Download Yamaha CLAVINOVA CVP-210 Specifications

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Transcript

Introduction
SPECIAL MESSAGE SECTION
PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these
graphics appears on this page. Please observe all cautions
indicated on this page and those indicated in the safety
instruction section.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings.
The exclamation point within the
equilateral triangle is intended to alert
the user to the presence of important
operating and maintenance (servicing) instructions in the literature
accompanying the product.
The lightning flash with arrowhead
symbol, within the equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous
voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical
shock.
Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is
approximately five years. When replacement becomes
necessary, contact a qualified service representative to
perform the replacement.
Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.
Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult
your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indi-
cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.
IMPORTANT NOTICE: All Yamaha electronic products
are tested and approved by an independent safety testing
laboratory in order that you may be sure that when it is
properly installed and used in its normal and customary
manner, all foreseeable risks have been eliminated. DO
NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.
SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.
ENVIRONMENTAL ISSUES: Yamaha strives to pro-
duce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:
92-469 1 (bottom)
CVP-210
Model
Serial No.
Purchase Date
CVP-208
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ËÌÒÚÛÏÂÌÚÂ.
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„ﬂÁ¸ Ë Ô˚Î¸, ÍÓÚÓ˚Â ÏÓ„ÛÚ Ì‡ ÌÂÈ ÒÍ‡ÔÎË‚‡Ú¸Òﬂ.
àÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ Ë ‡Á˙ÂÏ, ‚ıÓ‰ﬂ˘ËÂ ‚
ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË.
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ÚÂÔÎ‡ (Ì‡„Â‚‡ÚÂÎﬂÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). çÂ ‰ÓÔÛÒÍ‡ÈÚÂ Ú‡ÍÊÂ
˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËﬂ Ë ÔÓ‚ÂÊ‰ÂÌËﬂ Í‡·ÂÎﬂ, ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó
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ÌÂÎ¸Áﬂ Ì‡ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ
ÔÂÂÍ‡ÚËÚ¸.
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ÅÂÂ˜¸ ÓÚ Ó„Ìﬂ
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ÔÂ‰ÏÂÚ˚.
ÉÓﬂ˘ËÈ ÔÂ‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓÊ‡.
èË ‚ÌÂ¯Ú‡ÚÌ˚ı ÒËÚÛ‡ˆËﬂı
çÂ ÓÚÍ˚‚‡Ú¸
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çÂ ‰ÂÊËÚÂ ËÌÒÚÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰ÓÊ‰¸, ‡
Ú‡ÍÊÂ ﬂ‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ Ò˚˚ı Ë ‚Î‡ÊÌ˚ı ÔÓÏÂ˘ÂÌËﬂı; ÌÂ ÒÚ‡‚¸ÚÂ
Ì‡ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊË‰ÍÓÒÚ¸˛, ÍÓÚÓ‡ﬂ ÏÓÊÂÚ ‡ÁÎËÚ¸Òﬂ Ë ÔÓÔ‡ÒÚ¸
‚ ÓÚ‚ÂÒÚËﬂ.
çËÍÓ„‰‡ ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ Ë ÌÂ ‚˚ÌËÏ‡ÈÚÂ ¯ÚÂÔÒÂÎ¸ÌÛ˛ ‚ËÎÍÛ
‚Î‡ÊÌ˚ÏË ÛÍ‡ÏË.
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çÂ ÒÎÂ‰ÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òﬂ ‡Á·Ë‡Ú¸ Â„Ó, ‡
Ú‡ÍÊÂ Í‡ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ ÏÓ‰ËÙËˆËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌËÂ
ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚÂ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚Â ‰ÓÎÊÂÌ
Ó·ÒÎÛÊË‚‡Ú¸ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸. èË ÔÓﬂ‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË
ÌÂÏÂ‰ÎÂÌÌÓ ÔÂÍ‡ÚËÚÂ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛
Í Í‚‡ÎËÙËˆËÓ‚‡ÌÌ˚Ï ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó
Ó·ÒÎÛÊË‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha.
Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ ËÎË ÔÓ‚ÂÊ‰ÂÌËﬂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ ËÎË ‡Á˙ÂÏ‡, ‡
Ú‡ÍÊÂ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚ÛÍ‡ ‚Ó ‚ÂÏﬂ ˝ÍÒÔÎÛ‡Ú‡ˆËË,
ÔË ÔÓﬂ‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚Ï‡ ÌÂÏÂ‰ÎÂÌÌÓ ÓÚÍÎ˛˜ËÚÂ
˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚Ì¸ÚÂ ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡
ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ
ÍÓÔÓ‡ˆËË Yamaha.
ÇçàåÄçàÖ!
ÇÓ ËÁ·ÂÊ‡ÌËÂ Ì‡ÌÂÒÂÌËﬂ ÒÂ¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛÊ‡˛˘ËÏ, ‡ Ú‡ÍÊÂ ÔÓ‚ÂÊ‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó
ËÏÛ˘ÂÒÚ‚‡, ‚ÒÂ„‰‡ ÒÓ·Î˛‰‡ÈÚÂ ÒÎÂ‰Û˛˘ËÂ ÓÒÌÓ‚Ì˚Â ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË. ä ˝ÚËÏ ÏÂ‡Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒﬂ
ÒÎÂ‰Û˛˘ÂÂ.
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åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË
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àÁ‚ÎÂÍ‡ﬂ ¯ÚÂÔÒÂÎ¸ÌÛ˛ ‚ËÎÍÛ ËÁ ËÌÒÚÛÏÂÌÚ‡ ËÎË ËÁ ÓÁÂÚÍË,
ÌËÍÓ„‰‡ ÌÂ ÚﬂÌËÚÂ Á‡ ¯ÌÛ, ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. Ç
ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ ÔÓ‚Â‰ËÚ¸ Í‡·ÂÎ¸.
éÚÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË ÔÎ‡ÌËÛÂÚÂ ÌÂ
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‚ÂÏﬂ „ÓÁ˚.
çÂ ÔÓ‰ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚË˜ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛
ÔÂÂıÓ‰ÌËÍ‡.
ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌË˛ Í‡˜ÂÒÚ‚‡ Á‚ÛÍ‡ ËÎË ÔÂÂ„Â‚Û
ÓÁÂÚÍË.
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ÇÌËÏ‡ÚÂÎ¸ÌÓ ÔÓ˜ËÚ‡ÈÚÂ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ
Ò·ÓÍË.
çÂÔ‡‚ËÎ¸Ì‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‚ÂÊ‰ÂÌË˛ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ì‡ÌÂÒÚË Ú‡‚ÏÛ.
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ÇÓ ËÁ·ÂÊ‡ÌËÂ ‰ÂÙÓÏ‡ˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂÊ‰ÂÌËﬂ ‚ÌÛÚÂÌÌËı
ÍÓÏÔÓÌÂÌÚÓ‚ ÌÂ ‰ÂÊËÚÂ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏÂ˘ÂÌËﬂı Ò ËÁ·˚ÚÓ˜ÌÓÈ
‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊÂ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎË¯ÍÓÏ Ô˚Î¸ÌÓ, ıÓÎÓ‰ÌÓ ËÎË
Ê‡ÍÓ (Ì‡ÔËÏÂ Ì‡ ÒÓÎÌˆÂ, ﬂ‰ÓÏ Ò Ì‡„Â‚‡ÚÂÎÂÏ ËÎË ‚ Ï‡¯ËÌÂ
‚ ‰ÌÂ‚ÌÓÂ ‚ÂÏﬂ).
çÂ ÔÓÎ¸ÁÛÈÚÂÒ¸ ËÌÒÚÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ
ÚÂÎÂ‚ËÁÓ‡, ‡‰ËÓÔËÂÏÌËÍ‡, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËﬂ, ÏÓ·ËÎ¸ÌÓ„Ó
ÚÂÎÂÙÓÌ‡ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚
ËÌÒÚÛÏÂÌÚÂ, ÚÂÎÂ‚ËÁÓÂ ËÎË ‡‰ËÓÔËÂÏÌËÍÂ ÏÓÊÂÚ ‚ÓÁÌËÍ‡Ú¸
¯ÛÏ.
ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÌÂ ÓÒÚ‡‚ÎﬂÈÚÂ
Â„Ó Ì‡ ÌÂÛÒÚÓÈ˜Ë‚ÓÈ ÔÓ‚ÂıÌÓÒÚË.
èÂÂ‰ ÔÂÂÏÂ˘ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓÂ‰ËÌËÚÂ ‚ÒÂ Í‡·ÂÎË.
í‡ÍÊÂ ÔÓ‚Â¸ÚÂ Á‡ÚﬂÌÛÚ˚ ÎË ‚ÒÂ ‚ËÌÚ˚ Ë ÌÂ ‡Á·ÓÎÚ‡ÎËÒ¸ ÎË ÓÌË
ÔË ÔÂÂÏÂ˘ÂÌËË ËÌÒÚÛÏÂÌÚ‡.
çÂ ÛÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌÂ (ÌÂÓ·ıÓ‰ËÏ ıÓÚﬂ
·˚ 3-Ò‡ÌÚËÏÂÚÓ‚˚È Á‡ÁÓ), ÔÓÒÍÓÎ¸ÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛
ˆËÍÛÎﬂˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒÎÂ‰ÒÚ‚ËÂ, ÔÂÂ„Â‚ ËÌÒÚÛÏÂÌÚ‡.
1/2
CVP-210/208
3
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àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒÍ‡ÏÂÈÍË (ÂÒÎË ÂÒÚ¸)
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èÂÊ‰Â ˜ÂÏ ÔÓ‰ÍÎ˛˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï
ÍÓÏÔÓÌÂÌÚ‡Ï, ÒÎÂ‰ÛÂÚ ÓÚÍÎ˛˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂÂ‰ ‚ÍÎ˛˜ÂÌËÂÏ
ËÎË ÓÚÍÎ˛˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚÂ
ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ ‚ ÚÓÏ, ˜ÚÓ Ì‡
‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËÏ‡Î¸Ì˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË, Ë
‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ËÌÒÚÛÏÂÌÚÂ ÔÓÒÚÂÔÂÌÌÓ Û‚ÂÎË˜¸ÚÂ „ÓÏÍÓÒÚ¸
‰Ó ÌÛÊÌÓÈ.
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é·ÒÎÛÊË‚‡ÌËÂ
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èÓÚË‡ÈÚÂ Ô˚Î¸ Ë Û‰‡ÎﬂÈÚÂ „ﬂÁ¸ Ò ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210
Ïﬂ„ÍÓÈ ÚÍ‡Ì¸˛. çÂ ÚËÚÂ ÒÎË¯ÍÓÏ ÛÒÂ‰ÌÓ, ÔÓÒÍÓÎ¸ÍÛ ÌÂ·ÓÎ¸¯ËÂ
˜‡ÒÚËˆ˚ „ﬂÁË ÏÓ„ÛÚ ÔÓˆ‡‡Ô‡Ú¸ ÔÓÎËÓ‚ÍÛ ËÌÒÚÛÏÂÌÚ‡.
ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡
‚Î‡ÊÌÓÈ ÚÍ‡Ì¸˛. çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔﬂÚÌÓ‚˚‚Ó‰ËÚÂÎË,
‡ÒÚ‚ÓËÚÂÎË, ÊË‰ÍËÂ Ó˜ËÒÚËÚÂÎË ËÎË ˜ËÒÚﬂ˘ËÂ Ò‡ÎÙÂÚÍË Ò
ÔÓÔËÚÍÓÈ.
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ÇÓ ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËﬂ ÒÍ‡ÏÂÈÍË ÌÂ ÓÒÚ‡‚ÎﬂÈÚÂ ÂÂ ‚
ÌÂÛÒÚÓÈ˜Ë‚ÓÏ ÔÓÎÓÊÂÌËË.
çÂ Í‡˜‡ÈÚÂÒ¸ Ì‡ ÒÍ‡ÏÂÈÍÂ Ë ÌÂ Ë„‡ÈÚÂ, ÒÚÓﬂ Ì‡ ÌÂÈ.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÒÍ‡ÏÂÈÍË ‚ Í‡˜ÂÒÚ‚Â ÒÚÂÏﬂÌÍË ËÎË ‰Îﬂ ËÌ˚ı
ˆÂÎÂÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ.
ëÍ‡ÏÂÈÍ‡ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ÚÓÎ¸ÍÓ ‰Îﬂ Ó‰ÌÓ„Ó ˜ÂÎÓ‚ÂÍ‡.
çÂ Ô˚Ú‡ÈÚÂÒ¸ Â„ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ, ÒË‰ﬂ Ì‡ ÒÍ‡ÏÂÈÍÂ,
ÔËÎ‡„‡ÂÏÓÈ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ CVP-210, ÔÓÒÍÓÎ¸ÍÛ ˝ÚÓ
ÔË‚Ó‰ËÚ Í ÔÂÂÌ‡ÔﬂÊÂÌË˛ Â„ÛÎËÛ˛˘Â„Ó ÏÂı‡ÌËÁÏ‡, ˜ÚÓ, ‚
Ò‚Ó˛ Ó˜ÂÂ‰¸, ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ÏÂı‡ÌËÁÏ‡ ËÎË
‰‡ÊÂ Ú‡‚ÏÂ.
ÖÒÎË ‚ËÌÚ˚ ÒÍ‡ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂÎ¸ÌÓ„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ, Á‡ÚﬂÌËÚÂ Ëı ÓÚ‚ÂÚÍÓÈ.
ëÓı‡ÌÂÌËÂ ‰‡ÌÌ˚ı
ëÓı‡ÌÂÌËÂ Ë ÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
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åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË
•
•
•
•
•
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ÅÛ‰¸ÚÂ ÓÒÚÓÓÊÌ˚, ÒÎÂ‰ËÚÂ Á‡ ÚÂÏ, ˜ÚÓ·˚ Í˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚ ÌÂ
Á‡˘ÂÏËÎ‡ ‚‡Ï Ô‡Î¸ˆ˚, Ë ÌÂ ‚ÒÚ‡‚ÎﬂÈÚÂ Ô‡Î¸ˆ˚ ËÎË ÛÍË ‚
ÓÚ‚ÂÒÚËﬂ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
çËÍÓ„‰‡ ÌÂ Á‡ÒÓ‚˚‚‡ÈÚÂ Ë ÌÂ ÓÌﬂÈÚÂ ·ÛÏ‡„Û, ÏÂÚ‡ÎÎË˜ÂÒÍËÂ Ë
ÔÓ˜ËÂ ÔÂ‰ÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËﬂ Ì‡ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë ÍÎ‡‚Ë‡ÚÛÂ.
ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ, ÌÂÏÂ‰ÎÂÌÌÓ ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ Ë
ÓÚÒÓÂ‰ËÌËÚÂ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡
ÔÓÏÓ˘¸˛ Í ÒÔÂˆË‡ÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌË˜ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËﬂ
ÍÓÔÓ‡ˆËË Yamaha.
çÂ ÍÎ‡‰ËÚÂ Ì‡ ËÌÒÚÛÏÂÌÚ ÔÂ‰ÏÂÚ˚ ËÁ ‚ËÌËÎ‡, ÔÎ‡ÒÚÏ‡ÒÒ˚ ËÎË
ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚Â˜Ë‚‡ÌË˛ Ô‡ÌÂÎË Ë
ÍÎ‡‚Ë‡ÚÛ˚.
ì‰‡˚ ÏÂÚ‡ÎÎË˜ÂÒÍËÏË, Ù‡ÙÓÓ‚˚ÏË ËÎË ‰Û„ËÏË ÊÂÒÚÍËÏË
ÔÂ‰ÏÂÚ‡ÏË ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ÚÂ˘ËÌ˚ ËÎË ¯ÂÎÛ¯ÂÌËÂ ÔÓÎËÓ‚ÍË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË
˝ÍÒÔÎÛ‡Ú‡ˆËË.
çÂ Ò‡‰ËÚÂÒ¸ Ì‡ ËÌÒÚÛÏÂÌÚ Ë ÌÂ ÒÚ‡‚¸ÚÂ Ì‡ ÌÂ„Ó ÚﬂÊÂÎ˚Â
ÔÂ‰ÏÂÚ˚, ‡ Ú‡ÍÊÂ ËÁ·Â„‡ÈÚÂ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË
ÔÓÎ¸ÁÓ‚‡ÌËË ÍÌÓÔÍ‡ÏË, ‚˚ÍÎ˛˜‡ÚÂÎﬂÏË Ë ‡Á˙ÂÏ‡ÏË.
çÂ ÒÎÂ‰ÛÂÚ ‰ÓÎ„Ó ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ
ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÒÎÛı‡. èË
ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌÂ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û.
èË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ËÌÒÚÛÏÂÌÚ‡ ÌÂÍÓÚÓ˚Â ‰‡ÌÌ˚Â
ÚÂÍÛ˘ÂÈ Ô‡ÏﬂÚË ·Û‰ÛÚ ÔÓÚÂﬂÌ˚ (ÒÏ. ÒÚ. 43). ëÓı‡ÌﬂÈÚÂ ‰‡ÌÌ˚Â
Ì‡ ‰ËÒÍÂÚÂ ËÎË ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË User (ÒÏ. ÒÚ. 40, 48).
ÇÓÁÏÓÊÌ‡ ÔÓÚÂﬂ ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË
ÌÂÔ‡‚ËÎ¸ÌÓÈ ‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌﬂÈÚÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â
Ì‡ ‰ËÒÍÂÚÂ.
èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ Ì‡ ÒÚ‡ÌËˆÂ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó
Ì‡ÒÚÓÈÍÂ ÒËÒÚÂÏ˚ (ÔÂÂ˜ËÒÎÂÌÌ˚Â ‚ Ú‡·ÎËˆÂ Ô‡‡ÏÂÚÓ‚
ÔÓÒÚ‡‚ÎﬂÂÏÓ„Ó ÓÚ‰ÂÎ¸ÌÓ Ò·ÓÌËÍ‡ Ú‡·ÎËˆ) ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓı‡Ìﬂ˛ÚÒﬂ ÔÓÒÎÂ ‚˚ıÓ‰‡ Ò ˝ÚÓÈ ÒÚ‡ÌËˆ˚. é‰Ì‡ÍÓ ÂÒÎË
ÔÂÂ‰ ÓÚÍÎ˛˜ÂÌËÂÏ ÔËÚ‡ÌËﬂ ÌÂ ·˚Î‡ ‚˚ÔÓÎÌÂÌ‡
Ì‡‰ÎÂÊ‡˘‡ﬂ ÔÓˆÂ‰Û‡ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó
˝Í‡Ì‡, ‚ÒÂ ˝ÚË ËÁÏÂÌÂÌËﬂ ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚.
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚
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óÚÓ·˚ ‰‡ÌÌ˚Â ÌÂ ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ ÌÓÒËÚÂÎﬂ,
ÂÍÓÏÂÌ‰ÛÂÚÒﬂ ÒÓı‡ÌﬂÚ¸ Ì‡Ë·ÓÎÂÂ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â Ì‡ ‰‚Ûı
‰ËÒÍÂÚ‡ı.
åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË
äÓ„‰‡ Ì‡ ‰ËÒÍÂ USER/ÑàëäéÇéÑÖ ‚˚ÔÓÎÌﬂ˛ÚÒﬂ ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË, Ì‡ÔËÏÂ ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌËÂ ËÎË ÍÓÔËÓ‚‡ÌËÂ, çàäéÉÑÄ ÌÂ ‚˚ÍÎ˛˜‡ÈÚÂ
ÔËÚ‡ÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208 ‰Ó ÔÓÎÌÓ„Ó Á‡‚Â¯ÂÌËﬂ ÓÔÂ‡ˆËË. (é·ﬂÁ‡ÚÂÎ¸ÌÓ ÔÓ‰ÓÊ‰ËÚÂ, ÔÓÍ‡ ÌÂ ËÒ˜ÂÁÌÂÚ ÔÓﬂ‚Ë‚¯ÂÂÒﬂ ÒÓÓ·˘ÂÌËÂ.)
éÚÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ ‚Ó ‚ÂÏﬂ ˝ÚËı ÓÔÂ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚÂÂ ‰‡ÌÌ˚ı, ÒÓı‡ÌﬂÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı Ì‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÌÓÒËÚÂÎ¸.
ÇÓ ‚ÂÏﬂ Ú‡ÍËı ÓÔÂ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌﬂÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËﬂ Í ‰ËÒÍÛ USER. éÚÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ ‚Ó ‚ÂÏﬂ ÒÓı‡ÌÂÌËﬂ/Û‰‡ÎÂÌËﬂ/ÍÓÔËÓ‚‡ÌËﬂ
‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂ USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚÂÂ ÇëÖï ‰‡ÌÌ˚ı Ì‡ ˝ÚÓÏ ‰ËÒÍÂ (ÔË ÒÎÂ‰Û˛˘ÂÏ ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ), ‡ ÌÂ ÚÓÎ¸ÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË
‚˚ÔÓÎÌﬂÎ‡Ò¸ ÓÔÂ‡ˆËﬂ. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ÔÓÎÌﬂﬂ ÓÔÂ‡ˆËË ÒÓı‡ÌÂÌËﬂ/Û‰‡ÎÂÌËﬂ/ÍÓÔËÓ‚‡ÌËﬂ ÚÓÎ¸ÍÓ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ Ì‡ ‰ËÒÍÂ USER Ë ÓÚÍÎ˛˜Ë‚
ÔËÚ‡ÌËÂ ‰Ó Á‡‚Â¯ÂÌËﬂ ÓÔÂ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂﬂÚ¸ ÇëÖ ‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂ USER, ‚ ÚÓÏ ˜ËÒÎÂ ‚ÒÂ ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛÎ¸ÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË, ÍÓÚÓ˚Â ·˚ÎË ÒÓı‡ÌÂÌ˚ Ì‡ ‰ËÒÍÂ USER.
ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊÂ ÓÚÌÓÒﬂÚÒﬂ Í ÒÓÁ‰‡ÌË˛ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍÂ USER ËÎË ÓÔÂ‡ˆËË ÔÓ ËÒÔÓÎ¸ÁÓ‚‡ÌË˛ Ì‡ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎﬂ (ÒÚ. 154).
äÓÔÓ‡ˆËﬂ Yamaha ÌÂ ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂÊ‰ÂÌËﬂ, ‚˚Á‚‡ÌÌ˚Â ÌÂÔ‡‚ËÎ¸ÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙËÍ‡ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊÂ Á‡
ÔÓÚÂﬂÌÌ˚Â ËÎË ËÒÔÓ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â.
ÇÒÂ„‰‡ ‚˚ÍÎ˛˜‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ÔÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ‡·ÓÚ˚.
(1)B-7
4
CVP-210/208
2/2
ÅÎ‡„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha!
êÂÍÓÏÂÌ‰ÛÂÏ ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ Ò ‰‡ÌÌ˚Ï ÛÍÓ‚Ó‰ÒÚ‚ÓÏ,
˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ Ì‡Ë·ÓÎÂÂ ÔÓÎÌÓÂ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó· Ò‡Ï˚ı ÒÓ‚ÂÏÂÌÌ˚ı
Ë Û‰Ó·Ì˚ı ÙÛÌÍˆËﬂı ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
ç‡ÒÚÓﬂÚÂÎ¸ÌÓ ÂÍÓÏÂÌ‰ÛÂÏ ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
‚ Û‰Ó·ÌÓÏ Ë Ì‡‰ÂÊÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ ÓÌÓ ‚ÒÂ„‰‡ ·˚ÎÓ ÔÓ‰ ÛÍÓÈ.
é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë Ò·ÓÌËÍÂ Ú‡·ÎËˆ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚Â‰ÂÌËÂ», «ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó», «éÒÌÓ‚Ì˚Â
ÓÔÂ‡ˆËË» Ë «ëÔ‡‚Ó˜ÌËÍ». äÓÏÂ ÚÓ„Ó, ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ ÓÚ‰ÂÎ¸Ì˚È Ò·ÓÌËÍ Ú‡·ÎËˆ.
Ç‚Â‰ÂÌËÂ (ÒÚ. 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒÎÂ‰ÛÂÚ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ ‚ ÔÂ‚Û˛ Ó˜ÂÂ‰¸.
ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 20): ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËﬂ Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌÍˆËÓÌ‡Î¸Ì˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı
ËÌÒÚÛÏÂÌÚ‡.
éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË (ÒÚ. 39): ùÚÓÚ ‡Á‰ÂÎ Ó·˙ﬂÒÌﬂÂÚ, Í‡Í ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÓÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË, ‚ ÚÓÏ ˜ËÒÎÂ ˝Í‡ÌÌ˚Â ˝ÎÂÏÂÌÚ˚
ÛÔ‡‚ÎÂÌËﬂ.
ëÔ‡‚Ó˜ÌËÍ (ÒÚ. 56): ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍÂ ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ
ËÌÒÚÛÏÂÌÚ‡.
ë·ÓÌËÍ Ú‡·ÎËˆ: ÒÔËÒÓÍ ÚÂÏ·Ó‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú.Ô.
* åÓ‰ÂÎË CVP-210/208 ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ó·ÓÁÌ‡˜‡˛ÚÒﬂ Í‡Í «CVP/Clavinova».
* àÎÎ˛ÒÚ‡ˆËË Ë ÒÌËÏÍË ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËı ˝Í‡ÌÓ‚ ÔË‚Â‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ÚÓÎ¸ÍÓ ‚ Í‡˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚
‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓÒÚË ‚ÒÂ ÏÓÊÂÚ ‚˚„Îﬂ‰ÂÚ¸ ÌÂÒÍÓÎ¸ÍÓ ËÌ‡˜Â.
* ëÌËÏÍË ˝Í‡ÌÓ‚ Operation Guide, ÔË‚Â‰ÂÌÌ˚Â ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CVP-210 Ë ÔÂ‰ÒÚ‡‚ÎÂÌ˚ ÚÓÎ¸ÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ
ﬂÁ˚ÍÂ.
* äÓÔËÓ‚‡ÌËÂ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ, ËÏÂ˛˘Â„ÓÒﬂ ‚ ÔÓ‰‡ÊÂ, ‡ÁÂ¯ÂÌÓ ÚÓÎ¸ÍÓ ‰Îﬂ ÎË˜ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
Ç ˝ÚÓÏ ÔÓ‰ÛÍÚÂ Ó·˙Â‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚Â ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍËÂ Ô‡‚‡ Ì‡ ÍÓÚÓ˚Â ÔËÌ‡‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË
Ô‡‚Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎËˆÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡ÚÂË‡Î‡Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒﬂÚÒﬂ ·ÂÁ
Ó„‡ÌË˜ÂÌËﬂ ‚ÒÂ ÍÓÏÔ¸˛ÚÂÌÓÂ ÔÓ„‡ÏÏÌÓÂ Ó·ÂÒÔÂ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚Â WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·ÓÂ
ÌÂÒ‡ÌÍˆËÓÌËÓ‚‡ÌÌÓÂ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ú‡ÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰ﬂ˘ÂÂ Á‡ ‡ÏÍË ÎË˜ÌÓ„Ó ÔÓÎ¸ÁÓ‚‡ÌËﬂ, Á‡ÔÂ˘ÂÌÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓÌ‡ÏË. ã˛·ÓÂ Ì‡Û¯ÂÌËÂ ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒÎÂ‰ÛÂÚÒﬂ ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ
àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà.
íÓ‚‡Ì˚Â ÁÌ‡ÍË:
• Apple Ë Macintosh ﬂ‚Îﬂ˛ÚÒﬂ ÚÓ‚‡Ì˚ÏË ÁÌ‡Í‡ÏË ÍÓÏÔ‡ÌËË Apple Computer, Inc.
• IBM-PC/AT ﬂ‚ÎﬂÂÚÒﬂ ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines.
• Windows ﬂ‚ÎﬂÂÚÒﬂ Óı‡ÌﬂÂÏ˚Ï ÚÓ‚‡Ì˚Ï ÁÌ‡ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®.
• ÇÒÂ ÓÒÚ‡Î¸Ì˚Â ÚÓ‚‡Ì˚Â ÁÌ‡ÍË ﬂ‚Îﬂ˛ÚÒﬂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚Î‡‰ÂÎ¸ˆÂ‚.
* îÓÚÓ„‡ÙËË ÍÎ‡‚ÂÒËÌ‡, ·‡Ì‰ÓÌÂÓÌ‡, ‡ÁÎË˜Ì˚ı ‚Ë‰Ó‚ ˆËÏ·‡Î Ë ÏÛÁ˚Í‡Î¸ÌÓÈ ¯Í‡ÚÛÎÍË, ËÁÓ·‡Ê‡ÂÏ˚Â Ì‡ ˝Í‡Ì‡ı ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
CVP-210/208, Î˛·ÂÁÌÓ ÔÂ‰ÓÒÚ‡‚ÎÂÌ˚ ÏÛÁÂÂÏ Gakkigaku Shiryokan (ëÓ·‡ÌËÂ ÒÚ‡ËÌÌ˚ı ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚), ÏÛÁ˚Í‡Î¸ÌÓ„Ó
ÍÓÎÎÂ‰Ê‡ Kunitachi.
* ëÎÂ‰Û˛˘ËÂ ËÌÒÚÛÏÂÌÚ˚, ËÁÓ·‡Ê‡ÂÏ˚Â Ì‡ ˝Í‡Ì‡ı ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208, ‰ÓÒÚÛÔÌ˚ ‰Îﬂ Ó·ÓÁÂÌËﬂ ‚ ÏÛÁÂÂ ÏÛÁ˚Í‡Î¸Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚ Hamamatsu: ·‡Î‡ÙÓÌ, ‰ÊÂÌ‰Â, Í‡ÎËÏ·‡, Í‡ÌÛÌ, Ò‡ÌÚÛ, „‡ÏÂÎ‡Ì, ‡Ù‡, ÍÓÎÓÍÓÎ¸˜ËÍ, ‚ÓÎ˚ÌÍ‡, ·‡Ì‰ÊÓ, Í‡ËÎ¸ÓÌ, Ï‡Ì‰ÓÎËÌ‡,
Û‰, ÙÎÂÈÚ‡ è‡Ì‡, ÔÛÌ‰ÊË, ‡·‡·, ¯‡Ì‡Ë, ÒËÚ‡, ÒÚ‡Î¸ÌÓÈ ·‡‡·‡Ì, Ú‡Ï·‡.
* Ñ‡ÌÌ˚È ÔÓ‰ÛÍÚ ÔÓËÁ‚Â‰ÂÌ ÔÓ ÎËˆÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊÂ Ô‡ÚÂÌÚÓÏ No.5567901,
ÔËÌ‡‰ÎÂÊ‡˘ËÏ IVL Technologies Ltd.
* ê‡ÒÚÓ‚˚Â ¯ËÙÚ˚, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, ÔÂ‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÔÓ‡ˆËÂÈ Ricoh Co., Ltd. Ë ﬂ‚Îﬂ˛ÚÒﬂ ÂÂ ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛.
CVP-210/208
5
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË
■ ç‡·Ó ‰ËÒÍÓ‚ Ë Ô‡ÚËÚÛ «50 greats for the Piano»
■ á‡ÔËÒ˚‚‡ÂÏ˚È ‰ËÒÍ
àÒÔÓÎ¸ÁÛÈÚÂ ˝ÚÓÚ ‰ËÒÍ ‰Îﬂ ÒÓı‡ÌÂÌËﬂ Ì‡ ÌÂÏ Ò‚ÓËı Á‡ÔËÒÂÈ.
■ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÔÓÎÌ˚Â ËÌÒÚÛÍˆËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova.
■ ë·ÓÌËÍ Ú‡·ÎËˆ
Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂÊ‡ÚÒﬂ ÒÔËÒÍË ÚÂÏ·Ó‚, ÒÚËÎÂÈ, Ô‡‡ÏÂÚÓ‚ Ë Ú.‰.
■ ëÍ‡ÏÂÈÍ‡
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, ÒÍ‡ÏÂÈÍ‡ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË ÌÂ ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ
íÂıÌËÍ‡ ·ÂÁÓÔ‡ÒÌÓÒÚË
ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓÎÌﬂÈÚÂ ‚ÒÂ ÛÍ‡Á‡ÌÌ˚Â ÏÂ˚ ÔÂ‰ÓÒÚÓÓÊÌÓÒÚË.
ëÓ‚ÏÂÒÚËÏ˚Â ÚËÔ˚ ‰ËÒÍÂÚ
• åÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD.
ìÒÚ‡ÌÓ‚Í‡ Ë ËÁ‚ÎÂ˜ÂÌËÂ ‰ËÒÍÂÚ
óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ
‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘ËÂ ‰ÂÈÒÚ‚Ëﬂ:
• ÑÂÊËÚÂ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ¯ÚÓÍÓÈ ‚ÔÂÂ‰ ÔÓ
Ì‡Ô‡‚ÎÂÌË˛ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸ÚÂ
‰ËÒÍÂÚÛ ‚ ˘ÂÎ¸ Ë Ïﬂ„ÍÓ ÚÓÎÍÌËÚÂ ‚ÔÂÂ‰, ÔÓÍ‡ ÌÂ ÛÒÎ˚¯ËÚÂ
˘ÂÎ˜ÓÍ Ë ÌÂ ‚˚ÒÍÓ˜ËÚ ÍÌÓÔÍ‡ ‰ËÒÍÓ‚Ó‰‡.
óÚÓ·˚ ËÁ‚ÎÂ˜¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚÂ ÒÎÂ‰Û˛˘ËÂ
‰ÂÈÒÚ‚Ëﬂ:
èÂÊ‰Â ˜ÂÏ ‚˚ÌËÏ‡Ú¸ ‰ËÒÍÂÚÛ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ ÌÂÂ ÌÂ
Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰‡ÌÌ˚Â.
ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‰‡ÌÌ˚Â ÚÂÍÛ˘ÂÈ ÓÔÂ‡ˆËË,
Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Now executing» («à‰ÂÚ
Á‡ÔËÒ¸»), «Now copying» («à‰ÂÚ ÍÓÔËÓ‚‡ÌËÂ») ËÎË «Now
formatting» («à‰ÂÚ ÙÓÏ‡ÚËÓ‚‡ÌËÂ»).
• èÂÂÏÂ˘ÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ, ‚ÒÚ‡‚Í‡, ÒÓı‡ÌÂÌËÂ Ë
Û‰‡ÎÂÌËÂ ‰‡ÌÌ˚ı (ÒÚ. 46 - 48).
• Ç˚·Ó ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚ. 45); ÒÓÁ‰‡ÌËÂ ÌÓ‚ÓÈ
Ô‡ÔÍË (ÒÚ. 48).
• äÓÔËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ Ì‡ ‰Û„Û˛ ‰ËÒÍÂÚÛ (ÒÚ. 153);
ÙÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚ (ÒÚ. 153).
äÌÓÔÍ‡ ËÁ‚ÎÂ˜ÂÌËﬂ
‰ËÒÍÂÚ˚
àÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡
äÓ„‰‡ ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡
(ÒÎÂ‚‡ ‚ÌËÁÛ) „ÓËÚ, ÛÍ‡Á˚‚‡ﬂ, ˜ÚÓ ‰ËÒÍÓ‚Ó‰
ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸.
6
CVP-210/208
• çËÍÓ„‰‡ ÌÂ Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËÏ‡Ú¸ ‰ËÒÍÂÚÛ ËÎË ‚˚ÍÎ˛˜‡Ú¸
ÔËÚ‡ÌËÂ ‚Ó ‚ÂÏﬂ Á‡ÔËÒË ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸
‰ËÒÍÂÚÛ, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰. åÂ‰ÎÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
‰ËÒÍÓ‚Ó‰‡ ‰Ó ÛÔÓ‡ — Ë ‰ËÒÍÂÚ‡ ‚˚ÒÍÓ˜ËÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
äÓ„‰‡ ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ÓÒ‚Ó·Ó‰ËÚÒﬂ, ÓÒÚÓÓÊÌÓ ‚˚Ì¸ÚÂ
ÂÂ.
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ÎÂ˜ÂÌËﬂ ‰ËÒÍÂÚ˚ ÒÎË¯ÍÓÏ ·˚ÒÚÓ
ËÎË Ì‡Ê‡Ú¸ ÂÂ ÌÂ ‰Ó ÛÔÓ‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË
ÌÂÔ‡‚ËÎ¸ÌÓ. äÌÓÔÍ‡ ‰ËÒÍÓ‚Ó‰‡ ÏÓÊÂÚ Á‡ÒÚﬂÚ¸ Ì‡
ÔÓÎÔÛÚË, Ë ‰ËÒÍÂÚ‡ ‚˚È‰ÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡ ÚÓÎ¸ÍÓ Ì‡
ÌÂÒÍÓÎ¸ÍÓ ÏËÎÎËÏÂÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂ Ô˚Ú‡ÈÚÂÒ¸
‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ. èËÏÂÌÂÌËÂ ÒËÎ˚ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸
‰ËÒÍÓ‚Ó‰ ËÎË Ò‡ÏÛ ‰ËÒÍÂÚÛ. óÚÓ·˚ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ,
ÔÓÔÓ·ÛÈÚÂ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ Â˘Â ‡Á ËÎË ‚ÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ
Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚÂ ÔÓˆÂ‰ÛÛ.
• èÂÊ‰Â ˜ÂÏ ÓÚÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ, Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ ÌÂ
ÓÒÚ‡Î‡Ò¸ ‚ ‰ËÒÍÓ‚Ó‰Â. ÑËÒÍÂÚ‡, Ì‡ıÓ‰ﬂ˘‡ﬂÒﬂ ‚ ‰ËÒÍÓ‚Ó‰Â
‰ÎËÚÂÎ¸ÌÓÂ ‚ÂÏﬂ, ÏÓÊÂÚ ÔÓÍ˚Ú¸Òﬂ Ô˚Î¸˛ Ë „ﬂÁ¸˛, ˜ÚÓ
ÔË‚Â‰ÂÚ Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË.
• çÂ ÓÒÚ‡‚ÎﬂÈÚÂ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ
ÔÓ‰‚Â„ÌÛÚ¸Òﬂ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ Ï‡„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂÎÂ‚ËÁÓÓ‚,
ÍÓÎÓÌÓÍ, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚.
å‡„ÌËÚÌ˚Â ÔÓÎﬂ ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚË˜ÌÛ˛ ËÎË ÔÓÎÌÛ˛
ÛÚ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ, Ò‰ÂÎ‡‚ ÂÂ
ÌÂÔË„Ó‰ÌÓÈ Í ËÒÔÓÎ¸ÁÓ‚‡ÌË˛.
• çËÍÓ„‰‡ ÌÂ ËÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ
¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ.
• çÂ ÔËÍÂÔÎﬂÈÚÂ Í ‰ËÒÍÂÚÂ ÌË˜Â„Ó, ÍÓÏÂ ÒÔÂˆË‡Î¸Ì˚ı
Ì‡ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎﬂÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË. èËÍÂÔÎﬂÈÚÂ
Ì‡ÍÎÂÈÍË ‚ ÒÔÂˆË‡Î¸ÌÓ ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÓÂ ‰Îﬂ ˝ÚÓ„Ó ÏÂÒÚÓ.
á‡˘ËÚ‡ ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ (Á‡˘ÂÎÍ‡ ‰Îﬂ Á‡˘ËÚ˚ ÓÚ
Á‡ÔËÒË):
• óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚Â ‰‡ÌÌ˚Â ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚË‡ÌËﬂ,
ÔÂÂÏÂÒÚËÚÂ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌËÂ «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚËÂ
ÓÚÍ˚ÚÓ).
é˜ËÒÚÍ‡ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îﬂ ˜ÚÂÌËﬂ/
Á‡ÔËÒË ‰‡ÌÌ˚ı
• çÂÓ·ıÓ‰ËÏÓ Â„ÛÎﬂÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËﬂ/Á‡ÔËÒË
‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒÌ‡˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ
ÚÓ˜ÌÓÒÚË, Ì‡ ÍÓÚÓÓÈ ÔÓÒÎÂ ‰ÎËÚÂÎ¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ
Ì‡Í‡ÔÎË‚‡ÂÚÒﬂ ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚËˆ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ
ÒÓ ‚ÂÏÂÌÂÏ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË Ë Á‡ÔËÒË
‰‡ÌÌ˚ı.
• óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓﬂÌËË,
ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ‡Á ‚ ÏÂÒﬂˆ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ËÏÂ˛˘Û˛Òﬂ ‚ ÔÓ‰‡ÊÂ ÒÔÂˆË‡Î¸ÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡
‰Îﬂ Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚ﬂÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡ÊÂ Ú‡ÍËÂ
‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó ÔÂ‰ÒÚ‡‚ËÚÂÎﬂ ÍÓÔÓ‡ˆËË
Yamaha.
• Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎﬂÚ¸ ÚÓÎ¸ÍÓ ‰ËÒÍÂÚ˚ ÛÍ‡Á‡ÌÌ˚ı
‚˚¯Â ÚËÔÓ‚. èÓÒÚÓÓÌÌËÂ ÔÂ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓ‚Â‰ËÚ¸
‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ.
á‡˘ÂÎÍ‡ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË
‚ ÓÚÍ˚ÚÓÈ ÔÓÁËˆËË
(Á‡ÔËÒ¸ Á‡ÔÂ˘ÂÌ‡)
êÂÁÂ‚ÌÓÂ ÍÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı
• ÑÎﬂ Ó·ÂÒÔÂ˜ÂÌËﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı
ÍÓÔÓ‡ˆËﬂ Yamaha ÂÍÓÏÂÌ‰ÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓÎÂÂ
‚‡ÊÌ˚ı ‰‡ÌÌ˚ı Ì‡ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚Â ÔË ÔÓÚÂÂ ËÎË ÔÓ‚ÂÊ‰ÂÌËË Ó‰ÌÓÈ
ËÁ ‰ËÒÍÂÚ. ÑÎﬂ ÒÓÁ‰‡ÌËﬂ ÂÁÂ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓÎ¸ÁÛÈÚÂ
ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ Ì‡ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ Ì‡
ÒÚ. 153.
ë‚Â‰ÂÌËﬂ Ó ‰ËÒÍÂÚ‡ı
éÒÚÓÓÊÌÓÂ Ó·‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË ÔÂ‰ÔÓÎ‡„‡ÂÚ
ÒÓ·Î˛‰ÂÌËÂ ÒÎÂ‰Û˛˘Ëı ÏÂ:
• çÂ ÒÚ‡‚¸ÚÂ Ì‡ ‰ËÒÍÂÚ˚ ÚﬂÊÂÎ˚Â ÔÂ‰ÏÂÚ˚, ÌÂ Ò„Ë·‡ÈÚÂ Ëı Ë
ÌÂ ÔËÏÂÌﬂÈÚÂ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚
ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ, ı‡ÌËÚÂ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎﬂ‡ı.
• çÂ ÔÓ‰‚Â„‡ÈÚÂ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒÚ‚Ë˛ ÔﬂÏÓ„Ó ÒÓÎÌÂ˜ÌÓ„Ó
Ò‚ÂÚ‡, ÒÎË¯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔÂ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ
‚Î‡ÊÌÓÒÚË, ËÁ·Â„‡ÈÚÂ ÒÍ‡ÔÎË‚‡ÌËﬂ Ì‡ ÌËı Ô˚ÎË Ë
ÔÓÔ‡‰‡ÌËﬂ ÊË‰ÍÓÒÚË.
• çÂ ÒÎÂ‰ÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ ‰ËÒÍÂÚ˚ Ë ÔËÍ‡Ò‡Ú¸Òﬂ Í
‚ÌÛÚÂÌÌÂÈ ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍ‡.
CVP-210/208
7
ëÓÓ·˘ÂÌËﬂ Ì‡ ˝Í‡ÌÂ
àÌÓ„‰‡ ‰Îﬂ Ó·ÎÂ„˜ÂÌËﬂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËË Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÒÓÓ·˘ÂÌËÂ (ËÌÙÓÏ‡ˆËﬂ ËÎË
‚ÓÔÓÒ).
èË ÔÓﬂ‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËﬂ ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚ÒÂ ËÌÒÚÛÍˆËË Ì‡ ˝Í‡ÌÂ, Ì‡Ê‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ.
èêàåÖóÄçàÖ
ç‡ ˝Í‡ÌÂ Help ÏÓÊÌÓ ‚˚·‡Ú¸
ﬂÁ˚Í ÒÓÓ·˘ÂÌËÈ (ÒÚ. 53).
F
G
H
I
Ç ÔË‚Â‰ÂÌÌÓÏ ÔËÏÂÂ
ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [G]
(YES) ‰Îﬂ ‚˚ÔÓÎÌÂÌËﬂ
ÙÓÏ‡ÚËÓ‚‡ÌËﬂ.
J
«Clavinova-Computer Connection» — ˝ÚÓ ‰ÓÔÓÎÌËÚÂÎ¸ÌÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îﬂ Ì‡˜ËÌ‡˛˘Ëı, ‚ ÍÓÚÓÓÏ ‡ÒÒÍ‡Á˚‚‡ÂÚÒﬂ Ó ÚÓÏ, Í‡Í
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Ò ÔÂÒÓÌ‡Î¸Ì˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Ì‡ÒÚÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-äÓÏÔ¸˛ÚÂ
(ÛÍÓ‚Ó‰ÒÚ‚Ó ÌÂ ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ Í‡ÍÛ˛-ÎË·Ó ÍÓÌÍÂÚÌÛ˛ ÏÓ‰ÂÎ¸). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚Ë‰Â Ù‡ÈÎ‡ PDF Ì‡ ‡Ì„ÎËÈÒÍÓÏ
ﬂÁ˚ÍÂ ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ:
ÑÓÏ‡¯Ìﬂﬂ ÒÚ‡ÌËˆ‡ Clavinova .............................................. http://www.yamahaclavinova.com/
ÅË·ÎËÓÚÂÍ‡ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï ÍÓÔÓ‡ˆËË Yamaha
(ùÎÂÍÚÓÌÌ˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ËÌÒÚÛÏÂÌÚ˚)....................... http://www2.yamaha.co.jp/manual/english/
é·ÒÎÛÊË‚‡ÌËÂ
ÑÎﬂ ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓÎ¸ÁÛÈÚÂÒ¸ Ïﬂ„ÍÓÈ ÒÛıÓÈ ËÎË ÒÎÂ„Í‡ ‚Î‡ÊÌÓÈ (ıÓÓ¯Ó ÓÚÊ‡ÚÓÈ) ÚÍ‡Ì¸˛.
