Download Samsung MM-B9 Инструкция по использованию
Transcript
ûK–ŒKŒÃœŒÕ≈Õ“Õ¿fl ¿”ƒ»Œ —»—“≈ÿ ÇéëèêéàáÇÖÑÖçàÖ ÑàëäéÇ CD-R/CD-RW MM-B9 »ÌÒÚÛÍˆËˇ ‰Îˇ ÔÓθÁÓ‚‡ÚÂΡ œÂ‰ÛÔÂʉÂÌˡ ÔÓ ÚÂıÌËÍ ·ÂÁÓÔ‡ÒÌÓÒÚË R À¿«≈–ÕŒ≈ »«ƒ≈À»≈ KÀ¿——¿ 1 œ–≈ƒŒ—“≈–≈∆≈Õ»≈ Œœ¿—ÕŒ—“‹ œŒ–¿∆≈Õ»fl ›À≈K“–»◊≈—K»Ã “ŒKŒÃ. Õ≈ Œ“K–¤¬¿“‹ œ–≈ƒŒ—“≈–≈∆≈Õ»≈: ¬Œ »«¡≈∆¿Õ»≈ œŒ–¿∆≈Õ»fl ›À≈K“–»◊≈—K»Ã “ŒKŒÃ, Õ≈ —ջÿ…“≈ «¿ƒÕfifi K–¤ÿK”. ¬Õ”“–» Õ≈“ ƒ≈“¿À≈…, Œ¡—À”∆»¬¿≈ä’ œŒÀ‹«Œ¬¿“≈À≈Ã. ƒÀfl “≈’Õ»◊≈—KŒ√Œ Œ¡— À”∆»¬¿Õ»fl Œ¡–¿Ÿ¿…“≈—‹ K K¬¿À»‘»÷»–Œ¬¿ÕՌÔ —œ≈÷»¿À»—“”. À¿«≈–ÕŒ≈ »«ƒ≈À»≈ KÀ¿——¿ 1 ›ÚÓÚ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ ‰ËÒÍÓ‚ Í·ÒÒËÙˈËÓ‚‡Ì Í‡Í À¿«≈–ÕŒ≈ »«ƒ≈À»≈ KÀ¿——¿ 1. »ÒÔÓθÁÓ‚‡ÌË ӄ‡ÌÓ‚ ÛÔ‡‚ÎÂÌˡ, „ÛÎËÓ‚ÍË ËÎË ‚˚ÔÓÎÌÂÌË Ôӈ‰Û, Ì ÓÔËÒ‡ÌÌ˚ı ‚ ‰‡ÌÌÓÈ »ÌÒÚÛ͈ËË, ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÓÔ‡ÒÌÓÏÛ Ó·ÎÛ˜ÂÌ˲ ·ÁÂÓÏ. œ–≈ƒ”œ–≈∆ƒ≈Õ»≈ - Õ≈¬»ƒ»ÃŒ≈ À¿«≈–ÕŒ≈ »«À”◊≈Õ»≈. œ–» —Õfl“»» KŒ–œ”—¿ » Œ“KÀfi◊≈Õ»» ¡ÀŒK»–Œ¬Œ◊Õ¤’ KŒÕ“¿K“Œ¬ »«¡≈√¿…“≈ œŒœ¿ƒ¿Õ»fl œŒƒ À”◊ À¿«≈–¿. ›ÚÓÚ ÒËÏ‚ÓÎ Û͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ÌÛÚË ‰‡ÌÌÓ„Ó ËÁ‰ÂÎˡ ËÏÂÂÚÒˇ ÓÔ‡ÒÌÓÂ Ì‡ÔˇÊÂÌËÂ, ÍÓÚÓÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. ›ÚÓÚ ÒËÏ‚ÓÎ Û͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ ‰ÓÍÛÏÂÌÚ‡ˆËË Ì‡ ËÁ‰ÂÎË ËÏÂÂÚÒˇ ‚‡Ê̇ˇ ËÌÒÚÛÍˆËˇ ÔÓ Â„Ó ËÒÔÓθÁÓ‚‡Ì˲ ËÎË Ó·ÒÎÛÊË‚‡Ì˲. œ–≈ƒ”œ–≈∆ƒ≈Õ»≈: ◊“Œ¡¤ ”Ã≈Õ‹ÿ»“‹ –»—K ¬Œ«√Œ–¿Õ»fl »À» œŒ–¿∆≈Õ»fl ›À≈K“–»◊≈—K»Ã “ŒKŒÃ, Õ≈ ƒŒœ”—K¿…“≈ œŒœ¿ƒ¿Õ»fl ƒ¿ÕÕŒ√Œ »«ƒ≈À»fl œŒƒ ƒŒ∆ƒ‹ »À» ¬ ”—ÀŒ¬»fl ¬¤—ŒKŒ… ¬À¿∆ÕŒ—“». Œ—“Œ–Œ∆ÕŒ: ¬Œ »«¡≈∆¿Õ»≈ œŒ–¿∆≈Õ»fl ›À≈K“–»◊≈—K»Ã “ŒKŒÃ, œŒÀÕŒ— “‹fi ¬—“¿¬Àfl…“≈ ¬»ÀK” ¬ –Œ«≈“K” “¿K, ◊“Œ¡¤ ÿ»–ŒK¿fl œÀ¿— “»Õ¿ ¬»ÀK» —Œ¬œ¿À¿ — ÿ»–ŒK»Ã Œ“¬≈–—“»≈à –Œ«≈“K». “HacÚÓˇ˘ËÈ ÔÓ‰ÛÍÚ Ï‡ÍËÓ‚‡Ì ˝Ì‡ÍÓÏ ÒÓÓÚ‚ÂÚÒڂˡ ̇ ÓÒÌÓ‚‡ÌËË ÒÂÚËÙËÍaÚa ÒÓÓÚ‚ÂÚÒڂˡ, ‚˚‰aÌÌÓ„Ó Ó„aÌÓÏ ÔÓ ÒÂÚËÙËÍaˆËË-–ÓÒÚÂÒÚ-ÃÓÒÍ‚a” ¿fl46 2 ¡Î‡„Ó‰‡ËÏ ‚‡Ò Á‡ ÔÓÍÛÔÍÛ ˝ÚÓÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚ ÍÓÏÔ‡ÌËË Samsung —Ó‰ÂʇÌË œÓʇÎÛÈÒÚ‡, ̇ȉËÚ ‚ÂÏˇ ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ ÔÓ˜ÂÒÚ¸ ‰‡ÌÌÛ˛ »ÌÒÚÛÍˆË˛, ÔÓÒÍÓθÍÛ Ó̇ ÔÓÁ‚ÓÎËÚ ‚‡Ï ΄ÍÓ Ì‡ÒÚÓËÚ¸ ‚‡¯Û ÒËÒÚÂÏÛ Ë ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ ‚Ҡ ‚ÓÁÏÓÊÌÓÒÚË. œÂ‰ÛÔÂʉÂÌˡ ÔÓ ÚÂıÌËÍ ·ÂÁÓÔ‡ÒÌÓÒÚË .................................................................................................................................. 2 ”ÒÚ‡Ìӂ͇ ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚ ¬Ë‰ Ô‰ÌÂÈ Ô‡ÌÂÎË ..............................................................................................................................................................................4 œÛÎ¸Ú ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ ........................................................................................................................................................5 ¬Ë‰ Á‡‰ÌÂÈ Ô‡ÌÂÎË ..................................................................................................................................................................................6 √‰Â ÛÒڇ̇‚ÎË‚‡Ú¸ ‚‡¯Û ÏËÍÓÍÓÏÔÓÌÂÌÚÌÛ˛ ÒËÒÚÂÏÛ ......................................................................................................................7 œÓ‰ÒÓ‰ËÌÂÌË ‚‡¯ÂÈ ÒËÒÚÂÏ˚ Í ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇..................................................................................................................7 ”ÒÚ‡Ìӂ͇ ·‡Ú‡ÂÈ ‚ ÔÛÎ¸Ú ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ....................................................................................................................7 œÓ‰ÒÓ‰ËÌÂÌËÂ Í ‚̯ÌÂÏÛ ËÒÚÓ˜ÌËÍÛ Ò˄̇· ..................................................................................................................................8 –‡Á˙ÂÏ ˆËÙÓ‚Ó„Ó ‚˚ıÓ‰‡ ÔÓË„˚‚‡ÚÂΡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ..............................................................................................................8 œÓ‰ÒÓ‰ËÌÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ....................................................................................................................................................8 œÓ‰ÒÓ‰ËÌÂÌË AM (—¬)/ ƒ¬ ‡ÌÚÂÌÌ˚ ..................................................................................................................................................9 œÓ‰ÒÓ‰ËÌÂÌË FM-‡ÌÚÂÌÌ˚ ..................................................................................................................................................................9 œÓÒÏÓÚ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ‚‡¯ÂÈ ÒËÒÚÂÏ˚ ..................................................................................................................................10 ”ÒÚ‡Ìӂ͇ ˜‡ÒÓ‚ ....................................................................................................................................................................................10 œÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ œÓÒÎۯ˂‡ÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇............................................................................................................................................................11 ¬˚·Ó ‰ÓÓÊÍË Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ......................................................................................................................................................11 œÓËÒÍ ÍÓÌÍÂÚÌÓ„Ó ÏÂÒÚ‡ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ......................................................................................................................................11 ‘ÛÌÍˆËˇ ÔÓÔÛÒ͇ 10 ‰ÓÓÊÂÍ Á‡ Ó‰ËÌ ‡Á........................................................................................................................................12 ‘ÛÌÍˆËˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰Í ..............................................................................................................................12 œÓ‚ÚÓ Ó‰ÌÓÈ ËÎË ‚ÒÂı ‰ÓÓÊÂÍ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ..........................................................................................................................12 œÓ„‡ÏÏËÓ‚‡ÌË ÔÓˇ‰Í‡ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ..................................................................................................................................13 KÓÌÚÓθ ËÎË ËÁÏÂÌÂÌË Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı ‰ÓÓÊÂÍ ..............................................................................................................13 “˛Ì œÓËÒÍ ‡‰ËÓÒڇ̈ËÈ Ë Á‡ÔÓÏË̇ÌË ̇ÒÚÓÈÍË Ì‡ ÌËı ‚ Ô‡ÏˇÚË ÒËÒÚÂÏ˚ ....................................................................................14 ¬˚·Ó Á‡ÔÓÏÌÂÌÌÓÈ ‡‰ËÓÒڇ̈ËË ......................................................................................................................................................14 ”ÎÛ˜¯ÂÌË ͇˜ÂÒÚ‚‡ ÔËÂχ ................................................................................................................................................................14 K‡ÒÒÂÚ̇ˇ ‰Â͇ œÓÒÎۯ˂‡ÌË ͇ÒÒÂÚ˚ ......................................................................................................................................................................15 —˜ÂÚ˜ËÍ ÎÂÌÚ˚........................................................................................................................................................................................15 ¬˚·Ó ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ͇ÒÒÂÚ˚ ..........................................................................................................................................15 «‡ÔËÒ¸ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ..........................................................................................................................................................................16 «‡ÔËÒ¸ Ô‰‡˜Ë ‡‰ËÓÒڇ̈ËË............................................................................................................................................................16 