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USER'S MANUAL
LYNX-MIX 164 EVO
16CH COMPACT INTEGRATED LIVE SOUND MIXER
WITH USB INTERFACE
MIC1
2
MIC2
1
2
MIC3
1
3
2
MIC4
1
3
2
MIC5
1
3
2
MIC6
1
3
2
MIC7
1
3
2
MIC8
1
3
2
MIC9
1
3
2
MIC10
1
3
2
MAIN MIX
OUTPUT L
1
3
LAMP
5V
0.5A
164 VO
3
16-CH COMPACT INTEGRATED
LIVE SOUND MIXER
LINE IN 1
LINE IN 2
LINE IN 3
LINE IN 5
LINE IN 4
LINE IN 7
LEFT
(MONO)
BAL/UNBAL
BAL/UNBAL
INSERT
BAL/UNBAL
INSERT
BAL/UNBAL
INSERT
LEFT
(MONO)
BAL/UNBAL
LINE IN 6
INSERT
LINE IN 9
LEFT
(MONO)
BAL/UNBAL
LINE IN 8
LINE IN 11
LEFT
(MONO)
BAL/UNBAL
LINE IN 10
LINE IN 15
LINE IN 13
LEFT
(MONO)
BAL/UNBAL
LINE IN 12
L
2
1
3
BAL/UNBAL
BAL/UNBAL
INSERT
INSERT
A
BAL/UNBAL
LINE IN 16
LINE IN 14
MAIN MIX
OUTPUT R
1
3
PHONES
2-TRACK IN/OUT
LEFT
(MONO)
BAL/UNBAL
2
R
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
B
TAPE OUT
TAPE IN
MIC
LINE
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
TRIM
PROGRAM (PUSH)
dB
+15 -35
0
LEVEL
SET
50
dB
+15 -35
0
LOW CUT
75Hz
18dB/Oct
LEVEL
SET
50
EQ
EQ
-15
+15
+15
LEVEL
SET
40
EQ
-15
+15
+15
+15
+15
EQ
-15
+15
+15
EQ
-15
+15
+15
DIGITAL STEREO EFFECTS PROCESSOR
50-59 Vocal
60-69 Rotary
70-79 Small Room
80-89 Flange+Verb
90-99 Large Hall
Echo
Echo+Verb
Tremolo
Plate
Leslie
88
PEAK/MUTE
DSP MUTE
+15
HI-MID
3kHz
-15
-15
00-09
10-19
20-29
30-39
40-49
HI
12kHz
+15
HI-MID
3kHz
-15
24BITs
LEVEL
SET
40
LINE
USB
HI
12kHz
+15
-15
dB
+20 -20
0
MP3
EQ
-15
LEVEL
SET
40
LINE
MP3
HI-MID
3kHz
-15
-15
dB
+20 -20
0
HI
12kHz
+15
HI-MID
3kHz
-15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
HI
12kHz
+15
-15
dB
+20 -20
0
LOW CUT
75Hz
18dB/Oct
HI-MID
3kHz
-15
-15
dB
+20 -20
0
HI
12kHz
+15
MID
+15
-15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
HI
12kHz
-15
MID
800
dB
+20 -20
0
EQ
HI
12kHz
+15
-15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
+15
-15
MID
800
dB
+20 -20
0
EQ
HI
12kHz
+15
-15
LEVEL
SET
50
LOW CUT
75Hz
18dB/Oct
+15
-15
MID
800
dB
+15 -35
0
EQ
HI
12kHz
+15
-15
+15
-15
LEVEL
SET
50
LOW CUT
75Hz
18dB/Oct
EQ
HI
12kHz
+15
-15
dB
+15 -35
0
LOW CUT
75Hz
18dB/Oct
63
HI-MID
3kHz
-15
+15
-15
+15
125
250
1K
500
4K
2K
16K
8K
+12
+12
800
+8
+8
+4
+4
FREQ
100Hz
8KHz
-15
+15
-
+15
1
FREQ
100Hz
8KHz
FREQ
100Hz
8KHz
MID-LOW
500Hz
FREQ
100Hz
8KHz
MID-LOW
500Hz
MID-LOW
500Hz
MID-LOW
500Hz
MID-LOW
500Hz
MID-LOW
500Hz
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
LOW
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
AUX
-15
+15
-
+15
1
0
EQ OFF
EQ ON
0
-4
-4
-8
-8
-12
-12
STEREO GRAPHIC EQ
AUX SENDS
AUX
STEREO AUX RETURNS
1
1
2TK IN
1
2
2
2
2
-
+15
2
-
+15
-
+15
-
2
8
SOLO
+15
2
8
-
2
8
8
2
8
8
8
8
8
8
2
8
2
8
2
8
8
8
TO AUX
SEND1
2
+15
TO MAIN MIX
CTRL ROOM SOURCE
-
+15
4
+15
3
-
+15
-
+15
-
+15
SOLO
4
DFX2
(INT)
PAN
PAN
PAN
BAL
BAL
BAL
BAL
AUX RETURNS SOLO
-
+15
MAIN MIX
SUB 1-2
2TK IN
SUB 3-4
-
+15
MAIN MIX
CTRL/R
4
DFX2
(INT)
BAL
MAX
PHONES/
CTRL ROOM
SUB 1/2
PWR
+48
CLIP
10
SOLO
4-DFX2 SEND
PAN
8
8
3
+15
DFX1
(EXT)
-
4
DFX2
(INT)
-
8
+15
SOLO
+15
8
+15
8
3
DFX1
(EXT)
-
-
8
-
4
DFX2
(INT)
POST
PRE
+15
8
+15
+15
-
8
-
4
DFX2
(INT)
8
3
DFX1
(EXT)
-
8
+15
+15
POST
PRE
+15
8
-
4
DFX2
(INT)
8
3
DFX1
(EXT)
-
-
8
+15
+15
POST
PRE
+15
8
-
4
DFX2
(INT)
8
3
DFX1
(EXT)
-
-
8
+15
+15
POST
PRE
+15
8
-
4
DFX2
(INT)
8
3
DFX1
(EXT)
-
-
8
+15
+15
POST
PRE
+15
8
-
4
DFX2
(INT)
8
3
DFX1
(EXT)
-
-
8
+15
POST
PRE
+15
8
+15
8
3
DFX1
(EXT)
-
-
8
-
4
DFX2
(INT)
POST
PRE
+15
8
8
8
+15
8
-
4
+15
-
8
3
DFX1
(EXT)
-
8
+15
POST
PRE
+15
8
3
DFX1
(EXT)
-
-
8
POST
PRE
+15
8
3
-
8
8
POST
PRE
+15
8
TO AUX
SEND2
-
SUB 3/4
4-DFX2 RETURN
MAIN MIX
BAL
7
LEVEL SET
0
-7
TO L/R
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
TO L/R
PAN
TO L/R
PAN
TO L/R
PAN
PAN
SOLO ACTIVE
-10
SOLO MODE
PFL
AFL
OUTPUT LEVEL
-20
-30
PEAK
PEAK
MUTE
PEAK
MUTE
PEAK
MUTE
PEAK
MUTE
PEAK
MUTE
PEAK
MUTE
PEAK
MUTE
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
L
R
MUTE
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
dB
5
5
5
5
5
5
5
SUB 1-2
0
-25
-25
-25
-30
-40
-30
-40
-60
2
-30
-40
-60
SOLO
9/10
11/12
-30
-40
-60
SOLO
-60
SOLO
13/14
0
0
0
0
-5
-5
-5
-5
-5
-10
-10
-10
-10
-10
-20
-20
-20
-20
-20
-20
MAIN L-R
-25
-30
-40
-60
SOLO
-20
MAIN L-R
-25
-30
-40
-60
SOLO
7/8
-25
-30
-40
-60
SOLO
5/6
-25
-30
-40
-60
SOLO
4
-25
-30
-40
-60
SOLO
3
-25
-25
-30
-40
-60
SOLO
0
-5
-10
SUB 3-4
-10
-20
MAIN L-R
0
-5
SUB 3-4
-10
-20
MAIN L-R
SUB 1-2
0
-5
SUB 3-4
-10
-20
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-10
-20
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-10
-20
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-10
-20
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-10
-20
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-10
-20
5
SUB 1-2
0
-5
SUB 3-4
-10
MAIN L-R
5
SUB 1-2
0
-5
SUB 3-4
-20
1
5
SUB 1-2
0
-5
-10
All rights reserved to ALTO. All features and content might be changed
without prior notice. Any photocopy, translation, or reproduction of part of this
manual without written permission is forbidden. Copyright c 2009 Seikaku Group
PEAK
MUTE
dB
5
SEIKAKU TECHNICAL GROUP LIMITED
NO. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan
http://www.altoproaudio.com Tel: 886-4-22313737
email: [email protected] Fax: 886-4-22346757
PEAK
MUTE
-25
-25
-25
-25
-25
-25
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
SOLO
15/16
SUB1
SUB2
SUB3
SUB4
MAIN L
MAIN R
www.altoproaudio.com
Version 1.0 DEC. 2009
English
NF03385-1.0
10. WARRANTY
1. WARRANTY REGISTRATION CARD
To obtain Warranty Service, the buyer should first fill out and return the enclosed
Warranty Registration Card within 10 days of the Purchase Date.