ÇçàåÄçàÖ!
çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ‰Îﬂ Ó˜ËÒÚÍË ·ÂÌÁËÌ, ‡ÒÚ‚ÓËÚÂÎ¸, ÒÚË‡Î¸Ì˚È ÔÓÓ¯ÓÍ ËÎË ıËÏË˜ÂÒÍËÂ Â‡„ÂÌÚ˚. çÂ ÒÚ‡‚¸ÚÂ Ì‡
ËÌÒÚÛÏÂÌÚ ‚ËÌËÎÓ‚˚Â, ÔÎ‡ÒÚÏ‡ÒÒÓ‚˚Â Ë ÂÁËÌÓ‚˚Â ÔÂ‰ÏÂÚ˚.
ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚Â˜Ë‚‡ÌË˛ Ô‡ÌÂÎË ËÎË ÍÎ‡‚Ë¯.
ÇçàåÄçàÖ!
èÂÊ‰Â ˜ÂÏ ÔËÒÚÛÔ‡Ú¸ Í ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÌÒÚÛÏÂÌÚ‡ Clavinova, ÔÓ˜ËÚ‡ÈÚÂ ‡Á‰ÂÎ «íÂıÌËÍ‡ ·ÂÁÓÔ‡ÒÌÓÒÚË» Ì‡ ÒÚ. 3 — 4.
■ ç‡ÒÚÓÈÍ‡ ËÌÒÚÛÏÂÌÚ‡
Ç ÓÚÎË˜ËÂ ÓÚ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÙÓÚÂÔË‡ÌÓ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÌÂ ÌÛÊ‰‡ÂÚÒﬂ ‚ Ì‡ÒÚÓÈÍÂ. éÌÓ ‚ÒÂ„‰‡ Ì‡ÒÚÓÂÌÓ.
■ í‡ÌÒÔÓÚËÓ‚Í‡
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÏÓÊÌÓ ÔÂÂ‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚Â˘‡ÏË. èÂÂ‚ÓÁËÚ¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í
Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚Ë‰Â (Í‡Í ÔË ÔÓÍÛÔÍÂ). äÎ‡‚Ë‡ÚÛÛ ÒÎÂ‰ÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌÚ‡Î¸ÌÓÏ ÔÓÎÓÊÂÌËË. çÂ ÔËÒÎÓÌﬂÈÚÂ
ÂÂ Í ÒÚÂÌÂ Ë ÌÂ ÒÚ‡‚¸ÚÂ Ì‡·ÓÍ.
çÂ ÔÓ‰‚Â„‡ÈÚÂ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËÎ¸Ì˚Ï Û‰‡‡Ï.
èË Ú‡ÌÒÔÓÚËÓ‚ÍÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‚ ÒÓ·‡ÌÌÓÏ ‚Ë‰Â Û·Â‰ËÚÂÒ¸, ˜ÚÓ ‚ÒÂ ‚ËÌÚ˚ ÚÛ„Ó Á‡ÚﬂÌÛÚ˚ Ë ÌÂ
‡Á·ÓÎÚ‡ÎËÒ¸ ‚Ó ‚ÂÏﬂ Ú‡ÌÒÔÓÚËÓ‚ÍË.
8
CVP-210/208
é„Î‡‚ÎÂÌËÂ
Ç‚Â‰ÂÌËÂ .................................................. 2
ëÔ‡‚Ó˜ÌËÍ
SPECIAL MESSAGE SECTION .................................................... 2
åÖêõ ÅÖáéèÄëçéëíà............................................................. 3
é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë Ò·ÓÌËÍÂ Ú‡·ÎËˆ ............... 5
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌ‡‰ÎÂÊÌÓÒÚË ........................................ 6
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ....................................... 6
ëÓÓ·˘ÂÌËﬂ Ì‡ ˝Í‡ÌÂ ................................................................ 8
é·ÒÎÛÊË‚‡ÌËÂ............................................................................. 8
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸ ........................................................... 12
ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ..................... 14
ç‡ÒÚÓÈÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ........................... 16
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚.............................................. 18
èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÔÂÒÂÌ ....................................................... 56
ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó........................... 20
èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ........................... 20
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË ......................................................... 21
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ ............................................................21
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â ...................................................... 25
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â.........................................................25
à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË.......................................26
ê‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË................................27
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ ....................................................... 28
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ.............................................................28
ó‡ÒÚË ÒÚËÎﬂ.................................................................................30
ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».....................................................32
îÛÌÍˆËﬂ Music Finder .............................................................. 33
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËË Music Finder......................................33
èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder............................................34
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒﬂ................................... 36
èÓ‰˚„˚‚‡ÂÏ ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova .........................36
á‡ÔËÒ¸ .........................................................................................37
ê‡ÁÛ˜Ë‚‡ÌËÂ ‚‡¯Ëı Î˛·ËÏ˚ı ÔÂÒÂÌ........................................38
éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË: Ó„‡ÌËÁ‡ˆËﬂ
‰‡ÌÌ˚ı .................................................... 39
ëÓ‰ÂÊËÏÓÂ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡ ............................................... 39
ùÍ‡Ì Open/Save ....................................................................... 40
Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................................ 44
éÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË Ë Ô‡ÔÍ‡ÏË ............................................ 45
Ç˚·Ó ËÏÂÌ ‰Îﬂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ..............................................45
èÂÂÏÂ˘ÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................46
äÓÔËÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ...................................................47
ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ.........................................................47
ëÓı‡ÌÂÌËÂ Ù‡ÈÎÓ‚...................................................................48
ìÔÓﬂ‰Ó˜ÂÌËÂ Ù‡ÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰‡ÌËﬂ ÌÓ‚ÓÈ Ô‡ÔÍË ....48
èÂÂıÓ‰ Ì‡ ÒÚ‡ÌËˆ˚ ·ÓÎÂÂ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìﬂ........................48
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌËÂ ÁÌ‡˜ÍÓ‚.......................................48
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍ‡ [DATA ENTRY].................................... 50
îÛÌÍˆËﬂ Direct Access: ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ ................ 51
ëÔ‡‚ÍË ...................................................................................... 53
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡..................................................... 54
êÂ„ÛÎËÓ‚Í‡ ÚÂÏÔ‡................................................................... 54
îÛÌÍˆËﬂ Tap Tempo ...................................................................55
íÂÏ·˚.................................................... 58
Ç˚·Ó ÚÂÏ·‡............................................................................ 58
à„‡ Ì‡ ÙÓÚÂÔË‡ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ................................... 59
íÂÏ·˚ Layer Ë Left: Ë„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚............................................................. 60
ëÎÓÈ: ëÏÂ¯Ë‚‡ÌËÂ ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚ ............................... 60
íÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË: ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı ÚÂÏ·Ó‚
‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ................................ 61
èËÏÂÌÂÌËÂ ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚ .................................. 61
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ.......................................................... 62
ëÚËÎË....................................................... 63
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ.......................................................... 63
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÓÎ¸ÍÓ ËÚÏË˜ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎﬂ.......... 65
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË / ‚˚ÍÎ˛˜ÂÌËÂ Í‡Ì‡ÎÓ‚...................... 65
ÄÍÍÓ‰Ó‚‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡ ........................................................ 66
Ä‡ÌÊËÓ‚Í‡ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (óÄëíà: MAIN A/B/C/D
(ÓÒÌÓ‚Ì‡ﬂ), INTRO (ËÌÚÓ‰ÛÍˆËﬂ), ENDING (ÙËÌ‡Î),
BREAK (·ÂÈÍ))................................................................................. 68
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ÔË ÒÌﬂÚËË ÛÍ Ò
ÍÎ‡‚Ë‡ÚÛ˚ (SYNC. STOP).................................................... 69
Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰ÛÍˆËÈ Ë ÙËÌ‡ÎÓ‚ (INTRO/ENDING)........ 70
Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ÔÓË„˚‚‡ÌËÂ ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ
˜‡ÒÚË Í ‰Û„ÓÈ: Auto Fill In ..................................................... 70
ç‡ÒÚÓÈÍ‡ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ (ÙÛÌÍˆËﬂ
ONE TOUCH SETTING) ...................................................................... 71
Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÒÏÂÌ‡ Ì‡ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË
Í ‰Û„ÓÈ: OTS Link.................................................................. 72
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»
(ONE TOUCH SETTING)......................................................... 72
Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Music
Finder ....................................................................................... 73
èÓËÒÍ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder ... 74
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒÂÈ: Music Finder.................................... 75
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË...................... 77
èÓ‰‰ÂÊË‚‡ÂÏ˚Â ÚËÔ˚ ÔÂÒÂÌ ............................................... 77
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË.......................................................... 78
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ....................................... 78
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ .......................................... 80
èÓ˜ËÂ ÓÔÂ‡ˆËË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ............... 80
èË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ – ‰ÓÓÊÍ‡1/‰ÓÓÊÍ‡2/
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ÓÓÊÍË .................................................. 81
èÓ‚ÚÓ ÓÔÂ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË........................... 81
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ: êÛÍÓ‚Ó‰ÒÚ‚Ó............. 82
îÛÌÍˆËË Ó·Û˜ÂÌËﬂ...................................................................... 82
ê‡ÁÛ˜Ë‚‡ÌËÂ ÏÛÁ˚Í‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛
Û˜Â·Ì˚ı ÙÛÌÍˆËÈ ................................................................... 83
CVP-210/208
9
éÚÓ·‡ÊÂÌËÂ ÌÓÚ: Ô‡ÚËÚÛ‡ ................................................ 84
éÚÓ·‡ÊÂÌËÂ ÚÂÍÒÚ‡ ÔÂÒÌË .................................................... 87
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡
ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡.............. 123
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡·ÓÓ‚
Ô‡‡ÏÂÚÓ‚: Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ
Ô‡ÏﬂÚ¸ ..................................................... 88
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 123
ìÒÚ‡ÌÓ‚Í‡ „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ — Volume/Voice .............. 124
àÁÏÂÌÂÌËÂ ı‡‡ÍÚÂ‡ ÚÂÏ·‡ — Filter................................ 125
àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ
Á‚ÛÍ‡ — Tune........................................................................ 125
ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚ ............................................................. 126
äÓÂÍÚËÓ‚Í‡ Á‚ÛÍ‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÓÍÛÊÂÌËÂÏ – EQ ................................................................ 128
êÂ„ËÒÚ‡ˆËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ – Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ
Ô‡ÏﬂÚ¸ ..................................................................................... 88
ëÓı‡ÌÂÌËÂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚.............................................89
ëÚÛÍÚÛÌ‡ﬂ ÒıÂÏ‡ ˝ÙÙÂÍÚÓ‚................................................ 129
á‡„ÛÁÍ‡ Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚................................................. 90
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC. .... 131
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ
Sound Creator ......................................... 91
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ............................................. 91
è‡‡ÏÂÚ˚ SOUND CREATOR (íÂÏ·˚ „ÛÔÔ˚
Natural/Regular) ...................................................................... 92
é„‡ÌÌ˚Â Â„ËÒÚ˚ ................................................................. 96
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ .................................................................... 96
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ
ÔÂÒÂÌ – Song Creator............................. 97
é Á‡ÔËÒË ÔÂÒÂÌ.......................................................................... 97
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸......................................................................... 98
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚ ..................................... 99
á‡ÔËÒ¸ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ – èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ ..................... 101
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ...............................................101
á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note).....................................103
á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Step
Record (Chord).......................................................................104
Ç˚·Ó Ô‡‡ÏÂÚÓ‚: Ì‡˜‡ÎÓ, ÍÓÌÂˆ, ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ
‚ÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË – Rec Mode.............. 106
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒË ........................................................ 107
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í Í‡Ì‡Î‡Ï –
Channel..................................................................................107
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16 .............................110
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD.......................111
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX.
(ÒÓÓ·˘ÂÌËﬂ System Exclusive) .............................................111
Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÍÒÚ‡ ÔÂÒÂÌ ....................................112
ç‡ÒÚÓÈÍ‡ ÒÔËÒÍ‡ ÒÓ·˚ÚËÈ – Filter..........................................112
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡:
ÙÛÌÍˆËﬂ Style Creator......................... 113
é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .................................. 113
îÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ (SFF) ................................................... 114
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 114
á‡ÔËÒ¸ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË: Basic..................................... 115
èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ .................................................................. 116
ë·ÓÍ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly......................... 117
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................... 118
àÁÏÂÌÂÌËÂ ËÚÏ‡: ÙÛÌÍˆËË Groove Ë Dynamics....................118
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚ Í‡Ì‡Î‡ .....................................120
ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ Ù‡ÈÎ‡ SMF – Parameter...................121
10
CVP-210/208
Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡...................................... 131
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ.................................................................... 133
ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ˝ÙÙÂÍÚÓ‚ ‰Îﬂ Ó·‡·ÓÚÍË
ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡: MICROPHONE SETTING ............ 133
ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ÏËÍÓÙÓÌ‡:
MICROPHONE SETTING....................................................... 133
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌ‡ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı
˝ÙÙÂÍÚÓ‚: ÒÚ‡ÌËˆ‡ TALK SETTING ................................. 135
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛
Function................................................. 136
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ .................................................................. 136
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔÂ‡ˆËË – Master
Tune/Scale Tune ................................................................... 138
ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚ – Master Tune ................... 138
Ç˚·Ó ÚÂÏÔÂ‡ˆËË – Scale Tune............................................. 138
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song
Settings.................................................................................. 140
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë
Chord Fingering .................................................................... 141
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë Split Point ............ 141
Ç˚·Ó ‡ÔÔÎËÍ‡ÚÛ˚ – Chord Fingering ................................... 142
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂ‰‡ÎÂÈ –
Controller............................................................................... 142
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÔÂ‰‡ÎÂÈ............................................. 142
àÁÏÂÌÂÌËÂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Ì‡Ê‡ÚË˛ Ë Ì‡ÒÚÓÈÍ‡
Ô‡‡ÏÂÚÓ‚ Ú‡ÌÒÔÓÁËˆËË – Keyboard/Panel..................... 144
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ Registration Sequence, Freeze Ë
Voice Set................................................................................ 145
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‚˚ÁÓ‚‡ Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ ËÁ
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË – Registration Sequence ............ 145
ëÓı‡ÌÂÌËÂ ÁÌ‡˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË –
Freeze.................................................................................... 145
àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡, ‚˚·Ë‡ÂÏ˚ı
‡‚ÚÓÏ‡ÚË˜ÂÒÍË – Voice Set .................................................. 146
ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ ........................ 146
éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
Ì‡ ˝Í‡ÌÂ ÚÂÎÂ‚ËÁÓ‡ – Video Out ................................... 147
ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ MIDI.................................................. 148
é·˘‡ﬂ Ì‡ÒÚÓÈÍ‡ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control,
Clock Ë Ú. ‰.) – System .......................................................... 148
èÂÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit.................................... 149
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive .......................................... 150
ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root ................. 150
ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ‡ÍÍÓ‰Ó‚ – Chord Detect ...............150
ÑÛ„ËÂ Ô‡‡ÏÂÚ˚ – Utility.................................................... 151
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÙÂÈ‰ËÌ„‡, ÏÂÚÓÌÓÏ‡, ‡ Ú‡ÍÊÂ
ÙÛÌÍˆËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë ÛÍ‡Á‡ÌËﬂ ÚÂÏÔ‡ –
CONFIG 1 ..............................................................................151
ç‡ÒÚÓÈÍ‡ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰ËÌ‡ÏËÍÓ‚ Ë ÓÚÓ·‡ÊÂÌËﬂ
ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ – CONFIG 2.............................................152
äÓÔËÓ‚‡ÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ – Disk....................153
Ç‚Ó‰ ËÏÂÌË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë ‚˚·Ó ﬂÁ˚Í‡ – Owner ..............154
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 –
System Reset.........................................................................154
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í
ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova. ........ 155
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡Û¯ÌËÍÓ‚ (‡Á˙ÂÏ PHONES)......................155
èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ ËÎË „ËÚ‡˚
(‡Á˙ÂÏ MIC./LINE IN) ..........................................................155
èÓ‰ÍÎ˛˜ÂÌËÂ ‡Û‰ËÓ Ë ‚Ë‰ÂÓ ÛÒÚÓÈÒÚ‚.................................156
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎË (ÌÓÊÌÓ„Ó ÔÂÂÍÎ˛˜‡ÚÂÎﬂ) ËÎË
ÌÓÊÌÓ„Ó ÍÓÌÚÓÎÎÂ‡ (‡Á˙ÂÏ AUX PEDAL).....................157
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)...........157
èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ, MIDI-ÔÓÚ) .............157
óÚÓ Ú‡ÍÓÂ MIDI?........................................................................159
óÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò MIDI? .....................................................161
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı................................................ 162
îÓÏ‡Ú ‰ËÒÍÂÚ .........................................................................162
îÓÏ‡Ú ÒÂÍ‚ÂÌˆËË ...................................................................162
îÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚............................................163
Ç‚Â‰ÂÌËÂ
ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË – Ó„‡ÌËÁ‡ˆËﬂ ‰‡ÌÌ˚ı
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÈ
íÂÏ·˚
ëÚËÎË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
CVP-210/208: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ
ÍÎ‡‚Ë‡ÚÛ˚ .......................................... 164
ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ - Registration Memory
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ ...................... 166
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚ - Sound Creator
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË........... 168
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ
ÔÂÒÂÌ - Song Creator
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸...................... 170
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
- Style Creator
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡
ÚÂÏ·Ó‚ - Mixing Console
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡ - MIC.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚
- Function
èÓ‰ÍÎ˛˜ÂÌËÂ Í Clavinova ‰Û„Ëı ÛÒÚÓÈÒÚ‚
èËÎÓÊÂÌËÂ
CVP-210/208
11
ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ
ùÚÓÚ ÛÍ‡Á‡ÚÂÎ¸ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òﬂ ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡ÌËˆ˚ Ò
ÓÔËÒ‡ÌËÂÏ ÌÂﬂÒÌÓ„Ó ‚ÓÔÓÒ‡.
èÓÒÎÛ¯Ë‚‡ÌËÂ
èÓÒÎÛ¯Ë‚‡ÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ..........................................................................................................................................ÒÚ. 78
èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ........................................................................«ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» Ì‡ ÒÚ. 80
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................................................................................................................ÒÚ. 56
èÓÒÎÛ¯Ë‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ ÚÂÏ·‡..........................................................................................................ÒÚ. 58
èÓÒÎÛ¯Ë‚‡ÌËÂ ÔÂÒÂÌ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova...........................................................ÒÚ. 124
à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
Ç˚ÁÓ‚ Ì‡ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ .......................................................................................................................................ÒÚ. 59
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÚÂı ÔÂ‰‡ÎÂÈ ÛÔ‡‚ÎÂÌËﬂ ËÒÔÓÎÌÂÌËÂÏ .......................................................................................................ÒÚ. 62
Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡....................................................................................................«Transpose» Ì‡ ÒÚ. 144
ëÓ˜ÂÚ‡ÌËÂ ‰‚Ûı ÚÂÏ·Ó‚...........................................................................«ëÎÓÈ: ëÏÂ¯Ë‚‡ÌËÂ ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚» Ì‡ ÒÚ. 60
ê‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ
..........................«íÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË: ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚» Ì‡ ÒÚ. 61
àÁÏÂÌÂÌËÂ Á‚ÛÍ‡
ä‡Í ‰Ó·ËÚ¸Òﬂ ·ÓÎÂÂ ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËﬂ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Â‚Â·Â‡ˆËË Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚
....................................................................................................................... «èËÏÂÌÂÌËÂ ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚» Ì‡ ÒÚ. 61
«ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚» Ì‡ ÒÚ. 126
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ...........................................................................................................................................................ÒÚ. 124
ëÓ˜ÂÚ‡ÌËÂ ‰‚Ûı ÚÂÏ·Ó‚...........................................................................«ëÎÓÈ: ëÏÂ¯Ë‚‡ÌËÂ ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚» Ì‡ ÒÚ. 60
ê‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ
..........................«íÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË: ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚» Ì‡ ÒÚ. 61
ëÓÁ‰‡ÌËÂ ÚÂÏ·Ó‚ .....................................................................................................................................................................ÒÚ. 91
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................................................ÒÚ. 63
Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................................................................................ÒÚ. 73
à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
éÚÍÎ˛˜ÂÌËÂ Á‚ÛÍ‡ ‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË..........................................................................................................ÒÚ. 83
ÄÍÍÛ‡ÚÌ‡ﬂ Ë„‡ ÒÓ„Î‡ÒÌÓ ˜ÂÚÍÓÏÛ ËÚÏÛ.......................................................................«àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡» Ì‡ ÒÚ. 54
á‡ÔËÒ¸
á‡ÔËÒ¸ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ................................................................................................................................................ÒÚ. 98, 99
ëÓÁ‰‡ÌËÂ ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ .......................................................................................................................ÒÚ. 101
ëÓÁ‰‡ÌËÂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡ÒÚÓÂÍ
ëÓÁ‰‡ÌËÂ ÚÂÏ·Ó‚ .....................................................................................................................................................................ÒÚ. 91
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.........................................................................................................................................ÒÚ. 113
12
CVP-210/208
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡
èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ .......................................«èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)» Ì‡ ÒÚ. 155
Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ „‡ÏÓÌËÁ‡ˆËﬂ ÔÂÌËﬂ ..................................................................................................................................ÒÚ. 131
ç‡ÒÚÓÈÍË
êÂ„ËÒÚ‡ˆËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ...........................................................................................................................................ÒÚ. 88
ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ Á‚ÛÍ‡/‚˚·Ó ÒÚÓﬂ...................................................................................................................................ÒÚ. 138
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ .................................................................................................................ÒÚ. 140
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...........................................................................................................ÒÚ. 141
Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÔÂ‰‡ÎÂÈ ............................................................................ «ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÔÂ‰‡ÎÂÈ» Ì‡ ÒÚ. 142
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ ...........................................................................................................ÒÚ. 144
éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ Ì‡ ÏÓÌËÚÓÂ ÚÂÎÂ‚ËÁÓ‡
...................................«éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ì‡ ˝Í‡ÌÂ ÚÂÎÂ‚ËÁÓ‡ – Video Out» Ì‡ ÒÚ. 147
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ MIDI ...................................................................................................................................................ÒÚ. 148
èÓ‰ÍÎ˛˜ÂÌËÂ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï
éÒÌÓ‚Ì˚Â Ò‚Â‰ÂÌËﬂ Ó MIDI ............................................................................................................... «óÚÓ Ú‡ÍÓÂ MIDI?» Ì‡ ÒÚ. 159
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËﬂ........... «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚ÌÂ¯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚
Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT)» Ì‡ ÒÚ. 156
ì‚ÂÎË˜ÂÌËÂ „ÓÏÍÓÒÚË ....... «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚ÌÂ¯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚
Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ Á‡ÔËÒ˚‚‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT)» Ì‡ ÒÚ. 156
Ç˚‚Ó‰ Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ............................... «Ç˚‚Ó‰ Á‚ÛÍ‡ ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡
˜ÂÂÁ ‚ÒÚÓÂÌÌ˚Â ‰ËÌ‡ÏËÍË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (‡Á˙ÂÏ˚ AUX IN)» Ì‡ ÒÚ. 156
èÓ‰ÍÎ˛˜ÂÌËÂ ÍÓÏÔ¸˛ÚÂ‡....................................................... «èÓ‰ÍÎ˛˜ÂÌËÂ ÍÓÏÔ¸˛ÚÂ‡ (USB-ÔÓÚ, MIDI-ÔÓÚ)» Ì‡ ÒÚ. 157
äÓÏÔÓÌÓ‚Í‡
ë·ÓÍ‡ Ë ‡Á·ÓÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ..................«CVP-210/208: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚» Ì‡ ÒÚ. 164
Å˚ÒÚÓÂ Â¯ÂÌËÂ ÔÓ·ÎÂÏ˚
éÒÌÓ‚Ì˚Â ÙÛÌÍˆËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ë ‚ÓÁÏÓÊÌÓÒÚË Â„Ó Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ...................ÒÚ. 12, 14
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
................................................................. «ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset» Ì‡ ÒÚ. 154
éÚÓ·‡ÊÂÌËÂ ÒÓÓ·˘ÂÌËÈ............................................................................................................ «ëÓÓ·˘ÂÌËﬂ Ì‡ ˝Í‡ÌÂ» Ì‡ ÒÚ. 8
ç‡ÒÚÓÈÍ‡ ÍÓÌÚ‡ÒÚÌÓÒÚË/ﬂÍÓÒÚË..................................................................................«ç‡ÒÚÓÈÍ‡ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰ËÌ‡ÏËÍÓ‚
Ë ÓÚÓ·‡ÊÂÌËﬂ ÌÓÏÂÓ‚ ÚÂÏ·Ó‚: CONFIG 2» Ì‡ ÒÚ. 152
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ ............................................................................................................................................................ÒÚ. 166
CVP-210/208
13
ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
SONG
VOCAL HARMONY
DEMO
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 21, 36, 77)
Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÔÓ‰ÔÂ‚Í‡
(ÒÚ. 131)
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË
(ÒÚ. 20, 56)
èÂ‰Î‡„‡ÂÚÒﬂ ·ÓÎ¸¯ÓÈ ‚˚·Ó ‚ÒÚÓÂÌÌ˚ı
ÔÂÒÂÌ. åÓÊÌÓ Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÂÒÌË Ò
‰ËÒÍÓ‚, ÔËÓ·ÂÚÂÌÌ˚ı ‚ Ï‡„‡ÁËÌ‡ı.
ùÚ‡ ÒÎÓÊÌ‡ﬂ ÙÛÌÍˆËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‰Ó·‡‚ÎﬂÂÚ Í ‚‡¯ÂÏÛ ÔÂÌË˛
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ „‡ÏÓÌË˛.
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â ÏÂÎÓ‰ËË
ÔÓÍ‡Á˚‚‡˛Ú ÌÂ ÚÓÎ¸ÍÓ
‚ÓÁÏÓÊÌÓÒÚË ÚÂÏ·Ó‚ Ë ÒÚËÎÂÈ
ËÌÒÚÛÏÂÌÚ‡, ÌÓ Ú‡ÍÊÂ ‡ÁÎË˜Ì˚Â
ÙÛÌÍˆËË Ë ÒÂ‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËﬂ.
éÌË ÔÓÁ‚ÓÎﬂ˛Ú ÔÓÎÛ˜ËÚ¸
Ô‡ÍÚË˜ÂÒÍËÈ ÓÔ˚Ú Ë„˚ Ì‡
ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova!
METRONOME
POWER
START STOP
MIC.
SIGNAL
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
MIC. SETTING
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
DEMO
A
MASTER VOLUME
HELP
FADE IN OUT
REC
TOP
START STOP
REW
FF
B
GUIDE
REPEAT
FUNCTION
C
NEW SONG
MIN
MAX
SYNC. START
TEMPO
TRANSPOSE
DIGITAL
STUDIO
D
SOUND
CREATOR
TAP TEMPO
E
RESET
RESET
STYLE
ACMP
AUTO FILL IN
BREAK
INTRO
MAIN
ENDING rit.
SYNC.STOP SYNC.START START STOP
OTS LINK
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
14
1
STYLE
GUIDE
DIGITAL RECORDING
ëÓÁ‰‡ÌËÂ ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Auto
Accompaniment (ÒÚ. 28, 63)
ì˜ËÚÂÒ¸ Ë ÛÔ‡ÊÌﬂÈÚÂÒ¸ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Guide
(ÒÚ. 38, 82)
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËﬂ
(ÒÚ. 97, 113)
ÖÒÎË ‚ÁﬂÚ¸ ‡ÍÍÓ‰ ÎÂ‚ÓÈ ÛÍÓÈ, Ô‡ÚËﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡˜ÌÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
Ç˚·ÂËÚÂ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Ì‡ÔËÏÂ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á,
Î‡ÚËÌÓ‡ÏÂËÍ‡ÌÒÍÛ˛ ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Á‡ÏÂÌËÚ
‚‡Ï ˆÂÎ˚È ÓÍÂÒÚ!
á‡ÔÛÒÚËÚÂ ‚ÒÚÓÂÌÌ˚Â ÔÂÒÌË ËÎË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÔÓ„‡ÏÏÌÓÂ
Ó·ÂÒÔÂ˜ÂÌËÂ; ˝Í‡Ì˚ Ë ËÌ‰ËÍ‡ÚÓ˚
ÛÍ‡ÊÛÚ, ÍÓ„‰‡ Ë „‰Â Ë„‡Ú¸
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÌÓÚ˚. ê‡ÁÛ˜Ë‚‡ÌËÂ
ÌÓ‚˚ı ÔÓËÁ‚Â‰ÂÌËÈ ÌËÍÓ„‰‡ Â˘Â ÌÂ
·˚ÎÓ Ú‡ÍËÏ ÔÓÒÚ˚Ï Ë
Á‡ÌËÏ‡ÚÂÎ¸Ì˚Ï!
CVP-210/208
2
ùÚË ÏÓ˘Ì˚Â Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔÓÒÚ˚Â ÒÂ‰ÒÚ‚‡ Á‡ÔËÒË ÔÓÁ‚ÓÎﬂ˛Ú
Á‡ÔËÒ˚‚‡Ú¸ Ò‚ÓÂ ËÒÔÓÎÌÂÌËÂ Ë
ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÔÓÎÌÓÒÚ¸˛
ÓÍÂÒÚÓ‚‡ÌÌ˚Â ÍÓÏÔÓÁËˆËË,
ÍÓÚÓ˚Â ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‰Îﬂ
ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚
‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER ËÎË Ì‡
‰ËÒÍÂÚÂ.
3
4
5
6
7
Üä-‰ËÒÔÎÂÈ
ÅÓÎ¸¯ÓÈ ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËÈ ˝Í‡Ì (‚ÏÂÒÚÂ Ò
ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔÍ‡ÏË Ì‡
ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔÂ˜Ë‚‡ÂÚ
ÛÌË‚ÂÒ‡Î¸ÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ
ÔÓÒÚÓÂ ÛÔ‡‚ÎÂÌËÂ ‚ÒÂÏË
ÓÔÂ‡ˆËﬂÏË Ì‡ ˆËÙÓ‚ÓÏ
ÔË‡ÌËÌÓ Clavinova.
MUSIC FINDER
VOICE
Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘Â„Ó ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 33, 73)
é„ÓÏÌ˚È ‚˚·Ó Â‡ÎËÒÚË˜Ì˚ı
ÚÂÏ·Ó‚ (ÒÚ. 25, 58)
ÖÒÎË ‚˚ Â¯ËÎË ËÒÔÓÎÌËÚ¸ Í‡ÍÛ˛-ÚÓ ÔÂÒÌ˛, ÌÓ
ÌÂ ÁÌ‡ÂÚÂ, Í‡ÍÓÈ ÒÚËÎ¸ ËÎË ÚÂÏ· ÔÓ‰ÓÈ‰ÂÚ ‰Îﬂ
ÌÂÂ ÎÛ˜¯Â ‚ÒÂ„Ó, ‚‡Ï ÔÓÏÓÊÂÚ ÒÂ‰ÒÚ‚Ó Music
Finder. èÓÒÚÓ ‚˚‰ÂÎËÚÂ Ì‡Á‚‡ÌËÂ ÔÂÒÌË, Ë
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÓ‰·ÂÂÚ Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘ËÈ ÒÚËÎ¸ Ë ÚÂÏ·.
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÔÂ‰Î‡„‡ÂÚ ˆÂÎ˚È ﬂ‰ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ
Â‡ÎËÒÚË˜Ì˚ı Ë ‰ËÌ‡ÏË˜Ì˚ı ÚÂÏ·Ó‚
(·ÓÎÂÂ 800), ‚ÍÎ˛˜‡ﬂ ÙÓÚÂÔË‡ÌÓ,
ÒÚÛÌÌ˚Â, ‰ÂÂ‚ﬂÌÌ˚Â ‰ÛıÓ‚˚Â
ËÌÒÚÛÏÂÌÚ˚ Ë ÏÌÓ„ÓÂ ‰Û„ÓÂ!
VOICE EFFECT
REVERB
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
VOICE
F
PIANO & HARPSI.
VOICE PART
ON OFF
G
LAYER
H
LEFT
BRASS
ENTER
ORGAN FLUTES
USER
ONE TOCTH SETTING
MUSIC FINDER
I
1
2
3
4
J
REGISTRATION MEMORY
PIANO
DATA
ENTRY
2
3
4
5
6
7
8
PIANO
ç‡ÒÚÓÈÚÂ ÔË‡ÌËÌÓ –
Ï„ÌÓ‚ÂÌÌÓ (ÒÚ. 59)
é‰ÌËÏ Ì‡Ê‡ÚËÂÏ ÍÎ‡‚Ë¯Ë
ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÓÔÚËÏ‡Î¸Ì˚Â
Ì‡ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova Ë ‚ÓÒÔÓËÁ‚ÂÒÚË
ÌÂÓ·˚˜‡ÈÌÓ Â‡ÎËÒÚË˜Ì˚È
ÚÂÏ· ÓﬂÎﬂ.
1
FREEZE
2
3
4
5
6
7
8
MEMORY
EXIT
ê‡Á˙ÂÏ USB
é„‡ÌÌ˚Â ÚÂÏ·˚
ëÓÁ‰‡ÌËÂ ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛
ÍÓÏÔ¸˛ÚÂ‡: ÎÂ„ÍÓ Ë ·˚ÒÚÓ (ÒÚ. 157)
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌ˚ı
Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚ (ÒÚ. 96)
èÓ„ÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙ﬂÚÌ˚È ÏË
ÍÓÏÔ¸˛ÚÂÌÓÈ ÏÛÁ˚ÍË Ë ËÒÔÓÎ¸ÁÛÈÚÂ Â„Ó
ÔÂËÏÛ˘ÂÒÚ‚‡. àÒÍÎ˛˜ËÚÂÎ¸ÌÓ ÔÓÒÚÓÂ
ÔÓ‰ÍÎ˛˜ÂÌËÂ Ë Ì‡ÒÚÓÈÍ‡, ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˜‡ÒÚÂÈ , Á‡ÔËÒ‡ÌÌ˚ı Ì‡
ÍÓÏÔ¸˛ÚÂÂ, ‚ ‡ÁÎË˜ÌÓÈ ÓÍÂÒÚÓ‚ÍÂ – Ë ‚ÒÂ
˝ÚÓ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova!
ùÚ‡ ÒÔÂˆË‡Î¸Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Ó „ÎÛ·ÓÍËı Ë
˝ÙÙÂÍÚÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÏÂ
ÚÓ„Ó, ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË
ÒÓ·ÒÚ‚ÂÌÌ˚Â Ó„‡ÌÌ˚Â „ÓÎÓÒ‡, Ú‡Í ÊÂ
Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ Ó„‡ÌÂ, Û‚ÂÎË˜Ë‚‡ﬂ
ËÎË ÛÏÂÌ¸¯‡ﬂ ‰ÎËÌÛ ÚÛ·, Ë ‰Ó·‡‚ÎﬂÚ¸
Á‚ÛÍË Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚.
USB
AUX PEDAL
MIDI
THRU
L/L+R
VIDEO OUT
R
AUX IN
L/L+R
OUT
R
IN
(LEVEL FIXED)
L
R
AUX OUT
CVP-210/208
15
ç‡ÒÚÓÈÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova
ä˚¯Í‡ ÍÎ‡‚Ë‡ÚÛ˚
■ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚:
çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚÂ Í˚¯ÍÛ Ë ÔÓ‰‚ËÌ¸ÚÂ ÂÂ ‚ÔÂÂ‰.
■ óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ:
1 ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ Ì‡ÒÍÓÎ¸ÍÓ ‚ÓÁÏÓÊÌÓ.
Ì‡ÍÎÓÌﬂÈÚÂ Ô˛ÔËÚ Ì‡Á‡‰, ÔÓÍ‡ ÓÌ ÔÓÎÌÓÒÚ¸˛
2 éÒÚÓÓÊÌÓ
ÌÂ ÎﬂÊÂÚ Ì‡ ÏÂÒÚÓ.
■ óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚:
èÓÚﬂÌËÚÂ Í˚¯ÍÛ Ì‡ ÒÂ·ﬂ Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËÚÂ ÂÂ Ì‡
ÍÎ‡‚Ë‡ÚÛÛ.
ÇçàåÄçàÖ!
ÇçàåÄçàÖ!
äÓ„‰‡ ‚˚ ÓÚÍ˚‚‡ÂÚÂ ËÎË Á‡Í˚‚‡ÂÚÂ
Í˚¯ÍÛ, ·Û‰¸ÚÂ ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ ÌÂ
ÔÓ‚Â‰ËÚ¸ Ô‡Î¸ˆ˚.
ÇçàåÄçàÖ!
éÚÍ˚‚‡ﬂ Ë Á‡Í˚‚‡ﬂ Í˚¯ÍÛ, ‰ÂÊËÚÂ ÂÂ ‰‚ÛÏﬂ ÛÍ‡ÏË. çÂ ÓÚÔÛÒÍ‡ÈÚÂ
Í˚¯ÍÛ, ÔÓÍ‡ ÓÌ‡ ÌÂ ÓÚÍÓÂÚÒﬂ ËÎË ÌÂ Á‡ÍÓÂÚÒﬂ ÔÓÎÌÓÒÚ¸˛. çÂ Á‡˘ÂÏËÚÂ
Ò‚ÓË ËÎË ˜ÛÊËÂ Ô‡Î¸ˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ.
çÂ ËÒÔÓÎ¸ÁÛÈÚÂ Ô˛ÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌﬂÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒÍ‡ﬂ Ô˛ÔËÚ, ÌÂ
‚˚ÔÛÒÍ‡ÈÚÂ Â„Ó ËÁ ÛÍ, ÔÓÍ‡ ÓÌ ÔÓÎÌÓÒÚ¸˛ ÌÂ ÎﬂÊÂÚ Ì‡ ÏÂÒÚÓ.
îËÍÒ‡ÚÓ ‰Îﬂ ÌÓÚ
ùÚË ÙËÍÒ‡ÚÓ˚ Û‰ÂÊË‚‡˛Ú ÒÚ‡ÌËˆ˚ ÌÓÚ Ì‡ ÏÂÒÚÂ.
■ èÓ‰ÌﬂÚ¸
ÇçàåÄçàÖ!
çÂ ÍÎ‡‰ËÚÂ Ì‡ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚ ÏÂÚ‡ÎÎË˜ÂÒÍËÂ ÔÂ‰ÏÂÚ˚ ËÎË ·ÛÏ‡„Û.
äÓ„‰‡ Í˚¯Í‡ ÓÚÍ˚Ú‡, ÏÂÎÍËÂ ÔÂ‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡, Ë
ÚÓ„‰‡ ËÁ‚ÎÂ˜¸ Ëı ·Û‰ÂÚ Ô‡ÍÚË˜ÂÒÍË ÌÂ‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÔÓ‡ÊÂÌË˛ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓÓÚÍÓÏÛ Á‡Ï˚Í‡ÌË˛, ÔÓÊ‡Û Ë ‰Û„ËÏ
ÒÂ¸ÂÁÌ˚Ï ÔÓ‚ÂÊ‰ÂÌËﬂÏ ËÌÒÚÛÏÂÌÚ‡.
è˛ÔËÚ
■ óÚÓ·˚ ÔÓ‰ÌﬂÚ¸ Ô˛ÔËÚ:
1 ç‡ÍÎÓÌËÚÂ Ô˛ÔËÚ Ì‡ ÒÂ·ﬂ Ì‡ÒÍÓÎ¸ÍÓ ‚ÓÁÏÓÊÌÓ.
2 éÔÛÒÍ‡ÈÚÂ Ô˛ÔËÚ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÓÌ ÌÂ Á‡ÙËÍÒËÛÂÚÒﬂ.
16
CVP-210/208
■ éÔÛÒÚËÚ¸
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ
ËÌÒÚÛÏÂÌÚ‡
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË
Ç˚·ÂËÚÂ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [MASTER VOLUME].
MASTER VOLUME
èÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ ÔËÚ‡ÌËﬂ
Ó‰ËÌ ÍÓÌÂˆ Í‡·ÂÎﬂ ‚ ‡Á˙ÂÏ AC INLET
1 ÇÒÚ‡‚¸ÚÂ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ‡ ‰Û„ÓÈ — ‚ ÓÁÂÚÍÛ.
FADE IN / OUT
Ç ÌÂÍÓÚÓ˚ı ÒÚ‡Ì‡ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸
ÔÂÂıÓ‰ÌËÍ ‰Îﬂ ÓÁÂÚÓÍ Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ
ÍÓÌÚ‡ÍÚÓ‚.
MAX
MIN
ÇçàåÄçàÖ!
çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÔË‡ÌËÌÓ Clavinova ÔË ‚˚ÒÓÍÓÏ ÛÓ‚ÌÂ „ÓÏÍÓÒÚË ‰ÎËÚÂÎ¸ÌÓÂ
‚ÂÏﬂ. ùÚÓ ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸ ÒÎÛı.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡Û¯ÌËÍÓ‚
èÓ‰ÒÓÂ‰ËÌËÚÂ Ì‡Û¯ÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES].
ç‡ ËÌÒÚÛÏÂÌÚÂ ÂÒÚ¸ ‰‚‡ ‡Á˙ÂÏ‡ [PHONES].
ä ÌËÏ ÏÓÊÌÓ ÔÓ‰ÍÎ˛˜‡Ú¸ ‰‚Â ÒÚ‡Ì‰‡ÚÌ˚ı Ô‡˚
ÒÚÂÂÓÌ‡Û¯ÌËÍÓ‚. (ÖÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÚÓÎ¸ÍÓ Ó‰Ì‡ Ô‡‡
Ì‡Û¯ÌËÍÓ‚, ÏÓÊÌÓ ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸ ÂÂ Í Î˛·ÓÏÛ ËÁ ‡Á˙ÂÏÓ‚.)
(îÓÏ‡ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ ÒÚ‡Ì˚.)
ÍÌÓÔÍÛ [POWER].
2 ç‡ÊÏËÚÂ
→ ç‡ Üä-‰ËÒÔÎÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ „Î‡‚Ì˚È ˝Í‡Ì. àÌ‰ËÍ‡ÚÓ
‰ËÒÍÓ‚Ó‰‡ ÔÓ‰ Ô‡‚˚Ï ÍÓÌˆÓÏ ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÍÊÂ
„ÓËÚ.
INPUT
VOLUME
MIN
MIC.
LINE IN
MIC. LINE
PHONES
MAX
POWER
ON
OFF
ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚
àÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡
„ÓËÚ.
BACK
A
B
C
ä˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔË‡ÌËÌÓ
CVP-210/208 Ë ÔÓÁ‚ÓÎﬂÂÚ ‚Â¯‡Ú¸ Ì‡Û¯ÌËÍË Ì‡ ÍÓÔÛÒ.
á‡ÍÂÔËÚÂ Í˛˜ÓÍ ‰Îﬂ Ì‡Û¯ÌËÍÓ‚ Ì‡ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ.
D
E
ÇçàåÄçàÖ!
BALANCE
CHANNEL
ON ⁄ OFF
PART
çÂ ‚Â¯‡ÈÚÂ Ì‡ ˝ÚÓÚ Í˛˜ÓÍ ÌË˜Â„Ó, ÍÓÏÂ Ì‡Û¯ÌËÍÓ‚. àÌ‡˜Â ÏÓÊÌÓ
ÔÓ‚Â‰ËÚ¸ ÔË‡ÌËÌÓ ËÎË Í˛˜ÓÍ.
ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚ÍÎ˛˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [POWER].
→ ùÍ‡Ì Ë ËÌ‰ËÍ‡ÚÓ ‰ËÒÍÓ‚Ó‰‡ (‚ÌËÁÛ ÒÔ‡‚‡) ÔÓ„‡ÒÌÛÚ.
CVP-210/208
17
è‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ Ë ‡Á˙ÂÏ˚
69 70 71 72
INPUT
VOLUME
MIN
MIC.
LINE IN
MIC. LINE
75
74
AUX PEDAL
USB
73
MIDI
THRU
L/L+R
METRONOME
POWER
MIC.
START ⁄ STOP
1
ON
OUT
IN
PHONES
MAX
5
VIDEO OUT
AUX IN
76
77
L/L+R
(LEVEL FIXED)
L
R
R
AUX OUT
78
79
OVER
VOCAL HARMONY
2
OFF
SIGNAL
R
TALK
6
EFFECT
VH TYPE SELECT
7
8
MIC. SETTING
9
36
37
38
SONG
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
MASTER VOLUME
10
11
REC
FADE IN ⁄ OUT
TOP
START ⁄ STOP
12
REW
FF
GUIDE
REPEAT
MENU
42
DEMO
A
HELP
B
FUNCTION
3
MIN
13
4
NEW SONG
MAX
14
15
SYNC. START
16
17
TEMPO
18
19
DIGITAL
STUDIO
TRANSPOSE
TAP TEMPO
20
RESET
STYLE
ACMP
AUTO FILL IN
OTS LINK
23
BREAK
INTRO
MAIN
21
RESET
ENDING ⁄ rit.
