Download Casio LK100AR1A User's Manual
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A $#" ! LK100AR1A CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan C MA0603-A Printed in China LK100AR1A LK-100 1 1 Transmitted Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 1-4, 10 1-4, 10 Recognized MIDI Implementation Chart Default Changed Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Model Basic Channel Default Messages Altered Function ... Mode Note ON Note OFF True voice X 9nH V = 100 X 9nH V = 0 36-96 ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ O 9nH V = 1-127 X 9nH V = 0,8nH V = *2 0-127 36-96 *1 Note Number Velocity X X X X X X X Key’s Ch’s X X X O 0-127, 0-99 *3 ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ O O 0-99 ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ X X X X X X O X O X X O X X X X X X X X X X O After Touch Pitch Bender Control Change 1 6, 38 7 10 11 64 : Song Pos : Song Sel : Tune X X 100, 101 120 121 System Common : Clock : Commands System Exclusive :True # System Real Time X X X X Program Change Aux X X X X Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO : Local ON/OFF : All notes OFF : Active Sense : Reset Messages Remarks Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY Version: 1.0 Remarks & +* = *2 )( '& % :*1 Modulation Data entry Volume Pan Expression Hold1 RPN LSB, MSB All sound off Reset all controller GM /. -, '& & :*3 O : Yes X : No 662A-A-002A 662A-A-039A ( ) ! "#$% ! &#' (# ) *+,+ -(. /0#1&23 04 % ( ) 5 (2 6 7&8 6 9* :#$ ;&< "#! (' 9= 04( 0=B1 A()+> +? & 2 6(@ C#?= ! &#' (# ) *+,+ -(. /D+> "#! (' 9= % ( ) E*+ 0FG -(H & 9* :#$ ;& *+,+ -(. ;&I ? J( 9?'1 06&' 7 G K$G ! &#' (# ) /E(1&2? K$G L D +#M(3 0#N6&?O 0#G#M+ 0P Q (#! ) CR2N CASIO S(T# -U J&V1 7E&G L 3% ,0X M! 9$Y • 9# H 7*+,+ Z,&T3 # -6( H [8(\6 Z#T, ]= L 3% • 9$G H "=N ^ )6 9#* H % 0= _+ ?6 ,0V#V4 0G&F16 (1 ^ L 3% ? ` L "(T6 L&O J(aO6 01(4! Zb (N* 0Vc+ (2#N( Z ;_+(1 _+& C% 0G&F1 dG$e 6 (2(I f g! S(+ ! &#' & 0h(1 0#Ba 01(4 6 S+ &F [% ,0V#V4 &#i &F ) ;+j 6 0e6&' *+ &2k :#$ 0G&F1 ^ 9#h'% f g! 7&#Fl 01(4m6 S+ $ :#$ -(T! E(\ 0V#V4 &#i &F ) ;+j 6 0e6&' *+ &2k :#$ *+,+ 0#(T! (2#H ,+ 6 *+ 9(16 01(4m $ 0V#V4 &#i 0G&F1 ^ 9#h'% f g! 5GH N(T, `% :#$ -(T! E(\ AR-1 662A-A-003A AC y(2T 1&2? C M! E+M ● [&o &F [ (> ,"FG 6 "= L?v 0kU L 3% A(T8* 0#1&2? 0B 6 0#( S(e(#m C ) 0#G\ E(#a Zc+1 A(GF qG%< • 0N+ "&% 6 "&% 6 C 91 A(GF qG%< • 8 E+ C a 6 1 A(GF qG%< • ,A(=(% K$G 6 1&2? Q( s$4 g! • 0 G 6 4O C#3+1 9B%_ T CASIO +#M(3 C +?% (T#1 AC y(2 KT1 (GF A qG%< ● 0$ 0#1&2? 0B &F [ Cg 9H # (? H AC y(2 M • &F [ E( E((1 ('% &< 0#1&2? 0B6 [&o E+> & E()6 ; 6 0& Zc+1 qG%< • &F [ E( AC y(2 +H 98(1 0#1&2? 0B6 [&o q21&% H $ Y S( (F$ -(TM! E+M ! ,&=% 6 ,7 6(@ E(#a `% ") ^ (> 0#B' 01(4m6 [&o &F [ ;6 0#( S(e(#m 0kU L A(T8* 3% sT% <6 A(GF S( (F$ C#?=% -6(j< • 7&#BY 7&8* H +N+? 