All the information presented in this Warranty Registration Card gives the
manufacturer a better understanding of the sales status, so as to provide a
more effective and efficient after-sales warranty service. Please fill out all the
information carefully and genuinely, miswriting or absence of this card will void
your warranty service.
2. RETURN NOTICE
2.1 In case of return for any warranty service, please make sure that the product
is well packed in its original shipping carton, and it can protect your unit from
any other extra damage.
2.2 Please provide a copy of your sales receipt or other proof of purchase with
the returned machine, and give detail information about your return address
and contact telephone number.
2.3 A brief description of the defect will be appreciated.
2.4 Please prepay all the costs involved in the return shipping, handling and
insurance.
3. TERMS AND CONDITIONS
3.1 LTO warrants that this product will be free from any defects in materials
and/or workmanship for a period of 1 year from the purchase date if you
have completed the Warranty Registration Card in time.
3.2 The warranty service is only available to the original consumer, who purchased
this product directly from the retail dealer, and it can not be transferred.
3.3 During the warranty service, LTO may repair or replace this product at its
own option at no charge to you for parts or for labor in accordance with the
right side of this limited warranty.
3.4 This warranty does not apply to the damages to this product that occurred
as the following conditions:
Instead of operating in accordance with the user's manual thoroughly, any abuse
or misuse of this product.
Normal tear and wear.
The product has been altered or modified in any way.
Damage which may have been caused either directly or indirectly by another
product / force / etc.
Abnormal service or repairing by anyone other than the qualified personnel or
technician.
And in such cases, all the expenses will be charged to the buyer.
3.5 In no event shall LTO be liable for any incidental or consequential damages.
Some states do not allow the exclusion or limitation of incidental or
consequential damages, so the above exclusion or limitation may not apply to
you.
3.6 This warranty gives you the specific rights, and these rights are compatible
with the state laws, you may also have other statutory rights that may vary
from state to state.
24
1
9. TECHNICAL SPECIFICATION
Mono Input Channels
Microphone Input
Frequency Response
Distortion (THD & N)
Gain Range
SNR (Signal to Noise Ratio)
Line Input
Frequency Response
Distortion (THD & N)
Sensitivity Range
Stereo Input Channels
Line Input
Frequency Response
Distortion (THD & N)
Impedances
Microphone Input
Channel Insert Return
All Other Inputs
Tape Out
All Other Output
Equalization
Hi-shelving
Mid bell (Mono)
Hi-Mid (Stereo)
Mid-Low (Stereo)
Low-shelving
Low Cut Filter
Main Mix Section
Noise (Bus Noise)
Max Output
AUX Returns Gain Range
AUX Sends Max Out
Power Supply
Main Voltage
Power Consumption
Fuse
Main Connection
Physical
Dimension (W D H)
Net Weight
DSP Section
A/D & D/A Converters
DSP Resolution
Type of Effects
Presets
Controls
23
Electronically balanced, discrete input configuration
10 Hz to 55 kHz, +/-3 dB
0.005% at + 4 dBu, 1 kHz
0 dB to 50 dB (MIC)
115 dB
Electronically balanced
10 Hz to 55 kHz, +/-3 dB
0.005% at +4 dBu, 1 kHz
+15 dBu to -35 dBu
Balanced/Unbalanced
10 Hz to 55 kHz, +/-3 dB
0.005% at +4 dBu, 1 kHz
1.4 kOhm
2.5 kOhm
10 kOhm or greater
1 kOhm
120 Ohm
+/-15 dB @12 kHz
+/-15 dB -frequency range 100 Hz~8 kHz
+/-15 dB @ 3 kHz
+/-15 dB @ 500 Hz
+/-15 dB @ 80 Hz
75 Hz, 18 dB/Oct.
Fader 0 dB, Channels Muted: -100 dBr (ref.: +4 dBu)
Fader 0 dB, all input channels assigned and set to
UNITY Gain: 90 dBr (ref.:+4 dBu)
+22 dBu Balanced XLR
+22 dBu Unbalanced, 1/4" jacks
- to +15 dB
+22 dBu
USA/Canada
100-120 VAC~60 Hz
Europe
210-240 VAC~ 50 Hz
U.K./Australia
240 VAC~ 50 Hz
50 Watts
T1.25 AL
Standard IEC Receptacle
470.5 mm 400 mm 38/115 mm (18.52" 15.75" 1.49"/4.53")
6.45 Kg (14.2 lb)
24-Bit
24-Bit
Echo, Echo+Verb, Tremolo, Plate, Leslie, Vocal, Rotary
Small Room, Flanger+Verb,Large Hall
100
100-Position PRESET Selector
DSP MUTE SWITCH with PEAK LED Indicator
IMPORTANT SAFETY INSTRUCTION
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK
PLEASE DO NOT REMOVE THE COVER OR
THE BACK PANEL OF THIS EQUIPMENT.
THERE ARE NO PARTS NEEDED BY USER
INSIDE THE EQUIPMENT. FOR SERVICE,
PLEASE CONTACT QUALIFIED SERVICE
CENTERS.
WARNING
To reduce the risk of electric shock
and fire, do not expose this equipment
to moisture or rain.
Dispose of this product should
not be placed in municipal waste
and should be separate collection.
11. Move this Equipment only with a cart,
stand, tripod, or bracket,
This symbol, wherever used, alerts you to the
specified by the
presence of un-insulated and dangerous voltages
manufacturer, or
within the product enclosure. These are voltages that
sold with the
may be sufficient to constitute the risk of electric
Equipment. When
shock or death.
a cart is used, use
This symbol, wherever used, alerts you to
caution when
important operating and maintenance instructions.
moving the cart /
Please read.
equipment
Protective Ground Terminal
combination to
AC mains (Alternating Current)
avoid possible
Hazardous Live Terminal
injury from tip-over.
ON: Denotes the product is turned on.
12. Permanent hearing loss may be caused by
OFF: Denotes the product is turned off.
exposure to \ extremely high noise levels.
CAUTION
The US. Government's Occupational Safety
Describes precautions that should be observed to
and Health Administration (OSHA) has
prevent damage to the product.
specified the permissible exposure to noise
1. Read this Manual carefully before operation.
level.
Keep
this
Manual
in
a
safe
place.
2.
These are shown in the following chart:
3. Be aware of all warnings reported
with this symbol.
HOURS X DAY SPL EXAMPLE
4. Keep this Equipment away from water and
90 Small gig
8
moisture.
92 train
6
5. Clean it only with dry cloth. Do not use
95 Subway train
4
solvent or other chemicals.
97 High level desktop monitors
3
6. Do not damp or cover any cooling opening.
100 Classic music concert
2
Install the equipment only in accordance with
the Manufacturer's instructions.
102
1,5
105
1
7. Power Cords are designed for your safety. Do
110
0,5
not remove Ground connections! If the plug
does not fit your AC outlet, seek advice from
Rock concert
0,25 or less 115
a qualified electrician. Protect the power
According to OSHA, an exposure to high SPL in
cord and plug from any physical stress to
excess of these limits may result in the loss of
avoid risk of electric shock. Do not place
heat. To avoid the potential damage of heat, it is
heavy objects on the power cord. This could
cause electric shock or fire.
recommended that Personnel exposed to
equipment capable of generating high SPL use
8. Unplug this equipment when unused for long
hearing protection while such equipment is
periods of time or during a storm.
under operation.
9. Refer all service to qualified service personnel
The apparatus shall be connected to a mains
only. Do not perform any servicing other than
those instructions contained within the
socket outlet with a protective earthing
User's Manual.
connection.
10. To prevent fire and damage to the product,
use only the recommended fuse type as
indicated in this manual. Do not short-circuit
the fuse holder. Before replacing the fuse,
make sure that the product is OFF and
disconnected from the AC outlet.
The mains plug or an appliance coupler is used
as the disconnect device, the disconnect device
shall remain readily operable.
