Download Yamaha CLP-240 Specifications

Transcript

CLP240E.book Page 1 Wednesday, April 6, 2005 4:02 PM
CLP-240/230
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
C1
CLP240E.book Page 2 Wednesday, April 6, 2005 4:02 PM
Ç‚Â‰ÂÌËÂ
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1
CLP-240/230
Model
Serial No.
Purchase Date
CLP240E.book Page 3 Wednesday, April 6, 2005 4:02 PM
ÅÎ‡„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha! ÇÌËÏ‡ÚÂÎ¸ÌÓ
ÔÓ˜ËÚ‡ÈÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ·Ó„‡Ú˚È Ì‡·Ó Û‰Ó·Ì˚ı ÙÛÌÍˆËÈ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
å˚ Ú‡ÍÊÂ ÂÍÓÏÂÌ‰ÛÂÏ ÌÂ ÚÂﬂÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ë ‰ÂÊ‡Ú¸ Â„Ó ÔÓ‰ ÛÍÓÈ ‰Îﬂ ‰‡Î¸ÌÂÈ¯Â„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚Â‰ÂÌËÂ», «ëÔ‡‚Ó˜Ì˚Â
Ï‡ÚÂË‡Î˚» Ë «èËÎÓÊÂÌËÂ».
Ç‚Â‰ÂÌËÂ (ÒÚ. 2):
ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒÎÂ‰ÛÂÚ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ ‚ ÔÂ‚Û˛ Ó˜ÂÂ‰¸.
ëÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚ (ÒÚ. 13):
ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍÂ ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ ËÌÒÚÛÏÂÌÚ‡.
èËÎÓÊÂÌËÂ (ÒÚ. 77):
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÒÓ‰ÂÊ‡ÚÒﬂ ÒÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚.
* åÓ‰ÂÎ¸ CLP-240/230 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ Í‡Í «CLP/Clavinova».
* àÎÎ˛ÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ ÔË‚Â‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÚÓÎ¸ÍÓ ‚ Í‡˜ÂÒÚ‚Â ÔËÏÂÓ‚,
‚ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓÒÚË ‚ÒÂ ÏÓÊÂÚ ‚˚„Îﬂ‰ÂÚ¸ ÌÂÒÍÓÎ¸ÍÓ ËÌ‡˜Â.
* êËÒÛÌÍË Ô‡ÌÂÎÂÈ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240.
* äÓÔËÓ‚‡ÌËÂ ÒÂËÈÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ Ë ÏÛÁ˚Í‡Î¸Ì˚ı ‰‡ÌÌ˚ı ‡ÁÂ¯ÂÌÓ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ ‰Îﬂ
ÎË˜ÌÓ„Ó ÔÓÎ¸ÁÓ‚‡ÌËﬂ.
ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚÂ Ó·˙Â‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚Â ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍËÂ Ô‡‚‡ Ì‡ ÍÓÚÓ˚Â
ÔËÌ‡‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎËˆÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ.
ä Ú‡ÍËÏ Ï‡ÚÂË‡Î‡Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒﬂÚÒﬂ ‚ÒÂ ·ÂÁ ËÒÍÎ˛˜ÂÌËﬂ ÍÓÏÔ¸˛ÚÂÌ˚Â
ÔÓ„‡ÏÏ˚, Ù‡ÈÎ˚ MIDI Ë Ú.‰. ã˛·ÓÂ ÌÂÒ‡ÌÍˆËÓÌËÓ‚‡ÌÌÓÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ú‡ÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó,
‚˚ıÓ‰ﬂ˘ÂÂ Á‡ ‡ÏÍË ÎË˜ÌÓ„Ó ÔÓÎ¸ÁÓ‚‡ÌËﬂ, Á‡ÔÂ˘ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓÌ‡ÏË. ã˛·ÓÂ Ì‡Û¯ÂÌËÂ
‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒÎÂ‰ÛÂÚÒﬂ ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ
àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ‚‡Ì˚Â ÁÌ‡ÍË:
•Apple Ë Macintosh ﬂ‚Îﬂ˛ÚÒﬂ ÚÓ‚‡Ì˚ÏË ÁÌ‡Í‡ÏË ÍÓÔÓ‡ˆËË Apple Computer, Inc.
•Windows ﬂ‚ÎﬂÂÚÒﬂ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
•SmartMedia ﬂ‚ÎﬂÂÚÒﬂ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË Toshiba.
•ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÚÓ‚‡Ì˚Â ÁÌ‡ÍË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚Î‡‰ÂÎ¸ˆÂ‚.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË
• äÓÎÎÂÍˆËﬂ Ô‡ÚËÚÛ «50 greats for the Piano»
• êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÔÓÎÌ˚Â ËÌÒÚÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova.
• ÑÓÔÓÎÌËÚÂÎ¸Ì˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Îﬂ Windows
• ÑÓÔÓÎÌËÚÂÎ¸Ì˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ò ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ Windows
• ëÍ‡ÏÂÈÍ‡
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË ÒÍ‡ÏÂÈÍ‡ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË ÌÂ ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
ç‡ÒÚÓÈÍ‡
Ç ÓÚÎË˜ËÂ ÓÚ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Ì‡ÒÚ‡Ë‚‡Ú¸ ÌÂ Ì‡‰Ó.
éÌÓ ‚ÒÂ„‰‡ Ì‡ÒÚÓÂÌÓ.
í‡ÌÒÔÓÚËÓ‚Í‡
èË ÔÂÂÂÁ‰Â ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂÂ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚Â˘‡ÏË.
èÂÂÏÂ˘‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚Ë‰Â.
äÎ‡‚Ë‡ÚÛÛ ÒÎÂ‰ÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌÚ‡Î¸ÌÓÏ ÔÓÎÓÊÂÌËË. çÂ ÔËÒÎÓÌﬂÈÚÂ ÂÂ Í ÒÚÂÌÂ
Ë ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ·ÓÍ. çÂ ÔÓ‰‚Â„‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËÎ¸Ì˚Ï Û‰‡‡Ï.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
3
CLP240E.book Page 4 Wednesday, April 6, 2005 4:02 PM
ëÓ‰ÂÊ‡ÌËÂ
Ç‚Â‰ÂÌËÂ
é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ............................... 3
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË ................................. 3
ëÔËÒÓÍ Á‡‰‡˜ ........................................................................ 5
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚......................................... 8
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ ........................................................ 10
ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ............................................ 10
è˛ÔËÚ ................................................................ 10
ëÍÓ·ÍË-Ó„‡ÌË˜ËÚÂÎË ‰Îﬂ ÌÓÚ (CLP-240).......... 10
ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ............................................. 11
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ....................................... 12
ç‡Û¯ÌËÍË ............................................................ 12
Ç˚ÍÎ˛˜‡ÚÂÎ¸ ‰ËÌ‡ÏËÍ‡....................................... 12
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
Ë ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ..............................................41
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)....42
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ SMF Ë ‚ÌÂ¯ÌËı
ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
(CLP-240)..............................................................43
èÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.................43
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]..................................... 44
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌÍˆËﬂ
ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) ........................ 17
îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B ‰Îﬂ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ................................................................ 18
éÒÌÓ‚Ì˚Â ‰ÂÈÒÚ‚Ëﬂ ‚ ÂÊËÏÂ Function ..............45
éÔËÒ‡ÌËÂ ÙÛÌÍˆËÈ ..............................................47
F1. íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ .............47
F2. Ç˚·Ó ÒÚÓﬂ .............................................48
F3. îÛÌÍˆËË ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚.49
F4. (CLP-240) îÛÌÍˆËË ÂÊËÏ‡
‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚.................................50
F5. (CLP-240) / F4. (CLP-230)
ÑÛ„ËÂ ÙÛÌÍˆËË ......................................51
F6. (CLP-240) / F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ .............................52
F7. (CLP-240) / F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ
Ô‡ÚËË ÏÂÎÓ‰ËË.......................................52
F8. (CLP-240) / F7. (CLP-230)
îÛÌÍˆËË MIDI........................................52
F9. (CLP-240) / F8. (CLP-230)
îÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ..............................55
F9.5 (CLP-240)/ F8.5 (CLP-230)
ç‡·Ó ÒËÏ‚ÓÎÓ‚ ......................................55
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚.............................. 19
èÓ‰ÍÎ˛˜ÂÌËÂ...................................................................... 56
Ç˚·Ó ÚÂÏ·Ó‚ ..................................................... 19
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ ...................................... 20
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240) .............................. 21
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ – ÍÌÓÔÍ‡
[TOUCH].............................................................. 23
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ – ÍÌÓÔÍ‡ [TRANSPOSE] .... 24
ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual)...................... 25
ê‡Á‰ÂÎÂÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240) ............................................................. 26
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡.................................. 28
ê‡Á˙ÂÏ˚ ................................................................56
èÓ‰ÍÎ˛˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı (CLP-240) ................................................58
èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡.........60
ëÔ‡‚Ó˜ÌËÍ
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............ 14
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ
ÙÓÚÂÔ¸ﬂÌÓ ........................................................................ 15
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ................................. 29
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËﬂ ............................... 29
èÂÂÁ‡ÔËÒ¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ............. 31
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ Ô‡ÚËË ............................ 32
àÁÏÂÌÂÌËÂ Ì‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÂÍ
(‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ì‡˜‡ÎÂ ÏÂÎÓ‰ËË) ....... 34
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240) ............................................. 35
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ ......................................... 35
ëÓı‡ÌÂÌËÂ ÏÂÎÓ‰ËÈ ........................................... 36
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓÏ‡ÚÂ SMF ...................... 37
ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ ÏÂÎÓ‰ËÈ .................................. 38
îÓÏ‡ÚËÓ‚‡ÌËÂ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ................................................. 39
4
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ ............................................. 40
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı .................................... 62
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ............................................................ 63
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ..................................................... 64
çÂÓ·ﬂÁ‡ÚÂÎ¸Ì˚Â ˝ÎÂÏÂÌÚ˚............................................. 64
CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚ ....... 65
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD)
Ë ‰ËÒÍÂÚ (CLP-240) ............................................................. 69
ìÒÚ‡ÌÓ‚Í‡ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÔÓ Á‡Í‡ÁÛ)................................................. 70
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ .......................................... 71
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............................ 74
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ .................................................... 75
èËÎÓÊÂÌËÂ
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ ..................................... 78
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı......................................................... 80
í‡·ÎËˆ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.................... 84
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË ......................................... 85
CLP240E.book Page 5 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ Á‡‰‡˜
ùÚÓÚ ÛÍ‡Á‡ÚÂÎ¸ ÔÓÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆÛ Ò ËÌÙÓÏ‡ˆËÂÈ Ì‡ ÌÛÊÌÛ˛ ÚÂÏÛ.
èÓÒÎÛ¯Ë‚‡ÌËÂ
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË
.................................................................................«èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 14
èÓÒÎÛ¯Ë‚‡ÌËÂ ÏÂÎÓ‰ËÈ ËÁ ÒÔËÒÍ‡ «50 ıËÚÓ‚ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ»
..............................................................«èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ» Ì‡ ÒÚ. 15
èÓÒÎÛ¯Ë‚‡ÌËÂ Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚.........................................«ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 40
èÓÒÎÛ¯Ë‚‡ÌËÂ ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı......... «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 40
à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÚÂı ÔÂ‰‡ÎÂÈ ................................................................... «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ» Ì‡ ÒÚ. 20
àÏËÚ‡ˆËﬂ ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ˝ÙÙÂÍÚ‡ Û‰ÂÊË‚‡ÌËﬂ Á‚ÛÍ‡, ÒÓÁ‰‡‚‡ÂÏ‡ﬂ
Ì‡Ê‡ÚËÂÏ Ô‡‚ÓÈ ÔÂ‰‡ÎË Ì‡ Ì‡ÒÚÓﬂ˘ÂÏ ÓﬂÎÂ................................................... «[DDE]» (CLP-240) Ì‡ ÒÚ. 22
èÓ‰·Ó ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................... «í‡ÌÒÔÓÌËÓ‚‡ÌËÂ – ÍÌÓÔÍ‡ [TRANSPOSE]» Ì‡ ÒÚ. 24
Ç˚·Ó ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚
...................................................................«óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ – ÍÌÓÔÍ‡ [TOUCH]» Ì‡ ÒÚ. 23
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ÔË Ë„Â Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ‚ ‡ÌÒ‡Ï·ÎÂ Ò
‰Û„ËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ËÎË Ò ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ.
.......................................................................................................«íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡» Ì‡ ÒÚ. 47
àÁÏÂÌÂÌËÂ ÚÂÏ·Ó‚
èÓÒÏÓÚ ÒÔËÒÍ‡ ÚÂÏ·Ó‚ .................................................................«ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» Ì‡ ÒÚ. 71
ëÓ˜ÂÚ‡ÌËÂ ‰‚Ûı ÚÂÏ·Ó‚............................................................«ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» Ì‡ ÒÚ. 25
ê‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ÛÍ
........................................................... «ê‡Á‰ÂÎÂÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240)» Ì‡ ÒÚ. 26
ì‚ÂÎË˜ÂÌËÂ ﬂÍÓÒÚË ËÎË Ïﬂ„ÍÓÒÚË Á‚ÛÍ‡......................ùÙÙÂÍÚ «BRILLIANCE» ([BRILLIANCE]) Ì‡ ÒÚ. 21
àÏËÚ‡ˆËﬂ ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡.................................................................«êÂ‚Â·Â‡ˆËﬂ ([REVERB])» Ì‡ ÒÚ. 21
ÑÓ·‡‚ÎÂÌËÂ ˝ÙÙÂÍÚ‡ ‡Ò¯ËÂÌËﬂ ËÎË Ì‡‡ÒÚ‡ÌËﬂ Ë Û·˚‚‡ÌËﬂ................ «ùÙÙÂÍÚ˚ ([EFFECT])» Ì‡ ÒÚ. 22
ìÎÛ˜¯ÂÌËÂ Á‚ÛÍ‡ ÔË ÔÓÏÓ˘Ë ˝ÙÙÂÍÚÓ‚ .......................... «Ç‡Ë‡ˆËË ([VARIATION]) (CLP-240)» Ì‡ ÒÚ. 21
ìÔ‡ÊÌÂÌËﬂ
éÚÍÎ˛˜ÂÌËÂ Á‚ÛÍ‡ ‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË
..........................................................................«à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
(ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË Ó‰ÌÓÈ ÛÍË)» Ì‡ ÒÚ. 17
ê‡ÁÛ˜Ë‚‡ÌËÂ ‚ ÙÓÏÂ ÔÓ‚ÚÓ‡ ÛÍ‡Á‡ÌÌÓÈ Ù‡Á˚
.........................................................................«îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B ‰Îﬂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 18
ìÔ‡ÊÌÂÌËﬂ ‚ ˜ÂÚÍÓÏ ËÚÏÂ ................................................................«àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡» Ì‡ ÒÚ. 28
ìÔ‡ÊÌÂÌËﬂ ÔË ÔÓÏÓ˘Ë Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ..................... «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ» Ì‡ ÒÚ. 29
á‡ÔËÒ¸
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ............................................ «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ» Ì‡ ÒÚ. 29
ç‡ÒÚÓÈÍË
êÂ„ÛÎËÓ‚Í‡ Ì‡ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ......... «ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]» Ì‡ ÒÚ. 44
èÓ‰ÍÎ˛˜ÂÌËÂ ÔË‡ÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï
óÚÓ Ú‡ÍÓÂ MIDI ...............................................................................................«é MIDI-ËÌÚÂÙÂÈÒÂ» Ì‡ ÒÚ. 57
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ MIDI ........................................................................................«MIDI-ÙÛÌÍˆËË» Ì‡ ÒÚ. 52
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ....................................... «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» Ì‡ ÒÚ. 56
ì‚ÂÎË˜ÂÌËÂ „ÓÏÍÓÒÚË............................................. «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» Ì‡ ÒÚ. 56
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova
.......................................................................................................... «ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R]» Ì‡ ÒÚ. 57
èÓ‰ÍÎ˛˜ÂÌËÂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
...................................................... «èÓ‰ÍÎ˛˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)» Ì‡ ÒÚ. 58
èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ ...................................... «èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡» Ì‡ ÒÚ. 60
ë·ÓÍ‡
ë·ÓÍ‡ Ë ‡Á·ÓÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
............................................................................«CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚» Ì‡ ÒÚ. 65
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
5
CLP240E.book Page 6 Wednesday, April 6, 2005 4:02 PM
èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà
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* ï‡ÌËÚÂ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï Â˘Â ÔÓÌ‡‰Ó·ËÚÒﬂ.
èêÖÑìèêÖÜÑÖçàÖ
ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡ÊÂ ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ ÍÓÓÚÍÓ„Ó Á‡Ï˚Í‡ÌËﬂ,
ÔÓ‚ÂÊ‰ÂÌËﬂ Ó·ÓÛ‰Ó‚‡ÌËﬂ, ÔÓÊ‡‡ Ë ‰Û„Ëı ËÌˆË‰ÂÌÚÓ‚ ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÒÎÂ‰Û˛˘ËÂ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
ÅÂÂ˜¸ ÓÚ ‚Ó‰˚
• àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Ì‡ÔﬂÊÂÌËÂ, Á‡‰‡ÌÌÓÂ ‰Îﬂ ËÌÒÚÛÏÂÌÚ‡.
ùÚÓ Ì‡ÔﬂÊÂÌËÂ ÛÍ‡Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
• ÅÂÂ„ËÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ‰ÓÊ‰ﬂ, ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó ﬂ‰ÓÏ Ò ‚Ó‰ÓÈ,
‚ ÛÒÎÓ‚Ëﬂı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚Î‡ÊÌÓÒÚË; ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó
ÂÏÍÓÒÚË Ò ÊË‰ÍÓÒÚ¸˛, ÍÓÚÓ‡ﬂ ÏÓÊÂÚ ‡ÁÎËÚ¸Òﬂ Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸.
• èÂËÓ‰Ë˜ÂÒÍË ÔÓ‚ÂﬂÈÚÂ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ Ë Û‰‡ÎﬂÈÚÂ
Ò ÌÂÂ „ﬂÁ¸ Ë Ô˚Î¸.
• çËÍÓ„‰‡ ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ Ë ÌÂ ‚˚ÌËÏ‡ÈÚÂ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡
ÏÓÍ˚ÏË ÛÍ‡ÏË.
• àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ Ë ‡Á˙ÂÏ, ‚ıÓ‰ﬂ˘ËÂ ‚ ÍÓÏÔÎÂÍÚ
ÔÓÒÚ‡‚ÍË.
ÅÂÂ˜¸ ÓÚ Ó„Ìﬂ
• ä‡·ÂÎ¸ ÔËÚ‡ÌËﬂ ÌÂ ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òﬂ ﬂ‰ÓÏ Ò ËÒÚÓ˜ÌËÍ‡ÏË ÚÂÔÎ‡
(Ì‡„Â‚‡ÚÂÎﬂÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). çÂ ‰ÓÔÛÒÍ‡ÈÚÂ Ú‡ÍÊÂ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËﬂ Ë ÔÓ‚ÂÊ‰ÂÌËﬂ Í‡·ÂÎﬂ, ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â
ÔÂ‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â Ì‡ ÌÂ„Ó ÌÂÎ¸Áﬂ Ì‡ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂÍ‡ÚËÚ¸.
• çÂ ÒÚ‡‚¸ÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ „Óﬂ˘ËÂ ÔÂ‰ÏÂÚ˚, Ì‡ÔËÏÂ Ò‚Â˜Ë.
ÉÓﬂ˘ËÈ ÔÂ‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓÊ‡.
ÇÌÂ¯Ú‡ÚÌ˚Â ÒËÚÛ‡ˆËË
çÂ ÓÚÍ˚‚‡Ú¸
• çÂ ÓÚÍ˚‚‡ÈÚÂ ËÌÒÚÛÏÂÌÚ Ë ÌÂ Ô˚Ú‡ÈÚÂÒ¸ ‡ÁÓ·‡Ú¸ ËÎË ÏÓ‰ËÙËˆËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌËÂ ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚÂ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚,
ÍÓÚÓ˚Â ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸. èË ÔÓﬂ‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂÏÂ‰ÎÂÌÌÓ ÔÂÍ‡ÚËÚÂ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛
Í Í‚‡ÎËÙËˆËÓ‚‡ÌÌ˚Ï ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.
• Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂÊ‰ÂÌËﬂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ ËÎË ‡Á˙ÂÏ‡, ‡ Ú‡ÍÊÂ
ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚ÛÍ‡ ‚Ó ‚ÂÏﬂ ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓﬂ‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚Ï‡ ÌÂÏÂ‰ÎÂÌÌÓ ÓÚÍÎ˛˜ËÚÂ ˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚Ì¸ÚÂ ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂÊ‡ÌËÂ Ì‡ÌÂÒÂÌËﬂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛÊ‡˛˘ËÏ, ‡ Ú‡ÍÊÂ ÔÓ‚ÂÊ‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó
ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÒÎÂ‰Û˛˘ËÂ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË:
ùÎÂÍÚÓÔËÚ‡ÌËÂ/Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
• èË ÓÚÍÎ˛˜ÂÌËË Í‡·ÂÎﬂ ÓÚ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÚ ˝ÎÂÍÚÓÒÂÚË ·ÂËÚÂÒ¸
Á‡ ‚ËÎÍÛ, ‡ ÌÂ Á‡ Í‡·ÂÎ¸. àÌ‡˜Â ÏÓÊÌÓ ÔÓ‚Â‰ËÚ¸ Í‡·ÂÎ¸.
• éÚÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË ÔÎ‡ÌËÛÂÚÂ ÌÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Â„Ó ‚ ÚÂ˜ÂÌËÂ ‰ÎËÚÂÎ¸ÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊÂ ‚Ó ‚ÂÏﬂ „ÓÁ˚.
• çÂ ÔÓ‰ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ Í Ó‰ÌÓÈ ˝ÎÂÍÚË˜ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ‰Û„ËÏË
ÛÒÚÓÈÒÚ‚‡ÏË (Ì‡ÔËÏÂ, ˜ÂÂÁ ÚÓÈÌËÍ). ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌË˛ Í‡˜ÂÒÚ‚‡ Á‚ÛÍ‡ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË.
ë·ÓÍ‡
• èÂÂ‰ ÔÂÂÏÂ˘ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓÂ‰ËÌËÚÂ ‚ÒÂ Í‡·ÂÎË.
(1)B-9
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
• çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂÎÂ‚ËÁÓ‡, ‡‰ËÓÔËÂÏÌËÍ‡, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËﬂ, ÏÓ·ËÎ¸ÌÓ„Ó ÚÂÎÂÙÓÌ‡
Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂÎÂ‚ËÁÓÂ ËÎË ‡‰ËÓÔËÂÏÌËÍÂ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË.
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÌÂ ÓÒÚ‡‚ÎﬂÈÚÂ Â„Ó
‚ ÌÂÛÒÚÓÈ˜Ë‚ÓÏ ÔÓÎÓÊÂÌËË.
• ÇÌËÏ‡ÚÂÎ¸ÌÓ ÔÓ˜ËÚ‡ÈÚÂ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ
Ò·ÓÍË. çÂÔ‡‚ËÎ¸Ì‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË
Í ÔÓ‚ÂÊ‰ÂÌË˛ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚Ï‡Ï.
6
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ‰ÂÙÓÏ‡ˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂÊ‰ÂÌËﬂ ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ·ÂÂ„ËÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËÎ¸ÌÓÈ ‚Ë·‡ˆËË
Ë ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó ÔË Ó˜ÂÌ¸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔÂ‡ÚÛÂ (Ì‡ÔËÏÂ, Ì‡ ÒÓÎÌˆÂ, ﬂ‰ÓÏ Ò Ì‡„Â‚‡ÚÂÎÂÏ ËÎË ‚ Ï‡¯ËÌÂ ‚ ‰ÌÂ‚ÌÓÂ ‚ÂÏﬂ).
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èÓ‰ÍÎ˛˜ÂÌËÂ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒÍ‡ÏÂÈÍË (ÂÒÎË ÓÌ‡ ÂÒÚ¸)
• èÂÂ‰ ÔÓ‰ÍÎ˛˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï ÓÚÍÎ˛˜ËÚÂ Ëı ÔËÚ‡ÌËÂ. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ
˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ
ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ËÌÒÚÛÏÂÌÚÂ
ÔÓÒÚÂÔÂÌÌÓ Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ.
• ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ÒÍ‡ÏÂÈÍË ÌÂ ÓÒÚ‡‚ÎﬂÈÚÂ ÂÂ ‚ ÌÂÛÒÚÓÈ˜Ë‚ÓÏ ÔÓÎÓÊÂÌËË.
• çÂ Í‡˜‡ÈÚÂÒ¸ Ì‡ ÒÍ‡ÏÂÈÍÂ Ë ÌÂ Ë„‡ÈÚÂ, ÒÚÓﬂ Ì‡ ÌÂÈ. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
ÒÍ‡ÏÂÈÍË ‚ Í‡˜ÂÒÚ‚Â ÒÚÂÏﬂÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎﬂı ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ.
• ëÍ‡ÏÂÈÍ‡ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ÚÓÎ¸ÍÓ ‰Îﬂ Ó‰ÌÓ„Ó ˜ÂÎÓ‚ÂÍ‡.
é·ÒÎÛÊË‚‡ÌËÂ
• ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡ ‚Î‡ÊÌÓÈ
ÚÍ‡Ì¸˛. çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔﬂÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊË‰ÍËÂ Ó˜ËÒÚËÚÂÎË ËÎË ˜ËÒÚﬂ˘ËÂ Ò‡ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
• ëÎÂ‰ËÚÂ, ˜ÚÓ·˚ Í˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ÌÂ Á‡˘ÂÏËÎ‡ ‚‡Ï Ô‡Î¸ˆ˚,
ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ Ô‡Î¸ˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËﬂ ËÌÒÚÛÏÂÌÚ‡.
• çËÍÓ„‰‡ ÌÂ Á‡ÒÓ‚˚‚‡ÈÚÂ Ë ÌÂ ÓÌﬂÈÚÂ ·ÛÏ‡„Û, ÏÂÚ‡ÎÎË˜ÂÒÍËÂ Ë ÔÓ˜ËÂ
ÔÂ‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËﬂ Ì‡ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂÏÂ‰ÎÂÌÌÓ ‚˚ÍÎ˛˜ËÚÂ ËÌÒÚÛÏÂÌÚ Ë ‚˚Ì¸ÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.
• ÖÒÎË ‚ËÌÚ˚ ÒÍ‡ÏÂÈÍË ÒÚ‡ÎË Ò‚Ó·Ó‰Ì˚ÏË ‚ ÂÁÛÎ¸Ú‡ÚÂ ‰ÎËÚÂÎ¸ÌÓ„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ, ÔÂËÓ‰Ë˜ÂÒÍË Á‡‚ËÌ˜Ë‚‡ÈÚÂ Ëı Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË.
ëÓı‡ÌÂÌËÂ ‰‡ÌÌ˚ı
ëÓı‡ÌÂÌËÂ Ë ÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
• ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ‰‡ÌÌ˚Â ÌÂÍÓÚÓ˚ı ‰Û„Ëı ÚËÔÓ‚ ·Û‰ÛÚ ÛÚÂﬂÌ˚,
ÂÒÎË ÔËÚ‡ÌËÂ ÓÚÍÎ˛˜ËÚÒﬂ ‰Ó Ëı ÒÓı‡ÌÂÌËﬂ. é·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌËÚÂ
(ÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ) ÌÛÊÌ˚Â ‰‡ÌÌ˚Â ‚Ó ‚ÌÛÚÂÌÌ˛˛ ÙÎ˝¯Ô‡ÏﬂÚ¸ ÔÂÂ‰ ‚˚ÍÎ˛˜ÂÌËÂÏ ÔËÚ‡ÌËﬂ ÍÓÏÔ¸˛ÚÂ‡ (ÒÚ. 55). àÏÂÈÚÂ ‚
‚Ë‰Û, ˜ÚÓ ˝ÚË ‰‡ÌÌ˚Â ÂÁÂ‚ËÛ˛ÚÒﬂ ‚ÂÏÂÌÌÓ Ë ÏÓ„ÛÚ ·˚Ú¸ ÌÂ˜‡ﬂÌÌÓ
ÛÚÂﬂÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ËÎË Ò·ÓÂ‚ ‚ ‡·ÓÚÂ Ó·ÓÛ‰Ó‚‡ÌËﬂ.
é·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌËÚÂ ‚ÒÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡ ÍÓÏÔ¸˛ÚÂ ‰Îﬂ
ÔÓÒÚÓﬂÌÌÓ„Ó ı‡ÌÂÌËﬂ ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ (ÒÚ. 62).
• çÂ ÍÎ‡‰ËÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ ÔÂ‰ÏÂÚ˚ ËÁ ‚ËÌËÎ‡, ÔÎ‡ÒÚÏ‡ÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌËÂ Ô‡ÌÂÎË ËÎË ÍÎ‡‚Ë‡ÚÛ˚.
• çÂ Ó·ÎÓÍ‡˜Ë‚‡ÈÚÂÒ¸ Ì‡ ËÌÒÚÛÏÂÌÚ, ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚ Ë ÌÂ ÔËÍÎ‡‰˚‚‡ÈÚÂ ÒÎË¯ÍÓÏ ·ÓÎ¸¯ÓÈ ÒËÎ˚ ÔË ÔÓÎ¸ÁÓ‚‡ÌËË
ÍÌÓÔÍ‡ÏË, ‚˚ÍÎ˛˜‡ÚÂÎﬂÏË Ë ‡Á˙ÂÏ‡ÏË.
• çÂ ÒÎÂ‰ÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ
„ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌÂ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
äÓÔÓ‡ˆËﬂ Yamaha ÌÂ ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ, ‚˚Á‚‡ÌÌ˚Â ÌÂÔ‡‚ËÎ¸ÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙËÍ‡ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡,
‡ Ú‡ÍÊÂ Á‡ ÔÓÚÂﬂÌÌ˚Â ËÎË ËÒÔÓ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â.
ÇÒÂ„‰‡ ‚˚ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÌÂ ËÒÔÓÎ¸ÁÛÂÚÂ Â„Ó.
(1)B-9
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CLP240E.book Page 8 Wednesday, April 6, 2005 4:02 PM
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
èË‡ÌËÌÓ Yamaha CLP-240/230 Clavinova ÔÂ‰ÒÚ‡‚ÎﬂÂÚ Â‡ÎËÒÚË˜ÌÓÂ Ë ‚˚‡ÁËÚÂÎ¸ÌÓÂ Á‚Û˜‡ÌËÂ
Ë Ó˘Û˘ÂÌËﬂ Í‡Í ÓÚ Ë„˚ Ì‡ Ì‡ÒÚÓﬂ˘ÂÏ ÓﬂÎÂ. Ç ÌÂÏ Ú‡ÍÊÂ Â‡ÎËÁÓ‚‡Ì‡ ÓË„ËÌ‡Î¸Ì‡ﬂ ÚÂıÌÓÎÓ„Ëﬂ
„ÂÌÂ‡ˆËË Á‚ÛÍ‡ ÍÓÔÓ‡ˆËË Yamaha – «AWM Dynamic Stereo Sampling (CLP-240)/AWM Stereo
Sampling (CLP-230)», ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ÒÓÁ‰‡‚‡Ú¸ Ì‡Ò˚˘ÂÌÌ˚Â, Â‡ÎËÒÚË˜Ì˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ÚÂÏ·˚.
Ç ÚÂÏ·‡ı Grand Piano 1 Ë 2 ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CLP-240/230 ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ Ú˘‡ÚÂÎ¸ÌÓ Á‡ÔËÒ‡ÌÌ˚Â
Ò˝ÏÔÎ˚ Ì‡ÒÚÓﬂ˘Â„Ó ÍÓÌˆÂÚÌÓ„Ó ÓﬂÎﬂ. ÇÓ ‚ÂÏﬂ ËÒÔÓÎÌÂÌËﬂ Ò ÚÂÏ·ÓÏ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
CLP-240 GrandPiano1 ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÚË Ò˝ÏÔÎ‡, Á‡‚ËÒﬂ˘ËÂ ÓÚ ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯
(‰ËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ÓÒÓ·ÓÂ «ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ» (ÒÚ. 51), ‚ÓÒÔÓËÁ‚Ó‰ﬂ˘ÂÂ
ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ ÔÂ‰‡Î¸ ÛÌËÍ‡Î¸Ì˚È ÂÁÓÌ‡ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔË‡ÌÓ,
Ë «Ò˝ÏÔÎ˚ ÓÚÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë¯Ë», ÍÓÚÓ˚Â ‰Ó·‡‚Îﬂ˛Ú ÚËıËÈ ÔËÁ‚ÛÍ ÔË ÓÚÔÛÒÍ‡ÌËË ÍÎ‡‚Ë¯.
Ç ÔË‡ÌËÌÓ CLP-240/230 Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÒÔÂˆË‡Î¸Ì‡ﬂ ÍÎ‡‚Ë‡ÚÛ‡ «GH3 (Graded Hammer 3)»,
Ì‡ ÍÓÚÓÓÈ ‚ÂÒ ÍÎ‡‚Ë¯Ë Á‡‚ËÒËÚ ÓÚ ÂÂ ‡ÒÔÓÎÓÊÂÌËﬂ. äÓÏÂ ÚÓ„Ó, ˝Ú‡ ÍÎ‡‚Ë‡ÚÛ‡ ÒÔÂˆË‡Î¸ÌÓÈ
ÍÓÌÒÚÛÍˆËË ÔÓÁ‚ÓÎﬂÂÚ ÔËÏÂÌﬂÚ¸ ÔËÂÏ˚ Ë„˚, ‰ÓÒÚÛÔÌ˚Â ÚÓÎ¸ÍÓ Ì‡ ÓﬂÎÂ. ç‡ÔËÏÂ, ÏÓÊÌÓ
ÔÓ‚ÚÓﬂÚ¸ Ó‰ÌÛ Ë ÚÛ ÊÂ ÌÓÚÛ, Ë Á‚ÛÍ ·Û‰ÂÚ ÔÎ‡‚ÌÓ ÒÎË‚‡Ú¸Òﬂ ‰‡ÊÂ ·ÂÁ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ô‡‚ÓÈ ÔÂ‰‡ÎË.
åÓÊÌÓ Ú‡ÍÊÂ ·˚ÒÚÓ Ì‡ÊËÏ‡Ú¸ Ì‡ Ó‰ÌÛ Ë ÚÛ ÊÂ ÍÎ‡‚Ë¯Û, ÔÓÎÛ˜‡ﬂ ÓÚ˜ÂÚÎË‚˚È Á‚ÛÍ ·ÂÁ
ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Ó·˚‚‡ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. ùÚË ÓÒÓ·ÂÌÌÓÒÚË ËÌÒÚÛÏÂÌÚ‡ CLP-240/230
ÔÓÁ‚ÓÎﬂ˛Ú Ï‡ÍÒËÏ‡Î¸ÌÓ ÔË·ÎËÁËÚ¸Òﬂ Í Á‚Û˜‡ÌË˛ Ì‡ÒÚÓﬂ˘Â„Ó ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔ¸ﬂÌÓ.
(êËÒÛÌÍË Ô‡ÌÂÎÂÈ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240)
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CLP-240
(LEVEL FIXED)
R
L/L+R
R
L
AUX IN
AUX OUT
USB
TO DEVICE
(
OUT
IN
TO HOST
THRU
MIDI
£
™
CLP-230
MIDI
(LEVEL FIXED)
L
R
8
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
THRU
OUT
USB
L/L+R
R
AUX OUT
AUX IN
º
¡
TO HOST
IN
£
™
HARD
MEDIUM
SOFT
TOUCH
&
ON
DDE
CLP-240
CLP240E.book Page 9 Wednesday, April 6, 2005 4:02 PM
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
1 Ç˚ÍÎ˛˜‡ÚÂÎ¸ [POWER] ............................. ÒÚ. 11
2 èÓÎÁÛÌÍÓ‚˚È Â„ÛÎﬂÚÓ [MASTER VOLUME]
....................................................................... ÒÚ. 12
% äÌÓÔÍ‡ [SPLIT](CLP-240) ............................ÒÚ. 26
èÓË„˚‚‡ÌËÂ Ô‡ÚËÈ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË
‚ ‡ÁÌ˚ı ÚÂÏ·‡ı.
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Á‚ÛÍ‡ Ò ÔÓÏÓ˘¸˛
˝ÚÓ„Ó ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎﬂÚÓ‡.
^ äÌÓÔÍË [BRILLIANCE],
[REVERB], [EFFECT]....................................ÒÚ. 21
3 äÌÓÔÍ‡ [DEMO]............................................ ÒÚ. 14
ìÒÚ‡ÌÓ‚Í‡ ﬂÍÓÒÚË Á‚ÛÍ‡ Ë ‰Ó·‡‚ÎÂÌËÂ
˝ÙÙÂÍÚÓ‚ Â‚Â·Â‡ˆËË Ë ıÓÛÒ‡ Í Á‚ÛÍÛ.
ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎÓ‰Ë˛ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‚ Î˛·ÓÏ ÚÂÏ·Â.
4 äÌÓÔÍ‡ [TRANSPOSE] ................................ ÒÚ. 24
à„‡ﬂ Ì‡ ÚÂı ÊÂ Ò‡Ï˚ı ÍÎ‡‚Ë¯‡ı, ÏÓÊÌÓ
ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ‚ÒÂÈ
ÍÎ‡‚Ë‡ÚÛ˚ Ú‡Í, ˜ÚÓ·˚ ÓÌ‡ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
‚˚ÒÓÚÂ Á‚ÛÍ‡ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ËÎË
ÔÂ‚ˆ‡.
5 äÌÓÔÍ‡ [REC] ............................................... ÒÚ. 29
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ.
6 äÌÓÔÍË [RIGHT], [LEFT]..............ÒÚ‡ÌËˆ˚ 17, 32
éÚÍÎ˛˜ÂÌËÂ Ô‡ÚËË ÎÂ‚ÓÈ, Ô‡‚ÓÈ ËÎË
Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡ÁÛ˜Ë‚‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ (‚˚ÍÎ˛˜ÂÌÌÛ˛) Ô‡ÚË˛
ÓÚ‰ÂÎ¸ÌÓ.
7 [PLAY/PAUSE], [STOP]................ÒÚ‡ÌËˆ˚ 15, 41
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ,
Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂË‡Î‡, ÍÓÏÏÂ˜ÂÒÍËı
ÏÛÁ˚Í‡Î¸Ì˚ı Á‡ÔËÒÂÈ Ë Ú. ‰.
8 äÌÓÔÍ‡ [SONG SELECT].............ÒÚ‡ÌËˆ˚ 15, 41
Ç˚·Ó ÏÂÎÓ‰ËË ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ËÎË
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
9 äÌÓÔÍ‡ [FILE] (CLP-240) .............ÒÚ‡ÌËˆ˚ 35, 42
ëÓı‡ÌÂÌËÂ Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ Ë
ÛÔ‡‚ÎÂÌËÂ Ù‡ÈÎ‡ÏË ÏÂÎÓ‰ËÈ. í‡ÍÊÂ
ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚Ó‰ËÚ¸ ÙÓÏ‡ÚËÓ‚‡ÌËÂ
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
) äÌÓÔÍ‡ [TEMPO/FUNCTION#] ....ÒÚ‡ÌËˆ˚ 28, 45
àÁÏÂÌÂÌËÂ ÚÂÏÔ‡ (ÒÍÓÓÒÚË) ÏÂÎÓ‰ËË
Ë ‚˚·Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı ÙÛÌÍˆËÈ
(ÒÚ‡ÌËˆ˚ 44-55).
! äÌÓÔÍ‡ [METRONOME]...............ÒÚ‡ÌËˆ˚ 28, 52
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡.
@ ùÍ‡Ì ............................................................ ÒÚ. 11
ÇçàåÄçàÖ!
çÂ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ËÌÒÚÛÏÂÌÚ‡, ÍÓ„‰‡ Ì‡ ˝Í‡ÌÂ ÏË„‡˛Ú
ÔÓ˜ÂÍË – ÓÌË ÛÍ‡Á˚‚‡˛Ú, ˜ÚÓ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚ÔÓÎÌﬂÂÚÒﬂ
ÓÔÂ‡ˆËﬂ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı.
# äÌÓÔÍ‡ [–/NO], [+/YES]
ìÒÚ‡ÌÓ‚Í‡ ÁÌ‡˜ÂÌËÈ Ë ‚˚ÔÓÎÌÂÌËÂ
ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË. é‰ÌÓ‚ÂÏÂÌÌÓÂ
Ì‡Ê‡ÚËÂ Ó·ÂËı ÍÌÓÔÓÍ ‰Îﬂ Í‡ÍËı-ÎË·Ó
Ì‡ÒÚÓÂÍ («í‡ÌÒÔÓÌËÓ‚‡ÌËÂ», «íÂÏÔ»
Ë Ú. ‰.) ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÁÌ‡˜ÂÌËﬂ ÔÓ
ÛÏÓÎ˜‡ÌË˛.
$ äÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ .............................. ÒÚ. 19
Ç˚·Ó ËÁ 14 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚ÍÎ˛˜‡ﬂ
ÚÂÏ·˚ Grand Piano 1 Ë 2. åÓÊÌÓ Ú‡ÍÊÂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
(äÌÓÔÍ‡ [VARIATION] ÂÒÚ¸ ÚÓÎ¸ÍÓ Û
ÔË‡ÌËÌÓ CLP-240.)
& äÌÓÔÍ‡ [TOUCH] ..........................................ÒÚ. 23
ÑÎﬂ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í
ÒËÎÂ Ì‡Ê‡ÚËﬂ.
* äÌÓÔÍ‡ [DDE] (CLP-240)..............................ÒÚ. 22
ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË
DDE (˝ÙÙÂÍÚ Dynamic Damper). èË
‚ÍÎ˛˜ÂÌÌÓÏ ÂÊËÏÂ DDE, ÍÓ„‰‡ Ò Ì‡Ê‡ÚÓÈ
Ô‡‚ÓÈ ÔÂ‰‡Î¸˛ Ì‡ÊËÏ‡ÂÚÒﬂ ÍÎ‡‚Ë¯‡,
ÔË‡ÌËÌÓ Clavinova ËÏËÚËÛÂÚ ˝ÙÙÂÍÚ
Û‰ÂÊ‡ÌÌÓ„Ó Á‚ÛÍ‡, ÍÓÚÓ˚È ÔÓÎÛ˜‡ÂÚÒﬂ,
ÂÒÎË Ì‡ ÓﬂÎÂ Ì‡ÊËÏ‡˛Ú Ô‡‚Û˛ ÔÂ‰‡Î¸.
( èÓÚ˚ USB [TO DEVICE] (CLP-240)) .........ÒÚ. 57
èÓÁ‚ÓÎﬂ˛Ú ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ
Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‰Îﬂ
ÒÓı‡ÌÂÌËﬂ ËÎË Á‡„ÛÁÍË ‰‡ÌÌ˚ı.
àÌÒÚÛÏÂÌÚ ÒÌ‡·ÊÂÌ ‰‚ÛÏﬂ ÔÓÚ‡ÏË
[TO DEVICE], A Ë B, ÍÓÚÓ˚Â ‚˚·Ë‡˛ÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ [SELECT] (‚˚·Ó).
º ê‡Á˙ÂÏ˚ AUX OUT [L] [R]
(LEVEL FIXED) ..............................................ÒÚ. 56
èÓÁ‚ÓÎﬂ˛Ú ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ÔË‡ÌËÌÓ Ì‡
‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ ËÎË ÔÓ‰ÍÎ˛˜‡Ú¸ Â„Ó
Í ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û (Í‡ÒÒÂÚÌÓÏÛ
Ï‡„ÌËÚÓÙÓÌÛ Ë Ú.‰.) ‰Îﬂ Á‡ÔËÒË
ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ.
¡ ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R].......................ÒÚ. 57
èÓÁ‚ÓÎﬂ˛Ú ÔÓ‰ÍÎ˛˜‡Ú¸ ‚ÌÂ¯ÌËÈ „ÂÌÂ‡ÚÓ
Á‚ÛÍ‡ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˝ÚÓ„Ó Á‚ÛÍ‡
˜ÂÂÁ ‚ÒÚÓÂÌÌÛ˛ ‡ÍÛÒÚË˜ÂÒÍÛ˛ ÒËÒÚÂÏÛ
Ë ‰ËÌ‡ÏËÍË ÔË‡ÌËÌÓ.
™ ê‡Á˙ÂÏ USB [TO HOST]
(ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË) ............................ÒÚ. 57
èÓÁ‚ÓÎﬂÂÚ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í
ÍÓÏÔ¸˛ÚÂÛ ‰Îﬂ Ó·ÏÂÌ‡ MIDI-‰‡ÌÌ˚ÏË
ÏÂÊ‰Û ÔË‡ÌËÌÓ Ë ÍÓÏÔ¸˛ÚÂÓÏ.
£ èÓÚ˚ MIDI [IN][OUT][THRU]......................ÒÚ. 57
èÓÁ‚ÓÎﬂ˛Ú ÔÓ‰ÍÎ˛˜‡Ú¸ ‚ÌÂ¯ÌËÂ
MIDI-ÛÒÚÓÈÒÚ‚‡ ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
‡ÁÎË˜Ì˚ı MIDI-ÙÛÌÍˆËÈ.
¢ ê‡Á˙ÂÏ˚ [PHONES], ÔÂÂÍÎ˛˜‡ÚÂÎ¸
[SPEAKER]....................................................ÒÚ. 12
èÓÁ‚ÓÎﬂ˛Ú ÔÓ‰ÍÎ˛˜‡Ú¸ ÒÚ‡Ì‰‡ÚÌ˚Â
ÒÚÂÂÓÌ‡Û¯ÌËÍË, ˜ÚÓ·˚ Ë„‡Ú¸, ÌÂ ÏÂ¯‡ﬂ
ÓÍÛÊ‡˛˘ËÏ. Ç˚ÍÎ˛˜‡ÚÂÎ¸ [SPEAKER]
‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ‚ÒÚÓÂÌÌ˚Â
‰ËÌ‡ÏËÍË.
∞ èÖÑÄãà ........................................................ÒÚ. 20
èÓÁ‚ÓÎﬂ˛Ú ÒÓÁ‰‡‚‡Ú¸ ÏÌÓÊÂÒÚ‚Ó
‚˚‡ÁËÚÂÎ¸Ì˚ı ˝ÙÙÂÍÚÓ‚, ÔÓ‰Ó·ÌÓ ÔÂ‰‡ÎﬂÏ
‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ. ë ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛
Ú‡ÍÊÂ ÏÓÊÌÓ Ò‚ﬂÁ‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ
‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
9
CLP240E.book Page 10 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ
ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚
óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚:
çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚÂ Í˚¯ÍÛ Ë ÔÎ‡‚ÌÓ
Ò‰‚ËÌ¸ÚÂ ‚ÔÂÂ‰.
óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚:
èÓÚﬂÌËÚÂ Í˚¯ÍÛ Ì‡ ÒÂ·ﬂ Ë ÓÒÚÓÓÊÌÓ
ÓÔÛÒÚËÚÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÛ.
ÇçàåÄçàÖ!
éÚÍ˚‚‡ﬂ Ë Á‡Í˚‚‡ﬂ Í˚¯ÍÛ, ·ÂËÚÂÒ¸ Á‡ ÌÂÂ Ó·ÂËÏË ÛÍ‡ÏË. çÂ ÓÚÔÛÒÍ‡ÈÚÂ Í˚¯ÍÛ, ÔÓÍ‡ ÓÌ‡ ÌÂ ÓÚÍÓÂÚÒﬂ ËÎË ÌÂ Á‡ÍÓÂÚÒﬂ
ÔÓÎÌÓÒÚ¸˛. ëÚ‡‡ÈÚÂÒ¸ ÌÂ Á‡˘ÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊËÂ Ô‡Î¸ˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ.
ÇçàåÄçàÖ!
çÂ ÍÎ‡‰ËÚÂ Ì‡ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚ ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÔÂ‰ÏÂÚ˚ ËÎË ·ÛÏ‡„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍËÂ ÔÂ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸
‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔË‡ÌËÌÓ, Ë ËÁ‚ÎÂ˜¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚË˜ÂÒÍË ÌÂ‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌË˛ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í
ÍÓÓÚÍÓÏÛ Á‡Ï˚Í‡ÌË˛, ÔÓÊ‡Û Ë ‰Û„ËÏ ÒÂ¸ÂÁÌ˚Ï ÔÓ‚ÂÊ‰ÂÌËﬂÏ ËÌÒÚÛÏÂÌÚ‡.
è˛ÔËÚ
óÚÓ·˚ ÔÓ‰ÌﬂÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ, Ì‡ÒÍÓÎ¸ÍÓ ˝ÚÓ
‚ÓÁÏÓÊÌÓ.
2. éÔÛÒÚËÚÂ ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë
ÒÎÂ‚‡ Ì‡ Ó·‡ÚÌÓÈ ÒÚÓÓÌÂ Ô˛ÔËÚ‡.
3. éÔÛÒÚËÚÂ Ô˛ÔËÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔË‡ÎÒﬂ Ì‡
ÙËÍÒ‡ÚÓ˚.
óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ:
1. ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ, Ì‡ÒÍÓÎ¸ÍÓ ˝ÚÓ
‚ÓÁÏÓÊÌÓ.
2. èÓ‰ÌËÏËÚÂ ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÙËÍÒ‡ÚÓ˚
(Ì‡ Ó·‡ÚÌÓÈ ÒÚÓÓÌÂ Ô˛ÔËÚ‡).
3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌﬂÈÚÂ Ô˛ÔËÚ Ì‡Á‡‰, ÔÓÍ‡ ÓÌ
ÔÓÎÌÓÒÚ¸˛ ÌÂ ÎﬂÊÂÚ Ì‡ ÏÂÒÚÓ.
ÇçàåÄçàÖ!
çÂ ËÒÔÓÎ¸ÁÛÈÚÂ Ô˛ÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌﬂÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒÍ‡ﬂ Ô˛ÔËÚ, ÔË‰ÂÊË‚‡ÈÚÂ Â„Ó, ÔÓÍ‡ ÓÌ ÔÓÎÌÓÒÚ¸˛ ÌÂ ÓÔÛÒÚËÚÒﬂ Ì‡ ÏÂÒÚÓ.
ëÍÓ·ÍË-Ó„‡ÌË˜ËÚÂÎË ‰Îﬂ ÌÓÚ (CLP-240)
ùÚË ÒÍÓ·ÍË ÒÎÛÊ‡Ú ‰Îﬂ ÙËÍÒ‡ˆËË ÒÚ‡ÌËˆ ÌÓÚÌÓÈ ÚÂÚ‡‰Ë.
