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Download Casio LK300AR1A User's Manual

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LK300AR1A
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
C
MA0603-A Printed in China
LK300AR1A
LK-93TV
1
1-16
Transmitted
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
1-16
1-16
Recognized
Model
Default
Changed
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
0-127
12-108*1
X
X
X
O*5
X
X
X
X
X
O*5 *6
Version: 1.0
% &' :XX
0 * / $ . - ( , + * ) ( ! 2 *
Soft pedal
Reverb send
Chorus send
RPN LSB, MSB
All sound off
Reset all controller
Bank select
Modulation
Data entry
Volume
Pan
Expression
Hold1
Sostenuto
A-1 C/DE +- F :G*
Remarks
USB MIDI Basic
Channel
Default
Messages
Altered
36-96
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Function ...
Mode
True voice
O 9nH V = 1-127
X 9nH V = 0,8nH V = XX
Note
Number
O 9nH V = 1-127
X 8nH V = 64
X
O*2
Note ON
Note OFF
X
X
O
Velocity
X
O
O*2
O*3
O
O
O
O
O
O
O
O
O*3
O
O
: Song Pos
: Song Sel
: Tune
O
O
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
System
Common
: Clock
: Commands
O 0-127
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O*4
X
O
X
O
O
O
X
X
X
X
X
O*4
O*4
Key’s
Ch’s
:True #
67
91
93
100, 101
120
121
0, 32
1
6, 38
7
10
11
64
66
After
Touch
Pitch Bender
Control
Change
Program
Change
System
Real Time
X
O
O
X
System Exclusive
Aux
X
O
X
X
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
[F7] [02] [09] [7F] [7E] [F0] : GM B2 [F7] [01] [09] [7F] [7E] [F0] : GM (+ GM B2A(+ 6*
4@? :03 ,3 @? :02 ,2 @? :01 ,1@? :vv=00 [F7] [vv] [00] [02] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] @?, ; •
Hall2 :03 ,Hall1 :04 ,Room2 :01 ,Room1 :vv=00 [F7] [vv] [00] [01] [01] [01] [01] [01] [05] [04] [7F] [7F] [F0] >=< ; • 5*
9 8 ! * 2 7 6 5 ! 4*
RPN Null ,PITCH BEND SENSE 321) ,COARSE TUNE ,FINE TUNE 321 3*
: Local ON/OFF
: All notes OFF
: Active Sense
: Reset
Messages
Remarks
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
664A-A-002A
664A-A-079A
( ) 0/ &'+ .(-, &'+ *() (' &% $"#" ! 4 0 ( 3* 2 1
) :9' , ( ) 8 2 '7 6*5' *' 2' 7> 7 :$ =(-' <*; .('+
(' &% $"#" ! 0/ 09B3 A%"@ "?
4D"@ C(?9' &'+ *()
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&'+ *() (' &% $"#" ! <*J ?' I
4G3*2?' K-E L D 6E' K-E
CASIO "(Q1 0(M7*?'R 0(E(Q" 0'P' O(+ &% CN2M
6 $ " # " Y X ( ' ! W I * V 3 6 G * E ' L 1 , , 0 ' T Q + : - S •
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03/+ [` ?'7 ,0V(V/ 0E*F37 3 _ L
2(M [ <^"'3 ^"*' C, b' L .X7 L*R IaR7
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J e d+ Y" '+ *() *' 0i'3 0(Ba 03/ 7 Y" *F ], ,0V(V/
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+ G\ 0V(V/ *(h 0E*F3 _ :(i), e d+ 6*(Fm 03/l7
= ( - ' 03/l - *F &% <"k '7 0f7*) $" *2j =(-' d+ 8EH MX# b, $"#"' 0('X+ 2(H #" '7 $" :37
=(-' !X
+ G\ 0V(V/ *(h 0E*F3 _ :(i), e
AR-1
664A-A-003A
0- C "?, X(3 AC o2 KX3 AEF nE,;
0(53*2?' 0B' *F ] :H p*; ( ? H AC o2 Q
0B'7 ]*s *F ] G G3 r),q'
0 (3 * 2 ? ' u"H :53 G"@ *t G%7 < 7 0*
[c"3 nE,;
0(3*2?' 0B'7 ]*s *F ] G AC o2
●
●
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0jW L AX5$ 1, 0(B)' 03/l7 ]*s
0 (' ' Y f ( l "M"? 3 wX, ;7 AEF YF-' C(?9, !7k; •
6*(BS 6*5$ H
x' 7 0M"' &'+ AEF YF-' p*, ; •
n 2 S * V 3 n 2 6# <*3 0yS YF3 83 AEF nE, ; •
09 D"M L YF3 83 AEF nE, ; •
Y F - ' LV a A E F ! 7 k ; •
YF-' (–) 0-''7 (+) 0-#" z*fR L 1, •
0 V ( V / 0 E * F3 = 2 # " " M " ? &% $#" !
' H _ *3 AEF nE,;
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zEl [c7 &'+ 6E' :"k {
L .%M+ ,6E' BX1 AC o2 , g1 d+ |
8 5 s 3 ( ' } * CASIO "(Q1 0 E 7 /R C(1"3 :B,+ ~
6 X 0 / . ( - , + 0E*f <3 ., !7k 7 _ C(?9, AEF !7k;
03/l ,0(53*2?' 0B' *F ] C'd :H Y/"V9' :1 O*, * 0(Ba 03/+ 7 ,u7*s3
E 7 /R C(1"' 0M(B'7 ,0(' 83"'7
6X CASIO "(Q1 0
664A-A-004A
L :5Q *, d+ !s H 0('' Y"Fm <*#
C((% :$ &'+ 0"E' YF-'
G 3 n 2 9 F a ! C ( ( % w n E , ; {
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A"H 0('' Y"Fm zEl [c7 &'+ 6E' !" {
L .%M+ ,6E' BX1 AC o2 , g1 d+ |
85s3 (' }*
CASIO "(Q1 0 E 7 /R C(1"3 :B,+ ~
6X
AC 98%
*F ] AC o2X' 53*2?' C' !XQ+ G"Q ●
0(53*2?' 0B' 7 ]*s
_ 2' 8EH $ AC o2 Q L 1, •
:$ 2# "? <' 6E' B 8EH Q+ •
AC o2 &% n !
53*2?' (' } &% 5' :(XV'3 nE,; •
6 X O W Q R 7
L?y AC o2X' 53*2?' C' !XQ+ G"Q ●
0B'7 ]*s *F ] @ ,.FE 7 .9
0(53*2?'
0 (' ' Y f ( l 0 j W L 1 L 1 A X 5 $
.*, 7 C' &% 0(E\ G(a [c"3 AEF nE,; •
6 * V '
' &'+ .*, 7 C' :3 AEF nE,; •
5'
C' a 7 3 AEF nE,; •
:B, ,K-E 7 53*2?' C' b, d+ •
CASIO "(Q1 0 E 7 /R C(1"3
6X
AR-2
AC 98%
0B' 7 ]*s *F ] AC o2 !XQ+ G"Q ●
0(53*2?'
0('' Yf(l 0jW L 1 L1 AX5$
< 7 S" L A-*S 53*2?' C' [c"3 nE, ; •
6*V' <* $B
(' }* L 0%M % C' 3 AEF nE,; •
L .%M % AC o2 L a AX5$ 53*2?'
. 3 S
0B' 7 ]*s *F ] AC o2 !XQ+ G"Q ●
0(53*2?'
0('' Yf(l 0jW L 1 L1 AX5$
&'+ 85s3 (' }* :$ AC o2 :$+ •
. (' + : B < 3
85s3 (' }* L AC o2 K-E D3 nS •
0 '+
' :-S 7 0%*' b/"' G\
0 " f 6 * 9 ' ! L% ( i ' 7 o2 K3S DM ,0' H :SR &% 67 6* •
0X1* 03*, < w7 85s }* L AC $$*
K 3 E ' Y G " 3 0 F ( 0 E F & %
& % D E ( 7 ) @ o2 K-E D3 nS AX5$ ,_ [c" 6$%3 (E' :-S
YW3?' :1 :B93 nS7 85s3 (' }* L AC
0 / " O W Q R 7 < * R ,OWQv' b' *F ] 0/" OWQR O*, 0(53*2?' 0B'7 ,]*s
/ < ( ; : 7 .f"E3 .9, 3 _ Q+ H *XQR
]*s *F ] 0"S 0/ &'+ .c*,
!s H 0('' Y"Fm <*# 0(53*2?' 0B'7
zEl [c7 &'+ 6E' :"k {
L .%M+ ,6E' BX1 AC o2 , g1 d+ |
85s3 (' }*
CASIO "(Q1 0 E 7 /R C(1"3 :B,+ ~
6X
,4? >2 = :$ 7 CQ &% 0(?(QW-' 0-(Es [c"3 AEF nE,;
uR *F ] C'd :H CXH
!9f #", % 0-F "?, *V' 23 0/ 0%
6*(i/
*@ CB( &% A@ /."
7 .3WEM+ H -3 L?y .(% z"S"' 7 _ ],
0-F "?, *V' 23 0/ 0% A9', w-B 6*(i/ !9f #", %
DB%
w F Q & % 7 , g 3 \ * ( h : u " H _ [ c 7 J
L?y g3\ *(i' [S" g3\ *(h *t [S" < 7 ,pR
03/l *F ] @ ,_ WEM+ H - 0(B)'
FG
AC o2 K-E D3 nS AX5$ ,_ b(j3 (E' :-S
.-E H AC o2 O*, A;7 85s3 (' }* L
0B'7 ,]*s ,AC o2X' b' *F ]
0(53*2?'
_3 @ n23*, H -, S YF-' !XQ+ G"Q +
*F ] <'7 ,*9, 7 ,67> G(av' b, .%
0jW L 1, AX5$ 0(B)' 03/l7 ]*s
0 (' ' Y f ( l [ Qq' 6$ YF-' 8EH Q+ •
_ .Q+ ' 8F, g1 d+ _ L YF-' DM •
0 " f 6 * 9 '
AR-3
664A-A-005A
07*) C' 023) p*% <3 6* Yd Y*a d+
.Q+ L% bS", ,_ Q+ % W%
I m C -( -F 3 : B , 7 A " H
•
'H
_ u"H 0(E\ G(a [c"3 AEF nE,;
- @ ,:(E\ _ % : L?y C'd :H *F ] @ ,.S"H L o)' "EQ 7 _ WEM+ H
0 (B ) ' 0 3 / l * 0 # K # < D J I A-- E L?y 0V(V/ *(h 0E*F3 [X> :s
L 1, 0(B)' 03/l *F ] @ _ "EQ H
' [(X' YX(, [-, ,0V(V/ 0E*F3 :s [(XJ
0V(V/ 0E*F3 :s &% _ g(-, L 1, . ,,
<(+ o)1 :s
*
! M L
:3 6S B &'+ :EM 7 n2'-Q L 1, ,YF-' Q %
0 ( ' ' Y ; s L A 0 j W % C ' d 7
6 E ' B * a % : ( i ) ' [ c " ' ! " V * ( h ^ 2 2 , G * S B , 7 0 X 0 c ' * ' Y % X Q Y % X ' Y " / " ( - f * ( h p 9 M ' Y "B ' . " ) ,
0 9 , * Y " / 3 z ' % Y " B ' H c *% : ,
[ 9 , * Y " B 3 z ' % 6 E ' H o # 9 ( 2M +
[ 9 , * Y " B 3 z ' % 0c ' % +
9 &% 8i' 2, 7 O*, 3 & *X ' Y"B'
2 , * + S & ' 0 X i ' L % # b 0 X i M Y " / / +
( - f * ( h p * Q l L s z % 7 D E l L s 8
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: B * ," ( -" 1
664A-A-006A
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
? O _ YW(/"3 6$ Y(2'7 62#R 8EH :/7
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0(53*2?' 0B'7 ]*s
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6 ( Q : $ , * a - KX ) ' G " ' 0 c * ] f _ p*, *t ]f < 7 ,KX)' H 09S7
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H - S C'd :H + 0"S 0B' 2c*, 7
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C -( - F 3 : B , 7 G 0 F Q " 3 ! s H
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AR-4
: 2 c 2 < ` J*6 514 ❐
C'd L *17 ,!"-F' 0%"X ,0E Y"/R7 "*' "M(-' :X) YXi' L [Q7 (+
YXi' 0(X' I"m H n?V, ' 0(XS*' Y*\ :X), *R b5"'
PIANO BANK R
❐
"M(-' 7$7 "M(-' YXiM &'+ 6*a- O, ^ L 0X'
M/% −U (T S/ MG6 ❐
L V , X ( C E , [ - , C ? y C ' ' 7 , A ( ? ( , " , C 5 $ w ( , 9 0 " ' E , C % * 3 ' L Y " F − ~ 7 d ' j M C ? y
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A # 0 S * 3 6 G c + g k 7 * a - K X ) ' G " c g k 2 B ' L " ? S w ( , 9 G " c Z ; ∗
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AR-5
664A-A-007A
d AR-19 eeeeeeeeeeeeeeee 0/" X A= CR@
AR-1 eeeeeeeeeeeeeeeeeeeeeeeeeeee AR-19
0(hR C3 Ls z% 6$%+ 0(9(1
AR-20
"M(-' C3 Ls z% 6$%+ 0(9(1
AR-20
0(E(Q" Y" jM
AR-8 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee M@ 0)
AR-20
DEl 0%*Q 8-c
AR-10
AR-21
z' 6$%+ bS", b(1
AR-21
[*' [(#*' 0(9(1
AR-21
[*' E' 0(9(1
AR-21
0(E(Q" 0%"FE *?,
AR-13 eeeeeeeeeeeeeeeeeeeeeeeeeeeee 7/ /<
AR-22
$"( LV' 0XiM *((i, 0(9(1
AR-13
YF-' Q
AR-22
[3, H sR :1 z% 0(9(1
AR-13
AC $$* (' o2 Q+
AR-22
PIANO BANK ' Q+
AR-14
A(5E, 6E' zE+
CD- _ I*E' &% 6$"#" SMF YM(3 Q
AR-14
6E' :(i), .-
AR-14
6*1' Y"V
AR-22
:X) ROM
AR-23 eeeeeeeeeeee M/% −U (T S/
AR-24
n((E' [c7
AR-25
n((E' [c77 ' b57 Q+
AR-25
g(S"' n { − nS 6"Fm
AR-26
0(E(Q" Y"' n | − nS 6"Fm
AR-27
0$% 0%*3 z' − ~ 6"Fm
AR-27
0(E(Q" 0%"FE &% ' [c7 Q+
AR-28
0(,"B' [3/R3 z' :('$
AR-28
DEl !73 Q+
= D Q" '* g(,% M/54
AR-29 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
AR-31 eeeeeeeeeeeeeeeeeeeeeeeee 2 <%
664A-A-008A
AR-5 eeeeeeeeeeeeeeeeeeeeeeeee :2 c2<`
0(E(Q" 0FE' : us
AR-11 eeeeeeeeeeeeeeeeeeeeeeeeeeeee D4 Df
AR-11
w(,9 0"' &% z' 0(9(1
AR-15 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee ?O
AR-15
Y%X'}*m K-E
AR-15
USB 9
AR-15
n('n(%' K-E
AR-16
"H7*?( K-E
AR-16
VIDEO OUT K-E
AR-16
Y(l7 YEV
AR-17 eeeeeeeeeeeeeee 44 0*Y J@
AR-17
w(,9 0"' &% z' 0(9(1
AR-17
0XiM (
AR-18
0Xi' Y*\ Q
AR-18
zEl7 :(i)' [c"' 9 G"c jM :"k
AR-6
d AR-48 eeeeeeeeeeeeeeeeeeeeee J," 0O
AR-31
DE+ Ls (
AR-48
*,"(-X?'3 :(/"'
AR-32
DE+ Ls z%
AR-49
MhR C3 s H Y(R [(Q",
AR-32
0(5E' 0-B Q
AR-50
0' MIDI 0XiM
AR-35
!$ 8 Q
AR-50
83"' *((i,
AR-35
") 8 Q
AR-35
DE+ Ls zW Q
AR-36
DEl Ls zW [ ") 8 Q
AR-36
DEl Ls z% [ 0(5E' 0-B L, G3
AR-36
02M 8 [ G2Ml
AR-52 eeeeeeeeeeeeeeeeee 7^ ^ M/54
AR-53
0-'
AR-54
6*1' Y1 6G*S
AR-55
6*1' Y?' Fm :5Q
AR-57 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee 0` /+
AR-37 eeeeeeeeeeeeeeeeeeee h63 7^T +](
AR-37
Y7 G#R
AR-38
:'3 g- Ls [ <^"'3 Gi' :(,
AR-39
$ :(, z% 6$%
AR-39
G$R :(,
AR-41
G$l :(, z% 6$%+
A-1 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee k#
AR-42
G$R :(' :('3 $7' 6$%+
A-1 0(E(Q" 0,"' !7#0Xi' 0X5S
AR-42
$V G# z
A-5 0-F' =(, 0X5S
AR-43 eeeeeeeeeeeeeeeeeeee K+% i"E
AR-59 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee +O%
4% -j K+ " .
