Download sT 1600

??sT1600,1
USERMANUAL
S T 1 6 ( ) OS E R l E S
I N T R O D U C ITO N
The D e R ST 1600 series master recordlng consoles
h a v e b e e n d e s i g n e d t o b e t h e m o st t e c h n o I o g i c a | | y
flexible
and englneercost'effective,
sophisticated,
recordlng console.
oriented production
part of the console has been
The cost-effective
realised:
(1) By not uslng a very expenslve often troublesome
but using our
connector module construction,
on
wel I known 8-channel in/output construction
one single front panel.
(2) To choose the most advanced american way of console
set up in which channel and group sections are
c h a n n e| .
c o n s o I i d a t c d I n t o o n e I n p ut / 0 u t p u t
(31 By not uslng the very cxpenslve telephone goldplated
patchbays, but to construct our ohrn patchbay.
(4) To use the latest techniques ln lntegrated clrcult
des'lgn. lt allows a rcductl'on ln thc number of
and rcduclng
components (so: increas'lng rellablItty
deslgn
of clrcult
costs, an i'ncreas'ed sophls'tlcatlon
and an overal I performance whlch ls unl lkely to be
bettered for many years).
signlflcantly
STANDARD
F E A T U R E SO F T H E C O N S O L E
- 0n each channel two parametrlc overlapplng
e q u aI I s e r s w l t h c o n s t a n t A .
- 0verload l'ndlcators wl th memory device on every
c h a n n e| .
- Compact slze and grouplng of functlons to al low a
complete mlx to be made wlthout the need to movs from
the centrel I ne of thc consol e.
- Hlghly loglcal
label led
lay-out and clearly
functlons.
- Del lvered ready for I nstant I nstal latlon wl th
Amphenol multlway plugs and sockets.
hlgh'quallty
The plugs are supplled ln advance.
- Performance spec I f I cat lon equt I to or better
than those of any other deslgn ln thls price.
COilFIGURATION
ln whlch
The console fol lows amerlcan practice
channel and group sectlons are consol ldated Into one
has several
I nput/0utput channel . Thls configuratlon
I nherent advantages:
- Tlme spent transferrlng
the console between the
varlous modes can be almost cl tmlnated.
- Yhcn chengI ng from rGcord lng to ovcrdubb I ng, cue
wlthout eny lcvcl modlficatlon.
systems remaln avrtlablc
(lI
ST 15OO SERIES
-
-
Permanent fader and cue control
al lows an easy
up to the last
remix state without
setting
having
of al I the
to repatch and time consuming resetting
control s.
There is much le ss waste of space and functions,
many of which are essential ly dupl icated
in the
rrEuropean" conf i gurat ion.
A great deal of thought and design detai I has gone
designation
of function
and
into the lay-out,
ergonom i cs of the conso I e.
P H Y SI C A L D E S C RI P T I O N
The gg!:g!g i s extremel y compact, bui l t on bol ted
aluminlum and wood, finished wlth mahagony. lt ls
suppl ied complete wi th producers table and mounted on
rigid steel legs.
Al I connections are made using mul tipin Amphenol
connectors; the male connectors are supplled ln advance
ls then a matter of mlnutes.
for prewi rlng. lnstal latlon
The dggign has been consol ldated into three basic
module, the master module
modules, the Input/0utput
p
a
t
c
h
b
a
y
.
and the
is
48 Volts Phantom powering for
standard.
capacitor
microphones
to the highest standards,
The D s R consoles are butlt
using high qual lty components, glass flbre prlnted
and f lrst
boards, selected lntegrated ctrcults
clrcult
qual lty and rel lable swltches
to the prlnted
Al I components are mounted dlrectly
boards whlch are mounted to the control comPonents'
circuit
so avoldlng al I the trouble associated wfth cheap
plug-in systems.
to
channel s are wi red directly
Al I the lnput/output
each other and to the master module. Separate pow'er
leds, Phantome
suppl ies for the integrated circuits,
powerlng and reed relays are taklng care of cl lck-free
functioning.
the power suppl ies are of a wel l-proven
Al I
wel I smoothed and short ct rcu I t protected.
design,
(2)
ST 16OC SERIES
G E N E R A L F E A T U R E SA N D E A S E O F U S E
Mention has been made earl ier of the ergonomic
The guiding
principle
aspects of the console design.
e
a
c
h
o
f
the functions
a recording
has been to examine
performs and to design the console to help
engineer
as much as poss i b I e wl th each of them.
