Download Feb 2006 issue - Electra
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A F F O R D A Nakamichi Stasis SR-4A Receiver. By Mark Marcantonio Made from 1987-1989, regulated power supply, extensive video switching. 60 wpc/cont, retail $1,000. Used Features Nak's 'Inherently Stable / Uniform Impedance Amplifier'.. Remote capable, not included. Pre out / Main in jacks for easy system expansion (use as a pre/tuna). Normally, when an audio enthusiast sees or hears the word “Nakamichi”, the first image that comes to mind is the Dragon, the king of all cassette decks. A piece of equipment so universally admired and desired that it retired with the crown of “Ultimate Cassette Deck”. Luckily, for us Nakamichi made other products as well. One of their finer receivers was the SR-4A. A seemingly average-looking piece of audio, with a bundle of fine touches under its hood that separated itself from much of the competition. Affordable$$Audio! B L E $ $ A U D I O True to the styling of the time, the Nakamichi SR-4A exterior came in a satin black finish. Knobs and buttons (both push and solenoid) ran across the face plate. Unlike the Technics and Sony faceplates, the SR-4A didn’t resemble the cockpit of the space shuttle. LED displays are visible, yet simple, leaving the impression that this is a piece of equipment rather than a souped-up Hasbro Lite-Bright. Having been a fan of Harman Kardon’s faceplates, I instantly liked what I was working with in the Nakamichi. The front panel is layed out on two levels with the upper taking up 2/3rds of the overall heighth. From left to right run the Power Button, Tape/VCR monitor knob, Input Selector knob, Tuner display section and remote sensor on top and the Memory, AM, FM, Tuning Mode, Up and Down tuning buttons. The bottom row consist of the station memory buttons. Finally along the upper right is a recessed outer ring for balance, and a large volume knob. Tucked in-between the tuner display and the volume knob is a small Audio Mute button. The bottom third of the front panel, distinguished by a horizontal groove, sits the Headphone input, A and B speaker selectors, Bass control, tone Off/On button, Treble, Subsonic filter, then a flat expanse containing only the STASIS label. Directly under the volume knob is a smaller Variable Loudness knob instead of the typical loudness gain button. The backside is thoughtfully laid out, placing RCA inputs in a logical sequence and the speaker connection posts in my personally 21