ƒÛ„Ë ÙÛÌ͈ËË ‘ÛÌÍˆËˇ Ú‡Èχ....................................................................................................................................................................................17 ŒÚÏÂ̇ ‰ÂÈÒڂˡ Ú‡Èχ ....................................................................................................................................................................17 ¬ÂÏÂÌÌÓ ÓÚÍβ˜ÂÌË Á‚Û͇ (Mute) ..................................................................................................................................................18 ¬˚·Ó Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡............................................................................................................................18 ‘ÛÌÍˆËˇ ÛÒËÎÂÌˡ ÌËÁÍËı ˜‡ÒÚÓÚ S. Bass ..........................................................................................................................................18 ‘ÛÌÍˆËˇ Power Surround........................................................................................................................................................................18 ”ÒÚ‡Ìӂ͇ ÒËÒÚÂÏ˚ ̇ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌËÂ........................................................................................................................19 œÓ‰ÒÓ‰ËÌÂÌË ̇ۯÌËÍÓ‚ ..................................................................................................................................................................19 «‡ÔËÒ¸ Ò˄̇· ÓÚ ÏËÍÓÙÓ̇..............................................................................................................................................................19 –ÂÍÓÏẨ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ......................................................................................................................................................................20 ◊ËÒÚ͇ ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚ ......................................................................................................................................20 ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ........................................................................................................21 ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡Û‰ËÓ͇ÒÒÂÚ ..............................................................................................................21 œÂʉ ˜ÂÏ Ó·‡˘‡Ú¸Òˇ ‚ ˆÂÌÚ ÔÓÒÎÂÔÓ‰‡ÊÌÓ„Ó Ó·ÒÎÛÊË‚‡Ìˡ ................................................................................................21 “ÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ..............................................................................................................................................................22 —ËÏ‚ÓÎ˚ Շʇڸ “ÓÎÍÌÛÚ¸ ¬‡ÊÌÓ œËϘ‡ÌË 3 R ¬Ë‰ Ô‰ÌÂÈ Ô‡ÌÂÎË R 22 21 20 1 Volume 2 3 Demo Power Surround TUNER/Band REC/Pause 19 Sound Mode On/Standby CD CD Synchro 4 AUX Sleep TAPE Mono/ST CD Repeat Open/Close S.Bass Level Tuning Mode 5 18 17 Multi Jog Phones F r o n t L o a d i n g M e c h a n is m 6 16 7 MIC MIC Mixing 8 9 10 11 12 13 14 15 1. KÌÓÔÍË ‚˚·Ó‡ ÙÛÌ͈ËÈ (“fiÕ≈–/CD/K¿——≈“¿) 12. ŒÚÒÂÍ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ 2. KÌÓÔ͇ «¿œ»—‹/œ‡ÛÁ‡ 13. KÌÓÔ͇ ìœÓÔÛÒÍî ËÎË ìœÓËÒÍî 3. ƒÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ 14. KÌÓÔ͇ ‚˚·Ó‡ ÂÊËχ ÃÓÌÓ/ —ÚÂÂÓ 4. KÌÓÔ͇ œËÚ‡ÌËÂ/ √ÓÚÓ‚ÌÓÒÚ¸ 15. ŒÚÍ˚ÚËÂ/ Á‡Í˚ÚË ÓÚÒÂ͇ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ 5. KÌÓÔ͇ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓÈ Á‡ÔËÒË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ 16. ÃÌÓ„ÓÙÛÌ͈ËÓ̇θ̇ˇ ͇ۘ 6. √ÌÂÁ‰Ó ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ ̇ۯÌËÍÓ‚ 17. KÌÓÔ͇ ÙÛÌ͈ËË ìS. Bassî 7. √ÌÂÁ‰Ó ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ ÏËÍÓÙÓ̇ 18. KÌÓÔ͇ ì–ÂÊËÏ Á‚Û͇î 8. –„ÛΡÚÓ „ÓÏÍÓÒÚË Á‚Û͇ ÓÚ ÏËÍÓÙÓ̇ 19. –„ÛΡÚÓ „ÓÏÍÓÒÚË 9. ¬˚·Ó ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ‚ıÓ‰‡ (AUX) 20. KÌÓÔ͇ ÙÛÌ͈ËË Power Surround 10. KÌÓÔ͇ ìœÓ‚ÚÓ ÍÓÏÔ‡ÍÚ-‰ËÒ͇î 21. KÌÓÔ͇ ì—ÓÌî 11. KÌÓÔ͇ ì—ÚÓÔî 22. Push Eject (Õ‡ÊÏËÚ ‰Îˇ ‚˚·ÓÒ‡ ͇ÒÒÂÚ˚) 4 œÛÎ¸Ú ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ R Timer On/Off Timer/ Clock 25 24 1 Sleep EQ/S.Bass Aux 2 TAPE 3 4 5 6 7 8 9 CD SYNC. REV. Mode Random Counter Reset CD +10 Repeat Program/Set 10 Band VOL. Tuning Mode 23 22 21 20 19 18 17 16 15 14 11 VOL. 13 12 Mono/ST 1. KÌÓÔ͇ œËÚ‡ÌËÂ/ √ÓÚÓ‚ÌÓÒÚ¸ 2. ›Í‚‡Î‡ÈÁÂ/‘ÛÌÍˆËˇ S.Bass 3. œÂÂÏÓÚ͇ ͇ÒÒÂÚ˚ ̇Á‡‰ 4. œÂÂÏÓÚ͇ ͇ÒÒÂÚ˚ ‚Ô‰ 5. «‡ÔËÒ¸/œ‡ÛÁ‡, —ËÌıÓÌËÁËÓ‚‡Ì̇ˇ Á‡ÔËÒ¸ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ 6. KÌÓÔ͇ ‚˚·Ó‡ ÂÊËχ ‚ÂÒ‡ ͇ÒÒÂÚ˚ 7. KÌÓÔ͇ ìœÓ‚ÚÓî 8. KÌÓÔ͇ ì—ÚÓÔî ÍÓÏÔ‡ÍÚ-‰ËÒ͇ 9. KÌÓÔ͇ œÓ„‡Ïχ/ ”ÒÚ‡Ìӂ͇ 10. KÌÓÔÍË ÔÓËÒ͇ ËÎË ÔÓÔÛÒ͇ (‰ÓÓÊÂÍ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ËÎË ‡‰ËÓÒڇ̈ËÈ) 11. KÌÓÔ͇ ÂÊËχ ̇ÒÚÓÈÍË Ì‡ ‡‰ËÓÒڇ̈ËË 12. KÌÓÔ͇ ‚˚·Ó‡ ÂÊËχ ÃÓÌÓ/ —ÚÂÂÓ Mute 13. KÌÓÔ͇ ‚ÂÏÂÌÌÓ„Ó ÓÚÍβ˜ÂÌˡ Á‚Û͇ 14. KÌÓÔÍË Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË 15. KÌÓÔ͇ ‚˚·Ó‡ ‰Ë‡Ô‡ÁÓ̇ ˜‡ÒÚÓÚ Ú˛Ì‡ 16. KÌÓÔ͇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ 17. KÌÓÔ͇ ì+10î 18. ¬ÓÒÔÓËÁ‚‰ÂÌË ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰Í 19. —·ÓÒ Ò˜ÂÚ˜Ë͇ ÎÂÌÚ˚ 20. —ÚÓÔ Í‡ÒÒÂÚ˚ 21. ¬ÓÒÔÓËÁ‚‰ÂÌË ͇ÒÒÂÚ˚ 22. KÌÓÔ͇ ì—ÓÌî 23. KÌÓÔ͇ ‚˚·Ó‡ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ‚ıÓ‰‡ (AUX) 24. KÌÓÔ͇ ¬Íβ˜ÂÌˡ/ ¬˚Íβ˜ÂÌˡ Ú‡Èχ 25. KÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË “‡Èχ/ ◊‡ÒÓ‚ 5 ¬Ë‰ Á‡‰ÌÂÈ Ô‡ÌÂÎË R 1 2 3 4 5 1. ƒÓÔÓÎÌËÚÂθÌ˚È ‚ıÓ‰ 2. KÎÂÏÏ˚ ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ AM ‡ÌÚÂÌÌ˚ 3. √ÌÂÁ‰Ó ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ FM ‡ÌÚÂÌÌ˚ 4. KÎÂÏÏ˚ ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ —¿¡¬”‘≈–¿ 5. KÎÂÏÏ˚ ‰Îˇ ÔÓ‰ÒÓ‰ËÌÂÌˡ Œ—ÕŒ¬Õ¤’ „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ 6 √‰Â ÛÒڇ̇‚ÎË‚‡Ú¸ ‚‡¯Û ÏËÍÓÍÓÏÔÓÌÂÌÚÌÛ˛ ÒËÒÚÂÏÛ ”ÒÚ‡Ìӂ͇ ·‡Ú‡ÂÈ ‚ ÔÛÎ¸Ú ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ R ◊ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òˇ ÔÂËÏÛ˘ÂÒÚ‚‡ÏË ‚‡¯ÂÈ ÌÓ‚ÓÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚, ÔË Â ÛÒÚ‡ÌÓ‚ÍÂ Ë ÔÓ‰Íβ˜ÂÌËË ‚˚ÔÓÎÌˇÈÚ ÒÎÂ‰Û˛˘Ë ËÌÒÚÛ͈ËË. ”Òڇ̇‚ÎË‚‡ÈÚ ÒËÒÚÂÏÛ Ì‡ ÔÎÓÒÍÛ˛ ÛÒÚÓÈ˜Ë‚Û˛ ÔÓ‚ÂıÌÓÒÚ¸. ÕËÍÓ„‰‡ Ì ÒÚ‡‚¸Ú ˝ÚÛ ÒËÒÚÂÏÛ Ì‡ ÍÓ‚Â. ÕËÍÓ„‰‡ Ì ‡ÒÔÓ·„‡ÈÚ ˝ÚÛ ÒËÒÚÂÏÛ ‚Ì ÔÓÏ¢ÂÌˡ. ƒÎˇ ˆÂÎÂÈ ‚ÂÌÚËΡˆËË, Ó·ÂÒÔ˜¸Ú ‡ÒÒÚÓˇÌË ÔË·ÎËÁËÚÂθÌÓ 15 Ò‡ÌÚËÏÂÚÓ‚ ÓÚ ·ÓÍÓ‚˚ı ÒÚÂÌÓÍ Ë Á‡‰ÌÂÈ ÒÚÂÌÍË ÒËÒÚÂÏ˚ ‰Ó ‰Û„Ëı Ô‰ÏÂÚÓ‚. ”·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ËÏÂÂÚÒˇ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÏÂÒÚ‡ ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Î„ÍÓ ÓÚÍ˚‚‡Ú¸ ÓÚÒÂÍ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒ͇. –‡ÁÏÂÒÚËÚ ‡ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ̇ ‡ÁÛÏÌÓÏ ‡ÒÒÚÓˇÌËË ÓÚ Ó·ÂËı ·ÓÍÓ‚˚ı ÒÚÂÌÓÍ ÒËÒÚÂÏ˚ ‰Îˇ Ó·ÂÒÔ˜ÂÌˡ ıÓÓ¯Â„Ó ÒÚÂÂÓÙÓÌ˘ÂÒÍÓ„Ó Á‚Û˜‡Ìˡ. Õ‡Ô‡‚¸Ú ‡ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ̇ ÁÓÌÛ ÔÓÒÎۯ˂‡Ìˡ. ƒÎˇ ÚÓ„Ó, ˜ÚÓ·˚ ÒËÒÚÂχ ‡·Óڇ· ÓÔÚËχθÌÓ, ‡ÒÔÓÎÓÊËÚ ӷ ‡ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ̇ Ó‰Ë̇ÍÓ‚ÓÈ ‚˚ÒÓÚ ÓÚ ÛÓ‚Ìˇ ÔÓ·. Volume Demo REC/Pause TUNER/Band Power Surround ”Òڇ̇‚ÎË‚‡ÈÚ ËÎË Á‡ÏÂÌˇÈÚ ·‡Ú‡ÂË ‚ ÔÛθÚ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ, ÍÓ„‰‡ ‚˚: “ÓθÍÓ ˜ÚÓ ÍÛÔËÎË ˝ÚÛ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÛ˛ ÒËÒÚÂÏÛ Œ·Ì‡ÛÊËÎË, ˜ÚÓ ÔÛÎ¸Ú ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ ÔÂÂÒڇΠԇ‚ËθÌÓ ‡·ÓÚ‡Ú¸. œË Á‡ÏÂÌ ·‡Ú‡ÂÈ ËÒÔÓθÁÛÈÚ ÍÓÏÔÎÂÍÚ ËÁ ÌÓ‚˚ı ·‡Ú‡ÂÈ Ë ÌËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÒÓ‚ÏÂÒÚÌÓ ˘ÂÎÓ˜Ì˚ (Alkaline) Ë Ï‡„‡ÌˆÂ‚˚ ·‡Ú‡ÂË. 1 œÓÏÂÒÚËÚ ·Óθ¯ÓÈ Ô‡Îˆ ̇ ÏÂÒÚÓ Ì‡ Í˚¯Í ÓÚÒÂ͇ ‰Îˇ ·‡Ú‡ÂÈ, χÍËÓ‚‡ÌÌÓ ÒËÏ‚ÓÎÓÏ (̇ ÌËÊÌÂÈ ÔÓ‚ÂıÌÓÒÚË ÔÛθڇ) Ë ÚÓÎÍÌËÚ Í˚¯ÍÛ ‚ ̇ԇ‚ÎÂÌËË, Û͇Á‡ÌÌÓÏ ÒÚÂÎÍÓÈ. 