èÓ‰ÌﬂÚËÂ ÒÍÓ·ÓÍ
10
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
éÔÛÒÍ‡ÌËÂ ÒÍÓ·ÓÍ
CLP240E.book Page 11 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ
ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ
1. èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
ÇÒÚ‡‚¸ÚÂ Ó‰ËÌ ÍÓÌÂˆ Í‡·ÂÎﬂ ‚ ‡Á˙ÂÏ AC INLET ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ë ‚ÍÎ˛˜ËÚÂ ‰Û„ÓÈ
ÍÓÌÂˆ Í‡·ÂÎﬂ ‚ ÓÁÂÚÍÛ.
Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í
ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
1-1
1-2
(îÓÏ‡ ‚ËÎÍË
Á‡‚ËÒËÚ ÓÚ
ÒÚ‡Ì˚.)
ÇçàåÄçàÖ!
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔﬂÊÂÌËÂ, ËÒÔÓÎ¸ÁÛÂÏÓÂ ‚ ‰‡ÌÌÓÏ Â„ËÓÌÂ, ÔÓ‰ıÓ‰ËÚ ‰Îﬂ ÔËÚ‡ÌËﬂ ÔË‡ÌËÌÓ CLP-240/230 (‰ÓÔÛÒÚËÏÓÂ Ì‡ÔﬂÊÂÌËÂ ÛÍ‡Á‡ÌÓ
Ì‡ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡). Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı Ì‡ ÌËÊÌ˛˛ Ô‡ÌÂÎ¸ ÍÎ‡‚Ë‡ÚÛ˚ ﬂ‰ÓÏ Ò Í‡·ÂÎÂÏ ÔËÚ‡ÌËﬂ ÔÓÏÂ˘‡ÂÚÒﬂ
ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌËÂ ÔÂÂÍÎ˛˜‡ÚÂÎﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔﬂÊÂÌË˛, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ.
èÓ‰ÍÎ˛˜ÂÌËÂ ËÌÒÚÛÏÂÌÚ‡ Í ÌÂÔÓ‰ıÓ‰ﬂ˘ÂÏÛ ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËﬂ ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚Â‰ËÚ¸ Â„Ó ˝ÎÂÍÚÓÒıÂÏ˚ Ë ‰‡ÊÂ ÔË‚ÂÒÚË Í
ÔÓ‡ÊÂÌË˛ ÚÓÍÓÏ!
àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ, ‚ıÓ‰ﬂ˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÔË‡ÌËÌÓ CLP-240/230. èË ÔÓÚÂÂ ËÎË ÔÓ‚ÂÊ‰ÂÌËË Í‡·ÂÎﬂ ‰Îﬂ Â„Ó
Á‡ÏÂÌ˚ Ò‚ﬂÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÌÂÔÓ‰ıÓ‰ﬂ˘Â„Ó Í‡·ÂÎﬂ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û Ë ÔÓ‡ÊÂÌË˛
ÚÓÍÓÏ!
íËÔ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ, ÔÓÒÚ‡‚ÎﬂÂÏÓ„Ó Ò ËÌÒÚÛÏÂÌÚÓÏ CLP-240/230, ÏÓÊÂÚ ·˚Ú¸ ‡ÁÎË˜Ì˚Ï, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, „‰Â ÒÓ‚Â¯ÂÌ‡
ÔÓÍÛÔÍ‡. (Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.) çÖ ÏÓ‰ËÙËˆËÛÈÚÂ ‚ËÎÍÛ Í‡·ÂÎﬂ, ÔÓÒÚ‡‚ÎﬂÂÏÓ„Ó Ò ÔË‡ÌËÌÓ CLP-240/230. ÖÒÎË ‚ËÎÍ‡ ÌÂ ‚ıÓ‰ËÚ ‚ ÓÁÂÚÍÛ, ‚˚ÁÓ‚ËÚÂ
ÒÔÂˆË‡ÎËÒÚ‡-˝ÎÂÍÚËÍ‡ ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË ÓÁÂÚÍË ÌÛÊÌÓ„Ó ÚËÔ‡.
2. ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER].
• ÇÍÎ˛˜ËÚÒﬂ ÔÓ‰Ò‚ÂÚÍ‡ ˝Í‡Ì‡ ‚ ˆÂÌÚÂ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË Ë ËÌ‰ËÍ‡ÚÓ ÔËÚ‡ÌËﬂ, Ì‡ıÓ‰ﬂ˘ËÈÒﬂ Ì‡ ÍÓÔÛÒÂ
ÌËÊÂ ÎÂ‚Ó„Ó Í‡ﬂ ÍÎ‡‚Ë‡ÚÛ˚.
ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚ÍÎ˛˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [POWER].
• ÑËÒÔÎÂÈ Ë ËÌ‰ËÍ‡ÚÓ ÔËÚ‡ÌËﬂ ÔÓ„‡ÒÌÛÚ.
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ ÔËÚ‡ÌËﬂ
ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚, ÌÂ ‚˚ÍÎ˛˜‡ﬂ ËÌÒÚÛÏÂÌÚ, ËÌ‰ËÍ‡ÚÓ ÔÓ‰ÓÎÊ‡ÂÚ „ÓÂÚ¸, ÔÓÍ‡Á˚‚‡ﬂ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ‚ÒÂ
Â˘Â ‚ÍÎ˛˜ÂÌ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
11
CLP240E.book Page 12 Wednesday, April 6, 2005 4:02 PM
èÓ‰„ÓÚÓ‚Í‡ Í ‡·ÓÚÂ
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË
ìÒÚ‡ÌÓ‚ËÚÂ Â„ÛÎﬂÚÓ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒÂÂ‰ËÌÂ, ÏÂÊ‰Û ÁÌ‡˜ÂÌËﬂÏË «MIN» Ë «MAX».
ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME] ÓÔÚËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸.
MIN
MAX
MASTER VOLUME
ìÏÂÌ¸¯ÂÌËÂ „ÓÏÍÓÒÚË
ì‚ÂÎË˜ÂÌËÂ „ÓÏÍÓÒÚË
ÇçàåÄçàÖ!
çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔË‡ÌËÌÓ Clavinova ÔË ‚˚ÒÓÍÓÏ ÛÓ‚ÌÂ „ÓÏÍÓÒÚË ‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ. ùÚÓ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸ ‚‡¯ ÒÎÛı.
íÖêåàçéãéÉàü
MASTER VOLUME:
ìÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎﬂÚÓ‡ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊÂ Ì‡ÒÚ‡Ë‚‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚ÛÍ‡, ‚˚ıÓ‰ﬂ˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ˚
[PHONES] Ë ÔÓÒÚÛÔ‡˛˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ AUX IN.
ç‡Û¯ÌËÍË
èÓ‰ÒÓÂ‰ËÌËÚÂ Ì‡Û¯ÌËÍË Í Ó‰ÌÓÏÛ ËÁ
‡Á˙ÂÏÓ‚ [PHONES].
ç‡ ËÌÒÚÛÏÂÌÚÂ ÂÒÚ¸ ‰‚‡ ‡Á˙ÂÏ‡ [PHONES].
åÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡
ÒÚ‡Ì‰‡ÚÌ˚ı ÒÚÂÂÓÌ‡Û¯ÌËÍÓ‚. (ÖÒÎË
ËÒÔÓÎ¸ÁÛÂÚÒﬂ Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚,
Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.)
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Í˛˜Í‡ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚
ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ
ÔË‡ÌËÌÓ CLP-240/230 Ë ÔÓÁ‚ÓÎﬂÂÚ ‚Â¯‡Ú¸
Ì‡Û¯ÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚÂ Í˛˜ÓÍ ‰Îﬂ
Ì‡Û¯ÌËÍÓ‚ Ì‡ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
ÇçàåÄçàÖ!
çÂ ‚Â¯‡ÈÚÂ Ì‡ ˝ÚÓÚ Í˛˜ÓÍ ÌË˜Â„Ó, ÍÓÏÂ Ì‡Û¯ÌËÍÓ‚.
àÌ‡˜Â ÏÓÊÌÓ ÔÓ‚Â‰ËÚ¸ ÔË‡ÌËÌÓ ËÎË Í˛˜ÓÍ.
Ç˚ÍÎ˛˜‡ÚÂÎ¸ ‰ËÌ‡ÏËÍ‡
ùÚÓÚ ‚˚ÍÎ˛˜‡ÚÂÎ¸ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ‚ÒÚÓÂÌÌ˚Â
‰ËÌ‡ÏËÍË.
NORMAL (HP. SW)............. ÑËÌ‡ÏËÍË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚ Á‚ÛÍ, ÂÒÎË ÌÂ
ÔÓ‰ÍÎ˛˜ÂÌ˚ Ì‡Û¯ÌËÍË.
ON.................................. ÑËÌ‡ÏËÍË ‚ÒÂ„‰‡ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚ Á‚ÛÍ.
OFF ................................ ÑËÌ‡ÏËÍË ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚ Á‚ÛÍ.
12
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
OFF
ON
NORMAL
HP. SW
SPEAKER
PHONES
CLP240E.book Page 13 Wednesday, April 6, 2005 4:02 PM
ëÔ‡‚Ó˜ÌËÍ
ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ
Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍÂ ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ
ËÌÒÚÛÏÂÌÚ‡.
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ.14
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ
ÙÓÚÂÔ¸ﬂÌÓ ........................................................15
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ SMF Ë ‚ÌÂ¯ÌËı
ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
(CLP-240)...............................................................43
èÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ..................43
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ 50
‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ
Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) .............................................. 17
îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B ‰Îﬂ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ................................................................. 18
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]................. 44
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ ..................19
Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 19
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ ....................................... 20
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240) ............................... 21
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ – ÍÌÓÔÍ‡
[TOUCH]............................................................... 23
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ – ÍÌÓÔÍ‡ [TRANSPOSE] ..... 24
ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual)....................... 25
ê‡Á‰ÂÎÂÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240) .............................................................. 26
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡................................... 28
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ ....................29
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËﬂ ................................ 29
èÂÂÁ‡ÔËÒ¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË .............. 31
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ Ô‡ÚËË ............................. 32
àÁÏÂÌÂÌËÂ Ì‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÂÍ (‰‡ÌÌ˚ı,
Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ì‡˜‡ÎÂ ÏÂÎÓ‰ËË) ........................ 34
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240) ..........35
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ .......................................... 35
ëÓı‡ÌÂÌËÂ ÏÂÎÓ‰ËÈ ............................................ 36
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓÏ‡ÚÂ SMF........................ 37
ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ ÏÂÎÓ‰ËÈ ................................... 38
îÓÏ‡ÚËÓ‚‡ÌËÂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı ................................................................... 39
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ................................40
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ë ‚ÌÂ¯ÌËı
ÏÂÎÓ‰ËÈ ................................................................. 41
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240) .... 42
éÒÌÓ‚Ì˚Â ‰ÂÈÒÚ‚Ëﬂ ‚ ÂÊËÏÂ Function................45
éÔËÒ‡ÌËÂ ÙÛÌÍˆËÈ ...............................................47
F1. íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.....................47
F2. Ç˚·Ó ÒÚÓﬂ .....................................................48
F3. îÛÌÍˆËË ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ........49
F4. (CLP-240) îÛÌÍˆËË ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ...............................................50
F5. (CLP-240)/F4. (CLP-230) ÑÛ„ËÂ ÙÛÌÍˆËË ...51
F6. (CLP-240)/F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ...........................................52
F7. (CLP-240)/F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...........52
F8. (CLP-240)/F7. (CLP-230) îÛÌÍˆËË MIDI .....52
F9. (CLP-240)/F8. (CLP-230)
îÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ ............................................55
F9.5 (CLP-240)/F8.5 (CLP-230)
ç‡·Ó ÒËÏ‚ÓÎÓ‚.....................................................55
èÓ‰ÍÎ˛˜ÂÌËÂ .................................................... 56
ê‡Á˙ÂÏ˚..................................................................56
èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡ ..........60
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı....................... 62
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ........................................... 63
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ...................................... 64
çÂÓ·ﬂÁ‡ÚÂÎ¸Ì˚Â ˝ÎÂÏÂÌÚ˚ ............................... 64
CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ
ÍÎ‡‚Ë‡ÚÛ˚ ........................................................ 65
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD)
Ë ‰ËÒÍÂÚ (CLP-240) ........................................... 69
ìÒÚ‡ÌÓ‚Í‡ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÔÓ Á‡Í‡ÁÛ) ................................... 70
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ............................ 71
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ............... 74
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸...................................... 75
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
13
CLP240E.book Page 14 Wednesday, April 6, 2005 4:02 PM
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÏÂÎÓ‰ËÈ
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ ˝ÙÙÂÍÚË‚ÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂı ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
CLP-240/230.
1 2 4
4
REC
MIN
3
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
ÇÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ
(ÖÒÎË ÔËÚ‡ÌËÂ ‚˚ÍÎ˛˜ÂÌÓ). ç‡ÊÏËÚÂ ‚˚ÍÎ˛˜‡ÚÂÎ¸ [POWER].
ÖÒÎË ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, Á‡„ÓËÚÒﬂ Ó‰ËÌ ËÁ Ò‚ÂÚÓ‰ËÓ‰Ì˚ı
ËÌ‰ËÍ‡ÚÓÓ‚ ÍÌÓÔÓÍ ÚÂÏ·‡.
ìÒÚ‡ÌÓ‚ËÚÂ ÔÓÎÁÛÌÓÍ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒÂÂ‰ËÌÂ, ÏÂÊ‰Û
Ô‡‡ÏÂÚ‡ÏË «MIN» Ë «MAX». ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ
ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎﬂÚÓÓÏ [MASTER VOLUME] ÓÔÚËÏ‡Î¸ÌÛ˛
„ÓÏÍÓÒÚ¸.
2.
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ‰ÂÏÓÌÒÚ‡ˆËË
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO].
àÌ‰ËÍ‡ÚÓ˚ ÍÌÓÔÓÍ ÚÂÏ·Ó‚ ·Û‰ÛÚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÏË„‡Ú¸.
3.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡
ÑÎﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚ÒÂı ÏÂÎÓ‰ËÈ, Ì‡˜ËÌ‡ﬂ Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ
ÏÂÎÓ‰ËË ‰Îﬂ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ˝ÚÓ„Ó
ÚÂÏ·‡. (ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ ÌÂ ÍÌÓÔÍÛ ÚÂÏ·‡,
Ì‡˜ÌÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË ‰Îﬂ
ÚÂÏ·‡ GRAND PIANO 1.)
èêàåÖóÄçàÖ
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ÔË‚Â‰ÂÌ Ì‡ ÒÚ. 74.
èêàåÖóÄçàÖ
Ç ÂÊËÏÂ ÔÓÒÎÛ¯Ë‚‡ÌËﬂ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ÔËÂÏ
MIDI ‰‡ÌÌ˚ı ÌÂ‚ÓÁÏÓÊÂÌ.
Ñ‡ÌÌ˚Â ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ÌÂ ÔÂÂ‰‡˛ÚÒﬂ ˜ÂÂÁ ‚˚ıÓ‰˚ MIDI.
èêàåÖóÄçàÖ
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ÌÂÎ¸Áﬂ
‚ÍÎ˛˜ËÚ¸ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı ÏÂÎÓ‰ËÈ (ÒÚ. 29)
ËÎË ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË (ÒÚ. 35).
íÖêåàçéãéÉàü
êÂÊËÏ
ëÓÒÚÓﬂÌËÂ ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ
ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔÂ‰ÂÎÂÌÌÛ˛
ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ
ÂÊËÏÂ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË.
èêàåÖóÄçàÖ
4.
éÒÚ‡ÌÓ‚Í‡ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡ Ë ‚˚ıÓ‰ ËÁ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËÏ‡
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO] ËÎË SONG [STOP].
íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ËÁÏÂÌﬂÚ¸ ÌÂÎ¸Áﬂ.
çÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË (ÒÚ. 17) ËÎË
ÏÂÎÓ‰ËË.
îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B (ÒÚ. 18) ‚
ÂÊËÏÂ ‰ÂÏÓÌÒÚ‡ˆËË.
èêàåÖóÄçàÖ
ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CLP-240 ÏÓÊÌÓ
ÔÓÒÎÛ¯Ë‚‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛ ÚÂÏ·Ó‚
ÙÓÚÂÔ¸ﬂÌÓ Ò ‡ÁÎË˜Ì˚ÏË
˝ÙÙÂÍÚ‡ÏË, Ì‡Ê‡‚ ÍÌÓÔÍÛ
[VARIATION], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ ÌÛÊÌÓ„Ó
ÚÂÏ·‡. èÓÎÌ˚È ÒÔËÒÓÍ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ Ò
‡ÁÎË˜Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË ‰Îﬂ
ÙÓÚÂÔ¸ﬂÌÓ Ì‡ıÓ‰ËÚÒﬂ ‚ ‡Á‰ÂÎÂ
«éÔËÒ‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚
‰Îﬂ ÚÂÏ·‡ ÙÓÚÂÔ¸ﬂÌÓ» Ì‡ ÒÚ. 74.
14
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 15 Wednesday, April 6, 2005 4:02 PM
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÒÓ‰ÂÊËÚÒﬂ 50 ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ. ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÓÒÚÓ ÒÎÛ¯‡Ú¸
(ÒÚ. 15) ËÎË ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÛÔ‡ÊÌÂÌËÈ (ÒÚ. 17). åÓÊÌÓ Ú‡ÍÊÂ Ó·‡ÚËÚ¸Òﬂ Í ÔËÎ‡„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ
«50 greats for the Piano» Ò Ô‡ÚËÚÛ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ.
3 2 -2 1
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
2 -1
4
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
2.
2-1
2-2
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
çÂÒÍÓÎ¸ÍÓ ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT], ÔÓÍ‡ ÌÂ Á‡„ÓËÚÒﬂ
ËÌ‰ËÍ‡ÚÓ «PRESET».
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Î˛·ÓÈ ËÁ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
ç‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍË [–/NO], [+/YES], ˜ÚÓ·˚
‚˚·‡Ú¸ ÌÓÏÂ ÏÂÎÓ‰ËË, ÍÓÚÓÛ˛ ıÓÚËÚÂ
‚ÓÒÔÓËÁ‚ÂÒÚË (ÌÓÏÂ ÔÓﬂ‚ËÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ).
1 – 50:
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÓÎ¸ÍÓ ÏÂÎÓ‰ËË Ò
‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ.
ALL:
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ.
rnd:
çÂÔÂ˚‚ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓﬂ‰ÍÂ.
ÑÎﬂ Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/PAUSE] Ì‡
Ô‡ÌÂÎË SONG.
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚÂ Â„ÛÎﬂÚÓ [MASTER VOLUME].
ç‡ÒÚÓÈÍ‡ ÚÂÏÔ‡
ÑÎﬂ Ì‡ÒÚÓÈÍË ÚÂÏÔ‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼ ▲]. íÂÏÔ ÔÓ ÛÏÓÎ˜‡ÌË˛
ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ
Ì‡Ê‡‚ ÍÌÓÔÍË [▼] Ë [▲].
3.
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ ÔÓÒÎÂ Á‡‚Â¯ÂÌËﬂ
‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎÓ‰Ë˛ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ (ËÎË ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ),
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [STOP] Ì‡ Ô‡ÌÂÎË SONG. åÓÊÌÓ Ú‡ÍÊÂ
ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ [PLAY/PAUSE] Ì‡ Ô‡ÌÂÎË
SONG.
• ä‡Í Á‡ÔÛÒÚËÚ¸ ÌÂÔÂ˚‚ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰Û„ÓÈ ÏÂÎÓ‰ËË,
ÓÔËÒ‡ÌÓ ‚˚¯Â ‚ ÔÛÌÍÚÂ 2.
èêàåÖóÄçàÖ
êÂÊËÏ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ÌÂÎ¸Áﬂ
‚ÍÎ˛˜ËÚ¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‡·ÓÚ‡ÂÚ ‚
ÂÊËÏÂ ‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËÈ
(ÒÚ. 14), ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÏÂÎÓ‰ËË (ÒÚ. 41), Á‡ÔËÒË ÏÂÎÓ‰ËË
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ (ÒÚ. 29) ËÎË ÓÔÂ‡ˆËÈ Ò
Ù‡ÈÎ‡ÏË (ÒÚ. 35).
íÖêåàçéãéÉàü
åÂÎÓ‰Ëﬂ
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CLP-240/230
«ÏÂÎÓ‰ËÂÈ» Ì‡Á˚‚‡˛ÚÒﬂ ‰‡ÌÌ˚Â
ËÒÔÓÎÌﬂÂÏÓ„Ó ÔÓËÁ‚Â‰ÂÌËﬂ. ùÚÓ
‚ÍÎ˛˜‡ÂÚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË
Ë ‚ÒÚÓÂÌÌÛ˛ ÏÛÁ˚ÍÛ.
èêàåÖóÄçàÖ
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡
ÍÎ‡‚Ë¯‡ı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îﬂ
ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ﬂÍÓÒÚ¸ (ÒÚ. 21) Ë
ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 21), ÍÓÚÓ˚Â
·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÚÂÏ·‡
ÍÎ‡‚Ë‡ÚÛ˚ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. ÑÎﬂ ÚÂÏ·‡
ÍÎ‡‚Ë‡ÚÛ˚ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ ÚËÔ
˝ÙÙÂÍÚ‡ (ÒÚ. 22) Ë ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸
Í ÒËÎÂ Ì‡Ê‡ÚËﬂ (ÒÚ. 23).
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË ËÎË ÔË Ì‡˜‡ÎÂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚
ÂÊËÏÂ «ALL» ËÎË «rnd»
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÚÂÏÔ
ÔÓ ÛÏÓÎ˜‡ÌË˛ «0».
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì‡ ‰Û„‡ﬂ ÏÂÎÓ‰Ëﬂ (ËÎË
‰Û„‡ﬂ ÏÂÎÓ‰Ëﬂ ‚˚·‡Ì‡ ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË
ÏÂÎÓ‰ËÈ), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÛÚ
‚˚·‡Ì˚ ÔÓ‰ıÓ‰ﬂ˘ËÂ ÚËÔ˚
Â‚Â·Â‡ˆËË Ë ˝ÙÙÂÍÚ‡.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
15
CLP240E.book Page 16 Wednesday, April 6, 2005 4:02 PM
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
4.
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[SONG SELECT]. àÌ‰ËÍ‡ÚÓ ÓÚÍÎ˛˜‡ÂÚÒﬂ, Ë ËÌÒÚÛÏÂÌÚ ‚ÓÁ‚‡˘‡ÂÚÒﬂ
‚ Ó·˚˜Ì˚È ÂÊËÏ.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ
èË ÊÂÎ‡ÌËË ÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ Ô‡ÚË˛ ÎÂ‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË Ë
Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ ÔÓÔÓ·Ó‚‡Ú¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚË˛
(ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË), ÌÂÔÂ˚‚ÌÓ ÔÓ‚ÚÓﬂﬂ ÛÍ‡Á‡ÌÌÛ˛ Ù‡ÁÛ
ÏÂÎÓ‰ËË (ÙÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ ÏÂÎÓ‰ËË A-B). ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ
ÒÏ. Ì‡ ÒÚ. 17–18.
16
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 17 Wednesday, April 6, 2005 4:02 PM
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ
Ô‡ÚËË Ó‰ÌÓÈ ÛÍË)
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ Á‡ÔËÒ‡Ì˚ Ú‡Í, ˜ÚÓ Ô‡ÚËË ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË Ì‡ıÓ‰ﬂÚÒﬂ ‚ ‡ÁÌ˚ı Ô‡ÚËﬂı.
èÓ ÊÂÎ‡ÌË˛ ÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ Ô‡ÚËË ÎÂ‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡ÁÛ˜Ë‚‡Ú¸ Í‡Ê‰Û˛
ËÁ ÌËı ÓÚ‰ÂÎ¸ÌÓ. ÑÎﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡‰Ó Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [RIGHT], ‡ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Ô‡ÚËË ÎÂ‚ÓÈ ÛÍË – ÍÌÓÔÍÛ [LEFT].
3 1 2
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
ÑÂÈÒÚ‚Ëﬂ
1.
éÚÍÎ˛˜ÂÌËÂ Ô‡ÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ ‡ÁÛ˜ËÚ¸
Ç˚·‡‚ ÏÂÎÓ‰Ë˛ ‰Îﬂ ÛÔ‡ÊÌÂÌËÈ, ÓÚÍÎ˛˜ËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚË˛
ÍÌÓÔÍÓÈ [RIGHT] ËÎË [LEFT].
èÓÒÎÂ ‚˚·Ó‡ ÏÂÎÓ‰ËË Á‡„Ó‡˛ÚÒﬂ Ó·‡ ËÌ‰ËÍ‡ÚÓ‡ – [RIGHT] Ë [LEFT]. ùÚÓ
ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ó·Â Ô‡ÚËË. ÖÒÎË Ì‡Ê‡Ú¸ Ó‰ÌÛ ËÁ
ÍÌÓÔÓÍ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ ÔÓ„‡ÒÌÂÚ Ë Ô‡ÚËﬂ Á‚Û˜‡Ú¸ ÌÂ ·Û‰ÂÚ.
• ç‡Ê‡ÚËÂ ÍÌÓÔÍË ÔÓÔÂÂÏÂÌÌÓ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
2.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ë Ë„‡ Ì‡ ÍÎ‡‚Ë¯‡ı
ÑÎﬂ Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PLAY/PAUSE] Ì‡
Ô‡ÌÂÎË SONG. éÚÍÎ˛˜ÂÌÌÛ˛ Ô‡ÚË˛ Ë„‡ÈÚÂ Ì‡ ÍÎ‡‚Ë¯‡ı.
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
èêàåÖóÄçàÖ
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Í‡Ì‡Î˚ ‚ ÏÂÎÓ‰ËË
·Û‰ÛÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡
ÍÌÓÔÍ‡ÏË [RIGHT] Ë [LEFT]. í‡Í,
ÍÌÓÔÍÛ [RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡
Ô‡ÚËÂÈ, ÓÚÎË˜ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡
ÍÌÓÔÍÛ [LEFT] – Á‡ Ô‡ÚËÂÈ, ÓÚÎË˜ÌÓÈ
ÓÚ Í‡Ì‡Î‡ 2.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË
‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÌÂ ÏÓÊÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd»
(ÒÚ. 15).
èêàåÖóÄçàÖ
è‡ÚËË ÏÓÊÌÓ ÓÚÍÎ˛˜‡Ú¸ Ë ‚ÍÎ˛˜‡Ú¸
‰‡ÊÂ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
èêàåÖóÄçàÖ
Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔË Ë„Â Ì‡ ÍÎ‡‚Ë¯‡ı (Sync Start)
ÖÒÎË ÙÛÌÍˆËﬂ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡ ‚ÍÎ˛˜ÂÌ‡, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË Ì‡˜ËÌ‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡ ÍÎ‡‚Ë¯‡ı.
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[PLAY/PAUSE], Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [STOP] Ì‡ Ô‡ÌÂÎË SONG.
(óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡, ÔÓ‚ÚÓËÚÂ
ÔÂ‰˚‰Û˘ËÂ ‰ÂÈÒÚ‚Ëﬂ.)
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ì‡˜ÌÂÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡ ÍÎ‡‚Ë¯‡ı.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ/è‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
îÛÌÍˆËﬂ „ÓÏÍÓÒÚË ÓÚÍÎ˛˜ÂÌÌÓÈ
Ô‡ÚËË ÏÂÎÓ‰ËË, ÓÔËÒ‡ÌÌ‡ﬂ Ì‡ ÒÚ. 52,
ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ „ÓÏÍÓÒÚ¸
ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ
«0» (·ÂÁ Á‚ÛÍ‡) ‰Ó «20». é·˚˜ÌÓ
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÁÌ‡˜ÂÌËÂ «5».
èË ÔÓÏÓ˘Ë ÙÛÌÍˆËË Left Pedal Mode (ÂÊËÏ ÎÂ‚ÓÈ ÔÂ‰‡ÎË),
ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚ÍÎ˛˜ÂÌËﬂ Ë ÓÚÍÎ˛˜ÂÌËﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË.
3.
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
äÓ„‰‡ ÏÂÎÓ‰Ëﬂ Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÂÍ‡˘‡ÂÚÒﬂ, Ë ÔË‡ÌËÌÓ Clavinova Ì‡ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚
ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎÓ‰Ë˛ Ì‡ ÒÂÂ‰ËÌÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ
Ú‡ÍÊÂ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÓ‚ÓÈ ÏÂÎÓ‰ËË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜‡˛ÚÒﬂ Ó·Â
Ô‡ÚËË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
17
CLP240E.book Page 18 Wednesday, April 6, 2005 4:02 PM
èÓÒÎÛ¯Ë‚‡ÌËÂ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ A-B ‰Îﬂ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ
îÛÌÍˆË˛ ÔÓ‚ÚÓ‡ Ä-Ç ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÌÂÔÂ˚‚ÌÓ„Ó ÔÓ‚ÚÓÂÌËﬂ ÛÍ‡Á‡ÌÌÓÈ Ù‡Á˚ ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË. Ç ÒÓ˜ÂÚ‡ÌËË Ò ÓÔËÒ‡ÌÌÓÈ ÌËÊÂ ÙÛÌÍˆËÂÈ ÓÚÍÎ˛˜ÂÌËﬂ Ô‡ÚËË Ó‰ÌÓÈ ÛÍË ˝Ú‡ ÙÛÌÍˆËﬂ ‰‡ÂÚ ÔÂÍ‡ÒÌÛ˛
‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‡·‡Ú˚‚‡Ú¸ ÒÎÓÊÌ˚Â ÓÚ˚‚ÍË.
1
2
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
E.PIANO
2
STRINGS
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
SONG
TRANSPOSE
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
ìÍ‡ÊËÚÂ Ì‡˜‡ÎÓ (A) Ë ÍÓÌÂˆ (B) Ù‡Á˚ Ë Ì‡˜ËÌ‡ÈÚÂ
ÛÔ‡ÊÌÂÌËﬂ
Ç˚·ÂËÚÂ ‚ÒÚÓÂÌÌÛ˛ ÏÂÎÓ‰Ë˛ Ë Ì‡˜ÌËÚÂ ÂÂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Á‡ÚÂÏ ‚ Ì‡˜‡ÎÂ Ù‡Á˚,
ÍÓÚÓÛ˛ ıÓÚËÚÂ ÔÓ‚ÚÓËÚ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[TEMPO/FUNCTION#].
ùÚÓ ÓÔÂ‰ÂÎﬂÂÚ ÚÓ˜ÍÛ «A» (Ì‡ ‰ËÒÔÎÂÂ
ÔÓﬂ‚ËÚÒﬂ
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ ÔÓ‚ÚÓ‡ Ä-Ç ÌÂ ÏÓÊÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd»
(ÒÚ. 15).
).
óÚÓ·˚ Á‡‰‡Ú¸ ÍÓÌÂˆ Ù‡Á˚ (ÚÓ˜ÍÛ «B»),
‚ ÍÓÌˆÂ Ù‡Á˚ ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[TEMPO/FUNCTION#].
ùÚÓ ÓÔÂ‰ÂÎﬂÂÚ ÚÓ˜ÍÛ «Ç» (Ì‡ ‰ËÒÔÎÂÂ
ÔÓﬂ‚ËÚÒﬂ
).
ÅÛ‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ù‡Á‡ ÏÂÊ‰Û
ÚÓ˜Í‡ÏË «Ä» Ë «Ç».
èêàåÖóÄçàÖ
• óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ «A» ‚
Ò‡ÏÓÏ Ì‡˜‡ÎÂ ÏÂÎÓ‰ËË, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ‰Ó
Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
• íÓ˜Í‡ B ÏÓÊÂÚ ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸Òﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ ÍÓÌˆÂ ÏÂÎÓ‰ËË,
ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ A Ë ‰‡Ú¸
ÏÂÎÓ‰ËË ‰ÓË„‡Ú¸ ‰Ó ÍÓÌˆ‡.
èêàåÖóÄçàÖ
Ç ÚÓ˜ÍÂ «Ä» ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Ì‡˜ËÌ‡ÂÚÒﬂ Á‡Ú‡ÍÚ (˝ÚÓ ÔÓÏÓ„‡ÂÚ
ÔÓ‰„ÓÚÓ‚ËÚ¸Òﬂ Í Ì‡˜‡ÎÛ Ù‡Á˚).
2.
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, ÒÓı‡Ìﬂﬂ Á‡‰‡ÌÌ˚Â ÚÓ˜ÍË «Ä»
Ë «Ç», Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [STOP]. èÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
A-B ‚ÓÁÓ·ÌÓ‚ËÚÒﬂ, ÂÒÎË Â˘Â ‡Á Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
óÚÓ·˚ Û‰‡ÎËÚ¸ ÚÓ˜ÍË «A» Ë «B», Ó‰ËÌ ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#].
èêàåÖóÄçàÖ
áÌ‡˜ÂÌËﬂ ÚÓ˜ÂÍ «Ä» Ë «Ç»
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Û‰‡Îﬂ˛ÚÒﬂ ÔË ‚˚·ÓÂ
ÌÓ‚ÓÈ ÏÂÎÓ‰ËË.
18
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 19 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
Ç˚·Ó ÚÂÏ·Ó‚
äÌÓÔÍË ÚÂÏ·‡
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ VOICE.
ç‡˜‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ ÔÓÎÁÛÌÍÓÏ [MASTER VOLUME] ÓÔÚËÏ‡Î¸ÌÛ˛
„ÓÏÍÓÒÚ¸.
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓÁÌ‡ÍÓÏËÚ¸Òﬂ Ò ÚÂÏ·‡ÏË,
ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
ÏÂÎÓ‰ËË ‰Îﬂ Í‡Ê‰ÓÈ „ÛÔÔ˚ ÚÂÏ·Ó‚
(ÒÚ. 14). á‡ ·ÓÎÂÂ ÔÓ‰Ó·ÌÓÈ
ËÌÙÓÏ‡ˆËÂÈ Ó ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·‡ı
Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı
ÚÂÏ·Ó‚ Ì‡ ÒÚ. 71.
íÖêåàçéãéÉàü
íÂÏ·
ÑÎﬂ ÔË‡ÌËÌÓ Clavinova «ÚÂÏ·»
ÓÁÌ‡˜‡ÂÚ «ÚÓÌ» ËÎË «Á‚ÛÍÓ‚ÓÈ
ÓÚÚÂÌÓÍ».
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸ ÚÂÏ·‡ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸
ÒËÎÓÈ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯, ıÓÚﬂ ÔË
ÌÂÍÓÚÓ˚ı Ì‡ÒÚÓÈÍ‡ı
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ,
ÒËÎ‡ Ì‡Ê‡ÚËﬂ Ô‡ÍÚË˜ÂÒÍË ÌÂ ‚ÎËﬂÂÚ
Ì‡ Á‚Û˜‡ÌËÂ ÌÂÍÓÚÓ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚.
ëÏ. «ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» Ì‡
ÒÚ. 71.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
19
CLP240E.book Page 20 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
ì ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÂÒÚ¸ ÚË
ÔÂ‰‡ÎË, ÍÓÚÓ˚Â ‚˚ÔÓÎÌﬂ˛Ú ÚÂ ÊÂ ÙÛÌÍˆËË,
˜ÚÓ Ë ÔÂ‰‡ÎË ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ.
èêàåÖóÄçàÖ
ÖÒÎË Ô‡‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‡·ÓÚ‡ÂÚ,
Û·Â‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ ÔÂ‰‡ÎË
Ô‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌ Í „Î‡‚ÌÓÈ ˜‡ÒÚË
(ÒÚ. 67).
ÑÂÏÔÙÂÌ‡ﬂ (Ô‡‚‡ﬂ) ÔÂ‰‡Î¸
è‡‚‡ﬂ ÔÂ‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ, Í‡Í Ô‡‚‡ﬂ
ÔÂ‰‡Î¸ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔ¸ﬂÌÓ. ÖÒÎË Ô‡‚‡ﬂ
ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ÌÓÚ‡ Á‚Û˜ËÚ ‰ÓÎ¸¯Â. ÖÒÎË
ÓÚÔÛÒÚËÚ¸ ÔÂ‰‡Î¸, Á‚Û˜‡ÌËÂ ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ
Ï„ÌÓ‚ÂÌÌÓ ÔÂÍ‡˘‡ÂÚÒﬂ.
ÖÒÎË Ì‡ CLP-240 ‚˚·‡Ì ÚÂÏ· GRAND PIANO 1,
Ì‡Ê‡ÚËÂ Ô‡‚ÓÈ ÔÂ‰‡ÎË ÔË‚Ó‰ËÚ ‚ ‰ÂÈÒÚ‚ËÂ
«ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚ ‰Îﬂ ÚÓ˜ÌÓ„Ó
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÛÌËÍ‡Î¸ÌÓ„Ó ÂÁÓÌ‡ÌÒ‡ ‰ÂÍË
Ë ÒÚÛÌ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÓﬂÎﬂ. ùÙÙÂÍÚ
«ÔÓÎÓ‚ËÌ˚ ÔÂ‰‡ÎË» ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
Ô‡‚Û˛ ÔÂ‰‡Î¸ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ˜‡ÒÚË˜Ì˚ı
˝ÙÙÂÍÚÓ‚ ÒÛÒÚÂÈÌ‡, Á‡‚ËÒﬂ˘Ëı ÓÚ „ÎÛ·ËÌ˚ Ì‡Ê‡ÚËﬂ ÔÂ‰‡ÎË.
ëÓÒÚÂÌÛÚÓ (ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸)
ÖÒÎË, ‚ ÚÓ ‚ÂÏﬂ Í‡Í Ì‡Ê‡Ú‡ ÍÎ‡‚Ë¯‡ ËÎË
‡ÍÍÓ‰, Ì‡Ê‡Ú¸ ÒÂ‰Ì˛˛ ÔÂ‰‡Î¸, ÌÓÚ˚ ·Û‰ÛÚ
Á‚Û˜‡Ú¸, ÔÓÍ‡ ÔÂ‰‡Î¸ ÌÂ ·Û‰ÂÚ ÓÚÔÛ˘ÂÌ‡ (Í‡Í
ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ ÔÂ‰‡ÎË), ÌÓ ‚ÒÂ ÌÓÚ˚,
ÔÓË„˚‚‡ÂÏ˚Â ÔÓÒÎÂ ˝ÚÓ„Ó, ÔÓ‰ÎÂ‚‡Ú¸Òﬂ ÌÂ
·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸
Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡, ÂÒÎË, Ì‡ÔËÏÂ, ÌÓÚ˚,
Ë‰Û˘ËÂ Á‡ ÌËÏ, Ë„‡˛ÚÒﬂ ÒÚ‡ÍÍ‡ÚÓ.
èË„ÎÛ¯ÂÌËÂ Á‚ÛÍ‡ (ÎÂ‚‡ﬂ ÔÂ‰‡Î¸)
èÓÍ‡ Ì‡Ê‡Ú‡ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸, „ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ
ÔË„ÎÛ¯ÂÌ‡, ‡ ÚÂÏ· ÒÎÂ„Í‡ ËÁÏÂÌÂÌ. ç‡ ÌÓÚ˚, ÍÓÚÓ˚Â ‚ ÏÓÏÂÌÚ
Ì‡Ê‡ÚËﬂ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ÛÊÂ Á‚Û˜‡ÎË, ˝Ú‡ ÔÂ‰‡Î¸ ÌÂ ‚ÎËﬂÂÚ.
20
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎÓ‚
ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÙÛÌÍˆËﬂı ÔÂ‰‡ÎÂÈ
(Pedal Functions) ‚ ÂÊËÏÂ Function
(ÒÚ. 51).
èêàåÖóÄçàÖ
ÖÒÎË ‚ÍÎ˛˜ÂÌ ˝ÙÙÂÍÚ DDE, ÏÓÊÌÓ
ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛ Á‚ÛÍ‡ «ÒÛÒÚÂÈÌ»
Ô‡‚ÓÈ ÔÂ‰‡ÎË ÓﬂÎﬂ, ÍÓ„‰‡ ‚˚
Ì‡ÊËÏ‡ÂÚÂ Ô‡‚Û˛ ÔÂ‰‡Î¸ Ë Ë„‡ÂÚÂ
Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (ÒÚ. 22).
èêàåÖóÄçàÖ
íÂÏ·˚ Ó„‡Ì‡, ÒÚÛÌÌ˚ı Ë ıÓ‡
ÔÓ‰ÓÎÊ‡˛Ú Á‚Û˜‡Ú¸, ÔÓÍ‡ Ì‡Ê‡Ú‡
ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸.
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÙÛÌÍˆËË ÂÊËÏ‡ ÎÂ‚ÓÈ
ÔÂ‰‡ÎË (CLP-240) Á‡ ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛
ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ËÎË ÔËÓÒÚ‡ÌÓ‚ÍË
ÏÂÎÓ‰ËË ËÎË ÙÛÌÍˆË˛ ‚‡Ë‡ˆËË,
ÔË‚Â‰ÂÌÌÛ˛ Ì‡ ÒÚ. 51.
CLP240E.book Page 21 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION]
(CLP-240)/[BRILLIANCE]/[REVERB]/
[EFFECT]/[DDE] (CLP-240)
ÍÌÓÔÍË [–/NO]
[+/YES]
REC
RIGHT
PLAY/PAUSE
ON
MAX
MIN
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
ÍÌÓÔÍ‡
[VARIATION]
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
E.PIANO
2
STRINGS
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
[REVERB],
ÍÌÓÔÍ‡
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
[BRILLIANCE], äÌÓÔÍ‡ [EFFECT]
(ùÙÙÂÍÚ)
ÍÌÓÔÍ‡
[VARIATION] (CLP-240)
èÓÁ‚ÓÎﬂÂÚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ËÁÏÂÌﬂÚ¸ ‰Û„ÓÈ ‡ÒÔÂÍÚ ˝ÙÙÂÍÚ‡.
á‡ ·ÓÎÂÂ ÔÓ‰Ó·ÌÓÈ ËÌÙÓÏ‡ˆËÂÈ Ó ‚‡Ë‡ˆËﬂı Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı
ÚÂÏ·Ó‚ Ì‡ ÒÚ. 71.
íÖêåàçéãéÉàü
ÑÂÈÒÚ‚Ëﬂ
Ç‡Ë‡ˆËﬂ ‚ÍÎ˛˜‡ÂÚÒﬂ Ë ‚˚ÍÎ˛˜‡ÂÚÒﬂ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [VARIATION] ËÎË
ÍÌÓÔÍË ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.
èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ (ON).
[BRILLIANCE]
ùÚÓÚ Â„ÛÎﬂÚÓ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Ì‡ÒÚÓÈÍË ÚÓÌ‡Î¸ÌÓÒÚË ËÎË
«ÚÂÏ·‡» ‚˚‚Ó‰ËÏÓ„Ó Á‚ÛÍ‡.
ﬂÍËÈ ÚÓÌ
ÒÚ‡Ì‰‡ÚÌ˚È ÚÓÌ
Ïﬂ„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ
BRIGHT:
NORMAL:
Mellow:
èêàåÖóÄçàÖ
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ – OFF
ÑÂÈÒÚ‚Ëﬂ
ÑÎﬂ ‚˚·Ó‡ ÚËÔ‡ ﬂÍÓÒÚË ÌÂÒÍÓÎ¸ÍÓ ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [BRILLIANCE], ÔÓÍ‡ ÌÂ
Á‡„ÓËÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ (ËÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [BRILLIANCE]). åÓÊÌÓ ‚˚·‡Ú¸
ﬂÍÓÒÚ¸ ÔﬂÚË ÚËÔÓ‚. äÓ„‰‡ Á‡„Ó‡˛ÚÒﬂ ‰‚‡ ÒÓÒÂ‰ÌËı ËÌ‰ËÍ‡ÚÓ‡, ‚˚·Ë‡ÂÚÒﬂ
ÚÓÚ ÚËÔ, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÒÂ‰ÌÂÏÛ ÁÌ‡˜ÂÌË˛ ‰‚Ûı ÛÍ‡Á‡ÌÌ˚ı ÚËÔÓ‚.
ç‡ÔËÏÂ, ÂÒÎË „ÓﬂÚ ËÌ‰ËÍ‡ÚÓ˚ NORMAL Ë MELLOW, ‚˚·‡Ì‡
Ì‡ÒÚÓÈÍ‡ ﬂÍÓÒÚË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÒÂ‰ÌÂÏÛ ÁÌ‡˜ÂÌË˛ NORMAL Ë
MELLOW. ùÚÓÚ Ô‡‡ÏÂÚ ‚ÎËﬂÂÚ Ì‡ Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ ‚ ˆÂÎÓÏ.
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ – ˝ÚÓ
Á‡‚Ó‰ÒÍ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ Ì‡ ÏÓÏÂÌÚ
ÔÂ‚Ó„Ó ‚ÍÎ˛˜ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡
Clavinova.
èêàåÖóÄçàÖ
èË ÔÓÏÓ˘Ë ÙÛÌÍˆËË ÂÊËÏ‡ ÎÂ‚ÓÈ
ÔÂ‰‡ÎË, ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ÎÂ‚ÓÈ
ÔÂ‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛
‚ÍÎ˛˜ÂÌËﬂ ËÎË ÓÚÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË
(CLP-240).
èêàåÖóÄçàÖ
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ = Normal
èêàåÖóÄçàÖ
ÖÒÎË ‰Îﬂ Ô‡‡ÏÂÚ‡ BRILLIANCE
‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ BRIGHT, Á‚ÛÍ ·Û‰ÂÚ
ÌÂÏÌÓ„Ó „ÓÏ˜Â. ÖÒÎË ‰Îﬂ Ô‡‡ÏÂÚ‡
MASTER VOLUME Á‡‰‡Ì ‚˚ÒÓÍËÈ
ÛÓ‚ÂÌ¸, Á‚ÛÍ ÏÓÊÂÚ ËÒÍ‡Ê‡Ú¸Òﬂ.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÌËÁ¸ÚÂ ÛÓ‚ÂÌ¸
Ô‡‡ÏÂÚ‡ MASTER VOLUME.
[REVERB]
ùÚ‡ Ì‡ÒÚÓÈÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ‚˚·Ë‡Ú¸ ‡ÁÎË˜Ì˚Â ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ
Â‚Â·Â‡ˆËË, ÍÓÚÓ˚Â ‰Ó·‡‚Îﬂ˛Ú Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂÎ¸ÌÓÒÚ¸,
ÒÓÁ‰‡‚‡ﬂ Â‡ÎËÒÚË˜ÌÛ˛ ‡ÍÛÒÚË˜ÂÒÍÛ˛ ‡ÚÏÓÒÙÂÛ.
OFF:
ROOM:
HALL 1:
HALL 2:
STAGE:
ÖÒÎË ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ÌÂ ‚˚·‡Ì, ËÌ‰ËÍ‡ÚÓ˚ REVERB ÌÂ „ÓﬂÚ.
ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎﬂÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË,
ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚË˜ÂÒÍÓÈ Â‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏÌ‡ÚÂ.
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î «¯ËÂ», ËÒÔÓÎ¸ÁÛÈÚÂ Ô‡‡ÏÂÚ HALL 1.
ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ Â‚Â·Â‡ˆË˛ ÌÂ·ÓÎ¸¯Ó„Ó
ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡.
óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ ¯ËÓÍËÏ, ËÒÔÓÎ¸ÁÛÈÚÂ
Ô‡‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛
Â‚Â·Â‡ˆË˛ ·ÓÎ¸¯Ó„Ó ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡.
àÏËÚËÛÂÚ Â‚Â·Â‡ˆË˛ ÒˆÂÌ˚.
èêàåÖóÄçàÖ
íËÔ Â‚Â·Â‡ˆËË ÔÓ ÛÏÓÎ˜‡ÌË˛
(‚ ÚÓÏ ˜ËÒÎÂ Ô‡‡ÏÂÚ OFF)
Ë Ô‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ‡ÁÎË˜Ì˚ ‰Îﬂ
Í‡Ê‰Ó„Ó ÚÂÏ·‡.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
21
CLP240E.book Page 22 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
ÑÂÈÒÚ‚Ëﬂ
ç‡Ê‡ÚËÂ ÍÌÓÔÍË [REVERB] ÔÓÔÂÂÏÂÌÌÓ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ
Â‚Â·Â‡ˆË˛.
èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ Á‡„Ó‡˛ÚÒﬂ
ËÌ‰ËÍ‡ÚÓ˚. ÖÒÎË ËÌ‰ËÍ‡ÚÓ˚ ÌÂ „ÓﬂÚ, ˝ÙÙÂÍÚ ÌÂ ÒÓÁ‰‡ÂÚÒﬂ.
ç‡ÒÚÓÈÍ‡ „ÎÛ·ËÌ˚ Â‚Â·Â‡ˆËË
ç‡ÒÚÓÈÚÂ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îﬂ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë
ÍÌÓÔÓÍ [–/NO] [+/YES], Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [REVERB]. ÉÎÛ·ËÌÛ
Â‚Â·Â‡ˆËË ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ÔÂ‰ÂÎ‡ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡
[REVERB], ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ „ÎÛ·ËÌ˚ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ
ËÌ‰ËÍ‡ÚÓÂ.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [REVERB], ‚˚
ËÁÏÂÌËÚÂ ÚËÔ Â‚Â·Â‡ˆËË.
ÖÒÎË ‚˚ ËÁÏÂÌﬂÂÚÂ „ÎÛ·ËÌÛ
Â‚Â·Â‡ˆËË, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ
[REVERB], Ì‡Ê‡ÚËÂ ÍÌÓÔÍË [REVERB]
ÌÂ ËÁÏÂÌËÚ ÚËÔ Â‚Â·Â‡ˆËË.
èêàåÖóÄçàÖ
„ÎÛ·ËÌ‡ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·ËÌ‡ 20: Ï‡ÍÒËÏ‡Î¸Ì‡ﬂ „ÎÛ·ËÌ‡
Â‚Â·Â‡ˆËË
èêàåÖóÄçàÖ
è‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓÎ˜‡ÌË˛
Ò‚ÓË ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡.
[EFFECT]
äÌÓÔÍ‡ [EFFECT] ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ˝ÙÙÂÍÚ ‰Îﬂ ÔË‰‡ÌËﬂ Á‚ÛÍÛ ·ÓÎ¸¯ÂÈ
„ÎÛ·ËÌ˚ Ë ÊË‚ÓÒÚË.
OFF:
CHORUS:
PHASER:
TREMOLO:
ROTARY SP:
ÖÒÎË ˝ÙÙÂÍÚ ÌÂ ‚˚·‡Ì, ËÌ‰ËÍ‡ÚÓ EFFECT ÌÂ „ÓËÚ.
àÒÍﬂ˘ËÈÒﬂ, ‡Ò¯Ëﬂ˛˘ËÈ ˝ÙÙÂÍÚ
ÑÓ·‡‚ÎﬂÂÚ Á‚ÛÍÛ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌÂÌËﬂ.
ùÙÙÂÍÚ ÚÂÏÓÎÓ
ÑÓ·‡‚ÎﬂÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‚‡˘‡˛˘Â„ÓÒﬂ ‰ËÌ‡ÏËÍ‡.