22
SYNC.STOP SYNC.START START ⁄ STOP
24
25
26
C
27 28 29 30
31
32
33
34
39
40
41
D
SOUND
CREATOR
E
DIGITAL
RECORDING
MIXING
CONSOLE
35
CHANNEL
ON ⁄ OFF
DIRECT ACCESS
1
äÌÓÔÍ‡ [ON / OFF] (POWER)............................................................... ëÚ. 17
METRONOME
2
äÌÓÔÍ‡ [START / STOP] (METRONOME) ........................................... ëÚ. 54
MASTER VOLUME
3
4
ÑËÒÍ ÛÔ‡‚ÎÂÌËﬂ „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] .......................... ëÚ. 17
äÌÓÔÍ‡ [FADE IN / OUT] ...................................................................... ëÚ. 69
MIC.
5
6
7
8
9
äÌÓÔÍ‡ [VOCAL HARMONY].............................................................. ëÚ. 131
äÌÓÔÍ‡ [TALK] .................................................................................... ëÚ. 131
äÌÓÔÍ‡ [EFFECT] ............................................................................... ëÚ. 131
äÌÓÔÍ‡ [VH TYPE SELECT]............................................................... ëÚ. 131
äÌÓÔÍ‡ [MIC. SETTING] .................................................................... ëÚ. 131
SONG
10
11
12
13
14
15
16
17
18
19
äÌÓÔÍ‡ [EXTRA TRACKS (STYLE)]..................................................... ëÚ. 81
äÌÓÔÍ‡ [TRACK 2 (L)]........................................................................... ëÚ. 81
äÌÓÔÍ‡ [TRACK 1 (R)] .......................................................................... ëÚ. 81
äÌÓÔÍ‡ [REC]........................................................................................ ëÚ. 97
äÌÓÔÍ‡ [TOP]........................................................................................ ëÚ. 80
äÌÓÔÍ‡ [START / STOP] (SONG)......................................................... ëÚ. 78
äÌÓÔÍ‡ [REW]....................................................................................... ëÚ. 80
äÌÓÔÍ‡ [FF]........................................................................................... ëÚ. 80
äÌÓÔÍ‡ [REPEAT]................................................................................. ëÚ. 81
äÌÓÔÍ‡ [GUIDE].................................................................................... ëÚ. 82
3
4
5
DIGITAL STUDIO
39 äÌÓÔÍ‡ [SOUND CREATOR] ................................................................ëÚ. 91
40 äÌÓÔÍ‡ [DIGITAL RECORDING]...................................................ëÚ. 97, 113
41 äÌÓÔÍ‡ [MIXING CONSOLE] ..............................................................ëÚ. 123
DISPLAY CONTROL
äÌÓÔÍË [A] - [J] ......................................................................................ëÚ. 44
äÌÓÔÍ‡ [BALANCE] ...............................................................................ëÚ. 65
äÌÓÔÍ‡ [CHANNEL ON / OFF] ........................................................ëÚ. 65, 80
äÌÓÔÍ‡ [DIRECT ACCESS]...................................................................ëÚ. 51
äÌÓÔÍ‡ [BACK] ................................................................................ëÚ. 44, 50
äÌÓÔÍ‡ [NEXT] ................................................................................ëÚ. 44, 50
äÌÓÔÍ‡ VOICE PART ON \/ OFF [LAYER]............................................ëÚ. 60
äÌÓÔÍ‡ VOICE PART ON / OFF [LEFT]................................................ëÚ. 60
äÌÓÔÍË [1▲▼] - [8▲▼]................................................................ëÚ. 39 - 49
äÌÓÔÍ‡ [ENTER]....................................................................................ëÚ. 50
ÑËÒÍ ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY] ........................................................ëÚ. 50
äÌÓÔÍ‡ [EXIT]........................................................................................ëÚ. 44
VOICE EFFECT
54
55
56
57
58
59
CVP-210/208
2
36 äÌÓÔÍ‡ [DEMO] .....................................................................................ëÚ. 56
37 äÌÓÔÍ‡ [HELP] ......................................................................................ëÚ. 53
38 äÌÓÔÍ‡ [FUNCTION] ...........................................................................ëÚ. 136
STYLE
äÌÓÔÍ‡ [ACMP]..................................................................................... ëÚ. 64
äÌÓÔÍ‡ [AUTO FILLIN] ......................................................................... ëÚ. 70
äÌÓÔÍ‡ [OTS LINK]............................................................................... ëÚ. 72
äÌÓÔÍ‡ [BREAK] ................................................................................... ëÚ. 68
1
MENU
22 äÌÓÔÍË [E] [F] (TRANSPOSE).................................................. ëÚ. 144
23
24
25
26
50
äÌÓÔÍ‡ [INTRO]...............................................................................ëÚ. 31, 70
äÌÓÔÍ‡ MAIN [A] ...................................................................................ëÚ. 68
äÌÓÔÍ‡ MAIN [B] ...................................................................................ëÚ. 68
äÌÓÔÍ‡ MAIN [C] ...................................................................................ëÚ. 68
äÌÓÔÍ‡ MAIN [D] ...................................................................................ëÚ. 68
äÌÓÔÍ‡ [ENDING / rit.].....................................................................ëÚ. 31, 70
äÌÓÔÍ‡ [SYNC.STOP] ...........................................................................ëÚ. 69
äÌÓÔÍ‡ [SYNC.START] .........................................................................ëÚ. 64
äÌÓÔÍ‡ [START / STOP] (STYLE) ........................................................ëÚ. 64
TRANSPOSE
20 äÌÓÔÍË [E] [F] (TEMPO) ............................................................. ëÚ. 54
21 äÌÓÔÍ‡ [TAP TEMPO] .......................................................................... ëÚ. 55
18
27
28
29
30
31
32
33
34
35
42
43
44
45
46
47
48
49
50
51
52
53
TEMPO
44
PART
45
POWER
43
BALANCE
PART
äÌÓÔÍ‡ [REVERB] .................................................................................ëÚ. 61
äÌÓÔÍ‡ [DSP] ........................................................................................ëÚ. 61
äÌÓÔÍ‡ [VARIATION] ............................................................................ëÚ. 61
äÌÓÔÍ‡ [HARMONY / ECHO] ................................................................ëÚ. 62
äÌÓÔÍ‡ [MONO].....................................................................................ëÚ. 62
äÌÓÔÍ‡ [LEFT HOLD] ............................................................................ëÚ. 62
68
80
67
82
81
VOICE EFFECT
46
BACK
NEXT
REVERB
47
DSP
54
42
VARIATION
55
56
HARMONY ⁄ ECHO
57
MONO
LEFT HOLD
58
59
VOICE
F
PIANO & HARPSI.
VOICE PART
ON ⁄ OFF
G
LAYER
H
LEFT
48
49
60
BRASS
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
ORGAN FLUTES
USER
51
ENTER
I
ONE TOCTH SETTING
MUSIC FINDER
62
61
1
2
3
4
J
REGISTRATION MEMORY
PIANO
DATA
ENTRY
52
50
4
5
6
7
8
63
64
1
2
3
4
5
6
7
8
MEMORY
66
53
60 äÌÓÔÍË VOICE ...................................................................................... ëÚ. 58
MUSIC FINDER
61 äÌÓÔÍ‡ [MUSIC FINDER] ..................................................................... ëÚ. 73
ONE TOUCH SETTING
62 äÌÓÔÍË [1] – [4] (ONE TOUCH SETTING)............................................ ëÚ. 71
ç‡ÒÚÓÈÍ‡ PIANO
63 äÌÓÔÍ‡ [PIANO] .................................................................................... ëÚ. 59
REGISTRATION MEMORY
64 äÌÓÔÍ‡ [FREEZE] ................................................................................. ëÚ. 90
65 äÌÓÔÍË [1] – [8] (REGISTRATION MEMORY)...................................... ëÚ. 88
66 äÌÓÔÍ‡ [MEMORY] ............................................................................... ëÚ. 88
67 ÑËÒÍÓ‚Ó‰ (‰Îﬂ ‰ËÒÍÂÚ ‡ÁÏÂÓÏ 3,5 ‰˛ÈÏ‡) ...................................... ëÚ. 6
68 àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚ .................................................................... ëÚ. 82
ê‡Á˙ÂÏ˚ Ì‡Û¯ÌËÍÓ‚ Ë ÏËÍÓÙÓÌ‡
êÂ„ÛÎﬂÚÓ [INPUT VOLUME] ............................................................. ëÚ. 155
ê‡Á˙ÂÏ [MIC. LINE IN] ....................................................................... ëÚ. 155
Ç˚ÍÎ˛˜‡ÚÂÎ¸ [MIC. LINE] ................................................................. ëÚ. 155
ê‡Á˙ÂÏ˚ [PHONES] ........................................................................... ëÚ. 155
ê‡Á˙ÂÏ˚
73
74
75
76
77
78
79
65
EXIT
VOICE
69
70
71
72
FREEZE
èÓÚ˚ MIDI [THRU] [OUT] [IN]........................................................... ëÚ. 157
èÓÚ [USB].......................................................................................... ëÚ. 157
ê‡Á˙ÂÏ [AUX PEDAL]......................................................................... ëÚ. 157
ê‡Á˙ÂÏ [VIDEO OUT] ......................................................................... ëÚ. 156
ê‡Á˙ÂÏ˚ AUX IN [L / L+R] [R]............................................................ ëÚ. 156
ê‡Á˙ÂÏ˚ AUX OUT [L / L+R] [R]........................................................ ëÚ. 156
ê‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ....................................... ëÚ. 156
èÂ‰‡ÎË
80 ãÂ‚‡ﬂ ÔÂ‰‡Î¸....................................................................................... ëÚ. 62
81 ëÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») .......................................................... ëÚ. 62
82 è‡‚‡ﬂ ÔÂ‰‡Î¸..................................................................................... ëÚ. 62
ãÓ„ÓÚËÔ˚ Ì‡ Ô‡ÌÂÎË
ãÓ„ÓÚËÔ˚, Ì‡ÔÂ˜‡Ú‡ÌÌ˚Â Ì‡ Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ÒÓ‰ÂÊ‡Ú
Ò‚Â‰ÂÌËﬂ Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ÒÚ‡Ì‰‡Ú‡ı/ÙÓÏ‡Ú‡ı Ë Ó· ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚﬂı
ËÌÒÚÛÏÂÌÚ‡.
GM System Level 1
ëÚ‡Ì‰‡Ú GM System Level 1 ﬂ‚ÎﬂÂÚÒﬂ ‰ÓÔÓÎÌÂÌËÂÏ Í ÒÚ‡Ì‰‡ÚÛ MIDI Ë
„‡‡ÌÚËÛÂÚ, ˜ÚÓ Î˛·˚Â ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ˝ÚÓÏÛ ÒÚ‡Ì‰‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ
‚ÓÒÔÓËÁ‚Â‰ÂÌ˚ Ì‡ Î˛·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-„ÂÌÂ‡ÚÓÂ Ë ˆËÙÓ‚ÓÏ
ÔË‡ÌËÌÓ Î˛·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡.
îÓÏ‡Ú XG
XG – ˝ÚÓ ÌÓ‚‡ﬂ ÒÔÂˆËÙËÍ‡ˆËﬂ MIDI ÍÓÔÓ‡ˆËË Yamaha. éÌ‡ ÁÌ‡˜ËÚÂÎ¸ÌÓ
‡Ò¯ËﬂÂÚ Ë ÛÎÛ˜¯‡ÂÚ ÒÚ‡Ì‰‡Ú GM System Level 1 Á‡ Ò˜ÂÚ Û‚ÂÎË˜ÂÌËﬂ
‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËﬂ ÚÂÏ·‡ÏË, ÒÂ‰ÒÚ‚‡ÏË ‚˚‡ÁËÚÂÎ¸ÌÓÒÚË Ë
˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ ÒÚ‡Ì‰‡ÚÓÏ
GM. àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova ÚÂÏ·Ó‚ XG ÔÓÁ‚ÓÎﬂÂÚ
Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔÂÒÂÌ ‚ ÙÓÏ‡ÚÂ XG.
îÓÏ‡Ú XF
îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha ÛÒÓ‚Â¯ÂÌÒÚ‚ÛÂÚ ÒÚ‡Ì‰‡Ú SMF (Standard MIDI
File) Á‡ Ò˜ÂÚ Û‚ÂÎË˜ÂÌËﬂ ÙÛÌÍˆËÓÌ‡Î¸ÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂÈ¯Â„Ó
‡Ò¯ËÂÌËﬂ. èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË Ù‡ÈÎ‡ ‚ ÙÓÏ‡ÚÂ XF, ÒÓ‰ÂÊ‡˘Â„Ó ÚÂÍÒÚ,
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ Ì‡ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ. (îÓÏ‡Ú
SMF ﬂ‚ÎﬂÂÚÒﬂ Ì‡Ë·ÓÎÂÂ ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï ÙÓÏ‡ÚÓÏ Ù‡ÈÎÓ‚ MIDI. ñËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ Clavinova ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓÏ‡Ú‡ÏË SMF 0 Ë 1; ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı»
‰‡ÌÌ˚ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÓÏ‡Ú SMF Format 0.)
Vocal Harmony
îÛÌÍˆËﬂ Vocal Harmony ËÒÔÓÎ¸ÁÛÂÚ ‚ÒÚÓÂÌÌÛ˛ ÚÂıÌÓÎÓ„Ë˛ ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË
Á‚ÛÍ‡ ‰Îﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ÏÓÌËË Í ‚Â‰Û˘ÂÏÛ
ÚÂÏ·Û ÔË ËÒÔÓÎÌÂÌËË ÔÂÒÌË. íÂıÌÓÎÓ„Ëﬂ Vocal Harmony ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸
ı‡‡ÍÚÂ Ë Ó‰ ‚Â‰Û˘Â„Ó ÚÂÏ·‡, ‡ Ú‡ÍÊÂ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ
‡ÁÌÓÓ·‡ÁÌ˚ı ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
îÓÏ‡Ú Disk Orchestra Collection
îÓÏ‡Ú DOC (Disk Orchestra Collection) ‰Îﬂ Á‡ÔËÒË ÚÂÏ·Ó‚ Ó·ÂÒÔÂ˜Ë‚‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ‡ÁÎË˜Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚
Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI.
îÓÏ‡Ú Style File Format
îÓÏ‡Ú Style File Format (SFF) ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ÓË„ËÌ‡Î¸Ì˚È ÙÓÏ‡Ú Ù‡ÈÎ‡
ÒÚËÎﬂ, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÌËÍ‡Î¸Ì‡ﬂ
ÒËÒÚÂÏ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ, ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÁ‰‡‚‡Ú¸
‚˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·ÓÎ¸¯Ó„Ó ÍÓÎË˜ÂÒÚ‚‡ ÚËÔÓ‚
‡ÍÍÓ‰Ó‚. Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È
‚ Ô‡ÏﬂÚ¸, ÔË ˝ÚÓÏ Ò˜ËÚ˚‚‡˛ÚÒﬂ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ËÒÍË ÒÓ ÒÚËÎﬂÏË SFF Ë
ÒÓÁ‰‡˛ÚÒﬂ ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ ÒÂ‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂÎ¸ ÒÚËÎÂÈ).
USB
USB – ˝ÚÓ ÒÓÍ‡˘ÂÌËÂ ÓÚ Universal Serial Bus (ÛÌË‚ÂÒ‡Î¸Ì‡ﬂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì‡ﬂ
¯ËÌ‡). ùÚÓ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸Ì˚È ËÌÚÂÙÂÈÒ ‰Îﬂ Ò‚ﬂÁË ÍÓÏÔ¸˛ÚÂ‡ Ò
ÔÂËÙÂËÈÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ «„Óﬂ˜Û˛» Á‡ÏÂÌÛ
ÔÂËÙÂËÈÌ˚ı ÛÒÚÓÈÒÚ‚ (·ÂÁ ‚˚ÍÎ˛˜ÂÌËﬂ ÔËÚ‡ÌËﬂ ÍÓÏÔ¸˛ÚÂ‡).
CVP-210/208
19
ä‡ÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÔÓÁ‚ÓÎﬂ˛˘Ëı ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë
ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û˜‡ÌËﬂ Â„Ó ÚÂÏ·Ó‚, ËÚÏÓ‚ Ë ÒÚËÎÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÅÓÎÂÂ ÚÓ„Ó, Ì‡ÏË ·˚Î ‡Á‡·ÓÚ‡Ì ﬂ‰ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÙÛÌÍˆËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚÂ Ì‡ Ô‡ÍÚËÍÂ ÓÁÌ‡ÍÓÏËÚ¸Òﬂ
ÒÓ ‚ÒÂÏË ‚‡ÊÌÂÈ¯ËÏË ÙÛÌÍˆËﬂÏË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova Ë Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ Ì‡Û˜ËÚ¸Òﬂ ˝ÙÙÂÍÚË‚ÌÓÏÛ
ÔËÏÂÌÂÌË˛ ‚ ÔÓˆÂÒÒÂ ÒÓÁ‰‡ÌËﬂ ÏÛÁ˚ÍË.
1
2
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DEMO] ‰Îﬂ
‚˚ÁÓ‚‡ ÏÂÌ˛ ‚˚·Ó‡
‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË.
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 56
äÌÓÔÍ‡ Demo
óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸
ÍÌÓÔÍ‡ÏË [BACK]/[NEXT].
BACK
NEXT
MENU
DEMO
HELP
FUNCTION
èêàåÖóÄçàÖ
ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌÍˆËÈ ËÎÎ˛ÒÚËÛ˛Ú
‚ÓÁÏÓÊÌÓÒÚË ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.
ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ÔÓÁ‚ÓÎﬂ˛Ú
ÔÓÎÛ˜ËÚ¸ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó ‰ÓÒÚÛÔÌ˚ı ‚
ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-210/208 ËÚÏ‡ı
Ë ÒÚËÎﬂı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 56).
Ç ˝ÚÓÏ ÔËÏÂÂ ‚˚·‡Ì‡ ‚ÍÎ‡‰Í‡
VOICE. ÑÂÏÓÌÒÚ‡ˆËË ÚÂÏ·Ó‚
ËÎÎ˛ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÚÂÏ·Ó‚ CVP-210/208.
3
óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛, Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J] ËÎË ÍÌÓÔÍÛ [8▼] (AUTO) (ËÏÂÂÚÒﬂ
ÚÓÎ¸ÍÓ Ì‡ ÒÚ‡ÌËˆÂ FUNCTION).
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰ÂÏÓÌÒÚ‡ˆË˛ ÔÂÒÌË GrandPiano(C).
èêàåÖóÄçàÖ
VOICE PART
ON ⁄ OFF
A
F
B
G
LAYER
C
H
LEFT
D
I
E
J
1
2
3
4
5
6
7
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
‰ÂÏÓÌÒÚ‡ˆËﬂı ÔË‚Â‰ÂÌ˚ Ì‡
ÒÚ. 56.
8
óÚÓ·˚ ‚˚ÈÚË ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËÏ‡ Ë ‚ÂÌÛÚ¸Òﬂ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN) ÔÓ Á‡‚Â¯ÂÌËË ‚ÒÂı ‰ÂÏÓÌÒÚ‡ˆËÈ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
èÓÒÎÂ ÚÓ„Ó Í‡Í ‚˚ ÓÁÌ‡ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚ‡ˆËﬂÏË, ÒÚÓËÚ ‡ÁÓ·‡Ú¸Òﬂ Â˘Â Ò ‰‚ÛÏﬂ ÙÛÌÍˆËﬂÏË, ÍÓÚÓ˚Â ÔÓÏÓ„ÛÚ ‚‡Ï
ÎÛ˜¯Â ÛÁÌ‡Ú¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova.
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ) (ÒÚ. 21)
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ (ÒÚ. 21)
• ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÍÓÓÚÍÓ„Ó ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ (Ì‡ ˝Í‡ÌÂ Voice
Open; ÒÚ. 26).
20
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 77
ÇÒÂ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚﬂÒ‡˛˘Ëı ÚÂÏ·Ó‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓËÚÏÓ‚ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova ÔÓﬂ‚Îﬂ˛ÚÒﬂ ‚ Ó‰ÌÓÏ – ‚ ÔÂÒÌÂ!
ä‡Í ‚˚ ÒÎ˚¯‡ÎË ‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌﬂı, ‚ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ·ÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó Á‡ÔËÒÂÈ. çÓ ËÏÂ˛ÚÒﬂ Ë
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â. Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì Song Open (PRESET). á‰ÂÒ¸ ‚˚ Ì‡È‰ÂÚÂ Â˘Â ·ÓÎ¸¯ÂÂ ‡ÁÌÓÓ·‡ÁËÂ ÔÂÒÂÌ, ÍÓÚÓ˚Â ‚˚ ÏÓÊÂÚÂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova – ·ÓÎ¸¯ËÌÒÚ‚Ó Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ, ËÏÂ˛˘ËıÒﬂ ‚ ÔÓ‰‡ÊÂ.
èêàåÖóÄçàÖ
èÓ‚Â¸ÚÂ, ˜ÚÓ·˚ Ì‡ÒÚÓÈÍ‡
ﬂÁ˚Í‡ ‰Îﬂ ËÌÒÚÛÏÂÌÚ‡
(ÒÚ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
Ì‡ÒÚÓÈÍÂ ËÏÂÌË Ù‡ÈÎ‡
ÔÓË„˚‚‡ÂÏÓÈ ÔÂÒÌË.
äÌÓÔÍË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í
ÔÂÒÌÂ
äÌÓÔÍË BALANCE Ë
CHANNEL
ÑËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ
Ç CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ ‚ ÛÍ‡Á‡ÌÌ˚ı ÌËÊÂ ÙÓÏ‡Ú‡ı. ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ Ó
ÎÓ„ÓÚËÔ‡ı ÒÏ. Ì‡ ÒÚ. 77, 162.
èêàåÖóÄçàÖ
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ÒÚ‡Ì‰‡ÚÂ GM.
ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ÒÚ‡Ì‰‡ÚÂ XG. XG — ˝ÚÓ ‡Ò¯ËÂÌËÂ
ÒÚ‡Ì‰‡Ú‡ GM, ÔÓ‰‰ÂÊË‚‡˛˘ÂÂ ·ÓÎ¸¯ÂÂ ˜ËÒÎÓ ÚÂÏ·Ó‚ Ë ÔÂ‰ÓÒÚ‡‚Îﬂ˛˘ÂÂ ÏÛÁ˚Í‡ÌÚÛ
·ÓÎÂÂ ÔÓÎÌ˚È ÍÓÌÚÓÎ¸ Á‡ Ô‡‡ÏÂÚ‡ÏË Á‚ÛÍ‡.
ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ
Yamaha ÒÚ‡Ì‰‡ÚÂ DOC.
èÂÒÌË Ò ·ÓÎ¸¯ËÏ ÍÓÎË˜ÂÒÚ‚ÓÏ
‰‡ÌÌ˚ı ËÌÓ„‰‡ ÌÂ ÏÓ„ÛÚ ·˚Ú¸
Ò˜ËÚ‡Ì˚ ËÌÒÚÛÏÂÌÚÓÏ, Ë
‚˚·‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ
ÌÂ‚ÓÁÏÓÊÌÓ. å‡ÍÒËÏ‡Î¸Ì‡ﬂ
ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎﬂÂÚ 200–300ä·,
ÌÓ ÏÓÊÂÚ ÏÂÌﬂÚ¸Òﬂ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó
Í‡Ê‰ÓÈ ÔÂÒÌË.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ
1
ÖÒÎË ÚÂ·ÛÂÚÒﬂ ÔÓË„‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸ÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
ÇçàåÄçàÖ!
• é·ﬂÁ‡ÚÂÎ¸ÌÓ ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò
‡Á‰ÂÎÓÏ «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» Ì‡
ÒÚ. 6.
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
21
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
2
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Open, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [A].
ÖÒÎË „Î‡‚Ì˚È ˝Í‡Ì (MAIN) ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ, ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
A
ÉÎ‡‚Ì˚È ˝Í‡Ì (‰Ë‡ÎÓ„Ó‚ÓÂ
ÓÍÌÓ, ÔÓﬂ‚Îﬂ˛˘ÂÂÒﬂ Ì‡ ˝Í‡ÌÂ
ÔË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ)
ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ÔÂÒÌË,
ÚÂÏ·˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ë Ú.‰.
B
C
D
E
PRESET
FLOPPY DISK
óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Ô‡ÏﬂÚË, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË
[BACK]/[NEXT].
3
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌ˚Â ÔÂÒÌË (Ô‡ÔÍ‡ äÌË„‡ ÔÂÒÂÌ).
A
B
C
D
E
22
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
4
5
óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J].
óÚÓ·˚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP].
èêàåÖóÄçàÖ
REC
TOP
• óÚÓ·˚ ÔÂÂÏÓÚ‡Ú¸ ÔÂÒÌ˛ ‚ÔÂÂ‰ ËÎË Ì‡Á‡‰, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REW] ËÎË [FF].
• ÖÒÎË Ù‡ÈÎ ÔÂÒÌË ÒÓ‰ÂÊËÚ ÚÂÍÒÚ (ÚËÔ Ù‡ÈÎ‡ – Standard MIDI format 0), Â„Ó ÏÓÊÌÓ ÔÓÒÏ‡ÚË‚‡Ú¸ Ì‡
˝Í‡ÌÂ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊÂ ÔÓÒÏÓÚÂÚ¸ Ô‡ÚËÚÛÛ. èÓ‰Ó·ÌÓÒÚË
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 84 Ë 87.
SYNC.START
NEW SONG
6
START / STOP
èÓÔÓ·ÛÈÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔË„ÎÛ¯ÂÌËﬂ Í‡Ì‡Î‡ ‚Ó ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï
ÒÓÁ‰‡‚‡Ú¸ ‰ËÌ‡ÏË˜Ì˚Â ‡‡ÌÊËÓ‚ÍË ·ÛÍ‚‡Î¸ÌÓ Ì‡ ÎÂÚÛ!
1) ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [CHANNEL ON/OFF].
2) ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í‡Ì‡ÎÛ, ÍÓÚÓ˚È ÚÂ·ÛÂÚÒﬂ ‚ÍÎ˛˜ËÚ¸ ËÎË ÓÚÍÎ˛˜ËÚ¸.
CHANNEL
ON / OFF
PART
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
ÖÒÎË ‚˚·‡Ì‡ ‚ÍÎ‡‰Í‡ STYLE,
ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ.
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
23
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
7
à, Ì‡ÍÓÌÂˆ, ÔÓÔÓ·ÛÈÚÂ ÒÂ·ﬂ ‚ ÓÎË Á‚ÛÍÓÂÊËÒÒÂ‡, ÍÓÚÓÓÏÛ ÔÂ‰ÒÚÓËÚ ÒÏËÍ¯ËÓ‚‡Ú¸ ÚÓÎ¸ÍÓ ˜ÚÓ
Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ÔÓÁ‚ÓÎﬂ˛Ú Ì‡ÒÚ‡Ë‚‡Ú¸ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÓÚ‰ÂÎ¸Ì˚ı
Ô‡ÚËÈ: ÔÂÒÌË, ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚‡¯Â„Ó ÚÂÏ·‡ Ë ÒÓÎÓ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ.
1) ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [BALANCE].
2) ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ ÚÂ·ÛÂÚÒﬂ Ì‡ÒÚÓËÚ¸.
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚÂ ‚˚Á‚‡Ú¸ ‚ÂÒ¸ Ì‡·Ó
‰ÓÒÚÛÔÌ˚ı ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ
[MIXING CONSOLE] (ÒÚ. 123).
BALANCE
1
8
3
4
5
6
7
8
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
REC
NEW SONG
24
2
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
TOP
START / STOP
SYNC.START
èêàåÖóÄçàÖ
• äÌÓÔÍ‡ [FADE IN/OUT]
(ÒÚ. 69) ÔÓÁ‚ÓÎﬂÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂÈ‰ËÌ„ÓÏ
‚ Ì‡˜‡ÎÂ Ë ÍÓÌˆÂ ÍÓÏÔÓÁËˆËË.
èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ Ì‡˜‡ÎÂ
ÔÂÒÌË ·Û‰ÂÚ ÔÎ‡‚ÌÓ
Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓÌˆÂ –
ÒÌËÊ‡Ú¸Òﬂ.
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 58
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ ÒÓ‰ÂÊËÚ ·ÓÎÂÂ 800 ‰ËÌ‡ÏË˜Ì˚ı, Â‡ÎËÒÚË˜Ì˚ı ÚÂÏ·Ó‚ Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ.
èÓÔÓ·ÛÈÚÂ ÔÓË„‡Ú¸ ÌÂÒÍÓÎ¸ÍËÏË ÚÂÏ·‡ÏË, ˜ÚÓ·˚ ÔÓÌﬂÚ¸, Í‡Í Ëı ÏÓÊÌÓ ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ ‚‡¯Ëı
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÍÓÏÔÓÁËˆËﬂı. Ç‡Ï ÔÂ‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òﬂ ‚˚·Ë‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â ÚÂÏ·˚, Ò‚ﬂÁ˚‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ ‚ ÒÎÓÈ Ë Ì‡ÁÌ‡˜‡Ú¸
‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ.
äÌÓÔÍË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÚÂÏ·Û
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÏÂÌ˛ ‚˚·Ó‡ „Î‡‚ÌÓ„Ó ÚÂÏ·‡.
ÖÒÎË „Î‡‚Ì˚È ˝Í‡Ì (MAIN) ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ, ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
F
Ç˚·‡ÌÌ˚È ‚ ÏÂÌ˛ ÚÂÏ·
ÓÚÌÓÒËÚÒﬂ Í „Î‡‚ÌÓÈ ˜‡ÒÚË Ë
ÌÓÒËÚ Ì‡Á‚‡ÌËÂ „Î‡‚ÌÓ„Ó
ÚÂÏ·‡. (ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÒÏ. Ì‡ ÒÚ. 60.)
VOICE PART
ON OFF
G
LAYER
H
LEFT
I
J
ÖÒÎË ÚÂ·ÛÂÚÒﬂ ÛÒÎ˚¯‡Ú¸ ÚÓÎ¸ÍÓ
„Î‡‚Ì˚È ÚÂÏ·, ‚˚ÍÎ˛˜ËÚÂ
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ LAYER Ë LEFT.
2
Ç˚·ÂËÚÂ „ÛÔÔÛ ÚÂÏ·Ó‚.
VOICE
PIANO & HARPSI.
BRASS
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
ORGAN FLUTES
USER
Ç ˝ÚÓÏ ÔËÏÂÂ ‚˚·‡Ì ÚÂÏ·
STRINGS (ÒÚÛÌÌ˚Â).
óÚÓ·˚ ‚˚·‡Ú¸
ÏÂÒÚÓÌ‡ıÓÊ‰ÂÌËÂ ÚÂÏ·‡,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË
[BACK]/[NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ
·Û‰ÂÚ ‚ÍÎ‡‰Í‡ PRESET.
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
25
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
3
Ç˚·ÂËÚÂ ÚÂÏ·.
èêàåÖóÄçàÖ
åÓÊÌÓ ÏÓÏÂÌÚ‡Î¸ÌÓ ‚ÂÌÛÚ¸Òﬂ
Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ, ‰‚‡Ê‰˚
Ì‡Ê‡‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J].
A
B
C
D
Ç ˝ÚÓÏ ÔËÏÂÂ
‚˚·‡Ì ÚËÔ Orchestra.
E
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲], ˜ÚÓ·˚ Ì‡˜‡Ú¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛, Â˘Â ‡Á
Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚Â
‚ÓÁÏÓÊÌÓÒÚË ÌÂ Ó„‡ÌË˜ÂÌ˚ Ó‰ÌËÏË ÎË¯¸
ÚÂÏ·‡ÏË. èÓ‰Ó·ÌÓÒÚË ÒÏ. Ì‡ ÒÚ. 56.
óÚÓ·˚ ÔÓÔ‡ÒÚ¸ Ì‡ ‰Û„ËÂ ÒÚ‡ÌËˆ˚, Ì‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÍÌÓÔÍË. ä‡Ê‰‡ﬂ Ú‡Í‡ﬂ ÒÚ‡ÌËˆ‡ ÒÓ‰ÂÊËÚ ÒÔËÒÓÍ ÌÓ‚˚ı, Â˘Â
ÌÂËÁ‚Â‰‡ÌÌ˚ı ÚÂÏ·Ó‚.
4
éˆÂÌËÚÂ Á‚Û˜‡ÌËÂ ÚÂÏ·Ó‚.
äÓÌÂ˜ÌÓ, ‚˚ ÏÓÊÂÚÂ Ò‡ÏË ÔÓÔÓ·Ó‚‡Ú¸ ÔÓË„‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï ÚÂÏ·ÓÏ. é‰Ì‡ÍÓ
ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰Û„‡ﬂ ‚ÓÁÏÓÊÌÓÒÚ¸: Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ë ÔÓÒÎÛ¯‡Ú¸, Í‡Í
‡ÒÍ˚‚‡ÂÚÒﬂ ÔÓÚÂÌˆË‡Î ÚÂÏ·‡. ÑÎﬂ ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [8▲] Ì‡
ËÁÓ·‡ÊÂÌÌÓÏ ‚˚¯Â ˝Í‡ÌÂ, Ë ‰ÂÏÓÌÒÚ‡ˆËﬂ ÚÂÏ·‡ Á‡ÔÛÒÚËÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË
1
2
3
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ˜‡ÒÚ¸ LAYER, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ VOICE
PART ON/OFF [LAYER].
VOICE PART
ON OFF
óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LAYER, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [G].
G
LAYER
H
LEFT
Ç˚·ÂËÚÂ „ÛÔÔÛ ÚÂÏ·Ó‚.
óÚÓ·˚ ‰Ó·ËÚ¸Òﬂ ÒÓ˜ÌÓ„Ó Á‚Û˜‡ÌËﬂ, ‚˚·ÂÂÏ Í‡ÍÓÈ-ÌË·Û‰¸ «ÔÎÓÚÌ˚È» ÚÂÏ·. Ç˚ÁÓ‚ËÚÂ „ÛÔÔÛ «CHOIR & PAD» (ıÓ˚ Ë
ÔÓ‰ÍÎ‡‰˚).
VOICE
PIANO & HARPSI.
BRASS
4
5
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
ORGAN FLUTES
USER
Ç˚·ÂËÚÂ ÚÂÏ·.
ç‡ÔËÏÂ, ‚˚·ÂËÚÂ «Hah Choir».
éˆÂÌËÚÂ Á‚Û˜‡ÌËÂ ÚÂÏ·Ó‚.
íÂÔÂ¸ ‚˚ ÏÓÊÂÚÂ Ë„‡Ú¸ ‰‚ÛÏﬂ ÚÂÏ·‡ÏË, Ó·˙Â‰ËÌÂÌÌ˚ÏË ‚
ÒÓ˜ÌÓ Á‚Û˜‡˘ËÈ ÒÎÓÈ: „Î‡‚Ì˚Ï ÚÂÏ·ÓÏ, ‚˚·Ó ÍÓÚÓÓ„Ó
ÓÔËÒ‡Ì ‚ ÔÂ‰˚‰Û˘ÂÏ ‡Á‰ÂÎÂ ÛÍÓ‚Ó‰ÒÚ‚‡, Ë ÚÂÏ·ÓÏ ÒÎÓﬂ,
ÍÓÚÓ˚È ‚˚ ÚÓÎ¸ÍÓ ˜ÚÓ ‚˚·‡ÎË.
çÓ ˝ÚÓ ÚÓÎ¸ÍÓ Ì‡˜‡ÎÓ. èÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚﬂÏË, ÓÚÌÓÒﬂ˘ËÏËÒﬂ Í ÚÂÏ·Û:
• å„ÌÓ‚ÂÌÌ‡ﬂ Ì‡ÒÚÓÈÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ‚ ÂÊËÏ ÙÓÚÂÔË‡ÌÓ – Ì‡Ê‡ÚËÂÏ Ó‰ÌÓÈ ÍÌÓÔÍË (ÒÚ. 59).
• ëÓÁ‰‡ÈÚÂ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â, ÓË„ËÌ‡Î¸Ì˚Â ÚÂÏ·˚. ùÚÓ ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸ ÎÂ„ÍÓ Ë ÔÓÒÚÓ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÎË¯¸ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚
ÒÛ˘ÂÒÚ‚Û˛˘Ëı ÚÂÏ·Ó‚ (ÒÚ. 91).
• ëÓÒÚ‡‚¸ÚÂ ÒÔËÒÓÍ ‚‡¯Ëı Î˛·ËÏ˚ı ÙÛÌÍˆËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·Ó‚, ÒÚËÎÂÈ Ë Ú. ‰.) Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó ÔË ÔÂ‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË
(ÒÚ. 88).
26
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â
ê‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË
1
2
3
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ˜‡ÒÚ¸ LEFT, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ VOICE PART
ON/OFF [LEFT].
VOICE PART
ON OFF
G
LAYER
H
LEFT
óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LEFT, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [H].
Ç˚·ÂËÚÂ „ÛÔÔÛ ÚÂÏ·Ó‚.
Ç ‰‡ÌÌÓÏ ÔËÏÂÂ Ï˚ Ò ‚‡ÏË ‚˚·ÂÂÏ „ÛÔÔÛ «STRINGS» (ÒÚÛÌÌ˚Â), ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË ·‡Ú¸ ÎÂ‚ÓÈ ÛÍÓÈ ‡ÍÍÓ‰˚ Ò
·Ó„‡Ú˚Ï ÓÍÂÒÚÓ‚˚Ï Á‚Û˜‡ÌËÂÏ.
VOICE
PIANO & HARPSI.
BRASS
4
5
6
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
ORGAN FLUTES
USER
Ç˚·ÂËÚÂ ÚÂÏ·, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í „Î‡‚ÌÓÏÛ ÏÂÌ˛.
èÛÒÚ¸ ˝ÚÓ ·Û‰ÂÚ «Symphon. Str» („ÛÔÔ‡ ÒÚÛÌÌ˚ı ÒËÏÙÓÌË˜ÂÒÍÓ„Ó ÓÍÂÒÚ‡).
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì SPLIT POINT, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [I]. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Ì‡ÁÌ‡˜ËÚ¸ ÍÎ‡‚Ë¯Û,
‡Á‰ÂÎﬂ˛˘Û˛ ‚˚·‡ÌÌ˚Â ÚÂÏ·˚, ÍÓÚÓ‡ﬂ ·Û‰ÂÚ Ì‡Á˚‚‡Ú¸Òﬂ ÚÓ˜ÍÓÈ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (Split Point). ÑÎﬂ
˝ÚÓ„Ó Ì‡ÊÏËÚÂ ÚÂ·ÛÂÏÛ˛ ÍÎ‡‚Ë¯Û, Û‰ÂÊË‚‡ﬂ ÔË ˝ÚÓÏ ÍÌÓÔÍÛ [F] ËÎË [G]. (ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 141.)
F
F
G
G
H
H
I
I
J
J
éˆÂÌËÚÂ Á‚Û˜‡ÌËÂ ÚÂÏ·Ó‚.
àÚ‡Í, ÎÂ‚‡ﬂ ÛÍ‡ Ë„‡ÂÚ Ó‰ÌËÏ ÚÂÏ·ÓÏ, ‡ Ô‡‚‡ﬂ – ‰Û„ËÏ(Ë).
íÓ˜Í‡
‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚
MAIN/LAYER
LEFT
ÉÎ‡‚Ì˚È (MAIN) ÚÂÏ· Ë ÚÂÏ· ÒÎÓﬂ (LAYER) Ë„‡˛ÚÒﬂ Ô‡‚ÓÈ ÛÍÓÈ. íÂÏ· LEFT ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ Ë„˚ ÎÂ‚ÓÈ ÛÍÓÈ.
7
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
EXIT
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
27
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Ó·Î‡‰‡ÂÚ Ó„ÓÏÌ˚Ï ÍÓÎË˜ÂÒÚ‚ÓÏ ÏÛÁ˚Í‡Î¸Ì˚ı «ÒÚËÎÂÈ», ÍÓÚÓ˚Â ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ Í‡˜ÂÒÚ‚Â ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ. á‰ÂÒ¸ ÂÒÚ¸ ‚ÒÂ: ÓÚ ÔÓÒÚÓ„Ó, ÌÓ ˝ÙÙÂÍÚÌÓ„Ó ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ Ò
ÔÓÏÓ˘¸˛ ÙÓÚÂÔË‡ÌÓ ËÎË ÔÂÍÛÒÒËË ‰Ó ÓÍÂÒÚ‡ Ë ·Ë„-·˝Ì‰‡.
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 63
äÌÓÔÍË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÒÚËÎ˛
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [D], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ „ÛÔÔÛ ÒÚËÎÂÈ.
ÖÒÎË „Î‡‚Ì˚È ˝Í‡Ì (MAIN) ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ, ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
óÚÓ·˚ ‚˚·‡Ú¸
‡Á‰ÂÎ Ô‡ÏﬂÚË, ‚
ÍÓÚÓÓÏ
‡ÒÔÓÎÓÊÂÌ ÒÚËÎ¸,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸
ÍÌÓÔÍ‡ÏË [BACK]/
[NEXT]. ÑÓÔÛÒÚËÏ,
˝ÚÓ ·Û‰ÂÚ ‚ÍÎ‡‰Í‡
PRESET.
A
B
C
D
E
2
Ç˚·ÂËÚÂ „ÛÔÔÛ ÒÚËÎÂÈ Ë ÒÚËÎ¸.
A
A
B
B
C
C
D
D
E
E
Ç ˝ÚÓÏ ÔËÏÂÂ ‚˚·‡Ì‡ „ÛÔÔ‡
ÒÚËÎÂÈ Dance (Ú‡ÌˆÂ‚‡Î¸Ì˚Â).
28
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
Ç „ÛÔÔÂ Dance ‚˚·ÂÂÏ
ÒÚËÎ¸ EuroTrance.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
3
ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ ACMP.
á‡‰‡ÌÌ˚È ÎÂ‚˚È ‡Á‰ÂÎ ÍÎ‡‚Ë‡ÚÛ˚ ÓÚ‚Ó‰ËÚÒﬂ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÇÁﬂÚ˚Â ‚ ÌÂÏ ‡ÍÍÓ‰˚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‡ÒÔÓÁÌ‡˛ÚÒﬂ Ë ÒÎÛÊ‡Ú ÓÒÌÓ‚ÓÈ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ÔÓÎÌÓÒÚ¸˛ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔË‰ÂÊË‚‡˛˘Â„ÓÒﬂ
‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ.
èêàåÖóÄçàÖ
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
• äÎ‡‚Ë¯‡, ‡Á‰ÂÎﬂ˛˘‡ﬂ
‚˚·‡ÌÌ˚Â ÚÂÏ·˚,
Ì‡Á˚‚‡ÂÚÒﬂ ÚÓ˜ÍÓÈ
‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (Split
Point). àÌÒÚÛÍˆËË ÔÓ
ÛÒÚ‡ÌÓ‚ÍÂ Ú‡ÍÓÈ ÚÓ˜ÍË
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 141.
ACMP
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
4
ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ SYNC.START.
SYNC.START
5
ëÚËÎ¸ Á‡ÔÛÒÍ‡ÂÚÒﬂ Ò‡ÁÛ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ·ÂÂÚÂ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÇÓÁ¸ÏËÚÂ, Í ÔËÏÂÛ, ‰Ó-Ï‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ (ÒÏ. ÌËÊÂ).
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
6
7
8
èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚÂ„ÛÎËÛÈÚÂ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ].
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ, Ì‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·Â ÍÌÓÔÍË TEMPO [
[ ]. óÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ TEMPO, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
]
íÂÏÔ ÏÓÊÌÓ Ú‡ÍÊÂ ËÁÏÂÌﬂÚ¸ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO]
(ÒÚ. 55).
èÓÔÓ·ÛÈÚÂ Ò˚„‡Ú¸ Â˘Â ÌÂÒÍÓÎ¸ÍÓ ‡ÍÍÓ‰Ó‚ ÎÂ‚ÓÈ ÛÍÓÈ.
Ç ‡Á‰ÂÎÂ «ÄÍÍÓ‰Ó‚‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡» Ì‡ ÒÚ. 66 ‚˚ Ì‡È‰ÂÚÂ Ò‚Â‰ÂÌËﬂ Ó Ô‡‚ËÎ‡ı ‚ÁﬂÚËﬂ ‡ÍÍÓ‰Ó‚.
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ STYLE [START/STOP].
ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â ÏÌÓ„ÓÂ, ˜ÚÓ ‚‡Ï ÔÂ‰ÒÚÓËÚ ÓÒ‚ÓËÚ¸ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ. èÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚﬂÏË,
ÓÚÌÓÒﬂ˘ËÏËÒﬂ Í ÒÚËÎ˛:
• èÓÒÚÓÈ ÒÔÓÒÓ· ÒÓÁ‰‡ÌËﬂ ÓË„ËÌ‡Î¸Ì˚ı ÒÚËÎÂÈ (ÒÚ. 113).
• åÂÚÓ‰ ÒÓÒÚ‡‚ÎÂÌËﬂ ÒÔËÒÍ‡ Î˛·ËÏ˚ı ÙÛÌÍˆËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·Ó‚, ÒÚËÎÂÈ Ë Ú.‰.), ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á˚‚‡Ú¸ ÔË ÔÂ‚ÓÈ
ÌÂÓ·ıÓ‰ËÏÓÒÚË (ÒÚ. 88).
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
29
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
é·Ó„‡ÚËÚÂ Ë ÛÍ‡Ò¸ÚÂ Ò‚Ó˛ ÏÛÁ˚ÍÛ Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓÏ‡ÚË˜ÂÒÍËı ˝ÙÙÂÍÚÓ‚ Harmony („‡ÏÓÌËÁ‡ˆËﬂ) Ë Echo
(˝ıÓ).
ùÚ‡ ÏÓ˘Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË „‡ÏÓÌËÁËÓ‚‡Ú¸ ÏÂÎÓ‰ËË, ÍÓÚÓ˚Â ‚Â‰ÂÚ Ô‡‚‡ﬂ ÛÍ‡, Ì‡ ÓÒÌÓ‚Â ‡ÍÍÓ‰Ó‚,
ÍÓÚÓ˚Â ·ÂÂÚ ÎÂ‚‡ﬂ. èÓÏËÏÓ ‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ˝ÙÙÂÍÚ‡ÏË ÚÂÏÓÎÓ, ˝ı‡ Ë Ú.‰.
