1
Download Casio LK100AR1A User's Manual
Transcript
A
$#" ! LK100AR1A
CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
C
MA0603-A Printed in China
LK100AR1A
LK-100
1
1
Transmitted
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
1-4, 10
1-4, 10
Recognized
MIDI Implementation Chart
Default
Changed
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Model
Basic
Channel
Default
Messages
Altered
Function ...
Mode
Note ON
Note OFF
True voice
X 9nH V = 100
X 9nH V = 0
36-96
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O 9nH V = 1-127
X 9nH V = 0,8nH V = *2
0-127
36-96 *1
Note
Number
Velocity
X
X
X
X
X
X
X
Key’s
Ch’s
X
X
X
O 0-127, 0-99 *3
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
O
O 0-99
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
X
X
X
X
X
X
O
X
O
X
X
O
X
X
X
X
X
X
X
X
X
X
O
After
Touch
Pitch Bender
Control
Change
1
6, 38
7
10
11
64
: Song Pos
: Song Sel
: Tune
X
X
100, 101
120
121
System
Common
: Clock
: Commands
System Exclusive
:True #
System
Real Time
X
X
X
X
Program
Change
Aux
X
X
X
X
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
: Local ON/OFF
: All notes OFF
: Active Sense
: Reset
Messages
Remarks
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Version: 1.0
Remarks
& +* = *2
)( '& %
:*1
Modulation
Data entry
Volume
Pan
Expression
Hold1
RPN LSB, MSB
All sound off
Reset all controller
GM /. -, '& & :*3
O : Yes
X : No
662A-A-002A
662A-A-039A
(
) ! "#$% ! &#' (# ) *+,+ -(.
/0#1&23 04
% ( ) 5 (2 6 7&8 6 9* :#$ ;&< "#! (' 9=
04( 0=B1 A()+> +? & 2 6(@
C#?= ! &#' (# ) *+,+ -(.
/D+>
"#! (' 9= % ( ) E*+ 0FG
-(H & 9* :#$ ;& *+,+ -(. ;&I ? J( 9?'1 06&'
7
G K$G ! &#' (# )
/E(1&2? K$G L D
+#M(3 0#N6&?O 0#G#M+ 0P Q
(#! ) CR2N
CASIO
S(T# -U J&V1 7E&G L 3% ,0X M! 9$Y •
9# H 7*+,+
Z,&T3 # -6( H [8(\6 Z#T, ]= L 3% •
9$G H
"=N ^ )6 9#* H % 0= _+
?6 ,0V#V4 0G&F16 (1 ^ L 3% ?
` L "(T6 L&O J(aO6 01(4! Zb
(N* 0Vc+ (2#N( Z ;_+(1 _+& C%
0G&F1 dG$e 6 (2(I f g! S(+ ! &#' & 0h(1 0#Ba 01(4 6 S+ &F [% ,0V#V4 &#i
&F ) ;+j 6 0e6&' *+ &2k :#$ 0G&F1 ^ 9#h'% f g! 7&#Fl 01(4m6 S+ $
:#$ -(T! E(\ 0V#V4 &#i
&F ) ;+j 6 0e6&' *+ &2k :#$ *+,+ 0#(T! (2#H ,+ 6 *+ 9(16 01(4m $
0V#V4 &#i 0G&F1 ^ 9#h'% f g! 5GH N(T, `%
:#$ -(T! E(\
AR-1
662A-A-003A
AC y(2T 1&2? C M! E+M ●
[&o &F [ (> ,"FG 6 "= L?v
0kU L 3% A(T8* 0#1&2? 0B 6
0#( S(e(#m
C ) 0#G\ E(#a Zc+1 A(GF qG%< •
0N+ "&% 6
"&% 6 C 91 A(GF qG%< •
8 E+
C a 6 1 A(GF qG%< •
,A(=(% K$G 6 1&2? Q( s$4 g! •
0 G 6 4O C#3+1 9B%_
T CASIO +#M(3
C +?% (T#1 AC y(2 KT1 (GF
A
qG%< ●
0$
0#1&2? 0B &F [ Cg 9H # (? H AC y(2 M •
&F [ E( E((1 ('%
&<
0#1&2? 0B6 [&o
E+> & E()6 ; 6 0& Zc+1 qG%< •
&F [ E( AC y(2
+H 98(1
0#1&2? 0B6 [&o
q21&% H $ Y S(
(F$ -(TM! E+M !