AR-60 eeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee
A-7 [3/R3 z' *,7 !7#
A-8 DEl 0X5S
A-9 &MhR 0X5S
84( 84
A,l h MIDI 024
USB +% M/54m"
"?, S :('' H = _7 01*)' GXQ
L*v' 0J YW1 0
AR-7
AR-43
0E-F' Q
AR-44
' Q
AR-44
A '7 0E-F' Q
AR-45
w(,9 0"' &E(Q" n' *((i,
AR-46
KX' 03Q+ Q
AR-46
MhR C37 0-B Y"/ <" 8-c
AR-47
w(,9 0"' n(i,
0aa 0c' 0(52' z7*s D"M (
AR-47 TV ^9'
664A-A-009A
1
2
3
J
P
K L
6
7
8
9
C D E
N
M
O
*1
0
F
*2
A
U
B
G H
I
J
*3
Q
R
S
664A-A-010A
4
5
T
V
W
X
Y
Z
[
\
^
]
a
b
c
d
AR-8
1a `Z
j ibb% bb#b& KARAOKE !b =b hbb&bN -bb& ,eb PLAY/STOP !bb $bb?b ebd 7b gPLAY/STOP 'bb&%$bbbb#b Ub`bbb b^b febd cbbbbb 1b`b
g<PLAY/STOP>
•
SONG BANK/KARAOKE /. - + *)765. P)+ 1KON M
MIC VOLUME 1
1 8 Q N
KEY CONTROL/TRANSPOSE 2
PIANO BANK 6 P)+ 1KON O
<PLAY/STOP> ('&%$#" ! 3
CHORD . SR *KF P
KARAOKE /. - ,+ *) 4
) S 1 K O N Q
FUNCTION 10 5
T H % ; = R 1 KO N R
REVERB/CHORUS ! 6
POWER 4? S
SONG MEMORY 765. 432 7
4 ? U T
KEY LIGHT *8 8
MAIN VOLUME HO R V U
RHYTHM :&9 9
MODE -8 V
TONE ) 0
SONG/PIANO BANK/RHYTHM
( ' & ! % $ #" ! ●
CONTROLLER
REPEAT ,INTRO @WS9 W
ADVANCED 3-STEP LESSON − ●
SYSTEM
LEFT/TRACK 1 ; &.
! A
NORMAL/FILL-IN #/,SQ -8 ,REW -L X
RIGHT/TRACK 2 > =<.! B
VARIATION/FILL-IN #/'ZW. ,FF Y? Y
METRONOME :&9 @?)+ C
SYNCHRO/ENDING *^69=! ,PAUSE ]N\ [N Z
SPEAK B?A D
START/ '&9$# *?+ ,PLAY/STOP '&9$# [
PRACTICE PHRASE 1F 1ED C&? E
STOP
6 H 6 5 . P ) + A _ \ \
: & 9 A _ \ ]
TEMPO :&9 1EF _
SONG BANK 765. P)+ a
PIANO BANK 6 P)+ b
CARD c
DATA ACCESS 6 @ 1 d
STEP 1-3 I H% ; = 4DG F
3 H% 1 = SCORING L? :KJ G
SPLIT M!J H
LAYER 1D I
1 E K F J
RHYTHM :&9 1KON K
TONE 1K) 1KON L
)*+
% !, $ # " ) * + $KQ [ H% W = . H% #& ed gSong/Piano Bank A _\ 4*8% 7 C& KARAOKE ,PIANO BANK ,SONG BANK ! HE lk
g ' ! Q 4 S E 9 m 3 h `
( ' & ) * + 7 Cb& 765. 432 -8 $W? 7 SONG MEMORY ! HE n RHYTHM ! HE lk ,:&9 -b8 $W? 7 RHYTHM ! HE lk g : & o m 3 h ` $ K Q [ H % W = . H % # & e d g : & 9 A _ \ 4 * 8 %
a` Z $S 7 1A8 1p. =E [q ?N 18Q HE ^a 7 7/ t) gl 1A8 s5. ^+ SR r?q $S 7 1A8 18Q 1p
gr ? q 4?bd# 1^+ cK& 7b huk & fed c 1b` 18Q =& g18Qb =& ^0 & =< 1b& = 1& 1O 18Qb 1__ 4?d#
g i D 8 = < w , h + n & 1 8 Q = & x ` w g c 1 ` 1 ^ L 7 ? Q H E v J & t q # AR-9
•
•
664A-A-011A
/ 5 / 4 . 3 2 *3
e
*1
c 1`b - r? HbF $/ Hu =b $3 $WS
g Q c D H E = & S L U p $ W S
SD CARD SLOT C_ e
*2
1 K N . f
bN bbbb rbN. @bWS% $bL =b
gs Q l 8 s Q r ? q F { + 1 @ WS % = < w
}4S&!b| [+] r?qF g1KN .
g^) hw?+ }$| [–]
•
•
[+]/[–] g
h
m
MIC v m
i
SUSTAIN/ bbbbbbbQbbbbbbbbbbE?bbbbb vbbbbbbb j
ASSIGNABLE JACK
DC 9V ] y K v k
j
k
l
/ 1 - 0 / . - USB e) h
VIDEO OUT v i
PHONES/OUTPUT EKzG v l
671 /.- 89 :- ;5
g )d c 1 ` - \ R V R C4
664A-A-012A
7 hJ8 d K3 c 1` - 7m 7 c 1` -8K R VR+ N
7b 1A8 bZQ hbQ b 'F ● ▼ ZQb -N gf6S 7bA8b F
ibQJ& 'F ed gTV b 1_b_ 4?d# *)n Cb&?+ rb ?)E TV b 4
gc 1` TV 4 U+ 1NZQ ?d# 7 P $^F
C5
AR-10
8' )5 8 <) SONG BANK
PIANO BANK
4? Uindicator
Power
1KN buttons
.
Number
POWER
MODE
PLAY/STOP
SONG BANK/ 1KbObN 7b ib!bE 7 Cb5b eb =bAb ?bL%
4
dS?E $W? 7 1KN . r?qF P2 ?Q+ ,KARAOKE
g U KN 2
STEP2
STEP1
1F c 1` $# bKE =E 1Q&F 1_ 1&+ ed ~?<
g D W B Z p 2 ? 1 W = U ) n ? ` U D G r ? q F { +
671 /. - ?>4 /1=
/. - b+ *)H65. P)+ 1KON 1bQ A-9 1A a6 •
gSONG BANK/KARAOKE
g6 n 4 $WS “46 ALOHA OE” q 7 :@p
g$# -8 H% c 1` @ H POWER ! l8
g * 7 k & 4 ? _ \ $ Q J & e d
1
•
A l oha Oe
A , @'
gSTEP 2 STEP 1 l8
h _ ' ! Q H ` ~ a ) 4 S ?Q 1 + 8 ?R c 1 ` g h w ^ D k z 7 c g c 1` H E
g4 1K) 1`R - , 7 =A '!E
1)&? ZQ ,1F b) ,-+.+ '!Q h '!E
g 1 8 Q H E ^ a 7 5
•
6
gNORMAL -8 H% MODE l8
2
gSONG BANK ! l8
3
•
/ 5 / 7 # C 8 " D " ? > 4 A l oha Oe
) *+ ) B '
AR-11
664A-A-013A
8')5 8<)
I H C 0 G F / . ,E
g c 1 ` H E 1 F ) ' ! E •
g 1 F ) - ^ N 7 } − ? M ! L | 1 ` R ' !Q •
= , = E a ) + 1A A R = A 1 6 ' ! Q , ; 4 D G - •
g i D k + ] 6 r 1 F 1 ` c J H C 0 G F / . ,E
g c 1 ` H E 1 A A R 1 F ) ' ! E •
=b/ - i6 x`w g*7bk& ,e 1bF cb 1b` b l8
l k S J 1 F c 1 ` * 8 D ) & , 6 P ) +
g zb 'F 7b 1b 1)b 1bF cb 1`b b&
g ^ ! Q u ,1F ) - ^N H }−? M!L| 1`R '!Q
g 1 F c 1 ` 1A A R c l k •
•
•
gPLAY/STOP ! l8 ,]N , ?)E '!Q [N 7
7
/-1. K K2 /4H L C4 / ?> /1=
/5
PIANO ! lb8 ,fZE 1&Db = I 4DG H% $Rb ?)E
1
gSONG BANK ! 7 BANK
) * + )B '
PIANO BANK 6 P)+ 1KON 7 i6!E ?& e =A ?L
2
gUKN 2 S?Q $W? 7 1KN 9 r?qF% n
gPIANO BANK 1KON 1Q A-9 1A a6
•
gfZE 1&D = T N 4DG = KF ,P2 ?Q+
664A-A-014A
3
AR-12
C : /'% K /O -4
g 7 & 1 & D KE 7 U &
/5 JSR QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ >#P# '"
lb8 - 1&SQb 4/ 1LS ?)E 7bF 1b&D KbE 7d fZE 1Kb
1Q 4/ LS glF -8 ?)E c 1` g 1 & D K E = R & = < h ? L - ? ) E ' ! Q ■
lbOA+ zbW = 7O+^b3 1DFb+ 4?+ fed cb 1` ?b =<
hKOS ?3m g
&D 1DF+ }AC SS S?A &^ r?qF+| @!)
g ^ ? q w K ) ` ' & 9 - 8 c 1 ` $ & =
'% ;5
g
&D @?F $K $N '&9 -8 c 1` $& = hKOS ?3m
)' TN
*b_ [b i)bE )b& ^b+ 7b Cb& ?bN &Db @bKQbF% *F %
h K O S ? 3 m g 1 R q # 1 + 9 V & / D W V q & , e , J ) , 4 g1 u`9 1a`Z =
7 6 & m + c K w h D & D P @ w •
g4 R N 4 O S
g^NA+ ^) tq 16q H% hD &D sQ w •
g4?&?L ,Wm+ 1<?N &D+ lq+ hD w •
g 1 q : 6 = & D + l q + h D w •
g & D =A _ h D @ w •
U^L 6& &D (–) 1 (+) 1L 'u. = ?3m •
g 1 A A 1 & D+
U%#7
*b_ [b i)bE )b+ ^b+ 7b Cb ?bN &Db @bKQbF% *F %
? 3 m h K O S g 1 R q # 1 + 9 V & / D W V q & , e , J ) , 4 g1 u`9 1a`Z =
g) ed - r?qFo 4S? &D l r?qF% •
i?qF% r?Q lDq ])3 2% ) = &D :!6 •
g 1 & u 4 AC ) V'B ;5F
'% MN /1=
g1&D 4J` *D5 :!6
1
g 1 & D 4 J ` $ W S D J / = & D + $ K `
2
1&D+ Ub^L 6b& (–) 1 (+) 1bL jDN. =b ?3m
g 1 A A
•
jbp $WS 1&bD 4bJ` *D5 HbE 4SL 1)b. $WS
g*D V5 4SL
3
`\ gfed c 1` l S? AC SS &^ r?q P6 = ?3m
AD-5 :W AC ) V'B
Z/ 1 - 0 / . - Y
DC 9V ^E ] )M\ 7 [%
AD-5 AC ) V'B
1 a` Z @?F $bKAb+ ]KN 2% 1AbA 1b&D+ cb 1b` $KQb w ?N •
m , ed B ? ` 2 % g $ # - 8 H % 1 A 4 ? S L - & D CJ& W 4b ^# 4SE% n '&9 -8 H% cb 1` $&
g 7 Q D - 8 [ O 0 - L AC ) _)
AR-13
664A-A-015A
C : C ef7 U%#
-8 7b 4?b ]3 2% Pb^)b 7b 1bF cbb 1`b cb *7bk
*7k i6% x`w gVbONS 7` 4? $b# 1KbE , *L{+ w $b#
=b , l8 ,ebd B?A& ?)E g
b , )& w l cb
g 4 ? $ # i ) c 7 c 1` 1 a` Z r?qbF{+ cb 1` 4?b ? ?)E lb 4? $b# i) $bKQ&
g
&D r?q ?)E $KQ& w i6% gAC SS &^
•
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“DEMO 2” ^a Hb` = S?E FUNCTION ! l8
1
g 1 8 Q H E
g“oFF” H% lk + r 7 [–] [+] . r?qF
2
HbbE =b lbbkb 1b_b_ cbb 7bb FUNCTION !b lbb8
g 18 Q
3
C)=T '
765. 4b32 &A m ,'&9 -8 1A c 1` ]63 2% H`
'F Song Bank 765. P)+ / 1d HE 16!b r?q 765 6+
g 4 ? + 4 S ! c 1 ` ] 6 3 u 7 b ?)E 1KA 5 &Db ?)E AC &^ vb :!)+ r
l + 8 - K L : L 7 C & ed g 4 ? S ? - D & 1 ) A # 1 5 & D 16! 6b -KL c< ,b^ 1. 1&L9 lb+k H% cb 1`
g4 3 e $ W S
C %-
cb 1b` l+b8 = ?b3m 7b ]5 bKb3 1b ubb`9 x`w
g ? Q + ? 1 / 4 3 e & A 1 F S S & ^ @ Z W = 4 ? ? K 1 F c 1 ` = ?3 m •
g^&D+ @?F $N AC
1KA 4?&? &Db = ?3m ,AC SS &^b v+N :!6 $N •
g c 1 ` $ W S
@?bF $bbN 'b&9 -b8 H% 1bAb febd cbb 1b` 4?bN =b ?3mb
gAC SS &^ v+N :!6 &D
664A-A-016A
g4? P [ C)J 1 1^ u`w x`w
; 5 A # a L ●
g 4 ? O 4 + P j e J + h D w •
g $ # + P j e J + h D w •
g $ v + 4 ? E N ?) E P 7 ) p + h D w •
7b fSbL *)bn bAb $b#b+ hS?b#b b& CbJ& w 4?bb PbF •
gr ? q F 9 $' ) A # a L ●
eWm = AC &^b v :!6 = ?3m ,c 1` P&bA+ r $N •
g 7 + ^ K ' > ; A # a L ●
&^ @b` P [+ hbD w = ,4? PbF Y! [+ N •
gAC
! O
& ^ $ R $ $ N ' & 9 - 8 1 A c 1 ` = ? 3 m gAC SS iQJ& 7 C& =< 1&u 4 AC SS &^ r?qF% gRN !JE SL H% #& w 7Qu ed ghS
•
•
dc-7 C ?'F
-8 hb @A c 1`b 4?N m ,1&D 4?N r?qb ?)E
gVONS 7` 4? $#b *L% ?+ $# -8 7 ^3 K)` '&9
g$# -8 4? ?Q 7 POWER ! l8 ,ed B?A& ?)E
1 a` Z &^ r?q ?)E }^0+ r w| hO 4? '&% $KQ& w
g4?+ c 1` ?K AC SS
•
dc-7 C ?'F M AeF /1=
7 $# -8 c 1` $& *)n TONE ! HE lk 7 KF
ghO 4? '&% $KE H
a` Z @Aw c 1` m ,'&9 -8 1A 10 fed ?)E
, *L% ?b+ 1k) 4?b =E a) + hb 'b&9 -8
g $ # 1 K E
4? $&A+ r ?)E W 4 $KQ 1+N hO 4? '&%
gW 4 $# -8 d?Q n h&?& '&9 -8
•
•
AR-14
mD7
M\!_)0 [%
D - l k z G v H %
PHONES/ EK
1` OUTPUT
1 F c 7 F N & F v + N
}K`| PIN v+N
PIN v
k A INPUT 1
INPUT 2
}+| PIN v+N
7 F N v + N
cbbbb 1b` bbb
1 F USB T1#
K+ $ a6 g K+ 1F c 1` $ hk& P)<
g
ZR $L = AR-48 1AR+
=b hw ?3m ,W 1bLW 4!^bL , EKbF $ $bN
W . 4 ! ^L . 1 F c 1 ` R l + 8 W
?Q + j 5 K R l 8 P ) < P 2 ? Q + g 1 R g ] K 3 ? N Z •
Z / 1 - 0 / . - Y
EbKzG vb
PHONES/OUTPUT
H $ 1
7 F N & F v + N
-4! [%
QE?b v H% }SP-20 SP-3| W ES @?+ $b P)<
gf6S 1`# 6. $# 7 SUSTAIN/ASSIGNABLE JACK
K` PIN v+N
+ 2
& =< 7R K 1^+# 'u AUX IN
vb a6 ,f?&b ,e @?b 10 bW% 1b3 =bE ZRb = h?b&!