The console has basically
three major states,
these are normal ly:
- reco rd
- rep I ay / sync.
- remi x
RECORD
Al I
channels are set to accept mlc or I ine level
ls set to channel
slgnals. The channel mode select
or group. Ful I equal tsation ls aval lable, stereo
headphones cue and 4 aux sends, al I pF€, mute or
post swi tchabl €.
Rout i ng to other
channels
or
directly
to
the
master i s selected by the rotery routing control s.
pot feeds. the multltrack
The multltrack
machlne
by way of the patchbay, and VU-meters are connected
post patchbay to the multitrack
inputs.
The solo switch gives the abll ity to I isten to
wlthout disturblng
a selected channel in lsolation
c u e s e n d s o r o t h e r m aI n c h a n n e l l n p u t s .
The mute swltch performs both on the multl track
output and main channel slgnal path so no signal ls
coming out of the channel however the solo switch
can stlll
be actlvated.
T h e c h a n n e I f a d e r s e t s t h e I e v e l f o r m o nI t o r I n g
Purposes.
R E P L A Y/
SYNC.
to do is to $wi'tch the channel
The only thing
recorded multltrack
of the already
to sync
mode selector
to
the i nF,ut selector
to remix
channel or to switch
r
e
m
i
x
u
p
t
h
e
s
t
a
t
e
.
b
u
i
l
d
i
n
g
a
l
r
e
a
d
y
start
All cues are keeplng the same level neither the
p a n p o t n e e d s a I t e r a t I o n n o r t h e c h a n n eI f a d e r . T h e
rotary routlng controls are set to the mHster. The
channel can also be set into the sync. mode by means
of a reed relay, whlch ls remote control led ln the
master module, when many channels are to be recgrded
at the same tlme.
(3)
ST 16OO SERIES
R E MI X
Al I the i nput sel ectors are set to remlx and chanhel
mode selectors to channel.
When no subgroupl ng I s necessary the rotary rout I ng
control s are selected to l'{aster.
REI{IX + RECORD
A mixing sesslon very often involves overdubs as
wel I el ther before the remix ls started or because
of a sudden change of mlnd by the producer In the
mtddle of a sesslon. ln such a ca3e the console has
to be changed from remlx to record state and back
again
ilost of the already recorded channels are In the
s y n c . m o d e o n t h e c h a n n eI s . T h e s I t u a t I o n I s a 3
follows:
- Connect the artist3
microphone to the mlc Input
of the overdub channel.
- Set the channel modc aelector on channel, and feed
machlne 6y way of the multltrack
the multltrack
level control.
- Actlvate the sync. remote swltch of the sync. re?9
relays tn the master module and the arti st as wel I
to thc new lncomlng
as the englneer can I lltcn
(
A
l
m
o
s
t
multltrack' recordcrr
t
o
d
a
y
s
a
l
l
slgnal.
are glvlng the tnput stgnal at the outPut when not
I n rep I ay or sync. modc)-.
- As soon as the multltrack
lt wlll
machlne starts
the point 9f drop-ln,
glve the sync. slgnal untlll
it that point the machlnc glves - when lt qoel Into.
record - lts Input slgnal at the output and thc artlst
and englneer can monltor the new recordcd slgnal'- When the record button ls released the taPe slgnal
c o m e s o u t o f t h c m o nI t o r a n d c u e a g a I n u n t I I I t h e
next drop- | n Pol nt.
Another !{ay to do lt I s es f ol lows:
- When the multl track machlne only glvcs the replay
and not the
or sync. at its outPut termlnals,
Input slgnal.
