Download Yamaha CVP-202 Specifications

100

101

102

103

104

105

106

107

108

109

110

111

112

113

114

115

116

117

118

119

120

121

122

123

124

125

126

127

128

129

130

131

132

133

134

135

136

137

138

139

140

141

142

143

144

145

146

147

148

149

150

151

152

153

154

155

156

157

158

159

160

161

162

163

164

165

166

167

168

169

170

171

172

173

174

175

176

177

178

Transcript

êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ÇÄÜçé!
èÓ‚Â¸ÚÂ ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËﬂ
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔﬂÊÂÌËÂ ‚ ÓÁÂÚÍÂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
Ì‡ÔﬂÊÂÌË˛, ÛÍ‡Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ˚ı
ÒÎÛ˜‡ﬂı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ ÒÌ‡·ÊÂÌ ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ
Ì‡ÔﬂÊÂÌËﬂ, ‡ÒÔÓÎÓÊÂÌÌ˚È ﬂ‰ÓÏ Ò ÒÂÚÂ‚˚Ï Í‡·ÂÎÂÏ.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌËÂ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
Ì‡ÔﬂÊÂÌË˛, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚ÍÂ
ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Ì‡ÔﬂÊÂÌËÂ ‚
240 Ç. èË ÔÓÏÓ˘Ë ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ú‡Í,
˜ÚÓ·˚ Ó·ÓÁÌ‡˜ÂÌËÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔﬂÊÂÌËﬂ ·˚ÎÓ
‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁÎÂ ÛÍ‡Á‡ÚÂÎﬂ Ì‡ Ô‡ÌÂÎË.
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
Model _____________________________________
Serial No. __________________________________
92-469- ➀
(bottom)
Purchase Date ______________________________
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà
ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà
* ëÓı‡ÌËÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡˘‡Ú¸Òﬂ Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂÈ¯ÂÏ.
OCTOPOÜHO!
Bo ËÁ·ÂÊ‡ÌËÂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡ÊÂ ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ ‚Ó ËÁ·ÂÊ‡ÌËÂ ÍÓÓÚÍÓ„Ó Á‡Ï˚Í‡ÌËﬂ, ÔÓ‚ÂÊ‰ÂÌËﬂ Ó·ÓÛ‰Ó‚‡ÌËﬂ,
ÔÓÊ‡‡ Ë ‰Û„Ëı ËÌˆË‰ÂÌÚÓ‚ ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÓÒÌÓ‚Ì˚Â Ô‡‚ËÎ‡ ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË, ÔÂÂ˜ËÒÎÂÌÌ˚Â ‰‡ÎÂÂ. ùÚË Ô‡‚ËÎ‡ ‚ÍÎ˛˜‡˛Ú, ‚ ˜‡ÒÚÌÓÒÚË,
ÒÎÂ‰Û˛˘ÂÂ:
• àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Ô‡‚ËÎ¸ÌÓÂ Ì‡ÔﬂÊÂÌËÂ ‰Îﬂ ËÌÒÚÛÏÂÌÚ‡. ùÚÓ Ì‡ÔﬂÊÂÌËÂ
ÛÍ‡Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
• èÂËÓ‰Ë˜ÂÒÍË ÔÓ‚ÂﬂÈÚÂ ¯ÚÂÔÒÂÎ¸ÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎﬂÈÚÂ Ò ÌÂÂ „ﬂÁ¸ Ë Ô˚Î¸.
• àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ Ë ‡Á˙ÂÏ, ÔÓÒÚ‡‚ÎﬂÂÏ˚Â Ò ËÌÒÚÛÏÂÌÚÓÏ.
• ä‡·ÂÎ¸ ÔËÚ‡ÌËﬂ ÌÂ ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òﬂ ﬂ‰ÓÏ Ò ËÒÚÓ˜ÌËÍ‡ÏË ÚÂÔÎ‡ (Ì‡„Â‚‡ÚÂÎﬂÏË,
‡‰Ë‡ÚÓ‡ÏË Ë Ú.Ô.). çÂ ‰ÓÔÛÒÍ‡ÈÚÂ Ú‡ÍÊÂ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËﬂ Ë ÔÓ‚ÂÊ‰ÂÌËﬂ
Í‡·ÂÎﬂ, ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â Ì‡
ÌÂ„Ó ÌÂÎ¸Áﬂ Ì‡ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ÔÂÂÍ‡ÚËÚ¸ ˜ÚÓ-ÎË·Ó ÔÓ ÌÂÏÛ.
• çÂ ÒÎÂ‰ÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òﬂ ‡Á·Ë‡Ú¸ Â„Ó, ‡ Ú‡ÍÊÂ
ÏÓ‰ËÙËˆËÓ‚‡Ú¸ ‚ÌÛÚÂÌÌËÂ ÍÓÏÔÓÌÂÌÚ˚ Í‡ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ. Ç ËÌÒÚÛÏÂÌÚÂ ÌÂÚ
ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚Â ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸. èË ÔÓﬂ‚ÎÂÌËË
ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂÏÂ‰ÎÂÌÌÓ ÔÂÍ‡ÚËÚÂ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í
Í‚‡ÎËÙËˆËÓ‚‡ÌÌ˚Ï ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË
Yamaha.
• çÂ ‰ÂÊËÚÂ ËÌÒÚÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰ÓÊ‰¸, ﬂ‰ÓÏ Ò ‚Ó‰ÓÈ, ‡
Ú‡ÍÊÂ ‚ Ò˚˚ı Ë ‚Î‡ÊÌ˚ı ÔÓÏÂ˘ÂÌËﬂı. çÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊË‰ÍÓÒÚ¸˛,
ÍÓÚÓ‡ﬂ ÏÓÊÂÚ ÔÓÎËÚ¸Òﬂ Ë ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚ÂÒÚËﬂ.
• çËÍÓ„‰‡ ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ ‚ËÎÍÛ ‚ ÓÁÂÚÍÛ Ë ÌÂ ‚˚ÌËÏ‡ÈÚÂ ÂÂ ‚Î‡ÊÌ˚ÏË ÛÍ‡ÏË.
• çÂ ÒÚ‡‚¸ÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰Û„ËÂ ÔÓ‰Ó·Ì˚Â ÔÂ‰ÏÂÚ˚. ÉÓﬂ˘ËÈ
ÔÂ‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓÊ‡.
• Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂÊ‰ÂÌËﬂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ ËÎË ‡Á˙ÂÏ‡, ÔË ‚ÌÂÁ‡ÔÌÓÏ
ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚ÛÍ‡ ‚Ó ‚ÂÏﬂ ˝ÍÒÔÎÛ‡Ú‡ˆËË, ‡ Ú‡ÍÊÂ ÔË ÔÓﬂ‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó
Á‡Ô‡ı‡ Ë ‰˚Ï‡ ÌÂÏÂ‰ÎÂÌÌÓ ‚˚ÍÎ˛˜ËÚÂ ËÌÒÚÛÏÂÌÚ, ‚˚Ì¸ÚÂ ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë
Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ
ÍÓÔÓ‡ˆËË Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂÊ‡ÌËÂ Ì‡ÌÂÒÂÌËﬂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛÊ‡˛˘ËÏ, ‡ Ú‡ÍÊÂ ÔÓ‚ÂÊ‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡ ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÓÒÌÓ‚Ì˚Â
Ô‡‚ËÎ‡ ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË. ùÚË Ô‡‚ËÎ‡ ‚ÍÎ˛˜‡˛Ú, ‚ ˜‡ÒÚÌÓÒÚË, ÒÎÂ‰Û˛˘ÂÂ:
• éÚÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË ÓÌ ÌÂ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ ÚÂ˜ÂÌËÂ
‰ÎËÚÂÎ¸ÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊÂ ‚Ó ‚ÂÏﬂ „ÓÁ˚.
• çÂ ‚ÒÚ‡‚ÎﬂÈÚÂ Ë ÌÂ ÓÌﬂÈÚÂ ·ÛÏ‡„Û, ÏÂÚ‡ÎÎË˜ÂÒÍËÂ Ë ÔÓ˜ËÂ ÔÂ‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËﬂ
Ì‡ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂÏÂ‰ÎÂÌÌÓ ‚˚ÍÎ˛˜ËÚÂ
ËÌÒÚÛÏÂÌÚ Ë ‚˚Ì¸ÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í
ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.
• çÂ ÔÓ‰ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚË˜ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂıÓ‰ÌËÍ‡. ùÚÓ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌË˛ Í‡˜ÂÒÚ‚‡ Á‚ÛÍ‡ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË.
• çÂ ÍÎ‡‰ËÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ ÔÂ‰ÏÂÚ˚ ËÁ ‚ËÌËÎ‡, ÔÎ‡ÒÚÏ‡ÒÒ˚ ËÎË ÂÁËÌ˚. ùÚÓ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚Â˜Ë‚‡ÌË˛ Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛ˚.
• ÇÌËÏ‡ÚÂÎ¸ÌÓ ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò ËÌÒÚÛÍˆËﬂÏË ÔÓ Ò·ÓÍÂ. çÂÔ‡‚ËÎ¸Ì‡ﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ËÌÒÚÛÏÂÌÚ‡ ËÎË
Ú‡‚Ï‡Ï.
• çÂ Ó·ÎÓÍ‡˜Ë‚‡ÈÚÂÒ¸ Ì‡ ËÌÒÚÛÏÂÌÚ, ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚ Ë ÌÂ
ÔËÏÂÌﬂÈÚÂ ˜ÂÁÏÂÌÛ˛ ÒËÎÛ Í ÍÌÓÔÍ‡Ï, ‚˚ÍÎ˛˜‡ÚÂÎﬂÏ Ë ‡Á˙ÂÏ‡Ï.
• Ç˚ÌËÏ‡ﬂ ¯ÌÛ ÔËÚ‡ÌËﬂ ËÁ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÁÂÚÍË, ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ.
çËÍÓ„‰‡ ÌÂ ÚﬂÌËÚÂ Á‡ ¯ÌÛ. àÌ‡˜Â ÏÓÊÌÓ ÔÓ‚Â‰ËÚ¸ Í‡·ÂÎ¸.
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ‰ÂÙÓÏ‡ˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂÊ‰ÂÌËﬂ ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ÌÂ
‰ÂÊËÚÂ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏÂ˘ÂÌËﬂı Ò ËÁ·˚ÚÓ˜ÌÓÈ ‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊÂ ‚ ÏÂÒÚ‡ı, „‰Â
ÒÎË¯ÍÓÏ Ô˚Î¸ÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ (Ì‡ÔËÏÂ Ì‡ ÒÓÎÌˆÂ, ﬂ‰ÓÏ Ò Ì‡„Â‚‡ÚÂÎÂÏ
ËÎË ‚ Ï‡¯ËÌÂ ‚ ‰ÌÂ‚ÌÓÂ ‚ÂÏﬂ).
• çÂ ÔÓÎ¸ÁÛÈÚÂÒ¸ ËÌÒÚÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂÎÂ‚ËÁÓ‡,
‡‰ËÓÔËÂÏÌËÍ‡, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËﬂ, ÏÓ·ËÎ¸ÌÓ„Ó ÚÂÎÂÙÓÌ‡ Ë ‰Û„Ëı
˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂÎÂ‚ËÁÓÂ ËÎË
‡‰ËÓÔËÂÏÌËÍÂ ÏÓÊÂÚ ‚ÓÁÌËÍÌÛÚ¸ ¯ÛÏ.
• çÂ ÓÒÚ‡‚ÎﬂÈÚÂ Ì‡‰ÓÎ„Ó ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ùÚÓ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌÂ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒÍ‡ÏÂÈÍË (ÂÒÎË ÓÌ‡ ÂÒÚ¸)
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ÒÍ‡ÏÂÈÍ‡ ‰ÓÎÊÌ‡ ·˚Ú¸ ‚ ÛÒÚÓÈ˜Ë‚ÓÏ ÔÓÎÓÊÂÌËË.
• çÂ Í‡˜‡ÈÚÂÒ¸ Ì‡ ÒÍ‡ÏÂÈÍÂ Ë ÌÂ Ë„‡ÈÚÂ, ÒÚÓﬂ Ì‡ ÌÂÈ. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒÍ‡ÏÂÈÍË ‚
Í‡˜ÂÒÚ‚Â ÒÚÂÏﬂÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎﬂı ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË
Ú‡‚ÏÂ.
• ëÍ‡ÏÂÈÍ‡ ‡ÒÒ˜ËÚ‡Ì‡ ÚÓÎ¸ÍÓ Ì‡ Ó‰ÌÓ„Ó ˜ÂÎÓ‚ÂÍ‡.
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÌÂ ÒÚ‡‚¸ÚÂ Â„Ó Ì‡ ÌÂÛÒÚÓÈ˜Ë‚Û˛
ÔÓ‚ÂıÌÓÒÚ¸.
• ÖÒÎË ‚ËÌÚ˚ ÒÍ‡ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂÎ¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ, Á‡ÚﬂÌËÚÂ Ëı
ÓÚ‚ÂÚÍÓÈ.
• èÂÊ‰Â ˜ÂÏ ‰‚Ë„‡Ú¸ ËÌÒÚÛÏÂÌÚ, ÓÚÒÓÂ‰ËÌËÚÂ ‚ÒÂ Í‡·ÂÎË.
■ ëÓı‡ÌÂÌËÂ ‰‡ÌÌ˚ı
• çÂ ÒÚ‡‚¸ÚÂ ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌÂ, ÔÓÒÍÓÎ¸ÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸
ÌÂ‰ÓÒÚ‡ÚÓ˜ÌÛ˛ ˆËÍÛÎﬂˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒÎÂ‰ÒÚ‚ËÂ, ÔÂÂ„Â‚ ËÌÒÚÛÏÂÌÚ‡.
ê‡ÒÒÚÓﬂÌËÂ ÏÂÊ‰Û ÒÚÂÌÓÈ Ë ËÌÒÚÛÏÂÌÚÓÏ ‰ÓÎÊÌÓ ÒÓÒÚ‡‚ÎﬂÚ¸ ÔÓ Í‡ÈÌÂ ÏÂÂ 3 ÒÏ.
• ÇÌÛÚÂÌÌËÂ ‰‡ÌÌ˚Â (ÒÏ. ÒÚ. 152) ı‡ÌﬂÚÒﬂ ÓÍÓÎÓ ÌÂ‰ÂÎË ÔÓÒÎÂ ‚˚ÍÎ˛˜ÂÌËﬂ
ËÌÒÚÛÏÂÌÚ‡. èÓÒÎÂ ˝ÚÓ„Ó ‰‡ÌÌ˚Â ·Û‰ÛÚ ÛÚÂﬂÌ˚. é·ﬂÁ‡ÚÂÎ¸ÌÓ ‚ÍÎ˛˜‡ÈÚÂ
ËÌÒÚÛÏÂÌÚ ıÓÚﬂ ·˚ ‡Á ‚ ÌÂ‰ÂÎ˛ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÏËÌÛÚ. Ñ‡ÌÌ˚Â ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂﬂÌ˚
ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË ÌÂÔ‡‚ËÎ¸ÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËË. ï‡ÌËÚÂ Ò‡Ï˚Â ‚‡ÊÌ˚Â
‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ. (ÒÏ. ÒÚ. 139).
• èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ‚˚ÍÎ˛˜ËÚÂ
‚ÒÂ ÍÓÏÔÓÌÂÌÚ˚. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚
ÛÒÚ‡ÌÓ‚ËÚÂ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı
ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡
ËÌÒÚÛÏÂÌÚÂ ÔÓÒÚÂÔÂÌÌÓ Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.
• ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡ ‚Î‡ÊÌÓÈ ÚÍ‡Ì¸˛.
çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔﬂÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊË‰ÍËÂ Ó˜ËÒÚËÚÂÎË Ë
˜ËÒÚﬂ˘ËÂ Ò‡ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
• ÅÛ‰¸ÚÂ ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Í˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ÌÂ ÔË˘ÂÏËÎ‡ ‚‡Ï Ô‡Î¸ˆ˚. çÂ
‚ÒÚ‡‚ÎﬂÈÚÂ Ô‡Î¸ˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËﬂ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
• óÚÓ·˚ ‰‡ÌÌ˚Â ÌÂ ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ ÌÓÒËÚÂÎﬂ, ÂÍÓÏÂÌ‰ÛÂÚÒﬂ ı‡ÌËÚ¸
Ì‡Ë·ÓÎÂÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡ ‰‚Ûı ‰ËÒÍÂÚ‡ı.
äÓÔÓ‡ˆËﬂ Yamaha ÌÂ ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ, ‚˚Á‚‡ÌÌ˚Â
ÌÂÔ‡‚ËÎ¸ÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙËÍ‡ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊÂ Á‡
ÛÚÂﬂÌÌ˚Â ËÎË ËÒÔÓ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â.
ÇÒÂ„‰‡ ‚˚ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ.
1
(1)B-7
CVP-202
3
ÅÎ‡„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Yamaha Clavinova! êÂÍÓÏÂÌ‰ÛÂÏ ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÔÓ˜ËÚ‡Ú¸
˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ÒÂÏË ÔÂÂ‰Ó‚˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌÍˆËﬂÏË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova. å˚ Ú‡ÍÊÂ ÒÓ‚ÂÚÛÂÏ ‰ÂÊ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ Ì‡‰ÂÊÌÓÏ Ë Û‰Ó·ÌÓÏ
ÏÂÒÚÂ ‰Îﬂ ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË
● ÑËÒÍÂÚ‡ Music Software Collection (Ë Music Book)
ç‡ ˝ÚÓÈ ‰ËÒÍÂÚÂ ÔÂ‰ÒÚ‡‚ÎÂÌ˚ ÔËÏÂ˚ ÔÂÒÂÌ, ÍÓÚÓ˚Â ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Ì‡ ˆËÙÓ‚ÓÏ
ÔË‡ÌËÌÓ Clavinova.
● ÑËÒÍÂÚ‡ (Floppy Disk)
ç‡ ˝ÚÓÈ ÔÛÒÚÓÈ ‰ËÒÍÂÚÂ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓÂ ËÒÔÓÎÌÂÌËÂ.
● êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÔÓ‰Ó·Ì˚Â ËÌÒÚÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ
Clavinova.
● ëÔËÒÓÍ ‰‡ÌÌ˚ı (Data List)
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÒÔËÒÍË ÚÂÏ·Ó‚, ÒÚËÎÂÈ, Ô‡‡ÏÂÚÓ‚ Ë Ú.Ô., ‡ Ú‡ÍÊÂ
ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË Ë ËÌÒÚÛÍˆËË ÔÓ Ò·ÓÍÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
● ëÍ‡ÏÂÈÍ‡
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, ÒÍ‡ÏÂÈÍ‡ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË ÌÂ ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
• àÎÎ˛ÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ ÔË‚Â‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÚÓÎ¸ÍÓ ‚ Í‡˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓÒÚË ‚ÒÂ
ÏÓÊÂÚ ‚˚„Îﬂ‰ÂÚ¸ ÌÂÒÍÓÎ¸ÍÓ ËÌ‡˜Â.
• çÂÒ‡ÌÍˆËÓÌËÓ‚‡ÌÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ,
Á‡˘Ë˘ÂÌÌÓ„Ó ‡‚ÚÓÒÍËÏ Ô‡‚ÓÏ, ÍÓÏÂ Í‡Í ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ ÎË˜Ì˚ı
ˆÂÎﬂı, Á‡ÔÂ˘ÂÌÓ.
● íÓ‚‡Ì˚Â ÁÌ‡ÍË
• Apple Ë Macintosh ﬂ‚Îﬂ˛ÚÒﬂ ÚÓ‚‡Ì˚ÏË ÁÌ‡Í‡ÏË ÍÓÔÓ‡ˆËË Apple
Computer.
• IBM-PC/AT ﬂ‚ÎﬂÂÚÒﬂ ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË International Business
Machines.
• Windows ﬂ‚ÎﬂÂÚÒﬂ Óı‡ÌﬂÂÏ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
• ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÚÓ‚‡Ì˚Â ÁÌ‡ÍË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚Î‡‰ÂÎ¸ˆÂ‚.
ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚÂ Ó·˙Â‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚Â ÔÓ„‡ÏÏ˚ Ë ËÌÙÓÏ‡ˆËÓÌÌÓÂ ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍËÂ Ô‡‚‡ Ì‡ ÍÓÚÓ˚Â ÔËÌ‡‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha
ËÎË Ô‡‚Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎËˆÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡ÚÂË‡Î‡Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒﬂÚÒﬂ, ‚ ˜‡ÒÚÌÓÒÚË,
‚ÒÂ ÍÓÏÔ¸˛ÚÂÌÓÂ ÔÓ„‡ÏÏÌÓÂ Ó·ÂÒÔÂ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚Â WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·ÓÂ ÌÂÒ‡ÌÍˆËÓÌËÓ‚‡ÌÌÓÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ú‡ÍËı
ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰ﬂ˘ÂÂ Á‡ ‡ÏÍË ÎË˜ÌÓ„Ó ÔÓÎ¸ÁÓ‚‡ÌËﬂ, Á‡ÔÂ˘ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓÌ‡ÏË. ã˛·ÓÂ Ì‡Û¯ÂÌËÂ ‡‚ÚÓÒÍËı Ô‡‚
ÔÂÒÎÂ‰ÛÂÚÒﬂ ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
àÏÂÌÌ‡ﬂ ÔÎ‡ÒÚËÌ‡
É‡‚ËÓ‚Í‡ Ì‡ ËÏÂÌÌÓÈ ÔÎ‡ÒÚËÌÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËﬂ Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ÒÚ‡Ì‰‡Ú‡ı/ÙÓÏ‡Ú‡ı Ë
ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı ËÌÒÚÛÏÂÌÚ‡.
GM System Level 1
ëÚ‡Ì‰‡Ú GM System Level 1 ﬂ‚ÎﬂÂÚÒﬂ ‰ÓÔÓÎÌÂÌËÂÏ Í ÒÚ‡Ì‰‡ÚÛ MIDI Ë
„‡‡ÌÚËÛÂÚ, ˜ÚÓ Î˛·˚Â ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ˝ÚÓÏÛ ÒÚ‡Ì‰‡ÚÛ, ·Û‰ÛÚ
ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚Â‰ÂÌ˚ Ì‡ Î˛·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-„ÂÌÂ‡ÚÓÂ Ë
ÒËÌÚÂÁ‡ÚÓÂ Î˛·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡.
îÓÏ‡Ú XG
XG - ˝ÚÓ ÌÓ‚‡ﬂ ÒÔeˆËÙËÍ‡ˆËﬂ MIDI ÍÓÔÓ‡ˆËË Yamaha. éÌ‡ ÁÌ‡˜ËÚeÎ¸ÌÓ
‡Ò¯ËﬂeÚ Ë ÛÎÛ˜¯‡eÚ ÒÚ‡Ì‰‡Ú GM System Level 1 Á‡ Ò˜eÚ Û‚eÎË˜eÌËﬂ
‚ÓÁÏÓÊÌÓÒÚeÈ ÛÔ‡‚ÎeÌËﬂ ÚeÏ·‡ÏË, Òe‰ÒÚ‚‡ÏË ‚˚‡ÁËÚeÎ¸ÌÓÒÚË Ë
˝ÙÙeÍÚ‡ÏË Ë Ó‰ÌÓ‚eÏeÌÌÓ Ó·eÒÔe˜Ë‚‡eÚ ÔÓÎÌÛ˛ ÒÓ‚ÏeÒÚËÏÓÒÚ¸ ÒÓ
ÒÚ‡Ì‰‡ÚÓÏ GM. íÓ, ˜ÚÓ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛeÚ ÚeÏ·˚
XG, ÔÓÁ‚ÓÎﬂeÚ Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔeÒeÌ ‚ ÙÓÏ‡Úe XG.
îÓÏ‡Ú XF
îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha ÒÓ‚Â¯ÂÌÒÚ‚ÛÂÚ ÒÚ‡Ì‰‡Ú SMF (Standard
MIDI File) Á‡ Ò˜ÂÚ Û‚ÂÎË˜ÂÌËﬂ ÙÛÌÍˆËÓÌ‡Î¸ÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ
‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËﬂ. ÖÒÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ù‡ÈÎ ‚ ÙÓÏ‡ÚÂ XF,
îÓÏ‡Ú Disk Orchestra Collection
(DOC)
îÓÏ‡Ú DOC ‰Îﬂ Á‡ÔËÒË ÚÂÏ·Ó‚ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ‡ÁÎË˜Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI.
îÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ (SFF)
îÓÏ‡Ú Style File Format (SFF) ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ÙÓÏ‡Ú Ù‡ÈÎ‡
ÒÚËÎﬂ, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha. Ç ÌÂÏ ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ÛÌËÍ‡Î¸Ì‡ﬂ ÒËÒÚÂÏ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ, ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·ÓÎ¸¯Ó„Ó
ÍÓÎË˜ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛÂÚ
ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È ‚ Ô‡ÏﬂÚ¸, Ò˜ËÚ˚‚‡ÂÚ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ËÒÍË
ÒÓ ÒÚËÎﬂÏË SFF Ë ÒÓÁ‰‡ÂÚ ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ ÒÂ‰ÒÚ‚‡ Style Creator
(ÒÓÁ‰‡ÚÂÎ¸ ÒÚËÎÂÈ).
2
4
ÒÓ‰ÂÊ‡˘ËÈ ÚÂÍÒÚ, ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ Ì‡
˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ. (SMF - ˝ÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓÏ‡Ú
Ù‡ÈÎÓ‚ MIDI. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓÏ‡Ú‡ÏË
SMF 0 Ë 1, ‡ ÔË Á‡ÔËÒË "ÔÂÒÂÌÌ˚ı" ‰‡ÌÌ˚ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÓÏ‡Ú
SMF 0.)
CVP-202
ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
○ ○ ○ ○ ○
○ ○ ○ ○ ○
● ì‰Ó·Ì˚È Üä-˝Í‡Ì
ÅÓÎ¸¯ÓÈ ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËÈ ˝Í‡Ì (‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔÍ‡ÏË Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË)
Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ÛÌË‚ÂÒ‡Î¸ÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓÂ ÛÔ‡‚ÎÂÌËÂ ‚ÒÂÏË ÓÔÂ‡ˆËﬂÏË Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ
Clavinova.
● ÅÓ„‡ÚÒÚ‚Ó Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û˜‡ÌËﬂ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 Ó·Î‡‰‡ÂÚ ·ÓÎ¸¯ËÏ Ì‡·ÓÓÏ ‚˚‡ÁËÚÂÎ¸Ì˚ı Ë ‰ËÌ‡ÏË˜Ì˚ı ÚÂÏ·Ó‚,
‚ÍÎ˛˜‡ﬂ 243 ËÒıÓ‰Ì˚ı ÚÂÏ·‡, 480 ÚÂÏ·Ó‚ ‚ ÙÓÏ‡ÚÂ XG Ë 14 Ì‡·ÓÓ‚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı /SFX. ùÚË
ÚÂÏ·˚ ‚ÍÎ˛˜‡˛Ú ÂÒÚÂÒÚ‚ÂÌÌÓÂ Á‚Û˜‡ÌËÂ ÙÓÚÂÔ¸ﬂÌÓ, ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊÂ
˜ÂÁ‚˚˜‡ÈÌÓ ‚˚‡ÁËÚÂÎ¸Ì˚È ÚÂÏ· SweetTrumpet («ÌÂÊÌ‡ﬂ ÚÛ·‡»). äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
ÂÒÚÂÒÚ‚ÂÌÌÓÂ Á‚Û˜‡ÌËÂ Û‰‡Ì˚ı ÔﬂÏÓ Ò ÍÎ‡‚Ë‡ÚÛ˚ (ÒÚ. 31).
● ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚
ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ‰ËÒÍÂÚ˚ Ò ÔÂÒÌﬂÏË, ÔËÓ·ÂÚÂÌÌ˚Â ‚ ÚÓ„Ó‚ÓÈ
ÒÂÚË. ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔÂ˜ÂÌËÂÏ Ì‡ ‰ËÒÍÂÚÂ ÏÓÊÌÓ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ Ë„‡Ú¸ Ô‡ÚË˛
ÙÓÚÂÔ¸ﬂÌÓ Ì‡ ÙÓÌÂ ˆÂÎÓ„Ó ÓÍÂÒÚ‡ ËÎË ËÌÒÚÛÏÂÌÚ‡Î¸ÌÓ„Ó ‡ÌÒ‡Ï·Îﬂ (ÒÚ. 93). ÖÒÎË ÔÓ„‡ÏÏÌÓÂ
Ó·ÂÒÔÂ˜ÂÌËÂ ÒÓ‰ÂÊËÚ ÚÂÍÒÚ˚ ÔÂÒÂÌ, ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ Ëı Ì‡ Üä-˝Í‡Ì ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
● ëÔÂˆË‡Î¸Ì˚Â Ó·Û˜‡˛˘ËÂ ÙÛÌÍˆËË
èË Ì‡ÎË˜ËË Ì‡ ‰ËÒÍÂÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ ÏÓÊÌÓ ‡ÁÛ˜Ë‚‡Ú¸ ÔÂÒÌË Ò
ÔÓÏÓ˘¸˛ ÔÓ‰ÒÍ‡ÁÓÍ Ì‡ Üä-˝Í‡ÌÂ Ë ËÌ‰ËÍ‡ÚÓÓ‚, ÔÓÍ‡Á˚‚‡˛˘Ëı, ÍÓ„‰‡ Ë Í‡ÍËÂ Ë„‡Ú¸ ÌÓÚ˚.
íÂıÒÚÛÔÂÌ˜‡Ú‡ﬂ ÒËÒÚÂÏ‡ Ó·Û˜ÂÌËﬂ ÔÓÏÓÊÂÚ ·˚ÒÚÓ ‡ÁÛ˜Ë‚‡Ú¸ ÔÂÒÌË (ÒÚ. 105).
● ÑËÌ‡ÏË˜Ì˚È ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ - ˝ÚÓ Û‰Ó‚ÓÎ¸ÒÚ‚ËÂ
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ÔÓÎÛ˜ËÚ¸ ·Ó„‡ÚÓÂ ËÌÒÚÛÏÂÌÚ‡Î¸ÌÓÂ
ÒÓÔÓ‚ÓÊ‰ÂÌËÂ ‚ ‚‡¯Ëı Î˛·ËÏ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı ÒÚËÎﬂı ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓË„˚‚‡ÂÏ˚ÏË ‡ÍÍÓ‰‡ÏË
(ÒÚ. 57). ÖÒÚ¸ ‰‡ÊÂ ·Ó„‡Ú˚È ‚˚·Ó ÒÚËÎÂÈ «Pianist» («èË‡ÌËÒÚ») ‰Îﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ ÍÓÚÓ˚ı ·Û‰ÂÚ
Á‚Û˜‡Ú¸ ÚÓÎ¸ÍÓ ÔË‡ÌËÌÓ (ÒÚ. 58). Ç ‚‡¯ÂÏ ‡ÒÔÓﬂÊÂÌËË 170 ‡ÁÎË˜Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç˚
ÏÓÊÂÚÂ Ú‡ÍÊÂ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÒÚËÎË (ÒÚ. 73).
● Å˚ÒÚ˚È ‰ÓÒÚÛÔ Í ‡ÁÎË˜Ì˚Ï ÏÛÁ˚Í‡Î¸Ì˚Ï ÙÛÌÍˆËﬂÏ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÔÂ‰ÓÒÚ‡‚ÎﬂÂÚ ÌÂÒÍÓÎ¸ÍÓ ÒÔÓÒÓ·Ó‚ ·˚ÒÚÓÈ ÒÏÂÌ˚ Ì‡ÒÚÓÂÍ Ì‡ Ô‡ÌÂÎË.
ç‡ÒÚÓÈÍÛ ÚÂÏ·‡, ˝ÙÙÂÍÚ‡ Ë ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
ÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË One Touch Setting (Ì‡ÒÚÓÈÍ‡ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ) (ÒÚ. 72). åÓÊÌÓ Ú‡ÍÊÂ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡ÁÓÈ ‰‡ÌÌ˚ı Music Database, ‚ÍÎ˛˜‡˛˘ÂÈ 463 Ì‡ÒÚÓÈÍË ÒÚËÎﬂ Ë ÚÂÏ·‡.
Ç˚·Ó ‚ÓÁÏÓÊÂÌ ÔÓ Ì‡Á‚‡ÌËﬂÏ Ë ÔÓ ÒÚËÎﬂÏ (ÒÚ. 67). ë ÔÓÏÓ˘¸˛ Û‰Ó·ÌÓÈ ÙÛÌÍˆËË Registration (Á‡ÔËÒ¸)
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÂ Ì‡ÒÚÓÈÍË, ˜ÚÓ·˚ ·˚ÒÚÓ ‚˚Á˚‚‡Ú¸ Ëı ‚ ·Û‰Û˘ÂÏ (ÒÚ. 89).
● ì‰Ó·Ì˚Â ÙÛÌÍˆËË Á‡ÔËÒË
á‡ÔËÒ˚‚‡Ú¸ ÔÂÒÌË ÏÓÊÌÓ ‡ÁÌ˚ÏË ÒÔÓÒÓ·‡ÏË, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯Â„Ó ÛÏÂÌËﬂ Ë ÊÂÎ‡ÌËﬂ. Ç ‚‡¯ÂÏ
‡ÒÔÓﬂÊÂÌËË ÙÛÌÍˆËË Quick Recording (·˚ÒÚ‡ﬂ Á‡ÔËÒ¸), Track Recording (Á‡ÔËÒ¸ ‰ÓÓÊÂÍ) Ë Chord Sequence Recording (Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚) (ÒÚ. 110).
● ì‰Ó·Ì˚Â ‡Á˙ÂÏ˚ TO HOST ‰Îﬂ ÔﬂÏÓ„Ó ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ÍÓÏÔ¸˛ÚÂy
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Í‡Í Í‡˜ÂÒÚ‚ÂÌÌ˚È ËÒÚÓ˜ÌËÍ Á‚ÛÍ‡ ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÏÛÁ˚Í‡Î¸Ì˚ı Ù‡ÈÎÓ‚ ËÁ èé ÍÓÏÔ¸˛ÚÂ‡. ë Â„Ó ÍÎ‡‚Ë‡ÚÛ˚ ÏÓÊÌÓ Ú‡ÍÊÂ ‚‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â
‰Îﬂ ÒÓÁ‰‡ÌËﬂ ÌÓ‚Ó„Ó ÏÛÁ˚Í‡Î¸ÌÓ„Ó ÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ ÍÓÏÔ¸˛ÚÂÂ (ÒÚ. 160).
ÑÓÔÓÎÌËÚÂÎ¸ÌÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó «The Clavinova-Computer Connection» (èÓ‰ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ) ÔÂ‰Ì‡ÁÌ‡˜ÂÌÓ
‰Îﬂ Ì‡˜ËÌ‡˛˘Ëı ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÈ Ë ÔÓÍ‡Á˚‚‡ÂÚ, ˜ÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò ÔË‡ÌËÌÓ Clavinova (ÓÔËÒ‡Ì˚ Ó·˘ËÂ ÔËÌˆËÔ˚ ·ÂÁ ÔË‚ﬂÁÍË Í ÍÓÌÍÂÚÌ˚Ï
ÏÓ‰ÂÎﬂÏ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚Ë‰Â Ù‡ÈÎ‡ PDF Ì‡ ‡Ì„ÎËÈÒÍÓÏ ﬂÁ˚ÍÂ ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (ÚÓÎ¸ÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
3
ëÔ‡‚Ó˜Ì‡ﬂ ·Ë·ÎËÓÚÂÍ‡ ÍÓÔÓ‡ˆËË (˝ÎÂÍÚÓÌÌ˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ËÌÒÚÛÏÂÌÚ˚):
http://www2.yamaha.co.jp/manual/english/
CVP-202
5
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
é„Î‡‚ÎÂÌËÂ
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓÌ‡ı ÍÎ‡‚Ë‡ÚÛ˚:
ÂÊËÏ Split
ÉãABA 1:
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ
éÔËÒ‡ÌËÂ ÛÍÓ‚Ó‰ÒÚ‚‡
8
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ
9
èÓ‰ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
10
è˛ÔËÚ .................................................................................................................... 10
ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ .............................................................................................. 10
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ËÌÒÚÛÏÂÌÚ‡ .............................................................. 11
CÚÂpÂÓÌ‡Û¯ÌËÍË .................................................................................................... 11
èÓ‰ÍÎ˛˜ÂÌËÂ ‰Û„Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËﬂ ................................................................... 11
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
40
è‡‚‡ﬂ ÔÂ‰‡Î¸ (Right) ............................................................................................ 40
ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) (Center) ................................................................... 40
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ (ÔË„ÎÛ¯ÂÌËÂ Á‚ÛÍ‡) (Left) ............................................................ 40
12
ÉãABA 4:
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
14
êÂ‚Â·Â‡ˆËﬂ Ë ‰Û„ËÂ ˝ÙÙÂÍÚ˚
êÂ‚Â·Â‡ˆËﬂ
16
Ç˚·Ó ÙÛÌÍˆËË ...................................................................................................... 16
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ .............................................................................................. 17
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ ............................................................... 18
ëÏÂÌ‡ ÒÚ‡ÌËˆ Ì‡ ˝Í‡ÌÂ ...................................................................................... 19
ÇÓÁ‚‡Ú Í ÁÌ‡˜ÂÌË˛ ÙÛÌÍˆËË ÔÓ ÛÏÓÎ˜‡ÌË˛ ...................................................... 19
îÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸Ì˚ı ‡ÏÍ‡ı ....................................................................... 20
ÇÓÁ‚‡Ú Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ ................................................................................... 21
îÛÌÍˆËﬂ ÔﬂÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access) ........................................................... 21
êÂ„ÛÎËpÓ‚Í‡ „pÓÏÍÓÒÚË
23
ç‡ÒÚÓÈÍ‡ Ó·˘ÂÈ „ÓÏÍÓÒÚË ................................................................................. 23
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ............................................. 23
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ....................................................................... 23
ç‡ÒÚÓÈÍ‡ ÛÓ‚ÌÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË ................................................. 24
MÂÚÓÌÓÏ
41
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ Â‚Â·Â‡ˆËË ............................................................ 41
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ Â‚Â·Â‡ˆËË ..................................................................... 41
éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ Ì‡ Üä-˝Í‡ÌÂ
36
Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡ ............................................................................................ 36
ëÏÂÌ‡ „Î‡‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Split ............................................................... 36
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡ ......................................................... 37
é‰ÌÓ‚ÂÏÂÌÌÓÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Dual Ë Split ........................................ 39
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Split ........................................................................................... 39
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
ÉãABA 2:
25
ùÙÙÂÍÚ Chorus
44
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚ‡ Chorus ................................................................ 44
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ˝ÙÙÂÍÚÓ‚ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÚÂÏ·‡
46
ÇÍÎ˛˜ÂÌËÂ ˝ÙÙÂÍÚÓ‚ ........................................................................................... 46
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚ ........................................................................... 46
ÉãABA 5:
ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ËÚÏ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
49
Ç˚·Ó ÒÚËÎﬂ ........................................................................................................... 49
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
51
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡ ................................................................................... 25
àÁÏÂÌÂÌËÂ Ì‡ÒÚpÓÂÍ ÏÂÚpÓÌÓÏ‡ .......................................................................... 26
Ç‡¸ËÓ‚‡ÌËÂ ÒÚËÎﬂ .............................................................................................. 51
á‡ÔÛÒÍ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................................................. 52
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................................ 55
êeÊËÏ ÒÔ‡‚ÍË (HELP)
27
à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
29
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .................................................................. 57
á‡ÔÛÒÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................ 58
Ç˚ÍÎ˛˜ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ...................................................................... 58
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ......................................................... 59
êÂ„ÛÎËÓ‚Í‡ ÛÓ‚ÌÂÈ ÓÚ‰ÂÎ¸Ì˚ı ÏÛÁ˚Í‡Î¸Ì˚ı Ô‡ÚËÈ ..................................... 65
ÉãABA 3:
íÂÏ·˚
Ç˚·Ó ÚÂÏ·Ó‚
Ç˚·Ó ÚÂÏ·‡ Ì‡ ˝Í‡ÌÂ VOICE SELECT ............................................................ 29
Ç˚·Ó ÚÂÏ·Ó‚ Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ ...................................................................... 30
à„‡ ÚÂÏ·‡ÏË Û‰‡Ì˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ (ÙÛÌÍˆËﬂ Keyboard Percussion) ........... 31
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ................................................... 31
à„p‡ ‰‚ÛÏﬂ ÚÂÏ·p‡ÏË Ó‰ÌÓ‚pÂÏÂÌÌÓ: pÂÊËÏ Dual
33
Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡ .......................................................................................... 33
ëÏÂÌ‡ ocÌo‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Dual Mode .................................................. 33
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ‚ÚÓÓ„Ó ÚÂÏ·‡ ....................................................... 34
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Dual .......................................................................................... 35
ÑÛ„ËÂ ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
57
67
åÛÁ˚Í‡Î¸Ì‡ﬂ ·‡Á‡ ‰‡ÌÌ˚ı (Music Database) ....................................................... 67
îÛÌÍˆËﬂ „‡ÏÓÌËÁ‡ˆËË (Harmony) ........................................................................ 69
ç‡ÒÚÓÈÍ‡ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ (ÙÛÌÍˆËﬂ One Touch Setting) ................................... 72
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
73
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ .................................................................................. 73
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÙÛÌÍˆËË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ .................................................. 80
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ............................................................... 84
ëÓÓ·˘ÂÌËﬂ ‚ ÂÊËÏÂ Custom Style (ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËÎ¸) ................................. 84
4
6
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
CVP-202
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ
86
é ÙÓÏ‡ÚÂ Ù‡ÈÎÓ‚ ÒÚËÎﬂ ÍÓÔÓ‡ˆËË Yamaha .................................................. 86
á‡„ÛÁÍ‡ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ˚ ................................................................................... 86
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡„ÛÊÂÌÌ˚ı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ ................................................ 88
ÉãABA 6:
á‡ÔËÒ¸
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚
(êÂ„ËÒÚ‡ˆËﬂ Ë ‚˚ÁÓ‚ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË)
89
ëÓı‡ÌÂÌËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ............................................................................. 89
Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË .................................................... 90
á‡˘ËÚ‡ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË ...................................................................................... 91
ÉãABA 7:
á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË ........................................................................................ 93
éÚÍÎ˛˜ÂÌËÂ Ô‡ÚËÈ ............................................................................................... 97
ç‡ÁÌ‡˜ÂÌËÂ ‰ÓÓÊÂÍ Ô‡ÚËﬂÏ 1/RIGHT Ë 2/LEFT. Ç˚·Ó ÚÂÏ·‡ ................................... 98
ìÔ‡‚ÎÂÌËÂ Ó·˘ÂÈ „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË .................................. 99
êÂ„ÛÎËÓ‚Í‡ Ì‡ÒÚÓÂÍ ‰ÓÓÊÂÍ ......................................................................... 100
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ Ì‡ ˝Í‡ÌÂ MIXER .............................................................. 100
îÛÌÍˆËË ÔÓ‚ÚÓ‡ ................................................................................................. 101
BÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÔÂÒÌË .................................................................................... 103
ÑÛ„ËÂ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ........................................... 104
105
åÂÚÓ‰˚ Ó·Û˜ÂÌËﬂ Ë ‚˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll) ........................................ 105
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ó·Û˜‡˛˘ÂÈ ÙÛÌÍˆËË Guide ...................................................... 106
ÑÛ„ËÂ Ó·Û˜‡˛˘ËÂ ÙÛÌÍˆËË ............................................................................... 108
á‡ÔËÒ¸ ÔÂÒÂÌ
138
ùÍ‡Ì FUNCTION [PEDAL] — ÒÚ. 3 ................................................................... 138
ÑËÒÍÂÚ‡
139
ùÍ‡Ì FUNCTION [DISK 1] — ÒÚ. 4
ùÍ‡Ì FUNCTION [DISK 2] — ÒÚ. 5
ùÍ‡Ì FUNCTION [DISK 3] — ÒÚ. 6
ùÍ‡Ì FUNCTION [DISK 4] — ÒÚ. 7
ùÍ‡Ì FUNCTION [DISK 5] — ÒÚ. 8
................................................................... 139
................................................................... 142
................................................................... 144
................................................................... 145
................................................................... 146
MIDI
147
ùÍ‡Ì FUNCTION [MIDI 1] — ÒÚ. 9 .................................................................... 147
ùÍ‡Ì FUNCTION [MIDI 2] — ÒÚ. 10 .................................................................. 148
ùÍ‡Ì FUNCTION [MIDI 3] — ÒÚ. 11 .................................................................. 149
ùÍ‡Ì FUNCTION [MIDI 4] — ÒÚ. 12 .................................................................. 150
Backup
93
ìÔ‡‚ÎÂÌËÂ Ó·Û˜ÂÌËÂÏ (ÙÛÌÍˆËﬂ Guide)
èÂ‰‡Î¸
110
152
ùÍ‡Ì FUNCTION [BACKUP 1] — ÒÚ. 13 ........................................................... 152
ùÍ‡Ì FUNCTION [BACKUP 2] — ÒÚ. 14 ........................................................... 153
Utility
154
ùÍ‡Ì FUNCTION [MICRO TUNING] — ÒÚ. 15 .................................................. 154
ùÍ‡Ì FUNCTION [SCALE TUNING] — ÒÚ. 16 .................................................. 155
ÉãABA 9:
èÓ‰ÍÎ˛˜ÂÌËÂ
èÓ‰ÍÎ˛˜ÂÌËÂ ‡Û‰ËÓÛÒÚÓÈÒÚ‚
158
ç‡Û¯ÌËÍË .............................................................................................................. 158
ÄÛ‰ËÓ ‚ıÓ‰ Ë ‚˚ıÓ‰ ............................................................................................. 158
èÓ‰ÍÎ˛˜ÂÌËÂ Í ‡ÁÎË˜Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï
160
èÓ‰ÒÓÂ‰ËÌÂÌËÂ MIDI-ÛÒÚÓÈÒÚ‚ .......................................................................... 160
èÓ‰ÍÎ˛˜ÂÌËÂ Í „Î‡‚ÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ .............................................................. 160
è‡‡ÏÂÚ˚ Á‡ÔËÒË: îÓÏ‡Ú ‰ËÒÍÂÚ ................................................................... 111
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ .................................................................................................... 112
á‡ÔËÒ¸ ‰ÓÓÊÂÍ (MÌÓ„Ó‰ÓÓÊÂ˜Ì‡ﬂ Á‡ÔËÒ¸) .................................................... 115
ÑÓ·‡‚ÎÂÌËÂ ÌÓ‚˚ı ‰ÓÓÊÂÍ ............................................................................... 118
á‡ÔËÒ¸ Punch-in/out .............................................................................................. 118
ëÔËÒÍË ˝ÙÙÂÍÚÓ‚
163
ÄÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
ëÓÓ·˘ÂÌËﬂ
165
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ
170
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı
172
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
173
121
ÑÛ„ËÂ ÙÛÌÍˆËË Chord Sequence ....................................................................... 124
ÑÛ„ËÂ ÙÛÌÍˆËË Record Edit
126
Setup Memory ........................................................................................................ 126
Song Name ............................................................................................................ 127
Track Edit ............................................................................................................... 128
Initial Edit (àÁÏÂÌÂÌËÂ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı) .......................................................... 130
ç‡ÒÚÓÈÍË Ì‡ ˝Í‡ÌÂ INITIAL EDIT ..................................................................... 131
á‡ÔËÒ¸ ·ÂÁ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‰ËÒÍÂÚ˚
èËÎÓÊÂÌËÂ
133
é CVP MEMORY Song ......................................................................................... 133
ÉãABA 8:
îÛÌÍˆËË Utility
äÎ‡‚Ë‡ÚÛ‡
136
5
ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 1 ........................................................ 136
ùÍ‡Ì FUNCTION [KEYBOARD 2] — ÒÚ. 2 ........................................................ 137
CVP-202
7
ÉÎ‡‚‡ 1: èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚe
éÔËÒ‡ÌËÂ ÛÍÓ‚Ó‰ÒÚ‚‡
○○○○○○○○○○○○○○○○○○○○○
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ Ó·˙ﬂÒÌﬂ˛ÚÒﬂ ÚÂÏËÌ˚ Ë Ó·ÓÁÌ‡˜ÂÌËﬂ, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‚
ÛÍÓ‚Ó‰ÒÚ‚Â.
■ ä‚‡‰‡ÚÌ˚Â ÒÍÓ·ÍË [ ] ...............................................................................................................
Ç Í‚‡‰‡ÚÌ˚ı ÒÍÓ·Í‡ı ÛÍ‡Á˚‚‡˛ÚÒﬂ Ì‡Á‚‡ÌËﬂ ÍÌÓÔÓÍ,
ÔÓÎÁÛÌÍÓ‚ Ë ‡Á˙ÂÏÓ‚ Ì‡ Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova. ç‡ÔËÏÂ, ÍÌÓÔÍ‡ DEMO Ó·ÓÁÌ‡˜‡ÂÚÒﬂ ‚ ˝ÚÓÏ
ÛÍÓ‚Ó‰ÒÚ‚Â Í‡Í [DEMO].
DEMO
HELP
■ ÜËÌ˚È ¯ËÙÚ .................................................................................................................................
ÜËÌ˚Ï ¯ËÙÚÓÏ Ó·ÓÁÌ‡˜‡˛ÚÒﬂ ÚÂÏËÌ˚, ÔÓﬂ‚Îﬂ˛˘ËÂÒﬂ Ì‡ Üä-˝Í‡ÌÂ,
‡ Ú‡ÍÊÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Üä-ÍÌÓÔÍË (Ú.Â. ÍÌÓÔÍË ÔﬂÏÓ ÔÓ‰ ˝ÚËÏË
˝ÎÂÏÂÌÚ‡ÏË, ÒÎÂ‚‡ ËÎË ÒÔ‡‚‡ ÓÚ ÌËı). ç‡ÔËÏÂ, Ù‡Á‡ «Select RIGHT1
VOICE» (‚˚·ÂËÚÂ RIGHT1 VOICE) ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
ÔÓ‰ Ì‡‰ÔËÒ¸˛ «RIGHT1 VOICE» ‚ÌËÁÛ ˝Í‡Ì‡.
■ ëÚÂÎÍË ‚ Ó·˙ﬂÒÌÂÌËﬂı ÓÔÂ‡ˆËÈ .............................................................................
óÚÓ·˚ ÓÚÎË˜‡Ú¸ ˝Ú‡Ô˚ ÓÔÂ‡ˆËË ÓÚ ÂÁÛÎ¸Ú‡Ú‡, ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‡ÁÌ˚Â
ÒÚÂÎÍË.
ùÚ‡Ô˚ ÓÔÂ‡ˆËË
♥➾♣
…ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ‚˚ ‰ÓÎÊÌ˚ ÒÌ‡˜‡Î‡ ‚˚ÔÓÎÌËÚ¸ ♥, ‡ Á‡ÚÂÏ ♣.
Operation results
♥➔♠
6
8
…ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ÂÁÛÎ¸Ú‡ÚÓÏ ‚˚ÔÓÎÌÂÌËﬂ ♥ ﬂ‚ÎﬂÂÚÒﬂ ♠.
CVP-202
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡
Ë ‰ËÒÍÂÚ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● åÂ˚ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË
ÅeeÊÌÓ Ó·‡˘‡ÈÚÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓÎÌﬂÈÚÂ ‚ÒÂ
ÛÍ‡Á‡ÌÌ˚Â Ô‡‚ËÎ‡.
● ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ
åÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5 ‰˛ÈÏ‡ 2DD Ë 2HD.
■ ÇÒÚ‡‚Í‡ Ë ËÁ‚ÎÂ˜ÂÌËÂ ‰ËÒÍÂÚ ...................................
ÇÒÚ‡‚Í‡ ‰ËÒÍÂÚ ‚ ‰ËÒÍÓ‚Ó‰
ÑÂÊËÚÂ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı Ë ¯ÚÓÍÓÈ ‚ÔÂÂ‰ ‚
ÒÚÓÓÌÛ ˘ÂÎË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ˘ÂÎ¸ Ë
Ïﬂ„ÍÓ ÚÓÎÍ‡ÈÚÂ ‚ÔÂÂ‰, ÔÓÍ‡ ÌÂ ÛÒÎ˚¯ËÚÂ ˘ÂÎ˜ÓÍ Ë ÌÂ ‚˚ÒÍÓ˜ËÚ
ÍÌÓÔÍ‡ ‰ËÒÍÓ‚Ó‰‡.
DISK IN USE
■ óËÒÚÍ‡ „ÓÎÓ‚ÍË ˜ÚÂÌËﬂ/Á‡ÔËÒË...................
● ÉÓÎÓ‚ÍÛ ‰ËÒÍÓ‚Ó‰‡ ÌÂÓ·ıÓ‰ËÏÓ Â„ÛÎﬂÌÓ ˜ËÒÚËÚ¸.
àÌÒÚÛÏÂÌÚ ÓÒÌ‡˘ÂÌ ‚˚ÒÓÍÓÚÓ˜ÌÓÈ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ, Ì‡
ÍÓÚÓÓÈ ÔÓÒÎÂ ‰ÎËÚÂÎ¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ó·‡ÁÛÂÚÒﬂ ÒÎÓÈ
Ï‡„ÌËÚÌ˚ı ˜‡ÒÚËˆ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.
● ÑÎﬂ ÓÔÚËÏ‡Î¸ÌÓÈ ‡·ÓÚ˚ ‰ËÒÍÓ‚Ó‰‡ ÍÓÔÓ‡ˆËﬂ Yamaha
ÂÍÓÏÂÌ‰ÛÂÚ ‡Á ‚ ÏÂÒﬂˆ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ÒÔÂˆË‡Î¸ÌÓÈ
‰ËÒÍÂÚÓÈ ‰Îﬂ ÒÛıÓÈ ˜ËÒÚÍË „ÓÎÓ‚ÓÍ, ÍÓÚÓÛ˛ ÏÓÊÌÓ
ÔËÓ·ÂÒÚË ‚ Ï‡„‡ÁËÌÂ. Ç˚ﬂÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡ÊÂ Ú‡ÍËÂ
‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó ÔÂ‰ÒÚ‡‚ËÚÂÎﬂ ÍÓÔÓ‡ˆËË
Yamaha.
● çËÍÓ„‰‡ ÌÂ ÓÚÍ˚‚‡ÈÚÂ Ë ÌÂ Á‡Í˚‚‡ÈÚÂ Í˚¯ÍÛ
ÍÎ‡‚Ë‡ÚÛ˚, ÂÒÎË ‰ËÒÍ ˜‡ÒÚË˜ÌÓ ‚˚ÌÛÚ ËÁ ‰ËÒÍÓ‚Ó‰‡.
ä˚¯Í‡ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸ ‰ËÒÍÂÚÛ Ë ‰‡ÊÂ ‰ËÒÍÓ‚Ó‰.
● çËÍÓ„‰‡ ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ÌË˜Â„Ó, ÍÓÏÂ ‰ËÒÍÂÚ.
èÓÒÚÓÓÌÌËÂ ÔÂ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚Â‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË
‰ËÒÍÂÚÛ.
■ ë‚Â‰ÂÌËﬂ Ó ‰ËÒÍÂÚ‡ı ............................................................
àÁ‚ÎÂ˜ÂÌËÂ ‰ËÒÍÂÚ˚
èÂÊ‰Â ˜ÂÏ ‚˚ÌËÏ‡Ú¸ ‰ËÒÍÂÚÛ, Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ
‰ËÒÍÓ‚Ó‰ ÌÂ ‡·ÓÚ‡ÂÚ (ËÌ‰ËÍ‡ÚÓ [DISK IN USE] Ìe „ÓËÚ).
åﬂ„ÍÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ‰ËÒÍÓ‚Ó‰‡ ‰Ó ÛÔÓ‡, Ë ‰ËÒÍÂÚ‡ ‚˚ÒÍÓ˜ËÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË. äÓ„‰‡ ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ÓÒ‚Ó·Ó‰ËÚÒﬂ,
ÓÒÚÓÓÊÌÓ ‚˚Ì¸ÚÂ ÂÂ.
àÌ‰ËÍ‡ÚÓ «Ñàëä àëèéãúáìÖíëü»
(Disk In Use)
DISK IN USE
èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË ÒÓ·Î˛‰‡ÈÚÂ ÒÎÂ‰Û˛˘ËÂ
Ô‡‚ËÎ‡ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË:
● çÂ ÒÚ‡‚¸ÚÂ ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚ Ì‡ ‰ËÒÍÂÚ˚, ÌÂ Ò„Ë·‡ÈÚÂ Ëı Ë
ÌÂ ÔËÏÂÌﬂÈÚÂ ÒËÎÛ. äÓ„‰‡ ‰ËÒÍÂÚ˚ ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ,
ı‡ÌËÚÂ Ëı ‚ ÍÓÓ·Í‡ı.
● çÂ ÔÓ‰‚Â„‡ÈÚÂ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ ÔﬂÏÓ„Ó ÒÓÎÌÂ˜ÌÓ„Ó
Ò‚ÂÚ‡, ‚˚ÒÓÍËı ËÎË ÌËÁÍËı ÚÂÏÔÂ‡ÚÛ Ë ËÁ·˚ÚÓ˜ÌÓÈ
‚Î‡ÊÌÓÒÚË. àÁ·Â„‡ÈÚÂ ÔÓÔ‡‰‡ÌËﬂ Ì‡ ÌËı Ô˚ÎË Ë ÊË‰ÍÓÒÚË.
● çÂ ÓÚÍ˚‚‡ÈÚÂ ¯ÚÓÍÛ Ë ÌÂ ÔËÍ‡Ò‡ÈÚÂÒ¸ Í ‚ÌÛÚÂÌÌÂÈ
ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚.
● çÂ ÓÒÚ‡‚ÎﬂÈÚÂ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ
ÔÓ‰‚Â„ÌÛÚ¸Òﬂ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ Ï‡„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂÎÂ‚ËÁÓÓ‚,
‰ËÌ‡ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚.
å‡„ÌËÚÌ˚Â ÔÓÎﬂ ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚË˜ÌÛ˛ ËÎË ÔÓÎÌÛ˛
ÔÓÚÂ˛ ‰‡ÌÌ˚ı Ë Ò‰ÂÎ‡Ú¸ ‰ËÒÍÂÚÛ ÌÂÔË„Ó‰ÌÓÈ ‰Îﬂ
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
● çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ
¯ÚÓÍÓÈ ËÎË ‚ÌÂ¯ÌËÏ ÔÓÍ˚ÚËÂÏ.
● çÂ Ì‡ÍÎÂË‚‡ÈÚÂ Ì‡ ‰ËÒÍÂÚÛ ÌË˜Â„Ó, ÍÓÏÂ ÒÔÂˆË‡Î¸Ì˚ı
Ì‡ÍÎÂÂÍ. èËÍÂÔÎﬂÈÚÂ Ì‡ÍÎÂÈÍË ‚ ÒÔÂˆË‡Î¸ÌÓ
ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÓÏ ‰Îﬂ ˝ÚÓ„Ó ÏÂÒÚÂ.
á‡˘ËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ÂÎÍ‡ ‰Îﬂ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË):
óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚË‡ÌËﬂ,
ÔÂÂÏÂÒÚËÚÂ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌËÂ Á‡˘ËÚ˚ (˜ÚÓ·˚ ÓÚ‚ÂÒÚËÂ ·˚ÎÓ
ÓÚÍ˚ÚÓ).
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
ÑÎﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı
ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË
Ì‡Ë·ÓÎÂÂ ‚‡ÊÌ˚ı ‰‡ÌÌ˚ı Ì‡ ‰‚Ûı ‰ËÒÍÂÚ‡ı. èË
ÔÓÚÂÂ ËÎË ÔÓ‚ÂÊ‰ÂÌËË Ó‰ÌÓÈ ËÁ ‰ËÒÍÂÚ Û ‚‡Ò
·Û‰ÂÚ Â˘Â Ó‰Ì‡ ÍÓÔËﬂ. ÑÎﬂ ÒÓÁ‰‡ÌËﬂ ÂÁÂ‚ÌÓÈ
‰ËÒÍÂÚ˚ ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ Disk Copy
(ÒÚ. 142).
7
çËÍÓ„‰‡ ÌÂ ‚˚ÌËÏ‡ÈÚÂ ‰ËÒÍÂÚÛ Ë ÌÂ ÓÚÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ‚Ó
‚ÂÏﬂ Á‡ÔËÒË, ˜ÚÂÌËﬂ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‚ÂÊ‰ÂÌË˛ ‰ËÒÍÂÚ˚, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰‡.
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ÒÎË¯ÍÓÏ ·˚ÒÚÓ
ËÎË ÌÂ ‰Ó ÍÓÌˆ‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË ÌÂÔ‡‚ËÎ¸ÌÓ. äÌÓÔÍ‡
‰ËÒÍÓ‚Ó‰‡ ÏÓÊÂÚ Á‡ÒÚﬂÚ¸ Ì‡ ÔÓÎÔÛÚË, ‡ ‰ËÒÍÂÚ‡ ‚˚È‰ÂÚ ËÁ
‰ËÒÍÓ‚Ó‰‡ ÚÓÎ¸ÍÓ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÏËÎÎËÏÂÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂ
Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ. èËÏÂÌÂÌËÂ ÒËÎ˚ ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰ËÒÍÓ‚Ó‰‡ ËÎË Ò‡ÏÓÈ ‰ËÒÍÂÚ˚. óÚÓ·˚ ‚˚Ú‡˘ËÚ¸
‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ Â˘Â ‡Á ËÎË ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ
Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚÂ ÔÓˆÂ‰ÛÛ.
èÂÊ‰Â ˜ÂÏ ÓÚÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ, Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚
‰ËÒÍÓ‚Ó‰Â ÌÂ ÓÒÚ‡ÎÓÒ¸ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ Ì‡ıÓ‰ËÚÒﬂ ‚
‰ËÒÍÓ‚Ó‰Â ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, ÓÌ‡ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òﬂ Ô˚Î¸˛ Ë
„ﬂÁ¸˛, ‡ ˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.
CVP-202
9
èÓ‰ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova
○○○○○○○○○○○○○○○○○○
è˛ÔËÚ
■ ä‡Í ÔÓ‰ÌﬂÚ¸ Ô˛ÔËÚ: ..................................................................................................................
Z ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ Ì‡ÒÍÓÎ¸ÍÓ ‚ÓÁÏÓÊÌÓ.
X éÔÛÒÚËÚÂ ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë ÒÎÂ‚‡ Ì‡ Á‡‰ÌÂÈ ÒÚÂÌÍÂ
Ô˛ÔËÚ‡.
C ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡Á‡‰ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔË‡ÎÒﬂ Ì‡ ÙËÍÒ‡ÚÓ˚.
■ ä‡Í ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ: ................................................................................................................
Z ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ, Ì‡ÒÍÓÎ¸ÍÓ ‚ÓÁÏÓÊÌÓ.
X èÓ‰ÌËÏËÚÂ ‰‚‡ ÏÂÚ‡ÎÎË˜ÂÒÍËı ÙËÍÒ‡ÚÓ‡ Ú‡Í, ˜ÚÓ·˚ ÓÌË ÔÎÓÚÌÓ
ÔËÎÂ„‡ÎË Í Á‡‰ÌÂÈ ÒÚÓÓÌÂ Ô˛ÔËÚ‡.
C éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌﬂÈÚÂ Ô˛ÔËÚ Ì‡Á‡‰, ÔÓÍ‡ ÓÌ ÔÓÎÌÓÒÚ¸˛ ÌÂ ÎﬂÊÂÚ Ì‡
ÏÂÒÚÓ.
ÇçàåÄçàÖ!
• çÂ ËÒÔÓÎ¸ÁÛÈÚÂ Ô˛ÔËÚ+, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌﬂÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒÍ‡ﬂ Ô˛ÔËÚ+, ÌÂ ‚˚ÔÛÒÍ‡ÈÚÂ Â„Ó ËÁ +ÛÍ,
ÔÓÍ‡ ÓÌ ÔÓÎÌÓÒÚ¸˛ ÌÂ ÎﬂÊÂÚ Ì‡ ÏÂÒÚÓ.
ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚
■ ä‡Í ÓÚÍ˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚: ............................................................................
Z çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚÂ Í˚¯ÍÛ (ÌÂ ÒÎË¯ÍÓÏ ÒËÎ¸ÌÓ).
X éÚÍÓÈÚÂ Í˚¯ÍÛ ÒÍÓÎ¸Áﬂ˘ËÏ ‰‚ËÊÂÌËÂÏ.
éÚÍ˚‚‡ﬂ Ë Á‡Í˚‚‡ﬂ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚
·Û‰¸ÚÂ ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ ÌÂ ÔË˘ÂÏËÚ¸ Ô‡Î¸ˆ˚.
■ ä‡Í Á‡Í˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚: .............................................................................
Z ëÍÓÎ¸Áﬂ˘ËÏ ‰‚ËÊÂÌËÂÏ ÔÓÚﬂÌËÚÂ Í˚¯ÍÛ Ì‡ ÒÂ·ﬂ.
X åﬂ„ÍÓ Á‡ÍÓÈÚÂ ÍÎ‡‚Ë‡ÚÛÛ Í˚¯ÍÓÈ.
ÇçàåÄçàÖ!
• ÑÂ+ÊËÚÂ Í+˚¯ÍÛ Ó·ÂËÏË +ÛÍ‡ÏË Ë ÌÂ ÓÚÔÛÒÍ‡ÈÚÂ, ÔÓÍ‡ ÓÌ‡ ÔÓÎÌÓÒÚ¸˛ ÌÂ ÓÚÍ+ÓÂÚÒﬂ ËÎË ÌÂ
Á‡Í+ÓÂÚÒﬂ. ÅÛ‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚, ˜ÚÓ·˚ ÌÂ Á‡˘ÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊËÂ Ô‡Î¸ˆ˚ ÏÂÊ‰Û Í+˚¯ÍÓÈ Ë
ÍÓ+ÔÛÒÓÏ.
• çÂ ÍÎ‡‰ËÚÂ Ì‡ Í+˚¯ÍÛ ÔÓÒÚÓ+ÓÌÌËÂ Ô+Â‰ÏÂÚ˚. äÓ„‰‡ Í+˚¯Í‡ ÓÚÍ+˚‚‡ÂÚÒﬂ, ÏÂÎÍËÂ Ô+Â‰ÏÂÚ˚
ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ+¸ ÍÓ+ÔÛÒ‡ ÔË‡ÌËÌÓ, Ë ËÁ‚ÎÂ˜¸ Ëı ·Û‰ÂÚ Ô+‡ÍÚË˜ÂÒÍË ÌÂ‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ
Ô+Ë‚ÂÒÚË Í ÔÓ+‡ÊÂÌË˛ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓ+ÓÚÍÓÏÛ Á‡Ï˚Í‡ÌË˛, ÔÓÊ‡+Û Ë ‰+Û„ËÏ ÒÂ+¸ÂÁÌ˚Ï
ÔÓ‚+ÂÊ‰ÂÌËﬂÏ ËÌÒÚ+ÛÏÂÌÚ‡.
8
10
CVP-202
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰ÍÎ˛˜ÂÌËÂ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ËÌÒÚÛÏÂÌÚ‡
Z èÓ‰ÍÎ˛˜ËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ.
ÇÒÚ‡‚¸ÚÂ Ó‰ËÌ ÍÓÌÂˆ Í‡·ÂÎﬂ ‚ ‡Á˙ÂÏ AC INLET Ì‡ ÌËÊÌÂÈ Ô‡ÌÂÎË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, a ‰Û„ÓÈ ‚ Ó·˚˜ÌÛ˛ ÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ
‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
X ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER].
ç‡ Üä-‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ „Î‡‚Ì˚È ˝Í‡Ì. (èÓ ÛÏÓÎ˜‡ÌË˛ ‚˚·Ë‡˛ÚÒﬂ
ÚÂÏ· GrandPiano 1 Ë ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 60'sGtrPop.)
àÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡ ÔÓ‰ ÎÂ‚˚Ï ÍÓÌˆÓÏ ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ Á‡„Ó‡ÂÚÒﬂ.
POWER
C éÚÂ„ÛÎËÛÈÚÂ Üä-˝Í‡Ì.
ÖÒÎË ËÁÓ·‡ÊÂÌËÂ Ì‡ ˝Í‡ÌÂ ÌÂ˜ÂÚÍÓÂ, Ì‡ÒÚÓÈÚÂ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ Ò
ÔÓÏÓ˘¸˛ Â„ÛÎﬂÚÓ‡ [LCD CONTRAST] ÒÎÂ‚‡ ÓÚ ˝Í‡Ì‡.
CONTRAST
VOLUME
MASTER
VOLUME
V éÚÂ„ÛÎËÛÈÚÂ „ÓÏÍÓÒÚ¸.
ÑÎﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚÂ ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
ACMP/SONG
VOLUME
MAX
MAX
MIN
● äÓ„‰‡ ‚˚ „ÓÚÓ‚˚ Í ‚˚ÍÎ˛˜ÂÌË˛ ÔËÚ‡ÌËﬂ, Ì‡ÊÏËÚÂ Â˘Â ‡Á ÍÌÓÔÍÛ
[POWER]. Üä-˝Í‡Ì Ë ËÌ‰ËÍ‡ÚÓ ÔËÚ‡ÌËﬂ (ÒÎÂ‚‡ ÔÓ‰ ÍÎ‡‚Ë‡ÚÛÓÈ)
ÔÓ„‡ÒÌÛÚ.
MIN
CÚÂÂÓÌ‡Û¯ÌËÍË
PHONES
ëÚ‡Ì‰‡ÚÌ˚Â ‡Á˙ÂÏ˚
‰Îﬂ ÒÚÂÂÓÌ‡Û¯ÌËÍÓ‚
èÓ‰ÍÎ˛˜ËÚÂ (‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â) ÒÚÂÂÓÌ‡Û¯ÌËÍË Í ‡Á˙ÂÏÛ [PHONES].
èË ÔÓ‰ÍÎ˛˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ ‚ÌÛÚÂÌÌËÂ ‰ËÌ‡ÏËÍË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÓÚÍÎ˛˜‡˛ÚÒﬂ. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÏÂÂÚ ‰‚‡ ‡Á˙ÂÏ‡ PHONES,
Ú.Â. Ó‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜‡Ú¸ ‰‚Â Ô‡˚ Ì‡Û¯ÌËÍÓ‚. èÓ˝ÚÓÏÛ
ÒÎÛ¯‡Ú¸ Ë„Û Ì‡ ÔË‡ÌËÌÓ ÏÓ„ÛÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚‡ ˜ÂÎÓ‚ÂÍ‡.
■ ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚: .........................................................................................................
PH
O
NE
S
ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔË‡ÌËÌÓ CVP-202 Ë
ÔÓÁ‚ÓÎﬂÂÚ ‚Â¯‡Ú¸ Ì‡Û¯ÌËÍË Ì‡ ÍÓÔÛÒ. èËÍÂÔËÚÂ Í˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚
Í ÍÓÔÛÒÛ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 x 10 ÏÏ), Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
ÇçàåÄçàÖ!
• çÂ ‚Â¯‡ÈÚÂ Ì‡ ˝ÚÓÚ Í+˛˜ÓÍ ÌË˜Â„Ó, Í+ÓÏÂ Ì‡Û¯ÌËÍÓ‚. àÌ‡˜Â ÏÓÊÌÓ ÔÓ‚+Â‰ËÚ¸ ÔË‡ÌËÌÓ
ËÎË Í+˛˜ÓÍ.
èÓ‰ÍÎ˛˜ÂÌËÂ ‰Û„Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËﬂ
MIDI
IN
AUX IN
R
OUT
THRU
AUX OUT
L/L+R
R
L/L+R
PEDAL
HOST SELECT
PC-1
Mac
TO HOST
9
PC-2
MIDI
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÒÌ‡·ÊÂÌÓ ﬂ‰ÓÏ ‡Á˙ÂÏÓ‚, ÍÓÚÓ˚Â
ÔÓÁ‚ÓÎﬂ˛Ú ÔÓ‰ÍÎ˛˜‡Ú¸ Â„Ó Í ‰Û„ÓÏÛ ‡Û‰ËÓ- ËÎË MIDI-Ó·ÓÛ‰Ó‚‡ÌË˛. ùÚË
‡Á˙ÂÏ˚ ‡ÒÔÓÎÓÊÂÌ˚ ÒÎÂ‚‡ Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡.
óÂÂÁ ‡Á˙ÂÏ˚ AUX IN ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜‡Ú¸ ‰Û„ËÂ ËÌÒÚÛÏÂÌÚ˚ Í
ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova, Ë ÚÓ„‰‡ ‚ ‰ËÌ‡ÏËÍ‡ı ÔË‡ÌËÌÓ Clavinova
·Û‰ÂÚ Á‚Û˜‡Ú¸ ÏÛÁ˚Í‡ Ò ˝ÚËı ËÌÒÚÛÏÂÌÚÓ‚. åÓÊÌÓ Ú‡ÍÊÂ ‚˚‚ÂÒÚË Á‚ÛÍ Ò
ÔË‡ÌËÌÓ Clavinova Ì‡ ‚ÌÂ¯ÌËÂ ‰ËÌ‡ÏËÍË ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX OUT. ÖÒÎË ‚˚
ıÓÚËÚÂ ÛÔ‡‚ÎﬂÚ¸ ‰Û„ËÏ MIDI-ËÌÒÚÛÏÂÌÚÓÏ c ÔË‡ÌËÌÓ Clavinova (ËÎË,
Ì‡Ó·ÓÓÚ, Á‚Û˜‡ÌËÂÏ ÔË‡ÌËÌÓ Clavinova Ò ‰Û„Ó„Ó MIDI-ËÌÒÚÛÏÂÌÚ‡),
ËÒÔÓÎ¸ÁÛÈÚÂ ‡Á˙ÂÏ˚ MIDI. ÑÎﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÔË‡ÌËÌÓ Clavinova Í
ÔÂÒÓÌ‡Î¸ÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ ËÏÂÂÚÒﬂ ‡Á˙ÂÏ TO HOST.
èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÎË ÓÚÍÎ˛˜‡Ú¸ ‰Û„ÓÂ Ó·ÓÛ‰Ó‚‡ÌËÂ,
‚˚ÍÎ˛˜ËÚÂ ËÌÒÚÛÏÂÌÚ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ËÌÒÚÛÍˆËË ÒÏ. ‚ „Î‡‚Â 9 ˝ÚÓ„Ó
ÛÍÓ‚Ó‰ÒÚ‚‡.
CVP-202
11
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
AUX IN
R
L
AUX OUT
L/L+R
L/L+R
R
x
MIDI
IN
OUT
THRU
PEDAL
HOST SELECT
PC-2
MIDI
J
K
1 2
MAX
z
7
STYLE
POP
BALLADS
DANCE
SWING &
JAZZ
R&B
PIANIST
MIN
&
*
MUSIC
DATABASE
w
4
COUNTRY
HELP
LATIN
MARCH &
WORLD
METRONOME
WALTZ
BALLROOM
DISK
9
HARMONY
6
CUSTOM
ACMP ON
INTRO
CANCEL
A-1 B-1 C0 D0 E0 F0 G0 A0 B0
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
0 ! @ # $ % ^
RESET
8
r
START /STOP
TAP
SYNCHRO
START/STOP
( ) q
y
CONTRAST
TEMPO
BEAT
AUTO ACCOMPANIMENT
MIN
TO HOST
PC-1
Mac
5
POP &
ROCK
DEMO
ACMP/SONG
VOLUME
MAX
:
3
VOLUME
MASTER
VOLUME
○○○○○○○○○○○○
FUNCTION
MIXER
PAGE
u
e
t
DIRECT ACCESS
i
o
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3
PHONES
H
* TEMPO [–], [+] ........................................................ ÒÚ. 25
á‡ÔÛÒÍ/ÓÒÚ‡ÌÓ‚Í‡
1 [MASTER VOLUME]............................................... ÒÚ. 23
2 [ACMP/SONG VOLUME ] ...................................... ÒÚ. 23
( [TAP] ....................................................................... ÒÚ. 53
) [SYNCHRO] ............................................................ ÒÚ. 53
q [START/STOP] .................................................ÒÚ. 52, 55
ëÔÂˆË‡Î¸Ì˚Â ÂÊËÏ˚
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ Ì‡ ˝Í‡ÌÂ
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË
3 [DEMO] .................................................................... ÒÚ.14
4 [HELP] ..................................................................... ÒÚ. 27
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
5 äÌÓÔÍË STYLE ....................................................... ÒÚ. 49
6 [DISK/CUSTOM] ..................................................... ÒÚ. 73
7 [MUSIC DATABASE] .............................................. ÒÚ. 67
8 [HARMONY] ............................................................ ÒÚ. 69
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
9 [ACMP ON] ............................................................. ÒÚ. 57
0 [INTRO] ................................................................... ÒÚ. 54
! [MAIN A] .................................................................. ÒÚ. 51
@ [MAIN B] .................................................................. ÒÚ. 51
# [MAIN C].................................................................. ÒÚ. 51
$ [MAIN D].................................................................. ÒÚ. 51
% [ENDING] ................................................................ ÒÚ. 55
^ [FADE IN/OUT] .................................................ÒÚ. 55, 56
åÂÚÓÌÓÏ
&[METRONOME] ....................................................... ÒÚ. 25
CVP-202
á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ
E [SONG] .................................................................... ÒÚ. 94
R [PLAY/STOP] .......................................................... ÒÚ. 95
T [REC] ..................................................................... ÒÚ. 113
Y [PAUSE] ................................................................ ÒÚ. 103
U [REW] .................................................................... ÒÚ. 103
I [FF] ........................................................................ ÒÚ. 103
10
12
w [CONTRAST] .......................................................... ÒÚ. 11
e àÌ‰ËÍ‡ÚÓ˚ [BEAT] .............................................. ÒÚ. 52
r [FUNCTION] ......................................................... ÒÚ. 136
t [MIXER] ................................................................... ÒÚ. 24
y Üä-˝Í‡Ì ............................................................... ÒÚ. 16
u PAGE [<], [>] ....................................................... ÒÚ. 19
i [DIRECT ACCESS]................................................. ÒÚ. 21
o Üä-ÍÌÓÔÍË ............................................................. ÒÚ. 18
p [EXIT] ...................................................................... ÒÚ. 21
Q ç‡·ÓÌ˚È ‰ËÒÍ ...................................................... ÒÚ. 17
W [–], [+] ...................................................................... ÒÚ. 17
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ è‡ÌÂÎ¸
c
v
b
s
SONG CONTROL
Q
E
Y
SONG
PLAY/
STOP
PAUSE
REW
VOICE
REC
R
U
FF
T
I
PIANO &
HARPSI.
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
GUIDE CONTROL
EXIT
p
EASY PLAY
W
NEXT NOTE
SOUND
REPEAT
O P a
REGISTRATION/
1
2
3
j
4
ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
ONE TOUCH SETTING
BANK
BANK
d
S
DISK IN USE
DUAL
REVERB
SPLIT
EFFECT
g
D
f h
REGISTRATION
ONE TOUCH
SETTING
k l ; A
G
CVP-202
F
POWER
F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7
O [EASY PLAY] ........................................................ ÒÚ. 105
P [NEXT NOTE] ....................................................... ÒÚ. 105
a [SOUND REPEAT] ............................................... ÒÚ. 106
L [PEDAL] .................................................................. ÒÚ. 34
: MIDI [IN], [OUT], [THRU]...................................... ÒÚ. 160
z [HOST SELECT] ................................................... ÒÚ. 160
x [TO HOST] ............................................................ ÒÚ. 160
íÂÏ·˚
èÂ‰‡ÎË
îÛÌÍˆËË Ó·Û˜ÂÌËﬂ
s ÍÌÓÔÍË VOICE ........................................................ ÒÚ. 29
d [DUAL] ..................................................................... ÒÚ. 33
f [SPLIT] .................................................................... ÒÚ. 36
g [REVERB] ............................................................... ÒÚ. 41
h [EFFECT] ................................................................ ÒÚ. 46
c ãÂ‚‡ﬂ ÔÂ‰‡Î¸ (ÔË„ÎÛ¯ÂÌËÂ) .............................. ÒÚ. 40
v ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) ............................... ÒÚ. 40
b è‡‚‡ﬂ ÔÂ‰‡Î¸ ...................................................... ÒÚ. 40
á‡ÔËÒ¸/ç‡ÒÚÓÈÍ‡ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ
j [1] - [4] ...............................................................ÒÚ. 72, 90
k [BANK -] .................................................................. ÒÚ. 89
l [BANK +] ................................................................. ÒÚ. 89
; [REGISTRATION] ................................................... ÒÚ. 90
A [ONE TOUCH SETTING] ....................................... ÒÚ. 72
S àÌ‰ËÍ‡ÚÓ «Ñàëä àëèéãúáìÖíëü» ................. ÒÚ. 9
D ÑËÒÍÓ‚Ó‰ (3,5 ‰˛ÈÏ‡) ............................................ ÒÚ. 9
F [POWER]................................................................. ÒÚ. 11
G àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ ................................... ÒÚ. 109
ê‡Á˙ÂÏ˚
11
H [PHONES] ............................................................. ÒÚ. 158
J AUX IN [L/L+R], [R] .............................................. ÒÚ. 158
K AUX OUT [L/L+R], [R] .......................................... ÒÚ. 159
CVP-202
13
ÇÓÒÔÓËÁ‚Â‰eÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
○○○○
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ı‡ÌËÚÒﬂ 50 ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔeÒeÌ:
4 ÔÓÎÌ˚ı ÔÂÒÌË, 24 Ó·‡Áˆ‡ ÚÂÏ·Ó‚ Ë 22 Ó·‡Áˆ‡ ÒÚËÎeÈ. èÓÒÎÛ¯‡ÈÚe
Ëı ‚ÒÂ, ˜ÚÓ·˚ ÓˆÂÌËÚ¸ ‚ÓÁÏÓÊÌÓÒÚË ÔË‡ÌËÌÓ Clavinova.
Z Ç˚·ÂËÚÂ ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÔÂÒÌË (Demo Play). ........................................................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO]. àÌ‰ËÍ‡ÚÓ˚ STYLE Ë VOICE Ì‡˜ÌÛÚ ÏË„‡Ú¸, Ë
ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì DEMO.
DEMO
HELP
X Ç˚·ÂËÚÂ ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ....................................................................
Ç˚·ÂËÚÂ ÂÊËÏ, Ì‡ÊËÏ‡ﬂ Í‡ÈÌ˛˛ ÍÌÓÔÍÛ ÒÔ‡‚‡ Ì‡ Üä-‰ËÒÔÎÂÂ.
åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ eÊËÏÓ‚:
ALL
ÇÒÂ ÔÂÒÌË ÔÓË„˚‚‡˛ÚÒﬂ Ó‰Ì‡ Á‡ ‰Û„ÓÈ, Ì‡˜ËÌ‡ﬂ Ò ‚˚·‡ÌÌÓÈ.
ÇÓÒÔÓËÁ‚e‰eÌËe ÔÓ‰ÓÎÊ‡eÚÒﬂ ‚ ˆËÍÎË˜eÒÍÓÏ eÊËÏe ‰Ó Úeı ÔÓ,
ÔÓÍ‡ Ìe ·Û‰eÚ ÓÒÚ‡ÌÓ‚ÎeÌÓ.
RANDOM
ÇÒÂ ÔÂÒÌË ÔÓË„˚‚‡˛ÚÒﬂ ‚ ÔÓËÁ‚ÓÎ¸ÌÓÏ ÔÓﬂ‰Íe, Ì‡˜ËÌ‡ﬂ Ò
‚˚·‡ÌÌÓÈ. ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓ‰ÓÎÊ‡ÂÚÒﬂ ‚ ˆËÍÎË˜eÒÍÓÏ eÊËÏe ‰Ó
Úeı ÔÓ, ÔÓÍ‡ Ìe ·Û‰eÚ ÓÒÚ‡ÌÓ‚ÎeÌÓ.
SINGLE
èÓË„˚‚‡eÚÒﬂ ÚÓÎ¸ÍÓ ‚˚·‡ÌÌ‡ﬂ ÔeÒÌﬂ. Ç ÍÓÌˆe ÔeÒÌË
‚ÓÒÔÓËÁ‚e‰eÌËe ‡‚ÚÓÏ‡ÚË˜eÒÍË ÔeÍ‡˘‡eÚÒﬂ.
C Ç˚·ÂËÚÂ ÔÂÒÌ˛ Ë Ì‡˜ÌËÚÂ ‚ÓÒÔÓËÁ‚e‰eÌËÂ. ......................................
äÓ„‰‡ ‚˚·Ë‡ÂÚÒﬂ ÔÂÒÌﬂ, ‚ÓÒÔÓËÁ‚Â‰ÌËÂ ‡‚ÚÓÏ‡ÚË˜eÒÍË Ì‡˜ÌÂÚÒﬂ ‚
‚˚·‡ÌÌÓÏ ÂÊËÏe. Ç˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ ÏÓÊÌÓ ÚeÏﬂ
ÒÔÓÒÓ·‡ÏË, Í‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊe:
èêàåÖóÄçàÖ
• åÓÊÌÓ Ú‡ÍÊÂ Ì‡˜‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ò
ÔÂ‚ÓÈ ÔÓÎÌÓÈ ÔÂÒÌË, Ì‡Ê‡‚ ÍÌÓÔÍÛ [START/
STOP] ËÎË [PLAY/STOP].
• èÓÎÌ˚È ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÔË‡ÌËÌÓ Clavinova ÒÏ. Ì‡ ÒÚ. 7.
(A) ÑÎﬂ ÔÓÒÎÛ¯Ë‚‡ÌËﬂ Ó‰ÌÓÈ ËÁ ˜ÂÚ˚Âı ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ 1 — 4 Ì‡ ˝Í‡Ìe.
➔ ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰eÌËﬂ Ì‡ ˝Í‡Ìe ‚˚Ò‚e˜Ë‚‡ÂÚÒﬂ ÌÓÏe ÔÂÒÌË.
CVP-202
12
14
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰eÌËÂ
(B) ÑÎﬂ ÔÓÒÎÛ¯Ë‚‡ÌËﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
VOICE, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ Í‡ÚÂ„ÓËË ÚÂÏ·‡.
➔ ÇÓÒÔÓËÁ‚Â‰eÌËÂ Ì‡˜ÌÂÚÒﬂ Ò ÔÂ‚ÓÈ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‰Îﬂ
‚˚·‡ÌÌÓÈ Í‡ÚÂ„ÓËË. ëÓÓÚ‚eÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ VOICE ÏË„‡ÂÚ.
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
èêàåÖóÄçàÖ
ÑÎﬂ Í‡Ê‰ÓÈ Í‡ÚÂ„ÓËË ÚÂÏ·Ó‚ ÂÒÚ¸ ‰‚Â
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌË. óÚÓ·˚ Ò‡ÁÛ
ÔeeÈÚË ÍÓ ‚ÚÓÓÈ Ì‡ÊÏËÚÂ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ
Â˘Â ‡Á.
VOICE
PIANO &
HARPSI.
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
(C) ÑÎﬂ ÔÓÒÎÛ¯Ë‚‡ÌËﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÒÚËÎﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
STYLE, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ Í‡ÚÂ„ÓËË ÒÚËÎﬂ.
➔ ÇÓÒÔÓËÁ‚Â‰eÌËÂ Ì‡˜ÌÂÚÒﬂ Ò ÔÂ‚ÓÈ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‰Îﬂ
‚˚·‡ÌÌÓÈ Í‡ÚÂ„ÓËË. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ STYLE ÏË„‡ÂÚ.
èêàåÖóÄçàÖ
ÑÎﬂ Í‡Ê‰ÓÈ Í‡ÚÂ„ÓËË ÒÚËÎÂÈ ÂÒÚ¸ ‰‚Â
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌË. óÚÓ·˚ Ò‡ÁÛ
ÔeeÈÚË ÍÓ ‚ÚÓÓÈ Ì‡ÊÏËÚÂ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ
Â˘Â ‡Á.
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
BALLROOM
PIANIST
MUSIC
DATABASE
DISK
HARMONY
CUSTOM
V éÚÂ„ÛÎËÛÈÚÂ „ÓÏÍÓÒÚ¸. ................................................................................................
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚe ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
B éÒÚ‡ÌÓ‚ËÚÂ ‚ÓÒÔÓËÁ‚Â‰eÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË. ......
ÑÎﬂ ÔeÍ‡˘eÌËﬂ ‚ÓÒÔÓËÁ‚e‰eÌËﬂ Ì‡ÊÏËÚe ÍÌÓÔÍÛ [START/STOP],
[PLAY/STOP] ËÎË Üä-ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÔÓË„˚‚‡ÏÓÈ ÔÂÒÌÂ.
N Ç˚ıÓ‰ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËÏ‡. ...........................................................
èêàåÖóÄçàÖ
ùÎeÏeÌÚ ÛÔ‡‚ÎeÌËﬂ [ACMP/SONG VOLUME]
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌeÎ¸Áﬂ.
èêàåÖóÄçàÖ
ëÏÂÌ‡ ÔÂÒÌË ‚Ó ‚+eÏﬂ ‚ÓÒÔ+ÓËÁ‚e‰eÌËﬂ:
ç‡ÊÏËÚÂ Üä-ÍÌÓÔÍÛ, ÍÌÓÔÍÛ VOICE ËÎË ÍÌÓÔÍÛ
STYLE ‰Îﬂ ‰Û„ÓÈ ÔÂÒÌË, Ë ÔÓËÁÓÈ‰ÂÚ ÒÏÂÌ‡
ÔÂÒÌË. EcÎË ‚˚·‡Ì ÂÊËÏ ALL ËÎË RANDOM,
ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË ·Û‰ÛÚ
ÔÓË„˚‚‡Ú¸Òﬂ ‰Û„ËÂ ÔÂÒÌË.
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËÏ‡ Ì‡ÊÏËÚÂ ÒÌÓ‚‡ ÍÌÓÔÍÛ
[DEMO] (ËÎË [EXIT]).
13
● à„‡ ‚ÏÂÒÚÂ Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌÂÈ
ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰eÌËﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡
ÍÎ‡‚Ë¯‡ı. åÓÊÌÓ Ú‡ÍÊe ÏeÌﬂÚ¸ ÚeÏÔ (ÒÚ. 25) Ë ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍ‡ÏË
[REW], [FF] Ë [PAUSE]. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡eÚe 3. Lyric Demo, Ì‡
˝Í‡Ìe ËÌÒÚÛÏÂÌÚ‡ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÒÎÓ‚‡ Ë ‚˚ ÏÓÊÂÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë ÔÂÚ¸,
Ë Ë„‡Ú¸. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚÂ 4. GUIDE Demo, ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
Ó·Û˜‡˛˘eÈ ÙÛÌÍˆËeÈ Guide (ÒÚ. 105). çÓ ‚Ó ‚eÏﬂ ‰ÂÏÓÌÒÚ‡ˆËË ÌÂÎ¸Áﬂ
ÏÂÌﬂÚ¸ ÚÂÏ·.
èêàåÖóÄçàÖ
Ñ‡ÌÌ˚Â ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ÌÂ
‚˚‚Ó‰ﬂÚÒﬂ ˜ÂÂÁ ‡Á˙ÂÏ [MIDI OUT], ‡
‰‡ÌÌ˚Â ‚‡¯eÈ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ‚˚‚Ó‰ﬂÚÒﬂ.
CVP-202
15
ÉÎ‡‚‡ 2: éÒÌÓ‚Ì˚Â ÓÔe‡ˆËË
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
○○○○○○○
ÇÓ ‚ÂÏﬂ ‡·ÓÚ˚ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova ‚‡Ï ÔË‰ÂÚÒﬂ ˜‡ÒÚÓ
Ó·‡˘‡Ú¸Òﬂ Í Üä-˝Í‡ÌÛ. ùÚÓÚ ‡Á‰ÂÎ Ì‡Û˜ËÚ ‚‡Ò ˜ËÚ‡Ú¸ Üä-˝Í‡Ì Ë
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ.
Ç˚·Ó ÙÛÌÍˆËË
åÌÓ„ËÂ ÙÛÌÍˆËË ËÌÒÚÛÏÂÌÚ‡ ÔÓÍ‡Á‡Ì˚ ‚ ÌËÊÌÂÈ ˜‡ÒÚË Üä-˝Í‡Ì‡.
ÉÎ‡‚Ì˚È ˝Í‡Ì, ÔÓÍ‡Á‡ÌÌ˚È ÌËÊÂ, ÒÓ‰ÂÊËÚ 2 ÙÛÌÍˆËË: KBD VOL Ë
RIGHT1 VOICE. ùÚË ˝ÎÂÏÂÌÚ˚ ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ ‡ÏÍ‡ı Ò ÁaÍÛ„ÎÂÌÌ˚ÏË
Û„Î‡ÏË. ùÚÓ ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ˝ÚË ÛÒÚ‡ÌÓ‚ÍË ÏÓ„ÛÚ ·˚Ú¸ ËÁÏÂÌÂÌ˚.
çÓ ÔÂÊ‰Â ˜ÂÏ ÏÂÌﬂÚ¸ Ì‡ÒÚÓÈÍË Í‡ÍÓÈ-ÚÓ ÙÛÌÍˆËË, ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸
˝ÚÛ ÙÛÌÍˆË˛. ç‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ ‚˚Ò‚Â˜Ë‚‡ÂÚÒﬂ ÙÛÌÍˆËﬂ RIGHT1 VOICE.
ùÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚·‡Ì‡ ËÏÂÌÌÓ ˝Ú‡ ÙÛÌÍˆËﬂ.
óÚÓ·˚ ‚˚·‡Ú¸ ÙÛÌÍˆË˛, Ì‡ÊÏËÚÂ Ë ·˚ÒÚÓ ÓÚÔÛÒÚËÚÂ Üä-ÍÌÓÔÍÛ,
‡ÒÔÓÎÓÊÂÌÌÛ˛ ÔﬂÏÓ ÔÓ‰ ÌÂÈ. ç‡ÔËÏÂ, Ì‡Ê‡‚ Ò‡ÏÛ˛ ÎÂ‚Û˛ Üä-ÍÌÓÔÍÛ, ‚˚
‚˚·ÂÂÚÂ ÙÛÌÍˆË˛ KBD VOL.
èêàåÖóÄçàÖ
ÉÎ‡‚Ì˚È ˝Í+‡Ì
èÓÏÌËÚÂ, ˜ÚÓ ÉÎ‡‚Ì˚È ˝Í‡Ì - ˝ÚÓ ˝Í‡Ì,
ÍÓÚÓ˚È ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔÂ‚˚Ï ÔË ‚ÍÎ˛˜ÂÌËË
ËÌÒÚÛÏÂÌÚ‡.
èêàåÖóÄçàÖ
Ç˚‰ÂÎÂÌÌ˚Â ˝ÎÂÏÂÌÚ˚
Ç˚·‡ÌÌ˚Â ˝ÎÂÏÂÌÚ˚ ‚˚‰eÎﬂ˛ÚÒﬂ Ì‡ ˝Í‡Ìe
(ÓÚÓ·‡Ê‡˛ÚÒﬂ ·ÂÎ˚ÏË ·ÛÍ‚‡ÏË Ì‡ ÚÂÏÌÓÏ
ÙÓÌe).
èêàåÖóÄçàÖ
äÌÓÔÍË Üä-˝Í+‡Ì‡
èﬂÚ¸ Üä-ÍÌÓÔÓÍ ÔÓ‰ Üä-˝Í‡ÌÓÏ ÏÓ„ÛÚ
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡ÁÌ˚Ï ÙÛÌÍˆËﬂÏ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó ˝Í‡Ì‡.
ç‡ÊÏËÚÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸
ÙÛÌÍˆË˛.
CVP-202
14
16
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ùÎÂÏÂÌÚ˚
ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ
ÑÎﬂ ËÁÏÂÌÂÌËﬂ ÁÌ‡˜ÂÌËﬂ ÙÛÌÍˆËË ÒÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓÎ¸ÍÓ ÒÔÓÒÓ·Ó‚. ÇÓÚ ‰‚‡
ÓÒÌÓ‚Ì˚ı:
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+] .......................
àÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍÛ ÙÛÌÍˆËË ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË
ÍÌÓÔÓÍ [–] Ë [+]. í‡Í Í‡Í ‚˚ ÚÓÎ¸ÍÓ ˜ÚÓ ‚˚·‡ÎË ÙÛÌÍˆË˛ KBD VOL,
ÔÓÔÓ·ÛÈÚÂ ÔÓ‚ÂÌÛÚ¸ ‰ËÒÍ ËÎË Ì‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍÛ [–] ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ
ÔÓﬂ‚ËÚÒﬂ 0.
îÛÌÍˆËﬂ KBD VOL Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚. ÖÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ÂÂ
Ì‡ ÁÌ‡˜ÂÌËÂ 0, ÍÎ‡‚Ë‡ÚÛ‡ ÌÂ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ÓÓ·˘Â, Í‡Í ·˚ ‚˚ ÌÂ ‰‚Ë„‡ÎË
ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Üä-ÍÌÓÔÓÍ ..................................................................................................
óÚÓ·˚ Û‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ, ÏÓÊÌÓ Ì‡Ê‡Ú¸ Ë ÔÓ‰ÂÊ‡Ú¸ ÌÂÍÓÚÓÓÂ
‚ÂÏﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Üä-ÍÌÓÔÍÛ. óÚÓ·˚ ‚‡¯‡ ÍÎ‡‚Ë‡ÚÛ‡ ‚ÌÓ‚¸
Á‡Á‚Û˜‡Î‡, Ì‡ÊÏËÚÂ Ë ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ ÔÓ‰ÂÊËÚÂ Ò‡ÏÛ˛ ÎÂ‚Û˛ ÜäÍÌÓÔÍÛ, ÔÓÍ‡ ÁÌ‡˜ÂÌËÂ KBD VOL ÌÂ ÒÚ‡ÌÂÚ ‚ÌÓ‚¸ ‡‚Ì˚Ï 127.
èêàåÖóÄçàÖ
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [-] ËÎË [+] ÌÂÒÍÓÎ¸ÍÓ ‡Á,
ÁÌ‡˜ÂÌËÂ ·Û‰eÚ ÏÂÌﬂÚ¸Òﬂ ÔÓÒÚÂÔÂÌÌÓ. ÑÎﬂ
·˚ÒÚÓ„Ó ËÁÏÂÌÂÌËﬂ ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ Ë
‰ÂÊ‡Ú¸ ˝ÚË ÍÌÓÔÍË.
èêàåÖóÄçàÖ
ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó ‡·ÓÚÂ
ÙÛÌÍˆËË KBD VOL ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ Ì‡ ÒÚ. 23.
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÙÛÌÍˆËË ÌÂ ‰ÂÊËÚÂ Üä-ÍÌÓÔÍÛ
ÒÎË¯ÍÓÏ ‰ÓÎ„Ó: ËÌ‡˜Â ‚˚ ÏÓÊÂÚÂ ÒÎÛ˜‡ÈÌÓ
Û‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ, ÍÓ„‰‡ ıÓÚÂÎË ÛÏÂÌ¸¯ËÚ¸.
ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚÂ,
˜ÚÓ·˚ Û‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ.
15
íÂÔÂ¸, ÍÓ„‰‡ ‚˚ ‚ÂÌÛÎË ËÒıÓ‰ÌÛ˛ „ÓÏÍÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚, ‡ÒÒÏÓÚËÏ
‰Û„ËÂ ÒÔÓÒÓ·˚ ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÂÍ.
CVP-202
17
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛
ÑÎﬂ ËÁÏÂÌÂÌËﬂ ÚÂÏ·‡ ‚˚ ÏÓÊÂÚÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Î˛·˚Ï ËÁ ‚˚¯ÂÛÍ‡Á‡ÌÌ˚ı
ÏÂÚÓ‰Ó‚. ç‡ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚÂ ÍÌÓÔÍÛ RIGHT1 VOICE. åÓÊÌÓ Ú‡ÍÊÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [+] ‰Îﬂ ÔÓÒÏÓÚ‡ ÁÌ‡˜ÂÌËÈ. èÓÒÎÛ¯‡ÈÚÂ ÌÂÒÍÓÎ¸ÍÓ
ÚÂÏ·Ó‚...
èÓ·ÎÂÏ‡ Ò ˝ÚËÏ ÏÂÚÓ‰ÓÏ Á‡ÍÎ˛˜‡ÂÚÒﬂ ‚ ÚÓÏ, ˜ÚÓ ÚÛ‰ÌÓ Ì‡ÈÚË ÌÛÊÌ˚È ÚÂÏ· - ‚Â‰¸
‚ ÔË‡ÌËÌÓ Clavinova ÒÓ‰ÂÊËÚÒﬂ ·ÓÎÂÂ 700 ÚÂÏ·Ó‚! èÓ˝ÚÓÏÛ ‰Îﬂ ‚˚·Ó‡ ‚˚ ÏÓÊÂÚÂ
ÔÂ‰ÔÓ˜ÂÒÚ¸ ÏÂÌ˛. èÓÔÓ·ÛÈÚÂ ÒÂÈ˜‡Ò Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [PIANO&HARPSI.].
PIANO &
HARPSI.
E. PIANO
ORGAN &
ACCORDION
èêàåÖóÄçàÖ
íÂÏ·+
íÂÏ· - ˝ÚÓ ‡ÁÌÓ‚Ë‰ÌÓÒÚ¸
Á‚Û˜‡ÌËﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova.
PERCUSSION
ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ VOICE, Ì‡ Üä-˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÌÓ‚˚È Ì‡·Ó
ÙÛÌÍˆËÈ ËÁ ÒÔËÒÍ‡ ÚÂÏ·Ó‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚËÔ‡. ëÂÈ˜‡Ò ‚˚ ‰ÓÎÊÌ˚ ‚Ë‰ÂÚ¸
ÏÂÌ˛ ÙÓÚÂÔ¸ﬂÌÌ˚ı ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó
‚˚·ÓÂ ÚÂÏ·Ó‚ ÒÏ. Ì‡ ÒÚ. 29.
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Üä-ÍÌÓÔÓÍ ....................................................................................................................
ä‡Ê‰˚È ÚÂÏ· ÔË‡ÌËÌÓ Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ ÔÂ‰ÒÚ‡‚ÎÂÌ ‚ ‚Ë‰Â ÓÚ‰ÂÎ¸ÌÓÈ ÙÛÌÍˆËË ‚
‡ÏÍÂ Ò ÁaÍÛ„ÎÂÌÌ˚ÏË Û„Î‡ÏË. ÑÎﬂ ‚˚·Ó‡ ÚÂÏ·‡ ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÜäÍÌÓÔÍ‡ÏË ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í ‚˚ ‚˚·Ë‡ÎË ÙÛÌÍˆËË KBD VOL Ë RIGHT1 VOICE ‚
Ì‡˜‡ÎÂ ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡.
ç‡ÊÏËÚÂ Üä-ÍÌÓÔÍÛ, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÚÂÏ·.
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–]/[+] ..............................................
ùÚÓ Â˘Â Ó‰ËÌ ÒÔÓÒÓ· ‚˚·Ó‡ ÚÂÏ·‡ Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ. ÑÎﬂ ÒÏÂÌ˚ ÚÂÏ·‡ ÏÓÊÌÓ
‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ, ÍÌÓÔÍ‡ÏË [–] ËÎË [+]. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [–] ËÎË
ÔÓ‚ÂÌËÚÂ Ì‡·ÓÌ˚È ‰ËÒÍ ÔÓÚË‚ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍË, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚÂÏ· ÒÎÂ‚‡.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+] ËÎË ÔÓ‚ÂÌËÚÂ ‰ËÒÍ ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍÂ, ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚÂÏ·
ÒÔ‡‚‡.
èêàåÖóÄçàÖ
MÂÌ˛
åÂÌ˛ ÔÓÌ‡‰Ó·ﬂÚÒﬂ ÚÓÎ¸ÍÓ ‚ ‰‚Ûı
ÒÎÛ˜‡ﬂı: ÔË ‚˚·ÓÂ ÚÂÏ·‡, Ó ˜ÂÏ
ÒÍ‡Á‡ÌÓ Á‰ÂÒ¸, Ë ÔË ‚˚·ÓÂ ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49).
Ç˚·ÂËÚÂ ÚÂÏ· Ò
ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡
ËÎË ÍÌÓÔÓÍ [–] Ë [+].
àÏÂÈÚÂ ‚ ‚Ë‰Û, ˜ÚÓ ‚˚ ÏÓÊÂÚÂ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ Ë ÍÌÓÔÍ‡ÏË
[–]/[+] ‰Îﬂ ‚˚·Ó‡ ÙÛÌÍˆËÈ ÚÓÎ¸ÍÓ ÔË ÔÓÒÏÓÚÂ ÏÂÌ˛. ç‡ ‰Û„Ëı ˝Í‡Ì‡ı ˝ÚË
˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ·Û‰ÛÚ ÏÂÌﬂÚ¸ ÁÌ‡˜ÂÌËÂ ‚˚·‡ÌÌÓÈ ÙÛÌÍˆËË.
èÓÔÓ·ÛÈÚÂ ‚˚·‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ ‡ÁÎË˜Ì˚ı ÚÂÏ·Ó‚ ÔË‡ÌËÌÓ, ÔÂÊ‰Â ˜ÂÏ
ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û.
CVP-202
16
18
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ùÎÂÏÂÌÚ˚
ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
ëÏÂÌ‡ ÒÚ‡ÌËˆ Ì‡ ˝Í‡ÌÂ
ÖÒÎË ‚˚ ÒÎÛ¯‡ÎË ‡ÁÌ˚Â ÚÂÏ·˚ ÔË‡ÌËÌÓ Ì‡ ÔÂ‰˚‰Û˘ÂÏ ˝Ú‡ÔÂ, ÚÓ
ÏÓÊÂÚÂ Ò Û‰Ë‚ÎÂÌËÂÏ Á‡ÏÂÚËÚ¸, ˜ÚÓ ‚ÒÂ Ì‡Á‚‡ÌËﬂ ÚÂÏ·Ó‚ ‚ÌÂÁ‡ÔÌÓ
ÔÓÏÂÌﬂÎËÒ¸ Ì‡ ÒÓ‚Â¯ÂÌÌÓ ‰Û„ËÂ. Ç ˜‡ÒÚÌÓÒÚË, ˝ÚÓ ÔÓËÒıÓ‰ËÚ, ÍÓ„‰‡ ‚˚
‚˚·Ë‡ÂÚÂ Ì‡ ˝Í‡ÌÂ Ò‡Ï˚È Ô‡‚˚È ÚÂÏ· (Midi Grand), ‡ Á‡ÚÂÏ
ÔÓ‚Ó‡˜Ë‚‡ÂÚÂ Ì‡·ÓÌ˚È ‰ËÒÍ ‚Ô‡‚Ó ËÎË Ì‡ÊËÏ‡ÂÚÂ ÍÌÓÔÍÛ [+].
ùÚÓ Ò‰ÂÎ‡ÌÓ ÔÓÚÓÏÛ, ˜ÚÓ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚Â ÚÂÏ·˚ ÔË‡ÌËÌÓ CVP-202 ÌÂ
ÔÓÏÂ˘‡˛ÚÒﬂ Ì‡ Ó‰ÌÓÏ ˝Í‡ÌÂ. ÖÒÎË ‚ÒÂ ÙÛÌÍˆËË Í‡ÍÓ„Ó-ÎË·Ó ËÁ
ÙÛÌÍˆËÓÌ‡Î¸Ì˚ı ÒÂ‰ÒÚ‚ ÔË‡ÌËÌÓ Clavinova ÌÂ ÔÓÏÂ˘‡˛ÚÒﬂ Ì‡ Ó‰ÌÓÏ
˝Í‡ÌÂ, ÓÌË ‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÏÂÊ‰Û ‰‚ÛÏﬂ ËÎË ·ÓÎÂÂ ÒÚ‡ÌËˆ‡ÏË ˝Í‡Ì‡.
ùÍ‡Ì ‚˚·Ó‡ ÚÂÏ·Ó‚ VOICE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ÒÚ‡ÌËˆ, Í‡Í
ÔÓÍ‡Á‡ÌÓ ÌËÊÂ:
èêàåÖóÄçàÖ
ëÚ+‡ÌËˆ˚ ˝Í+‡Ì‡
çÂÍÓÚÓ˚Â ˝Í‡Ì˚ ‰ÂÎﬂÚÒﬂ Ì‡ ‰‚Â ËÎË ·ÓÎÂÂ
ÒÚ‡ÌËˆ, Ó·ÓÁÌ‡˜‡ÂÏ˚ı ﬂ‰ÓÏ
ÔÂÂÍ˚‚‡˛˘ËıÒﬂ ˜ÂÚ˚ÂıÛ„ÓÎ¸ÌËÍÓ‚ ‚
‚ÂıÌÂÏ Ô‡‚ÓÏ Û„ÎÛ ˝Í‡Ì‡. ñËÙ‡ ‚ Ò‡ÏÓÏ
‚ÂıÌÂÏ ‰Ë‡ÎÓ„Ó‚ÓÏ ÓÍÌÂ - ˝ÚÓ ÌÓÏÂ ÚÂÍÛ˘ÂÈ
ÒÚ‡ÌËˆ˚ ˝Í‡Ì‡.
PAGE
ÑÎﬂ ÔÓÒÏÓÚ‡ ÒÚ‡ÌËˆ ÔÓÎ¸ÁÛÈÚÒ¸ ÍÌÓÔÍ‡ÏË PAGE.
ÖÒÎË ˝Í‡Ì ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓÎ¸ÍËı ÒÚ‡ÌËˆ, ‰Îﬂ ÔÂÂıÓ‰‡ Ì‡ ‰Û„Û˛
ÒÚ‡ÌËˆÛ ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍ‡ÏË PAGE. èÓÔÓ·ÛÈÚÂ ˝ÚÓ Ò‰ÂÎ‡Ú¸.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [<] ‰Îﬂ ÔÂÂıÓ‰‡ Ì‡ ÒÚ‡ÌËˆÛ 1 ËÎË ÍÌÓÔÍÛ [>] ‰Îﬂ
ÔÂÂıÓ‰‡ Ì‡ ÒÚ‡ÌËˆÛ 2. éÍ‡Á‡‚¯ËÒ¸ Ì‡ ÌÛÊÌÓÈ ÒÚ‡ÌËˆÂ, ÏÓÊÌÓ ‚˚·‡Ú¸
ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Üä-ÍÌÓÔÓÍ, Í‡Í ÔÓÍ‡Á‡ÌÓ ‚ ÔÂ‰˚‰Û˘ÂÏ ¯‡„Â.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÙÛÌÍˆËﬂı
ÒÚ‡ÌËˆ˚ ˝Í‡Ì‡ FUNCTION [PEDAL] ÒÏ. Ì‡
ÒÚ. 138.
ÇÓÁ‚‡Ú Í ÁÌ‡˜ÂÌË˛ ÙÛÌÍˆËË ÔÓ ÛÏÓÎ˜‡ÌË˛
èÓÏÂÌﬂ‚ ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË, ‚˚ ÏÓÊÂÚÂ Á‡ıÓÚÂÚ¸ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÂÂ
ËÒıÓ‰ÌÓÂ ÁÌ‡˜ÂÌËÂ. ÑÎﬂ ˝ÚÓ„Ó ‡ÒÒÏÓÚËÏ Â˘Â Ó‰ËÌ ˝Í‡Ì ÔË‡ÌËÌÓ Clavinova.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FUNCTION] .
FUNCTION
MIXER
17
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚Á˚‚‡ÂÚÒﬂ Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚ FUNCTION.
ùÚËÏ ˝Í‡ÌÓÏ ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ Ì‡ÒÚÓÈÍË Ë Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚.
îÛÌÍˆËﬂ TUNE Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Üä-ÍÌÓÔÍ‡Ï t Ë s.
ùÚËÏË ÍÌÓÔÍ‡ÏË ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÔÓ‚˚¯ÂÌËﬂ ËÎË ÔÓÌËÊÂÌËﬂ
‚˚ÒÓÚ˚ Á‚Û˜‡ÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚. ÑÎﬂ Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó ÛÏÂÌ¸¯ÂÌËﬂ ‚˚ÒÓÚ˚
Á‚ÛÍ‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ Ì‡ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚÂ ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ ÍÌÓÔÍÛ t
(ÎË·Ó ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [–]).
èêàåÖóÄçàÖ
éÒÌÓ‚Ì˚Â Ì‡ÒÚ+ÓÈÍË
• èË‡ÌËÌÓ Clavinova ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ˛ ÒÓ ÒÚ‡Ì‰‡ÚÌ˚Ï Ì‡·ÓÓÏ
ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ ËÎË ÛÒÎÓ‚ËÈ. ùÚË
Ì‡ÒÚÓÈÍË ËÎË ÛÒÎÓ‚Ëﬂ Ì‡Á˚‚‡˛ÚÒﬂ
·‡ÁÓ‚˚ÏË Ì‡ÒÚÓÈÍ‡ÏË.
• Å‡ÁÓ‚˚Â Ì‡ÒÚÓÈÍË ÙÛÌÍˆËË Ó·˚˜ÌÓ
ÛÍ‡Á˚‚‡˛ÚÒﬂ ‚ ËÌÒÚÛÍˆËﬂı (Ò·ÓÍÛ
ÒÚ‡ÌËˆ˚) ‚ÏÂÒÚÂ Ò Ì‡·ÓÓÏ ‚ÒÂı
‚ÓÁÏÓÊÌ˚ı Ì‡ÒÚÓÂÍ ‰Îﬂ ˝ÚÓÈ ÙÛÌÍˆËË.
• ÇÓÒÒÚ‡ÌÓ‚ËÚ¸ ·‡ÁÓ‚˚Â Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ‚
Î˛·ÓÈ ÏÓÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Recall
(ÒÚ. 153).
èêàåÖóÄçàÖ
ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó ‡·ÓÚÂ
ÙÛÌÍˆËÈ TUNE Ë TRANSPOSE ÒÏ. Ì‡ ÒÚ. 136.
CVP-202
19
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÖÒÎË ‚˚ Ò˚„‡ÂÚÂ ÌÂÒÍÓÎ¸ÍÓ ÌÓÚ, ÚÓ Á‡ÏÂÚËÚÂ, ˜ÚÓ ÔË‡ÌËÌÓ Á‚Û˜ËÚ
ÁÌ‡˜ËÚÂÎ¸ÌÓ ÌËÊÂ. èÂ‰ÔÓÎÓÊËÏ, ‚˚ ıÓÚËÚÂ ‚ÂÌÛÚ¸Òﬂ Í ÒÚ‡Ì‰‡ÚÌÓÏÛ
ÁÌ‡˜ÂÌË˛ ˜‡ÒÚÓÚ˚ 440,0 Éˆ. ÑÎﬂ ˝ÚÓ„Ó ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍÓÈ s
(ÎË·Ó Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍÓÈ [+]), ÌÓ ÂÒÚ¸ ·ÓÎÂÂ ÎÂ„ÍËÈ ÒÔÓÒÓ·.
ÖÒÎË Û ÙÛÌÍˆËË ÂÒÚ¸ ·‡ÁÓ‚ÓÂ ÁÌ‡˜ÂÌËÂ, ‰Îﬂ Â„Ó ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ
‰ÓÒÚ‡ÚÓ˜ÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË s Ë t (ËÎË ÍÌÓÔÍË [–] Ë
[+]). èÓÔÓ·ÛÈÚÂ Ò‰ÂÎ‡Ú¸ ˝ÚÓ ÒÂÈ˜‡Ò.
èêàåÖóÄçàÖ
çÓ ÂÒÚ¸ ÙÛÌÍˆËË, ·‡ÁÓ‚˚Â Ì‡ÒÚÓÈÍË ÍÓÚÓ˚ı
ÌÂÎ¸Áﬂ ‚ÂÌÛÚ¸ Ó‰ÌÓ‚ÂÏÂÌÌ˚Ï Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÓÍ ▲ Ë ▼ (ËÎË [–] Ë [+]).
ÇÂÌÛ‚ ÔÂÊÌ˛˛ Ì‡ÒÚÓÈÍÛ ÍÎ‡‚Ë‡ÚÛ˚, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ
ÓÔÂ‡ˆËË.
îÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸Ì˚ı ‡ÏÍ‡ı
èÓ Ô‡‚ÓÏÛ ‚ÂıÌÂÏÛ Û„ÎÛ Üä-˝Í‡Ì‡ ‚Ë‰ÌÓ, ˜ÚÓ ˝Í‡Ì FUNCTION
ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓÎ¸ÍËı ÒÚ‡ÌËˆ. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [>] ‰Îﬂ ÔÂÂıÓ‰‡ Í
ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ, ÍÓÚÓ‡ﬂ Ì‡Á˚‚‡ÂÚÒﬂ FUNCTION [KEYBOARD 2]. ÑÎﬂ
ÓÔËÒ‡ÌËﬂ ÒÎÂ‰Û˛˘ÂÈ ÓÔÂ‡ˆËË Ì‡Ï ÔÓÌ‡‰Ó·ﬂÚÒﬂ ÙÛÌÍˆËË Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ.
äÓÏÂ ÙÛÌÍˆËË FIXED VELOCITY, ÒÚ‡ÌËˆ‡ FUNCTION [KEYBOARD 2]
ÒÓ‰ÂÊËÚ Â˘Â ‰‚Â ÙÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸Ì˚ı ‡ÏÍ‡ı: KEY TOUCH Ë
VOICE SETTING. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Üä-ÍÌÓÔÍË ÒÎÛÊ‡Ú ÌÂ ‰Îﬂ ‚˚·Ó‡
˝ÚËı ÙÛÌÍˆËÈ, ‡ ‰Îﬂ ÔﬂÏÓ„Ó ËÁÏÂÌÂÌËﬂ Ëı ÁÌ‡˜ÂÌËÈ.
CVP-202
éÔËÒ‡ÌËÂ ÙÛÌÍˆËË FIXED VELOCITY
ÔË‚Â‰ÂÌÓ Ì‡ ÒÚ. 137.
18
20
èêàåÖóÄçàÖ
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ùÎÂÏÂÌÚ˚
ç‡ÔËÏÂ, Ò ÔÓÏÓ˘¸˛ Üä-ÍÌÓÔÍË, ‡ÒÔÓÎÓÊÂÌÌÓÈ ÔÓ‰ Ì‡‰ÔËÒ¸˛ KEY
TOUCH, ÏÓÊÌÓ ÓÚÂ„ÛÎËÓ‚‡Ú¸ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÔË‡ÌËÌÓ Clavinova Í ÒËÎÂ
Û‰‡‡ ÔÓ ÍÎ‡‚Ë¯‡Ï. áÌ‡˜ÂÌËÂ ˝ÚÓÈ ÙÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸ÌÓÈ ‡ÏÍÂ
ÏÂÌﬂÂÚÒﬂ ÓÚ NORMAL Í SOFT, ‡ Á‡ÚÂÏ Í FIXED Ë HARD, ÌÓ ‚˚·‡ÌÌÓÈ
ÓÒÚ‡ÂÚÒﬂ ÙÛÌÍˆËﬂ FIXED VELOCITY.
îÛÌÍˆËﬂ VOICE SETTING ÓÔÂ‰ÂÎﬂÂÚ, ‚ÍÎ˛˜‡˛ÚÒﬂ ÎË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔË ‚˚·ÓÂ ÚÂÏ·‡ Ú‡ÍËÂ Ì‡ÒÚÓÈÍË, Í‡Í Â‚Â·Â‡ˆËﬂ,
ıÓÛÒ, ˝ÙÙÂÍÚ Ë ‰. á‰ÂÒ¸ ÔÓˆÂ‰Û‡ ÌÂÒÍÓÎ¸ÍÓ ËÌ‡ﬂ: ÔË Ì‡Ê‡ÚËË ÜäÍÌÓÔÍË ÔÓËÒıÓ‰ËÚ ÔÂÂÍÎ˛˜ÂÌËÂ ÏÂÊ‰Û Ì‡ÒÚÓÈÍ‡ÏË AUTO Ë MANUAL.
Ç˚·‡ÌÌÓÈ ÓÒÚ‡ÂÚÒﬂ ÙÛÌÍˆËﬂ FIXED VELOCITY.
ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÙÛÌÍˆËË KEY
TOUCH ÒÏ. Ì‡ ÒÚ. 137.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÙÛÌÍˆËË VOICE
SETTING ÒÏ. Ì‡ ÒÚ. 137.
ÖÒÚ¸ Ë ‰Û„ËÂ ÙÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸Ì˚ı ‡ÏÍ‡ı, ÔÓ‰Ó·Ì˚Â ÚÂÏ,
ÍÓÚÓ˚ÏË ‚˚ ÔÓÎ¸ÁÓ‚‡ÎËÒ¸ ‰Îﬂ ‚˚·Ó‡ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ‚ ÂÊËÏÂ
Demo (ÒÏ. ÒÚ. 14). é·‡ÚËÚÂ ‚ÌËÏ‡ÌËÂ Ì‡ ÚÓ, ˜ÚÓ ˝ÚË ÙÛÌÍˆËË ÌÂÎ¸Áﬂ
‚˚·‡Ú¸, Ëı ÏÓÊÌÓ ÚÓÎ¸ÍÓ ‚˚ÔÓÎÌËÚ¸.
íÂÔÂ¸ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ. çÓ ÒÌ‡˜‡Î‡ ‚ÂÌËÚÂ
ÙÛÌÍˆËË KEY TOUCH Ë VOICE SETTING Í Ëı ËÒıÓ‰Ì˚Ï ÁÌ‡˜ÂÌËﬂÏ
(NORMAL Ë AUTO ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ).
ÇÓÁ‚‡Ú Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ
óÚÓ·˚ ‚˚ÈÚË ËÁ ÚeÍÛ˘e„Ó ˝Í‡Ì‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
EXIT
ÉÎ‡‚Ì˚È ˝Í‡Ì ‰ÓÎÊÂÌ ÔÓÍ‡Á˚‚‡Ú¸ Ì‡Á‚‡ÌËÂ ÔÓÒÎÂ‰ÌÂ„Ó ÙÓÚÂÔ¸ﬂÌÌÓ„Ó
ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ì‡ ˝Í‡ÌÂ VOICE SELECT.
èêàåÖóÄçàÖ
é·˚˜ÌÓ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EV t]. çÓ ËÌÓ„‰‡, Ì‡Ê‡‚ ˝ÚÛ
ÍÌÓÔÍÛ, ‚˚ ‚ÓÁ‚‡˘‡ÂÚÂÒ¸ Í ÔÂ‰˚‰Û˘ÂÈ
Ì‡ÒÚÓÈÍÂ. Ç Ú‡ÍËı ÒÎÛ˜‡ﬂı Ì‡‰Ó Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [EXIT] Â˘Â ‡Á, Ë ‚˚ ‚ÂÌÂÚÂÒ¸ Í
„Î‡‚ÌÓÏÛ ˝Í‡ÌÛ.
îÛÌÍˆËﬂ ÔﬂÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access)
éÒÚ‡ÎÓÒ¸ ‡ÒÒÏÓÚÂÚ¸ ÙÛÌÍˆË˛ ÔﬂÏÓ„Ó ‰ÓÒÚÛÔ‡ (Direct Access). ë ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [DIRECT ACCESS] ÏÓÊÌÓ Ò‡ÁÛ ‚˚ÈÚË Ì‡ ÒÚ‡ÌËˆÛ Ò ÌÛÊÌ˚ÏË
Ì‡ÒÚÓÈÍ‡ÏË. äÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], Ì‡ Üä-˝Í‡Ìe
ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘eÌËe «Press a button to display corresponding
settings» (ç‡ÊÏËÚÂ ÍÌÓÔÍÛ ‰Îﬂ ‚˚·Ó‡ ÒÓÓÚ‚eÚÒÚ‚Û˛˘Ëı Ì‡ÒÚÓeÍ).
19
DIRECT ACCESS
CVP-202
21
ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎeÌËﬂ Ì‡ Üä-˝Í‡Ìe
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÓÒÚ‡ÂÚÒﬂ Ì‡ ˝Í‡ÌÂ ÔËÏÂÌÓ 3 ÒÂÍÛÌ‰˚. ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ ÌÛÊÌÓÈ Ì‡ÒÚÓÈÍË ÔÂÊ‰Â, ˜ÂÏ ÓÌÓ ËÒ˜ÂÁÌÂÚ.
ëÔËÒÓÍ ÒÚ‡ÌËˆ, Ì‡ ÍÓÚÓ˚Â ÏÓÊÌÓ ÔÓÔ‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÔﬂÏÓ„Ó
‰ÓÒÚÛÔ‡ Direct Access:
[DIRECT ACCESS] ÔÎ˛Ò:
[HARMONY]
[ACMP ON]
[METRONOME]
ã˛·‡ﬂ ÍÌÓÔÍ‡ VOICE
[DUAL]
[SPLIT]
[REVERB](4)
[EFFECT](4)
[REGISTRATION]
ëÚ‡ÌËˆ˚ ˝Í‡Ì‡:
HARMONY
ACCOMPANIMENT MODE
METRONOME
KEYBOARD [RIGHT1](1)
KEYBOARD [RIGHT2](2)
KEYBOARD [LEFT](3)
KEYBOARD [RIGHT2]
KEYBOARD [LEFT]
REVERB
REVERB DEPTH
EFFECT
EFFECT DEPTH
REGISTRATION [FREEZE]
ëÚ.:
69
59
26
31
31
31
34
37
41
43
46
48
91
èêàåÖóÄçàÖ
åÓÊÌÓ Ú‡ÍÊÂ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [DIRECT ACCESS] .
èêàåÖóÄçàÖ
(1)
(2)
(3)
(4)
ÖÒÎË Ì‡ „Î‡‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ·
RIGHT1 VOICE.
ÖÒÎË Ì‡ „Î‡‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ·
RIGHT2 VOICE.
ÖÒÎË Ì‡ „Î‡‚ÌÓÏ ˝Í‡Ìe ‚˚·‡Ì ÚÂÏ· LEFT
VOICE.
Ç˚·Ë‡ÂÚ ÒÚ‡ÌËˆÛ, ÍÓÚÓ‡ﬂ ·˚Î‡ ÔÓÍ‡Á‡Ì‡
ÔÓÒÎe‰ÌÂÈ.
● ëÓÓ·˘ÂÌËﬂ
ÑÎﬂ Ó·ÎÂ„˜ÂÌËﬂ ‡·ÓÚ˚ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚˚‰‡ÂÚ ‡ÁÎË˜Ì˚Â ÒÓÓ·˘ÂÌËﬂ (Í‡Í, Ì‡ÔËÏÂ, ÔË
‡·ÓÚÂ Ò ÙÛÌÍˆËÂÈ Direct Access, ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â). ùÚË ÒÓÓ·˘ÂÌËﬂ ÔÓ‰ÒÍ‡Á˚‚‡˛Ú, Í‡Í ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ
ÓÔÂ‡ˆËË, ÔÓÒﬂÚ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ ËÎË ÒÓÓ·˘‡˛Ú Ó ÌÂÛ‰‡˜ÌÓÏ ‚˚ÔÓÎÌÂÌËË ÔÓÒÎÂ‰ÌÂÈ ÓÔÂ‡ˆËË. èË ÔÓﬂ‚ÎÂÌËË
Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËﬂ ÒÎÂ‰ÛÈÚÂ ˝ÚËÏ ËÌÒÚÛÍˆËﬂÏ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Í‡Ê‰ÓÏ ÒÓÓ·˘ÂÌËË ÒÏ. ‚ ‡Á‰ÂÎÂ
«ëÓÓ·˘ÂÌËﬂ» Ì‡ ÒÚ. 165.
● ëÓı‡ÌÂÌËÂ ËÁÏÂÌÂÌËÈ
íÂÔÂ¸, ÔÓÁÌ‡ÍÓÏË‚¯ËÒ¸ Ò ÔÓˆÂ‰ÛÓÈ ËÁÏeÌeÌËﬂ Ì‡ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ‚˚ ÏÓÊÂÚÂ
ÒÔÓÒËÚ¸, ÓÒÚ‡ÌÛÚÒﬂ ÎË ˝ÚË ËÁÏÂÌÂÌËﬂ ‚ Ô‡ÏﬂÚË ÔÓÒÎÂ ‚˚ÍÎ˛˜eÌËﬂ ËÌÒÚÛÏeÌÚ‡. éÚ‚ÂÚ – «‰‡», Ìo ÌÂÓ·ıÓ‰ËÏÓ
ÛÚÓ˜ÌËÚ¸, Í‡ÍËÂ Ì‡ÒÚÓÈÍË ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸.
èÓ ÛÏÓÎ˜‡ÌË˛ ÔË‡ÌËÌÓ Clavinova ÌÂ Á‡ÔÓÏËÌ‡ÂÚ ËÁÏÂÌÂÌËﬂ ·ÓÎ¸¯ËÌÒÚ‚‡ Ì‡ÒÚÓÂÍ. ëÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍË
ÏÓÊÌÓ ‰‚ÛÏﬂ ÒÔÓÒÓ·‡ÏË:
• á‡ÔËÒ‡Ú¸ Ì‡ÒÚÓÈÍË Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Registration (ÒÚ. 89). á‡ÔËÒ‡‚ Ì‡ÒÚÓÈÍË, ÏÓÊÌÓ ‚ Î˛·ÓÈ ÏÓÏÂÌÚ
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Ëı Ò ÔÓÏÓ˘¸˛ Ô‡˚ ÍÌÓÔÓÍ.
• Ñ‡Ú¸ ÛÍ‡Á‡ÌËÂ ËÌÒÚÛÏÂÌÚÛ ÒÓı‡ÌﬂÚ¸ ÓÔÂ‰ÂÎÂÌÌ˚Â Ì‡ÒÚÓÈÍË ÔË ‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ Ë ‚˚Á˚‚‡Ú¸ ÔË
‚ÍÎ˛˜ÂÌËË. ÑÎﬂ ˝ÚÓ„Ó ÌÛÊÌÓ ËÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍË ÙÛÌÍˆËË Backup (ÒÓı‡ÌÂÌËﬂ) (ÒÚ. 152).
CVP-202
20
22
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË
○○○○○○○○○○○○○○○○○○○○
ç‡ ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ‰‚‡ ÔÓÎÁÛÌÍ‡: ‰Îﬂ Â„ÛÎËÓ‚ÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË Ë
‰Îﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌeÏÂÌÚ‡ ËÎË ÔÂÒÌË. ÖÒÚ¸ Ú‡ÍÊÂ
Ì‡ÒÚÓÈÍË ‰Îﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚ Ë „ÓÏÍÓÒÚË Í‡Ê‰ÓÈ
Ô‡ÚËË ‡‚ÚÓÏ‡ÚË˜eÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ ËÎË ÔÂÒÌË.
VOLUME
MASTER
VOLUME
MAX
ACMP/SONG
VOLUME
MAX
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
SPLIT
EFFECT
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
MIN
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
MIN
ç‡ÒÚÓÈÍ‡ Ó·˘ÂÈ „ÓÏÍÓÒÚË
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË Ó·˘ÂÈ „ÓÏÍÓÒÚË
ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛÈÚÂ
ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
VOLUME
MASTER
VOLUME
èêàåÖóÄçàÖ
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
• èÓÎÁÛÌÓÍ [MASTER VOLUME] ÓÔÂ‰ÂÎﬂÂÚ
Ú‡ÍÊÂ ÛÓ‚ÂÌ¸ ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ Ì‡
‡Á˙ÂÏÂ [PHONES].
• ç‡ÒÚÓÈÍ‡ [MASTER VOLUME] ‚ÎËﬂÂÚ
Ú‡ÍÊÂ Ì‡ ÒË„Ì‡Î˚, ÔÓÒÚÛÔ‡˛˘ËÂ Ì‡
‡Á˙ÂÏ˚ AUX IN, ÌÓ ÌÂ ‚ÎËﬂÂÚ Ì‡ ÒË„Ì‡Î˚,
‚˚ıÓ‰ﬂ˘ËÂ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX OUT .
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË „ÓÏÍÓÒÚË
‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ÔÂÒÂÌ ËÒÔÓÎ¸ÁÛÈÚÂ ÔÓÎÁÛÌÓÍ [ACMP/
SONG VOLUME].
èêàåÖóÄçàÖ
VOLUME
MASTER
VOLUME
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
ùÚÓÚ ˝ÎÂÏÂÌÚ ÛÔ‡‚ÎÂÌËﬂ ÌÂ ‚ÎËﬂÂÚ Ì‡
„ÓÏÍÓÒÚ¸ ÏÛÁ˚Í‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ,
ËÒÔÓÎÌﬂÂÏ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚
21
Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ KBD VOL
Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ Ë ËÁÏÂÌËÚÂ
„ÓÏÍÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚ Ò ÔÓÏÓ˘¸˛
Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–]
Ë [+].
CVP-202
23
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ç‡ÒÚÓÈÍ‡ ÛÓ‚ÌÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì MIXER Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MIXER]. ç‡ ˝ÚÓÏ ˝Í‡Ìe ÏÓÊÌÓ
Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ Ë ÓÚ‰ÂÎ¸Ì˚ı Ô‡ÚËÈ ÔÂÒÌË.
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ÒÌÓ‚‡ Ì‡ÊÏËÚe ÍÌÓÔÍÛ [MIXER]
(ËÎË [EXIT]).
ä‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊÂ, ÒÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ Ú‡ÍÓ„Ó ÏËÍ¯ÂÌÓ„Ó ˝Í‡Ì‡.
● åËÍ¯e ‡‚ÚÓÏ‡ÚË˜eÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌeÏeÌÚa
ùÚÓÚ ˝Í‡Ì MIXER ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÍÓ„‰‡ ‚˚ ÌÂ ËÒÔÓÎ¸ÁÛÂÚÂ ÂÊËÏ Song.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÒÏ. ‚ ‡Á‰ÂÎÂ «êÂ„ÛÎËÓ‚Í‡ ÛÓ‚ÌÂÈ ÓÚ‰ÂÎ¸Ì˚ı
Ô‡ÚËÈ» (ÒÚ. 65).
● Song Mixer
ùÚÓÚ ˝Í‡Ì MIXER ÔÓﬂ‚ÎﬂÂÚÒﬂ ‚ ÂÊËÏÂ Song. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÒÏ. ‚ ‡Á‰ÂÎÂ «êÂ„ÛÎËÓ‚Í‡ ÛÓ‚ÌÂÈ ÓÚ‰ÂÎ¸Ì˚ı ‰ÓÓÊÂÍ»
(ÒÚ. 100).
CVP-202
22
24
åÂÚÓÌÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Ç ÍÓÏÔÎÂÍÚ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova ‚ıÓ‰ËÚ Û‰Ó·Ì˚È ÏÂÚÓÌÓÏ, Ë‰Â‡Î¸Ì˚È ‰Îﬂ
ÛÔ‡ÊÌÂÌËÈ. èÓˆÂ‰Û‡ ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ÏÂÚÓÌÓÏ‡ ÔÓ‚ÚÓﬂÂÚ ÔÓˆÂ‰ÛÛ ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚ ÂÊËÏÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49) Ë ÔÂÒÌË (ÒÚ. 93).
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
METRONOME
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡
ÇÍÎ˛˜ËÚ¸ ÏÂÚÓÌÓÏ Ë Á‡‰‡Ú¸ Â„Ó ÚÂÏÔ ÏÓÊÌÓ Ì‡ Î˛·ÓÏ ˝Í‡ÌÂ, ‚ÍÎ˛˜‡ﬂ
„Î‡‚Ì˚È.
■ á‡ÔÛÒÍ Ë ÓÒÚ‡ÌÓ‚Í‡ ÏÂÚÓÌÓÏ‡ .....................................................................................
óÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÏÂÚÓÌÓÏ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [METRONOME].
TEMPO
METRONOME
RESET
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ [METRONOME], Ë ÏÂÚÓÌÓÏ Ì‡˜ÌÂÚ ÓÚÒ˜ËÚ˚‚‡Ú¸ ‚ÂÏﬂ
(˜ÚÓ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ ÏË„‡˛˘ËÏË ËÌ‰ËÍ‡ÚÓ‡ÏË BEAT).
èêàåÖóÄçàÖ
• åÂÚÓÌÓÏ ÏÓÊÌÓ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚ ÂÊËÏÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 49) ËÎË ‚
ÂÊËÏÂ ÔÂÒÌË (ÒÚ. 93).
• åÂÚÓÌÓÏ ÌÂ Á‡ÔÛÒÍ‡ÂÚÒﬂ ÔË
ÔÓË„˚‚‡ÌËË ÏÛÁ˚Í‡Î¸Ì˚ı
ÔÓËÁ‚Â‰ÂÌËÈ Ò ‰ËÒÍÂÚ, Á‡ÔËÒ‡ÌÌ˚ı ‚
Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ (ÒÏ. ÒÚ. 96).
CONTRAST
BEAT
èêàåÖóÄçàÖ
ÑÎﬂ ÓÒÚ‡ÌÓ‚ÍË ÏÂÚÓÌÓÏ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [METRONOME] Â˘Â ‡Á.
■ êÂ„ÛÎËÓ‚Í‡ ÚÂÏÔ‡ ........................................................................................................................
íÂÍÛ˘ËÈ ÚÂÏÔ, ÛÍ‡Á‡ÌÌ˚È Û ÎÂ‚Ó„Ó Í‡ﬂ ˝Í‡Ì‡, Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó
ÒÚËÎﬂ (ÒÏ. ÒÚ. 49). ÑÎﬂ ËÁÏÂÌÂÌËﬂ ÚÂÏÔ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ TEMPO [–] ËÎË [+].
íÂÏÔ
• ÑË‡Ô‡ÁÓÌ: 32 — 280
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ.
èêàåÖóÄçàÖ
ÇÓÁ‚+‡Ú Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ
àÒıÓ‰Ì˚È ÚÂÏÔ ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‰Îﬂ
‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ Ó‰ÌÓ‚ÂÏÂÌÌ˚Ï
Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ TEMPO [–] Ë [+].
TEMPO
METRONOME
RESET
Slower
Faster
➔ é·ÓÁÌ‡˜ÂÌËÂ ÚÂÏÔ‡ Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ ‚˚‰ÂÎﬂÂÚÒﬂ, Ë ÔÓËÒıÓ‰ËÚ
ËÁÏÂÌÂÌËÂ ÚÂÏÔ‡.
23
äÓÓÚÍÓÂ Ì‡Ê‡ÚËÂ ÍÌÓÔÓÍ TEMPO [–] Ë [+] ÏÂÌﬂÂÚ ÁÌ‡˜ÂÌËÂ ÚÂÏÔ‡ Ì‡
Â‰ËÌËˆÛ. ÑÎﬂ ÁÌ‡˜ËÚÂÎ¸ÌÓ„Ó ËÁÏÂÌÂÌËﬂ ÚÂÏÔ‡ Ì‡ÊÏËÚÂ Ë ÔÓ‰ÂÊËÚÂ ÍÌÓÔÍÛ.
EcÎË Ì‡ ˝Í‡ÌÂ ‚˚‰ÂÎÂÌ Ô‡‡ÏÂÚ «ÚÂÏÔ», ‚˚ ÏÓÊÂÚÂ Ú‡ÍÊÂ ÛÒÚ‡ÌÓ‚ËÚ¸
Â„Ó Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].
èêàåÖóÄçàÖ
ÇÓ ‚+ÂÏﬂ ‚ÓÒÔ+ÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ËÎË
ÔÂÒÌË...
• ÖÒÎË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ ËÎË ÔÂÒÌË
Ì‡˜ËÌ‡ÂÚÒﬂ Ì‡ ÙÓÌÂ ÒË„Ì‡ÎÓ‚
ÏÂÚÓÌÓÏ‡, ˝ÚË ÒË„Ì‡Î˚ ·Û‰ÛÚ
ÔÓ‰ÓÎÊ‡Ú¸ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÒÓ
ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ.
• èË ˝ÚÓÏ ÏÂÚÓÌÓÏ ·Û‰ÂÚ ÓÚÒ˜ËÚ˚‚‡Ú¸
‡ÁÏÂ ÒÚËÎﬂ ËÎË ÔÂÒÌË, ‡ ÌÂ Ì‡ÒÚÓÈÍÛ
BEAT.
• åÂÚÓÌÓÏ ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ÏÂÒÚÂ ÒÓ
ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ.
CVP-202
25
åÂÚÓÌÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ÏÂÚÓÌÓÏ‡
ÉÓÏÍÓÒÚ¸ Ë Ú‡ÍÚÓ‚˚È ‡ÁÏÂ ÏÂÚÓÌÓÏ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛
Ì‡ÒÚÓÂÍ Ì‡ ÒÚ‡ÌËˆÂ METRONOME.
■ ç‡ÒÚÓÈÍË ÏÂÚÓÌÓÏ‡ ....................................................................
ÑÎﬂ ÔÂÂıÓ‰‡ Ì‡ ÒÚ‡ÌËˆÛ METRONOME Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[DIRECT ACCESS], Ë Á‡ÚÂÏ ÍÌÓÔÍÛ [METRONOME].
DIRECT ACCESS
➾
TEMPO
METRONOME
RESET
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì METRONOME.
■ ìÒÚ‡ÌÓ‚Í‡ ‡ÁÏÂ‡ (Time Signature) ............................................
ÑÎﬂ ËÁÏÂÌÂÌËﬂ ‡ÁÏÂ‡ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË BEAT t Ë s. (ÖÒÎË Ì‡ ˝Í‡ÌÂ
‚˚‰ÂÎÂÌ‡ ÙÛÌÍˆËﬂ BEAT, ÂÂ Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó
‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].)
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ NORMAL, ÏÂÚÓÌÓÏ ‡‚ÌÓÏÂÌÓ «ÚËÍ‡ÂÚ» ‚
ÚÂÍÛ˘ÂÏ ÚÂÏÔÂ, Ë ÌËÍ‡ÍËÂ ‰ÓÎË ÌÂ ‚˚‰ÂÎﬂ˛ÚÒﬂ.
ÖÒÎË ÙÛÌÍˆËﬂ BEAT ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚ ÁÌ‡˜ÂÌËÂ 2, 3, 4 ËÎË 5, ÏÂÚÓÌÓÏ
ÓÚÒ˜ËÚ˚‚‡ÂÚ Ú‡ÍÚ˚ ‚ ÓÔÂ‰ÂÎÂÌÌÓÏ ËÚÏÂ, ‡ Ì‡ ÔÂ‚ÓÈ ‰ÓÎÂ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡
Á‚Û˜ËÚ ÍÓÎÓÍÓÎ¸˜ËÍ.
■ ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÏÂÚÓÌÓÏ‡ ................................................
ÑÎﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÏÂÚÓÌÓÏ‡ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË VOLUME t
Ë s. (ÖÒÎË Ì‡ ˝Í‡ÌÂ ‚˚‰ÂÎÂÌ‡ ÙÛÌÍˆËﬂ VOLUME, ÂÂ Ì‡ÒÚÓÈÍË ÏÓÊÌÓ
ÔÓÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].)
èêàåÖóÄçàÖ
BEAT
• ç‡ÒÚÓÈÍË: NORMAL, 2 - 5
• éÒÌÓ‚Ì‡ﬂ Ì‡ÒÚÓÈÍ‡: NORMAL
èêàåÖóÄçàÖ
VOLUME
• ÑË‡Ô‡ÁÓÌ: 0 - 127
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 64
ÉÓÏÍÓÒÚ¸ ÏeÚÓÌÓÏ‡ Á‡‰‡eÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VOLUME Ë ÔÓÎÁÛÌÍ‡
[ACMP/SONG VOLUME] (ÍÓÏe eÊËÏ‡ Song, „‰e ÔÓÎÓÊeÌËe ÔÓÎÁÛÌÍ‡ Ìe
‚ÎËﬂeÚ Ì‡ „ÓÏÍÓÒÚ¸ ÏeÚÓÌÓÏ‡). èÓÎÓÊeÌËe ÔÓÎÁÛÌÍ‡ Ú‡ÍÊe ‚ÎËﬂeÚ Ì‡
„ÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌeÏeÌÚ‡ (ÒÚ. 50).
CVP-202
24
26
êÂÊËÏ ÒÔ‡‚ÍË (Help)
○○○○○○○○○○○○○○○○○○○○○○○
êÂÊËÏ HELP (êÂÊËÏ ÒÔ‡‚ÍË) ÔÓÁ‚ÓÎﬂÂÚ ÔÓÎÛ˜ËÚ¸ Ò‚Â‰eÌËﬂ Ó· ÓÒÌÓ‚Ì˚ı
ÙÛÌÍˆËﬂı ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova. Ç˚·‡Ú¸ ÚÂÏÛ, ÔÓ ÍÓÚÓÓÈ ÌÛÊÌ‡
ÒÔ‡‚Í‡, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÏÂÌ˛ Ì‡ Üä-˝Í‡Ìe. åÓÊÌÓ Ú‡ÍÊÂ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ Ì‡ Ô‡ÌeÎË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ Ó· ˝ÚÓÏ ˝ÎÂÏÂÌÚe ÛÔ‡‚ÎeÌËﬂ.
HELP
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
Z Ç˚ÁÓ‚ËÚÂ ÂÊËÏ‡ HELP ......................................................................................................
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
èêàåÖóÄçàÖ
Ç eÊËÏe HELP ÌËÍ‡ÍËÂ ‰Û„ËÂ ÓÔe‡ˆËË
‚˚ÔÓÎÌﬂÚ¸Òﬂ Ìe ÏÓ„ÛÚ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [HELP].
DEMO
HELP
➔ èÓﬂ‚ËÚÒﬂ ÏÂÌ˛ HELP.
X Ç˚·ÂËÚÂ ﬂÁ˚Í, ÂÒÎË ÚÂ·ÛÂÚÒﬂ. ..............................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ﬂÁ˚Í ‰Îﬂ ÂÊËÏ‡ ÒÔ‡‚ÍË (ENGLISH, JAPANESE,
GERMAN, FRENCH ËÎË SPANISH) Ò ÔÓÏÓ˘¸˛ ˜ÂÚ‚ÂÚÓÈ Üä-ÍÌÓÔÍË.
èêàåÖóÄçàÖ
Ç˚·‡ÌÌ˚È ‚‡ÏË ﬂÁ˚Í ÒÓı‡ÌﬂeÚÒﬂ ‰‡Êe ÔË
‚˚ÍÎ˛˜ÂÌÌÓÏ ÔËÚ‡ÌËË.
C Ç˚·eËÚÂ ÚÂÏÛ, ÔÓ ÍÓÚÓÓÈ ÌÛÊÌ‡ ÒÔ‡‚Í‡. ..............................................
àÒÔÓÎ¸ÁÛÈÚÂ Üä-ÍÌÓÔÍË SELECT s Ë t ‰Îﬂ ‚˚·Ó‡ Ó‰ÌÓ„Ó ËÁ ‚ÓÒ¸ÏË
ÏÂÌ˛.
íÂÏ˚ ÒÔ‡‚ÍË
• éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË
• ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÔÂÒÌË
• íÂÏ·˚
• ëÚËÎË
• ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
• á‡ÔËÒ¸ ÔÂÒÌË
• îÛÌÍˆËË
25
➔ Ç˚·‡ÌÌÓe ÏÂÌ˛ ‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ ˝Í‡Ìe.
➾ óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚˚·Ó, Ì‡ÊÏËÚÂ Üä-ÍÌÓÔÍÛ ÔÓ‰ Ì‡‰ÔËÒ¸˛ ENTER.
➔ èÓﬂ‚ËÚÒﬂ ÔÂ‚‡ﬂ ÒÚ‡ÌËˆ‡ ‚˚·‡ÌÌÓÈ ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓÏ‡ˆËË.
CVP-202
27
êÂÊËÏ ÒÔ‡‚ÍË (Help)
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
V èÓÎËÒÚ‡ÈÚÂ ÒÚ‡ÌËˆ˚ Ë ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘eÈ
ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓÏ‡ˆËeÈ. ...........................................................
ÑÎﬂ ÔÂÂıÓ‰‡ Í ÒÎÂ‰Û˛˘eÈ ÒÚ‡ÌËˆe ËÒÔÓÎ¸ÁÛÈÚÂ ˜ÂÚ‚eÚÛ˛ ÜäÍÌÓÔÍÛ. ÑÎﬂ ‚ÓÁ‚‡Ú‡ Í ÔÂ‰˚‰Û˘eÈ ÒÚ‡ÌËˆÂ Ì‡ÊÏËÚÂ ÚÂÚ¸˛ ÜäÍÌÓÔÍÛ.
B Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ ÔÓÒÏÓÚ‡ ˝ÎÂÏÂÌÚ‡ HELP......................
ç‡ÊÏËÚÂ Üä-ÍÌÓÔÍÛ ÔÓ‰ Ì‡‰ÔËÒ¸˛ EXIT, Ë ‚˚ ‚ÂÌeÚeÒ¸ ‚ ÏÂÌ˛ HELP.
Ç˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ ‰Û„ÓÈ ˝ÎÂÏÂÌÚ ÏÂÌ˛ ËÎË ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË Ë
ÓÁÌ‡ÍÓÏËÚ¸Òﬂ ÒÓ ÒÔ‡‚Ó˜ÌÓÈ ËÌÙÓÏ‡ˆËeÈ Ì‡ ‰Û„ËÂ ÚÂÏ˚.
N Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ HELP. ...........................................................
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ HELP Ë ‚ÓÁ‚‡˘eÌËﬂ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [HELP].
DEMO
HELP
CVP-202
26
28
ÉÎ‡‚‡ 3: íÂÏ·˚
Ç˚·Ó ÚÂÏ·Ó‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Ç ÒËÌÚÂÁ‡ÚÓÂ Clavinova ÔÂ‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È ﬂ‰ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ
Â‡ÎËÒÚË˜Ì˚ı Ë ‰ËÌ‡ÏË˜Ì˚ı ÚÂÏ·Ó‚, ‚ ÚÓÏ ˜ËÒÎÂ ÚÂÏ·˚ ÙÓÚÂÔË‡ÌÓ,
ÒÚÛÌÌ˚ı Ë ÏÂ‰Ì˚ı ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. îÛÌÍˆËﬂ Keyboard Percussion
ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ Â‡ÎËÒÚË˜Ì˚È Á‚ÛÍ ·‡‡·‡ÌÓ‚ Ë Û‰‡Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚ ÔﬂÏÓ Ò ÍÎ‡‚Ë‡ÚÛ˚.
VOICE
PIANO &
HARPSI.
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
R&B
PIANIST
MUSIC
DATABASE
SONG CONTROL
TEMPO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
LATIN
MARCH &
WORLD
METRONOME
WALTZ
BALLROOM
DISK
RESET
FUNCTION
HARMONY
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
● íËÔ˚ ÚÂÏ·Ó‚
• íÂÏ·˚ Clavinova: 243
• íÂÏ·˚ XG: 480
• ì‰‡Ì˚Â/ÒÔÂˆ˝ÙÙÂÍÚ˚: 14
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
BRASS
* ëÏ. ÒÔËÒÓÍ ÚÂÏ·Ó‚ ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ Ì‡ ÒÚ. 3.
* íÂÏ·˚ Clavinova ‰ÂÎﬂÚÒﬂ Ì‡ ‰‚ÂÌ‡‰ˆ‡Ú¸ „ÛÔ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëx
‰‚ÂÌ‡‰ˆ‡ÚË ÍÌÓÔÍ‡Ï VOICE Ì‡ Ô‡ÌÂÎË.
Ç˚·Ó ÚÂÏ·‡ Ì‡ ˝Í‡ÌÂ VOICE SELECT
Z Ç˚·ÂËÚÂ „ÛÔÔÛ ÚÂÏ·Ó‚. ...........................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË VOICE.
èêàåÖóÄçàÖ
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì VOICE SELECT.
Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡
ÑÎﬂ ‚ÓÁ‚‡Ú‡ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
VOICE
PIANO &
HARPSI.
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
èêàåÖóÄçàÖ
27
BRASS
WOODWIND
SYNTH.
XG
SPLIT
EFFECT
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡
• èË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ (ON)
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚÒﬂ ÚÂÏ· Grand
Piano 1. é‰Ì‡ÍÓ, ÂÒÎË ÙÛÌÍˆËﬂ
ÂÁÂ‚ËÓ‚‡ÌËﬂ Backup (ÒÚ. 152) ‚ÍÎ˛˜ÂÌ‡
(‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ ON), ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÔÓÒÎÂ‰ÌËÈ ‚˚·‡ÌÌ˚È
ÚÂÏ·.
• ÖÒÎË ÙÛÌÍˆËﬂ Backup (ÒÚ. 152) ‚ÍÎ˛˜ÂÌ‡,
‰‡ÊÂ ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‚ Ô‡ÏﬂÚË
ÒÓı‡ÌËÚÒﬂ ÔÓÒÎÂ‰ÌËÈ ‚˚·‡ÌÌ˚È ÚÂÏ· ËÁ
Í‡Ê‰ÓÈ „ÛÔÔ˚.
CVP-202
29
Ç˚·Ó ÚÂÏ·Ó‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X Ç˚·Ó ÚÂÏ·‡. ..................................................................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä‰ËÒÔÎÂÂ. í‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı Ë ÍÌÓÔÍË [–] Ë
[+].
ä‡Ê‰˚È ˝Í‡Ì VOICE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ËÎË ·ÓÎÂÂ ÒÚ‡ÌËˆ. ÑÎﬂ
‚˚ÁÓ‚‡ ÒÚ‡ÌËˆ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË PAGE [<] Ë [>].
C à„‡ ‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ. ...............................................................................................
ç‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸∂ ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎﬂÚÓ‡
[MASTER VOLUME].
èêàåÖóÄçàÖ
Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÂ Ì‡ÒÚÓÈÍË ÚÂÏ·‡
èË ‚˚·ÓÂ ÚÂÏ·‡ ‰Îﬂ ÌÂ„Ó ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚·Ë‡˛ÚÒﬂ Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘ËÂ
Â‚Â·Â‡ˆËﬂ, ˝ÙÙÂÍÚ Chorus, ÒÔÂˆË‡Î¸Ì˚È
˝ÙÙÂÍÚ Ë ‰Û„ËÂ Ì‡ÒÚÓÈÍË. Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ
‚˚·Ó Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡ ÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VOICE SETTING (ÒÚ. 137).
Ç˚·Ó ÚÂÏ·Ó‚ Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ
íÂÏ· Ú‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ „Î‡‚ÌÓÏ ÓÍÌÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
RIGHT1 VOICE.
Z Ç˚·Ó ÙÛÌÍˆËË RIGHT1 VOICE. ...........................................................................
ÖÒÎË ÙÛÌÍˆËﬂ RIGHT1 VOICE Â˘Â ÌÂ ‚ÍÎ˛˜ÂÌ‡, ‚ÍÎ˛˜ËÚÂ ÂÂ, Ì‡Ê‡‚
˜ÂÚ‚ÂÚÛ˛ ÍÌÓÔÍÛ Ì‡ Üä-‰ËÒÔÎÂÂ.
èêàåÖóÄçàÖ
X Ç˚·Ó ÚÂÏ·‡. ...................................................................................................................................
Ç˚·ÂËÚÂ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë
[+]. ÑÎﬂ ÔÂÂÏÂ˘ÂÌËﬂ ÔÓ ÒÔËÒÍÛ ÚÂÏ·Ó‚ Û‰ÂÊË‚‡ÈÚÂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ
RIGHT1 VOICE. (í‡Í ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÂÏ· ÌÂ ËÁ Ó‰ÌÓÈ, ‡ ËÁ ‚ÒÂı
„ÛÔÔ.)
C à„‡ ‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ. ................................................................................................
ç‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎﬂÚÓ‡ [MASTER
VOLUME].
CVP-202
èêàåÖóÄçàÖ
íÂÏ·˚ XG
îÓÏ‡Ú XG ÍÓÔÓ‡ˆËË Yamaha - ˝ÚÓ Ó‰ÌÓ ËÁ
ÓÒÌÓ‚Ì˚ı ÛÎÛ˜¯ÂÌËÈ ‚ ÙÓÏ‡ÚÂ GM (General
MIDI) System Level 1. éÌ ÔÓ‰‰ÂÊË‚‡ÂÚ
·ÓÎ¸¯Â Á‚ÛÍÓ‚ ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Ë
Ëı ‚‡Ë‡ˆËÈ, ‡ Ú‡ÍÊÂ ÔÓÁ‚ÓÎﬂÂÚ ·ÓÎÂÂ ÚÓ˜ÌÓ
ÛÔ‡‚ÎﬂÚ¸ ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË. XG Ú‡ÍÊÂ
Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÏÛÁ˚Í‡Î¸Ì˚ÏË
ËÌÒÚÛÏÂÌÚ‡ÏË Ë ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔÂ˜ÂÌËÂÏ,
ÍÓÚÓ˚Â ÔÓﬂ‚ﬂÚÒﬂ ‚ ·Û‰Û˘ÂÏ.
• ÑÎﬂ ‚ıÓ‰‡ ‚ ÏÂÌ˛ ˝ÚËı ÚÂÏ·Ó‚ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [XG].
• ÑÎﬂ ‚˚‚Ó‰‡ ÒÔËÒÍ‡ ÚÂÏ·Ó‚ XG ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Í‡ÚÂ„ÓËË ÌÂ ÓÚÔÛÒÍ‡ÈÚÂ
ÍÌÓÔÍÛ [XG] Ë Ì‡ÊÏËÚÂ ‰Û„Û˛ ÍÌÓÔÍÛ
VOICE.
28
30
íÂÏ·˚ Ensemble
íÂÏ·˚ Clavinova „ÛÔÔ˚ Ensemble - ˝ÚÓ
Ì‡Ò˚˘ÂÌÌ˚Â ÚÂÏ·˚, ÔÓıÓÊËÂ Ì‡ ÚÂÏ·˚ ‚
ÂÊËÏÂ Dual, ÍÓÚÓ˚ÏË ÏÓÊÌÓ Ë„‡Ú¸, ÌÂ
ÔÂÂıÓ‰ﬂ ‚ ˝ÚÓÚ ÂÊËÏ (ÒÚ. 33). ÑÎﬂ ‚ıÓ‰‡ ‚
ÏÂÌ˛ ˝ÚËı ÚÂÏ·Ó‚ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [Ensemble].
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Ç˚·Ó
ÚÂÏ·Ó‚
à„‡ ÚÂÏ·‡ÏË Û‰‡Ì˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ (ÙÛÌÍˆËﬂ Keyboard Percussion)
Ç ÒËÌÚÂÁ‡ÚÓÂ Clavinova ‰‚ÂÌ‡‰ˆ‡Ú¸ Ì‡·ÓÓ‚ Û‰‡Ì˚ı Ë ‰‚‡ Ì‡·Ó‡
Á‚ÛÍÓ‚˚ı ÒÔÂˆ˝ÙÙÂÍÚÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚x Ì‡ ÒÚ‡ÌËˆ‡ı 3 Ë 5 „ÛÔÔ˚ ÚÂÏ·Ó‚
[PERCUSSION]. èË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Ì‡·ÓÓ‚ ÒÔÂˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡‡·‡ÌÓ‚
Í‡Ê‰ÓÈ ÍÎ‡‚Ë¯Â ÔËÒ‚‡Ë‚‡˛ÚÒﬂ Á‚ÛÍË, ‚ıÓ‰ﬂ˘ËÂ ‚ ˝ÚÓÚ Ì‡·Ó.
ê‡ÁÎË˜Ì˚Â Û‰‡Ì˚Â Ë ÔÂÍÛÒÒËÓÌÌ˚Â ËÌÒÚÛÏÂÌÚ˚ Ì‡·Ó‡ Standard
Kit Ó·ÓÁÌ‡˜ÂÌ˚ ÒËÏ‚ÓÎ‡ÏË Ì‡‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÍÎ‡‚Ë¯‡ÏË.
ëÔËÒÓÍ Á‚ÛÍÓ‚, ‚ıÓ‰ﬂ˘Ëı ‚ Í‡Ê‰˚È Ì‡·Ó Û‰‡Ì˚ı/ÒÔÂˆ˝ÙÙÂÍÚÓ‚, ÒÏ. ‚
Ú‡·ÎËˆax Ì‡ ÒÚ‡ÌËˆÂ 8.
èêàåÖóÄçàÖ
• ÖÒÎË ‚˚·‡Ì Ì‡·Ó Û‰‡Ì˚ı, Á‚Û˜‡Ú¸ ·Û‰ÛÚ
ÚÓÎ¸ÍÓ ÍÎ‡‚Ë¯Ë Ò ÒËÏ‚ÓÎ‡ÏË Û‰‡Ì˚ı.
• ÖÒÎË ‚˚·‡Ì Ì‡·Ó ÒÔÂˆ˝ÙÙÂÍÚÓ‚, Á‚Û˜‡Ú¸
·Û‰ÛÚ ÚÓÎ¸ÍÓ ÍÎ‡‚Ë¯Ë, Á‡ ÍÓÚÓ˚ÏË
Á‡ÍÂÔÎÂÌ ÓÔÂ‰ÂÎÂÌÌ˚È ˝ÙÙÂÍÚ.
• îÛÌÍˆËË Transpose (ÒÚ. 136), Tune
(ÒÚ. 136) Ë Octave (ÒÚ. 32, 34 Ë 38) ÌÂ
‰ÂÈÒÚ‚Û˛Ú Ì‡ Ì‡·Ó˚ Û‰‡Ì˚ı/
ÒÔÂˆ˝ÙÙÂÍÚÓ‚.
VOICE
D
ORGAN &
ACCORDION
PERCUSSION
GUITAR
STRINGS
CHOIR &
PAD
SYNTH.
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË RIGHT1 VOICE, Ú‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
Ì‡ÒÚÓÈÍË Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ KEYBOARD [RIGHT1].
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ,
‰ÂÈÒÚ‚Û˛Ú ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË RIGHT1 VOICE. á‡‰‡Ú¸
ÓÚ‰ÂÎ¸Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡
ÌÂÎ¸Áﬂ.
■ Ç˚‚Ó‰ Ì‡ÒÚÓÂÍ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ .....................
ZèË Ë„Â ‚ ÂÊËÏÂ Dual ËÎË Split Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ ‰ÓÎÊÌ‡ ·˚Ú¸
‚˚·‡Ì‡ ÙÛÌÍˆËﬂ RIGHT1 VOICE.
èêàåÖóÄçàÖ
X ç‡ÊÏËÚÂ [DIRECT ACCESS] Ë Î˛·Û˛ ÍÌÓÔÍÛ VOICE.
ÑÎﬂ ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ‡ÌËˆ‡ÏË KEYBOARD [RIGHT1] Ë [RIGHT2] (ÒÚ. 34) ËÎË
[LEFT] (ÒÚ. 37) ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË PAGE
[<] Ë [>].
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì KEYBOARD [RIGHT1].
VOICE
29
DIRECT ACCESS
PIANO &
HARPSI.
➾
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
CVP-202
31
Ç˚·Ó ÚÂÏ·Ó‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ........................................................
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ VOLUME Ì‡ ÒÚ‡ÌËˆÂ KEYBOARD [RIGHT1].
èêàåÖóÄçàÖ
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÛÌÍˆËﬂ KBD VOL ‚ „Î‡‚ÌÓÏ
ÓÍÌÂ (ÒÚ. 23).
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ VOLUME.
➔ îÛÌÍˆËﬂ VOLUME ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
àÁÏÂÌËÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë
[+], ËÎË Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME.
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–]
Ë [+].
■ ç‡ÒÚÓÈÍ‡ ÓÍÚ‡‚˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ..................................................................
îÛÌÍˆËﬂ OCTAVE Ì‡ ˝Í‡ÌÂ KEYBOARD [RIGHT1] ÔÓÁ‚ÓÎﬂÂÚ
ÔÓ‚˚¯‡Ú¸ Ë ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ Ì‡ Ó‰ÌÛ ËÎË ‰‚Â ÓÍÚ‡‚˚.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ OCTAVE.
➔ áÌ‡˜ÂÌËÂ ËÁÏÂÌﬂÂÚÒﬂ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË.
èêàåÖóÄçàÖ
VOLUME („ÓÏÍÓÒÚ¸)
• ÑË‡Ô‡ÁÓÌ: 0 — 127
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 127
èêàåÖóÄçàÖ
OCTAVE
• ç‡ÒÚÓÈÍË: –2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚ÌËÁ)
–1 (Ì‡ 1 ÓÍÚ‡‚Û ‚ÌËÁ)
0 (·ÂÁ Ò‰‚Ë„‡)
+1 (Ì‡ 1 ÓÍÚ‡‚Û ‚‚Âı)
+2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚‚Âı)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 0
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÌËı
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ÒÚÓÈÍË
ÓÍÚ‡‚˚. (í‡ÍËÂ Ì‡ÒÚÓÈÍË ÌÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ
ÙÛÌÍˆËÂÈ OCTAVE.) óÚÓ·˚ Ì‡ÒÚÓÈÍË ÓÍÚ‡‚˚
ÌÂ ÏÂÌﬂÎËÒ¸ ÔË ‚˚·ÓÂ ÚÂÏ·‡, Ì‡‰Ó ‚˚·‡Ú¸
‰Îﬂ ÙÛÌÍˆËË VOICE SETTING (ÒÚ. 137)
Ô‡‡ÏÂÚ MANUAL.
■ ç‡ÒÚÓÈÍ‡ ÒÚÂÂÓ-ÔÓÁËˆËË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ........................................
îÛÌÍˆËﬂ PAN Ì‡ ˝Í‡ÌÂ KEYBOARD [RIGHT1] ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚÓËÚ¸
ÒÚÂÂÓ-ÔÓÁËˆË˛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
PAN (Ô‡ÌÓ‡Ï‡)
• ç‡ÒÚÓÈÍË: L — — R
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: (ÔÓ ˆÂÌÚÛ)
Zç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAN.
➔ îÛÌÍˆËﬂ PAN ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛.
àÁÏÂÌËÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚÂ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
PAN. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ
ÍÌÓÔÍË [–] Ë [+].
CVP-202
30
32
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË
Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual
○○○○○○○○○○○○○○○
êÂÊËÏ Dual ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ‚‡Ï Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡Ú¸
‰‚‡ ÚÂÏ·‡ Ë Ë„‡Ú¸ ËÏË, ‡ Ú‡ÍÊÂ Ë„‡Ú¸ ËÏË ‚ Ó‰ÌÓÏ ÒÎÓÂ. ùÚÓ Ó·ÎÂ„˜‡ÂÚ
ÒÓÁ‰‡ÌËÂ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ Ì‡Ò˚˘ÂÌÌ˚ı Ë ÔÓÎÌ˚ı ÚÓÌ‡Î¸Ì˚ı ÒÚÛÍÚÛ. í‡ÍÊÂ
ÏÓÊÌÓ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, ÓÍÚ‡‚Û Ë ÒÚÂÂÓ-ÔÓÁËˆË˛ ‚ÚÓÓ„Ó ÚÂÏ·‡ Ë ÒÏÂÒÚËÚ¸
Â„Ó ‚˚ÒÓÚÛ, ˜ÚÓ·˚ ÒÓÁ‰‡Ú¸ ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌ˚È Á‚ÛÍ.
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
SPLIT
EFFECT
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
DUAL
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡
Z Ç˚·Ó ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. ..................................................................................................
Ç˚·ÂËÚÂ ÚÂÏ·, Í‡Í Ó·˚˜ÌÓ (ÒÚ. 29), Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT]
‰Îﬂ ‚ÓÁ‚‡Ú‡ Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ.
X Ç˚ÁÓ‚ ÂÊËÏ‡ Dual. ....................................................................................................................
ÑÎﬂ ‚˚ÁÓ‚‡ ÂÊËÏ‡ Dual Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DUAL].
➔ Ç Ô‡‚ÓÏ ÌËÊÌÂÏ Û„ÎÛ Üä-˝Í‡Ì‡ ÔÓﬂ‚ËÚÒﬂ ÙÛÌÍˆËﬂ RIGHT2 VOICE, ‡
ÚÂÍÛ˘ËÈ ‚ÚÓÓÈ ÚÂÏ· ÓÚÓ·‡Ê‡ÂÚÒﬂ ÒÔ‡‚‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ (Á‡
ÁÌ‡ÍÓÏ ÔÎ˛Ò).
VOICE
PIANO &
HARPSI.
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
C Ç˚·Ó ‚ÚÓÓ„Ó ÚÂÏ·‡. .........................................................................................................
Ç˚·ÂËÚÂ ‚ÚÓÓÈ ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ‚˚·Ë‡ÎË ÓÒÌÓ‚ÌÓÈ ÚÂÏ· (ÒÚ. 29).
ÑÎﬂ ‚˚·Ó‡ ‚ÚÓÓ„Ó ÚÂÏ·‡ ‰ÓÎÊÌ‡ ·˚Ú¸ ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ RIGHT2
VOICE.
èêàåÖóÄçàÖ
ÇÚÓÓÈ ÚÂÏ·
• ÑË‡Ô‡ÁÓÌ: ‚ÒÂ ÚÂÏ·˚
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: SlowStrs
ëÏÂÌ‡ ocÌo‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Dual Mode
31
ÑÎﬂ ÒÏÂÌ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Dual ‚˚·ÂËÚÂ ÙÛÌÍˆË˛
RIGHT1 VOICE, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚÂ Ó·˚˜ÌÛ˛ ÔÓˆÂ‰ÛÛ ‚˚·Ó‡
ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
ÖÒÎË ÍÌÓÔÍË VOICE ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ‚˚·Ó‡
ÚÂÏ·‡, ÍÓ„‰‡ ‡·ÓÚ‡ÂÚ ÙÛÌÍˆËﬂ TEMPO ËÎË
KBD VOL, ÚÓ ‚˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ
ÓÒÌÓ‚Ì˚Ï.
CVP-202
33
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual
○○○○○○○○○○○○○○○○○○○○○○○○○
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ‚ÚÓÓ„Ó ÚÂÏ·‡
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË RIGHT2 VOICE, Ú‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
Ì‡ÒÚÓÈÍË Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ KEYBOARD [RIGHT2].
■ Ç˚‚Ó‰ Ì‡ÒÚÓÂÍ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ‚ÚÓÓ„Ó ÚÂÏ·‡ .............................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [DUAL].
VOICE
CUSSION
DIRECT ACCESS
➾
OIR &
PAD
GUITAR
BASS
DUAL
REVERB
SYNTH.
XG
SPLIT
EFFECT
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì KEYBOARD [RIGHT2].
■ ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ‚ÚÓÓ„Ó ÚÂÏ·‡ ...............................................................
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË ‚ÚÓÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ VOLUME Ì‡ ÒÚ‡ÌËˆÂ KEYBOARD [RIGHT2].
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ,
‰ÂÈÒÚ‚Û˛Ú ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË RIGHT2 VOICE. á‡‰‡Ú¸
ÓÚ‰ÂÎ¸Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡
ÌÂÎ¸Áﬂ.
èêàåÖóÄçàÖ
ÖÒÎË ÙÛÌÍˆËﬂ RIGHT2 VOICE ‚˚·‡Ì‡ ‚
ÓÒÌÓ‚ÌÓÏ ÓÍÌÂ, ÏÓÊÌÓ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ
KEYBOARD [RIGHT2], Ì‡Ê‡‚ ÍÌÓÔÍÛ [DIRECT
ACCESS] Ë Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ VOICE.
èêàåÖóÄçàÖ
ÑÎﬂ ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ‡ÌËˆ‡ÏË KEYBOARD [RIGHT2] Ë [RIGHT1] (ÒÚ. 31) ËÎË
[LEFT] (ÒÚ. 37) ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË PAGE
[<] Ë [>].
èêàåÖóÄçàÖ
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÛÌÍˆËﬂ KBD VOL ‚ „Î‡‚ÌÓÏ
ÓÍÌÂ (ÒÚ. 23).
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ VOLUME.
➔ îÛÌÍˆËﬂ VOLUME ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ ‚ÚÓÓ„Ó ÚÂÏ·‡.
àÁÏÂÌËÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë
[+], ËÎË Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME.
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–]
Ë [+].
■ ç‡ÒÚÓÈÍ‡ ÓÍÚ‡‚˚ ‚ÚÓÓ„Ó ÚÂÏ·‡ .........................................................................
îÛÌÍˆËﬂ OCTAVE Ì‡ ˝Í‡ÌÂ KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎﬂÂÚ
ÔÓ‚˚¯‡Ú¸ Ë ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ ‚ÚÓÓ„Ó ÚÂÏ·‡ Ì‡ Ó‰ÌÛ ËÎË ‰‚Â ÓÍÚ‡‚˚.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ OCTAVE.
➔ áÌ‡˜ÂÌËÂ ËÁÏÂÌﬂÂÚÒﬂ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË.
èêàåÖóÄçàÖ
VOLUME („ÓÏÍÓÒÚ¸)
• ÑË‡Ô‡ÁÓÌ: 0 — 127
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 127
èêàåÖóÄçàÖ
OCTAVE (c‰‚Ë„ Ì‡ ÓÍÚ‡‚Û)
• ç‡ÒÚÓÈÍË: –2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚ÌËÁ)
–1 (Ì‡ 1 ÓÍÚ‡‚Û ‚ÌËÁ)
0 (·ÂÁ Ò‰‚Ë„‡)
+1 (Ì‡ 1 ÓÍÚ‡‚Û ‚‚Âı)
+2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚‚Âı)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 0
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÌËı
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ÒÚÓÈÍË
ÓÍÚ‡‚˚. (í‡ÍËÂ Ì‡ÒÚÓÈÍË ÌÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ
ÙÛÌÍˆËÂÈ OCTAVE.) óÚÓ·˚ Ì‡ÒÚÓÈÍË ÓÍÚ‡‚˚
ÌÂ ÏÂÌﬂÎËÒ¸ ÔË ‚˚·ÓÂ ÚÂÏ·‡, Ì‡‰Ó ‚˚·‡Ú¸
‰Îﬂ ÙÛÌÍˆËË VOICE SETTING (ÒÚ. 137)
Ô‡‡ÏÂÚ MANUAL.
CVP-202
32
34
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡
‰‚ÛÏﬂ ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ: ÂÊËÏ Dual
■ ç‡ÒÚÓÈÍ‡ ÒÚÂÂÓ-ÔÓÁËˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡ ..............................................
îÛÌÍˆËﬂ PAN Ì‡ ˝Í‡ÌÂ KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚÓËÚ¸
ÒÚÂÂÓ-ÔÓÁËˆË˛ ‚ÚÓÓ„Ó ÚÂÏ·‡.
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAN.
➔ îÛÌÍˆËﬂ PAN ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
èêàåÖóÄçàÖ
PAN (Ô‡ÌÓ‡Ï‡)
• ç‡ÒÚÓÈÍË: L — — R
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: (ÔÓ ˆÂÌÚÛ)
X ç‡ÒÚÓÈÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛.
àÁÏÂÌËÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚÂ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
PAN. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ
ÍÌÓÔÍË [–] Ë [+].
■ àÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚ ‚ÚÓÓ„Ó ÚÂÏ·‡ .....................................................................
îÛÌÍˆËﬂ DETUNE Ì‡ ˝Í‡ÌÂ KEYBOARD [RIGHT2] ÔÓÁ‚ÓÎﬂÂÚ ÌÂÏÌÓ„Ó
ÒÏÂÒÚËÚ¸ ‚˚ÒÓÚÛ ‚ÚÓÓ„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌË˛ Ò ‚˚ÒÓÚÓÈ ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡, ˜ÚÓ ‰ÂÎ‡ÂÚ Á‚ÛÍ Â˘Â ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌ˚Ï.
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ DETUNE.
èêàåÖóÄçàÖ
DETUNE (cÏÂ˘ÂÌËÂ ‚˚ÒÓÚ˚)
• ÑË‡Ô‡ÁÓÌ: 0 — 10
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 5
➔ îÛÌÍˆËﬂ DETUNE ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ „ÎÛ·ËÌÛ ÒÏÂ˘ÂÌËﬂ.
àÁÏÂÌËÚÂ „ÎÛ·ËÌÛ ÒÏÂ˘ÂÌËﬂ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÓÍ [–] Ë [+], ËÎË Û‚ÂÎË˜¸ÚÂ ÂÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË DETUNE.
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
[–] Ë [+].
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Dual
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ Dual Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DUAL].
➔ àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [DUAL] ÔÓ„‡ÒÌÂÚ, Ë ÍÎ‡‚Ë‡ÚÛ‡ ‚˚È‰ÂÚ ËÁ ÂÊËÏ‡ Dual.
VOICE
CUSSION
33
OIR &
PAD
GUITAR
BASS
DUAL
REVERB
SYNTH.
XG
SPLIT
EFFECT
CVP-202
35
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı
ÒÚÓÓÌ‡ı ÍÎ‡‚Ë‡ÚÛ˚: ÂÊËÏ Split
○○○○○○○○
êÂÊËÏ Split ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ‚‡Ï Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡Ú¸
‰‚‡ ‡ÁÌ˚ı ÚÂÏ·‡ ‰Îﬂ Í‡Ê‰ÓÈ ÛÍË. ç‡ÔËÏÂ, ÎÂ‚ÓÈ ÛÍÓÈ ÏÓÊÌÓ
Ë„‡Ú¸ ÚÂÏ· ·‡ÒÓ‚Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ‡ Ô‡‚ÓÈ - ÙÓÚÂÔË‡ÌÓ.
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡
Z Ç˚·Ó ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡. ...................................................................................................
Ç˚·ÂËÚÂ ÚÂÏ·, Í‡Í Ó·˚˜ÌÓ (ÒÚ. 29), Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT] ‰Îﬂ
‚ÓÁ‚‡Ú‡ Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ. Ç˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ
Ë„˚ Ô‡‚ÓÈ ÛÍÓÈ.
X Ç˚ÁÓ‚ ÂÊËÏ‡ Split. ....................................................................................................................
ÑÎﬂ ‚˚ÁÓ‚‡ ÂÊËÏ‡ Split Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SPLIT].
➔ Ç Ô‡‚ÓÏ ÌËÊÌÂÏ Û„ÎÛ Üä-˝Í‡Ì‡ ÔÓﬂ‚ËÚÒﬂ ÙÛÌÍˆËﬂ LEFT VOICE, ‡
ÚÂÍÛ˘ËÈ ÎÂ‚˚È ÚÂÏ· ÓÚÓ·‡Ê‡ÂÚÒﬂ ÒÎÂ‚‡ ÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ (ÔÂÂ‰
ÍÓÒÓÈ ˜ÂÚÓÈ). í‡ÍÊÂ Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÍÎ‡‚Ë‡ÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
ÚÓ˜ÍÂ ‡Á‰ÂÎÂÌËﬂ.
èêàåÖóÄçàÖ
TÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ
TÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ - ˝ÚÓ ÍÎ‡‚Ë¯‡,
‡Á‰ÂÎﬂ˛˘‡ﬂ Ô‡‚Û˛ Ë ÎÂ‚Û˛ ÒÚÓÓÌ˚
ÍÎ‡‚Ë‡ÚÛ˚. íÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË SPLIT POINT Ì‡
ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ KEYBOARD [LEFT] (ÒÚ. 39).
èêàåÖóÄçàÖ
VOICE
PIANO &
HARPSI.
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
ÇÓ ‚ÂÏﬂ Ë„˚ ‚ ÂÊËÏÂ Split ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ú‡ÍËÂ ÂÊËÏ˚ ÙÛÌÍˆËË Automatic Accompaniment (‡‚ÚÓÏ‡ÚË˜ÂÒÍËÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ), Í‡Í Single Finger, Multi Finger,
Fingered1 ËÎË Fingered2 (ÒÚ. 59). Ç ˝ÚÓÏ
ÒÎÛ˜‡Â Ì‡Ê‡ÚËÂ ÍÎ‡‚Ë¯Ë ‚ ÎÂ‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÚÂÏ·˚ ËÁ „ÛÔÔ˚
Automatic Accompaniment, Ú‡ÍÊÂ Í‡Í Ë ÎÂ‚˚È
ÚÂÏ·.
èêàåÖóÄçàÖ
C Ç˚·Ó ÎÂ‚Ó„Ó ÚÂÏ·‡. .............................................................................................................
Ç˚·ÂËÚÂ ÎÂ‚˚È ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ‚˚·Ë‡ÎË ÓÒÌÓ‚ÌÓÈ ÚÂÏ· (ÒÚ. 29).
ÑÎﬂ ‚˚·Ó‡ ÎÂ‚Ó„Ó ÚÂÏ·‡ ‰ÓÎÊÌ‡ ·˚Ú¸ ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ LEFT VOICE.
ãÂ‚˚È ÚÂÏ·
• ÑË‡Ô‡ÁÓÌ: ‚ÒÂ ÚÂÏ·˚
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Aco.Bass
ëÏÂÌ‡ „Î‡‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Split
ÑÎﬂ ÒÏÂÌ˚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÂÊËÏÂ Split ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ RIGHT1
VOICE, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚÂ Ó·˚˜ÌÛ˛ ÔÓˆÂ‰ÛÛ ‚˚·Ó‡ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
CVP-202
34
36
èêàåÖóÄçàÖ
ÖÒÎË ÍÌÓÔÍË VOICE ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ‚˚·Ó‡
ÚÂÏ·‡, ÍÓ„‰‡ ‡·ÓÚ‡ÂÚ ÙÛÌÍˆËﬂ TEMPO ËÎË
KBD VOL, ÚÓ ‚˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ
ÓÒÌÓ‚Ì˚Ï.
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓÌ‡ı ÍÎ‡‚Ë‡ÚÛ˚: ÂÊËÏ Split
○○○○○○○○○○○○○○
ç‡ÒÚÓÈÍË ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË, ÓÍÚ‡‚˚ Ë Ô‡ÌÓ‡Ï˚ ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË LEFT VOICE, Ú‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ì‡ÒÚÓÈÍË
Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ KEYBOARD [LEFT]. èË ÔÓÏÓ˘Ë ÙÛÌÍˆËÈ Ì‡ ˝ÚÓÈ
ÒÚ‡ÌËˆÂ Ú‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ ÔÂ‰‡ÎÂÈ Ë ÚÓ˜ÍÛ
‡Á‰ÂÎÂÌËﬂ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚.
■ Ç˚‚Ó‰ Ì‡ÒÚÓÂÍ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡ ................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [SPLIT].
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì KEYBOARD [LEFT].
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ,
‰ÂÈÒÚ‚Û˛Ú ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚, ‚˚·‡ÌÌ˚ı Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË LEFT VOICE. á‡‰‡Ú¸
ÓÚ‰ÂÎ¸Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡
ÌÂÎ¸Áﬂ.
èêàåÖóÄçàÖ
ÖÒÎË ÙÛÌÍˆËﬂ LEFT VOICE ‚˚·‡Ì‡ ‚
ÓÒÌÓ‚ÌÓÏ ÓÍÌÂ, ÏÓÊÌÓ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ
KEYBOARD [LEFT], Ì‡Ê‡‚ ÍÌÓÔÍÛ [DIRECT
ACCESS] Ë Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ VOICE.
VOICE
CUSSION
DIRECT ACCESS
➾
OIR &
PAD
GUITAR
SYNTH.
BASS
XG
DUAL
SPLIT
REVERB
EFFECT
■ ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÎÂ‚Ó„Ó ÚÂÏ·‡ .................................................................
ÑÎﬂ ËÁÏÂÌÂÌËﬂ „ÓÏÍÓÒÚË ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ VOLUME Ì‡ ÒÚ‡ÌËˆÂ KEYBOARD [LEFT].
èêàåÖóÄçàÖ
ÑÎﬂ ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ‡ÌËˆ‡ÏË KEYBOARD [LEFT] Ë [RIGHT1] (ÒÚ. 31) ËÎË
[RIGHT2] (ÒÚ. 34) ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË PAGE
[<] Ë [>].
èêàåÖóÄçàÖ
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÛÌÍˆËﬂ KBD VOL ‚ „Î‡‚ÌÓÏ
ÓÍÌÂ (ÒÚ. 23).
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ VOLUME.
➔ îÛÌÍˆËﬂ VOLUME ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ „ÓÏÍÓÒÚ¸ ÎÂ‚Ó„Ó ÚÂÏ·‡.
35
àÁÏÂÌËÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë
[+], ËÎË Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË VOLUME.
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
[–] Ë [+].
èêàåÖóÄçàÖ
VOLUME („ÓÏÍÓÒÚ¸)
• ÑË‡Ô‡ÁÓÌ: 0 — 127
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 127
CVP-202
37
à„‡ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓÌ‡ı ÍÎ‡‚Ë‡ÚÛ˚: ÂÊËÏ Split
■ ç‡ÒÚÓÈÍ‡ ÓÍÚ‡‚˚ ÎÂ‚Ó„Ó ÚÂÏ·‡ ............................................................................
îÛÌÍˆËﬂ OCTAVE Ì‡ ˝Í‡ÌÂ KEYBOARD [LEFT] ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚˚¯‡Ú¸ Ë
ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ ÎÂ‚Ó„Ó ÚÂÏ·‡ Ì‡ Ó‰ÌÛ ËÎË ‰‚Â ÓÍÚ‡‚˚. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
OCTAVE.
➔ áÌ‡˜ÂÌËÂ ËÁÏÂÌﬂÂÚÒﬂ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË.
○○○○○○○○○○○○○○○
èêàåÖóÄçàÖ
OCTAVE (Ò‰‚Ë„ Ì‡ ÓÍÚ‡‚Û)
• ç‡ÒÚÓÈÍË: –2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚ÌËÁ)
–1 (Ì‡ 1 ÓÍÚ‡‚Û ‚ÌËÁ)
0 (·ÂÁ Ò‰‚Ë„‡)
+1 (Ì‡ 1 ÓÍÚ‡‚Û ‚‚Âı)
+2 (Ì‡ 2 ÓÍÚ‡‚˚ ‚‚Âı)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: +1
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÌËı
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ÒÚÓÈÍË
ÓÍÚ‡‚˚. (í‡ÍËÂ Ì‡ÒÚÓÈÍË ÌÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ
ÙÛÌÍˆËÂÈ OCTAVE.) óÚÓ·˚ Ì‡ÒÚÓÈÍË ÓÍÚ‡‚˚
ÌÂ ÏÂÌﬂÎËÒ¸ ÔË ‚˚·ÓÂ ÚÂÏ·‡, Ì‡‰Ó ‚˚·‡Ú¸
‰Îﬂ ÙÛÌÍˆËË VOICE SETTING (ÒÚ. 137)
Ô‡‡ÏÂÚ MANUAL.
■ ç‡ÒÚÓÈÍ‡ ÒÚÂÂÓ-ÔÓÁËˆËË ÎÂ‚Ó„Ó ÚÂÏ·‡ ...................................................
îÛÌÍˆËﬂ PAN Ì‡ ˝Í‡ÌÂ KEYBOARD [LEFT] ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚÓËÚ¸
ÒÚÂÂÓ-ÔÓÁËˆË˛ ÎÂ‚Ó„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
PAN (Ô‡ÌÓ‡Ï‡)
• ç‡ÒÚÓÈÍË: L — — R
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: (ÔÓ ˆÂÌÚÛ)
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAN.
➔ îÛÌÍˆËﬂ PAN ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X ç‡ÒÚÓÈÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛.
àÁÏÂÌËÚÂ ÒÚÂÂÓ-ÔÓÁËˆË˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ
[–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚÂ ÔÓÁËˆË˛ ‚Ô‡‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË PAN.
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–]
Ë [+].
■ ç‡ÒÚÓÈÍ‡ ‰Ë‡Ô‡ÁÓÌ‡ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ
ÔÂ‰‡ÎÂÈ ..................................................................................................................................................
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË PEDAL Ì‡ ˝Í‡ÌÂ KEYBOARD [LEFT] ÏÓÊÌÓ
ÛÍ‡Á‡Ú¸, Ì‡ Í‡ÍËÂ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ÔË Ë„Â ‚ ÂÊËÏÂ Split ·Û‰ÛÚ
‰ÂÈÒÚ‚Ó‚‡Ú¸ ‰ÂÏÔÙÂÌ‡ﬂ ÙÛÌÍˆËﬂ Ë ÙÛÌÍˆËﬂ ÒÍÓÎ¸ÊÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡,
ÛÔ‡‚ÎﬂÂÏ˚Â Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÔÂ‰‡ÎﬂÏË. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PEDAL.
➔ áÌ‡˜ÂÌËÂ ËÁÏÂÌﬂÂÚÒﬂ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË.
CVP-202
PEDAL (ÔÂ‰‡Î¸)
• ç‡ÒÚÓÈÍË: R (ÚÓÎ¸ÍÓ Ô‡‚‡ﬂ)
L (ÚÓÎ¸ÍÓ ÎÂ‚‡ﬂ)
L+R (Ó·Â)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: R
èêàåÖóÄçàÖ
ëÔËÒÓÍ ÙÛÌÍˆËÈ, ÍÓÚÓ˚Â ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡
ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛, ÒÏ. Ì‡ ÒÚ. 138.
36
38
èêàåÖóÄçàÖ
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡
‰‚ÛÏﬂ ÚÂÏ·‡ÏË ‚ ‡ÁÌ˚ı ÒÚÓÓÌ‡ı ÍÎ‡‚Ë‡ÚÛ˚: ÂÊËÏ Split
■ àÁÏÂÌÂÌËÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ...................................................
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ì‡ Î˛·Û˛ ÍÎ‡‚Ë¯Û ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ SPLIT POINT Ì‡ ˝Í‡ÌÂ KEYBOARD [LEFT]. Ç
ÂÊËÏÂ Split ÎÂ‚˚È ÚÂÏ· Ë„‡ÂÚÒﬂ ‚ÒÂÏË ÍÎ‡‚Ë¯‡ÏË, ‡ÒÔÓÎÓÊÂÌÌ˚ÏË
ÒÎÂ‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (‚ÍÎ˛˜‡ﬂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ).
Å‡ÁÓ‚ÓÈ ÔÓÁËˆËÂÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ﬂ‚ÎﬂÂÚÒﬂ ÍÎ‡‚Ë¯‡ F#2.
èêàåÖóÄçàÖ
SPLIT POINT (ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ)
• ç‡ÒÚÓÈÍË: Î˛·‡ﬂ ÍÎ‡‚Ë¯‡ ÍÎ‡‚Ë‡ÚÛ˚
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: F#2
F 2
ãÂ‚‡ﬂ ˜‡ÒÚ¸
C0
C1
C2
C3
C4
C5
C6
C7
è‡‚‡ﬂ ˜‡ÒÚ¸
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ SPLIT POINT.
➔ îÛÌÍˆËﬂ SPLIT ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X àÁÏÂÌËÚÂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ.
àÁÏÂÌËÚÂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡
‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], ËÎË ÔÂÂÏÂÒÚËÚÂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ‚Ô‡‚Ó Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË SPLIT POINT. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–] Ë [+].
➔ ç‡ ÍÎ‡‚Ë‡ÚÛÂ Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÚÓ˜ÍÂ
‡Á‰ÂÎÂÌËﬂ, ‡ ÙÛÌÍˆËﬂ SPLIT POINT ‚˚‚Â‰ÂÚ Ì‡ ˝Í‡Ì ËÏﬂ ÍÎ‡‚Ë¯Ë.
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ Split Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SPLIT].
C3
é‰ÌÓ‚ÂÏÂÌÌÓÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Dual Ë Split
äÌÓÔÍË [DUAL] Ë [SPLIT] ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. èË ˝ÚÓÏ ‚
Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Ò‡ÁÛ Ë ÓÒÌÓ‚ÌÓÈ, Ë ‚ÚÓÓÈ
ÚÂÏ·˚.
èêàåÖóÄçàÖ
ÖÒÎË ‚ÍÎ˛˜ÂÌ˚ Ë ÂÊËÏ Dual, Ë ÂÊËÏ Split, ÚÓ
Ì‡ ÓÒÌÓ‚ÌÓÏ ˝Í‡ÌÂ ‚ÏÂÒÚÂ Ò ÓÒÌÓ‚Ì˚Ï
ÚÂÏ·ÓÏ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ ‚ÚÓÓÈ ËÎË
ÎÂ‚˚È ÚÂÏ·.
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Split
➔ àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [SPLIT] ÔÓ„‡ÒÌÂÚ, Ë ÍÎ‡‚Ë‡ÚÛ‡ ‚˚È‰ÂÚ ËÁ ÂÊËÏ‡ Split.
37
OIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
CVP-202
39
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
○○○○○○○○○○○○○○○○○○○○
ì ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÂÒÚ¸ ÚË ÔÂ‰‡ÎË.
è‡‚‡ﬂ ÔÂ‰‡Î¸ (Right)
ÑÂÏÔÙÂÌ‡ﬂ ÔÂ‰‡Î¸ ‚˚ÔÓÎÌﬂÂÚ ÚÛ ÊÂ ÙÛÌÍˆË˛, ˜ÚÓ Ë ‰ÂÏÔÙÂÌ‡ﬂ ÔÂ‰‡Î¸
‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ, ÚÓ ÂÒÚ¸ ÔÓ‰ÎÂ‚‡ÂÚ Á‚Û˜‡ÌËÂ ÚÂÏ·‡ ‰‡ÊÂ ÔÓÒÎÂ ÚÓ„Ó,
Í‡Í ÓÚÔÛÒÚËÎË ÍÎ‡‚Ë¯Û.
èêàåÖóÄçàÖ
• ÑÂÏÔÙÂÌ‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‰ÂÈÒÚ‚ÛÂÚ Ì‡
ÓÔÂ‰ÂÎÂÌÌ˚Â ÚÂÏ·˚ „ÛÔÔ [PERCUSSION]
Ë [XG].
• ÖÒÎË Ì‡Ê‡Ú‡ ‰ÂÏÔÙÂÌ‡ﬂ ÔÂ‰‡Î¸,
ÌÂÍÓÚÓ˚Â ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸
ÌÂÔÂ˚‚ÌÓ ËÎË ÒËÎ¸ÌÓ ÔÓ‰ÎÂ‚‡Ú¸Òﬂ ÔÓÒÎÂ
ÚÓ„Ó, Í‡Í ÍÎ‡‚Ë¯‡ ·˚Î‡ ÓÚÔÛ˘ÂÌ‡.
ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ) (Center)
ÖÒÎË ‚ÁﬂÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ Ì‡ ÔÂ‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ», ÔÓÍ‡
ÍÎ‡‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òﬂ, ÔÓÍ‡ ‚˚ ÌÂ ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸, ÌÓ
‚ÒÂ ‰Û„ËÂ ÌÓÚ˚ ÔÓ‰ÎÂ‚‡Ú¸Òﬂ ÌÂ ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸
Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡, ÂÒÎË, Ì‡ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘ËÂ ‚ÒÎÂ‰ Á‡ ‡ÍÍÓ‰ÓÏ,
Ë„‡˛ÚÒﬂ ÒÚ‡ÍÍ‡ÚÓ.
èêàåÖóÄçàÖ
• èÂ‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ» ÌÂ ‰ÂÈÒÚ‚ÛÂÚ Ì‡
ÓÔÂ‰ÂÎÂÌÌ˚Â ÚÂÏ·˚ „ÛÔÔ [PERCUSSION]
Ë [XG].
• çÂÍÓÚÓ˚Â ÚÂÏ·˚, Ì‡ÔËÏÂ
[ORGAN&ACCORDION] ËÎË [BRASS],
ÌÂÔÂ˚‚ÌÓ ÔÓ‰ÎÂ‚‡˛ÚÒﬂ, ÂÒÎË Ì‡Ê‡Ú‡
ÔÂ‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ».
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ (ÔË„ÎÛ¯ÂÌËÂ Á‚ÛÍ‡) (Left)
ç‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÔË‚Ó‰ËÚ Í ÌÂ·ÓÎ¸¯ÓÏÛ ÒÌËÊÂÌË˛ „ÓÏÍÓÒÚË Ë
ÎÂ„ÍÓÏÛ ËÁÏÂÌÂÌË˛ ÚÂÏ·‡ ÌÓÚ.
á‡ ˝ÚÓÈ ÔÂ‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ÙÛÌÍˆËÈ; Ì‡ÔËÏÂ,
ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÂÂ ‰Îﬂ Á‡ÔÛÒÍ‡/ÓÒÚ‡ÌÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˜‡ÒÚÂÈ Fill In (‚ÒÚ‡‚ÓÍ). èÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÒÏ. Ì‡
ÒÚ. 138.
CVP-202
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡
˝ÙÙÂÍÚ˚ ÔÓ„‡ÏÏËÛÂÏÓÈ ÔÂ‰‡ÎË ÏÓ„ÛÚ
ÌÂÏÌÓ„Ó ÏÂÌﬂÚ¸Òﬂ.
38
40
èêàåÖóÄçàÖ
ÉÎ‡‚‡ 4: êÂ‚Â
·Â
‡ˆËﬂ Ë ‰
Û„ËÂ ˝ÙÙÂÍÚ˚
êÂ‚Â
·Â
‡ˆËﬂ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
êÂ‚Â·Â‡ˆËﬂ – ˝ÚÓ ˝ÙÙÂÍÚ, ‚ÓÒÒÓÁ‰‡˛˘ËÈ ‡ÍÛÒÚËÍÛ ÔÓÏÂ˘ÂÌËﬂ, ‚
ÍÓÚÓÓÏ Ë‰ÂÚ ËÒÔÓÎÌÂÌËÂ — ÓÚ ÍÓÏÌ‡Ú˚ ‚ ‰Ê‡Á-ÍÎÛ·Â ‰Ó ÍÓÌˆÂÚÌÓ„Ó
Á‡Î‡. ç‡ Clavinova ‰ÓÒÚÛÔÌÓ ÌÂÒÍÓÎ¸ÍÓ ˝ÙÙÂÍÚÓ‚ Â‚Â·Â‡ˆËË, ‰Îﬂ
ÍÓÚÓ˚ı ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÛÊÌÛ˛ ‚‡Ï „ÎÛ·ËÌÛ.
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
DEMO
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
REVERB
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
SPLIT
EFFECT
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ Â‚Â
·Â
‡ˆËË
óÚÓ·˚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Â‚Â·Â‡ˆË˛ ‰Îﬂ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [REVERB].
èêàåÖóÄçàÖ
Çäã/Çõäã Â‚Â·Â‡ˆËË
Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
VOICE
PIANO &
HARPSI.
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍ‡ ÍÌÓÔÍË [REVERB] ÌÂ ‚ÎËﬂÂÚ Ì‡
ÂÊËÏ Song ËÎË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ.
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ Â‚Â·Â‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REVERB] Â˘Â ‡Á.
➔ àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ.
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÍÌÓÔÍË [REVERB] Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË
‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ Â‚Â·Â‡ˆËﬂ ÏÓÊÂÚ ‚ÍÎ˛˜‡Ú¸Òﬂ Ë ‚˚ÍÎ˛˜‡Ú¸Òﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
àÁÏÂÌÂÌËÂ Ì‡ÒÚ
ÓÂÍ Â‚Â
·Â
‡ˆËË
àÁÏÂÌËÚ¸ ÚËÔ Ë „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Ì‡ ÒÚ‡ÌËˆ‡ı REVERB Ë
REVERB DEPTH.
■ Ç˚‚Ó‰ Ì‡ÒÚ
ÓÂÍ Â‚Â
·Â
‡ˆËË ....................................................................................
Z ç‡ÊÏËÚÂ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [REVERB].
39
DIRECT ACCESS
➾
BASS
DUAL
REVERB
XG
SPLIT
EFFECT
CVP-202
41
êÂ‚Â
·Â
‡ˆËﬂ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
➔ ç‡ Üä-˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ REVERB ËÎË REVERB DEPTH (ÔÓÒÎÂ‰Ìﬂﬂ
‚˚·‡ÌÌ‡ﬂ).
èêàåÖóÄçàÖ
X ÑÎﬂ ÔÂ
ÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ
‡ÌËˆ‡ÏË REVERB Ë REVERB DEPTH
ÒÎÛÊ‡Ú ÍÌÓÔÍË PAGE [<] Ë [>].
■ àÁÏÂÌÂÌËÂ ÚËÔ‡ Â‚Â
·Â
‡ˆËË ...................................................................................
àÁÏÂÌËÚ¸ ÚËÔ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Ì‡ ˝Í‡ÌÂ REVERB.
àÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ËÁÏÂÌÂÌËﬂ ÚËÔ‡ Â‚Â·Â‡ˆËË ÍÌÓÔÍË TYPE s Ë t,
ËÎË ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ TYPE Ë ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÍË [–] Ë [+].
➔ Ç˚·‡ÌÌ˚È ÚËÔ Â‚Â·Â‡ˆËË ‚˚‰ÂÎﬂÂÚÒﬂ.
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚËÔ‡ Â‚Â·Â‡ˆËË Á‡‚ËÒÚ ÓÚ ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔË ‚˚·ÓÂ ÌÓ‚Ó„Ó ÒÚËÎﬂ ÚËÔ Â‚Â·Â‡ˆËË ÏÓÊÂÚ
ËÁÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
■ ç‡ÒÚ
ÓÈÍ‡ Ó·˘ÂÈ „ÎÛ·ËÌ˚ .................................................................................................
é·˘Û˛ „ÎÛ·ËÌÛ ‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Á‡‰‡Ú¸ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË TOTAL DEPTH Ì‡ ˝Í‡ÌÂ REVERB.
Z Ç˚·Â
ËÚÂ ÙÛÌÍˆË˛ TOTAL DEPTH.
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [>], ÍÓ„‰‡ Ì‡ ˝Í‡ÌÂ
ÓÚÓ·Ó‡Ê‡ÂÚÒﬂ ÒÚ‡ÌËˆ‡ REVERB DEPTH,
ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ CHORUS. èÓ‰Ó·ÌÂÂ Ó·
˝ÙÙÂÍÚÂ Chorus Ë ‰Û„Ëı ˝ÙÙÂÚ‡ı ÒÏ. ‚
‰Û„Ëı ‡Á‰ÂÎ‡ı ˝ÚÓÈ „Î‡‚˚.
èêàåÖóÄçàÖ
íËÔ Â‚Â·Â‡ˆËË
• ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 163.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ.
èêàåÖóÄçàÖ
• Ç˚·‡ÌÌ˚È ÚËÔ Â‚Â·Â‡ˆËË ‰ÂÈÒÚ‚ÛÂÚ
‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚, ËÒÔÓÎÌﬂÂÏ˚ı Ì‡
ÍÎ‡‚Ë‡ÚÛÂ, Ë ÚÂÏ·Ó‚
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡‰‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â
Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚
ÌÂÎ¸Áﬂ.
• Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡
„ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òﬂ ËÎË
ÓÒÎ‡·ÌÛÚ¸, ‰‡ÊÂ ÂÒÎË ‚˚·‡Ì ÚÓÚ ÊÂ ÚËÔ
Â‚Â·Â‡ˆËË.
• ùÙÙÂÍÚ Â‚Â·Â‡ˆËË ÌÂÎ¸Áﬂ ÔËÏÂÌËÚ¸ Í