1 6 0N+ ! A(GF S( (F$ &% < • q2Y&V1 q2 ;&1 0vY S( (F1 51 A(GF qG% < • 7, 0= D+N L S( (F1 51 A(GF qG% < • S( (F$ LVa A(GF -6(j < • (–) 0$(6 (+) 0$,+ x&eO L 3% • 0V#V4 0G&F1 :2,+ +N+? S( (F$ 662A-A-004A 98(M n&% g! -(o H 0#( S+Fl ;&, C##) 9* ! 0+G 0 (F$ L E((1 q2=Fa !C##) st qG%< p A +H C$#$F1 9B% u L?v C##) 9* ;+G 0 (F$ 98(M Q&% &k GH ! ;*w !" #$% ,& '" ,( ,0$&i 0V8 ,(* " $ (T#1 ^T &T Mm S+Fl 0#8(1&2? 0B 6 [&o &F [ 7 & 6 A +H 0#( x(Gm Zc6 ! 7 G -+ p L ")N! ,7 G BT3 AC y(2 % d3 g! u 58(o(1 (# z& CASIO +#M(3 0 G 6 |4O C#3+1 9B%! { 7T AC )*+ [&o &F [ AC y(2 M E+M ● 0kU L 3% A(T8* 0#1&2? 0B6 0#( S(e(#m 2 *} AC y(2 M! L 3% • 5GH ^ +?% ; 7 G B 5GH M • AC y(2 ) q ~ LTc "#+H 1&2? (# z ( 8 9#TV(1 qG%< • *O QUM 6 AR-2 8%= >"? CM ) 0#?#MU$ 0$#Go Zc+1 A(GF qG%< (O &F [ Cg 9H CTH 9* 6 () 0$F +?% &V 21 04( 0() 7&#h4 -(=e ,+% *@ AB3 -+ C@ !6/ H $1 L?v "#) x+Y+ 6 ^ [% &V 21 04( 0() (=(% A s$B 6 "1UGN! 7&#h4 -(=e ,+% () 0$F +?% DB+ 6 ,d1(\ &#i 9( +H ^ Zc6 I d1(\ &#i & ZY+ ; 6 , O sFM ) ,^ nUGN! H $ L?v d1(\ &#h ZY+ 0#B' 01(4m &F [ (> -+ .'/ 01 ( H ^ &1 A(GF qG%< [ (> , (=N! H $ L?v Cg 9H 0#B' 01(4m 6 [&o &F 2 (+3 4+ 0$&h *+6 ;&O 98+6 ,E( -+* &F [ ^ 9* / L ZFY 9. S+Fl ;&, 0#8(1&2? 0B 6 [&o -(o H 0#( x(Gm Zc6 ! 7 G 9+j p ,7 G BT3 AC y(2 % d3 g! u 58(o(1 (# z& L ")N! +#M(3 0 G 6 4O C#3+1 9B%! { 7T CASIO 5!63 789 "% -6(j 6 ^ C#?=% A(GF -6(j< 0B &F [ Cg 9H 0G&e ;1 0#Ba 01(4! 6 , 6&o(1 01(4m ,0#8(1&2? ,0# 51+6 S(4+V= 93 Q&% ~& +#M(3 0 G 6 4O C#3+ 0N(#B6 7T CASIO !:3 ;< "e+G1 "=% 1 ^ M! H &TMO [&o &F [ 0+Y 04 ! "c&% 6 H 0#( S+Fl ;&, 0#8(1&2? 0B6 -(o x(Gm Zc6 ! 7 G 9+j p ,7 G BT3 AC y(2 % d3 g! u 58(o(1 (# z& L ")N! +#M(3 0 G 6 4O C#3+1 9B%! { 7T CASIO AR-3 662A-A-005A FG K$G D1 qY A(T8* ,^ `#k1 (#G 9$Y Q&% A<6 58(o(1 (# z& L AC y(2 y(2T ` &F [ "$G H AC y(2 0#8(1&2? 0B6 ,[&o ,AC q21&% H $% Y S( (F$ -(TM! E+M ! ,&=% 6 ,7 6(@ E(#a `% ") ^1 (> 0#B' 01(4m6 [&o &F [ ;6 0#( S(e(#m 0kU L 3% (T8* A Z M 7*} S( (F$ 5GH M! • ^ 5F% d3 g! ^ L S( (F$ DN • 0+e 7&= "M! =H 7*} S#26 72,O 5GH 946 S#2I 6 72, 9#4+% ^ SU#4+1 0#8(1&2? 0B6 [&o &F [ 7*V &#i DB+ ZY+ 9 ^ 2 0#( ZY+ I 0#8(1&2? 0B6 [&o &F [% 7&#$? 0#T? 6 0#( 01+e& 0c& [e( • ($h L 7&1O 0c& 6 (F &#j [e( H • d ,0RH 7*( )6 ,`##? _(2, L ($&Y A • ,&a($ KT' E+ 0c& [e( H6 [e( ; 6 ,KT' H 0=Y6 7 (#M 9* 0#( 7 &o S(, ^ &% ~& 662A-A-006A AC )*+ [&o &|F [ AC y(2 -(TM! E+M ● 0#8(1&2? 0B 6 0#( S(e(#m 0kU L 3 L3 (T8* A L A($&Y 8(1&2? C Zc+1 qG% < • 7 &V ;& *(B ; 6 Y+ L 0)N ) C n1 A(GF qG%< • y(2 L a A(T8* 8(1&2? (# z& "1(Y L ")N ) AC [&o &F [ AC y(2 -(TM! E+M ● 0#8(1&2? 0B 6 0#( S(e(#m 0kU L 3 L3 (T8* A 58(o(1 (# z& 9* AC y(2 9*! • "#! 9B ; 1 ! (# z& L AC y(2 K$G D1 qY • 9$Y 6 0)& `4+ E(\ 58(o(1 - L) n(#h 6 ( 0 ! n( 0+e 7&= K1(Y DN ,0 H 9YO ) 76 7& • s6 58(o z& L AC **& y(2 0F#} 0GF ) 0T3& 01&% ; K1(G SE+1 -+ DE3 (@ K$G D1 qY (T8* A ,^ Zc+ 7*()1 (#G 9$Y 9B=1 qY6 58(o(1 (# z& L AC y(2 04+ QUMO6 ;&O SU1(? 