,&=% 6 ,7
6(@ E(#a `% ") ^ (>
0#B' 01(4m6 [&o &F [ ;6
0#( S(e(#m 0kU L A(T8* 3%
sT% <6 A(GF S(
(F$ C#?=% -6(j< •
7&#BY 7&8* H +N+? 1
6 0N+ ! A(GF S(
(F$ &% < •
q2Y&V1 q2
;&1 0vY S(
(F1 51 A(GF qG% < •
7,
0= D+N L S(
(F1 51 A(GF qG% < •
S(
(F$ LVa A(GF -6(j < •
(–) 0$(6 (+) 0$,+ x&eO L 3% •
0V#V4 0G&F1 :2,+ +N+? S(
(F$
662A-A-004A
98(M n&% g! -(o H 0#( S+Fl ;&,
C##) 9* ! 0+G 0
(F$ L
E((1 q2=Fa !C##) st qG%< p
A
+H C$#$F1 9B% u
L?v C##) 9* ;+G 0
(F$ 98(M Q&% &k GH ! ;*w !" #$% ,& '" ,(
,0$&i 0V8
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S+Fl 0#8(1&2? 0B 6 [&o &F [ 7
& 6
A
+H 0#(
x(Gm Zc6 ! 7
G -+ p
L ")N! ,7
G BT3 AC y(2 % d3 g! u
58(o(1 (# z&
CASIO +#M(3 0 G 6 |4O C#3+1 9B%! {
7T
AC )*+
[&o &F [ AC y(2 M E+M ●
0kU L 3% A(T8* 0#1&2? 0B6
0#( S(e(#m
2 *} AC y(2 M! L 3% •
5GH ^
+?% ; 7
G B 5GH M •
AC y(2 ) q ~ LTc "#+H
1&2? (# z
( 8 9#TV(1 qG%< •
*O QUM 6
AR-2
8%= >"?
CM
) 0#?#MU$ 0$#Go Zc+1 A(GF qG%<
(O &F [ Cg 9H CTH 9* 6
() 0$F +?% &V 21 04( 0()
7&#h4 -(=e ,+%
*@ AB3 -+ C@ !6/
H $1 L?v "#) x+Y+ 6 ^ [%
&V 21 04( 0() (=(%
A s$B 6 "1UGN!
7&#h4 -(=e ,+% () 0$F +?%
DB+
6 ,d1(\ &#i 9(
+H ^ Zc6 I
d1(\ &#i & ZY+ ; 6 ,
O sFM )
,^ nUGN! H $ L?v d1(\ &#h ZY+
0#B' 01(4m &F [ (>
-+ .'/ 01
( H ^ &1 A(GF qG%<
[ (> ,
(=N! H $ L?v Cg 9H 0#B' 01(4m 6 [&o &F
2 (+3 4+
0$&h *+6 ;&O 98+6 ,E( -+* &F [ ^ 9* / L ZFY 9.
S+Fl ;&, 0#8(1&2? 0B 6 [&o
-(o H 0#(
x(Gm Zc6 ! 7
G 9+j p
,7
G BT3 AC y(2 % d3 g! u
58(o(1 (# z& L ")N!
+#M(3 0 G 6 4O C#3+1 9B%! {
7T CASIO
5!63 789
"% -6(j 6 ^ C#?=% A(GF -6(j<
0B &F [ Cg 9H 0G&e ;1
0#Ba 01(4! 6 ,
6&o(1 01(4m ,0#8(1&2?
,0# 51+6 S(4+V= 93 Q&% ~&
+#M(3 0 G 6 4O C#3+ 0N(#B6
7T CASIO
!:3 ;<
"e+G1 "=% 1 ^ M! H &TMO
[&o &F [ 0+Y 04 ! "c&% 6
H 0#( S+Fl ;&, 0#8(1&2? 0B6
-(o
x(Gm Zc6 ! 7
G 9+j p
,7
G BT3 AC y(2 % d3 g! u
58(o(1 (# z& L ")N!
+#M(3 0 G 6 4O C#3+1 9B%! {
7T CASIO
AR-3
662A-A-005A
FG
K$G D1 qY A(T8* ,^ `#k1 (#G 9$Y
Q&% A<6 58(o(1 (# z& L AC y(2
y(2T ` &F [ "$G H AC y(2
0#8(1&2? 0B6 ,[&o ,AC
q21&% H $% Y S(
(F$ -(TM! E+M !