Á‚ÛÍ‡Ï, ÔÂÂ‰‡˛˘ËÏÒﬂ Ì‡ ÒËÌÚÂÁ‡ÚÓ ˜ÂÂÁ
‡Á˙ÂÏ˚ AUX IN [R] Ë [L/L+R].
• èËÏÂÌËÚ¸ ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË Í
ÚÂÏ·‡Ï ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EFFECT]. èÓ‰Ó·ÌÂÂ ÒÏ.
‡Á‰ÂÎ «àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚» Ì‡
ÒÚ. 46.
• ÖÒÎË ‚ÍÎ˛˜ÂÌ˚ Ë ÍÌÓÔÍ‡ [REVERB] Ë ÍÌÓÔÍ‡
[EFFECT], ·Û‰ÛÚ ÔËÏÂÌﬂÚ¸Òﬂ Ó·‡ ˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
TOTAL DEPTH (o·˘‡ﬂ „ÎÛ·ËÌ‡)
• ÑË‡Ô‡ÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 64
➔ îÛÌÍˆËﬂ TOTAL DEPTH ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
CVP-202
40
42
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ êÂ‚Â
·Â
‡ˆËﬂ
X á‡‰‡ÈÚÂ Ó·˘Û˛ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Â‚Â
·Â
‡ˆËË.
àÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TOTAL DEPTH t Ë s,
‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
ÑÎﬂ ‚ÓÁ‚‡Ú‡ Í ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍÂ (64) Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
TOTAL DEPTH t Ë s ËÎË ÍÌÓÔÍË [–] Ë [+].
èêàåÖóÄçàÖ
• ç‡ÒÚÓÈÍ‡ TOTAL DEPTH ‚ÎËﬂÂÚ Ò‡ÁÛ Ì‡
‚ÒÂ ÚÂÏ·˚. á‡‰‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â Ì‡ÒÚÓÈÍË
‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÌÂÎ¸Áﬂ.
• í‡Í ÊÂ ÏÓÊÌÓ Á‡‰‡Ú¸ ÓÚ‰ÂÎ¸ÌÛ˛ „ÎÛ·ËÌÛ
Â‚Â·Â‡ˆËË ‰Îﬂ ËÚÏ‡, ‡ÍÍÓÏÔ‡ÌÂÌÏÂÌÚ‡
Ë Í‡Ê‰ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚. (ëÏ.
ÒÎÂ‰Û˛˘Û˛ ÓÔÂ‡ˆË˛.)
■ ç‡ÒÚ
ÓÈÍ‡ „ÎÛ·ËÌ˚ Â‚Â
·Â
‡ˆËË ‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË ...................
ë ÔÓÏÓ˘¸˛ Ì‡ÒÚÓÂÍ Ì‡ ˝Í‡ÌÂ REVERB DEPTH (ÒÚ. 42) ÏÓÊÌÓ
ÓÚ‰ÂÎ¸ÌÓ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îﬂ ËÚÏ‡, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
Ô‡ÚËÈ, ËÒÔÓÎÌﬂÂÏ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
Z Ç˚·Ó
Ô‡
ÚËË.
ç‡ÊÏËÚÂ Ì‡ Üä-˝Í‡ÌÂ ÍÌÓÔÍÛ RHYTHM, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ
Â‚Â·Â‡ˆËË ‰Îﬂ Ô‡ÚËË ·‡‡·‡ÌÓ‚, ËÎË ÍÌÓÔÍÛ ACMP, ˜ÚÓ·˚ Á‡‰‡Ú¸
ÂÂ ‰Îﬂ ‚ÒÂı ‰Û„Ëı Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç˚·ÂËÚÂ LEFT, RIGHT1
ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îﬂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
• í‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ
Ô‡ÚËÈ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÁÏÂÌËÚ¸ Ëı
Ì‡ÒÚÓÈÍË.
➔ Ç˚·‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
X á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ Â‚Â
·Â
‡ˆËË.
á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îﬂ ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛
‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
ì‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ Ú‡ÍÊÂ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË
Ì‡ Üä-˝Í‡ÌÂ. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–] Ë [+].
èêàåÖóÄçàÖ
RHYTHM Ë ACMP (pËÚÏ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
• ÑË‡Ô‡ÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 64
LEFT, RIGHT1 Ë RIGHT2
• ÑË‡Ô‡ÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
èêàåÖóÄçàÖ
41
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ‰Îﬂ ÙÛÌÍˆËÈ LEFT, RIGHT1 Ë RIGHT2
Á‡‚ËÒÚË ÓÚ ‚˚·‡ÌÌ˚ı ÚÂÏ·Ó‚, ÔË ‚˚·ÓÂ ÌÓ‚ÓÈ Ô‡ÚËË Ì‡ÒÚÓÈÍ‡
„ÎÛ·ËÌ˚ Â‚Â·Â‡ˆËË ÏÓÊÂÚ ÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
ÇÂÎË˜ËÌ‡ Â‚Â·Â‡ˆËË, ÔËÏÂÌﬂÂÏ‡ﬂ Í
Ô‡ÚËË, Á‡‚ËÒËÚ Ë ÓÚ „ÎÛ·ËÌ˚ Ô‡ÚËË Ë ÓÚ
Ì‡ÒÚÓÂÍ ÙÛÌÍˆËË TOTAL DEPTH. ÖÒÎË Ó‰Ì‡
ËÁ Ì‡ÒÚÓÂÍ ‡‚Ì‡ 0, Â‚Â·Â‡ˆËﬂ ÌÂ ·Û‰ÂÚ
ÔËÏÂÌﬂÚ¸Òﬂ Í ˝ÚÓÈ Ô‡ÚËË, ‰‡ÊÂ ÂÒÎË ‰Îﬂ
‰Û„ÓÈ Ì‡ÒÚÓÈÍË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ 127.
CVP-202
43
ùÙÙÂÍÚ Chorus
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÙÙÂÍÚ Chorus ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸ ÚÂÏ·˚,
ËÒÔÓÎÌﬂÂÏ˚Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ÛÒËÎËÚ¸ Ëı Ë ‰‡ÊÂ Ò‰ÂÎ‡Ú¸ Á‚ÛÍ ·ÓÎÂÂ
Ì‡Ò˚˘ÂÌÌ˚Ï. ùÙÙÂÍÚ˚ Flanger ‰Ó·‡‚Îﬂ˛Ú ˜ÂÚÍÛ˛ ÏÓ‰ÛÎﬂˆË˛, ÒÓÁ‰‡˛˘Û˛
Ù‡ÌÚ‡ÒÚË˜ÂÒÍÓÂ ÔÓÒÚ‡ÌÒÚ‚ÂÌÌÓÂ Í‡˜ÂÒÚ‚Ó. åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ
ÌÂÒÍÓÎ¸ÍËı ˝ÙÙÂÍÚÓ‚ Chorus Ë Flanger Ë ÛÒÚ‡ÌÓ‚ËÚ¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡,
ÍÓÚÓ˚È ·Û‰ÂÚ ‰Ó·‡‚ÎÂÌ Í Í‡Ê‰ÓÏÛ ÚÂÏ·Û ÍÎ‡‚Ë‡ÚÛ˚.
àÁÏÂÌÂÌËÂ Ì‡ÒÚ
ÓÂÍ ˝ÙÙÂÍÚ‡ Chorus
Ç ÓÚÎË˜ËÂ ÓÚ Â‚Â·Â‡ˆËË (ÒÚ. 41) Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚ (ÒÚ. 46),
ÍÓÚÓ˚Â ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ
ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË, ÙÛÌÍˆËﬂ Chorus ‚ÒÂ„‰‡ «‚ÍÎ˛˜ÂÌ‡». èËÏÂÌÂÌËÂ
˝ÙÙÂÍÚ‡ ëhorus Í Î˛·ÓÏÛ ÚÂÏ·Û Á‡‚ËÒËÚ ÓÚ ÚÂÍÛ˘Â„Ó ÚËÔ‡ Chorus Ë
Ì‡ÒÚÓÂÍ „ÎÛ·ËÌ˚ ˝ÚÓ„Ó ˝ÙÙÂÍÚ‡. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Ì‡ ˝Í‡ÌÂ CHORUS.
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË ˝Í‡Ì‡ CHORUS ÌÂ ‚ÎËﬂ˛Ú Ì‡
ÂÊËÏ Song ËÎË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
■ Ç˚‚Ó‰ Ì‡ÒÚ
ÓÂÍ Chorus ........................................................................................................
Zç‡ÊÏËÚÂ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [REVERB].
➔ ç‡ Üä-˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ REVERB ËÎË REVERB DEPTH (ÔÓÒÎÂ‰Ìﬂﬂ
‚˚·‡ÌÌ‡ﬂ).
X ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [>] (Ó‰ËÌ ËÎË ‰‚‡ ‡Á‡, ÂÒÎË Ú
Â·ÛÂÚÒﬂ).
Ñ‚‡Ê‰˚ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [>], ÂÒÎË ÓÚÓ·‡Ê‡ÂÚÒﬂ ÒÚ‡ÌËˆ‡
REVERB, Ë Ó‰ËÌ ‡Á, ÂÒÎË ÓÚÓ·‡Ê‡ÂÚÒﬂ ÒÚ‡ÌËˆ‡ REVERB DEPTH.
➔ èÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ CHORUS.
■ àÁÏÂÌÂÌËÂ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus .............................................................................
íËÔ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ì‡ ÒÚ‡ÌËˆÂ CHORUS.
àÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ËÁÏÂÌÂÌËﬂ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus ÍÌÓÔÍË CHORUS
s Ë t ËÎË ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ CHORUS Ë ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡
‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+].
CVP-202
èêàåÖóÄçàÖ
íËÔ ˝ÙÙÂÍÚ‡ Chorus
• ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 163.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ.
42
44
èêàåÖóÄçàÖ
• í‡ÍÊÂ ÏÓÊÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EFFECT] Ë ÍÌÓÔÍÛ
PAGE [<], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÒÚ‡ÌËˆÛ CHORUS ÒÓ ÒÚ‡ÌËˆ˚ EFFECT ËÎË EFFECT
DEPTH.
• èÓ‰Ó·ÌÂÂ Ó Â‚Â·Â‡ˆËË Ë ‰Û„Ëı
Ì‡ÒÚÓÈÍ‡ı ˝ÙÙÂÍÚ‡ ÒÏ. ‚ ‰Û„Ëı ‡Á‰ÂÎ‡ı
˝ÚÓÈ „Î‡‚˚.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ùÙÙÂÍÚ
➔ Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ Chorus ‚˚‰ÂÎﬂÂÚÒﬂ.
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus Á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔË ‚˚·ÓÂ ÌÓ‚Ó„Ó ÒÚËÎﬂ ÚËÔ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÂÚ
ËÁÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
■ ç‡ÒÚ
ÓÈÍ‡ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Chorus ‰Îﬂ Í‡Ê‰ÓÈ Ô‡
ÚËË .........
ÑÛ„ËÂ Ì‡ÒÚÓÈÍË Ì‡ ÒÚ‡ÌËˆÂ CHORUS ÔÓÁ‚ÓÎﬂ˛Ú ÛÒÚ‡ÌÓ‚ËÚ¸
ÓÚ‰ÂÎ¸ÌÛ˛ „ÎÛ·ËÌÛ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË, ËÒÔÓÎÌﬂÂÏÓÈ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
Z Ç˚·Ó
Ô‡
ÚËË.
ç‡ÊÏËÚÂ LEFT, RIGHT1 ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ Chorus ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚.
Chorus
èêàåÖóÄçàÖ
• Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ Chorus
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÒÂı ˜‡ÒÚÂÈ ÍÎ‡‚Ë‡ÚÛ˚.
á‡‰‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰ÓÈ
˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ÌÂÎ¸Áﬂ.
• Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡
„ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òﬂ ËÎË
ÓÒÎ‡·ÌÛÚ¸, ‰‡ÊÂ ÂÒÎË ‚˚·‡Ì ÚÓÚ ÊÂ ÚËÔ
˝ÙÙÂÍÚ‡ Chorus.
• èËÏÂÌËÚ¸ ˝ÙÙÂÍÚ Chorus Í ÚÂÏ·‡Ï
ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [EFFECT]. èÓ‰Ó·ÌÂÂ ÒÏ. ‡Á‰ÂÎ
«àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚» Ì‡
ÒÚ. 46.
èêàåÖóÄçàÖ
í‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ Ô‡ÚËÈ
Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÁÏÂÌËÚ¸ Ëı Ì‡ÒÚÓÈÍË.
➔ Ç˚·‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
X á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Chorus.
á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Chorus ‰Îﬂ ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛
‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
ì‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ Ú‡ÍÊÂ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË
Ì‡ Üä-˝Í‡ÌÂ. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–] Ë [+].
43
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Chorus Á‡‚ËÒËÚ ÓÚ
‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÔË ‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ „ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ Chorus ÏÓÊÂÚ ËÁÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
èêàåÖóÄçàÖ
îÛÌÍˆËË Chorus Depth
• ÑË‡Ô‡ÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
èêàåÖóÄçàÖ
í‡Í Í‡Í ÙÛÌÍˆËﬂ Chorus ‚ÒÂ„‰‡ ‚ÍÎ˛˜ÂÌ‡,
‚˚·ÂËÚÂ ‰Îﬂ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ Chorus ‰Îﬂ
Ô‡ÚËË ÁÌ‡˜ÂÌËÂ 0, ÂÒÎË ÌÂ ıÓÚËÚÂ, ˜ÚÓ·˚
˝ÙÙÂÍÚ Chorus ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Î Ì‡ ˝ÚÛ Ô‡ÚË˛.
CVP-202
45
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ˝ÙÙÂÍÚÓ‚
Ô
Ë ‚ÓÒÔ
ÓËÁ‚Â‰ÂÌËË ÚÂÏ·
‡
○○○○○○○○○○○○○○○○
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÍÓÏÂ Â‚Â·Â‡ˆËË Ë ˝ÙÙÂÍÚ‡ Chorus ÂÒÚ¸
ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚Â ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Í‡˜ÂÒÚ‚ÂÌÌÓ„Ó
ËÁÏÂÌÂÌËﬂ Á‚Û˜‡ÌËﬂ ÚÂÏ·Ó‚ ËÎË ÒÓÁ‰‡ÌËﬂ ÒÌÓ„Ò¯Ë·‡ÚÂÎ¸Ì˚ı ÒÔÂˆ˝ÙÙÂÍÚÓ‚.
ç‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ÔÓ Ò‚ÓÂÏÛ ‚˚·ÓÛ.
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
START /STOP
FADE
IN/OUT
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
ÇÍÎ˛˜ÂÌËÂ ˝ÙÙÂÍÚÓ‚
óÚÓ·˚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ˝ÙÙÂÍÚ ‰Îﬂ Ô‡ÚËÈ ÍÎ‡‚Ë‡ÚÛ˚, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EFFECT].
VOICE
PIANO &
HARPSI.
BRASS
E. PIANO
WOODWIND
ORGAN &
ACCORDION
PERCUSSION
STRINGS
CHOIR &
PAD
GUITAR
SYNTH.
DUAL
BASS
XG
SPLIT
REVERB
EFFECT
èêàåÖóÄçàÖ
ùÙÙÂÍÚ Çäã/Çõäã
Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ [EFFECT] ÌÂ ·Û‰ÂÚ „ÓÂÚ¸, ÂÒÎË
‰Îﬂ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ (ÒÚ. 48) ‚˚·‡ÌÓ
ÁÌ‡˜ÂÌËÂ 0.
èêàåÖóÄçàÖ
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ.
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ˝ÙÙÂÍÚ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EFFECT] Â˘Â ‡Á.
➔ àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ.
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÍÌÓÔÍË [EFFECT] Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË
‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ ˝ÙÙÂÍÚ ÏÓÊÂÚ ‚ÍÎ˛˜‡Ú¸Òﬂ Ë ‚˚ÍÎ˛˜‡Ú¸Òﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
ÖÒÎË ÒËÒÚÂÏ‡ ˝ÙÙÂÍÚÓ‚ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌÂÈ, ˝ÙÙÂÍÚ,
ÔËÏÂÌﬂÂÏ˚È Í Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚ ÏÓÊÂÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÚÍÎ˛˜‡Ú¸Òﬂ ÔË Á‡ÔÛÒÍÂ
ÙÛÌÍˆËË Auto Accompaniment ËÎË ÔË ‚˚·ÓÂ
ÔÂÒÌË ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ùÚÓ Á‡‚ËÒËÚ ÓÚ
ÚËÔ‡ ˝ÙÙÂÍÚ‡, ‚˚·‡ÌÌÓ„Ó ÒÚËÎÂÏ ËÎË ÔÂÒÌÂÈ.
ÖÒÎË ˝ÙÙÂÍÚ ‚˚ÍÎ˛˜ËÎÒﬂ, ÏÓÊÌÓ ÔËÏÂÌËÚ¸
Â„Ó Í Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚, Â˘Â ‡Á Ì‡Ê‡‚
ÍÌÓÔÍÛ [EFFECT], ˝ÚÓ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó
ÚËÔ‡ ˝ÙÙÂÍÚ‡. ÖÒÎË ˝ÚÓ Ò‰ÂÎ‡Ú¸, ˝ÙÙÂÍÚ ÌÂ
·Û‰ÂÚ ÔËÏÂÌﬂÚ¸Òﬂ Í ÚÂÏ·‡Ï
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË.
àÁÏÂÌÂÌËÂ Ì‡ÒÚ
ÓÂÍ ˝ÙÙÂÍÚÓ‚
àÁÏÂÌËÚ¸ ÚËÔ Ë „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Ì‡ ÒÚ‡ÌËˆ‡ı EFFECT Ë
EFFECT DEPTH.
■ éÚÓ·
‡ÊÂÌËÂ Ì‡ÒÚ
ÓÂÍ ˝ÙÙÂÍÚ‡ ..............................................................................
\
Z ç‡ÊÏËÚÂ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [EFFECT].
DIRECT ACCESS
➾
BASS
DUAL
REVERB
XG
SPLIT
EFFECT
èêàåÖóÄçàÖ
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [>] ‚ ÚÓ ‚ÂÏﬂ, ÍÓ„‰‡ Ì‡
˝Í‡ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÒÚ‡ÌËˆ‡ EFFECT,
ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ CHORUS. èÓ‰Ó·ÌÂÂ Ó
Â‚Â·Â‡ˆËË Ë ˝ÙÙÂÍÚÂ Chorus ÒÏ. ‚ ‰‚Ûı
ÔÂ‚˚ı ‡Á‰ÂÎ‡ı ˝ÚÓÈ „Î‡‚˚.
➔ ç‡ Üä-˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ EFFECT ËÎË EFFECT DEPTH (ÔÓÒÎÂ‰Ìﬂﬂ
‚˚·‡ÌÌ‡ﬂ).
CVP-202
44
46
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
˝ÙÙÂÍÚÓ‚ Ô
Ë ‚ÓÒÔ
ÓËÁ‚Â‰ÂÌËË ÚÂÏ·
‡
X ÑÎﬂ ÔÂ
ÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ
‡ÌËˆ‡ÏË EFFECT Ë EFFECT DEPTH
ÒÎÛÊ‡Ú ÍÌÓÔÍË PAGE [<] Ë [>].
■ àÁÏÂÌÂÌËÂ ÚËÔ‡ ˝ÙÙÂÍÚ‡ ....................................................................................................
íËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ì‡ ÒÚ‡ÌËˆÂ EFFECT. Ç˚·ÂËÚÂ ÚËÔ
˝ÙÙÂÍÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TYPE s Ë t ËÎË ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ TYPE Ë
ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+].
ÑÎﬂ ‚ÓÁ‚‡Ú‡ Í ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
EFFECT TYPE s Ë t ËÎË ÍÌÓÔÍË [–] Ë [+].
➔ Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ ‚˚‰ÂÎﬂÂÚÒﬂ.
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡, ÔË
‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ ÚËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ËÁÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
■ Ç‡
¸Ë
Ó‚‡ÌËÂ ˝ÙÙÂÍÚ‡ ........................................................................................................
ì ‚ÒÂı ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ‚‡Ë‡ˆËﬂ,
ÍÓÚÓÛ˛ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VARIATION Ì‡ ÒÚ‡ÌËˆÂ
EFFECT. ÑÎﬂ ‚‡¸ËÓ‚‡ÌËﬂ ˝ÙÙÂÍÚ‡, ÒÓÁ‰‡‚‡ÂÏÓ„Ó ‚˚·‡ÌÌ˚Ï ÚËÔÓÏ
˝ÙÙÂÍÚ‡ Ì‡ÊÏËÚÂ Ì‡ Üä-˝Í‡ÌÂ ÍÌÓÔÍÛ, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÔÓ‰
VARIATION .
èêàåÖóÄçàÖ
íËÔ ˝ÙÙÂÍÚ‡
• ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ÒÚ. 164.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
èêàåÖóÄçàÖ
• Ç˚·‡ÌÌ˚È ÚËÔ ˝ÙÙÂÍÚ‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ
‚ÒÂı Ô‡ÚËÈ ÍÎ‡‚Ë‡ÚÛ˚. á‡‰‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â
Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚
ÌÂÎ¸Áﬂ.
• ÖÒÎË ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÍÌÓÔÍË [EFFECT]
‚ÍÎ˛˜ÂÌ‡ (ON) ‰Îﬂ ‰‚Ûı ËÎË ÚÂı ÚÂÏ·Ó‚,
‚˚·‡ÌÌ˚ı ‚ ÂÊËÏÂ Dual Ë/ËÎË Split,
Clavinova ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚ
Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘ËÈ ÚËÔ ˝ÙÙÂÍÚ‡ Ë Â„Ó
„ÎÛ·ËÌÛ (ÒÚ. 48) ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË.
• Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡
„ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ÛÒËÎËÚ¸Òﬂ ËÎË
ÓÒÎ‡·ÌÛÚ¸, ‰‡ÊÂ ÂÒÎË ‚˚·‡Ì ÚÓÚ ÊÂ ÚËÔ
˝ÙÙÂÍÚ‡.
• ÖÒÎË ‚ÍÎ˛˜ÂÌ˚ Ë ÍÌÓÔÍ‡ [EFFECT], Ë ÍÌÓÔÍ‡
[REVERB], ÚÓ ·Û‰ÛÚ ÔËÏÂÌﬂÚ¸Òﬂ Ó·‡
˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ VARIATION
• ç‡ÒÚÓÈÍË: ON,OFF (‚ÍÎ.,‚˚ÍÎ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
➔ áÌ‡˜ÂÌËÂ, ÓÚÓ·‡Ê‡ÂÏÓÂ ÙÛÌÍˆËÂÈ VARIATION, ÔÂÂÍÎ˛˜‡ÂÚÒﬂ ÏÂÊ‰Û
OFF, ON Ë ËÁÏÂÌÂÌËﬂÏË ˝ÙÙÂÍÚ‡.
45
àÁÏÂÌÂÌËÂ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÒÏ. Ú‡·ÎËˆÛ Ì‡
ÒÚ. 164). í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÙÛÌÍˆËË VARIATION Á‡‚ËÒËÚ ÓÚ
ÚÂÏ·‡, ÔË ‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ Ì‡ÒÚÓÈÍ‡ ÏÓÊÂÚ ËÁÏÂÌËÚ¸Òﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
CVP-202
47
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ˝ÙÙÂÍÚÓ‚ Ô
Ë ‚ÓÒÔ
ÓËÁ‚Â‰ÂÌËË ÚÂÏ·
‡
○○○○○○○○○○○○○○○○○○○○○
■ ç‡ÒÚ
ÓÈÍ‡ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡
ÚËË ...............................
ç‡ÒÚÓÈÍË Ì‡ ÒÚ‡ÌËˆÂ EFFECT DEPTH ÔÓÁ‚ÓÎﬂ˛Ú ÛÒÚ‡ÌÓ‚ËÚ¸
ÓÚ‰ÂÎ¸ÌÛ˛ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË, ËÒÔÓÎÌﬂÂÏÓÈ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
Z Ç˚·Ó
Ô‡
ÚËË.
ç‡ÊÏËÚÂ LEFT, RIGHT1 ËÎË RIGHT2, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË ÍÎ‡‚Ë‡ÚÛ˚.
➔ Ç˚·‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
X á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡.
á‡‰‡ÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îﬂ ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡
‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
èêàåÖóÄçàÖ
îÛÌÍˆËË Effect Depth
• ÑË‡Ô‡ÁÓÌ: 0 (·ÂÁ ˝ÙÙÂÍÚ‡) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÚÂÏ·‡.
ì‚ÂÎË˜ËÚ¸ ÁÌ‡˜ÂÌËÂ Ú‡ÍÊÂ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË
Ì‡ Üä-˝Í‡ÌÂ. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–] Ë [+].
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó
ÚÂÏ·‡, ÔË ‚˚·ÓÂ ÌÓ‚Ó„Ó ÚÂÏ·‡ „ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ
ËÁÏÂÌﬂÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
CVP-202
46
48
ÉÎ‡‚‡ 5: ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(êËÚÏ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○
Clavinova ÒÓ‰ÂÊËÚ ·ÓÎ¸¯ÓÈ Ì‡·Ó ÏÛÁ˚Í‡Î¸Ì˚ı ÒÚËÎÂÈ, ÍÓÚÓ˚Â ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ
ÔÓÒÚÓ„Ó ÔÂÍÛÒÒËÓÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Í ·‡ÁÛ ‰Îﬂ ÔÓÎÌÓÒÚ¸˛ ÓÍÂÒÚÓ‚‡ÌÌÓ„Ó
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚ÍÎ˛˜‡ﬂ ËÚÏË˜ÂÒÍÛ˛ Ë ·‡ÒÓ‚Û˛ Ô‡ÚËË, Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Auto
Accompaniment (Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) (ÒÚ. 57). ëÛ˘ÂÒÚ‚ÛÂÚ Ú‡ÍÊÂ ‚˚·Ó ÙÓÚÂÔË‡ÌÌ˚ı ÒÚËÎÂÈ,
ÍÓÚÓ˚Â ÔÓÁ‚ÓÎﬂ˛Ú Ë„‡Ú¸ ÙÓÚÂÔË‡ÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÂÒÎË ‡ÍÚË‚ËÓ‚‡Ì‡ ÙÛÌÍˆËﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
STYLE
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
VOLUME
MASTER
VOLUME
COUNTRY
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
BALLROOM
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
CANCEL
CUSTOM
● íËÔ˚ ÒÚËÎÂÈ
• êËÚÏË˜ÂÒÍËÂ ÒÚËÎË:
134
• îÓÚÂÔË‡ÌÌ˚Â ÒÚËÎË:
36
• èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÒÚËÎË: 4
* àÌÙÓÏ‡ˆË˛ Ó ÒÚËÎﬂı ÒÏ. ‚ ëÔËÒÍÂ ÒÚËÎÂÈ Ì‡ ÒÚ. 10 ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ.
* ëÚËÎË Clavinova ‰ÂÎﬂÚÒﬂ Ì‡ Ó‰ËÌÌ‡‰ˆ‡Ú¸ „ÛÔÔ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ó‰ËÌÌ‡‰ˆ‡ÚË
ÍÌÓÔÍ‡Ï STYLE Ì‡ Ô‡ÌÂÎË.
* îÓÚÂÔË‡ÌÌ˚Â ÒÚËÎË Ë ÒÚËÎ¸ Guitar Serenade ‚ „ÛÔÔÂ ÒÚËÎÂÈ WALTZ ÌÂ ÒÓ‰ÂÊ‡Ú
Á‚ÛÍÓ‚ Û‰‡Ì˚ı. àÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 58) ‰Îﬂ
ÔÓË„˚‚‡ÌËﬂ ˝ÚËı ÒÚËÎÂÈ.
Ç˚·Ó ÒÚËÎﬂ
Z Ç˚·ÂËÚÂ „ÛÔÔÛ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ..................................................
Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ „ÛÔÔÛ ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË
STYLE.
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
BALLROOM
PIANIST
MUSIC
DATABASE
DISK
HARMONY
èêàåÖóÄçàÖ
èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÒÚËÎË Ë ÒÚËÎË Ò ‰ËÒÍÂÚ˚
äÌÓÔÍ‡ [DISK/CUSTOM] ÔÓÁ‚ÓÎﬂÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÚËÎË Ò ‰ÓÔÓÎÌËÚÂÎ¸ÌÓÈ ‰ËÒÍÂÚ˚
Style File (ÒÚ. 86) ËÎË ÓË„ËÌ‡Î¸Ì˚Â
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÒÚËÎË (ÒÚ. 73).
CUSTOM
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì STYLE SELECT.
èêàåÖóÄçàÖ
47
• ÖÒÎË ÙÛÌÍˆËﬂ Backup (ÒÚ. 152) ‚ÍÎ˛˜ÂÌ‡,
‰‡ÊÂ ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‚ Ô‡ÏﬂÚË
ÒÓı‡ÌËÚÒﬂ ÔÓÒÎÂ‰ÌËÈ ‚˚·‡ÌÌ˚È ÒÚËÎ¸ ËÁ
Í‡Ê‰ÓÈ „ÛÔÔ˚.
• èË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚·Ë‡ÂÚÒﬂ ÒÚËÎ¸ 60'sGtrPop. é‰Ì‡ÍÓ, ÂÒÎË
ÙÛÌÍˆËﬂ ÂÁÂ‚ËÓ‚‡ÌËﬂ Backup (ÒÚ. 152)
‚ÍÎ˛˜ÂÌ‡, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÔÓÒÎÂ‰ÌËÈ ‚˚·‡ÌÌ˚È
ÒÚËÎ¸.
• Ç ÂÊËÏÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË (ÒÚ. 93)
‚˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ‰ÓÒÚÛÔÂÌ.
CVP-202
49
Ç˚·Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X Ç˚·ÂËÚÂ ÒÚËÎ¸. ..................................................................................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÒÚËÎ¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË Ì‡ Üä-‰ËÒÔÎÂÂ.
èêàåÖóÄçàÖ
íÂÏÔ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
• èË ‚˚·ÓÂ ÒÚËÎﬂ Ú‡ÍÊÂ
‚˚·Ë‡ÂÚÒﬂ ÔÂ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚È
ÚÂÏÔ ‰Îﬂ ˝ÚÓ„Ó ÒÚËÎﬂ (ÍÓÏÂ
ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ÒÚËÎ¸ ÏÂÌﬂÂÚÒﬂ
‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ; ÚÓ„‰‡
ÒÓı‡ÌﬂÂÚÒﬂ ÚÂÍÛ˘ËÈ ÚÂÏÔ).
• ç‡ÒÚÓÈÚÂ ÚÂÏÔ, Í‡Í ÓÔËÒ‡ÌÓ Ì‡
ÒÚ. 25.
èêàåÖóÄçàÖ
PAGE
ÉÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÉÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ
Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌÍ‡
[ACMP/SONG VOLUME] (ÒÚ. 23).
Ç˚·‡Ú¸ ÒÚËÎ¸ ÏÓÊÌÓ Ú‡ÍÊÂ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ
[–] Ë [+].
ä‡Ê‰˚È ˝Í‡Ì STYLE SELECT ÒÓÒÚÓËÚ ËÁ ‰‚Ûı ËÎË ·ÓÎÂÂ ÒÚ‡ÌËˆ. ÑÎﬂ
>].
ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û ÒÚ‡ÌËˆ‡ÏË ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË PAGE [<] Ë [>
C ÇÓÁ‚‡Ú Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ. .................................................................................................................
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
EXIT
CVP-202
48
50
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÑÎﬂ ‚˚·Ó‡ ‚‡Ë‡ˆËÈ ÒÚËÎﬂ Ë ÛÔ‡‚ÎÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÒÚËÎﬂ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÍÌÓÔÍË AUTO ACCOMPANIMENT Ë START/STOP.
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
VOLUME
MASTER
VOLUME
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
TAP
SYNCHRO
START/STOP
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
START /STOP
FADE
IN/OUT
ENDING
MAIN D
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
Ç‡¸ËÓ‚‡ÌËÂ ÒÚËÎﬂ
ä‡Ê‰˚È ÒÚËÎ¸ Clavinova ËÏÂÂÚ ˜ÂÚ˚Â ‚‡Ë‡ˆËË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÍÌÓÔÍ‡Ï AUTO ACCOMPANIMENT: [MAIN A], [MAIN B], [MAIN C] Ë
[MAIN D].
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË ‰Îﬂ ‚˚·Ó‡ ‚‡Ë‡ˆËË.
Main A - Ì‡Ë·ÓÎÂÂ ÔËÏËÚË‚Ì‡ﬂ ÙÓÏ‡ ÒÚËÎﬂ; ÓÒÚ‡Î¸Ì˚Â ‚‡Ë‡ˆËË Ì‡
·‡ÁÓ‚Û˛ ÚÂÏÛ ‚ ÚÓÈ ËÎË ËÌÓÈ ÒÚÂÔÂÌË ·ÓÎÂÂ ˘Â‰Ó ÛÍ‡¯ÂÌ˚. ê‡ÁÛÏÌÓ
˜ÂÂ‰Ûﬂ ‚‡Ë‡ˆËË ‚Ó ‚ÂÏﬂ Ë„˚, ÏÓÊÌÓ ÔË‰‡Ú¸ ‡ÁÌÓÓ·‡ÁËÂ Ë Ò‰ÂÎ‡Ú¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·ÓÎÂÂ ËÌÚÂÂÒÌ˚Ï.
■ Ç˚·Ó ‚‡Ë‡ˆËË .................................................................................................................................
Ç‡Ë‡ˆË˛ ÒÚËÎﬂ ÏÓÊÌÓ ‚˚·‡Ú¸ ‰Ó Ì‡˜‡Î‡ ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ. óÚÓ·˚
‚˚·‡Ú¸ ‚‡Ë‡ˆË˛, Ì‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË.
Clavinova Ì‡˜ÌÂÚ ÔÓË„˚‚‡ÌËÂ ‚‡Ë‡ˆËË ÒÚËÎﬂ, Í‡Í ÚÓÎ¸ÍÓ ÒÚËÎ¸ ·Û‰ÂÚ
Á‡ÔÛ˘ÂÌ Ó‰ÌËÏ ËÁ ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ.
■ èÓË„˚‚‡ÌËÂ ‚ÒÚ‡‚ÓÍ .............................................................................................................
49
èË ‚˚·ÓÂ ‰Û„ÓÈ ‚‡Ë‡ˆËË ‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ Clavinova
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓË„˚‚‡ÂÚ ‚ÒÚ‡‚ÍÛ ‚ ÏÓÏÂÌÚ ÔÂÂıÓ‰‡ Í ÌÓ‚ÓÈ ‚‡Ë‡ˆËË.
ÑÎﬂ Í‡Ê‰ÓÈ ‚‡Ë‡ˆËË ÒÛ˘ÂÒÚ‚ÛÂÚ Ò‚Óﬂ ‚ÒÚ‡‚Í‡, Ú‡ÍÊÂ Í‡Í Ë Ò‚Óﬂ ÓÒÌÓ‚Ì‡ﬂ
˜‡ÒÚ¸.
èêàåÖóÄçàÖ
ÇÒÚ‡‚ÍË
ÇÒÚ‡‚ÍË - ˝ÚÓ ÛÍ‡¯ÂÌËﬂ ÓÒÌÓ‚ÌÓ„Ó ËÚÏ‡,
ÔÓË„˚‚‡ÂÏ˚Â Ó·˚˜ÌÓ ‚ ÍÓÌˆÂ ÏÛÁ˚Í‡Î¸ÌÓÈ
Ù‡Á˚ ÔË ÔÂÂıÓ‰Â Í ÒÎÂ‰Û˛˘ÂÏÛ ÒÂ„ÏÂÌÚÛ.
CVP-202
51
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÑÎﬂ ÔÂÂÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË ‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ ÌÂÓ·ıÓ‰ËÏÓ
Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓ‚ÓÈ ‚‡Ë‡ˆËË.
➔ àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË ÏË„‡ÂÚ, ÍÓ„‰‡ Clavinova Ë„‡ÂÚ ‚ÒÚ‡‚ÍÛ.
ÇÓÓ·˘Â „Ó‚Óﬂ, Clavinova Ì‡˜ÌÂÚ ÔÓË„˚‚‡Ú¸ ‚ÒÚ‡‚ÍÛ ÔÓ˜ÚË Ò‡ÁÛ
ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË. ÖÒÎË ‚˚ ‚˚·‡ÎË ‚‡Ë‡ˆË˛ ÔÓÒÎÂ ÔÓÒÎÂ‰ÌÂÈ
‚ÓÒ¸ÏÓÈ ÌÓÚ˚ Ú‡ÍÚ‡, ‚ÒÚ‡‚Í‡ Ì‡˜ÌÂÚÒﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡.
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸
Ô‡ÛÁÛ ËÎË ÔÓË„‡Ú¸ ÒÔÂˆË‡Î¸ÌÛ˛ ‚ÒÚ‡‚ÍÛ,
ÂÒÎË ÔËÒ‚ÓËÚ¸ ÎÂ‚ÓÈ ÔÂ‰‡ÎË (ÒÚ. 138)
ÙÛÌÍˆË˛ BREAK ËÎË BREAK FIL.
➔ äÓ„‰‡ ‚ÒÚ‡‚Í‡ Á‡ÍÓÌ˜ÂÌ‡, ËÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË „ÓËÚ ÔÓÒÚÓﬂÌÌÓ, ÔÓÍ‡
Clavinova Ë„‡ÂÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
îÛÌÍˆËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÈ ‚ÒÚ‡‚ÍË ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚ ÔÂÂıÓ‰ ÓÚ Ó‰ÌÓÈ
‚‡Ë‡ˆËË Í ‰Û„ÓÈ. ÖÒÎË Á‚Û˜ËÚ ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸ A Ë ‚˚, Ì‡ÔËÏÂ, Ì‡ÊÏÂÚÂ
ÍÌÓÔÍÛ [MAIN B], Clavinova ÔÓË„‡ÂÚ ‚ÒÚ‡‚ÍÛ B, ‡ Á‡ÚÂÏ Ì‡˜ÌÂÚ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË B.
èêàåÖóÄçàÖ
ÇÒÚ‡‚ÍË ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ Ë ·ÂÁ
ÔÂÂÍÎ˛˜ÂÌËﬂ Ì‡ ‰Û„Û˛ ‚‡Ë‡ˆË˛. èÓÒÚÓ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Á‚Û˜‡˘ÂÈ
‚‡Ë‡ˆËË. Clavinova ÔÓË„‡ÂÚ ‚ÒÚ‡‚ÍÛ ˝ÚÓÈ
‚‡Ë‡ˆËË, ‡ Á‡ÚÂÏ ‚ÂÌÂÚÒﬂ Í ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË.
■ ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ‚ÓÁÏÓÊÌÓÒÚË ‚ÒÚ‡‚ÓÍ ............................................................
● àÁÏÂÌÂÌËÂ ‚ÒÚ‡‚ÍË
ÇÓÁÏÓÊÌÓ ÔÂÂÍÎ˛˜ËÚ¸Òﬂ Ì‡ ‰Û„Û˛ ‚‡Ë‡ˆË˛ ‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ
‚ÒÚ‡‚ÍË. Clavinova ÔÂÂÍÎ˛˜ËÚÒﬂ Ì‡ ‚ÒÚ‡‚ÍÛ ‰Îﬂ ÌÓ‚ÓÈ ‚‡Ë‡ˆËË, ‡
Á‡ÚÂÏ ÔÓ‰ÓÎÊËÚ ÌÓ‚Û˛ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ‚ Ó·˚˜ÌÓÏ ÔÓﬂ‰ÍÂ.
● èÓ‚ÚÓ ‚ÒÚ‡‚ÍË
ÖÒÎË Û‰ÂÊË‚‡Ú¸ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ ËÎË Ì‡Ê‡Ú¸ ÂÂ ÔÓÒÎÂ ÔÓÒÎÂ‰ÌÂÈ
‚ÓÒ¸ÏÓÈ ‰ÓÎË Ú‡ÍÚ‡ ‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ‚ÒÚ‡‚ÍË, ‚ÒÚ‡‚Í‡ ·Û‰ÂÚ
ÔÓË„‡Ì‡ ÔÓ‚ÚÓÌÓ.
● éÚÏÂÌ‡ ‚ÒÚ‡‚ÍË
ÖÒÎË Ì‡Ê‡Ú¸ ÏË„‡˛˘Û˛ ÍÌÓÔÍÛ ‡Ì¸¯Â ÔÓÒÎÂ‰ÌÂÈ ‚ÓÒ¸ÏÓÈ ‰ÓÎË Ú‡ÍÚ‡
‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ‚ÒÚ‡‚ÍË, Clavinova ÔÂ‚ÂÚ ‚ÒÚ‡‚ÍÛ Ë
ÔÓ‰ÓÎÊËÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË.
á‡ÔÛÒÍ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓÎ¸ÍÓ ÒÔÓÒÓ·Ó‚ Á‡ÔÛÒÍ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÌË
ÓÔËÒ‡Ì˚ ÌËÊÂ:
■ é·˚˜Ì˚È Á‡ÔÛÒÍ ................................................................................................................................
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÒÔÓÒÓ· Á‡ÔÛÒÚËÚ¸ ÒÚËÎ¸. ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ,
‚˚·ÂËÚÂ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[START/STOP].
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸
ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ÒÚËÎ¸, ÂÒÎË ÎÂ‚ÓÈ ÔÂ‰‡ÎË
(ÒÚ. 138) ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ START/STOP.
START/STOP
TAP
SYNCHRO
START/STOP
èêàåÖóÄçàÖ
➔ àÌ‰ËÍ‡ÚÓ Á‡„ÓËÚÒﬂ, Ë ÒÚËÎ¸ ·Û‰ÂÚ Á‡ÔÛ˘ÂÌ.
CVP-202
50
52
àÌ‰ËÍ‡ÚÓ ËÚÏ‡
ÇÓ ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ Í‡ÈÌËÈ ÎÂ‚˚È
ËÌ‰ËÍ‡ÚÓ (Í‡ÒÌ˚È) ‚ÒÔ˚ıË‚‡ÂÚ Ì‡ Í‡Ê‰Û˛
ÔÂ‚Û˛ ‰ÓÎ˛ Ú‡ÍÚ‡, ‡ ÓÒÚ‡Î¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚
(ÁÂÎÂÌ˚Â) - Ì‡ Í‡Ê‰Û˛ ÔÓÒÎÂ‰Û˛˘Û˛ ‰ÓÎ˛.
íÂÍÛ˘ËÈ ÚÂÏÔ Ë ‡ÁÏÂ ÔÓÍ‡Á‡Ì˚ ‚ ÎÂ‚ÓÈ
˜‡ÒÚË ÓÒÌÓ‚ÌÓ„Ó ˝Í‡Ì‡.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
■ ëËÌıÓÌËÁËÓ‚‡ÌÌ˚È Á‡ÔÛÒÍ ...........................................................................................
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔÛÒÚËÚ¸ ÒÚËÎ¸, ‚Áﬂ‚ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
Z ìÒÚ‡ÌÓ‚ËÚÂ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡.
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚÂ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SYNCHRO].
START/STOP
TAP
SYNCHRO
START/STOP
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ, Ë Í‡ÒÌ˚È ËÌ‰ËÍ‡ÚÓ [BEAT] Ì‡˜ÌÂÚ ÏË„‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ‚˚·‡ÌÌÓÏÛ ÚÂÏÔÛ.
X ç‡˜ÌËÚÂ Ë„‡Ú¸.
èêàåÖóÄçàÖ
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNCHRO] ‚Ó ‚ÂÏﬂ
ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÂÍ‡˘‡ÂÚÒﬂ, Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÂÊËÏ
ÓÊË‰‡ÌËﬂ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡.
• ÖÒÎË ‚˚ ËÒÔÓÎ¸ÁÛÂÚÂ ÍÎ‡‚Ë‡ÚÛÛ ‚ ÂÊËÏÂ
Split (ÒÚ. 36) ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚
Î˛·ÓÏ ÂÊËÏÂ, ÍÓÏÂ FULL KEYBOARD
(ÒÚ. 61), ÒËÌıÓÌËÁËÓ‚‡ÌÌ˚È Á‡ÔÛÒÍ
ÏÓÊÌÓ ‡ÍÚË‚ËÁËÓ‚‡Ú¸ ÚÓÎ¸ÍÓ Ò ÎÂ‚ÓÈ
˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
äÓ„‰‡ ‚˚ „ÓÚÓ‚˚, Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ëÚËÎ¸ Á‡ÔÛÒÍ‡ÂÚÒﬂ,
Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ ÔÂ‚Û˛ ÌÓÚÛ.
➔ àÌ‰ËÍ‡ÚÓ [SYNCHRO] ÔÓ„‡ÒÌÂÚ, ËÌ‰ËÍ‡ÚÓ [START/STOP] Á‡„ÓËÚÒﬂ, Ë
ÒÚËÎ¸ ·Û‰ÂÚ Á‡ÔÛ˘ÂÌ.
■ á‡ÔÛÒÍ ÍÌÓÔÍÓÈ [TAP] ..................................................................................................................
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ ÚÂÏÔ Ë Á‡ÔÛÒÚËÚ¸ ÒÚËÎ¸ Ó‰ÌÓÈ
ÓÔÂ‡ˆËÂÈ.
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚÂ ‚‡Ë‡ˆË˛, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ
ÔÓÒÚÛ˜ËÚÂ ÔÓ ÍÌÓÔÍÂ [TAP] ‚ ÊÂÎ‡ÂÏÓÏ ÚÂÏÔÂ. H‡ÊÏËÚÂ ÍÌÓÔÍÛ ˜ÂÚ˚Â
‡Á‡ ‰Îﬂ ‰‚Ûı- Ë ˜ÂÚ˚Âı‰ÓÎ¸Ì˚ı ÒÚËÎÂÈ, ÚË ‡Á‡ - ‰Îﬂ ÚÂı‰ÓÎ¸Ì˚ı, Ë
ÔﬂÚ¸ ‡Á - ‰Îﬂ ÔﬂÚË‰ÓÎ¸Ì˚ı ÒÚËÎÂÈ.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛
ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡ ‰Ó ÚÓ„Ó, Í‡Í ·˚Î
Á‡ÔÛ˘ÂÌ ÒÚËÎ¸, Ì‡ÊÏËÚÂ ÔÓ‚ÚÓÌÓ ÍÌÓÔÍÛ
[SYNCHRO].
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ [TAP] ÌÂ‰ÓÒÚ‡ÚÓ˜ÌÓÂ
ÍÓÎË˜ÂÒÚ‚Ó ‡Á (Ì‡ÔËÏÂ 3 ‡Á‡ ‰Îﬂ
ÚÂı‰ÓÎ¸ÌÓ„Ó ÒÚËÎﬂ), ÙÛÌÍˆËﬂ Á‡ÔÛÒÍ‡ ÍÌÓÔÍÓÈ
[TAP] ·Û‰ÂÚ ÓÚÏÂÌÂÌ‡ ˜ÂÂÁ ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰.
START / STOP
TAP
SYNCHRO
START/STOP
ÑÎﬂ ˜ÂÚ˚Âı‰ÓÎ¸ÌÓ„Ó ÒÚËÎﬂ… ➾ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ «Tap» ˜ÂÚ˚Â ‡Á‡.
51
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP] ÏÓÊÌÓ Ú‡ÍÊÂ ÏÂÌﬂÚ¸ ÚÂÏÔ ‚Ó ‚ÂÏﬂ
ÔÓË„˚‚‡ÌËﬂ (Ì‡Ê‡Ú¸ ‰‚‡ ‡Á‡). Ç ˝ÚÓÏ ÒÎÛ˜‡Â Á‚ÛÍ, Á‡‰‡˛˘ËÈ ÚÂÏÔ,
ÒÎ˚¯ÂÌ ÌÂ ·Û‰ÂÚ.
CVP-202
53
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ ÑÓ·‡‚ÎÂÌËÂ ËÌÚÓ‰ÛÍˆËË ......................................................................................................
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÛÍ‡ÒËÚ¸ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË Ò ÔÓÏÓ˘¸˛
‰Ó·‡‚ÎÂÌËﬂ ËÌÚÓ‰ÛÍˆËË.
Z á‡‰‡ÈÚÂ ËÌÚÓ‰ÛÍˆË˛.
Ç˚·ÂËÚÂ ‚‡Ë‡ˆË˛, ÍÓÚÓ‡ﬂ ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸ ËÌÚÓ‰ÛÍˆË˛, Í‡Í
ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51, Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO]. ëÛ˘ÂÒÚ‚Û˛Ú ÚË
‚‡Ë‡ÌÚ‡ ËÌÚÓ‰ÛÍˆËË, Í‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊÂ:
àÌÚÓ‰ÛÍˆËË
Ù‡Á‡
àÌÚÓ‰ÛÍˆËﬂ A
àÌÚÓ‰ÛÍˆËﬂ B
àÌÚÓ‰ÛÍˆËﬂ C/D
èÓË„˚‚‡ÂÚÒﬂ:
[MAIN A]
[MAIN B]
[MAIN C] ËÎË [MAIN D]
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ [INTRO], ‡ ËÌ‰ËÍ‡ÚÓ ‚˚·‡ÌÌÓÈ ‚‡Ë‡ˆËË Á‡ÏË„‡ÂÚ.
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
èêàåÖóÄçàÖ
åË„‡˛˘ËÈ ËÌ‰ËÍ‡ÚÓ ÛÍ‡Á˚‚‡ÂÚ, Í‡Í‡ﬂ
‚‡Ë‡ˆËﬂ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔÓÒÎÂ ËÌÚÓ‰ÛÍˆËË. ç‡
ËÎÎ˛ÒÚ‡ˆËË ÒÎÂ‚‡ ÔÓÍ‡Á‡ÌÓ, ˜ÚÓ Clavinova
·Û‰ÂÚ Ë„‡Ú¸ ËÌÚÓ‰ÛÍˆË˛ Ä, ‡ Á‡ÚÂÏ
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ Ä.
X Ç˚·ÂËÚÂ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
Ç˚·ÂËÚÂ ‚‡Ë‡ˆË˛ ‰Îﬂ ÔÓË„˚‚‡ÌËﬂ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ÔÓÒÎÂ
ÓÍÓÌ˜‡ÌËﬂ ËÌÚÓ‰ÛÍˆËË. (ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ Á‚Û˜‡Î‡ Ú‡ ÊÂ Ò‡Ï‡ﬂ
‚‡Ë‡ˆËﬂ, ˜ÚÓ Ë ‚ ËÌÚÓ‰ÛÍˆËË, ˝ÚÓÚ ¯‡„ ÏÓÊÌÓ ÔÓÔÛÒÚËÚ¸.)
➔ àÌ‰ËÍ‡ÚÓ ‡ÌÂÂ ‚˚·‡ÌÌÓÈ ÍÌÓÔÍË Á‡„ÓËÚÒﬂ, ‡ ËÌ‰ËÍ‡ÚÓ ÔÓÒÎÂ‰ÌÂÈ
Ì‡Ê‡ÚÓÈ ÍÌÓÔÍË Á‡ÏË„‡ÂÚ.
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
C á‡ÔÛÒÚËÚÂ ÒÚËÎ¸.
ÑÎﬂ Á‡ÔÛÒÍ‡ ÒÚËÎﬂ ËÒÔÓÎ¸ÁÛÈÚÂ Ó‰ËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı Ì‡
ÔÂ‰˚‰Û˘Ëı ÒÚ‡ÌËˆ‡ı.
CVP-202
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÌÚÓ‰ÛÍˆË˛ ‰Ó ÚÓ„Ó, Í‡Í
Á‡ÔÛ˘ÂÌ ÒÚËÎ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO]
ÔÓ‚ÚÓÌÓ.
52
54
èêàåÖóÄçàÖ
èÓÒÍÓÎ¸ÍÛ ÏË„‡˛˘ËÈ ËÌ‰ËÍ‡ÚÓ ÔÓÍ‡Á˚‚‡ÂÚ,
Í‡Í‡ﬂ ‚‡Ë‡ˆËﬂ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔÓÒÎÂ
ËÌÚÓ‰ÛÍˆËË, Ì‡ ËÎÎ˛ÒÚ‡ˆËË ÒÎÂ‚‡ ‚Ë‰ÌÓ, ˜ÚÓ
Clavinova ÔÓË„‡ÂÚ ‚ÒÚÛÔÎÂÌËÂ C/D, ‡ Á‡ÚÂÏ
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ A.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
■ îÛÌÍˆËﬂ FADE IN ......................................................................................................................................
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÔÓÒÚÂÔÂÌÌÓ Û‚ÂÎË˜Ë‚‡Ú¸ „ÓÏÍÓÒÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. îÛÌÍˆË˛ Fade In ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ Î˛·ÓÂ ‚ÂÏﬂ ‰Ó Á‡ÔÛÒÍ‡
ÒÚËÎﬂ Ë ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÂÂ ‚ ÍÓÏ·ËÌ‡ˆËË Ò Î˛·˚Ï ÏÂÚÓ‰ÓÏ Á‡ÔÛÒÍ‡ (‚ÍÎ˛˜‡ﬂ
ÙÛÌÍˆË˛ ËÌÚÓ‰ÛÍˆËË).
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FADE IN/OUT].
èêàåÖóÄçàÖ
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ Û‚ÂÎË˜Ë‚‡Ú¸
ËÎË ÛÏÂÌ¸¯‡Ú¸ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ,
ÂÒÎË ÎÂ‚ÓÈ ÔÂ‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂÌ‡
ÙÛÌÍˆËﬂ FADE IN/OUT.
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ, Ë ÙÛÌÍˆËﬂ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡ ‚ÍÎ˛˜ËÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
X á‡ÔÛÒÚËÚÂ ÒÚËÎ¸.
ÑÎﬂ Á‡ÔÛÒÍ‡ ÒÚËÎﬂ ËÒÔÓÎ¸ÁÛÈÚÂ Ó‰ËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı Ì‡
ÔÂ‰˚‰Û˘Ëı ÒÚ‡ÌËˆ‡ı.
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ Ò
Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, Â˘Â ‡Á Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [FADE IN/OUT].
➔ àÌ‰ËÍ‡ÚÓ [FADE IN/OUT] ÏË„‡ÂÚ ‚Ó ‚ÂÏﬂ Ì‡‡ÒÚ‡ÌËﬂ „ÓÏÍÓÒÚË, Á‡ÚÂÏ
„‡ÒÌÂÚ, ÍÓ„‰‡ Ì‡‡ÒÚ‡ÌËÂ „ÓÏÍÓÒÚË ÔÂÍ‡˘‡ÂÚÒﬂ.
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ëÛ˘ÂÒÚ‚ÛÂÚ Ú‡ÍÊÂ ÌÂÒÍÓÎ¸ÍÓ ÒÔÓÒÓ·Ó‚ ÓÒÚ‡ÌÓ‚ÍË ÔÓË„˚‚‡ÌËﬂ ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÌË ÓÔËÒ‡Ì˚ ÌËÊÂ:
■ é·˚˜Ì‡ﬂ ÓÒÚ‡ÌÓ‚Í‡ .......................................................................................................................
ÑÎﬂ ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP].
START /STOP
TAP
SYNCHRO
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸
ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ÒÚËÎ¸, ÂÒÎË ÎÂ‚ÓÈ ÔÂ‰‡ÎË
(ÒÚ. 138) ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ START/STOP.
START/STOP
➔ àÌ‰ËÍ‡ÚÓ „‡ÒÌÂÚ, Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÌÂÏÂ‰ÎÂÌÌÓ.
■ ÑÓ·‡‚ÎÂÌËÂ ÙËÌ‡Î‡ ......................................................................................................................
ÑÎﬂ ÔÓË„˚‚‡ÌËﬂ ÙËÌ‡Î‡ ‰Ó ÔÂÍ‡˘ÂÌËﬂ Á‚Û˜‡ÌËﬂ ÒÚËÎﬂ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [ENDING].
AUTO ACCOMPANIMENT
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
èêàåÖóÄçàÖ
53
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ENDING, Ë Clavinova ÔÓË„‡ÂÚ ÙËÌ‡Î ÔÂÂ‰
Á‡‚Â¯ÂÌËÂÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ.
ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENDING] ‚ ÏÓÏÂÌÚ ËÎË
ÔÓÒÎÂ ‚ÚÓÓÈ ‰ÓÎË Ú‡ÍÚ‡, ÙËÌ‡Î ÔÓÁ‚Û˜ËÚ
Ì‡˜ËÌ‡ﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡.
CVP-202
55
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ä‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊÂ, Clavinova ‚ÓÒÔÓËÁ‚Â‰ÂÚ Ó‰ËÌ ËÁ ÚÂı ÙËÌ‡ÎÓ‚, ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í‡ﬂ ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸ Á‚Û˜ËÚ ‚ Ì‡ÒÚÓﬂ˘ËÈ ÏÓÏÂÌÚ.
îËÌ‡Î˚
Ù‡Á‡
îËÌ‡Î A
îËÌ‡Î B
îËÌ‡Î C/D
èÓË„˚‚‡ÂÚÒﬂ:
[MAIN A]
[MAIN B]
[MAIN C] ËÎË [MAIN D]
èêàåÖóÄçàÖ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [ENDING] ‚ÚÓÓÈ ‡Á ‚Ó ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ ÙËÌ‡Î‡,
˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ ËÚ‡‰‡Ì‰Ó (ÔÓÒÚÂÔÂÌÌÓÂ Á‡ÏÂ‰ÎÂÌËÂ).
■ FADE OUT ....................................................................................................................................................
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FADE IN/OUT] ÏÓÊÌÓ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡‚Â¯ËÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ Ò ÔÓÒÚÂÔÂÌÌ˚Ï Á‡ÚÛı‡ÌËÂÏ „ÓÏÍÓÒÚË.
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÙËÌ‡Î‡ Ò ˝ÙÙÂÍÚÓÏ
ËÚ‡‰‡Ì‰Ó, ÂÒÎË ÎÂ‚ÓÈ ÔÂ‰‡ÎË (ÒÚ. 138)
ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ ENDING/RIT.
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ë ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ Û‚ÂÎË˜Ë‚‡Ú¸
ËÎË ÛÏÂÌ¸¯‡Ú¸ „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ,
ÂÒÎË ÎÂ‚ÓÈ ÔÂ‰‡ÎË (ÒÚ. 138) ÔËÒ‚ÓÂÌ‡
ÙÛÌÍˆËﬂ FADE IN/OUT.
START/STOP
➔ àÌ‰ËÍ‡ÚÓ Ì‡˜ËÌ‡ÂÚ ÏË„‡Ú¸, Ë „ÓÏÍÓÒÚ¸ ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÂÚ.
îÛÌÍˆË˛ FADE OUT ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ ÍÓÏ·ËÌ‡ˆËË Ò Î˛·ÓÈ
˜‡ÒÚ¸˛, ‚ÍÎ˛˜‡ﬂ ËÌÚÓ‰ÛÍˆË˛ Ë ÙËÌ‡Î.
CVP-202
54
56
à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○
ì Clavinova ËÏÂÂÚÒﬂ ÒÎÓÊÌ‡ﬂ ÒËÒÚÂÏ‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ‡ﬂ
‚ÍÎ˛˜‡ÂÚ ËÚÏ, ·‡Ò Ë ‡ÍÍÓ‰Ó‚ÓÂ ÒÓÔÓ‚ÓÊ‰ÂÌËÂ 134 ‡ÁÎË˜Ì˚ı ÒÚËÎÂÈ,
‡ Ú‡ÍÊÂ 36 ÚËÔÓ‚ ÙÓÚÂÔË‡ÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èêàåÖóÄçàÖ
Ñ‡ÌÌ˚Â ‚ÓÒÔÓËÁ‚Ó‰ËÏÓ„Ó ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·˚˜ÌÓ ÌÂ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡
ÔÓÚ MIDI [OUT]. óÚÓ·˚ ÔÂÂÒÎ‡Ú¸ ‰‡ÌÌ˚Â ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ ‰Û„ÓÈ
MIDI-ËÌÒÚÛÏÂÌÚ, ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆËË ACMP&RHY Ë HARMONY Ì‡ ˝Í‡ÌÂ
FUNCTION [MIDI 4], ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 150.
ACMP ON
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÑÎﬂ Á‡‰‡ÌËﬂ ‡ÍÍÓ‰Ó‚, ÍÓÚÓ˚Â ·Û‰ÛÚ ÔÓË„˚‚‡Ú¸Òﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, ËÒÔÓÎ¸ÁÛÈÚÂ Ó‰ËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÏÂÚÓ‰Ó‚.
Ç˚·ÂËÚÂ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ì‡Ë·ÓÎÂÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚‡¯ÂÏÛ
ÒÚËÎ˛ Ë„˚.
èêàåÖóÄçàÖ
èÓ‰Ó·Ì˚Â ÔÓﬂÒÌÂÌËﬂ ÔÓ Í‡Ê‰ÓÏÛ ÂÊËÏÛ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰‡Ì˚ Ì‡ ÒÚ. 60 Ë 61.
● Single Finger
åÂÚÓ‰ Single Finger ÔÓÁ‚ÓÎﬂÂÚ ÎÂ„ÍÓ ÒÓÁ‰‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚
Ï‡ÊÓÌ˚ı, ÏËÌÓÌ˚ı ‡ÍÍÓ‰‡ı, ‡ Ú‡ÍÊÂ ‚ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı
ÒÂÔÚ‡ÍÍÓ‰‡ı Ì‡Ê‡ÚËÂÏ ÓÔÂ‰ÂÎÂÌÌ˚ı ÍÎ‡‚Ë¯ (‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÔÓÒÚ˚ÏË Ô‡‚ËÎ‡ÏË) ÎÂ‚ÂÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚, ÓÚÏÂ˜ÂÌÌÓÈ
ËÌ‰ËÍ‡ÚÓÓÏ. (ëÏ. ÒÚ. 60.)
● Multi Finger
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÂÊËÏ Multi Finger, ‚˚ ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÏÂÚÓ‰
Single Finger ËÎË Fingered 1 ‰Îﬂ Á‡‰‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. (ëÏ.
ÒÚ. 60.)
● Fingered 1
åÂÚÓ‰ Fingered 1 ÔÓÁ‚ÓÎﬂÂÚ ÛÔ‡‚ÎﬂÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ, Ë„‡ﬂ
ÔÓÎÌ˚Â ‡ÍÍÓ‰˚ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚. (ëÏ. ÒÚ. 60.)
● Fingered 2
ùÚÓÚ ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ Ú‡ÍÛ˛ ÊÂ ‡ÔÔÎËÍ‡ÚÛÛ, ˜ÚÓ Ë Fingered 1, Ò
Ó‰ÌËÏ ÓÚÎË˜ËÂÏ: ‚ ˝ÚÓÏ ÂÊËÏÂ ·‡ÒÓÏ ﬂ‚ÎﬂÂÚÒﬂ Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÌÓÚ‡,
‚ÁﬂÚ‡ﬂ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (‚ ÂÊËÏÂ Fingered 1 ‚ Í‡˜ÂÒÚ‚Â ·‡Ò‡
‚ÒÂ„‰‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡). í‡ÍËÏ Ó·‡ÁÓÏ, ˝ÚÓÚ ÏÂÚÓ‰
ÒÎÂ‰ÛÂÚ ‚˚·‡Ú¸, ˜ÚÓ·˚ Ë„‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓËÁ‚ÓÎ¸Ì˚Ï ·‡ÒÓÏ Ë
"ÛÒÂ˜ÂÌÌ˚Â" ‡ÍÍÓ‰˚. (ëÏ. ÒÚ. 61.)
55
● Full Keyboard
êÂÊËÏ Full Keyboard ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÁ‰‡ÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˜ÚÓ ·˚ ‚˚
ÌË Ë„‡ÎË, ‚ Î˛·ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚. (ëÏ. ÒÚ. 61. )
CVP-202
57
à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
á‡ÔÛÒÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èÂÂ‰ ÚÂÏ Í‡Í Ì‡˜‡Ú¸ Ë„‡Ú¸, ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ ÂÊËÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 59). äÓ„‰‡ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌ, ‚˚
ÏÓÊÂÚÂ Á‡ÔÛÒÚËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ:
Z Ç˚·Â,ËÚÂ ÒÚËÎ¸. .............................................................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÒÚËÎ¸. (ëÏ. ÒÚ. 49.)
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
BALLROOM
PIANIST
MUSIC
DATABASE
DISK
HARMONY
èêàåÖóÄçàÖ
îÓÚÂÔË‡ÌÌ˚Â ÒÚËÎË
ë ÔÓÏÓ˘¸˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
Ë„‡Ú¸ ÙÓÚÂÔË‡ÌÌ˚Â ÒÚËÎË Ë ÒÚËÎ¸ Guitar
Serenade ËÁ „ÛÔÔ˚ ÒÚËÎÂÈ WALTZ (ÒÚ. 49).
èÓÒÍÓÎ¸ÍÛ ˝ÚË ÒÚËÎË ÌÂ ÒÓ‰ÂÊ‡Ú Ô‡ÚËË
Û‰‡Ì˚ı, ‚‡Ï ÔË‰ÂÚÒﬂ ‚ÁﬂÚ¸ ‡ÍÍÓ‰, ˜ÚÓ·˚
ÛÒÎ˚¯‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
CUSTOM
X ìÒÚ‡ÌÓ‚ËÚÂ ÚÂÏÔ Ë „,ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ...................................
ÑÎﬂ Â„ÛÎËÓ‚ÍË ÚÂÏÔ‡ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË TEMPO (ÒÚ. 25), Ë
ÔÓÎÁÛÌÓÍ [ACMP/SONG VOLUME] - ‰Îﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Ô‡ÚËÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 23).
C ÇÍÎ˛˜ËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ..................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [ACMP ON].
ACMP ON
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ [ACMP ON].
àÌ‰ËÍ‡ÚÓ [SYNCHRO] Ú‡ÍÊÂ Á‡„ÓËÚÒﬂ, ˜ÚÓ ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ‚˚ ÏÓÊÂÚÂ
Ì‡˜‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó
Á‡ÔÛÒÍ‡ (ÒÚ. 53). ë‚ÂÚÓ‰ËÓ‰ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ·Û‰ÂÚ ÛÍ‡Á˚‚‡Ú¸ ÚÓ˜ÍÛ
‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
• Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ÍÎ˛˜ËÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË, ÍÓ„‰‡ ‚˚ ‚˚·ÂÂÚÂ ÒÚËÎ¸ ËÁ
ÙÓÚÂÔË‡ÌÌÓÈ „ÛÔÔ˚.
• Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÂÚ Ú‡ÍÊÂ ·˚Ú¸
‚ÍÎ˛˜ÂÌ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-202.
• ÖÒÎË ‚˚ ‚ÍÎ˛˜ËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ
Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
‰ÓÓÊÍ‡ Á‡ÔËÒ‡ÌÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
·Û‰ÂÚ ÔË„ÎÛ¯ÂÌ‡, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË
‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
V á‡ÔÛÒÚËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. .................................................................................
ç‡˜ÌËÚÂ Ë„‡Ú¸, ˜ÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÂÚÓ‰ÓÏ
ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡, ËÎË Á‡ÔÛÒÚËÚÂ ÒÚËÎ¸, ËÒÔÓÎ¸ÁÛﬂ Ó‰ËÌ (ËÎË
ÌÂÒÍÓÎ¸ÍÓ) ËÁ ‰Û„Ëı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı Ì‡ ÒÚ. 52 Ë 55.
åÂÚÓ‰˚ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÓÔËÒ‡Ì˚ Ì‡
ÒÎÂ‰Û˛˘Ëı ÒÚ‡ÌËˆ‡ı.
èêàåÖóÄçàÖ
• Ç˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ‚˚·Ë‡Ú¸ ‚‡Ë‡ˆËË ÒÚËÎﬂ Ë
ÔÓË„˚‚‡Ú¸ ‚ÒÚ‡‚ÍË, Í‡Í ÓÔËÒ‡ÌÓ Ì‡ ÒÚ. 51,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
• óÚÓ·˚ ÔÂÂ‰ Ì‡˜‡ÎÓÏ Ë„˚ ÓÚÍÎ˛˜ËÚ¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [ACMP
ON] Â˘Â ‡Á.
Ç˚ÍÎ˛˜ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
àÒÔÓÎ¸ÁÛÈÚÂ Ó‰ËÌ ËÁ ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı Ì‡ ÒÚ. 55, ˜ÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ, ‚ÍÎ˛˜‡ﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [ACMP ON].
àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ.
CVP-202
56
58
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡
Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
àÁÏÂÌÂÌËÂ Ì‡ÒÚ,ÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ç˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÍÓÚÓ˚È ÓÔÂ‰ÂÎﬂÂÚ
ÏÂÚÓ‰ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰Ó‚), ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ‰Û„ËÂ
Ì‡ÒÚÓÈÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ ÒÚ‡ÌËˆÂ ACCOMPANIMENT MODE
˝Í‡Ì‡.
■ éÚÓ·,‡ÊÂÌËÂ Ì‡ÒÚ,ÓÂÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [ACMP ON].
DIRECT ACCESS
➾
ACMP ON
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì ACCOMPANIMENT MODE.
■ Ç˚·Ó, ,ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ..................................................................................
ÑÎﬂ ‚˚·Ó‡ ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË
FINGERING ▲ Ë ▼.
èêàåÖóÄçàÖ
êÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
• ç‡ÒÚÓÈÍË: cÏ. ‚ÂÁÍÛ ÌËÊÂ.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: MULTI FINGER
➔ ç‡Á‚‡ÌËÂ ‚˚·‡ÌÌÓ„Ó ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‚˚‰ÂÎÂÌÓ.
57
ëÔÓÒÓ·˚ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ‰Îﬂ Í‡Ê‰Ó„Ó ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÔÓ‰Ó·ÌÓ ÓÔËÒ‡Ì˚ ÌËÊÂ.
CVP-202
59
à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
êÂÊËÏ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
● Single Finger
ìÔ‡‚ÎﬂÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ÏÓÊÌÓ Ì‡Ê‡ÚËÂÏ Ó‰ÌÓÈ, ‰‚Ûı ËÎË
ÚÂı ÍÎ‡‚Ë¯ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (ÌËÊÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ Ë ‚ÍÎ˛˜‡ﬂ
ÂÂ), ÒÓ„Î‡ÒÌÓ ÓÔËÒ‡ÌÌ˚Ï ÌËÊÂ Ô‡‚ËÎ‡Ï. åÂÎÓ‰Ë˛ ‚Â‰ËÚÂ ‚ Ô‡‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
èêàåÖóÄçàÖ
• ç‡Á‚‡ÌËﬂ ÔÓË„˚‚‡ÂÏ˚ı ‡ÍÍÓ‰Ó‚
ÓÚÓ·‡Ê‡˛ÚÒﬂ Û ÎÂ‚Ó„Ó Í‡ﬂ ‰ËÒÔÎÂﬂ ÔÓ‰
ËÌ‰ËÍ‡ÚÓÓÏ ÚÂÏÔ‡.
• íÓÚ ÊÂ Ò‡Ï˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓ‰ÓÎÊ‡ÂÚ
Á‚Û˜‡Ú¸ (‰‡ÊÂ ÂÒÎË ‚˚ ÓÚÔÛÒÚËÎË ÍÎ‡‚Ë¯Ë ‚
ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚), ÔÓÍ‡ ‚˚ ÌÂ
‚ÓÁ¸ÏÂÚÂ ÒÎÂ‰Û˛˘ËÈ ‡ÍÍÓ‰.
■ ÄÍÍÓ,‰˚, ‚ÓÒÔ,ÓËÁ‚Ó‰ËÏ˚Â ÏÂÚÓ‰ÓÏ Single Finger
åÂÚÓ‰ÓÏ Single Finger ÏÓÊÌÓ Ë„‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ˜ÂÚ˚Â ÚËÔ‡ ‡ÍÍÓ‰Ó‚:
C
• å‡ÊÓ,ÌÓÂ Ú,ÂÁ‚Û˜ËÂ
ç‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ ‡ÍÍÓ‰‡.
Cm
• åËÌÓ,ÌÓÂ Ú,ÂÁ‚Û˜ËÂ [m]
èêàåÖóÄçàÖ
àÎÎ˛ÒÚ‡ˆËﬂ ÔÓÍ‡Á˚‚‡ÂÚ, Í‡ÍËÂ ÍÎ‡‚Ë¯Ë
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡.
C# Eb F# Ab Bb
(Db)(D#) (Gb)(G#)(A#)
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë Î˛·Û˛ ˜ÂÌÛ˛
ÍÎ‡‚Ë¯Û ÒÎÂ‚‡ ÓÚ ÌÂÂ.
C7
• ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ,‰ [7]
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë Î˛·Û˛ ·ÂÎÛ˛
ÍÎ‡‚Ë¯Û ÒÎÂ‚‡ ÓÚ ÌÂÂ.
Cm7
C D E F G A B
• åËÌÓ,Ì˚È ÒÂÔÚ‡ÍÍÓ,‰ [m7]
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë Î˛·Û˛ ·ÂÎÛ˛ Ë
˜ÂÌÛ˛ ÍÎ‡‚Ë¯Ë ÒÎÂ‚‡ ÓÚ ÌÂÂ (ÚË ÍÎ‡‚Ë¯Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ).
● Multi Finger
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎﬂÂÚ ÛÔ‡‚ÎﬂÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ò ÔÓÏÓ˘¸˛
ÏÂÚÓ‰‡ Single Finger (ÓÔËÒ‡ÌÌÓ„Ó ‚˚¯Â) ËÎË ÏÂÚÓ‰‡ Fingered 1 (ÓÔËÒ‡ÌÌÓ„Ó
ÌËÊÂ). é‰Ì‡ÍÓ ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ÏËÌÓÌÓ„Ó ‡ÍÍÓ‰‡, ÒÂÔÚ‡ÍÍÓ‰‡ ËÎË
ÏËÌÓÌÓ„Ó ÒÂÔÚ‡ÍÍÓ‰‡ ÌÂÓ·ıÓ‰ËÏÓ Ì‡ÊËÏ‡Ú¸ ·ÂÎÛ˛ Ë/ËÎË ˜ÂÌÛ˛
ÍÎ‡‚Ë¯Û, ·ÎËÊ‡È¯Û˛ Í ÍÎ‡‚Ë¯Â ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ ‡ÍÍÓ‰‡.
èêàåÖóÄçàÖ
● Fingered 1
ÑÎﬂ ÛÔ‡‚ÎÂÌËﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ë„‡ÈÚÂ Î˛·˚Â ‡ÍÍÓ‰˚ ‚ ÎÂ‚ÓÈ
˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (ÌËÊÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ Ë ‚ÍÎ˛˜‡ﬂ ÂÂ). åÂÎÓ‰Ë˛ ‚Â‰ËÚÂ
‚ Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
• àÌÓ„‰‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂ ÏÂÌﬂÂÚÒﬂ,
ÂÒÎË Ó‰ÒÚ‚ÂÌÌ˚Â ‡ÍÍÓ‰˚ ÔÓË„˚‚‡˛ÚÒﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ (Ì‡ÔËÏÂ ÌÂÍÓÚÓ˚Â
ÏËÌÓÌ˚Â ÚÂÁ‚Û˜Ëﬂ, Á‡ ÍÓÚÓ˚ÏË ÒÎÂ‰ÛÂÚ
ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰).
• ÖÒÎË Clavinova ÌÂ ÏÓÊÂÚ ‡ÒÔÓÁÌ‡Ú¸ ‚ÁﬂÚ˚È
‚‡ÏË ‡ÍÍÓ‰, ‚ÏÂÒÚÓ Ì‡Á‚‡ÌËﬂ ‡ÍÍÓ‰‡ Ì‡
‰ËÒÔÎÂÂ ÓÚÓ·‡ÁËÚÒﬂ Á‚ÂÁ‰Ó˜Í‡ «*».
• óÚÓ·˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ Á‚Û˜‡Î‡ ÚÓÎ¸ÍÓ
Ô‡ÚËﬂ Û‰‡Ì˚ı, ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÚË ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ
‡ÒÔÓÎÓÊÂÌÌ˚ı ÍÎ‡‚Ë¯Ë (Ì‡ÔËÏÂ C, C#,
D). ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ ‰ËÌ‡ÏË˜ÂÒÍËÂ
Ô‡ÛÁ˚ (·ÂÈÍË) Ò Û‰‡Ì˚ÏË ‚
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÇÏÂÒÚÓ Ì‡Á‚‡ÌËﬂ ‡ÍÍÓ‰‡
Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ﬂÚÒﬂ ÔÓ˜ÂÍË «- - -».
èêàåÖóÄçàÖ
ç‡Ê‡ÚËÂ ‰‚Ûı ÍÎ‡‚Ë¯ „ÂÌÂËÛÂÚ ‡ÍÍÓ‰ Ì‡
ÓÒÌÓ‚Â ÔÂ‰˚‰Û˘Â„Ó ‡ÍÍÓ‰‡.
CVP-202
58
60
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡
Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
■ ÄÍÍÓ,‰˚ ‚ ,ÂÊËÏÂ Fingered 1
Ç ÂÊËÏÂ Fingered 1 ÏÓÊÌÓ Ë„‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÚËÔ˚ ‡ÍÍÓ‰Ó‚. èÓÎÌÛ˛
Ú‡·ÎËˆÛ ‡ÍÍÓ‰Ó‚ Ò ÓÒÌÓ‚‡ÌËÂÏ ë ÒÏ. Ì‡ ÒÚ. 12 ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ.
• å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ
• ëÂÍÒÚ‡ÍÍÓ‰ [6]
• ÅÓÎ¸¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7]
• ÅÓÎ¸¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ
Í‚ËÌÚÓÈ [M7 (b5)]
• ÅÓÎ¸¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò Û‚ÂÎË˜ÂÌÌÓÈ
ÛÌ‰ÂˆËÏÓÈ [M7 (#11)]
• å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ‰Â‚ﬂÚÓÈ
ÒÚÛÔÂÌ¸˛ [add 9]
• ÅÓÎ¸¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [M7 (9)]
• ëÂÍÒÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [6 (9)]
• íÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [(b5)]
• ì‚ÂÎË˜ÂÌÌÓÂ ÚÂÁ‚Û˜ËÂ [aug]
• ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Í‚ËÌÚÓÈ
[7 (#5)]
• ì‚ÂÎË˜ÂÌÌ˚È Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7 (#5)]
• åËÌÓÌÓÂ ÚÂÁ‚Û˜ËÂ [m]
• åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6]
• åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7]
• èÓÎÛÛÏÂÌ¸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7 (b5)]
• åËÌÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ
[m add 9]
• åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [m7 (9)]
• åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÛÌ‰ÂˆËÏÓÈ [m7 (11)]
• ÅÓÎ¸¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ
Í‚ËÌÚÓÈ [m7 (b5)]
• ÅÓÎ¸¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7]
• ÅÓÎ¸¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÌÓÌÓÈ [mM7 (9)]
• åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ
[m (b5)]
• ìÏÂÌ¸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7]
• ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ [7]
• Sus-ÒÂÔÚ‡ÍÍÓ‰ [7sus4]
• çÓÌÒÂÔÚ‡ÍÍÓ‰ [7 (9)]
• ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ ÛÌ‰ÂˆËÏÓÈ [7 (#11)]
• ëÂÔÚ‡ÍÍÓ‰ Ò ÚÂˆ‰ÂˆËÏÓÈ [7 (13)]
• ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 (b5)]
• ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ ÌÓÌÓÈ [7 (b9)]
• ëÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÔÓÌËÊÂÌÌÓÈ
ÚÂˆ‰ÂˆËÏÓÈ [7 (b13)]
• ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7 (#9)]
• á‡‰ÂÊ‡ÌÌ‡ﬂ Í‚‡Ú‡ [sus4]
● Fingered 2
ÑÎﬂ ÛÔ‡‚ÎÂÌËﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ·ÂËÚÂ ‡ÍÍÓ‰˚ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚, Í‡Í Ë ‰Îﬂ Fingered 1. çÓ ‚ ˝ÚÓÏ ÂÊËÏÂ Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÌÓÚ‡,
ÍÓÚÓÛ˛ ‚˚ ·ÂÂÚÂ, ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ì‡ ‚ Í‡˜ÂÒÚ‚Â ·‡Ò‡, Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡
ËÒÛÌÍÂ ÒÔ‡‚‡.
■ ÄÍÍÓ,‰˚ ‚ ,ÂÊËÏÂ Fingered 2
èêàåÖóÄçàÖ
ÄÍÍÓ‰˚ Ò ·‡ÒÓÏ
C Ò ·‡ÒÓÏ E
C
C Ò ·‡ÒÓÏ G
Clavinova ‡ÒÔÓÁÌ‡ÂÚ ÚÂ ÊÂ ÚËÔ˚ ‡ÍÍÓ‰Ó‚, ˜ÚÓ Ë ‚ ÂÊËÏÂ Fingered 1.
● Full Keyboard
èË ‚˚·ÓÂ ÂÊËÏ‡ Full Keyboard Clavinova ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓÁ‰‡‚‡Ú¸ ÔÓ‰ıÓ‰ﬂ˘ËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, Í‡ÍËÂ ÌÓÚ˚ Ë ‚
Í‡ÍÓÏ ‡Á‰ÂÎÂ ÍÎ‡‚Ë‡ÚÛ˚ ËÒÔÓÎÌﬂ˛ÚÒﬂ. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË
ÛÍ‡ÏË. Ç‡Ï ÌÂ ÔË‰ÂÚÒﬂ ÛÚÛÊ‰‡Ú¸ ÒÂ·ﬂ ÛÍ‡Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ç‡Á‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ ÓÚÓ·‡ÊÂÌ˚ Ì‡ ‰ËÒÔÎÂÂ.
èêàåÖóÄçàÖ
• ïÓÚﬂ ÂÊËÏ Full Keyboard ÔÂ‰Ì‡ÁÌ‡˜ÂÌ
‰Îﬂ ‡·ÓÚ˚ ÒÓ ÏÌÓ„ËÏË ÚËÔ‡ÏË ÏÛÁ˚ÍË,
‰Îﬂ ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ
ÓÍ‡Á‡Ú¸Òﬂ ÌÂÔËÂÏÎÂÏ˚Ï.
• ê‡ÒÔÓÁÌ‡˛ÚÒﬂ ‡ÍÍÓ‰˚ ‰ÎËÚÂÎ¸ÌÓÒÚ¸˛
ÔËÏÂÌÓ ‚ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛. ÄÍÍÓ‰˚ ÏÂÌÂÂ
ÔÓ‰ÓÎÊËÚÂÎ¸ÌÓ„Ó Á‚Û˜‡ÌËﬂ, ˜ÂÏ Ó‰Ì‡
‚ÓÒ¸Ï‡ﬂ, ÏÓ„ÛÚ ÌÂ ‡ÒÔÓÁÌ‡‚‡Ú¸Òﬂ.
èêàåÖóÄçàÖ
59
ëÎÂ‰ÛÂÚ ËÏÂÚ¸ ‚ ‚Ë‰Û...
ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÂÊËÏ˚ Dual Ë Split.
CVP-202
61
à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËË Synchronized Stop ...............................................
îÛÌÍˆËﬂ SYNCHRO STOP Ì‡ ˝Í‡ÌÂ ACCOMPANIMENT MODE
(ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÂÒÎË ÌÂ Ì‡Ê‡Ú‡ ÌË Ó‰Ì‡ ÍÎ‡‚Ë¯‡ ÒÎÂ‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚.
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SYNCHRO STOP.
èêàåÖóÄçàÖ
ùÚ‡ ÙÛÌÍˆËﬂ ÏÓÊÂÚ ·˚Ú¸ ‚ÍÎ˛˜ÂÌ‡, ÚÓÎ¸ÍÓ
ÂÒÎË ‚ÍÎ˛˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë ÌÂ ‚˚·‡Ì
ÂÊËÏ Full Keyboard.
➔ ç‡Á‚‡ÌËÂ ÙÛÌÍˆËË SYNCHRO STOP ·Û‰ÂÚ ‚˚‰ÂÎÂÌÓ, Ë Á‡„ÓËÚÒﬂ
ËÌ‰ËÍ‡ÚÓ [SYNCHRO].
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔÛÒÍ‡ÂÚÒﬂ, ÍÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ
Í‡ÍÛ˛-ÎË·Ó ÍÎ‡‚Ë¯Û ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚, Ë ÔÂÍ‡˘‡ÂÚÒﬂ, ÂÒÎË ÌË
Ó‰Ì‡ ÍÎ‡‚Ë¯‡ ÌÂ Ì‡Ê‡Ú‡.
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛, ÔÓ‚ÚÓÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
SYNCHRO STOP.
■ èÓ‰ÒÍ‡ÁÍ‡ ÔÓ ‡ÍÍÓ,‰‡Ï ............................................................................................................
îÛÌÍˆËﬂ CHORD ASSIST Ì‡ ˝Í‡ÌÂ ACCOMPANIMENT MODE (ÂÊËÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Ò ÔÓÏÓ˘¸˛ ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÛÍ‡ÊÂÚ
ÔÓ‰ıÓ‰ﬂ˘Û˛ ‡ÔÔÎËÍ‡ÚÛÛ ‰Îﬂ ‡ÍÍÓ‰‡.
Z ÇÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ Chord Assistance.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ CHORD ASSIST.
èêàåÖóÄçàÖ
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÎÂÁÌ‡ ‰Îﬂ Ì‡˜ËÌ‡˛˘Ëı
ÏÛÁ˚Í‡ÌÚÓ‚, ÍÓÚÓ˚Ï ÚÛ‰ÌÓ ÒÓ·Î˛‰‡Ú¸
‡ÁÏÂ. í‡ÍÊÂ ÏÓÊÌÓ ˝ÙÙÂÍÚË‚ÌÓ ÒÓÁ‰‡‚‡Ú¸
Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ‚Ó ‚ÂÏﬂ Ë„˚.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Chord Assistance
îÛÌÍˆËﬂ Chord Assistance - ˝ÚÓ Ù‡ÍÚË˜ÂÒÍË
˝ÎÂÍÚÓÌÌ˚È «ÒÔ‡‚Ó˜ÌËÍ ‡ÍÍÓ‰Ó‚»,
ÔÓÍ‡Á˚‚‡˛˘ËÈ ÔÓ‰ıÓ‰ﬂ˘Û˛ ‡ÔÔÎËÍ‡ÚÛÛ ‰Îﬂ
‡ÍÍÓ‰Ó‚; Ò ÂÂ ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚÂ ·˚ÒÚÓ
ÛÁÌ‡Ú¸, Í‡Í Ë„‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓ‰.
á‡‰‡ÈÚÂ ÌÛÊÌ˚È ‡ÍÍÓ‰ ˜ÂÂÁ ‰ËÒÔÎÂÈ, Ë
‡ÔÔÎËÍ‡ÚÛ‡ ‰Îﬂ ÂÊËÏ‡ Fingered 1 ·Û‰ÂÚ
ÔÓÍ‡Á‡Ì‡ Ò ÔÓÏÓ˘¸˛ ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
èêàåÖóÄçàÖ
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì CHORD ASSIST, Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡ÌÓ‚ËÚÒﬂ ÂÊËÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Fingered 1.
CVP-202
60
62
• éÌ‡ ‚ÍÎ˛˜ËÚÒﬂ, ÂÒÎË ‚˚ÍÎ˛˜ÂÌ‡ ÍÌÓÔÍ‡
[ACMP ON].
• ÖÒÎË ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ÌËÊÂ, ˜ÂÏ F#2, ÓÌ‡
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÂÏÂÒÚËÚÒﬂ Ì‡ F#2.
• àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ ‚ ÂÊËÏÂ Chord
Assistance ÌÂ ÔÓÍ‡Á˚‚‡˛Ú ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚, ÔÓÒÍÓÎ¸ÍÛ ÓÌË Á‡‰ÂÈÒÚ‚Û˛ÚÒﬂ
‰Îﬂ ÛÍ‡Á‡ÌËﬂ ‡ÔÔÎËÍ‡ÚÛ˚.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„,‡
Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
X á‡ÔÛÒÚËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ÑÎﬂ Á‡ÔÛÒÍ‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP] ËÎË
ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡ (ÒÚ. 53).
C Ç‚Â‰ËÚÂ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ,‰‡.
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ROOT.
ÙÛÌÍˆËﬂ ROOT
ç‡ÒÚÓÈÍË: ëÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 60.
➔ îÛÌÍˆËﬂ ROOT ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡, Ë ÓÒÌÓ‚ÌÓÈ ÚÓÌ ËÁÏÂÌËÚÒﬂ.
èêàåÖóÄçàÖ
ÖÒÎË Û‰ÂÊË‚‡Ú¸ ÍÌÓÔÍÛ ROOT Ì‡Ê‡ÚÓÈ,
Ì‡ÒÚÓÈÍ‡ INVERT ÏÓÊÂÚ Ú‡ÍÊÂ ËÁÏÂÌËÚ¸Òﬂ.
äÓ„‰‡ ÙÛÌÍˆËﬂ ROOT ‚˚‰ÂÎÂÌ‡, ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
V Ç‚Â‰ËÚÂ ÚËÔ ‡ÍÍÓ,‰‡.
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÚËÔ ‡ÍÍÓ‰‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TYPE t Ë s.
îÛÌÍˆËﬂ TYPE
ç‡ÒÚÓÈÍË: cÏ. ÒÔËÒÓÍ ÒÎÂ‚‡.
➔ îÛÌÍˆËﬂ TYPE ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡, Ë ÚËÔ ‡ÍÍÓ‰‡ ËÁÏÂÌËÚÒﬂ.
äÓ„‰‡ ÙÛÌÍˆËﬂ TYPE ‚˚‰ÂÎÂÌ‡, ÚËÔ ‡ÍÍÓ‰‡ ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+].
åÓ„ÛÚ ·˚Ú¸ Á‡‰‡Ì˚ ÒÎÂ‰Û˛˘ËÂ ÚËÔ˚ ‡ÍÍÓ,‰Ó‚:
å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ
åËÌÓÌÓÂ ÚÂÁ‚Û˜ËÂ [m]
ëÂÔÚ‡ÍÍÓ‰ [7]
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7]
èÓÎÛÛÏÂÌ¸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7 (b5)]
ëÂÍÒÚ‡ÍÍÓ‰ [6]
åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6]
ÅÓÎ¸¯ÓÈ Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7]
á‡‰ÂÊ‡ÌÌ‡ﬂ Í‚‡Ú‡ [sus4]
ì‚ÂÎË˜ÂÌÌÓÂ ÚÂÁ‚Û˜ËÂ [aug]
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ
Í‚ËÌÚÓÈ [m (b5)]
ëÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂÊ‡ÌÌÓÈ Í‚‡ÚÓÈ [7sus4]
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ
Í‚ËÌÚÓÈ [7 (#5)]
ìÏÂÌ¸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7]
å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ
Í‚ËÌÚÓÈ [(b5)]
ëÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7b5]
ÅÓÎ¸¯ÓÈ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7]
B àÒÔÓÎ¸ÁÛÈÚÂ Î˛·˚Â Ó·,‡˘ÂÌËﬂ ‡ÍÍÓ,‰Ó‚.
61
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ INVERT, ˜ÚÓ·˚ «ÒÏÂÒÚËÚ¸» ‡ÍÍÓ‰ ‚ÎÂ‚Ó Ì‡
ÍÎ‡‚Ë‡ÚÛÂ. ä‡Ê‰˚È ‡Á ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË INVERT ÔÓﬂ‚ÎﬂÂÚÒﬂ
ÒÎÂ‰Û˛˘ËÈ ‰ÓÔÛÒÚËÏ˚È ‚‡Ë‡ÌÚ ‡ÔÔÎËÍ‡ÚÛ˚ Á‡‰‡ÌÌÓ„Ó ‡ÍÍÓ‰‡.
îÛÌÍˆËﬂ INVERT ÓÚÓ·‡Ê‡ÂÚ ÌÓÏÂ Ó·‡˘ÂÌËﬂ.
CVP-202
63
à„,‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
N Ç‚Â‰ËÚÂ ‡ÍÍÓ,‰.
àÌ‰ËÍ‡ÚÓ˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÔÓÍ‡Á˚‚‡˛Ú ‡ÔÔÎËÍ‡ÚÛÛ ‚˚·‡ÌÌÓ„Ó
‡ÍÍÓ‰‡. Ç˚ ÏÓÊÂÚÂ ÎË·Ó ‚ÁﬂÚ¸ ‡ÍÍÓ‰ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ÎË·Ó Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ ENTER, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡.
èêàåÖóÄçàÖ
M éÒÚ‡ÌÓ‚ËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ÖÒÎË ‚˚ ·ÓÎ¸¯Â ÌÂ ÌÛÊ‰‡ÂÚÂÒ¸ ‚ ÔÓ‰ÒÍ‡ÁÍÂ ÔÓ ‡ÍÍÓ‰‡Ï, ÓÒÚ‡ÌÓ‚ËÚÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [START/STOP] ËÎË [ENDING].
• ã˛·ÓÈ ‡ÍÍÓ‰, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚È ‚ ÂÊËÏÂ
Fingered 1, ÏÓÊÂÚ ·˚Ú¸ ‚‚Â‰ÂÌ Ò
ÍÎ‡‚Ë‡ÚÛ˚.
• ç‡Á‚‡ÌËÂ ‡ÍÍÓ‰‡, ‚‚Â‰ÂÌÌÓ„Ó Ò
ÍÎ‡‚Ë‡ÚÛ˚, ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË
Üä-‰ËÒÔÎÂﬂ ÔÓ‰ ËÌ‰ËÍ‡ÚÓÓÏ ÚÂÏÔ‡. óÚÓ·˚
Û·Â‰ËÚ¸Òﬂ, ˜ÚÓ ‡ÍÍÓ‰ ‚ÁﬂÚ ÍÓÂÍÚÌÓ,
ÏÓÊÌÓ Ò‡‚ÌËÚ¸ Â„Ó Ì‡Á‚‡ÌËÂ Ò ÓÒÌÓ‚Ì˚Ï
ÚÓÌÓÏ Ë ÚËÔÓÏ, ÓÚÓ·‡Ê‡ÂÏ˚ÏË ÙÛÌÍˆËﬂÏË
ROOT Ë TYPE. ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ó‰ÌÓÈ ËÁ ˜ÂÌ˚ı ÍÎ‡‚Ë¯, ÓÌ
ÏÓÊÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ Ì‡ ‰ËÒÔÎÂÂ Ò Î˛·˚Ï
ÁÌ‡ÍÓÏ ‡Î¸ÚÂ‡ˆËË, Ì‡ÔËÏÂ, Bb ÏÓÊÂÚ
Ú‡ÍÊÂ ÓÚÓ·‡Ê‡Ú¸Òﬂ Í‡Í A#
(‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÒÏ. ‚Ó ‚ÂÁÍÂ Ì‡
ÒÚ. 60).
• åË„‡˛˘ËÈ ËÌ‰ËÍ‡ÚÓ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ˝Ú‡ ÌÓÚ‡ ÏÓÊÂÚ ·˚Ú¸
ÓÔÛ˘ÂÌ‡.
< éÚÍÎ˛˜ËÚÂ ÔÓ‰ÒÍ‡ÁÍÛ ÔÓ ‡ÍÍÓ,‰‡Ï.
óÚÓ·˚ ‚˚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ Chord Assistance, Ì‡ÊÏËÚÂ [EXIT] ËÎË
[ACMP ON].
➔ èÓﬂ‚ËÚÒﬂ ÓÒÌÓ‚ÌÓÈ ˝Í‡Ì. ÖÒÎË Ì‡Ê‡Ú¸ [ACMP ON], Ó‰ÌÓ‚ÂÏÂÌÌÓ ·Û‰ÂÚ
ÓÚÍÎ˛˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
■ àÁÏÂÌÂÌËÂ ÚÓ˜ÍË ,‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ,˚ ....................................................
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ì‡ Î˛·Û˛ ÍÎ‡‚Ë¯Û ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ SPLIT POINT Ì‡ ˝Í‡ÌÂ ACCOMPANIMENT
MODE. äÎ‡‚Ë¯Ë ÎÂ‚ÂÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (Ë ‚ÍÎ˛˜‡ﬂ ÂÂ)
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ Á‡‰‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ Î˛·ÓÏ
ÂÊËÏÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÏÂ Full Keyboard.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ SPLIT POINT
• ç‡ÒÚÓÈÍË: Î˛·‡ﬂ ÍÎ‡‚Ë¯‡ ÍÎ‡‚Ë‡ÚÛ˚
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: F#2
F 2
ãÂ‚‡ﬂ ˜‡ÒÚ¸
C0
C1
C2
C3
C4
C5
C6
C7
è‡‚‡ﬂ ˜‡ÒÚ¸
ÑÎﬂ ËÁÏÂÌÂÌËﬂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ
‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+].
ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
[–] Ë [+].
èêàåÖóÄçàÖ
• ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard, ÚÓ˜Í‡
‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÌÂ ÏÓÊÂÚ ·˚Ú¸
ÛÒÚ‡ÌÓ‚ÎÂÌ‡.
• Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚ ÏÂÌﬂÂÚÒﬂ Ë ‰Îﬂ ÂÊËÏ‡ Split
(ÒÏ. ÒÚ. 39).
➔ ç‡Á‚‡ÌËÂ ‚˚·‡ÌÌÓÈ ÍÎ‡‚Ë¯Ë ÓÚÓ·‡Ê‡ÂÚÒﬂ ÙÛÌÍˆËÂÈ SPLIT POINT.
ÖÒÎË ‚ÍÎ˛˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÂÊËÏ Split (ÒÚ. 36), ËÌ‰ËÍ‡ÚÓ
Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÛÍ‡Á˚‚‡ÂÚ ‚˚·‡ÌÌÛ˛ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚.
CVP-202
62
64
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ à„‡
Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
êÂ„ÛÎËÓ‚Í‡ ÛÓ‚ÌÂÈ ÓÚ‰ÂÎ¸Ì˚ı ÏÛÁ˚Í‡Î¸Ì˚ı Ô‡ÚËÈ
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÔﬂÚ¸ Ô‡ÚËÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Rhythm, Bass, Chord, Pad Ë Phrase.
RHYTHM
ùÚ‡ Ô‡ÚËﬂ ÒÓÒÚ‡‚ÎﬂÂÚ ÓÒÌÓ‚Û ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. êËÚÏË˜ÂÒÍ‡ﬂ Ô‡ÚËﬂ
Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ó‰ÌÓÈ ËÁ Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
BASS
Å‡ÒÓ‚‡ﬂ Ô‡ÚËﬂ ËÒÔÓÎ¸ÁÛÂÚ ÚÂÏ·˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Í‡Ê‰ÓÏÛ ÒÚËÎ˛,
‚ÍÎ˛˜‡ﬂ ‡ÍÛÒÚË˜ÂÒÍËÈ Ë ÒËÌÚÂÚË˜ÂÒÍËÈ ·‡Ò.
CHORD
ÄÍÍÓ‰Ó‚˚Â Ô‡ÚËË Ó·ÂÒÔÂ˜Ë‚‡˛Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÚÏË˜ÂÒÍËÈ
‡ÍÍÓ‰Ó‚˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‰Îﬂ Í‡Ê‰Ó„Ó ÒÚËÎﬂ. á‰ÂÒ¸ ‚˚ Ì‡È‰ÂÚÂ „ËÚ‡Û,
ÙÓÚÂÔ¸ﬂÌÓ Ë ‰Û„ËÂ ‡ÍÍÓ‰Ó‚˚Â ËÌÒÚÛÏÂÌÚ˚.
PAD
è‡ÚËﬂ «ÔÓ‰ÍÎ‡‰ÍË» ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË ‚ÓÒÔÓËÁ‚Ó‰ËÚ ‰ÓÎ„ËÂ ‡ÍÍÓ‰˚ Ò
ÔÓÏÓ˘¸˛ ÏÓÌÓÚÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚, Ú‡ÍËı Í‡Í ÒÚÛÌÌ˚Â, Ó„‡Ì ËÎË ıÓ.
PHRASE
è‡ÚËﬂ Ù‡Á˚ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ Ó·˚„˚‚‡ÌËﬂ ÏÂÎÓ‰ËË Ò ÔÓÏÓ˘¸˛
‡ÍˆÂÌÚËÓ‚‡ÌÌÓÈ ÏÂ‰Ë, ‡ÍÍÓ‰Ó‚ ‡ÔÂ‰ÊËÓ Ë ‰Û„Ëı ‰ÓÔÓÎÌËÚÂÎ¸Ì˚ı
Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚Â ‰ÂÎ‡˛Ú ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·ÓÎÂÂ ËÌÚÂÂÒÌ˚Ï.
åÓÊÌÓ ÓÚ‰ÂÎ¸ÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ Í‡Ê‰ÓÈ Ô‡ÚËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ì‡ ˝Í‡ÌÂ MIXER.
èêàåÖóÄçàÖ
• é·˘Û˛ „ÓÏÍÓÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
Ì‡ÒÚÓËÚ¸ ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎﬂÚÓÓÏ
[ACMP/SONG VOLUME].
• êÂ„ÛÎËÛﬂ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ‡ÁÎË˜Ì˚ı
Ô‡ÚËÈ ËÎË ÛÒÚ‡Ì‡‚ÎË‚‡ﬂ „ÓÏÍÓÒÚ¸
ÌÂÍÓÚÓ˚ı Ô‡ÚËÈ Ì‡ 0, ‚˚ ÏÓÊÂÚÂ
ÒÓÁ‰‡‚‡Ú¸ ‚‡Ë‡ˆËË ÓÒÌÓ‚Ì˚ı ÒÚËÎÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• çÂÍÓÚÓ˚Â ÒÚËÎË ÌÂ ÏÓ„ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ÒÂ
ÔﬂÚ¸ Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• í‡ÍÊÂ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÛÓ‚ÂÌ¸
Â‚Â·Â‡ˆËË ‰Îﬂ Ô‡ÚËÈ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓ‰Ó·ÌÛ˛
ËÌÙÓÏ‡ˆË˛ ÒÏ. Ì‡ ÒÚ. 43.
èêàåÖóÄçàÖ
ÇÁ‡ËÏÓÒ‚ﬂÁ¸ „ÓÏÍÓÒÚË Ô‡ÚËÈ
• ÉÓÏÍÓÒÚ¸ Í‡Ê‰ÓÈ Ô‡ÚËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡‚ËÒËÚ ÓÚ Ì‡ÒÚÓÈÍË
[ACMP/SONG VOLUME].
• ç‡ÒÚÓÈÍ‡ [ACMP/SONG VOLUME] Á‡‚ËÒËÚ
ÓÚ Ì‡ÒÚÓÈÍË [MASTER VOLUME].
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [MIXER]. ....................................................................................................
FUNCTION
MIXER
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ, Ë ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡ MIXER.
X Ç˚·Ó Ô‡ÚËË. ...................................................................................................................................
ç‡ÊÏËÚÂ Ì‡ Üä-‰ËÒÔÎÂÂ ÍÌÓÔÍÛ ‰Îﬂ Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ Ì‡‰Ó
ËÁÏÂÌËÚ¸.
63
➔ Ç˚·‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
CVP-202
65
à„‡ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
C ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË. .............................................................................................................
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÍË [–] Ë [+]. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ú‡ÍÊÂ Û‚ÂÎË˜ËÚ¸, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ, Ò
ÔÓÏÓ˘¸˛ ÍÓÚÓÓÈ ‚˚ ‚˚·‡ÎË ‰‡ÌÌÛ˛ Ô‡ÚË˛.
ç‡Ê‡‚ Ë ·˚ÒÚÓ ÓÚÔÛÒÚË‚ ÍÌÓÔÍÛ, ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸
‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË Ì‡ 0. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÔÂ‰˚‰Û˘ÂÂ ÁÌ‡˜ÂÌËÂ, Â˘Â
