Download Yamaha CLP-115 Specifications
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CLP 115(E).book Page 2 Tuesday, May 13, 2003 6:55 PM Introduction SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowl- edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 1 (bottom) Model Serial No. Purchase Date CLP 115(E).book Page 3 Tuesday, May 13, 2003 6:55 PM Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Yamaha Clavinova! å˚ ÂÍÓÏẨÛÂÏ ‚‡Ï ‚ÌËχÚÂθÌÓ ÔÓ˜ËÚ‡Ú¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ Ï ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÒÂÏË Ô‰ӂ˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌ͈ËflÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. å˚ Ú‡ÍÊ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë ‰ÓÒÚÛÔÌÓÏ ÏÂÒÚ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚» Ë «èËÎÓÊÂÌË». ǂ‰ÂÌË (ÒÚ. 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸. ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 13): ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ËÌÒÚÛÏÂÌÚ‡ ‰Îfl Ò‡Ï˚ı ‡Á΢Ì˚ı ÒÔÓÒÓ·Ó‚ ÔËÏÂÌÂÌËfl CLP-115. èËÎÓÊÂÌË (ÒÚ. 33): Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚ¡Î˚. * åÓ‰Âθ CLP-115 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «CLP/Clavinova». * êËÒÛÌÍË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl Ô˂‰ÂÌ˚ ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ̇ ‚‡¯ÂÏ ËÌÒÚÛÏÂÌÚ ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ Ë̇˜Â. ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ Ë ËÒÔÓθÁÓ‚‡Ì˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË ÔÓÎÛ˜ÂÌ˚ ² ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡Ú¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. íÓ‚‡Ì˚ Á̇ÍË: Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer. Windows fl‚ÎflÂÚÒfl Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®. ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚. «Clavinova-Computer Connection» – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ ‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Ì‡ÒÚÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-ÍÓÏÔ¸˛Ú (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ͇ÍÛ˛-ÎË·Ó ÍÓÌÍÂÚÌÛ˛ ÏÓ‰Âθ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ): êìëëäàâ • • • http://www.yamahaclavinova.com/ ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha: http://www2.yamaha.co.jp/manual/english/ CLP-115 é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl 3 CLP 115(E).book Page 4 Tuesday, May 13, 2003 6:55 PM é„·‚ÎÂÌË ǂ‰ÂÌË è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ............................................ 5 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà .................. 6 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ....................... 8 ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ.............................................. 8 ÇÓÁÏÓÊÌÓÒÚË.............................................................. 9 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 ................................................................... 10 ä˚¯Í‡ Í·‚ˇÚÛ˚ ............................................. 10 è˛ÔËÚ ................................................................... 10 ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl............................................... 11 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ........................................ 11 àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚................................... 12 ëÔ‡‚Ó˜ÌËÍ è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ............................. 14 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ........ 15 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ........................................................... 16 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚.................... 17 Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 17 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ....................................... 17 ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ..................................... 18 ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ...................... 19 í‡ÌÒÔÓÌËÓ‚‡ÌË ................................................ 20 íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.......................... 20 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ................................... 21 êìëëäàâ é MIDI-ËÌÚÂÙÂÈÒ .................................................. 23 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡........ 24 îÛÌ͈ËË MIDI ............................................................ 26 Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı. 26 îÛÌ͈Ëfl Local ........................................................ 26 îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ .......................... 27 îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl.......................... 27 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ........................................... 28 ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl ...................... 28 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ..................... 29 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ .......................................... 32 4 CLP-115 é„·‚ÎÂÌË èËÎÓÊÂÌË MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ............................................ 34 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ .......... 38 Specifications / Technische Daten / Caractéristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ............................ 39 CLP 115(E).book Page 5 Tuesday, May 13, 2003 6:55 PM è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ àÒÔÓθÁÛÈÚ ˝ÚÓÚ Û͇Á‡ÚÂθ, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÓÔ‰ÂÎÂÌÌÓ„Ó ÔËÎÓÊÂÌËfl ËÎË ÒËÚÛ‡ˆËË. èÓÒÎۯ˂‡ÌË èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË..........«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 15 èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ ËÁ ÒÔËÒ͇ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ» .................................................................................................«èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 16 à„‡ ̇ Í·‚ˇÚÛ àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ.................................................................................................. «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» ̇ ÒÚ. 17 Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..........................................................................................«í‡ÌÒÔÓÌËÓ‚‡ÌË» ̇ ÒÚ. 20 íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ÔË Ë„Â Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇.................... «íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» ̇ ÒÚ. 20 àÁÏÂÌÂÌË ÚÂÏ·Ó‚ èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ ..................................................................................................................... «Ç˚·Ó ÚÂÏ·Ó‚» ̇ ÒÚ. 17 àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡................................................ «ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË» ̇ ÒÚ. 18 ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚ ........................................................................................ «ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» ̇ ÒÚ. 19 à„‡ ̇ Í·‚ˇÚÛÂ à„‡ ‚ ˜ÂÚÍÓÏ ÛÒÚÓȘ˂ÓÏ ËÚÏ .......................................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 21 èÓ‰Íβ˜ÂÌË CLP-115 Í ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚‡Ï óÚÓ Ú‡ÍÓ MIDI .................................................................................................................................. «é MIDI-ËÌÚÂÙÂÈÒ» ̇ ÒÚ. 23 èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ...................................................................... «èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡» ̇ ÒÚ. 24 ë·Ó͇ êìëëäàâ ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova CLP-115 .....................................................................................................‡Á‰ÂÎ «ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ‡Ìˈ‡ı 29–31 CLP-115 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ 5 1-3.fm Page 6 Wednesday, May 14, 2003 6:32 PM èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ‚Ó ËÁ·ÂʇÌË ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚, ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ԇ‚Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË, Ô˜ËÒÎÂÌÌ˚ ‰‡ÎÂÂ. ä ÌËÏ Ô‡‚Ë·Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl ● ● ● ● ظ ÓÚ ‚Ó‰˚ àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ô"‡‚ËθÌÓ ̇Ô"flÊÂÌË ‰Îfl ËÌÒÚ"ÛÏÂÌÚ‡. çÛÊÌÓ ̇Ô"flÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚ"ÛÏÂÌÚÂ. èÂ"ËӉ˘ÂÒÍË Ô"Ó‚Â"flÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎflÈÚÂ Ò Ì „"flÁ¸ Ë Ô˚θ. àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë "‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl "fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„"‚‡ÚÂÎflÏË, "‡‰Ë‡ÚÓ"‡ÏË Ë ‰".). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜"ÂÁÏÂ"ÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚"ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô"‰ÏÂÚ˚ Ë ‰Â"ÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂ"Â͇ÚËÚ¸. ● ● ظ ÓÚ Ó„Ìfl ● ç ÒÚ‡‚¸Ú ̇ ËÌÒÚ"ÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰"Û„Ë ÔÓ‰Ó·Ì˚ Ô"‰ÏÂÚ˚. ÉÓ"fl˘ËÈ Ô"‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ". èË ‚̯ڇÚÌ˚ı ÒËÚÛ‡ˆËflı ç ÓÚÍ˚‚‡Ú¸ ● ç ‰Â"ÊËÚ ËÌÒÚ"ÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰Óʉ¸, ‡ Ú‡ÍÊ "fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ Ò˚"˚ı Ë ‚·ÊÌ˚ı ÔÓÏ¢ÂÌËflı; Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ"‡fl ÏÓÊÂÚ "‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚Â"ÒÚËfl. çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚ ‚ "ÓÁÂÚÍÛ Ë Ì ‚˚ÌËχÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ‚·ÊÌ˚ÏË "Û͇ÏË. ç ÒΉÛÂÚ ÓÚÍ"˚‚‡Ú¸ ËÌÒÚ"ÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl "‡Á·Ë"‡Ú¸ „Ó, ‡ Ú‡ÍÊ ͇ÍËÏ-ÎË·Ó Ó·"‡ÁÓÏ ÏÓ‰ËÙˈË"Ó‚‡Ú¸ Â„Ó ‚ÌÛÚ"ÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚ"ÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ"˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. è"Ë ÔÓfl‚ÎÂÌËË ÌÂËÒÔ"‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ Ô"ÂÍ"‡ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·"‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈË"Ó‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ"‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓ"ÔÓ"‡ˆËË Yamaha. ● Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚"ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË "‡Á˙Âχ, ‡ Ú‡ÍÊ Ô"Ë ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚"ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, Ô"Ë ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚ"ÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ "ÓÁÂÚÍË Ë Ó·"‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ"‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓ"ÔÓ"‡ˆËË Yamaha. ÇçàåÄçàÖ! êìëëäàâ ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÓÒÌÓ‚Ì˚ ԇ‚Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË. ä ÌËÏ Ô‡‚Ë·Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl ● ● ● åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË àÁ‚ÎÂ͇fl ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ËÁ ËÌÒÚ"ÛÏÂÌÚ‡ ËÎË ËÁ "ÓÁÂÚÍË, ÌËÍÓ„‰‡ Ì ÚflÌËÚ Á‡ ¯ÌÛ", ‰Â"ÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. Ç Ô"ÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ ÔÓ‚"‰ËÚ¸ ͇·Âθ. éÚÍβ˜‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ ÓÚ ˝ÎÂÍÚ"ÓÒÂÚË, ÂÒÎË Ô·ÌË"ÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚"ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚"ÂÏfl „"ÓÁ˚. ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ Í ˝ÎÂÍÚ"˘ÂÒÍÓÈ "ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛ ÔÂ"ÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ Ô"Ë‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂ"„"Â‚Û "ÓÁÂÚÍË. ● ● ● ë·Ó͇ ● ● ÇÌËχÚÂθÌÓ Ô"Ó˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ Ô"ÓˆÂÒÒ Ò·Ó"ÍË. çÂÔ"‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·Ó"ÍË ÏÓÊÂÚ Ô"Ë‚ÂÒÚË Í ÔÓ‚"ÂʉÂÌ˲ ËÌÒÚ"ÛÏÂÌÚ‡ ËÎË Ú"‡‚χÏ. ● (1)B-7 6 CLP-115 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà 1/2 ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓ"χˆËË Ô‡ÌÂÎË Ë ÔÓ‚"ÂʉÂÌËfl ‚ÌÛÚ"ÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰Â"ÊËÚ ËÌÒÚ"ÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ ‚Ë·"‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡"ÍÓ (̇Ô"ËÏÂ" ̇ ÒÓÎ̈Â, "fl‰ÓÏ Ò Ì‡„"‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚"ÂÏfl). ç ÔÓθÁÛÈÚÂÒ¸ ËÌÒÚ"ÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒ"‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ"‡, "‡‰ËÓÔ"ËÂÏÌË͇, ÒÚÂ"ÂÓÓ·Ó"Û‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰"Û„Ëı ˝ÎÂÍÚ"ÓÔ"Ë·Ó"Ó‚. Ç Ô"ÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚ"ÛÏÂÌÚÂ, ÚÂ΂ËÁÓ" ËÎË "‡‰ËÓÔ"ËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ ¯ÛÏ. ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚ"ÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó Ì‡ ÌÂÛÒÚÓȘ˂ÓÈ ÔÓ‚Â"ıÌÓÒÚË. èÂ"‰ ÔÂ"ÂÏ¢ÂÌËÂÏ ËÌÒÚ"ÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË. ç ÛÒڇ̇‚ÎË‚‡ÈÚ ËÌÒÚ"ÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌ (ÌÂÓ·ıÓ‰ËÏ ıÓÚfl ·˚ 3Ò‡ÌÚËÏÂÚ"Ó‚˚È Á‡ÁÓ"), ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛ ˆË"ÍÛÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, ÔÂ"„"‚ ËÌÒÚ"ÛÏÂÌÚ‡. 1-3.fm Page 7 Wednesday, May 14, 2003 6:35 PM èÓ‰Íβ˜ÂÌË ● 臂Ë· ÚÂıÌËÍË ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. ● ● ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ ● ● ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ. ● ● ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚, Ë Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ̇ ËÌÒÚÛÏÂÌÚÂ. ç ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ë ÓÚÒÓ‰ËÌËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚. ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‡ Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË. ç ÓÒÚ‡‚ÎflÈÚ ̇‰ÓÎ„Ó ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË ÂÒÚ¸) ● ● ● ● ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‰Îfl ËÌ˚ı ˆÂÎÂÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ. ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇. ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡ÚflÌËÚ Ëı ÓÚ‚ÂÚÍÓÈ. äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. êìëëäàâ ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÓÌ Ì ËÒÔÓθÁÛÂÚÒfl. (1)B-7 2/2 CLP-115 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà 7 CLP 115(E).book Page 8 Tuesday, May 13, 2003 6:55 PM ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË • äÓÎÎÂ͈Ëfl Ô‡ÚËÚÛ˚ «50 greats for the Piano» • êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115. • ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË • ë͇ÏÂÈ͇ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ. ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛. ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ‰Îfl Ó˜ËÒÚÍË ·ÂÌÁÓÎ, ‡ÒÚ‚ÓËÚÂθ, ÒÚˇθÌ˚È ÔÓÓ¯ÓÍ ËÎË ıËÏ˘ÂÒÍË Ó·‡·ÓÚ‡ÌÌÛ˛ Ú̸͇. ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ ‚ËÌËÎÓ‚˚Â, Ô·ÒÚχÒÒÓ‚˚Â Ë ÂÁËÌÓ‚˚ Ô‰ÏÂÚ˚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ô‡ÌÂθ Ë Í·‚ˇÚÛ‡ ÏÓ„ÛÚ Ó·ÂÒˆ‚ÂÚËÚ¸Òfl ËÎË ËÒÔÓÚËÚ¸Òfl. ÇçàåÄçàÖ! è‰ ̇˜‡ÎÓÏ ‡·ÓÚ˚ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 ÔÓ˜ËÚ‡ÈÚ ‡Á‰ÂÎ «èêAÇàãA íÖïçàäà ÅÖáéèAëçéëí໠̇ ÒÚ. 6 – 7. ç‡ÒÚÓÈ͇ Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ì ÌÛʉ‡ÂÚÒfl ‚ ̇ÒÚÓÈÍÂ. éÌÓ ‚Ò„‰‡ ÓÒÚ‡ÂÚÒfl ÔÓÎÌÓÒÚ¸˛ ̇ÒÚÓÂÌÌ˚Ï. êìëëäàâ í‡ÌÒÔÓÚËӂ͇ ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÏÓÊÌÓ Ô‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ. ä·‚ˇÚÛ‡ ‰ÓÎÊ̇ Ô‚ÓÁËÚ¸Òfl ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ̇ÍÎÓÌflÈÚ ÂÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ. ç ÔÓ‰‚„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÚflÒÍÂ. 8 CLP-115 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË / ìıÓ‰ Á‡ ËÌÒÚÛÏÂÌÚÓÏ CLP 115(E).book Page 9 Tuesday, May 13, 2003 6:55 PM ÇÓÁÏÓÊÌÓÒÚË ñËÙÓ‚Ó ÔˇÌËÌÓ Yamaha Clavinova CLP-115 Ô‰ÓÒÚ‡‚ÎflÂÚ ÌË Ò ˜ÂÏ Ì ҇‚ÌËÏÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇ Ë ‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚ ‚ ÚÂÏ·Â ÓflÎfl, ÓË„Ë̇θÌÛ˛ ÚÂıÌÓÎӄ˲ „Â̇ˆËË ÚÓ̇ ÍÓÔÓ‡ˆËË Yamaha – «AWM Stereo Sampling» – ‰Îfl ÒÓÁ‰‡ÌËfl ̇Ò˚˘ÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ÚÂÏ·Ó‚ Ë ÒÔˆˇθÌÛ˛ Í·‚ˇÚÛÛ «Graded Hammer», ̇ ÍÓÚÓÓÈ ‚ÂÒ Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚Ë¯Ë Á‡‚ËÒflÚ ÓÚ Â ‡ÒÔÓÎÓÊÂÌËfl. íÂÏ·˚ Grand Piano 1 Ë 2 ËÒÔÓθÁÛ˛Ú Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â Ò˝ÏÔÎ˚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÑÎfl ÚÂÏ·‡ E. Piano 1 ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ Ò˝ÏÔÎ, Á‡‚ËÒfl˘ËÈ ÓÚ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯ (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ‡ ‰Îfl ÚÂÏ·‡ E. Piano 2 – ‰‚‡. á‚ÛÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 „Ó‡Á‰Ó ·Óθ¯Â ÔÓıÓÊ Ì‡ Á‚ÛÍ Ì‡ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. MIDI [IN/OUT/THRU] (‡Á˙eÏ˚) [PHONES] (ÍÌÓÔ͇) ê‡Á˙eÏ ‰Îfl Òڇ̉‡ÚÌ˚ı ̇ۯÌËÍÓ‚ Ò ÏËÍÓÙÓÌÓÏ, ÍÓÚÓ˚e Ìe ÔÓÁ‚ÓÎfl˛Ú ‰Û„ËÏ ÒÎ˚¯‡Ú¸ ‚‡¯Û Ë„Û (ÒÚ. 12). èÓ‰Íβ˜Ë‚ Í ˝ÚËÏ ‡Á˙ÂÏ‡Ï MIDI-ÛÒÚÓÈÒÚ‚Ó, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‡Á΢Ì˚e MIDI-ÙÛÌ͈ËË (ÒÚ. 24–25). (é MIDI-ÙÛÌ͈Ëflı ÒÏ. ÒÚ. 23) MIDI THRU OUT IN PHONES MASTER VOLUME MIN MAX POWER DEMO METRONOME VOICE PEDAL MASTER VOLUME óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Óe ÔˇÌËÌÓ CLP-115 Ò Ô‰‡ÎflÏË, ÔÓ‰ÒÓe‰ËÌËÚe ͇·eθ Ôe‰‡ÎeÈ (ÒÚ. 30). êìëëäàâ [PEDAL] (ÍÌÓÔ͇) [MASTER VOLUME] ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ (ÒÚ. 11). MIN MAX [DEMO] (ÍÌÓÔ͇) DEMO METRONOME ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 15). [METRONOME] (ÍÌÓÔ͇) ìÔ‡‚ÎÂÌË ÙÛÌ͈ËflÏË ÏÂÚÓÌÓχ (ÒÚ. 21). VOICE [VOICE] (ÍÌÓÔ͇) Ç˚·Ë‡ÈÚ ËÁ 10 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ÚÂÏ·˚ Grand Piano 1 Ë 2 (ÒÚ. 17). åÓÊÌÓ Ó·˙‰ËÌflÚ¸ ‰‚‡ ÚÂÏ·‡ (ÒÚ. 19), ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ‚·‡ˆËË (ÒÚ. 18) Ë Ú. ‰. CLP-115 ÇÓÁÏÓÊÌÓÒÚË 9 CLP 115(E).book Page 10 Tuesday, May 13, 2003 6:55 PM èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 ä˚¯Í‡ Í·‚ˇÚÛ˚ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë ÔÓ‰‚Ë̸ڠ ‚Ô‰. óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËڠ ̇ Í·‚ˇÚÛÛ. ÇçàåÄçàÖ! ç ÔˢÂÏËÚ ԇθˆ˚, ÓÚÍ˚‚‡fl ËÎË Á‡Í˚‚‡fl Í˚¯ÍÛ. ÇçàåÄçàÖ! éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ‰ÂÊËڠ ‰‚ÛÏfl Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ·Û‰ÂÚ ÔÓÎÌÓÒÚ¸˛ ÓÚÍ˚Ú‡ ËÎË Á‡Í˚Ú‡. ç Á‡˘ÂÏËÚ ҂ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ. ÇçàåÄçàÖ! ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ËÌ˚Ï Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡. è˛ÔËÚ óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ: êìëëäàâ 1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. 2. éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡. 3. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡Á‡‰ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔˇÎÒfl ̇ ÙËÍÒ‡ÚÓ˚. óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ: 1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. 2. èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ (ÓÌË Ì‡ıÓ‰flÚÒfl ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡). 3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ‚ÒÚ‡ÌÂÚ Ì‡ ÏÂÒÚÓ. ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÂÒÎË ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚ, ÔˉÂÊË‚‡ÈÚ „Ó, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÓÔÛÒÚËÚÒfl ̇ ÏÂÒÚÓ. 10 CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 CLP 115(E).book Page 11 Tuesday, May 13, 2003 6:55 PM ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl 1. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. ÇÒÚ‡‚¸Ú ͇·Âθ: Ó‰ËÌ ÍÓ̈ ‚ ‡Á˙ÂÏ AC INLET ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ‡ ‚ÚÓÓÈ ÍÓ̈ ‚ Òڇ̉‡ÚÌÛ˛ ÓÁÂÚÍÛ. Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. 1 2 (‚ˉ ÒÌËÁÛ) (Ç ‡ÁÌ˚ı Òڇ̇ı ¯ÚÂÔÒÂθÌ˚ ‚ËÎÍË ÓÚ΢‡˛ÚÒfl ÔÓ ÙÓÏÂ.) 2. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER]. • ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚È Ò Î‚ÓÈ ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚. [POWER] (ÍÌÓÔ͇) à̉Ë͇ÚÓ ÔËÚ‡ÌËfl MASTRE VOLUME MIN MAX DEMO METRONOME VOICE ÖÒÎË ‚˚ ÔÓ‰„ÓÚÓ‚ËÎËÒ¸ Í ‚˚Íβ˜ÂÌ˲ ÔËÚ‡ÌËfl, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER]. • à̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÂÚ. à̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚, Ì ‚˚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ, Ë̉Ë͇ÚÓ ÔÓ‰ÓÎʇÂÚ „ÓÂÚ¸, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ‚ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÛÔ‡ÂÚ ÔËÚ‡ÌËÂ. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME]. MASTER VOLUME ìÏÂ̸¯ÂÌË „ÓÏÍÓÒÚË. êìëëäàâ ä ëÇÖÑÖçàû ì‚Â΢ÂÌË „ÓÏÍÓÒÚË. MIN MAX ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ̇ ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl, ˝ÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÒÎÛı. íÖêåàçéãéÉàü ä ëÇÖÑÖçàû MASTER VOLUME: ìÓ‚Â̸ „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚ èË ÔÓÏÓ˘Ë Â„ÛÎflÚÓ‡ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Í‡Ì‡Î‡ ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ [PHONES]). CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 11 CLP 115(E).book Page 12 Tuesday, May 13, 2003 6:55 PM àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] (ç‡Û¯ÌËÍË). ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES]. åÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ Òڇ̉‡ÚÌ˚ı ÒÚÂÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.) MASTRE VOLUME MIN MAX DEMO METRONOME VOICE ‚ˉ ÒÌËÁÛ PHONES ÔÓ‰Íβ˜ÂÌË Òڇ̉‡ÚÌ˚ı ÒÚÂÂÓ̇ۯÌËÍÓ‚ àÒÔÓθÁÓ‚‡ÌË Ͳ˜Í‡ ‰Îfl ̇ۯÌËÍÓ‚ ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ CLP-115. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. êìëëäàâ 12 CLP-115 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 PH O S NE ÇçàåÄçàÖ! ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÎË Í˛˜ÓÍ. CLP 115(E).book Page 13 Tuesday, May 13, 2003 6:55 PM ëÔ‡‚Ó˜ÌËÍ ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 ‰Îfl Ò‡Ï˚ı ‡Á΢Ì˚ı ÙÛÌ͈ËÈ. è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ................................... 14 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ................ 15 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ... 16 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚............................ 17 Ç˚·Ó ÚÂÏ·Ó‚.................................................................17 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ..................................................17 ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË .. 18 ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) .................................19 í‡ÌÒÔÓÌËÓ‚‡ÌË ...........................................................20 íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....................................20 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ .............................................21 é MIDI-ËÌÚÂÙÂÈÒ ...................................................... 23 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ ................ 24 îÛÌ͈ËË MIDI ................................................................ 26 êìëëäàâ Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı............26 îÛÌ͈Ëfl Local...................................................................26 îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ .....................................27 îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl.....................................27 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ................................................. 28 ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl .............................. 28 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚............................. 29 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ................................................ 32 CLP-115 13 CLP 115(E).book Page 14 Tuesday, May 13, 2003 6:55 PM è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ ÇÂıÌflfl Ô‡ÌÂθ 7 MIDI THRU OUT IN 6 8 PHONES PEDAL MASTER VOLUME MIN MAX POWER DEMO METRONOME 1 VOICE A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 MASTER VOLUME 2 MIN MAX DEMO METRONOME 9 3 0 A 4 VOICE êìëëäàâ 5 1 2 3 4 5 6 7 14 [POWER] (ÍÌÓÔ͇)................................. ëÚ.11 [MASTER VOLUME] („ÛÎflÚÓ).......... ëÚ.11 [DEMO] (ÍÌÓÔ͇) ............................. ëÚ.15–16 [METRONOME] (ÍÌÓÔ͇) ................ ëÚ.21–22 [VOICE] (ÍÌÓÔ͇) ............................. ëÚ.17–19 [PHONES] (ÍÌÓÔ͇) ............................... ëÚ.12 MIDI [IN] [OUT] [THRU] (‡Á˙ÂÏ˚)....... ëÚ.23 8 9 0 A [PEDAL] (Ô‰‡Î¸).................................. ëÚ.30 èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸) ... ëÚ.18 ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸)............... ëÚ.18 ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸ ............ ëÚ.17 CLP-115 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ CLP 115(E).book Page 15 Tuesday, May 13, 2003 6:55 PM èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌflı Ô‰ÒÚ‡‚ÎÂÌ˚ ‚Ò ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl. ÖÒÎË ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER]. 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME]. 2. ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO]. 3. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡. óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [DEMO] Ë Ì‡ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–A1. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ì‡˜ÌÂÚÒfl Ò ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË Ë ·Û‰ÂÚ ÔÓ‰ÓÎʇڸÒfl, ÔÓ͇ Â„Ó Ì ÓÒÚ‡ÌÓ‚flÚ. èêàåÖóÄçàÖ ÅÓΠÔӉӷ̇fl ËÌÙÓχˆËfl Ó ı‡‡ÍÚÂËÒÚË͇ı Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÒÓ‰ÂÊËÚÒfl ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇ ÒÚ. 17. íÖêåàçéãéÉàü êÂÊËÏ: ëÓÒÚÓflÌË ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌÌÛ˛ ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË. èêàåÖóÄçàÖ íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ËÁÏÂÌflÚ¸ ÌÂθÁfl. DEMO ä‡ÈÌflfl ΂‡fl Í·‚˯‡ C1 A1 ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÇÒ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË, ÍÓÏ ÚÂı ÔÂÒÂÌ, Ô˜ËÒÎÂÌÌ˚ı ÌËÊÂ, ÒÓÁ‰‡Ì˚ ÍÓÔÓ‡ˆËÂÈ Yamaha (©2002 Yamaha Corporation). é ÚÓÏ, ͇ÍÓÈ ÚÂÏ· ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÓÈ ËÎË ËÌÓÈ Í·‚˯Â, ÏÓÊÌÓ ÛÁ̇ڸ ËÁ ÒÔËÒ͇ ÚÂÏ·Ó‚ ̇ ÒÚ. 17. è˜ËÒÎÂÌÌ˚ ÌËÊ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË fl‚Îfl˛ÚÒfl ÌÂÏÌÓ„Ó Ô‡‡ÌÊËÓ‚‡ÌÌ˚ÏË ÓÚ˚‚͇ÏË ËÁ ÓË„Ë̇θÌ˚ı ÍÓÏÔÓÁˈËÈ. ç‡Á‚‡ÌË ÚÂÏ·‡ ç‡Á‚‡ÌË ÍÓÏÔÓÁˈËË äÓÏÔÓÁËÚÓ C1 GrandPiano1 Consolation No.3 F. Liszt E1 Harpsichord1 Gavotte J.S. Bach F1 Harpsichord2 Invention No.1 J.S. Bach êìëëäàâ ä·‚˯‡ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME]. 4. éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡. óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. CLP-115 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 15 CLP 115(E).book Page 16 Tuesday, May 13, 2003 6:55 PM èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ÒÚÓÂÌÓ 50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ. åÓÊÌÓ ÔÓÒÚÓ ÔÓÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ «50 Greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. ᇄÓËÚÒfl Ë̉Ë͇ÚÓ ÍÌÓÔÍË [DEMO]. 2. èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲ Ë Ì‡˜‡Ú¸  ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [DEMO], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C2–C 6. óÚÓ·˚ ÔÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ‚Ò ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [DEMO], ̇ÊÏËÚ Í·‚Ë¯Û D6. íÖêåàçéãéÉàü èÂÒÌfl: Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 «ÔÂÒÌÂÈ» ̇Á˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ Ú‡ÍÊ ÓÚÌÓÒËÚÒfl Í ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Ï ÔÂÒÌflÏ Ë ‚ÒÚÓÂÌÌ˚Ï ÏÂÎÓ‰ËflÏ ‰Îfl ÙÓÚÂÔ¸flÌÓ. C6 ä ëÇÖÑÖçàû DEMO C2 D6 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME]. 3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl Í·‚ˇÚÛ˚. ä ëÇÖÑÖçàû åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 18), ÍÓÚÓ˚È ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÚÂÏ·‡ Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. èêàåÖóÄçàÖ ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚¯ÂÌËfl ‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. • ä‡Í ÔÓ‰ÓÎÊËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÔÂÒÌË ÓÔËÒ‡ÌÓ ‚˚¯Â ‚ ÔÛÌÍÚ 2. èË ‚˚·ÓÂ Ë Ì‡˜‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲. èêàåÖóÄçàÖ êìëëäàâ é ̇ÒÚÓÈÍ ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ ÛÁ̇ڸ ̇ ÒÚ. 21. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ‰Û„Û˛ ÔÂÒÌ˛ (ËÎË ‰Û„‡fl ÔÂÒÌfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÂÚ ‚˚·‡Ì ÔÓ‰ıÓ‰fl˘ËÈ ÚËÔ Â‚Â·Â‡ˆËË. èêàåÖóÄçàÖ Ç ÂÊËÏ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ ÔËÂÏ MIDI-‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ. чÌÌ˚ ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI. 16 CLP-115 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ CLP 115(E).book Page 17 Tuesday, May 13, 2003 6:55 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ Ç˚·Ó ÚÂÏ·Ó‚ ÑÂÈÒÚ‚Ëfl óÚÓ·˚ ‚˚·‡Ú¸ Ë Á‡ÔÛÒÚËÚ¸ ÚÂÏ·, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–A1. 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [MASTER VOLUME]. ä ëÇÖÑÖçàû óÚÓ·˚ ÔÓÌflÚ¸ ÓÒÓ·ÂÌÌÓÒÚË ‡Á΢Ì˚ı ÚÂÏ·Ó‚, ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ‰Îfl Í‡Ê‰Ó„Ó ËÁ ÌËı (ÒÚ. 15). VOICE ä‡ÈÌflfl ΂‡fl Í·‚˯‡ ä·‚˯‡ íÖêåàçéãéÉàü C1 D1 E1 F1 G1 A1 ç‡Á‚‡ÌË ÚÂÏ·‡ íÂÏ·: Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÔÓ‰ ÚÂÏ·ÓÏ ÔÓÌËχ˛Ú «ÚÓÌ» ËÎË «ÓÚÚÂÌÓÍ ÚÓ̇». éÔËÒ‡ÌË C1 Grand Piano 1 á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ. C1 Grand Piano 2 é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. D1 E.Piano 1 á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. D1 E.Piano 2 á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, „‰Â ÏÓÎÓÚÓ˜ÍË Û‰‡fl˛Ú ÔÓ ÏÂÚ‡Î΢ÂÒÍËÏ Ô·ÒÚËÌ͇Ï. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ. E1 Harpsichord 1 á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ. ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. F1 Harpsichord 2 íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠflÍÓ„Ó Á‚Û͇. F1 Vibraphone ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. àÒÔÓθÁÛÂÚÒfl ÚËÔ˘Ì˚È ‰Îfl ‚Ë·ÓÙÓ̇ ˝ÙÙÂÍÚ ÚÂÏÓÎÓ. G1 Church Organ 1 íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡. ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ. G1 Church Organ 2 á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë ÙÛ„ÓÈ» à.ë.Ňı‡. A1 Strings é·˙ÂÏÌ˚È Á‚ÛÍ ·Óθ¯Ó„Ó ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔˇÌÓ ‚ ÂÊËÏ DUAL. àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸ 臂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ, Í‡Í Ô‡‚‡fl Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ ̇ʇڇ, ÌÓÚ‡ Á‚Û˜ËÚ ‰Óθ¯Â. ÖÒÎË Ô‰‡Î¸ ÓÚÔÛÒÚËÚ¸, Á‚Û˜‡ÌË ÔӉ΂‡‚¯ËıÒfl ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂ͇˘‡ÂÚÒfl (Á‡„ÎÛ¯‡ÂÚÒfl). èêàåÖóÄçàÖ èË ‚˚·Ó ÚÂÏ·‡ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡˛ÚÒfl ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ë ‰Îfl ÌÂ„Ó ÚËÔ Ë „ÎÛ·Ë̇ (ÒÚ. 18) ‚·‡ˆËË. êìëëäàâ C1 D1 F1 G1 èêàåÖóÄçàÖ ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ۷‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ Ô‰‡ÎË Ô‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ Í ËÌÒÚÛÏÂÌÚÛ (ÒÚ. 30). èÓ͇ ̇ʇڇ Ô‡‚‡fl Ô‰‡Î¸, ‚Ò ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ‰Óθ¯Â. CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ 17 CLP 115(E).book Page 18 Tuesday, May 13, 2003 6:55 PM ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸) ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÔÓ͇ ˝ÚË Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ÇÒ ‰Û„Ë ÌÓÚ˚ ÔӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ̇ÔËÏÂ, ÂÒÎË ÌÓÚ˚, Ë‰Û˘Ë Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ. èêàåÖóÄçàÖ íÂÏ·˚ Ó„‡Ì‡ Ë ÒÚÛÌÌ˚ı ÔÓ‰ÓÎʇ˛Ú Á‚Û˜‡Ú¸, ÔÓ͇ ̇ʇڇ Ò‰Ìflfl Ô‰‡Î¸. ÖÒÎË Ì‡Ê‡Ú¸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÍÓ„‰‡ ̇ʇڇ Í·‚˯‡, ÌÓÚ‡ ·Û‰ÂÚ Á‚Û˜‡Ú¸, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸) ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡ ÌÓÚ. ç‡ ÌÓÚ˚, ÍÓÚÓ˚ ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl ΂ÓÈ Ô‰‡ÎË ÛÊ Á‚Û˜‡ÎË, ˝Ú‡ Ô‰‡Î¸ Ì ‚ÎËflÂÚ. ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ Â‚Â·Â‡ˆËË, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸, ÒÓÁ‰‡‚‡fl ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ Ò‰Û. ÑÂÈÒÚ‚Ëfl ÖÒÎË Â‚Â·Â‡ˆËfl ‚˚·‡Ì‡, Ó̇ ‚Íβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ Â‚Â·Â‡ˆËË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C2–E2. C2 D2 VOICE ä‡ÈÌflfl ΂‡fl Í·‚˯‡ êìëëäàâ ä·‚˯‡ íËÔ Â‚Â·Â‡ˆËË C2 D2 E2 éÔËÒ‡ÌË C2 Room ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎflÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË, ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚ˘ÂÒÍÓÈ Â‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏ̇ÚÂ. C2 Hall1 óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î «¯Ë», ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 1. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ Ì·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. D2 Hall2 óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂθÌÓ ¯ËÓÍËÏ, ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ ·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. D2 Stage àÏËÚËÛÂÚ Â‚Â·Â‡ˆË˛ ÒˆÂÌ˚. E2 Off ÅÂÁ ˝ÙÙÂÍÚ‡. ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË óÚÓ·˚ ̇ÒÚÓËÚ¸ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3–G 4. ÑˇԇÁÓÌ „ÎÛ·ËÌ˚ – ÓÚ 0 ‰Ó 20. G 4: „ÎÛ·Ë̇ 20 VOICE ä ëÇÖÑÖçàû ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ Ë ÚËÔ‡ (‚ ÚÓÏ ˜ËÒΠOFF) ‚·‡ˆËË ÔÓ ÛÏÓΘ‡Ì˲ ÓÚ΢‡˛ÚÒfl ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. ä ëÇÖÑÖçàû ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡ C3: „ÎÛ·Ë̇ 0 óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÚÂÏ ‚˚¯Â ·Û‰ÂÚ Á̇˜ÂÌË „ÎÛ·ËÌ˚ ‚·‡ˆËË. 18 „ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡ „ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇ ‚·‡ˆËË CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ CLP 115(E).book Page 19 Tuesday, May 13, 2003 6:55 PM ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ç‡ ‚ÒÂÈ Í·‚ˇÚÛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎӉ˘ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇. ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÂÊËχ Dual. èêàåÖóÄçàÖ Ç ÂÊËÏ Dual ÌÂθÁfl ‚˚·‡Ú¸ Ó‰ËÌ Ë ÚÓÚ Ê ÚÂÏ· ‰Îfl ÚÂÏ·Ó‚ Voice 1 Ë Voice 2. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ‰‚ Í·‚Ë¯Ë ËÁ Í·‚˯ C1–A1 Ó‰ÌÓ‚ÂÏÂÌÌÓ (ËÎË Ì‡ÊÏËÚ ӉÌÛ Í·‚˯Û, Û‰ÂÊË‚‡fl ‰Û„Û˛). ÑÓÒÚÛÔÌ˚ ÚÂÏ·˚ Û͇Á‡Ì˚ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ ̇ ÒÚ. 17. ä ëÇÖÑÖçàû VOICE ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡ C1 A1 Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ó˜Â‰ÌÓÒÚ¸˛ ÚÂÏ·Ó‚, ÔÓ͇Á‡ÌÌÓÈ ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ (ÒÚ. 17), ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌÓÈ Î‚ÂÂ, ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏ·ÓÏ Voice 1 (‰Û„ÓÈ ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl ÚÂÏ·ÓÏ Voice 2). ê‚·‡ˆËfl ‚ ÂÊËÏ Dual èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ Â‚Â·Â‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË Â‚Â·Â‡ˆËfl ÓÚÍβ˜Â̇, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚËÔ Â‚Â·Â‡ˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡ (Voice 2). 臇ÏÂÚ „ÎÛ·ËÌ˚ ‚·‡ˆËË (ÒÚ. 18) ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl ÚÓθÍÓ Í ÚÂÏ·Û Voice 1. ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚÓθÍÓ ‚ ÂÊËÏ Dual: ìÒÚ‡Ìӂ͇ ÓÍÚ‡‚˚ Ç˚ÒÓÚÛ ÚÓ̇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ̇ ˆÂÎÛ˛ ÓÍÚ‡‚Û ‚‚Âı Ë ‚ÌËÁ ÓÚ‰ÂθÌÓ ‰Îfl ÚÂÏ·Ó‚ 1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl Á‚Û˜‡ÌË ÍÓÏ·Ë̇ˆËË ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òfl, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C5–F5. C5 F5 VOICE ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ ÓÍÚ‡‚˚. (C5–F5) ä·‚˯‡ C5: –1 (Voice 1), Í·‚˯‡ C 5: 0 (Voice 1), Í·‚˯‡ D5: +1(Voice 1), Í·‚˯‡ D 5: –1 (Voice 2), Í·‚˯‡ E5: 0 (Voice 2), Í·‚˯‡ F5: +1(Voice 2) é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ÏÓÊÂÚ Á‚Û˜‡Ú¸ ‚ Ïfl„ÍÓÈ ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ F 5–F 6. èË ÛÒÚ‡ÌÓ‚Í Á̇˜ÂÌËfl «0» Ó·‡ ÚÂÏ·‡ ‚ ÂÊËÏ Dual ·Û‰ÛÚ Á‚Û˜‡Ú¸ Ó‰Ë̇ÍÓ‚Ó. á̇˜ÂÌËfl ÏÂ̸¯Â «0» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 2 ÔÓ Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ Voice 1, ‡ Á̇˜ÂÌËfl ·Óθ¯Â «0» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ Voice 1 ÔÓ Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ Voice 2. êìëëäàâ ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡ F6 F5 VOICE -6 -4 -2 +1 +3 +6 -5 -3 -1 0 +2 +4 +5 ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ·‡Î‡ÌÒ‡. (F5–F6) ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ 2. Ç˚ıÓ‰ ËÁ ÂÊËχ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [VOICE], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–A1. CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ 19 CLP 115(E).book Page 20 Tuesday, May 13, 2003 6:55 PM í‡ÌÒÔÓÌËÓ‚‡ÌË îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚ Ò ËÌÚ‚‡ÎÓÏ ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ «5», ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚ˇÚÛ Í·‚Ë¯Ë C («‰Ó») ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»). í‡ÍËÏ Ó·‡ÁÓÏ, ÏÓÊÌÓ Ë„‡Ú¸ ÔÂÒÌ˛ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓ̇θÌÓÒÚË ‰Ó-χÊÓ, ‡ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ. ÑÂÈÒÚ‚Ëfl óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl, Û‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ F 2–F 3. A-1 C 0 F 2 C3 -6 -4 -2 +1 +3 íÖêåàçéãéÉàü í‡ÌÒÔÓÌËÓ‚‡ÌËÂ: àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÔÂÒÌË. ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 Ú‡ÌÒÔÓÌËÓ‚‡ÌË ËÁÏÂÌflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚. F 3 +6 -5 -3 -1 0 +2 +4 +5 í‡ÌÒÔÓÌËÓ‚‡ÌË í‡ÌÒÔÓÌËÓ‚‡ÌË ‚ÌËÁ. ‚‚Âı. é·˚˜Ì‡fl ‚˚ÒÓÚ‡ Á‚Û͇. ä ëÇÖÑÖçàû ç‡Ê‡ÚË ̇ Í·‚Ë¯Û C3 Á‡‰‡ÂÚ Ó·˚˜ÌÛ˛ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚. ç‡Ê‡ÚË ̇ Í·‚Ë¯Ë Ò΂‡ ÓÚ Í·‚Ë¯Ë C3 (=B2) Ú‡ÌÒÔÓÌËÛÂÚ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚ ̇ ÔÓÎÚÓ̇ ‚ÌËÁ, ̇ʇÚË ÒÎÂ‰Û˛˘ÂÈ, ‡ÒÔÓÎÓÊÂÌÌÓÈ Î‚ÂÂ, Í·‚Ë¯Ë (=B 2) Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ˆÂÎ˚È ÚÓÌ (‰‚‡ ÔÓÎÛÚÓ̇) ‚ÌËÁ Ë Ú.‰. ‰Ó Í·‚Ë¯Ë F 2, ̇ʇÚË ̇ ÍÓÚÓÛ˛ Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚ÌËÁ. í‡ÍËÏ Ê ӷ‡ÁÓÏ ÔÓËÒıÓ‰ËÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌË Á‚Û͇ ‚‚Âı, ÚÓθÍÓ ËÒÔÓθÁÛ˛ÚÒfl Í·‚˯Ë, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ Í·‚Ë¯Ë C3, ‰Ó Í·‚Ë¯Ë F 3, ÍÓÚÓ‡fl Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ Ì‡ ¯ÂÒÚ¸ ÔÓÎÛÚÓÌÓ‚ ‚‚Âı. çÓÚ˚ ÌËÊÂ Ë ‚˚¯Â ‰Ë‡Ô‡ÁÓ̇ «ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ …. ‰Îfl ÔflÚÓÈ ÓÍÚ‡‚˚» ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 Á‚Û˜‡Ú ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â ËÎË ÌËÊÂ. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇. íÖêåàçéãéÉàü ÑÂÈÒÚ‚Ëfl êìëëäàâ ì‚Â΢ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ): é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û Í·‚˯‡ÏË C3 Ë B3. Ɉ („ˆ): Ɉ — ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û. ìÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ): é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1 Ë A -1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û Í·‚˯‡ÏË C3 Ë B3. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚: é‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ÈÚ Í·‚Ë¯Ë A-1, A -1 Ë B-1 Ë Ì‡ÊÏËÚ β·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û Í·‚˯‡ÏË C3 Ë B3. èÓ‚˚¯ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ A-1 B-1 èÓÌËÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ A -1 A-1 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚ A -1 A-1 B-1 C3 B3 ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 427,0-453,0 Ɉ ëڇ̉‡Ú̇fl ‚˚ÒÓÚ‡: 440,0 Ɉ 20 CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ CLP 115(E).book Page 21 Tuesday, May 13, 2003 6:55 PM àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘Â ÚÂÏÔ), ˜ÚÓ Û‰Ó·ÌÓ ‰Îfl ÛÔ‡ÊÌÂÌËÈ. ÑÂÈÒÚ‚Ëfl 1. á‡ÔÛÒÍ ÏÂÚÓÌÓχ. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÏÂÚÓÌÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ [METRONOME]. ᇉ‡ÂÚ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ èêàåÖóÄçàÖ ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C3–F3. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰‡ÌÌ˚ı ÔÂÒÌË ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ ÏÂÚÓÌÓχ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 20 ‰Ó 400 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ. C3 D3 METRONOME ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ C3 D3 E3 F3 ä·‚˯‡ C3: ·ÂÁ ÒËθÌ˚ı ‰ÓÎÂÈ Ú‡ÍÚ‡, Í·‚˯‡ C 3: 2/4, Í·‚˯‡ D3: 3/4, Í·‚˯‡ D 3: 4/4, Í·‚˯‡ E3: 5/4, Í·‚˯‡ F3: 6/4 ê„ÛÎËӂ͇ ÚÂÏÔ‡ íÂÏÔ ÏÂÚÓÌÓχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Ë C4–A4, ˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÂıÁ̇˜ÌÓ ˜ËÒÎÓ. Ç‚Ó‰ËÚ ˜ËÒÎÓ, ̇˜Ë̇fl Ò Ò‡ÏÓÈ Î‚ÓÈ ˆËÙ˚. ç‡ÔËÏÂ, ˜ÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÂÏÔ «95», ÔÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊÏËÚ Í·‚Ë¯Ë C4 (0), A4 (9) Ë F4 (5). METRONOME 1 3 6 8 0 2 4 5 7 9 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ A4 ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ËÌˈÛ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û C 5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ËÌˈÛ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û B4. ÑÎfl Û‚Â΢ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ÂÒflÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û D5. ÑÎfl ÛÏÂ̸¯ÂÌËfl ÚÂÏÔ‡ ÏÂÚÓÌÓχ ̇ ‰ÂÒflÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û A 4. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÚÂÏÔ‡ ÔÓ ÛÏÓΘ‡Ì˲ (ËÒıÓ‰Ì˚È ÚÂÏÔ ÏÂÚÓÌÓχ ËÎË ËÒıÓ‰Ì˚È ÚÂÏÔ ÔÂÒÌË), Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ Í·‚Ë¯Û C5. A4 C5 METRONOME B4 C5 D5 êìëëäàâ C4 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ 21 CLP 115(E).book Page 22 Tuesday, May 13, 2003 6:55 PM ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÏÂÌflÚ¸. óÚÓ·˚ Á‡‰‡Ú¸ „ÓÏÍÓÒÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [METRONOME], ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–G2. METRONOME ä‡ÈÌflfl Îe‚‡fl Í·‚˯‡ C1 G2 óÂÏ Ô‡‚ ‡ÒÔÓÎÓÊÂ̇ Í·‚˯‡, ÚÂÏ ‚˚¯Â „ÓÏÍÓÒÚ¸. 2. éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ. êìëëäàâ åÂÚÓÌÓÏ ÓÚÍβ˜‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [METRONOME]. 22 CLP-115 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ CLP 115(E).book Page 23 Tuesday, May 13, 2003 6:55 PM é MIDI-ËÌÚÂÙÂÈÒ MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ Òڇ̉‡ÚÌ˚È ÙÓÏ‡Ú Ô‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÂÂÏ¢‡Ú¸ ‡·Ó˜Ë ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÂÊ‰Û ÛÒÚÓÈÒÚ‚‡ÏË MIDI Ë ÔÂÒÓ̇θÌ˚ÏË ÍÓÏÔ¸˛Ú‡ÏË. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, ÔÓ‰Íβ˜ÂÌÌ˚Ï Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115, ËÎË ÛÔ‡‚ÎflÚ¸ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115 Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛Ú‡. MIDI-‡Á˙ÂÏ˚ MIDI THRU MIDI [IN]: MIDI [OUT]: MIDI [THRU]: OUT ä ëÇÖÑÖçàû ꇷӘË MIDI-‰‡ÌÌ˚Â Ë ÍÓχ̉˚ Ô‰‡˛ÚÒfl ‚ ‚ˉ ˆËÙÓ‚˚ı Á̇˜ÂÌËÈ. ä ëÇÖÑÖçàû í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸, Á‡‚ËÒflÚ ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡, Ôӂ¸Ú ÔÓ Ú‡·Îˈ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡, ͇ÍË ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸ Ë ÔËÌËχڸ ‚‡¯Â ÛÒÚÓÈÒÚ‚Ó. 퇷ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 ÒÏ. ̇ ÒÚ. 38. IN ÑÎfl ÔËÂχ MIDI-‰‡ÌÌ˚ı. ÑÎfl Ô‰‡˜Ë MIDI-‰‡ÌÌ˚ı. ÑÎfl Ô‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN], ·ÂÁ ËÁÏÂÌÂÌËfl. MIDI-͇·ÂÎË ä ëÇÖÑÖçàû èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó MIDIËÌÚÂÙÂÈÒ ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ËÁ ‡Á΢Ì˚ı ÊÛ̇ÎÓ‚ Ë ‰Û„Ëı ËÁ‰‡ÌËÈ. êìëëäàâ èÓ‰„ÓÚÓ‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë MIDI-͇·ÂÎË. CLP-115 é MIDI-ËÌÚÂÙÂÈÒ 23 2-2.fm Page 24 Wednesday, May 14, 2003 6:44 PM èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ‡Á˙ÂÏÛ MIDI, ÏÓÊÌÓ ÔÓÒÎۯ˂‡Ú¸ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â Ò èä ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115. èêàåÖóÄçàÖ ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÔÓÒÎۯ˂‡ÌËfl, ÚÂÏ·˚, ÍÓÚÓ˚ı ÌÂÚ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ·Û‰ÛÚ ËÒ͇ʇڸÒfl. ÑÎfl ̇˜Ë̇˛˘Ëı ÒÛ˘ÂÒÚ‚ÛÂÚ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova («The Clavinova-Computer Connection»). Ç ÌÂÏ ÓÔËÒ‡Ì˚ ‚ÓÁÏÓÊÌÓÒÚË, ÍÓÚÓ˚ ‰‡ÂÚ Ú‡ÍÓ ÔÓ‰Íβ˜ÂÌË (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ÓËÂÌÚËÓ‚‡ÌÓ Ì‡ ÍÓÌÍÂÚÌ˚ ÏÓ‰ÂÎË). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ): http://www.yamahaclavinova.com/ ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha: http://www2.yamaha.co.jp/manual/english/ èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË: 1. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 (ÒÚ. 25). 