1 ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ [HARMONY/ECHO].
VOICE EFFECT
REVERB
DSP
VARIATION
HARMONY / ECHO
MONO
LEFT HOLD
2 ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ ACMP (ÒÚ. 28).
3 ÇÓÁ¸ÏËÚÂ ÎÂ‚ÓÈ ÛÍÓÈ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ô‡‚ÓÈ Ò˚„‡ÈÚÂ
ÌÂÒÍÓÎ¸ÍÓ ÌÓÚ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚.
CVP-210/208 ‡ÒÔÓÎ‡„‡ÂÚ ‡ÁÎË˜Ì˚ÏË ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË/˝ı‡ (ÒÚ. 146).
ùÚË ÚËÔ˚ ÏÓ„ÛÚ ÏÂÌﬂÚ¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó „Î‡‚ÌÓ„Ó ÚÂÏ·‡.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
‚Ë‰‡ı „‡ÏÓÌËÁ‡ˆËË/˝ı‡
ÒÓ‰ÂÊ‡ÚÒﬂ ‚ ÓÚ‰ÂÎ¸ÌÓÏ ÒÔËÒÍÂ.
• É‡ÏÓÌËÁ‡ˆËﬂ/˝ıÓ — ˝ÚÓ ÚÓÎ¸ÍÓ Ó‰ËÌ ËÁ ÏÌÓÊÂÒÚ‚‡ ËÏÂ˛˘ËıÒﬂ ÚÂÏ·Ó‚˚ı ˝ÙÙÂÍÚÓ‚.
èÓÔÓ·ÛÈÚÂ ÔËÏÂÌËÚ¸ Í‡ÍËÂ-ÎË·Ó ‰Û„ËÂ ˝ÙÙÂÍÚ˚, ˜ÚÓ·˚ ÛÁÌ‡Ú¸, ˜ÂÏ ÓÌË ÒÏÓ„ÛÚ ÔÓÏÓ˜¸ ÔË ‚˚ÒÚÛÔÎÂÌËË (ÒÚ. 61).
ó‡ÒÚË ÒÚËÎﬂ
ä‡Ê‰˚È ÒÚËÎ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÓÒÚÓËÚ ËÁ «˜‡ÒÚÂÈ». èÓÒÍÓÎ¸ÍÛ Í‡Ê‰‡ﬂ ËÁ ÌËı ﬂ‚ÎﬂÂÚÒﬂ ËÚÏË˜ÂÒÍÓÈ ‚‡Ë‡ˆËÂÈ ·‡ÁÓ‚Ó„Ó
ÒÚËÎﬂ, Ëı ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÔË‰‡ÌËﬂ ‚˚ÒÚÛÔÎÂÌË˛ ÓÒÚÓÚ˚ Ë ÒÏÂ¯Ë‚‡Ú¸ ËÚÏ˚, ÌÂ ÓÚ‚ÎÂÍ‡ﬂÒ¸ ÓÚ Ë„˚. ÇÒÂ„Ó ÒÛ˘ÂÒÚ‚ÛÂÚ
˜ÂÚ˚Â ‡ÁÌÓ‚Ë‰ÌÓÒÚË ˜‡ÒÚÂÈ: ËÌÚÓ‰ÛÍˆËﬂ, ÙËÌ‡Î, ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸ Ë ·ÂÈÍ. ùÚÓ ÚÂ ‰ËÌ‡ÏË˜ÂÒÍËÂ ˝ÎÂÏÂÌÚ˚, ÍÓÚÓ˚Â Ë ÔÓÁ‚ÓÎﬂ˛Ú
ÒÓÁ‰‡‚‡Ú¸ ÔÓÙÂÒÒËÓÌ‡Î¸ÌÓ Á‚Û˜‡˘ËÂ ‡‡ÌÊËÓ‚ÍË.
INTRO
MAIN
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ Ì‡˜‡ÎÂ ÔÂÒÌË. èÓÒÎÂ ÓÍÓÌ˜‡ÌËﬂ ËÌÚÓ‰ÛÍˆËË Ì‡˜ËÌ‡ÂÚÒﬂ ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ÒÂÂ‰ËÌÂ ÔÂÒÌË. éÌ‡ ÒÓÒÚÓËÚ ËÁ ËÚÏËÍÓ-ÏÂÎÓ‰Ë˜ÂÒÍËı ÙË„Û ‰ÎËÌÓÈ ‚ ÌÂÒÍÓÎ¸ÍÓ Ú‡ÍÚÓ‚,
ÍÓÚÓ˚Â ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ ·Û‰ÂÚ Ì‡Ê‡Ú‡ ÍÌÓÔÍ‡ ÒÎÂ‰Û˛˘ÂÈ ˜‡ÒÚË.
ùÚ‡ ˜‡ÒÚ¸ ÔÓÁ‚ÓÎﬂÂÚ Ó·Ó„‡ÚËÚ¸ ËÚÏË˜ÂÒÍËÈ ÛÁÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰ËÌ‡ÏË˜ÂÒÍËÏË ‚‡Ë‡ˆËﬂÏË Ë ·ÂÈÍ‡ÏË, ˜ÚÓ ‰ÂÎ‡ÂÚ
Á‚Û˜‡ÌËÂ ·ÓÎÂÂ ÔÓÙÂÒÒËÓÌ‡Î¸Ì˚Ï.
ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ÍÓÌˆÂ ÔÂÒÌË. èÓ Á‡‚Â¯ÂÌËË ÙËÌ‡Î¸ÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚ÍÎ˛˜‡ÂÚÒﬂ.
BREAK
ENDING
1-4
5
Ç˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚Ëﬂ, ‡Ì‡ÎÓ„Ë˜Ì˚Â ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂÎÂ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ» Ì‡ ÒÚ. 28 Ë 29.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO].
BREAK
INTRO
6
ENDING / rit.
MAIN
A
B
C
D
àÌÚÓ‰ÛÍˆËﬂ Á‡ÔÛÒÚËÚÒﬂ Ò‡ÁÛ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÇÓÁ¸ÏËÚÂ, Í ÔËÏÂÛ, ‰Ó-Ï‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ (ÒÏ. ÌËÊÂ).
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èÓ Á‡‚Â¯ÂÌËË ËÌÚÓ‰ÛÍˆËË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÒÚÛÔ‡ÂÚ ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸.
7
30
ç‡ÊÏËÚÂ Î˛·Û˛ ËÁ ÍÌÓÔÓÍ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË [A] — [D] ËÎË
ÍÌÓÔÍÛ [BREAK]. (ëÏ. ‡Á‰ÂÎ «ëÚÛÍÚÛ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡» Ì‡
ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ.)
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
BREAK
INTRO
ËÎË
ENDING / rit.
MAIN
A
B
C
D
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
8
9
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [AUTO
FILL IN].
ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û
ÙË„Û‡ÏË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË.
AUTO FILLIN
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [ENDING].
ç‡˜ÌÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÍÓÌˆÓ‚ÍË. äÓ„‰‡ ÍÓÌˆÓ‚Í‡ Á‡ÍÓÌ˜ËÚÒﬂ,
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÍ‡ÚËÚÒﬂ.
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
D
■ ëÚÛÍÚÛ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
INTRO (ÒÚ. 70)
INTRO A
INTRO B
INTRO C
(Ï‡ÍÒËÏÛÏ 3 Ù‡Á˚)
MAIN VARIATION
˜ÂÂÁ BREAK
MAIN
VARIATION
B
˜ÂÂÁ BREAK
MAIN
VARIATION
A
MAIN
VARIATION
C
˜ÂÂÁ BREAK
MAIN
VARIATION
D
˜ÂÂÁ BREAK
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [ENDING].
ENDING (ÒÚ. 70)
ENDING A
(Ï‡ÍÒËÏÛÏ 3 Ù‡Á˚)
ENDING B
ENDING C
èÓÒÚÂÔÂÌÌÓÂ Á‡ÏÂ‰ÎÂÌËÂ
(ËÚ‡‰‡Ì‰Ó) ‰ÓÒÚË„‡ÂÚÒﬂ
ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó Ì‡Ê‡ÚËﬂ
ÍÌÓÔÍË [ENDING] ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÙËÌ‡Î¸ÌÓÈ
˜‡ÒÚË.
èêàåÖóÄçàÖ
• àÌÚÓ‰ÛÍˆËﬂ ÌÂ Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ‰ÓÎÊÌ‡ Á‚Û˜‡Ú¸ ‚ Ì‡˜‡ÎÂ! èË ÊÂÎ‡ÌËË ‚˚ ÏÓÊÂÚÂ ‚ÒÚ‡‚ËÚ¸ ÂÂ ‚ ÒÂÂ‰ËÌÂ ËÒÔÓÎÌÂÌËﬂ, Ì‡Ê‡‚ ‚ ÌÛÊÌ˚È ÏÓÏÂÌÚ ÍÌÓÔÍÛ
INTRO].
• èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ·ÂÈÍÓ‚ ÌÂÓ·ıÓ‰ËÏÓ ÒÎÂ‰ËÚ¸ Á‡ ‚ÂÏÂÌÂÏ Ëı ‚ÍÎ˛˜ÂÌËﬂ. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ÒÎË¯ÍÓÏ ·ÎËÁÍÓ Í ÍÓÌˆÛ Ú‡ÍÚ‡ (Ì‡ÔËÏÂ
ÔÓÒÎÂ ÔÓÒÎÂ‰ÌÂÈ ‚ÓÒ¸ÏÓÈ), ·ÂÈÍ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. íÓ ÊÂ ÓÚÌÓÒËÚÒﬂ Ë Í ‡‚ÚÓÏ‡ÚË˜ÂÒÍËÏ ‚ÒÚ‡‚Í‡Ï (Auto Fill-In).
• èË ÊÂÎ‡ÌËË ‚ Ì‡˜‡ÎÂ ÍÓÏÔÓÁËˆËË ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ ËÌÚÓ‰ÛÍˆËÈ ËÎË ‚ÓÓ·˘Â Ò‰ÂÎ‡Ú¸ ‚‚Ó‰ÌÓÈ Î˛·Û˛ ˜‡ÒÚ¸.
• ÖÒÎË ÚÂ·ÛÂÚÒﬂ ÌÂ ÔÂ˚‚‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ÓÚ˚„‡ÂÚ ÙËÌ‡Î, ÔÓÒÚÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO] ‚ ıÓ‰Â ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÙËÌ‡Î¸ÌÓÈ
˜‡ÒÚË.
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÙËÌ‡Î‡, ·ÂÈÍ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÌÂÏÂ‰ÎÂÌÌÓ, ‡ ‚ÒÎÂ‰ Á‡ ÌËÏ ‚ÒÚÛÔËÚ ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸.
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
31
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎÂÈ
ÑÛ„ËÂ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ
FADE IN/OUT
FADE IN / OUT
TAP TEMPO
TAP TEMPO
SYNC.STOP
SYNC.STOP
äÌÓÔÍ‡ [FADE IN/OUT] ÔÓÁ‚ÓÎﬂÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂÈ‰ËÌ„ÓÏ ‚ Ì‡˜‡ÎÂ Ë ÍÓÌˆÂ ÍÓÏÔÓÁËˆËË. èË ˝ÚÓÏ
„ÓÏÍÓÒÚ¸ ‚ Ì‡˜‡ÎÂ ÔÂÒÌË ·Û‰ÂÚ ÔÎ‡‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓÌˆÂ – ÒÌËÊ‡Ú¸Òﬂ (ÒÚ. 69).
ëÚËÎ¸ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ò Î˛·˚Ï ÚÂÏÔÓÏ. ÑÎﬂ ˝ÚÓ„Ó ÒÎÂ‰ÛÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, Û‰‡Ë‚ ÌÂÒÍÓÎ¸ÍÓ ‡Á ÔÓ ÍÌÓÔÍÂ [TAP
TEMPO] ‚ ÊÂÎ‡ÂÏÓÏ ÚÂÏÔÂ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 55.
êÂÊËÏ ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË (Synchro Stop) ÔÓÁ‚ÓÎﬂÂÚ Ì‡˜ËÌ‡Ú¸ Ë ÔÂÍ‡˘‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ, ÔÓÒÚÓ Ì‡ÊËÏ‡ﬂ ÍÎ‡‚Ë¯Ë ‚
‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÓÚÔÛÒÍ‡ﬂ Ëı. ùÚÓ Á‡ÏÂ˜‡ÚÂÎ¸Ì˚È ÏÂÚÓ‰ ÛÒËÎÂÌËﬂ ‰‡Ï‡ÚËÁÏ‡ ‚˚ÒÚÛÔÎÂÌËﬂ Á‡ Ò˜ÂÚ ÔËÏÂÌÂÌËﬂ Ô‡ÛÁ Ë
‰ËÌ‡ÏË˜ÂÒÍËı ‡ÍˆÂÌÚÓ‚. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 69.
äÌÓÔÍ‡ ONE TOUCH
SETTING
ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»
ì‰Ó·ÒÚ‚Ó ÙÛÌÍˆËË One Touch Setting ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ‚˚Á˚‚‡Ú¸ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, Ì‡Ë·ÓÎÂÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
ÒÚËÎ˛ (ÌÓÏÂ ÚÂÏ·‡ Ë Ú.‰.), Ì‡Ê‡ÚËÂÏ Ó‰ÌÓÈ-Â‰ËÌÒÚ‚ÂÌÌÓÈ ÍÌÓÔÍË. ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» Á‡ÏÂ˜‡ÚÂÎ¸Ì‡ ÚÂÏ, ˜ÚÓ ÓÌ‡
ÔÓÁ‚ÓÎﬂÂÚ ÏÓÏÂÌÚ‡Î¸ÌÓ ËÁÏÂÌËÚ¸ ‚ÒÂ Ô‡‡ÏÂÚ˚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ú‡Í, ˜ÚÓ·˚ ÓÌË Ì‡ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ÔÓ‰ıÓ‰ËÎË Í
‚˚·‡ÌÌÓÏÛ ÒÚËÎ˛.
1
2
3
4
5
Ç˚·ÂËÚÂ ÒÚËÎ¸ (ÒÚ. 28).
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [ONE TOUCH SETTING].
èË ˝ÚÓÏ ÔÓËÒıÓ‰ËÚ ÌÂ ÚÓÎ¸ÍÓ Ï„ÌÓ‚ÂÌÌ˚È ‚˚ÁÓ‚ (ÒÏ.
ÒÚ. 71) ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı Ô‡‡ÏÂÚÓ‚ (ÚÂÏ·Ó‚,
˝ÙÙÂÍÚÓ‚ Ë Ú.Ô.), ÌÓ Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ
ÂÊËÏÓ‚ ACMP Ë SYNC. START, ˜Ú·˚ ÌÂÏÂ‰ÎÂÌÌÓ
‚ÓÒÔÓËÁ‚ÂÒÚË ÒÚËÎ¸.
ONE TOUCH SETTING
1
2
3
4
ëÚËÎ¸ Á‡ÔÛÒÚËÚÒﬂ Ò‡ÁÛ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íÓ˜Í‡
‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚
èÓÔÓ·ÛÈÚÂ Ò˚„‡Ú¸ ÏÂÎÓ‰Ë˛ Ô‡‚ÓÈ ÛÍÓÈ, ‡ ‡ÍÍÓ‰˚ — ÎÂ‚ÓÈ.
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èÓÔÓ·ÛÈÚÂ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Í‡ÍËÂ-ÌË·Û‰¸ ‰Û„ËÂ
Ì‡ÒÚÓÈÍË.
åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â Ì‡ÒÚÓÈÍË One Touch
Setting.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 72.
ONE TOUCH SETTING
1
2
3
4
• ëÛ˘ÂÒÚ‚ÛÂÚ ÒÔÓÒÓ·, ÔÓÁ‚ÓÎﬂ˛˘ËÈ Â˘Â ·ÓÎÂÂ ‡‚ÚÓÏ‡ÚËÁËÓ‚‡Ú¸ ËÁÏÂÌÂÌËﬂ Ô‡‡ÏÂÚÓ‚ Ë ÓÊË‚ËÚ¸ ‚˚ÒÚÛÔÎÂÌËÂ. ÑÎﬂ
˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÙÛÌÍˆËÂÈ OTS Link (ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ì‡ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»). ì‰Ó·ÒÚ‚Ó
ÙÛÌÍˆËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ÏÂÌﬂÚ¸ Ì‡ÒÚÓÈÍË ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ ÙË„Û˚ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ
(ÒÚ. 72).
32
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
îÛÌÍˆËﬂ Music Finder
îÛÌÍˆËﬂ Music Finder
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 73
äÌÓÔÍ‡ MUSIC FINDER
ÖÒÎË ÚÂ·ÛÂÚÒﬂ ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔÂ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ ÌÂ ÁÌ‡ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ Ë
ÒÚËÎﬂ, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ. ÑÎﬂ ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÎË¯¸ ‚˚·‡Ú¸ Ì‡Á‚‡ÌËÂ ÍÓÏÔÓÁËˆËË ‚ ÓÍÌÂ Music Finder —
Ë CVP-210/208 ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ÒÚÓËÚ ‚ÒÂ Ô‡‡ÏÂÚ˚, ÌÂÓ·ıÓ‰ËÏ˚Â ‰Îﬂ Ë„˚ ‚ ‚˚·‡ÌÌÓÏ ÒÚËÎÂ!
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËË Music Finder
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [MUSIC FINDER].
MUSIC FINDER
2
Ç˚·ÂËÚÂ Á‡ÔËÒ¸.
óÚÓ·˚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛
ÒÚ‡ÌËˆÛ, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸
ÍÌÓÔÍ‡ÏË [BACK]/[NEXT]. Ç
˝ÚÓÏ ÔËÏÂÂ ‚˚·‡Ì‡ ‚ÍÎ‡‰Í‡
ALL (‚ÒÂ).
Ç˚·ÂËÚÂ Á‡ÔËÒ¸.
1
2
3
4
5
6
7
8
óÚÓ·˚ ‚˚·‡Ú¸ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡ÌË˛, Í‡Í ‚ Ì‡¯ÂÏ ÔËÏÂÂ, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË [1 - 3▲▼].
3
èÓÔÓ·ÛÈÚÂ ÔÓ‰˚„‡Ú¸ ÔÂÒÌÂ Ò ‚ÍÎ˛˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
èêàåÖóÄçàÖ
íÓ˜Í‡
‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚
Ç˚ ÏÓÊÂÚÂ Ò‰ÂÎ‡Ú¸ Ú‡Í, ˜ÚÓ
ÚÂÏ· Ë ‰Û„ËÂ ‚‡ÊÌ˚Â
Ô‡‡ÏÂÚ˚ ·Û‰ÛÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ËÁÏÂÌﬂÚ¸Òﬂ ÔË ËÁÏÂÌÂÌËË
ÒÚËÎﬂ. ÑÎﬂ ˝ÚÓ„Ó ‚ÍÎ˛˜ËÚÂ
ÙÛÌÍˆË˛ OTS LINK (ÒÚ. 72) Ë
ÛÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ «REAL
TIME» ‰Îﬂ Ô‡‡ÏÂÚ‡ OTS LINK
TIMING (ÒÚ. 141).
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
33
îÛÌÍˆËﬂ Music Finder
èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder
Music Finder, ÔÓÏËÏÓ ÔÓ˜Â„Ó, Ó·Î‡‰‡ÂÚ Û‰Ó·ÌÓÈ ÙÛÌÍˆËÂÈ ÔÓËÒÍ‡. Ç˚ Á‡‰‡ÂÚÂ Ì‡Á‚‡ÌËÂ ÔÂÒÌË ËÎË ÍÎ˛˜Â‚ÓÂ ÒÎÓ‚Ó Ë Ò‡ÁÛ ÊÂ
‚Ë‰ËÚÂ Ì‡ ˝Í‡ÌÂ Á‡ÔËÒË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÍËÚÂË˛ ÔÓËÒÍ‡.
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [MUSIC FINDER].
MUSIC FINDER
2
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MUSIC FINDER SEARCH 1, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [I].
èêàåÖóÄçàÖ
êÂÁÛÎ¸Ú‡Ú˚ ÔÂ‚Ó„Ó Ë ‚ÚÓÓ„Ó
ÔÓËÒÍ‡ (Search 1 Ë Search 2)
‚˚‚Ó‰ﬂÚÒﬂ Ì‡ Ó‰ÌÓËÏÂÌÌ˚ı
˝Í‡Ì‡ı.
F
G
H
I
J
èêàåÖóÄçàÖ
àÌÒÚÛÍˆËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 49.
4
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[A], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸
˝Í‡Ì ‚‚Ó‰‡
Ì‡Á‚‡ÌËﬂ ÔÂÒÌË.
A
F
B
G
C
H
D
I
E
J
Ç ‰‡ÌÌÓÏ ÔËÏÂÂ
‚˚·‡Ì‡ ‚ÍÎ‡‰Í‡
ANY (Î˛·ÓÈ ‡ÁÏÂ).
1
5
34
Ç‚Â‰ËÚÂ Ì‡Á‚‡ÌËÂ ÔÂÒÌË,
‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[8▲] (OK).
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
2
3
4
5
6
Ç ˝ÚÓÏ ÔËÏÂÂ
‚˚·‡Ì‡ ‚ÍÎ‡‰Í‡
ALL (‚ÒÂ).
7
3
ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ
Û‰‡ÎËÚ¸ ‡ÌÂÂ
Á‡‰‡ÌÌ˚Â ÛÒÎÓ‚Ëﬂ
ÔÓËÒÍ‡, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [F], [G] ËÎË
[H].
8
6
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ the [8▲] (START
SEARCH).
ç‡ ˝Í‡ÌÂ ÓÚÓ·‡ÁﬂÚÒﬂ ‚ÒÂ
ÍÓÏÔÓÁËˆËË, ÒÓ‰ÂÊ‡˘ËÂ Á‡‰‡ÌÌÓÂ
ÒÎÓ‚Ó (ÒÎÓ‚‡).
îÛÌÍˆËﬂ Music Finder
7
Ç˚·ÂËÚÂ Á‡ÔËÒ¸ (ÒÏ. ¯‡„ 2 Ì‡ ÒÚ. 33) Ë ÔÓÔÓ·ÛÈÚÂ ÔÓË„‡Ú¸ Ò ‚ÍÎ˛˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
íÓ˜Í‡
‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â Ì‡ÒÚÓÈÍË ÙÛÌÍˆËË Music Finder Ë ÒÓı‡ÌﬂÚ¸ Ëı Ì‡ ‰ËÒÍÂÚÂ (ÒÏ. ÒÚ. 40 Ë 48). ùÚÓ
ÔÓÁ‚ÓÎﬂÂÚ ‡Ò¯ËËÚ¸ ÍÓÎÎÂÍˆË˛ Á‡ÔËÒÂÈ, Ó·ÏÂÌË‚‡ﬂÒ¸ ËÏË Ò ‰Û„ËÏË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂÏË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡ ‰‡ÌÌ˚ı ÔÓËÒÍ‡
óÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â ÔÓËÒÍ‡, ‚˚ÁÓ‚ËÚÂ ÓÍÌÓ MUSIC FINDER Open/Save ËÁ ÒÚ‡ÌËˆ˚
SYSTEM RESET (ÒÚ. 154) ˝Í‡Ì‡ UTILITY Ë ‚˚ÔÓÎÌËÚÂ ÚÛ ÊÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ,
˜ÚÓ Ë ÔË ‡·ÓÚÂ Ò ‡Ì‡ÎÓ„Ë˜Ì˚Ï ˝Í‡ÌÓÏ ‰Îﬂ ÚÂÏ·‡ (ÒÚ. 40, 48). óÚÓ·˚ Á‡„ÛÁËÚ¸
ÒÓı‡ÌÂÌÌ˚Â ‰‡ÌÌ˚Â, ‚˚ÔÓÎÌËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÓÔÂ‡ˆË˛ Ì‡ ˝Í‡ÌÂ MUSIC FINDER Open/
Save. á‡ÔËÒË ÏÓÊÌÓ Á‡ÏÂÌﬂÚ¸ Ë ‰Ó·‡‚ÎﬂÚ¸ (ÒÚ. 75).
èêàåÖóÄçàÖ
éÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË ÔÓËÒÍ‡
ÔÓ‰‰ÂÊË‚‡˛ÚÒﬂ Í‡Í CVP-210,
Ú‡Í Ë CVP-208.
ëÓ„Î‡ÒÌÓ ‚˚¯ÂÔË‚Â‰ÂÌÌ˚Ï ËÌÒÚÛÍˆËﬂÏ, ‚ÒÂ ‰‡ÌÌ˚Â ÔÓËÒÍ‡ ‚˚ÒÚÛÔ‡˛Ú Í‡Í Â‰ËÌÓÂ ˆÂÎÓÂ. é‰Ì‡ÍÓ ÔË ÒÓı‡ÌÂÌËË/Á‡„ÛÁÍÂ
Ù‡ÈÎÓ‚ ÒÚËÎÂÈ ÚÂ ‰‡ÌÌ˚Â ÔÓËÒÍ‡, ÍÓÚÓ˚Â Ó·‡˘‡˛ÚÒﬂ Í ˝ÚËÏ Ù‡ÈÎ‡Ï, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓı‡Ìﬂ˛ÚÒﬂ ËÎË ‰Ó·‡‚Îﬂ˛ÚÒﬂ. ÖÒÎË
Ù‡ÈÎ ÒÚËÎﬂ ÍÓÔËÛÂÚÒﬂ ËÎË ÔÂÂÏÂ˘‡ÂÚÒﬂ Ò ‰ËÒÍÂÚ˚ ‚ ‡Á‰ÂÎ Ô‡ÏﬂÚË USER (ÒÚ. 46, 47), Á‡ÔËÒ¸, ÒÓÁ‰‡ÌÌ‡ﬂ ÔË ÒÓı‡ÌÂÌËË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÒÚËÎﬂ, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‰Ó·‡‚ÎﬂÂÚÒﬂ ‚ Ô‡ÏﬂÚ¸ CVP-210/208.
• Ç ‚˚¯ÂÔË‚Â‰ÂÌÌÓÏ ÔËÏÂÂ ‚˚ ËÒÍ‡ÎË ÍÓÏÔÓÁËˆË˛ ÔÓ Ì‡Á‚‡ÌË˛. èÓÏËÏÓ ˝ÚÓ„Ó, ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ ÔÓËÒÍ ÔÓ
ÍÎ˛˜Â‚ÓÏÛ ÒÎÓ‚Û ËÎË ÏÛÁ˚Í‡Î¸ÌÓÏÛ Ê‡ÌÛ, Ì‡ÔËÏÂ Î‡ÚËÌÓ‡ÏÂËÍ‡ÌÒÍËÈ ËÚÏ, ËÚÏ, Á‡‰‡ÌÌ˚È ‚ÓÒ¸Ï˚ÏË Ë Ú.‰.
(ÒÚ. 74).
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
35
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒﬂ
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒﬂ
ëÔ‡‚Ó˜ÌËÍ
Ì‡ ÒÚ. 77
äÌÓÔÍË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÔÂÒÌÂ
èÓ‰˚„˚‚‡ÂÏ ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
Ç‡Ï ÔÂ‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òﬂ ‚˚ÍÎ˛˜‡Ú¸ ËÎË Á‡„ÎÛ¯‡Ú¸ Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË ‚ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, ˜ÚÓ·˚ ‚ÂÒÚË ÂÂ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ. èÂ‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ ‚‡Ï ÔÓ‰˚„˚‚‡ÂÚ ˜ÂÁ‚˚˜‡ÈÌÓ ‡ÁÌÓÒÚÓÓÌÌÂ Ó‰‡ÂÌÌ˚È
ÔË‡ÌËÒÚ. ÖÒÎË ‚˚ Â˘Â ÌÂ ÓÒ‚ÓËÎË ÏÂÎÓ‰Ë˜ÂÒÍÛ˛ Ô‡ÚË˛, Á‡„ÎﬂÌËÚÂ ‚ ‡Á‰ÂÎ «ê‡ÁÛ˜Ë‚‡ÌËÂ ‚‡¯Ëı Î˛·ËÏ˚ı ÔÂÒÂÌ» Ì‡ ÒÚ. 38 Ë
ÌÂÏÌÓ„Ó ÔÓÔ‡ÍÚËÍÛÈÚÂÒ¸.
1-4
5
Ç˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚Ëﬂ, ‡Ì‡ÎÓ„Ë˜Ì˚Â ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂÎÂ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË» Ì‡ ÒÚ. 21 — 23.
óÚÓ·˚ ‚˚ÍÎ˛˜ËÚ¸ Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TRACK 1].
èêàåÖóÄçàÖ
TRACK 1
(R)
6
óÚÓ·˚ ‚˚ÍÎ˛˜ËÚ¸ Ô‡ÚË˛ ÎÂ‚ÓÈ
ÛÍË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TRACK 2].
ÖÒÎË ‚Ó ‚ÂÏﬂ Ë„˚ ‚˚ ıÓÚËÚÂ ‚Ë‰ÂÚ¸ Ì‡ ˝Í‡ÌÂ ÌÓÚ˚, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [C]. ÖÒÎË ıÓÚËÚÂ ‚Ë‰ÂÚ¸ ÚÂÍÒÚ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [B].
ÖÒÎË „Î‡‚Ì˚È ˝Í‡Ì (MAIN) ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ, ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÒÌﬂ ÌÂ ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡,
ÓÌ ÌÂ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ.
A
B
C
D
E
7
óÚÓ·˚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ô‡ÚËË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/
STOP].
REC
TOP
SYNC.START
NEW SONG
8
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
REC
TOP
NEW SONG
36
START / STOP
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
START / STOP
SYNC.START
èêàåÖóÄçàÖ
• ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ˜ÚÓ·˚ ÔÂÒÌﬂ
Ì‡˜ËÌ‡Î‡Ò¸ ·ÂÁ ‚ÒÚÛÔÎÂÌËﬂ
(ËÌÚÓ‰ÛÍˆËË), ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÙÛÌÍˆËÂÈ
Sync Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚
ÔÂÂ‚ÂÒÚË ÙÛÌÍˆË˛ ‚ ÂÊËÏ ÓÊË‰‡ÌËﬂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP],
Û‰ÂÊË‚‡ﬂ ÔË ˝ÚÓÏ ÍÌÓÔÍÛ [TOP]. èÂÒÌﬂ
Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ò‡ÁÛ, Í‡Í
ÚÓÎ¸ÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ ÍÎ‡‚Ë¯.
• ÖÒÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÔÓÏËÏÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓË„˚‚‡ÂÚ
Â˘Â Ë ÏÂÎÓ‰Ë˜ÂÒÍÛ˛ Ô‡ÚË˛, ÔÓ‚Â¸ÚÂ
Ô‡‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ Ë
ÒÏÂÌËÚÂ Í‡Ì‡Î, ÔËÒ‚‡Ë‚‡ÂÏ˚È ÔÂ‚ÓÈ
‰ÓÓÊÍÂ (Track 1) (ÒÚ. 140). äÓÏÂ ÚÓ„Ó,
ÏÓÊÌÓ ÒÏÂÌËÚ¸ Í‡Ì‡Î ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Ò‡ÏÓÈ ÔÂÒÌË (ÒÚ. 108).
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒﬂ
á‡ÔËÒ¸
Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova ËÏÂÂÚÒﬂ ÔÓÒÚ‡ﬂ Ë Û‰Ó·Ì‡ﬂ ÙÛÌÍˆËﬂ Á‡ÔËÒË. èÓÔÓ·ÛÂÏ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÌË·Û‰¸ Ò ÍÎ‡‚Ë‡ÚÛ˚ ‚
ÂÊËÏÂ Quick Recording (·˚ÒÚ‡ﬂ Á‡ÔËÒ¸).
1-3
4
Ç˚·ÂËÚÂ ÚÂÏ·. Ç˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚Ëﬂ, ÓÔËÒ‡ÌÌ˚Â ‚ ‡Á‰ÂÎÂ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ» Ì‡ ÒÚ. 25, 26.
óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, ÒÎÂ‰ÛÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË [REC] Ë [TOP].
REC
TOP
REW
FF
REPEAT
SYNC.START
NEW SONG
5
START / STOP
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
REC
6
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒﬂ Ò‡ÁÛ ÊÂ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ ÍÎ‡‚Ë¯.
7
èÓ ÓÍÓÌ˜‡ÌËË ÒÂ‡ÌÒ‡ Á‡ÔËÒË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
REC
8
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡
Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
REC
NEW SONG
9
TOP
START / STOP
SYNC.START
ÇçàåÄçàÖ!
á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â ·Û‰ÛÚ
ÛÚÂﬂÌ˚ ÔË ‚˚ÍÎ˛˜ÂÌËË
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ. óÚÓ·˚
˝ÚÓ„Ó ÌÂ ÔÓËÁÓ¯ÎÓ, Ëı
ÒÎÂ‰ÛÂÚ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂÎÂ
Ô‡ÏﬂÚË User ËÎË Ì‡ ‰ËÒÍÂÚÂ.
ëÓı‡ÌËÚÂ Á‡ÔËÒ¸ (ÒÚ. 40, 48).
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
37
èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒﬂ
ê‡ÁÛ˜Ë‚‡ÌËÂ ‚‡¯Ëı Î˛·ËÏ˚ı ÔÂÒÂÌ
Ç ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ÌÂÒÍÓÎ¸ÍÓ Ó˜ÂÌ¸ ÔÓÎÂÁÌ˚ı ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ, ÍÓÚÓ˚Â
ÔÓÏÓ„‡˛Ú ‡ÁÛ˜Ë‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚Â ÔÂÒÌË. Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ‚˚ ‚ÓÒÔÓÎ¸ÁÛÂÚÂÒ¸ ÙÛÌÍˆËÂÈ Follow
Lights Ë ÒÔÂˆË‡Î¸Ì˚ÏË ËÌ‰ËÍ‡ÚÓ‡ÏË, ÔÓÏÓ„‡˛˘ËÏË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ô‡‚ËÎ¸Ì˚Â ÌÓÚ˚.
1-6
7
Ç˚ÔÓÎÌËÚÂ ‰ÂÈÒÚ‚Ëﬂ, ÓÔËÒ‡ÌÌ˚Â ‚ ‡Á‰ÂÎÂ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ» Ì‡
ÒÚ. 36.
Ç ˝ÚÓÏ ÔËÏÂÂ ‚˚ ‡ÁÛ˜Ë‚‡ÂÚÂ Ô‡ÚË˛ ‰Îﬂ Ô‡‚ÓÈ ÛÍË ‡Á‰ÂÎ‡
«ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ».
èêàåÖóÄçàÖ
èÂÂ‰ ÚÂÏ, Í‡Í ÔÂÂÈÚË Í
Ô‡ÍÚËÍÂ
èÂÂ‰ ÚÂÏ Í‡Í ÔËÒÚÛÔËÚ¸ Í
ÛÔ‡ÊÌÂÌË˛, ÔÓË„‡ÈÚÂ ÔÂÒÌ˛
ˆÂÎËÍÓÏ (ÌÂ ÓÚÏÂÌﬂﬂ Í‡ÍËÂ-ÎË·Ó
Ô‡ÚËË) Ë ‚ÌËÏ‡ÚÂÎ¸ÌÓ ÂÂ
ÔÓÒÎÛ¯‡ÈÚÂ. ùÚÓ ÔÓÏÓÊÂÚ ‚‡Ï
ÒÓÒÚ‡‚ËÚ¸ ﬂÒÌÓÂ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ
Ó ÚÓÏ, Í‡Í ÌÂÓ·ıÓ‰ËÏÓ Ë„‡Ú¸
˝ÚÛ ÔÂÒÌ˛, Ë Ò‰ÂÎ‡ÂÚ ‚‡¯Û Ë„Û
·ÓÎÂÂ ÔÎ‡‚ÌÓÈ. ÖÒÎË ‚˚ ıÓÚËÚÂ
ÒÎ˚¯‡Ú¸ ÚÓÎ¸ÍÓ ÏÂÎÓ‰Ë˜ÂÒÍÛ˛
Ô‡ÚË˛, ‚˚ÍÎ˛˜ËÚÂ ÍÌÓÔÍË
[TRACK 2] Ë [EXTRA TRACKS].
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [GUIDE].
GUIDE
8
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP] Ë ‡ÁÛ˜ËÚÂ ÌÂ‰ÓÒÚ‡˛˘Û˛ (ÔË„ÎÛ¯ÂÌÌÛ˛) Ô‡ÚË˛, ÓËÂÌÚËÛﬂÒ¸ Ì‡
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯.
èË ÊÂÎ‡ÌËË ‚˚ ÏÓÊÂÚÂ ËÁÏÂÌËÚ¸ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ].
REC
TOP
START / STOP
TEMPO
RESET
SYNC.START
NEW SONG
9
óÚÓ·˚ Ó‚Î‡‰ÂÚ¸ ÚÛ‰Ì˚ÏË Ô‡ÚËﬂÏË, ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. èÓÒÚÓ ÛÍ‡ÊËÚÂ
ÍÓÓÚÍËÈ Ù‡„ÏÂÌÚ, Ì‡‰ ÍÓÚÓ˚Ï ‚˚ ıÓÚËÚÂ ÔÓ‡·ÓÚ‡Ú¸, Ë ÔÓ‚ÚÓﬂÈÚÂ Â„Ó ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ Á‡ÔÓÏÌËÚÂ.
1) ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [GUIDE] Ó‰ËÌ ‡Á, ˜ÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ GUIDE.
2) èÂÂ‰ Ì‡˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚˚·‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁÌ‡˜ËÚ¸ ÓÚÔ‡‚ÌÛ˛
ÚÓ˜ÍÛ ‰Îﬂ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ.
3) ä‡Í ÚÓÎ¸ÍÓ Ù‡„ÏÂÌÚ Á‡ÍÓÌ˜ËÚ¸Òﬂ, ÒÌÓ‚‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁÌ‡˜ËÚ¸ ÍÓÌÂ˜ÌÛ˛ ÚÓ˜ÍÛ.
4) ëÌÓ‚‡ ‚ÍÎ˛˜ËÚÂ ÙÛÌÍˆË˛ GUIDE.
10
óÚÓ·˚ ÔÂ‚‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
REC
TOP
NEW SONG
38
äaÚÍÓÂ ÛÍÓ‚Ó‰ÒÚ‚Ó
START / STOP
SYNC.START
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛
ÔÓ ÙÛÌÍˆËË Guide ÒÏ. Ì‡ ÒÚ. 82
Ë 140.
éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË: Ó„‡ÌËÁ‡ˆËﬂ ‰‡ÌÌ˚ı
ëÓ‰ÂÊËÏÓÂ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡
äÓ„‰‡ ‚ÍÎ˛˜‡ÂÚÒﬂ ÔËÚ‡ÌËÂ, ÔÓﬂ‚ÎﬂÂÚÒﬂ „Î‡‚Ì˚È ˝Í‡Ì MAIN Ò ‚‡ÊÌÓÈ ËÌÙÓÏ‡ˆËÂÈ Ó·
ÓÔÂ‡ˆËﬂı.
ÖÒÎË Ì‡Ê‡Ú¸ Ì‡ ˝Í‡ÌÂ MAIN ÍÌÓÔÍË [A] — [J], ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ˝Í‡Ì˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Í‡Ê‰ÓÈ
ÍÌÓÔÍÂ. ùÍ‡Ì˚, ‚˚Á˚‚‡ÂÏ˚Â ˝ÚËÏË ÍÌÓÔÍ‡ÏË (ÍÓÏÂ ÍÌÓÔÓÍ [B] Ë [C]), Ì‡Á˚‚‡˛ÚÒﬂ ˝Í‡Ì‡ÏË
Open/Save (ÒÏ. ÒÎÂ‰Û˛˘Û˛ ÒÚ‡ÌËˆÛ). ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [B] ËÎË [C], ÔÓﬂ‚ËÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ
˝Í‡Ì Lyrics (íÂÍÒÚ˚ ÔÂÒÂÌ) Ë Score (è‡ÚËÚÛ˚).
8
èêàåÖóÄçàÖ
ÖÒÎË „Î‡‚Ì˚È ˝Í‡Ì (MAIN) ÌÂ
ÔÓﬂ‚ÎﬂÂÚÒﬂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ
ÍÌÓÔÍÛ [EXIT].
9
1
2
3
4
5
0
6
C
7
D
A
B
E
1 í‡ÌÒÔÓÌËÓ‚‡ÌËÂ (ÒÚ. 144)
äÌÓÔÍË [TRANSPOSE] ÔÓÁ‚ÓÎﬂ˛Ú ÔÓÌËÊ‡Ú¸ ËÎË ÔÓ‚˚¯‡Ú¸ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂÒÌË Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓÌ‡. á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ÂÎË˜ËÌ‡
Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ‚ ÔÓÎÛÚÓÌ‡ı.
2 èÂÒÌﬂ (ÒÚ. 78)
éÚÓ·‡Ê‡ÂÚÒﬂ ËÏﬂ ÚÂÍÛ˘ÂÈ ‚˚·‡ÌÌÓÈ ÔÂÒÌË Ë ‰Û„‡ﬂ ËÌÙÓÏ‡ˆËﬂ Ó ÌÂÈ.
3 èÓÁËˆËﬂ ‚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌÂ (ÒÚ. 78) ËÎË ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 63)
éÚÓ·‡Ê‡ÂÚÒﬂ ÚÂÍÛ˘‡ﬂ ÔÓÁËˆËﬂ ‚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌÂ ËÎË ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
4 íÂÏÔ (ÒÚ. 54)
ÇÓ ‚ÂÏﬂ ÔÓË„˚‚‡ÌËﬂ ÔÂÒÌË ËÎË ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÚÂÏÔ.
5 ÄÍÍÓ‰ (ÒÚ. 66)
ÖÒÎË ÍÌÓÔÍ‡ [ACMP] ‚ÍÎ˛˜ÂÌ‡, ÓÚÓ·‡Ê‡ÂÚÒﬂ ‡ÍÍÓ‰, Á‡‰‡ÌÌ˚È ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚.
6 ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 63)
éÚÓ·‡Ê‡ÂÚÒﬂ ËÏﬂ, ËÚÏ Ë ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
7 ÇÒÚÛÔÎÂÌËÂ (Intro) Ë ÍÓÌˆÓ‚Í‡ (Ending) (ÒÚ. 70)
éÚÓ·‡Ê‡˛ÚÒﬂ ËÏÂÌ‡ ‚ÒÚÛÔÎÂÌËﬂ Ë ÍÓÌˆÓ‚ÍË ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ.
8 îÛÌÍˆËË ÔÂ‰‡ÎË (ÒÚ. 142)
èÓÏËÏÓ Ó·˚˜Ì˚ı ÙÛÌÍˆËÈ Sustain, Sostenuto Ë Soft, ÔÂ‰‡ÎﬂÏ ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ‰Û„ËÂ ÙÛÌÍˆËË, Ú‡ÍËÂ Í‡Í Song Start/Stop Ë Glide. á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒﬂ ÙÛÌÍˆËË,
ÔËÒ‚ÓÂÌÌ˚Â ÚÂÏ ÔÂ‰‡ÎﬂÏ.
9 îÛÌÍˆËﬂ Registration Sequence (ÒÚ. 145)
ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË Ë Á‡„ÛÊ‡Ú¸ ‚ Î˛·ÓÈ ÏÓÏÂÌÚ
Ì‡Ê‡ÚËÂÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË REGISTRATION MEMORY [1] — [8]. îÛÌÍˆËﬂ Registration Sequence ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÍÊÂ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ Ì‡·ÓÓ‚
Ô‡‡ÏÂÚÓ‚ Ú‡Í, ˜ÚÓ·˚ ÓÌË ‚˚·Ë‡ÎËÒ¸ ‚ ÓÔÂ‰ÂÎÂÌÌÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË, ÔÂÂÏÂ˘‡Ú¸Òﬂ ÔÓ ÍÓÚÓÓÈ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË ÔÂ‰‡ÎË.
á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÌÓÏÂ Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚ (ÂÒÎË ÙÛÌÍˆËﬂ Registration Sequence ÌÂ ÓÚÍÎ˛˜ÂÌ‡).
0 è‡ÚËﬂ Main (ÒÚ. 58)
á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îﬂ Ô‡ÚËË Main.
A è‡ÚËﬂ Layer (ÒÚ. 60)
éÚÓ·‡Ê‡ÂÚÒﬂ ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îﬂ Ô‡ÚËË Layer.
B è‡ÚËﬂ Left (ÒÚ. 61)
éÚÓ·‡Ê‡ÂÚÒﬂ ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îﬂ Ô‡ÚËË Left.
C íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ (ÒÚ. 141)
íÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ‰ÂÎﬂÚ ÍÎ‡‚Ë‡ÚÛÛ Ì‡ ÓÚ‰ÂÎ¸Ì˚Â ˜‡ÒÚË. ÖÒÚ¸ ‰‚‡ ‚Ë‰‡ ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËﬂ: «A», ÓÚ‰ÂÎﬂ˛˘‡ﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÚ ÓÒÚ‡Î¸ÌÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚, Ë «L», ‡Á‰ÂÎﬂ˛˘‡ﬂ ÍÎ‡‚Ë‡ÚÛÛ Ì‡ ‰‚Â ˜‡ÒÚË: Ô‡‚Û˛ Ë ÎÂ‚Û˛.
D Å‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË (ÒÚ. 89)
ç‡·Ó˚ Ô‡‡ÏÂÚÓ‚ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË ı‡ÌﬂÚÒﬂ ‚ ·‡ÌÍ‡ı — Ó‰ËÌ ·‡ÌÍ Ì‡ ‚ÓÒÂÏ¸ Ì‡·ÓÓ‚. á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒﬂ ËÏﬂ ‚˚·‡ÌÌÓ„Ó ·‡ÌÍ‡ Â„ËÒÚ‡ˆËÓÌÌÓÈ
Ô‡ÏﬂÚË.