èêàåÖóÄçàÖ
íËÔ ˝ÙÙÂÍÚ‡ (‚ ÚÓÏ ˜ËÒÎÂ Ô‡‡ÏÂÚ
OFF) Ë Â„Ó „ÎÛ·ËÌ‡ ÔÓ ÛÏÓÎ˜‡ÌË˛ Ò‚ÓË
‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ÑÂÈÒÚ‚Ëﬂ
ÑÎﬂ ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ ÌÂÒÍÓÎ¸ÍÓ ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EFFECT], ÔÓÍ‡
ÌÂ Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡ (ËÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [EFFECT]). ÖÒÎË
ËÌ‰ËÍ‡ÚÓ˚ ÌÂ „ÓﬂÚ, ˝ÙÙÂÍÚ ÌÂ ÒÓÁ‰‡ÂÚÒﬂ.
ç‡ÒÚÓÈÍ‡ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡
ç‡ÒÚÓÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îﬂ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë
ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [EFFECT].
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ÔÂ‰ÂÎ‡ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔÍ‡ [EFFECT], ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ „ÎÛ·ËÌ˚ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ
ËÌ‰ËÍ‡ÚÓÂ.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [EFFECT], ‚˚
ËÁÏÂÌËÚÂ ÚËÔ ˝ÙÙÂÍÚ‡.
ÖÒÎË ‚˚ ËÁÏÂÌﬂÂÚÂ Ô‡‡ÏÂÚ „ÎÛ·ËÌ˚,
Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [EFFECT], Ì‡Ê‡ÚËÂ
ÍÌÓÔÍË [EFFECT] ÌÂ ËÁÏÂÌËÚ ÚËÔ
˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
„ÎÛ·ËÌ‡ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·ËÌ‡ 20: Ï‡ÍÒËÏ‡Î¸Ì‡ﬂ „ÎÛ·ËÌ‡
˝ÙÙÂÍÚ‡
èêàåÖóÄçàÖ
[DDE] (CLP-240)
è‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓÎ˜‡ÌË˛
Ò‚ÓË ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡.
ùÙÙÂÍÚ DDE (˝ÙÙÂÍÚ Ô‡‚ÓÈ ÔÂ‰‡ÎË) ÔÓÁ‚ÓÎﬂÂÚ ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛
Á‚ÛÍ‡ «ÒÛÒÚÂÈÌ» Ô‡‚ÓÈ ÔÂ‰‡ÎË ÓﬂÎﬂ, ÍÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ Ô‡‚Û˛
ÔÂ‰‡Î¸ Ë Ë„‡ÂÚÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ùÚÓÚ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌﬂÂÚÒﬂ Ì‡ Á‚ÛÍ
‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡.
ÑÂÈÒÚ‚Ëﬂ
ç‡Ê‡ÚËÂ ÍÌÓÔÍË [DDE] ÔÓÔÂÂÏÂÌÌÓ ‚ÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ˝ÙÙÂÍÚ
DDE.
ç‡ÒÚÓÈÍ‡ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DDE
ç‡ÒÚÓÈÚÂ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DDE ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES],
Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [DDE] .
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ÔÂ‰ÂÎ‡ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔÍ‡ [DDE], Ì‡ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ
„ÎÛ·ËÌ˚.
22
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ = ON
èêàåÖóÄçàÖ
„ÎÛ·ËÌ‡ 0: ·ÂÁ ˝ÙÙÂÍÚ‡
„ÎÛ·ËÌ‡ 20: Ï‡ÍÒËÏ‡Î¸Ì‡ﬂ „ÎÛ·ËÌ‡
˝ÙÙÂÍÚ‡ DDE
CLP240E.book Page 23 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ – ÍÌÓÔÍ‡
[TOUCH]
åÓÊÌÓ ‚˚·‡Ú¸ ˜ÂÚ˚Â ‡ÁÎË˜Ì˚ı ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË ÍÎ‡‚Ë‡ÚÛ˚ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ — HARD, MEDIUM, SOFT
ËÎË FIXED, ÔÓ‰ıÓ‰ﬂ˘Ëı ‰Îﬂ Ë„˚ ‚ ‡ÁÎË˜Ì˚ı ÒÚËÎﬂı Ë Ò ‡ÁÎË˜Ì˚ÏË Ì‡ÒÚÓÈÍ‡ÏË.
èêàåÖóÄçàÖ
óÚÓ·˚ ‰ÓÒÚË˜¸ Ï‡ÍÒËÏ‡Î¸ÌÓÈ „ÓÏÍÓÒÚË, ÒËÎ‡ Ì‡Ê‡ÚËﬂ Ì‡
ÍÎ‡‚Ë¯Ë ‰ÓÎÊÌ‡ ·˚Ú¸ Ó˜ÂÌ¸ ·ÓÎ¸¯ÓÈ.
äÎ‡‚Ë¯Ë Â‡„ËÛ˛Ú Ì‡ ÒËÎÛ Ì‡Ê‡ÚËﬂ Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ.
å‡ÍÒËÏ‡Î¸Ì‡ﬂ „ÓÏÍÓÒÚ¸ ‰ÓÒÚË„‡ÂÚÒﬂ ÔË ÓÚÌÓÒËÚÂÎ¸ÌÓ
ÌÂ·ÓÎ¸¯ÓÈ ÒËÎÂ Ì‡Ê‡ÚËﬂ.
ÉÓÏÍÓÒÚ¸ ÌÓÚ ÌÂ Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ Ì‡Ê‡ÚËﬂ. (àÌ‰ËÍ‡ÚÓ˚ ÌÂ
„ÓﬂÚ.) îËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸.
HARD:
MEDIUM:
SOFT:
FIXED:
ùÚ‡ Ì‡ÒÚÓÈÍ‡ ÌÂ ËÁÏÂÌﬂÂÚ ‚ÂÒ
ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
ëÚ‡Ì‰‡ÚÌ‡ﬂ Ì‡ÒÚÓÈÍ‡ = MEDIUM
èêàåÖóÄçàÖ
íËÔ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ
·Û‰ÂÚ Ó·˘ËÏ ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚.
é‰Ì‡ÍÓ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í
ÒËÎÂ Ì‡Ê‡ÚËﬂ ÏÓ„ÛÚ ÒÎ‡·Ó ‚ÎËﬂÚ¸ ËÎË
‚ÓÓ·˘Â ÌÂ ‚ÎËﬂÚ¸ Ì‡ ÌÂÍÓÚÓ˚Â
ÚÂÏ·˚, ÍÓÚÓ˚Â Ó·˚˜ÌÓ ÌÂ Â‡„ËÛ˛Ú
Ì‡ ‰ËÌ‡ÏËÍÛ ÍÎ‡‚Ë‡ÚÛ˚. (ëÏ. «ëÔËÒÓÍ
‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» Ì‡ ÒÚ. 71.)
äÌÓÔÍ‡ [TOUCH]
äÌÓÔÍË [–/NO] [+/YES]
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
ÑÎﬂ ‚˚·Ó‡ ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ ÌÂÒÍÓÎ¸ÍÓ ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TOUCH], ÔÓÍ‡ ÌÂ Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡
(ËÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË
[TOUCH] ). ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, ËÌ‰ËÍ‡ÚÓ˚ ÌÂ „ÓﬂÚ.
àÁÏÂÌÂÌËÂ „ÓÏÍÓÒÚË, ÂÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED
ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, „ÓÏÍÓÒÚ¸ ÌÓÚ,
ËÒÔÓÎÌﬂÂÏ˚ı ‚ ÂÊËÏÂ FIXED, ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸
ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡ﬂ
Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [TOUCH]. ç‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ
ÚÂÍÛ˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ
ËÁÏÂÌﬂÚ¸ ‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 1 ‰Ó 127. èÓ ÛÏÓÎ˜‡ÌË˛
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÓ‚ÂÌ¸ 64.
èêàåÖóÄçàÖ
1: ÏËÌËÏ‡Î¸Ì‡ﬂ „ÓÏÍÓÒÚ¸
127: Ï‡ÍÒËÏ‡Î¸Ì‡ﬂ „ÓÏÍÓÒÚ¸
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸, Á‡‰‡ÌÌ‡ﬂ ‚ ÂÊËÏÂ FIXED,
·Û‰ÂÚ Ó·˘ÂÈ ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [TOUCH], ‚˚
ËÁÏÂÌËÚÂ ÚËÔ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË.
ÖÒÎË ‚˚ ËÁÏÂÌﬂÂÚÂ „ÓÏÍÓÒÚ¸,
Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [TOUCH], Ì‡Ê‡ÚËÂ
ÍÌÓÔÍË [TOUCH] ÌÂ ËÁÏÂÌËÚ ÚËÔ
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ.
(éÒÚ‡ÌÂÚÒﬂ ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
23
CLP240E.book Page 24 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ – ÍÌÓÔÍ‡ [TRANSPOSE]
îÛÌÍˆËﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ‚ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËÊ‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡
‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚ Ò ËÌÚÂ‚‡ÎÓÏ, ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ·˚ Ó·ÎÂ„˜ËÚ¸ Ë„Û ‚ ÒÎÓÊÌ˚ı ÚÓÌ‡Î¸ÌÓÒÚﬂı, Ë ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ÎÂ„ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÍÎ‡‚Ë‡ÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ ÔÂ‚ˆ‡ ËÎË ‰Û„Ëı
ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ÂÎË˜ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ Ì‡ «5», ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
ÍÎ‡‚Ë¯Ë C («‰Ó») ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»). í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ Ë„‡Ú¸ ÏÂÎÓ‰Ë˛ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓÌ‡Î¸ÌÓÒÚË
ÒË-Ï‡ÊÓ, ‡ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓÌ‡Î¸ÌÓÒÚ¸ Ù‡-Ï‡ÊÓ.
äÌÓÔÍ‡ [TRANSPOSE]
REC
MIN
äÌÓÔÍË [–/NO] [+/YES]
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
óÚÓ·˚ ÔÓ‚˚ÒËÚ¸ ËÎË ÔÓÌËÁËÚ¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡,
ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [–/NO] Ë [+/YES], Û‰ÂÊË‚‡ﬂ
ÍÌÓÔÍÛ [TRANSPOSE]. áÌ‡˜ÂÌËÂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ
ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ, ÂÒÎË
Û‰ÂÊË‚‡ÂÚÒﬂ ÍÌÓÔÍ‡ [TRANSPOSE]. èÓ ÛÏÓÎ˜‡ÌË˛
ÁÌ‡˜ÂÌËÂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ‡‚ÌÓ «0».
àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [TRANSPOSE] „ÓËÚ, ÂÒÎË ‚˚·‡ÌÌÓÂ ÁÌ‡˜ÂÌËÂ
Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ÌÂ ‡‚ÌÓ «0». ç‡Ê‡ÚËÂ ÍÌÓÔÍË [TRANSPOSE] ÔÓÒÎÂ
˝ÚÓ„Ó ‚ÍÎ˛˜‡ÂÚ ËÎË ‚˚ÍÎ˛˜‡ÂÚ ÙÛÌÍˆË˛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ.
24
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
íÖêåàçéãéÉàü
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
àÁÏÂÌÂÌËÂ ÚÓÌ‡Î¸ÌÓÒÚË ÏÂÎÓ‰ËË.
ç‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova
Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ ËÁÏÂÌﬂÂÚ ‚˚ÒÓÚÛ
Á‚ÛÍ‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
ÑË‡Ô‡ÁÓÌ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ:
–12: –12 ÔÓÎÛÚÓÌÓ‚ (Ì‡ Ó‰ÌÛ ÓÍÚ‡‚Û
ÌËÊÂ)
0: ÒÚ‡Ì‰‡ÚÌ‡ﬂ ‚˚ÒÓÚ‡ Á‚ÛÍ‡
12: 12 ÔÓÎÛÚÓÌÓ‚ (Ì‡ Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â)
CLP240E.book Page 25 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
ç‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual)
ç‡ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛÂ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎÓ‰Ë˜ÂÒÍËÈ
‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ ·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌÓ„Ó Á‚ÛÍ‡.
1
REC
MIN
TEMPO/OTHER VALUE
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
METRONOME
– / NO
+ / YES
2
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
èêàåÖóÄçàÖ (CLP-240)
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Dual
é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË ‰‚Ûı ÚÂÏ·Ó‚ (ËÎË Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ÚÂÏ·‡, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ ‰Û„Ó„Ó). ÖÒÎË
‚ÍÎ˛˜ËÚÒﬂ ÂÊËÏ Dual, Á‡„ÓﬂÚÒﬂ ËÌ‰ËÍ‡ÚÓ˚ Ó·ÓËı ‚˚·‡ÌÌ˚ı
ÚÂÏ·Ó‚.
• Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÛÏÂ‡ˆËÂÈ
ÚÂÏ·Ó‚, ÛÍ‡Á‡ÌÌÓÈ ‚ Ú‡·ÎËˆÂ
ÒÔ‡‚‡, ÚÂÏ· Ò ÏÂÌ¸¯ËÏ
ÌÓÏÂÓÏ ÒÚ‡ÌÓ‚ËÚÒﬂ ÔÂ‚˚Ï
ÚÂÏ·ÓÏ (Voice 1) (‰Û„ÓÈ
ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒﬂ ‚ÚÓ˚Ï
(Voice 2)).
1
2
3
4
5
6
7
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
13
14
VOICE
8
9
10
11
12
êÂÊËÏ˚ Dual Ë Split (ÒÚ. 26) ÌÂÎ¸Áﬂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
èêàåÖóÄçàÖ
äÌÓÔÍ‡ [VARIATION] ‚ ÂÊËÏÂ Dual
(CLP-240)
àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË [VARIATION] ·Û‰ÂÚ
„ÓÂÚ¸, ÂÒÎË ‰Îﬂ Ó‰ÌÓ„Ó ËÎË Ó·ÓËı ÚÂÏ·Ó‚
‚ ÂÊËÏÂ Dual ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚‡Ë‡ˆËﬂ.
ÖÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÂÊËÏ Dual, ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÍÌÓÔÍÛ [VARIATION] ‰Îﬂ
‚ÍÎ˛˜ÂÌËﬂ Ë ÓÚÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË Ó·ÓËı
ÚÂÏ·Ó‚. óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ËÎË ÓÚÍÎ˛˜ËÚ¸
‚‡Ë‡ˆË˛ ÚÓÎ¸ÍÓ ‰Îﬂ Ó‰ÌÓ„Ó ËÁ ÚÂÏ·Ó‚,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ÚÂÏ·‡, ‰Îﬂ ÍÓÚÓÓ„Ó
ıÓÚËÚÂ ˝ÚÓ Ò‰ÂÎ‡Ú¸, Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ
ÍÌÓÔÍÛ ‰Û„Ó„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
êÂÊËÏ Function ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CLP-240/230 Ó·ÂÒÔÂ˜Ë‚‡ÂÚ
‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌÍˆËﬂÏ ÂÊËÏ‡ Dual, Ì‡ÔËÏÂ,
Í Ì‡ÒÚÓÈÍÂ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ËÎË Ì‡ÒÚÓÈÍÂ ÓÍÚ‡‚˚ (ÒÚ. 49).
(ÖÒÎË ÙÛÌÍˆËË ÂÊËÏ‡ Dual ÌÂ Ì‡ÒÚÓÂÌ˚, ‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡
·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ì˚ Ì‡ÒÚÓÈÍË ÔÓ ÛÏÓÎ˜‡ÌË˛.)
2.
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚ Ò Ó‰ÌËÏ ÚÂÏ·ÓÏ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ Î˛·Ó„Ó ÚÂÏ·‡.
äÌÓÔÍ‡ [REVERB] ‚ ÂÊËÏÂ Dual
èËÓËÚÂÚÌ˚Ï ﬂ‚ÎﬂÂÚÒﬂ ÚËÔ
Â‚Â·Â‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îﬂ
ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË Â‚Â·Â‡ˆËﬂ
ÓÚÍÎ˛˜ÂÌ‡, ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÚËÔ
Â‚Â·Â‡ˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡
(Voice 2). ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚
Â‚Â·Â‡ˆËË, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ Ô‡ÌÂÎË
ÛÔ‡‚ÎÂÌËﬂ (Ì‡ÔËÏÂ, Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡
Û‰ÂÊË‚‡ÂÚÒﬂ ÍÌÓÔÍ‡ [REVERB] —
ÒÏ. ÒÚ. 21), ÔËÏÂÌﬂ˛ÚÒﬂ ÚÓÎ¸ÍÓ Í
ÔÂ‚ÓÏÛ ÚÂÏ·Û (Voice 1).
èêàåÖóÄçàÖ
äÌÓÔÍ‡ [EFFECT] ‚ ÂÊËÏÂ Dual
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ
˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ·˚Ú¸ ÔËÓËÚÂÚÌ˚Ï
ÔÓ ÓÚÌÓ¯ÂÌË˛ Í ‰Û„ÓÏÛ. ÉÎÛ·ËÌ‡
ÓÔÂ‰ÂÎﬂÂÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
„ÎÛ·ËÌÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚,
ËÒÔÓÎ¸ÁÛ˛˘ÂÈÒﬂ ÔÓ ÛÏÓÎ˜‡ÌË˛.
é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË F3
(ÒÚ. 49) ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ‰Îﬂ
Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ
ÛÒÏÓÚÂÌË˛.
ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡,
Ò‰ÂÎ‡ÌÌ˚Â Ì‡ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËﬂ
(Ì‡ÔËÏÂ, Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ [–/NO]
ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒﬂ
ÍÌÓÔÍ‡ [EFFECT] — ÒÏ. ÒÚ. 22),
ÔËÏÂÌﬂ˛ÚÒﬂ ÚÓÎ¸ÍÓ Í ÔÂ‚ÓÏÛ ÚÂÏ·Û
(Voice 1).
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
25
CLP240E.book Page 26 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
ê‡Á‰ÂÎÂÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split)
(CLP-240)
êÂÊËÏ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó‰ËÌ ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË Ë ‰Û„ÓÈ ‰Îﬂ Ô‡‚ÓÈ. ç‡ÔËÏÂ,
ÎÂ‚ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ·‡ÒÓ‚Û˛ Ô‡ÚË˛ Ò ÚÂÏ·ÓÏ Wood Bass ËÎË Electric Bass, ‡ Ô‡‚ÓÈ – ÏÂÎÓ‰Ë˛.
äÌÓÔÍË ÚÂÏ·‡
REC
MIN
RIGHT
PLAY/PAUSE
ON
MAX
ON/OFF
LEFT
STOP
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
äÌÓÔÍ‡ [SPLIT]
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
TEMPO / FUNCTION #
SONG SELECT FILE
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Split
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [SPLIT], ˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ÂÂ ËÌ‰ËÍ‡ÚÓ. ëÌ‡˜‡Î‡
‰Îﬂ ÎÂ‚ÓÈ ÛÍË ÔÓ ÛÏÓÎ˜‡ÌË˛ ‚˚·Ë‡ÂÚÒﬂ ÚÂÏ· (WOOD BASS).
êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌÍˆËﬂÏ
ÂÊËÏ‡ Split (ÒÚ. 50). (ÖÒÎË ÙÛÌÍˆËË ÂÊËÏ‡ Split ÌÂ Ì‡ÒÚÓÂÌ˚,
‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡ ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ì˚ Ì‡ÒÚÓÈÍË ÔÓ
ÛÏÓÎ˜‡ÌË˛.)
2.
ìÍ‡Á‡ÌËÂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ (Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚)
(èÓ ÛÏÓÎ˜‡ÌË˛ ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡
ÍÎ‡‚Ë¯Â F 2.
ÖÒÎË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ËÁÏÂÌﬂÚ¸ ÌÂ ÌÛÊÌÓ, ÔÓÔÛÒÚËÚÂ ˝ÚË
‰ÂÈÒÚ‚Ëﬂ.)
åÓÊÌÓ ÔÂÂÌÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ì‡ Î˛·Û˛ ‰Û„Û˛
ÍÎ‡‚Ë¯Û, Ì‡Ê‡‚ ÂÂ, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [SPLIT] (Ì‡Á‚‡ÌËÂ ÚÂÍÛ˘ÂÈ
ÍÎ‡‚Ë¯Ë ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ, ÔÓÍ‡ Û‰ÂÊË‚‡ÂÚÒﬂ ÍÌÓÔÍ‡ [SPLIT]).
(F 2)
26
èêàåÖóÄçàÖ
êÂÊËÏ˚ Dual (ÒÚ. 25) Ë Split ÌÂÎ¸Áﬂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
(G2)
(A 2)
èêàåÖóÄçàÖ
á‡‰‡ÌÌ‡ﬂ ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚ (split point) ‚ıÓ‰ËÚ ‚ ÎÂ‚Û˛
˜‡ÒÚ¸.
èêàåÖóÄçàÖ
íÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÏÓÊÌÓ Á‡‰‡Ú¸ Ë ÔË
ÔÓÏÓ˘Ë ÙÛÌÍˆËË Function 4 (ÒÚ. 50).
CLP240E.book Page 27 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
3.
Ç˚·Ó ÚÂÏ·‡ ‰Îﬂ Ô‡‚ÓÈ ÛÍË
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ ÚÂÏ·‡.
4.
Ç˚·Ó ÚÂÏ·‡ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË
ç‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ ÚÂÏ·‡, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ
[SPLIT]. (àÌ‰ËÍ‡ÚÓ ÍÌÓÔÍË ÚÂÏ·‡ ÎÂ‚ÓÈ ÛÍË ·Û‰ÂÚ „ÓÂÚ¸, ÔÓÍ‡
Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ [SPLIT].)
ÑÎﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ÓÚÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË ‰Îﬂ ÌËÊÌÂ„Ó ÚÂÏ·‡
Û‰ÂÊË‚‡ÈÚÂ ÍÌÓÔÍÛ [SPLIT] Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [VARIATION] ËÎË
ÍÌÓÔÍÛ ‚˚·‡ÌÌÓ„Ó Ì‡ ˝ÚÓÚ ÏÓÏÂÌÚ ÚÂÏ·‡.
5.
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Split Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [SPLIT] Â˘Â ‡Á, ˜ÚÓ·˚ ÂÂ ËÌ‰ËÍ‡ÚÓ ÔÓ„‡Ò.
èêàåÖóÄçàÖ
äÌÓÔÍ‡ [VARIATION] ‚ ÂÊËÏÂ Split)
ÑÎﬂ ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ Split ÏÓÊÌÓ
‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ‚‡Ë‡ˆË˛.
é·˚˜ÌÓ ‚ ÂÊËÏÂ Split „ÓËÚ
ËÌ‰ËÍ‡ÚÓ ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. äÌÓÔÍÛ
[VARIATION] ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ
‚ÍÎ˛˜ÂÌËﬂ Ë ÓÚÍÎ˛˜ÂÌËﬂ ‚‡Ë‡ˆËË
ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. é‰Ì‡ÍÓ, ÂÒÎË
Û‰ÂÊË‚‡ÂÚÒﬂ ÍÌÓÔÍ‡ [SPLIT], „ÓËÚ
ËÌ‰ËÍ‡ÚÓ ÚÂÏ·‡ ÎÂ‚ÓÈ ÛÍË. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ÍÌÓÔÍ‡ [VARIATION] ‚ÍÎ˛˜‡ÂÚ
Ë ‚˚ÍÎ˛˜‡ÂÚ ‚‡Ë‡ˆË˛ ‰Îﬂ ÚÂÏ·‡
ÎÂ‚ÓÈ ÛÍË.
èêàåÖóÄçàÖ
äÌÓÔÍ‡ [REVERB] ‚ ÂÊËÏÂ Split
èËÓËÚÂÚÌ˚Ï ﬂ‚ÎﬂÂÚÒﬂ ÚËÔ
Â‚Â·Â‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îﬂ ÚÂÏ·‡
Ô‡‚ÓÈ ÛÍË. (ÖÒÎË Â‚Â·Â‡ˆËﬂ
ÓÚÍÎ˛˜ÂÌ‡, ÚËÔ Â‚Â·Â‡ˆËË ÚÂÏ·‡
ÎÂ‚ÓÈ ÛÍË ÌÂ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ.)
ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ Â‚Â·Â‡ˆËË,
Ò‰ÂÎ‡ÌÌ˚Â Ì‡ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËﬂ
(Ì‡ÔËÏÂ, Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ [–/NO]
ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒﬂ
ÍÌÓÔÍ‡ [REVERB] — ÒÏ. ÒÚ. 21),
ÔËÏÂÌﬂ˛ÚÒﬂ ÚÓÎ¸ÍÓ Í ÚÂÏ·Û Ô‡‚ÓÈ
ÛÍË.
èêàåÖóÄçàÖ
äÌÓÔÍ‡ [EFFECT] ‚ ÂÊËÏÂ Split
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ
˝ÙÙÂÍÚ‡ ·Û‰ÂÚ ÔËÓËÚÂÚÌ˚Ï ÔÓ
ÓÚÌÓ¯ÂÌË˛ Í ‰Û„ÓÏÛ. ÉÎÛ·ËÌ‡
ÓÔÂ‰ÂÎﬂÂÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
„ÎÛ·ËÌÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚,
ËÒÔÓÎ¸ÁÛ˛˘ÂÈÒﬂ ÔÓ ÛÏÓÎ˜‡ÌË˛.
é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË F4
(ÒÚ. 50) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ ‰Îﬂ
Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ
ÛÒÏÓÚÂÌË˛. ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚
˝ÙÙÂÍÚ‡, Ò‰ÂÎ‡ÌÌ˚Â Ì‡ Ô‡ÌÂÎË
ÛÔ‡‚ÎÂÌËﬂ (Ì‡ÔËÏÂ Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡
Û‰ÂÊË‚‡ÂÚÒﬂ ÍÌÓÔÍ‡ [EFFECT] —
ÒÏ. ÒÚ. 22), ÔËÏÂÌﬂ˛ÚÒﬂ ÚÓÎ¸ÍÓ Í
ÚÂÏ·Û Ô‡‚ÓÈ ÛÍË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
27
CLP240E.book Page 28 Wednesday, April 6, 2005 4:02 PM
Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡
Ç ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘ÂÂ ÚÂÏÔ), ÍÓÚÓ˚È Û‰Ó·ÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
‰Îﬂ ÛÔ‡ÊÌÂÌËÈ.
1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
ÍÌÓÔÍË [–/NO] [+/YES]
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÍÌÓÔÍË [TEMPO/FUNCTION# ▲▼]
ÑÂÈÒÚ‚Ëﬂ
1.
á‡ÔÛÒÍ ÏÂÚÓÌÓÏ‡
á‚ÛÍ ÏÂÚÓÌÓÏ‡ ‚ÍÎ˛˜‡ÂÚÒﬂ Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÍË METRONOME [ON/OFF] .
ç‡ÒÚÓÈÍ‡ ÚÂÏÔ‡
èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] ÚÂÏÔ ÏÂÚÓÌÓÏ‡ Ë
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌÓÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÏ (Á‡ÔËÒ¸
ÏÂÎÓ‰ËÈ ÓÔËÒ‡Ì‡ ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ) ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ ‚
‰Ë‡Ô‡ÁÓÌÂ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ (ÂÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] [TEMPO]).
ç‡ÒÚÓÈÍ‡ ˜‡ÒÚÓÚ˚ ÒË„Ì‡Î‡ ÏÂÚÓÌÓÏ‡
ó‡ÒÚÓÚÛ ÒË„Ì‡ÎÓ‚ (Û‰‡Ó‚) ÏÂÚÓÌÓÏ‡
ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë
[+/YES], Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ METRONOME [ON/OFF].
ÑÓÎÂ ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ÁÌ‡˜ÂÌËﬂ ÓÚ 0 ‰Ó 15.
íÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ, ÂÒÎË Ì‡Ê‡Ú‡
ÍÌÓÔÍ‡ METRONOME [ON/OFF].
2.
éÒÚ‡ÌÓ‚Í‡ ÏÂÚÓÌÓÏ‡
éÚÍÎ˛˜ËÚ¸ ÏÂÚÓÌÓÏ ÏÓÊÌÓ, Ì‡Ê‡‚ ÍÌÓÔÍÛ METRONOME [ON/OFF].
28
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ÖÒÎË „ÓËÚ ËÌ‰ËÍ‡ÚÓ [FUNCTION#]
ÍÌÓÔÍË [TEMPO/FUNCTION#],
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/FUNCTION#],
˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ËÌ‰ËÍ‡ÚÓ [TEMPO].
èêàåÖóÄçàÖ
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ÏÓÊÌÓ
Ì‡ÒÚÓËÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌÍˆËË
Metronome Volume ‚ ÂÊËÏÂ Function
(ÒÚ. 52).
CLP240E.book Page 29 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
èêàåÖóÄçàÖ
ÇÓ ‚ÂÏﬂ ÛÔ‡ÊÌÂÌËÈ ËÌÓ„‰‡ ÔÓÎÂÁÌÓ ÔÓÒÎÛ¯‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ì‡ CLP240/230. åÓÊÌÓ, Ì‡ÔËÏÂ, Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ Ô‡ÚË˛ ÎÂ‚ÓÈ ÛÍË ‡ Á‡ÚÂÏ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÂÂ ‚Ó ‚ÂÏﬂ ÛÔ‡ÊÌÂÌËÈ ‰Îﬂ Ô‡‚ÓÈ ÛÍË. àÎË, ÔÓÒÍÓÎ¸ÍÛ
ËÏÂÂÚÒﬂ ‚ÓÁÏÓÊÌÓÒÚ¸ Á‡ÔËÒ˚‚‡Ú¸ ‰‚Â ‰ÓÓÊÍË ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸
ÓÚ‰ÂÎ¸ÌÓ Ô‡ÚËË ÎÂ‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË ÎË·Ó Ó·Â Ô‡ÚËË Ò‡ÁÛ Ë ÔÓÒÎÛ¯‡Ú¸,
Í‡Í ÓÌË Á‚Û˜‡Ú ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË. ç‡ ‰‚Â ‰ÓÓÊÍË CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó ÚÂı ÏÂÎÓ‰ËÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ (U01-U03). ç‡ CLP-240 ÏÂÎÓ‰ËË
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Ì‡ ÔÓÒÚ‡‚ÎﬂÂÏÓÂ ÓÚ‰ÂÎ¸ÌÓ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
á‡ÔËÒ‡Ú¸ Ò‚ÓÂ ËÒÔÓÎÌÂÌËÂ (Á‚ÛÍÓ‚˚Â
‰‡ÌÌ˚Â) ÏÓÊÌÓ Ì‡ Í‡ÒÒÂÚÌ˚È
Ï‡„ÌËÚÓÙÓÌ ËÎË ‰Û„ÓÂ
Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó ˜ÂÂÁ
‡Á˙ÂÏ AUX OUT (ÒÚ. 56).
íÖêåàçéãéÉàü
éÚÎË˜ËÂ Á‡ÔËÒË ‰‡ÌÌ˚ı ÓÚ ÒÓı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
îÓÏ‡Ú ‰‡ÌÌ˚ı, ÍÓÚÓ˚Â Á‡ÔËÒ˚‚‡˛ÚÒﬂ Ì‡ Í‡ÒÒÂÚÛ, ÓÚÎË˜‡ÂÚÒﬂ ÓÚ ÙÓÏ‡Ú‡ ‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ô‡ÏﬂÚ¸ Ò‡ÏÓ„Ó
ËÌÒÚÛÏÂÌÚ‡ Clavinova. ç‡ Í‡ÒÒÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‡Û‰ËÓÒË„Ì‡Î˚. Ä ÔË‡ÌËÌÓ Clavinova «ÒÓı‡ÌﬂÂÚ» ËÌÙÓÏ‡ˆË˛ Ó
ÒËÌıÓÌËÁ‡ˆËË, ÚÂÏ·‡ı Ë ÚÂÏÔÂ, ÌÓ ÌÂ ‡Û‰ËÓÒË„Ì‡Î˚. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚÂ Á‡ÔËÒ‡ÌÌ˚Â ÏÂÎÓ‰ËË, Clavinova
„ÂÌÂËÛÂÚ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÙÓÏ‡ˆËÂÈ, ÍÓÚÓ‡ﬂ ı‡ÌËÚÒﬂ ‚ Ô‡ÏﬂÚË. èÓ˝ÚÓÏÛ ÓÔÂ‡ˆË˛ Á‡ÔËÒË ‚ Ô‡ÏﬂÚ¸
ÔË‡ÌËÌÓ Clavinova ÚÓ˜ÌÂÂ ·˚ÎÓ ·˚ Ì‡Á‚‡Ú¸ «ÒÓı‡ÌÂÌËÂÏ ËÌÙÓÏ‡ˆËË». çÓ ‚ ˝ÚÓÈ ÍÌË„Â ˜‡ÒÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÒÎÓ‚Ó
«Á‡ÔËÒ¸», Ú‡Í Í‡Í ˝ÚÓ Í‡ÊÂÚÒﬂ ·ÓÎÂÂ ÔÓÌﬂÚÌ˚Ï.
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËﬂ
ùÚÓÚ ÔÓÒÚÓÈ Ë Û‰Ó·Ì˚È ÒÔÓÒÓ· Á‡ÔËÒË ÔÓÁ‚ÓÎﬂÂÚ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸
ÒÓ·ÒÚ‚ÂÌÌÓÂ ËÒÔÓÎÌÂÌËÂ ·ÂÁ ÛÍ‡Á‡ÌËﬂ Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË – ÓÌ ÔÓÎÂÁÂÌ,
Ì‡ÔËÏÂ, ‰Îﬂ Á‡ÔËÒË ÒÓÎ¸Ì˚ı ÙÓÚÂÔË‡ÌÌ˚ı ÔÓËÁ‚Â‰ÂÌËÈ.
í‡ÍËÏ Ó·‡ÁÓÏ ËÒÔÓÎÌÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒﬂ ‚ Ô‡ÚË˛ Ô‡‚ÓÈ
ÛÍË.
èêàåÖóÄçàÖ
êÂÊËÏ Á‡ÔËÒË ÌÂ ÏÓÊÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ ÂÊËÏÂ
‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËË Ë ‚Ó ‚ÂÏﬂ
ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË (CLP-240).
24 4 35
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
ÇçàåÄçàÖ!
óÚÓ·˚ ËÁ·ÂÊ‡Ú¸ Û‰‡ÎÂÌËﬂ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ:
ÖÒÎË ÏÂÎÓ‰Ëﬂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË ÂÂ ‚˚·ÓÂ ËÌ‰ËÍ‡ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒﬂ ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ.
èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡ﬂ ÌÓ‚˚Â ‰‡ÌÌ˚Â Ì‡ ˝ÚÛ Ô‡ÚË˛, ‚˚ ÒÚË‡ÂÚÂ ËÏÂ˛˘ËÂÒﬂ ‰‡ÌÌ˚Â.
(CLP-240) çÂÎ¸Áﬂ Á‡ÔËÒ˚‚‡Ú¸ ËÒÔÓÎÌÂÌËÂ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Ì‡
ÔÓ‰ÍÎ˛˜ÂÌÌÓÂ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ. á‡ÔËÒ˚‚‡ÂÏ˚Â ÏÂÎÓ‰ËË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡Ìﬂ˛ÚÒﬂ Ì‡ ËÌÒÚÛÏÂÌÚÂ. ÖÒÎË ÌÛÊÌÓ ÒÓı‡ÌËÚ¸
‰‡ÌÌ˚Â Ì‡ ÛÒÚÓÈÒÚ‚Ó, ÔÓÒÎÂ Á‡‚Â¯ÂÌËﬂ Á‡ÔËÒË ‚˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛
ÒÓı‡ÌÂÌËﬂ (ÒÚ. 36).
1.
á‡‰‡ÈÚÂ ‚ÒÂ ÔÂ‚ÓÌ‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË
èÂÂ‰ Ì‡˜‡ÎÓÏ Á‡ÔËÒË ‚˚·ÂËÚÂ ÚÂÏ·, ÍÓÚÓ˚È ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸
(ËÎË ÚÂÏ·˚, ÂÒÎË ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ì ÂÊËÏ Dual ËÎË Split).
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
29
CLP240E.book Page 30 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
ç‡ÒÚÓÈÚÂ ÔÓ˜ËÂ Ô‡‡ÏÂÚ˚ (Â‚Â·Â‡ˆËﬂ, ˝ÙÙÂÍÚ Ë Ú.‰.).
åÓÊÌÓ Ú‡ÍÊÂ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸.
ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ÔË ÔÓÏÓ˘Ë ÔÓÎÁÛÌÍ‡ [MASTER
VOLUME].
2.
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[REC]. ùÚËÏ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚÒﬂ ‰Îﬂ Á‡ÔËÒË ÔÛÒÚ‡ﬂ ÏÂÎÓ‰Ëﬂ
Ë ‡ÍÚË‚ËÛÂÚÒﬂ Ô‡ÚËﬂ Ô‡‚ÓÈ ÛÍË. ÖÒÎË ‚ÒÂ ÏÂÎÓ‰ËË ÔÓÎÌ˚Â,
·Û‰ÂÚ ‚˚·‡Ì‡ ÏÂÎÓ‰Ëﬂ U01. á‡ÔËÒ¸ Â˘Â ÌÂ Ì‡˜ËÌ‡ÂÚÒﬂ.
èË·ÎËÁËÚÂÎ¸Ì˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏﬂÚË ÛÍ‡Á˚‚‡ÂÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔÎÂÂ ‚ ÍËÎÓ·‡ÈÚ‡ı. àÌ‰ËÍ‡ÚÓ SONG [PLAY/PAUSE]
ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈÍ‡ÏË ÚÂÏÔ‡ ÏÂÚÓÌÓÏ‡.
ç‡ ˝ÚÓÏ ¯‡„Â ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ÏÂÚÓÌÓÏ Ë Ì‡ÒÚÓËÚ¸ ÚÂÏÔ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] . (ÑË‡Ô‡ÁÓÌ: 32-280)
åÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó Ì‡˜‡Î‡ Á‡ÔËÒË,
‚ÚÓÓÈ ‡Á Ì‡Ê‡‚ ÍÌÓÔÍÛ [REC].
èêàåÖóÄçàÖ
é·˙ÂÏ Ô‡ÏﬂÚË, ‰ÓÒÚÛÔÌ˚È ‰Îﬂ
Á‡ÔËÒË:
é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (Â‰ËÌËˆ‡
ËÁÏÂÂÌËﬂ ‰‡ÌÌ˚ı) ÛÍ‡Á˚‚‡ÂÚ, Í‡ÍÓÈ
Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îﬂ Á‡ÔËÒË Ì‡
ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
ÔÂ‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ Ì‡
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ.
èêàåÖóÄçàÖ
ÖÒÎË ‡ÌÂÂ ‚ ÚÓÈ ÊÂ ÏÂÎÓ‰ËË ·˚Î‡
‚˚·‡Ì‡ Ô‡ÚËﬂ ÎÂ‚ÓÈ ÛÍË, ˝Ú‡
Ô‡ÚËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‡ÍÚË‚ËÛÂÚÒﬂ
ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [REC] Ì‡ ¯‡„Â 2.
èêàåÖóÄçàÖ
3.
ç‡˜‡ÎÓ Á‡ÔËÒË
á‡ÔËÒ¸ Ì‡˜ËÌ‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË, ÍÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ ÍÎ‡‚Ë¯Û
Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ËÎË ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. ÇÓ ‚ÂÏﬂ Á‡ÔËÒË Ì‡
‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÌÓÏÂ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡.
ÖÒÎË ‚ Ì‡˜‡ÎÂ Á‡ÔËÒË ‚ÍÎ˛˜ÂÌ
ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚÂ ÒÎ˚¯‡Ú¸ Â„Ó
ÒË„Ì‡Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òﬂ ÓÌË ÌÂ
·Û‰ÛÚ.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Á‡ÔËÒË
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 33.
èêàåÖóÄçàÖ
4.
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC] ËÎË SONG [STOP].
äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, Ì‡ ‰ËÒÔÎÂÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ
ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÚËÂ, ÛÍ‡Á˚‚‡˛˘ËÂ, ˜ÚÓ Á‡ÔËÒ˚‚‡ÂÏ˚Â ‰‡ÌÌ˚Â
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡Ìﬂ˛ÚÒﬂ Ì‡ ËÌÒÚÛÏÂÌÚÂ. èÓÒÎÂ ÒÓı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÌÓÏÂ ÏÂÎÓ‰ËË (U01-U03).
àÌ‰ËÍ‡ÚÓ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË ·Û‰ÂÚ „ÓÂÚ¸ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ,
ÔÓÍ‡Á˚‚‡ﬂ, ˜ÚÓ ‚ Ô‡ÚËË ÚÂÔÂ¸ ÂÒÚ¸ ‰‡ÌÌ˚Â. (êÂÊËÏ Á‡ÔËÒË
ÓÚÍÎ˛˜‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.)
5.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â Á‡ÔËÒË ÔÓ˜ÚË ÌÂ
ÓÒÚ‡ÎÓÒ¸ ÏÂÒÚ‡, ËÌ‰ËÍ‡ÚÓ Á‡ÔËÒË
‰ÓÓÊÍË Ì‡˜ËÌ‡ÂÚ ÏË„‡Ú¸. ÖÒÎË ‚Ó
‚ÂÏﬂ Á‡ÔËÒË Ó·˙ÂÏ Ô‡ÏﬂÚË
ÔÓÎÌÓÒÚ¸˛ ËÒ˜ÂÔ˚‚‡ÂÚÒﬂ, Ì‡ ‰ËÒÔÎÂÂ
ÔÓﬂ‚ËÚÒﬂ Ì‡‰ÔËÒ¸ «Full» Ë Á‡ÔËÒ¸
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒﬂ. (ÇÒÂ
Á‡ÔËÒ‡ÌÌ˚Â ‰Ó ˝ÚÓ„Ó ‰‡ÌÌ˚Â ·Û‰ÛÚ
ÒÓı‡ÌÂÌ˚.)
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌÓ„Ó
ÑÎﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Á‡ÔËÒ‡ÌÌÓ„Ó Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [PLAY/
PAUSE]. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎÓ‰Ë˛ Ì‡ ÒÂÂ‰ËÌÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
SONG [STOP].
30
èË ÔÓÏÓ˘Ë ÙÛÌÍˆËË Left Pedal Mode
(ÂÊËÏ ÎÂ‚ÓÈ ÔÂ‰‡ÎË), ÓÔËÒ‡ÌÌÓÈ Ì‡
ÒÚ. 51, Á‡ ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛ ÏÓÊÌÓ
Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚ÍÎ˛˜ÂÌËﬂ
Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ÖÒÎË ‰Îﬂ Ì‡˜‡Î‡ Á‡ÔËÒË Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ Á‡ÚÂÏ
Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [STOP] ‰Îﬂ
Á‡‚Â¯ÂÌËﬂ Á‡ÔËÒË, ‚ÒÂ ‰‡ÌÌ˚Â,
ÔÂ‰‚‡ËÚÂÎ¸ÌÓ Á‡ÔËÒ‡ÌÌ˚Â ‚
‚˚·‡ÌÌÛ˛ Ô‡ÚË˛, ·Û‰ÛÚ Û‰‡ÎÂÌ˚.
CLP240E.book Page 31 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
èÂÂÁ‡ÔËÒ¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÔÓÍ‡Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰ÓÓÊÍÛ, ÂÒÎË ‚‡Ï ÌÂ Ì‡‚ËÚÒﬂ ËÒÔÓÎÌÂÌËÂ.
ÑÂÈÒÚ‚Ëﬂ
1.
ÖÒÎË ˝ÚÓ ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚÂ ÚÂÏ· ËÎË ÚÂÏ·˚
(‡ Ú‡ÍÊÂ ‰Û„ËÂ Ì‡ÒÚÓÈÍË) ‰Îﬂ ÔÂÂÁ‡ÔËÒË
ÖÒÎË ‚˚ ıÓÚËÚÂ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚, ÔÓ‚ÚÓËÚÂ ¯‡„ 1 Ì‡ ÒÚ. 29.
2.
èÓ‚ÚÓÌÓÂ ‚ÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
Ö˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
àÌ‰ËÍ‡ÚÓ ‚˚·‡ÌÌÓÈ Ô‡ÚËË ÏË„‡ÂÚ Í‡ÒÌ˚Ï ˆ‚ÂÚÓÏ.
ÑÎﬂ ÔÂÂÁ‡ÔËÒË ÒÎÂ‰ÛÈÚÂ ËÌÒÚÛÍˆËﬂÏ ‚ ‡Á‰ÂÎÂ «Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸
ËÒÔÓÎÌÂÌËﬂ» Ì‡ ÒÚ. 30, Ì‡˜ËÌ‡ﬂ Ò ¯‡„‡ 3.
èêàåÖóÄçàÖ
ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË
Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚÂ
ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ ÒË„Ì‡ÎÓ‚
ÏÂÚÓÌÓÏ‡, ÚËÔ Â‚Â·Â‡ˆËË ËÎË
˝ÙÙÂÍÚ‡, Ò‰ÂÎ‡ÈÚÂ ˝ÚÓ ÔÓÒÎÂ
‚ÍÎ˛˜ÂÌËﬂ ÂÊËÏ‡ „ÓÚÓ‚ÌÓÒÚË
Í Á‡ÔËÒË.
èêàåÖóÄçàÖ
çÂÎ¸Áﬂ Ì‡˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸ Ò ÒÂÂ‰ËÌ˚
ÏÂÎÓ‰ËË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
31
CLP240E.book Page 32 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
á‡ÔËÒ¸ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ Ô‡ÚËË
ùÚÓÚ ÒÔÓÒÓ· ÔÓÁ‚ÓÎﬂÂÚ ÓÚ‰ÂÎ¸ÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ë Ô‡‚Û˛ Ô‡ÚËË. í‡Í Í‡Í ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ô‡ÚË˛ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ô‡‚ÓÈ, ˝ÚÓÚ ÒÔÓÒÓ· ÔÓÎÂÁÂÌ ‰Îﬂ Á‡ÔËÒË ‰‚Ûı Ô‡ÚËÈ ‰Û˝Ú‡.
ÑÂÈÒÚ‚Ëﬂ
1.
á‡‰‡ÈÚÂ ‚ÒÂ ÔÂ‚ÓÌ‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË
í‡Í ÊÂ, Í‡Í ¯‡„ 1 ‚ ‡Á‰ÂÎÂ «Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËﬂ» Ì‡
ÒÚ. 29.
2.
Ç˚·ÂËÚÂ ÏÂÎÓ‰Ë˛ ‰Îﬂ Á‡ÔËÒË
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ Á‡ÊÂ„Òﬂ ËÌ‰ËÍ‡ÚÓ «USER»,
Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸
Á‡ÔËÒ˚‚‡ÂÏÛ˛ ÏÂÎÓ‰Ë˛.
ÇçàåÄçàÖ!
óÚÓ·˚ ËÁ·ÂÊ‡Ú¸ Û‰‡ÎÂÌËﬂ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ:
ÖÒÎË ÏÂÎÓ‰Ëﬂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË ÂÂ ‚˚·ÓÂ ËÌ‰ËÍ‡ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒﬂ ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ.
èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡ﬂ ÌÓ‚˚Â ‰‡ÌÌ˚Â Ì‡ ˝ÚÛ Ô‡ÚË˛, ‚˚ ÒÚË‡ÂÚÂ ËÏÂ˛˘ËÂÒﬂ ‰‡ÌÌ˚Â.
3.
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [RIGHT]/[LEFT], ˜ÚÓ·˚
‚ÍÎ˛˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË. á‡ÔËÒ¸ Â˘Â ÌÂ Ì‡˜ËÌ‡ÂÚÒﬂ.
èË·ÎËÁËÚÂÎ¸Ì˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏﬂÚË ÛÍ‡Á˚‚‡ÂÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔÎÂÂ ‚ ÍËÎÓ·‡ÈÚ‡ı. The àÌ‰ËÍ‡ÚÓ SONG [PLAY/
PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈÍ‡ÏË ÚÂÏÔ‡
ÏÂÚÓÌÓÏ‡.
èêàåÖóÄçàÖ
èÓÍ‡Á‡ÌËﬂ ÍÌÓÔÓÍ Ô‡ÚËË
Off (Ç˚ÍÎ.): ÌÂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı
On (ÇÍÎ., ÁÂÎÂÌ˚È): ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â
On (ÇÍÎ., Í‡ÒÌ˚È): Ô‡ÚËﬂ „ÓÚÓ‚‡
Í Á‡ÔËÒË
èêàåÖóÄçàÖ
é·˙ÂÏ Ô‡ÏﬂÚË, ‰ÓÒÚÛÔÌ˚È ‰Îﬂ
Á‡ÔËÒË:
é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (Â‰ËÌËˆ‡
ËÁÏÂÂÌËﬂ ‰‡ÌÌ˚ı) ÛÍ‡Á˚‚‡ÂÚ, Í‡ÍÓÈ
Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îﬂ Á‡ÔËÒË Ì‡
ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
ÔÂ‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ Ì‡
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CLP-240/230 ÏÓÊÌÓ
Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ.
èêàåÖóÄçàÖ
ÖÒÎË ‚ Ì‡˜‡ÎÂ Á‡ÔËÒË ‚ÍÎ˛˜ÂÌ
ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚÂ ÒÎ˚¯‡Ú¸ Â„Ó
ÒË„Ì‡Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òﬂ ÓÌË ÌÂ ·Û‰ÛÚ.
èêàåÖóÄçàÖ
ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË
Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚÂ
ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ ÒË„Ì‡ÎÓ‚
ÏÂÚÓÌÓÏ‡, ÚËÔ Â‚Â·Â‡ˆËË ËÎË
˝ÙÙÂÍÚ‡, Ò‰ÂÎ‡ÈÚÂ ˝ÚÓ ÔÓÒÎÂ ‚ıÓ‰‡
‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË.
èêàåÖóÄçàÖ
åÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó Ì‡˜‡Î‡ Á‡ÔËÒË,
‚ÚÓÓÈ ‡Á Ì‡Ê‡‚ ÍÌÓÔÍÛ [REC].
ÖÒÎË ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ‚˚ ÌÂ ıÓÚËÚÂ
ÒÎ˚¯‡Ú¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÛ˛ ‰ÓÓÊÍÛ
(Ì‡ÔËÏÂ, ÂÒÎË ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸
ÒÓ‚Â¯ÂÌÌÓ ‰Û„Û˛ ÏÂÎÓ‰Ë˛),
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˝ÚÓÈ
‰ÓÓÊÍË ‰Ó ÚÓ„Ó, Í‡Í Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
[REC], ˜ÚÓ·˚ ÂÂ ËÌ‰ËÍ‡ÚÓ ÔÓ„‡Ò.
á‡ÔÛÒÍ Ë ÓÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Á‡ÔËÒË
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 33.
èêàåÖóÄçàÖ
4.
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ¯‡„Ë 3 – 5 ‚ ‡Á‰ÂÎÂ «Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸
ËÒÔÓÎÌÂÌËﬂ» Ì‡ ÒÚ. 30.
32
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 33 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
ìÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Á‡ÔËÒ˚‚‡ÂÚ ÒÎÂ‰Û˛˘ËÂ ‰‡ÌÌ˚Â:
èÓÏËÏÓ ÌÓÚ Ë ÚÂÏ·‡, ‚ ÍÓÚÓÓÏ ËÒÔÓÎÌﬂÂÚÒﬂ ÏÂÎÓ‰Ëﬂ, Á‡ÔËÒ˚‚‡˛ÚÒﬂ
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰‡ÌÌ˚Â.