- Coirnect ifre artlst
to a spere channel, glve thc artl3t
I
a
n d t h e e n g l n e e r h l s m o ni t o r
s
l
g
n
a
c
u
e
I
o
w
n
h s
signal, and route thc new slgnal to thc overdub
chinnei whlch has to be ln the group mode.
- lluI t I track I evcl has to be set correct I y by the
level control.
multltrack
(4)
sr 1600 sERlEs
- The remote sync. switch has to be actlvated,
and the
s y n c . s i g n a I c o m e s o n t h e c u e a n d t h e m o ni t o r i n g I n
the overdub channel.
- As soon as the machlne goes into the record state
the record
record the new slgnal until
It wlll
button is released and the sync. slg.nal comes again
o n t h e c u e a n d m o ni t o r i n g u n t i I t h e n e x t d r o p - I n
polnt.
This way of making overdubs has the advantage
can monltor himself whlle the multlthat the artlst
track machine is in the sYnc. mode.
machlne
When thls set-up ls used with a multitrack
that always glves lts lnput rlgnal at the output when
not I n the replay/ sfnc. mode, a r i se of 3 dB In cue
Eecause the machlne also glves
level ls lnevltable
the nelt to be recorded lnput slgnal in thc cue system.
The only way to overcome this ls to change the
m uI t i t r a c k m a c hI n e o r t o t u r n t h e I e v e I o f t h e c u c
down on the sPare channel at the moment of drop-in.
@:
A t I t h e o t h e r c h a n n e I s h a v e b e e n c o m pI e t e I y u n a f f e c t e d
there ls no danger of chang€3, mlstakes or the feel Ing
that the remlx has been altered ln some way.
IN
SUBGROU
PG
to subgroup inPuts onto
it is desirahle
0n occasion
as
p
r
o
c
e
s
s
t
h
e
sound further
one or two busses to
a g roup .
the D 6 R console has the un i que f ac I I I tY
To do thls
a
u
dio subgrouPing.
p
a
t
c
h
f
r
e
e
of
When the rotary rout lng control s are 3et to group
the channel I s freed from thc master stereo busses,
and can be routed to any of the 16 grouP amplifiers
l6 channels In stereo or mono.
ln the flrst
situated
The fader on each channel that has been routed to
in this Dray becomes a subgroup fader when the channel
is set ln the group state and the rotary/
mode selector
routing controls to master. Whcn lt ls desl rable to
subgroip this subgroup agaln tt ls only necessary to
f rec ttrt outputs -gain f rom.the stereomaster busses and
to process the slgnal further
It is also possible to use the grouP ampllflcrs
completely tsoiated from the channel on whlch i t ls
located, tire output of the ErouP amps are connected to
the patchbay ag well, When thls 9ro,uP outPut ls patched
(5)
sr 1600 sERtEs
into the I ine amp of a spare channel or patched
inputs, you can group
directly
to the multitrack
any number of channels anywhere in the console.
This allows
enormous flexlbllity
The main features of
should by now be clear.
of
controll
the desk and its
advantages
modules are
0n the next pages the individual
Their lay-outs make them largely
described ln detail.
self explanatory as can be seen from the i I lustratlons
but there are a number of poi nts that deserve expanslon.
I N P U T S E C TI O N
A contlnuously verlrblc
mlc galn control
ls provlded
to al low exact sterco fadcr I lne-up cltmlnatlng
A conttnuous I lnc galn control
logarlthmtc crrors.
al lows the matchlng of non strndard Input dcvlccs
and resculng of mlgrccordcd mul tltracks.
The lnput to the channel ls control led by a rteppcd
swl tch allowlng connecti'on to a mlcrophone, I lne devlce
o r tape/ sync . re tu rn .
wil I accept slgnals of 0 dBm
The mlc preampl lfier
and del lver them at +22 dBm
with no pad in the clrcult
typlcal.
