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if you use these in Optical S/PDIF mode, they will also support the higher sample rates of 88.2 and 96 kHz. Tip Don’t forget to select the appropriate I/O format as the Clock Source in the Hardware Setup dialog when transferring material digitally into Pro Tools using ADAT or S/PDIF formats. Rear Panel The Digi 002 has similar connectors on its rear panel to those on the Digi 002R (see Figure D.10). At the lower right-hand side, there are four Microphone Inputs through balanced, threeconductor XLR connectors. If you are using condenser microphones that need to take their power from the microphone cables, you can switch on the 48-V so-called “phantom” power for inputs 1 and 2 or for inputs 3 and 4 using two small push-button switches located above. This 48-V power is then supplied to the microphone through its own cable. Also located above the microphone inputs, there are four line/instrument inputs that use balanced, 1/4-in. TRS jacks for line-level or instrument-level inputs. These line inputs have operating levels fixed at +4 dBu, which means that they are suitable for connection to professional audio equipment. To the left of these, there are four more analog inputs