93 ` &F [ 04+ QUMO Q&% 0#8(1&2? 0B6 ,[&o ,QUM AR-4 4J ^ +H 0#G\ E(#a Zc+1 A(GF qG%< (> ,9#G\ ^ ) 9 L?v Cg 9H ,"Y+H L y' +GM 6 ^ nUGN! H $ 0#B' 01(4m &F [ (> *5 ' L': DMN L|?v 0V#V4 &#i 0G&F1 ZT@ 9(o &F [ (> ^ +GM H A($$ G 0#B' 01(4m Z$% ,0V#V4 0G&F1 9(o Z#TI L |3% d#$% L 3% " %% Z#T S(T#% 0V#V4 0G&F1 9(o ) ^ ; (#! y'3 ( 9(o * Cg6 91 7 Y B 9GN 6 q2$M L 3% ,S( (F$ M ) 0 # ( S < ( o L A ( 0k U ) 0 Y ( F B & a w ( ) 9 # h ' Z c + - + V & # i _( 2 ( 2 % E & Y B % 6 , 0 T , 0 F G 7 + B 1 y # % 0 c ( & S ( )( T M S ( ) ( T S + 4 ~ + # $ e & # i ( = N ( S +B " + ' % 0 = % & S + 4 1 x ) S + B H c &) 9 % Z = % & S + B 1 x ) 0 Y ( F H y , ( = ( # 2N ! Z = % & S + B1 x ) ( 2 ( ) ! 6 0 c ( E + c n 1 % ( (= ) 5h 2% 6 Q&% 1 &T ( S+B ( 2 % & ! Y 0 T h L ) ( , ` 0 T h N S + 4 4 ! # $ e &# i 0 # i O C 1 x ) 6 D ( G ! 5 L x ) = S+4 ~+ 6 ,S+B "+'% ,0Y(F GH MIDI _(2, 6 9B &%+#$+3 # $ e &# i 9 ? ' 1 = + H 6 & ? # S + 4 ~ + + H6 & ? # 9 * H + ' % + H 6 & ? # M ! ) 7 G B &a w ( ) ! • • • • I6 JJ 0a(' LCD 0+ ) 5h(1 A(GF qG% < • Cg 9H ! 0+Y 0B (2c&% 6 0c ( ,LCD 0+ z(,_ H $ Y 0#Ba 01(4! 6 &F ($$ A ,LCD 0+ S&?% 6 d&'N6 g! • 98(M 0+ 9* 98( KT1 A(GF qG%< ^##2% $ L?v LCD 0+ ,CTH LCD 0+ 98(M 9*6 g! • 9B%6 E( 0FM+1 -(o H CTH 9i C$#$F1 9* LCD 0+ 98(M 9*6 g! • E( M1 `Fa ,Q, ) 6 C##) q\ ,9YO ) 0G#Y* p + 7 `#k #$F(1 9B% : K< 0#() S+4 S(+ Sg G#M+ ! ZT%< +?% &V 21 04( 0() 0+e S&= , A 51+c gO S()(TM % () 0$F 7 Y `% L?v 0#( S+B ;+ CTM • • • • • • • • • • • ': ; ;+G E+ & ,, 7 *(N S<( H ^' $ L?v + E+ 6 y,(= 93(' 1 6 ,)+ GH ,A(#ko *&HO 1 Z ~&O 0+ x6&k L A(O &% Y "N ZY+% d3 g! • C$#$e 7 ('M! C#) "NH , 9 ^ M! 9$Y #, A 7E( +?% 0GF H ^ M • C 021(' S(U) L ;1 S&a g! • `Y6 ,^ M! ) U) 06&' J(l C$#$F1 9B%6 -(o H "M! AR-5 662A-A-007A < " L = + JO P@ QB JR 3 D/H/ AS6 ❐ :8$T 0$(1 ,s#%(= 0+ x) 5#$% ) )(% q2= 02M 0a(' ) S&aw • TR M2# UVV ❐ W( X >#Y (!6 MZ<+ " :+ H ❐ 9(1 0$ 0#8(G 0$(BT 5 • & 7/ C M2# UVV ❐ x E(\ 6 x 7*()! 0 0$ %% 0#iO C1 S(ThN L 0ThN p ")+T ( • T= [ \( ]G# ❐ (T#1 y% 6 s#%(= ! &k(1 Cg6 S+ d#Y+% ) A*( s$B% 0$ Hy% () s#%(= D($%1 0#G#M+ C% (2 0#T1 qY • 0*() x) 0G&F1 x -6( 0(2 H C 0V& 0G&F1 x ) n % Cg 1 0#iO C1 H 0$ 0ThN p - L ~ x% 0#iO C1 0ThN L Cg6 S+ x (2M! Z1(4O )% ? u qY 7+Fl 6 p qY 7+Fl x) E(\ (NO S+4 7(3(V • 0c ( 0a(a ) A( 0#G#M+ S+ d#Y+% ! (' /0#%+B Z1(4O(1 x. 01+F 0#G#M& " :+ ❐ S($(B S+4 9I 76 0(3 0 [1(F qh6 S+B6 D(Gm zg( (#?#%(+%6 s#%(= 0+ ^% x+M6 ( &%6 * 0e($1 • (##$e6 (A# 2 H ❐ s#%(= 0+ (= &#h% 0 +H 02M 0#T) • MIDI ^_ ❐ s#%(= 0+ H x 0FM+1 94+ _(26 s#%(= 0+ L 93 H S+ S+4 4! L C?v & MIDI _(21 9#4+ ! • _38+ ` ❐ N(iO C1 (o Z ;_+(1 E(h C?v6 A( (I ( +H6&?