‡Á Ì‡ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚÂ ÍÌÓÔÍÛ.
óÚÓ·˚ ‚ÂÌÛÚ¸ ÔÂ‚ÓÌ‡˜‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË
(110), Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–] Ë [+].
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸ Ô‡ÚËÈ
• ÑË‡Ô‡ÁÓÌ: 0 (ÏËÌ.) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 110
V èÓ‚ÚÓËÚÂ ¯‡„Ë XË C. ......................................................................................................
èÓ‚ÚÓËÚÂ ÔÂ‰˚‰Û˘ËÂ ¯‡„Ë, ˜ÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸ ‰Û„Ëı Ô‡ÚËÈ.
(í‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ Ô‡ÚËÈ Ë ËÁÏÂÌËÚ¸ Ëı „ÓÏÍÓÒÚ¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ.)
B Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡ MIXER. .......................................................................................................
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [MIXER] ËÎË
Ì‡ÊÏËÚÂ [EXIT].
FUNCTION
MIXER
EXIT
➔ àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ, Ë ÔÓﬂ‚ËÚÒﬂ „Î‡‚Ì˚È ˝Í‡Ì.
CVP-202
64
66
ÑÛ„ËÂ ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○ ○ ○
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ﬂ‰ ‰Û„Ëı ‚ÓÁÏÓÊÌÓÒÚÂÈ Ë ÙÛÌÍˆËÈ,
·Î‡„Ó‰‡ﬂ ÍÓÚÓ˚Ï ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÚ‡ÌÓ‚ËÚÒﬂ Â˘Â
·ÓÎÂÂ ÔËﬂÚÌ˚Ï Ë Û‰Ó·Ì˚Ï. ùÚË ÙÛÌÍˆËË ÔÓÁ‚ÓÎﬂ˛Ú ÎÂ„ÍÓ ‚˚·Ë‡Ú¸
Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ‰Îﬂ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ ÏÛÁ˚ÍË, ‡ Clavinova ÔÓ‰·ÂÂÚ
ÒÓÔÓ‚ÓÊ‰ÂÌËÂ ‰Îﬂ ‚‡¯ÂÈ ÏÂÎÓ‰ËË.
MUSIC
DATABASE
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
SPLIT
EFFECT
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
HARMONY
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
åÛÁ˚Í‡Î¸Ì‡ﬂ ·‡Á‡ ‰‡ÌÌ˚ı (Music Database)
ë ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌÓÈ ‚ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÏÛÁ˚Í‡Î¸ÌÓÈ
·‡Á˚ ‰‡ÌÌ˚ı, ‚˚ ÎÂ„ÍÓ ÒÏÓÊÂÚÂ ‚˚·‡Ú¸ ÒÚËÎ¸, ÚÂÏ· Ë ‰Û„ËÂ Ì‡ÒÚÓÈÍË
‰Îﬂ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ ÏÛÁ˚ÍË. èÓÒÚÓ ‚˚·ÂËÚÂ Ó‰ÌÛ ËÁ 463 Á‡ÔËÒÂÈ ‚
ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡ÁÂ ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ Music Database, ‡ Ó· ÓÒÚ‡Î¸ÌÓÏ
ÔÓÁ‡·ÓÚËÚ¸Òﬂ Ò‡ÏÓ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova!
ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ Ì‡ÒÚÓÈÍË ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ
Music Database ÒÏ. ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (ÒÚ. 11).
Z éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ Music Database. .................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [MUSIC DATABASE].
MUSIC
DATABASE
HARMONY
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì MUSIC DATABASE.
àÏﬂ ÒÚËÎﬂ
èêàåÖóÄçàÖ
• èË ÓÚÓ·‡ÊÂÌËË ˝Í‡Ì‡ Music Database
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚Á˚‚‡ÂÚ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË, ËÒÔÓÎ¸ÁÛ˛˘Û˛
ÚÂÍÛ˘ËÈ ÒÚËÎ¸. (àÏﬂ Ì‡ÒÚÓÈÍË ‚˚‰ÂÎﬂÂÚÒﬂ
Ì‡ ˝Í‡ÌÂ Music Database.) ÖÒÎË ‚˚ ıÓÚËÚÂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚˚·‡ÌÌÛ˛ Ì‡ÒÚÓÈÍÛ,
ÔÂÂÈ‰ËÚÂ Í 4 ¯‡„Û ˝ÚÓÈ ÔÓˆÂ‰Û˚.
• èË ÓÚÓ·‡ÊÂÌËË ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚
‰‡ÌÌ˚ı ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜‡ÂÚÒﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË ‚˚ ‚ıÓ‰ËÚÂ ‚
ÏÛÁ˚Í‡Î¸ÌÛ˛ ·‡ÁÛ ‰‡ÌÌ˚ı ‰Ó Á‡ÔÛÒÍ‡ ÒÚËÎﬂ,
‚ÍÎ˛˜‡ÂÚÒﬂ ÙÛÌÍˆËﬂ Synchronized Start
(ÒÚ. 53).
Ç˚‰ÂÎÂÌÌ‡ﬂ
Ì‡ÒÚÓÈÍ‡
65
ç‡ ˝Í‡ÌÂ MUSIC DATABASE ÔË‚Ó‰ËÚÒﬂ ÒÔËÒÓÍ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË, ÍÓÚÓ˚È
ÏÓÊÌÓ ÓÚÒÓÚËÓ‚‡Ú¸ ÔÓ ÒÚËÎ˛ ËÎË ÔÓ ‡ÎÙ‡‚ËÚÛ. àÏﬂ ÒÚËÎﬂ, ÍÓÚÓ˚È
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‚˚‰ÂÎÂÌÌÓÈ Ì‡ÒÚÓÈÍÂ, ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ‚ÂıÌÂÏ Ô‡‚ÓÏ Û„ÎÛ
˝Í‡Ì‡.
CVP-202
67
ÑÛ„ËÂ ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚÒÓÚËÛÈÚÂ ÒÔËÒÓÍ. .................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ SORT, ˜ÚÓ·˚ ÔÂÂÍÎ˛˜ËÚ¸ ‚˚‰ÂÎÂÌÌÛ˛ Ì‡ÒÚÓÈÍÛ Ò
STYLE Ì‡ A-Z Ë Ì‡Ó·ÓÓÚ.
èêàåÖóÄçàÖ
óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ‰Îﬂ
ÓÔÂ‰ÂÎÂÌÌÓÈ „ÛÔÔ˚ ÒÚËÎÂÈ, ÔÓÒÚÓ Ì‡ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ STYLE. åÂÌ˛
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡ÌﬂÂÚÒﬂ ÔÓ ÒÚËÎ˛, Ë
ÔÓËÒıÓ‰ËÚ ‚˚‰ÂÎÂÌËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË,
ÍÓÚÓ‡ﬂ ËÒÔÓÎ¸ÁÛÂÚ ‚˚·‡ÌÌ˚È ËÁ „ÛÔÔ˚
ÒÚËÎ¸.
➔ ÖÒÎË ‚˚‰ÂÎÂÌ STYLE, ÚÓ ÒÔËÒÓÍ ÏÂÌ˛ ÒÓÚËÛÂÚÒﬂ ÔÓ ÒÚËÎ˛ Ë ÔÓËÒıÓ‰ËÚ
‚˚‰ÂÎÂÌËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË, ÍÓÚÓ‡ﬂ ËÒÔÓÎ¸ÁÛÂÚ ‚˚·‡ÌÌ˚È ÒÚËÎ¸.
➔ ÖÒÎË ‚˚‰ÂÎÂÌ A-Z, ÏÂÌ˛ ÒÓÚËÛÂÚÒﬂ ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓﬂ‰ÍÂ.
C Ç˚·Ó Ë ‚˚ÁÓ‚ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË. .........................................................................
àÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚
‚˚‰ÂÎËÚ¸ ÌÛÊÌÛ˛ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ÒÔËÒÍÂ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı, ‡
Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SET, ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ‚˚‰ÂÎÂÌÌÛ˛ Ì‡ÒÚÓÈÍÛ.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard, ÙÛÌÍˆËﬂ
Harmony ÌÂ ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡, ‰‡ÊÂ ÂÒÎË
‚˚·‡ÌÌ‡ﬂ Ì‡ÒÚÓÈÍ‡ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚
‰‡ÌÌ˚ı ‚ÍÎ˛˜‡ÂÚ ÒÓÒÚÓﬂÌËÂ «Harmony On».
➔ èÓËÒıÓ‰ËÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ËÁÏÂÌÂÌËÂ ÒÚËÎﬂ, ÚÂÏ·‡ Ë Ì‡ÒÚÓÂÍ
˝ÙÙÂÍÚÓ‚.
Ç˚·‡‚ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡ÁÂ ‰‡ÌÌ˚ı, ‚˚ ÏÓÊÂÚÂ
ËÁÏÂÌËÚ¸ ÒÚËÎ¸, ÚÂÏ· Ë Ì‡ÒÚÓÈÍË ˝ÙÙÂÍÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏË
ÔÂ‰ÔÓ˜ÚÂÌËﬂÏË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova, ‚˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Registration
(ÒÚ. 89).
V ÇÓÁ‚‡˘ÂÌËÂ Ì‡ „Î‡‚Ì˚È ˝Í‡Ì. ...............................................................................
ç‡ÊÏËÚÂ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ ÏÂÌ˛ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚
‰‡ÌÌ˚ı.
➔ èÓﬂ‚ÎﬂÂÚÒﬂ ÔÂ‰˚‰Û˘ËÈ ˝Í‡Ì.
B éÚÍÎ˛˜ÂÌËÂ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı. .......................................................
äÓ„‰‡ ‚˚ Á‡ÍÓÌ˜ËÚÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡ÒÚÓÈÍË ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚
‰‡ÌÌ˚ı, ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [MUSIC DATABASE].
➔ àÌ‰ËÍ‡ÚÓ [MUSIC DATABASE] ÔÓ„‡ÒÌÂÚ, Ë ÔÓËÁÓÈ‰ÂÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ
Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË, ÍÓÚÓ˚Â ‚˚ ËÒÔÓÎ¸ÁÓ‚‡ÎË ‰Ó ÔÂÂıÓ‰‡ Í ÏÛÁ˚Í‡Î¸ÌÓÈ
·‡ÁÂ ‰‡ÌÌ˚ı.
CVP-202
66
68
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ
ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
îÛÌÍˆËﬂ „‡ÏÓÌËÁ‡ˆËË (Harmony)
ùÚ‡ ÙÛÌÍˆËﬂ ÒÎÛÊËÚ ‰Îﬂ „‡ÏÓÌËÁ‡ˆËË ËÎË Ó·˚„˚‚‡ÌËﬂ ÏÂÎÓ‰ËË,
ÍÓÚÓÛ˛ ‚˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÂ Ò ÔÓÏÓ˘¸˛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ Ô‡‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÁ‰‡˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË
Ò ‡ÍÍÓ‰‡ÏË, ËÒÔÓÎ¸ÁÛÂÏ˚ÏË ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
■ ÑÓ·‡‚ÎÂÌËÂ „‡ÏÓÌËÁ‡ˆËË .................................................................................................
í‡Í Í‡Í ÔÂ‰ÛÒÏÓÚÂÌÓ ‚ÍÎ˛˜ÂÌËÂ Ë ÓÚÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË Harmony ‚Ó
‚ÂÏﬂ Ë„˚, ‚˚ ÏÓÊÂÚÂ ÔË‰‡Ú¸ Ò‚ÓÂÏÛ ËÒÔÓÎÌÂÌË˛ «ËÁ˛ÏËÌÍÛ» Ë
«ÔÓÙÂÒÒËÓÌ‡Î¸Ì˚È» ÎÓÒÍ, ‰Ó·‡‚Ë‚ „‡ÏÓÌËÁ‡ˆË˛ ‚ ‚˚·‡ÌÌ˚Â Ù‡Á˚ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËË.
Z ÇÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË Harmony.
èêàåÖóÄçàÖ
• îÛÌÍˆË˛ Harmony ÌÂÎ¸Áﬂ ‚ÍÎ˛˜ËÚ¸, ÂÒÎË ‚
Í‡˜ÂÒÚ‚Â ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì
Full Keyboard (ÒÚ. 59).
• îÛÌÍˆËﬂ Harmony ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÔË ÔÓË„˚‚‡ÌËË ‚ÒÚÛÔÎÂÌËﬂ ËÎË ÍÓÌˆÓ‚ÍË
ËÎË ÔË ÓÚÍÎ˛˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ,
ÂÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚
„‡ÏÓÌËÁ‡ˆËË (ÒÚ. 70): Octave, 1+5, Echo,
Tremolo ËÎË Trill.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [HARMONY].
MUSIC
DATABASE
HARMONY
èêàåÖóÄçàÖ
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ.
X à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
à„‡ÈÚÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
• ë ÌÂÍÓÚÓ˚ÏË ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË ÚÂÏ·,
‚˚·‡ÌÌ˚È ‰Îﬂ „‡ÏÓÌËÁ‡ˆËË, ·Û‰ÂÚ
ÓÚÎË˜‡Ú¸Òﬂ ÓÚ ‚˚·‡ÌÌÓ„Ó Ì‡ ‰‡ÌÌ˚È
ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
• ÖÒÎË ‡ÍÍÓ‰˚ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ‚ Ô‡‚ÓÈ
˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚, „‡ÏÓÌËÁ‡ˆËﬂ ·Û‰ÂÚ
ÔËÏÂÌﬂÚ¸Òﬂ Í ÔÓÒÎÂ‰ÌÂÈ ÔÓË„˚‚‡ÂÏÓÈ
ÌÓÚÂ.
C éÚÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË Harmony.
èêàåÖóÄçàÖ
Ö˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [HARMONY].
➔ àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ.
■ éÚÓ·‡ÊÂÌËÂ Ì‡ÒÚÓÂÍ „‡ÏÓÌËÁ‡ˆËË ................................................................
àÁÏÂÌËÚ¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ „‡ÏÓÌËÁ‡ˆËË Ë ‰Û„ËÂ
Ì‡ÒÚÓÈÍË ÏÓÊÌÓ Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ HARMONY.
óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÒÚ‡ÌËˆÛ HARMONY, Ì‡ÊÏËÚÂ [DIRECT
ACCESS], Á‡ÚÂÏ [HARMONY].
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
• ÖÒÎË ÙÛÌÍˆËË LEFT PEDAL Á‡‰‡ÂÚÒﬂ
ÁÌ‡˜ÂÌËÂ HARMONY (ÒÚ. 138), ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ ÔËÏÂÌﬂÚ¸
„‡ÏÓÌËÁ‡ˆË˛ ÚÓÎ¸ÍÓ ÔË Ì‡Ê‡ÚËË ÎÂ‚ÓÈ
ÔÂ‰‡ÎË.
• ÖÒÎË ‰Îﬂ ÍÓÌÚÓÎﬂ Ì‡‰ „‡ÏÓÌËÁ‡ˆËÂÈ ‚˚
ËÒÔÓÎ¸ÁÛÂÚÂ ÎÂ‚Û˛ ÔÂ‰‡Î¸, ˝Ú‡ ÔÂ‰‡Î¸ ÌÂ
·Û‰ÂÚ ‡·ÓÚ‡Ú¸ ÔË ÓÚÍÎ˛˜ÂÌÌÓÈ ÙÛÌÍˆËË
Harmony (Ú.Â. ÍÓ„‰‡ ÌÂ „ÓËÚ ËÌ‰ËÍ‡ÚÓ
[HARMONY]).
MUSIC
DATABASE
DIRECT ACCESS
➾
HARMONY
67
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì HARMONY.
CVP-202
69
ÑÛ„ËÂ ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ..................................................................................................
åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, ÍÓÚÓ‡ﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË TYPE Ì‡ ˝Í‡ÌÂ HARMONY.
óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË, ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË TYPE ▲ Ë ▼
ËÎË ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ TYPE Ë ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÍË [–] Ë [+].
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ TYPE
• ç‡ÒÚÓÈÍË: cÏ. Ú‡·ÎËˆÛ Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: á‡‚ËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡.
➔ Ç˚·‡ÌÌ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚˚‰ÂÎﬂÂÚÒﬂ.
óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ·‡ÁÓ‚Û˛ Ì‡ÒÚÓÈÍÛ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË TYPE s Ë t ËÎË ÍÌÓÔÍË [–] Ë [+].
í‡Í Í‡Í ·‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡ ÙÛÌÍˆËË TYPE Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó Ì‡
‰‡ÌÌ˚È ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, ÔË ËÁÏÂÌÂÌËË ‚˚·Ó‡ ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡ ÏÓÊÂÚ ÔÓËÁÓÈÚË ‡‚ÚÓÏ‡ÚË˜ÂÒÍËÈ ‚˚·Ó ‰Û„Ó„Ó ÚËÔ‡
„‡ÏÓÌËÁ‡ˆËË.
íËÔ˚ „‡ÏÓÌËÁ‡ˆËË
CVP-202
Speed
Duet
–
Trio
–
Block
–
4 Part
–
Country
–
Octave
–
1+5
–
Echo
❍
Tremolo
❍
Trill
❍
Strumming
–
Add Jazz Gtr
–
Add Brass
–
Add Strings
–
In The Forest
–
èêàåÖóÄçàÖ
• ÑÎﬂ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË
(ÛÍ‡Á‡ÌÌ˚ı ÔÓÒÂ‰ÒÚ‚ÓÏ «❍» ‚ ÒÚÓÎ·ˆÂ
Speed Ú‡·ÎËˆ˚ ÒÎÂ‚‡) ÔÂ‰ÛÒÏÓÚÂÌ‡
Â„ÛÎËÛÂÏ‡ﬂ Ì‡ÒÚÓÈÍ‡ ÒÍÓÓÒÚË.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ ‚
ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ.
68
70
Type
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ
ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
■ àÁÏÂÌÂÌËÂ ÒÍÓÓÒÚË „‡ÏÓÌËÁ‡ˆËË ........................................................................
Ç˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÌÓÚ „‡ÏÓÌËÁ‡ˆËË,
ËÒÔÓÎ¸ÁÛÂÏ˚ı ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË Echo, Tremolo Ë Trill, Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË SPEED Ì‡ ˝Í‡ÌÂ HARMONY.
Z Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ SPEED.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ SPEED
• ç‡ÒÚÓÈÍË: 4, 6, 8, 12 (Echo)
8, 12, 16, 32 (Tremolo)
12, 16, 24, 32 (Trill)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ ÔÓ‰ ÙÛÌÍˆËÂÈ SPEED.
➔ îÛÌÍˆËﬂ SPEED ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
X Ç˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ SPEED.
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ SPEED, ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë
[+], ˜ÚÓ·˚ ËÁÏÂÌËÚ¸ ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË SPEED.
■ àÁÏÂÌÂÌËÂ „ÓÏÍÓÒÚË „‡ÏÓÌËÁ‡ˆËË ....................................................................
åÓÊÌÓ ËÁÏÂÌËÚ¸ „ÓÏÍÓÒÚ¸ „‡ÏÓÌËÁ‡ˆËË, ÍÓÚÓ‡ﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VOLUME Ì‡ ˝Í‡ÌÂ HARMONY.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ VOLUME
• ç‡ÒÚÓÈÍË: 0 (ÏËÌ.) — 127 (Ï‡ÍÒ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: á‡‚ËÒËÚ ÓÚ ÓÒÌÓ‚ÌÓ„Ó
ÚÂÏ·‡.
Z Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ VOLUME.
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ Üä-‰ËÒÔÎÂﬂ ÔÓ‰ ÙÛÌÍˆËÂÈ VOLUME.
➔ îÛÌÍˆËﬂ VOLUME ·Û‰ÂÚ ‚ÍÎ˛˜ÂÌ‡.
X Ç˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ VOLUME.
69
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË VOLUME t Ë s, ‰ËÒÍ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË
[–] Ë [+], ˜ÚÓ·˚ ËÁÏÂÌËÚ¸ ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË VOLUME.
óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÛ˛ Ì‡ÒÚÓÈÍÛ ÙÛÌÍˆËË VOLUME ‰Îﬂ
‚˚·‡ÌÌÓ„Ó Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡, Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ì‡ÊÏËÚÂ ÍÌÓÔÍË VOLUME t Ë s ËÎË ÍÌÓÔÍË [–] Ë [+].
CVP-202
71
ÑÛ„ËÂ ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ç‡ÒÚÓÈÍ‡ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ (ÙÛÌÍˆËﬂ One Touch Setting)
ì‰Ó·ÒÚ‚Ó ÙÛÌÍˆËË One Touch Setting (Ì‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»)
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ Ó·ÎÂ„˜‡ÂÚ ÔÓ‰·Ó
Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘Ëı ‰Îﬂ ÒÚËÎﬂ ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ÒÚËÎÂÈ
ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡Ë‡ÌÚ‡ı, ÍÓÚÓ˚Â ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ·ÛÍ‚‡Î¸ÌÓ «‚
Ó‰ÌÓ Í‡Ò‡ÌËÂ».
ëÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ Ì‡ÒÚÓÈÍË ÙÛÌÍˆËË One Touch Setting ÒÏ. ‚
Ò·ÓÌËÍÂ Ú‡·ÎËˆ (ÒÚ. 11).
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ One Touch Setting ÌÂ ÏÓÊÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÒÓ ÒÚËÎﬂÏË „ÛÔÔ˚ [DISK/
CUSTOM].
Z Ç˚·Ó ÒÚËÎﬂ. ......................................................................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÒÚËÎ¸, Í‡Í Ó·˚˜ÌÓ (ÒÏ. ÒÚ. 49).
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
BALLROOM
CUSTOM
X èÓ‚Â¸ÚÂ, ˜ÚÓ·˚ ·˚Î‡ ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ ONE TOUCH
SETTING. .....................................................................................................................................................
èË ÌÂÓ·ıÓ‰ËÏÓÒÚË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [ONE TOUCH SETTING].
REGISTRATION
ONE TOUCH
SETTING
èêàåÖóÄçàÖ
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [ONE TOUCH SETTING].
C Ç˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË. ........................................................................................
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ˜ÂÚ˚Âı ÔÓÌÛÏÂÓ‚‡ÌÌ˚ı ÍÌÓÔÓÍ ÔÓ‰
REGISTRATION/ONE TOUCH SETTING.
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
• èË ‚˚·ÓÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓËÒıÓ‰ËÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ
Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‰Ó Á‡ÔÛÒÍ‡ ÒÚËÎﬂ,
ÔÓËÒıÓ‰ËÚ Ú‡ÍÊÂ Á‡ÔÛÒÍ ÙÛÌÍˆËË
Synchronized Start (ÒÚ. 53).
• ÖÒÎË ‚˚·‡Ì ÂÊËÏ Full Keyboard,
‚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË Harmony ÌÂ
ÔÓËÁÓÈ‰ÂÚ, ‰‡ÊÂ ÂÒÎË ‚˚·‡ÌÌ‡ﬂ
Ì‡ÒÚÓÈÍ‡ One Touch Setting ‚ÍÎ˛˜‡ÂÚ
«Harmony On».
èêàåÖóÄçàÖ
➔ èÓËÒıÓ‰ËÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ËÁÏÂÌÂÌËÂ ÚÂÏ·‡ Ë Ì‡ÒÚÓÂÍ ˝ÙÙÂÍÚÓ‚.
Ç˚·‡‚ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÙÛÌÍˆËË One Touch
Setting, ‚˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸ ÚÂÏ· Ë Ì‡ÒÚÓÈÍË ˝ÙÙÂÍÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË
Ò ‚‡¯ËÏË ÔÂ‰ÔÓ˜ÚÂÌËﬂÏË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ Ô‡ÏﬂÚË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ‚˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
Registration (ÒÚ. 89).
CVP-202
70
72
á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â ËÁ„ÓÚÓ‚ËÚÂÎÂÏ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ì‡ÒÚÓÈÍË
Ô‡ÌÂÎË ÔÓ ÛÏÓÎ˜‡ÌË˛ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚
Ó·ÎÂ„˜ËÚ¸ ‚˚ÁÓ‚ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı
Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË. ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
REGISTRATION Á‡Â„ËÒÚËÛÈÚÂ Ù‡·Ë˜Ì˚Â
Ì‡ÒÚÓÈÍË ÔÓ ÛÏÓÎ˜‡ÌË˛ (ÔÂ‚ÓÌ‡˜‡Î¸ÌÓ
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â Ì‡ÒÚÓÈÍË ÔÓﬂ‚Îﬂ˛ÚÒﬂ
ÔË ÔÂ‚ÓÏ ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova) ‚ [REGIST A-1] (ÒÏ. ÒÚ. 89). íÂÔÂ¸,
ÂÒÎË ‚˚ ‚˚·ÂÂÚÂ [A-1], ‚ÒÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË
‚ÂÌÛÚÒﬂ ‚ ËÒıÓ‰ÌÓÂ ÒÓÒÚÓﬂÌËÂ.
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○
ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‚˚ ÏÓÊÂÚÂ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË
ÒÓ·ÒÚ‚ÂÌÌ˚Â ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‡ÔÓÏËÌ‡Ú¸ Ëı Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‚
Î˛·ÓÂ ‚ÂÏﬂ ÔÓ ÊÂÎ‡ÌË˛ Ì‡‡‚ÌÂ ÒÓ ‚ÒÚÓÂÌÌ˚ÏË. Ç Ô‡ÏﬂÚË ÔË‡ÌËÌÓ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ı‡ÌËÚ¸ ‰Ó ˜ÂÚ˚Âı ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı ÒÚËÎÂÈ Ë
ÌÂÓ„‡ÌË˜ÂÌÌÓÂ Ëı ÍÓÎË˜ÂÒÚ‚Ó ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ì‡ ‰ËÒÍÂÚÛ ‰Îﬂ
ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ
ÑÎﬂ Á‡ÔËÒË ‚‡¯Ëı ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ ËÒÔÓÎ¸ÁÛÈÚÂ ÒÎÂ‰Û˛˘Û˛
ÔÓˆÂ‰ÛÛ.
Z Ç˚·ÂËÚÂ „ÛÔÔÛ ÒÚËÎÂÈ DISK/CUSTOM. .........................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DISK/CUSTOM].
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
BALLROOM
PIANIST
MUSIC
DATABASE
DISK
HARMONY
CUSTOM
èêàåÖóÄçàÖ
• èË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‚ Ô‡ÏﬂÚ¸ DISK/
CUSTOM ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡„ÛÊ‡ÂÚÒﬂ
‚ÂÏÂÌÌ˚È ÒÚËÎ¸ (Ò Ì‡Á‚‡ÌËÂÏ
TEMP.STYLE).
• ÖÒÎË ‚ Ò‚ÓÂ ‚ÂÏﬂ ‚˚ Á‡„ÛÁËÎË Ù‡ÈÎ˚ Ò
‰Û„ËÏË ÒÚËÎﬂÏË (ÒÏ. ÒÚ. 87), ‚˚ ÏÓÊÂÚÂ
‚˚·‡Ú¸ Î˛·ÓÈ ËÁ ˝ÚËı ÒÚËÎÂÈ Ò ÔÓÏÓ˘¸˛
ÏÂÌ˛ DISK/CUSTOM STYLE Ë ËÒÔÓÎ¸ÁÓ‚‡Ú¸
Â„Ó Í‡Í ÓÒÌÓ‚Û ‰Îﬂ ÌÓ‚Ó„Ó ÒÚËÎﬂ.
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì DISK/CUSTOM STYLE.
X Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ CUSTOM STYLE. .............................................................
71
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ CUSTOM STYLE.
CVP-202
73
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
➔ ç‡ ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Select a source
style», ÍÓÚÓÓÂ ÒÏÂÌËÚÒﬂ Á‡ÚÂÏ 1-È ÒÚ‡ÌËˆÂÈ ˝Í‡Ì‡ CUSTOM
STYLE. ç‡˜ÌÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì Ì‡
˝Í‡ÌÂ DISK/CUSTOM STYLE.
C Ç˚·ÂËÚÂ ËÒıÓ‰Ì˚È ÒÚËÎ¸. ..............................................................................................
Ç˚·ÂËÚÂ ÒÚËÎ¸ ÒÂ‰Ë Ì‡·Ó‡ ËÏÂ˛˘ËıÒﬂ ÒÚËÎÂÈ, ·ÎËÁÍËÈ Í ÚÓÏÛ,
ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ÒÓÁ‰‡Ú¸. Ç˚·Ó ËÒıÓ‰ÌÓ„Ó ÒÚËÎﬂ ÔÓËÁ‚Ó‰ËÚÒﬂ
Ó·˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ (ÒÚ. 49).
åÓÊÌÓ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÚËÎ¸, ‚˚·‡ÌÌ˚È ‚‡ÏË Ì‡ ˝Í‡ÌÂ DISK/
CUSTOM STYLE ‚ Í‡˜ÂÒÚ‚Â ÓÒÌÓ‚˚ ‰Îﬂ ÌÓ‚Ó„Ó ÒÚËÎﬂ, ËÎË ‚˚·‡Ú¸ ‰Û„ÓÈ
ÒÚËÎ¸ ËÁ Ì‡·Ó‡ DISK/CUSTOM, ÔÓ‰Ó·ÌÓ ÚÓÏÛ, Í‡Í ‚˚·Ë‡ÂÚÒﬂ ‚ÒÚÓÂÌÌ˚È
ÒÚËÎ¸.
V Ç˚·ÂËÚÂ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸. .....................................
ç‡ ÒÚ‡ÌËˆÂ 1 ˝Í‡Ì‡ CUSTOM STYLE Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SECT.
ÌÂÒÍÓÎ¸ÍÓ ‡Á, ÔÓÍ‡ ÌÂ ÔÓﬂ‚ËÚÒﬂ ÌÛÊÌ‡ﬂ ‰Îﬂ Á‡ÔËÒË ˜‡ÒÚ¸: MAIN A, MAIN B,
MAIN C, MAIN D, INTRO, FILL IN ËÎË ENDING.
èêàåÖóÄçàÖ
• ëÚËÎË PIANIST ÌÂ ÏÓ„ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ
ÒÓÁ‰‡ÌËﬂ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ.
èêàåÖóÄçàÖ
• ç‡·Ó ‚‡Ë‡ˆËÈ Ë ÏÛÁ˚Í‡Î¸Ì˚ı Ù‡Á Ì‡
˝Í‡ÌÂ CUSTOM STYLE, ÍÓÚÓ˚Â ÒÓÁ‰‡˛Ú
ÚÓÚ ËÎË ËÌÓÈ ÒÚËÎ¸, Ì‡Á˚‚‡˛ÚÒﬂ «˜‡ÒÚﬂÏË».
• èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ‚ÍÎ˛˜‡ÂÚ ÚÓÎ¸ÍÓ
Ó‰ÌÛ ËÌÚÓ‰ÛÍˆË˛, Ó‰ÌÛ ‚ÒÚ‡‚ÍÛ Ë Ó‰ËÌ
ÙËÌ‡Î.
• àÌÚÓ‰ÛÍˆËﬂ, ‚ÒÚ‡‚Í‡ Ë ÙËÌ‡Î
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ ÓÒÌÓ‚‡Ì˚ Ì‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÏÛÁ˚Í‡Î¸Ì˚ı Ù‡Á‡ı ÚÓÈ
‚‡Ë‡ˆËË ÒÚËÎﬂ (MAIN A, MAIN B, MAIN C
ËÎË MAIN D), ÍÓÚÓ‡ﬂ ‚˚·Ë‡ÂÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË CUSTOM STYLE (ÒÚ. 73).
➔ ç‡‰ÔËÒ¸ SECT. ‚˚‰ÂÎﬂÂÚÒﬂ, Ë Í‡Ê‰‡ﬂ ˜‡ÒÚ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÔÓ
Ó˜ÂÂ‰Ë. èË‡ÌËÌÓ Clavinova ˆËÍÎË˜ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÚÂÍÛ˘Û˛
ÓÚÓ·‡Ê‡ÂÏÛ˛ ˜‡ÒÚ¸.
B àÁÏÂÌËÚÂ ÏÛÁ˚Í‡Î¸Ì˚È ‡ÁÏÂ Ë ‰ÎËÌÛ ˜‡ÒÚË. ....................................
ÖÒÎË ‚˚ ıÓÚËÚÂ ÒÓÁ‰‡Ú¸ ÒÚËÎ¸ Ò ‰Û„ËÏ ÏÛÁ˚Í‡Î¸Ì˚Ï ‡ÁÏÂÓÏ ËÎË
ËÁÏÂÌËÚ¸ ˜ËÒÎÓ Ú‡ÍÚÓ‚ ‚ ‚‡¯ÂÈ ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE
[>].
➔ èÓﬂ‚ËÚÒﬂ ÒÚ. 2 ˝Í‡Ì‡ CUSTOM STYLE.
CVP-202
72
74
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌËÂ
● àÁÏÂÌÂÌËÂ ‡ÁÏÂ‡:
ÑÎﬂ ËÁÏÂÌÂÌËﬂ ÏÛÁ˚Í‡Î¸ÌÓ„Ó ‡ÁÏÂ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ BEAT.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Clear style?» (é˜ËÒÚËÚ¸ ÒÚËÎ¸?).
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ BEAT
• ç‡ÒÚÓÈÍË: 2, 3, 4, 5
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ.
èêàåÖóÄçàÖ
Clear style?
èÓÒÍÓÎ¸ÍÛ ÏÛÁ˚Í‡Î¸Ì˚È ‡ÁÏÂ
ËÒıÓ‰ÌÓ„Ó ÒÚËÎﬂ ÌÂ ·Û‰ÂÚ
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓ‚ÓÏÛ, ÌÂÓ·ıÓ‰ËÏÓ
ÔÓÎÌÓÒÚ¸˛ Ó˜ËÒÚËÚ¸ ÒÚËÎ¸ Ë Á‡ÔËÒ‡Ú¸
Â„Ó Á‡ÌÓ‚Ó, ÂÒÎË ‚˚ ıÓÚËÚÂ ËÁÏÂÌËÚ¸
‡ÁÏÂ.
➾ ÑÎﬂ ÚÓ„Ó, ˜ÚÓ·˚ Ó˜ËÒÚËÚ¸ ÒÚËÎ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ˜ÚÓ·˚
ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CANCEL. èÓÒÎÂ ÚÓ„Ó Í‡Í ‚˚
ÒÚÂÎË ÒÚ‡˚È ÒÚËÎ¸, ‰Îﬂ ‚˚·Ó‡ ÌÓ‚Ó„Ó ÏÛÁ˚Í‡Î¸ÌÓ„Ó ‡ÁÏÂ‡
ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍÓÈ BEAT, Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË
ÍÌÓÔÍ‡ÏË [–] Ë [+].
● Ç˚·Ó ‰ÎËÌ˚ ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË:
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ MEAS. ‰Îﬂ ËÁÏÂÌÂÌËﬂ ˜ËÒÎ‡ Ú‡ÍÚÓ‚ ‚ ÚÂÍÛ˘ÂÈ
ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ MEAS.
• ç‡ÒÚÓÈÍË: 1 — 8
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Á‡‚ËÒËÚ ÓÚ ÒÚËÎﬂ.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Clear section?» (é˜ËÒÚËÚ¸ ˜‡ÒÚ¸?).
èêàåÖóÄçàÖ
Clear section?
• ÖÒÎË ‚˚ ÏÂÌﬂÂÚÂ ˜ËÒÎÓ Ú‡ÍÚÓ‚, ‚‡Ï
ÔË‰ÂÚÒﬂ ÔÓÎÌÓÒÚ¸˛ Ó˜ËÒÚËÚ¸ ‚ÒÂ Ô‡ÚËË
ÚÂÍÛ˘ÂÈ ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË Ë Á‡ÔËÒ‡Ú¸ Ëı
Á‡ÌÓ‚Ó.
• ÖÒÎË ‚˚ ÛÊÂ Ó˜ËÒÚËÎË ˝ÚÛ ˜‡ÒÚ¸, ËÁÏÂÌË‚
‡ÁÏÂ, Í‡Í ·˚ÎÓ ÓÔËÒ‡ÌÓ ‚˚¯Â, ÒÓÓ·˘ÂÌËÂ
«Clear section? (é˜ËÒÚËÚ¸ ˜‡ÒÚ¸?)» ÌÂ
ÔÓﬂ‚ËÚÒﬂ.
èêàåÖóÄçàÖ
➾ ÑÎﬂ ÚÓ„Ó, ˜ÚÓ·˚ Ó˜ËÒÚËÚ¸ ˜‡ÒÚ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ‰Îﬂ
ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË - ÍÌÓÔÍÛ CANCEL. èÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚
Ó˜ËÒÚËÎË ÔÂÊÌËÈ ÒÚËÎ¸, ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË MEAS.,
Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+] Á‡‰‡Ú¸ ‰ÎËÌÛ ÏÛÁ˚Í‡Î¸ÌÓÈ
˜‡ÒÚË.
ÑÎËÌ‡ ˜‡ÒÚË FILL IN ÏÓÊÂÚ ·˚Ú¸ Á‡‰‡Ì‡
ÚÓÎ¸ÍÓ ‡‚ÌÓÈ Ó‰ÌÓÏÛ Ú‡ÍÚÛ.
● ÖÒÎË ‚˚ ÔÓ‰ÂÎ‡ÎË ÔÂ‰˚‰Û˘ËÂ ÓÔÂ‡ˆËË:
73
èÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ ÛÒÚ‡ÌÓ‚ËÎË ÌÛÊÌ˚Â Ô‡‡ÏÂÚ˚ BEAT Ë/ËÎË
MEAS., Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [<], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Ì‡ ÒÚ. 1 ˝Í‡Ì‡
CUSTOM STYLE.
CVP-202
75
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
N Ç˚·ÂËÚÂ Ô‡ÚË˛, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸. ...............................
ÑÎﬂ ‚˚·Ó‡ Ô‡ÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸, ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ
PART Üä-‰ËÒÔÎÂﬂ, Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–] Ë [+].
R1
R2
Bs
C1
C2
Pd
P1
P2
èêàåÖóÄçàÖ
àÁÌ‡˜‡Î¸ÌÓ ‚˚·‡Ì‡ Ô‡ÚËﬂ R1.
Rhythm 1 (ËÚÏ 1)
Rhythm 2 (ËÚÏ 2)
Bass (·‡Ò)
Chord 1 (‡ÍÍÓ‰ 1)
Chord 2 (‡ÍÍÓ‰ 2)
Pad («ÔÓ‰ÍÎ‡‰˚»)
Phrase 1 (Ù‡Á‡ 1)
Phrase 2 (Ù‡Á‡ 2)
á‡ÔËÒ¸ Ô‡ÚËË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ô‡ÚËË
OFF (Çõäã)
è‡ÚËﬂ ·ÂÁ ‰‡ÌÌ˚ı
ã˛·Û˛ ‚˚·‡ÌÌÛ˛ ÏÛÁ˚Í‡Î¸ÌÛ˛ Ô‡ÚË˛ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸, ‚˚·‡‚ ‰Îﬂ
ÌÂÂ Ò ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍË Üä-‰ËÒÔÎÂﬂ ÁÌ‡˜ÂÌËÂ REC.
➔ çÓÏÂ Ô‡ÚËË ‚˚‰ÂÎﬂÂÚÒﬂ. ÖÒÎË ‚˚·‡ÌÌ‡ﬂ ‚‡ÏË Ô‡ÚËﬂ ÌÂ R1 Ë
ÌÂ R2, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Clear part?» (é˜ËÒÚËÚ¸ Ô‡ÚË˛?).
èêàåÖóÄçàÖ
• á‡ÔËÒ¸ ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ÚÓÎ¸ÍÓ ‰Îﬂ Ó‰ÌÓÈ
Ô‡ÚËË.
• ÇÒÂ ÓÒÚ‡Î¸Ì˚Â Ô‡ÚËË ·Û‰ÛÚ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚
ÔÓÎÓÊÂÌËÂ PLAY (ÌÓÏÂ Ô‡ÚËË ·Û‰ÂÚ
‚˚‰ÂÎÂÌ ‡ÏÍÓÈ) ËÎË OFF (ÌÓÏÂ Ô‡ÚËË ÌÂ
‚˚‰ÂÎÂÌ).
èêàåÖóÄçàÖ
Clear part?
• ÖÒÎË ËÒıÓ‰Ì˚È ÒÚËÎ¸ ﬂ‚ÎﬂÂÚÒﬂ ‚ÒÚÓÂÌÌ˚Ï
ÒÚËÎÂÏ ËÎË ÒÚËÎÂÏ, Á‡„ÛÊÂÌÌ˚Ï Ò ‰ËÒÍÂÚ˚
Style File, ÚÓ ‰Ó Á‡ÔËÒË ÏÛÁ˚Í‡Î¸ÌÓÈ Ô‡ÚËË
(ÂÒÎË ˝ÚÓ ÌÂ R1 Ë ÌÂ R2) ÌÛÊÌÓ Û‰‡ÎËÚ¸
ÔÂÊÌ˛˛.
• ÖÒÎË ‚˚·‡ÌÌ‡ﬂ Ô‡ÚËﬂ ÌÂ ÒÓ‰ÂÊËÚ
ÌËÍ‡ÍËı ‰‡ÌÌ˚ı, ÒÓÓ·˘ÂÌËÂ «Clear part?»
(é˜ËÒÚËÚ¸ Ô‡ÚË˛?) ÌÂ ÔÓﬂ‚ËÚÒﬂ.
➾ ÑÎﬂ Û‰‡ÎÂÌËﬂ Ô‡ÚËË Ë ÔÓ‰ÓÎÊÂÌËﬂ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
OK ËÎË ÍÌÓÔÍÛ CANCEL ‰Îﬂ ÓÚÏÂÌ˚.
M Ç˚·Ó ÚÂÏ·‡ ‰Îﬂ Ô‡ÚËË. ................................................................................................
Ç ˝ÚÓÚ ÏÓÏÂÌÚ ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ ÚÂÏ· ‰Îﬂ Ô‡ÚËË ÔÓ Ò‚ÓÂÏÛ
ÛÒÏÓÚÂÌË˛. Ç˚·ÂËÚÂ ÚÂÏ· Ú‡Í ÊÂ, Í‡Í ÓÒÌÓ‚ÌÓÈ ÚÂÏ· Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
(ÒÏ. ÒÚ. 29).
íÂÏ·˚, ÍÓÚÓ˚Â ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
R1
ç‡·Ó ÚÂÏ·Ó‚ Drum ËÎË SFX (Û‰‡Ì˚Â Ë ÒÔÂˆ˝ÙÙÂÍÚ˚) ‚ „ÛÔÔÂ
PERCUSSION
R2
ã˛·ÓÈ
Others (‰Û„ËÂ)
äÓÏÂ Ì‡·ÓÓ‚ ÚÂÏ·Ó‚ Drum ËÎË SFX
CVP-202
74
76
Part (Ô‡ÚËﬂ)
èêàåÖóÄçàÖ
èÓ ÛÏÓÎ˜‡ÌË˛ ‰Îﬂ Ô‡ÚËË ÔË ÂÂ Á‡ÔËÒË
‚˚·Ë‡ÂÚÒﬂ ‚ÒÚÓÂÌÌ˚È ÚÂÏ·.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ëÓÁ‰‡ÌËÂ
< á‡ÔËÒ¸ ‚˚·‡ÌÌÓÈ Ô‡ÚËË. ......................................................................................
íÂÔÂ¸ ‚˚ ÏÓÊÂÚÂ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚Â ÌÓÚ˚ ‰Îﬂ ‚˚·‡ÌÌÓÈ Ô‡ÚËË,
Ë„‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ‚ ÌÛÊÌÓÏ ËÚÏÂ. çÂ-ÔÂÍÛÒÒËÓÌÌ˚Â Ô‡ÚËË
Á‡ÔËÒ˚‚‡ÈÚÂ Ò ÔÓÏÓ˘¸˛ ÒÂÔÚ‡ÍÍÓ‰Ó‚ ‚ ÚÓÌ‡Î¸ÌÓÒÚË ‰Ó Ï‡ÊÓ (CM7),
Ú.Í. ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËÎ¸ Á‡ÔËÒ˚‚‡ÂÚÒﬂ ËÏÂÌÌÓ ‚ ÚÓÌ‡Î¸ÌÓÒÚË ‰Ó Ï‡ÊÓ.
ÖÒÎË ‚˚ ıÓÚËÚÂ ÒÓÁ‰‡Ú¸ ÒÓ‚Â¯ÂÌÌÓ ÌÓ‚Û˛ Ô‡ÚË˛, ÔÂÂ‰ Ì‡˜‡ÎÓÏ
Á‡ÔËÒË Û‰‡ÎËÚÂ ‚˚·‡ÌÌÛ˛ Ô‡ÚË˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË CLEAR Üä‰ËÒÔÎÂﬂ. ÖÒÎË Û‰‡ÎÂÌ˚ Ó·Â Ô‡ÚËË R1 Ë R2, Ì‡˜ÌÂÚ Á‚Û˜‡Ú¸
ÏÂÚÓÌÓÏ, ˜ÚÓ·˚ ÔÓÏÓ˜¸ ‚‡Ï ÒÓ·Î˛‰‡Ú¸ ËÚÏ. (á‚ÛÍ ÏÂÚÓÌÓÏ‡ ÌÂ
Á‡ÔËÒ˚‚‡ÂÚÒﬂ, Ë ÏÂÚÓÌÓÏ ÓÒÚ‡ÌÓ‚ËÚÒﬂ Ò‡ÁÛ ÊÂ ÔÓ ÓÍÓÌ˜‡ÌËË ‡·ÓÚ˚
ÒÓ ÒÚËÎÂÏ.)
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
èêàåÖóÄçàÖ
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ
ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ë ÓÒÚ‡ÌÓ‚ËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [START/STOP]. (ÖÒÎË
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÚ‡ÌÓ‚ÎÂÌÓ, Á‡ÔËÒË
‰‡ÌÌ˚ı ÌÂ ÔÓËÒıÓ‰ËÚ.)
• á‚Û˜‡ÌËÂ ‚ÒÂı ÌÓÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÂÍ‡˘‡ÂÚÒﬂ, ÍÓ„‰‡ ÒÚËÎ¸ Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ
(Ú.Â. ‚ ÚÓ˜ÍÂ ÏÂÊ‰Û ÔÓ‚ÚÓ‡ÏË ÔË Á‡ÔËÒË).
èÓ ˝ÚÓÈ ÔË˜ËÌÂ ÌÂ ÂÍÓÏÂÌ‰ÛÂÚÒﬂ
ÔÓ‰ÓÎÊ‡Ú¸ Á‡ÔËÒ¸ ÔÓÒÎÂ ˝ÚÓÈ ÚÓ˜ÍË.
75
èË Á‡ÔËÒË Û‰‡Ì˚ı ‚ Ô‡ÚËË R1 ËÎË R2 ÏÓÊÌÓ Û‰‡ÎËÚ¸ Í‡ÍÓÈ-ÎË·Ó
Ó‰ËÌ ËÌÒÚÛÏÂÌÚ ËÁ ˝ÚÓÈ Ô‡ÚËË, ÂÒÎË Ì‡Ê‡Ú¸ ÍÎ‡‚Ë¯Û, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
Û‰‡ÎﬂÂÏÓÏÛ ËÌÒÚÛÏÂÌÚÛ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ÍÎ‡‚Ë¯Û «‰Ó» ·ÓÎ¸¯ÓÈ ÓÍÚ‡‚˚ (C1). (äÎ‡‚Ë¯‡ C1 ÔÓÏÂ˜ÂÌ‡ ÒÎÓ‚ÓÏ «CANCEL»). á‚Û˜‡ÌËÂ ÏÂÚÓÌÓÏ‡ Ú‡ÍÊÂ ÏÓÊÌÓ Û·‡Ú¸ ˝ÚËÏ ÒÔÓÒÓ·ÓÏ.
Ö˘Â Ó‰Ì‡ ÍÌÓÔÍ‡ Üä-‰ËÒÔÎÂﬂ, ÔÓÎÂÁÌ‡ﬂ ÔË Á‡ÔËÒË, SOLO: ÂÒÎË ÓÌ‡
Ì‡Ê‡Ú‡ Ë ‚˚‰ÂÎÂÌ‡, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÚÓÎ¸ÍÓ ‚˚·‡ÌÌ‡ﬂ Ô‡ÚËﬂ. óÚÓ·˚
ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ «ÒÓÎÓ» Ë ÛÒÎ˚¯‡Ú¸ ‚ÒÂ Ô‡ÚËË ‚ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SOLO Â˘Â ‡Á.
CVP-202
77
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
> Ç˚‡‚ÌË‚‡ÌËÂ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË. .......................................................................
Ç˚ ÏÓÊÂÚÂ ‚˚Ó‚ÌﬂÚ¸ ËÚÏË˜ÂÒÍËÈ ËÒÛÌÓÍ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ PART QUANTIZE Ì‡ ÒÚ. 2 ˝Í‡Ì‡ CUSTOM STYLE.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [>] ‰Îﬂ ÓÚÓ·‡ÊÂÌËﬂ ˝ÚÓÈ ÙÛÌÍˆËË, ‡ Á‡ÚÂÏ
ÒÂ‰Ì˛˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ ‰Îﬂ ‚˚·Ó‡ ‡ÁÂ¯ÂÌËﬂ ‚˚‡‚ÌË‚‡ÌËﬂ:
ÚË‰ˆ‡Ú¸ ‚ÚÓ˚Â
3
ÚËÓÎË ËÁ ¯ÂÒÚÌ‡‰ˆ‡Ú˚ı
¯ÂÒÚÌ‡‰ˆ‡Ú˚Â
3
ÚËÓÎË ËÁ ‚ÓÒ¸Ï˚ı
‚ÓÒ¸Ï˚Â
3
ÚËÓÎË ËÁ ˜ÂÚ‚ÂÚÂÈ
˜ÂÚ‚ÂÚ¸
èÓÒÎÂ ÚÓ„Ó, Í‡Í ÌÛÊÌÓÂ ‡ÁÂ¯ÂÌËÂ ‚˚‡‚ÌË‚‡ÌËﬂ ‚˚·‡ÌÓ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ START Üä-‰ËÒÔÎÂﬂ, ˜ÚÓ·˚ ‚˚Ó‚ÌﬂÚ¸ ÚÂÍÛ˘Û˛ Ô‡ÚË˛. è‡ÚËﬂ
Ì‡˜ÌÂÚ Á‚Û˜‡Ú¸ Ò ÌÓ‚˚Ï ËÚÏË˜ÂÒÍËÏ ËÒÛÌÍÓÏ, Ë Ì‡‰ÔËÒ¸ START Ì‡
ÍÌÓÔÍÂ ÔÓÏÂÌﬂÂÚÒﬂ Ì‡ UNDO, ÔÂ‰Î‡„‡ﬂ ‚‡Ï ÓÚÏÂÌËÚ¸ ‚˚‡‚ÌË‚‡ÌËÂ
ËÚÏ‡ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂÊÌÂÏÛ ËÒÛÌÍÛ, ÂÒÎË ÂÁÛÎ¸Ú‡Ú ‚‡Ò ÌÂ ÛÒÚ‡Ë‚‡ÂÚ.
çÓ Í‡Í ÚÓÎ¸ÍÓ ‚˚ Ì‡ÊÏÂÚÂ ‰Û„Û˛ ÍÌÓÔÍÛ, ÓÚÏÂÌËÚ¸ ‚˚‡‚ÌË‚‡ÌËÂ ËÚÏ‡
ÍÌÓÔÍÓÈ UNDO ÛÊÂ ·Û‰ÂÚ ÌÂÎ¸Áﬂ.
? èÓ‚ÚÓËÚÂ ‚‡¯Ë ‰ÂÈÒÚ‚Ëﬂ ‰Ó ÓÍÓÌ˜‡ÌËﬂ ÒÓÁ‰‡ÌËﬂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ. .................................................................................................
ÑÎﬂ Á‡ÔËÒË ‰Û„Ëı Ô‡ÚËÈ ÚÂÍÛ˘ÂÈ ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË ÔÓ‚ÚÓËÚÂ ¯‡„Ë
Ò 4 ÔÓ 9.
èêàåÖóÄçàÖ
èË Á‡ÔËÒË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ ˝Í‡ÌÓÏ
MIXER ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÌÂÎ¸Áﬂ.
ÑÎﬂ Á‡ÔËÒË ‰Û„Ëı ˜‡ÒÚÂÈ ÔÓ‚ÚÓËÚÂ ¯‡„Ë Ò 4 ÔÓ 10, ÔÓÍ‡ ‚ÒÂ ˜‡ÒÚË ÌÂ
·Û‰ÛÚ Á‡ÔËÒ‡Ì˚.
[ èËÒ‚ÓÈÚÂ ËÏﬂ ÒÓ·ÒÚ‚ÂÌÌÓÏÛ ÒÚËÎ˛. ................................................................
èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ÒÓÁ‰‡ÌËﬂ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË PAGE Ë ‚˚·ÂËÚÂ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM STYLE,
‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ STYLE NAME Üä-‰ËÒÔÎÂﬂ. éÚÍÓÂÚÒﬂ ÒÚ‡ÌËˆ‡
NAME.
CVP-202
76
78
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌËÂ
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË > Üä-‰ËÒÔÎÂﬂ ÔÓ‰‚Â‰ËÚÂ ÍÛÒÓ Í ÒËÏ‚ÓÎÛ,
ÍÓÚÓ˚È ıÓÚËÚÂ ËÁÏÂÌËÚ¸ (Ì‡Á‚‡ÌËﬂ ÒÚËÎÂÈ ÏÓ„ÛÚ ·˚Ú¸ ‰ÎËÌÓÈ ‰Ó 12
ÒËÏ‚ÓÎÓ‚). ë ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ Ë/ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚÂ
ÒËÏ‚ÓÎ ËÁ ÒÔËÒÍ‡ ‚ ˆÂÌÚÂ ˝Í‡Ì‡, Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CH.SET Üä‰ËÒÔÎÂﬂ, ˜ÚÓ·˚ ‚‚ÂÒÚË ˝ÚÓÚ ÒËÏ‚ÓÎ ‚ ÔÓÁËˆËË, „‰Â Ì‡ıÓ‰ËÚÒﬂ ÍÛÒÓ.
èÓ‚ÚÓËÚÂ ˝ÚË ‰ÂÈÒÚ‚Ëﬂ, ÔÓÍ‡ ËÏﬂ ÌÂ ·Û‰ÂÚ ‚‚Â‰ÂÌÓ ÔÓÎÌÓÒÚ¸˛. ÑÎﬂ
‚ÓÁ‚‡Ú‡ Ì‡ Ó‰ÌÛ ÔÓÁËˆË˛ Ë Û‰‡ÎÂÌËﬂ ÔÂ‰˚‰Û˘Â„Ó ÒËÏ‚ÓÎ‡ ËÒÔÓÎ¸ÁÛÈÚÂ
ÍÌÓÔÍÛ BACK.
äÓ„‰‡ ËÏﬂ ÔÓÎÌÓÒÚ¸˛ ‚‚Â‰ÂÌÓ, Ì‡ÊÏËÚÂ OK, Ë ÓÌÓ ·Û‰ÂÚ ÔËÒ‚ÓÂÌÓ
‚‡¯ÂÏÛ ÚÂÍÛ˘ÂÏÛ ÒÚËÎ˛, ËÎË Ì‡ÊÏËÚÂ CANCEL ‰Îﬂ ÓÚÏÂÌ˚.
ëÓı‡ÌËÚÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸. ...................................................................
ÑÎﬂ ÒÓı‡ÌÂÌËﬂ ÚÂÍÛ˘Â„Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ ‚ Ô‡ÏﬂÚË ÔË‡ÌËÌÓ
Clavinova Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ STORE Ì‡ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM STYLE.
èêàåÖóÄçàÖ
íÂÍÛ˘‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚÂÏÔ‡ ‚ ÏÓÏÂÌÚ
ÒÓı‡ÌÂÌËﬂ ÒÚËÎﬂ ÒÚ‡ÌÓ‚ËÚÒﬂ ËÒıÓ‰Ì˚Ï
ÚÂÏÔÓÏ ‰Îﬂ ˝ÚÓ„Ó ÒÚËÎﬂ.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ Ò ÔÓÒ¸·ÓÈ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‡¯Â Â¯ÂÌËÂ Ó
ÒÓı‡ÌÂÌËË ÒÚËÎﬂ.
77
➾ àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË MEMORY No. t Ë s, Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË
ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÓÏÂ ﬂ˜ÂÈÍË Ô‡ÏﬂÚË (ÓÚ 1 ‰Ó 4), ‚
ÍÓÚÓÓÈ ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸, Á‡ÚÂÏ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK ‰Îﬂ ÒÓı‡ÌÂÌËﬂ ËÎË CANCEL - ‰Îﬂ ÓÚÏÂÌ˚.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ ﬂ˜ÂÈÍÂ Ô‡ÏﬂÚË ÛÊÂ ËÏÂÂÚÒﬂ
ÒÚËÎ¸, Â„Ó ËÏﬂ ÔÓﬂ‚ËÚÒﬂ ﬂ‰ÓÏ Ò ÌÓÏÂÓÏ
ﬂ˜ÂÈÍË. èË ÒÓı‡ÌÂÌËË ÌÓ‚Ó„Ó ÒÚËÎﬂ
ÒÛ˘ÂÒÚ‚Ó‚‡‚¯ËÈ ‡ÌÂÂ ÒÚËÎ¸ ·Û‰ÂÚ Û‰‡ÎÂÌ.
CVP-202
79
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● é·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌﬂÈÚÂ ‰‡ÌÌ˚Â!
ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËÎ¸ ÌÂ ÒÓı‡ÌﬂÂÚÒﬂ ‚ Ô‡ÏﬂÚË ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ,
ÔÓ˝ÚÓÏÛ Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌËÚÂ ÒÓ·ÒÚ‚ÂÌÌ˚È ÒÚËÎ¸ ÔÂÂ‰ ÚÂÏ, Í‡Í
ÓÚÍÎ˛˜‡Ú¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ (ÒÏ. ÒÚ. 82).
á‡‚Â¯ÂÌËÂ ÓÔÂ‡ˆËË. ...........................................................................................................
ÑÎﬂ ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ CUSTOM STYLE Ë ‚ÓÁ‚‡˘ÂÌËﬂ Í ÉÎ‡‚ÌÓÏÛ ˝Í‡ÌÛ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
EXIT
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÙÛÌÍˆËË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ
äÓÏÂ ÙÛÌÍˆËÈ, ÍÓÚÓ˚Â ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ Á‡ÔËÒË ·‡ÁÓ‚Ó„Ó
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ (ÒÏ. ‚˚¯Â), ÒÚ‡ÌËˆ˚ ˝Í‡Ì‡ CUSTOM STYLE
‚ÍÎ˛˜‡˛Ú ÌÂÍÓÚÓ˚Â ‰Û„ËÂ ÙÛÌÍˆËË, ÔÓÎÂÁÌ˚Â ÔË ÒÓÁ‰‡ÌËË ÒÚËÎﬂ.
■ îÛÌÍˆËﬂ RECALL SECTION ......................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÔÓÒÎÂ‰Ì˛˛ ‚ÂÒË˛ ÚÂÍÛ˘ÂÈ
ÏÛÁ˚Í‡Î¸ÌÓÈ ˜‡ÒÚË (ÔË ˝ÚÓÏ ‚˚Á˚‚‡˛ÚÒﬂ ‚ÒÂ Ô‡ÚËË ˝ÚÓÈ ˜‡ÒÚË). ÑÎﬂ
˝ÚÓ„Ó Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ RECALL SECTION Üä-‰ËÒÔÎÂﬂ Ì‡ ÒÚ. 2 ˝Í‡Ì‡
CUSTOM STYLE. ÖÒÎË ÔÂ‰˚‰Û˘‡ﬂ ÓÔÂ‡ˆËﬂ ÔÓ˜ÂÏÛ-ÎË·Ó ÌÂ ÏÓÊÂÚ ·˚Ú¸
‚˚Á‚‡Ì‡ ËÁ Ô‡ÏﬂÚË ÔË‡ÌËÌÓ Clavinova (Ì‡ÔËÏÂ, ·˚Î ËÁÏÂÌÂÌ
ÏÛÁ˚Í‡Î¸Ì˚È ‡ÁÏÂ), ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Can't recall!». Ç ˝ÚÓÏ
ÒÎÛ˜‡Â Ì‡ÊÏËÚÂ OK Ë ‚ÂÌËÚÂÒ¸ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
■ îÛÌÍˆËﬂ STYLE CLEAR ...................................................................................
ÑÎﬂ ÚÓ„Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ Û‰‡ÎËÚ¸ ÚÂÍÛ˘ËÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ STYLE CLEAR Üä-‰ËÒÔÎÂﬂ Ì‡ ÒÚ. 3 ˝Í‡Ì‡ CUSTOM
STYLE. èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?». ÑÎﬂ Û‰‡ÎÂÌËﬂ ÒÚËÎﬂ
Ì‡ÊÏËÚÂ YES, ‰Îﬂ ÓÚÏÂÌ˚ Ì‡ÊÏËÚÂ NO.
CVP-202
78
80
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌËÂ
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
■ ÉÓÏÍÓÒÚ¸ Ë ˝ÙÙÂÍÚ˚ .............................................................................................................
ç‡ ÒÚ. 4 ˝Í‡Ì‡ CUSTOM STYLE ÔÓÍ‡Á‡Ì˚ ÙÛÌÍˆËË, Ò ÔÓÏÓ˘¸˛
ÍÓÚÓ˚ı ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ „ÓÏÍÓÒÚ¸, Â‚Â·Â‡ˆË˛, ÚËÔ Ë „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ chorus, ‡ Ú‡ÍÊÂ Ô‡ÌÓ‡ÏÛ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË Í‡Ê‰ÓÈ ˜‡ÒÚË
ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ.
Z Ç˚·ÂËÚÂ ˜‡ÒÚ¸ Ë Ô‡ÚË˛.
àÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ SECT. ‰Îﬂ ‚˚·Ó‡ ˜‡ÒÚË (Ô‡‡ÏÂÚ ALL
ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ‚ÒÂ ˜‡ÒÚË Ò‡ÁÛ) Ë ÙÛÌÍˆË˛ PART ‰Îﬂ ‚˚·Ó‡
Ô‡ÚËË (Ô‡‡ÏÂÚ ALL ‰Îﬂ ‚ÒÂı Ô‡ÚËÈ Ò‡ÁÛ).
X Ç˚·ÂËÚÂ Ô‡‡ÏÂÚ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ÛÒÚ‡ÌÓ‚ËÚ¸.
íÂÚ¸ﬂ ÍÌÓÔÍ‡ Üä-‰ËÒÔÎÂﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ Ì‡ÒÚ‡Ë‚‡ÂÏ˚È
Ô‡‡ÏÂÚ ‰Îﬂ ÚÂÍÛ˘ÂÈ ˜‡ÒÚË Ë Ô‡ÚËË. Ç˚·ÂËÚÂ VOLUME, REVERB,
CHORUS ËÎË PAN.
C Ç˚·ÂËÚÂ ÚËÔ ˝ÙÙÂÍÚ‡ chorus.
ÖÒÎË Ì‡ ¯‡„Â 2 ‚˚ ‚˚·‡ÎË CHORUS, Ì‡‰ ˜ÂÚ‚ÂÚÓÈ ÍÌÓÔÍÓÈ Üä‰ËÒÔÎÂﬂ ÓÚÓ·‡ÁËÚÒﬂ ÙÛÌÍˆËﬂ TYPE. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË
‚˚·ÂËÚÂ ÚËÔ ˝ÙÙÂÍÚ‡ chorus ‰Îﬂ ÚÂÍÛ˘ÂÈ ˜‡ÒÚË Ë Ô‡ÚËË.
ëÔËÒÓÍ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ Chorus
79
• CHORUS 1
• CHORUS 2
• CHORUS 3
• CELESTE 1
• CELESTE 2
• CELESTE 3
• FLANGER 1
• FLANGER 2
• OFF
CVP-202
81
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
V ìÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ Ë „ÎÛ·ËÌÛ ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡.
áÌ‡˜ÂÌËÂ Ë „ÎÛ·ËÌ‡ Ô‡‡ÏÂÚ‡, ‚˚·‡ÌÌÓ„Ó Ì‡ ¯‡„Â 2,
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VALUE (ËÎË DEPTH), ÍÓÚÓ‡ﬂ
ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡‰ Í‡ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍÓÈ Üä-‰ËÒÔÎÂﬂ.
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË VOLUME,
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ ALL Ô‡‡ÏÂÚ‡ SECTION, ‡ ‰Ë‡Ô‡ÁÓÌ
ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚ‡ VALUE ÒÓÒÚ‡‚ÎﬂÂÚ ÓÚ –50 ‰Ó +50 (ÔÓ ÓÚÌÓ¯ÂÌË˛
Í Ì‡˜‡Î¸ÌÓÈ „ÓÏÍÓÒÚË ËÒıÓ‰ÌÓ„Ó ÒÚËÎﬂ). èË ‚˚·ÓÂ ÙÛÌÍˆËË
Ì‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË REVERB ËÎË ˝ÙÙÂÍÚ‡ CHORUS „ÎÛ·ËÌ‡
(DEPTH) ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 0 ‰Ó 127. èË
Ì‡ÒÚÓÈÍÂ ÙÛÌÍˆËË Ô‡ÌÓ‡ÏËÓ‚‡ÌËﬂ PAN ÁÌ‡˜ÂÌËÂ VALUE ÏÓÊÂÚ
·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ L10 (Á‚ÛÍ Ë‰ÂÚ ÚÓÎ¸ÍÓ ÒÎÂ‚‡) Í C
(ˆÂÌÚËÓ‚‡ÌÌÓÂ Á‚Û˜‡ÌËÂ) Ë ‰Ó R10 (Á‚ÛÍ Ë‰ÂÚ ÚÓÎ¸ÍÓ ÒÔ‡‚‡).
èêàåÖóÄçàÖ
• íËÔ Â‚Â·Â‡ˆËË ‚ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÏ
ÒÚËÎÂ ÓÔÂ‰ÂÎﬂÂÚÒﬂ ÒÚËÎÂÏ, ÍÓÚÓ˚È ·˚Î
‚˚·‡Ì ‚ Í‡˜ÂÒÚ‚Â ÓÒÌÓ‚˚ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ
ÌÓ‚Ó„Ó ÒÚËÎﬂ.
• èÓ ÛÏÓÎ˜‡ÌË˛ ‚ Í‡˜ÂÒÚ‚Â ÁÌ‡˜ÂÌËÈ
Ô‡‡ÏÂÚÓ‚ VALUE Ë TYPE ‰Îﬂ ˝ÙÙÂÍÚ‡
chorus ‚˚·Ë‡˛ÚÒﬂ Ì‡ÒÚÓÈÍË ËÒıÓ‰ÌÓ„Ó
ÒÚËÎﬂ. ÖÒÎË ÙÛÌÍˆËﬂ PART ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡
ALL, ÓÚÓ·‡Ê‡˛ÚÒﬂ ËÒıÓ‰Ì˚Â ÁÌ‡˜ÂÌËﬂ ‰Îﬂ
Ô‡ÚËË R1. ÖÒÎË ÙÛÌÍˆËﬂ SECTION
ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡ ALL, ÓÚÓ·‡Ê‡˛ÚÒﬂ
ËÒıÓ‰Ì˚Â ÁÌ‡˜ÂÌËﬂ ‰Îﬂ MAIN A.
• ÇÏÂÒÚÓ ÚËÔ‡ ˝ÙÙÂÍÚ‡ chorus ÏÓÊÂÚ
ÔÓﬂ‚ËÚ¸Òﬂ ÒÎÓ‚Ó «OTHERS» (‰Û„ËÂ), ÂÒÎË ‚
ËÒıÓ‰ÌÓÏ ÒÚËÎÂ ËÒÔÓÎ¸ÁÓ‚‡Ì ÚËÔ ˝ÙÙÂÍÚ‡
chorus, ÓÚÒÛÚÒÚ‚Û˛˘ËÈ ‚ ÒÔËÒÍÂ. ÖÒÎË ‚˚
‚˚·‡ÎË ‰Û„ÓÈ ÚËÔ ˝ÙÙÂÍÚ‡ chorus,
Ì‡ÒÚÓÈÍÛ OTHERS ‚˚·‡Ú¸ ÛÊÂ ÌÂÎ¸Áﬂ.
B èÓ‚ÚÓËÚÂ, ÂÒÎË ÌÛÊÌÓ.
èÓ‚ÚÓËÚÂ ÔÂ‰˚‰Û˘ËÂ ¯‡„Ë Ë ÛÒÚ‡ÌÓ‚ËÚÂ Ô‡‡ÏÂÚ˚ ‰Îﬂ Í‡Ê‰ÓÈ
Ô‡ÚËË Ë Í‡Ê‰ÓÈ ˜‡ÒÚË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ.
■ ëÓı‡ÌÂÌËÂ ÒÚËÎÂÈ Ì‡ ‰ËÒÍÂÚÛ .........................................................................
ç‡ ÒÚ. 5 ˝Í‡Ì‡ CUSTOM STYLE ÏÓÊÌÓ ÒÓı‡ÌﬂÚ¸ Ò‚ÓË ÒÚËÎË Ì‡
‰ËÒÍÂÚÛ. åÓÊÌÓ ÒÓı‡ÌﬂÚ¸ Ëı ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË ËÎË Ò‡ÁÛ ÔÓ 4 ÒÚËÎﬂ.
ÇÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ÔË‡ÌËÌÓ Clavinova ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ
(ÒÚ. 111) Ë ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË MEMORY No. t ËÎË s ‰Îﬂ ‚˚·Ó‡
ÒÚËÎﬂ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸ Ì‡ ‰ËÒÍÂÚÛ, ËÎË ‚˚·ÂËÚÂ ALL, ÂÒÎË
‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸ Ò‡ÁÛ ˜ÂÚ˚Â ÒÚËÎﬂ. á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SAVE
Üä-‰ËÒÔÎÂﬂ, ˜ÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÛ. Ç ˝ÚÓÚ ÏÓÏÂÌÚ ÔÓﬂ‚ËÚÒﬂ
˝Í‡Ì SAVE.
Ç‚Â‰ËÚÂ ËÏﬂ Ù‡ÈÎ‡ ÒÚËÎﬂ. èÓˆÂ‰Û‡ ‚‚Ó‰‡ ËÏÂÌË ÔÓ‚ÚÓﬂÂÚ
ÔÓˆÂ‰ÛÛ ÔËÒ‚ÓÂÌËﬂ ËÏÂÌË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÏÛ ÒÚËÎ˛ (ÒÚ. 140). èÓÒÎÂ
‚‚Â‰ÂÌËﬂ ËÏÂÌË Ì‡ÊÏËÚÂ SAVE. ÖÒÎË Ù‡ÈÎ Ò Ú‡ÍËÏ ËÏÂÌÂÏ ÛÊÂ
ÒÛ˘ÂÒÚ‚ÛÂÚ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Same name! Overwrite?» (íÓ
ÊÂ Ò‡ÏÓÂ ËÏﬂ! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚÂ OK, ÂÒÎË ‚˚ ıÓÚËÚÂ
ÔÂÂÁ‡ÔËÒ‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÈ Ù‡ÈÎ, ËÎË CANCEL ‰Îﬂ ÓÚÏÂÌ˚.
CVP-202
80
82
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌËÂ
ÑÓ Á‡ÔËÒË Ì‡ ‰ËÒÍÂÚÛ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÒÚËÎË ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚
‚ Ô‡ÏﬂÚË ÔË‡ÌËÌÓ Clavinova. ÖÒÎË ‚˚ ˝ÚÓ„Ó ÌÂ Ò‰ÂÎ‡ÎË Ë Ô˚Ú‡ÂÚÂÒ¸
ÒÓı‡ÌËÚ¸ Ëı Ì‡ ‰ËÒÍÂÚÛ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Store in memory
before saving to disk» (ëÓı‡ÌËÚÂ ‚ Ô‡ÏﬂÚË ÔÂÂ‰ Á‡ÔËÒ¸˛ Ì‡
‰ËÒÍÂÚÛ). Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ì‡ÊÏËÚÂ OK Ë ‚ÂÌËÚÂÒ¸ Í ÒÚ. 5 ˝Í‡Ì‡ CUSTOM
STYLE. á‡ÔÓÏÌËÚÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ (ÒÏ. ¯‡„ 12 Ì‡ ÒÚ. 79), Á‡ÚÂÏ
ÒÌÓ‚‡ ÔÓÔÓ·ÛÈÚÂ ÒÓı‡ÌËÚ¸ Â„Ó.
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
èêàåÖóÄçàÖ
î‡ÈÎ˚ ÒÚËÎÂÈ ÏÓÊÌÓ Á‡„ÛÊ‡Ú¸ Ò ‰ËÒÍÂÚ˚ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ ALL LOAD Ë SINGLE LOAD
(ÒÏ. ‡Á‰ÂÎ «á‡„ÛÁÍ‡ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ»,
ÒÚ. 86).
■ ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ ....................................................................................................
î‡ÈÎ˚ ÒÚËÎÂÈ ÏÓÊÌÓ Û‰‡ÎﬂÚ¸ Ò ‰ËÒÍÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË DELETE
Ì‡ ÒÚ. 5 ˝Í‡Ì‡ CUSTOM STYLE.
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ Ò Ù‡ÈÎ‡ÏË ÒÚËÎÂÈ ‚ ‰ËÒÍÓ‚Ó‰ ÔË‡ÌËÌÓ Clavinova Ë
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ DELETE Üä-‰ËÒÔÎÂﬂ. ÑÎﬂ ‚˚·Ó‡ Ù‡ÈÎ‡ ÒÚËÎﬂ, ÍÓÚÓ˚È
‚˚ ıÓÚËÚÂ Û‰‡ÎËÚ¸ Ò ‰ËÒÍÂÚ˚, ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË FILE s Ë t. èÓﬂ‚ËÚÒﬂ
ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ÑÎﬂ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
Û‰‡ÎÂÌËﬂ Ù‡ÈÎ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ YES, ‰Îﬂ ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ NO.
■ Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÚËÎﬂ .............................................................
81
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ Custom Style Ë ‚ÓÁ‚‡˘ÂÌËﬂ Ì‡ ÉÎ‡‚Ì˚È ˝Í‡Ì
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
CVP-202
83
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
èÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ ÒÓÁ‰‡ÎË ‚‡¯Ë ÒÓ·ÒÚ‚ÂÌÌ˚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ
ÒÚËÎË, ‚˚ ÏÓÊÂÚÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëı, Ì‡Ê‡‚ ÍÌÓÔÍÛ [DISK/CUSTOM] Ë
‚˚·‡‚ ÒÚËÎ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ STYLE s Ë t Üä-‰ËÒÔÎÂﬂ, Ì‡·ÓÌÓ„Ó
‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. èÓÒÎÂ ˝ÚÓ„Ó ‚˚·‡ÌÌ˚È ÒÚËÎ¸ ·Û‰ÂÚ
ÔÓË„˚‚‡Ú¸Òﬂ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ‚ÒÚÓÂÌÌ˚Â ÒÚËÎË (ÒÚ. 51).
èêàåÖóÄçàÖ
ÑÎﬂ Í‡Ê‰Ó„Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ Ó‰ÌÛ ËÌÚÓ‰ÛÍˆË˛, Ó‰ÌÛ
‚ÒÚ‡‚ÍÛ Ë Ó‰ËÌ ÙËÌ‡Î, ÔÓ˝ÚÓÏÛ ‰Îﬂ ÌËı
ÌÂ‚ÓÁÏÓÊÌÓ ‚˚·Ë‡Ú¸ ‚‡Ë‡ˆËË ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË.
ëÓÓ·˘ÂÌËﬂ ‚ ÂÊËÏÂ Custom Style (ëÓ·ÒÚ‚ÂÌÌ˚È ÒÚËÎ¸)
èË ÒÓÁ‰‡ÌËË Ë Á‡ÔÓÏËÌ‡ÌËË ÒÚËÎﬂ ‚ ÂÊËÏÂ Custom Style ÏÓ„ÛÚ
ÔÓﬂ‚ËÚ¸Òﬂ ÒÎÂ‰Û˛˘ËÂ ÒÓÓ·˘ÂÌËﬂ.
■ Memory Full During Recording
(èÂÂÔÓÎÌÂÌËÂ Ô‡ÏﬂÚË ÔË Á‡ÔËÒË) ......................................................................
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË Â‰‡ÍÚËÛÂÏ˚Â ËÎË Á‡ÔËÒ˚‚‡ÂÏ˚Â
‰‡ÌÌ˚Â ÔÂ‚˚ÒËÎË Ó·˙ÂÏ Ô‡ÏﬂÚË.
ç‡ÊÏËÚÂ OK Ë ‚ÂÌËÚÂÒ¸ Í ˝Í‡ÌÛ CUSTOM STYLE. èÓÔÓ·ÛÈÚÂ
ÛÔÓÒÚËÚ¸ ÒÚËÎ¸, Û‰‡ÎË‚ Ó‰ÌÛ ËÁ Ô‡ÚËÈ, Ë Ú.‰.
■ Insufficient Memory To Store
(çÂ‰ÓÒÚ‡ÚÓ˜ÌÓ Ô‡ÏﬂÚË ‰Îﬂ ÒÓı‡ÌÂÌËﬂ) .........................................................
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ËÚÒﬂ, ÂÒÎË ‰Îﬂ ÔÓ‚Â‰ÂÌËﬂ ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËﬂ ÌÂ
ı‚‡Ú‡ÂÚ Ô‡ÏﬂÚË.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ ÎË·Ó Û‰‡ÎËÚ¸ ÒÚËÎ¸, ÍÓÚÓ˚È ‚‡Ï ·ÓÎ¸¯Â ÌÂ
ÌÛÊÂÌ, ÎË·Ó ÛÔÓÒÚËÚ¸ ÒÚËÎ¸, ÍÓÚÓ˚È ‚˚ Á‡ÔËÒ˚‚‡ÂÚÂ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
ç‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ CUSTOM STYLE Ë
ÛÔÓÒÚËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËÎ¸ (Û‰‡ÎË‚ Ó‰ÌÛ ËÁ Ô‡ÚËÈ Ë Ú.‰.), ËÎË DELETE,
˜ÚÓ·˚ Û‰‡ÎËÚ¸ Ó‰ËÌ ËÎË ÌÂÒÍÓÎ¸ÍÓ ÒÚËÎÂÈ.
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÙÛÌÍˆË˛ DELETE, ÓÚÓ·‡ÁËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Select style to delete» (Ç˚·ÂËÚÂ ÒÚËÎ¸ ‰Îﬂ Û‰‡ÎÂÌËﬂ):
CVP-202
82
84
èêàåÖóÄçàÖ
êﬂ‰ÓÏ Ò ËÏÂÌÂÏ ÒÚËÎﬂ ÛÍ‡Á‡Ì Ó·˙ÂÏ Ô‡ÏﬂÚË,
ÓÚ‚Â‰ÂÌÌÓÈ ÔÓ‰ ˝ÚÓÚ ÒÚËÎ¸ (‚ ä·). èÓ ˝ÚËÏ
‚ÂÎË˜ËÌ‡Ï ÏÓÊÌÓ ÒÛ‰ËÚ¸, ÒÍÓÎ¸ÍÓ Ô‡ÏﬂÚË
ÓÒ‚Ó·Ó‰ËÚÒﬂ (ËÁ ÒÛÏÏ‡ÌÓÈ ‚ÂÎË˜ËÌ˚ 100 ä·)
ÔË Û‰‡ÎÂÌËË ÚÓ„Ó ËÎË ËÌÓ„Ó ÒÚËÎﬂ.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÁ‰‡ÌËÂ
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË MEMORY No. t Ë s ‰Îﬂ ‚˚·Ó‡ ÒÚËÎﬂ,
ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ Û‰‡ÎËÚ¸, Á‡ÚÂÏ Ì‡ÊÏËÚÂ OK, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ÒÚËÎ¸, ËÎË
CANCEL ‰Îﬂ ÓÚÏÂÌ˚.
ÖÒÎË ÔË‡ÌËÌÓ Clavinova ‚˚‰‡ÂÚ ÒÓÓ·˘ÂÌËÂ «Can't delete this
style!» (çÂ ÏÓ„Û Û‰‡ÎËÚ¸ ˝ÚÓÚ ÒÚËÎ¸!) ÔË ÔÓÔ˚ÚÍÂ Û‰‡ÎËÚ¸ ÒÚËÎ¸, ˝ÚÓ
ÁÌ‡˜ËÚ, ˜ÚÓ ‚˚ ÔÓÔ˚Ú‡ÎËÒ¸ Û‰‡ÎËÚ¸ ÒÚËÎ¸, ÍÓÚÓ˚È ÒÎÛÊËÎ ÓÒÌÓ‚ÓÈ ÔË
ÒÓÁ‰‡ÌËË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ì‡ÊÏËÚÂ OK Ë
‚ÂÌËÚÂÒ¸ Í ˝Í‡ÌÛ «Select style to delete», Á‡ÚÂÏ ‚˚·ÂËÚÂ
‰Û„ÓÈ ÒÚËÎ¸ ‰Îﬂ Û‰‡ÎÂÌËﬂ.
■ Ç˚ıÓ‰ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ............................................................................................................
ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Custom Style,
ÌÂ ÒÓı‡ÌË‚ ÔË ˝ÚÓÏ ÒÚËÎ¸, ÔË‡ÌËÌÓ Clavinova ‚˚‰‡ÒÚ ÒÓÓ·˘ÂÌËÂ,
ÔÓÍ‡Á‡ÌÌÓÂ ÌËÊÂ:
Ç˚·ÂËÚÂ ﬂ˜ÂÈÍÛ Ô‡ÏﬂÚË Ë Ì‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËÎ¸ ÔÂÂ‰
‚˚ıÓ‰ÓÏ, NO, ÂÒÎË ‚˚ ÌÂ ıÓÚËÚÂ ÒÓı‡ÌﬂÚ¸ ÒÚËÎ¸, ËÎË CANCEL, ˜ÚÓ·˚
‚ÂÌÛÚ¸Òﬂ ‚ ÂÊËÏ Custom Style.
■ àÁÏÂÌÂÌËÂ ÒÚËÎﬂ ‰Ó ÒÓı‡ÌÂÌËﬂ ..............................................................................
ÖÒÎË ‚˚ ÔÓÔ˚Ú‡ÂÚÂÒ¸ ‚˚·‡Ú¸ ‰Û„ÓÈ ÒÚËÎ¸ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ, ÌÂ
ÒÓı‡ÌË‚ ÒÚËÎ¸, Ò ÍÓÚÓ˚Ï ‚˚ ‡·ÓÚ‡ÎË, ÔÓﬂ‚ËÚÒﬂ ÒÎÂ‰Û˛˘ÂÂ ÒÓÓ·˘ÂÌËÂ:
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ıÓÚËÚÂ ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËÎ˛, ÌÂ
ÒÓı‡Ìﬂﬂ ÚÂÍÛ˘ËÈ, ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Custom
Style ·ÂÁ ÒÓı‡ÌÂÌËﬂ ÒÚËÎﬂ (ÒÏ. «Ç˚ıÓ‰ ·ÂÁ
ÒÓı‡ÌÂÌËﬂ») Ë ÒÌÓ‚‡ ‚ÓÈ‰ËÚÂ ‚ ÂÊËÏ Custom
Style.
83
Ç˚·ÂËÚÂ ﬂ˜ÂÈÍÛ Ô‡ÏﬂÚË Ë Ì‡ÊÏËÚÂ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËÎ¸ ÔÂÂ‰
‚˚·ÓÓÏ ÌÓ‚Ó„Ó, ËÎË Ì‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ ‚ ÂÊËÏ Custom Style.
CVP-202
85
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ
○○○○○○○○○○○○
Ç˚ ÏÓÊÂÚÂ Á‡„ÛÊ‡Ú¸ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ù‡ÈÎ˚ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ Style File
ÍÓÔÓ‡ˆËË Yamaha ËÎË Ò ‰ËÒÍÂÚ, ÒÓ‰ÂÊ‡˘Ëı Ù‡ÈÎ˚ Ò ‚‡¯ËÏË
ÒÓ·ÒÚ‚ÂÌÌ˚ÏË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÏË ÒÚËÎﬂÏË.
DISK
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
DEMO
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
CUSTOM
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
é ÙÓÏ‡ÚÂ Ù‡ÈÎÓ‚ ÒÚËÎﬂ ÍÓÔÓ‡ˆËË Yamaha
îÓÏ‡Ú Style File - ˝ÚÓ ÓË„ËÌ‡Î¸Ì˚È ÙÓÏ‡Ú Ù‡ÈÎÓ‚
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha. Ç ÙÓÏ‡ÚÂ
Style File ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÌËÍ‡Î¸Ì‡ﬂ ÒËÒÚÂÏ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ, ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ
ÒÓÁ‰‡‚‡Ú¸ Í‡˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ‡ÍÍÓ‰Ó‚ ‡ÁÌ˚ı
ÚËÔÓ‚. Ç ‰ÓÔÓÎÌÂÌËÂ Í ‚ÌÛÚÂÌÌËÏ ÒÚËÎﬂÏ, ‚ ÙÓÏ‡ÚÂ Style File ‚˚ ÏÓÊÂÚÂ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Û„ËÏË ÒÚËÎﬂÏË Ò ‰ÓÔÓÎÌËÚÂÎ¸Ì˚ı ‰ËÒÍÂÚ Style File, ‡ Ú‡ÍÊÂ
ÒÚËÎﬂÏË, ÒÓÁ‰‡ÌÌ˚ÏË Ë ÒÓı‡ÌÂÌÌ˚ÏË Ì‡ ‰ËÒÍÂÚÛ ‚ ÂÊËÏÂ Custom Style.
èêàåÖóÄçàÖ
î‡ÈÎ˚ ÒÚËÎÂÈ, ÒÓÁ‰‡ÌÌ˚Â ‰Îﬂ ·ÓÎÂÂ ‡ÌÌËı,
˜ÂÏ CVP-202, ÏÓ‰ÂÎÂÈ ÔË‡ÌËÌÓ Clavinova,
ÏÓ„ÛÚ ËÏÂÚ¸ ÌÂÏÌÓ„Ó ‰Û„ËÂ ÙÓÏ‡Ú˚. èË
ÔÓÔ˚ÚÍÂ Á‡„ÛÁËÚ¸ Ú‡ÍËÂ Ù‡ÈÎ˚ ‰‡ÌÌ˚Â ÏÓ„ÛÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÌÂ ÒÓ‚ÒÂÏ Ô‡‚ËÎ¸ÌÓ. (ùÚÓ
Ú‡ÍÊÂ ÓÚÌÓÒËÚÒﬂ Í ËÒÔÓÎ¸ÁÓ‚‡ÌË˛ ÒÚËÎÂÈ
CVP-202 Ì‡ ·ÓÎÂÂ ‡ÌÌËı ÏÓ‰ÂÎﬂı ÔË‡ÌËÌÓ
Clavinova.)
á‡„ÛÁÍ‡ ÒÚËÎÂÈ Ò ‰ËÒÍÂÚ˚
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ. .........................................................................................................................
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ Ò Ù‡ÈÎ‡ÏË ÒÚËÎÂÈ ‚ ‰ËÒÍÓ‚Ó‰. ç‡ ÍÓÓÚÍÓÂ ‚ÂÏﬂ,
ÔÓÍ‡ Clavinova Ò˜ËÚ˚‚‡ÂÚ ‰ËÒÍÂÚÛ, Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ [DISK IN USE].
ÖÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂÌ‡ ‰ËÒÍÂÚ‡ Style File, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓﬂ‚ÎﬂÂÚÒﬂ
˝Í‡Ì STYLE FILE LOAD (ÒÏ. ¯‡„ 2 ‚ÌËÁÛ).
ÖÒÎË ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂÌ‡, ‡ ˝Í‡Ì STYLE FILE LOAD ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DISK/CUSTOM], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì DISK/CUSTOM
STYLE, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ LOAD SINGLE.
èêàåÖóÄçàÖ
ÖÒÎË ‚ÒÚ‡‚ÎÂÌÌ‡ﬂ ‰ËÒÍÂÚ‡ ÒÓ‰ÂÊËÚ Ù‡ÈÎ˚ Ò
ÔÂÒÌﬂÏË Ë Ù‡ÈÎ˚ ÒÓ ÒÚËÎﬂÏË, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì SONG PLAY. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG] ËÎË [EXIT], ˜ÚÓ·˚
‚ÂÌÛÚ¸Òﬂ Í ÉÎ‡‚ÌÓÏÛ ˝Í‡ÌÛ, ‡ Á‡ÚÂÏ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DISK/CUSTOM].
DISK IN USE
ÑÎﬂ Á‡„ÛÁÍË Ì‡·Ó‡ ËÁ ˜ÂÚ˚Âı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ, ÒÓÁ‰‡ÌÌÓ„Ó Ò
ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡ ALL ÔË ÒÓı‡ÌÂÌËË ‚ ÂÊËÏÂ Custom Style (ÒÏ. ÒÚ.
82), Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ALL LOAD Üä-‰ËÒÔÎÂﬂ (‚ÏÂÒÚÓ ÍÌÓÔÍË LOAD
SINGLE).
CVP-202
84
86
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
X Ç˚·ÂËÚÂ Ù‡ÈÎ ÒÚËÎﬂ. ...........................................................................................................
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÒÚËÎ¸ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë
[+].
Ç˚ ÏÓÊÂÚÂ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ ÔÓÒÎÛ¯‡Ú¸ ‚˚·‡ÌÌ˚È ÒÚËÎ¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË LISTEN Üä-‰ËÒÔÎÂﬂ. (îÛÌÍˆËﬂ LISTEN ÌÂ‰ÓÒÚÛÔÌ‡ Ì‡ ˝Í‡ÌÂ
ALL LOAD.) ÑÎﬂ ÓÒÚ‡ÌÓ‚ÍË ÔÓÒÎÛ¯Ë‚‡ÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ LISTEN Â˘Â
‡Á ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP].
C Ç˚·ÂËÚÂ ﬂ˜ÂÈÍÛ Ô‡ÏﬂÚË Ë Á‡„ÛÁËÚÂ ÒÚËÎ¸. ...........................................
ÑÎﬂ ‚˚·Ó‡ ﬂ˜ÂÈÍË Ô‡ÏﬂÚË, ‚ ÍÓÚÓ˚È ÌÛÊÌÓ Á‡„ÛÁËÚ¸ Ù‡ÈÎ ÒÚËÎﬂ,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ MEMORY (ÓÚ 1 ‰Ó 4), Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
LOAD ‰Îﬂ Á‡„ÛÁÍË ˝ÚÓ„Ó ÒÚËÎﬂ.
ÑÎﬂ Á‡„ÛÁÍË Ù‡ÈÎÓ‚ Ò ‰Û„ËÏË ÒÚËÎﬂÏË ÔÓ‚ÚÓËÚÂ ¯‡„Ë 2 Ë 3.
85
ÖÒÎË Ì‡ ¯‡„Â 1 ‚˚·‡Ì Ô‡‡ÏÂÚ ALL LOAD, ÌÂ ÌÛÊÌÓ ‚˚·Ë‡Ú¸
ÌÓÏÂ ﬂ˜ÂÈÍË Ô‡ÏﬂÚË. èÓÒÚÓ Ì‡ÊÏËÚÂ OK ‰Îﬂ Á‡„ÛÁÍË ËÎË CANCEL
‰Îﬂ ÓÚÏÂÌ˚.
ÖÒÎË ‰Îﬂ Á‡„ÛÁÍË ÛÍ‡Á‡ÌÌÓ„Ó Ù‡ÈÎ‡ ÌÂ ı‚‡Ú‡ÂÚ Ô‡ÏﬂÚË, ÔÓﬂ‚ËÚÒﬂ
ÒÓÓ·˘ÂÌËÂ «Not enough memory! Delete an unneeded
style?» (çÂ ı‚‡Ú‡ÂÚ Ô‡ÏﬂÚË! ì‰‡ÎËÚ¸ ÌÂÌÛÊÌ˚È ÒÚËÎ¸?). Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÔÂÂ‰ Á‡„ÛÁÍÓÈ ÌÓ‚Ó„Ó ÒÚËÎﬂ ÌÂÓ·ıÓ‰ËÏÓ Û‰‡ÎËÚ¸ Í‡ÍÓÈ-ÎË·Ó ÌÂÌÛÊÌ˚È
ÒÚËÎ¸. àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË MEMORY No. t Ë s ‰Îﬂ ‚˚·Ó‡ ÌÓÏÂ‡
ÒÚËÎﬂ, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ Û‰‡ÎËÚ¸, Á‡ÚÂÏ Ì‡ÊÏËÚÂ DELETE ‰Îﬂ Û‰‡ÎÂÌËﬂ
ÒÚËÎﬂ ËÎË CANCEL ‰Îﬂ ÓÚÏÂÌ˚.
Ù‡ÈÎÓ‚ ÒÚËÎÂÈ
èêàåÖóÄçàÖ
• ÖÒÎË ‰Ó Á‡„ÛÁÍË ÒÚËÎﬂ ‚˚ ÛÊÂ ÛÒÚ‡ÌÓ‚ËÎË
ÚÂÏÔ, ˝ÚÓÚ ÚÂÏÔ ·Û‰ÂÚ ÔÓ ÛÏÓÎ˜‡ÌË˛ Á‡‰‡Ì
‚‡¯ÂÏÛ ÒÚËÎ˛.
• çÂÍÓÚÓ˚Â ÒÚËÎË ÏÓ„ÛÚ ÒÓ‰ÂÊ‡Ú¸ ÒÎË¯ÍÓÏ
ÏÌÓ„Ó ‰‡ÌÌ˚ı, Ë Ëı ÌÂÎ¸Áﬂ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ
ÔÓÒÎÛ¯‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË LISTEN. Ç
˝ÚÓÏ ÒÎÛ˜‡Â ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Too much
data for LISTEN function! Please load data.»
(ëÎË¯ÍÓÏ ÏÌÓ„Ó ‰‡ÌÌ˚ı ‰Îﬂ ÙÛÌÍˆËË
LISTEN! á‡„ÛÁËÚÂ ‰‡ÌÌ˚Â.) á‡„ÛÁËÚÂ
ÒÚËÎ¸ Ò‡ÁÛ, Í‡Í Ì‡ ¯‡„Â 4.
• èË Ì‡Ê‡ÚËË ÍÌÓÔÍË LOAD SINGLE
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜‡ÂÚÒﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË
LISTEN Üä-‰ËÒÔÎÂﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÒÚËÎ¸
Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ‚ ÚÓÌ‡Î¸ÌÓÒÚË ‰Ó
Ï‡ÊÓ. åÓÊÌÓ ËÁÏÂÌËÚ¸ ‡ÍÍÓ‰ ËÎË Ë„‡Ú¸
Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ‚ ÂÊËÏÂ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ„Ó
ÔÓÒÎÛ¯Ë‚‡ÌËﬂ ÒÚËÎﬂ.
èêàåÖóÄçàÖ
• ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ ﬂ˜ÂÈÍÂ Ô‡ÏﬂÚË ÛÊÂ
ÒÓ‰ÂÊËÚÒﬂ ÒÚËÎ¸, Ì‡ ˝Í‡ÌÂ Ì‡‰
ÙÛÌÍˆËﬂÏË MEMORY Ë LOAD ÔÓﬂ‚ËÚÒﬂ Â„Ó
ËÏﬂ. èË Á‡„ÛÁÍÂ ÌÓ‚Ó„Ó ÒÚËÎﬂ
ÒÛ˘ÂÒÚ‚Ó‚‡‚¯ËÈ ‡ÌÂÂ ÒÚËÎ¸ ·Û‰ÂÚ Û‰‡ÎÂÌ.
(èË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‚ Ô‡ÏﬂÚ¸ [DISK/
CUSTOM] ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡„ÛÊ‡ÂÚÒﬂ
‡ÌÂÂ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚È ‚ÂÏÂÌÌ˚È
ÒÚËÎ¸.)
èêàåÖóÄçàÖ
• ùÍ‡Ì ALL LOAD ‚˚„Îﬂ‰ËÚ ÒÎÂ‰Û˛˘ËÏ
Ó·‡ÁÓÏ:
äÓ„‰‡ ‚˚ÔÓÎÌﬂÂÚÒﬂ Á‡„ÛÁÍ‡ Ì‡ ˝Í‡ÌÂ ALL
LOAD, ‚ÒÂ ‰‡ÌÌ˚Â ‚ ˜ÂÚ˚Âı ﬂ˜ÂÈÍ‡ı
Ô‡ÏﬂÚË Á‡ÏÂÌﬂ˛ÚÒﬂ ÌÓ‚˚ÏË ‰‡ÌÌ˚ÏË.
• êﬂ‰ÓÏ Ò ËÏÂÌÂÏ ÒÚËÎﬂ ÓÚÓ·‡Ê‡ÂÚÒﬂ Ó·˙ÂÏ
Ô‡ÏﬂÚË, ÓÚ‚Â‰ÂÌÌ˚È ÔÓ‰ ˝ÚÓÚ ÒÚËÎ¸ (‚ ä·).
èÓ ˝ÚËÏ ‚ÂÎË˜ËÌ‡Ï ÏÓÊÌÓ ÒÛ‰ËÚ¸, ÒÍÓÎ¸ÍÓ
Ô‡ÏﬂÚË ÓÒ‚Ó·Ó‰ËÚÒﬂ (ËÁ ÒÛÏÏ‡ÌÓÈ
‚ÂÎË˜ËÌ˚ 100 ä·) ÔË Û‰‡ÎÂÌËË ÚÓ„Ó ËÎË
ËÌÓ„Ó ÒÚËÎﬂ.
CVP-202
87
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ ÒÚËÎÂÈ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
V èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ ‚˚Ì¸ÚÂ ÂÂ ËÁ
‰ËÒÍÓ‚Ó‰‡. ..............................................................................................................................................
èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ Style File Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ EJECT
Ì‡ ‰ËÒÍÓ‚Ó‰Â, ˜ÚÓ·˚ ‚˚ÌÛÚ¸ ‰ËÒÍÂÚÛ Ë ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ Ó·˚˜ÌÓ„Ó
ÂÊËÏ‡ Ë„˚. åÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í ÌÓÏ‡Î¸ÌÓÏÛ ÂÊËÏÛ Ë„˚ Ë ÌÂ ‚˚ÌËÏ‡ﬂ
‰ËÒÍÂÚÛ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EXIT].
ÇçàåÄçàÖ!
ÇÓ ‚'ÂÏﬂ Á‡„'ÛÁÍË ÒÚËÎﬂ „Ó'ËÚ ËÌ‰ËÍ‡ÚÓ'
[DISK IN USE]. çÂ Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌÛÚ¸
‰ËÒÍÂÚÛ, ÔÓÍ‡ ËÌ‰ËÍ‡ÚÓ' [DISK IN USE]
„Ó'ËÚ.
ÇÓ ‚ÂÏﬂ Á‡„ÛÁÍË ÒÚËÎﬂ (Ú.Â. ÔÓÍ‡ „ÓËÚ
ËÌ‰ËÍ‡ÚÓ [DISK IN USE]) ÍÌÓÔÍË LISTEN,
LOAD, [EXIT] Ë STYLE ÌÂ ‡·ÓÚ‡˛Ú.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡„ÛÊÂÌÌ˚ı Ù‡ÈÎÓ‚ ÒÚËÎÂÈ
á‡„ÛÊÂÌÌ˚È ‚ Ô‡ÏﬂÚ¸ Ù‡ÈÎ ÒÚËÎﬂ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ÑÎﬂ ˝ÚÓ„Ó Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DISK/CUSTOM], Á‡ÚÂÏ
ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË STYLE s Ë t Üä-‰ËÒÔÎÂﬂ, Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË
ÍÌÓÔÍË [–] Ë [+] ‰Îﬂ ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÒÚËÎﬂ. èÓÒÎÂ ˝ÚÓ„Ó ‚˚·‡ÌÌ˚È ÒÚËÎ¸
·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òﬂ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í Ë ‚ÒÚÓÂÌÌ˚Â ÒÚËÎË (ÒÚ. 51).
èêàåÖóÄçàÖ
ëÚËÎË, Á‡„ÛÊÂÌÌ˚Â Ò ‰ËÒÍÂÚ˚, ·Û‰ÛÚ
ÓÒÚ‡‚‡Ú¸Òﬂ ‚ Ô‡ÏﬂÚË ÚÓÎ¸ÍÓ ‰Ó ‚˚ÍÎ˛˜ÂÌËﬂ
ÔËÚ‡ÌËﬂ.
STYLE
POP &
ROCK
COUNTRY
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
BALLROOM
PIANIST
MUSIC
DATABASE
DISK
HARMONY
CUSTOM
CVP-202
86
88
ÉÎ‡‚‡ 6: á‡ÔËÒ¸
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚
(êÂ„ËÒÚ‡ˆËﬂ Ë ‚˚ÁÓ‚ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË)
○○○○○○
îÛÌÍˆËﬂ Registration ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌﬂÚ¸ ÔÓÎÌÛ˛ Ì‡ÒÚÓÈÍÛ
Ô‡ÌÂÎË ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ ‰‡Î¸ÌÂÈ¯ÂÏ ‚ ÒÎÛ˜‡Â
ÌÂÓ·ıÓ‰ËÏÓÒÚË. Ç Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ 20 Ì‡ÒÚÓÂÍ (5 ·‡ÌÍÓ‚ Ô‡ÏﬂÚË (ÔÓ 4 ‚ Í‡Ê‰ÓÏ ·‡ÌÍÂ)).
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
SPLIT
EFFECT
REGISTRATION/
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
1
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
ëÓı‡ÌÂÌËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍÛ Ô‡ÌÂÎË ‚ ‚Ë‰Â Â„ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡ÈÎ‡ ‚
Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ‚˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘Û˛ ÔÓˆÂ‰ÛÛ.
Z ç‡ÒÚÓÈÍ‡ ÌÂÓ·ıÓ‰ËÏ˚ı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ. ...............................
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ, ÒÓı‡ÌÂÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Registration, ÒÏ. ‚
Ò·ÓÌËÍÂ Ú‡·ÎËˆ (ÒÚ. 11).
X Ç˚·Ó Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡ÌÍ‡. ...............................................................................
óÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È ·‡ÌÍ, ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [BANK +] Ë [BANK –].
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
èêàåÖóÄçàÖ
êÂ„ËÒÚ‡ˆËÓÌÌ˚È ·‡ÌÍ
• ÑË‡Ô‡ÁÓÌ: A – E
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: A
ONE TOUCH
SETTING
➔ Ç˚·‡ÌÌ˚È ·‡ÌÍ ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ÎÂ‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡.
87
êÂ„ËÒÚ‡ˆËÓÌÌ˚È ·‡ÌÍ
CVP-202
89
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
C êÂ„ËÒÚ‡ˆËﬂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË. .................................................................................
ì‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [REGISTRATION], Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION/ONE TOUCH SETTING (Ò ÔÓÏÂÚÍÓÈ [1] — [4] ÔÓ‰ ÌÂÈ),
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË, ‚ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚÂ
ÒÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍÛ.
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
èêàåÖóÄçàÖ
êÂ„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸
• ÑË‡Ô‡ÁÓÌ: 1 — 4 (‚ Í‡Ê‰ÓÏ ·‡ÌÍÂ)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: çÂÚ
ONE TOUCH
SETTING
➔ çÓÏÂ ‚˚·‡ÌÌÓÈ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË ÔÓﬂ‚ÎﬂÂÚÒﬂ ﬂ‰ÓÏ Ò ËÏÂÌÂÏ
·‡ÌÍ‡ ‚ ‚ÂıÌÂÏ ÎÂ‚ÓÏ Û„ÎÛ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡. ç‡ÒÚÓÈÍË Ô‡ÌÂÎË, ‡ÌÂÂ
ÒÓı‡ÌÂÌÌ˚Â ‚ ‚˚·‡ÌÌÓÏ Â„ËÒÚ‡ˆËÓÌÌÓÏ Ù‡ÈÎÂ, Û‰‡Îﬂ˛ÚÒﬂ Ë
Á‡ÏÂÌﬂ˛ÚÒﬂ ÌÓ‚˚ÏË Ì‡ÒÚÓÈÍ‡ÏË.
êÂ„ËÒÚ‡ˆËÓÌÌ˚È ÌÓÏÂ
èêàåÖóÄçàÖ
• èË ÔÂ‚ÓÏ ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova Á‡‡ÌÂÂ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â
Ì‡ÒÚÓÈÍË ÒÓı‡Ìﬂ˛ÚÒﬂ ‚Ó ‚ÒÂı ·‡ÌÍ‡ı
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË.
• èÓ ÛÏÓÎ˜‡ÌË˛ Ì‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËË
ÒÓı‡Ìﬂ˛ÚÒﬂ ‰‡ÊÂ ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (ÒÏ. ÒÚ. 152).
í‡ÍÊÂ ‚˚ ÏÓÊÂÚÂ ÒÓı‡ÌËÚ¸ ÓÚ‰ÂÎ¸Ì˚Â
Â„ËÒÚ‡ˆËÓÌÌ˚Â Ù‡ÈÎ˚ (ËÎË ÔÓÎÌ˚È Ì‡·Ó
ËÁ 20 Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚) Ì‡ ‰ËÒÍÂÚÂ
‰Îﬂ ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ (ÒÏ.
ÒÚ. 139).
Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REGISTRATION]. ..........................................................................
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ [REGISTRATION].
X Ç˚·ÂËÚÂ ·‡ÌÍ. ................................................................................................................................
óÚÓ·˚ ‚˚·‡Ú¸ ·‡ÌÍ Ò ÌÛÊÌ˚ÏË Â„ËÒÚ‡ˆËÓÌÌ˚ÏË Ù‡ÈÎ‡ÏË,
ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [BANK +] Ë [BANK –].
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
➔ Ç˚·‡ÌÌ˚È ·‡ÌÍ ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ÎÂ‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡.
C Ç˚·Ó Â„ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡ÈÎ‡. .............................................................................
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION/ONE TOUCH SETTING (Ò
ÔÓÏÂÚÍÓÈ [1] — [4] ÔÓ‰ ÌÂÈ), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË,
ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ ‚˚Á‚‡Ú¸.
CVP-202
88
90
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
➔ çÓÏÂ ‚˚Á‚‡ÌÌÓ„Ó Â„ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡ÈÎ‡ ÔÓﬂ‚ÎﬂÂÚÒﬂ ﬂ‰ÓÏ Ò
ËÏÂÌÂÏ ·‡ÌÍ‡ ‚ ‚ÂıÌÂÏ ÎÂ‚ÓÏ Û„ÎÛ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡.
áÌ‡˜ÓÍ Í‡‡Ì‰‡¯‡ ÔÓﬂ‚ËÚÒﬂ Ì‡ ˝Í‡ÌÂ ÒÔ‡‚‡ ÓÚ
Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ÌÓÏÂ‡ Ò‡ÁÛ ÔÓÒÎÂ ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÈÍË Ë ÍÌÓÔÓÍ
Ô‡ÌÂÎË. ùÚÓÚ ÁÌ‡˜ÓÍ Ì‡ÔÓÏËÌ‡ÂÚ ‚‡Ï Ó ÚÓÏ, ˜ÚÓ ÚÂÍÛ˘ËÂ Ì‡ÒÚÓÈÍË
Ô‡ÌÂÎË ÓÚÎË˜‡˛ÚÒﬂ ÓÚ ÚÂı, ÍÓÚÓ˚Â ·˚ÎË ÒÓı‡ÌÂÌ˚ ÙÛÌÍˆËÂÈ Registration.
Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚
èêàåÖóÄçàÖ
• èË ‚˚·ÓÂ ·‡ÌÍ‡ ‚˚ÁÓ‚‡ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı
Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË ÌÂ ÔÓËÒıÓ‰ËÚ. Ç˚ÁÓ‚ Ì‡ÒÚÓÂÍ
ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ ÚÓÎ¸ÍÓ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÓÍ Ò
ÌÛÏÂ‡ˆËÂÈ (ÓÚ [1] ‰Ó [4]).
• äÓ„‰‡ ÙÛÌÍˆËË LEFT PEDAL Á‡‰‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ
REGISTRATION (ÒÏ. ÒÚ. 138), ÔË
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÏ ‚˚·ÓÂ Â„ËÒÚ‡ˆËÓÌÌÓÈ
Ô‡ÏﬂÚË (ÓÚ A1 ‰Ó E4) ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚˚Á˚‚‡Ú¸
‡ÁÎË˜Ì˚Â Â„ËÒÚ‡ˆËÓÌÌ˚Â Ù‡ÈÎ˚ ÔË Í‡Ê‰ÓÏ
Ì‡Ê‡ÚËË ÔÂ‰‡ÎË. íÂÏ ÌÂ ÏÂÌÂÂ, ‚ ˝ÚÓÏ ÒÎÛ˜‡Â
ÌÂÎ¸Áﬂ ‚˚Á‚‡Ú¸ ‰Û„ËÂ Ì‡ÒÚÓÈÍË ÎÂ‚ÓÈ ÔÂ‰‡ÎË,
ÒÓı‡ÌÂÌÌ˚Â ÙÛÌÍˆËÂÈ Registration.case.
èêàåÖóÄçàÖ
á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓ ÛÏÓÎ˜‡ÌË˛
ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË
‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ Ó·ÎÂ„˜ËÚ¸ ‚˚ÁÓ‚
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË. ë ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË REGISTRATION Á‡Â„ËÒÚËÛÈÚÂ
Ù‡·Ë˜Ì˚Â Ì‡ÒÚÓÈÍË ÔÓ ÛÏÓÎ˜‡ÌË˛
(ÔÂ‚ÓÌ‡˜‡Î¸ÌÓ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â Ì‡ÒÚÓÈÍË
ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÔË ÔÂ‚ÓÏ ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova) ‚ [REGIST A-1] (ÒÏ. ÒÚ. 89).
íÂÔÂ¸, ÂÒÎË ‚˚ ‚˚·ÂÂÚÂ [A-1], ‚ÒÂ Ì‡ÒÚÓÈÍË
Ô‡ÌÂÎË ‚ÂÌÛÚÒﬂ ‚ ËÒıÓ‰ÌÓÂ ÒÓÒÚÓﬂÌËÂ.
ëËÏ‚ÓÎ Â‰‡ÍÚËÓ‚‡ÌËﬂ
á‡˘ËÚ‡ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË
óÚÓ·˚ ÔÂ‰ÓÚ‚‡ÚËÚ¸ ËÁÏÂÌÂÌËÂ ÓÔÂ‰ÂÎÂÌÌ˚ı Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË ‚Ó
‚ÂÏﬂ ‚˚ÁÓ‚‡ Â„ËÒÚ‡ˆËÓÌÌÓ„Ó Ù‡ÈÎ‡, ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ Registration Freeze. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ‚˚Á˚‚‡Ú¸ ‡ÁÎË˜Ì˚Â Â„ËÒÚ‡ˆËÓÌÌ˚Â
Ì‡ÒÚÓÈÍË ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·ÂÁ ÌÂÓÊË‰‡ÌÌÓ„Ó
ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÂÍ ÒÚËÎﬂ Ë „ÓÏÍÓÒÚË.
Z éÚÍÓÈÚÂ ˝Í‡Ì REGISTRATION [FREEZE]. .....................................................
ç‡ÊÏËÚÂ [DIRECT ACCESS], Á‡ÚÂÏ [REGISTRATION].
REGISTRATION/
DIRECT ACCESS
➾
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
èêàåÖóÄçàÖ
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ‰Îﬂ Í‡Ê‰ÓÈ Í‡ÚÂ„ÓËË
Á‡ÏÓÓÁÍË ÒÏ. ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (ÒÚ. 11).
ONE TOUCH
SETTING
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì REGISTRATION [FREEZE].
ä‡ÚÂ„ÓËË ‰Îﬂ Á‡ÏÓÓÁÍË
89
Ç ÒÔËÒÍÂ ÏÂÌ˛ Í‡ÚÂ„ÓËË ‰Îﬂ Á‡ÏÓÓÁÍË ÔÓÏÂ˜ÂÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*).
í‡ÍÊÂ ÔË ‚˚·ÓÂ Í‡ÚÂ„ÓËË ‰Îﬂ Á‡ÏÓÓÁÍË ‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ÒÚÓÈÍ‡ ON
(‚ ÙÛÌÍˆËË ON/OFF Ì‡‰ ˆÂÌÚ‡Î¸ÌÓÈ ÍÌÓÔÍÓÈ Üä-‰ËÒÔÎÂﬂ).
CVP-202
91
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Â„ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X ìÍ‡Á‡ÌËÂ Í‡ÚÂ„ÓËË ‰Îﬂ Á‡ÏÓÓÁÍË. .....................................................................
Ç˚·ÂËÚÂ Í‡ÚÂ„ÓË˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ s Ë t, ‰ËÒÍ‡ ‰Îﬂ ‚‚Ó‰‡
‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+], Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ON/OFF, ˜ÚÓ·˚
ÔÓÏÂÚËÚ¸ ‚˚·‡ÌÌÛ˛ Í‡ÚÂ„ÓË˛ ËÎË ÓÚÏÂÌËÚ¸ ÔÓÏÂÚÍÛ.
èêàåÖóÄçàÖ
ä‡ÚÂ„ÓËË ‰Îﬂ Á‡ÏÓÓÁÍË
• ç‡ÒÚÓÈÍË: ON (‚ÍÎ.), OFF (‚˚ÍÎ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡:
ON (ACMP
SETTING)
OFF (‰Û„ËÂ)
ëÓı‡ÌÂÌËÂ ÔÓÒÎÂ‰ÌËı Ì‡ÒÚÓÂÍ: ON
èÓ‚ÚÓËÚÂ ˝ÚÓÚ ¯‡„, ˜ÚÓ·˚ ÔÓÏÂÚËÚ¸ ‰Û„ËÂ ÌÛÊÌ˚Â Í‡ÚÂ„ÓËË ËÎË
ÓÚÏÂÌËÚ¸ ÔÓÏÂÚÍÛ.
C ÇÍÎ˛˜ÂÌËÂ ËÎË ‚˚ÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË Freeze. ........................................
óÚÓ·˚ Á‡ÏÓÓÁËÚ¸/ÓÚÏÂÌËÚ¸ Á‡ÏÓÓÁÍÛ Í‡ÚÂ„ÓËÈ, ÔÓÏÂ˜ÂÌÌ˚ı ‚
¯‡„Â 2, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ FREEZE.
