Download Ashly ITC-2 Specifications

Operating Manual -MX-508 Stereo Microphone/Line Mixer
6. TYPICAL APPLICATIONS:
6.1 Small Sound Reinforcement System:
In the setup shown here, the MX-508 is used to mix typical sound sources that might be found in a small club, school
theater or similar environment. Six of the input channels are used for microphones for live vocal or instrumental
pickup. The remaining two channels are used for playback from a stereo tape recorder, such as might be used during
intermission, for backup, for special recorded effects, etc. The power amplifier (or any additional equalizers or electronic crossovers which may be used) is fed from the transformer balanced Output connectors.
Amplifier
Speaker
Zone 1
Amplifier
Speaker
Zone 2
8 Mic/Line
Inputs
Tra nsfo rmer Balanced
Output
-R-LAux 1
Se nd
120 VAC
50-6 0Hz
Fuse
3AG 1A
Tra nsfo rme rles s
Output
Ash ly Audio Inc.
Mad e In USA
-R-
To reduce the risk of
electric shock do not
Mo no
remove cover. No user
serviceable parts inside.
Output
Refer servicing to
qualified personnel. To
reduce the risk of fire
replace with same type
fuse. To reduce the ris k of
fire or ele ctric shock do not
expose this equipment to
rain or mois ture.
Ch .7
Ch .6
Ch .5
Ch .4
Ch .3
Ch .2
Ch .1
Pad (-20d B)
Pad (-20dB )
Pad (-20dB )
Pad (-20d B)
Pad (-20d B)
Pad (-20dB )
Pad (-20dB )
Mic
Input
Mic
Input
Mic
Input
Re turn 1
Line
Input
Return 2
-R-
-R-
Line
Input
Sen d*
Ta pe/ CD
Input
Tip=Aux 1
Ring=Aux 2
-LR/ L
Su b In
Ta pe
Out
-L-
Ashly Audio Inc.
Model VCX-80
Made In USA
V+
Da ta
RI SQU E DE
CH OC EL ECTR IQU E.
NE PAS OUV RI R.
In **
3
1
On
2
V + D at a
Ch.2
Line
Input
Line
Input
Line
Input
Line
Input
Line
Input
Se n d*
Se n d*
Se n d*
Se n d*
Se n d*
TRS
(Inser
tion)
TRS
(Inser
tion)
TRS
(Inser
tion)
TRS
(Insertion
)
TRS
(Inser
tion)
TRS
(Inser
tion)
Return
Re turn
Re turn
Re turn
Re turn
Return
Re turn
Re turn
Ch.3
Ch.4
Ch.5
Ch.6
Ch.7
Ch.7
Out
In **
XLR Data Connector
On Top or Back.
Do Not Use
Remote
Transformers.
Dis able d
Ch.8
Sen d*
*TRS Insertion Using Send Jack:
Send = Tip, Return = Ring
INPUTS ar e Act ive B alance d (Ti p is +, Rin g is -).
OU TPUTS May Be W ired Balan ced o r Unb alanc ed.
** TRS I nsert ion Is Availab le - See O wne r's M anual **
Ch.6
Out
In **
Ch.5
Out
In **
Master Output
10
12
10K
DC Control
1
CW
Pin 1-9
Ch.4
Out
In**
9
Ch.3
Out
In **
Ch.2
Out
In **
Out
1 - Ch.1
2 - Ch.2
3 - Ch.3
4 - Ch.4
5 - Ch.5
6 - Ch.6
7 - Ch.7
8 - Ch.8
9 - Ma ster
10 - Con tro l CCW
11 - (Aux Gr ound)
12 - Cont rol CW
13-14 - (Aux Dat a In)
15 - NC
In**
Out
Ch.1
On
+10
+5
RD-8
Remote Level Control
0
-5
-10
-15
-20
-30
0
-5
- 0
1
-1 5
-2 0
-3 0
-50
-70
-5 0
-7 0
¥
-
Gain (dB)
¥
Gain (dB)
8-Channel
Microphone
Mixer
(Single Jack
Inserts Used)
*Direct Out Using Send Jack (No Return):
Use Mono Plug Only And Insert Dummy Plug Into Return Jack.
Master
+5
8
Line
Input
Se n d*
+10
-
Mic
Input
TRS
(Inser
tion)
Ch.8
AVIS:
100-120VAC
50-60Hz 15W
Ch.1
Mic
Input
TRS
(Insertion
)
Caution: No U ser Ser vice able Par ts Insi de.
Re fer All Ser vici ng To Qual ifie d S ervi ce Pers onn el.
To Reduc e Th e Ris k Of Fire Or E lectr ic S hock
Do Not E xpos e Thi s Equ ipmen t To Rain Or M oist ure.
Data Input
1
Mic
Input
-R-
Remote Control
3
Mic
Input
-LAux 1
Aux 2
Sub Out
*Normal Send And Return:
Use Mono (tip-sleeve) Plugs Only
2
Mic
Input
-LR/ L
Su b O ut
CA UTI ON :
Ch .8
Pad (-20d B)
Aux 2
Se nd
Right
Left
(M ono)
RD-8 Remote Controller
With 3-Pin XLR Data Cable
VCX-80
Patched Into
Channel
Insert Points
6.2 Meeting Room, Board Room, or Church
Mixer Using Remote Control:
In this example, the MX-508's send/
return insert jacks are interfaced with an Ashly
VCX-80 eight channel remote level controller,
allowing a full-featured mixer to be operated
from a distance by a non-technical person.
Once initially set up, the RD-8 desk-top remote
controller (or RW-8 if a wall-plate version is
desired) can be located far away (up to 1/4 mile)
from the main audio equipment rack using a
single balanced XLR cable, allowing for simplified sound system operation. A limited number of knobs, lights, and buttons saves the VIP
operator from distraction and potential embarrassment, while giving them a great deal of
overall system control. While only two zones
are shown, the MX-508 can independantly control audio to five different zones at once. Each
of these zones could just as easily be controlled
by the VCX-80 by interfacing with the mixer's
outputs.