A swltchable
wi th less than 0,1 t til distortion
20 dB pad is provlded. for aEnormally hlgh inputs a3 well
as a phase reverse switch.
noise figure,
measured wlth a
The preampl lfler
2
0
0
o
h
m
t
n
p
u
t load, is -127,5 dB (measured
standard
true RllS 20 Hz - 20,000 Flz).
T h e n o mi n a I o u t p u t I e v e I i s - 5 d B m . T h e h c a d r o o m o f
ls 28 dB above -6 dBm; more than
the preampl lfler
stage.
enough fn thls crltlcal
(6)
ST 16OOSERIES
E Q U A LI S E R
sophisticated
a highly
The module incorporates
2 band parametri c equal i ser as wel I as the standard
of pr.oven design.
controls
high and low frequency
The high frequencY
boost or cul
variable
gives a continuously
control
of 18 dB at 15 Khz (other
with a shelving curve.
frequencies optional)
g
h
d
h
i
m
i
The
P a r a m e t r i c e q u aI i s e r h a s a r a n g e
hz and the mtd-low equal lser 80 hz
1
0
,
6
0
0
t
o
of 300
to
1600 hz.
the
These two sweeP equa I i sers are
mid band in the tone controle
f ul ly overlaPPing
stage.
Continuously variable frequency se'lection and
boost or cut of 18 dB provides proper equal i sation
f o r a I m o st a n Y d e s I r e d e f f e c t .
g i v e s a c o n t n u o u sI y
The low f requency control
1
8
d
B at 50 hz w th a
o
f
c
u
t
o
r
b
o
o
s
t
variable
(
o
t
h
e
r
optiona
).
r
e
q
u
e
n
c
ies
f
c
u
r
v
e
shelving
can range from t!e most gentle
The equal isation
lt can
of notch f ilters.
to the aimost equivalent
l
n
d
ependentl:y
effects
flanging
even he used to provlde
on every channel of the console.
An equal iser on /of f sw'ltch i s pr:ovi ded to bypass
gain
ls ofan unity
The equal isgr
the equal iser clrcuit.
h
e
a
d
r
oom
a
n
d
s
e
p
o
s
s
t
E
l
e
n
o
i
b
e
s
t
t
h
e
del lverlng
design,
performance.
is 28 dB and nolse
Headroom above nominal level
1
0
0
d
B
t
Y
'
P
l
c
a
l
.
is below
C H A N N E LS T A T U S
The channel mode sel ectorq hare three 'states:
(l)
Channel
T i . T F T ; s t a t e t h e w h o I e c h a n n e I a c t s a s a n o r m al '
c h a n n eI .
(z)
Svnc.
every'th i ng s i tua ted EeI ow th i s
state
ln this
to Process the sYnc.
shritch is only ln clrcuit
machi'ne.
m
u
l
t
i
t
r
ack
t
h
e
outPut of
signal
(3)
Group
state
n this
to
n circuit
situated
everything
si'gnal
t
h
e
process
below
further
is onlY
which
s c o m i n gf r o m t h e o u t p u t o f t h e g r o u p a m p l i f i e r s .
(7')
sr 1600 sERtEs
CUES
There
separate
with
are six Cue sends, allowing
up to
foldback
mixes or four echo sends
Stereo cue
panning.
I s a permanent
Al I cues are swi tchable
state
in the mlddle.
stereo
pre
or
four
at once.
headphones
post
wi th
feed
a mute
R O U TI N G
When the two rotary rout I ng swl tches are I n the
master posltion
the slgnal, coming from the pan-pot
goes dl rectly to the master stereo busses.
t{hen I t ls necessary to subgroup the s Ignal
It ls only necessary to swttch the routlng controls
t o t h e d e s i r e d s u b gr o u p .
The Pan-pot pans the slgnal between any odd
numbered and any even numbered busses choosen by
the rout i ng swi tches.
Both routing swltches have a mute state.
