Download Yamaha CLP-240 Specifications
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CLP240E.book Page 1 Wednesday, April 6, 2005 4:02 PM CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl C1 CLP240E.book Page 2 Wednesday, April 6, 2005 4:02 PM ǂ‰ÂÌË SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 1 CLP-240/230 Model Serial No. Purchase Date CLP240E.book Page 3 Wednesday, April 6, 2005 4:02 PM Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha! ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÔÓÎÌÓÒÚ¸˛ ËÒÔÓθÁÓ‚‡Ú¸ ·Ó„‡Ú˚È Ì‡·Ó Û‰Ó·Ì˚ı ÙÛÌ͈ËÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. å˚ Ú‡ÍÊ ÂÍÓÏẨÛÂÏ Ì ÚÂflÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ë ‰Âʇڸ Â„Ó ÔÓ‰ ÛÍÓÈ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ÚÂı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚» Ë «èËÎÓÊÂÌË». ǂ‰ÂÌË (ÒÚ. 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸. ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 13): ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡. èËÎÓÊÂÌË (ÒÚ. 77): Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚ¡Î˚. * åÓ‰Âθ CLP-240/230 ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «CLP/Clavinova». * àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â. * êËÒÛÌÍË Ô‡ÌÂÎÂÈ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240. * äÓÔËÓ‚‡ÌË ÒÂËÈÌÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ë ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı ‡Á¯ÂÌÓ ËÒÍβ˜ËÚÂθÌÓ ‰Îfl ΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl. ìÇÖÑéåãÖçàÖ éÅ ÄÇíéêëäàï èêÄÇÄï Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡Ú¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ‚Ò ·ÂÁ ËÒÍβ˜ÂÌËfl ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚, Ù‡ÈÎ˚ MIDI Ë Ú.‰. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. íÓ‚‡Ì˚ Á̇ÍË: •Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer, Inc. •Windows fl‚ÎflÂÚÒfl Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®. •SmartMedia fl‚ÎflÂÚÒfl Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Toshiba. •ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚. ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË • äÓÎÎÂ͈Ëfl Ô‡ÚËÚÛ «50 greats for the Piano» • êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓÎÌ˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova. • ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Îfl Windows • ÑÓÔÓÎÌËÚÂθÌ˚È ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ò ÛÍÓ‚Ó‰ÒÚ‚ÓÏ ÔÓ ÛÒÚ‡ÌÓ‚Í Windows • ë͇ÏÂÈ͇ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ. ç‡ÒÚÓÈ͇ Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ̇Òڇ˂‡Ú¸ Ì ̇‰Ó. éÌÓ ‚Ò„‰‡ ̇ÒÚÓÂÌÓ. í‡ÌÒÔÓÚËӂ͇ èË ÔÂÂÂÁ‰Â ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ Ô‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ. ä·‚ˇÚÛÛ ÒΉÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔËÒÎÓÌflÈÚ ÂÂ Í ÒÚÂÌÂ Ë Ì ÒÚ‡‚¸Ú ̇ ·ÓÍ. ç ÔÓ‰‚„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡‡Ï. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 3 CLP240E.book Page 4 Wednesday, April 6, 2005 4:02 PM ëÓ‰ÂʇÌË ǂ‰ÂÌËÂ é· ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ............................... 3 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ................................. 3 ëÔËÒÓÍ Á‡‰‡˜ ........................................................................ 5 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚......................................... 8 èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ ........................................................ 10 ä˚¯Í‡ Í·‚ˇÚÛ˚ ............................................ 10 è˛ÔËÚ ................................................................ 10 ëÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240).......... 10 ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl............................................. 11 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ....................................... 12 ç‡Û¯ÌËÍË ............................................................ 12 Ç˚Íβ˜‡ÚÂθ ‰Ë̇ÏË͇....................................... 12 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ..............................................41 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)....42 ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)..............................................................43 èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl.................43 ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]..................................... 44 à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) ........................ 17 îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ................................................................ 18 éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function ..............45 éÔËÒ‡ÌË ÙÛÌ͈ËÈ ..............................................47 F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ .............47 F2. Ç˚·Ó ÒÚÓfl .............................................48 F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.49 F4. (CLP-240) îÛÌ͈ËË ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.................................50 F5. (CLP-240) / F4. (CLP-230) ÑÛ„Ë ÙÛÌ͈ËË ......................................51 F6. (CLP-240) / F5. (CLP-230) ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ .............................52 F7. (CLP-240) / F6. (CLP-230) ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË.......................................52 F8. (CLP-240) / F7. (CLP-230) îÛÌ͈ËË MIDI........................................52 F9. (CLP-240) / F8. (CLP-230) îÛÌ͈ËË ÒÓı‡ÌÂÌËfl..............................55 F9.5 (CLP-240)/ F8.5 (CLP-230) ç‡·Ó ÒËÏ‚ÓÎÓ‚ ......................................55 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚.............................. 19 èÓ‰Íβ˜ÂÌËÂ...................................................................... 56 Ç˚·Ó ÚÂÏ·Ó‚ ..................................................... 19 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ...................................... 20 ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION] (CLP-240)/[BRILLIANCE]/[REVERB]/ [EFFECT]/[DDE] (CLP-240) .............................. 21 óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇ [TOUCH].............................................................. 23 í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE] .... 24 ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)...................... 25 ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240) ............................................................. 26 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ.................................. 28 ê‡Á˙ÂÏ˚ ................................................................56 èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ................................................58 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡.........60 ëÔ‡‚Ó˜ÌËÍ èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............ 14 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ ........................................................................ 15 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl................................. 29 Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ............................... 29 èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ............. 31 á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË ............................ 32 àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ (‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ....... 34 ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ............................................. 35 ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ ......................................... 35 ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ ........................................... 36 ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF ...................... 37 쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ .................................. 38 îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ................................................. 39 4 ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ............................................. 40 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı .................................... 62 ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ............................................................ 63 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ..................................................... 64 çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚............................................. 64 CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ....... 65 àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240) ............................................................. 69 ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ)................................................. 70 ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ .......................................... 71 ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ............................ 74 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ .................................................... 75 èËÎÓÊÂÌË ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ..................................... 78 îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı......................................................... 80 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.................... 84 íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ......................................... 85 CLP240E.book Page 5 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ Á‡‰‡˜ ùÚÓÚ Û͇Á‡ÚÂθ ÔÓÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆÛ Ò ËÌÙÓχˆËÂÈ Ì‡ ÌÛÊÌÛ˛ ÚÂÏÛ. èÓÒÎۯ˂‡ÌË èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ c ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË .................................................................................«èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 14 èÓÒÎۯ˂‡ÌË ÏÂÎÓ‰ËÈ ËÁ ÒÔËÒ͇ «50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ» ..............................................................«èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 15 èÓÒÎۯ˂‡ÌË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚.........................................«ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 40 èÓÒÎۯ˂‡ÌË ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı......... «ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 40 à„‡ ̇ Í·‚ˇÚÛ àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ ................................................................... «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» ̇ ÒÚ. 20 àÏËÚ‡ˆËfl ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ˝ÙÙÂÍÚ‡ Û‰ÂÊË‚‡ÌËfl Á‚Û͇, ÒÓÁ‰‡‚‡Âχfl ̇ʇÚËÂÏ Ô‡‚ÓÈ Ô‰‡ÎË Ì‡ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ................................................... «[DDE]» (CLP-240) ̇ ÒÚ. 22 èÓ‰·Ó ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................... «í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE]» ̇ ÒÚ. 24 Ç˚·Ó ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚ ...................................................................«óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇ [TOUCH]» ̇ ÒÚ. 23 íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ÔË Ë„Â Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ‚ ‡Ì҇ϷÎÂ Ò ‰Û„ËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ËÎË Ò ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍÂ. .......................................................................................................«íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» ̇ ÒÚ. 47 àÁÏÂÌÂÌË ÚÂÏ·Ó‚ èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ .................................................................«ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 71 ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚............................................................«ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» ̇ ÒÚ. 25 ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍ ........................................................... «ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240)» ̇ ÒÚ. 26 ì‚Â΢ÂÌË flÍÓÒÚË ËÎË Ïfl„ÍÓÒÚË Á‚Û͇......................ùÙÙÂÍÚ «BRILLIANCE» ([BRILLIANCE]) ̇ ÒÚ. 21 àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡.................................................................«ê‚·‡ˆËfl ([REVERB])» ̇ ÒÚ. 21 ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ ‡Ò¯ËÂÌËfl ËÎË Ì‡‡ÒÚ‡ÌËfl Ë Û·˚‚‡ÌËfl................ «ùÙÙÂÍÚ˚ ([EFFECT])» ̇ ÒÚ. 22 ìÎÛ˜¯ÂÌË Á‚Û͇ ÔË ÔÓÏÓ˘Ë ˝ÙÙÂÍÚÓ‚ .......................... «Ç‡Ë‡ˆËË ([VARIATION]) (CLP-240)» ̇ ÒÚ. 21 ìÔ‡ÊÌÂÌËfl éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË ..........................................................................«à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË)» ̇ ÒÚ. 17 ê‡Áۘ˂‡ÌË ‚ ÙÓÏ ÔÓ‚ÚÓ‡ Û͇Á‡ÌÌÓÈ Ù‡Á˚ .........................................................................«îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 18 ìÔ‡ÊÌÂÌËfl ‚ ˜ÂÚÍÓÏ ËÚÏ ................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 28 ìÔ‡ÊÌÂÌËfl ÔË ÔÓÏÓ˘Ë Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË ..................... «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 29 á‡ÔËÒ¸ á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl............................................ «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 29 ç‡ÒÚÓÈÍË ê„ÛÎËӂ͇ ̇ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ......... «ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]» ̇ ÒÚ. 44 èÓ‰Íβ˜ÂÌË ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï óÚÓ Ú‡ÍÓ MIDI ...............................................................................................«é MIDI-ËÌÚÂÙÂÈÒ» ̇ ÒÚ. 57 íÓÌ͇fl ̇ÒÚÓÈ͇ MIDI ........................................................................................«MIDI-ÙÛÌ͈ËË» ̇ ÒÚ. 52 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ....................................... «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» ̇ ÒÚ. 56 ì‚Â΢ÂÌË „ÓÏÍÓÒÚË............................................. «ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED)» ̇ ÒÚ. 56 ÇÓÒÔÓËÁ‚‰ÂÌË Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova .......................................................................................................... «ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R]» ̇ ÒÚ. 57 èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ...................................................... «èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)» ̇ ÒÚ. 58 èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ ...................................... «èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡» ̇ ÒÚ. 60 ë·Ó͇ ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ............................................................................«CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ. 65 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 5 CLP240E.book Page 6 Wednesday, April 6, 2005 4:02 PM èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl ظ ÓÚ ‚Ó‰˚ • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, Á‡‰‡ÌÌÓ ‰Îfl ËÌÒÚÛÏÂÌÚ‡. ùÚÓ Ì‡ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ. • Å„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚÂ Â„Ó fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸. • èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ Ë Û‰‡ÎflÈÚÂ Ò Ì „flÁ¸ Ë Ô˚θ. • çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ ÏÓÍ˚ÏË Û͇ÏË. • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. ظ ÓÚ Ó„Ìfl • 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸. • ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ „Ófl˘Ë Ô‰ÏÂÚ˚, ̇ÔËÏ ҂˜Ë. ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ. Ç̯ڇÚÌ˚ ÒËÚÛ‡ˆËË ç ÓÚÍ˚‚‡Ú¸ • ç ÓÚÍ˚‚‡ÈÚ ËÌÒÚÛÏÂÌÚ Ë Ì Ô˚Ú‡ÈÚÂÒ¸ ‡ÁÓ·‡Ú¸ ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ÇçàåÄçàÖ! ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË • èË ÓÚÍβ˜ÂÌËË Í‡·ÂÎfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÚ ˝ÎÂÍÚÓÒÂÚË ·ÂËÚÂÒ¸ Á‡ ‚ËÎÍÛ, ‡ Ì Á‡ ͇·Âθ. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ. • éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚. • ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í Ó‰ÌÓÈ ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË (̇ÔËÏÂ, ˜ÂÂÁ ÚÓÈÌËÍ). ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË. ë·Ó͇ • è‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË. (1)B-9 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl • ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË. • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. • ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ Ò·ÓÍË. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚χÏ. 6 • ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ·Â„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔ‡ÚÛ (̇ÔËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl). 1/2 CLP240E.book Page 7 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË Ó̇ ÂÒÚ¸) • è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. • ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎflı ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ. • ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇. é·ÒÎÛÊË‚‡ÌË • ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛. çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË • ëΉËÚÂ, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚, Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ËÌÒÚÛÏÂÌÚ‡. • çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ÒÚ‡ÎË Ò‚Ó·Ó‰Ì˚ÏË ‚ ÂÁÛθڇÚ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, ÔÂËӉ˘ÂÒÍË Á‡‚Ë̘˂‡ÈÚ Ëı Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË. ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı • ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ‰‡ÌÌ˚ ÌÂÍÓÚÓ˚ı ‰Û„Ëı ÚËÔÓ‚ ·Û‰ÛÚ ÛÚÂflÌ˚, ÂÒÎË ÔËÚ‡ÌË ÓÚÍβ˜ËÚÒfl ‰Ó Ëı ÒÓı‡ÌÂÌËfl. é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚ (ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ) ÌÛÊÌ˚ ‰‡ÌÌ˚ ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ùν¯Ô‡ÏflÚ¸ Ô‰ ‚˚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÍÓÏÔ¸˛Ú‡ (ÒÚ. 55). àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ˝ÚË ‰‡ÌÌ˚ ÂÁ‚ËÛ˛ÚÒfl ‚ÂÏÂÌÌÓ Ë ÏÓ„ÛÚ ·˚Ú¸ ̘‡flÌÌÓ ÛÚÂflÌ˚ ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚÂÈ ËÎË Ò·Ó‚ ‚ ‡·ÓÚ ӷÓÛ‰Ó‚‡ÌËfl. é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚ ‚Ò ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛Ú ‰Îfl ÔÓÒÚÓflÌÌÓ„Ó ı‡ÌÂÌËfl ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚ (ÒÚ. 62). • ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚. • ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË. • ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û. äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó. (1)B-9 2/2 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 7 CLP240E.book Page 8 Wednesday, April 6, 2005 4:02 PM è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ èˇÌËÌÓ Yamaha CLP-240/230 Clavinova Ô‰ÒÚ‡‚ÎflÂÚ Â‡ÎËÒÚ˘ÌÓÂ Ë ‚˚‡ÁËÚÂθÌÓ Á‚Û˜‡ÌËÂ Ë Ó˘Û˘ÂÌËfl Í‡Í ÓÚ Ë„˚ ̇ ̇ÒÚÓfl˘ÂÏ ÓflÎÂ. Ç ÌÂÏ Ú‡ÍÊ ‡ÎËÁÓ‚‡Ì‡ ÓË„Ë̇θ̇fl ÚÂıÌÓÎÓ„Ëfl „Â̇ˆËË Á‚Û͇ ÍÓÔÓ‡ˆËË Yamaha – «AWM Dynamic Stereo Sampling (CLP-240)/AWM Stereo Sampling (CLP-230)», ÔÓÁ‚ÓÎfl˛˘‡fl ÒÓÁ‰‡‚‡Ú¸ ̇Ò˚˘ÂÌÌ˚Â, ‡ÎËÒÚ˘Ì˚ ÏÛÁ˚͇θÌ˚ ÚÂÏ·˚. Ç ÚÂÏ·‡ı Grand Piano 1 Ë 2 ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240/230 ËÒÔÓθÁÛ˛ÚÒfl Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â Ò˝ÏÔÎ˚ ̇ÒÚÓfl˘Â„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÇÓ ‚ÂÏfl ËÒÔÓÎÌÂÌËfl Ò ÚÂÏ·ÓÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240 GrandPiano1 ËÒÔÓθÁÛ˛ÚÒfl ÚË Ò˝ÏÔ·, Á‡‚ËÒfl˘Ë ÓÚ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯ (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ÓÒÓ·Ó «ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌË» (ÒÚ. 51), ‚ÓÒÔÓËÁ‚Ó‰fl˘Â ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ Ô‰‡Î¸ ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, Ë «Ò˝ÏÔÎ˚ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯˻, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú ÚËıËÈ ÔËÁ‚ÛÍ ÔË ÓÚÔÛÒ͇ÌËË Í·‚˯. Ç ÔˇÌËÌÓ CLP-240/230 Ú‡ÍÊ ËÒÔÓθÁÛÂÚÒfl ÒÔˆˇθ̇fl Í·‚ˇÚÛ‡ «GH3 (Graded Hammer 3)», ̇ ÍÓÚÓÓÈ ‚ÂÒ Í·‚Ë¯Ë Á‡‚ËÒËÚ ÓÚ Â ‡ÒÔÓÎÓÊÂÌËfl. äÓÏ ÚÓ„Ó, ˝Ú‡ Í·‚ˇÚÛ‡ ÒÔˆˇθÌÓÈ ÍÓÌÒÚÛ͈ËË ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ÔËÂÏ˚ Ë„˚, ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ Ì‡ ÓflÎÂ. ç‡ÔËÏÂ, ÏÓÊÌÓ ÔÓ‚ÚÓflÚ¸ Ó‰ÌÛ Ë ÚÛ Ê ÌÓÚÛ, Ë Á‚ÛÍ ·Û‰ÂÚ Ô·‚ÌÓ ÒÎË‚‡Ú¸Òfl ‰‡Ê ·ÂÁ ËÒÔÓθÁÓ‚‡ÌËfl Ô‡‚ÓÈ Ô‰‡ÎË. åÓÊÌÓ Ú‡ÍÊ ·˚ÒÚÓ Ì‡ÊËχڸ ̇ Ó‰ÌÛ Ë ÚÛ Ê Í·‚˯Û, ÔÓÎÛ˜‡fl ÓÚ˜ÂÚÎË‚˚È Á‚ÛÍ ·ÂÁ ÌÂÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Ó·˚‚‡ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. ùÚË ÓÒÓ·ÂÌÌÓÒÚË ËÌÒÚÛÏÂÌÚ‡ CLP-240/230 ÔÓÁ‚ÓÎfl˛Ú χÍÒËχθÌÓ ÔË·ÎËÁËÚ¸Òfl Í Á‚Û˜‡Ì˲ ̇ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. (êËÒÛÌÍË Ô‡ÌÂÎÂÈ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CLP-240) 2 3 4 6 LEFT REC STOP TEMPO/OTHER VALUE ON/OFF RIGHT USB USER PRESET PLAY/PAUSE ON MAX MIN ! SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # METRONOME SYNC START MASTER VOLUME DEMO 5 8 7 + / YES – / NO TEMPO / FUNCTION # SONG SELECT FILE SONG TRANSPOSE GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN 9 E.PIANO 1 STRINGS E.PIANO 2 CHOIR ) @ HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT VOICE # BRIGHT NORMAL MELLOW * ROOM HALL 1 HALL 2 STAGE BRILLIANCE REVERB $ % CHORUS PHASER TREMOLO ROTARY SP EFFECT ^ ( 1 SELECT USB TO DEVICE OFF ON NORMAL HP. SW SPEAKER ¢ ∞ PHONES º ¡ CLP-240 (LEVEL FIXED) R L/L+R R L AUX IN AUX OUT USB TO DEVICE ( OUT IN TO HOST THRU MIDI £ ™ CLP-230 MIDI (LEVEL FIXED) L R 8 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl THRU OUT USB L/L+R R AUX OUT AUX IN º ¡ TO HOST IN £ ™ HARD MEDIUM SOFT TOUCH & ON DDE CLP-240 CLP240E.book Page 9 Wednesday, April 6, 2005 4:02 PM è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ 1 Ç˚Íβ˜‡ÚÂθ [POWER] ............................. ÒÚ. 11 2 èÓÎÁÛÌÍÓ‚˚È Â„ÛÎflÚÓ [MASTER VOLUME] ....................................................................... ÒÚ. 12 % äÌÓÔ͇ [SPLIT](CLP-240) ............................ÒÚ. 26 èÓË„˚‚‡ÌË ԇÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË ‚ ‡ÁÌ˚ı ÚÂÏ·‡ı. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Á‚Û͇ Ò ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡. ^ äÌÓÔÍË [BRILLIANCE], [REVERB], [EFFECT]....................................ÒÚ. 21 3 äÌÓÔ͇ [DEMO]............................................ ÒÚ. 14 ìÒÚ‡Ìӂ͇ flÍÓÒÚË Á‚Û͇ Ë ‰Ó·‡‚ÎÂÌË ˝ÙÙÂÍÚÓ‚ ‚·‡ˆËË Ë ıÓÛÒ‡ Í Á‚ÛÍÛ. ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎӉ˲ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ‚ β·ÓÏ ÚÂÏ·Â. 4 äÌÓÔ͇ [TRANSPOSE] ................................ ÒÚ. 24 à„‡fl ̇ ÚÂı Ê ҇Ï˚ı Í·‚˯‡ı, ÏÓÊÌÓ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚ Ú‡Í, ˜ÚÓ·˚ Ó̇ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ‚˚ÒÓÚ Á‚Û͇ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ËÎË Ô‚ˆ‡. 5 äÌÓÔ͇ [REC] ............................................... ÒÚ. 29 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl. 6 äÌÓÔÍË [RIGHT], [LEFT]..............ÒÚ‡Ìˈ˚ 17, 32 éÚÍβ˜ÂÌË ԇÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡Áۘ˂‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ (‚˚Íβ˜ÂÌÌÛ˛) Ô‡Ú˲ ÓÚ‰ÂθÌÓ. 7 [PLAY/PAUSE], [STOP]................ÒÚ‡Ìˈ˚ 15, 41 ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ, Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡·, ÍÓÏϘÂÒÍËı ÏÛÁ˚͇θÌ˚ı Á‡ÔËÒÂÈ Ë Ú. ‰. 8 äÌÓÔ͇ [SONG SELECT].............ÒÚ‡Ìˈ˚ 15, 41 Ç˚·Ó ÏÂÎÓ‰ËË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË Â‰‡ÍÚËÓ‚‡ÌËfl. 9 äÌÓÔ͇ [FILE] (CLP-240) .............ÒÚ‡Ìˈ˚ 35, 42 ëÓı‡ÌÂÌË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ Ë ÛÔ‡‚ÎÂÌË هÈ·ÏË ÏÂÎÓ‰ËÈ. í‡ÍÊ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚Ó‰ËÚ¸ ÙÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ) äÌÓÔ͇ [TEMPO/FUNCTION#] ....ÒÚ‡Ìˈ˚ 28, 45 àÁÏÂÌÂÌË ÚÂÏÔ‡ (ÒÍÓÓÒÚË) ÏÂÎÓ‰ËË Ë ‚˚·Ó ‰Û„Ëı ÔÓÎÂÁÌ˚ı ÙÛÌ͈ËÈ (ÒÚ‡Ìˈ˚ 44-55). ! äÌÓÔ͇ [METRONOME]...............ÒÚ‡Ìˈ˚ 28, 52 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ. @ ùÍ‡Ì ............................................................ ÒÚ. 11 ÇçàåÄçàÖ! ç ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ÍÓ„‰‡ ̇ ˝Í‡Ì ÏË„‡˛Ú ÔÓ˜ÂÍË – ÓÌË Û͇Á˚‚‡˛Ú, ˜ÚÓ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚ÔÓÎÌflÂÚÒfl ÓÔ‡ˆËfl. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı. # äÌÓÔ͇ [–/NO], [+/YES] ìÒÚ‡Ìӂ͇ Á̇˜ÂÌËÈ Ë ‚˚ÔÓÎÌÂÌË ÓÔ‡ˆËÈ Ò Ù‡È·ÏË. é‰ÌÓ‚ÂÏÂÌÌÓ ̇ʇÚË ӷÂËı ÍÌÓÔÓÍ ‰Îfl ͇ÍËı-ÎË·Ó Ì‡ÒÚÓÂÍ («í‡ÌÒÔÓÌËÓ‚‡ÌË», «íÂÏÔ» Ë Ú. ‰.) ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲. $ äÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ .............................. ÒÚ. 19 Ç˚·Ó ËÁ 14 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ÚÂÏ·˚ Grand Piano 1 Ë 2. åÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ. (äÌÓÔ͇ [VARIATION] ÂÒÚ¸ ÚÓθÍÓ Û ÔˇÌËÌÓ CLP-240.) & äÌÓÔ͇ [TOUCH] ..........................................ÒÚ. 23 ÑÎfl ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl. * äÌÓÔ͇ [DDE] (CLP-240)..............................ÒÚ. 22 ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË DDE (˝ÙÙÂÍÚ Dynamic Damper). èË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ DDE, ÍÓ„‰‡ Ò Ì‡Ê‡ÚÓÈ Ô‡‚ÓÈ Ô‰‡Î¸˛ ̇ÊËχÂÚÒfl Í·‚˯‡, ÔˇÌËÌÓ Clavinova ËÏËÚËÛÂÚ ˝ÙÙÂÍÚ Û‰ÂʇÌÌÓ„Ó Á‚Û͇, ÍÓÚÓ˚È ÔÓÎÛ˜‡ÂÚÒfl, ÂÒÎË Ì‡ ÓflΠ̇ÊËχ˛Ú Ô‡‚Û˛ Ô‰‡Î¸. ( èÓÚ˚ USB [TO DEVICE] (CLP-240)) .........ÒÚ. 57 èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‰Îfl ÒÓı‡ÌÂÌËfl ËÎË Á‡„ÛÁÍË ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ Ò̇·ÊÂÌ ‰‚ÛÏfl ÔÓÚ‡ÏË [TO DEVICE], A Ë B, ÍÓÚÓ˚ ‚˚·Ë‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl [SELECT] (‚˚·Ó). º ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED) ..............................................ÒÚ. 56 èÓÁ‚ÓÎfl˛Ú ‚˚‚Ó‰ËÚ¸ Á‚ÛÍ ÔˇÌËÌÓ Ì‡ ‚ÌÂ¯Ì˛˛ ‡Û‰ËÓÒËÒÚÂÏÛ ËÎË ÔÓ‰Íβ˜‡Ú¸ Â„Ó Í ‰Û„ÓÏÛ ÛÒÚÓÈÒÚ‚Û (͇ÒÒÂÚÌÓÏÛ Ï‡„ÌËÚÓÙÓÌÛ Ë Ú.‰.) ‰Îfl Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl. ¡ ê‡Á˙ÂÏ˚ AUX IN [L/L+R] [R].......................ÒÚ. 57 èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌËÈ „Â̇ÚÓ Á‚Û͇ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓ„Ó Á‚Û͇ ˜ÂÂÁ ‚ÒÚÓÂÌÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒËÒÚÂÏÛ Ë ‰Ë̇ÏËÍË ÔˇÌËÌÓ. ™ ê‡Á˙ÂÏ USB [TO HOST] (ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË) ............................ÒÚ. 57 èÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ ‰Îfl Ó·ÏÂ̇ MIDI-‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÔˇÌËÌÓ Ë ÍÓÏÔ¸˛ÚÂÓÏ. £ èÓÚ˚ MIDI [IN][OUT][THRU]......................ÒÚ. 57 èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ ‚̯ÌË MIDI-ÛÒÚÓÈÒÚ‚‡ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‡Á΢Ì˚ı MIDI-ÙÛÌ͈ËÈ. ¢ ê‡Á˙ÂÏ˚ [PHONES], ÔÂÂÍβ˜‡ÚÂθ [SPEAKER]....................................................ÒÚ. 12 èÓÁ‚ÓÎfl˛Ú ÔÓ‰Íβ˜‡Ú¸ Òڇ̉‡ÚÌ˚ ÒÚÂÂÓ̇ۯÌËÍË, ˜ÚÓ·˚ Ë„‡Ú¸, ̠ϯ‡fl ÓÍÛʇ˛˘ËÏ. Ç˚Íβ˜‡ÚÂθ [SPEAKER] ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË. ∞ èÖÑÄãà ........................................................ÒÚ. 20 èÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÏÌÓÊÂÒÚ‚Ó ‚˚‡ÁËÚÂθÌ˚ı ˝ÙÙÂÍÚÓ‚, ÔÓ‰Ó·ÌÓ Ô‰‡ÎflÏ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ. ë ΂ÓÈ Ô‰‡Î¸˛ Ú‡ÍÊ ÏÓÊÌÓ Ò‚flÁ‡Ú¸ ‚˚ÔÓÎÌÂÌË ‡Á΢Ì˚ı ÙÛÌ͈ËÈ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 9 CLP240E.book Page 10 Wednesday, April 6, 2005 4:02 PM èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ ä˚¯Í‡ Í·‚ˇÚÛ˚ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë Ô·‚ÌÓ Ò‰‚Ë̸Ú ‚Ô‰. óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËÚ ̇ Í·‚ˇÚÛÛ. ÇçàåÄçàÖ! éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ·ÂËÚÂÒ¸ Á‡ Ì ӷÂËÏË Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍÓÂÚÒfl ËÎË Ì Á‡ÍÓÂÚÒfl ÔÓÎÌÓÒÚ¸˛. ëÚ‡‡ÈÚÂÒ¸ Ì Á‡˘ÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ. ÇçàåÄçàÖ! ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ‰Û„ËÏ Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡. è˛ÔËÚ óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ: 1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ ‚ÓÁÏÓÊÌÓ. 2. éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡. 3. éÔÛÒÚËÚ ԲÔËÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔˇÎÒfl ̇ ÙËÍÒ‡ÚÓ˚. óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ: 1. ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ ‚ÓÁÏÓÊÌÓ. 2. èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ (̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡). 3. éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚ, ÔˉÂÊË‚‡ÈÚ „Ó, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÓÔÛÒÚËÚÒfl ̇ ÏÂÒÚÓ. ëÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240) ùÚË ÒÍÓ·ÍË ÒÎÛÊ‡Ú ‰Îfl ÙËÍÒ‡ˆËË ÒÚ‡Ìˈ ÌÓÚÌÓÈ ÚÂÚ‡‰Ë. èÓ‰ÌflÚË ÒÍÓ·ÓÍ 10 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl éÔÛÒ͇ÌË ÒÍÓ·ÓÍ CLP240E.book Page 11 Wednesday, April 6, 2005 4:02 PM èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl 1. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl ÇÒÚ‡‚¸Ú ӉËÌ ÍÓ̈ ͇·ÂÎfl ‚ ‡Á˙ÂÏ AC INLET ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë ‚Íβ˜ËÚ ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl ‚ ÓÁÂÚÍÛ. Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. 1-1 1-2 (îÓχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ ÒÚ‡Ì˚.) ÇçàåÄçàÖ! ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌËÂ, ËÒÔÓθÁÛÂÏÓ ‚ ‰‡ÌÌÓÏ Â„ËÓÌÂ, ÔÓ‰ıÓ‰ËÚ ‰Îfl ÔËÚ‡ÌËfl ÔˇÌËÌÓ CLP-240/230 (‰ÓÔÛÒÚËÏÓ ̇ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡). Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ̇ ÌËÊÌ˛˛ Ô‡ÌÂθ Í·‚ˇÚÛ˚ fl‰ÓÏ Ò Í‡·ÂÎÂÏ ÔËÚ‡ÌËfl ÔÓÏ¢‡ÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í ÌÂÔÓ‰ıÓ‰fl˘ÂÏÛ ËÒÚÓ˜ÌËÍÛ ÔËÚ‡ÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ Â„Ó ˝ÎÂÍÚÓÒıÂÏ˚ Ë ‰‡Ê ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ! àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl, ‚ıÓ‰fl˘ËÈ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÔˇÌËÌÓ CLP-240/230. èË ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Í‡·ÂÎfl ‰Îfl Â„Ó Á‡ÏÂÌ˚ Ò‚flÊËÚÂÒ¸ Ò ÏÂÒÚÌ˚Ï ‰ËÎÂÓÏ ÍÓÔÓ‡ˆËË Yamaha. àÒÔÓθÁÓ‚‡ÌË ÌÂÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÊ‡Û Ë ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ! íËÔ Í‡·ÂÎfl ÔËÚ‡ÌËfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò ËÌÒÚÛÏÂÌÚÓÏ CLP-240/230, ÏÓÊÂÚ ·˚Ú¸ ‡Á΢Ì˚Ï, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÚ‡Ì˚, „‰Â Òӂ¯Â̇ ÔÓÍÛÔ͇. (Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÓÁÂÚÍ‡Ï Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.) çÖ ÏÓ‰ËÙˈËÛÈÚ ‚ËÎÍÛ Í‡·ÂÎfl, ÔÓÒÚ‡‚ÎflÂÏÓ„Ó Ò ÔˇÌËÌÓ CLP-240/230. ÖÒÎË ‚ËÎ͇ Ì ‚ıÓ‰ËÚ ‚ ÓÁÂÚÍÛ, ‚˚ÁÓ‚ËÚ ÒÔˆˇÎËÒÚ‡-˝ÎÂÍÚË͇ ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÓÁÂÚÍË ÌÛÊÌÓ„Ó ÚËÔ‡. 2. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER]. • ÇÍβ˜ËÚÒfl ÔÓ‰Ò‚ÂÚ͇ ˝Í‡Ì‡ ‚ ˆÂÌÚ Ô‰ÌÂÈ Ô‡ÌÂÎË Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ̇ıÓ‰fl˘ËÈÒfl ̇ ÍÓÔÛÒ ÌËÊ ÎÂ‚Ó„Ó Í‡fl Í·‚ˇÚÛ˚. ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER]. • ÑËÒÔÎÂÈ Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÛÚ. èêàåÖóÄçàÖ à̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÖÒÎË Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚, Ì ‚˚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ, Ë̉Ë͇ÚÓ ÔÓ‰ÓÎʇÂÚ „ÓÂÚ¸, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ‚Ò ¢ ‚Íβ˜ÂÌ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 11 CLP240E.book Page 12 Wednesday, April 6, 2005 4:02 PM èÓ‰„ÓÚӂ͇ Í ‡·ÓÚ ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒ‰ËÌÂ, ÏÂÊ‰Û Á̇˜ÂÌËflÏË «MIN» Ë «MAX». 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎflÚÓÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸. MIN MAX MASTER VOLUME ìÏÂ̸¯ÂÌË „ÓÏÍÓÒÚË ì‚Â΢ÂÌË „ÓÏÍÓÒÚË ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ÔˇÌËÌÓ Clavinova ÔË ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‚‡¯ ÒÎÛı. íÖêåàçéãéÉàü MASTER VOLUME: ìÓ‚Â̸ „ÓÏÍÓÒÚË ‚ÒÂÈ Í·‚ˇÚÛ˚ èêàåÖóÄçàÖ èË ÔÓÏÓ˘Ë ÔÓÎÁÛÌÍÓ‚Ó„Ó Â„ÛÎflÚÓ‡ [MASTER VOLUME] ÏÓÊÌÓ Ú‡ÍÊ ̇Òڇ˂‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇, ‚˚ıÓ‰fl˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ˚ [PHONES] Ë ÔÓÒÚÛÔ‡˛˘Â„Ó ˜ÂÂÁ ‡Á˙ÂÏ AUX IN. ç‡Û¯ÌËÍË èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES]. ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES]. åÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ ‰‚‡ ÍÓÏÔÎÂÍÚ‡ Òڇ̉‡ÚÌ˚ı ÒÚÂÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.) àÒÔÓθÁÓ‚‡ÌË Ͳ˜Í‡ ‰Îfl ̇ۯÌËÍÓ‚ ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ CLP-240/230 Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. ÇçàåÄçàÖ! ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í˛˜ÓÍ. Ç˚Íβ˜‡ÚÂθ ‰Ë̇ÏË͇ ùÚÓÚ ‚˚Íβ˜‡ÚÂθ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË. NORMAL (HP. SW)............. ÑË̇ÏËÍË ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ, ÂÒÎË Ì ÔÓ‰Íβ˜ÂÌ˚ ̇ۯÌËÍË. ON.................................. ÑË̇ÏËÍË ‚Ò„‰‡ ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ. OFF ................................ ÑË̇ÏËÍË Ì ‚ÓÒÔÓËÁ‚Ó‰flÚ Á‚ÛÍ. 12 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl OFF ON NORMAL HP. SW SPEAKER PHONES CLP240E.book Page 13 Wednesday, April 6, 2005 4:02 PM ëÔ‡‚Ó˜ÌËÍ ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡. èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ.14 èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ ........................................................15 ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240)...............................................................43 èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl..................43 à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) .............................................. 17 îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ................................................................. 18 ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION]................. 44 Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ..................19 Ç˚·Ó ÚÂÏ·Ó‚ ...................................................... 19 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ....................................... 20 ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION] (CLP-240)/[BRILLIANCE]/[REVERB]/ [EFFECT]/[DDE] (CLP-240) ............................... 21 óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇ [TOUCH]............................................................... 23 í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE] ..... 24 ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)....................... 25 ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240) .............................................................. 26 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ................................... 28 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ....................29 Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ................................ 29 èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË .............. 31 á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË ............................. 32 àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ (‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ........................ 34 ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ..........35 ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ .......................................... 35 ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ ............................................ 36 ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF........................ 37 쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ ................................... 38 îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ................................................................... 39 ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ................................40 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ ................................................................. 41 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) .... 42 éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function................45 éÔËÒ‡ÌË ÙÛÌ͈ËÈ ...............................................47 F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....................47 F2. Ç˚·Ó ÒÚÓfl .....................................................48 F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ........49 F4. (CLP-240) îÛÌ͈ËË ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ...............................................50 F5. (CLP-240)/F4. (CLP-230) ÑÛ„Ë ÙÛÌ͈ËË ...51 F6. (CLP-240)/F5. (CLP-230) ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ...........................................52 F7. (CLP-240)/F6. (CLP-230) ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...........52 F8. (CLP-240)/F7. (CLP-230) îÛÌ͈ËË MIDI .....52 F9. (CLP-240)/F8. (CLP-230) îÛÌ͈ËË ÒÓı‡ÌÂÌËfl ............................................55 F9.5 (CLP-240)/F8.5 (CLP-230) ç‡·Ó ÒËÏ‚ÓÎÓ‚.....................................................55 èÓ‰Íβ˜ÂÌË .................................................... 56 ê‡Á˙ÂÏ˚..................................................................56 èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ ..........60 êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı....................... 62 ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ........................................... 63 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ...................................... 64 çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚ ............................... 64 CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ........................................................ 65 àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240) ........................................... 69 ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) ................................... 70 ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ............................ 71 ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ............... 74 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ...................................... 75 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 13 CLP240E.book Page 14 Wednesday, April 6, 2005 4:02 PM èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ˝ÙÙÂÍÚË‚ÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂı ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240/230. 1 2 4 4 REC MIN 3 ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl (ÖÒÎË ÔËÚ‡ÌË ‚˚Íβ˜ÂÌÓ). ç‡ÊÏËÚ ‚˚Íβ˜‡ÚÂθ [POWER]. ÖÒÎË ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Á‡„ÓËÚÒfl Ó‰ËÌ ËÁ Ò‚ÂÚÓ‰ËÓ‰Ì˚ı Ë̉Ë͇ÚÓÓ‚ ÍÌÓÔÓÍ ÚÂÏ·‡. ìÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME] ÔËÏÂÌÓ ÔÓÒ‰ËÌÂ, ÏÂÊ‰Û Ô‡‡ÏÂÚ‡ÏË «MIN» Ë «MAX». 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÍÓ‚˚Ï Â„ÛÎflÚÓÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸. 2. ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. à̉Ë͇ÚÓ˚ ÍÌÓÔÓÍ ÚÂÏ·Ó‚ ·Û‰ÛÚ ÔÓÒΉӂ‡ÚÂθÌÓ ÏË„‡Ú¸. 3. ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡ ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÂı ÏÂÎÓ‰ËÈ, ̇˜Ë̇fl Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡, ̇ÊÏËÚ ÍÌÓÔÍÛ ˝ÚÓ„Ó ÚÂÏ·‡. (ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ Ì ÍÌÓÔÍÛ ÚÂÏ·‡, ̇˜ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË ‰Îfl ÚÂÏ·‡ GRAND PIANO 1.) èêàåÖóÄçàÖ ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ Ô˂‰ÂÌ Ì‡ ÒÚ. 74. èêàåÖóÄçàÖ Ç ÂÊËÏ ÔÓÒÎۯ˂‡ÌËfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ÔËÂÏ MIDI ‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ. чÌÌ˚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‚˚ıÓ‰˚ MIDI. èêàåÖóÄçàÖ ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ÌÂθÁfl ‚Íβ˜ËÚ¸ ‚Ó ‚ÂÏfl Á‡ÔËÒË ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ (ÒÚ. 29) ËÎË ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (ÒÚ. 35). íÖêåàçéãéÉàü êÂÊËÏ ëÓÒÚÓflÌË ËÌÒÚÛÏÂÌÚ‡, ‚ ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌÌÛ˛ ÙÛÌÍˆË˛. Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏ ÏÓÊÌÓ ÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË. èêàåÖóÄçàÖ 4. éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡ Ë ‚˚ıÓ‰ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ËÎË SONG [STOP]. íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ËÁÏÂÌflÚ¸ ÌÂθÁfl. çÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÓÚÍβ˜ÂÌËfl Ô‡ÚËË (ÒÚ. 17) ËÎË ÏÂÎÓ‰ËË. îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B (ÒÚ. 18) ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË. èêàåÖóÄçàÖ ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-240 ÏÓÊÌÓ ÔÓÒÎۯ˂‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆË˛ ÚÂÏ·Ó‚ ÙÓÚÂÔ¸flÌÓ Ò ‡Á΢Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË, ̇ʇ‚ ÍÌÓÔÍÛ [VARIATION], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ ÌÛÊÌÓ„Ó ÚÂÏ·‡. èÓÎÌ˚È ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ Ò ‡Á΢Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË ‰Îfl ÙÓÚÂÔ¸flÌÓ Ì‡ıÓ‰ËÚÒfl ‚ ‡Á‰ÂΠ«éÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ ‰Îfl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 74. 14 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 15 Wednesday, April 6, 2005 4:02 PM èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚÒfl 50 ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ. ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÓÒÚÓ ÒÎÛ¯‡Ú¸ (ÒÚ. 15) ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡ÊÌÂÌËÈ (ÒÚ. 17). åÓÊÌÓ Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ «50 greats for the Piano» Ò Ô‡ÚËÚÛ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ. 3 2 -2 1 REC MIN MAX ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON 2 -1 4 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. 2. 2-1 2-2 ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ çÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ÔÓ͇ Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ «PRESET». ÇÓÒÔÓËÁ‚‰ÂÌË β·ÓÈ ËÁ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ç‡ÊËχÈÚ ÍÌÓÔÍË [–/NO], [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÓÏ ÏÂÎÓ‰ËË, ÍÓÚÓÛ˛ ıÓÚËÚ ‚ÓÒÔÓËÁ‚ÂÒÚË (ÌÓÏ ÔÓfl‚ËÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ). 1 – 50: ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ÏÂÎÓ‰ËË Ò ‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ. ALL: èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ. rnd: çÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ. ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ [MASTER VOLUME]. ç‡ÒÚÓÈ͇ ÚÂÏÔ‡ ÑÎfl ̇ÒÚÓÈÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [TEMPO/ FUNCTION# ▼ ▲]. íÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲ ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ÍÌÓÔÍË [▼] Ë [▲]. 3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚¯ÂÌËfl ‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË ÌÂÔÂ˚‚ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. åÓÊÌÓ Ú‡ÍÊ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. • ä‡Í Á‡ÔÛÒÚËÚ¸ ÌÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÏÂÎÓ‰ËË, ÓÔËÒ‡ÌÓ ‚˚¯Â ‚ ÔÛÌÍÚ 2. èêàåÖóÄçàÖ êÂÊËÏ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ÌÂθÁfl ‚Íβ˜ËÚ¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËÈ (ÒÚ. 14), ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË (ÒÚ. 41), Á‡ÔËÒË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚ. 29) ËÎË ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (ÒÚ. 35). íÖêåàçéãéÉàü åÂÎÓ‰Ëfl Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CLP-240/230 «ÏÂÎÓ‰ËÂÈ» ̇Á˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ ‚Íβ˜‡ÂÚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË Ë ‚ÒÚÓÂÌÌÛ˛ ÏÛÁ˚ÍÛ. èêàåÖóÄçàÖ é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı. åÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ flÍÓÒÚ¸ (ÒÚ. 21) Ë ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 21), ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÚÂÏ·‡ Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. ÑÎfl ÚÂÏ·‡ Í·‚ˇÚÛ˚ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÚËÔ ˝ÙÙÂÍÚ‡ (ÒÚ. 22) Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl (ÒÚ. 23). èêàåÖóÄçàÖ èË ‚˚·Ó ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ËÎË ÔË Ì‡˜‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ ÂÊËÏ «ALL» ËÎË «rnd» ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲ «0». èêàåÖóÄçàÖ ÖÒÎË ‚˚·‡Ì‡ ‰Û„‡fl ÏÂÎÓ‰Ëfl (ËÎË ‰Û„‡fl ÏÂÎÓ‰Ëfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÏÂÎÓ‰ËÈ), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÛÚ ‚˚·‡Ì˚ ÔÓ‰ıÓ‰fl˘Ë ÚËÔ˚ ‚·‡ˆËË Ë ˝ÙÙÂÍÚ‡. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 15 CLP240E.book Page 16 Wednesday, April 6, 2005 4:02 PM èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ 4. Ç˚ıÓ‰ ËÁ ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT]. à̉Ë͇ÚÓ ÓÚÍβ˜‡ÂÚÒfl, Ë ËÌÒÚÛÏÂÌÚ ‚ÓÁ‚‡˘‡ÂÚÒfl ‚ Ó·˚˜Ì˚È ÂÊËÏ. àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl èË Ê·ÌËË ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ô‡Ú˲ ΂ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË Ë Ò‡ÏÓÒÚÓflÚÂθÌÓ ÔÓÔÓ·Ó‚‡Ú¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË), ÌÂÔÂ˚‚ÌÓ ÔÓ‚ÚÓflfl Û͇Á‡ÌÌÛ˛ Ù‡ÁÛ ÏÂÎÓ‰ËË (ÙÛÌ͈Ëfl ÔÓ‚ÚÓ‡ ÏÂÎÓ‰ËË A-B). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚ. 17–18. 16 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 17 Wednesday, April 6, 2005 4:02 PM èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË) 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ Á‡ÔËÒ‡Ì˚ Ú‡Í, ˜ÚÓ Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË Ì‡ıÓ‰flÚÒfl ‚ ‡ÁÌ˚ı Ô‡ÚËflı. èÓ Ê·Ì˲ ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ô‡ÚËË Î‚ÓÈ, Ô‡‚ÓÈ ËÎË Ó·ÂËı ÛÍ, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡Áۘ˂‡Ú¸ Í‡Ê‰Û˛ ËÁ ÌËı ÓÚ‰ÂθÌÓ. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡‰Ó ̇ʇڸ ÍÌÓÔÍÛ [RIGHT], ‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË Î‚ÓÈ ÛÍË – ÍÌÓÔÍÛ [LEFT]. 3 1 2 REC MIN RIGHT PLAY/PAUSE ON MAX ON/OFF LEFT STOP USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 STRINGS E.PIANO 2 CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE ÑÂÈÒÚ‚Ëfl 1. éÚÍβ˜ÂÌË ԇÚËË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ ‡ÁÛ˜ËÚ¸ Ç˚·‡‚ ÏÂÎӉ˲ ‰Îfl ÛÔ‡ÊÌÂÌËÈ, ÓÚÍβ˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡Ú˲ ÍÌÓÔÍÓÈ [RIGHT] ËÎË [LEFT]. èÓÒΠ‚˚·Ó‡ ÏÂÎÓ‰ËË Á‡„Ó‡˛ÚÒfl Ó·‡ Ë̉Ë͇ÚÓ‡ – [RIGHT] Ë [LEFT]. ùÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ó·Â Ô‡ÚËË. ÖÒÎË Ì‡Ê‡Ú¸ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ ÔÓ„‡ÒÌÂÚ Ë Ô‡ÚËfl Á‚Û˜‡Ú¸ Ì ·Û‰ÂÚ. • ç‡Ê‡ÚË ÍÌÓÔÍË ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. 2. ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ë„‡ ̇ Í·‚˯‡ı ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. éÚÍβ˜ÂÌÌÛ˛ Ô‡Ú˲ Ë„‡ÈÚ ̇ Í·‚˯‡ı. BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 èêàåÖóÄçàÖ ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚ ‚ ÏÂÎÓ‰ËË ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡ ÍÌÓÔ͇ÏË [RIGHT] Ë [LEFT]. í‡Í, ÍÌÓÔÍÛ [RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡ ÍÌÓÔÍÛ [LEFT] – Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 2. èêàåÖóÄçàÖ îÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËË ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd» (ÒÚ. 15). èêàåÖóÄçàÖ è‡ÚËË ÏÓÊÌÓ ÓÚÍβ˜‡Ú¸ Ë ‚Íβ˜‡Ú¸ ‰‡Ê ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl. èêàåÖóÄçàÖ Ä‚ÚÓχÚ˘ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË Ë„Â Ì‡ Í·‚˯‡ı (Sync Start) ÖÒÎË ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜Â̇, ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË Ì‡˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. (óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ÔÓ‚ÚÓËÚ Ô‰˚‰Û˘Ë ‰ÂÈÒÚ‚Ëfl.) ÇÓÒÔÓËÁ‚‰ÂÌË ̇˜ÌÂÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı. ÇÓÒÔÓËÁ‚‰ÂÌËÂ/è‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ ΂ÓÈ Ô‰‡ÎË îÛÌ͈Ëfl „ÓÏÍÓÒÚË ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË, ÓÔËÒ‡Ì̇fl ̇ ÒÚ. 52, ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ „ÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ «0» (·ÂÁ Á‚Û͇) ‰Ó «20». é·˚˜ÌÓ ËÒÔÓθÁÛÂÚÒfl Á̇˜ÂÌË «5». èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Left Pedal Mode (ÂÊËÏ Î‚ÓÈ Ô‰‡ÎË), ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. 3. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl äÓ„‰‡ ÏÂÎÓ‰Ëfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇˘‡ÂÚÒfl, Ë ÔˇÌËÌÓ Clavinova ̇ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ̇ Ò‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ Ú‡ÍÊ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. èêàåÖóÄçàÖ èË ‚˚·Ó ÌÓ‚ÓÈ ÏÂÎÓ‰ËË ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡˛ÚÒfl Ó·Â Ô‡ÚËË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 17 CLP240E.book Page 18 Wednesday, April 6, 2005 4:02 PM èÓÒÎۯ˂‡ÌË 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ îÛÌÍˆË˛ ÔÓ‚ÚÓ‡ Ä-Ç ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÌÂÔÂ˚‚ÌÓ„Ó ÔÓ‚ÚÓÂÌËfl Û͇Á‡ÌÌÓÈ Ù‡Á˚ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË. Ç ÒÓ˜ÂÚ‡ÌËË Ò ÓÔËÒ‡ÌÌÓÈ ÌËÊ ÙÛÌ͈ËÂÈ ÓÚÍβ˜ÂÌËfl Ô‡ÚËË Ó‰ÌÓÈ ÛÍË ˝Ú‡ ÙÛÌ͈Ëfl ‰‡ÂÚ ÔÂ͇ÒÌÛ˛ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‡·‡Ú˚‚‡Ú¸ ÒÎÓÊÌ˚ ÓÚ˚‚ÍË. 1 2 REC MIN RIGHT PLAY/PAUSE ON MAX ON/OFF LEFT STOP USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 STRINGS CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO SONG TRANSPOSE SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. ì͇ÊËÚ ̇˜‡ÎÓ (A) Ë ÍÓ̈ (B) Ù‡Á˚ Ë Ì‡˜Ë̇ÈÚ ÛÔ‡ÊÌÂÌËfl Ç˚·ÂËÚ ‚ÒÚÓÂÌÌÛ˛ ÏÂÎӉ˲ Ë Ì‡˜ÌËڠ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Á‡ÚÂÏ ‚ ̇˜‡Î هÁ˚, ÍÓÚÓÛ˛ ıÓÚËÚ ÔÓ‚ÚÓËÚ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#]. ùÚÓ ÓÔ‰ÂÎflÂÚ ÚÓ˜ÍÛ «A» (̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl èêàåÖóÄçàÖ îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ Ä-Ç Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ò Ô‡‡ÏÂÚ‡ÏË «ALL» ËÎË «rnd» (ÒÚ. 15). ). óÚÓ·˚ Á‡‰‡Ú¸ ÍÓ̈ Ù‡Á˚ (ÚÓ˜ÍÛ «B»), ‚ ÍÓ̈ هÁ˚ ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#]. ùÚÓ ÓÔ‰ÂÎflÂÚ ÚÓ˜ÍÛ «Ç» (̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl ). ÅÛ‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ù‡Á‡ ÏÂÊ‰Û ÚӘ͇ÏË «Ä» Ë «Ç». èêàåÖóÄçàÖ • óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ «A» ‚ Ò‡ÏÓÏ Ì‡˜‡Î ÏÂÎÓ‰ËË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ‰Ó ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl. • íӘ͇ B ÏÓÊÂÚ ÛÒڇ̇‚ÎË‚‡Ú¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ ÍÓ̈ ÏÂÎÓ‰ËË, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ A Ë ‰‡Ú¸ ÏÂÎÓ‰ËË ‰ÓË„‡Ú¸ ‰Ó ÍÓ̈‡. èêàåÖóÄçàÖ Ç ÚӘ͠«Ä» ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜Ë̇ÂÚÒfl Á‡Ú‡ÍÚ (˝ÚÓ ÔÓÏÓ„‡ÂÚ ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í Ì‡˜‡ÎÛ Ù‡Á˚). 2. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ÒÓı‡Ìflfl Á‡‰‡ÌÌ˚ ÚÓ˜ÍË «Ä» Ë «Ç», ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË A-B ‚ÓÁÓ·ÌÓ‚ËÚÒfl, ÂÒÎË Â˘Â ‡Á ̇ʇڸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. óÚÓ·˚ Û‰‡ÎËÚ¸ ÚÓ˜ÍË «A» Ë «B», Ó‰ËÌ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/ FUNCTION#]. èêàåÖóÄçàÖ á̇˜ÂÌËfl ÚÓ˜ÂÍ «Ä» Ë «Ç» ‡‚ÚÓχÚ˘ÂÒÍË Û‰‡Îfl˛ÚÒfl ÔË ‚˚·Ó ÌÓ‚ÓÈ ÏÂÎÓ‰ËË. 18 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 19 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ Ç˚·Ó ÚÂÏ·Ó‚ äÌÓÔÍË ÚÂÏ·‡ REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl Ç˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ VOICE. 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚ ÔÓÎÁÛÌÍÓÏ [MASTER VOLUME] ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸. èêàåÖóÄçàÖ óÚÓ·˚ ÔÓÁ̇ÍÓÏËÚ¸Òfl Ò ÚÂÏ·‡ÏË, ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ‰Îfl ͇ʉÓÈ „ÛÔÔ˚ ÚÂÏ·Ó‚ (ÒÚ. 14). ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·‡ı Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ̇ ÒÚ. 71. íÖêåàçéãéÉàü íÂÏ· ÑÎfl ÔˇÌËÌÓ Clavinova «ÚÂÏ·» ÓÁ̇˜‡ÂÚ «ÚÓÌ» ËÎË «Á‚ÛÍÓ‚ÓÈ ÓÚÚÂÌÓÍ». èêàåÖóÄçàÖ ÉÓÏÍÓÒÚ¸ ÚÂÏ·‡ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ ÒËÎÓÈ Ì‡Ê‡ÚËfl Í·‚˯, ıÓÚfl ÔË ÌÂÍÓÚÓ˚ı ̇ÒÚÓÈ͇ı ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl, ÒË· ̇ʇÚËfl Ô‡ÍÚ˘ÂÒÍË Ì ‚ÎËflÂÚ Ì‡ Á‚Û˜‡ÌË ÌÂÍÓÚÓ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚. ëÏ. «ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 71. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 19 CLP240E.book Page 20 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ì ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÂÒÚ¸ ÚË Ô‰‡ÎË, ÍÓÚÓ˚ ‚˚ÔÓÎÌfl˛Ú Ú Ê ÙÛÌ͈ËË, ˜ÚÓ Ë Ô‰‡ÎË ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ. èêàåÖóÄçàÖ ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ۷‰ËÚÂÒ¸, ˜ÚÓ ¯ÌÛ Ô‰‡ÎË Ô‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ Í „·‚ÌÓÈ ˜‡ÒÚË (ÒÚ. 67). ÑÂÏÔÙÂ̇fl (Ô‡‚‡fl) Ô‰‡Î¸ 臂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ Ú‡Í ÊÂ, Í‡Í Ô‡‚‡fl Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. ÖÒÎË Ô‡‚‡fl Ô‰‡Î¸ ̇ʇڇ, ÌÓÚ‡ Á‚Û˜ËÚ ‰Óθ¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, Á‚Û˜‡ÌË ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂ͇˘‡ÂÚÒfl. ÖÒÎË Ì‡ CLP-240 ‚˚·‡Ì ÚÂÏ· GRAND PIANO 1, ̇ʇÚË ԇ‚ÓÈ Ô‰‡ÎË ÔË‚Ó‰ËÚ ‚ ‰ÂÈÒÚ‚Ë «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚ ‰Îfl ÚÓ˜ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÛÌË͇θÌÓ„Ó ÂÁÓ̇ÌÒ‡ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÙÙÂÍÚ «ÔÓÎÓ‚ËÌ˚ Ô‰‡ÎË» ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ Ô‡‚Û˛ Ô‰‡Î¸ ‰Îfl ÒÓÁ‰‡ÌËfl ˜‡ÒÚ˘Ì˚ı ˝ÙÙÂÍÚÓ‚ ÒÛÒÚÂÈ̇, Á‡‚ËÒfl˘Ëı ÓÚ „ÎÛ·ËÌ˚ ̇ʇÚËfl Ô‰‡ÎË. ëÓÒÚÂÌÛÚÓ (Ò‰Ìflfl Ô‰‡Î¸) ÖÒÎË, ‚ ÚÓ ‚ÂÏfl Í‡Í Ì‡Ê‡Ú‡ Í·‚˯‡ ËÎË ‡ÍÍÓ‰, ̇ʇڸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸, ÔÓ͇ Ô‰‡Î¸ Ì ·Û‰ÂÚ ÓÚÔÛ˘Â̇ (Í‡Í ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ Ô‰‡ÎË), ÌÓ ‚Ò ÌÓÚ˚, ÔÓË„˚‚‡ÂÏ˚ ÔÓÒΠ˝ÚÓ„Ó, ÔӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÂÒÎË, ̇ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘Ë Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ. èË„ÎÛ¯ÂÌË Á‚Û͇ (΂‡fl Ô‰‡Î¸) èÓ͇ ̇ʇڇ ΂‡fl Ô‰‡Î¸, „ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ ÔË„ÎÛ¯Â̇, ‡ ÚÂÏ· Ò΄͇ ËÁÏÂÌÂÌ. ç‡ ÌÓÚ˚, ÍÓÚÓ˚ ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl ΂ÓÈ Ô‰‡ÎË ÛÊ Á‚Û˜‡ÎË, ˝Ú‡ Ô‰‡Î¸ Ì ‚ÎËflÂÚ. 20 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎÓ‚ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚ ÙÛÌ͈Ëflı Ô‰‡ÎÂÈ (Pedal Functions) ‚ ÂÊËÏ Function (ÒÚ. 51). èêàåÖóÄçàÖ ÖÒÎË ‚Íβ˜ÂÌ ˝ÙÙÂÍÚ DDE, ÏÓÊÌÓ ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛ Á‚Û͇ «ÒÛÒÚÂÈÌ» Ô‡‚ÓÈ Ô‰‡ÎË ÓflÎfl, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ ԇ‚Û˛ Ô‰‡Î¸ Ë Ë„‡ÂÚ ̇ Í·‚ˇÚÛ (ÒÚ. 22). èêàåÖóÄçàÖ íÂÏ·˚ Ó„‡Ì‡, ÒÚÛÌÌ˚ı Ë ıÓ‡ ÔÓ‰ÓÎʇ˛Ú Á‚Û˜‡Ú¸, ÔÓ͇ ̇ʇڇ Ò‰Ìflfl Ô‰‡Î¸. èêàåÖóÄçàÖ èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË ÂÊËχ ΂ÓÈ Ô‰‡ÎË (CLP-240) Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ÔËÓÒÚ‡ÌÓ‚ÍË ÏÂÎÓ‰ËË ËÎË ÙÛÌÍˆË˛ ‚‡Ë‡ˆËË, Ô˂‰ÂÌÌÛ˛ ̇ ÒÚ. 51. CLP240E.book Page 21 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ‚‡Ë‡ˆËÈ – [VARIATION] (CLP-240)/[BRILLIANCE]/[REVERB]/ [EFFECT]/[DDE] (CLP-240) ÍÌÓÔÍË [–/NO] [+/YES] REC RIGHT PLAY/PAUSE ON MAX MIN ON/OFF LEFT STOP USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES ÍÌÓÔ͇ [VARIATION] GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 E.PIANO 2 STRINGS CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT [REVERB], ÍÌÓÔ͇ BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 [BRILLIANCE], äÌÓÔ͇ [EFFECT] (ùÙÙÂÍÚ) ÍÌÓÔ͇ [VARIATION] (CLP-240) èÓÁ‚ÓÎflÂÚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ËÁÏÂÌflÚ¸ ‰Û„ÓÈ ‡ÒÔÂÍÚ ˝ÙÙÂÍÚ‡. ᇠ·ÓΠÔÓ‰Ó·ÌÓÈ ËÌÙÓχˆËÂÈ Ó ‚‡Ë‡ˆËflı Ó·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ̇ ÒÚ. 71. íÖêåàçéãéÉàü ÑÂÈÒÚ‚Ëfl LJˇˆËfl ‚Íβ˜‡ÂÚÒfl Ë ‚˚Íβ˜‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [VARIATION] ËÎË ÍÌÓÔÍË ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ (ON). [BRILLIANCE] ùÚÓÚ Â„ÛÎflÚÓ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ̇ÒÚÓÈÍË ÚÓ̇θÌÓÒÚË ËÎË «ÚÂÏ·‡» ‚˚‚Ó‰ËÏÓ„Ó Á‚Û͇. flÍËÈ ÚÓÌ Òڇ̉‡ÚÌ˚È ÚÓÌ Ïfl„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ BRIGHT: NORMAL: Mellow: èêàåÖóÄçàÖ ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ – OFF ÑÂÈÒÚ‚Ëfl ÑÎfl ‚˚·Ó‡ ÚËÔ‡ flÍÓÒÚË ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [BRILLIANCE], ÔÓ͇ Ì Á‡„ÓËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ (Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [BRILLIANCE]). åÓÊÌÓ ‚˚·‡Ú¸ flÍÓÒÚ¸ ÔflÚË ÚËÔÓ‚. äÓ„‰‡ Á‡„Ó‡˛ÚÒfl ‰‚‡ ÒÓÒ‰ÌËı Ë̉Ë͇ÚÓ‡, ‚˚·Ë‡ÂÚÒfl ÚÓÚ ÚËÔ, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ò‰ÌÂÏÛ Á̇˜ÂÌ˲ ‰‚Ûı Û͇Á‡ÌÌ˚ı ÚËÔÓ‚. ç‡ÔËÏÂ, ÂÒÎË „ÓflÚ Ë̉Ë͇ÚÓ˚ NORMAL Ë MELLOW, ‚˚·‡Ì‡ ̇ÒÚÓÈ͇ flÍÓÒÚË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl Ò‰ÌÂÏÛ Á̇˜ÂÌ˲ NORMAL Ë MELLOW. ùÚÓÚ Ô‡‡ÏÂÚ ‚ÎËflÂÚ Ì‡ Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ ‚ ˆÂÎÓÏ. ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ – ˝ÚÓ Á‡‚Ó‰Ò͇fl ÛÒÚ‡Ìӂ͇ ̇ ÏÓÏÂÌÚ ÔÂ‚Ó„Ó ‚Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Clavinova. èêàåÖóÄçàÖ èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË ÂÊËχ ΂ÓÈ Ô‰‡ÎË, ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚Íβ˜ÂÌËfl ËÎË ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË (CLP-240). èêàåÖóÄçàÖ ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ = Normal èêàåÖóÄçàÖ ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ BRILLIANCE ‚˚·‡ÌÓ Á̇˜ÂÌË BRIGHT, Á‚ÛÍ ·Û‰ÂÚ ÌÂÏÌÓ„Ó „ÓϘÂ. ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ MASTER VOLUME Á‡‰‡Ì ‚˚ÒÓÍËÈ ÛÓ‚Â̸, Á‚ÛÍ ÏÓÊÂÚ ËÒ͇ʇڸÒfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÌËÁ¸Ú ÛÓ‚Â̸ Ô‡‡ÏÂÚ‡ MASTER VOLUME. [REVERB] ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ ˆËÙÓ‚ÓÈ Â‚Â·Â‡ˆËË, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú Á‚ÛÍÛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸, ÒÓÁ‰‡‚‡fl ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ‡ÚÏÓÒÙÂÛ. OFF: ROOM: HALL 1: HALL 2: STAGE: ÖÒÎË ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË Ì ‚˚·‡Ì, Ë̉Ë͇ÚÓ˚ REVERB Ì „ÓflÚ. ùÚÓÚ Ô‡‡ÏÂÚ ‰Ó·‡‚ÎflÂÚ Á‚ÛÍÛ ÌÂÔÂ˚‚Ì˚È ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË, ÒıÓ‰Ì˚È Ò ‡ÍÛÒÚ˘ÂÒÍÓÈ Â‚Â·Â‡ˆËÂÈ, ÍÓÚÓÛ˛ ÒÎ˚¯ÌÓ ‚ ÍÓÏ̇ÚÂ. óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î «¯Ë», ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 1. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ Ì·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. óÚÓ·˚ Á‚ÛÍ Â‚Â·Â‡ˆËË ·˚Î ‰ÂÈÒÚ‚ËÚÂθÌÓ ¯ËÓÍËÏ, ËÒÔÓθÁÛÈÚ ԇ‡ÏÂÚ HALL 2. ùÚÓÚ ˝ÙÙÂÍÚ ËÏËÚËÛÂÚ ÂÒÚÂÒÚ‚ÂÌÌÛ˛ ‚·‡ˆË˛ ·Óθ¯Ó„Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. àÏËÚËÛÂÚ Â‚Â·Â‡ˆË˛ ÒˆÂÌ˚. èêàåÖóÄçàÖ íËÔ Â‚Â·Â‡ˆËË ÔÓ ÛÏÓΘ‡Ì˲ (‚ ÚÓÏ ˜ËÒΠԇ‡ÏÂÚ OFF) Ë Ô‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ‡Á΢Ì˚ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 21 CLP240E.book Page 22 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ÑÂÈÒÚ‚Ëfl ç‡Ê‡ÚË ÍÌÓÔÍË [REVERB] ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ Â‚Â·Â‡ˆË˛. èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [VARIATION] ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ó‡˛ÚÒfl Ë̉Ë͇ÚÓ˚. ÖÒÎË Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ, ˝ÙÙÂÍÚ Ì ÒÓÁ‰‡ÂÚÒfl. ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [REVERB]. ÉÎÛ·ËÌÛ Â‚Â·Â‡ˆËË ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ԉ·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ [REVERB], ÚÂÍÛ˘Â Á̇˜ÂÌË „ÎÛ·ËÌ˚ ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ. èêàåÖóÄçàÖ éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [REVERB], ‚˚ ËÁÏÂÌËÚ ÚËÔ Â‚Â·Â‡ˆËË. ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REVERB], ̇ʇÚË ÍÌÓÔÍË [REVERB] Ì ËÁÏÂÌËÚ ÚËÔ Â‚Â·Â‡ˆËË. èêàåÖóÄçàÖ „ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡ „ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇ ‚·‡ˆËË èêàåÖóÄçàÖ è‡‡ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓΘ‡Ì˲ Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. [EFFECT] äÌÓÔ͇ [EFFECT] ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ˝ÙÙÂÍÚ ‰Îfl Ôˉ‡ÌËfl Á‚ÛÍÛ ·Óθ¯ÂÈ „ÎÛ·ËÌ˚ Ë ÊË‚ÓÒÚË. OFF: CHORUS: PHASER: TREMOLO: ROTARY SP: ÖÒÎË ˝ÙÙÂÍÚ Ì ‚˚·‡Ì, Ë̉Ë͇ÚÓ EFFECT Ì „ÓËÚ. àÒÍfl˘ËÈÒfl, ‡Ò¯Ëfl˛˘ËÈ ˝ÙÙÂÍÚ ÑÓ·‡‚ÎflÂÚ Á‚ÛÍÛ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌÂÌËfl. ùÙÙÂÍÚ ÚÂÏÓÎÓ ÑÓ·‡‚ÎflÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇. èêàåÖóÄçàÖ íËÔ ˝ÙÙÂÍÚ‡ (‚ ÚÓÏ ˜ËÒΠԇ‡ÏÂÚ OFF) Ë Â„Ó „ÎÛ·Ë̇ ÔÓ ÛÏÓΘ‡Ì˲ Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. ÑÂÈÒÚ‚Ëfl ÑÎfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [EFFECT], ÔÓ͇ Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡ (Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [EFFECT]). ÖÒÎË Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ, ˝ÙÙÂÍÚ Ì ÒÓÁ‰‡ÂÚÒfl. ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [EFFECT]. ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ԉ·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ [EFFECT], ÚÂÍÛ˘Â Á̇˜ÂÌË „ÎÛ·ËÌ˚ ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ. èêàåÖóÄçàÖ éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [EFFECT], ‚˚ ËÁÏÂÌËÚ ÚËÔ ˝ÙÙÂÍÚ‡. ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ ԇ‡ÏÂÚ „ÎÛ·ËÌ˚, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [EFFECT], ̇ʇÚË ÍÌÓÔÍË [EFFECT] Ì ËÁÏÂÌËÚ ÚËÔ ˝ÙÙÂÍÚ‡. èêàåÖóÄçàÖ „ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡ „ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ èêàåÖóÄçàÖ [DDE] (CLP-240) 臇ÏÂÚ˚ „ÎÛ·ËÌ˚ ÔÓ ÛÏÓΘ‡Ì˲ Ò‚ÓË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. ùÙÙÂÍÚ DDE (˝ÙÙÂÍÚ Ô‡‚ÓÈ Ô‰‡ÎË) ÔÓÁ‚ÓÎflÂÚ ÒÎ˚¯‡Ú¸ ËÏËÚ‡ˆË˛ Á‚Û͇ «ÒÛÒÚÂÈÌ» Ô‡‚ÓÈ Ô‰‡ÎË ÓflÎfl, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ ԇ‚Û˛ Ô‰‡Î¸ Ë Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ. ùÚÓÚ ˝ÙÙÂÍÚ ‡ÒÔÓÒÚ‡ÌflÂÚÒfl ̇ Á‚ÛÍ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡. ÑÂÈÒÚ‚Ëfl ç‡Ê‡ÚË ÍÌÓÔÍË [DDE] ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ DDE. ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DDE ç‡ÒÚÓÈÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DDE ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [DDE] . ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ԉ·ı ÓÚ 0 ‰Ó 20. ÖÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ [DDE], ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ÎflÂÚÒfl ÚÂÍÛ˘Â Á̇˜ÂÌË „ÎÛ·ËÌ˚. 22 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ = ON èêàåÖóÄçàÖ „ÎÛ·Ë̇ 0: ·ÂÁ ˝ÙÙÂÍÚ‡ „ÎÛ·Ë̇ 20: χÍÒËχθ̇fl „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DDE CLP240E.book Page 23 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl – ÍÌÓÔ͇ [TOUCH] åÓÊÌÓ ‚˚·‡Ú¸ ˜ÂÚ˚ ‡Á΢Ì˚ı ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl — HARD, MEDIUM, SOFT ËÎË FIXED, ÔÓ‰ıÓ‰fl˘Ëı ‰Îfl Ë„˚ ‚ ‡Á΢Ì˚ı ÒÚËÎflı Ë Ò ‡Á΢Ì˚ÏË Ì‡ÒÚÓÈ͇ÏË. èêàåÖóÄçàÖ óÚÓ·˚ ‰ÓÒÚ˘¸ χÍÒËχθÌÓÈ „ÓÏÍÓÒÚË, ÒË· ̇ʇÚËfl ̇ Í·‚Ë¯Ë ‰ÓÎÊ̇ ·˚Ú¸ Ó˜Â̸ ·Óθ¯ÓÈ. ä·‚Ë¯Ë Â‡„ËÛ˛Ú Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ. å‡ÍÒËχθ̇fl „ÓÏÍÓÒÚ¸ ‰ÓÒÚË„‡ÂÚÒfl ÔË ÓÚÌÓÒËÚÂθÌÓ Ì·Óθ¯ÓÈ ÒËΠ̇ʇÚËfl. ÉÓÏÍÓÒÚ¸ ÌÓÚ Ì Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl. (à̉Ë͇ÚÓ˚ Ì „ÓflÚ.) îËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸. HARD: MEDIUM: SOFT: FIXED: ùÚ‡ ̇ÒÚÓÈ͇ Ì ËÁÏÂÌflÂÚ ‚ÂÒ Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ ëڇ̉‡Ú̇fl ̇ÒÚÓÈ͇ = MEDIUM èêàåÖóÄçàÖ íËÔ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ·Û‰ÂÚ Ó·˘ËÏ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚. é‰Ì‡ÍÓ Ì‡ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ÏÓ„ÛÚ Ò··Ó ‚ÎËflÚ¸ ËÎË ‚ÓÓ·˘Â Ì ‚ÎËflÚ¸ ̇ ÌÂÍÓÚÓ˚ ÚÂÏ·˚, ÍÓÚÓ˚ ӷ˚˜ÌÓ Ì ‡„ËÛ˛Ú Ì‡ ‰Ë̇ÏËÍÛ Í·‚ˇÚÛ˚. (ëÏ. «ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 71.) äÌÓÔ͇ [TOUCH] äÌÓÔÍË [–/NO] [+/YES] REC MIN MAX ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl ÑÎfl ‚˚·Ó‡ ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [TOUCH], ÔÓ͇ Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡ (Ë̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ÔÓÒΉӂ‡ÚÂθÌÓ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOUCH] ). ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, Ë̉Ë͇ÚÓ˚ Ì „ÓflÚ. àÁÏÂÌÂÌË „ÓÏÍÓÒÚË, ÂÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED ÖÒÎË ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED, „ÓÏÍÓÒÚ¸ ÌÓÚ, ËÒÔÓÎÌflÂÏ˚ı ‚ ÂÊËÏ FIXED, ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [TOUCH]. ç‡ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÚÂÍÛ˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 1 ‰Ó 127. èÓ ÛÏÓΘ‡Ì˲ ËÒÔÓθÁÛÂÚÒfl ÛÓ‚Â̸ 64. èêàåÖóÄçàÖ 1: ÏËÌËχθ̇fl „ÓÏÍÓÒÚ¸ 127: χÍÒËχθ̇fl „ÓÏÍÓÒÚ¸ èêàåÖóÄçàÖ ÉÓÏÍÓÒÚ¸, Á‡‰‡Ì̇fl ‚ ÂÊËÏ FIXED, ·Û‰ÂÚ Ó·˘ÂÈ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚. èêàåÖóÄçàÖ éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [TOUCH], ‚˚ ËÁÏÂÌËÚ ÚËÔ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË. ÖÒÎË ‚˚ ËÁÏÂÌflÂÚ „ÓÏÍÓÒÚ¸, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [TOUCH], ̇ʇÚË ÍÌÓÔÍË [TOUCH] Ì ËÁÏÂÌËÚ ÚËÔ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl. (éÒÚ‡ÌÂÚÒfl ‚˚·‡Ì Ô‡‡ÏÂÚ FIXED.) CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 23 CLP240E.book Page 24 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ í‡ÌÒÔÓÌËÓ‚‡ÌË – ÍÌÓÔ͇ [TRANSPOSE] îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚ Ò ËÌÚ‚‡ÎÓÏ, ‡‚Ì˚Ï ÔÓÎÛÚÓÌÛ, ˜ÚÓ·˚ ӷ΄˜ËÚ¸ Ë„Û ‚ ÒÎÓÊÌ˚ı ÚÓ̇θÌÓÒÚflı, Ë ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ΄ÍÓ ÔÓ‰Ó·‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰Ë‡Ô‡ÁÓÌÛ „ÓÎÓÒ‡ Ô‚ˆ‡ ËÎË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. ç‡ÔËÏÂ, ÂÒÎË ÛÒÚ‡ÌÓ‚ËÚ¸ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ «5», ÚÓ ÔË Ì‡Ê‡ÚËË Ì‡ Í·‚ˇÚÛ Í·‚Ë¯Ë C («‰Ó») ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ F («Ù‡»). í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ Ë„‡Ú¸ ÏÂÎӉ˲ Ú‡Í ÊÂ, Í‡Í ‚ ÚÓ̇θÌÓÒÚË ÒË-χÊÓ, ‡ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÛÂÚ Á‚ÛÍ ‚ ÚÓ̇θÌÓÒÚ¸ Ù‡-χÊÓ. äÌÓÔ͇ [TRANSPOSE] REC MIN äÌÓÔÍË [–/NO] [+/YES] ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl óÚÓ·˚ ÔÓ‚˚ÒËÚ¸ ËÎË ÔÓÌËÁËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [TRANSPOSE]. á̇˜ÂÌË ڇÌÒÔÓÌËÓ‚‡ÌËfl ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÂÒÎË Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [TRANSPOSE]. èÓ ÛÏÓΘ‡Ì˲ Á̇˜ÂÌË ڇÌÒÔÓÌËÓ‚‡ÌËfl ‡‚ÌÓ «0». à̉Ë͇ÚÓ ÍÌÓÔÍË [TRANSPOSE] „ÓËÚ, ÂÒÎË ‚˚·‡ÌÌÓ Á̇˜ÂÌË ڇÌÒÔÓÌËÓ‚‡ÌËfl Ì ‡‚ÌÓ «0». ç‡Ê‡ÚË ÍÌÓÔÍË [TRANSPOSE] ÔÓÒΠ˝ÚÓ„Ó ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl. 24 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl íÖêåàçéãéÉàü í‡ÌÒÔÓÌËÓ‚‡ÌË àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ÏÂÎÓ‰ËË. ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ú‡ÌÒÔÓÌËÓ‚‡ÌË ËÁÏÂÌflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ ÑˇԇÁÓÌ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl: –12: –12 ÔÓÎÛÚÓÌÓ‚ (̇ Ó‰ÌÛ ÓÍÚ‡‚Û ÌËÊÂ) 0: Òڇ̉‡Ú̇fl ‚˚ÒÓÚ‡ Á‚Û͇ 12: 12 ÔÓÎÛÚÓÌÓ‚ (̇ Ó‰ÌÛ ÓÍÚ‡‚Û ‚˚¯Â) CLP240E.book Page 25 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ç‡ ‚ÒÂÈ Í·‚ˇÚÛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎӉ˘ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ ÔÓıÓÊËı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇. 1 REC MIN TEMPO/OTHER VALUE ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # METRONOME – / NO + / YES 2 GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. èêàåÖóÄçàÖ (CLP-240) ÇÍβ˜ÂÌË ÂÊËχ Dual é‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË ‰‚Ûı ÚÂÏ·Ó‚ (ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ Ó‰ÌÓ„Ó ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ ‰Û„Ó„Ó). ÖÒÎË ‚Íβ˜ËÚÒfl ÂÊËÏ Dual, Á‡„ÓflÚÒfl Ë̉Ë͇ÚÓ˚ Ó·ÓËı ‚˚·‡ÌÌ˚ı ÚÂÏ·Ó‚. • Ç ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÛχˆËÂÈ ÚÂÏ·Ó‚, Û͇Á‡ÌÌÓÈ ‚ Ú‡·Îˈ ÒÔ‡‚‡, ÚÂÏ· Ò ÏÂ̸¯ËÏ ÌÓÏÂÓÏ ÒÚ‡ÌÓ‚ËÚÒfl Ô‚˚Ï ÚÂÏ·ÓÏ (Voice 1) (‰Û„ÓÈ ÚÂÏ· ÒÚ‡ÌÓ‚ËÚÒfl ‚ÚÓ˚Ï (Voice 2)). 1 2 3 4 5 6 7 GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS 13 14 VOICE 8 9 10 11 12 êÂÊËÏ˚ Dual Ë Split (ÒÚ. 26) ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. èêàåÖóÄçàÖ äÌÓÔ͇ [VARIATION] ‚ ÂÊËÏ Dual (CLP-240) à̉Ë͇ÚÓ ÍÌÓÔÍË [VARIATION] ·Û‰ÂÚ „ÓÂÚ¸, ÂÒÎË ‰Îfl Ó‰ÌÓ„Ó ËÎË Ó·ÓËı ÚÂÏ·Ó‚ ‚ ÂÊËÏ Dual ËÒÔÓθÁÛÂÚÒfl ‚‡Ë‡ˆËfl. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ Dual, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍÛ [VARIATION] ‰Îfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË Ó·ÓËı ÚÂÏ·Ó‚. óÚÓ·˚ ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸ ‚‡Ë‡ˆË˛ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ËÁ ÚÂÏ·Ó‚, ̇ÊÏËÚ ÍÌÓÔÍÛ ÚÂÏ·‡, ‰Îfl ÍÓÚÓÓ„Ó ıÓÚËÚ ˝ÚÓ Ò‰Â·ڸ, Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ ‰Û„Ó„Ó ÚÂÏ·‡. èêàåÖóÄçàÖ êÂÊËÏ Function ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CLP-240/230 Ó·ÂÒÔ˜˂‡ÂÚ ‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌ͈ËflÏ ÂÊËχ Dual, ̇ÔËÏÂ, Í Ì‡ÒÚÓÈÍ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ËÎË Ì‡ÒÚÓÈÍ ÓÍÚ‡‚˚ (ÒÚ. 49). (ÖÒÎË ÙÛÌ͈ËË ÂÊËχ Dual Ì ̇ÒÚÓÂÌ˚, ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚ ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲.) 2. Ç˚ıÓ‰ ËÁ ÂÊËχ Dual Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚ óÚÓ·˚ ‚ÂÌÛÚ¸Òfl ‚ Ó·˚˜Ì˚È ÂÊËÏ Ë„˚ Ò Ó‰ÌËÏ ÚÂÏ·ÓÏ, ̇ÊÏËÚ ÍÌÓÔÍÛ Î˛·Ó„Ó ÚÂÏ·‡. äÌÓÔ͇ [REVERB] ‚ ÂÊËÏ Dual èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ Â‚Â·Â‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl ÚÂÏ·‡ 1 (Voice 1). ÖÒÎË Â‚Â·Â‡ˆËfl ÓÚÍβ˜Â̇, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚËÔ Â‚Â·Â‡ˆËË ‚ÚÓÓ„Ó ÚÂÏ·‡ (Voice 2). ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ‚·‡ˆËË, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (̇ÔËÏÂ, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [REVERB] — ÒÏ. ÒÚ. 21), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í Ô‚ÓÏÛ ÚÂÏ·Û (Voice 1). èêàåÖóÄçàÖ äÌÓÔ͇ [EFFECT] ‚ ÂÊËÏ Dual Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÂÚ ·˚Ú¸ ÔËÓËÚÂÚÌ˚Ï ÔÓ ÓÚÌÓ¯ÂÌ˲ Í ‰Û„ÓÏÛ. ÉÎÛ·Ë̇ ÓÔ‰ÂÎflÂÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò „ÎÛ·ËÌÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚, ËÒÔÓθÁÛ˛˘ÂÈÒfl ÔÓ ÛÏÓΘ‡Ì˲. é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË F3 (ÒÚ. 49) ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (̇ÔËÏÂ, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [EFFECT] — ÒÏ. ÒÚ. 22), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í Ô‚ÓÏÛ ÚÂÏ·Û (Voice 1). CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 25 CLP240E.book Page 26 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ Ë ÚÂÏ·Ó‚ (ÂÊËÏ Split) (CLP-240) êÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ËÌ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË Ë ‰Û„ÓÈ ‰Îfl Ô‡‚ÓÈ. ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ·‡ÒÓ‚Û˛ Ô‡Ú˲ Ò ÚÂÏ·ÓÏ Wood Bass ËÎË Electric Bass, ‡ Ô‡‚ÓÈ – ÏÂÎӉ˲. äÌÓÔÍË ÚÂÏ·‡ REC MIN RIGHT PLAY/PAUSE ON MAX ON/OFF LEFT STOP USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES äÌÓÔ͇ [SPLIT] GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG TEMPO / FUNCTION # SONG SELECT FILE VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÂÊËχ Split ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl  Ë̉Ë͇ÚÓ. ë̇˜‡Î‡ ‰Îfl ΂ÓÈ ÛÍË ÔÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡ÂÚÒfl ÚÂÏ· (WOOD BASS). êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í ÌÂÍÓÚÓ˚Ï ‰Û„ËÏ ÙÛÌ͈ËflÏ ÂÊËχ Split (ÒÚ. 50). (ÖÒÎË ÙÛÌ͈ËË ÂÊËχ Split Ì ̇ÒÚÓÂÌ˚, ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚ ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲.) 2. ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl (Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚) (èÓ ÛÏÓΘ‡Ì˲ ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ Í·‚˯ F 2. ÖÒÎË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ËÁÏÂÌflÚ¸ Ì ÌÛÊÌÓ, ÔÓÔÛÒÚËÚ ˝ÚË ‰ÂÈÒÚ‚Ëfl.) åÓÊÌÓ ÔÂÂÌÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ̇ β·Û˛ ‰Û„Û˛ Í·‚˯Û, ̇ʇ‚ ÂÂ, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [SPLIT] (̇Á‚‡ÌË ÚÂÍÛ˘ÂÈ Í·‚Ë¯Ë ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÔÓ͇ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [SPLIT]). (F 2) 26 èêàåÖóÄçàÖ êÂÊËÏ˚ Dual (ÒÚ. 25) Ë Split ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (G2) (A 2) èêàåÖóÄçàÖ á‡‰‡Ì̇fl ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (split point) ‚ıÓ‰ËÚ ‚ ÎÂ‚Û˛ ˜‡ÒÚ¸. èêàåÖóÄçàÖ íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÏÓÊÌÓ Á‡‰‡Ú¸ Ë ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Function 4 (ÒÚ. 50). CLP240E.book Page 27 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ 3. Ç˚·Ó ÚÂÏ·‡ ‰Îfl Ô‡‚ÓÈ ÛÍË ç‡ÊÏËÚ ÍÌÓÔÍÛ ÚÂÏ·‡. 4. Ç˚·Ó ÚÂÏ·‡ ‰Îfl ΂ÓÈ ÛÍË ç‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ ÚÂÏ·‡, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [SPLIT]. (à̉Ë͇ÚÓ ÍÌÓÔÍË ÚÂÏ·‡ ΂ÓÈ ÛÍË ·Û‰ÂÚ „ÓÂÚ¸, ÔÓ͇ ̇ʇڇ ÍÌÓÔ͇ [SPLIT].) ÑÎfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË ‰Îfl ÌËÊÌÂ„Ó ÚÂÏ·‡ Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [SPLIT] Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [VARIATION] ËÎË ÍÌÓÔÍÛ ‚˚·‡ÌÌÓ„Ó Ì‡ ˝ÚÓÚ ÏÓÏÂÌÚ ÚÂÏ·‡. 5. Ç˚ıÓ‰ ËÁ ÂÊËχ Split Ë ‚ÓÁ‚‡Ú ‚ Ó·˚˜Ì˚È ÂÊËÏ ç‡ÊÏËÚ ÍÌÓÔÍÛ [SPLIT] ¢ ‡Á, ˜ÚÓ·˚  Ë̉Ë͇ÚÓ ÔÓ„‡Ò. èêàåÖóÄçàÖ äÌÓÔ͇ [VARIATION] ‚ ÂÊËÏ Split) ÑÎfl ÚÂÏ·Ó‚ ‚ ÂÊËÏ Split ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‚‡Ë‡ˆË˛. é·˚˜ÌÓ ‚ ÂÊËÏ Split „ÓËÚ Ë̉Ë͇ÚÓ ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. äÌÓÔÍÛ [VARIATION] ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚Íβ˜ÂÌËfl Ë ÓÚÍβ˜ÂÌËfl ‚‡Ë‡ˆËË ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. é‰Ì‡ÍÓ, ÂÒÎË Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [SPLIT], „ÓËÚ Ë̉Ë͇ÚÓ ÚÂÏ·‡ ΂ÓÈ ÛÍË. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÍÌÓÔ͇ [VARIATION] ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‚‡Ë‡ˆË˛ ‰Îfl ÚÂÏ·‡ ΂ÓÈ ÛÍË. èêàåÖóÄçàÖ äÌÓÔ͇ [REVERB] ‚ ÂÊËÏ Split èËÓËÚÂÚÌ˚Ï fl‚ÎflÂÚÒfl ÚËÔ Â‚Â·Â‡ˆËË, ‚˚·‡ÌÌ˚È ‰Îfl ÚÂÏ·‡ Ô‡‚ÓÈ ÛÍË. (ÖÒÎË Â‚Â·Â‡ˆËfl ÓÚÍβ˜Â̇, ÚËÔ Â‚Â·Â‡ˆËË ÚÂÏ·‡ ΂ÓÈ ÛÍË Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl.) ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ‚·‡ˆËË, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (̇ÔËÏÂ, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [REVERB] — ÒÏ. ÒÚ. 21), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í ÚÂÏ·Û Ô‡‚ÓÈ ÛÍË. èêàåÖóÄçàÖ äÌÓÔ͇ [EFFECT] ‚ ÂÊËÏ Split Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÚÛ‡ˆËË Ó‰ËÌ ÚËÔ ˝ÙÙÂÍÚ‡ ·Û‰ÂÚ ÔËÓËÚÂÚÌ˚Ï ÔÓ ÓÚÌÓ¯ÂÌ˲ Í ‰Û„ÓÏÛ. ÉÎÛ·Ë̇ ÓÔ‰ÂÎflÂÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò „ÎÛ·ËÌÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚, ËÒÔÓθÁÛ˛˘ÂÈÒfl ÔÓ ÛÏÓΘ‡Ì˲. é‰Ì‡ÍÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË F4 (ÒÚ. 50) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. ç‡ÒÚÓÈÍË „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡, ҉·ÌÌ˚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (̇ÔËÏ ̇ʇÚËÂÏ ÍÌÓÔÓÍ [–/NO] ËÎË [+/YES], ÍÓ„‰‡ Û‰ÂÊË‚‡ÂÚÒfl ÍÌÓÔ͇ [EFFECT] — ÒÏ. ÒÚ. 22), ÔËÏÂÌfl˛ÚÒfl ÚÓθÍÓ Í ÚÂÏ·Û Ô‡‚ÓÈ ÛÍË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 27 CLP240E.book Page 28 Wednesday, April 6, 2005 4:02 PM Ç˚·Ó Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌ ÏÂÚÓÌÓÏ (ÛÒÚÓÈÒÚ‚Ó, Á‡‰‡˛˘Â ÚÂÏÔ), ÍÓÚÓ˚È Û‰Ó·ÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡ÊÌÂÌËÈ. 1 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 2 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # ÍÌÓÔÍË [–/NO] [+/YES] TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 STRINGS E.PIANO 2 CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÍÌÓÔÍË [TEMPO/FUNCTION# ▲▼] ÑÂÈÒÚ‚Ëfl 1. á‡ÔÛÒÍ ÏÂÚÓÌÓχ á‚ÛÍ ÏÂÚÓÌÓχ ‚Íβ˜‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË METRONOME [ON/OFF] . ç‡ÒÚÓÈ͇ ÚÂÏÔ‡ èË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] ÚÂÏÔ ÏÂÚÓÌÓχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌÓÈ ÔÓθÁÓ‚‡ÚÂÎÂÏ (Á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ ÓÔË҇̇ ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ) ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 32 ‰Ó 280 Û‰‡Ó‚ ‚ ÏËÌÛÚÛ (ÂÒÎË „ÓËÚ Ë̉Ë͇ÚÓ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] [TEMPO]). ç‡ÒÚÓÈ͇ ˜‡ÒÚÓÚ˚ Ò˄̇· ÏÂÚÓÌÓχ ó‡ÒÚÓÚÛ Ò˄̇ÎÓ‚ (Û‰‡Ó‚) ÏÂÚÓÌÓχ ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË ÔÓÏÓ˘Ë ÍÌÓÔÓÍ [–/NO] Ë [+/YES], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ METRONOME [ON/OFF]. ÑÓΠÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ Á̇˜ÂÌËfl ÓÚ 0 ‰Ó 15. íÂÍÛ˘Â Á̇˜ÂÌË ÔÓfl‚ÎflÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ, ÂÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ METRONOME [ON/OFF]. 2. éÒÚ‡Ìӂ͇ ÏÂÚÓÌÓχ éÚÍβ˜ËÚ¸ ÏÂÚÓÌÓÏ ÏÓÊÌÓ, ̇ʇ‚ ÍÌÓÔÍÛ METRONOME [ON/OFF]. 28 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ÖÒÎË „ÓËÚ Ë̉Ë͇ÚÓ [FUNCTION#] ÍÌÓÔÍË [TEMPO/FUNCTION#], ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ [TEMPO]. èêàåÖóÄçàÖ ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Metronome Volume ‚ ÂÊËÏ Function (ÒÚ. 52). CLP240E.book Page 29 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èêàåÖóÄçàÖ ÇÓ ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ËÌÓ„‰‡ ÔÓÎÂÁÌÓ ÔÓÒÎÛ¯‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ì‡ CLP240/230. åÓÊÌÓ, ̇ÔËÏÂ, Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ ΂ÓÈ ÛÍË ‡ Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸  ‚Ó ‚ÂÏfl ÛÔ‡ÊÌÂÌËÈ ‰Îfl Ô‡‚ÓÈ ÛÍË. àÎË, ÔÓÒÍÓθÍÛ ËÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ Á‡ÔËÒ˚‚‡Ú¸ ‰‚ ‰ÓÓÊÍË ÔÓ ÓÚ‰ÂθÌÓÒÚË, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÓÚ‰ÂθÌÓ Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË ÎË·Ó Ó·Â Ô‡ÚËË Ò‡ÁÛ Ë ÔÓÒÎÛ¯‡Ú¸, Í‡Í ÓÌË Á‚Û˜‡Ú ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË. ç‡ ‰‚ ‰ÓÓÊÍË CLP-240/230 ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó ÚÂı ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl (U01-U03). ç‡ CLP-240 ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ ÔÓÒÚ‡‚ÎflÂÏÓ ÓÚ‰ÂθÌÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌË (Á‚ÛÍÓ‚˚ ‰‡ÌÌ˚Â) ÏÓÊÌÓ Ì‡ ͇ÒÒÂÚÌ˚È Ï‡„ÌËÚÓÙÓÌ ËÎË ‰Û„Ó Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó ˜ÂÂÁ ‡Á˙ÂÏ AUX OUT (ÒÚ. 56). íÖêåàçéãéÉàü éÚ΢ˠÁ‡ÔËÒË ‰‡ÌÌ˚ı ÓÚ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı îÓÏ‡Ú ‰‡ÌÌ˚ı, ÍÓÚÓ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇ÒÒÂÚÛ, ÓÚ΢‡ÂÚÒfl ÓÚ ÙÓχڇ ‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ Ô‡ÏflÚ¸ Ò‡ÏÓ„Ó ËÌÒÚÛÏÂÌÚ‡ Clavinova. ç‡ Í‡ÒÒÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‡Û‰ËÓÒ˄̇Î˚. Ä ÔˇÌËÌÓ Clavinova «ÒÓı‡ÌflÂÚ» ËÌÙÓχˆË˛ Ó ÒËÌıÓÌËÁ‡ˆËË, ÚÂÏ·‡ı Ë ÚÂÏÔÂ, ÌÓ Ì ‡Û‰ËÓÒ˄̇Î˚. äÓ„‰‡ ‚˚ ÔÓË„˚‚‡ÂÚ Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË, Clavinova „ÂÌÂËÛÂÚ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÙÓχˆËÂÈ, ÍÓÚÓ‡fl ı‡ÌËÚÒfl ‚ Ô‡ÏflÚË. èÓ˝ÚÓÏÛ ÓÔ‡ˆË˛ Á‡ÔËÒË ‚ Ô‡ÏflÚ¸ ÔˇÌËÌÓ Clavinova ÚӘ̠·˚ÎÓ ·˚ ̇Á‚‡Ú¸ «ÒÓı‡ÌÂÌËÂÏ ËÌÙÓχˆËË». çÓ ‚ ˝ÚÓÈ ÍÌË„Â ˜‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ÒÎÓ‚Ó «Á‡ÔËÒ¸», Ú‡Í Í‡Í ˝ÚÓ Í‡ÊÂÚÒfl ·ÓΠÔÓÌflÚÌ˚Ï. Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ùÚÓÚ ÔÓÒÚÓÈ Ë Û‰Ó·Ì˚È ÒÔÓÒÓ· Á‡ÔËÒË ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË ·ÂÁ Û͇Á‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ô‡ÚËË – ÓÌ ÔÓÎÂÁÂÌ, ̇ÔËÏÂ, ‰Îfl Á‡ÔËÒË ÒÓθÌ˚ı ÙÓÚÂÔˇÌÌ˚ı ÔÓËÁ‚‰ÂÌËÈ. í‡ÍËÏ Ó·‡ÁÓÏ ËÒÔÓÎÌÂÌË ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË. èêàåÖóÄçàÖ êÂÊËÏ Á‡ÔËÒË Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË ÏÂÎÓ‰ËË Ë ‚Ó ‚ÂÏfl ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (CLP-240). 24 4 35 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl ÇçàåÄçàÖ! óÚÓ·˚ ËÁ·Âʇڸ Û‰‡ÎÂÌËfl ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ: ÖÒÎË ÏÂÎÓ‰Ëfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË Â ‚˚·Ó Ë̉Ë͇ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ. èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡fl ÌÓ‚˚ ‰‡ÌÌ˚ ̇ ˝ÚÛ Ô‡Ú˲, ‚˚ ÒÚˇÂÚ Ëϲ˘ËÂÒfl ‰‡ÌÌ˚Â. (CLP-240) çÂθÁfl Á‡ÔËÒ˚‚‡Ú¸ ËÒÔÓÎÌÂÌË ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡ ÔÓ‰Íβ˜ÂÌÌÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl. á‡ÔËÒ˚‚‡ÂÏ˚ ÏÂÎÓ‰ËË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ̇ ËÌÒÚÛÏÂÌÚÂ. ÖÒÎË ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ ̇ ÛÒÚÓÈÒÚ‚Ó, ÔÓÒΠÁ‡‚¯ÂÌËfl Á‡ÔËÒË ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl (ÒÚ. 36). 1. ᇉ‡ÈÚ ‚Ò Ô‚Ó̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË è‰ ̇˜‡ÎÓÏ Á‡ÔËÒË ‚˚·ÂËÚ ÚÂÏ·, ÍÓÚÓ˚È ıÓÚËÚ Á‡ÔËÒ‡Ú¸ (ËÎË ÚÂÏ·˚, ÂÒÎË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ÂÊËÏ Dual ËÎË Split). CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 29 CLP240E.book Page 30 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚·‡ˆËfl, ˝ÙÙÂÍÚ Ë Ú.‰.). åÓÊÌÓ Ú‡ÍÊ ̇ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸. ÉÓÏÍÓÒÚ¸ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ ÔË ÔÓÏÓ˘Ë ÔÓÎÁÛÌ͇ [MASTER VOLUME]. 2. ÇÍβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. ùÚËÏ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ‰Îfl Á‡ÔËÒË ÔÛÒÚ‡fl ÏÂÎÓ‰Ëfl Ë ‡ÍÚË‚ËÛÂÚÒfl Ô‡ÚËfl Ô‡‚ÓÈ ÛÍË. ÖÒÎË ‚Ò ÏÂÎÓ‰ËË ÔÓÎÌ˚Â, ·Û‰ÂÚ ‚˚·‡Ì‡ ÏÂÎÓ‰Ëfl U01. á‡ÔËÒ¸ ¢ Ì ̇˜Ë̇ÂÚÒfl. èË·ÎËÁËÚÂθÌ˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏflÚË Û͇Á˚‚‡ÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔΠ‚ ÍËÎÓ·‡ÈÚ‡ı. à̉Ë͇ÚÓ SONG [PLAY/PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈ͇ÏË ÚÂÏÔ‡ ÏÂÚÓÌÓχ. ç‡ ˝ÚÓÏ ¯‡„ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ÏÂÚÓÌÓÏ Ë Ì‡ÒÚÓËÚ¸ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [TEMPO/FUNCTION# ▼, ▲] . (ÑˇԇÁÓÌ: 32-280) åÓÊÌÓ ÓÚÍβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó ̇˜‡Î‡ Á‡ÔËÒË, ‚ÚÓÓÈ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ [REC]. èêàåÖóÄçàÖ é·˙ÂÏ Ô‡ÏflÚË, ‰ÓÒÚÛÔÌ˚È ‰Îfl Á‡ÔËÒË: é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (‰ËÌˈ‡ ËÁÏÂÂÌËfl ‰‡ÌÌ˚ı) Û͇Á˚‚‡ÂÚ, ͇ÍÓÈ Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îfl Á‡ÔËÒË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl Ô‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ ̇ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-240/230 ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ. èêàåÖóÄçàÖ ÖÒÎË ‡Ì ‚ ÚÓÈ Ê ÏÂÎÓ‰ËË ·˚· ‚˚·‡Ì‡ Ô‡ÚËfl ΂ÓÈ ÛÍË, ˝Ú‡ Ô‡ÚËfl ‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÚË‚ËÛÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [REC] ̇ ¯‡„ 2. èêàåÖóÄçàÖ 3. 燘‡ÎÓ Á‡ÔËÒË á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛ ËÎË ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. ÇÓ ‚ÂÏfl Á‡ÔËÒË Ì‡ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡. ÖÒÎË ‚ ̇˜‡Î Á‡ÔËÒË ‚Íβ˜ÂÌ ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚ ÒÎ˚¯‡Ú¸ Â„Ó Ò˄̇Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òfl ÓÌË Ì ·Û‰ÛÚ. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á‡ÔËÒË Ô˂‰ÂÌ˚ ̇ ÒÚ. 33. èêàåÖóÄçàÖ 4. éÒÚ‡Ìӂ͇ Á‡ÔËÒË óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] ËÎË SONG [STOP]. äÓ„‰‡ Á‡ÔËÒ¸ ÓÒÚ‡ÌÓ‚ÎÂ̇, ̇ ‰ËÒÔΠÔÓÒΉӂ‡ÚÂθÌÓ ÔÓfl‚Îfl˛ÚÒfl ÚËÂ, Û͇Á˚‚‡˛˘ËÂ, ˜ÚÓ Á‡ÔËÒ˚‚‡ÂÏ˚ ‰‡ÌÌ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ̇ ËÌÒÚÛÏÂÌÚÂ. èÓÒΠÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏ ÏÂÎÓ‰ËË (U01-U03). à̉Ë͇ÚÓ Á‡ÔËÒ‡ÌÌÓÈ Ô‡ÚËË ·Û‰ÂÚ „ÓÂÚ¸ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ, ÔÓ͇Á˚‚‡fl, ˜ÚÓ ‚ Ô‡ÚËË ÚÂÔ¸ ÂÒÚ¸ ‰‡ÌÌ˚Â. (êÂÊËÏ Á‡ÔËÒË ÓÚÍβ˜‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË.) 5. èêàåÖóÄçàÖ ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â Á‡ÔËÒË ÔÓ˜ÚË Ì ÓÒÚ‡ÎÓÒ¸ ÏÂÒÚ‡, Ë̉Ë͇ÚÓ Á‡ÔËÒË ‰ÓÓÊÍË Ì‡˜Ë̇ÂÚ ÏË„‡Ú¸. ÖÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË Ó·˙ÂÏ Ô‡ÏflÚË ÔÓÎÌÓÒÚ¸˛ ËÒ˜ÂÔ˚‚‡ÂÚÒfl, ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl ̇‰ÔËÒ¸ «Full» Ë Á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ÓÒÚ‡ÌÓ‚ËÚÒfl. (ÇÒ Á‡ÔËÒ‡ÌÌ˚ ‰Ó ˝ÚÓ„Ó ‰‡ÌÌ˚ ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚.) ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/ PAUSE]. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ̇ Ò‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. 30 èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Left Pedal Mode (ÂÊËÏ Î‚ÓÈ Ô‰‡ÎË), ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 51, Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚Íβ˜ÂÌËfl Á‡ÔËÒË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ÖÒÎË ‰Îfl ̇˜‡Î‡ Á‡ÔËÒË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [PLAY/PAUSE], ‡ Á‡ÚÂÏ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ SONG [STOP] ‰Îfl Á‡‚¯ÂÌËfl Á‡ÔËÒË, ‚Ò ‰‡ÌÌ˚Â, Ô‰‚‡ËÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚ ‚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲, ·Û‰ÛÚ Û‰‡ÎÂÌ˚. CLP240E.book Page 31 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èÂÂÁ‡ÔËÒ¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË Ç ˝ÚÓÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í ÔÂÂÁ‡ÔËÒ‡Ú¸ ‰ÓÓÊÍÛ, ÂÒÎË ‚‡Ï Ì ̇‚ËÚÒfl ËÒÔÓÎÌÂÌËÂ. ÑÂÈÒÚ‚Ëfl 1. ÖÒÎË ˝ÚÓ ÌÂÓ·ıÓ‰ËÏÓ, ‚˚·ÂËÚ ÚÂÏ· ËÎË ÚÂÏ·˚ (‡ Ú‡ÍÊ ‰Û„Ë ̇ÒÚÓÈÍË) ‰Îfl ÔÂÂÁ‡ÔËÒË ÖÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚, ÔÓ‚ÚÓËÚ ¯‡„ 1 ̇ ÒÚ. 29. 