Download Yamaha MU90R Owner's Manual

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UM
L
VO
AD input preset
MU90 A/D INPUT PRESET
BANK
0
1
2
3
18
19
Source
MIC
Preset Name
input gain
var type
GUITAR
Preset Name
(Note 1)
input gain
var type
KEYBOARD Preset Name
input gain
var type
AUDIO
Preset Name
(Note 2)
input gain
var type
STEREO
Preset Name
KEYBOARD input gain
(Note 3)
var type
STEREO
Preset Name
AUDIO
input gain
(Note 3)
var type
A/D1
A/D2
PGM CNG# = 0
Off
mic
Off
mic
Off
line
Off
line
Off
line
Off
line
-
A/D1
A/D2
BANK
Source
PGM CNG# = 7
0
MIC
Preset Name Karaoke3
input gain
mic
var type
Karaoke3
1
GUITAR
Preset Name Flang Gtr
(Note 1)
input gain
mic
var type
Flanger
2
KEYBOARD Preset Name Wah Clavi
input gain
line
var type
Touch Wah
3
AUDIO
Preset Name
(Note 2)
input gain
var type
18
STEREO
Preset Name Wah Clavi
KEYBOARD input gain
line
(Note 3)
var type
Touch Wah
19
STEREO
Preset Name
AUDIO
input gain
(Note 3)
var type
1
Mic
mic
Guitar
mic
Keyboard
line
Audio
line
Keyboard
line
Audio
line
-
2
Reverb
mic
Reverb
mic
Reverb
line
Reverb
line
Reverb
line
Reverb
line
-
3
Chorus
mic
Chorus
mic
Chorus
line
Chorus
line
Chorus
line
Chorus
line
-
4
Chorus+Reverb
mic
Chorus+Reverb
mic
Chorus+Reverb
line
Chorus+Reverb
line
Chorus+Reverb
line
Chorus+Reverb
line
-
5
Karaoke1
mic
Karaoke1
Tube
mic
Amp Sim.
Phaser EP
line
Phaser
6
Karaoke2
mic
Karaoke2
Stack
mic
Amp Sim.
Pan EP
line
Auto Pan
Phaser EP
line
Phaser
Pan EP
line
Auto Pan
8
Echo
mic
Echo
Clean Gtr
mic
Celeste
Rotary Orgn
line
Rotary Speaker
9
Vocal
mic
Stage1
Funk Gtr
mic
Touch Wah
Synth Str
line
Symphonic
10
Studio
mic
Exciter
Tremolo
mic
Tremolo
Synth Pad
line
Flanger2
11
Oct Up
mic
Pitch Change
Phaser
mic
Phaser
Synth Lead
line
Delay LCR
12
Oct Down
mic
Pitch Change
5th Guitar
mic
Pitch Change
SFX
line
Pitch Change
Rotary Orgn
Synth Str
line
line
Rotary Speaker Symphonic
Synth Pad
line
Flanger2
Synth Lead
line
Delay LCR
SFX
line
Pitch Change
(Note 1) The input may be distorted depending on the guitar that you use. Make adjustments using either the A/D INPUT VOLUME or the volume of your guitar.
(Note 2) For AUDIO, A/D1 is panned to the left channel, and A/D2 is panned to the right channel.
(Note 3) The stereo setting can be selected only for A/D1.
The A/D1 and A/D2 inputs are handled as the left and right channels respectively of a stereo signal.
1
Effect Program List
REVERB
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
MSB
00H
01H
01H
02H
02H
02H
03H
03H
04H
10H
11H
12H
13H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
Effect Type
NO EFFECT
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
Features
Effect is off
Reverb simulating the reverberance of a hall
"
Reverb simulating the reverberance of a room
"
"
Reverb suitable for solo instruments
"
Reverb simulating a metal plate reverb device
Unique short reverb with a slight initial delay
Simulation of a cylindrical space extending to left and right
Simulation of an imaginary sound space extending without limits
Reverb with unique resonance after a slight initial delay
LSB
00H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
00H
Effect Type
NO EFFECT
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
PHASER 1
Features
Effect is off
Standard chorus effect. Gives the sound a natural spaciousness.
"
"
"
This effect uses a three-phase LFO to create modulation and spaciousness
"
"
"
An effect reminiscent of a jet airplane
"
"
Additional stages are added to the modulation of CELESTE
A chorus effect without modulation created by adding a slightly pitch-shifted sound
Adds modulation by cyclically changing the phase
Features
Effect is off
Reverb simulating the reverberance of a hall
"
Reverb simulating the reverberance of a room
"
"
Reverb suitable for solo instruments
"
Reverb simulating a metal plate reverb unit
Unique short reverb with a slight initial delay
Simulation of a cylindrical space extending to left and right
Simulation of an imaginary sound space extending without limits
Reverb with unique resonance after a slight initial delay
An effect which generates three delays: L, R and C (center)
An effect which generates two delays, L and R, and provides two feedback delays
Two delays (L and R) and independent feedback for L and R
This effect crosses the feedback of two delays
An effect which produces only the early reflections of reverb
"
Simulation of gated reverb
Simulation of gated reverb played backward
Echo for karaoke
"
"
Standard chorus effect. Adds natural spaciousness.
"
"
"
An effect which uses a 3-phase LFO to add modulation and spaciousness
"
"
"
An effect reminiscent of a jet airplane
"
"
Additional stages are added to the modulation of CELESTE
A chorus effect without modulation created by adding a slightly pitch-shifted
sound
An effect that blurs the location of the sound to add spatial width
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to
control the speed of rotation.
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to
control the speed of rotation.
CHORUS
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
MSB
00H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
48H
VARIATION
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
MSB
00H
0H1
01H
02H
02H
02H
03H
03H
04H
10H
11H
12H
13H
05H
06H
07H
08H
09H
09H
0AH
0BH
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
00H
00H
00H
00H
01H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
Effect Type
NO EFFECT
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
ER 1
ER 2
GATE REVERB
REVERSE GATE
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
37
38
58H
45H
00H
00H
AMBIENCE
ROTARY SPEAKER
39
56H
00H
2WAY ROTARY SPEAKER
2
Effect Program List
40
41
42
43
44
46H
47H
48H
48H
49H
00H
00H
00H
08H
00H
TREMOLO
AUTO PAN
PHASER 1
PHASER 2
DISTORTION
45
49H
01H
COMP+DISTORTION
46
4AH
00H
OVER DRIVE
47
4BH
00H
AMP SIMULATOR
48
49
50
4CH
4DH
4EH
00H
00H
00H
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
51
4EH
01H
AUTO WAH+DIST
52
4EH
02H
AUTO WAH+ODRV
53
52H
00H
TOUCH WAH 1
54
52H
01H
TOUCH WAH+DIST
55
52H
02H
TOUCH WAH+ODRV
56
52H
08H
TOUCH WAH 2
57
58
59
60
50H
50H
51H
53H
00H
01H
00H
00H
PITCH CHANGE 1
PITCH CHANGE 2
AURAL EXCITER
COMPRESSOR
61
54H
00H
NOISE GATE
62
63
55H
40H
00H
00H
VOICE CANCEL
THRU
An effect which cyclically modulates the volume
An effect which cyclically moves the sound left/right and front/back
Cyclically changes the phase to add modulation
"
Adds a hard-edged distortion. A noise gate is provided, making this suitable for
use with A/D input as well.
Since a compressor is provided in the initial stage, even distortion is produced
regardless of the input level.
Adds mild distortion. A noise gate is provided, making this suitable for use with
A/D input as well.
Simulates a guitar amp. A noise gate is provided, making this suitable for use with
A/D input as well.
Mono EQ with low, mid and high equalization
Stereo EQ with low and high equalization. Ideal for the drum part.
Cyclically changes the center frequency of a wah filter. Can be used with AC1 etc.
as a pedal wah.
The output of AUTO WAH is distorted by DISTORTION. Can be used with AC1
etc. as a pedal wah.
The output of AUTO WAH is distorted by OVERDRIVE. Can be used with AC1
etc. as a pedal wah.
The level of the input will modify the center frequency of the wah filter. Can be
used with AC1 etc. as a pedal wah.
The output of TOUCH WAH is distorted by DISTORTION. Can be used with
AC1 etc. as a pedal wah.
The output of TOUCH WAH is distorted by OVERDRIVE. Can be used with
AC1 etc. as a pedal wah.
The level of the input will modify the center frequency of the wah filter. Can be
used with AC1 etc. as a pedal wah.
This effect changes the pitch of the input signal.
"
This effect adds new overtones to the input signal to make it stand out.
Limits the output when the input signal exceeds a specified level. Can also add a
sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Effective when
you wish to suppress noise from the A/D input.
Attenuates the vocal part of a recording on CD etc.
Bypass without applying an effect
Aural Exciter  is a registered trademark of Aphex Corporation.
3
Effect Program List
INSERTION1,2
No.
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
MSB
40H
01H
01H
02H
02H
02H
03H
03H
04H
05H
06H
07H
08H
14H
14H
14H
41H
41H
41H
41H
42H
42H
42H
42H
43H
43H
43H
44H
57H
LSB
00H
00H
01H
00H
01H
02H
00H
01H
00H
00H
00H
00H
00H
00H
01H
02H
00H
01H
02H
08H
00H
01H
02H
08H
00H
01H
08H
00H
00H
Effect Type
THRU
HALL 1
HALL 2
ROOM 1
ROOM 2
ROOM 3
STAGE 1
STAGE 2
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
KARAOKE 1
KARAOKE 2
KARAOKE 3
CHORUS 1
CHORUS 2
CHORUS 3
CHORUS 4
CELESTE 1
CELESTE 2
CELESTE 3
CELESTE 4
FLANGER 1
FLANGER 2
FLANGER 3
SYMPHONIC
ENSEMBLE DETUNE
29
45H
00H
ROTARY SPEAKER
30
31
32
33
34
35
36
37
38
46H
47H
48H
49H
4AH
4BH
4CH
4DH
4EH
00H
00H
00H
00H
00H
00H
00H
00H
00H
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ(MONO)
2BAND EQ(STEREO)
AUTO WAH(LFO)
39
52H
00H
TOUCH WAH 1
40
52H
08H
TOUCH WAH 2
41
42
51H
53H
00H
00H
AURAL EXCITER
COMPRESSOR
43
54H
00H
NOISE GATE
Features
Bypass without applying an effect
Reverb simulating the reverberance of a hall
"
Reverb simulating the reverberance of a room
"
"
Reverb suitable for solo instruments
"
Reverb simulating a metal plate reverb unit
An effect which generates three delays: L, R and C (center)
An effect which generates two delays, L and R, and provides two feedback delays
Two delays (L and R) and independent feedback for L and R
This effect crosses the feedback of two delays
Echo for karaoke
"
"
Standard chorus effect. Adds natural spaciousness.
"
"
"
An effect which uses a 3-phase LFO to add modulation and spaciousness
"
"
"
An effect reminiscent of a jet airplane
"
"
Additional stages are added to the modulation of CELESTE
A chorus effect without modulation created by adding a slightly pitch-shifted
sound
Simulation of a rotary speaker. AC1 (assignable controller 1) etc. can be used to
control the speed of rotation.
An effect which cyclically modulates the volume
An effect which cyclically moves the sound left/right and front/back
Cyclically changes the phase to create modulation
Adds a hard-edged distortion
Adds mild distortion
Simulates a guitar amp
Mono EQ with low, mid and high equalization
Stereo EQ with low and high equalization. Ideal for the drum part.
Cyclically changes the center frequency of a wah filter. Can be used with AC1 etc.
as a pedal wah.
The level of the input will modify the center frequency of the wah filter. Can be
used with AC1 etc. as a pedal wah.
The level of the input will modify the center frequency of the wah filter. Can be
used with AC1 etc. as a pedal wah.
This effect adds new overtones to the input signal to make it stand out.
Limits the output when the input signal exceeds a specified level. Can also add a
sense of attack to the sound.
Gates the input when the input signal falls below a specified level. Effective when
you wish to suppress noise from the A/D input.
Aural Exciter  is a registered trademark of Aphex Corporation.
4
MU90 Effect LSB, MSB LIST
REVERB TYPE
TYPE MSB
DEC
HEX
000
0
001
1
002
2
003
3
004
4
005
5
:
:
015
F
016
10
017
11
018
12
019
13
020
14
:
:
127
7F
TYPE LSB
00
NO EFFECT
HALL 1
ROOM 1
STAGE 1
PLATE
NO EFFECT
:
NO EFFECT
WHITE ROOM
TUNNEL
CANYON
BASEMENT
NO EFFECT
:
NO EFFECT
01
02
HALL 2
ROOM 2
STAGE 2
ROOM 3
...
08
NO EFFECT
Same as basic effects (LSB=00)
CHORUS TYPE
TYPE MSB
DEC
HEX
000
0
001
1
:
:
064
40
065
41
066
42
067
43
068
44
069
45
:
:
071
47
072
48
073
49
:
:
086
56
087
57
088
58
:
:
127
7F
TYPE LSB
00
NO EFFECT
NO EFFECT
:
NO EFFECT
CHORUS 1
CELESTE 1
FLANGER 1
SYMPHONIC
NO EFFECT
:
NO EFFECT
PHASER 1
NO EFFECT
:
NO EFFECT
ENSEMBLE DETUNE
NO EFFECT
:
NO EFFECT
01
02
CHORUS 2
CELESTE 2
FLANGER 2
CHORUS 3
CELESTE 3
...
08
CHORUS 4
CELESTE 4
FLANGER 3
NO EFFECT
Same as basic effects (LSB=00)
VARIATION TYPE (0-63)
TYPE MSB
DEC
HEX
000
0
001
1
002
2
003
3
004
4
005
5
006
6
007
7
008
8
009
9
010
A
011
B
012
C
:
:
015
F
016
10
017
11
018
12
019
13
020
14
021
15
:
:
063
3F
TYPE LSB
00
NO EFFECT
HALL 1
ROOM 1
STAGE 1
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
ER 1
GATE REVERB
REVERSE GATE
NO EFFECT or THRU
:
NO EFFECT or THRU
WHITE ROOM
TUNNEL
CANYON
BASEMENT
KARAOKE 1
NO EFFECT or THRU
:
NO EFFECT or THRU
01
02
HALL 2
ROOM 2
STAGE 2
ROOM 3
...
08
ER 2
KARAOKE 2
KARAOKE 3
NO EFFECT (for SYS) or THRU (for INS)
Same as basic effects (LSB=00)
5
MU90 Effect LSB, MSB LIST
VARIATION TYPE (64-127)
TYPE MSB
DEC
HEX
064
40
065
41
066
42
067
43
068
44
069
45
070
46
071
47
072
48
073
49
074
4A
075
4B
076
4C
077
4D
078
4E
079
4F
080
50
081
51
082
52
083
53
084
54
085
55
086
56
087
57
088
58
089
59
:
:
127
7F
TYPE LSB
00
THRU
CHORUS 1
CELESTE 1
FLANGER 1
SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3-BAND EQ
2-BAND EQ
AUTO WAH(LFO)
THRU
PITCH CHANGE
AURAL EXCITER®
TOUCH WAH 1
COMPRESSOR
NOISE GATE
VOICE CANCEL
2WAY ROTARY SPEAKER
ENSEMBLE DETUNE
AMBIENCE
THRU
:
THRU
01
02
CHORUS 2
CELESTE 2
FLANGER 2
CHORUS 3
CELESTE 3
...
08
CHORUS 4
CELESTE 4
FLANGER 3
PHASER 2
COMP+DISTORTION
AUTO WAH+DIST
AUTO WAH+OVERDRIVE
PITCH CHANGE2
TOUCH WAH+DIST
TOUCH WAH+OVERDRIVE
TOUCH WAH 2
THRU
Same as basic effects (LSB=00)
INSERTION EFFECT TYPE
TYPE MSB
DEC
HEX
000
0
001
1
002
2
003
3
004
4
005
5
006
6
007
7
008
8
009
9
:
:
019
13
020
14
021
15
:
:
063
3F
064
40
065
41
066
42
067
43
068
44
069
45
070
46
071
47
072
48
073
49
074
4A
075
4B
076
4C
077
4D
078
4E
079
4F
080
50
081
51
082
52
083
53
084
54
085
55
086
56
087
57
088
58
:
:
127
7F
TYPE LSB
00
THRU
HALL 1
ROOM 1
STAGE 1
PLATE
DELAY L,C,R
DELAY L,R
ECHO
CROSS DELAY
THRU
:
THRU
KARAOKE 1
THRU
:
THRU
THRU
CHORUS 1
CELESTE 1
FLANGER 1
SYMPHONIC
ROTARY SPEAKER
TREMOLO
AUTO PAN
PHASER 1
DISTORTION
OVER DRIVE
AMP SIMULATOR
3BAND EQ
2-BAND EQ
AUTO WAH(LFO)
THRU
THRU
AURAL EXCITER®
TOUCH WAH 1
COMPRESSOR
NOISE GATE
THRU
THRU
ENSEMBLE DETUNE
THRU
:
THRU
01
02
HALL 2
ROOM 2
STAGE 2
ROOM 3
KARAOKE 2
KARAOKE 3
CHORUS 2
CELESTE 2
FLANGER 2
CHORUS 3
CELESTE 3
...
08
CHORUS 4
CELESTE 4
FLANGER 3
TOUCH WAH 2
THRU
Same as basic effects (LSB=00)
Aural Exciter  is a registered trademark of Aphex Corporation.
6
MU90 Effect Parameter List
HALL1,HALL2
ROOM1,ROOM2,ROOM3
STAGE1,STAGE2
PLATE (reverb, variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Dry/Wet
11 Rev Delay
12 Density
13 Er/Rev Balance
14 High Damp
15 Feedback Level
16
WHITE ROOM
TUNNEL
CANYON
BASEMENT (reverb, variation block)
Display
0.3~30.0s
0~10
0~63
Thru~8.0kHz
1.0k~Thru
Value
0-69
0-10
0-63
0-52
34-60
D63>W ~ D=W ~ D<W63
1-127
0~63
0~4 (reverb, variation block)
0~2 (insertion1,2 block)
E63>R ~ E=R ~ E<R63
0.1~1.0
-63~+63
0-63
0-4
0-2
1-127
1-10
1-127
See Table
table#4
Control
table#5
table#3
table#3
●
table#5
DELAY L,C,R (variation, insertion1,2 block)
No.
Parameter
1 Lch Delay
Feedback Level
Cch Level
High Damp
Display
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
-63~+63
0~127
0.1~1.0
Dry/Wet
D63>W ~ D=W ~ D<W63
2 Rch Delay
3 Cch Delay
4 Feedback Delay
5
6
7
8
9
10
11
12
13
14
15
16
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
Display
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
2 Lch Feedback Level -63~+63
3 Rch Delay1
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
4 Rch Feedback Level -63~+63
5 High Damp
0.1~1.0
6 Lch Delay2
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
7 Rch Delay2
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
8 Delay2 Level
0~127
9
10 Dry/Wet
D63>W ~ D=W ~ D<W63
11
12
13
14
15
16
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
See Table
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
11 Liveness
12 Density
13 High Damp
14
15
16
Display
0.3~30.0s
0~10
0~63
Thru~8.0kHz
1.0k~Thru
0.5~10.2m
0.5~20.2m
0.5~30.2m
0~30
D63>W ~ D=W ~ D<W63
Value
0-69
0-10
0-63
0-52
34-60
0-37
0-73
0-104
0-30
1-127
See Table
table#4
11
12
13
14
15
16
Rev Delay
Density
Er/Rev Balance
High Damp
Feedback Level
0~63
0~4
E63>R ~ E=R ~ E<R63
0.1~1.0
-63~+63
0-63
0-4
1-127
1-10
1-127
table#5
No.
Parameter
1 Lch Delay
2 Rch Delay
3 Feedback Delay 1
4 Feedback Delay 2
5 Feedback Level
6 High Damp
7
8
9
10 Dry/Wet
●
1-127
4-40
52-76
28-58
52-76
Control
11
12
13
14
15
16
table#3
table#3
Control
table#5
table#3
table#3
table#11
table#11
table#11
●
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
0.1~1486.0ms (variation block)
0.1~742.9ms (insertion1,2 block)
-63~+63
0.1~1.0
Value
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
1-10
D63>W ~ D=W ~ D<W63
1-127
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
4-40
52-76
28-58
52-76
See Table
Control
●
table#3
table#3
CROSS DELAY (variation, insertion1,2 block)
Value
1-7430
1-3714
1-127
1-7430
1-3714
1-127
1-10
1-7430
1-3714
1-7430
1-3714
0-127
See Table
No.
Parameter
1 L->R Delay
Display
S-H, L-H, Rdm, Rvs, Plt, Spr
0.1~7.0
0~10
0~63
-63~+63
Thru~8.0kHz
1.0k~Thru
Value
0-5
0-44
0-10
0-63
1-127
0-52
34-60
D63>W ~ D=W ~ D<W63
1-127
0~10
0~3
0.1~1.0
0-10
0-3
1-10
Feedback Level
Input Select
High Damp
Display
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
0.1~743.0ms (variation block)
0.1~371.4ms (insertion1,2 block)
-63~+63
L,R,L&R
0.1~1.0
Value
1-7430
1-3714
1-7430
1-3714
1-127
0-2
1-10
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
4-40
52-76
28-58
52-76
2 R->L Delay
3
4
5
6
7
8
9
10
●
1-127
4-40
52-76
28-58
52-76
Control
11
12
13
14
15
16
table#3
See Table
Control
●
table#3
table#3
table#3
EARLY REF1,EARLY REF2 (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Reverb Time
Diffusion
Initial Delay
HPF Cutoff
LPF Cutoff
Width
Heigt
Depth
Wall Vary
Dry/Wet
DELAY L,R (variation, insertion1,2 block)
Value
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-14860
1-7429
1-127
0-127
1-10
ECHO (variation, insertion1,2 block)
No.
Parameter
1 Lch Delay1
No.
1
2
3
4
5
6
7
8
9
10
See Table
GATE REVERB
REVERSE GATE (variation block)
Control
No.
1
2
3
4
5
6
7
8
9
10
table#6
table#5
table#3
table#3
●
Parameter
Type
Room Size
Diffusion
Initial Delay
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
11 Liveness
12 Density
13 High Damp
14
15
16
7
Display
TypeA,TypeB
0.1~20.0
0~10
0~127
-63~+63
Thru~8.0kHz
1.0k~Thru
Value
0-1
0-127
0-10
0-127
1-127
0-52
34-60
D63>W ~ D=W ~ D<W63
1-127
0~10
0~3
0.1~1.0
0-10
0-3
1-10
See Table
Control
table#6
table#5
table#3
table#3
●
MU90 Effect Parameter List
KARAOKE1,2,3 (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Delay Time
Feedback Level
HPF Cutoff
LPF Cutoff
Dry/Wet
Display
0~127
-63~+63
Thru~8.0kHz
1.0k~Thru
D63>W ~ D=W ~ D<W63
Value
0-127
1-127
0-52
34-60
See Table
table#7
CHORUS1,2,3,4
CELESTE1,2,3,4 (chorus, variation, insertion1,2 block)
Control
No.
1
2
3
4
5
6
7
8
9
10
table#3
table#3
●
1-127
11
12
13
14
15
16
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
14-54
table#3
Display
0.00Hz~39.7Hz
0~127
-63~+63
0~63
Value
0-127
0-127
1-127
0-63
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
-180~+180deg
14-54
table#3
See Table
table#1
Control
No.
1
2
3
4
5
6
7
8
9
10
table#2
table#3
●
Dry/Wet
Display
-50~+50cent
0~127
0~127
D63>W ~ D=W ~ D<W63
11 EQ Low Frequency 32Hz~2.0kHz
(variation, insertion1,2 block)
12 EQ Low Gain
-12~+12dB
(variation, insertion1,2 block)
13 EQ High Frequency 500Hz~16.0kHz
(variation, insertion1,2 block)
14 EQ High Gain
-12~+12dB
(variation, insertion1,2 block)
15
16
●
52-76
10-120
0-1
Control
No.
1
2
3
4
5
6
7
8
9
10
●
1-127
4-40
table#3
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
14-54
table#3
52-76
10-120
Control
table#2
table#3
●
Parameter
Delay Time
Output Phase
Display
0~127
normal/invers
Value
0-127
0-1
See Table
table#2
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
Control
table#3
●
11
12
13
14
15
16
52-76
28-58
Value
0-127
0-127
0-127
AMBIENCE (variation block)
Value
See Table
14-114
0-127 table#2
0-127 table#2
table#3
52-76
2WAY ROTARY SPEAKER (variation block)
Parameter
LFO Frequency
LFO Depth
Display
0.00Hz~39.7Hz
0~127
Value
0-127
0-127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
14-54
table#3
11 EQ Mid Frequency
table#3
Display
0.00Hz~39.7Hz
0~127
0~127
12 EQ Mid Gain
13 EQ Mid Width
14
15
16
ROTARY SPEAKER (variation, insertion1,2 block)
12 EQ Mid Gain
13 EQ Mid Width
14
15
16
table#2
Parameter
LFO Frequency
LFO Depth
Delay Offset
11 EQ Mid Frequency
52-76
10-120
4-124 resolution=
3deg.
ENSEMBLE DETUNE (chorus, variation, insertion1,2 block)
Parameter
Detune
Lch Init Delay
Rch Init Delay
mono/stereo
Control
SYMPHONIC (chorus, variation, insertion1,2 block)
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
11 EQ Mid Frequency
No.
1
2
3
4
5
6
7
8
9
10
Value
0-127
0-127
1-127
0-127
12 EQ Mid Gain
13 EQ Mid Width
14
15 Input Mode
16
12 EQ Mid Gain
13 EQ Mid Width
14 LFO Phase
Difference
15
16
No.
1
2
3
4
5
6
7
8
9
10
Display
0.00Hz~39.7Hz
0~127
-63~+63
0~127
11 EQ Mid Frequency
FLANGER1,2,3 (chorus, variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
LFO Depth
Feedback Level
Delay Offset
Control
No.
1
2
3
4
5
6
7
8
9
10
●
table#3
Parameter
Rotor Speed
Drive Low
Drive High
Low/High
Display
0.0Hz~39.7Hz
0~127
0~127
L63>H ~ L=H ~ L<H63
Value
0-127
0-127
0-127
1-127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
4-40
52-76
28-58
52-76
table#3
100Hz~10.0kHz
14-54
table#3
0deg~180deg
0-60
resolution=
3deg.
11 Crossover
Frequency
12 Mic L-R Angle
52-76
10-120
13
14
15
16
8
table#3
Control
●
MU90 Effect Parameter List
TREMOLO (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
AUTO PAN (variation, insertion1,2 block)
Parameter
LFO Frequency
AM Depth
PM Depth
Display
0.00Hz~39.7Hz
0~127
0~127
Value
0-127
0-127
0-127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
4-40
52-76
28-58
52-76
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
-180~+180deg
14-54
table#3
11 EQ Mid Frequency
12 EQ Mid Gain
13 EQ Mid Width
14 LFO Phase
Difference
15 Input Mode
16
mono/stereo
Control
No.
1
2
3
4
●
5
6
7
8
9
10
table#3
Display
0.00Hz~39.7Hz
0~127
0~127
-63~+63
Value
0-127
0-127
0-127
1-127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
4,5,6 (chorus, insertion1,2 block)
4~12 (variation block)
mono/stereo
4-6
4-12
0-1
11 Stage
Control
No.
1
2
3
4
5
6
7
8
9
10
table#3
●
Display
0~127
32Hz~2.0kHz
-12~+12dB
1.0k~Thru
0~127
Value
0-127
4-40
52-76
34-60
0-127
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
100Hz~10.0kHz
-12~+12dB
1.0~12.0
D63>W ~ D=W ~ D<W63
14-54 table#3
52-76
10-120
1-127
0~127
0-127
4-40
52-76
28-58
52-76
table#3
100Hz~10.0kHz
(variation block)
-12~+12dB (variation block)
1.0~12.0 (variation block)
14-54
table#3
52-76
10-120
●
table#3
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
Display
0.00Hz~39.7Hz
0~127
0~127
-63~+63
Value
0-127
0-127
0-127
1-127
See Table
table#1
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Dry/Wet
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
table#3
3,4,5,6
-180deg~+180deg
Control
table#3
●
3-6
4-124
resolution=
3deg.
See Table
No.