I ,U
1 LTITRACKS
The ilultitrack
level pot feeds the multitrack
machlne wl th a signal comtng from the channel mode
selector.
lt is wired to the patchbay and post-patchbay
connected to the corresponding multitrack
. it ls
Input on the multipo.le and VU meter.
l,lhen.it is necessary to repatch
to another channel or group output
VU meter goes with it.
the multitrack
lnput
the correspond i ng
F o r e a s e o f u s e t h e m uI t i t r a c k V U m e t e r o n I y r e a d s
the lnput stgnal and not the output signal comlng
from the multitrack
because thls level doesnrt need
control
it only
l,lostly
again.
is confusing.
it
is
correctly
recorded
and
(8)
SOLO f. MUTE
The solo
switch
gives the abi lity
ro listen
in isolati on wi thout
processing.
performs on both the mul ti track
fader,
so no signal
is further
solo swi tch can sti I I be
to a selected
channel
di sturbing
any signal
The mute swi tch
output
and channel
processed only the
activated.
OVERLOAD
The overload indicator
is of an digital
design
The uni t incorporates a short term peittrot a
faci I i ty, so that even very fast peaks actuate I t
Because of these features one can be perfectly
confident that there is no posstbl I i ty of an
overload at any point in the module.
C H A N N E LF A D E R
The channel fader
is a 100 mm carbon track
aud iolog
instrument
with a n lce feel
tn hand
when it ls moved along tts precisely
lndicated
dB scale.
I ' I A S T E RP A N E L
0nce aga in most functlons
are
aPparent from the illustrations.
a re exp I a I ned below.
l . { a st e r
Cue Aux g roup
immediately
The f iner points
sends
These controls
take care of overall
level
gdjustment
of the stereo headphones cue and the
4 aux sends.
The so lo swl tch enab I es aud lo and v I sua I
control
of the slgnal.
The four aux master controls
have the I r own VU meter i ng.
The Program sw.itch assoctated
wi th the Cue
master control s enables the enqlneer
to interrupt
the normal cue mlx and to replace
it with the
stereo mix. Thts ls useful
when a separare cue mix
is not needed. lt is .rlso very practical
to glve the
musicians
the complete control room monitor
mix after
recordlng
or dubbing.
So the timespent
runnirrg from
studio
to control
room is avolded wlth
thls
fiature.
(g)
ST I5OO SERIES
Control
RoomMonitorlng
Overall leveJ control
is a function of the
master stereo fader and the Control Room level
control.
The Monitors normal ly fol low the stereo master
output or the solo buss however by selecting one
o f t h e m o ni t o r s o u r c e s w I t c h e s . 8 S t e r e o s o u r c e s
are avatlable as shown on the tllustration.
The al ternative
swltch transfers
the monitor
feed to the lnterna | | oudspeaker for I ow quaI I ty
monltorlng.
Dlm Swltch
A Dlm Swltch lr provldcd to mom.ntrrt ly lowcr
control rogm monttor lqvrlr to fecl I ltrtc conv!rrrtlon
wlthout lollng prGvIour monttor levcl r.ttlngr.
n @
r n d m o n o mI x t t .
lt
provldcd to comprr. rtlreo
rrr provldrd for oprlrnlrlng
- @
lcvcl on thr mrrtcr output burrat, For e'xrmplol
I f a mlx hrr drvgloptd trtl rfrctorl ly but thc
ovcrrl I lcval lr too hlgh, tho trlmpotr crn be
ursd to rttenu.t!
r I I c h r n n cI r u p t o 1 5 d B ,
Slmllrrly a boott of up to 15 dB cln bc glven to
en und:rmsdulctsd nlx.
Ssle lcd
T h l s l c d I n d l c r t c r w h c n r o m e w h o r eI n t h e s o n r o l s
Thlr lr v€ry uroful when
a solo rwltch lr rctlvrtad.
rololng on rubgroupr, The led lndlcater that lt lr
e rubgroup the cnglnrcr lr I lrtentng to and not thr
matttr.
0rcl llrtor
Thc orcl I lrtor lr of r dtgltrl
C. f{ot dertgn rnd
glvcr r hlgh rtrblc rlnur rlgnrl.