# 9#4+1 qY • 662A-A-008A AR-6 b a 3! W AR-18 0#8(G0$(B M! AR-20 5$ 0G1(M zg(T Z -(I m AR-21 cccccccccc d= [ \( ]G# AR-21 U S+Fl * (kN M AR-1 cccccccccccccccccccccccc AR-6 ccccccccccccccccccccccccc <" L =+ AR-8 ccccccccccccccccccccccccccccccccc ]@ 5( 0#G#M+ 0FG 9( (o! AR-23 0#%+B Z1(4O(1 x 9#* AR-9 AR-23 d#Y+ &aw AR-10 cccccccccccccccccccccccccc D% DW AR-24 d#Y+ q :p 7+F AR-25 LV q :u 7+F AR-11 ccccccccccccccccccccccccc ! !: 0*() 0)&1 x :{ 7+F AR-11 S( (F$ M AR-26 ~&# # E, ) AR-11 AC **& (# y(2 M AR-25 AR-27 cccccccccccccccccccccccccccccccccc MIDI AR-27 ?MIDI 0#4( ( AR-12 A(#8(G% 7 G x(G! AR-12 7 G 9#4+% N! AR-27 ( MIDI AR-12 ccccccccccccccc 7'9 / 6 AR-29 cccccccccccccccccccccccccccc P_ DW AR-13 cccccccccccccccccccccccccccccc =H AR-29 AR-13 E( F O U 4 AR-31 S(=4+ A-1 cccccccccccccccccccccccccccccccccccccc ^' z&OS()(T K$G AR-13 q#)% K$G AR-13 +H6&?# K$G M! AR-14 S (#m6 S(GV A-1 GM 0ThN 0F& 0T8(Y A-2 D(Gm0T8(Y AR-15 ccccccccccccccccccccccc %% M@ (FINGERED CHORD) Z1(4O(1 x (%6 -6, AR-15 (# 9BH6 9#4+ A-3 MIDI Implementation Chart AR-15 S(Th &##h AR-16 7#= ~& `8(6 AR-17 &Mm (o x) AR-18 AR-7 D ( G m x ) 662A-A-009A 1 23 4 7 C D E F 5 8 9 G * 6 0 H ** I A B E J K L M 662A-A-010A N O P Q R AR-8 100 SONG BANK -,+* F MIC VOLUME 1 - 4 3 G POWER/MODE 2 50 RHYTHMS -,+* A-2 H POWER 3 MAIN VOLUME ! 4 100 TONES -,+* I DEMO ! 5 %$ #" A-1 GM ! 9 8 7 6 5 KEY LIGHT ! 6 J ('&% $#" RHYTHM CONTROLLER ● TRANSPOSE/TUNE/LOCAL CONTROL ;: K * < ) SYNCHRO/FILL-IN ! 7 L START/STOP ! 8 (A@ ? > =" 3-STEP LESSON ● STEP 1 ! M TEMPO ) 9 STEP 2 ! N SONG BANK ! 0 STEP 3 ! O RHYTHM ! A TONE ! B PART SELECT ! P - . - , + * ONE KEY PLAY ) Q C CHORD 21 0,/) D SPEAK ! R , E - K J@ - I * MIDI OUT D@ CB S S T U V W X MIDI IN @ CB T SUSTAIN $ FE U DC 9V FE V PHONES/OUTPUT FE 2&'1 #0/ .' -', +' *') %(&' ;5* 0:"&:9 85 & 70" #" 65 43* + * ) % ( &: W MIC IN FE X -/ -3A I HG8 ** %< A':' @&' 8" ?;' .')& %'"1 .'> #" %'= %< E & 3 A D . 3 * # < & $ & C 7 B AR-9 662A-A-011A M& / M L kb'4 %" j'i AR-21 ( .'W 8$- hB &'g +-< ( #" C'5P9 ;@9 & '";RD" A': '@& 3' ) '3"V f- &' \He bd & g 1 3 2 A: @& .3* E<&3" \H$ [H* 5 4 5 5 NORMAL 8F&3 POWER/MODE .5" G7F 1 < 4 Y&g . STEP 1 -H l!F T> ONE KEY PLAY --S ?;R) &5 [H* LH* L" [H '0:"&:9 G7X5 [&) m@' [H *) E <& 3 • SONG BANK -H G!F 2 - Q < P O - N & ) 0 4 ) SONG BANK A: @& .3* )& &5 [H* E < & 3 # 3 8 " l & p K o m @ " # 1 n K * # 1 [ H # " j " c # * 5 _ ! # 3 : & [ H : , q Y & g 8 " J ! X l ? & : )& @& 3 A : " • • ?;R) QP , 5NM L5 K JH: I ;: . #3 <;@ 3 #<; ET Q 2< ?-M --S 3 QP 1 %< “13 TWINKLE TWINKLE LITTLE STAR” -R • Tw i n k l e < 4 Y&g . STEP 2 -H l!F T> rX: .d = A: G!F ,A: @& . &5 [H* \ . X " &d > j G ! F . ) ^R [&) rX j Is 99 .@ 84 Q- #" 5N E T J 3 * G ! X < , t 4 H : I ^ ] . J : & 5 3 u 5 j _ " & [ & ) : & 5 . W 7 @ % 5 : A E < & 3 " j " G ! X : I ; • • • • STEP 2 -H 9 STEP 1 -H G!F 4 STEP 2 VU 9 STEP 1 VU 4 ,LT %: ";5* " \.V [H' Z5:9 Y<9;" 'X :&( -;: A:' @& IW a ` 9 _ " & : 4 3 * G !X : I ^ ] . A : @ & 3 . 