2 ”ÒÚ‡ÌÓ‚ËÚ ‰‚ ·‡Ú‡ÂË ÚËÔ‡ ¿¿¿, LR03 ËÎË ˝Í‚Ë‚‡ÎÂÌÚÌ˚Â, Ó·‡˘‡ˇ ‚ÌËχÌË ̇ Òӷβ‰ÂÌË ÔÓΡÌÓÒÚË: + ̇ ·‡Ú‡Â ÒÓ‚ÏÂÒÚËÚÂ Ò ÏÂÚÍÓÈ ì+î ̇ ÔÛθÚÂt - ̇ ·‡Ú‡Â ÒÓ‚ÏÂÒÚËÚÂ Ò ÏÂÚÍÓÈ ì-î ̇ ÔÛθÚ 3 ¬ÓÁ‚‡ÚËÚ Í˚¯ÍÛ Ì‡ ÏÂÒÚÓ, Ò‰‚ËÌÛ‚  ̇Á‡‰ ÔÓ Ì‡Ô‡‚Ρ˛˘ËÏ, ÔÓ͇ Ó̇ Ì ‚ÒÚ‡ÌÂÚ Ì‡ ÏÂÒÚÓ ÒÓ ˘ÂΘÍÓÏ. ≈ÒÎË ‚˚ Ì ÒӷˇÂÚÂÒ¸ ÔÓθÁÓ‚‡Ú¸Òˇ ÔÛθÚÓÏ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ ‰ÎËÚÂθÌÓ ‚ÂÏˇ, ËÁ‚ÎÂÍËÚ ËÁ ÌÂ„Ó ·‡Ú‡ÂË ‰Îˇ Ô‰ÓÚ‚‡˘ÂÌˡ ÍÓÓÁËË. Sound Mode On/Standby CD Synchro AUX CD Sleep TAPE CD Repeat Mono/ST Tuning Mode Open/Close S.Bass Level Multi Jog Phones MIC F r o n t L o a d i n g M e c h a n is m MIC Mixing œÓ‰ÒÓ‰ËÌÂÌË ‚‡¯ÂÈ ÒËÒÚÂÏ˚ Í ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ¬ËÎ͇ ÒÂÚÂ‚Ó„Ó ¯ÌÛ‡ ‰ÓÎÊ̇ ÔÓ‰ÒÓ‰ËÌˇÚ¸Òˇ Í ÔÓ‰ıÓ‰ˇ˘ÂÈ ÓÁÂÚÍ ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇. œÂʉ ˜ÂÏ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‚‡¯Û ÒËÒÚÂÏÛ Í ÒÂÚ‚ÓÈ ÓÁÂÚÍÂ, ‚˚ ‰ÓÎÊÌ˚ ÔÓ‚ÂËÚ¸ Ì‡ÔˇÊÂÌË ÒÂÚË. 1 ¬ÒÚ‡‚¸Ú ‚ËÎÍÛ ÒÂÚÂ‚Ó„Ó ¯ÌÛ‡ (χÍËÓ‚‡ÌÌÓ„Ó Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚ ̇‰ÔËÒ¸˛ AC Cord (ÿÌÛ ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇)) ‚ ÔÓ‰ıÓ‰ˇ˘Û˛ ÒÂÚÂ‚Û˛ ÓÁÂÚÍÛ. 2 Õ‡ÊÏËÚ ÍÌÓÔÍÛ On/Standby (œËÚ‡ÌËÂ/ √ÓÚÓ‚ÌÓÒÚ¸), ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‚‡¯Û ÏËÍÓÍÓÏÔÓÌÂÌÚÌÛ˛ ÒËÒÚÂÏÛ. 7 œÓ‰ÒÓ‰ËÌÂÌËÂ Í ‚̯ÌÂÏÛ ËÒÚÓ˜ÌËÍÛ Ò˄̇· œÓ‰ÒÓ‰ËÌÂÌË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ R »Ï²˘ËÈÒˇ ‚ ÒËÒÚÂÏ ‰ÓÔÓÎÌËÚÂθÌ˚È ‚ıÓ‰ ÏÓÊÂÚ ·˚Ú¸ ËÒÔÓθÁÓ‚‡Ì ‰Îˇ ÚÓ„Ó, ˜ÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òˇ ÔÂËÏÛ˘ÂÒÚ‚‡ÏË Í‡˜ÂÒÚ‚‡ Á‚Û͇, Ó·ÂÒÔ˜˂‡ÂÏÓ„Ó ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏÓÈ, ÔË ÔÓÒÎۯ˂‡ÌËË Ò˄̇· ÓÚ ‰Û„Ëı ËÒÚÓ˜ÌËÍÓ‚. œËÏÂ˚: “Â΂ËÁÓ œÓË„˚‚‡ÚÂθ ‚ˉÂÓ‰ËÒÍÓ‚ ¬Ë‰ÂÓχ„ÌËÚÓÙÓÌ ÒËÒÚÂÏ˚ HI-FI stereo ◊ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ ÔÓ‰Íβ˜ËÚ¸ ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Á‚Û͇, Û ÌÂ„Ó ‰ÓÎÊÂÌ ËÏÂÚ¸Òˇ ‡Û‰ËÓ ‚˚ıÓ‰. KÓÏ ÚÓ„Ó, ‚‡Ï ÔÓÚ·ÛÂÚÒˇ ÒÓ‰ËÌËÚÂθÌ˚È Í‡·Âθ Ò ‡Á˙ÂχÏË ÚËÔ‡ RCA (ìڲθԇÌî). 1 œÂ‰ ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ Í ‚̯ÌÂÏÛ ËÒÚÓ˜ÌËÍÛ Ò˄̇·, ÛÒÚ‡ÌÓ‚ËÚ ÒËÒÚÂÏÛ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Ë ÓÚÒÓ‰ËÌËÚ ÂÂ Ë ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Á‚Û͇ ÓÚ ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇. 2 œÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ‰Îˇ ‡Û‰ËÓ Ò˄̇· Í „ÌÂÁ‰‡Ï, ‡ÒÔÓÎÓÊÂÌÌ˚Ï Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚. œÓ‰ÒÓ‰ËÌËÚÂ... K „ÌÂÁ‰Û, χÍËÓ‚‡ÌÌÓÏÛ... K‡ÒÌ˚È ¯ÚÂÔÒÂθ ¡ÂÎ˚È ¯ÚÂÔÒÂθ R (Ô‡‚˚È Í‡Ì‡Î) L (΂˚È Í‡Ì‡Î) Õ‡ ÒËÒÚÂÏ ËϲÚÒˇ ÍÎÂÏÏ˚ ‰Îˇ ÔÓ‰Íβ˜ÂÌˡ ÓÒÌÓ‚Ì˚ı „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ Ë ÍÎÂÏÏ˚ ‰Îˇ ÔÓ‰Íβ˜ÂÌˡ Ò‡·‚ÛÙÂÓ‚ ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ. œÓ‰ÒÓ‰ËÌÂÌË ÓÒÌÓ‚Ì˚ı „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ: œÓ‰ÒÓ‰ËÌËÚ ͇·ÂÎË ÓÚ ÓÒÌÓ‚Ì˚ı „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ (˜ÂÌ˚È/͇ÒÌ˚È) Í ÍÎÂÏÏ‡Ï ‰Îˇ ÓÒÌÓ‚Ì˚ı „ÓÏÍÓ„Ó‚ÓËÚÂÎÂÈ Ì‡ Á‡‰ÌÂÈ ÒÚÂÌÍ ÒËÒÚÂÏ˚. œÓ‰ÒÓ‰ËÌÂÌË ҇·‚ÛÙ‡: œÓ‰ÒÓ‰ËÌËÚ ͇·ÂÎË ÓÚ Ò‡·‚ÛÙÂÓ‚ (ÒËÌËÈ/˜ÂÌ˚È) Í ÍÎÂÏÏ‡Ï ‰Îˇ Ò‡·‚ÛÙÂÓ‚ ̇ Á‡‰ÌÂÈ ÒÚÂÌÍ ÒËÒÚÂÏ˚. œ‡‚‡ˇ ‡ÍÛÒÚ˘ÂÒ͇ˇ ÒËÒÚÂχ; À‚‡ˇ ‡ÍÛÒÚ˘ÂÒ͇ˇ ÒËÒÚÂχ ƒÎˇ ÔÓÎÛ˜ÂÌˡ ÓÔÚËχθÌÓ„Ó Í‡˜ÂÒÚ‚‡ Á‚Û˜‡Ìˡ Ì ÏÂÌˇÈÚ ÏÂÒÚ‡ÏË Ô‡‚˚È Ë Î‚˚È Í‡Ì‡Î˚. 3 ¬ÌÓ‚¸ ÔÓ‰ÒÓ‰ËÌËÚ ÒËÒÚÂÏÛ Í ÒÂÚË Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÂ. 4 ¬˚·ÂËÚ ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Á‚Û͇ ̇ʇÚËÂÏ ÍÌÓÔÍË AUX (ƒÓÔÓÎÌËÚÂθÌ˚È ‚ıÓ‰). , + – + – –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÒÓÓ·˘ÂÌË AUX. 5 6 ¬Íβ˜ËÚ ‚̯ÌËÈ ËÒÚÓ˜ÌËÍ Á‚Û͇. Õ‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë ·‡Î‡ÌÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ, Í‡Í ‚‡Ï Ú·ÛÂÚÒˇ, ËÒÔÓθÁÛˇ: –„ÛΡÚÓ „ÓÏÍÓÒÚË ›Í‚‡Î‡ÈÁ KÌÓÔÍÛ S. BASS. œËÏÂ: ¬˚ ÏÓÊÂÚ ÒÏÓÚÂÚ¸ ÙËθÏ, ËÒÔÓθÁÛˇ ÔÂËÏÛ˘ÂÒÚ‚‡ ÒÚÂÂÓÁ‚Û˜‡Ìˡ, Í‡Í ÂÒÎË ·˚ ‚˚ ·˚ÎË ‚ ÍËÌÓÚ‡Ú (ÔË ÛÒÎÓ‚ËË, ˜ÚÓ ÓË„Ë̇θ̇ˇ Á‚ÛÍÓ‚‡ˇ ‰ÓÓÊ͇ Á‡ÔË҇̇ ‚ ÂÊËÏ ÒÚÂÂÓ). Demo REC/Pause TUNER/Band On/Standby CD Synchro AUX CD TAPE CD Repeat Tuning Mode Phones 8 F r o n t L o a d i n g M e c h a nis m + – + – ”͇Á‡Ìˡ ÔÓ ÛÒÚ‡ÌÓ‚Í ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ ”ÒÚ‡Ìӂ͇ ‚·ÎËÁË ÓÚ Ì‡„‚‡ÚÂθÌ˚ı ÔË·ÓÓ‚, ÔÓ‰ ÔˇÏ˚ÏË ÒÓÎ̘Ì˚ÏË ÎÛ˜‡ÏË ËÎË ‚ ÏÂÒÚ‡ı Ò ‚˚ÒÓÍÓÈ ‚·ÊÌÓÒÚ¸˛ ÏÓÊÂÚ ÛıÛ‰¯ËÚ¸ ˝ÍÒÔÎÛ‡Ú‡ˆËÓÌÌ˚ ı‡‡ÍÚÂËÒÚËÍË ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ. Õ ‚¯‡ÈÚ ‡ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ̇ ÒÚÂÌÛ Ë Ì ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ̇ ‚¯ËÌÛ ÒÚÓÈÍË, ËÎË Ì‡ ËÌÛ˛ ÌÂÛÒÚÓÈ˜Ë‚Û˛ ÔÓ‚ÂıÌÓÒÚ¸ ‚Ó ËÁ·ÂʇÌË ԇ‰ÂÌˡ ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ, ÍÓÚÓÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ú‡‚Ï ËÎË ÔÓ‚ÂʉÂÌ˲ ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚. Õ ÛÒڇ̇‚ÎË‚‡ÈÚ ‡ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ‚·ÎËÁË ÓÚ ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ‡ ÍÓÏÔ¸˛Ú‡. œË ÛÒÚ‡ÌÓ‚Í ‡ÍÛÒÚ˘ÂÒÍÓÈ ÒËÒÚÂÏ˚ ˇ‰ÓÏ Ò ÚÂ΂ËÁÓÓÏ ËÎË ÏÓÌËÚÓÓÏ ÍÓÏÔ¸˛Ú‡ ÏÓÊÂÚ ÛıÛ‰¯ËÚ¸Òˇ ͇˜ÂÒÚ‚Ó ËÁÓ·‡ÊÂÌˡ ̇ ˝Í‡ÌÂ. œÓ‰ÒÓ‰ËÌÂÌË AM (—¬)/ ƒ¬ ‡ÌÚÂÌÌ˚ R ¿Ã ‡ÌÚÂÌ̇ (‰Îˇ ÔËÂχ ‡‰ËÓÒڇ̈ËÈ ‚ ‰Ë‡Ô‡ÁÓ̇ı ‰ÎËÌÌ˚ı Ë Ò‰ÌËı ‚ÓÎÌ) ÏÓÊÂÚ ·˚Ú¸: œÓÒÚ‡‚ÎÂ̇ ̇ ÛÒÚÓÈ˜Ë‚Û˛ ÔÓ‚ÂıÌÓÒÚ¸. œËÍÂÔÎÂ̇ Í ÒÚÂÌ (‚˚ ‰ÓÎÊÌ˚ Ò̇˜‡Î‡ ÒÌˇÚ¸ ÔÓ‰ÒÚ‡‚ÍÛ ‡ÌÚÂÌÌ˚). √ÌÂÁ‰‡ ‰Îˇ ÔÓ‰Íβ˜ÂÌˡ ‡ÌÚÂÌÌ˚ ‡ÒÔÓÎÓÊÂÌ˚ ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚ Ë Ï‡ÍËÓ‚‡Ì˚ ̇‰ÔËÒ¸˛ AM. ¬Ó ËÁ·ÂʇÌË ԇ‡ÁËÚÌÓ„Ó ¯Ûχ Û‰ÓÒÚӂ¸ÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÔÓ‚Ó‰‡ ÓÚ ‡ÍÛÒÚ˘ÂÒÍËı ÒËÒÚÂÏ Ì ÔÓÎÓÊÂÌ˚ ˇ‰ÓÏ Ò ÔÓ‚Ó‰‡ÏË ÓÚ ‡ÌÚÂÌÌ˚. ¬Ò„‰‡ ‰ÂÊËÚ Ëı ‰Û„ ÓÚ ‰Û„‡ ̇ ‡ÒÒÚÓˇÌËË Ì ÏÂÌ 5 ÒÏ. œÓ‰ÒÓ‰ËÌÂÌË FM-‡ÌÚÂÌÌ˚ K‡Í ÔÓ‰ÒÓ‰ËÌËÚ¸ ‡ÌÚÂÌÌÛ KŒ¿K—»¿À‹ÕŒ√Œ “»œ¿. œÓ‰ÒÓ‰ËÌËÚ 75Ω ‡ÌÚÂÌÌÛ Í ÍÎÂÏÏ‡Ï ‰Îˇ FM-‡ÌÚÂÌÌ˚. ¬ÒÚ‡‚¸Ú ¯ÚÂÔÒÂθ FM-‡ÌÚÂÌÌ˚, ‚ıÓ‰ˇ˘ÂÈ ‚ ÍÓÏÔÎÂÍÚ ÒËÒÚÂÏ˚, ‚ ÍÓ‡ÍÒˇθÌÓ „ÌÂÁ‰Ó (75Ω), χÍËÓ‚‡ÌÌÓ FM ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚. —ΉÛÈÚ ËÌÒÚÛÍˆËˇÏ, Ô˂‰ÂÌÌ˚Ï Ì‡ ÒÚ. 14, ˜ÚÓ·˚ ̇ÒÚÓËÚ¸Òˇ ̇ ‡‰ËÓÒÚ‡ÌˆË˛ Ë ÓÔ‰ÂÎËÚ¸ ̇ËÎÛ˜¯Û˛ ÓËÂÌÚ‡ˆË˛ ‡ÌÚÂÌÌ˚. œË ÔÎÓıÓÏ Í‡˜ÂÒÚ‚Â ÔËÂχ ‚‡Ï ÏÓÊÂÚ ÔÓÚ·ӂ‡Ú¸Òˇ ÛÒÚ‡ÌÓ‚ËÚ¸ ̇ÛÊÌÛ˛ ‡ÌÚÂÌÌÛ. ◊ÚÓ·˚ ҉·ڸ ˝ÚÓ, ÔÓ‰ÒÓ‰ËÌËÚ ̇ÛÊÌÛ˛ FM-‡ÌÚÂÌÌÛ Í FM „ÌÂÁ‰Û ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚ Ò ÔÓÏÓ˘¸˛ 75Ω ÍÓ‡ÍÒˇθÌÓ„Ó Í‡·ÂΡ (ÔËÓ·ÂÚ‡ÂÚÒˇ ÓÚ‰ÂθÌÓ). FM-¿Õ“≈ÕÕ¿ (ÔÓÒÚ‡‚ΡÂÚÒˇ Ò ÒËÒÚÂÏÓÈ) 75Ω KŒ¿K—»¿À‹Õ¤… K¿¡≈À‹ (ÔÓÍÛÔ‡ÂÚÒˇ ÓÚ‰ÂθÌÓ) 9 œÓÒÏÓÚ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ‚‡¯ÂÈ ÒËÒÚÂÏ˚ ”ÒÚ‡Ìӂ͇ ˜‡ÒÓ‚ R ¬˚ ÏÓÊÂÚ ÔÓÒÏÓÚÂÚ¸ ‡Á΢Ì˚ ÙÛÌ͈ËË, Ó·ÂÒÔ˜˂‡ÂÏ˚ ‚‡¯ÂÈ ÒËÒÚÂÏÓÈ. 1 ¬ ‚‡¯ÂÈ ÒËÒÚÂÏ ËϲÚÒˇ ‚ÒÚÓÂÌÌ˚ ˜‡Ò˚, ÍÓÚÓ˚ ÔÓÁ‚ÓΡ˛Ú ‚‡Ï ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÒËÒÚÂÏÛ. ¬˚ ‰ÓÎÊÌ˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ˜‡Ò˚: KÓ„‰‡ ‚˚ ÚÓθÍÓ ˜ÚÓ ÔËÓ·ÂÎË ÏËÍÓÍÓÏÔÓÌÂÌÚÌÛ˛ ÒËÒÚÂÏÛ. œÓÒÎÂ Ò·Óˇ ÔËÚ‡Ìˡ ‚ ÒÂÚË ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇. œÓÒΠÚÓ„Ó, Í‡Í ‚˚ ÓÚÒÓ‰ËÌˇÎË ÒËÒÚÂÏÛ ÓÚ ÒÂÚ‚ÓÈ ÓÁÂÚÍË. Õ‡ÊÏËÚ ÍÌÓÔÍÛ Demo (ƒÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ) –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠÔÓ Ó˜ÂÂ‰Ë Ô˜ËÒΡ˛ÚÒˇ ‡Á΢Ì˚ ÙÛÌ͈ËË, Ëϲ˘ËÂÒˇ ‚ ‚‡¯ÂÈ ÒËÒÚÂÏÂ. œË ‚˚ÔÓÎÌÂÌËË Í‡Ê‰Ó„Ó ¯‡„‡ Û ‚‡Ò ËÏÂÂÚÒˇ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ‰Îˇ ÛÒÚ‡ÌÓ‚ÍË ÚÂ·Û˛˘ËıÒˇ Á̇˜ÂÌËÈ. ≈ÒÎË ‚˚ Ô‚˚ÒËÚ ˝ÚÓ ‚ÂÏˇ, ‚‡Ï ÔˉÂÚÒˇ ̇˜‡Ú¸ ‚Ò˛ Ôӈ‰ÛÛ ÒÌÓ‚‡. ¬Ò ˝ÚË ÙÛÌ͈ËË ÔÓ‰Ó·ÌÓ ÓÔËÒ‡Ì˚ ‚ ‰‡ÌÌÓÈ »ÌÒÚÛ͈ËË. «‡ Û͇Á‡ÌˡÏË ÔÓ Ëı ËÒÔÓθÁÓ‚‡Ì˲ Ó·‡˘‡ÈÚÂÒ¸ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡Á‰Â·Ï. 2 ƒÎˇ ÓÚÏÂÌ˚ ÂÊËχ ÔÓÒÏÓÚ‡ ÙÛÌ͈ËÈ ‚ÌÓ‚¸ ̇ÊÏËÚ ÍÌÓÔÍÛ Demo. Demo REC/Pause TUNER/Band 1 2 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( 3 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set (œÓ„‡Ïχ/ ”ÒÚ‡Ìӂ͇). –ÂÁÛθڇÚ: ÷ËÙ˚ ˜‡ÒÓ‚ ̇ ‰ËÒÔΠÏË„‡˛Ú. 4 ◊ÚÓ·˚... ). ƒ‚‡Ê‰˚ ̇ÊÏËÚ ÍÌÓÔÍÛ Timer/Clock (“‡ÈÏÂ/ ◊‡Ò˚). –ÂÁÛθڇÚ: œÓˇ‚ΡÂÚÒˇ ÒÓÓ·˘ÂÌË CLOCK (◊‡Ò˚). Õ‡ÊÏËÚ ÍÌÓÔÍÛ... œÂ‚ÂÒÚË ˜‡Ò˚ ‚Ô‰ œÂ‚ÂÒÚË ˜‡Ò˚ ̇Á‡‰ P Su On/Standby CD Synchro AUX CD S TAPE CD Repeat 5 KÓ„‰‡ ‰ËÒÔÎÂÈ ÔÓ͇ÊÂÚ Ô‡‚ËθÌ˚È ˜‡Ò, ̇ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ÷ËÙ˚ ÏËÌÛÚ Ì‡ ‰ËÒÔΠÏË„‡˛Ú. 6 ◊ÚÓ·˚... Mo Tuning Mode Phones Õ‡ÊÏËÚ ÍÌÓÔÍÛ... œÂ‚ÂÒÚË ÏËÌÛÚ˚ ‚Ô‰ œÂ‚ÂÒÚË ÏËÌÛÚ˚ ̇Á‡‰ F r o n t L o a d i n g M e c h a nis m 7 KÓ„‰‡ ·Û‰ÂÚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÚÓ˜ÌÓ ‚ÂÏˇ, ̇ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ◊‡Ò˚ ̇˜Ë̇˛Ú ˉÚË Ë ÔÓ͇Á˚‚‡˛Ú ‚ÂÏˇ, ‰‡Ê ÍÓ„‰‡ ÒËÒÚÂχ ̇ıÓ‰ËÚÒˇ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË (Standby). ¬˚ ÏÓÊÂÚ ‚˚‚ÂÒÚË Ì‡ ‰ËÒÔÎÂÈ ÚÂÍÛ˘Â ‚ÂÏˇ, ‰‡Ê ÍÓ„‰‡ ‚˚ ÔÓθÁÛÂÚÂÒ¸ ‰Û„ÓÈ ÙÛÌ͈ËÂÈ ÒËÒÚÂÏ˚, Ó‰ËÌ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ Timer/Clock. œË ‚˚ÔÓÎÌÂÌËË ÿ‡„Ó‚ 4,6 ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ Û˜ÍÓÈ Multi Jog ‚ÏÂÒÚÓ ÍÌÓÔÓÍ / . Timer On/Off Timer/ Clock 2 1 EQ/S.Bass Sleep Aux TAPE CD SYNC. REV. Mode Random Counter Reset CD Repeat 3,5,7 Program/Set +10 VOL. Band Tuning Mode 4,6 10 VOL. 4,6 œÓÒÎۯ˂‡ÌË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ¬˚·Ó ‰ÓÓÊÍË Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ R Õ ‚ÓÒÔÓËÁ‚‰ËÚ ÒÛ‚ÂÌËÌ˚ ÍÓÏÔ‡ÍÚ-‰ËÒÍË ÌÂÔ‡‚ËθÌÓÈ ÙÓÏ˚, ̇ÔËÏÂ, ‚ ÙÓÏ Ò‰ˆ‡, ‚ÓÒ¸ÏËÛ„ÓθÌË͇ Ë Ú.