Thcrs lc ! contlnuourly vrrlrbla output control
f r o m 0 t o + 2 0 d B m . T h c f r c q' 5
u0
.ncy rr,{srpcontrol rl lowr
ceiy frcqusncy chcskr from
hl to I 5,000 hz
wlthln I dB.
Thc on/of rotrry rwltch rctlvrt!f
two rtrtrr,
!{hcn rwltchcd to Ttllc Brek lt lr por!lbls to hrvr
thc TB-clgnrl dlrcctly on thc multltrrck outputr tr
wcl I r3 ths !tcrromrrt.r.
Whcnrwltchcd to Tonc thc
orclllator
rlgnrl gorf dlrcctly on ths Multltrrck
outputr rnd tha rtgrao tntftar.
In both strt.r
thc dlm twttch lr rctlvrtsd
to rvold
rn lrrltrtlng
C R l l l c v c l a r w s l l r r h o w ll n g r o u n d .
(r0)
ST 16OO SERIES
Ta I k Back
are bui I t into the console;
Two ta kback ampl ifiers
mic, the other has transformer
0ne wi th
ts own talkback
nputs for commun.ication practi se.
ba lanceC
to Studio button allows
the producer/
The Talkback
the talkbaek
signal
into the stereo
to insert
engineer
the cue mix.
cue summing busses; it is interrupting
control
i: out of use when the
The Cue master level
level
is pressed, only the talkback
button
talkback
control
is in circuit.
i s act i vated
When the Ta I kback from Stud i o button
aio comes on
m
a talkbact
possible
the solo buss making easy conversations
and engineer/producer.
between musicians
Power Supply
transformers
three separate
The power supply contains
plus and minus 18 Vol ts for the integrated
supplying
cI rcui ts plus 48 Vol ts for the phantom powering and
meter and
24 Vo ts for the phase correlation
ancil ary equlprnent.
power supply circuit
isolated
A completely
in for the reed
is built
r
e
t
u
r
n
e
a
r
t
h
o
w
n
with
its
anY clicks.
relays
and the leds, so avotding
Al I three suppl ies are of a short ci rcui t protected
to supply current
design,
well
smoothed and a capacity
channel confiEuration.
for a 32 in/output
(11)
ST 16OO SERIES
S P E CI F I C A T I O N S
-
-
The headroom of 28 dB is maintained
throughout
the enti re console and represents
a cl ip point
at a genuine 22 dBm.
not reach the 0 rA1Z typical.
will
Distortion
0 ,5 dB in the
Frequency response is within
f requency range of 20 - 20r000 hz on all
line
level
in- and outputs.
The f requency range on the mic inputs
is within
+2 dB in the range of 40 - 2A, 000 h.z,
OVERALL
I
0 u t p u t i m p e d a n c e I O t r mm a x i m u m .
M a x l m u mo u t p u t l e v e l + 2 2 d B m i n t o
al I outputs.
Bqe:(point:
I
-
output
lnpirt
500 Ohmon
imp.8 Ohm,
imp. 10 k0hm, level
-6 dBm.
8 4 d B,
H a x . g a i n t h r o u g h d e sk :
Line level: -26 dB to +40 dB.
0 VU represents a genuine +4 dBm as standard
practlse.
(rz)
'll
.1Cl
Praa
-o
post
3
a
C.5
a o
1 5 7
r
11
1i
o
o
maater
o
rroht
- 4
'9
e
'
a
.cl
O
o o
1 6 4
14
O '
r
1?
,lo
c
a
a
o
a
a
.O.
a a
oFl
L.
P*
__
a
a a
o o
.O.
a a
o o
o 1 C l
qjlt.c"gck
__
o
muce
c
overload
c
golo
o
o
5
5
1e
'12
15
15
18
1A
22
??
27
o
?7
35
35
talkback
f rom
rtudro
45
45
50
c
50
talkbeck
to
o
Sync
--I
.:ocal
o f f - 9
--.J
-.ttt"
o
o
a
'
o
"
'-l
.l
r!
"l
L.
.Ft
I
I
I
Pan
o3'
r'l
'
'l
?