3 * F- .3* 4 cb 8(M [H3 a7: [H* • • • Tw i n k l e O R 662A-A-012A AR-10 5 &2[ , Y -9 } \ V | { 3 : J 5 * z 5 y Q 4 D : K m 7 D ; - 7 2 ) W \ & ) I W '@" #" a< ;=v: R'i ( 9 x1 x3R' cb9 ,,5: I 9 > @ Y Y < K & & 0 I v A D : ` 9 a 3 " - 7 L 0 : 2 9 ] ` • Q4 Q45" 3R 9 &RD .W a3" -7 ~: ` • Y;;$ cv /; - G3R a3" Q: ` • 3R" & #" - G3R a3" Q: ` • - 7 # V a 3 " 29 ] ` • C4$&" &&'0 -7'3 (–) 7D'9 (+) 7$& [>M I #'" ;=v: • ( ] E\ r4" ?;R)n .)' .H5" G@ bv" #'" 4b!: #0/ kbd A': @& #* - % #" < ;'=v: -7 ?;R) 9 o<;'w AC << - 2 ) ?; * ; 5 * A : @ & &AE S/ - 7 ! : 9 % ] % 7 A : @ & % # " < ; = v : &AE ,# -7 Y,@ \N HW ,Y-9} \V| {3: J5* z5 y Q4D: K m7D: ; -7 2)W \&) IW @'" #" ;=v: a< 'Ri (9 x'1 x3R cb9 ,',5: I 9 > @ z 5 b d 8 " ? ; R ) Y < ; w - 7 G ? ; R ) W • 3 & > Y J " ; R ) W ? ; G R : l 5 = T W z 5 # " - 7 H • AC _&^ S/ A: @&3 AC r4 ?;R) #" ;=v: . (6AA) Q,@ - %@ - 7 Y , @ ( *&F&" (–) mD9 (+) m$& [>M I #" ;=v: T7 TU • Y<&$& %< -7 Y,@ \N 5D 2<s Q \! x3N9 T? -W I V ❚ 8" -7' !: 9 %' l TW A'( 8F& %': ` ; A:' @& • %!i' 8F9 .W 4&@ QP A: @& % Q bd h;@ T %!i 8F9 . 7 8 F & 3 E Y " u & ; [ & ) E Y " AD-5 :` AC _&^ DC 9V FE AD-5 ` AC _&^ -&AE 6 -X J3 K 7 - 7 * A F & K ■ / Y T T TT T T T TT T T T TT T T T T - & J * & A O I - / TT TT T TT TT T TT T T T TT ! Z & A O G7F 8" , < Y-1 $-< K K) -7 * Kd &3 G 7 F ; 5 * [ H 9 Y - 1 $ - < . 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'$X, b'5 k/) 0!/ G% .-, + A#, G* 5 " %/> ,b5 wEU D G* PIANO ;V G* BASS AX> [90 bWY BASS/PIANO ,21 ;D 0 . - , + p 3 G' " '% 6'X' MAIN VOLUME lJ _L'%: 0 W k- L 5 % 0OFF A# G^ POWER/MODE G?%5 6# % "- \`) .-, + XW G* *@, b5 x G^ rW 0U> G% b5 <"-% A-1 `-") GM bW @> x rW PIANO [99 NY PERCUSSION ?5 +* /: ?W zy p/ [99 b5Y PERCUSSION • + G* ^ V> g%- 4 5/, 7 0wWC .# U .-, 0 . - , 9M BK B2 <-,> [90 NY BASS/PIANO BASS 9; 98 * 0TONE 6b# 9: "N & + D Gr andPno C'`> E '>C/ 1 N' ;Cq ', J7 _L'%: 0w% > E b5 9; 06 N| 2 C ,“26 ACOUSTIC BASS” %L n4 :;D Aco . Ba s s AR-15 662A-A-017A S. R QPO5 J* T2 B2 +'%- k-L A!'% - 2@'/ wEU .-', + G! >%' MLK c:5% l)@ I A@% 2W G5/'> EU 0bW }"W w ;/ * : * / i % G ? : , - -& b 5 A ! < G b * I A @ % , 0F / 98 'X> _5 R^ V>Y nW87 25) A'# cWi) A# j Z5| TONE ' G* 6'bX' n! '%: ,[SONG BANK 'Kd, 0RHYTHM 6b# 0 '@& ZC /) GW| S ;< G'! @& ZC) N • T r ans 9: 0.-, + g%- b% TEMPO J _L%: E ,C -: + bW W7 -1 ) `#Y B G^ Nb5% b% :;D 0 [ + * 5 ) C N b W U T r ans ( – ) E RU / B K G C B B (-1) /BK A A B B C# C E D Trans (–) SIDE STICK CRASH CYMBAL 2 ACOUSTIC SNARE CLAVES HAND CLAP RIDE CYMBAL 2 ELECTRIC SNARE HIGH BONGO LOW FLOOR TOM LOW BONGO CLOSED HI-HAT MUTE HIGH CONGA HIGH FLOOR TOM OPEN HIGH CONGA PEDAL HI-HAT LOW CONGA LOW TOM HIGH TIMBALES OPEN HI-HAT LOW TIMBALES LOW MID TOM HIGH AGOGO HIGH MID TOM LOW AGOGO CRASH CYMBAL 1 CABASA HIGH TOM MARACAS RIDE CYMBAL 1 VOICE 1 CHINESE CYMBAL VOICE 2 RIDE BELL VOICE 3 TAMBOURINE VOICE 4 SPLASH CYMBAL VOICE 5 0 H S - W G ! ! 43 5 C G " G ^ V > G W ! 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S%5: ±50 G! .-, + Nb5 2543 0+* bV 5 00 G* 6X> 4 N85% 6# 000 G^ N85% A# ;u DEMO G* 6bX) 0[99 PERCUSSIONY ]?