1AR+ }SUS :L| SUSTAIN/ASSIGNABLE JACK QE?
gAR-51
SUSTAIN/ASSIGNABLE JACK -4! [%
3
, 1 F c 1 ` g % , h1 fg L) M5 D7
, c 1 ` 1 W ? E K = z G $ R & E K F $ %
, z E % ?+ P 2 $ 7 h W m ] N 3 2 % H ` ' ! Q P ) < e d gt q_
h2 fg /7D >Bi
SP-20
l"
1Fb ) 76 7 Cb& @? HbE lk {b ,6 Kb6 -
g 6 [ @ ? h p 3 i # & `
1 F ) K F 7 C & @ ? H E l k { , z . K 6 - g @ ? & & H ` ^ ? 7 •
•
7#55 l"
@? HbE lbkb { ,fZbE 1`b# bE? @?b+ 1b0 7b Kb3 $pb+
g 1 F ) E? 7 C & ) F )FF @?+ - g]N d E? @?+ U+ )FF U+ 'ZW. g c ~ $ N @ ? l k P 2 ? Q + c l k ] 6 b& H 7d @?b HE lbk ?b)E ?bR Hb 1bF ) lb
g ^ K E ? •
•
•
/M /"
g'!Q H 1F ) Q)& @? HE lk
$ $+3 r?qF{+ 7R ^+ 1F c 1` $+ N
7 PIN :) = U+N iu ?`% 7 7FN v+N - h& c 1 ` + i P ) < ,e 7 F v + x ` w g W ' D & F 4 ) N z W P ) < ' w % , & F v + N & C J & 1 F 4R+ 7R ^J @WS9 7) lk+ N ,$# ed 7 gl 4?`
,e }i+# *7_ AUX IN 4_9+ Q & hSE| 'D H% 1Qu
7 m 7 r ? q V O n a 6 g h Z R & c 1` = r S $ + i g 1 Z R 7 R ~ ^ L - h 3 f g / 5 / j ) % 1 1 F c 1` $ 7 h & $ $ + 3 r ? q F g 1 F 1 a` Z ?) E & F 7 F N v + N H E , A & $ $ + 3 r ? q F = h ? 3 m = 3
~?< ,e $ ,1F cb 1`+ ib+ r ,e 'D
$ :6 gi+ r ,e H% }=< &| 1LS! @WS% 4)+
g& 7)N = 4?` ? 7 C& ?N UD = h& ?)E mDG
•
1F c 1`b R l8 ,1F 1 b $ ?)E
r?qbFb+ zG b b lb+8 bL hbb6 bq)b b Hb%
g K ?'&!('& A" l"
gSTART/STOP ! $p [O0 v6 @? S\& ,1/ fed 7
AR-15
664A-A-017A
m D 7
`E) [%
! O
Q 1bQ P+ G TV - 7m 7 r?q VOn a6
g 1 + D l + k C 1 3 = E
E? rab) gi6 ra)3 PAL NTSC = h& E?&b 4SE TV 1bD) 7 r?bq rba) - Vb& P+ 1bG cb 1` 1bDF+
HbE hk& i% # ra6 gc 1` ^) ]&_ 7 1
g c 1 ` 4 ? E N H E 4 S L @ ? Q 1 ` `- •
•
6 7 1 / . ' NTSC
LK-300TV-N
PAL
LK-300TV-P
i6 rab6 3 2% TV b 1b__ HE cbA $b#+ bR ^abw 'F
* _ $ N : - t A = ? 3 m g c 1 ` + G r a 6 V + D & w
g^?qF{+ r 'F 4SE 7 1D) zW c 1`
& -
gfed 1bFb cb 1`b 4S? bW9 Ab l r?qbF%
1b+9 ,1bO+^b 1QbR ,V&/ bDW Vbq& 4?KbQ b5 *_% r?qbF%
g1 R q# ,b+ *) P)< vb h& $b P)<
r ? q F % a 6 , Z R 1 Q g c 1 ` H E 1 ! Q 1 F ) - gAR-29 1AR+ /. - ,+ *) VIDEO OUT [%
? 4?d# &? zG v !^J TV + c 1` $ P)<
gTV 1__ HE >*765. K3 ;*
gSMF 6+ $W?+ 1p /w h?q ? :;*
h& 1` SMF 6+ 1)5w K3 6+ - $W?+ 1p /. :>*
g1)5. K3 6+ -
TV n1-" D
! O
$N '&9 -8 UA TV b c 1` = $3 = ?3m
g ^ $3# C& =< TV = h&N 1KN HE c 1` -8 c 1` SL HE x` gTV 1__ HE ^a 7 w -
gTV =E 4?Q+
•
•
d K3 TV + c 1` $+ r 7 $K# &? $+3 r?qF
g f 6 S h A 8 W9 1D $b# 1KE ,L $# -8 TV b $&A+ N •
g i + G & ? z W ' u
g $ # - 8 c 1 ` $ & A + N •
Z/ 1 - 0 / . - Y
VIDEO OUT v
$K # &? $+ 3
& ? $ WS e ) } |
' u H%
&? $WS
TV
-8 TV $&bA+ N
'u bbW{+ bN $b#b
g i + G &? $ W S
/V
ID
EO
}@ p |
&? $WS 'u - TV 664A-A-018A
AR-16
/ 5 5 e f - M REVERB/CHORUS
TONE
1KN buttons
. Number
[+] / [–]
POWER
MAIN VOLUME
MODE
KEY LIGHT
gTONE ! l8
2
g 1 F c 1 ` 1 F F . * S . K E = E Q e d ~ ? <
671 /. - ?>4 /1=
) * + )B '
rN BZbp ,2 1Kb) bN $W? 7b 1KbN . r?qbF
gdq ?& 7 1K)
3
g9 n 4 ,0 $WS ,”049 BRIGHT CELESTA” q 7 :@p
B r t Ce l s t
a`Z
2%| 1? . hZbK# ,1K) N ^3 1nZp rN. hKOS $WS
r 'b ,]bN UbKN ?` bN ]bWS 2{ g}^b) bh& ?L
g76n -k+ ?Q+ ^WS 7 rN. c h 18Q
ib6% [+] !b HE lbkb+ sQ 1bK)b N 4S& hbk& P)b<
g[–] ! HE lk+
,}513 H` 500 = 765. rN| hq 1D l+8 ?` & ?)E
g [ q V N S U Q & 1 F c 1 ` c = $ 3 { g
ZR A-5 1A a6
AR-17
•
•
•
-b8 H% 1bFb cb 1`b $&Ab POWER ! lb8
g$#
1
gNORMAL -8 H% MODE l8
2
Hb% bR bb lbbkb MAIN VOLUME Vb r?bqbF
g6 q) 3
gc 1` HE _ '!E
4
/Me 1 K ) q 1 1 & D r ? q F g 1 p 1 K 6 T ; - H m f e d c 1 ` g d ? & 7 /Me F /1=
S TONE 1K) 1KON H ^?q ?& H 1K) ?L
g ^ K 6 N 16!W HE 1EbD 1K) 1KON HE ^a 1`b K) $3 ]
1AbRb+ 1Kb) 1bKON ba6 ,1bb 1KbO 1bQb gcb 1b`
gA-1
HE ^a 1K)b 1KON m ,TV + 1R c 1` ]63 2%
a6 ,TV b+ $ @` bQ 1Q gTV b 1__
gAR-16 1AR+ VIDEO OUT v
1
•
•
664A-A-019A
/55 ef -M
1KN . r?qF ,$# -8 f?& ,e nm $& ?Q+
gf?& ,e nm :6 W9 [+]/[–] . . 1KN . 1DbF+ nm :6 bW9 z P6 x`w
2% g$# -8 nm $& ?Q+ 76n 1Qk+ @ZW 7 [+]/[–]
g l k 1 _ _ 1 8 Q z q ' P 2 $ Q ; 4 J` :
> 4 J` : ;
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; 3 :
> 3 : ;
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3 : I
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2
h,E ,"g Me# L D ()17
v6 7 ^!E P)< 7 ) S?Q 7RN. ?/ H% #& 76 7+ cDR
)b =Kk 7 ,
Kb) 4S?Q 1bF 16 I> c 1b` g]N
'!Q 7b E&9 1bOb 1`Rb $p hb ^!Qb 7 1bF
hE&% 1bO 1`R l & ?)E i6 7)Q& ebd gc 1` 1DF+
1` }
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g $ & ] N •
n m 1 KO N
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$ ; D 1 O ! C 2 ! = ; m = G = ! D GV Y < ! R =
1
3
•
•
•
Bravo !
T+&*( 7* %65 U − %$# *GR
$!914( !=G WP X <1"2
1
@,Z EC1 LEFT/TRACK 1 <, 72 RIGHT/TRACK 2 <, g?V
$^) >=<!1 !=G WP
2
•
•
2
$ U v H N = < , n g? V , = ! = 1 & > = < ! 1 N J < T (
•
"! $ ; D 1 f D _ 1 0 & = D = G _ I P : G P 1 664A-A-028A
*
AR-26
3+1( 7*G−Q >P O#
+&*( *G+( ,6 e#1 /'> 3<1&
T 0
5 − Q *GR
P&O7 ,S*2 @'-m2 3<* #U2 4 -'=2 pF1& -& 1 D-=G_ WG3(
Y-)_D- \-) \) -=<! ,-G7 -Ce- DH .-F1( -'&-N
$ D 4 $!914( !=G WP X <1"2
1
@,Z EC1 LEFT/TRACK 1 <, 72 RIGHT/TRACK 2 <, g?V
$^) >=<!1 !=G WP
2
$PRACTICE PHRASE <, g?V ,D yS1' VG) !C
1
$ U v H N = < , n g? V , = ! = 1 & > = < ! 1 N J < T (
010 - 014
•
$d ;U< +_ .,) 2! & STEP 3 <, g?V
$ = * ) ) G 8 . , C N c BG 8 ! @ , 3 b R 2 ! E= WP-7 ,D4 )_-D \) >=<!1 V7 -|| oGC= PO
0,-- ;U< -=-:H7 -D-4- 0,- ;-U< -=!b -D--4 -)-_D-
>=<!- -O PO $\-H*/ O ---D- V7 0-&= ~-- cD-4-
$ D 4 ) _ D 3
•
3 < 10 . / ; •
A l oha Oe
Y j n . 8 N , Y 3 < * # U + * ! X + * ! C 1 D 4 Y ) _ D ! 3 7 T (
$ D 4 C _D > = < ! 1 X = ! D 4 ) _ D ` G U 2 k ! 9 1 8 oGC- .8N ,-D4- C_D- >=<!1 *!-X ;8-U 'O !3-= ; T(
$D4 0, =:H7 =! 0& N “***-***”
\ ( G ? 1 U T ( 8 D 4 C _ D > = < ! 1 D 4 = A $ G " V 7 7 2 , G "
•
•
•
"! - X-XR- -
g?-e -& 1-
@V k-jH -
$D4 Y' .,C7 D4 4
$PLAY/STOP <, g?V ,U7 W2 !') .,C pU &
5
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$PLAY/STOP <, g?V ,V<C
$ D 4 0 , ; U < = ! D 4 ) _D = ! . , ) ! C = P O
$ >-=<!1 -)_D- =! - =-:Hh +GS* -N .,C +*-)( G1-8=
$:1=:H
+G PLAY/STOP <, g?-V ,>=<!1 )_D .,-) +*)( .D=5
$B G " 2
1
•
•
DN N5 a.( b* %+. c :Q %+1
TQ %$# *GR
•
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AR-27
•
$SCORING 3 <, g?V
$V<C \) SCORING 3 G|z <: N >81= PO
$ ; D 1 V 7 N # "! : H N , !) Y < ! R 0 2 ! C $ ; D 1 f D _ 1 0 & = D = G _ I P : G P 1 1
•
•
*
664A-A-029A
3+1( 7*G−Q >P O#
:+9 ]>
3<1&
G V l 7 / r G Z Y y 1 ' I P O D 4 D = 5 l 7 !' "
:-H( $D4 0,- GV #-& GDH YR f)-1 ,D4 0,- #&
$ c D = 5 b R 0 7 ! 0 / \ ) > = < ! 1 + A 1 + * 2
:+9 ]>
V
$D=5 l7!' Y <!( 2! & METRONOME <, g?V
ln" N a +_ BG32 $V<C \) “Beat” <: N >81= PO
$“Beat” G:j 02 !C Hm v"
1
•
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$STEP 3 72 ,STEP 2 ,STEP 1 <, g?V ,V<C
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$^) g?e U WP STEP <, fC
•
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$:1=:H
$PLAY/STOP <, g?V2 ,.,C +*)( pU &
1
2
•
•
.*^ /
;
5 2
k U < 2 \ ) ! 1 8 = & 0 8 H / Y + X R / . , C # * k ! 9 1 8 =
' T ( $ + ! − ! @ , 3 > = < ! a + _ 7 + _ @ ' m 2 / . ,C -/ .,C #-* 0N ,l #-4 $ ,:- <A \) g?e- 1x
0N ,GR'7 \-_47 -: G-7 .,) -N “One!” lD= -R
$“One, three, five!” lD= R / .,C #*
g ? e k D h ! ' ) g D N / . ,C \ ) ! 1 8 = R / . , C # *
$ T #C N ) > = ' XR 1
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$D4 0,
$ D 4 0 , # & Y G e * ! C 6 \ ( 2 U 7 2 0 E C ' & %
•
Bea t
!= ! x @ ' m 2 c D 4 0 , G V l 7 2 \ ( G F = b r G Z Y < ! R = h
P O $ GD H Y R : ( < F = Y G e # $ D 4 0 , # & + ! 7 G V
O ) k-1O5 07! ,- `Ge >=<!-1 '&% g-e
$ D 4 0 , # N ! 3 1 Y G e * ! )
$D=5 )G4 ge & TEMPO <<A/ k!914(
:C=b ^-D1
72 cG42 :-C=b D=5 )G4 +*-=,
g? V 2
$c _ 2
•
3
•
: One !7
: Two E'm
: Three mnm
: Four C<2
: Five 8"
/'* .*^ /
;
5 *f +9> LK1
oGC=b #?F1 V R / .,C #* #=!1 SPEAK <, g?V2
$cG|z oGC=hb .D=57 cR / .,C #*G|z
?>
" ! : + 9 & = $
Y j n [+] 72 UG <<A/ k!914 fe=2 '&% ,D=5 )G4 U u7 @'m2 •
<
-/ #"! 02 >-= ^H2 ih $k-U<2 mnm 7T -U #"! -& [–]7
$090 # #"! 90 0qN P&O7 fh72
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$^ <,-- g--?--V ,.--D--=5 ---V-- --D--=5 l7!--'-- l--x --&--
$METRONOME
664A-A-030A
k : 5
8 \ _ 4 G R' GR '"
•
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$ ; D 1 V 7 \ ( l ! U !' ) G m 1 N 0 B P •
•
4
AR-28
& % $ # " ! MIC :)-MIC
9 > 3 = KEY CONTROL/TRANSPOSE
KARAOKE
MIC VOLUME
\-9 buttons
& Number
[+] / [–]
<PLAY/STOP>
SONG BANK
, ! + * ) ( '
N Y W = > 3 =9 L N Y , - 2 L Y E : ) - •
( '&
%
$#"!