2. èË ÔÓÏÓ˘Ë USB-ÔÓÚ‡ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ‡ (ÏÓ‰Âθ UX16, UX96 ËÎË UX256) (ÒÚ. 25). è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 Í ÔÂÒÓ̇θÌÓÏÛ ÍÓÏÔ¸˛ÚÂÛ, ÓÚÍβ˜ËÚ ÔËÚ‡ÌË ÍÓÏÔ¸˛Ú‡ Ë ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. ëÓ‰ËÌË‚ ÛÒÚÓÈÒÚ‚‡, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115. êìëëäàâ èêàåÖóÄçàÖ 24 CLP-115 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ CLP 115(E).book Page 25 Tuesday, May 13, 2003 6:55 PM 1. àÒÔÓθÁÓ‚‡ÌË MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 èÓ‰Íβ˜ÂÌË àÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl èä Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı MIDI-͇·ÂÎÂÈ. CLP-115 MIDI THRU OUT IN MIDI IN MIDI OUT MIDI OUT MIDI OUT MIDI IN MIDI IN MIDI-ËÌÚÂÙÂÈÒ MIDI-ËÌÚÂÙÂÈÒ Windows 2. Macintosh èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115 ˜ÂÂÁ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Ë USB-ËÌÚÂÙÂÈÒ, ̇ÔËÏ UX16, UX96 ËÎË UX256 èË ÔÓÏÓ˘Ë USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Í USB-ËÌÚÂÙÂÈÒÛ (̇ÔËÏ UX16, UX96 ËÎË UX256). ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚ (ÍÓÚÓ˚È ·˚Î ÔÓÎÛ˜ÂÌ ‚ÏÂÒÚÂ Ò USB-ËÌÚÂÙÂÈÒÓÏ) ̇ ÍÓÏÔ¸˛ÚÂ Ë ÔÓ‰Íβ˜ËÚ USB-ËÌÚÂÙÂÈÒ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115, ËÒÔÓθÁÛfl ÔÓÒΉӂ‡ÚÂθÌ˚È Í‡·Âθ ËÎË MIDI-͇·ÂÎË. ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó·‡˘‡ÈÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓ USB-ËÌÚÂÙÂÈÒÛ. êìëëäàâ èËÏ ÔÓ‰ÒÓ‰ËÌÂÌËfl USB-ËÌÚÂÙÂÈÒ‡ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ MIDI ͇·ÂÎÂÈ MIDI 䇷eθ USB THRU OUT IN MIDI-͇·eÎË ÍÓÏÔ¸˛Úe CLP-115 USB-ËÌÚeÙeÈÒ MASTER VOLUME MIN MAX POWER DEMO METRONOME VOICE CLP-115 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ 25 CLP 115(E).book Page 26 Tuesday, May 13, 2003 6:55 PM îÛÌ͈ËË MIDI åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó MIDI ‚˚ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂΠ«é MIDI-ËÌÚÂÙÂÈÒ» (ÒÚ. 23). Ç˚·Ó ͇̇· Ô‰‡˜Ë Ë ÔËÂχ MIDI-‰‡ÌÌ˚ı èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDİ͇Î˚ Ô‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËfl ‰ÓÎÊÌ˚ ·˚Ú¸ Ô˂‰ÂÌ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ·Û‰ÂÚ Ô‰‡‚‡Ú¸ ËÎË ÔËÌËχڸ MIDI-‰‡ÌÌ˚Â. èêàåÖóÄçàÖ Ñ‡ÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ MIDI. èêàåÖóÄçàÖ ÑÂÈÒÚ‚Ëfl ç‡ÒÚÓÈ͇ Ô‰‡˛˘Â„Ó Í‡Ì‡Î‡ ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C1–E2. ç‡ÒÚÓÈ͇ ÔËÌËχ˛˘Â„Ó Í‡Ì‡Î‡ ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ ӉÌÛ ËÁ Í·‚˯ C4–F5. A-1 C 0 E2 D2 C1 2 4 7 9 11 14 16 E5 F5 C4 2 4 7 9 11 14 16 1 3 5 6 8 10 12 13 15 1 3 5 6 8 10 12 13 15 1+2 ÑÎfl ̇ÒÚÓÈÍË Ô‰‡˛˘Ëı ͇̇ÎÓ‚. (C1–D 2) ÑÎfl ̇ÒÚÓÈÍË ÔËÌËχ˛˘Ëı ͇̇ÎÓ‚. (C4–F5) OFF ÑÎfl ÂÊËχ ALL êìëëäàâ îÛÌ͈Ëfl Local îÛÌ͈Ëfl Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„Â̇ÚÓ‡ Ò Í·‚ˇÚÛ˚ CLP-115, Ú.Â. ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òfl ÔflÏÓ Ì‡ Í·‚ˇÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌ͈Ëfl Local ‚Íβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local Control On), Ú.Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ ÍÓÌÚÓÎËÛÂÚÒfl ÎÓ͇θÌÓ, Ò Í·‚ˇÚÛ˚ ËÌÒÚÛÏÂÌÚ‡. ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ÓÚÍβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Í·‚ˇÚÛ˚ CLP-115, ÌÓ ÔË Ì‡Ê‡ÚËË Í·‚˯ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl MIDI-ËÌÙÓχˆËfl ‚Ò ‡‚ÌÓ Ô‰‡ÂÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT. é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ-„Â̇ÚÓ Â‡„ËÛÂÚ Ì‡ MIDI-ËÌÙÓχˆË˛, ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN. ÑÂÈÒÚ‚Ëfl ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C6. A-1 C 0 CLP-115 îÛÌ͈ËË MIDI ä ëÇÖÑÖçàû ALL: ÑÓÒÚÛÔÂÌ ÂÊËÏ ÔËÂχ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ (Multi-timbre). ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‡Á΢Ì˚ ԇÚËË ÔÓ ‚ÒÂÏ 16 Í‡Ì‡Î‡Ï MIDI, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÔÂÒÌË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ ÌÂÒÍÓθÍËÏ Í‡Ì‡Î‡Ï. 1+2: ÑÓÒÚÛÔÂÌ ÂÊËÏ ÔËÂχ «1+2». ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‰‡ÌÌ˚ ÚÓθÍÓ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÔÂÒÌË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2. ä ëÇÖÑÖçàû àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇ ̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-115 ËÎË Á‚Û˜‡ÌË ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ̇ Í·‚ˇÚÛÂ. èêàåÖóÄçàÖ Ç ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Ë ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ì ÔËÌËχÂÚ MIDI-‰‡ÌÌ˚Â. C6 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ 26 Ç ÂÊËÏ Dual ‰‡ÌÌ˚ ÚÂÏ·‡ Voice 1 Ô‰‡˛ÚÒfl ÔÓ ÒÔˆˇθÌÓ Û͇Á‡ÌÌÓÏÛ Í‡Ì‡ÎÛ, ‡ ‰‡ÌÌ˚ ÚÂÏ·‡ Voice 2 Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ, ÌÓÏ ÍÓÚÓÓ„Ó ·Óθ¯Â ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. ÖÒÎË ‚ ˝ÚÓÏ ÂÊËÏ Ô‰‡˛˘ËÈ Í‡Ì‡Î ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «OFF», ‰‡ÌÌ˚ Ì Ô‰‡˛ÚÒfl. CLP 115(E).book Page 27 Tuesday, May 13, 2003 6:55 PM îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ é·˚˜ÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‡„ËÛÂÚ Ì‡ ÌÓχ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂÈ Í·‚ˇÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDI-ÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡fl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ (ÚÂÏ· ̇ Í·‚ˇÚÛ Ì ËÁÏÂÌflÂÚÒfl). èË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ó·˚˜ÌÓ Ô‰‡ÂÚ ÌÓÏ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚. ÖÒÎË ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı, ̇ ÌÂÏ ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË ÔÓ„‡Ïχ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ. èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ÌÓÏÂÓ‚ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚, Ú.Â. ‚˚·‡ÌÌ˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó. ä ëÇÖÑÖçàû àÌÙÓχˆË˛ Ó ÌÓχı ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚ CLP-115 ÒÏ. ̇ ÒÚ. 35 ‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı». ÑÂÈÒÚ‚Ëfl ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û C 6. A-1 C 0 C6 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ îÛÌ͈Ëfl ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl é·˚˜ÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚ ӷ ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË Í·‚ˇÚÛ˚, ˜ÚÓ ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ Ì‡ ÚÂÏ· ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ̇˜Ë̇ÂÚ ‚ÎËflÚ¸ Ô‰‡Î¸, ‡ Ú‡ÍÊ ‰Û„Ë ̇ÒÚÓÈÍË «ÛÔ‡‚ÎÂÌËfl», ÔÓÎÛ˜ÂÌÌ˚Â Ò ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (˝ÚÓ Ì ‚ÓÁ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÚÂÏ· Í·‚ˇÚÛ˚). ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ú‡ÍÊ Ô‰‡ÂÚ ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË ‡·ÓÚ Ô‰‡ÎË ËÎË ‰Û„Ëı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl. èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ‰‡ÌÌ˚ı Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, Ú‡Í ˜ÚÓ Ô‰‡Î¸ Ë ‰Û„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl CLP-115 Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó. ä ëÇÖÑÖçàû ÅÓΠ‰ÂڇθÌÛ˛ ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115, ÒÏ. ‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı» ̇ ÒÚ. 34. ÑÂÈÒÚ‚Ëfl A-1 C 0 êìëëäàâ ì‰ÂÊË‚‡fl Í·‚Ë¯Ë A-1 Ë C 0, ̇ÊÏËÚ Í·‚Ë¯Û D6. D6 ä‡ÈÌflfl Ô‡‚‡fl Í·‚˯‡ CLP-115 îÛÌ͈ËË MIDI 27 CLP 115(E).book Page 28 Tuesday, May 13, 2003 6:55 PM ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 Ì ‚Íβ˜‡ÂÚÒfl. ñËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ‡Á˙ÂÏÛ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-115 Ë Í ÓÁÂÚÍ (ÒÚ. 11). èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚ ˘ÂΘÍË Ë ıÎÓÔÍË. í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl. ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ ËÎË Ì‡Û¯ÌËÍÓ‚. òÛÏ ÏÓÊÂÚ ‚ÓÁÌËÍÌÛÚ¸ ËÁ-Á‡ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ÔÂÂÌÂÒËÚÂ Â„Ó ÔÓ‰‡Î¸¯Â ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ, ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â. • Ç˚·‡Ì‡ ÒÎ˯ÍÓÏ ÌËÁ͇fl „ÓÏÍÓÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÔË ÔÓÏÓ˘Ë Â„ÛÎflÚÓ‡ [MASTER VOLUME]. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í ‡Á˙ÂÏÛ ‰Îfl ̇ۯÌËÍÓ‚ Ì ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local (ÒÚ. 26) ‚˚·‡Ì Ô‡‡ÏÂÚ ON. 臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl, ‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ. ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎË ÔÓ‰Íβ˜ÂÌ ÌÂÔ‡‚ËθÌÓ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎË Ì‡‰ÂÊÌÓ ‚ÒÚ‡‚ÎÂÌ ‚ ‡Á˙ÂÏ [PEDAL] (ÒÚ. 30). ÑÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl ë͇ÏÂÈ͇ BC-100 ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha. ëÚÂÂÓ̇ۯÌËÍË HPE-160 êìëëäàâ ã„ÍËÂ Ë ˝ÙÙÂÍÚË‚Ì˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ. 