E Å‡Î‡ÌÒ „ÓÏÍÓÒÚË Ô‡ÚËÈ (ÒÚ. 65)
Å‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÓÊÌÓ ÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1▲▼] — [8▲▼], ‡ÒÔÓÎÓÊÂÌÌ˚ı ÔÓ‰ Üä-‰ËÒÔÎÂÂÏ. éÚÓ·‡Ê‡ÂÚÒﬂ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË Í‡Ê‰ÓÈ Ô‡ÚËË.
CVP-210/208
39
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
ùÍ‡Ì Open/Save
Ç CVP-210/208 ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰‡ÌÌ˚Â ‡ÁÌ˚ı ÚËÔÓ‚: ÚÂÏ·˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë Ì‡·Ó˚ Ô‡‡ÏÂÚÓ‚ ËÁ
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. åÌÓ„ËÂ ËÁ ˝ÚËı ‰‡ÌÌ˚ı ÛÊÂ ‚ÌÂÒÂÌ˚ ‚ Ô‡ÏﬂÚ¸ CVP-210/208. äÓÏÂ ÚÓ„Ó, ‰‡ÌÌ˚Â ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ÏÓÊÌÓ
ÒÓÁ‰‡‚‡Ú¸ Ë Â‰‡ÍÚËÓ‚‡Ú¸ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ.
ÇÒÂ ÓÌË ı‡ÌﬂÚÒﬂ ‚ ‚Ë‰Â ÓÚ‰ÂÎ¸Ì˚ı Ù‡ÈÎÓ‚, Í‡Í Ì‡ ÍÓÏÔ¸˛ÚÂÂ.
Ç ˝ÚÓÈ „Î‡‚Â ÔÓÍ‡Á‡ÌÓ, Í‡Í ‚˚ÔÓÎÌﬂÚ¸ ÓÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËÈ ÔÓ Ó·‡·ÓÚÍÂ Ë Ó„‡ÌËÁ‡ˆËË ‰‡ÌÌ˚ı CVP-210/208 Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ Ì‡ Üä-˝Í‡ÌÂ.
ÑÎﬂ ÓÚÍ˚ÚËﬂ, ÒÓı‡ÌÂÌËﬂ, ÔËÒ‚ÓÂÌËﬂ ËÏÂÌË, ÔÂÂÏÂ˘ÂÌËﬂ Ë Û‰‡ÎÂÌËﬂ Ù‡ÈÎÓ‚ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ˝Í‡Ì˚ Open/
Save. Ç˚·Ó Ú‡ÍËı ˝Í‡ÌÓ‚ ÏÓÊÂÚ Ú‡ÍÊÂ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ò Û˜ÂÚÓÏ ÚËÔ‡ Ù‡ÈÎ‡: ÔÂÒÌﬂ, ÚÂÏ·, ÒÚËÎ¸ Ë Ú.‰. äÓÏÂ ÚÓ„Ó, ‚˚ ÏÓÊÂÚÂ
ÛÔÓﬂ‰Ó˜ËÚ¸ ‰‡ÌÌ˚Â, ÔÓÏÂ˘‡ﬂ Ù‡ÈÎ˚ Ó‰ÌÓ„Ó ÚËÔ‡ ‚ ÓÚ‰ÂÎ¸Ì˚Â Ô‡ÔÍË.
ùÍ‡Ì˚ Open/Save ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò „Î‡‚ÌÓ„Ó ˝Í‡Ì‡ MAIN (ÓÌ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡ Üä-‰ËÒÔÎÂÂ ÔË ‚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ). ç‡Ê‡‚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ (ÓÚ [A] ‰Ó [J]), ÏÓÊÌÓ ÔÂÂÈÚË Í ˝Í‡Ì‡Ï Open/Save ‰Îﬂ ÔÂÒÌË (Song), ÚÂÏ·‡ (Voice), ÒÚËÎﬂ (Style) Ë
Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡ÌÍ‡ (Registration Bank).
ùÍ‡Ì Open/Save ‰Îﬂ ÔÂÒÌË (ÒÚ. 78)
àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË ÔÂÒÂÌ.
ùÍ‡Ì Open/Save (éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸)
‰Îﬂ ÚÂÏ·‡ (ÒÚ. 58)
àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
A
F
B
G
C
H
D
I
E
J
ä ÒÎÂ‰Û˛˘ËÏ ÚËÔ‡Ï ˝Í‡ÌÓ‚ Open/Save ÌÂÎ¸Áﬂ ÔÂÂÈÚË ËÁ
˝Í‡Ì‡ MAIN (ÒÚ. 154).
• SYSTEM SETUP
• MIDI SETUP
• USER EFFECT
• MUSIC FINDER
• MAIN PICTURE
• LYRICS BACKGROUND PICTURE (ÒÚ. 87)
èêàåÖóÄçàÖ
ÖÒÎË ˝Í‡Ì MAIN ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT].
ùÍ‡Ì Open/Save ‰Îﬂ ÒÚËÎﬂ (ÒÚ. 63)
àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË ÒÚËÎÂÈ.
40
CVP-210/208
ùÍ‡Ì Open/Save ‰Îﬂ Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡ÌÍ‡ (ÒÚ. 89)
àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‡·ÓÚ˚ Ò Ù‡ÈÎ‡ÏË
Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡ÌÍ‡.
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
èËÏÂ. ùÍ‡Ì Open/Save
ç‡ Í‡Ê‰ÓÏ ˝Í‡ÌÂ Open/Save ÂÒÚ¸ ÚË ÒÚ‡ÌËˆ˚ ‡Á‰ÂÎÓ‚ Ô‡ÏﬂÚË: PRESET, USER Ë FLOPPY DISK.
Ç ÔË‚Â‰ÂÌÌ˚ı ÔËÏÂ‡ı ÔÓÍ‡Á‡Ì ˝Í‡Ì Open/Save ‰Îﬂ ÚÂÏ·‡.
ê‡Á‰ÂÎ PRESET
á‰ÂÒ¸ ı‡ÌﬂÚÒﬂ Á‡‡ÌÂÂ ÒÓÁ‰‡ÌÌ˚Â
Ë Á‡ÎÓÊÂÌÌ˚Â ‚ Ô‡ÏﬂÚ¸ CVP-210/
208 Ù‡ÈÎ˚. èÂ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â
Ù‡ÈÎ˚ ÏÓÊÌÓ Á‡„ÛÁËÚ¸, ÌÓ ÌÂÎ¸Áﬂ
ÔÂÂÔËÒ‡Ú¸. íÂÏ ÌÂ ÏÂÌÂÂ, Ëı ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Í‡Í ÓÒÌÓ‚Û ‰Îﬂ
ÒÓÁ‰‡ÌËﬂ ÒÓ·ÒÚ‚ÂÌÌ˚ı Ù‡ÈÎÓ‚
(ÍÓÚÓ˚Â ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚
‡Á‰ÂÎ‡ı USER ËÎË FLOPPY DISK).
ê‡Á‰ÂÎ USER
á‰ÂÒ¸ ı‡ÌﬂÚÒﬂ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚Â
ËÎË ËÁÏÂÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛
‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ CVP-210/208.
éÌË ı‡ÌﬂÚÒﬂ ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏﬂÚË
CVP-210/208.
ê‡Á‰ÂÎ FLOPPY DISK
Ç˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ÒÓı‡ÌËÚ¸
‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ. Ç ˝ÚÓÏ
‡Á‰ÂÎÂ Ú‡ÍÊÂ ÏÓÊÌÓ Á‡ÔÛÒÍ‡Ú¸
ËÏÂ˛˘ÂÂÒﬂ ‚ ÔÓ‰‡ÊÂ
ÔÓ„‡ÏÏÌÓÂ Ó·ÂÒÔÂ˜ÂÌËÂ.
äÓÌÂ˜ÌÓ, ‰ÓÒÚÛÔ Í ˝ÚËÏ Ù‡ÈÎ‡Ï
‚ÓÁÏÓÊÂÌ ÚÓÎ¸ÍÓ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ‚
‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂÌ‡ ÌÛÊÌ‡ﬂ
‰ËÒÍÂÚ‡.
BACK
NEXT
äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚
PRESET, USER Ë FLOPPY
DISK.
Ç˚Á˚‚‡ÂÚ ÒÚ‡ÌËˆÛ
Í‡Ú‡ÎÓ„‡ ·ÓÎÂÂ
‚˚ÒÓÍÓ„Ó ÛÓ‚Ìﬂ. Ç ˝ÚÓÏ
ÔËÏÂÂ Ì‡Ê‡ÚËÂ Ì‡
ÍÌÓÔÍÛ ‚˚ÁÓ‚ÂÚ
ÒÚ‡ÌËˆÛ ‚˚·Ó‡ Ô‡ÔÍË
Ò ÚÂÏ·‡ÏË.
î‡ÈÎ
Ñ‡ÌÌ˚Â, Í‡Í Á‡‡ÌÂÂ
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â, Ú‡Í Ë
ÒÓÁ‰‡ÌÌ˚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÏ,
ı‡ÌﬂÚÒﬂ ‚ ‚Ë‰Â «Ù‡ÈÎÓ‚».
éÔÂ‡ÚË‚Ì‡ﬂ Ô‡ÏﬂÚ¸
«éÔÂ‡ÚË‚Ì‡ﬂ Ô‡ÏﬂÚ¸» — ˝ÚÓ Ó·Î‡ÒÚ¸ ‚ ÍÓÚÓÛ˛ Á‡„ÛÊ‡ÂÚÒﬂ
‚˚·‡ÌÌ˚È ÚÂÏ·. á‰ÂÒ¸ Ú‡ÍÊÂ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÚÂÏ· Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË SOUND CREATOR. éÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· Ì‡‰Ó ·Û‰ÂÚ
ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂÎÂ USER ËÎË FLOPPY DISK.
á‡ÔËÒ¸ ÔÂÒÂÌ (ÒÚ. 97) Ë ÒÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 113)
ÔÓËÒıÓ‰ËÚ ‚ ÓÔÂ‡ÚË‚ÌÓÈ Ô‡ÏﬂÚË. é·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌﬂÈÚÂ ˝ÚË ‰‡ÌÌ˚Â
‚ ‡Á‰ÂÎÂ USER/FLOPPY DISK ‚ ‚Ë‰Â Ù‡ÈÎ‡ ËÎË Ù‡ÈÎÓ‚. ÖÒÎË ˝ÚË
‰‡ÌÌ˚Â ÌÂ ÒÓı‡ÌËÚ¸, ÓÌË ·Û‰ÛÚ ÔÓÚÂﬂÌ˚ ÔË ‚˚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÒÏ. Ì‡ ÒÚ. 43.
CVP-210/208
41
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
■ î‡ÈÎ˚ Ë ‡Á‰ÂÎ˚
ìÔ‡‚ÎﬂÚ¸ Ù‡ÈÎ‡ÏË ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË
USER Ë Ì‡ ‰ËÒÍÂÚ‡ı (ÍÓÔËÓ‚‡Ú¸,
ÒÓı‡ÌﬂÚ¸ Ëı Ë Ú.‰.) ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
ÍÓÏÔ¸˛ÚÂ‡. (ÒÚ. 157)
ê‡Á‰ÂÎ PRESET
ê‡Á‰ÂÎ USER
ê‡Á‰ÂÎ FLOPPY DISK
á‡ÔËÒ¸ ÌÂ‚ÓÁÏÓÊÌ‡
Voice
Voice
Style
Style
Style
Song
Song
Song
Registration Memory Bank
Registration Memory Bank
Vocal Harmony Type
System Setup
System Setup
MIDI Template
äÓÔËÓ‚‡ÌËÂ
Vocal Harmony Type
MIDI Template
ëÓı‡ÌÂÌËÂ
äÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚Í‡ / Ç˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚Í‡
Voice
System Setup
MIDI Setup
MIDI Setup
User Effect
User Effect
Music Finder
Music Finder
Music Finder
Main Display Picture
Main Display Picture
Main Display Picture
Lyrics Background Picture
Lyrics Background Picture
Lyrics Background Picture
ùÚÓ ˝Í‡Ì Open/Save ‰Îﬂ ÚÂÏ·Ó‚, ÍÓÚÓ˚È
‚˚Á˚‚‡ÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PIANO] ‚
ÒÂÍˆËË VOICE.
MIDI Setup
User Effect
BACK
NEXT
Ç˚·ÂËÚÂ ‡Á‰ÂÎ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT].
èêàåÖóÄçàÖ
ùÍ‡Ì Open/Save
ÓÚÓ·‡Ê‡ÂÚ ÚÓÎ¸ÍÓ ÚÂ
Ù‡ÈÎ˚, Ò ÍÓÚÓ˚ÏË ÏÓÊÌÓ
‡·ÓÚ‡Ú¸ Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ.
ç‡ÔËÏÂ, ËÁ ‡Á‰ÂÎ‡ FD
(Floppy Disk) Ì‡ ˝Í‡ÌÂ
Open/Save ‰Îﬂ ÚÂÏ·Ó‚
ÓÚÓ·‡Ê‡˛ÚÒﬂ ÚÓÎ¸ÍÓ
ÚÂÏ·˚, ‰‡ÊÂ ÂÒÎË Ì‡
‰ËÒÍÂÚÂ ÂÒÚ¸ Â˘Â Ù‡ÈÎ˚
ÒÚËÎÂÈ ËÎË ÔÂÒÂÌ.
42
CVP-210/208
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
■ îÛÌÍˆËË Ë ‡Á‰ÂÎ˚ Ô‡ÏﬂÚË
Ñ‡ÌÌ˚Â, ÍÓÚÓ˚Â ÚÂﬂ˛ÚÒﬂ ÔË ‚˚ÍÎ˛˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡
Ñ‡ÌÌ˚Â, ÍÓÚÓ˚Â ÌÂ ÚÂﬂ˛ÚÒﬂ ÔË ‚˚ÍÎ˛˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡
îÛÌÍˆËË
éÔÂ‡ÚË‚Ì‡ﬂ Ô‡ÏﬂÚ¸
ê‡Á‰ÂÎ USER
FLOPPY DISK
Unedited voice
ë‡‚ÌÂÌËÂ
Style Creator
àÁÏÂÌÂÌËÂ
á‡ÔËÒ¸/
ë·ÓÍ‡
êÂ„ËÒÚ
êÂ„ËÒÚ
ç‡ÒÚÓÈÍË Ô‡ÌÂÎË
Song Creator
ëÓÁ‰‡ÌËÂ
ÌÓ‚ÓÈ Á‡ÔËÒË
á‡ÔËÒ¸
Voice
Voice
Style
Style
One Touch Setting
Registration Memory
Registration Memory Bank
Music Finder
á‡ÔËÒ¸
Music Finder
System Setup
System Setup
Song
àÁÏÂÌÂÌËÂ
MIDI
ç‡ÒÚÓÈÍË MIDI
ëÓı‡ÌÂÌËÂ
Sound Creator
Song
MIDI Template
ëÓı‡ÌÂÌËÂ
MIDI Setup
Vocal Harmony Type
àÁÏÂÌÂÌËÂ
User Effect
(ÏËÍ¯ÂÌ˚È ÔÛÎ¸Ú)
àÁÏÂÌÂÌËÂ
Master EQ Edit
(ÏËÍ¯ÂÌ˚È ÔÛÎ¸Ú)
àÁÏÂÌÂÌËÂ
User Vocal Harmony
User Effect
User Effect
User Master EQ
ÇçàåÄçàÖ!
• Ñ‡ÌÌ˚Â ‚ ‡Á‰ÂÎ‡ı Ô‡ÏﬂÚË
USER/FLOPPY DISK ÒÓı‡Ìﬂ˛ÚÒﬂ
‰‡ÊÂ ÔË ‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ.
çÓ ‰‡ÌÌ˚Â ‚ ÓÔÂ‡ÚË‚ÌÓÈ
Ô‡ÏﬂÚË ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂﬂÌ˚ ÔË
Ó·‡˘ÂÌËË Í ‰Û„ÓÏÛ Ù‡ÈÎÛ ËÎË
‚˚ÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ. èÓ˝ÚÓÏÛ,
ÔÂÊ‰Â ˜ÂÏ ÔÂÂÈÚË Í ‰Û„ÓÏÛ
Ù‡ÈÎÛ ËÎË ÓÚÍÎ˛˜ËÚ¸ ÔËÚ‡ÌËÂ,
Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌﬂÈÚÂ
ÌÛÊÌ˚Â ‰‡ÌÌ˚Â ‚ ‡Á‰ÂÎ USER
ËÎË Ì‡ ‰ËÒÍÂÚÂ.
*
éÔÂ‡ˆËﬂ Save (ëÓı‡ÌËÚ¸)
‚˚ÔÓÎÌﬂÂÚÒﬂ Ò ˝Í‡Ì‡ Open/Save.
**
çÛÊÌ˚È ˝Í‡Ì Open/Save ÏÓÊÌÓ
‚˚Á‚‡Ú¸ Ò ˝Í‡Ì‡ [FUNCTION] →
UTILITY → SYSTEM RESET.
CVP-210/208
43
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
Ç˚·ÂËÚÂ Ó‰ËÌ ËÁ Ù‡ÈÎÓ‚ Ì‡ ˝Í‡ÌÂ. Ç ˝ÚÓÏ ÔËÏÂÂ ‚˚·ÂÂÏ Ù‡ÈÎ ÚÂÏ·‡.
ëÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ VOICE [PIANO & HARPSI] ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÒÓ ÒÔËÒÍÓÏ Ù‡ÈÎÓ‚.
ùÚÓÚ ˝Í‡Ì (Open/Save) ÔÓıÓÊ Ì‡ ‚ÒÂ ÓÒÚ‡Î¸Ì˚Â ˝Í‡Ì˚, ËÒÔÓÎ¸ÁÛÂÏ˚Â ‰Îﬂ Á‡„ÛÁÍË Ë ı‡ÌÂÌËﬂ Ù‡ÈÎÓ‚.
àÌÒÚÛÏÂÌÚ CVP-210/208 ÔÓÒÚ‡‚ÎﬂÂÚÒﬂ Ò Ì‡·ÓÓÏ ÚÂÏ·Ó‚, ÍÓÚÓ˚Â ı‡ÌﬂÚÒﬂ ‚ ‡Á‰ÂÎÂ PRESET. íÂÏ·˚, ÒÓÁ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Sound Creator, ÒÎÂ‰ÛÂÚ ı‡ÌËÚ¸ ‚ ‡Á‰ÂÎÂ USER ËÎË Ì‡ ‰ËÒÍÂÚÂ (FLOPPY DISK).
BACK
ÒÚ‡ÌËˆÛ «PRESET»,
1 Ç˚·ÂËÚÂ
«USER» ËÎË «FLOPPY DISK» Ò
NEXT
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT].
A
F
B
G
C
H
D
I
E
J
VOICE PART
ON OFF
èêàåÖóÄçàÖ
LAYER
LEFT
ENTER
DATA
ENTRY
1
2
3
4
5
6
7
8
3 Ç˚·ÂËÚÂ Ù‡ÈÎ/Ô‡ÔÍÛ.
•
ÔÓÒÏÓÚ‡ ÒÚ‡ÌËˆ ËÒÔÓÎ¸ÁÛÈÚÂ
2 ÑÎﬂ
ÍÌÓÔÍË [1▲] — [7▲].
ÖÒÎË ÍÓÎË˜ÂÒÚ‚Ó ÒÚ‡ÌËˆ ÔÂ‚˚¯‡ÂÚ 7, ÌËÊÌﬂﬂ
˜‡ÒÚ¸ ˝Í‡Ì‡ ÔËÓ·ÂÚ‡ÂÚ ÒÎÂ‰Û˛˘ËÈ ‚Ë‰.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ Prev.
(ÔÂ‰˚‰Û˘ËÈ Ó·˙ÂÍÚ)
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
Next (‚ÔÂÂ‰)
•
ùÚÓ ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸ ‰‚ÛÏﬂ ÒÔÓÒÓ·‡ÏË.
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J].
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ﬂ‰ÓÏ
Ò Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ, ÍÓÚÓ˚Â
ÌÂÓ·ıÓ‰ËÏÓ ÓÚÍ˚Ú¸. (Ç Ì‡¯ÂÏ ÔËÏÂÂ
Ì‡ ˝Í‡ÌÂ ÔÓÍ‡Á‡Ì˚ Ù‡ÈÎ˚ ÚÂÏ·Ó‚.)
àÒÔÓÎ¸ÁÛÈÚÂ ‰ËÒÍ [DATA ENTRY] Ë
ÍÌÓÔÍÛ [ENTER].
èÓ‚Ó‡˜Ë‚‡ﬂ ‰ËÒÍ [DATA ENTRY],
ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ/Ô‡ÔÍÛ ËÁ
ÚÂÍÛ˘Â„Ó ÒÔËÒÍ‡. Ç˚·ÂËÚÂ ÌÛÊÌ˚È
Ù‡ÈÎ ËÎË Ô‡ÔÍÛ (‚ Ì‡¯ÂÏ ÔËÏÂÂ ˝ÚÓ
Ù‡ÈÎ ÚÂÏ·‡) Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[ENTER].
Ç˚·Ó ‰Û„Ó„Ó ﬂÁ˚Í‡ Ì‡ ˝Í‡ÌÂ
«LANGUAGE» (ÒÚ. 53, 154)
ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
ÔÓ·ÎÂÏ˚.
• çÂÍÓÚÓ˚Â ÒËÏ‚ÓÎ˚ ‚Ó
‚‚Â‰ÂÌÌ˚ı ËÏÂÌ‡ı Ù‡ÈÎÓ‚
ÏÓ„ÛÚ ·˚Ú¸ ËÒÍ‡ÊÂÌ˚.
• çÂÍÓÚÓ˚Â Ù‡ÈÎ˚ ÏÓ„ÛÚ
ÒÚ‡Ú¸ ÌÂ‰ÓÒÚÛÔÌ˚ÏË.
ÑÎﬂ ÛÒÚ‡ÌÂÌËﬂ ˝ÚËı ÔÓ·ÎÂÏ
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂÌÛÚ¸ ÔÂÊÌËÈ
ﬂÁ˚Í.
ÄÌ‡ÎÓ„Ë˜Ì˚Â ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ
‚ÓÁÌËÍ‡Ú¸ ÔË ˜ÚÂÌËË Ù‡ÈÎÓ‚ Ì‡
ÍÓÏÔ¸˛ÚÂÂ Ò ‰Û„ÓÈ ﬂÁ˚ÍÓ‚ÓÈ
ÒËÒÚÂÏÓÈ.
èêàåÖóÄçàÖ
Ñ‚ÓÈÌÓÂ Ì‡Ê‡ÚËÂ ÍÌÓÔÓÍ [A] —
[J] ‚˚Á˚‚‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ
Ù‡ÈÎ Ë ‚ÓÁ‚‡Ú Í „Î‡‚ÌÓÏÛ
˝Í‡ÌÛ.
èêàåÖóÄçàÖ
í‡ÍÊÂ ‚˚ÁÓ‚ ÚÂÏ·‡ Ë ÔÂÂıÓ‰ Í
„Î‡‚ÌÓÏÛ ÏÂÌ˛ MAIN
ÔÓËÁÓÈ‰ÛÚ, ÂÒÎË ‚˚‰ÂÎËÚ¸
ÌÛÊÌ˚È Ù‡ÈÎ Ë ‰‚‡Ê‰˚ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [ENTER].
END
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ MAIN, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
äÌÓÔÍ‡ [EXIT] ÔÓÁ‚ÓÎﬂÂÚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
Ç˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚‡˛˘Â„Ó ÓÍÌ‡
äÌÓÔÍ‡ [EXIT] ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÍÊÂ Á‡Í˚Ú¸
‚ÒÔÎ˚‚‡˛˘ÂÂ ÓÍÌÓ (Í‡Í Ì‡ ËÎÎ˛ÒÚ‡ˆËË).
44
CVP-210/208
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
éÔÂ‡ˆËË Ò Ù‡ÈÎ‡ÏË Ë Ô‡ÔÍ‡ÏË
Ç˚·Ó ËÏÂÌ ‰Îﬂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
î‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ËÏÂÌ‡. ã˛·ÓÏÛ Ù‡ÈÎÛ ËÎË Ô‡ÔÍÂ ‚ ‡Á‰ÂÎÂ USER Ë FLOPPY DISK ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ËÏﬂ ËÎË
ËÁÏÂÌËÚ¸ Â„Ó. èË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË ‚ ‡Á‰ÂÎÂ USER ‚˚ÔÓÎÌﬂÈÚÂ ¯‡„Ë, ÛÍ‡Á‡ÌÌ˚Â ÌËÊÂ. ÖÒÎË ÚÂ·ÛÂÚÒﬂ ÔÂÂËÏÂÌÓ‚‡Ú¸ Ù‡ÈÎ˚
ËÎË Ô‡ÔÍË ËÁ ‡Á‰ÂÎ‡ PRESET, ÒÍÓÔËÛÈÚÂ Ëı ‚ ‡Á‰ÂÎ USER (ÒÚ. 47).
èêàåÖóÄçàÖ
1 ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [1▼] (NAME) (ÒÚ. 39).
àÏﬂ Ù‡ÈÎ‡ ËÎË Ô‡ÔÍË ÏÓÊÂÚ
ÒÓ‰ÂÊ‡Ú¸ ‰Ó 50 ÒËÏ‚ÓÎÓ‚,
‚ÍÎ˛˜‡ﬂ Ë‰ÂÌÚËÙËÍ‡ÚÓ ÁÌ‡˜Í‡
(ÒÏ. ÔËÏÂ ÌËÊÂ) Ë
‡Ò¯ËÂÌËÂ. ÖÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ﬂÔÓÌÒÍËÈ ﬂÁ˚Í, ËÏﬂ ÏÓÊÂÚ
‚ÍÎ˛˜‡Ú¸ ‰Ó 25 ÒËÏ‚ÓÎÓ‚
«Í‡Ì‰ÁË» ËÎË ÒÎÓ„Ó‚ÓÈ ‡Á·ÛÍË
«ıË‡„‡Ì‡».
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì NAME.
2 Ç˚·ÂËÚÂ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ ‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ ˝Í‡ÌÂ ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
A
F
B
G
C
H
ABCDE.S002.MID
D
I
ID Ù‡ÈÎ‡
E
J
1
END
èêàåÖóÄçàÖ
ç‡ ÍÓÏÔ¸˛ÚÂÂ ËÏﬂ Ù‡ÈÎ‡ ·Û‰ÂÚ
‚˚„Îﬂ‰ÂÚ¸ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ.
ÖÒÎË ËÁÏÂÌËÚ¸ Ë‰ÂÌÚËÙËÍ‡ÚÓ
ÁÌ‡˜Í‡, ÏÓÊÂÚ ËÁÏÂÌËÚ¸Òﬂ
ÁÌ‡˜ÓÍ. ÖÒÎË ËÁÏÂÌËÚ¸
‡Ò¯ËÂÌËÂ, ‡ÒÔÓÁÌ‡‚‡ÌËÂ
Ù‡ÈÎ‡ ÏÓÊÂÚ ÒÚ‡Ú¸
ÌÂ‚ÓÁÏÓÊÌ˚Ï.
2
3
4
5
6
7
ID ÁÌ‡˜Í‡
ê‡Ò¯ËÂÌËÂ
8
Ç‚Â‰ËÚÂ ÌÓ‚ÓÂ ËÏﬂ (ÒÚ. 49).
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲] (OK). óÚÓ·˚ ÓÚÏÂÌËÚ¸
ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL).
CVP-210/208
45
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
èÂÂÏÂ˘ÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
ÑÎﬂ ÛÔÓﬂ‰Ó˜ÂÌËﬂ ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ ÔÂÂÏÂ˘‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ‚ ‡Á‰ÂÎÂ USER Ë FLOPPY DISK ÏÓÊÌÓ
ÔÂÂÏÂÒÚËÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ ÔÓˆÂ‰Û˚ ‚˚ÂÁ‡ÌËﬂ Ë ‚ÒÚ‡‚ÍË.
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [2▼] (CUT). ëÏ. (ÒÚ. 40).
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì CUT.
2 Ç˚·ÂËÚÂ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ.
Ç˚·ÂËÚÂ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ ‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ ˝Í‡ÌÂ ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡ÊÂ ÂÒÎË ÓÌË Ì‡ıÓ‰ﬂÚÒﬂ ‚ ‡ÁÌ˚ı ‡Á‰ÂÎ‡ı. óÚÓ·˚
ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ﬂ‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
äÌÓÔÍ‡ [6▼] (ALL) ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ‚ÒÂ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË, ÓÚÓ·‡Ê‡ÂÏ˚Â ‚ ÚÂÍÛ˘ÂÏ ‡Á‰ÂÎÂ (USER/
FLOPPY DISK). èË Ì‡Ê‡ÚËË Ì‡ ÍÌÓÔÍÛ [6▼] (ALL) ÓÌ‡ ] ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡ «ALL OFF», ˜ÚÓ·˚ ‰‡Ú¸
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó.
èêàåÖóÄçàÖ
èﬂÏÓ ÔÂÂÌÓÒËÚ¸ Ù‡ÈÎ˚ ËÎË
Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ Ì‡
‰Û„Û˛ ÌÂ‚ÓÁÏÓÊÌÓ.
çÂÓ·ıÓ‰ËÏÓ ÒÌ‡˜‡Î‡ ‚˚ÂÁ‡Ú¸
Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡ ‰ËÒÍÂÚÂ Ë
‚ÒÚ‡‚ËÚ¸ ‚ ‡Á‰ÂÎ USER, ‡
Á‡ÚÂÏ ÒÏÂÌËÚ¸ ‰ËÒÍÂÚÛ ‚
‰ËÒÍÓ‚Ó‰Â Ë ‚ÒÚ‡‚ËÚ¸ ÚÛ‰‡
ÔÂÂÏÂ˘‡ÂÏ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ.
èêàåÖóÄçàÖ
ÇÒÂ Ù‡ÈÎ˚ Ë Ô‡ÔÍË Ò ‰ËÒÍÂÚ˚
ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ Ì‡ ‰Û„ÓÈ
‰ËÒÍ Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÚ. 153).
èêàåÖóÄçàÖ
ÇÒÚ‡‚ÎÂÌÌ˚Â Ù‡ÈÎ˚
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÚËÛ˛ÚÒﬂ ÔÓ
ËÏÂÌË Ë ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡
˝Í‡ÌÂ.
3 ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
ÑÎﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL).
4 èÂÂıÓ‰ Ì‡ ˝Í‡Ì, „‰Â ‰ÓÎÊÌ‡ ‚˚ÔÓÎÌﬂÚ¸Òﬂ ‚ÒÚ‡‚Í‡.
ÇÒÚ‡‚Í‡ ‚ÓÁÏÓÊÌ‡ ÚÓÎ¸ÍÓ Ì‡ ÒÚ‡ÌËˆ‡ı USER Ë FLOPPY DISK.
END
46
CVP-210/208
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [4▼] (PASTE).
Ç˚ÂÁ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ÏÂÒÚÓ Ì‡ÁÌ‡˜ÂÌËﬂ.
èêàåÖóÄçàÖ
î‡ÈÎ˚ Ë Ô‡ÔÍË Ì‡ ‰ËÒÍÂÚÂ
ç‡ ÒÚ‡ÌËˆÂ FLOPPY DISK
˝Í‡Ì‡ Open/Save ·Û‰ÛÚ
ÓÚÓ·‡ÊÂÌ˚ ÚÓÎ¸ÍÓ ÚËÔ˚
Ù‡ÈÎÓ‚, ÍÓÚÓ˚Â ÏÓÊÌÓ
Ó·‡·‡Ú˚‚‡Ú¸ Ò ˝ÚÓ„Ó ˝Í‡Ì‡,
ıÓÚﬂ Ô‡ÔÍ‡ Ì‡ ‰ËÒÍÂÚÂ ÏÓÊÂÚ
ÒÓ‰ÂÊ‡Ú¸ ‡ÁÌ˚Â ‚Ë‰˚
Ù‡ÈÎÓ‚.
èÓˆÂ‰ÛÛ ‚˚ÂÁ‡ÌËﬂ Ë ‚ÒÚ‡‚ÍË
ÏÓÊÌÓ ÔËÏÂÌËÚ¸ Í ˆÂÎÓÈ Ô‡ÔÍÂ.
é‰Ì‡ÍÓ ·Û‰ÛÚ ‚ÒÚ‡‚ÎÂÌ˚ ÚÓÎ¸ÍÓ
‰‡ÌÌ˚Â, ÍÓÚÓ˚Â ÏÓ„ÛÚ
Ó·‡·‡Ú˚‚‡Ú¸Òﬂ ‚ ÚÂÍÛ˘ÂÏ ÓÍÌÂ
Open/Save.
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
äÓÔËÓ‚‡ÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
óÚÓ·˚ ÛÔÓﬂ‰Ó˜ËÚ¸ Ù‡ÈÎ˚ Ë Ô‡ÔÍË, Ëı ÏÓÊÌÓ ÍÓÔËÓ‚‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ Ì‡ ÒÚ‡ÌËˆ‡ı PRESET, USER Ë FLOPPY DISK
ÏÓÊÂÚ ·˚Ú¸ ÒÍÓÔËÓ‚‡Ì Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ ÔÓˆÂ‰Û˚ ÍÓÔËÓ‚‡ÌËﬂ Ë ‚ÒÚ‡‚ÍË.
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [3▼] (COPY) (ëÏ.
ÒÚ. 40).
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì COPY.
3 ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
ÑÎﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼]
(CANCEL).
Ì‡ ˝Í‡Ì, „‰Â ‰ÓÎÊÌ‡
4 èÂÂıÓ‰
‚˚ÔÓÎÌﬂÚ¸Òﬂ ‚ÒÚ‡‚Í‡.
ÇÒÚ‡‚Í‡ ‚ÓÁÏÓÊÌ‡ ÚÓÎ¸ÍÓ Ì‡ ÒÚ‡ÌËˆ˚ USER Ë
FLOPPY DISK.
2
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ.
Ç˚·ÂËÚÂ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡
‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ ˝Í‡ÌÂ ‰Û„ËÏ ˆ‚ÂÚÓÏ.
Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J].
åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ
Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡ÊÂ ÂÒÎË ÓÌË
Ì‡ıÓ‰ﬂÚÒﬂ ‚ ‡ÁÌ˚ı ‡Á‰ÂÎ‡ı. óÚÓ·˚
ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á
Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ﬂ‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï
Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
äÌÓÔÍ‡ [6▼] (ALL) ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸
Ò‡ÁÛ ‚ÒÂ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË,
ÓÚÓ·‡Ê‡ÂÏ˚Â Ì‡ ÚÂÍÛ˘ÂÈ ÒÚ‡ÌËˆÂ
(PRESET/USER/FLOPPY DISK). èË
Ì‡Ê‡ÚËË ÍÌÓÔÍË [6▼] (ALL) ÓÌ‡] ÏÂÌﬂÂÚ
Ì‡Á‚‡ÌËÂ Ì‡ ALL OFF, ˜ÚÓ ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó ‚ÒÂı
Ó·˙ÂÍÚÓ‚.
END
èÓÏÌËÚÂ Ó ÚÓÏ, ˜ÚÓ ÙÛÌÍˆËË
ÍÓÔËÓ‚‡ÌËﬂ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚
ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ ‰Îﬂ ‚‡¯Â„Ó
ÎË˜ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
èêàåÖóÄçàÖ
èﬂÏÓ ÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ˚ Ë
Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ Ì‡
‰Û„Û˛ ÌÂ‚ÓÁÏÓÊÌÓ.
çÂÓ·ıÓ‰ËÏÓ ÒÌ‡˜‡Î‡
ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡
‰ËÒÍÂÚÂ Ë ‚ÒÚ‡‚ËÚ¸ ÂÂ Ì‡
ÒÚ‡ÌËˆÛ USER, ‡ Á‡ÚÂÏ
ÔÓÏÂÒÚËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ‰Û„Û˛
‰ËÒÍÂÚÛ Ë ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ ËÎË
Ô‡ÔÍÛ Ì‡ ÒÚ‡ÌËˆÂ Floppy Disk.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [4▼] (PASTE) button.
ëÍÓÔËÓ‚‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ ‚ÒÚ‡‚ÎÂÌ˚ Ì‡ ÌÛÊÌÛ˛ ÒÚ‡ÌËˆÛ.
ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
ÑÎﬂ ÛÔÓﬂ‰Ó˜ÂÌËﬂ ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ Û‰‡ÎﬂÚ¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ Ì‡ ÒÚ‡ÌËˆ‡ı USER Ë FLOPPY DISK ÏÓ„ÛÚ ·˚Ú¸
Û‰‡ÎÂÌ˚ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ ÔÓˆÂ‰Û˚.
1 ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [5▼] (DELETE) (ÒÚ. 40).
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì DELETE.
2 Ç˚·ÂËÚÂ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ.
Ç˚·ÂËÚÂ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (éä).
Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍ‡ ‚˚‰ÂÎﬂÂÚÒﬂ Ì‡ ˝Í‡ÌÂ ‰Û„ËÏ
ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [A] — [J].
åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡ÊÂ ÂÒÎË
ÓÌË Ì‡ıÓ‰ﬂÚÒﬂ Ì‡ ‡ÁÌ˚ı ÒÚ‡ÌËˆ‡ı. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó,
‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ﬂ‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï
Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ.
äÌÓÔÍ‡ [6▼] (ALL) ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ‚ÒÂ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË Ì‡
ÚÂÍÛ˘ÂÈ ÒÚ‡ÌËˆÂ (USER/FLOPPY DISK). èË Ì‡Ê‡ÚËË ÍÌÓÔÍË
[6▼] (ALL) ÓÌ‡] ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡ ALL OFF, ˜ÚÓ ‰‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó ‚ÒÂı Ó·˙ÂÍÚÓ‚.
END
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (OK).
ÑÎﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL) .
èÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you sure you want to delete the
«******» file (or data/folder)? YES/NO» (Ç˚ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ
ıÓÚËÚÂ Û‰‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?) èÓﬂ‚ﬂÚÒﬂ ÍÌÓÔÍË YES/
NO.
YES .......ì‰‡ÎÂÌËÂ ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡.
NO .........Ç˚ıÓ‰ ËÁ ÓÍÌ‡ ·ÂÁ Û‰‡ÎÂÌËﬂ Ó·˙ÂÍÚ‡.
èË ‚˚·ÓÂ ÌÂÒÍÓÎ¸ÍËı Ù‡ÈÎÓ‚ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Are you
sure you want to delete the «******» file (or data/folder)?» (Ç˚
‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ ıÓÚËÚÂ Û‰‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?)
èÓﬂ‚ﬂÚÒﬂ ÍÌÓÔÍË YES/YES ALL/NO/CANCEL.
YES/NO .....ì‰‡ÎÂÌËÂ ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡ (YES) ËÎË Â„Ó
ÔÓÔÛÒÍ ·ÂÁ Û‰‡ÎÂÌËﬂ (NO).
YES ALL ...ì‰‡ÎÂÌËÂ ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı Ó·˙ÂÍÚÓ‚.
CANCEL....Ç˚ıÓ‰ ËÁ ÓÍÌ‡ ·ÂÁ Û‰‡ÎÂÌËﬂ Ó·˙ÂÍÚÓ‚.
CVP-210/208
47
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
ëÓı‡ÌÂÌËÂ Ù‡ÈÎÓ‚
ùÚ‡ ÓÔÂ‡ˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌﬂÚ¸ ‰‡ÌÌ˚Â (ÔÂÒÌË Ë ÚÂÏ·˚), ÒÓÁ‰‡ÌÌ˚Â ‚‡ÏË ‚ ÓÔÂ‡ÚË‚ÌÓÈ Ô‡ÏﬂÚË
(ÒÚ. 41). î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ÚÓÎ¸ÍÓ Ì‡ ÒÚ‡ÌËˆ‡ı USER Ë FLOPPY DISK.
ÖÒÎË ˝Í‡Ì Open/Save ‰Îﬂ ÚËÔ‡ ‰‡ÌÌ˚ı, ÍÓÚÓ˚È ‚˚ ıÓÚËÚÂ ÒÓı‡ÌËÚ¸, ÌÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ, ‚ÂÌËÚÂÒ¸ Ì‡
„Î‡‚Ì˚È ˝Í‡Ì, Ì‡Ê‡‚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. ç‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ Ì‡ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [A] — [J], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì Open/Save. èÂÂÈ‰ËÚÂ Í ÒÚ‡ÌËˆÂ
USER ËÎË FLOPPY DISK (ÒÚ. 40, 41).
ÍÌÓÔÍÛ
1 ç‡ÊÏËÚÂ
[6▼] (SAVE).
Ç‚Â‰ËÚÂ ËÏﬂ ÌÓ‚Ó„Ó Ù‡ÈÎ‡ (ÒÚ. 49).
èêàåÖóÄçàÖ
ÖÏÍÓÒÚ¸ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova ÒÓÒÚ‡‚ÎﬂÂÚ
ÓÍÓÎÓ 3,3 M·. ÖÏÍÓÒÚ¸ ‰ËÒÍÂÚ
ÚËÔ‡ 2DD Ë 2HD ÒÓÒÚ‡‚ÎﬂÂÚ
720ä· Ë 1,44å· ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
èË ÒÓı‡ÌÂÌËË ‰‡ÌÌ˚ı Ì‡
‰ËÒÍÂÚ‡ı ‚ÒÂ ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ Clavinova (Ù‡ÈÎ˚
ÚÂÏ·‡, ÒÚËÎﬂ, ÔÂÒÌË,
Â„ËÒÚ‡ˆËÓÌÌ˚Â Ù‡ÈÎ˚ Ë Ú.‰.),
ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
èêàåÖóÄçàÖ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [8] (OK).
ÑÎﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL).
ìÔÓﬂ‰Ó˜ÂÌËÂ Ù‡ÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰‡ÌËﬂ ÌÓ‚ÓÈ Ô‡ÔÍË
ùÚ‡ ÓÔÂ‡ˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÎÂ„ÍÓ ÛÔÓﬂ‰Ó˜ËÚ¸ Ù‡ÈÎ˚, ‡ÒÔÂ‰ÂÎË‚ Ëı ÔÓ Í‡ÚÂ„ÓËﬂÏ Ë ÒÓÁ‰‡‚ ‰Îﬂ
Í‡Ê‰ÓÈ Í‡ÚÂ„ÓËË ÓÚ‰ÂÎ¸ÌÛ˛ Ô‡ÔÍÛ. î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ÚÓÎ¸ÍÓ ‚ ‡Á‰ÂÎ‡ı USER Ë
FLOPPY DISK.
î‡ÈÎ˚ ËÏÂ˛˘Â„ÓÒﬂ ‚ ÔÓ‰‡ÊÂ
ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ DOC
Ë ÔÓ„‡ÏÏ˚ Yamaha Disklavier,
‡ Ú‡ÍÊÂ Ù‡ÈÎ˚,
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛
˝ÚËı ÔÓ„‡ÏÏ Ì‡ CVP-210/208,
ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ Ì‡
ÒÚ‡ÌËˆÂ USER. é‰Ì‡ÍÓ Ëı
ÌÂÎ¸Áﬂ ·Û‰ÂÚ ÒÍÓÔËÓ‚‡Ú¸ Ì‡
‰Û„Û˛ ‰ËÒÍÂÚÛ.
èêàåÖóÄçàÖ
ÒÚ‡ÌËˆÛ,
1 Ç˚ÁÓ‚ËÚÂ
Ì‡ ÍÓÚÓÓÈ ıÓÚËÚÂ
ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛
Ô‡ÔÍÛ, Ë Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [7▼] (NEW)
(ÒÚ. 40).
Ç‚Â‰ËÚÂ ËÏﬂ ÌÓ‚ÓÈ Ô‡ÔÍË (ÒÚ. 49).
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲](OK).
ÑÎﬂ ÓÚÏÂÌ˚ ÓÔÂ‡ˆËË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL).
Ç ËÂ‡ıË˜ÂÒÍÓÏ ‰ÂÂ‚Â
Í‡Ú‡ÎÓ„Ó‚ ÏÓÊÂÚ ·˚Ú¸ ‰Ó
˜ÂÚ˚Âı ÛÓ‚ÌÂÈ.
å‡ÍÒËÏ‡Î¸ÌÓÂ Ó·˘ÂÂ ˜ËÒÎÓ
ÒÓı‡ÌﬂÂÏ˚ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ
ÒÓÒÚ‡‚ÎﬂÂÚ 3200, ÌÓ ÏÓÊÂÚ
ÏÂÌﬂÚ¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ
‰ÎËÌ˚ ËÏÂÌ Ù‡ÈÎÓ‚.
å‡ÍÒËÏ‡Î¸ÌÓÂ ˜ËÒÎÓ Ù‡ÈÎÓ‚ ‚
Ô‡ÔÍÂ — 250.
èÂÂıÓ‰ Ì‡ ÒÚ‡ÌËˆ˚ ·ÓÎÂÂ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìﬂ
óÚÓ·˚ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ ·ÓÎÂÂ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìﬂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (UP). ç‡ÔËÏÂ, Ú‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÔÂÂÈÚË ÒÓ
ÒÚ‡ÌËˆ˚, ÒÓ‰ÂÊ‡˘ÂÈ ÒÔËÒÓÍ Ù‡ÈÎÓ‚, Ì‡ ÒÚ‡ÌËˆÛ ÒÓ ÒÔËÒÍÓÏ Ô‡ÔÓÍ.
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌËÂ ÁÌ‡˜ÍÓ‚
ÍÌÓÔÍÛ
1 ç‡ÊÏËÚÂ
[1▼] (NAME), [6▼]
(SAVE) ËÎË [7▼]
(NEW) (ÒÚ. 40).
íËÔ ÒËÏ‚ÓÎ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1▲].
Ç˚·Ó ﬂÁ˚Í‡ ËÌÚÂÙÂÈÒ‡ ÔÓËÒıÓ‰ËÚ Ì‡ ˝Í‡ÌÂ
FUNCTION (ÒÚ. 154). èË ‚˚·ÓÂ ﬂÔÓÌÒÍÓ„Ó ﬂÁ˚Í‡
(Japanese) ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÒËÒÚÂÏ˚
Á‡ÔËÒË Ë ‡ÁÏÂ˚ ¯ËÙÚÓ‚:
(kana-kan)
ïË‡„‡Ì‡ Ë Í‡Ì‰ÁË (ÔÓÎÌÓ‡ÁÏÂÌ˚È ¯ËÙÚ)
èÂÂÈ‰ËÚÂ Ì‡ ˝Í‡Ì ICON SELECT, Ì‡Ê‡‚ ÍÌÓÔÍÛ [1▼].
(kana)
ùÚÓ ÔÓÁ‚ÓÎËÚ ÔÓÏÂÌﬂÚ¸ ÁÌ‡˜ÓÍ ÒÎÂ‚‡ ÓÚ ËÏÂÌË Ù‡ÈÎ‡.
ä‡Ú‡Í‡Ì‡ (¯ËÙÚ ÌÓÏ‡Î¸ÌÓ„Ó ‡ÁÏÂ‡,
ÔÓÎÌÓ‡ÁÏÂÌ˚Â ÒÔÂˆÒËÏ‚ÓÎ˚)
(kana)
ä‡Ú‡Í‡Ì‡ (¯ËÙÚ Ë ÒÔÂˆÒËÏ‚ÓÎ˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡)
A B C — ‡ÎÙ‡‚ËÚ (ÔÓÎÌÓ‡ÁÏÂÌ˚Â ÒÚÓ˜Ì˚Â Ë ÔÓÔËÒÌ˚Â ·ÛÍ‚˚), ˆËÙ˚ (ÔÓÎÌÓ‡ÁÏÂÌ˚Â), ÒÔÂˆÒËÏ‚ÓÎ˚
(ÔÓÎÌÓ‡ÁÏÂÌ˚Â).
ABC — ‡ÎÙ‡‚ËÚ (ÒÚÓ˜Ì˚Â Ë ÔÓÔËÒÌ˚Â ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡),
ÒÔÂˆÒËÏ‚ÓÎ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡).
èË ‚˚·ÓÂ Ì‡ ˝Í‡ÌÂ FUNCTION Î˛·Ó„Ó ‰Û„Ó„Ó ﬂÁ˚Í‡ ËÌÚÂÙÂÈÒ‡ (ÒÚ. 154) ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ
‡ÁÏÂ˚ ¯ËÙÚÓ‚:
CASE — ‡ÎÙ‡‚ËÚ (ÔÓÔËÒÌ˚Â ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡), ÒÔÂˆÒËÏ‚ÓÎ˚
(ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡)
case — ‡ÎÙ‡‚ËÚ (ÒÚÓ˜Ì˚Â ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡), ÒÔÂˆÒËÏ‚ÓÎ˚
(ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡)
48
CVP-210/208
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚
çËÊÂ ÔË‚Ó‰ﬂÚÒﬂ ËÌÒÚÛÍˆËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ‚ ËÏÂÌ‡ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ. èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ Ì‡ÔÓÏËÌ‡ÂÚ ÔÓˆÂ‰ÛÛ
‚‚Ó‰‡ ËÏÂÌ Ë ˜ËÒÂÎ ‚ ÒÓÚÓ‚˚È ÚÂÎÂÙÓÌ.
1 ë ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY] ÔÂÂ‚Â‰ËÚÂ ÍÛÒÓ ‚ ÌÛÊÌÓÂ ÔÓÎÓÊÂÌËÂ.
ÌÛÊÌÛ˛ ÍÌÓÔÍÛ, [2▲] — [7▲] Ë [2▼] — [6▼], ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÏ‚ÓÎ‡, ÍÓÚÓ˚È ÚÂ·ÛÂÚÒﬂ ‚‚ÂÒÚË.
2ä‡Ê‰ÓÈç‡ÊÏËÚÂ
ÍÌÓÔÍÂ ÔËÔËÒ‡ÌÓ ÌÂÒÍÓÎ¸ÍËı ÒËÏ‚ÓÎÓ‚, ÍÓÚÓ˚Â ÒÏÂÌﬂ˛Ú ‰Û„ ‰Û„‡ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ ‚‚ÂÒÚË
‚˚·‡ÌÌ˚È ÒËÏ‚ÓÎ, ÔÂÂ‰‚ËÌ¸ÚÂ ÍÛÒÓ ËÎË Ì‡ÊÏËÚÂ ‰Û„Û˛ ÍÌÓÔÍÛ Ò ·ÛÍ‚‡ÏË.
ÖÒÎË ‚˚ Ó¯Ë·ÎËÒ¸ ÔË ‚‚Ó‰Â ÒËÏ‚ÓÎ‡, ÔÓÒÚ‡‚¸ÚÂ ÍÛÒÓ Û ÒËÏ‚ÓÎ‡, ÍÓÚÓ˚È ÌÛÊÌÓ Û‰‡ÎËÚ¸, Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼]
(DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚ÒÂ ÒËÏ‚ÓÎ˚ ‚ ÒÚÓÍÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [7▼] (DELETE) Ë ÌÂ ÓÚÔÛÒÍ‡ÈÚÂ ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ ËÎË
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL). ÖÒÎË ÍÛÒÓ Ì‡ıÓ‰ËÚÒﬂ ‚ Ó·Î‡ÒÚË, ‚˚‰ÂÎÂÌÌÓÈ ˜ÂÌ˚Ï ˆ‚ÂÚÓÏ, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÚÓÎ¸ÍÓ
ÒËÏ‚ÓÎ˚ ‚ ˝ÚÓÈ Ó·Î‡ÒÚË.
3
óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ ÔËÒ‚ÓËÚ¸ Ó·˙ÂÍÚÛ ÌÓ‚ÓÂ ËÏﬂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲] (OK).
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL).
■ èÂÓ·‡ÁÓ‚‡ÌËÂ ‚ «Í‡Ì‰ÁË» (ﬂÔÓÌÒÍËÈ ﬂÁ˚Í)
ùÚÓ Á‡ÏÂ˜‡ÌËÂ ÓÚÌÓÒËÚÒﬂ ÚÓÎ¸ÍÓ Í ÒÎÛ˜‡˛, ÍÓ„‰‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÍÌÓÔÍ‡ «
Í‡Ì‡-Í‡Ì»
(ﬂÔÓÌÒÍËÈ ﬂÁ˚Í). óÚÓ·˚ Á‡ÏÂÌËÚ¸ ËÒıÓ‰Ì˚Â ÒËÏ‚ÓÎ˚ ÒËÏ‚ÓÎ‡ÏË «Í‡Ì‰ÁË», ‚˚‰ÂÎËÚÂ ËÏﬂ,
Ì‡ÔËÒ‡ÌÌÓÂ ÒËÏ‚ÓÎ‡ÏË «ıË‡„‡Ì‡», Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [ENTER] Ó‰ËÌ ËÎË ÌÂÒÍÓÎ¸ÍÓ ‡Á.
é·Î‡ÒÚ¸ ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËﬂ (·ÂÎ˚Â ÒËÏ‚ÓÎ˚ Ì‡ ˜ÂÌÓÏ ÙÓÌÂ) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY]. óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÒËÏ‚ÓÎ‡Ï «ıË‡„‡Ì‡», Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[7▼] (DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚ÒÂ ÒËÏ‚ÓÎ˚ ËÁ Ó·Î‡ÒÚË ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËﬂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (CANCEL). óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ÔÂÓ·‡ÁÓ‚‡ÌËÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲]
(OK) ËÎË ‚‚Â‰ËÚÂ ÒÎÂ‰Û˛˘ËÈ ÒËÏ‚ÓÎ. óÚÓ·˚ ‚‚ÂÒÚË ËÏﬂ ‚ ÒËÏ‚ÓÎ‡ı «ıË‡„‡Ì‡» (·ÂÁ
ÔÂÓ·‡ÁÓ‚‡ÌËﬂ), Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲] (OK).
èêàåÖóÄçàÖ
Ç ËÏÂÌ‡ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ÌÂ
‰ÓÔÛÒÍ‡˛ÚÒﬂ ÒÎÂ‰Û˛˘ËÂ
ÒÔÂˆÒËÏ‚ÓÎ˚:
¥\/:*?“<>|
■ Ç‚Ó‰ ‰Ë‡ÍËÚË˜ÂÒÍËı ÁÌ‡ÍÓ‚ (ÛÏÎﬂÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËﬂ, ﬂÔÓÌÒÍËÂ ÒËÏ‚ÓÎ˚ « » Ë « »)
Ç˚·ÂËÚÂ ÒËÏ‚ÓÎ, Í ÍÓÚÓÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ÒÔÂˆÒËÏ‚ÓÎ, Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [6▼] (ÔÂÊ‰Â ˜ÂÏ ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ ‚‚Ó‰ËÚ¸
ÒËÏ‚ÓÎ).
■ Ç‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚
ëÔËÒÓÍ ÒÔÂˆÒËÏ‚ÓÎÓ‚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸, Ì‡Ê‡‚ ÍÌÓÔÍÛ [6▼] ÔÓÒÎÂ Ù‡ÍÚË˜ÂÒÍÓ„Ó ‚‚Ó‰‡ ÒËÏ‚ÓÎ‡
ÔÛÚÂÏ ÔÂÂÏÂ˘ÂÌËﬂ ÍÛÒÓ‡.
ë ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY] ÔÓÒÚ‡‚¸ÚÂ ÍÛÒÓ ﬂ‰ÓÏ Ò ÌÛÊÌ˚Ï ÒÔÂˆÒËÏ‚ÓÎÓÏ, ‡ Á‡ÚÂÏ
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲] (OK) ËÎË [ENTER].
■ Ç‚Ó‰ ˆËÙ
èêàåÖóÄçàÖ
ÖÒÎË ‚‚Ó‰ﬂÚÒﬂ ÒËÏ‚ÓÎ˚, ÌÂ
ÚÂ·Û˛˘ËÂ ‰Ó·‡‚ÎÂÌËﬂ
‰Ë‡ÍËÚË˜ÂÒÍËı ÁÌ‡ÍÓ‚ (Á‡
ËÒÍÎ˛˜ÂÌËÂÏ ‡Á·ÛÍ Í‡Ì‡-Í‡Ì Ë
Í‡Ú‡Í‡Ì‡ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡),
ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÔËÒÓÍ
ÒÔÂˆÒËÏ‚ÓÎÓ‚, Ì‡Ê‡‚ ÍÌÓÔÍÛ
[6▼]. ÑÂÎ‡Ú¸ ˝ÚÓ ÒÎÂ‰ÛÂÚ ÔÓÒÎÂ
‚˚·Ó‡ ÒËÏ‚ÓÎ‡, ÌÓ ‰Ó Â„Ó
Ù‡ÍÚË˜ÂÒÍÓ„Ó ‚‚Ó‰‡).
ëÌ‡˜‡Î‡ ‚˚·ÂËÚÂ Â„ËÒÚ ÒËÏ‚ÓÎÓ‚: «A B C» (ÔÓÎÌÓ‡ÁÏÂÌ˚È ‡ÎÙ‡‚ËÚ), «ABC» «CASE»
(ÔÓÔËÒÌ˚Â ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡) Ë «case» (ÒÚÓ˜Ì˚Â ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡ÁÏÂ‡).
á‡ÚÂÏ Ì‡ÊÏËÚÂ Ë ÌÂ ÓÚÔÛÒÍ‡ÈÚÂ ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [2▲] — [7▲] Ë [2▼] — [5▼],
ÎË·Ó Ì‡ÊËÏ‡ÈÚÂ ÂÂ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ ‚˚·ÂÂÚÂ ÌÛÊÌÛ˛ ˆËÙÛ.
CVP-210/208
49
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
àÁÏÂÌÂÌËÂ ÁÌ‡˜Í‡
åÓÊÌÓ Ú‡ÍÊÂ ÔÓÏÂÌﬂÚ¸ ÁÌ‡˜ÓÍ,
ÔÓﬂ‚Îﬂ˛˘ËÈÒﬂ ÒÎÂ‚‡ ÓÚ ËÏÂÌË Ù‡ÈÎ‡.
èÂÂÈ‰ËÚÂ Ì‡ ˝Í‡Ì ICON SELECT, Ì‡Ê‡‚
ÍÌÓÔÍÛ [1▼] (ICON) Ì‡ ˝Í‡ÌÂ ‚‚Ó‰‡
ÒËÏ‚ÓÎÓ‚ (ÒÚ. 49).
Ç˚·ÂËÚÂ ÁÌ‡˜ÓÍ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]
— [J] ËÎË [3▲▼] — [5▲▼], ‡ Á‡ÚÂÏ
‚‚Â‰ËÚÂ ‚˚·‡ÌÌ˚È ÁÌ‡˜ÓÍ, Ì‡Ê‡‚
ÍÌÓÔÍÛ [8▲] (OK).
BACK
NEXT
A
F
B
G
C
H
D
I
E
J
«èÂÂÎËÒÚ˚‚‡ÌËÂ»
ÒÚ‡ÌËˆ.
Ç‚Ó‰ ‚˚·‡ÌÌÓ„Ó ÁÌ‡˜Í‡.
1
2
3
4
5
6
7
8
éÚÏÂÌ‡ ‚˚·Ó‡ ÁÌ‡˜Í‡.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‰ËÒÍ‡ [DATA ENTRY]
ùÚÓÚ ‰ËÒÍ ÔÓÁ‚ÓÎﬂÂÚ ÎÂ„ÍÓ ‚˚·Ë‡Ú¸ Ó·˙ÂÍÚ˚ Ì‡ ˝Í‡ÌÂ Ë ÏÂÌﬂÚ¸ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚. îÛÌÍˆËË ‰ËÒÍ‡ [DATA ENTRY] Á‡‚ËÒﬂÚ ÓÚ
ÚËÔ‡ ˝Í‡Ì‡, ÓÚÓ·‡Ê‡ÂÏÓ„Ó ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
■ àÁÏÂÌÂÌËÂ ÁÌ‡˜ÂÌËÈ
áÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚ ÏÓÊÌÓ ÏÂÌﬂÚ¸ Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY].
ç‡ÔËÏÂ, ÂÒÎË ‚˚ Ì‡ıÓ‰ËÚÂÒ¸ Ì‡ ˝Í‡ÌÂ
[BALANCE], ‰ËÒÍ Â„ÛÎËÛÂÚ „ÓÏÍÓÒÚ¸
‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË. óÚÓ·˚ ÓÚÂ„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ ‰Û„ÓÈ Ô‡ÚËË, ÒÌ‡˜‡Î‡
‚˚·ÂËÚÂ ˝ÚÛ Ô‡ÚË˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[▲▼], ‡ Á‡ÚÂÏ ÔÓ‚ÂÌËÚÂ ‰ËÒÍ [DATA
ENTRY].
■ Ç˚·Ó Ó·˙ÂÍÚÓ‚
Ç‡˘‡ﬂ ‰ËÒÍ [DATA ENTRY], ÏÓÊÌÓ
‚˚·‡Ú¸ ÌÛÊÌ˚È Ó·˙ÂÍÚ ËÎË ÙÛÌÍˆË˛.
èÓÒÎÂ ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ó·˙ÂÍÚ ËÎË
ÙÛÌÍˆË˛, Ì‡Ê‡‚ ÍÌÓÔÍÛ [ENTER].
ç‡ÔËÏÂ, ÂÒÎË ‚˚ Ì‡ıÓ‰ËÚÂÒ¸ Ì‡ ˝Í‡ÌÂ
VOICE, ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È ÚÂÏ· Ò
ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY], ‡ Á‡ÚÂÏ
‚˚Á‚‡Ú¸ Â„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER].
50
CVP-210/208
ENTER
DATA
ENTRY
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
îÛÌÍˆËﬂ Direct Access: ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡
DIRECT ACCESS
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
VOICE PART
ON OFF
A
MASTER VOLUME
PIANO & HARPSI.
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
RESET
STYLE
ACMP
AUTO FILL IN
BREAK
INTRO
MAIN
ENDING rit.
OTS LINK
DIGITAL
STUDIO
D
I
E
J
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
îÛÌÍˆËﬂ Direct Access ÔÓÁ‚ÓÎﬂÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì, Ì‡Ê‡‚ ‚ÒÂ„Ó Ó‰ÌÛ ‰ÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ÍÌÓÔÍÛ. ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[DIRECT ACCESS]. Ç‡Ï ÔÂ‰ÎÓÊ‡Ú Ì‡Ê‡Ú¸ ÌÛÊÌÛ˛ ÍÌÓÔÍÛ. èÓÒÚÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ˝Í‡ÌÛ Ì‡ÒÚÓÂÍ,
— Ë Ò‡ÁÛ ÔÓﬂ‚ËÚÒﬂ ˝ÚÓÚ ˝Í‡Ì. Ç ÒÎÂ‰Û˛˘ÂÏ ÔËÏÂÂ ÙÛÌÍˆËﬂ Direct Access ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Chord Fingering
(ÒÚ. 142).
ACMP
DIRECT ACCESS
ëÔËÒÓÍ ˝Í‡ÌÓ‚, ÍÓÚÓ˚Â ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Direct Access, ÒÓ‰ÂÊËÚÒﬂ ‚ Ú‡·ÎËˆÂ
(ÒÚ. 52).
èêàåÖóÄçàÖ
åÓÊÌÓ ÎÂ„ÍÓ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ
MAIN. ÑÎﬂ ˝ÚÓ„Ó Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [DIRECT ACCESS], ‡
Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT].
CVP-210/208
51
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
í‡·ÎËˆ‡ ÙÛÌÍˆËË Direct Access
ëÓ˜ÂÚ‡ÌËÂ ÍÌÓÔÓÍ: [DIRECT ACCESS] + Ó‰Ì‡ ËÁ ÔÂÂ˜ËÒÎÂÌÌ˚ı ÍÌÓÔÓÍ
STYLE
[ACMP]
[BREAK]
[INTRO]
MAIN [A]
MAIN [B]
MAIN [C]
MAIN [D]
[ENDING]
[AUTO FILL IN]
[OTS LINK]
[SYNC. STOP]
[SYNC. START]
[START/STOP]
SONG
[TRACK1]
[TRACK2]
[EXTRA TRACKS]
[REPEAT]
[GUIDE]
[REC]
[TOP]
[START/STOP]
[REW]
[FF]
METRONOME
[START/STOP]
[FADE IN/OUT]
TEMPO
[TAP TEMPO]
[E
]
[ ]
TRANSPOSE
[E
]
[ ]
MENU
[DEMO]
[HELP]
[FUNCTION]
DIGITAL STUDIO
[SOUND CREATOR]
[DIGITAL RECORDING]
[MIXING CONSOLE]
[BALANCE]
[CHANNEL ON/OFF]
[DIRECT ACCESS]
[NEXT]
[BACK]
[ENTER]
[EXIT]
VOICE PART
[LAYER]
[LEFT]
VOICE EFFECT
[REVERB]
[DSP]
[VARIATION]
[HARMONY/ECHO]
[MONO]
[LEFT HOLD]
VOICE
[PIANO & HARPSI]
[E.PIANO]
[ORGAN & ACCORDION]
[PERCUSSION]
[GUITAR]
[BASS]
[BRASS]
[WOODWIND]
[STRINGS]
[CHOIR & PAD]
[SYNTH.]
[XG]
[USER]
ORGAN FLUTES
[MUSIC FINDER]
ONE TOUCH SETTING
[1]
[2]
[3]
[4]
MIC.
[VOCAL HARMONY]
[TALK]
[EFFECT]
[VH TYPE SELECT]
[MIC. SETTING]
[PIANO]
REGISTRATION MEMORY
[FREEZE]
[1]
[2]
[3]
[4]
[5]
[6]
[7]
[8]
[MEMORY]
PEDAL
RIGHT
CENTER
LEFT
AUX
FUNCTION
MIXING CONSOLE (STYLE PART)
FUNCTION
E
CVP-210/208
STYLE SETTING/SPLIT POINT
ç‡ÒÚÓÈÍ‡ SYNC. STOP WINDOW
ëÚ‡ÌËˆ‡
142
124
125
126
141
—
—
Ç˚·Ó TRACK1 CHANNEL
Ç˚·Ó TRACK2 CHANNEL
FUNCTION
SONG SETTING
140
Ç˚·Ó GUIDE MODE
—
—
—
—
—
UTILITY
FUNCTION
MIDI
E
52
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝Í‡Ì Ë ÙÛÌÍˆËﬂ
CHORD FINGERING
FINGERING TYPE selection
ç‡ÒÚÓÈÍË VOICE
VOLUME/VOICE
ç‡ÒÚÓÈÍË PANPOT
ç‡ÒÚÓÈÍË VOLUME
ç‡ÒÚÓÈÍË HARMONIC CONTENT
FILTER
ç‡ÒÚÓÈÍË BRIGHTNESS
ç‡ÒÚÓÈÍË REVERB
EFFECT
ç‡ÒÚÓÈÍË CHORUS
ç‡ÒÚÓÈÍË DSP
MIXING CONSOLE
CONTROLLER
TUNE
UTILITY
FUNCTION
MIDI
MASTER TUNE/SCALE TUNE
MIXING CONSOLE
ç‡ÒÚÓÈÍË EQ
MIXING CONSOLE (SONG PART)
VOLUME/VOICE
ç‡ÒÚÓÈÍË METRONOME
ç‡ÒÚÓÈÍË FADE IN/OUT
ç‡ÒÚÓÈÍË TAP
ç‡ÒÚÓÈÍ‡ MIDI CLOCK
ç‡ÁÌ‡˜ÂÌËÂ TRANSPOSE
ç‡ÒÚÓÈÍË TRANSPOSE
Ç˚·Ó LANGUAGE
ç‡ÒÚÓÈÍË LCD BRIGHTNESS
ç‡ÒÚÓÈÍË MIDI
ç‡ÒÚÓÈÍ‡ MASTER TUNING
ç‡ÒÚÓÈÍ‡ SCALE TUNING
151
149
144
125
154
152
148
138
128
ç‡ÒÚÓÈÍË VOLUME
ç‡ÒÚÓÈÍË VOICE
124
Ç˚ıÓ‰ ËÁ ÂÊËÏ‡ Direct Access
—
—
—
ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ MAIN
TUNE
MIXING CONSOLE
EFFECT
FUNCTION
MIXING CONSOLE
FUNCTION
HARMONY/ECHO
TUNE
STYLE SETTING/SPLIT POINT
ç‡ÒÚÓÈÍË OCTAVE
ç‡ÒÚÓÈÍË REVERB
ç‡ÒÚÓÈÍË DSP
Ç˚·Ó EFFECT TYPE
ç‡ÒÚÓÈÍË PORTAMENTO TIME
ç‡ÒÚÓÈÍ‡ SPLIT POINT (LEFT)
125
126
146
125
141
VOICE SET
146
ç‡ÒÚÓÈÍË EQ
MUSIC FINDER SEARCH1 (ÔÓËÒÍ Á‡ÔËÒÂÈ)
128
74
EFFECT
ç‡ÒÚÓÈÍ‡ MIC. REVERB
TALK SETTING
EFFECT
ç‡ÒÚÓÈÍ‡ MIC. DSP
VOCAL HARMONY EDIT (Â‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚ VOCAL HARMONY)
EFFECT
MIC. Ç˚·Ó EFFECT TYPE
CONTROLLER
Ç˚·Ó KEYBOARD TOUCH
FREEZE
126
135
126
131
126
144
145
REGISTRATION BANK
REGISTRATION EDIT (Â‰‡ÍÚËÓ‚‡ÌËÂ REGISTRATION)
89
145
FUNCTION
REGISTRATION SEQUENCE (ÒÓÁ‰‡ÌËÂ REGISTRATION SEQUENCE)
ç‡ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË RIGHT PEDAL
ç‡ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË CENTER PEDAL
CONTROLLER
ç‡ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË LEFT PEDAL
ç‡ÁÌ‡˜ÂÌËÂ ÙÛÌÍˆËË AUX PEDAL
MIXING CONSOLE
MUSIC FINDER
—
—
—
—
MIXING CONSOLE
MIC. SETTING
MIXING CONSOLE
VOCAL HARMONY
MIXING CONSOLE
FUNCTION
142
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
ëÔ‡‚ÍË
èÓ ‚ÒÂÏ ÓÒÌÓ‚Ì˚Ï ÙÛÌÍˆËﬂÏ Ë ‚ÓÁÏÓÊÌÓÒÚﬂÏ CVP-210/208 ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ.
HELP
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
F
B
G
LAYER
C
H
LEFT
MASTER VOLUME
HELP
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
I
E
J
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
ONE TOCTH SETTING
MUSIC FINDER
ENDING rit.
SYNC.STOP SYNC.START START STOP
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
2
3
4
PIANO
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
èêàåÖóÄçàÖ
1
MENU
2
ëÔ‡‚ÍË ÏÓ„ÛÚ ‚˚‰‡‚‡Ú¸Òﬂ Ì‡
ÒÎÂ‰Û˛˘Ëı ﬂÁ˚Í‡ı:
ÄçÉãàâëäàâ
üèéçëäàâ
çÖåÖñäàâ
îêÄçñìáëäàâ
àëèÄçëäàâ
àíÄãúüçëäàâ
DEMO
HELP
FUNCTION
èêàåÖóÄçàÖ
üÁ˚Í ÒÔ‡‚ÓÍ Ú‡ÍÊÂ ÏÓÊÌÓ ‚˚·‡Ú¸ Ì‡
˝Í‡ÌÂ «LANGUAGE» (ÒÚ. 154).
1
2-1
2
3
4
5
Ç˚·Ó ‡Á‰ÂÎ‡
ëÔ‡‚ÍË.
6
2-2
7
8
Ç˚ÁÓ‚ ‡Á‰ÂÎ‡
ëÔ‡‚ÍË.
ÖÒÎË ÌÛÊÌÓ, ‚˚·ÂËÚÂ ﬂÁ˚Í. Ç˚·‡ÌÌ˚È Á‰ÂÒ¸ ﬂÁ˚Í ·Û‰ÂÚ
Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ ÚÂÍÒÚÂ ‡ÁÎË˜Ì˚ı ÒÓÓ·˘ÂÌËÈ,
‚˚‰‡‚‡ÂÏ˚ı Ì‡ ˝Í‡Ì ‚Ó ‚ÂÏﬂ ‡·ÓÚ˚.
èêàåÖóÄçàÖ
Ç˚·Ó ‰Û„Ó„Ó ﬂÁ˚Í‡ Ì‡ ˝ÚÓÏ ˝Í‡ÌÂ
ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÔÓ·ÎÂÏ˚:
• çÂÍÓÚÓ˚Â ÒËÏ‚ÓÎ˚ ‚Ó ‚‚Â‰ÂÌÌ˚ı
ËÏÂÌ‡ı Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒÍ‡ÊÂÌ˚.
• çÂÍÓÚÓ˚Â Ù‡ÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸
ÌÂ‰ÓÒÚÛÔÌ˚ÏË.
ÑÎﬂ ÛÒÚ‡ÌÂÌËﬂ ˝ÚËı ÔÓ·ÎÂÏ
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂÌÛÚ¸ ÔÂÊÌËÈ ﬂÁ˚Í.
ÄÌ‡ÎÓ„Ë˜Ì˚Â ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌËÍ‡Ú¸
ÔË ˜ÚÂÌËË Ù‡ÈÎÓ‚ Ì‡ ÍÓÏÔ¸˛ÚÂÂ Ò
‰Û„ÓÈ ﬂÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ.
3
BACK
NEXT
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ
ÏÓÊÌÓ ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ
ÒÚ‡ÌËˆ˚ Í ‰Û„ÓÈ.
ENTER
END
DATA
ENTRY
ëÔ‡‚ÍË ÏÓ„ÛÚ ÒÓ‰ÂÊ‡Ú¸ ÒÒ˚ÎÍË Ì‡ ‰ÓÍÛÏÂÌÚ˚ Ò ÔÓ‰Ó·Ì˚ÏË Ó·˙ﬂÒÌÂÌËﬂÏË Ë
ËÁÓ·‡ÊÂÌËﬂ ˝Í‡Ì‡ Ì‡ÒÚÓÂÍ. óÚÓ·˚ ÔÂÂÈÚË Í ÔÓ‰Ó·ÌÓÏÛ ÓÔËÒ‡ÌË˛ ËÎË ˝Í‡ÌÛ
Ì‡ÒÚÓÂÍ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚˚·‡Ú¸ ÔÓ‰˜ÂÍÌÛÚÓÂ ÒÎÓ‚Ó Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ [DATA ENTRY]
Ë Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER].
ÇÓÁ‚‡Ú Í
ÔÂ‰˚‰Û˘ÂÏÛ
˝Í‡ÌÛ.
EXIT
CVP-210/208
53
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏÂÚÓÌÓÏ‡
åÂÚÓÌÓÏ ÔÓÏÓ„‡ÂÚ ‰ÂÊ‡Ú¸ ÚÂÏÔ ‚Ó ‚ÂÏﬂ Ë„˚, ‡ Ú‡ÍÊÂ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ Ë ÓˆÂÌËÚ¸ ÚÓÚ ËÎË ËÌÓÈ ÚÂÏÔ.
METRONOME
START STOP
METRONOME
POWER
MIC.
START STOP
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
F
B
G
LAYER
C
H
LEFT
MASTER VOLUME
TAP TEMPO
REC
FADE IN OUT
TOP
START STOP
REW
FF
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
ENDING rit.
MAIN
I
E
J
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
2
3
4
PIANO
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
ÑÎﬂ Á‡ÔÛÒÍ‡ ÏÂÚÓÌÓÏ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ METRONOME [START/STOP].
íÂÏÔ Â„ÛÎËÛÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÏ. ÌËÊÂ).
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÚÓÌÓÏ, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP].
èêàåÖóÄçàÖ
åÓÊÌÓ ÏÂÌﬂÚ¸ Á‚ÛÍ, „ÓÏÍÓÒÚ¸ Ë
˜‡ÒÚÓÚÛ ÒË„Ì‡Î‡ ÏÂÚÓÌÓÏ‡
(ÒÚ. 151).
êÂ„ÛÎËÓ‚Í‡ ÚÂÏÔ‡
ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚ﬂ˘ÂÌ Â„ÛÎËÓ‚ÍÂ ÚÂÏÔ‡, ÍÓÚÓ‡ﬂ ‚ÎËﬂÂÚ ÌÂ ÚÓÎ¸ÍÓ Ì‡ ÚÂÏÔ ÏÂÚÓÌÓÏ‡, ÌÓ Ë Ì‡ ÚÂÏÔ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ËÎË
ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
TEMPO
TAP TEMPO
RESET
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
STYLE
L
VOICE
DEMO
TRACK 1
R
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
D
I
E
J
MUSIC FINDER
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
DIGITAL
STUDIO
ENDING rit.
SYNC.STOP SYNC.START START STOP
OTS LINK
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
èêàåÖóÄçàÖ
1
TEMPO
TAP TEMPO
2
RESET
íÂÏÔ ÏÓÊÌÓ ÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]
ËÎË ‰ËÒÍ‡ [DATA ENTRY].
óËÒÎÓ Ì‡ ˝Í‡ÌÂ ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÍÓÎË˜ÂÒÚ‚Ó ˜ÂÚ‚ÂÚÂÈ ‚
ÏËÌÛÚÛ. ùÚÓ ˜ËÒÎÓ ÏÓÊÂÚ ÏÂÌﬂÚ¸Òﬂ ‚ ÔÂ‰ÂÎ‡ı ÓÚ 5 ‰Ó
500. óÂÏ ÓÌÓ ·ÓÎ¸¯Â, ÚÂÏ ·˚ÒÚÂÂ ÚÂÏÔ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ TEMPO
[ ] ËÎË [ ].
E
54
äÌÓÔÍ‡ ‚˚ıÓ‰‡
ND ËÁ ˝Í‡Ì‡
TEMPO.
CVP-210/208
EXIT
ÖÒÎË ËÁÏÂÌËÚ¸ ÚÂÏÔ, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ËÁÏÂÌﬂÚÒﬂ ÚÂÏÔ
ÚÂÍÛ˘ÂÈ ÔÂÒÌË Ë ÚÂÏÔ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÒÚ‡Ì‰‡ÚÌ˚È (Ì‡˜‡Î¸Ì˚È) ÚÂÏÔ,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË TEMPO [ ] [ ]. ÅÓÎ¸¯Â
Ó ÚÂÏÔÂ ÒÏ. ‚ ‡Á‰ÂÎÂ «àÌ‰ËÍ‡ÚÓ˚ ÚÂÏÔ‡: „Î‡‚Ì˚È
˝Í‡Ì» (ÒÚ. 55).
èÓ ÛÏÓÎ˜‡ÌË˛ ÔÂÒÌË Ë ÒÚËÎË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓË„˚‚‡˛ÚÒﬂ
‚ ÒÚ‡Ì‰‡ÚÌÓÏ (Ì‡˜‡Î¸ÌÓÏ)
ÚÂÏÔÂ, ÍÓÚÓ˚È ÎÛ˜¯Â ‚ÒÂ„Ó
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰‡ÌÌÓÈ ÔÂÒÌÂ ËÎË
ÒÚËÎ˛.
éÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı
îÛÌÍˆËﬂ Tap Tempo
í‡ÍËÏ Ó·‡ÁÓÏ, ÌÛÊÌ˚È ÚÂÏÔ ÏÓÊÌÓ ÔÓÒÚÓ ÓÚ·ËÚ¸. çÂÒÍÓÎ¸ÍÓ Û‰‡Ó‚ ÔÓ ÍÌÓÔÍÂ [TAP TEMPO] —
Ë ÔÂÒÌﬂ ËÎË ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ.
ÔÂÒÌË ËÎË
1 ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ÒÚ. 63, 78).
2
TEMPO
TAP TEMPO
èêàåÖóÄçàÖ
RESET
óÚÓ·˚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ‰‚‡Ê‰˚ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [TAP TEMPO].
■ àÌ‰ËÍ‡ÚÓ˚ ÚÂÏÔ‡: „Î‡‚Ì˚È ˝Í‡Ì (MAIN)
ç‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ ÂÒÚ¸ ÚË ËÌ‰ËÍ‡ÚÓ‡ ÚÂÏÔ‡.
àÌ‰ËÍ‡ÚÓ ÒÚ‡Ì‰‡ÚÌÓ„Ó (Ì‡˜‡Î¸ÌÓ„Ó)
ÚÂÏÔ‡ ‚˚·‡ÌÌÓÈ ÔÂÒÌË (ÂÒÎË ÚÂÏÔ ÌÂ
·˚Î ËÁÏÂÌÂÌ ‚Û˜ÌÛ˛).
àÌ‰ËÍ‡ÚÓ Ù‡ÍÚË˜ÂÒÍÓ„Ó ÚÂÏÔ‡
‚ÓÒÔÓËÁ‚Ó‰ÂÌËﬂ ÔÂÒÌË, ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÏÂÚÓÌÓÏ‡. ÖÒÎË
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ˝ÚÓÚ
ËÌ‰ËÍ‡ÚÓ ÔÓÍ‡Á˚‚‡ÂÚ ÚÂÏÔ
‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ. ÖÒÎË ÔÂÒÌﬂ Ë ÒÚËÎ¸
ÔÓË„˚‚‡˛ÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ, ÚÂÏÔ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÓ‰„ÓÌﬂÂÚÒﬂ ÔÓ‰ ÚÂÏÔ ÔÂÒÌË Ë
ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡ ˝ÚÓÏ ËÌ‰ËÍ‡ÚÓÂ. èË
Á‡ÔËÒË ÔÂÒÌË ËÎË ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ËÏÂÌÌÓ
˝ÚÓÚ ÚÂÏÔ.
èêàåÖóÄçàÖ
ç‡Ê‡ÚËÂ ÍÌÓÔÍË [TAP TEMPO]
ÒÓÁ‰‡ÂÚ Á‚ÛÍ, ÔÓıÓÊËÈ Ì‡ ÒÚÛÍ.
èË ÊÂÎ‡ÌËË ˝ÚÓÚ Á‚ÛÍ ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ (ÒÚ. 152).
ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Tap Tempo
ÏÓÊÌÓ Ú‡ÍÊÂ Á‡‰‡Ú¸ ÚÂÏÔ, ‚
ÍÓÚÓÓÏ ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÂÒÌﬂ ËÎË
ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
éÒÚ‡ÌÓ‚ËÚÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ÒÚÛÍÌËÚÂ ÌÂÒÍÓÎ¸ÍÓ ‡Á ÔÓ
ÍÌÓÔÍÂ [TAP TEMPO].
Ç˚·‡ÌÌ˚È ÒÚËÎ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Á‡ÔÛÒÚËÚÒﬂ ‚ ˝ÚÓÏ ÚÂÏÔÂ.
ÖÒÎË Á‡‰‡Ú¸ ‰Îﬂ ÔÂÒÌË ÂÊËÏ
ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡ Sync. Start
stand-by (ÒÚ. 64, 78) Ë ÔÓÒÚÛ˜‡Ú¸
ÔÓ ÍÌÓÔÍÂ [TAP TEMPO],
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
Ì‡˜ÌÂÚÒﬂ ‚ ˝ÚÓÏ ÚÂÏÔÂ. ÑÎﬂ
ÔÂÒÌË Ë ÒÚËÎﬂ Ò ‡ÁÏÂÓÏ 2/4 Ë
4/4 Û‰‡¸ÚÂ ÔÓ ÍÌÓÔÍÂ ˜ÂÚ˚Â
‡Á‡, ‰Îﬂ ‡ÁÏÂ‡ 3/4 — ÚË
‡Á‡, ‰Îﬂ ‡ÁÏÂ‡ 5/4 — ÔﬂÚ¸
‡Á.
àÌ‰ËÍ‡ÚÓ ÒÚ‡Ì‰‡ÚÌÓ„Ó (Ì‡˜‡Î¸ÌÓ„Ó)
ÚÂÏÔ‡ ÚÂÍÛ˘Â„Ó ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ÂÒÎË ÚÂÏÔ ÌÂ ·˚Î ËÁÏÂÌÂÌ ‚Û˜ÌÛ˛).
CVP-210/208
55
èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 – ˝ÚÓ „Ë·ÍËÈ ËÌÒÚÛÏÂÌÚ Ò ‡Á‚ËÚÓÈ ÒËÒÚÂÏÓÈ ÛÔ‡‚ÎÂÌËﬂ, ÏÌÓÊÂÒÚ‚ÓÏ ‰ËÌ‡ÏË˜ÂÒÍËı ÚÂÏ·Ó‚ Ë
ËÚÏÓ‚, ÒÌ‡·ÊÂÌÌ˚È ˆÂÎ˚Ï ﬂ‰ÓÏ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚ı ÙÛÌÍˆËÈ. ÑÎﬂ ÚÓ„Ó ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ ÏÂÂ ÔÓ‰ÂÏÓÌÒÚËÓ‚‡Ú¸ ·Ó„‡ÚÒÚ‚Ó Á‚ÛÍ‡
Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208, Ï˚ Á‡ÎÓÊËÎË ‚ Ô‡ÏﬂÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÚË ÚËÔ‡ ‰ÂÏÓÌÒÚ‡ˆËË.
ëÔ‡‚Ó˜ÌËÍ
MENU
DEMO
METRONOME
POWER
START ⁄ STOP
ON
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
TOP
START ⁄ STOP
REW
FF
GUIDE
REPEAT
FUNCTION
PIANO & HARPSI.
VOICE PART
ON ⁄ OFF
A
F
B
G
LAYER
C
H
LEFT
HELP
TAP TEMPO
REC
MAX
TEMPO
BREAK
AUTO FILL IN
INTRO
DIGITAL
STUDIO
TRANSPOSE
RESET
ENDING ⁄ rit.
MAIN
MONO
LEFT HOLD
PERCUSSION
GUITAR
BRASS
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
D
I
E
J
MUSIC FINDER
ORGAN FLUTES
USER
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
HARMONY ⁄ ECHO
FUNCTION
ENTER
MIN
VARIATION
ORGAN & ACCORDION
VOICE
DEMO
MASTER VOLUME
FADE IN ⁄ OUT
DSP
E. PIANO
NEXT
MENU
HELP
SONG
OFF
SYNC.STOP SYNC.START START ⁄ STOP
DIGITAL
RECORDING
MIXING
CONSOLE
OTS LINK
2
3
4
PIANO
DATA
ENTRY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON ⁄ OFF
PART
1
MENU
DEMO
HELP
FUNCTION
2
2-1
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK][NEXT] ÏÓÊÌÓ ‚˚·‡Ú¸ ÔÓ Ò‚ÓÂÏÛ ÊÂÎ‡ÌË˛ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË.
ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌÍˆËÈ ........ ÓÚ‡Ê‡˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡ÁÎË˜Ì˚ı ÙÛÌÍˆËÈ.
ÑÂÏÓÌÒÚ‡ˆËË ÚÂÏ·Ó‚......... ËÎÎ˛ÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÚÂÏ·Ó‚.
ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ........... ÔÓÁ‚ÓÎﬂÂÚ ÔÓÎÛ˜ËÚ¸ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó ËÚÏ‡ı Ë ÒÚËÎﬂı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
BACK
NEXT
A
F
B
G
C
H
D
I
E
J
2-3
1
2-2
56
CVP-210/208
2
3
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡ÌËˆ˚
˝Í‡Ì‡ Í ‰Û„ÓÈ.
4
5
6
7
ÑÎﬂ ‚˚·Ó‡ ÌÛÊÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËË
Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ.
8
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÔÓË„˚‚‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËË ÌÂÔÂ˚‚ÌÓ, Ì‡˜ËÌ‡ﬂ Ò ÔÂ‚ÓÈ
ÔÓÁËˆËË ‚ ÒÔËÒÍÂ (‚ÂıÌﬂﬂ ‚ ÎÂ‚ÓÏ ﬂ‰Û). í‡ÍÓÈ ÂÊËÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÓÊÌÓ
‚˚·‡Ú¸ ÎË¯¸ ÔË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ FUNCTION.
ÇÒÂ ËÏÂ˛˘ËÂÒﬂ ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ó‰Ì‡ Á‡ ‰Û„ÓÈ, Ì‡˜ËÌ‡ﬂ Ò ‚ÂıÌÂÈ ‚
ÎÂ‚ÓÏ ﬂ‰Û. ùÍ‡Ì˚ VOICE Ë STYLE ÌÂ ‡ÒÔÓÎ‡„‡˛Ú ÍÌÓÔÍÓÈ [AUTO], Ó‰Ì‡ÍÓ ˝ÚÓ ÌÂ
ÔÂÔﬂÚÒÚ‚ÛÂÚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÏÛ ‚ÓÒÔÓËÁ‚Â‰ÂÌË˛ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ.
ç‡Ê‡ÚËÂ ‰‡ÌÌÓÈ ÍÌÓÔÍË ‰ÂÎ‡ÂÚ ÌÂ‚ÓÁÏÓÊÌ˚Ï ËÌÚÂ‡ÍÚË‚ÌÓÂ ‚ÓÁ‰ÂÈÒÚ‚ËÂ Ì‡
‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌÍˆËÈ (ÒÏ. ¯‡„ 3).
èÓË„˚‚‡ÌËÂ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
èêàåÖóÄçàÖ
3
èË ‚˚·ÓÂ ‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌÍˆËÈ Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ‚‚Ó‰Ì˚Â Ò‚Â‰ÂÌËﬂ Ë
Ì‡˜ËÌ‡ÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
óÚÓ·˚ ÔÂÂÈÚË Í ÔÂ‰˚‰Û˘ÂÈ
ËÎË ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË
[BACK][NEXT].
çËÊÂ ÔË‚Â‰ÂÌ ÔËÏÂ ˝Í‡Ì‡ Ò ‚‚Ó‰Ì˚ÏË
Ò‚Â‰ÂÌËﬂÏË Ó ÚÂÏ·‡ı.
èêàåÖóÄçàÖ
BACK
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ SONG [START/STOP].
óÚÓ·˚ ÔÓ‰ÓÎÊËÚ¸
‰ÂÏÓÌÒÚ‡ˆË˛ Ò ÏÂÒÚ‡
ÓÒÚ‡ÌÓ‚ÍË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
SONG [START/STOP] Â˘Â ‡Á.
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ
ÏÓÊÌÓ ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÙÛÌÍˆËﬂÏË ·˚ÒÚÓÈ ÔÂÂÏÓÚÍË
‚ÔÂÂ‰ Ë Ì‡Á‡‰ (ÒÚ. 80).
NEXT
VOICE PART
ON OFF
F
G
LAYER
H
LEFT
ENTER
I
J
DATA
ENTRY
1
2
3
4
5
6
7
8
Ç˚·ÂËÚÂ ÌÛÊÌÓÂ ÒÎÓ‚Ó ËÎË Ó·˙ÂÍÚ Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡ ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY], ‡ Á‡ÚÂÏ
‚˚ÁÓ‚ËÚÂ Â„Ó, Ì‡Ê‡‚ ÍÌÓÔÍÛ [ENTER] ËÎË ÍÌÓÔÍË ([1▼], [2▼], Ë Ú. ‰.).
4
ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Ó·˙ﬂÒÌÂÌËﬂ ÓÚÓ·‡ÊÂÌ˚ Ì‡ ˝Í‡ÌÂ.
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
8
END
EXIT
äÌÓÔÍ‡ ‚ÓÁ‚‡Ú‡ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ MAIN.
CVP-210/208
57
íÂÏ·˚
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 Ó·Î‡‰‡ÂÚ ·Ó„‡ÚÂÈ¯ËÏ Ì‡·ÓÓÏ Ì‡ÚÛ‡Î¸ÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·Ó‚, ‚ÍÎ˛˜‡ﬂ ‚ÒÂ ‡ÁÌÓÓ·‡ÁËÂ
ÚÂÏ·Ó‚ ÍÎ‡‚Ë¯Ì˚ı, ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊÂ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı.