0&
%
$) ,.-,+ *
SMF *
!
) Song Bank/Karaoke 5
4 3 2 1 (
! 5 4 A O M 6 I A = W 9 D 6 C 9 2 : ) - 9 8 1 : A , H 6
•
7 6 5 4 32 1 1 0 / 5 N _ - W ^ + $ % J J L % ] ) A 2 T 3 M 6 A \ G ) -[ b A : ) - 9 a ` $ 6
W A _ 3 - \ : ) - 9 ( J )
•
•
0 A@ R,-2) ,a- A@ :)-9 E
@ c-_ ,% ]A2 Q
5 W
98 11
0&
%
$ 9 8@? MIC >3=9
< ;
9 :)-9 876 :)- 876 A 5SMF GF .E
( ) D6
C9 2B BA (
K3J " MIC VOLUME N
9 *7 'ML K3J I) A,H6 ,
5 8 7 A @ R3 - 6 0 + ' M 9 K 3 J Q A @ ) , 3 M ! P C O 5“MIN” T!
S "B D31 "2 MIC VOLUME P3= K3J
1
58$V (J) " :)-9 on/off G
=#8$V6 ;
C U2
2
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5R3-6 0+ 'M9 " :)-9
3
5:)-9 .
e Y: dV %
JJ ])A2 Y: T3M6 A\ M!)BC .%
J^
5dV T3W 6 (\6 Y .%
J^ A@ b-h ,+g ]Af A
:)-9 on/off NG
= #8$V6L ;
C
:&% $ ;"! <
: )- - Z f *1 'M ,NAR-17 fC7L YMi- *1 'M K3J
fC7L :)-9 *7 'M) ,NAR-46 fC7L #T2
19
5NAR-29
8A6) KARAOKE -ej9 -4[ "2 KARAOKE F K$J
5Karaoke Mode ( 0&
%
$ (J)
•
MIC VOLUME P3=
1
! @? > = 3
AR-29
(J) " :)-9 8f :)-B on /off ;
C9 XAOW A,H6
5
4AOM6 I A =W9 D6
C9 2 :)-9 81C) G
=^
•
664A-A-031A
&% $ #"! # LF XAOW
5z3 Q ,y
Wx Y@ ;
C9 -$6 Y
6
5fB GF w\6 Y <PLAY/STOP> F K$J
7
KEY CONTROL/TRANSPOSE N
2
D ' C B A ! ■
,0&
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(J) 8A +g 5SONG BANK F K$J
5 Y ! - e j k - @ )
. A2 ) $ ! w 1 ! A= { ; C 9 ( : :
. A 2 ) $ ! w1 ! A ={ ; C 9 P C :
5 4 : = t X = 6 " 2 " i
4 ! I 8 V > C ! G F @ 6
5KARAOKE A1 -
•
[2 s N
)
L F s, K$J ,Y) R2
C " A@6 Y
5z\ >C! Y: KEY CONTROL/TRANSPOSE
•
@? > = 3
TV " @@ +6 D'C% F)< J6
%
r *
B, *
!
8V6 Y) GF A) t X=6 A
*
B, DJ6 0&
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$ e
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CB
D6
C9 2 876
i
?4 G)- y! o@6 Z 5TV &
CB "B k-@6 GW Y!
,N6s ) W)- -ML TV &
CB e
e k-@ 4AOW T? Y
&
CB e
e J
@ i
?4 G)- y! l -[! ,*s1C 8_ 5AR-47 fC1 mTV
i
\) TV &
CB e
e "B Y!
X
\ .)
? :)-9 != k-@6 •
5 * B , * ! 8 V6 Y ) 0 & % $ # Y ! 5 e V " B B - $ 6 2 G F@ 6 Y 3 2 1 B @ Y ! * B , •
.E_9 B6 } |
`6I A\ TV &
CB e
e "B -4[6 Y Y!
*
B, •
58A
z3p9 fB ( =
` A\ n4!H: +) ,YB7 fB
[2 s 2B B19 TV &
CB e
e "B K 8 G-2 ~ Yg J
@ E)A2
5 R J - n I ~ n \ G - A@ % Y e 0 5 D 6 C 9 F E A ! ■
XAOW U2 *
B@9 :-@9 AR-54 fC1 m.-,+ * , .%-\l -[!
5 . - , + * , " B Y ! *
!
( 0&
%
$#Y!
i
\ Y: R3-6 0+ fB A_)
5R\ )E) SONG BANK/KARAOKE ( '&
%
$#Y!
i
\ :-@9 A-9 fC7 -[!
5SONG BANK/KARAOKE
3
•
5o\- *Q n\ U
E^ \-9 & XAOW
4
8E 46 n\ Y) ,“ALOHA OE” ^ :U
p
56 nr) 4
* [2 s 5“00” Yg 0
3_^ fB K3Z ) .A=
5[–]) [+] & XAOWt n\ o@6 Z •
•
•
5fB GF A36 Y <PLAY/STOP> F K$J
5
TV "! I HG G 6 ■
*
B, -4[6 *
B, *
!
8V 0+) t X=6 A
D6
C9 2 e
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u+g Y: 5TV &
CB e
e "B Y!
5 - $ 6 ) A , k - Y : - M 6
5 G F @ . E ( 0 & Y $ 6 Y : ) - 9 X A O W v A2 Gs^ 5Y!
(J) R
V 0&
%
$ (J) ' M A R : F E @ 0 & % $ ( J ) Y : 0 E B 9 % F _ g
0&
%
$ (J) Y: $B wBO K3J Z XAOM 5"!E *7
5 8 4 W 0 & %
$ 8 @ ? Y 664A-A-032A
•
•
AR-30
M I NORMAL/FILL-IN
VARIATION/FILL-IN
RHYTHM
\-9 &buttons
Number
[+] / [–]
MODE
INTRO
START/STOP
SYNCHRO/ENDING
(3 L& EK
XAOWt 4 ^ Y) -p y
= ~ bA} u+g D6
C9 2 5 = - ` 4M} Y 6) ( =:) 6) %F_)
3 GF@6 u+g D6
C9 2
Y *
$) *7 XAOWt 6) %F_)
3 GF@6 5@
7H
R ! Y @ + g 8 , 5 R A O M 6 0 + y = ^ O 6 Y 6 6 ) * - ," bA 4:F@6 Y * B
@9 *
32
19 "B U1
5 A 2 O V B A 2 9 % E 2 ! (3 L& EK <
y
=^ i
\ Y: RAOM6 A-6 0+ y
=^ A_)
1
5R
y
=^ n\ )E) RHYTHM
3`9 y
=^ i
\ Y: fJ 6 2
9 *
=^ 8, zM
, B , i \ " B U 1 8 _ 5 = W 9 D 6 C 9 2 ! F " B 5A-8 fC1 my
=^ i
\l -[!
•
5RHYTHM F K$J
2
X
\ rsp )Q y
=^ n\ 8A6 Y \-9 & XAOW
5u
A-6 0+ y
=^

3
@ ? > = 3
55 8E Q A@) 7 ,0 8E ”075 RHUMBA” ^ :U
p
R h umb a
* [2 s K$Z
RBB=6) [+] "B K$Z
k)-@9 y
=^ n\ .E
& Z 5[–] "B
*v ) U3 0 )A ,K=: -6 32
1 6 *
=^ P@
n n Q * 7 A 1 6 I * = ^ u + g 8 p 5 ' - - = (J, FULL RANGE CHORD ) FINGERED ,CASIO CHORD
5T 2 1 AR-31
•
•
664A-A-033A
M I
START/ F K$J ,6
6) 32
19 GF w\6 "
4
5'- .- STOP
(3 L& ON6
5 y = ^ G F w \ 6 ) A 3 = - ` XA O W * [2 s Y: INTRO F nr) SYNCHRO/ENDING F K$Z z\ Q
U
E K ( 32
19 A36 GM: ,~ n\ .` Y: START/STOP F
U 2 * s 1 C 8 _ 5 n \ . ` Y : B @ % - _ t X = 6 A 5AR-36) AR-35 *
fC1 -[! ,& u+g
START/STOP F Y: SYNCHRO/ENDING F K$Z z\ Q
5 3 2 1 9 G F % 4 ! 8 3 \ % 4 ! ^ K G F @ G M : , n \ . ` Y :
5AR-36 fC7 -[! ,F +g U2 *s1C 8_
'M B=M .1 32
19 %F_ *7 'M K3J *7 'M K3Jl -[! ,*s1C AF9 5YMi- *1
5AR-46 fC1 mY!
) 32
19
(3 L& ON/
•
5NORMAL " MODE ;
C K3J
1
•
5
2 y
=^ GF A3 START/STOP F K$J
2
.- START/STOP F K$J ,y
=^ GF w\6 "
5'-
3
•
[2 s MODE ;
C N0EBL D6
C "g 2B D6
C 8, •
5NORMAL " 3Z
CASIO CHORD < L&
, 4 M 6 ) G F @ O e 0 4 B @ ? = - ` u + g 8 p Y : - 6 G F CASIO CHORD Y6v ;-V 5=
M =W9 .-3) :-@9 -[ P$
6) GF C, b-3O6) ,mfB D6
C 2l ,m32
19 D6
C9 2l
5CASIO CHORD W
,
HG CASIO CHORD < EG% I HG LP D 6 C9 2
32 19
M I 5D6
C9 2 Y: i
=B 32
19 7
XAOW C, DJ6 =-`
-W K3J) RAOM6 A-6 '+ y
=^ O6 I) T? ,%A3 83\
5 g A - 6 " = B y = ^ f B y = ^ M I <
fB D 6 C 2 * [2 s A1 I GW 5K=: 6) GF@ 32
19 D6
C9 2 XAOM6 5 3 2 1 9 D 6 C 9 2 " B . E - C * ! G F z ) 2 Q * 7
32
19 =` 81C6 Y `= Yg NAR-44 fC7L %0F? `=!
`=! (\ -$6 5D6
C9 2B 0EB9 fB =`) i
=B
5D6
C9 2 |
n?2 Z -$6 Y) ,%0F?
) FINGERED ,CASIO CHORD " MODE ;
C9 K3J
5FULL RANGE CHORD
1
5
2 y
=^ GF A36 " START/STOP F K$J
2
5 - 6) G F 3
•
•
(J "B A@6 -6) GF@ 4AOW T? " == =-` GF 87
CB *
fC1 " (_ 5MODE ;
CB Y
5- 6 •
AR-32 fC7 ..................................... CASIO CHORD
AR-33 fC7 .............................................. FINGERED
AR-34 fC7 ........................ FULL RANGE CHORD
Rh umb a
G Q 664A-A-034A
AR-32
M I
*
[ 2 s A 1 I G W 5 K = : 6 ) G F @ 3 2 1 9 D 6 C 9 2 X A O M 6 5 3 2 1 9 D 6 C 9 2 " B . E - C * ! G F z ) 2 Q * 7
32
19 =` 81C6 Y `= Yg NAR-44 fC7L %0F? `=!
`=! (\ -$6 5D6
C9 2B 0EB9 fB =`) i
=B
5 D 6 C 9 2 | n ? 2 Z - $ 6 Y ) , % 0F ? •
•
E G % ( ' R
6) y! ( GF 32
19 CASIO CHORD W
, 6) }
5(
7 GF@ Y!E A (
U T
E G % ( ' R
C Major (C)
CDE F GAB C DE F
C
Cm
Cdim
C minor (Cm)
Caug *1
Csus4
C7 *2
Cm7 *2
Cmaj7 *2
Cm7 5
C7 5 *1
C7sus4
Cadd9 *2
CD E F G A B C D E F
C seventh (C7)
CDE F GAB C DE F
C minor seventh (Cm7)
CDE F GAB C DE F
Cmadd9 *2
CmM7 *2
S M E G %
D 6 C : B @ 6 W W 6 ) % W A - 6 2 I 5 3 2 19 D 6 C 9 2 -$ X= I 32
19 D6
C9 2 "B `$J
0+ ;
C9 -[ P$ ,Y=W9 cS
5 R: F Y : R A O M 6
(m) #I EG%
"B `$J "B :
2 ,-$7 -6) GF@6 Y
D 6 C 9 2 ; C 0 K $ J ) " M i - - 6 5 Y M i - - 6 ; C o " B ( \ 3 2 1 9 (7) /S EG%
"B `$J "B :
2 ,(
W -6) GF@6 Y
2 o 2 C 0 " B K $J ) "M i - - 6 -6 ;
C o "B @\ 32
19 D6
C9
5 Y M i - (m7) ;I /S EG%
` $ J " B : 2 , - $ 7 ( W - 6 ) G F @ 6 Y D 6 C r s r 0 " B K $ J ) " M i - - 6 " B ;
C o "B @\ 32
19 D6
C9 2 5 YM i - - 6 Cdim7 *1
[2 s 6) GF 87
C :-@9 A-7 fC1 FINGERED 6) U)A_ -[!
5 ' - ) + _ ( 5+S Yg YBCM 6 5B=9 (
7
GF@ XAOW I :*1
5>
G "B K$Z )A -6 >C! GF :*2
%EM ) %
Z3 D6
C9 "B K$Z
z\ %W Gs 0 A_ I R!
@3M 6) GF@6 A YMi- -6 ;
C o "B .E_9
5 ' -$1 )
•
$!*4 FINGERED
Y6v ;-V 5CB 6) y! B? (
7
GF@ bA
C, b-3O6) ,mfB D6
C 2l) m32
19 D6
C9 2l FINGERED
5FINGERED (
7 GF XAOWt C- +S -6) GF
HG FINGERED $!*%! ON/ I HG LP D 6 C 9 2 3 2 1 9 AR-33
f B D 6 C 2 664A-A-035A
M I
_C D S M G O N 6 < :U T 5C YMi- GW u
!E YfJ nW- Y: o39 (
7
GF@ 1
E
E
G
C
G
C
Chord C
C _____ 2
E
* [2 s * GF ,NAR-33 fC7L FINGERED (J ( g ,
5(1) E
h Y: -6) 6v
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3 g D31 Y!E
•
•
< D U T >
y !
3 @ V y !
: $ :y = ^
070 :y
=^ -W
Bm
E7
•
•
FULL RANGE CHORD V # G
Chord C _____ 1
2
D
* [2 s B = 9 ( 7 G F@ , u s * 1 f B 9 Y : . E A 6 ) A :
>C! GW NC-E-G IA G-C-E ) E-G-C GF Y@{L
5YW
= (
7
GF@ 8p 6)
-6 (16 Y D6
C9 8, H: ,*2fB9 Y: EA %
pW A :
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C "2 "B K$Z Y: 8VC 5K$Z6 T?
5c-9 FINGERED -6)
6 ) y ! : 6 ) w B O y ! B ? u + g 3 2 1 9 = - b A }
U
E 0 D6
C9 2 &-36 5Y:
J y! ~ " :
J^
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Y FULL RANGE CHORD K ( |:6 Y) -p, ) D6
C rsr NFULL RANGE CHORD K I 0+)L 5- U
E 0 5
-6) D316
,B1C 32
1 D6
C 2 " _
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LP f B D 6 C 2 ) # 3 2 1 9 D 6 C 9 2 A
Bm
G
A
C
A
A
G
4 D
4 #
< X 2 - H G W ! / E G % >
4
4
E G % Q Y E
NAR-33 fC7L [Z
E G % ( 'R
- 6 @ 3 6
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6, C XAOM6 Y 6) Bp YB :
5 C6 • Cm6 • C69
C
D
E
F
G
A
B
•
•
•
•
•
•
C
C
C
C
C
C
C
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B C m Dm Fm Gm Am B m
•
•
•
•
•
•
C
C
C
C
C
C
C
Ddim A 7 F7 Fm7 Gm7 A add9
•
•
•
•
•
C
C C
C
C
C
664A-A-036A
AR-34
M I
8 a` UKb a` Gs^ P@ wZ6 Y y
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PIANO BANK
SONG BANK
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KEY CONTROL/TRANSPOSE
FUNCTION
RHYTHM
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1
Number
[+] / [–]
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1
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,i >0 SPLIT D 9 ,!5 !- j 8
•
?5 !- YD 7T_ V LAYER D 9
M C & ! - 8 & % 5 ) 0 > ; 5 0 = A - K S f : o) S •
?