Ô. ›ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ÔÓË„˚‚‡ÚÂΡ. ¬˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍË ‰Ë‡ÏÂÚÓÏ 12 ÒÏ ËÎË 8 ÒÏ ·ÂÁ ËÒÔÓθÁÓ‚‡Ìˡ ‡‰‡ÔÚ‡. 1 ¬˚·ÂËÚ ÙÛÌÍˆË˛ CD (KÓÏÔ‡ÍÚ-‰ËÒÍ) ̇ʇÚËÂÏ ÍÌÓÔÍË CD ̇ ÓÒÌÓ‚ÌÓÏ ·ÎÓÍÂ. 2 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Open/Close ( ) (ŒÚÍ˚Ú¸/«‡Í˚Ú¸) ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË. –ÂÁÛθڇÚ: ŒÚÒÂÍ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ÓÚÍ˚‚‡ÂÚÒˇ. 3 ”ÒÚ‡ÌÓ‚ËÚ ‚‡¯ ‰ËÒÍ ‚ ÓÚÒÂÍ Ú‡Í, ˜ÚÓ·˚ ÒÚÓÓ̇ ‰ËÒ͇ Ò ˝ÚËÍÂÚÍÓÈ ·˚· ̇ԇ‚ÎÂ̇ ‚‚Âı. 4 «‡ÍÓÈÚ ÓÚÒÂÍ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒ͇, ̇ʇ‚ ÍÌÓÔÍÛ Open/Close ( ) ¢ ‡Á. –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÍÓ΢ÂÒÚ‚Ó ‰ÓÓÊÂÍ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ Ë Ó·˘Â ‚ÂÏˇ Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌˡ. Õ‡ÊÏËÚ ÍÌÓÔÍÛ... —ÎÂ‰Û˛˘ÂÈ ‰ÓÓÊÍË Ó‰ËÌ ‡Á “ÂÍÛ˘ÂÈ ‰ÓÓÊÍË Ó‰ËÌ ‡Á ‰‚‡ ‡Á‡ ƒÓÓÊÍË ÔÓ ‚‡¯ÂÏÛ ‚˚·Ó Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD ( ‰ËÒ͇. 6 ŒÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ ‰Ó Ê·ÂÏÓ„Ó ÛÓ‚Ìˇ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: œÓ‚ÂÌËÚ ۘÍÛ Volume (√ÓÏÍÓÒÚ¸) + ËÎË - ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË ËÎË Õ‡ÊÏËÚ ÍÌÓÔÍÛ Volume + ËÎË - ̇ ÔÛθÚ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ. ËÎË ÌÛÊÌÓ ˜ËÒÎÓ ‡Á +10 Repeat Program/Set ), ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË VOL. Band Tuning Mode VOL. Mono/ST Mute ◊ÚÓ·˚ ‚ÂÏÂÌÌÓ ÔËÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ CD( ). ¬˚·Ó ÍÓÌÍÂÚÌÓ„Ó ÏÂÒÚ‡ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ◊ÚÓ·˚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ËÒ͇, ‚ÌÓ‚¸ ̇ÊÏËÚ ÍÌÓÔÍÛ CD( ). 8 ◊ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚ Ì‡˜‡Î‡... œÂ‰˚‰Û˘ÂÈ ‰ÓÓÊÍË 5 7 ¬˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰ÓÓÊÍÛ (ÏÛÁ˚͇θÌÓ ÔÓËÁ‚‰ÂÌËÂ), ÍÓÚÓÛ˛ Ê·ÂÚ ÒÎÛ¯‡Ú¸, ÎË·Ó ÍÓ„‰‡ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ̇ıÓ‰ËÚÒˇ ‚ ÂÊËÏ ì—ÚÓÔî, ÎË·Ó ‚Ó ‚ÂÏˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‰ËÒ͇. To stop playback, press the button. ¬Ó ‚ÂÏˇ ÔÓÒÎۯ˂‡Ìˡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ‚˚ ÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÌÛÊÌ˚È ÏÛÁ˚͇θÌ˚È ˝ÔËÁÓ‰ ̇ ‰ÓÓÊÍÂ. Volume 6 Power Surround TUNER/Band KÌÓÔÍÛ ‚ Ú˜ÂÌË ÔÓ Í‡ÈÌÂÈ Ï ӉÌÓÈ ÒÂÍÛ̉˚ KÌÓÔÍÛ ‚ Ú˜ÂÌË ÔÓ Í‡ÈÌÂÈ Ï ӉÌÓÈ ÒÂÍÛ̉˚ Sound Mode Sleep 1, 5, 7 Mono/ST Open/Close S.Bass Level Tuning Mode 8 Õ‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ... ¡ÎËÊÂ Í Â ÍÓÌˆÛ ¡ÎËÊÂ Í Â ̇˜‡ÎÛ CD TAPE ◊ÚÓ·˚ ̇ÈÚË ÌÛÊÌÓ ÏÂÒÚÓ Ì‡ ‰ÓÓÊÍ ... 2,4 Multi Jog Ã˚ ÒÓ‚ÂÚÛÂÏ ‚‡Ï ÛÏÂ̸¯ËÚ¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ô‰ ÚÂÏ, Í‡Í ÔÓθÁÓ‚‡Ú¸Òˇ ˝ÚÓÈ ÙÛÌ͈ËÂÈ. F r o n t L o a d i n g M e c h a n is m ¬ÓÒÔÓËÁ‚‰ÂÌË ‰ËÒÍÓ‚ CD-R ËÎË —D-RW Program/Set ƒËÒÍË ÚËÔ‡ CD-R (Ò Ó‰ÌÓ͇ÚÌÓÈ Á‡ÔËÒ¸˛) Ë —D-RW (ÔÂÂÁ‡ÔËÒ˚‚‡ÂÏ˚Â), Á‡ÔËÒ˚‚‡ÂÏ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ ‚ ÙÓχÚ ÏÛÁ˚͇θÌ˚ı ‡Û‰ËÓ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òˇ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ÓÌË ÛÊ Á‡ÔËÒ‡Ì˚ ìÓÍÓ̘‡ÚÂθÌÓî (Ӊ̇ÍÓ ‚ÓÁÏÓÊÌÓÒÚ¸ Ëı ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‰‡ÌÌ˚Ï ÔÓË„˚‚‡ÚÂÎÂÏ Á‡‚ËÒËÚ ÓÚ Ëı ı‡‡ÍÚÂËÒÚËÍ ËÎË ÛÒÎÓ‚ËÈ ‚˚ÔÓÎÌÂÌˡ Á‡ÔËÒË). ŒÚ‡Ê‡ÚÂθ̇ˇ ÒÔÓÒÓ·ÌÓÒÚ¸ ‰ËÒÍÓ‚ —D-RW ÏÂ̸¯Â ÓڇʇÚÂθÌÓÈ ÒÔÓÒÓ·ÌÓÒÚË Ó·˚˜Ì˚ı ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÔÓ˝ÚÓÏÛ ‰Îˇ Ò˜ËÚ˚‚‡Ìˡ ËÌÙÓχˆËË Ó ÒÓ‰ÂÊËÏÓÏ ‰ËÒ͇ ÔÓÒÎÂ Â„Ó Á‡„ÛÁÍË Ú·ÛÂÚÒˇ ·Óθ¯Â ‚ÂÏÂÌË. +10 Repeat VOL. Band Tuning Mode VOL. Mono/ST Mute 11 ‘ÛÌÍˆËˇ ÔÓÔÛÒ͇ 10 ‰ÓÓÊÂÍ Á‡ Ó‰ËÌ ‡Á ‘ÛÌÍˆËˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰Í R K‡ÚÍÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ì+10î ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÍÓÏÔ‡ÍÚ-‰ËÒ͇. Õ‡˜ÌÂÚÒˇ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÓÓÊÍË Ò ·ÎËʇȯËÏ ·Óθ¯ËÏ ÌÓÏÂÓÏ, ͇ÚÌ˚Ï 10. œËÏÂ: ≈ÒÎË ‚Ó ‚ÂÏˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‰ÓÓÊÍË 15 ‚˚ ıÓÚËÚ ‚˚·‡Ú¸ ‰ÓÓÊÍÛ Ò ÌÓÏÂÓÏ 43, ÚË ‡Á‡ ̇ÊÏËÚ ÍÌÓÔÍÛ ì+10î, ‡ Á‡ÚÂÏ ÚË ‡Á‡ ̇ÊÏËÚ ÍÌÓÔÍÛ . 15 ➝ 20 ➝ 30 ➝ 40 ➝ 41 ➝ 42 ➝ 43 +10 +10 ¬˚ ÏÓÊÂÚ ͇ʉ˚È ‡Á ÔÓÒÎۯ˂‡Ú¸ ‰ÓÓÊÍË, Ëϲ˘ËÂÒˇ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ, ‚ ‰Û„ÓÏ ÔÓˇ‰ÍÂ, Ú‡Í Í‡Í ‡ÁÌ˚ ‰ÓÓÊÍË ·Û‰ÛÚ ‚˚·Ë‡Ú¸Òˇ ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÒÎÛ˜‡ÈÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. 1 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Random (—ÎÛ˜‡ÈÌ˚È ÔÓˇ‰ÓÍ). Õ‡˜Ë̇ÂÚ Ò‚ÂÚËÚ¸Òˇ Ë̉Ë͇ÚÓ ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰ÍÂ, Ë ‚Ò ‰ÓÓÊÍË ‚ÓÒÔÓËÁ‚Ó‰ˇÚÒˇ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰ÍÂ. 2 KÓ„‰‡ ‚˚ Á‡ÍÓ̘ËÎË ÔÓÒÎۯ˂‡Ú¸ ‰ËÒÍ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰ÍÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ) ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ Random ¢ ‡Á. ‘ÛÌ͈ËË ÔÓ‚ÚÓ‡ Ë ÙÛÌÍˆËˇ ÒËÌıÓÌËÁËÓ‚‡ÌÌÓÈ Á‡ÔËÒË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓˇ‰Í Ì ‡·ÓÚ‡˛Ú. +10 CD CD SYNC. +10 Repeat Program/Set REV. Mode VOL. Random Counter Reset CD 1 Band Repeat Tuning Mode +10 2 Program/Set Band VOL. VOL. Mono/ST Mute œÓ‚ÚÓ Ó‰ÌÓÈ ËÎË ‚ÒÂı ‰ÓÓÊÂÍ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ¬˚ ÏÓÊÂÚ ÔÓ‚ÚÓˇÚ¸ ÌÂÓÔ‰ÂÎÂÌÌÓ ‰Ó΄Ó: KÓÌÍÂÚÌÛ˛ ‰ÓÓÊÍÛ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ. ¬Ò ‰ÓÓÊÍË, Ëϲ˘ËÂÒˇ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ. 1 ◊ÚÓ·˚ ÔÓ‚ÚÓˇÚ¸... Õ‡ÊÏËÚ ÍÌÓÔÍÛ Repeat ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ... “ÂÍÛ˘Û˛ ‰ÓÓÊÍÛ ÌÂÓÔ‰ÂÎÂÌÌÓ ‰ÓÎ„Ó REPEAT 1 (œÓ‚ÚÓ 1 ‰ÓÓÊÍË) ¬Ò ‰ÓÓÊÍË ‰ËÒ͇ 2 REPEAT ALL (œÓ‚ÚÓ ‚ÒÂ„Ó ‰ËÒ͇) ≈ÒÎË ‚˚ ıÓÚËÚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÓ‚ÚÓ ÍÓÏÔ‡ÍÚ-‰ËÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ). CD SYNC. REV. Mode Random Counter Reset CD 1 Repeat Program/Set 12 +10 2 VOL. Band œÓ„‡ÏÏËÓ‚‡ÌË ÔÓˇ‰Í‡ ‚ÓÒÔÓËÁ‚‰ÂÌˡ KÓÌÚÓθ ËÎË ËÁÏÂÌÂÌË Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı ‰ÓÓÊÂÍ R ¬˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ‰Îˇ Ò·ˇ: œÓˇ‰ÓÍ, ‚ ÍÓÚÓÓÏ ‚˚ ·Û‰ÂÚ ÔÓÒÎۯ˂‡Ú¸ ‰ÓÓÊÍË Ì‡ ‰ËÒÍÂ. ƒÓÓÊÍË, ÍÓÚÓ˚ ‚˚ Ì ıÓÚËÚ ÔÓÒÎۯ˂‡Ú¸. ¬˚ ÏÓÊÂÚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸ ÔÓˇ‰ÓÍ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ‰Ó 24 ‰ÓÓÊÂÍ. œÂʉ ˜ÂÏ ‚˚·Ë‡Ú¸ ‰ÓÓÊÍË, ‚˚ ‰ÓÎÊÌ˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚. ›Ú‡ ÙÛÌÍˆËˇ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òˇ ÒÓ‚ÏÂÒÚÌÓ Ò ÙÛÌ͈ËÂÈ ÔÓ‚ÚÓ‡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇. 1 ≈ÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËˇ CD (ÍÓÏÔ‡ÍÚ-‰ËÒÍ), ÓÒÚ‡ÌÓ‚ËÚ ÔÓË„˚‚‡ÚÂθ ̇ʇÚËÂÏ ÍÌÓÔÍË (—ÚÓÔ). 2 3 «‡„ÛÁËÚ ‚ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍ. Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set (œÓ„‡Ïχ/ ”ÒÚ‡Ìӂ͇). –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÒÎÂ‰Û˛˘Û˛ ËÌÙÓχˆË˛: (01 = ÌÓÏ ÔÓ„‡ÏÏ˚, - - = ÌÓÏ ‰ÓÓÊÍË Ì‡ ‰ËÒÍÂ) 4 ¬˚·ÂËÚ ÚÂ·Û˛˘Û˛Òˇ ‰ÓÓÊÍÛ Ì‡Ê‡ÚËÂÏ: ÍÌÓÔÍË , ˜ÚÓ·˚ ÔÂÂÏ¢‡Ú¸Òˇ ˜ÂÂÁ ‰ÓÓÊÍË Ì‡Á‡‰ ÍÌÓÔÍË , ˜ÚÓ·˚ ÔÂÂÏ¢‡Ú¸Òˇ ˜ÂÂÁ ‰ÓÓÊÍË ‚Ô‰ 5 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set, ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‡¯ ‚˚·Ó. –ÂÁÛθڇÚ: ¬˚·Ó Á‡ÌÓÒËÚÒˇ ‚ Ô‡ÏˇÚ¸ Ë Ì‡ ‰ËÒÔΠÔÓ͇Á˚‚‡ÂÚÒˇ ÒÎÂ‰Û˛˘ËÈ ÌÓÏ ÔÓ„‡ÏÏ˚. 6 7 ƒÎˇ ‚˚·Ó‡ ‰Û„Ëı ‰ÓÓÊÂÍ ÔÓ‚ÚÓˇÈÚ ÿ‡„Ë 5 Ë 6. ¬˚ ÏÓÊÂÚ ‚ β·Ó ‚ÂÏˇ ÔÓÍÓÌÚÓÎËÓ‚‡Ú¸ Ë ËÁÏÂÌËÚ¸ ‚˚·‡ÌÌ˚ ‚‡ÏË ‰ÓÓÊÍË. 1 ≈ÒÎË ‚˚ ÛÊ ̇˜‡ÎË ÔÓÒÎۯ˂‡Ú¸ ‚˚·‡ÌÌ˚ ‰ÓÓÊÍË, Ó‰ËÌ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ). 2 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set (œÓ„‡Ïχ/”ÒÚ‡Ìӂ͇). –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠÔÓˇ‚ΡÂÚÒˇ ÒÎÂ‰Û˛˘‡ˇ ËÌÙÓχˆËˇ: (01 = π ÔÓ„‡ÏÏ˚, - - = ÌÓÏ ‰ÓÓÊÍË Ì‡ ‰ËÒÍÂ) ¡ÛÍ‚‡ C (œÓ‚Â͇) ÔÓ͇Á˚‚‡ÂÚÒˇ ‚ÏÂÒÚÓ ÒÓÓ·˘ÂÌˡ PR (œÓ„‡ÏÏËÓ‚‡ÌËÂ) ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË Program / Set, ÂÒÎË ‚˚ ÛÊ Á‡ÔÓ„‡ÏÏËÓ‚‡ÎË 24 ‰ÓÓÊÍË. 