>q Q G* |d N85% * • • • • • • • • • Y<2E 7X WV 0587 25) G! %D Q % F G^ .-, + 6# 2543 `*') '& C*' F W .'#%' b'V%' + .'-' X' F: 0F / Z 5 | / % : q Y<21 ZX WV @. 0" % 6# % %) N 0DEMO J 6b# 0R*"-) _? G%+ xW /)% C G! /%:q Q F % > 0 # / G ! . # I T F / > E / % : q Q N N : ^ 'Q F' C'^ Z5'| .''-', '+' G*' J'%') F'/' 2'54'3 0 /%: q 9: • • 9; • Y<2 ZX WV WD[ Q F }'% ' START/STOP DEMO ' G* 6'b# 0 /% : q AR-17 • • • • • • • • • • J* /BK2 0 ? : G ^ . - , + N 8 5 2 * / P @ ) * X> 5 R^ V>Y nW87 25) A# cWi) A# j Z5| TONE ' G* 6'bX' n! '%: ,[SONG BANK 'Kd, 98 0SONG BANK G* 6b# 0 @& E-5 /) GW| y ;< G! @& E-5%) N • 6bX) h+ F'/> E /%:q Q F 'b 2543 0, J7 G* E' N) xC') ,`* _ A')% G! '587 25) IQ F' C/> 0R % 98 + ❚ I{! ,ZnK ' I) GW| S GQ #/ G* ?5 KK H 1 0h4 . F: KV 0 5 8 7 25 ) A # G ! . - , + I 4 5 ? 5 6 # b A @ % 0 , J 7 _ L % I X > A @ % , w < E , * / G ! @ & G ! 0F G ^ C C ` % 5 G % + >`% A'# 6# /> H' S-W G! ( / ) TEMPO J G* 6'bX) 0C(0) G^ A# +* 5 C(0) A# G^ 4 ;`%> >`% 6# 0 b V% 0SONG BANK G* 6bX 5 C(0) G^ 4 6X> ?5 6# c % ? 5 * H W 1 ^ 0 L % G % b 5 G * % / ` W @ 9 O 5 S - W I ! , L % n % b 5 * G " j /% 5 I n ! 0 ; % b5 , G * 7 n ? : , ]?>q IQ (PERCUSSION) 99 N b5 G* |d b% ?5 * 0 x ? * c + " , ' C` G% .-, 'b> 96 G%+ 90 2E 79 G%+ 75 'b5 >u 0 b 5 0DEMO 6bX 5 C(0) G* 4 6X> b% 6# • Tune 0.-, + N85 b% TEMPO J _L%: ? N b 5 % k - L % : ; D Tune ( 9: –) 662A-A-019A 0]?>q Q F 6X TEMPO J _L%: ,F/ ? Z5| TEMPO J + 6bX G! 0255 G%+ 040 ;< @ b%> F/ 6# I{! 0120 U ? 5 Gx%) ]?>q : 6# G! TEMPO J G*' 6bX') GQ ]'?>q ': 6# '/) 2C w>' E ]'?>q ': 6'# ;C 'X> 25'43 , '@ 0 , J 7 _ L % : ) C | < | N ; C { ) ': 6'# 'b> F: TEMPO J ' h> G*' 6b'X '%: 0 ) ] ?> q 6 b # , ] ? > ^ Q 4 : ? ? 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RHYTHM 65 eL1 ! 7U4 T; (X Z ; SONG BANK 6 E 7 3 # & . @ - E 4 a ` & - 4 Z @ i C U B 7 & - v Y 1 4 @ - 4 a ` 3 # & 4 Z @ i D U C + EC 9= ,. ❚ 3 E D 9< Tw i n k l e 9$ ( ' , E > 4 @ , . ❚ (' E 4 (E PC6 v,'O 6EU 32E "0 /"& >LR9 & 6EU 62FE 2H ,FINGERED (XU _. 7PAR-19 SYBO FINGERED C-X & JLH wZ ,"0 /"& ];& "% >F y' >B 7f8% GEY%& dZ 6i' [ Lq (&B& 6EU + E @ / 0 - N , & + , M L ) K7 ) (' • " - S , 5 6 7 8 5 ) "! 7 " L 2 D V U T @ 2 D V G E Y ' D 8 E $ + * > '^ 662A-A-024A X 5 M > '^ AR-22 ,ER L)K7) (' G 3H64 2E _! 9 >B ]qS' EF (&B& v; 32 2 DV a62 $H6 ]=U * $H6 ]= D"l4 (&B& ,e,% v-1 ,/'#&|& ' bY' CR8 /V4 _. 7]2 1& @E . 7“One!” EF (&B& v; eA . ; E F ( & B & v ; e A . , @ R F ( - B U 1 , / ' #& Z 7“One, three, five!” CR8& 3AE '2" CA. 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'2" • 7PAR-12 SYBO vLE ]62A vBE 69Z BQ !E '2" • L ) K7 ) (' 7S >9 ' vq ONE KEY PLAY 6654 CRX S E L"& /' (& ,S ' PT@ 2O -F% DV 7 P " L 2 D V O T ; ' '2" D8U ,' 1 E" (& bY' 7 E " E 7 E B 6 2 F P @ A " O n A D V 7 J H j Y9 . D 8 E 4 ! ' G E Y ' ( & 6 4 • 8_5_) ,_M_H_ "_ $___ "_! X_W ,* ,MH +H ,567 • • 6654 X GEY' ' 2U T4 CR8 eU 7ONE KEY PLAY DVO T;' GSF S E9 ' 65 T4 CR8& 7 P " L 2 7;@Y' + E"q aS JH jY9 _. bY' ' @,q4 CR8 aS d9. IR8' @Q{ bY' ! 