IN THIS MANUAL
1. INTRODUCTION................................................................................1
2. FEATURES.......................................................................................1
3. QUICK START..................................................................................3
4. CONTROL ELEMENTS......................................................................5
5. OPTION MODULES......................................................................14
6. INSTALLATION & CONNECTION......................................................18
7. BLOCK DIAGRAM..........................................................................21
8. PRESET LIST..................................................................................22
9. TECHNICAL SPECIFICATIONS..........................................................23
10. WARRANTY................................................................................24
1. INTRODUCTION
Thank you for purchasing the LTO LYNX-MIX164 EVO compact integrated
mixers, which available for 16 channels. Your LYNX-MIX164 EVO is a remarkable
compact mixer that doesn't find many equals in the market today. With 10
MIC and 6 Stereo Line-level inputs for serious live performances. There is a 3band EQ on mono input channels, 4-band EQ on stereo input channels. Use it
for large GIGs, and for fixed PA installation.
Enjoy your LYNX-MIX164 EVO and make sure to read this Manual carefully
before operation!
2. FEATURES
8. PRESET LIST
NO.
Preset
Description
Parameter
00~09
Echo
Reproduce the sound in input on the
output after a lapse of time or delay.
Delay Time : 145~205ms
10~19
Echo+Verb
Echo with Room effect.
Delay Time : 208~650ms
Decay time : 1.7~2.1s
20~29
Tremolo
Amplitude modulation of the signal.
Rate : 0.6 Hz~5 Hz
30~39
Plate
Simulate the transducers sound like
classic bright vocal plate.
Decay time:0.9s~3.6s
40~49
Leslie
Recreate the illusion of more than one
instrument from a single instrument sound.
Rate : 0.92Hz ~1.72Hz
50~59
Vocal
Simulate a small space with slight
decay time.
Rev. decay time: 0.8~0.9s
Pre-delay: 0~45ms
60~69
Rotary
Simulate the sound effect achieved by
rotating horn speakers and a bass cylinder.
Modulation depth : 20%~80%
70~79
Small Room
Simulate a bright studio room.
Decay time : 0.7~2.1s
Pre-delay : 20~45ms
80~89
Flanger+Verb
Simulate to play with another person
carrying out same the notes on the same
instrument and reverb.
Decay time : 1.5~2.9s
Rate : 0.8Hz ~2.52Hz
90~99
Large Hall
Simulate a large acoustic space of the
sound.Decay time : 3.6~5.4s
Pre-delay : 23~55ms
10 MIC inputs with gold plated XLR and balanced TRS jack
6 Stereo input channels with balanced TRS jacks
Ultra-low noise discrete MIC preamps with +48 V Phantom Power
SUB1-2, SUB3-4 & MAIN L-R signal assignment switches
4 AUX Sends per channel: 2 PRE/POST faders switchable for monitoring
application effects & sound processor input; 2 POST faders as external send
or for internal digital DFX
3-band EQ with sweepable MID on mono inputs; 4-band EQ on stereo inputs
Channel Inserts and Direct Outputs on each mono channel plus Main Insert
for flexible connection of outboard equipment
2-TRACK IN assignable to Main Mix, Control Room/Headphone outputs.
With USB port
Option 24-bit digital effect processor with up to 100 presets.
Option true stereo 9-band graphic EQ.
Option MP3 PLAYER.
Included rack-mount accessory for 19U rack.
1
22
1
2
3
1
MIC1
MIC
LINE
-
-
-
-
-15
+15
+15
+15
EQ
3
1
MIC
LINE
-
-
-
-
-15
+15
+15
+15
EQ
3
1
MIC
LINE
-
-
-
-
-15
+15
+15
+15
EQ
3
1
MIC
LINE
-
-
-
-
-15
+15
+15
+15
EQ
3
1
-
-
-
-
-15
-15
-15
LOW
1
LEFT
(MONO)
-
-
-
-
-15
-15
-15
LOW
LEFT
(MONO)
-
-
-
-
-15
-15
-15
LOW
LEFT
(MONO)
-
-
-
-
-15
-15
-15
LOW
LEFT
(MONO)
-
-
-
-
-15
-15
-15
1
-
-
-
-
-15
-15
-15
-
-
+15
+15
+15
+15
1
SOLO
2
SOLO
3
SOLO
4
SOLO
5/6
SOLO
7/8
SOLO
9/10
SOLO
11/12
SOLO
13/14
SOLO
15/16
SOLO
SUB1
SUB2
SUB3
-60
-60
-60
-60
-60
-60
-60
-60
-60
-60
8K
-12
-8
-4
0
+4
+8
+12
TO MAIN MIX
16K
DSP MUTE
MAIN L
R
+48
MAIN R
-30
-40
-60
-25
-20
-20
0
-5
-10
-5
5
dB
10
-10
-25
-30
-20
-10
-7
0
7
10
CLIP
OUTPUT LEVEL
L
PWR
0
5
dB
10
SOLO MODE
PFL
AFL
SOLO ACTIVE
LEVEL SET
PHONES/
CTRL ROOM
MAX
2TK IN
-
SUB 1-2
SUB 3-4
MAIN MIX
-30
-40
-60
SUB4
+15
INSERT
PROGRAM (PUSH)
CTRL ROOM SOURCE
-
2TK IN
4K
-25
-20
-25
-30
-40
-60
-25
-30
-40
-60
-25
-30
-40
-60
-25
-30
-40
2K
-30
-40
-60
-20
-20
-20
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-25
-30
-40
MAIN L-R
-20
-5
-10
-5
-10
-10
-10
MAIN L-R
-5
-5
-5
-10
SUB 3-4
-5
-10
SUB 3-4
-5
5
dB
10
PAN
RIGHT
TO L/R
LEFT
0
RIGHT
PAN
SUB 3/4
0
5
dB
10
LEFT
TO L/R
TO AUX
SEND2
TO AUX
SEND1
MAIN MIX
MAIN MIX
CTRL/R
SUB 1/2
-10
SUB 3-4
-5
RIGHT
PAN
+15
+15
-10
SUB 3-4
-5
+15
-
-
-10
SUB 3-4
-5
+15
1K
AUX RETURNS SOLO
2
-10
SUB 3-4
-5
-
-
+15
+15
1
-10
SUB 3-4
-5
-
-
4-DFX2 RETURN
4
3
2
1
-10
SUB 3-4
-5
500
PEAK/MUTE
88
INSERT
BAL/UNBAL
1
BAL/UNBAL
2
3
1
MAIN MIX
OUTPUT R
3
2
MAIN MIX
OUTPUT L
STEREO GRAPHIC EQ
250
-10
SUB 3-4
125
Vocal
Rotary
Small Room
Flange+Verb
Large Hall
STEREO AUX RETURNS
TO L/R
SOLO
SOLO
SOLO
SOLO
63
50-59
60-69
70-79
80-89
90-99
-10
-5
0
0
0
SUB 3-4
5
5
0
5
dB
dB
dB
5
0
SUB 1-2
dB
5
0
SUB 1-2
dB
5
0
SUB 1-2
dB
5
0
SUB 1-2
dB
5
0
SUB 1-2
dB
5
SUB 1-2
dB
SUB 1-2
0
0
SUB 1-2
5
RIGHT
PAN
dB
LEFT
TO L/R
5
SUB 1-2
SUB 1-2
-
-
4-DFX2 SEND
4
3
2
1
-12
-8
LEFT
EQ OFF
EQ ON
-4
0
+4
+8
+12
Echo
Echo+Verb
Tremolo
Plate
Leslie
DIGITAL STEREO EFFECTS PROCESSOR
00-09
10-19
20-29
30-39
40-49
24BITs
B
A
TAPE OUT
PHONES
LAMP
5V
0.5A
TAPE IN
2-TRACK IN/OUT
AUX SENDS
R
L
dB
0
164 VO
16-CH COMPACT INTEGRATED
LIVE SOUND MIXER
5
PEAK
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
MID-LOW
500Hz
HI-MID
3kHz
HI
12kHz
EQ
LEVEL
SET
TRIM
RIGHT
+15
+15
+15
+15
+15
+15
+15
LINE
USB
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 16