& A - 8 $ ( ( B & P 1 A - 8 $ (
KEY CONTROL/TRANSPOSE ( / ) 3D ;
?&%5 )
3# '&%5 =
2
V S( 5 !- 2_b# ,q( p "
e < C A-K f o)S
?, + ! 3
•
F r . Ho r n
^ ) ( ! a D x ' & % 5 w & % D B :
^ ) ( ! a D x ' & %5 y & % B :
! a /)( !T &%5 )
0 >;
5 0 = :J&I#
?> 0G 1
& ( ' &% $ #
Tr ans .
3=[s5 3# 7 r= A( LAYER D (B SPLIT D 9
?LAYER( SPLIT
4
? 5 , + ! YD 7 T _ 5
/& ` ) F #
;
# u
Q –12 R# JFT >;
5 &4!0; = 3K &%5 )
?*>0G1 )( ;
# u
Q +12 >) *7%;1 )(
)
0 ^D Da# J
b -G “00” 7+5 >E8v 0 = 9
?7z $( >: &%5
7 ! G C ( 8 > V < ! T > { D & > 0 G 0 = [ & [ ] = W ? 2 & & # ( B @ ; [ & z C | M , \ [ c B
^= 3# ^_&G >0G 2&HB =Vs >;
5 0 = 9
? &# ( S ) &a 5 (
} F G B ^ D 5 = c = Q : , 0 O 1 & 4 ) & % # > : & % 5 ) KEY CONTROL/TRANSPOSE *
( 3 D 3 # F 9 (
= 2&HB [–]( [+] 3D ;: A-K ?p ^
e M ]Y
<% M
?“00” >: ;
5 0 = 9
>0G( 7 - QD_ >0G ! ;
5 0 = 0!G =Vk C:
M ;
5 0 = 0!G ] W: ?2&&) &4# !-
< % & 4 0 b # 7 b M , & # ! - ' & 5 R 5 ~ D & T ; 5 - 7 Q
? R 5 J F T ; # u Q u = Y B M - 2
Wa r m P a d
•
•
•
•
•
?,+ _)
= &!-B &%5 )
9 ,SPLIT D >0G 9H D=!; \&-VB
? C C B l % - 5 & 4 - R 5 D& > a Y B ' & % #
? & % 5 ) > 0 G & # & t [ G >0 SPLIT D( ,&%5 )
L >0 LAYER D 9
? , + 6
•
7
•
1 - , + •
(PIZZICATO STRINGS) ,i !
+
(STRINGS) !# # !
(BRASS) ED !
+
(FRENCH HORN) # !
, + AR-45
664A-A-047A
/&`)F#
? > 0 T & % 5 ) / O D a # > 0 G 9 M < ! 0 8 & + ; : = V s S
? < ! 0 8 & + ;: 9 > 0 G = V s 3 , ) & a 5 ( > & P 1 ^ = W G ^ _ & G :
•
•
FUNCTION !, 8
W: ?w
! M 9 [&[ JFT D( FUNCTION D >0G 7
9H M =!; ,&4#; M .P= [&z ke L=d 3G ]
?R=TB ^=# [&z =4` >) FUNCTION D >0G
?>= <0* ; : 95 /
-0 7# 7z8 &P1 A-8 C&{B( )&a5 /
O c
# 9 A-K
M & # / O R # " A - K ? & % 5 ) > 0 G & 4 M 8 c ; 5 ?*>aYB ) 127 >: *_B ) 000 3# R5
; : @5 /
O R
# 9 [&[ r= "=# FUNCTION D 9
? ) & a 5 B6 +A ~= e - / a R # C | M , 7 z $ ( > : < ! 0 8 &+ ; : 7 j - G
7I# 2&#&@ ,=Vs5 9H ! $# 2&M( 0 &%5 )
3# D_&a /
a
? > ! ; & 8
? } & _ B ) ( = z # 9 8 V F V J F T 3 # D & T v O =% 8 < ! 0 8 & + ; : g @
&%5 )
9 ?&v $( >: <!0 8&+;: J
b 9H :OFF
?i&- ;
5 /
- 0G =Vk cB f <
? 0 ;& - 5 < ! 0 8 & + ; | 8 g K 9 H : 1
&%5 )
>0G R
Y1 9H C|M ,<!0 8&+;: 3# 9H :2
?“1” 9H 3# R
YB =Vk f
TOUCH RESPONSE [&[ =4` >) FUNCTION D 9
1
?SELECT
Touch
1
?9H 7
b [1] >: [0] DDX1 (B [–]( [+] DDX1 ;
2
?p < ! 0 8 &+ ; : D & T v :J &I #
A c om p V o l
Touch
7 C ; @ 5 R
# 9 !Y = [+]/[–] DDXB (B !Y=5 DDX1 ;
? > & { / a 110
2
8&+;: =[s# C
&#-G 7z $( M C
<!0 8&+;:
?7z $( M TOUCH RESPONSE <!0
•
:J & I#
A c om p V o l
/ & `) F #
@ ^
e M =4` > &{ )&a5 /
O R
# !Y
? & = > V < ! T J F T \ [ cB 7 T W : D & 3# & & # ( B
/
O R
# &&#
(B 9H ]Y
<% M [–]( [+] DDX1 9 C:
?115 >: )&a5
& (' & %$ #
•
•
<!0 8&+;: =[s# C
&#-G &v $( M <!0 8&+;:
?&v $( M TOUCH RESPONSE
•
&( ' ? 664A-A-048A
AR-46
(( !. N+% J*&C M !D
TV O6
*&= ;(= (={( -F E&+4 (={ 3# 2&B D&TB A-K
?TV X&%0 [&[ >0G & - r=
A- 5 -# 7T_ C C&{1 &PB /&!0( C&{1 \&!;B
? & P 1 ?^= /D& 3# >G SMF /&& &P1 /&!0( C&{1 \&!;B
•
•
TV O6 !. N+% J*&C P. (={ w
9 [&[ r= FUNCTION D 9
?E&+4
1
D EF GH6 : @5 I
% C - G ] j = R = Q B V , & $ ( ( B & P1 A - 8 $ ( 7 T _ B
? ) &a 5 / O R # 9 [&[ C&# M -P1 /
O R
# [&[ =4` ; ,&{ } M •
? ) & a 5 /
O R #
J,. "KA : @5 "&L ! G SMF
C - G ] j = c =Q B V ( , / D & . [ 7 T _ ^ = / D & 7 ! b 8 Y
? ) & a 5 / O R # 9 %
[&[ C&# M -P1 /
O R
# [&[ =4` ; ,&{ } M •
? ) & a 5 /
O R #
20
2 & & ) ^ D & # - F ( = { C & # - G : J & I #
?R=TB ;
# - L8& &%5 )
- & = ;
Ch r Se t
?&= E&+4 (={ w
D&TS [–]( [+] DDX1 ;
20 2
?- [&[ r= /=# mFV FUNCTION D 9
1
^ D& # * & = ; ( = ( = { C & # - G : J & I #
Ch r Se t
Tune
?- !Y 9H !Y=5 DDX1( [–]( [+] DDX1 ;
2
p D x - l % : J& I #
Tune
/ & `) F #
?]-; +50 >)( ]-; –50 3# R5 JFT &4!- 3K &%5 )
? ^ ) ( ! a M & ] - ; *
)
0 ^D Da# J
b &# -G “00” 7+5 >E8v - 9
?7 z $( > : & % 5 cB 7!G C(8 >
V <!T >
{ D& >0G - [&[ ]= W
? 2 & & # ( B @ ; [ & z C|M , \ [
)&a5( >&P1 ^=W 3# ^_&G: >0G 2&HB =Vs - 9
? E & 0 }FGB ^D
5 = c=Q: ,E8v &4%
# >: &%5 )
?p ^
e M ]Y
<% M [–]( [+] 3D 9(
AR-47
•
•
•
•
•
664A-A-049A
& Q : FUNCTION
LEFT/TRACK 1
RIGHT/TRACK 2
!Y=5 DDXbuttons
1
Number
[+] / [–]
& Q $ 6 7 K = C R $ )
,Windows® 2000 ,Windows® XP `- ]j 2&!G# C
7z
?Windows® 98( ,Windows® 98SE ,Windows® Me
Universal ●
LM
# =
! (B IBM
AT •
Windows ]j d 7z c( USB %-# •
*]I 7QB 3# CD-ROM N#5 y= 7z#
=% 7!z S 7Y1 >0G ]&8&+# 2 &DY N#5 y= 3# PD&M )&#
*Adobe Reader =( ]M
0 .05
•
•
•
•
Windows 2000 ●
>0GB (B = &+# 166 -8 N&#
7Y1 >0G ^= 3# ]&8 &+# 64
•
•
Windows Me, Windows 98SE, Windows 98 ●
>0GB (B = &+# 166 -8 N&#
7Y1 >0G ^= 3# ]&8 &+# 32
•
•
R T S
Windows XP ●
?=
! L-# u&) 2&## Windows XP >: J
T&8 Y
J
) /&#
05 M=5 Windows XP $# k LE&V
=`B
?=
! L-# /&8&)
1
?b )
=B ,Windows X(-
0 B8 !E& >0G
2
=B ,Control Panel 7T_ &`- 1 ^&z# $ W:
? ; F r = = d > : 7
MIDI =( ]M
;B $ ; AkM ,&%5 )
$# k c
=
!( &%5 )
"8 /&& J_& A8 y&e =
! >0G 2&D&i '&5
?A8 y & e
USB MIDI R EF 1
2 !z# k }D(8 c( CD-ROM N#5 y= >0G k c
F
? & % 5 ) $ #
“CASIO USB =` ,USB MIDI 7z# ]I J
) /&#
05 M=5 •
y= >0G _
Q
5 MIDI Driver User’s Guide” (manual_e.pdf)
?“USB Manual and Driver CD-ROM” 7 N#5
`) F #
/&
b# ^\=Y 3# k ,USB MIDI 7z!0 0% ]I&8 & 7Y •
CD- N#5 y= >0G _
Q
5 “English” 0 M “readme.txt” 05
?ROM
# 7_ >: J
O
0 Acrobat Reader (B Adobe Reader ;
*?USB MIDI 7z#
=
! >0G 2&I# Acrobat Reader (B Adobe Reader gF#S ~&j AB
•
*
“CASIO USB MIDI Driver User’s Guide” /&
b# &z A8 y&e
Adobe Reader >0G c
b S A8 y&e =
! C& WB ?(manual_e.pdf)
?fI }&_B = ; ,2&I# Acrobat Reader (B
•
=B ,=4` c D
{ h(-O M ?&`- 1 >0G =B
?7z N#&=8 7+ D =B V ,X&4 C&0
3
?LM
# =B V ,7&i =T ,=4` c D
{ h(-O M
4
664A-A-050A
]I 8 ?=
!&8 7O
M 04;( =; &40+ &%5 )
0 USB %-#
CD-ROM N#5 y= 3# A8 y&e =
! 7T_ USB MIDI 7z#
USB MIDI 7z# ]I Y ,f0O
9 =
! >0G
Windows XP ●
>0GB (B = &+# 300 -8 N&#
7Y1 >0G ^= 3# ]&8 &+# 128
&Q :
(**Acrobat Reader) Adobe Reader EF
N#5 y= 7z# 7T_ “USB Manual and Driver CD-ROM” $ •
?A8 y&e =
!0 CD-ROM
0 MB ,“Adobe” >!5 0 3G nb8 CD-ROM N#5 y= >0G •
“ar601enu.exe” >0G Q(_# ^= =B V ,“English” >!5
y&e =
! [&[ >0G =4` /&!0 $B ?(“ar505enu.exe”**)
?Adobe Reader ]I A8
?Windows 98 &`- 7z8 =
! >0G Adobe Reader ]I 3K S
^= =B ,Windows 98 &`- ]j 7z A8 y&e =
! C& W:
?Acrobat Reader ]I8 “ar505enu.exe” >0G Q(_#
**
AR-48
&Q :
?>= <0 VC) ?T !D= U
A-K ?&%5 )
>: A8 y&e ==! 3# -P1 /&&8 7 A-K
>: 50 3# &P1 A-8 C&{k *]&8
0 qp ) C&{B >) 3
J
b# ;v ~&j AkM ,&40 (B &4E=z8 ]!Y SMF /&& ?59
?&%5 )
>: f0 7Y CASIO ;& 7z >: f0
b SMF
SMF 8W EF J
]I8 Y ,fFT 3# 7O
0 9 c =
! >0G
2F!z# k c CD-ROM N#5 y= >0G k c SMF
? & % 5 ) $ #
1
Windows 2000 ●
LE&V
=`B ?"-5 G
!+# u&) 2&## J
T&8 Y
?"-5 G
+# J
) /&#
05 M=5 Windows 2000 $# k
1
>: =[s5 fQ
8 Y ,Windows X(-
0 B8 !E& >0G
?b )
=B V ,/_G:
2
=B ,=4` c D
{ h(-O M ?&`- 1 >0G =B
?7z N#&=8 7+ D =B V ,X&4 C&0
3
?LM
# =B V ,7&i =T ,=4` c D
{ h(-O M
4
`) F #
“SMFConv- >0G Q(_# ^= =B ,CD-ROM N#5 y= >0G •
O&T 0+# /&D&# &- #5 /&+-5( /&=z \&!;B
?"&5&8
A8 y&e =
! [&[ >0G =4` /&!0 $B V ,e.exe”
?SMF J
]I
•
“smfreadme.txt” 05 /&
b# ^\=Y 3# k SMF J
]I8 & 7Y *
?CD-ROM N#5 y= >0G _
Q
# 0+# 7 M
>0G Q(_# ^= =B ,SMF J
;B J
) /&#
05 M=5
]I8 ]!Y &#-G f0 c( ,[help] 0 7T_ _
Q
5 “index.html”
X(-
0 B8 !E&Y 3# 5 LE&V( >: J
O
2&HB A-K ?SMF J

X[manual] - [SMF Converter] - [CASIO] - N#= >0G =-&8 Windows
Netscape (B Internet Explorer 4 7I# /D&dv G c /&& r=# *
?SMF J
7_ ^&z5 2&8
0# C
* >0GB (B Navigator 4.04
& Q $ 6 7 K = C 7 z & ` *
Windows 98SE
Windows Me
USB L0 )
=
!&8 &%5 )
7O
2&D&i '&# USB 78& \=z ~&j AB o)S
&%5 )
"8 USB 7O
<;k8 CB _=+x ?USB %-5 2&##
? 4 - 8 /& & J_ & A - ! M , = ! (
USB L0 /5 & : ?=
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7O
2&D&i '&# USB 78& ;B
%-#
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1
USB
78& USB
Windows XP
3 *
?HDD .0a y= M D&M C&# ]&8 &+# 10 7Y1 >0G
USB - *
b%O 3# &40!b8 AW( SMF J
3# >0G J
a{ 2&HB A-K
=
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]I8 Y ,7!b 8 ?}&_B b
5 .