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QE Q#2&P#6 1& ,(!&2( -#2!+ (!$ ,-/] \ (K26 \(& ( C# MIDI B ) E , 3 # >& ❚ `(`. =6 ( X _8 1& !(Y 3$ ^%$ C#( MIDI -#5#6 B ML V #A N % $ %% _E #( C# MIDI -#5#! #N#c ( 3#$ KY b%a B dh g , f , e , d - ; \ _ E 1 & ^ % $ • • (>A "(' L( ,#( MIDI ^j \(& i#( 1& ?( F; ( B M L V # A N % 6 # # ! # # , 1 2 k 3 ] i # 662A-A-029A RHYTHM SONG BANK TEMPO 4 8(7- 65 LOCAL CONTROL 4 ( ; 65 GM :&9 :A0@> GM :&97C :A0@> LOCAL CONTROL C +< MIDI N6 >& [ ,# Z# E !Y \ <' ;$ BX E #%3 o ,#(9 ;U8 b;6 ?(} 5#<6 ?} rE \ 3( _#;zE , m(H(} \ ((E ,:SONG BANK (+( l( #(&;($ BSONG BANK , mH}E RHYTHM Bd "(, = _ 6 Wi#3 S 4/( \ e ", = )E • ?(}( %(] "(2`(( (`( ( ) TEMPO ,( C(@( B H B#P ?} GM m=@ 4` w#l L += • Loca l 7 % > & N % M L - > , >& V # A N ^ 5 # Y # & 3 ` m ! l L BLOCAL CONTROL ^%>\ $#' ,N% ML IN/OUT -(> ,(>(& =(6 #(. ,(>( (N%( \ ( _(+ rE :on MIDI | { 1(& MIDI #, (K& #5 ^( SA(5 \ %( BOUT ,MIDI OUT | { 1& MIDI #Y R; N% \ _+ rE :oFF LOCAL CONTROL >\E B% -> ,> -. ,. Q6 ,# Z# E !Y \ MIDI THRU .# #&@'& Q2 #&;$ LOCAL (>\ (N%( #6 -. rE ,(> 1( o5E v(NX #l(E B[ B>& ,# Z# X CONTROL ❚ ❚ #(&;$ w#2#&E H ?} w#l 4` LOCAL CONTROL QE vNX B # , , Z 8 1 & w # E % $ m H l " # & ; $ E H ? } , ` 6 C :F#P 1E 5#U8 b;6 1 $ E! 2 9 START/STOP • N V#(A& lX '(\ ,3A;& ( \ ML V(#A N( C@' #(&;$ B # P ? } % ] " 2` j _ # ; z E V # A • 4 8(7; 65 LOCAL CONTROL 4 ( - 65 GM :&9 ONE-KEY PLAY • STEP 1 • STEP 2 • STEP 3 • B:P 1 $ E! 9 DEMO • -#H; "% 1$ -#&% \ L y \ GM H5 = i# J5E BH ?} wX`& GM m=@ 3 _#;zE • • o ,#(9 ;U8 b;6 ?(} 5#<6 ?} rE \ 3( _#;zE , m(H(} \ ((E ,:SONG BANK (+( l( #(&;($ BSONG BANK , mH}E RHYTHM B d " , = _ 6 W i # 3 S 4 / \ e " , = ) E • ?}( %(] "(2`( ((`( ( ) TEMPO , C(@(E B # P BH ?} GM m=@ 4` w#lE L +< += • Loca l 662A-A-030A AR-28 # " ! AR-11 S!' AR-15 S!' AR-13 S!' AR-18 S!' AR-15 S!' AR-28 S!' 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' ; AR-31 * 662A-A-033A GM 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 GRAND PIANO BRIGHT PIANO HONKY-TONK E GRAND PIANO ELEC PIANO 1 ELEC PIANO 2 ELEC PIANO 3 ELEC PIANO 4 HARPSICHORD CLAVI ELEC ORGAN 1 ELEC ORGAN 2 ELEC ORGAN 3 ELEC ORGAN 4 CHURCH ORGAN PIPE ORGAN REED ORGAN ACCORDION BANDONEON HARMONICA NYLON STR GT STEEL STR GT JAZZ GUITAR CLEAN GUITAR MUTE GUITAR DIST GUITAR ACOUSTIC BASS ELEC BASS SLAP BASS BANJO VIOLIN CELLO HARP STRINGS 1 STRINGS 2 STRINGS 3 SYNTH-STR 1 SYNTH-STR 2 CHOIR AAHS SYNTH-VOICE TRUMPET TUBA BRASS SECTION FRENCH HORN 1 FRENCH HORN 2 BRASS 1 BRASS 2 SYNTH-BRASS 1 SYNTH-BRASS 2 SYNTH-BRASS 3 662A-A-034A GM 0 1 3 2 4 5 8 9 6 7 16 17 18 15 19 104 20 21 23 22 24 25 26 27 28 29 32 33 36 105 40 42 45 48 49 44 50 51 52 53 56 58 57 60 59 61 69 62 63 70 30 31 34 37 35 41 43 46 