'
' J
|
o'
|I
cue
'.o
ore
I
H
-
post
a
o
t
a
a
'?'
a l .
o.
avrl
|
I
H
.'to
O"'
studio
4
1)?
. L )
5
6
B
7
g
10
ll
12 13
14
15
o
o
o
o
o
o
oo
o
o
o
o
oo
o
o
o
oo
o
o
oo
o
o
oo
r-
ooo
o
o
inputs
ooo
o
o
insertion
ooo
o
o
extern
equipment
in
ooo
o
o
extern
equipment
out
ooo
o
o
insertion
out
in
o
o
o
oo
input
o
o
o
"oo
neturn
o
o
o
oo
o
o
o
oo
o
o
multitrack
feed
oo.]-
o
o
multitrack
ooo
o
o
multitrack
ooo
o
o
group
1 z
3 4
r'1
r
nlt
OFrrr'O
I
a
outputs
aux
o5c
h#j.T,
C!---{)
C)---Q
Or-O
Or€
OI- O - OF OH T O- OF - - O
O
C)--
OFrrrO
Ot-----O
Ot----{O
Oh---€
ex t .
kI
IT
+
l.v
U
lL
ffi
lo'-
O--O"'--'--0
Or-O
O--O
@.l{
OF---€
O---'O
H
6--.---9
eq,/monitor
source
l-T-l
I
o
patcti
2
remix
lines
fazelsol
I
stiidio
45678
123
OF--O
studio
?-
I
I
t>
9-O
O--O-
I
r
cue
lt n1,",1E E
o
o
outputs
g--rl4
FO-'O
o
o
ooo
t
16
3 4 5 6 7 8 9
aux
b'ay
24 ma s' p r o d u c e r s
ter
tab I e
(13)
ST 16OO SERIES
METERING
t he
The following
ccnsole:
- 1 6 l , l uI t i t r a c k
2 Stereo
standard
metering
is
built
into
VU-meters .
master
output
VU-meters.
4 Aux send VU-meters .
( p p l u , to p r i o n a l )
1 vu-meter
to rhe
s o l o b u s s f o r c h a n n e l l e v e l " o uppulrepdo s e s .
Phase correlation
met er,
MECHAN
I C A L S P E CI F I C A T I O N S
l.of
Jfcttt
(14)
ST 15OO SERIES
O P TI O N S
To. complete !h" concept of maximumflexibi I i ty,
a number of options and accessoi res are avai lablefor the console.
- Any 8 channel conflguration
16, 2\, 32, 40 channel s.
such as:
- 0ther turn over frequencies on high and
low
frequency controls,
even switchable as well as
other sweep frequency ranges on the mid controls.
- High and low pass switches.
- Variable high and low pass f ilters
are optional
as an extension unlt,
such as Compressor/Liniters.
- Custom Faders.
- U p o n r e q u e s t : P P Mm e t e r s u r iI I b e s u p pI
i ed i nstead
o f t h e n o r m aI V U - m e t e r s .
- A d di t i o n a I p at c h p o i n t s o n t h e p a t c h b a y .
- A d d i t i o n a I m o ni t o r
l,taster module.
source swi tches on the
- Producers desk can he fi tted wi th
facllities,
remote Dtm, redlEreen
an ashtray.
remote Talkback
light,
as well as
- The upper part of the producers desk can be
fitted
wi th ful I remotes for the multitrack
tape machine
and for nolse reduction unlts, echo remotes,
varispeed, etc., etc.
-
.F,-;
0
.r. rf. -,
ln accordance with our contlnulng
pol ?cf of product
improvement and development we reserve
the right
to
modlfy or change deslgns w'lthout prlor
notice.
( t s)
??sT 1600??
SERVICE MANUAL
I
vi
jI
cul
rtl
o
o
D
|r
I
p
\o
E
J
r|l
d
(o
z
P
t
b
ta)
l-
z
--
4,
T
J
j
\)
I
1
I
l-ri
'?E
'N
'I
J
,i?
F
F,
O
u
E
4
E
F-
-o-
f-r E
ct
u
ct
I
I
a
I
flt9
Fl..