28 CLP-115 CLP-115 ìÒÚ‡ÌÂÌË ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ÌÂÔÓ·‰ÓÍ/‰ÓÔÓÎÌËÚÂθÌ˚ ÔËÒÔÓÒÓ·ÎÂÌËfl CLP 115(E).book Page 29 Tuesday, May 13, 2003 6:55 PM ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ! • ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚: Ì ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚. ìÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË. • ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • çÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÓ‚‡ÌË ÌÂÔ‡‚ËθÌ˚ı ‚ËÌÚÓ‚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. • èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚. • ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. 1. èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ. èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ (+) ÓÚ‚ÂÚÍÛ. ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) (2) ëÓ‚ÏÂÒÚËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Ô‰‡Î¸ÌÓ„Ó ·ÎÓ͇ Ò Î‚ÓÈ Ë Ô‡‚ÓÈ ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. Ç˚̸Ú ËÁ Ô‡ÍÂÚ‡ ÒÎÂ‰Û˛˘Ë ÍÓÏÔÎÂÍÚÛ˛˘ËÂ. ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÑÚ‡ÎË Ò·ÓÍË ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ, 2 ¯Ú. (1) éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË ·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ Á‡ÏÓÍ ‰Îfl ÔÓ‚ÓÎÓÍË, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 5. íÓÌÍË ‚ËÌÚ˚ 4 × 12 ÏÏ, 2 ¯Ú. 3 2. èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ. (1) èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4×12 ÏÏ 3. ÅÓÍÓ‚‡fl Ô‡Ìeθ (Îe‚‡fl) ᇉÌflfl Ô‡Ìeθ ÅÓÍÓ‚‡fl Ô‡Ìeθ (Ô‡‚‡fl) R É·‚̇fl ˜‡ÒÚ¸ ÅÎÓÍ Ôe‰‡ÎeÈ ä‡·eθ ÔËÚ‡ÌËfl ä ëÇÖÑÖçàû L 䇷eθ Ôe‰‡ÎeÈ, ÔËÍeÔÎeÌÌ˚È ‚ÌÛÚË êìëëäàâ äÓÓÚÍË ‚ËÌÚ˚ 6 × 16 ÏÏ, 4 ¯Ú. 2 (3) èËÒÓ‰ËÌËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı ‚ËÌÚÓ‚ 6×20 ÏÏ 1. L ÑÎËÌÌ˚ ‚ËÌÚ˚ 6 × 20 ÏÏ, 4 ¯Ú. 1 ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 × 20 ÏÏ, 4 ¯Ú. 4 (2) èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4×20 ÏÏ 4. ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-115. åÓÊÌÓ ÔËÍÂÔËÚ¸ Â„Ó Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CLP-115 Ë ‚¯‡Ú¸ ̇ ÌÂ„Ó Ì‡Û¯ÌËÍË (ÒÚ. 12). CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 29 CLP 115(E).book Page 30 Tuesday, May 13, 2003 6:55 PM 3. ìÒÚ‡ÌÓ‚ËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸. 5. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. PEDA L ÇçàåÄçàÖ! • ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. (3) ÖÒÎË Í‡·Âθ Ô‰‡ÎË Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ ÌÛÊÌÓ, Á‡ÍÂÔËÚ ÎË¯Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ Á‡Ï͇ ‰Îfl ÔÓ‚ÓÎÓÍË. èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚. åËÌËÏÛÏ 10 ÒÏ R (2) èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË ‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚ ‰ÂʇÚÂÎË. (1) ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË. êìëëäàâ ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. 220 (2) á‡ÍÂÔËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸ ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı ‚ËÌÚÓ‚ 6x16 ÏÏ 2. 6. 110 á‡ÍÂÔËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸. 127 4. (1) ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÁ‡‰Ë ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ. 240 èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 ‚ÓθÚ, Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. 30 CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ CLP 115(E).book Page 31 Tuesday, May 13, 2003 6:55 PM èêÖÑìèêÖÜÑÖçàÖ çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ËÎË ‚˚Á‚‡Ú¸ Ò·ÓÈ ‚ ‡·ÓÚÂ. 7. ìÒÚ‡ÌÓ‚ËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ. èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·. èÓÒΠҷÓÍË Ôӂ¸ÚÂ: • ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? ➝ èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. • ç Ï¯‡ÂÚ ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? ➝ èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115 ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. • ç «·ÓÎÚ‡ÂÚÒfl» ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-115, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)? ➝ á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. • ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË „ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË? ➝ èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ. • 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚? ➝ èӂ¸Ú ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇. ÇçàåÄçàÖ! êìëëäàâ ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ä˚¯Í‡ Í·‚ˇÚÛ˚ ä˚¯Í‡ CLP-115 ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 31 CLP 115(E).book Page 32 Tuesday, May 13, 2003 6:55 PM è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ óËÒ· H 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ.............................16 H‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) .................................. 19 50 Greats for the Piano.......................................................16 H‡ÒÚÓÈ͇ ÉÎÛ·Ë̇ ‚·‡ˆËË............................................... 18 ÉÓÏÍÓÒÚË (50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ) .. 16 ÉÓÏÍÓÒÚ¸ (ÏÂÚÓÌÓÏ)................................................ 22 ÉÓÏÍÓÒÚ¸ ‰ÂÏÓÌÒÚ‡ˆËË........................................... 15 TÂÏÔ (ÏÂÚÓÌÓÏ) ........................................................ 21 D DEMO..........................................................................14–16 M MASTER VOLUME ......................................................11, 14 METRONOME .......................................................14, 21–22 H‡Û¯ÌËÍË ......................................................................... 12 è MIDI...................................................................................23 艇θ ÒÓÒÚÂÌÛÚÓ....................................................... 14, 18 MIDI [IN] [OUT] [THRU] ................................................14, 23 èÂÒÌfl................................................................................ 16 MIDI-͇·ÂÎË ................................................................23, 25 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡...................... 24 MIDI-‡Á˙ÂÏ˚ .............................................................23, 25 臂‡fl Ô‰‡Î¸ ........................................................... 14, 17 èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ........................6–7 P èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸)........................... 14, 18 PEDAL.........................................................................14, 30 è˛ÔËÚ ............................................................................. 10 PHONES .....................................................................12, 14 POWER .......................................................................11, 14 P P‚·‡ˆËfl .................................................................. 18 V VOICE ...................................................................14, 17–19 PÂÊËÏ Dual ...................................................................... 19 ë B C·Ó͇........................................................................29–31 BÒÚÓÂÌÌ˚ ÔÂÒÌË ➝ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ....................................................................16 C‰Ìflfl Ô‰‡Î¸ ......................................................... 14, 18 T êìëëäàâ Ñ íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........................................... 39 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ....................................8 í‡ÌÒÔÓÌËÓ‚‡ÌË ........................................................... 20 á á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ.......................16 ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË...........................................15 K K˚¯Í‡ Í·‚ˇÚÛ˚.........................................................10 K˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ....................................................12 ã ょfl Ô‰‡Î¸ .............................................................14, 18 32 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡....................... 38 ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ ........................................................17 CLP-115 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ T‡ÌÒÔÓÚËӂ͇ ............................................................... 8 ì ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ..................................................... 28 î îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı........................................................ 34 CLP 115(E).book Page 33 Tuesday, May 13, 2003 6:55 PM Appendix/Anhang/ Annexe/èËÎÓÊÂÌË This section introduces reference material. In diesem Abschnitt finden Sie Referenzmaterial. Cette section présente le matériel de référence. Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚ¡Î˚. MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı .............. 34 MIDI Implementation Chart / MIDI Implementierung stabelle / Feuille d’implantation MIDI / 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡....................................... 38 Specifications / Technische Daten / Caractéristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ........... 