2. èÓ‚ÚÓÌÓ ‚Íβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË Ö˘Â ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. à̉Ë͇ÚÓ ‚˚·‡ÌÌÓÈ Ô‡ÚËË ÏË„‡ÂÚ Í‡ÒÌ˚Ï ˆ‚ÂÚÓÏ. ÑÎfl ÔÂÂÁ‡ÔËÒË ÒΉÛÈÚ ËÌÒÚÛ͈ËflÏ ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 30, ̇˜Ë̇fl Ò ¯‡„‡ 3. èêàåÖóÄçàÖ ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ Ò˄̇ÎÓ‚ ÏÂÚÓÌÓχ, ÚËÔ Â‚Â·Â‡ˆËË ËÎË ˝ÙÙÂÍÚ‡, ҉·ÈÚ ˝ÚÓ ÔÓÒΠ‚Íβ˜ÂÌËfl ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË. èêàåÖóÄçàÖ çÂθÁfl ̇˜‡Ú¸ ÔÂÂÁ‡ÔËÒ¸ Ò Ò‰ËÌ˚ ÏÂÎÓ‰ËË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 31 CLP240E.book Page 32 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl á‡ÔËÒ¸ Ô‡‚ÓÈ Ë Î‚ÓÈ Ô‡ÚËË ùÚÓÚ ÒÔÓÒÓ· ÔÓÁ‚ÓÎflÂÚ ÓÚ‰ÂθÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ë Ô‡‚Û˛ Ô‡ÚËË. í‡Í Í‡Í ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÎÂ‚Û˛ Ô‡Ú˲ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡‚ÓÈ, ˝ÚÓÚ ÒÔÓÒÓ· ÔÓÎÂÁÂÌ ‰Îfl Á‡ÔËÒË ‰‚Ûı Ô‡ÚËÈ ‰Û˝Ú‡. ÑÂÈÒÚ‚Ëfl 1. ᇉ‡ÈÚ ‚Ò Ô‚Ó̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË í‡Í ÊÂ, Í‡Í ¯‡„ 1 ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 29. 2. Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl Á‡ÔËÒË ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ Á‡Ê„Òfl Ë̉Ë͇ÚÓ «USER», Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Á‡ÔËÒ˚‚‡ÂÏÛ˛ ÏÂÎӉ˲. ÇçàåÄçàÖ! óÚÓ·˚ ËÁ·Âʇڸ Û‰‡ÎÂÌËfl ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ: ÖÒÎË ÏÂÎÓ‰Ëfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â, ÔË Â ‚˚·Ó Ë̉Ë͇ÚÓ Ô‡ÚËË Á‡„Ó‡ÂÚÒfl ÁÂÎÂÌ˚Ï ˆ‚ÂÚÓÏ. èÓÏÌËÚÂ, ˜ÚÓ, Á‡ÔËÒ˚‚‡fl ÌÓ‚˚ ‰‡ÌÌ˚ ̇ ˝ÚÛ Ô‡Ú˲, ‚˚ ÒÚˇÂÚ Ëϲ˘ËÂÒfl ‰‡ÌÌ˚Â. 3. ÇÍβ˜ÂÌË ÂÊËχ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [RIGHT]/[LEFT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË. á‡ÔËÒ¸ ¢ Ì ̇˜Ë̇ÂÚÒfl. èË·ÎËÁËÚÂθÌ˚È Ó·˙ÂÏ ‰ÓÒÚÛÔÌÓÈ Ô‡ÏflÚË Û͇Á˚‚‡ÂÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ ‰ËÒÔΠ‚ ÍËÎÓ·‡ÈÚ‡ı. The à̉Ë͇ÚÓ SONG [PLAY/ PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏË Ì‡ÒÚÓÈ͇ÏË ÚÂÏÔ‡ ÏÂÚÓÌÓχ. èêàåÖóÄçàÖ èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ Ô‡ÚËË Off (Ç˚ÍÎ.): Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı On (ÇÍÎ., ÁÂÎÂÌ˚È): ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ On (ÇÍÎ., ͇ÒÌ˚È): Ô‡ÚËfl „ÓÚÓ‚‡ Í Á‡ÔËÒË èêàåÖóÄçàÖ é·˙ÂÏ Ô‡ÏflÚË, ‰ÓÒÚÛÔÌ˚È ‰Îfl Á‡ÔËÒË: é·˙ÂÏ ‚ ÍËÎÓ·‡ÈÚ‡ı (‰ËÌˈ‡ ËÁÏÂÂÌËfl ‰‡ÌÌ˚ı) Û͇Á˚‚‡ÂÚ, ͇ÍÓÈ Ó·˙ÂÏ ‰ÓÒÚÛÔÂÌ ‰Îfl Á‡ÔËÒË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl Ô‰‡ÎÂÈ Ë ‰Û„Ëı Ù‡ÍÚÓÓ‚ ̇ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-240/230 ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‰Ó 11000 ÌÓÚ. èêàåÖóÄçàÖ ÖÒÎË ‚ ̇˜‡Î Á‡ÔËÒË ‚Íβ˜ÂÌ ÏÂÚÓÌÓÏ, ‚˚ ÒÏÓÊÂÚ ÒÎ˚¯‡Ú¸ Â„Ó Ò˄̇Î˚, ÌÓ Á‡ÔËÒ˚‚‡Ú¸Òfl ÓÌË Ì ·Û‰ÛÚ. èêàåÖóÄçàÖ ÖÒÎË ÔË ÔÂÂÁ‡ÔËÒË Ô‡ÚËË ËÎË Á‡ÔËÒË ‰Û„ÓÈ Ô‡ÚËË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ˜‡ÒÚÓÚÛ Ò˄̇ÎÓ‚ ÏÂÚÓÌÓχ, ÚËÔ Â‚Â·Â‡ˆËË ËÎË ˝ÙÙÂÍÚ‡, ҉·ÈÚ ˝ÚÓ ÔÓÒΠ‚ıÓ‰‡ ‚ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË. èêàåÖóÄçàÖ åÓÊÌÓ ÓÚÍβ˜ËÚ¸ ÂÊËÏ „ÓÚÓ‚ÌÓÒÚË Í Á‡ÔËÒË ‰Ó ̇˜‡Î‡ Á‡ÔËÒË, ‚ÚÓÓÈ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ [REC]. ÖÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË ‚˚ Ì ıÓÚËÚ ÒÎ˚¯‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌÛ˛ ‰ÓÓÊÍÛ (̇ÔËÏÂ, ÂÒÎË ıÓÚËÚ Á‡ÔËÒ‡Ú¸ Òӂ¯ÂÌÌÓ ‰Û„Û˛ ÏÂÎӉ˲), ̇ÊÏËÚ ÍÌÓÔÍÛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓÈ ‰ÓÓÊÍË ‰Ó ÚÓ„Ó, Í‡Í Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [REC], ˜ÚÓ·˚  Ë̉Ë͇ÚÓ ÔÓ„‡Ò. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ Á‡ÔËÒË ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á‡ÔËÒË Ô˂‰ÂÌ˚ ̇ ÒÚ. 33. èêàåÖóÄçàÖ 4. íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 3 – 5 ‚ ‡Á‰ÂΠ«Å˚ÒÚ‡fl Á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl» ̇ ÒÚ. 30. 32 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 33 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ìÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl Á‡ÔËÒ˚‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â: èÓÏËÏÓ ÌÓÚ Ë ÚÂÏ·‡, ‚ ÍÓÚÓÓÏ ËÒÔÓÎÌflÂÚÒfl ÏÂÎÓ‰Ëfl, Á‡ÔËÒ˚‚‡˛ÚÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ ‰‡ÌÌ˚Â. ä ˝ÚËÏ ‰‡ÌÌ˚Ï ÓÚÌÓÒflÚÒfl ‰‡ÌÌ˚ ӷ ÓÚ‰ÂθÌ˚ı Ô‡ÚËflı Ë ‚ÒÂÈ ÏÂÎÓ‰ËË. «ëÏ. ‰‡Î». éÚ‰ÂθÌ˚ ԇÚËË • àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚ • Ç˚·Ó ÚÂÏ·‡ • àÒÔÓθÁÓ‚‡ÌË ‚‡Ë‡ˆËË (ÍÌÓÔ͇ [VARIATION]) (CLP-240) • 艇θ (Ô‡‚‡fl/΂‡fl/Ò‰Ìflfl) • ÉÎÛ·Ë̇ ‚·‡ˆËË (ÍÌÓÔ͇ [REVERB]) • ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]) • íÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual) • Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3) • ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3) • ëÏ¢ÂÌË ÓÍÚ‡‚˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3) • íÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split ) (CLP-240) • Ň·ÌÒ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (F4 CLP-240) • ëÏ¢ÂÌË ÓÍÚ‡‚˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (F4:CLP-240) ÇÒfl ÏÂÎÓ‰Ëfl • íÂÏÔ • ó‡ÒÚÓÚ‡ Ò˄̇· (‰ÓÎfl) • íËÔ Â‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF • íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 33 CLP240E.book Page 34 Wednesday, April 6, 2005 4:02 PM á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl àÁÏÂÌÂÌË ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ (‰‡ÌÌ˚ı, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ̇˜‡Î ÏÂÎÓ‰ËË) 燘‡Î¸Ì˚ ̇ÒÚÓÈÍË (‰‡ÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ ‚ ̇˜‡Î ÏÂÎÓ‰ËË) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔÓÒΠÁ‡ÔËÒË. ç‡ÔËÏÂ, ÔÓÒΠÁ‡ÔËÒË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ· ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ó·ÒÚ‡ÌÓ‚ÍË ËÎË Ì‡ÒÚÓËÚ¸ ÚÂÏÔ ÔÓ Ò‚ÓÂÏÛ ‚ÍÛÒÛ. åÓÊÌÓ ËÁÏÂÌflÚ¸ ÒÎÂ‰Û˛˘Ë ̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË. éÚ‰ÂθÌ˚ ԇÚËË • Ç˚·Ó ÚÂÏ·‡ • àÒÔÓθÁÓ‚‡ÌË ‚‡Ë‡ˆËË (ÍÌÓÔ͇ [VARIATION]) (CLP-240) • ÉÎÛ·Ë̇ ‚·‡ˆËË (ÍÌÓÔ͇ [REVERB]) • ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]) • íÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual) • íÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split ) (CLP-240) • ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Ô‡‚ÓÈ/΂ÓÈ Ô‰‡ÎË ÇÒfl ÏÂÎÓ‰Ëfl • íÂÏÔ • íËÔ Â‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF • íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]), ‚ ÚÓÏ ˜ËÒΠÁ̇˜ÂÌË OFF 1. ÑÎfl ËÁÏÂÌÂÌËfl ̇˜‡Î¸Ì˚ı ̇ÒÚÓÂÍ ‚Íβ˜ËÚ ÂÊËÏ Á‡ÔËÒË Ë ‚˚·ÂËÚ ԇÚ˲. ᇄÓËÚÒfl ͇ÒÌ˚È Ë̉Ë͇ÚÓ. (чÌÌ˚Â, Ó·˘Ë ‰Îfl ‰‚Ûı Ô‡ÚËÈ, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚ ͇ʉÓÈ Ô‡ÚËË.) 2. àÁÏÂÌËÚ ̇ÒÚÓÈÍË ÔË ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ıÓÚËÚ ËÁÏÂÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚È ÚÂÏ· Ò [E. PIANO 1] ̇ [E. PIANO 2], ̇ÊÏËÚ ÍÌÓÔÍÛ [E. PIANO 2]. ÖÒÎË ıÓÚËÚ ËÁÏÂÌËÚ¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚ÓÈ/΂ÓÈ Ô‰‡ÎË, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ˝ÚÛ Ô‰‡Î¸. ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚ Ë Ì ̇ÊÏËÚ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE] ËÎË Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ: ˝ÚÓ Ô˂‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌ˲ ‚ÒÂı ‰‡ÌÌ˚ı, ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲. 3. ÑÎfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚ Ë Ì ̇ÊÏËÚ ÒÎÛ˜‡ÈÌÓ ÍÌÓÔÍÛ SONG [PLAY/PAUSE] ËÎË Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ: ˝ÚÓ Ô˂‰ÂÚ Í Ì‡˜‡ÎÛ Á‡ÔËÒË Ë Û‰‡ÎÂÌ˲ ‚ÒÂı ‰‡ÌÌ˚ı, ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ‚ ‚˚·‡ÌÌÛ˛ Ô‡Ú˲. 34 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ åÓÊÌÓ ÓÚÏÂÌËÚ¸ ËÁÏÂÌÂÌËfl, ‚ÌÂÒÂÌÌ˚ ‚ ̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË, ‚˚·‡‚ ÔÓÒΠ¯‡„‡ 2 ‰Û„Û˛ Ô‡Ú˲ Ë ‚˚ȉfl ËÁ ÂÊËχ Á‡ÔËÒË, ̇ʇ‚ ÍÌÓÔÍÛ [REC]. (àÁÏÂÌÂÌËfl, ‚ÌÂÒÂÌÌ˚ ‚ ̇˜‡Î¸Ì˚ ‰‡ÌÌ˚Â, Ó·˘Ë ‰Îfl ‰‚Ûı Ô‡ÚËÈ, Ú‡ÍÊ ·Û‰ÛÚ ÓÚÏÂÌÂÌ˚.) CLP240E.book Page 35 Wednesday, April 6, 2005 4:02 PM ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ ÒÓı‡ÌflÚ¸, ˝ÍÒÔÓÚËÓ‚‡Ú¸ Ë Û‰‡ÎflÚ¸ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ùÚÓ ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂθ ÏÓÊÌÓ Ú‡ÍÊ ÙÓχÚËÓ‚‡Ú¸. ëÓı‡ÌÂÌËÂ Ë ˝ÍÒÔÓÚ èêàåÖóÄçàÖ èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÔÓ‰Íβ˜ÂÌËË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÏ. ÒÚ. 58. ëÓı‡ÌÂÌË (Save) åÓÊÌÓ ÒÓı‡ÌËÚ¸ ÚË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ò ËÌÒÚÛÏÂÌÚ‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· (ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó). ùÚË ÏÂÎÓ‰ËË ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ «ÍÓÌÚÂÈÌ» (ӷ·ÒÚ¸ Ô‡ÏflÚË) ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò A00 ‰Ó A99. èÓÒÍÓθÍÛ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓı‡Ìfl˛ÚÒfl ‚ ÒÔˆˇθÌÓÏ ÙÓχÚ Clavinova, Ëı ÌÂθÁfl ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚Íβ˜‡fl ‰Û„Ë ÔˇÌËÌÓ Clavinova. Ç Ú‡ÍÓÏ ÙÓχÚ ÏÓÊÌÓ ÔÂÂÁ‡ÔËÒ‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ ̇ CLP-240. åÂÎÓ‰ËË ÌÂθÁfl ÔÓË„˚‚‡Ú¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ò̇˜‡Î‡ Ëı ÌÛÊÌÓ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl Ô˂‰ÂÌ˚ ̇«ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 36. èêàåÖóÄçàÖ è‰ ÚÂÏ Í‡Í Ì‡˜‡Ú¸ ‡·ÓÚÛ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ۷‰ËÚÂÒ¸, ˜ÚÓ ÓÌÓ Ì Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË. ÖÒÎË ÛÒÚÓÈÒÚ‚Ó Á‡˘Ë˘ÂÌÓ ÓÚ Á‡ÔËÒË, ‚˚ Ì ÒÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Í ÌÂÏÛ ‰ÓÒÚÛÔ. èêàåÖóÄçàÖ ÖÒÎË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̉ÓÒÚ‡ÚÓ˜ÌÓ Ô‡ÏflÚË ‰Îfl ÒÓı‡ÌÂÌËfl ËÎË ˝ÍÒÔÓÚ‡ ‰‡ÌÌ˚ı, ̇ ‰ËÒÔΠÓÚÓ·‡Ê‡ÂÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÒÓÓ·˘ÂÌËÂ, Ë ‚˚ Ì ÒÏÓÊÂÚ ÌË ÒÓı‡ÌËÚ¸, ÌË ˝ÍÒÔÓÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â. 쉇ÎËÚÂ Ò ÛÒÚÓÈÒÚ‚‡ ÌÂÌÛÊÌ˚ هÈÎ˚, ˜ÚÓ·˚ ÓÒ‚Ó·Ó‰ËÚ¸ Ô‡ÏflÚ¸, (ÒÚ. 38) ËÎË ËÒÔÓθÁÛÈÚ ‰Û„Ó ÛÒÚÓÈÒÚ‚Ó. èêàåÖóÄçàÖ ëËÏ‚ÓÎ «A» ̇‰ ËÏÂÌÂÏ ÔÓθÁÓ‚‡ÚÂÎfl ÓÁ̇˜‡ÂÚ «All» (ÇÒÂ), ÚÓ ÂÒÚ¸ ‚Ò ÚË ÏÂÎÓ‰ËË ËÌÒÚÛÏÂÌÚ‡ ÒÓı‡ÌÂÌ˚ ‚ Ó‰ËÌ ÍÓÌÚÂÈÌÂ. ùÍÒÔÓÚ åÓÊÌÓ ˝ÍÒÔÓÚËÓ‚‡Ú¸ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ò ËÌÒÚÛÏÂÌÚ‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· (ÏÂÎÓ‰ËË SMF). åÂÎÓ‰ËË ÏÓÊÌÓ ˝ÍÒÔÓÚËÓ‚‡Ú¸ ‚ «ÍÓÌÚÂÈÌ» (ӷ·ÒÚ¸ Ô‡ÏflÚË) ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÑÓÒÚÛÔÌ˚ 100 ÍÓÌÚÂÈÌÂÓ‚ – Ò S00 ‰Ó S99. èÓÒÍÓθÍÛ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÒÓı‡Ìfl˛ÚÒfl ‚ ÙÓχÚ SMF, Ëı ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı, ‚Íβ˜‡fl ‰Û„Ë ÔˇÌËÌÓ Clavinova. Ç Ú‡ÍÓÏ ÙÓχÚ ÌÂθÁfl ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ ̇ CLP-240. åÂÎÓ‰ËË ‚ ˝ÚÓÏ ÙÓχÚ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ·ÂÁ Ô‰‚‡ËÚÂθÌÓÈ Á‡„ÛÁÍË ‚ ËÌÒÚÛÏÂÌÚ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ÓÔ‡ˆËË ˝ÍÒÔÓÚ‡ Ô˂‰ÂÌ˚ ̇ «ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF» ̇ ÒÚ. 37. èêàåÖóÄçàÖ ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ‡·ÓÚ‡Ú¸ ÒÓ 100 ÌÓχÏË Ù‡ÈÎÓ‚. • çÓχ Ù‡ÈÎÓ‚ ÔÓθÁÓ‚‡ÚÂÎfl: A00-A99 • çÓÏ ÏÂÎÓ‰ËÈ SMF: S00-S99 èêàåÖóÄçàÖ ëËÏ‚ÓÎ «S» ̇‰ ËÏÂÌÂÏ ÏÂÎÓ‰ËË SMF ÓÁ̇˜‡ÂÚ ÙÓÏ‡Ú SMF. íÖêåàçéãéÉàü SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) îÓÏ‡Ú SMF (Standard MIDI File, Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡ ˝ÚÓ„Ó ÙÓχڇ: Format 0 Ë Format 1. ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0, ‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ. îÓÏ‡Ú SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ ÔÓÁ‚ÓÎflÂÚ Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl, Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒfl ‚ ÙÓχÚ SMF Format 0. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 35 CLP240E.book Page 36 Wednesday, April 6, 2005 4:02 PM ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ëÓı‡ÌÂÌË ÏÂÎÓ‰ËÈ 1 1 2 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. èêàåÖóÄçàÖ Ç˚·ÂËÚ ÍÓÌÚÂÈÌ هÈ· ‚ ÛÒÚÓÈÒÚ‚Â Ë ÒÓı‡ÌËÚ ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl 낉ÂÌËfl Ó ÒÓı‡ÌÂÌËË ÒÏ. ÒÚ. 35. ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ «SAVE/EXP.»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌ (A00-A99). èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒËÏ‚ÓÎ˚ «n y» (no/yes). ÑÎfl ÒÓı‡ÌÂÌËfl ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. î‡ÈÎ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌËÚÒfl ‚ Ô‡ÔÍ «USERFILES» Ò ËÏÂÌÂÏ «USERFILExx.usr». èÂÂÁ‡ÔËÒ¸ هȷ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊ ÒÓ‰ÂÊËÚ Ù‡ÈÎ ÔÓθÁÓ‚‡ÚÂÎfl, ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÚË ÚÓ˜ÍË (̇ÔËÏÂ, «A.0.0»). ÖÒÎË Ì ıÓÚËÚ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO], ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (ÌÂÚ ËÎË ‰‡) Ë ‚˚·ÂËÚ ‰Û„ÓÈ ÍÓÌÚÂÈÌÂ. ÖÒÎË ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (ÌÂÚ ËÎË ‰‡). èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔӉڂ‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. ÇçàåÄçàÖ! ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. 2. Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.) ÇçàåÄçàÖ! ç ÔÂÂËÏÂÌÓ‚˚‚‡ÈÚ هÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl ̇ ÍÓÏÔ¸˛ÚÂÂ. ÖÒÎË ËÏfl هȷ ËÁÏÂÌflÂÚÒfl Ú‡ÍËÏ Ó·‡ÁÓÏ, Â„Ó Ì‚ÓÁÏÓÊÌÓ ·Û‰ÂÚ Á‡„ÛÁËÚ¸ ‚ ËÌÒÚÛÏÂÌÚ. 36 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ÖÒÎË ‚˚ ÔÂÂÏ¢‡ÂÚ هÈÎ ÔÓθÁÓ‚‡ÚÂÎfl ËÁ Ô‡ÔÍË «USER FILES» Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡, ˝ÚÓÚ Ù‡ÈÎ Ì ·Û‰ÂÚ ‡ÒÔÓÁÌ‡Ì ËÌÒÚÛÏÂÌÚÓÏ. CLP240E.book Page 37 Wednesday, April 6, 2005 4:02 PM ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ùÍÒÔÓÚ ÏÂÎÓ‰ËË ‚ ÙÓχÚ SMF íÖêåàçéãéÉàü SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) îÓÏ‡Ú SMF (Standard MIDI File, Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) – Ó‰ËÌ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡ ˝ÚÓ„Ó ÙÓχڇ: Format 0 Ë Format 1. ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0, ‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ. îÓÏ‡Ú SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ ÔÓÁ‚ÓÎflÂÚ Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl, Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒfl ‚ ÙÓχÚ SMF Format 0. 2 3 1 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 1 2 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 STRINGS E.PIANO 2 CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl èêàåÖóÄçàÖ 1. Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl ˝ÍÒÔÓÚ‡ Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl ˝ÍÒÔÓÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [SONG SELECT] Ë [–/NO][+/YES]. 2. Ç˚·ÂËÚ ÍÓÌÚÂÈÌ ÏÂÎÓ‰ËË ‚ ÛÒÚÓÈÒÚ‚Â Ë ˝ÍÒÔÓÚËÛÈÚ ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ «SAVE/EXP.»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌ (S00-S99). èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒËÏ‚ÓÎ˚ «n y» (no/yes). ÑÎfl ˝ÍÒÔÓÚ‡ ÏÂÎÓ‰ËÈ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. ùÍÒÔÓÚËÓ‚‡Ì̇fl ÏÂÎÓ‰Ëfl ÍÓÌ‚ÂÚËÛÂÚÒfl ‚ ÙÓÏ‡Ú SMF Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÏ¢‡ÂÚÒfl ‚ Ô‡ÔÍÛ «USER FILES» Ò ËÏÂÌÂÏ «USERSONGxx.mid». 낉ÂÌËfl Ó· ˝ÍÒÔÓÚ ÒÏ. ÒÚ. 35. èêàåÖóÄçàÖ ÖÒÎË ‚ ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË ÓÚÒÛÚÒÚ‚Û˛Ú ‰‡ÌÌ˚Â, Ó̇ Ì ·Û‰ÂÚ ˝ÍÒÔÓÚËÓ‚‡Ú¸Òfl (‚˚ Ì ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÍÓÌÚÂÈÌ ‰Îfl ÏÂÎÓ‰ËÈ SMF: S00-S99). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ ‚˚·‡ÌÌÓÈ ÏÂÎÓ‰ËË ËϲÚÒfl ‰‡ÌÌ˚ (‰ÓÎÊÂÌ „ÓÂÚ¸ Ë̉Ë͇ÚÓ [RIGHT] ËÎË [LEFT]). èêàåÖóÄçàÖ ÖÒÎË ‚˚ ÔÂÂÏ¢‡ÂÚ ÏÂÎӉ˲ ‚ ÙÓχÚ SMF ËÁ Ô‡ÔÍË «USER FILES» Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡, ÚËÔ Ù‡È· ËÁÏÂÌËÚÒfl – Ò ÏÂÎÓ‰ËË SMF (S00-S99) ̇ ‚ÌÂ¯Ì˛˛ ÏÂÎӉ˲. èÂÂÁ‡ÔËÒ¸ ÏÂÎÓ‰ËË ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÍÓÌÚÂÈÌÂ, ÍÓÚÓ˚È ÛÊ ÒÓ‰ÂÊËÚ ÏÂÎӉ˲ SMF, ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÚË ÚÓ˜ÍË (̇ÔËÏÂ, «S.0.0.»). ÖÒÎË Ì ıÓÚËÚ ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO], ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «n y» (no ËÎË yes) Ë ‚˚·ÂËÚ ‰Û„ÓÈ ÍÓÌÚÂÈÌÂ. ÖÒÎË ıÓÚËÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ÏÂÎӉ˲, ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n-y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔӉڂ‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. ÇçàåÄçàÖ! ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. 3. Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.) CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 37 CLP240E.book Page 38 Wednesday, April 6, 2005 4:02 PM ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) 쉇ÎÂÌË هÈÎÓ‚ ÏÂÎÓ‰ËÈ 1 3 REC MIN MAX ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON 1 2 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # ÑÂÈÒÚ‚Ëfl 1. 쉇ÎËÚ هÈÎ èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] ̇ ‰ËÒÔΠÔÓfl‚Îfl˛ÚÒfl ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡). ÖÒÎË ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔӉڂ‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. ÖÒÎË Ì ıÓÚËÚ ۉ‡ÎflÚ¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO]. ÇçàåÄçàÖ! ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. 3. Ç˚ȉËÚ ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.) 38 BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 èêàåÖóÄçàÖ è‰ ÚÂÏ Í‡Í Û‰‡ÎËÚ¸ ÏÂÎӉ˲, ÔÓÒÎÛ¯‡ÈÚ ÂÂ. åÂÎÓ‰ËË ÌÂθÁfl ÔÓÒÎۯ˂‡Ú¸ ÔÓÒΠ‚Íβ˜ÂÌËfl ÂÊËχ Û‰‡ÎÂÌËfl. Ç˚·ÂËÚ ÏÂÎӉ˲ ‰Îfl Û‰‡ÎÂÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (ᇄÓËÚÒfl Ë̉Ë͇ÚÓ «FORMAT/DEL».) ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ‰Îfl Û‰‡ÎÂÌËfl. ç‡ ‰ËÒÔÎÂÈ ‚˚‚Ó‰flÚÒfl ÚË ÚËÔ‡ Ù‡ÈÎÓ‚ ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓfl‰ÍÂ: •Axx ......Ù‡ÈÎ˚ ÔÓθÁÓ‚‡ÚÂÎfl; •Sxx ......ÏÂÎÓ‰ËË SMF; •xxx ......‚̯ÌË ÏÂÎÓ‰ËË (ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ). 2. VOICE CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ Ç˚‚Ó‰flÚÒfl ÚÓθÍÓ Ú هÈÎ˚, ÍÓÚÓ˚ ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚Â. èêàåÖóÄçàÖ çÂθÁfl Û‰‡ÎËÚ¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ÏÂÎÓ‰ËÈ. ÖÒÎË ‚˚ ÔÓÔ˚Ú‡ÂÚÂÒ¸ Û‰‡ÎËÚ¸ Ú‡ÍÛ˛ ÏÂÎӉ˲, ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «Pro» (ᇢˢÂÌÓ). • ᇢˢÂÌÌ˚ ÏÂÎÓ‰ËË (‡Ò¯ËÂÌËÂ: Cxx, Exx ËÎË SME) • åÂÎÓ‰ËË DOC (Disk Orchestra Collection) • åÂÎÓ‰ËË Disklavier Piano Soft èêàåÖóÄçàÖ çÓχ ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ (Axx) Ë ÏÂÎÓ‰ËÈ SMF (Sxx) fl‚Îfl˛ÚÒfl ÙËÍÒËÓ‚‡ÌÌ˚ÏË, Ëı ÌÂθÁfl ËÁÏÂÌËÚ¸ ÔÛÚÂÏ Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚. é‰Ì‡ÍÓ ÌÓχ ÏÂÎÓ‰ËÈ ‚̯ÌËı Ù‡ÈÎÓ‚ Ì ÙËÍÒËÛ˛ÚÒfl Ë ÏÓ„ÛÚ ÏÂÌflÚ¸Òfl ÔÛÚÂÏ Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚. CLP240E.book Page 39 Wednesday, April 6, 2005 4:02 PM ꇷÓÚ‡ Ò ÏÂÎÓ‰ËflÏË Ò ÔÓÏÓ˘¸˛ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) îÓχÚËÓ‚‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı 1 3 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 1 2 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ËÚ ÂÊËÏ ÙÓχÚËÓ‚‡ÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (ᇄÓËÚÒfl Ë̉Ë͇ÚÓ «FORMAT/DEL».) ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [–/NO] Ë [+/YES]. äÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl «For» (îÓχÚËÓ‚‡ÌËÂ), ÓÚÔÛÒÚËÚ ÍÌÓÔÍÛ [FILE], ˜ÚÓ·˚ ̇ ‰ËÒÔΠÔÓfl‚ËÎËÒ¸ ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ/‰‡). 2. Ç˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ÙÓχÚËÓ‚‡ÌËfl èÓÒΠÔÓfl‚ÎÂÌËfl ̇ ‰ËÒÔΠ«n y» (ÌÂÚ/‰‡) ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. èÓÒΠÚÓ„Ó Í‡Í ÒËÏ‚ÓÎ˚ «n -y» ‚ÌÓ‚¸ ÔÓfl‚flÚÒfl ̇ ‰ËÒÔÎÂÂ, ˜ÚÓ·˚ ‚˚ ÒÏÓ„ÎË ÔӉڂ‰ËÚ¸ Ò‚ÓÈ ‚˚·Ó, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. ÖÒÎË Ì ıÓÚËÚ ÙÓχÚËÓ‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO]. ÇçàåÄçàÖ! ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. 3. Ç˚ȉËÚ ËÁ ÂÊËχ ÙÓχÚËÓ‚‡ÌËfl óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ÓÔ‡ˆËÈ Ò Ù‡È·ÏË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. (à̉Ë͇ÚÓ FILE ÔÓ„‡ÒÌÂÚ.) CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 39 CLP240E.book Page 40 Wednesday, April 6, 2005 4:02 PM ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ á‡ÔËÒ‡ÌÌ˚ ËÎË ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Á‡ÔËÒË (ÒÚ. 29 – 34). é‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı. •50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ (CLP-240/230)....ÒÚ. 15 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ. •èÓθÁÓ‚‡ÚÂθÒÍË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ (CLP-240/230) ...............................................................ÒÚ. 41 èÓθÁÓ‚‡ÚÂθÒÍË ÏÂÎÓ‰ËË, Á‡ÔËÒ‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Á‡ÔËÒË (ÒÚ. 29). •èÓθÁÓ‚‡ÚÂθÒÍË هÈÎ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 42 èÓθÁÓ‚‡ÚÂθÒÍË هÈÎ˚ Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ, ÒÓı‡ÌÂÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (ÒÚ. 35). èêàåÖóÄçàÖ çÂθÁfl ‚˚·Ë‡Ú¸ ÏÂÎÓ‰ËË ‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏ (ÒÚ. 14) ËÎË ‚Ó ‚ÂÏfl ÓÔ‡ˆËÈ Ò Ù‡È·ÏË (ÒÚ. 35). èêàåÖóÄçàÖ èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÂÎÓ‰ËÈ, ÒÓ‰Âʇ˘Ëı ‡Á΢Ì˚ ÚÂÏ·˚ ËÎË Ô‡ÚËË (̇ÔËÏÂ, ÏÂÎÓ‰ËË XG ËÎË GM), ˝ÚË ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔ‡‚ËθÌÓ ËÎË Ì ڇÍ, Í‡Í Á‡‰ÛÏ˚‚‡ÎÓÒ¸ Ô‚Ó̇˜‡Î¸ÌÓ. ùÚÓ ÏÓÊÌÓ ËÒÔ‡‚ËÚ¸ ËÎË Ò‰Â·ڸ Á‚ÛÍ ·ÓΠÂÒÚÂÒÚ‚ÂÌÌ˚Ï, ËÁÏÂÌË‚ ̇ÒÚÓÈÍÛ Song Channel Selection (Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË) (ÒÚ. 51) ̇ «1&2», ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚Ó‰ËÎËÒ¸ ÚÓθÍÓ Í‡Ì‡Î˚ 1 Ë 2. èêàåÖóÄçàÖ •åÂÎÓ‰ËË SMF ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43 åÂÎÓ‰ËË SMF Ò ‰‡ÌÌ˚ÏË Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ, ˝ÍÒÔÓÚËÓ‚‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (ÒÚ. 35). •Ç̯ÌË ÏÂÎÓ‰ËË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) .........................................................ÒÚ. 43 äÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ë Ú.‰., ı‡Ìfl˘ËÂÒfl ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 999 ÏÂÎÓ‰ËÈ (ÌÓχ 001-999). •Ç̯ÌË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ (CLP-240/230).............ÒÚ. 41 åÂÎÓ‰ËË, ÔÂÂÌÂÒÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ (‚Íβ˜‡fl ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ÏÂÎÓ‰ËË ËÎË ÏÂÎÓ‰ËË, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ). ë ÔÓÏÓ˘¸˛ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Musicsoft Downloader ÏÂÎÓ‰ËË ÏÓÊÌÓ ÔÂÂÌÂÒÚË (ÒÓı‡ÌËÚ¸) ̇ ËÌÒÚÛÏÂÌÚÂ. ùÚË ÏÂÎÓ‰ËË ÒÓı‡Ìfl˛ÚÒfl ‚ ӷ·ÒÚË ‚ÒÚÓÂÌÌÓÈ Ô‡ÏflÚË ÓÚ‰ÂθÌÓ ÓÚ Á‡ÔËÒ‡ÌÌ˚ı ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl. ç‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰Ó 255 ÏÂÎÓ‰ËÈ (ÌÓχ 001-255). ÖÒÎË ÏÂÎӉ˲ ÌÂθÁfl ‚˚·‡Ú¸ ËÎË Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ, ÔˉÂÚÒfl ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ Character Code (ç‡·Ó ÒËÏ‚ÓÎÓ‚) (ÒÚ. 55). èêàåÖóÄçàÖ Ñ‡ÌÌ˚ ÏÂÎÓ‰ËÈ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚ 3 – 16 ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚̯ÌËı ÏÂÎÓ‰ËÈ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Song Channel Selection (ÒÚ. 51). èêàåÖóÄçàÖ ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚ ‚ ÏÂÎÓ‰ËË ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÍÂÔÎÂÌ˚ Á‡ ÍÌÓÔ͇ÏË [RIGHT] Ë [LEFT]. í‡Í, ÍÌÓÔÍÛ [RIGHT] ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 1, ‡ ÍÌÓÔÍÛ [LEFT] – Á‡ Ô‡ÚËÂÈ, ÓÚ΢ÌÓÈ ÓÚ Í‡Ì‡Î‡ 2. èêàåÖóÄçàÖ ÑÎfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ͇ڇÎÓ„Ë Ô‡ÔÓÍ Ì‡ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ·Û‰ÛÚ ‡ÒÔÓÁ̇‚‡Ú¸Òfl ̇ ‰‚Ûı ÛÓ‚Ìflı. é‰Ì‡ÍÓ ˝ÚË ÛÓ‚ÌË Ì ‚˚‚Ó‰flÚÒfl ̇ ‰ËÒÔÎÂÈ, ̇ ÌÂÏ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÓχ 001-999, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÛÓ‚Ìfl, ̇ ÍÓÚÓÓÏ ÒÓ‰ÂÊËÚÒfl ÏÂÎÓ‰Ëfl. îÓχÚ˚ ÒÂÍ‚Â̈ËË, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ̇ CLP-240/230 • SMF (Òڇ̉‡ÚÌ˚È MIDI-Ù‡ÈÎ), Formats 0 Ë 1 îÓÏ‡Ú SMF – Ó‰ËÌ ËÁ ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı Ë ¯ËÓÍÓ ÒÓ‚ÏÂÒÚËÏ˚ı ÙÓχÚÓ‚ ‰Îfl ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÒÂÍ‚Â̈ËË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚ˉ‡ ˝ÚÓ„Ó ÙÓχڇ: Format 0 Ë Format 1. ÅÓθ¯Ó ÍÓ΢ÂÒÚ‚Ó MIDI-ÛÒÚÓÈÒÚ‚ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ SMF Format 0, ‡ ·Óθ¯ËÌÒÚ‚Ó ÍÓÏϘÂÒÍË ‡ÒÔÓÒÚ‡ÌflÂÏ˚ı MIDI-Ù‡ÈÎÓ‚ ÔÓÒÚ‡‚ÎflÂÚÒfl ‚ ÚÓÏ Ê ÙÓχÚÂ. îÓÏ‡Ú SMF ‰Îfl Ù‡ÈÎÓ‚ ÒÂÍ‚Â̈ËÈ ÔÓÁ‚ÓÎflÂÚ Ó·ÏÂÌË‚‡Ú¸Òfl ‰‡ÌÌ˚ÏË ÏÂÎÓ‰ËÈ ÏÂÊ‰Û ‡Á΢Ì˚ÏË ÒÂÍ‚ÂÌÒÓ‡ÏË. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl, Á‡ÔËÒ‡ÌÌ˚ ̇ CLP-240, ˝ÍÒÔÓÚËÛ˛ÚÒfl ‚ ÙÓχÚ SMF Format 0. • ESEQ ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ÒÂ˲ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‡ÁÌ˚Ï ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ Yamaha. Ç ÙÓχÚ ESEQ ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÚÓθÍÓ Ù‡ÈÎ˚ DOC (Disk Orchestra Collection) Ë ÏÂÎÓ‰ËË Disklavier Piano Soft. 40 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÒÔÓθÁÓ‚‡ÎÒfl ÏÂÚÓÌÓÏ, ÔÓ ÓÍÓ̘‡ÌËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÌ ÓÚÍβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. èêàåÖóÄçàÖ ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ·˚Î ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ËÁÏÂÌËÚÒfl Í‡Í ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl, Ú‡Í Ë ‰Îfl Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔË ÔÓÏÓ˘Ë Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ·˚Î ËÁÏÂÌÂÌ ÚËÔ Â‚Â·Â‡ˆËË, ˝ÙÙÂÍÚ Â‚Â·Â‡ˆËË ËÁÏÂÌËÚÒfl Í‡Í ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl, Ú‡Í Ë ‰Îfl Í·‚ˇÚÛ˚. CLP240E.book Page 41 Wednesday, April 6, 2005 4:02 PM ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ 32 1 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 1 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 CHURCH ORGAN JAZZ ORGAN E.PIANO 1 STRINGS E.PIANO 2 CHOIR HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ USER). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍË [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲. åÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ‚˚‚Ó‰flÚÒfl ‚ ‚ˉ «Uxx*», ‡ ‚̯ÌË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ – ‚ ‚ˉ «xxx*». *ëËÏ‚ÓÎ «U» ‚ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëfl ÔÓθÁÓ‚‡ÚÂÎfl. ëËÏ‚ÓÎ˚ «xx» Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏ ÏÂÎÓ‰ËË. 2. á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl ÌÓÏ ÚÂÍÛ˘Â„Ó Ú‡ÍÚ‡. èêàåÖóÄçàÖ ÖÒÎË ‚ ÛÒÚÓÈÒÚ‚Â ‰Îfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÌÂÚ ‰‡ÌÌ˚ı, ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ì‚ÓÁÏÓÊÌÓ. èêàåÖóÄçàÖ • ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Í·‚˯‡ı. à„‡Ú¸ ÏÓÊÌÓ ‚ ÚÂÏ·Â, ÓÚ΢ÌÓÏ ÓÚ ÚÂÏ·‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ‚˚·‡‚ ÚÂÏ· ̇ Ô‡ÌÂÎË. ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ ÔÓÎÁÛÌÓÍ [MASTER VOLUME]. ç‡ÒÚÓÈ͇ ÚÂÏÔ‡ ÑÎfl ̇ÒÚÓÈÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] . ÇÓÁ‚‡Ú Í ÚÂÏÔÛ ÏÂÎÓ‰ËË ÔÓ ÛÏÓΘ‡Ì˲ ÔÓËÒıÓ‰ËÚ ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË ÍÌÓÔÓÍ [▼] Ë [▲] . 3. åÓÊÌÓ Ú‡ÍÊ ˄‡Ú¸ ‰Û˝ÚÓÏ Ò Ò‡ÏËÏ ÒÓ·ÓÈ, Á‡ÔËÒ‡‚ Ó‰ÌÛ Ô‡Ú˲ ‰Û˝Ú‡ ËÎË ÏÂÎӉ˲ ‰Îfl ‰‚Ûı ÙÓÚÂÔ¸flÌÓ, ‡ Á‡ÚÂÏ Ë„‡Ú¸ Ó‰ÌÛ ˜‡ÒÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ, ÔÓ͇ ˉÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó. èêàåÖóÄçàÖ ÖÒÎË ‚ ËÌÒÚÛÏÂÌÚ ËϲÚÒfl ‚̯ÌË ÏÂÎÓ‰ËË, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡. ALL: èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚̯ÌËı ÏÂÎÓ‰ËÈ. rnd: çÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚̯ÌËı ÏÂÎÓ‰ËÈ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ. éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl äÓ„‰‡ ÏÂÎÓ‰Ëfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ì‡ıÓ‰ËÚ Ì‡˜‡ÎÓ ÏÂÎÓ‰ËË. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÎӉ˲ ̇ Ò‰ËÌÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [STOP]. åÓÊÌÓ Ú‡ÍÊ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ʇ‚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 41 CLP240E.book Page 42 Wednesday, April 6, 2005 4:02 PM ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ù‡ÈÎÓ‚ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) 321 REC MIN ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 12 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. èêàåÖóÄçàÖ á‡„ÛÁËÚ هÈÎ ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË Ò USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ «LOAD»). ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [FILE], ̇ÊËχÈÚ ÍÌÓÔÍË [–/NO][+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÓθÁÓ‚‡ÚÂθÒÍÓÈ ÏÂÎÓ‰ËË (Axx*). èÓÒΠÓÒ‚Ó·ÓʉÂÌËfl ÍÌÓÔÍË [FILE] , ÍÓ„‰‡ ̇ ‰ËÒÔΠÔÓfl‚flÚÒfl ÒËÏ‚ÓÎ˚ «n y» (ÌÂÚ ËÎË ‰‡), ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ̇˜‡Ú¸ Á‡„ÛÁÍÛ. äÓ„‰‡ ̇˜ÌÂÚÒfl Á‡„ÛÁ͇, ̇ ‰ËÒÔΠÔÓÒΉӂ‡ÚÂθÌÓ ÔÓfl‚Îfl˛ÚÒfl ÚËÂ, Û͇Á˚‚‡˛˘ËÂ, ˜ÚÓ ‰‡ÌÌ˚ Á‡„Ûʇ˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [–/NO]. * ëËÏ‚ÓÎ «A» ÓÁ̇˜‡ÂÚ «All» (ÇÒÂ) – ‚Ò ÚË ÏÂÎÓ‰ËË ÒÓı‡ÌÂÌ˚ ‚ ËÌÒÚÛÏÂÌÚÂ Í‡Í ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl. ëËÏ‚ÓÎ˚ «xx» Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏ هÈ·. ÇçàåÄçàÖ! èË Á‡„ÛÁÍ هÈÎÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ ÚË ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ‚ ËÌÒÚÛÏÂÌÚ ·Û‰ÛÚ ÔÂÂÁ‡ÔËÒ‡Ì˚. ÖÒÎË ‚˚ Ì ıÓÚËÚ Ëı ÔÂÂÁ‡ÔËÒ˚‚‡Ú¸, Ô‰ Á‡„ÛÁÍÓÈ ÒÓı‡ÌËÚ Ëı ̇ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÇçàåÄçàÖ! ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Û‰‡ÎÂÌËÂ Ë ÙÓχÚËÓ‚‡ÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. 2. Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ ‡·ÓÚ˚ Ò Ù‡È·ÏË, ‰‚‡Ê‰˚ ̇ÊÏËÚ ÍÌÓÔÍÛ [FILE]. á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ USER) Ë ÍÌÓÔÍË [–/NO] [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl. 3. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, Ô‰ÒÚ‡‚ÎÂÌÌ˚ ̇ «ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 41. 42 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl î‡ÈÎ˚, Ì ÒÓ‰Âʇ˘Ë ‰‡ÌÌ˚ı, Ì ÓÚÓ·‡Ê‡˛ÚÒfl. èêàåÖóÄçàÖ ÖÒÎË ÔÂÂËÏÂÌÓ‚‡Ú¸ ÏÂÎӉ˲ ÔÓθÁÓ‚‡ÚÂÎfl Ò ÍÓÏÔ¸˛Ú‡,  ÌÂθÁfl ·Û‰ÂÚ Á‡„ÛÁËÚ¸. CLP240E.book Page 43 Wednesday, April 6, 2005 4:02 PM ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ SMF Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) 2 REC MIN 1 ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON MAX 1 USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. Ç˚·Ó ÌÛÊÌÓÈ ÏÂÎÓ‰ËË ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ Í ËÌÒÚÛÏÂÌÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Á‡„Ó‡ÂÚÒfl Ë̉Ë͇ÚÓ «USB»). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍË [–/NO] ËÎË [+/YES], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÎӉ˲. åÂÎÓ‰ËË SMF ‚˚‚Ó‰flÚÒfl ‚ ‚ˉ «Sxx*», ‡ ‚̯ÌË ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ – ‚ ‚ˉ «xxx*». *ëËÏ‚ÓÎ «S» ‚ ËÏÂÌË ÏÂÎÓ‰ËË SMF ÓÁ̇˜‡ÂÚ, ˜ÚÓ ˝ÚÓ ÏÂÎÓ‰Ëfl SMF. ëËÏ‚ÓÎ˚ «xx» Ô‰ÒÚ‡‚Îfl˛Ú ÌÓÏ ÏÂÎÓ‰ËË. èÓ‚ÚÓ ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Select «ALL»: ÔÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/ ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. Select «rnd»: ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ÏÂÎÓ‰ËÈ SMF/ÔÓθÁÓ‚‡ÚÂθÒÍËı ÏÂÎÓ‰ËÈ Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ. 2. á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl íÓ Ê ҇ÏÓÂ, ˜ÚÓ ¯‡„Ë 2 Ë 3, Ô‰ÒÚ‡‚ÎÂÌÌ˚ ̇ «ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı Ë ‚̯ÌËı ÏÂÎÓ‰ËÈ» ̇ ÒÚ. 41. èÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ ÏÂÎӉ˲ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova, Ë̉Ë͇ÚÓ˚ Ô‡ÚËÈ, ̇ ÍÓÚÓ˚ı ÂÒÚ¸ ‰‡ÌÌ˚ ( [RIGHT] [LEFT] ËÎË Ó·‡), „ÓflÚ ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, Ë„‡˛Ú ̇ Clavinova ËÎË ÌÂÚ, ̇ʇÚË ˝ÚËı ÍÌÓÔÓÍ Ô‡ÚËÈ ‚˚Íβ˜‡ÂÚ Ë̉Ë͇ÚÓ˚, Ë ‰‡ÌÌ˚ ˝ÚËı Ô‡ÚËÈ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ì ·Û‰ÛÚ. ç‡Ê‡ÚË ÍÌÓÔÓÍ ÔÓÔÂÂÏÂÌÌÓ ‚Íβ˜‡ÂÚ Ë ÓÚÍβ˜‡ÂÚ Ô‡ÚËË. Ä‚ÚÓχÚ˘ÂÒÍËÈ Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı (Sync Start) Ç˚ ÏÓÊÂÚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Í‡Í ÚÓθÍÓ Ì‡˜ÌÂÚ ˄‡Ú¸ ̇ Í·‚˯‡ı. ùÚÓ Ì‡Á˚‚‡ÂÚÒfl ÙÛÌ͈ËÂÈ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ «Sync Start». óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE], Û‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ SONG [STOP]. à̉Ë͇ÚÓ SONG [PLAY/PAUSE] ÏË„‡ÂÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚÂÍÛ˘ËÏ Á̇˜ÂÌËÂÏ ÚÂÏÔ‡. (óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇, ÔÓ‚ÚÓËÚ Ô‰˚‰Û˘Ë ‰ÂÈÒÚ‚Ëfl.) ÇÓÒÔÓËÁ‚‰ÂÌË ̇˜ÌÂÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚ ̇ Í·‚˯‡ı. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË ‚˚ ıÓÚËÚ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ̇˜‡ÎÓ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò Ì‡˜‡ÎÓÏ Ò‚ÓÂÈ Ë„˚. èêàåÖóÄçàÖ è‡ÚËË ÏÓÊÌÓ ÓÚÍβ˜‡Ú¸ Ë ‚Íβ˜‡Ú¸ ‰Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÎË ‚Ó ‚ÂÏfl Ì„Ó. èêàåÖóÄçàÖ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ˜‡ÒÚË ÏÂÎÓ‰ËË, ‰Îfl ÍÓÚÓÓÈ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÚÍβ˜ÂÌÓ (ÒÚ. 17, 52). íÖêåàçéãéÉàü Sync: é‰ÌÓ‚ÂÏÂÌÌ˚È, ̇˜Ë̇˛˘ËÈÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ á‡ÍÂÔÎÂÌË Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÙÛÌ͈ËË ÍÌÓÔÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl/Ô‡ÛÁ˚ èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË «ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ë Ô‡ÛÁ‡ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË» (ÒÚ. 51) Á‡ ΂ÓÈ Ô‰‡Î¸˛ ÏÓÊÌÓ Á‡ÍÂÔËÚ¸ ÙÛÌÍˆË˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ë Ô‡ÛÁ˚. ùÚÓ Û‰Ó·ÌÓ ‰Îfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË ‚ β·ÓÈ ÏÓÏÂÌÚ ÔÓÒΠ̇˜‡Î‡ Ë„˚. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 43 CLP240E.book Page 44 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] óÚÓ·˚ ̇ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏÂ: ÚÓ˜ÌÛ˛ ̇ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇, ‚˚·Ó ÒÚÓfl Ë Ú.‰. ÑÓÒÚÛÔÌ˚ ÒÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚: Ç CLP-240 ÂÒÚ¸ ‰Â‚flÚ¸ ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÈ, ‡ ‚ CLP-230 – ‚ÓÒÂϸ. ì ÌÂÍÓÚÓ˚ı ËÁ ˝ÚËı ÙÛÌ͈ËÈ ÂÒÚ¸ ‡Á΢Ì˚ ÔÓ‰ÂÊËÏ˚. ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚ îÛÌ͈Ëfl íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ — Ç˚·Ó ÒÚÓfl ëÚÓÈ îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ îÛÌ͈ËË ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÑÛ„Ë ÙÛÌ͈ËË CLP-240 CLP-230 ëÚ‡Ìˈ‡ F1 F1 47 F2.1 F2.1 48 éÒÌӂ̇fl ÌÓÚ‡ F2.2 F2.2 48 Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ F3.1 F3.1 49 àÁÏÂÌÂÌË ˜‡ÒÚÓÚ ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl F3.2 F3.2 49 í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 1 ̇ ÓÍÚ‡‚Û F3.3 F3.3 49 í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 2 ̇ ÓÍÚ‡‚Û F3.4 F3.4 49 ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 1 F3.5 F3.5 49 ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 2 F3.6 F3.6 49 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ F3.7 F3.7 49 íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ F4.1 — 50 ìÒÚ‡ÌÓ‚ÎÂÌË ·‡Î‡ÌÒ‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ F4.2 — 50 í‡ÌÒÔÓÌËÓ‚‡ÌË ԇ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û F4.3 — 50 í‡ÌÒÔÓÌËÓ‚‡ÌË ÎÂ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û F4.4 — 50 ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡ F4.5 — 50 ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡ F4.6 — 50 ÑˇԇÁÓÌ Ô‡‚ÓÈ Ô‰‡ÎË F4.7 — 50 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ F4.8 — 50 êÂÊËÏ Î‚ÓÈ Ô‰‡ÎË F5.1 F4.1 51 ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË F5.2 F4.2 51 ÉÎÛ·Ë̇ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔ· F5.3 — 51 ÉÓÏÍÓÒÚ¸ Ò˝ÏÔ· ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë F5.4 — 51 Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË F5.5 F4.3 51 ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ — F6 F5 52 ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË — F7 F6 52 îÛÌ͈ËË MIDI Ç˚·Ó ͇̇· Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDI F8.1 F7.1 52 Ç˚·Ó ͇̇· ÔËÂχ ‰‡ÌÌ˚ı MIDI F8.2 F7.2 53 îÛÌ͈Ëfl Local ON/OFF F8.3 F7.3 53 àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF F8.4 F7.4 53 îÛÌ͈Ëfl Control Change ON/OFF F8.5 F7.5 53 艇˜‡ ÒÓÒÚÓflÌËfl Ô‡ÌÂÎË (Panel/Status Transmit) F8.6 F7.6 54 îÛÌ͈ËË ÒÓı‡ÌÂÌËfl ç‡·Ó ÒËÏ‚ÓÎÓ‚ 44 èÓ‰ÂÊËÏ CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Initial Setup Send F8.7 F7.7 54 íÂÏ· F9.1 F8.1 55 MIDI F9.2 F8.2 55 ç‡ÒÚÓÈ͇ F9.3 F8.3 55 ÑÛ„Ë F9.4 F8.4 55 — F9.5 F8.5 55 CLP240E.book Page 45 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ‚ ÂÊËÏ Function ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ÙÛÌ͈ËÈ ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl. (ÖÒÎË, ËÒÔÓθÁÛfl ÙÛÌÍˆË˛, ‚˚ Ì Á̇ÂÚÂ, ˜ÚÓ Ì‡‰Ó ҉·ڸ, ‚ÂÌËÚÂÒ¸ Í ˝ÚÓÈ ÒÚ‡ÌËˆÂ Ë ÓÁ̇ÍÓϸÚÂÒ¸ Ò ÓÒÌÓ‚Ì˚ÏË ‰ÂÈÒÚ‚ËflÏË.) 1 5 REC MIN MAX ON/OFF LEFT RIGHT STOP PLAY/PAUSE ON USB USER PRESET SAVE/EXP. LOAD FORMAT/DEL. TEMPO FUNCTION # 34 24 TEMPO/OTHER VALUE METRONOME – / NO + / YES GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT ON SYNC START MASTER VOLUME DEMO TRANSPOSE SONG SONG SELECT FILE TEMPO / FUNCTION # VOICE BRILLIANCE REVERB EFFECT TOUCH DDE CLP-240 ÑÂÈÒÚ‚Ëfl 1. ÇÍβ˜ÂÌË ÂÊËχ Function ç‡ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] , ˜ÚÓ·˚ Á‡„ÓÂÎÒfl  Ë̉Ë͇ÚÓ [FUNCTION#]. ç‡ ‰ËÒÔΠÔÓfl‚ËÚÒfl . (à̉Ë͇ÚÓ « » ËÁÏÂÌflÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓflÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ÓÚ ÒÔÓÒÓ·‡ Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl.) 2. Ç˚·ÂËÚ ÙÛÌÍˆË˛ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ËÁ ÙÛÌ͈ËÈ F1–F9 (CLP-240) / F1–F8 (CLP-230).. èêàåÖóÄçàÖ îÛÌ͈ËË ÌÂθÁfl ‚˚·‡Ú¸ ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ‚˚·Ó‡ ÏÂÎÓ‰ËË Ë ‡·ÓÚ˚ Ò Ù‡È·ÏË (CLP-240) ËÎË ÂÒÎË ‡·ÓÚ‡ÂÚ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl. èêàåÖóÄçàÖ óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÙÛÌÍˆË˛ ̇ ¯‡„ 2, 3, ËÎË 4, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/ FUNCTION# ▼, ▲] ‰Îfl ‚˚ıÓ‰‡ ËÁ ÂÊËχ Function. TEMPO FUNCTION # TEMPO / FUNCTION # 3. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES] ÖÒÎË Û ÙÛÌ͈ËÈ ÌÂÚ ÔÓ‰ÂÊËÏÓ‚, ̇˜ÌËÚ ÛÒÚ‡ÌÓ‚ÍÛ Ô‡‡ÏÂÚÓ‚. ÖÒÎË Û ÙÛÌ͈ËË ÂÒÚ¸ ÔÓ‰ÂÊËÏ˚, ‰Îfl ‚˚ıÓ‰‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÔÓ‰ÂÊËÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. 4. èêàåÖóÄçàÖ èÓÒΠ‚˚·Ó‡ ÙÛÌ͈ËË Ô‚˚È ‡Á ̇ʇڸ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] – ̇ ‰ËÒÔΠÔÓfl‚ËÚÒfl ÚÂÍÛ˘‡fl ̇ÒÚÓÈ͇. Ç˚ÔÓÎÌËÚ ÓÔ‡ˆËË Ò ÌÛÊÌÓÈ ÙÛÌ͈ËÂÈ ÔË ÔÓÏÓ˘Ë ‰‚Ûı ÒÎÂ‰Û˛˘Ëı ÍÌÓÔÓÍ 1 [TEMPO/FUNCTION# ▼, ▲] Ç˚·Ó ÌÛÊÌÓÈ ÙÛÌ͈ËË ËÎË ÔÓ‰ÂÊËχ. 2 [–/NO] ËÎË [+/YES] Ç˚·‡‚ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛ ËÎË ÔÓ‰ÂÊËÏ, ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ON/OFF, ‚˚·ÂËÚ ÚËÔ ËÎË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ËÁÏÂÌËÚ Á̇˜ÂÌËÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË Ì‡ÒÚÓÈÍÛ ÔÓ ÛÏÓΘ‡Ì˲ (ËÒÔÓθÁÛÂÚÒfl ÔË Ô‚ÓÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova) ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡‚ ÍÌÓÔÍË [–/NO] Ë [+/YES]. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 45 CLP240E.book Page 46 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] èËÏ 2. Ç˚ÔÓÎÌÂÌË ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌ͈ËÂÈ F1. «íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» TEMPO FUNCTION # TEMPO / FUNCTION # TEMPO FUNCTION # – / NO + / YES TEMPO / FUNCTION # èËÏ 2. Ç˚ÔÓÎÌÂÌË ‰ÂÈÒÚ‚ËÈ Ò ÙÛÌ͈ËÂÈ F3.1 «Å‡Î‡ÌÒ ‚ ÂÊËÏ Dual» 5. èÓÒΠÁ‡‚¯ÂÌËfl ‡·ÓÚ˚ Ò ÙÛÌ͈ËÂÈ, ‚˚ȉËÚ ËÁ ÂÊËχ ÙÛÌ͈ËË óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇ÊÏËÚ ÍÌÓÔÍÛ [TEMPO/ FUNCTION#]. ᇄÓËÚÒfl Ë̉Ë͇ÚÓ [TEMPO]. 46 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 47 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] éÔËÒ‡ÌË ÙÛÌ͈ËÈ èêàåÖóÄçàÖ F1. íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÎÂÁ̇, ÂÒÎË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ë„‡˛Ú ‚ ÒÓÔÓ‚ÓʉÂÌËË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË ÏÛÁ˚ÍË Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇. 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ . 2. äÌÓÔÍË [–/NO] Ë [+/YES] ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË ÔÓÌËʇ˛Ú Ë ÔÓ‚˚¯‡˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl Í·‚Ë¯Ë ãfl Ô‚ÓÈ ÓÍÚ‡‚˚ ÔË·ÎËÁËÚÂθÌÓ Ì‡ 0,2 Ɉ. ..... ..... ÑÂÒflÚ˚ ‰ÓÎË „ˆ‡ ÓÚϘ‡˛ÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓÂ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÎË ‰‚Ûı ÚÓ˜ÂÍ (ÒÏ. ÒÎÂ‰Û˛˘ËÈ ÔËÏÂ). ùÍ‡Ì ç‡ÒÚÓÈÍÛ ÏÓÊÌÓ Ú‡ÍÊ ÔÓËÁ‚Ó‰ËÚ¸ Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 1 Ɉ (Ì ‚ ÂÊËÏ Function). ì‚Â΢ÂÌË ËÎË ÛÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ò ËÌÚ‚‡ÎÓÏ 1 Ɉ ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) ËÎË Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚ ͇ÈÌˠ΂˚ ·ÂÎ˚ Í·‚˯Ë) Ë ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES]. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚ ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) ËÎË Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚ ͇ÈÌˠ΂˚ ·ÂÎ˚ Í·‚˯Ë) Ë ÍÌÓÔÍË [–/NO] [+/YES]. ÇÓ ‚ÂÏfl ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Ɉ < … >. èÓÒΠÁ‡‚¯ÂÌËfl Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ËÒıÓ‰ÌÓÏÛ Á̇˜ÂÌ˲. á̇˜ÂÌË 440.0 ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 440.2 427,0–453,0 (Ɉ) 440.4 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 440.6 440,0 (Ɉ) 440.8 íÖêåàçéãéÉàü Ɉ („ˆ) Ɉ — ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û. èêàåÖóÄçàÖ åÓÊÌÓ Ú‡ÍÊ ÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ̇ Í·‚ˇÚÛ (Ì ‚ ÂÊËÏ Function). ì‚Â΢ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ). ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ëË ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (‰‚ ͇ÈÌË Ò΂‡ ·ÂÎ˚ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ ÓÍÚ‡‚˚. ìÏÂ̸¯ÂÌË ‚˚ÒÓÚ˚ (Ò ËÌÚ‚‡ÎÓÏ ÔËÏÂÌÓ 0,2 Ɉ). ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ ÓÍÚ‡‚˚. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Òڇ̉‡ÚÌÓÈ ‚˚ÒÓÚ˚. ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Ë ãfl Ë ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚ (͇ÈÌË Ò΂‡ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚˯Ë) Ë Î˛·Û˛ Í·‚Ë¯Û ÏÂÊ‰Û ÑÓ Ë ëË Ô‚ÓÈ ÓÍÚ‡‚˚. • ì ͇ʉÓÈ Í·‚Ë¯Ë ÂÒÚ¸ ̇Á‚‡ÌË ÌÓÚ˚, ̇ÔËÏÂ: ҇χfl ÌËÁ͇fl Í·‚˯‡ Í·‚ˇÚÛ˚ (͇ÈÌflfl Ò΂‡) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÌÓÚ A-1, ‡ ҇χfl ‚˚ÒÓ͇fl (͇ÈÌflfl ÒÔ‡‚‡) – ÌÓÚ C7. ÇÓ ‚ÂÏfl ÓÔËÒ‡ÌÌÓÈ ‚˚¯Â Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ÔÓ͇Á˚‚‡ÂÚ ˜‡ÒÚÓÚÛ ‚ Ɉ < … >. èÓÒΠÁ‡‚¯ÂÌËfl Ôӈ‰Û˚ ‰ËÒÔÎÂÈ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ËÒıÓ‰ÌÓÏÛ Á̇˜ÂÌ˲. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 47 CLP240E.book Page 48 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F2. Ç˚·Ó ÒÚÓfl åÓÊÌÓ ‚˚·‡Ú¸ ‡Á΢Ì˚ ÒÚÓË. Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) – ˝ÚÓ Ì‡Ë·ÓΠ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ÙÓÚÂÔ¸flÌÓ. é‰Ì‡ÍÓ ‚ ËÒÚÓËË ÒÛ˘ÂÒÚ‚Ó‚‡ÎÓ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‰Û„Ëı ÒÚÓ‚, ÏÌÓ„Ë ËÁ ÍÓÚÓ˚ı fl‚Îfl˛ÚÒfl ÓÒÌÓ‚ÓÈ ÓÔ‰ÂÎÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚. ùÚË Ì‡ÒÚÓÈÍË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ̇ ËÌÒÚÛÏÂÌÚ Clavinova. ꇂÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ éÍÚ‡‚‡ ‰ÂÎËÚÒfl ̇ ‰‚Â̇‰ˆ‡Ú¸ ‡‚Ì˚ı ËÌÚ‚‡ÎÓ‚. ç‡Ë·ÓΠÔÓÔÛÎflÌ˚È ÒÓ‚ÂÏÂÌÌ˚È ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ. óËÒÚ˚È Ï‡ÊÓ\óËÒÚ˚È ÏËÌÓ éÒÌÓ‚‡Ì ̇ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ó·ÂÚÓ̇ı, ÚË Ï‡ÊÓÌ˚ı ‡ÍÍÓ‰‡ ˝ÚÓ„Ó ÒÚÓfl ÒÓÁ‰‡˛Ú ÔÂ͇ÒÌ˚È, ˜ËÒÚ˚È Á‚ÛÍ. èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ (Pythagorean) ùÚÓÚ ÒÚÓÈ, ‡Á‡·ÓÚ‡ÌÌ˚È ‰Â‚Ì„˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ, ÓÒÌÓ‚‡Ì ̇ ˜ËÒÚÓÈ Í‚ËÌÚÂ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚˆËfl ÌÂÒÚ‡·Ëθ̇, ıÓÚfl Í‚‡Ú‡ Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂ͇ÒÌÓ Ë ÔÓ‰ıÓ‰flÚ ‰Îfl ÌÂÍÓÚÓ˚ı ÏÂÎÓ‰ËÈ. å‰ˇθÌ˚È ÒÚÓÈ (MeanTone) ùÚÓÚ ÒÚÓÈ fl‚ÎflÂÚÒfl ÛÎÛ˜¯ÂÌÌ˚Ï ‚‡Ë‡ÌÚÓÏ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl, Ú‡Í Í‡Í ‚ ÌÂÏ ÛÒÚ‡ÌÂ̇ ÌÂÒÚ‡·ËθÌÓÒÚ¸ ÚˆËË. ùÚÓÚ ÒÚÓÈ ·˚Î ÔÓÔÛÎflÂÌ Ò ÍÓ̈‡ 16-„Ó ‰Ó ÍÓ̈‡ 18-„Ó ‚Â͇, ËÏ ÔÓθÁÓ‚‡ÎÒfl ÉẨÂθ. ëÚÓÈ ÇÂÍÏÂÈÒÚ‡/äË̷„‡ ùÚË ÒÚÓË fl‚Îfl˛ÚÒfl ÂÁÛθڇڇÏË ‡Á΢Ì˚ı ÒÓ˜ÂÚ‡ÌËÈ ÒÚÓfl MeanTone Ë ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl. Ç ˝ÚËı ÒÚÓflı Ô‰ÒÚ‡‚ÎÂÌËÂ Ë Ó˘Û˘ÂÌË ÓÚ ÏÂÎÓ‰ËÈ ÏÂÌflÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÏÓ‰ÛÎflˆËË. éÌË ˜‡ÒÚÓ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ‚ ˝ÔÓıÛ Å‡ı‡ Ë ÅÂÚıÓ‚Â̇. Ç Ì‡ÒÚÓfl˘Â ‚ÂÏfl Ëı ˜‡ÒÚÓ ËÒÔÓθÁÛ˛Ú Ì‡ Í·‚ÂÒËÌ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛÁ˚ÍË ÚÓÈ ˝ÔÓıË. 48 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ . 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ ÛÒÚ‡ÌÓ‚ÍË ÒÚÓfl, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/ FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÒÚÓfl. ç‡ÊËχÈÚ ÍÌÓÔÍË [–/NO] Ë [+/YES] ‰Îfl ‚˚·Ó‡ ÌÓχ ÒÚÓfl. èÓ‰ÂÊËÏ˚ F2,1: ëÚÓÈ ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1: ꇂÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ 2: óËÒÚ˚È Ï‡ÊÓ 3: óËÒÚ˚È ÏËÌÓ 4: èËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ (Pythagorean) 5: å‰ˇθÌ˚È ÒÚÓÈ (mean-tone) 6: ëÚÓÈ ÇÂÍÏÂÈÒÚ‡ 7: ëÚÓÈ äË̷„‡ é·˚˜Ì‡fl ̇ÒÚÓÈ͇: 1: ꇂÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ F2.2: éÒÌӂ̇fl ÌÓÚ‡ ÖÒÎË ‚˚ ‚˚·Ë‡ÂÚ Ì ‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ÌÂÓ·ıÓ‰ËÏÓ ÓÔ‰ÂÎËÚ¸ ÚÓÌËÍÛ. (ᇉ‡ÌË ÚÓÌËÍË ‚ ÂÊËÏ ‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌÓ„Ó ÒÚÓfl Ì ‡·ÓÚ‡ÂÚ. éÒÌÓ‚ÌÛ˛ ÌÓÚÛ ÏÓÊÌÓ Á‡‰‡Ú¸ ÔË ËÒÔÓθÁÓ‚‡ÌËË ‰Û„Ëı ÒÚÓ‚.) ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: • èËÏ Á‡‰‡ÌËfl ÚÓÌËÍË (G) CLP240E.book Page 49 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F3. îÛÌ͈ËË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚ ‰Îfl ÛÎÛ˜¯ÂÌËfl ̇ÒÚÓÂÍ ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ, ̇ÔËÏÂ, ÛÒÚ‡ÌÓ‚ËÚ¸ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ‰‚ÛÏfl ÚÂÏ·‡ÏË. ç‡ÒÚÓÈÍË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‚˚ÔÓÎÌfl˛ÚÒfl ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. 1. Ç˚·ÂËÚ ÚÂÏ·˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl, ÔÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ . 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ Ì‡ÒÚÓÈÍË Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË. ÑÎfl ‚˚·Ó‡ Á̇˜ÂÌËÈ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES]. ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ÚÂÏ·Ó‚ 1 Ë 2 ÒÓÁ‰‡ÂÚ ·ÓΠ̇Ò˚˘ÂÌÌ˚È Á‚ÛÍ. F3.3: í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 1 ̇ ÓÍÚ‡‚Û F3.4: í‡ÌÒÔÓÌËÓ‚‡ÌË ÚÂÏ·‡ 2 ̇ ÓÍÚ‡‚Û ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: –1, 0, 1 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. Ç˚ÒÓÚÛ ÚÓ̇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò ËÌÚ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂθÌÓ ‰Îfl ÚÂÏ·Ó‚ 1 Ë 2. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl Á‚Û˜‡ÌË ÍÓÏ·Ë̇ˆËË ÏÓÊÂÚ ÛÎÛ˜¯ËÚ¸Òfl, ÂÒÎË Ó‰ËÌ ËÁ ÚÂÏ·Ó‚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ̇ ÓÍÚ‡‚Û ‚‚Âı ËÎË ‚ÌËÁ. èêàåÖóÄçàÖ ÖÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ Ì ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚, ‚ÏÂÒÚÓ ÔÓfl‚ËÚÒfl , Ë ‚˚ Ì ÒÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ̇ÒÚÓÈÍË ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl. åÓÊÌÓ ÔÂÂÍβ˜‡Ú¸Òfl ÏÂÊ‰Û ÂÊËÏÓÏ Function Ë ÂÊËÏÓÏ Ì‡ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (Dual mode). èÓ‰ÂÊËÏ˚ F3.1: Ň·ÌÒ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 (èË ÛÒÚ‡ÌÓ‚Í Á̇˜ÂÌËfl «10» Ó·‡ ÚÂÏ·‡ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ·Û‰ÛÚ Á‚Û˜‡Ú¸ Ò Ó‰Ë̇ÍÓ‚ÓÈ „ÓÏÍÓÒÚ¸˛. á̇˜ÂÌËfl ÏÂ̸¯Â «10» ·Û‰ÛÚ Û‚Â΢˂‡Ú¸ „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ 2 ÔÓ Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ 1, ‡ Á̇˜ÂÌËfl ·Óθ¯Â «10» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ 1 ÔÓ Ò‡‚ÌÂÌ˲ Ò ÚÂÏ·ÓÏ 2.) ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. é‰ËÌ ËÁ ÚÂÏ·Ó‚ ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓ„Ó, ‡ ‰Û„ÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‚ Ïfl„ÍÓÈ ÔË„ÎÛ¯ÂÌÌÓÈ Ï‡ÌÂÂ. F3.2: ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: -10 – 0 – 10 (èË ÔÓÎÓÊËÚÂθÌ˚ı Á̇˜ÂÌËflı ‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ‚ÓÁ‡ÒÚ‡ÂÚ, ‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ÔÓÌËʇÂÚÒfl. èË ÓÚˈ‡ÚÂθÌ˚ı Á̇˜ÂÌËflı ‚˚ÒÓÚ‡ ÚÂÏ·‡ 1 ÔÓÌËʇÂÚÒfl, ‡ ‚˚ÒÓÚ‡ ÚÂÏ·‡ 2 ‚ÓÁ‡ÒÚ‡ÂÚ.) F3.5: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 1 F3.6: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·‡ 2 ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ˝ÚË ÙÛÌ͈ËË ÔÓÁ‚ÓÎfl˛Ú ÓÚ‰ÂθÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ÚÂÏ·Ó‚ 1 Ë 2. 臇ÏÂÚ˚ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ ÚÓθÍÓ ‚ ÂÊËÏ [EFFECT]. óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ [EFFECT], ÌÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ‚˚ÈÚË ËÁ ÂÊËχ Function. • 臇ÏÂÚ˚ Voice 1 (ÚÂÏ· 1) Ë Voice 2 (ÚÂÏ· 2) ÓÔËÒ‡Ì˚ ̇ ÒÚ. 25. F3.7: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ ùÚ‡ ÙÛÌ͈Ëfl ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÒÂı ÙÛÌ͈ËÈ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Á̇˜ÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲ ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. èêàåÖóÄçàÖ äéåÅàçÄñàü äãÄÇàò: åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ , ̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‰‚Ûı ÚÂÏ·Ó‚. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/ FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO. èêàåÖóÄçàÖ óÂÏ ÌËÊ ÚÂÏ·, ÚÂÏ ¯Ë ‰Ë‡Ô‡ÁÓÌ ‰ÓÔÛÒÚËÏ˚ı Á̇˜ÂÌËÈ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ (± 60 % ‰Îfl ÌÓÚ˚ ãfl ÒÛ·ÍÓÌÚÓÍÚ‡‚˚, ± 5 % ‰Îfl ÌÓÚ˚ ÑÓ ÔflÚÓÈ ÓÍÚ‡‚˚). (100 ˆÂÌÚÓ‚ ‡‚Ì˚ Ó‰ÌÓÏÛ ÔÓÎÛÚÓÌÛ.) CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 49 CLP240E.book Page 50 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F4. (CLP-240) îÛÌ͈ËË ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ç ˝ÚÓÏ ÏÂÌ˛ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚ ‰Îfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚. åÂÌflfl ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ËÎË ‰Û„Ë ԇ‡ÏÂÚ˚, ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó Á‚Û˜‡ÌËfl ËÒÔÓÎÌflÂÏÓÈ ÏÂÎÓ‰ËË. 1. Ç˚·ÂËÚ ÚÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl, ÔÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ . 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ Ì‡ÒÚÓÈÍË ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚. ÑÎfl ‚˚·Ó‡ Á̇˜ÂÌËÈ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [–/NO] [+/YES]. èêàåÖóÄçàÖ ÖÒÎË ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ì ‚Íβ˜ÂÌ, ‚ÏÂÒÚÓ ÔÓfl‚ËÚÒfl , Ë ‚˚ Ì ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÙÛÌ͈ËË ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚. èÂʉ ˜ÂÏ ÔÂÂıÓ‰ËÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Function. èÓ‰ÂÊËÏ˚ F4.1: íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ÇÒfl Í·‚ˇÚÛ‡ ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: F 2 ìÒÚ‡ÌÓ‚ËÚ ̇ Í·‚ˇÚÛ ÚÓ˜ÍÛ, ‡Á‰ÂÎfl˛˘Û˛ Ô‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË (ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl). ç‡Ê‡Ú‡fl Í·‚˯‡ ÓÚÌÓÒËÚÒfl Í ‰Ë‡Ô‡ÁÓÌÛ ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË. • ÇÏÂÒÚÓ ÚÓ„Ó ˜ÚÓ·˚ ̇ÊËχڸ ÍÌÓÔÍË [–/NO] [+/YES] , ÏÓÊÌÓ ‚‚ÂÒÚË ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl, ̇ÊËχfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. • ÖÒÎË ÂÊËÏ Function Ì Á‡‰ÂÈÒÚ‚Ó‚‡Ì, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [SPLIT] (ÒÚ. 26). • èËÏ Á̇˜ÂÌËfl ‰Îfl ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (G2) ìÓ‚Â̸ „ÓÏÍÓÒÚË Ó·ÓËı ÚÂÏ·Ó‚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸. ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. F4.3: í‡ÌÒÔÓÌËÓ‚‡ÌË ԇ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û F4.4: í‡ÌÒÔÓÌËÓ‚‡ÌË ÎÂ‚Ó„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: –1, 0, 1 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ Ç˚ÒÓÚÛ Á‚Û͇ ÏÓÊÌÓ ÒÏ¢‡Ú¸ ‚‚Âı Ë ‚ÌËÁ Ò ËÌÚ‚‡ÎÓÏ ‚ ÓÍÚ‡‚Û ÓÚ‰ÂθÌÓ ‰Îfl Ô‡‚Ó„Ó Ë ÎÂ‚Ó„Ó ÚÂÏ·Ó‚. Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓÚÌ˚Ï ‰Ë‡Ô‡ÁÓÌÓÏ ÔÓË„˚‚‡ÂÏ˚ı ÏÂÎÓ‰ËÈ. ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. F4.5: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡ F4.6: ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡ ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ë‚Ófl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚ ùÚË ÙÛÌ͈ËË ÔÓÁ‚ÓÎfl˛Ú ÓÚ‰ÂθÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ‰Îfl ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó ÚÂÏ·Ó‚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚. 臇ÏÂÚ˚ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ÏÂÌflÚ¸ ÚÓθÍÓ ‚ ÂÊËÏ [EFFECT]. è‰ ‚Íβ˜ÂÌËÂÏ ÂÊËχ [EFFECT]ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÈÚË ËÁ ÂÊËχ Function. ùÚÛ Ì‡ÒÚÓÈÍÛ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. F4.7: ÑˇԇÁÓÌ Ô‡‚ÓÈ Ô‰‡ÎË ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ALL (‰Îfl Ó·ÓËı ÚÂÏ·Ó‚) 1 (‰Îfl Ô‡‚Ó„Ó ÚÂÏ·‡) 2 (‰Îfl ÎÂ‚Ó„Ó ÚÂÏ·‡) ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL îÛÌ͈Ëfl ‰Ë‡Ô‡ÁÓ̇ Ô‡‚ÓÈ Ô‰‡ÎË ÓÔ‰ÂÎflÂÚ, ̇ ͇ÍË ÚÂÏ·˚ ‚ÎËflÂÚ Ô‰‡Î¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚: ̇ Ô‡‚˚È, ΂˚È ËÎË Ó·‡ ÚÂÏ·‡. F4.8: ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ F4.2: ìÒÚ‡Ìӂ͇ ·‡Î‡ÌÒ‡ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl (Split) ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 (èË Á̇˜ÂÌËË «10» ÚÂÏ·˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl Á‚Û˜‡Ú Ò Ó‰Ë̇ÍÓ‚ÓÈ „ÓÏÍÓÒÚ¸˛). á̇˜ÂÌËfl ÏÂ̸¯Â «10» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ ÎÂ‚Ó„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌ˲ Ò Ô‡‚˚Ï, ‡ Á̇˜ÂÌËfl ‚˚¯Â «10» Û‚Â΢˂‡˛Ú „ÓÏÍÓÒÚ¸ Ô‡‚Ó„Ó ÚÂÏ·‡ ÔÓ Ò‡‚ÌÂÌ˲ Ò Î‚˚Ï.) ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ê‡Á΢̇ ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚. 50 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ùÚ‡ ÙÛÌ͈Ëfl ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl ‚ÒÂı ÙÛÌ͈ËÈ ÂÊËχ ‡Á‰ÂÎÂÌËfl. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Á̇˜ÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲ ̇ÊÏËÚ ÍÌÓÔÍÛ [+/YES]. èêàåÖóÄçàÖ äéåÅàçÄñàü äãÄÇàò: åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ , ̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [SPLIT]. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/ FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO. CLP240E.book Page 51 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F5. (CLP-240) / F4. (CLP-230) ÑÛ„Ë ÙÛÌ͈ËË Ç ˝ÚÓÏ ‡Á‰ÂΠԉÒÚ‡‚ÎÂÌ˚ ‰Û„Ë ÙÛÌ͈ËË, ‚Íβ˜‡fl ÚÂ, ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ̇Á̇˜ËÚ¸ Ó‰ËÌ ËÁ ÂÊËÏÓ‚ ‰Îfl ΂ÓÈ Ô‰‡ÎË ËÎË ‚˚·‡Ú¸ ÍÓÌÍÂÚÌ˚ ͇̇Î˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËÈ. 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ (CLP-240)/ (CLP-230). 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ ‰Û„Ëı ÙÛÌ͈ËÈ, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËχ. ç‡ÊËχÈÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÙÛÌ͈ËË Ô‰‡ÎË ËÎË ÛÒÚ‡ÌÓ‚ÍË Á̇˜ÂÌËÈ. èÓ‰ÂÊËÏ˚ F5.1 (CLP-240)/F4.1 (CLP-230) êÂÊËÏ Î‚ÓÈ Ô‰‡ÎË ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1. ょfl Ô‰‡Î¸ èÓ͇ ̇ʇڇ ΂‡fl Ô‰‡Î¸, „ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ ÔË„ÎÛ¯Â̇, ‡ ÚÂÏ· Ò΄͇ ËÁÏÂÌÂÌ. ç‡ ÛÊ Á‚Û˜‡˘Ë ÌÓÚ˚ ΂‡fl Ô‰‡Î¸ Ì ‚ÎËflÂÚ. 2. SONG PLAY/PAUSE (ÇÓÒÔÓËÁ‚‰ÂÌËÂ/ è‡ÛÁ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË) Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ Á‡ÔÛÒ͇ڸ ËÎË ÔËÓÒڇ̇‚ÎË‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË. Ç ˝ÚÓÏ ÂÊËϠ΂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔ͇ SONG [PLAY/PAUSE]̇ Ô‡ÌÂÎË. 3. LJˇˆËfl (CLP-240) Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‚‡Ë‡ˆË˛ ÚÂÏ·Ó‚. Ç ˝ÚÓÏ ÂÊËϠ΂‡fl Ô‰‡Î¸ ‡·ÓÚ‡ÂÚ, Í‡Í ÍÌÓÔ͇ [VARIATION] ̇ Ô‡ÌÂÎË. ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 1(΂‡fl Ô‰‡Î¸) F5.3 (CLP-240) ÉÎÛ·Ë̇ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔ· ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 12 ÑÎfl ÚÂÏ·‡ GRAND PIANO 1 ËÒÔÓθÁÛ˛ÚÒfl ÒÔˆˇθÌ˚ «ÒÛÒÚÂÈÌ»-Ò˝ÏÔÎ˚, ÍÓÚÓ˚ ÔË Ì‡Ê‡ÚËË Ô‡‚ÓÈ Ô‰‡ÎË ‚ÓÒÒÓÁ‰‡˛Ú ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ „ÎÛ·ËÌÛ ˝ÚÓ„Ó ˝ÙÙÂÍÚ‡. F5.4 (CLP-240) ÉÓÏÍÓÒÚ¸ Ò˝ÏÔ· ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 10 åÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë (ÚËıËÈ Á‚ÛÍ, ‚ÓÁÌË͇˛˘ËÈ, ÍÓ„‰‡ ÓÚÔÛÒ͇˛Ú Í·‚˯Û) ‰Îfl ÚÂÏ·Ó‚ [GRAND PIANO1], [HARPSICHORD], [E.CLAVICHORD] (‡ Ú‡ÍÊ ‰Îfl Ëı ‚‡Ë‡ˆËÈ). F5.5 (CLP-240)/F4.3 (CLP-230) Ç˚·Ó ͇̇· ÏÂÎÓ‰ËË ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ALL, 1&2 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL ùÚ‡ ÛÒÚ‡Ìӂ͇ ‚ÎËflÂÚ ÚÓθÍÓ Ì‡ ÏÂÎÓ‰ËË DOC (Disk Orchestra Collection), ÏÂÎÓ‰ËË Disklavier Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ ‚̯ÌË ÏÂÎÓ‰ËË. åÓÊÌÓ Á‡‰‡Ú¸, ͇ÍË ͇̇Î˚ ÏÂÎÓ‰ËË ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ. èË ‚˚·Ó «ALL» ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ͇̇Î˚ 1 – 16. èË ‚˚·Ó «1&2» ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ Í‡Ì‡Î˚ 1 Ë 2, ‡ ͇̇Î˚ 3 – 16 ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. F5.2 (CLP-240)/F4.2 (CLP-230) ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1 – 5 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 3 ùÚ‡ ÙÛÌ͈Ëfl Á‡‰‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 51 CLP240E.book Page 52 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F6. (CLP-240) / F5. (CLP-230) ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÉÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÏÂÌflÚ¸. àÒÔÓθÁÛÈÚ ˝ÚÛ ÙÛÌÍˆË˛ ‰Îfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ÏÂÚÓÌÓχ. 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ (CLP-240)/ (CLP-230). 2. ᇉ‡ÈÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [–/NO] Ë [+/YES]. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 10 èêàåÖóÄçàÖ äéåÅàçÄñàü äãÄÇàò: åÓÊÌÓ ÔÂÂÈÚË ÔflÏÓ Í ÙÛÌ͈ËflÏ ÏÂÚÓÌÓχ (CLP-240)/ (CLP-230), ̇ʇ‚ ÍÌÓÔÍÛ [TEMPO/FUNCTION#] Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ METRONOME [ON/OFF]. óÚÓ·˚ ‚˚ÈÚË ËÁ ÂÊËχ Function, ̇‰Ó Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [TEMPO/ FUNCTION#], ˜ÚÓ·˚ Á‡„ÓÂÎÒfl Ë̉Ë͇ÚÓ TEMPO. F8. (CLP-240) / F7. (CLP-230) îÛÌ͈ËË MIDI åÓÊÌÓ Á‡‰‡Ú¸ ̇ÒÚÓÈÍË MIDI-ËÌÚÂÙÂÈÒ‡. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó MIDI ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ‚ ‡Á‰ÂΠ«é MIDI-ËÌÚÂÙÂÈÒ» (ÒÚ. 57). ÇÒ ̇ÒÚÓÈÍË MIDI, ÓÔËÒ‡ÌÌ˚ ÌËÊÂ, ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ MIDI-Ò˄̇Î, ‚ıÓ‰fl˘ËÈ Ë ‚˚ıÓ‰fl˘ËÈ ˜ÂÂÁ ‡Á˙ÂÏ USB [TO HOST]. 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ (CLP-240)/ (CLP-230).. 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÂÊËÏ ÛÒÚ‡ÌÓ‚ÍË MIDI, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/ FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó ÔÓ‰ÂÊËχ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡. èÓ‰ÂÊËÏ˚ F7. (CLP-240) / F6. (CLP-230) ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ùÚ‡ ÙÛÌ͈Ëfl Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸, Ò ÍÓÚÓÓÈ Á‚Û˜ËÚ «ÓÚÍβ˜ÂÌ̇fl» Ô‡ÚËfl ÏÂÎÓ‰ËË. ç‡ÒÚÓÈÚ ۉӷÌÛ˛ ‰Îfl ‚‡Ò „ÓÏÍÓÒÚ¸ Ë ËÒÔÓθÁÛÈÚ «ÓÚÍβ˜ÂÌÌÛ˛» Ô‡Ú˲ ‚ ͇˜ÂÒÚ‚Â ÛÍÓ‚Ó‰ÒÚ‚‡ ‰Îfl Ò‚ÓÂÈ Ë„˚. 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ (CLP-240)/ (CLP-230).. 2. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [–/NO] Ë [+/YES]. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 0 – 20 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 5 èêàåÖóÄçàÖ ùÚÛ ÙÛÌÍˆË˛ ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ. F8.1: (CLP-240)/F7.1: (CLP-230) Ç˚·Ó ͇̇· Ô‰‡˜Ë ‰‡ÌÌ˚ı MIDI èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDIËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ Ô‰‡˜Ë ‰‡ÌÌ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Ë MIDİ͇Î˚ Ô‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËfl. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ Ô‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: 1 – 16, OFF (Ô‰‡˜Ë ÌÂÚ) ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: 1 èêàåÖóÄçàÖ Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‰‡ÌÌ˚ ‰Îfl ÚÂÏ·‡ 1 Ô‰‡˛ÚÒfl ÔÓ Û͇Á‡ÌÌÓÏÛ ‰Îfl ÌÂ„Ó Í‡Ì‡ÎÛ. Ç ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (CLP-240) ‰‡ÌÌ˚ ԇ‚Ó„Ó ÚÂÏ·‡ Ô‰‡˛ÚÒfl ÔÓ Û͇Á‡ÌÌÓÏÛ ‰Îfl ÌÂ„Ó Í‡Ì‡ÎÛ. Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ‰‡ÌÌ˚ ÚÂÏ·‡ 2 Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ, ÌÓÏ ÍÓÚÓÓ„Ó ·Óθ¯Â ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. Ç ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (CLP-240) ‰‡ÌÌ˚ ÎÂ‚Ó„Ó ÚÂÏ·‡ Ô‰‡˛ÚÒfl ÔÓ Í‡Ì‡ÎÛ, ÌÓÏ ÍÓÚÓÓ„Ó ·Óθ¯Â ÌÓχ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡. ÖÒÎË ‚ β·ÓÏ ÂÊËÏ Ô‰‡˛˘ËÈ Í‡Ì‡Î ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË OFF, ‰‡ÌÌ˚ Ì Ô‰‡˛ÚÒfl. èêàåÖóÄçàÖ Ñ‡ÌÌ˚ ÏÂÎÓ‰ËÈ Ì Ô‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI. é‰Ì‡ÍÓ Í‡Ì‡Î˚ 3 – 16 ÏÂÎÓ‰ËÈ DOC, Disklavier Piano Soft Ë ÌÂÁ‡˘Ë˘ÂÌÌ˚ı ‚̯ÌËı ÏÂÎÓ‰ËÈ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Ì‡ÒÚÓÈÍË ‚˚·Ó‡ ͇̇· ÏÂÎÓ‰ËË (ÒÚ. 51). 52 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 53 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F8.2: (CLP-240)/F7.2: (CLP-230) Ç˚·Ó ͇̇· ÔËÂχ ‰‡ÌÌ˚ı MIDI F8.4: (CLP-240)/F7.4: (CLP-230) àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ (Program Change) ON/OFF èË Ì‡ÒÚÓÈÍ ÛÔ‡‚ÎÂÌËfl MIDIËÌÚÂÙÂÈÒÓÏ ‰Îfl ÛÒÔ¯ÌÓÈ Ô‰‡˜Ë ‰‡ÌÌ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔË‚ÂÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚Ë MIDİ͇Î˚ Ô‰‡˛˘Â„Ó Ë ÔËÌËχ˛˘Â„Ó Ó·ÓÛ‰Ó‚‡ÌËfl. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸ ͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ÔÓÎÛ˜‡Ú¸ MIDI‰‡ÌÌ˚Â. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ALL, 1&2, 1 – 16 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ALL é·˚˜ÌÓ CLP-240/230 ‡„ËÛÂÚ Ì‡ ÌÓχ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂÈ Í·‚ˇÚÛ˚ ËÎË ÓÚ ‰Û„Ó„Ó MIDIÛÒÚÓÈÒÚ‚‡, ‚˚·Ë‡fl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ ÚÂÏ· Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ (ÚÂÏ· ̇ Í·‚ˇÚÛ Ì ËÁÏÂÌflÂÚÒfl). èË ‚˚·Ó ӉÌÓ„Ó ËÁ Ò‚ÓËı ÚÂÏ·Ó‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ CLP-240/230 Ó·˚˜ÌÓ Ô‰‡ÂÚ ÌÓÏ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ˚, ÂÒÎË ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó Ì‡ÒÚÓÂÌÓ Ì‡ ÔËÂÏ ‰‡ÌÌ˚ı, Ë Ì‡ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â ·Û‰ÂÚ ‚˚·‡Ì ÚÂÏ· ËÎË ÔÓ„‡Ïχ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÌÓÏÂÓÏ. èË ÔÓÏÓ˘Ë ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ÌÓÏÂÓ‚ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚, Ú.Â. ‚˚·‡ÌÌ˚ ̇ ÔˇÌËÌÓ CLP240/230 ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó. èêàåÖóÄçàÖ ALL: êÂÊËÏ ÔËÂχ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ («Multi-timbre»). ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‡Á΢Ì˚ ԇÚËË ÔÓ ‚ÒÂÏ 16 Í‡Ì‡Î‡Ï MIDI, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ ÌÂÒÍÓθÍËÏ Í‡Ì‡Î‡Ï. 1&2: êÂÊËÏ ÔËÂχ ÔÓ ‰‚ÛÏ Í‡Ì‡Î‡Ï («1&2»). Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχڸ ‰‡ÌÌ˚ ÚÓθÍÓ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2, ˜ÚÓ ‰‡ÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‰‡ÌÌ˚ ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ ËÎË ÒÂÍ‚ÂÌÒÓ‡ ÔÓ Í‡Ì‡Î‡Ï 1 Ë 2. èêàåÖóÄçàÖ àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚ Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ ÒÓÓ·˘ÂÌËfl Ì ‚ÎËfl˛Ú ̇ ̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 ËÎË Á‚Û˜‡ÌË ÌÓÚ, ÔÓË„˚‚‡ÂÏ˚ı ̇ Í·‚ˇÚÛÂ. èêàåÖóÄçàÖ ÖÒÎË ‚Íβ˜ÂÌ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ ËÎË ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË Ò Ù‡È·ÏË, ‰‡ÌÌ˚ ÔÓ MIDI-Í‡Ì‡Î‡Ï Ì ÔËÌËχ˛ÚÒfl (CLP-240). F8.3: (CLP-240)/F7.3: (CLP-230) îÛÌ͈Ëfl Local ON/OFF îÛÌ͈Ëfl Local ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÔ‡‚ÎflÚ¸ ‡·ÓÚÓÈ ‚ÒÚÓÂÌÌÓ„Ó ÚÓÌ-„Â̇ÚÓ‡ Ò Í·‚ˇÚÛ˚ CLP-240/230, Ú.Â. ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ÔÓË„˚‚‡Ú¸Òfl ÔflÏÓ Ì‡ Í·‚ˇÚÛÂ. ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË ÙÛÌ͈Ëfl Local ‚Íβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local Control On), Ú.Â. ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ ÍÓÌÚÓÎËÛÂÚÒfl ÎÓ͇θÌÓ, Ò Í·‚ˇÚÛ˚ ËÌÒÚÛÏÂÌÚ‡. ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ÓÚÍβ˜Â̇ (‚˚·‡Ì Ô‡‡ÏÂÚ Local control OFF), ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ Ì ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Í·‚ˇÚÛ˚ CLP-240/230, ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl MIDIËÌÙÓχˆËfl ‚Ò ‡‚ÌÓ Ô‰‡ÂÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT ÔË Ì‡Ê‡ÚËË Í·‚˯. é‰ÌÓ‚ÂÏÂÌÌÓ Ò ˝ÚËÏ ‚ÒÚÓÂÌÌ˚È ÚÓÌ„Â̇ÚÓ Â‡„ËÛÂÚ Ì‡ MIDI-ËÌÙÓχˆË˛, ÔÓÎÛ˜ÂÌÌÛ˛ ˜ÂÂÁ ‡Á˙ÂÏ MIDI IN. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ON/OFF ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON èêàåÖóÄçàÖ àÌÙÓχˆË˛ Ó ÌÓχı ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚ CLP-240/230 ÒÏ. ̇ ÒÚ. 81 ‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı». ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ON/OFF ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON F8.5: (CLP-240)/F7.5: (CLP-230) îÛÌ͈Ëfl Control Change ON/OFF é·˚˜ÌÓ CLP-240/230 ‡„ËÛÂÚ Ì‡ ‰‡ÌÌ˚ ӷ ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI, ÔÓÎÛ˜ÂÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË Í·‚ˇÚÛ˚, ‚ ÂÁÛθڇÚ ˜Â„Ó Ì‡ ÚÂÏ· ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î ‚ÎËfl˛Ú Ô‰‡Î¸ Ë ‰Û„Ë ̇ÒÚÓÈÍË «ÛÔ‡‚ÎÂÌËfl», ÔÓÎÛ˜ÂÌÌ˚Â Ò ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ (̇ ÚÂÏ· Í·‚ˇÚÛ˚ ˝ÚÓ Ì ‰ÂÈÒÚ‚ÛÂÚ). èˇÌËÌÓ CLP-240/230 Ú‡ÍÊ Ô‰‡ÂÚ ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl MIDI-ËÌÚÂÙÂÈÒÓÏ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ËÎË ‰Û„Ëı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ÔËÂÏ Ë Ô‰‡˜Û ‰‡ÌÌ˚ı Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, Ú‡Í ˜ÚÓ, ̇ÔËÏÂ, Ô‰‡Î¸ Ë ‰Û„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl CLP-240/230 Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ‚̯Ì MIDI-ÛÒÚÓÈÒÚ‚Ó. èêàåÖóÄçàÖ ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó· ËÁÏÂÌÂÌËË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ CLP-240/230, ÒÏ. ‚ ‡Á‰ÂΠ«îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı» ̇ ÒÚ. 80. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ON/OFF ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: ON CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 53 CLP240E.book Page 54 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F8.6: (CLP-240)/ F7.6: (CLP-230) 艇˜‡ ÒÓÒÚÓflÌËfl Ô‡ÌÂÎË (Panel/ Status Transmit) F8.7: (CLP-240)/F7.7: Initial Setup Send ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ô‰‡Ú¸ ‚Ò ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË CLP-240/230 (‚˚·‡ÌÌ˚È ÚÂÏ· Ë Ú.‰.) ˜ÂÂÁ ‡Á˙ÂÏ MIDI OUT. íÖêåàçéãéÉàü чÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË: чÌÌ˚Â, ÍÓÚÓ˚ ÒÓ‰ÂÊ‡Ú Ì‡·Ó ̇ÒÚÓÂÍ Ô‡ÌÂÎË ‰Îfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ÑÂÈÒÚ‚Ëfl 1. ç‡ÒÚÓÈÚ ԇÌÂθ ÛÔ‡‚ÎÂÌËfl ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲. 2. ëÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ ˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚ ÒÂÍ‚ÂÌÒÓ Ì‡ ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË. 3. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ select (CLP-240)/ (CLP-230). 4. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES] ‰Îfl Ô‰‡˜Ë ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË. èË ÛÒÔ¯ÌÓÈ Ô‰‡˜Â ‰‡ÌÌ˚ı ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ËÚÒfl . èêàåÖóÄçàÖ ëÔËÒÓÍ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı, Ô‰‡‚‡ÂÏ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË, ÒÏ. ̇ ÒÚ. 81. èêàåÖóÄçàÖ èËÂÏ Ô‰‡ÌÌ˚ı ‰‡ÌÌ˚ı: 1. óÂÂÁ ‡Á˙ÂÏ MIDI ÒÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÛÒÚÓÈÒÚ‚ÓÏ, ̇ ÍÓÚÓÓ ‡Ì ·˚ÎË Ô‰‡Ì˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı. 2. 燘ÌËÚ Ô‰‡˜Û ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı Ò ÛÒÚÓÈÒÚ‚‡. Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÎÛ˜ËÚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ì˚ ‰Îfl ̇ÒÚÓÂÍ Ô‡ÌÂÎË. (ÑÎfl ÛÒÔ¯ÌÓ„Ó ÔËÂχ ‰‡ÌÌ˚ı ÔËÌËχ˛˘Â ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‰ÓÎÊÌÓ ·˚Ú¸ ÚÓÈ Ê ÏÓ‰ÂÎË, ˜ÚÓ Ë ÔˇÌËÌÓ, Ò ÍÓÚÓÓ„Ó ‰‡ÌÌ˚ ·˚ÎË Ô‰‡Ì˚ ̇ ÒÂÍ‚ÂÌÒÓ.) èêàåÖóÄçàÖ ÅÓΠ‰ÂڇθÌÛ˛ ËÌÙÓχˆË˛ Ó Ô‰‡˜Â Ë ÔËÂÏ ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡ MIDI. 54 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl (CLP-230) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÔ‡‚ÎflÚ¸ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË Ì‡ ÍÓÏÔ¸˛ÚÂ. ÖÒÎË ‰Ó ̇˜‡Î‡ Ë„˚ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË Ô‰‡˛ÚÒfl Ë Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ÛÒÚÓÈÒÚ‚Ó ‰Îfl Á‡ÔËÒË Ë Ó·‡·ÓÚÍË MIDI-‰‡ÌÌ˚ı, ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÏÂÎÓ‰ËË Ì‡ ËÌÒÚÛÏÂÌÚ ˝ÚË Ì‡ÒÚÓÈÍË ·Û‰ÛÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌ˚ ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÛ ÙÛÌÍˆË˛ ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÓÌ-„Â̇ÚÓ‡, ˜ÚÓ·˚ ÓÌË ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡ÎË Ì‡ÒÚÓÈ͇ÏË ËÌÒÚÛÏÂÌÚ‡. ÑÂÈÒÚ‚Ëfl 1. ç‡ÒÚÓÈÚ ԇÌÂθ ÛÔ‡‚ÎÂÌËfl ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲. 2. ëÓ‰ËÌËÚ ÔˇÌËÌÓ Clavinova Ò ÒÂÍ‚ÂÌÒÓÓÏ ˜ÂÂÁ ‡Á˙ÂÏ MIDI Ë Ì‡ÒÚÓÈÚ ÒÂÍ‚ÂÌÒÓ Ì‡ ÔËÂÏ Ì‡ÒÚÓÂÍ Ô‡ÌÂÎË. 3. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ select (CLP-240)/ (CLP-230). 4. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES] ‰Îfl Ô‰‡˜Ë ‰‡ÌÌ˚ı Ó Ì‡ÒÚÓÈ͇ı Ô‡ÌÂÎË. èË ÛÒÔ¯ÌÓÈ Ô‰‡˜Â ‰‡ÌÌ˚ı ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ Ë̉Ë͇ÚÓ ÔÓfl‚ËÚÒfl . åÓÊÌÓ Ô‰‡‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ‰‡ÌÌ˚Â: • Ç˚·Ó ÚÂÏ·‡ • íËÔ Â‚Â·Â‡ˆËË • ÉÎÛ·ËÌÛ Â‚Â·Â‡ˆËË (ÍÌÓÔ͇ [REVERB]) • íËÔ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]) • ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ (ÍÌÓÔ͇ [EFFECT]) • íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ • ç‡ÒÚÓÈÍË (F1) • ëÏ¢ÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (F3.2) CLP240E.book Page 55 Wednesday, April 6, 2005 4:02 PM ç‡ÒÚÓÈÍË – ÍÌÓÔ͇ [FUNCTION] F9. (CLP-240) / F8. (CLP-230) îÛÌ͈ËË ÒÓı‡ÌÂÌËfl íÖêåàçéãéÉàü ëÓı‡ÌÂÌËÂ: çÂÍÓÚÓ˚ ̇ÒÚÓÈÍË, ̇ÔËÏÂ, ‚˚·‡ÌÌ˚È ÚÂÏ· Ë ÚËÔ Â‚Â·Â‡ˆËË, ÏÓÊÌÓ ÒÓı‡ÌËÚ¸, ˜ÚÓ·˚ Ì ÔÓÚÂflÚ¸ Ëı ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ÖÒÎË ÙÛÌ͈Ëfl ÒÓı‡ÌÂÌËfl ‚Íβ˜Â̇, ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ̇ÒÚÓÈÍË ÒÓı‡ÌflÚÒfl. ÖÒÎË ÙÛÌ͈Ëfl ÒÓı‡ÌÂÌËfl ÓÚÍβ˜Â̇, ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔÓÒΠ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲ (Ô‚Ó̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË). (ëÔËÒÓÍ Ù‡·Ë˜Ì˚ı ̇ÒÚÓÂÍ ÔÓ ÛÏÓΘ‡Ì˲ ̇ıÓ‰ËÚÒfl ̇ ÒÚ. 78.) • ê‚·‡ˆËfl (ON/OFF, ÚËÔ Ë „ÎÛ·Ë̇ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡) • ùÙÙÂÍÚ (ON/OFF, ÚËÔ Ë „ÎÛ·Ë̇ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡) • LJˇˆËfl (CLP-240) (‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡) • óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl (‚Íβ˜‡fl „ÓÏÍÓÒÚ¸ Ò Ô‡‡ÏÂÚÓÏ FIXED) • åÂÚÓÌÓÏ (‰ÓÎfl, „ÓÏÍÓÒÚ¸ < (̇ÒÚÓÈÍË CLP-240)/ (CLP-230)>) • ÉÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ‚ÒÚÓÂÌÌÓÈ ÏÂÎÓ‰ËË (̇ÒÚÓÈÍË ( <CLP-240>/ <CLP-230>) F9.2: (CLP-240)/F8.2: (CLP-230) MIDI é‰Ì‡ÍÓ Ò‡ÏË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌËfl, ÒÓ‰ÂÊËÏÓ ÛÒÚÓÈÒÚ‚‡ ‰Îfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ ÔÓθÁÓ‚‡ÚÂÎfl Ë Ì‡·Ó ÒËÏ‚ÓÎÓ‚ ÒÓı‡Ìfl˛ÚÒfl ‚Ò„‰‡. îÛÌ͈ËË MIDI (̇ÒÚÓÈÍË îÛÌÍˆË˛ ÒÓı‡ÌÂÌËfl ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ‰Îfl ͇ʉÓÈ ËÁ ÒÎÂ‰Û˛˘Ëı „ÛÔÔ ÙÛÌ͈ËÈ (ÔÓ‰ÂÊËÏÓ‚). F9.3: (CLP-240)/F8.3: ‚˚ÒÓÚ˚ Á‚Û͇ 1. èÂÂȉËÚ ‚ ÂÊËÏ Function Ë ‚˚·ÂËÚ (CLP-240)/ (CLP-230). 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [+/YES], ˜ÚÓ·˚ ÔÂÂÈÚË ‚ ÔÓ‰ÂÊËÏ ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl, Á‡ÚÂÏ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [TEMPO/FUNCTION# ▼, ▲] ‰Îfl ‚˚·Ó‡ ÙÛÌ͈ËË. ç‡ÊÏËÚ ÍÌÓÔÍÛ [–/NO] ËÎË [+/YES] ‰Îfl ‚Íβ˜ÂÌËfl ËÎË ‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl. <CLP-240>/ <CLP-230>) (ÓÊˉ‡ÂÚÒfl ‰Îfl <CLP-240>/ <CLP-230>) (CLP-230) ç‡ÒÚÓÈ͇ • í‡ÌÒÔÓÌËÓ‚‡ÌË • ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ (̇ÒÚÓÈÍË ) • Ç˚·Ó ÒÚÓfl (‚Íβ˜‡fl ÚÓÌËÍÛ) ( ÛÒÚ‡ÌÓ‚ÍË) F9.4: (CLP-240)/F8.4: (CLP-230) ÑÛ„Ë • ÑÛ„Ë ÙÛÌ͈ËË (̇ÒÚÓÈÍË <CLP-240>/ <CLP-230>) • ç‡ÒÚÓÈ͇ flÍÓÒÚË (BRILLIANCE) • ç‡ÒÚÓÈ͇ DDE (CLP-240) (ON/OFF, „ÎÛ·Ë̇) ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ̇ÒÚÓÂÍ ÔÓËÁ‚Ó‰ËÚÂÎfl èÓ‰ÂÊËÏ˚ F9.1: (CLP-240)/F8.1: (CLP-230) íÂÏ· F9.2: (CLP-240)/F8.2: (CLP-230) MIDI F9.3: (CLP-240)/F8.3: (CLP-230) ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ F9.4: (CLP-240)/F8.4: (CLP-230) ÑÛ„Ë ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: ON/OFF ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: íÂÏ·: OFF MIDI – ÑÛ„ËÂ: ON éÔËÒ‡ÌË ÔÓ‰ÂÊËÏÓ‚ F9.1: (CLP-240)/F8.1: (CLP-230) íÂÏ· • íÂÏ· (Í·‚ˇÚÛ‡, ÂÊËÏ Ì‡ÎÓÊÂÌËfl, ÂÊËÏ ‡Á‰ÂÎÂÌËfl<CLP-240>) • êÂÊËÏ Ì‡ÎÓÊÂÌËfl (ON/OFF, ÚÂÏ· Ë ÙÛÌ͈ËË Ì‡ÎÓÊÂÌËfl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚) • êÂÊËÏ ‡Á‰ÂÎÂÌËfl (CLP-240) (ON/OFF, ÚÂÏ· Ë ÙÛÌ͈ËË ‡Á‰ÂÎÂÌËfl ‰Îfl ͇ʉÓÈ ÍÓÏ·Ë̇ˆËË ÚÂÏ·Ó‚) ÇÒ ̇ÒÚÓÈÍË ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚, ÂÊËχ ‡Á‰ÂÎÂÌËfl, ‚·‡ˆËË, ˝ÙÙÂÍÚÓ‚, ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl, ̇ÒÚÓÈÍË ‚˚ÒÓÚ˚ Á‚Û͇ Ë Ì‡ÒÚÓÈÍË, ËÁÏÂÌÂÌÌ˚ ÙÛÌ͈ËflÏË ÒÓı‡ÌÂÌËfl, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‚ Á̇˜ÂÌËË ÔÓ ÛÏÓΘ‡Ì˲ (Á̇˜ÂÌËË, Á‡‰‡ÌÌÓÏ ÔÓËÁ‚Ó‰ËÚÂÎÂÏ), Û‰ÂÊË‚‡fl Í·‚Ë¯Û ÑÓ ÔflÚÓÈ ÓÍÚ‡‚˚ (҇χfl Ô‡‚‡fl Í·‚˯‡ ̇ Í·‚ˇÚÛÂ) Ë ÔÓ‚ÂÌÛ‚ ÔÂÂÍβ˜‡ÚÂθ [POWER] ‚ ÔÓÎÓÊÂÌË ON. ùÚ‡ ÓÔ‡ˆËfl Ú‡ÍÊ ÒÚˇÂÚ ‚Ò Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl Ë ÛÒڇ̇‚ÎË‚‡ÂÚ ‚Ò ̇ÒÚÓÈÍË ÒÓı‡ÌÂÌËfl (F9 <CLP-240>/F8 <CLP230>) ‚ Òڇ̉‡ÚÌ˚Â. (ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ÔÓËÁ‚Ó‰ËÚÂÎfl ÒÏ. ̇ ÒÚ. 78.) F9.5 (CLP-240)/ F8.5 (CLP-230) ç‡·Ó ÒËÏ‚ÓÎÓ‚ ÖÒÎË ÏÂÎӉ˲ ÌÂθÁfl Ë Á‡„ÛÁËÚ¸, ‚‡Ï, ‚ÓÁÏÓÊÌÓ, ÔˉÂÚÒfl ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ Ì‡·Ó‡ ÒËÏ‚ÓÎÓ‚. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ: En (ÄÌ„ÎËÈÒÍËÈ)/JA (üÔÓÌÒÍËÈ) ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇: En CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 55 CLP240E.book Page 56 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË èÓ‰Íβ˜ÂÌË ê‡Á˙ÂÏ˚ ÇçàåÄçàÖ! è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ‚ÒÂı ÒÓ‰ËÌflÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒΉÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌË ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ, ‡ ‚˚ ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. 1 2 CLP-240 (LEVEL FIXED) R L/L+R R L AUX IN AUX OUT SELECT USB TO DEVICE USB 3 (Ò΂‡ ̇ Ô‡ÌÂÎË) TO DEVICE 3 L 5 4 THRU OUT AUX IN 1 2 CLP-230 TO HOST IN USB L/L+R R AUX OUT THRU MIDI MIDI (LEVEL FIXED) R OUT IN TO HOST 5 4 1 ê‡Á˙ÂÏ˚ AUX OUT [L] [R] (LEVEL FIXED) ùÚË ‡Á˙ÂÏ˚ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ Í ÒÚÂÂÓÒËÒÚÂÏ ‰Îfl ÛÒËÎÂÌËfl Á‚Û͇ Clavinova ËÎË Í Í‡ÒÒÂÚÌÓÏÛ Ï‡„ÌËÚÓÙÓÌÛ ‰Îfl Á‡ÔËÒË ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‡Û‰ËÓ͇·ÂÎË. èêàåÖóÄçàÖ êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‡Û‰ËÓ͇·ÂÎË Ë ¯ÚÂÍÂ˚ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ, ·ÎËÁÍËÏ Í ÌÛβ. ÇçàåÄçàÖ! ÖÒÎË ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ Í ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ ˜ÂÂÁ ‚˚ıÓ‰˚ AUX OUT, ÒΉÛÂÚ Ò̇˜‡Î‡ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌË Clavinova Ë ÚÓθÍÓ ÔÓÒΠ˝ÚÓ„Ó – ÔËÚ‡ÌË ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. èêàåÖóÄçàÖ èÓÎÓÊÂÌË ÔÓÎÁÛÌ͇ [MASTER VOLUME] ÔˇÌËÌÓ Clavinova Ì ‚ÎËflÂÚ Ì‡ ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ò ‡Á˙ÂÏÓ‚ AUX OUT (LEVEL FIXED). èêàåÖóÄçàÖ ÖÒÎË Á‚ÛÍ ËÁ ‡Á˙ÂÏÓ‚ AUX OUT ̇ԇ‚ÎflÂÚÒfl ‚ ‡Á˙ÂÏ˚ AUX IN, ‚ıÓ‰fl˘ËÈ Ò˄̇Π·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‰Ë̇ÏËÍÓÏ CLP. ÉÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏÓÊÂÚ ·˚Ú¸ ˜ÂÁÏÂÌÓ ‚˚ÒÓÍÓÈ. ÖÒÎË ÒÓ‰ËÌËÚ¸ ËÌÒÚÛÏÂÌÚ Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ ¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»), ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‡ÂÚÒfl Ò˄̇ΠÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl ÔÓÎÁÛÌ͇ [MASTER VOLUME]. 56 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 57 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË 2 ê‡Á˙ÂÏ˚ AUX IN [R], [L/L+R] ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌflÚ¸ ÒÚÂÂÓ‚˚‚Ó‰˚ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ˜ÂÂÁ ‰Ë̇ÏËÍË Clavinova. é·‡ÚËÚÂÒ¸ Í ÒıÂÏÂ Ë ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‡Û‰ËÓ͇·ÂÎË. ÇçàåÄçàÖ! èêàåÖóÄçàÖ èÓÎÓÊÂÌË ÔÓÎÁÛÌ͇ [MASTER VOLUME] ÔˇÌËÌÓ Clavinova ‚ÎËflÂÚ Ì‡ ‚ıÓ‰ÌÓÈ Ò˄̇Π‡Á˙ÂÏÓ‚ AUX IN, ‚ ÚÓ ‚ÂÏfl Í‡Í Ì‡ÒÚÓÈÍË [BRILLIANCE], [REVERB] Ë [EFFECT] Ì ‚ÎËfl˛Ú. ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˝ÚÓ„Ó ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌË Clavinova. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. èêàåÖóÄçàÖ Clavinova R L/L+R AUX IN AUX IN ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ, ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÚÓθÍÓ ‡Á˙ÂÏ AUX IN [L/L+R]. AUX OUT 3 ê‡Á˙ÂÏ USB [TO DEVICE] (CLP-240) ùÚÓÚ ‡Á˙ÂÏ Ô‰̇Á̇˜ÂÌ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÏ. «èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı» ̇ ÒÚ. 58. 4 ê‡Á˙ÂÏ USB [TO HOST] ùÚÓÚ ‡Á˙ÂÏ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰Íβ˜ËÚ¸Òfl Í èä ̇ÔflÏÛ˛. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡» ̇ ÒÚ. 60. 5 ê‡Á˙ÂÏ˚ MIDI [IN] [OUT] [THRU] ÑÎfl ÔÓ‰Íβ˜ÂÌËfl ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ˜ÂÂÁ ˝ÚË ‡Á˙ÂÏ˚ ËÒÔÓθÁÛÈÚ MIDI-͇·ÂÎË. MIDI [IN]: ÑÎfl ÔËÂχ MIDI-‰‡ÌÌ˚ı. MIDI [OUT]: ÑÎfl Ô‰‡˜Ë MIDI-‰‡ÌÌ˚ı. MIDI [THRU]: ÑÎfl Ô‰‡˜Ë ‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ ‡Á˙ÂÏ MIDI [IN], ·ÂÁ ËÁÏÂÌÂÌËfl. é MIDI-ËÌÚÂÙÂÈÒ MIDI (ˆËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚) – ˝ÚÓ Òڇ̉‡ÚÌ˚È ÙÓÏ‡Ú Ô‰‡˜Ë Ë ÔËÂχ ‰‡ÌÌ˚ı. éÌ ÔÓÁ‚ÓÎflÂÚ ÔÂÂÏ¢‡Ú¸ ‡·Ó˜Ë ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÂÊ‰Û MIDI-ÛÒÚÓÈÒÚ‚‡ÏË Ë ÔÂÒÓ̇θÌ˚ÏË ÍÓÏÔ¸˛Ú‡ÏË. èË ÔÓÏÓ˘Ë MIDI-ËÌÚÂÙÂÈÒ‡ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ MIDIÛÒÚÓÈÒÚ‚ÓÏ, ÔÓ‰Íβ˜ÂÌÌ˚Ï Í ÔˇÌËÌÓ Clavinova, ËÎË ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ Clavinova Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡ ËÎË ÍÓÏÔ¸˛Ú‡. èêàåÖóÄçàÖ àÌÒÚÛÏÂÌÚ Ó·ÓÛ‰Ó‚‡Ì ‡Á˙ÂχÏË USB ‰‚Ûı ÚËÔÓ‚: USB [TO DEVICE] Ë USB [TO HOST]. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚, Ì ÔÂÂÔÛÚ‡ÈÚ ˝ÚË ÔÓÚ˚ Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Á˙ÂÏ˚ ͇·ÂÎfl. èÓ‰Íβ˜‡ÈÚÂ Í ‡Á˙ÂÏ‡Ï ÚÓθÍÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ¯ÚÂÍÂ˚. èêàåÖóÄçàÖ ê‡·Ó˜Ë MIDI-‰‡ÌÌ˚Â Ë ÍÓχ̉˚ Ô‰‡˛ÚÒfl ‚ ‚ˉ ˆËÙÓ‚˚ı Á̇˜ÂÌËÈ. èêàåÖóÄçàÖ í‡Í Í‡Í MIDI-‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ë ÔÓÎÛ˜‡Ú¸, Á‡‚ËÒflÚ ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡, Ôӂ¸Ú ÔÓ Ú‡·Îˈ ı‡‡ÍÚÂËÒÚËÍ MIDIËÌÚÂÙÂÈÒ‡, ͇ÍË ‰‡ÌÌ˚Â Ë ÍÓχ̉˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸ Ë ÔËÌËχڸ ‚‡¯Â ÛÒÚÓÈÒÚ‚Ó. 퇷ÎËˆÛ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ ‰Îfl Clavinova ÒÏ. ̇ ÒÚ. 84. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 57 CLP240E.book Page 58 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó Í‡·ÂÎfl USB, ‚˚ ÏÓÊÂÚ ÒÓı‡ÌflÚ¸ ̇ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ ‰‡ÌÌ˚Â Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡. ëÓ‚ÏÂÒÚËÏ˚ USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ú‡ÍËÂ, Í‡Í ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÊÂÒÚÍËÈ ‰ËÒÍ, ‰ËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÛÒÚÓÈÒÚ‚Ó ˜ÚÂÌËfl/Á‡ÔËÒË Ùν¯-Í‡Ú Ë ‰. ‰ÓÎÊÌ˚ ÔÓ‰Íβ˜‡Ú¸Òfl Í ‚˚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ USB [TO DEVICE]. ÑÛ„Ë ÛÒÚÓÈÒÚ‚‡ Ò ËÌÚÂÙÂÈÒÓÏ USB (Ú‡ÍËÂ, Í‡Í ÍÓÏÔ¸˛ÚÂÌ˚ Í·‚ˇÚÛ˚ ËÎË Ï˚¯Ë) ËÒÔÓθÁÓ‚‡Ú¸ ÌÂθÁfl. àÌÒÚÛÏÂÌÚ Ì ӷflÁ‡ÚÂθÌÓ ÔÓ‰‰ÂÊË‚‡ÂÚ ‚Ò ÒÛ˘ÂÒÚ‚Û˛˘Ë ̇ ˚ÌÍ USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. äÓÔÓ‡ˆËfl Yamaha Ì „‡‡ÌÚËÛÂÚ ‡·ÓÚÛ ÔËÓ·ÂÚÂÌÌÓ„Ó ‚‡ÏË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. èÂʉ ˜ÂÏ ÔËÓ·ÂÒÚË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÔÓÍÓÌÒÛθÚËÛÈÚÂÒ¸ Ò Â„ËÓ̇θÌ˚Ï Ô‰ÒÚ‡‚ËÚÂÎÂÏ Yamaha ËÎË ‡‚ÚÓËÁÓ‚‡ÌÌ˚Ï ‡ÒÔÓÒÚ‡ÌËÚÂÎÂÏ (ÒÔËÒÓÍ ÒÏ. ‚ ÍÓ̈ ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓθÁÓ‚‡ÚÂÎfl) ËÎË ÔÓÒÂÚËÚ ÒÎÂ‰Û˛˘Û˛ ‚·-ÒÚ‡ÌËˆÛ http://music.yamaha.com/CLP-240/ http://music.yamaha.com/CLP-230/ ÇçàåÄçàÖ! ç ÒΉÛÂÚ ÒÎ˯ÍÓÏ ˜‡ÒÚÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ÔÓ‰Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ͇·Âθ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ËÌÒÚÛÏÂÌÚ‡. ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ÍÓÔËÓ‚‡ÌË ËÎË Û‰‡ÎÂÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. èÓ‰Íβ˜ÂÌË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ç ËÌÒÚÛÏÂÌÚ ËÏÂÂÚÒfl ‰‚‡ ‚˚ıÓ‰Ì˚ı ‡Á˙Âχ USB [TO DEVICE]: Ó‰ËÌ ‡ÒÔÓÎÓÊÂÌ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ‚ÚÓÓÈ – ‚ÌËÁÛ. ê‡Á˙ÂÏ USB [TO DEVICE] A Ç˚·ÂËÚ ÌÛÊÌ˚È ‡Á˙ÂÏ ê‡Á˙ÂÏ USB [TO DEVICE] Ç íÂÏ Ì ÏÂÌÂÂ, Ó·‡ ‡Á˙Âχ ÓÚÌÓÒflÚÒfl Í Ó‰ÌÓÏÛ ÔÓÚÛ, Ëı ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ç˚·ÂËÚ ÌÛÊÌ˚È ‡Á˙ÂÏ Ò ÔÓÏÓ˘¸˛ ÔÂÂÍβ˜‡ÚÂÎfl [SELECT]. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ ‡Á˙ÂÏ. ÇÓ ‚ÂÏfl ÛÒÚ‡ÌÓ‚ÍË ÛÒÚÓÈÒÚ‚‡ ÏË„‡ÂÚ Ë̉Ë͇ÚÓ FILE «LOAD». èÓ Á‡‚¯ÂÌËË ÛÒÚ‡ÌÓ‚ÍË Ë̉Ë͇ÚÓ „‡ÒÌÂÚ. ÇçàåÄçàÖ! äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‚˚ÔÓÎÌflÂÚ ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË (̇ÔËÏÂ, ÒÓı‡ÌÂÌËÂ, ˝ÍÒÔÓÚ, Á‡„ÛÁÍÛ Ë ÙÓχÚËÓ‚‡ÌËÂ), çÖ ËÒÔÓθÁÛÈÚ ÔÂÂÍβ˜‡ÚÂθ [SELECT]. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÌÓÒËÚÂθ ËÎË ‰‡ÌÌ˚Â. îÓχÚËÓ‚‡ÌË USB-ÌÓÒËÚÂÎfl èË ‡·ÓÚÂ Ò Ù‡È·ÏË Ò ÔÓ‰Íβ˜ÂÌÌ˚Ï USB-ÛÒÚÓÈÒÚ‚ÓÏ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÓÓ·˘ÂÌË «For», Û͇Á˚‚‡˛˘ÂÂ, ˜ÚÓ ÛÒÚÓÈÒÚ‚Ó ËÎË ÌÓÒËÚÂθ Ì ÓÚÙÓχÚËÓ‚‡Ì˚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÓÚÙÓχÚËÛÈÚ ÌÓÒËÚÂθ (ÒÚ. 39). ÇçàåÄçàÖ! èË ÙÓχÚËÓ‚‡ÌËË ‚Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ۉ‡Îfl˛ÚÒfl. ÑÂÈÒÚ‚ÛÈÚ ÓÒÚÓÓÊÌÓ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl èêàåÖóÄçàÖ àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ô·Ú˚ ID SmartMedia. èêàåÖóÄçàÖ äÓ΢ÂÒÚ‚Ó USB-ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ä ‡Á˙ÂÏÛ USB [TO DEVICE] ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ÚÓθÍÓ Ó‰ÌÓ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ‡ÒÔÓÁ̇ڸ ÚÓθÍÓ Ó‰ËÌ Îӄ˘ÂÒÍËÈ ‰ËÒÍ Ì‡ USBÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÖÒÎË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÏÂÂÚÒfl ·ÓΠӉÌÓ„Ó ‡Á‰Â·, ÚÓθÍÓ Ó‰ËÌ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·‡Ì Ë ‡ÒÔÓÁ̇Ì. èêàåÖóÄçàÖ ÖÒÎË USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌ˚ Í ‰‚ÛÏ ÔÓÚ‡Ï USB [TO DEVICE], ÛÒÚÓÈÒÚ‚‡ ÏÓ„ÛÚ ‡·ÓÚ‡Ú¸ Ì‚ÂÌÓ. èêàåÖóÄçàÖ SELECT USB TO DEVICE 58 èêàåÖóÄçàÖ ÑËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ïÓÚfl Ò ÔÓÏÓ˘¸˛ ÔË¯Û˘Ëı ‰ËÒÍÓ‚Ó‰Ó‚ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ÏÓÊÌÓ Ò˜ËÚ˚‚‡Ú¸ ‰‡ÌÌ˚ ‚ ËÌÒÚÛÏÂÌÚ, Ëı ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓı‡ÌÂÌËfl. çÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ÔÓ‰‰ÂÊË‚‡ÂÚ Òڇ̉‡Ú USB 1.1, ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ÌÂÏÛ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı 2.0. é‰Ì‡ÍÓ ÒÍÓÓÒÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı ·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Òڇ̉‡ÚÛ USB 1.1. CLP240E.book Page 59 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË): óÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓ ÒÚˇÌË ‰‡ÌÌ˚ı, ÔËÏÂÌflÈÚ Á‡˘ËÚÛ ÓÚ Á‡ÔËÒË, ÍÓÚÓÓÈ ÓÒ̇˘ÂÌÓ Í‡Ê‰Ó ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ËÎË ÌÓÒËÚÂθ. ÖÒÎË ‚˚ ÒÓı‡ÌflÂÚ ‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó, ۷‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË ÓÚÍβ˜Â̇. èÓÒÏÓÚ ‰‡ÌÌ˚ı Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı óÚÓ·˚ ÔÓÒÏÓÚÂÚ¸ ‰‡ÌÌ˚Â Ò USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÔΠCLP, ̇ÊÏËÚ ÌÂÒÍÓθÍÓ ‡Á ÍÌÓÔÍÛ [SONG SELECT], ÔÓ͇ Ì Á‡„ÓËÚÒfl Ë̉Ë͇ÚÓ «USER» (ÒÚ. 42-43). êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛Ú ■ êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡ ̇ ÍÓÏÔ¸˛Ú èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÒÓı‡ÌËÎË ‰‡ÌÌ˚ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˝ÚË ‰‡ÌÌ˚ ̇ ÊÂÒÚÍËÈ ‰ËÒÍ ÍÓÏÔ¸˛Ú‡, ‡ Á‡ÚÂÏ ‡ıË‚ËÓ‚‡Ú¸ Ë ÛÔÓfl‰Ó˜Ë‚‡Ú¸ ‰‡ÌÌ˚ ÔÓ Ê·Ì˲. èÓÒÚÓ ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÍÓÏÔ¸˛ÚÂÛ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ. ëÓı‡ÌÂÌË ‚̯ÌËı ‰‡ÌÌ˚ı ̇ USB-ÛÒÚÓÈÒÚ‚Â àÌÒÚÛÏÂÌÚ ê‡Á˙ÂÏ USB [TO DEVICE] USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í ÍÓÏÔ¸˛ÚÂÛ. ëÓı‡ÌÂÌË ÂÁ‚ÌÓÈ ÍÓÔËË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ Ë ÛÔÓfl‰Ó˜ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ äÓÏÔ¸˛Ú USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ■ äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı î‡ÈÎ˚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ÏÓÊÌÓ ÔÂÂÌÂÒÚË Ì‡ ËÌÒÚÛÏÂÌÚ, Ò̇˜‡Î‡ ÒÍÓÔËÓ‚‡‚ Ëı ̇ Ò˙ÂÏÌ˚È ÌÓÒËÚÂθ, ‡ Á‡ÚÂÏ ÔÓ‰Íβ˜Ë‚ ˝ÚÓÚ ÌÓÒËÚÂθ Í ËÌÒÚÛÏÂÌÚÛ. ë ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ Ì ÚÓθÍÓ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ÌÓ Ë Òڇ̉‡ÚÌ˚ MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı. ëÍÓÔËÓ‚‡‚ ‰‡ÌÌ˚Â, ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÔÓÚÛ [USB TO DEVICE] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ËÚ ‰‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚÂ. äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı äÓÏÔ¸˛Ú USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÓÚ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í ËÌÒÚÛÏÂÌÚÛ. ë˜ËÚ˚‚‡ÌË ËÌÒÚÛÏÂÌÚÓÏ Ù‡ÈÎÓ‚, ı‡Ìfl˘ËıÒfl ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ê‡Á˙ÂÏ USB [TO DEVICE] àÌÒÚÛÏÂÌÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 59 CLP240E.book Page 60 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡ èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ÔÓÚ˚ USB [TO HOST] ËÎË MIDI, ‚˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ ˜ÂÂÁ ËÌÚÂÙÂÈÒ MIDI. ÑÎfl ˝ÚÓ„Ó ÛÒÚ‡ÌÓ‚ËÚ ‰‡È‚ USB MIDI Ë ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË Musicsoft Downloader Ò ÔË·„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒ͇. èÓ‰Íβ˜ËÚ¸ ÔˇÌËÌÓ Clavinova Í èä ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË: 1. èÓ‰Íβ˜ËÚ¸ ÔÓÚ USB ̇ èä Í ‡Á˙ÂÏÛ USB [TO HOST] ËÌÒÚÛÏÂÌÚ‡ Clavinova (ÒÏ. ÌËÊÂ). 2. àÒÔÓθÁÓ‚‡Ú¸ MIDI-ËÌÚÂÙÂÈÒ Ë MIDI-‡Á˙ÂÏ˚ Clavinova (ÒÚ. 61). ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛Ú ӷÓÛ‰Ó‚‡Ì USB-ËÌÚÂÙÂÈÒÓÏ, Ï˚ ÂÍÓÏẨÛÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ USB, ‡ Ì MIDI. ÖÒÎË ÍÓÏÔ¸˛Ú ÔÓ‰Íβ˜ÂÌ ˜ÂÂÁ ËÌÚÂÙÂÈÒ USB, Ò˄̇Î˚ MIDI Ë„ÌÓËÛ˛ÚÒfl. íÖêåàçéãéÉàü чȂ чȂ – ˝ÚÓ ÔÓ„‡Ïχ, ÍÓÚÓ‡fl Ó·ÂÒÔ˜˂‡ÂÚ ËÌÚÂÙÂÈÒ Ô‰‡˜Ë ‰‡ÌÌ˚ı ÏÂÊ‰Û ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏÓÈ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰ÒÓ‰ËÌÂÌÌ˚Ï Ó·ÓÛ‰Ó‚‡ÌËÂÏ. óÚÓ·˚ ÒÓ‰ËÌËÚ¸ ÍÓÏÔ¸˛ÚÂ Ë ËÌÒÚÛÏÂÌÚ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰‡È‚ USB MIDI. ᇠ·ÓΠÔÓ‰Ó·Ì˚Ï ÓÔËÒ‡ÌËÂÏ Ó·‡ÚËÚÂÒ¸ Í ÒÎÂ‰Û˛˘ËÏ ÒÚ‡Ìˈ‡Ï. ÇçàåÄçàÖ! èË ÔÓ‰Íβ˜ÂÌËË ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ‚̇˜‡Î ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Í‡Í ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, Ú‡Í Ë ÍÓÏÔ¸˛Ú‡. Ç˚ÔÓÎÌË‚ ÔÓ‰Íβ˜ÂÌËÂ, ‚Íβ˜ËÚ Ò̇˜‡Î‡ ÍÓÏÔ¸˛ÚÂ, ‡ Á‡ÚÂÏ ÔˇÌËÌÓ Clavinova. ÇçàåÄçàÖ! ÖÒÎË ÔÓ‰Íβ˜ÂÌË ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ Ì ËÒÔÓθÁÛÂÚÒfl, ÌÂÓ·ıÓ‰ËÏÓ ËÁ‚Θ¸ ͇·Âθ ËÁ ‡Á˙Âχ USB [TO HOST]. ÖÒÎË Ì ÓÚÒÓ‰ËÌËÚ¸ ͇·Âθ, Clavinova ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÌÂÔ‡‚ËθÌÓ. èÓ‰Íβ˜ÂÌË ÔÓÚ‡ USB ̇ èä Í ‡Á˙ÂÏÛ USB ËÌÒÚÛÏÂÌÚ‡ Clavinova ÑÎfl ÒÓ‰ËÌÂÌËfl ÔÓÚ‡ USB ̇ èä Ò ‡Á˙ÂÏÓÏ USB [TO HOST] ̇ ËÌÒÚÛÏÂÌÚ Clavinova ËÒÔÓθÁÛÈÚ ͇·Âθ USB. èêàåÖóÄçàÖ • àÌÒÚÛÏÂÌÚ Ì‡˜ÌÂÚ Ô‰‡˜Û ˜ÂÂÁ ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓÒΠÛÒÚ‡ÌÓ‚ÍË USB-ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB, ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸ ÔflÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó ÍÓ̈ÂÌÚ‡ÚÓ‡ USB). • ÑÎfl ÔÓÎÛ˜ÂÌËfl ҂‰ÂÌËÈ Ó Ì‡ÒÚÓÈÍ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ó·‡˘‡ÈÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓθÁÓ‚‡ÚÂÎfl ˝ÚÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl. ÇçàåÄçàÖ! åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓÚ‡ USB [TO HOST] èÓ‰Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ÒΉÛÈÚ Ô˜ËÒÎÂÌÌ˚Ï ÌËÊ ԇ‚Ë·Ï. àı ÌÂÒӷβ‰ÂÌË ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‚ÂʉÂÌ˲ ËÎË ÔÓÚ ‰‡ÌÌ˚ı. ÖÒÎË ÍÓÏÔ¸˛Ú ËÎË ËÌÒÚÛÏÂÌÚ Á‡‚ËÒ, ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ë ÔÂÂÁ‡„ÛÁËÚ ÍÓÏÔ¸˛ÚÂ. • èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ USB [TO HOST], ‚˚ȉËÚ ËÁ ˝Ì„Óҷ„‡˛˘Ëı ÂÊËÏÓ‚ ÍÓÏÔ¸˛Ú‡ (ÂÊËχ ÓÊˉ‡ÌËfl, Ò̇, „ÓÚÓ‚ÌÓÒÚË), Á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl, ‡ Ú‡ÍÊ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡. • Ç˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl, ÔÂʉ ˜ÂÏ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ÔÓ‰ÒÓ‰ËÌËÚ¸ USB͇·Âθ Í ÍÓÏÔ¸˛ÚÂÛ ËÎË ËÌÒÚÛÏÂÌÚÛ ËÎË ÓÚÒÓ‰ËÌËÚ¸ ÓÚ Ì„Ó. - á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl ̇ ÍÓÏÔ¸˛ÚÂÂ. - ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì ˉÂÚ Ô‰‡˜‡ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡. (чÌÌ˚ Ô‰‡˛ÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇ Í·‚ˇÚÛ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÂÎÓ‰ËË.) • ÇÓ ‚ÂÏfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ Í ËÌÒÚÛÏÂÌÚÛ ‰Â·ÈÚ ԇÛÁ˚ Ì ÏÂÌ 6 ÒÂÍÛ̉ ÏÂÊ‰Û ÒÎÂ‰Û˛˘ËÏË ÓÔ‡ˆËflÏË: ÏÂÊ‰Û ‚˚Íβ˜ÂÌËÂÏ Ë ‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ÏÂÊ‰Û ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ Ë ÓÚÒÓ‰ËÌÂÌËÂÏ USB-͇·ÂÎfl. 60 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 61 Wednesday, April 6, 2005 4:02 PM èÓ‰Íβ˜ÂÌË àÒÔÓθÁÓ‚‡ÌË MIDI-ËÌÚÂÙÂÈÒ‡ Ë MIDI-‡Á˙ÂÏÓ‚ Clavinova ÑÎfl ÔÓ‰Íβ˜ÂÌËfl èä Í ËÌÒÚÛÏÂÌÚÛ Clavinova Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌ˚ı MIDI-͇·ÂÎÂÈ ËÒÔÓθÁÛÈÚ MIDI-ËÌÚÂÙÂÈÒÌÓ ÛÒÚÓÈÒÚ‚Ó. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 61 CLP240E.book Page 62 Wednesday, April 6, 2005 4:02 PM êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı Ç ˆÂÎflı Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı Yamaha ÂÍÓÏẨÛÂÚ ÒÓı‡ÌflÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ò ÔÓÏÓ˘¸˛ ÔË·„‡ÂÏÓ„Ó ÔËÎÓÊÂÌËfl Musicsoft Downloader (MSD). ùÚÓ Ó·ÂÒÔ˜ËÚ ÒÓı‡ÌÌÓÒÚ¸ ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡Â ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË. чÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ 1. ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ç‡ÒÚÓÈÍË Ô‡ÌÂÎË – ˝ÚÓ Ú Ê ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ‰ÓÒÚÛÔÌ˚ ‰Îfl ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl (ÒÚ. 55). ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ó‰ÌÓÏ Ù‡ÈÎÂ. èêàåÖóÄçàÖ î‡ÈÎ, Ô˂‰ÂÌÌ˚È ‚ #1 Ò΂‡, ÌÂθÁfl ÒÓı‡ÌËÚ¸ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240). 2. Ç̯ÌË ÏÂÎÓ‰ËË, ÔÓÎÛ˜ÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡. ÑÂÈÒÚ‚Ëfl 1. ìÒÚ‡ÌÓ‚ËÚ ‰‡È‚ USB MIDI Ë ÔËÎÓÊÂÌË MSD Ò ÔË·„‡ÂÏÓ„Ó ÍÓÏÔ‡ÍÚ-‰ËÒ͇ Accessory CD-ROM ̇ ÍÓÏÔ¸˛Ú (ÔÓ‰ ÛÔ‡‚ÎÂÌËÂÏ Windows) Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í ËÌÒÚÛÏÂÌÚÛ. àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ÒÏ. ‚ êÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ. àÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ ÒÏ. ÒÚ. 56. 2. èÂÂÏÂÒÚËÚ ‰‡ÌÌ˚ ̇ ÍÓÏÔ¸˛ÚÂ. ë ÔÓÏÓ˘¸˛ ÔËÎÓÊÂÌËfl MSD ÒÓı‡ÌËÚ هÈÎ «CLP-xxx.BUP» ËÁ ͇ڇÎÓ„‡ «System Drive» ‚ Ô‡ÔÍ «Electronic Musical Instruments» ̇ ÍÓÏÔ¸˛ÚÂ. î‡ÈÎ «CLP-xxx.BUP» ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl. äÓÏ ÚÓ„Ó, ÂÒÎË ‚˚ ı‡ÌËÚ ̇ ËÌÒÚÛÏÂÌÚ ‚̯ÌË ÏÂÎÓ‰ËË Ò ÍÓÏÔ¸˛Ú‡, ÔÂÂÏÂÒÚËÚÂ Ò ÔÓÏÓ˘¸˛ ÔËÎÓÊÂÌËfl MSD ÏÂÎÓ‰ËË ËÁ ͇ڇÎÓ„‡ «Flash Memory» ‚ Ô‡ÔÍ «Electronic Musical Instruments» ̇ ÍÓÏÔ¸˛ÚÂ. àÌÒÚÛ͈ËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ÔËÎÓÊÂÌËfl MSD ÒÏ. ‚ ÏÂÌ˛ ëÔ‡‚͇ MSD. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ̇ÒÚÓÈÍË Ë Á‡„ÛÁËÚ¸ ÏÂÎÓ‰ËË ‚ ËÌÒÚÛÏÂÌÚ, ÔÂÂÏÂÒÚËÚ هÈÎ «CLP-xxx.BUP» Ë ‚̯ÌË ÏÂÎÓ‰ËË ‚ Ô‡ÔÍË, ‚ ÍÓÚÓ˚ı ‚˚ ı‡ÌËÚ هÈÎ˚. èêàåÖóÄçàÖ äÓ„‰‡ ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒ͇ÂÚÒfl ÔËÎÓÊÂÌË MSD, ̇ ‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl «con» (ÔÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ). äÓ„‰‡ ÔÓfl‚ÎflÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂθÁfl. èêàåÖóÄçàÖ èËÎÓÊÂÌË Musicsoft Downloader ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‡·ÓÚ‡ÂÚ ‚ ÒÎÂ‰Û˛˘Ëı ÂÊËχı: • ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË; • ‚ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÂÎÓ‰ËË; • ‚ ÂÊËÏ Á‡ÔËÒË; • ‚ ÂÊËÏ ÓÔ‡ˆËË Ò Ù‡È·ÏË („ÓËÚ Ó‰ËÌ ËÁ Ë̉Ë͇ÚÓÓ‚ ÍÌÓÔÍË [FILE]). èêàåÖóÄçàÖ ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Ë ÏÂÎÓ‰ËË ÔÓθÁÓ‚‡ÚÂÎfl (Ù‡ÈÎ CLP-xxx.BUP) ÔÓÒΠÒÓı‡ÌÂÌËfl ̇ ÍÓÏÔ¸˛Ú ÓÒÚ‡˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ. 62 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 63 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ëÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ ëÓÓ·˘ÂÌË äÓÏÏÂÌÚ‡ËÈ CLr Ç˚‚Ó‰ËÚÒfl ÔÓÒΠ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ. con Ç˚‚Ó‰ËÚÒfl, ÍÓ„‰‡ ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ, Á‡ÔÛÒ͇ÂÚÒfl ÔËÎÓÊÂÌË Musicsoft Downloader. äÓ„‰‡ ÔÓfl‚ÎflÂÚÒfl ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, Ò ËÌÒÚÛÏÂÌÚÓÏ ‡·ÓÚ‡Ú¸ ÌÂθÁfl. E01 ì͇Á˚‚‡ÂÚ Ì‡ ӯ˷ÍÛ ‰ÓÒÚÛÔ‡ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÛÒÚÓÈÒÚ‚‡ ËÎË ÌÓÒËÚÂÎfl. E02 Ç˚‚Ó‰ËÚÒfl ÔË ÔÓ‚ÂʉÂÌËË ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË. E04 ì͇Á˚‚‡ÂÚ, ˜ÚÓ Ó·˙ÂÏ ‰‡ÌÌ˚ı ÏÂÎÓ‰ËË ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ, ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ Á‡„ÛÁËÚ¸. End Ç˚‚Ó‰ËÚÒfl ÔÓ Á‡‚¯ÂÌËË ÚÂÍÛ˘ÂÈ ÓÔ‡ˆËË. Err Ç˚‚Ó‰ËÚÒfl, ÂÒÎË Í‡·Âθ MIDI/USB ÓÚÒÓ‰ËÌÂÌ ÔË Á‡ÔÛÒÍ ÔËÎÓÊÂÌËfl Musicsoft Downloader ̇ ÍÓÏÔ¸˛ÚÂÂ, ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ. FCL ì͇Á˚‚‡ÂÚ, ˜ÚÓ ‚ÒÚÓÂÌ̇fl Ô‡ÏflÚ¸ Ó˜Ë˘Â̇. á‡ÔËÒ‡ÌÌ˚Â Ë ‚̯ÌË ÏÂÎÓ‰ËË, Á‡„ÛÊÂÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡, ÒÚÂÚ˚, ÔÓÒÍÓθÍÛ ÔËÚ‡ÌË ·˚ÎÓ ÓÚÍβ˜ÂÌÓ ‰Ó Á‡‚¯ÂÌËfl ÒÓı‡ÌÂÌËfl ËÎË Á‡„ÛÁÍË ÏÂÎÓ‰ËË. For ì͇Á˚‚‡ÂÚ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì‡ıÓ‰ËÚÒfl ‚ ÂÊËÏ ÙÓχÚËÓ‚‡ÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. Full Ç˚‚Ó‰ËÚÒfl, ÂÒÎË ‚Ó ‚ÂÏfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ ‚ÒÚÓÂÌ̇fl Ô‡ÏflÚ¸ ÔÂÂÔÓÎÌflÂÚÒfl. Ç˚‚Ó‰ËÚÒfl, ÂÒÎË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÂÂÔÓÎÌÂÌÓ Ë ÏÂÎӉ˲ Ì‚ÓÁÏÓÊÌÓ ÒÓı‡ÌËÚ¸. Ç˚‚Ó‰ËÚÒfl, ÂÒÎË Ó·˘ËÈ Ó·˙ÂÏ Ù‡ÈÎÓ‚ ÒÚ‡ÌÓ‚ËÚÒfl ÒÎ˯ÍÓÏ ·Óθ¯ËÏ. Lod Ç˚‚Ó‰ËÚÒfl ‚Ó ‚ÂÏfl Á‡„ÛÁÍË Á‡˘Ë˘ÂÌÌÓÈ ÏÂÎÓ‰ËË. ny èÓ‰Ú‚Âʉ‡ÂÚ ËÎË Ì ÔÓ‰Ú‚Âʉ‡ÂÚ ‚˚ÔÓÎÌÂÌË ͇ʉÓÈ ÓÔ‡ˆËË. n– y èÓ‚ÚÓÌÓ ÔÓ‰Ú‚Âʉ‡ÂÚ ‚˚ÔÓÎÌÂÌË ÓÔ‡ˆËË ÔÂÂÁ‡ÔËÒË, Û‰‡ÎÂÌËfl ËÎË ÙÓχÚËÓ‚‡ÌËfl. Pro ì͇Á˚‚‡ÂÚ, ˜ÚÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ÌÓÒËÚÂθ Á‡˘Ë˘ÂÌ ÓÚ Á‡ÔËÒË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 63 CLP240E.book Page 64 Wednesday, April 6, 2005 4:02 PM ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl èˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl. èˇÌËÌÓ Clavinova ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍÂ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍ (ÒÚ. 11). èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚ ˘ÂΘÍË ËÎË ÚÂÒÍ. í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ÓÚÍβ˜ÂÌËË ˝ÎÂÍÚÓÔËÚ‡ÌËfl. ëÎ˚¯ÂÌ ¯ÛÏ ËÁ ‰Ë̇ÏËÍÓ‚ Ë Ì‡Û¯ÌËÍÓ‚. òÛÏ ÏÓÊÂÚ ·˚Ú¸ ÒΉÒÚ‚ËÂÏ ÔÓÏÂı, ‚˚Á‚‡ÌÌ˚ı ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ Clavinova. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡ ·Óθ¯ÂÏ ‡ÒÒÚÓflÌËË ÓÚ Clavinova. é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÓÍ, ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â. • Ç˚·‡Ì ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [MASTER VOLUME]. • ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡Û¯ÌËÍË Ì ÔÓ‰Íβ˜ÂÌ˚ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ (ÂÒÎË ÔÂÂÍβ˜‡ÚÂθ SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «NORMAL»). ÖÒÎË ÔÂÂÍβ˜‡ÚÂθ SPEAKER ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË «OFF», ÔÓÒÚ‡‚¸ÚÂ Â„Ó ‚ ÔÓÎÓÊÂÌË «NORMAL» ËÎË «ON» (ÒÚ. 12). • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‰Îfl ÙÛÌ͈ËË Local Control (ÒÚ. 53) ‚˚·‡Ì Ô‡‡ÏÂÚ ON. ÑË̇ÏËÍË Ì ÓÚÍβ˜‡˛ÚÒfl ÔË ÔÓ‰ÒÓ‰ËÌÂÌËË Ì‡Û¯ÌËÍÓ‚. ÇÓÁÏÓÊÌÓ, ÔÂÂÍβ˜‡ÚÂθ SPEAKER ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË «ON». ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ SPEAKER ‚ ÔÓÎÓÊÂÌË «NORMAL» (ÒÚ. 12). 臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ, ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl, ‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ. ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎÂÈ ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 67). (CLP-240) ïÓÚfl USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÔÓ‰Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓ SONG SELECT «USB» Ì Á‡„Ó‡ÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [SONG SELECT]. USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÂÚ Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl ËÌÒÚÛÏÂÌÚÓÏ. ùÚÓ Á‡‚ËÒËÚ ÓÚ Ò‡ÏÓ„Ó ÛÒÚÓÈÒÚ‚‡ Ë ‚˚·Ó‡ ÏÓÏÂÌÚ‡ ‚ÂÏÂÌË ‰Îfl ‡ÒÔÓÁ̇‚‡ÌËfl. 1. èӂ¸Ú ÔÂÂÍβ˜‡ÚÂθ [SELECT]. ÖÒÎË ‚˚·‡ÌÓ ÔÓÎÓÊÂÌË «A», ‡·ÓÚ‡ÂÚ ‡Á˙ÂÏ ‚ ΂ÓÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÂÒÎË «B» – ÌËÊÌËÈ ‡Á˙ÂÏ. 2. èӂ¸Ú ËÒÔ‡‚ÌÓÒÚ¸ ÛÒÚÓÈÒÚ‚‡. èӂ¸ÚÂ, ÏË„‡ÂÚ ÎË Ë̉Ë͇ÚÓ FILE «LOAD» ÔÓÒΠÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ÖÒÎË Ë̉Ë͇ÚÓ Ì ÏË„‡ÂÚ, ÛÒÚÓÈÒÚ‚Ó ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ. 3. èӂ¸ÚÂ, ÔÓ‰Ú‚ÂʉÂ̇ ÎË ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58). 4. ֢ ‡Á ‚˚·ÂËÚ SONG SELECT «USB». àÌÒÚÛÏÂÌÚÛ ÔÓ̇‰Ó·ËÚÒfl ÌÂÍÓÚÓÓ ‚ÂÏfl, ˜ÚÓ·˚ ‡ÒÔÓÁ̇ڸ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ Ë̉Ë͇ÚÓ «USB». (CLP-240) USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Á‡‚ËÒÎÓ (Ì Óڂ˜‡ÂÚ). • USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÌÂÒÓ‚ÏÂÒÚËÏÓ Ò ËÌÒÚÛÏÂÌÚÓÏ. àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ú ÛÒÚÓÈÒÚ‚‡, ˜¸fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÔˇÌËÌÓ ÔÓ‰Ú‚ÂʉÂ̇ ÍÓÔÓ‡ˆËÂÈ Yamaha (ÒÚ. 58). • éÚÒÓ‰ËÌËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚ „Ó. çÂÓ·flÁ‡ÚÂθÌ˚ ˝ÎÂÏÂÌÚ˚ ë͇ÏÂÈ͇ BC-100 ì‰Ó·Ì‡fl Ò͇ÏÂÈ͇, ҉·Ì̇fl ÒÔˆˇθÌÓ ‰Îfl Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha. ëÚÂÂÓ̇ۯÌËÍË HPE-160 ã„ÍËÂ Ë ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ̇ۯÌËÍË Ò Ïfl„ÍËÏË ÔÓÍ·‰Í‡ÏË ‰Îfl Û¯ÂÈ. àÌÚÂÙÂÈÒ UX16 USB-MIDI àÌÚÂÙÂÈÒ USB-to-MIDI ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ÍÓÏÔ¸˛Ú‡, Ó·ÓÛ‰Ó‚‡ÌÌÓ„Ó ÔÓÚ‡ÏË USB, Í MIDI-ÛÒÚÓÈÒÚ‚Û (̇ÔËÏÂ, Í ˝ÚÓÏÛ ËÌÒÚÛÏÂÌÚÛ). ìÒÚÓÈÒÚ‚Ó UD-FD01 USB-FDD (CLP-240) ÑËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÍÓÚÓ˚È ÔÓ‰Íβ˜‡ÂÚÒfl Í ËÌÒÚÛÏÂÌÚÛ ‰Îfl ÒÓı‡ÌÂÌËfl Ë Á‡„ÛÁÍË ‰‡ÌÌ˚ı. 64 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 65 Wednesday, April 6, 2005 4:02 PM CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ! • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. ëӷˇÈÚ ÛÒÚÓÈÒÚ‚Ó ‚ Ô‡‚ËθÌÓÏ ÔÓfl‰ÍÂ. • ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ËÒÔÓθÁÛÂÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. èËÏÂÌÂÌË ‚ËÌÚÓ‚ ÌÂÔ‡‚ËθÌÓ„Ó ‡Áχ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. • èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Ó·flÁ‡ÚÂθÌÓ Á‡ÚflÌËÚ ‚ËÌÚ˚. • ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ Û͇Á‡ÌÌ˚ ‰ÂÈÒÚ‚Ëfl ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò Ì‡ÍÓ̘ÌËÍÓÏ Phillips (+). Ç˚̸Ú ‚Ò ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ‚Ò Û͇Á‡ÌÌ˚ ̇ ËÒÛÌÍ ÍÓÏÔÎÂÍÚÛ˛˘Ë ÂÒÚ¸ ‚ ̇΢ËË. ÑÎËÌÌ˚ ¯ÛÛÔ˚ 6 x 25 ÏÏ, 4 ¯Ú. 䇷Âθ ÔËÚ‡ÌËfl A äÓÓÚÍË ¯ÛÛÔ˚ 6 x 16 ÏÏ, 4 ¯Ú. (îÓχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ ÒÚ‡Ì˚.) èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ç˚̸Ú ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÔÓÎÓÊËÚ ̇ ÌËı Ä. ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ Ì Ôӂ‰ËÚ¸ Ô‡ÌÂθ ÔÓ‰Íβ˜ÂÌËfl ‚ÌËÁÛ Ä. íÓÌÍË ¯ÛÛÔ˚ 4 x 12 ÏÏ, 2 ¯Ú. ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ íÓÌÍË ҇ÏÓÂÁ˚ 4 x 20 ÏÏ, 5 ¯Ú. B íÓÌÍË ¯ÛÛÔ˚ 4 x 10 ÏÏ, 2 ¯Ú. ᇢËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), 2 ¯Ú. 䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË C D 1. èÓ‰ÒÓ‰ËÌËÚ D Ë E Í C. ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ, 2 ¯Ú. E 1-1 1-2 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·Âθ. ç ‚˚·‡Ò˚‚‡ÈÚ ÍÂÔÎÂÌËÂ, ÓÌÓ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ¯‡„ 5. á‡ÍÂÔËÚ C Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı ¯ÛÛÔÓ‚ 6 x 25 ÏÏ. 1-1 1-2 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 65 CLP240E.book Page 66 Wednesday, April 6, 2005 4:02 PM CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 2. 2-1 2-2 èËÒÓ‰ËÌËÚ Ç. èÓÏÂÒÚËÚ ÌËÊÌË ͇fl B ̇ ‚˚ÒÚÛÔ‡˛˘Ë ͇fl D Ë E Ë ‚˚Ó‚ÌflÈÚ ÔÓ ÌËÏ ‚ÂıÌ˛˛ ˜‡ÒÚ¸. ÇÂÏÂÌÌÓ Á‡ÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ÚÓÌÍËı ¯ÛÛÔÓ‚ 4 ı 12. 2-2 3-3 ëÓ‚ÏÂÒÚËÚ ·ÓÍÓ‚Ó ۄÎÛ·ÎÂÌË ̇ A Ò ‚ÌÛÚÂÌÌÂÈ ÒÚÓÓÌÓÈ D Ë E. éÔÛÒÚËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÎÂ‚Û˛ Ë Ô‡‚Û˛ ÒÚÓÓÌÛ A Ë Á‡ÍÂÔËÚÂ Ò ÔÓÏÓ˘¸˛ D Ë E. ÇçàåÄçàÖ! • ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. 2-3 2-3 3. 3-1 á‡ÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ò‡ÏÓÂÁ‡ÏË 4 ı 20. ìÒÚ‡ÌÓ‚ËÚ Ä. ëÓ·ÂËÚ Á‡˘ËÚÌ˚ ÔÓÍ·‰ÍË ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË (͇ÚÓÌÌ˚Â), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. á‡ÚÂÏ Û‰‡ÎËÚ ‰‚ ·ÛχÊÌ˚ ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ̇ Á‡˘ËÚÌÓÈ ÔÓÍ·‰ÍÂ. ÑÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 10 ÒÏ ÓÚ Ó·ÂËı ÒÚÓÓÌ Ä ÔË Â ÛÒÚ‡ÌÓ‚ÍÂ. 3-4 3-2 66 ç‡ÍÓÈÚ ‚ÂıÌ˛˛ ÒÚÓÓÌÛ D Ë E Á‡˘ËÚÌÓÈ ÔÓÍ·‰ÍÓÈ ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË. á‡ÚÂÏ Á‡ÍÂÔËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ ÍÎÂÈÍÓÈ ÎÂÌÚÓÈ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 3-5 èÓ‰‰ÂÊË‚‡fl ÌËÊÌ˛˛ ÒÚÓÓÌÛ D Ë E Ó‰ÌÓÈ ÛÍÓÈ, Ò΄͇ ̇‰‡‚ËÚ ̇ A ÒÓ ÒÚÓÓÌ˚ Í·‚ˇÚÛ˚. 쉇ÎËÚ Á‡˘ËÚÌÛ˛ ÔÓÍ·‰ÍÛ ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË. CLP240E.book Page 67 Wednesday, April 6, 2005 4:02 PM CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ á‡ÍÂÔËÚ A Ò Ô‰ÌÂÈ ÒÚÓÓÌ˚ ÍÓÓÚÍËÏË ¯ÛÛÔ‡ÏË 6 x 16 ÏÏ. á‡ÚflÌËÚ ¯ÛÛÔ˚ (¯‡„Ë 2-2), Á‡ÍÂÔË‚ ‚ÂıÌ˛˛ ÒÚÓÓÌÛ B. PC-2 Mac 4-2 5-1 MIDIPC-1 4-1 CLP-230 èËÍÂÔËÚ Ä. PEDA L 4. 5-3 5-2 4-2 6. èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. 4 -1 PC-2 Mac 5-3 110 127 5-2 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ. 220 5-1 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. MIDIPC-1 5. 240 èËÒÓ‰ËÌËÚÂ Í B ‰ÂʇÚÂÎË Í‡·ÂÎÂÈ, Á‡ÚÂÏ ‚ÒÚ‡‚¸Ú ͇·Âθ ‚ ‰ÂʇÚÂÎË. ë‚flÊËÚ ͇·Âθ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ÍÂÔÎÂÌËfl ‰Îfl ͇·ÂÎÂÈ. CLP-240 5-1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ÔËÚ‡ÌËfl ‚ AC INLET. Ç ÏÓ‰ÂÎflı Ò ÔÂÂÍβ˜‡ÚÂÎflÏË Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ. èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl PC-2 Mac 5-2 MIDIPC-1 5-3 Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. èêÖÑìèêÖÜÑÖçàÖ çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸ ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 67 CLP240E.book Page 68 Wednesday, April 6, 2005 4:02 PM CLP-240/230: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 7. èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ. ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ ‚˚ÒÓÚ˚. èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·. • ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. • ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. • ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚÂ? á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. 8. • ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË ‰Â·ÂÁʇÌËfl ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË? èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ. èËÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚. åÓÊÌÓ ÔËÍÂÔËÚ¸ Ͳ˜ÓÍ Í ÔˇÌËÌÓ Clavinova, ˜ÚÓ·˚ ‚¯‡Ú¸ ̇ ÌÂ„Ó Ì‡Û¯ÌËÍË. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 ı 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. • èÎÓÚÌÓ ÎË ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚ ͇·ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl? èӂ¸Ú ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ÔË Ë„Â Ì‡ Í·‚˯‡ı ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇. ÇçàåÄçàÖ! ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ÅÂËÚÂÒ¸ Á‰ÂÒ¸. ç ·ÂËÚÂÒ¸ Á‰ÂÒ¸. 68 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 69 Wednesday, April 6, 2005 4:02 PM àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240) àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (FDD) Ë ‰ËÒÍÂÚ (CLP-240) Ç ÔˇÌËÌÓ CLP-240 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚. àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ ÒÏ. ̇ ÒÚ. 70. ÑËÒÍÓ‚Ó‰ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ̇ ‰ËÒÍÂÚÛ ‰‡ÌÌ˚Â, ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË Ì‡ ËÌÒÚÛÏÂÌÚÂ, ‡ Ú‡ÍÊ Á‡„Ûʇڸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚. ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. èËÌËχÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË. ëÓ‚ÏÂÒÚËÏ˚ ‰ËÒÍÂÚ˚ • åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD. îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ • ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ ËÎË ‰ËÒÍÂÚ˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ ÙÓχÚËÓ‚‡Ì˲ ‰ËÒÍÂÚ˚ ÒÏ. ̇ ÒÚ. 39. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl ‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚. ᇇÌ Ôӂ¸ÚÂ, ÂÒÚ¸ ÎË Ì‡ ‰ËÒÍÂÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â. ÑËÒÍÂÚ˚, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸ ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â. ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË ‰ËÒÍÂÚ ìÒÚ‡Ìӂ͇ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰ ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓθÁfl˘ÂÈ ¯ÚÓÍÓÈ ‚Ô‰ ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚Ô‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡. ç ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ. ÑÛ„Ë Ô‰ÏÂÚ˚ ÏÓ„ÛÚ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ. 쉇ÎÂÌË ‰ËÒÍÂÚ˚ • èÓÒΠÚÓ„Ó Í‡Í Û·Â‰ËÚÂÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ӷ‡˘‡ÂÚÒfl Í ‰ËÒÍÂÚ (Ì „ÓËÚ Ë̉Ë͇ÚÓ Ì‡ ‰ËÒÍÓ‚Ó‰Â), ̇ÊÏËÚ ‰Ó ÛÔÓ‡ ÍÌÓÔÍÛ, ÍÓÚÓ‡fl ̇ıÓ‰ËÚÒfl ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ‰ËÒÍÓ‚Ó‰‡, ˜ÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ. äÓ„‰‡ ‰ËÒÍÂÚ‡ ‚˚‰‚ËÌÂÚÒfl, ‚˚Ú‡˘Ëڠ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ Ì ۉ‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, Ì ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚ ̇ʇڸ ̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËfl ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òfl ‚˚‰‚ËÌÛÚ¸ ÂÂ. * ç ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸, ‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË Û‰‡ÎÂÌË ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎflÂÚ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË Ó·‡˘‡ÂÚÒfl Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸ ̇΢ˠ‰‡ÌÌ˚ı. ÇçàåÄçàÖ! é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/ Á‡ÔËÒË ‰‡ÌÌ˚ı • çÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏfl ˜ÚÂÌËfl Ë Á‡ÔËÒË ‰‡ÌÌ˚ı. • óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË, ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸ ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ (Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡ÊÂ) ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ˜ËÒÚfl˘Ë ‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha. ÑËÒÍÂÚ˚ é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ Ë Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË. • ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚÂ Ë Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı. • ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË. • ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔË͇҇ڸÒfl Í Ï‡„ÌËÚÌÓÈ ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚. • ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú. ‰., Ú‡Í Í‡Í Ï‡„ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚ˘ÌÓ ÒÚÂÂÚ¸ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl. • çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ ¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ. • ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÔÓÒÚ‡‚ÎflÂÏ˚ı Ò ÌÂÈ Ì‡ÍÎÂÂÍ. èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÂ. ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË) • óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ). äÓ„‰‡ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË «Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ). ᇢËÚ‡ ÓÚ Á‡ÔËÒË ÛÒÚ‡ÌÓ‚ÎÂ̇ (ÔÓÎÓÊÂÌË Á‡˘ËÚ˚). ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸ Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ‰‡ÌÌ˚ı Ë Í ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÓ‚Ó‰‡. • èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍӂӉ ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚ ‰ËÒÍӂӉ ‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ‡ ˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 69 CLP240E.book Page 70 Wednesday, April 6, 2005 4:02 PM ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚ (ÔÓÒÚ‡‚ÎflÂÚÒfl ÔÓ Á‡Í‡ÁÛ) çÂÓ·flÁ‡ÚÂθÌ˚È ‰ËÒÍÓ‚Ó‰ UD-FD01 ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË CLP-240 Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë ‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ. èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ Ò Ì‡ÍÓ̘ÌËÍÓÏ Phillips (+). 1. 쉇ÎËÚ ÚË ·ÛχÊÌ˚ ÔÓ‰ÎÓÊÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı. 3. ëÚÓÓ̇ Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇ ·˚Ú¸ Ó·‡˘Â̇ Í ÍÓÊÛıÛ. Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡ 2. 70 ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, Í‡Í ÔÓ͇Á‡ÌÓ. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 4. èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı Ò΂‡ Í ÌËÊÌÂÈ ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ÔË·„‡ÂÏ˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ). èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ [TO DEVICE]. CLP240E.book Page 71 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ : ч : çÂÚ CLP-240 ç‡Á‚‡ÌË ÚÂÏ·‡ GRANDPIANO 1 VARIATION GRANDPIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E. CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ*1 ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯*2 éÔËÒ‡ÌË ÚÂÏ·Ó‚ á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ÇÍβ˜ÂÌ˚ ÚË ÛÓ‚Ìfl ‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËfl, Ò˝ÏÔÎ˚ Ô‡‚ÓÈ Ô‰‡ÎË Ë Ò˝ÏÎ˚ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ‡ÎËÒÚ˘ÌÓ„Ó Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ. íÂÔÎ˚È Ë Ïfl„ÍËÈ Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. ïÓÓ¯Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl Í·ÒÒ˘ÂÒÍËı ÔÓËÁ‚‰ÂÌËÈ. é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. ÜË‚ÓÈ Ó·˙ÂÏÌ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ËÎË ÓÍ-ÏÛÁ˚ÍË. á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ ÏÓ‰ÛÎflˆËË. óÂÁ‚˚˜‡ÈÌÓ «ÏÛÁ˚͇θÌ˚È» ÒÚËθ, ‚ ÍÓÚÓÓÏ ÒÓ˜ÂÚ‡˛ÚÒfl ‡Á΢Ì˚ ÚÂÏ·˚ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰Ë̇Ï˘ÂÒÍËı Ò‚ÓÈÒÚ‚ Í·‚ˇÚÛ˚. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. ëËÌÚÂÁËÓ‚‡ÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚÓÌÌÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È ‚ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍÂ. Ç ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ (DUAL) ÓÌ ıÓÓ¯Ó ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚Û˜‡ÌËÂÏ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ. á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ. ë΄͇ ËÁÏÂÌÂÌÌ˚È Á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚È ‚ ÔÓÔÛÎflÌÓÈ Ë ÓÍ-ÏÛÁ˚ÍÂ. á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ. ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË. íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠflÍÓ„Ó Á‚Û͇. åÓÎÓÚÓ˜ÍÓ‚˚È Í·‚˯Ì˚È ËÌÒÚÛÏÂÌÚ, ‚ ÍÓÚÓÓÏ Á‚ÛÍ Ó·‡ÁÛÂÚÒfl Ò ÔÓÏÓ˘¸˛ ˝ÎÂÍÚ˘ÂÒÍËı Á‚ÛÍÓÒÌËχÚÂÎÂÈ. ó‡ÒÚÓ ËÒÔÓθÁÛÂÚÒfl ‚ ÒÚËÎflı «Ù‡ÌÍ» Ë «ÒÓÛλ. Ö„Ó ÚÓÌ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ı‡‡ÍÚÂÌÓÏÛ Á‚ÛÍÛ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯. ÇÍβ˜‡ÂÚ ÒÔˆËÙ˘ÂÒÍËÈ ‚ÒÚÓÂÌÌ˚È ˝ÙÙÂÍÚ. ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌ ۉ‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ. ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È, Ó·˙ÂÏÌ˚È Ë Â‡ÎËÒÚ˘Ì˚È Á‚ÛÍ Ï‡ËÏ·˚. íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡. ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ. VARIATION á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë ÙÛ„ÓÈ» à.ë.Ňı‡. JAZZ ORGAN á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı. VARIATION ùÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇ Ò ‡Á΢ÌÓÈ ÒÍÓÓÒÚ¸˛. ëÍÓÓÒÚ¸ ‚‡Ë‡ˆËÈ ÔË ˝ÚÓÏ ·Óθ¯Â. ÖÒÎË ˝ÙÙÂÍÚ «variation» ÔËÏÂÌflÂÚÒfl ÔË ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â, Â„Ó ÒÍÓÓÒÚ¸ ·Û‰ÂÚ ÔÓÒÚÓflÌÌÓ ÏÂÌflÚ¸Òfl. STRINGS ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò Â‡ÎËÒÚ˘ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 71 CLP240E.book Page 72 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ç‡Á‚‡ÌË ÚÂÏ·‡ ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË VARIATION CHOIR VARIATION GUITAR VARIATION WOOD BASS VARIATION E.BASS VARIATION óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ*1 ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯*2 éÔËÒ‡ÌË ÚÂÏ·Ó‚ ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL. ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı „‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ. ïÓÓ‚ÓÈ ÚÂÏ· Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL. íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË Ë„Â ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙ‡. üÍËÈ Á‚ÛÍ ˝ÎÂÍÚÓ„ËÚ‡˚. èÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. äÓÌÚ‡·‡Ò Ò ı‡‡ÍÚÂÌ˚Ï Á‚ÛÍÓÏ, Í‡Í ÔË Ô‡Î¸ˆÂ‚ÓÈ Ë„Â. à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰Ê‡ÁÓ‚ÓÈ Ë Î‡ÚËÌÓ‡ÏÂË͇ÌÒÍÓÈ ÏÛÁ˚ÍË. Å‡Ò ÒÓ˜ÂÚ‡ÂÚÒfl ÒÓ Á‚ÛÍÓÏ Ú‡ÂÎÓÍ. à‰Â‡Î¸Ì˚È ÒÚËθ ‰Îfl «·ÎÛʉ‡˛˘Ëı» ·‡ÒÓ‚˚ı ÎËÌËÈ ‚ ‰Ê‡ÁÓ‚˚ı ÏÂÎÓ‰Ëflı. á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓÈ ·‡Ò-„ËÚ‡˚. èËÏÂÌflÂÚÒfl ‚ fl‰Â ÏÛÁ˚͇θÌ˚ı ÒÚËÎÂÈ: ‰Ê‡ÁÂ, ÓÍÂ, ÔÓÔ-ÏÛÁ˚ÍÂ Ë Ú. ‰. ÅÂÁ·‰Ó‚˚È ·‡Ò, ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl Ú‡ÍËı ÒÚËÎÂÈ, Í‡Í ‰Ê‡Á, Ù¸˛ÊÌ Ë Ú. ‰. *1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚. *2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯. 