➔ èË Á‡ÏÓÓÁÍÂ ÔÓÏÂ˜ÂÌÌÓÈ Í‡ÚÂ„ÓËË ÙÛÌÍˆËﬂ FREEZE ‚˚‰ÂÎﬂÂÚÒﬂ
‰Û„ËÏ ˆ‚ÂÚÓÏ. ÖÒÎË ÙÛÌÍˆËﬂ Freeze ÓÚÍÎ˛˜ÂÌ‡, Ì‡ÒÚÓÈÍË ‚Ó ‚ÒÂı
Í‡ÚÂ„ÓËﬂı ÓÒÚ‡˛ÚÒﬂ ÌÂÁ‡˘Ë˘ÂÌÌ˚ÏË.
V Ç˚ıÓ‰ ËÁ ˝Í‡Ì‡. .............................................................................................................................
óÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ REGISTRATION [FREEZE] Ë ‚ÂÌÛÚ¸Òﬂ Ì‡
„Î‡‚Ì˚È ˝Í‡Ì, Ì‡ÊÏËÚÂ [EXIT].
CVP-202
90
92
èêàåÖóÄçàÖ
FREEZE
• ç‡ÒÚÓÈÍË: ON (‚˚‰ÂÎÂÌ‡),
OFF (ÌÂ ‚˚‰ÂÎÂÌ‡)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
ëÓı‡ÌÂÌËÂ ÔÓÒÎÂ‰ÌÂÈ Ì‡ÒÚÓÈÍË: ON
ÉÎ‡‚‡ 7: á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○
ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â
Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Song Record (ÒÚ. 110), ‡ Ú‡ÍÊÂ ÔÂÒÌË Ò ËÏÂ˛˘ËıÒﬂ
‚ ÔÓ‰‡ÊÂ ‰ËÒÍÂÚ. é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÔÂÒÌË ÏÓÊÌÓ
Ú‡ÍÊÂ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ÅÓÎÂÂ ÚÓ„Ó, ÂÒÎË ÔÂÒÌﬂ ÒÓ‰ÂÊËÚ ÒÎÓ‚‡, ‚˚
ÏÓÊÂÚÂ ‚˚Á˚‚‡Ú¸ Ëı Ì‡ ˝Í‡Ì ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
èêàåÖóÄçàÖ
èêàåÖóÄçàÖ
èêàåÖóÄçàÖ
èêàåÖóÄçàÖ
• àÌÙÓÏ‡ˆË˛ Ó ‰ËÒÍÂÚ‡ı ÒÏ. ‚ ‡Á‰ÂÎÂ «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë
‰ËÒÍÂÚ» (ÒÚ. 9).
• ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰Ó 99 ÔÂÒÂÌ,
Á‡ÔËÒ‡ÌÌ˚ı Ì‡ Ó‰ÌÓÈ ‰ËÒÍÂÚÂ. ÖÒÎË ÌÓÏÂ ÔÂÒÌË ÔÂ‚˚¯‡ÂÚ ˝ÚÓ ˜ËÒÎÓ,
ÔÂÒÌﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÌÂ ·Û‰ÂÚ.
• é·˚˜ÌÓ ‰‡ÌÌ˚Â Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÌÂ ÔÂÂ‰‡˛ÚÒﬂ ˜ÂÂÁ MIDI. é‰Ì‡ÍÓ ‚˚
ÏÓÊÂÚÂ Ì‡ÒÚÓËÚ¸ ÔË‡ÌËÌÓ Clavinova ‰Îﬂ ÔÂÂ‰‡˜Ë ÔÂÒÌË Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Song Transmission Ì‡ ˝Í‡ÌÂ FUNCTION [MIDI 4] (ÒÚ. 150).
• äÓÏÂ ÔÂÒÂÌ, ÍÓÚÓ˚Â ‚˚ Á‡ÔËÒ‡ÎË Ò‡ÏË, Ì‡ ÔË‡ÌËÌÓ CVP-202 ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò ËÏÂ˛˘ËıÒﬂ ‚ ÔÓ‰‡ÊÂ ‰ËÒÍÂÚ ‡ÁÎË˜Ì˚ı
ÙÓÏ‡ÚÓ‚: Yamaha DOC, XG, Disklavier PianoSoft, ‡ Ú‡ÍÊÂ GM. ëÏ. ‡Á‰ÂÎ
«ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰Û„Ëı ÚËÔÓ‚ ÏÛÁ˚Í‡Î¸Ì˚ı ‰‡ÌÌ˚ı» Ì‡ ÒÚ. 104.
• èÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ Ó ÚÓÏ, Í‡ÍËÂ ÔÂÒÌË ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÛÌÍˆËÂÈ Lyric Display
ÔË‡ÌËÌÓ Clavinova, ÏÓÊÌÓ Û Â„ËÓÌ‡Î¸ÌÓ„Ó ÔÂ‰ÒÚ‡‚ËÚÂÎﬂ ÍÓÔÓ‡ˆËË
Yamaha.
SONG CONTROL
VOLUME
MASTER
VOLUME
MAX
CONTRAST
STYLE
ACMP/SONG
VOLUME
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
R&B
PIANIST
MUSIC
DATABASE
SONG CONTROL
TEMPO
SONG
PLAY/
STOP
REC
PAUSE
REW
FF
VOICE
SONG
PLAY/
STOP
REC
PIANO &
HARPSI.
PAUSE
REW
FF
BRASS
SOUND
REPEAT
1
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
BEAT
MAX
HELP
COUNTRY
LATIN
MARCH &
WORLD
METRONOME
WALTZ
BALLROOM
DISK
RESET
FUNCTION
HARMONY
MIXER
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
MIN
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
MIN
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
èËÏÂ˚ ˝Í‡ÌÓ‚ Üä-‰ËÒÔÎÂﬂ, ÔË‚Â‰ÂÌÌ˚Â ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ‰‡Ì˚ ÚÓÎ¸ÍÓ ‰Îﬂ Û˜Â·Ì˚ı
ˆÂÎÂÈ. ç‡Á‚‡ÌËﬂ ÔÂÒÂÌ Ë Ú.Ô. ·Û‰ÛÚ ‚˚„Îﬂ‰ÂÚ¸ ÔÓ-‡ÁÌÓÏÛ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰ËÒÍÂÚ˚.
Z ÇÓÈ‰ËÚÂ ‚ ÂÊËÏ Song Play. .......................................................................................
éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ «Music Software Collection» (ëÓ·‡ÌËÂ
ÏÛÁ˚Í‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ) ËÎË ‰ËÒÍÂÚÛ Ò ‚‡¯ËÏË ÒÓ·ÒÚ‚ÂÌÌ˚ÏË
Á‡ÔËÒﬂÏË ‚ ‰ËÒÍÓ‚Ó‰. ÇÒÚ‡‚ÎﬂÈÚÂ ‰ËÒÍÂÚÛ ÎËˆÂ‚ÓÈ ÒÚÓÓÌÓÈ ‚‚Âı, Í‡Í
ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, ‰Ó ˘ÂÎ˜Í‡. äÓ„‰‡ ‰ËÒÍÂÚ‡ Ò ÔÂÒÌﬂÏË ‚ÒÚ‡‚ÎÂÌ‡ ‚
‰ËÒÍÓ‚Ó‰, ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË (Song Play) ‚˚Á˚‚‡ÂÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
èêàåÖóÄçàÖ
êÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔË ‚ÒÚ‡‚ÍÂ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰,
ÂÒÎË Ì‡ ‰ËÒÔÎÂÈ ‚˚‚Â‰ÂÌ ˝Í‡Ì FUNCTION ‰Îﬂ
‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ (ÒÚ. 139) ËÎË Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚
CUSTOM STYLE (ÒÚ. 174).
DISK IN USE
òÚÓÍ‡ ‰ËÒÍÂÚ˚
91
ç‡ÍÎÂÈÍ‡
CVP-202
93
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
➔ ÇÓ ‚ÂÏﬂ Ò˜ËÚ˚‚‡ÌËﬂ ‰ËÒÍÂÚ˚ Ì‡ ÔË‡ÌËÌÓ Clavinova „ÓËÚ ËÌ‰ËÍ‡ÚÓ DISK
IN USE. èÓ ÓÍÓÌ˜‡ÌËË ÔÓˆÂÒÒ‡ Ò˜ËÚ˚‚‡ÌËﬂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì SONG PLAY
[MAIN] (ÒÚ‡ÌËˆ‡ 1 ˝Í‡Ì‡), Ë Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ [SONG].
ÖÒÎË ‰ËÒÍÂÚ‡ Ò ÔÂÒÌÂÈ ‚ÒÚ‡‚ÎÂÌ‡, ÌÓ ÂÊËÏ Song Play ÌÂ ‚ÍÎ˛˜ËÎÒﬂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG].
➔ á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ [SONG]. ÖÒÎË ‚˚ Ì‡ıÓ‰ËÚÂÒ¸ ÌÂ Ì‡ ˝Í‡ÌÂ SONG
PLAY [MAIN], Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ PAGE [<] ËÎË [>], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÔÂ‚Û˛
ÒÚ‡ÌËˆÛ.
X Ç˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË. ................................................................
Ç˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË SONG,
Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–], [+].
➔ èÓﬂ‚ﬂÚÒﬂ ÌÓÏÂ ÔÂÒÌË, ÂÂ Ì‡Á‚‡ÌËÂ, ÚÂÍÛ˘ËÈ ÚÂÏÔ Ë ÁÌ‡˜ÓÍ,
Ó·ÓÁÌ‡˜‡˛˘ËÈ ÚËÔ Ù‡ÈÎ‡.
èêàåÖóÄçàÖ
ç‡ ˝Í‡ÌÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÌÓÏÂ‡ ÔÂÒÂÌ ÓÚ 1 ‰Ó
99, ‚ ÚÓÏ ˜ËÒÎÂ ÔÂÒÂÌ, ÍÓÚÓ˚Â ÌÂ ÒÓ‰ÂÊ‡Ú
‰‡ÌÌ˚ı. èÂÒÌË, ÌÂ ÒÓ‰ÂÊ‡˘ËÂ ‰‡ÌÌ˚ı, ·Û‰ÛÚ
ÔÓÍ‡Á‡Ì˚ ·ÂÁ Ì‡Á‚‡ÌËÈ.
ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ·˚ÎË ÔÓË„‡Ì˚ ‚ÒÂ ÔÂÒÌË ÔÓ ÔÓﬂ‰ÍÛ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ «ALL». ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ÔÂÒÌË Ì‡ ‰ËÒÍÂÚÂ ÔÓË„˚‚‡ÎËÒ¸ ‚
ÒÎÛ˜‡ÈÌÓÏ ÔÓﬂ‰ÍÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ «RANDOM». çÂÁ‡‚ËÒËÏÓ ÓÚ
‚˚·‡ÌÌÓ„Ó ÂÊËÏ‡, «ALL» ËÎË «RANDOM», ÔÂÒÌË ·Û‰ÛÚ ÔÓ‚ÚÓﬂÚ¸Òﬂ
‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÌÂ ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌÓ.
íÂÍÛ˘ËÈ ÚÂÏ· ÍÎ‡‚Ë‡ÚÛ˚
íÂÏÔ
áÌ‡˜ÓÍ Ù‡ÈÎ‡
çÓÏÂ/Ì‡Á‚‡ÌËÂ
‚˚·‡ÌÌÓÈ
ÔÂÒÌË
● áÌ‡˜ÍË Ù‡ÈÎÓ‚
íËÔ Ù‡ÈÎ‡ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ Ó‰ÌËÏ ËÁ ÒÎÂ‰Û˛˘Ëı ˜ÂÚ˚Âı ÁÌ‡˜ÍÓ‚ (ÒÏ. ÌËÊÂ).
èêàåÖóÄçàÖ
áÌ‡˜ÍË
íËÔ Ù‡ÈÎ‡
î‡ÈÎ ‚ ÙÓÏ‡ÚÂ XG/SMF
î‡ÈÎ ‚ ÙÓÏ‡ÚÂ DOC/ESEQ
î‡ÈÎ ‚ ÙÓÏ‡ÚÂ Yamaha Disklavier PianoSoft ËÎË XG/ESEQ
• ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÙÓÏ‡Ú‡ı
ÒÏ. ‚ ‡Á‰ÂÎÂ «ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDIÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı» (ÒÚ. 172).
• Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡ﬂı Ì‡Á‚‡ÌËﬂ Ù‡ÈÎÓ‚
ÓÚÓ·‡Ê‡˛ÚÒﬂ ·ÂÁ ÁÌ‡˜ÍÓ‚, ÂÒÎË ÓÌË
ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ GM ËÎË ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌ˚Â ÌÂ Ì‡ ÔË‡ÌËÌÓ CVP-202.
èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ÔË‡ÌËÌÓ CVP-202
CVP-202
92
94
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÑÎﬂ ÔÓÒÏÓÚ‡ ‚ÒÂ„Ó ÒÔËÒÍ‡ Ì‡Á‚‡ÌËÈ ÔÂÒÂÌ Ì‡ ‰ËÒÍÂÚÂ ‚˚ÁÓ‚ËÚÂ ˝Í‡Ì
SONG PLAY [LIST] (ÒÚ‡ÌËˆ‡ 3 ˝Í‡Ì‡), ‰Îﬂ ˜Â„Ó ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ
PAGE [<] ËÎË [>]. çÛÊÌÛ˛ ÔÂÒÌ˛ ÎÂ„ÍÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó
‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ç‡ ˝Í‡ÌÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Û‚Ë‰ÂÚ¸ ‰Ó 8
ÔÂÒÂÌ. ÖÒÎË Ì‡ ‰ËÒÍÂÚÂ ·ÓÎ¸¯Â, ˜ÂÏ 8 ÔÂÒÂÌ, ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ 8
Ì‡Á‚‡ÌËÈ, ÔÓÍÛÚË‚ ÒÔËÒÓÍ ‚ÌËÁ.
ÔÂÒÌË
èêàåÖóÄçàÖ
ÖÒÎË ÔÓÎÂ Ì‡Á‚‡ÌËﬂ ÔÂÒÌË ÔÛÒÚÓÂ...
ùÚÓ ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ÔÂÒÌﬂ ÔÓ‰ ˝ÚËÏ ÌÓÏÂÓÏ ÌÂ
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı.
èêàåÖóÄçàÖ
èÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡˜ËÌ‡ﬂ Ò
‚˚·‡ÌÌÓÈ ÔÂÒÌË
IÖÒÎË Ì‡ ˝Í‡ÌÂ SONG PLAY [MAIN] ‚˚
‚˚·Ë‡ÂÚÂ ALL, ‡ Á‡ÚÂÏ Á‡‰‡ÂÚÂ ÚÛ ËÎË ËÌÛ˛
ÔÂÒÌ˛ Ì‡ ˝Í‡ÌÂ SONG PLAY [LIST] (ÒÚ‡ÌËˆ‡
3 ˝Í‡Ì‡), ÔÂÒÌË ·Û‰ÛÚ ÔÓ‚ÚÓﬂÚ¸Òﬂ, Ì‡˜ËÌ‡ﬂ Ò
ÌÂÂ.
èêàåÖóÄçàÖ
èÓ‚ÚÓ ‚˚·‡ÌÌÓÈ ÔÂÒÌË
IÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÔÂÒÌ˛ Ì‡ ˝Í‡ÌÂ SONG
PLAY [MAIN] ËÎË Ì‡ ˝Í‡ÌÂ SONG PLAY [LIST]
(ÒÚ‡ÌËˆ‡ 3 ˝Í‡Ì‡), ‡ Á‡ÚÂÏ Ì‡ ˝Í‡ÌÂ SONG
PLAY [REPEAT] (ÒÚ‡ÌËˆ‡ 4 ˝Í‡Ì‡) – 1 SONG,
·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÚÓÎ¸ÍÓ ˝Ú‡ ÔÂÒÌﬂ,
ÔÓÍ‡ ‚˚ ÂÂ ÌÂ ÓÒÚ‡ÌÓ‚ËÚÂ.
C á‡ÔÛÒÍ Ë ÓÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. .....................................
á‡ÔÛÒÚËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[PLAY/STOP].
SONG CONTROL
SONG
PLAY/
STOP
REC
èêàåÖóÄçàÖ
Ç˚·Ó ÚÂÏ·‡ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
íÂÏ·, ‚˚·‡ÌÌ˚È ‚‡ÏË Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË Ò
ÔÓÏÓ˘¸˛ Ó·˚˜ÌÓÈ ÔÓˆÂ‰Û˚ ËÁÏÂÌÂÌËﬂ
ÚÂÏ·‡ (ÒÚ. 29). íÂÏ·˚ Ô‡ÚËÈ 1/RIGHT Ë 2/
LEFT ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ì‡
˝Í‡ÌÂ SONG PLAY [L&R VOICE] (ÒÚ. 98).
èêàåÖóÄçàÖ
➔ ç‡˜ËÌ‡ÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÖÒÎË ÌÂ Á‡‰‡Ì ÂÊËÏ ALL
ËÎË RANDOM, ÔÂÒÌﬂ ÔÓË„‡ÂÚÒﬂ ‰Ó ÍÓÌˆ‡ Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒﬂ.
ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ ˝Í‡ÌÂ ·Û‰ÛÚ ‚Ë‰Ì˚ ÌÓÏÂ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡ Ë
ÚÂÏÔ.
åÓÊÌÓ Ú‡ÍÊÂ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚·‡ÌÌÓÈ ÔÂÒÌË, Ì‡Ê‡‚ ÍÌÓÔÍÛ
[START/STOP].
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ èÂÒÌﬂ ÓÒÚ‡ÌÓ‚ËÚÒﬂ.
éÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÓÊÌÓ Ë Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[START/STOP].
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Song Play, Ì‡ÊÏËÚÂ [SONG] ËÎË [EXIT].
àÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ, Ë ÔÓﬂ‚ËÚÒﬂ ÔÂ‰˚‰Û˘ËÈ ˝Í‡Ì.
àÏÂÈÚÂ ‚ ‚Ë‰Û, ˜ÚÓ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË
[PLAY/STOP] ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË ÏÓÊÂÚ
Ì‡˜‡Ú¸Òﬂ ÌÂ Ò‡ÁÛ.
èêàåÖóÄçàÖ
Ç˚ÍÎ˛˜ÂÌËÂ ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚ı
ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ç‡ ÍÎ‡‚Ë‡ÚÛÂ ‚Ó ‚ÂÏﬂ Ë„˚ ·Û‰ÛÚ Á‡„Ó‡Ú¸Òﬂ
‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÌÓÚ‡Ï ÔÓË„˚‚‡ÂÏ˚ı
Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT. ùÚË ËÌ‰ËÍ‡ÚÓ˚
ÏÓÊÌÓ ‚˚ÍÎ˛˜ËÚ¸ Ì‡ ˝Í‡ÌÂ SONG PLAY
[GUIDE MODE] (ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡). (ëÏ.
ÒÚ. 109.)
èêàåÖóÄçàÖ
éÚÍÎ˛˜ÂÌËÂ ˝Í‡Ì‡ ÒÓ ÒÎÓ‚‡ÏË ÔÂÒÂÌ
ÖÒÎË ‚ ÔÓË„˚‚‡ÂÏÓÏ ‚‡ÏË èé ÒÓ‰ÂÊ‡ÚÒﬂ
ÚÂÍÒÚ˚ ÔÂÒÂÌ, ÓÌË ·Û‰ÛÚ ‚˚‚Ó‰ËÚ¸Òﬂ Ì‡
‰ËÒÔÎÂÈ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ÖÒÎË ‚˚
ÌÂ ıÓÚËÚÂ ‚Ë‰ÂÚ¸ ÒÎÓ‚‡, ÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ ˝ÚÛ
ÙÛÌÍˆË˛ Ì‡ ÒÚ. 5 ˝Í‡Ì‡ SONG PLAY [GUIDE
MODE].
èêàåÖóÄçàÖ
93
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎË ‰Îﬂ Á‡ÔÛÒÍ‡/
ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ç‡ ˝Í‡ÌÂ FUNCTION [PEDAL] (ÒÚ‡ÌËˆ‡ 3
˝Í‡Ì‡) ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ÙÛÌÍˆËË Left Pedal
ÁÌ‡˜ÂÌËÂ START/STOP. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÎÂ‚‡ﬂ
ÔÂ‰‡Î¸ ·Û‰ÂÚ ‚˚ÔÓÎÌﬂÚ¸ ÓÎ¸ ÍÌÓÔÍË [START/
STOP]. (ëÏ. ÒÚ. 138.)
CVP-202
95
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● êÂ„ÛÎËÓ‚Í‡ ÚÂÏÔ‡
èË ÊÂÎ‡ÌËË ÏÓÊÌÓ ÏÂÌﬂÚ¸ ÚÂÏÔ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË. (ëÏ. ÒÚ. 25.)
àÒıÓ‰Ì˚È ÚÂÏÔ ÔÂÒÌË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‚ Î˛·ÓÈ ÏÓÏÂÌÚ, ÂÒÎË
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË TEMPO [–] Ë [+].
é·˚˜ÌÓ ÚÂÏÔ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ ˆËÙ‡ÏË. àÌÓ„‰‡ ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚
Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ. íÓ„‰‡ Ì‡ ˝Í‡ÌÂ ‚ÏÂÒÚÓ Ó·ÓÁÌ‡˜ÂÌËﬂ ÚÂÏÔ‡ ÔÓﬂ‚ËÚÒﬂ
«- - -» Ë ÔÓﬂ‚Îﬂ˛˘ËÂÒﬂ ÌÓÏÂ‡ Ú‡ÍÚÓ‚ ÌÂ ·Û‰ÛÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Â‡Î¸Ì˚Ï;
ÔÓ ÌËÏ ÏÓÊÌÓ ·Û‰ÂÚ ÍÓÒ‚ÂÌÌÓ ÒÛ‰ËÚ¸ ÚÓÎ¸ÍÓ Ó ÚÓÏ, Í‡Í‡ﬂ ˜‡ÒÚ¸ ÔÂÒÌË ÛÊÂ
ÔÓÁ‚Û˜‡Î‡. ìÒÍÓÂÌËÂ ËÎË Á‡ÏÂ‰ÎÂÌËÂ ÚÂÏÔ‡ ÔÓ ÓÚÌÓ¯ÂÌË˛ Í ËÒıÓ‰ÌÓÏÛ
Ó·ÓÁÌ‡˜‡ÂÚÒﬂ ‚ ÔÓˆÂÌÚ‡ı Ì‡ ˝Í‡ÌÂ (Ï‡ÍÒËÏ‡Î¸ÌÓÂ ËÁÏÂÌÂÌËÂ ÓÚ –99 ‰Ó
+99; ‰Ë‡Ô‡ÁÓÌ ÏÓÊÂÚ ÏÂÌﬂÚ¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ èé).
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ˚ BEAT (ÒÚ. 52) ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÂÌ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ
ÏÓ„ÛÚ ÌÂ ‡·ÓÚ‡Ú¸.
èêàåÖóÄçàÖ
ì ÌÂÍÓÚÓ˚ı ÔÂÒÂÌ ÔÓﬂ‚Îﬂ˛˘ËÂÒﬂ Ì‡
˝Í‡ÌÂ ÌÓÏÂ‡ Ú‡ÍÚÓ‚ ÏÓ„ÛÚ ÌÂ
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ú‡ÍÚ‡Ï Ì‡ Ô‡ÚËÚÛÂ.
TEMPO
METRONOME
RESET
V Ç˚Ì¸ÚÂ ‰ËÒÍÂÚÛ. ..............................................................................................................................
ÖÒÎË ‚˚ Á‡ÍÓÌ˜ËÎË ‡·ÓÚ‡Ú¸ Ò ‰ËÒÍÂÚÓÈ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ EJECT Ë
‚˚Ì¸ÚÂ ‰ËÒÍÂÚÛ ËÁ ‰ËÒÍÓ‚Ó‰‡.
➔ ç‡ Üä-‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ „Î‡‚Ì˚È ˝Í‡Ì.
ÇçàåÄçàÖ!
çÂ ‚˚ÌËÏ‡ÈÚÂ ‰ËÒÍÂÚÛ ÔË „Óﬂ˘ÂÏ
ËÌ‰ËÍ‡ÚÓÂ DISK IN USE, ‡ Ú‡ÍÊÂ ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.
èêàåÖóÄçàÖ
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË
ÉÓÏÍÓÒÚ¸ Í‡Ê‰ÓÈ Ô‡ÚËË ÏÓÊÌÓ
ÓÚÂ„ÛÎËÓ‚‡Ú¸ Ì‡ ˝Í‡ÌÂ MIXER.
DISK IN USE
èêàåÖóÄçàÖ
êÂ„ÛÎËÓ‚Í‡ ÛÓ‚Ìﬂ „ÓÏÍÓÒÚË ÔÂÒÌË Ë
ÚÂÏ·Ó‚ ÍÎ‡‚Ë‡ÚÛ˚
ÑÎﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÔÓÎ¸ÁÛÈÚÂÒ¸
ÔÓÎÁÛÌÍÓÏ [ACMP/SONG VOLUME] (ÒÚ. 23).
èêàåÖóÄçàÖ
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡
ÔË‡ÌËÌÓ CVP-202, ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[ACMP ON].
CVP-202
94
96
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÂÒÌË
éÚÍÎ˛˜ÂÌËÂ Ô‡ÚËÈ
ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
Ô‡ÚËÈ ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍ‡ÏË 1/RIGHT (Ô‡‚‡ﬂ ÛÍ‡), 2/LEFT
(ÎÂ‚‡ﬂ ÛÍ‡) Ë ORCH (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) Ì‡ ˝Í‡ÌÂ SONG PLAY [MAIN]. èË
‚ÍÎ˛˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË ÂÂ ÍÌÓÔÍ‡ ‚˚‰ÂÎﬂÂÚÒﬂ. ç‡ÔËÏÂ, ‚˚
ÏÓÊÂÚÂ ÓÚÍÎ˛˜ËÚ¸ Ô‡ÚË˛ Ô‡‚ÓÈ Ë/ËÎË ÎÂ‚ÓÈ ÛÍË Ò ÚÂÏ, ˜ÚÓ·˚
Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ Ò˚„‡Ú¸ Ëı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
èêàåÖóÄçàÖ
• è‡ÚËË ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
• çÂÎ¸Áﬂ ‚ÍÎ˛˜‡Ú¸ Ô‡ÚËË, ÍÓÚÓ˚Â ÌÂ
ÒÓ‰ÂÊ‡Ú ÌËÍ‡ÍËı ‰‡ÌÌ˚ı. í‡ÍËÂ ÒÎÛ˜‡Ë
·˚‚‡˛Ú, ÍÓ„‰‡ ‚˚·‡Ì‡ ‰ÓÓÊÍ‡, Ì‡
ÍÓÚÓÓÈ ÌÂ ÒÓ‰ÂÊËÚÒﬂ ÌËÍ‡ÍËı ‰‡ÌÌ˚ı
(ÒÚ. 98), ËÎË ÍÓ„‰‡ ‰Îﬂ ‰ÓÓÊÍË,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ô‡ÚËË 2/LEFT, ‚˚·‡ÌÓ
ÁÌ‡˜ÂÌËÂ «TRK -- (OFF) «.
èêàåÖóÄçàÖ
Ç ˝ÚÓÏ ÔËÏÂÂ Ô‡ÚËﬂ 1/RIGHT ÓÚÍÎ˛˜ÂÌ‡.
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË Ù‡ÈÎÓ‚ ‚ ÙÓÏ‡Ú‡ı
Yamaha Disklavier PianoSoft, DOC Ë XG/ESEQ
Ô‡ÚËË, ÌÂ ÒÓ‰ÂÊ‡˘ËÂ ‰‡ÌÌ˚ı, Ì‡ ‰ËÒÔÎÂÂ
ÓÚÓ·‡Ê‡Ú¸Òﬂ ÌÂ ·Û‰ÛÚ.
ç‡ ÒÚ‡ÌËˆÂ 6 ˝Í‡Ì‡ SONG PLAY [L&R VOICE] (ÒÚ. 98) ÏÓÊÌÓ
‚˚·‡Ú¸, Í‡ÍÓÈ ÍÌÓÔÍÂ ·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Í‡Í‡ﬂ ‰ÓÓÊÍ‡.
■ ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı Ô‡ÚËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
é·˚˜ÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ ORCH (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÍÎ˛˜‡˛ÚÒﬂ ËÎË ‚˚ÍÎ˛˜‡˛ÚÒﬂ ‚ÒÂ ÓÍÂÒÚÓ‚˚Â Ô‡ÚËË
(‰ÓÓÊÍË 3 - 16) — ËÎË ‚ÒÂ Ô‡ÚËË 1/RIGHT Ë 2/LEFT. åÓÊÌÓ Ú‡ÍÊÂ
‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ˝ÚË Ô‡ÚËË ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË Ì‡ ˝Í‡ÌÂ SONG PLAY
[TRACK PLAY] (ÒÚ‡ÌËˆ‡ 2 ˝Í‡Ì‡).
Z Ç˚·ÂËÚÂ ÒÚ‡ÌËˆÛ SONG PLAY [TRACK PLAY].
ÑÎﬂ ‚˚·Ó‡ ˝Í‡Ì‡ SONG PLAY [TRACK PLAY] (ÒÚ‡ÌËˆ‡ 2 ˝Í‡Ì‡)
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË PAGE [<] Ë [>].
95
➔ ÑÓÓÊÍË Ò ‰‡ÌÌ˚ÏË ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡‰ ÍÌÓÔÍ‡ÏË TRACK < Ë >. çÓÏÂ
‰ÓÓÊÍË, ‚˚·‡ÌÌÓÈ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, ÓÍÛÊÂÌ ‡ÏÍÓÈ. ÑÓÓÊÍË, ÌÂ
ÒÓ‰ÂÊ‡˘ËÂ ‰‡ÌÌ˚ı, ÌÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡ ˝Í‡ÌÂ.
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÔÂÒÌË ËÁ Ù‡ÈÎ‡ Standard MIDI (Á‡
ËÒÍÎ˛˜ÂÌËÂÏ ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı Ì‡ ÔË‡ÌËÌÓ
CVP-202), ÏÓ„ÛÚ ÔÓﬂ‚ËÚ¸Òﬂ ÌÓÏÂ‡ ‚ÒÂı
‰ÓÓÊÂÍ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ÒÓ‰ÂÊ‡ÚÒﬂ ÎË ‚
ÌËı Í‡ÍËÂ-ÎË·Ó ‰‡ÌÌ˚Â.
CVP-202
97
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ ‰ÓÓÊÍÛ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ (PLAY/OFF, SOLO).
Ç˚·ÂËÚÂ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TRACK < ËÎË > Ì‡·ÓÌÓ„Ó
‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].
➔ Ç˚·‡ÌÌ‡ﬂ ‰ÓÓÊÍ‡ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡ ÔÓ‰˜ÂÍË‚‡ÌËÂÏ.
ÑÓÓÊÍ‡ ‚ÍÎ˛˜‡ÂÚÒﬂ Ë ‚˚ÍÎ˛˜‡ÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ ÒÔ‡‚‡
ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ Ë ‚˚·Ó‡ PLAY (‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ) OFF,
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
äÓ„‰‡ ‰ÓÓÊÍ‡ ÔË„ÎÛ¯‡ÂÚÒﬂ, ‡ÏÍ‡ ‚ÓÍÛ„ ÂÂ ÌÓÏÂ‡ ËÒ˜ÂÁ‡ÂÚ. íÂÏ·,
ËÒÔÓÎ¸ÁÛÂÏ˚È ÚÂÍÛ˘ÂÈ ‰ÓÓÊÍÓÈ, ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡‰ ÍÌÓÔÍ‡ÏË
PLAY/OFF.
ÖÒÎË ‚˚ ıÓÚËÚÂ ÔÓÒÎÛ¯‡Ú¸ ÚÓÎ¸ÍÓ Ó‰ÌÛ ‰ÓÓÊÍÛ, ‚˚·ÂËÚÂ ÂÂ Ë
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ SOLO. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Solo,
Ì‡ÊÏËÚÂ SOLO Â˘Â ‡Á.
ç‡ÁÌ‡˜ÂÌËÂ ‰ÓÓÊÂÍ Ô‡ÚËﬂÏ 1/RIGHT Ë 2/LEFT. Ç˚·Ó ÚÂÏ·‡
■ ç‡ÁÌ‡˜ÂÌËÂ ‰ÓÓÊÂÍ Ô‡ÚËﬂÏ 1/RIGHT Ë 2/LEFT ........................
ç‡ ˝Í‡ÌÂ SONG PLAY [MAIN] ÏÓÊÌÓ Ì‡ÁÌ‡˜‡Ú¸ ÙÛÌÍˆËﬂÏ 1/RIGHT
Ë 2/LEFT ÚÂ ËÎË ËÌ˚Â ‰ÓÓÊÍË. íÓ„‰‡ ‚˚ ÒÏÓÊÂÚÂ ‚˚·ÓÓ˜ÌÓ ‚ÍÎ˛˜‡Ú¸
Ë ‚˚ÍÎ˛˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ˝ÚËı ‰ÓÓÊÂÍ. è‡ÚËË 2/LEFT ÏÓÊÌÓ
ÔËÒ‚ÓËÚ¸ ÁÌ‡˜ÂÌËÂ TRK - - (OFF). é‰ÌÛ Ë ÚÛ ÊÂ ‰ÓÓÊÍÛ ÌÂÎ¸Áﬂ
Ì‡ÁÌ‡˜ËÚ¸ ‰Îﬂ Ó·ÂËı Ô‡ÚËÈ.
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>] ‚˚·ÂËÚÂ ˝Í‡Ì SONG PLAY [L&R
VOICE] (ÒÚ‡ÌËˆ‡ 6 ˝Í‡Ì‡).
➾ Ç˚‰ÂÎËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÙÛÌÍˆË˛ Ì‡ ˝Í‡ÌÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
1/RIGHT ËÎË 2/LEFT, Á‡ÚÂÏ ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË
ÍÌÓÔÍ‡ÏË [–] Ë [+] ‰Îﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ‰ÓÓÊÍË.
åÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ 1/RIGHT ËÎË
2/LEFT.
CVP-202
èêàåÖóÄçàÖ
ç‡ÁÌ‡˜ÂÌËﬂ ‰ÓÓÊÂÍ ‰Îﬂ Ù‡ÈÎÓ‚ ‚ ÙÓÏ‡ÚÂ
DOC Ë Disklavier PianoSoft ÙËÍÒËÓ‚‡Ì˚ Ë ÌÂ
ÏÓ„ÛÚ ·˚Ú¸ ËÁÏÂÌÂÌ˚.
èêàåÖóÄçàÖ
ÑÓÓÊÍË ÏÓÊÌÓ Ì‡ÁÌ‡˜‡Ú¸ ÚÓÎ¸ÍÓ ‰Ó Ì‡˜‡Î‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.
96
98
èêàåÖóÄçàÖ
1/RIGHT
• ìÒÚ‡ÌÓ‚ÍË: 1 — 16
• Å‡ÁÓ‚‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ Ù‡ÈÎ‡.
2/LEFT
• ìÒÚ‡ÌÓ‚ÍË: 1 — 16, -- (off)
• Å‡ÁÓ‚‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ Ù‡ÈÎ‡.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
■ Ç˚·Ó ÚÂÏ·Ó‚ ‰Îﬂ Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT
ç‡ ˝Í‡ÌÂ SONG PLAY [L&R VOICE] ÏÓÊÌÓ ÏÂÌﬂÚ¸ ÚÂÏ·˚
‚ÓÒÔÓËÁ‚Â‰ËÏ˚ı Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT.
ÑÎﬂ ‚˚‰ÂÎÂÌËﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÙÛÌÍˆËË Ì‡ ˝Í‡ÌÂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
L&R VOICE ▼ ËÎË ▲ Á‡ÚÂÏ ‚˚·ÂËÚÂ ÚÂÏ· Ô‡ÚËÈ 1/RIGHT Ë 2/LEFT Ò
ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].
åÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ „ÓÎÓÒ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ L&R VOICE ▼ ËÎË ▲.
ÔÂÒÌË
èêàåÖóÄçàÖ
íÂÏ· ÏÓÊÌÓ ÏÂÌﬂÚ¸ ÚÓÎ¸ÍÓ ‰Ó Ì‡˜‡Î‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.the song.
ìÔ‡‚ÎÂÌËÂ Ó·˘ÂÈ „ÓÏÍÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË
ÑÎﬂ ÛÔ‡‚ÎÂÌËﬂ Ó·˘ÂÈ „ÓÏÍÓÒÚ¸˛ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË ÏÓÊÌÓ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÔÓÎÁÛÌÍÓÏ [ACMP/SONG VOLUME].
èË ‚ıÓ‰Â ‚ ÂÊËÏ Song Play ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Ì‡ ÚÓ ÁÌ‡˜ÂÌËÂ, ÔÓÒÎÂ‰ÌËÏ ËÒÔÓÎ¸ÁÓ‚‡ÎÓÒ¸ ‚ ˝ÚÓÏ
ÂÊËÏÂ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËﬂ Â„ÛÎﬂÚÓ‡. á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ÔÓÎÁÛÌÍ‡
ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ „ÓÏÍÓÒÚ¸ Ì‡ ÌÛÊÌ˚È ÛÓ‚ÂÌ¸.
èêàåÖóÄçàÖ
ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ
Ì‡ ÔË‡ÌËÌÓ CVP-202, ‚ÍÎ˛˜ÂÌ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÙÛÌÍˆËﬂ [ACMP/SONG
VOLUME] ·Û‰ÂÚ ÛÔ‡‚ÎﬂÚ¸ ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ ÌÂ ÔÂÒÌË.
VOLUME
97
MASTER
VOLUME
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
CVP-202
99
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
êÂ„ÛÎËÓ‚Í‡ Ì‡ÒÚÓÂÍ ‰ÓÓÊÂÍ
ÑÎﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Á‚ÛÍ‡ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË, ÚÂÏ·‡,
Ì‡ÒÚÓÂÍ Ô‡ÌÓ‡ÏËÓ‚‡ÌËﬂ, ‡ Ú‡ÍÊÂ „ÎÛ·ËÌ˚ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ‡
chorus Ë ˝ÙÙÂÍÚÓ‚ ‰Îﬂ ÓÚ‰ÂÎ¸Ì˚ı ‰ÓÓÊÂÍ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [MIXER] ‚
ÂÊËÏÂ Song Play Ë ‚˚ÁÓ‚ËÚÂ ˝Í‡Ì MIXER.
FUNCTION
MIXER
ë ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ MIXER ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ Ì‡ÒÚÓÈÍË ÒÎÂ‰Û˛˘Ëı
Ô‡‡ÏÂÚÓ‚ (ÒÏ. ÌËÊÂ). éÔËÒ‡ÌËÂ ÍÓÌÍÂÚÌÓ„Ó Ô‡‡ÏÂÚ‡ ÒÏ. Ì‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÒÚ‡ÌËˆÂ.
è‡‡ÏÂÚ˚, ‰ÓÒÚÛÔÌ˚Â Ì‡ ˝Í‡ÌÂ MIXER
● èË ‚˚·ÓÂ ‰ÓÓÊÂÍ 1 — 16:
● èË ‚˚·ÓÂ TOTAL:
• VOLUME (ëÏ. ÒÚ. 32.)
• TEMPO (ëÏ. ÒÚ. 25.)
• VOICE (ëÏ. ÒÚ. 29.)
• Overall REVERB DEPTH (ëÏ. ÒÚ. 42.)
• PAN (ëÏ. ÒÚ. 32.)
• REVERB TYPE (ëÏ. ÒÚ. 42.)
• REVERB DEPTH (ëÏ. ÒÚ. 43.)
• CHORUS TYPE (ëÏ. ÒÚ. 44.)
• CHORUS DEPTH (ëÏ. ÒÚ. 45.)
• EFFECT TYPE (ëÏ. ÒÚ. 47.)
• EFFECT DEPTH (ëÏ. ÒÚ. 48.)
èêàåÖóÄçàÖ
Ç ÂÊËÏÂ ‚˚·Ó‡ ÚÂÏ·‡ (VOICE)
ÓÚÓ·‡Ê‡˛ÚÒﬂ Ô‡‡ÏÂÚ˚ Program Change
Number (PRG#), Bank LSB (BKL) Ë Bank MSB
(BKM), ËÒÔÓÎ¸ÁÛÂÏ˚Â ÔË ‚˚·ÓÂ ÚÂÏ·Ó‚ ‰Îﬂ
MIDI.
èêàåÖóÄçàÖ
ÑÎﬂ Ù‡ÈÎÓ‚ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ﬂ‰ Ô‡‡ÏÂÚÓ‚
ËÁÏÂÌËÚ¸ ÌÂÎ¸Áﬂ. í‡ÍËÂ Ô‡‡ÏÂÚ˚
ÓÚÏÂ˜‡˛ÚÒﬂ ÒÎÓ‚ÓÏ «Fixed» (Á‡ÙËÍÒËÓ‚‡Ì˚).
àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ Ì‡ ˝Í‡ÌÂ MIXER
Z Ç˚·ÂËÚÂ ‰ÓÓÊÍÛ, ‚ ÍÓÚÓÛ˛ ·Û‰ÛÚ ‚ÌÂÒÂÌ˚ ËÁÏÂÌÂÌËﬂ. ....
Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ ‰ÓÓÊÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TRACK < ËÎË >. ÖÒÎË
‚˚ ıÓÚËÚÂ ËÁÏÂÌËÚ¸ ÌÂ Ì‡ÒÚÓÈÍË ÓÚ‰ÂÎ¸Ì˚ı ‰ÓÓÊÂÍ, ‡ ‚ÒÂ Ì‡ÒÚÓÈÍË
ÔÂÒÌË, ‚˚·ÂËÚÂ ÂÊËÏ TOTAL.
óÚÓ·˚ ‚˚·‡Ú¸ ‰Îﬂ ‰ÓÓÊÍË ÂÊËÏ PLAY (‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ), OFF,
ËÎË SOLO, Ì‡ÊÏËÚÂ Í‡ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ. ÖÒÎË ‚˚ ıÓÚËÚÂ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÚÓÎ¸ÍÓ Ó‰ÌÛ ‰ÓÓÊÍÛ, ‚˚·ÂËÚÂ SOLO.
CVP-202
98
100
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
X Ç˚·ÂËÚÂ Ô‡‡ÏÂÚ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ. ...................................................
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓ„Ó Ô‡‡ÏÂÚ‡ Ì‡ÊÏËÚÂ SELECT ▼ ËÎË ▲.
ÔÂÒÌË
èêàåÖóÄçàÖ
ÑÎﬂ Ù‡ÈÎÓ‚ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ÏÓÊÌÓ ÏÂÌﬂÚ¸
ÚÂÏ·˚ ÚÓÎ¸ÍÓ Ì‡ ‰ÓÓÊÍ‡ı 1 Ë 2.
íÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ ‰Îﬂ
‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË
è‡‡ÏÂÚ, ‚˚·‡ÌÌ˚È‰Îﬂ
Â‰‡ÍÚËÓ‚‡ÌËﬂ
èêàåÖóÄçàÖ
çÓÏÂ ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË
‚˚‰ÂÎﬂÂÚÒﬂ.
• àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚ‡ REVERB DEPTH ‚
ÂÊËÏÂ TOTAL Ú‡ÍÊÂ ·Û‰ÂÚ ‚ÎËﬂÚ¸ Ì‡
Á‚Û˜‡ÌËÂ ÍÎ‡‚Ë‡ÚÛ˚.
• åÓÊÌÓ ÏÂÌﬂÚ¸ ÚÂÏ·˚ Ì‡ ‰ÓÓÊÍ‡ı, Ì‡
ÍÓÚÓ˚Â Á‡ÔËÒ‡Ì˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ËÚÏ Ë „‡ÏÓÌËﬂ.
C êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚ‡ ËÎË Ì‡ÒÚÓÈÍË. ..............................................
ÑÎﬂ ËÁÏÂÌÂÌËﬂ Ô‡‡ÏÂÚ‡ ËÎË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ, ÍÌÓÔÍ‡ÏË [–] ËÎË [+]. àÁÏÂÌÂÌËﬂ ÏÓÊÌÓ ‚ÌÓÒËÚ¸ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË, ˝ÚÓ ‰‡ÒÚ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ Ò‡ÁÛ ÊÂ
ÛÒÎ˚¯‡Ú¸ ÂÁÛÎ¸Ú‡Ú˚ Â‰‡ÍÚËÓ‚‡ÌËﬂ.
• ÑË‡Ô‡ÁÓÌ „ÓÏÍÓÒÚË: 0 — 127
• èË ‚˚·ÓÂ ‰Û„ÓÈ ÔÂÒÌË ‚ÒÂ Ì‡ÒÚÓÈÍË
‚ÓÁ‚‡˘‡˛ÚÒﬂ Í ËÒıÓ‰Ì˚Ï ‰Îﬂ ˝ÚÓÈ ÔÂÒÌË
(ËÎË Ì‡ÒÚÓÈÍ‡Ï, ËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚Ï ÔË
Á‡ÔËÒË ÔÂÒÌË).
• ÖÒÎË ‚Ó ‚ÂÏﬂ ËÒÔÓÎÌÂÌËﬂ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ÔË‡ÌËÌÓ CVP-202, ‚ÍÎ˛˜ËÚ¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ËÁ ˝Í‡Ì‡ MIXER ·Û‰ÂÚ
ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ ÛÔ‡‚ÎÂÌËÂ „ÓÏÍÓÒÚ¸˛
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment
Part Volume Control) (ÒÚ. 65), ‡ ÌÂ
„ÓÏÍÓÒÚ¸˛ ‰ÓÓÊÍË ÔÂÒÌË (Song Track
Volume Control).
îÛÌÍˆËË ÔÓ‚ÚÓ‡
ç‡ ÔË‡ÌËÌÓ Clavinova ËÏÂ˛ÚÒﬂ Û‰Ó·Ì˚Â ÙÛÌÍˆËË ÔÓ‚ÚÓ‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌ˛ ËÎË ÓÚ‰ÂÎ¸Ì˚ı ÂÂ ˜‡ÒÚÂÈ. ùÚÓ ÔÓÎÂÁÌÓ ÔË
‡ÁÛ˜Ë‚‡ÌËË ÚÛ‰ÌÓÈ ÏÛÁ˚Í‡Î¸ÌÓÈ Ù‡Á˚.
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÂÊËÏ ËÁ ˜ÂÚ˚Âı ÂÊËÏÓ‚ ÔÓ‚ÚÓ‡ Ì‡ ˝Í‡ÌÂ
SONG PLAY [REPEAT] (ÒÚ‡ÌËˆ‡ 4 ˝Í‡Ì‡).
99
óÂÚ˚Â ÂÊËÏ‡ ÔÓ‚ÚÓ‡
• OFF (îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ ‚˚ÍÎ˛˜ÂÌ‡)
• PHRASE (èÓ‚ÚÓÂÌËÂ Ù‡Á˚)
• 1 SONG (èÓ‚ÚÓÂÌËÂ 1 ÔÂÒÌË)
• êÂÊËÏ AB (èÓ‚ÚÓÂÌËÂ ˜‡ÒÚË AB)
èêàåÖóÄçàÖ
• ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÂÊËÏÓ‚ ÔÓ‚ÚÓ‡,
ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ALL ËÎË RANDOM
(Ì‡ ˝Í‡ÌÂ SONG PLAY [MAIN]) ·Û‰ÂÚ
ÓÚÍÎ˛˜ÂÌ.
• èË ‚˚·ÓÂ ‰Û„ÓÈ ÔÂÒÌË Î˛·ÓÈ
ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚È ‡Ì¸¯Â ÂÊËÏ ÔÓ‚ÚÓ‡
·Û‰ÂÚ ÓÚÍÎ˛˜ÂÌ (OFF).
CVP-202
101
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ èÓ‚ÚÓÂÌËÂ Ù‡Á˚ ........................................................................
çÂÍÓÚÓ˚Â ÏÛÁ˚Í‡Î¸Ì˚Â Ù‡ÈÎ˚ ËÁ èé ÍÓÔÓ‡ˆËË Yamaha, Ì‡ÔËÏÂ
DOC-Ù‡ÈÎ˚, ÒÓ‰ÂÊ‡Ú ÒÔÂˆË‡Î¸Ì˚Â Ó·ÓÁÌ‡˜ÂÌËﬂ Ù‡Á. èË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË Ú‡ÍËı Ù‡ÈÎÓ‚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â Ù‡Á˚ ÔÓ Ëı
ÌÓÏÂ‡Ï (Ò ÔÓÏÓ˘¸˛ ÌÓÚ, ÍÓÚÓ˚Â ÔÓÒÚ‡‚Îﬂ˛ÚÒﬂ ‚ ÍÓÏÔÎÂÍÚÂ Ò
ËÌÒÚÛÏÂÌÚÓÏ) Ë ‡ÁÛ˜Ë‚‡Ú¸ ËÏÂÌÌÓ Ëı. (Ç åÛÁ˚Í‡Î¸ÌÓÈ äÌË„Â ÔË‚Â‰ÂÌ˚
ÌÓÚ˚ ˜ÂÚ˚Âı ÔÂÒÂÌ, ‰Îﬂ ÍÓÚÓ˚ı ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Phrase
Repeat).
èÓÒÎÂ ‚˚·Ó‡ ÂÊËÏ‡ PHRASE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ REPEAT MODE
▼ ËÎË ▲ ÒÔ‡‚‡ ÓÚ ÍÌÓÔÍË ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì PHRASE, ‚ ÍÓÚÓÓÏ ÏÓÊÌÓ
‚˚·‡Ú¸ ÌÓÏÂ Ù‡Á˚. ÑÎﬂ ‚˚‰ÂÎÂÌËﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÙÛÌÍˆËË Ì‡
˝Í‡ÌÂ Ì‡ÊÏËÚÂ PHRASE ▼ ËÎË ▲, Á‡ÚÂÏ ‚˚·ÂËÚÂ ÌÓÏÂ Ù‡Á˚ Ò
ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].
çÓÏÂ Ù‡Á˚ ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PHRASE
▼ Ë ▲.
íÂÔÂ¸, ÍÓ„‰‡ ‚˚ Á‡ÔÛÒÚËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ù‡Á‡ Ì‡˜ÌÂÚ
ÔÓ‚ÚÓﬂÚ¸Òﬂ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÌÂ ·Û‰ÂÚ ÓÒÚ‡ÌÓ‚ÎÂÌÓ.
■ îÛÌÍˆËﬂ 1 Song Repeat .................................................................
èË ‚˚·ÓÂ ÙÛÌÍˆËË ÔÓ‚ÚÓ‡ 1 SONG Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË REPEAT
MODE ▼ ËÎË ▲ Î˛·‡ﬂ ÔÂÒÌﬂ, ‚˚·‡ÌÌ‡ﬂ ÓÔËÒ‡ÌÌ‡ﬂ ‚˚¯Â ÒÔÓÒÓ·ÓÏ,
·Û‰ÂÚ ÔÓ‚ÚÓﬂÚ¸Òﬂ, ÔÓÍ‡ ÂÂ ÌÂ ÓÒÚ‡ÌÓ‚ËÚ¸.
èêàåÖóÄçàÖ
• ÇÓ ‚ÂÏﬂ Ë„˚ ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸/‚˚ÍÎ˛˜‡Ú¸
Ô‡ÚËË.
• é‰ÌÓ‚ÂÏÂÌÌÓ Ò ÙÛÌÍˆËÂÈ ÔÓ‚ÚÓ‡ Phrase
Repeat ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Ó·Û˜‡˛˘ÂÈ
ÙÛÌÍˆËÂÈ Guide.
• èË ‚ÍÎ˛˜ÂÌËË ÂÊËÏ‡ ÔÓ‚ÚÓ‡ Ù‡Á˚
ÔÂÂ‰ Ì‡˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ù‡Á˚
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÒÚÛÔËÚÂÎ¸Ì˚È ÓÚÒ˜ÂÚ@@.
é‰Ì‡ÍÓ, ‚ÒÚÛÔËÚÂÎ¸Ì˚È ÓÚÒ˜ÂÚ ÌÂ ‡·ÓÚ‡ÂÚ
‚ ÔÂÒÌﬂı, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ.
èêàåÖóÄçàÖ
ÇÒÚÛÔËÚÂÎ¸ÌÓ„Ó ÓÚÒ˜ÂÚ‡ ÌÂÚ.
èêàåÖóÄçàÖ
■ îÛÌÍˆËﬂ AB Repeat .....................................................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚˚‰ÂÎËÚ¸ Î˛·ÓÈ Û˜‡ÒÚÓÍ ÔÂÒÌË
(ÏÂÊ‰Û ÚÓ˜Í‡ÏË A Ë B) ‡ÁÛ˜Ë‚‡Ú¸ Â„Ó ‚ ÂÊËÏÂ ÔÓ‚ÚÓ‡.
èË ‚˚·ÓÂ ÂÊËÏ‡ AB mode Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË REPEAT MODE
▼ ËÎË ▲ Ì‡ ˝Í‡ÌÂ ÒÔ‡‚‡ ÓÚ ÍÌÓÔÓÍ ÔÓﬂ‚ﬂÚÒﬂ ÒËÏ‚ÓÎ˚ A ➔ Ë B,
Ó·ÓÁÌ‡˜‡˛˘ËÂ ÔÓÎÓÊÂÌËÂ ÚÓ˜ÂÍ A Ë B.
• èË ‚˚·ÓÂ ÔÂÒÌË Ò ‰Û„ËÏ ÌÓÏÂÓÏ ËÎË
‰Û„Ó„Ó ÂÊËÏ‡ ÔÓ‚ÚÓ‡ Ì‡ÁÌ‡˜ÂÌÌ˚Â
ÚÓ˜ÍË A Ë B ·Û‰ÛÚ ÒÚÂÚ˚.
• èÂÂ‰ Ì‡˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÓÚÏÂ˜ÂÌÌÓ„Ó Û˜‡ÒÚÍ‡ A–B ‚ ÂÊËÏÂ
ÔÓ‚ÚÓ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜ËÚÒﬂ
‚ÒÚÛÔËÚÂÎ¸Ì˚È ÓÚÒ˜ÂÚ Á‡Ú‡ÍÚ‡. é‰Ì‡ÍÓ,
‚ÒÚÛÔËÚÂÎ¸Ì˚È ÓÚÒ˜ÂÚ ÌÂ ‡·ÓÚ‡ÂÚ ‚
ÔÂÒÌﬂı, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ.
• ÖÒÎË ‚˚ ıÓÚËÚÂ ÔÓÒÚ‡‚ËÚ¸ ÚÓ˜ÍÛ A ‚ Ì‡˜‡ÎÂ
ÔÂÒÌË, Ì‡ÊÏËÚÂ A ➔ ÔÂÂ‰ Ì‡˜‡ÎÓÏ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
‚ÒÚÛÔËÚÂÎ¸ÌÓ„Ó ÓÚÒ˜ÂÚ‡ ÌÂ ·Û‰ÂÚ.
• ÖÒÎË ‚˚ ÛÍ‡ÊÂÚÂ ÚÓÎ¸ÍÓ ÚÓ˜ÍÛ A, ÔÂÒÌﬂ
·Û‰ÂÚ ÔÓ‚ÚÓﬂÚ¸Òﬂ, Ì‡˜ËÌ‡ﬂ Ò ˝ÚÓÈ ÚÓ˜ÍË ‰Ó
ÍÓÌˆ‡.
• èÓÍ‡ ÚÓ˜Í‡ A ÌÂ ‚˚·‡Ì‡, ÚÓ˜ÍÛ B ÚÓÊÂ
ÌÂÎ¸Áﬂ ‚˚·‡Ú¸.an A point is selected.
CVP-202
100
102
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÂÒÌË
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ A ➔ ‚ Ì‡˜‡ÎÂ Û˜‡ÒÚÍ‡,
ÍÓÚÓ˚È ‰ÓÎÊÂÌ ÔÓ‚ÚÓﬂÚ¸Òﬂ.
➾ Ç ÍÓÌˆÂ ˝ÚÓ„Ó Û˜‡ÒÚÍ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ B. èË ˝ÚÓÏ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÍÎ˛˜‡ÂÚÒﬂ ÔÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚‰ÂÎÂÌÌÓ„Ó Û˜‡ÒÚÍ‡ (ÓÚ ÚÓ˜ÍË A
‰Ó ÚÓ˜ÍË B).
èÓÎÓÊÂÌËÂ ÚÓ˜ÂÍ A Ë B Á‡ÔÓÏËÌ‡ÂÚÒﬂ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ ‚˚·‡Ì‡
‰Û„‡ﬂ ÔÂÒÌﬂ ËÎË ‰Û„ÓÈ ÂÊËÏ ÔÓ‚ÚÓ‡. ùÚÓÚ ÊÂ Û˜‡ÒÚÓÍ ·Û‰ÂÚ
ÔÓ‚ÚÓﬂÚ¸Òﬂ ÒÍÓÎ¸ÍÓ Û„Ó‰ÌÓ ‡Á ÔÓ ‚‡¯ÂÏÛ ÊÂÎ‡ÌË˛, ÂÒÎË ‚˚
‚ÓÒÔÓÎ¸ÁÛÂÚÂÒ¸ ÍÌÓÔÍÓÈ [PLAY/STOP].
Ç˚ ÏÓÊÂÚÂ ÓÚÏÂÌËÚ¸ ÚÓ˜ÍË A Ë B, Ì‡Ê‡‚ ÍÌÓÔÍÛ A ➔. ç‡Ê‡‚ ÍÌÓÔÍÛ B,
‚˚ ÓÚÏÂÌËÚÂ ÚÓÎ¸ÍÓ ÚÓ˜ÍÛ B. èÓÒÎÂ ˝ÚÓ„Ó ÏÓÊÌÓ Ì‡ÁÌ‡˜ËÚ¸ ‚ÌÛÚË ÔÂÒÌË
‰Û„ËÂ ÚÓ˜ÍË A Ë B.
BÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÔecÌË
SONG CONTROL
SONG
PLAY/
STOP
REC
PAUSE
REW
FF
■ è‡ÛÁ‡ .................................................................................................
ÖÒÎË ‚˚ ıÓÚËÚÂ Ì‡ ‚ÂÏﬂ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [PAUSE]. ÑÎﬂ ÔÓ‰ÓÎÊÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË Ò ÚÓÈ ÊÂ ÚÓ˜ÍË
ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PAUSE] ËÎË [PLAY/STOP].
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÍÌÓÔÍË [REW] ÏÓÊÂÚ ‚˚Á‚‡Ú¸
ËÁÏÂÌÂÌËÂ ÚÂÏ·‡, ÚÂÏÔ‡ Ë/ËÎË „ÓÏÍÓÒÚË.
■ èÂÂÏÓÚÍ‡ ...............................................................................................................................................
101
ÑÎﬂ ÔÂÂÏÓÚÍË ÔÂÒÌË Ì‡Á‡‰ ËÎË ‚ÔÂÂ‰ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REW] ËÎË
[FF], ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
•
äÓ„‰‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÚ‡ÌÓ‚ÎÂÌÓ ËÎË Ì‡ıÓ‰ËÚÒﬂ ‚ ÂÊËÏÂ Ô‡ÛÁ˚,
ÍÌÓÔÍ‡ÏË [REW] Ë [FF] ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÔÂÂÏÂ˘ÂÌËﬂ ‚ÌÛÚË
ÔÂÒÌË Ì‡Á‡‰ ËÎË ‚ÔÂÂ‰ Ì‡ Ó‰ËÌ Ú‡ÍÚ. ÖÒÎË Ì‡Ê‡Ú¸ Ë Û‰ÂÊË‚‡Ú¸ Ó‰ÌÛ
ËÁ ˝ÚËı ÍÌÓÔÓÍ, ÏÓÊÌÓ ÔÂÂÏÂ˘‡Ú¸Òﬂ ‚ÌÛÚË ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ
Ì‡Ô‡‚ÎÂÌËË.
•
ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ [REW] ËÎË [FF] ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ,
˝ÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ·˚ÒÚÓ ÔÂÂÏÂÒÚËÚ¸Òﬂ ‚ÔÂÂ‰ ËÎË Ì‡Á‡‰ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ‰ÓÎ„Ó ‚˚ ·Û‰ÂÚÂ Û‰ÂÊË‚‡Ú¸ ÍÌÓÔÍÛ. èÓÍ‡
Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ [REW], Á‚ÛÍ‡ ÌÂ ·Û‰ÂÚ ÒÎ˚¯ÌÓ.
CVP-202
103
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÑÛ„ËÂ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ
■ ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ ............................................
ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-202 ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÎÂ‰Û˛˘ËÂ
ÚËÔ˚ ‰‡ÌÌ˚ı.
èêàåÖóÄçàÖ
îÛÌÍˆË˛ Lyric Display (ÒÚ. 109) ÌÂÎ¸Áﬂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚
ÙÓÏ‡ÚÂ 1 SMF.
• ÙÓÏ‡Ú˚ ÒÂÍ‚ÂÌˆËË: SMF (ÙÓÏ‡Ú˚ 0 Ë 1), ESEQ
• îÓÏ‡Ú˚ ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ëÚ‡Ì‰‡Ú GM System Level 1, XG, DOC
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÙÓÏ‡Ú‡ı ÒÂÍ‚ÂÌˆËË Ë ÙÓÏ‡Ú‡ı
‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ÒÏ. ‚ ‡Á‰ÂÎÂ «ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë
‰‡ÌÌ˚ı» (ÒÚ. 172).
ÇÌÛÚÂÌÌËÈ ÚÓÌ-„ÂÌÂ‡ÚÓ ÔË‡ÌËÌÓ CVP-202 ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Ò·‡Ò˚‚‡ÂÚ ‚ÒÂ Ì‡ÒÚÓÈÍË ‰Îﬂ ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò ÙÓÏ‡ÚÓÏ XG ÍÓÔÓ‡ˆËË
Yamaha (‚ÍÎ˛˜‡ﬂ ÒÚ‡Ì‰‡Ú GM System Level 1) ËÎË ÙÓÏ‡ÚÓÏ
‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ Yamaha DOC (ÒÚ. 172), ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡
‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ‰‡ÌÌ˚ı. (èË ˝ÚÓÏ ‚˚·‡ÌÌÓÂ ‡ÒÔÂ‰ÂÎÂÌËÂ ÚÂÏ·Ó‚
Ì‡ Ô‡ÌÂÎË ÌÂ ·Û‰ÂÚ ÏÂÌﬂÚ¸Òﬂ.)
■ èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı .............................................
èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ˆËÙÓ‚˚ı ÔË‡ÌËÌÓ ÏÓ‰ÂÎÂÈ Clavinova, ÓÚÎË˜Ì˚ı
ÓÚ CVP-202, Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ò ÚÂÏË ÊÂ ÚÂÏ·‡ÏË, ıÓÚﬂ ·‡Î‡ÌÒ
„ÓÏÍÓÒÚË ÏÓÊÂÚ ÒÎÂ„Í‡ ÓÚÎË˜‡Ú¸Òﬂ. ÇÏÂÒÚÂ Ò ÚÂÏ, Á‡ÔËÒË, Ò‰ÂÎ‡ÌÌ˚Â Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Auto Accompaniment Ì‡ ÏÓ‰ÂÎË CVP-50/70, ·Û‰ÛÚ
Á‚Û˜‡Ú¸ ÔÓ-‰Û„ÓÏÛ.
åÓÊÌÓ Ú‡ÍÊÂ ÔÓË„˚‚‡Ú¸ Á‡ÔËÒË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ Yamaha Disklavier.
CVP-202
102
104
èêàåÖóÄçàÖ
çÂÁ‡‚ËÒËÏÓ ÓÚ ÚËÔ‡ èé, ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÚÓÎ¸ÍÓ ÒÎÂ‰Û˛˘ËÂ ÙÓÏ‡Ú˚ ‰ËÒÍÂÚ: 3,5‰˛ÈÏÓ‚˚Â ‰ËÒÍÂÚ˚ 2DD ÂÏÍÓÒÚ¸˛ 720 ä· Ë
3,5-‰˛ÈÏÓ‚˚Â ‰ËÒÍÂÚ˚ 2HD ÂÏÍÓÒÚ¸˛ 1,44 å·.
○
ìÔ‡‚ÎÂÌËÂ Ó·Û˜ÂÌËÂÏ
(ÙÛÌÍˆËﬂ Guide)
○○○○○○○○○○○○○○○○○○○
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ËÏÂÂÚÒﬂ ÒÔÂˆË‡Î¸Ì‡ﬂ Ó·Û˜‡˛˘‡ﬂ ÙÛÌÍˆËﬂ
Guide, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓÈ ÏÓÊÌÓ ÛÔ‡ÊÌﬂÚ¸Òﬂ ‚ Ë„Â ÔË Ì‡ÎË˜ËË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó èé Ì‡ ‰ËÒÍÂÚÂ. Ç˚‚Ó‰ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ Ì‡ ˝Í‡Ì Ë
‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÔÓÏÓ„‡˛Ú ÓÔÂ‰ÂÎËÚ¸, Í‡ÍËÂ
ÌÓÚ˚ Ë ÍÓ„‰‡ ÒÎÂ‰ÛÂÚ Ë„‡Ú¸. Ç˚ ÏÓÊÂÚÂ Ë„‡Ú¸ ‚ Ò‚ÓÂÏ ÒÓ·ÒÚ‚ÂÌÌÓÏ
ÚÂÏÔÂ, ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ ‰ÂÎ‡Ú¸ Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÔÓÍ‡ ‚˚
ÌÂ Ò˚„‡ÂÚÂ ÌÛÊÌ˚Â ÌÓÚ˚. (Ç˚ ÏÓÊÂÚÂ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ Ò Ó·Û˜‡˛˘ÂÈ ÙÛÌÍˆËÂÈ
Guide, Ì‡Ê‡‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË «4. GUIDE Demo» ‚ ÂÊËÏÂ Demo.)
GUIDE CONTROL
VOLUME
MASTER
VOLUME
MAX
CONTRAST
STYLE
ACMP/SONG
VOLUME
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
PLAY/
STOP
SONG
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
SYNTH.
XG
DUAL
REVERB
BEAT
MAX
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SPLIT
EASY PLAY
NEXT NOTE
SOUND
REPEAT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
MIN
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
MIN
EASY PLAY
NEXT NOTE
SOUND
REPEAT
REGISTRATION/
1
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚
åÂÚÓ‰˚ Ó·Û˜ÂÌËﬂ Ë ‚˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll)
èË‡ÌËÌÓ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚ Ó·Û˜ÂÌËﬂ,
‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯Ëı Ì‡‚˚ÍÓ‚ Ë ÔÂ‰ÔÓ˜ÚÂÌËÈ. ç‡˜ËÌ‡˛˘ËÏ
ÏÛÁ˚Í‡ÌÚ‡Ï ÂÍÓÏÂÌ‰ÛÂÚÒﬂ Ì‡˜‡Ú¸ Ò ÏÂÚÓ‰‡ Easy Play, Á‡ÚÂÏ ÔÂÂÈÚË Í
ÏÂÚÓ‰Û Next Note Ë Á‡ÚÂÏ Í ÏÂÚÓ‰Û Sound Repeat.
èêàåÖóÄçàÖ
«FOLLOW LIGHTS» Ë «CueTIME» ÒÎÂ‰ÛÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔË Ó·Û˜ÂÌËË ÔÓ ÏÂÚÓ‰Û Next
Note. ä ÏÂÚÓ‰‡Ï Easy Play Ë Sound Repeat ˝ÚÓ
ÌÂÔËÏÂÌËÏÓ.
GUIDE CONTROL
EASY PLAY
NEXT NOTE
SOUND
REPEAT
■ íÂÌËÓ‚Í‡ ËÚÏË˜ÌÓÒÚË Ë„˚: Easy Play ....................................................
èÓÒÍÓÎ¸ÍÛ ÏÂÚÓ‰ Easy Play ÔÂ‰ÔÓÎ‡„‡ÂÚ, ˜ÚÓ ‚˚ Ó·Û˜‡ÂÚÂÒ¸ ÚÓÎ¸ÍÓ
Ë„Â ‚ ÌÛÊÌÓÏ ËÚÏÂ, ‚˚ ÏÓÊÂÚÂ Ë„‡Ú¸ ‚ Î˛·ÓÏ ÏÂÒÚÂ ÍÎ‡‚Ë‡ÚÛ˚. ÖÒÎË
‚˚ Ë„‡ÂÚÂ ‚ Ô‡‚ËÎ¸ÌÓÏ ËÚÏÂ, ÏÂÎÓ‰Ëﬂ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÔÎ‡‚ÌÓ. (èË ˝ÚÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ.)
■ é·Û˜ÂÌËÂ ÔÓ ÏÂÚÓ‰Û: Next Note ...................................................................................
103
åÂÚÓ‰ Next Note ÔÓÁ‚ÓÎﬂÂÚ Û‚Ë‰ÂÚ¸, Í‡ÍÛ˛ ÍÎ‡‚Ë¯Û ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸, Ò
ÔÓÏÓ˘¸˛ ‡Á‚ÂÚÍË ÌÓÚ Ì‡ ˝Í‡ÌÂ Ë ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚ı ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ. Ç˚ ÏÓÊÂÚÂ Ë„‡Ú¸ ‚ Ò‚ÓÂÏ ÒÓ·ÒÚ‚ÂÌÌÓÏ ÚÂÏÔÂ, ÔË‡ÌËÌÓ
Clavinova ·Û‰ÂÚ ‰ÂÎ‡Ú¸ Ô‡ÛÁ˚ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÔÓÍ‡ ‚˚ ÌÂ Ò˚„‡ÂÚÂ
ÌÛÊÌÛ˛ ÌÓÚÛ.
ÇÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÔÓ‰ÒÍ‡ÊÛÚ ÌÛÊÌ˚È ËÚÏ
‰Îﬂ Ë„˚: ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÏÓÏÂÌÚ ÓÌË Ì‡˜ËÌ‡˛Ú ÏË„‡Ú¸.
èêàåÖóÄçàÖ
ÖÒÎË ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚ ÌÂ
ÏË„‡˛Ú...
çÂÍÓÚÓ˚Â ÔÂÒÌË, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÚÓ‰‡
Ë„˚, ÏÓ„ÛÚ ÌÂ ÒÓÔÓ‚ÓÊ‰‡Ú¸Òﬂ ÏË„‡ÌËÂÏ
ËÌ‰ËÍ‡ÚÓÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚÂ
ÔÂÂÍÎ˛˜ËÚ¸Òﬂ Ì‡ ÏÂÚÓ‰ Next Note Ë
ËÌ‰ËÍ‡ÚÓ˚ Ì‡˜ÌÛÚ ÏË„‡Ú¸. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÒÏ. ‚ ‡Á‰ÂÎÂ «ÑÛ„ËÂ Ó·Û˜‡˛˘ËÂ
ÙÛÌÍˆËË» Ì‡ ÒÚ. 108.
ÖÒÎË ËÌ‰ËÍ‡ÚÓ˚ Ë ‡Á‚ÂÚÍ‡ ÌÓÚ
Ú‡ÌÒÔÓÌËÓ‚‡Ì˚ ‚‚Âı ËÎË ‚ÌËÁ...
ÑÎﬂ ÌÂÍÓÚÓ˚ı ÔÂÒÂÌ ËÌ‰ËÍ‡ÚÓ˚ Ë ‡Á‚ÂÚÍ‡
ÌÓÚ ÏÓ„ÛÚ ÔÓÍ‡Á˚‚‡Ú¸ ÌÓÚ˚ Ì‡ Ó‰ÌÛ ËÎË ‰‚Â
ÓÍÚ‡‚˚ ‚˚¯Â ËÎË ÌËÊÂ. çÓÚ˚, ‚˚ıÓ‰ﬂ˘ËÂ Á‡
ÔÂ‰ÂÎ˚ ‰Ë‡Ô‡ÁÓÌ‡ ÍÎ‡‚Ë‡ÚÛ˚ ËÁ 88 ÍÎ‡‚Ë¯,
ÌÂ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ ËÌ‰ËÍ‡ÚÓ‡ÏË Ë
‡Á‚ÂÚÍÓÈ Ì‡ ˝Í‡ÌÂ.
CVP-202
105
ìÔ‡‚ÎÂÌËÂ Ó·Û˜ÂÌËÂÏ (ÙÛÌÍˆËﬂ Guide)
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ à„‡ «î‡Á‡ Á‡ Ù‡ÁÓÈ»: ÏÂÚÓ‰ Sound Repeat .......................................
èË ÏÂÚÓ‰Â Ó·Û˜ÂÌËﬂ Sound Repeat ÔË‡ÌËÌÓ Clavinova ‚ÓÒÔÓËÁ‚Ó‰ËÚ
ÍÓÓÚÍÛ˛ ÏÛÁ˚Í‡Î¸ÌÛ˛ Ù‡ÁÛ. èÓÒÎÛ¯‡ÈÚÂ ÂÂ Ë ÔÓÔÓ·ÛÈÚÂ Ò˚„‡Ú¸.
ä‡Í ÚÓÎ¸ÍÓ ‚˚ ÂÂ Ò˚„‡ÂÚÂ Ô‡‚ËÎ¸ÌÓ, ÔË‡ÌËÌÓ Clavinova
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÓÒÔÓËÁ‚Â‰ÂÚ ÒÎÂ‰Û˛˘Û˛ Ù‡ÁÛ.
èêàåÖóÄçàÖ
óËÒÎÓ ÔÓ‚ÚÓÂÌËÈ
ç‡ ˝Í‡ÌÂ SONG PLAY [GUIDE MODE]
(ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡) ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸,
ÒÍÓÎ¸ÍÓ ‡Á ‰ÓÎÊÌ‡ ·˚Ú¸ Ò˚„‡Ì‡ Ù‡Á‡. (ëÏ.
ÒÚ. 109.)
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸
ËÎË ‚˚ÍÎ˛˜ËÚ¸ Ì‡ ˝Í‡ÌÂ SONG PLAY [GUIDE
MODE] (ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.)
● Ç˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì (Piano Roll)
ÑÎﬂ ÓÚÓ·‡ÊÂÌËﬂ ‡Á‚ÂÚÍË ÌÓÚ Ì‡ ˝Í‡ÌÂ Ì‡ÊÏËÚÂ Î˛·Û˛ ÍÌÓÔÍÛ
GUIDE CONTROL, ‡ Á‡ÚÂÏ [PLAY/STOP], ˜ÚÓ·˚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÔÓÎÓÒÍ‡, ‰ÎËÌ‡ ÍÓÚÓÓÈ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰ÎËÚÂÎ¸ÌÓÒÚË
ÌÓÚ˚. ùÚË ÔÓÎÓÒÍË «ÔÓÍÛ˜Ë‚‡˛ÚÒﬂ» Ì‡ ˝Í‡ÌÂ Ò‚ÂıÛ ‚ÌËÁ. Ç˚ ‰ÓÎÊÌ˚
Ò˚„‡Ú¸ ÌÓÚÛ ‚ ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ÔÓÎÓÒÍ‡ ‰ÓÈ‰ÂÚ ‰Ó ÌËÊÌÂ„Ó Í‡ﬂ ˝Í‡Ì‡.
óÚÓ·˚ Ò˚„‡Ú¸ ÌÓÚÛ ÌÛÊÌÓÈ ‰ÎËÚÂÎ¸ÌÓÒÚË, Û‰ÂÊË‚‡ÈÚÂ ÂÂ, ÔÓÍ‡ ÔÓÎÓÒÍ‡
‚Ë‰Ì‡ Ì‡ ˝Í‡ÌÂ.
èêàåÖóÄçàÖ
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ‚˚‚Ó‰‡ ÌÓÚ Ì‡
˝Í‡Ì (Piano Roll ON/OFF)
Ç˚‚Ó‰ ÌÓÚ ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸
Ì‡ ˝Í‡ÌÂ SONG PLAY [GUIDE MODE]
(ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡). (ëÏ. ÒÚ. 109.)
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ó·Û˜‡˛˘ÂÈ ÙÛÌÍˆËË Guide
Z ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ·Û‰ÂÚÂ ‡ÁÛ˜Ë‚‡Ú¸. .......................
èÂÂ‰ ‚˚ÁÓ‚ÓÏ Ó·Û˜‡˛˘ÂÈ ÙÛÌÍˆËË Guide Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡
‚ÒÚ‡‚ÎÂÌ‡ ‚ ‰ËÒÍÓ‚Ó‰.
èêàåÖóÄçàÖ
èÂÂ‰ ÛÔ‡ÊÌÂÌËÂÏ
èÂÂ‰ Ì‡˜‡ÎÓÏ ÛÔ‡ÊÌÂÌËÈ ‚ÌËÏ‡ÚÂÎ¸ÌÓ
ÔÓÒÎÛ¯‡ÈÚÂ ÔÓÎÌÛ˛ Á‡ÔËÒ¸ ÔÂÒÌË (‚ÍÎ˛˜‡ﬂ
Ô‡ÚË˛, ÍÓÚÓÛ˛ ‚˚ ÒÓ·Ë‡ÂÚÂÒ¸ Ë„‡Ú¸).
ÅÎ‡„Ó‰‡ﬂ ˝ÚÓÏÛ ‚˚ ÔÓÎÛ˜ËÚÂ ﬂÒÌÓÂ
ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó ÚÓÏ, Í‡Í ‰ÓÎÊÌ‡ Á‚Û˜‡Ú¸
ÔÂÒÌﬂ, Ë ÒÏÓÊÂÚÂ ÔÓÒÚÂÔÂÌÌÓ ÛÎÛ˜¯‡Ú¸ Ò‚Ó˛
Ë„Û.
èêàåÖóÄçàÖ
➾ Ç˚·ÂËÚÂ ÔÂÒÌ˛ Ë Ì‡ ˝Í‡ÌÂ SONG PLAY [MAIN] (ÒÚ‡ÌËˆ‡ 1 ˝Í‡Ì‡)
ÓÚÍÎ˛˜ËÚÂ Ô‡ÚË˛, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ Ë„‡Ú¸ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ.
CVP-202
104
106
Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ÓÚÍÎ˛˜ÂÌËÂ Ô‡ÚËË
(Auto Part Cancel)
ÖÒÎË ‚ÍÎ˛˜ËÚ¸ Ó·Û˜‡˛˘Û˛ ÙÛÌÍˆË˛ Guide, ÌÂ
ÛÍ‡Á‡‚ Ô‡ÚË˛ ‰Îﬂ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓÈ Ë„˚,
·Û‰ÂÚ ‚˚·‡Ì‡ Ô‡ÚËﬂ 1/RIGHT (ËÎË Ô‡ÚËﬂ 2/
LEFT, ÂÒÎË ‚ Ô‡ÚËË 1/RIGHT ÓÚÒÛÚÒÚ‚Û˛Ú
‰‡ÌÌ˚Â). ÖÒÎË ÓÚÍÎ˛˜ËÚ¸ Ô‡ÚË˛ ‰Ó
‚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË Guide, ˝Ú‡ Ì‡ÒÚÓÈÍ‡
ÒÓı‡ÌËÚÒﬂ, ÔÓÍ‡ ‚˚ ÌÂ ÔÂÂÈ‰ÂÚÂ Í ‰Û„ÓÈ
ÔÂÒÌÂ.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ìÔ‡‚ÎÂÌËÂ
Ó·Û˜ÂÌËÂÏ (ÙÛÌÍˆËﬂ Guide)
X Ç˚·Ó ÏÂÚÓ‰‡ Ó·Û˜ÂÌËﬂ. .....................................................................................................
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL: [EASY PLAY], [NEXT NOTE]
ËÎË [SOUND REPEAT].
GUIDE CONTROL
EASY PLAY
NEXT NOTE
èêàåÖóÄçàÖ
Ç˚ÍÎ˛˜ÂÌËÂ ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚ı
ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ÇÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ Ì‡ ˝Í‡ÌÂ
SONG PLAY [GUIDE MODE]. (ëÏ. ÒÚ. 109.)
SOUND
REPEAT
èêàåÖóÄçàÖ
ÖÒÎË ÍÌÓÔÍË GUIDE CONTROL ÌÂ
‚ÍÎ˛˜‡˛ÚÒﬂ...
äÌÓÔÍ‡ÏË GUIDE CONTROL ÏÓÊÌÓ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÚÓÎ¸ÍÓ ‚ ÂÊËÏÂ Song Play ËÎË ‚
ÂÊËÏÂ Demo, ÍÓ„‰‡ ‚˚·‡Ì‡
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ‡ﬂ ÔÂÒÌﬂ «4. GUIDE Demo».
çÂÎ¸Áﬂ ‚˚·‡Ú¸ ·ÓÎ¸¯Â Ó‰ÌÓ„Ó Ó·Û˜‡˛˘Â„Ó
ÂÊËÏ‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
➔ á‡„ÓËÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ.
C ê‡ÁÛ˜Ë‚‡ÌËÂ Ô‡ÚËË. .................................................................................................................
óÚÓ·˚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ èÓﬂ‚ËÚÒﬂ ‡Á‚ÂÚÍ‡ ÌÓÚ Ì‡ ˝Í‡ÌÂ. à„‡ÈÚÂ ‚ÏÂÒÚÂ Ò ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
SONG CONTROL
SONG
PLAY/
STOP
èêàåÖóÄçàÖ
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ‚˚‚Ó‰‡ ÌÓÚ Ì‡
˝Í‡Ì
Ç˚‚Ó‰ ÌÓÚ ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ Ì‡
˝Í‡ÌÂ SONG PLAY [GUIDE MODE] (ÒÚ‡ÌËˆ‡ 5
˝Í‡Ì‡). (ëÏ. ÒÚ. 109.)
REC
èêàåÖóÄçàÖ
Ç ÂÊËÏÂ EASY PLAY ‚ÒÂ„‰‡ Á‚Û˜ËÚ
Ô‡‚ËÎ¸Ì‡ﬂ ÏÂÎÓ‰Ëﬂ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó,
Í‡ÍËÂ ÌÓÚ˚ ‚˚ Ë„‡ÂÚÂ.
èêàåÖóÄçàÖ
ÇÓ ‚ÂÏﬂ Ë„˚ ÏÓÊÌÓ ÔÂÂÈÚË Í ‰Û„ÓÏÛ
ÏÂÚÓ‰Û Ó·Û˜ÂÌËﬂ. çÓ ÂÒÎË ‚ ÔÓÎÂ GUIDE MODE
Ì‡ ˝Í‡ÌÂ SONG PLAY [GUIDE MODE]
(ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡) ÒÚÓËÚ ÓÚÏÂÚÍ‡ SPECIAL, ÚÓ
‰Îﬂ Ú‡ÍÓÈ ÔÂÒÌË ÌÂÎ¸Áﬂ ËÁÏÂÌËÚ¸ ÏÂÚÓ‰
Ó·Û˜ÂÌËﬂ.
èêàåÖóÄçàÖ
Ç ÏÂÚÓ‰‡ı Next Note Ë Sound Repeat ÌÂÎ¸Áﬂ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍÓÈ [PAUSE].
V ä‡Í Á‡ÍÓÌ˜ËÚ¸ ÛÓÍ. ...................................................................................................................
é·Û˜‡˛˘‡ﬂ ÙÛÌÍˆËﬂ Guide ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚ÍÎ˛˜‡ÂÚÒﬂ, ÍÓ„‰‡ ÔÂÒÌﬂ
Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP] Ú‡ÍÊÂ ÏÓÊÌÓ ÓÒÚ‡ÌÓ‚ËÚ¸
ÔÂÒÌ˛.
ÑÎﬂ ÓÚÍÎ˛˜ÂÌËﬂ Ó·Û˜‡˛˘ÂÈ ÙÛÌÍˆËË Guide Ì‡ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ: [EASY PLAY], [NEXT NOTE] ËÎË
[SOUND REPEAT] - Ú‡Í, ˜ÚÓ·˚ ÔÓ„‡Ò ËÌ‰ËÍ‡ÚÓ.
èêàåÖóÄçàÖ
• ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË
‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ Á‡„Ó‡˛ÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÌÓÚ‡ÏË ‚ Ô‡ÚËﬂı 1/RIGHT Ë 2/LEFT, ‰‡ÊÂ
ÂÒÎË ÙÛÌÍˆËﬂ Guide ÓÚÍÎ˛˜ÂÌ‡, ÌÓ ˝ÚÓ
ÚÓÎ¸ÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ÍÌÓÔÍ‡ LAMP ÌÂ
ÓÚÍÎ˛˜ÂÌ‡ Ì‡ ˝Í‡ÌÂ SONG PLAY [GUIDE
MODE]. ÇÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚
ÔÓÍ‡Á˚‚‡˛Ú ÌÓÚ˚, ÍÓÚÓ˚Â ÌÛÊÌÓ Ë„‡Ú¸ ‚
Ô‡ÚËﬂı 1/RIGHT Ë 2/LEFT, ÂÒÎË Ó·Â ˝ÚË
Ô‡ÚËË Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÍÎ˛˜ÂÌ˚ ËÎË
‚˚ÍÎ˛˜ÂÌ˚. ÖÒÎË ‚˚ÍÎ˛˜ÂÌ‡ ÚÓÎ¸ÍÓ Ó‰Ì‡
ËÁ ˝ÚËı Ô‡ÚËÈ, ËÌ‰ËÍ‡ÚÓ˚ ÔÓÍ‡Á˚‚‡˛Ú
ÌÓÚ˚ ÚÓÈ Ô‡ÚËË, ÍÓÚÓ‡ﬂ ÓÚÍÎ˛˜ÂÌ‡.
105
• ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ
‚˚·Ë‡Ú¸ Ô‡ÚË˛ ‰Îﬂ ÛÔ‡ÊÌÂÌËﬂ,
‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ‡Á‚ÂÚÍÛ ÌÓÚ Ë
‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚Â ËÌ‰ËÍ‡ÚÓ˚, ‡ Ú‡ÍÊÂ
‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ Ò‡ÏÛ Ó·Û˜‡˛˘Û˛
ÙÛÌÍˆË˛ Guide.
CVP-202
107
ìÔ‡‚ÎÂÌËÂ Ó·Û˜ÂÌËÂÏ (ÙÛÌÍˆËﬂ Guide)
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
èêàåÖóÄçàÖ
• èÓÒÎÂ ‚˚·Ó‡ ÔÂÒÌË ÏÓÊÌÓ Á‡‰‡Ú¸ Î˛·ÓÈ
ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [–] Ë [+].
• ÖÒÎË ÏÛÁ˚Í‡Î¸Ì˚Â ÔËÎÓÊÂÌËﬂ ÌÂ
ÔÓÁ‚ÓÎﬂ˛Ú ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÂÁ‡‚ËÒËÏÓ
Ô‡ÚËË Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË, ÙÛÌÍˆËﬂ Guide
ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÌÂ ‚ÔÓÎÌÂ Ô‡‚ËÎ¸ÌÓ.
• èÓÒÍÓÎ¸ÍÛ Û˜Â·Ì˚Â Ù‡Á˚, ÍÓÚÓ˚Â
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‚ ÏÂÚÓ‰Â Sound Repeat,
ÓÔÂ‰ÂÎﬂ˛ÚÒﬂ ÔË‡ÌËÌÓ Clavinova
‡‚ÚÓÏ‡ÚË˜ÂÒÍË, ÓÌË ÏÓ„ÛÚ ÌÂ ‚ÔÓÎÌÂ
ÒÓ‚Ô‡‰‡Ú¸ Ò Â‡Î¸Ì˚ÏË ÏÛÁ˚Í‡Î¸Ì˚ÏË
Ù‡Á‡ÏË. î‡Á˚ ÏÓ„ÛÚ ‰ÂÎ‡Ú¸Òﬂ ÍÓÓ˜Â,
ÂÒÎË ÙÛÌÍˆËﬂ Guide ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ
Ô‡ÚËÈ Ë ÎÂ‚ÓÈ, Ë Ô‡‚ÓÈ ÛÍË.
ÑÛ„ËÂ Ó·Û˜‡˛˘ËÂ ÙÛÌÍˆËË
ç‡ÒÚÓÈÍË ÙÛÌÍˆËÈ Guide ÏÓÊÌÓ Á‡‰‡Ú¸ Ì‡ ˝Í‡ÌÂ SONG PLAY [GUIDE
MODE] (ÒÚ‡ÌËˆ‡ 5 ˝Í‡Ì‡).
■ îÛÌÍˆËﬂ GUIDE MODE ...................................................................
é·˚˜ÌÓÈ Ì‡ÒÚÓÈÍÓÈ ÙÛÌÍˆËË GUIDE MODE Ì‡ ˝Í‡ÌÂ SONG PLAY
[GUIDE MODE] ﬂ‚ÎﬂÂÚÒﬂ NORMAL. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË GUIDE MODE
ÏÓÊÌÓ ÔÂÂÈÚË Í Ì‡ÒÚÓÈÍÂ ENSEMBLE; Ô‡ÚË˛, ÍÓÚÓ‡ﬂ ·˚Î‡
ËÒÍÎ˛˜ÂÌ‡ Ô‡‡ÏÂÚÓÏ Part Cancel Ì‡ ˝Í‡ÌÂ SONG PLAY [MAIN]
(ÒÚ‡ÌËˆ‡ 1˝Í‡Ì‡), ÏÓÊÌÓ ÚÂÔÂ¸ Ë„‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Part Cancel,
‡ ‰Û„Û˛ Ô‡ÚË˛ (ÌÂ ËÒÍÎ˛˜ÂÌÌÛ˛ Ô‡‡ÏÂÚÓÏ Part Cancel) ÏÓÊÌÓ Ë„‡Ú¸
Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Easy Play.
ÖÒÎË ‚˚·‡Ì ÏÂÚÓ‰ Next Note Ë Ì‡ ˝Í‡ÌÂ GUIDE MODE Á‡„ÓÂÎ‡Ò¸
Ì‡‰ÔËÒ¸ SPECIAL, ÔÂÒÌﬂ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÓ ÒÔÂˆË‡Î¸ÌÓÏÛ
Ó·Û˜‡˛˘ÂÏÛ ÏÂÚÓ‰Û. óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÌÓÏ‡Î¸ÌÓÏÛ ÂÊËÏÛ Next Note,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ GUIDE MODE. ç‡ ˝Í‡ÌÂ ‰ÓÎÊÌ‡ Á‡„ÓÂÚ¸Òﬂ Ì‡‰ÔËÒ¸
NORMAL.
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ, ·Û‰ÛÚ
Ú‡ÍÊÂ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ‰Îﬂ ÙÛÌÍˆËË Guide ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÔÂÒÌË «4. GUIDE Demo» ‚ ÂÊËÏÂ Demo.
èêàåÖóÄçàÖ
• Ç ÂÊËÏÂ ENSEMBLE ÏÓÊÌÓ Ë„‡Ú¸ ÚÓÎ¸ÍÓ
ÚÂ ÔÂÒÌË, ÍÓÚÓ˚Â ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚Â ‰Îﬂ
Ó·ÂËı Ô‡ÚËÈ [1/RIGHT] Ë [2/LEFT].
• êÂÊËÏ ENSEMBLE ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ò
ÏÂÚÓ‰ÓÏ Next Note Ë Sound Repeat.
• ç‡ÒÚÓÈÍÛ ÙÛÌÍˆËË GUIDE MODE ÏÓÊÌÓ
ÏÂÌﬂÚ¸ ÚÓÎ¸ÍÓ ‰Ó Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÔÂÒÌË.
èêàåÖóÄçàÖ
• èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÌÂÍÓÚÓ˚ı ÚËÔÓ‚
ÔÂÒÂÌ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡„Ó‡ÂÚÒﬂ Ì‡‰ÔËÒ¸
SPECIAL. èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ‰Û„Ëı
ÔÂÒÂÌ, ÍÓÚÓ˚Â ÌÂ ÔÓ‰ıÓ‰ﬂÚ ‰Îﬂ
ÒÔÂˆË‡Î¸ÌÓ„Ó Ó·Û˜‡˛˘Â„Ó ÂÊËÏ‡, Ì‡‰ÔËÒ¸
SPECIAL ÌÂ ÔÓﬂ‚ËÚÒﬂ, ‰‡ÊÂ ÂÒÎË Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ GUIDE MODE.
• åÂÚÓ‰˚ Easy Play Ë Sound Repeat ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰‡ÊÂ ‚ ÂÊËÏÂ SPECIAL.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ GUIDE MODE
• ç‡ÒÚÓÈÍË: NORMAL, ENSEMBLE,
(SPECIAL)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: NORMAL ËÎË SPECIAL
(‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÔÂÒÌË)
CVP-202
106
108
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ìÔ‡‚ÎÂÌËÂ
■ ç‡ÒÚÓÈÍ‡ ˜ËÒÎ‡ ÔÓ‚ÚÓÓ‚ (Sound Repeat Number) ......................
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ˜ËÒÎ‡ ÔÓ‚ÚÓÓ‚ Ù‡Á˚ ‚ ÂÊËÏÂ Sound Repeat
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SOUND REPEAT. èË ÛÒÚ‡ÌÓ‚ÍÂ Ô‡‡ÏÂÚ‡ AUTO
ÔÓ‚ÚÓﬂ˛ÚÒﬂ ÚÓÎ¸ÍÓ ÚÂ Ù‡Á˚, ÍÓÚÓ˚Â ·˚ÎË Ò˚„‡Ì˚ ÌÂÔ‡‚ËÎ¸ÌÓ;
Ó·Û˜‡˛˘‡ﬂ ÙÛÌÍˆËﬂ Guide ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÂÍÎ˛˜‡ÂÚÒﬂ Ì‡
ÒÎÂ‰Û˛˘Û˛ Ù‡ÁÛ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ÔÂ‰˚‰Û˘‡ﬂ ·˚Î‡ Ò˚„‡Ì‡
Ô‡‚ËÎ¸ÌÓ.
■ ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ˝Í‡Ì‡ Ò ÚÂÍÒÚ‡ÏË ÔÂÒÂÌ
(Lyric Display ON/OFF) ...........................................................................................................
ÑÎﬂ ‚˚ÍÎ˛˜ÂÌËﬂ (OFF) ˝Í‡Ì‡ Ò ÚÂÍÒÚ‡ÏË ÔÂÒÂÌ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
LYRICS.
Ó·Û˜ÂÌËÂÏ (ÙÛÌÍˆËﬂ Guide)
èêàåÖóÄçàÖ
SOUND REPEAT
• ç‡ÒÚÓÈÍË: AUTO, 2 — 10
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: AUTO
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍÛ ÙÛÌÍˆËË SOUND REPEAT ÏÓÊÌÓ
ÏÂÌﬂÚ¸ ÚÓÎ¸ÍÓ ‰Ó Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.
èêàåÖóÄçàÖ
LYRICS (ÚÂÍÒÚ ÔÂÒÌË)
• ç‡ÒÚÓÈÍ‡: ON, OFF (‚ÍÎ./‚˚ÍÎ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: ON
èêàåÖóÄçàÖ
• îÛÌÍˆË˛ Lyric Display ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ
ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÙÓÏ‡ÚÂ 1 SMF.
• ÖÒÎË Û ÔÂÒÌË ÌÂÚ ÒÓÔÓ‚ÓÊ‰‡˛˘Ëı ÂÂ ÒÎÓ‚,
ÔË ÔÓÎ¸ÁÓ‚‡ÌËË ÙÛÌÍˆËÂÈ LYRICS ÔÓﬂ‚ﬂÚÒﬂ
ÔÓ˜ÂÍË (- - -). èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË Ú‡ÍËı
ÔÂÒÂÌ ÙÛÌÍˆËﬂ LYRICS ÌÂ ‡·ÓÚ‡ÂÚ.
■ ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ‚˚‚Ó‰‡ ÌÓÚ Ì‡ ˝Í‡Ì
(Piano Roll ON/OFF) ..................................................................................................................
Ç˚‚Ó‰ ÌÓÚ Ì‡ ˝Í‡Ì ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË PIANO ROLL. Ç ÂÊËÏÂ AUTO ‡Á‚ÂÚÍ‡ ÌÓÚ ‚ÍÎ˛˜‡ÂÚÒﬂ
Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ GUIDE CONTROL. ÖÒÎË ˝Ú‡ ÙÛÌÍˆËﬂ ‚ÍÎ˛˜ÂÌ‡ (ON), ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÌÓÚ˚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì; ‚ ‚˚ÍÎ˛˜ÂÌÌÓÏ
ÒÓÒÚÓﬂÌËË (OFF) ‚˚‚Ó‰‡ ÌÓÚ ÌÂÚ.
èêàåÖóÄçàÖ
PIANO ROLL
• ç‡ÒÚÓÈÍË: AUTO, ON, OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: AUTO
èêàåÖóÄçàÖ
ÖÒÎË Û ÔÂÒÌË ÂÒÚ¸ ÒÎÓ‚‡, ÙÛÌÍˆËﬂ Lyric Display
ËÏÂÂÚ ÔËÓËÚÂÚ Ì‡‰ ÙÛÌÍˆËÂÈ Piano Roll. çÓÚ˚
·Û‰ÛÚ ‚˚‚Ó‰ËÚ¸Òﬂ Ì‡ ˝Í‡Ì ÚÓÎ¸ÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË
‚˚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ Lyric Display, Í‡Í ·˚ÎÓ
ÓÔËÒ‡ÌÓ ‚˚¯Â.
■ ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚ı ËÌ‰ËÍ‡ÚÓÓ‚
Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (Keyboard Guide Lamp ON/OFF) ....................................
107
ÑÎﬂ ‚˚ÍÎ˛˜ÂÌËﬂ ‚ÒÔÓÏÓ„‡ÚÂÎ¸Ì˚ı ËÌ‰ËÍ‡ÚÓÓ‚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ LAMP.
CVP-202
109
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Clavinova ÓÒÌ‡˘ÂÌ‡ ·ÓÎ¸¯ËÏ Ì‡·ÓÓÏ ÙÛÌÍˆËÈ Á‡ÔËÒË, ˜ÚÓ
ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÍÓÏÔÓÁËˆËË Ì‡ ‰ËÒÍÂÚ˚. ëÛ˘ÂÒÚ‚ÛÂÚ ÚË
ÏÂÚÓ‰‡ Á‡ÔËÒË. Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ (ÒÚ. 112), ÍÓÚÓ‡ﬂ ÔÓÁ‚ÓÎﬂÂÚ
Á‡ÔËÒ˚‚‡Ú¸ ·˚ÒÚÓ Ë ÎÂ„ÍÓ; á‡ÔËÒ¸ ‰ÓÓÊÂÍ (ÒÚ. 115), Ò ÔÓÏÓ˘¸˛
ÍÓÚÓÓÈ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚Â ËÌÒÚÛÏÂÌÚ‡Î¸Ì˚Â
Ô‡ÚËË; Á‡ÔËÒ¸ èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‡ÍÍÓ‰Ó‚ (ÒÚ. 121) ‰Îﬂ
ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• ç‡ Ó‰ÌÛ ‰ËÒÍÂÚÛ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó 60 ÔÂÒÂÌ, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
ÍÓÎË˜ÂÒÚ‚‡ ‰‡ÌÌ˚ı, ÒÓ‰ÂÊ‡˘ËıÒﬂ ‚ Í‡Ê‰ÓÈ ÔÂÒÌÂ.
• èÂÂ‰ ÚÂÏ Í‡Í Á‡ÔËÒ˚‚‡Ú¸ ÔÂÒÌË Ì‡ ÌÓ‚Û˛ ‰ËÒÍÂÚÛ, ‰ËÒÍÂÚ‡ ‰ÓÎÊÌ‡
·˚Ú¸ ÓÚÙÓÏ‡ÚËÓ‚‡Ì‡ ‰Îﬂ Clavinova (ÒÏ. ÒÚ. 111).
èêàåÖóÄçàÖ
SONG CONTROL
VOLUME
MASTER
VOLUME
MAX
CONTRAST
STYLE
ACMP/SONG
VOLUME
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
R&B
PIANIST
MUSIC
DATABASE
SONG CONTROL
TEMPO
SONG
PLAY/
STOP
REC
PAUSE
REW
FF
VOICE
SONG
PLAY/
STOP
REC
PIANO &
HARPSI.
PAUSE
REW
FF
BRASS
SOUND
REPEAT
1
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
GUITAR
BASS
DUAL
REVERB
WOODWIND
STRINGS
CHOIR &
PAD
SYNTH.
XG
SPLIT
EFFECT
BEAT
MAX
HELP
COUNTRY
LATIN
MARCH &
WORLD
METRONOME
WALTZ
BALLROOM
DISK
RESET
FUNCTION
HARMONY
MIXER
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
MIN
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START/STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
MIN
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
● ëÚÛÍÚÛ‡ ÔÂÒÌË
èÂÒÌﬂ ÏÓÊÂÚ ÒÓÒÚÓﬂÚ¸ ËÁ ÌÂÒÍÓÎ¸ÍËı ËÌÒÚÛÏÂÌÚ‡Î¸Ì˚ı Ô‡ÚËÈ,
Í‡Ê‰‡ﬂ ËÁ ÍÓÚÓ˚ı Á‡ÌËÏ‡ÂÚ ÓÚ‰ÂÎ¸ÌÛ˛ ‰ÓÓÊÍÛ, Í‡Í ÔÓÍ‡Á‡ÌÓ ‚ ÔËÏÂÂ
ÌËÊÂ.
í‡·ÎËˆ‡ ‰ÓÓÊÂÍ ÔÂÒÌË
ÑÓÓÊÍ‡
Ô‡ÚËﬂ
1
èË‡ÌËÌÓ (Ô‡‚‡ﬂ ÛÍ‡)
2
èË‡ÌËÌÓ (ÎÂ‚‡ﬂ ÛÍ‡)
3
Bass (Å‡Ò)
4
:
9
Strings (ëÚÛÌÌ˚Â)
10
:
16
èêàåÖóÄçàÖ
• àÌÙÓÏ‡ˆË˛ Ó ‰ËÒÍÂÚ‡ı ÒÏ. ‚ ‡Á‰ÂÎÂ
«àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ»
(ÒÚ. 9).
• CVP-202 Á‡ÔËÒ˚‚‡ÂÚ ÔÂÒÌË ‚ Ù‡ÈÎ˚ SMF
(ÙÓÏ‡Ú 0). èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ò
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ Í‡ÚÂ„ÓËË [XG],
XG-ÒÓ‚ÏÂÒÚËÏ˚. àÌÙÓÏ‡ˆË˛ Ó XG/SMF
(ÙÓÏ‡Ú 0) ÙÓÏ‡ÚÂ ÒÏ. Ì‡ ÒÚ. 172.
:
Rhythm (êËÚÏ)
Rhythm (êËÚÏ)
:
Organ (é„‡Ì)
(çÂ ·ÓÎÂÂ 16-ÚË ‰ÓÓÊÂÍ.)
Ç ıÓ‰Â ‡·ÓÚ˚ ÏÓ„ÛÚ ÔÓﬂ‚ÎﬂÚ¸Òﬂ ‡ÁÎË˜Ì˚Â ÔÂ‰ÛÔÂÊ‰ÂÌËﬂ,
ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ Ë ÒÓÓ·˘ÂÌËﬂ Ó· Ó¯Ë·Í‡ı. èÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó
ÒÓÓ·˘ÂÌËﬂı ÒÏ. ‚ ‡Á‰ÂÎÂ «ëÓÓ·˘ÂÌËﬂ» (ÒÚ. 165).
CVP-202
108
110
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ á‡ÔËÒ¸
ÔÂÒÂÌ
è‡‡ÏÂÚ˚ Á‡ÔËÒË: îÓÏ‡Ú ‰ËÒÍÂÚ
èÂÊ‰Â ˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ Ì‡ ÔËÎ‡„‡ÂÏÛ˛ ˜ËÒÚÛ˛ ‰ËÒÍÂÚÛ,
ÌÂÓ·ıÓ‰ËÏÓ ÂÂ ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸. àÏÂ˛˘ËÂÒﬂ ‚ ÔÓ‰‡ÊÂ ˜ËÒÚ˚Â
‰ËÒÍÂÚ˚ Ú‡ÍÊÂ ÚÂ·Û˛Ú ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ÔÂÂ‰ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ.
ÑËÒÍÂÚ˚, Ì‡ ÍÓÚÓ˚Â ‡ÌÂÂ ÛÊÂ ÔÓËÁ‚Ó‰ËÎ‡Ò¸ Á‡ÔËÒ¸, ÏÓÊÌÓ ÔÓ‚ÚÓÌÓ
ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Format Ì‡ ˝Í‡ÌÂ FUNCTION
[DISK 5] (ÒÚ. 146).
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ. .....................................................................................................................
ÄÍÍÛ‡ÚÌÓ ‚ÒÚ‡‚¸ÚÂ ˜ËÒÚÛ˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ ÎËˆÂ‚ÓÈ ÒÚÓÓÌÓÈ
‚‚Âı Ë Á‡‰‚ËÌ¸ÚÂ ‰Ó ÍÓÌˆ‡, ÔÓÍ‡ ÌÂ ÛÒÎ˚¯ËÚÂ ˘ÂÎ˜ÓÍ.
➔ óÂÂÁ ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ ÔÓÒÎÂ ‚ÒÚ‡‚ÍË ‰ËÒÍÂÚ˚ Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ
ÒÓÓ·˘ÂÌËÂ: «Start disk format?». ÑÎﬂ Á‡ÔÛÒÍ‡ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ OK. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ «CANCEL».
èêàåÖóÄçàÖ
èË ‚ÒÚ‡‚ÍÂ ˜ËÒÚÓÈ ÌÂÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÓÈ
‰ËÒÍÂÚ˚ Ë ‰ËÒÍÂÚ˚ ‰Û„Ó„Ó ÙÓÏ‡Ú‡ ÔÓﬂ‚ËÚÒﬂ
Ó‰ÌÓ Ë ÚÓ ÊÂ ÒÓÓ·˘ÂÌËÂ.
èêàåÖóÄçàÖ
íËÔ˚ ÙÓÏ‡ÚÓ‚
é·˙ÂÏ ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚ˚ 2DD
ÒÓÒÚ‡‚ÎﬂÂÚ 720 äÅ, ‡ 2HD — 1,44 åÅ.
DISK IN USE
òÚÓÍ‡
ëÚÓÓÌ‡ ‰ËÒÍÂÚ˚ Ò Ì‡ÍÎÂÈÍÓÈ
X Ç˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ (Format). ...........................
ç‡ Üä-‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ: «Are you sure?» («Ç˚
Û‚ÂÂÌ˚?»); Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ YES ‰Îﬂ Á‡ÔÛÒÍ‡ ÓÔÂ‡ˆËË ËÎË NO ‰Îﬂ
ÓÚÏÂÌ˚.
109
ç‡ Üä-‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ ÒÚÓÍ‡ ËÌ‰ËÍ‡ÚÓ‡ ‚˚ÔÓÎÌÂÌËﬂ
ÓÔÂ‡ˆËË. èÓ ÓÍÓÌ˜‡ÌËË ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÂÌÂÚÒﬂ
ÔÂ‰˚‰Û˘ËÈ ˝Í‡Ì.
CVP-202
111
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸
ZÇÒÚ‡‚¸ÚÂ ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ. ...........................................................
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ÂÎÍ‡ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚ ÔÓÁËˆË˛
«Á‡ÔËÒ¸», Á‡ÚÂÏ ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ ÎËˆÂ‚ÓÈ ÒÚÓÓÌÓÈ ‚‚Âı Ë
¯ÚÓÍÓÈ ‚ÔÂÂ‰ ‰Ó ˘ÂÎ˜Í‡.
DISK IN USE
òÚÓÍ‡
èêàåÖóÄçàÖ
êÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔË ‚ÒÚ‡‚ÍÂ ‰ËÒÍÂÚ˚ ‚
‰ËÒÍÓ‚Ó‰, ÂÒÎË Ì‡ ‰ËÒÔÎÂÈ ‚˚‚Â‰ÂÌ ˝Í‡Ì
FUNCTION ‰Îﬂ ‡·ÓÚ˚ Ò ‰ËÒÍÂÚÓÈ (ÒÚ. 139)
ËÎË Ó‰ËÌ ËÁ ˝Í‡ÌÓ‚ CUSTOM STYLE
(ÒÚ. 174).
èêàåÖóÄçàÖ
ëÚÓÓÌ‡ ‰ËÒÍÂÚ˚ Ò
Ì‡ÍÎÂÈÍÓÈ
á‡˘ËÚ‡ ‚˚ÍÎ˛˜ÂÌ‡ (ÓÚ‚ÂÒÚËÂ
Á‡Í˚ÚÓ, Á‡ÔËÒ¸ ‡ÁÂ¯ÂÌ‡)
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÂÚ Style File
èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË Style File ÒÌ‡˜‡Î‡
Á‡„ÛÁËÚÂ ÚÂ·ÛÂÏ˚Â ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ Style
File (ÒÚ. 86), ‡ Á‡ÚÂÏ ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‰Îﬂ
Á‡ÔËÒË.
➔ àÌ‰ËÍ‡ÚÓ DISK IN USE ·Û‰ÂÚ „ÓÂÚ¸ ‚ÒÂ ‚ÂÏﬂ, ÔÓÍ‡ Clavinova Ò˜ËÚ˚‚‡ÂÚ
Ë ‡ÒÔÓÁÌ‡ÂÚ ‰ËÒÍÂÚÛ.
➾ ÖÒÎË ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ÌÂ ‚˚ÁÓ‚ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG].
➔ á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ, Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì SONG PLAY [MAIN]. ÖÒÎË ÌÂ
ÔÓﬂ‚ËÎÒﬂ ˝Í‡Ì SONG PLAY [MAIN], ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË PAGE [<] Ë [>],
˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÚ‡ÌËˆÛ 1 ˝Í‡Ì‡.
X Ç˚·ÂËÚÂ ÌÓÏÂ Á‡ÔËÒ˚‚‡ÂÏÓÈ ÔÂÒÌË. .............................................................
Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ SONG, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ SONG, ‰ËÒÍ
‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÓÏÂ ÌÛÊÌÓÈ ÔÂÒÌË.
➾ Ç˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË ÓÚ 1 ‰Ó 60.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÌÓÏÂ ÔÂÒÌË ÓÚ 61 ‰Ó 99,
‚˚ ÌÂ ÒÏÓÊÂÚÂ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ Á‡ÔËÒË ÔÂÒÌË
‚ ¯‡„Â 3. Clavinova ÏÓÊÂÚ ÔÓË„˚‚‡Ú¸ ‰Ó 99
ÔÂÒÂÌ Ò Ó‰ÌÓ„Ó ‰ËÒÍ‡, ÌÓ Á‡ÔËÒ‡Ú¸ ‚ÓÁÏÓÊÌÓ
ÚÓÎ¸ÍÓ 60 ÔÂÒÂÌ.
Ç˚·‡ÌÌ˚È ÌÓÏÂ ÛÍ‡Á˚‚‡ÂÚ, ÍÛ‰‡ ·Û‰ÂÚ Á‡ÔËÒ‡Ì‡ ÔÂÒÌﬂ. ÖÒÎË ﬂ‰ÓÏ Ò
ÌÓÏÂÓÏ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡Á‚‡ÌËÂ ÔÂÒÌË, ˝ÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ ÛÍ‡Á‡ÌÌ‡ﬂ ÔÂÒÌﬂ ÛÊÂ
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â. èÂÂ‰ ÚÂÏ Í‡Í ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û, Û·Â‰ËÚÂÒ¸,
˜ÚÓ ÓÌ‡ ÌÂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı, ÍÓÚÓ˚Â ‚˚ ıÓÚÂÎË ·˚ ÒÓı‡ÌËÚ¸! ÖÒÎË ‚˚
ÔÓËÁ‚Ó‰ËÚÂ Á‡ÔËÒ¸ ‚ ÔÂÒÌ˛, ÒÓ‰ÂÊ‡˘Û˛ ‰‡ÌÌ˚Â, ˝ÚË ‰‡ÌÌ˚Â ·Û‰ÛÚ
Á‡ÏÂÌÂÌ˚ ÔË Á‡ÔËÒË.
CVP-202
110
112
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸
C Ç˚·Ó ÂÊËÏ‡ Á‡ÔËÒË ÔÂÒÌË. ............................................................................................
SONG CONTROL
PLAY/
STOP
èêàåÖóÄçàÖ
• çÓÏÂ ÔÂÒÌË, ‚ ÍÓÚÓÛ˛ ÔÓËÁ‚Ó‰ËÚÒﬂ Á‡ÔËÒ¸,
ÏÓÊÂÚ ·˚Ú¸ ËÁÏÂÌÂÌ ‚ ˝Í‡ÌÂ QUICK
RECORD.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
SONG
ÔÂÒÂÌ
REC
• ÖÒÎË ‚ ÏÓÏÂÌÚ ÔÂÂıÓ‰‡ ‚ ÂÊËÏ Á‡ÔËÒË
‚ÍÎ˛˜ÂÌ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÔÂÂÍÎ˛˜‡ÚÂÎ¸
‰ÓÓÊÍË ACMP&RHY ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÔÓÎÓÊÂÌËÂ REC.
èêàåÖóÄçàÖ
➔ àÌ‰ËÍ‡ÚÓ [REC] Á‡„ÓËÚÒﬂ, Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì QUICK RECORD (ÒÚ‡ÌËˆ‡
1 ˝Í‡Ì‡ ÂÊËÏ‡ Á‡ÔËÒË).
èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı
• èË ÔÓÔ˚ÚÍÂ Á‡ÔËÒË ‰‡ÌÌ˚ı ‚ ÔÂÒÌ˛,
ÒÓÁ‰‡ÌÌÛ˛ Ì‡ ‰Û„ÓÏ ËÌÒÚÛÏÂÌÚÂ, ÏÓÊÂÚ
ÔÓﬂ‚ËÚ¸Òﬂ ÒÓÓ·˘ÂÌËÂ «Convert to CVP song?»
(ÒÚ. 166). óÚÓ·˚ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ÔÂÒÌ˛ ‚
ÙÓÏ‡Ú CVP, Ì‡ÊÏËÚÂ YES.
• ÖÒÎË ÔÂÒÌﬂ ÍÓÌ‚ÂÚËÓ‚‡Ì‡, Í‡Í ÓÔËÒ‡ÌÓ
‚˚¯Â, Á‡ÔËÒ¸ ÏÓÊÂÚ ·˚Ú¸ ‚ÓÁÏÓÊÌ‡ ÚÓÎ¸ÍÓ ‚
‰ÓÓÊÍË 1 ËÎË 2.
èêàåÖóÄçàÖ
èÂÂÍÎ˛˜‡ÚÂÎË 1/RIGHT Ë 2/LEFT ÌÂ ÏÓ„ÛÚ ·˚Ú¸
ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ‚ ÔÓÎÓÊÂÌËÂ REC Ó‰ÌÓ‚ÂÏÂÌÌÓ.
Ç˚ÁÓ‚ËÚÂ ÒÚ‡ÌËˆÛ 1 Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>], ÂÒÎË
ËÌ‰ËÍ‡ÚÓ „ÓËÚ, ÌÓ ˝Í‡Ì QUICK RECORD (Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸) ÌÂ
ÔÓﬂ‚ËÎÒﬂ.
Ç˚ ÏÓÊÂÚÂ ÓÚÏÂÌËÚ¸ Á‡ÔËÒ¸ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‚ Î˛·ÓÈ
ÏÓÏÂÌÚ ‰Ó ¯‡„‡ 6 Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REC] ËÎË [EXIT].
VÇ˚·ÂËÚÂ Á‡ÔËÒ˚‚‡ÂÏÛ˛ Ô‡ÚË˛. .......................................................................
Ç ÂÊËÏÂ ·˚ÒÚÓÈ Á‡ÔËÒË ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚË Ô‡ÚËË: Ô‡ÚË˛
Ô‡‚ÓÈ ÛÍË (1/RIGHT), Ô‡ÚË˛ ÎÂ‚ÓÈ ÛÍË (2/LEFT) Ë Ô‡ÚË˛
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚÏ‡ (ACMP&RHY). ç‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ — 1/RIGHT, 2/LEFT ËÎË ACMP&RHY, — ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ‚ ÔÓÎÓÊÂÌËÂ REC (Á‡ÔËÒ¸ ‚ÍÎ˛˜ÂÌ‡)
ËÎË OFF (Á‡ÔËÒ¸/‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚ÍÎ˛˜ÂÌÓ). èÓÎÓÊÂÌËÂ PLAY
(‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ) ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡ÌÓ ÚÓÎ¸ÍÓ ‰Îﬂ Ô‡ÚËË, ÍÓÚÓ‡ﬂ ÛÊÂ
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â.
èÂÂÍÎ˛˜‡ÚÂÎ¸ Ô‡ÚËË ACMP&RHY ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÔÓÎÓÊÂÌËÂ REC ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË
[ACMP ON] Ì‡ Ô‡ÌÂÎË. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ ËÚÏ, ÓÒÚ‡‚¸ÚÂ
ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ACMP&RHY ‚ ÔÓÎÓÊÂÌËË REC, Á‡ÚÂÏ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [ACMP ON], ˜ÚÓ·˚ ÔÓ„‡Ò ËÌ‰ËÍ‡ÚÓ.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ „‡ÏÓÌËË
Clavinova Á‡ÔËÒ˚‚‡ÂÚ „‡ÏÓÌË˛, ÂÒÎË ‚ÍÎ˛˜ÂÌ‡
ÙÛÌÍˆËﬂ Harmony (ÒÚ. 69). ÖÒÎË ‚˚·‡Ì ÚËÔ
„‡ÏÓÌËË Duet, Trio, Block, 4 Part, Country, Octave
ËÎË 1+5, Á‡ÔËÒ¸ ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‚
‚˚·‡ÌÌÛ˛ ‰ÓÓÊÍÛ. ÖÒÎË ‚˚·‡Ì Î˛·ÓÈ ‰Û„ÓÈ
ÚËÔ „‡ÏÓÌËË, Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰ÓÓÊÍË Ò 6 ÔÓ 8.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ ‚ ÂÊËÏÂ Dual/Split
• ÑÎﬂ Á‡ÔËÒË Ô‡ÚËË 1/RIGHT ‚ ÂÊËÏÂ Dual
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰ÓÓÊÍË 1 Ë 3.
• ÑÎﬂ Á‡ÔËÒË Ô‡ÚËË 1/RIGHT ‚ ÂÊËÏÂ Split
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰ÓÓÊÍË 1 Ë 5.
• ÑÎﬂ Á‡ÔËÒË Ô‡ÚËË 2/RIGHT ‚ ÂÊËÏÂ Dual
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰ÓÓÊÍË 2 Ë 4.
• ÑÎﬂ Á‡ÔËÒË Ô‡ÚËË 2/LEFT ‚ ÂÊËÏÂ Split
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰ÓÓÊÍË 2 Ë 5.
• èË ËÁÏÂÌÂÌËË Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË
[HARMONY] Ë [SPLIT] ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚ÍÎ˛˜‡˛ÚÒﬂ.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• ÖÒÎË ‚˚ Á‡ÔËÒ˚‚‡ÂÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‰Îﬂ
Á‡ÔËÒË ËÚÏ‡ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰ÓÓÊÍË 9 Ë 10,
‰Îﬂ ·‡Ò‡ — ‰ÓÓÊÍ‡ 11, ‡ ‰Îﬂ ‡ÍÍÓ‰Ó‚Ó„Ó
ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ — ‰ÓÓÊÍË Ò 12 ÔÓ 16.
• îÛÌÍˆËﬂ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ÓÈ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË (ÒÚ. 121) ÔÓÁ‚ÓÎﬂÂÚ
Á‡ÔËÒ˚‚‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë„‡ﬂ
‡ÍÍÓ‰˚, ÌÂ ÔË‰ÂÊË‚‡ﬂÒ¸ ÚÂÏÔ‡.
èêàåÖóÄçàÖ
111
ÖÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ô‡ÚËË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ REC (Á‡ÔËÒ¸),
‚ÍÎ˛˜‡ÂÚÒﬂ ÙÛÌÍˆËﬂ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡, Ë Á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË, Í‡Í ÚÓÎ¸ÍÓ ‚˚ Ì‡ÊÏÂÚÂ ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
• äÓ„‰‡ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Î˛·ÓÈ Ô‡ÚËË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÔÓÎÓÊÂÌËÂ REC, Ò‚Ó·Ó‰ÌÓÂ
ÏÂÒÚÓ Ì‡ ‰ËÒÍÂÚÂ (‚ ÍËÎÓ·‡ÈÚ‡ı) ÔÓÍ‡Á˚‚‡ÂÚÒﬂ
ÒÔ‡‚‡ ÓÚ ËÌ‰ËÍ‡ÚÓ‡ ÚÂÏÔ‡ Ì‡ ‰ËÒÔÎÂÂ.
óËÒÚ˚Â ‰ËÒÍÂÚ˚ 2DD Ë 2HD ËÏÂ˛Ú Ó·˙ÂÏ
ÓÍÓÎÓ 690 äÅ (ÔËÏÂÌÓ 69 000 ÌÓÚ) ËÎË 1400
äÅ (ÔËÏÂÌÓ 140 000 ÌÓÚ) ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
• äÓ„‰‡ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ACMP&RHY
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÔÓÎÓÊÂÌËÂ REC, ÔÂÂ‰
Ì‡˜‡ÎÓÏ Á‡ÔËÒË ·Û‰ÂÚ ÒÎ˚¯ÂÌ Á‚ÛÍ
ÏÂÚÓÌÓÏ‡.
CVP-202
113
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
B Ç˚·ÂËÚÂ ÚÂÏ·, ÒÚËÎ¸ Ë Ú.‰. .......................................................................
Ç˚·ÂËÚÂ ÚÂÏ· Ë ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÛÒÚ‡ÌÓ‚ËÚÂ ‚ Ó·˚˜ÌÓÏ
ÔÓﬂ‰ÍÂ ÚÂÏÔ Ë ‰Û„ËÂ ÌÂÓ·ıÓ‰ËÏ˚Â Ô‡‡ÏÂÚ˚. (ÖÒÎË ‚˚ ıÓÚËÚÂ
ÔÓ‚ÂËÚ¸ ‚˚·‡ÌÌ˚Â ÚÂÏ·˚, ÒÚËÎ¸, ÚÂÏÔ Ë ‰Û„ËÂ Ô‡‡ÏÂÚ˚, Ò‰ÂÎ‡ÈÚÂ
˝ÚÓ ‰Ó ÔÂÂıÓ‰‡ Í ¯‡„Û 3, Ú.Í. Á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ ÌÂÏÂ‰ÎÂÌÌÓ, Í‡Í ÚÓÎ¸ÍÓ ‚˚
Ì‡ÊÏÂÚÂ Í‡ÍÛ˛-ÎË·Ó ÍÎ‡‚Ë¯Û ËÎË ÍÌÓÔÍÛ [START/STOP]).
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÂÚ Style File
èË ‡·ÓÚÂ Ò ‰ËÒÍÂÚ‡ÏË Style File ÒÌ‡˜‡Î‡
Á‡„ÛÁËÚÂ ÚÂ·ÛÂÏ˚Â ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ Style
File (ÒÚ. 86), ‡ Á‡ÚÂÏ ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‰Îﬂ
Á‡ÔËÒË.
èêàåÖóÄçàÖ
í‡ÍÊÂ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ù‡„ÏÂÌÚ˚
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: INTRO, AUTO FILL,
ENDING Ë FADE IN/OUT. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
INTRO ÔÂÂ‰ Ì‡˜‡ÎÓÏ Á‡ÔËÒË, ÍÌÓÔÍË AUTO
FILL ‚Ó ‚ÂÏﬂ Á‡ÔËÒË, ÍÌÓÔÍÛ ENDING ‚ ÍÓÌˆÂ
Á‡ÔËÒË Ë ÍÌÓÔÍÛ FADE IN/OUT ‚ Ì‡˜‡ÎÂ ËÎË ‚
ÍÓÌˆÂ Á‡ÔËÒË. ÖÒÎË ‚ ÍÓÌˆÂ Á‡ÔËÒË Ì‡Ê‡Ú¸
ÍÌÓÔÍË ENDING ËÎË FADE IN/OUT, Á‡ÔËÒ¸
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡‚Â¯ËÚÒﬂ ÔÓÒÎÂ ÙËÌ‡Î‡ ËÎË
Á‡ÚÛı‡ÌËﬂ „ÓÏÍÓÒÚË Á‚ÛÍ‡.
N ç‡˜ÌËÚÂ Á‡ÔËÒ¸. ..............................................................................................................................
ç‡˜ÌËÚÂ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP]. ÑÎﬂ
Á‡ÔËÒË Ô‡ÚËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡˜ÌËÚÂ Á‡ÔËÒ¸ Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ
(ÒÚ. 58) Ë Ë„‡ÈÚÂ ‡ÍÍÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÚÂÍÛ˘ÂÏÛ ÂÊËÏÛ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·‡ÁÓÏ (ÒÚ. 60 Ë 61).