?A8 y &e USB 7O
#
&%5 )
0 USB %-#
•
CASIO MUSIC SITE
http://music.casio.com/
; CASIO MUSIC SITE $Y
# CkM ,f% =( ]M
>: M&v&8
^4QB( A8 O&e &%5 )
J
) D&T1 =TB J
) /&#
05 2&HB A
? A W 3 # =I B ( , R = T 1 ; 5 ; & AR-49
•
664A-A-051A
&Q :
]4 :?N[ "(& "0
^[=5 ^&- C|M ,} &%5 )
>0G 0 =
! 3# 7E&;D 7 &#-G
01 3# ^)( ^&-Y D&T: A-K ?D& >0G &4
/&&8 =4` ^&- cB >0G /&& ; 3# A-K 9H CB n) ?^[=# ^&- 16 >:
,[&z >0G _
Q
5 &%5 )
7_ \H &2D&i )&5 SMF /&& ^&-Y
? & # . = 0 % 0 \ Q 1 7 0 j A - K
NAVIGATE [&[ =4` >) FUNCTION D 9
1
?CHANNEL
2
p ^ & - " : J& I #
Na v i . Ch
5 7 GH6 J, "K) \ 0. : J
#A ` ` " ( & " 0 R _ J # A ^ ^
?RIGHT/TRACK 2 D 9 ,3b0 /&&8 G \&-VB
)
7_ &%# =! 3( ,^[=5 ^&- /
O 7a% C:
&! ^&- /&& 2&M( ^\&v M [&z >0G _
Q
5 &%5
^=# ^&- J
b R=TB ^=# RIGHT/TRACK 2 D 9 ?]0;:
?7 z $
R = T B
1
•
?LEFT/TRACK 1 D 9 ,3b0 /&&8 G \&-VB
/ & `) F #
•
•
. MIDI /
-Y _G ,0 /
O Y= $8& ,!- Y= $& _b ;& & MIDI
7z (B .= _j ( R=TB #&G 7#
G( ,&4#;: 3K MIDI
/
O Da# >0G +-5 ;
5 /&& CkM , .8( ?/
a Da#
&! 8&# h(=M( 48&z# /&! ;|8 &4MG ^_&G: 3K & MIDI
? = T $ - a 5 / O D a # > 0 G & # - G > ) , 7 O 1 M
X&4+8 7O
&4-!M A( ,& MIDI /&;&Y $# LM
} &%5 )
&40!j ,&4E=z8 ]!Y Y & MIDI /&&8 G ^_&Gv ( =
!
? = T D a # 3# & 4 0 G J a { ( B , ] = 1 > 0 G 3#
I &
? QD & T X & 4 + 8 7 O - G 8 0 5 9 8 H 7 ! G % g = ]1 :@!Z)[ "0\
` ` " ( & " 0 G ? K = " 0 J # A _ R ^ ^
,)
8 ^[=5 ^&- 3# 7YB &4!YD ^&- 3# /
a 7a% C: •
^\&v M [&z >0G ^_
Q
5 &%5 )
7_ &%# =! 3(
^=# LEFT/TRACK 1 D 9 ?]0;: &! ^&- /&& 2&M(
? 7 z $ R= T B ^ = # ^ & - J b R = T B
J j } F G B ^ D 5 0 ! C | M , ^ & - ^ [ = 5 ^ & - ] & W : : J & I #
? & v $ q ^ & - b# ^D C
&#-G >) &P1 A- C&{k -P1 /&&8 ?AC &45 ^DY (B /&D&&8 ^_(# &%5 )
]& &5&d ,&v $
C
S &!-8 -bz PD&M /&D& ]bOB W: (B /&D& w-8 ]!Y W:
?&P1 /&&8 ) M ,AC &45 ;
8 ^D&8 ^_(# &%5 )
?/&D& J;: -G AC &45 ;
8 &%5 )
0 ^D _#: 3# k
?( SMF 7z /&&8 G } &%5 )
, [ & z > 0 G $ 8 & O 1 & 8 / =[ s # ( , a $ 8 & O 1 & 8 7 _
0! ;
5 G
5 %(( , & 3G a CFG1(
?&40 (B &4E=z8 ]!Y SMF /&& "!G# =P Na v i . Ch
YD = [9] >: [0] !Y=5 DDX1( [–]( [+] DDX1 ;
? ^&- ?>= G#,
1
>: } &%5 )
3# 7E&;D J&;Dv ^&-Y &%5 )
^&-Y
?&%5 )
0 ^&- >: 3# ^)( ^&-Y " A-K ?&#=
!
KEYBOARD [&[ =4` >) FUNCTION D 9
1
?CHANNEL
Keybd Ch
?^&- YD = !Y=5 DDX1( [–]( [+] DDX1 ;
2
^ & - " : J &I #
Keybd Ch
664A-A-052A
AR-50
&Q :
GM U* 8
)
=( CkM ,=
$( >0G 2&d
H# $
'&%#( GM &: 7 &#-G
? 0 5 & ; = 0 2 & f - E & 0 ) &a 5 ;
8 &4- 3KS E&0 )&a5 D&(B CkM ,GM 7z 7 &#-G
? 0 5 7E &; = SUSTAIN/ASSIGNABLE 26._2 B
]SUS :@!Z)[ JACK
?7%;1 2&d
H# J C
&#-G *G =Vk " :]2[ SUS
?7%;1 &2d
H# J C
&#-G p*
-;
; =Vk " :]0[ SoS
2&d
H# J C
&#-G /
a R
# M JTv " :]2[ SFt
? 7 % ;1
J C
&#-G START/STOP D 7z 0!G " :]M
# GC[ rHy
? 7 % ; 1 2 & d H#
SUSTAIN/ [&[ =4` >) FUNCTION D 9
1
?ASSIGNABLE JACK
Jack
LOCAL C& W: &%5 )
;
8 /
O N-S fB 2&HB o)S •
?7a# QD&T X&4Q Q
S( &v $
2S
b# CONTROL
?LOCAL CONTROL [&[ =4` >) FUNCTION D 9
1
7z $( M LOCAL CONTROL C
&#-G :J&I#
Loca l
>: 9H 7
b [1] >: [0] DDX1 (B [–]( [+] DDX1 ;
?&v( 7z $(
2
&v $( >: LOCAL CONTROL 7
b :J&I#
]Off :7Na[ ACCOMP OUT
2
w & : 3 { D & T v : J& I #
Jack
2 b*
,%# J 7! J CkM ,70b R=T1 /
O1( & /&! $#
~D(1 /&! $# ?2&d
H# J C
&#-G /
O1 J
dB G $#
M =! &%5 )
>0G /
- ,R=T1 ^=!5 /
O1(
2&HB L G =Vk ,"&{ &0 M ?J ==j >) &4
O DO:
? 2 & d H# J _ Q ( \ & - V B ( / c 1
0 c*
/
-0 9M L G &!M ,G 7I# L= <% =Vk c_s
/
- >0G =Vs S fB ?2&d
H# J C
&#-G 7%&8 &4
O Da
? J > 0 G 9 H 8 ] M G
AR-51
,USB = 3# &;= ~= &%5 )
>0G \[ cB :]J
#[ oFF
? 0 T / a D a # ; 8 f O D a C B C ( 8
Loca l
2 & & ) 2 & d H # G C & # - G : J & I #
= [3]( [2] ,[1] ,[0] DDX1 (B [–]( [+] DDX1 ;
? 9 H :7Na[ LOCAL CONTROL ?6W 2QH
]On
8& &;=( &%5 )
;
8 E&0 )&a5 :]R[ on
?USB = 3# ~=
?USB = 3# E&0 )&a5 7E&;D ~= S :]J
#[ oFF
?ACCOMP OUT [&[ =4` >) FUNCTION D 9
1
&v $( M ACCOMP OUT C
&#-G :J&I#
A c om p O u t
>: 9H 7
b [1] >: [0] DDX1 (B [–]( [+] DDX1 ;
?&v( 7z $(
2
7z $( >: ACCOMP OUT 7
b :J&I#
A c om p O u t
664A-A-053A
" & L ! A
SCORING
FUNCTION
!Y=5 DDbuttons
X 1
Number
[+] / [–]
START/STOP
SD CARD SLOT
<PLAY/STOP>
7I# ?$Y
5 3# & w
1 M ^= /(= ;:( 3 .-i
? / D & > 0 G / & & M } z . C B 3 K ( =` A 0 7& (B ,& 8
d= ,& ^D={ /&QD =5 Ld&-5 •
? 0 Z
?E&8=4 ^=[
z (B -& E&8=4 /&-bz =5 Ld&-5 •
?A8&Ok8 &4&#F &20# <!0S Ak8 k ,^= /D& 7!j &!-)
>0G “Pls Wait” &;= _
Q(( /&& J
O( 5 ^\&: &) M
J
O
^= /D& >0G ^_
Q
5 /&& CB - CkM ,D&
^= /D& X|8 2&0# S ?\&1 (B ,^\= ,3 0!8 &4:
0!G &@B \&-VB &v $
&%5 )
7
j (B /D& .[ 3#
/D & > 0 G ^ _
Q 5 /& & } z C B 3 K A W 7 M C B ? / D & 0 J
O ?/ D & . [ 0 > ) ( B ^ = /&&8 /D& (B SD ^= /D& C
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664A-A-062A
•
AR-60
JAZZ GUITAR
OCT JAZZ GUITAR
CLEAN GUITAR
ELEC.GUITAR
MUTE GUITAR
CRUNCH ELEC.GUITAR
OVERDRIVE GT
DISTORTION GT
POWER DIST. GT
HARMONIZED DIST. GT
RHYTHM DIST. GT
FEEDBACK GT
CHORUS STEEL GT
DIST.GT & BASS
STEEL GT HARMONICS
2
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
ACOUSTIC BASS
RIDE BASS
FINGERED BASS
PICKED BASS
FRETLESS BASS
SLAP BASS
DOUBLED STRINGS BASS
SAW SYNTH-BASS
SQR SYNTH-BASS
VOCODER BASS
DIGI ROCK BASS
SOUL SYNTH-BASS
TRANCE BASS
MELLOW FINGERED BASS
BASS & KICK
CLAVI BASS
RHYTHM PICKED BASS
RHYTHM FINGERED BASS
SINE BASS
ORGAN BASS
1
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
VIOLIN
SLOW VIOLIN
CELLO
PIZZICATO STRINGS
HARP 1
DOUBLE VIOLIN
SLOW CELLO
VIOLIN SECTION
SLOW VIOLIN SECTION
PIZZICATO ENSEMBLE
CELLO SECTION
OCTAVE PIZZICATO
DOUBLE VIOLA
STR/ORCHESTRA
BASS
130
131
132
133
134
135
136
137
138
139
140
141
142
*
)' :3
MSB .- ,+% :6
5
2
1
4
GUITAR
ORGAN
6
3
026
026
027
027
028
027
029
030
030
030
030
031
025
030
025
002
032
002
002
002
002
003
002
002
003
001
001
004
003
003
004
003
004
006
005
TUBULAR BELL
DULCIMER
BRIGHT CELESTA
CHORUS CELESTA
CHORUS GLOCKENSPIEL
CHORUS VIBRAPHONE
32
16
32
16
32
16
32
32
16
16
16
16
16
16
16
032
032
033
034
035
037
037
038
039
038
039
038
038
033
039
039
034
033
039
039
047
048
049
050
051
052
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
32
16
32
32
32
32
16
32
32
32
32
32
32
32
16
16
32
32
32
32
002
008
002
001
002
008
002
002
005
003
004
008
009
006
003
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
C
A
A
DRAWBAR ORGAN 1
DRAWBAR ORGAN 2
DRAWBAR ORGAN 3
ROTARY DRAWBAR
PERC.ORGAN 1
PERC.ORGAN 2
ELEC.ORGAN 1
ELEC.ORGAN 2
JAZZ ORGAN 1
ROCK ORGAN 1
CHURCH ORGAN
CHAPEL ORGAN
REED ORGAN
ACCORDION 1
OCTAVE ACCORDION
BANDONEON
HARMONICA 1
HARMONICA 2
THEATER
OCTAVE BANDONEON
DRAWBAR ORGAN 4
JAZZ ORGAN 2
ROCK ORGAN 2
DRAWBAR ORGAN 5
JAZZ ORGAN 3
PERC.ORGAN 3
8’ORGAN
ROCK ORGAN 3
ROCK ORGAN 4
FULL DRAWBAR
ORGAN PAD
SEQUENCE ORGAN
PIPE ORGAN 1
PIPE ORGAN 2
ORGAN & HARPSICHORD
PIPE ORGAN PAD
ACCORDION 2
BANDONEON SOLO
BANDONEON & VIOLIN
002
008
002
002
002
001
008
004
009
001
004
003
002
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
040
040
042
045
046
040
042
040
040
045
042
045
041
NYLON STR.GUITAR
STEEL STR.GUITAR
12 STR.GUITAR
32
32
32
32
32
16
16
16
16
16
16
16
16
092
093
094
A
A
C
A
A
A
C
A
A
A
C
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
B
A
3
32
32
16
16
16
16
16
16
16
16
16
16
16
16
32
16
16
16
16
32
16
16
16
16
16
16
16
16
16
16
16
16
32
16
16
32
32
16
16
32
16
16
16
16
32
16
16
16
4
024
025
025
016
016
016
017
017
017
016
016
017
018
019
019
020
021
021
023
022
022
019
023
016
017
018
016
017
017
017
018
018
016
017
007
019
019
019
019
021
023
023
014
015
008
008
009
011
5
002
002
008
002
001
003
032
002
003
008
004
004
002
002
008
002
002
008
002
002
008
006
003
005
006
001
006
008
001
005
003
004
009
007
016
001
003
004
005
003
001
004
002
002
001
008
008
008
6
% :2
('&
:5
C
C
C
CHROMATIC PERC
A
B
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
3
32
32
16
32
32
16
16
16
16
32
16
16
16
16
16
16
16
16
16
16
16
32
16
32
32
16
16
16
16
32
16
16
16
32
16
16
16
16
16
16
16
16
16
16
32
16
16
4
008
009
010
011
012
009
011
012
013
004
005
005
004
004
004
004
005
004
005
004
004
004
005
007
007
007
007
007
000
000
001
000
001
001
000
001
003
003
003
002
002
000
000
000
006
006
006
5
002
002
002
002
002
003
003
003
002
002
003
005
007
005
009
006
002
008
008
003
001
004
004
002
001
003
008
009
002
001
002
003
003
001
008
005
002
009
008
002
003
004
009
005
002
008
001
6
:1
$
#
"! :4
2
STEREO GRAND PIANO
GRAND PIANO
BRIGHT PIANO
MELLOW PIANO
MODERN PIANO
DANCE PIANO
STRINGS PIANO
SYNTH-STR PIANO
HONKY-TONK
1 OCTAVE PIANO
2 OCTAVE PIANO
ELEC.GRAND PIANO
MODERN E.G.PIANO
STEREO PIANO
STEREO PIANO WIDE
PIANO PAD
HARPSICHORD
COUPLED HARPSICHORD
HARPSICHORD PAD
PIANO
000
001
002
003
004
005
006
007
008
009
010
0011
012
0013
014
0015
016
0017
018
ELEC.PIANO 1
ELEC.PIANO 2
FM ELEC.PIANO
DYNO ELEC.PIANO
60’S ELEC.PIANO
CHORUS EP 1
CHORUS EP 2
MODERN E.PIANO
SOFT E.PIANO
E.PIANO PAD 1
SYNTH-STR. E.PIANO
E.PIANO PAD 2
CLEAN E.PIANO
HARPSICHORD E.PIANO
CLAVI
SOFT CLAVI
CLAVI & DRAWBAR
DETUNE CLAVI
SEQUENCE CLAVI
1
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