3 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ̇ ‰ËÒÔΠ̠ÔÓˇ‚ËÚÒˇ ‰ÓÓÊ͇, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸. 4 Õ‡ÊÏËÚ ÍÌÓÔÍË / ËÎË ÔÓ‚ÂÌËÚ ۘÍÛ Multi Jog (ÃÌÓ„ÓÙÛÌ͈ËÓ̇θÌÛ˛) ‰Îˇ ‚˚·Ó‡ ‰Û„ÓÈ ‰ÓÓÊÍË. 5 6 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set, ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ËÁÏÂÌÂÌËÂ. Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD ( ), ˜ÚÓ·˚ ̇˜‡Ú¸ ÔÓÒÎۯ˂‡Ú¸ ‚˚·‡ÌÌ˚ ‰ÓÓÊÍË. –ÂÁÛθڇÚ: ¬ÓÒÔÓËÁ‚Ó‰ËÚÒˇ Ô‚‡ˇ ‚˚·‡Ì̇ˇ ‚‡ÏË ‰ÓÓÊ͇. Power Surround TUNER/Band Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD ( ), ˜ÚÓ·˚ ̇˜‡Ú¸ ÔÓÒÎۯ˂‡Ú¸ ‚˚·‡ÌÌ˚ ‰ÓÓÊÍË ‚ ÔÓˇ‰ÍÂ, ‚ ÍÓÚÓÓÏ ÓÌË ·˚ÎË Á‡ÔÓ„‡ÏÏËÓ‚‡Ì˚. CD Sound Mode Sleep TAPE 8 9 ◊ÚÓ·˚... Õ‡ÊÏËÚ ÍÌÓÔÍÛ... œÓÒÎÛ¯‡Ú¸ ÚÂÍÛ˘Û˛ ‰ÓÓÊÍÛ ÒÌÓ‚‡ œÓÒÎÛ¯‡Ú¸ Ô‰˚‰Û˘Û˛ ‰ÓÓÊÍÛ œÓÒÎÛ¯‡Ú¸ ÒÎÂ‰Û˛˘Û˛ ‰ÓÓÊÍÛ œÓÔÛÒÚËÚ¸ Ó‰ÌÛ ËÎË ÌÂÒÍÓθÍÓ ‰ÓÓÊÂÍ ‚ ÔˇÏÓÏ ËÎË Ó·‡ÚÌÓÏ Ì‡Ô‡‚ÎÂÌËË Ó‰ËÌ ‡Á ‰‚‡ ‡Á‡ Ó‰ËÌ ‡Á ËÎË ÌÛÊÌÓ ˜ËÒÎÓ ‡Á 4 Open/Close Mono/ST S.Bass Level Tuning Mode 4 Multi Jog 1 F r o n t L o a d i n g M e c h a n is m 4 ◊ÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó ‰ÓÓÊÂÍ, ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ): Œ‰ËÌ ‡Á, ÂÒÎË ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ÓÒÚ‡ÌÓ‚ÎÂÌ. –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠ·Óθ¯Â Ì ÔÓ͇Á˚‚‡ÂÚÒˇ ÒÓÓ·˘ÂÌË PRGM (œÓ„‡Ïχ). TAPE ≈ÒÎË ‚˚ ÓÚÍÓÂÚ ÓÚÒÂÍ ‰Îˇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ҉·ÌÌ˚È ‚‡ÏË ‚˚·Ó ‰ÓÓÊÂÍ ÓÚÏÂÌˇÂÚÒˇ. œË ‚˚ÔÓÎÌÂÌËË ÿ‡„‡ 4 ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ Û˜ÍÓÈ Multi Jog ‚ÏÂÒÚÓ ÍÌÓÔÓÍ / . REV. Mode CD SYNC. 1 1, 9 CD 3,5Repeat Program/Set Random CD 2,3,5Repeat 7 VOL. 4,8 +10 Program/Set 6 VOL. +10 Band 4 4 Band Counter Reset Tuning Mode 4,8 Tuning Mode VOL. VOL. 13 œÓËÒÍ ‡‰ËÓÒڇ̈ËÈ Ë Á‡ÔÓÏË̇ÌË ̇ÒÚÓÈÍË Ì‡ ÌËı ‚ Ô‡ÏˇÚË ÒËÒÚÂÏ˚ R ¬˚·Ó Á‡ÔÓÏÌÂÌÌÓÈ Òڇ̈ËË ¬˚ ÏÓÊÂÚ ı‡ÌËÚ¸ ‚ Ô‡ÏˇÚË ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍÛ Ì‡: ¬˚ ÏÓÊÂÚ ÒÎÛ¯‡Ú¸ ‡‰ËÓÒÚ‡ÌˆË˛, ‡·ÓÚ‡˛˘Û˛ ̇ Á‡ÌÂÒÂÌÌÓÈ ‚ Ô‡ÏˇÚ¸ ÒËÒÚÂÏ˚ ˜‡ÒÚÓÚÂ, ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: 15 FM ‡‰ËÓÒڇ̈ËÈ 8 —¬ ‡‰ËÓÒڇ̈ËÈ 7 ƒ¬ ‡‰ËÓÒڇ̈ËÈ 1 2 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( ). ¬˚·ÂËÚ Ê·ÂÏ˚È ‰Ë‡Ô‡ÁÓÌ ˜‡ÒÚÓÚ, ̇ʇ‚ ÍÌÓÔÍÛ TUNER/Band (“fiÕ≈–/ƒË‡Ô‡ÁÓÌ) ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË ËÎË ÍÌÓÔÍÛ Band (ƒË‡Ô‡ÁÓÌ) ̇ ÔÛθÚ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ. –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠÔÓˇ‚ΡÂÚÒˇ ̇Á‚‡ÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ‰Ë‡Ô‡ÁÓ̇: FM ◊‡ÒÚÓÚ̇ˇ ÏÓ‰ÛΡˆËˇ AM(MW) —‰ÌË ‚ÓÎÌ˚ LW ƒÎËÌÌ˚ ‚ÓÎÌ˚ 3 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Tuning Mode (–ÂÊËÏ Ì‡ÒÚÓÈÍË) Œ‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ ÒÓÓ·˘ÂÌË MANUAL (–ۘ̇ˇ ̇ÒÚÓÈ͇) Œ‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ‰ËÒÔÎÂÈ ¿‚ÚÓχÚ˘ÂÒÍË Ì ÔÓ͇ÊÂÚ ÒÓÓ·˘ÂÌË AUTO (¿‚ÚÓχÚ˘ÂÒ͇ˇ ̇ÒÚÓÈ͇) ‘ÛÌÍˆËˇ ‚˚·Ó‡ Ô‰‚‡ËÚÂθÌÓ Ì‡ÒÚÓÂÌÌ˚ı Òڇ̈ËÈ ÔÓ‰Ó·ÌÓ Ó·˙ˇÒÌˇÂÚÒˇ ‚ Ô˂‰ÂÌÌÓÏ ÌËÊ ‡Á‰ÂΠì¬˚·Ó Á‡ÔÓÏÌÂÌÌÓÈ ‡‰ËÓÒڇ̈ËËî. 1 2 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( 3 ¬˚·ÂËÚ ‡‰ËÓÒÚ‡ÌˆË˛ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: ¬˚·ÂËÚ Ê·ÂÏ˚È ‰Ë‡Ô‡ÁÓÌ ˜‡ÒÚÓÚ, ̇ʇ‚ ÍÌÓÔÍÛ TUNER/Band (“fiÕ≈–/ƒË‡Ô‡ÁÓÌ) ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË. ◊ÚÓ·˚ ÒÎÛ¯‡Ú¸... Õ‡ÊÏËÚÂ... —Ú‡ÌˆË˛, ̇ÒÚÓÈ͇ ̇ ÍÓÚÓÛ˛ Á‡ÌÂÒÂ̇ ‚ Ô‡ÏˇÚ¸ ÒËÒÚÂÏ˚ 1. KÌÓÔÍÛ Tuning Mode, ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ ÒÓÓ·˘ÂÌË ìPRESETî (̇ÒÚÓÂÌ̇ˇ ÒÚ‡ÌˆËˇ). 2. KÌÓÔÍË / ‰Îˇ ‚˚·Ó‡ ÌÛÊÌÓÈ Òڇ̈ËË. ƒÎˇ ÔÓËÒ͇ ‡‰ËÓÒڇ̈ËË... ¬Û˜ÌÛ˛ 4 ¬˚·ÂËÚ ÒÚ‡ÌˆË˛, ̇ÒÚÓÈÍÛ Ì‡ ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏˇÚË, ÔÓÒ‰ÒÚ‚ÓÏ: œÓ‚ÓÓÚ‡ Û˜ÍË Multi Jog (ÏÌÓ„ÓÙÛÌ͈ËÓ̇θÌÓÈ) ‚Ô‡‚Ó ËÎË ‚ÎÂ‚Ó ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ‰Îˇ Û‚Â΢ÂÌˡ ËÎË ÛÏÂ̸¯ÂÌˡ ˜‡ÒÚÓÚ˚. ËÎË Õ‡Ê‡Úˡ ÍÌÓÔÍË ËÎË . ). Demo REC/Pause On/Standby TUNER/Band 2 1 AUX TAPE CD Repeat M Tuning Mode 3 Phones F r o n t L o a d i n g M e c h a nis m ◊ÚÓ·˚ ÔË ÔÓËÒÍ ‚ Û˜ÌÓÏ ÂÊËÏ ·˚ÒÚ ËÁÏÂÌˇÎ‡Ò¸ ˜‡ÒÚÓÚ‡, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ ËÎË . ¬Ó ‚ÂÏˇ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ÔÓËÒ͇ Ú˛Ì ÏÓÊÂÚ ÓÒÚ‡ÌÓ‚ËÚ¸Òˇ ̇ ˜‡ÒÚÓÚÂ, ̇ ÍÓÚÓÓÈ ÌÂÚ ‡‰ËÓÒڇ̈ËË. ≈ÒÎË ˝ÚÓ ÒÎÛ˜ËÚÒˇ, ËÒÔÓθÁÛÈÚ ÂÊËÏ Û˜ÌÓ„Ó ÔÓËÒ͇. 5 ≈ÒÎË ‚˚ Ì ıÓÚËÚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ Ì‡ ̇ȉÂÌÌÛ˛ ÒÚ‡ÌˆË˛, ‚ÂÌËÚÂÒ¸ Í ÿ‡„Û 4 ‰Îˇ ÔÓËÒ͇ ‰Û„ÓÈ Òڇ̈ËË. ¬ ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â: ‡ Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/ Set (œÓ„‡Ïχ/”ÒÚ‡Ìӂ͇). –ÂÁÛθڇÚ: ¬ Ú˜ÂÌË ÌÂÒÍÓθÍËı ÒÂÍÛ̉ ‰ËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÌÓÏ ÔÓ„‡ÏÏ˚ Ë ÒÓÓ·˘ÂÌË PRGM (œÓ„‡Ïχ). · Õ‡ÊÏËÚ ÍÌÓÔÍÛ ËÎË ËÎË ÔÓ‚ÂÌËÚ ۘÍÛ Multi Jog, ˜ÚÓ·˚ ÔËÒ‚ÓËÚ¸ ÔÓ„‡ÏÏ ÌÓÏ ÏÂÊ‰Û 1 Ë 15. ‚ Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍÛ Ì‡ ‡‰ËÓÒÚ‡ÌˆË˛. –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ·Óθ¯Â Ì ÔÓ͇Á˚‚‡ÂÚ ÒÓÓ·˘ÂÌË PRGM, Ë Ì‡ÒÚÓÈ͇ ̇ ÒÚ‡ÌˆË˛ ÒÓı‡ÌÂ̇. 6 ƒÎˇ ÒÓı‡ÌÂÌˡ ‚ Ô‡ÏˇÚË Ì‡ÒÚÓÈÍË Ì‡ β·˚ ‰Û„Ë ÚÂ·Û˛˘ËÂÒˇ Òڇ̈ËË, ÔÓ‚ÚÓËÚ ÿ‡„Ë Ò 3 ÔÓ 5. ‘ÛÌÍˆËˇ PROGRAM ÏÓÊÂÚ ·˚Ú¸ ËÒÔÓθÁÓ‚‡Ì‡, ˜ÚÓ·˚ ̇Á̇˜ËÚ¸ ÌÓ‚Û˛ ‡‰ËÓÒÚ‡ÌˆË˛ ÒÛ˘ÂÒÚ‚Û˛˘ÂÏÛ ÌÓÏÂÛ ÔÓ„‡ÏÏ˚. Demo REC/Pause On/Standby CD Synchro 1 AUX CD Repeat Power Surround TUNER/Band 2 CD 45 ”ÎÛ˜¯ÂÌË ͇˜ÂÒÚ‚‡ ÔËÂχ ¬˚ ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸ ͇˜ÂÒÚ‚Ó ÔËÂχ ‡‰ËÓÒڇ̈ËÈ ÔÓÒ‰ÒÚ‚ÓÏ: ¬‡˘ÂÌˡ (ËÁÏÂÌÂÌˡ ÓËÂÌÚ‡ˆËË) FM ËÎË AM (—¬) ‡ÌÚÂÌÌ˚. ≈ÒÎË ÔË ÔËÂÏ ÍÓÌÍÂÚÌÓÈ Òڇ̈ËË ‚ FM ‰Ë‡Ô‡ÁÓÌ ͇˜ÂÒÚ‚Ó ÔËÂχ ÔÎÓıÓÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ Mono/ST (ÃÓÌÓ/—ÚÂÂÓ) ‰Îˇ ÔÂÂÍβ˜ÂÌˡ ËÁ ÂÊËχ ìÒÚÂÂÓî ‚ ÂÊËÏ ìÏÓÌÓî. ›ÚÓ ÛÎÛ˜¯ËÚ Í‡˜ÂÒÚ‚Ó Á‚Û͇. Program/Set Sound Mode 45 Tuning Mode Mono/ST S.Bass Level VOL. Multi Jog 2 Program/Set 45 VOL. 3 Tuning Mode VOL. 14 45 F r o n t L o a d i n g M e c h a nis m 5 Band Open/Close 3 Phones VOL. Tuning Mode Sleep TAPE Band 45 Mono/ST S CD CD Synchro Mute œÓÒÎۯ˂‡ÌË ͇ÒÒÂÚ˚ —˜ÂÚ˜ËÍ ÎÂÌÚ˚ R ¬Ò„‰‡ ÓÒÚÓÓÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‚‡¯ËÏË Í‡ÒÒÂÚ‡ÏË; ÂÒÎË ÌÂÓ·ıÓ‰ËÏÓ, Ó·‡˘‡ÈÚÂÒ¸ Í ‡Á‰ÂÎÛ ìÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡Û‰ËÓ͇ÒÒÂÚî ̇ ÒÚ. 21. 1 2 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( ). ŒÚÍÓÈÚ ͇ÒÒÂÚÌÛ˛ ‰ÂÍÛ, ̇ʇ‚ Û„ÓÎ Í˚¯ÍË ‰ÂÍË ‚ ÏÂÒÚÂ, „‰Â ̇ÔËÒ‡ÌÓ Push Eject ( ) (Õ‡ÊÏËÚÂ, ˜ÚÓ·˚ ÓÚÍ˚Ú¸), ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ, Ë Á‡ÚÂÏ ÓÚÔÛÒÚË‚ Í˚¯ÍÛ. ¬ÒÚ‡‚¸Ú ͇ÒÒÂÚÛ Ò Á‡ÔËÒ¸˛ Ú‡Í, ˜ÚÓ·˚ ÓÚÍ˚Ú˚È Í‡È Í‡ÒÒÂÚ˚ ·˚Π̇ԇ‚ÎÂÌ ‚ÌËÁ. 3 «‡ÍÓÈÚ ‰ÂÍÛ Ì‡Ê‡ÚËÂÏ Ì‡ Í˚¯ÍÛ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ó̇ Ì ‚ÒÚ‡ÌÂÚ Ì‡ ÏÂÒÚÓ ÒÓ ˘ÂΘÍÓÏ. 4 ◊ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸... œË ‚ÓÒÔÓËÁ‚‰ÂÌËË Í‡ÒÒÂÚ˚, ̇ ‰ËÒÔΠÔÓˇ‚Ρ˛ÚÒˇ ÔÓ͇Á‡Ìˡ Ò˜ÂÚ˜Ë͇ ÎÂÌÚ˚, ˜ÚÓ ÔÓÁ‚ÓΡÂÚ ‚‡Ï ÓÚÏÂÚËÚ¸ Â„Ó ÔÓ͇Á‡Ìˡ ‚ ̇˜‡ÎÂ Í‡Ê‰Ó„Ó ÏÛÁ˚͇θÌÓ„Ó ÔÓËÁ‚‰ÂÌˡ Ë, ·Î‡„Ó‰‡ˇ ˝ÚÓÏÛ, ÔÓÎÛ˜ËÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ ‰‡Î¸ÌÂȯÂÏ Ì‡˜Ë̇ڸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚ Ì‡˜‡Î‡ ÔÓËÁ‚‰ÂÌˡ, ÍÓÚÓÓ ‚˚ Ê·ÂÚ ÔÓÒÎÛ¯‡Ú¸. —˜ÂÚ˜ËÍ ÎÂÌÚ˚ ÔÓˇ‚ΡÂÚÒˇ ̇ ‰ËÒÔΠÚÓθÍÓ ‚Ó ‚ÂÏˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ͇ÒÒÂÚ˚. œÂ‰ ̇˜‡ÎÓÏ Á‡ÔËÒË Í‡ÒÒÂÚ˚, ‰Îˇ ÍÓÚÓÓÈ ‚˚ Ê·ÂÚ ÓÚÏÂÚËÚ¸ ÔÓ͇Á‡Ìˡ Ò˜ÂÚ˜Ë͇ ‚ ̇˜‡ÎÂ Í‡Ê‰Ó„Ó ÏÛÁ˚͇θÌÓ„Ó ÔÓËÁ‚‰ÂÌˡ, ÛÒÚ‡ÌÓ‚ËÚ ҘÂÚ˜ËÍ Ì‡ ÌÛθ ̇ʇÚËÂÏ ÍÌÓÔÍË Counter Reset (—·ÓÒ Ò˜ÂÚ˜Ë͇ ÎÂÌÚ˚). Õ‡ÊÏËÚ ÍÌÓÔÍÛ... TAPE —ÚÓÓÌÛ ¿ —ÚÓÓÌÛ ¬ –ÂÁÛθڇÚ: K‡ÒÒÂÚ‡ ̇˜Ë̇ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òˇ. 5 Õ‡ÊËχÈÚ ÍÌÓÔÍÛ ËÎË CD SYNC. REV. Mode Random ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË: ◊ÚÓ·˚... Counter Reset CD Õ‡ÊÏËÚ ÍÌÓÔÍÛ... œÂÂÏÓÚ‡Ú¸ ÎÂÌÚÛ Ì‡Á‡‰ +10 Repeat œÂÂÏÓÚ‡Ú¸ ÎÂÌÚÛ ‚Ô‰ 6 KÓ„‰‡ ‚˚ Á‡ÍÓ̘ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ). ¬˚·Ó ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ͇ÒÒÂÚ˚ Volume Demo Power Surround TUNER/Band REC/Pause ¬‡¯‡ ÏËÍÓÍÓÏÔÓÌÂÌÚ̇ˇ ÒËÒÚÂχ ËÏÂÂÚ ÚË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ͇ÒÒÂÚ˚, ÍÓÚÓ˚ ÔÓÁ‚ÓΡ˛Ú ‚‡Ï ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÒÎۯ˂‡Ú¸ Ó·Â ÒÚÓÓÌ˚ ͇ÒÒÂÚ˚. Õ‡ÊÏËÚ ÍÌÓÔÍÛ REV. Mode (–ÂÊËÏ Â‚ÂÒ‡) Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ ÒËÏ‚ÓÎ ÌÛÊÌÓ„Ó ‚‡Ï ÂÊËχ. Sound Mode On/Standby 1 5 CD Synchro AUX CD Mono/ST 5 Tuning Mode 6 Phones Sleep TAPE CD Repeat F r o n t L o a d i n g M e c h a nis m 5 Open/Close S.Bass Level Multi Jog KÓ„‰‡ ‰ËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ... —ËÒÚÂχ ‚ÓÒÔÓËÁ‚Ó‰ËÚ... Œ‰ÌÛ ÒÚÓÓÌÛ ‚˚·‡ÌÌÓÈ Í‡ÒÒÂÚ˚ Ë Á‡ÚÂÏ ÓÒڇ̇‚ÎË‚‡ÂÚÒˇ. MIC MIC Mixing Œ‰ÌÛ ÒÚÓÓÌÛ Í‡ÒÒÂÚ˚. ƒÛ„Û˛ ÒÚÓÓÌÛ Í‡ÒÒÂÚ˚ Ë Á‡ÚÂÏ ÓÒڇ̇‚ÎË‚‡ÂÚÒˇ. Œ·Â ÒÚÓÓÌ˚ ͇ÒÒÂÚ˚ ÌÂÓÔ‰ÂÎÂÌÌÓ ‰Ó΄Ó, ÔÓ͇ ‚˚ Ì ̇ÊÏÂÚ ÍÌÓÔÍÛ ì—ÚÓÔî. TAPE CD SYNC. REV. Mode Random Counter Reset CD Repeat +10 15 «‡ÔËÒ¸ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ «‡ÔËÒ¸ Ô‰‡˜Ë ‡‰ËÓÒڇ̈ËË R ¬˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ì‡ ͇ÒÒÂÚÛ ‰‚ÛÏˇ ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË: ¬˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ê·ÂÏÛ˛ Ô‰‡˜Û, Ô‰‡‚‡ÂÏÛ˛ ‡‰ËÓÒڇ̈ËÂÈ. —ËÌıÓÌËÁËÓ‚‡Ì̇ˇ Á‡ÔËÒ¸ œˇÏ‡ˇ Á‡ÔËÒ¸ ¬‡Ï Ì Ú·ÛÂÚÒˇ „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸, Ú‡Í Í‡Í Ó̇ Ì ‚ÎˡÂÚ Ì‡ Á‡ÔËÒ¸. —ËÌıÓÌËÁËÓ‚‡Ì̇ˇ Á‡ÔËÒ¸ 1 2 3 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( «‡„ÛÁËÚ ‚ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍ. 