39 CLP-115 33 CLP 115(E).book Page 34 Tuesday, May 13, 2003 6:55 PM MIDI Data Format / MIDI-Datenformat / Format des données MIDI / îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computergenerated MIDI messages, the data provided in this section can help you to control the CLP-115. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die Instrumente verwenden, können Sie sich zur Steuerung des CLP-115 nach den im folgenden Abschnitt aufgeführten Spezifikationen richten. Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront à commander le CLP-115. ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ ˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CLP-115. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves. 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H...7FH (3) Expression (reception only) ccH Parameter Data Range (vvH) 0BH Expression MSB 00H...7FH (4) Damper ccH Parameter 40H Damper MSB Data Range (vvH) 00H...7FH (5) Sostenuto ccH Parameter 42H Sostenuto Data Range (vvH) 00H-3FH:off, 40H-7FH:on (6) Soft Pedal ccH Parameter 43H Soft Pedal Data Range (vvH) 00H-3FH:off, 40H-7FH:on (7) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (8) Effect4 Depth (Variation Effect Send Level) (reception only) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH 34 CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. • When control change reception is turned OFF, control change data will not be transmitted or received except for Bank Select and Mode messages. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. CLP 115(E).book Page 35 Tuesday, May 13, 2003 6:55 PM 4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number Voice Name Grand Piano 1 Grand Piano 2 E.Piano 1 E.Piano 2 Harpsichord 1 Harpsichord 2 Vibraphone Church Organ 1 Church Organ 2 Strings MSB 0 0 0 0 0 0 0 0 0 0 LSB 122 112 122 122 122 123 122 123 122 122 P.C.# 1 1 6 5 7 7 12 20 20 49 • When you specify a program change as a number in the range of 0-127, specify a number that is one less than the program number listed above. For example, to specify program number 1, you would specify program change 0. • When program change reception is turned OFF, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data F8H Transmission Transmitted every 96 clocks FAH Song start FCH Song stop FEH Transmitted every 200 milliseconds (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = don’t care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] Reception Received as 96-clock tempo timing when MIDI clock is set to External. Song start Not received when the MIDI clock is set to Internal. Song stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = don’t care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË 35 CLP 115(E).book Page 36 Tuesday, May 13, 2003 6:55 PM 7. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the CLP-115 another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 8. SYSTEM EXCLUSIVE MESSAGES (Clavinova MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] -> [F7H] F0H = Exclusive status 43H = Yamaha ID 73H = Clavinova ID 01H = Product ID (C❑❖ common) or 7F= Extended Product ID 24H = Product ID nnH = Substatus nn Control 02H Internal MIDI clock 03H External MIDI clock 06H Bulk Data (the bulk data follows 06H) F7H = End of Exclusive * When nn=02H or 03H, Clavinova common ID (01H) is rec-ognized as well as 75H. 36 CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË 9. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H = 43H = 73H = 7FH = 24H = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Clavinova ID Extended Product ID Product ID Special control Control MIDI change (n=channel number) Control number Value End of Exclusive Control Metronome Channel Always 00H ccH 1BH vvH 00H : off 01H : – 02H : 2/4 03H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent Channel Detune ch: 00H-0FH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 10. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = don’t care (under 7FH) F7H = End of Exclusive CLP 115(E).book Page 37 Tuesday, May 13, 2003 6:55 PM <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4(*1) 01 02 03 04 1 05 1 06 1 7E 7F TOTAL SIZE 07 00 - 7F — 34 - 4C(*2) 00 00 Parameter MASTER TUNE MASTER VOLUME — TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 -12 - +12[semitones] 00=XG system ON 00=ON (receive only) 40 7F *1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12. <Table 2> MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 02 01 40 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB 00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB • “VARIATION” refers to the EFFECT on the panel. Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01(=HALL1) 00 Refer to Effect MIDI Map 00 : basic type 00(=Effect off) 00 Description 0 - 127 Default value (H) 7F <Table 3> MIDI Parameter Change table (MULTI PART) Address (H) Size (H) 08 nn 11 1 nn = Part Number Data (H) 00 - 7F Parameter DRY LEVEL • ä‡ÚÓ„‡Ïχ MIDI-˝ÙÙÂÍÚÓ‚ REVERB ROOM HALL 1 HALL 2 STAGE MSB 02H 01H 01H 03H LSB 10H 10H 11H 10H MSB 42H 48H 46H 05H LSB 10H 10H 10H 10H EFFECT CHORUS PHASER TREMOLO DELAY CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË 37 CLP 115(E).book Page 38 Tuesday, May 13, 2003 6:55 PM 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ YAMAHA [Clavinova] Model: CLP-115 Function Transmitted Date: 7 Mar, 2003 Version: 1.0 Recognized Remarks Basic Channel Default Changed 1 1 - 16 1 1 - 16 Mode Default Messages Altered 3 X ***************** 1 X X : True voice 9 - 120 ***************** 0 - 127 0 - 127 Velocity Note ON Note OFF O 9nH, v=1 - 127 O 9nH, v=0 O 9nH, v=1 - 127 O 9nH, v=0 or 8nH After Touch Key’s Ch’s X X X X X X 0, 32 O O Bank Select 7 O O Volume 11 X O Expression 64 O O Damper 66 O O Sostenuto 67 O O Soft pedal 91 O O Reverb Depth 94 X O Effect Depth O ***************** O O O Note Number Pitch Bend Control Change Program Change : True # System Exclusive Common : Song Pos. : Song Sel. : Tune X X X X X X System Real Time : Clock : Commands O O O O : All Sound Off : Reset All Cntrls : Local ON/OFF : All Notes OFF : Active Sense : Reset O O X O O X O (120, 126, 127) O (121) O (122) O (123 - 125) O X Aux Messages *1 Poly Mode only Notes : *1 = Recieve Mode is always multi timbre and Poly mode. Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY 38 Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË O : Yes X : No CLP 115(E).book Page 39 Tuesday, May 13, 2003 6:55 PM Specifications / Technische Daten / Caractéristiques techniques / íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Item CLP-115 Keyboard 88 keys (A-1 - C7) Sound Source AWM Stereo Sampling Polyphony 32 Notes Max. Voice Selection 10 Effect Reverb Volume Master Volume Controls Dual, Metoronome, Transpose Pedal Damper, Sostenuto, Soft Demo Songs 10 voice Demo Songs, 50 preset Songs Jacks/Connectors MIDI (IN/OUT/THRU), PHONES × 2 Main Amplifiers 20W × 2 Speakers Oval (12cm × 6cm) × 2 Dimensions (W × D × H) (with music rest) 1345mm × 426mm × 815mm [52-15/16" × 16-3/4" × 32-1/16"] (1345mm × 426mm × 968mm) [53-15/16" × 16-3/4" × 38-1/8"] Weight 41kg (90lbs., 6oz) Accessories Owner’s Manual, “50 greats for the Piano” (Music Book), Bench (included or optional depending on locale), Quick Operation Guide * Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. * Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung. * Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche. * íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌË ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl Ó·˘Â„Ó Ò‚Â‰ÂÌËfl. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ ‚ ÏÂÒÚÌÓ Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha. CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË 39 CLP 115(E).book Page 40 Tuesday, May 13, 2003 6:55 PM MEMO 40 CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË CLP 115(E).book Page 41 Tuesday, May 13, 2003 6:55 PM MEMO CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË 41 CLP 115(E).book Page 42 Tuesday, May 13, 2003 6:55 PM MEMO 42 CLP-115 Appendix/Anhang/Annexe/èËÎÓÊÂÌË CLP 115(E).book Page 43 Tuesday, May 13, 2003 6:55 PM IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 CLP 115(E).book Page 44 Tuesday, May 13, 2003 6:55 PM FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. (class B) CLP 115(E).book Page 45 Tuesday, May 13, 2003 6:55 PM For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRAZIL Yamaha Musical do Brasil LTDA. Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. ᇠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó· ËÌÒÚÛÏÂÌÚ ӷ‡˘‡ÈÚÂÒ¸ ‚ ·ÎËʇȯ ԉÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha ËÎË Í ‡‚ÚÓËÁÓ‚‡ÌÌÓÏÛ ‰ËÒÚË·¸˛ÚÓÛ, Û͇Á‡ÌÌÓÏÛ ÌËÊÂ. ASIA BELGIUM/LUXEMBOURG Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 FRANCE Yamaha Musique France, S.A. Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0661 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 PHILIPPINES Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374 DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 TAIWAN Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 [CL] 29