VOICE
PIANO & HARPSI.
BRASS
METRONOME
POWER
START STOP
MIC.
SIGNAL
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
USER
VOICE EFFECT
OVER
VOCAL HARMONY
ORGAN FLUTES
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
A
F
MASTER VOLUME
HELP
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
B
G
LAYER
C
H
LEFT
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
ENDING rit.
MAIN
I
E
J
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
Ç˚·Ó ÚÂÏ·‡
1
Ç˚·ÂËÚÂ
ÌÂÓ·ıÓ‰ËÏÛ˛
„ÛÔÔÛ
ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
VOICE
PIANO & HARPSI.
BRASS
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
ORGAN FLUTES
USER
èË ‚˚·ÓÂ „ÛÔÔ˚ ÚÂÏ·Ó‚
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚‰ÂÎﬂÂÚÒﬂ ÚÓÚ
ÚÂÏ·, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì
ÔÓÒÎÂ‰ÌËÏ.
èêàåÖóÄçàÖ
2
ùÚ‡ Ì‡‰ÔËÒ¸ ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÚÓ,
˜ÚÓ ˝Í‡Ì ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ
‚˚·Ó‡ „Î‡‚ÌÓ„Ó ÚÂÏ·‡
(ÒÚ. 25).
2-1
äÌÓÔÍË ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ÏÂÒÚÓÌ‡ıÓÊ‰ÂÌËﬂ
ÚÂÏ·‡ (‡Á‰ÂÎ˚ PRESET/USER/FLOPPY DISK).
BACK
èÓ ÛÏÓÎ˜‡ÌË˛ ‚˚·Ë‡ÂÚÒﬂ ÌÂ
ÔÓÒÚÓ Ò‡Ï ÚÂÏ·, ÌÓ Ë Ì‡Ë·ÓÎÂÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÏÛ ˝ÙÙÂÍÚ
‚ÏÂÒÚÂ Ò ÔÓ˜ËÏË Ô‡‡ÏÂÚ‡ÏË
ÚÂÏ·‡. îÛÌÍˆË˛
‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‚˚·Ó‡
Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡ ÏÓÊÌÓ
ÓÚÍÎ˛˜ËÚ¸ (ÒÚ. 146).
NEXT
èêàåÖóÄçàÖ
A
F
B
G
C
H
D
I
E
J
åÓÊÌÓ Á‡‰‡Ú¸, ‚ Í‡ÍÓÈ ÏÂÂ
„ÓÏÍÓÒÚ¸ ÚÂÏ·‡ ·Û‰ÂÚ
Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚ Ì‡Ê‡ÚËﬂ Ì‡
ÍÎ‡‚Ë¯Û (ÒÚ. 144).
èêàåÖóÄçàÖ
èÂÂ˜ÂÌ¸ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚
ÒÓ‰ÂÊËÚÒﬂ ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ.
èêàåÖóÄçàÖ
2-3
2-2
3
äÌÓÔÍË ‰Îﬂ
ÔÂÂıÓ‰‡ ÏÂÊ‰Û
ÒÚ‡ÌËˆ‡ÏË
ÚÂÍÛ˘ÂÈ „ÛÔÔ˚
ÚÂÏ·Ó‚.
1
2
3
4
5
6
7
8
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡
„ÛÔÔ˚ ÚÂÏ·Ó‚.
óÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‚˚·‡ÌÌ˚È ÚÂÏ·,
ÔÓË„‡ÈÚÂ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
END
äÌÓÔÍË ‚˚·Ó‡
ÚÂÏ·‡.
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ Ì‡˜‡Ú¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚‰ÂÎÂÌÌÓ„Ó
ÚÂÏ·‡. èË ÔÓ‚ÚÓÌÓÏ ÂÂ
Ì‡Ê‡ÚËË ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÔÂÍ‡˘‡ÂÚÒﬂ.
äÌÓÔÍ‡ ÔÂÂıÓ‰‡ Í
„Î‡‚ÌÓÏÛ ˝Í‡ÌÛ MAIN.
EXIT
58
CVP-210/208
åÓÊÌÓ ÛÍ‡Á‡Ú¸, ÒÎÂ‰ÛÂÚ ÎË
ÓÚÓ·‡Ê‡Ú¸ ÌÓÏÂ‡ ËÁÏÂÌÂÌËﬂ
ÔÓ„‡ÏÏ Ë ·‡ÌÍÓ‚ («MSB-LSBProgram Change number» ÒÔ‡‚‡
ÓÚ ËÏÂÌË ÚÂÏ·‡) (ÒÚ. 152).
èêàåÖóÄçàÖ
XG ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ
ÁÌ‡˜ËÚÂÎ¸ÌÓ
ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌÓÂ
‡Ò¯ËÂÌËÂ ÒÚ‡Ì‰‡Ú‡ General
MIDI (GM System level 1 format).
äÓÔÓ‡ˆËﬂ Yamaha
‡Á‡·ÓÚ‡Î‡ ˝ÚÛ ÒÔÂˆËÙËÍ‡ˆË˛
Ò ˆÂÎ¸˛ Û‚ÂÎË˜ÂÌËﬂ ˜ËÒÎ‡
‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë
‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËﬂ
ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡
Ú‡ÍÊÂ Ó·ÂÒÔÂ˜ÂÌËﬂ
ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI ‰‡ÌÌ˚ı ‚
·Û‰Û˘ÂÏ.
íÂÏ·˚
ï‡‡ÍÚÂËÒÚËÍË ÚÂÏ·‡
íËÔ ÚÂÏ·‡ Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡‰ ËÏÂÌÂÏ ÚÂÏ·‡.
Natural!
ùÚË „ÎÛ·ÓÍËÂ Ë ˝ÙÙÂÍÚÌ˚Â ÚÂÏ·˚ ÒÓÒÚÓﬂÚ „Î‡‚Ì˚Ï Ó·‡ÁÓÏ ËÁ ËÌÒÚÛÏÂÌÚ‡Î¸Ì˚ı Á‚ÛÍÓ‚ Ë ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ ÙÓÚÂÔË‡ÌÌ˚ı Ë
‰Û„Ëı Ô‡ÚËÈ ÍÎ‡‚Ë‡ÚÛ˚. í‡Í Í‡Í ÓÌË ËÒÔÓÎ¸ÁÛ˛Ú ÒÓ‚Â¯ÂÌÌÓ ÌÂÁ‡‚ËÒËÏ˚È ËÒÚÓ˜ÌËÍ Á‚ÛÍ‡, ‚˚ ÏÓÊÂÚÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸
Ì‡Ò˚˘ÂÌÌ˚Â ÔÓ‰ÓÎÊËÚÂÎ¸Ì˚Â ‡ÍÍÓ‰˚, ‰‡ÊÂ ‚ÏÂÒÚÂ ÒÓ ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ë ÌÂ ·ÂÒÔÓÍÓËÚ¸Òﬂ Ó· Ó·˚‚‡˛˘ËıÒﬂ ÌÓÚ‡ı.
í‡ÍÊÂ ÓÌË ËÒÔÓÎ¸ÁÛ˛Ú ‚ÒÂ ‚ÓÁÏÓÊÌÓÒÚË ÒÓ‚ÂÏÂÌÌÓÈ ÚÂıÌÓÎÓ„ËË Ò˝ÏÔÎËÓ‚‡ÌËﬂ ÍÓÔÓ‡ˆËË Yamaha, Ú‡ÍËÂ Í‡Í
ÒÚÂÂÓÒ˝ÔÎËÓ‚‡ÌËÂ, ‰ËÌ‡ÏË˜ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ Ë Ò˝ÏÔÎËÓ‚‡ÌËÂ Á‚ÛÍ‡ ÓÚÔÛ˘ÂÌÌ˚ı ÍÎ‡‚Ë¯.
Live!
ùÚË ÚÂÏ·˚ ‡ÍÛÒÚË˜ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·˚ÎË Á‡Ò˝ÏÔÎËÓ‚‡Ì˚ ‚ ‚Ë‰Â ÒÚÂÂÓÙ‡ÈÎ‡. Ç ÂÁÛÎ¸Ú‡ÚÂ ÓÌË Á‚Û˜‡Ú ‰ÂÈÒÚ‚ËÚÂÎ¸ÌÓ
Ì‡ÚÛ‡Î¸ÌÓ. ë˝ÏÔÎ˚ Ó·Î‡‰‡˛Ú ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ, ıÓÓ¯Ó ÔÂÂ‰‡˛Ú ÔÓÒÚ‡ÌÒÚ‚Ó Ë ‡ÚÏÓÒÙÂÛ.
Cool!
ùÚË ÚÂÏ·˚ ÒÔÓÒÓ·Ì˚ ÔÂÂ‰‡‚‡Ú¸ ‰ËÌ‡ÏËÍÛ Ë ÚÓÌ˜‡È¯ËÂ Ì˛‡ÌÒ˚ Á‚Û˜‡ÌËﬂ ˝ÎÂÍÚË˜ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·Î‡„Ó‰‡ﬂ ËÁÓ˘ÂÌÌÓÏÛ
ÔÓ„‡ÏÏËÓ‚‡ÌË˛ Ë ‚ÌÛ¯ËÚÂÎ¸ÌÓÏÛ Ó·˙ÂÏÛ Ô‡ÏﬂÚË.
Sweet!
ùÚË ÚÂÏ·˚ ‡ÍÛÒÚË˜ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ Ú‡ÍÊÂ ‚˚Ë„˚‚‡˛Ú ÓÚ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÒÎÓÊÌÓÈ ÚÂıÌÓÎÓ„ËË. éÌË Á‚Û˜‡Ú ÒÚÓÎ¸
ÂÒÚÂÒÚ‚ÂÌÌÓ, ˜ÚÓ ÏÓÊÌÓ ‡ÁÎË˜ËÚ¸ ÏÂÎ¸˜‡È¯ËÂ ‰ÂÚ‡ÎË Á‚ÛÍÓ‚ÓÈ Í‡ÚËÌ˚. Ñ‡ÊÂ ÌÂ ‚ÂËÚÒﬂ, ˜ÚÓ ËÒÚÓ˜ÌËÍ Á‚ÛÍ‡ – ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ!
Drum
ä‡Ê‰ÓÈ ÍÎ‡‚Ë¯Â ÔËÒ‚ÓÂÌ Á‚ÛÍ Í‡ÍÓ„Ó-ÎË·Ó Ó‰ÌÓ„Ó Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡. Ç‡¯‡ ÍÎ‡‚Ë‡ÚÛ‡ ÔÂ‚‡˘‡ÂÚÒﬂ ‚ ÔÓ‰Ó·ËÂ Û‰‡ÌÓÈ
ÛÒÚ‡ÌÓ‚ÍË.
SFX
ë Í‡Ê‰ÓÈ ÍÎ‡‚Ë¯ÂÈ ÒÓÓÚÌÂÒÂÌ Í‡ÍÓÈ-ÎË·Ó Á‚ÛÍÓ‚ÓÈ ÒÔÂˆ˝ÙÙÂÍÚ.
Live!Drums
Ç˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚Â ·‡‡·‡ÌÌ˚Â Á‚ÛÍË, ËÒÔÓÎ¸ÁÛ˛˘ËÂ ‚ÒÂ ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂÂÓ- Ë ‰ËÌ‡ÏË˜ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËﬂ.
Organ Flutes!
íÂÏ· Ó„‡Ì‡ ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚ‡Ë‚‡Ú¸ ÏÌÓ„ËÂ Ô‡‡ÏÂÚ˚ Á‚Û˜‡ÌËﬂ Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â Ó„‡ÌÌ˚Â ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛
ÙÛÌÍˆËË Sound Creator.
Live! SFX (ËÌÒÚÛÏÂÌÚ: ÒÔÂˆ˝ÙÙÂÍÚ˚)
Ç˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚Â ÔÂÍÛÒÒËÓÌÌ˚Â Á‚ÛÍË ËÌÒÚÛÏÂÌÚÓ‚ ã‡ÚËÌÒÍÓÈ ÄÏÂËÍË, ËÒÔÓÎ¸ÁÛ˛˘ËÂ ‚ÒÂ ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂÂÓ- Ë
‰ËÌ‡ÏË˜ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËﬂ. ÅÎ‡„Ó‰‡ﬂ ËÏ ‚˚ ÔÓÎÛ˜‡ÂÚÂ ·ÓÎÂÂ ¯ËÓÍËÈ Ë ÏÌÓ„ÓÒÚÓÓÌÌËÈ ‰Ë‡Ô‡ÁÓÌ ÔÂÍÛÒÒËË ËÌÒÚÛÏÂÌÚÓ‚
ã‡ÚËÌÒÍÓÈ ÄÏÂËÍË, ˜ÂÏ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ ·‡‡·‡ÌÓ‚.
èÂÍÛÒÒËÓÌÌ‡ﬂ ÍÎ‡‚Ë‡ÚÛ‡
èË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Ì‡·ÓÓ‚ ÒÔÂˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡‡·‡ÌÓ‚ ËÁ „ÛÔÔ˚ ÚÂÏ·Ó‚ PERCUSSION Í‡Ê‰ÓÈ ÍÎ‡‚Ë¯Â
ÔËÒ‚‡Ë‚‡˛ÚÒﬂ Á‚ÛÍË, ‚ıÓ‰ﬂ˘ËÂ ‚ ˝ÚÓÚ Ì‡·Ó. ê‡ÁÎË˜Ì˚Â Û‰‡Ì˚Â Ë ÔÂÍÛÒÒËÓÌÌ˚Â ËÌÒÚÛÏÂÌÚ˚ ÒÚ‡Ì‰‡ÚÌÓ„Ó Ì‡·Ó‡
Standard Kit Ó·ÓÁÌ‡˜ÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÒËÏ‚ÓÎ‡ÏË ÔÓ‰ ÍÎ‡‚Ë¯‡ÏË. àÏÂÈÚÂ ‚ ‚Ë‰Û: ÌÂÒÏÓÚﬂ Ì‡ ÚÓ, ˜ÚÓ ‡ÁÎË˜Ì˚Â
Ì‡·Ó˚ ÒÓÒÚÓﬂÚ ËÁ ‡ÁÌ˚ı Á‚ÛÍÓ‚, ÌÂÍÓÚÓ˚Â Á‚ÛÍË ÏÓ„ÛÚ Ì‡Á˚‚‡Ú¸Òﬂ Ë Á‚Û˜‡Ú¸ Ó‰ËÌ‡ÍÓ‚Ó ‚ ÌÂÒÍÓÎ¸ÍËı Ì‡·Ó‡ı.
ëÔËÒÓÍ Á‚ÛÍÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í Í‡Ê‰ÓÏÛ Ì‡·ÓÛ, ÔË‚Â‰ÂÌ ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (Drum/key Assignment List).
à„‡ Ì‡ ÙÓÚÂÔË‡ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»
ùÚ‡ Û‰Ó·Ì‡ﬂ Ë ‚ ÚÓ ÊÂ ‚ÂÏﬂ ÔÓÒÚ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÎÌÓÒÚ¸˛ Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÂÒÚ‡Ë‚‡ÂÚ ‚ÒÂ CVP-210/208 ‰Îﬂ ÓÔÚËÏ‡Î¸ÌÓ„Ó
ËÒÔÓÎÌÂÌËﬂ ‚ ÚÂÏ·Â ÙÓÚÂÔË‡ÌÓ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, Í‡ÍËÂ Ì‡ÒÚÓÈÍË ‚˚ Á‡‰‡ÎË Ì‡ Ô‡ÌÂÎË, ÏÓÊÌÓ ·˚ÒÚÓ ‚˚Á‚‡Ú¸ ˝Í‡Ì
Ì‡ÒÚÓÂÍ ÔË‡ÌËÌÓ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË.
PIANO
èêàåÖóÄçàÖ
äÌÓÔÍ‡ PIANO
àÁÏÂÌﬂÂÚ ‚ÒÂ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË, ÔÓÁ‚ÓÎﬂﬂ Ë„‡Ú¸ Ì‡ CVP-210/208, Í‡Í Ì‡
ÙÓÚÂÔË‡ÌÓ.
îÛÌÍˆËﬂ Piano Lock
ì‰Ó·Ì‡ﬂ ÙÛÌÍˆËﬂ Piano Lock ÔÓÁ‚ÓÎﬂÂÚ «Á‡·ÎÓÍËÓ‚‡Ú¸» ÔË‡ÌËÌÓ ‚Ó ËÁ·ÂÊ‡ÌËÂ ÒÎÛ˜‡ÈÌÓ„Ó
ËÁÏÂÌÂÌËﬂ Ì‡ÒÚÓÂÍ ÔË Ì‡Ê‡ÚËË ‰Û„ÓÈ ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË. èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ·ÎÓÍËÓ‚ÍË CVP210/208 ÓÒÚ‡ÂÚÒﬂ ‚ ÂÊËÏÂ ÙÓÚÂÔË‡ÌÓ ‰‡ÊÂ ÔË Ì‡Ê‡ÚËË ‰Û„Ëı ÍÌÓÔÓÍ, ÔÓÁ‚ÓÎﬂﬂ ËÁ·ÂÊ‡Ú¸
ÒÎÛ˜‡ÈÌÓ„Ó ÔÂÂıÓ‰‡ Í ÔÂÒÌÂ ËÎË ÒÚËÎ˛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏﬂ ÍÓÌˆÂÚ‡ ÙÓÚÂÔË‡ÌÓ.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [PIANO] Ë Û‰ÂÊË‚‡ÈÚÂ ÂÂ, ÔÓÍ‡ Ì‡ ˝Í‡ÌÂ ÌÂ ÔÓﬂ‚ËÚÒﬂ ÔÂ‰ÎÓÊÂÌËÂ
‡ÍÚË‚ËÓ‚‡Ú¸ ·ÎÓÍËÓ‚ÍÛ ÔË‡ÌËÌÓ.
ÑÎﬂ ‡ÍÚË‚‡ˆËË ·ÎÓÍËÓ‚ÍË ‚˚·ÂËÚÂ «OK».
ÑÎﬂ ÓÚÍÎ˛˜ÂÌËﬂ ·ÎÓÍËÓ‚ÍË Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [PIANO] Ì‡ ÌÂÍÓÚÓÓÂ ‚ÂÏﬂ.
í‡ÍÊÂ ‚ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÏÂÚÓÌÓÏ
(ÒÚ. 54).
èêàåÖóÄçàÖ
Ñ‡ÊÂ ÔÓÒÎÂ ÓÚÍÎ˛˜ÂÌËﬂ
·ÎÓÍËÓ‚ÍË Ì‡ÒÚÓÈÍË ÔË‡ÌËÌÓ
ÓÒÚ‡ÌÛÚÒﬂ ‡ÍÚË‚Ì˚.
CVP-210/208
59
íÂÏ·˚
íÂÏ·˚ Layer Ë Left: Ë„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚
CVP-210/208ÔÓ‰‰ÂÊË‚‡ÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÛ˛ Ë„Û ÚÂı ÚÂÏ·Ó‚. MAIN („Î‡‚Ì˚È), LAYER (ÒÎÓÈ) Ë LEFT (ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË).
äÓÏ·ËÌËÛﬂ ˝ÚË ÚË ÚÂÏ·‡, ‚˚ ÏÓÊÂÚÂ ÒÓÁ‰‡‚‡Ú¸ ÏÛÎ¸ÚËËÌÒÚÛÏÂÌÚ‡Î¸Ì˚Â ÒÏÂÒË Ò ·Ó„‡Ú˚ÏË ÚÂÍÒÚÛ‡ÏË ‰Îﬂ ÔÓÒÎÂ‰Û˛˘Â„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚Ó ‚ÂÏﬂ ÍÓÌˆÂÚ‡.
VOICE PART
ON OFF
METRONOME
POWER
START STOP
MIC.
SIGNAL
G
LAYER
H
LEFT
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
F
FADE IN OUT
REC
TOP
START STOP
REW
FF
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
TAP TEMPO
RESET
AUTO FILL IN
BREAK
INTRO
RESET
ENDING rit.
MAIN
D
I
E
J
MUSIC FINDER
ONE TOCTH SETTING
1
SOUND
CREATOR
STYLE
ACMP
DIGITAL
STUDIO
SYNC.STOP SYNC.START START STOP
OTS LINK
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
à„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÒÎÓﬂ ËÁ ‰‚Ûı
ÚÂÏ·Ó‚
ó‡ÒÚ¸ ÒÎÓﬂ (LAYER)
ÉÎ‡‚Ì‡ﬂ ˜‡ÒÚ¸
(MAIN)
à„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ‰‚Ûı ÌÂÒÏÂ¯‡ÌÌ˚ı
ÚÂÏ·Ó‚ (Ó‰ËÌ ÒÔ‡‚‡, ‰Û„ÓÈ ÒÎÂ‚‡)
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ
ó‡ÒÚ¸ ‰Îﬂ
ÎÂ‚ÓÈ ÛÍË
(LEFT )
ãÂ‚‡ﬂ ˜‡ÒÚ¸
à„‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÚÂı ÚÂÏ·Ó‚ (Ó‰ËÌ
ÒÎÂ‚‡ Ë ‰‚‡ ÒÏÂ¯‡ÌÌ˚ı ÚÂÏ·‡ ÒÔ‡‚‡)
è‡‚‡ﬂ ˜‡ÒÚ¸
ó‡ÒÚ¸ ÒÎÓﬂ
(LAYER)
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ
ó‡ÒÚ¸ ‰Îﬂ
ÎÂ‚ÓÈ ÛÍË
(LEFT )
ãÂ‚‡ﬂ ˜‡ÒÚ¸
ÉÎ‡‚Ì‡ﬂ ˜‡ÒÚ¸
(MAIN)
è‡‚‡ﬂ ˜‡ÒÚ¸
ÉÎ‡‚Ì‡ﬂ ˜‡ÒÚ¸
(MAIN)
ëÎÓÈ: ëÏÂ¯Ë‚‡ÌËÂ ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚
1
äÌÓÔÍ‡
‚ÍÎ˛˜ÂÌËﬂ
ÙÛÌÍˆËË LAYER.
ùÚ‡ ÊÂ ÍÌÓÔÍ‡
ÔÓÁ‚ÓÎﬂÂÚ
ÓÚÍÎ˛˜ËÚ¸ ‰‡ÌÌÛ˛
ÙÛÌÍˆË˛.
VOICE PART
ON OFF
G
LAYER
H
LEFT
2
Ç˚·ÂËÚÂ ÒÎÓÈ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [G]. ùÚ‡ ÊÂ ÍÌÓÔÍ‡
ÔÓÁ‚ÓÎﬂÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì
VOICE, „‰Â ‚˚ ÒÏÓÊÂÚÂ
‚˚·‡Ú¸ ÚÓÚ ÚÂÏ·, ÍÓÚÓ˚È
·Û‰ÂÚ ÒÏÂ¯‡Ì Ò „Î‡‚Ì˚Ï.
åÂÚÓ‰ ‚˚·Ó‡ ÚÂÏ·‡ ÌË˜ÂÏ ÌÂ
ÓÚÎË˜‡ÂÚÒﬂ ÓÚ ÏÂÚÓ‰‡,
ÔËÏÂÌﬂÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò
˝Í‡ÌÓÏ VOICE (MAIN) (ÒÚ. 58).
F
G
H
I
J
èêàåÖóÄçàÖ
END
60
CVP-210/208
EXIT
äÌÓÔÍ‡ ÔÂÂıÓ‰‡ Í
„Î‡‚ÌÓÏÛ ˝Í‡ÌÛ MAIN.
ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â Ó‰ËÌ ÒÔÓÒÓ· ·˚ÒÚÓ
‚˚·‡Ú¸ „Î‡‚Ì˚È (MAIN) Ë
‰ÓÔÓÎÌËÚÂÎ¸Ì˚È (LAYER) ÚÂÏ·‡.
ì‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ ‚˚·Ó‡
ÓÔÂ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡, Ì‡ÊÏËÚÂ
‰Û„Û˛ ÍÌÓÔÍÛ ‚˚·Ó‡ ÚÂÏ·‡.
èÂ‚˚È ËÁ ‚˚·‡ÌÌ˚ı ÚÂÏ·Ó‚
ÒÚ‡ÌÂÚ „Î‡‚Ì˚Ï, ‡ ‚ÚÓÓÈ –
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Ï.
íÂÏ·˚
íÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË: ìÒÚ‡ÌÓ‚Í‡ ‡ÁÎË˜Ì˚ı ÚÂÏ·Ó‚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚
1
G
LAYER
H
LEFT
èêàåÖóÄçàÖ
2
ÇÍÎ˛˜ËÚÂ
ÔÂÂÍÎ˛˜‡ÚÂÎ¸
LEFT. èÓ‚ÚÓÌÓÂ
Ì‡Ê‡ÚËÂ ÔË‚Â‰ÂÚ Í
‚˚ÍÎ˛˜ÂÌË˛ ÚÂÏ·‡
‰Îﬂ ÎÂ‚ÓÈ ÛÍË.
Ç˚·ÂËÚÂ ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H].
ùÚ‡ ÊÂ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE, „‰Â ‚˚
ÒÏÓÊÂÚÂ ‚˚·‡Ú¸ ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË. åÂÚÓ‰ ‚˚·Ó‡
ÚÂÏ·‡ ÌË˜ÂÏ ÌÂ ÓÚÎË˜‡ÂÚÒﬂ ÓÚ ÏÂÚÓ‰‡, ÔËÏÂÌﬂÂÏÓ„Ó ÔË
‡·ÓÚÂ Ò ˝Í‡ÌÓÏ VOICE (MAIN) (ÒÚ. 58).
F
G
H
END
I
íÓ˜ÍÓÈ ‡Á·ËÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ÏÓÊÂÚ ÒÎÛÊËÚ¸ Î˛·‡ﬂ ÍÎ‡‚Ë¯‡
ÑÎﬂ ÂÂ Ì‡ÒÚÓÈÍË ‚˚ÁÓ‚ËÚÂ
˝Í‡Ì SPLIT POINT, Ì‡Ê‡‚
ÍÌÓÔÍÛ [I] (SPLIT POINT) Ì‡
˝Í‡ÌÂ MAIN. ò‡„Ë ÓÔÂ‡ˆËË
Ú‡ÍËÂ ÊÂ, Í‡Í Ë Ì‡ ˝Í‡ÌÂ STYLE
SETTING/SPLIT POINT ÒÚ‡ÌËˆ˚
FUNCTION (ÒÚ. 141).
èêàåÖóÄçàÖ
ÑÎﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË – MAIN
(„Î‡‚Ì‡ﬂ), LAYER (ÒÎÓÈ) Ë LEFT
(‰Îﬂ ÎÂ‚ÓÈ ÛÍË) – ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ Ò‚ÓÈ ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË (ÒÚ. 65).
J
èêàåÖóÄçàÖ
äÓÏÂ ÚÓ„Ó, ÒÓ‚ÏÂÒÚÌÓÂ
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ LAYER
Ë LEFT ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸
ÒÎÓË ËÁ ‰‚Ûı ÚÂÏ·Ó‚ Ë
‡Á·Ë‚‡Ú¸ ÍÎ‡‚Ë‡ÚÛÛ Ì‡ ‰‚Â
ÁÓÌ˚. ÑÎﬂ ˝ÚÓ„Ó Ì‡ÁÌ‡˜¸ÚÂ
(ÛÍ‡Á‡ÌÌ˚Ï ‚˚¯Â ÒÔÓÒÓ·ÓÏ)
‡ÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ô‡‚ÓÈ Ë
ÎÂ‚ÓÈ ˜‡ÒÚÂÈ ÍÎ‡‚Ë‡ÚÛ˚ Ë
ÒÏÂ¯‡ÈÚÂ ‰‚‡ ÚÂÏ·‡ ‰Îﬂ Ë„˚
Ô‡‚ÓÈ ÛÍÓÈ.
EXIT
äÌÓÔÍ‡ ÔÂÂıÓ‰‡
Í „Î‡‚ÌÓÏÛ
˝Í‡ÌÛ MAIN.
èËÏÂÌÂÌËÂ ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚
ùÚ‡ ˜‡ÒÚ¸ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË ÔÓÁ‚ÓÎﬂÂÚ Ó·‡·‡Ú˚‚‡Ú¸ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛ ‡ÁÎË˜Ì˚ı ˝ÙÙÂÍÚÓ‚.
VOICE EFFECT
REVERB
METRONOME
POWER
START STOP
MIC.
SIGNAL
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
TAP TEMPO
RESET
AUTO FILL IN
OTS LINK
BREAK
INTRO
RESET
MAIN
ENDING rit.
D
I
E
J
ONE TOCTH SETTING
MUSIC FINDER
1
SOUND
CREATOR
STYLE
ACMP
DIGITAL
STUDIO
SYNC.STOP SYNC.START START STOP
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ, ˜ÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝ÙÙÂÍÚ. èÓ‚ÚÓÌÓÂ Ì‡Ê‡ÚËÂ
ÔË‚Ó‰ËÚ Í ÓÚÍÎ˛˜ÂÌË˛ ˝ÙÙÂÍÚ‡. çËÊÂ ÔË‚Â‰ÂÌÓ ÓÔËÒ‡ÌËÂ Í‡Ê‰Ó„Ó ËÁ ËÏÂ˛˘ËıÒﬂ ˝ÙÙÂÍÚÓ‚.
■ REVERB
êÂ‚Â·Â‡ˆËﬂ ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ˝ÙÙÂÍÚ, ÍÓÚÓ˚È ‚ÓÒÔÓËÁ‚Ó‰ËÚ ‡ÍÛÒÚË˜ÂÒÍÛ˛ ÒÂ‰Û ÔÓÏÂ˘ÂÌËﬂ: ÓÚ Ï‡ÎÂÌ¸ÍÓ„Ó ‰Ê‡Á-ÍÎÛ·‡ ‰Ó
ÍÓÌˆÂÚÌÓ„Ó Á‡Î‡.
■ DSP
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚,
ÔÓÁ‚ÓÎﬂ˛˘Ëı Ó·‡·‡Ú˚‚‡Ú¸ Á‚ÛÍ ‡ÁÎË˜Ì˚Ï Ó·‡ÁÓÏ. îÛÌÍˆËË DSP ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ
ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ÚÂÏ·‡. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚÂ ÔËÏÂÌËÚ¸ ˝ÙÙÂÍÚ ıÓÛÒ‡, ˜ÚÓ·˚ ÓÊË‚ËÚ¸ ÚÂÏ·
Ë ÔË‰‡Ú¸ ÂÏÛ „ÎÛ·ËÌÛ, ËÎË ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒËÏÙÓÌË˜ÂÒÍËÈ ˝ÙÙÂÍÚ ‰Îﬂ ‰Ó·‡‚ÎÂÌËﬂ ÚÂÔÎÓÚ˚ Ë
Ì‡Ò˚˘ÂÌÌÓÒÚË. ëÂ‰Ë ÙÛÌÍˆËÈ DSP ËÏÂÂÚÒﬂ Ú‡ÍÊÂ ˝ÙÙÂÍÚ «‰ËÒÚÓ¯Ì», ÍÓÚÓ˚È ÏÓÊÂÚ
ÒÓ‚Â¯ÂÌÌÓ ËÁÏÂÌËÚ¸ ı‡‡ÍÚÂ Á‚Û˜‡ÌËﬂ ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡. DSP Á‡‰‡ÂÚÒﬂ ‰Îﬂ ‚˚·‡ÌÌÓÈ Ì‡
‰‡ÌÌ˚È ÏÓÏÂÌÚ Ô‡ÚËË (MAIN/LAYER/LEFT).
èêàåÖóÄçàÖ
ùÙÙÂÍÚ˚ DSP Ë VARIATION
ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ ˝Í‡ÌÂ
MIXING CONSOLE (ÒÚ. 126).
í‡Ï ÊÂ ÏÓÊÌÓ ÓÚÂ„ÛÎËÓ‚‡Ú¸
„ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡.
■ VARIATION (çÂ‰ÓÒÚÛÔÌ‡ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural; ÒÚ. 92)
ùÙÙÂÍÚ ‚‡Ë‡ˆËË ‚ÍÎ˛˜‡ÂÚ ‚ ÒÂ·ﬂ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ ‚Ë‰Ó‚ Ó·‡·ÓÚÍË ÒË„Ì‡Î‡. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ˝ÙÙÂÍÚ Rotary Speaker
(‚‡˘‡˛˘ËÈÒﬂ ‰ËÌ‡ÏËÍ) (ÒÚ. 126). ìÔ‡‚Îﬂﬂ ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËﬂ ‚ÓÓ·‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌËÍ‡
Á‚ÛÍ‡.
CVP-210/208
61
íÂÏ·˚
■ HARMONY/ECHO
èêàåÖóÄçàÖ
ÑÓ·‡‚ÎÂÌËÂ ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËﬂ ÚÂÏ·Ó‚, ËÒÔÓÎ¸ÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ (ÒÚ. 146).
■ MONO
ìÒÚ‡ÌÓ‚Í‡ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓÎ¸ÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îﬂ
Í‡Ê‰Ó„Ó ÚËÔ‡ ÚÂÏ·‡ (MAIN/LAYER/LEFT). ÉÓﬂ˘‡ﬂ Î‡ÏÔÓ˜Í‡ ﬂ‰ÓÏ Ò ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ ÓÁÌ‡˜‡ÂÚ
ÂÊËÏ MONO. Ç˚ÍÎ˛˜ÂÌÌ‡ﬂ Î‡ÏÔÓ˜Í‡ ÛÍ‡Á˚‚‡ÂÚ Ì‡ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÓÎËÙÓÌËË. Ç ÂÊËÏÂ MONO
Á‚Û˜ËÚ ÎË¯¸ ÌÓÚ‡, Ò˚„‡ÌÌ‡ﬂ ÔÓÒÎÂ‰ÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‚˚ÒËÚ¸ Â‡ÎËÒÚË˜ÌÓÒÚ¸ Á‚Û˜‡ÌËﬂ
‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. äÓÏÂ ÚÓ„Ó, ‰‡ÌÌ˚È ÂÊËÏ ÏÓÊÂÚ Ò‰ÂÎ‡Ú¸ ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ «ÔÓÚ‡ÏÂÌÚÓ»
·ÓÎÂÂ ˝ÙÙÂÍÚÌ˚Ï ÔË Ë„Â ÎÂ„‡ÚÓ.
■ LEFT HOLD (Û‰ÂÊ‡ÌËÂ ÚÂÏ·‡ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË)
ùÚ‡ ÙÛÌÍˆËﬂ Á‡ÒÚ‡‚ÎﬂÂÚ ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË Á‡ÏË‡Ú¸ ÏÂ‰ÎÂÌÌÂÂ. äÎ‡‚Ë¯Ë ÛÊÂ ÓÚÔÛ˘ÂÌ˚, ‡
Á‚ÛÍ Â˘Â ÚﬂÌÂÚÒﬂ. ùÙÙÂÍÚ ÂÂ ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË Ô‡‚ÓÈ ÔÂ‰‡ÎË (ÔÂ‰‡ÎË ÒÛÒÚÂÈÌ‡).
ùÚ‡ ÙÛÌÍˆËﬂ ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁÌ‡ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚
‚ÓÁ¸ÏÂÚÂ ‡ÍÍÓ‰ ‚ ÚÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚, ÍÓÚÓ‡ﬂ ÓÚ‚Â‰ÂÌ‡ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‡ Á‡ÚÂÏ
ÓÚÔÛÒÚËÚÂ ÍÎ‡‚Ë¯Ë (ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ‡Á‰ÂÎÂÌËË ÍÎ‡‚Ë‡ÚÛ˚; ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË — ÒÚÛÌÌ˚Â
(Strings)), ‡ÍÍÓ‰ ·Û‰ÂÚ ÔÓ‰ÓÎÊ‡Ú¸ Á‚Û˜‡Ú¸, ÔË‰‡‚‡ﬂ Ì‡Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡ÌË˛
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ùÙÙÂÍÚ Portamento (ÔÓÚ‡ÏÂÌÚÓ)
ÔÓÁ‚ÓÎﬂÂÚ ÔÎ‡‚ÌÓ ÒÏÂ˘‡Ú¸
‚˚ÒÓÚÛ Á‚ÛÍ‡ ÓÚ ÌÓÚ˚ Í ÌÓÚÂ ÔË
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÏ Ì‡Ê‡ÚËË
ÌÂÒÍÓÎ¸ÍËı ÍÎ‡‚Ë¯.
ëéÇÖí
Ç˚ ÏÓÊÂÚÂ ÔÓ‰˜ÂÍÌÛÚ¸
ÏÂÎÓ‰Ë˜ÂÒÍÛ˛ ÎËÌË˛, ÍÓÚÓ‡ﬂ
‚Â‰ÂÚÒﬂ ‚ Ó·‡ÏÎÂÌËË ‡ÍÍÓ‰Ó‚.
ÑÎﬂ ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÒÎÓﬂ Ë
Ò‰ÂÎ‡Ú¸ ‚Â‰Û˘Û˛ Ô‡ÚË˛
ÏÓÌÓÙÓÌË˜ÂÒÍÓÈ. ìÒÚ‡ÌÓ‚ËÚÂ
ÔÓÎËÙÓÌË˜ÂÒÍËÈ ÂÊËÏ ‰Îﬂ
„Î‡‚ÌÓ„Ó ÚÂÏ·‡ (Main) Ë
ÏÓÌÓÙÓÌË˜ÂÒÍËÈ (MONO) — ‰Îﬂ
ÚÂÏ·‡ ÒÎÓﬂ (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â
‚‡¯‡ ÏÂÎÓ‰Ëﬂ, ‚ ÚÓÏ ˜ËÒÎÂ
Ì‡Ë·ÓÎÂÂ ‚˚ÒÓÍËÂ ÌÓÚ˚ Î˛·˚ı
‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸
ÏÓÌÓÙÓÌË˜ÂÒÍË.
èÓÔÓ·ÛÈÚÂ ÔËÏÂÌËÚ¸ ˝ÚÓÚ
˝ÙÙÂÍÚ Í ÒÎÂ‰Û˛˘ËÏ ÚÂÏ·‡Ï.
ÉÎ‡‚Ì˚È ÚÂÏ·: ÔÓÎËÙÓÌË˜ÂÒÍ‡ﬂ
‰ÛıÓ‚‡ﬂ ÒÂÍˆËﬂ (Brass Section) +
ÚÂÏ· ÒÎÓﬂ: ÏÓÌÓÙÓÌË˜ÂÒÍ‡ﬂ
«ÒÎ‡‰ÍÓÁ‚Û˜Ì‡ﬂ» ÚÛ·‡ (Sweet
Trump).
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎÂÈ
èêàåÖóÄçàÖ
Ç CVP-210/208 ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÚË ÔÂ‰‡ÎË.
ÎÂ‚‡ﬂ ÔÂ‰‡Î¸
Ô‡‚‡ﬂ ÔÂ‰‡Î¸
ÒÂ‰Ìﬂﬂ ÔÂ‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ»)
■ è‡‚‡ﬂ ÔÂ‰‡Î¸ (Ô‡‚‡ﬂ)
í‡ÍÊÂ ‚˚ ÏÓÊÂÚÂ ÔËÒ‚ÓËÚ¸
·ÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó ‰Û„Ëı
ÙÛÌÍˆËÈ ˝ÚËÏ ÔÂ‰‡ÎﬂÏ (Ú‡ÍÊÂ
Í‡Í ‰ÓÔÓÎÌËÚÂÎ¸Ì˚È ÌÓÊÌÓÈ
ÍÓÌÚÓÎÎÂ ËÎË ÌÓÊÌÓÈ
ÔÂÂÍÎ˛˜‡ÚÂÎ¸). ç‡ÔËÏÂ, ‚˚
ÏÓÊÂÚÂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÂÂ ‰Îﬂ
Á‡ÔÛÒÍ‡/ÓÒÚ‡ÌÓ‚ÍË ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˜‡ÒÚÂÈ Fill-in
(‚ÒÚ‡‚ÓÍ) (ÒÚ. 142).
èêàåÖóÄçàÖ
è‡‚‡ﬂ ÔÂ‰‡Î¸ ‚˚ÔÓÎÌﬂÂÚ ÚÛ ÊÂ ÙÛÌÍˆË˛, ˜ÚÓ Ë Ô‡‚‡ﬂ ÔÂ‰‡Î¸
‡ÍÛÒÚË˜ÂÒÍÓ„Ó ÔË‡ÌËÌÓ, ÚÓ ÂÒÚ¸ ÔÓ‰ÎÂ‚‡ÂÚ Á‚Û˜‡ÌËÂ ÚÂÏ·‡
‰‡ÊÂ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ÓÚÔÛÒÚËÎË ÍÎ‡‚Ë¯Û.
ÖÒÎË Ì‡Ê‡Ú¸ Ô‡‚Û˛ ÔÂ‰‡Î¸, ‚ÒÂ
ÔÓË„˚‚‡ÂÏ˚Â ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸
‰ÓÎ¸¯Â, ÔÓÍ‡ ‚˚ ÌÂ ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸.
■ èÂ‰‡Î¸ ÒÓÒÚÂÌÛÚÓ (ÒÂ‰Ìﬂﬂ)
• ÖÒÎË Ì‡Ê‡Ú‡ Ô‡‚‡ﬂ ÔÂ‰‡Î¸,
ÌÂÍÓÚÓ˚Â ÚÂÏ·˚ ÏÓ„ÛÚ
Á‚Û˜‡Ú¸ ÌÂÔÂ˚‚ÌÓ ËÎË
ÒËÎ¸ÌÓ ÔÓ‰ÎÂ‚‡Ú¸Òﬂ ÔÓÒÎÂ
ÚÓ„Ó, Í‡Í ÍÎ‡‚Ë¯‡ ·˚Î‡
ÓÚÔÛ˘ÂÌ‡.
• è‡‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‰ÂÈÒÚ‚ÛÂÚ
Ì‡ ÓÔÂ‰ÂÎÂÌÌ˚Â ÚÂÏ·˚
„ÛÔÔ [PERCUSSION] Ë [XG].
èêàåÖóÄçàÖ
ÖÒÎË ‚ÁﬂÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ Ì‡ ÔÂ‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ»,
ÔÓÍ‡ ÍÎ‡‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òﬂ, ÔÓÍ‡ ‚˚ ÌÂ
ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸, ÌÓ ‚ÒÂ ‰Û„ËÂ ÌÓÚ˚ ÔÓ‰ÎÂ‚‡Ú¸Òﬂ ÌÂ ·Û‰ÛÚ.
ÖÒÎË Ì‡Ê‡Ú¸ ÒÂ‰Ì˛˛ ÔÂ‰‡Î¸, ÍÓ„‰‡
Ì‡Ê‡Ú‡ ÍÎ‡‚Ë¯‡, ÌÓÚ‡ ·Û‰ÂÚ Á‚Û˜‡Ú¸, ÔÓÍ‡
‚˚ ÌÂ ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸.
■ ãÂ‚‡ﬂ ÔÂ‰‡Î¸
ÖÒÎË ‚˚·‡Ì ÚÂÏ· ÓﬂÎﬂ, Ì‡Ê‡ÚËÂ ˝ÚÓÈ ÔÂ‰‡ÎË ÔË‚Ó‰ËÚ Í ÌÂ·ÓÎ¸¯ÓÏÛ ÒÌËÊÂÌË˛ „ÓÏÍÓÒÚË Ë
ÎÂ„ÍÓÏÛ ËÁÏÂÌÂÌË˛ ÚÂÏ·‡ ÌÓÚ.
èËÒ‚ÓÂÌÌ˚Â ˝ÚÓÈ ÔÂ‰‡ÎË Ì‡ÒÚÓÈÍË ÏÓ„ÛÚ ‡ÁÎË˜‡Ú¸Òﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡.
• çÂÍÓÚÓ˚Â ÚÂÏ·˚, Ì‡ÔËÏÂ
[STRINGS] ËÎË [BRASS],
ÌÂÔÂ˚‚ÌÓ ÔÓ‰ÎÂ‚‡˛ÚÒﬂ,
ÂÒÎË Ì‡Ê‡Ú‡ ÔÂ‰‡Î¸
«ÒÓÒÚÂÌÛÚÓ».
• èÂ‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ» ÌÂ
‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔÂ‰ÂÎÂÌÌ˚Â
ÚÂÏ·˚ „ÛÔÔ [PERCUSSION]
Ë [XG].
èêàåÖóÄçàÖ
ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ (ÒÚ. 142).
■ çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ/èÂ‰‡Î¸Ì˚È ÔÂÂÍÎ˛˜‡ÚÂÎ¸
ÑÓÔÓÎÌËÚÂÎ¸Ì˚È ÌÓÊÌÓÈ ÍÓÚÓÎÎÂ ÍÓÔÓ‡ˆËË Yamaha (FC7) ËÎË ÔÂ‰‡Î¸Ì˚È ÔÂÂÍÎ˛˜‡ÚÂÎ¸ (FC4 ËÎË FC5) ÏÓ„ÛÚ ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸Òﬂ
Í ‡Á˙ÂÏÛ AUX PEDAL Ë ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÍÓÌÚÓÎﬂ Ì‡‰ ‡ÁÎË˜Ì˚ÏË ÙÛÌÍˆËﬂÏË, Ì‡ÁÌ‡˜ÂÌÌ˚ÏË Ì‡ ÒÚ‡ÌËˆÂ FUNCTION
(ÒÚ. 142).