èêàåÖóÄçàÖ
á‡ÔËÒ¸ Ò ‚ÍÎ˛˜ÂÌÌ˚Ï ÏÂÚÓÌÓÏÓÏ
1. èÓÒÎÂ ‚˚·Ó‡ ÚÂÏ·‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[METRONOME] Ë ÛÒÚ‡ÌÓ‚ËÚÂ Ô‡‡ÏÂÚ˚
ËÚÏ‡ Ì‡ ˝Í‡ÌÂ METRONOME.
➔ åÂÚÓÌÓÏ Á‡Á‚Û˜ËÚ.
2. á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ Ì‡˜ÌÂÚÂ
Ë„‡Ú¸. ëË„Ì‡Î˚ ÏÂÚÓÌÓÏ‡ ÌÂ
Á‡ÔËÒ˚‚‡˛ÚÒﬂ.
ÖÒÎË ÌÂ ‚ÒÚ‡‚ÎÂÌ‡ ‰ËÒÍÂÚ‡…
• èÂÒÌﬂ ÏÓÊÂÚ ·˚Ú¸ Á‡ÔËÒ‡Ì‡ ‚Ó ‚ÌÛÚÂÌÌ˛˛
Ô‡ÏﬂÚ¸, ÂÒÎË ÓÌ‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÍÓÓÚÍ‡ﬂ.
å‡ÍÒËÏ‡Î¸Ì‡ﬂ ‰ÎËÌ‡ Á‡ÔËÒ˚‚‡ÂÏÓÈ ÔÂÒÌË
ÒÓÒÚ‡‚ÎﬂÂÚ ÔËÏÂÌÓ 2500 ÌÓÚ (26 ä·); ÚÂÏ
ÌÂ ÏÂÌÂÂ, ÂÒÎË ‚ÍÎ˛˜ÂÌ˚ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â
ÙÛÌÍˆËË, ‰ÎËÌ‡ ÏÓÊÂÚ ·˚Ú¸ Ë ÏÂÌ¸¯Â.
èÂÒÌﬂ, Á‡ÔËÒ‡ÌÌ‡ﬂ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸,
·Û‰ÂÚ Û‰‡ÎÂÌ‡ ÔË ‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ËÎË
ÔË Á‡„ÛÁÍÂ ‰Û„ÓÈ ÔÂÒÌË. ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛
ËÌÙÓÏ‡ˆË˛ ÒÏ. ‚ ‡Á‰ÂÎÂ «á‡ÔËÒ¸ ·ÂÁ
‰ËÒÍÂÚ˚» (ÒÚ. 133).
èêàåÖóÄçàÖ
êÂ„ÛÎËÓ‚‡ÌËÂ „ÓÏÍÓÒÚË ‚Ó ‚ÂÏﬂ Á‡ÔËÒË
ÑÎﬂ Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Ô‡ÚËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÓÎÁÛÌÓÍ [ACMP/SONG VOLUME]
Ë ˝Í‡Ì ÏËÍ¯Â‡. ÉÓÏÍÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚
Â„ÛÎËÛÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË KBD VOL Ì‡
˝Í‡ÌÂ.
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ
Harmony ËÎË ÂÊËÏ Split…
• Ç˚ ÏÓÊÂÚÂ Á‡ÔËÒ˚‚‡Ú¸ „‡ÏÓÌË˛ ËÎË ÌÓÚ˚,
‚ÁﬂÚ˚Â Ì‡ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ‚Ó
‚ÂÏﬂ Á‡ÔËÒË Ô‡ÚËË 1/RIGHT.
• ÇÓ ‚ÂÏﬂ Á‡ÔËÒË Ô‡ÚËË 2/LEFT Clavinova ÌÂ
·Û‰ÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÚËÔ˚ „‡ÏÓÌËË, Ó·˚˜ÌÓ
Á‡ÔËÒ˚‚‡ÂÏ˚Â ‚ ‰ÓÓÊÍË Ò 6 ÔÓ 8 (ÒÏ.
‚ÂÁÍÛ Ì‡ ÒÚ. 113), ËÎË Ô‡ÚË˛, Ë„‡ÂÏÛ˛ ‚
ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ ÌÂ „ÓﬂÚ ‚Ó ‚ÂÏﬂ
Á‡ÔËÒË.
CVP-202
112
114
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ á‡ÔËÒ¸
M éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸. ................................................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ á‡ÔËÒ¸ ÔÂÍ‡ÚËÚÒﬂ. èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÛ
ËÌ‰ËÍ‡ÚÓ [REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì SONG PLAY.
èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [START/STOP] ÔÂÍ‡ÚËÚÒﬂ Á‡ÔËÒ¸ ÚÓÎ¸ÍÓ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚÏ‡. Ç˚ ÏÓÊÂÚÂ ÔÓ‰ÓÎÊ‡Ú¸ Á‡ÔËÒ¸ Ò
ÍÎ‡‚Ë‡ÚÛ˚ ·ÂÁ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚÏ‡. óÚÓ·˚ ÔÓÎÌÓÒÚ¸˛
ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
ÖÒÎË ‚˚ ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÂ ÒÚËÎ¸ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [ENDING]
ËÎË [FADE IN/OUT], Á‡ÔËÒ¸ Ò ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ ·Û‰ÂÚ ÔÂÍ‡˘ÂÌ‡.
ÔÂÒÂÌ
ÇçàåÄçàÖ!
Clavinova ÏÓÊÂÚ ÔÓ‰ÓÎÊ‡Ú¸ ÒÓı‡ÌÂÌËÂ
‰‡ÌÌ˚ı Ì‡ ‰ËÒÍ Â˘Â ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ
ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ Á‡‚Â¯ËÚÂ Á‡ÔËÒ¸. çÂ
ËÁ‚ÎÂÍ‡ÈÚÂ ‰ËÒÍÂÚÛ, ÔÓÍ‡ ÌÂ ÔÓ„‡ÒÌÂÚ
ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡ DISK IN USE.
èêàåÖóÄçàÖ
• èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË ÔÂÒÌÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔËÒ‚‡Ë‚‡ÂÚÒﬂ ‚ÂÏÂÌÌÓÂ Ì‡Á‚‡ÌËÂ SONG ***
(„‰Â *** — ÌÓÏÂ ÔÂÒÌË). Ç˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸
Ì‡Á‚‡ÌËÂ ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌË˛. (ëÏ.
ÒÚ. 127.)
• àÌ‰ËÍ‡ÚÓ [ACMP ON] „‡ÒÌÂÚ ÔÓ ÓÍÓÌ˜‡ÌËË
Á‡ÔËÒË Ô‡ÚËÈ.
• èÓ ÓÍÓÌ˜‡ÌËË Á‡ÔËÒË „ÓÏÍÓÒÚ¸ ÔÂÒÌË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Ì‡ Ï‡ÍÒËÏÛÏ,
ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËﬂ ÔÓÎÁÛÌÍ‡ [ACMP/
SONG VOLUME].
< ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌÓ„Ó. .............................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ ç‡˜ÌÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı.
ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÍÌÓÔÍË [REW], [FF] Ë
[PAUSE] ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ Ë ÍÌÓÔÍË TEMPO [–] Ë [+] ‰Îﬂ
ËÁÏÂÌÂÌËﬂ ÚÂÏÔ‡. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Ú‡ÍÊÂ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒﬂ, Í‡Í ÚÓÎ¸ÍÓ ·Û‰ÂÚ
‰ÓÒÚË„ÌÛÚ ÍÓÌÂˆ Á‡ÔËÒË; Ú‡ÍÊÂ ÏÓÊÌÓ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚
Î˛·ÓÈ ÏÓÏÂÌÚ ÔÓ‚ÚÓÌ˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [PLAY/STOP].
èêàåÖóÄçàÖ
• ÖÒÎË ÔÓ ıÓ‰Û Á‡ÔËÒË ÔÓËÒıÓ‰ËÎË ËÁÏÂÌÂÌËﬂ
ÒÚËÎﬂ, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÓÊÂÚ ·˚Ú¸ ÒÎÂ„Í‡
Á‡ÏÂ‰ÎÂÌÌ˚Ï ‚ ÏÂÒÚ‡ı ÔÂÂÍÎ˛˜ÂÌËﬂ ÒÚËÎÂÈ,
‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡ÍËÂ ÒÚËÎË
ËÒÔÓÎ¸ÁÓ‚‡ÎËÒ¸.
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ‚
ÂÊËÏ‡ı Dual (ÒÚ. 33) Ë Full Keyboard (ÒÚ. 57),
ÏÓÊÂÚ Ú‡ÍÊÂ Á‚Û˜‡Ú¸ ÒÎÂ„Í‡ Á‡ÏÂ‰ÎÂÌÌÓ.
á‡ÔËÒ¸ ‰ÓÓÊÂÍ (åÌÓ„Ó‰ÓÓÊÂ˜Ì‡ﬂ Á‡ÔËÒ¸)
Z Ç˚·ÂËÚÂ ËÌÒÚÛÏÂÌÚ ‰Îﬂ Á‡ÔËÒË. ....................................................................
èÂ‚˚Â ÚË ¯‡„‡ ‰Îﬂ Á‡ÔËÒË ‰ÓÓÊÂÍ Ú‡ÍËÂ ÊÂ, Í‡Í Ë ‰Îﬂ ·˚ÒÚÓÈ
Á‡ÔËÒË. (ëÏ. ÒÚ. 112. )
X Ç˚·ÂËÚÂ ÒÚ‡ÌËˆÛ TRACK RECORD. .............................................................
113
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË PAGE [<] Ë [>], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÚ‡ÌËˆÛ TRACK
RECORD (ÒÚ‡ÌËˆ‡ 2 ˝Í‡Ì‡ ÂÊËÏ‡ Á‡ÔËÒË).
16 ‰ÓÓÊÂÍ ÔÓﬂ‚ﬂÚÒﬂ Ì‡‰ ÍÌÓÔÍ‡ÏË TRACK < Ë >. ÖÒÎË ÌÓÏÂ
‰ÓÓÊÍË Á‡ÍÎ˛˜ÂÌ ‚ ‡ÏÍÛ, ˝ÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ ‰ÓÓÊÍ‡ ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ; ‚˚‰ÂÎÂÌÌ˚Â ÌÓÏÂ‡ ‰ÓÓÊÂÍ ÓÁÌ‡˜‡˛Ú, ˜ÚÓ Ì‡ ˝ÚÛ
‰ÓÓÊÍÛ ÏÓÊÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ Á‡ÔËÒ¸. çÓÏÂ‡ ‰ÓÓÊÂÍ, ÌÂ ÒÓ‰ÂÊ‡˘Ëı
‰‡ÌÌ˚ı, ÌÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ.
CVP-202
115
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
C Ç˚·ÂËÚÂ ‰ÓÓÊÍÛ ‰Îﬂ Á‡ÔËÒË. ...................................................................................
ÑÎﬂ ‚˚·Ó‡ ‰ÓÓÊÍË ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË TRACK < Ë >, ‰ËÒÍ ‰Îﬂ
‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+].
➔ Ç˚·‡ÌÌ‡ﬂ ‰ÓÓÊÍ‡ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡.
àÒÔÓÎ¸ÁÛÈÚÂ Í‡ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸
‰Îﬂ ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË ÂÊËÏ REC (Á‡ÔËÒ¸) ËÎË OFF (Á‡ÔËÒ¸/
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÚÍÎ˛˜ÂÌ˚). ÖÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ‰ÓÓÊÍË ÛÒÚ‡ÌÓ‚ÎÂÌ ‚
ÔÓÎÓÊÂÌËÂ REC, ‚ÍÎ˛˜‡ÂÚÒﬂ ÂÊËÏ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓ„Ó Á‡ÔÛÒÍ‡.
Clavinova Ì‡˜ÌÂÚ Á‡ÔËÒ¸, Í‡Í ÚÓÎ¸ÍÓ ‚˚ Ì‡ÊÏÂÚÂ Í‡ÍÛ˛-ÌË·Û‰¸ ÍÎ‡‚Ë¯Û Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
êÂÊËÏ PLAY ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡Ì ÚÓÎ¸ÍÓ ‰Îﬂ ‰ÓÓÊÂÍ, ÒÓ‰ÂÊ‡˘Ëı
‰‡ÌÌ˚Â. ÖÒÎË ‰ÓÓÊÍ‡ ÔË„ÎÛ¯ÂÌ‡, ÌÓÏÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ ·ÂÁ ‡ÏÍË.
èË Á‡ÔËÒË Ò ÍÎ‡‚Ë‡ÚÛ˚ ÏÓ„ÛÚ ·˚Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ì˚ ÚË
ÓÚ‰ÂÎ¸Ì˚Â ‰ÓÓÊÍË.
ÖÒÎË ‚˚ Ì‡ÏÂÂÌ˚ ÔË Á‡ÔËÒË ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆËË Dual ËÎË Split,
‰ÓÎÊÌ˚ ·˚Ú¸ ‚˚·‡Ì˚ ‰‚Â ‰ÓÓÊÍË.
ÖÒÎË ‚˚ Ì‡ÏÂÂÌ˚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆËË Dual Ë Split Ó‰ÌÓ‚ÂÏÂÌÌÓ,
‰ÓÎÊÌ˚ ·˚Ú¸ ‚˚·‡Ì˚ ÚË ‰ÓÓÊÍË.
ÖÒÎË ‚ÍÎ˛˜ÂÌ˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë/ËÎË „‡ÏÓÌËﬂ, ÌÓÏÂ‡ ‰ÓÓÊÂÍ
‰Îﬂ Á‡ÔËÒË ÙËÍÒËÛ˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ.
* ÑÎﬂ Á‡ÔËÒË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÂÒÎË ÓÌ ‚ÍÎ˛˜ÂÌ, ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚
‰ÓÓÊÍË Ò 9 ÔÓ 16. ÖÒÎË ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ Harmony Ë ‚˚·‡Ì˚ ÚËÔ˚
„‡ÏÓÌËË (ÒÚ. 70), ÓÚÎË˜Ì˚Â ÓÚ Duet, Trio, Block, 4 Part,
Country, Octave ËÎË 1+5, ÚÓ ‰Îﬂ Á‡ÔËÒË „‡ÏÓÌËË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‰ÓÓÊÍË Ò 6 ÔÓ 8.
èêàåÖóÄçàÖ
• ÑÓÓÊÍ‡ 10 (Ë ‚ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡ﬂı 9)
ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÚÓÎ¸ÍÓ ‰Îﬂ Á‡ÔËÒË
ËÚÏ‡ ËÁ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‡ÔËÒ¸
Ô‡ÚËË Ò ÍÎ‡‚Ë‡ÚÛ˚ ‚ ÌÂÂ ÌÂ ÔÓËÁ‚Ó‰ËÚÒﬂ.
è‡ÚËﬂ Ò ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ ‰ÓÎÊÌ‡
Á‡ÔËÒ˚‚‡Ú¸Òﬂ Ì‡ ‰ÓÓÊÍÛ, ÓÚÎË˜ÌÛ˛ ÓÚ
ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌ˚ı ‰Îﬂ Á‡ÔËÒË „‡ÏÓÌËË Ë
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• äÓ„‰‡ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ‰ÓÓÊÂÍ ËÚÏ‡ (9 Ë
10) ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ò 9 ÔÓ 16)
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÔÓÎÓÊÂÌËÂ REC,
Ì‡˜ËÌ‡ÂÚ Á‚Û˜‡Ú¸ ÏÂÚÓÌÓÏ.
• ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë/ËÎË „‡ÏÓÌËﬂ
ÛÊÂ ‚ÍÎ˛˜ÂÌ˚ ‰Ó ‚˚·Ó‡ ÒÚ‡ÌËˆ˚ Track
Recording, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ‰ÓÓÊÍË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÚÏÂ˜‡˛ÚÒﬂ Í‡Í ‚˚·‡ÌÌ˚Â
‰Îﬂ Á‡ÔËÒË.
ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ RHYTHM, ‰ÓÓÊÍË 9 Ë 10 ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‰Îﬂ Á‡ÔËÒË ËÚÏ‡. ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎË ‰ÓÓÊÂÍ 9 Ë 10
‚ ÔÓÎÓÊÂÌËÂ REC, PLAY ËÎË OFF Ò ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ Ô‡‚ÓÈ ÍÌÓÔÍË
Üä-‰ËÒÔÎÂﬂ.
CVP-202
114
116
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸
ÔÂÒÂÌ
V ìÒÚ‡ÌÓ‚ËÚÂ ‚ÒÂ ÌÂÓ·ıÓ‰ËÏ˚Â Ô‡‡ÏÂÚ˚. ...............................................
äÓ„‰‡ ‰ÓÓÊÍË ‰Îﬂ Á‡ÔËÒË ‚˚·‡Ì˚, ÛÒÚ‡ÌÓ‚ËÚÂ ‚ÒÂ ÌÂÓ·ıÓ‰ËÏ˚Â
Ô‡‡ÏÂÚ˚: ÚÂÏ·, ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ, Â‚Â·Â‡ˆË˛ Ë ‰.
B ç‡˜ÌËÚÂ Á‡ÔËÒ¸. ..........................................................................................................................
ç‡˜ÌËÚÂ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
ÑÎﬂ Á‡ÔËÒË Ô‡ÚËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡˜ÌËÚÂ Á‡ÔËÒ¸ Ó·˚˜Ì˚Ï
Ó·‡ÁÓÏ (ÒÚ. 58) Ë Ë„‡ÈÚÂ ‡ÍÍÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÚÂÍÛ˘ÂÏÛ
ÂÊËÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó·‡ÁÓÏ (ÒÚ. 60 Ë 61).
çÓÏÂ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡ ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡ ‰ËÒÔÎÂÂ ÔÓ ıÓ‰Û Á‡ÔËÒË.
è‡‡ÏÂÚ˚, ÔÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ, Ú‡ÍÊÂ Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‚ÏÂÒÚÂ Ò
ÌÓÚ‡ÏË, ÍÓÚÓ˚Â ‚˚ Ë„‡ÂÚÂ. (á‡ÔËÒ˚‚‡ÂÏ˚Â Ô‡‡ÏÂÚ˚ ÓÚÎË˜‡˛ÚÒﬂ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌ˚ı ÒÚËÎÂÈ Ë ÛÒÚ‡ÌÓ‚ÓÍ.)
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ıÓÚËÚÂ ÔÂÂÁ‡ÔËÒ‡Ú¸ Ô‡ÚË˛ ÔÂÒÌË
(Ì‡ÔËÏÂ, ÂÒÎË ‚˚ Ò‰ÂÎ‡ÎË Ó¯Ë·ÍÛ ÔË Á‡ÔËÒË),
˝ÚÓ ÏÓÊÌÓ ÎÂ„ÍÓ Ò‰ÂÎ‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
Punch-in/out (ÒÚ.118).
èêàåÖóÄçàÖ
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
ä‡Ê‰˚È ‡Á ÔÓÒÎÂ Á‡ÔËÒË Í‡ÍËı-ÎË·Ó ‰‡ÌÌ˚ı
ÒÎÂ‰ÛÂÚ ÒÍÓÔËÓ‚‡Ú¸ Ëı ‚ ÔÂÒÌ˛ Ò ‰Û„ËÏ
ÌÓÏÂÓÏ Ò ˆÂÎ¸˛ ÒÓı‡ÌÂÌËﬂ ÂÁÂ‚ÌÓÈ ÍÓÔËË
(‰ÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÒÏ. ‚ ‡Á‰ÂÎÂ
«éÔÂ‡ˆËﬂ ÍÓÔËÓ‚‡ÌËﬂ», ÒÚ. 142). ùÚÓ ‰ÓÎÊÌÓ
ÔÂ‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌ˚Â ÔÓÚÂË ‚‡ÊÌÓÈ
ËÌÙÓÏ‡ˆËË, ‰‡ÊÂ ÂÒÎË ‚˚ Û‰‡ÎËÚÂ ‰‡ÌÌ˚Â ‚Ó
‚ÂÏﬂ Á‡ÔËÒË.
è‡‡ÏÂÚ˚, Á‡ÔËÒ˚‚‡ÂÏ˚Â ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ ‰ÓÓÊÍË
è‡‡ÏÂÚ˚, Á‡ÔËÒ˚‚‡ÂÏ˚Â ‰Îﬂ ÔÂÒÌË ‚ ˆÂÎÓÏ
• çÓÚ˚
• íÂÏ·
• ÉÓÏÍÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚
• Pan (è‡ÌÓ‡Ï‡)
• è‡‚‡ﬂ ÔÂ‰‡Î¸ (‰ÂÏÔÙÂ)
• ãÂ‚‡ﬂ ÔÂ‰‡Î¸ (ÒÚ. 138)
• ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)
• ÉÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË
• ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ Chorus
• ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚÓ‚
• ÉÓÏÍÓÒÚ¸ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (ÓÒÌÓ‚ÌÓÈ, ‚ÚÓÓÈ, ÎÂ‚ÓÈ)
• ç‡‡ÒÚ‡ÌËÂ/Á‡ÚÛı‡ÌËÂ Á‚ÛÍ‡ (ÍÓÌ‚ÂÚËÛÂÚÒﬂ ‚ ÚËÔ ‰‡ÌÌ˚ı Ó „ÓÏÍÓÒÚË)
• åÂÎÓ‰Ë˜ÂÒÍËÈ ÒÚÓÈ (ÒÚ. 155)
• íÂÏÔ
• íËÔ Â‚Â·Â‡ˆËË
• é·˘‡ﬂ „ÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË
• íËÔ ˝ÙÙÂÍÚ‡ Chorus
• íËÔ ˝ÙÙÂÍÚ‡*
• ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
• ó‡ÒÚË ÔÓËÁ‚Â‰ÂÌËﬂ (ËÌÚÓ‰ÛÍˆËﬂ, ÓÒÌÓ‚Ì˚Â ˜‡ÒÚË ÓÚ A ‰Ó
D, ‚ÒÚ‡‚Í‡, ÙËÌ‡Î)
* èËÓËÚÂÚ ËÏÂÂÚ ˝ÙÙÂÍÚ ÔÓÒÎÂ‰ÌÂÈ Á‡ÔËÒ‡ÌÌÓÈ ‰ÓÓÊÍË.
ÑÛ„ËÂ Á‡ÔËÒ˚‚‡ÂÏ˚Â Ô‡‡ÏÂÚ˚
115
Ñ‡ÌÌ˚Â Ó ÒÚËÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÌÂ ÔË‚Â‰ÂÌÌ˚Â ‚˚¯Â, ‚ÍÎ˛˜‡˛Ú:
• ÉÓÏÍÓÒÚ¸ Ô‡ÚËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (‰‡ÌÌ˚Â Ó „ÓÏÍÓÒÚË, ‚ıÓ‰ﬂ˘ËÂ ‚
ÒÚËÎ¸, ÔÎ˛Ò ÛÒÚ‡ÌÓ‚ÍË ÏËÍ¯Â‡ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË)
CVP-202
117
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
N éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸. ............................................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ á‡ÔËÒ¸ ÔÂÍ‡ÚËÚÒﬂ. èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÛ ËÌ‰ËÍ‡ÚÓ
[REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì SONG PLAY.
èêàåÖóÄçàÖ
èÓ ÓÍÓÌ˜‡ÌËË Á‡ÔËÒË ÛÓ‚ÂÌ¸ [ACMP/SONG
VOLUME] ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Ì‡
Ï‡ÍÒËÏÛÏ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËﬂ ÔÓÎÁÛÌÍ‡.
èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [START/STOP] ÔÂÍ‡ÚËÚÒﬂ Á‡ÔËÒ¸ ÚÓÎ¸ÍÓ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚÏ‡. Ç˚ ÏÓÊÂÚÂ ÔÓ‰ÓÎÊ‡Ú¸ Á‡ÔËÒ¸ Ò
ÍÎ‡‚Ë‡ÚÛ˚ ·ÂÁ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ËÚÏ‡. óÚÓ·˚ ÔÓÎÌÓÒÚ¸˛
ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
ÖÒÎË ‚˚ ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÂ ÒÚËÎ¸ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [ENDING] ËÎË [FADE
IN/OUT], Á‡ÔËÒ¸ Ò ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ ·Û‰ÂÚ ÔÂÍ‡˘ÂÌ‡.
ÑÓ·‡‚ÎÂÌËÂ ÌÓ‚˚ı ‰ÓÓÊÂÍ
Ç ÔÂÒÌ˛ ÏÓÊÌÓ ‰Ó·‡‚ËÚ¸ ÌÓ‚˚Â ‰ÓÓÊÍË, ‚˚·‡‚ ‰ÓÓÊÍË Ë ÚÂÏ·˚
‰Îﬂ Á‡ÔËÒË, Í‡Í ÓÔËÒ‡ÌÓ ‚˚¯Â. ÇÓ ‚ÂÏﬂ Á‡ÔËÒË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Ë
ÔÓÒÎÛ¯‡Ú¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚Â ‰ÓÓÊÍË. èÓ‚ÚÓﬂﬂ ˝ÚË ‰ÂÈÒÚ‚Ëﬂ, ‚˚
ÏÓÊÂÚÂ Á‡ÔËÒ‡Ú¸ ˆÂÎÛ˛ ÔÂÒÌ˛.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ÔÓËÁ‚Ó‰ËÚÂ Á‡ÔËÒ¸ ‚ ‰ÓÓÊÍÛ, ÛÊÂ
ÒÓ‰ÂÊ‡˘Û˛ ‰‡ÌÌ˚Â, ÔÂÊ‰Â Á‡ÔËÒ‡ÌÌ˚Â
‰‡ÌÌ˚Â ·Û‰ÛÚ Û‰‡ÎÂÌ˚ Ë Á‡ÏÂÌÂÌ˚ ÌÓ‚˚ÏË.
á‡ÔËÒ¸ Punch-in/out
Ç˚·ÓÓ˜ÌÓ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â Ù‡„ÏÂÌÚ˚ ÔÂÒÌË ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Punch-in/out. îÛÌÍˆËﬂ Punch-in/out ÔÓÁ‚ÓÎﬂÂÚ Ì‡˜‡Ú¸
Á‡ÔËÒ¸ Ò ÔÓËÁ‚ÓÎ¸ÌÓÈ ÚÓ˜ÍË ‚ ÛÊÂ Á‡ÔËÒ‡ÌÌÓÈ ‰ÓÓÊÍÂ Ë Á‡‚Â¯ËÚ¸
Á‡ÔËÒ¸ ‚ Î˛·ÓÈ ‰Û„ÓÈ ÚÓ˜ÍÂ, ÓÒÚ‡‚Ë‚ ·ÂÁ ËÁÏÂÌÂÌËÈ ‚ÒÂ ‰‡ÌÌ˚Â ‰Ó
Ì‡˜‡Î‡ Ë ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË Punch-in/out.
èêàåÖóÄçàÖ
á‡ÔËÒ¸ Punch-in/out ÌÂ ÏÓÊÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ
Ì‡ ‰ÓÓÊÍ‡ı, „‰Â ‡ÌÂÂ ·˚Î Á‡ÔËÒ‡Ì
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ËÚÏË˜ÂÒÍ‡ﬂ Ô‡ÚËﬂ, ‡
Ú‡ÍÊÂ Ì‡ ‰ÓÓÊÍ‡ı Ò 6 ÔÓ 8, ÂÒÎË Ì‡ ÌËı ·˚Î‡
Á‡ÔËÒ‡Ì‡ „‡ÏÓÌËﬂ (ÒÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 113).
Z á‡ÔÛÒÚËÚÂ ÔÂÒÌ˛. ...........................................................................................................................
ÇÓÒÔÓËÁ‚Â‰ËÚÂ ÔÂÒÌ˛, ˜ÚÓ·˚ ÓÔÂ‰ÂÎËÚ¸, Í‡ÍÓÈ Ù‡„ÏÂÌÚ ‚˚ ıÓÚËÚÂ
ÔÂÂÁ‡ÔËÒ‡Ú¸.
SONG CONTROL
SONG
CVP-202
REC
116
118
PLAY/
STOP
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○á‡ÔËÒ¸
ÔÂÒÂÌ
X èËÓÒÚ‡ÌÓ‚ËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÂ‰
ÔÂÂÁ‡ÔËÒ˚‚‡ÂÏ˚Ï Ù‡„ÏÂÌÚÓÏ. .......................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PAUSE], ˜ÚÓ·˚ ÔËÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
˜ÛÚ¸ ‡Ì¸¯Â ÏÓÏÂÌÚ‡, Ò ÍÓÚÓÓ„Ó ‚˚ ıÓÚËÚÂ Ì‡˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸. éÒÚ‡‚¸ÚÂ
Ó‰ËÌ ËÎË ÌÂÒÍÓÎ¸ÍÓ Ú‡ÍÚÓ‚ ÔÂÂ‰ Ì‡˜‡ÎÓÏ Á‡ÔËÒË, ˜ÚÓ·˚ ÛÒÔÂÚ¸
ÛÒÎ˚¯‡Ú¸ ËÚÏ.
PAUSE
REW
FF
C ÇÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ Punch-in/out. .........................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
SONG CONTROL
SONG
PLAY/
STOP
REC
➔ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì PUNCH IN/OUT.
V Ç˚·ÂËÚÂ ‰ÓÓÊÍÛ. ................................................................................................................
ÑÎﬂ ‚˚·Ó‡ ‰ÓÓÊÍË ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË TRACK < ËÎË >, ‰ËÒÍ ‰Îﬂ
‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+].
➔ Ç˚·‡ÌÌ‡ﬂ ‰ÓÓÊÍ‡ ·Û‰ÂÚ ‚˚‰ÂÎÂÌ‡ ÔÓ‰˜ÂÍË‚‡ÌËÂÏ.
117
àÒÔÓÎ¸ÁÛÈÚÂ Í‡ÈÌ˛˛ Ô‡‚Û˛ ÍÌÓÔÍÛ Üä-‰ËÒÔÎÂﬂ, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸
‰Îﬂ ‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË ÂÊËÏ REC (Á‡ÔËÒ¸) ËÎË OFF (Á‡ÔËÒ¸/
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÚÍÎ˛˜ÂÌ˚). êÂÊËÏ PLAY ÏÓÊÂÚ ·˚Ú¸ ‚˚·‡Ì ÚÓÎ¸ÍÓ
‰Îﬂ ‰ÓÓÊÂÍ, ÒÓ‰ÂÊ‡˘Ëı ‰‡ÌÌ˚Â. ÖÒÎË ‰ÓÓÊÍ‡ ÔË„ÎÛ¯ÂÌ‡, ÂÂ ÌÓÏÂ
ÓÚÓ·‡Ê‡ÂÚÒﬂ ·ÂÁ ‡ÏÍË.
èêàåÖóÄçàÖ
Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ ÙÛÌÍˆËË
Punch-in/out
ÖÒÎË ÌÂ ‚˚·‡Ì‡ ‰ÓÓÊÍ‡ ‰Îﬂ ÔÂÂÁ‡ÔËÒË,
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚÒﬂ ÔÓÒÎÂ‰Ìﬂﬂ
Á‡ÔËÒ‡ÌÌ‡ﬂ ‰ÓÓÊÍ‡. Punch-in/out.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ‚˚·‡ÎË ‰ÓÓÊÍÛ, ËÒÔÓÎ¸ÁÛÂÏÛ˛ ‰Îﬂ
Á‡ÔËÒË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ËÚÏË˜ÂÒÍÓÈ
Ô‡ÚËË, ËÎË ‰ÓÓÊÍÛ (6,7 ËÎË 8), ÒÓ‰ÂÊ‡˘Û˛
„‡ÏÓÌË˛ (ÒÏ. ‚ÂÁÍÛ Ì‡ ÒÚ. 113), ‚˚ ÌÂ ÒÏÓÊÂÚÂ
ÔÓËÁ‚ÂÒÚË Á‡ÔËÒ¸.
CVP-202
119
á‡ÔËÒ¸ ÔÂÒÂÌ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
B Ç˚·ÂËÚÂ ÂÊËÏ Ì‡˜‡Î‡ ÔÂÂÁ‡ÔËÒË. .................................................................
Ç˚·ÂËÚÂ ÚÂ·ÛÂÏ˚È ÂÊËÏ Ì‡˜‡Î‡ ÔÂÂÁ‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ˜ÂÚ‚ÂÚÓÈ
ÍÌÓÔÍË Üä-‰ËÒÔÎÂﬂ. ÑÓÒÚÛÔÌ˚ ‰‚‡ ÂÊËÏ‡, ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ.
1ST KEY
á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ, Í‡Í ÚÓÎ¸ÍÓ ·Û‰ÂÚ Ì‡Ê‡Ú‡ Î˛·‡ﬂ ÍÎ‡‚Ë¯‡ ÔÓÒÎÂ
Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ‚ ¯‡„Â 7 (ÌËÊÂ).
PEDAL
á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ, Í‡Í ÚÓÎ¸ÍÓ ·Û‰ÂÚ Ì‡Ê‡Ú‡ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ ÔÓÒÎÂ Ì‡˜‡Î‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ‚ ¯‡„Â 7 (ÌËÊÂ).
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì ÂÊËÏ PEDAL, ÎÂ‚ÓÈ ÔÂ‰‡ÎË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒﬂ ÙÛÌÍˆËﬂ Punch
In, Ó·˚˜Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÂ‰‡ÎË ÓÚÏÂÌﬂÂÚÒﬂ.
N Ç˚·ÂËÚÂ ÂÊËÏ ÓÍÓÌ˜‡ÌËﬂ ÔÂÂÁ‡ÔËÒË. ......................................................
Ç˚·ÂËÚÂ ÚÂ·ÛÂÏ˚È ÂÊËÏ ÓÍÓÌ˜‡ÌËﬂ ÔÂÂÁ‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÒÂ‰ÌÂÈ
ÍÌÓÔÍË Üä-‰ËÒÔÎÂﬂ. ÑÓÒÚÛÔÌ˚ ‰‚‡ ÂÊËÏ‡, ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ.
REPLACE
ÇÒÂ ‰‡ÌÌ˚Â ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ·Û‰ÛÚ
Û‰‡ÎÂÌ˚.
PCH.OUT
ÇÒÂ ‰‡ÌÌ˚Â ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ÔÂÂÁ‡ÔËÒ‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÓÒÚ‡ÌÛÚÒﬂ
Ì‡ ÏÂÒÚÂ.
M á‡ÔÛÒÚËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ë Á‡ÔËÒ¸. ..............................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP] ËÎË [PAUSE], ˜ÚÓ·˚ ‚ÓÁÓ·ÌÓ‚ËÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò ÚÓ„Ó ÏÓÏÂÌÚ‡, „‰Â Ò‰ÂÎ‡Ì‡ Ô‡ÛÁ‡.
ÖÒÎË ‚˚·‡Ì ÂÊËÏ 1ST KEY, ˜ÚÓ·˚ Ì‡˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸,
ÔÓÒÚÓ Ì‡˜ÌËÚÂ Ë„‡Ú¸ ‚ ÌÛÊÌ˚È ÏÓÏÂÌÚ.
ÖÒÎË ‚˚·‡Ì ÂÊËÏ PEDAL, ˜ÚÓ·˚ Ì‡˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸,
Ì‡ÊÏËÚÂ ÎÂ‚Û˛ ÔÂ‰‡Î¸ ‚ ÏÓÏÂÌÚ Ì‡˜‡Î‡ Á‡ÔËÒË.
< éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸. ................................................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/STOP].
➔ á‡ÔËÒ¸ ÔÂÍ‡ÚËÚÒﬂ. èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÛ
ËÌ‰ËÍ‡ÚÓ [REC] ÔÓ„‡ÒÌÂÚ Ë ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì SONG PLAY.
CVP-202
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì ÂÊËÏ ÔÂÂÁ‡ÔËÒË PEDAL,
Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ ÓÒÚ‡ÌÓ‚ËÚ¸ Ì‡Ê‡ÚËÂÏ
ÎÂ‚ÓÈ ÔÂ‰‡ÎË.
118
120
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì ÂÊËÏ ÔÂÂÁ‡ÔËÒË PEDAL,
Á‡ÔËÒ¸ ÏÓÊÌÓ Ì‡˜‡Ú¸ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ
Ì‡Ê‡ÚËÂÏ ÎÂ‚ÓÈ ÔÂ‰‡ÎË, ÌÂ Ì‡ÊËÏ‡ﬂ
ÔÂ‰‚‡ËÚÂÎ¸ÌÓ Ì‡ ÍÌÓÔÍË [PLAY/STOP] ËÎË
[PAUSE], ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
ÄÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
○○○○○○○○
îÛÌÍˆËﬂ Chord Sequence ÔÓÁ‚ÓÎﬂÂÚ ‚‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓ¯‡„Ó‚Ó, ËÒÔÓÎ¸ÁÛﬂ Ì‡Á‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚.
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ô‡ÚË˛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˝ÚÓÈ
ÙÛÌÍˆËË, ÌÂ ÌÛÊÌÓ Ë„‡Ú¸ ‚ ÓÔÂ‰ÂÎÂÌÌÓÏ ËÚÏÂ ËÎË ÚÂÏÔÂ.
Z Ç˚·ÂËÚÂ ËÌÒÚÛÏÂÌÚ ‰Îﬂ Á‡ÔËÒË. ....................................................................
èÓ‚ÚÓËÚÂ ¯‡„Ë Ò 1 ÔÓ 3 ‰Îﬂ ·˚ÒÚÓÈ Á‡ÔËÒË: ‚ÒÚ‡‚¸ÚÂ
ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ, ‚˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[REC], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ Á‡ÔËÒË.
èêàåÖóÄçàÖ
çÂ‚ÓÁÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÏÛÁ˚Í‡Î¸ÌÛ˛ ·‡ÁÛ
‰‡ÌÌ˚ı (ÒÚ. 67) ËÎË ÙÛÌÍˆË˛ Registration
(ÒÚ. 89) ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
SONG CONTROL
SONG
PLAY/
STOP
REC
➾ Ç˚·ÂËÚÂ ˝Í‡Ì RECORD EDIT (ÒÚ‡ÌËˆ‡ 3 ˝Í‡Ì‡ ÂÊËÏ‡ Á‡ÔËÒË) Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PAGE [<] Ë [>].
X ÇÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ Chord Sequence. ..............................................................
119
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ CHORD SEQ. Ì‡ ˝Í‡ÌÂ RECORD EDIT.
èêàåÖóÄçàÖ
äÓ„‰‡ ÌÂÎ¸Áﬂ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ Chord
Sequence...
îÛÌÍˆË˛ Chord Sequence ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸,
ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ÌÂ ‚ÒÚ‡‚ÎÂÌ‡ ‰ËÒÍÂÚ‡.
CVP-202
121
ÄÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
➔
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì CHORD SEQUENCE, ‚ÍÎ˛˜ËÚÒﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ·Û‰ÂÚ ‚˚·‡Ì ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Fingered 1.
èêàåÖóÄçàÖ
àÁÏÂÌÂÌËÂ ÂÊËÏ‡ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
çÂ‚ÓÁÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÂÒÎË ‡ÍÚË‚Ì‡ ÙÛÌÍˆËﬂ Chord Sequence. íÂÏ ÌÂ
ÏÂÌÂÂ, ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ ÂÊËÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÓÚÎË˜Ì˚È ÓÚ Full Keyboard) ‚
˝Í‡ÌÂ ACCOMPANIMENT MODE, Ì‡Ê‡‚
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÍÌÓÔÍË [DIRECT ACCESS] Ë
[ACMP ON]. íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
Ú‡ÍÊÂ ÏÓÊÂÚ ·˚Ú¸ ËÁÏÂÌÂÌ‡ ‚ ˝ÚÓÏ ˝Í‡ÌÂ.
èêàåÖóÄçàÖ
C èÂÂÏÂÒÚËÚÂ ÍÛÒÓ Í ÚÓ˜ÍÂ ‚‚Ó‰‡. .......................................................................
ç‡ ‰ËÒÔÎÂÂ Ú‡ÍÚ˚ ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ ‚Ë‰Â „ÓËÁÓÌÚ‡Î¸ÌÓÈ ÎËÌËË Ò
‰ÂÎÂÌËﬂÏË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ‚ÓÒ¸Ï˚Ï ÌÓÚ‡Ï.
óÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÚÂÛ„ÓÎ¸Ì˚È ÍÛÒÓ ‚‰ÓÎ¸ ÎËÌËË Ú‡ÍÚ‡ Í
ÚÓ˜ÍÂ, ‚ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚÂ ‚ÒÚ‡‚ËÚ¸ ‡ÍÍÓ‰ ËÎË ËÁÏÂÌËÚ¸ ÒÚËÎ¸,
Ì‡ÊÏËÚÂ Ì‡ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ CURSOR < ËÎË >, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸
ÙÛÌÍˆË˛, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–]
Ë [+].
í‡ÍÊÂ ÍÛÒÓ ÏÓÊÌÓ ÔÂÂÏÂ˘‡Ú¸ ÍÌÓÔÍ‡ÏË CURSOR < Ë >.
• Ñ‡ÌÌ˚Â ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÏÂÌﬂÚ ‚ÒÂ ÔÂ‰˚‰Û˘ËÂ
‰‡ÌÌ˚Â ‚ ‰ÓÓÊÍ‡ı ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ËÚÏ‡, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÂÊËÏ‡ı ·˚ÒÚÓÈ
Á‡ÔËÒË Ë Á‡ÔËÒË ‰ÓÓÊÂÍ.
• ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Chord Sequence ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó 999 Ú‡ÍÚÓ‚
• çÓÚÌÓÂ ‡ÁÂ¯ÂÌËÂ ‚‚Ó‰ËÏ˚ı ‡ÍÍÓ‰Ó‚
·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·‡ÌÓ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÍÛ˘Â„Ó ÒÚËÎﬂ. ÑÎﬂ ÒÚËÎÂÈ
Ò ‡ÁÏÂÓÏ 2/4, 3/4, 4/4 Ë 5/4 Ó‰ËÌ ‡ÍÍÓ‰
ÏÓÊÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ ËÎË
ÚËÓÎË, ÒÓÒÚÓﬂ˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı. ÑÎﬂ ‰Û„Ëı
‡ÁÏÂÓ‚ Ó‰ËÌ ‡ÍÍÓ‰ ÏÓÊÂÚ
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ó‰ÌÓÏÛ Ú‡ÍÚÛ.
èêàåÖóÄçàÖ
èÂÂÍÎ˛˜ÂÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
˜‡ÒÚË ÔÓËÁ‚Â‰ÂÌËﬂ
àÁÏÂÌÂÌËÂ ÒÚËÎﬂ ËÎË ÔÂÂÍÎ˛˜ÂÌËÂ ˜‡ÒÚË
ÔÓËÁ‚Â‰ÂÌËﬂ (ÒÚ. 123) ÏÓÊÂÚ ·˚Ú¸
ÔÓËÁ‚Â‰ÂÌÓ ‚ Ì‡˜‡ÎÂ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡
(ËÌÚÓ‰ÛÍˆËﬂ ÏÓÊÂÚ ·˚Ú¸ ‚‚Â‰ÂÌ‡ ÚÓÎ¸ÍÓ ‚
Ì‡˜‡ÎÂ ÔÂÒÌË). é‰Ì‡ÍÓ ‚ÒÚ‡‚Í‡ ÏÓÊÂÚ ·˚Ú¸
‰Ó·‡‚ÎÂÌ‡ ‚ Î˛·ÓÏ ÏÂÒÚÂ.
èêàåÖóÄçàÖ
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÉÓÏÍÓÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ú‡ÍÊÂ ÏÓÊÌÓ
Â„ÛÎËÓ‚‡Ú¸. èË ‡ÁÛÏÌÓÏ ËÒÔÓÎ¸ÁÓ‚‡ÌËË
˝Ú‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸
ÔÓÙÂÒÒËÓÌ‡Î¸ÌÓ Á‚Û˜‡˘ËÂ ‰ËÌ‡ÏË˜ÂÒÍËÂ
˝ÙÙÂÍÚ˚ ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ‚‡¯ÂÈ ÔÂÒÌË.
ÑÎﬂ ˝ÚÓ„Ó ÒÌ‡˜‡Î‡ Á‡„ÛÁËÚÂ ËÌÙÓÏ‡ˆË˛ Ó
„ÓÏÍÓÒÚË Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò
˝Í‡Ì‡ MIXER; ÒËÏ‚ÓÎ ( ) ÔÓﬂ‚ËÚÒﬂ ‚ ‡ÏÍÂ ‚
Ô‡‚ÓÈ ˜‡ÒÚË ‰ËÒÔÎÂﬂ. óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚
Á‡ÔËÒ¸ ËÌÙÓÏ‡ˆË˛ Ó „ÓÏÍÓÒÚË ‚ ÚÂÍÛ˘ÂÈ
ÔÓÁËˆËË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SET ˝Í‡Ì‡ CHORD
SEQUENCE. (Ç Ì‡˜‡ÎÂ ÔÂÒÌË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Á‡‡ÌÂÂ Á‡‰‡ÌÌÓÂ ÁÌ‡˜ÂÌËÂ
ÛÓ‚Ìﬂ „ÓÏÍÓÒÚË.)
CVP-202
120
122
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÄÍÍÓ‰Ó‚‡ﬂ
V Ç‚Â‰ËÚÂ ‡ÍÍÓ‰˚ Ë/ËÎË ÛÒÚ‡ÌÓ‚ËÚÂ ËÁÏÂÌÂÌËﬂ ÒÚËÎﬂ. ............
ÄÍÍÓ‰ ÏÓÊÌÓ ÎË·Ó Ò˚„‡Ú¸ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ÂÊËÏÂ
‡ÔÔÎËÍ‡ÚÛ˚ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (ÌËÊÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ), ÎË·Ó
‚˚‰ÂÎËÚ¸ ÔÓÎﬂ ROOT ËÎË TYPE Ì‡ Üä-‰ËÒÔÎÂÂ Ë ‚‚ÂÒÚË ‰‡ÌÌ˚Â Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+].
í‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ ‡ÍÍÓ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ROOT Ë/ËÎË
TYPE.
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
èêàåÖóÄçàÖ
ç‡Á‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚, ‚‚‰ÌÌ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚, Ú‡ÍÊ
ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ ÔÓÎﬂı ROOT Ë TYPE.
➔ ç‡Á‚‡ÌËÂ ‡ÍÍÓ‰‡ ÓÚÓ·‡Ê‡ÂÚÒﬂ ﬂ‰ÓÏ ÒÓ ÁÌ‡˜ÍÓÏ ÍÎ‡‚Ë‡ÚÛ˚ ‚ ‡ÏÍÂ
‚ Ô‡‚ÓÈ ˜‡ÒÚË ‰ËÒÔÎÂﬂ.
➾ óÚÓ·˚ ‚‚ÂÒÚË ËÁÏÂÌÂÌËﬂ ÒÚËÎﬂ (ÒÚËÎ¸, ˜‡ÒÚ¸ ÔÓËÁ‚Â‰ÂÌËﬂ, ÚÂÏÔ),
ÔÓÒÚÓ ‚˚·ÂËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÁÌ‡˜ÂÌËﬂ ‚ Ó·˚˜ÌÓÏ ÔÓﬂ‰ÍÂ.
➾ äÓ„‰‡ ‡ÍÍÓ‰ Ë/ËÎË ÒÚËÎ¸ ‚˚·‡Ì˚, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SET.
➔ óÂÌ˚È ÔﬂÏÓÛ„ÓÎ¸ÌËÍ ÔÓﬂ‚ËÚÒﬂ Ì‡‰ ÎËÌËÂÈ ËÌ‰ËÍ‡ÚÓ‡ Ú‡ÍÚ‡ ‚ ÚÂÍÛ˘ÂÈ
ÔÓÁËˆËË; ˝ÚÓ ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ‚ ˝ÚÓÈ ÔÓÁËˆËË ·˚ÎË Á‡ÔËÒ‡Ì˚ ‰‡ÌÌ˚Â.
äÛÒÓ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÂÏÂ˘‡ÂÚÒﬂ ‚ ÒÎÂ‰Û˛˘Û˛ ÔÓÁËˆË˛.
á‡ÔËÒ˚‚‡ÂÏ˚Â ‰‡ÌÌ˚Â ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡ ‰ËÒÔÎÂÂ: Ò‚Â‰ÂÌËﬂ Ó
‡ÁÏÂÂ, Ì‡Á‚‡ÌËË ÒÚËÎﬂ Ë ˜‡ÒÚË ÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ıÓ‰ﬂÚÒﬂ ‚ ‚ÂıÌÂÏ
ÎÂ‚ÓÏ Û„ÎÛ ˝Í‡Ì‡, ‡ Ì‡Á‚‡ÌËÂ ‡ÍÍÓ‰‡ Ë ÚÂÏÔ — ‚ ‡ÏÍÂ Ò Ô‡‚ÓÈ
ÒÚÓÓÌ˚ ˝Í‡Ì‡.
èêàåÖóÄçàÖ
çÂ‚ÓÁÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Á‡ÚÛı‡ÌËﬂ
„ÓÏÍÓÒÚË ‚Ó Ù‡„ÏÂÌÚÂ, „‰Â ÛÊÂ Á‡‰‡ÌÓ
Ì‡‡ÒÚ‡ÌËÂ „ÓÏÍÓÒÚË.
èêàåÖóÄçàÖ
Ç‚Â‰ÂÌËÂ Ù‡„ÏÂÌÚÓ‚ ÚÓÎ¸ÍÓ Ò ËÚÏÓÏ
Ç ÔÂÒÌÂ ÏÓ„ÛÚ ·˚Ú¸ Ù‡„ÏÂÌÚ˚ ÚÓÎ¸ÍÓ Ò ËÚÏÓÏ
(·ÂÁ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡). ÑÎﬂ ˝ÚÓ„Ó ‚ÒÚ‡‚¸ÚÂ ‚
ÌÛÊÌ˚È Ú‡ÍÚ ÔÛÒÚÓÈ ‡ÍÍÓ‰, ÛÒÚ‡ÌÓ‚Ë‚ ‚ ÔÓÎÂ
TYPE ÁÌ‡˜ÂÌËÂ «---».
èêàåÖóÄçàÖ
èÓ‰ÓÎÊ‡ÈÚÂ ÔÂÂÏÂ˘‡Ú¸ ÍÛÒÓ ‚ ÒÎÂ‰Û˛˘ËÂ ÔÓÁËˆËË Ë
‰Ó·‡‚ÎﬂÈÚÂ Ú‡ÍËÏ Ó·‡ÁÓÏ ‡ÍÍÓ‰˚ Ë ‚ÌÓÒËÚÂ ËÁÏÂÌÂÌËﬂ ÒÚËÎﬂ.
á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â ÏÓÊÌÓ ÔÓ‚ÂËÚ¸, ‚ÓÒÔÓËÁ‚Â‰ﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP].
çËÊÂ ÔÂÂ˜ËÒÎÂÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Chord
Sequence.
Ñ‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Chord Sequence
• ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
• ó‡ÒÚ¸ ÔÓËÁ‚Â‰ÂÌËﬂ (MAIN A/B/C/D, ËÌÚÓ‰ÛÍˆËﬂ, ÙËÌ‡Î, ‡‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ‚ÒÚ‡‚Í‡, Ì‡‡ÒÚ‡ÌËÂ/
Á‡ÚÛı‡ÌËÂ „ÓÏÍÓÒÚË, ·ÂÈÍ)
• ç‡Á‚‡ÌËÂ ‡ÍÍÓ‰‡
• íÂÏÔ
• ÉÓÏÍÓÒÚ¸ Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÛÒÚ‡ÌÓ‚ÍË ÏËÍ¯Â‡)
• êËÚÏ (‚ÍÎ˛˜ÂÌ/‚˚ÍÎ˛˜ÂÌ)
121
• „ÓÏÍÓÒÚ¸ ACMP/SONG (Ì‡˜‡Î¸Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡)
ÑÓ·‡‚ÎÂÌËÂ Ô‡ÛÁ˚
• è‡ÛÁÛ ‚ Á‚Û˜‡ÌËË ÏÓÊÌÓ ÒÓÁ‰‡Ú¸, Á‡‰‡‚ ÚËÔ
‡‰‡ «---» Ë ÓÚÍÎ˛˜Ë‚ Á‚ÛÍ ËÚÏ‡ (ÒÏ. ÌËÊÂ
ÓÔËÒ‡ÌËÂ ÙÛÌÍˆËË «RHYTHM ON/OFF»).
• èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÙÛÌÍˆËË ‡ÍÍÓ‰Ó‚ÓÈ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ÌÂ‚ÓÁÏÓÊÌÓ ‚ÒÚ‡‚ËÚ¸
Ô‡ÛÁÛ Ò ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË (ÒÚ. 138).
• é·˚˜ÌÓ Clavinova ÔÓË„˚‚‡ÂÚ ‚ÒÚ‡‚ÍÛ ÔË
ÔÂÂÍÎ˛˜ÂÌËË ÏÂÊ‰Û ‚‡Ë‡ˆËﬂÏË (ÓÚ MAIN A Í
MAIN D). óÚÓ·˚ ÔËÏÂÌËÚ¸ ‰Û„Û˛ ‚‡Ë‡ˆË˛ ‚
Ì‡˜‡ÎÂ Ú‡ÍÚ‡, ÌÂ ÔÓË„˚‚‡ﬂ ‚ÒÚ‡‚ÍÛ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÈ
‚‡Ë‡ˆËË, ‰‚‡Ê‰˚, ÔÂÂ‰ ÚÂÏ Í‡Í Ì‡Ê‡Ú¸ SET.
èêàåÖóÄçàÖ
• çÓÏÂ Ú‡ÍÚ‡ ÔÓÍ‡Á‡Ì ÒÎÂ‚‡ ÓÚ ËÌ‰ËÍ‡ÚÓ‡
Ú‡ÍÚ‡.
• àÌÙÓÏ‡ˆË˛ Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı ÒÂ‰ÒÚ‚‡ı
Â‰‡ÍÚËÓ‚‡ÌËﬂ ÒÏ. ÌËÊÂ ‚ ‡Á‰ÂÎÂ «ÑÛ„ËÂ
ÙÛÌÍˆËË Chord Sequence».
• é‰ËÌ Ë ÚÓÚ ÊÂ ‡ÍÍÓ‰ ÌÂ ÏÓÊÂÚ ·˚Ú¸ ‚‚Â‰ÂÌ
‰‚‡ ‡Á‡ ÔÓ‰ﬂ‰. ÖÒÎË ‡ÍÍÓ‰, ÓÚÓ·‡Ê‡ÂÏ˚È
‚ ÔÓÎﬂı ROOT Ë TYPE, Ú‡ÍÓÈ ÊÂ, Í‡Í
ÔÂ‰˚‰Û˘ËÈ Á‡ÔËÒ‡ÌÌ˚È ‡ÍÍÓ‰, Clavinova ÌÂ
Á‡ÔË¯ÂÚ ËÁÏÂÌÂÌËﬂ ‡ÍÍÓ‰‡ ÔË Ì‡Ê‡ÚËË
ÍÌÓÔÍË SET.
CVP-202
123
ÄÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
B éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸. .....................................................................................................................
äÓ„‰‡ Á‡ÔËÒ¸ Á‡ÍÓÌ˜ÂÌ‡, ‚˚·ÂËÚÂ ÒÚ‡ÌËˆÛ 2 ˝Í‡Ì‡ CHORD SEQUENCE, Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÍÌÓÔÍË END MARK Ë SET Ë
‚‚Â‰ËÚÂ ÏÂÚÍÛ ÓÍÓÌ˜‡ÌËﬂ, ÍÓÚÓ‡ﬂ ÓÔÂ‰ÂÎﬂÂÚ ÏÂÒÚÓÔÓÎÓÊÂÌËÂ ÙËÌ‡Î‡.
åÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ ·Û‰ÂÚ ÓÚÓ·‡ÊÂÌ‡ ‚ ‡ÏÍÂ Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡.
á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC]; ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Save recorded data?». ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â
Ë ÔÓÍËÌÛÚ¸ ÒÚ‡ÌËˆÛ ÙÛÌÍˆËË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË; Ì‡ ‰ËÒÔÎÂÂ
ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì SONG PLAY. ÑÎﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Ì‡ÊÏËÚÂ
NO. ÑÎﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Ì‡ÊÏËÚÂ CANCEL.
èêàåÖóÄçàÖ
•
íÂÔÂ¸ ‰‡ÌÌ˚Â ‡ÍÍÓ‰Ó‚ÓÈ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Á‡ÔËÒ‡Ì˚ Ì‡ ‰ÓÓÊÍ‡ı
Ò 9 ÔÓ 16 Ë ÏÓ„ÛÚ ·˚Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌ˚ ‚
Ó·˚˜ÌÓÏ ÔÓﬂ‰ÍÂ. èÓ ÊÂÎ‡ÌË˛ ÏÓÊÂÚÂ
‰Ó·‡‚ËÚ¸ ‰Û„ËÂ ‰ÓÓÊÍË, ËÒÔÓÎ¸ÁÛﬂ
ÒÚ‡Ì‰‡ÚÌÛ˛ ÔÓˆÂ‰ÛÛ ‚˚·Ó‡ ‰ÓÓÊÍË Ë
Á‡ÔËÒË. Ç˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ÔÓËÁ‚Ó‰ËÚ¸
Á‡ÔËÒ¸ ÔÓ‚Âı Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ë Á‡ÏÂÌËÚ¸ ÂÂ ÓË„ËÌ‡Î¸ÌÓÈ ÍÓÏÔÓÁËˆËÂÈ,
ËÒÔÓÎ¸ÁÛﬂ ÒÚ‡Ì‰‡ÚÌÛ˛ ÔÓˆÂ‰ÛÛ ‚˚·Ó‡
‰ÓÓÊÍË Ë Á‡ÔËÒË.
•
èÂÒÌﬂ, Á‡ÔËÒ‡ÌÌ‡ﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË, ÏÓÊÂÚ
ÔÓÁÊÂ ·˚Ú¸ ÓÚÂ‰‡ÍÚËÓ‚‡Ì‡; ‰Îﬂ ˝ÚÓ„Ó
ÌÂÓ·ıÓ‰ËÏÓ ÒÌÓ‚‡ ‚ÓÈÚË ‚ ÂÊËÏ
‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Ë ‚ÌÂÒÚË
ÚÂ·ÛÂÏ˚Â ËÁÏÂÌÂÌËﬂ. íÂÏ ÌÂ ÏÂÌÂÂ,
ÒÎÂ‰ÛÂÚ ËÏÂÚ¸ ‚ ‚Ë‰Û, ˜ÚÓ Î˛·˚Â ‰‡ÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚Â ÔÓ‚Âı Ô‡ÚËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ó·˚˜Ì˚Ï ÏÂÚÓ‰ÓÏ
Á‡ÔËÒË ‰ÓÓÊÍË), ·Û‰ÛÚ Á‡ÏÂÌÂÌ˚ ‰‡ÌÌ˚ÏË
ÒÚ‡Ì‰‡ÚÌÓ„Ó ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
(ç‡ÔËÏÂ, ‰‡ÊÂ ÂÒÎË ‚˚ Á‡ÔËÒ‡ÎË Ò‚Ó˛
ÒÓ·ÒÚ‚ÂÌÌÛ˛ ·‡ÒÓ‚Û˛ Ô‡ÚË˛, ÓÌ‡ ·Û‰ÂÚ
Û‰‡ÎÂÌ‡ Ë Á‡ÏÂÌÂÌ‡ ÒÚ‡Ì‰‡ÚÌÓÈ ·‡ÒÓ‚ÓÈ
Ô‡ÚËÂÈ, ÂÒÎË ‚˚ Â‰‡ÍÚËÛÂÚÂ ‰‡ÌÌ˚Â Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Chord Sequence.)
ÑÛ„ËÂ ÙÛÌÍˆËË Chord Sequence
ëÚ‡ÌËˆ‡ 2 ˝Í‡Ì‡ CHORD SEQUENCE ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó
‡ÁÌÓÓ·‡ÁÌ˚ı ÙÛÌÍˆËÈ, ÔÓÁ‚ÓÎﬂ˛˘Ëı ·ÓÎÂÂ ˝ÙÙÂÍÚË‚ÌÓ ‡·ÓÚ‡Ú¸ Ò
‰‡ÌÌ˚ÏË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
■ ALL DELETE .................................................................
óÚÓ·˚ Û‰‡ÎËÚ¸ ‚ÒÂ ‰‡ÌÌ˚Â ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ALL
DELETE. èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?». ç‡ÊÏËÚÂ YES,
˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ËÎË NO ‰Îﬂ ÓÚÏÂÌ˚.
■ DELETE .........................................................................
óÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚Â ËÁ ÚÂÍÛ˘Â„Ó ÔÓÎÓÊÂÌËﬂ ÍÛÒÓ‡, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ DELETE. èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?». ç‡ÊÏËÚÂ
YES, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ËÎË NO ‰Îﬂ ÓÚÏÂÌ˚.
CVP-202
122
124
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÄÍÍÓ‰Ó‚‡ﬂ
■ END MARK ....................................................................
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ÏÂÚÍÛ ÓÍÓÌ˜‡ÌËﬂ ‚ ÚÂÍÛ˘ÂÂ ÔÓÎÓÊÂÌËÂ ÍÛÒÓ‡,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ END MARK, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ SET. åÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ
ÓÔÂ‰ÂÎﬂÂÚ ÍÓÌÂˆ ÔÂÒÌË Ë ‰ÓÎÊÌ‡ Ì‡‰ÎÂÊ‡˘ËÏ Ó·‡ÁÓÏ ‚‚Ó‰ËÚ¸Òﬂ ‚ ÍÓÌÂˆ
Í‡Ê‰ÓÈ ÔÂÒÌË. (åÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ ÌÂÓ·ﬂÁ‡ÚÂÎ¸Ì‡, ÂÒÎË ÔÂÒÌﬂ ÓÍ‡Ì˜Ë‚‡ÂÚÒﬂ
ÙËÌ‡ÎÓÏ ËÎË ÔÓÒÚÂÔÂÌÌ˚Ï Á‡ÚÛı‡ÌËÂÏ Á‚ÛÍ‡.) äÛÒÓ ÌÂ ÏÓÊÂÚ
ÔÂÂÏÂ˘‡Ú¸Òﬂ ‰‡Î¸¯Â ÏÂÚÍË ÓÍÓÌ˜‡ÌËﬂ. åÂÚÍÛ ÓÍÓÌ˜‡ÌËﬂ ÏÓÊÌÓ Û‰‡ÎËÚ¸ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË DELETE, Í‡Í Ë Î˛·˚Â ‰Û„ËÂ ‰‡ÌÌ˚Â.
■ RHYTHM ON/OFF..........................................................
123
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ Á‚ÛÍ ËÚÏ‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ RHYTHM
ON/OFF, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ SET. ç‡˜ËÌ‡ﬂ Ò ÚÓ˜ÍË, „‰Â ËÚÏ ·˚Î ‚˚ÍÎ˛˜ÂÌ Ë
‰Ó ÚÓ˜ÍË, „‰Â ÓÌ ·˚Î ÒÌÓ‚‡ ‚ÍÎ˛˜ÂÌ, Á‚ÛÍ ËÚÏ‡ ÒÎ˚¯ÂÌ ÌÂ ·Û‰ÂÚ.
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
èêàåÖóÄçàÖ
åÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ
ÖÒÎË ÌÂ ‚‚Â‰ÂÌ‡ ÏÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ, ÔÂÒÌﬂ
Á‡ÍÓÌ˜ËÚÒﬂ ˜ÂÂÁ Ó‰ËÌ Ú‡ÍÚ ÔÓÒÎÂ ÔÓÒÎÂ‰ÌËı
Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı. ÖÒÎË Á‡‰‡Ì ÙËÌ‡Î ËÎË
Ù‡„ÏÂÌÚ Fade-out, ÔÂÒÌﬂ Á‡ÍÓÌ˜ËÚÒﬂ Ì‡
ÔÓÒÎÂ‰ÌÂÏ Ú‡ÍÚÂ ÙËÌ‡Î‡ ËÎË Ù‡„ÏÂÌÚ‡ Ò
Á‡ÚÛı‡˛˘ËÏ Á‚ÛÍÓÏ.
èêàåÖóÄçàÖ
ëÓÒÚÓﬂÌËÂ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ RHYTHM ON/OFF
ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ‡ÏÍÂ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ˝Í‡Ì‡.
CVP-202
125
ÑÛ„ËÂ ÙÛÌÍˆËË Record Edit
○○○○○○○○○○○○○○○
Ç ÂÊËÏÂ Á‡ÔËÒË Record ÔÂ‰ÛÒÏÓÚÂÌÓ ·ÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó ‰Û„Ëı
ÔÓÎÂÁÌ˚ı ÙÛÌÍˆËÈ Â‰‡ÍÚËÓ‚‡ÌËﬂ, ÍÓÚÓ˚Â ÔÓÁ‚ÓÎﬂ˛Ú Â˘Â ÎÛ˜¯Â
ÛÔ‡‚ÎﬂÚ¸ ‰‡ÌÌ˚ÏË ÔÂÒÌË. ä ÙÛÌÍˆËﬂÏ Record Edit ÓÚÌÓÒﬂÚÒﬂ: Setup
Memory - ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova, Í‡Í ˜‡ÒÚ¸ ‚˚·‡ÌÌÓÈ ‚ ˝ÚÓÚ ÏÓÏÂÌÚ ÔÂÒÌË; Song Name
- ÔÓÁ‚ÓÎﬂÂÚ ÔËÒ‚ÓËÚ¸ ËÏﬂ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Ù‡ÈÎÛ; Track Edit - Ì‡·Ó
˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ Â‰‡ÍÚËÓ‚‡ÌËÂÏ ‰ÓÓÊÍË (Ì‡ÔËÏÂ Track Mix Ë
Track Delete); Initial Edit - ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸ ‰‡ÌÌ˚Â („ÓÏÍÓÒÚ¸,
Â‚Â·Â‡ˆË˛, ˝ÙÙÂÍÚ˚) ‚ Ì‡˜‡ÎÂ ÔÂÒÌË.
Ç˚·‡‚ ÔÂÒÌ˛ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ, ÔÂÂÈ‰ËÚÂ Ì‡ ˝Í‡Ì RECORD
EDIT (˝Í‡Ì Record mode, ÒÚ.3). á‰ÂÒ¸ ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚Â
ÙÛÌÍˆËË.
Setup Memory
îÛÌÍˆËﬂ Setup Memory ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË
Ì‡ ‰ËÒÍ ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ ‚ Î˛·ÓÈ ÏÓÏÂÌÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ ·˚ÎÓ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ëı ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸.
Z ç‡ÒÚÓÈÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË. ......................................................................................................
àÁÏÂÌËÚÂ ÙÛÌÍˆËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
Ì‡ÒÚÓÈÍ‡ÏË, ÌÂÓ·ıÓ‰ËÏ˚ÏË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË Â‰‡ÍÚËÛÂÏÓÈ ÔÂÒÌË.
X Ç˚·Ó ÙÛÌÍˆËË Setup Memory. .....................................................................................
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ PAGE [>], ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ RECORD EDIT
(ÒÚ. 3 ˝Í‡Ì‡ Song Record), ÂÒÎË ˝ÚÓ ÌÂÓ·ıÓ‰ËÏÓ; Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
SETUP MEMORY.
èêàåÖóÄçàÖ
• ÑÎﬂ ÔÓÎÛ˜ÂÌËﬂ ·ÓÎÂÂ ÔÓ‰Ó·ÌÓÈ
ËÌÙÓÏ‡ˆËË Ó ÚÓÏ, Í‡ÍËÂ Ì‡ÒÚÓÈÍË
ÒÓı‡Ìﬂ˛ÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Setup
Memory, ÒÏ. Ú‡·ÎËˆÛ Ô‡‡ÏÂÚÓ‚ Ì‡ ÒÚ. 11
‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ.
• ç‡ÒÚÓÈÍË, ÒÓı‡ÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Setup Memory, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÔË
ÔÂÂÁ‡ÔËÒË ‰‡ÌÌ˚ı ËÎË ‚ ÒÎÛ˜‡Â
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÙÛÌÍˆËË Initial Edit (ÒÚ. 130)
‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ Ì‡ÒÚÓÂÍ ËÒıÓ‰Ì˚ı
Ô‡‡ÏÂÚÓ‚.
➔ ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Save panel settings to disk?»
(«ëÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË Ì‡ ‰ËÒÍ?»).
CVP-202
124
126
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ
ÙÛÌÍˆËË Record Edit
➾ ç‡ÊÏËÚÂ YES ‰Îﬂ ÒÓı‡ÌÂÌËﬂ ÚÂÍÛ˘Ëı Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË ËÎË CANCEL
‰Îﬂ ‚ÓÁ‚‡˘ÂÌËﬂ Í ˝Í‡ÌÛ RECORD EDIT.
➔ ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Don't remove the disk!» (çÂ
‚˚ÌËÏ‡ÈÚÂ ‰ËÒÍ!) Ë ÔÓﬂ‚ËÚÒﬂ ÒÚÓÍ‡ ËÌ‰ËÍ‡ˆËË ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı;
Á‡ÚÂÏ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Completed!» («ÉÓÚÓ‚Ó!») Ë ÔÓËÁÓÈ‰ÂÚ
ÔÂÂıÓ‰ Í ÒÚ‡ÌËˆÂ RECORD EDIT.
Song Name
ùÚ‡ ÙÛÌÍˆËﬂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÔËÒ‚ÓÂÌËﬂ ËÏÂÌ Ù‡ÈÎ‡Ï,
Á‡ÔËÒ‡ÌÌ˚Ï Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, ËÎË ‰Îﬂ ËÁÏÂÌÂÌËﬂ ËÏÂÌ
ÛÊÂ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ù‡ÈÎÓ‚. ÑÎﬂ ‚˚ÁÓ‚‡ ÙÛÌÍˆËË Song Name Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ SONG NAME Ì‡ ˝Í‡ÌÂ RECORD EDIT.
èêàåÖóÄçàÖ
îÛÌÍˆË˛ Song Name ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸, ÂÒÎË ‚
‰ËÒÍÓ‚Ó‰ ÌÂ ‚ÒÚ‡‚ÎÂÌ‡ ‰ËÒÍÂÚ‡.
Z Ç‚Ó‰ ÌÛÊÌÓ„Ó ËÏÂÌË. ...........................................................................................................
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ >, ˜ÚÓ·˚ ÔÂÂÏÂÒÚËÚ¸ ÍÛÒÓ ‚ ÌÛÊÌÓÂ ÏÂÒÚÓ Ì‡
˝Í‡ÌÂ ËÏÂÌË Ù‡ÈÎ‡. (àÏﬂ Ù‡ÈÎ‡ ÏÓÊÂÚ ÒÓÒÚÓﬂÚ¸ ÌÂ ·ÓÎÂÂ ˜ÂÏ ËÁ 12
ÒËÏ‚ÓÎÓ‚.)
➾ àÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍË [–] Ë [+] ˜ÚÓ·˚ ‚˚·‡Ú¸ Ë
‚˚‰ÂÎËÚ¸ ·ÛÍ‚Û ËÎË ÁÌ‡Í, ÍÓÚÓ˚È Ì‡‰Ó ‚‚ÂÒÚË.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ CH.SET, ˜ÚÓ·˚ ‚‚ÂÒÚË ÒËÏ‚ÓÎ, ‚˚‰ÂÎÂÌÌ˚È
ÍÛÒÓÓÏ Ë ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÔÓÁËˆËË. ÑÛ„ËÂ ÁÌ‡ÍË Ë ÒËÏ‚ÓÎ˚
‚‚Ó‰ﬂÚÒﬂ Ú‡ÍËÏ ÊÂ Ó·‡ÁÓÏ.
óÚÓ·˚ Û‰‡ÎËÚ¸ ÔÂ‰˚‰Û˘ËÈ ÁÌ‡Í, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ BACK. áÌ‡Í,
ÒÚÓﬂ˘ËÈ ÔÂÂ‰ ÍÛÒÓÓÏ Û‰‡ÎﬂÂÚÒﬂ, ‡ ÍÛÒÓ ÔÂÂÏÂ˘‡ÂÚÒﬂ Ì‡ Â„Ó
ÏÂÒÚÓ.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Song Name Ë ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ RECORD
EDIT, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CANCEL.
X ëÓı‡ÌÂÌËÂ ËÏÂÌË. ..................................................................................................................
125
á‡ÍÓÌ˜Ë‚ ‚‚Ó‰ ËÏÂÌË Ù‡ÈÎ‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸
Â„Ó. çÓ‚ÓÂ ËÏﬂ ÒÓı‡ÌﬂÂÚÒﬂ Í‡Í ÚÂÍÛ˘ÂÂ ËÏﬂ Ù‡ÈÎ‡. óÚÓ·˚ ÓÚÏÂÌËÚ¸
ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CANCEL.
CVP-202
127
ÑÛ„ËÂ ÙÛÌÍˆËË Record Edit
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Track Edit
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ TRACK EDIT Ì‡ ˝Í‡ÌÂ RECORD EDIT, ˜ÚÓ·˚
ÔÂÂÈÚË Í ˝Í‡ÌÛ TRACK EDIT. ùÍ‡Ì TRACK EDIT ÒÓÒÚÓËÚ ËÁ ÚÂı
ÒÚ‡ÌËˆ: TRACK EDIT [MIX], TRACK EDIT [DELETE] Ë TRACK EDIT
[QUANTIZE].
■ Track Mix (TRACK EDIT ÒÚ‡ÌËˆ‡ 1)
îÛÌÍˆËﬂ Track Mix Ó·˙Â‰ËÌﬂÂÚ ‰‡ÌÌ˚Â Ò ‰‚Ûı Á‡‰‡ÌÌ˚ı ‰ÓÓÊÂÍ Ë
ÍÓÔËÛÂÚ ÂÁÛÎ¸Ú‡Ú Ì‡ ÚÂÚ¸˛ ÛÍ‡Á‡ÌÌÛ˛ ‰ÓÓÊÍÛ.
èêàåÖóÄçàÖ
Track Copy
îÛÌÍˆËË TRK A Ë TRK B ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÚÓÎ¸ÍÓ ‰Îﬂ ‰ÓÓÊÂÍ, ÒÓ‰ÂÊ‡˘Ëı ‰‡ÌÌ˚Â. ÑÎﬂ
TRK B Ú‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ Ô‡‡ÏÂÚ «---»
(ÌÂÚ ‰ÓÓÊÍË). Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‰‡ÌÌ˚Â Ò
‰ÓÓÊÍË A ÔÓÒÚÓ ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ Ì‡
‰ÓÓÊÍÛ ë.
èêàåÖóÄçàÖ
èÓÒÎÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÙÛÌÍˆËË Track Mix
Á‡‰‡ÌÌ˚Â ÚÂÏ·, „ÓÏÍÓÒÚ¸ Ë Ú.‰. (Ú.Â. ‚ÒÂ
‰‡ÌÌ˚Â, ÍÓÏÂ ÌÓÚ) ‰ÓÓÊÍË A ·Û‰ÛÚ ‰ÓÒÚÛÔÌ˚
Ì‡ ‰ÓÓÊÍÂ, „‰Â ÒÓÁ‰‡ÂÚÒﬂ ÍÓÔËﬂ.
Z ìÍ‡Á‡ÌËÂ ‰‚Ûı ‰ÓÓÊÂÍ ‰Îﬂ Ó·˙Â‰ËÌÂÌËﬂ. ...................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍË TRK A Ë TRK B ‰Îﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ÙÛÌÍˆËË, ‡
Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚÂ
ÌÓÏÂ‡ ‰ÓÓÊÂÍ, ÍÓÚÓ˚Â ÌÛÊÌÓ Ó·˙Â‰ËÌËÚ¸. íÂÏ·˚, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‰Îﬂ
Á‡‰‡ÌÌ˚ı ‰ÓÓÊÂÍ, ÛÍ‡Á˚‚‡˛ÚÒﬂ Ì‡‰ Ì‡Á‚‡ÌËﬂÏË ÙÛÌÍˆËÈ Ì‡ Üä-‰ËÒÔÎÂÂ.
X ìÍ‡Á‡ÌËÂ ‰ÓÓÊÍË, Ì‡ ÍÓÚÓÛ˛ ·Û‰ÂÚ Á‡ÔËÒ‡Ì Á‚ÛÍ. ........................
àÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ TRK C, ˜ÚÓ·˚ Á‡‰‡Ú¸ ‰ÓÓÊÍÛ, Ì‡ ÍÓÚÓÛ˛ Ì‡‰Ó
Á‡ÔËÒ‡Ú¸ Ó·˙Â‰ËÌÂÌÌ˚Â ‰‡ÌÌ˚Â. í‡ÍÊÂ ÏÓÊÌÓ Á‡‰‡Ú¸ ‰ÓÓÊÍÛ ‰Îﬂ Á‡ÔËÒË
Ó·˙Â‰ËÌÂÌÌ˚ı ‰‡ÌÌ˚ı, Ì‡Ê‡‚ ÍÌÓÔÍÛ TRK C, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌÛ˛
ÙÛÌÍˆË˛, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÓÍ [–] Ë [+]
‚˚·‡Ú¸ ‰ÓÓÊÍÛ.
ÇÒÂ ‰‡ÌÌ˚Â, Ì‡ıÓ‰ﬂ˘ËÂÒﬂ Ì‡ ‰ÓÓÊÍÂ, ÍÛ‰‡ ·Û‰ÂÚ Á‡ÔËÒ‡Ì Á‚ÛÍ, ·Û‰ÛÚ
ÒÚÂÚ˚.
C Ç˚ÔÓÎÌÂÌËÂ ÓÔÂ‡ˆËË Track Mix. ...............................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ MIX ‰Îﬂ Á‡ÔÛÒÍ‡ ÓÔÂ‡ˆËË Track Mix. èÓﬂ‚ËÚÒﬂ
ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚
‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛ Track Mix, ËÎË NO ‰Îﬂ ÓÚÏÂÌ˚.
èÓ Á‡‚Â¯ÂÌËË ÓÔÂ‡ˆËË ÙÛÌÍˆËﬂ MIX ÒÏÂÌËÚÒﬂ Ì‡ UNDO, ˜ÚÓ
ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ÓÔÂ‡ˆËË Track Mix Ë ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚Â ‰‡ÌÌ˚Â.
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Mix Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC]
(ËÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ).
äÌÓÔÍ‡ [EXIT] Ú‡ÍÊÂ ÔÓÁ‚ÓÎﬂÂÚ ‚˚ÈÚË ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Mix.
CVP-202
• ÇÓ ‚ÂÏﬂ Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ
ÔÓﬂ‚ËÚÒﬂ Ô‡ÌÂÎ¸, ÓÚÓ·‡Ê‡˛˘‡ﬂ ÒÓÒÚÓﬂÌËÂ
ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË Track Mix.
• Ç˚ ÏÓÊÂÚÂ ÓˆÂÌËÚ¸, Ì‡ÒÍÓÎ¸ÍÓ ÂÁÛÎ¸Ú‡Ú˚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊË‰‡ÂÚÂ,
Á‡ÔÛÒÍ‡ﬂ Ë ÓÒÚ‡Ì‡‚ÎË‚‡ﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï
ÒÎÂ‰ÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ Ò‰ÂÎ‡Ú¸ ˝ÚÓ ‰Ó ÚÓ„Ó,
Í‡Í ‚˚ ‚˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚ËÂ, ÔÓÒÎÂ ÍÓÚÓÓ„Ó
ÌÂÎ¸Áﬂ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
UNDO.)
• çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË
‚˚ ÛÊÂ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË
‚˚¯ÎË ËÁ ˝ÚÓ„Ó ÂÊËÏ‡.
• çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îﬂ
‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸
(ÒÏ. ÒÚ. 133).
126
128
èêàåÖóÄçàÖ
• èÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ÙÛÌÍˆËË Track Mix, Ì‡
‰ÓÓÊÍ‡ı A Ë B ÓÒÚ‡ÌÛÚÒﬂ ËÒıÓ‰Ì˚Â
‰‡ÌÌ˚Â. ÖÒÎË ÒÚ‡˚Â ‰‡ÌÌ˚Â ‚‡Ï ÌÂ ÌÛÊÌ˚,
Û‰‡ÎËÚÂ Ëı. (ëÏ. ÌËÊÂ ‡Á‰ÂÎ «Track Delete».)
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ
ÙÛÌÍˆËË Record Edit
■ Track Delete (TRACK EDIT ÒÚ‡ÌËˆ‡ 2)
îÛÌÍˆË˛ Track Delete ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Û‰‡ÎÂÌËﬂ ‰‡ÌÌ˚ı Ò
Î˛·ÓÈ Á‡‰‡ÌÌÓÈ ‰ÓÓÊÍË.
Z ìÍ‡Á‡ÌËÂ ‰ÓÓÊÍË ‰Îﬂ Û‰‡ÎÂÌËﬂ. .......................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ TRACK ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÙÛÌÍˆË˛, ‡
Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+] ‚˚·ÂËÚÂ
‰ÓÓÊÍÛ, ÍÓÚÓÛ˛ ÌÂÓ·ıÓ‰ËÏÓ Û‰‡ÎËÚ¸.
X Ç˚ÔÓÎÌÂÌËÂ ÓÔÂ‡ˆËË Delete. ..................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ DELETE. èË ÔÓﬂ‚ÎÂÌËË ÒÓÓ·˘ÂÌËﬂ «Are You
Sure?» (Ç˚ Û‚ÂÂÌ˚?), Ì‡ÊÏËÚÂ YES ‰Îﬂ ‚˚ÔÓÎÌÂÌËﬂ Û‰‡ÎÂÌËﬂ ËÎË NO
‰Îﬂ ÓÚÏÂÌ˚.
èÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË Û‰‡ÎÂÌËﬂ ÙÛÌÍˆËﬂ DELETE ËÁÏÂÌËÚÒﬂ
Ì‡ UNDO. ÖÒÎË ÂÁÛÎ¸Ú‡Ú ÌÂ Û‰Ó‚ÎÂÚ‚ÓﬂÂÚ ‚‡Ò, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
UNDO, ˜ÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚Â Û‰‡ÎÂÌÌÓÈ ‰ÓÓÊÍË.
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Delete Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC]
(ËÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ).
í‡ÍÊÂ ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Delete ÏÓÊÌÓ ‚˚ÈÚË, Ì‡Ê‡‚
ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
Ç˚·‡Ú¸ ÏÓÊÌÓ ÚÓÎ¸ÍÓ ‰ÓÓÊÍË, ÒÓ‰ÂÊ‡˘ËÂ
‰‡ÌÌ˚Â.
èêàåÖóÄçàÖ
• ÇÓ ‚ÂÏﬂ Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ
ÔÓﬂ‚ËÚÒﬂ Ô‡ÌÂÎ¸, ÛÍ‡Á˚‚‡˛˘‡ﬂ ÒÓÒÚÓﬂÌËÂ
ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË Track Delete.
• YÇ˚ ÏÓÊÂÚÂ ÓˆÂÌËÚ¸, Ì‡ÒÍÓÎ¸ÍÓ ÂÁÛÎ¸Ú‡Ú˚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊË‰‡ÂÚÂ,
Á‡ÔÛÒÍ‡ﬂ Ë ÓÒÚ‡Ì‡‚ÎË‚‡ﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï ÒÎÂ‰ÛÂÚ
ÔÓÔÓ·Ó‚‡Ú¸ Ò‰ÂÎ‡Ú¸ ˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚
‚˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚ËÂ, ÔÓÒÎÂ ÍÓÚÓÓ„Ó ÌÂÎ¸Áﬂ
·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ UNDO.)
• TçÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË ‚˚
ÛÊÂ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË ‚˚¯ÎË ËÁ
˝ÚÓ„Ó ÂÊËÏ‡.
• TçÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îﬂ
‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸
(ÒÏ. ÒÚ. 133).
■ Track Quantize (TRACK EDIT ÒÚ. 3)
127
åÓÊÌÓ ÛÏÂÌ¸¯ËÚ¸ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË, ‚˚Ó‚Ìﬂ‚ ‚ÒÂ
ÌÓÚ˚ ÔÓ Á‡‰‡ÌÌ˚Ï ‰ÓÎﬂÏ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Track Quantize. ç‡ÔËÏÂ,
ÏÓÊÌÓ ‚˚Ó‚ÌﬂÚ¸ ‰ÎËÚÂÎ¸ÌÓÒÚ¸ Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ ‰Ó ‚ÓÒ¸Ï˚ı Ë
¯ÂÒÚÌ‡‰ˆ‡Ú˚ı.
CVP-202
129
ÑÛ„ËÂ ÙÛÌÍˆËË Record Edit
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Z ìÍ‡Á‡ÌËÂ ‰ÓÓÊÍË ‰Îﬂ ‚˚‡‚ÌË‚‡ÌËﬂ. .........................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ TRACK ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÙÛÌÍˆË˛, ‡ Á‡ÚÂÏ
Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+] ‚˚·ÂËÚÂ ‰ÓÓÊÍÛ,
ÍÓÚÓÛ˛ ÌÂÓ·ıÓ‰ËÏÓ ‚˚Ó‚ÌﬂÚ¸.
èêàåÖóÄçàÖ
Ç˚·‡Ú¸ ÏÓÊÌÓ ÚÓÎ¸ÍÓ ‰ÓÓÊÍË, ÒÓ‰ÂÊ‡˘ËÂ
‰‡ÌÌ˚Â.
X ìÍ‡Á‡ÌËÂ «‡ÁÏÂ‡» ‚˚‡‚ÌË‚‡ÌËﬂ. ................................................................
ç‡ Üä-‰ËÒÔÎÂÂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ÔÓ‰ ÒËÏ‚ÓÎÓÏ ÌÓÚ˚ ˜ÚÓ·˚ ‚˚·‡Ú¸
«‡ÁÏÂ» ‚˚‡‚ÌË‚‡ÌËﬂ, Í‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊÂ.
ÚË‰ˆ‡Ú¸ ‚ÚÓ˚Â
3
ÚËÓÎË ¯ÂÒÚÌ‡‰ˆ‡Ú˚ÏË
¯ÂÒÚÌ‡‰ˆ‡Ú˚Â
3
ÚËÓÎË ‚ÓÒ¸Ï˚ÏË
‚ÓÒ¸Ï˚Â
3
ÚËÓÎË ˜ÂÚ‚ÂÚÌ˚ÏË
˜ÂÚ‚ÂÚÌ˚Â ÌÓÚ˚
C Ç˚ÔÓÎÌÂÌËÂ ÓÔÂ‡ˆËË Quantize. .................................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ QUANTIZE. äÓ„‰‡ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you
sure?» (Ç˚ Û‚ÂÂÌ˚?), Ì‡ÊÏËÚÂ YES ‰Îﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË
‚˚‡‚ÌË‚‡ÌËﬂ ËÎË NO ‰Îﬂ ÓÚÏÂÌ˚.
èÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË ÙÛÌÍˆËﬂ QUANTIZE ËÁÏÂÌËÚÒﬂ Ì‡ UNDO.
ÖÒÎË ÂÁÛÎ¸Ú‡Ú ÌÂ Û‰Ó‚ÎÂÚ‚ÓﬂÂÚ ‚‡Ò, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ UNDO, ˜ÚÓ·˚
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚Â Ì‡ ‚˚Ó‚ÌÂÌÌÓÈ ‰ÓÓÊÍÂ.
ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Quantize Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC]
(ËÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ).
àÁ ÏÂÌ˛ ÙÛÌÍˆËË Track Quantize ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚ÈÚË, Ì‡Ê‡‚
ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
• Ç˚‡‚ÌË‚‡Ú¸ ÏÓÊÌÓ ÚÓÎ¸ÍÓ ‰‡ÌÌ˚Â ÌÓÚ Ë
ÚÂÏ·‡.
• ÇÓ ‚ÂÏﬂ Ó·‡·ÓÚÍË ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ
ÔÓﬂ‚ËÚÒﬂ Ô‡ÌÂÎ¸, ÛÍ‡Á˚‚‡˛˘‡ﬂ ÒÓÒÚÓﬂÌËÂ
ÔÓˆÂÒÒ‡ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË Quantize.
• Ç˚ ÏÓÊÂÚÂ ÓˆÂÌËÚ¸, Ì‡ÒÍÓÎ¸ÍÓ ÂÁÛÎ¸Ú‡Ú˚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ, ˜Â„Ó ‚˚ ÓÊË‰‡ÂÚÂ,
Á‡ÔÛÒÍ‡ﬂ Ë ÓÒÚ‡Ì‡‚ÎË‚‡ﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/STOP]. (Ç‡Ï
ÒÎÂ‰ÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ Ò‰ÂÎ‡Ú¸ ˝ÚÓ ‰Ó ÚÓ„Ó,
Í‡Í ‚˚ ‚˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚ËÂ, ÔÓÒÎÂ ÍÓÚÓÓ„Ó
ÌÂÎ¸Áﬂ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
UNDO.)
• çÂ‚ÓÁÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo,
ÂÒÎË ‚˚ ÛÊÂ ‚˚·‡ÎË ‰Û„Û˛ ‰ÓÓÊÍÛ ËÎË
‡ÁÏÂ ‚˚‡‚ÌË‚‡ÌËﬂ ËÎË ‚˚¯ÎË ËÁ ˝ÚÓ„Ó
ÂÊËÏ‡.
• çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îﬂ
‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸
(ÒÏ. ÒÚ. 133)
Initial Edit (àÁÏÂÌÂÌËÂ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı)
îÛÌÍˆËﬂ Initial Edit ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸ „ÓÏÍÓÒÚ¸ Í‡Ê‰ÓÈ
‰ÓÓÊÍË ËÎË ËÒıÓ‰Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ ˆÂÎÓÈ ÔÂÒÌË ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ
Á‡ÔËÒË. Ç˚Á‚‡Ú¸ ˝Í‡Ì INITIAL EDIT ÏÓÊÌÓ, Ì‡Ê‡‚ ÍÌÓÔÍÛ INITIAL EDIT
Ì‡ ˝Í‡ÌÂ RECORD EDIT. ç‡ ˝Í‡Ì ‚˚‚Ó‰ﬂÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÒÂ
¯ÂÒÚÌ‡‰ˆ‡Ú¸ ‰ÓÓÊÂÍ, Ë ‚˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍË („ÓÏÍÓÒÚ¸,
ÚÂÏ·, Â‚Â·Â‡ˆË˛).
CVP-202
128
130
èêàåÖóÄçàÖ
• ã˛·ÓÂ ËÁÏÂÌÂÌËÂ ÚÂÏ·‡ ‚ ÒÂÂ‰ËÌÂ ÔÂÒÌË
·Û‰ÂÚ ÒÚÂÚÓ, ÂÒÎË ‚˚ ËÁÏÂÌËÚÂ Ô‡‡ÏÂÚ˚
‚ ÂÊËÏÂ Initial Edit.
• èË Â‰‡ÍÚËÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı ÚËÔÓ‚
‰‡ÌÌ˚ı ÌÂÎ¸Áﬂ ËÁÏÂÌËÚ¸ ÓÔÂ‰ÂÎÂÌÌ˚Â
Ô‡‡ÏÂÚ˚ (ÓÚÏÂ˜ÂÌÌ˚Â Í‡Í Fixed) ËÎË
ÚÂÏ· ‰ÓÓÊÂÍ (ÍÓÏÂ ‰ÓÓÊÂÍ 1 Ë 2).
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑÛ„ËÂ
ç‡ ˝Í‡ÌÂ INITIAL EDIT ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÒÎÂ‰Û˛˘ËÂ Ô‡‡ÏÂÚ˚.
ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó Í‡Ê‰ÓÏ Ô‡‡ÏÂÚÂ ÒÏ. Ì‡ ÛÍ‡Á‡ÌÌÓÈ
ÒÚ‡ÌËˆÂ.
è‡‡ÏÂÚ˚, ÍÓÚÓ˚Â ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Initial Edit:
● ÖÒÎË ‚˚·‡Ì‡ ‰ÓÓÊÍ‡ 1 - 16:
• VOLUME (ëÏ. ÒÚ. 32.)
• VOICE (ëÏ. ÒÚ. 29.)
• PAN (ëÏ. ÒÚ. 32.)
• REVERB DEPTH (ëÏ. ÒÚ. 43.)
• CHORUS DEPTH (ëÏ. ÒÚ. 45.)
• EFFECT DEPTH (ëÏ. ÒÚ. 48.)
ÙÛÌÍˆËË Record Edit
èêàåÖóÄçàÖ
• èË ‚˚·ÓÂ ÏÂÌ˛ VOICE Ú‡ÍÊÂ ÓÚÓ·‡Ê‡˛ÚÒﬂ
Ô‡‡ÏÂÚ˚: ÌÓÏÂ ËÁÏÂÌÂÌËﬂ ÔÓ„‡ÏÏ˚
(PRG#), ÏÎ‡‰¯ËÈ ·ËÚ ·‡ÌÍ‡ (BKL) Ë ÒÚ‡¯ËÈ
·ËÚ ·‡ÈÚ‡ (BKM), ÍÓÚÓ˚Â ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ
‚˚·Ó‡ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ MIDI.
● ÖÒÎË ‚˚·‡ÌÓ TOTAL:
• TEMPO (ëÏ. ÒÚ. 25.)
• Overall REVERB DEPTH (ëÏ. ÒÚ. 42.)
• REVERB TYPE (ëÏ. ÒÚ. 42.)
• CHORUS TYPE (ëÏ. ÒÚ. 44.)
• EFFECT TYPE (ëÏ. ÒÚ. 47.)
ç‡ÒÚÓÈÍË Ì‡ ˝Í‡ÌÂ INITIAL EDIT
Z Ç˚·Ó ‰ÓÓÊÍË ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ. ...........................................................
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TRACK < ËÎË > ‚˚·ÂËÚÂ ‰ÓÓÊÍÛ,
Ô‡‡ÏÂÚ˚ ÍÓÚÓÓÈ ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸. ÖÒÎË ‚˚·‡ÌÓ TOTAL,
ËÁÏÂÌÂÌËﬂ ÔÓËÁÓÈ‰ÛÚ ‚Ó ‚ÒÂÈ ÔÂÒÌÂ, ‡ ÌÂ Ì‡ ÓÚ‰ÂÎ¸ÌÓÈ ‰ÓÓÊÍÂ.
X Ç˚·Ó Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â ÌÂÓ·ıÓ‰ËÏÓ ËÁÏÂÌËÚ¸. .................
Ç˚·ÂËÚÂ Ô‡‡ÏÂÚ˚, ÍÓÚÓ˚Â Ì‡‰Ó ËÁÏÂÌËÚ¸, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
SELECT ▼ ËÎË ▲.
è‡‡ÏÂÚ, ÍÓÚÓ˚È
ÌÛÊÌÓ ËÁÏÂÌËÚ¸.
áÌ‡˜ÂÌËÂ ÚÂÍÛ˘Â„Ó Ô‡‡ÏÂÚ‡ ‰Îﬂ
‚˚·‡ÌÌÓÈ ‰ÓÓÊÍË.
èêàåÖóÄçàÖ
Ç˚·‡ÌÌ‡ﬂ ‰ÓÓÊÍ‡
‚˚‰ÂÎﬂÂÚÒﬂ.
C àÁÏÂÌÂÌËÂ Ì‡ÒÚÓÂÍ. ............................................................................................................
129
ÑÎﬂ ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÂÍ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ËÎË
ÍÌÓÔÍË [–] Ë [+]. èÓ‚ÂËÚ¸ ÂÁÛÎ¸Ú‡Ú ÏÓÊÌÓ Ò‡ÁÛ, Ú‡Í Í‡Í Ì‡ÒÚÓÈÍË
ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
• ÖÒÎË ‚˚·‡ÌÓ TOTAL Ë ËÁÏÂÌÂÌÓ ÁÌ‡˜ÂÌËÂ
„ÎÛ·ËÌ˚ Â‚Â·Â‡ˆËË, ÌÓ‚˚Â Ì‡ÒÚÓÈÍË
Ú‡ÍÊÂ ·Û‰ÛÚ ÔËÏÂÌﬂÚ¸Òﬂ Í Á‚ÛÍÛ
ÍÎ‡‚Ë‡ÚÛ˚.
• íÂÏ·˚ ‰ÓÓÊÂÍ, Ì‡ ÍÓÚÓ˚Â ·˚ÎË
Á‡ÔËÒ‡Ì˚ ‰‡ÌÌ˚Â ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
ËÚÏ‡ Ë/ËÎË ˝ÙÙÂÍÚ‡ Harmony, Ú‡ÍÊÂ
ÏÓÊÌÓ ÏÂÌﬂÚ¸.
• Ñ‡ÌÌ˚Â ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÌÂÚÓ˜ÌÓ,
ÂÒÎË ‚Ó ‚ÂÏﬂ Ëı Â‰‡ÍÚËÓ‚‡ÌËﬂ ‚˚
ËÒÔÓÎ¸ÁÛÂÚÂ ÍÌÓÔÍÛ [REW].
CVP-202
131
ÑÛ„ËÂ ÙÛÌÍˆËË Record Edit
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
V á‡ÔËÒ¸ ËÁÏÂÌÂÌËÈ. ..................................................................................................................
äÓ„‰‡ ‚ÒÂ ÌÛÊÌ˚Â ËÁÏÂÌÂÌËﬂ Initial Data Ò‰ÂÎ‡Ì˚, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
WRITE. èË ÔÓﬂ‚ÎÂÌËË ÒÓÓ·˘ÂÌËﬂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?)
Ì‡ÊÏËÚÂ YES ‰Îﬂ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ ËÁÏÂÌÂÌËÈ ËÎË NO ‰Îﬂ ÓÚÏÂÌ˚.
äÓ„‰‡ ÓÔÂ‡ˆËﬂ ·Û‰ÂÚ Á‡‚Â¯ÂÌ‡, ÍÌÓÔÍ‡ WRITE ËÁÏÂÌËÚÒﬂ Ì‡
UNDO, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ÓÔÂ‡ˆËË Write Ë ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
‰‡ÌÌ˚Â ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌÓÈ ‰ÓÓÊÍË.
èêàåÖóÄçàÖ
• ÇÒÂ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â ‰‡ÌÌ˚Â ‰Îﬂ Î˛·Ó„Ó
ÍÓÎË˜ÂÒÚ‚‡ ‰ÓÓÊÂÍ Ó‰ÌÓÈ ÔÂÒÌË ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ Ó‰ÌÓÈ ÓÔÂ‡ˆËÂÈ Write (Ó‰ËÌ ‡Á
Ì‡Ê‡‚ ÍÌÓÔÍÛ WRITE).
• Ç˚ ÏÓÊÂÚÂ ÓˆÂÌËÚ¸, Ì‡ÒÍÓÎ¸ÍÓ ÂÁÛÎ¸Ú‡Ú˚
ÙÛÌÍˆËË Initial Edit ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÚÓÏÛ,
˜Â„Ó ‚˚ ÓÊË‰‡ÂÚÂ, Á‡ÔÛÒÍ‡ﬂ Ë ÓÒÚ‡Ì‡‚ÎË‚‡ﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PLAY/
STOP]. (Ç‡Ï ÒÎÂ‰ÛÂÚ ÔÓÔÓ·Ó‚‡Ú¸ Ò‰ÂÎ‡Ú¸
˝ÚÓ ‰Ó ÚÓ„Ó, Í‡Í ‚˚ ‚˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚ËÂ,
ÔÓÒÎÂ ÍÓÚÓÓ„Ó ÌÂÎ¸Áﬂ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ UNDO.)
• çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo, ÂÒÎË
‚˚ ÔÓ‚ÚÓÌÓ ËÁÏÂÌËÎË Ì‡ÒÚÓÈÍÛ, ËÁÏÂÌËÎË
‰Û„Û˛ Ì‡ÒÚÓÈÍÛ ËÎË ‚˚¯ÎË ËÁ ÂÊËÏ‡
Initial Edit.
• çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Undo ‰Îﬂ
‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸
(ÒÏ. ÒÚ. 133).
B Ç˚ıÓ‰ ËÁ ÏÂÌ˛ ÙÛÌÍˆËË Initial Edit. ........................................................................
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
➔ éÔÂ‡ˆËﬂ Initial Edit Á‡‚Â¯‡ÂÚÒﬂ, Ë ËÌ‰ËÍ‡ÚÓ [REC] „‡ÒÌÂÚ.
àÁ ÏÂÌ˛ ÙÛÌÍˆËË Initial Edit Ú‡ÍÊÂ ÏÓÊÌÓ ‚˚ÈÚË, Ì‡Ê‡‚ ÍÌÓÔÍÛ [EXIT].
ÖÒÎË ‚˚ ‚˚ıÓ‰ËÚÂ ËÁ ÏÂÌ˛ Initial Edit, ÌÂ ÒÓı‡ÌË‚ Ò‰ÂÎ‡ÌÌ˚Â
ËÁÏÂÌÂÌËﬂ, Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ: «Write edited data?» («á‡ÔËÒ‡Ú¸
ËÁÏÂÌÂÌÌ˚Â ‰‡ÌÌ˚Â?») ç‡ÊÏËÚÂ YES ‰Îﬂ ÒÓı‡ÌÂÌËﬂ ËÁÏÂÌÂÌËÈ Ë
‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ Initial Edit, NO ‰Îﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ËÁÏÂÌÂÌËÈ
ËÎË CANCEL ‰Îﬂ ‚ÓÁ‚‡Ú‡ ‚ ÂÊËÏ Initial Edit Ë ÔÓ‰ÓÎÊÂÌËﬂ
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
CVP-202
130
132
á‡ÔËÒ¸ ·ÂÁ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‰ËÒÍÂÚ˚
○○○○○○○○○
ÇÌÛÚÂÌÌﬂﬂ Ô‡ÏﬂÚ¸ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÒÓÒÚ‡‚ÎﬂÂÚ ÓÍÓÎÓ 26 ä·,
ÂÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Á‡ÔËÒË ÓÔÂ‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÏ‡ ‰‡ÌÌ˚ı ·ÂÁ
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‰ËÒÍÂÚ˚ - ÔËÏÂÌÓ 2500 ÌÓÚ (ÂÒÎË ÌÂ ÒÓı‡ÌﬂÂÚÒﬂ ‰Û„‡ﬂ
ËÌÙÓÏ‡ˆËﬂ).
é CVP MEMORY Song
èË ‚ıÓ‰Â ‚ ÂÊËÏ Song Record (·ÂÁ ‰ËÒÍÂÚ˚) Ì‡ ˝Í‡ÌÂ SONG
ÔÓﬂ‚ﬂÚÒﬂ ÒÎÓ‚‡ CVP MEMORY (Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ) Ë ÒÚ‡ÌÛÚ
‰ÓÒÚÛÔÌ˚ÏË ÙÛÌÍˆËË Quick Recording, Track Recording Ë Punch-in/out Recording.
èêàåÖóÄçàÖ
• Ñ‡ÌÌ˚Â ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‡ÍÍÓ‰Ó‚
(ÒÚ. 121) ÌÂ ÏÓ„ÛÚ ·˚Ú¸ Á‡ÔËÒ‡Ì˚ ‚Ó
‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ.
• îÛÌÍˆËË Song Name (ÒÚ. 127) Ë Setup Memory
(ÒÚ. 126) ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔË
Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó
‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ.
• èË Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó
‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, ‚˚
ÏÓÊÂÚÂ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÙÛÌÍˆËﬂÏË Track Edit
(ÒÚ. 128) Ë Initial Edit (ÒÚ. 130).
ÖÒÎË ‚˚ ‚ıÓ‰ËÚÂ ‚ ÂÊËÏ Song Play, Á‡ÔËÒ‡‚ ÔÂÒÌ˛ ‚ Ô‡ÏﬂÚ¸
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, ÚÓ ‚ÏÂÒÚÓ ÌÓÏÂ‡ ÔÂÒÌË Ì‡ ˝Í‡ÌÂ SONG
ÔÓﬂ‚ﬂÚÒﬂ ·ÛÍ‚˚ CVP. Ç˚ ÏÓÊÂÚÂ ‚ÓÒÔÓËÁ‚ÂÒÚË ˝ÚÛ ÔÂÒÌ˛, Í‡Í Ë
Î˛·Û˛ ‰Û„Û˛, Á‡ÔËÒ‡ÌÌÛ˛ Ì‡ ‰ËÒÍÂÚÛ (ÒÏ. ÒÚ. 93).
ùÍ‡Ì SONG PLAY [MAIN] ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË ËÁ Ô‡ÏﬂÚË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ (CVP MEMORY).
131
ÖÒÎË ‚˚ ‚ÒÚ‡‚ËÚÂ ‰ËÒÍÂÚÛ Ë ‚˚·ÂeÚÂ ÌÓÏÂ ÔÂÒÌË ÚÓ, ÔË Ì‡ÎË˜ËË
‰‡ÌÌ˚ı ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ
«Delete CVP MEMORY?» («é˜ËÒÚËÚ¸ Ô‡ÏﬂÚ¸ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ?»). ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚Â ËÁ Ô‡ÏﬂÚË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ. èË ‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ‰‡ÌÌ˚Â, ı‡Ìﬂ˘ËÂÒﬂ ‚
Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, Ú‡ÍÊÂ ·Û‰ÛÚ Û‰‡ÎÂÌ˚. ÖÒÎË ‚‡Ï ÌÛÊÌÓ
ÒÓı‡ÌËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÙÛÌÍˆËÂÈ Song Copy (ÒÚ. 142),
˜ÚÓ·˚ ÒÍÓÔËÓ‚‡Ú¸ Ëı Ì‡ ‰ËÒÍÂÚÛ.
èêàåÖóÄçàÖ
Ñ‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ‚ Ô‡ÏﬂÚ¸ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÔË Á‡„ÛÁÍÂ Ù‡ÈÎÓ‚
ÒÚËÎﬂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌËÍ‡ÍËÂ ÒÓÓ·˘ÂÌËﬂ ÌÂ
‚˚‚Ó‰ﬂÚÒﬂ.
CVP-202
133
ÉÎ‡‚‡ 8: îÛÌÍˆËË UTILITY
êÂÊËÏ Function ÔÂ‰Î‡„‡ÂÚ ·ÓÎ¸¯ÓÈ Ì‡·Ó ÒÓ‚ÂÏÂÌÌ˚ı ÙÛÌÍˆËÈ,
ÔÓÁ‚ÓÎﬂ˛˘Ëı, Ì‡ÔËÏÂ, Ì‡ÒÚ‡Ë‚‡Ú¸ ‡ÁÌ˚Â MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ÎÂ„ÍÓ
ÛÔ‡‚ÎﬂÚ¸ ÓÔÂ‡ˆËﬂÏË Ò ‰ËÒÍÂÚÓÈ. ë ÔÓÏÓ˘¸˛ ˝ÚËı ÙÛÌÍˆËÈ ÏÓÊÌÓ
Ì‡ÒÚÓËÚ¸ ÔË‡ÌËÌÓ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚÂ·ÌÓÒÚﬂÏË Ë ‚ÍÛÒ‡ÏË.
FUNCTION
VOLUME
MASTER
VOLUME
CONTRAST
STYLE
ACMP/SONG
VOLUME
MAX
MAX
MIN
MIN
DEMO
POP &
ROCK
POP
BALLADS
DANCE
SWING &
JAZZ
LATIN
MARCH &
WORLD
WALTZ
R&B
PIANIST
MUSIC
DATABASE
DISK
HARMONY
SONG CONTROL
TEMPO
VOICE
REC
PIANO &
HARPSI.
FF
BRASS
SOUND
REPEAT
1
PLAY/
STOP
SONG
E. PIANO
ORGAN &
ACCORDION
PERCUSSION
WOODWIND
STRINGS
CHOIR &
PAD
GUITAR
BASS
DUAL
REVERB
BEAT
HELP
COUNTRY
METRONOME
BALLROOM
RESET
FUNCTION
MIXER
PAUSE
REW
SYNTH.
XG
SPLIT
EFFECT
CUSTOM
AUTO ACCOMPANIMENT
ACMP ON
INTRO
MAIN A
AUTO FILL
MAIN B
MAIN C
MAIN D
ENDING
FADE
IN/OUT
START /STOP
TAP
SYNCHRO
GUIDE CONTROL
START/STOP
PAGE
DIRECT ACCESS
EXIT
EASY PLAY
NEXT NOTE
REGISTRATION/
2
3
4
ONE TOUCH SETTING
BANK
BANK
REGISTRATION
ONE TOUCH
SETTING
èÂ‰Î‡„‡˛ÚÒﬂ ÒÎÂ‰Û˛˘ËÂ ÙÛÌÍˆËË:
ÉÛÔÔ‡
ùÍ‡Ì
136
Transpose
136
Key Touch & Fixed Velocity
137
Voice Setting
137
3
Left Pedal & Glide Range
138
4
î‡ÈÎ˚ Á‡ÔËÒË Ë Ì‡ÒÚÓÈÍË
139
5
Song Copy & Disk Copy
142
6
Song Delete
144
7
Song Data Transform
145
8
Disk Format
146
Send Channel (ÍÎ‡‚Ë‡ÚÛ‡)
147
Local Control
147
ëËÌıÓÌËÁ‡ˆËﬂ
148
MIDI Filter
148
KEYBOARD
2
DISK
9
10
MIDI
11
Receive Filter
149
MIDI Transpose
150
Send Channel (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ/„‡ÏÓÌËﬂ)
150
Song Transmission
151
Remote Keyboard
151
13
Backup
152
14
Recall
153
15
Micro Tuning
154
16
Scale Tuning
155
12
BACKUP
UTILITY
ëÚ.
Tune
1
PEDAL
îÛÌÍˆËﬂ
ç‡ ˝Í‡ÌÂ ‚Ó ‚ÂÏﬂ ÓÔÂ‡ˆËË ÏÓ„ÛÚ ÔÓﬂ‚ÎﬂÚ¸Òﬂ ‡ÁÎË˜Ì˚Â ÒÓÓ·˘ÂÌËﬂ
(ÔÓÒ¸·˚ Ó ÔÓ‰Ú‚ÂÊ‰ÂÌËË, ÔÂ‰ÛÔÂÊ‰ÂÌËﬂ, ÒÓÓ·˘ÂÌËﬂ Ó· Ó¯Ë·Í‡ı).
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı ÒÏ. ‚ ‡Á‰ÂÎÂ «ëÓÓ·˘ÂÌËﬂ»
(ÒÚ. 165).
CVP-202
132
134
■ ëÂ‚ËÒÌ˚Â ÙÛÌÍˆËË (Utility) ................................................................................................
èÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‡ÁÏÂ˘ÂÌ˚ Ì‡ 16 ÒÚ‡ÌËˆ‡ı ˝Í‡Ì‡ (ÒÏ. Ú‡·ÎËˆÛ Ì‡
ÔÂ‰˚‰Û˘ÂÈ ÒÚ.). ÑÎﬂ ‚˚ÁÓ‚‡ ÒÚ‡ÌËˆ˚ Ò ÌÛÊÌÓÈ ÙÛÌÍˆËÂÈ ÔÓÎ¸ÁÛÈÚÂÒ¸
ÒÎÂ‰Û˛˘ÂÈ ÔÓˆÂ‰ÛÓÈ.
Z ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FUNCTION].
FUNCTION
MIXER
➔ á‡ÊÊÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ, Ë ÔÓﬂ‚ËÚÒﬂ ÒÚ‡ÌËˆ‡, ÍÓÚÓ‡ﬂ ‚˚Á˚‚‡Î‡Ò¸
ÔÓÒÎÂ‰ÌÂÈ ‚ ÂÊËÏÂ Function.
X Ç˚ÁÓ‚ËÚÂ ÌÛÊÌÛ˛ ÒÚ‡ÌËˆÛ.
ÑÎﬂ ‚˚ÁÓ‚‡ ÒÚ‡ÌËˆ˚ Ò ÌÛÊÌÓÈ ÙÛÌÍˆËÂÈ ÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË PAGE
[<] Ë [>].
PAGE
C Ç˚ÔÓÎÌËÚÂ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛.
é ÚÓÏ, Í‡Í ‚˚·‡Ú¸ Ë ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛, ÒÏ. ÉÎ‡‚Û 2
«éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË».
V Ç ÍÓÌˆÂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FUNCTION].
133
➔ àÌ‰ËÍ‡ÚÓ [FUNCTION] ÔÓ„‡ÒÌÂÚ.
èêàåÖóÄçàÖ
àÁ ÂÊËÏ‡ Function ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚ÈÚË Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [EXIT].
CVP-202
135
äÎ‡‚Ë‡ÚÛ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 1
■ Tune ....................................................................................................................................................................
îÛÌÍˆËﬂ Tune ÔÓÁ‚ÓÎﬂÂÚ ÚÓ˜ÌÓ ÔÓ‰ÒÚ‡Ë‚‡Ú¸Òﬂ ÔÓ‰ ‚˚ÒÓÚÛ Á‚ÛÍ‡
‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. îÛÌÍˆËﬂ TUNE ÓÚÓ·‡Ê‡ÂÚ ˜‡ÒÚÓÚÛ ‚ „Âˆ‡ı ÌÓÚ˚
Îﬂ ÔÂ‚ÓÈ ÓÍÚ‡‚˚ (Ä3). Ç˚ÒÓÚÛ Á‚ÛÍ‡ ÏÓÊÌÓ ÔÓ‰ÌﬂÚ¸ ËÎË ÓÔÛÒÚËÚ¸ ¯‡„‡ÏË
ÔÓ 0,2 Éˆ ÔËÏÂÌÓ Ì‡ 26 Éˆ (ÌÂÏÌÓ„Ó ·ÓÎ¸¯Â 100 ˆÂÌÚÓ‚).
èêàåÖóÄçàÖ
TUNE
• ÑË‡Ô‡ÁÓÌ: 414,8 Éˆ — 466,6 Éˆ
(–102,1 — +101,62 ˆÂÌÚ‡)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 440 Éˆ
èêàåÖóÄçàÖ
ÉÂˆ˚ Ë ˆÂÌÚ˚
• Ç˚ÒÓÚ‡ Á‚ÛÍ‡ ËÁÏÂﬂÂÚÒﬂ ‚ „Âˆ‡ı (Éˆ).
1 Éˆ - ˝ÚÓ ˜ËÒÎÓ ÍÓÎÂ·‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚
‚ ÒÂÍÛÌ‰Û.
• ñÂÌÚ - ˝ÚÓ Â‰ËÌËˆ‡ ËÁÏÂÂÌËﬂ ‚˚ÒÓÚ˚,
‡‚Ì‡ﬂ 1/100 ÔÓÎÛÚÓÌ‡ (100 ˆÂÌÚÓ‚ =
1 ÔÓÎÛÚÓÌ).
èêàåÖóÄçàÖ
• îÛÌÍˆËﬂ Tune ÌÂ ‚ÎËﬂÂÚ Ì‡ ÚÂÏ·˚ Û‰‡Ì˚ı
ËÁ Ì‡·Ó‡ Drum Kit.
• è‡‡ÏÂÚ XG Master Tune ÔÓÎÂÁÂÌ ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÂÌ, ÒÓ‰ÂÊ‡˘Ëı
‰‡ÌÌ˚Â ‚ ÙÓÏ‡ÚÂ XG Master Tune.
■ Transpose ....................................................................................................................................................
èêàåÖóÄçàÖ
îÛÌÍˆËË TRANSPOSE
• ÑË‡Ô‡ÁÓÌ: –24 — +24 ÔÓÎÛÚÓÌ‡
(–2 — +2 ÓÍÚ‡‚˚)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 0
èêàåÖóÄçàÖ
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Transpose ÏÓÊÌÓ ÏÂÌﬂÚ¸ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ËÎË ÓÚ‰ÂÎ¸Ì˚ı ÔÂÒÂÌ Ò ¯‡„ÓÏ ‚
ÔÓÎÛÚÓÌ ‰Îﬂ ÔÓ‰ÒÚÓÈÍË ÔÓ‰ ‰Ë‡Ô‡ÁÓÌ˚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÔÂ‚ˆÓ‚.
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ‰‚Â ÙÛÌÍˆËË Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ: ALL Ë
SONG. èÂ‚‡ﬂ Ú‡ÌÒÔÓÌËÛÂÚ ‚ÒÂ ÌÓÚ˚, ÔÓË„˚‚‡ÂÏ˚Â Ì‡ ÔË‡ÌËÌÓ, ‡
‚ÚÓ‡ﬂ ÚÓÎ¸ÍÓ ÌÓÚ˚ ÔÂÒÂÌ. ÖÒÎË ‚˚ ÏÂÌﬂÂÚÂ ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË ALL, ÚÓ
Ì‡ÒÚÓÈÍ‡ SONG ÏÂÌﬂÂÚÒﬂ Ì‡ ÚÛ ÊÂ Ò‡ÏÛ˛ ‚ÂÎË˜ËÌÛ.
CVP-202
134
136
• îÛÌÍˆËﬂ Transpose ÌÂ ‚ÎËﬂÂÚ Ì‡ ÚÂÏ·˚
Û‰‡Ì˚ı ËÁ Ì‡·Ó‡ Drum Kit.
• èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÂÌ, ÒÓ‰ÂÊ‡˘Ëı
‰‡ÌÌ˚Â ‚ ÙÓÏ‡ÚÂ XG Transpose, ‰‡ÌÌ˚Â
XG Transpose ‚ÎËﬂ˛Ú ÚÓÎ¸ÍÓ Ì‡ Á‚ÛÍ
‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ‰‡ÌÌ˚ı. áÌ‡˜ÂÌËÂ,
Á‡‰‡ÌÌÓÂ Ì‡ Ô‡ÌÂÎË, ÓÔÂ‰ÂÎﬂÂÚ ‚˚ÒÓÚÛ
Á‚ÛÍ‡ ÍÎ‡‚Ë‡ÚÛ˚.
• á‡‰‡ÌÌ˚Â Á‰ÂÒ¸ ÁÌ‡˜ÂÌËﬂ ‚ÎËﬂ˛Ú Ì‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰‡ÌÌ˚ı, ÔÂÂ‰‡ÌÌ˚ı
˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ.
• ÖÒÎË ‰Îﬂ ÙÛÌÍˆËË Transpose Á‡‰‡ÌÓ
‚˚ÒÓÍÓÂ ÁÌ‡˜ÂÌËÂ, ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
‰Ë‡Ô‡ÁÓÌ‡ ‚ Ô‡‚ÓÏ ÍÓÌˆÂ ÍÎ‡‚Ë‡ÚÛ˚
(Ì‡ÔËÏÂ ÓÚ «‰Ó» ÚÂÚ¸ÂÈ ÓÍÚ‡‚˚ (ë5) ‰Ó
«‰Ó» ÔﬂÚÓÈ ÓÍÚ‡‚˚ (ë7) ÔË ÁÌ‡˜ÂÌËË
Ô‡‡ÏÂÚ‡ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ +24), ÏÓ„ÛÚ
Á‚Û˜‡Ú¸ ÌÂ Ú‡Í, Í‡Í ‚˚ ÓÊË‰‡ÎË. ùÚÓ
ÓÚÌÓÒËÚÒﬂ Ë Í ÌÓÚ‡Ï ‚ ÎÂ‚ÓÏ ÍÓÌˆÂ
ÍÎ‡‚Ë‡ÚÛ˚ ÔË ÌËÁÍÓÏ ÁÌ‡˜ÂÌËË ÙÛÌÍˆËË
Transpose.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ äÎ‡‚Ë‡ÚÛ‡
ùÍ‡Ì FUNCTION [KEYBOARD 1] — ÒÚ. 2
■ Key Touch Ë Fixed Velocity .....................................................................................................
îÛÌÍˆËﬂ Key Touch Á‡‰‡ÂÚ Á‡‚ËÒËÏÓÒÚ¸ „ÓÏÍÓÒÚË ÚÂÏ·Ó‚,
‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÔË‡ÌËÌÓ Clavinova, ÓÚ ÒËÎ˚ (ÒÍÓÓÒÚË)
Ì‡Ê‡ÚËﬂ. ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Key Touch ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÍÎ‡‚Ë‡ÚÛÛ
˜ÂÚ˚¸Ïﬂ ‡ÁÎË˜Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÂÏ·‡, ÚËÔ‡ ÔÂÒÌË
ËÎË ‚‡¯Â„Ó ÒÚËÎﬂ Ë„˚. ÑÎﬂ ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÈÍË ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ
KEY TOUCH. ç‡·ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–] Ë [+] ‰Îﬂ ˝ÚÓ„Ó ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ.