CELESTA
GLOCKENSPIEL
MUSIC BOX
VIBRAPHONE
MARIMBA
GLOCKENSPIEL PAD
SYNTH-VIBRAPHONE
SYNTH-MARIMBA
VIBRAPHONE & MARIMBA
ELECTRIC PIANO
038
039
040
041
042
043
044
045
046
664A-A-063A
A-1
2
SEQUENCE SQUARE
SEQUENCE PULSE 1
SQUARE LEAD 3
SQUARE LEAD 4
SAW LEAD 2
SLOW SAW LEAD
PULSE SAW LEAD
SLOW SAW PULSE
FIFTH SEQUENCE
SEQUENCE PULSE 2
SEQUENCE SAW 2
CALLIOPE 2
VENT SYNTH
PURE LEAD
DISTORTION LEAD
OCTAVE CHARANG
VOICE LEAD 2
CHURCH LEAD
DOUBLE VOICE LEAD
VOICE CHOIR LEAD
EP & VOICE LEAD
SYNTH-VOICE LEAD
FIFTH SAW LEAD
FIFTH SQUARE LEAD
BASS+SAW LEAD
SYNTH-BASS+LEAD
1
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
FANTASY 1
FANTASY 2
WARM PAD
WARM VOX
SINE PAD
POLYSYNTH 1
POLY SAW
POLYSYNTH PAD 1
SPACE STRINGS PAD
BOWED PAD
GLASS PAD
ETHNIC PAD
HALO PAD 1
HALO PAD 2
RAIN DROP 1
SOUND TRACK 1
RAVE
CRYSTAL
SOFT CRYSTAL
ATMOSPHERE
BRIGHTNESS 1
GOBLIN
ECHO PAD
STAR THEME 1
SPACE PAD
NEW AGE PAD
SOFT PAD
HORN PAD
THICK PAD
POLYSYNTH 2
OLD TAPE PAD
POLYSYNTH PAD 2
SYNTH-PAD
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
5
2
1
4
6
3
SYNTH-LEAD
PIPE
ALTO SAX 1
ALTO SAX 2
BREATHY A.SAX
HARD A.SAX
RICH A.SAX
TENOR SAX 1
TENOR SAX 2
BREATHY T.SAX
T.SAXYS
BARITONE SAX
OBOE
CLARINET
BREATHY S.SAX
SOFT A.SAX
SOLO A.SAX
SAX SECTION
SAX SECTION SFZ
DETUNE T.SAX
SOFT T.SAX
SOLO T.SAX
SOLO OBOE
VELO.CLARINET
080
080
080
080
081
081
081
081
086
081
081
082
082
082
084
084
085
085
085
085
085
085
086
086
087
087
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
16
16
32
16
32
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
007
016
001
032
001
004
005
006
001
009
016
003
001
004
008
002
003
004
008
005
006
007
002
003
001
003
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
PICCOLO 1
FLUTE 1
FLUTE 2
PURE FLUTE
PIPE SECTION 1
RECORDER
PAN FLUTE 1
BOTTLE BLOW
SHAKUHACHI
WHISTLE 1
OCARINA
PICCOLO 2
PIPE SECTION 2
SOFT FLUTE
WHISTLE 2
PAN FLUTE 2
002
003
002
008
003
002
008
005
003
002
003
002
002
003
002
002
008
002
001
002
002
002
002
002
008
001
004
005
001
001
006
004
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
088
088
089
089
089
090
090
090
091
092
092
093
094
094
096
097
097
098
098
099
100
101
102
103
103
088
089
089
089
090
089
090
SQUARE LEAD 1
SQUARE PULSE LEAD
SEQUENCE LEAD
SAW LEAD 1
MELLOW SAW LEAD
SEQUENCE SAW 1
SINE LEAD
VELO.SINE LEAD
SS LEAD
CALLIOPE 1
VENT LEAD
CHIFF LEAD 1
DROP LEAD
EP LEAD
VOICE LEAD 1
BASS+LEAD
SQUARE LEAD 2
SLOW SQUARE LEAD
SLOW SQUARE PULSE
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
32
16
16
16
16
16
16
16
16
16
16
16
16
16
16
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
5
2
1
4
6
3
SOPRANO SAX
REED
BRASS
ENSEMBLE
HARP 2
CHORUS HARP
065
065
065
065
065
066
066
066
066
067
068
071
064
065
065
065
065
066
066
066
068
071
143
144
16
32
16
16
16
16
32
16
16
32
32
32
16
32
32
16
16
16
16
32
32
16
002
002
001
008
004
002
002
002
002
002
002
003
004
005
003
003
001
002
008
003
006
001
002
008
009
002
002
002
008
005
004
009
007
003
005
004
004
004
C
C
C
C
C
C
C
C
C
C
A
A
A
C
C
C
C
C
C
C
A
A
072
073
073
073
072
074
075
076
077
078
079
072
073
073
078
075
198
STRINGS
SLOW STRINGS 1
WIDE STRINGS
OCTAVE STRINGS 1
CHAMBER
STRINGS SFZ
SYNTH-STRINGS 1
SYNTH-STRINGS 2
SYNTH-STRINGS 3
CHOIR AAHS
CHOIRS 1
VOICE DOO
SYNTH-VOICE 1
SYNTH-VOICE PAD
ORCHESTRA HIT
HARP & STRINGS
FLUTE & STRINGS
ORCHESTRA STRINGS
SLOW STRINGS 2
STRINGS VOICE
OCTAVE STRINGS 2
FAST SYNTH STRINGS
SLOW CHOIR
CHOIR STRINGS
CHOIRS 2
VOICE UUH
SYNTH-VOICE 2
CHORUS SYNTH-VOICE
32
32
16
16
16
32
32
16
16
32
32
16
16
32
32
16
002
005
005
002
008
032
008
009
003
002
005
002
004
001
002
002
003
004
006
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
B
A
A
A
A
A
A
A
A
A
A
B
A
A
A
A
080
080
083
081
81
081
080
080
081
082
082
083
083
083
085
087
080
080
080
TRUMPET
TROMBONE
TUBA 1
MUTE TRUMPET
FRENCH HORN
HORN ORCHESTRA
BRASS
BRASS SECTION 1
BRASS SFZ
BRASS & STRINGS
HARD BRASS
BRASS SECTION 2
ANALOG SYNTH-BRASS 1
SYNTH-BRASS 1
SYNTH-BRASS 2
TRANCE BRASS
MELLOW TRUMPET
VELO.TRUMPET
VELO.TROMBONE
MELLOW TROMBONE
TUBA 2
FRENCH HORN SOLO
MELLOW BRASS
ANALOG SYNTH-BRASS 2
SYNTH-BRASS PAD
16
16
16
16
16
16
32
32
16
16
16
16
16
16
16
16
16
16
16
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
C
C
A
C
C
A
A
A
A
A
A
A
A
A
A
A
A
C
C
C
C
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
3
32
32
32
32
32
16
16
32
16
16
16
16
32
16
32
16
16
32
32
16
32
32
32
32
16
16
32
32
16
16
16
32
32
32
32
32
32
32
32
16
16
16
16
16
32
16
16
32
32
16
16
32
32
16
32
16
4
064
056
057
058
059
060
060
061
061
061
061
061
061
062
062
063
062
056
056
057
057
058
060
061
062
063
048
049
048
048
048
048
050
051
051
052
052
053
054
054
055
050
051
048
049
049
048
050
052
052
052
053
054
054
046
046
5
002
002
002
002
002
002
016
002
003
008
004
005
006
008
002
002
001
008
004
004
001
003
008
001
009
003
002
002
016
032
003
008
002
002
003
002
008
002
002
008
002
004
004
004
003
004
001
003
009
003
004
003
001
009
001
008
6
A-2
664A-A-064A
1
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
2
GM TUBA
GM MUTE TRUMPET
GM FRENCH HORN
GM BRASS
GM SYNTH-BRASS 1
GM SYNTH-BRASS 2
GM SOPRANO SAX
GM ALTO SAX
GM TENOR SAX
GM BARITONE SAX
GM OBOE
GM ENGLISH HORN
GM BASSOON
GM CLARINET
GM PICCOLO
GM FLUTE
GM RECORDER
GM PAN FLUTE
GM BOTTLE BLOW
GM SHAKUHACHI
GM WHISTLE
GM OCARINA
GM SQUARE LEAD
GM SAW LEAD
GM CALLIOPE
GM CHIFF LEAD
GM CHARANG
GM VOICE LEAD
GM FIFTH LEAD
GM BASS+LEAD
GM FANTASY
GM WARM PAD
GM POLYSYNTH
GM SPACE CHOIR
GM BOWED GLASS
GM METAL PAD
GM HALO PAD
GM SWEEP PAD
GM RAIN DROP
GM SOUND TRACK
GM CRYSTAL
GM ATMOSPHERE
GM BRIGHTNESS
GM GOBLINS
GM ECHOES
GM SF
GM SITAR
GM BANJO
GM SHAMISEN
GM KOTO
GM THUMB PIANO
GM BAGPIPE
GM FIDDLE
GM SHANAI
GM TINKLE BELL
GM AGOGO
GM STEEL DRUMS
GM WOOD BLOCK
GM TAIKO
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
D
D
3
32
32
16
32
32
16
32
32
32
32
32
32
32
32
32
32
32
32
16
16
32
32
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
32
32
32
32
16
32
32
32
32
16
32
32
4
058
059
060
061
062
063
064
065
066
067
068
069
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
5
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
6
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
1
GM TONES
2
GM PIANO 1
GM PIANO 2
GM PIANO 3
GM HONKY-TONK
GM E.PIANO 1
GM E.PIANO 2
GM HARPSICHORD
GM CLAVI
GM CELESTA
GM GLOCKENSPIEL
GM MUSIC BOX
GM VIBRAPHONE
GM MARIMBA
GM XYLOPHONE
GM TUBULAR BELL
GM DULCIMER
GM ORGAN 1
GM ORGAN 2
GM ORGAN 3
GM PIPE ORGAN
GM REED ORGAN
GM ACCORDION
GM HARMONICA
GM BANDONEON
GM NYLON STR.GUITAR
GM STEEL STR.GUITAR
GM JAZZ GUITAR
GM CLEAN GUITAR
GM MUTE GUITAR
GM OVERDRIVE GT
GM DISTORTION GT
GM GT HARMONICS
GM ACOUSTIC BASS
GM FINGERED BASS
GM PICKED BASS
GM FRETLESS BASS
GM SLAP BASS 1
GM SLAP BASS 2
GM SYNTH-BASS 1
GM SYNTH-BASS 2
GM VIOLIN
GM VIOLA
GM CELLO
GM CONTRABASS
GM TREMOLO STRINGS
GM PIZZICATO
GM HARP
GM TIMPANI
GM STRINGS 1
GM STRINGS 2
GM SYNTH-STRINGS 1
GM SYNTH-STRINGS 2
GM CHOIR AAHS
GM VOICE DOO
GM SYNTH-VOICE
GM ORCHESTRA HIT
GM TRUMPET
GM TROMBONE
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
3
32
32
32
16
32
16
32
32
32
32
16
32
32
32
32
16
16
16
16
16
32
16
32
16
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
32
16
32
32
4
000
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030
031
032
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
5
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
6
2
HEAVEN
UTOPIA
SQUARE PAD
SOFT METAL PAD
HARD METAL PAD
TINE PAD
CHORUS PAD
ORGAN CHOIR PAD
SWEEP PAD
SWEEP CHOIR
CLAVI PAD
RAIN DROP 2
SOUND TRACK 2
SPACE VOICE
CHORAL BELL
GLOCKENSPIEL CHIME
CHRISTMAS BELL
VIBRAPHONE BELL
NYLON+EP
CELESTA PAD
BRIGHT BELL PAD
BRIGHTNESS 2
ECHO VOICE
ECHO DROP
POLY DROP
STAR THEME 2
1
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
SITAR 1
WARM SITAR
BANJO
MUTE BANJO
SHAMISEN 1
TSUGARU
KOTO
THUMB PIANO
SHANAI
STEEL DRUMS
ER HU 1
ER HU 2
YANG QIN 1
YANG QIN 2
DI ZI
YANG QIN & ER HU
ZHENG
SUO NA
PI PA 1
SHENG
KOTO PAD
SITAR 2
TAMBRA
SITAR PAD
RABAB
PI PA 2
SHAMISEN 2
DETUNE KOTO
SYNTH-KOTO
SHAMISEN & TAIKO
XIAO
SANTUR
ETHNIC/CHINESE
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
3
16
16
32
32
32
32
32
32
32
16
32
32
32
16
32
32
32
32
32
32
16
32
16
16
16
16
16
16
16
16
16
32
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
16
4
104
104
105
105
106
106
107
108
111
114
110
110
015
015
072
111
107
111
105
109
107
104
104
104
105
105
106
107
107
106
077
015
091
091
092
093
093
093
094
094
095
095
096
096
097
097
098
098
098
098
099
099
100
100
102
102
102
103
5
002
001
002
001
002
001
002
002
002
002
008
009
008
009
016
008
001
032
032
008
005
003
008
004
008
004
003
004
003
004
032
016
002
001
001
003
004
001
001
004
002
001
001
003
003
001
016
005
003
008
005
001
001
003
001
003
004
001
6
664A-A-065A
A-3
/
)'
A
!