1
2
3
4
5
6
7
8
9
10
Control
●
table#3
table#3
11
12
13
14
15
16
mild~sharp
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
Display
0~127
32Hz~2.0kHz
-12~+12dB
1.0k~Thru
0~127
Value
0-127
4-40
52-76
34-60
0-127
See Table
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Dry/Wet
100Hz~10.0kHz
-12~+12dB
1.0~12.0
D63>W ~ D=W ~ D<W63
14-54 table#3
52-76
10-120
1-127
Edge(Clip Curve)
Attack
Release
Threshold
Ratio
0~127
1ms~40ms
10ms~680ms
-48dB~-6dB
1.0~20.0
0-127
0-19
0-15
79-121
0-7
Control
●
table#3
table#3
mild~sharp
table#8
table#9
table#10
3BAND EQ(MONO) (variation, insertion1,2 block)
Parameter
Drive
AMP Type
LPF Cutoff
Output Level
0~127
Off,Stack,Combo,Tube
1.0k~Thru
0~127
Value
0-127
0-3
34-60
0-127
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
0~127
0-127
11 Edge(Clip Curve)
12
13
14
15
16
Display
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
Control
COMP+DIST (variation block)
AMP SIMULATOR (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
11 Stage
12
13 LFO Phase
Difference
14
15
16
Parameter
Drive
EQ Low Frequency
EQ Low Gain
LPF Cutoff
Output Level
11 Edge(Clip Curve)
12
13
14
15
16
See Table
table#1
12 EQ Mid Gain
13 EQ Mid Width
14
15
16
DISTORTION
OVERDRIVE (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Value
0-127
0-127
0-127
0-5
PHASER 2 (variation block)
Parameter
LFO Frequency
LFO Depth
Phase Shift Offset
Feedback Level
12 Diffusion
13
14
15
16
Display
0.00Hz~39.7Hz
0~127
0~127
L<->R,L->R,L<-R,Lturn,
Rturn,L/R
11 EQ Mid Frequency
52-76
10-120
4-124 resolution=
3deg.
0-1
PHASER 1 (chorus, variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
LFO Frequency
L/R Depth
F/R Depth
PAN Direction
See Table
Control
No.
1
2
3
4
5
6
7
8
9
10
●
table#3
Parameter
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
EQ High Gain
EQ Low Frequency
EQ High Frequency
11
12
13
14
15 Input Mode
16
mild~sharp
9
Display
-12~+12dB
100Hz~10.0kHz
-12~+12dB
1.0~12.0
-12~+12dB
50Hz~2.0kHz
500Hz~16.0kHz
mono/stereo
Value
See Table
52-76
14-54 table#3
52-76
10-120
52-76
8-40 table#3
28-58 table#3
0-1
Control
MU90 Effect Parameter List
2BAND EQ(STEREO) (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
EQ Low Frequency
EQ Low Gain
EQ High Frequency
EQ High Gain
Display
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
AUTO WAH (variation, insertion1,2 block)
Value
4-40
52-76
28-58
52-76
See Table
table#3
Control
No.
Parameter
1 LFO Frequency
2 LFO Depth
3 Cutoff Frequency
Offset
4 Resonance
5
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10 Dry/Wet
table#3
11
12
13
14
15
16
11 Drive
12
13
14
15
16
AUTO WAH+DIST
AUTO WHA+ODRV (variation block)
No.
Parameter
1 LFO Frequency
2 LFO Depth
3 Cutoff Frequency
Offset
4 Resonance
5
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10 Dry/Wet
11 Drive
12 EQ Low Gain
(distortion)
13 EQ Mid Gain
(distortion)
14 LPF Cutoff
15 Output Level
16
Display
0.00Hz~39.7Hz
0~127
0~127
Value
0-127
0-127
0-127
1.0~12.0
10-120
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
0~127
-12~+12dB
0-127
52-76
-12~+12dB
52-76
1.0kHz~thru
0~127
34-60
0-127
11 Drive
12 EQ Low Gain
(distortion)
13 EQ Mid Gain
(distortion)
14 LPF Cutoff
15 Output Level
16
Display
See Table
table#1
Control
No.
Parameter
1 Sensitive
2 Cutoff Frequency
Offset
3 Resonance
4
5
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10 Dry/Wet
●
table#3
table#3
11 Drive
12
13
14
15
16
table#3
0~127
0~127
Value
0-127
0-127
1.0~12.0
10-120
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
0~127
-12~+12dB
0-127
52-76
-12~+12dB
52-76
1.0kHz~thru
0~127
34-60
0-127
11
12
13
14
15
16
Display
1.0~12.0
10-120
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
0~127
0-127
See Table
table#1
Control
●
table#3
table#3
0~127
0~127
Display
Value
0-127
0-127
1.0~12.0
10-120
32Hz~2.0kHz
-12~+12dB
500Hz~16.0kHz
-12~+12dB
D63>W ~ D=W ~ D<W63
4-40
52-76
28-58
52-76
1-127
0~127
0-127
See Table
Control
●
table#3
table#3
PITCH CHANGE 1 (variation block)
See Table
Control
●
table#3
table#3
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
Display
-24~+24
0~127
-50Hz~+50Hz
-50Hz~+50Hz
-99~+99%
Value
See Table
40-88
0-127 table#7
14-114
14-114
1-127
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
11
12
13
14
15
16
Pan 1
Output Level 1
Pan 2
Output Level 2
L63~R63
0~127
L63~R63
0~127
1-127
0-127
1-127
0-127
Control
●
table#3
PITCH CHANGE 2 (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Value
0-127
0-127
0-127
TOUCH WAH 1 (variation, insertion1,2 block)
TOUCH WAH+DIST (variation block)
TOUCH WAH 2 (variation, insertion1,2 block)
TOUCH WAH+ODRV (variation block)
No.
Parameter
1 Sensitive
2 Cutoff Frequency
Offset
3 Resonance
4
5
6 EQ Low Frequency
7 EQ Low Gain
8 EQ High Frequency
9 EQ High Gain
10 Dry/Wet
Display
0.00Hz~39.7Hz
0~127
0~127
Parameter
Pitch
Initial Delay
Fine 1
Fine 2
Feedback Level
-24~+24
0~127
-50~+50cent
-50~+50cent
-99~+99%
Value
See Table
40-88
0-127 table#7
14-114
14-114
1-127
Dry/Wet
D63>W ~ D=W ~ D<W63
1-127
Pan 1
Output Level 1
Pan 2
Output Level 2
L63~R63
0~127
L63~R63
0~127
1-127
0-127
1-127
0-127
AURAL EXCITER
(variation, insertion1,2 block)
Control
No.
Parameter
1 HPF Cutoff
2 Drive
3 Mix Level
4
5
6
7
8
9
10
●
Display
500Hz~16.0kHz
0~127
0~127
Value
28-58
0-127
0-127
11
12
13
14
15
16
Aural Exciter is a registered trademark of Aphex Corporation.
10
See Table
table#3
Control
●
MU90 Effect Parameter List
COMPRESSOR (variation, insertion1,2 block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
Attack
Release
Threshold
Ratio
Output Level
Display
1~40ms
10~680ms
-48~-6dB
1.0~20.0
0~127
NOISE GATE (variation, insertion1,2 block)
Value
See Table
0-19 table#8
0-15 table#9
79-121
0-7
table#10
0-127
Control
No.
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
11
12
13
14
15
16
VOICE CANCELAR (variation block)
No.
1
2
3
4
5
6
7
8
9
10
Parameter
11 Low Adjust
12 High Adjust
13
14
15
16
Display
0~26
0~26
Value
See Table
Control
0-26
0-26
11
Parameter
Attack
Release
Threshold
Output Level
Display
1~40ms
10~680ms
-72~-30dB
0~127
Value
0-19
0-15
55-97
0-127
See Table
table#8
table#9
Control
Explanation of effect parameters
Parameter name
AM Depth
AMP Type
Attack
Cch Delay
Cch Level
Crossover Frequency
Cutoff Frequency Offset
Delay Offset
Delay Time
Delay2 Level
Density
Depth
Detune
Diffusion
Drive
Drive High
Drive Low
Dry/Wet
Edge (Clip Curve)
EQ High Frequency
EQ High Gain
EQ Low Frequency
EQ Low Gain
EQ Mid Frequency
EQ Mid Gain
EQ Mid Width
Er/Rev Balance
F/R Depth
Feedback Delay
Feedback Delay 1
Feedback Delay 2
Feedback Level
Fine 1
Fine 2
Height
High Adjust
High Damp
HPF Cutoff
Initial Delay
Input Mode
Input Select
L/R Depth
L->R Delay
Lch Delay
Lch Delay 1
Lch Delay 2
Lch Feedback Level
Lch Init Delay
LFO Depth
LFO Frequency
LFO Phase Difference
Liveness
Low Adjust
Low/High
LPF Cutoff
Mic L-R Angle
Mix Level
Output Level
Output Level 1
Output Level 2
Output Phase
Pan 1
Pan 2
PAN Direction
Phase Shift Offset
Pitch
Effect types in which the parameter exists
TREMOLO
AMP SIMULATOR
COMPRESSOR type
NOISE GATE
DELAY L,C,R
DELAY L,C,R
2WAY ROTARY SPEAKER
WAH type
CHORUS type
KARAOKE 1,2,3
AMBIENCE
ECHO
REVERB type, EARLY REF type
REVERB type
ENSEMBLE DETUNE
REVERB type, EARLY REF type, PHASER
DISTORTION type
AURAL EXCITER
2WAY ROTARY SPEAKER
2WAY ROTARY SPEAKER
All types
DISTORTION type
Explanation of parameter
Depth of volume modulation
Select the amp type to be simulated
Time until when the compressor begins to take effect
Time until when the gate begins to open
Delay length of center channel
Volume of center channel
Crossover frequency between the high frequency speaker and the low frequency speaker
Frequency offset value which will control the wah filter
Offset value of delay modulation
Interval between repeats of the karaoke echo
Delay length
Volume of the second delay
Density of the reflections. Higher values produce greater density.
Depth of the room to be simulated
Amount of pitch shift
Controls the amount of spread
The degree of distortion
The degree to which the exciter effect is applied
Depth of the modulation caused by the rotation of the low frequency speaker
Depth of the modulation caused by the rotation of the high frequency speaker
Balance between dry sound and effect sound
Curve of distortion character (sharp (127) distorts suddenly, and mild (0) distorts gradually)
All types
Frequency at which the EQ will boost/cut the high range
All types
Amount of gain with which the EQ will boost/cut the high range
All types
Frequency at which the EQ will boost/cut the low range
All types
Amount of gain with which the EQ will boost/cut the low range
All types
Frequency at which the EQ will boost/cut the mid range
All types
Amount of gain with which the EQ will boost/cut the mid range
All types
Width of the area at which the EQ will boost/cut the mid range
REVERB type
Level balance between the early reflections and the reverb sound
AUTO PAN
Depth of front/back panning (valid when PAN Direction=Lturn, Rturn)
DELAY L,C,R
Length of feedback delay
DELAY L, R
Length of feedback delay 1
DELAY L, R
Length of feedback delay 2
REVERB type
Amount of feedback for the initial delay
DELAY type, EARLY REF type, PITCH CHANGE type Amount of feedback
KARAOKE type
Setting for delay repeats
CHORUS type, FLANGER type
Level at which the delayed output is returned to the input (negative values invert the
phase)
PHASER type
Level at which the output of the phaser is returned to the input (negative values invert the
phase)
PITCH CHANGE type
Fine pitch setting for first unit
PITCH CHANGE type
Fine pitch setting for second unit
REVERB type
Height of the room to be simulated
VOICE CANCELAR
Adjust the upper limit of the mid-range frequencies to be attenuated
REVERB type, DELAY type, EARLY REF type
Adjust the decay of the high frequencies (smaller values will cause high frequencies to
decay more rapidly)
REVERB type, EARLY REF type, KARAOKE type, AURAL EXCITER Frequency at which the high pass filter will cut the low range
REVERB type
Delay time until the early reflections
EARLY REF type
Length of delay until the ER (Gate Reverb) sounds
PITCH CHANGE type
Delay length
All types
Mono/stereo switch for the input
CROSS DELAY
Select the input
AUTO PAN
Depth of left/right panning
CROSS DELAY
Delay time from left (input) to right (output)
DELAY type
Delay length of the left channel
ECHO
First delay length of the left channel
ECHO
Second delay length of the left channel
ECHO
Feedback amount of the left channel
ENSEMBLE DETUNE
Length of left channel delay
CHORUS type, FLANGER type, SYMPHONIC type
Frequency of delay modulation
ROTARY SPEAKER
Modulation depth caused by speaker rotation
PHASER type
Depth of phase modulation
WAH type
Depth to which wah filter is controlled
CHORUS type, FLANGER type, SYMPHONIC
Frequency of delay modulation
ROTARY SPEAKER
Frequency at which the speaker rotates
TREMOLO
Modulation frequency
AUTO PAN
Auto pan frequency
PHASER type
Frequency of phase modulation
WAH type
Frequency at which wah filter is controlled
PHASER type, FLANGER type
L/R phase difference between modulation waveforms (At 0 deg (=64) there is no phase
difference.)
EARLY REF type
ER decay. Lower values produce faster decay.
VOICE CANCELAR
Adjust the lower limit of the mid-range that will be attenuated
2WAY ROTARY SPEAKER
Volume balance between the high range speaker and the low range speaker
All types
Frequency at which the low pass filter will cut the high range
2WAY ROTARY SPEAKER
L/R angle of the mics which will pick up the output
AURAL EXCITER
Level of the effect sound which will be mixed into the dry sound
All types
Output level
PITCH CHANGE type
Output level of first unit
PITCH CHANGE type
Output level of second unit
AMBIENCE
Exchange the L/R phase of the effect sound
PITCH CHANGE type
PAN of first unit
PITCH CHANGE type
PAN of second unit
AUTO PAN
Type of auto pan (L<->R is sine wave, L/R is square wave)
PHASER type
Offset value of phase modulation
PITCH CHANGE type
Pitch setting in semitone steps
12
Explanation of effect parameters
PM Depth
R->L Delay
Ratio
Rch Delay
Rch Delay 1
Rch Delay 2
Rch Feedback Level
Rch Init Delay
Release
Type
Wall Vary
TREMOLO
CROSS DELAY
COMPRESSOR type
DELAY type
ECHO
ECHO
ECHO
ENSEMBLE DETUNE
COMPRESSOR type
NOISE GATE
WAH type
REVERB type
REVERB type
EARLY REF type
2WAY ROTARY SPEAKER
WAH type
PHASER type
COMPRESSOR type
NOISE GATE
EARLY REF type
REVERB type
Width
REVERB type
Resonance
Rev Delay
Reverb Time
Room Size
Rotor Speed
Sensitive
Stage
Threshold
Depth of delay modulation
Delay time from right (input) to left (output)
Compression ratio of the compressor
Delay length of the right channel
First delay length of the right channel
Second delay length of the right channel
Feedback amount of the right channel
Length of right channel delay
Time until when the compressor effect is removed
Time until when the gate is closed
Bandwidth of the wah filter
Delay time from the early reflections until the reverb sound
Length of reverb
ER will become longer as the size of the room (this value) increases
Frequency at which the speaker rotates
Sensitivity with which the wah filter will respond to changes in the input
Number of stages in the phase shifter
Input level at which the effect begins to apply
Input level at which the gate begins to open
Select the type
Condition of the walls of the room being simulated (higher values produce more random
reflections)
Width of the room being simulated
Note (The types such as “REVERB type” referred to in the above table include the following effects.)
CHORUS type
COMPRESSOR type
DELAY type
DISTORTION type
EARLY REF type
FLANGER type
KARAOKE type
PHASER type
PITCH CHANGE type
REVERB type
WAH type
CHORUS1, CHORUS2, CHORUS3, CHORUS4, CELESTE1, CELESTE2, CELESTE3, CELESTE4,
COMPRESSOR, COMP+DIST
DELAY L,C,R, DELAY L,R, ECHO, CROSS DELAY
DISTORTION, OVERDRIVE, AMP SIMULATOR, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH+DIST,
TOUCH WAH+ODRV, COMP+DIST
EARLY REF1, EARLY REF2, GATE REVERB, REVERSE GATE
FLANGER1, FLANGER2, FLANGER3
KARAOKE1, KARAOKE2, KARAOKE3
PHASER1, PHASER2
PITCH CHANGE1, PITCH CHANGE2
HALL1, HALL2, ROOM1, ROOM2, ROOM3, STAGE1, STAGE2, PLATE, WHITE ROOM, TUNNEL, CANYON, BASEMENT
AUTO WAH, AUTO WAH+DIST, AUTO WAH+ODRV, TOUCH WAH1, TOUCH WAH2, TOUCH WAH+DIST, TOUCH WAH+ODRV
13
Data Value Assign Table
table#3
EQ Frequency
table #1
LFO Frequency
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
0
0.04
0.08
0.13
0.17
0.21
0.25
0.29
0.34
0.38
0.42
0.46
0.51
0.55
0.59
0.63
0.67
0.72
0.76
0.80
0.84
0.88
0.93
0.97
1.01
1.05
1.09
1.14
1.18
1.22
1.26
1.3
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
1.35
1.39
1.43
1.47
1.51
1.56
1.60
1.64
1.68
1.72
1.77
1.81
1.85
1.89
1.94
1.98
2.02
2.06
2.10
2.15
2.19
2.23
2.27
2.31
2.36
2.40
2.44
2.48
2.52
2.57
2.61
2.65
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
Value
2.69
2.78
2.86
2.94
3.03
3.11
3.20
3.28
3.37
3.45
3.53
3.62
3.70
3.87
4.04
4.21
4.37
4.54
4.71
4.88
5.05
5.22
5.38
5.55
5.72
6.06
6.39
6.73
7.07
7.40
7.74
8.08
Data
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Data
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
Value
8.41
8.75
9.08
9.42
9.76
10.1
10.8
11.4
12.1
12.8
13.5
14.1
14.8
15.5
16.2
16.8
17.5
18.2
19.5
20.9
22.2
23.6
24.9
26.2
27.6
28.9
30.3
31.6
33.0
34.3
37.0
39.7
table#2
Modulation Delay Offset
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
0.0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
50
56
63
70
80
90
100
110
125
140
160
180
200
225
250
280
315
355
400
450
500
560
630
700
800
900
1.0k
1.1k
1.2k
1.4k
1.6k
1.8k
Data
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
Value
2.0k
2.2k
2.5k
2.8k
3.2k
3.6k
4.0k
4.5k
5.0k
5.6k
6.3k
7.0k
8.0k
9.0k
10.0k
11.0k
12.0k
14.0k
16.0k
18.0k
THRU(20.0k)
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.5
6.0
6.5
7.0
7.5
8.0
8.5
9.0
9.5
10.0
11.0
12.0
13.0
14.0
15.0
16.0
table#4
Reverb time
Value
3.2
3.3
3.4
3.5
3.6
3.7
3.8
3.9
4.0
4.1
4.2
4.3
4.4
4.5
4.6
4.7
4.8
4.9
5.0
5.1
5.2
5.3
5.4
5.5
5.6
5.7
5.8
5.9
6.0
6.1
6.2
6.3
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
Value
6.4
6.5
6.6
6.7
6.8
6.9
7.0
7.1
7.2
7.3
7.4
7.5
7.6
7.7
7.8
7.9
8.0
8.1
8.2
8.3
8.4
8.5
8.6
8.7
8.8
8.9
9.0
9.1
9.2
9.3
9.4
9.5
Data
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
9.6
9.7
9.8
9.9
10.0
11.1
12.2
13.3
14.4
15.5
17.1
18.6
20.2
21.8
23.3
24.9
26.5
28.0
29.6
31.2
32.8
34.3
35.9
37.5
39.0
40.6
42.2
43.7
45.3
46.9
48.4
50.0
14
Value
0.3
0.4
0.5
0.6
0.7
0.8
0.9
1.0
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2.0
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
2.9
3.0
3.1
3.2
3.3
3.4
Data
64
65
66
67
68
69
Value
17.0
18.0
19.0
20.0
25.0
30.0
Data Value Assign Table
table#5
Delay Time(200.0ms)
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
0.1
1.7
3.2
4.8
6.4
8.0
9.5
11.1
12.7
14.3
15.8
17.4
19.0
20.6
22.1
23.7
25.3
26.9
28.4
30.0
31.6
33.2
34.7
36.3
37.9
39.5
41.0
42.6
44.2
45.7
47.3
48.9
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
table#6
Room Size
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Value
50.5
52.0
53.6
55.2
56.8
58.3
59.9
61.5
63.1
64.6
66.2
67.8
69.4
70.9
72.5
74.1
75.7
77.2
78.8
80.4
81.9
83.5
85.1
86.7
88.2
89.8
91.4
93.0
94.5
96.1
97.7
99.3
Value
0.1
0.3
0.4
0.6
0.7
0.9
1.0
1.2
1.4
1.5
1.7
1.8
2.0
2.1
2.3
2.5
2.6
2.8
2.9
3.1
3.2
3.4
3.5
3.7
3.9
4.0
4.2
4.3
4.5
4.6
4.8
5.0
Table#8
Compressor Attack Time
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
Value
0.1
3.2
6.4
9.5
12.7
15.8
19.0
22.1
25.3
28.4
31.6
34.7
37.9
41.0
44.2
47.3
50.5
53.6
56.8
59.9
63.1
66.2
69.4
72.5
75.7
78.8
82.0
85.1
88.3
91.4
94.6
97.7
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
Value
1
2
3
4
5
6
7
8
9
10
12
14
16
18
20
23
26
30
35
40
Value
10
15
25
35
45
55
65
75
85
100
115
140
170
230
340
680
Table#10
Compressor Ratio
table#7
Delay Time(400.0ms)
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
Value
5.1
5.3
5.4
5.6
5.7
5.9
6.1
6.2
6.4
6.5
6.7
6.8
7.0
Table#9
Compressor Release Time
Data
0
1
2
3
4
5
6
7
Value
1.0
1.5
2.0
3.0
5.0
7.0
10.0
20.0
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
Value
17.6
17.9
18.2
18.5
18.8
19.1
19.4
19.7
20.0
20.2
20.5
20.8
21.1
21.4
21.7
22.0
22.4
22.7
23.0
23.3
23.6
23.9
24.2
24.5
24.9
25.2
25.5
25.8
26.1
26.5
26.8
27.1
table#11
Reverb Width;Depth;Height
Value
100.9
104.0
107.2
110.3
113.5
116.6
119.8
122.9
126.1
129.2
132.4
135.5
138.6
141.8
144.9
148.1
151.2
154.4
157.5
160.7
163.8
167.0
170.1
173.3
176.4
179.6
182.7
185.9
189.0
192.2
195.3
198.5
Data
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
Value
201.6
204.8
207.9
211.1
214.2
217.4
220.5
223.7
226.8
230.0
233.1
236.3
239.4
242.6
245.7
248.9
252.0
255.2
258.3
261.5
264.6
267.7
270.9
274.0
277.2
280.3
283.5
286.6
289.8
292.9
296.1
299.2
Data
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
Value
302.4
305.5
308.7
311.8
315.0
318.1
321.3
324.4
327.6
330.7
333.9
337.0
340.2
343.3
346.5
349.6
352.8
355.9
359.1
362.2
365.4
368.5
371.7
374.8
378.0
381.1
384.3
387.4
390.6
393.7
396.9
400.0
Data
0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
15
Value
0.5
0.8
1.0
1.3
1.5
1.8
2.0
2.3
2.6
2.8
3.1
3.3
3.6
3.9
4.1
4.4
4.6
4.9
5.2
5.4
5.7
5.9
6.2
6.5
6.7
7.0
7.2
7.5
7.8
8.0
8.3
8.6
Data
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
Value
8.8
9.1
9.4
9.6
9.9
10.2
10.4
10.7
11.0
11.2
11.5
11.8
12.1
12.3
12.6
12.9
13.1
13.4
13.7
14.0
14.2
14.5
14.8
15.1
15.4
15.6
15.9
16.2
16.5
16.8
17.1
17.3
Data
96
97
98
99
100
101
102
103
104
Value
27.5
27.8
28.1
28.5
28.8
29.2
29.5
29.9
30.2
MIDI Data Format
1. Channel messages
1.2.6 Panpot
This message controls the stereo location of the sound of each part.
1.1 Note-on / Note-off
Control#
10
These are messages which convey keyboard performance data.
Range of received notes = C-2 ...G8
Velocity range = 1...127 (Velocity is received only for note-on)
1.2.7 Expression
This message controls the dynamics of each part.
(Use it to create volume changes during a song.)
Control#
11
1.2 Control Changes
Bank Select LSB
Control#
64
Data Range
0,64, 126, 127
(Normal voice,SFX voice, SFX kit, Drum kit)
0...127
Control#
64
Control#
66
Data Range
0...127
Control#
67
Parameter
Main Volume
Parameter
Soft Pedal
Data Range
0...127
Data Range
0...63,64...127
(OFF , ON)
When ON, the sound will be softer.
If any of the following Multi Part parameter settings apply, that part will not receive Soft
Pedal.
• Rcv SOFT PEDAL = OFF
• PART MODE = DRUM, DRUMI...4
1.2.12 Harmonic Content
This message adjusts the resonance of the filter that is specified by the sound.
Data Range
0...127
0...127
Control#
71
1.2.5 Main Volume
This message control the volume of each part.
(Use it to adjust the volume balance of each part.)
Control#
7
Data Range
0...63,64...127
(OFF , ON)
1.2.11 Soft Pedal
This message controls soft pedal on/off.
1.2.4 Data Entry
This message sets the value of the parameter specified by RPN (see 1.2.22) or NRPN (see
1.2.21).
Parameter
Data Entry MSB
Data Entry LSB
Parameter
Sostenuto
When sostenuto is turned on while a note is sounding, that note will continue sustaining
until sostenuto is turned off.
If the following Multi Part parameter setting applies, that part will not receive Sostenuto.
• Rcv SOSTENUTO = OFF
When Portamento = ON, this adjusts the speed of the pitch change.
A value of 0 is the shortest portamento time, and 127 is the longest portamento time.
If the receiving channel is a drum part, Portamento Time is not received.
Control#
6
38
Data Range
0...63,64...127
(OFF , ON)
1.2.10 Sostenuto
This message controls sostenuto pedal on/off.
1.2.3 Portamento Time
This message controls the way in which portamento (see 1.2.9) is applied.
Parameter
Portamento Time
Parameter
Portamento
When ON, the pitch will smoothly change from one note to the next. The time over
which the pitch change occurs is adjusted by Portamento Time (see 1.2.3). If the Multi
Part parameter MONO/POLY MODE = MONO, turning Portamento = ON will also
cause the sound to be smoothly connected (legato).
If any of the following Multi Part parameter settings apply, that part will not receive
Portamento.
• Rcv PORTAMENTO = OFF
• PART MODE = DRUM, DRUMSI...4
When the Multi Part parameter Rcv MODULATION = OFF, that part will not receive
Modulation.
If the receiving channel is a drum part, effects 5 and 6 will not apply.
Control#
5
Data Range
0...63,64...127
(OFF , ON)
1.2.9 Portamento
This message controls portamento pedal on/off.
1.2.2 Modulation
In general this message controls the depth at which vibrato is applied, but the depth of the
following seven effects can be controlled.
The effect of these messages can be changed by the following parameters.
• Multi Part Parameter
1. MW PITCH CONTROL
2. MW FILTER CONTROL
3. MW AMPLITUDE CONTROL
4. MW LFO PMOD DEPTH
5. MW LFO FMOD DEPTH
6. MW LFO AMOD DEPTH
• Effectl Parameter
7. MW VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as an Insertion effect.)
With the initial settings, the LFO Pitch Modulation (PMOD) effect will apply.
Parameter
Modulation
Parameter
Holdl
When ON, the currently-sounding notes will be sustained even after note-off is received.
If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1.
Bank Select processing is suspended until a Program Change message is received, and
when a voice from a different voice bank is to be selected, Bank Select and a program
change message must be transmitted as a set, in the order of Bank Select MSB, LSB, and
Program Change.
Bank Select is not received when Sound Module Mode = C/M.
Control#
0
Data Range
0...127
1.2.8 Hold1
This message controls sustain pedal on/off.
1.2.1 Bank Select
These messages select the voice bank.
32
Parameter
Expression
If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression.
These messages convey controller operations such as for volume and pan.
The function is distinguished by the control number (Ctrl#).
When the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not
receive control changes.
Parameter
Bank Select MSB
Data Range
0...64...127
If the Multi Part parameter Rcv PAN = OFF, that part will not receive Panpot.
0 is left, 64 is center, 127 is right.
When the Multi Part parameter Rcv NOTE MESSAGE = OFF, that part is not received.
For Drum parts*, key-off is not received when the Drum Setup parameter Rcv NOTE
OFF = OFF.
For Drum parts, key-on is not received when the Drum Setup parameter Rcv NOTE ON
= OFF.
* Drum Part indicates that the Multi Part parameter PART MODE is DRUM or
DRUMS1...4.