55 91 85 83 47 84 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 SOPRANO SAX ALTO SAX TENOR SAX OBOE CLARINET PICCOLO FLUTE RECORDER FLUTE ENSEMBLE WHISTLE SYNTH-LEAD 1 SYNTH-LEAD 2 SYNTH-LEAD 3 CALLIOPE SYNTH-PAD 1 SYNTH-PAD 2 SYNTH-PAD 3 BOWED GLASS HALO PAD SYNTH-BASS RAIN DROP SF SOUNDTRACK SPACE PAD SYNTH-SFX VEHICLE TELEPHONE SPACE INVADER FUNNY STRINGS PIANO STRINGS EP CHOIR EP CHOIR ORGAN STRINGS GUITAR STRINGS HARP BRASS STRINGS VIB PAD 12STR GUITAR CHOIR STRINGS BASS/PIANO BASS/E PIANO BASS/VIB BASS/NYLON STR GT BASS/DIST GUITAR STRINGS/PIANO STRINGS/TRUMPET VIBRAPHONE MARIMBA PERCUSSION GM 64 65 66 68 71 72 73 74 75 78 87 81 80 82 89 90 95 92 54 38 96 103 97 101 102 125 124 126 127 123 106 88 108 109 99 111 112 113 114 115 100 117 118 119 120 121 122 10 12 67 79 76 77 86 93 94 39 98 107 110 116 11 13 14 A-1 POPS DANCE/FUNK 00 CLUB POP 26 TECHNO 01 FUNKY POP 27 TRANCE 02 SOUL BALLAD 28 DISCO 03 POP BALLAD 29 FUNK 04 LITE POP 30 RAP 05 16 BEAT FUNK EUROPEAN 06 8 BEAT POP 07 POP ROCK 08 DANCE POP 09 POP FUSION 10 FOLKIE POP ROCK POLKA 32 MARCH 33 WALTZ 34 SLOW WALTZ 35 TANGO LATIN/VARIOUS I 11 ROCK WALTZ 12 SLOW ROCK 13 SOFT ROCK 14 50’S ROCK 15 60’S SOUL 16 4 BEAT ROCK 17 ROCK 18 TWIST 19 NEW ORLNS R&R 20 R&B JAZZ/FUSION 21 BIG BAND 22 SWING 23 FOX TROT 24 JAZZ WALTZ 25 LATIN FUSION A-2 31 36 BOSSA NOVA 37 SAMBA 38 MAMBO 39 REGGAE 40 SKA 41 SALSA 42 FOLKLORE 43 RUMBA CATALANA VARIOUS II 44 COUNTRY 45 TOWNSHIP 46 SLOW GOSPEL 47 BALADI 48 BAROQUE 49 NEW AGE 662A-A-035A (FINGERED CHORD) '$&%$ #"! , + * ) ( # ' & % $ # " ! : 662A-A-036A 5 432 1 A-3 ?!. ?=! >6= % =!* "# 8.* <; & % ,58 7 &6 5! $! 4 FINGERED 32 10 /. #& %-( * , 2 ! D / + * ) % - , " C ) & ! = B A * @ ; F ,D ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ; B GF &!. ?=! >6. &E ; G ,E ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, ; B GF &!. ?=! >6= &E F dim7 E dim7 ,C dim7 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, A dim7 GF &!. ?=! >6. &E G dim7 E dim7 ,C dim7 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, B dim7 GF &!. ?=! >6. &E A dim7 F dim7 ,D dim7 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, B dim7 GF &!. ?=! >6. &E A-4 662A-A-037A LK-100 1 1 Transmitted Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 1-4, 10 1-4, 10 Recognized MIDI Implementation Chart Default Changed Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ Model Basic Channel Default Messages Altered Function ... Mode True voice 36-96 ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ O 9nH V = 1-127 X 9nH V = 0,8nH V = *2 0-127 36-96 *1 Note Number X 9nH V = 100 X 9nH V = 0 X X Note ON Note OFF X X O Velocity X O X O X X O Key’s Ch’s X X X X X O After Touch Pitch Bender Control Change 1 6, 38 7 10 11 64 Version: 1.0 Remarks = *2 :*1 Modulation Data entry Volume Pan Expression Hold1 662A-A-038A