"#$ %
0
C-1
C0
C1
(/ 4#5 & )
C2
........ ! "' <;57" 5 :-79% 87 ........ 6#3, !(0 #123%
D
&' ()*
© +,-
./ ®
C
B
“039 GLOCKENSPIEL”/“051
CHORUS GLOKENSPIEL”/“221
PICCOLO 1”/“232 PICCOLO 2”
1
a
b
C3
C5
A=440Hz
C4
C6
C7 G7 C8
C9 G9
2
GM MELODIC TOM
GM SYNTH-DRUM
GM REVERSE CYMBAL
GM GT FRET NOISE
GM BREATH NOISE
GM SEASHORE
GM BIRD
GM TELEPHONE
GM HELICOPTER
GM APPLAUSE
GM GUNSHOT
1
489
490
491
492
493
494
495
496
497
498
499
STANDARD SET 1
STANDARD SET 2
STANDARD SET 3
ROOM SET
POWER SET
ROCK SET
HIPHOP SET
ELECTRONIC SET
SYNTH SET 1
SYNTH SET 2
TRANCE SET
JAZZ SET
BRUSH SET
ORCHESTRA SET
DRUM SET
500
501
502
503
504
505
506
507
508
509
510
511
512
513
D
D
D
D
D
D
D
D
D
D
D
D
D
D
D
D
D
A
A
D
D
D
D
D
D
3
–
–
–
–
–
–
–
–
–
–
–
–
–
–
32
32
32
32
32
16
16
32
32
16
32
4
000
001
002
008
016
065
064
024
025
030
031
032
040
048
117
118
119
120
121
122
123
124
125
126
127
5
120
120
120
120
120
120
120
120
120
120
120
120
120
120
000
000
000
000
000
000
000
000
000
000
000
6
•
A-4
664A-A-066A
E 4 63
C#4 61
B 3 58
A3 56
F#3 54
E 3 51
C#3 49
B2 46
A2 44
F#2 42
E 2 39
C#2 37
B 1 34
A 1 32
F#1 30
E 1 27
C#1 25
B 0 22
A 0 20
F#0 18
E 0 15
C#0 13
B -1 10
A -1 8
F#-1 6
E -1 3
C#-1 1
KEY/
Note number
C-1 0
D-1 2
E-1 4
G-1 7
F-1 5
B-1 11
A-1 9
D0 14
C0 12
E0 16
G0 19
F0 17
A0 21
C1 24
B0 23
E1 28
D1 26
G1 31
F1 29
A1 33
C2 36
B1 35
D2 38
E2 40
G2 43
F2 41
A2 45
C3 48
B2 47
D3 50
E3 52
G3 55
F3 53
A3 57
C4 60
B3 59
E4 64
D4 62
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Standard2 Kick 2
Standard2 Kick 1
,
Standard2 Snare 1
Hand Clap 2
Standard2 Snare 2
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Standard3 Kick 2
Standard3 Kick 1
,
Standard3 Snare 1
,
Standard3 Snare 2
Low Tom 4
Standard3 Closed Hi-Hat
Low Tom 3
Standard3 Pedal Hi-Hat
Mid Tom 4
Standard3 Open Hi-Hat
Mid Tom 3
High Tom 4
Crash Cymbal 3
High Tom 3
Ride Cymbal 3
,
,
,
,
,
Crash Cymbal 4
,
Ride Cymbal 4
,
,
,
,
,
STANDARD SET 1 STANDARD SET 2 STANDARD SET 3
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Standard1 Kick 2
Standard1 Kick 1
Side Stick 1
Standard1 Snare 1
Hand Clap 1
Standard1 Snare 2
Low Tom 2
Closed Hi-Hat
Low Tom 1
Pedal Hi-Hat
Mid Tom 2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
ROOM SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Power Kick 2
Power Kick 1
,
Power Snare 1
,
Power Snare 2
Power Low Tom 2
,
Power Low Tom 1
,
Power Mid Tom 2
,
Power Mid Tom 1
Power High Tom 2
,
Power High Tom 1
,
,
,
,
,
,
,
,
,
,
,
,
,
,
POWER SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Rock Kick 2
Rock Kick 1
Rock Side Stick
Rock Snare
,
Rock Snare Roll
Low Tom 4
Rock Closed Hi-Hat
Low Tom 3
Rock Pedal Hi-Hat
Mid Tom 4
Rock Open Hi-Hat
Mid Tom 3
High Tom 4
Rock Crash Cymbal
High Tom 3
Ride Cymbal 3
,
Rock Ride Bell
,
Rock Splash Cymbal
,
Crash Cymbal 4
,
Ride Cymbal 4
,
,
,
,
,
ROCK SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
HipHop Kick 2
HipHop Kick 1
Side Stick 2
HipHop Snare 1
Hand Clap 3
HipHop Snare 2
Low Tom 4
HipHop Closed Hi-Hat
Low Tom 3
HipHop Pedal Hi-Hat
Mid Tom 4
HipHop Open Hi-Hat
Mid Tom 3
High Tom 4
Crash Cymbal 3
High Tom 3
Ride Cymbal 3
,
,
,
Rock Splash Cymbal
,
Crash Cymbal 4
,
Ride Cymbal 4
,
,
,
,
,
HIP-HOP SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Elec. Kick 2
Elec. Kick 1
,
Elec. Snare 1
,
Elec. Snare 2
Elec. Low Tom 2
,
Elec. Low Tom 1
,
Elec. Mid Tom 2
,
Elec. Mid Tom 1
Elec. High Tom 2
,
Elec. High Tom 1
,
Reverse Cymbal
,
,
,
,
,
,
,
,
,
,
,
,
ELECTRONIC SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Synth1 Kick 2
Synth1 Kick 1
Synth1 Rim Shot
Synth1 Snare 1
Hand Clap 2
Synth1 Snare 2
Synth1 Low Tom 2
Synth1 Closed HH 1
Synth1 Low Tom 1
Synth1 Closed HH 2
Synth1 Mid Tom 2
Synth1 Open HH
Synth1 Mid Tom 1
Synth1 High Tom 2
Synth1 Crash Cymbal
Synth1 High Tom 1
Synth1 Ride Cymbal
,
,
Synth1 Tambourine
,
Synth1 Cowbell
,
,
,
Synth1 High Bongo
Synth1 Low Bongo
Synth1 Mute Hi Conga
Synth1 Open Hi Conga
Synth1 Open Low Conga
SYNTH SET 1
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Synth2 Kick 2
Synth2 Kick 1
,
Synth2 Snare 1
,
Synth2 Snare 2
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Synth1 Cowbell
,
,
,
,
,
,
,
,
SYNTH SET 2
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Synth2 Kick 2
Trance Kick
Side Stick 2
Trance Snare 1
Hand Clap 3
Trance Snare 2
,
Trance Closed Hi-Hat
,
Trance Open Hi-Hat 1
,
Trance Open Hi-Hat 2
,
,
,
,
,
,
,
Trance Tambourine
,
,
,
,
,
,
,
,
,
,
TRANCE SET
DRUMS SET LIST
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Room Kick 2
Room Kick 1
,
Room Snare 1
,
Room Snare 2
Room Low Tom 2
,
Room Low Tom 1
,
Room Mid Tom 2
,
Room Mid Tom 1
Room High Tom 2
,
Room High Tom 1
,
,
,
,
,
,
,
,
,
,
,
,
,
,
JAZZ SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
,
,
,
,
Jazz Kick 2
Jazz Kick 1
,
Jazz Snare 1
,
Jazz Snare 2
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
Closed Hi-Hat
Pedal Hi-Hat
Open Hi-Hat
Ride Cymbal 1
,
,
,
,
Jazz Kick 1
Concert BD 1
,
Concert SD
Castanets
Concert SD
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani c
Timpani c#
Timpani d
Timpani d#
Timpani e
Timpani f
,
,
,
Concert Cymbal 2
,
Concert Cymbal 1
,
,
,
,
,
ORCHESTRA SET
&3
2! BRUSH SET
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
—
,
,
,
,
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Jazz Kick 2
Jazz Kick 1
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Brush Snare 1
Brush Slap
Brush Snare 2
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664A-A-067A
A-5
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—
STANDARD SET 1 STANDARD SET 2 STANDARD SET 3
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 1
Applause 2
Fanfare
—
One
Two
Three
Four
Five
Bravo
Great
Not Bad
Try Again
Good
That's Close
Nice Try
Keep Trying
Take Your Time
Rank Up
Rank Down
Piko Piko
—
—
—
—
—
—
—
—
—
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—
—
—
—
—
—
—
F#9 126 —
E 9 123
C#9 121
B 8 118
A8 116
F#8 114
E 8 111
C#8 109
B 7 106
A7 104
F#7 102
E 7 99
C#7 97
B 6 94
A6 92
F#6 90
E 6 87
C#6 85
B 5 82
A 5 80
F#5 78
E 5 75
C#5 73
B 4 70
A4 68
F#4 66
KEY/
Note number
G4 67
F4 65
A4 69
C5 72
B4 71
D5 74
E5 76
G5 79
F5 77
A5 81
C6 84
B5 83
E6 88
D6 86
G6 91
F6 89
A6 93
C7 96
B6 95
D7 98
E7 100
G7 103
F7 101
A7 105
C8 108
B7 107
D8 110
E8 112
G8 115
F8 113
A8 117
C9 120
B8 119
E9 124
D9 122
G9 127
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ROOM SET
POWER SET
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ROCK SET
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ELECTRONIC SET
DRUMS SET LIST
HIP-HOP SET
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SYNTH SET 1
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Synth1 Maracas
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Synth1 Claves
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SYNTH SET 2
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Synth1 Maracas
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Synth1 Claves
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TRANCE SET
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JAZZ SET
BRUSH SET
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ORCHESTRA SET
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”
•
A-6
664A-A-068A
F9 125
STANDARD SET 1 @ (0 ?, >= # “
➝
Root
Chord
Type
C
C
(D )
D
E
(D )
E
F
F
(G )
G
A
(G )
A
B
(A )
B
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 2, 1]
M
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 2, 1]
m
7
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
m7
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
dim7
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
*
*
*
M7
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
m7 5
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
dim
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
[5, 3, 2]
Root
Chord
Type
C
C
(D )
D
E
(D )
E
F
F
(G )
G
A
(G )
A
6-#- 54!
[5, 3, 1]
[5, 3, 1]
[5, 3, 1]
[5, 2, 1]
[5, 2, 1]
[5, 2, 1]
[5, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[5, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
add9
[5, 3, 1]
[5, 2, 1]
[5, 3, 2, 1]
[4, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[4, 3, 2, 1]
75
[5, 3, 1]
[5, 2, 1]
[5, 3, 2, 1]
[4, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
[4, 3, 2, 1]
m M7
[5, 3, 1]
[5, 2, 1]
[5, 3, 2, 1]
[4, 3, 2, 1]
[5, 4, 2, 1]
[5, 4, 2, 1]
m add9
[5, 3, 1]
[5, 2, 1]
[5, 4, 2, 1]
[4, 3, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
7 sus4
[5, 3, 1]
[5, 2, 1]
[5, 4, 2, 1]
[4, 3, 2, 1]
[4, 3, 2, 1]
sus4
[5, 3, 1]
[5, 2, 1]
[5, 4, 2, 1]
[5, 3, 2, 1]
aug
[5, 3, 1]
[5, 2, 1]
[5, 3, 2, 1]
*
[5, 3, 2, 1]
B
(A )
*
[5, 2, 1]
B
•
AR-44 T,0J SQGP7 :-7"R (#0,7 & E QGP7 O5 ##/7J 6#3, E ;0 5O 7J N$ M= LJKCJ IHGF ED '3C BA
664A-A-069A
A-7
)87
8 BEAT / 16 BEAT
000
MELLOW 8 BEAT
001
GUITAR 8 BEAT
002
8 BEAT 1
003
8 BEAT 2
004
8 BEAT 3
005
8 BEAT POP
006
BASIC 8 BEAT
007
16 BEAT
008
16 BEAT SHUFFLE 1
009
16 BEAT SHUFFLE 2
010
16 BEAT SHUFFLE 3
BALLAD
011
MODERN BALLAD
012
16 BEAT BALLAD
013
SOUL BALLAD
014
POP BALLAD 1
015
POP BALLAD 2
016
6/8 BALLAD
017
ROCK BALLAD 1
018
ROCK BALLAD 2
019
BALLAD
DANCE
020
HIP-HOP
021
RAP POP
022
DISCO POP
023
TECHNO POP
024
TRANCE
025
MODERN R&B
026
DANCE
027
LATIN DISCO
028
DISCO SOUL
029
SOUL
POPS
030
REGGAE POP
031
GUITAR POP
032
OFF BEAT
033
POP WALTZ
034
FOLKIE POP
035
POP ROCK
ROCK
036
MODERN ROCK
037
SHUFFLE ROCK
038
SIMPLE ROCK
039
SOFT ROCK
040
LATIN ROCK
041
60’S SOUL
042
SLOW ROCK
043
50’S ROCK
044
NEW ORLNS R&R
045
ROCK WALTZ
JAZZ
046
SLOW SWING
047
SWING 1
048
SWING 2
049
JAZZ WALTZ 1
050
JAZZ WALTZ 2
051
BIG BAND 1
052
BIG BAND 2
053
BIG BAND 3
054
FOX TROT
055
JAZZ COMBO 1
EUROPEAN
056
POLKA
057
POP POLKA
058
MARCH 1
059
MARCH 2
060
MARCH 3
061
WALTZ 1
062
WALTZ 2
063
SLOW WALTZ
064
VIENNESE WALTZ
065
FRENCH WALTZ
066
SERENADE
067
TANGO
LATIN
068
BOSSA NOVA 1
069
BOSSA NOVA 2
070
BOSSA NOVA 3
071
BEGUINE
072
SAMBA 1
073
SAMBA 2
074
MAMBO
075
RHUMBA
076
CHA-CHA-CHA
077
MERENGUE
078
BOLERO
079
SALSA
080
REGGAE
081
PUNTA
082
CUMBIA
083
SKA
VARIOUS
084
COUNTRY 1
085
COUNTRY 2
086
BLUEGRASS
087
DIXIE
088
TEX-MEX
089
FAST GOSPEL
090
SLOW GOSPEL
091
PASODOBLE
092
FOLKLORE
093
SIRTAKI
094
HAWAIIAN
095
ADANI
096
BALADI
097
ENKA
098
SYMPHONY
099
STR QUARTET
FOR PIANO
100
PIANO BALLAD 1
101
PIANO BALLAD 2
102
PIANO BALLAD 3
103
EP BALLAD 1
104
EP BALLAD 2
105
BLUES BALLAD
106
MELLOW JAZZ
107
JAZZ COMBO 2
108
RAGTIME
109
BOOGIE-WOOGIE
110
ARPEGGIO 1
111
ARPEGGIO 2
112
ARPEGGIO 3
113
PIANO BALLAD 4
114
6/8 MARCH
115
MARCH 4
116
2 BEAT
117
WALTZ 3
118
WALTZ 4
119
WALTZ 5
,CASIO CHORD EV3 . M= I3VK '0) (F5VU BA [Z 5 ()* <V;Y J ,W5H '3C (V;0 E V73 119 >= 110 E (VF5U
FULL RANGE ,FINGERED ,CASIO CHORD EV ]2V3 (FV5U _V3 LV V;V0V LV^] \'V7-V FULL RANGE CHORD ,FINGERED
'3C `G _7T ;$ \'7- 3 CHORD
664A-A-070A
•
A-8
'9
SONG BANK/KARAOKE 00
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
WE GOT THE BEAT
BEYOND THE SEA (“FINDING NEMO” THEME)
BORDERLINE
WE WISH YOU A MERRY CHRISTMAS
JINGLE BELLS
SILENT NIGHT
JOY TO THE WORLD
O CHRISTMAS TREE
WHEN THE SAINTS GO MARCHING IN
GREENSLEEVES
SWING LOW, SWEET CHARIOT
AMAZING GRACE
AULD LANG SYNE
TWINKLE TWINKLE LITTLE STAR
LIGHTLY ROW
UNDER THE SPREADING CHESTNUT TREE
COME BIRDS
THE MUFFIN MAN
LONG LONG AGO
DID YOU EVER SEE A LASSIE?
LONDON BRIDGE
THE FARMER IN THE DELL
ON THE BRIDGE OF AVIGNON
SIPPIN’ CIDER THROUGH A STRAW
GRANDFATHER’S CLOCK
MICHAEL ROW THE BOAT ASHORE
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
ANNIE LAURIE
MY BONNIE
MY DARLING CLEMENTINE
HOME SWEET HOME
ON TOP OF OLD SMOKEY
I’VE BEEN WORKING ON THE RAILROAD
LITTLE BROWN JUG
AURA LEE
OH! SUSANNA
HOUSE OF THE RISING SUN
SHE WORE A YELLOW RIBBON
CAMPTOWN RACES
SWANEE RIVER (OLD FOLKS AT HOME)
JEANNIE WITH THE LIGHT BROWN HAIR
YANKEE DOODLE
RED RIVER VALLEY
TURKEY IN THE STRAW
MY OLD KENTUCKY HOME
HOME ON THE RANGE
JAMAICA FAREWELL
ALOHA OE
SAKURA SAKURA
SANTA LUCIA
WALTZING MATILDA
50~59 !:-79 a% b aC
PIANO BANK CONCERT PIECES
00 FÜR ELISE
01 TURKISH MARCH (MOZART)
02 PIANO SONATA op.27 no.2 “MOONLIGHT” 1st Mov.
03 ETUDE op.10 no.3 “CHANSON DE L’ADIEU”
04 GYMNOPÉDIES no.1
05 THE ENTERTAINER
06 MAPLE LEAF RAG
07 HUNGARIAN DANCES no.5
08 TRÄUMEREI
09 LA FILLE AUX CHEVEUX DE LIN
10 HUMORESKE (DVO ÁK)
11
PROMENADE FROM “TABLEAUX D’UNE EXPOSITION”
12 MOMENTS MUSICAUX op.94 no.3
13 LE CYGNE FROM “LE CARNAVAL DES ANIMAUX”
14 VALSE op.64 no.1 “PETIT CHIEN”
15 CHANSON DU TOREADOR FROM “CARMEN”
16 LARGO (HÄNDEL)
17 WEDDING MARCH FROM “MIDSUMMER NIGHT’S DREAM”
18 AMERICAN PATROL
19 CSIKOS POST
20 DOLLY’S DREAMING AND AWAKENING
21 LA CHEVALERESQUE
22 PIANO SONATA K.545 1st Mov.
23 LA PRIÈRE D’UNE VIERGE
24 TURKISH MARCH (BEETHOVEN)
25 NOCTURNE op.9 no.2 (CHOPIN)
A-9
26 LIEBESTRÄUME no.3
27 MARCHE MILITAIRE no.1
28 BLUMENLIED
29 GRANDE VALSE BRILLANTE op.18 no.1 ETUDES
ETUDES
30 MINUET (J.S.BACH)
31 GAVOTTE (GOSSEC)
32 ARABESQUE (BURGMÜLLER)
33 CHOPSTICKS
34 FRÖHLICHER LANDMANN
35 AVE MARIA (GOUNOD)
36 AVE MARIA (GOUNOD)
37 JESUS BLEIBET MEINE FREUDE
38 CANON (PACHELBEL)
39 SONATINA op.36 no.1 1st Mov.
40 PIANO SONATA op.13 “PATHÉTIQUE” 2nd Mov.
41 PRELUDE op.28 no.7 (CHOPIN)
42 JE TE VEUX
43 RÊVERIE
44 ODE TO JOY
45 SERENADE FROM “EINE KLEINE NACHTMUSIK”
46 MARCH FROM “THE NUTCRACKER”
47 GOING HOME FROM “FROM THE NEW WORLD”
48 BEAUTIFUL DREAMER
49 DANNY BOY
664A-A-071A
664A-A-072A
664A-A-073A
664A-A-074A
664A-A-075A
664A-A-076A
664A-A-077A
LK-300TV
1
1-16
Transmitted
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
1-16
1-16
Recognized
Model
Default
Changed
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
0-127
12-108*1
Bank select
Modulation
Data entry
Volume
Pan
Expression
Hold1
Sostenuto
Version: 1.0
:XX
A-1 :*
Remarks
USB MIDI Basic
Channel
Default
Messages
Altered
36-96
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Function ...
Mode
True voice
O 9nH V = 1-127
X 9nH V = 0,8nH V = XX
Note
Number
O 9nH V = 1-127
X 8nH V = 64
X
O*2
Note ON
Note OFF
X
X
O
Velocity
X
O
O*2
O*3
O
O
O
O
O
Key’s
Ch’s
O
X
X
X
X
X
O*4
O*4
After
Touch
Pitch Bender
Control
Change
0, 32
1
6, 38
7
10
11
64
66
664A-A-078A