,&=% 6 ,7
6(@ E(#a `% ") ^1 (>
0#B' 01(4m6 [&o &F [ ;6
0#( S(e(#m 0kU L 3% (T8*
A
Z M 7*} S(
(F$ 5GH M! •
^ 5F% d3 g! ^ L S(
(F$ DN •
0+e 7&= "M!
=H
7*} S#26 72,O 5GH 946
S#2I 6 72, 9#4+% ^ SU#4+1
0#8(1&2? 0B6 [&o &F [ 7*V &#i
DB+
ZY+ 9 ^ 2 0#( ZY+ I
0#8(1&2? 0B6 [&o &F [%
7&#$? 0#T? 6 0#( 01+e& 0c& [e( •
($h L
7&1O 0c& 6 (F &#j [e( H •
d
,0RH 7*( )6 ,`##? _(2, L ($&Y
A
•
,&a($ KT' E+ 0c& [e( H6
[e( ; 6 ,KT' H 0=Y6 7
(#M 9*
0#( 7
&o S(,
^ &% ~&
662A-A-006A
AC )*+
[&o &|F [ AC y(2 -(TM! E+M ●
0#8(1&2? 0B 6
0#( S(e(#m 0kU L 3 L3 (T8*
A
L A($&Y 8(1&2? C Zc+1 qG% < •
7
&V ;& *(B ; 6 Y+
L 0)N ) C n1 A(GF qG%< •
y(2 L a A(T8* 8(1&2? (# z&
"1(Y L ")N ) AC
[&o &F [ AC y(2 -(TM! E+M ●
0#8(1&2? 0B 6
0#( S(e(#m 0kU L 3 L3 (T8*
A
58(o(1 (# z& 9* AC y(2 9*! •
"#! 9B ; 1 !
(# z& L AC y(2 K$G D1 qY •
9$Y 6 0)& `4+ E(\ 58(o(1
- L) n(#h 6 ( 0
! n(
0+e 7&=
K1(Y DN ,0 H 9YO ) 76 7& •
s6 58(o z& L AC **& y(2
0F#} 0GF ) 0T3& 01&% ;
K1(G SE+1
-+ DE3 (@
K$G D1 qY (T8*
A
,^ Zc+ 7*()1 (#G 9$Y
9B=1 qY6 58(o(1 (# z& L AC y(2
04+ QUMO6 ;&O SU1(? 93
` &F [ 04+ QUMO Q&% 0#8(1&2? 0B6 ,[&o ,QUM
AR-4
4J
^
+H 0#G\ E(#a Zc+1 A(GF qG%<
(> ,9#G\ ^ ) 9 L?v Cg 9H ,"Y+H L y' +GM 6 ^ nUGN! H $
0#B' 01(4m &F [ (>
*5
' L': DMN
L|?v 0V#V4 &#i 0G&F1 ZT@ 9(o
&F [ (> ^ +GM H A($$ G
0#B' 01(4m
Z$% ,0V#V4 0G&F1 9(o Z#TI L |3%
d#$% L 3% " %% Z#T S(T#%
0V#V4 0G&F1 9(o ) ^
;
(#! y'3 ( 9(o *
Cg6 91 7
Y B 9GN 6 q2$M L 3% ,S(
(F$ M )
0 # ( S < ( o L A ( 0k U )
0 Y ( F B & a w ( ) 9 # h ' Z c + - + V & # i _( 2 ( 2 % E & Y B % 6 , 0 T , 0 F G 7 + B 1 y # % 0 c ( & S ( )( T M S ( ) ( T S + 4 ~ + # $ e & # i ( = N ( S +B " + ' %
0 = % & S + 4 1 x ) S + B H c &) 9 %
Z = % & S + B 1 x ) 0 Y ( F H y , ( = ( # 2N !
Z = % & S + B1 x ) ( 2 ( ) ! 6 0 c ( E + c n 1 %
( (= ) 5h 2% 6 Q&% 1 &T ( S+B
( 2 % & ! Y 0 T h L ) ( , ` 0 T h N S + 4 4 !
# $ e &# i 0 # i O C 1 x ) 6 D ( G ! 5
L x ) = S+4 ~+ 6 ,S+B "+'% ,0Y(F GH
MIDI _(2, 6 9B &%+#$+3
# $ e &# i 9 ? ' 1 = + H 6 & ? # S + 4 ~ + + H6 & ? # 9 * H + ' %
+ H 6 & ? # M ! ) 7 G B &a w ( ) !