Control#
0
Parameter
Pan
Parameter
Harmonic Content
Data Range
0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or decrease centered at
64.
Higher values will produce a more distinctive sound.
For some sounds, the effective range may be narrower than the settable range.
Data Range
0...127
1.2.13 Release Time
This message adjusts the EG Release Time specified by the sound.
If the Multi Part parameter Rcv VOLUME = OFF, that part will not receive Main Volume.
0 is silence, 127 is maximum volume.
Control#
72
16
Parameter
Release Time
Data Range
0...64...127
(-64...0...+63)
MIDI Data Format
Since this is a relative change parameter, it specifies an increase or decrease centered at
64.
Higher values will lengthen the release which occurs after note-off.
NRPN Data Entry*1
MSB LSB MSB LSB
Parameter name and range of values
01H 08H mm -- *2
Vibrato Rate
mm : 00H - 40H - 7FH (-64...0...+63)
1.2.14 Attack Time
This message adjusts the EG Attack Time specified by the sound.
Control#
73
Parameter
Attack Time
Data Range
0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or decrease centered at
64.
Higher values will make the attack more gradual, and lower values will make the attack
more sharp.
1.2.15 Brightness
This message adjusts the low pass filter cutoff frequency specified by the sound.
Control#
74
Parameter
Brightness
Data Range
0...64...127
(-64...0...+63)
Since this is a relative change parameter, it specifies an increase or decrease centered at
64.
Lower values will produce a more mellow sound.
For some sounds, the effective range may be narrower than the settable range.
1.2.16 Portamento Control
This message specifies the key source number for portamento (the key number from
which portamento will start). The portamento source key is specified as 0...127.
When Portamento Control is received, the currently sounding pitch will change at a speed
of Portamento Time 0 to the key of the next note-on that is received on the same channel.
Control#
84
Parameter
Portamento Control
Data Range
0...127
(C-2...G8)
This is received even if Rcv PORTAMENTO = OFF.
1.2.17 Effect1 Depth (Reverb Send Level)
This message specifies the send level for the reverb effect.
Control#
91
Parameter
Effect1 Depth
01H 09H mm --
Vibrato Depth
mm : 00H - 40H - 7FH (-64...0...+63)
01H 0AH mm -- *3
Vibrato Delay
mm : 00H - 40H - 7FH (-64...0...+63)
01H 20H mm --
Low Pass Filter Cutoff Frequency
mm : 00H - 40H - 7FH (-64...0...+63)
01H 21H mm --
Low Pass Filter Resonance
mm : 00H - 40H - 7FH (-64...0...+63)
01H 24H mm --
High Pass Filter Cutoff Frequency
mm : 00H - 40H - 7FH (-64...0...+63)
01H 30H mm -- *4
EQ Bass Gain
mm : 00H - 40H - 7FH (-64...0...+63)
01H 31H mm -- *4
EQ Treble Gain
mm : 00H - 40H - 7FH (-64...0...+63)
01H 34H mm -- *4
EQ Bass Frequency
mm : 04H - 28H (32...2.0k[Hz])
01H 35H mm -- *4
EQ Treble Frequency
mm : 1CH - 3AH (500...16.0k[Hz])
01H 63H mm --
EG Attack Time
mm : 00H - 40H - 7FH (-64...0...+63)
01H 64H mm --
EG Decay Time
mm : 00H - 40H - 7FH (-64...0...+63)
01H 66H mm --
EG Release Time
mm : 00H - 40H - 7FH (-64...0...+63)
14H rr
mm --
Drum Low Pass Filter Cutoff Frequency
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
15H rr
mm --
Drum Low Pass Filter Resonance
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
16H rr
mm --
Drum EG Attack Rate
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
17H rr
mm --
Drum EG Decay Rate
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
Applies to both Decay 1 and 2
18H rr
mm --
Drum Instrument Pitch Coarse
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
19H rr
mm --
Drum Instrument Pitch Fine
rr : drum instrument note number
mm : 00H - 40H - 7FH (-64...0...+63)
1AH rr
mm --
Drum Instrument Level
rr : drum instrument note number
mm : 00H - 7FH (0...maximum)
1CH rr
mm --
Drum Instrument Panpot
rr : drum instrument note number
mm : 00H,01H-40H-7FH (RND, L63...C...R63)
1DH rr
mm --
Drum Instrument Reverb Send Level
rr : drum instrument note number
mm : 00H - 7FH (0...maximum)
1EH rr
mm --
Drum Instrument Chorus Send Level
rr : drum instrument note number
mm : 00H - 7FH (0...maximum)
1FH rr
mm --
Drum Instrument Variation Send Level
rr : drum instrument note number
mm : 00H - 7FH (0...maximum)
when Variation Connection = SYSTEM
mm : 00H, 01H-7FH(OFF,ON)
when Variation Connection = INSERTION
Data Range
0...127
Higher values will produce a deeper reverb. The result of the value will depend on the
state of the reverb effect.
1.2.18 Effect3 Depth (Chorus Send Level)
This message specifies the send level for the chorus effect.
Control#
93
Parameter
Effect3 Depth
Data Range
0...127
Higher values will produce more modulation and spaciousness. The result of the value
will depend on the state of the chorus effect.
1.2.19 Effect4 Depth (Variation Effect Send Level)
This message specifies the send level for the variation effect.
Control#
94
Parameter
Effect4 Depth
Data Range
0...127
However, this is not received if the Variation Effect parameter Variation Connection = 0
(Insertion).
1.2.20 Data Increment / Decrement (for RPN)
This message increases or decreases the value of the parameter specified by RPN (see
1.2.22) in units of 1.
Control#
96
97
Parameter
RPN Increment
RPN Decrement
Data Range
---
The data byte is ignored.
1.2.21 NRPN (Non-registered Parameter Number)
These messages are used to set parameters such as vibrato, filter, EG, or drum setup etc.
The parameter is specified by transmitting a NRPN MSB and NRPN LSB, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.
Control#
98
99
Parameter
NRPN LSB
NRPN MSB
Data Range
0...127
0...127
When the Multi Part parameter Rcv NRPN = OFF, NRPN for that part will not be received. The following NRPN messages can be received.
17
MIDI Data Format
24H rr
mm --
Drum High Pass Filter Cutoff Frequency
mm : 00H - 40H - 7FH (-64...0...+63)
1.3 Channel Mode messages
30H rr
mm --
Drum EQ Bass Gain
mm : 00H - 40H - 7FH (-64...0...+63)
1.3.1 All Sound Off
Silences all currently sounding notes on the corresponding channel.
However the status of channel messages such as Note-on or Hold On is preserved.
31H rr
mm --
Drum EQ Treble Gain
mm : 00H - 40H - 7FH (-64...0...+63)
34H rr
mm --
Drum EQ Bass Frequency
mm : 04H - 28H (32...2.0k[Hz])
35H rr
mm --
Drum EQ Treble Frequency
mm : 1CH - 3AH (500...16.0k[Hz])
These messages specify the basic operation of each part.
Control#
120
Controller
Pitch Bend Change
Channel Pressure
Polyphonic Key Pressure
Modulation
Expression
Hold
Portamento
Sostenuto
Soft Pedal
Portamento Control
*1 See 1.2.4
*2 ‘—’ indicates that the value is ignored.
*3 Adjusts the time at which the vibrato effect begins after a note is played. Lower
values will cause the effect to begin applying sooner, and higher values will cause
the effect to begin applying later.
This has no effect when Bank Select MSB=127 is selected.
*4 This has no effect when the Multi Part parameter PART MODE = DRUM or
DRUMS1...4.
RPN
NRPN
1.2.22 RPN (Registered Parameter Number)
These messages make part settings such as Pitch Bend Sensitivity and Tuning.
The RPN MSB and RPN LSB are transmitted to specify the parameter which is to be
controlled, and subsequently Data Entry (see 1.2.4) is used to set the value of the specified parameter.
Parameter
RPN LSB
RPN MSB
Data Range
0
1.3.2 Reset All Controllers
The values of the following controllers will change.
MSB 14H-35H (for drum) is received when the Multi Part parameter PART MODE =
DRUMS1...4.
Control#
100
101
Parameter
All Sound Off
Value
+/-0 (center)
0 (off)
0 (off)
0 (off)
127 (maximum)
0 (off)
0 (off)
0 (off)
0 (off)
Reset the Portamento Source Note Number that was received
Number un-set, internal data will not change.
Number un-set, internal data will not change.
The following data will not change
Program Change, Bank Select MSB/LSB, Volume, Pan, Effect Send Levels 1/3/4, and
the value of parameters which were set using RPN and NRPN.
Control#
121
Data Range
0...127
0...127
Parameter
Data Range
Reset All Controllers 0
1.3.3 All Note Off
Turns off all notes which are currently “note-on” for the corresponding channel.
However if Hold1 or Sostenuto are ON, the notes will continue sounding until these are
turned off.
If the Multi Part parameter Rcv RPN = OFF, that part will not receive this message.
The following RPN messages can be received.
Control#
123
RPN
Data Entry *1
MSB LSB MSB LSB Parameter name and range of values
00H 00H mm -- *2
Pitch Bend Sensitivity
mm:00H - 18H (0...+24 semitones)
Set in semitone units up to two octaves
00H 01H mm ll
Coarse Tuning
mm:28H - 40H - 58H (-24...0...+24 semitones)
7FH 7FH -- --
RPN Null
Puts the RPN and NRPN numbers in an un-set condition.
The internal setting values will not change.
Data Range
0
1.3.4 Omni Off
Performs the same processing as when All Note Off is received.
Control#
124
Fine Tuning
mm ll: 00H 00H
-100 cents
:
:
mm ll: 40H 00H0 cents
:
:
mm ll: 7FH 7FH
+100 cents
[Note] After mm ll: 00H 7FH (=-87.5) cents comes 01H
00H (=-87.4 cents)
00H 02H mm --
Parameter
All Note Off
Parameter
Omni Off
Data Range
0
1.3.5 Omni On
Performs the same processing as when All Sound Off is received.
Control#
125
Parameter
Omni On
Data Range
0
1.3.6 Mono
Performs the same processing as when All Sound Off is received, and if the value (mono
number) is within the range of 0...16, sets the corresponding channel to Mode4* (m=1).
Control#
126
Parameter
Mono
Data Range
0...16
* Mode4 is when only the messages of the specified channel are received, and notes are
sounded monophonically.
*1 Refer to 1.2.4.
*2 ‘--’ indicates that the setting value is ignored.
1.3.7 Poly
Performs the same processing as when All Note Off is received, and sets the corresponding channel to Mode3*.
1.2.23 Assignable Controller
By specifying a control change number of 0...95 for a part, you can control the way in
which an effect is applied.
For each part, this instrument allows two control change numbers to be specified: AC1
and AC2.
The following parameters specify the effects that are controlled by AC1 and AC2.
• Multi Part Parameter
1. ACI,AC2 PITCH CONTROL
2. ACI,AC2 FILTER CONTROL
3. ACI,AC2 AMPLITUDE CONTROL
4. ACI,AC2 LFO PMOD DEPTH
5. ACI,AC2 LFO FMOD DEPTH
6. ACI,AC2 LFO AMOD DEPTH
• Effectl Parameter
7. ACI,AC2 VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion.)
The AC1 control change number is specified by the Multi Part parameter or A/D Part
parameter AC1 CONTROLLER NUMBER.
The AC2 control change number is specified by the Multi Part parameter or A/D Part
parameter AC2 CONTROLLER NUMBER.
Control#
127
Parameter
Poly
Data Range
0
* Mode3 is when only the messages of the specified channel are received, and notes are
sounded polyphonically.
18
MIDI Data Format
1.4 Program Change
2. System Exclusive messages
This message selects sounds.
This changes the program number of the receiving channel. If the voice bank is also to be
changed, transmit this message together with the Bank Select message (see 1.2.1).
If the Multi Part parameter Rcv PROGRAM CHANGE = OFF, that part will not receive
Program Change messages.
If Sound Module Mode = C/M, the Drum Part will not receive Program Change messages.
2.1 Parameter change
This instrument uses the following parameter changes.
[ UNIVERSAL REALTIME MESSAGE ]
1) Master Volume
[ UNIVERSAL NON REALTIME MESSAGE ]
1) General MIDI System On
2) Identity Request (INQUIRY MESSAGE)
3) Identity Reply (INQUIRY MESSAGE)
1.5 Pitch Bend
This message conveys pitch bend operations.
In general this message modifies the pitch of a part, but it can also control the depth of the
following seven effects.
The result of this message can be changed by the following parameters.
• Multi Part Parameter
1. BEND PITCH CONTROL
2. BEND FILTER CONTROL
3. BEND AMPLITUDE CONTROL
4. BEND LFO PMOD DEPTH
5. BEND LFO FMOD DEPTH
6. BEND LFO AMOD DEPTH
• Effectl Parameter
7. BEND VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion.)
By default this will function as Pitch Control.
If the receive channel is a drum part, effects 5 and 6 will not apply.
If the Multi Part parameter Rcv PITCH BEND CHANGE = OFF, that part will not receive Pitch Bend messages.
[ XG PARAMETER CHANGE]
1) XG System on
2) XG System parameter change
3) Multi Effect1 parameter change
4) Multi EQ parameter change
5) Multi Effect2 parameter change
6) Display parameter change
7) Multi Part parameter change
8) AD Part parameter change
9) AD System parameter change
10) Drums Setup parameter change
[ MU80 NATIVE PARAMETER CHANGE]
1) System parameter change
2) Remote switch
[ MU90,MU90R NATIVE PARAMETER CHANGE]
1) Current Performance parameter change
1.6 Channel Aftertouch
This message conveys the force with which the keyboard is pressed after notes are played
(for an entire MIDI channel).
The pressure can be controlled for each part. This message will create changes in the
currently-sounding notes.
The effect of this message can be specified by the following parameters.
• Multi Part Parameter
1. CAT PITCH CONTROL
2. CAT FILTER CONTROL
3. CAT AMOLITUDE CONTROL
4. CAT LFO PMOD DEPTH
5. CAT LFO FMOD DEPTH
6. CAT LFO AMOD DEPTH
• Effectl Parameter
7. CAT VARIATION CONTROL DEPTH
(Valid when Variation Effect is assigned to a part as Insertion.)
By default there will be no effect.
If the receive channel is a drum part, effects 5 and 6 will not apply.
If the Multi Part parameter Rcv CHANNEL AFTER TOUCH = OFF, that part will not
receive Channel Aftertouch messages.
[ Other ]
1) Master tuning
2) TG300 System parameter change
3) TG300 Multi Effect parameter change
4) TG300 Multi Part parameter change
2.1.1 Universal realtime messages
2.1.1.1 Master Volume
11110000
01111111
01111111
00000100
00000001
* 0sssssss
0ttttttt
11110111
or
11110000
01111111
0xxxnnnn
00000100
00000001
0sssssss
0ttttttt
11110111
1.7 Polyphonic Aftertouch
This message conveys the force with which a key is pressed after a note is played (for an
individual note).
The pressure can be controlled independently for each note. This message will create
changes in the currently-sounding note.
The effect of this message can be specified by the following Multi Part parameters.
1. PAT PITCH CONTROL
2. PAT FILTER CONTROL
3. PAT AMPLITUDE CONTROL
4. PAT LFO PMOD DEPTH
5. PAT LFO FMOD DEPTH
6. PAT LFO AMOD DEPTH
By default there will be no effect.
The effect will apply to note numbers 36...97.
In the case of the following Multi Part parameter settings, that part will not receive Polyphonic Aftertouch messages.
Rcv CHANNEL AFTER TOUCH = OFF
PART MODE = DRUM, DRUMSI...4
F0H
7FH
7FH
04H
01H
SSH
TTH
F7H
=
=
=
=
=
=
=
=
Exclusive status
Universal Real Time
ID of target device
Sub-ID #1=Device Control Mes sage
Sub-ID #2=Master Volume
Volume LSB
Volume MSB
End of Exclusive
F0H
7FH
XNH
04H
01H
SSH
TTH
F7H
=
=
=
=
=
=
=
=
Exclusive status
Universal Real Time
Device Number, xxx = don’t care
Sub-ID #1=Device Control Message
Sub-ID #2=Master Volume
Volume LSB
Volume MSB
End of Exclusive
When this is received, the Volume MSB will be reflected in the System parameter MASTER VOLUME.
* This indicates that SSH is the hexadecimal expression of the binary 0sssssss. The same
applies for other cases.
2.1.2 Universal non-realtime messages
2.1.2.1 General MIDI System On
11110000
01111110
01111111
00001001
00000001
11110111
or
11110000
01111110
0xxxnnnn
00001001
00000001
11110111
F0H
7EH
7FH
09H
01H
F7H
=
=
=
=
=
=
Exclusive status
Universal Non-Real Time
ID of target device
Sub-ID #1=General MIDI Message
Sub-ID #2=General MIDI On
End of Exclusive
F0H
7EH
XNH
09H
01H
F7H
=
=
=
=
=
=
Exclusive status
Universal Non-Real Time
N:Device Number, X:don’t care
Sub-ID #1=General MIDI Message
Sub-ID #2=General MIDI On
End of Exclusive
When this message is received, the SOUND MODULE MODE will be set to XG, and all
settings except for MIDI Master Tuning will be reset to their default values.
However in the following cases this is not received.
• SOUND MODULE MODE = C/M
• When the XG Model System parameter (see table 2-2) Rcv GM EXCLUSIVE
MESSAGE=OFF.
Since approximately 50 ms is required to execute this message, an appropriate interval
must be left before the next message.
19
MIDI Data Format
2.1.2.2 Identity Request
11110000
01111110
0mmmmmmm
00000110
00000001
11110111
F0H
7EH
MMH
06H
01H
F7H
2.1.3.9 AD Part parameter change
This message sets the AD SYSTEM block (see tables <1-1> and <1-10>).
=
=
=
=
=
=
Exclusive status
Universal Non-Real Time
Device Number
Sub-ID #1=General Information
Sub-ID #2=Identity Request
End of Exclusive
2.1.3.10 Drums Setup parameter change
This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).
2.1.4 MU80 Native parameter changes
These messages set parameters unique to the MU80. One parameter can be modified by
each message. The message format is as follows.
When this message is received, this instrument will transmit the following 2.1.2.3 Identity Reply message.
11110000
01000011
0001nnnn
01001001
0ggggggg
0mmmmmmm
0lllllll
0vvvvvvv
:
11110111
2.1.2.3 Identity Reply
11110000
01111110
0mmmmmmm
00000110
00000010
01000011
00000000
F0H
7EH
MMH
06H
02H
43H
00H
01000001
41H
01010010
52H
00000010
02H
00000000
00000000
00000000
00000001
11110111
00H
00H
00H
01H
F7H
=
=
=
=
=
=
=
Exclusive status
Universal Non-Real Time
Device Number
Sub-ID #1=General Information
Sub-ID #2=Identity Reply
YAMAHA ID
Device Family Code LSB
MU90R ID #1
= Device Family Code MSB
MU90R ID #2
= Device Number Code LSB
MU90R ID #3
= Device Number Code MSB
MU90R ID #4
End of Exclusive
2.1.4.1 System parameter change
This message sets the SYSTEM block (see tables <2-1> and <2-2>).
2.1.4.2 Remote switch
This message sets the REMOTE SWITCH block (see tables <2-1> and <2-3>).
2.1.5 MU90/MU90R Native parameter changes
These messages set parameters unique to the MU90/MU90R. One parameter can be
modified by each message. The message format is as follows.
= Tone Generator Code=XG
= End of Exclusive
11110000
01000011
0001nnnn
01011001
0ggggggg
0mmmmmmm
0lllllll
0vvvvvvv
:
11110111
2.1.3 XG Parameter Change
This message sets XG-related parameters. One parameter can be modified by each message. The message format is as follows.
F0H
43H
1NH
4CH
GGH
MMH
LLH
SSH
:
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
Data
For parameters with a data size of 2 or 4, the corresponding number of data bytes will be
transmitted.
When this instrument receives a 2.1.2.2 Identity Request message, it will transmit this
message.
11110000
01000011
0001nnnn
01001100
0ggggggg
0mmmmmmm
0lllllll
0sssssss
:
11110111
F0H
43H
1NH
49H
GGH
MMH
LLH
VVH
:
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Data
F0H
43H
1NH
59H
GGH
MMH
LLH
VVH
:
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
For parameters with a data size of 2 or 4, the corresponding number of data bytes will be
transmitted.
2.1.5.1 Current Performance parameter change
This message sets the CURRENT PERFORMANCE block (see tables <3-1> and <32>).
End of Exclusive
For parameters with a data size of 2 or 4, the corresponding number of data bytes will be
transmitted.
2.1.6 Other parameter changes
2.1.6.1 Master Tuning
This message simultaneously modifies the pitch of all channels.
2.1.3.1 XG System On
11110000
01000011
0001nnnn
01001100
00000000
00000000
01111110
00000000
11110111
F0H
43H
1NH
4CH
00H
00H
7EH
00H
F7H
11110000
01000011
0001nnnn
00100111
00110000
00000000
00000000
0mmmmmmm
0lllllll
0xxxxxxx
11110111
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Data
End of Exclusive
When On is received, SOUND MODULE MODE will be set to XG.
Since approximately 50 ms is required to execute this message, an appropriate interval
must be left before the next message.
F0H
43H
1NH
27H
30H
00H
00H
MMH
LLH
XXH
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
Master Tune MSB
Master Tune LSB
don’t care
End of Exclusive
Normally the XG SYSTEM parameter MASTER TUNE should be used (see table <12>).
2.1.3.2 XG System parameter change
This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).
2.2 Bulk Dump
This instrument uses the following bulk dumps.
2.1.3.3 Multi Effect1 parameter change
This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).
[ XG BULK DUMP ]
1) XG System bulk dump
2) System Information bulk dump
3) Multi Effect1 bulk dump
4) Multi EQ bulk dump
5) Multi Effect2 bulk dump
6) Multi Part bulk dump
7) AD Part bulk dump
8) Drums Setup bulk dump
2.1.3.4 Multi EQ parameter change
This message sets the MULTI EQ block (see tables <1-1> and <1-5>).
2.1.3.5 Multi Effect2 parameter change
This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).
2.1.3.6 Display parameter change
This message sets the DISPLAY block (see tables <1-1> and <1-7>).
[ MU80 NATIVE BULK DUMP ]
1) System bulk dump
2) MU80, MU50 Internal Performance bulk dump
2.1.3.7 Multi Part parameter change
This message sets the MULTI PART block (see tables <1-1> and <1-8>).
[ MU90,MU90R NATIVE BULK DUMP ]
1) Internal Performance bulk dump
2.1.3.8 AD Part parameter change
This message sets the AD PART block (see tables <1-1> and <1-9>).
20
MIDI Data Format
11110000
01000011
0000nnnn
01011001
0sssssss
0ttttttt
0ggggggg
0mmmmmmm
0lllllll
0vvvvvvv
:
0kkkkkkk
11110111
2.2.1 XG Bulk Dump
These messages set XG-related parameters. Unlike parameter changes, a single message
can set multiple parameters. The message format is as follows.
11110000
01000011
0000nnnn
01001100
0sssssss
0ttttttt
0ggggggg
0mmmmmmm
0lllllll
0vvvvvvv
:
0kkkkkkk
11110111
F0H
43H
0NH
4CH
SSH
TTH
GGH
MMH
LLH
VVH
:
KKH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
ByteCountMSB
ByteCountLSB
Address High
Address Mid
Address Low
Data
F0H
43H
0NH
59H
SSH
TTH
GGH
MMH
LLH
VVH
:
KKH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
ByteCountMSB
ByteCountLSB
Address High
Address Mid
Address Low
Data
Check-sum
End of Exclusive
The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count
and block, refer to tables 3-n.
Check-sum
End of Exclusive
2.2.3.1 Internal Performance bulk dump
This message sets the INTERNAL PERFORMANCE block (see tables <3-1> and <33>).
Address and Byte Count are given in tables 1-n. Byte Count indicates the total size of the
data in tables 1-n.
Bulk Dump and Dump Request messages are received when the beginning of the block is
specified as the address.
“Block” indicates the unit size of the data string included in the total size in tables 1-n.
Check sum is the value which produces a lower 7 bits of 0 when the Start Address, Byte
Count, and the Check Sum itself are added.
2.3 Parameter Request
These messages request that parameter values be transmitted.
The transmitted data will be in the format of parameter change messages (see 2.1.3 and
2.1.4).
2.2.1.1 XG System bulk dump
This message sets the XG SYSTEM block (see tables <1-1> and <1-2>).
2.3.1 XG parameter request
This message requests that XG parameter settings be transmitted.
The transmitted data will be in the format of an XG Parameter Change (see 2.1.3).
2.2.1.2 System Information bulk dump
This message indicates the contents of the SYSTEM INFORMATION block (see tables
<1-1> and <1-3>).
This message is transmitted in response to a dump request, but will be ignored if it is
received.
11110000
01000011
0011nnnn
01001100
0ggggggg
0mmmmmmm
0lllllll
11110111
2.2.1.3 Multi Effect1 bulk dump
This message sets the MULTI EFFECT1 block (see tables <1-1> and <1-4>).
2.2.1.4 Multi EQ bulk dump
This message sets the MULTI EQ block (see tables <1-1> and <1-5>).
F0H
43H
3NH
4CH
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
2.3.2 MU80 Native parameter request
This message requests that parameters unique to the MU80 be transmitted.
The transmitted data will be in the format of an XG Model Native Parameter Change (see
2.1.4).
2.2.1.5 Multi Effect2 bulk dump
This message sets the MULTI EFFECT2 block (see tables <1-1> and <1-6>).
2.2.1.6 Multi Part bulk dump
This message sets the MULTI PART block (see tables <1-1> and <1-8>).
11110000
01000011
0011nnnn
01001001
0ggggggg
0mmmmmmm
0lllllll
11110111
2.2.1.7 A/D Part bulk dump
This message sets the A/D PART block (see tables <1-1> and <1-9>).
2.2.1.8 Drums Setup bulk dump
This message sets the DRUMS SETUP block (see tables <1-1> and <1-11>).
2.2.2 MU80 Native bulk dump
These messages set parameters unique to the MU80. Unlike parameter changes, a single
message can set multiple parameters.
F0H
43H
3NH
49H
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
2.3.3 MU90/MU90R Native parameter request
This message requests that parameters unique to the MU90/MU90R be transmitted.
The transmitted data will be in the format of a MU90/MU90R Native Parameter Change
(see 2.1.4).
11110000 F0H
Exclusive status
01000011 43H
YAMAHA ID
0000nnnn 0NH
N:Device Number
01001001 49H
Model ID
0sssssss SSH
ByteCountMSB
0ttttttt TTH
ByteCountLSB
0ggggggg GGH
Address High
0mmmmmmm MMH
Address Mid
0lllllll LLH
Address Low
0vvvvvvv VVH
Data
:
:
0kkkkkkk KKH
Check-sum
11110111 F7H
End of Exclusive
The details are the same for 2.2.1 XG Bulk Dump. However for the address, byte count
and block, refer to tables 2-n.
11110000
01000011
0011nnnn
01011001
0ggggggg
0mmmmmmm
0lllllll
11110111
F0H
43H
3NH
59H
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
2.4 Dump Request
These messages request that parameter values of the specified block be transmitted.
The transmitted data will be in bulk dump format.
2.4.1 XG dump request
This message requests that all parameter values of the specified block of XG parameters
be transmitted. The transmitted data will be in XG Bulk Dump format (see 2.2.1).
2.2.2.1 System bulk dump
This message sets the SYSTEM block (see tables <2-1> and <2-2>).
11110000
01000011
0010nnnn
01001100
0ggggggg
0mmmmmmm
0lllllll
11110111
2.2.2.2 MU80/MU50 Internal Performance bulk dump
This message is in MU80/MU50 data format.
It sets the INTERNAL PERFORMANCE block (see tables <2-1> and <2-4>).
2.2.3 MU90/MU90R Native bulk dump
This message sets parameters that are unique to the MU90/MU90R. Unlike parameter
changes, a single message can set multiple parameters.
F0H
43H
2NH
4CH
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
The address is valid if the beginning of the block is specified.
Transmission/reception of dump requests cannot be turned off by a MIDI switch other
than Exclusive = off.
21
MIDI Data Format
2.4.2 MU80 Native dump request
This message requests that all parameter values of the specified block of MU80 native
parameters be transmitted. The transmitted data will be in MU80 Native Bulk Dump
format (see 2.2.2).
11110000
01000011
0010nnnn
01001001
0ggggggg
0mmmmmmm
0lllllll
11110111
F0H
43H
2NH
49H
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
Details are the same as 2.4.1 XG Bulk Dump Request.