BAL/UNBAL
LEFT
(MONO)
LINE IN 15
3
dB
PEAK
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
MID-LOW
500Hz
HI-MID
3kHz
HI
12kHz
EQ
MP3
LEVEL
SET
TRIM
RIGHT
+15
+15
+15
+15
+15
+15
+15
LINE
MP3
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 14
BAL/UNBAL
2
10
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
1
LINE IN 13
3
10
PEAK
HI-MID
3kHz
MID-LOW
500Hz
RIGHT
+15
+15
+15
+15
+15
+15
+15
EQ
LEVEL
SET
TRIM
HI
12kHz
LOW CUT
75Hz
18dB/Oct
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 12
BAL/UNBAL
2
10
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
1
LINE IN 11
3
MIC10
10
PEAK
HI-MID
3kHz
MID-LOW
500Hz
RIGHT
+15
+15
+15
+15
+15
+15
+15
EQ
LEVEL
SET
TRIM
HI
12kHz
LOW CUT
75Hz
18dB/Oct
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 10
BAL/UNBAL
2
MIC9
10
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
1
LINE IN 9
3
MIC8
10
PEAK
HI-MID
3kHz
MID-LOW
500Hz
RIGHT
+15
+15
+15
+15
+15
+15
+15
EQ
LEVEL
SET
TRIM
HI
12kHz
LOW CUT
75Hz
18dB/Oct
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 8
BAL/UNBAL
2
MIC7
10
MUTE
BAL
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
3
LINE IN 7
2
MIC6
10
PEAK
HI-MID
3kHz
MID-LOW
500Hz
RIGHT
+15
+15
+15
+15
+15
+15
+15
EQ
LEVEL
SET
TRIM
HI
12kHz
LOW CUT
75Hz
18dB/Oct
40
+15
LEFT
4
3
2
1
MIC
LINE
dB
+20 -20
-15
0
RIGHT
LINE IN 6
BAL/UNBAL
LEFT
(MONO)
LINE IN 5
2
MIC5
10
MUTE
PAN
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
FREQ
MID
RIGHT
PEAK
LEVEL
SET
TRIM
HI
12kHz
8KHz
+15
800
+15
+15
+15
LEFT
4
3
2
1
100Hz
-15
50
LOW CUT
75Hz
18dB/Oct
dB
+15 -35
-15
0
INSERT
BAL/UNBAL
LINE IN 4
2
MIC4
10
MUTE
PAN
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
FREQ
MID
RIGHT
PEAK
LEVEL
SET
TRIM
HI
12kHz
8KHz
+15
800
+15
+15
+15
LEFT
4
3
2
1
100Hz
-15
50
LOW CUT
75Hz
18dB/Oct
dB
+15 -35
-15
0
INSERT
BAL/UNBAL
LINE IN 3
2
MIC3
10
MUTE
PAN
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
FREQ
MID
RIGHT
PEAK
LEVEL
SET
TRIM
HI
12kHz
8KHz
+15
800
+15
+15
+15
LEFT
4
3
2
1
100Hz
-15
50
LOW CUT
75Hz
18dB/Oct
dB
+15 -35
-15
0
INSERT
BAL/UNBAL
LINE IN 2
2
MIC2
10
MUTE
PAN
DFX2
(INT)
DFX1
(EXT)
POST
PRE
AUX
80Hz
LOW
FREQ
MID
RIGHT
PEAK
LEVEL
SET
TRIM
HI
12kHz
8KHz
+15
800
+15
+15
+15
LEFT
4
3
2
1
100Hz
-15
50
LOW CUT
75Hz
18dB/Oct
dB
+15 -35
-15
0
INSERT
BAL/UNBAL
LINE IN 1
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
8
IG
8
OT
L
8
21
SP
8
7. BLOCK DIAGRAM
HT
LYNX-MIX164 EVO
2
1
3. QUICK START
6. INSTALLATION AND CONNECTION
This is the fastest way to get something out from your LYNX-MIX164 EVO, if you
have a keyboard and a microphone.
a. Plug the microphone into Channel 1 MIC IN.
b. Turn down AUX and LEVEL controls on the input channel.
c. Put the EQ controls on center position.
d. Turn on your LYNX-MIX164 EVO.
e. Sing or speak into the microphone with normal volume and adjust the channel
LEVEL control to half.
f. If you like, you can adjust the EQ at this stage.
g. The LED on the Master LED meter should flash only occasionally, otherwise
you will hear distortion. If this LED is not active and you still hear distortion,
please turn down a little the input LEVEL control or reduce the output level
of your source instrument.
h. Connect your stereo keyboard into one of the stereo line inputs channel of your
LYNX-MIX164 EVO.
Ring=Return Signal (Connected together)
To Channel Insert
Sleeve=Ground/Screen
Tip=Signal
To Tape or FX Input
Sleeve=Ground/Screen
'Tapped' Connection Direct Output Lead
(Enables the Insert to be used as a Direct Output
while maintaining the channel signal flow)
Here you are. It is your first GIG with your LYNX-MIX164 EVO.
To Processor Input
Sleeve=Ground/Screen
Tip=Send Signal
Tip
To Channel Insert
Sleeve
Ring
Ring=Return Signal
To Processor Output
Y-Stereo lead for insert Connection
(To be used when the processor does not employ a
single jack connection for the In/Out Connections)
USB Connection
3
20
1
6. INSTALLATION AND CONNECTION
HOOK
LARGE GIG HOOKUP DIAGRAM
UP
Audio Connections
You can connect unbalanced equipment to balanced inputs and outputs. Simply
follow these schematics.
Tip
Ring
Sleeve
WIRELESS
MICROPHONE 1
MIC 1 MIC 2 MIC 3 MIC 4
ACTIVE SPEAKERS
CD PLAYER
WIRELESS
MICROPHONE 2
Ring=Right Signal
Tip=Left Signal
Strain Clamp
MIC1
2
1
MIC2
2
3
MIC3
1
2
3
MIC4
1
2
3
MIC5
1
2
3
MIC6
1
2
MIC7
1
3
2
3
MIC8
1
2
MIC9
1
3
2
3
1
MIC10
2
3
MAIN MIX
OUTPUT L
1
164 VO
3
16-CH COMPACT INTEGRATED
LIVE SOUND MIXER
Sleeve=Ground/Screen
LINE IN 1
LINE IN 2
BAL/UNBAL
Use for Headphone
INSERT
LINE IN 3
BAL/UNBAL
INSERT
INSERT
LINE IN 5
LINE IN 4
BAL/UNBAL
BAL/UNBAL
LINE IN 9
LINE IN 11
LINE IN 13
LINE IN 15
LEFT
(MONO)
LEFT
(MONO)
LEFT
(MONO)
LEFT
(MONO)
LEFT
(MONO)
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
LINE IN 6
INSERT
LINE IN 7
LEFT
(MONO)
BAL/UNBAL
LINE IN 8
LINE IN 10
LINE IN 12
LINE IN 14
2-TRACK IN/OUT
LAMP
5V
0.5A
PHONES
L
2
MAIN MIX
OUTPUT R
1
2
3
1
3
BAL/UNBAL
BAL/UNBAL
INSERT
INSERT
A
LINE IN 16
R
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
B
TAPE IN
TAPE OUT
1/4" Stereo (TRS) Jack Plug
Sleeve
Tip
Tip=Signal
Strain Clamp
D/I BOX
GUITAR
Sleeve=Ground/Screen
BASS
HEADPHONE
KEYBOARD
DRUM MACHINE
Use for Mono Line In, Mono 1/4"Jack Plugs
1/4" Mono (TS) Jack Plug
ACTIVE SPEAKERS
COMPUTER
Sleeve
Ring=Return Signal
Tip
Ring
Strain Clamp
Tip=Send Signal
Sleeve=Ground/Screen
Use for Insert Points
POWER
USB
CAUTION
PHANTOM
SUB
1/2
WARNING: SHOCK HAZARD - DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR
CAUTION:
Use only with a 250V fuse
Apparaten skall anslutas
till jordat uttag nar den
ansluts till ett natverk
DESIGNED IN ITALY
MONO
CTRL OUT
0
-
8
REPLACE WITH THE SAME TYPE FUSE AND RATING
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
OFF
1/4" Stereo (TRS) Jack Plug
MAIN
MIX.
RECORD
1
+15
CH
15/16
1
2
1
2
3
4
1
2
L
L
L
L
R
R
R
R
CH4
CH3
CH2
CH1
MAIN
MIX.