•
•
•
•
I6 JJ
0a(' LCD 0+ ) 5h(1 A(GF qG% < •
Cg 9H ! 0+Y 0B (2c&% 6 0c
(
,LCD 0+ z(,_ H $ Y
0#Ba 01(4! 6 &F ($$
A
,LCD 0+ S&?% 6 d&'N6 g! •
98(M 0+ 9* 98( KT1 A(GF qG%<
^##2% $ L?v LCD 0+
,CTH LCD 0+ 98(M 9*6 g! •
9B%6 E( 0FM+1 -(o H CTH 9i
C$#$F1
9* LCD 0+ 98(M 9*6 g! •
E( M1 `Fa ,Q, ) 6 C##)
q\ ,9YO ) 0G#Y* p + 7 `#k
#$F(1 9B%
: K<
0#() S+4 S(+ Sg G#M+ ! ZT%<
+?% &V 21 04( 0() 0+e S&= ,
A
51+c gO S()(TM % () 0$F
7
Y `% L?v 0#( S+B ;+
CTM
•
•
•
•
•
•
•
•
•
•
•
': ;
;+G E+ & ,, 7
*(N S<( H
^' $ L?v + E+ 6 y,(=
93(' 1 6 ,)+ GH ,A(#ko
*&HO 1 Z ~&O 0+
x6&k L A(O &% Y "N ZY+% d3 g! •
C$#$e 7
('M! C#) "NH , 9
^ M! 9$Y
#,
A
7E( +?% 0GF H ^ M •
C 021(' S(U) L ;1 S&a g! •
`Y6 ,^ M! ) U) 06&'
J(l C$#$F1 9B%6 -(o H "M!
AR-5
662A-A-007A
< " L = + JO P@ QB JR
3 D/H/ AS6 ❐
:8$T 0$(1 ,s#%(= 0+ x) 5#$% ) )(% q2= 02M 0a(' ) S&aw •
TR
M2# UVV ❐
W( X >#Y (!6
MZ<+ " :+ H ❐
9(1 0$ 0#8(G 0$(BT 5 •
& 7/ C
M2# UVV ❐
x E(\ 6 x 7*()! 0 0$ %% 0#iO C1 S(ThN L 0ThN p ")+T ( •
T= [ \( ]G# ❐
(T#1 y% 6 s#%(= ! &k(1 Cg6 S+ d#Y+% ) A*( s$B% 0$ Hy% () s#%(= D($%1 0#G#M+ C%
(2 0#T1 qY •
0*() x) 0G&F1 x -6( 0(2 H C 0V& 0G&F1 x ) n
% Cg 1 0#iO C1 H 0$ 0ThN p - L ~ x%
0#iO C1 0ThN L Cg6
S+ x (2M! Z1(4O )% ? u qY
7+Fl 6 p qY
7+Fl x) E(\ (NO S+4 7(3(V •
0c
( 0a(a ) A( 0#G#M+ S+ d#Y+% ! (' /0#%+B Z1(4O(1 x. 01+F 0#G#M&
" :+ ❐
S($(B S+4 9I 76 0(3 0 [1(F qh6 S+B6 D(Gm zg( (#?#%(+%6 s#%(= 0+ ^% x+M6 ( &%6 * 0e($1 •
(##$e6 (A#
2 H ❐
s#%(= 0+ (= &#h% 0
+H 02M 0#T) •
MIDI ^_ ❐
s#%(= 0+ H x 0FM+1 94+ _(26 s#%(= 0+ L 93 H S+ S+4 4! L C?v & MIDI _(21 9#4+ ! •
_38+ `
❐
N(iO C1 (o Z ;_+(1 E(h C?v6 A(
(I ( +H6&?# 9#4+1 qY •
662A-A-008A
AR-6
b a 3! W
AR-18 0#8(G0$(B M!
AR-20 5$ 0G1(M zg(T Z -(I
m
AR-21 cccccccccc d= [ \( ]G#
AR-21 U S+Fl
* (kN M
AR-1 cccccccccccccccccccccccc AR-6 ccccccccccccccccccccccccc <" L
=+
AR-8 ccccccccccccccccccccccccccccccccc ]@ 5(
0#G#M+ 0FG 9(
(o!