ä ˝ÚËÏ ‰‡ÌÌ˚Ï ÓÚÌÓÒﬂÚÒﬂ ‰‡ÌÌ˚Â Ó· ÓÚ‰ÂÎ¸Ì˚ı Ô‡ÚËﬂı Ë ‚ÒÂÈ
ÏÂÎÓ‰ËË. «ëÏ. ‰‡ÎÂÂ».
éÚ‰ÂÎ¸Ì˚Â Ô‡ÚËË
• àÒÔÓÎÌﬂÂÏ˚Â ÌÓÚ˚
• Ç˚·Ó ÚÂÏ·‡
• àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‚‡Ë‡ˆËË (ÍÌÓÔÍ‡ [VARIATION]) (CLP-240)
• èÂ‰‡Î¸ (Ô‡‚‡ﬂ/ÎÂ‚‡ﬂ/ÒÂ‰Ìﬂﬂ)
• ÉÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË (ÍÌÓÔÍ‡ [REVERB])
• ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT])
• íÂÏ·˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (Dual)
• Å‡Î‡ÌÒ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (F3)
• ëÏÂ˘ÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (F3)
• ëÏÂ˘ÂÌËÂ ÓÍÚ‡‚˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (F3)
• íÂÏ·˚ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ (Split ) (CLP-240)
• Å‡Î‡ÌÒ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ (F4 CLP-240)
• ëÏÂ˘ÂÌËÂ ÓÍÚ‡‚˚ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ (F4:CLP-240)
ÇÒﬂ ÏÂÎÓ‰Ëﬂ
• íÂÏÔ
• ó‡ÒÚÓÚ‡ ÒË„Ì‡Î‡ (‰ÓÎﬂ)
• íËÔ Â‚Â·Â‡ˆËË (ÍÌÓÔÍ‡ [REVERB]), ‚ ÚÓÏ ˜ËÒÎÂ ÁÌ‡˜ÂÌËÂ OFF
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT]), ‚ ÚÓÏ ˜ËÒÎÂ ÁÌ‡˜ÂÌËÂ OFF
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
33
CLP240E.book Page 34 Wednesday, April 6, 2005 4:02 PM
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
àÁÏÂÌÂÌËÂ Ì‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÂÍ (‰‡ÌÌ˚ı,
Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ì‡˜‡ÎÂ ÏÂÎÓ‰ËË)
ç‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË (‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚Â ‚ Ì‡˜‡ÎÂ ÏÂÎÓ‰ËË) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔÓÒÎÂ Á‡ÔËÒË. ç‡ÔËÏÂ,
ÔÓÒÎÂ Á‡ÔËÒË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ÌÓ‚ÓÈ Ó·ÒÚ‡ÌÓ‚ÍË ËÎË Ì‡ÒÚÓËÚ¸ ÚÂÏÔ ÔÓ Ò‚ÓÂÏÛ ‚ÍÛÒÛ.
åÓÊÌÓ ËÁÏÂÌﬂÚ¸ ÒÎÂ‰Û˛˘ËÂ Ì‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË.
éÚ‰ÂÎ¸Ì˚Â Ô‡ÚËË
• Ç˚·Ó ÚÂÏ·‡
• àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‚‡Ë‡ˆËË (ÍÌÓÔÍ‡ [VARIATION]) (CLP-240)
• ÉÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË (ÍÌÓÔÍ‡ [REVERB])
• ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT])
• íÂÏ·˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (Dual)
• íÂÏ·˚ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ (Split ) (CLP-240)
• ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ Ô‡‚ÓÈ/ÎÂ‚ÓÈ ÔÂ‰‡ÎË
ÇÒﬂ ÏÂÎÓ‰Ëﬂ
• íÂÏÔ
• íËÔ Â‚Â·Â‡ˆËË (ÍÌÓÔÍ‡ [REVERB]), ‚ ÚÓÏ ˜ËÒÎÂ ÁÌ‡˜ÂÌËÂ OFF
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT]), ‚ ÚÓÏ ˜ËÒÎÂ ÁÌ‡˜ÂÌËÂ OFF
1. ÑÎﬂ ËÁÏÂÌÂÌËﬂ Ì‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÂÍ ‚ÍÎ˛˜ËÚÂ ÂÊËÏ Á‡ÔËÒË Ë ‚˚·ÂËÚÂ
Ô‡ÚË˛.
á‡„ÓËÚÒﬂ Í‡ÒÌ˚È ËÌ‰ËÍ‡ÚÓ. (Ñ‡ÌÌ˚Â, Ó·˘ËÂ ‰Îﬂ ‰‚Ûı Ô‡ÚËÈ,
ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚ Í‡Ê‰ÓÈ Ô‡ÚËË.)
2. àÁÏÂÌËÚÂ Ì‡ÒÚÓÈÍË ÔË ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËﬂ.
ç‡ÔËÏÂ, ÂÒÎË ‚˚ ıÓÚËÚÂ ËÁÏÂÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚È ÚÂÏ· Ò [E. PIANO 1] Ì‡
[E. PIANO 2], Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [E. PIANO 2]. ÖÒÎË ıÓÚËÚÂ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ ‰Îﬂ Ô‡‚ÓÈ/ÎÂ‚ÓÈ ÔÂ‰‡ÎË, Ì‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚÂ ˝ÚÛ
ÔÂ‰‡Î¸.
ÅÛ‰¸ÚÂ ÓÒÚÓÓÊÌ˚ Ë ÌÂ Ì‡ÊÏËÚÂ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]
ËÎË ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ: ˝ÚÓ ÔË‚Â‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌË˛
‚ÒÂı ‰‡ÌÌ˚ı, ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡ÚË˛.
3. ÑÎﬂ ‚˚ıÓ‰‡ ËÁ ÂÊËÏ‡ Á‡ÔËÒË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
ÅÛ‰¸ÚÂ ÓÒÚÓÓÊÌ˚ Ë ÌÂ Ì‡ÊÏËÚÂ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]
ËÎË ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ: ˝ÚÓ ÔË‚Â‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌË˛
‚ÒÂı ‰‡ÌÌ˚ı, ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡ÚË˛.
34
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
åÓÊÌÓ ÓÚÏÂÌËÚ¸ ËÁÏÂÌÂÌËﬂ,
‚ÌÂÒÂÌÌ˚Â ‚ Ì‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË,
‚˚·‡‚ ÔÓÒÎÂ ¯‡„‡ 2 ‰Û„Û˛ Ô‡ÚË˛ Ë
‚˚È‰ﬂ ËÁ ÂÊËÏ‡ Á‡ÔËÒË, Ì‡Ê‡‚
ÍÌÓÔÍÛ [REC]. (àÁÏÂÌÂÌËﬂ, ‚ÌÂÒÂÌÌ˚Â
‚ Ì‡˜‡Î¸Ì˚Â ‰‡ÌÌ˚Â, Ó·˘ËÂ ‰Îﬂ ‰‚Ûı
Ô‡ÚËÈ, Ú‡ÍÊÂ ·Û‰ÛÚ ÓÚÏÂÌÂÌ˚.)
CLP240E.book Page 35 Wednesday, April 6, 2005 4:02 PM
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
åÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÏÓÊÌÓ ÒÓı‡ÌﬂÚ¸, ˝ÍÒÔÓÚËÓ‚‡Ú¸ Ë Û‰‡ÎﬂÚ¸ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı. ùÚÓ ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂÎ¸ ÏÓÊÌÓ Ú‡ÍÊÂ ÙÓÏ‡ÚËÓ‚‡Ú¸.
ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ
èêàåÖóÄçàÖ
èÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÔÓ‰ÍÎ˛˜ÂÌËË
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÒÏ.
ÒÚ. 58.
ëÓı‡ÌÂÌËÂ (Save)
åÓÊÌÓ ÒÓı‡ÌËÚ¸ ÚË ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ò ËÌÒÚÛÏÂÌÚ‡ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‚ ‚Ë‰Â Ó‰ÌÓ„Ó Ù‡ÈÎ‡ (ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó). ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ ‚ «ÍÓÌÚÂÈÌÂ» (Ó·Î‡ÒÚ¸ Ô‡ÏﬂÚË) Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò A00 ‰Ó A99.
èÓÒÍÓÎ¸ÍÛ ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ ÒÔÂˆË‡Î¸ÌÓÏ ÙÓÏ‡ÚÂ Clavinova, Ëı
ÌÂÎ¸Áﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ì‡ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚ÍÎ˛˜‡ﬂ ‰Û„ËÂ ÔË‡ÌËÌÓ Clavinova.
Ç Ú‡ÍÓÏ ÙÓÏ‡ÚÂ ÏÓÊÌÓ ÔÂÂÁ‡ÔËÒ‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ Ì‡ CLP-240. åÂÎÓ‰ËË ÌÂÎ¸Áﬂ
ÔÓË„˚‚‡Ú¸ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı, ÒÌ‡˜‡Î‡ Ëı
ÌÛÊÌÓ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó· ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡«ëÓı‡ÌÂÌËÂ
ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 36.
èêàåÖóÄçàÖ
èÂÂ‰ ÚÂÏ Í‡Í Ì‡˜‡Ú¸ ‡·ÓÚÛ Ò
ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ÓÌÓ
ÌÂ Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË.
ÖÒÎË ÛÒÚÓÈÒÚ‚Ó Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË,
‚˚ ÌÂ ÒÏÓÊÂÚÂ ÔÓÎÛ˜ËÚ¸ Í ÌÂÏÛ ‰ÓÒÚÛÔ.
èêàåÖóÄçàÖ
ÖÒÎË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı ÌÂ‰ÓÒÚ‡ÚÓ˜ÌÓ Ô‡ÏﬂÚË ‰Îﬂ
ÒÓı‡ÌÂÌËﬂ ËÎË ˝ÍÒÔÓÚ‡ ‰‡ÌÌ˚ı, Ì‡
‰ËÒÔÎÂÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÒÓÓ·˘ÂÌËÂ, Ë ‚˚ ÌÂ
ÒÏÓÊÂÚÂ ÌË ÒÓı‡ÌËÚ¸, ÌË
˝ÍÒÔÓÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â. ì‰‡ÎËÚÂ Ò
ÛÒÚÓÈÒÚ‚‡ ÌÂÌÛÊÌ˚Â Ù‡ÈÎ˚, ˜ÚÓ·˚
ÓÒ‚Ó·Ó‰ËÚ¸ Ô‡ÏﬂÚ¸, (ÒÚ. 38) ËÎË
ËÒÔÓÎ¸ÁÛÈÚÂ ‰Û„ÓÂ ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ëËÏ‚ÓÎ «A» Ì‡‰ ËÏÂÌÂÏ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ÓÁÌ‡˜‡ÂÚ «All» (ÇÒÂ), ÚÓ ÂÒÚ¸ ‚ÒÂ ÚË
ÏÂÎÓ‰ËË ËÌÒÚÛÏÂÌÚ‡ ÒÓı‡ÌÂÌ˚ ‚
Ó‰ËÌ ÍÓÌÚÂÈÌÂ.
ùÍÒÔÓÚ
åÓÊÌÓ ˝ÍÒÔÓÚËÓ‚‡Ú¸ ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ò ËÌÒÚÛÏÂÌÚ‡ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‚ ‚Ë‰Â Ó‰ÌÓ„Ó Ù‡ÈÎ‡ (ÏÂÎÓ‰ËË SMF). åÂÎÓ‰ËË ÏÓÊÌÓ
˝ÍÒÔÓÚËÓ‚‡Ú¸ ‚ «ÍÓÌÚÂÈÌÂ» (Ó·Î‡ÒÚ¸ Ô‡ÏﬂÚË) Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı. ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò S00 ‰Ó S99.
èÓÒÍÓÎ¸ÍÛ ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF, Ëı ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ì‡ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚ÍÎ˛˜‡ﬂ ‰Û„ËÂ ÔË‡ÌËÌÓ Clavinova.
Ç Ú‡ÍÓÏ ÙÓÏ‡ÚÂ ÌÂÎ¸Áﬂ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ì‡ CLP-240. åÂÎÓ‰ËË ‚ ˝ÚÓÏ ÙÓÏ‡ÚÂ
ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ·ÂÁ
ÔÂ‰‚‡ËÚÂÎ¸ÌÓÈ Á‡„ÛÁÍË ‚ ËÌÒÚÛÏÂÌÚ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó· ÓÔÂ‡ˆËË ˝ÍÒÔÓÚ‡ ÔË‚Â‰ÂÌ˚ Ì‡
«ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓÏ‡ÚÂ SMF» Ì‡ ÒÚ. 37.
èêàåÖóÄçàÖ
ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ ÏÓÊÌÓ ‡·ÓÚ‡Ú¸
ÒÓ 100 ÌÓÏÂ‡ÏË Ù‡ÈÎÓ‚.
• çÓÏÂ‡ Ù‡ÈÎÓ‚ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ:
A00-A99
• çÓÏÂ ÏÂÎÓ‰ËÈ SMF: S00-S99
èêàåÖóÄçàÖ
ëËÏ‚ÓÎ «S» Ì‡‰ ËÏÂÌÂÏ ÏÂÎÓ‰ËË SMF
ÓÁÌ‡˜‡ÂÚ ÙÓÏ‡Ú SMF.
íÖêåàçéãéÉàü
SMF (ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI)
îÓÏ‡Ú SMF (Standard MIDI File,
ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ
Ì‡Ë·ÓÎÂÂ ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ
ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓÏ‡ÚÓ‚ ‰Îﬂ ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı ÒÂÍ‚ÂÌˆËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚Ë‰‡
˝ÚÓ„Ó ÙÓÏ‡Ú‡: Format 0 Ë Format 1.
ÅÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚
ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓÏ‡ÚÓÏ SMF Format 0,
‡ ·ÓÎ¸¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌﬂÂÏ˚ı MIDI-Ù‡ÈÎÓ‚
ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ‚ ÚÓÏ ÊÂ ÙÓÏ‡ÚÂ.
îÓÏ‡Ú SMF ‰Îﬂ Ù‡ÈÎÓ‚ ÒÂÍ‚ÂÌˆËÈ
ÔÓÁ‚ÓÎﬂÂÚ Ó·ÏÂÌË‚‡Ú¸Òﬂ ‰‡ÌÌ˚ÏË
ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡ÁÎË˜Ì˚ÏË
ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ,
Á‡ÔËÒ‡ÌÌ˚Â Ì‡ CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒﬂ
‚ ÙÓÏ‡ÚÂ SMF Format 0.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
35
CLP240E.book Page 36 Wednesday, April 6, 2005 4:02 PM
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
ëÓı‡ÌÂÌËÂ ÏÂÎÓ‰ËÈ
1
1 2
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÍÓÌÚÂÈÌÂ Ù‡ÈÎ‡ ‚ ÛÒÚÓÈÒÚ‚Â Ë ÒÓı‡ÌËÚÂ
ÏÂÎÓ‰Ë˛ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ë‚Â‰ÂÌËﬂ Ó ÒÓı‡ÌÂÌËË ÒÏ. ÒÚ. 35.
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÓ‰ÍÎ˛˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ
«SAVE/EXP.»). ì‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [FILE], Ì‡ÊËÏ‡ÈÚÂ
ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌÂ (A00-A99). èÓÒÎÂ
ÓÒ‚Ó·ÓÊ‰ÂÌËﬂ ÍÌÓÔÍË [FILE] Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÒËÏ‚ÓÎ˚ «n y»
(no/yes). ÑÎﬂ ÒÓı‡ÌÂÌËﬂ ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES]. î‡ÈÎ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡ÌËÚÒﬂ ‚ Ô‡ÔÍÂ «USERFILES» Ò ËÏÂÌÂÏ
«USERFILExx.usr».
èÂÂÁ‡ÔËÒ¸ Ù‡ÈÎ‡
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊÂ ÒÓ‰ÂÊËÚ Ù‡ÈÎ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ, Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÚË ÚÓ˜ÍË (Ì‡ÔËÏÂ,
«A.0.0»). ÖÒÎË ÌÂ ıÓÚËÚÂ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[–/NO], ÍÓ„‰‡ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ «n y» (ÌÂÚ ËÎË ‰‡) Ë ‚˚·ÂËÚÂ
‰Û„ÓÈ ÍÓÌÚÂÈÌÂ. ÖÒÎË ıÓÚËÚÂ ÔÂÂÁ‡ÔËÒ‡Ú¸ Ù‡ÈÎ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [+/YES], ÍÓ„‰‡ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ «n y» (ÌÂÚ ËÎË ‰‡). èÓÒÎÂ
ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓﬂ‚ﬂÚÒﬂ Ì‡ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚
ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
2.
Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË, ÌÂÒÍÓÎ¸ÍÓ ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (àÌ‰ËÍ‡ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
ÇçàåÄçàÖ!
çÂ ÔÂÂËÏÂÌÓ‚˚‚‡ÈÚÂ Ù‡ÈÎ˚ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ì‡ ÍÓÏÔ¸˛ÚÂÂ. ÖÒÎË ËÏﬂ Ù‡ÈÎ‡ ËÁÏÂÌﬂÂÚÒﬂ Ú‡ÍËÏ
Ó·‡ÁÓÏ, Â„Ó ÌÂ‚ÓÁÏÓÊÌÓ ·Û‰ÂÚ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ.
36
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ÔÂÂÏÂ˘‡ÂÚÂ Ù‡ÈÎ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ËÁ Ô‡ÔÍË «USER FILES»
Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛ÚÂ‡, ˝ÚÓÚ Ù‡ÈÎ ÌÂ
·Û‰ÂÚ ‡ÒÔÓÁÌ‡Ì ËÌÒÚÛÏÂÌÚÓÏ.
CLP240E.book Page 37 Wednesday, April 6, 2005 4:02 PM
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓÏ‡ÚÂ SMF
íÖêåàçéãéÉàü
SMF (ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI)
îÓÏ‡Ú SMF (Standard MIDI File, ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ Ì‡Ë·ÓÎÂÂ ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ
ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓÏ‡ÚÓ‚ ‰Îﬂ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÒÂÍ‚ÂÌˆËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚Ë‰‡ ˝ÚÓ„Ó ÙÓÏ‡Ú‡: Format 0 Ë Format 1.
ÅÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓÏ‡ÚÓÏ SMF Format 0, ‡ ·ÓÎ¸¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌﬂÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ‚ ÚÓÏ ÊÂ ÙÓÏ‡ÚÂ. îÓÏ‡Ú SMF ‰Îﬂ Ù‡ÈÎÓ‚ ÒÂÍ‚ÂÌˆËÈ ÔÓÁ‚ÓÎﬂÂÚ
Ó·ÏÂÌË‚‡Ú¸Òﬂ ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡ÁÎË˜Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ CLP-240,
˝ÍÒÔÓÚËÛ˛ÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF Format 0.
2 3
1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
èêàåÖóÄçàÖ
1.
Ç˚·ÂËÚÂ ÏÂÎÓ‰Ë˛ ‰Îﬂ ˝ÍÒÔÓÚ‡
Ç˚·ÂËÚÂ ÏÂÎÓ‰Ë˛ ‰Îﬂ ˝ÍÒÔÓÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [SONG SELECT]
Ë [–/NO][+/YES].
2.
Ç˚·ÂËÚÂ ÍÓÌÚÂÈÌÂ ÏÂÎÓ‰ËË ‚ ÛÒÚÓÈÒÚ‚Â
Ë ˝ÍÒÔÓÚËÛÈÚÂ ÏÂÎÓ‰Ë˛ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÓ‰ÍÎ˛˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ
«SAVE/EXP.»). ì‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [FILE], Ì‡ÊËÏ‡ÈÚÂ
ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌÂ (S00-S99). èÓÒÎÂ
ÓÒ‚Ó·ÓÊ‰ÂÌËﬂ ÍÌÓÔÍË [FILE] Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÒËÏ‚ÓÎ˚ «n y»
(no/yes). ÑÎﬂ ˝ÍÒÔÓÚ‡ ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
ùÍÒÔÓÚËÓ‚‡ÌÌ‡ﬂ ÏÂÎÓ‰Ëﬂ ÍÓÌ‚ÂÚËÛÂÚÒﬂ ‚ ÙÓÏ‡Ú SMF
Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓÏÂ˘‡ÂÚÒﬂ ‚ Ô‡ÔÍÛ «USER FILES» Ò ËÏÂÌÂÏ
«USERSONGxx.mid».
ë‚Â‰ÂÌËﬂ Ó· ˝ÍÒÔÓÚÂ ÒÏ. ÒÚ. 35.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË
ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚Â, ÓÌ‡ ÌÂ ·Û‰ÂÚ
˝ÍÒÔÓÚËÓ‚‡Ú¸Òﬂ (‚˚ ÌÂ ÒÏÓÊÂÚÂ
‚˚·‡Ú¸ ÍÓÌÚÂÈÌÂ ‰Îﬂ ÏÂÎÓ‰ËÈ SMF:
S00-S99). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ ‚˚·‡ÌÌÓÈ
ÏÂÎÓ‰ËË ËÏÂ˛ÚÒﬂ ‰‡ÌÌ˚Â (‰ÓÎÊÂÌ
„ÓÂÚ¸ ËÌ‰ËÍ‡ÚÓ [RIGHT] ËÎË [LEFT]).
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ÔÂÂÏÂ˘‡ÂÚÂ ÏÂÎÓ‰Ë˛ ‚
ÙÓÏ‡ÚÂ SMF ËÁ Ô‡ÔÍË «USER FILES»
Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛ÚÂ‡, ÚËÔ Ù‡ÈÎ‡
ËÁÏÂÌËÚÒﬂ – Ò ÏÂÎÓ‰ËË SMF (S00-S99)
Ì‡ ‚ÌÂ¯Ì˛˛ ÏÂÎÓ‰Ë˛.
èÂÂÁ‡ÔËÒ¸ ÏÂÎÓ‰ËË
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊÂ ÒÓ‰ÂÊËÚ ÏÂÎÓ‰Ë˛
SMF, Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÚË ÚÓ˜ÍË (Ì‡ÔËÏÂ, «S.0.0.»). ÖÒÎË ÌÂ
ıÓÚËÚÂ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO], ÍÓ„‰‡ Ì‡
‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ «n y» (no ËÎË yes) Ë ‚˚·ÂËÚÂ ‰Û„ÓÈ ÍÓÌÚÂÈÌÂ.
ÖÒÎË ıÓÚËÚÂ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÏÂÎÓ‰Ë˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES]. èÓÒÎÂ
ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓﬂ‚ﬂÚÒﬂ Ì‡ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË
ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË, ÌÂÒÍÓÎ¸ÍÓ ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (àÌ‰ËÍ‡ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
37
CLP240E.book Page 38 Wednesday, April 6, 2005 4:02 PM
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ ÏÂÎÓ‰ËÈ
1 3
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
ÑÂÈÒÚ‚Ëﬂ
1.
ì‰‡ÎËÚÂ Ù‡ÈÎ
èÓÒÎÂ ÓÒ‚Ó·ÓÊ‰ÂÌËﬂ ÍÌÓÔÍË [FILE] Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ
ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡). ÖÒÎË ıÓÚËÚÂ Û‰‡ÎËÚ¸ Ù‡ÈÎ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [+/YES]. èÓÒÎÂ ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓﬂ‚ﬂÚÒﬂ Ì‡
‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, Â˘Â ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
ÖÒÎË ÌÂ ıÓÚËÚÂ Û‰‡ÎﬂÚ¸ Ù‡ÈÎ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË, ÌÂÒÍÓÎ¸ÍÓ ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (àÌ‰ËÍ‡ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
38
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
èêàåÖóÄçàÖ
èÂÂ‰ ÚÂÏ Í‡Í Û‰‡ÎËÚ¸ ÏÂÎÓ‰Ë˛,
ÔÓÒÎÛ¯‡ÈÚÂ ÂÂ. åÂÎÓ‰ËË ÌÂÎ¸Áﬂ
ÔÓÒÎÛ¯Ë‚‡Ú¸ ÔÓÒÎÂ ‚ÍÎ˛˜ÂÌËﬂ
ÂÊËÏ‡ Û‰‡ÎÂÌËﬂ.
Ç˚·ÂËÚÂ ÏÂÎÓ‰Ë˛ ‰Îﬂ Û‰‡ÎÂÌËﬂ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ «FORMAT/DEL».)
ì‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [FILE], Ì‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍË
[–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ‰Îﬂ Û‰‡ÎÂÌËﬂ. ç‡ ‰ËÒÔÎÂÈ
‚˚‚Ó‰ﬂÚÒﬂ ÚË ÚËÔ‡ Ù‡ÈÎÓ‚ ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓﬂ‰ÍÂ:
•Axx ......Ù‡ÈÎ˚ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ;
•Sxx ......ÏÂÎÓ‰ËË SMF;
•xxx ......‚ÌÂ¯ÌËÂ ÏÂÎÓ‰ËË (ÍÓÏÏÂ˜ÂÒÍË ‡ÒÔÓÒÚ‡ÌﬂÂÏ˚Â
ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ì‡
ÍÓÏÔ¸˛ÚÂÂ).
2.
VOICE
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
Ç˚‚Ó‰ﬂÚÒﬂ ÚÓÎ¸ÍÓ ÚÂ Ù‡ÈÎ˚, ÍÓÚÓ˚Â
ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚Â.
èêàåÖóÄçàÖ
çÂÎ¸Áﬂ Û‰‡ÎËÚ¸ ÒÎÂ‰Û˛˘ËÂ ÚËÔ˚
ÏÂÎÓ‰ËÈ. ÖÒÎË ‚˚ ÔÓÔ˚Ú‡ÂÚÂÒ¸
Û‰‡ÎËÚ¸ Ú‡ÍÛ˛ ÏÂÎÓ‰Ë˛, Ì‡ ‰ËÒÔÎÂÂ
ÔÓﬂ‚ËÚÒﬂ «Pro» (á‡˘Ë˘ÂÌÓ).
• á‡˘Ë˘ÂÌÌ˚Â ÏÂÎÓ‰ËË
(‡Ò¯ËÂÌËÂ: Cxx, Exx ËÎË SME)
• åÂÎÓ‰ËË DOC (Disk Orchestra
Collection)
• åÂÎÓ‰ËË Disklavier Piano Soft
èêàåÖóÄçàÖ
çÓÏÂ‡ ÏÂÎÓ‰ËÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
Ù‡ÈÎÓ‚ (Axx) Ë ÏÂÎÓ‰ËÈ SMF (Sxx)
ﬂ‚Îﬂ˛ÚÒﬂ ÙËÍÒËÓ‚‡ÌÌ˚ÏË, Ëı ÌÂÎ¸Áﬂ
ËÁÏÂÌËÚ¸ ÔÛÚÂÏ Û‰‡ÎÂÌËﬂ Ù‡ÈÎÓ‚.
é‰Ì‡ÍÓ ÌÓÏÂ‡ ÏÂÎÓ‰ËÈ ‚ÌÂ¯ÌËı
Ù‡ÈÎÓ‚ ÌÂ ÙËÍÒËÛ˛ÚÒﬂ Ë ÏÓ„ÛÚ
ÏÂÌﬂÚ¸Òﬂ ÔÛÚÂÏ Û‰‡ÎÂÌËﬂ Ù‡ÈÎÓ‚.
CLP240E.book Page 39 Wednesday, April 6, 2005 4:02 PM
ê‡·ÓÚ‡ Ò ÏÂÎÓ‰ËﬂÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
îÓÏ‡ÚËÓ‚‡ÌËÂ USB-ÛÒÚÓÈÒÚ‚‡
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
1 3
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1 2
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
ÇÍÎ˛˜ËÚÂ ÂÊËÏ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ «FORMAT/DEL».)
ì‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [FILE], Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
[–/NO] Ë [+/YES]. äÓ„‰‡ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ «For» (îÓÏ‡ÚËÓ‚‡ÌËÂ),
ÓÚÔÛÒÚËÚÂ ÍÌÓÔÍÛ [FILE], ˜ÚÓ·˚ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ËÎËÒ¸ ÒËÏ‚ÓÎ˚
«n y» (ÌÂÚ/‰‡).
2.
Ç˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆË˛ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ
èÓÒÎÂ ÔÓﬂ‚ÎÂÌËﬂ Ì‡ ‰ËÒÔÎÂÂ «n y» (ÌÂÚ/‰‡) Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE].
èÓÒÎÂ ÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓﬂ‚ﬂÚÒﬂ Ì‡ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚
‚˚ ÒÏÓ„ÎË ÔÓ‰Ú‚Â‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[+/YES].
ÖÒÎË ÌÂ ıÓÚËÚÂ ÙÓÏ‡ÚËÓ‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO].
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
3.
Ç˚È‰ËÚÂ ËÁ ÂÊËÏ‡ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË, ÌÂÒÍÓÎ¸ÍÓ ‡Á
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE]. (àÌ‰ËÍ‡ÚÓ FILE ÔÓ„‡ÒÌÂÚ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
39
CLP240E.book Page 40 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ
á‡ÔËÒ‡ÌÌ˚Â ËÎË ÍÓÏÏÂ˜ÂÒÍË ‡ÒÔÓÒÚ‡ÌﬂÂÏ˚Â ÏÂÎÓ‰ËË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Á‡ÔËÒË
(ÒÚ. 29 – 34). é‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë¯‡ı.
•50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ (CLP-240/230)....ÒÚ. 15
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
•èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚÂ
(CLP-240/230) ...............................................................ÒÚ. 41
èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ ËÌÒÚÛÏÂÌÚ Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Á‡ÔËÒË (ÒÚ. 29).
•èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ Ù‡ÈÎ˚ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 42
èÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÂ Ù‡ÈÎ˚ Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ,
ÒÓı‡ÌÂÌÌ˚Â Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (ÒÚ. 35).
èêàåÖóÄçàÖ
çÂÎ¸Áﬂ ‚˚·Ë‡Ú¸ ÏÂÎÓ‰ËË ‚
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏÂ (ÒÚ. 14) ËÎË
‚Ó ‚ÂÏﬂ ÓÔÂ‡ˆËÈ Ò Ù‡ÈÎ‡ÏË (ÒÚ. 35).
èêàåÖóÄçàÖ
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÏÂÎÓ‰ËÈ,
ÒÓ‰ÂÊ‡˘Ëı ‡ÁÎË˜Ì˚Â ÚÂÏ·˚ ËÎË
Ô‡ÚËË (Ì‡ÔËÏÂ, ÏÂÎÓ‰ËË XG ËÎË GM),
˝ÚË ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔ‡‚ËÎ¸ÌÓ
ËÎË ÌÂ Ú‡Í, Í‡Í Á‡‰ÛÏ˚‚‡ÎÓÒ¸
ÔÂ‚ÓÌ‡˜‡Î¸ÌÓ. ùÚÓ ÏÓÊÌÓ ËÒÔ‡‚ËÚ¸
ËÎË Ò‰ÂÎ‡Ú¸ Á‚ÛÍ ·ÓÎÂÂ ÂÒÚÂÒÚ‚ÂÌÌ˚Ï,
ËÁÏÂÌË‚ Ì‡ÒÚÓÈÍÛ Song Channel
Selection (Ç˚·Ó Í‡Ì‡Î‡ ÏÂÎÓ‰ËË)
(ÒÚ. 51) Ì‡ «1&2», ˜ÚÓ·˚
‚ÓÒÔÓËÁ‚Ó‰ËÎËÒ¸ ÚÓÎ¸ÍÓ Í‡Ì‡Î˚ 1 Ë 2.
èêàåÖóÄçàÖ
•åÂÎÓ‰ËË SMF Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43
åÂÎÓ‰ËË SMF Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ, ˝ÍÒÔÓÚËÓ‚‡ÌÌ˚Â Ì‡
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (ÒÚ. 35).
•ÇÌÂ¯ÌËÂ ÏÂÎÓ‰ËË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43
äÓÏÏÂ˜ÂÒÍË ‡ÒÔÓÒÚ‡ÌﬂÂÏ˚Â ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË,
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ì‡ ÍÓÏÔ¸˛ÚÂÂ Ë Ú.‰., ı‡Ìﬂ˘ËÂÒﬂ Ì‡
USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 999 ÏÂÎÓ‰ËÈ (ÌÓÏÂ‡ 001-999).
•ÇÌÂ¯ÌËÂ ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚÂ (CLP-240/230).............ÒÚ. 41
åÂÎÓ‰ËË, ÔÂÂÌÂÒÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ (‚ÍÎ˛˜‡ﬂ ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌﬂÂÏ˚Â ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ì‡
ÍÓÏÔ¸˛ÚÂÂ). ë ÔÓÏÓ˘¸˛ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ Musicsoft
Downloader ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÂÂÌÂÒÚË (ÒÓı‡ÌËÚ¸) Ì‡ ËÌÒÚÛÏÂÌÚÂ.
ùÚË ÏÂÎÓ‰ËË ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ Ó·Î‡ÒÚË ‚ÒÚÓÂÌÌÓÈ Ô‡ÏﬂÚË ÓÚ‰ÂÎ¸ÌÓ ÓÚ
Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ ÏÓÊÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 255 ÏÂÎÓ‰ËÈ (ÌÓÏÂ‡ 001-255).
ÖÒÎË ÏÂÎÓ‰Ë˛ ÌÂÎ¸Áﬂ ‚˚·‡Ú¸ ËÎË
Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ, ÔË‰ÂÚÒﬂ
ËÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍÛ Character Code
(ç‡·Ó ÒËÏ‚ÓÎÓ‚) (ÒÚ. 55).
èêàåÖóÄçàÖ
Ñ‡ÌÌ˚Â ÏÂÎÓ‰ËÈ ÌÂ ÔÂÂ‰‡˛ÚÒﬂ ˜ÂÂÁ
‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚ 3 – 16
ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë
ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ
·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ ˜ÂÂÁ ‡Á˙ÂÏ˚
MIDI ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Song
Channel Selection (ÒÚ. 51).
èêàåÖóÄçàÖ
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Í‡Ì‡Î˚ ‚ ÏÂÎÓ‰ËË
·Û‰ÛÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡
ÍÌÓÔÍ‡ÏË [RIGHT] Ë [LEFT]. í‡Í, ÍÌÓÔÍÛ
[RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡ Ô‡ÚËÂÈ,
ÓÚÎË˜ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡ ÍÌÓÔÍÛ [LEFT] –
Á‡ Ô‡ÚËÂÈ, ÓÚÎË˜ÌÓÈ ÓÚ Í‡Ì‡Î‡ 2.
èêàåÖóÄçàÖ
ÑÎﬂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
Í‡Ú‡ÎÓ„Ë Ô‡ÔÓÍ Ì‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ
·Û‰ÛÚ ‡ÒÔÓÁÌ‡‚‡Ú¸Òﬂ Ì‡ ‰‚Ûı ÛÓ‚Ìﬂı.
é‰Ì‡ÍÓ ˝ÚË ÛÓ‚ÌË ÌÂ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡
‰ËÒÔÎÂÈ, Ì‡ ÌÂÏ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ
ÌÓÏÂ‡ 001-999, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÛÓ‚Ìﬂ,
Ì‡ ÍÓÚÓÓÏ ÒÓ‰ÂÊËÚÒﬂ ÏÂÎÓ‰Ëﬂ.
îÓÏ‡Ú˚ ÒÂÍ‚ÂÌˆËË, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚Â Ì‡ CLP-240/230
• SMF (ÒÚ‡Ì‰‡ÚÌ˚È MIDI-Ù‡ÈÎ), Formats 0 Ë 1
îÓÏ‡Ú SMF – Ó‰ËÌ ËÁ Ì‡Ë·ÓÎÂÂ ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ ÒÓ‚ÏÂÒÚËÏ˚ı
ÙÓÏ‡ÚÓ‚ ‰Îﬂ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÒÂÍ‚ÂÌˆËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚Ë‰‡ ˝ÚÓ„Ó
ÙÓÏ‡Ú‡: Format 0 Ë Format 1. ÅÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚
ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓÏ‡ÚÓÏ SMF Format 0, ‡ ·ÓÎ¸¯ËÌÒÚ‚Ó ÍÓÏÏÂ˜ÂÒÍË
‡ÒÔÓÒÚ‡ÌﬂÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ‚ ÚÓÏ ÊÂ ÙÓÏ‡ÚÂ. îÓÏ‡Ú
SMF ‰Îﬂ Ù‡ÈÎÓ‚ ÒÂÍ‚ÂÌˆËÈ ÔÓÁ‚ÓÎﬂÂÚ Ó·ÏÂÌË‚‡Ú¸Òﬂ ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ
ÏÂÊ‰Û ‡ÁÎË˜Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ, Á‡ÔËÒ‡ÌÌ˚Â Ì‡
CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF Format 0.
• ESEQ
ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚ÂÌˆËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË
Yamaha, ‚ÍÎ˛˜‡ﬂ ÒÂË˛ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓÏ‡Ú,
ÍÓÚÓ˚È ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‡ÁÌ˚Ï ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔÂ˜ÂÌËÂÏ Yamaha.
Ç ÙÓÏ‡ÚÂ ESEQ Ì‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÚÓÎ¸ÍÓ Ù‡ÈÎ˚
DOC (Disk Orchestra Collection) Ë ÏÂÎÓ‰ËË Disklavier Piano Soft.
40
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ËÒÔÓÎ¸ÁÓ‚‡ÎÒﬂ ÏÂÚÓÌÓÏ, ÔÓ
ÓÍÓÌ˜‡ÌËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÓÌ
ÓÚÍÎ˛˜ËÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔË
ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËﬂ ·˚Î
ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ
Â‚Â·Â‡ˆËË ËÁÏÂÌËÚÒﬂ Í‡Í ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, Ú‡Í Ë ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
ÖÒÎË ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔË
ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËﬂ ·˚Î
ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ
Â‚Â·Â‡ˆËË ËÁÏÂÌËÚÒﬂ Í‡Í ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, Ú‡Í Ë ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚.
CLP240E.book Page 41 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
Ë ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ
32 1
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
CHURCH
ORGAN
JAZZ
ORGAN
E.PIANO
1
STRINGS
E.PIANO
2
CHOIR
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ USER). á‡ÚÂÏ
Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎÓ‰Ë˛.
åÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ‚˚‚Ó‰ﬂÚÒﬂ ‚ ‚Ë‰Â «Uxx*», ‡ ‚ÌÂ¯ÌËÂ
ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚÂ – ‚ ‚Ë‰Â «xxx*».
*ëËÏ‚ÓÎ «U» ‚ ËÏÂÌË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÈ ÏÂÎÓ‰ËË ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëﬂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ. ëËÏ‚ÓÎ˚ «xx» ÔÂ‰ÒÚ‡‚Îﬂ˛Ú ÌÓÏÂ ÏÂÎÓ‰ËË.
2.
á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [PLAY/PAUSE].
ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÌÓÏÂ ÚÂÍÛ˘Â„Ó
Ú‡ÍÚ‡.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â ‰Îﬂ Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÌÂÚ ‰‡ÌÌ˚ı, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËË
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÌÂ‚ÓÁÏÓÊÌÓ.
èêàåÖóÄçàÖ
• ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡ ÍÎ‡‚Ë¯‡ı.
à„‡Ú¸ ÏÓÊÌÓ ‚ ÚÂÏ·Â, ÓÚÎË˜ÌÓÏ ÓÚ ÚÂÏ·‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ,
‚˚·‡‚ ÚÂÏ· Ì‡ Ô‡ÌÂÎË.
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË
ÑÎﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓÎ¸ÁÛÈÚÂ ÔÓÎÁÛÌÓÍ [MASTER VOLUME].
ç‡ÒÚÓÈÍ‡ ÚÂÏÔ‡
ÑÎﬂ Ì‡ÒÚÓÈÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] . ÇÓÁ‚‡Ú Í ÚÂÏÔÛ ÏÂÎÓ‰ËË ÔÓ
ÛÏÓÎ˜‡ÌË˛ ÔÓËÒıÓ‰ËÚ ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÓÍ [▼]
Ë [▲] .
3.
åÓÊÌÓ Ú‡ÍÊÂ Ë„‡Ú¸ ‰Û˝ÚÓÏ Ò Ò‡ÏËÏ
ÒÓ·ÓÈ, Á‡ÔËÒ‡‚ Ó‰ÌÛ Ô‡ÚË˛ ‰Û˝Ú‡ ËÎË
ÏÂÎÓ‰Ë˛ ‰Îﬂ ‰‚Ûı ÙÓÚÂÔ¸ﬂÌÓ, ‡
Á‡ÚÂÏ Ë„‡Ú¸ Ó‰ÌÛ ˜‡ÒÚ¸
Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ, ÔÓÍ‡ Ë‰ÂÚ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌÓ„Ó.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ËÌÒÚÛÏÂÌÚÂ ËÏÂ˛ÚÒﬂ ‚ÌÂ¯ÌËÂ
ÏÂÎÓ‰ËË, ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡.
ALL: èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÂı ‚ÌÂ¯ÌËı
ÏÂÎÓ‰ËÈ.
rnd: çÂÔÂ˚‚ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
‚ÒÂı ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ
ÔÓﬂ‰ÍÂ.
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
äÓ„‰‡ ÏÂÎÓ‰Ëﬂ Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ, Clavinova ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ Ë Ì‡ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
ÏÂÎÓ‰Ë˛ Ì‡ ÒÂÂ‰ËÌÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ Ú‡ÍÊÂ
ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ [PLAY/PAUSE] Ì‡ Ô‡ÌÂÎË
SONG.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
41
CLP240E.book Page 42 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ù‡ÈÎÓ‚ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
321
REC
MIN
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
12
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
èêàåÖóÄçàÖ
á‡„ÛÁËÚÂ Ù‡ÈÎ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÈ ÏÂÎÓ‰ËË Ò USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÓ‰ÍÎ˛˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓ
«LOAD»). ì‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ [FILE], Ì‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍË
[–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÈ ÏÂÎÓ‰ËË (Axx*).
èÓÒÎÂ ÓÒ‚Ó·ÓÊ‰ÂÌËﬂ ÍÌÓÔÍË [FILE] , ÍÓ„‰‡ Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ﬂÚÒﬂ
ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡), Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ Ì‡˜‡Ú¸
Á‡„ÛÁÍÛ. äÓ„‰‡ Ì‡˜ÌÂÚÒﬂ Á‡„ÛÁÍ‡, Ì‡ ‰ËÒÔÎÂÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ
ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÚËÂ, ÛÍ‡Á˚‚‡˛˘ËÂ, ˜ÚÓ ‰‡ÌÌ˚Â Á‡„ÛÊ‡˛ÚÒﬂ ‚
ËÌÒÚÛÏÂÌÚ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO].
* ëËÏ‚ÓÎ «A» ÓÁÌ‡˜‡ÂÚ «All» (ÇÒÂ) – ‚ÒÂ ÚË ÏÂÎÓ‰ËË ÒÓı‡ÌÂÌ˚ ‚ ËÌÒÚÛÏÂÌÚÂ Í‡Í
ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ. ëËÏ‚ÓÎ˚ «xx» ÔÂ‰ÒÚ‡‚Îﬂ˛Ú ÌÓÏÂ Ù‡ÈÎ‡.
ÇçàåÄçàÖ!
èË Á‡„ÛÁÍÂ Ù‡ÈÎÓ‚ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı ÏÂÎÓ‰ËÈ ÚË ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ‚ ËÌÒÚÛÏÂÌÚÂ ·Û‰ÛÚ
ÔÂÂÁ‡ÔËÒ‡Ì˚. ÖÒÎË ‚˚ ÌÂ ıÓÚËÚÂ Ëı ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸, ÔÂÂ‰ Á‡„ÛÁÍÓÈ ÒÓı‡ÌËÚÂ Ëı Ì‡ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
ÇçàåÄçàÖ!
ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ) çÖ
ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË
Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
2.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ ‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË, ‰‚‡Ê‰˚ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [FILE]. á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒﬂ
ËÌ‰ËÍ‡ÚÓ USER) Ë ÍÌÓÔÍË [–/NO] [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎÓ‰Ë˛
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ.
3.
á‡ÔÛÒÍ Ë ÓÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, ÔÂ‰ÒÚ‡‚ÎÂÌÌ˚Â Ì‡ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ë ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 41.
42
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
î‡ÈÎ˚, ÌÂ ÒÓ‰ÂÊ‡˘ËÂ ‰‡ÌÌ˚ı, ÌÂ
ÓÚÓ·‡Ê‡˛ÚÒﬂ.
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÂËÏÂÌÓ‚‡Ú¸ ÏÂÎÓ‰Ë˛
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ò ÍÓÏÔ¸˛ÚÂ‡, ÂÂ ÌÂÎ¸Áﬂ
·Û‰ÂÚ Á‡„ÛÁËÚ¸.
CLP240E.book Page 43 Wednesday, April 6, 2005 4:02 PM
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ SMF Ë ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ Ò
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240)
2
REC
MIN
1
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
MAX
1
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË
ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÓ‰ÍÎ˛˜ÂÌÓ
Í ËÌÒÚÛÏÂÌÚÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„Ó‡ÂÚÒﬂ
ËÌ‰ËÍ‡ÚÓ «USB»). á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [–/NO] ËÎË [+/YES],
˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎÓ‰Ë˛. åÂÎÓ‰ËË SMF ‚˚‚Ó‰ﬂÚÒﬂ ‚ ‚Ë‰Â «Sxx*»,
‡ ‚ÌÂ¯ÌËÂ ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚÂ – ‚ ‚Ë‰Â «xxx*».
*ëËÏ‚ÓÎ «S» ‚ ËÏÂÌË ÏÂÎÓ‰ËË SMF ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëﬂ SMF. ëËÏ‚ÓÎ˚ «xx»
ÔÂ‰ÒÚ‡‚Îﬂ˛Ú ÌÓÏÂ ÏÂÎÓ‰ËË.
èÓ‚ÚÓ ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
Select «ALL»: ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
Select «rnd»: ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓﬂ‰ÍÂ.
2.
á‡ÔÛÒÍ Ë ÓÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, ÔÂ‰ÒÚ‡‚ÎÂÌÌ˚Â Ì‡ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ë ‚ÌÂ¯ÌËı ÏÂÎÓ‰ËÈ» Ì‡ ÒÚ. 41.
èÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ô‡ÚËË
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÏÂÎÓ‰Ë˛ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova,
ËÌ‰ËÍ‡ÚÓ˚ Ô‡ÚËÈ, Ì‡ ÍÓÚÓ˚ı ÂÒÚ¸ ‰‡ÌÌ˚Â
( [RIGHT] [LEFT] ËÎË Ó·‡), „ÓﬂÚ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó,
Ë„‡˛Ú Ì‡ Clavinova ËÎË ÌÂÚ, Ì‡Ê‡ÚËÂ ˝ÚËı ÍÌÓÔÓÍ Ô‡ÚËÈ ‚˚ÍÎ˛˜‡ÂÚ
ËÌ‰ËÍ‡ÚÓ˚, Ë ‰‡ÌÌ˚Â ˝ÚËı Ô‡ÚËÈ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÌÂ ·Û‰ÛÚ.
ç‡Ê‡ÚËÂ ÍÌÓÔÓÍ ÔÓÔÂÂÏÂÌÌÓ ‚ÍÎ˛˜‡ÂÚ Ë ÓÚÍÎ˛˜‡ÂÚ Ô‡ÚËË.
Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡
ÍÎ‡‚Ë¯‡ı (Sync Start)
Ç˚ ÏÓÊÂÚÂ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Í‡Í ÚÓÎ¸ÍÓ Ì‡˜ÌÂÚÂ Ë„‡Ú¸ Ì‡
ÍÎ‡‚Ë¯‡ı. ùÚÓ Ì‡Á˚‚‡ÂÚÒﬂ ÙÛÌÍˆËÂÈ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡ «Sync Start».
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[PLAY/PAUSE], Û‰ÂÊË‚‡ﬂ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÛ SONG [STOP]. àÌ‰ËÍ‡ÚÓ SONG
[PLAY/PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏ ÁÌ‡˜ÂÌËÂÏ ÚÂÏÔ‡.
(óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡, ÔÓ‚ÚÓËÚÂ ÔÂ‰˚‰Û˘ËÂ ‰ÂÈÒÚ‚Ëﬂ.)
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ì‡˜ÌÂÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ Ì‡ ÍÎ‡‚Ë¯‡ı.
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÎÂÁÌ‡, ÂÒÎË ‚˚ ıÓÚËÚÂ ÒËÌıÓÌËÁËÓ‚‡Ú¸ Ì‡˜‡ÎÓ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ò Ì‡˜‡ÎÓÏ Ò‚ÓÂÈ Ë„˚.
èêàåÖóÄçàÖ
è‡ÚËË ÏÓÊÌÓ ÓÚÍÎ˛˜‡Ú¸ Ë ‚ÍÎ˛˜‡Ú¸
‰Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ËÎË ‚Ó ‚ÂÏﬂ ÌÂ„Ó.
èêàåÖóÄçàÖ
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ˜‡ÒÚË
ÏÂÎÓ‰ËË, ‰Îﬂ ÍÓÚÓÓÈ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÓÚÍÎ˛˜ÂÌÓ (ÒÚ. 17, 52).
íÖêåàçéãéÉàü
Sync:
é‰ÌÓ‚ÂÏÂÌÌ˚È, Ì‡˜ËÌ‡˛˘ËÈÒﬂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ
á‡ÍÂÔÎÂÌËÂ Á‡ ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛ ÙÛÌÍˆËË ÍÌÓÔÍË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ/Ô‡ÛÁ˚
èË ÔÓÏÓ˘Ë ÙÛÌÍˆËË «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ë Ô‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË» (ÒÚ. 51) Á‡
ÎÂ‚ÓÈ ÔÂ‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Ë Ô‡ÛÁ˚. ùÚÓ Û‰Ó·ÌÓ
‰Îﬂ Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËË ‚ Î˛·ÓÈ ÏÓÏÂÌÚ ÔÓÒÎÂ Ì‡˜‡Î‡ Ë„˚.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
43
CLP240E.book Page 44 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
óÚÓ·˚ Ì‡ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ÏÓÊÌÓ Á‡‰‡‚‡Ú¸
‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚, Ì‡ÔËÏÂ: ÚÓ˜ÌÛ˛ Ì‡ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚ÛÍ‡, ‚˚·Ó ÒÚÓﬂ Ë Ú.‰.
ÑÓÒÚÛÔÌ˚ ÒÎÂ‰Û˛˘ËÂ Ô‡‡ÏÂÚ˚:
Ç CLP-240 ÂÒÚ¸ ‰Â‚ﬂÚ¸ ÓÒÌÓ‚Ì˚ı ÙÛÌÍˆËÈ, ‡ ‚ CLP-230 – ‚ÓÒÂÏ¸.
ì ÌÂÍÓÚÓ˚ı ËÁ ˝ÚËı ÙÛÌÍˆËÈ ÂÒÚ¸ ‡ÁÎË˜Ì˚Â ÔÓ‰ÂÊËÏ˚.
ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚
îÛÌÍˆËﬂ
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡
—
Ç˚·Ó ÒÚÓﬂ
ëÚÓÈ
îÛÌÍˆËË ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
îÛÌÍˆËË ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
ÑÛ„ËÂ ÙÛÌÍˆËË
CLP-240
CLP-230
ëÚ‡ÌËˆ‡
F1
F1
47
F2.1
F2.1
48
éÒÌÓ‚Ì‡ﬂ ÌÓÚ‡
F2.2
F2.2
48
Å‡Î‡ÌÒ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
F3.1
F3.1
49
àÁÏÂÌÂÌËÂ ˜‡ÒÚÓÚ ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ
F3.2
F3.2
49
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÚÂÏ·‡ 1 Ì‡ ÓÍÚ‡‚Û
F3.3
F3.3
49
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÚÂÏ·‡ 2 Ì‡ ÓÍÚ‡‚Û
F3.4
F3.4
49
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÚÂÏ·‡ 1
F3.5
F3.5
49
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÚÂÏ·‡ 2
F3.6
F3.6
49
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ
F3.7
F3.7
49
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
F4.1
—
50
ìÒÚ‡ÌÓ‚ÎÂÌËÂ ·‡Î‡ÌÒ‡ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
F4.2
—
50
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ Ô‡‚Ó„Ó ÚÂÏ·‡ Ì‡ ÓÍÚ‡‚Û
F4.3
—
50
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÎÂ‚Ó„Ó ÚÂÏ·‡ Ì‡ ÓÍÚ‡‚Û
F4.4
—
50
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ Ô‡‚Ó„Ó ÚÂÏ·‡
F4.5
—
50
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡
F4.6
—
50
ÑË‡Ô‡ÁÓÌ Ô‡‚ÓÈ ÔÂ‰‡ÎË
F4.7
—
50
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ
F4.8
—
50
êÂÊËÏ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
F5.1
F4.1
51
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
F5.2
F4.2
51
ÉÎÛ·ËÌ‡ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ‡
F5.3
—
51
ÉÓÏÍÓÒÚ¸ Ò˝ÏÔÎ‡ ÓÚÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë¯Ë
F5.4
—
51
Ç˚·Ó Í‡Ì‡Î‡ ÏÂÎÓ‰ËË
F5.5
F4.3
51
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡
—
F6
F5
52
ÉÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË
—
F7
F6
52
îÛÌÍˆËË MIDI
Ç˚·Ó Í‡Ì‡Î‡ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı MIDI
F8.1
F7.1
52
Ç˚·Ó Í‡Ì‡Î‡ ÔËÂÏ‡ ‰‡ÌÌ˚ı MIDI
F8.2
F7.2
53
îÛÌÍˆËﬂ Local ON/OFF
F8.3
F7.3
53
àÁÏÂÌÂÌËÂ ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF
F8.4
F7.4
53
îÛÌÍˆËﬂ Control Change ON/OFF
F8.5
F7.5
53
èÂÂ‰‡˜‡ ÒÓÒÚÓﬂÌËﬂ Ô‡ÌÂÎË (Panel/Status Transmit)
F8.6
F7.6
54
îÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ
ç‡·Ó ÒËÏ‚ÓÎÓ‚
44
èÓ‰ÂÊËÏ
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Initial Setup Send
F8.7
F7.7
54
íÂÏ·
F9.1
F8.1
55
MIDI
F9.2
F8.2
55
ç‡ÒÚÓÈÍ‡
F9.3
F8.3
55
ÑÛ„ËÂ
F9.4
F8.4
55
—
F9.5
F8.5
55
CLP240E.book Page 45 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
éÒÌÓ‚Ì˚Â ‰ÂÈÒÚ‚Ëﬂ ‚ ÂÊËÏÂ Function
ÑÎﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÙÛÌÍˆËÈ ‚˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ.
(ÖÒÎË, ËÒÔÓÎ¸ÁÛﬂ ÙÛÌÍˆË˛, ‚˚ ÌÂ ÁÌ‡ÂÚÂ, ˜ÚÓ Ì‡‰Ó Ò‰ÂÎ‡Ú¸, ‚ÂÌËÚÂÒ¸ Í ˝ÚÓÈ ÒÚ‡ÌËˆÂ Ë ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò
ÓÒÌÓ‚Ì˚ÏË ‰ÂÈÒÚ‚ËﬂÏË.)
1 5
REC
MIN
MAX
ON/OFF
LEFT
RIGHT
STOP
PLAY/PAUSE
ON
USB
USER
PRESET
SAVE/EXP.
LOAD
FORMAT/DEL.
TEMPO
FUNCTION #
34
24
TEMPO/OTHER VALUE
METRONOME
– / NO
+ / YES
GRAND
PIANO 1
GRAND
PIANO 2
E.PIANO
1
E.PIANO
2
HARPSICHORD
E.CLAVICHORD
VIBRAPHONE
VARIATION
CHURCH
ORGAN
JAZZ
ORGAN
STRINGS
CHOIR
GUITAR
WOOD
BASS
E.BASS
SPLIT
BRIGHT
NORMAL
MELLOW
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
ROTARY SP
HARD
MEDIUM
SOFT
ON
SYNC START
MASTER VOLUME
DEMO
TRANSPOSE
SONG
SONG SELECT FILE
TEMPO / FUNCTION #
VOICE
BRILLIANCE REVERB
EFFECT
TOUCH
DDE
CLP-240
ÑÂÈÒÚ‚Ëﬂ
1.
ÇÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ Function
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] , ˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ÂÂ ËÌ‰ËÍ‡ÚÓ
[FUNCTION#].
ç‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ
. (àÌ‰ËÍ‡ÚÓ « » ËÁÏÂÌﬂÂÚÒﬂ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓﬂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ Ë ÓÚ ÒÔÓÒÓ·‡ Â„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.)
2.
Ç˚·ÂËÚÂ ÙÛÌÍˆË˛
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡ ËÁ ÙÛÌÍˆËÈ
F1–F9 (CLP-240) / F1–F8 (CLP-230)..
èêàåÖóÄçàÖ
îÛÌÍˆËË ÌÂÎ¸Áﬂ ‚˚·‡Ú¸ ‚ ÂÊËÏÂ
‰ÂÏÓÌÒÚ‡ˆËË, ‚˚·Ó‡ ÏÂÎÓ‰ËË Ë
‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË (CLP-240) ËÎË ÂÒÎË
‡·ÓÚ‡ÂÚ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ.
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛ Ì‡ ¯‡„Â 2, 3,
ËÎË 4, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/
FUNCTION# ▼, ▲] ‰Îﬂ ‚˚ıÓ‰‡ ËÁ
ÂÊËÏ‡ Function.
TEMPO
FUNCTION #
TEMPO / FUNCTION #
3.
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [–/NO] [+/YES]
ÖÒÎË Û ÙÛÌÍˆËÈ ÌÂÚ ÔÓ‰ÂÊËÏÓ‚, Ì‡˜ÌËÚÂ ÛÒÚ‡ÌÓ‚ÍÛ Ô‡‡ÏÂÚÓ‚.
ÖÒÎË Û ÙÛÌÍˆËË ÂÒÚ¸ ÔÓ‰ÂÊËÏ˚, ‰Îﬂ ‚˚ıÓ‰‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
ÔÓ‰ÂÊËÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
4.
èêàåÖóÄçàÖ
èÓÒÎÂ ‚˚·Ó‡ ÙÛÌÍˆËË ÔÂ‚˚È ‡Á
Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] – Ì‡
‰ËÒÔÎÂÂ ÔÓﬂ‚ËÚÒﬂ ÚÂÍÛ˘‡ﬂ Ì‡ÒÚÓÈÍ‡.
Ç˚ÔÓÎÌËÚÂ ÓÔÂ‡ˆËË Ò ÌÛÊÌÓÈ ÙÛÌÍˆËÂÈ ÔË ÔÓÏÓ˘Ë
‰‚Ûı ÒÎÂ‰Û˛˘Ëı ÍÌÓÔÓÍ
1 [TEMPO/FUNCTION# ▼, ▲]
Ç˚·Ó ÌÛÊÌÓÈ ÙÛÌÍˆËË ËÎË ÔÓ‰ÂÊËÏ‡.
2 [–/NO] ËÎË [+/YES]
Ç˚·‡‚ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛ ËÎË ÔÓ‰ÂÊËÏ, ÛÒÚ‡ÌÓ‚ËÚÂ
Ô‡‡ÏÂÚ˚ ON/OFF, ‚˚·ÂËÚÂ ÚËÔ ËÎË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ
ËÁÏÂÌËÚÂ ÁÌ‡˜ÂÌËÂ.
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Ì‡ÒÚÓÈÍÛ ÔÓ ÛÏÓÎ˜‡ÌË˛
(ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÔË ÔÂ‚ÓÏ ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova) ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ÍÌÓÔÍË
[–/NO] Ë [+/YES].
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
45
CLP240E.book Page 46 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
èËÏÂ 2. Ç˚ÔÓÎÌÂÌËÂ ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌÍˆËÂÈ F1. «íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡»
TEMPO
FUNCTION #
TEMPO / FUNCTION #
TEMPO
FUNCTION #
– / NO
+ / YES
TEMPO / FUNCTION #
èËÏÂ 2. Ç˚ÔÓÎÌÂÌËÂ ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌÍˆËÂÈ F3.1 «Å‡Î‡ÌÒ ‚ ÂÊËÏÂ Dual»
5.
èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ‡·ÓÚ˚ Ò ÙÛÌÍˆËÂÈ, ‚˚È‰ËÚÂ ËÁ ÂÊËÏ‡
ÙÛÌÍˆËË
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#]. á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ [TEMPO].
46
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 47 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
éÔËÒ‡ÌËÂ ÙÛÌÍˆËÈ
èêàåÖóÄçàÖ
F1. íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡.
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÎÂÁÌ‡, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ
Clavinova Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓÊ‰ÂÌËË ‰Û„Ëı
ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒÍ‡.
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. äÌÓÔÍË [–/NO] Ë [+/YES] ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË
ÔÓÌËÊ‡˛Ú Ë ÔÓ‚˚¯‡˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËﬂ ÍÎ‡‚Ë¯Ë
ãﬂ ÔÂ‚ÓÈ ÓÍÚ‡‚˚ ÔË·ÎËÁËÚÂÎ¸ÌÓ Ì‡ 0,2 Éˆ.
.....
.....
ÑÂÒﬂÚ˚Â ‰ÓÎË „Âˆ‡ ÓÚÏÂ˜‡˛ÚÒﬂ Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ
ËÎË ‰‚Ûı ÚÓ˜ÂÍ (ÒÏ. ÒÎÂ‰Û˛˘ËÈ ÔËÏÂ).
ùÍ‡Ì
ç‡ÒÚÓÈÍÛ ÏÓÊÌÓ Ú‡ÍÊÂ ÔÓËÁ‚Ó‰ËÚ¸ Ò ËÌÚÂ‚‡ÎÓÏ ÔËÏÂÌÓ 1 Éˆ
(ÌÂ ‚ ÂÊËÏÂ Function).
ì‚ÂÎË˜ÂÌËÂ ËÎË ÛÏÂÌ¸¯ÂÌËÂ ‚˚ÒÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ò ËÌÚÂ‚‡ÎÓÏ
1 Éˆ ç‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÎ‡‚Ë¯Ë ãﬂ Ë ãﬂ ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (Í‡ÈÌËÂ
ÒÎÂ‚‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ ÍÎ‡‚Ë¯Ë) ËÎË ÍÎ‡‚Ë¯Ë ãﬂ Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚
(‰‚Â Í‡ÈÌËÂ ÎÂ‚˚Â ·ÂÎ˚Â ÍÎ‡‚Ë¯Ë) Ë ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES].
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ÒÚ‡Ì‰‡ÚÌÓÈ ‚˚ÒÓÚ˚ ç‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÎ‡‚Ë¯Ë
ãﬂ Ë ãﬂ ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (Í‡ÈÌËÂ ÒÎÂ‚‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ ÍÎ‡‚Ë¯Ë) ËÎË
ÍÎ‡‚Ë¯Ë ãﬂ Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚Â Í‡ÈÌËÂ ÎÂ‚˚Â ·ÂÎ˚Â ÍÎ‡‚Ë¯Ë)
Ë ÍÌÓÔÍË [–/NO] [+/YES].
ÇÓ ‚ÂÏﬂ ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â ÔÓˆÂ‰Û˚ ‰ËÒÔÎÂÈ
ÔÓÍ‡Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Éˆ <
…
>. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ÔÓˆÂ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒﬂ
Í ËÒıÓ‰ÌÓÏÛ ÁÌ‡˜ÂÌË˛.
áÌ‡˜ÂÌËÂ
440.0
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
440.2
427,0–453,0 (Éˆ)
440.4
ëÚ‡Ì‰‡ÚÌ‡ﬂ
ÛÒÚ‡ÌÓ‚Í‡:
440.6
440,0 (Éˆ)
440.8
íÖêåàçéãéÉàü
Éˆ („Âˆ)
ÉÂˆ — ˝ÚÓ Â‰ËÌËˆ‡ ËÁÏÂÂÌËﬂ ˜‡ÒÚÓÚ˚ Á‚ÛÍ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ˜ËÒÎÛ
ÍÓÎÂ·‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛÌ‰Û.
èêàåÖóÄçàÖ
åÓÊÌÓ Ú‡ÍÊÂ ÏÂÌﬂÚ¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (ÌÂ ‚ ÂÊËÏÂ
Function).
ì‚ÂÎË˜ÂÌËÂ ‚˚ÒÓÚ˚ (Ò ËÌÚÂ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Éˆ). ç‡ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÎ‡‚Ë¯Ë ãﬂ Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚Â Í‡ÈÌËÂ ÒÎÂ‚‡
·ÂÎ˚Â ÍÎ‡‚Ë¯Ë Ì‡ ÍÎ‡‚Ë‡ÚÛÂ) Ë Î˛·Û˛ ÍÎ‡‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË ÔÂ‚ÓÈ
ÓÍÚ‡‚˚.
ìÏÂÌ¸¯ÂÌËÂ ‚˚ÒÓÚ˚ (Ò ËÌÚÂ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Éˆ). ç‡ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÎ‡‚Ë¯Ë ãﬂ Ë ãﬂ ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (Í‡ÈÌËÂ ÒÎÂ‚‡ ·ÂÎÛ˛ Ë
˜ÂÌÛ˛ ÍÎ‡‚Ë¯Ë) Ë Î˛·Û˛ ÍÎ‡‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË ÔÂ‚ÓÈ ÓÍÚ‡‚˚.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ÒÚ‡Ì‰‡ÚÌÓÈ ‚˚ÒÓÚ˚. ç‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÍÎ‡‚Ë¯Ë ãﬂ Ë ãﬂ ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (Í‡ÈÌËÂ ÒÎÂ‚‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛
ÍÎ‡‚Ë¯Ë) Ë Î˛·Û˛ ÍÎ‡‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË ÔÂ‚ÓÈ ÓÍÚ‡‚˚.
• ì Í‡Ê‰ÓÈ ÍÎ‡‚Ë¯Ë ÂÒÚ¸ Ì‡Á‚‡ÌËÂ ÌÓÚ˚,
Ì‡ÔËÏÂ: Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÍÎ‡‚Ë¯‡
ÍÎ‡‚Ë‡ÚÛ˚ (Í‡ÈÌﬂﬂ ÒÎÂ‚‡) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
ÌÓÚÂ A-1, ‡ Ò‡Ï‡ﬂ ‚˚ÒÓÍ‡ﬂ (Í‡ÈÌﬂﬂ ÒÔ‡‚‡)
– ÌÓÚÂ C7.
ÇÓ ‚ÂÏﬂ ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â ÔÓˆÂ‰Û˚ ‰ËÒÔÎÂÈ
ÔÓÍ‡Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Éˆ <
…
>. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ÔÓˆÂ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒﬂ
Í ËÒıÓ‰ÌÓÏÛ ÁÌ‡˜ÂÌË˛.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
47
CLP240E.book Page 48 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F2. Ç˚·Ó ÒÚÓﬂ
åÓÊÌÓ ‚˚·‡Ú¸ ‡ÁÎË˜Ì˚Â ÒÚÓË.
Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È
ÒÚÓÈ) – ˝ÚÓ Ì‡Ë·ÓÎÂÂ ˜‡ÒÚÓ ËÒÔÓÎ¸ÁÛÂÏ˚È
ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎÓ‰Ë˜ÂÒÍËÈ ÒÚÓÈ ÙÓÚÂÔ¸ﬂÌÓ.
é‰Ì‡ÍÓ ‚ ËÒÚÓËË ÒÛ˘ÂÒÚ‚Ó‚‡ÎÓ ·ÓÎ¸¯ÓÂ
ÍÓÎË˜ÂÒÚ‚Ó ‰Û„Ëı ÒÚÓÂ‚, ÏÌÓ„ËÂ ËÁ ÍÓÚÓ˚ı
ﬂ‚Îﬂ˛ÚÒﬂ ÓÒÌÓ‚ÓÈ ÓÔÂ‰ÂÎÂÌÌ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı
Ê‡ÌÓ‚. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ì‡
ËÌÒÚÛÏÂÌÚÂ Clavinova.
ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
éÍÚ‡‚‡ ‰ÂÎËÚÒﬂ Ì‡ ‰‚ÂÌ‡‰ˆ‡Ú¸ ‡‚Ì˚ı
ËÌÚÂ‚‡ÎÓ‚. ç‡Ë·ÓÎÂÂ ÔÓÔÛÎﬂÌ˚È
ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎÓ‰Ë˜ÂÒÍËÈ ÒÚÓÈ ‰Îﬂ
ÙÓÚÂÔ¸ﬂÌÓ.
óËÒÚ˚È Ï‡ÊÓ\óËÒÚ˚È ÏËÌÓ
éÒÌÓ‚‡Ì Ì‡ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ó·ÂÚÓÌ‡ı, ÚË
Ï‡ÊÓÌ˚ı ‡ÍÍÓ‰‡ ˝ÚÓ„Ó ÒÚÓﬂ ÒÓÁ‰‡˛Ú
ÔÂÍ‡ÒÌ˚È, ˜ËÒÚ˚È Á‚ÛÍ.
èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ (Pythagorean)
ùÚÓÚ ÒÚÓÈ, ‡Á‡·ÓÚ‡ÌÌ˚È ‰Â‚ÌÂ„Â˜ÂÒÍËÏ
ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ, ÓÒÌÓ‚‡Ì Ì‡ ˜ËÒÚÓÈ
Í‚ËÌÚÂ.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚÂˆËﬂ ÌÂÒÚ‡·ËÎ¸Ì‡, ıÓÚﬂ Í‚‡Ú‡
Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂÍ‡ÒÌÓ Ë ÔÓ‰ıÓ‰ﬂÚ ‰Îﬂ
ÌÂÍÓÚÓ˚ı ÏÂÎÓ‰ËÈ.
åÂ‰Ë‡Î¸Ì˚È ÒÚÓÈ (MeanTone)
ùÚÓÚ ÒÚÓÈ ﬂ‚ÎﬂÂÚÒﬂ ÛÎÛ˜¯ÂÌÌ˚Ï ‚‡Ë‡ÌÚÓÏ
ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓﬂ, Ú‡Í Í‡Í ‚ ÌÂÏ ÛÒÚ‡ÌÂÌ‡
ÌÂÒÚ‡·ËÎ¸ÌÓÒÚ¸ ÚÂˆËË. ùÚÓÚ ÒÚÓÈ ·˚Î
ÔÓÔÛÎﬂÂÌ Ò ÍÓÌˆ‡ 16-„Ó ‰Ó ÍÓÌˆ‡ 18-„Ó ‚ÂÍ‡,
ËÏ ÔÓÎ¸ÁÓ‚‡ÎÒﬂ ÉÂÌ‰ÂÎ¸.
ëÚÓÈ ÇÂÍÏÂÈÒÚÂ‡/äËÌ·Â„Â‡
ùÚË ÒÚÓË ﬂ‚Îﬂ˛ÚÒﬂ ÂÁÛÎ¸Ú‡Ú‡ÏË ‡ÁÎË˜Ì˚ı
ÒÓ˜ÂÚ‡ÌËÈ ÒÚÓﬂ MeanTone Ë ÔËÙ‡„ÓÂÈÒÍÓ„Ó
ÒÚÓﬂ. Ç ˝ÚËı ÒÚÓﬂı ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ë
Ó˘Û˘ÂÌËÂ ÓÚ ÏÂÎÓ‰ËÈ ÏÂÌﬂÂÚÒﬂ Ò ÔÓÏÓ˘¸˛
ÏÓ‰ÛÎﬂˆËË. éÌË ˜‡ÒÚÓ ËÒÔÓÎ¸ÁÓ‚‡ÎËÒ¸ ‚ ˝ÔÓıÛ
Å‡ı‡ Ë ÅÂÚıÓ‚ÂÌ‡. Ç Ì‡ÒÚÓﬂ˘ÂÂ ‚ÂÏﬂ Ëı ˜‡ÒÚÓ
ËÒÔÓÎ¸ÁÛ˛Ú Ì‡ ÍÎ‡‚ÂÒËÌÂ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÏÛÁ˚ÍË ÚÓÈ ˝ÔÓıË.
48
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
ÛÒÚ‡ÌÓ‚ÍË ÒÚÓﬂ, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡ ÒÚÓﬂ.
ç‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍË [–/NO] Ë [+/YES] ‰Îﬂ ‚˚·Ó‡
ÌÓÏÂ‡ ÒÚÓﬂ.
èÓ‰ÂÊËÏ˚
F2,1: ëÚÓÈ
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 1: ê‡‚ÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
2: óËÒÚ˚È Ï‡ÊÓ
3: óËÒÚ˚È ÏËÌÓ
4: èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ
(Pythagorean)
5: åÂ‰Ë‡Î¸Ì˚È ÒÚÓÈ
(mean-tone)
6: ëÚÓÈ ÇÂÍÏÂÈÒÚÂ‡
7: ëÚÓÈ äËÌ·Â„Â‡
é·˚˜Ì‡ﬂ Ì‡ÒÚÓÈÍ‡: 1: ê‡‚ÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ
F2.2: éÒÌÓ‚Ì‡ﬂ ÌÓÚ‡
ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚÂ ÌÂ ‡‚ÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ÌÂÓ·ıÓ‰ËÏÓ
ÓÔÂ‰ÂÎËÚ¸ ÚÓÌËÍÛ. (á‡‰‡ÌËÂ ÚÓÌËÍË ‚ ÂÊËÏÂ
‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌÓ„Ó ÒÚÓﬂ ÌÂ
‡·ÓÚ‡ÂÚ. éÒÌÓ‚ÌÛ˛ ÌÓÚÛ ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË
ËÒÔÓÎ¸ÁÓ‚‡ÌËË ‰Û„Ëı ÒÚÓÂ‚.)
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡:
• èËÏÂ Á‡‰‡ÌËﬂ ÚÓÌËÍË
(G)
CLP240E.book Page 49 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F3. îÛÌÍˆËË ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
Ç ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸
‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚ ‰Îﬂ ÛÎÛ˜¯ÂÌËﬂ Ì‡ÒÚÓÂÍ
ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ, Ì‡ÔËÏÂ, ÛÒÚ‡ÌÓ‚ËÚ¸
·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ‰‚ÛÏﬂ ÚÂÏ·‡ÏË.
ç‡ÒÚÓÈÍË ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ‚˚ÔÓÎÌﬂ˛ÚÒﬂ
ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
1. Ç˚·ÂËÚÂ ÚÂÏ·˚ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ, ÔÂÂÈ‰ËÚÂ ‚
ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
Ì‡ÒÚÓÈÍË Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË. ÑÎﬂ ‚˚·Ó‡ ÁÌ‡˜ÂÌËÈ
ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [–/NO] [+/YES].
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ê‡ÁÎË˜Ì‡ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
ëÏÂ˘ÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ÚÂÏ·Ó‚ 1 Ë 2 ÒÓÁ‰‡ÂÚ
·ÓÎÂÂ Ì‡Ò˚˘ÂÌÌ˚È Á‚ÛÍ.
F3.3: í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÚÂÏ·‡ 1 Ì‡ ÓÍÚ‡‚Û
F3.4: í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÚÂÏ·‡ 2 Ì‡ ÓÍÚ‡‚Û
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
–1, 0, 1
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ê‡ÁÎË˜Ì‡ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
Ç˚ÒÓÚÛ ÚÓÌ‡ ÏÓÊÌÓ ÒÏÂ˘‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò
ËÌÚÂ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ ÚÂÏ·Ó‚
1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚
‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ Á‚Û˜‡ÌËÂ ÍÓÏ·ËÌ‡ˆËË
ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òﬂ, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚
Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Ì‡ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ.
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ Ì‡ıÓ‰ËÚÂÒ¸ ÌÂ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚, ‚ÏÂÒÚÓ
ÔÓﬂ‚ËÚÒﬂ
, Ë ‚˚ ÌÂ ÒÏÓÊÂÚÂ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ Ì‡ÒÚÓÈÍË ‚ ÂÊËÏÂ
Ì‡ÎÓÊÂÌËﬂ. åÓÊÌÓ ÔÂÂÍÎ˛˜‡Ú¸Òﬂ ÏÂÊ‰Û ÂÊËÏÓÏ Function Ë ÂÊËÏÓÏ
Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (Dual mode).
èÓ‰ÂÊËÏ˚
F3.1: Å‡Î‡ÌÒ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 0 – 20 (èË ÛÒÚ‡ÌÓ‚ÍÂ
ÁÌ‡˜ÂÌËﬂ «10» Ó·‡ ÚÂÏ·‡ ‚
ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ·Û‰ÛÚ
Á‚Û˜‡Ú¸ Ò Ó‰ËÌ‡ÍÓ‚ÓÈ
„ÓÏÍÓÒÚ¸˛. áÌ‡˜ÂÌËﬂ
ÏÂÌ¸¯Â «10» ·Û‰ÛÚ
Û‚ÂÎË˜Ë‚‡Ú¸ „ÓÏÍÓÒÚ¸
ÚÂÏ·‡ 2 ÔÓ Ò‡‚ÌÂÌË˛
Ò ÚÂÏ·ÓÏ 1, ‡ ÁÌ‡˜ÂÌËﬂ
·ÓÎ¸¯Â «10» Û‚ÂÎË˜Ë‚‡˛Ú
„ÓÏÍÓÒÚ¸ ÚÂÏ·‡ 1 ÔÓ
Ò‡‚ÌÂÌË˛ Ò ÚÂÏ·ÓÏ 2.)
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ê‡ÁÎË˜Ì‡ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ Í‡˜ÂÒÚ‚Â
„Î‡‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ Ïﬂ„ÍÓÈ
ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ.
F3.2: ëÏÂ˘ÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ ÂÊËÏÂ
Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: -10 – 0 – 10 (èË
ÔÓÎÓÊËÚÂÎ¸Ì˚ı ÁÌ‡˜ÂÌËﬂı
‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ‚ÓÁ‡ÒÚ‡ÂÚ,
‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ÔÓÌËÊ‡ÂÚÒﬂ.
èË ÓÚËˆ‡ÚÂÎ¸Ì˚ı ÁÌ‡˜ÂÌËﬂı
‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ÔÓÌËÊ‡ÂÚÒﬂ,
‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ‚ÓÁ‡ÒÚ‡ÂÚ.)
F3.5: ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÚÂÏ·‡ 1
F3.6: ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÚÂÏ·‡ 2
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
0 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ê‡ÁÎË˜Ì‡ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
Ç ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ˝ÚË ÙÛÌÍˆËË
ÔÓÁ‚ÓÎﬂ˛Ú ÓÚ‰ÂÎ¸ÌÓ ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸ „ÎÛ·ËÌÛ
˝ÙÙÂÍÚ‡ ‰Îﬂ ÚÂÏ·Ó‚ 1 Ë 2. è‡‡ÏÂÚ˚
„ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ ÚÓÎ¸ÍÓ
‚ ÂÊËÏÂ [EFFECT]. óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÂÊËÏ
[EFFECT], ÌÂÓ·ıÓ‰ËÏÓ ÒÌ‡˜‡Î‡ ‚˚ÈÚË ËÁ ÂÊËÏ‡
Function.
• è‡‡ÏÂÚ˚ Voice 1 (ÚÂÏ· 1) Ë Voice 2
(ÚÂÏ· 2) ÓÔËÒ‡Ì˚ Ì‡ ÒÚ. 25.
F3.7: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ
ùÚ‡ ÙÛÌÍˆËﬂ ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÁÌ‡˜ÂÌËﬂ ÔÓ
ÛÏÓÎ˜‡ÌË˛ ‰Îﬂ ‚ÒÂı ÙÛÌÍˆËÈ ‚ ÂÊËÏÂ
Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ
ÁÌ‡˜ÂÌËÈ ÔÓ ÛÏÓÎ˜‡ÌË˛ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔﬂÏÓ Í ÙÛÌÍˆËﬂÏ ‚ ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚
,
Ì‡Ê‡‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‰‚Ûı ÚÂÏ·Ó‚.
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function, Ì‡‰Ó Ú‡ÍÊÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ËÌ‰ËÍ‡ÚÓ TEMPO.
èêàåÖóÄçàÖ
óÂÏ ÌËÊÂ ÚÂÏ·, ÚÂÏ ¯ËÂ ‰Ë‡Ô‡ÁÓÌ ‰ÓÔÛÒÚËÏ˚ı ÁÌ‡˜ÂÌËÈ ËÁÏÂÌÂÌËﬂ
‚˚ÒÓÚ˚ (± 60 % ‰Îﬂ ÌÓÚ˚ ãﬂ ÒÛ·ÍÓÌÚÓÍÚ‡‚˚, ± 5 % ‰Îﬂ ÌÓÚ˚ ÑÓ ÔﬂÚÓÈ
ÓÍÚ‡‚˚). (100 ˆÂÌÚÓ‚ ‡‚Ì˚ Ó‰ÌÓÏÛ ÔÓÎÛÚÓÌÛ.)
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
49
CLP240E.book Page 50 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F4. (CLP-240) îÛÌÍˆËË ÂÊËÏ‡ ‡Á‰ÂÎÂÌËﬂ
ÚÂÏ·Ó‚
Ç ˝ÚÓÏ ÏÂÌ˛ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡ÁÎË˜Ì˚Â Ô‡‡ÏÂÚ˚
‰Îﬂ ÂÊËÏ‡ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚.
åÂÌﬂﬂ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ËÎË ‰Û„ËÂ
Ô‡‡ÏÂÚ˚, ÏÓÊÌÓ ‰Ó·ËÚ¸Òﬂ ÓÔÚËÏ‡Î¸ÌÓ„Ó Á‚Û˜‡ÌËﬂ
ËÒÔÓÎÌﬂÂÏÓÈ ÏÂÎÓ‰ËË.
1. Ç˚·ÂËÚÂ ÚÂÏ·˚ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ, ÔÂÂÈ‰ËÚÂ ‚
ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
.
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ
Ì‡ÒÚÓÈÍË ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚. ÑÎﬂ ‚˚·Ó‡ ÁÌ‡˜ÂÌËÈ
ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [–/NO] [+/YES].
èêàåÖóÄçàÖ
ÖÒÎË ÂÊËÏ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ÌÂ ‚ÍÎ˛˜ÂÌ, ‚ÏÂÒÚÓ
ÔÓﬂ‚ËÚÒﬂ
, Ë ‚˚ ÌÂ ÒÏÓÊÂÚÂ ‚˚·‡Ú¸ ÙÛÌÍˆËË ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ
ÚÂÏ·Ó‚. èÂÊ‰Â ˜ÂÏ ÔÂÂıÓ‰ËÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚,
ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function.
èÓ‰ÂÊËÏ˚
F4.1: íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ÇÒﬂ ÍÎ‡‚Ë‡ÚÛ‡
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: F 2
ìÒÚ‡ÌÓ‚ËÚÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÚÓ˜ÍÛ, ‡Á‰ÂÎﬂ˛˘Û˛ Ô‡ÚËË
Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË (ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ). ç‡Ê‡Ú‡ﬂ
ÍÎ‡‚Ë¯‡ ÓÚÌÓÒËÚÒﬂ Í ‰Ë‡Ô‡ÁÓÌÛ ‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ ÛÍË.
• ÇÏÂÒÚÓ ÚÓ„Ó ˜ÚÓ·˚ Ì‡ÊËÏ‡Ú¸ ÍÌÓÔÍË [–/NO] [+/YES] ,
ÏÓÊÌÓ ‚‚ÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ, Ì‡ÊËÏ‡ﬂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
• ÖÒÎË ÂÊËÏ Function ÌÂ Á‡‰ÂÈÒÚ‚Ó‚‡Ì, ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ, Ì‡Ê‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÎ‡‚Ë¯Û ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ
[SPLIT] (ÒÚ. 26).
• èËÏÂ ÁÌ‡˜ÂÌËﬂ ‰Îﬂ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
(G2)
ìÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Ó·ÓËı ÚÂÏ·Ó‚ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËﬂ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸. ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
F4.3: í‡ÌÒÔÓÌËÓ‚‡ÌËÂ Ô‡‚Ó„Ó ÚÂÏ·‡ Ì‡ ÓÍÚ‡‚Û
F4.4: í‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÎÂ‚Ó„Ó ÚÂÏ·‡ Ì‡ ÓÍÚ‡‚Û
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
–1, 0, 1
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ë‚Óﬂ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚
Ç˚ÒÓÚÛ Á‚ÛÍ‡ ÏÓÊÌÓ ÒÏÂ˘‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò
ËÌÚÂ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Ô‡‚Ó„Ó Ë ÎÂ‚Ó„Ó
ÚÂÏ·Ó‚. Ç˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÌÓÚÌ˚Ï ‰Ë‡Ô‡ÁÓÌÓÏ ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ. ùÚÛ
Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
F4.5: ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ Ô‡‚Ó„Ó ÚÂÏ·‡
F4.6: ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
0 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ë‚Óﬂ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚
ùÚË ÙÛÌÍˆËË ÔÓÁ‚ÓÎﬂ˛Ú ÓÚ‰ÂÎ¸ÌÓ ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸
„ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îﬂ ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó ÚÂÏ·Ó‚ ‚
ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚.
è‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ÏÂÌﬂÚ¸ ÚÓÎ¸ÍÓ
‚ ÂÊËÏÂ [EFFECT]. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ ÂÊËÏ‡
[EFFECT]ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function.
ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ
Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
F4.7: ÑË‡Ô‡ÁÓÌ Ô‡‚ÓÈ ÔÂ‰‡ÎË
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: ALL (‰Îﬂ Ó·ÓËı ÚÂÏ·Ó‚)
1 (‰Îﬂ Ô‡‚Ó„Ó ÚÂÏ·‡)
2 (‰Îﬂ ÎÂ‚Ó„Ó ÚÂÏ·‡)
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ALL
îÛÌÍˆËﬂ ‰Ë‡Ô‡ÁÓÌ‡ Ô‡‚ÓÈ ÔÂ‰‡ÎË
ÓÔÂ‰ÂÎﬂÂÚ, Ì‡ Í‡ÍËÂ ÚÂÏ·˚ ‚ÎËﬂÂÚ ÔÂ‰‡Î¸ ‚
ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚: Ì‡ Ô‡‚˚È, ÎÂ‚˚È
ËÎË Ó·‡ ÚÂÏ·‡.
F4.8: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ
F4.2: ìÒÚ‡ÌÓ‚Í‡ ·‡Î‡ÌÒ‡ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ (Split)
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 0 – 20 (èË ÁÌ‡˜ÂÌËË «10»
ÚÂÏ·˚ ‚ ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ
Á‚Û˜‡Ú Ò Ó‰ËÌ‡ÍÓ‚ÓÈ
„ÓÏÍÓÒÚ¸˛). áÌ‡˜ÂÌËﬂ ÏÂÌ¸¯Â
«10» Û‚ÂÎË˜Ë‚‡˛Ú „ÓÏÍÓÒÚ¸
ÎÂ‚Ó„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌË˛ Ò
Ô‡‚˚Ï, ‡ ÁÌ‡˜ÂÌËﬂ ‚˚¯Â «10»
Û‚ÂÎË˜Ë‚‡˛Ú „ÓÏÍÓÒÚ¸ Ô‡‚Ó„Ó
ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌË˛ Ò ÎÂ‚˚Ï.)
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ê‡ÁÎË˜Ì‡ ‰Îﬂ Í‡Ê‰ÓÈ
ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚.
50
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ùÚ‡ ÙÛÌÍˆËﬂ ‚ÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÁÌ‡˜ÂÌËﬂ ÔÓ
ÛÏÓÎ˜‡ÌË˛ ‰Îﬂ ‚ÒÂı ÙÛÌÍˆËÈ ÂÊËÏ‡
‡Á‰ÂÎÂÌËﬂ. ÑÎﬂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ÁÌ‡˜ÂÌËÈ ÔÓ
ÛÏÓÎ˜‡ÌË˛ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES].
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔﬂÏÓ Í ÙÛÌÍˆËﬂÏ ÂÊËÏ‡ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
,
Ì‡Ê‡‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍÂ [SPLIT].
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function, Ì‡‰Ó Ú‡ÍÊÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ËÌ‰ËÍ‡ÚÓ TEMPO.
CLP240E.book Page 51 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F5. (CLP-240) / F4. (CLP-230)
ÑÛ„ËÂ ÙÛÌÍˆËË
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÔÂ‰ÒÚ‡‚ÎÂÌ˚ ‰Û„ËÂ ÙÛÌÍˆËË,
‚ÍÎ˛˜‡ﬂ ÚÂ, ÍÓÚÓ˚Â ÔÓÁ‚ÓÎﬂ˛Ú Ì‡ÁÌ‡˜ËÚ¸ Ó‰ËÌ ËÁ
ÂÊËÏÓ‚ ‰Îﬂ ÎÂ‚ÓÈ ÔÂ‰‡ÎË ËÎË ‚˚·‡Ú¸ ÍÓÌÍÂÚÌ˚Â
Í‡Ì‡Î˚ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËÈ.
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚
ÔÓ‰ÂÊËÏ ‰Û„Ëı ÙÛÌÍˆËÈ, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡
ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËÏ‡.
ç‡ÊËÏ‡ÈÚÂ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îﬂ ‚˚·Ó‡
ÌÛÊÌÓÈ ÙÛÌÍˆËË ÔÂ‰‡ÎË ËÎË ÛÒÚ‡ÌÓ‚ÍË ÁÌ‡˜ÂÌËÈ.
èÓ‰ÂÊËÏ˚
F5.1 (CLP-240)/F4.1 (CLP-230)
êÂÊËÏ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
1. ãÂ‚‡ﬂ ÔÂ‰‡Î¸
èÓÍ‡ Ì‡Ê‡Ú‡ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸, „ÓÏÍÓÒÚ¸
ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ ÔË„ÎÛ¯ÂÌ‡, ‡
ÚÂÏ· ÒÎÂ„Í‡ ËÁÏÂÌÂÌ. ç‡ ÛÊÂ Á‚Û˜‡˘ËÂ
ÌÓÚ˚ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‚ÎËﬂÂÚ.
2. SONG PLAY/PAUSE (ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ/
è‡ÛÁ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÂÎÓ‰ËË)
Ç ˝ÚÓÏ ÂÊËÏÂ ÏÓÊÌÓ Á‡ÔÛÒÍ‡Ú¸ ËÎË
ÔËÓÒÚ‡Ì‡‚ÎË‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÏÂÎÓ‰ËË. Ç ˝ÚÓÏ ÂÊËÏÂ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸
‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔÍ‡ SONG [PLAY/PAUSE]Ì‡
Ô‡ÌÂÎË.
3. Ç‡Ë‡ˆËﬂ (CLP-240)
Ç ˝ÚÓÏ ÂÊËÏÂ ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë
‚˚ÍÎ˛˜‡Ú¸ ‚‡Ë‡ˆË˛ ÚÂÏ·Ó‚. Ç ˝ÚÓÏ
ÂÊËÏÂ ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ ‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔÍ‡
[VARIATION] Ì‡ Ô‡ÌÂÎË.
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 1(ÎÂ‚‡ﬂ ÔÂ‰‡Î¸)
F5.3 (CLP-240)
ÉÎÛ·ËÌ‡ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ‡
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
0 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 12
ÑÎﬂ ÚÂÏ·‡ GRAND PIANO 1 ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ
ÒÔÂˆË‡Î¸Ì˚Â «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚, ÍÓÚÓ˚Â ÔË
Ì‡Ê‡ÚËË Ô‡‚ÓÈ ÔÂ‰‡ÎË ‚ÓÒÒÓÁ‰‡˛Ú
ÛÌËÍ‡Î¸Ì˚È ÂÁÓÌ‡ÌÒ ‰ÂÍË Ë ÒÚÛÌ
‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÓﬂÎﬂ. ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ
Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ˝ÚÓ„Ó ˝ÙÙÂÍÚ‡.
F5.4 (CLP-240)
ÉÓÏÍÓÒÚ¸ Ò˝ÏÔÎ‡ ÓÚÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë¯Ë
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
0 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 10
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ Á‚ÛÍ‡
ÓÚÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë¯Ë (ÚËıËÈ Á‚ÛÍ,
‚ÓÁÌËÍ‡˛˘ËÈ, ÍÓ„‰‡ ÓÚÔÛÒÍ‡˛Ú ÍÎ‡‚Ë¯Û) ‰Îﬂ
ÚÂÏ·Ó‚ [GRAND PIANO1], [HARPSICHORD],
[E.CLAVICHORD] (‡ Ú‡ÍÊÂ ‰Îﬂ Ëı ‚‡Ë‡ˆËÈ).
F5.5 (CLP-240)/F4.3 (CLP-230)
Ç˚·Ó Í‡Ì‡Î‡ ÏÂÎÓ‰ËË
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ALL, 1&2
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ALL
ùÚ‡ ÛÒÚ‡ÌÓ‚Í‡ ‚ÎËﬂÂÚ ÚÓÎ¸ÍÓ Ì‡ ÏÂÎÓ‰ËË DOC
(Disk Orchestra Collection), ÏÂÎÓ‰ËË Disklavier
Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚Â ‚ÌÂ¯ÌËÂ ÏÂÎÓ‰ËË.
åÓÊÌÓ Á‡‰‡Ú¸, Í‡ÍËÂ Í‡Ì‡Î˚ ÏÂÎÓ‰ËË ·Û‰ÛÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ì‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ. èË
‚˚·ÓÂ «ALL» ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Í‡Ì‡Î˚ 1 – 16.
èË ‚˚·ÓÂ «1&2» ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ÚÓÎ¸ÍÓ
Í‡Ì‡Î˚ 1 Ë 2, ‡ Í‡Ì‡Î˚ 3 – 16 ·Û‰ÛÚ
ÔÂÂ‰‡‚‡Ú¸Òﬂ ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ.
F5.2 (CLP-240)/F4.2 (CLP-230)
ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 1 – 5
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 3
ùÚ‡ ÙÛÌÍˆËﬂ Á‡‰‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ
ÔÂ‰‡ÎË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
51
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ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F6. (CLP-240) / F5. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡
ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ÏÓÊÌÓ ÏÂÌﬂÚ¸.
àÒÔÓÎ¸ÁÛÈÚÂ ˝ÚÛ ÙÛÌÍˆË˛ ‰Îﬂ Ì‡ÒÚÓÈÍË „ÓÏÍÓÒÚË
ÏÂÚÓÌÓÏ‡.
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. á‡‰‡ÈÚÂ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [–/NO] Ë [+/YES].
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
1 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 10
èêàåÖóÄçàÖ
äéåÅàçÄñàü äãÄÇàò:
åÓÊÌÓ ÔÂÂÈÚË ÔﬂÏÓ Í ÙÛÌÍˆËﬂÏ ÏÂÚÓÌÓÏ‡
(CLP-240)/
(CLP-230), Ì‡Ê‡‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ
Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ METRONOME [ON/OFF].
óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËÏ‡ Function, Ì‡‰Ó Ú‡ÍÊÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [TEMPO/
FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒﬂ ËÌ‰ËÍ‡ÚÓ TEMPO.
F8. (CLP-240) / F7. (CLP-230)
îÛÌÍˆËË MIDI
åÓÊÌÓ Á‡‰‡Ú¸ Ì‡ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡.
ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó MIDI ÏÓÊÌÓ
ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂÎÂ «é MIDI-ËÌÚÂÙÂÈÒÂ» (ÒÚ. 57).
ÇÒÂ Ì‡ÒÚÓÈÍË MIDI, ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ, ·Û‰ÛÚ
‚ÎËﬂÚ¸ Ì‡ MIDI-ÒË„Ì‡Î, ‚ıÓ‰ﬂ˘ËÈ Ë ‚˚ıÓ‰ﬂ˘ËÈ
˜ÂÂÁ ‡Á˙ÂÏ USB [TO HOST].
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230)..
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ
ÛÒÚ‡ÌÓ‚ÍË MIDI, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍË [TEMPO/
FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËÏ‡.
àÒÔÓÎ¸ÁÛÈÚÂ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îﬂ
ÛÒÚ‡ÌÓ‚ÍË ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡.
èÓ‰ÂÊËÏ˚
F7. (CLP-240) / F6. (CLP-230)
ÉÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË
ÏÂÎÓ‰ËË
ùÚ‡ ÙÛÌÍˆËﬂ Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸, Ò ÍÓÚÓÓÈ Á‚Û˜ËÚ
«ÓÚÍÎ˛˜ÂÌÌ‡ﬂ» Ô‡ÚËﬂ ÏÂÎÓ‰ËË. ç‡ÒÚÓÈÚÂ Û‰Ó·ÌÛ˛
‰Îﬂ ‚‡Ò „ÓÏÍÓÒÚ¸ Ë ËÒÔÓÎ¸ÁÛÈÚÂ «ÓÚÍÎ˛˜ÂÌÌÛ˛»
Ô‡ÚË˛ ‚ Í‡˜ÂÒÚ‚Â ÛÍÓ‚Ó‰ÒÚ‚‡ ‰Îﬂ Ò‚ÓÂÈ Ë„˚.
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230)..
2. ìÒÚ‡ÌÓ‚ËÚÂ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[–/NO] Ë [+/YES].
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
0 – 20
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 5
èêàåÖóÄçàÖ
ùÚÛ ÙÛÌÍˆË˛ ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ.
F8.1: (CLP-240)/F7.1: (CLP-230)
Ç˚·Ó Í‡Ì‡Î‡ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı MIDI
èË Ì‡ÒÚÓÈÍÂ ÛÔ‡‚ÎÂÌËﬂ MIDIËÌÚÂÙÂÈÒÓÏ ‰Îﬂ ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı
ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ MIDIÍ‡Ì‡Î˚ ÔÂÂ‰‡˛˘Â„Ó Ë ÔËÌËÏ‡˛˘Â„Ó
Ó·ÓÛ‰Ó‚‡ÌËﬂ.
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸
Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova ·Û‰ÂÚ ÔÂÂ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â.
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ: 1 – 16, OFF (ÔÂÂ‰‡˜Ë ÌÂÚ)
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: 1
èêàåÖóÄçàÖ
Ç ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ‰‡ÌÌ˚Â ‰Îﬂ ÚÂÏ·‡ 1 ÔÂÂ‰‡˛ÚÒﬂ ÔÓ
ÛÍ‡Á‡ÌÌÓÏÛ ‰Îﬂ ÌÂ„Ó Í‡Ì‡ÎÛ. Ç ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ (CLP-240)
‰‡ÌÌ˚Â Ô‡‚Ó„Ó ÚÂÏ·‡ ÔÂÂ‰‡˛ÚÒﬂ ÔÓ ÛÍ‡Á‡ÌÌÓÏÛ ‰Îﬂ ÌÂ„Ó Í‡Ì‡ÎÛ.
Ç ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ ‰‡ÌÌ˚Â ÚÂÏ·‡ 2 ÔÂÂ‰‡˛ÚÒﬂ ÔÓ Í‡Ì‡ÎÛ,
ÌÓÏÂ ÍÓÚÓÓ„Ó ·ÓÎ¸¯Â ÌÓÏÂ‡ ÛÍ‡Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. Ç ÂÊËÏÂ ‡Á‰ÂÎÂÌËﬂ
ÚÂÏ·Ó‚ (CLP-240) ‰‡ÌÌ˚Â ÎÂ‚Ó„Ó ÚÂÏ·‡ ÔÂÂ‰‡˛ÚÒﬂ ÔÓ Í‡Ì‡ÎÛ, ÌÓÏÂ
ÍÓÚÓÓ„Ó ·ÓÎ¸¯Â ÌÓÏÂ‡ ÛÍ‡Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. ÖÒÎË ‚ Î˛·ÓÏ ÂÊËÏÂ
ÔÂÂ‰‡˛˘ËÈ Í‡Ì‡Î ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ OFF, ‰‡ÌÌ˚Â ÌÂ ÔÂÂ‰‡˛ÚÒﬂ.
èêàåÖóÄçàÖ
Ñ‡ÌÌ˚Â ÏÂÎÓ‰ËÈ ÌÂ ÔÂÂ‰‡˛ÚÒﬂ ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚
3 – 16 ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚ÌÂ¯ÌËı
ÏÂÎÓ‰ËÈ ·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
Ì‡ÒÚÓÈÍË ‚˚·Ó‡ Í‡Ì‡Î‡ ÏÂÎÓ‰ËË (ÒÚ. 51).
52
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
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ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F8.2: (CLP-240)/F7.2: (CLP-230)
Ç˚·Ó Í‡Ì‡Î‡ ÔËÂÏ‡ ‰‡ÌÌ˚ı MIDI
F8.4: (CLP-240)/F7.4: (CLP-230)
àÁÏÂÌÂÌËÂ ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF
èË Ì‡ÒÚÓÈÍÂ ÛÔ‡‚ÎÂÌËﬂ MIDIËÌÚÂÙÂÈÒÓÏ ‰Îﬂ ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı
ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ MIDIÍ‡Ì‡Î˚ ÔÂÂ‰‡˛˘Â„Ó Ë ÔËÌËÏ‡˛˘Â„Ó
Ó·ÓÛ‰Ó‚‡ÌËﬂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡
ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ ÔÓÎÛ˜‡Ú¸ MIDI‰‡ÌÌ˚Â.
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ALL, 1&2, 1 – 16
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ALL
é·˚˜ÌÓ CLP-240/230 Â‡„ËÛÂÚ Ì‡ ÌÓÏÂ‡
ËÁÏÂÌÂÌËﬂ MIDI-ÔÓ„‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚Â Ò
‚ÌÂ¯ÌÂÈ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDIÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡ﬂ ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ
(ÚÂÏ· Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÌÂ ËÁÏÂÌﬂÂÚÒﬂ). èË
‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Ò‚ÓËı ÚÂÏ·Ó‚ ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ CLP-240/230 Ó·˚˜ÌÓ ÔÂÂ‰‡ÂÚ ÌÓÏÂ
ËÁÏÂÌÂÌËﬂ MIDI-ÔÓ„‡ÏÏ˚, ÂÒÎË ‚ÌÂ¯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı,
Ë Ì‡ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË
ÔÓ„‡ÏÏ‡ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ.
èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸
ÔËÂÏ Ë ÔÂÂ‰‡˜Û ÌÓÏÂÓ‚ ËÁÏÂÌÂÌËﬂ
ÔÓ„‡ÏÏ˚, Ú.Â. ‚˚·‡ÌÌ˚Â Ì‡ ÔË‡ÌËÌÓ CLP240/230 ÚÂÏ·˚ ÌÂ ·Û‰ÛÚ ‚ÎËﬂÚ¸ Ì‡ ‚ÌÂ¯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ALL:
êÂÊËÏ ÔËÂÏ‡ ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚ («Multi-timbre»). ë Â„Ó ÔÓÏÓ˘¸˛
ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËÏ‡Ú¸ ‡ÁÎË˜Ì˚Â Ô‡ÚËË ÔÓ ‚ÒÂÏ 16 Í‡Ì‡Î‡Ï
MIDI, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ ËÎË
ÒÂÍ‚ÂÌÒÓ‡ ÔÓ ÌÂÒÍÓÎ¸ÍËÏ Í‡Ì‡Î‡Ï.
1&2:
êÂÊËÏ ÔËÂÏ‡ ÔÓ ‰‚ÛÏ Í‡Ì‡Î‡Ï («1&2»). Ç ˝ÚÓÏ ÂÊËÏÂ ÏÓÊÌÓ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËÏ‡Ú¸ ‰‡ÌÌ˚Â ÚÓÎ¸ÍÓ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2, ˜ÚÓ ‰‡ÂÚ
ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚Â
ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2.
èêàåÖóÄçàÖ
àÁÏÂÌÂÌËÂ ÔÓ„‡ÏÏ˚ Ë ‰Û„ËÂ ÔÓ‰Ó·Ì˚Â ÒÓÓ·˘ÂÌËﬂ ÌÂ ‚ÎËﬂ˛Ú Ì‡
Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 ËÎË Á‚Û˜‡ÌËÂ ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
èêàåÖóÄçàÖ
ÖÒÎË ‚ÍÎ˛˜ÂÌ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ËÎË ‚˚ÔÓÎÌﬂ˛ÚÒﬂ ÓÔÂ‡ˆËË Ò
Ù‡ÈÎ‡ÏË, ‰‡ÌÌ˚Â ÔÓ MIDI-Í‡Ì‡Î‡Ï ÌÂ ÔËÌËÏ‡˛ÚÒﬂ (CLP-240).
F8.3: (CLP-240)/F7.3: (CLP-230)
îÛÌÍˆËﬂ Local ON/OFF
îÛÌÍˆËﬂ Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎﬂÚ¸
‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Ò
ÍÎ‡‚Ë‡ÚÛ˚ CLP-240/230, Ú.Â. ‚ÒÚÓÂÌÌ˚Â
ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òﬂ ÔﬂÏÓ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌÍˆËﬂ Local
‚ÍÎ˛˜ÂÌ‡ (‚˚·‡Ì Ô‡‡ÏÂÚ Local Control On),
Ú.Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„ÂÌÂ‡ÚÓ ÍÓÌÚÓÎËÛÂÚÒﬂ
ÎÓÍ‡Î¸ÌÓ, Ò ÍÎ‡‚Ë‡ÚÛ˚ ËÌÒÚÛÏÂÌÚ‡.
ÖÒÎË ˝Ú‡ ÙÛÌÍˆËﬂ ÓÚÍÎ˛˜ÂÌ‡ (‚˚·‡Ì
Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚Â
ÚÂÏ·˚ ÌÂ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò ÍÎ‡‚Ë‡ÚÛ˚
CLP-240/230, ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ MIDIËÌÙÓÏ‡ˆËﬂ ‚ÒÂ ‡‚ÌÓ ÔÂÂ‰‡ÂÚÒﬂ ˜ÂÂÁ ‡Á˙ÂÏ
MIDI OUT ÔË Ì‡Ê‡ÚËË ÍÎ‡‚Ë¯.
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ„ÂÌÂ‡ÚÓ Â‡„ËÛÂÚ Ì‡ MIDI-ËÌÙÓÏ‡ˆË˛,
ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN.
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ON/OFF
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ON
èêàåÖóÄçàÖ
àÌÙÓÏ‡ˆË˛ Ó ÌÓÏÂ‡ı ËÁÏÂÌÂÌËﬂ ÔÓ„‡ÏÏ˚ ‰Îﬂ ‚ÒÂı ÚÂÏ·Ó‚
CLP-240/230 ÒÏ. Ì‡ ÒÚ. 81 ‚ ‡Á‰ÂÎÂ «îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı».
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ON/OFF
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ON
F8.5: (CLP-240)/F7.5: (CLP-230)
îÛÌÍˆËﬂ Control Change ON/OFF
é·˚˜ÌÓ CLP-240/230 Â‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚Â Ó·
ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ MIDI,
ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË
ÍÎ‡‚Ë‡ÚÛ˚, ‚ ÂÁÛÎ¸Ú‡ÚÂ ˜Â„Ó Ì‡ ÚÂÏ· ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡ÎÂ ‚ÎËﬂ˛Ú ÔÂ‰‡Î¸ Ë
‰Û„ËÂ Ì‡ÒÚÓÈÍË «ÛÔ‡‚ÎÂÌËﬂ», ÔÓÎÛ˜ÂÌÌ˚Â Ò
˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (Ì‡ ÚÂÏ· ÍÎ‡‚Ë‡ÚÛ˚ ˝ÚÓ ÌÂ
‰ÂÈÒÚ‚ÛÂÚ).
èË‡ÌËÌÓ CLP-240/230 Ú‡ÍÊÂ ÔÂÂ‰‡ÂÚ
ËÌÙÓÏ‡ˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË
ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÔÂ‰‡ÎË ËÎË ‰Û„Ëı ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ.
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸
ÔËÂÏ Ë ÔÂÂ‰‡˜Û ‰‡ÌÌ˚ı Ó· ËÁÏÂÌÂÌËË
˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ, Ú‡Í ˜ÚÓ, Ì‡ÔËÏÂ,
ÔÂ‰‡Î¸ Ë ‰Û„ËÂ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ
CLP-240/230 ÌÂ ·Û‰ÛÚ ‚ÎËﬂÚ¸ Ì‡ ‚ÌÂ¯ÌÂÂ
MIDI-ÛÒÚÓÈÒÚ‚Ó.
èêàåÖóÄçàÖ
ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ,
ÍÓÚÓ˚Â ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ CLP-240/230, ÒÏ. ‚ ‡Á‰ÂÎÂ «îÓÏ‡Ú
MIDI-‰‡ÌÌ˚ı» Ì‡ ÒÚ. 80.
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ON/OFF
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: ON
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
53
CLP240E.book Page 54 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F8.6: (CLP-240)/ F7.6: (CLP-230)
èÂÂ‰‡˜‡ ÒÓÒÚÓﬂÌËﬂ Ô‡ÌÂÎË (Panel/
Status Transmit)
F8.7: (CLP-240)/F7.7:
Initial Setup Send
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÔÂÂ‰‡Ú¸ ‚ÒÂ ÚÂÍÛ˘ËÂ
Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 (‚˚·‡ÌÌ˚È
ÚÂÏ· Ë Ú.‰.) ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT.
íÖêåàçéãéÉàü
Ñ‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ‡ı Ô‡ÌÂÎË:
Ñ‡ÌÌ˚Â, ÍÓÚÓ˚Â ÒÓ‰ÂÊ‡Ú Ì‡·Ó Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË ‰Îﬂ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova.
ÑÂÈÒÚ‚Ëﬂ
1. ç‡ÒÚÓÈÚÂ Ô‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ ÔÓ Ò‚ÓÂÏÛ
ÊÂÎ‡ÌË˛.
2. ëÓÂ‰ËÌËÚÂ ÔË‡ÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ
˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚÂ ÒÂÍ‚ÂÌÒÓ Ì‡
ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË.
3. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
select
(CLP-240)/
(CLP-230).
4. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES] ‰Îﬂ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı
Ó Ì‡ÒÚÓÈÍ‡ı Ô‡ÌÂÎË.
èË ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Â ‰‡ÌÌ˚ı Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ ÔÓﬂ‚ËÚÒﬂ
.
èêàåÖóÄçàÖ
ëÔËÒÓÍ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈÍ‡ı, ÔÂÂ‰‡‚‡ÂÏ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË,
ÒÏ. Ì‡ ÒÚ. 81.
èêàåÖóÄçàÖ
èËÂÏ ÔÂÂ‰‡ÌÌ˚ı ‰‡ÌÌ˚ı:
1. óÂÂÁ ‡Á˙ÂÏ MIDI ÒÓÂ‰ËÌËÚÂ ÔË‡ÌËÌÓ Clavinova Ò ÛÒÚÓÈÒÚ‚ÓÏ, Ì‡
ÍÓÚÓÓÂ ‡ÌÂÂ ·˚ÎË ÔÂÂ‰‡Ì˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ‡ı.
2. ç‡˜ÌËÚÂ ÔÂÂ‰‡˜Û ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈÍ‡ı Ò ÛÒÚÓÈÒÚ‚‡.
Clavinova ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓÎÛ˜ËÚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚Â ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ì˚
‰Îﬂ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË.
(ÑÎﬂ ÛÒÔÂ¯ÌÓ„Ó ÔËÂÏ‡ ‰‡ÌÌ˚ı ÔËÌËÏ‡˛˘ÂÂ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova ‰ÓÎÊÌÓ ·˚Ú¸ ÚÓÈ ÊÂ ÏÓ‰ÂÎË, ˜ÚÓ Ë ÔË‡ÌËÌÓ, Ò ÍÓÚÓÓ„Ó ‰‡ÌÌ˚Â
·˚ÎË ÔÂÂ‰‡Ì˚ Ì‡ ÒÂÍ‚ÂÌÒÓ.)
èêàåÖóÄçàÖ
ÅÓÎÂÂ ‰ÂÚ‡Î¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó ÔÂÂ‰‡˜Â Ë ÔËÂÏÂ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈÍ‡ı
˜ÂÂÁ ‡Á˙ÂÏ MIDI ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó
ÛÒÚÓÈÒÚ‚‡ MIDI.
54
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
(CLP-230)
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÓÚÔ‡‚ÎﬂÚ¸ ‰‡ÌÌ˚Â Ó
Ì‡ÒÚÓÈÍ‡ı Ô‡ÌÂÎË Ì‡ ÍÓÏÔ¸˛ÚÂ. ÖÒÎË ‰Ó
Ì‡˜‡Î‡ Ë„˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ‡ı Ô‡ÌÂÎË
ÔÂÂ‰‡˛ÚÒﬂ Ë Á‡ÔËÒ˚‚‡˛ÚÒﬂ Ì‡ ÛÒÚÓÈÒÚ‚Ó ‰Îﬂ
Á‡ÔËÒË Ë Ó·‡·ÓÚÍË MIDI-‰‡ÌÌ˚ı, ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË Ì‡
ËÌÒÚÛÏÂÌÚÂ ˝ÚË Ì‡ÒÚÓÈÍË ·Û‰ÛÚ
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌ˚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. ùÚÛ ÙÛÌÍˆË˛
ÏÓÊÌÓ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ËÁÏÂÌÂÌËﬂ
Ì‡ÒÚÓÂÍ ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡,
˜ÚÓ·˚ ÓÌË ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡ÎË Ì‡ÒÚÓÈÍ‡ÏË
ËÌÒÚÛÏÂÌÚ‡.
ÑÂÈÒÚ‚Ëﬂ
1. ç‡ÒÚÓÈÚÂ Ô‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ ÔÓ Ò‚ÓÂÏÛ
ÊÂÎ‡ÌË˛.
2. ëÓÂ‰ËÌËÚÂ ÔË‡ÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ
˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚÂ ÒÂÍ‚ÂÌÒÓ Ì‡
ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË.
3. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
select
(CLP-240)/
(CLP-230).
4. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES] ‰Îﬂ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı
Ó Ì‡ÒÚÓÈÍ‡ı Ô‡ÌÂÎË.
èË ÛÒÔÂ¯ÌÓÈ ÔÂÂ‰‡˜Â ‰‡ÌÌ˚ı Ì‡
Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ËÌ‰ËÍ‡ÚÓÂ ÔÓﬂ‚ËÚÒﬂ
.
åÓÊÌÓ ÔÂÂ‰‡‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ‰‡ÌÌ˚Â:
• Ç˚·Ó ÚÂÏ·‡
• íËÔ Â‚Â·Â‡ˆËË
• ÉÎÛ·ËÌÛ Â‚Â·Â‡ˆËË (ÍÌÓÔÍ‡ [REVERB])
• íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT])
• ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ (ÍÌÓÔÍ‡ [EFFECT])
• íÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
• ç‡ÒÚÓÈÍË (F1)
• ëÏÂ˘ÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ ÂÊËÏÂ
Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (F3.2)
CLP240E.book Page 55 Wednesday, April 6, 2005 4:02 PM
ç‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ [FUNCTION]
F9. (CLP-240) / F8. (CLP-230)
îÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ
íÖêåàçéãéÉàü
ëÓı‡ÌÂÌËÂ:
çÂÍÓÚÓ˚Â Ì‡ÒÚÓÈÍË, Ì‡ÔËÏÂ, ‚˚·‡ÌÌ˚È ÚÂÏ· Ë ÚËÔ Â‚Â·Â‡ˆËË,
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸, ˜ÚÓ·˚ ÌÂ ÔÓÚÂﬂÚ¸ Ëı ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
ÖÒÎË ÙÛÌÍˆËﬂ ÒÓı‡ÌÂÌËﬂ ‚ÍÎ˛˜ÂÌ‡, ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ Ì‡ÒÚÓÈÍË
ÒÓı‡ÌﬂÚÒﬂ. ÖÒÎË ÙÛÌÍˆËﬂ ÒÓı‡ÌÂÌËﬂ ÓÚÍÎ˛˜ÂÌ‡, ÔË ‚˚ÍÎ˛˜ÂÌËË
ÔËÚ‡ÌËﬂ Ì‡ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂﬂÌ˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓÒÎÂ ‚ÍÎ˛˜ÂÌËﬂ
ÔËÚ‡ÌËﬂ ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ Ì‡ÒÚÓÈÍË ÔÓ ÛÏÓÎ˜‡ÌË˛ (ÔÂ‚ÓÌ‡˜‡Î¸Ì˚Â
Ì‡ÒÚÓÈÍË). (ëÔËÒÓÍ Ù‡·Ë˜Ì˚ı Ì‡ÒÚÓÂÍ ÔÓ ÛÏÓÎ˜‡ÌË˛ Ì‡ıÓ‰ËÚÒﬂ Ì‡
ÒÚ. 78.)
• êÂ‚Â·Â‡ˆËﬂ (ON/OFF, ÚËÔ Ë „ÎÛ·ËÌ‡ ‰Îﬂ
Í‡Ê‰Ó„Ó ÚÂÏ·‡)
• ùÙÙÂÍÚ (ON/OFF, ÚËÔ Ë „ÎÛ·ËÌ‡ ‰Îﬂ Í‡Ê‰Ó„Ó
ÚÂÏ·‡)
• Ç‡Ë‡ˆËﬂ (CLP-240) (‰Îﬂ Í‡Ê‰Ó„Ó ÚÂÏ·‡)
• óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ (‚ÍÎ˛˜‡ﬂ
„ÓÏÍÓÒÚ¸ Ò Ô‡‡ÏÂÚÓÏ FIXED)
• åÂÚÓÌÓÏ (‰ÓÎﬂ, „ÓÏÍÓÒÚ¸ <
(Ì‡ÒÚÓÈÍË
CLP-240)/
(CLP-230)>)
• ÉÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË ‚ÒÚÓÂÌÌÓÈ
ÏÂÎÓ‰ËË (Ì‡ÒÚÓÈÍË (
<CLP-240>/
<CLP-230>)
F9.2:
(CLP-240)/F8.2: (CLP-230)
MIDI
é‰Ì‡ÍÓ Ò‡ÏË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌËﬂ,
ÒÓ‰ÂÊËÏÓÂ ÛÒÚÓÈÒÚ‚‡ ‰Îﬂ Á‡ÔËÒË ÏÂÎÓ‰ËÈ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë Ì‡·Ó ÒËÏ‚ÓÎÓ‚ ÒÓı‡Ìﬂ˛ÚÒﬂ
‚ÒÂ„‰‡.
îÛÌÍˆËË MIDI (Ì‡ÒÚÓÈÍË
îÛÌÍˆË˛ ÒÓı‡ÌÂÌËﬂ ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸
‰Îﬂ Í‡Ê‰ÓÈ ËÁ ÒÎÂ‰Û˛˘Ëı „ÛÔÔ ÙÛÌÍˆËÈ
(ÔÓ‰ÂÊËÏÓ‚).
F9.3: (CLP-240)/F8.3:
‚˚ÒÓÚ˚ Á‚ÛÍ‡
1. èÂÂÈ‰ËÚÂ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚÂ
(CLP-240)/
(CLP-230).
2. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚
ÔÓ‰ÂÊËÏ ÙÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ, Á‡ÚÂÏ ËÒÔÓÎ¸ÁÛÈÚÂ
ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îﬂ ‚˚·Ó‡
ÙÛÌÍˆËË.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ
ËÎË ‚˚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ.
<CLP-240>/
<CLP-230>)
(ÓÊË‰‡ÂÚÒﬂ ‰Îﬂ
<CLP-240>/
<CLP-230>)
(CLP-230)
ç‡ÒÚÓÈÍ‡
• í‡ÌÒÔÓÌËÓ‚‡ÌËÂ
• ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ (Ì‡ÒÚÓÈÍË
)
• Ç˚·Ó ÒÚÓﬂ (‚ÍÎ˛˜‡ﬂ ÚÓÌËÍÛ) (
ÛÒÚ‡ÌÓ‚ÍË)
F9.4:
(CLP-240)/F8.4: (CLP-230)
ÑÛ„ËÂ
• ÑÛ„ËÂ ÙÛÌÍˆËË (Ì‡ÒÚÓÈÍË
<CLP-240>/
<CLP-230>)
• ç‡ÒÚÓÈÍ‡ ﬂÍÓÒÚË (BRILLIANCE)
• ç‡ÒÚÓÈÍ‡ DDE (CLP-240) (ON/OFF, „ÎÛ·ËÌ‡)
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ Ì‡ÒÚÓÂÍ ÔÓËÁ‚Ó‰ËÚÂÎﬂ
èÓ‰ÂÊËÏ˚
F9.1:
(CLP-240)/F8.1: (CLP-230)
íÂÏ·
F9.2:
(CLP-240)/F8.2: (CLP-230)
MIDI
F9.3: (CLP-240)/F8.3: (CLP-230) ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡
F9.4:
(CLP-240)/F8.4: (CLP-230)
ÑÛ„ËÂ
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
ON/OFF
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: íÂÏ·: OFF
MIDI – ÑÛ„ËÂ: ON
éÔËÒ‡ÌËÂ ÔÓ‰ÂÊËÏÓ‚
F9.1:
(CLP-240)/F8.1: (CLP-230)
íÂÏ·
• íÂÏ· (ÍÎ‡‚Ë‡ÚÛ‡, ÂÊËÏ Ì‡ÎÓÊÂÌËﬂ, ÂÊËÏ
‡Á‰ÂÎÂÌËﬂ<CLP-240>)
• êÂÊËÏ Ì‡ÎÓÊÂÌËﬂ (ON/OFF, ÚÂÏ· Ë ÙÛÌÍˆËË
Ì‡ÎÓÊÂÌËﬂ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË ÚÂÏ·Ó‚)
• êÂÊËÏ ‡Á‰ÂÎÂÌËﬂ (CLP-240) (ON/OFF, ÚÂÏ·
Ë ÙÛÌÍˆËË ‡Á‰ÂÎÂÌËﬂ ‰Îﬂ Í‡Ê‰ÓÈ ÍÓÏ·ËÌ‡ˆËË
ÚÂÏ·Ó‚)
ÇÒÂ Ì‡ÒÚÓÈÍË ÂÊËÏ‡ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚,
ÂÊËÏ‡ ‡Á‰ÂÎÂÌËﬂ, Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚÓ‚,
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ, Ì‡ÒÚÓÈÍË
‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ë Ì‡ÒÚÓÈÍË, ËÁÏÂÌÂÌÌ˚Â
ÙÛÌÍˆËﬂÏË ÒÓı‡ÌÂÌËﬂ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‚
ÁÌ‡˜ÂÌËË ÔÓ ÛÏÓÎ˜‡ÌË˛ (ÁÌ‡˜ÂÌËË, Á‡‰‡ÌÌÓÏ
ÔÓËÁ‚Ó‰ËÚÂÎÂÏ), Û‰ÂÊË‚‡ﬂ ÍÎ‡‚Ë¯Û ÑÓ ÔﬂÚÓÈ
ÓÍÚ‡‚˚ (Ò‡Ï‡ﬂ Ô‡‚‡ﬂ ÍÎ‡‚Ë¯‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ) Ë
ÔÓ‚ÂÌÛ‚ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [POWER] ‚ ÔÓÎÓÊÂÌËÂ ON.
ùÚ‡ ÓÔÂ‡ˆËﬂ Ú‡ÍÊÂ ÒÚË‡ÂÚ ‚ÒÂ Á‡ÔËÒ‡ÌÌ˚Â
ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚ ‚ÒÂ
Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌËﬂ (F9 <CLP-240>/F8 <CLP230>) ‚ ÒÚ‡Ì‰‡ÚÌ˚Â. (ëÔËÒÓÍ Ì‡ÒÚÓÂÍ
ÔÓËÁ‚Ó‰ËÚÂÎﬂ ÒÏ. Ì‡ ÒÚ. 78.)
F9.5 (CLP-240)/ F8.5 (CLP-230)
ç‡·Ó ÒËÏ‚ÓÎÓ‚
ÖÒÎË ÏÂÎÓ‰Ë˛ ÌÂÎ¸Áﬂ Ë Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ,
ÔË‰ÂÚÒﬂ ËÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍÛ Ì‡·Ó‡ ÒËÏ‚ÓÎÓ‚.
ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ:
En (ÄÌ„ÎËÈÒÍËÈ)/JA
(üÔÓÌÒÍËÈ)
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡: En
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
55
CLP240E.book Page 56 Wednesday, April 6, 2005 4:02 PM
èÓ‰ÍÎ˛˜ÂÌËÂ
èÓ‰ÍÎ˛˜ÂÌËÂ
ê‡Á˙ÂÏ˚
ÇçàåÄçàÖ!
èÂÂ‰ ÔÓ‰ÍÎ˛˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ ‚ÒÂı ÒÓÂ‰ËÌﬂÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂÊ‰Â
˜ÂÏ ‚ÍÎ˛˜‡Ú¸ ËÎË ‚˚ÍÎ˛˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒÎÂ‰ÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌËÂ ÏÓÊÂÚ
·˚Ú¸ ÔÓ‚ÂÊ‰ÂÌÓ, ‡ ‚˚ ÏÓÊÂÚÂ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ.
1
2
CLP-240
(LEVEL FIXED)
R
L/L+R
R
L
AUX IN
AUX OUT
SELECT
USB TO DEVICE
USB
3
(ÒÎÂ‚‡ Ì‡ Ô‡ÌÂÎË)
TO DEVICE
3
L
5
4
THRU
OUT
AUX IN
1
2
CLP-230
TO HOST
IN
USB
L/L+R
R
AUX OUT
THRU
MIDI
MIDI
(LEVEL FIXED)
R
OUT
IN
TO HOST
5
4
1 ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)
ùÚË ‡Á˙ÂÏ˚ ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜‡Ú¸ Í ÒÚÂÂÓÒËÒÚÂÏÂ ‰Îﬂ ÛÒËÎÂÌËﬂ Á‚ÛÍ‡
Clavinova ËÎË Í Í‡ÒÒÂÚÌÓÏÛ Ï‡„ÌËÚÓÙÓÌÛ ‰Îﬂ Á‡ÔËÒË ‚‡¯Â„Ó
ËÒÔÓÎÌÂÌËﬂ. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë ËÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ
‡Û‰ËÓÍ‡·ÂÎË.
èêàåÖóÄçàÖ
êÂÍÓÏÂÌ‰ÛÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
‡Û‰ËÓÍ‡·ÂÎË Ë ¯ÚÂÍÂ˚ Ò
ÒÓÔÓÚË‚ÎÂÌËÂÏ, ·ÎËÁÍËÏ Í ÌÛÎ˛.
ÇçàåÄçàÖ!
ÖÒÎË ÔË‡ÌËÌÓ Clavinova ÔÓ‰ÍÎ˛˜ÂÌÓ Í ‚ÌÂ¯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏÂ ˜ÂÂÁ ‚˚ıÓ‰˚ AUX OUT, ÒÎÂ‰ÛÂÚ ÒÌ‡˜‡Î‡
‚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ Clavinova Ë ÚÓÎ¸ÍÓ ÔÓÒÎÂ ˝ÚÓ„Ó – ÔËÚ‡ÌËÂ ‚ÌÂ¯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ
ÒÎÂ‰ÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓﬂ‰ÍÂ.
èêàåÖóÄçàÖ
èÓÎÓÊÂÌËÂ ÔÓÎÁÛÌÍ‡ [MASTER
VOLUME] ÔË‡ÌËÌÓ Clavinova ÌÂ ‚ÎËﬂÂÚ
Ì‡ ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ò ‡Á˙ÂÏÓ‚ AUX
OUT (LEVEL FIXED).
èêàåÖóÄçàÖ
ÖÒÎË Á‚ÛÍ ËÁ ‡Á˙ÂÏÓ‚ AUX OUT
Ì‡Ô‡‚ÎﬂÂÚÒﬂ ‚ ‡Á˙ÂÏ˚ AUX IN,
‚ıÓ‰ﬂ˘ËÈ ÒË„Ì‡Î ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‰ËÌ‡ÏËÍÓÏ CLP.
ÉÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ ÏÓÊÂÚ
·˚Ú¸ ˜ÂÁÏÂÌÓ ‚˚ÒÓÍÓÈ.
ÖÒÎË ÒÓÂ‰ËÌËÚ¸
ËÌÒÚÛÏÂÌÚ Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ ¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»), Ì‡ ‚ÌÂ¯ÌÂÂ
ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‡ÂÚÒﬂ ÒË„Ì‡Î ÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìﬂ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËﬂ
ÔÓÎÁÛÌÍ‡ [MASTER VOLUME].
56
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 57 Wednesday, April 6, 2005 4:02 PM
èÓ‰ÍÎ˛˜ÂÌËÂ
2 ê‡Á˙ÂÏ˚ AUX IN [R], [L/L+R]
ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸ ÒÚÂÂÓ‚˚‚Ó‰˚ ‰Û„Ó„Ó
ËÌÒÚÛÏÂÌÚ‡, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‰Û„Ó„Ó
ËÌÒÚÛÏÂÌÚ‡ ˜ÂÂÁ ‰ËÌ‡ÏËÍË Clavinova. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë
ËÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‡Û‰ËÓÍ‡·ÂÎË.
ÇçàåÄçàÖ!
èêàåÖóÄçàÖ
èÓÎÓÊÂÌËÂ ÔÓÎÁÛÌÍ‡ [MASTER
VOLUME] ÔË‡ÌËÌÓ Clavinova ‚ÎËﬂÂÚ
Ì‡ ‚ıÓ‰ÌÓÈ ÒË„Ì‡Î ‡Á˙ÂÏÓ‚ AUX IN, ‚
ÚÓ ‚ÂÏﬂ Í‡Í Ì‡ÒÚÓÈÍË [BRILLIANCE],
[REVERB] Ë [EFFECT] ÌÂ ‚ÎËﬂ˛Ú.
ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ÔË‡ÌËÌÓ Clavinova ÔÓ‰ÍÎ˛˜ÂÌÓ ‚ÌÂ¯ÌÂÂ ÛÒÚÓÈÒÚ‚Ó, ÒÌ‡˜‡Î‡ ‚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ˝ÚÓ„Ó
‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌËÂ Clavinova. Ç˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ ÒÎÂ‰ÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓﬂ‰ÍÂ.
èêàåÖóÄçàÖ
Clavinova
R
L/L+R
AUX IN
AUX IN
ÖÒÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÌÂÓ·ıÓ‰ËÏÓ ÒÓÂ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌË˜ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ,
ËÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÚÓÎ¸ÍÓ
‡Á˙ÂÏ AUX IN [L/L+R].
AUX OUT
3 ê‡Á˙ÂÏ USB [TO DEVICE] (CLP-240)
ùÚÓÚ ‡Á˙ÂÏ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ USB-ÛÒÚÓÈÒÚ‚
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
ëÏ. «èÓ‰ÍÎ˛˜ÂÌËÂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı» Ì‡ ÒÚ. 58.
4 ê‡Á˙ÂÏ USB [TO HOST]
ùÚÓÚ ‡Á˙ÂÏ ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‰ÍÎ˛˜ËÚ¸Òﬂ Í èä Ì‡ÔﬂÏÛ˛.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÒÏ. ‚ ‡Á‰ÂÎÂ «èÓ‰ÍÎ˛˜ÂÌËÂ
ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡» Ì‡ ÒÚ. 60.
5 ê‡Á˙ÂÏ˚ MIDI [IN] [OUT] [THRU]
ÑÎﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‚ÌÂ¯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ˜ÂÂÁ ˝ÚË ‡Á˙ÂÏ˚
ËÒÔÓÎ¸ÁÛÈÚÂ MIDI-Í‡·ÂÎË.
MIDI [IN]: ÑÎﬂ ÔËÂÏ‡ MIDI-‰‡ÌÌ˚ı.
MIDI [OUT]: ÑÎﬂ ÔÂÂ‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
MIDI [THRU]: ÑÎﬂ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI
[IN], ·ÂÁ ËÁÏÂÌÂÌËﬂ.
é MIDI-ËÌÚÂÙÂÈÒÂ
MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îﬂ ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ
ÒÚ‡Ì‰‡ÚÌ˚È ÙÓÏ‡Ú ÔÂÂ‰‡˜Ë Ë ÔËÂÏ‡ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎﬂÂÚ ÔÂÂÏÂ˘‡Ú¸
‡·Ó˜ËÂ ‰‡ÌÌ˚Â Ë ÍÓÏ‡Ì‰˚ ÏÂÊ‰Û MIDI-ÛÒÚÓÈÒÚ‚‡ÏË Ë ÔÂÒÓÌ‡Î¸Ì˚ÏË
ÍÓÏÔ¸˛ÚÂ‡ÏË. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ MIDIÛÒÚÓÈÒÚ‚ÓÏ, ÔÓ‰ÍÎ˛˜ÂÌÌ˚Ï Í ÔË‡ÌËÌÓ Clavinova, ËÎË ÛÔ‡‚ÎﬂÚ¸ ÔË‡ÌËÌÓ
Clavinova Ò ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛ÚÂ‡.
èêàåÖóÄçàÖ
àÌÒÚÛÏÂÌÚ Ó·ÓÛ‰Ó‚‡Ì ‡Á˙ÂÏ‡ÏË
USB ‰‚Ûı ÚËÔÓ‚: USB [TO DEVICE] Ë
USB [TO HOST]. ÅÛ‰¸ÚÂ ‚ÌËÏ‡ÚÂÎ¸Ì˚,
ÌÂ ÔÂÂÔÛÚ‡ÈÚÂ ˝ÚË ÔÓÚ˚ Ë
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ‡Á˙ÂÏ˚ Í‡·ÂÎﬂ.
èÓ‰ÍÎ˛˜‡ÈÚÂ Í ‡Á˙ÂÏ‡Ï ÚÓÎ¸ÍÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ¯ÚÂÍÂ˚.
èêàåÖóÄçàÖ
ê‡·Ó˜ËÂ MIDI-‰‡ÌÌ˚Â Ë ÍÓÏ‡Ì‰˚
ÔÂÂ‰‡˛ÚÒﬂ ‚ ‚Ë‰Â ˆËÙÓ‚˚ı
ÁÌ‡˜ÂÌËÈ.
èêàåÖóÄçàÖ
í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚Â ÏÓÊÌÓ
ÔÂÂ‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸, Á‡‚ËÒﬂÚ ÓÚ
ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡, ÔÓ‚Â¸ÚÂ ÔÓ
Ú‡·ÎËˆÂ ı‡‡ÍÚÂËÒÚËÍ MIDIËÌÚÂÙÂÈÒ‡, Í‡ÍËÂ ‰‡ÌÌ˚Â Ë ÍÓÏ‡Ì‰˚
ÏÓÊÂÚ ÔÂÂ‰‡‚‡Ú¸ Ë ÔËÌËÏ‡Ú¸ ‚‡¯Â
ÛÒÚÓÈÒÚ‚Ó. í‡·ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îﬂ Clavinova ÒÏ. Ì‡
ÒÚ. 84.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
57
CLP240E.book Page 58 Wednesday, April 6, 2005 4:02 PM
èÓ‰ÍÎ˛˜ÂÌËÂ
èÓ‰ÍÎ˛˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı (CLP-240)
èÓ‰ÍÎ˛˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ Ò ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌÓ„Ó Í‡·ÂÎﬂ USB, ‚˚
ÏÓÊÂÚÂ ÒÓı‡ÌﬂÚ¸ Ì‡ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÁ‰‡ÌÌ˚Â ‚‡ÏË ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊÂ Ò˜ËÚ˚‚‡Ú¸ ‰‡ÌÌ˚Â Ò ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡.
ëÓ‚ÏÂÒÚËÏ˚Â USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı, Ú‡ÍËÂ, Í‡Í ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÊÂÒÚÍËÈ ‰ËÒÍ,
‰ËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÛÒÚÓÈÒÚ‚Ó ˜ÚÂÌËﬂ/Á‡ÔËÒË ÙÎ˝¯-Í‡Ú Ë ‰. ‰ÓÎÊÌ˚
ÔÓ‰ÍÎ˛˜‡Ú¸Òﬂ Í ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ USB [TO DEVICE]. ÑÛ„ËÂ ÛÒÚÓÈÒÚ‚‡ Ò ËÌÚÂÙÂÈÒÓÏ
USB (Ú‡ÍËÂ, Í‡Í ÍÓÏÔ¸˛ÚÂÌ˚Â ÍÎ‡‚Ë‡ÚÛ˚ ËÎË Ï˚¯Ë) ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌÂÎ¸Áﬂ.
àÌÒÚÛÏÂÌÚ ÌÂ Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÔÓ‰‰ÂÊË‚‡ÂÚ ‚ÒÂ ÒÛ˘ÂÒÚ‚Û˛˘ËÂ Ì‡ ˚ÌÍÂ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı. äÓÔÓ‡ˆËﬂ Yamaha ÌÂ „‡‡ÌÚËÛÂÚ ‡·ÓÚÛ
ÔËÓ·ÂÚÂÌÌÓ„Ó ‚‡ÏË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı. èÂÊ‰Â ˜ÂÏ ÔËÓ·ÂÒÚË
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı, ÔÓÍÓÌÒÛÎ¸ÚËÛÈÚÂÒ¸ Ò Â„ËÓÌ‡Î¸Ì˚Ï
ÔÂ‰ÒÚ‡‚ËÚÂÎÂÏ Yamaha ËÎË ‡‚ÚÓËÁÓ‚‡ÌÌ˚Ï ‡ÒÔÓÒÚ‡ÌËÚÂÎÂÏ (ÒÔËÒÓÍ ÒÏ. ‚
ÍÓÌˆÂ ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ) ËÎË ÔÓÒÂÚËÚÂ ÒÎÂ‰Û˛˘Û˛ ‚Â·-ÒÚ‡ÌËˆÛ
http://music.yamaha.com/CLP-240/
http://music.yamaha.com/CLP-230/
ÇçàåÄçàÖ!
çÂ ÒÎÂ‰ÛÂÚ ÒÎË¯ÍÓÏ ˜‡ÒÚÓ ‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ËÎË ÔÓ‰ÍÎ˛˜‡Ú¸ Ë ÓÚÍÎ˛˜‡Ú¸
Í‡·ÂÎ¸. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡ÌË˛ ËÌÒÚÛÏÂÌÚ‡. ÇÓ ‚ÂÏﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ
ËÎË Û‰‡ÎÂÌËÂ) çÖ ÓÚÒÓÂ‰ËÌﬂÈÚÂ Í‡·ÂÎ¸ USB, çÖ ËÁ‚ÎÂÍ‡ÈÚÂ ÌÓÒËÚÂÎ¸ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ÌË Ó‰ÌÓ„Ó ËÁ
ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‰‡ÌÌ˚ı Ì‡ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.
èÓ‰ÍÎ˛˜ÂÌËÂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
Ç ËÌÒÚÛÏÂÌÚÂ ËÏÂÂÚÒﬂ ‰‚‡ ‚˚ıÓ‰Ì˚ı ‡Á˙ÂÏ‡ USB [TO DEVICE]: Ó‰ËÌ
‡ÒÔÓÎÓÊÂÌ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ‚ÚÓÓÈ – ‚ÌËÁÛ.
ê‡Á˙ÂÏ USB [TO DEVICE] A
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ‡Á˙ÂÏ
ê‡Á˙ÂÏ USB [TO DEVICE] Ç
íÂÏ ÌÂ ÏÂÌÂÂ, Ó·‡ ‡Á˙ÂÏ‡ ÓÚÌÓÒﬂÚÒﬂ Í Ó‰ÌÓÏÛ ÔÓÚÛ, Ëı ÌÂÎ¸Áﬂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ç˚·ÂËÚÂ ÌÛÊÌ˚È ‡Á˙ÂÏ Ò ÔÓÏÓ˘¸˛
ÔÂÂÍÎ˛˜‡ÚÂÎﬂ [SELECT]. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌËÂ «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚
ÎÂ‚ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ ‡Á˙ÂÏ.
ÇÓ ‚ÂÏﬂ ÛÒÚ‡ÌÓ‚ÍË ÛÒÚÓÈÒÚ‚‡ ÏË„‡ÂÚ ËÌ‰ËÍ‡ÚÓ FILE «LOAD». èÓ
Á‡‚Â¯ÂÌËË ÛÒÚ‡ÌÓ‚ÍË ËÌ‰ËÍ‡ÚÓ „‡ÒÌÂÚ.
ÇçàåÄçàÖ!
äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‚˚ÔÓÎÌﬂÂÚ ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË (Ì‡ÔËÏÂ, ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Á‡„ÛÁÍÛ Ë
ÙÓÏ‡ÚËÓ‚‡ÌËÂ), çÖ ËÒÔÓÎ¸ÁÛÈÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [SELECT]. ùÚÓ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸ ÌÓÒËÚÂÎ¸ ËÎË ‰‡ÌÌ˚Â.
îÓÏ‡ÚËÓ‚‡ÌËÂ USB-ÌÓÒËÚÂÎﬂ
èË ‡·ÓÚÂ Ò Ù‡ÈÎ‡ÏË Ò ÔÓ‰ÍÎ˛˜ÂÌÌ˚Ï USB-ÛÒÚÓÈÒÚ‚ÓÏ ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı ÏÓÊÂÚ ÔÓﬂ‚ËÚ¸Òﬂ ÒÓÓ·˘ÂÌËÂ «For», ÛÍ‡Á˚‚‡˛˘ÂÂ, ˜ÚÓ
ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂÎ¸ ÌÂ ÓÚÙÓÏ‡ÚËÓ‚‡Ì˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÓÚÙÓÏ‡ÚËÛÈÚÂ ÌÓÒËÚÂÎ¸ (ÒÚ. 39).
ÇçàåÄçàÖ!
èË ÙÓÏ‡ÚËÓ‚‡ÌËË ‚ÒÂ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â Û‰‡Îﬂ˛ÚÒﬂ. ÑÂÈÒÚ‚ÛÈÚÂ ÓÒÚÓÓÊÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
èêàåÖóÄçàÖ
àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ ÔÎ‡Ú˚ ID
SmartMedia.
èêàåÖóÄçàÖ
äÓÎË˜ÂÒÚ‚Ó USB-ÛÒÚÓÈÒÚ‚
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
ä ‡Á˙ÂÏÛ USB [TO DEVICE] ÏÓÊÌÓ
ÔÓ‰ÍÎ˛˜ËÚ¸ ÚÓÎ¸ÍÓ Ó‰ÌÓ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ‡ÒÔÓÁÌ‡Ú¸ ÚÓÎ¸ÍÓ
Ó‰ËÌ ÎÓ„Ë˜ÂÒÍËÈ ‰ËÒÍ Ì‡ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı. ÖÒÎË Ì‡
USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
ËÏÂÂÚÒﬂ ·ÓÎÂÂ Ó‰ÌÓ„Ó ‡Á‰ÂÎ‡, ÚÓÎ¸ÍÓ
Ó‰ËÌ ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·‡Ì Ë
‡ÒÔÓÁÌ‡Ì.
èêàåÖóÄçàÖ
ÖÒÎË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı ÔÓ‰ÍÎ˛˜ÂÌ˚ Í ‰‚ÛÏ ÔÓÚ‡Ï
USB [TO DEVICE], ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ
‡·ÓÚ‡Ú¸ ÌÂ‚ÂÌÓ.
èêàåÖóÄçàÖ
SELECT
USB TO DEVICE
58
èêàåÖóÄçàÖ
ÑËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚
ïÓÚﬂ Ò ÔÓÏÓ˘¸˛ ÔË¯Û˘Ëı ‰ËÒÍÓ‚Ó‰Ó‚
ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ÏÓÊÌÓ Ò˜ËÚ˚‚‡Ú¸
‰‡ÌÌ˚Â ‚ ËÌÒÚÛÏÂÌÚ, Ëı ÌÂÎ¸Áﬂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÒÓı‡ÌÂÌËﬂ.
çÂÒÏÓÚﬂ Ì‡ ÚÓ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ
ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÚ‡Ì‰‡Ú USB 1.1,
ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜ËÚ¸ Í ÌÂÏÛ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı 2.0.
é‰Ì‡ÍÓ ÒÍÓÓÒÚ¸ ÔÂÂ‰‡˜Ë ‰‡ÌÌ˚ı
·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÒÚ‡Ì‰‡ÚÛ
USB 1.1.
CLP240E.book Page 59 Wednesday, April 6, 2005 4:02 PM
èÓ‰ÍÎ˛˜ÂÌËÂ
á‡˘ËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË):
óÚÓ·˚ ÔÂ‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓÂ ÒÚË‡ÌËÂ ‰‡ÌÌ˚ı, ÔËÏÂÌﬂÈÚÂ Á‡˘ËÚÛ ÓÚ Á‡ÔËÒË,
ÍÓÚÓÓÈ ÓÒÌ‡˘ÂÌÓ Í‡Ê‰ÓÂ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ËÎË ÌÓÒËÚÂÎ¸. ÖÒÎË ‚˚ ÒÓı‡ÌﬂÂÚÂ
‰‡ÌÌ˚Â Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó, Û·Â‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË ÓÚÍÎ˛˜ÂÌ‡.
èÓÒÏÓÚ ‰‡ÌÌ˚ı Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
óÚÓ·˚ ÔÓÒÏÓÚÂÚ¸ ‰‡ÌÌ˚Â Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Ì‡
‰ËÒÔÎÂÂ CLP, Ì‡ÊÏËÚÂ ÌÂÒÍÓÎ¸ÍÓ ‡Á ÍÌÓÔÍÛ [SONG SELECT], ÔÓÍ‡ ÌÂ
Á‡„ÓËÚÒﬂ ËÌ‰ËÍ‡ÚÓ «USER» (ÒÚ. 42-43).
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı Ì‡ ÍÓÏÔ¸˛ÚÂ
■ êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡ Ì‡ ÍÓÏÔ¸˛ÚÂ
èÓÒÎÂ ÚÓ„Ó Í‡Í ‚˚ ÒÓı‡ÌËÎË ‰‡ÌÌ˚Â Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı,
ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˝ÚË ‰‡ÌÌ˚Â Ì‡ ÊÂÒÚÍËÈ ‰ËÒÍ ÍÓÏÔ¸˛ÚÂ‡, ‡ Á‡ÚÂÏ
‡ıË‚ËÓ‚‡Ú¸ Ë ÛÔÓﬂ‰Ó˜Ë‚‡Ú¸ ‰‡ÌÌ˚Â ÔÓ ÊÂÎ‡ÌË˛. èÓÒÚÓ ÔÓ‰ÍÎ˛˜ËÚÂ
ÛÒÚÓÈÒÚ‚Ó Í ÍÓÏÔ¸˛ÚÂÛ, Í‡Í ÔÓÍ‡Á‡ÌÓ ÌËÊÂ.
ëÓı‡ÌÂÌËÂ ‚ÌÂ¯ÌËı ‰‡ÌÌ˚ı Ì‡ USB-ÛÒÚÓÈÒÚ‚Â
àÌÒÚÛÏÂÌÚ
ê‡Á˙ÂÏ USB [TO DEVICE]
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
éÚÍÎ˛˜ËÚÂ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ÓÚ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓ‰ÍÎ˛˜ËÚÂ Â„Ó Í
ÍÓÏÔ¸˛ÚÂÛ.
ëÓı‡ÌÂÌËÂ ÂÁÂ‚ÌÓÈ ÍÓÔËË ‰‡ÌÌ˚ı Ì‡ ÍÓÏÔ¸˛ÚÂ Ë ÛÔÓﬂ‰Ó˜ÂÌËÂ Ù‡ÈÎÓ‚
Ë Ô‡ÔÓÍ
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
■ äÓÔËÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒÍ‡ ÍÓÏÔ¸˛ÚÂ‡ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
î‡ÈÎ˚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒÍ‡ ÍÓÏÔ¸˛ÚÂ‡ ÏÓÊÌÓ ÔÂÂÌÂÒÚË Ì‡ ËÌÒÚÛÏÂÌÚ, ÒÌ‡˜‡Î‡
ÒÍÓÔËÓ‚‡‚ Ëı Ì‡ Ò˙ÂÏÌ˚È ÌÓÒËÚÂÎ¸, ‡ Á‡ÚÂÏ ÔÓ‰ÍÎ˛˜Ë‚ ˝ÚÓÚ ÌÓÒËÚÂÎ¸ Í ËÌÒÚÛÏÂÌÚÛ.
ë ÊÂÒÚÍÓ„Ó ‰ËÒÍ‡ ÍÓÏÔ¸˛ÚÂ‡ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÏÓÊÌÓ
ÒÍÓÔËÓ‚‡Ú¸ ÌÂ ÚÓÎ¸ÍÓ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚Â ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ÌÓ Ë
ÒÚ‡Ì‰‡ÚÌ˚Â MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚Â Ì‡ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı. ëÍÓÔËÓ‚‡‚ ‰‡ÌÌ˚Â,
ÔÓ‰ÍÎ˛˜ËÚÂ ÛÒÚÓÈÒÚ‚Ó Í ÔÓÚÛ [USB TO DEVICE] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚Â‰ËÚÂ
‰‡ÌÌ˚Â Ì‡ ËÌÒÚÛÏÂÌÚÂ.
äÓÔËÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒÍ‡ ÍÓÏÔ¸˛ÚÂ‡ Ì‡ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
äÓÏÔ¸˛ÚÂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
éÚÍÎ˛˜ËÚÂ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÓÚ ÍÓÏÔ¸˛ÚÂ‡ Ë ÔÓ‰ÍÎ˛˜ËÚÂ Â„Ó
Í ËÌÒÚÛÏÂÌÚÛ.
ë˜ËÚ˚‚‡ÌËÂ ËÌÒÚÛÏÂÌÚÓÏ Ù‡ÈÎÓ‚, ı‡Ìﬂ˘ËıÒﬂ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
ê‡Á˙ÂÏ USB [TO DEVICE]
àÌÒÚÛÏÂÌÚ
USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
59
CLP240E.book Page 60 Wednesday, April 6, 2005 4:02 PM
èÓ‰ÍÎ˛˜ÂÌËÂ
èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡
èÓ‰ÍÎ˛˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ÔÓÚ˚ USB [TO HOST] ËÎË MIDI, ‚˚ ÏÓÊÂÚÂ ÔÂÂ‰‡‚‡Ú¸ ‰‡ÌÌ˚Â ÏÂÊ‰Û
ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ ˜ÂÂÁ ËÌÚÂÙÂÈÒ MIDI. ÑÎﬂ ˝ÚÓ„Ó ÛÒÚ‡ÌÓ‚ËÚÂ ‰‡È‚Â USB MIDI Ë ÔÓ„‡ÏÏÌÓÂ
Ó·ÂÒÔÂ˜ÂÌËÂ Musicsoft Downloader Ò ÔËÎ‡„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒÍ‡.
èÓ‰ÍÎ˛˜ËÚ¸ ÔË‡ÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏﬂ ÒÔÓÒÓ·‡ÏË:
1. èÓ‰ÍÎ˛˜ËÚ¸ ÔÓÚ USB Ì‡ èä Í ‡Á˙ÂÏÛ USB [TO HOST]
ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÏ. ÌËÊÂ).
2. àÒÔÓÎ¸ÁÓ‚‡Ú¸ MIDI-ËÌÚÂÙÂÈÒ Ë MIDI-‡Á˙ÂÏ˚ Clavinova
(ÒÚ. 61).
ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛ÚÂ Ó·ÓÛ‰Ó‚‡Ì USB-ËÌÚÂÙÂÈÒÓÏ, Ï˚ ÂÍÓÏÂÌ‰ÛÂÏ
ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ USB, ‡ ÌÂ MIDI.
ÖÒÎË ÍÓÏÔ¸˛ÚÂ ÔÓ‰ÍÎ˛˜ÂÌ ˜ÂÂÁ ËÌÚÂÙÂÈÒ USB, ÒË„Ì‡Î˚ MIDI
Ë„ÌÓËÛ˛ÚÒﬂ.
íÖêåàçéãéÉàü
Ñ‡È‚Â
Ñ‡È‚Â – ˝ÚÓ ÔÓ„‡ÏÏ‡, ÍÓÚÓ‡ﬂ
Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ËÌÚÂÙÂÈÒ ÔÂÂ‰‡˜Ë
‰‡ÌÌ˚ı ÏÂÊ‰Û ÓÔÂ‡ˆËÓÌÌÓÈ
ÒËÒÚÂÏÓÈ ÍÓÏÔ¸˛ÚÂ‡ Ë
ÔÓ‰ÒÓÂ‰ËÌÂÌÌ˚Ï Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
óÚÓ·˚ ÒÓÂ‰ËÌËÚ¸ ÍÓÏÔ¸˛ÚÂ Ë
ËÌÒÚÛÏÂÌÚ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸
‰‡È‚Â USB MIDI.
á‡ ·ÓÎÂÂ ÔÓ‰Ó·Ì˚Ï ÓÔËÒ‡ÌËÂÏ Ó·‡ÚËÚÂÒ¸ Í ÒÎÂ‰Û˛˘ËÏ ÒÚ‡ÌËˆ‡Ï.
ÇçàåÄçàÖ!
èË ÔÓ‰ÍÎ˛˜ÂÌËË ÔË‡ÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ‚Ì‡˜‡ÎÂ ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ Í‡Í ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, Ú‡Í Ë
ÍÓÏÔ¸˛ÚÂ‡. Ç˚ÔÓÎÌË‚ ÔÓ‰ÍÎ˛˜ÂÌËÂ, ‚ÍÎ˛˜ËÚÂ ÒÌ‡˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ÔË‡ÌËÌÓ Clavinova.
ÇçàåÄçàÖ!