PLAY BACK
SUBGROUPS OUT
3
4
L
R
module
2
DIRECT OUTS (BAL/UNBAL)
AUX SENDS
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ON
3
4
AUX RETURNS
3
4
AC INPUT
100-240V 50/60Hz
Fuse: T1.25AL
RATED POWER CONSUMPTION: 50W
2=Hot(+)
19
2
3
1
1=Ground/Screen
2=Hot(+)
2
3
1
SERIAL
(BAL/UNBAL)
SUBGROUPS INSERT
1=Ground/Screen
3=Cold(-)
3=Cold(-)
Use for Balanced Mic Inputs
(For unbalanced use, connect pin 1 to 3)
Use for Main output
(For unbalanced use, leave pin3 unconnected)
3-pin XLR Male Plug
3-pin XLR Line Socket
(seen from soldering side)
(seen from soldering side)
STAGE MONITOR
CD PLAYER
4
1
SP
OT
L
IG
6. INSTALLATION AND CONNECTION
4. CONTROL ELEMENTS
HT
MIC 1
1 MONO MIC/LINE Channels
Your LYNX-MIX164 EVO is equipped with
10 low-noise microphone preamplifier with
optional phantom power, 50 dB of Gain
and over 115 dB of S/N ratio. You can
connect almost any type of microphone.
Dynamic microphones do not need
phantom power. Use phantom power only
with condenser microphones but make
sure that the phantom power button is
disengaged before connecting the
microphone. Phantom power will not
damage your dynamic microphones, so
make sure to read the MIC instructions
manual before engaging phantom power.
Use switch (48) to activate/deactivate
phantom power. These channels are also
equipped with 1/4" TRS balanced/unbala
nced LINE-IN plugs to connect line-level
instruments such as keyboards, drum
2
1
3
1
LINE IN
Ok, you have got to this point and you are now in the position to successfully
operate your LYNX-MIX164 EVO. However, we advise you to read the following
section carefully to be the real master of your own mixer. Not paying enough
attention to the input signal level, the routing of the signal and the assignment
of the signal will result in unwanted distortion, a corrupted signal or no sound
at all. So you should follow this procedure for every single channel:
1. Turn down all input and output gain controls.
BAL/UNBAL
INSERT
2
MIC5
2
1
3
3
LINE IN 5
LEFT
(MONO)
BAL/UNBAL
LINE IN 6
RIGHT
2 MONO Channel INSERT
This is where you connect external sound processors such as compressorlimiter, equalizers, etc.. The insert point is available on the first 4 MIC
channels only.
2. Connect phantom powered microphones before switching on the +48 Volt
phantom power switch.
3. Set the output level of your LYNX-MIX164 EVO or the connected power
amplifier at no more than 75%.
4. Now, set the CONTROL ROOM/PHONES level at no more than 50%. In this
way, you will be able to hear later what you are doing connecting a pair of
headphones or a pair of powered studio monitor speakers.
5. Position EQ controls on middle position.
6. Position panoramic (PAN/BAL) control on center position.
7. With a pair of headphone or studio monitor speakers are connected, apply a
Line Level input signal so that the PEAK LED does not light up.
8. Increase the input gain properly for maintaining the good headroom and ideal
dynamic range.
9. Depending on the actual application, turn slowly the input and output level
controls for obtaining the maximum gain before distortion.
10. Now repeat the same sequence for all input channels. The main LED meter
could move up into the red section. In this case you can adjust the overall
output level through the main mix control.
3 STEREO INPUTS
RACK mounting
In one side of the package, you will find a pair of RACK-mount. If you want to
assemble your LYNX-MIX164 EVO on a 19U RACK-box, remove the rubber handle,
and fix the RACK-mount with the attached screws
MIC1
2
MIC2
1
2
MIC3
1
3
2
MIC4
1
3
2
MIC5
1
3
2
MIC6
1
3
2
MIC7
1
3
2
MIC8
1
3
2
MIC9
1
3
2
MIC10
1
3
2
MAIN MIX
OUTPUT L
1
3
LAMP
5V
0.5A
164 VO
3
16-CH COMPACT INTEGRATED
LIVE SOUND MIXER
5
LINE IN 2
LINE IN 3
LINE IN 5
LINE IN 4
LINE IN 7
LEFT
(MONO)
BAL/UNBAL
BAL/UNBAL
INSERT
BAL/UNBAL
INSERT
BAL/UNBAL
INSERT
LINE IN 9
LEFT
(MONO)
BAL/UNBAL
LINE IN 6
INSERT
LINE IN 11
LEFT
(MONO)
BAL/UNBAL
LINE IN 8
LEFT
(MONO)
BAL/UNBAL
LINE IN 10
LINE IN 15
LINE IN 13
LEFT
(MONO)
BAL/UNBAL
LINE IN 12
2-TRACK IN/OUT
LEFT
(MONO)
BAL/UNBAL
2
L
2
1
3
BAL/UNBAL
BAL/UNBAL
INSERT
INSERT
A
BAL/UNBAL
LINE IN 16
LINE IN 14
MAIN MIX
OUTPUT R
1
3
PHONES
R
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
RIGHT
B
TAPE OUT
TAPE IN
MIC
LINE
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
MIC
LINE
TRIM
TRIM
PROGRAM (PUSH)
dB
+15 -35
0
LEVEL
SET
50
dB
+15 -35
0
LOW CUT
75Hz
18dB/Oct
LEVEL
SET
50
EQ
-15
-15
+15
-15
+15
-15
LEVEL
SET
40
EQ
-15
+15
-15
-15
-15
-15
-15
-15
-15
EQ
-15
-15
-15
DIGITAL STEREO EFFECTS PROCESSOR
50-59 Vocal
60-69 Rotary
70-79 Small Room
80-89 Flange+Verb
90-99 Large Hall
Echo
Echo+Verb
Tremolo
Plate
Leslie
88
PEAK/MUTE
DSP MUTE
HI
12kHz
+15
-15
+15
HI-MID
3kHz
+15
00-09
10-19
20-29
30-39
40-49
EQ
HI
12kHz
+15
24BITs
LEVEL
SET
40
LINE
USB
HI-MID
3kHz
+15
dB
+20 -20
0
MP3
HI
12kHz
+15
LEVEL
SET
40
LINE
MP3
HI-MID
3kHz
+15
dB
+20 -20
0
EQ
HI
12kHz
+15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
HI-MID
3kHz
+15
dB
+20 -20
0
EQ
HI
12kHz
+15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
HI-MID
3kHz
+15
dB
+20 -20
0
EQ
HI
12kHz
+15
LEVEL
SET
40
LOW CUT
75Hz
18dB/Oct
MID
800
dB
+20 -20
0
LOW CUT
75Hz
18dB/Oct
EQ
-15
MID
800
dB
+20 -20
0
HI
12kHz
+15
MID
800
LEVEL
SET
50
LOW CUT
75Hz
18dB/Oct
HI
12kHz
+15
MID
dB
+15 -35
0
EQ
HI
12kHz
+15
-15
LEVEL
SET
50
LOW CUT
75Hz
18dB/Oct
EQ
HI
12kHz
-15
dB
+15 -35
0
LOW CUT
75Hz
18dB/Oct
63
HI-MID
3kHz
+15
-15
125
250
1K
500
4K
2K
16K
8K
+12
+12
+15
800
+8
+8
+4
+4
FREQ
100Hz
8KHz
FREQ
100Hz
8KHz
LOW
-15
AUX
100Hz
8KHz
1
-15
AUX
100Hz
8KHz
-15
AUX
+15
-15
+15
AUX
-15
+15
-15
+15
1
AUX
MID-LOW
500Hz
-15
+15
-15
+15
LOW
80Hz
+15
1
MID-LOW
500Hz
LOW
80Hz
+15
1
-15
LOW
80Hz
+15
MID-LOW
500Hz
FREQ
LOW
80Hz
+15
1
FREQ
LOW
80Hz
-15
AUX
-15
+15
-15
+15
LOW
80Hz
1
MID-LOW
500Hz
AUX
-15
+15
-15
+15
LOW
80Hz
1
MID-LOW
500Hz
AUX
-15
+15
-15
+15
LOW
80Hz
1
MID-LOW
500Hz
1
AUX
0
0
EQ OFF
EQ ON
-4
-4
-8
-8
-12
-12
LOW
80Hz
STEREO GRAPHIC EQ
80Hz
1
STEREO AUX RETURNS
AUX SENDS
AUX
1
1
2TK IN
1
+15
-
2
-
+15
2
8
-
+15
2
SOLO
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
2
8
-
+15
8
8
-
2
8
TO AUX
SEND1
-
+15
2
+15
TO MAIN MIX
CTRL ROOM SOURCE
PAN
PAN
PAN
POST
PRE
-
+15
-
+15
-
+15
POST
PRE
3
-
+15
-
+15
-
+15
POST
PRE
3
DFX1
(EXT)
-
+15
-
+15
-
+15
POST
PRE
3
DFX1
(EXT)
4
+15
-
+15
-
+15
SOLO
SOLO
4
DFX2
(INT)
BAL
-
+15
-
+15
-
+15
-
3
MAIN MIX
+15
AUX RETURNS SOLO
SUB 1-2
2TK IN
SUB 3-4
DFX1
(EXT)
4
DFX2
(INT)
-
3
DFX1
(EXT)
4
DFX2
(INT)
BAL
MAIN MIX
CTRL/R
4
DFX2
(INT)
BAL
MAX
PHONES/
CTRL ROOM
8
+15
8
+15
BAL
8
+15
-
4
8
-
-
3
DFX2
(INT)
BAL
8
POST
PRE
DFX1
(EXT)
8
+15
SUB 1/2
PWR
+48
CLIP
10
SOLO
4-DFX2 SEND
PAN
8
+15
8
+15
-
4
8
-
-
3
DFX2
(INT)
8
POST
PRE
DFX1
(EXT)
8
+15
8
+15
8
+15
-
4
8
-
-
3
DFX2
(INT)
8
POST
PRE
DFX1
(EXT)
8
+15
8
+15
8
+15
-
4
DFX2
(INT)
8
-
-
3
DFX1
(EXT)
8
POST
PRE
8
+15
8
+15
8
+15
-
4
8
-
-
3
DFX2
(INT)
8
POST
PRE
DFX1
(EXT)
8
+15
8
+15
4
DFX2
(INT)
8
+15
-
8
-
-
3
DFX1
(EXT)
8
POST
PRE
8
+15
4
8
8
8
+15
8
+15
-
3
8
-
-
8
TO AUX
SEND2
8
4 TRIM
The TRIM control is applied in the mono MIC and stereo input channels. It
provides with 2 different indications: One is for the MIC and the other for
LINE levels. When you use a microphone, you shall read the MIC ring (0~50
for mono MIC input, 0~40 for stereo channels); when you use a line level
instrument, you shall read the LINE ring (+15~-35 dB for mono MIC input,
+20~-20 dB for stereo channels). For optimum operation, you shall set this
control in a way that the PEAK LED(16) blinks only occasionally in order to
avoid distortion on the input channel.