2.4.2 MU90/MU90R Native dump request
This message requests that all parameter values of the specified block of MU90/MU90R
native parameters be transmitted. The transmitted data will be in MU90/MU90R Native
Bulk Dump format (see 2.2.3).
11110000
01000011
0010nnnn
01011001
0ggggggg
0mmmmmmm
0lllllll
11110111
F0H
43H
2NH
59H
GGH
MMH
LLH
F7H
Exclusive status
YAMAHA ID
N:Device Number
Model ID
Address High
Address Mid
Address Low
End of Exclusive
Details are the same as 2.4.1 XG Bulk Dump Request.
3. Realtime messages
3.1 Active Sensing
a) Transmission
Not transmitted.
b) Reception
Once FE has been received, if no MIDI messages are received for an interval of approximately 300 msec, the same processing will be performed as when ALL SOUND
OFF, ALL NOTE OFF, and RESET ALL CONTROLLERS are received, and the instrument will return to a status of never having received FE.
22
MIDI Data Format
<Table 1-1>
Parameter Base Address
MODEL ID = 4C
Parameter
Description
XG SYSTEM
INFORMATION
EFFECT 1
EFFECT 2
DISPLAY
MULTI PART
MULTI PART
(additional)
A/D PART
A/D SYSTEM
DRUM
(H)
00
00
00
00
01
02
02
03
03
06
07
08
Address
(M)
00
00
00
00
00
01
40
00
01
00
00
00
(L)
00
7D
7E
7F
00
00
00
00
00
00
00
00
08
08
0F
10
00
00
08
0A
1F
00
00
00
0A
0A
0F
10
00
00
0A
10
10
11
30
31
32
33
1F
00
01
00
0D
0D
0D
0D
00
00
00
00
00
00
00
00
System
Drum setup Reset
XG System On
All Parameter Reset
System Information
Effect1(Reverb,Chorus,Variation )
Multi EQ
Insertion Effect 1
Insertion Effect 2
Display Letter
Display Bit Map
Multi Part 1
:
Multi Part 16
Multi Part 17
:
Multi Part 32
Multi Part 1
:
Multi Part 16
Multi Part 17
:
Multi Part 32
A/D Part 1
A/D Part 2
A/D System
Drum Setup 1
Drum Setup 2
Drum Setup 3
Drum Setup 4
Address
3n
0D
3n
0E
:
3n
5B
00
00
00
Parameter
note number 13
note number 14
:
note number 91
<Table 1-2>
MIDI Parameter Change table ( XG SYSTEM )
Address
Size
Data
Parameter
(H)
(H)
(H)
00 00 00
4
00 - 0F
MASTER TUNE
01
00 - 0F
02
00 - 0F
03
00 - 0F
04
05
06
7D
7E
7F
TOTAL SIZE
1
1
1
1
1
1
00 - 7F
00 - 7F
28 - 58
N
00
00
Description
-102.4...0...+102.3[cent]
1st bit3-0→bit15-12
2nd bit3-0→bit11-8
3rd bit3-0→bit7-4
4th bit3-0→bit3-0
0...127
0...127
-24...0...+24[semitones]
N: Drum setup number(receive only)
00=XG system ON (receive only)
00=ON (receive only)
MASTER VOLUME
MASTER ATTENUATOR
TRANSPOSE
DRUM SETUP RESET
XG SYSTEM ON
ALL PARAMETER RESET
07
<Table 1-3>
MIDI Parameter Change table ( SYSTEM INFORMATION )
Address
Size
Data
Parameter
(H)
(H)
(H)
01 00 00
E
20 - 7F
Model Name 1
:
:
:
0D
20 - 7F
Model Name 14
0E
1
00 - 7F
XG Level 1
0F
1
00 - 7F
XG Level 2
TOTAL SIZE 10
32...127(ASCII CHARACTER)
:
32...127(ASCII CHARACTER)
Transmitted in response to a dump request, but not received.
23
Initial value
(H)
00 04 00 00
7F
00
40
----
MIDI Data Format
<Table 1-4>
MIDI Parameter Change table ( EFFECT 1)
Address
Size
Data
Parameter
(H)
(H)
(H)
02 01 00
2
00 - 7F
REVERB TYPE MSB
00 - 7F
REVERB TYPE LSB
02
1
00 - 7F
REVERB PARAMETER 1
03
1
00 - 7F
REVERB PARAMETER 2
04
1
00 - 7F
REVERB PARAMETER 3
05
1
00 - 7F
REVERB PARAMETER 4
06
1
00 - 7F
REVERB PARAMETER 5
07
1
00 - 7F
REVERB PARAMETER 6
08
1
00 - 7F
REVERB PARAMETER 7
09
1
00 - 7F
REVERB PARAMETER 8
0A
1
00 - 7F
REVERB PARAMETER 9
0B
1
00 - 7F
REVERB PARAMETER 10
0C
1
00 - 7F
REVERB RETURN
0D
1
01 - 7F
REVERB PAN
TOTAL SIZE 0E
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
Description
Initial value
(H)
01(=HALL1)
00
12(depends on reverb type)
0A(")
08(")
0D(")
31(")
00(")
00(")
00(")
00(")
00(")
40
40
02 01 10
11
12
13
14
15
TOTAL SIZE
1
1
1
1
1
1
6
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
REVERB PARAMETER 11
REVERB PARAMETER 12
REVERB PARAMETER 13
REVERB PARAMETER 14
REVERB PARAMETER 15
REVERB PARAMETER 16
Refer to the Effect Parameter List
"
"
"
"
"
00(depends on reverb type)
04(")
32(")
08(")
40(")
00(")
02 01 20
2
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
00 - 7F
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARAMETER 1
CHORUS PARAMETER 2
CHORUS PARAMETER 3
CHORUS PARAMETER 4
CHORUS PARAMETER 5
CHORUS PARAMETER 6
CHORUS PARAMETER 7
CHORUS PARAMETER 8
CHORUS PARAMETER 9
CHORUS PARAMETER 10
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
41(=CHORUS1)
00
06(depends on chorus type)
36(")
4D(")
6A(")
00(")
1C(")
40(")
2E(")
40(")
40(")
40
40
00
22
1
23
1
24
1
25
1
26
1
27
1
28
1
29
1
2A
1
2B
1
2C
1
2D
1
2E
1
TOTAL SIZE 0F
02 01 30
31
32
33
34
35
TOTAL SIZE
1
1
1
1
1
1
6
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
CHORUS PARAMETER 11
CHORUS PARAMETER 12
CHORUS PARAMETER 13
CHORUS PARAMETER 14
CHORUS PARAMETER 15
CHORUS PARAMETER 16
Refer to the Effect Parameter List
"
"
"
"
"
2E(depends on chorus type)
40(")
0A(")
00(")
00(")
00(")
02 01 40
2
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARAMETER 1 MSB
VARIATION PARAMETER 1 LSB
VARIATION PARAMETER 2 MSB
VARIATION PARAMETER 2 LSB
VARIATION PARAMETER 3 MSB
VARIATION PARAMETER 3 LSB
VARIATION PARAMETER 4 MSB
VARIATION PARAMETER 4 LSB
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 5 LSB
VARIATION PARAMETER 6 MSB
VARIATION PARAMETER 6 LSB
VARIATION PARAMETER 7 MSB
VARIATION PARAMETER 7 LSB
VARIATION PARAMETER 8 MSB
VARIATION PARAMETER 8 LSB
VARIATION PARAMETER 9 MSB
VARIATION PARAMETER 9 LSB
VARIATION PARAMETER 10 MSB
VARIATION PARAMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
VARIATION CONNECTION
VARIATION PART NUMBER
05(=DELAY L,C,R)
00
1A(depends on variation type)
05(")
0D(")
03(")
27(")
08(")
27(")
08(")
00(")
4A(")
00(")
64(")
00(")
0A(")
00(")
00(")
00(")
00(")
00(")
20(")
40
40
00
00
00
7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
MW VARIATION CONTROL DEPTH
BEND VARIATION CONTROL DEPTH
CAT VARIATION CONTROL DEPTH
AC1 VARIATION CONTROL DEPTH
AC2 VARIATION CONTROL DEPTH
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
-∞dB...0dB...+6dB(0...96...127)
INSERTION , SYSTEM
Part1...32(0...31)
AD1, AD2(64, 65)
OFF(127)
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
42
2
44
2
46
2
48
2
4A
2
4C
2
4E
2
50
2
52
2
54
2
56
57
58
59
5A
5B
1
1
1
1
1
1
5C
1
5D
1
5E
1
5F
1
60
1
TOTAL SIZE 21
24
40
40
40
40
40
MIDI Data Format
02 01 70
71
72
73
74
75
TOTAL SIZE
1
1
1
1
1
1
6
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
VARIATION PARAMETER 11
VARIATION PARAMETER 12
VARIATION PARAMETER 13
VARIATION PARAMETER 14
VARIATION PARAMETER 15
VARIATION PARAMETER 16
Refer to the Effect Parameter List
"
"
"
"
"
00(depends on variation type)
3C(")
1C(")
40(")
2E(")
40(")
Description
Initial value
(H)
00
40(depends on EQ type)
0C(")
07(")
00(")
40(")
1C(")
07(")
-40(")
22(")
07(")
-40(")
2E(")
07(")
-40(")
34(")
07(")
00(")
<Table 1-5>
MIDI Parameter Change table ( MULTI EQ )
Address
Size
Data
Parameter
(H)
(H)
(H)
02 40 00
1
00 - 04
EQ TYPE
01
1
34 - 4C
EQ GAIN1
02
1
04 - 28
EQ FREQUENCY1
03
1
01 - 78
EQ Q1
04
1
00 - 01
EQ SHAPE1
05
1
34 - 4C
EQ GAIN2
06
1
0E - 36
EQ FREQUENCY2
07
1
01 - 78
EQ Q2
08
1
NOT USED
09
1
34 - 4C
EQ GAIN3
0A
1
0E - 36
EQ FREQUENCY3
0B
1
01 - 78
EQ Q3
0C
1
NOT USED
0D
1
34 - 4C
EQ GAIN4
0E
1
0E - 36
EQ FREQUENCY4
0F
1
01 - 78
EQ Q4
10
1
NOT USED
11
1
34 - 4C
EQ GAIN5
12
1
1C - 3A
EQ FREQUENCY5
13
1
01 - 78
EQ Q5
14
1
00 - 01
EQ SHAPE5
flat, jazz, pops, rock, classic
-12...0...+12[dB]
32...2.0k[Hz]
0.1...12.0
shelving , peaking
-12...0...+12[dB]
100...10.0k[Hz]
0.1...12.0
-12...0...+12[dB]
100...10.0k[Hz]
0.1...12.0
-12...0...+12[dB]
100...10.0k[Hz]
0.1...12.0
-12...0...+12[dB]
0.5k...16.0k[Hz]
0.1...12.0
shelving , peaking
TOTAL SIZE 15
<Table 1-6>
MIDI Parameter Change table ( EFFECT 2)
Address
Size
Data
Parameter
(H)
(H)
(H)
03 00 00
2
00 - 7F
INSERTION EFFECT1 TYPE MSB
00 - 7F
INSERTION EFFECT1 TYPE LSB
02
1
00 - 7F
INSERTION EFFECT1 PARAMETER1
03
1
00 - 7F
INSERTION EFFECT1 PARAMETER2
04
1
00 - 7F
INSERTION EFFECT1 PARAMETER3
05
1
00 - 7F
INSERTION EFFECT1 PARAMETER4
06
1
00 - 7F
INSERTION EFFECT1 PARAMETER5
07
1
00 - 7F
INSERTION EFFECT1 PARAMETER6
08
1
00 - 7F
INSERTION EFFECT1 PARAMETER7
09
1
00 - 7F
INSERTION EFFECT1 PARAMETER8
0A
1
00 - 7F
INSERTION EFFECT1 PARAMETER9
0B
1
00 - 7F
INSERTION EFFECT1 PARAMETER10
0C
1
00 - 7F
INSERTION EFFECT1 PART NUMBER
Description
0D
1
0E
1
0F
1
10
1
11
1
TOTAL SIZE 12
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
MW INSERTION CONTROL DEPTH
BEND INSERTION CONTROL DEPTH
CAT INSERTION CONTROL DEPTH
AC1 INSERTION CONTROL DEPTH
AC2 INSERTION CONTROL DEPTH
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
Part1...32(0...31)
AD1, AD2(64, 65)
OFF(127)
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
20
21
22
23
24
25
TOTAL SIZE
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
INSERTION EFFECT1 PARAMETER11
INSERTION EFFECT1 PARAMETER12
INSERTION EFFECT1 PARAMETER13
INSERTION EFFECT1 PARAMETER14
INSERTION EFFECT1 PARAMETER15
INSERTION EFFECT1 PARAMETER16
Refer to the Effect Parameter List
"
"
"
"
"
1
1
1
1
1
1
6
25
Initial value
(H)
49(=DISTORTION)
00
28(depends on insertion effect1 type)
14(")
48(")
35(")
40(")
00(")
2B(")
4A(")
0A(")
7F(")
7F
40
40
40
40
40
78(depends on insertion effect1 type)
00(")
00(")
00(")
00(")
00(")
MIDI Data Format
30
2
32
2
34
2
36
2
38
2
3A
2
3C
2
3E
2
40
2
42
2
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
INSERTION EFFECT1 PARAMETER1 MSB
INSERTION EFFECT1 PARAMETER1 LSB
INSERTION EFFECT1 PARAMETER2 MSB
INSERTION EFFECT1 PARAMETER2 LSB
INSERTION EFFECT1 PARAMETER3 MSB
INSERTION EFFECT1 PARAMETER3 LSB
INSERTION EFFECT1 PARAMETER4 MSB
INSERTION EFFECT1 PARAMETER4 LSB
INSERTION EFFECT1 PARAMETER5 MSB
INSERTION EFFECT1 PARAMETER5 LSB
INSERTION EFFECT1 PARAMETER6 MSB
INSERTION EFFECT1 PARAMETER6 LSB
INSERTION EFFECT1 PARAMETER7 MSB
INSERTION EFFECT1 PARAMETER7 LSB
INSERTION EFFECT1 PARAMETER8 MSB
INSERTION EFFECT1 PARAMETER8 LSB
INSERTION EFFECT1 PARAMETER9 MSB
INSERTION EFFECT1 PARAMETER9 LSB
INSERTION EFFECT1 PARAMETER10 MSB
INSERTION EFFECT1 PARAMETER10 LSB
Refer to the Effect Parameter List
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
00(depends on insertion effect1 type)
28(")
00(")
14(")
00(")
48(")
00(")
35(")
00(")
40(")
00(")
00(")
00(")
2B(")
00(")
4A(")
00(")
0A(")
00(")
7F(")
TOTAL SIZE 14
When using an EFFECT TYPE for which MSB is not required, the parameters of addresses 02-0B are received, and the parameters of addresses 30-42 are not received.
When using an EFFECT TYPE for which MSB is required, the parameters of addresses 30-42 are received, and the parameters of addresses 02-0B are not received.
For bulk transmission which includes EFFECT TYPE data, the parameters of addresses 02-0B will always be transmitted. However for an EFFECT TYPE which requires MSB, the
parameters of addresses 02-0B are not received when bulk data is received.
03 01 00
2
02
03
04
05
06
07
08
09
0A
0B
0C
1
1
1
1
1
1
1
1
1
1
1
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
INSERTION EFFECT2 TYPE MSB
INSERTION EFFECT2 TYPE LSB
INSERTION EFFECT2 PARAMETER1
INSERTION EFFECT2 PARAMETER2
INSERTION EFFECT2 PARAMETER3
INSERTION EFFECT2 PARAMETER4
INSERTION EFFECT2 PARAMETER5
INSERTION EFFECT2 PARAMETER6
INSERTION EFFECT2 PARAMETER7
INSERTION EFFECT2 PARAMETER8
INSERTION EFFECT2 PARAMETER9
INSERTION EFFECT2 PARAMETER10
INSERTION EFFECT2 PART NUMBER
0D
1
0E
1
0F
1
10
1
11
1
TOTAL SIZE 12
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
20
21
22
23
24
25
TOTAL SIZE
1
1
1
1
1
1
6
30
2
32
2
34
2
36
2
38
2
3A
2
3C
2
3E
2
40
2
42
1
49(=DISTORTION)
00
28(depends on insertion effect2 type)
14(")
48(")
35(")
40(")
00(")
2B(")
4A(")
0A(")
7F(")
7F
MW INSERTION CONTROL DEPTH
BEND INSERTION CONTROL DEPTH
CAT INSERTION CONTROL DEPTH
AC1 INSERTION CONTROL DEPTH
AC2 INSERTION CONTROL DEPTH
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
Part1...32(0...31)
AD1, AD2(64, 65)
OFF(127)
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
INSERTION EFFECT2 PARAMETER11
INSERTION EFFECT2 PARAMETER12
INSERTION EFFECT2 PARAMETER13
INSERTION EFFECT2 PARAMETER14
INSERTION EFFECT2 PARAMETER15
INSERTION EFFECT2 PARAMETER16
Refer to the Effect Parameter List
"
"
"
"
"
78(depends on insertion effect2 type)
00(")
00(")
00(")
00(")
00(")
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
INSERTION EFFECT2 PARAMETER1 MSB
INSERTION EFFECT2 PARAMETER1 LSB
INSERTION EFFECT2 PARAMETER2 MSB
INSERTION EFFECT2 PARAMETER2 LSB
INSERTION EFFECT2 PARAMETER3 MSB
INSERTION EFFECT2 PARAMETER3 LSB
INSERTION EFFECT2 PARAMETER4 MSB
INSERTION EFFECT2 PARAMETER4 LSB
INSERTION EFFECT2 PARAMETER5 MSB
INSERTION EFFECT2 PARAMETER5 LSB
INSERTION EFFECT2 PARAMETER6 MSB
INSERTION EFFECT2 PARAMETER6 LSB
INSERTION EFFECT2 PARAMETER7 MSB
INSERTION EFFECT2 PARAMETER7 LSB
INSERTION EFFECT2 PARAMETER8 MSB
INSERTION EFFECT2 PARAMETER8 LSB
INSERTION EFFECT2 PARAMETER9 MSB
INSERTION EFFECT2 PARAMETER9 LSB
INSERTION EFFECT2 PARAMETER10 MSB
INSERTION EFFECT2 PARAMETER10 LSB
Refer to the Effect Parameter List
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
00(depends on insertion effect2 type)
28(")
00(")
14(")
00(")
48(")
00(")
35(")
00(")
40(")
00(")
00(")
00(")
2B(")
00(")
4A(")
00(")
0A(")
00(")
7F(")
40
40
40
40
40
TOTAL SIZE 14
When using an EFFECT TYPE for which MSB is not required, the parameters of addresses 02-0B are received, and the parameters of addresses 30-42 are not received.
When using an EFFECT TYPE for which MSB is required, the parameters of addresses 30-42 are received, and the parameters of addresses 02-0B are not received.
For bulk transmission which includes EFFECT TYPE data, the parameters of addresses 02-0B will always be transmitted. However for an EFFECT TYPE which requires MSB, the
parameters of addresses 02-0B are not received when bulk data is received.
26
MIDI Data Format
<Table 1-7>
MIDI Parameter Change table ( DISPLAY DATA )
Address
Size
Data
Parameter
(H)
(H)
(H)
06 00 00
20
20 - 7F
DISPLAY LETTER Data1
:
:
1F
DISPLAY LETTER Data32
TOTAL SIZE 20
07 00 00
:
2F
TOTAL SIZE
30
00 - 7F
Description
DISPLAY BITMAP Data1 *
:
DISPLAY BITMAP Data48
32...127(ASCII CHARACTER)
:
32...127(ASCII CHARACTER)
Initial value
(H)
-:
--
0...127
:
0...127
-:
--
30
* How DISPLAY BITMAP data and the screen display are related
In the horizontal direction, seven pixels form one byte of data.
To display a pixel, set its data bit to 1. To turn off the pixel, set its data bit to 0.
This data is arranged in the screen as follows.
b7 b6 b5 b4 b3 b2 b1 b0
b7 b6 b5 b4 b3
Data1
0
*
*
*
*
*
*
* Data17 0
*
*
*
*
Data2
Data18
Data3
Data19
Data4
Data20
Data5
Data21
Data6
Data22
Data7
Data23
Data8
Data24
Data9
Data25
Data10
Data26
Data11
Data27
Data12
Data28
Data13
Data29
Data14
Data30
Data15
Data31
Data16
Data32
b2
*
b1
*
b0
* Data33
Data34
Data35
Data36
Data37
Data38
Data39
Data40
Data41
Data42
Data43
Data44
Data45
Data46
Data47
Data48
b7
0
b6
*
b5
*
b4
-
b3
-
b2
-
b1
-
b0(“b” indicates “bit”)
-
Only bit 6 and bit 5 are used for Data33-Data48.
Bitmap data can also be received just for a specific pixel. In this case, the other pixels will display their previous status. Display Data parameter changes can transmit data continuously
from a desired location.
<Table 1-8>
MIDI Parameter Change table ( MULTI PART )
Address
Size
Data
Parameter
(H)
(H)
(H)
08 nn 00
1
00 - 40
ELEMENT RESERVE
Description
nn 01
1
00 - 7F
BANK SELECT MSB
0...127
nn 02
nn 03
nn 04
1
1
1
00 - 7F
00 - 7F
00-1F,7F
BANK SELECT LSB
PROGRAM NUMBER
Rcv CHANNEL
0...127
1...128
A1...A16, B1...B16, OFF
Initial value
(H)
part10, 26=0
other parts =2
part10,26=7F
other parts=0
00
00
Part No.
nn 05
nn 06
1
1
00 - 01
00 - 02
MONO/POLY MODE
SAME NOTE NUMBER
KEY ON ASSIGN
PART MODE
MONO , POLY
SINGLE, MULTI, INST(for DRUM)
01
01
NORMAL, DRUM, DRUMS1...4
Part10=2, Part26=4
other parts=0
40
08 00
0...64
nn 07
1
00 - 05
nn 08
nn 09
nn 0A
1
2
28 - 58
00 - 0F
00 - 0F
NOTE SHIFT
DETUNE
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
nn
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
VOLUME
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
PAN
NOTE LIMIT LOW
NOTE LIMIT HIGH
DRY LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
LOW PASS FILTER CUTOFF FREQUENCY
LOW PASS FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
MW PITCH CONTROL
MW LOW PASS FILTER CONTROL
MW AMPLITUDE CONTROL
MW LFO PMOD DEPTH
0B
0C
0D
0E
0F
10
11
12
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
27
-24...0...+24[semitones]
-12.8...0...+12.7[Hz]
1st bit3-0→bit7-4
2nd bit3-0→bit3-0
0...127
0...127
0...127
RND, L63...C...R63
C-2...G8
C-2...G8
0...127
0...127
0...127
0...127
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
64
40
40
40
00
7F
7F
00
28
00
40
40
40
40
40
40
40
40
40
40
40
0A
MIDI Data Format
nn 21
nn 22
nn 23
nn 24
nn 25
nn 26
nn 27
nn 28
TOTAL SIZE
1
1
1
1
1
1
1
1
29
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
MW LFO FMOD DEPTH
MW LFO AMOD DEPTH
BEND PITCH CONTROL
BEND LOW PASS FILTER CONTROL
BEND AMPLITUDE CONTROL
BEND LFO PMOD DEPTH
BEND LFO FMOD DEPTH
BEND LFO AMOD DEPTH
0...127
0...127
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
00
00
42
40
40
00
00
00
nn 30
1
nn 31
1
nn 32
1
nn 33
1
nn 34
1
nn 35
1
nn 36
1
nn 37
1
nn 38
1
nn 39
1
nn 3A
1
nn 3B
1
nn 3C
1
nn 3D
1
nn 3E
1
nn 3F
1
nn 40
1
nn 41
1
nn 42
1
nn 43
1
nn 44
1
nn 45
1
nn 46
1
nn 47
1
nn 48
1
nn 49
1
nn 4A
1
nn 4B
1
nn 4C
1
nn 4D
1
nn 4E
1
nn 4F
1
nn 50
1
nn 51
1
nn 52
1
nn 53
1
nn 54
1
nn 55
1
nn 56
1
nn 57
1
nn 58
1
nn 59
1
nn 5A
1
nn 5B
1
nn 5C
1
nn 5D
1
nn 5E
1
nn 5F
1
nn 60
1
nn 61
1
nn 62
1
nn 63
1
nn 64
1
nn 65
1
nn 66
1
nn 67
1
nn 68
1
nn 69
1
nn 6A
1
nn 6B
1
nn 6C
1
nn 6D
1
nn 6E
1
TOTAL SIZE 3F
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 5F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
01 - 7F
Rcv PITCH BEND
Rcv CH AFTER TOUCH(CAT)
Rcv PROGRAM CHANGE
Rcv CONTROL CHANGE
Rcv POLY AFTER TOUCH(PAT)
Rcv NOTE MESSAGE
Rcv RPN
Rcv NRPN
Rcv MODURATION
Rcv VOLUME
Rcv PAN
Rcv EXPRESSION
Rcv HOLD1
Rcv PORTAMENTO
Rcv SOSTENUTO
Rcv SOFT PEDAL
Rcv BANK SELECT
SCALE TUNING C
SCALE TUNING C#
SCALE TUNING D
SCALE TUNING D#
SCALE TUNING E
SCALE TUNING F
SCALE TUNING F#
SCALE TUNING G
SCALE TUNING G#
SCALE TUNING A
SCALE TUNING A#
SCALE TUNING B
CAT PITCH CONTROL
CAT LOW PASS FILTER CONTROL
CAT AMPLITUDE CONTROL
CAT LFO PMOD DEPTH
CAT LFO FMOD DEPTH
CAT LFO AMOD DEPTH
PAT PITCH CONTROL
PAT LOW PASS FILTER CONTROL
PAT AMPLITUDE CONTROL
PAT LFO PMOD DEPTH
PAT LFO FMOD DEPTH
PAT LFO AMOD DEPTH
AC1 CONTROLLER NUMBER
AC1 PITCH CONTROL
AC1 LOW PASS FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO PMOD DEPTH
AC1 LFO FMOD DEPTH
AC1 LFO AMOD DEPTH
AC2 CONTROLLER NUMBER
AC2 PITCH CONTROL
AC2 LOW PASS FILTER CONTROL
AC2 AMPLITUDE CONTROL
AC2 LFO PMOD DEPTH
AC2 LFO FMOD DEPTH
AC2 LFO AMOD DEPTH
PORTAMENTO SWITCH
PORTAMENTO TIME
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
OFF, ON
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-64...0...+63[cent]
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
0...95
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
0...95
-24...0...+24[semitones]
-9600...0...+9450[cent]
-100...0...+100[%]
0...127
0...127
0...127
OFF, ON
0...127
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
1...127
1...127
01
01
01
01
01
01
01
XGmode=01, GMmode=00
01
01
01
01
01
01
01
01
XGmode=01, GMmode=00
40
40
40
40
40
40
40
40
40
40
40
40
40
40
40
00
00
00
40
40
40
00
00
00
10
40
40
40
00
00
00
11
40
40
40
00
00
00
00
00
40
40
40
40
01
7F
00 - 7F
00 - 7F
NOT USED
NOT USED
EQ BASS GAIN
EQ TREBLE GAIN
-12 - +12[dB]
-12 - +12[dB]
--40
40
nn 70
nn 71
nn 72
nn 73
TOTAL SIZE
1
1
1
1
4
28
MIDI Data Format
nn 74
1
nn 75
1
nn 76
1
nn 77
1
nn 78
1
nn 79
1
nn 7A
1
nn 7B
1
nn 7C
1
nn 7D
1
nn 7E
1
nn 7F
1
TOTAL SIZE 0C
0A nn 10
1
04 - 28
1C - 3A
00, 08,28,29
NOT USED
NOT USED
EQ BASS FREQUENCY
EQ TREBLE FREQUENCY
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
32...2.0k[Hz]
500...16.0k[Hz]
OUTPUT SELECT
--0C
36
---------
0:stereo out, 8:indiv1+2
40:indiv1,41:indiv2
0
-64...0...+63
40
--
Description
Initial value
(H)
00
00
00
00
7F
------00
--40
--7F
00
00
00
TOTAL SIZE 1
When data other than the above is received, 0:Stereo Out will be selected.
0A nn 20
nn 21
TOTAL SIZE
1
1
2
00 - 7F
HIGH PASS FILTER CUTOFF FREQUENCY
NOT USED
nn = PART NUMBER
In the case of the DRUM PART, there will be no effect for the following parameters.