èêàåÖóÄçàÖ
Velocity (ÒÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯)
• ëËÎ‡ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â
˜‡ÒÚÓ Ì‡Á˚‚‡ÂÚÒﬂ ÒÍÓÓÒÚ¸˛ Ì‡Ê‡ÚËﬂ. ùÚÓ
Ó·˙ﬂÒÌﬂÂÚÒﬂ ÚÂÏ, ˜ÚÓ ÔË‡ÌËÌÓ Clavinova
ÓÔÂ‰ÂÎﬂÂÚ ‚ÂÎË˜ËÌÛ ˝ÚÓÈ ÒËÎ˚, ËÁÏÂﬂﬂ
ÒÍÓÓÒÚ¸, Ò ÍÓÚÓÓÈ ·˚Î‡ Ì‡Ê‡Ú‡ ÍÎ‡‚Ë¯‡.
• áÌ‡˜ÂÌËÂ ˝ÚÓÈ ÙÛÌÍˆËË ÌÂ ‚ÎËﬂÂÚ Ì‡
Â‡Î¸Ì˚È ‚ÂÒ ÍÎ‡‚Ë¯.
ç‡ÒÚÓÈÍË Key Touch
NORMAL
ùÚÓ ÒÚ‡Ì‰‡ÚÌ‡ﬂ Ì‡ÒÚÓÈÍ‡, ËÒÔÓÎ¸ÁÛÂÏ‡ﬂ ‰Îﬂ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
SOFT
ùÚ‡ Ì‡ÒÚÓÈÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÔÓÎÛ˜ËÚ¸ ‰Ó‚ÓÎ¸ÌÓ „ÓÏÍËÈ Á‚ÛÍ ‰‡ÊÂ ÔË
ÌÂÒËÎ¸ÌÓÏ Û‰‡Â ÔÓ ÍÎ‡‚Ë¯‡Ï.
FIXED
ùÚ‡ Ì‡ÒÚÓÈÍ‡ ‰‡ÂÚ Ó‰ËÌ‡ÍÓ‚Û˛ „ÓÏÍÓÒÚ¸ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ
ÍÎ‡‚Ë¯‡Ï. ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË Á‚Û˜‡ÌËﬂ ÍÎ‡‚Ë¯ ÔÓÎ¸ÁÛÈÚÂÒ¸
ÙÛÌÍˆËÂÈ FIXED VELOCITY.
HARD
èË ˝ÚÓÈ Ì‡ÒÚÓÈÍÂ ‰Îﬂ ‰ÓÒÚËÊÂÌËﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ „ÓÏÍÓÒÚË ÌÂÓ·ıÓ‰ËÏÓ
‰Ó‚ÓÎ¸ÌÓ ÒËÎ¸ÌÓ Ì‡ÊËÏ‡Ú¸ Ì‡ ÍÎ‡‚Ë¯Ë.
■ Voice Setting (Ì‡ÒÚÓÈÍ‡ ÚÂÏ·‡) .................................................................................
135
ùÚ‡ ÙÛÌÍˆËﬂ ÓÔÂ‰ÂÎﬂÂÚ, ‚ÍÎ˛˜‡˛ÚÒﬂ ÎË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔË ‚˚·ÓÂ
ÚÂÏ·‡ Ú‡ÍËÂ Ì‡ÒÚÓÈÍË, Í‡Í Â‚Â·Â‡ˆËﬂ, Chorus, ˝ÙÙÂÍÚ Ë ‰. ÑÎﬂ
ËÁÏÂÌÂÌËﬂ ˝ÚÓÈ Ì‡ÒÚÓÈÍË ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ VOICE SETTING. ÖÒÎË
Á‡‰‡ÌÓ ÁÌ‡˜ÂÌËÂ AUTO, ·‡ÁÓ‚˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ Í‡Ê‰Ó„Ó ‚˚·‡ÌÌÓ„Ó
ÚÂÏ·‡ ‚˚·Ë‡˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. ÖÒÎË Á‡‰‡ÌÓ ÁÌ‡˜ÂÌËÂ MANUAL,
Ì‡ÒÚÓÈÍË ÔË ÒÏÂÌÂ ÚÂÏ·Ó‚ ÌÂ ÏÂÌﬂ˛ÚÒﬂ.
èêàåÖóÄçàÖ
KEY TOUCH
• ç‡ÒÚÓÈÍË: ÒÏ. Ú‡·Î. ÒÎÂ‚‡.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: NORMAL
èêàåÖóÄçàÖ
FIXED VELOCITY
• ÑË‡Ô‡ÁÓÌ: 1 — 127
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 76
èêàåÖóÄçàÖ
VOICE SETTING
• ç‡ÒÚÓÈÍË: AUTO, MANUAL
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: AUTO
èêàåÖóÄçàÖ
ÖÒÎË ÙÛÌÍˆËﬂ VOICE SETTING ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡
AUTO, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ
ÒÎÂ‰Û˛˘ËÂ Ì‡ÒÚÓÈÍË:
îÛÌÍˆËﬂ
ëÚ.
Reverb ON/OFF
41
Reverb depth settings
42
Chorus depth settings
45
Effect ON/OFF
46
EFFECT TYPE
47
EFFECT DEPTH
48
EFFECT VARIATION
47
HARMONY TYPE
70
Harmony SPEED
71
Harmony VOLUME
71
ç‡ÒÚÓÈÍË OCTAVE
32, 34, 38
CVP-202
137
èÂ‰‡Î¸
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [PEDAL] — ÒÚ. 3
■ Left Pedal Ë Glide Range ...........................................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÎÂ‚Û˛ ÔÂ‰‡Î¸ Ì‡
‚˚ÔÓÎÌÂÌËÂ ‡ÁÎË˜Ì˚ı ‰ÂÈÒÚ‚ËÈ.
èêàåÖóÄçàÖ
LEFT PEDAL
• ç‡ÒÚÓÈÍË: ÒÏ. Ú‡·Î. ÒÎÂ‚‡.
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: SOFT
ç‡ÒÚÓÈÍË LEFT PEDAL
ç‡ÒÚÓÈÍ‡
éÔËÒ‡ÌËÂ
SOFT
èÓ ÛÏÓÎ˜‡ÌË˛ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ ÔË„ÎÛ¯‡ÂÚ Á‚ÛÍ. (ëÏ. ÒÚ. 40.)
START/STOP
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ ‚˚ÔÓÎÌﬂÂÚ ÓÎ¸ ÍÌÓÔÍË [START/STOP]. (ëÏ. ÒÚ. 52.)
HARMONY
ÖÒÎË ÙÛÌÍˆËﬂ Harmony ‚ÍÎ˛˜ÂÌ‡ (ON), ÓÌ‡ ÔËÏÂÌﬂÂÚÒﬂ ÚÓÎ¸ÍÓ ÔË
Ì‡Ê‡ÚÓÈ ÎÂ‚ÓÈ ÔÂ‰‡ÎË. (ëÏ. ÒÚ. 69.)
REGISTRATION
ä‡Ê‰˚È ‡Á ÔË Ì‡Ê‡ÚËË ÎÂ‚ÓÈ ÔÂ‰‡ÎË ‚˚Á˚‚‡˛ÚÒﬂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË,
ÒÓı‡ÌÂÌÌ˚Â ‚ ÒÎÂ‰Û˛˘ÂÏ ÌÓÏÂÂ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. (ëÏ.
ÒÚ. 91.)
REG.FREEZE
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ÙÛÌÍˆË˛ Registration Freeze, Ú.Â.
‚˚ÔÓÎÌﬂÂÚ ÚÛ ÊÂ ÓÎ¸, ˜ÚÓ Ë ÍÌÓÔÍ‡ FREEZE Ì‡ ˝Í‡ÌÂ REGISTRATION
[FREEZE] (ÒÚ. 91).
ENDING/RIT
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ ‰ÂÈÒÚ‚ÛÂÚ Í‡Í ÍÌÓÔÍ‡ [ENDING]. åÓÊÌÓ Ò‰ÂÎ‡Ú¸ Ú‡Í,
˜ÚÓ·˚ ÔÂÒÌﬂ ÔÓÒÚÂÔÂÌÌÓ Á‡ÏÂ‰ÎﬂÎ‡Ò¸ Í ÍÓÌˆÛ, Ì‡Ê‡‚ ÎÂ‚Û˛ ÔÂ‰‡Î¸ ‰‚‡
‡Á‡ ÔÓ‰ﬂ‰. (ëÏ. ÒÚ. 56.)
BREAK
ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ ÔÂ‰‡Î¸ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ, Ì‡ÒÚÛÔ‡ÂÚ
Ô‡ÛÁ‡ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ Ë ËÚÏÂ. ùÚ‡ Ô‡ÛÁ‡ ‰ÎËÚÒﬂ, ÔÓÍ‡ Ì‡Ê‡Ú‡
ÔÂ‰‡Î¸. äÓ„‰‡ ÔÂ‰‡Î¸ ÓÚÔÛÒÍ‡ÂÚÒﬂ, Ó·˚˜ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
Ì‡˜ËÌ‡ÂÚÒﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ ÔÂ‰‡Î¸ Â˘Â ‡Á ‚
ÚÓÏ ÊÂ Ú‡ÍÚÂ, ÌÓÏ‡Î¸ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÓÁÓ·ÌÓ‚ËÚÒﬂ ÌÂÏÂ‰ÎÂÌÌÓ.
BREAK FIL
ÖÒÎË Ì‡Ê‡Ú¸ ÎÂ‚Û˛ ÔÂ‰‡Î¸ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ, ÔË‡ÌËÌÓ
Clavinova ÔÓË„˚‚‡ÂÚ ÒÔÂˆË‡Î¸ÌÛ˛ «‚ÒÚ‡‚ÍÛ ‚ Ô‡ÛÁÂ» (break fill-in). ùÚ‡
‚ÒÚ‡‚Í‡ ÓÚÎË˜‡ÂÚÒﬂ ÓÚ ÚÂı, ÍÓÚÓ˚Â Á‡‰‡˛ÚÒﬂ ÙÛÌÍˆËÂÈ Auto Fill. (ëÏ.
ÒÚ. 51.)
BASS HOLD
ÖÒÎË Ì‡Ê‡Ú‡ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸, ·‡ÒÓ‚‡ﬂ ÌÓÚ‡, Á‡‰‡ÌÌ‡ﬂ ÙÛÌÍˆËÂÈ Auto
Accompaniment, ·Û‰ÂÚ Á‚Û˜‡Ú¸, ‰‡ÊÂ ÂÒÎË ÏÂÌﬂÂÚÒﬂ ‡ÍÍÓ‰. Ç ÂÊËÏÂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ FULL KEYBOARD ˝Ú‡ ÙÛÌÍˆËﬂ ÌÂ ‡·ÓÚ‡ÂÚ (ÒÚ. 61).
FADE IN/OUT
ãÂ‚‡ﬂ ÔÂ‰‡Î¸ ‚˚ÔÓÎÌﬂÂÚ ÚÛ ÊÂ ÙÛÌÍˆË˛, ˜ÚÓ Ë ÍÌÓÔÍ‡ [FADE IN/OUT].
(ëÏ. ÒÚ. 55 Ë 56.)
EFFECT VARI
ùÚ‡ ÙÛÌÍˆËﬂ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ‚‡Ë‡ˆË˛ ˝ÙÙÂÍÚ‡, Ú.Â. ÓÌ‡
‰ÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔÍ‡ VARIATION Ì‡ ˝Í‡ÌÂ EFFECT (ÒÚ. 47).
GLIDE UP S
èË Ì‡Ê‡ÚËË ÎÂ‚ÓÈ ÔÂ‰‡ÎË ‚˚ÒÓÚ‡ Á‚ÛÍ‡ Û‚ÂÎË˜Ë‚‡ÂÚÒﬂ Ë
ÓÔÂ‰ÂÎﬂÂÚÒﬂ ÙÛÌÍˆËÂÈ GLIDE RANGE. ÖÒÎË ÓÚÔÛÒÚËÚ¸ ÔÂ‰‡Î¸,
‚˚ÒÓÚ‡ ÔÓÒÚÂÔÂÌÌÓ ‚ÓÁ‚‡˘‡ÂÚÒﬂ Í ÌÓÏ‡Î¸ÌÓÏÛ ÁÌ‡˜ÂÌË˛. íÂÏÔ
˝ÚÓ„Ó ‚ÓÁ‚‡Ú‡ ÏÓÊÂÚ ·˚Ú¸ ÏÂ‰ÎÂÌÌ˚Ï, ÒÂ‰ÌËÏ ËÎË ·˚ÒÚ˚Ï ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓÈ Ì‡ÒÚÓÈÍË.
èêàåÖóÄçàÖ
ÖÒÎË ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ Ì‡ÒÚÓÂÌ‡ Ì‡
REGISTRATION, Ì‡ÒÚÓÈÍ‡ ÙÛÌÍˆËË ÎÂ‚ÓÈ
ÔÂ‰‡ÎË ËÁ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË ÌÂ
‚˚Á˚‚‡ÂÚÒﬂ.
èêàåÖóÄçàÖ
GLIDE UP M
GLIDE UP F
GLIDE DOWN S
GLIDE DOWN M
GLIDE DOWN F
CVP-202
èË Ì‡Ê‡ÚËË ÎÂ‚ÓÈ ÔÂ‰‡ÎË ‚˚ÒÓÚ‡ Á‚ÛÍ‡ Ô‡‰‡ÂÚ Ë ÓÔÂ‰ÂÎﬂÂÚÒﬂ
ÙÛÌÍˆËÂÈ GLIDE RANGE. ÖÒÎË ÓÚÔÛÒÚËÚ¸ ÔÂ‰‡Î¸, ‚˚ÒÓÚ‡ ÔÓÒÚÂÔÂÌÌÓ
‚ÓÁ‚‡˘‡ÂÚÒﬂ Í ÌÓÏ‡Î¸ÌÓÏÛ ÁÌ‡˜ÂÌË˛. ÇÓÁ‚‡Ú ÏÓÊÂÚ ·˚Ú¸
ÏÂ‰ÎÂÌÌ˚Ï, ÒÂ‰ÌËÏ ËÎË ·˚ÒÚ˚Ï ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓÈ
Ì‡ÒÚÓÈÍË.
136
138
GLIDE RANGE
• ç‡ÒÚÓÈÍË: 1 — 12 (ÔÓÎÛÚÓÌÓ‚).
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: 1
ÑËÒÍÂÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [DISK 1] — ÒÚ. 4
■ î‡ÈÎ˚ Registration Ë Setup ..................................................................................................
îÛÌÍˆËË Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ Á‡„ÛÁÍË, ÒÓı‡ÌÂÌËﬂ,
ÒÚË‡ÌËﬂ Ë ËÁÏÂÌÂÌËﬂ ËÏÂÌ Ù‡ÈÎÓ‚ ‰‡ÌÌ˚ı, ÒÓ‰ÂÊ‡˘Ëı ‰‡ÌÌ˚Â
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË (ÒÚ. 89) ËÎË Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË.
èÂÊ‰Â ˜ÂÏ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ˝ÚËÏË ÙÛÌÍˆËﬂÏË, Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ
ÌÛÊÌ‡ﬂ ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂÌ‡ ‚ ‰ËÒÍÓ‚Ó‰.
Z Ç˚·Ó ÚËÔ‡ Ù‡ÈÎ‡.
óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ Ù‡ÈÎ‡ ‰Îﬂ Á‡„ÛÁÍË, ÒÓı‡ÌÂÌËﬂ, Û‰‡ÎÂÌËﬂ ËÎË
ÔÂÂËÏÂÌÓ‚‡ÌËﬂ, Ì‡ÊÏËÚÂ Î˛·Û˛ ËÁ ‰‚Ûı Ò‡Ï˚ı ÎÂ‚˚ı Üä-ÍÌÓÔÓÍ.
REGISTRATION
êÂ„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ ÏÓÊÂÚ ‚ÍÎ˛˜‡Ú¸ ‰‡ÌÌ˚Â ÚÓÎ¸ÍÓ
Ó‰ÌÓÈ Á‡ÔËÒË ËÎË ÔÓÎÌÓ„Ó Ì‡·Ó‡ ËÁ 20 Á‡ÔËÒÂÈ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ì‡ÒÚÓÈÍ‡ı, ÍÓÚÓ˚Â ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Registration, ÒÏ. ÒÚ. 11
·ÛÍÎÂÚ‡ «Data List».
ALL SETUP
î‡ÈÎ All Setup ÒÓ‰ÂÊËÚ ‚ÒÂ ‰‡ÌÌ˚Â Ó Ô‡ÌÂÎ¸Ì˚ı
Ì‡ÒÚÓÈÍ‡ı, ÔÂÂ˜ËÒÎÂÌÌ˚ı Ì‡ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List».
➾ ÖÒÎË ‚˚·‡Ì ÚËÔ Ù‡ÈÎ‡ REGISTRATION, ÏÓÊÌÓ Ú‡ÍÊÂ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÙÛÌÍˆËÂÈ REGIST, ÍÓÚÓ‡ﬂ ÓÔÂ‰ÂÎﬂÂÚ, ÔÓ‚ÎËﬂÂÚ ÎË ÓÔÂ‡ˆËﬂ Ì‡ Ó‰ÌÛ
ﬂ˜ÂÈÍÛ Ô‡ÏﬂÚË ËÎË Ì‡ ‚ÂÒ¸ Ì‡·Ó ËÁ 20 ﬂ˜ÂÂÍ.
èË ÒÓı‡ÌÂÌËË ‰‡ÌÌ˚ı Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË Ì‡ÒÚÓÈÍ‡ REGIST
ÓÔÂ‰ÂÎﬂÂÚ, Í‡Í‡ﬂ ËÏÂÌÌÓ ﬂ˜ÂÈÍ‡ ËÎË ﬂ˜ÂÈÍË Ô‡ÏﬂÚË ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ Ì‡
‰ËÒÍÂÚÛ. èË Á‡„ÛÁÍÂ ‰‡ÌÌ˚ı Ì‡ÒÚÓÈÍ‡ REGIST ÓÔÂ‰ÂÎﬂÂÚ, Í‡ÍËÏ
Ó·‡ÁÓÏ ·Û‰ÛÚ Á‡„ÛÊ‡Ú¸Òﬂ ‰‡ÌÌ˚Â Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË (ÒÏ. Ú‡·Î.):
èêàåÖóÄçàÖ
çÂÁ‡‚ËÒËÏÓ ÓÚ Ì‡ÒÚÓÈÍË REGIST ‚˚ ÏÓÊÂÚÂ
ÒÚÂÂÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸ Î˛·ÓÈ
Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ Ì‡ ‰ËÒÍÂÚÂ.
ç‡ÒÚÓÈÍ‡ REGIST:
ëÓ‰ÂÊËÏÓÂ Ù‡ÈÎ‡
ÇÒÂ Á‡ÔËÒË
137
é‰Ì‡ Á‡ÔËÒ¸
ALL (BCE)
á‡„ÛÊ‡˛ÚÒﬂ ‚ÒÂ Á‡ÔËÒË.
A1 — E4
èÂÂÁ‡„ÛÁÍ‡ Á‡ÔËÒÂÈ, Ò‰ÂÎ‡ÌÌ˚ı
ËÁ ÍÓÌÍÂÚÌÓ„Ó ‡‰ÂÒ‡ (‚
ËÒıÓ‰Ì˚È ‡‰ÂÒ).
á‡‰‡ÌÌ˚È Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ á‡‰‡ÌÌ˚È Â„ËÒÚ‡ˆËÓÌÌ˚È Ù‡ÈÎ
Á‡„ÛÊ‡ÂÚÒﬂ ‚ Á‡‰‡ÌÌ˚È ‡‰ÂÒ.
Á‡„ÛÊ‡ÂÚÒﬂ ‚ ËÒıÓ‰Ì˚È ‡‰ÂÒ.
CVP-202
139
ÑËÒÍÂÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
X Ç˚·Ó ÓÔÂ‡ˆËË Ò Ù‡ÈÎÓÏ.
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË ËÒÔÓÎ¸ÁÛÈÚÂ ‚ÚÓÛ˛ Üä-ÍÌÓÔÍÛ
ÒÔ‡‚‡: LOAD, SAVE, DELETE ËÎË NAME.
èêàåÖóÄçàÖ
èÓÍ‡ „ÓËÚ ËÌ‰ËÍ‡ÚÓ [SONG], ÓÔÂ‡ˆËË
Ò Ù‡ÈÎ‡ÏË ÔÓ‚Ó‰ËÚ¸ ÌÂÎ¸Áﬂ. èÂÊ‰Â
˜ÂÏ ‚˚ÔÓÎÌﬂÚ¸ ‰ÂÈÒÚ‚Ëﬂ Ò Ù‡ÈÎ‡ÏË,
Ì‡‰Ó ‚˚ÈÚË ËÁ ÂÊËÏ‡ Song.
C ç‡ÊÏËÚÂ ÍÌÓÔÍÛ START.
➔ éÔÂ‡ˆËﬂ Ò Ù‡ÈÎÓÏ Ì‡˜ËÌ‡ÂÚÒﬂ.
ëÎÂ‰Û˛˘ËÂ ˝Ú‡Ô˚ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË ·Û‰ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚËÔ‡ ÓÔÂ‡ˆËË.
ëÏ. ËÌÒÚÛÍˆËË ÔÓ Í‡Ê‰ÓÈ ÓÔÂ‡ˆËË (ÒÏ. ÌËÊÂ).
■ LOAD ..........................................................................................................................................................................
ÖÒÎË ‚˚·‡Ì‡ ÓÔÂ‡ˆËﬂ Á‡„ÛÁÍË LOAD, ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì ÙÛÌÍˆËË Load.
èË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂ‡ˆËË ÔÂÊÌËÂ ‚ÌÛÚÂÌÌËÂ ‰‡ÌÌ˚Â ·Û‰ÛÚ ÛÚÂﬂÌ˚.
èÂÊ‰Â ˜ÂÏ ‚˚ÔÓÎÌﬂÚ¸ ÓÔÂ‡ˆË˛ Load, ÒÓı‡ÌËÚÂ ‚ÒÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡
‰ËÒÍÂÚÂ (ÒÏ. ÌËÊÂ).
ëÌ‡˜‡Î‡ ‚˚·ÂËÚÂ Ù‡ÈÎ ‰Îﬂ Á‡„ÛÁÍË. ÑÎﬂ ‚˚·Ó‡ Ù‡ÈÎ‡ Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ
‰‚Ûı Í‡ÈÌËı ÎÂ‚˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
YES, ˜ÚÓ·˚ Á‡„ÛÁËÚ¸ ‚˚·‡ÌÌ˚È Ù‡ÈÎ, ËÎË ÍÌÓÔÍÛ NO ‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË
Load.
■ SAVE ...........................................................................................................................................................................
ÖÒÎË ‚˚·‡Ì‡ ÓÔÂ‡ˆËﬂ SAVE, ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì ‰Îﬂ ‚‚Ó‰‡ ËÏÂÌË Ù‡ÈÎ‡,
ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸.
èÂÂÏÂ˘‡ﬂ ÍÛÒÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË >, ‚˚·ÂËÚÂ ÔÓÁËˆË˛ ‚ ËÏÂÌË
Ù‡ÈÎ‡. (àÏÂÌ‡ Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ÒÓ‰ÂÊ‡Ú¸ ‰Ó 12 ÒËÏ‚ÓÎÓ‚.)
➾ ÑÎﬂ ‚˚·Ó‡ ÒËÏ‚ÓÎÓ‚, ÍÓÚÓ˚Â ÌÂÓ·ıÓ‰ËÏÓ ‚‚ÂÒÚË, ÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï
‰ËÒÍÓÏ ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+].
CVP-202
138
140
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡
ÑÎﬂ ‚‚Ó‰‡ ‚˚·‡ÌÌ˚ı ÒËÏ‚ÓÎÓ‚ ‚ ÚÂÍÛ˘ÂÈ ÔÓÁËˆËË ËÏÂÌË Ù‡ÈÎ‡ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ CH.SET. èÓ‰ÓÎÊ‡ÈÚÂ ‚‚Ó‰, ÔÂÂÏÂ˘‡ﬂ ÍÛÒÓ Í ‰Û„ËÏ ÒËÏ‚ÓÎ‡Ï.
óÚÓ·˚ ÒÚÂÂÚ¸ ÔÂ‰˚‰Û˘ËÈ ÒËÏ‚ÓÎ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ BACK. ëÚË‡ÂÚÒﬂ
ÒËÏ‚ÓÎ ÒÎÂ‚‡ ÓÚ ÍÛÒÓ‡, Ë ÍÛÒÓ ‚ÓÁ‚‡˘‡ÂÚÒﬂ Ì‡ Ó‰ÌÛ ÔÓÁËˆË˛ Ì‡Á‡‰.
ÖÒÎË ‚˚ ‡Á‰ÛÏ‡ÎË ‚‚Ó‰ËÚ¸ ËÏﬂ Ù‡ÈÎ‡ Ë ıÓÚËÚÂ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ
FUNCTION [DISK 1], Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CANCEL.
èÓÒÎÂ ‚‚Ó‰‡ ËÏÂÌË Ù‡ÈÎ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SAVE, ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸
ÓÔÂ‡ˆË˛ ÒÓı‡ÌÂÌËﬂ.
ÖÒÎË ‚‚Â‰ÂÌÌÓÂ ËÏﬂ ÛÊÂ ÂÒÚ¸ Ì‡ ‰ËÒÍÂÚÂ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Same
name! Overwrite?» (àÏﬂ ÛÊÂ ÒÛ˘ÂÒÚ‚ÛÂÚ! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ OK, ÂÒÎË ıÓÚËÚÂ Á‡ÏÂÌËÚ¸ ÔÂÊÌËÈ Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË ÍÌÓÔÍÛ CANCEL
‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË.
■ DELETE ..................................................................................................................................................................
ÖÒÎË ‚˚·Ë‡ÂÚÒﬂ ÙÛÌÍˆËﬂ DELETE, ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì Delete.
ëÌ‡˜‡Î‡ ‚˚·ÂËÚÂ Ù‡ÈÎ, ÍÓÚÓ˚È ıÓÚËÚÂ ÒÚÂÂÚ¸. ÑÎﬂ ‚˚·Ó‡ Ù‡ÈÎ‡
Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ‰‚Ûı Í‡ÈÌËı ÎÂ‚˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Ù‡ÈÎ, ËÎË ÍÌÓÔÍÛ NO, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Delete.
■ NAME ........................................................................................................................................................................
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÙÛÌÍˆË˛ NAME, ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝Í‡Ì Name.
Ç˚·ÂËÚÂ Ù‡ÈÎ, ÍÓÚÓÓÏÛ ıÓÚËÚÂ ÔËÒ‚ÓËÚ¸ ËÏﬂ. óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ,
Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ‰‚Ûı Í‡ÈÌËı ÎÂ‚˚ı Üä-ÍÌÓÔÓÍ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ OK.
➾ èÓﬂ‚ËÚÒﬂ ˝Í‡Ì ‰Îﬂ ‚‚Ó‰‡ ËÏÂÌË Ù‡ÈÎ‡. Ç‚Â‰ËÚÂ ÌÓ‚ÓÂ ËÏﬂ ÚÓ˜ÌÓ Ú‡Í ÊÂ, Í‡Í
‰Îﬂ ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËﬂ.
139
➾ ç‡Ê‡‚ ÍÌÓÔÍÛ OK, ‚˚ ÔÓÏÂÌﬂÂÚÂ ËÏﬂ Ù‡ÈÎ‡ Ì‡ ÚÓÎ¸ÍÓ ˜ÚÓ ‚‚Â‰ÂÌÌÓÂ. óÚÓ·˚
ÓÚÍ‡Á‡Ú¸Òﬂ ÓÚ ˝ÚÓÈ ÓÔÂ‡ˆËË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ CANCEL. ÖÒÎË ‚‚Â‰ÂÌÌÓÂ ËÏﬂ
ÛÊÂ ÂÒÚ¸ Ì‡ ‰ËÒÍÂÚÂ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Same name! Overwrite?»
(àÏﬂ ÛÊÂ ÒÛ˘ÂÒÚ‚ÛÂÚ! èÂÂÁ‡ÔËÒ‡Ú¸?). ç‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ÂÒÎË ıÓÚËÚÂ
Á‡ÏÂÌËÚ¸ ÔÂÊÌËÈ Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË ÍÌÓÔÍÛ CANCEL ‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË.
CVP-202
141
ÑËÒÍÂÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [DISK 2] — ÒÚ. 5
■ Song Copy Ë Disk Copy ................................................................................................................
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ÏÓÊÌÓ ÍÓÔËÓ‚‡Ú¸ ÔÂÒÂÌÌ˚Â
‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova, Ì‡ ÚÛ ÊÂ Ò‡ÏÛ˛ ‰ËÒÍÂÚÛ
ÔÓ‰ ‰Û„ËÏ ÌÓÏÂÓÏ ËÎË Ì‡ ‰Û„Û˛ ‰ËÒÍÂÚÛ. ÑÎﬂ ÍÓÔËÓ‚‡ÌËﬂ ‚ÒÂÈ
‰ËÒÍÂÚ˚ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÛÌÍˆËﬂ Disk Copy.
Z Ç˚·Ó ÙÛÌÍˆËË ÍÓÔËÓ‚‡ÌËﬂ.
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ, ÍÓÚÓÛ˛ ÌÛÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˆÂÎËÍÓÏ, ËÎË ‰ËÒÍÂÚÛ Ò
ÌÛÊÌÓÈ ÔÂÒÌÂÈ.
➾ ÑÎﬂ ‚˚·Ó‡ ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ‰‚Ûı Ò‡Ï˚ı ÎÂ‚˚ı
Üä-ÍÌÓÔÓÍ. ëÛ˘ÂÒÚ‚ÛÂÚ ÚË ‡ÁÌ˚ı ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ.
DISK1 – 1
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ ÔÓ‰ ‰Û„ËÏ
ÌÓÏÂÓÏ Ì‡ ÚÛ ÊÂ Ò‡ÏÛ˛ ‰ËÒÍÂÚÛ.
DISK1 – 2
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ Ì‡ ‰Û„Û˛
‰ËÒÍÂÚÛ.
DISK COPY
ùÚ‡ ÙÛÌÍˆËﬂ ÍÓÔËÛÂÚ ‚ÒÂ ‰‡ÌÌ˚Â Ò Ó‰ÌÓ„Ó ‰ËÒÍ‡ Ì‡ ‰Û„ÓÈ.
(ÇÒÂ ÔÂÊÌËÂ ‰‡ÌÌ˚Â Ì‡ ÔËÌËÏ‡˛˘ÂÏ ‰ËÒÍÂ ÒÚË‡˛ÚÒﬂ.)
èêàåÖóÄçàÖ
îÛÌÍˆËË ÍÓÔËÓ‚‡ÌËﬂ Song Copy Ë Disk Copy
ÌÂ ÏÓ„ÛÚ ‚˚ÔÓÎÌﬂÚ¸Òﬂ, ÂÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ
[RECORD]. èÂÊ‰Â ˜ÂÏ ÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛ ËÎË
‰ËÒÍÂÚ˚, ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Á‡ÔËÒË Song
Record.
èêàåÖóÄçàÖ
• ÖÒÎË ‚ÒÚ‡‚ÎÂÌÌ‡ﬂ ‰ËÒÍÂÚ‡ Á‡˘Ë˘ÂÌ‡ ÓÚ
Á‡ÔËÒË (ÒÚ. 9), ÙÛÌÍˆËﬂ ÍÓÔËÓ‚‡ÌËﬂ
DISK1 — 1 ÌÂ‰ÓÒÚÛÔÌ‡.
• ÖÒÎË Ô‡ÏﬂÚ¸ ÔË‡ÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ
‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ·ÂÁ ‰ËÒÍÂÚ˚ (ÒÚ. 133),
‚ Í‡˜ÂÒÚ‚Â ÙÛÌÍˆËË ÍÓÔËÓ‚‡ÌËﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚÒﬂ CVP — DISK. ë
ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÔÂÒÌË ËÁ Ô‡ÏﬂÚË
CVP MEMORY Á‡ÔËÒ˚‚‡˛ÚÒﬂ Ì‡ ‰ËÒÍÂÚÛ.
(ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ, Á‡‰‡ÈÚÂ ÌÓÏÂ ÔÂÒÌË,
ÔÓ‰ ÍÓÚÓ˚Ï ıÓÚËÚÂ ÂÂ ÒÓı‡ÌËÚ¸ (ÒÏ.
˝Ú‡Ô 3), Ë ‚˚ÔÓÎÌËÚÂ ÍÓÔËÓ‚‡ÌËÂ, Í‡Í
Ó·˚˜ÌÓ.) èÓÒÎÂ ˝ÚÓ„Ó ÏÓÊÌÓ Û‰‡ÎËÚ¸ ÔÂÒÌ˛
ËÁ Ô‡ÏﬂÚË CVP MEMORY Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Song Delete (ÒÚ. 144). äÓ„‰‡ ÔÂÒÌﬂ
Û‰‡ÎÂÌ‡, ÏÓÊÌÓ ‚˚ÔÓÎÌﬂÚ¸ ÌÓ‚ÓÂ
ÍÓÔËÓ‚‡ÌËÂ.
X Ç˚·Ó ÔÂÒÌË ‰Îﬂ ÍÓÔËÓ‚‡ÌËﬂ.
ÖÒÎË ‚ ¯‡„Â 1 ‚˚ ‚˚·‡ÎË ÙÛÌÍˆË˛ DISK1 — 1 ËÎË DISK1 — 2,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG ➔, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË
ÍÌÓÔÓÍ [–] Ë [+] ‚˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 1 ‰Ó 99.
➔ ç‡‰ ÚÂÚ¸ÂÈ Ë ˜ÂÚ‚ÂÚÓÈ Üä-ÍÌÓÔÍ‡ÏË ÔÓﬂ‚ﬂÚÒﬂ ÌÓÏÂ Ë Ì‡Á‚‡ÌËÂ ÔÂÒÌË.
CVP-202
140
142
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡
C Ç˚·ÂËÚÂ ÌÓÏÂ, ÔÓ‰ ÍÓÚÓ˚Ï ıÓÚËÚÂ ÒÍÓÔËÓ‚‡Ú¸ ÔÂÒÌ˛.
ÖÒÎË ‚ ÔÂ‚ÓÏ ¯‡„Â ‚˚ ‚˚·‡ÎË ÙÛÌÍˆË˛ DISK1 — 1, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ SONG, ‡ Á‡ÚÂÏ Ò ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+]
‚˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 1 ‰Ó 60. (çÓÏÂ‡ ÔÂÒÂÌ ÌÂ
ÏÓ„ÛÚ ÔÂ‚˚¯‡Ú¸ 60.)
➔ ÖÒÎË ÔÂÒÌﬂ Ò Ú‡ÍËÏ ÌÓÏÂÓÏ ÛÊÂ ÒÛ˘ÂÒÚ‚ÛÂÚ, ÂÂ Ì‡Á‚‡ÌËÂ ÔÓﬂ‚ËÚÒﬂ ‚
ˆÂÌÚÂ ˝Í‡Ì‡. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔË ÍÓÔËÓ‚‡ÌËË ÔÂÊÌﬂﬂ ÔÂÒÌﬂ ·Û‰ÂÚ
ÒÚÂÚ‡ Ë Á‡ÏÂÌÂÌ‡ ÌÓ‚ÓÈ.
V éÔÂ‡ˆËﬂ ÍÓÔËÓ‚‡ÌËﬂ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ COPY.
➔ ç‡˜ËÌ‡ÂÚÒﬂ ÓÔÂ‡ˆËﬂ ÍÓÔËÓ‚‡ÌËﬂ. ÖÒÎË ‚˚ ÍÓÔËÛÂÚÂ Ì‡ ÚÛ ÊÂ Ò‡ÏÛ˛
‰ËÒÍÂÚÛ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?) ÑÎﬂ
ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ YES, ‰Îﬂ ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ NO.
èêàåÖóÄçàÖ
éÔÂ‡ˆËﬂ ÍÓÔËÓ‚‡ÌËﬂ ÌÂ ÏÓÊÂÚ ·˚Ú¸
‚˚ÔÓÎÌÂÌ‡, ÂÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÛÌÍˆËﬂ
DISK1 — 1 Ë Ó‰ËÌ Ë ÚÓÚ ÊÂ ÌÓÏÂ ÔÂÒÌË Á‡‰‡Ì
‚ Í‡˜ÂÒÚ‚Â ËÒıÓ‰ÌÓ„Ó Ë ÍÓÌÂ˜ÌÓ„Ó. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Select a different
number!» (Ç˚·ÂËÚÂ ‰Û„ÓÈ ÌÓÏÂ!)
ÖÒÎË ‚˚ ÍÓÔËÛÂÚÂ ‰‡ÌÌ˚Â Ì‡ ‰Û„Û˛ ‰ËÒÍÂÚÛ (ËÎË ÍÓÔËÛÂÚÂ ˆÂÎÛ˛
‰ËÒÍÂÚÛ), ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Number of disk exchanges
(**)», ÛÍ‡Á˚‚‡˛˘ÂÂ, ÒÍÓÎ¸ÍÓ ‡Á ÔË‰ÂÚÒﬂ ÏÂÌﬂÚ¸ ‰ËÒÍÂÚÛ. ÑÎﬂ
ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ‰Îﬂ ÓÚÏÂÌ˚ - ÍÌÓÔÍÛ CANCEL.
èË ÍÓÔËÓ‚‡ÌËË ‰‡ÌÌ˚ı Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ Ì‡ ‰Û„Û˛ ÒÎÂ‰ÛÈÚÂ
ËÌÒÚÛÍˆËﬂÏ Ì‡ ˝Í‡ÌÂ, ÏÂÌﬂﬂ ‰ËÒÍÂÚ˚, Í‡Í ÛÍ‡Á‡ÌÓ.
ÖÒÎË ÔÂÒÌﬂ ÍÓÔËÛÂÚÒﬂ Ì‡ ‰Û„Û˛ ‰ËÒÍÂÚÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
DISK1 — 2, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Select destination song
number» (Ç˚·ÂËÚÂ ÌÓÏÂ ÔÂÒÌË ‰Îﬂ ÍÓÔËË), Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ ÔÂ‚˚È
‡Á ‚ÒÚ‡‚ËÚÂ ÔËÌËÏ‡˛˘Û˛ ‰ËÒÍÂÚÛ. Ç˚·ÂËÚÂ ÌÓÏÂ ÓÚ 1 ‰Ó 60 Ò
ÔÓÏÓ˘¸˛ Ì‡·ÓÌÓ„Ó ‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. (åÓÊÌÓ ‚˚·Ë‡Ú¸
ÌÓÏÂ‡ ÚÓÎ¸ÍÓ ‰Ó 60.)
141
➾ ÖÒÎË ÔÂÒÌﬂ Ò Ú‡ÍËÏ ÌÓÏÂÓÏ ÛÊÂ ÒÛ˘ÂÒÚ‚ÛÂÚ, Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÂÂ
Ì‡Á‚‡ÌËÂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔË ÍÓÔËÓ‚‡ÌËË ÓÌ‡ ·Û‰ÂÚ ÒÚÂÚ‡ Ë Á‡ÏÂÌÂÌ‡
ÌÓ‚ÓÈ. ÑÎﬂ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, ‡ ‰Îﬂ ÓÚÏÂÌ˚ CANCEL.
èêàåÖóÄçàÖ
äÓÔËÓ‚‡ÌËÂ ÎËˆÂÌÁËÓÌÌÓ„Ó èé
• äÓÔËÓ‚‡ÌËÂ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ,
ËÏÂ˛˘Â„ÓÒﬂ ‚ ÔÓ‰‡ÊÂ, ‡ÁÂ¯ÂÌÓ ÎË¯¸
‰Îﬂ ÎË˜ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
• çÂÍÓÚÓ˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ÔÓ„‡ÏÏ˚
ÒÔÂˆË‡Î¸ÌÓ Á‡˘Ë˘ÂÌ˚ ÓÚ ÍÓÔËÓ‚‡ÌËﬂ.
èêàåÖóÄçàÖ
î‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË (ÍÓÏÂ ÚÂı, ÍÓÚÓ˚Â ·˚ÎË
ÒÓÁ‰‡Ì˚ Ì‡ ÔË‡ÌËÌÓ CVP-202) ÏÓ„ÛÚ ·˚Ú¸
ÒÍÓÔËÓ‚‡Ì˚ ÚÓÎ¸ÍÓ Ó‰ËÌ ‡Á. ëÍÓÔËÓ‚‡Ú¸ Ëı
Â˘Â ‡Á Ì‡ ‰Û„ÓÈ ‰ËÒÍ ÌÂ‚ÓÁÏÓÊÌÓ. äÓÏÂ
ÚÓ„Ó, ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰‡ÌÌ˚Â ÏÓÊÌÓ
Á‡ÔËÒ˚‚‡Ú¸ ÚÓÎ¸ÍÓ ‚ Ô‡‚Û˛ /ÎÂ‚Û˛ ˜‡ÒÚË
ÒÍÓÔËÓ‚‡ÌÌ˚ı Ù‡ÈÎÓ‚ ÙÓÏ‡Ú‡ DOC.
CVP-202
143
ÑËÒÍÂÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [DISK 3] — ÒÚ. 6
■ Song Delete ................................................................................................................................................
çÂÌÛÊÌ˚Â ÔÂÒÌË ÏÓÊÌÓ Û‰‡ÎËÚ¸ Ò ‰ËÒÍÂÚ˚ Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ. ÅÛ‰¸ÚÂ
‚ÌËÏ‡ÚÂÎ¸Ì˚, ˜ÚÓ·˚ ÌÂ Û‰‡ÎËÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â. ÇÂÌÛÚ¸ Û‰‡ÎÂÌÌ˚Â
‰‡ÌÌ˚Â ÌÂ‚ÓÁÏÓÊÌÓ.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Û‰‡ÎÂÌËﬂ Song Delete ÌÂ‰ÓÒÚÛÔÌ‡,
ÂÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ [RECORD]. èÂÊ‰Â ˜ÂÏ
Û‰‡ÎﬂÚ¸ ÔÂÒÌ˛, ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Á‡ÔËÒË
Song Record.
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ.
ÇÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ÔÂÒÌÂÈ, ÍÓÚÓÛ˛ ıÓÚËÚÂ Û‰‡ÎËÚ¸.
X Ç˚·ÂËÚÂ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ÌÛÊÌÓ Û‰‡ÎËÚ¸.
ÑÎﬂ ˝ÚÓ„Ó ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË SONG ▼ Ë ▲, Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË
ÍÌÓÔÍË [–] Ë [+]. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÓÔÂ‡ˆËË ÏÓÊÌÓ Ú‡ÍÊÂ Û‰‡ÎËÚ¸ ÔÂÒÌË
ËÁ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova. ÑÎﬂ ˝ÚÓ„Ó ‚ÏÂÒÚÓ ÌÓÏÂ‡
ÔÂÒÌË ‚˚·ÂËÚÂ ÙÛÌÍˆË˛ CVP MEMORY (ÙÛÌÍˆËﬂ CVP MEMORY
ÔÓﬂ‚ËÚÒﬂ ÚÓÎ¸ÍÓ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ‚ ˝ÚÓÈ Ô‡ÏﬂÚË ÂÒÚ¸ Ù‡ÈÎ˚ Ò
ÔÂÒÌﬂÏË).
C Ç˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ Û‰‡ÎÂÌËﬂ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ DELETE.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛, ËÎË ÍÌÓÔÍÛ NO ‰Îﬂ ÓÚÏÂÌ˚
ÓÔÂ‡ˆËË.
CVP-202
142
144
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ÑËÒÍÂÚ‡
ùÍ‡Ì FUNCTION [DISK 4] — ÒÚ. 7
■ Song Data Transform ......................................................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ÔÂÓ·‡ÁÓ‚‡Ú¸ ÔÂÒÌ˛, Á‡ÔËÒ‡ÌÌÛ˛ Ì‡
ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-202, ‚ ‰Û„ÓÈ ÙÓÏ‡Ú, ÒÓ‚ÏÂÒÚËÏ˚È Ò ‰Û„ËÏË
ÏÓ‰ÂÎﬂÏË Clavinova ËÎË Disklavier.
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ.
ÇÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ 2DD Ò ‰‡ÌÌ˚ÏË, ÍÓÚÓ˚Â ÌÛÊÌÓ
ÔÂÓ·‡ÁÓ‚‡Ú¸.
X Ç˚·ÂËÚÂ ÙÓÏ‡Ú ‰‡ÌÌ˚ı.
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÙÓÏ‡Ú‡ Ù‡ÈÎ‡ (‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡
ËÌÒÚÛÏÂÌÚ‡, Ì‡ ÍÓÚÓÓÏ ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÔÂÓ·‡ÁÓ‚‡ÌÌ˚Â
‰‡ÌÌ˚Â) Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ‰‚Ûı Í‡ÈÌËı ÎÂ‚˚ı Üä-ÍÌÓÔÓÍ. åÓÊÌÓ
‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÚËÔÓ‚:
CVP PERFORMANCE
ùÚ‡ ÙÛÌÍˆËﬂ ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚Â ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Ì‡ CVP-50/70/55/65/75/83S/85A/87A/89, DOM-30 Ë
DOU-10.
PIANO FORMAT 1
ùÚ‡ ÙÛÌÍˆËﬂ ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚Â ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Ì‡ ‚ÒÂı ÏÓ‰ÂÎﬂı Disklavier, ÍÓÏÂ MX100A Ë MX100B.
PIANO FORMAT 2
ùÚÓÚ ÚËÔ ÔÂÓ·‡ÁÛÂÚ ‰‡ÌÌ˚Â ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡
Disklavier MX100A ËÎË MX100B.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ ÔÂÒÂÌ Song Data
Transform ÌÂ‰ÓÒÚÛÔÌ‡, ÂÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ
[SONG]. èÂÊ‰Â ˜ÂÏ ‚˚ÔÓÎÌﬂÚ¸ ÓÔÂ‡ˆË˛
ÔÂÓ·‡ÁÓ‚‡ÌËﬂ, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËÏ‡
Song.
èêàåÖóÄçàÖ
èÓ‰ıÓ‰ﬂÚ ÚÓÎ¸ÍÓ ‰ËÒÍÂÚ˚ 2DD!
èÂÓ·‡ÁÓ‚‡Ú¸ ÏÓÊÌÓ ÚÓÎ¸ÍÓ ‰‡ÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚ‡ı 2DD. óÚÓ·˚
ÔÂÓ·‡ÁÓ‚‡Ú¸ ÔÂÒÌË, ÍÓÚÓ˚Â ÒÓ‰ÂÊ‡ÚÒﬂ Ì‡
‰ËÒÍÂÚÂ 2HD ËÎË ‚ Ô‡ÏﬂÚË ÔË‡ÌËÌÓ Clavinova,
ÒÌ‡˜‡Î‡ ÒÍÓÔËÛÈÚÂ Ëı Ì‡ ‰ËÒÍÂÚÛ 2DD Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Song Copy (ÒÚ. 142).
èêàåÖóÄçàÖ
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ÙÓÏ‡Ú‡ ‰‡ÌÌ˚ı
åÓ‰ÂÎË ÒÂËË CVP, ÌÂ ÛÍ‡Á‡ÌÌ˚Â ‚ Ú‡·ÎËˆÂ
ÒÎÂ‚‡, ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-202,
·ÂÁ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ ‰‡ÌÌ˚ı.
ÖÒÎË ‚˚ ÔÎ‡ÌËÛÂÚÂ ÔÓË„˚‚‡Ú¸ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ÔË‡ÌËÌÓ CVP-202, Ì‡ ‰Û„Ëı
ËÌÒÚÛÏÂÌÚ‡ı Ë ıÓÚËÚÂ, ˜ÚÓ·˚ ÓÌË Í‡Í ÏÓÊÌÓ
ÚÓ˜ÌÂÂ ‚ÓÒÔÓËÁ‚Ó‰ËÎË Á‚ÛÍ ÓË„ËÌ‡Î‡, ÎÛ˜¯Â
‚ÒÂ„Ó ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÂÏ·˚ XG Ì‡ ‚ÒÂı
‰ÓÓÊÍ‡ı Ò ÌÂÙÓÚÂÔ¸ﬂÌÌ˚ÏË ÚÂÏ·‡ÏË (ÒÏ.
ÒÚ. 30).
C Ç˚·ÂËÚÂ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ÌÛÊÌÓ ÔÂÓ·‡ÁÓ‚‡Ú¸.
ÑÎﬂ ‚˚·Ó‡ ÌÓÏÂ‡ ÔÂÒÌË ËÒÔÓÎ¸ÁÛÈÚÂ Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË
[–] Ë [+].
➔ ç‡‰ ÍÌÓÔÍÓÈ ÙÛÌÍˆËË SONG ÔÓﬂ‚ﬂÚÒﬂ ÌÓÏÂ Ë Ì‡Á‚‡ÌËÂ ÔÂÒÌË.
V ç‡ÊÏËÚÂ ÍÌÓÔÍÛ TRANSFORM.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ YES, ˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ‚˚·‡ÌÌÛ˛ ÔÂÒÌ˛, Ë ÍÌÓÔÍÛ NO ‰Îﬂ
ÓÚÏÂÌ˚. äÓ„‰‡ ÔÓˆÂÒÒ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ Á‡ÍÓÌ˜ËÚÒﬂ, ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ
«Completed! SONG No.**» Ò ÌÓÏÂÓÏ, ÔÓ‰ ÍÓÚÓ˚Ï ·˚Î‡ ÒÓı‡ÌÂÌ‡
ÔÂÒÌﬂ.
èêàåÖóÄçàÖ
• Ñ‡ÌÌ˚Â ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‚Ë‰Â ÔÂÒÌË ÔÓ‰
ÌÓÏÂÓÏ ÓÚ 1 ‰Ó 60. (çÓÏÂ‡ ·ÓÎÂÂ 60 ÌÂ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ.)
• àÒıÓ‰Ì˚Â ‰‡ÌÌ˚Â ÓÒÚ‡˛ÚÒﬂ ‚ ÔÂÊÌÂÏ
‚Ë‰Â ÒÓ ÒÚ‡˚Ï ÌÓÏÂÓÏ ÔÂÒÌË ‰‡ÊÂ ÔÓÒÎÂ
ÓÍÓÌ˜‡ÌËﬂ ÓÔÂ‡ˆËË ÔÂÓ·‡ÁÓ‚‡ÌËﬂ.
• á‡ÔËÒ¸ ËÎË Â‰‡ÍÚËÓ‚‡ÌËÂ
ÔÂÓ·‡ÁÓ‚‡ÌÌ˚ı ÔÂÒÂÌ ÌÂ‚ÓÁÏÓÊÌ˚.
143
ÖÒÎË ‚ ¯‡„Â 2 ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ CVP PERFORMANCE, ‚ Ì‡˜‡ÎÓ
ËÏÂÌË ·Û‰ÛÚ ‰Ó·‡‚ÎÂÌ˚ ÒËÏ‚ÓÎ˚ «C)». ÖÒÎË ‚˚·‡Ì ‰Û„ÓÈ ÙÓÏ‡Ú, ·Û‰ÛÚ
‰Ó·‡‚ÎÂÌ˚ ÒËÏ‚ÓÎ˚ «P)».
CVP-202
145
ÑËÒÍÂÚ‡
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [DISK 5] — ÒÚ. 8
■ îÓÏ‡Ú ‰ËÒÍÂÚ˚ ...............................................................................................................................
èêàåÖóÄçàÖ
ÑËÒÍÂÚ˚, ÍÓÚÓ˚Â ‚˚ ÒÓ·Ë‡ÂÚÂÒ¸ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÒÓı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, ‰ÓÎÊÌ˚ ·˚Ú¸ Ô‡‚ËÎ¸ÌÓ
ÓÚÙÓÏ‡ÚËÓ‚‡Ì˚. ÖÒÎË ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÌÓ‚Û˛
ÌÂÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ (ËÎË ‰ËÒÍÂÚ˚ Ò ‰Û„ËÏ ÙÓÏ‡ÚÓÏ), ÔË‡ÌËÌÓ
Clavinova Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÔÂ‰ÎÓÊËÚ ÂÂ ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸. (ëÏ. ÒÚ. 111.)
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ÙÛÌÍˆËﬂ Disk Format, ÍÓÚÓ‡ﬂ
ÒÎÛÊËÚ ‰Îﬂ ÔÂÂÙÓÏ‡ÚËÓ‚‡ÌËﬂ ‰ËÒÍÂÚ, ÛÊÂ ËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚ı Ì‡ ˝ÚÓÏ
ÔË‡ÌËÌÓ. èÂÂÙÓÏ‡ÚËÓ‚‡ÌËÂ Û‰‡ÎﬂÂÚ Ò ‰ËÒÍÂÚ˚ ‚ÒÂ ‰‡ÌÌ˚Â.
îÛÌÍˆËﬂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ Disk Format
ÌÂ‰ÓÒÚÛÔÌ‡, ÂÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ [SONG].
èÂÊ‰Â ˜ÂÏ ÙÓÏ‡ÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ,
ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Song.
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‰Îﬂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ
ÇçàåÄçàÖ!
îÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ Û‰‡ÎﬂÂÚ Ò ÌÂÂ
‚ÒÂ ‰‡ÌÌ˚Â. èÂÊ‰Â ˜ÂÏ ÙÓÏ‡ÚËÓ‚‡Ú¸
‰ËÒÍÂÚÛ, Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ ÌÂ
ÒÓ‰ÂÊËÚ ÌÛÊÌ˚ı ‰‡ÌÌ˚ı.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Á‡˘ÂÎÍ‡ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË Ì‡ ‰ËÒÍÂÚÂ Ì‡ıÓ‰ËÚÒﬂ
‚ ÔÓÎÓÊÂÌËË «Á‡ÔËÒ¸», Ë ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı Ë
¯ÚÓÍÓÈ ‚ÔÂÂ‰, ˜ÚÓ·˚ ÔÓÒÎ˚¯‡ÎÒﬂ ˘ÂÎ˜ÓÍ.
X Ç˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ START.
èêàåÖóÄçàÖ
íËÔ˚ ÙÓÏ‡ÚÓ‚
èÓÒÎÂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ÂÏÍÓÒÚ¸ ‰ËÒÍÂÚ 2DD Ë
2HD ÒÓÒÚ‡‚ÎﬂÂÚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ 720 K· Ë
1,44 M·.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ç‡ÊÏËÚÂ ÍÌÓÔÍÛ YES
‰Îﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ËÎË ÍÌÓÔÍÛ NO ‰Îﬂ ÓÚÏÂÌ˚.
ïÓ‰ ÔÓˆÂÒÒ‡ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓÓÏ. èÓÒÎÂ
ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ‰ËÒÍÂÚÛ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ı‡ÌÂÌËﬂ ÔÂÒÂÌ Ë
‰Û„Ëı ‰‡ÌÌ˚ı ÔË‡ÌËÌÓ Clavinova.
CVP-202
144
146
MIDI
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [MIDI 1] — ÒÚ. 9
■ Send Channel (ÍÎ‡‚Ë‡ÚÛ‡) ..................................................................................................
Ç Î˛·ÓÏ MIDI-ËÌÚÂÙÂÈÒÂ MIDI-Í‡Ì‡Î˚ ‰Îﬂ ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡ ‰‡ÌÌ˚ı
(1 - 16) ‰ÓÎÊÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‰Û„ ‰Û„Û ‰Îﬂ Ô‡‚ËÎ¸ÌÓÈ ÔÂÂ‰‡˜Ë
‰‡ÌÌ˚ı. ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË SEND CH ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ MIDI-Í‡Ì‡Î˚
ÔÂÂ‰‡˜Ë ‰Îﬂ ‡ÁÎË˜Ì˚ı ˜‡ÒÚÂÈ ÍÎ‡‚Ë‡ÚÛ˚.
è‡ÚËﬂ
é·˙ﬂÒÌÂÌËÂ
èêàåÖóÄçàÖ
SEND CH
• ç‡ÒÚÓÈÍË: OFF, 1 — 16
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: ÒÏ. Ú‡·Î. ÒÎÂ‚‡.
Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡
LEFT
ãÂ‚˚È ÚÂÏ· ‚ ÂÊËÏÂ Split (ÒÏ. ÒÚ. 36)
3
RIGHT1
éÒÌÓ‚ÌÓÈ ÚÂÏ·
1
RIGHT2
ÇÚÓÓÈ ÚÂÏ· ‚ ÂÊËÏÂ Dual (ÒÏ. ÒÚ. 33)
2
à„‡ ‚ Í‡Ê‰ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ÏÓÊÂÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ ÔÓ Ò‚ÓÂÏÛ
Í‡Ì‡ÎÛ. ÖÒÎË ‰Îﬂ Ó‰ÌÓÈ ËÁ ˜‡ÒÚÂÈ Á‡‰‡Ú¸ ÁÌ‡˜ÂÌËÂ OFF, MIDI-‰‡ÌÌ˚Â Ò
˝ÚÓÈ ˜‡ÒÚË ÔÂÂ‰‡‚‡Ú¸Òﬂ ÌÂ ·Û‰ÛÚ.
● èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÔËÌËÏ‡ÂÚ MIDI-‰‡ÌÌ˚Â ‚ ÂÊËÏÂ ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚ (Multi Timbre). Ç ˝ÚÓÏ
ÂÊËÏÂ ÛÔ‡‚ÎÂÌËÂ ÚÂÏ·‡ÏË ÔË‡ÌËÌÓ Clavinova ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ Ò ‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ
Í‡Ê‰Ó„Ó MIDI-Í‡Ì‡Î‡ (1 - 16) ùÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛ÚÂ‡ ËÎË MIDI-ÒÂÍ‚ÂÌÒÓ‡ ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ Ì‡
ÔË‡ÌËÌÓ Clavinova Á‚Û˜‡ÌËÂ ˆÂÎÓ„Ó ‡ÌÒ‡Ï·Îﬂ ËÎË ÓÍÂÒÚ‡.
■ Local Control ...........................................................................................................................................
145
íÂÏËÌ «local control» ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ÛÔ‡‚ÎÂÌËÂ ‚ÒÚÓÂÌÌ˚Ï ÚÓÌ„ÂÌÂ‡ÚÓÓÏ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ ÎÓÍ‡Î¸ÌÓ Ò ÍÎ‡‚Ë‡ÚÛ˚. é·˚˜ÌÓ, ÍÓ„‰‡ ‚˚
Ë„‡ÂÚÂ Ì‡ ÔË‡ÌËÌÓ Clavinova, ÙÛÌÍˆËﬂ Local Control ‚ÍÎ˛˜ÂÌ‡ (ON).
Ç˚ÍÎ˛˜ÂÌËÂ ˝ÚÓÈ ÙÛÌÍˆËË ÓÚÍÎ˛˜‡ÂÚ ÍÎ‡‚Ë‡ÚÛÛ ÓÚ ÚÓÌ-„ÂÌÂ‡ÚÓ‡, Ë
‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÌÂ ·Û‰ÂÚ ÒÎ˚¯ÌÓ ÌËÍ‡ÍËı Á‚ÛÍÓ‚. çÓ
ÔÓÒÍÓÎ¸ÍÛ ËÒÔÓÎÌÂÌËÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ‚ÒÂ ‡‚ÌÓ ÔÂÂ‰‡ÂÚÒﬂ Ì‡ MIDI‡Á˙ÂÏ˚, ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ˝ÚÛ Ì‡ÒÚÓÈÍÛ, ˜ÚÓ·˚ ÛÔ‡‚ÎﬂÚ¸ ‚ÌÂ¯ÌËÏ
ÚÓÌ-„ÂÌÂ‡ÚÓÓÏ MIDI Ò ÍÎ‡‚Ë‡ÚÛ˚ ÔË‡ÌËÌÓ Clavinova, ÍÓ„‰‡ ‚ÌÛÚÂÌÌËÂ
ÚÂÏ·˚ ÌÂ Á‚Û˜‡Ú.
ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË ÎÓÍ‡Î¸ÌÓ„Ó ÛÔ‡‚ÎÂÌËﬂ
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÍÌÓÔÍ‡ LOCAL. ç‡·ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–]/[+] ‰Îﬂ ˝ÚÓ„Ó ÌÂ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ.
èêàåÖóÄçàÖ
LOCAL
• ç‡ÒÚÓÈÍË: ON, OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: ON
CVP-202
147
MIDI
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
■ ëËÌıÓÌËÁ‡ˆËﬂ ....................................................................................................................................
íÂÏÔÓÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ËÎË ÒÚËÎﬂ Ó·˚˜ÌÓ ÛÔ‡‚ÎﬂÂÚ
‚ÌÛÚÂÌÌËÈ Ú‡ÈÏÂ ÔË‡ÌËÌÓ Clavinova. ÖÒÎË ‚˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ÚÂÏÔ Ë„˚ Ì‡
ÔË‡ÌËÌÓ Clavinova ÓÔÂ‰ÂÎﬂÎÒﬂ ‚ÌÂ¯ÌËÏ ÒÂÍ‚ÂÌÒÓÓÏ ËÎË ËÚÏ-Ï‡¯ËÌÓÈ,
ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌËÁ‡ˆËË Ú‡Í, ˜ÚÓ·˚ ÓÌ‡ ‡·ÓÚ‡Î‡ Ò
‚ÌÂ¯ÌËÏ ÛÒÚÓÈÒÚ‚ÓÏ. ç‡ÔËÏÂ, ˝ÚÛ ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ
ÒËÌıÓÌËÁ‡ˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔË‡ÌËÌÓ Clavinova Ò ‚ÌÂ¯ÌËÏ
ÛÒÚÓÈÒÚ‚ÓÏ.
óÚÓ·˚ ÔÂÂÈÚË Ò ‚ÌÛÚÂÌÌÂÈ ÒËÌıÓÌËÁ‡ˆËË Ì‡ ‚ÌÂ¯Ì˛˛ (ËÎË
Ì‡Ó·ÓÓÚ), Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SYNC. ç‡·ÓÌ˚È ‰ËÒÍ Ë ÍÌÓÔÍË [–]/[+] ‰Îﬂ
˝ÚÓ„Ó ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ.
èêàåÖóÄçàÖ
SYNC.
• ç‡ÒÚÓÈÍË: INT. (‚ÌÛÚÂÌÌËÈ Ú‡ÈÏÂ),
EXT. (‚ÌÂ¯Ìﬂﬂ ÒËÌıÓÌËÁ‡ˆËﬂ)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: INT.
ùÍ‡Ì FUNCTION [MIDI 2] — ÒÚ. 10
■ MIDI Filter .................................................................................................................................................
ë ÔÓÏÓ˘¸˛ Ì‡ÒÚÓÂÍ MIDI-ÙËÎ¸Ú‡ Ì‡ ˝Í‡ÌÂ FUNCTION [MIDI 2]
ÏÓÊÌÓ ‡ÁÂ¯ËÚ¸ ËÎË Á‡ÔÂÚËÚ¸ ÔÂÂ‰‡˜Û Ë ÔËÂÏ ÓÔÂ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚
MIDI-‰‡ÌÌ˚ı.
● ëÓÓ·˘ÂÌËﬂ Program Change
é·˚˜ÌÓ ÔË‡ÌËÌÓ Clavinova Â‡„ËÛÂÚ Ì‡ ÌÓÏÂ‡ ËÁÏÂÌÂÌËﬂ MIDIÔÓ„‡ÏÏ, ÔÓÒÚÛÔË‚¯Ëı Ò ‰Û„ÓÈ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡.
ç‡ÔËÏÂ, ‚ ÓÚ‚ÂÚ Ì‡ ÒÓÓ·˘ÂÌËﬂ PROGRAM CHANGE, ÔÓÎÛ˜ÂÌÌ˚Â ÓÚ
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡, ÔË‡ÌËÌÓ Clavinova ÏÓÊÂÚ ËÁÏÂÌËÚ¸
ÚÂÏ·˚. (ùÚË ÒÓÓ·˘ÂÌËﬂ ÌÂ ‚ÎËﬂ˛Ú Ì‡ ÚÂÏ·˚, ÔÓË„˚‚‡ÂÏ˚Â Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.) íÂÏ·˚ ‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ Ú‡ÍÊÂ ÏÓÊÌÓ ÔÓÏÂÌﬂÚ¸ Ò
ÔÓÏÓ˘¸˛ ÒÓÓ·˘ÂÌËÈ PROGRAM CHANGE, ÔÂÂ‰‡‚‡ÂÏ˚ı ÓÚ ÔË‡ÌËÌÓ
Clavinova. (ùÚË ÒÓÓ·˘ÂÌËﬂ ÔÂÂ‰‡˛ÚÒﬂ ÔË ÒÏÂÌÂ ÚÂÏ·Ó‚ Ì‡ Ô‡ÌÂÎË
ÔË‡ÌËÌÓ Clavinova.)
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚‡¯ÂÈ MIDI-Ì‡ÒÚÓÈÍË, ˝Ú‡ ÙÛÌÍˆËﬂ Û‰Ó·Ì‡ ‚ Ó‰ÌËı
ÒÎÛ˜‡ﬂı Ë ÌÂÛ‰Ó·Ì‡ ‚ ‰Û„Ëı. ÑÎﬂ ÓÚÍÎ˛˜ÂÌËﬂ ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡
ÒÓÓ·˘ÂÌËÈ PROGRAM CHANGE ‚˚ÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ PROGRAM
(ÛÒÚ‡ÌÓ‚ËÚÂ ÂÂ Ì‡ OFF).
CVP-202
èêàåÖóÄçàÖ
ëÓÓ·˘ÂÌËﬂ Bank MSB Ë Bank LSB ÏÓÊÌÓ
ÔÂÂ‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸ ‰‡ÊÂ ÔË ‚˚ÍÎ˛˜ÂÌÌÓÈ
ÙÛÌÍˆËË PROGRAM.
146
148
èêàåÖóÄçàÖ
PROGRAM
• ç‡ÒÚÓÈÍË: Tx&Rx (ÔÂÂ‰‡˜‡/ÔËÂÏ),
OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Tx&Rx
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI
● ëÓÓ·˘ÂÌËﬂ Control Change
ëÓÓ·˘ÂÌËﬂ Ó· ËÁÏÂÌÂÌËË ÛÔ‡‚ÎÂÌËﬂ (CONTROL CHANGE)
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ˝ÎÂÏÂÌÚÓ‚, ÌÂ Ò‚ﬂÁ‡ÌÌ˚ı Ò ÍÎ‡‚Ë‡ÚÛÓÈ (Ì‡ÔËÏÂ,
Ô‡‚ÓÈ ÔÂ‰‡ÎË), ËÎË ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ Á‚ÛÍÓÏ Ì‡ ÔÓ‰ÍÎ˛˜ÂÌÌÓÏ MIDIÛÒÚÓÈÒÚ‚Â. èË‡ÌËÌÓ Clavinova ÏÓÊÂÚ Â‡„ËÓ‚‡Ú¸ Ì‡ ÒÓÓ·˘ÂÌËﬂ
CONTROL CHANGE, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡. (ùÚË
ÒÓÓ·˘ÂÌËﬂ ÌÂ ‚ÎËﬂ˛Ú Ì‡ ÚÂÏ·˚, ÔÓË„˚‚‡ÂÏ˚Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.) èË‡ÌËÌÓ
Clavinova Ú‡ÍÊÂ ÏÓÊÂÚ ÛÔ‡‚ÎﬂÚ¸ ‡·ÓÚÓÈ ‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡,
ÔÓÒ˚Î‡ﬂ ÒÓÓ·˘ÂÌËﬂ CONTROL CHANGE. (ëÓÓ·˘ÂÌËﬂ CONTROL CHANGE
ÔÂÂ‰‡˛ÚÒﬂ, Ì‡ÔËÏÂ, ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ ÔÂ‰‡ÎË Ì‡ ÔË‡ÌËÌÓ Clavinova.)
ÑÎﬂ ÓÚÍÎ˛˜ÂÌËﬂ ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡ ÒÓÓ·˘ÂÌËÈ CONTROL CHANGE
ÓÚÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ CONTROL (ÔÂÂ‚Â‰ËÚÂ ‚ ÔÓÎÓÊÂÌËÂ OFF).
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ CONTROL CHANGE, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚ı ÔË‡ÌËÌÓ
Clavinova, ÒÏ. Ì‡ ÒÚ. 14 ·ÛÍÎÂÚ‡ «Data List».
● ëÓÓ·˘ÂÌËﬂ System Exclusive
ëÓÓ·˘ÂÌËﬂ SYSTEM EXCLUSIVE ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ·ÓÎÂÂ ÒÎÓÊÌÓ„Ó
ËÎË ‰ÂÚ‡Î¸ÌÓ„Ó ÛÔ‡‚ÎÂÌËﬂ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, ‡ Ú‡ÍÊÂ ‰Îﬂ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ, Ò‚ﬂÁ‡ÌÌ˚ı Ò ÌÂÍÓÚÓ˚ÏË ÍÓÌÍÂÚÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ‡ÁÌ˚ı
ÙËÏ.
éÚÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ SYS EX. (ÔÂÂ‚Â‰ËÚÂ ÂÂ ‚ ÔÓÎÓÊÂÌËÂ OFF), ÂÒÎË
ıÓÚËÚÂ Á‡ÔÂÚËÚ¸ ÔÂÂ‰‡˜Û Ë ÔËÂÏ ÒÓÓ·˘ÂÌËÈ SYSTEM EXCLUSIVE.
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ SYSTEM EXCLUSIVE, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚ı ÔË‡ÌËÌÓ
Clavinova, ÒÏ. Ì‡ ÒÚ. 16 ·ÛÍÎÂÚ‡ «Data List».
● äÓÏ‡Ì‰˚ Start/Stop
ìÒÚÓÈÒÚ‚Ó, ÔÂÂ‰‡˛˘ÂÂ ÍÓÏ‡Ì‰Û Start/Stop, ÏÓÊÂÚ Á‡ÔÛÒÍ‡Ú¸ Ë
ÓÒÚ‡Ì‡‚ÎË‚‡Ú¸ ËÚÏ ËÎË ËÒÔÓÎÌÂÌËÂ MIDI-‰‡ÌÌ˚ı Ì‡ ÔËÌËÏ‡˛˘ÂÏ
ÛÒÚÓÈÒÚ‚Â ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. ç‡ÔËÏÂ, Ò ‚ÌÂ¯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡
ÏÓÊÌÓ ÔÂÂ‰‡Ú¸ ÍÓÏ‡Ì‰Û Start/Stop, ÔÓ ÍÓÚÓÓÈ ÔË‡ÌËÌÓ Clavinova Ì‡˜ÌÂÚ
ËÎË ÔÂÍ‡ÚËÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË. íÓ˜ÌÓ Ú‡Í
ÊÂ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ ËÎË ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÌÂ¯ÌËÈ MIDI-ÒÂÍ‚ÂÌÒÓ ËÎË ËÚÏÏ‡¯ËÌÛ ÔÛÚÂÏ Á‡ÔÛÒÍ‡ Ë ÓÒÚ‡ÌÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ ÔË‡ÌËÌÓ
Clavinova.
óÚÓ·˚ ‡ÁÂ¯ËÚ¸ ÔÂÂ‰‡˜Û Ë ÔËÂÏ ÍÓÏ‡Ì‰ Start/Stop, ÛÒÚ‡ÌÓ‚ËÚÂ
ÙÛÌÍˆË˛ START/STOP ‚ ÔÓÎÓÊÂÌËÂ ON.
èêàåÖóÄçàÖ
CONTROL
• ç‡ÒÚÓÈÍË: Tx&Rx (ÔÂÂ‰‡˜‡/ÔËÂÏ),
OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Tx&Rx
èêàåÖóÄçàÖ
SYS EX.
• ç‡ÒÚÓÈÍË: Tx&Rx (ÔÂÂ‰‡˜‡/ÔËÂÏ),
OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: Tx&Rx
èêàåÖóÄçàÖ
START/STOP
• ç‡ÒÚÓÈÍË: Tx&Rx (ÔÂÂ‰‡˜‡/ÔËÂÏ),
OFF
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
ùÍ‡Ì FUNCTION [MIDI 3] — ÒÚ. 11
■ Receive Filter ...........................................................................................................................................
147
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Receive Filter ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔË‡ÌËÌÓ
Clavinova ÔËÌËÏ‡Ú¸ ÓÔÂ‰ÂÎÂÌÌ˚Â MIDI-ÒÓÓ·˘ÂÌËﬂ (Ì‡ÔËÏÂ ‰‡ÌÌ˚Â Ó
ÌÓÚ‡ı Ë ÒÓÓ·˘ÂÌËﬂ CONTROL CHANGE) ÔÓ ÌÂÍÓÚÓ˚Ï MIDI-Í‡Ì‡Î‡Ï.
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÎÂÁÌ‡, Ì‡ÔËÏÂ, ‚ ÒÎÛ˜‡Â, ÂÒÎË ‚˚ ıÓÚËÚÂ ÛÔ‡‚ÎﬂÚ¸
ÌÂÍÓÚÓ˚ÏË ÚÂÏ·‡ÏË ÔË‡ÌËÌÓ Clavinova ÚÓÎ¸ÍÓ Ò ‚ÌÂ¯ÌÂ„Ó ÒÂÍ‚ÂÌÒÓ‡, ‡
‰Û„ËÏË - ÚÓÎ¸ÍÓ Ò ÔÓÏÓ˘¸˛ ÍÎ‡‚Ë‡ÚÛ˚ ÔË‡ÌËÌÓ Clavinova ËÎË Â„Ó
‚ÌÛÚÂÌÌËı ÙÛÌÍˆËÈ ‚ ÂÊËÏ‡ı Auto Accompaniment Ë Song. (åÓÊÌÓ
Á‡‰‡Ú¸ ÂÊËÏ, ÔË ÍÓÚÓÓÏ ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ Ë„ÌÓËÓ‚‡Ú¸
ÒÓÓ·˘ÂÌËﬂ Í‡Ì‡ÎÓ‚, ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌ˚Â ‰Îﬂ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡,
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó Í ÔË‡ÌËÌÓ Clavinova ˜ÂÂÁ ‡Á˙ÂÏ MIDI [THRU].)
èÓ ÛÏÓÎ˜‡ÌË˛ ÔË‡ÌËÌÓ Clavinova ÔÓÎÛ˜‡ÂÚ ÒÓÓ·˘ÂÌËﬂ ÔÓ ‚ÒÂÏ 16
Í‡Ì‡Î‡Ï. ÑÎﬂ ‡ÍÚË‚‡ˆËË ËÎË ‰ÂÁ‡ÍÚË‚‡ˆËË Í‡Ì‡Î‡ Ò‰ÂÎ‡ÈÚÂ ÒÎÂ‰Û˛˘ÂÂ:
èêàåÖóÄçàÖ
RECEIVE FILTER
• ç‡ÒÚÓÈÍË: ON, OFF (x 16)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: ON (x 16)
CVP-202
149
MIDI
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Z Ç˚·ÂËÚÂ Í‡Ì‡Î.
ÑÎﬂ ‚˚·Ó‡ ÌÓÏÂ‡ Í‡Ì‡Î‡, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ‚ÍÎ˛˜ËÚ¸ ËÎË
‚˚ÍÎ˛˜ËÚ¸, ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË CHANNEL < Ë > Ì‡ Üä-˝Í‡ÌÂ.
➔ èÓ‰ ‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ Í‡Ì‡Î‡ ÔÓﬂ‚ËÚÒﬂ ÍÛÒÓ.
X ç‡ÊÏËÚÂ Í‡ÈÌ˛˛ ÍÌÓÔÍÛ ÒÔ‡‚‡ Ì‡ Üä-˝Í‡ÌÂ.
➔ äÓ„‰‡ Í‡Ì‡Î ‚ÍÎ˛˜ÂÌ, ‚˚‰ÂÎÂÌ‡ Ì‡‰ÔËÒ¸ ON Ë ÌÓÏÂ Í‡Ì‡Î‡
ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ ÒÔÎÓ¯ÌÓÈ ÔﬂÏÓÛ„ÓÎ¸ÌÓÈ ‡ÏÍÂ. äÓ„‰‡ Í‡Ì‡Î ‚˚ÍÎ˛˜ÂÌ,
‚˚‰ÂÎÂÌ‡ Ì‡‰ÔËÒ¸ OFF Ë ÌÓÏÂ Í‡Ì‡Î‡ ÓÚÓ·‡Ê‡ÂÚÒﬂ ·ÂÁ ‡ÏÍË.
ùÍ‡Ì FUNCTION [MIDI 4] — ÒÚ. 12
■ MIDI Transpose ......................................................................................................................................
îÛÌÍˆËﬂ MIDI Transpose ÓÔÂ‰ÂÎﬂÂÚ, ·Û‰ÂÚ ÎË Ì‡ÒÚÓÈÍ‡ Transpose,
ÛÒÚ‡ÌÓ‚ÎÂÌÌ‡ﬂ Ì‡ ˝Í‡ÌÂ FUNCTION [KEYBOARD 1] (ÒÚ. 136), ‚ÎËﬂÚ¸ Ì‡
MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â ÔË‡ÌËÌÓ Clavinova.
Ç Ó·˚˜ÌÓÏ ÒÓÒÚÓﬂÌËË ÔË‡ÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ ‰‡ÌÌ˚Â,
ÍÓÚÓ˚Â ÓÌÓ ÔËÌËÏ‡ÂÚ. ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ ËÎË ‚˚ÍÎ˛˜ÂÌËﬂ ˝ÚÓÈ ÙÛÌÍˆËË
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ MIDI TRANSPOSE.
■ Send Channel (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ/„‡ÏÓÌËﬂ) .........................................................
ÖÒÎË ÙÛÌÍˆËﬂ ACMP&RHY ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡ ÁÌ‡˜ÂÌËÂ 9–16ch, ˜ÂÂÁ
‡Á˙ÂÏ MIDI [OUT] ÔÓ MIDI-Í‡Ì‡Î‡Ï 9 - 16 ÔÂÂ‰‡˛ÚÒﬂ ‰‡ÌÌ˚Â Ó ËÚÏÂ Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
ÖÒÎË ÙÛÌÍˆËﬂ HARMONY ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚ ÔÓÎÓÊÂÌËÂ 6-8ch, ˜ÂÂÁ
‡Á˙ÂÏ MIDI [OUT] ÔÓ MIDI-Í‡Ì‡Î‡Ï 6 - 8 ÔÂÂ‰‡˛ÚÒﬂ ÌÓÚ˚ Ë ÛÍ‡Á‡ÌÌ˚Â
ÌËÊÂ ÚËÔ˚ „‡ÏÓÌËË (ÒÏ. ÒÔËÒÓÍ).
CVP-202
èêàåÖóÄçàÖ
SEND CH (ACMP&RHY)
• ç‡ÒÚÓÈÍË: OFF (ÌÂ ÔÂÂ‰‡˛ÚÒﬂ),
9–16 ch (ÔÂÂ‰‡˛ÚÒﬂ)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
SEND CH (HARMONY)
• ç‡ÒÚÓÈÍË: OFF (ÌÂ ÔÂÂ‰‡˛ÚÒﬂ),
6–8ch (ÔÂÂ‰‡˛ÚÒﬂ)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
148
150
èêàåÖóÄçàÖ
MIDI TRANSPOSE
• ç‡ÒÚÓÈÍË: ON (‚ÍÎ.),
OFF (‚˚ÍÎ.)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: ON
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ MIDI
èêàåÖóÄçàÖ
íËÔ˚ „‡ÏÓÌËË, ÔÂÂ‰‡‚‡ÂÏ˚Â ÔÓ Í‡Ì‡Î‡Ï 6 - 8:
• Echo
• Add Jazz Gtr
• Tremolo
• Add Brass
• Trill
• Add Strings
• Strumming
• In The Forest
* èÓ‰Ó·ÌÂÂ Ó ÙÛÌÍˆËË Harmony ÒÏ. Ì‡ ÒÚ. 69.
çÓÚ˚ ‚ ÒÓÔÓ‚ÓÊ‰ÂÌËË ‰Û„Ëı ÚËÔÓ‚ „‡ÏÓÌËË ‚ÒÂ„‰‡ ÔÂÂ‰‡˛ÚÒﬂ ÔÓ
Í‡Ì‡ÎÛ RIGHT1 (ÒÚ. 147) ÌÂÁ‡‚ËÒËÏÓ ÓÚ ˝ÚÓÈ Ì‡ÒÚÓÈÍË.
ÖÒÎË ˝ÚË ÙÛÌÍˆËË ‚ÍÎ˛˜ÂÌ˚, Ì‡ ÍÓÏÔ¸˛ÚÂÂ ËÎË ‚ÌÂ¯ÌÂÏ ÒÂÍ‚ÂÌÒÓÂ
ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ËÚÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë „‡ÏÓÌË˜ÂÒÍËÂ Ô‡ÚËË.
■ Song Transmission ............................................................................................................................
ÖÒÎË ÙÛÌÍˆËﬂ SONG ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚ ÔÓÎÓÊÂÌËÂ ON, ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ Ò
ÔË‡ÌËÌÓ Clavinova ·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ ˜ÂÂÁ ‡Á˙ÂÏ MIDI [OUT]. ùÚ‡
Ì‡ÒÚÓÈÍ‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÚÓ„‰‡, ÍÓ„‰‡ Ì‡ ‚ÌÂ¯ÌÂÏ ÚÓÌ-„ÂÌÂ‡ÚÓÂ ÌÛÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ÔÂÒÌ˛, ÔÓË„˚‚‡ÂÏÛ˛ Ì‡ ÔË‡ÌËÌÓ Clavinova.
èÓ ÛÏÓÎ˜‡ÌË˛ ÔÂÂ‰‡˜‡ ‰‡ÌÌ˚ı Ó ÔÂÒÌÂ ÓÚÍÎ˛˜ÂÌ‡.
■ Remote Keyboard ...............................................................................................................................
èË ‚ÍÎ˛˜ÂÌÌÓÈ Ì‡ÒÚÓÈÍÂ REMOTE KBD MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â Ò
‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ·Û‰ÛÚ ‚ÎËﬂÚ¸ Ì‡ Ë„Û Ì‡ ‚‡¯ÂÈ ÍÎ‡‚Ë‡ÚÛÂ.
èÓÎÛ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸. ÖÒÎË ‚˚ ÌÂ ıÓÚËÚÂ, ˜ÚÓ·˚ ‰‡ÌÌ˚Â Ò
‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ‚ÎËﬂÎË Ì‡ ‚‡¯Û Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ
OFF. åÓÊÌÓ ÔÓÎÛ˜‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÚËÔ˚ ‰‡ÌÌ˚ı:
• Key ON/OFF (ÍÎ‡‚Ë¯‡ ‚ÍÎ˛˜ÂÌ‡/‚˚ÍÎ˛˜ÂÌ‡)
• Control Change (‰‡ÌÌ˚Â Ó· ËÒÔÓÎÌÂÌËË - ÚÓÎ¸ÍÓ ÔÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ)
#1
#7
#11
#64
#66
#67
#123
åÓ‰ÛÎﬂˆËﬂ
ÉÓÏÍÓÒÚ¸
Ç˚‡ÁËÚÂÎ¸ÌÓÒÚ¸
è‡‚‡ﬂ ÔÂ‰‡Î¸
ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸
ãÂ‚‡ﬂ ÔÂ‰‡Î¸
ÇÒÂ ÌÓÚ˚ ÓÚÍÎ˛˜ÂÌ˚
#0
#32
#6
#96
#97
#100
#101
BANK Select MSB*
BANK Select LSB*
Data Entry MSB
(‰Îﬂ ‰Ë‡Ô‡ÁÓÌ‡ RPN Pitch Bend Range)
Data Increment
(‰Îﬂ ‰Ë‡Ô‡ÁÓÌ‡ RPN Pitch Bend Range)
Data Decrement
(‰Îﬂ ‰Ë‡Ô‡ÁÓÌ‡ RPN Pitch Bend Range)
RPN LSB
(ÚÓÎ¸ÍÓ ‚ ‰Ë‡Ô‡ÁÓÌÂ Pitch Bend Range)
RPN MSB
(ÚÓÎ¸ÍÓ ‚ ‰Ë‡Ô‡ÁÓÌÂ Pitch Bend Range)
• ÖÒÎË ‚˚ ÔÂÂ‰‡ÂÚÂ ËÚÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
ËÎË „‡ÏÓÌË˜ÂÒÍËÂ Ô‡ÚËË ˜ÂÂÁ MIDIËÌÚÂÙÂÈÒ, ÌÂ ‚˚·Ë‡ÈÚÂ ‰Îﬂ ÔÂÂ‰‡˜Ë
MIDI-Í‡Ì‡Î˚, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‰Îﬂ ÔÂÂ‰‡˜Ë
‰‡ÌÌ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÛ (ÒÚ. 147). àÌ‡˜Â
‰‡ÌÌ˚Â ÔÓ Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ·Û‰ÛÚ
ÒÏÂ¯Ë‚‡Ú¸Òﬂ Ò ‰‡ÌÌ˚ÏË Ó·
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ËÎË „‡ÏÓÌËË.
• ÖÒÎË ÙÛÌÍˆËﬂ ACMP&RHY ËÎË HARMONY
‚ÍÎ˛˜ÂÌ‡, ‰‡ÌÌ˚Â ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
Ô‡ÚËÈ ·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ ˜ÂÂÁ MIDIËÌÚÂÙÂÈÒ ‰‡ÊÂ ÔË ÓÚÍÎ˛˜ÂÌÌÓÏ Í‡Ì‡ÎÂ
ÔÂÂ‰‡˜Ë RIGHT1 (ÒÚ. 147).
èêàåÖóÄçàÖ
SONG
• ç‡ÒÚÓÈÍË: OFF (ÌÂ ÔÂÂ‰‡˛ÚÒﬂ),
ON (ÔÂÂ‰‡˛ÚÒﬂ)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
èêàåÖóÄçàÖ
REMOTE KBD
• ç‡ÒÚÓÈÍË: OFF (ÌÂÚ ÔËÂÏ‡),
1 — 16 (ÔËÂÏ ÔÓ Í‡Ì‡Î‡Ï)
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: OFF
èêàåÖóÄçàÖ
MIDI-‰‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â Ò Û‰‡ÎÂÌÌÓÈ
ÍÎ‡‚Ë‡ÚÛ˚, ÌÂÎ¸Áﬂ ÔÂÂ‰‡‚‡Ú¸ ˜ÂÂÁ ‡Á˙ÂÏ
MIDI [OUT].
• Program Change (‰‡ÌÌ˚Â Ó· ËÁÏÂÌÂÌËË ÚÂÏ·‡)*
• Pitch Bend
149
èËÏÂ˜‡ÌËÂ: è‡‡ÏÂÚ˚, ÓÚÏÂ˜ÂÌÌ˚Â Á‚ÂÁ‰Ó˜ÍÓÈ, ËÁÏÂÌﬂ˛Ú „Î‡‚Ì˚È ÚÂÏ·.
CVP-202
151
Backup
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [BACKUP 1] — ÒÚ. 13
■ ëÓı‡ÌÂÌËÂ ...............................................................................................................................................
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌﬂÚ¸ ‡ÁÎË˜Ì˚Â „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚. ÖÒÎË
ÓÌ‡ ‚ÍÎ˛˜ÂÌ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Ì‡ÒÚÓÈÍË ÌÂ ·Û‰ÛÚ ‚ÓÁ‚‡˘‡Ú¸Òﬂ Í
ËÒıÓ‰Ì˚Ï ÁÌ‡˜ÂÌËﬂÏ (ÔÓ ÛÏÓÎ˜‡ÌË˛) ÔË ‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ.
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ▼ ËÎË ▲,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+]. èÓÎÓÊÂÌËÂ
Í‡ÈÌÂÈ ÒÔ‡‚‡ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ (on/off) ÓÚ‚Â˜‡ÂÚ Á‡ ÒÓı‡ÌÂÌËÂ ˝ÚÓÈ
„ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚. á‚ÂÁ‰Ó˜Í‡ («*») ÔÂÂ‰ Ì‡Á‚‡ÌËÂÏ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚
ÔÓÍ‡Á˚‚‡ÂÚ, ˜ÚÓ ÙÛÌÍˆËﬂ ÒÓı‡ÌÂÌËﬂ ‚ÍÎ˛˜ÂÌ‡. ç‡ÒÚÓÈÍË „ÛÔÔ
Ô‡‡ÏÂÚÓ‚ Ò ‚˚ÍÎ˛˜ÂÌÌ˚ÏË ÙÛÌÍˆËﬂÏË ÒÓı‡ÌÂÌËﬂ ÔË ‚˚ÍÎ˛˜ÂÌËË
ÔËÚ‡ÌËﬂ ‚ÂÌÛÚÒﬂ Í Ò‚ÓËÏ ËÒıÓ‰Ì˚Ï ÒÓÒÚÓﬂÌËﬂÏ (ÔÓ ÛÏÓÎ˜‡ÌË˛).
èêàåÖóÄçàÖ
îÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ
• ç‡ÒÚÓÈÍË: ON, OFF (‚ÍÎ./‚˚ÍÎ.)
• éÒÌÓ‚Ì˚Â Ì‡ÒÚÓÈÍË: ON (REGISTRATION)
OFF (‚ÒÂ ÓÒÚ‡Î¸Ì˚Â)
ç‡ ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ÒÓı‡ÌﬂÚ¸ ÒÎÂ‰Û˛˘ËÂ Ô‡‡ÏÂÚ˚.
ÉÛÔÔ‡
éÔËÒ‡ÌËÂ
VOICE SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ÚÂÏ·‡ÏË
REVERB/EFFECT
ç‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË, ıÓÛÒ‡ Ë ˝ÙÙÂÍÚ‡
TUNE
é·˘‡ﬂ Ì‡ÒÚÓÈÍ‡, ÏËÍÓÌ‡ÒÚÓÈÍ‡ ÚÓÌ‡, Ì‡ÒÚÓÈÍ‡
ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ
PEDAL
ç‡ÒÚÓÈÍ‡ ÙÛÌÍˆËÈ ÔÂ‰‡ÎË
ACMP SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
SONG SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ÂÊËÏÓÏ Song
REGISTRATION
ç‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ë ÙÛÌÍˆËË Freeze
MIDI SETTING
ç‡ÒÚÓÈÍË ÙÛÌÍˆËÈ MIDI
èêàåÖóÄçàÖ
èÓÒÚÓﬂÌÌ˚Â Ì‡ÒÚÓÈÍË
ÇÒe„‰‡ ÒÓı‡Ìﬂ˛ÚÒﬂ ÒÎe‰Û˛˘Ëe Ì‡ÒÚÓÈÍË:
• Help language (üÁ˚Í ÒÔ‡‚ÍË (HELP))
• Song volume (ÉÓÏÍÓÒÚ¸ ÔÂÒÌË)
• Backup ON/OFF (ëÓı‡ÌÂÌËÂ ON/OFF)
èÓ‰Ó·ÌÂÂ Ó ÚÓÏ, Í‡ÍËÂ Ô‡‡ÏÂÚ˚ ‚ÍÎ˛˜ÂÌ˚ ‚ Í‡Ê‰Û˛ „ÛÔÔÛ, ÏÓÊÌÓ
ÔÓ˜ÂÒÚ¸ Ì‡ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List».
è‡‡ÏÂÚ˚ ·Û‰ÛÚ ı‡ÌËÚ¸Òﬂ ‚ Ô‡ÏﬂÚË ÔË‡ÌËÌÓ Clavinova ÚÓÎ¸ÍÓ ‚
ÚÂ˜ÂÌËÂ ÌÂ‰ÂÎË. èÓÒÎÂ ˝ÚÓ„Ó ÁÌ‡˜ÂÌËﬂ ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ÂÌÛÚÒﬂ Í
ËÒıÓ‰ÌÓÏÛ ÒÓÒÚÓﬂÌË˛. ÑÎﬂ ÒÓı‡ÌÂÌËﬂ Ì‡ÒÚÓÂÍ ‚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ıÓÚﬂ
·˚ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÏËÌÛÚ ÔÓ Í‡ÈÌÂÈ ÏÂÂ Ó‰ËÌ ‡Á ‚ ÌÂ‰ÂÎ˛.
CVP-202
150
152
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Backup
ùÍ‡Ì FUNCTION [BACKUP 2] — ÒÚ. 14
■ Recall .................................................................................................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚ÂÌÛÚ¸ ËÒıÓ‰Ì˚Â Ù‡·Ë˜Ì˚Â
Ì‡ÒÚÓÈÍË (ÓÒÌÓ‚Ì˚Â) ‰Îﬂ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚ ËÎË ‰Îﬂ ‚ÒÂı Ô‡‡ÏÂÚÓ‚
Ò‡ÁÛ.
ÑÎﬂ ‚˚·Ó‡ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ˜¸Ë Ì‡ÒÚÓÈÍË ‚˚ ıÓÚËÚÂ Ó·ÌÓ‚ËÚ¸,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ▼ ËÎË ▲, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍ‡ÏË
[–] Ë [+], Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ START.
➔ èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure?» (Ç˚ Û‚ÂÂÌ˚?). ÑÎﬂ
ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ YES, ‰Îﬂ ÓÚÍ‡Á‡ - ÍÌÓÔÍÛ NO.
ÇÓÁ‚‡˘‡Ú¸ ËÒıÓ‰Ì˚Â Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ‰Îﬂ ÒÎÂ‰Û˛˘Ëı „ÛÔÔ
Ô‡‡ÏÂÚÓ‚ ÔË‡ÌËÌÓ Clavinova.
ÉÛÔÔ‡
éÔËÒ‡ÌËÂ
VOICE SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ÚÂÏ·‡ÏË
REVERB/EFFECT
ç‡ÒÚÓÈÍË Â‚Â·Â‡ˆËË, ıÓÛÒ‡ Ë ˝ÙÙÂÍÚ‡
TUNE
é·˘‡ﬂ Ì‡ÒÚÓÈÍ‡, ÏËÍÓÌ‡ÒÚÓÈÍ‡ ÚÓÌ‡, Ì‡ÒÚÓÈÍ‡
ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ
PEDAL
ç‡ÒÚÓÈÍ‡ ÙÛÌÍˆËÈ ÔÂ‰‡ÎË
ACMP SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
SONG SETTING
ç‡ÒÚÓÈÍË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ÂÊËÏÓÏ Song
REGISTRATION
ç‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌ˚ı ‰‡ÌÌ˚ı Ë ÙÛÌÍˆËË Freeze
MIDI SETTING
ç‡ÒÚÓÈÍË ÙÛÌÍˆËÈ MIDI
ALL
ÇÒÂ ‚˚¯ÂÛÍ‡Á‡ÌÌ˚Â Ì‡ÒÚÓÈÍË
èêàåÖóÄçàÖ
èÓÒÚÓﬂÌÌ˚Â Ì‡ÒÚÓÈÍË
çÂ ‚˚Á˚‚‡˛ÚÒﬂ Ù‡·Ë˜Ì˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ
ÒÎÂ‰Û˛˘Ëı Ô‡‡ÏÂÚÓ‚:
• Help language (üÁ˚Í ÒÔ‡‚ÍË (HELP))
• Song volume (ÉÓÏÍÓÒÚ¸ ÔÂÒÌË)
• Backup ON/OFF (ëÓı‡ÌÂÌËÂ ON/OFF)
é‰Ì‡ÍÓ ˝ÚËÏ Ë ‚ÒÂÏ ‰Û„ËÏ Ì‡ÒÚÓÈÍ‡Ï ÏÓÊÌÓ
‚ÂÌÛÚ¸ Ëı ÔÂ‚ÓÌ‡˜‡Î¸Ì˚Â Ù‡·Ë˜Ì˚Â
ÁÌ‡˜ÂÌËﬂ, ÂÒÎË ‚ÍÎ˛˜ËÚ¸ ÔËÚ‡ÌËÂ,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ Í‡ÈÌ˛˛ Ô‡‚Û˛
ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (ë7) - ÌÓÚÛ ÑÓ 5-È
ÓÍÚ‡‚˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘ÂÌËÂ
«Back up data erased and replaced by factory
data» (ÒÓı‡ÌÂÌÌ˚Â ‰‡ÌÌ˚Â Û‰‡ÎÂÌ˚ Ë
Á‡ÏÂÌÂÌ˚ Á‡‚Ó‰ÒÍËÏË ÁÌ‡˜ÂÌËﬂÏË). óÂÂÁ
ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ (‚ ÚÂ˜ÂÌËÂ ÍÓÚÓ˚ı
‚˚Ò‚Â˜Ë‚‡ÂÚÒﬂ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ) ÔÓﬂ‚ÎﬂÂÚÒﬂ
„Î‡‚Ì˚È ˝Í‡Ì.
151
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÚÓÏ, Í‡ÍËÂ Ô‡‡ÏÂÚ˚ ÒÓ‰ÂÊ‡ÚÒﬂ ‚
Í‡Ê‰ÓÈ „ÛÔÔÂ, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ Ì‡ ÒÚ. 11 ·ÛÍÎÂÚ‡ «Data List».
CVP-202
153
Utility
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÍ‡Ì FUNCTION [MICRO TUNING] — ÒÚ. 15
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Micro Tuning ÏÓÊÌÓ ÓÚ‰ÂÎ¸ÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ
Í‡Ê‰ÓÈ ÍÎ‡‚Ë¯Ë Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ Ì‡ ‰ËÒÍÂÚÂ Ë Á‡„ÛÊ‡Ú¸, ÍÓ„‰‡ ‚ ˝ÚÓÏ ‚ÓÁÌËÍÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚ¸.
íÂÍÛ˘ËÂ Ì‡ÒÚÓÈÍË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ‚ Î˛·ÓÈ ÏÓÏÂÌÚ ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë
‚˚ÍÎ˛˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ ÒÎÂ‚‡ ÍÌÓÔÍË Ì‡ ˝ÚÓÏ Üä-˝Í‡ÌÂ.
■ ìÒÚ‡ÌÓ‚Í‡ ÙÛÌÍˆËË Micro Tuning ..................................................................................
Z Ç˚·ÂËÚÂ ÍÎ‡‚Ë¯Û.
ç‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û, ÍÓÚÓÛ˛ ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸.
➔ ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ﬂÚÒﬂ Ì‡Á‚‡ÌËÂ ˝ÚÓÈ ÌÓÚ˚ Ë ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ ÂÂ Ì‡ÒÚÓÈÍË
ÔÓ ‚˚ÒÓÚÂ.
X ìÒÚ‡ÌÓ‚ËÚÂ Ò‰‚Ë„ ÔÓ ‚˚ÒÓÚÂ.
ÑÎﬂ Ì‡ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ ‚˚·‡ÌÌÓÈ ÍÎ‡‚Ë¯Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ TUNE
▼ ËÎË ▲, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+].
ìÒÚ‡ÌÓ‚Ë‚ Í‡ÈÌ˛˛ ÎÂ‚Û˛ ÍÌÓÔÍÛ Ì‡ Üä-˝Í‡ÌÂ ‚ ÔÓÎÓÊÂÌËÂ ON,
ÏÓÊÌÓ ‚Ó ‚ÂÏﬂ Ì‡ÒÚÓÈÍË ÔÓË„˚‚‡Ú¸ Ì‡ÒÚ‡Ë‚‡ÂÏÛ˛ ÍÎ‡‚Ë¯Û Ë
ÒÎÛ¯‡Ú¸, Í‡Í ÓÌ‡ Á‚Û˜ËÚ. Ç Î˛·ÓÈ ÏÓÏÂÌÚ ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í
ÌÓÏ‡Î¸ÌÓÈ Ì‡ÒÚÓÈÍÂ ÍÎ‡‚Ë¯Ë, ±0 ˆÂÌÚÓ‚, ÂÒÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸
ÍÌÓÔÍË TUNE ▼ Ë ▲.
èêàåÖóÄçàÖ
TUNE (ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚)
• ÑË‡Ô‡ÁÓÌ: –100 ˆÂÌÚÓ‚ — +100 ˆÂÌÚÓ‚
–1 — +1 ÔÓÎÛÚÓÌ
• éÒÌÓ‚ÌÓÂ ÁÌ‡˜ÂÌËÂ: 0 ˆÂÌÚÓ‚ (‰Îﬂ ‚ÒÂı
ÍÎ‡‚Ë¯)
C èÓ‚ÚÓËÚÂ ¯‡„Ë 1 Ë 2.
èÓ‚ÚÓËÚÂ ¯‡„Ë 1 Ë 2 ‰Îﬂ Í‡Ê‰ÓÈ Ì‡ÒÚ‡Ë‚‡ÂÏÓÈ ÍÎ‡‚Ë¯Ë.
■ î‡ÈÎ˚ Micro Tuning (Ì‡ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ) ...................................................
Ç˚ÔÓÎÌÂÌÌÛ˛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Ì‡ ‰ËÒÍÂÚÂ ‚ ‚Ë‰Â
ÓÚ‰ÂÎ¸ÌÓ„Ó Ù‡ÈÎ‡. î‡ÈÎ˚ Ì‡ÒÚÓÂÍ Á‡„ÛÊ‡˛ÚÒﬂ ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË. ÖÒÎË
ÓÌË ·ÓÎ¸¯Â ÌÂ ÌÛÊÌ˚, Ëı ÏÓÊÌÓ Û‰‡ÎËÚ¸.
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
ëÌ‡˜‡Î‡ Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÒÚ‡‚ÎÂÌÌ‡ﬂ ‰ËÒÍÂÚ‡ Ô‡‚ËÎ¸ÌÓ
ÓÚÙÓÏ‡ÚËÓ‚‡Ì‡. ÑËÒÍÂÚ‡ ‰ÓÎÊÌ‡ ÒÓ‰ÂÊ‡Ú¸ Ù‡ÈÎ Ò Ì‡ÒÚÓÈÍÓÈ,
ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ Á‡„ÛÁËÚ¸, Û‰‡ÎËÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸.
CVP-202
152
154
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○Utility
X Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛ Ò Ù‡ÈÎÓÏ.
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔÂ‡ˆËË ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ‚ÚÓÓÈ ÒÔ‡‚‡ ÍÌÓÔÍÓÈ
Ì‡ Üä-˝Í‡ÌÂ: LOAD, SAVE, DELETE ËÎË NAME.
C ç‡ÊÏËÚÂ ÍÌÓÔÍÛ START.
èÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ Ì‡Ê‡ÎË ÍÌÓÔÍÛ START, ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÓÔÂ‡ˆËË.
èÓÒÎÂ‰Û˛˘ËÂ ¯‡„Ë Ú‡ÍËÂ ÊÂ, Í‡Í Ì‡ ÒÚ. 140-141. ç‡È‰ËÚÂ ÓÔËÒ‡ÌËÂ
ÌÛÊÌÓÈ ÓÔÂ‡ˆËË.
LOAD
ëÏ. ÒÚ. 140.
SAVE
ëÏ. ÒÚ. 140.
DELETE
ëÏ. ÒÚ. 141.
NAME
ëÏ. ÒÚ. 141.
ùÍ‡Ì FUNCTION [SCALE TUNING] — ÒÚ. 16
ìÒÚ‡ÌÓ‚Ë‚ ÁÌ‡˜ÂÌËÂ PRESET Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ, ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸
ÏÛÁ˚Í‡Î¸Ì˚È ÒÚÓÈ (ÚÂÏÔÂ‡ˆË˛). ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË USER ÏÓÊÌÓ
ÒÓÁ‰‡Ú¸ Ò‚Ó˛ ÒÓ·ÒÚ‚ÂÌÌÛ˛ ¯Í‡ÎÛ ‚˚ÒÓÚ. èË ˝ÚÓÏ Ì‡ÒÚÓÈÍ‡ ÔÓ ‚˚ÒÓÚÂ,
Ò‰ÂÎ‡ÌÌ‡ﬂ ‚‡ÏË ‰Îﬂ Ó‰ÌÓÈ ÓÍÚ‡‚˚, ‡ÒÔÓÒÚ‡ÌËÚÒﬂ Ì‡ ‚Ò˛ ÍÎ‡‚Ë‡ÚÛÛ.
Ç˚ÔÓÎÌÂÌÌÛ˛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Ì‡ ‰ËÒÍÂÚÂ ‰Îﬂ ÔÓÒÎÂ‰Û˛˘Â„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Scale Tuning ÌÂ ‚ÎËﬂÂÚ Ì‡ ‚˚ÒÓÚÛ
Á‚Û˜‡ÌËﬂ ÔÂÒÌË, ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ Ì‡ ÔË‡ÌËÌÓ
Clavinova.
■ Preset Scale ...............................................................................................................................................
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌÛ˛ Ì‡ÒÚÓÈÍÛ ÔÓ
‚˚ÒÓÚÂ ËÎË ÚÂÏÔÂ‡ˆË˛.
ÑÓ ÔÓﬂ‚ÎÂÌËﬂ ‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌÓ„Ó ÒÚÓﬂ, ¯ËÓÍÓ
‡ÒÔÓÒÚ‡ÌÂÌÌÓ„Ó ‚ Ì‡ÒÚÓﬂ˘ÂÂ ‚ÂÏﬂ, ‚ ‡ÁÌ˚Â ˝ÔÓıË Ë ‰Îﬂ ‡ÁÌ˚ı
ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ ÒÓÁ‰‡‚‡ÎËÒ¸ ‡ÁÎË˜Ì˚Â ÒËÒÚÂÏ˚ Ì‡ÒÚÓÈÍË. ë
ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ‚˚ ÏÓÊÂÚÂ ‚ÓÒÒÓÁ‰‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ÏÛÁ˚Í‡Î¸Ì˚È
ÒÚÓÈ Ë ÔË·ÎËÁËÚ¸Òﬂ Í ‡‰ÂÍ‚‡ÚÌÓÏÛ ‚ÓÒÔËﬂÚË˛ ‰Â‚ÌËı ÏÛÁ˚Í‡Î¸Ì˚ı
ÔÓËÁ‚Â‰ÂÌËÈ.
Ç ÔË‡ÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ÒÂÏ¸ ÚÂÏÔÂ‡ˆËÈ:
153
• EQUAL
• PURE(MAJOR)
• PURE(MINOR)
• MEANTONE
• PYTHAGOREAN
• WERCKMEISTER
• KIRNBERGER
CVP-202
155
Utility
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Z ë ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ ÒÎÂ‚‡ ÍÌÓÔÍË Ì‡ Üä-˝Í‡ÌÂ ‚˚·ÂËÚÂ
ÙÛÌÍˆË˛ PRESET.
➔ èÓﬂ‚ËÚÒﬂ ÒÎÂ‰Û˛˘ËÈ ˝Í‡Ì:
X Ç˚·ÂËÚÂ „‡ÏÏÛ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ SCALE ▼ ËÎË ▲, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌ˚È Ô‡‡ÏÂÚ, ‡
Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ Ì‡·ÓÌ˚È ‰ËÒÍ ËÎË ÍÌÓÔÍË [–]/[+] ‰Îﬂ ‚˚·Ó‡ ÚËÔ‡
ÚÂÏÔÂ‡ˆËË.
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ Î˛·Û˛ ÚÂÏÔÂ‡ˆË˛, ÍÓÏÂ ‡‚ÌÓÏÂÌÓÈ (EQUAL),
ÌÂÓ·ıÓ‰ËÏÓ Á‡‰‡Ú¸ ˆÂÌÚ‡Î¸ÌÛ˛ ÍÎ‡‚Ë¯Û (ÓÔÓÌÛ˛ ‚˚ÒÓÚÛ). í‡ÍËÏ
Ó·‡ÁÓÏ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÚÂÏÔÂ‡ˆË˛ ‚ ÌÛÊÌÓÈ ÚÓÌ‡Î¸ÌÓÒÚË.
C Ç˚·ÂËÚÂ ˆÂÌÚ‡Î¸ÌÛ˛ ÍÎ‡‚Ë¯Û.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ KEY, ˜ÚÓ·˚ ‚˚‰ÂÎËÚ¸ ÌÛÊÌ˚È Ô‡‡ÏÂÚ, ‡ Á‡ÚÂÏ
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ Ì‡·ÓÌ˚Ï ‰ËÒÍÓÏ ËÎË ÍÌÓÔÍ‡ÏË [–] Ë [+] ‰Îﬂ ‚˚·Ó‡
ˆÂÌÚ‡Î¸ÌÓÈ ÍÎ‡‚Ë¯Ë.
èêàåÖóÄçàÖ
KEY
• ç‡ÒÚÓÈÍË: C, C#, D, Eb, E, F, F#, G, Ab,
A, Bb, B
• Å‡ÁÓ‚‡ﬂ Ì‡ÒÚÓÈÍ‡: C (ÌÓÚ‡ ÑÓ)
■ ç‡ÒÚÓÈÍ‡ User Scale (ÏÛÁ˚Í‡Î¸ÌÓ„Ó ÒÚÓﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ) .....
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ÓÚ‰ÂÎ¸ÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ Í‡Ê‰Û˛ ÌÓÚÛ
‚ÌÛÚË ÓÍÚ‡‚˚. ç‡ÒÚÓÈÍ‡, ‚˚ÔÓÎÌÂÌÌ‡ﬂ ‰Îﬂ Ó‰ÌÓÈ ÍÎ‡‚Ë¯Ë,
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒﬂ Ú‡ÍËÏ ÊÂ ÍÎ‡‚Ë¯‡Ï ‚Ó ‚ÒÂı ÓÒÚ‡Î¸Ì˚ı
ÓÍÚ‡‚‡ı.
Z Ç˚·ÂËÚÂ ÙÛÌÍˆË˛ USER Ò ÔÓÏÓ˘¸˛ Í‡ÈÌÂÈ ÎÂ‚ÓÈ ÍÌÓÔÍË Ì‡
Üä-˝Í‡ÌÂ.
➔ èÓﬂ‚ËÚÒﬂ ÒÎÂ‰Û˛˘ËÈ ˝Í‡Ì:
X ç‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û, ‚˚ÒÓÚÛ ÍÓÚÓÓÈ ÌÛÊÌÓ ËÁÏÂÌËÚ¸.
➔ èÓﬂ‚ﬂÚÒﬂ Ì‡Á‚‡ÌËÂ ÌÓÚ˚ Ë ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ Ì‡ÒÚÓÈÍË ÔÓ ‚˚ÒÓÚÂ.
C ìÒÚ‡ÌÓ‚ËÚÂ Ò‰‚Ë„ ÔÓ ‚˚ÒÓÚÂ.
ìÒÚ‡ÌÓ‚ËÚÂ ‚˚ÒÓÚÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TUNE ▼ ËÎË ▲, Ì‡·ÓÌÓ„Ó
‰ËÒÍ‡ ËÎË ÍÌÓÔÓÍ [–] Ë [+]. ÇÓ ‚ÂÏﬂ Ì‡ÒÚÓÈÍË ÏÓÊÌÓ Ì‡ÊËÏ‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÎ‡‚Ë¯Û Ë ÒÎÛ¯‡Ú¸ ÂÂ Á‚Û˜‡ÌËÂ. Ç Î˛·ÓÈ ÏÓÏÂÌÚ
ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í ËÒıÓ‰ÌÓÈ Ì‡ÒÚÓÈÍÂ ÍÎ‡‚Ë¯Ë ±0 ˆÂÌÚÓ‚, ÂÒÎË
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË TUNE ▼ Ë ▲.
èêàåÖóÄçàÖ
TUNE (ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚)
• ÑË‡Ô‡ÁÓÌ: -64 ˆÂÌÚ‡ — +63 ˆÂÌÚ‡
• éÒÌÓ‚ÌÓÂ ÁÌ‡˜ÂÌËÂ: 0 (‰Îﬂ ‚ÒÂı ÍÎ‡‚Ë¯)
V èÓ‚ÚÓËÚÂ ¯‡„Ë 2 Ë 3 ‰Îﬂ Ì‡ÒÚÓÈÍË ‚ÒÂı ÌÛÊÌ˚ı ÍÎ‡‚Ë¯.
CVP-202
154
156
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ Utility
■ î‡ÈÎ˚ User Scale (ÏÛÁ˚Í‡Î¸ÌÓ„Ó ÒÚÓﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ) ...............
ëÓ·ÒÚ‚ÂÌÌ˚È ÏÛÁ˚Í‡Î¸Ì˚È ÒÚÓÈ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ì‡ ‰ËÒÍÂÚÂ ‚ ‚Ë‰Â
ÓÚ‰ÂÎ¸ÌÓ„Ó Ù‡ÈÎ‡. î‡ÈÎ˚ ÏÛÁ˚Í‡Î¸ÌÓ„Ó ÒÚÓﬂ Á‡„ÛÊ‡˛ÚÒﬂ ÔÓ
ÌÂÓ·ıÓ‰ËÏÓÒÚË. àı ÏÓÊÌÓ Û‰‡ÎËÚ¸, ÂÒÎË ÓÌË ·ÓÎ¸¯Â ÌÂ ÌÛÊÌ˚.
Z ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
èÂÂ‰ ˝ÚËÏ Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ Ô‡‚ËÎ¸ÌÓ ÓÚÙÓÏ‡ÚËÓ‚‡Ì‡.
ÑËÒÍÂÚ‡ ‰ÓÎÊÌ‡ ÒÓ‰ÂÊ‡Ú¸ Ù‡ÈÎ Ò ÏÛÁ˚Í‡Î¸Ì˚Ï ÒÚÓÂÏ, ÍÓÚÓ˚È ‚˚
ıÓÚËÚÂ Á‡„ÛÁËÚ¸, Û‰‡ÎËÚ¸ ËÎË ÔÂÂËÏÂÌÓ‚‡Ú¸.
X Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛ Ò Ù‡ÈÎÓÏ.
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ÓÔÂ‡ˆËË ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ‚ÚÓÓÈ ÒÔ‡‚‡ ÍÌÓÔÍÓÈ
Ì‡ Üä-˝Í‡ÌÂ: LOAD, SAVE, DELETE ËÎË NAME.
C ç‡ÊÏËÚÂ ÍÌÓÔÍÛ START.
155
èÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ START, ÔÓﬂ‚ËÚÒﬂ ˝Í‡Ì,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‚˚·‡ÌÌÓÈ ÓÔÂ‡ˆËË.
èÓÒÎÂ‰Û˛˘ËÂ ¯‡„Ë Ú‡ÍËÂ ÊÂ, Í‡Í ÚÂ, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ Ì‡ ÒÚ.
140 - 141. ç‡È‰ËÚÂ ÓÔËÒ‡ÌËÂ ÌÛÊÌÓÈ ‚‡Ï ÓÔÂ‡ˆËË.
LOAD
ëÏ. ÒÚ. 140.
SAVE
ëÏ. ÒÚ. 140.
DELETE
ëÏ. ÒÚ. 141.
NAME
ëÏ. ÒÚ. 141.
CVP-202
157
ÉÎ‡‚‡ 9: èÓ‰ÍÎ˛˜ÂÌËÂ
èÓ‰ÍÎ˛˜ÂÌËÂ ‡Û‰ËÓÛÒÚÓÈÒÚ‚
○○○○○○○○○○○○○
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÒÌ‡·ÊÂÌÓ ‡Á˙ÂÏ‡ÏË, ˜ÂÂÁ ÍÓÚÓ˚Â ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜‡Ú¸ ‡ÁÌÓÓ·‡ÁÌ˚Â
Á‚ÛÍÓ‚˚Â ÛÒÚÓÈÒÚ‚‡. ä ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ ‚˚ ÏÓÊÂÚÂ ÔÓ‰ÍÎ˛˜ËÚ¸ Ì‡Û¯ÌËÍË, ÒÚÂÂÓÒËÒÚÂÏÛ ËÎË
Á‚ÛÍÓÛÒËÎË‚‡˛˘Û˛ ‡ÔÔ‡‡ÚÛÛ, ‡ ÍÓ ‚ıÓ‰ÌÓÏÛ — ÚÓÌ-„ÂÌÂ‡ÚÓ ËÎË ‰Û„ÓÈ ËÌÒÚÛÏÂÌÚ.
ÇçàåÄçàÖ!
éÚÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÔË ÔÓ‰ÒÓÂ‰ËÌÂÌËË ËÎË ÓÚÒÓÂ‰ËÌÂÌËË Á‚ÛÍÓ‚Ó„Ó Ó·ÓÛ‰Ó‚‡ÌËﬂ ‚Ó ËÁ·ÂÊ‡ÌËÂ
ÔÓ‚ÂÊ‰ÂÌËﬂ ‰ËÌ‡ÏËÍÓ‚ ËÎË ‚ÓÁÌËÍÌÓ‚ÂÌËﬂ ‰Û„Ëı ÔÓ·ÎÂÏ.
PHONES
ç‡Û¯ÌËÍË
ç‡Û¯ÌËÍË ÒÎÂ‰ÛÂÚ ÔÓ‰ÍÎ˛˜‡Ú¸ Í Ó‰ÌÓÏÛ
ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (Ò ÔÓÏÓ˘¸˛
ÒÚ‡Ì‰‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó
¯ÚÂÍÂ‡), ‡ÒÔÓÎÓÊÂÌÌ˚ı ÔÓ‰ ÎÂ‚˚Ï Í‡ÂÏ
ÍÎ‡‚Ë‡ÚÛ˚. èË ÔÓ‰ÍÎ˛˜ÂÌËË Ì‡Û¯ÌËÍÓ‚
ÔÓËÒıÓ‰ËÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ÓÚÍÎ˛˜ÂÌËÂ
‚ÒÚÓÂÌÌ˚ı ‰ËÌ‡ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova. èÓ‰ÍÎ˛˜Ë‚ ‰‚Â Ô‡˚ Ì‡Û¯ÌËÍÓ‚
Í ‰‚ÛÏ ‡Á˙ÂÏ‡Ï, Ò‡ÁÛ ‰‚‡ ˜ÂÎÓ‚ÂÍ‡ ÏÓ„ÛÚ
Ì‡ÒÎ‡Ê‰‡Ú¸Òﬂ Á‚Û˜‡ÌËÂÏ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova.
èêàåÖóÄçàÖ
êÂÍÓÏÂÌ‰Ó‚‡ÌÌ˚Â Ì‡Û¯ÌËÍË:
Yamaha HPE-160 headphones
ÄÛ‰ËÓ ‚ıÓ‰ Ë ‚˚ıÓ‰
ë ÔÓÏÓ˘¸˛ ‡Á˙ÂÏÓ‚ AUX IN Ë AUX OUT, ‡ÒÔÓÎÓÊÂÌÌ˚ı ÒÎÂ‚‡ Ì‡
Á‡‰ÌÂÈ Ô‡ÌÂÎË ÛÒÚÓÈÒÚ‚‡, ‚˚ ÏÓÊÂÚÂ ÔÓ‰ÍÎ˛˜ËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova Í ‡ÁÎË˜ÌÓÈ ‡Û‰ËÓ-‡ÔÔ‡‡ÚÛÂ.
■ ê‡Á˙ÂÏ˚ AUX IN .........................................................................................................
AUX IN
R
L/L+R
ÉÂÌÂ‡ÚÓ
ÚÓÌ‡
Tone Generator
CVP-202
ÇçàåÄçàÖ!
çËÍÓ„‰‡ ÌÂ ÔÓ‰ÒÓÂ‰ËÌﬂÈÚÂ ‡Á˙ÂÏ˚ AUX
OUT ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í Â„Ó
‡Á˙ÂÏ‡Ï AUX IN Ì‡ÔﬂÏÛ˛ ËÎË ˜ÂÂÁ
‚ÌÂ¯ÌÂÂ ‡Û‰ËÓ-Ó·ÓÛ‰Ó‚‡ÌËÂ. í‡ÍÓÂ
ÒÓÂ‰ËÌÂÌËÂ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÂÚÎ˛
Ó·‡ÚÌÓÈ Ò‚ﬂÁË, ˜ÚÓ Ò‰ÂÎ‡ÂÚ ÌÂ‚ÓÁÏÓÊÌ˚Ï
ÌÓÏ‡Î¸ÌÓÂ ËÒÔÓÎÌÂÌËÂ ËÎË ÔË‚Â‰ÂÚ Í
ÔÓ‚ÂÊ‰ÂÌË˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova.
èêàåÖóÄçàÖ
èÓÎÁÛÌÍÓÏ [MASTER VOLUME] ÏÓÊÌÓ
'Â„ÛÎË'Ó‚‡Ú¸ „'ÓÏÍÓÒÚ¸ ‚ıÓ‰ÌÓ„Ó ‡Û‰ËÓ
ÒË„Ì‡Î‡ Ì‡ '‡Á˙ÂÏ‡ı AUX IN.
156
158
á‚ÛÍË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË
ÏÓ‰ÛÎÂÈ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ ÏÓÊÌÓ ‚˚‚ÂÒÚË
˜ÂÂÁ ÒËÒÚÂÏÛ ‰ËÌ‡ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova, ÔÓ‰ÒÓÂ‰ËÌË‚ ‡Û‰ËÓ
Í‡·ÂÎË Í ‡Á˙ÂÏ‡Ï AUX IN, Í‡Í ÔÓÍ‡Á‡ÌÓ
Á‰ÂÒ¸.
àÒÔÓÎ¸ÁÛÈÚÂ ‡Á˙ÂÏ AUX IN [L/L+R]
‰Îﬂ ÏÓÌÓÙÓÌË˜ÂÒÍÓ„Ó ‚ıÓ‰‡. ÑÎﬂ ÒÚÂÂÓ
‚ıÓ‰‡ ÔÓ‰ÒÓÂ‰ËÌËÚÂ ‚˚ıÓ‰ ÎÂ‚Ó„Ó Í‡Ì‡Î‡
Í ‡Á˙ÂÏÛ AUX IN [L/L+R], ‡ ‚˚ıÓ‰
Ô‡‚Ó„Ó Í‡Ì‡Î‡ – Í ‡Á˙ÂÏÛ AUX IN [R].
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰ÍÎ˛˜ÂÌËÂ
‡Û‰ËÓÛÒÚÓÈÒÚ‚
■ ê‡Á˙ÂÏ˚ AUX OUT ....................................................................................................
AUX OUT
R
L/L+R
157
ëÚÂÂÓÒËÒÚÂÏ‡
Stereo System
èÓ‰ÒÓÂ‰ËÌË‚ ‡Û‰ËÓ-Í‡·ÂÎË Í
‡Á˙ÂÏ‡Ï AUX OUT, Í‡Í ÔÓÍ‡Á‡ÌÓ Á‰ÂÒ¸,
‚˚ ÏÓÊÂÚÂ ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Ì‡ ÒÚÂÂÓÒËÒÚÂÏÛ, ÛÒËÎËÚÂÎ¸,
ÍÓÌÒÓÎ¸ ÏËÍ¯Â‡ ËÎË Á‡ÔËÒ˚‚‡˛˘ÂÂ
Ó·ÓÛ‰Ó‚‡ÌËÂ. í‡Í Í‡Í ‡Á˙ÂÏ˚ AUX OUT
Ó·ÂÒÔÂ˜Ë‚‡˛Ú ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚ÂÌ¸
‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡, ‰Îﬂ Â„ÛÎËÓ‚ÍË
Ó·˘ÂÈ „ÓÏÍÓÒÚË Á‚Û˜‡ÌËﬂ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÂ‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËﬂ,
‡ÒÔÓÎÓÊÂÌÌ˚Â Ì‡ ÔÓ‰ÍÎ˛˜ÂÌÌÓÏ
Ó·ÓÛ‰Ó‚‡ÌËË.
àÒÔÓÎ¸ÁÛÈÚÂ ‡Á˙ÂÏ AUX OUT [L/L+R]
‰Îﬂ ÏÓÌÓÙÓÌË˜ÂÒÍÓ„Ó ‚˚ıÓ‰‡. ÑÎﬂ ÒÚÂÂÓ
‚˚ıÓ‰‡ ÔÓ‰ÒÓÂ‰ËÌËÚÂ ‡Á˙ÂÏ AUX OUT
[L/L+R] ÍÓ ‚ıÓ‰Û ÎÂ‚Ó„Ó Í‡Ì‡Î‡, ‡ ‡Á˙ÂÏ
AUX OUT [R] – ÍÓ ‚ıÓ‰Û Ô‡‚Ó„Ó Í‡Ì‡Î‡.
CVP-202
159
èÓ‰ÍÎ˛˜ÂÌËÂ Í ‡ÁÎË˜Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï
○○○○○
Ç˚ ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ MIDI-‡Á˙ÂÏ˚, ˜ÚÓ·˚ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Í ‡ÁÎË˜Ì˚Ï MIDIÛÒÚÓÈÒÚ‚‡Ï, Ú‡ÍËÏ Í‡Í èä, ÒÂÍ‚ÂÌÒÓ˚, ÚÓÌ-„ÂÌÂ‡ÚÓ˚ Ë Ú.‰. í‡ÍÊÂ ‚˚ ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÏÛÁ˚Í‡Î¸Ì˚Â
‰‡ÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, ÔÓ‰ÍÎ˛˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ [TO HOST] ËÎË [MIDI].
ÇçàåÄçàÖ!
é·ﬂÁ‡ÚÂÎ¸ÌÓ ÓÚÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÔË ÔÓ‰ÒÓÂ‰ËÌÂÌËË ËÎË ÓÚÒÓÂ‰ËÌÂÌËË ÍÓÏÔ¸˛ÚÂÓ‚ ËÎË MIDI-ÛÒÚÓÈÒÚ‚ ‚Ó ËÁ·ÂÊ‡ÌËÂ
ÔÓ‚ÂÊ‰ÂÌËﬂ Ó·ÓÛ‰Ó‚‡ÌËﬂ.
ÑÎﬂ Ì‡˜ËÌ‡˛˘Ëı ÒÛ˘ÂÒÚ‚ÛÂÚ ‰ÓÔÓÎÌËÚÂÎ¸ÌÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÔÓ‰ÍÎ˛˜ÂÌË˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ («The Clavinova-Computer
Connection»). Ç ÌÂÏ ÓÔËÒ‡Ì˚ ‚ÓÁÏÓÊÌÓÒÚË, ÍÓÚÓ˚Â ‰‡ÂÚ Ú‡ÍÓÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ (ÛÍÓ‚Ó‰ÒÚ‚Ó ÌÂ ÓËÂÌÚËÓ‚‡ÌÓ Ì‡ ÍÓÌÍÂÚÌ˚Â ÏÓ‰ÂÎË). èÓÎÛ˜ËÚ¸
˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚Ë‰Â Ù‡ÈÎ‡ PDF Ì‡ ‡Ì„ÎËÈÒÍÓÏ ﬂÁ˚ÍÂ ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (ÚÓÎ¸ÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂÍ‡ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha (ùÎÂÍÚÓÌÌ˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ËÌÒÚÛÏÂÌÚ˚):
http://www2.yamaha.co.jp/manual/english/
èÓ‰ÒÓÂ‰ËÌÂÌËÂ MIDI-ÛÒÚÓÈÒÚ‚
àÒÔÓÎ¸ÁÛÈÚÂ Í‡·ÂÎË MIDI, ˜ÚÓ·˚ ÔÓ‰ÍÎ˛˜ËÚ¸ ‡Á˙ÂÏ˚ MIDI,
‡ÒÔÓÎÓÊÂÌÌ˚Â Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova, Í ‰Û„ËÏ MIDIÛÒÚÓÈÒÚ‚‡Ï. ê‡Á˙ÂÏ˚ MIDI ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‡ÒÔÓÎÓÊÂÌ˚ ‚
ÎÂ‚ÓÈ ˜‡ÒÚË Á‡‰ÌÂÈ Ô‡ÌÂÎË ÛÒÚÓÈÒÚ‚‡.
íÓÌ-„ÂÌÂ‡ÚÓ˚ Ë ‰Û„ËÂ ÛÒÚÓÈÒÚ‚‡, ÍÓÌÚÓÎËÛÂÏ˚Â ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ Clavinova, ÏÓ„ÛÚ ÔÓ‰ÍÎ˛˜‡Ú¸Òﬂ Í ‡Á˙ÂÏÛ MIDI [OUT]. ìÒÚÓÈÒÚ‚‡,
ÛÔ‡‚Îﬂ˛˘ËÂ ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova, ‰ÓÎÊÌ˚ ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸Òﬂ
˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN]. ÖÒÎË ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova ·Û‰ÛÚ ÛÔ‡‚ÎﬂÚ¸
èä ËÎË ÒÂÍ‚ÂÌÒÓ, ‰Îﬂ Ó·ÂÒÔÂ˜ÂÌËﬂ ‰‚ÛıÒÚÓÓÌÌÂÈ Ò‚ﬂÁË Ëı ÏÓÊÌÓ
ÔÓ‰ÒÓÂ‰ËÌËÚ¸ Í ÔÓÚ‡Ï [IN] Ë [OUT]. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, Î˛·˚Â ‰Û„ËÂ
ÛÒÚÓÈÒÚ‚‡, ÛÔ‡‚ÎﬂÂÏ˚Â ÚÂÏ ÊÂ
MIDI
ÛÒÚÓÈÒÚ‚ÓÏ, ÏÓ„ÛÚ ·˚Ú¸
HOST SELECT
PC-1
PC-2
ÔÓ‰ÒÓÂ‰ËÌÂÌ˚ Í ÔÓÚÛ MIDI [THRU]
MIDI
Mac
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
ÖÒÎË ‚˚ ËÒÔÓÎ¸ÁÛÂÚÂ ‡Á˙ÂÏ˚
MIDI, ÛÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸
[HOST SELECT] ‚ ÔÓÎÓÊÂÌËÂ
«MIDI». ÖÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸
MIDI-ÒÂÍ‚ÂÌÒÓ
ÉÂÌÂ‡ÚÓ ÚÓÌ‡
ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ‰Û„ÓÂ ÔÓÎÓÊÂÌËÂ,
ÔÓÚ˚ MIDI ÔÂÂ‰‡‚‡Ú¸ ËÎË
ÔÓÎÛ˜‡Ú¸ ‰‡ÌÌ˚Â ÌÂ ·Û‰ÛÚ.
êÂÍÓÏÂÌ‰‡ˆËË ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ
Ô‡‡ÏÂÚÓ‚ MIDI ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova ÒÏ. Ì‡ ÒÚ. 9 – 12
˝Í‡Ì‡ FUNCTION (ÒÚ. 147 – 150).
OUT
IN
èêàåÖóÄçàÖ
[TO HOST] ËÎË MIDI?
• ÖÒÎË ‚˚ Ô'ÓÒÚÓ ıÓÚËÚÂ ÔÓ‰ÒÓÂ‰ËÌËÚ¸
ˆËÙ'Ó‚ÓÂ ÔË‡ÌËÌÓ Clavinova Í èä, ·Û‰ÂÚ
Û‰Ó·ÌÂÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ '‡Á˙ÂÏ [TO HOST],
Ú‡Í Í‡Í ÍÓÏÔ¸˛ÚÂ'Û ÌÂ ÔÓÌ‡‰Ó·ËÚ¸Òﬂ
ÒÔÂˆË‡Î¸Ì˚È MIDI-ËÌÚÂ'ÙÂÈÒ, ˜ÚÓ·˚
ÛÒÚ‡ÌÓ‚ËÚ¸ ÒÓÂ‰ËÌÂÌËÂ.è'Ë ËÒÔÓÎ¸ÁÓ‚‡ÌËË
USB-ÔÓ'Ú‡ ÍÓÏÔ¸˛ÚÂ'‡ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í
ˆËÙ'Ó‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova Ú'Â·ÛÂÚÒﬂ
USB-ËÌÚÂ'ÙÂÈÒ.