LINE IN 1
8
These are channels 5 through 16. They are organised in stereo pair and
provided with XLR sockets and 1/4" TRS phone jacks.If you connect only the
left jack, the input will operate in mono mode, that is the mono signal will
appear on both input channels. You can use these inputs with a stereo
keyboard, drum machine, etc.
SUB 3/4
4-DFX2 RETURN
MAIN MIX
BAL
7
LEVEL SET
0
-7
TO L/R
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
TO L/R
PAN
TO L/R
PAN
TO L/R
PAN
PAN
SOLO ACTIVE
-10
SOLO MODE
PFL
AFL
OUTPUT LEVEL
-20
-30
PEAK
PEAK
MUTE
10
PEAK
MUTE
10
dB
10
dB
5
10
dB
5
SUB 1-2
0
10
dB
dB
5
SUB 1-2
0
LEFT
5
SUB 1-2
0
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
L
R
MUTE
10
dB
5
SUB 1-2
0
PEAK
MUTE
10
dB
5
SUB 1-2
0
PEAK
MUTE
10
dB
5
SUB 1-2
0
PEAK
MUTE
10
dB
5
SUB 1-2
0
PEAK
MUTE
10
dB
5
SUB 1-2
0
PEAK
MUTE
MUTE
10
dB
5
SUB 1-2
0
PEAK
PEAK
MUTE
5
10
dB
5
10
dB
5
10
10
dB
dB
5
5
10
dB
5
SUB 1-2
0
0
0
0
0
0
-5
-5
-5
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-10
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-20
-5
-5
SUB 3-4
MAIN L-R
-25
MAIN L-R
-25
-30
-40
-60
SOLO
11/12
-60
SOLO
13/14
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
SOLO
9/10
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
SOLO
7/8
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
SOLO
5/6
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
SOLO
4
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
SOLO
3
-5
SUB 3-4
MAIN L-R
-30
-40
-60
SOLO
2
-25
-30
-40
-60
SOLO
-5
SUB 3-4
MAIN L-R
-25
-30
-40
-60
-5
SUB 3-4
MAIN L-R
-25
-30
-40
1
-5
SUB 3-4
-5
0
-5
-10
-20
-25
-25
-25
-25
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
-25
-25
-30
-40
-60
-30
-40
-60
SOLO
15/16
SUB1
SUB2
SUB3
SUB4
MAIN L
MAIN R
18
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5. OPTION MODULES
66
1 PLAY/PAUSE
In play state, press PLAY/PAUSE button to pause the player. In pause state,
press PLAY/PAUSE button to start playing.
67
1 STOP
In play state, press STOP button to stop playing and the whole quantity
of Mp3 songs in the USB memory will display on the screen. In STOP
state, press the PRE/NEXT button or press the STOP button again to go
to the first songs and the player will keep in pause state, then press
down the PLAY/PAUSE button to play it.
68
1 POWER
When the unit is off, press this button and hold for about 2 or 3 seconds to
turn on the power supply of the player. Repeat the above operation, you can
turn off the power supply of the player.
NOTE: Basic interface instruction.
When the player isn't connected to a USB memory equipment, the interface
is as follows:
MP3
US
NORMAL
U
When the player is searching for Mp3 songs, the interface is as follows:
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4. CONTROL ELEMENTS
4
5 LINE GAIN
When you use a line level instrument, you
shall read the ring (-20~+20 dB). For
optimum operation, you shall set this
control in a way that the PEAK LED (16)
blinks only occasionally in order to avoid
distortion on the input channel.
6 LEVEL SET LED
This LED will help you to detect the input
level immediately. In this case, the research
of the fault will become much faster!
6
7
5
6
MP3
MP3
9
8
7 LOW-CUT Button
By pressing this button, you will activate a 75 Hz low frequency filter with a
slope of 18 dB per octave. You can use this facility to reduce the hum noise
infected by the mains power supply, or the stage rumble while using a
microphone.
8 LINE/MP3 Button
By pressing this button, it will switch to the MP3 mode, the MP3 signal can
be sent to this channel. by releasing this button,the LINE IN inputs signal
will send to the line input channels(You have to install the MP3 MOUDLE first).
9 LINE/USB Button
By pressing this button, it will switch to the USB mode, then the USB signal
can be sent to this channel or the Main Mix channel; by releasing this button,
the LINE IN inputs signal will send to the line input channels.
NORMAL
When the player is in pause state, the interface is as follows:
ooo
MP3
USB ERP
ALL
NORMAL
When the player is in use, the interface is as follows:
ooo
MP3
17
USB ERP
ALL
S
NORMAL
EQUALISER
There are 3-band EQ with sweepable MID on all mono input channel1-4: HI, MID
and LOW band. There are 4-band fixed frequency EQ on the stereo channel 5-16:
HI, HI-MID, MID-LOW and LOW band. All bands provide up to 15 dB of boost or
cut.
10 HI
If you turn this control up, you will boost all the frequencies above 12 kHz
(shelving filter). You will add transparency to vocals and guitar and also make
cymbals crispier.Turn the control down to cut all frequencies above 12 kHz.
In such way, you can reduce sibilances of human voice or reduce the hiss of a
Tape player.
6
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11 MID
This is a peaking filter and it will boost/cut frequencies from 100 Hz to 8 kHz
depending on the position of the MID freq control. This control will affect
especially upper male and lower female vocal ranges and also the harmonics
of most musical instruments.
12 HI-MID
This control gives you up to 15 dB boost
or cut at 3 kHz. It is useful for controlling
voice. It can accurately polish your performance via adjusting this knob.
MP3 player module
install
Put the MP3 player module connection wire into MP3MOD CONNECTOR. Fix the
MP3 player module at one of the two module places with the two attached screws.
63
10
MP3
00
13
14
13 MID-LOW
USB REP
03 :08
66 67 68
15
function
16
17
The file system of USB memory for USB-MP3 player is FAT16 and FAT32. The
player can only decode MP3. It can have 7 rank subordinate folders at most,
and the maximum quantity of folders within MP3 files is 24. In the whole USB
memory, the total folders can not beyond 256(incluing those folders without
MP3 songs).
14 LOW
18
62
1 USB PORT
19
20
15 AUX SENDS Level Control
These four controls are used to adjust the
level of the respective signal sent to AUX
bus, AUX1 and AUX2 can be switched to
PRE/POST-FADER via the PRE/POST button,
so, generally, they can be used for monitor
application and effects & sound processors input. AUX3 and AUX4 are
configured as POST-Faders. In this typical compact unit, excluding sending
out the signal directly to the external effect or processor equipment, AUX
SEND4 can also be assigned to the internal onboard effect module.
