ÙËθÚ0 ... 149-150 ÙÛÌ͈Ëfl Repeat (ÔÓ‚ÚÓ) ............................... 101-103 ÙÛÌ͈Ëfl Style Clear (Ó˜ËÒÚ͇ ÒÚËÎfl) ...................... 80 ÙÛÌ͈Ëfl .......................................................... 134-135 ÙÛÌ͈Ëfl, ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ............................................ 19-20 ó ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ ..................................... 137 ù ˝Í‡Ì ÏÂÌ˛ ............................................................... 18 ˝ÙÙÂÍÚ chorus ‚ ÔÂÒÌ .................................. 100-101 ˝ÙÙÂÍÚ chorus ‚ ÔÓθÁÓ‚‡ÚÂθÒÍÓÏ ÒÚËΠ..... 81-82 ˝ÙÙÂÍÚ Òhorus .................................................... 44-45 ˝ÙÙÂÍÚ˚ ............................................................. 46-48 ˝ÙÙÂÍÚ˚, ÔÂÒÌfl ............................................. 100-101 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. (class B) * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) 173 • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 174 SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. Model _____________________________________ Serial No. __________________________________ 92-469- ➀ (bottom) Purchase Date ______________________________ ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ ÔÓ-‡Ì„ÎËÈÒÍË) http://www.yamahaclavinova.com/ ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha http://www2.yamaha.co.jp/manual/english/ M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2003 Yamaha Corporation WA54840 3??PO???.?-01A0 ç‡Ô˜‡Ú‡ÌÓ ‚ à̉ÓÌÂÁËË