AR-23 0#%+B Z1(4O(1 x 9#*
AR-9
AR-23 d#Y+ &aw
AR-10 cccccccccccccccccccccccccc D% DW
AR-24 d#Y+ q :p 7+F
AR-25 LV q :u 7+F
AR-11 ccccccccccccccccccccccccc ! !:
0*() 0)&1 x :{ 7+F
AR-11 S(
(F$ M
AR-26 ~&# # E, ) AR-11 AC **& (# y(2 M
AR-25 AR-27 cccccccccccccccccccccccccccccccccc MIDI
AR-27 ?MIDI 0#4( (
AR-12 A(#8(G% 7
G x(G!
AR-12 7
G 9#4+% N!
AR-27 ( MIDI
AR-12 ccccccccccccccc 7'9
/ 6
AR-29 cccccccccccccccccccccccccccc P_ DW
AR-13 cccccccccccccccccccccccccccccc =H
AR-29 AR-13 E( F O U 4 AR-31 S(=4+
A-1 cccccccccccccccccccccccccccccccccccccc ^'
z&OS()(T K$G
AR-13 q#)% K$G
AR-13 +H6&?# K$G M!
AR-14 S
(#m6 S(GV
A-1
GM 0ThN 0F& 0T8(Y
A-2
D(Gm0T8(Y
AR-15 ccccccccccccccccccccccc %% M@
(FINGERED CHORD) Z1(4O(1 x (%6 -6,
AR-15 (# 9BH6 9#4+
A-3
MIDI Implementation Chart
AR-15 S(Th &##h
AR-16 7#= ~& `8(6
AR-17 &Mm (o x)
AR-18 AR-7
D ( G m x )
662A-A-009A
1
23
4
7
C D
E
F
5
8
9
G
*
6
0
H
**
I
A
B
E
J
K
L
M
662A-A-010A
N
O
P
Q
R
AR-8
100 SONG BANK -,+* F
MIC VOLUME 1
- 4 3 G
POWER/MODE 2
50 RHYTHMS -,+*
A-2 H
POWER 3
MAIN VOLUME ! 4
100 TONES -,+* I
DEMO ! 5
%$ #" A-1 GM ! 9 8 7 6 5 KEY LIGHT ! 6
J
('&% $#" RHYTHM CONTROLLER ●
TRANSPOSE/TUNE/LOCAL CONTROL ;: K
* < )
SYNCHRO/FILL-IN ! 7
L
START/STOP ! 8
(A@ ? > =" 3-STEP LESSON ●
STEP 1 ! M
TEMPO ) 9
STEP 2 ! N
SONG BANK ! 0
STEP 3 ! O
RHYTHM ! A
TONE ! B
PART SELECT ! P
- . - , + *
ONE KEY PLAY ) Q
C
CHORD 21 0,/) D
SPEAK ! R
, E
- K J@ - I *
MIDI OUT D@ CB S
S
T
U
V
W
X
MIDI IN @ CB T
SUSTAIN $ FE U
DC 9V FE V
PHONES/OUTPUT FE
2&'1 #0/ .' -', +' *') %(&'
;5* 0:"&:9 85 & 70" #" 65 43*
+ * ) % ( &:
W
MIC IN FE X
-/ -3A I HG8 **
%< A':' @&' 8" ?;' .')& %'"1 .'> #" %'= %<
E & 3 A D . 3 * # < & $ & C 7 B AR-9
662A-A-011A
M& / M L kb'4 %" j'i AR-21 ( .'W 8$- hB &'g +-< ( #" C'5P9 ;@9 & '";RD" A': '@& 3' ) '3"V f- &' \He bd
& g 1
3
2
A: @& .3* E<&3" \H$ [H* 5
4
5
5
NORMAL 8F&3 POWER/MODE .5" G7F 1
< 4
Y&g . STEP 1 -H l!F T>
ONE KEY PLAY --S ?;R) &5 [H*
LH* L" [H '0:"&:9 G7X5 [&) m@' [H *)
E <& 3 •
SONG BANK -H G!F 2
- Q < P O - N & ) 0 4 )
SONG BANK
A: @& .3* )& &5 [H*
E < & 3 # 3 8 " l & p K o m @ " # 1 n K * # 1 [ H # " j " c # * 5 _ ! # 3 : & [ H : , q Y & g 8 "
J ! X l ? & : )& @& 3 A : "
•
•
?;R) QP ,
5NM L5 K JH: I ;: . #3 <;@ 3
#<; ET Q 2< ?-M --S
3 QP 1 %< “13 TWINKLE TWINKLE LITTLE STAR” -R
•
Tw i n k l e
< 4 Y&g . STEP 2 -H l!F T>
rX: .d = A: G!F ,A: @& . &5 [H*
\ . X " &d > j G ! F . ) ^R [&) rX j Is 99 .@ 84 Q- #" 5N E T
J 3 * G ! X < , t
4 H : I ^ ] . J : & 5 3 u 5 j _ " & [ & )