4
5/6
16 PAN/BAL Control
Abbreviation of PANORAMA control for mono channels, or the stereo channels,
always says, BALANCE control. Keep this control in center position, then the
signal will be positioned in the middle of stage.
7
64 65
ALL
This control gives you up to 15 dB boost
or cut at 500 Hz.
If you turn this control up, you will boost
all frequencies below 80 Hz. You will give
more punch to bass drum and bass guitar
and make the vocalist more "macho". Turn
it down, you will cut all the frequencies
below 80 Hz. In this way, you can avoid
lowfrequency vibrations and resonance
thus preserving the life of your woofers.
62
MP3 PLAYER
12
11
5. OPTION MODULES
For connecting with USB memory.
63
1 PREVIOUS
In pause state, press this button it will go to the previous song and keep
in pause state. In play state, press this button it will go to the previous song
and start playing.
64
1 NEXT
In pause state, press this button it will go to the next song and keep in
pause state. In play state, press this button , it will go to the next song
and start playing.
65
1 REPEAT
Press this button the player will change between the following four modes. REP
ALL means to repeat all songs in the memory, the mark on the screen is all .
REP1 means to repeat one song, the mark on the screen is 1 . Play in order
means to play the songs according to the order, the mark on the screen is
blank. Random play means to play the songs at random, the mark on the
screen is A.
16
1
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5. OPTION MODULES
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DSP module
install
Take out the short circuit wire which connects DSP module interface. Plug in the
DSP module connection wire into DSPMOD CONNECTOR. Fix the DSP module
panel at one of the two module places with the two attached screws (Safekeeping
the short circuit wire. Put the short circuit wire back into the DSPMOD
CONNECTOR when you take out the DSP module, or it will make distortion)
function
59 DISPLAY
It displays the selected preset.
Adjust this knob to select the right effect you wish to perform. There are
totally 100 options for you: Echo, Vocal, Plate and versatile two-effect
combination. When you are satisfied the right preset, please push this knob
to store this preset you want.
61 DSP MUTE Switch & PEAK LED
This switch is used to activate/deactivate the effect facility. This LED lights
up when the input signal is too strong. In case of the digital effect module
being muted, this LED also lights up.
59
60
PROGRAM (PUSH)
00-09
10-19
20-29
30-39
40-49
DIGITAL STEREO EFFECTS PROCESSOR
Echo
Echo+Verb
Tremolo
Plate
Leslie
50-59
60-69
70-79
80-89
90-99
HT
17 PEAK LED
Inside your LYNX-MIX164 EVO, the audio signal is monitored in several different
stages and then sent to the PEAK LED. When the LED is red illuminated, it
warns you that you are reaching signal saturation and possible distortion, then
you should reduce the input level for avoiding distortion.
18 MUTE Button & LED
Each channel is equipped with a MUTE button. Pressing this button is equal
to turning the fader down, which can mute the corresponding channel output
except for the channel INSERT send and SOLO (in PFL mode). And the MUTE
LED will illuminate.
19 FADER
This fader will adjust the overall level of this channel and set the amount of
signal send to the main output.
60 PRESETS SELECTOR
24BITs
4. CONTROL ELEMENTS
IG
HT
Vocal
Rotary
Small Room
Flange+Verb
Large Hall
88
20 ASSIGNMENT Controls
Each channel provides four push-buttons: SUB1-2, SUB3-4, MAIN L-R and SOLO.
Pressing the SOLO button, the corresponding SOLO LED will illuminate and
the SOLO signal will replace other signals send to the Headphone/Control
Room and Meters. Usually use the SOLO function in live work to preview
channels before they are let into the mix. It is useful to set an instrument's
input level and EQ, and you can also solo any channel that you want to. The
SOLO switch never affects any mix other than the Control Room. The other
three buttons can be considered as signal assignment switches. Pressing
the SUB1-2 will assign the channel signal to Subgroup1/2, you can depend on
the PAN switch to adjust the amount of channel signal sent to the SUB1
versus SUB2, when turns the PAN to completely left, then the signal can be
only controlled by Subgroup1 and viceversa. In the same way, pressing the
SUB3-4 or MAIN L/R will assign the channel signal to Subgroup3/4 or MAIN
MIX L/R, and will also be affected by PAN.
21 Master AUX SENDS Controls
PEAK/MUTE
DSP MUTE
61
These four controls are used to dete-rmine the master AUX SEND levels,
which can be varied from - to +15 dB. When the external effect units which
have no input gain control were connected to mixer, you can get a further
+15 dB gain available from these Aux Send outputs. As to the AUX4, it can
also provide the lovable level adjustment for the internal effect signal.
22 SOLO Button
The function of these SOLO buttons are the same as the channel SOLO
button, they can also be affected by the SOLO MODE switch. Press the
SOLO button, the corresponding AUX send will be routed to the Ctrl Room/
Phones outputs and Meters display.
15
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4. CONTROL ELEMENTS
22 23 24 25 30
23 Master STEREO AUX RETURNS Controls
AUX SENDS
STEREO AUX RETURNS
1
1
2TK IN
1
-
+15
-
+15
-
2
The both rotary knobs assign the AUX
RETURN signals to their respective
AUX SEND outputs: The "TO AUX
SEND1" assign the signal from AUX
RETURN1 to AUX SEND1 bus, and "TO
AUX SEND2" assign the signal from
AUX RETURN2 to AUX SEND2 bus.
The adjustable range goes from - to
+15 dB.
25 AUX RETURNS SOLO Button
TO MAIN MIX
+15
CTRL ROOM SOURCE
+15
-
+15
SOLO
3
-
8
+15
-
+15
3
SOLO
4
MAIN MIX
AUX RETURNS SOLO
-
4-DFX2 SEND
8
8
27
28
16
SUB 3-4
PWR
MAX
PHONES/
CTRL ROOM
+48
CLIP
10
SOLO
+15
2TK IN
MAIN MIX
CTRL/R
4
-
SUB 1-2
8
21
8
TO AUX
SEND2
-
SUB 1/2
24 TO AUX SEND1/2
8
+15
8
8
-
2
8
8
SOLO
+15
+15
SUB 3/4
4-DFX2 RETURN
MAIN MIX
7
LEVEL SET
0
-7
TO L/R
TO L/R
PAN
TO L/R
PAN
TO L/R
PAN
PAN
SOLO ACTIVE
5. OPTION MODULES
OPTION MODULES SECTION
TO AUX
SEND1
-
2
8
These four controls set the level of
effects that received from the stereo
AUX RETURN connectors, which can
be varied from - to +15 dB. They
are used to provide the further gain
for low level effects.
8
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-10
32
31
34
35
36
-20
LYNX-MIX164 EVO offer two positions for modules assemblage, meanwhile there
are three selected modules, of which you can select two or one or none. The two
modules as factory setting are DSP module and 9-band EQ module.
On the right of the front panel there are two pieces module covers. Open the
top module panel cover, you can see there are three interfaces. The left one is
EQMOD module interface, the middle one is DSP module interface and the right
one is MP3 player module interface. (DO NOT MISTAKE THE CONNECTOR
INTERFACE, OR IT WILL DESTROY YOUR MODULES AND MIXER)
-30
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
SOLO MODE
PFL
AFL
L
R
OUTPUT LEVEL
10
10
10
10
10
10
dB
dB
dB
dB
dB
dB
5
5
5
5
5
5
0
0
0
0
0
0
-5
-5
-5
-5
-5
-5
-10
-10
-10
-10
-10
-10
-20
-20
-20
-20
-20
-25
-25
-25
-25
-25
-25
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
-30
-40
-60
SUB1
SUB2
SUB3
29
SUB4
33
26
-20
MAIN L
MAIN R
37
The function of AUX RETURN SOLO is like the channel SOLO button. Engaging
it sends the signal from AUX RETURN (1-4) to the CTRL OUT, PHONES outputs
and Meters display. It can also be affected by SOLO mode button, and the LED
next to the button will illuminate.
26 MAIN MIX & CTRL/R Button
AUX RETURN3 is equipped with the Main Mix & Ctrl/R button. Release the
button to send the stereo signal from AUX RETURN3 to MAIN MIX buses;
Engage the button, then the stereo signal will be sent to CTRL/R output.
9-band EQ module
install
Take out the short circuit wire which connects 9-band EQ module interface.