4 Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD ( ). »ÒÔÓθÁÛÈÚ ÍÌÓÔÍË ÔÓÔÛÒ͇ ‰ÓÓÊÂÍ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ( , ), ˜ÚÓ·˚ ‚˚·‡Ú¸ Ê·ÂÏÛ˛ ÔÂÒÌ˛. ¬˚·ÂËÚ ‡‰ËÓÒÚ‡ÌˆË˛, Ô‰‡˜Û ÍÓÚÓÓÈ ‚˚ Ê·ÂÚ Á‡ÔËÒ‡Ú¸, ̇ÊËχˇ ÍÌÓÔÍÛ ËÎË . 5 Õ‡ÊÏËÚ ÍÌÓÔÍÛ REC/Pause («¿œ»—‹/œ‡ÛÁ‡). –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠÔӉ҂˜˂‡ÂÚÒˇ ͇ÒÌ˚Ï ˆ‚ÂÚÓÏ ÒÓÓ·˘ÂÌË REC («‡ÔËÒ¸) Ë Ì‡˜Ë̇ÂÚÒˇ Á‡ÔËÒ¸. 6 ◊ÚÓ·˚ ÔÂ͇ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ ƒ‡Ì̇ˇ ÙÛÌÍˆËˇ ÔÓÁ‚ÓΡÂÚ ‚‡Ï ÒËÌıÓÌËÁËÓ‚‡Ú¸ ̇˜‡ÎÓ Á‡ÔËÒË Ò Ì‡˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ËÎË ‚˚·‡ÌÌÓÈ ‚‡ÏË ÍÓÌÍÂÚÌÓÈ ‰ÓÓÊÍË (ÔÂÒÌË) ̇ ‰ËÒÍÂ. 1 2 3 4 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( ). ). ”ÒÚ‡ÌÓ‚ËÚ ‚ ‰ÂÍÛ Í‡ÒÒÂÚÛ ·ÂÁ Á‡ÔËÒË. ¬˚·ÂËÚ ÙÛÌÍˆË˛ TUNER (“˛ÌÂ) ̇ʇÚËÂÏ ÍÌÓÔÍË TUNER/Band (“fiÕ≈–/ƒË‡Ô‡ÁÓÌ). ”ÒÚ‡ÌÓ‚ËÚ ‚ ‰ÂÍÛ Í‡ÒÒÂÚÛ ·ÂÁ Á‡ÔËÒË. 5 Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD Synchro (—ËÌıÓÌËÁ‡ˆËˇ Ò ÍÓÏÔ‡ÍÚ-‰ËÒÍÓÏ). Õ‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ ‚ ÂÊËÏ ì—ÚÓÔî, ˜ÚÓ·˚ ̇˜‡Ú¸ Á‡ÔËÒ¸ Ò Ô‚ÓÈ ‰ÓÓÊÍË ‰ËÒ͇. ≈ÒÎË ÍÌÓÔ͇ CD Synchro ̇ʇڇ ‚Ó ‚ÂÏˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇, Á‡ÔËÒ¸ ̇˜ÌÂÚÒˇ Ò Ì‡˜‡Î‡ ÚÂÍÛ˘ÂÈ ‚ÓÒÔÓËÁ‚Ó‰ˇ˘ÂÈÒˇ ‰ÓÓÊÍË. 6 ◊ÚÓ·˚ ÔÂ͇ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ (—ÚÓÔ). Demo 1 5 AUX CD 4 Sleep TAPE CD Repeat Mono/ST 5 Tuning Mode AUX Phones –ÂÊËÏ ÔˇÏÓÈ Á‡ÔËÒË ÔÓÁ‚ÓΡÂÚ ‚‡Ï ̇˜‡Ú¸ Á‡ÔËÒ¸ Ò Î˛·ÓÈ ‰ÓÓÊÍË (ÏÛÁ˚͇θÌÓ„Ó ÔÓËÁ‚‰ÂÌˡ) ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ. ¬‡Ï Ì Ú·ÛÂÚÒˇ „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸, Ú‡Í Í‡Í Ó̇ Ì ‚ÎˡÂÚ Ì‡ Á‡ÔËÒ¸. ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( «‡„ÛÁËÚ ‚ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍ. Õ‡ÊÏËÚ ÍÌÓÔÍÛ CD ( ). »ÒÔÓθÁÛÈÚ ÍÌÓÔÍË ÔÓÔÛÒ͇ ‰ÓÓÊÂÍ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ( , ), ˜ÚÓ·˚ ‚˚·‡Ú¸ Ê·ÂÏÛ˛ ÔÂÒÌ˛. Õ‡ÊÏËÚ ÍÌÓÔÍÛ REC/Pause («¿œ»—‹/œ‡ÛÁ‡). –ÂÁÛθڇÚ: Õ‡˜Ë̇ÂÚÒˇ Á‡ÔËÒ¸ ̇ ͇ÒÒÂÚÛ. 6 ◊ÚÓ·˚ ÔÂ͇ÚËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ Demo 5 On/Standby 1 AUX REC/Pause CD Synchro (—ÚÓÔ). Phones Power Surround TUNER/Band CD TAPE 4 6 F r o n t L o a d i n g M e c h a nis m Sound Mode Sleep Mono/ST CD Repeat Tuning Mode 16 ). ”ÒÚ‡ÌÓ‚ËÚ ‚ ‰ÂÍÛ Í‡ÒÒÂÚÛ ·ÂÁ Á‡ÔËÒË. 5 M 4 4 œˇÏ‡ˇ Á‡ÔËÒ¸ 1 2 3 4 CD Repeat Tuning Mode 5 F r o n t L o a d i n g M e c h a nis m Open/Close S TAPE Open/Close 6 Phones P Su TUNER/Band CD CD Synchro 1 On/Standby 3 REC/Pause 5 On/Standby CD Synchro (—ÚÓÔ). 6 F r o n t L o a d i n g M e c h a nis m ‘ÛÌÍˆËˇ Ú‡Èχ R 9 »Ï²˘ËÈÒˇ ‚ ÒËÒÚÂÏ ڇÈÏ ÔÓÁ‚ÓΡÂÚ ‚‡Ï ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ ÒËÒÚÂÏÛ ‚ ‚˚·‡ÌÌÓ ‚‡ÏË ‚ÂÏˇ. œËÏÂ: ¬˚ ıÓÚËÚÂ, ˜ÚÓ·˚ ‚‡Ò ͇ʉÓ ÛÚÓ ·Û‰Ë· ÏÛÁ˚͇.. ≈ÒÎË ‚˚ ·Óθ¯Â Ì ıÓÚËÚÂ, ˜ÚÓ·˚ ÒËÒÚÂχ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡Î‡Ò¸ Ë ‚˚Íβ˜‡Î‡Ò¸, ‚˚ ‰ÓÎÊÌ˚ ÓÚÍβ˜ËÚ¸ Ú‡ÈÏÂ. œÂʉ ˜ÂÏ ÔÓ„‡ÏÏËÓ‚‡Ú¸ Ú‡ÈÏÂ, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ˜‡Ò˚ ÒËÒÚÂÏ˚ ÔÓ͇Á˚‚‡˛Ú ÚÓ˜ÌÓ ‚ÂÏˇ. Õ‡ ͇ʉÓÏ ¯‡„ ‚ ‚‡¯ÂÏ ‡ÒÔÓˇÊÂÌËË ËÏÂÂÚÒˇ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ ‰Îˇ ‚˚ÔÓÎÌÂÌˡ ÚÂ·Û˛˘ËıÒˇ ‰ÂÈÒÚ‚ËÈ. ≈ÒÎË ‚˚ Ô‚˚ÒËÚ ˝ÚÓ ‚ÂÏˇ, ‚‡Ï ÔˉÂÚÒˇ ̇˜Ë̇ڸ ‚Ò Ò̇˜‡Î‡. 1 2 3 4 5 ¬Íβ˜ËÚ ÒËÒÚÂÏÛ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( ՇʇÚËÂÏ ÍÌÓÔÍË ¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸ ( ) Ô‚‰ËÚ ÒËÒÚÂÏÛ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË. –ÂÁÛθڇÚ: ¬ÌËÁÛ Ò΂‡ ÓÚ ÔÓ͇Á‡ÌËÈ ‚ÂÏÂÌË Ì‡ ‰ËÒÔΠÔÓˇ‚ΡÂÚÒˇ ÒËÏ‚ÓÎ , ÓÁ̇˜‡˛˘ËÈ, ˜ÚÓ Ú‡ÈÏ ÛÒÚ‡ÌÓ‚ÎÂÌ. —ËÒÚÂχ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜ËÚÒˇ Ë ‚˚Íβ˜ËÚÒˇ ‚ Á‡‰‡ÌÌÓ ‚ÂÏˇ. ≈ÒÎË ‚ÂÏˇ ‚Íβ˜ÂÌˡ Ë ‚˚Íβ˜ÂÌˡ ÔÓ Ú‡ÈÏÂÛ ÒÓ‚Ô‡‰‡ÂÚ, ̇ ‰ËÒÔΠÔÓˇ‚ΡÂÚÒˇ ÒÎÓ‚Ó ERROR (Œ¯Ë·Í‡). œË ‚˚ÔÓÎÌÂÌËË ÿ‡„Ó‚ 4, 5, 6, 7 ‚˚ ÏÓÊÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ . Û˜ÍÓÈ Multi Jog ‚ÏÂÒÚÓ ÍÌÓÔÓÍ / ). Timer On/Off Õ‡ÊËχÈÚ ÍÌÓÔÍÛ Timer/Clock (“‡ÈÏÂ/ ◊‡Ò˚), ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ ÒÓÓ·˘ÂÌË TIMER (“‡ÈÏÂ). 1,9 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set (œÓ„‡Ïχ/ ”ÒÚ‡Ìӂ͇). –ÂÁÛθڇÚ: ¬ Ú˜ÂÌË ÌÂÒÍÓθÍËı ÒÂÍÛ̉ ‰ËÒÔÎÂÈ ·Û‰ÂÚ ÔÓ͇Á˚‚‡Ú¸ ÒÓÓ·˘ÂÌË ON TIME (¬ÂÏˇ ‚Íβ˜ÂÌˡ) (‚ÏÂÒÚÓ ÒËÏ‚ÓÎÓ‚ ˝Í‚‡Î‡ÈÁ‡), ÔÓÒΠ˜Â„Ó ÔÓ͇Á˚‚‡ÂÚÒˇ ÛÊ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ ‚ÂÏˇ ‚Íβ˜ÂÌˡ ÒËÒÚÂÏ˚; ‚˚ ÏÓÊÂÚ ÛÒڇ̇‚ÎË‚‡Ú¸ ÌÓ‚Ó ‚ÂÏˇ ‚Íβ˜ÂÌˡ ÒËÒÚÂÏ˚. EQ/S.Bass 6 ՇʇÚËÂÏ ÍÌÓÔÍË ËÎË ÓÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÒÓÓ·˘ÂÌËÂ, Ô‰·„‡˛˘Â ‚˚·‡Ú¸ ËÒÚÓ˜ÌËÍ ÏÛÁ˚ÍË. 7 ՇʇÚËÂÏ ÍÌÓÔÍË ËÎË ‚˚·ÂËÚ ËÒÚÓ˜ÌËÍ ÏÛÁ˚ÍË, ÍÓÚÓ˚È ·Û‰ÂÚ ‡·ÓÚ‡Ú¸ ÔË ‚Íβ˜ÂÌËË ÒËÒÚÂÏ˚ ÔÓ Ú‡ÈÏÂÛ. ≈ÒÎË ‚˚ ‚˚·‡ÎË... ¬˚ ‰ÓÎÊÌ˚ Ú‡ÍÊÂ.... TAPE (͇ÒÒÂÚ‡) ”ÒÚ‡ÌÓ‚ËÚ¸ ‚ ‰ÂÍÛ Í‡ÒÒÂÚÛ Ò Á‡ÔËÒ¸˛ Ô‰ Ô‚ӉÓÏ ÒËÒÚÂÏ˚ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË. TUNER (‡‰ËÓ) a Շʇڸ ÍÌÓÔÍÛ Program/Set. · ¬˚·‡Ú¸ Ô‰‚‡ËÚÂθÌÓ CD SYNC. 8 REV. Mode Random Counter Reset CD +10 3,4,5,6,7,8Repeat Program/Set 4,5,6,7 Band VOL. 4,5,6,7 Tuning Mode VOL. . ŒÚÏÂ̇ ‰ÂÈÒڂˡ Ú‡Èχ . œÓÒΠÚÓ„Ó, Í‡Í ‚˚ ÛÒÚ‡ÌÓ‚ËÎË Ú‡ÈÏÂ, ÓÌ Ì‡˜Ë̇ÂÚ ‡·ÓÚ‡Ú¸ ‡‚ÚÓχÚ˘ÂÒÍË, ̇ ˜ÚÓ Û͇Á˚‚‡ÂÚ ÒËÏ‚ÓÎ “¿…Ã≈–¿ ̇ ‰ËÒÔÎÂÂ. ≈ÒÎË ‚˚ ·Óθ¯Â Ì ıÓÚËÚ ÔÓθÁÓ‚‡Ú¸Òˇ Ú‡ÈÏÂÓÏ, ‚˚ ‰ÓÎÊÌ˚ ÓÚÍβ˜ËÚ¸ „Ó. ¬˚ ÏÓÊÂÚ ÓÚÍβ˜ËÚ¸ Ú‡ÈÏ ‚ β·Ó ‚ÂÏˇ (‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ‚Íβ˜Â̇ ÎË ÒËÒÚÂχ ËÎË Ó̇ ̇ıÓ‰ËÚÒˇ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË). ◊ÚÓ·˚... Õ‡ÊÏËÚ ÍÌÓÔÍÛ Timer On/Off (¬Íβ˜ÂÌËÂ/ ¬˚Íβ˜ÂÌË ڇÈχ)... ŒÚÍβ˜ËÚ¸ Ú‡ÈÏ Œ‰ËÌ ‡Á. –ÂÁÛθڇÚ: —ËÏ‚ÓÎ ·Óθ¯Â Ì ÔÓ͇Á˚‚‡ÂÚÒˇ. ¬ÌÓ‚¸ ‚Íβ˜ËÚ¸ Ú‡ÈÏ ƒ‚‡ ‡Á‡. –ÂÁÛθڇÚ: Õ‡ ‰ËÒÔΠ‚ÌÓ‚¸ ÔÓˇ‚ΡÂÚÒˇ ÒËÏ‚ÓÎ Timer On/Off ̇ÒÚÓÂÌÌÛ˛ ‡‰ËÓÒÚ‡ÌˆË˛ ̇ʇÚËÂÏ ÍÌÓÔÍË Tuning (Õ‡ÒÚÓÈ͇) ËÎË . CD (ÍÓÏÔ‡ÍÚ-‰ËÒÍ) Aux TAPE ”ÒÚ‡ÌÓ‚ËÚ ‚ÂÏˇ ‚Íβ˜ÂÌˡ ÔÓ Ú‡ÈÏÂÛ. ‡ ”ÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË ˜‡ÒÓ‚ ̇ʇÚËÂÏ ÍÌÓÔÍË ËÎË . · Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ÷ËÙ˚ ÏËÌÛÚ Ì‡˜Ë̇˛Ú ÏË„‡Ú¸. ‚ ”ÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË ÏËÌÛÚ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ËÎË . „ Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ¬ Ú˜ÂÌË ÌÂÒÍÓθÍËı ÒÂÍÛ̉ ‰ËÒÔÎÂÈ ·Û‰ÂÚ ÔÓ͇Á˚‚‡Ú¸ ÒÓÓ·˘ÂÌË OFF TIME (¬ÂÏˇ ‚˚Íβ˜ÂÌˡ) (‚ÏÂÒÚÓ ÒËÏ‚ÓÎÓ‚ ˝Í‚‡Î‡ÈÁ‡), ÔÓÒΠ˜Â„Ó ÔÓ͇Á˚‚‡ÂÚÒˇ ÛÊ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ ‚ÂÏˇ ‚˚Íβ˜ÂÌˡ ÒËÒÚÂÏ˚; ‚˚ ÏÓÊÂÚ ÛÒڇ̇‚ÎË‚‡Ú¸ ÌÓ‚Ó ‚ÂÏˇ ‚˚Íβ˜ÂÌˡ ÒËÒÚÂÏ˚. ”ÒÚ‡ÌÓ‚ËÚ ‚ÂÏˇ ‚˚Íβ˜ÂÌˡ ÔÓ Ú‡ÈÏÂÛ. a ”ÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË ˜‡ÒÓ‚ ̇ʇÚËÂÏ ÍÌÓÔÍË ËÎË · Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ÷ËÙ˚ ÏËÌÛÚ Ì‡˜Ë̇˛Ú ÏË„‡Ú¸. ‚ ”ÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË ÏËÌÛÚ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË ËÎË „ Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set. –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÒÓÓ·˘ÂÌË VOL 10 (√ÓÏÍÓÒÚ¸ 10), „‰Â 10 ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÛÊ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏÛ ÛÓ‚Ì˛ „ÓÏÍÓÒÚË. Sleep Timer/ Clock 2 . Timer/ Clock «‡„ÛÁËÚ¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍ. EQ/S.Bass Sleep Aux