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if you use these in Optical S/PDIF mode, they will also support the higher sample rates of
88.2 and 96 kHz.
Tip
Don’t forget to select the appropriate I/O format as the Clock Source in the Hardware
Setup dialog when transferring material digitally into Pro Tools using ADAT or S/PDIF
formats.
Rear Panel
The Digi 002 has similar connectors on its rear panel to those on the Digi 002R (see
Figure D.10).
At the lower right-hand side, there are four Microphone Inputs through balanced, threeconductor XLR connectors. If you are using condenser microphones that need to take
their power from the microphone cables, you can switch on the 48-V so-called
“phantom” power for inputs 1 and 2 or for inputs 3 and 4 using two small push-button
switches located above. This 48-V power is then supplied to the microphone through its
own cable.
Also located above the microphone inputs, there are four line/instrument inputs that use
balanced, 1/4-in. TRS jacks for line-level or instrument-level inputs. These line inputs
have operating levels fixed at +4 dBu, which means that they are suitable for connection
to professional audio equipment. To the left of these, there are four more analog inputs