Y
Fl
o
r
J
6
I
OD
\oO
\r
A
=-f
I
I
fl-
f"
/Ll
El
T
o
g
.olF
--
El
l-
\r
3?;
E
?yt
{
Ec,
J
II
e
d
x
--l
,g
a
I
,^t'1
't'1
I
I
I
I
f__
_l
,
il
?
3
f t
g6'
o
-
I
-P.
l-
fj
I
- -
--n
s
-e
I
I
J
lt
tf
E
L'
O.
rl
"T-
_l
L
&
(9
l-
l-'
€
*a
co
l-
,
13
d
L
I
I
xl,
v|
8
o
O-
T
:
rt
0
0
\o
6
I
t
F
l\ff
J
v
F
b
I(.
-E
U
\,
r\-
\o
,
L
o,
{
rR
.t:
o
f{
fr
f
x
a
(r.
-tt
7
b
+
g
\o
t
lT
F
cn
€
\ll
I
\-'
I
J
.Y.3
@
{t
tb
t
\o
x,
I
-x
Ft
r
a
f
""
h
+
d
.t
a
-s
v
q
.-g
r<
\o
F
t
t
€
+
.}
o€
ts
t
J.n
(y
a
1
a
I
l-lrl
It\
tr
.?. l a
, .i ,
a
a
1a,
a
t l
ill
i$
,
t itt
trI
f-rt
t?
tl
n
4
I
if
{
..9
0 i+
al
l J l
irl r
ir
1r
i
I
1a
1
{
t
il
m
t
d
P
JJ
t,
F
L
'-5 D
AJ
s0
)\C
l-
5h,
<t't
J
7
A
=
.+-
,-1
.-,-
lo
22
rit4 *
I
'2
lrI
f
tt
tr
3
T
<)
.a-
f-a"2
)
lI
T:}
L
2
I
t-/
x
Ar
o:
\ \
\
r)
f-lJ
t\o
s
-4
.s
l-=fs
€
{
{*
$i
fr
,t*
\
F
\
)<
a
C\3
SP
{i
i
3
i*
5/
{
\f
s
r
1
a':e
g,
o
'tR
Hi
}|
Tl
, ( \o\
J d ) c\
rt)
{
\.1
\s
{
t
!
.t
\o
f
_V
*r
3, lrl
\l
f)
ff)
a-
<,
-,
xl
rvl
,1
I
E{,
\
I
!
$tJ
Ii
o
t
J.
F
q
rII
>.-
s&
$
'i
+
t
*.\
F
G-
:-€
e
o
|
F-r
\
l--r =]
I-1b\,*o
o
Jfr\
6{
>
F
F
Ff
g
i
o.
g
9.
rc'
e1
a
t.L
t
s
oo
t
o
9
+l
*
3
ri-r
.
-
L
{
-./2
r(t
]i
d
-r
.d
lL
\./'
6r
th
.\,
I
Et'l
I
5
N
-sN
N
\t
.
EI-{
b:
?$
,c
r,
N
o
-t
,-J
c-
-'
(v
JJ
"rTj
CJ.
go
se
z xo
iIz
3 r3
\
-
:
-\.
l'
I'
;
s
n
D
Y
I
I
\
I
v.
I,
I
L
3
s
$
q,
x
N
6
11
o
s
t
x
$
$
^
\
tJ_
t
s
o
:
\o\-t r
(Dt
:'+J "
'!f
rb
g
9
b
+
;)
i
-3
1)
--{
_t
't\
(
s
o
b
(
0;
tr 3 i= ?
;f Bsi
lrl
t l
\
5
e=
o
EV
i<,ts
sA
llr?
rs
tN3o5r-
I
\-
reo/
/qo
?f{3of,t
Po*le,
I s-
Tlcr>-'aQ'i.l
[rFl.,,
ed.. \t
,a. c i rc r^il \o
1-r-'|D
t
97 0
D.
'Sr[-r
6 00
{t Q$^
q'As. Ur!.$ad'n
.
f tt'
.