Plug in the 9-band EQ module connection wire to the EQMOD CONNECTOR. Fix
the 9-band EQ module at one of the two module places with the two attached
screws (Safekeeping the short circuit wire. Put the short circuit wire back into
the EQMOD CONNECTOR when you take out the 9-band EQ module, or the
output will be cut)
function
57 EQ Switch
Engage this button to add the stereo graphic EQ to the main mix output
circuit.It can be used to modify the frequency "contour" of a sound. If you
release the button, the stereo graphic EQ will be bypassed.
58 STEREO GRAPHIC EQ
Each one of these faders will boost or attenuate (+/-12 dB) the selected frequency
at a preset bandwidth. When all the faders are in the center position, the output
of the equalizer is flat response.
27 SUB1-2/SUB3-4/MAIN MIX Buttons
These three buttons are configured for AUX RETURN4, they can be regarded
as the signal assignment switches. When engaging the SUB1-2, the stereo
signal from AUX RETURN4 will be assigned to Subgroup1/2; in the same way,
SUB3-4 for Subgroup3/4, MAIN MIX for MAIN MIX buses.
28 SUBGROUPS ASSIGN TO MAIN MIX
Through these switches, you can operate the subgroup faders as a master
control for assigning the subgroups to MAIN MIX. Engage the LEFT switch to
send the corresponding subgroup signal to MAIN MIX L, and the RIGHT
switch for MAIN MIX R. When engaging the both switches, the signal will be
sent to L/R of MAIN MIX.
9
63
125
250
500
1K
2K
EQ OFF
EQ ON
8K
16K
+12
+12
57
4K
+8
+8
+4
+4
0
0
-4
-4
-8
-8
-12
-12
STEREO GRAPHIC EQ
58
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49 MONO Level Control
This knob sets the level of mono mix output signal, which can be varied from
- to +15 dB.
50 MONO OUTPUT Jack
This 1/4" phone jack is balanced/unbalanced mono mix output connector, it
can be regarded as a sum output of the left and right of MAIN MIX.
51 CTRL OUT Jacks
These 1/4" phone jacks will be used to send the Control Room signal to the
studio monitor speakers or a second set of PA.
52 SUBGROUPS INSERT
These 1/4" phone jacks are insert points. They are used to connect processors, such as compressor, limiter, EQ etc.. When insert external processor
into these jacks, the subgroup stereo signal will be taken out, then returned
to before subgroups fader. Of course, these used jacks must be stereo (Tip
Send/Ring Return).
53 SUBGROUPS OUT Jacks
These 1/4" phone jacks are used to connect the inputs of deck or secondary
in a complicated PA live sound system. You will find it is the best tool when
you operate the SUBGROUPS OUT.
54 AUX SENDS Jacks
These 1/4" phone jacks are used to send out the signal from the AUX Bus to
external devices such as effect units and/or stage monitors.
55 AUX RETURNS Jacks
Use these stereo 1/4" phone jacks to return the stereo signal of an effect unit
to the Main Mix. Alternatively you can also use them as an extra auxiliary input
via using the AUX RETURN level control as volume control. The signal will be
sent directly to MAIN MIX control.
56 DIRECT OUTS
Each Mono MIC/LINE Channel is equipped with the 1/4" phone jack for
directing output. These jacks are used to send the signal from the channel
path to external device for recording function etc..
13
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29 SUBGROUPS Fader
These faders are used to control the levels of the signal send to the SUBGROUPS OUT, the adjustable range goes from - to +10 dB. Any channel
that is assigned to the subgroups, not muted and not turned down will be
assigned to the SUB OUTS.
30 2TK LEVEL & TO MIX Button
By rotate the knobs, you can adjust the stereo signals level of 2TK input and
engaging the switch allows you to combine the 2-Track output with the Main
Mix. In other words, feeds the 2-Track In signals into Main L/R output.
31 Control Room Source
You can choose to monitor any combination of MAIN MIX, SUB1-2, SUB 3-4
and 2TK IN via these Matrix switches. Engaging these switches, the stereo
signals will be delivered to the Phones, Control Room and Meters display.
NOTE: When any SOLO switch was engaged, the SOLO signal will replace other
signals, and also be sent to the Control Room, Phones and Meters.
32 PHONES/CTRL ROOM Controls
Rotate these knobs to adjust the stereo level of CTRL ROOM and PHONES
outputs separately, which can be varied from - to MAX.
33 SOLO MODE Button
This button provides two modes: up for PFL (Pre-Fader-Listen) mode, down
for AFL (After-Fader-Listen) mode. Engage the button, the soloed signal will
output after the Level control, otherwise, release the button will output the
soloed signal before the Level control.
NOTE: The SOLO function can never affect the mix at main recording output,
and also can't be affected by channel's MUTE switch.
34 POWER LED
The LED indicates when the power is ON.
35 PHANTOM LED
This LED indicates when the phantom power is switched on.
36 LED Meter
The stereo 8-segment LED Meter will indicate the signal level send to the
Ctrl Room and Phones outputs.
10
1
SP
OT
L
IG
SP
4. CONTROL ELEMENTS
HT
OT
L
IG
4. CONTROL ELEMENTS
HT
REAR PANEL
37 MAIN MIX LEVEL Fader
This fader sets the amount of signal send either to the Main Mix Output or
to the Tape Output.
43 44
46 47 48
54
56
38 2-TRACK IN/OUT
POWER
164 VO
These RCA jacks will route the main mix
into a tape recorder.
2-TRACK IN/OUT
LAMP
5V
0.5A
PHONES
L
38
This lovable LAMP is very convenient
for your operati-on, it is located in the
top right corner of the front panel, and
provides the 5V socket that can drive
standard USB-type lamp.
REPLACE WITH THE SAME TYPE FUSE AND RATING
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
Apparaten skall anslutas
till jordat uttag nar den
ansluts till ett natverk
Use only with a 250V fuse
16-CH COMPACT INTEGRATED
LIVE SOUND MIXER
SUB
1/2
CAUTION:
OFF
- TAPE OUT
39 USB LAMP socket
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: SHOCK HAZARD - DO NOT OPEN
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR
MAIN MIX
OUTPUT L
MAIN MIX
OUTPUT R
DESIGNED IN ITALY
1
3
2
MAIN
MIX.
RECORD
MONO
CTRL OUT
0
-
1
+15
1
2
3
DIRECT OUTS (BAL/UNBAL)
4
1
2
1
2
L
L
L
L
R
R
R
R
CH4
CH3
CH2
CH1
MAIN
MIX.
PLAY BACK
SUBGROUPS OUT
3
4
L
R
module
2
CH
15/16
3
4
AUX RETURNS
3
4
AC INPUT
100-240V 50/60Hz
Fuse: T1.25AL
RATED POWER CONSUMPTION: 50W
2
AUX SENDS
USB
CAUTION
PHANTOM
ON
39
8
-TAPE IN
Use the Tape input if you wish to listen
to your mix from a Tape Recorder or DAT.
SERIAL
(BAL/UNBAL)
SUBGROUPS INSERT
1
3
BAL/UNBAL
BAL/UNBAL
INSERT
INSERT
41
A
R
45
49
50 51
52
53
55
B
TAPE IN
TAPE OUT
43 POWER Switch
40
42
40 PHONES Jacks
These jacks will be used to send the signal to a pair of headphone or to
powered studio monitors.
41 MAIN MIX OUTPUT
These stereo outputs are supplied with both the XLR and 1/4" phone jacks
and it is controlled by the Main Mix Level.
42 MAIN INSERT
These two 1/4" phone jacks are stereo insert points and used to connect
processors such as compressors, equalisers etc.. When insert a external
processor into the jack, the Main stereo signal will be taken out after the
EQ and returned into the MAIN MIX output before the MAIN MIX fader.
This switch is used to turn the main power on and off.
44 +48 Volt Phantom Power Switch
It is available only to the XLR MIC sockets. Never plug in a microphone when
phantom power is already on. Before turning phantom power on, make sure
that all faders are totally down. In this way, you will protect your stage
monitors and main loudspeakers.
45 AC Inlet with FUSE Holder
Use it to connect your LYNX-MIX164 EVO to the main AC with the supplied
AC cord. Please check the voltage available in your country and how the
voltage for your LYNX-MIX164 EVO is configured before attempting to
connect your LYNX-MIX164 EVO to the main AC.
46 USB PORT
This USB port is used to connect the unit to PC with a transmission line.
When it is in output mode, it can connect with the SUB1-2 or MAIN MIX
output; in the input mode, it can connect with the CH15/16 or MAIN MIX
output.
47 USB RECORD Switch
You can select SUB1/2 or MAIN MIX track to input the record signal to PC.
48 USB PLAYBACK Switch
You can select CH15/16 or MAIN MIX track to output the audio signal from
PC.
11
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1