• BANK SELECT LSB
• MONO/POLY MODE
• SCALE TUNING
• PORTAMENTO
• PITCH EG
• FILTER MODURATION DEPTH(FMOD DEPTH)
• AMPLITUDE MODURATION DEPTH(AMOD DEPTH)
• OUTPUT SELECT
<Table 1-9>
MIDI Parameter Change table ( A/D PART )
Address
Size
Data
Parameter
(H)
(H)
(H)
10 0n 00
1
00 - 01
INPUT GAIN
01
1
00 - 7F
BANK SELECT MSB
02
1
00 - 7F
BANK SELECT LSB
03
1
00 - 7F
PROGRAM NUMBER
04
1
00-1F, 7F
Rcv CHANNEL
05
1
NOT USED
06
1
NOT USED
07
1
NOT USED
08
1
NOT USED
09
1
NOT USED
0A
1
NOT USED
0B
1
00 - 7F
VOLUME
0C
1
NOT USED
0D
1
NOT USED
0E
1
01 - 7F
PAN
0F
1
NOT USED
10
1
NOT USED
11
1
00 - 7F
DRY LEVEL
12
1
00 - 7F
CHORUS SEND
13
1
00 - 7F
REVERB SEND
14
1
00 - 7F
VARIATION SEND
TOTAL SIZE 15
10 0n 30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
48
49
4A
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
00 - 01
MIC , LINE
0...127
0...127
1...128
A1...A16,B1...B16, OFF
0...127
L63...C...R63
0...127
0...127
0...127
0...127
NOT USED
NOT USED
Rcv PROGRAM CHANGE
Rcv CONTROL CHANGE
NOT USED
MUTE
NOT USED
NOT USED
NOT USED
Rcv VOLUME
Rcv PAN
Rcv EXPRESSION
NOT USED
NOT USED
NOT USED
NOT USED
Rcv BANK SELECT
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
OFF , ON
OFF , ON
ON, OFF
OFF , ON
OFF , ON
OFF , ON
OFF , ON
29
--00
01
-01
---01
01
01
----00
-----------
MIDI Data Format
4B
1
4C
1
4D
1
4E
1
4F
1
50
1
51
1
52
1
53
1
54
1
55
1
56
1
57
1
58
1
59
1
5A
1
5B
1
5C
1
5D
1
5E
1
5F
1
60
1
TOTAL SIZE 31
00 - 5F
00 - 5F
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
AC1 CONTROLLER NUMBER
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
AC2 CONTROLLER NUMBER
0...95
0...95
--------------10
------11
n:A/D Part number( 0 - 1 )
<Table 1-10>
MIDI Parameter Change table ( A/D System )
Address
Size
Data
Parameter
(H)
(H)
(H)
11 00 00
1
00 - 01
A/D1,2 MONO/STEREO MODE
TOTAL SIZE 1
Description
MONO/STEREO
Initial value
(H)
00
<Table 1-11>
MIDI Parameter Change table ( DRUM SETUP )
Address
Size
Data
Parameter
(H)
(H)
(H)
3n rr 00
1
00 - 7F
PITCH COARSE
01
1
00 - 7F
PITCH FINE
02
1
00 - 7F
LEVEL
03
1
00 - 7F
ALTERNATE GROUP
04
1
00 - 7F
PAN
05
1
00 - 7F
REVERB SEND
06
1
00 - 7F
CHORUS SEND
07
1
00 - 7F
VARIATION SEND
08
1
00 - 01
KEY ASSIGN
09
1
00 - 01
Rcv NOTE OFF
0A
1
00 - 01
Rcv NOTE ON
0B
1
00 - 7F
LOW PASS FILTER CUTOFF FREQUENCY
0C
1
00 - 7F
LOW PASS FILTER RESONANCE
0D
1
00 - 7F
EG ATTACK RATE
0E
1
00 - 7F
EG DECAY1 RATE
0F
1
00 - 7F
EG DECAY2 RATE
TOTAL SIZE 10
3n rr 20
1
21
1
22
1
23
1
24
1
25
1
26
1
27
1
28
1
29
1
2A
1
2B
1
2C
1
2D
1
TOTAL SIZE 0E
3n rr 40
1
00 - 7F
00 - 7F
04 - 28
1C - 3A
00, 08,28,29
Description
-64...0...+63
-64...0...+63[cent]
0...127
OFF,1...127
RND,L63...C...R63
0...127
0...127
0...127
SINGLE , MULTI
OFF , ON
OFF , ON
-64...0...63
-64...0...63
-64...0...63
-64...0...63
-64...0...63
Initial value
(H)
40
40
depend on the note
"
"
"
"
7F
00
depend on the note
01
40
40
40
40
40
EQ BASS GAIN
EQ TREBLE GAIN
NOT USED
NOT USED
EQ BASS FREQUENCY
EQ TREBLE FREQUENCY
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
NOT USED
-12 - +12[dB]
-12 - +12[dB]
OUTPUT SELECT
0:stereo out, 8:indiv1+2
40:indiv1,41:indiv2
0
32...2.0k[Hz]
500...16.0k[Hz]
40
40
--0C
36
---------
TOTAL SIZE 1
When data other than the above is received, 0:Stereo Out will be selected.
3n rr 50
51
TOTAL SIZE
1
1
2
00 - 7F
HIGH PASS FILTER CUTOFF FREQUENCY
NOT USED
-64...0...63
40
--
3n rr 60
61
TOTAL SIZE
1
1
2
30 - 50
30 - 50
VELOCITY SENSE PITCH
VELOCITY SENSE LPF CUTOFF
-16...0...16
-16...0...16
depend on the note
"
30
MIDI Data Format
n:Drum Setup Number(0 - 3)
rr:note number(0D - 5B)
The MU90 will initialize all Drum Setup data in the following cases.
When XG SYSTEM ON is received
When GM SYSTEM ON is received
When DRUM SETUP RESET is received (in XG mode)
[Note]
When a program change is received by a part to which a Drum Setup is assigned, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will be reflected in all parts to which it is assigned.
31
MIDI Data Format
<Table 2-1>
Parameter Base Address
MODEL ID = 49
Parameter
Description
MU80 SYSTEM
REMOTE SWITCH
MU80
INTERNAL
PERFORMANCE
(H)
00
0A
30
30
31
31
32
32
33
33
34
34
Address
(M)
00
00
00
:
63
00
:
63
00
:
63
00
:
63
00
:
63
(L)
00
00
00
00
00
00
00
00
00
00
00
00
System
Remote Switch
#1 Common
:
#100 Common
#1 Part1
:
#100 Part1
#1 Part2
:
#100 Part2
#1 Part3
:
#100 Part3
#1 Part4
:
#100 Part4
MU80 Performance Common INT
Address
(H) Parameter
30
pp
00 System
pp
20 Effect
pp
70 EQ
pp: Performance#
<Table 2-2>
MIDI Parameter Change table ( SYSTEM )
Address
Size
Data
Parameter
(H)
(H)
(H)
00 00 00
1
00 - 01
MUTE LOCK
01
1
00 - 01
AD LOCK
02
1
00 - 01
EQ LOCK
03
1
00 - 01
Rcv GM EXCLUSIVE MESSAGE
04
1
00 - 01
Rcv BANK SELECT
05
1
00 - 04
BULK OUT INTERVAL TIME
06
1
00 - 10
PERFORMANCE SYSTEM CHANNEL
07
1
28 - 58
PERFORMANCE SYSTEM TRANSPOSE
08
1
00 - 07
LCD CONTRAST
09
1
00 - 07
MULTI PORT NUMBER for MIDI OUT
TOTAL SIZE 0A
Description
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
50, 100, 150, 200, 300
1...16, all
-24...0...+24[semitone]
1...8
1...8
Initial value
(H)
00
00
00
01
01
02
00
40
01
00
00 00 10
TOTAL SIZE
1
1
00 - 01
DRUM EDIT Rcv NOTE
OFF , ON
01
00 00 11
TOTAL SIZE
1
1
00 - 01
OUTPUT SELECT LOCK
OFF , ON
00
Description
Initial value
(H)
----------------
<Table 2-3>
MIDI Parameter Change table ( REMOTE SWITCH )
Address
Size
Data
Parameter
(H)
(H)
(H)
0A 00 00
1
00-01
PLAY SWITCH
01
1
00-01
UTIL SWITCH
02
1
00-01
MODE SWITCH
03
1
00-01
EDIT SWITCH
04
1
00-01
EFFECT SWITCH
05
1
00-01
EQ SWITCH
06
1
00-01
MUTE/SOLO SWITCH
07
1
00-01
ENTER SWITCH
08
1
00-01
EXIT SWITCH
09
1
00-01
PART- SWITCH
0A
1
00-01
SELECT- SWITCH
0B
1
00-01
VALUE- SWITCH
0C
1
00-01
PART+ SWITCH
0D
1
00-01
SELECT+ SWITCH
0E
1
00-01
VALUE+ SWITCH
TOTAL SIZE 0F
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
OFF , ON
<Table 2-4>
MIDI Parameter Change table ( MU80, MU50 INTERNAL PERFORMANCE )
Address
Size
Data
Parameter
(H)
(H)
(H)
30 pp 00
0C
20 - 7F
PERFORMANCE NAME
pp 0C
01
00 - 7F
PERFORMANCE VOLUME
pp 0D
01
01 - 7F
PERFORMANCE PAN
pp 0E
01
00 - 60
AC1 CC NUMBER
pp 0F
01
00 - 01
A/D INPUT
TOTAL SIZE 10
Description
32...127(ASCII CHARACTER)
0...127
L63...C...R63(1...64...127)
0...95, CAT(96)
OFF , ON
32
Initial value
(H)
depends on performance number
"
"
"
"
MIDI Data Format
30 pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
20
21
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
2F
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
pp
pp
pp
pp
pp
pp
pp
pp
pp
48
49
4A
4B
4C
4D
4E
4F
50
TOTAL SIZE
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
3n
3n
3n
3n
3n
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
11
13
14
15
16
17
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER 1
REVERB PARAMETER 2
REVERB PARAMETER 3
REVERB PARAMETER 4
REVERB PARAMETER 5
REVERB RETURN
REVERB PAN
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARMETER 1
CHORUS PARMETER 2
CHORUS PARMETER 3
CHORUS PARMETER 4
CHORUS PARMETER 5
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARMETER 1 MSB
VARIATION PARMETER 1 LSB
VARIATION PARMETER 2 MSB
VARIATION PARMETER 2 LSB
VARIATION PARMETER 3 MSB
VARIATION PARMETER 3 LSB
VARIATION PARMETER 4 MSB
VARIATION PARMETER 4 LSB
VARIATION PARMETER 5 MSB
VARIATION PARMETER 5 LSB
VARIATION PARMETER 10 MSB
VARIATION PARMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
AC1 VARIATION CONTROL DEPTH
VARIATION CONNECTION
VARATION PART
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
-∞dB...0dB...+6dB(0...96...127)
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
-∞dB...0dB...+6dB(0...96...127)
0...127
INSERTION , SYSTEM
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
Refer to the Effect Program List
"
"
"
"
"
"
"
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
INSERTION EFFECT 1 TYPE MSB
INSERTION EFFECT 1 TYPE LSB
INSERTION EFFECT 1 PARAMETER1
INSERTION EFFECT 1 PARAMETER2
INSERTION EFFECT 1 PARAMETER3
INSERTION EFFECT 1 PARAMETER4
INSERTION EFFECT 1 PARAMETER5
INSERTION EFFECT 1 PARAMETER10
INSERTION EFFECT 1 PART
"
"
"
"
"
"
"
"
"
00 - 04
34 - 4C
34 - 4C
34 - 4C
34 - 4C
34 - 4C
EQ TYPE
EQ GAIN1
EQ GAIN2
EQ GAIN3
EQ GAIN4
EQ GAIN5
flat,jazz,pops,rock,concert
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
depends on performance number
"
"
"
"
"
PROGRAM NUMBER
BANK SELECT
VOLUME
PAN
DRY SEND LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
NOTE SHIFT
LOW PASS FILTER CUTOFF FREQUENCY
LOW PASS FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
DETUNE
1...128
0...127 (Refer to the XG voice map)
0...127
RND, L63...C...R63
0...127
0...127
0...127
0...127
-24...0...+24[semitones]
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-12.8...0...+12.7[Hz]
1st bit3-0→bit7-4
2nd bit3-0→bit3-0
1st bit6 : OFF,ON(0,1)
1st bit5 : MONO,POLY(0,1)
1st bit4 : OFF,ON(0,1)
0...127
0...127
0...127
0...127
0...127
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
31
30 pp 70
1
pp 71
1
pp 72
1
pp 73
1
pp 74
1
pp 75
1
TOTAL SIZE 06
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
3n
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-01
00-03,7F
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
00 - 7F
00 - 7F
00 - 7F
00, 01 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 0F
00 - 0F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
Rcv NOTE MESSAGE
MONO/POLY MODE
PORTAMENTO SWITCH *
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
MW LFO PMOD DEPTH *
33
"
"
"
"
"
MIDI Data Format
3n pp 18
1
3n pp 19
1
3n pp 1A
1
3n pp 1B
1
3n pp 1C
1
3n pp 1D
1
3n pp 1E
1
3n pp 1F
1
3n pp 20
1
3n pp 21
1
3n pp 22
1
TOTAL SIZE 23
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
01 - 7F
MW LFO FMOD DEPTH *
PITCH BEND CONTROL *
AC1 LOW PASS FILTER CONTROL *
AC1 AMPLITUDE CONTROL *
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
NOTE LIMIT LOW
NOTE LIMIT HIGH
PORTAMENTO TIME *
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
0...127
-24...0...+24[semitones]
-64...0...63
-100...0...+100[%]
0...127
0...127
C-2...G8
C-2...G8
0...127
1...127
1...127
n: performance part number
(01-04)
pp:performance number
(00-63)
For parameters marked by an *, only the data of n=1 is received as common data, and the data of n=2-4 is not received.
34
"
"
"
"
"
"
"
"
"
"
"
MIDI Data Format
<Table 3-1>
Parameter Base Address
MODEL ID = 59
Parameter
Description
(H)
09
09
09
09
0B
0C
0C
30
CURRENT
PERFORMANCE
INTERNAL
PERFORMANCE
30
31
31
32
32
33
33
40
40
50
50
51
51
Address
(M)
00
01
02
03
00
00
01
00
:
63
00
:
63
00
:
63
00
:
63
00
:
63
00
:
63
00
:
63
(L)
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
Part1
Part2
Part3
Part4
Common
Insertion1 Effect
Insertion2 Effect
#1 Part1
:
#100 Part1
#1 Part2
:
#100 Part2
#1 Part3
:
#100 Part3
#1 Part4
:
#100 Part4
#1 Common
:
#100 Common
#1 Insertion1 Effect
:
#100 Insertion1 Effect
#1 Insertion2 Effect
:
#100 Insertion2 Effect
Performance Common CUR
Address
(H) Parameter
0B
00
00 System
00
20 Effect
00
70 EQ
Performance Common INT
Address
(H) Parameter
40
pp
00 System
pp
20 Effect
pp
70 EQ
pp: Performance#
<Table 3-2>
MIDI Parameter Change table (CURRENT PERFORMANCE )
Address
(H)
09 0n 00
0n 01
0n 02
0n 03
0n 04
0n 05
0n 06
0n 07
0n 08
0n 09
0n 0A
0n 0B
0n 0C
0n 0D
0n 0E
0n 0F
0n 10
0n 11
0n 12
0n 13
Size
(H)
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
0n 14
1
0n 15
1
0n 16
1
0n 17
1
0n 18
1
0n 19
1
0n 1A
1
0n 1B
1
0n 1C
1
0n 1D
1
0n 1E
1
0n 1F
1
0n 20
1
0n 21
1
0n 22
1
0n 23
1
TOTAL SIZE 24
Data
(H)
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
28 - 58
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 0F
00 - 0F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
01 - 7F
00 - 7F
00 - 7F
04 - 28
1C - 3A
00 - 7F
n: performance part number
Parameter
Description
PROGRAM NUMBER
BANK SELECT
VOLUME
PAN
DRY SEND LEVEL
CHORUS SEND
REVERB SEND
VARIATION SEND
NOTE SHIFT
Rcv NOTE MESSAGE(MUTE)
LOW PASS FILTER CUTOFF FREQUENCY
LOW PASS FILTER RESONANCE
EG ATTACK TIME
EG DECAY TIME
EG RELEASE TIME
VIBRATO RATE
VIBRATO DEPTH
VIBRATO DELAY
DETUNE
1...128
0...127 (Refer to the XG voice map)
0...127
RND,L63...C...R63(0, 1...64...127)
0...127
0...127
0...127
0...127
-24...0...+24[semitones]
OFF , ON(0, 1)
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-12.8...0...+12.7[Hz]
1st bit3-0→bit7-4
2nd bit3-0→bit3-0
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
MONO , POLY(0, 1)
0...127
0...127
C-2...G8(0...127)
C-2...G8(0...127)
1...127
1...127
-64 ...0...+63(-12 - +12[dB])
-64...0...+63(-12 - +12[dB])
32...2.0k[Hz]
500...16.0k[Hz]
-64...0...+63
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
MONO/POLY MODE
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
NOTE LIMIT LOW
NOTE LIMIT HIGH
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
EQ BASS
EQ TREBLE
EQ BASS frequency
EQ TREBLE frequency
HIGH PASS FILTER CUTOFF FREQUENCY
(00-03)
35
Initial value
(H)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
MIDI Data Format
0B 00 00
0C
0D
0E
0F
10
11
12
13
14
15
16
17
TOTAL SIZE
0C
01
01
01
01
01
01
01
01
01
01
01
01
18
20 - 7F
00 - 7F
01 - 7F
00 - 60
00 - 01
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
PERFORMANCE NAME
PERFORMANCE VOLUME
PERFORMANCE PAN
AC1 CC NUMBER
A/D INPUT
MW LFO PMOD DEPTH
MW LFO FMOD DEPTH
BEND PITCH CONTROL
AC1 LOW PASS FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO FMOD DEPTH
PORTAMENTO SWITCH
PORTAMENTO TIME
32...127(ASCII CHARACTER)
0...127
L63...C...R63
0...95,CAT
OFF , ON
0...127
0...127
-24..0..+24[semitones]
-64 ...0...+63
-64 ...0...+63
0...127
OFF , ON(0, 1)
0...127
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
2
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-01
00-7F
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER 1
REVERB PARAMETER 2
REVERB PARAMETER 3
REVERB PARAMETER 4
REVERB PARAMETER 5
REVERB RETURN
REVERB PAN
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARAMETER 1
CHORUS PARAMETER 2
CHORUS PARAMETER 3
CHORUS PARAMETER 4
CHORUS PARAMETER 5
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARAMETER 1 MSB
VARIATION PARAMETER 1 LSB
VARIATION PARAMETER 2 MSB
VARIATION PARAMETER 2 LSB
VARIATION PARAMETER 3 MSB
VARIATION PARAMETER 3 LSB
VARIATION PARAMETER 4 MSB
VARIATION PARAMETER 4 LSB
VARIATION PARAMETER 5 MSB
VARIATION PARAMETER 5 LSB
VARIATION PARAMETER 10 MSB
VARIATION PARAMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
AC1 VARIATION CONTROL DEPTH
VARIATION CONNECTION
VARIATION PART
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
-∞dB...0dB...+6dB(0...96...127)
-∞dB...0dB...+6dB(0...96...127)
0...127
INSERTION , SYSTEM
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
0B 00 70
1
71
1
72
1
73
1
74
1
75
1
TOTAL SIZE 06
00 - 04
34 - 4C
34 - 4C
34 - 4C
34 - 4C
34 - 4C
EQ TYPE
EQ GAIN1
EQ GAIN2
EQ GAIN3
EQ GAIN4
EQ GAIN5
flat,jazz,pops,rock,concert
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
depends on performance number
"
"
"
"
"
0C 00 00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
INSERTION EFFECT 1 TYPE MSB
INSERTION EFFECT 1 TYPE LSB
INSERTION EFFECT 1 PARAMETER1 MSB
INSERTION EFFECT 1 PARAMETER1 LSB
INSERTION EFFECT 1 PARAMETER2 MSB
INSERTION EFFECT 1 PARAMETER2 LSB
INSERTION EFFECT 1 PARAMETER3 MSB
INSERTION EFFECT 1 PARAMETER3 LSB
INSERTION EFFECT 1 PARAMETER4 MSB
INSERTION EFFECT 1 PARAMETER4 LSB
INSERTION EFFECT 1 PARAMETER5 MSB
INSERTION EFFECT 1 PARAMETER5 LSB
INSERTION EFFECT 1 PARAMETER10 MSB
INSERTION EFFECT 1 PARAMETER10 LSB
INSERTION EFFECT 1 PART
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
0B 00 20
21
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
2F
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
TOTAL SIZE
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
1
1
1
1
1
1
1
28
2
2
2
2
2
2
2
1
TOTAL SIZE 0F
36
MIDI Data Format
0C 01 00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
2
2
2
2
2
2
2
1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
INSERTION EFFECT 2 TYPE MSB
INSERTION EFFECT 2 TYPE LSB
INSERTION EFFECT 2 PARAMETER1 MSB
INSERTION EFFECT 2 PARAMETER1 LSB
INSERTION EFFECT 2 PARAMETER2 MSB
INSERTION EFFECT 2 PARAMETER2 LSB
INSERTION EFFECT 2 PARAMETER3 MSB
INSERTION EFFECT 2 PARAMETER3 LSB
INSERTION EFFECT 2 PARAMETER4 MSB
INSERTION EFFECT 2 PARAMETER4 LSB
INSERTION EFFECT 2 PARAMETER5 MSB
INSERTION EFFECT 2 PARAMETER5 LSB
INSERTION EFFECT 2 PARAMETER10 MSB
INSERTION EFFECT 2 PARAMETER10 LSB
INSERTION EFFECT 2 PART
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
Description
Initial value
(H)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
TOTAL SIZE 0F
<Table 3-3>
MIDI Parameter Change table ( INTERNAL PERFORMANCE )
Address
Size
Data
Parameter
(H)
(H)
(H)
3n pp 00
1
00 - 7F
PROGRAM NUMBER
3n pp 01
1
00 - 7F
BANK SELECT
3n pp 02
1
00 - 7F
VOLUME
3n pp 03
1
00, 01 - 7F
PAN
3n pp 04
1
00 - 7F
DRY SEND LEVEL
3n pp 05
1
00 - 7F
CHORUS SEND
3n pp 06
1
00 - 7F
REVERB SEND
3n pp 07
1
00 - 7F
VARIATION SEND
3n pp 08
1
28 - 58
NOTE SHIFT
3n pp 09
1
00 - 7F
LOW PASS FILTER CUTOFF FREQUENCY
3n pp 0A
1
00 - 7F
LOW PASS FILTER RESONANCE
3n pp 0B
1
00 - 7F
EG ATTACK TIME
3n pp 0C
1
00 - 7F
EG DECAY TIME
3n pp 0D
1
00 - 7F
EG RELEASE TIME
3n pp 0E
1
00 - 7F
VIBRATO RATE
3n pp 0F
1
00 - 7F
VIBRATO DEPTH
3n pp 10
1
00 - 7F
VIBRATO DELAY
3n pp 11
2
00 - 0F
DETUNE
3n pp 12
00 - 7F
3n pp 13
1
3n pp 14
1
3n pp 15
1
3n pp 16
1
3n pp 17
1
3n pp 18
1
3n pp 19
1
3n pp 1A
1
3n pp 1B
1
3n pp 1C
1
3n pp 1D
1
3n pp 1E
1
3n pp 1F
1
3n pp 20
1
3n pp 21
1
TOTAL SIZE 22
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
00 - 7F
01 - 7F
01 - 7F
00 - 7F
00 - 7F
04 - 28
1C - 3A
00 - 7F
Rcv NOTE MESSAGE
MONO/POLY MODE
PITCH EG INITIAL LEVEL
PITCH EG ATTACK TIME
PITCH EG RELEASE LEVEL
PITCH EG RELEASE TIME
VELOCITY SENSE DEPTH
VELOCITY SENSE OFFSET
NOTE LIMIT LOW
NOTE LIMIT HIGH
VELOCITY LIMIT LOW
VELOCITY LIMIT HIGH
EQ BASS
EQ TREBLE
EQ BASS frequency
EQ TREBLE frequency
HIGH PASS FILTER CUTOFF FREQUENCY
n: performance part number
pp:performance number
(00-03)
(00-63)
40 pp 00
pp 0C
pp 0D
pp 0E
pp 0F
pp 10
pp 11
pp 12
pp 13
pp 14
pp 15
pp 16
pp 17
TOTAL SIZE
PERFORMANCE NAME
PERFORMANCE VOLUME
PERFORMANCE PAN
AC1 CC NUMBER
A/D INPUT
MW LFO PMOD DEPTH
MW LFO FMOD DEPTH
BEND PITCH CONTROL
AC1 FILTER CONTROL
AC1 AMPLITUDE CONTROL
AC1 LFO FMOD DEPTH
PORTAMENTO SWITCH
PORTAMENTO TIME
0C
01
01
01
01
01
01
01
01
01
01
01
01
18
20 - 7F
00 - 7F
01 - 7F
00 - 60
00 - 01
00 - 7F
00 - 7F
28 - 58
00 - 7F
00 - 7F
00 - 7F
00 - 01
00 - 7F
37
1...128
0...127 (Refer to the XG voice map)
0...127
RND, L63...C...R63
0...127
0...127
0...127
0...127
-24...0...+24[semitones]
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-64...0...+63
-12.8...0...+12.7[Hz]
1st bit3-0→bit7-4
2nd bit3-0→bit3-0
1st bit6 : OFF,ON(0,1)
1st bit5 : MONO,POLY(0,1)
0...127
0...127
0...127
0...127
0...127
0...127
C-2...G8
C-2...G8
1...127
1...127
-64 ...0...+63(-12 - +12[dB])
-64...0...+63(-12 - +12[dB])
32...2.0k[Hz]
500...16.0k[Hz]
-64...0...+63
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
32...127(ASCII CHARACTER)
0...127
L63...C...R63(1...64...127)
0...95,CAT
OFF , ON
0...127
0...127
-24..0..+24[semitones]
-64 ...0...+63
-100...0...+100[%]
0...127
OFF , ON(0, 1)
0...127
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
MIDI Data Format
40 pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
20
21
22
23
24
25
26
27
28
29
2A
2B
2C
2D
2E
2F
30
31
32
33
34
35
36
37
38
39
3A
3B
3C
3D
3E
3F
40
41
42
43
44
45
46
47
TOTAL SIZE
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
1
1
1
1
1
1
1
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
01-7F
00-7F
00-7F
00-7F
00-01
00-03,7F
REVERB TYPE MSB
REVERB TYPE LSB
REVERB PARAMETER 1
REVERB PARAMETER 2
REVERB PARAMETER 3
REVERB PARAMETER 4
REVERB PARAMETER 5
REVERB RETURN
REVERB PAN
CHORUS TYPE MSB
CHORUS TYPE LSB
CHORUS PARMETER 1
CHORUS PARMETER 2
CHORUS PARMETER 3
CHORUS PARMETER 4
CHORUS PARMETER 5
CHORUS RETURN
CHORUS PAN
SEND CHORUS TO REVERB
VARIATION TYPE MSB
VARIATION TYPE LSB
VARIATION PARMETER 1 MSB
VARIATION PARMETER 1 LSB
VARIATION PARMETER 2 MSB
VARIATION PARMETER 2 LSB
VARIATION PARMETER 3 MSB
VARIATION PARMETER 3 LSB
VARIATION PARMETER 4 MSB
VARIATION PARMETER 4 LSB
VARIATION PARMETER 5 MSB
VARIATION PARMETER 5 LSB
VARIATION PARMETER 10 MSB
VARIATION PARMETER 10 LSB
VARIATION RETURN
VARIATION PAN
SEND VARIATION TO REVERB
SEND VARIATION TO CHORUS
AC1 VARIATION CONTROL DEPTH
VARIATION CONNECTION
VARATION PART
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
Refer to the Effect Program List
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63
-∞dB...0dB...+6dB(0...96...127)
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
-∞dB...0dB...+6dB(0...96...127)
L63...C...R63(1...64...127)
-∞dB...0dB...+6dB(0...96...127)
-∞dB...0dB...+6dB(0...96...127)
0...127
INSERTION , SYSTEM
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
"
28
40 pp 70
1
pp 71
1
pp 72
1
pp 73
1
pp 74
1
pp 75
1
TOTAL SIZE 06
00 - 04
34 - 4C
34 - 4C
34 - 4C
34 - 4C
34 - 4C
EQ TYPE
EQ GAIN1
EQ GAIN2
EQ GAIN3
EQ GAIN4
EQ GAIN5
flat,jazz,pops,rock,concert
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
-12...0...+12[dB]
depends on performance number
"
"
"
"
"
50 pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
INSERTION EFFECT 1 TYPE MSB
INSERTION EFFECT 1 TYPE LSB
INSERTION EFFECT 1 PARAMETER1 MSB
INSERTION EFFECT 1 PARAMETER1 LSB
INSERTION EFFECT 1 PARAMETER2 MSB
INSERTION EFFECT 1 PARAMETER2 LSB
INSERTION EFFECT 1 PARAMETER3 MSB
INSERTION EFFECT 1 PARAMETER3 LSB
INSERTION EFFECT 1 PARAMETER4 MSB
INSERTION EFFECT 1 PARAMETER4 LSB
INSERTION EFFECT 1 PARAMETER5 MSB
INSERTION EFFECT 1 PARAMETER5 LSB
INSERTION EFFECT 1 PARAMETER10 MSB
INSERTION EFFECT 1 PARAMETER10 LSB
INSERTION EFFECT 1 PART
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
00-7F
INSERTION EFFECT 2 TYPE MSB
INSERTION EFFECT 2 TYPE LSB
INSERTION EFFECT 2 PARAMETER1 MSB
INSERTION EFFECT 2 PARAMETER1 LSB
INSERTION EFFECT 2 PARAMETER2 MSB
INSERTION EFFECT 2 PARAMETER2 LSB
INSERTION EFFECT 2 PARAMETER3 MSB
INSERTION EFFECT 2 PARAMETER3 LSB
INSERTION EFFECT 2 PARAMETER4 MSB
INSERTION EFFECT 2 PARAMETER4 LSB
INSERTION EFFECT 2 PARAMETER5 MSB
INSERTION EFFECT 2 PARAMETER5 LSB
INSERTION EFFECT 2 PARAMETER10 MSB
INSERTION EFFECT 2 PARAMETER10 LSB
INSERTION EFFECT 2 PART
Refer to the Effect Program List
"
"
"
"
"
"
"
"
"
"
"
"
"
Part1...4(0...3)
AD1, AD2(64, 65)
OFF(127)
depends on performance number
"
"
"
"
"
"
"
"
"
"
"
"
"
"
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
2
2
2
2
2
2
2
1
TOTAL SIZE 0F
51 pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
pp
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
2
2
2
2
2
2
2
1
TOTAL SIZE 0F
pp:performance number
(00-63)
38
Memo
MIDI Data Format
39
40
Change
Control
0,32
1,5,7,10,11
6,38
64-67
71-74
84
91,93,94
96-97
98-99
100-101
120
121
Key's
Ch's
After
Touch
Pitch Bend
Note ON
Note OFF
True voice
Velocity
:
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
x
**************
x
x
**************
Default
Messages
Altered
Mode
Note
Number
x
x
Transmitted
Default
Changed
Function...