ÖÒÎË ÔÓ‰ÍÎ˛˜ÂÌËÂ ÔË‡ÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ÌÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ, ÌÂÓ·ıÓ‰ËÏÓ ËÁ‚ÎÂ˜¸ Í‡·ÂÎ¸ ËÁ ‡Á˙ÂÏ‡
USB [TO HOST]. ÖÒÎË ÌÂ ÓÚÒÓÂ‰ËÌËÚ¸ Í‡·ÂÎ¸, Clavinova ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÌÂÔ‡‚ËÎ¸ÌÓ.
èÓ‰ÍÎ˛˜ÂÌËÂ ÔÓÚ‡ USB Ì‡ èä Í ‡Á˙ÂÏÛ USB ËÌÒÚÛÏÂÌÚ‡
Clavinova
ÑÎﬂ ÒÓÂ‰ËÌÂÌËﬂ ÔÓÚ‡ USB Ì‡ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST] Ì‡
ËÌÒÚÛÏÂÌÚÂ Clavinova ËÒÔÓÎ¸ÁÛÈÚÂ Í‡·ÂÎ¸ USB.
èêàåÖóÄçàÖ
• àÌÒÚÛÏÂÌÚ Ì‡˜ÌÂÚ ÔÂÂ‰‡˜Û ˜ÂÂÁ
ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ ÔÓÒÎÂ ÛÒÚ‡ÌÓ‚ÍË
USB-ÒÓÂ‰ËÌÂÌËﬂ.
• ÖÒÎË ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡
Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡·ÂÎ¸
USB, ÔÓ‰ÍÎ˛˜ÂÌËÂ ‰ÓÎÊÌÓ ·˚Ú¸
ÔﬂÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó
ÍÓÌˆÂÌÚ‡ÚÓ‡ USB).
• ÑÎﬂ ÔÓÎÛ˜ÂÌËﬂ Ò‚Â‰ÂÌËÈ Ó
Ì‡ÒÚÓÈÍÂ ÔÓ„‡ÏÏÌÓ„Ó
Ó·ÂÒÔÂ˜ÂÌËﬂ Ó·‡˘‡ÈÚÂÒ¸ Í
ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ˝ÚÓ„Ó
ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ.
ÇçàåÄçàÖ!
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÔÓÚ‡ USB [TO HOST]
èÓ‰ÍÎ˛˜‡ﬂ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ÒÎÂ‰ÛÈÚÂ ÔÂÂ˜ËÒÎÂÌÌ˚Ï ÌËÊÂ Ô‡‚ËÎ‡Ï. àı
ÌÂÒÓ·Î˛‰ÂÌËÂ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡ÌË˛ ÍÓÏÔ¸˛ÚÂ‡ Ë ÔÓ‚ÂÊ‰ÂÌË˛ ËÎË ÔÓÚÂÂ ‰‡ÌÌ˚ı. ÖÒÎË
ÍÓÏÔ¸˛ÚÂ ËÎË ËÌÒÚÛÏÂÌÚ Á‡‚ËÒ, ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÂÂÁ‡„ÛÁËÚÂ ÍÓÏÔ¸˛ÚÂ.
• èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ USB [TO HOST], ‚˚È‰ËÚÂ ËÁ ˝ÌÂ„ÓÒ·ÂÂ„‡˛˘Ëı ÂÊËÏÓ‚
ÍÓÏÔ¸˛ÚÂ‡ (ÂÊËÏ‡ ÓÊË‰‡ÌËﬂ, ÒÌ‡, „ÓÚÓ‚ÌÓÒÚË), Á‡ÍÓÈÚÂ ‚ÒÂ ÓÚÍ˚Ú˚Â ÔËÎÓÊÂÌËﬂ, ‡ Ú‡ÍÊÂ
‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ ËÌÒÚÛÏÂÌÚ‡.
• Ç˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ, ÔÂÊ‰Â ˜ÂÏ ÓÚÍÎ˛˜ËÚ¸ ÔËÚ‡ÌËÂ ËÌÒÚÛÏÂÌÚ‡, ÔÓ‰ÒÓÂ‰ËÌËÚ¸ USBÍ‡·ÂÎ¸ Í ÍÓÏÔ¸˛ÚÂÛ ËÎË ËÌÒÚÛÏÂÌÚÛ ËÎË ÓÚÒÓÂ‰ËÌËÚ¸ ÓÚ ÌÂ„Ó.
- á‡ÍÓÈÚÂ ‚ÒÂ ÓÚÍ˚Ú˚Â ÔËÎÓÊÂÌËﬂ Ì‡ ÍÓÏÔ¸˛ÚÂÂ.
- ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÌÂ Ë‰ÂÚ ÔÂÂ‰‡˜‡ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡. (Ñ‡ÌÌ˚Â ÔÂÂ‰‡˛ÚÒﬂ ÚÓÎ¸ÍÓ ÔË Ì‡Ê‡ÚËË
ÍÎ‡‚Ë¯ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ËÎË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÏÂÎÓ‰ËË.)
• ÇÓ ‚ÂÏﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ USB-ÛÒÚÓÈÒÚ‚‡ Í ËÌÒÚÛÏÂÌÚÛ ‰ÂÎ‡ÈÚÂ Ô‡ÛÁ˚ ÌÂ ÏÂÌÂÂ 6 ÒÂÍÛÌ‰ ÏÂÊ‰Û
ÒÎÂ‰Û˛˘ËÏË ÓÔÂ‡ˆËﬂÏË: ÏÂÊ‰Û ‚˚ÍÎ˛˜ÂÌËÂÏ Ë ‚ÍÎ˛˜ÂÌËÂÏ ÔËÚ‡ÌËﬂ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊÂ ÏÂÊ‰Û
ÔÓ‰ÒÓÂ‰ËÌÂÌËÂÏ Ë ÓÚÒÓÂ‰ËÌÂÌËÂÏ USB-Í‡·ÂÎﬂ.
60
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èÓ‰ÍÎ˛˜ÂÌËÂ
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ Clavinova
ÑÎﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ èä Í ËÌÒÚÛÏÂÌÚÛ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔÂˆË‡Î¸Ì˚ı
MIDI-Í‡·ÂÎÂÈ ËÒÔÓÎ¸ÁÛÈÚÂ MIDI-ËÌÚÂÙÂÈÒÌÓÂ ÛÒÚÓÈÒÚ‚Ó.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
61
CLP240E.book Page 62 Wednesday, April 6, 2005 4:02 PM
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
Ç ˆÂÎﬂı Ó·ÂÒÔÂ˜ÂÌËﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ÒÓı‡ÌﬂÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡
ÍÓÏÔ¸˛ÚÂÂ Ò ÔÓÏÓ˘¸˛ ÔËÎ‡„‡ÂÏÓ„Ó ÔËÎÓÊÂÌËﬂ Musicsoft Downloader (MSD). ùÚÓ Ó·ÂÒÔÂ˜ËÚ ÒÓı‡ÌÌÓÒÚ¸ ‰‡ÌÌ˚ı ‚
ÒÎÛ˜‡Â ÔÓ‚ÂÊ‰ÂÌËﬂ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË.
Ñ‡ÌÌ˚Â, ÍÓÚÓ˚Â ÏÓÊÌÓ ÒÓı‡ÌËÚ¸
1. ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚Â ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
ç‡ÒÚÓÈÍË Ô‡ÌÂÎË – ˝ÚÓ ÚÂ ÊÂ ‰‡ÌÌ˚Â, ÍÓÚÓ˚Â ‰ÓÒÚÛÔÌ˚ ‰Îﬂ
ÂÁÂ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË ÂÁÂ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËﬂ
(ÒÚ. 55). ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚Â ÏÂÎÓ‰ËË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÏÓÊÌÓ
ÒÓı‡ÌËÚ¸ ‚ Ó‰ÌÓÏ Ù‡ÈÎÂ.
èêàåÖóÄçàÖ
î‡ÈÎ, ÔË‚Â‰ÂÌÌ˚È ‚ #1 ÒÎÂ‚‡, ÌÂÎ¸Áﬂ
ÒÓı‡ÌËÚ¸ Ì‡ USB-ÛÒÚÓÈÒÚ‚Ó
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240).
2. ÇÌÂ¯ÌËÂ ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡.
ÑÂÈÒÚ‚Ëﬂ
1.
ìÒÚ‡ÌÓ‚ËÚÂ ‰‡È‚Â USB MIDI Ë ÔËÎÓÊÂÌËÂ MSD Ò
ÔËÎ‡„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒÍ‡ Accessory CD-ROM Ì‡
ÍÓÏÔ¸˛ÚÂ (ÔÓ‰ ÛÔ‡‚ÎÂÌËÂÏ Windows) Ë ÔÓ‰ÍÎ˛˜ËÚÂ Â„Ó
Í ËÌÒÚÛÏÂÌÚÛ.
àÌÒÚÛÍˆËË ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ ÒÏ. ‚ êÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ.
àÌÒÚÛÍˆËË ÔÓ ÔÓ‰ÍÎ˛˜ÂÌË˛ ÒÏ. ÒÚ. 56.
2.
èÂÂÏÂÒÚËÚÂ ‰‡ÌÌ˚Â Ì‡ ÍÓÏÔ¸˛ÚÂ.
ë ÔÓÏÓ˘¸˛ ÔËÎÓÊÂÌËﬂ MSD ÒÓı‡ÌËÚÂ Ù‡ÈÎ «CLP-xxx.BUP» ËÁ
Í‡Ú‡ÎÓ„‡ «System Drive» ‚ Ô‡ÔÍÂ «Electronic Musical Instruments» Ì‡
ÍÓÏÔ¸˛ÚÂ.
î‡ÈÎ «CLP-xxx.BUP» ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ. äÓÏÂ ÚÓ„Ó, ÂÒÎË ‚˚ ı‡ÌËÚÂ Ì‡ ËÌÒÚÛÏÂÌÚÂ
‚ÌÂ¯ÌËÂ ÏÂÎÓ‰ËË Ò ÍÓÏÔ¸˛ÚÂ‡, ÔÂÂÏÂÒÚËÚÂ Ò ÔÓÏÓ˘¸˛
ÔËÎÓÊÂÌËﬂ MSD ÏÂÎÓ‰ËË ËÁ Í‡Ú‡ÎÓ„‡ «Flash Memory» ‚ Ô‡ÔÍÂ
«Electronic Musical Instruments» Ì‡ ÍÓÏÔ¸˛ÚÂ.
àÌÒÚÛÍˆËË ÔÓ ËÒÔÓÎ¸ÁÓ‚‡ÌË˛ ÔËÎÓÊÂÌËﬂ MSD ÒÏ. ‚ ÏÂÌ˛
ëÔ‡‚Í‡ MSD.
óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Ì‡ÒÚÓÈÍË Ë Á‡„ÛÁËÚ¸ ÏÂÎÓ‰ËË ‚
ËÌÒÚÛÏÂÌÚ, ÔÂÂÏÂÒÚËÚÂ Ù‡ÈÎ «CLP-xxx.BUP» Ë ‚ÌÂ¯ÌËÂ
ÏÂÎÓ‰ËË ‚ Ô‡ÔÍË, ‚ ÍÓÚÓ˚ı ‚˚ ı‡ÌËÚÂ Ù‡ÈÎ˚.
èêàåÖóÄçàÖ
äÓ„‰‡ Ì‡ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰ÍÎ˛˜ÂÌÌÓÏ Í
ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒÍ‡ÂÚÒﬂ ÔËÎÓÊÂÌËÂ
MSD, Ì‡ ‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ «con»
(ÔÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ). äÓ„‰‡
ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò
ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂÎ¸Áﬂ.
èêàåÖóÄçàÖ
èËÎÓÊÂÌËÂ Musicsoft Downloader
ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ
‡·ÓÚ‡ÂÚ ‚ ÒÎÂ‰Û˛˘Ëı ÂÊËÏ‡ı:
• ‚ ÂÊËÏÂ ‰ÂÏÓÌÒÚ‡ˆËË;
• ‚ ÂÊËÏÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÏÂÎÓ‰ËË;
• ‚ ÂÊËÏÂ Á‡ÔËÒË;
• ‚ ÂÊËÏÂ ÓÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË
(„ÓËÚ Ó‰ËÌ ËÁ ËÌ‰ËÍ‡ÚÓÓ‚ ÍÌÓÔÍË
[FILE]).
èêàåÖóÄçàÖ
ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ (Ù‡ÈÎ CLP-xxx.BUP)
ÔÓÒÎÂ ÒÓı‡ÌÂÌËﬂ Ì‡ ÍÓÏÔ¸˛ÚÂÂ
ÓÒÚ‡˛ÚÒﬂ ‚ ËÌÒÚÛÏÂÌÚÂ.
62
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ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ
ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ
ëÓÓ·˘ÂÌËÂ
äÓÏÏÂÌÚ‡ËÈ
CLr
Ç˚‚Ó‰ËÚÒﬂ ÔÓÒÎÂ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ Á‡‚Ó‰ÒÍËı Ì‡ÒÚÓÂÍ.
con
Ç˚‚Ó‰ËÚÒﬂ, ÍÓ„‰‡ Ì‡ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰ÍÎ˛˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒÍ‡ÂÚÒﬂ ÔËÎÓÊÂÌËÂ Musicsoft Downloader.
äÓ„‰‡ ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂÎ¸Áﬂ.
E01
ìÍ‡Á˚‚‡ÂÚ Ì‡ Ó¯Ë·ÍÛ ‰ÓÒÚÛÔ‡ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ËÁ-Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ ÛÒÚÓÈÒÚ‚‡ ËÎË ÌÓÒËÚÂÎﬂ.
E02
Ç˚‚Ó‰ËÚÒﬂ ÔË ÔÓ‚ÂÊ‰ÂÌËË ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË.
E04
ìÍ‡Á˚‚‡ÂÚ, ˜ÚÓ Ó·˙ÂÏ ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË ÒÎË¯ÍÓÏ ·ÓÎ¸¯ÓÈ, ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ Á‡„ÛÁËÚ¸.
End
Ç˚‚Ó‰ËÚÒﬂ ÔÓ Á‡‚Â¯ÂÌËË ÚÂÍÛ˘ÂÈ ÓÔÂ‡ˆËË.
Err
Ç˚‚Ó‰ËÚÒﬂ, ÂÒÎË Í‡·ÂÎ¸ MIDI/USB ÓÚÒÓÂ‰ËÌÂÌ ÔË Á‡ÔÛÒÍÂ ÔËÎÓÊÂÌËﬂ Musicsoft Downloader Ì‡ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰ÍÎ˛˜ÂÌÌÓÏ
Í ËÌÒÚÛÏÂÌÚÛ.
FCL
ìÍ‡Á˚‚‡ÂÚ, ˜ÚÓ ‚ÒÚÓÂÌÌ‡ﬂ Ô‡ÏﬂÚ¸ Ó˜Ë˘ÂÌ‡. á‡ÔËÒ‡ÌÌ˚Â Ë ‚ÌÂ¯ÌËÂ ÏÂÎÓ‰ËË, Á‡„ÛÊÂÌÌ˚Â Ò ÍÓÏÔ¸˛ÚÂ‡, ÒÚÂÚ˚,
ÔÓÒÍÓÎ¸ÍÛ ÔËÚ‡ÌËÂ ·˚ÎÓ ÓÚÍÎ˛˜ÂÌÓ ‰Ó Á‡‚Â¯ÂÌËﬂ ÒÓı‡ÌÂÌËﬂ ËÎË Á‡„ÛÁÍË ÏÂÎÓ‰ËË.
For
ìÍ‡Á˚‚‡ÂÚ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì‡ıÓ‰ËÚÒﬂ ‚ ÂÊËÏÂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı.
Full
Ç˚‚Ó‰ËÚÒﬂ, ÂÒÎË ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ÏÂÎÓ‰ËÈ ‚ÒÚÓÂÌÌ‡ﬂ Ô‡ÏﬂÚ¸ ÔÂÂÔÓÎÌﬂÂÚÒﬂ.
Ç˚‚Ó‰ËÚÒﬂ, ÂÒÎË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÔÂÂÔÓÎÌÂÌÓ Ë ÏÂÎÓ‰Ë˛ ÌÂ‚ÓÁÏÓÊÌÓ ÒÓı‡ÌËÚ¸.
Ç˚‚Ó‰ËÚÒﬂ, ÂÒÎË Ó·˘ËÈ Ó·˙ÂÏ Ù‡ÈÎÓ‚ ÒÚ‡ÌÓ‚ËÚÒﬂ ÒÎË¯ÍÓÏ ·ÓÎ¸¯ËÏ.
Lod
Ç˚‚Ó‰ËÚÒﬂ ‚Ó ‚ÂÏﬂ Á‡„ÛÁÍË Á‡˘Ë˘ÂÌÌÓÈ ÏÂÎÓ‰ËË.
ny
èÓ‰Ú‚ÂÊ‰‡ÂÚ ËÎË ÌÂ ÔÓ‰Ú‚ÂÊ‰‡ÂÚ ‚˚ÔÓÎÌÂÌËÂ Í‡Ê‰ÓÈ ÓÔÂ‡ˆËË.
n– y
èÓ‚ÚÓÌÓ ÔÓ‰Ú‚ÂÊ‰‡ÂÚ ‚˚ÔÓÎÌÂÌËÂ ÓÔÂ‡ˆËË ÔÂÂÁ‡ÔËÒË, Û‰‡ÎÂÌËﬂ ËÎË ÙÓÏ‡ÚËÓ‚‡ÌËﬂ.
Pro
ìÍ‡Á˚‚‡ÂÚ, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ËÎË ÌÓÒËÚÂÎ¸ Á‡˘Ë˘ÂÌ ÓÚ Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
63
CLP240E.book Page 64 Wednesday, April 6, 2005 4:02 PM
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ
èÓ·ÎÂÏ‡
ÇÓÁÏÓÊÌ˚Â ÔË˜ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËﬂ
èË‡ÌËÌÓ Clavinova ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ.
èË‡ÌËÌÓ Clavinova ÌÂÔ‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌÓ Í ÓÁÂÚÍÂ. èÓ‚Â¸ÚÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ Í
‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ (ÒÚ. 11).
èË ‚ÍÎ˛˜ÂÌËË Ë ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ÒÎ˚¯Ì˚
˘ÂÎ˜ÍË ËÎË ÚÂÒÍ.
í‡Í ‚ÒÂ„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍÎ˛˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËﬂ.
ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰ËÌ‡ÏËÍÓ‚ Ë Ì‡Û¯ÌËÍÓ‚.
òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒÎÂ‰ÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÏÓ·ËÎ¸ÌÓ„Ó ÚÂÎÂÙÓÌ‡ ‚
ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍÎ˛˜ËÚÂ ÏÓ·ËÎ¸Ì˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó Ì‡
·ÓÎ¸¯ÂÏ ‡ÒÒÚÓﬂÌËË ÓÚ Clavinova.
é·˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÒÎË¯ÍÓÏ ÌËÁÓÍ, ËÎË Á‚ÛÍ
ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
• Ç˚·‡Ì ÒÎË¯ÍÓÏ ÌËÁÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, ÛÒÚ‡ÌÓ‚ËÚÂ ÌÛÊÌ˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Ò
ÔÓÏÓ˘¸˛ Â„ÛÎﬂÚÓ‡ [MASTER VOLUME].
• ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡Û¯ÌËÍË ÌÂ ÔÓ‰ÍÎ˛˜ÂÌ˚ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ (ÂÒÎË
ÔÂÂÍÎ˛˜‡ÚÂÎ¸ SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ «NORMAL»). ÖÒÎË ÔÂÂÍÎ˛˜‡ÚÂÎ¸
SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ «OFF», ÔÓÒÚ‡‚¸ÚÂ Â„Ó ‚ ÔÓÎÓÊÂÌËÂ «NORMAL» ËÎË «ON»
(ÒÚ. 12).
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îﬂ ÙÛÌÍˆËË Local Control (ÒÚ. 53) ‚˚·‡Ì Ô‡‡ÏÂÚ ON.
ÑËÌ‡ÏËÍË ÌÂ ÓÚÍÎ˛˜‡˛ÚÒﬂ ÔË ÔÓ‰ÒÓÂ‰ËÌÂÌËË
Ì‡Û¯ÌËÍÓ‚.
ÇÓÁÏÓÊÌÓ, ÔÂÂÍÎ˛˜‡ÚÂÎ¸ SPEAKER Ì‡ıÓ‰ËÚÒﬂ ‚ ÔÓÎÓÊÂÌËË «ON». ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸
SPEAKER ‚ ÔÓÎÓÊÂÌËÂ «NORMAL» (ÒÚ. 12).
è‡‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔÓ‰ÎÂ‚‡ÂÚÒﬂ,
‰‡ÊÂ ÂÒÎË ÓÌ‡ ÌÂ Ì‡Ê‡Ú‡.
ÇÓÁÏÓÊÌÓ, Í‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ ÌÂÔ‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ ÔÎÓÚÌÓ
‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 67).
(CLP-240)
ïÓÚﬂ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı
ÔÓ‰ÍÎ˛˜ÂÌÓ, ËÌ‰ËÍ‡ÚÓ SONG SELECT «USB» ÌÂ
Á‡„Ó‡ÂÚÒﬂ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [SONG SELECT].
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÏÓÊÂÚ ÌÂ ‡ÒÔÓÁÌ‡‚‡Ú¸Òﬂ ËÌÒÚÛÏÂÌÚÓÏ. ùÚÓ Á‡‚ËÒËÚ ÓÚ
Ò‡ÏÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ‚˚·Ó‡ ÏÓÏÂÌÚ‡ ‚ÂÏÂÌË ‰Îﬂ ‡ÒÔÓÁÌ‡‚‡ÌËﬂ.
1. èÓ‚Â¸ÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [SELECT].
ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌËÂ «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ
‡Á˙ÂÏ.
2. èÓ‚Â¸ÚÂ ËÒÔ‡‚ÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡.
èÓ‚Â¸ÚÂ, ÏË„‡ÂÚ ÎË ËÌ‰ËÍ‡ÚÓ FILE «LOAD» ÔÓÒÎÂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı. ÖÒÎË ËÌ‰ËÍ‡ÚÓ ÌÂ ÏË„‡ÂÚ, ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂÊ‰ÂÌÓ.
3. èÓ‚Â¸ÚÂ, ÔÓ‰Ú‚ÂÊ‰ÂÌ‡ ÎË ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).
4. Ö˘Â ‡Á ‚˚·ÂËÚÂ SONG SELECT «USB».
àÌÒÚÛÏÂÌÚÛ ÔÓÌ‡‰Ó·ËÚÒﬂ ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ, ˜ÚÓ·˚ ‡ÒÔÓÁÌ‡Ú¸ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ
‰‡ÌÌ˚ı. ëÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ËÌ‰ËÍ‡ÚÓ «USB».
(CLP-240)
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı Á‡‚ËÒÎÓ (ÌÂ
ÓÚ‚Â˜‡ÂÚ).
• USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ÌÂÒÓ‚ÏÂÒÚËÏÓ Ò ËÌÒÚÛÏÂÌÚÓÏ. àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ ÚÂ
ÛÒÚÓÈÒÚ‚‡, ˜¸ﬂ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔË‡ÌËÌÓ ÔÓ‰Ú‚ÂÊ‰ÂÌ‡ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58).
• éÚÒÓÂ‰ËÌËÚÂ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰ÍÎ˛˜ËÚÂ Â„Ó.
çÂÓ·ﬂÁ‡ÚÂÎ¸Ì˚Â ˝ÎÂÏÂÌÚ˚
ëÍ‡ÏÂÈÍ‡ BC-100
ì‰Ó·Ì‡ﬂ ÒÍ‡ÏÂÈÍ‡, Ò‰ÂÎ‡ÌÌ‡ﬂ ÒÔÂˆË‡Î¸ÌÓ ‰Îﬂ Ë„˚ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË
Yamaha.
ëÚÂÂÓÌ‡Û¯ÌËÍË HPE-160
ãÂ„ÍËÂ Ë ‚˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚Â Ì‡Û¯ÌËÍË Ò Ïﬂ„ÍËÏË ÔÓÍÎ‡‰Í‡ÏË ‰Îﬂ Û¯ÂÈ.
àÌÚÂÙÂÈÒ UX16 USB-MIDI
àÌÚÂÙÂÈÒ USB-to-MIDI ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ÍÓÏÔ¸˛ÚÂ‡, Ó·ÓÛ‰Ó‚‡ÌÌÓ„Ó ÔÓÚ‡ÏË USB,
Í MIDI-ÛÒÚÓÈÒÚ‚Û (Ì‡ÔËÏÂ, Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ).
ìÒÚÓÈÒÚ‚Ó UD-FD01 USB-FDD (CLP-240)
ÑËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÍÓÚÓ˚È ÔÓ‰ÍÎ˛˜‡ÂÚÒﬂ Í ËÌÒÚÛÏÂÌÚÛ ‰Îﬂ ÒÓı‡ÌÂÌËﬂ Ë Á‡„ÛÁÍË
‰‡ÌÌ˚ı.
64
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
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CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚
CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ
ÍÎ‡‚Ë‡ÚÛ˚
ÇçàåÄçàÖ!
• çÂ ÔÂÂÔÛÚ‡ÈÚÂ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ Ëı ‚ Ô‡‚ËÎ¸ÌÓÏ Ì‡Ô‡‚ÎÂÌËË. ëÓ·Ë‡ÈÚÂ ÛÒÚÓÈÒÚ‚Ó ‚ Ô‡‚ËÎ¸ÌÓÏ ÔÓﬂ‰ÍÂ.
• ÑÎﬂ Ò·ÓÍË ÚÂ·ÛÂÚÒﬂ ÌÂ ÏÂÌÂÂ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
• ì·Â‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓÎ¸ÁÛÂÚÂ ‚ËÌÚ˚ ÛÍ‡Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. èËÏÂÌÂÌËÂ ‚ËÌÚÓ‚ ÌÂÔ‡‚ËÎ¸ÌÓ„Ó ‡ÁÏÂ‡ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸
ËÌÒÚÛÏÂÌÚ.
• èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Ó·ﬂÁ‡ÚÂÎ¸ÌÓ Á‡ÚﬂÌËÚÂ ‚ËÌÚ˚.
• ÑÎﬂ ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚÂ ÛÍ‡Á‡ÌÌ˚Â ‰ÂÈÒÚ‚Ëﬂ ‚ Ó·‡ÚÌÓÏ ÔÓﬂ‰ÍÂ.
èË„ÓÚÓ‚¸ÚÂ ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò
Ì‡ÍÓÌÂ˜ÌËÍÓÏ Phillips (+).
Ç˚Ì¸ÚÂ ‚ÒÂ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ÒÂ ÛÍ‡Á‡ÌÌ˚Â Ì‡ ËÒÛÌÍÂ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ
ÂÒÚ¸ ‚ Ì‡ÎË˜ËË.
ÑÎËÌÌ˚Â ¯ÛÛÔ˚ 6 x 25 ÏÏ, 4 ¯Ú.
ä‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
A
äÓÓÚÍËÂ ¯ÛÛÔ˚ 6 x 16 ÏÏ, 4 ¯Ú.
(îÓÏ‡ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ
ÒÚ‡Ì˚.)
èÂÌÓÔÎ‡ÒÚÓ‚˚Â ÔÓÍÎ‡‰ÍË
Ç˚Ì¸ÚÂ ÔÂÌÓÔÎ‡ÒÚÓ‚˚Â ÔÓÍÎ‡‰ÍË Ë ÔÓÎÓÊËÚÂ Ì‡ ÌËı Ä.
ê‡ÒÔÓÎÓÊËÚÂ ÔÂÌÓÔÎ‡ÒÚÓ‚˚Â ÔÓÍÎ‡‰ÍË Ú‡Í, ˜ÚÓ·˚ ÌÂ ÔÓ‚Â‰ËÚ¸
Ô‡ÌÂÎ¸ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ‚ÌËÁÛ Ä.
íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 12 ÏÏ, 2 ¯Ú.
ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚
íÓÌÍËÂ Ò‡ÏÓÂÁ˚ 4 x 20 ÏÏ, 5 ¯Ú.
B
íÓÌÍËÂ ¯ÛÛÔ˚ 4 x 10 ÏÏ, 2 ¯Ú.
á‡˘ËÚÌ˚Â ÔÓÍÎ‡‰ÍË ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË (Í‡ÚÓÌÌ˚Â), 2 ¯Ú.
ä‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË
C
D
1.
èÓ‰ÒÓÂ‰ËÌËÚÂ D Ë E Í C.
ÑÂÊ‡ÚÂÎË ‰Îﬂ Í‡·ÂÎÂÈ, 2 ¯Ú.
E
1-1
1-2
éÚ‚ﬂÊËÚÂ Ë ‡ÒÔﬂÏËÚÂ ÛÔ‡ÍÓ‚‡ÌÌ˚È
Í‡·ÂÎ¸. çÂ ‚˚·‡Ò˚‚‡ÈÚÂ ÍÂÔÎÂÌËÂ, ÓÌÓ
ÔÓÌ‡‰Ó·ËÚÒﬂ ‚‡Ï Ì‡ ¯‡„Â 5.
á‡ÍÂÔËÚÂ C Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı
‰ÎËÌÌ˚ı ¯ÛÛÔÓ‚ 6 x 25 ÏÏ.
1-1
1-2
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
65
CLP240E.book Page 66 Wednesday, April 6, 2005 4:02 PM
CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚
2.
2-1
2-2
èËÒÓÂ‰ËÌËÚÂ Ç.
èÓÏÂÒÚËÚÂ ÌËÊÌËÂ Í‡ﬂ B Ì‡
‚˚ÒÚÛÔ‡˛˘ËÂ Í‡ﬂ D Ë E Ë ‚˚Ó‚ÌﬂÈÚÂ
ÔÓ ÌËÏ ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
ÇÂÏÂÌÌÓ Á‡ÍÂÔËÚÂ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Ò
ÔÓÏÓ˘¸˛ ÚÓÌÍËı ¯ÛÛÔÓ‚ 4 ı 12.
2-2
3-3
ëÓ‚ÏÂÒÚËÚÂ ·ÓÍÓ‚ÓÂ Û„ÎÛ·ÎÂÌËÂ Ì‡ A Ò
‚ÌÛÚÂÌÌÂÈ ÒÚÓÓÌÓÈ D Ë E. éÔÛÒÚËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ ÎÂ‚Û˛ Ë Ô‡‚Û˛ ÒÚÓÓÌÛ A
Ë Á‡ÍÂÔËÚÂ Ò ÔÓÏÓ˘¸˛ D Ë E.
ÇçàåÄçàÖ!
• ëÎÂ‰ËÚÂ Á‡ ÚÂÏ, ˜ÚÓ·˚ ÌÂ Á‡˘ÂÏËÚ¸ Ô‡Î¸ˆ˚ ÏÂÊ‰Û
ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË
Ô‡ÌÂÎﬂÏË. ÅÛ‰¸ÚÂ ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë ÌÂ ÛÓÌËÚÂ
ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸.
• ÑÂÊËÚÂ ÍÎ‡‚Ë‡ÚÛÛ ÚÓÎ¸ÍÓ Ú‡Í, Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
2-3
2-3
3.
3-1
á‡ÍÂÔËÚÂ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ò‡ÏÓÂÁ‡ÏË
4 ı 20.
ìÒÚ‡ÌÓ‚ËÚÂ Ä.
ëÓ·ÂËÚÂ Á‡˘ËÚÌ˚Â ÔÓÍÎ‡‰ÍË ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË (Í‡ÚÓÌÌ˚Â), Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡
ËÒÛÌÍÂ. á‡ÚÂÏ Û‰‡ÎËÚÂ ‰‚Â ·ÛÏ‡ÊÌ˚Â
ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ Ì‡ Á‡˘ËÚÌÓÈ
ÔÓÍÎ‡‰ÍÂ.
ÑÂÊËÚÂ ÛÍË Ì‡ ‡ÒÒÚÓﬂÌËË
ÌÂ ÏÂÌÂÂ 10 ÒÏ ÓÚ Ó·ÂËı
ÒÚÓÓÌ Ä ÔË ÂÂ ÛÒÚ‡ÌÓ‚ÍÂ.
3-4
3-2
66
ç‡ÍÓÈÚÂ ‚ÂıÌ˛˛ ÒÚÓÓÌÛ D Ë E
Á‡˘ËÚÌÓÈ ÔÓÍÎ‡‰ÍÓÈ ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË.
á‡ÚÂÏ Á‡ÍÂÔËÚÂ Á‡˘ËÚÌÛ˛ ÔÓÍÎ‡‰ÍÛ
ÍÎÂÈÍÓÈ ÎÂÌÚÓÈ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
3-5
èÓ‰‰ÂÊË‚‡ﬂ ÌËÊÌ˛˛ ÒÚÓÓÌÛ D Ë E
Ó‰ÌÓÈ ÛÍÓÈ, ÒÎÂ„Í‡ Ì‡‰‡‚ËÚÂ Ì‡ A ÒÓ
ÒÚÓÓÌ˚ ÍÎ‡‚Ë‡ÚÛ˚.
ì‰‡ÎËÚÂ Á‡˘ËÚÌÛ˛ ÔÓÍÎ‡‰ÍÛ ·ÓÍÓ‚ÓÈ
Ô‡ÌÂÎË.
CLP240E.book Page 67 Wednesday, April 6, 2005 4:02 PM
CLP-240/230: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚
á‡ÍÂÔËÚÂ A Ò ÔÂÂ‰ÌÂÈ ÒÚÓÓÌ˚
ÍÓÓÚÍËÏË ¯ÛÛÔ‡ÏË 6 x 16 ÏÏ.
á‡ÚﬂÌËÚÂ ¯ÛÛÔ˚ (¯‡„Ë 2-2), Á‡ÍÂÔË‚
‚ÂıÌ˛˛ ÒÚÓÓÌÛ B.
PC-2
Mac
4-2
5-1
MIDIPC-1
4-1
CLP-230
èËÍÂÔËÚÂ Ä.
PEDA
L
4.
5-3
5-2
4-2
6.
èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ.
4 -1
PC-2
Mac
5-3
110
127
5-2
ÇÒÚ‡‚¸ÚÂ ‚ËÎÍÛ Í‡·ÂÎﬂ ÔÂ‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚
‡Á˙ÂÏ ‰Îﬂ ÔÂ‰‡ÎÂÈ.
220
5-1
èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔÂ‰‡ÎË.
MIDIPC-1
5.
240
èËÒÓÂ‰ËÌËÚÂ Í B ‰ÂÊ‡ÚÂÎË Í‡·ÂÎÂÈ,
Á‡ÚÂÏ ‚ÒÚ‡‚¸ÚÂ Í‡·ÂÎ¸ ‚ ‰ÂÊ‡ÚÂÎË.
ë‚ﬂÊËÚÂ Í‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛
ÍÂÔÎÂÌËﬂ ‰Îﬂ Í‡·ÂÎÂÈ.
CLP-240
5-1
ÇÒÚ‡‚¸ÚÂ ‚ËÎÍÛ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ ‚ AC INLET.
Ç ÏÓ‰ÂÎﬂı Ò ÔÂÂÍÎ˛˜‡ÚÂÎﬂÏË Ì‡ÔﬂÊÂÌËﬂ
ÛÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ ‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÁÌ‡˜ÂÌËÂ.
èÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ
PC-2
Mac
5-2
MIDIPC-1
5-3
Ç ÌÂÍÓÚÓ˚ı Â„ËÓÌ‡ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸
Ì‡ÔﬂÊÂÌËﬂ. èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ Í‡·ÂÎ¸
ÔËÚ‡ÌËﬂ, ÔÓ‚Â¸ÚÂ, Ô‡‚ËÎ¸ÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ.
ÑÎﬂ ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍÎ˛˜‡ÚÂÎﬂ Ì‡ 110, 127, 220 ËÎË
240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚÂ ‰ËÒÍ Ú‡Í,
˜ÚÓ·˚ Ô‡‚ËÎ¸ÌÓÂ Ì‡ÔﬂÊÂÌËÂ ‰Îﬂ ‚‡¯Â„Ó Â„ËÓÌ‡
Ì‡ıÓ‰ËÎÓÒ¸ Ì‡ÔÓÚË‚ ÛÍ‡Á‡ÚÂÎﬂ Ì‡ Ô‡ÌÂÎË. èË
ÔÓÒÚ‡‚ÍÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡
Ì‡ÔﬂÊÂÌËÂ ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
Ì‡ÔﬂÊÂÌËÂ, ÔÓ‰ÍÎ˛˜ËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ Í ‡Á˙ÂÏÛ
AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı Â„ËÓÌ‡ı
‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒﬂ
ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
èêÖÑìèêÖÜÑÖçàÖ
çÂÔ‡‚ËÎ¸Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ Ì‡ÔﬂÊÂÌËﬂ ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ
ÔÓ‚Â‰ËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸
ÌÂÔ‡‚ËÎ¸ÌÛ˛ ‡·ÓÚÛ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
67
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7.
èÓÒÎÂ Ò·ÓÍË ÔÓ‚Â¸ÚÂ ÒÎÂ‰Û˛˘ÂÂ.
ìÒÚ‡ÌÓ‚ËÚÂ Â„ÛÎﬂÚÓ ‚˚ÒÓÚ˚.
èÓ‚Ó‡˜Ë‚‡ÈÚÂ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó
ÚÂı ÔÓ, ÔÓÍ‡ ÓÌ ÌÂ ÔË‰ÂÚ ‚ ÚÂÒÌ˚È
ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓÎ‡.
• çÂ ÓÒÚ‡ÎÓÒ¸ ÎË «ÎË¯ÌËı» ‰ÂÚ‡ÎÂÈ?
èÓ‚Â¸ÚÂ Ò·ÓÍÛ Ë ËÒÔ‡‚¸ÚÂ Ó¯Ë·ÍË.
• çÂ ÏÂ¯‡ÂÚ ÎË ÔË‡ÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏÂ˘‡Ú¸ ÔÂ‰ÏÂÚ˚?
èÓÒÚ‡‚¸ÚÂ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ ÏÂÒÚÓ.
• çÂ «·ÓÎÚ‡ÂÚÒﬂ» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó
ÚﬂÒÂÚÂ?
á‡ÚﬂÌËÚÂ ‚ÒÂ ‚ËÌÚ˚.
8.
• çÂ ÒÏÂ˘‡ÂÚÒﬂ ÎË ÔÂ‰‡Î¸Ì˚È ·ÎÓÍ Ë ÌÂ ÒÎ˚¯ÌÓ ÎË
‰Â·ÂÁÊ‡ÌËﬂ ÔË Ì‡Ê‡ÚËË Ì‡ ÔÂ‰‡ÎË?
èÓ‚ÂÌËÚÂ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓﬂÎ
Ì‡ ÔÓÎÛ.
èËÍÂÔËÚÂ Í˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚.
åÓÊÌÓ ÔËÍÂÔËÚ¸ Í˛˜ÓÍ Í ÔË‡ÌËÌÓ
Clavinova, ˜ÚÓ·˚ ‚Â¯‡Ú¸ Ì‡ ÌÂ„Ó
Ì‡Û¯ÌËÍË.
á‡ÍÂÔËÚÂ Í˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ Ì‡
ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚
(4 ı 10 ÏÏ), Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
• èÎÓÚÌÓ ÎË ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚ Í‡·ÂÎË ÔÂ‰‡ÎË Ë
ÔËÚ‡ÌËﬂ?
èÓ‚Â¸ÚÂ ÒÓÂ‰ËÌÂÌËﬂ.
• ÖÒÎË ÔË Ë„Â Ì‡ ÍÎ‡‚Ë¯‡ı ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸
ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓÈ˜Ë‚‡, ÔÓÒÏÓÚËÚÂ
ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚﬂÌËÚÂ ‚ÒÂ ‚ËÌÚ˚.
èË ÔÂÂÏÂ˘ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡
‚ÒÂ„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó
·ÎÓÍ‡.
ÇçàåÄçàÖ!
çÂ ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÂÂ ‚ÂıÌ˛˛
˜‡ÒÚ¸. çÂÔ‡‚ËÎ¸Ì‡ﬂ ˝ÍÒÔÎÛ‡Ú‡ˆËﬂ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓﬂ ËÎË Í Ú‡‚ÏÂ.
ÅÂËÚÂÒ¸ Á‰ÂÒ¸.
çÂ ·ÂËÚÂÒ¸ Á‰ÂÒ¸.
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CLP240E.book Page 69 Wednesday, April 6, 2005 4:02 PM
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı
‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240)
Ç ÔË‡ÌËÌÓ CLP-240 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı
‰ËÒÍÓ‚. àÌÒÚÛÍˆËË ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
ÒÏ. Ì‡ ÒÚ. 70.
ÑËÒÍÓ‚Ó‰ ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌﬂÚ¸ Ì‡ ‰ËÒÍÂÚÛ ‰‡ÌÌ˚Â, ÒÓÁ‰‡ÌÌ˚Â
‚‡ÏË Ì‡ ËÌÒÚÛÏÂÌÚÂ, ‡ Ú‡ÍÊÂ Á‡„ÛÊ‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚.
ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. èËÌËÏ‡ÈÚÂ
‚ÒÂ ÛÍ‡Á‡ÌÌ˚Â ÏÂ˚ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË.
ëÓ‚ÏÂÒÚËÏ˚Â ‰ËÒÍÂÚ˚
• åÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.
îÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚
• ÖÒÎË ÌÂ Û‰‡ÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌÓ‚˚Â ˜ËÒÚ˚Â ‰ËÒÍÂÚ˚ ËÎË
‰ËÒÍÂÚ˚, ÍÓÚÓ˚Â ËÒÔÓÎ¸ÁÓ‚‡ÎËÒ¸ Ì‡ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı
ÌÛÊÌÓ ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸. àÌÒÚÛÍˆËË ÔÓ ÙÓÏ‡ÚËÓ‚‡ÌË˛
‰ËÒÍÂÚ˚ ÒÏ. Ì‡ ÒÚ. 39. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒÎÂ ÙÓÏ‡ÚËÓ‚‡ÌËﬂ
‚ÒÂ ‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ ·Û‰ÛÚ ÛÌË˜ÚÓÊÂÌ˚. á‡‡ÌÂÂ
ÔÓ‚Â¸ÚÂ, ÂÒÚ¸ ÎË Ì‡ ‰ËÒÍÂÚÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â.
ÑËÒÍÂÚ˚, ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌ˚Â Ì‡ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸
ÌÂÔË„Ó‰Ì˚ ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ì‡ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â.
ìÒÚ‡ÌÓ‚Í‡ Ë Û‰‡ÎÂÌËÂ ‰ËÒÍÂÚ
ìÒÚ‡ÌÓ‚Í‡ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰
ÑÂÊËÚÂ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓÎ¸Áﬂ˘ÂÈ ¯ÚÓÍÓÈ ‚ÔÂÂ‰
ÔÓ Ì‡Ô‡‚ÎÂÌË˛ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ
‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïﬂ„ÍÓ ÚÓÎÍÌËÚÂ ‚ÔÂÂ‰, ÔÓÍ‡ ÌÂ ÛÒÎ˚¯ËÚÂ
˘ÂÎ˜ÓÍ Ë ÌÂ ‚˚ÒÍÓ˜ËÚ ÍÌÓÔÍ‡ ‰ËÒÍÓ‚Ó‰‡.
çÂ ‚ÒÚ‡‚ÎﬂÈÚÂ ‚ ‰ËÒÍÓ‚Ó‰ ÌË˜Â„Ó, ÍÓÏÂ ‰ËÒÍÂÚ.
ÑÛ„ËÂ ÔÂ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚Â‰ËÚ¸ ‰ËÒÍÓ‚Ó‰
ËÎË ‰ËÒÍÂÚÛ.
ì‰‡ÎÂÌËÂ ‰ËÒÍÂÚ˚
• èÓÒÎÂ ÚÓ„Ó Í‡Í Û·Â‰ËÚÂÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ÌÂ Ó·‡˘‡ÂÚÒﬂ Í
‰ËÒÍÂÚÂ (ÌÂ „ÓËÚ ËÌ‰ËÍ‡ÚÓ Ì‡ ‰ËÒÍÓ‚Ó‰Â), Ì‡ÊÏËÚÂ ‰Ó
ÛÔÓ‡ ÍÌÓÔÍÛ, ÍÓÚÓ‡ﬂ Ì‡ıÓ‰ËÚÒﬂ ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ
‰ËÒÍÓ‚Ó‰‡, ˜ÚÓ·˚ ËÁ‚ÎÂ˜¸ ‰ËÒÍÂÚÛ. äÓ„‰‡ ‰ËÒÍÂÚ‡
‚˚‰‚ËÌÂÚÒﬂ, ‚˚Ú‡˘ËÚÂ ÂÂ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ ÌÂ
Û‰‡ÂÚÒﬂ ‚˚Ú‡˘ËÚ¸, ÌÂ ÔËÏÂÌﬂÈÚÂ ÒËÎÛ. Ö˘Â ‡Á ÔÓÔÓ·ÛÈÚÂ
Ì‡Ê‡Ú¸ Ì‡ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËﬂ ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸
‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òﬂ ‚˚‰‚ËÌÛÚ¸ ÂÂ.
* çÂ ‚˚ÔÓÎÌﬂ˛ÚÒﬂ ÓÔÂ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸,
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ËÎË Û‰‡ÎÂÌËÂ ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌËÂ
‚ÍÎ˛˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎﬂÂÚÂ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ó·‡˘‡ÂÚÒﬂ Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸
Ì‡ÎË˜ËÂ ‰‡ÌÌ˚ı.
ÇçàåÄçàÖ!
é˜ËÒÚÍ‡ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îﬂ ˜ÚÂÌËﬂ/
Á‡ÔËÒË ‰‡ÌÌ˚ı
• çÂÓ·ıÓ‰ËÏÓ Â„ÛÎﬂÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËﬂ/Á‡ÔËÒË
‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒÌ‡˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ
ÚÓ˜ÌÓÒÚË, Ì‡ ÍÓÚÓÓÈ ÔÓÒÎÂ ‰ÎËÚÂÎ¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
Ó·‡ÁÛÂÚÒﬂ ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚËˆ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏﬂ ˜ÚÂÌËﬂ Ë Á‡ÔËÒË ‰‡ÌÌ˚ı.
• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓﬂÌËË,
ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ‡Á ‚ ÏÂÒﬂˆ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÒÔÂˆË‡Î¸ÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ (ËÏÂ˛˘Û˛Òﬂ ‚ ÔÓ‰‡ÊÂ)
‰Îﬂ Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚ﬂÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡ÊÂ ˜ËÒÚﬂ˘ËÂ
‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó ÔÂ‰ÒÚ‡‚ËÚÂÎﬂ ÍÓÔÓ‡ˆËË
Yamaha.
ÑËÒÍÂÚ˚
é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ
Ë ÒÓ·Î˛‰‡ÈÚÂ ÒÎÂ‰Û˛˘ËÂ ÏÂ˚
ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË.
• çÂ ÒÚ‡‚¸ÚÂ Ì‡ ‰ËÒÍÂÚ˚ ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚, ÌÂ Ò„Ë·‡ÈÚÂ Ë ÌÂ
ÔËÏÂÌﬂÈÚÂ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ ÌÂ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ, ı‡ÌËÚÂ Ëı ‚ ÍÓÓ·Í‡ı.
• çÂ ÔÓ‰‚Â„‡ÈÚÂ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ ÔﬂÏÓ„Ó ÒÓÎÌÂ˜ÌÓ„Ó
Ò‚ÂÚ‡, ÒÎË¯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ
‚Î‡ÊÌÓÒÚË, ËÁ·Â„‡ÈÚÂ ÒÍ‡ÔÎË‚‡ÌËﬂ Ì‡ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËﬂ
ÊË‰ÍÓÒÚË.
• çÂ ÒÎÂ‰ÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔËÍ‡Ò‡Ú¸Òﬂ Í Ï‡„ÌËÚÌÓÈ
ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚.
• çÂ ÔÓ‰‚Â„‡ÈÚÂ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ Ï‡„ÌËÚÌ˚ı ÔÓÎÂÈ
ÚÂÎÂ‚ËÁÓÓ‚, ‰ËÌ‡ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú. ‰., Ú‡Í Í‡Í
Ï‡„ÌËÚÌ˚Â ÔÓÎﬂ ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚË˜ÌÓ ÒÚÂÂÚ¸
‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ, Ò‰ÂÎ‡‚ ÂÂ ÌÂÔË„Ó‰ÌÓÈ ‰Îﬂ
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
• çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ
¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ.
• çÂ Ì‡ÍÎÂË‚‡ÈÚÂ Ì‡ ‰ËÒÍÂÚÛ ÌË˜Â„Ó, ÍÓÏÂ ÔÓÒÚ‡‚ÎﬂÂÏ˚ı Ò ÌÂÈ
Ì‡ÍÎÂÂÍ. èËÍÂÔÎﬂÈÚÂ Ì‡ÍÎÂÈÍË ‚ ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÓÏ ‰Îﬂ
˝ÚÓ„Ó ÏÂÒÚÂ.
á‡˘ËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË)
• óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ ÌÂ Û‰‡ÎËÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚÂ
Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌËÂ «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚËÂ ÓÚÍ˚ÚÓ). äÓ„‰‡
ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎÍ‡ ‰ÓÎÊÌ‡ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË
«Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚËÂ Á‡Í˚ÚÓ).
á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË
ÛÒÚ‡ÌÓ‚ÎÂÌ‡
(ÔÓÎÓÊÂÌËÂ
Á‡˘ËÚ˚).
çÂ ‚˚ÌËÏ‡ÈÚÂ ‰ËÒÍÂÚÛ Ë ÌÂ ‚˚ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸
Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ.
ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ‰‡ÌÌ˚ı Ë Í ÔÓ‚ÂÊ‰ÂÌË˛
‰ËÒÍÓ‚Ó‰‡.
• èÂÊ‰Â ˜ÂÏ ÓÚÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍÓ‚Ó‰Â
ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ Ì‡ıÓ‰ËÚÒﬂ ‚ ‰ËÒÍÓ‚Ó‰Â
‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, ÓÌ‡ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òﬂ Ô˚Î¸˛ Ë „ﬂÁ¸˛, ‡
˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
69
CLP240E.book Page 70 Wednesday, April 6, 2005 4:02 PM
ìÒÚ‡ÌÓ‚Í‡ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÔÓ Á‡Í‡ÁÛ)
ìÒÚ‡ÌÓ‚Í‡ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚
(ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÔÓ Á‡Í‡ÁÛ)
çÂÓ·ﬂÁ‡ÚÂÎ¸Ì˚È ‰ËÒÍÓ‚Ó‰ UD-FD01 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË CLP-240 Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë
‚ËÌÚÓ‚, ‚ıÓ‰ﬂ˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ.
èË„ÓÚÓ‚¸ÚÂ ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò
Ì‡ÍÓÌÂ˜ÌËÍÓÏ Phillips (+).
1.
ì‰‡ÎËÚÂ ÚË ·ÛÏ‡ÊÌ˚Â ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ
ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚÂ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı.
3.
ëÚÓÓÌ‡ Ò ÂÁËÌÓ‚˚ÏË Ó„‡ÌË˜ËÚÂÎﬂÏË ‰ÓÎÊÌ‡ ·˚Ú¸
Ó·‡˘ÂÌ‡ Í ÍÓÊÛıÛ.