: & 5 . W 7 @ % 5 : A E < & 3 " j " G ! X : I ; •
•
•
•
STEP 2 -H 9 STEP 1 -H G!F 4
STEP 2 VU 9 STEP 1 VU 4 ,LT %: ";5*
" \.V [H' Z5:9 Y<9;" 'X :&( -;: A:' @& IW
a ` 9 _ " & : 4 3 * G !X : I ^ ] . A : @ & 3 . 3 *
F- .3* 4 cb 8(M [H3 a7: [H*
•
•
•
Tw i n k l e
O R 662A-A-012A
AR-10
5 &2[
, Y -9 } \ V | { 3 : J 5 * z 5 y Q 4 D : K m 7 D ; - 7 2 ) W \ & ) I W
'@" #" a< ;=v: R'i ( 9 x1 x3R' cb9 ,,5: I 9
> @ Y Y < K & & 0 I v A D : ` 9 a 3 " - 7 L 0 : 2 9 ] ` •
Q4 Q45" 3R 9 &RD .W a3" -7 ~: ` •
Y;;$ cv /; - G3R a3" Q: ` •
3R" & #" - G3R a3" Q: ` •
- 7 # V a 3 " 29 ] ` •
C4$&" &&'0 -7'3 (–) 7D'9 (+) 7$& [>M I #'" ;=v: •
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662A-A-015A
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662A-A-017A
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T r ans ( – )
E
RU / B K G
C
B
B (-1) /BK
A
A
B
B
C#
C
E
D
Trans (–)
SIDE STICK
CRASH CYMBAL 2
ACOUSTIC SNARE
CLAVES
HAND CLAP
RIDE CYMBAL 2
ELECTRIC SNARE
HIGH BONGO
LOW FLOOR TOM
LOW BONGO
CLOSED HI-HAT
MUTE HIGH CONGA
HIGH FLOOR TOM
OPEN HIGH CONGA
PEDAL HI-HAT
LOW CONGA
LOW TOM
HIGH TIMBALES
OPEN HI-HAT
LOW TIMBALES
LOW MID TOM
HIGH AGOGO
HIGH MID TOM
LOW AGOGO
CRASH CYMBAL 1
CABASA
HIGH TOM
MARACAS
RIDE CYMBAL 1
VOICE 1
CHINESE CYMBAL
VOICE 2
RIDE BELL
VOICE 3
TAMBOURINE
VOICE 4
SPLASH CYMBAL
VOICE 5
0 H S - W G ! ! 43 5 C G " G ^ V > G W ! G ) . * @ " , !/ G% '5 V G% 7 C/% W
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: 6b#
: 6b#
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662A-A-018A
D
E
F
G
A
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C
AR-16
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AR-20
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AR-21
ONE KEY PLAY
SPEAK
9;
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662A-A-023A
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GM 00
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
GRAND PIANO
BRIGHT PIANO
HONKY-TONK
E GRAND PIANO
ELEC PIANO 1
ELEC PIANO 2
ELEC PIANO 3
ELEC PIANO 4
HARPSICHORD
CLAVI
ELEC ORGAN 1
ELEC ORGAN 2
ELEC ORGAN 3
ELEC ORGAN 4
CHURCH ORGAN
PIPE ORGAN
REED ORGAN
ACCORDION
BANDONEON
HARMONICA
NYLON STR GT
STEEL STR GT
JAZZ GUITAR
CLEAN GUITAR
MUTE GUITAR
DIST GUITAR
ACOUSTIC BASS
ELEC BASS
SLAP BASS
BANJO
VIOLIN
CELLO
HARP
STRINGS 1
STRINGS 2
STRINGS 3
SYNTH-STR 1
SYNTH-STR 2
CHOIR AAHS
SYNTH-VOICE
TRUMPET
TUBA
BRASS SECTION
FRENCH HORN 1
FRENCH HORN 2
BRASS 1
BRASS 2
SYNTH-BRASS 1
SYNTH-BRASS 2
SYNTH-BRASS 3
662A-A-034A
GM 0
1
3
2
4
5
8
9
6