[ Tone Generator ]
Model MU90R MIDI Implementation Chart
Basic
Channel
YAMAHA
o
o
o
o
o
o
o
o
o
o
o
o
o 0-24 semi
o
o
o 9nH,v=1-127
x
0 - 127
0 - 127
3
3, 4 (m=1)
x
1 - 16
1 - 16
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*2
Recognized
Sound Controller
Portamento Cntrl
Effect Depth
RPN Inc,Dec
NRPN LSB,MSB
RPN LSB,MSB
All Sound Off
Reset All Cntrls
Data Entry
Bank Select
Remarks
Date :16-DEC-1996
Version : 1.0
MIDIMIDI
Inprementation
Data Format
Chart
:
True #
:
:
:
41
x
x
x
x
x
x
x
x
x
o
*3
x
**************
x
o(123-127)
o
x
x
x
x
x
x
o
o 0 - 127
*3
Mode 2 : OMNI ON ,MONO
Mode 4 : OMNI OFF,MONO
*1 receive if switch is on.
*2 m is always treated as "1" regardless of its value.
*3 transmit/receive if exclusive switch is on.
Local ON/OFF
All Notes OFF
Active Sense
Reset
Clock
Commands
Song Pos.
Song Sel.
Tune
Mode 1 : OMNI ON , POLY
Mode 3 : OMNI OFF, POLY
Notes:
:
:
Mes- :
sages :
Aux
System
:
Real Time:
Common
System Exclusive
Prog
Change
o : Yes
x : No
MIDIMIDI
Inprementation
Data Format
Chart
42
Brass
Ensemble
Strings
Bass
Guitar
Organ
Chromatic
Percussion
Piano
Instrument Group
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi
Clavi
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn Str1
Syn Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute Trp
Fr. Horn
BrssSect
SynBrss1
SynBrss2
Bank 0
1
1
1
1
2
2
1
1
1
1
E
2
2
S.Choir
BrssSec3
2
2
E
S.Strngs
S.SlwStr
Bank 3
Stereo
:Same as Bank
E: Number of elements
GrndPnoK
BritPnoK
ElGrPnoK
HnkyTnkK
El.Pno1K
El.Pno2K
Harpsi.K
Clavi K
Bank 1
KSP
1
1
2
2
2
2
1
2
1
1
2
1 Vibes K
1 MarimbaK
1
1
1
1
1
2
2
1
2
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
1
1
2
1
E
FrHrSolo
MelloSB1
Bank 6
Single
2
1
E
1
2
1
SlwTrStr
Slow Str
LegatoSt
1
E
Slow Vln
Bank 8
Slow
Quack Br
LoFi Hit
Seq Bass
DstRthmG
Bank 12
Fast Decay
2
2
2
2
E
SfrzndBr
Bank 14
Double Attack
2
E
1 BriteTrp
1
Bank 17
Tuba 2
2
1
1
E
Trumpet2
Ch.Aahs2
NylonGt2
SteelGt2
Bank 16
Bright
2
E
Soft Brs
MildBrss
Trmbone2
2
2
2
1
2 SynBa2Dk 1
SynBa1Dk
ClkSynBa
E
2
Bank 19
FingrDrk
1
2
MelloEP1
MelloGtr
1
E
MelloGrP
Bank 18
Dark
RezSynBr
FastResB
Bank 20
Resonant
DistGtr2
70sPcOr1
Bank 24
Attack
2 PolyBrss
Arco Str
1 AcidBass
E
2
2
1
2
2
E
NylonGt3
Harpsi.2
Bank 25
Release
2
2
E
Bank 26
Sweep
E
SynBrss3
Reso Str
2
2
1
1
ResoSlap
ResoBass
2
2
E
FlangeBa
ClaviWah
Bank 27
Resonant Sweep
MU90 XG Voice List
43
Sound Effects
Percussive
Ethnic
Synth Effects
Synth Pad
Synth Lead
Pipe
Reed
Instrument Group
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
Bank 0
Bank 1
KSP
E
Bank 3
Stereo
:Same as Bank 0
E: Number of elements
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
2
2
1
1
2
1
1
2
2
2
2
1
1
1
1
E
E
SquarLd2
Saw Ld 2
Bank 6
Single
Bank 8
Slow
Echoes 2
1 LMSquare
1 ThickSaw
E
2
2
2
E
E
Bank 14
Double Attack
Echo Pan
SynDrCmp 2 Popcorn
Bank 12
Fast Decay
2
2
E
ThickPad
Big&Low
Bank 16
Bright
Bank 17
2 Soft Pad
2
E
Hollow
Dyna Saw
Bank 18
Dark
Bank 19
2
1 Shroud
1 Digi Saw
E
TinyBell
2
WarmAtms 2 HollwRls
2 Sine Pad
E
Bank 20
Resonant
2
Shwimmer
2
2 Big Lead
E
Bank 24
Attack
2
SynthAah
2 HeavySyn
E
Bank 25
Release
E
Bank 26
Sweep
2
2 WaspySyn 2 Mondo
E
Bank 27
Resonant Sweep
Prologue
Converge
1 RezzySaw
E
2
2
1
E
MU90 XG Voice List
44
Brass
Ensemble
Strings
Bass
Guitar
Organ
Chromatic
Percussion
Piano
Instrument Group
Bank 28
Muted
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35 MutePkBa
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
Bank 34
Detune 3
E
Bank 36
Octave 2
Bank 37
5th 1
2 60sDrOr3
E
Bank 38
5th 2
2 Even Bar
2
E
2
E
BrssFall
Bank 39
Bend
E
PianoStr
Bank 40
Tutti
2
2
AccordIt
Harmo. 2
2
1
2
Warm Trp
FrHorn 2
JumpBrss
2
2
SmthSynB
MelChoir
2 Fretles3
2
Fretles2
PunchThm
2
2
2
ChurOrg3
Jazz Amp
ChorusGt
2 60sDrOr1
2 Lite Org
DetDrwOr
DetPrcOr
2 Fretles4
2 60sDrOr2
2
2
PercOrg2
HornOrch
2 PowerGt1
Tp&TbSec 2 Tp&TbSc2 2
2
2
Syn Str3
OrchHit2
2
2
2 PowerGt2
2
2
2
2 DrawOrg2
60sStrng
Clv Bass
DistGtr3
12StrGtr
ChurOrg2
2 70sDrOr1
Dulcimr2
2
2 Dst.5ths
2
2 FeedbGt2
2 MuteStlG
2 Stl&Body
2
2
2
2
SyBrsSub
SynBrss4
2 Hi Brass
2
2 ChoirBrs
2 Choral
SyVoice2
1 BrssSec2
2
ChoirStr
2 Orchstr2
2 Kingdom
2
2
2
2 DX Bass
YangChin
Orchestr
Warm Str
GrandPad
2
2
E
Bank 42
E
2
2 MelloBrs
2
2 TremOrch
2
2
2
2
2
2
2
2
2 DX+Analg 2 DXKotoEP 2
2 ElGrPno3
Susp.Str
TechnoBa
ModulrBa
Bank 41
2 Dream
E
JazzRthm 2
Ba&DstEG 2
FeedbkGt
FunkGtr1
Nyln&Stl
NotreDam
Puff Org
16+2"2/3
HardEl.P
DX Phase
2
E
2
2 DX Hard
Harpsi.3
Bank 35
Octave 1
Chor.EP1
Chor.EP2
2 DXLegend 2
E
ElGrPno2
Bank 33
Detune 2
2
E
Det.CP80
Bank 32
Detune 1
:Same as Bank 0
E: Number of elements
1
E
VeloSlap
FngrSlap
FunkGtr2
Gt.Pinch
RckRthm2
VelGtHrm
Bank 43
Velocity Switch
HardVibe
VX El.P1
VX El.P2
Bank 45
Velocity Cross Fade
VXUprght
2
AnVelBr1
AnVelBr2
Velo.Str
2 FngBass2
Bank 64
Other Waves
2
70sDrOr2
WarmJzOr
SloRotar
TrmOrgFl
1 MidT.Gtr
2
1
1
2
2
2
2
2
2
1
MuteTrp2
BrssStab
DrkTpSft
MellowTb
Male Aah
1 Strings3
2 Syn Str5
2 Sqr.Bass
2 AtkPulse
1
1
1
2
1
1
2 AnaBrss1
2 AnaBrss2
2
1
1
2
2
2
2
2
E
2
1
1
1
1
2
2
1
1 Thum&Slp 2
1 Mod.Bass
StrngAah
VoiceDoo
AnaVoice
Impact
Dark Trp
BrghtTrb
70s Str
Syn Str4
Orbiter
X WireBa
Slapper
2
2 Jazzy Ba
2
Bank 65
1 PierceCl
1
E
AcoHarmo 1 GtFeedbk
CleanGt2
TngoAcd2
Organ Ba
JazOrgan
RotaryOr
OrgFlute
SineMrmb
Orgel
PulseClv
2 60sEl.P1
2
E
2 Jazz Man 1
2
2 RckRthm1 2
2
E
MU90 XG Voice List
45
Sound Effects
Percussive
Ethnic
Synth Effects
Synth Pad
Synth Lead
Pipe
Reed
Instrument Group
Bank 28
Muted
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106 MuteBnjo
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
DetSitar
DoublSaw
Bank 32
Detune 1
2
2
E
Bank 33
Detune 2
:Same as Bank 0
E: Number of elements
1
E
E
Bank 34
Detune 3
E
Sitar 2
RndGlock
2
2
2
Big Five
Bank 36
Octave 2
2
2 Dim Saw
E
2 Osc
Toy Lead
Bank 35
Octave 1
2
E
Bank 37
5th 1
E
Bank 38
5th 2
E
Bank 39
Bend
E
GlockChi
Nylon EP
PulseSaw
Sax Sect
BrthTnSx
Bank 40
Tutti
Bank 41
2 ClearBel
2
2 Dr.Lead
2
2 SoftTenr
E
Bank 42
2 ChorBell
2
2
E
2
E
HyprAlto
Bank 43
Velocity Switch
2
E
ClaviPad
VeloLead
Babk 45
Velocity Cross Fade
Mellow
PanFlut2
TnrSax 2
Bank 64
Other Waves
2
2
2
1
2
2
2
2
2
PolarPad
2
2
2
Creeper
Big Pan
Odin
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
2
2
2
E
Sweepy
AfrcnWnd
Rave
SftCryst
Harp Vox
RotarStr
ClickPad
Lite Pad
GlassPad
Pan Pad
Soft Wrl
PureLead
HardSync
WireLead
Br.Layer
SoloSine
Bank 65
1 Real Tom
1 ElecPerc
1
1
Shanai 2
Mel Tom2
Ana Tom
Rev Cym2
2
BigKalim
Ancestrl
SynMalet
NylnHarp
FantaBel
GobSynth
EchoBell
Starz
2 HrmoRain
2
2
2
2
2
2
2
2
1
2
2
2
2
1
1
E
Fat&Prky
Fantasy
Horn Pad
PolyPd80
Heaven
Glacier
Tine Pad
Vent Syn
Rubby
DistLead
Vox Lead
2 Digger
E
MU90 XG Voice List
46
Brass
Ensemble
Strings
Bass
Guitar
Organ
Chromatic
Percussion
Piano
Instrument Group
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
Bank 67
2 BrStab80
Bank 68
2 Bass Hit
1 HardReso
1
1 NaslGtSt
2 StdiumOr
E
:Same as Bank 0
E: Number of elements
DoublHit
2 Fish
1 MetlBass
1
GtrHrmo2
RubberBa
CS Light
1 NasalGtr
2 DrawOrg3
2
2
E
MidTGtSt
CheezOrg
ClikOrgn
FstRotar
Bank 66
Bank 69
E
Bank 70
1 BassHit+
1
2
2 6th Hit
1 StdiumO2 2 GospelOr
E
Bank 71
E
Bank 72
1 6thHit +
2 Euro Hit
1 ClkGsplO 2 ChapelOr
E
Bank 73
1 EuroHit+
2
E
2
E
FluglHrn
VoiceHmn
Hammer
SynFretl
Mu.DstGt
1
1
2
2 SmthFrtl
2
1
2
1
2
2
2
Ukulele
Mandolin
PdlSteel
2 Log Drum
Bank 98
2 Carillon
2 Santur
E
2 Balimba
Bank 97
ChrchBel
Cimbalom
E
Balafon
Bank 96
2
E
Bank 99
E Bank 100 E Bank 101 E
Dog
Horse
Tweet 2
Kitty
Growl
Haunted
Ghost
Maou
Shower
Thunder
Wind
Stream
Bubble
Feed
Fl.KClik
CuttngNz
CttngNz2
DstCutNz
Str Slap
B.Slide
P.Scrape
Bank 0
SFX VOICE
:No Sound
E : Number of elements
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
1
1
1
1
1
2
2
2
2
1
1
2
2
2
1
1
2
2
1
2
1
MU90 XG Voice List
47
Sound Effects
Percussive
Ethnic
Synth Effects
Synth Pad
Synth Lead
Pipe
Reed
Instrument Group
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
Bank 68
2 ToHeaven
2 StarDust
2 Ritual
2 Creation
Ring Pad
SynPiano
:Same as Bank 0
E: Number of elements
2
2 VibeBell
2
2
2
2
2 ChrstBel
2 Planet
Celstial
Carib
Fairy
LoudGlok
AtmosPad
Rock Tom
2 Snow Pad
2 CosmicPd
2 SquarPad
2 CC Pad
1 SyncLead
E
Ana. Pad
Itopia
1
SynPluck
Bank 67
1 Pulse Ld
E
SineLead
Bank 66
Bank 69
2 MilkyWay
2 Reso&Pan
2 DigiBell
2
2
1
E
Bank 70
2 Night
2
2 AirBells
E
Bank 71
2 Glisten
2 BellHarp
E
Bank 72
E
2 Puffy
2
2 Gamelmba 2
E
Bank 73
E
Bank 97
1 RevSnar2
1 Hichriki
2 Altair
2
2 GlasPerc
1
1
Pungi
Bonang
Atrigane
Tablas
Castanet
Gr.Cassa
RevSnar1
2 Tamboura
2 Gopichnt
2
2 Kanoon
2
2 Dharma
2
2
1
E
Tambra
Rabab
Tsugaru
Taisho-k
Smokey
BelChoir
Seq Ana.
Kawala
BassClar
Bank 96
Bank 98
1 Rev Tom2
2 Rama Cym 2 AsianBel
1
2
E Bank 100 E Bank 101 E
1 RevConBD 1 Rev Tom1
2
1 RevKick1
2 S.Gamlan
Bank 99
2 ThaiBell
2
E
2
2 Gamelan
2
2
2 Oud
2
E
MchinGun
LaserGun
Xplosion
Firework
Laugh
Scream
Punch
Heart
Footstep
Applaus2
Ignition
Squeal
Exhaust
Crash
Siren
Train
JetPlane
Starship
Burst
Coaster
Submarin
Call
DoorSqek
DoorSlam
ScratchC
ScratchS
WindChim
Telphon2
Bank 0
SFX VOICE
:No Sound
E : Number of elements
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
1
2
2
2
1
1
1
1
1
1
1
1
1
1
2
1
2
2
2
2
2
1
1
1
1
2
1
1
MU90 XG Voice List
48
Brass
Ensemble
Strings
Bass
Guitar
Organ
Chromatic
Percussion
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
Piano
Instrument Group
Bank 0
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn Str1
Syn Str2
ChoirAah
VoiceDoo
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute Trp
Fr. Horn
BrssSect
SynBrss1
SynBrss2
1
1
2
2
2
2
1
2
1
1
2
1
1
1
1
1
1
1
2
2
1
2
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
2
2
1
1
1
2
1
1
1
1
1
1
2
1
E
Bank 2
2 Fretles3
1
1
2
2
1
2
1
2
2
2
Slow Str
70s Str
Syn Str4
OrchHit2
Trumpet2
Trmbone2
Tuba 2
FrHorn2
PolyBrss
Soft Brs
SynBa1 Dk 1
ClkSynBa 2 ModulrBa
2 Jazzy Ba
Fretles2
2 DistGtr3
DistGtr2
FngBass2
2
Mu.DstGt
2
Harmo.2
1
2
2
2
Dulcimr2
70sDrOr1
70sPcOr1
MelloGtr
2
2 ElGrPno3
E
HardVibe
ElGrPno
Bank 1
Bank 3
2 Seq Bass
2 Fretles4
1
2
2
E
Bank 4
2
2 SynFretl
E
Bank 5
2 SmthFrtl
E
2
E
Bank 6
E
Bank 7
E
Bank 8
2
2
2 DoublHit** 2
2
2 BrssStab
1
SyVoice2
Impact
FluglHrn
1
2
2 Quack Br
2
2
2 MelChoir
S.Choir
2 ChoirStr
2
2 TremOrch
2 S.SlwStr
2 Orchstr2
2 WarmStr
2
2
1 TechnoBa
2
2
Orchestr
LegatoSt
Syn Str3
1 Susp.Str
SlwTrStr
1
1 FastResB
2 X WireBa
1
FrHrSolo
BrssSec2
SynBrss3
SynBrss4
Bank 11
E
Bank 16
Bank 17
2
2
2
2
NylonGt3
Mandolin
2 60sDrOr2
SloRotar
ChurOrg3
2 Balimba
2
2
1
1
E
60sDrOr1
Balafon
VX El.P1
VX El.P2
Harpsi.K
MelloGrP
HornOrch
BrssFall
AnaBrss1
AnaBrss2
LoFi Hit
2 S.Strngs
ResoBass
RubberBa
Bank 18
2 Dst.5ths
2 60sDrOr3
2
E
2
1
2
2 AnVelBr2
2
2
2
1
2 SynBa2Dk 1 MelloSB1
2
PowerGt1 2 PowerGt2
AcoHarmo 1
AcidBass
DX Bass
Slow Vln
ResoSlap
E
FunkGtr2
Bank 10
2 FeedbGt2
1
MutePKBa 1
FeedbkGt
GtFeedbk
2
2
2
E
1
2 Nyln&Stl
1
2
2
2
AccordIt
Ukulele
12StGtr
PdlSteel
ChorusGt
FunkGtrl
2 Carillon
2
2 70sDrOr2
2
2
2
ChrchBel
Cimbalom
DetDrwOr
DetPrcOr
RotaryOr
ChurOrg2
Bank 9
1
1
1
1
2
2
2
2
2
1
E
Vibes K
MarimbaK
GrndPnoK
BritPnoK
ElGrPnoK
HnkyTnkK
Chor.EP1
Chor.EP2
Harpsi.3
Clavi K
Bank 19
1 SmthSynB
2
2
E
2
E
MU90 TG300B Voice List
49
Sound Effects
Percussive
Ethnic
Synth Effects
Synth Pad
Synth Lead
Pipe
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
Reed
Instrument Group
Bank 0
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
Woodblok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
1
1
1
1
2
1
1
1
1
1
1
1
2
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
2
1
1
2
2
2
1
1
2
1
1
2
2
2
2
1
1
1
1
E
1
1
1
1
1
1
1
1
2
1
Shanai 2
Rev Cym2
CuttngNz
Fl.KClik
Shower
Dog
Call
Ignition
Laugh
MchinGun
2 Creeper
2 Echo Pan
2
2 DetSitar
1
2
GobSynth
EchoBell
Starz
Sitar 2
MuteBnjo
Tsugaru
2
2
2
2
1
2
PolarPad
HrmoRain
Ancestrl
SynMalet
WarmAtms
Real Tom
2 Pan Pad
Tine Pad
1
1
1
1
1
2
Thunder
Horse
DoorSqek
Squeal
Scream
LaserGun
Wind
Tweet 2
DoorSlam
Exhaust
Punch
Xplosion
1 CttngNz2
2
2
2 Echoes 2
2
2
2 RndGlock
2 Harp Vox
2
Str Slap
AfrcnWnd
Prologue
SftCryst
NylnHarp
2
2 Horn Pad
2
2
2 RotarStr
2
2 Fat&Prky
2
Bank 3
Big Five
Big&Low
Fantasy
ThickPad
PolyPd80
Heaven
E
1 Mellow
2 ThickSaw
2
Bank 2
1 Hollow
1 PulseSaw
2 PureLead
E
SquarLd2
Saw Ld 2
Vent Syn
Bank 1
Bank 4
1
1
1
1
1
2
Stream
Kitty
ScratchC
Crash
Heart
2 DstCutNz
2 Big Pan
2 LoudGlok
2 HollwRls
2 Soft Pad
2 SoloSine
2 Big Lead
E
Bank 5
2
1
1
1
1
Bubble
Growl
WindChim
Siren
Footstep
2 B.Slide
2 Reso&Pan
2 GlockChi
2 Nylon EP
2
2 Shroud
2 VeloLead
E
Bank 6
2
1
1
1 Train
1
2 P.Scrape
2 SynPiano
2 ClearBel
2 AtmosPad
2 LMSquare
2 HeavySyn
E
Bank 7
ScratchS
1 JetPlane
1
2
2 ChrstBel
2
2
2 Dyna Saw
E
Bank 9
1
1
1 Rock Tom
1 ElecPerc
1 RevSnar2
Castanet
Gr.Cassa
Mel Tom2
Ana Tom
RevSnar1
2 Burst
1
2 Altair
2
2
Taisho-k
Pungi
Bonang
Atrigane
2
2
Tambra
Rabab
2
2 Starship
E
Bank 10
2
2
2
1
2 Gamelan
2 Shwimmer 2 Celstial
2
2
2 DigiBell
2
2
DistLead
Converge
ClaviPad
Rave
2 VibeBell
1
2
2
1
BassClar
Kawala
2
2
E
HyprAlto
BrthTnSx
Bank 8
SineLead
1 Dr.Lead
E
Bank 11
2 S.Gamlan
2
E
Kanoon
Tamboura
Gopichnt
ChorBell
WaspySyn
Bank 16
Coaster
RevKick1
Bank 17
2
2
2
2 AirBells
2
E
2
Bank 18
2 BellHarp
E
1 RevConBD 1
Hichriki
2
2 Rama Cym 2
E
Bank 19
E
2 Gamelmba 2
E
MU90 TG300B Voice List
50
Brass
Ensemble
Strings
Bass
Guitar
Organ
Chromatic
Percussion
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
pgm#
(1-128)
Bank Select LSB
Piano
Instrument Group
2
2
BriteTrp
Velo.Str
2 Warm Trp
2
Bank 26
2 MelloEP1
E
2
RckRthm1 2 RckRthm2 2
2
2
2
FstRotar
OrgFlute
VelGtHrm
Bank 25
1 HardEl.P
2
2
E
CheezOrg
LogDrum
60sEl.P1
DX Hard
Harpsi.2
Bank 24
Bank 32
Ch.Aahs2
NylonGt2
SteelGt2
TrmOrgFl
DrawOrg2
PereOrg2
2 El.Pno1K
El.Pno2K
E
Bank 33
2
1
1
2
2 Even Bar
2
1
1
E
A-Piano1
A-Piano2
A-Piano3
A-Piano4
A-Piano5
A-Piano6
A-Piano7
E-Piano1
E-Piano2
E-Piano3
A-Guitr1
A-Guitr2
A-Guitr3
E-Guitr1
E-Guitr2
Slap-1
2 Organ Ba 1 Slap-2
Slap-3
Slap-4
Slap-5
Slap-6
Slap-7
Slap-8
Finger-1
Requinto 1 Finger-2
Picked-1
Picked-2
FretlsBs
A-Bass
Choir-1
Choir-2
Choir-3
Choir-4
Strngs-1
Strngs-2
Strngs-3
Strngs-4
E-Organ1
E-Organ2
E-Organ3
E-Organ4
E-Organ5
E-Organ6
E-Organ7
E-Organ8
E-Organ9
SoftTP-1
SoftTP-2
TP/TRB-1
TP/TRB-2
TP/TRB-3
TP/TRB-4
TP/TRB-5
TP/TRB-6
Sax-1
Sax-2
Sax-3
Sax-4
Brass-1
Brass-2
Brass-3
Brass-4
Brass-5
Orch-Hit
2
2
2
2
1
1
1
2
2
2
1
2
2
2
1
2
2
2
2
2
2
2
2
1
2
1
2
1
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
1
2
2
1
1
1
2
1
1
2
2
2
1
a.piano1
a.piano2
a.piano3
e.piano1
e.piano2
e.piano3
e.piano4
hnkytnk
e.organ1
e.organ2
e.organ3
e.organ4
pipeorg1
pipeorg2
pipeorg3
acordion
harpsi1
harpsi2
harpsi3
clavi1
clavi2
clavi3
celesta1
celesta2
synbras1
synbras2
synbras3
synbras4
synbass1
synbass2
synbass3
synbass4
newgepd
synharmo
choir pd
bowed pd
soundtrk
atmosphr
syn warm
synfunny
synecho1
rain
synoboe
synecho2
synsolo
syndorg
synbell
squareld
strsect1
strsect2
strsect3
pizz.str
violin 1
violin 2
cello 1
cello 2
contrabs
harp 1
harp 2
guitar 1
guitar 2
elecgtr1
elecgtr2
sitar
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
1
2
1
1
1
1
1
1
2
2
2
2
1
1
2
1
2
2
2
2
2
2
2
1
2
2
2
2
2
2
1
2
2
2
2
1
2
1
1
1
1
1
1
1
1
1
2
1
E Bank 40 E Bank 126 E Bank 127 E
MU90 TG300B Voice List
51
Sound Effects
Percussive
Ethnic
Synth Effects
Synth Pad
Synth Lead
Pipe
Bank 24
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106 Oud
107
108
109
110
111
112
113
114
115
116
117
118
119
120 Rev Tom1
121
122
123
124
125
126
127
128
pgm#
(1-128)
Bank Select LSB
Reed
Instrument Group
Bank 25
1 Rev Tom2
2
E
1
E
Bank 26
E
Bank 32
E
Bank 33
E
Bank 40
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
a.bass 1
a.bass 2
e.bass 1
e.bass 2
slapbas1
slapbas2
fretles1
fretles2
flute1
flute2
piccolo1
piccolo2
recorder
panpipes
sax1
sax2
sax3
sax4
clarinet1
clarinet2
oboe
eng.horn
bassoon
harmnica
trumpet1
trumpet2
trmbone1
trmbone2
fr.horn1
fr.horn2
tuba
brssect1
brssect2
vibe1
vibe2
symallet
maletwin
glocken
tubulbel
xylophen
marimba
koto
sho
shakhchi
whistle1
whistle2
bottle
breath
timpani
melotom
deepsnar
e.perc1
e.perc2
taiko
taikorim
cymbal
castanet
triangle
orchehit
telphone
bird
jam
efctwatr
efctjngl
1
1
1
1
1
1
1
1
1
1
1
2
1
2
2
1
1
1
1
1
1
1
1
1
1
1
2
2
1
2
2
1
2
1
1
1
2
2
1
1
2
1
2
2
2
1
2
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
2
2
E Bank 126 E Bank 127 E
MU90 TG300B Voice List
About the 128 GM sounds
Group
Piano
Chromatic
Percussion
Organ
Guitar
Bass
Strings
Ensemble
Brass
Pgm#
(1-128)
Instrument name
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
Grand Piano
Bright Piano
Electric Grand Piano
Honky-tonk Piano
Electric Piano 1
Electric Piano 2
Harpsichord
Clavi
Celesta
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular Bells
Dulcimer
Drawbar Organ
Percussive Organ
Rock Organ
Church Organ
Reed Organ
Accordion
Hamonica
Tango Accordion
Nylon Guitar
Steel Guitar
Jazz Guitar
Clean Guitar
Muted Guitar
Overdriven Guitar
Distortion Guitar
Guitar Harmonics
Acoustic Bass
Finger Bass
Pick Bass
Fretless Bass
Slap Bass 1
Slap Bass 2
Synth Bass 1
Synth Bass 2
Violin
Viola
Cello
Contrabass
Tremolo Strings
Pizzicato Strings
Orchestral Harp
Timpani
Strings 1
Strings 2
Synth Strings 1
Synth Strings 2
Choir Aahs
Voice Oohs
Synth Voice
Orchestra Hit
Trumpet
Trombone
Tuba
Muted Trumpet
French Horn
Brass Section
Synth Brass 1
Synth Brass 2
Display
GrandPno
BritePno
El.Grand
HnkyTonk
E.Piano1
E.Piano2
Harpsi.