Ñ‚ÛÒÚÓÓÌÌﬂﬂ ÍÎÂÈÍ‡ﬂ ÎÂÌÚ‡
2.
70
ë‚ÂÌËÚÂ Í‡·ÂÎ¸ USB ‚ÌÛÚË ÍÓÊÛı‡, Í‡Í
ÔÓÍ‡Á‡ÌÓ.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
4.
èËÍÂÔËÚÂ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛıÂ ÒÎÂ‚‡ Í ÌËÊÌÂÈ
ÒÚÓÓÌÂ ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı
ÔËÎ‡„‡ÂÏ˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ).
èÓ‰ÍÎ˛˜ËÚÂ Í‡·ÂÎ¸ USB Í ‡Á˙ÂÏÛ
[TO DEVICE].
CLP240E.book Page 71 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
: Ñ‡
: çÂÚ
CLP-240
ç‡Á‚‡ÌËÂ ÚÂÏ·‡
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸
Í ÒËÎÂ
Ì‡Ê‡ÚËﬂ
ÑËÌ‡ÏË˜ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌËÂ Á‚ÛÍ‡
ÓÚÔÛ˘ÂÌÌ˚ı
ÍÎ‡‚Ë¯*2
éÔËÒ‡ÌËÂ ÚÂÏ·Ó‚
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓÌˆÂÚÌÓ„Ó ÓﬂÎﬂ. ÇÍÎ˛˜ÂÌ˚ ÚË ÛÓ‚Ìﬂ
‰ËÌ‡ÏË˜ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËﬂ, Ò˝ÏÔÎ˚ Ô‡‚ÓÈ ÔÂ‰‡ÎË Ë Ò˝ÏÎ˚
ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·ËÚ¸Òﬂ Â‡ÎËÒÚË˜ÌÓ„Ó
Á‚Û˜‡ÌËﬂ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÓﬂÎﬂ. ùÚÓÚ ÚÂÏ· ÔÂ‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ
‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ÍÎ‡ÒÒË˜ÂÒÍËı ÏÛÁ˚Í‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ, ‡ Ú‡ÍÊÂ
‰Û„Ëı ÔÓËÁ‚Â‰ÂÌËÈ, ËÒÔÓÎÌﬂÂÏ˚ı Ì‡ ‡ÍÛÒÚË˜ÂÒÍÓÏ ÙÓÚÂÔ¸ﬂÌÓ.
íÂÔÎ˚È Ë Ïﬂ„ÍËÈ Á‚ÛÍ ÙÓÚÂÔ¸ﬂÌÓ. ïÓÓ¯Ó ÔÓ‰ıÓ‰ËÚ ‰Îﬂ
ÍÎ‡ÒÒË˜ÂÒÍËı ÔÓËÁ‚Â‰ÂÌËÈ.
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸ﬂÌÓ Ò ﬂÍÓÈ Â‚Â·Â‡ˆËÂÈ.
èÓ‰ıÓ‰ËÚ ‰Îﬂ ÔÓÔÛÎﬂÌÓÈ ÏÛÁ˚ÍË.
ÜË‚ÓÈ Ó·˙ÂÏÌ˚È Á‚ÛÍ ÙÓÚÂÔ¸ﬂÌÓ. èÓ‰ıÓ‰ËÚ ‰Îﬂ ÔÓÔÛÎﬂÌÓÈ ËÎË
ÓÍ-ÏÛÁ˚ÍË.
á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ
ÏÓ‰ÛÎﬂˆËË. óÂÁ‚˚˜‡ÈÌÓ «ÏÛÁ˚Í‡Î¸Ì˚È» ÒÚËÎ¸, ‚ ÍÓÚÓÓÏ
ÒÓ˜ÂÚ‡˛ÚÒﬂ ‡ÁÎË˜Ì˚Â ÚÂÏ·˚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰ËÌ‡ÏË˜ÂÒÍËı
Ò‚ÓÈÒÚ‚ ÍÎ‡‚Ë‡ÚÛ˚. èÓ‰ıÓ‰ËÚ ‰Îﬂ Ó·˚˜ÌÓÈ ÔÓÔÛÎﬂÌÓÈ ÏÛÁ˚ÍË.
ëËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔË‡ÌËÌÓ, ˜‡ÒÚÓ ËÒÔÓÎ¸ÁÛÂÏ˚È
‚ ÔÓÔÛÎﬂÌÓÈ ÏÛÁ˚ÍÂ. Ç ÂÊËÏÂ Ì‡ÎÓÊÂÌËﬂ ÚÂÏ·Ó‚ (DUAL) ÓÌ
ıÓÓ¯Ó ÒÓ˜ÂÚ‡ÂÚÒﬂ ÒÓ Á‚Û˜‡ÌËÂÏ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔ¸ﬂÌÓ.
á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔ¸ﬂÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â
ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÔÎ‡ÒÚËÌÍË. åﬂ„ÍËÈ ÚÓÌ ÔË ÎÂ„ÍÓÏ
Ì‡Ê‡ÚËË Ì‡ ÍÎ‡‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓÎÂÂ ÒËÎ¸ÌÓÏ.
ëÎÂ„Í‡ ËÁÏÂÌÂÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ, ˜‡ÒÚÓ
ËÒÔÓÎ¸ÁÛÂÏ˚È ‚ ÔÓÔÛÎﬂÌÓÈ Ë ÓÍ-ÏÛÁ˚ÍÂ.
á‚Û˜‡ÌËÂ ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îﬂ ÏÛÁ˚ÍË ·‡ÓÍÍÓ.
äÎ‡‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È ÌÂ Â‡„ËÛÂÚ Ì‡ ÒËÎÛ
Ì‡Ê‡ÚËﬂ Ì‡ ÍÎ‡‚Ë¯Ë. é‰Ì‡ÍÓ ‰Îﬂ ˝ÚÓ„Ó ÒÚËÎﬂ ı‡‡ÍÚÂÂÌ
ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË ÍÎ‡‚Ë¯‡ÏË.
íÓÚ ÊÂ Ò‡Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ
·ÓÎÂÂ ﬂÍÓ„Ó Á‚ÛÍ‡.
åÓÎÓÚÓ˜ÍÓ‚˚È ÍÎ‡‚Ë¯Ì˚È ËÌÒÚÛÏÂÌÚ, ‚ ÍÓÚÓÓÏ Á‚ÛÍ Ó·‡ÁÛÂÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ˝ÎÂÍÚË˜ÂÒÍËı Á‚ÛÍÓÒÌËÏ‡ÚÂÎÂÈ. ó‡ÒÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚
ÒÚËÎﬂı «Ù‡ÌÍ» Ë «ÒÓÛÎ». Ö„Ó ÚÓÌ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ı‡‡ÍÚÂÌÓÏÛ Á‚ÛÍÛ
ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯.
ÇÍÎ˛˜‡ÂÚ ÒÔÂˆËÙË˜ÂÒÍËÈ ‚ÒÚÓÂÌÌ˚È ˝ÙÙÂÍÚ.
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂÎ¸ÌÓ Ïﬂ„ÍËÏË ÍÓÎÓÚÛ¯Í‡ÏË. óÂÏ ÒËÎ¸ÌÂÂ
Û‰‡˚ ÔÓ ÍÎ‡‚Ë¯‡Ï, ÚÂÏ ·ÓÎÂÂ ÏÂÚ‡ÎÎË˜ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒﬂ ÚÓÌ.
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È, Ó·˙ÂÏÌ˚È Ë Â‡ÎËÒÚË˜Ì˚È Á‚ÛÍ Ï‡ËÏ·˚.
íËÔË˜Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.
ïÓÓ¯ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
VARIATION
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍÍ‡ÚÓÈ Ë
ÙÛ„ÓÈ» à.ë.Å‡ı‡.
JAZZ ORGAN
á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëﬂ «ÙÓÌË˜ÂÒÍÓ„Ó
ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎﬂı.
VARIATION
ùÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒﬂ ‰ËÌ‡ÏËÍ‡ Ò ‡ÁÎË˜ÌÓÈ ÒÍÓÓÒÚ¸˛.
ëÍÓÓÒÚ¸ ‚‡Ë‡ˆËÈ ÔË ˝ÚÓÏ ·ÓÎ¸¯Â. ÖÒÎË ˝ÙÙÂÍÚ «variation»
ÔËÏÂÌﬂÂÚÒﬂ ÔË ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â, Â„Ó ÒÍÓÓÒÚ¸ ·Û‰ÂÚ ÔÓÒÚÓﬂÌÌÓ
ÏÂÌﬂÚ¸Òﬂ.
STRINGS
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·ÓÎ¸¯ÓÈ ÒÚÛÌÌ˚È ‡ÌÒ‡Ï·Î¸ Ò
Â‡ÎËÒÚË˜ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚÂ ÒÓÂ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò
ÙÓÚÂÔ¸ﬂÌÓ ‚ ÂÊËÏÂ DUAL.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
71
CLP240E.book Page 72 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
ç‡Á‚‡ÌËÂ ÚÂÏ·‡
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
VARIATION
CHOIR
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
E.BASS
VARIATION
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸
Í ÒËÎÂ
Ì‡Ê‡ÚËﬂ
ÑËÌ‡ÏË˜ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌËÂ Á‚ÛÍ‡
ÓÚÔÛ˘ÂÌÌ˚ı
ÍÎ‡‚Ë¯*2
éÔËÒ‡ÌËÂ ÚÂÏ·Ó‚
ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡ÌÒ‡Ï·Îﬂ Ò ÏÂ‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.
èÓÔÓ·ÛÈÚÂ ÒÓÂ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸ﬂÌÓ ËÎË ˝ÎÂÍÚË˜ÂÒÍËÏ
ÔË‡ÌËÌÓ ‚ ÂÊËÏÂ DUAL.
ÅÓÎ¸¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ·Ó„‡Ú˚ı
„‡ÏÓÌËÈ ‚ ÏÂ‰ÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.
ïÓÓ‚ÓÈ ÚÂÏ· Ò ÏÂ‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚÂ ÒÓÂ‰ËÌËÚ¸ ˝ÚÓÚ
ÚÂÏ· Ò ÙÓÚÂÔ¸ﬂÌÓ ËÎË ˝ÎÂÍÚË˜ÂÒÍËÏ ÔË‡ÌËÌÓ ‚ ÂÊËÏÂ DUAL.
íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛÌ‡ÏË. èË
Ë„Â ÒÓÁ‰‡ÂÚÒﬂ ÔËﬂÚÌ‡ﬂ, ÒÔÓÍÓÈÌ‡ﬂ ‡ÚÏÓÒÙÂ‡.
üÍËÈ Á‚ÛÍ ˝ÎÂÍÚÓ„ËÚ‡˚. èÓ‰ıÓ‰ËÚ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ÔÓÔÛÎﬂÌÓÈ
ÏÛÁ˚ÍË.
äÓÌÚ‡·‡Ò Ò ı‡‡ÍÚÂÌ˚Ï Á‚ÛÍÓÏ, Í‡Í ÔË Ô‡Î¸ˆÂ‚ÓÈ Ë„Â.
à‰Â‡Î¸Ì˚È ÒÚËÎ¸ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ‰Ê‡ÁÓ‚ÓÈ Ë Î‡ÚËÌÓ‡ÏÂËÍ‡ÌÒÍÓÈ
ÏÛÁ˚ÍË.
Å‡Ò ÒÓ˜ÂÚ‡ÂÚÒﬂ ÒÓ Á‚ÛÍÓÏ Ú‡ÂÎÓÍ. à‰Â‡Î¸Ì˚È ÒÚËÎ¸ ‰Îﬂ
«·ÎÛÊ‰‡˛˘Ëı» ·‡ÒÓ‚˚ı ÎËÌËÈ ‚ ‰Ê‡ÁÓ‚˚ı ÏÂÎÓ‰Ëﬂı.
á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓÈ ·‡Ò-„ËÚ‡˚. èËÏÂÌﬂÂÚÒﬂ ‚ ﬂ‰Â ÏÛÁ˚Í‡Î¸Ì˚ı
ÒÚËÎÂÈ: ‰Ê‡ÁÂ, ÓÍÂ, ÔÓÔ-ÏÛÁ˚ÍÂ Ë Ú. ‰.
ÅÂÁÎ‡‰Ó‚˚È ·‡Ò, ÔÓ‰ıÓ‰ﬂ˘ËÈ ‰Îﬂ Ú‡ÍËı ÒÚËÎÂÈ, Í‡Í ‰Ê‡Á, Ù¸˛ÊÌ
Ë Ú. ‰.
*1. ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·ËÚ¸Òﬂ ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëﬂ ÚÂÏ·‡Ï Ì‡
‡ÍÛÒÚË˜ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍÎ˛˜ÂÌËﬂ Ò˝ÏÔÎÓ‚.
*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ ÒÎ‡·ÓÂ Á‚Û˜‡ÌËÂ ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯.
72
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 73 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
: Ñ‡
: çÂÚ
CLP-230
ç‡Á‚‡ÌËÂ ÚÂÏ·‡
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸
Í ÒËÎÂ
Ì‡Ê‡ÚËﬂ
ÑËÌ‡ÏË˜ÂÒÍÓÂ
Ò˝ÏÔÎËÓ‚‡ÌËÂ*1
ë˝ÏÔÎËÓ‚‡ÌËÂ Á‚ÛÍ‡
ÓÚÔÛ˘ÂÌÌ˚ı
ÍÎ‡‚Ë¯*2
éÔËÒ‡ÌËÂ ÚÂÏ·Ó‚
GRANDPIANO 1
á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓÌˆÂÚÌÓ„Ó ÓﬂÎﬂ. ùÚÓÚ ÚÂÏ·
ÔÂ‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ÍÎ‡ÒÒË˜ÂÒÍËı ÏÛÁ˚Í‡Î¸Ì˚ı
ÔÓËÁ‚Â‰ÂÌËÈ, ‡ Ú‡ÍÊÂ ‰Û„Ëı ÔÓËÁ‚Â‰ÂÌËÈ, ËÒÔÓÎÌﬂÂÏ˚ı Ì‡
‡ÍÛÒÚË˜ÂÒÍÓÏ ÙÓÚÂÔ¸ﬂÌÓ.
GRANDPIANO 2
é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸ﬂÌÓ Ò ﬂÍÓÈ Â‚Â·Â‡ˆËÂÈ.
èÓ‰ıÓ‰ËÚ ‰Îﬂ ÔÓÔÛÎﬂÌÓÈ ÏÛÁ˚ÍË.
E.PIANO 1
á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ
ÏÓ‰ÛÎﬂˆËË. èÓ‰ıÓ‰ËÚ ‰Îﬂ Ó·˚˜ÌÓÈ ÔÓÔÛÎﬂÌÓÈ ÏÛÁ˚ÍË.
E.PIANO 2
á‚ÛÍ ˝ÎÂÍÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔ¸ﬂÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â
ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÔÎ‡ÒÚËÌÍË. åﬂ„ÍËÈ ÚÓÌ ÔË ÎÂ„ÍÓÏ
Ì‡Ê‡ÚËË Ì‡ ÍÎ‡‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓÎÂÂ ÒËÎ¸ÌÓÏ.
HARPSICHORD 1
á‚Û˜‡ÌËÂ ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îﬂ ÏÛÁ˚ÍË ·‡ÓÍÍÓ.
äÎ‡‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È ÌÂ Â‡„ËÛÂÚ Ì‡ ÒËÎÛ
Ì‡Ê‡ÚËﬂ Ì‡ ÍÎ‡‚Ë¯Ë. é‰Ì‡ÍÓ ‰Îﬂ ˝ÚÓ„Ó ÒÚËÎﬂ ı‡‡ÍÚÂÂÌ
ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË ÍÎ‡‚Ë¯‡ÏË.
HARPSICHORD 2
íÓÚ ÊÂ Ò‡Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îﬂ ÔÓÎÛ˜ÂÌËﬂ
·ÓÎÂÂ ﬂÍÓ„Ó Á‚ÛÍ‡.
VIBRAPHONE
ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂÎ¸ÌÓ Ïﬂ„ÍËÏË ÍÓÎÓÚÛ¯Í‡ÏË. óÂÏ ÒËÎ¸ÌÂÂ
Û‰‡˚ ÔÓ ÍÎ‡‚Ë¯‡Ï, ÚÂÏ ·ÓÎÂÂ ÏÂÚ‡ÎÎË˜ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒﬂ ÚÓÌ.
CHURCH ORGAN 1
íËÔË˜Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡.
ïÓÓ¯ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ.
CHURCH ORGAN 2
á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍÍ‡ÚÓÈ Ë
ÙÛ„ÓÈ» à.ë.Å‡ı‡.
JAZZ ORGAN
á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëﬂ «ÙÓÌË˜ÂÒÍÓ„Ó
ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎﬂı.
STRINGS 1
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·ÓÎ¸¯ÓÈ ÒÚÛÌÌ˚È ‡ÌÒ‡Ï·Î¸ Ò
Â‡ÎËÒÚË˜ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚÂ ÒÓÂ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò
ÙÓÚÂÔ¸ﬂÌÓ ‚ ÂÊËÏÂ DUAL.
STRINGS 2
ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡ÌÒ‡Ï·Îﬂ Ò ÏÂ‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ.
èÓÔÓ·ÛÈÚÂ ÒÓÂ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸ﬂÌÓ ËÎË ˝ÎÂÍÚË˜ÂÒÍËÏ
ÔË‡ÌËÌÓ ‚ ÂÊËÏÂ DUAL.
CHOIR
ÅÓÎ¸¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ·Ó„‡Ú˚ı
„‡ÏÓÌËÈ ‚ ÏÂ‰ÎÂÌÌÓÈ ÏÛÁ˚ÍÂ.
GUITAR
íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛÌ‡ÏË. èË
Ë„Â ÒÓÁ‰‡ÂÚÒﬂ ÔËﬂÚÌ‡ﬂ, ÒÔÓÍÓÈÌ‡ﬂ ‡ÚÏÓÒÙÂ‡.
*1. ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·ËÚ¸Òﬂ ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëﬂ ÚÂÏ·‡Ï Ì‡
‡ÍÛÒÚË˜ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍÎ˛˜ÂÌËﬂ Ò˝ÏÔÎÓ‚.
*2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ ÒÎ‡·ÓÂ Á‚Û˜‡ÌËÂ ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
73
CLP240E.book Page 74 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ
: ÇÍÎ˛˜ÂÌÓ
: çÂ ‚ÍÎ˛˜ÂÌÓ
ç‡Á‚‡ÌËÂ ÚÂÏ·‡
CLP-240
GRAND PIANO1
CLP-230
ç‡Á‚‡ÌËÂ
“Eintritt” Waldszenen Op.82
äÓÏÔÓÁËÚÓ
R. Schumann
HARPSICHORD
Gavotte
HARPSICHORD1
HARPSICHORD2
J.S. Bach
Invention No.1
ìÍ‡Á‡ÌÌ˚Â Ô¸ÂÒ˚ – ˝ÚÓ ÍÓÓÚÍËÂ ÔÂÂ‡·ÓÚ‡ÌÌ˚Â ÓÚ˚‚ÍË ËÁ ÓË„ËÌ‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ.
ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÏÂÎÓ‰ËË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÍÓÏÔ‡ÌËË (© Yamaha Corporation, 2005).
éÔËÒ‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔË‡ÌËÌÓ (CLP-240)
ç‡Á‚‡ÌËÂ ÚÂÏ·‡
74
ÑÂÏÓÌÒÚ‡ˆËﬂ ÚÂÏ·‡ ÙÓÚÂÔ¸ﬂÌÓ
GRAND PIANO1
ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ
GRAND PIANO2
åÓÌÓÙÓÌË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ
E.PIANO1
ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÏÂˆˆÓ-Ô¸ﬂÌÓ
E.PIANO2
ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÏÂˆˆÓ-ÙÓÚÂ
HARPSICHORD
ÑËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÙÓÚÂ
E.CLAVICHORD
ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Ô‡‚ÓÈ ÔÂ‰‡Î¸˛
VIBRAPHONE
ë˝ÏÔÎËÓ‚‡ÌËÂ ·ÂÁ Ô‡‚ÓÈ ÔÂ‰‡ÎË
CHURCH ORGAN
ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Û˜ÂÚÓÏ Á‚ÛÍ‡ ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯
JAZZ ORGAN
ë˝ÏÔÎËÓ‚‡ÌËÂ ·ÂÁ Û˜ÂÚ‡ Á‚ÛÍ‡ ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 75 Wednesday, April 6, 2005 4:02 PM
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
ñËÙ˚
S
50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ ................ 15
Scale ...........................................................................48
50 ıËÚÓ‚ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ ......................................... 15
[SELECT] (CLP-240), ÔÂÂÍÎ˛˜‡ÚÂÎ¸ .....................58
SMF ...........................................................................35
A
[SONG SELECT], ÍÌÓÔÍ‡ ........................................15
A-B Repeat, ÙÛÌÍˆËﬂ ............................................... 18
[SPEAKER], ‚˚ÍÎ˛˜‡ÚÂÎ¸ .......................................12
ALL (Ò‚ÂÚÓ‰ËÓ‰Ì˚È ËÌ‰ËÍ‡ÚÓ).........................15, 43
SPLIT (CLP-240) (îÛÌÍˆËﬂ)....................................50
AUX IN ..................................................................... 57
[SPLIT] (CLP-240), ÍÌÓÔÍ‡ ......................................26
AUX OUT ................................................................. 56
[STOP], ÍÌÓÔÍ‡ ................................................... 15, 41
Sync Start ............................................................. 17, 43
B
[BRILLIANCE], ÍÌÓÔÍ‡ .......................................... 21
T
TEMPO................................................................ 15, 41
D
[DDE], ÍÌÓÔÍ‡ (CLP-240) ....................................... 22
[DEMO], ÍÌÓÔÍ‡ (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ) ...... 14
E
[EFFECT], ÍÌÓÔÍ‡ ................................................... 21
F
TEMPO (METRONOME) ........................................28
[TEMPO/FUNCTION#], ÍÌÓÔÍ‡ ...................... 28, 45
[TOUCH], ÍÌÓÔÍ‡.....................................................23
U
USB [TO DEVICE] (CLP-240), ‡Á˙ÂÏ ....................57
USB [TO HOST] (ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË), ‡Á˙ÂÏ ..57
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240) ........58
FUNCTION........................................................ 47–55
ÓÒÌÓ‚Ì˚Â ‰ÂÈÒÚ‚Ëﬂ ............................................. 45
V
L
VOICE .......................................................................19
[LEFT], ÍÌÓÔÍ‡ ...................................................17, 32
Ç
M
‚ÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Ô‡ÚËË .....................................................................43
[MASTER VOLUME], ÔÓÎÁÛÌÍÓ‚˚È Â„ÛÎﬂÚÓ ..... 12
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËË........................................40
METRONOME [ON/OFF], ÍÌÓÔÍ‡ ...................28, 52
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÏÂÎÓ‰ËÈ........................................40
MIDI [IN] [OUT] [THRU] ....................................... 57
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ/Ô‡ÛÁ‡
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË ..............................14
Á‡ÔËÒ‡ÌÌ˚Â ÏÂÎÓ‰ËË...........................................41
P
[VARIATION], ÍÌÓÔÍ‡ (CLP-240) ...........................21
[PEDAL], ‡Á˙ÂÏ ...................................................... 67
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ/è‡ÛÁ‡
ÔÓÎÂÁÌ˚Â ÙÛÌÍˆËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ................43
PLAY/PAUSE (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ)........... 14
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ/Ô‡ÛÁ‡ (ÔÂ‰‡Î¸) .............................43
[PLAY/PAUSE], ÍÌÓÔÍ‡ .....................................15, 41
‚ÒÚÓÂÌÌ˚Â ÏÂÎÓ‰ËË ➝ 50 ‚ÒÚÓÂÌÌ˚ı
ÏÂÎÓ‰ËÈ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ .......................................15
[POWER], ‚˚ÍÎ˛˜‡ÚÂÎ¸........................................... 11
‚˚ÒÓÚ‡ Á‚ÛÍ‡ ➝ ÚÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.....47
R
[REC], ÍÌÓÔÍ‡ (Á‡ÔËÒ¸) ........................................... 29
É
[REVERB], ÍÌÓÔÍ‡................................................... 21
„ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ...............................................52
[RIGHT], ÍÌÓÔÍ‡ ................................................17, 32
„ÓÏÍÓÒÚ¸ ÓÚÍÎ˛˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...............52
RIGHT/LEFT (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ)..................................................... 17
Ñ
rnd (Ò‚ÂÚÓ‰ËÓ‰Ì˚È ËÌ‰ËÍ‡ÚÓ) ..........................15, 43
‰ËÒÍÂÚ‡ (CLP-240) ....................................................69
‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚
ÛÒÚ‡ÌÓ‚Í‡ (CLP-240) ...........................................70
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
75
CLP240E.book Page 76 Wednesday, April 6, 2005 4:02 PM
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
á
ê
Á‡„ÛÁÍ‡..................................................................... 42
‡Á˙ÂÏ˚ .....................................................................56
Á‡ÔËÒ¸........................................................................ 29
Ì‡˜‡Î¸Ì˚Â Ì‡ÒÚÓÈÍË ......................................... 34
ÂÊËÏ Dual.......................................................... 25, 49
à
ë
Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ)........... 17
Ò·ÓÍ‡................................................................. 65–68
ä
[FILE], ÍÌÓÔÍ‡ ......................................................... 42
[SONG SELECT], ÍÌÓÔÍ‡...................................41, 42
[TRANSPOSE], ÍÌÓÔÍ‡............................................ 24
ÍÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ ............................................. 19
Í˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ................................................. 10
ÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ (‰‡ÌÌ˚ı) ............................62
ÒÍÓ·ÍË-Ó„‡ÌË˜ËÚÂÎË ‰Îﬂ ÌÓÚ (CLP-240)................10
ÒÓı‡ÌËÚ¸ ..................................................................35
ÒÔËÒÓÍ
‚ÒÚÓÂÌÌ˚È ÚÂÏ· ........................................ 71–73
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ‡ﬂ ÏÂÎÓ‰Ëﬂ ...............................74
ÔÂ‰‡ÎË ..................................................................44
ëÔËÒÓÍ
Ì‡ÒÚÓÈÍË ËÁ„ÓÚÓ‚ËÚÂÎﬂ .....................................78
ÒÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚.............................. 71–73
ã
ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ .......................74
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸.........................................................20, 51
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ ................................78
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸ (‰Îﬂ ÔË„ÎÛ¯ÂÌÌÓ„Ó Á‚ÛÍ‡)...........20, 51
ÒÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ....................................................63
ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ ..........................................................20
ç
Ì‡·Ó ÒËÏ‚ÓÎÓ‚ ........................................................ 55
Ì‡ÎÓÊÂÌËÂ ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ........................... 25
Ì‡ÒÚÓÈÍ‡
„ÓÏÍÓÒÚ¸ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îﬂ
ÙÓÚÂÔ¸ﬂÌÓ) ........................................................ 15
„ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡ ......................................... 52
ÚÂÏÔ‡ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ
‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ) ................................................. 15
ÚÂÏÔ‡ (Á‡ÔËÒ‡ÌÌ˚Â ÏÂÎÓ‰ËË) ............................. 41
ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)...................................20
ÒÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ .............................................21
ëÚ‡Ì‰‡ÚÌ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ ............................................21
í
í‡·ÎËˆ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.............84
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË...................................85
ÚÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡...............................47
Ú‡ÌÒÔÓÚËÓ‚Í‡.........................................................3
Ì‡ÒÚÓÈÍ‡ ➝ ÚÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ........ 47
Ì‡ÒÚÓÈÍË – ÍÌÓÔÍ‡ (FUNCTION) ........................ 44
çÄìòçàäà .......................................................... 12
é
ÓÔËÒ‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔË‡ÌËÌÓ..... 74
ÓÚÍÎ˛˜ÂÌËÂ Ô‡ÚËË .................................................. 17
è
ÔÂ‰‡ÎË ....................................................................... 20
ì
Û‰‡ÎÂÌËÂ ....................................................................38
ÛÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ ..............................................64
î
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı..............................................80
ÙÓÏ‡ÚËÓ‚‡ÌËÂ .......................................................39
ÙÛÌÍˆËË MIDI..........................................................52
ÙÛÌÍˆËË ÒÓı‡ÌÂÌËﬂ ................................................55
ÔÂÂÁ‡ÔËÒ¸ ................................................................ 33
ÔÓ‚ÚÓ ..................................................................15, 18
ó
ÔÓ‰ÍÎ˛˜ÂÌËÂ ............................................................ 56
MIDI-ËÌÚÂÙÂÈÒ ................................................ 61
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë¯ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ ..............23
èÓ‰ÍÎ˛˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û
ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı (CLP-240).................................. 58
ù
èÓ‰ÍÎ˛˜ÂÌËÂ ÔÂÒÓÌ‡Î¸ÌÓ„Ó ÍÓÏÔ¸˛ÚÂ‡............. 60
˝Í‡Ì .........................................................................11
èÓ‰ÍÎ˛˜ÂÌËﬂ
USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı .................... 58
äÓÏÔ¸˛ÚÂ.......................................................... 60
˝ÍÒÔÓÚ ......................................................................35
Ô‡‚‡ﬂ ÔÂ‰‡Î¸ ................................................20, 50, 51
Ô˛ÔËÚ...................................................................... 10
76
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
˝ÙÙÂÍÚ˚ ....................................................................22
CLP240E.book Page 77 Wednesday, April 6, 2005 4:02 PM
èËÎÓÊÂÌËÂ
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÒÓ‰ÂÊ‡ÚÒﬂ ÒÔ‡‚Ó˜Ì˚Â Ï‡ÚÂË‡Î˚.
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ ..................78
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ................................80
í‡·ÎËˆ‡ ı‡‡ÍÚÂËÒÚËÍ
MIDI-ËÌÚÂÙÂÈÒ‡.......................................84
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË.....................85
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
77
CLP240E.book Page 78 Wednesday, April 6, 2005 4:02 PM
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ
Backup Group
Default
Voice
Variation (CLP-240)
CLP-230
GRAND PIANO 1
F8.1
OFF
—
Dual Mode
OFF
Split Mode (CLP-240)
OFF
Split Mode Left Voice (CLP-240)
CLP-240
F9.1
F8.1
—
WOOD BASS
Brilliance
NORMAL
Reverb Type
Preset for each voice
Reverb Depth
Preset for each voice
Effect Type
Preset for each voice
Effect Depth
Preset for each voice
Touch Sensitivity
F9.4
F8.4
F9.1
F8.1
F9.4
—
MEDIUM
Volume in the FIXED Mode
64
DDE (CLP-240)
ON
DDE Depth (CLP-240)
6
Metronome
Metronome Time Signature
Tempo
Transpose
OFF
—
—
0 (no accent)
F9.1
F8.1
120
—
—
0
F9.3
F8.3
Function
CLP-240
78
CLP-230
Function
Default
F1
F1
Tuning
A3=440Hz
F2.1
F2.1
Scale
1 (Equal Temperament)
F2.2
F2.2
Base Note
C
F3.1
F3.1
Dual Balance
Preset for each voice combination
F3.2
F3.2
Dual Detune
Preset for each voice combination
F3.3, F3.4
F3.3, F3.4
Dual Octave Shift
Preset for each voice combination
F3.5, F.3.6
F3.5, F.3.6
Dual Effect Depth
Preset for each voice combination
F4.1
—
Split Point
F2
F4.2
—
Split Balance
Preset for each voice combination
F4.3, F4.4
—
Split Octave Shift
Preset for each voice combination
F4.5, F4.6
—
Split Effect Depth
Preset for each voice combination
F4.7
—
Damper Pedal Range
ALL
F5.1
F4.1
Left Pedal Mode
1 (Soft Pedal)
F5.2
F4.2
Soft Pedal Effect Depth
3
F5.3
—
Sustain Sample Depth
12
F5.4
—
Keyoff Sample Volume
10
F5.5
F4.3
Song Channel Selection
ALL
F6
F5
Metronome Volume
10
F7
F6
Song Part Cancel Volume
5
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Backup Group
CLP-240
CLP-230
F9.3
F8.3
F9.1
F8.1
F9.4
F8.4
F9.1
F8.1
CLP240E.book Page 79 Wednesday, April 6, 2005 4:02 PM
CLP-240
CLP-230
Function
Default
F8.1
F7.1
MIDI Transmit Channel
1
F8.2
F7.2
MIDI Receive Channel
ALL
F8.3
F7.3
Local Control
ON
F8.4
F7.4
Program Change Send & Receive
ON
F8.5
F7.5
Control Change Send & Receive
ON
F9
F8
Backup
Voice: OFF
MIDI – Others: ON
F9.5
F8.5
Character Code
En
Backup Group
CLP-240
CLP-230
F9.2
F8.2
Always backed up
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
79
CLP240E.book Page 80 Wednesday, April 6, 2005 4:02 PM
îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı
ÖÒÎË ‚˚ ÁÌ‡ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓÎ¸ÁÛÂÚÂ ÍÓÏÔ¸˛ÚÂ ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ ÏÛÁ˚Í‡Î¸Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ
MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚Â ËÁ ˝ÚÓ„Ó ‡Á‰ÂÎ‡ ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎﬂÚ¸ ÔË‡ÌËÌÓ CLP-240/230.
1. NOTE ON/OFF
3. MODE MESSAGES
Data format: [9nH] -> [kk] -> [vv]
Data format: [BnH] -> [cc] -> [vv]
9nH = Note ON/OFF event (n = channel number)
kk =
Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /
Receive: 00H ~ 7FH = C-2 ~ G8)*
vv =
Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number)
kk =
Note number: 00H ~ 7FH = C-2 ~ G8
vv =
Velocity
* If received value exceeds the supported range for the
selected voice, the note is adjusted by the necessary number of octaves.
2. CONTROL CHANGE
Data format: [BnH] -> [cc] -> [vv]
BnH = Control change (n = channel number)
cc =
Control number
vv =
Data Range
(1) Bank Select
ccH
Parameter
Data Range (vvH)
00H
Bank Select MSB
00H: Normal
20H
Bank Select LSB
00H...7FH
Bank selection processing does not occur until receipt of
next Program Change message.
(2) Modulation (reception only)
ccH
Parameter
Data Range (vvH)
01H
Modulation
00H-7FH
(3) Main Volume (reception only)
ccH
Parameter
Data Range (vvH)
07H
Volume MSB
00H...7FH
(4) Panpot (reception only)
ccH
Parameter
0AH Panpot
Data Range (vvH)
00H-7FH
(5) Expression
ccH
Parameter
0BH Expression MSB
Data Range (vvH)
00H...7FH
(6) Damper
ccH
Parameter
40H
Damper MSB
Data Range (vvH)
00H...7FH
(7) Sostenuto
ccH
Parameter
42H
Sostenuto
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(8) Soft Pedal
ccH
Parameter
43H
Soft Pedal
Data Range (vvH)
00H-3FH:off, 40H-7FH:on
(9) Effect1 Depth (Reverb Send Level)
ccH
Parameter
Data Range (vvH)
5BH Effect1 Depth
00H...7FH
Adjusts the reverb send level.
(10) Effect4 Depth (Variation Effect Send Level)
ccH
Parameter
Data Range (vvH)
5EH Effect4 Depth
00H...7FH
(11) RPN
ccH
Parameter
65H
RPN MSB
64H
06H
38H
80
RPN LSB
Data Entry MSB
Data Entry LSB
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Data Range (vvH)
Coarse Tune 02H,
Fine Tune 01H,
Pitch Bend Range 00H
BnH = Control event (n = channel number)
cc =
Control number
vv =
Data Range
(1) All Sound Off
ccH
Parameter
Data Range (vvH)
78H
All Sound Off
00H
Switches off all sound from the channel. Does not reset Note
On and Hold On conditions established by Channel Messages.
(2) Reset All Controllers
ccH
Parameter
79H
Reset All Controllers
Resets controllers as follows.
Controller
Expression
Damper Pedal
Sostenuto
Soft Pedal
Data Range (vvH)
00H
Value
127 (max)
0 (off)
0 (off)
0 (off)
(3) Local Control (reception only)
ccH
Parameter
Data Range (vvH)
7AH Local Control
00H (off), 7FH (on)
(4) All Notes Off
ccH
Parameter
Data Range (vvH)
7BH All Notes Off
00H
Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released.
(5) Omni Off (reception only)
ccH
Parameter
Data Range (vvH)
7CH Omni Off
00H
Same processing as for All Notes Off.
(6) Omni On (reception only)
ccH
Parameter
Data Range (vvH)
7DH Omni On
00H
Same processing as for All Notes Off.
(7) Mono (reception only)
ccH
Parameter
Data Range (vvH)
7EH Mono
00H
Same processing as for All Sound Off.
(8) Poly (reception only)
ccH
Parameter
Data Range (vvH)
7FH
Poly
00H
Same processing as for All Sound Off.
• When control change reception is turned OFF in the Function
mode, control change data will not be transmitted or received.
• Local on/off, OMNI on/off are not transmitted. (The appropriate
note off number is supplied with “All Note Off” transmission).
• When a voice bank MSB/LSB is received, the number is
stored in the internal buffer regardless of the received order,
then the stored value is used to select the appropriate voice
when a program change message is received.
• The Multi-timbre and Poly modes are always active. No
change occurs when OMNI ON, OMNI OFF, MONO, or POLY
mode messages are received.
CLP240E.book Page 81 Wednesday, April 6, 2005 4:02 PM
4. PROGRAM CHANGE
6. SYSTEM EXCLUSIVE MESSAGES
(Yamaha MIDI Format)
Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number)
ppH = Program change number
P.C.#=Program Change number
CLP-240
GRANDPIANO 1
VARIATION
GRANDPIANO 2
VARIATION
E.PIANO 1
VARIATION
E.PIANO 2
VARIATION
HARPSICHORD
VARIATION
E. CLAVICHORD
VARIATION
VIBRAPHONE
VARIATION
CHURCH ORGAN
VARIATION
JAZZ ORGAN
VARIATION
STRINGS
VARIATION
CHOIR
VARIATION
GUITAR
VARIATION
WOOD BASS
VARIATION
E.BASS
VARIATION
CLP-230
GRANDPIANO 1
—
GRANDPIANO 2
—
E.PIANO 1
—
E.PIANO 2
—
HARPSICHORD 1
HARPSICHORD 2
—
—
VIBRAPHONE
—
CHURCH ORGAN 1
CHURCH ORGAN 2
JAZZ ORGAN
—
STRINGS 1
STRINGS 2
CHOIR
—
GUITAR
—
—
—
—
—
MSB
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
LSB
122
123
112
112
122
122
122
123
122
123
122
123
122
122
123
122
122
123
122
122
122
123
122
122
122
124
122
122
P.C.#
0
0
0
1
5
88
4
4
6
6
7
7
11
12
19
19
16
16
48
49
52
52
24
25
32
32
33
35
• When program change reception is turned OFF in the Function mode, no program change data is transmitted or
received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH]
F8H: Timing clock
FAH: Start
FCH: Stop
FEH: Active sensing
Data
F8H
Transmission
Transmitted every
96 clocks
FAH
Recorder start
FCH
Recorder stop
FEH
Transmitted every
200 milliseconds
Reception
Received as 96-clock tempo timing
when MIDI clock is set to External
Recorder start
Not received when the MIDI clock is
set to Internal.
Recorder stop
Not received when the MIDI clock is
set to Internal.
If a signal is not received via MIDI for
more than 400 milliseconds, the
same processing will take place for All
Sound Off, All Notes Off and Reset All
Controllers as when those signals are
received.
• Caution: If an error occurs during MIDI reception, the Damper,
Sostenuto, and Soft effects for all channels are turned off and
an All Note Off occurs.
Panel Data Transmit
Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H]
F0H, 43H, 0nH, 7CH (n: channel number)
00H, LLH (data length)
43H, 4CH, 20H, 20H (CL)
43H, 4CH, 50H, 27H, 30H, 35H (CLP05)
3xH, 3yH
aaH, bbH: Device No. aa=LSB, bb=MSB
aa=5EH, bb=16H (CLP-240)
aa=5BH, bb=16H (CLP-230)
[PANEL DATA]
[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)
F7H
• Panel Data Contents
(1) 1'st Voice
(2) Dual On/Off
(3) Dual Voice
(4) Dual Balance
(5) Dual Detune
(6) Dual Voice1 Octave
(7) Dual Voice2 Octave
(8) Dual Voice1 Effect Depth
(9) Dual Voice2 Effect Depth
(10) Split On/Off
(11) Split Voice
(12) Split Point
(13) Split Balance
(14) Split Voice1 Octave
(15) Split Voice2 Octave
(16) Split Voice1 Effect Depth
(17) Split Voice2 Effect Depth
(18) Split Dumper Mode
(19) Reverb Type 1
(20) Reverb Type 2
(21) Reverb Depth 1
(22) Reverb Depth 2
(23) Effect Type 1
(24) Effect Type 2
(25) Effect Depth
(26) Variation On/Off
(27) Touch Sensitivity
(28) Fixed Data
(29) Left Pedal
(30) Soft Pedal Depth
(31) Absolute tempo low byte
(32) Absolute tempo high byte
(33) Key-Off Sampling Depth
(34) DDE On/Off
(35) DDE Depth
(36) Brilliance
• Panel data send requests cannot be received.
7. SYSTEM EXCLUSIVE MESSAGES
(Universal System Exclusive)
(1) Universal Realtime Message
Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->
[llH] -> [mmH] -> [F7H]
MIDI Master Volume
• Simultaneously changes the volume of all channels.
• When a MIDI master volume message is received, the volume
only has affect on the MIDI receive channel, not the panel
master volume.
F0H = Exclusive status
7FH = Universal Realtime
7FH = ID of target device
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
or
F0H = Exclusive status
7FH = Universal Realtime
XnH = When n is received n=0~F, whichever is received.
X = don’t care
04H = Sub-ID #1=Device Control Message
01H = Sub-ID #2=Master Volume
llH = Volume LSB
mmH = Volume MSB
F7H = End of Exclusive
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
81
CLP240E.book Page 82 Wednesday, April 6, 2005 4:02 PM
(2) Universal Non-Realtime Message (GM On)
General MIDI Mode On
Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->
[F7H]
F0H = Exclusive status
7EH = Universal Non-Realtime
7FH = ID of target device
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
or
F0H = Exclusive status
7EH = Universal Non-Realtime
XnH = When received, n=0~F.
X = don’t care
09H = Sub-ID #1=General MIDI Message
01H = Sub-ID #2=General MIDI On
F7H = End of Exclusive
When the General MIDI mode ON message is received, the
MIDI system will be reset to its default settings.
This message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)
(1) XG Native Parameter Change
Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->
[mmH] -> [llH] -> [ddH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
1nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
F7H = End of Exclusive
Data size must match parameter size (2 or 4 bytes).
When the XG System On message is received, the MIDI system will be reset to its default settings.
The message requires approximately 50ms to execute, so
sufficient time should be allowed before the next message is
sent.
(2) XG Native Bulk Data (reception only)
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->
[bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...->
[ccH] -> [F7H]
F0H = Exclusive status
43H = YAMAHA ID
0nH = When received, n=0~F.
When transmitted, n=0.
4CH = Model ID of XG
aaH = ByteCount
bbH = ByteCount
hhH = Address High
mmH = Address Mid
llH = Address Low
ddH = Data
|
|
|
|
ccH = Check sum
F7H = End of Exclusive
• Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow
sufficient time for processing to execute (about 50 msec)
before sending the CLP-240/230 another message.
• XG Native Parameter Change message may contain two or
four bytes of parameter data (depending on the parameter
size).
• For information about the Address and Byte Count values,
refer to Table 1 below. Note that the table’s Total Size value
gives the size of a bulk block. Only the top address of the
block (00H, 00H, 00H) is valid as a bulk data address.
82
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
9. SYSTEM EXCLUSIVE MESSAGES
(Clavinova MIDI Format)
Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H]
F0H =
43H =
73H =
01H =
nnH =
nn
02H
03H
F7H =
Exclusive status
Yamaha ID
Clavinova ID
Product ID (CLP common)
Substatus
Control
Internal MIDI clock
External MIDI clock
End of Exclusive
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] ->
[0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = Exclusive status
43H = Yamaha ID
73H = Clavinova ID
7FH = Extended Product ID
xxH = Product ID 49H
11H = Special control
0nH = Control MIDI change (n=channel number)
cc =
Control number
vv =
Value
F7H = End of Exclusive
Control
0n
ccH
vvH
14H: Split Key Number
Split Point
Always 00H
14H
Metronome
Always 00H
1BH 00H: No accent
01H-0FH: 1/4-15/4
7FH: off
Damper Level ch: 00H-0FH 3DH (Sets the Damper Level
for each channel)
00H-7FH
Channel Detune ch: 00H-0FH 43H (Sets the Detune value
for each channel)
00H-7FH
Voice Reserve ch: 00H-0FH 45H
00H : Reserve off 7FH
: on*
* When Volume, Expression is received for Reserve On, they
will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H]
-> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously
changes the pitch of all channels.
F0H = Exclusive Status
43H = Yamaha ID
1nH = When received, n=0~F.
When transmitted, n=0.
27H = Model ID of TG100
30H = Sub ID
00H =
00H =
mmH = Master Tune MSB
llH = Master Tune LSB
ccH = don’t care (under 7FH)
F7H = End of Exclusive
CLP240E.book Page 83 Wednesday, April 6, 2005 4:02 PM
<Table 1>
MIDI Parameter Change table (SYSTEM)
Address (H) Size (H)
Data (H)
00 00 00
4
020C - 05F4*
01
02
03
04
1
05
1
7E
7F
TOTAL SIZE 07
00 - 7F
—
00
00
Parameter
MASTER TUNE
MASTER VOLUME
—
XG SYSTEM ON
RESET ALL PARAMETERS
Description
-50 - +50[cent]
1st bit 3 - 0 ➝ bit 15 - 12
2nd bit 3 - 0 ➝ bit 11 - 8
3rd bit 3 - 0 ➝ bit 7 - 4
4th bit 3 - 0 ➝ bit 3 - 0
0 - 127
Default value (H)
00 04 00 00
400
7F
00=XG system ON
00=ON (receive only)
*Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.
<Table 2>
MIDI Parameter Change table (EFFECT 1)
Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.
Address (H)
02 01 00
Size (H)
2
02 01 40
2
Data (H)
00-7F
00-7F
Parameter
REVERB TYPE MSB
REVERB TYPE LSB
00-7F
VARIATION TYPE MSB
00-7F
VARIATION TYPE LSB
• “VARIATION” refers to the EFFECT on the panel.
Description
Refer to Effect MIDI Map
00 : basic type
Default value (H)
01 (=HALL1)
00
Refer to Effect MIDI Map
00 : basic type
00(=Effect off)
00
Description
0 - 127
Default value (H)
7F
<Table 3>
MIDI Parameter Change table (MULTI PART)
Address (H) Size (H)
08 nn 11
1
nn = Part Number
Data (H)
00 - 7F
Parameter
DRY LEVEL
• Effect MIDI Map
REVERB
ROOM
HALL 1
HALL 2
STAGE
OFF
MSB
02H
01H
01H
03H
00H
LSB
10H
10H
11H
10H
00H
MSB
42H
48H
46H
47H
00H
LSB
10H
10H
10H
10H
00H
EFFECT
CHORUS
PHASER
TREMOLO
ROTARY SP
OFF
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
83
CLP240E.book Page 84 Wednesday, April 6, 2005 4:02 PM
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84
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
CLP240E.book Page 85 Wednesday, April 6, 2005 4:02 PM
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË
CLP-240
Keyboard
Sound Source
CLP-230
GH3 keyboard 88 keys (A-1 – C7)
AWM Dynamic Stereo Sampling
AWM Stereo Sampling
Polyphony (Max.)
64
Voice Selection
14 × 2 variations for each voice
14
Effect
Reverb, Effect, Brilliance,
DDE (Dynamic Damper Effect)
Reverb, Effect, Brilliance
Volume
Controls
Recording/Playback
Pedal
Demo Songs
Jacks/Connectors
Memory Device
Main Amplifiers
Speakers
Dimensions (W × D × H)
(with music rest)
Weight
Accessories
Master Volume
Dual, Split, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
Dual, Metronome, Transpose,
Touch (Hard/Medium/Soft/Fixed),
Functions, Speaker ON/OFF
2-part recording/playback (three user songs), Tempo Adjustment, Sync Start
Damper (with half-pedal effect), Sostenuto, Soft
14 voice Demo Songs, 50 preset Songs
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST, USB TO DEVICE
MIDI (IN/OUT/THRU), PHONES × 2, AUX IN
(L/L+R, R), AUX OUT (LEVEL FIXED) (L, R),
USB TO HOST
Optional USB storage device
(via USB TO DEVICE teriminal)
Internal Flash Memory
(for saving User songs): 65 KB
(for saving External songs): 307 KB
40W × 2
20W × 2
16cm × 2, 5cm × 2
16cm × 2
1,411mm × 506mm × 892mm
[55 9/16" × 19 15/16" × 35 1/8"]
(1,411mm × 506mm × 1,005mm)
[55 9/16" × 19 15/16" × 39 9/16"]
68kg (149lbs., 15oz)
65kg (143lbs., 5oz)
Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for Windows,
Accessory CD-ROM for Windows Installation Guide,
Bench (included or optional depending on locale)
* íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËﬂ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ‰‡Ì˚ ÚÓÎ¸ÍÓ ‰Îﬂ ËÌÙÓÏ‡ˆËË. äÓÔÓ‡ˆËﬂ
Yamaha ÒÓı‡ÌﬂÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙËˆËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËﬂ Ë ÏÂÌﬂÚ¸ Ëı ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ
ÔÂ‰‚‡ËÚÂÎ¸ÌÓ„Ó Û‚Â‰ÓÏÎÂÌËﬂ. èÓÒÍÓÎ¸ÍÛ ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ
‡ÁÎË˜‡Ú¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Â„ËÓÌ‡, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓÏ‡ˆËÂÈ Í ÏÂÒÚÌÓÏÛ ÔÂ‰ÒÚ‡‚ËÚÂÎ˛ ÍÓÔÓ‡ˆËË Yamaha.
CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
85
CLP240E.book Page 86 Wednesday, April 6, 2005 4:02 PM
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11.
Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13.
Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
CLP240E.book Page 87 Wednesday, April 6, 2005 4:02 PM
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park,
Calif. 90620
Telephone : 714-522-9011
Type of Equipment : Electronic Piano
Model Name : CLP-240/230
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception
is suspected.
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM
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CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM
For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
á‡ ·ÓÎÂÂ ÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËﬂÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓÂ
ÔÂ‰ÒÚ‡‚ËÚÂÎ¸ÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032
FRANCE
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
Tel: 011-3085-1377
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS
Yamaha Music Central Europe,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
ASIA
BELGIUM/LUXEMBOURG
Yamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
PHILIPPINES
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OCEANIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIES
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
AUSTRALIA
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 36
CLP240E.book Page 90 Wednesday, April 6, 2005 4:02 PM
CLP-240/230
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
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