• ê‡Á˙ÂÏ˚ MIDI ÓÒÓ·ÂÌÌÓ Û‰Ó·Ì˚, ÍÓ„‰‡ ‚˚
ıÓÚËÚÂ, ˜ÚÓ·˚ ˆËÙ'Ó‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÙÛÌÍˆËÓÌË'Ó‚‡ÎÓ Í‡Í ˜‡ÒÚ¸ ·ÓÎÂÂ
Ó·¯Ë'ÌÓÈ ÒËÒÚÂÏ˚ MIDI.
THRU
èÓ‰ÍÎ˛˜ÂÌËÂ Í „Î‡‚ÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ
èêàåÖóÄçàÖ
CVP-202
158
160
• è'ÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ˆËÙ'Ó‚ÓÂ ÔË‡ÌËÌÓ Clavinova Í èä Ë ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸ ÔÂ'ÂÍÎ˛˜‡ÚÂÎ¸ [HOST SELECT], ‚˚ÍÎ˛˜ËÚÂ
ÔËÚ‡ÌËÂ Ó·ÓËı ÛÒÚ'ÓÈÒÚ‚. ëÓÂ‰ËÌË‚ ÛÒÚ'ÓÈÒÚ‚‡ Ë ÛÒÚ‡ÌÓ‚Ë‚ ÔÂ'ÂÍÎ˛˜‡ÚÂÎ¸, ‚ÍÎ˛˜ËÚÂ ÒÌ‡˜‡Î‡ ÍÓÏÔ¸˛ÚÂ', ‡ Á‡ÚÂÏ
ˆËÙ'Ó‚ÓÂ ÔË‡ÌËÌÓ Clavinova.
• ÖÒÎË '‡Á˙ÂÏ [TO HOST] ˆËÙ'Ó‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ, ÓÚÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÓÚ '‡Á˙ÂÏ‡. ÖÒÎË Í‡·ÂÎ¸
ÓÒÚ‡‚ËÚ¸ ÔÓ‰ÍÎ˛˜ÂÌÌ˚Ï, ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÌÂÔÓÎ‡‰ÍË ‚ '‡·ÓÚÂ ˆËÙ'Ó‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
• ÖÒÎË ÔÂ'ÂÍÎ˛˜‡ÚÂÎ¸ [HOST SELECT] ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ «PC-1», «PC-2» ËÎË «Mac», ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ '‡Á˙ÂÏ [TO
HOST]. é‰Ì‡ÍÓ Ô'Ë ˝ÚÓÏ ÓÚÍÎ˛˜‡˛ÚÒﬂ ÔÓ'Ú˚ MIDI, ÔÓÒÍÓÎ¸ÍÛ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ˜Â'ÂÁ ˝ÚË ÔÓ'Ú˚ ÌÂ Ô'ÓËÁ‚Ó‰ËÚÒﬂ. ë ‰'Û„ÓÈ
ÒÚÓ'ÓÌ˚, ÂÒÎË ÔÂ'ÂÍÎ˛˜‡ÚÂÎ¸ [HOST SELECT] ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ «MIDI», ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÓ'Ú˚ MIDI, ÌÓ ÌÂ
'‡Á˙ÂÏ [TO HOST], Ú‡Í Í‡Í ˜Â'ÂÁ ÌÂ„Ó ÌÂ Ô'ÓËÁ‚Ó‰ËÚÒﬂ Ó·ÏÂÌ ÒÓÓ·˘ÂÌËﬂÏË.
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ èÓ‰ÍÎ˛˜ÂÌËÂ
Í ‡ÁÎË˜Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï
■ èÓ‰ÒÓÂ‰ËÌÂÌËÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ÔÓÚ‡ ÍÓÏÔ¸˛ÚÂ‡ Í ‡Á˙ÂÏÛ
[TO HOST] ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ..........................................................................
èÓ‰ÒÓÂ‰ËÌËÚÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚È ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ (RS-232C ËÎË RS-422) Í
‡Á˙ÂÏÛ [TO HOST] ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
èË Ú‡ÍÓÏ ÔÓ‰ÍÎ˛˜ÂÌËË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‡·ÓÚ‡ÂÚ Í‡Í MIDIËÌÚÂÙÂÈÒ. ëÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ, ÒÔÂˆË‡Î¸ÌÓ„Ó MIDI-ËÌÚÂÙÂÈÒ‡ ÌÂ ÚÂ·ÛÂÚÒﬂ.
● èÓ‰ÍÎ˛˜ÂÌËÂ
ÑÎﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ÔÓÚ‡ ÍÓÏÔ¸˛ÚÂ‡ (RS-232C ËÎË RS-422)
Í ‡Á˙ÂÏÛ [TO HOST] ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛÈÚÂ ÒÔÂˆË‡Î¸Ì˚È
Í‡·ÂÎ¸.
Clavinova
HOST SELECT
PC-2
MIDI
TO HOST
PC-1
Mac
TO HOST
ê‡Á˙ÂÏ RS-232C (9-ÍÓÌÚ‡ÍÚÌ˚È ÚËÔ‡ D)
ÔÓÚ ÏÓ‰ÂÏ‡
Windows
å‡ÍËÌÚÓ¯
● èËÏÂ˜‡ÌËÂ ‰Îﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÈ Windows
(ÓÚÌÓÒËÚÂÎ¸ÌÓ MIDI-‰‡È‚Â‡)
ÑÎﬂ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı ÏÂÊ‰Û ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚Ï
ÔÓÚÓÏ ÍÓÏÔ¸˛ÚÂ‡ Ë ‡Á˙ÂÏÓÏ [TO HOST]
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ÒÔÂˆË‡Î¸Ì˚È MIDI-‰‡È‚Â (‰Îﬂ Windows – ‰‡È‚Â Yamaha CBX). ùÚÓÚ ‰‡È‚Â
ÏÓÊÌÓ Á‡„ÛÁËÚ¸ ËÁ ·Ë·ÎËÓÚÂÍË XG (XG Library)
Ì‡ Ò‡ÈÚÂ ÍÓÔÓ‡ˆËË Yamaha.
http://www.yamaha-xg.com
● íËÔ˚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚ı Í‡·ÂÎÂÈ Ë ¯Ú˚¸ÍÓ‚˚Â ÍÓÌÚ‡ÍÚ˚
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ ÔÓ‰ÍÎ˛˜‡ÂÏÓ„Ó ÍÓÏÔ¸˛ÚÂ‡ ËÒÔÓÎ¸ÁÛÈÚÂ Ó‰ËÌ ËÁ
ÒÎÂ‰Û˛˘Ëı ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚ı Í‡·ÂÎÂÈ.
Windows (ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚È ÔÓÚ, 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D)
Macintosh
• 8-ÍÓÌÚ‡ÍÚÌ˚È ÏËÌË ‡Á˙ÂÏ ÚËÔ‡ DIN → 9-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ ÚËÔ‡ D
(Yamaha CCJ-PC2 ËÎË ˝Í‚Ë‚‡ÎÂÌÚÌ‡ﬂ ÏÓ‰ÂÎ¸)
• èÂËÙÂËÈÌ˚È ÒËÒÚÂÏÌ˚È ‡Á˙ÂÏ → 8-ÍÓÌÚ‡ÍÚÌ˚È ‡Á˙ÂÏ
(Yamaha CCJ-MAC ËÎË ˝Í‚Ë‚‡ÎÂÌÚÌ‡ﬂ ÏÓ‰ÂÎ¸)
8-ÍÓÌÚ‡ÍÚÌ˚È
ÏËÌË‡Á˙ÂÏ DIN
8-ÍÓÌÚ‡ÍÚÌ˚È
ÏËÌË‡Á˙ÂÏ DIN
1
2
3
4
8
5
8 (CTS)
7 (RST)
2 (RxD)
5 (GND)
3 (TxD)
9-ÍÓÌÚ‡ÍÚÌ˚È
‡Á˙ÂÏ ÚËÔ‡ D
1
2
3
4
5
6
7
8
2 (HSK i)
1 (HSK 0)
5 (RxD-)
4 GND
3 (TxD-)
8 (RxD+)
7 (GP i)
6 (TxD+)
8-ÍÓÌÚ‡ÍÚÌ˚È
ÏËÌË‡Á˙ÂÏ DIN
ëıÂÏ‡ ÍÓÌÚ‡ÍÚÓ‚
• ç‡ ‰Ë‡„‡ÏÏÂ ÔÓÍ‡Á‡Ì‡ ÒıÂÏ‡ ÍÓÌÚ‡ÍÚÓ‚ ‰Îﬂ
Í‡Ê‰Ó„Ó Í‡·ÂÎﬂ.
159
çÓÏÂ‡ ÍÓÌÚ‡ÍÚÓ‚ (‚Ë‰ ÒÔÂÂ‰Ë)
8-ÍÓÌÚ‡ÍÚÌ˚È
ÏËÌË‡Á˙ÂÏ DIN
9-ÍÓÌÚ‡ÍÚÌ˚È
‡Á˙ÂÏ ÚËÔ‡ D
6 7 8
3 4
5
1 2
5 4 3 2 1
9 8 7 6
CVP-202
161
èÓ‰ÍÎ˛˜ÂÌËÂ Í ‡ÁÎË˜Ì˚Ï ÛÒÚÓÈÒÚ‚‡Ï
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● ìÒÚ‡ÌÓ‚Í‡ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ [HOST SELECT] ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [HOST SELECT] ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ ÔÓ‰ÍÎ˛˜‡ÂÏÓ„Ó ÍÓÏÔ¸˛ÚÂ‡.
• Macintosh: «Mac» (ÒÍÓÓÒÚ¸ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı: 31 250 ·ËÚ/ÒÂÍ, 1 åÉˆ)
• Windows: «PC-2» (ÒÍÓÓÒÚ¸ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı: 38 400 ·ËÚ/ÒÂÍ)
■ èÓ‰ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í
USB-ÔÓÚÛ ÍÓÏÔ¸˛ÚÂ‡ ˜ÂÂÁ USB-ËÌÚÂÙÂÈÒ,
Ì‡ÔËÏÂ UX256, UX96 ËÎË UX16 ...................................................................................................
èêàåÖóÄçàÖ
ÖÒÎË ÓÔÂ'‡ˆËÓÌÌ‡ﬂ ÒËÒÚÂÏ‡
ÍÓÏÔ¸˛ÚÂ'‡ Ì‡˜ËÌ‡ÂÚ ‰‡‚‡Ú¸ Ò·ÓË
Ô'Ë ‚˚¯ÂÔÂ'Â˜ËÒÎÂÌÌ˚ı
Ì‡ÒÚ'ÓÈÍ‡ı, ˝ÚÓ ÏÓÊÂÚ ÓÁÌ‡˜‡Ú¸,
˜ÚÓ Ú'Â·ÛÂÚÒﬂ ÔÂ'ÂÌ‡ÒÚ'ÓÈÍ‡
‚‡¯Â„Ó èé. ë‚Â'¸ÚÂÒ¸ Ò
'ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ËÒÔÓÎ¸ÁÛÂÏÓÏÛ èé
Ë ÛÒÚ‡ÌÓ‚ËÚÂ ÔÂ'ÂÍÎ˛˜‡ÚÂÎ¸ [HOST
SELECT] ‚ ÔÓÎÓÊÂÌËÂ,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÔÓ‰‰Â'ÊË‚‡ÂÏÓÈ
ÒÍÓ'ÓÒÚË ÔÂ'Â‰‡˜Ë ‰‡ÌÌ˚ı.
èË ÔÓÏÓ˘Ë USB-Í‡·ÂÎﬂ ÔÓ‰ÍÎ˛˜ËÚÂ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í USB-ËÌÚÂÙÂÈÒÛ
(Ì‡ÔËÏÂ, UX256, UX96 ËÎË UX16). ìÒÚ‡ÌÓ‚ËÚÂ ‰‡È‚Â (ÍÓÚÓ˚È ·˚Î ÔÓÎÛ˜ÂÌ
‚ÏÂÒÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) Ì‡ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰ÍÎ˛˜ËÚÂ USB-ËÌÚÂÙÂÈÒ Í
ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova, ËÒÔÓÎ¸ÁÛﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚È Í‡·ÂÎ¸ ËÎË MIDIÍ‡·ÂÎË. ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ USB-ËÌÚÂÙÂÈÒÛ.
● èËÏÂ ÔÓ‰ÒÓÂ‰ËÌÂÌËﬂ USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó Í‡·ÂÎﬂ
HOST SELECT
PC-1
USB
TO HOST
Mac
ËÎË
USB
ëÚ‡Ì‰‡ÚÌ˚È 8-ÍÓÌÚ‡ÍÚÌ˚È ÔÂËÙÂËÈÌ˚È
ÒËÒÚÂÏÌ˚È Í‡·ÂÎ¸ ‰Îﬂ ÍÓÏÔ¸˛ÚÂ‡ å‡ÍËÌÚÓ¯
ä‡·ÂÎ¸ USB
äÓÏÔ¸˛ÚÂ
Clavinova
USB-ËÌÚÂÙÂÈÒ
● èËÏÂ ÔÓ‰ÒÓÂ‰ËÌÂÌËﬂ USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ MIDI Í‡·ÂÎÂÈ
MIDI
IN
OUT
HOST SELECT
MIDI
USB
USB
ä‡·ÂÎ¸ USB
MIDI-Í‡·ÂÎË
äÓÏÔ¸˛ÚÂ
Clavinova
USB-ËÌÚÂÙÂÈÒ
CVP-202
160
162
èËÎÓÊÂÌËÂ
ëÔËÒÍË ˝ÙÙÂÍÚÓ‚
○○○○○○○○○○○○○○○○○○○○○○○
Ç Ú‡·ÎËˆ‡ı ‰‡ÌÌÓ„Ó ÔËÎÓÊÂÌËﬂ ÒÓ‰ÂÊ‡ÚÒﬂ ÓÔËÒ‡ÌËﬂ ‡ÁÎË˜Ì˚ı ÚËÔÓ‚
Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚÓ‚ chorus Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚, Ó·ÂÒÔÂ˜Ë‚‡ÂÏ˚ı
ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ CVP-202.
íËÔ˚ Â‚Â·Â‡ˆËË
íËÔ
HALL1
HALL2
HALL3
HALL4
HALL5
ROOM1
ROOM2
ROOM3
ROOM4
ROOM5
ROOM6
ROOM7
STAGE1
STAGE2
STAGE3
STAGE4
PLATE1
PLATE2
PLATE3
WHITE ROOM
TUNNEL
CANYON
BASEMENT
éÔËÒ‡ÌËÂ
êÂ‚Â·Â‡ˆËﬂ ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡.
êÂ‚Â·Â‡ˆËﬂ Ï‡ÎÂÌ¸ÍÓÈ ÒÚÛ‰ËË.
êÂ‚Â·Â‡ˆËﬂ ‰Îﬂ ÒÓÎËÛ˛˘Ëı ËÌÒÚÛÏÂÌÚÓ‚.
àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒÚ‡Î¸ÌÓÈ ÔÎ‡ÒÚËÌ˚.
Ö‰ËÌË˜Ì‡ﬂ ÍÓÓÚÍ‡ﬂ Â‚Â·Â‡ˆËﬂ Ò ÌÂ·ÓÎ¸¯ÓÈ Ì‡˜‡Î¸ÌÓÈ Á‡‰ÂÊÍÓÈ.
àÏËÚ‡ˆËﬂ ˆËÎËÌ‰Ë˜ÂÒÍÓ„Ó ÔÓÏÂ˘ÂÌËﬂ, ÔÓÚﬂÊÂÌÌÓ„Ó ‚ÎÂ‚Ó Ë ‚Ô‡‚Ó.
àÏËÚ‡ˆËﬂ „ËÔÓÚÂÚË˜ÂÒÍÓ„Ó ÌÂÓ„‡ÌË˜ÂÌÌÓ„Ó ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔÓÒÚ‡ÌÒÚ‚‡.
êÂ‚Â·Â‡ˆËﬂ Ò ﬂ‚Ì˚Ï ÂÁÓÌ‡ÌÒÓÏ ÔÓÒÎÂ ÌÂ·ÓÎ¸¯ÓÈ Ì‡˜‡Î¸ÌÓÈ
Á‡‰ÂÊÍË.
ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus
íËÔ
161
CHORUS1
CHORUS2
CHORUS3
CHORUS4
CHORUS5
CHORUS6
CHORUS7
CHORUS8
CELESTE1
CELESTE2
FLANGER1
FLANGER2
FLANGER3
FLANGER4
FLANGER5
éÔËÒ‡ÌËÂ
ëÚ‡Ì‰‡ÚÌ˚Â ˝ÙÙÂÍÚ˚ Chorus ‰Îﬂ ÔË‰‡ÌËﬂ Á‚ÛÍÛ Ó·˙ÂÏÌÓÒÚË.
ùÙÙÂÍÚ, ËÒÔÓÎ¸ÁÛ˛˘ËÈ ÚÂıÙ‡ÁÌ˚È ÌËÁÍÓ˜‡ÒÚÓÚÌ˚È ÓÒˆËÎÎﬂÚÓ
(LFO) ‰Îﬂ ÔË‰‡ÌËﬂ Á‚ÛÍÛ ÏÓ‰ÛÎﬂˆËË Ë Ó·˙ÂÏÌÓÒÚË.
ùÙÙÂÍÚ˚ ÏÓ‰ÛÎﬂˆËË, Ì‡ÔÓÏËÌ‡˛˘ËÂ Á‚ÛÍ ‚ÁÎÂÚ‡˛˘Â„Ó Ë Ë‰Û˘Â„Ó Ì‡
ÔÓÒ‡‰ÍÛ Â‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡.
CVP-202
163
ëÔËÒÍË ˝ÙÙÂÍÚÓ‚
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
íËÔ˚ ˝ÙÙÂÍÚÓ‚
íËÔ
HALL1
HALL2
HALL3
HALL4
HALL5
ROOM1
ROOM2
ROOM3
ROOM4
ROOM5
ROOM6
ROOM7
STAGE1
STAGE2
STAGE3
STAGE4
PLATE1
PLATE2
PLATE3
ER1
ER2
GATE REVERB
REVERS GATE
éÔËÒ‡ÌËÂ
êÂ‚Â·Â‡ˆËﬂ ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡
êÂ‚Â·Â‡ˆËﬂ Ï‡ÎÂÌ¸ÍÓÈ ÒÚÛ‰ËË
êÂ‚Â·Â‡ˆËﬂ ‰Îﬂ ÒÓÎËÛ˛˘Ëı
ËÌÒÚÛÏÂÌÚÓ‚
àÏËÚ‡ÚÓ Â‚Â·Â‡ˆËË ÒÚ‡Î¸ÌÓÈ ÔÎ‡ÒÚËÌ˚
äÓÏÔÓÌÂÌÚ˚ ‡ÌÌÂ„Ó ÓÚ‡ÊÂÌËﬂ ˝ÙÙÂÍÚ‡
Â‚Â·Â‡ˆËË
àÏËÚ‡ˆËﬂ ÔÓÓ„Ó‚ÓÈ Â‚Â·Â‡ˆËË
àÏËÚ‡ˆËﬂ ÔÓÓ„Ó‚ÓÈ Â‚Â·Â‡ˆËË Ò
Â‚ÂÒË‚Ì˚Ï Û‚ÂÎË˜ÂÌËÂÏ
KARAOKE1
KARAOKE2
KARAOKE3
CHORUS1
CHORUS2
CHORUS3
CHORUS4
CHORUS5
CHORUS6
CHORUS7
CHORUS8
CELESTE1
CELESTE2
FLANGER1
FLANGER2
FLANGER3
FLANGER4
FLANGER5
SYMPHONIC1
SYMPHONIC2
PHASER1
PHASER2
EP PHASER1
EP PHASER2
ùıÓ ‰Îﬂ Í‡‡ÓÍÂ
ëÚ‡Ì‰‡ÚÌ˚Â ˝ÙÙÂÍÚ˚ Chorus ‰Îﬂ
ÔË‰‡ÌËﬂ Á‚ÛÍÛ Ó·˙ÂÏÌÓÒÚË
íËÔ
ROTARY SP1
ROTARY SP2
ROTARY SP3
ROTARY SP4
ROTARY SP5
ROTARY SP6
ROTARY SP7
ROTARY SP8
ROTARY SP9
ROTARY SP10
TREMOLO1
TREMOLO2
TREMOLO3
TREMOLO4
GT TREMOLO1
EP TREMOLO
EP TREMOLO2
AUTO PAN1
AUTO PAN2
AUTO PAN3
EP AUTOPAN
EP AUTOPAN2
AUTO WAH1
AUTO WAH2
AUTO WAH3
AUTO WAH4
DELAY LCR1
DELAY LCR2
DELAY LR
ECHO
CROSS DELAY
ùÙÙÂÍÚ, ËÒÔÓÎ¸ÁÛ˛˘ËÈ ÚÂıÙ‡ÁÌ˚È
ÌËÁÍÓ˜‡ÒÚÓÚÌ˚È ÓÒˆËÎÎﬂÚÓ (LFO) ‰Îﬂ
ÔË‰‡ÌËﬂ Á‚ÛÍÛ ÏÓ‰ÛÎﬂˆËË Ë Ó·˙ÂÏÌÓÒÚË
ùÙÙÂÍÚ˚ ÏÓ‰ÛÎﬂˆËË, Ì‡ÔÓÏËÌ‡˛˘ËÂ Á‚ÛÍ
‚ÁÎÂÚ‡˛˘Â„Ó Ë Ë‰Û˘Â„Ó Ì‡ ÔÓÒ‡‰ÍÛ
Â‡ÍÚË‚ÌÓ„Ó Ò‡ÏÓÎÂÚ‡
DIST HARD
DIST HARD2
DIST HARD3
DIST SOFT
DIST SOFT2
DIST HEAVY
OVERDRIVE
ñËÍÎË˜ÂÒÍ‡ﬂ ÏÓ‰ÛÎﬂˆËﬂ ÔÓ „ÓÏÍÓÒÚË
ùÙÙÂÍÚ ÚÂÏÓÎÓ ‰Îﬂ Á‚ÛÍ‡ „ËÚ‡˚
ñËÍÎË˜ÂÒÍ‡ﬂ ÏÓ‰ÛÎﬂˆËﬂ ÔÓ „ÓÏÍÓÒÚË
ùÙÙÂÍÚ˚ Ô‡ÌÓ‡ÏËÓ‚‡ÌËﬂ, ÒÏÂ˘‡˛˘ËÂ
Á‚ÛÍ ‚ÎÂ‚Ó-‚Ô‡‚Ó Ë ‚ÔÂÂ‰-Ì‡Á‡‰
èÓ‚ÚÓﬂ˛˘ËÂÒﬂ Ì‡ÔÎ˚‚˚ ˝ÙÙÂÍÚ‡ «‚‡Û»;
‰Îﬂ Á‚ÛÍÓ‚ ˝ÎÂÍÚÓ„ËÚ‡˚ Ë Ú.Ô.
á‡‰ÂÊÍ‡ Á‚ÛÍ‡ ÔÓ ÚÂÏ Í‡Ì‡Î‡Ï: L (ÎÂ‚˚È
Í‡Ì‡Î), R (Ô‡‚˚È Í‡Ì‡Î) Ë C (ˆÂÌÚ)
á‡‰ÂÊÍ‡ ‰Îﬂ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ (ÎÂ‚Ó„Ó Ë
Ô‡‚Ó„Ó) Ò ‰‚ÛÏﬂ Á‡‰ÂÊÍ‡ÏË Ó·‡ÚÌÓÈ Ò‚ﬂÁË
á‡‰ÂÊÍ‡ ÔÓ ÎÂ‚ÓÏÛ Ë Ô‡‚ÓÏÛ Í‡Ì‡Î‡Ï Ò
ÌÂÁ‡‚ËÒËÏÓÈ Ó·‡ÚÌÓÈ Ò‚ﬂÁ¸˛
á‡‰ÂÊÍ‡ ÔÓ ÎÂ‚ÓÏÛ Ë Ô‡‚ÓÏÛ Í‡Ì‡Î‡Ï Ò
ÔÂÂÍÂÒÚÌÓÈ Ó·‡ÚÌÓÈ Ò‚ﬂÁ¸˛
ùÙÙÂÍÚ ÚËÔ‡ «‰ËÒÚÓ¯Ì» Ì‡ „‡ÌËˆÂ
‡ÏÔÎËÚÛ‰˚ ÒË„Ì‡Î‡; ÔËÏÂÌﬂÂÚÒﬂ ‰Îﬂ Á‚ÛÍ‡
˝ÎÂÍÚÓ„ËÚ‡˚ Ë Ú.Ô.
ÑÓ·‡‚ÎﬂÂÚ Ïﬂ„ÍËÈ ˝ÙÙÂÍÚ «‰ËÒÚÓ¯Ì». ëÓÁ‰‡ÂÚÒﬂ
¯ÛÏÓ‚ÓÈ ÔÓÓ„, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ˝ÚÓÚ
˝ÙÙÂÍÚ Ú‡ÍÊÂ Ò ‡Ì‡ÎÓ„Ó-ˆËÙÓ‚˚Ï (A/D) ‚ıÓ‰ÓÏ.
AMP SIM
ST AMP2
ST AMP3
àÏËÚ‡ˆËﬂ „ËÚ‡ÌÓ„Ó ÛÒËÎËÚÂÎﬂ
ùÙÙÂÍÚ ÏÓ‰ÛÎﬂˆËË Ò ÔÂËÓ‰Ë˜ÂÒÍËÏ
ÒÏÂ˘ÂÌËÂÏ Ù‡Á˚
EQ DISCO
EQ TEL
ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ‡ ‰ËÒÍÓ
ùÙÙÂÍÚ ˝Í‚‡Î‡ÈÁÂ‡, ËÏËÚËÛ˛˘ËÈ Á‚ÛÍ ÔÓ
ÚÂÎÂÙÓÌÛ
ëÚÂÂÓ ˝Í‚‡Î‡ÈÁÂ Ò ‚˚‡‚ÌË‚‡ÌËÂÏ ÔÓ ‚ÂıÌËÏ Ë ÌËÊÌËÏ
˜‡ÒÚÓÚ‡Ï. à‰Â‡Î¸ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îﬂ ÒÂÍˆËË Û‰‡Ì˚ı.
3BAND EQ
CVP-202
ùÙÙÂÍÚ˚ ÏÓ‰ÛÎﬂˆËË, ËÏËÚËÛ˛˘ËÂ
‚‡˘‡˛˘ËÈÒﬂ „ÓÏÍÓ„Ó‚ÓËÚÂÎ¸
åÌÓ„ÓÒÚÛÔÂÌ˜‡Ú‡ﬂ ÏÓ‰ÛÎﬂˆËﬂ, ÒÓÁ‰‡‚‡ÂÏ‡ﬂ
˝ÙÙÂÍÚÓÏ ÚËÔ‡ «ÒÂÎÂÒÚ‡»
2BAND EQ
164
éÔËÒ‡ÌËÂ
åÓÌÓ-˝Í‚‡Î‡ÈÁÂ Ò ‚˚‡‚ÌË‚‡ÌËÂÏ ÌËÊÌËı,
ÒÂ‰ÌËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ
ëÓÓ·˘ÂÌËﬂ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● é·˘ËÂ (éÔÂ‡ˆËË Ì‡ Ô‡ÌÂÎË)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ÌÂ‰ÓÔÛÒÚËÏÛ˛ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ËÎË
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ (Ì‡ÔËÏÂ ÍÓÌ‚ÂÚ‡ˆË˛ ‰‡ÌÌ˚ı ÔÂÒÌË).
➾ éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸ ËÎË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ËÎË ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Song Record ËÎË Song Play,
‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÒÌÓ‚‡.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ÌÂ‰ÓÔÛÒÚËÏÛ˛ ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ (Ì‡ÔËÏÂ ‚˚·Ó ÒÚËÎﬂ ËÎË Ì‡ÒÚÓÈÍÛ ÏÛÁ˚Í‡Î¸ÌÓÈ ·‡Á˚ ‰‡ÌÌ˚ı).
➾ éÒÚ‡ÌÓ‚ËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ËÎË ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Song Play, ‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÒÌÓ‚‡.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ÌÂ‰ÓÔÛÒÚËÏÛ˛ ‚ ÂÊËÏÂ Song Record
(Ì‡ÔËÏÂ ÍÓÔËÓ‚‡ÌËÂ ËÎË Û‰‡ÎÂÌËÂ ‰‡ÌÌ˚ı ÔÂÒÌË).
➾ éÒÚ‡ÌÓ‚ËÚÂ Á‡ÔËÒ¸ ËÎË ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡ Song Record, ‡ Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÒÌÓ‚‡.
ç‡Ê‡Ú‡ ÍÌÓÔÍ‡, ÌÂ ÓÚ‚Â˜‡˛˘‡ﬂ ÌË Á‡ Ó‰ÌÛ ËÁ ÙÛÌÍˆËÈ ‚ ÚÂÍÛ˘ÂÏ ÂÊËÏÂ.
● é·˘ËÂ (èﬂÏÓÈ ‰ÓÒÚÛÔ)
ùÚ‡ ÔÓ‰ÒÍ‡ÁÍ‡ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [DIRECT ACCESS] (ÒÚ. 21).
➾ ç‡ÊÏËÚÂ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ì‡ÒÚÓÈÍÂ, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ ÓÚÓ·‡ÁËÚ¸.
(ëÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ ‚ÚÓÛ˛ ÍÌÓÔÍÛ, ÔÓÍ‡ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ Ì‡ ‰ËÒÔÎÂÂ.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ÔÓÒÎÂ ÍÌÓÔÍË [DIRECT ACCESS] Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ Ì‡ Ô‡ÌÂÎË, ÌÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ˝Í‡ÌÛ Direct Access. (ëÏ. ÒÚ. 21.)
➾ ç‡ÊÏËÚÂ ÔÓ‚ÚÓÌÓ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˝Í‡ÌÛ Direct Access.
● é·˘ËÂ (éÔÂ‡ˆËË Ò ‰ËÒÍÂÚÓÈ)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ‰ËÒÍÂÚ‡ ÌÂ ‚ÒÚ‡‚ÎÂÌ‡ ‚ ‰ËÒÍÓ‚Ó‰.
➾ ÇÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ÌÛÊÌÛ˛ ‰ËÒÍÂÚÛ Ë ÔÓ‚ÚÓËÚÂ ÓÔÂ‡ˆË˛.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÔÂÂËÏÂÌÓ‚‡Ú¸ ËÎË ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ÔÂÒÌ˛, ÌÂ ÒÓ‰ÂÊ‡˘Û˛
‰‡ÌÌ˚ı.
➾ Ç˚·ÂËÚÂ ÔÂÒÌ˛, ÒÓ‰ÂÊ‡˘Û˛ ‰‡ÌÌ˚Â, ËÎË ‚ÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ‰‡ÌÌ˚ÏË
ÔÂÒÂÌ.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ Á‡„ÛÁËÚ¸, ÔÂÂËÏÂÌÓ‚‡Ú¸ ËÎË Û‰‡ÎËÚ¸ Ù‡ÈÎ, ÌÓ Ù‡ÈÎ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÙÓÏ‡Ú‡ Ì‡ ‰ËÒÍÂÚÂ ÌÂ ÏÓÊÂÚ ·˚Ú¸ Ì‡È‰ÂÌ.
➾ ëÓÁ‰‡ÈÚÂ Ù‡ÈÎ ËÎË ‚ÒÚ‡‚¸ÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚÛ Ò ÌÛÊÌ˚Ï Ù‡ÈÎÓÏ.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÒÓı‡ÌËÚ¸ Ì‡ ‰ËÒÍÂÚÛ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ (ÒÚ. 82), ÌÓ
‚˚·‡ÌÌ˚È ÌÓÏÂ ﬂ˜ÂÈÍË Ô‡ÏﬂÚË ÌÂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó ÒÚËÎﬂı.
➾ ëÓÁ‰‡ÈÚÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ËÎË ‚˚·ÂËÚÂ ÌÓÏÂ ﬂ˜ÂÈÍË, ÒÓ‰ÂÊ‡˘ÂÈ ‰‡ÌÌ˚Â Ó
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÏ ÒÚËÎÂ.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂÌ‡ ÌÂÓÚÙÓÏ‡ÚËÓ‚‡ÌÌ‡ﬂ ËÎË ÌÂÔ‡‚ËÎ¸ÌÓ
ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌ‡ﬂ ‰ËÒÍÂÚ‡. (ëÏ. ÒÚ. 111.)
➾ ÖÒÎË ‚˚ ıÓÚËÚÂ ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ, Ì‡ÊÏËÚÂ OK. ÖÒÎË ‚˚ ıÓÚËÚÂ ÔÂ‚‡Ú¸ ÔÓˆÂÒÒ,
Ì‡ÊÏËÚÂ CANCEL.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ Á‡ÔËÒË ËÎË ‰Û„Ëı ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË Ì‡ ‰ËÒÍÂÚÂ Ò
ÓÚÍ˚ÚÓÈ Á‡˘ÂÎÍÓÈ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË («Á‡ÔËÒ¸ Á‡ÔÂ˘ÂÌ‡»).
163
➾ á‡ÍÓÈÚÂ Á‡˘ÂÎÍÛ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË (ÒÚ. 112), ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚÂ ÓÔÂ‡ˆË˛. ÖÒÎË ÓÔÂ‡ˆËﬂ
ÔÓ-ÔÂÊÌÂÏÛ ÌÂ ÏÓÊÂÚ ·˚Ú¸ ‚˚ÔÓÎÌÂÌ‡, ÁÌ‡˜ËÚ ‰ËÒÍÂÚ‡ ÓÒÌ‡˘ÂÌ‡ ‚ÌÛÚÂÌÌÂÈ Á‡˘ËÚÓÈ ÓÚ
Á‡ÔËÒË; ‚ ˝ÚÓÏ ÒÎÛ˜‡Â Á‡ÔËÒ¸ Ë ÓÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË Ì‡ ˝ÚÓÈ ‰ËÒÍÂÚÂ ÌÂ‚ÓÁÏÓÊÌ˚.
CVP-202
165
ëÓÓ·˘ÂÌËﬂ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÎË·Ó ÔÓ‚Âı Ô‡ÚËÈ ËÎË ÔÓËÁ‚ÂÒÚË ‰Û„ËÂ
ÓÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË ÔÂÒÂÌ ÌÂÒÓ‚ÏÂÒÚËÏ˚ı ÙÓÏ‡ÚÓ‚ ËÎË ÙÓÏ‡ÚÓ‚, ÌÂ ‰ÓÔÛÒÍ‡˛˘Ëı Ú‡ÍËı
ÓÔÂ‡ˆËÈ. ë Ù‡ÈÎ‡ÏË ÌÂÍÓÚÓ˚ı ÙÓÏ‡ÚÓ‚ Ú‡ÍËÂ ÓÔÂ‡ˆËË, Í‡Í ‰ÓÔÓÎÌËÚÂÎ¸Ì‡ﬂ Á‡ÔËÒ¸, ÍÓÔËÓ‚‡ÌËÂ,
Û‰‡ÎÂÌËÂ Ë ‰., ÌÂ ÏÓ„ÛÚ ·˚Ú¸ ‚˚ÔÓÎÌÂÌ˚ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-202.
ÇÓ ‚ÂÏﬂ Á‡ÔËÒË ËÎË ˜ÚÂÌËﬂ Ù‡ÈÎ‡ ÔÓËÁÓ¯Î‡ Ó¯Ë·Í‡.
➾ ç‡ÊÏËÚÂ OK Ë ÔÓ‚ÚÓËÚÂ ÓÔÂ‡ˆË˛. ÖÒÎË Ó¯Ë·Í‡ ÔÓËÁÓ¯Î‡ ÔÓ‚ÚÓÌÓ, ‚ÓÁÏÓÊÌÓ,
ÌÂËÒÔ‡‚Ì‡ ‰ËÒÍÂÚ‡ ËÎË ‰ËÒÍÓ‚Ó‰. ÖÒÎË ‚˚ ÔÂ‰ÔÓÎ‡„‡ÂÚÂ, ˜ÚÓ ÌÂËÒÔ‡‚ÂÌ ‰ËÒÍÓ‚Ó‰,
Ó·‡ÚËÚÂÒ¸ Í ‚‡¯ÂÏÛ ‰ËÎÂÛ Yamaha.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ ÔÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ÓÔÂ‡ˆËÈ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ,
ÍÓÔËÓ‚‡ÌËﬂ Ë ‰.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ‚Ó ‚ÂÏﬂ Ó·ÏÂÌ‡ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û Clavinova Ë ‰ËÒÍÓ‚Ó‰ÓÏ.
➾ ëÓÓ·˘ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ËÒ˜ÂÁ‡ÂÚ ÔÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ÓÔÂ‡ˆËË.
íÂ·ÛÂÚÒﬂ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓ‰ÓÎÊÂÌËﬂ ÓÔÂ‡ˆËË Û‰‡ÎÂÌËﬂ ÔÂÒÌË ËÎË ÙÓÏ‡ÚËÓ‚‡ÌËﬂ.
➾ ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÔÓ‰ÓÎÊËÚ¸ ÓÔÂ‡ˆË˛. ç‡ÊÏËÚÂ NO, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ
˝Í‡ÌÛ.
ÑËÒÍÂÚ‡ Á‡ÔÓÎÌÂÌ‡, ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰‡ÌÌ˚Â ÌÂ ÏÓ„ÛÚ ·˚Ú¸ Á‡ÔËÒ‡Ì˚.
➾ ç‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, Û‰‡ÎËÚÂ ÌÂÌÛÊÌ˚Â ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ (ÒÚ. 144) ËÎË ‚ÒÚ‡‚¸ÚÂ ‰Û„Û˛
‰ËÒÍÂÚÛ, Ì‡ ÍÓÚÓÓÈ ·ÓÎ¸¯Â Ò‚Ó·Ó‰ÌÓ„Ó ÏÂÒÚ‡. ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË
ÔÂÒÌË. á‡ÔËÒ¸ ·Û‰ÂÚ ÔÂÍ‡˘ÂÌ‡, ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ‰Ó ˝ÚÓ„Ó ÏÓÏÂÌÚ‡, ·Û‰ÛÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓı‡ÌÂÌ˚.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÒÓÁ‰‡Ú¸ ·ÓÎ¸¯ÂÂ ÍÓÎË˜ÂÒÚ‚Ó Ù‡ÈÎÓ‚, ˜ÂÏ ÏÓÊÂÚ ‚ÏÂÒÚËÚ¸
‰‡ÌÌ‡ﬂ ‰ËÒÍÂÚ‡. ç‡ ‰ËÒÍÂÚ˚ 2DD ËÎË 2HD ÏÓÊÂÚ ·˚Ú¸ Á‡ÔËÒ‡ÌÓ ‰Ó 60 ÔÂÒÂÌ. ÑËÒÍÂÚ‡ 2DD ÏÓÊÂÚ
‚ÏÂÒÚËÚ¸ ÓÍÓÎÓ 107 Ù‡ÈÎÓ‚ (‡ÁÎË˜Ì˚ı ÙÓÏ‡ÚÓ‚), ‡ ‰ËÒÍÂÚ‡ 2HD — ÔËÏÂÌÓ 219 Ù‡ÈÎÓ‚.
➾ ç‡ÊÏËÚÂ ÍÌÓÔÍÛ OK, Û‰‡ÎËÚÂ ÌÂÌÛÊÌ˚Â Ù‡ÈÎ˚ Ò ‰ËÒÍÂÚ˚ (ÒÚ. 144) ËÎË ‚ÒÚ‡‚¸ÚÂ ‰Û„Û˛
‰ËÒÍÂÚÛ, Ì‡ ÍÓÚÓÓÈ ·ÓÎ¸¯Â Ò‚Ó·Ó‰ÌÓ„Ó ÏÂÒÚ‡.
î‡ÈÎ Ò Ú‡ÍËÏ ËÏÂÌÂÏ ÛÊÂ ÒÛ˘ÂÒÚ‚ÛÂÚ.
➾ ç‡ÊÏËÚÂ OK, ÂÒÎË ‚˚ ıÓÚËÚÂ Á‡ÏÂÌËÚ¸ ÓË„ËÌ‡Î¸Ì˚È Ù‡ÈÎ ÌÓ‚˚Ï, ËÎË CANCEL, ˜ÚÓ·˚
ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÔÓÎÌËÚ¸ ‰Û„ËÂ ÓÔÂ‡ˆËË ‚Ó ‚ÂÏﬂ ˜ÚÂÌËﬂ ËÎË ÒÓı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÛ.
➾ ÑÓÊ‰ËÚÂÒ¸ Á‡‚Â¯ÂÌËﬂ ˜ÚÂÌËﬂ/Á‡ÔËÒË, Á‡ÚÂÏ ÔÓ‚ÚÓËÚÂ ÓÔÂ‡ˆË˛.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â ÍÓÏÏÂ˜ÂÒÍÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó
Ó·ÂÒÔÂ˜ÂÌËﬂ ËÎË ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ËÌÒÚÛÏÂÌÚ‡ı, ÓÚÎË˜Ì˚ı ÓÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-202.
➾ ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â ‰Îﬂ Á‡ÔËÒË Ë Â‰‡ÍÚËÓ‚‡ÌËﬂ ‚ ÙÓÏ‡Ú
CVP-202. ç‡ÊÏËÚÂ NO, ÂÒÎË ‚˚ ÌÂ ıÓÚËÚÂ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â.
Ç ÔÂÒÌﬂı, ÍÓÌ‚ÂÚËÓ‚‡ÌÌ˚ı Ú‡ÍËÏ Ó·‡ÁÓÏ, ÏÓÊÂÚ ·˚Ú¸ ÌÂ‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰ÓÓÊÍË,
ÍÓÏÂ 1 Ë 2.
● é·˘ËÂ (éÔÂ‡ˆËË Ò Ô‡ÏﬂÚ¸˛)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË Á‡ÔËÒË ÔÂÒÌË ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸ Clavinova, ÂÒÎË Ô‡ÏﬂÚ¸
ÔÂÂÔÓÎÌÂÌ‡ (ÒÚ. 133). á‡ÔËÒ¸ ·Û‰ÂÚ ÔÂÍ‡˘ÂÌ‡, ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ‰Ó ˝ÚÓ„Ó ÏÓÏÂÌÚ‡, ·Û‰ÛÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡ÌÂÌ˚.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ú‡ÍÊÂ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË Ô‡ÏﬂÚ¸ Clavinova ÔÂÂÔÓÎÌﬂÂÚÒﬂ ‚Ó ‚ÂÏﬂ
Á‡ÔËÒË ‰‡ÌÌ˚ı ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ (ÒÏ. ÒÚ. 84).
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ‚Ó ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó
‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸ ÔÓÒÎÂ Â‰‡ÍÚËÓ‚‡ÌËﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Track Edit ËÎË Initial Edit.
➾ á‡‚Â¯ËÚÂ ÓÔÂ‡ˆË˛ Á‡ÔËÒË ‰‡ÌÌ˚ı, Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ‰Û„Û˛ ÓÔÂ‡ˆË˛.
166
CVP-202
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ëÓÓ·˘ÂÌËﬂ
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ Ú‡ÍÓÈ ÓÔÂ‡ˆËË, Í‡Í ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰‡ÌÌ˚ı Ò ‰ËÒÍÂÚ˚, ˜ÚÓ
ÔÓ‚ÎÂ˜ÂÚ Á‡ ÒÓ·ÓÈ Û‰‡ÎÂÌËÂ ‰‡ÌÌ˚ı ËÁ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË Clavinova.
➾ ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚Â ËÁ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË, Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÊÂÎ‡ÂÏÛ˛
ÓÔÂ‡ˆË˛. ç‡ÊÏËÚÂ NO, ÂÒÎË ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚·‡Ú¸ Ó‰ÌÛ ËÁ ÒÎÂ‰Û˛˘Ëı ÙÛÌÍˆËÈ ‚Ó ‚ÂÏﬂ
Â‰‡ÍÚËÓ‚‡ÌËﬂ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸: Chord Sequence (ÒÚ. 121), Setup Memory
(ÒÚ. 126) ËÎË Song Name (ÒÚ. 127).
➾ ëÍÓÔËÛÈÚÂ ÔÂÒÌ˛ Ì‡ ‰ËÒÍÂÚÛ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Song Copy (ÒÚ. 142), Û‰‡ÎËÚÂ ÔÂÒÌ˛
ËÁ CVP MEMORY (ÒÚ. 144), Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÊÂÎ‡ÂÏÛ˛ ÓÔÂ‡ˆË˛ Ò ‰‡ÌÌ˚ÏË Ì‡
‰ËÒÍÂÚÂ.
● êÂÊËÏ Custom Style
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ ÔË ÔÂÂıÓ‰Â ‚ ÂÊËÏ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ.
(ëÏ. ÒÚ. 74.)
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ËÁÏÂÌËÚ¸ Ú‡ÍÚÓ‚˚È ‡ÁÏÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó
ÒÚËÎﬂ. (ëÏ. ÒÚ. 75.)
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ËÁÏÂÌËÚ¸ ÍÓÎË˜ÂÒÚ‚Ó Ú‡ÍÚÓ‚ ‚Ó Ù‡„ÏÂÌÚÂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ. (ëÏ. ÒÚ. 75.)
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‡ˆË˛, ÚÂ·Û˛˘Û˛ Û‰‡ÎÂÌËﬂ Ô‡ÚËË.
(ëÏ. ÒÚ. 76.)
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÒÓı‡ÌÂÌËﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ (ÒÚ. 79). ùÚÓ ÒÓÓ·˘ÂÌËÂ Ú‡ÍÊÂ
ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ËÁÏÂÌËÚ¸ ÒÚËÎ¸ ‰Ó ÒÓı‡ÌÂÌËﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÒÚËÎﬂ (ÒÚ. 85).
➾ Ç˚·ÂËÚÂ OK, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËÎ¸. ç‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ
˝Í‡ÌÛ ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Custom Style ‰Ó ÒÓı‡ÌÂÌËﬂ
ÒÚËÎﬂ. (ëÏ. ÒÚ. 85.)
➾ Ç˚·ÂËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÚËÎ¸. ÑÎﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ Ì‡ÊÏËÚÂ NO. ç‡ÊÏËÚÂ
CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ÌÂ‚ÓÁÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÈ ‚ÂÒËË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó
ÒÚËÎﬂ, ÔÓÒÍÓÎ¸ÍÛ ·˚Î ËÁÏÂÌÂÌ Ú‡ÍÚÓ‚˚È ‡ÁÏÂ. (ëÏ. ÒÚ. 80.)
èË ÔÓÔ˚ÚÍÂ Á‡ÔËÒ‡Ú¸ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ Ì‡ ‰ËÒÍ, ÌÂ ÒÓı‡ÌË‚ Â„Ó ‚ Ô‡ÏﬂÚË, ÔÓﬂ‚ÎﬂÂÚÒﬂ
ÒÓÓ·˘ÂÌËÂ, Ì‡ÔÓÏËÌ‡˛˘ÂÂ ÒÓı‡ÌËÚ¸ ÒÚËÎ¸ ÔÂÂ‰ Á‡ÔËÒ¸˛ Ì‡ ‰ËÒÍ. (ëÏ. ÒÚ. 83.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË ÌÂ‰ÓÒÚ‡ÚÓ˜ÌÓ, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸. (ëÏ. ÒÚ. 84.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ‚˚·ÓÂ DELETE Ì‡ ˝Í‡ÌÂ, ÔÓÍ‡Á‡ÌÌÓÏ ‚˚¯Â.
➾ Ç˚·ÂËÚÂ ÒÚËÎ¸, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ Û‰‡ÎËÚ¸, Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ OK. ÖÒÎË ‚˚ ÌÂ ıÓÚËÚÂ
Û‰‡ÎﬂÚ¸ ÒÚËÎ¸, Ì‡ÊÏËÚÂ CANCEL.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ÒÚËÎ¸, ‚˚·‡ÌÌ˚È ‰Îﬂ Û‰‡ÎÂÌËﬂ ‚ ˝Í‡ÌÂ, ÔÓÍ‡Á‡ÌÌÓÏ ‚˚¯Â,
ﬂ‚ÎﬂÂÚÒﬂ ÒÚËÎÂÏ-ËÒÚÓ˜ÌËÍÓÏ ‰Îﬂ Â‰‡ÍÚËÛÂÏÓ„Ó ‚ Ì‡ÒÚÓﬂ˘ËÈ ÏÓÏÂÌÚ ÒÚËÎﬂ.
165
➾ ç‡ÊÏËÚÂ OK, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ Ë ‚˚·‡Ú¸ ‰Û„ÓÈ ÒÚËÎ¸ ‰Îﬂ Û‰‡ÎÂÌËﬂ.
CVP-202
167
ëÓÓ·˘ÂÌËﬂ
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
● á‡„ÛÁÍ‡ Ù‡ÈÎ‡ ÒÚËÎﬂ
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ Á‡„ÛÁËÚ¸ Ù‡ÈÎ ÒÚËÎﬂ, ÂÒÎË Ó·˙ÂÏ Ô‡ÏﬂÚË ÌÂ‰ÓÒÚ‡ÚÓ˜ÂÌ ‰Îﬂ
‚˚·‡ÌÌÓ„Ó Ù‡ÈÎ‡. (ëÏ. ÒÚ. 87.)
çÂÍÓÚÓ˚Â Ù‡ÈÎ˚ ÒÚËÎﬂ ËÏÂ˛Ú ÒÎË¯ÍÓÏ ·ÓÎ¸¯ÓÈ Ó·˙ÂÏ Ë ÌÂ ÏÓ„ÛÚ ·˚Ú¸ Ó·‡·ÓÚ‡Ì˚ Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË LISTEN. (ëÏ. ÒÚ. 87.)
➾ á‡„ÛÁËÚÂ Ù‡ÈÎ ÒÚËÎﬂ, Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚Â‰ËÚÂ Â„Ó ‚ Ó·˚˜ÌÓÏ ÔÓﬂ‰ÍÂ.
● Chord Sequence (ÄÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸)
á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÈÚË ËÁ ÙÛÌÍˆËË Chord Sequence (‡ÍÍÓ‰Ó‚‡ﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸) ‚Ó ‚ÂÏﬂ Á‡ÔËÒË.
➾ ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â. ÑÎﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ Ì‡ÊÏËÚÂ
NO. ç‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÙÛÌÍˆËË Chord Sequence (‡ÍÍÓ‰Ó‚‡ﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸) ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚ÌÂÒÚË ËÁÏÂÌÂÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ˜‡ÒÚË
ÔÓËÁ‚Â‰ÂÌËﬂ ‚ ÔÓÁËˆËË, ÓÚÎË˜ÌÓÈ ÓÚ Ì‡˜‡Î‡ Ú‡ÍÚ‡, ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË
(Chord Sequence).
➾ ÇÌÂÒËÚÂ ‡ÒÒÏ‡ÚË‚‡ÂÏ˚Â ËÁÏÂÌÂÌËﬂ ‚ Ì‡˜‡ÎÂ Ú‡ÍÚ‡. (ëÏ. ÒÚ. 122.)
● ÑÛ„ËÂ ‰ÂÈÒÚ‚Ëﬂ Ò Á‡ÔËÒ¸˛
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚˚ÈÚË ËÁ ÙÛÌÍˆËË Initial Edit ·ÂÁ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Ì‡
‰ËÒÍÂÚÛ.
➾ ç‡ÊÏËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â ‰‡ÌÌ˚Â. ÑÎﬂ ‚˚ıÓ‰‡ ·ÂÁ ÒÓı‡ÌÂÌËﬂ
Ì‡ÊÏËÚÂ NO. ç‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ Initial Edit ·ÂÁ ÒÓı‡ÌÂÌËﬂ.
ùÚÓÚ Á‡ÔÓÒ Ì‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ‚˚ÔÓÎÌÂÌËË ÙÛÌÍˆËË Setup Memory (ÒÚ. 126) ‰Îﬂ
ÒÓı‡ÌÂÌËﬂ ÚÂÍÛ˘Ëı Ì‡ÒÚÓÂÍ ‚ ÔÂÒÌÂ, Â‰‡ÍÚËÛÂÏÓÈ ‚ ÂÊËÏÂ Song Record.
➾ Ç˚·ÂËÚÂ YES, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Ì‡ÒÚÓÈÍË. ç‡ÊÏËÚÂ CANCEL, ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ
RECORD EDIT 2 ·ÂÁ ÒÓı‡ÌÂÌËﬂ.
● äÓÔËÓ‚‡ÌËÂ ÔÂÒÂÌ Ë ‰ËÒÍÂÚ
ùÚÓ ÒÓÓ·˘ÂÌËÂ ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ÍÓÎË˜ÂÒÚ‚Ó ÔÂ‰ÒÚÓﬂ˘Ëı Á‡ÏÂÌ ‰ËÒÍÂÚ˚ ÔÂÂ‰ Ì‡˜‡ÎÓÏ ÓÔÂ‡ˆËÈ
Song Copy ËÎË Disk Copy. (ëÏ. ÒÚ. 143.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ Ì‡ÔÓÏËÌ‡ÂÚ Ó ÚÓÏ, ˜ÚÓ ‚ ‰ËÒÍÓ‚Ó‰ ÌÛÊÌÓ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ, Ì‡ ÍÓÚÓÛ˛ ·Û‰ÂÚ
ÔÓËÁ‚Ó‰ËÚ¸Òﬂ Á‡ÔËÒ¸ ÍÓÔËÛÂÏ˚ı ‰‡ÌÌ˚ı. (ëÏ. ÒÚ. 143.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ 2DD Ì‡ ‰ËÒÍÂÚÛ 2HD — ËÎË
Ì‡Ó·ÓÓÚ — Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Disk Copy (ÒÚ. 142).
➾ ç‡ÊÏËÚÂ OK ‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ, ‡ Á‡ÚÂÏ ÔÓ‚ÚÓËÚÂ ‚Ò˛ ÓÔÂ‡ˆË˛ Ò Ì‡˜‡Î‡.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡, Ì‡ ÍÓÚÓÛ˛ ÔÓËÁ‚Ó‰ËÚÒﬂ ÍÓÔËÓ‚‡ÌËÂ, Ú‡ÍÓ„Ó ÊÂ Ó·˙ÂÏ‡ (2DD ËÎË
2HD), ˜ÚÓ Ë ÍÓÔËÛÂÏ‡ﬂ ‰ËÒÍÂÚ‡.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÒÌÓ‚‡ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ ‚ÏÂÒÚÓ ‰ËÒÍÂÚ˚,
Ì‡ ÍÓÚÓÛ˛ ‰ÓÎÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÍÓÔËÓ‚‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Disk Copy (ÒÚ. 143).
➾ ç‡ÊÏËÚÂ OK ‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ; Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ Disk Copy Ò
Ì‡˜‡Î‡. èË Á‡ÏÂÌÂ ‰ËÒÍÂÚ ‚Ó ‚ÂÏﬂ ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ ·Û‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚, ˜ÚÓ·˚ ÌÂ
ÔÂÂÔÛÚ‡Ú¸ ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ Ë ‰ËÒÍÂÚÛ, Ì‡ ÍÓÚÓÛ˛ ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÍÓÔËÓ‚‡Ì˚ ‰‡ÌÌ˚Â.
168
CVP-202
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ëÓÓ·˘ÂÌËﬂ
ùÚÓ ÒÓÓ·˘ÂÌËÂ Ì‡ÔÓÏËÌ‡ÂÚ, ˜ÚÓ ÌÛÊÌÓ ÛÍ‡Á‡Ú¸ ÌÓÏÂ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‰‡ÌÌ˚Â Ò
ËÒıÓ‰ÌÓÈ ‰ËÒÍÂÚ˚. ëÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÍÓ„‰‡ ÂÁÂ‚Ì‡ﬂ ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎﬂÂÚÒﬂ ‚ ‰ËÒÍÓ‚Ó‰.
(ëÏ. ÒÚ. 143.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ Ì‡ÔÓÏËÌ‡ÂÚ, ˜ÚÓ ÌÛÊÌÓ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ËÒıÓ‰ÌÛ˛ ‰ËÒÍÂÚÛ ÔË ÍÓÔËÓ‚‡ÌËË
‰‡ÌÌ˚ı Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ Ì‡ ‰Û„Û˛. (ëÏ. ÒÚ. 143.)
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÌÂÌ‡‰ÎÂÊ‡˘Û˛ ‰ËÒÍÂÚÛ (ËÒıÓ‰ÌÛ˛ ËÎË
ÂÁÂ‚ÌÛ˛) ÔÓÒÎÂ Ì‡ÔÓÏËÌ‡ÌËﬂ Á‡ÏÂÌËÚ¸ ‰ËÒÍÂÚÛ ‚ ıÓ‰Â ‚˚ÔÓÎÌÂÌËﬂ ÙÛÌÍˆËË Disk Copy (ÒÚ. 143).
➾ ç‡ÊÏËÚÂ OK ‰Îﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ; Á‡ÚÂÏ ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ Disk Copy Ò
Ì‡˜‡Î‡. èË Á‡ÏÂÌÂ ‰ËÒÍÂÚ ‚ ıÓ‰Â ÓÔÂ‡ˆËË ÍÓÔËÓ‚‡ÌËﬂ ·Û‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚, ˜ÚÓ·˚
‚ÒÚ‡‚ËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ Ì‡‰ÎÂÊ‡˘Û˛ ‰ËÒÍÂÚÛ.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ‚˚·‡ÌÌ˚È ÌÓÏÂ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÛÚ ÍÓÔËÓ‚‡Ú¸Òﬂ ‰‡ÌÌ˚Â,
ÒÓ‚Ô‡‰‡ÂÚ Ò ÌÓÏÂÓÏ ËÒıÓ‰ÌÓÈ ÔÂÒÌË ÔË ÍÓÔËÓ‚‡ÌËË ‰‡ÌÌ˚ı ‚ ÔÂ‰ÂÎ‡ı Ó‰ÌÓÈ ‰ËÒÍÂÚ˚. (ëÏ.
‚ÂÁÍÛ Ì‡ ÒÚ. 143.)
➾ ìÍ‡ÊËÚÂ ‰Û„ÓÈ ÌÓÏÂ ÔÂÒÌË, ÍÛ‰‡ ·Û‰ÂÚ ÔÓËÁ‚Â‰ÂÌÓ ÍÓÔËÓ‚‡ÌËÂ.
● äÓÌ‚ÂÚËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı ÔÂÒÂÌ
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË ÔÓÔ˚ÚÍÂ ÍÓÌ‚ÂÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â ÔÂÒÌË, ÒÓı‡ÌÂÌÌÓÈ Ì‡ ‰ËÒÍÂÚÂ 2HD.
(ëÏ. ÒÚ. 145.)
➾ ç‡ÊÏËÚÂ OK Ë ÒÍÓÔËÛÈÚÂ ÔÂÒÌË Ì‡ ‰ËÒÍÂÚÛ 2DD, Á‡ÚÂÏ ÍÓÌ‚ÂÚËÛÈÚÂ ‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ
2DD.
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔÓÒÎÂ ÍÓÌ‚ÂÚËÓ‚‡ÌËﬂ ‰‡ÌÌ˚ı ÔÂÒÌË Ë ÛÍ‡Á˚‚‡ÂÚ ÌÓÏÂ ÔÂÒÌË, ‚ ÍÓÚÓÛ˛
·˚ÎË ÒÓı‡ÌÂÌ˚ ‰‡ÌÌ˚Â.
● éÚÌÓÒﬂ˘ËÂÒﬂ Í ‡ÔÔ‡‡ÚÌÓÈ ˜‡ÒÚË
ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ÌÂ ‚ÍÎ˛˜ÂÌ ‚Â‰Û˘ËÈ ÍÓÏÔ¸˛ÚÂ, ÌÂÔ‡‚ËÎ¸ÌÓ ÔÓ‰ÒÓÂ‰ËÌÂÌ Í‡·ÂÎ¸,
ÔÂÂÍÎ˛˜‡ÚÂÎ¸ HOST SELECT Ì‡ıÓ‰ËÚÒﬂ ÌÂ ‚ ÌÛÊÌÓÏ ÔÓÎÓÊÂÌËË, ‡ Ú‡ÍÊÂ ÂÒÎË ÌÂ Á‡ÔÛ˘ÂÌ˚ MIDI‰‡È‚Â ËÎË MIDI-ÔËÎÓÊÂÌËÂ.
➾ Ç˚ÍÎ˛˜ËÚÂ Clavinova Ë ÍÓÏÔ¸˛ÚÂ. èÓ‚Â¸ÚÂ Ô‡‚ËÎ¸ÌÓÒÚ¸ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í‡·ÂÎﬂ Ë
ÔÓÎÓÊÂÌËÂ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ HOST SELECT (ÒÚ. 160), Á‡ÚÂÏ ‚ÍÎ˛˜ËÚÂ ÍÓÏÔ¸˛ÚÂ, ‡ ÔÓÚÓÏ
Clavinova.
168
Clavinova ÒÓı‡ÌﬂÂÚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ‡ı Ë ÛÒÚ‡ÌÓ‚Í‡ı, Á‡˘Ë˘ÂÌÌ˚Â ÙÛÌÍˆËÂÈ Backup (ÒÚ. 152),
ÂÒÎË ÂÂ ‚ÍÎ˛˜‡Ú¸ Â„ÛÎﬂÌÓ. ÖÒÎË ËÌÒÚÛÏÂÌÚÓÏ ÌÂ ÔÓÎ¸ÁÓ‚‡ÎËÒ¸ ÌÂ‰ÂÎ˛ ËÎË ‰ÓÎ¸¯Â, ‰‡ÌÌ˚Â ÏÓ„ÛÚ
·˚Ú¸ ÛÚÂﬂÌ˚. ùÚÓ ÒÓÓ·˘ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‚ÍÎ˛˜ÂÌ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ‰‡ÌÌ˚Â ·˚ÎË
ÛÚÂﬂÌ˚. éÌÓ Ú‡ÍÊÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔÓÒÎÂ Á‡„ÛÁÍË ÛÒÚ‡ÌÓ‚ÓÍ ÔÓ ÛÏÓÎ˜‡ÌË˛ (ÒÚ. 153).
CVP-202
169
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ
èÓ·ÎÂÏ‡
170
èË˜ËÌ‡
○○○○○○○○○○○○○○○○○○○○○
êÂ¯ÂÌËÂ
Clavinova ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ.
Clavinova ÌÂÔ‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌ‡ Í
ÓÁÂÚÍÂ.
èÓ‚Â¸ÚÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ Í
‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ.
èË ‚ÍÎ˛˜ÂÌËË Ë ÓÚÍÎ˛˜ÂÌËË
ÔËÚ‡ÌËﬂ ÒÎ˚¯ÂÌ ıÎÓÔÓÍ ËÎË ˘ÂÎ˜ÓÍ.
ç‡ ËÌÒÚÛÏÂÌÚ ÔÓ‰‡ÂÚÒﬂ
˝ÎÂÍÚÓÔËÚ‡ÌËÂ.
ùÚÓ ÌÓÏ‡Î¸ÌÓ, ÌÂÚ ÔÓ‚Ó‰Ó‚ ‰Îﬂ
·ÂÒÔÓÍÓÈÒÚ‚‡.
àÁ ‰ËÌ‡ÏËÍÓ‚ Clavinova ÒÎ˚¯ÂÌ ¯ÛÏ.
òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒÎÂ‰ÒÚ‚ËÂÏ ÔÓÏÂı,
‚˚Á‚‡ÌÌ˚ı ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÏÓ·ËÎ¸ÌÓ„Ó
ÚÂÎÂÙÓÌ‡ ‚ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË
ÓÚ Clavinova.
éÚÍÎ˛˜ËÚÂ ÏÓ·ËÎ¸Ì˚È ÚÂÎÂÙÓÌ ËÎË
ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó ÔÓ‰‡Î¸¯Â ÓÚ
Clavinova.
ùÍ‡Ì ÒÎË¯ÍÓÏ ﬂÍËÈ ËÎË ÒÎË¯ÍÓÏ
ÚÂÏÌ˚È, ÚÛ‰ÌÓ ˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸.
ç‡ ﬂÍÓÒÚ¸ ‰ËÒÔÎÂﬂ ÏÓÊÂÚ ‚ÎËﬂÚ¸
ÓÍÛÊ‡˛˘‡ﬂ ÚÂÏÔÂ‡ÚÛ‡.
ÑÎﬂ Ì‡ÒÚÓÈÍË ÍÓÌÚ‡ÒÚ‡
ËÒÔÓÎ¸ÁÛÈÚÂ Â„ÛÎﬂÚÓ [CONTRAST].
(ëÏ. ÒÚ. 11.)
äÎ‡‚Ë‡ÚÛ‡ Á‚Û˜ËÚ ÒÎË¯ÍÓÏ ÚËıÓ ÔÓ
Ò‡‚ÌÂÌË˛ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ
ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌÂÈ.
é·˘ÂÂ Á‚Û˜‡ÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË
ÓÚ‰ÂÎ¸ÌÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ÏÓ„ÎÓ
·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡ ÌËÁÍËÈ ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË.
ì‚ÂÎË˜¸ÚÂ Ó·˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË
ÍÎ‡‚Ë‡ÚÛ˚ ËÁ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡
(ÒÚ. 23) ËÎË ‚ ÔÓˆÂÒÒÂ ‡·ÓÚ˚
Â„ÛÎËÛÈÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË VOLUME ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
˝Í‡Ì‡ KEYBOARD (ÒÚ. 32, 34 ËÎË 37).
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË
‚ÓÒÔÓËÁ‚Ó‰ËÏ‡ﬂ ÔÂÒÌﬂ Á‚Û˜‡Ú
ÒÎË¯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌË˛ Ò
ÍÎ‡‚Ë‡ÚÛÓÈ.
êÂ„ÛÎﬂÚÓ [ACMP/SONG VOLUME]
ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ÒÎË¯ÍÓÏ ÌËÁÍËÈ ÛÓ‚ÂÌ¸.
ì‚ÂÎË˜¸ÚÂ ÛÓ‚ÂÌ¸ [ACMP/SONG
VOLUME].
ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎË¯ÍÓÏ ÌËÁÍËÈ ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË ‰Îﬂ Ó‰ÌÓÈ ËÎË ÌÂÒÍÓÎ¸ÍËı
˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË
‰ÓÓÊÂÍ ÔÂÒÌË.
ìÒÚ‡ÌÓ‚ËÚÂ ·ÓÎÂÂ ‚˚ÒÓÍËÈ ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË ‰Îﬂ ‰‡ÌÌÓÈ Ô‡ÚËË ËÎË ‰ÓÓÊÍË Ì‡
˝Í‡ÌÂ MIXER (åËÍ¯Â) (ÒÚ. 65 ËÎË 100).
é·˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÒÎË¯ÍÓÏ
ÌËÁÍËÈ ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
êÂ„ÛÎﬂÚÓ [MASTER VOLUME] ÛÒÚ‡ÌÓ‚ÎÂÌ
Ì‡ ÒÎË¯ÍÓÏ ÌËÁÍËÈ ÛÓ‚ÂÌ¸.
ì‚ÂÎË˜¸ÚÂ ÛÓ‚ÂÌ¸ [MASTER VOLUME].
ä ËÌÒÚÛÏÂÌÚÛ ÔÓ‰ÍÎ˛˜ÂÌ˚ Ì‡Û¯ÌËÍË.
éÚÍÎ˛˜ËÚÂ Ì‡Û¯ÌËÍË.
îÛÌÍˆËﬂ Local Control ÓÚÍÎ˛˜ÂÌ‡.
ÇÍÎ˛˜ËÚÂ ÎÓÍ‡Î¸ÌÓÂ ÛÔ‡‚ÎÂÌËÂ
(ÙÛÌÍˆË˛ Local Control). (ëÏ. ÒÚ. 147.)
è‡‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ
ÔÓ‰ÎÂ‚‡ÂÚÒﬂ, ‰‡ÊÂ ÂÒÎË ÓÌ‡ ÌÂ
Ì‡Ê‡Ú‡.
òÌÛ ÔÂ‰‡ÎË ÏÓÊÂÚ ·˚Ú¸ ÌÂ
ÔÓ‰ÒÓÂ‰ËÌÂÌ Í ‡Á˙ÂÏÛ.
èÓ‰ÍÎ˛˜ËÚÂ ¯ÌÛ ÔÂ‰‡ÎË Í
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ. (ëÏ.
ÒÚ. 34 ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ.)
çÂ Û‰‡ÂÚÒﬂ Á‡ÔÛÒÚËÚ¸ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ËÎË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË.
ìÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ EXT ÙÛÌÍˆËË
MIDI Sync.
ìÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ INT ÙÛÌÍˆËË
MIDI Sync. (ëÏ. ÒÚ. 148.)
èË Ì‡Ê‡ÚËË ÌÂÍÓÚÓ˚ı ÍÎ‡‚Ë¯ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ ÓÚÒÛÚÒÚ‚ÛÂÚ Á‚ÛÍ.
èÂ‚˚¯ÂÌ˚ ÔÓÎËÙÓÌË˜ÂÒÍËÂ
‚ÓÁÏÓÊÌÓÒÚËClavinova (ÍÓÎË˜ÂÒÚ‚Ó
Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ı ÌÓÚ).
èÓÒÍÓÎ¸ÍÛ ÍÓÌÙË„Û‡ˆËﬂ ÚÓÌ„ÂÌÂ‡ÚÓ‡ Ú‡ÍÓ‚‡, ˜ÚÓ ÔÓÒÎÂ‰ÌËÂ
‚ÁﬂÚ˚Â ÌÓÚ˚ ËÏÂ˛Ú ÔËÓËÚÂÚ, ÚÓ
ÔÂ‰˚‰Û˘ËÂ ÌÓÚ˚ ÏÓ„ÛÚ ËÌÓ„‰‡
ÓÚÒÂÍ‡Ú¸Òﬂ. (ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛
ËÌÙÓÏ‡ˆË˛ Ó ÔÓÎËÙÓÌË˜ÂÒÍËı
‚ÓÁÏÓÊÌÓÒÚﬂı ÒÏ. ‚ ‡Á‰ÂÎÂ
«íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË» ‚
Ò·ÓÌËÍÂ Ú‡·ÎËˆ.)
CVP-202
○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ìÒÚ‡ÌÂÌËÂ
169
èÓ·ÎÂÏ‡
èË˜ËÌ‡
ÌÂÔÓÎ‡‰ÓÍ
êÂ¯ÂÌËÂ
çÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂ ‚ÍÎ˛˜ÂÌ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [ACMP ON], ˜ÚÓ·˚
‚ÍÎ˛˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
çÛÊÌ˚È ‡ÍÍÓ‰ ÌÂ ‡ÒÔÓÁÌ‡ÂÚÒﬂ ËÎË
ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÙÛÌÍˆËÂÈ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
àÒÔÓÎ¸ÁÛÂÚÒﬂ ÌÂ‚ÂÌ‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡.
ëÏ. Ú‡·ÎËˆÛ ‡ÔÔÎËÍ‡ÚÛ˚ ‡ÍÍÓ‰Ó‚
(ÒÚ. 12 ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ).
àÒÔÓÎ¸ÁÛÂÏ‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡ ÌÂ
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‚˚·‡ÌÌÓÏÛ ÂÊËÏÛ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ‚Â¸ÚÂ, Í‡ÍÓÈ ÂÊËÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë
ËÒÔÓÎ¸ÁÛÈÚÂ ‡ÔÔÎËÍ‡ÚÛÛ,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˝ÚÓÏÛ ÂÊËÏÛ.
(ëÏ. ÒÚ. 59.)
çÂ‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ 60 ÔÂÒÂÌ.
è‡ÏﬂÚ¸ ÔÂÂÔÓÎÌÂÌ‡ ËÁ-Á‡ ÒÎË¯ÍÓÏ
·ÓÎ¸¯ÓÈ ‰ÎËÌ˚ Á‚Û˜‡ÌËﬂ Ó‰ÌÓÈ ËÎË
ÌÂÒÍÓÎ¸ÍËı ÔÂÒÂÌ ËÎË ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
·ÓÎ¸¯Ó„Ó ÍÓÎË˜ÂÒÚ‚‡ ÙÛÌÍˆËÈ.
ì‰‡ÎËÚÂ ÌÂÌÛÊÌ˚Â ÔÂÒÌË (ÒÚ. 144)
ËÎË ÔÓËÁ‚Â‰ËÚÂ Á‡ÔËÒ¸ Ì‡ ÌÓ‚˚È
‰ËÒÍ.
ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÌÂ
Á‚Û˜‡Ú ÌÂÍÓÚÓ˚Â ‰ÓÓÊÍË.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÓÓÊÍË (‰ÓÓÊÂÍ)
ÓÚÍÎ˛˜ÂÌÓ.
ÇÍÎ˛˜ËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
‰ÓÓÊÂÍ, ÍÓÚÓ˚Â ‚˚ ıÓÚËÚÂ
ÒÎ˚¯‡Ú¸. (ëÏ. ÒÚ. 97 Ë 100.)
CVP-202
171
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ Ë ‰‡ÌÌ˚ı
■ MIDI
MIDI (Musical Instrument Digital Interface, ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ
ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚) — ˝ÚÓ ÔËÌﬂÚ˚È ‚Ó ‚ÒÂÏ ÏËÂ
ÒÚ‡Ì‰‡ÚÌ˚È ÍÓÏÏÛÌËÍ‡ˆËÓÌÌ˚È ËÌÚÂÙÂÈÒ, ÔÓÁ‚ÓÎﬂ˛˘ËÈ MIDIÒÓ‚ÏÂÒÚËÏ˚Ï ÏÛÁ˚Í‡Î¸Ì˚Ï ËÌÒÚÛÏÂÌÚ‡Ï Ó·ÏÂÌË‚‡Ú¸Òﬂ
ËÌÙÓÏ‡ˆËÂÈ Ë ÛÔ‡‚ÎﬂÚ¸ ‰Û„ ‰Û„ÓÏ.
• èÂÂ‰‡‚‡ÂÏ˚Â Ë ÔÓÎÛ˜‡ÂÏ˚Â ‰‡ÌÌ˚Â ‡ÁÎË˜‡˛ÚÒﬂ ‚ Á‡‚ËÒËÏÓÒÚË
ÓÚ MIDI-ÛÒÚÓÈÒÚ‚‡, Ë ÚÓÎ¸ÍÓ ‰‡ÌÌ˚Â, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚Â Ó·ÓËÏË
ÒÓÂ‰ËÌÂÌÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÏÓ„ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ Ë ÔËÌËÏ‡Ú¸Òﬂ.
óÚÓ·˚ ÛÁÌ‡Ú¸, ÔÓ‰‰ÂÊË‚‡ÂÚ ÎË ‚‡¯ ËÌÒÚÛÏÂÌÚ ÚÓÚ ËÎË ËÌÓÈ ÚËÔ
‰‡ÌÌ˚ı, ÒÏ. Ú‡·ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‚
ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ. í‡·ÎËˆ‡
ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-202
Ì‡ıÓ‰ËÚÒﬂ Ì‡ ÒÚ. 30 Ò·ÓÌËÍ‡ Ú‡·ÎËˆ.
MIDI-‡Á˙ÂÏ˚
Ñ‡ÌÌ˚Â, ÔÓÎÛ˜ÂÌÌ˚Â
˜ÂÂÁ ‡Á˙ÂÏ MIDI IN,
ÔÂÂ‰‡˛ÚÒﬂ ˜ÂÂÁ ˝ÚÓÚ
‡Á˙ÂÏ ·ÂÁ ËÁÏÂÌÂÌËÈ.
óÂÂÁ ˝ÚÓÚ ‡Á˙ÂÏ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ ÔÂÂ‰‡˜‡ MIDI-‰‡ÌÌ˚ı.
ùÚÓÚ ‡Á˙ÂÏ ÒÎÛÊËÚ
‰Îﬂ ÔËÂÏ‡ MIDI‰‡ÌÌ˚ı.
THRU
OUT
IN
MIDI
ä‡·ÂÎ¸ MIDI
MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓÂ‰ËÌﬂ˛ÚÒﬂ ÒÔÂˆË‡Î¸Ì˚ÏË Í‡·ÂÎﬂÏË MIDI.
• ç‡ÒÚÓÈÍË MIDI ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ Ì‡ ÒÚ‡ÌËˆ‡ı MIDI ˝Í‡Ì‡
ÂÊËÏ‡ Function. (ëÏ. ÒÚ. Ò 147 ÔÓ 150.)
• ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó ÒÚ‡Ì‰‡ÚÂ MIDI Ë MIDIÔËÎÓÊÂÌËﬂı ÏÓÊÌÓ Ì‡ÈÚË ‚ ‡ÁÎË˜Ì˚ı ËÁ‰‡ÌËﬂı ÔÓ
ÏÛÁ˚Í‡Î¸ÌÓÈ ÚÂÏ‡ÚËÍÂ.
■ ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ Ó·ÒÛÊ‰‡˛ÚÒﬂ ÓÒÌÓ‚Ì˚Â ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË
‰‡ÌÌ˚ı: ÒÔÓÒÓ·Ì˚ ÎË ‰Û„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚Â ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ CVP-202, Ë ÏÓÊÂÚ ÎË ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ CVP-202 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ËÏÂ˛˘ËÂÒﬂ ‚ ÔÓ‰‡ÊÂ ÔÂÒÌË ËÎË
ÔÂÒÌË, ÒÓÁ‰‡ÌÌ˚Â ‰Îﬂ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡ ÍÓÏÔ¸˛ÚÂÂ.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı,
ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ÎË·Ó ÒÌ‡˜‡Î‡ Ì‡‰Ó
‚˚ÔÓÎÌËÚ¸ ÌÂÍÓÚÓ˚Â ‰ÂÈÒÚ‚Ëﬂ. ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ‰‡ÌÌ˚ı
‚ÓÁÌËÍ‡˛Ú ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘ËÂ ‡Á‰ÂÎ˚.
● éÒÌÓ‚ÌÓÂ, ˜ÚÓ ÌÛÊÌÓ ÔÓ‚ÂËÚ¸
Ñ‡ÌÌ˚Â Ë MIDI-ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÓ‚ÏÂÒÚËÏ˚ ÔÓ
ÒÎÂ‰Û˛˘ËÏ ‡ÒÔÂÍÚ‡Ï:
• îÓÏ‡Ú ‰ËÒÍÂÚ
• îÓÏ‡Ú ÒÂÍ‚ÂÌˆËË
• îÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
● îÓÏ‡Ú ‰ËÒÍÂÚ
ÑËÒÍÂÚ˚ ﬂ‚Îﬂ˛ÚÒﬂ Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ÌÓÒËÚÂÎÂÈ ‰‡ÌÌ˚ı,
ËÒÔÓÎ¸ÁÛÂÏ˚ı ‡ÁÎË˜Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚ÍÎ˛˜‡ﬂ ÍÓÏÔ¸˛ÚÂ˚.
ëËÒÚÂÏ˚ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Û ‡ÁÌ˚ı ÛÒÚÓÈÒÚ‚ ‡ÁÎË˜Ì˚. èÓ˝ÚÓÏÛ
ÔÂÊ‰Â ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ‡ÁÏÂÚËÚ¸ ‰ËÒÍÂÚÛ ‰Îﬂ ‡·ÓÚ˚ Ò
Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔÂ‡ˆËﬂ Ì‡Á˚‚‡ÂÚÒﬂ
«ÙÓÏ‡ÚËÓ‚‡ÌËÂÏ».
• ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ, ‰‚ÓÈÌÓÈ
ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË).
ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓÂ
ÙÓÏ‡ÚËÓ‚‡ÌËÂ.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Ò Ó·ÓËÏË ÚËÔ‡ÏË
‰ËÒÍÂÚ.
• èÓÒÎÂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ ‰Îﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-202
ÂÏÍÓÒÚ¸ ‰ËÒÍÂÚ˚ 2DD ÒÓÒÚ‡‚ÎﬂÂÚ 720 ä·, ‡ ‰ËÒÍÂÚ˚ 2HD —
1,44 å·. (åÂÚÍË 720 ä· Ë 1,44 å· ÛÍ‡Á˚‚‡˛Ú ÂÏÍÓÒÚ¸
‰ËÒÍÂÚ˚. éÌË Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ Ë ‰Îﬂ Ó·ÓÁÌ‡˜ÂÌËﬂ
ÙÓÏ‡Ú‡ ‰ËÒÍÂÚ˚.)
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ ÎË¯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â,
ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚.
172
CVP-202
○ ○ ○ ○ ○ ○
● îÓÏ‡Ú ÒÂÍ‚ÂÌˆËË
ëËÒÚÂÏ‡, Á‡ÔËÒ˚‚‡˛˘‡ﬂ ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ, Ì‡Á˚‚‡ÂÚÒﬂ ÙÓÏ‡ÚÓÏ
ÒÂÍ‚ÂÌˆËË.
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÓÁÏÓÊÌÓ, ÚÓÎ¸ÍÓ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó
ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚ÂÌˆËË, ËÒÔÓÎ¸ÁÛ˛˘ËÈÒﬂ Ì‡
‰ËÒÍÂÚÂ.
[ê‡ÒÔÓÒÚ‡ÌÂÌÌ˚Â ÙÓÏ‡Ú˚ ÒÂÍ‚ÂÌˆËË]
SMF (ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI)
ùÚÓÚ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓÏ‡Ú.
• ÖÒÚ¸ ‰‚‡ ÚËÔ‡ SMF ÙÓÏ‡Ú‡: Format 0 Ë Format 1.
• åÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú Format 0.
ÅÓÎ¸¯ËÌÒÚ‚Ó ËÏÂ˛˘ËıÒﬂ ‚ ÔÓ‰‡ÊÂ ÔÂÒÂÌ Á‡ÔËÒ‡ÌÓ ‚ ˝ÚÓÏ
ÙÓÏ‡ÚÂ.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÔÓ‰‰ÂÊË‚‡ÂÚ Ë Format 0, Ë
Format 1 (‚ ÙÓÏ‡ÚÂ 1 ‰Ó 17 Ù‡„ÏÂÌÚÓ‚).
• èÂÒÌﬂ, Á‡ÔËÒ‡ÌÌ‡ﬂ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-202,
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡ÌﬂÂÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF Format 0.
ESEQ
ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚ÂÌˆËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡
ÍÓÔÓ‡ˆËË Yamaha, ‚ÍÎ˛˜‡ﬂ ÒÂË˛ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova.
ùÚÓ Ó·˚˜Ì˚È ÙÓÏ‡Ú, ÍÓÚÓ˚È ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‡ÁÌÓÏ
ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔÂ˜ÂÌËË Yamaha.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓÏ‡ÚÓÏ ESEQ.
● îÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒﬂ Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï
ÔÓ„‡ÏÏ». ëÚ‡Ì‰‡Ú ÔËÒ‚ÓÂÌËﬂ Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓﬂ‰ÓÍ
‡ÁÏÂ˘ÂÌËﬂ ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒﬂ «ÙÓÏ‡ÚÓÏ ‡ÒÔÂ‰ÂÎÂÌËﬂ
ÚÂÏ·Ó‚».
• è‡‚ËÎ¸ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÓÁÏÓÊÌÓ ÚÓÎ¸ÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË
˝ÚÓÚ ÙÓÏ‡Ú ‰Îﬂ ‰‡ÌÌ˚ı ÔÂÒÌË ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓÏ‡ÚÓÏ
‚ÓÒÔÓËÁ‚Ó‰ﬂ˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡.
[éÒÌÓ‚Ì˚Â ÙÓÏ‡Ú˚ ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚]
ëÚ‡Ì‰‡Ú GM System Level 1
ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı ÙÓÏ‡ÚÓ‚.
• åÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ·ÓÎ¸¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍËı
Á‡ÔËÒÂÈ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓÏ‡ÚÓÏ GM System Level 1.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò GM System Level 1.
XG
îÓÏ‡Ú XG ﬂ‚ÎﬂÂÚÒﬂ ‡Ò¯ËÂÌËÂÏ ÒÚ‡Ì‰‡Ú‡ General MIDI (GM
System level 1 format). îËÏ‡ Yamaha ‡Á‡·ÓÚ‡Î‡ ˝ÚÛ
ÒÔÂˆËÙËÍ‡ˆË˛ ‰Îﬂ Û‚ÂÎË˜ÂÌËﬂ ˜ËÒÎ‡ ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë
ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËﬂ ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊÂ ‰Îﬂ
ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓÏ‡ÚÓÏ XG.
• èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-202 Ò
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ „ÓÎÓÒÓ‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË
ÛÒÚÓÈÒÚ‚‡ÏË, ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG.
DOC
ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ
MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚ÍÎ˛˜‡ﬂ ËÌÒÚÛÏÂÌÚ˚ ÒÂËË
Clavinova.
ùÚÓ Ó·˚˜Ì˚È ÙÓÏ‡Ú, ÍÓÚÓ˚È ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‡ÁÌÓÏ
ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔÂ˜ÂÌËË Yamaha.
• ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-202 ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓÏ‡ÚÓÏ DOC.
Ñ‡ÊÂ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Óﬂ˛Ú ‚ÒÂÏ
‚˚¯ÂÔÂÂ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËﬂÏ, ‰‡ÌÌ˚Â ‚ÒÂ ‡‚ÌÓ ÏÓ„ÛÚ
ÓÍ‡Á‡Ú¸Òﬂ ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë
ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
D
Ç
ä
DETUNE (˝ÙÙÂÍÚ ‡ÒÒÚ‡Ë‚‡ÌËﬂ) ......................... 35
Direct Access (ÔﬂÏÓÈ ‰ÓÒÚÛÔ) ................................. 22
Dual ..................................................................... 33-35
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË .................................. 93-104
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ..... 58, 60-61
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÔÂÒÌË .. 14-15
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ÔÂÒÌﬂ .................................. 93-104
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ .......... 84
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ÒÚËÎË .................................... 51-56
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ ........................... 88
‚ÒÚ‡‚ÍË ................................................................ 51-52
‚ÚÓÓÈ „ÓÎÓÒ ....................................................... 33-35
‚˚·Ó ÚÂÏÔÂ‡ˆËË ......................................... 155-156
‚˚‰ÂÎÂÌÌ˚Â ÔÛÌÍÚ˚ ................................................ 16
Í‡Ì‡Î ÔÂÂ‰‡˜Ë ...................................... 147, 150-151
Í‚‡ÌÚËÁ‡ˆËﬂ ‰ÓÓÊÍË .................................... 129-130
Í‚‡ÌÚËÁ‡ˆËﬂ .............................................. 78, 129-130
ÍÎ‡‚Ë¯Ë ÔÂÍÛÒÒËË .................................................. 31
ÍÌÓÔÍË ÛÔ‡‚ÎÂÌËﬂ ............................................. 12-13
ÍÓÏÔ¸˛ÚÂ ...................................................... 160-161
ÍÓÌ‚ÂÚËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı ÔÂÒÌË ........................... 145
ÍÓÌ‚ÂÚËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı ÔÂÒÌË ........................... 145
ÍÓÌÚ‡ÒÚÌÓÒÚ¸ .......................................................... 11
ÍÓÔËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ .................................... 142-143
ÍÓÔËÓ‚‡ÌËÂ ÔÂÒÌË ........................................ 142-143
Í˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ................................................. 10
Í˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ ............................................ 11
E
Easy Play (ÎÂ„Í‡ﬂ Ë„‡) .................................. 105, 107
F
Fade In (ÔÓÒÚÂÔÂÌÌÓÂ Ì‡‡ÒÚ‡ÌËÂ „ÓÏÍÓÒÚË
Á‚ÛÍ‡) ............................................................ 55
Fade Out (ÔÓÒÚÂÔÂÌÌÓÂ Á‡ÚÛı‡ÌËÂ „ÓÏÍÓÒÚË
Á‚ÛÍ‡) ............................................................ 56
G
Guide, Û˜Â·Ì‡ﬂ ÙÛÌÍˆËﬂ .......................... 15, 105-109
H
Harmony (É‡ÏÓÌËﬂ) .......................................... 69-71
M
MIDI-Í‡Ì‡Î˚ ............................................ 147, 150-151
MIDI-Ó·ÓÛ‰Ó‚‡ÌËÂ ................................................ 160
MIDI-‡Á˙ÂÏ˚ ......................................................... 160
P
pan (è‡ÌÓ‡Ï‡) ............................................ 32, 35, 38
Punch-in/out (ÔÂÂÁ‡ÔËÒ¸) .............................. 118-120
R
Registration Freeze, Á‡ÔÂÚ ËÁÏÂÌÂÌËÈ ............. 91-92
S
Synchronized Start (ÒËÌıÓÌËÁËÓ‚‡ÌÌ˚È
Á‡ÔÛÒÍ) .......................................................... 53
Synchronized Stop (ÒËÌıÓÌËÁËÓ‚‡ÌÌ‡ﬂ
ÓÒÚ‡ÌÓ‚Í‡) .................................................... 62
Ä
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ........................................... 57-72
‡ÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ................. 121-125
‡ÔÔÎËÍ‡ÚÛ‡ (‡ÍÍÓ‰˚) ........................... 60-61, 62-64
‡Û‰ËÓ ÒÓÂ‰ËÌÂÌËﬂ .......................................... 158-159
Å
‚‡ÁÓ‚˚Â Ì‡ÒÚÓÈÍË .................................................. 19
‚˚ÒÚ‡ﬂ Á‡ÔËÒ¸ .............................................. 112-115
‚˚ÒÚ‡ﬂ ÔÂÂÏÓÚÍ‡ ‚ÔÂÂ‰ ................................... 103
‚Â‰Û˘ËÈ ÍÓÏÔ¸˛ÚÂ ...................................... 160-161
‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ËÚÏ‡ ............................. 125
É
„Î‡‚Ì˚È ˝Í‡Ì .......................................................... 16
„ÓÏÍÓÒÚ¸ ‰ÓÓÊÍË ........................................ 100-101
„ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ .............................................. 26
„ÓÏÍÓÒÚ¸ Ô‡ÚËË .................................... 65-66, 81-82
„ÓÏÍÓÒÚ¸ Ô‡ÚËÈ .................................... 65-66, 81-82
„ÓÏÍÓÒÚ¸ ÔÂÒÌË ....................................................... 99
„ÓÏÍÓÒÚ¸ ÚÂÏ·Ó‚ ...................................... 32, 34, 37
„ÓÏÍÓÒÚ¸ ............................................................ 23-24
Ñ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ .............. 14-15
‰Ë‡Ô‡ÁÓÌ ÒÍÓÎ¸ÊÂÌËﬂ ............................................ 138
‰ËÒÍ ‰Îﬂ ‚‚Ó‰‡ ‰‡ÌÌ˚ı ............................................ 17
‰ËÒÍÂÚ˚ ....................................................................... 9
‰ËÒÍÓ‚Ó‰ ..................................................................... 9
‰Ó·‡‚ÎÂÌËÂ ‰ÓÓÊÍË ............................................. 118
‰ÓÎﬂ ............................................................... 26, 74-75
‰ÓÓÊÍË, ÒÚÛÍÚÛ‡ ÔÂÒÌË .................................... 110
Ü
Êä-‰ËÒÔÎÂÈ, ‚˚·Ó ÙÛÌÍˆËË .................................. 16
Êä-‰ËÒÔÎÂÈ, ËÁÏÂÌÂÌËÂ ÁÌ‡˜ÂÌËﬂ ......................... 17
ã
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ (‰Îﬂ ÔË„ÎÛ¯ÂÌÌÓ„Ó Á‚ÛÍ‡) ..... 40, 138
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ .......................................................... 138
å
ÏÂÎÓ‰Ë˜ÂÒÍËÈ ÒÚÓÈ ...................................... 155-157
ÏÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ ............................................ 124, 125
ÏÂÚÓÌÓÏ ............................................................ 25-26
ÏËÍÓÔÓ‰ÒÚÓÈÍ‡ ........................................... 154-155
ÏËÍ¯Â, ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ............................ 65-66
ÏËÍ¯Â, ÔÂÒÌﬂ ................................................ 100-101
ÏÌÓ„Ó‰ÓÓÊÂ˜Ì‡ﬂ Á‡ÔËÒ¸ ............................. 115-118
ÏÛÁ˚Í‡Î¸Ì‡ﬂ ·‡Á‡ ‰‡ÌÌ˚ı ................................ 67-68
ç
Ì‡Á‚‡ÌËÂ ÔÂÒÌË ...................................................... 127
Ì‡ÒÚÓÈÍ‡ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ; ÙÛÌÍˆËﬂ
One Touch Setting ........................................ 72
Ì‡Û¯ÌËÍË .......................................................... 11, 158
Ì‡ÒÚÓÈÍ‡ ........................................................ 136, 156
é
á
Á‡„ÛÁÍ‡ Â„ËÒÚ‡ˆËË ........................................ 90-91
Á‡„ÛÁÍ‡, ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ Ô‡‡ÏÂÚÓ‚ ................ 153
Ác‡„ÛÁÍ‡, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................................ 140
Á‡„ÛÁÍ‡, Ù‡ÈÎ˚ ÒÚËÎÂÈ .................................... 86-88
Á‡ÔËÒ¸ ·ÂÁ ‰ËÒÍÂÚ˚ ................................................ 133
Á‡ÔËÒ¸ ‰ÓÓÊÍË .............................................. 115-118
Á‡ÔËÒ¸ ÔÂÒÂÌ ................................................... 110-120
Á‡ÔËÒ¸ ÔÂÒÌË ................................................... 110-120
Á‡ÔËÒ¸, ‡ÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ .... 121-125
Á‡ÔËÒ¸, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ...................... 73-80
Á‡ÔÛÒÍ ÍÌÓÔÍÓÈ «Tap» .............................................. 53
ÁÌ‡˜ÍË Ù‡ÈÎÓ‚ ......................................................... 94
à
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ ....................................... 109
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ ....................................... 109
ËÌ‰ËÍ‡ˆËﬂ ‡ÍÍÓ‰Ó‚ .......................................... 60-61
ËÌÚÓ‰ÛÍˆËﬂ .............................................................. 54
171
○○○○○○○○○○○○○○○○○○○○
ÓÍÚ‡‚‡ ........................................................... 32, 34, 38
ÓÒÌÓ‚ÌÓÈ ÚÂÏ· ...................................... 29-32, 33, 36
ÓÚÍÎ˛˜ÂÌËÂ Ô‡ÚËË ............................................ 97-98
è
Ô‡ÏﬂÚ¸ CVP (ÔÂÒÌﬂ) ............................................... 133
Ô‡ÏﬂÚ¸ ÛÒÚ‡ÌÓ‚ÓÍ ........................................... 126-127
Ô‡ÏﬂÚ¸, Á‡ÔËÒ¸ ....................................................... 133
Ô‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ ............................................ 12-13
Ô‡ÌÓ‡Ï‡, ÔÂÒÌﬂ ............................................. 100-101
Ô‡ÌÓ‡Ï‡, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ................. 81-82
Ô‡ÚËﬂ, Á‡ÔËÒ¸ .................................................... 76-78
Ô‡ÚËﬂ, ÔËÒ‚ÓÂÌËÂ ‰ÓÓÊÍË ........................... 98-99
Ô‡ÛÁ‡ ....................................................................... 103
ÔÂ‰‡ÎË ................................................................. 38, 40
ÔÂ‚Ë˜ÌÓÂ Â‰‡ÍÚËÓ‚‡ÌËÂ .......................... 130-132
ÔÂÂ‰‡˜‡ ‰‡ÌÌ˚ı ÔÂÒÌË ......................................... 151
ÔÂÂÏÓÚÍ‡ Ì‡Á‡‰ .................................................... 103
ÔÂÒÌﬂ, ‡ÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ..... 121-125
CVP-202
173
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
ÔËÚ‡ÌËÂ ..................................................................... 11
ÔÓ‚ÚÓÂÌËÂ ............................................. 106, 107, 109
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ................................... 73-88
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚÓÈ ............................... 156-157
ÔÓÚ˚ Ë ‡Á˙ÂÏ˚ ............................................... 12-13
Ô‡‚‡ﬂ ÔÂ‰‡Î¸ («ÒÛÒÚÂÈÌ») ............................. 40, 138
ÔËÒ‚ÓÂÌËÂ ËÏÂÌË, ÔÂÒÌﬂ ...................................... 127
ÔËÒ‚ÓÂÌËÂ ËÏÂÌË, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ .. 78-79
ÔËÒ‚ÓÂÌËÂ ËÏÂÌË, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................. 141
ÔÓ„‡ÏÏÌÓÂ Ó·ÂÒÔÂ˜ÂÌËÂ .................................... 104
ÔÓˆÂÒÒ ÛÒÚ‡ÌÓ‚ÍË ................................................... 10
Ô˛ÔËÚ ...................................................................... 10
ê
‡Á‰ÂÎÂÌËÂ ÚÂÏ·Ó‚ .......................................... 36-39
‡ÁÏÂ ........................................................... 26, 74-75
Â‚Â·Â‡ˆËﬂ ..................................................... 41-43
Â‚Â·Â‡ˆËﬂ, ÔÂÒÌﬂ ..................................... 100-101
Â‚Â·Â‡ˆËﬂ, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ......... 81-82
Â„ËÒÚ‡ˆËﬂ ........................................................ 89-92
Â‰‡ÍÚËÓ‚‡ÌËÂ ‰ÓÓÊÍË ............................. 128-130
ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .............................. 57, 59-61
ÂÊËÏ Guide ........................................................... 108
ë
Ò‚Â‰ÂÌËÂ ‰ÓÓÊÂÍ ................................................. 128
Ò‚Ó·Ó‰Ì˚È ÚÂÏÔ ....................................................... 96
ÒËÎ‡ Ì‡Ê‡ÚËﬂ ......................................................... 137
ÒËÌıÓÌËÁ‡ˆËﬂ (MIDI) ............................................. 148
ÒÎÂ‰Û˛˘‡ﬂ ÌÓÚ‡ ............................................. 105, 107
ÒÓÓ·˘ÂÌËﬂ ...................................................... 165-169
ÒÓÓ·˘ÂÌËﬂ, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ ............... 84-85
ÒÓı‡ÌÂÌËÂ Â„ËÒÚ‡ˆËË ................................... 89-90
ÒÓı‡ÌÂÌËÂ ............................................................. 152
ÒÓı‡ÌÂÌËÂ, ÔÂ‚Ë˜ÌÓÂ Â‰‡ÍÚËÓ‚‡ÌËÂ ............. 132
ÒÓı‡ÌÂÌËÂ, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ .............. 79-80
ÒÓı‡ÌÂÌËÂ, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÒÚËÎ¸ .............. 82-83
ÒÓı‡ÌÂÌËÂ, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ..................... 140-141
ÒÔ‡‚Í‡ ............................................................... 27-28
ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») ................................ 40
ÒÚÂÂÓ ÔÓÁËˆËﬂ .................................. ÒÏ. «Ô‡ÌÓ‡Ï‡»
ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................ ÒÏ. «ÒÚËÎË»
ÒÚËÎË, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ .................................... 51-56
ÒÚËÎË, ‚˚·Ó ....................................................... 49-50
ÒÚËÎË, ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ .................................. 73-88
ÒÚ‡ÌËˆ˚ ˝Í‡Ì‡ ...................................................... 19
ÒÚ‡ÌËˆ˚ ˝Í‡Ì‡ ...................................................... 19
í
ÚÂÍÒÚ .................................................................. 15, 109
ÚÂÏ· ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ........................ 36-39
ÚÂÏ·˚, ‚˚·Ó ....................................... 29-30, 76, 99
ÚÂÏÔ ............................................................. 25, 96, 100
ÚËÔ˚ Â‚Â·Â‡ˆËË ............................................... 163
ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ Chorus ......................................... 163
ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ ...................................................... 164
ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ................... 36, 39, 64
174
CVP-202
Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ MIDI ......................................... 150
Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ ......................................... 136, 150
Ú‡ÌÒÙÓÏËÓ‚‡ÌËÂ (ÍÓÌ‚ÂÚ‡ˆËﬂ) ..................... 145
ÚÂÌËÓ‚Í‡ ..................................................... 105-107
ì
Û‰‡ÎÂÌËÂ ‰ÓÓÊÍË ................................................. 129
Û‰‡ÎÂÌËÂ ÔÂÒÌË ...................................................... 144
Û‰‡ÎÂÌËÂ, ‡ÍÍÓ‰Ó‚‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ....... 124
Û‰‡ÎÂÌËÂ, ‰ÓÓÊÍË ................................................ 129
Û‰‡ÎÂÌËÂ, Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË ................................ 141
Û‰‡ÎÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ ......................................... 83
Û‰‡ÎÂÌÌ‡ﬂ ÍÎ‡‚Ë‡ÚÛ‡ ........................................... 151
ÛÒÚ‡ÌÓ‚Í‡ ÚÂÏ·‡ .................................................. 137
ÛÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ ................................... 170-171
î
Ù‡ÈÎ Â„ËÒÚ‡ˆËË .......................................... 139-141
Ù‡ÈÎ ÒÚËÎﬂ ......................................................... 86-88
Ù‡ÈÎ˚ All Setup .............................................. 139-141
Ù‡ÈÎ˚ ÛÒÚ‡ÌÓ‚ÍË ........................................... 139-141
ÙËÍÒËÓ‚‡ÌÌ‡ﬂ ÒËÎ‡ Ì‡Ê‡ÚËﬂ .............................. 137
ÙËÎ¸Ú MIDI .................................................... 148-149
ÙËÎ¸Ú, ÙËÎ¸Ú MIDI ..................................... 148-150
ÙËÌ‡Î .................................................................. 55-56
ÙÓÏ‡Ú ‰ËÒÍÂÚ ............................................... 111, 146
ÙÓÏ‡ÚËÓ‚‡ÌËÂ, ‰ËÒÍÂÚ˚ ........................... 111, 146
ÙÓÚÂÔË‡ÌÌ˚Â ÒÚËÎË ......................................... 49, 58
Ù‡„ÏÂÌÚ ...................................................... 74-75, 80
ÙÛÌÍˆËË MIDI .................................................. 147-151
ÙÛÌÍˆËË ‚ ÔﬂÏÓÛ„ÓÎ¸Ì˚ı ‡ÏÍ‡ı ................... 20-21
ÙÛÌÍˆËË ‚ ‡ÏÍ‡ı ÒÓ ÒÍÛ„ÎÂÌÌ˚ÏË Û„Î‡ÏË ......... 16
ÙÛÌÍˆËË ‰Îﬂ ‡·ÓÚ˚ Ò ‰ËÒÍÓÏ ...................... 139-146
ÙÛÌÍˆËË ÔÂ‰‡ÎË ..................................................... 138
ÙÛÌÍˆËË Â‰‡ÍÚËÓ‚‡ÌËﬂ Á‡ÔËÒË ................. 126-132
ÙÛÌÍˆËﬂ Chord Assistance ................................. 62-64
ÙÛÌÍˆËﬂ Local Control ............................................ 147
ÙÛÌÍˆËﬂ Piano Roll ................................. 106, 107, 109
ÙÛÌÍˆËﬂ Recall Section ............................................ 80
ÙÛÌÍˆËﬂ Receive Filter (‚ıÓ‰ÌÓÈ ÙËÎ¸Ú0 ... 149-150
ÙÛÌÍˆËﬂ Repeat (ÔÓ‚ÚÓ) ............................... 101-103
ÙÛÌÍˆËﬂ Style Clear (Ó˜ËÒÚÍ‡ ÒÚËÎﬂ) ...................... 80
ÙÛÌÍˆËﬂ .......................................................... 134-135
ÙÛÌÍˆËﬂ, ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı
Ô‡‡ÏÂÚÓ‚ ............................................ 19-20
ó
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë¯ ..................................... 137
ù
˝Í‡Ì ÏÂÌ˛ ............................................................... 18
˝ÙÙÂÍÚ chorus ‚ ÔÂÒÌÂ .................................. 100-101
˝ÙÙÂÍÚ chorus ‚ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÏ ÒÚËÎÂ ..... 81-82
˝ÙÙÂÍÚ Òhorus .................................................... 44-45
˝ÙÙÂÍÚ˚ ............................................................. 46-48
˝ÙÙÂÍÚ˚, ÔÂÒÌﬂ ............................................. 100-101
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted
by the FCC, to use the product.
2. IMPORTANT: When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with
the requirements listed in FCC Regulations, Part 15 for Class “B”
digital devices. Compliance with these requirements provides a
reasonable level of assurance that your use of this product in a
residential environment will not result in harmful interference with
other electronic devices. This equipment generates/uses radio
frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful
to the operation of other electronic devices. Compliance with FCC
regulations does not guarantee that interference will not occur in
all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and
“ON”, please try to eliminate the problem by using one of the
following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker
or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type
of product. If you can not locate the appropriate retailer, please
contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed
by Yamaha Corporation of America or its subsidiaries.
(class B)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured makings identifying the terminals
in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the
terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of
the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA
BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU
FOND.
(polarity)
173
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions,
Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact
your dealer for supply voltage verification and (if applicable)
instructions. The required supply voltage is printed on the
name plate. For name plate location, please refer to the graphic
found in the Special Message Section of this manual.
3.
This product may be equipped with a polarized plug
(one blade wider than the other). If you are unable to insert the
plug into the outlet, turn the plug over and try again. If the
problem persists, contact an electrician to have the obsolete
outlet replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any
power supply or adapter other than one described in the owners
manual, on the name plate, or specifically recommended by
Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or
connecting cords of any kind. The use of an extension cord is
not recommended! If you must use an extension cord, the
minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:
The smaller the AWG number, the larger the current handling
capacity. For longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be
assumed that unobstructed ventilation is required.
7.
Temperature considerations: Electronic products
should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and
other devices that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub,
sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected from
the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when
there is a high probability of lightening and/or electrical storm
activity.
11.
Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13.
Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing
should be referred to qualified service personnel.
14.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing
sound levels that could cause permanent hearing loss. DO NOT
operate for a long period of time at a high volume level or at a
level that is uncomfortable. If you experience any hearing loss or
ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the
product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that
benches are stable and any optional fixtures (where applicable) are
well secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
174
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the equilateral triangle is intended to alert the
user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
Battery Notice: This product MAY contain a small nonrechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
Model _____________________________________
Serial No. __________________________________
92-469- ➀
(bottom)
Purchase Date ______________________________
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (ÚÓÎ¸ÍÓ ÔÓ-‡Ì„ÎËÈÒÍË)
http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂÍ‡ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2003 Yamaha Corporation
WA54840 3??PO???.?-01A0 ç‡ÔÂ˜‡Ú‡ÌÓ ‚ àÌ‰ÓÌÂÁËË

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Top types

Top brands

Download Yamaha CVP-202 Specifications