Clavi
Celesta
Glocken
MusicBox
Vibes
Marimba
Xylophon
TubulBel
Dulcimer
DrawOrgn
PercOrgn
RockOrgn
ChrchOrg
ReedOrgn
Acordion
Harmnica
TangoAcd
NylonGtr
SteelGtr
Jazz Gtr
CleanGtr
Mute Gtr
Ovrdrive
Dist.Gtr
GtrHarmo
Aco.Bass
FngrBass
PickBass
Fretless
SlapBas1
SlapBas2
SynBass1
SynBass2
Violin
Viola
Cello
Contrabs
Trem.Str
Pizz.Str
Harp
Timpani
Strings1
Strings2
Syn Str1
Syn Str2
ChoirAah
VoiceOoh
SynVoice
Orch.Hit
Trumpet
Trombone
Tuba
Mute Trp
Fr. Horn
BrssSect
SynBrss1
SynBrss2
Explanation of voice
Grand piano
Bright and crisp grand piano
Electric grand piano (CP80)
Ragtime-style piano
Electric piano
Electric piano with metallic resonance (DX)
Harpsichord
Clavi
Celesta
Glockenspiel
Music box
Vibraphone (metal bars with resonator tubes)
Marimba (wooden bars with resonator tubes)
Xylophone (wooden bars)
Tubular bells
Dulcimer (struck string instrument)
Drawbar organ
Electronic organ with strong attack
Rock-style organ
Pipe organ
Bright and light organ
Accordion
Harmonica
Tango accordion
Classical guitar
Folk guitar
Electric guitar (jazz)
Electric guitar
Muted guitar
Overdriven guitar
Distorted guitar
Harmonics
Upright bass
Electric bass (finger plucked)
Electric bass (played with a pick)
Fretless bass
Slapped bass
Slapped bass with soft attack
Synth bass with “sweep”
Synth bass
Violin
Viola
Cello
Contrabass
Strings played with tremolo
Strings played pizzicato
Harp
Timpani
Strings
Strings with gentle attack
Synth strings
Synth strings with gentle attack
Choir singing “aah”
Choir singing “ooh”
Vocoder-type chorus
Orchestra hit
Trumpet
Trombone
Tuba
Muted trumpet
French horn
Brass section
Synth brass
Synth brass with gentle attack
52
About the 128 GM sounds
Reed
Pipe
Synth Lead
Synth Pad
Synth
Effects
Ethnic
Percussive
Sound
Effects
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
Soprano Sax
Alto Sax
Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
Ocarina
Square Lead
Sawtooth Lead
Calliope Lead
Chiff Lead
Charang Lead
Voice Lead
Fifths Lead
Bass & Lead
New Age Pad
Warm Pad
Poly Synth Pad
Choir Pad
Bowed Pad
Metallic Pad
Halo Pad
Sweep Pad
Rain
Sound Track
Crystal
Atmosphere
Brightness
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
Tinkle Bell
Agogo
Steel Drums
Woodblock
Taiko Drum
Melodic Tom
Synth Drum
Reverse Cymbal
Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
SprnoSax
Alto Sax
TenorSax
Bari.Sax
Oboe
Eng.Horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
PanFlute
Bottle
Shakhchi
Whistle
Ocarina
SquareLd
Saw Ld
CaliopLd
Chiff Ld
CharanLd
Voice Ld
Fifth Ld
Bass&Ld
NewAgePd
Warm Pad
PolySyPd
ChoirPad
BowedPad
MetalPad
Halo Pad
SweepPad
Rain
SoundTrk
Crystal
Atmosphr
Bright
Goblins
Echoes
Sci-Fi
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle
Shanai
TnklBell
Agogo
SteelDrm
WoodBlok
TaikoDrm
MelodTom
Syn Drum
RevCymbl
FretNoiz
BrthNoiz
Seashore
Tweet
Telphone
Helicptr
Applause
Gunshot
Soprano sax
Alto sax
Tenor sax
Baritone sax
Oboe
English horn
Bassoon
Clarinet
Piccolo
Flute
Recorder
Pan flute
Blown bottle
Shakuhachi
Whistle
Ocarina
Analog synth lead (square wave)
Analog synth lead (sawtooth wave)
Pan flute-type lead
Synth brass-type lead
Distortion guitar-type lead
Chorus lead
Synth lead + perfect 4th below
Synth bass + synth lead
Bell + chorus
Pad with gentle attack
Synth brass-style pad
Chorus pad
Glass harp-style pad
Pad with hard synth strings
Pad with breath noise
Sweep pad with gentle attack
Warm and transparent synth sound
Analog synth pad + perfect 4th above
Music box, bell
Harp + strings
Synth chorus with strong attack and rapid decay
Sweep sound with gentle attack + murmuring
Pad with definite attack + release echo
Metallic synth pad
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Fiddle (violin)
Ethnic woodwind
Bell
Agogo
Steel drums
Woodblock
Japanese taiko drum
Melodic tom
Synth drum
Reversed cymbal
Fret noise
Breath noise
Waves
Birds chirping
Telephone ringing
Helicopter
Audience applauding
Gunshot
53
C/M Voice List
TYPE1 Part1~9
pgm#
(1-128)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
(full name)
acoustic piano 1
acoustic piano 2
acoustic piano 3
electric piano 1
electric piano 2
electric piano 3
electric piano 4
honky-tonk piano
electric organ 1
electric organ 2
electric organ 3
electric organ 4
pipe organ 1
pipe organ 2
pipe organ 3
accordion
harpsichord 1
harpsichord 2
harpsichord 3
clavi 1
clavi 2
clavi 3
celesta 1
celesta 2
synth brass 1
synth brass 2
synth brass 3
synth brass 4
synth bass 1
synth bass 2
synth bass 3
synth bass 4
new age pad
synth harmo
choir pad
bowed pad
sound track
atmosphere
synth warm
synth funny
synth echo 1
rain
synth oboe
synth echo 2
synth solo
synth reed organ
synth bell
square lead
string section 1
string section 2
string section 3
pizzicato strings
violin 1
violin 2
cello 1
cello 2
contrabass
harp 1
harp 2
guitar 1
guitar 2
electric guitar 1
electric guitar 2
sitar
TYPE2 Part11~16
(display)
E
(full name)
(display)
E
a.piano1
a.piano2
a.piano3
e.piano1
e.piano2
e.piano3
e.piano4
hnkytnk
e.organ1
e.organ2
e.organ3
e.organ4
pipeorg1
pipeorg2
pipeorg3
acordion
harpsi1
harpsi2
harpsi3
clavi1
clavi2
clavi3
celesta1
celesta2
synbras1
synbras2
synbras3
synbras4
synbass1
synbass2
synbass3
synbass4
newagepd
synharmo
choir pd
bowed pd
soundtrk
atmosphr
syn warm
synfunny
synecho1
rain
synoboe
synecho2
synsolo
synrdorg
synbell
squareld
strsect1
strsect2
strsect3
pizz.str
violin 1
violin 2
cello 1
cello 2
contrabs
harp 1
harp 2
guitar 1
guitar 2
elecgtr1
elecgtr2
sitar
1
1
1
1
1
1
1
2
2
2
1
1
2
2
2
2
1
2
1
1
1
1
1
1
2
2
2
2
1
1
2
1
2
2
2
2
2
2
2
1
2
2
2
2
2
2
1
2
2
2
2
1
2
1
1
1
1
1
1
1
1
2
2
1
Acoustic Piano 1
Acoustic Piano 2
Acoustic Piano 3
Acoustic Piano 4
Acoustic Piano 5
Acoustic Piano 6
Acoustic Piano 7
Electric Piano 1
Electric Piano 2
Electric Piano 3
Acoustic Guitar 1
Acoustic Guitar 2
Acoustic Guitar 3
Electric Guitar 1
Electric Guitar 2
Slap Bass 1
Slap Bass 2
Slap Bass 3
Slap Bass 4
Slap Bass 5
Slap Bass 6
Slap Bass 7
Slap Bass 8
Finger Bass 1
Finger Bass 2
Picked Bass 1
Picked Bass 2
Fretless Bass
Acoustic Bass
Choir 1
Choir 2
Choir 3
Choir 4
Strings 1
Strings 2
Strings 3
Strings 4
Electric Organ 1
Electric Organ 2
Electric Organ 3
Electric Organ 4
Electric Organ 5
Electric Organ 6
Electric Organ 7
Electric Organ 8
Electric Organ 9
Soft Trumpet 1
Soft Trumpet 2
Trumpet/Trombone 1
Trumpet/Trombone 2
Trumpet/Trombone 3
Trumpet/Trombone 4
Trumpet/Trombone 5
Trumpet/Trombone 6
Sax 1
Sax 2
Sax 3
Sax 4
Brass 1
Brass 2
Brass 3
Brass 4
Brass 5
Orchestra Hit
A-Piano1
A-Piano2
A-Piano3
A-Piano4
A-Piano5
A-Piano6
A-Piano7
E-Piano1
E-Piano2
E-Piano3
A-Guitr1
A-Guitr2
A-Guitr3
E-Guitr1
E-Guitr2
Slap-1
Slap-2
Slap-3
Slap-4
Slap-5
Slap-6
Slap-7
Slap-8
Finger-1
Finger-2
Picked-1
Picked-2
FretlsBs
A-Bass
Choir-1
Choir-2
Choir-3
Choir-4
Strngs-1
Strngs-2
Strngs-3
Strngs-4
E-Organ1
E-Organ2
E-Organ3
E-Organ4
E-Organ5
E-Organ6
E-Organ7
E-Organ8
E-Organ9
SoftTP-1
SoftTP-2
TP/TRB-1
TP/TRB-2
TP/TRB-3
TP/TRB-4
TP/TRB-5
TP/TRB-6
Sax-1
Sax-2
Sax-3
Sax-4
Brass-1
Brass-2
Brass-3
Brass-4
Brass-5
Orch-Hit
2
2
2
2
1
1
1
2
2
2
1
2
2
2
1
2
2
2
2
2
2
2
2
1
2
1
2
1
2
1
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1
1
1
1
1
1
2
2
1
1
1
2
1
1
2
2
2
1
54
C/M Voice List
TYPE1 Part1~9
pgm#
(1-128)
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
(full name)
acoustic bass 1
acoustic bass 2
electric bass 1
electric bass 2
slap bass 1
slap bass 2
fretless bass 1
fretless bass 2
flute 1
flute 2
piccolo 1
piccolo 2
recorder
pan pipes
sax 1
sax 2
sax 3
sax 4
clarinet 1
clarinet 2
oboe
english horn
bassoon
harmonica
trumpet 1
trumpet 2
trombone 1
trombone 2
frugel horn 1
frugel horn 2
tuba
brass section 1
brass section 2
vibraphone 1
vibraphone 2
synth mallet
mallet windbell
glockenspiel
tublar bells
xylophone
marimba
koto
sho
shakuhachi
whistle 1
whistle 2
bottle
breath pipe
timpani
melodi tom
deep snare
electric percussion 1
electric percussion 2
taiko
taiko rim
cymbal
castanet
triangle
orchestra hit
telephone
bird tweet
one note jam
effect water
effect jungle
TYPE2 Part11~16
(display)
E
a.bass 1
a.bass 2
e.bass 1
e.bass 2
slapbas1
slapbas2
fretles1
fretles2
flute1
flute2
piccolo1
piccolo2
recorder
panpipes
sax1
sax2
sax3
sax4
clarint1
clarint2
oboe
eng.horn
bassoon
harmnica
trumpet1
trumpet2
trmbone1
trmbone2
fr.horn1
fr.horn2
tuba
brssect1
brssect2
vibe1
vibe2
symallet
maletwin
glocken
tubulbel
xylophen
marimba
koto
sho
shakhchi
whistle1
whistle2
bottle
breath
timpani
melotom
deepsnar
e.perc1
e.perc2
taiko
taikorim
cymbal
castanet
triangle
orchehit
telphone
bird
jam
efctwatr
efctjngl
1
1
1
1
1
1
1
1
1
1
1
2
1
2
2
1
1
1
1
1
1
1
1
1
1
1
2
2
1
2
2
1
2
1
1
1
2
2
1
1
2
1
2
2
2
1
2
2
1
1
1
1
1
1
1
2
1
1
1
1
1
1
2
2
(full name)
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
(display)
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
Silence
55
E
MU90 Performance List
Preset Performance List (MSB=001, LSB=000)
Pgm#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
Category
FX
PF
BR
FX
PD
KS
BA
OR
SL
SC
EN
PF
LD
PD
SC
ST
GT
OR
LD
PF
BR
FX
SL
CO
PD
FX
BR
OR
GT
SC
RD
FX
KS
GT
EN
KS
OR
CO
SC
KS
OR
FX
SL
OR
EN
PF
OR
GT
BA
KS
EN
PF
SC
FX
BR
BA
SC
GT
OR
CO
RD
BR
EN
PD
OR
SL
FX
PF
KS
PF
BA
PD
SC
ET
BR
FX
BR
PF
SC
KS
BA
EN
BR
PF
SC
SE
PD
OR
Performance Name
Heavens Door
Rich Piano
Saw Classic
Analog Age
Big Atmos
Two Flutish
Session Bass
70s Organ AT
Touch Line
Rave Mecca
Superstrings
EP Street
Fat Lead
Fancy Pad
Dikk Tekk
Laser Harp
Gary Guitar
Full Organ
Dyno Lead
CP70 On Stage
Super Brass
Ethnograph
Tecspiration
Vox Pop
Dark Pad
Sparkle Pad
Jump-off
Overdrive OR
Ricky Guitar
Euro Hook
Groovin’ Baritone
Alien Peace
Hit House
6-string Guitar
Phase Strings
Minstrel
Early Bird
Orchestral Suite
Fat Hook
R&B Gig
Deep Harp
Almost Heaven
Digi Bizzar
Euro Accordion
2 Octaves Strings
New House Piano
Crisp Organ
Rich Jazz Guitar
Flangi Baze
1st Violin
Deep Choir
Old Clavi
Dance Chord
White Train
Power Synth Brass
Deep Port
Floor Tack
Rich Nylon Guitar
Solemn Organ
Piano & Strings
Rich Bass Clarinet
Slap Switch
Hi Strings
Soft Sweep
Draw Organ MW
Porta Line MW
Crypt
Easy Seven
Guitar & Sax
Gut EP
SQ2003 Wheel
Easter
Dance Comp
Ethnic Seq
Trombonist
Orion
Remix Brass
Specter EP
Tech Chord 1
Bass + Piano/Brass
SQ-Bass
Rich Strings
Hybrid Brass
Phaze Clavi
Toy SQ
MUtopia
Float Pad
Tiny Pipe
Comment
Warm effect sound. MW controls the filter.
A robust concert grand.
Analog sawtooth brass. Delay effect.
Warm and transparent analog synth pad. Aftertouch controls the filter.
Distinctive synth pad. MW controls the filter.
Left hand is pad, right hand is pan flute.
Velocity switches between a fingered-plucked bass and slap bass.
Organ of the 70’s. Aftertouch controls the rotary speed.
Sawtooth with fuzz. Move the filter and use for techno sequences.
Dance sound for chording. MW controls the filter.
Warm analog synth sound. MW controls the filter.
Solid electric piano. Deep chorus.
Classic saucy bass. Four oscillators.
Pad with atmosphere. Aftertouch controls the filter.
Use on hard sequence phrases. MW controls the filter.
Synth with deep phasing.
Good old distortion guitar of yesterday.
Bright electric organ. MW controls the filter.
Classical analog synth. Portamento is effective.
The well-known Yamaha electric grand.
Powerful straight-ahead brass section. MW controls the filter.
Memorable new-age sound collage.
Analog techno sound with fuzz.
Tight synth chorus. Use on rapid passages.
Dark synth pad. MW controls the filter.
Sparkling pad. MW creates a surprising change.
Classic synth brass.
Organ with overdrive.
Clean electric guitar for lead parts.
Thick analog sound for percussive sequences.
Baritone sax.
Beautiful digital synth that uses two completely different elements.
A novel split. Four brass shots.
Steel-stringed acoustic guitar.
Analog synth strings with phaser. MW controls the filter.
Split with phased synth hi-hat and calliope lead.
Organ with symphonic effect. Use for dance music.
Orchestral combination of strings, horn and bell.
The ultimate synth for Euro-sound.
Split with piano/strings and organ.
Clear harmonica. Great for solos.
Distinctive bell pad.
Intense digital synth sound. For electronic music.
Accordion with European flavor.
Bright analog strings. Two-octave layer.
Piano for the new music scene.
Percussive electric organ.
Rich-sounding guitar for jazz.
Simulation of a monophonic analog bass. MW controls the filter.
Split with string ensemble and solo violin.
Mixed choir with long reverb.
Old clavi with dynamic wah.
Thick analog synth for chordal backing of dance music.
Soporific pad. Aftertouch controls the filter.
Powerful synth brass.
Thick synth bass with sustain. Portamento is applied.
Synth for dance music chord work. MW controls the filter.
Rich nylon-stringed acoustic guitar.
Solemn pipe organ.
Layered acoustic piano and stereo strings.
Richly expressive bass clarinet for soloists.
Slap bass with velocity switching.
Hybrid strings, mixed acoustic and synth.
Spacious pad. MW modifies the tone.
Drawbar organ. MW changes the rotary speed.
Synth lead with a simple feeling. MW controls the filter.
A sound effect that uses portamento effectively. Raise MW for further changes.
Classical-sounding FM electric piano. Layered with synth strings.
Split sound with soft-feeling guitar and breathy tenor sax.
Layered sound with DX electric piano and acoustic guitar. MW brings in a pad.
Fuzz synth with strong filter modulation. MW controls the filter.
Ethnic-style pad sound, also playable as lead.
Rhythm synth sound suitable for chord sequences.
Sound with velocity split between kalimba and shamisen.
Expressive brass sound suitable for solos.
Mysterious sound effect. MW controls the filter.
Sound with velocity split between strings/brass section and brass fall.
An electric piano where moving the MW allows you to play a variety of tonalities.
Dance sound with layered minor third and fifth. MW controls the filter.
Split sound between a velocity-split piano and brass, and bass.
Synth bass suitable for techno/dance sequences.
Strings in which velocity will change the attack and depth.
Punch brass which combines acoustic and synth.
Analog clavi. MW controls the phaser effect.
Analog sound for step-recording, with cross delay applied.
Futuristic pad. Aftertouch controls the filter.
Soft-feeling pad. MW controls the filter.
Small pipe organ.
56
MU90 Performance List
Pgm#
89
90
91
92
93
94
95
96
97
98
99
100
Category
SC
PD
FX
ET
PF
PD
CP
SC
PF
KS
KS
KS
Performance Name
Sweet Wine
Pad Swell
Aquarius 90
Perc Shamisen
Clav-babe
Space Wall
Door Bell
FAT*SQ
Clavinova
Volksmusik
Jfunk Jammin
Alpen Echo
Comment
Synth sound suitable for electronic music.
Bright-feeling synth pad with filter change effect.
Sound effect consisting of underwater sounds, voice, and struck glass.
Percussive shamisen.
Synth clavi with distinctive auto-wah.
Synth pad with deep modulation.
Music box with a bell-like sound.
Fat synth lead with just a touch of portamento.
Layered sound with piano, electric piano and strings.
Split sound between accordion and brass ensemble.
Split sound between a solid electric piano and bass.
Split sound between tuba and trumpet. MW controls the delay effect.
PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass
RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations
KS : keyboard splits
57
MU90 Performance List
Internal Performance List (MSB=002, LSB=000)
Pgm#
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
Category
PF
PF
PF
PF
PF
PF
PD
PD
PD
PD
PD
PD
PD
SC
SC
SC
SC
SC
OR
OR
OR
OR
OR
OR
OR
OR
Gt
GT
GT
GT
GT
GT
BA
BA
BA
BA
BA
EN
EN
EN
EN
EN
EN
EN
BR
BR
BR
BR
BR
BR
LD
LD
LD
LD
LD
LD
FX
FX
FX
FX
PF
PF
PF
PF
PF
CP
SC
SC
SC
SC
SC
SC
SC
OR
OR
OR
OR
OR
OR
OR
OR
BA
BA
BA
KS
RD
ET
ET
Performance Name
Concert Grand
MIDI Grand
60s Piano
CP Pad
Phase EP
Rich DX EP
Grand Pad
Pictures
Movie Pad
Aquamarine
Polypad
Blonk Y
Dark Pad
Analog SQ 1
Analog SQ 2
Rave Chord
Short SQ
Fat Poly
Backyard Organ
Old Days Organ
Stereo Field Organ
Drawbars 1 AT
Drawbars 2 MW
Full Church
Old Rock Organ
Progressive Organ
12-string Fantasy
Wah Guitar
Arpeggio EG
Rich 12-string Guitar
Pedal Steel Wheeler
Chorus Guitar
Hip Bais
Rezzy Bass
Fuzzline
Bassline 1
Bassline 2
Pink Bass MW
Vienna Strings
Orchestra Plus
Synth Ensemble
Mello Strings
Ooh Choir
Compu Vox
Cutting Brass
Tijuana Brass
CS80 Mind
Fat Ensemble
Tech Brass
Thin Brass
Mono Wire Lead
Vintage Lead
Sticky Lead
Saww Lead
Fat Glide
Early Lead
Dreamer
Slow Sweep
Flower
High Light
DX Lover
Clav Western
TX802 EP
Chorus DX EP
EP Velo SW
Cool Vibes
Poly Syn
Tech Chord 2
Hi Pass SQ 1
Eight Oscis
HPF Flight
Acid Hook
Fat Comp
70s Rock Organ
Click Organ MW
Nice Organ
Sacral Organ
Baroque Feel
Plain Pipe
French Accordion
Lambada Accordion
Vacuum Bass
Water Phase Bass
Frankfurt Bass
Pizza Time
Soft Sax Section
Banjo Man
Kanoonics
Comment
Rich full concert grand piano that simulates even the resonances
Layered electric piano and piano. Raise MW for piano and pad.
Old stage electric piano with a bit of distortion effect.
Pad layer that brings out the character of the Yamaha CP80.
Electric piano with sharp phaser.
Electric piano sound of the famous DX7.
Gentle and dark synth pad. Two-octave layer.
Synth pad with a layered 5th interval. MW controls the filter.
Big and rich string-type pad.
Pad suggestive of underwater.
Classic analog synth pad of yesterday.
Combination of analog sound and voice pad. Aftertouch controls the filter.
Dark pad suitable for pop.
Analog synth with decay, suitable for sequenced phrases.
Analog synth with short decay, suitable for sequenced phrases.
Typical chord synth, suitable for rave.
Analog synth with extremely short decay, suitable for sequenced phrases.
Fat synth sound suitable for dance.
Jazz-type organ suitable for accompaniment.
Percussive organ. MW controls rotary speed.
Organ with a sense of stereo.
Drawbar organ of the 70’s. Aftertouch controls the rotary speed.
Sentimental organ. MW controls rotary speed.
Church-style pipe organ.
Electric organ of the 60’s.
Organ typical of progressive rock. MW has rotary speaker effect.
Twelve-string guitar sound, with pad added to sustained notes.
Funky electric guitar with auto-wah.
Clean electric guitar suitable for playing arpeggios.
Acoustic twelve-string guitar.
Pedal steel guitar. Try using the pitch bend wheel.
Electric guitar with chorus applied.
Synth bass with wah. MW controls the filter.
Synth bass with strong resonance, suitable for sequenced techno phrases.
Synth bass with distortion. MW controls the filter.
Synth bass suitable for dance or techno.
Synth bass with short decay.
Synth bass with distortion and portamento.
String ensemble with an acoustic feel.
Orchestral sound with timpani on strongly played notes.
String ensemble synth sound.
Strings sound using fabled instruments.
Chorus with spaciousness produced by an effect.
Use on sequenced phrases. MW controls the auto-pan speed.
Sharp brass section.
Soft brass section of the 60’s.
Brass sound of the classic Yamaha CS80 synthesizer.
Warm analog synth-type pad.
Synth bass with distortion, suitable for techno.
Classic synth bass of yesterday.
Mild synth lead.
Old-style analog solo synth.
Synth lead characterized by velocity controlling the tonal change of the attack.
Percussive synth lead with detuning.
Fat-sounding synth lead.
Mild synth lead with attack. MW controls the filter.
Sweeped synth lead with gentle attack. MW controls the filter.
Synth sound with slow filter change.
Layered sound of harp and chorus.
Synth sound that layers a variety of sounds.
Rich electric piano that blends great DX-type sounds.
Old-feeling clavi-type sound.
FM-type electric piano. A versatile sound usable in a variety of styles.
DX electric piano with chorus.
Old-feeling electric piano where velocity changes the tone.
Percussive vibraphone with reverb.
The great analog poly synth.
Dance sound with layered minor third and fifth. MW controls the filter.
Synth sound using a high pass filter.
Thick-sounding synth brass.
Light-feeling synth lead suitable for sequenced phrases.
Percussive synth sound. Also usable as synth bass.
Versatile comping sound that can be played either as brass or as lead.
Rock organ typical of the 70’s.
Electronic organ with key click sound. MW changes the rotary speed.
Bright-feeling organ of the 80’s.
Full digital organ. MW changes the rotary speed.
Solemn pipe organ with layered strings.
Simple-feeling pipe organ.
Accordion with a French touch.
Accordion suitable for tango or lambada.
Thick bass with phaser.
Thick bass with distinctive tonal changes controlled by velocity.
Synth bass with deep resonance, suitable for sequenced phrases.
Split ensemble strings and pizzicato.
Mild sax section with four saxes combined.
Banjo sound suitable for Dixie style.
Kanoon (an instrument sounding similar to a koto) with a percussive feel.
58
MU90 Performance List
Pgm#
89
90
91
92
93
94
95
96
97
98
99
100
Category
SE
SE
SE
KS
CO
CO
CO
CO
FX
FX
FX
FX
Performance Name
Devil’s House
Alien
Sea View
Phat & Funky
Horn & Strings
Clavorgue
1950’s Jazz
Mari Voice
Sweepy Line
Blue & Blue
Space Legend
Z-Hole
Comment
Sound effect evocative of the devil’s house. Play strongly around C3 for devil’s voice and screams.
A mysterious creature from space. Hear wailing with strong velocities.