72 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 73 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ : ч : çÂÚ CLP-230 ç‡Á‚‡ÌË ÚÂÏ·‡ ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ*1 ë˝ÏÔÎËÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯*2 éÔËÒ‡ÌË ÚÂÏ·Ó‚ GRANDPIANO 1 á‡ÔËÒË Ò˝ÏÔÎÓ‚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl. ùÚÓÚ ÚÂÏ· Ô‚ÓÒıÓ‰ÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌÂÌËfl Í·ÒÒ˘ÂÒÍËı ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ‡ Ú‡ÍÊ ‰Û„Ëı ÔÓËÁ‚‰ÂÌËÈ, ËÒÔÓÎÌflÂÏ˚ı ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ÙÓÚÂÔ¸flÌÓ. GRANDPIANO 2 é·˙ÂÏÌ˚È Ë ˜ËÒÚ˚È Á‚ÛÍ ÙÓÚÂÔ¸flÌÓ Ò flÍÓÈ Â‚Â·Â‡ˆËÂÈ. èÓ‰ıÓ‰ËÚ ‰Îfl ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. E.PIANO 1 á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È Ò ÔÓÏÓ˘¸˛ ˜‡ÒÚÓÚÌÓÈ ÏÓ‰ÛÎflˆËË. èÓ‰ıÓ‰ËÚ ‰Îfl Ó·˚˜ÌÓÈ ÔÓÔÛÎflÌÓÈ ÏÛÁ˚ÍË. E.PIANO 2 á‚ÛÍ ˝ÎÂÍÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ, ÒÓÁ‰‡‚‡ÂÏ˚È ÔË Û‰‡Â ÏÓÎÓÚÓ˜ÍÓ‚ Ó ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌÍË. åfl„ÍËÈ ÚÓÌ ÔË Î„ÍÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚Ë¯Ë Ë ‡„ÂÒÒË‚Ì˚È ÔË ·ÓΠÒËθÌÓÏ. HARPSICHORD 1 á‚Û˜‡ÌË ˝ÚÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ı‡‡ÍÚÂÌÓ ‰Îfl ÏÛÁ˚ÍË ·‡ÓÍÍÓ. ä·‚ÂÒËÌ – ˝ÚÓ ÒÚÛÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÍÓÚÓ˚È Ì ‡„ËÛÂÚ Ì‡ ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. é‰Ì‡ÍÓ ‰Îfl ˝ÚÓ„Ó ÒÚËÎfl ı‡‡ÍÚÂÂÌ ÓÒÓ·ÂÌÌ˚È Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È ÓÚÔÛ˘ÂÌÌ˚ÏË Í·‚˯‡ÏË. HARPSICHORD 2 íÓÚ Ê ҇Ï˚È ÚÂÏ·, Á‚Û˜‡˘ËÈ Ì‡ ÓÍÚ‡‚Û ‚˚¯Â ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠflÍÓ„Ó Á‚Û͇. VIBRAPHONE ÇË·ÓÙÓÌ ÒÓ Ò‡‚ÌËÚÂθÌÓ Ïfl„ÍËÏË ÍÓÎÓÚۯ͇ÏË. óÂÏ ÒËθÌ ۉ‡˚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·ÓΠÏÂÚ‡Î΢ÂÒÍËÏ ÒÚ‡ÌÓ‚ËÚÒfl ÚÓÌ. CHURCH ORGAN 1 íËÔ˘Ì˚È Á‚ÛÍ Ó„‡Ì‡ Ò Â„ËÒÚ‡ÏË 8 ÙÛÚÓ‚, 4 ÙÛÚ‡ Ë 2 ÙÛÚ‡. ïÓÓ¯ ‰Îfl ËÒÔÓÎÌÂÌËfl ‰ÛıÓ‚ÌÓÈ ÏÛÁ˚ÍË ÔÂËÓ‰‡ ·‡ÓÍÍÓ. CHURCH ORGAN 2 á‚ÛÍ ÔÓÎÌÓÈ ÍÓÔÛÎ˚ Ó„‡Ì‡, ˜‡ÒÚÓ ‡ÒÒÓˆËËÛÂÏ˚È Ò «íÓÍ͇ÚÓÈ Ë ÙÛ„ÓÈ» à.ë.Ňı‡. JAZZ ORGAN á‚ÛÍ ˝ÎÂÍÚÓÓ„‡Ì‡ ÚËÔ‡ «tonewheel» (ÚÂıÌÓÎÓ„Ëfl «ÙÓÌ˘ÂÒÍÓ„Ó ÍÓÎÂÒ‡»). òËÓÍÓ ËÒÔÓθÁÛÂÚÒfl ‚ ‰Ê‡ÁÓ‚˚ı Ë ÓÍ-ÒÚËÎflı. STRINGS 1 ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌÌ˚È ·Óθ¯ÓÈ ÒÚÛÌÌ˚È ‡Ì҇Ϸθ Ò Â‡ÎËÒÚ˘ÌÓÈ Â‚Â·Â‡ˆËÂÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ‚ ÂÊËÏ DUAL. STRINGS 2 ë‚Ó·Ó‰Ì˚È Á‚ÛÍ ÒÚÛÌÌÓ„Ó ‡Ì҇ϷÎfl Ò Ï‰ÎÂÌÌÓÈ ‡Ú‡ÍÓÈ. èÓÔÓ·ÛÈÚ ÒÓ‰ËÌËÚ¸ ˝ÚÓÚ ÚÂÏ· Ò ÙÓÚÂÔ¸flÌÓ ËÎË ˝ÎÂÍÚ˘ÂÒÍËÏ ÔˇÌËÌÓ ‚ ÂÊËÏ DUAL. CHOIR ÅÓθ¯ÓÈ Ò‚Ó·Ó‰Ì˚È Á‚ÛÍ ıÓ‡. à‰Â‡ÎÂÌ ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡Ú˚ı „‡ÏÓÌËÈ ‚ ωÎÂÌÌÓÈ ÏÛÁ˚ÍÂ. GUITAR íÂÔÎ˚È Ë ÂÒÚÂÒÚ‚ÂÌÌ˚È Á‚ÛÍ „ËÚ‡˚ Ò ÌÂÈÎÓÌÓ‚˚ÏË ÒÚÛ̇ÏË. èË Ë„Â ÒÓÁ‰‡ÂÚÒfl ÔËflÚ̇fl, ÒÔÓÍÓÈ̇fl ‡ÚÏÓÒÙ‡. *1. ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ÚÓ˜ÌÓ„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÚÂÏ·‡Ï ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ Ò ÔÓÏÓ˘¸˛ ·˚ÒÚÓ„Ó ÔÂÂÍβ˜ÂÌËfl Ò˝ÏÔÎÓ‚. *2. ë˝ÏÔÎ ÏÓ‰ÂÎËÛÂÚ Ò··Ó Á‚Û˜‡ÌË ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 73 CLP240E.book Page 74 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ : ÇÍβ˜ÂÌÓ : ç ‚Íβ˜ÂÌÓ ç‡Á‚‡ÌË ÚÂÏ·‡ CLP-240 GRAND PIANO1 CLP-230 ç‡Á‚‡ÌË “Eintritt” Waldszenen Op.82 äÓÏÔÓÁËÚÓ R. Schumann HARPSICHORD Gavotte HARPSICHORD1 HARPSICHORD2 J.S. Bach Invention No.1 ì͇Á‡ÌÌ˚ ԸÂÒ˚ – ˝ÚÓ ÍÓÓÚÍË Ô‡·ÓÚ‡ÌÌ˚ ÓÚ˚‚ÍË ËÁ ÓË„Ë̇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ. ÇÒ ÓÒڇθÌ˚ ÏÂÎÓ‰ËË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÍÓÏÔ‡ÌËË (© Yamaha Corporation, 2005). éÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔˇÌËÌÓ (CLP-240) ç‡Á‚‡ÌË ÚÂÏ·‡ 74 ÑÂÏÓÌÒÚ‡ˆËfl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ GRAND PIANO1 ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË GRAND PIANO2 åÓÌÓÙÓÌ˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌË E.PIANO1 ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ψˆÓ-Ô¸flÌÓ E.PIANO2 ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ψˆÓ-ÙÓÚ HARPSICHORD ÑË̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÙÓÚ E.CLAVICHORD ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Ô‡‚ÓÈ Ô‰‡Î¸˛ VIBRAPHONE ë˝ÏÔÎËÓ‚‡ÌË ·ÂÁ Ô‡‚ÓÈ Ô‰‡ÎË CHURCH ORGAN ë˝ÏÔÎËÓ‚‡ÌËÂ Ò Û˜ÂÚÓÏ Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯ JAZZ ORGAN ë˝ÏÔÎËÓ‚‡ÌË ·ÂÁ Û˜ÂÚ‡ Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯ CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 75 Wednesday, April 6, 2005 4:02 PM è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ñËÙ˚ S 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ ................ 15 Scale ...........................................................................48 50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ ......................................... 15 [SELECT] (CLP-240), ÔÂÂÍβ˜‡ÚÂθ .....................58 SMF ...........................................................................35 A [SONG SELECT], ÍÌÓÔ͇ ........................................15 A-B Repeat, ÙÛÌ͈Ëfl ............................................... 18 [SPEAKER], ‚˚Íβ˜‡ÚÂθ .......................................12 ALL (Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ).........................15, 43 SPLIT (CLP-240) (îÛÌ͈Ëfl)....................................50 AUX IN ..................................................................... 57 [SPLIT] (CLP-240), ÍÌÓÔ͇ ......................................26 AUX OUT ................................................................. 56 [STOP], ÍÌÓÔ͇ ................................................... 15, 41 Sync Start ............................................................. 17, 43 B [BRILLIANCE], ÍÌÓÔ͇ .......................................... 21 T TEMPO................................................................ 15, 41 D [DDE], ÍÌÓÔ͇ (CLP-240) ....................................... 22 [DEMO], ÍÌÓÔ͇ (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ) ...... 14 E [EFFECT], ÍÌÓÔ͇ ................................................... 21 F TEMPO (METRONOME) ........................................28 [TEMPO/FUNCTION#], ÍÌÓÔ͇ ...................... 28, 45 [TOUCH], ÍÌÓÔ͇.....................................................23 U USB [TO DEVICE] (CLP-240), ‡Á˙ÂÏ ....................57 USB [TO HOST] (ÛÒÚÓÈÒÚ‚Ó Ó·‡·ÓÚÍË), ‡Á˙ÂÏ ..57 USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240) ........58 FUNCTION........................................................ 47–55 ÓÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ............................................. 45 V L VOICE .......................................................................19 [LEFT], ÍÌÓÔ͇ ...................................................17, 32 Ç M ‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‡ÚËË .....................................................................43 [MASTER VOLUME], ÔÓÎÁÛÌÍÓ‚˚È Â„ÛÎflÚÓ ..... 12 ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË........................................40 METRONOME [ON/OFF], ÍÌÓÔ͇ ...................28, 52 ‚ÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËÈ........................................40 MIDI [IN] [OUT] [THRU] ....................................... 57 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ/Ô‡ÛÁ‡ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ..............................14 Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË...........................................41 P [VARIATION], ÍÌÓÔ͇ (CLP-240) ...........................21 [PEDAL], ‡Á˙ÂÏ ...................................................... 67 ÇÓÒÔÓËÁ‚‰ÂÌËÂ/è‡ÛÁ‡ ÔÓÎÂÁÌ˚ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ................43 PLAY/PAUSE (‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚È ÂÊËÏ)........... 14 ‚ÓÒÔÓËÁ‚‰ÂÌËÂ/Ô‡ÛÁ‡ (Ô‰‡Î¸) .............................43 [PLAY/PAUSE], ÍÌÓÔ͇ .....................................15, 41 ‚ÒÚÓÂÌÌ˚ ÏÂÎÓ‰ËË ➝ 50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ .......................................15 [POWER], ‚˚Íβ˜‡ÚÂθ........................................... 11 ‚˚ÒÓÚ‡ Á‚Û͇ ➝ ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇.....47 R [REC], ÍÌÓÔ͇ (Á‡ÔËÒ¸) ........................................... 29 É [REVERB], ÍÌÓÔ͇................................................... 21 „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ...............................................52 [RIGHT], ÍÌÓÔ͇ ................................................17, 32 „ÓÏÍÓÒÚ¸ ÓÚÍβ˜ÂÌÌÓÈ Ô‡ÚËË ÏÂÎÓ‰ËË ...............52 RIGHT/LEFT (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ)..................................................... 17 Ñ rnd (Ò‚ÂÚÓ‰ËÓ‰Ì˚È Ë̉Ë͇ÚÓ) ..........................15, 43 ‰ËÒÍÂÚ‡ (CLP-240) ....................................................69 ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚ ÛÒÚ‡Ìӂ͇ (CLP-240) ...........................................70 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 75 CLP240E.book Page 76 Wednesday, April 6, 2005 4:02 PM è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ á ê Á‡„ÛÁ͇..................................................................... 42 ‡Á˙ÂÏ˚ .....................................................................56 Á‡ÔËÒ¸........................................................................ 29 ̇˜‡Î¸Ì˚ ̇ÒÚÓÈÍË ......................................... 34 ÂÊËÏ Dual.......................................................... 25, 49 à ë Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ)........... 17 Ò·Ó͇................................................................. 65–68 ä [FILE], ÍÌÓÔ͇ ......................................................... 42 [SONG SELECT], ÍÌÓÔ͇...................................41, 42 [TRANSPOSE], ÍÌÓÔ͇............................................ 24 ÍÌÓÔÍË „ÛÔÔ ÚÂÏ·Ó‚ ............................................. 19 Í˚¯Í‡ Í·‚ˇÚÛ˚ ................................................. 10 ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË (‰‡ÌÌ˚ı) ............................62 ÒÍÓ·ÍË-Ó„‡Ì˘ËÚÂÎË ‰Îfl ÌÓÚ (CLP-240)................10 ÒÓı‡ÌËÚ¸ ..................................................................35 ÒÔËÒÓÍ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· ........................................ 71–73 ‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÏÂÎÓ‰Ëfl ...............................74 Ô‰‡ÎË ..................................................................44 ëÔËÒÓÍ Ì‡ÒÚÓÈÍË ËÁ„ÓÚÓ‚ËÚÂÎfl .....................................78 ÒÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚.............................. 71–73 ã ÒÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÏÂÎÓ‰ËÈ .......................74 ΂‡fl Ô‰‡Î¸.........................................................20, 51 ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ................................78 ΂‡fl Ô‰‡Î¸ (‰Îfl ÔË„ÎÛ¯ÂÌÌÓ„Ó Á‚Û͇)...........20, 51 ÒÔËÒÓÍ ÒÓÓ·˘ÂÌËÈ....................................................63 Ò‰Ìflfl Ô‰‡Î¸ ..........................................................20 ç ̇·Ó ÒËÏ‚ÓÎÓ‚ ........................................................ 55 ̇ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual) ........................... 25 ̇ÒÚÓÈ͇ „ÓÏÍÓÒÚ¸ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ) ........................................................ 15 „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ ......................................... 52 ÚÂÏÔ‡ (50 ‚ÒÚÓÂÌÌ˚ı ÏÂÎÓ‰ËÈ ‰Îfl ÙÓÚÂÔ¸flÌÓ) ................................................. 15 ÚÂÏÔ‡ (Á‡ÔËÒ‡ÌÌ˚ ÏÂÎÓ‰ËË) ............................. 41 Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)...................................20 Òڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ .............................................21 ëڇ̉‡Ú̇fl ÛÒÚ‡Ìӂ͇ ............................................21 í 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.............84 íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË...................................85 ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇...............................47 Ú‡ÌÒÔÓÚËӂ͇.........................................................3 ̇ÒÚÓÈ͇ ➝ ÚÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ........ 47 ̇ÒÚÓÈÍË – ÍÌÓÔ͇ (FUNCTION) ........................ 44 çÄìòçàäà .......................................................... 12 é ÓÔËÒ‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÚÂÏ·‡ ÔˇÌËÌÓ..... 74 ÓÚÍβ˜ÂÌË ԇÚËË .................................................. 17 è Ô‰‡ÎË ....................................................................... 20 ì Û‰‡ÎÂÌË ....................................................................38 ÛÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ..............................................64 î îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı..............................................80 ÙÓχÚËÓ‚‡ÌË .......................................................39 ÙÛÌ͈ËË MIDI..........................................................52 ÙÛÌ͈ËË ÒÓı‡ÌÂÌËfl ................................................55 ÔÂÂÁ‡ÔËÒ¸ ................................................................ 33 ÔÓ‚ÚÓ ..................................................................15, 18 ó ÔÓ‰Íβ˜ÂÌË ............................................................ 56 MIDI-ËÌÚÂÙÂÈÒ ................................................ 61 ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ Í ÒËΠ̇ʇÚËfl ..............23 èÓ‰Íβ˜ÂÌËÂ Í USB-ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ‰‡ÌÌ˚ı (CLP-240).................................. 58 ù èÓ‰Íβ˜ÂÌË ÔÂÒÓ̇θÌÓ„Ó ÍÓÏÔ¸˛Ú‡............. 60 ˝Í‡Ì .........................................................................11 èÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı .................... 58 äÓÏÔ¸˛ÚÂ.......................................................... 60 ˝ÍÒÔÓÚ ......................................................................35 Ô‡‚‡fl Ô‰‡Î¸ ................................................20, 50, 51 Ô˛ÔËÚ...................................................................... 10 76 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ˝ÙÙÂÍÚ˚ ....................................................................22 CLP240E.book Page 77 Wednesday, April 6, 2005 4:02 PM èËÎÓÊÂÌËÂ Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ‰ÂʇÚÒfl ÒÔ‡‚Ó˜Ì˚ χÚ¡Î˚. ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl ..................78 îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ................................80 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡.......................................84 íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË.....................85 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 77 CLP240E.book Page 78 Wednesday, April 6, 2005 4:02 PM ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl Backup Group Default Voice Variation (CLP-240) CLP-230 GRAND PIANO 1 F8.1 OFF — Dual Mode OFF Split Mode (CLP-240) OFF Split Mode Left Voice (CLP-240) CLP-240 F9.1 F8.1 — WOOD BASS Brilliance NORMAL Reverb Type Preset for each voice Reverb Depth Preset for each voice Effect Type Preset for each voice Effect Depth Preset for each voice Touch Sensitivity F9.4 F8.4 F9.1 F8.1 F9.4 — MEDIUM Volume in the FIXED Mode 64 DDE (CLP-240) ON DDE Depth (CLP-240) 6 Metronome Metronome Time Signature Tempo Transpose OFF — — 0 (no accent) F9.1 F8.1 120 — — 0 F9.3 F8.3 Function CLP-240 78 CLP-230 Function Default F1 F1 Tuning A3=440Hz F2.1 F2.1 Scale 1 (Equal Temperament) F2.2 F2.2 Base Note C F3.1 F3.1 Dual Balance Preset for each voice combination F3.2 F3.2 Dual Detune Preset for each voice combination F3.3, F3.4 F3.3, F3.4 Dual Octave Shift Preset for each voice combination F3.5, F.3.6 F3.5, F.3.6 Dual Effect Depth Preset for each voice combination F4.1 — Split Point F2 F4.2 — Split Balance Preset for each voice combination F4.3, F4.4 — Split Octave Shift Preset for each voice combination F4.5, F4.6 — Split Effect Depth Preset for each voice combination F4.7 — Damper Pedal Range ALL F5.1 F4.1 Left Pedal Mode 1 (Soft Pedal) F5.2 F4.2 Soft Pedal Effect Depth 3 F5.3 — Sustain Sample Depth 12 F5.4 — Keyoff Sample Volume 10 F5.5 F4.3 Song Channel Selection ALL F6 F5 Metronome Volume 10 F7 F6 Song Part Cancel Volume 5 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Backup Group CLP-240 CLP-230 F9.3 F8.3 F9.1 F8.1 F9.4 F8.4 F9.1 F8.1 CLP240E.book Page 79 Wednesday, April 6, 2005 4:02 PM CLP-240 CLP-230 Function Default F8.1 F7.1 MIDI Transmit Channel 1 F8.2 F7.2 MIDI Receive Channel ALL F8.3 F7.3 Local Control ON F8.4 F7.4 Program Change Send & Receive ON F8.5 F7.5 Control Change Send & Receive ON F9 F8 Backup Voice: OFF MIDI – Others: ON F9.5 F8.5 Character Code En Backup Group CLP-240 CLP-230 F9.2 F8.2 Always backed up CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 79 CLP240E.book Page 80 Wednesday, April 6, 2005 4:02 PM îÓÏ‡Ú MIDI-‰‡ÌÌ˚ı ÖÒÎË ‚˚ Á̇ÍÓÏ˚ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛Ú ‰Îfl ÛÔ‡‚ÎÂÌËfl ÏÛÁ˚͇θÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË ÔË ÔÓÏÓ˘Ë ÒÓÁ‰‡‚‡ÂÏ˚ı ÍÓÏÔ¸˛ÚÂÓÏ MIDI-ÒÓÓ·˘ÂÌËÈ, ‰‡ÌÌ˚ ËÁ ˝ÚÓ„Ó ‡Á‰Â· ÔÓÏÓ„ÛÚ ‚‡Ï ÛÔ‡‚ÎflÚ¸ ÔˇÌËÌÓ CLP-240/230. 1. NOTE ON/OFF 3. MODE MESSAGES Data format: [9nH] -> [kk] -> [vv] Data format: [BnH] -> [cc] -> [vv] 9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8)* vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [vv] (reception only) 8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8 vv = Velocity * If received value exceeds the supported range for the selected voice, the note is adjusted by the necessary number of octaves. 2. CONTROL CHANGE Data format: [BnH] -> [cc] -> [vv] BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H: Normal 20H Bank Select LSB 00H...7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Modulation (reception only) ccH Parameter Data Range (vvH) 01H Modulation 00H-7FH (3) Main Volume (reception only) ccH Parameter Data Range (vvH) 07H Volume MSB 00H...7FH (4) Panpot (reception only) ccH Parameter 0AH Panpot Data Range (vvH) 00H-7FH (5) Expression ccH Parameter 0BH Expression MSB Data Range (vvH) 00H...7FH (6) Damper ccH Parameter 40H Damper MSB Data Range (vvH) 00H...7FH (7) Sostenuto ccH Parameter 42H Sostenuto Data Range (vvH) 00H-3FH:off, 40H-7FH:on (8) Soft Pedal ccH Parameter 43H Soft Pedal Data Range (vvH) 00H-3FH:off, 40H-7FH:on (9) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H...7FH Adjusts the reverb send level. (10) Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H...7FH (11) RPN ccH Parameter 65H RPN MSB 64H 06H 38H 80 RPN LSB Data Entry MSB Data Entry LSB CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Data Range (vvH) Coarse Tune 02H, Fine Tune 01H, Pitch Bend Range 00H BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Damper Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specified channel. Any notes being held by the damper or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. • When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received. • Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “All Note Off” transmission). • When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. • The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. CLP240E.book Page 81 Wednesday, April 6, 2005 4:02 PM 4. PROGRAM CHANGE 6. SYSTEM EXCLUSIVE MESSAGES (Yamaha MIDI Format) Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number CLP-240 GRANDPIANO 1 VARIATION GRANDPIANO 2 VARIATION E.PIANO 1 VARIATION E.PIANO 2 VARIATION HARPSICHORD VARIATION E. CLAVICHORD VARIATION VIBRAPHONE VARIATION CHURCH ORGAN VARIATION JAZZ ORGAN VARIATION STRINGS VARIATION CHOIR VARIATION GUITAR VARIATION WOOD BASS VARIATION E.BASS VARIATION CLP-230 GRANDPIANO 1 — GRANDPIANO 2 — E.PIANO 1 — E.PIANO 2 — HARPSICHORD 1 HARPSICHORD 2 — — VIBRAPHONE — CHURCH ORGAN 1 CHURCH ORGAN 2 JAZZ ORGAN — STRINGS 1 STRINGS 2 CHOIR — GUITAR — — — — — MSB 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 LSB 122 123 112 112 122 122 122 123 122 123 122 123 122 122 123 122 122 123 122 122 122 123 122 122 122 124 122 122 P.C.# 0 0 0 1 5 88 4 4 6 6 7 7 11 12 19 19 16 16 48 49 52 52 24 25 32 32 33 35 • When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received. 5. SYSTEM REALTIME MESSAGES [rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data F8H Transmission Transmitted every 96 clocks FAH Recorder start FCH Recorder stop FEH Transmitted every 200 milliseconds Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received. • Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. Panel Data Transmit Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... -> [F7H] F0H, 43H, 0nH, 7CH (n: channel number) 00H, LLH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 35H (CLP05) 3xH, 3yH aaH, bbH: Device No. aa=LSB, bb=MSB aa=5EH, bb=16H (CLP-240) aa=5BH, bb=16H (CLP-230) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end) F7H • Panel Data Contents (1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Variation On/Off (27) Touch Sensitivity (28) Fixed Data (29) Left Pedal (30) Soft Pedal Depth (31) Absolute tempo low byte (32) Absolute tempo high byte (33) Key-Off Sampling Depth (34) DDE On/Off (35) DDE Depth (36) Brilliance • Panel data send requests cannot be received. 7. SYSTEM EXCLUSIVE MESSAGES (Universal System Exclusive) (1) Universal Realtime Message Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] -> [llH] -> [mmH] -> [F7H] MIDI Master Volume • Simultaneously changes the volume of all channels. • When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master volume. F0H = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive or F0H = Exclusive status 7FH = Universal Realtime XnH = When n is received n=0~F, whichever is received. X = don’t care 04H = Sub-ID #1=Device Control Message 01H = Sub-ID #2=Master Volume llH = Volume LSB mmH = Volume MSB F7H = End of Exclusive CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 81 CLP240E.book Page 82 Wednesday, April 6, 2005 4:02 PM (2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] F0H = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive or F0H = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0~F. X = don’t care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default settings. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. 8. SYSTEM EXCLUSIVE MESSAGES (XG Standard) (1) XG Native Parameter Change Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] -> [mmH] -> [llH] -> [ddH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 1nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI system will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->...-> [ccH] -> [F7H] F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive • Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the CLP-240/230 another message. • XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). • For information about the Address and Byte Count values, refer to Table 1 below. Note that the table’s Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address. 82 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 9. SYSTEM EXCLUSIVE MESSAGES (Clavinova MIDI Format) Data format: [F0H] -> [43H] -> [73H] -> [01H] -> [nnH] -> [F7H] F0H = 43H = 73H = 01H = nnH = nn 02H 03H F7H = Exclusive status Yamaha ID Clavinova ID Product ID (CLP common) Substatus Control Internal MIDI clock External MIDI clock End of Exclusive 10. SYSTEM EXCLUSIVE MESSAGES (Special Control) Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H] F0H = Exclusive status 43H = Yamaha ID 73H = Clavinova ID 7FH = Extended Product ID xxH = Product ID 49H 11H = Special control 0nH = Control MIDI change (n=channel number) cc = Control number vv = Value F7H = End of Exclusive Control 0n ccH vvH 14H: Split Key Number Split Point Always 00H 14H Metronome Always 00H 1BH 00H: No accent 01H-0FH: 1/4-15/4 7FH: off Damper Level ch: 00H-0FH 3DH (Sets the Damper Level for each channel) 00H-7FH Channel Detune ch: 00H-0FH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal. 11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = don’t care (under 7FH) F7H = End of Exclusive CLP240E.book Page 83 Wednesday, April 6, 2005 4:02 PM <Table 1> MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 00 00 00 4 020C - 05F4* 01 02 03 04 1 05 1 7E 7F TOTAL SIZE 07 00 - 7F — 00 00 Parameter MASTER TUNE MASTER VOLUME — XG SYSTEM ON RESET ALL PARAMETERS Description -50 - +50[cent] 1st bit 3 - 0 ➝ bit 15 - 12 2nd bit 3 - 0 ➝ bit 11 - 8 3rd bit 3 - 0 ➝ bit 7 - 4 4th bit 3 - 0 ➝ bit 3 - 0 0 - 127 Default value (H) 00 04 00 00 400 7F 00=XG system ON 00=ON (receive only) *Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. <Table 2> MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H) 02 01 00 Size (H) 2 02 01 40 2 Data (H) 00-7F 00-7F Parameter REVERB TYPE MSB REVERB TYPE LSB 00-7F VARIATION TYPE MSB 00-7F VARIATION TYPE LSB • “VARIATION” refers to the EFFECT on the panel. Description Refer to Effect MIDI Map 00 : basic type Default value (H) 01 (=HALL1) 00 Refer to Effect MIDI Map 00 : basic type 00(=Effect off) 00 Description 0 - 127 Default value (H) 7F <Table 3> MIDI Parameter Change table (MULTI PART) Address (H) Size (H) 08 nn 11 1 nn = Part Number Data (H) 00 - 7F Parameter DRY LEVEL • Effect MIDI Map REVERB ROOM HALL 1 HALL 2 STAGE OFF MSB 02H 01H 01H 03H 00H LSB 10H 10H 11H 10H 00H MSB 42H 48H 46H 47H 00H LSB 10H 10H 10H 10H 00H EFFECT CHORUS PHASER TREMOLO ROTARY SP OFF CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 83 CLP240E.book Page 84 Wednesday, April 6, 2005 4:02 PM 퇷Îˈ‡ ı‡‡ÍÚÂËÒÚËÍ MIDI-ËÌÚÂÙÂÈÒ‡ 84 CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CLP240E.book Page 85 Wednesday, April 6, 2005 4:02 PM íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË CLP-240 Keyboard Sound Source CLP-230 GH3 keyboard 88 keys (A-1 – C7) AWM Dynamic Stereo Sampling AWM Stereo Sampling Polyphony (Max.) 64 Voice Selection 14 × 2 variations for each voice 14 Effect Reverb, Effect, Brilliance, DDE (Dynamic Damper Effect) Reverb, Effect, Brilliance Volume Controls Recording/Playback Pedal Demo Songs Jacks/Connectors Memory Device Main Amplifiers Speakers Dimensions (W × D × H) (with music rest) Weight Accessories Master Volume Dual, Split, Metronome, Transpose, Touch (Hard/Medium/Soft/Fixed), Functions, Speaker ON/OFF Dual, Metronome, Transpose, Touch (Hard/Medium/Soft/Fixed), Functions, Speaker ON/OFF 2-part recording/playback (three user songs), Tempo Adjustment, Sync Start Damper (with half-pedal effect), Sostenuto, Soft 14 voice Demo Songs, 50 preset Songs MIDI (IN/OUT/THRU), PHONES × 2, AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED) (L, R), USB TO HOST, USB TO DEVICE MIDI (IN/OUT/THRU), PHONES × 2, AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED) (L, R), USB TO HOST Optional USB storage device (via USB TO DEVICE teriminal) Internal Flash Memory (for saving User songs): 65 KB (for saving External songs): 307 KB 40W × 2 20W × 2 16cm × 2, 5cm × 2 16cm × 2 1,411mm × 506mm × 892mm [55 9/16" × 19 15/16" × 35 1/8"] (1,411mm × 506mm × 1,005mm) [55 9/16" × 19 15/16" × 39 9/16"] 68kg (149lbs., 15oz) 65kg (143lbs., 5oz) Owner’s Manual, “50 greats for the Piano” (Music Book), Accessory CD-ROM for Windows, Accessory CD-ROM for Windows Installation Guide, Bench (included or optional depending on locale) * íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha. CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl 85 CLP240E.book Page 86 Wednesday, April 6, 2005 4:02 PM IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 CLP240E.book Page 87 Wednesday, April 6, 2005 4:02 PM FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. (class B) COMPLIANCE INFORMATION STATEMENT (DECLARATION OF CONFORMITY PROCEDURE) Responsible Party : Yamaha Corporation of America Address : 6600 Orangethorpe Ave., Buena Park, Calif. 90620 Telephone : 714-522-9011 Type of Equipment : Electronic Piano Model Name : CLP-240/230 This device complies with Part 15 of the FCC Rules. Operation is subject to the following conditions: 1) this device may not cause harmful interference, and 2) this device must accept any interference received including interference that may cause undesired operation. See user manual instructions if interference to radio reception is suspected. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (FCC DoC) CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM Ñãü áÄåÖíéä CLP240E.book Page 88 Wednesday, April 6, 2005 4:02 PM For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. ᇠ·ÓΠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓ Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 POLAND Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57 THE NETHERLANDS Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 ASIA BELGIUM/LUXEMBOURG Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 PHILIPPINES DENMARK YS Copenhagen Liaison Office Generatorvej 6A DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 floor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 [CL] 36 CLP240E.book Page 90 Wednesday, April 6, 2005 4:02 PM CLP-240/230 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl C4