Õ‡ÊÏËÚ ÍÌÓÔÍÛ Program/Set, ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ҉·ÌÌÛ˛ ÛÒÚ‡ÌÓ‚ÍÛ Ú‡Èχ. 17 ‘ÛÌÍˆËˇ ÛÒËÎÂÌˡ ÌËÁÍËı ˜‡ÒÚÓÚ S.Bass ¬ÂÏÂÌÌÓ ÓÚÍβ˜ÂÌË Á‚Û͇ (Mute) R ‘ÛÌÍˆËˇ S.Bass (ÒÛÔ ·‡Ò˚) ÛÒËÎË‚‡ÂÚ ÌËÁÍË ˜‡ÒÚÓÚ˚, ‰Â·ˇ, ̇ÔËÏ Á‚ÛÍ ‚Á˚‚‡ ËÎË Á‚Û˜‡ÌË ۉ‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ ·ÓΠ‚˚‡ÁËÚÂθÌ˚Ï. ¬˚ ÏÓÊÂÚ ‚ÂÏÂÌÌÓ ÓÚÍβ˜ËÚ¸ Á‚ÛÍ Ì‡ ‚‡¯ÂÈ ÒËÒÚÂÏÂ. œËÏÂ: ¬˚ ıÓÚËÚ ÓÚ‚ÂÚËÚ¸ ̇ ÚÂÎÂÙÓÌÌ˚È Á‚ÓÌÓÍ. 1 2 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Mute (¬ÂÏÂÌÌÓ ÓÚÍβ˜ÂÌË Á‚Û͇). œÓ‚ÂÌËÚ ۘÍÛ S. Bass Level (”Ó‚Â̸ ÒÛÔ ·‡ÒÓ‚). ◊ÚÓ·˚ ‚ÌÓ‚¸ ‚Íβ˜ËÚ¸ Á‚ÛÍ (Ò ÚÓÈ Ê „ÓÏÍÓÒÚ¸˛, ˜ÚÓ ·˚· ‡Ì¸¯Â), ‚ÌÓ‚¸ ̇ÊÏËÚ ÍÌÓÔÍÛ Mute ËÎË ÍÌÓÔÍË Volume (√ÓÏÍÓÒÚ¸). œÓ‚Ó‡˜Ë‚‡ÈÚ ˝ÚÛ Û˜ÍÛ ÔÓ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍ ËÎË ÔÓÚË‚ ˜‡ÒÓ‚ÓÈ ÒÚÂÎÍË, ˜ÚÓ·˚ ‚˚·Ë‡Ú¸ ÂÊËÏ˚ OFF (¬˚ÍÎ.) ↔ S.Bass 1 ↔ S.Bass 2 ↔ S.Bass 3 ¬˚·ÂËÚ Ê·ÂÏ˚È ÛÓ‚Â̸ ÌËÁÍËı ˜‡ÒÚÓÚ. ◊ÚÓ·˚ ÛÔ‡‚Ρڸ ˝ÚÓÈ ÙÛÌ͈ËÂÈ Ò ÔÛθڇ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ, ̇ÊËχÈÚ ÍÌÓÔÍÛ EQ/S.Bass, ÔÓ͇ Ì ‚˚·ÂÂÚ Ê·ÂÏ˚È ÂÊËÏ. +10 Repeat TUNER/Band Program/Set Band VOL. Surround CD Mode Sleep TAPE Open/Close Mono/ST Tuning Mode S.Bass Level Tuning Mode Multi Jog VOL. F r o n t L o a d i n g M e c h a nis m Mono/ST Mute EQ/S.Bass Sleep Aux TAPE CD SYNC. ¬˚·Ó Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡ REV. Mode Display RDS PTY ‘ÛÌÍˆËˇ Power Surround ¬‡¯‡ ÏËÍÓÍÓÏÔÓÌÂÌÚ̇ˇ ÒËÒÚÂχ Ó·ÓÛ‰Ó‚‡Ì‡ ˝Í‚‡Î‡ÈÁÂÓÏ Ò Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ÏË Ì‡ÒÚÓÈ͇ÏË, ÍÓÚÓ˚È ÔÓÁ‚ÓΡÂÚ ‚‡Ï ‚˚·‡Ú¸ ̇˷ÓΠÔÓ‰ıÓ‰ˇ˘ËÈ ·‡Î‡ÌÒ ‚˚ÒÓÍËı Ë ÌËÁÍËı ˜‡ÒÚÓÚ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÏÛÁ˚ÍÂ, ÍÓÚÓÛ˛ ‚˚ ÒÎÛ¯‡ÂÚÂ. Õ‡ÊËχÈÚ ÍÌÓÔÍÛ Sound Mode (–ÂÊËÏ Á‚Û͇) ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, ÔÓ͇ Ì ‚˚·ÂÂÚ ÚÂ·Û˛˘ËÈÒˇ ‚‡Ë‡ÌÚ. œÓÒΉӂ‡ÚÂθÌÓ Ì‡ÊËχÈÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ‚˚·Ë‡Ú¸ ÒÎÂ‰Û˛˘Ë ̇ÒÚÓÈÍË: ìPASS (ÀËÌÂÈ̇ˇ ı‡‡ÍÚÂËÒÚË͇) ➞ POP (œÓÔ-ÏÛÁ˚͇) ➞ ROCK (–ÓÍ-ÏÛÁ˚͇) ➞ CLASSIC (K·ÒÒ˘ÂÒ͇ˇ ÏÛÁ˚͇)î. ›Ú‡ ÒËÒÚÂχ Ò̇·ÊÂ̇ ÙÛÌ͈ËÂÈ Power Surround, ÍÓÚÓ‡ˇ ‚ ‰‚‡ ‡Á‡ ÛÎÛ˜¯‡ÂÚ ÚÓÌ ‚˚ÒÓÍËı Ë ·‡ÒÓ‚˚ı Á‚ÛÍÓ‚ Ò ÚÂÏ, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÏÓ˘Ì˚È Ë Â‡ÎËÒÚ˘Ì˚È ÓÍÛʇ˛˘ËÈ Á‚ÛÍ. 1 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Power Surround. œË ÔÓÒΉӂ‡ÚÂθÌ˚ı ̇ʇÚˡı ÍÌÓÔÍË ˝Ú‡ ÙÛÌÍˆËˇ ÔÓӘ‰ÌÓ ‚Íβ˜‡ÂÚÒˇ Ë ‚˚Íβ˜‡ÂÚÒˇ (ìP.SURR ➞ OFFî). 2 ƒÎˇ ÓÚÏÂÌ˚ ˝ÚÓÈ ÙÛÌ͈ËË ÒÌÓ‚‡ ̇ÊÏËÚ Power Surround. Volume Volume TUNER/Band CD Power Surround TUNER/Band CD Sleep Mono/ST Open/Close S.Bass Level M lti J 18 Power Surround Mono/ST Tuning Mode Sound Mode Sleep TAPE TAPE Tuning Mode Sound Mode Open/Close S.Bass Level M lti J ”ÒÚ‡Ìӂ͇ ÒËÒÚÂÏ˚ ̇ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌË œÓ‰ÒÓ‰ËÌÂÌË ̇ۯÌËÍÓ‚ R ¬ ÔÓˆÂÒÒ ÔÓÒÎۯ˂‡Ìˡ ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ËÎË Í‡ÒÒÂÚ˚ ‚˚ ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÒËÒÚÂÏÛ Ì‡ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌËÂ. œËÏÂ: ¬˚ ıÓÚËÚ Á‡ÒÌÛÚ¸, ÒÎÛ¯‡ˇ ÏÛÁ˚ÍÛ. 1 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Sleep (—ÓÌ). –ÂÁÛθڇÚ: ƒËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ÒÎÂ‰Û˛˘Â ÒÓÓ·˘ÂÌËÂ: 90 MIN (ÒÓÌ ˜ÂÂÁ 90 ÏËÌÛÚ). 2 Õ‡ÊÏËÚ ÍÌÓÔÍÛ Sleep Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ˜ÚÓ·˚ Û͇Á‡Ú¸, Í‡Í ‰ÓÎ„Ó ÒËÒÚÂχ ‰ÓÎÊ̇ ÔÓ‰ÓÎʇڸ ‡·ÓÚ‡Ú¸ ‰Ó ÚÓ„Ó, Í‡Í Ó̇ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜ËÚÒˇ. 90 MIN OFF 60 MIN 15 MIN ¬˚ ÏÓÊÂÚ ÔÓ‰ÒÓ‰ËÌËÚ¸ ̇ۯÌËÍË Í ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏÂ, Ú‡Í ˜ÚÓ ‚˚ ÒÏÓÊÂÚ ÒÎÛ¯‡Ú¸ ÏÛÁ˚ÍÛ ËÎË ‡‰ËÓÔ‰‡˜Ë, Ì ‰ÓÒÚ‡‚Ρˇ ÌÂÛ‰Ó·ÒÚ‚‡ ‰Û„ËÏ Î˛‰ˇÏ, ̇ıÓ‰ˇ˘ËÏÒˇ ‚ ÍÓÏ̇ÚÂ. Õ‡Û¯ÌËÍË ‰ÓÎÊÌ˚ ËÏÂÚ¸ ‡Á˙ÂÏ ‰Ë‡ÏÂÚÓÏ 3,5 ÏÏ ËÎË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡‰‡ÔÚÂ. œÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í „ÌÂÁ‰Û Phones (Õ‡Û¯ÌËÍË) ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚. –ÂÁÛθڇÚ: ¿ÍÛÒÚ˘ÂÒÍË ÒËÒÚÂÏ˚ ÔÂÂÒÚ‡˛Ú ËÒÔÓθÁÓ‚‡Ú¸Òˇ ‰Îˇ ‚ÓÒÔÓËÁ‚‰ÂÌˡ Á‚Û͇. œÓ‰ÓÎÊËÚÂθÌÓ ÔÓθÁÓ‚‡ÌË ̇ۯÌË͇ÏË Ì‡ ·Óθ¯ÓÈ „ÓÏÍÓÒÚË Á‚Û͇ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‚‡¯ ÒÎÛı. 45 MIN 30 MIN Tuning Mode ¬ β·Ó ‚ÂÏˇ ‚˚ ÏÓÊÂÚÂ: œÓ‚ÂËÚ¸ ‚ÂÏˇ, ÓÒÚ‡‚¯ÂÂÒˇ ‰Ó ‚˚Íβ˜ÂÌˡ ÒËÒÚÂÏ˚, ̇ʇÚËÂÏ ÍÌÓÔÍË Sleep. »ÁÏÂÌËÚ¸ ÓÒÚ‡‚¯ÂÂÒˇ ‚ÂÏˇ, ÔÓ‚ÚÓË‚ ÿ‡„Ë 1 Ë 2. 3 Phones F r o n t L o a d i n g M e c h a nis m ◊ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚Íβ˜ÂÌˡ, ̇ÊÏËÚ ÍÌÓÔÍÛ Sleep Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ÔÓ͇ ‰ËÒÔÎÂÈ Ì ÔÓ͇ÊÂÚ ÒÓÓ·˘ÂÌË OFF (¬˚Íβ˜ÂÌÓ). MIC MIC Mixing «‡ÔËÒ¸ Ò˄̇· ÓÚ ÏËÍÓÙÓ̇ Timer On/Off Timer/ Clock œÓ‰ÒÓ‰ËÌËÚ ÏËÍÓÙÓÌ (ÔÓÍÛÔ‡ÂÚÒˇ ÓÚ‰ÂθÌÓ) Í „ÌÂÁ‰Û ‰Îˇ ÔÓ‰Íβ˜ÂÌˡ ÏËÍÓÙÓ̇. EQ/S.Bass Sleep Aux TAPE CD SYNC. REV. Mode Random Counter Reset 1 2 «‡„ÛÁËÚ ‚ ‰ÂÍÛ Í‡ÒÒÂÚÛ, ̇ ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ‰Â·ڸ Á‡ÔËÒ¸. 3 Õ‡ÊÏËÚ ÍÌÓÔÍÛ REC/Pause («¿œ»—‹/œ‡ÛÁ‡). Õ‡˜Ë̇ÂÚÒˇ Á‡ÔËÒ¸. 4 Õ‡˜Ë̇ÈÚ „Ó‚ÓËÚ¸ ËÎË ÔÂÚ¸ ‚ ÏËÍÙÓÌ. CD Repeat ŒÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ ÓÚ ÏËÍÓÙÓ̇ ÔË ÔÓÏÓ˘Ë Û˜ÍË MIC Mixing (√ÓÏÍÓÒÚ¸ Á‚Û͇ ÓÚ ÏËÍÓÙÓ̇). +10 Demo REC/Pause 3 On/Standby CD Synchro AUX TUNER/Band CD TAPE CD Repeat Tuning Mode Phones F r o n t L o a d i n g M e c h a nis m 2 MIC MIC Mixing 19 ◊ËÒÚ͇ ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚ ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË R ÕËÊÂÔ˂‰ÂÌÌ˚ ËÒÛÌÍË ËÎβÒÚËÛ˛Ú ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË, ÍÓÚÓ˚ ̇‰Ó ‚˚ÔÓÎÌˇÚ¸ ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÎË Ú‡ÌÒÔÓÚËÓ‚Í ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚. ƒÎˇ Ó·ÂÒÔ˜ÂÌˡ ̇ËÎÛ˜¯Â„Ó ÙÛÌ͈ËÓÌËÓ‚‡Ìˡ ‚‡¯ÂÈ ÏËÍÓÍÓÏÔÓÌÂÌÚÌÓÈ ÒËÒÚÂÏ˚, ‚˚ ‰ÓÎÊÌ˚ „ÛΡÌÓ ˜ËÒÚËÚ¸ ÒÎÂ‰Û˛˘Ë Â ÍÓÏÔÓÌÂÌÚ˚: Õ‡ÛÊÌ˚È ÍÓÊÛı œÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ K‡ÒÒÂÚÌ˚ ‰ÂÍË („ÓÎÓ‚ÍË, ÔËÊËÏÌ˚ ÓÎËÍË Ë ‚Â‰Û˘ËÈ ‚‡Î) ¬Ò„‰‡ ÓÚÒÓ‰ËÌˇÈÚ ÒËÒÚÂÏÛ ÓÚ ÒÂÚ‚ÓÈ ÓÁÂÚÍË: œÂ‰ ÚÂÏ, Í‡Í ˜ËÒÚËÚ¸  ≈ÒÎË ‚˚ Ì ·Û‰ÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ ² ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË Volume Volume Demo REC/Pause TUNER/Band Power Surround Demo Sound Mode Sleep AUX TAPE CD Repeat Mono/ST Sound Mode Sleep TAPE CD Repeat Mono/ST Open/Close Open/Close S.Bass Level Tuning Mode S.Bass Level Tuning Mode Power Surround CD CD Synchro CD CD Synchro AUX TUNER/Band REC/Pause On/Standby On/Standby Multi Jog Multi Jog Phones Phones Front Loading Mechanism Front Loading Mechanism MIC MIC Õ‡ÛÊÌ˚È ÍÓÊÛı MIC Mixing MIC Mixing –‡·Ó˜Ë ÛÒÎӂˡ ÓÍÛʇ˛˘ÂÈ Ò‰˚: –‡·Ó˜‡ˇ ÚÂÏÔ‡ÚÛ‡ 5∞C ~ 35∞C ¬Î‡ÊÌÓÒÚ¸: 10~75% »Á·Â„‡ÈÚ ‚ÓÁ‰ÂÈÒڂˡ ̇ ÒËÒÚÂÏÛ ÔˇÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡ Ë ‰Û„Ëı ËÒÚÓ˜ÌËÍÓ‚ ÚÂÔ·. ›ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÂÂ„Â‚Û ÒËÒÚÂÏ˚ Ë Í Ì‡Û¯ÂÌ˲  ÌÓχθÌÓÈ ‡·ÓÚ˚. –„ÛΡÌÓ ˜ËÒÚËÚ ̇ÛÊÌ˚È ÍÓÊÛı ÒËÒÚÂÏ˚, ËÒÔÓθÁÛˇ Ïˇ„ÍÛ˛ ÚˇÔÍÛ Ë Ò··˚È ‡ÒÚ‚Ó ÏÓ˛˘Â„Ó Ò‰ÒÚ‚‡. Õ ÔÓθÁÛÈÚÂÒ¸ ‡·‡ÁË‚Ì˚ÏË ÔÓӯ͇ÏË, ÊˉÍÓÒÚˇÏË ËÎË Ó˜ËÒÚËÚÂΡÏË ‚ ‡˝ÓÁÓθÌÓÈ ÛÔ‡ÍÓ‚ÍÂ. ÕËÍÓ„‰‡ Ì ‰ÓÔÛÒ͇ÈÚ ÔÓÔ‡‰‡Ìˡ ÌË͇ÍËı ÊˉÍÓÒÚÂÈ ‚ÌÛÚ¸ ‚‡¯ÂÈ ÒËÒÚÂÏ˚. œÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ 1 œÂ‰ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÍÓÏÔ‡ÍÚ-‰ËÒ͇, ÔÓ˜ËÒÚËÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌÓ„Ó Ò‰ÒÚ‚‡ ‰Îˇ ˜ËÒÚÍË ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚. Õ ÔÓθÁÛÈÚÂÒ¸ Ò‰ÒÚ‚‡ÏË, Ô‰̇Á̇˜ÂÌÌ˚ÏË ‰Îˇ ˜ËÒÚÍË ‚ËÌËÎÓ‚˚ı ‰ËÒÍÓ‚. ¿ÍÍÛ‡ÚÌÓ ÔÓÚËÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‚ ̇ԇ‚ÎÂÌËË ÓÚ ˆÂÌÚ‡ ‰ËÒ͇ Í Í‡ˇÏ. 2 –„ÛΡÌÓ ˜ËÒÚËÚ ÔÓË„˚‚‡ÚÂθ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌÓ„Ó ˜ËÒÚˇ˘Â„Ó ‰ËÒ͇ (Â„Ó ÏÓÊÌÓ ÔËÓ·ÂÒÚË ˜ÂÂÁ ‚‡¯Â„Ó ÏÂÒÚÌÓ„Ó ‰Ë·). Volume Volume Demo Demo REC/Pause TUNER/Band Power Surround Power Surround TUNER/Band REC/Pause Sound Mode On/Standby Sound Mode CD CD Synchro Sleep On/Standby CD Synchro AUX CD Sleep TAPE CD Repeat Mono/ST Tuning Mode AUX TAPE CD Repeat S.Bass Level Multi Jog Phones Front Loading Mechanism Front Loading Mechanism MIC MIC Open/Close S.Bass Level Multi Jog Phones Mono/ST Tuning Mode Open/Close MIC Mixing MIC Mixing Õ ÒÚ‡‚¸Ú ̇ ËÁ‰ÂÎË ÒÓÒÛ‰˚ Ò ‚Ó‰ÓÈ ËÎË ‡ÒÚÂÌˡ ‚ „ӯ͇ı. œÓÔ‡‰‡ÌË ‚Ó‰˚ ‚ÌÛÚ¸ ËÁ‰ÂÎˡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ Ë ÔÓ‚ÂʉÂÌ˲ ËÁ‰ÂÎˡ. ¬ ˝ÚËı ÒÎÛ˜‡ˇı ÌÂωÎÂÌÌÓ ÓÚÒÓ‰ËÌËÚ ÒËÒÚÂÏÛ ÓÚ ÒÂÚ‚ÓÈ ÓÁÂÚÍË. ¬Ó ‚ÂÏˇ „ÓÁ˚ ÓÚÒÓ‰ËÌËÚ ÒÂÚ‚ÓÈ ¯ÌÛ ÓÚ ÓÁÂÚÍË. —͇˜ÍË ÒÂÚÂ‚Ó„Ó Ì‡ÔˇÊÂÌˡ, ‚˚Á‚‡ÌÌ˚ ÏÓÎÌËÂÈ, ÏÓ„ÛÚ Ôӂ‰ËÚ¸ ËÁ‰ÂÎËÂ. K‡ÒÒÂÚÌ˚ ‰ÂÍË 1 2 Õ‡ÊÏËÚ ‚ ÏÂÒÚ Push Eject ( ), ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ‰ÂÍÛ. »ÒÔÓθÁÛˇ ‚‡ÚÌ˚È Ú‡ÏÔÓÌ Ë ÒÔˆˇθÌÛ˛ ˜ËÒÚˇ˘Û˛ ÊˉÍÓÒÚ¸, ÔÓ˜ËÒÚËÚÂ: √ÓÎÓ‚ÍË (1) œËÊËÏÌ˚ ÓÎËÍË (2) ¬Â‰Û˘Ë ‚‡Î˚ (3) VOLUME UP 3 DOWN ≈ÒÎË ‚˚ Ì ·Û‰ÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ ËÁ‰ÂÎËÂÏ ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‚˚̸Ú ·‡Ú‡ÂË ËÁ ÔÛθڇ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ. œÓÚ˜͇ ˝ÎÂÍÚÓÎËÚ‡ ËÁ ·‡Ú‡ÂÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ò¸ÂÁÌÓÏÛ ÔÓ‚ÂʉÂÌ˲ ÔÛθڇ. œË ËÒÔÓθÁÓ‚‡ÌËË Ì‡Û¯ÌËÍÓ‚ Ì ÛÒڇ̇‚ÎË‚‡ÈÚ ËÁÎ˯Ì ·Óθ¯Û˛ „ÓÏÍÓÒÚ¸ Á‚Û͇. œÓ‰ÓÎÊËÚÂθÌÓ ËÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ ̇ ·Óθ¯ÓÈ „ÓÏÍÓÒÚË Á‚Û͇ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‚‡¯ ÒÎÛı. Volume Demo REC/Pause TUNER/Band Power Surround Sound Mode On/Standby CD Synchro AUX CD Sleep TAPE Mono/ST CD Repeat Tuning Mode Open/Close S.Bass Level Multi Jog Phones MIC Õ ÒÚ‡‚¸Ú ̇ ÒÂÚ‚ÓÈ ¯ÌÛ ÚˇÊÂÎ˚ Ô‰ÏÂÚ˚. œÓ‚ÂʉÂÌË ÒÂÚÂ‚Ó„Ó ¯ÌÛ‡ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÁ‰ÂÎˡ ËÁ ÒÚÓˇ (ÓÔ‡ÒÌÓÒÚ¸ ‚ÓÁÌËÍÌÓ‚ÂÌˡ ÔÓʇ‡) ËÎË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. 20 Front Loading Mechanism MIC Mixing Õ ÒÌËχÈÚÂ Ò ËÁ‰ÂÎˡ ÌË͇ÍËı Í˚¯ÂÍ Ë ÍÓÊÛıÓ‚. ¬ÌÛÚË ËÁ‰ÂÎˡ ÔËÒÛÚÒÚ‚Û˛Ú ÍÓÏÔÓÌÂÌÚ˚, ̇ıÓ‰ˇ˘ËÂÒˇ ÔÓ‰ Ì‡ÔˇÊÂÌˡÏË, ÍÓÚÓ˚ ÏÓ„ÛÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. 1 2 ≈ÒÎË ‚˚ Ì ·Û‰ÂÚ ÔÓθÁÓ‚‡Ú¸Òˇ ÔÛθÚÓÏ ‰ËÒڇ̈ËÓÌÌÓ„Ó ÛÔ‡‚ÎÂÌˡ ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ËÁ‚ÎÂÍËÚ ËÁ ÌÂ„Ó ·‡Ú‡ÂË ‚Ó ËÁ·ÂʇÌË ÍÓÓÁËË. ’ÓÚˇ ‚‡¯‡ ÒËÒÚÂχ Ó˜Â̸ ÛÒÚÓȘ˂‡ Í ËÁÌÓÒÛ, Ó̇ Ì ‰ÓÎÊ̇ ËÒÔÓθÁÓ‚‡Ú¸Òˇ ‚ ËÁÎ˯Ì Ô˚θÌÓÈ Ó·ÒÚ‡ÌÓ‚ÍÂ Ë ÔÓ‰‚„‡Ú¸Òˇ Û‰‡‡Ï ËÎË ‚ÓÁ‰ÂÈÒڂ˲ ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ (‡ÒÔÓ·„‡Ú¸Òˇ ˇ‰ÓÏ Ò Ì‡„‚‡ÚÂθÌ˚ÏË ÔË·Ó‡ÏË, ÔÓ‰ ‚ÓÁ‰ÂÈÒÚ‚ËÂÏ ÔˇÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, Ë Ú‡Í ‰‡ÎÂÂ). ≈ÒÎË ÒËÒÚÂχ ‚˚‰ÂΡÂÚ ÌÂÔˡÚÌ˚È Á‡Ô‡ı ‚Ó ‚ÂÏˇ ‡·ÓÚ˚, ÓÚÍβ˜Ëڠ ÓÚ ÒÂÚ‚ÓÈ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ ‚ Ò‚ËÒÌ˚È ˆÂÌÚ œÂʉÂ, ˜ÂÏ Ó·‡˘‡Ú¸Òˇ ‚ ˆÂÌÚ ÔÓÒÎÂÔÓ‰‡ÊÌÓ„Ó Ó·ÒÎÛÊË‚‡Ìˡ ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ R Œ·‡˘‡ÈÚÂÒ¸ Ò ‚‡¯ËÏË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ÏË ÓÒÚÓÓÊÌÓ. ¬Ò„‰‡ ‰ÂÊËÚ Ëı Á‡ ͇ˇ, ˜ÚÓ·˚ Ì ÓÒÚ‡‚Ρڸ ÓÚÔ˜‡ÚÍË Ô‡Î¸ˆÂ‚ ̇ ·ÎÂÒÚˇ˘ÂÈ ÔÓ‚ÂıÌÓÒÚË. KÓ„‰‡ ‚˚ Á‡ÍÓ̘ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÏÔ‡ÍÚ-‰ËÒÍ, ‚Ò„‰‡ ‚ÓÁ‚‡˘‡ÈÚÂ Â„Ó Ì‡Á‡‰ ‚ ÍÓÓ·ÍÛ. Õ ÔËÍÎÂË‚‡ÈÚ ·Ûχ„Û ËÎË ÎËÔÍÛ˛ ÎÂÌÚÛ Ì‡ ‰ËÒÍË Ë Ì ‰Â·ÈÚ ̇ ÌËı ̇‰ÔËÒÂÈ. ◊ËÒÚËÚ Ëı Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒÔˆˇθÌÓÈ Ò‡ÎÙÂÚÍË. ’‡ÌËÚ ‚‡¯Ë ÍÓÏÔ‡ÍÚ-‰ËÒÍË ‚ ˜ËÒÚÓÏ ÏÂÒÚ ‚‰‡ÎË ÓÚ ÔˇÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, „‰Â ÓÌË Ì ·Û‰ÛÚ ÔÓ‰‚„‡Ú¸Òˇ ‚ÓÁ‰ÂÈÒڂ˲ ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ. ¬Ò„‰‡ ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ÍÓÏÔ‡ÍÚ-‰ËÒÍË, χÍËÓ‚‡ÌÌ˚ ÒËÏ‚ÓÎÓÏ . ¬Ò„‰‡ Ú·ÛÂÚÒˇ ÌÂÍÓÚÓÓ ‚ÂÏˇ, ˜ÚÓ·˚ ÓÁ̇ÍÓÏËÚ¸Òˇ Ò ÌÓ‚ÓÈ ‡ÔÔ‡‡ÚÛÓÈ. ≈ÒÎË Û ‚‡Ò ‚ÓÁÌËÍ· ͇͇ˇ-ÎË·Ó ËÁ Ô˜ËÒÎÂÌÌ˚ı ÌËÊ ÔÓ·ÎÂÏ, ÔÓÔÓ·ÛÈÚ ÔËÏÂÌËÚ¸ Ô˂‰ÂÌÌÓ ‰Îˇ Ì ¯ÂÌËÂ. ŒÌÓ ÏÓÊÂÚ Ò˝ÍÓÌÓÏËÚ¸ ‚‡Ï ‚ÂÏˇ Ë ËÁ·‡‚ËÚ¸ ÓÚ ÌÂÌÛÊÌÓ„Ó ‚˚ÁÓ‚‡ ÒÔˆˇÎËÒÚ‡ ÔÓ Ó·ÒÎÛÊË‚‡Ì˲. œÓ·ÎÂχ COMPACT —ËÒÚÂχ Ì ‡·ÓÚ‡ÂÚ DIGITAL AUDIO Œ ¡ ŒÚÒÛÚÒÚ‚ÛÂÚ Á‚ÛÍ Ÿ » ≈ ÃÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ‡Û‰ËÓ͇ÒÒÂÚ œÓ‚¡ÈÚÂ, ˜ÚÓ·˚ ÎÂÌÚ‡ ‚ ͇ÒÒÂÚ ·˚· ıÓÓ¯Ó Ì‡ÚˇÌÛÚ‡. ◊ÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓ ÒÚˇÌË ͇ÒÒÂÚ˚, Á‡ÔËÒ¸ ̇ ÍÓÚÓÓÈ ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸, Û‰‡ÎËÚ ÎÂÔÂÒÚÍË Á‡˘ËÚ˚ Á‡ÔËÒË Ì‡ ‚ÂıÌÂÏ Í‡Â Í‡ÒÒÂÚ˚. ◊ÚÓ·˚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ͇ÒÒÂÚÛ, ÎÂÔÂÒÚÍË Ì‡ ÍÓÚÓÓÈ ·˚ÎË Û‰‡ÎÂÌ˚, ÔÓÒÚÓ Á‡ÍÎÂÈÚ ÓÚ‚ÂÒÚˡ ÎËÔÍÓÈ ÎÂÌÚÓÈ. KÓ„‰‡ ‚˚ Á‡ÍÓ̘ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ͇ÒÒÂÚÛ, ‚Ò„‰‡ ‚ÓÁ‚‡˘‡Èڠ ̇Á‡‰ ‚ ÍÓÓ·Ó˜ÍÛ. ’‡ÌËÚ ‚‡¯Ë ͇ÒÒÂÚ˚ ‚ ˜ËÒÚÓÏ ÏÂÒÚ ‚‰‡ÎË ÓÚ ÔˇÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, Ú‡Ï „‰Â ÓÌË Ì ·Û‰ÛÚ ÔÓ‰‚„‡Ú¸Òˇ ‚ÓÁ‰ÂÈÒڂ˲ ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ. »Á·Â„‡ÈÚ ËÒÔÓθÁÓ‚‡Ìˡ 120 ÏËÌÛÚÌ˚ı ͇ÒÒÂÚ, Ú‡Í Í‡Í ÓÌË ÔË‚Ó‰ˇÚ Í Ô„ÛÁÍ ÎÂÌÚÓÔÓÚˇÊÌÓ„Ó ÏÂı‡ÌËÁχ. ï √ÓÏÍÓÒÚ¸ ·˚· ÛÏÂ̸¯Â̇ ‰Ó ÌÛΡ. ï Õ ·˚· ‚˚·‡Ì‡ Ô‡‚Ëθ̇ˇ ÙÛÌÍˆËˇ ÒËÒÚÂÏ˚ (“fiÕ≈–, KŒÃœ¿K“-ƒ»—K, À≈Õ“¿ ËÎË ƒŒœŒÀÕ»“≈À‹Õ¤… »— “Œ◊Õ»K). ï ¬˚ ÔÓ‰Íβ˜ËÎË Í ÒËÒÚÂÏ ̇ۯÌËÍË. ï ¡˚ÎË ÓÚÒÓ‰ËÌÂÌ˚ ÔÓ‚Ó‰‡, Ë‰Û˘ËÂ Í ‡ÍÛÒÚ˘ÂÒÍËÏ ÒËÒÚÂχÏ. ï ¬˚ ̇ʇÎË ÍÌÓÔÍÛ Mute (¬ÂÏÂÌÌÓ ÓÚÍβ˜ÂÌË Á‚Û͇) “‡ÈÏ Ì ‡·ÓÚ‡Â ï “‡ÈÏ ·˚Î ÓÚÍβ˜ÂÌ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË Timer On/Off (¬Íβ˜ÂÌË / ‚˚Íβ˜ÂÌË ڇÈχ) ≈ÒÎË ÒËÒÚÂχ Ì ‡·ÓÚ‡ÂÚ ÌÓχθÌÓ ‰‡Ê ÔÓÒΠÔËÌˇÚˡ Û͇Á‡ÌÌ˚ı ‚˚¯Â Ï ï Õ‡ÊÏËÚ ÍÌÓÔÍÛ Sound Mode Ë Û‰ÂÊË‚‡Èڠ ̇ʇÚÓÈ ‚ Ú˜ÂÌË 5 ÒÂÍÛ̉ ÔË ‚˚Íβ˜ÂÌÌÓÏ ÔËÚ‡ÌËË ÒËÒÚÂÏ˚ (‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË). œÓÒΠ˝ÚÓ„Ó ÒËÒÚÂχ ‚ÂÌÂÚÒˇ ‚ ËÒıÓ‰ÌÓ ÒÓÒÚÓˇÌËÂ. K Œ à œ ¿ K KÓÏÔ‡ÍÚ-‰ËÒÍ Ì ̇˜Ë̇ÂÚ “ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òˇ ƒ » — K K K‡ÒÒÂÚ‡ Ì ̇˜Ë̇ÂÚ ¿ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òˇ — — ≈ “ ¤ ”ÏÂ̸¯‡ÂÚÒˇ „ÓÏÍÓÒÚ¸ K‡ÒÒÂÚ‡ Ì ÒÚˇÂÚÒˇ Ô‡‚ËθÌÓ. —Î˯ÍÓÏ ÒËθ̇ˇ ‰ÂÚÓ̇ˆËˇ Á‚Û͇ – ¿ ƒ » Œ œÓ‚ÂÍË/ Œ·˙ˇÒÌÂÌËÂ ï —ÂÚ‚ÓÈ ¯ÌÛ ÌÂÔ‡‚ËθÌÓ ‚ÒÚ‡‚ÎÂÌ ‚ ÓÁÂÚÍÛ ËÎË ‚ ÓÁÂÚÍ ÓÚÒÛÚÒÚ‚ÛÂÚ Ì‡ÔˇÊÂÌËÂ. ï ¡‡Ú‡ÂË ÔÛθڇ ƒ” ÌÛʉ‡˛ÚÒˇ ‚ Á‡ÏÂÌÂ, ËÎË ÓÌË ·˚ÎË ‚ÒÚ‡‚ÎÂÌ˚ ·ÂÁ Òӷβ‰ÂÌˡ Ô‡‚ËθÌÓÈ ÔÓΡÌÓÒÚË. ï Õ ·˚· ̇ʇڇ ÍÌÓÔ͇ ‚Íβ˜ÂÌˡ On/Standby (¬ÍÎ./√ÓÚÓ‚ÌÓÒÚ¸). œËÂÏ ÔÎÓıÓÈ ËÎË ‡‰ËÓÒڇ̈ËË ‚ÓÓ·˘Â Ì ÔËÌËχ˛ÚÒˇ ï Õ ·˚· ‚˚·‡Ì‡ ÙÛÌÍˆËˇ CD (ÍÓÏÔ‡ÍÚ-‰ËÒÍ). ï ƒËÒÍ ·˚Î ÛÒÚ‡ÌÓ‚ÎÂÌ ì‚‚Âı ÌÓ„‡ÏËî, ËÎË ÓÌ ÏÓÊÂÚ ·˚Ú¸ „ˇÁÌ˚Ï ËÎË ÔÓˆ‡‡Ô‡ÌÌ˚Ï. ï ÀËÌÁ‡ ·ÁÂÌÓ„Ó Á‚ÛÍÓÒÌËχÚÂΡ Á‡Ô˚ÎÂ̇ ËÎË Á‡„ˇÁÌÂ̇. ï —ËÒÚÂχ Ì ·˚· ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ Ó‚ÌÛ˛ „ÓËÁÓÌڇθÌÛ˛ ÔÓ‚ÂıÌÓÒÚ¸. ï œÓËÁӯ· ÍÓ̉ÂÌÒ‡ˆËˇ ‚·„Ë ‚ÌÛÚË ÔÓË„˚‚‡ÚÂΡ; ÓÒÚ‡‚¸Ú ÒËÒÚÂÏÛ ‚ ÚÂÔÎÓÈ ÔÓ‚ÂÚË‚‡ÂÏÓÈ ÍÓÏ̇Ú Ì ÏÂÌ ˜ÂÏ Ì‡ ˜‡Ò. ï Õ ·˚· ‚˚·‡Ì‡ ÙÛÌÍˆËˇ TAPE (ÀÂÌÚ‡) ï K‡ÒÒÂÚ‡ Ì ·˚· Ô‡‚ËθÌÓ ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ‰ÂÍÛ. ï K˚¯Í‡ ‰ÂÍË Ì ·˚· Á‡Í˚Ú‡. ï ÀÂÌÚ‡ ÎË·Ó ÔÎÓıÓ Ì‡ÚˇÌÛÚ‡, ÎË·Ó Ó·Ó‚‡Ì‡. ï √ÓÎÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌˡ Á‡„ˇÁÌÂÌ˚. ï œËÊËÏÌ˚ ÓÎËÍË ËÎË ‚Â‰Û˘ËÈ ‚‡Î Á‡„ˇÁÌÂÌ˚. ï ÀÂÌÚ‡ ËÁÌÓ¯Â̇. ï Õ ·˚· ‚˚·‡Ì‡ ÙÛÌÍˆËˇ TUNER (“˛ÌÂ) ï Õ ·˚· Ô‡‚ËθÌÓ ‚˚·‡Ì‡ ˜‡ÒÚÓÚ‡ ‡‰ËÓÒڇ̈ËË. ï ¿ÌÚÂÌ̇ ·˚· ÓÚÒÓ‰ËÌÂ̇ ËÎË ËÏÂÂÚ ÌÂÔ‡‚ËθÌÛ˛ ÓËÂÌÚ‡ˆË˛. œÓ‚Ó‡˜Ë‚‡ÈÚ ÂÂ, ÔÓ͇ Ì ̇ȉÂÚ ̇ËÎÛ˜¯Û˛ ÓËÂÌÚ‡ˆË˛. ï ¬˚ ÔÓÊË‚‡ÂÚ ‚ Á‰‡ÌËË, ÍÓÚÓÓ ·ÎÓÍËÛÂÚ ‡‰ËÓ‚ÓÎÌ˚; ‚˚ ‰ÓÎÊÌ˚ ËÒÔÓθÁÓ‚‡Ú¸ ̇ÛÊÌÛ˛ ‡ÌÚÂÌÌÛ. ≈ÒÎË ‚˚ Ì ‚ ÒÓÒÚÓˇÌËË Â¯ËÚ¸ ÔÓ·ÎÂÏÛ ÔÓÒΠÔÓ˜ÚÂÌˡ ‚˚¯ÂÛ͇Á‡ÌÌ˚ı ËÌÒÚÛ͈ËÈ, Á‡Ô˯ËÚ ̇ ÎËÒÚ ·Ûχ„Ë: ÕÓÏ ÏÓ‰ÂÎË Ë Á‡‚Ó‰ÒÍÓÈ ÌÓÏÂ, Ó·˚˜ÌÓ Û͇Á‡ÌÌ˚ ̇ Á‡‰ÌÂÈ Ô‡ÌÂÎË ÒËÒÚÂÏ˚ √‡‡ÌÚËÈÌÛ˛ ËÌÙÓχˆË˛ ◊ÂÚÍÓ ÓÔËÒ‡ÌË ÔÓ·ÎÂÏ˚ «‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Í ‚‡¯ÂÏÛ ÏÂÒÚÌÓÏÛ ‰ËÎÂÛ ËÎË ‚ Ò‚ËÒÌ˚È ˆÂÌÚ ÍÓÏÔ‡ÌËË SAMSUNG. 21 “ÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË R KÓÏÔ‡Ìˡ SAMSUNG ÔÓÒÚÓˇÌÌÓ ÒÚÂÏËÚÒˇ ÛÎÛ˜¯‡Ú¸ Ò‚ÓË ËÁ‰ÂÎˡ. K‡Í ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ú‡Í Ë ˝Ú‡ »ÌÒÚÛÍˆËˇ ‰Îˇ ÔÓθÁÓ‚‡ÚÂΡ ÏÓ„ÛÚ ·˚Ú¸ ËÁÏÂÌÂÌ˚ ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌˡ. –¿ƒ»Œœ–»≈ÃÕ»K ƒ¬ œÓÎÂÁ̇ˇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ 60 ‰¡ AM (—¬) ŒÚÌÓ¯ÂÌË Ò˄̇Î/¯ÛÏ 40 ‰¡ œÓÎÂÁ̇ˇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ 54 ‰¡ œÓÎÌ˚È ÍÓ˝ÙÙˈËÂÌÚ „‡ÏÓÌËÍ 2% FM ŒÚÌÓ¯ÂÌË Ò˄̇Î/¯ÛÏ 62 ‰¡ œÓÎÂÁ̇ˇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ 3 ‰¡ œÓÎÌ˚È ÍÓ˝ÙÙˈËÂÌÚ „‡ÏÓÌËÍ 1.0 % œ–Œ»√–¤¬¿“≈À‹ KŒÃœ¿K“-ƒ»—KŒ¬ ƒË‡Ô‡ÁÓÌ ˜‡ÒÚÓÚ 20 √ˆ - 20 Í√ˆ ((1 ‰¡) ŒÚÌÓ¯ÂÌË Ò˄̇Î/¯ÛÏ 90 ‰¡ (̇ ˜‡ÒÚÓÚ 1 Í√ˆ) Ò ÙËθÚÓÏ »Ò͇ÊÂÌˡ 0,05% (̇ ˜‡ÒÚÓÚ 1 Í√ˆ) œÂÂıÓ‰ÌÓ Á‡ÚÛı‡ÌË ÏÂÊ‰Û Í‡Ì‡Î‡ÏË 75 ‰¡ –‡ÁÏÂ˚ ‰ËÒÍÓ‚ ƒË‡ÏÂÚ: 120 ËÎË 80 ÏÏ. “Ó΢Ë̇: 1,2 ÏÏ K¿——≈“Õ¿fl ƒ≈K¿ ƒË‡Ô‡ÁÓÌ ˜‡ÒÚÓÚ 125 √ˆ ~ 10 Í√ˆ ŒÚÌÓ¯ÂÌË Ò˄̇Î/ ¯ÛÏ 40 ‰¡ œÂÂıÓ‰ÌÓ Á‡ÚÛı‡ÌË ÏÂÊ‰Û Í‡Ì‡Î‡ÏË 35 ‰¡ —Úˇ˛˘ËÈ ˝ÙÙÂÍÚ 60 ‰¡ ”—»À»“≈À‹ ¬˚ıӉ̇ˇ ÏÓ˘ÌÓÒÚ¸ Õ‡ ÙÓÌڇθÌ˚ „ÓÏÍÓ„Ó‚ÓËÚÂÎË (̇ ̇„ÛÁÍ 4Ω) Õ‡ Ò‡·‚ÛÙÂ˚(̇ ̇„ÛÁÍ 2Ω) 2 ı 20 ¬‡ÚÚ —K¬ (ÔÓÎÌ˚È ÍÓ˝ÙÙˈËÂÌÚ „‡ÏÓÌËÍ: 10%) 2 ı 40 ¬‡ÚÚ —K¬ (ÔÓÎÌ˚È ÍÓ˝ÙÙˈËÂÌÚ „‡ÏÓÌËÍ: 10%) œÂÂıÓ‰ÌÓ Á‡ÚÛı‡ÌË ÏÂÊ‰Û Í‡Ì‡Î‡ÏË 45 ‰¡ ŒÚÌÓ¯ÂÌË Ò˄̇Î/¯ÛÏ 72 ‰¡ Œ¡Ÿ»≈ ’¿–¿K“≈–»—“»K» √‡·‡ËÚÌ˚ ‡ÁÏÂ˚ 22 240 (ÿ) ı 177 (¬) ı 322 (√) ÏÏ ›“Œ »«ƒ≈À»≈ »«√Œ“Œ¬À≈ÕŒ KŒÃœ¿Õ»≈…: ELECTRONICS œÓ‰ÎÂÊËÚ ËÒÔÓθÁÓ‚‡Ì˲ ÔÓ Ì‡Á̇˜ÂÌ˲ ‚ ÌÓχθÌ˚ı ÛÒÎӂˡı PÂÍÓÏẨÛÂÏ˚È ÔÂËÓ‰ : 7ÎÂÚ AH68-01019E