Imagine that you are traveling through the ocean depths.
Split sound with strings and wah guitar.
Versatile strings sound with horn mixed in.
A blend of clavi and organ.
Split sound with golden oldie upright bass and piano
Combination of marimba and voice sounds.
Percussive synth with a feeling of resonance.
Transparent pad.
Chorus-type pad with spacy feeling.
Pad sound that draws you into an unknown world.
With the factory settings, the internal performances will be occupied by the above sounds.
PF : piano CP : chromatic percussion OR : organ, accordion, harmonica GT : guitar BA : bass ST : strings EN : ensemble BR : brass
RD : reed PI : pipe LD : synth lead PD : synth pad FX : synth effects ET : ethnics PC : percussive SE : sound effects CO : combinations
KS : keyboard splits
59
XG Drum Map
Bank MSB#
Program#
Note# Note
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
127
1
Key Alternate Standard Kit
off assign
C# -1
3
Surdo Mute
D -1
3
Surdo Open
D# -1
Hi Q
E -1
Whip Slap
F
-1
4
Scratch H
F# -1
4
Scratch L
G -1
Finger Snap
G# -1
Click Noise
A -1
Metronome Click
A# -1
Metronome Bell
B -1
Seq Click L
C
0
Seq Click H
C# 0
Brush Tap
D
0 O
Brush Swirl
D# 0
Brush Slap
E
0 O
Brush Tap Swirl
F
0 O
Snare Roll
F# 0
Castanet
G
0
Snare Soft
G# 0
Sticks
A
0
Kick Soft
A# 0
Open Rim Shot
B
0
Kick Tight
C
1
Kick
C# 1
Side Stick
D
1
Snare
D# 1
Hand Clap
E
1
Snare Tight
F
1
Floor Tom L
F# 1
1
Hi-Hat Closed
G
1
Floor Tom H
G# 1
1
Hi-Hat Pedal
A
1
Low Tom
A# 1
1
Hi-Hat Open
B
1
Mid Tom L
C
2
Mid Tom H
C# 2
Crash Cymbal 1
D
2
High Tom
D# 2
Ride Cymbal 1
E
2
Chinese Cymbal
F
2
Ride Cymbal Cup
F# 2
Tambourine
G
2
Splash Cymbal
G# 2
Cowbell
A
2
Crash Cymbal 2
A# 2
Vibraslap
B
2
Ride Cymbal 2
127
2
Standard Kit 2
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
127
3
Dry Kit
E
Surdo Mute V
Surdo Open V
Snare Roll 2
Brush Tap V
Brush Swirl V
Brush Slap V
Brush Tap Swirl V
1 Snare Roll V
Snare Soft 2
1 Snare Dry Soft
Kick Dry Soft
Open Rim Shot H Short 1 Open Rim Shot Dry V
Kick Tight Short
1 Kick Dry Tight
Kick Short
1 Kick Dry Mute
Side Stick Dry
Snare Short
1 Snare Dry
Snare Tight H
1 Snare Dry Mute
Floor Tom L Short
Floor Tom H Short
Low Tom Short
Mid Tom L Short
Mid Tom H Short
Crash Cymbal 1 V
HIgh Tom Short
Ride Cymbal 1 V
Chinese Cymbal V
Splash Cymbal V
Crash Cymbal 2 V
Ride Cymbal 2 V
: Same as standard Kit
: No sound
60
127
4
Brilliant Kit
E
1 Surdo Mute B
1 Surdo Open B
Hi Q B
Whip Slap B
Scratch H B
Scratch L B
Finger Snap B
Click Noise B
Metronome Click B
Metronome Bell B
Seq Click L B
Seq Click H B
1 Brush Tap B
1 Brush Swirl B
1 Brush Slap B
1 Brush Tap Swirl B
1 Snare Roll B
Castanet B
1 Snare Soft B
Sticks B
1 Kick Soft B
1 Open Rim Shot B
1 Kick Tight B
1 Kick B
1 Side Stick B
1 Snare B
Hand Clap B
1 Snare Tight B
1 Floor Tom L B
Hi-Hat Closed L B
1 Floor Tom H B
Hi-Hat Pedal B
1 Low Tom B
Hi-Hat Open B
1 Mid Tom L B
1 Mid Tom H B
1 Crash Cymbal 1 B
1 High Tom B
1 Ride Cymbal 1 B
1 Chinese Cymbal B
Ride Cymbal Cup Short
Tambourine B
1 Splash Cymbal B
Cowbell L
1 Crash Cymbal 2 B
Vibraslap B
1 Ride Cymbal 2 B
127
9
Room Kit
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
E
Kick Room
1
Snare Snappy
1
Snare Tight Snappy
Tom Room 1
1
1
Tom Room 2
1
Tom Room 3
1
Tom Room 4
Tom Room 5
1
1
Tom Room 6
1
XG Drum Map
Bank MSB#
Program#
Note# Note
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
127
10
Key Alternate Dark Room Kit
off assign
-1
3
Surdo Mute V
-1
3
Surdo Open V
-1
-1
-1
4
-1
4
-1
-1
-1
-1
-1
0
0
Brush Tap V
0 O
Brush Swirl V
0
Brush Slap V
0 O
Brush Tap Swirl V
0 O
Snare Roll V
0
0
0
0
0
0
Kick Dark
1
Kick Room Gate
1
1
Snare Snappy 2
1
1
Snare Tight Snappy 2
1
Tom Room 1 Q
1
1
Hi-Hat Closed Q
1
Room Tom 2 Q
1
1
Hi-Hat Pedal Q
1
Room Tom 3 Q
1
1
Hi-Hat Open L
1
Tom Room 4 Dark
2
Tom Room 5 L Dark
2
2
Tom Room 6 L Dark
2
Ride Cymbal 1 V
2
Chinese Cymbal V
2
2
2
Splash Cymbal V
2
2
Crash Cymbal 2 V
2
2
Ride Cymbal 2 V
127
17
Rock Kit
E
1
1
127
18
Rock Kit 2
E
Surdo Mute V
Surdo Open V
1
1
1
1
1
Brush Tap V
Brush Swirl V
Brush Slap V
Brush Tap Swirl V
Snare Roll V
127
25
Electro Kit
E
1
1
127
26
Analog Kit
E
E
Snare Noisy
1 Snare Noisy 5
1
1
1
1 Reverse Cymbal
1
Hi Q 2
1 Snare Snappy Electro
Kick Tight 2
1 Kick Tight 3
1 Kick 3
1 Kick Tight 2
1
1 Kick 2
1 Kick Gate
1 Kick 4
1 Kick Gate 2
1 Kick Gate
1 Kick Gate Heavy
1 Snare Rock
1 Snare Rock 2
1 Snare Noisy 2
1 Kick Analog Short
1 Kick Analog
Side Stick Analog
1 Snare Analog
1
1
1
1
1
1
1
1
1
1
1
1
1
Tom Rock 4
Tom Rock 5
1 Snare Rock Rim Q
1 Tom Rock 1 H
Hi-Hat Closed 2
1 Tom Rock 2 H
Hi-Hat Pedal 2
1 Tom Rock 3 L Short
Hi-Hat Open 2
1 Tom Rock 4 L Short
1 Tom Rock 5 L Short
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1 Tom Rock 6
1
1
1 Tom Rock 6 L Short
Ride Cymbal 1 V
Chinese Cymbal V
1 Tom Electro 6
1
1
1 Snare Analog 2
1 Tom Analog 1
Hi-Hat Closed Analog
1 Tom Analog 2
Hi-Hat closed Analog 2
1 Tom Analog 3
Hi-Hat Open Analog
1 Tom Analog 4
1 Tom Analog 5
Crash Analog
1 Tom Analog 6
Snare Rock Rim
Tom Rock 1
Tom Rock 2
Tom Rock 3
1
Splash Cymbal V
1
1
Crash Cymbal 2 V
1
1
Ride Cymbal 2 V
1
Snare Noisy 3
Tom Electro 1
Tom Electro 2
Tom Electro 3
Tom Electro 4
Tom Electro 5
1 Riverse Cymbal
1
1 Hi Q 2
1 Snare Noisy 4
1
1
Cowbell Analog
: Same as standard Kit
: No sound
61
1
1
XG Drum Map
Bank MSB#
Program#
Note# Note
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
127
27
Key Alternate Analog Kit 2
off assign
-1
3
Surdo Mute V
-1
3
Surdo Open V
-1
-1
-1
4
-1
4
-1
-1
-1
-1
-1
0
0
Brush Tap V
0 O
Brush Swirl V
0
Brush Slap V
0 O
Reverse Cymbal
0 O
Snare Roll V
0
Hi Q 2
0
Snare Analog 3
0
0
Kick Techno Soft
0
Open Rim Short Dry V
0
Kick Techno Tight
1
Kick Techno
1
Side Stick Analog
1
Snare Techno
1
1
Snare Techno 2
1
Tom Analog 1
1
1
Hi-Hat Closed Analog
1
Tom Analog 2
1
1
Hi-Hat Closed Analog 2
1
Tom Analog 3
1
1
Hi-Hat Open Analog
1
Tom Analog 4
2
Tom Analog 5
2
Crash Analog
2
Tom Analog 6
2
Ride Cymbal 1 V
2
Chinese Cymbal V
2
2
2
Splash Cymbal V
2
Cowbell Analog
2
Crash Cymbal 2 V
2
2
Ride Cymbal 2 V
127
28
Dance Kit
127
29
Hip Hop Kit
127
30
Jungle Kit
127
33
Jazz Kit
E
1
1
E
1
1
1
1 Reverse Cymbal
1
1 Hi Q 2
1 Snare Techno 3
Brush Tap V
Brush Swirl V
Brush Slap V
1 Brush Tap Swirl V
Snare Roll V
1
1 Open Rim Shot 2 Soft
1 Rim Gate 2
1
1
1
1
1
1
1
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno 2
Side Stick Analog
Snare Clap
1
1
1
1
1
2
Kick Dry Soft 2
Open Rim Shot 2
Kick Dim
Kick Boon
Side Stick Dry
Snare Dry Mute
1
1
1
1
1
1
Kick Cough
Rim Gate 3
Kick Zap
Kick Dawn
Side Stick Dry
Snare Tin
1
1
1
1 Kick Jazz
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Snare Dry 2
Tom Analog 1
Hi-Hat Closed 3
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open 3
Tom Analog 4
Tom Analog 5
Crash Analog
Tom Analog 6
1
1
1
1
1
1
1
1
1
1
1
Snare White
Floor Tom L Short
Hi-Hat Closed 2 H
Floor Tom H Short
Hi-Hat Pedal 2 H
Low Tom Short
Hi-Hat Open 2 L
Mid Tom L Short
Mid Tom H Short
Crash Cymbal 1 V
High Tom Short
Ride Cymbal 1 V
Chinese Cymbal V
1
1
1
1
1
1
1
1
1
1
1
1
1
Snare Can
Floor Tom L Short
Hi-Hat Closed 2 Sloft
Floor Tom H Short
Hi-Hat Pedal 2 Soft
Low Tom Short
Hi-Hat Open 2 Soft
Mid Tom L Short
Mid Tom H Short
Crash Cymbal 1 V
High Tom Short
Ride Cymbal 1 V
Chinese Cymbal V
1
1
1
1
1
1
1
1
1
1
1
1
1
Splash Cymbal V
1 Splash Cymbal V
1
Crash Cymbal 2 V
1 Crash Cymbal 2 V
1
Ride Cymbal 2 V
1 Ride Cymbal 2 V
1
Surdo Mute V
Surdo Open V
1
1 Cowbell Analog
1
E
1 Surdo Mute V
1 Surdo Open V
E
1
1
1
1
1
1
1
1
1
1
1
1
Brush Tap V
Brush Swirl V
Brush Slap V
Brush Tap Swirl V
Snare Roll V
1
1
: Same as standard Kit
: No sound
62
E
1
Tom Jazz 1
1
Tom Jazz 2
1
Tom Jazz 3
1
Tom Jazz 4
Tom Jazz 5
1
1
Tom Jazz 6
1
XG Drum Map
Bank MSB#
Program#
Note# Note
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
127
34
Key Alternate Jazz Kit 2
off assign
-1
3
Surdo Mute V
-1
3
Surdo Open V
-1
-1
-1
4
-1
4
-1
-1
-1
-1
-1
0
0
Brush Tap V
0 O
Brush Swirl V
0
Brush Slap V
0 O
Brush Tap Swirl V
0 O
Snare Roll V
0
0
0
0
0
0
1
Kick Jazz L
1
1
Snare H
1
1
Snare Tight L
1
Tom Jazz 7
1
1
Hi-Hat Closed L
1
Tom Jazz 8
1
1
Hi-Hat Pedal L
1
Tom Jazz 9
1
1
Hi-Hat Open L
1
Tom Jazz 10
2
Tom Jazz 11
2
2
Tom Jazz 12
2
Ride Cymbal 1 V
2
Chinese Cymbal V
2
Ride Cymbal Cup L
2
2
Splash Cymbal V
2
2
Crash Cymbal 2 V
2
2
Ride Cymbal 2 V
127
41
Brush Kit
E
1
1
127
49
Symphony Kit
E
126
1
SFX Kit 1
E
126
2
SFX Kit 2
E
E
1
1
1
1
1
Brush Slap 2
1
Kick Soft 2
1
1 Kick Small
Gran Cassa
1 Gran Cassa Mute
1 Brush Slap 3
1 Band Snare
1
1
1
1
1
1
1
1
1
Brush Tap 2
Tom Brush 1
1 Band Snare 2
1 Tom Jazz 1
1
1 Cutting Noise
Cutting Nose 2
1 Distorted Cutting Noise
String Slap
1 Bass Slide
1 Pick Scrape
Tom Brush 2
1 Tom Jazz 2
1
Tom Brush 3
1 Tom Jazz 3
1
Tom Brush 4
Tom Brush 5
1 Tom Jazz 4
1 Tom Jazz 5
Hand Cymbal
1 Tom Jazz 6
Hand Cymbal Short
1
1
1
1
1
1 Tom Brush 6
1
1
1
Flute Key Click
1
1
Hand Cymbal 2
1
1
Hand Cymbal 2 Short
1
: Same as standard Kit
: No sound
63
1
2
2
1
2
1
Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch H 3
Wind Chime
Telephone Ring 2
1 Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Starship
1
1
1
1
2
1
1
1
1
1
1
2
1
2
2
XG Drum Map
Bank MSB#
Program#
Note# Note
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
127
1
Key Alternate Standard Kit
off assign
3
Bongo H
3
Bong L
3
Conga H Mute
3
Conga H Open
3
Conga L
3
Timbale H
3
Timbale L
3
Agogo H
3
Agogo L
3
Cabasa
3
Maracas
3 O
Samba Whistle H
4 O
Samba Whistle L
4
Guiro Short
4 O
Guiro Long
4
Claves
4
Wood Block H
4
Wood Block L
4
Cuica Mute
4
Cuica Open
4
2
Triangle Mute
4
2
Triangle Open
4
Shaker
4
Jingle Bells
5
Bell Tree
5
5
5
5
5
5
5
127
2
Standard Kit 2
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
127
3
Dry Kit
E
: Same as standard Kit
: No sound
64
127
4
Brilliant Kit
Bongo H V
Bongo L V
Conga H Mute V
Conga H Open V
Conga L V
Timbale H V
Timbale L V
Agogo H V
Agogo L V
E
1
1
1
1
1
1
1
1
1
Samba Whistle H V
Samba Whistle L V
1
1
Cuica Mute V
Cuica Open V
1
1
Bongo H B
Bongo L B
Conga H Mute B
Conga H Open B
Conga L B
Timbale H B
Timbale L B
Agogo H B
Agogo L B
Cabasa B
Maracas B
Samba Whistle H B
Samba Whistle L B
Guiro Short B
Guiro Long B
Claves B
Wood Block H B
Wood Block L B
Cuica Mute B
Cuica Open B
Triangle Mute B
Triangle Open B
Shaker B
Jingle Bells B
Bell Tree B
127
9
Room Kit
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
E
XG Drum Map
Bank MSB#
Program#
Note# Note
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
127
10
Key Alternate Dark Room Kit
off assign
3
Bongo H V
3
Bongo L V
3
Conga H Mute V
3
Conga H Open V
3
Conga L V
3
Timbale H V
3
Timbale L V
3
Agogo H V
3
Agogo L V
3
3
3 O
Samba Whistle H V
4 O
Samba Whistle L V
4
4 O
4
4
4
4
Cuica Mute V
4
Cuica Open V
4
2
4
2
4
4
5
5
5
5
5
5
5
5
127
17
Rock Kit
E
1
1
1
1
1
1
1
1
1
127
18
Rock Kit 2
E
1
1
1
1
Bongo H V
Bongo L V
Conga H Mute V
Conga H Open V
Conga L V
Timbale H V
Timbale L V
Agogo H V
Agogo L V
E
1
1
1
1
1
1
1
1
1
Samba Whistle H V
Samba Whistle L V
1
1
Cuica Mute V
Cuica Open V
: Same as standard Kit
: No sound
65
127
25
Electro Kit
1 Scratch H 2
1 Scratch L 2
127
26
Analog Kit
E
E
Conga Analog H
Conga Analog M
Conga Analog L
1
1
1
Maracas 2
1
Claves 2
1
1 Scratch H 2
1 Scratch L 3
1
1
XG Drum Map
Bank MSB#
Program#
Note# Note
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
127
27
Key Alternate Analog Kit 2
off assign
3
Bongo H V
3
Bongo L V
3
Conga Analog H
3
Conga Analog M
3
Conga Analog L
3
Timbale H V
3
Timbale L V
3
Agogo H V
3
Agogo L V
3
3
Maracas 2
3 O
Samba Whistle H V
4 O
Samba Whistle L V
4
4 O
4
Claves 2
4
4
4
Scratch H 2
4
Scratch L 3
4
2
4
2
4
4
5
5
5
5
5
5
5
5
127
28
Dance Kit
127
29
Hip Hop Kit
E
1
1
1 Conga Analog H
1 Conga Analog M
1 Conga Analog L
1
1
1
1
E
1 Maracas 2
1
1
1
1 Claves 2
1
1 Scratch H 2
1 Scratch L 3
1 Cuica Mute V
1 Cuica Open V
Bongo H V
Bongo L V
1 Conga H Mute V
1 Conga H Open V
1 Conga L V
Timbale H V
Timbale L V
Agogo H V
Agogo L V
Samba Whistle H V
Samba Whistle L V
: Same as standard Kit
: No sound
66
127
30
Jungle Kit
E
1
1
1
1
1
1
1
1
1
127
33
Jazz Kit
Bongo H V
Bongo L V
Conga H Mute V
Conga H Open V
Conga L V
Timbale H V
Timbale L V
Agogo H V
Agogo L V
E
1
1
1
1
1
1
1
1
1
1 Samba Whistle H V
1 Samba Whistle L V
1
1
1 Cuica Mute V
1 Cuica Open V
1
1
E
XG Drum Map
Bank MSB#
Program#
Note# Note
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
127
34
Key Alternate Jazz Kit 2
off assign
3
Bongo H V
3
Bongo L V
3
Conga H Mute V
3
Conga H Open V
3
Conga L V
3
Timbale H V
3
Timbale L V
3
Agogo H V
3
Agogo L V
3
3
3 O
Samba Whistle H V
4 O
Samba Whistle L V
4
4 O
4
4
4
4
Cuica Mute V
4
Cuica Open V
4
2
4
2
4
4
5
5
5
5
5
5
5
5
127
41
Brush Kit
E
1
1
1
1
1
1
1
1
1
127
49
Symphony Kit
E
1
1
126
1
SFX Kit 1
E
126
2
SFX Kit 2
E
Burst
Roller coaster
Submarine
E
2
2
2
Shower
Thunder
Wind
Stream
Bubble
Feed
2
1
1
2
2
2
Laugh
Scream
Punch
Heart Beat
Foot Steps
Applause 2
1
1
1
1
1
1
Dog
Horse
Bird Tweet 2
Kitty
Growl
Haunted
Ghost
Maou
1
1
1
1
1
2
2
2
Machine Gun
Laser Gun
Explosion
Firework
1
2
2
2
1
1
: Same as standard Kit
: No sound
67
TG300B Drum Map
Program#
Note# Note
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
1
Alternate assign Standard Kit
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
7
7
1
1
1
Snare Roll TG
Finger Snap TG
Hi Q TG
Whip Slap TG
Scratch H TG
Scratch L TG
Sticks TG
Click Noise TG
Metronome Click TG
Metronome Bell TG
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Bongo L
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
9
Room Kit
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Kick Room
17
Power Kit
25
Electro Kit
26
Analog Kit
E
E
E
E
1 Kick Power
1 Kick Electro TG
1 Kick Analog
Side Stick Analog
1 Snare Analog
1
1
1
1
1 Tom Analog 1
Hi-Hat Closed Analog
1 Tom Analog 2
Hi-Hat Closed Analog 2
1 Tom Analog 3
Hi-Hat Open Analog
1 Tom Analog 4
1 Tom Analog 5
Crash Analog
1 Tom Analog 6
1
1
1
1
1
1
1
1
1
1
Snare Power
1 Snare Electro TG
Tom Room 1
1 Tom Room 1
Snare Power 2
1 Tom Electro 1
Tom Room 2
1 Tom Room 2
1 Tom Electro 2
Tom Room 3
1 Tom Room 3
1 Tom Electro 3
Tom Room 4
Tom Room 5
1 Tom Room 4
1 Tom Room 5
1 Tom Electro 4
1 Tom Electro 5
Tom Room 6
1 Tom Room 6
1 Tom Electro 6
Reverse Cymbal TG
: Same as standard Kit
: No sound
68
1
Cowbell Analog
1
Conga Analog H
Conga Analog M
Conga Analog L
1
1
1
TG300B Drum Map
Program#
Note# Note
33
Alternate assign Jazz Kit
41
Brush Kit
E
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
49
Orchestra Kit
E
E
Hi-Hat Closed Orchestra
Hi-Hat Pedal Orchestra
Hi-Hat Open Orchestra
Ride Cymbal 1 Orchestra
7
7
57
SFX Set
1 Kick Tight Jazz TG
1 Kick Small
1 Kick Orchestra
1 Gran Cassa Orchestra
1
1
Tom Jazz 1
Brush Tap TG
Brush Slap TG
Brush Swirl TG
1 Tom Jazz 1
1
1
1
1
Tom Jazz 2
1 Tom Jazz 2
1
Tom Jazz 3
1 Tom Jazz 3
1
Tom Jazz 4
Tom Jazz 5
1 Tom Jazz 4
1 Tom Jazz 5
1
1
Tom Jazz 6
1 Tom Jazz 6
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Hand Cymbal H TG
Hand Cymbal L TG
: Same as standard Kit
: No sound
69
E
E
1
1
1
1
Kick Tight Jazz TG
Kick Jazz
Band Snare TG
Castanet TG 2
Band Snare TG
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
Timpani D#
Timpani E
Timpani F’
128
C/M Kit
Hi Q TG
Whip Slap TG
Scratch H TG
Scratch L TG
Sticks TG
Click Noise TG
Metronome Click TG
Metronome Bell TG
Guitar Fret Noise
Cutting Noise H
Cutting Noise L
String Slap
Flute Key Click
Laugh
Scream
Punch
Heartbeat
Footsteps
1 Footsteps
Applause
1 Door Squeak
Door Slam
Scratch Cut
Wind Chime
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
1
1
1
1
1
1
1
1
2
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
Kick Tight CM
Kick CM
Side Stick CM
Snare CM
Hand Clap CM
Snare Electro CM
Floor Tom L CM
Hi-Hat Closed CM
Floor Tom H CM
Hi-Hat Open Short CM
Low Tom CM
Hi-Hat Open CM
Mid Tom L CM
Mid Tom H CM
Crash Cymbal CM
High Tom CM
Ride Cymbal CM
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Tambourine CM
1
Cowbell CM
1
Bongo H CM
Bongo L CM
Conga H Mute CM
Conga H Open CM
Conga L CM
Timbale H CM
Timbale L CM
Agogo H CM
Agogo L CM
Cabasa CM
1
1
1
1
1
1
1
1
1
1
TG300B Drum Map
Program#
Note# Note
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
1
Alternate assign Standard Kit
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
6
6
6
6
7
2
2
3
3
4
4
5
5
6
6
Maracas
Samba Whistle H TG
Samba Whistle L TG
Guiro Short TG
Guiro Long TG
Claves
Wood Block H
Wood Block L
Cuica Mute TG
Cuica Open TG
Triangle Mute TG
Triangle Open TG
Shaker
Jingle Bells
Bell Tree
Castanet TG
Surdo Mute TG
Surdo Open TG
9
Room Kit
E
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
17
Power Kit
E
: Same as standard Kit
: No sound
70
25
Electro Kit
E
26
Analog Kit
E
Maracas 2
E
1
Claves 2
1
TG300B Drum Map
Program#
Note# Note
33
Alternate assign Jazz Kit
41
Brush Kit
E
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
C#
D
D#
E
F
F#
G
G#
A
A#
B
C
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
6
6
6
6
7
49
Orchestra Kit
E
57
SFX Set
E
Helicopter
Starship
Gunshot
Machine Gun
Laser Gun
Explosion
Dog
Horse
Bird Tweet
Shower
Thunder
Wind
Seashore
Stream
Bubble
2
2
3
3
4
4
5
5
6
6
Applause
: Same as standard Kit
: No sound
71
1
128
C/M Kit
E
1
2
1
1
2
2
1
1
2
2
1
1
2
2
2
Maracas CM
Samba Whistle H TG CM
Samba Whistle L TG CM
Vibraslap CM
E
1
1
1
1
Claves CM
Laugh
Scream
Punch
Heartbeat
Footsteps
Footsteps
Applause
Door Squeak
Door Slam
Scratch Cut
Wind Chime
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Helicopter
Starship
Gunshot
Machine Gun
Laser Gun
Explosion
Dog
Horse
Bird Tweet
Shower
Thunder
Wind
Seashore
Stream
Bubble
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
2
1
2
1
1
2
2
1
1
2
2
1
1
2
2
2
C/M Drum Map
Note# Note Alternate
Assign
35
B0
36
C1
37
C#1
38
D1
39
D#1
40
E1
41
F1
42
F#1
1
43
G1
44
G#1
1
45
A1
46
A#1
1
47
B1
48
C2
49
C#2
50
D2
51
D#2
52
E2
53
F2
54
F#2
55
G2
56
G#2
57
A2
58
A#2
59
B2
60
C3
61
C#3
62
D3
63
D#3
64
E3
65
F3
66
F#3
67
G3
68
G#3
69
A3
70
A#3
71
B3
2
72
C4
2
73
C#4
3
74
D4
3
75
D#4
76
E4
77
F4
78
F#4
4
79
G4
4
80
G#4
5
81
A4
5
82
A#4
83
B4
84
C5
85
C#5
86
D5
6
87
D#5
6
88
E5
89
F5
90
F#5
91
G5
92
G#5
93
A5
94
A#5
95
B5
96
C6
97
C#6
98
D6
99
D#6
100
E6
101
F6
102 F#6
103
G6
104 G#6
105
A6
106 A#6
107
B6
108
C7
C/M Kit
E
Kick Tight CM
Kick CM
Side Stick CM
Snare CM
Hand Clap CM
Snare Electro CM
Floor Tom L CM
Hi-Hat Closed CM
Floor Tom H CM
Hi-Hat Open Short CM
Low Tom CM
Hi-Hat Open CM
Mid Tom L CM
Mid Tom H CM
Crash Cymbal CM
High Tom CM
Ride Cymbal CM
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Tambourine CM
1
Cowbell CM
1
Bongo H CM
Bongo L CM
Conga H Mute CM
Conga H Open CM
Conga L CM
Timbale H CM
Timbale L CM
Agogo H CM
Agogo L CM
Cabasa CM
Maracas CM
Samba Whistle H TG CM
Samba Whistle L TG CM
Vibraslap CM
1
1
1
1
1
1
1
1
1
1
1
1
1
1
Claves CM
Laugh
Scream
Punch
Heartbeat
Footsteps
Footsteps
Applause
Door Squeak
Door Slam
Scratch Cut
Wind Chime
Ignition
Squeal
Exhaust
Crash
Siren
Train
Jet Plane
Helicopter
Starship
Gunshot
Machine Gun
Laser Gun
Explosion
Dog
Horse
Bird Tweet
Shower
Thunder
Wind
Seashore
Stream
Bubble
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
1
2
1
2
1
2
1
1
2
2
1
1
2
2
1
1
2
2
2
: No Sound
72
VV98070 703CRIT1.3-02B0
M.D.G., EMI Division, © Yamaha Corporation 1997, Printed in Japan