7
16
17
18
15
19
104
20
21
23
22
24
25
26
27
28
29
32
33
36
105
40
42
45
48
49
44
50
51
52
53
56
58
57
60
59
61
69
62
63
70
30
31
34
37
35
41
43
46
55
91
85
83
47
84
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
SOPRANO SAX
ALTO SAX
TENOR SAX
OBOE
CLARINET
PICCOLO
FLUTE
RECORDER
FLUTE ENSEMBLE
WHISTLE
SYNTH-LEAD 1
SYNTH-LEAD 2
SYNTH-LEAD 3
CALLIOPE
SYNTH-PAD 1
SYNTH-PAD 2
SYNTH-PAD 3
BOWED GLASS
HALO PAD
SYNTH-BASS
RAIN DROP
SF
SOUNDTRACK
SPACE PAD
SYNTH-SFX
VEHICLE
TELEPHONE
SPACE
INVADER
FUNNY
STRINGS PIANO
STRINGS EP
CHOIR EP
CHOIR ORGAN
STRINGS GUITAR
STRINGS HARP
BRASS STRINGS
VIB PAD
12STR GUITAR
CHOIR STRINGS
BASS/PIANO
BASS/E PIANO
BASS/VIB
BASS/NYLON STR GT
BASS/DIST GUITAR
STRINGS/PIANO
STRINGS/TRUMPET
VIBRAPHONE
MARIMBA
PERCUSSION
GM 64
65
66
68
71
72
73
74
75
78
87
81
80
82
89
90
95
92
54
38
96
103
97
101
102
125
124
126
127
123
106
88
108
109
99
111
112
113
114
115
100
117
118
119
120
121
122
10
12
67
79
76
77
86
93
94
39
98
107
110
116
11
13
14
A-1
POPS
DANCE/FUNK
00
CLUB POP
26
TECHNO
01
FUNKY POP
27
TRANCE
02
SOUL BALLAD
28
DISCO
03
POP BALLAD
29
FUNK
04
LITE POP
30
RAP
05
16 BEAT FUNK
EUROPEAN
06
8 BEAT POP
07
POP ROCK
08
DANCE POP
09
POP FUSION
10
FOLKIE POP
ROCK
POLKA
32
MARCH
33
WALTZ
34
SLOW WALTZ
35
TANGO
LATIN/VARIOUS I
11
ROCK WALTZ
12
SLOW ROCK
13
SOFT ROCK
14
50’S ROCK
15
60’S SOUL
16
4 BEAT ROCK
17
ROCK
18
TWIST
19
NEW ORLNS R&R
20
R&B
JAZZ/FUSION
21
BIG BAND
22
SWING
23
FOX TROT
24
JAZZ WALTZ
25
LATIN FUSION
A-2
31
36
BOSSA NOVA
37
SAMBA
38
MAMBO
39
REGGAE
40
SKA
41
SALSA
42
FOLKLORE
43
RUMBA CATALANA
VARIOUS II
44
COUNTRY
45
TOWNSHIP
46
SLOW GOSPEL
47
BALADI
48
BAROQUE
49
NEW AGE
662A-A-035A
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662A-A-036A
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A-4
662A-A-037A
LK-100
1
1
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Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
1-4, 10
1-4, 10
Recognized
MIDI Implementation Chart
Default
Changed
Mode 3
X
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
Model
Basic
Channel
Default
Messages
Altered
Function ...
Mode
True voice
36-96
❊❊❊❊❊❊❊❊❊❊❊❊❊❊
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X 9nH V = 0,8nH V = *2
0-127
36-96 *1
Note
Number
X 9nH V = 100
X 9nH V = 0
X
X
Note ON
Note OFF
X
X
O
Velocity
X
O
X
O
X
X
O
Key’s
Ch’s
X
X
X
X
X
O
After
Touch
Pitch Bender
Control
Change
1
6, 38
7
10
11
64
Version: 1.0
Remarks
= *2
:*1
Modulation
Data entry
Volume
Pan
Expression
Hold1
662A-A-038A