62
CVP-210/208
ëÚËÎË
Ç CVP-210/208 ‚ÒÚÓÂÌ˚ ÒÚËÎË (‚‡Ë‡ÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡‡ÍÚÂÌ˚Â ‰Îﬂ ÏÌÓÊÂÒÚ‚‡ ÏÛÁ˚Í‡Î¸Ì˚ı Ê‡ÌÓ‚, ‚ÍÎ˛˜‡ﬂ ÔÓÔÏÛÁ˚ÍÛ, ‰Ê‡Á, Î‡ÚËÌÓ‡ÏÂËÍ‡ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ ÏÛÁ˚ÍÛ. óÚÓ·˚ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ËÏË, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ·‡Ú¸ ÎÂ‚ÓÈ ÛÍÓÈ
‡ÍÍÓ‰˚. Ç˚·‡ÌÌ˚È ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚‡Ï ÔÓ‰˚„˚‚‡Ú¸, Ï„ÌÓ‚ÂÌÌÓ Â‡„ËÛﬂ Ì‡ ÒÏÂÌÛ ‡ÍÍÓ‰‡.
èÓÔÓ·ÛÈÚÂ ‚˚·‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ ÒÚËÎÂÈ (ÒÏ. ‰ÓÔÓÎÌËÚÂÎ¸Ì˚È ÒÔËÒÓÍ) Ë ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı.
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING rit.
I
E
J
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
ONE TOCTH SETTING
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
2
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
STYLE
ACMP
AUTO FILLIN
INTRO
BREAK
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ
èêàåÖóÄçàÖ
1
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ
˝Í‡ÌÛ [MAIN], ÒÌ‡˜‡Î‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
A
B
C
D
E
2
èêàåÖóÄçàÖ
BACK
NEXT
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
8
2-1
Ç˚·ÂËÚÂ ‡Á‰ÂÎ
Ô‡ÏﬂÚË (Preset, User,
Floppy Disk) ‰Îﬂ
ÒÓı‡ÌÂÌËﬂ ÒÚËÎﬂ.
2-2
Ç˚·ÂËÚÂ ÒÚËÎ¸.
èÂÂ˜ÂÌ¸ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ
ÒÓ‰ÂÊËÚÒﬂ ‚ ‰ÓÔÓÎÌËÚÂÎ¸ÌÓÏ
ÒÔËÒÍÂ (ÒÔËÒÍÂ ÒÚËÎÂÈ).
èË ÓÚÍ˚ÚËË Í‡Ú‡ÎÓ„‡ ÌËÊÌÂ„Ó ÛÓ‚Ìﬂ ˝Ú‡
ÍÌÓÔÍ‡ (UP) ÔÓÁ‚ÓÎﬂÂÚ ÔÂÂÈÚË Ì‡ ‚ÂıÌËÈ
ÛÓ‚ÂÌ¸, „‰Â ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ „ÛÔÔÛ
ÒÚËÎÂÈ.
CVP-210/208
63
ëÚËÎË
3
ÇÍÎ˛˜Ë‚ ÍÌÓÔÍÛ [ACMP], ‚˚ ÏÓÊÂÚÂ ·‡Ú¸ ËÎË ÛÍ‡Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ‡Á‰ÂÎ‡
ÍÎ‡‚Ë‡ÚÛ˚, ÓÚ‚Â‰ÂÌÌÓ„Ó ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚
˝ÚËÏ ‡Á‰ÂÎÓÏ ÏÓÊÂÚ ·˚Ú¸ ÁÓÌ‡, ÓÚ‚Â‰ÂÌÌ‡ﬂ ÔÓ‰ ÚÂÏ· ‰Îﬂ ÎÂ‚ÓÈ ÛÍË, ÎË·Ó ‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡.)
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚÂ ÛÒÚ‡ÌÓ‚ËÚ¸
„‡ÌËˆ˚ ‡Á‰ÂÎ‡ ÍÎ‡‚Ë‡ÚÛ˚
‰Îﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(ÒÚ. 141).
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
èêàåÖóÄçàÖ
4
ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ).
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
Sync. Start
ÖÒÎË ˝Ú‡ ÍÌÓÔÍ‡ ‚ÍÎ˛˜ÂÌ‡, ÚÓ
‰Îﬂ Á‡ÔÛÒÍ‡ ÒÚËÎﬂ ‰ÓÒÚ‡ÚÓ˜ÌÓ
ÔÓÒÚÓ Ì‡˜‡Ú¸ Ë„‡Ú¸ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
OTS LINK
èêàåÖóÄçàÖ
5
ëÚËÎ¸ Á‡ÔÛÒÚËÚÒﬂ Ò‡ÁÛ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ë‚Â‰ÂÌËﬂ Ó· ‡ÔÔÎËÍ‡ÚÛÂ ‡ÍÍÓ‰Ó‚ ÒÏ. ÒÚ. 66.
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ TEMPO [ ] [ ] Ë [TAP
TEMPO].
ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍÂ
[TAP TEMPO] Á‡‰‡ÂÚ ‚ÂÎË˜ËÌÛ
ÚÂÏÔ‡.
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
• á‡ÔÛÒÍ ËÚÏË˜ÂÒÍËı Í‡Ì‡ÎÓ‚
(‰ÓÓÊÂÍ) ÒÚËÎﬂ
ÔÓËÁ‚Ó‰ËÚÒﬂ Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÍË [START/STOP].
• ùÚË ‰ÓÓÊÍË ÏÓÊÌÓ Ú‡ÍÊÂ
Á‡ÔÛÒÚËÚ¸, Û‰‡Ë‚ ÔÓ ÍÌÓÔÍÂ
[TAP TEMPO]. éÒÚ‡ÌÓ‚ËÚÂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ Ë
Û‰‡¸ÚÂ ÔÓ ÍÌÓÔÍÂ [TAP
TEMPO] ÚË, ˜ÂÚ˚Â ËÎË
ÔﬂÚ¸ ‡Á (ÚË ‡Á‡ – ‰Îﬂ
‡ÁÏÂ‡ 3/4, ˜ÂÚ˚Â – ‰Îﬂ
‡ÁÏÂÓ‚ 2/4 Ë 4/4, ÔﬂÚ¸ ‡Á
– ‰Îﬂ ‡ÁÏÂ‡ 5/4).
èêàåÖóÄçàÖ
6
éÒÚ‡ÌÓ‚ËÚÂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ.
END
STYLE
SYNC.STOP SYNC.START START / STOP
ACMP
éÚÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ
ACMP.
äÓ„‰‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÂÒÌÂÈ
‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Í‡ÍÓÈ-ÎË·Ó
ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÓ
˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Á‡ÔËÒ‡ÌÌ˚Â Ì‡ Í‡Ì‡Î˚ 9 – 16,
‚ÂÏÂÌÌÓ Á‡ÏÂÌﬂ˛ÚÒﬂ
‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡ÍËÏ
Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ
‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓËÒÍ‡Ú¸ ÒÚËÎ¸,
Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘ËÈ ‰Îﬂ
‰‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 79).
ï‡‡ÍÚÂËÒÚËÍË ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ï‡‡ÍÚÂËÒÚËÍË ÌÂÍÓÚÓ˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ËÏÂÌ‡ÏË ÒÚËÎﬂ Ì‡ ˝Í‡ÌÂ Open/Save.
ëÂÒÒËﬂ (Session!)
ùÚË ÒÚËÎË ÓÚÎË˜‡˛ÚÒﬂ ÔÓ‚˚¯ÂÌÌ˚Ï Â‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔÓ‚ÓÊ‰ÂÌËﬂ. í‡ÍÓÈ ˝ÙÙÂÍÚ ‰ÓÒÚË„‡ÂÚÒﬂ Á‡ Ò˜ÂÚ ÏËÍ¯ËÓ‚‡ÌËﬂ ËÒıÓ‰Ì˚ı Ë
ËÁÏÂÌÂÌÌ˚ı ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. äÓÏÂ ÚÓ„Ó, ÒÓÎÓ ÏÓÊÂÚ „‡ÏÓÌËÁËÓ‚‡Ú¸Òﬂ ËÙÙ‡ÏË Ò ÏÓ‰ËÙËˆËÓ‚‡ÌÌÓÈ ‡ÍÍÓ‰Ó‚ÓÈ ÒÚÛÍÚÛÓÈ. Ñ‡ÌÌ˚Â ÒÚËÎË
ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îﬂ ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËﬂÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓÎÂÂ ÔÓÙÂÒÒËÓÌ‡Î¸ÌÓ. èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ˝ÚËı ÒÚËÎÂÈ
ÌÂÓ·ıÓ‰ËÏÓ Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ÓÌË ÔÓ‰ıÓ‰ﬂÚ ÌÂ ‰Îﬂ ‚ÒÂı ÔÂÒÂÌ Ë ÌÂ ‰Îﬂ ‚ÒÂı Ê‡ÌÓ‚. èÓ˝ÚÓÏÛ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÓÔÂ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„˚ ‡ÍÍÓ‰‡ÏË
ÔËÏÂÌÂÌËÂ Ú‡ÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÂÚ ÓÍ‡Á‡Ú¸Òﬂ Ó¯Ë·ÍÓÈ Ë ‰‡ÊÂ ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËﬂÏ „‡ÏÓÌËË. Ç ÌÂÍÓÚÓ˚ı ÒËÚÛ‡ˆËﬂı ‚ÁﬂÚËÂ ÔÓÒÚÓ„Ó
Ï‡ÊÓÌÓ„Ó ÚÂÁ‚Û˜Ëﬂ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚ÓÒÔÓËÁ‚Â‰ÂÌË˛ ÒÂÔÚ‡ÍÍÓ‰‡ ÎË·Ó, Ì‡ÔËÏÂ, ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ Â„ËÒÚÂ ÏÓÊÂÚ ·˚Ú¸
Ó·˚„‡Ì ÌÂÓÊË‰‡ÌÌ˚Ï Ó·‡ÁÓÏ ËÎË ÌÂÔ‡‚ËÎ¸ÌÓ.
äÓÏ·Ó (Piano Combo!)
àÌÒÚÛÏÂÌÚ˚, Á‡‰ÂÈÒÚ‚Ó‚‡ÌÌ˚Â ‚ ˝ÚËı ÒÚËÎﬂı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ó·˚˜ÌÓ ﬂ‚Îﬂ˛ÚÒﬂ ÓÒÌÓ‚ÓÈ ‡ÒÔÓÒÚ‡ÌÂÌÌÓ„Ó ÚËÓ (ÙÓÚÂÔË‡ÌÓ, ·‡Ò Ë Û‰‡Ì˚Â). àÌÓ„‰‡ Í
ÌËÏ ÔËÒÓÂ‰ËÌﬂ˛ÚÒﬂ ‰Û„ËÂ ËÌÒÚÛÏÂÌÚ˚. èÓÒÍÓÎ¸ÍÛ Ï˚ ËÏÂÂÏ ‰ÂÎÓ Ò ÌÂ·ÓÎ¸¯ËÏ ‡ÌÒ‡Ï·ÎÂÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‡ÒÍÂÚË˜ÌÓ. ùÚÓ
ÏÓÊÌÓ ˝ÙÙÂÍÚÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ ‡‡ÌÊËÓ‚Í‡ı ÏÌÓÊÂÒÚ‚‡ Ò‡Ï˚ı ‡ÁÌ˚ı ÔÂÒÂÌ.
èË‡ÌËÒÚ (Pianist!)
ùÚË ÒÔÂˆË‡Î¸Ì˚Â ÒÚËÎË Ó·ÂÒÔÂ˜Ë‚‡˛Ú ÚÓÎ¸ÍÓ ÙÓÚÂÔË‡ÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˝ÙÙÂÍÚË‚ÌÓ ‚ÓÒÒÓÁ‰‡‚‡ﬂ ËÒÔÓÎÌÂÌËÂ ÎÂ‚ÓÈ ÛÍÓÈ ËÒÍÛÒÌÓ„Ó ÔË‡ÌËÒÚ‡.
ÇÓÒÔÓËÁ‚Ó‰ﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ‡ÍÍÓ‰˚ ÎÂ‚ÓÈ ÛÍÓÈ, ‚˚ ÏÓÊÂÚÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‰Ó·‡‚ÎﬂÚ¸ ÒÎÓÊÌ˚Â ‡ÔÂ‰ÊËÓ Ë ·‡Ò/Ù‡Á˚ ‡ÍÍÓ‰Ó‚, Ú‡ÍËÂ Í‡Í ÒÎÓÊÌ˚Â
ÙÓÚÂÔË‡ÌÌ˚Â Ô‡ÚËË ÒÚ‡È‰-ÒÚËÎﬂ.
64
CVP-210/208
ëÚËÎË
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÓÎ¸ÍÓ ËÚÏË˜ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎﬂ
èêàåÖóÄçàÖ
1
Ç˚·ÂËÚÂ ÒÚËÎ¸ (ÒÚ. 63).
êËÚÏË˜ÂÒÍËÂ Í‡Ì‡Î˚ (‰ÓÓÊÍË)
ﬂ‚Îﬂ˛ÚÒﬂ ÒÓÒÚ‡‚Ì˚ÏË ˜‡ÒÚﬂÏË
ÒÚËÎÂÈ. ÑÎﬂ Í‡Ê‰Ó„Ó ÒÚËÎﬂ
ÔËÏÂÌﬂ˛ÚÒﬂ ÓÒÓ·˚Â
ËÚÏË˜ÂÒÍËÂ ÛÁÓ˚.
èêàåÖóÄçàÖ
2
á‡ÔÛÒÍ ËÚÏ‡.
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌÍˆËﬂ
ÒËÌıÓÒÚ‡Ú‡ (Sync Start),
Á‡ÔÛÒÍ ËÚÏË˜ÂÒÍËı Í‡Ì‡ÎÓ‚
ÔÓËÁ‚Ó‰ËÚÒﬂ Ì‡Ê‡ÚËÂÏ Î˛·ÓÈ
ÍÎ‡‚Ë¯Ë (ÍÌÓÔÍ‡
[SYNC.START]).
OTS LINK
Ç˚ÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ.
3
à„‡ÈÚÂ Ò ‚ÍÎ˛˜ÂÌÌ˚Ï ËÚÏÓÏ.
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] Ë [TAP TEMPO].
ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍÂ [TAP TEMPO] Á‡‰‡ÂÚ ‚ÂÎË˜ËÌÛ ÚÂÏÔ‡.
èêàåÖóÄçàÖ
END
ÖÒÎË ‚˚·‡Ì‡ „ÛÔÔ‡ ÒÚËÎﬂ
«PIANIST», ËÚÏ ÌÂ
‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ. ÇÒÂ„‰‡
ÔÓ‚ÂﬂÈÚÂ, ‚ÍÎ˛˜ÂÌ ÎË ACMP,
ÍÓ„‰‡ ıÓÚËÚÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
Ó‰ÌËÏ ËÁ ˝ÚËı ÒÚËÎÂÈ.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ËÚÏ‡,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [START/STOP].
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË / ‚˚ÍÎ˛˜ÂÌËÂ Í‡Ì‡ÎÓ‚
ùÍ‡Ì BALANCE (·‡Î‡ÌÒ)
ó‡ÒÚ¸ MIC (ÏËÍÓÙÓÌ)
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì
BALANCE.
ó‡ÒÚ¸ STYLE (‡Á‰ÂÎ,
ÓÚ‚Â‰ÂÌÌ˚È ÔÓ‰
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
ó‡ÒÚË, ÍÓÚÓ˚Â Ë„‡˛ÚÒﬂ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ (MAIN/LAYER/LEFT)
ó‡ÒÚ¸ SONG (ÔÂÒÌﬂ)
éÚÂ„ÛÎËÛÈÚÂ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ˜‡ÒÚË.
BALANCE
CHANNEL
ON / OFF
ùÍ‡Ì CHANNEL ON/OFF
PART
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì
Channel ON/
OFF.
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì STYLE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [CHANNEL ON/OFF], ‡ Á‡ÚÂÏ
ÓÚÍÎ˛˜ËÚÂ ÌÂÌÛÊÌ˚È ËÌÒÚÛÏÂÌÚ. óÚÓ·˚ ÒÎÛ¯‡Ú¸ ÚÓÎ¸ÍÓ Ò‡Ï ËÌÒÚÛÏÂÌÚ,
Ì‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡, ˜ÚÓ·˚ Á‡‰‡Ú¸
Í‡Ì‡Î SOLO. ÑÎﬂ ÓÚÏÂÌ˚ SOLO Ì‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡
Â˘Â ‡Á.
èêàåÖóÄçàÖ
ä‡Ì‡Î
ìÍ‡Á˚‚‡ÂÚ Í‡Ì‡Î MIDI,
ËÒÔÓÎ¸ÁÛÂÏ˚È ‚ ÔÂÒÌÂ
(ÒÚ. 161). ä‡Ì‡Î˚
‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÒÎÂ‰Û˛˘ËÏ
Ó·‡ÁÓÏ.
èÂÒÌﬂ
1 - 16
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
CVP-210/208
65
ëÚËÎË
ÄÍÍÓ‰Ó‚‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÒÚËÎﬂ ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓ‰Ó‚ ÒÎÂ‚‡ ÓÚ ÚÓ˜ÍË ‡Á·ËÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚. çËÊÂ ÔË‚Â‰ÂÌÓ ÓÔËÒ‡ÌËÂ
ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎËÍ‡ÚÛ˚. èÂÂÈ‰ËÚÂ Ì‡ ÒÚ‡ÌËˆÛ CHORD FINGERING (ÒÚ. 142) Ë ‚˚·ÂËÚÂ Ó·˙ÂÍÚ Chord Fingerings (ÚËÔ˚
‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎËÍ‡ÚÛ˚). Ç˚ Û‚Ë‰ËÚÂ ‚‡Ë‡ÌÚ˚ ‡ÍÍÓ‰Ó‚ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË.
SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ)
Ñ‡ÌÌ˚È ‚‡Ë‡ÌÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔÂÍ‡ÒÌ˚Â ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı
‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊÂ ÒÂÔÚ‡ÍÍÓ‰Ó‚. èË ˝ÚÓÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ÎË¯¸ ÏËÌËÏÛÏ ÍÎ‡‚Ë¯ ‚ ‡Á‰ÂÎÂ ÍÎ‡‚Ë‡ÚÛ˚, ÓÚ‚Â‰ÂÌÌÓÏ
ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ‰‡ÌÌÓÏ ÂÊËÏÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÔÓ˘ÂÌÌ‡ﬂ ‡ÍÍÓ‰Ó‚‡ﬂ ‡ÔÔÎËÍ‡ÚÛ‡ (ÒÏ. ÌËÊÂ).
ÑÎﬂ ÚÓ„Ó ˜ÚÓ·˚ ‚ÁﬂÚ¸ Ï‡ÊÓÌ˚È ‡ÍÍÓ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ
‚ÁﬂÚ¸ ÎË¯¸ Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ.
óÚÓ·˚ ‚ÁﬂÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, Ì‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë ˜ÂÌÛ˛ ÍÎ‡‚Ë¯Û ÒÎÂ‚‡ ÓÚ ÌÂÂ.
óÚÓ·˚ ‚ÁﬂÚ¸ ÒÂÔÚ‡ÍÍÓ‰, Ì‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÍÎ‡‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë ·ÂÎÛ˛ ÍÎ‡‚Ë¯Û ÒÎÂ‚‡ ÓÚ ÌÂÂ.
óÚÓ·˚ ‚ÁﬂÚ¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, Ì‡ÊÏËÚÂ
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÍÎ‡‚Ë¯ÂÈ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ ·ÂÎÛ˛ Ë
˜ÂÌÛ˛ ÍÎ‡‚Ë¯Ë ÒÎÂ‚‡ ÓÚ ÌÂÂ.
MULTI FINGER (ÌÂÒÍÓÎ¸ÍËÏË Ô‡Î¸ˆ‡ÏË)
Ç ÂÊËÏÂ Multi Finger ‡ÔÔÎËÍ‡ÚÛ‡ ‡ÍÍÓ‰Ó‚, Á‡‰‡ÌÌ˚ı ÏÂÚÓ‰‡ÏË Single Finger Ë Fingered,
‡ÒÔÓÁÌ‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. ùÚÓ Û‰Ó·ÌÓ, Ú‡Í Í‡Í ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Î˛·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚
‡ÔÔÎËÍ‡ÚÛ˚ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÂÂÍÎ˛˜ÂÌËﬂ ÂÊËÏÓ‚. ÖÒÎË ‚ ÂÊËÏÂ MULTI FINGER
ÚÂ·ÛÂÚÒﬂ ‚ÁﬂÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ÒÂÔÚ‡ÍÍÓ‰ ËÎË ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ ÏÂÚÓ‰ÓÏ SINGLE
FINGER, ‚ÒÂ„‰‡ Ì‡ÊËÏ‡ÈÚÂ ˜ÂÌ˚Â/·ÂÎ˚Â ÍÎ‡‚Ë¯Ë, ·ÎËÊ‡È¯ËÂ Í ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡.
FINGERED (Ú‡‰ËˆËÓÌÌ˚È)
Ç ˝ÚÓÏ ÂÊËÏÂ ‚˚ ÏÓÊÂÚÂ ·‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡Á‰ÂÎÂ, ÓÚ‚Â‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÔË‚˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ. ç‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ ÔÂ‰ÒÚ‡‚ÎÂÌ ÒÔËÒÓÍ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚,
‡ÒÔÓÁÌ‡‚‡ÂÏ˚ı ‚ ÂÊËÏÂ Fingered.
FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)
Ñ‡ÌÌ˚È ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ ÚÛ ÊÂ ‡ÔÔÎËÍ‡ÚÛÛ, ˜ÚÓ Ë ÂÊËÏ FINGERED. éÚÎË˜ËÂ ÒÓÒÚÓËÚ ‚
ÚÓÏ, ˜ÚÓ Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÌÓÚ‡, Ò˚„‡ÌÌ‡ﬂ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ Í‡˜ÂÒÚ‚Â
·‡ÒÓ‚ÓÈ ÌÓÚ˚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ ‚ÓÁÏÓÊÌÓÒÚ¸ ·‡Ú¸ ‡ÍÍÓ‰˚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ.
ç‡ÔËÏÂ, ˜ÚÓ·˚ ÛÍ‡Á‡Ú¸ ‰Ó-Ï‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò ·‡ÒÓÏ «ÏË», ‚ÓÁ¸ÏËÚÂ ‡ÍÍÓ‰ Ú‡ÍËÏ Ó·‡ÁÓÏ,
˜ÚÓ·˚ «ÏË» ÓÍ‡Á‡Î‡Ò¸ Ò‡ÏÓÈ ÌËÁÍÓÈ ÌÓÚÓÈ (ÏË, ÒÓÎ¸, ‰Ó).
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ ‡ÒÔÓÁÌ‡‚‡ÌËﬂ
‡ÍÍÓ‰Ó‚ ‚ ÂÊËÏÂ AI Full
Keyboard (‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡)
ÔÓ‰‰ÂÊË‚‡ÂÚÒﬂ ‰Îﬂ ‡ÍÍÓ‰Ó‚
‰ÎËÚÂÎ¸ÌÓÒÚ¸˛ ÔËÏÂÌÓ ÓÚ
Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ. ÄÍÍÓ‰˚ ÏÂÌÂÂ
ÔÓ‰ÓÎÊËÚÂÎ¸ÌÓ„Ó Á‚Û˜‡ÌËﬂ,
˜ÂÏ Ó‰Ì‡ ‚ÓÒ¸Ï‡ﬂ, ÏÓ„ÛÚ ÌÂ
‡ÒÔÓÁÌ‡‚‡Ú¸Òﬂ.
èêàåÖóÄçàÖ
FULL KEYBOARD (‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡)
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎﬂÂÚ ‡ÒÔÓÁÌ‡‚‡Ú¸ ‡ÍÍÓ‰˚, ‚ÁﬂÚ˚Â ‚ Î˛·ÓÏ ÏÂÒÚÂ ÍÎ‡‚Ë‡ÚÛ˚. ê‡ÒÔÓÁÌ‡‚‡ÌËÂ
‡ÍÍÓ‰Ó‚ Ì‡ÔÓÏËÌ‡ÂÚ ÏÂÚÓ‰, ÔËÌﬂÚ˚È ‚ ÂÊËÏÂ Fingered. ÄÍÍÓ‰˚ ÓÔÂ‰ÂÎﬂ˛ÚÒﬂ ‰‡ÊÂ ‚ ÚÂı
ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒﬂ Ò‡ÁÛ ‰‚ÛÏﬂ ÛÍ‡ÏË: Ì‡ÔËÏÂ, ÍÓ„‰‡ ÎÂ‚ÓÈ ‚˚ ·ÂÂÚÂ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡
Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰ ·ÂÂÚÒﬂ ÎÂ‚ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏﬂ Í‡Í Ô‡‚‡ﬂ ‚Â‰ÂÚ
ÏÂÎÓ‰Ë˜ÂÒÍÛ˛ ÎËÌË˛.
Ç ÂÊËÏÂ Full Keyboard (‚Òﬂ
ÍÎ‡‚Ë‡ÚÛ‡) ‡ÍÍÓ‰
‡ÒÔÓÁÌ‡ÂÚÒﬂ ÔÓ ‰‚ÛÏ ÌËÊÌËÏ
ÌÓÚ‡Ï. ÖÒÎË Ó·Â ˝ÚË ÌÓÚ˚
‡ÒÔÓÎÓÊÂÌ˚ ‚ ÔÂ‰ÂÎ‡ı Ó‰ÌÓÈ
ÓÍÚ‡‚˚, ÓÌË ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ
Í‡Í ‡ÍÍÓ‰. ÖÒÎË ËÌÚÂ‚‡Î
ÏÂÊ‰Û ÌËÏË ÔÂ‚˚¯‡ÂÚ ÓÍÚ‡‚Û,
Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÌÓÚ‡ ÔËÌËÏ‡ÂÚÒﬂ
Á‡ ·‡Ò, ‡ ‡ÍÍÓ‰ ÓÔÂ‰ÂÎﬂÂÚÒﬂ
Ì‡ ÓÒÌÓ‚Â ‚ÚÓÓÈ ÌÓÚ˚ Ë ‰Û„Ëı
‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ÚÓÈ ÊÂ ÓÍÚ‡‚Â
ÌÓÚ.
AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏËÌ‡ÂÚ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓÂ ÓÚÎË˜ËÂ ÒÓÒÚÓËÚ ‚ ÚÓÏ,
˜ÚÓ ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁﬂÚ¸ ÌÂ ÚË ÌÓÚ˚, ‡ ÏÂÌ¸¯Â. ÑÎﬂ ‚ÓÒÒÓÁ‰‡ÌËﬂ ‡ÍÍÓ‰‡
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ Ò‚Â‰ÂÌËﬂ Ó ÔÓÒÎÂ‰ÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰.
AI
àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ
èêàåÖóÄçàÖ
AI FULL KEYBOARD (‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡)
èË ‚˚·ÓÂ ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÂÊËÏ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CVP-210/208 ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ ‚‡Ï ‚ÌÂ Á‡‚ËÒËÏÓÒÚË ÓÚ Ò˚„‡ÌÌ˚ı ‚‡ÏË ÌÓÚ Ë ‡Á‰ÂÎ‡ ÍÎ‡‚Ë‡ÚÛ˚. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË ÛÍ‡ÏË. Ç‡Ï
ÌÂ ÔË‰ÂÚÒﬂ ÛÚÛÊ‰‡Ú¸ ÒÂ·ﬂ ÛÍ‡Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ïÓÚﬂ ÂÊËÏ AI Full Keyboard ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ
‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËﬂ ÏÌÓ„ËÏ ÔÂÒÌﬂÏ, ‰Îﬂ ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ ÓÍ‡Á‡Ú¸Òﬂ ÌÂÔËÂÏÎÂÏ˚Ï.
Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏËÌ‡ÂÚ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓÂ ÓÚÎË˜ËÂ ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰‡
‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁﬂÚ¸ ÌÂ ÚË ÌÓÚ˚, ‡ ÏÂÌ¸¯Â. ÑÎﬂ ‚ÓÒÒÓÁ‰‡ÌËﬂ ‡ÍÍÓ‰‡ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ Ò‚Â‰ÂÌËﬂ Ó ÔÓÒÎÂ‰ÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰.)
ÄÍÍÓ‰˚ 9 Ë 11 ÔÓË„‡Ú¸ ÌÂÎ¸Áﬂ.
66
CVP-210/208
ëÚËÎË
íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚Â ‚ ÂÊËÏÂ Fingered (‚ Í‡˜ÂÒÚ‚Â ÔËÏÂ‡ ÔË‚Â‰ÂÌ˚ ‡ÍÍÓ‰˚ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó»)
CmM7
CmM7 9
(
)
(
(
C5
CM7 5
Cm7 9
Cm7 11
)
CM7aug
11
(
Caug
CM7
(
Csus4
CM7 9
CM7
)
C6
)
C9
)
C6 9
C
Cm9
Cm6
Cm7
Cm7 5
CmM7 5
Cdim
Cdim7
C7
C7 13
C7
9
C7 5
C7aug
C7sus4
)
)
)
(
(
(
ç‡Á‚‡ÌËÂ ‡ÍÍÓ‰‡ [ÒÓÍ‡˘ÂÌÌÓ]
èﬂÏÓÂ ËÁÎÓÊÂÌËÂ
ìÒÎÓ‚ÌÓÂ Ó·ÓÁÌ‡˜ÂÌËÂ
‡ÍÍÓ‰‡ (Ò ÓÒÌÓ‚Ì˚Ï
ÚÓÌÓÏ «‰Ó»)
å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ [M]
1-3-5
C
çÓÌ‡ÍÍÓ‰ [9]
1-2-3-5
C9
ëÂÍÒÚ‡ÍÍÓ‰ [6]
1 - (3) - 5 - 6
C6
ëÂÍÒÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [69]
1 - 2 - 3 - (5) - 6 or 3 - 6 - 2*
C69
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7]
1 - 3 - (5) - 7
CM7
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [M79]
11
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÛÌ‰ÂˆËÏÓÈ [M7
]
å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [ 5]
å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7 5]
1 - 2 - 3 - (5)j - 7
CM79
1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7
CM7
1 - 3 - 5
1 - 3 - 5 - 7
C 5
11
CM7 5
á‡‰ÂÊ‡ÌÌ‡ﬂ Í‚‡Ú‡ [sus4]
1-4-5
Csus4
ì‚ÂÎË˜ÂÌÌÓÂ ÚÂÁ‚Û˜ËÂ [aug]
1-3- 5
Caug
ì‚ÂÎË˜ÂÌÌ˚È Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7aug]
1 - (3) - 5 - 7
CM7aug
åËÌÓÌ˚È ÌÓÌ‡ÍÍÓ‰ [m9]
1 - 3 - 5
1 - 2 - 3 - 5
åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6]
1 - 3 - 5 - 6
Cm6
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7]
1 - 3 - (5) - 7
Cm7
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m79]
1 - 2 - 3 - (5) - 7 or 3 - 7 - 2
Cm79
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÛÌ‰ÂˆËÏÓÈ [m711]
1 - (2) - 3 - 4 - 5 - ( 7)
1 - 3 - (5) - 7
Cm711
åËÌÓÌÓÂ ÚÂÁ‚Û˜ËÂ [m]
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7]
Cm
Cm9
CmM7
åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7 5]
1 - 2 - 3 - (5) - 7
1 - 3 - 5 - 7
Cm7 5
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [mM7 5]
1 - 3 - 5 - 7
CmM7 5
å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [mM79]
1 - 3 - 5
1 - 3 - 5 - 6
ìÏÂÌ¸¯ÂÌÌÓÂ ÚÂÁ‚Û˜ËÂ [dim]
ìÏÂÌ¸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7]
CmM79
Cdim
Cdim7
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 9]
1 - 3 - (5) - 7 or 1 - (3) - 5 - 7
1 - 2 - 3 - (5) - 7
C7 9
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ ÚÂˆ‰ÂˆËÏÓÈ [7 13]
1 - 3 - 5 - 6 - 7
C7 13
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [79]
1 - 2 - 3 - (5) - 7 or 3 - 7 - 2*
C79
1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 C7 11
1 - 3 - (5) - 6 - 7 or 3 - 6 - 7
C713
9
ëÂÔÚ‡ÍÍÓ‰ [7]
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ ÛÌ‰ÂˆËÏÓÈ [7
11
]
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÚÂˆ‰ÂˆËÏÓÈ [713]
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7 9]
ÑÓÏËÌ‡ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 5]
1 - 2 - 3 - (5) - 7
1 - 3 - 5 - 7
C7
)
)
(
(
)
(
(
)
11
(
C7
C7 13
C7 9
)
)
(
)
(
C7 9
(
(
)
)
(
)
Cm
Csus2
èêàåÖóÄçàÖ
• çÓÚ˚, Á‡ÍÎ˛˜ÂÌÌ˚Â ‚
ÍÛ„Î˚Â ÒÍÓ·ÍË, ÏÓÊÌÓ ÌÂ
Ë„‡Ú¸.
• èË Ì‡Ê‡ÚËË ÚÂı
‡ÒÔÓÎÓÊÂÌÌ˚ı ﬂ‰ÓÏ
ÍÎ‡‚Ë¯ (‚ÍÎ˛˜‡ﬂ ˜ÂÌ˚Â) ‚
ÂÊËÏ‡ı FINGERED,
FINGERED ON BASS Ë AI
FINGERED, ‡ÍÍÓ‰ ÔÂÂÒÚ‡ÂÚ
Á‚Û˜‡Ú¸; ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ
·Û‰ÂÚ ÚÓÎ¸ÍÓ ËÚÏ (ÙÛÌÍˆËﬂ
Chord Cancel). í‡ÍËÏ
Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚÂ ‚ Î˛·ÓÈ
ÏÓÏÂÌÚ Ó„‡ÌË˜ËÚ¸ Ô‡ÚË˛
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ËÚÏË˜ÂÒÍËÏË ÙË„Û‡ÏË.
• ÇÁﬂ‚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ˜ÂÂÁ
ÓÍÚ‡‚Û, ‚˚ ÛÒÎ˚¯ËÚÂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È
ÎË¯¸ Ì‡ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ.
• ÇÁﬂ‚ ˜ËÒÚÛ˛ Í‚ËÌÚÛ (1 + 5),
‚˚ ÛÒÎ˚¯ËÚÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ,
ÓÒÌÓ‚‡ÌÌ˚È Ì‡ ÓÒÌÓ‚ÌÓÏ
ÚÓÌÂ Ë Í‚ËÌÚÂ.
• àÌÓ„‰‡ ÒÚËÎ¸
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ
ÏÂÌﬂÂÚÒﬂ ÔË
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÏ ‚ÁﬂÚËË
·ÎËÁÍËı ÔÓ Á‚Û˜‡ÌË˛
‡ÍÍÓ‰Ó‚ (Ì‡ÔËÏÂ, ÍÓ„‰‡
ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰
ÒÎÂ‰ÛÂÚ Á‡ ÏËÌÓÌ˚ÏË
ÚÂÁ‚Û˜ËﬂÏË).
• Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP210/208 ÔÂ‰ÛÒÏÓÚÂÌ‡
‚ÓÁÏÓÊÌÓÒÚ¸ Ó·Û˜ÂÌËﬂ
ËÒÔÓÎÌËÚÂÎﬂ ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â
‚ ÂÊËÏÂ Fingered. ÖÒÎË ‚‡Ò
ËÌÚÂÂÒÛÂÚ ÒÓ˜ÂÚ‡ÌËÂ
ÍÎ‡‚Ë¯ ‚ Í‡ÍÓÏ-ÎË·Ó ‡ÍÍÓ‰Â,
ÛÍ‡ÊËÚÂ Â„Ó Ì‡ ˝Í‡ÌÂ
CHORD FINGERING
(ÒÚ. 142), Ë ‚˚ Ò‡ÁÛ ÊÂ
Û‚Ë‰ËÚÂ, Í‡ÍËÂ ÍÎ‡‚Ë¯Ë
ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸.
C7
C7 5
ì‚ÂÎË˜ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [7aug]
1 - 3 - 5 - 7
ëÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂÊ‡ÌÌÓÈ Í‚‡ÚÓÈ [7sus4]
1 - 4 - 5 - 7
C7sus4
å‡ÊÓÌÓÂ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂÊ‡ÌÌÓÈ ÒÂÍÛÌ‰ÓÈ [sus2]
1-2-5
Csus2
C7aug
* ê‡ÒÔÓÁÌ‡ÂÚÒﬂ ÎË¯¸ ˝Ú‡ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·‡˘ÂÌËÂ). ÑÎﬂ ‡ÍÍÓ‰Ó‚, ÌÂ ÓÚÏÂ˜ÂÌÌ˚ı Á‚ÂÁ‰Ó˜ÍÓÈ, ‰ÓÔÛÒÚËÏ˚ Î˛·˚Â Ó·‡˘ÂÌËﬂ.
CVP-210/208
67
ëÚËÎË
Ä‡ÌÊËÓ‚Í‡ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
(óÄëíà: MAIN A/B/C/D (ÓÒÌÓ‚Ì‡ﬂ), INTRO (ËÌÚÓ‰ÛÍˆËﬂ), ENDING (ÙËÌ‡Î), BREAK (·ÂÈÍ))
CVP-210/208 ‡ÒÔÓÎ‡„‡ÂÚ ‡ÁÎË˜Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment
Sections), ÍÓÚÓ˚Â ÔÓÁ‚ÓÎﬂ˛Ú ‚‡¸ËÓ‚‡Ú¸ ‡‡ÌÊËÓ‚ÍÛ ‚ ÔÂ‰ÂÎ‡ı ÒÚËÎﬂ. ùÚË ˜‡ÒÚË Ì‡Á˚‚‡˛ÚÒﬂ
Intro (ËÌÚÓ‰ÛÍˆËﬂ), Main (ÓÒÌÓ‚Ì‡ﬂ), Break (·ÂÈÍ) Ë Ending (ÙËÌ‡Î). èÂÂıÓ‰ﬂ ‚ ÔÓˆÂÒÒÂ Ë„˚ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ, ‚˚ ÏÓÊÂÚÂ ÎÂ„ÍÓ ‚‚Ó‰ËÚ¸ ‚ Ò‚ÓË ‡‡ÌÊËÓ‚ÍË ˝ÎÂÏÂÌÚ ÔÓÙÂÒÒËÓÌ‡Î¸ÌÓ„Ó
ÓÚÌÓ¯ÂÌËﬂ Í ‰ËÌ‡ÏËÍÂ ‡Á‚ËÚËﬂ ÚÂÏ˚.
1
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÒÚËÎ¸ (ÒÚ. 63).
2
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
2-1 ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ ACMP.
2-3 ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ îÛÌÍˆËﬂ SYNC. START
‚ÍÎ˛˜ÂÌ‡.
2-2 ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO]. óÚÓ·˚ ˜‡ÒÚ¸ INTRO ÌÂ
‚ÓÒÔÓËÁ‚Ó‰ËÎ‡Ò¸ ‚ Ì‡˜‡ÎÂ ‡‡ÌÊËÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [INTRO].
3
ó‡ÒÚ¸ Intro Á‡ÔÛÒÍ‡ÂÚÒﬂ ÔÓ ÔÂ‚ÓÏÛ Ì‡Ê‡ÚË˛ ÍÎ‡‚Ë¯Ë ‚ ‡Á‰ÂÎÂ ÍÎ‡‚Ë‡ÚÛ˚,
ÓÚ‚Â‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÒÏÂÌﬂÂÚÒﬂ ˜‡ÒÚ¸˛ Main.
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
4
éÒÌÓ‚Ì˚Â ˜‡ÒÚË ÏÓÊÌÓ ÔÂÂÏÂ˘‡Ú¸.
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
D
OTS LINK
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·‡‚ÎﬂÚ¸ ÌÓ‚˚Â ·ÂÈÍË.
68
èêàåÖóÄçàÖ
Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÏÓÊÂÚ Ú‡ÍÊÂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÚÓÎ¸ÍÓ ‰Îﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ËÚÏË˜ÂÒÍËı
ÙË„Û (ÒÚ. 65).
CVP-210/208
SYNC.STOP SYNC.START START / STOP
• ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ
[INTRO], ‚ÓÒÔÓËÁ‚Â‰ÂÚÒﬂ
ËÌÚÓ‰ÛÍˆËﬂ (Intro) ‚
ÒÓÔÓ‚ÓÊ‰ÂÌËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
• èÓÍ‡Á‡ÌËﬂ ÍÌÓÔÓÍ ‚˚·Ó‡
˜‡ÒÚÂÈ – [BREAK], [INTRO],
[MAIN], [ENDING]
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰
– ˜‡ÒÚ¸ ÌÂ ‚˚·‡Ì‡.
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰
– ˜‡ÒÚ¸ ‚˚·‡Ì‡.
ë‚ÂÚÓ‰ËÓ‰ ÌÂ „ÓËÚ
– ˜‡ÒÚ¸ ÌÂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı
Ë ÌÂ ÏÓÊÂÚ ·˚Ú¸ ÔÓË„‡Ì‡.
• Ç˚ ÏÓÊÂÚÂ ‰ËÌ‡ÏË˜ÂÒÍË
ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
ÔÓÒÍÓÎ¸ÍÛ ÓÌ‡ ÏÓÊÂÚ
Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚,
ÔËÎÓÊÂÌÌÓÈ Í ÍÎ‡‚Ë¯‡Ï
(ÒÚ. 141).
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC.
START] ÔË ‚ÍÎ˛˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÓÌ
ÓÒÚ‡ÌÓ‚ËÚÒﬂ Ë ˆËÙÓ‚ÓÂ
ÔË‡ÌËÌÓ CVP-210/208
ÔÂÂÈ‰ÂÚ ‚ ÂÊËÏ ÓÊË‰‡ÌËﬂ
Ò ÙÛÌÍˆËÂÈ ÒËÌıÓÒÚ‡Ú‡.
• ÑÎﬂ ÔÂÂıÓ‰‡ ÓÚ ˜‡ÒÚË Í
˜‡ÒÚË ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÔÂ‰‡Î¸ (ÒÚ. 142).
• ó‡ÒÚ¸ Break ÔÓÁ‚ÓÎﬂÂÚ
Ó·Ó„‡ÚËÚ¸ ËÚÏË˜ÂÒÍËÈ ÛÁÓ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
‰ËÌ‡ÏË˜ÂÒÍËÏË ‚‡Ë‡ˆËﬂÏË
Ë ·ÂÈÍ‡ÏË. ùÚÓ ÔÓ‚˚¯‡ÂÚ
ÔÓÙÂÒÒËÓÌ‡ÎËÁÏ Á‚Û˜‡ÌËﬂ,
˜ÚÓ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ‰Îﬂ
‚˚ÒÚÛÔÎÂÌËÈ ‚ÊË‚Û˛. ÖÒÎË
ÔË ‚ÍÎ˛˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ‚˚
Ì‡ÊÏÂÚÂ ÍÌÓÔÍÛ [BREAK],
ËÚÏË˜ÂÒÍ‡ﬂ ‚ÒÚ‡‚Í‡ ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚Â‰ÂÌ‡ Â˘Â ‡Á.
• ÇÓ ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
·ÂÈÍ‡ ·Û‰ÂÚ ÏË„‡Ú¸
Ò‚ÂÚÓ‰ËÓ‰, ÛÍ‡Á˚‚‡˛˘ËÈ Ì‡
ÒÎÂ‰Û˛˘Û˛ ÔÓ ÔÓﬂ‰ÍÛ
˜‡ÒÚ¸ (MAIN A/B/C/D).
• ÖÒÎË ÔË ‚ÍÎ˛˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[AUTO FILLIN] ‚˚ Ì‡ÊÏÂÚÂ
Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ MAIN
[A][B][C][D] Ò‡ÁÛ ÔÓÒÎÂ
ÚÓ„Ó, Í‡Í ÓÚÁ‚Û˜ËÚ ÔÓÒÎÂ‰Ìﬂﬂ
‚ÓÒ¸Ï‡ﬂ ‚ Ú‡ÍÚÂ, ·ÂÈÍ
Ì‡˜ÌÂÚÒﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó
Ú‡ÍÚ‡.
ëÚËÎË
èêàåÖóÄçàÖ
ç‡˜ÌÂÚÒﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÍÓÌˆÓ‚ÍË. èÓ Á‡‚Â¯ÂÌËË ÙËÌ‡Î¸ÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
‚˚ÍÎ˛˜‡ÂÚÒﬂ. ÑÎﬂ ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡ÏÂ‰ÎÂÌËﬂ ÍÓÌˆÓ‚ÍË (ËÚ‡‰‡Ì‰Ó) ÏÓÊÌÓ Â˘Â ‡Á Ì‡Ê‡Ú¸
ÚÛ ÊÂ Ò‡ÏÛ˛ ÍÌÓÔÍÛ [ENDING/rit.] ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÍÓÌˆÓ‚ÍË.
END
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
Fade-in (ÔÓÒÚÂÔÂÌÌÓÂ ÛÒËÎÂÌËÂ Á‚ÛÍ‡) Ë Fade-out (ÔÓÒÚÂÔÂÌÌÓÂ Á‡ÚÛı‡ÌËÂ Á‚ÛÍ‡)
ëÛ˘ÂÒÚ‚ÛÂÚ Û‰Ó·Ì‡ﬂ ÙÛÌÍˆËﬂ Fade-in/Fade-out, ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ‰Ó·Ë‚‡Ú¸Òﬂ ÔÓÒÚÂÔÂÌÌÓ„Ó ÛÒËÎÂÌËﬂ
ËÎË Á‡ÚÛı‡ÌËﬂ Á‚ÛÍ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ Ò Ì‡‡ÒÚ‡˛˘ÂÈ
„ÓÏÍÓÒÚ¸˛, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [FADE IN/OUT], ‡ Á‡ÚÂÏ ‚ÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ SYNC. START
(ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, Â˘Â
‡Á Ì‡ÊÏËÚÂ ÚÛ ÊÂ ÍÌÓÔÍÛ.
óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÒÚÂÔÂÌÌÓÂ ÒÌËÊÂÌËÂ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏﬂ
Â„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ. ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÍÊÂ Á‡‰‡Ú¸ ‚ÂÏÂÌÌ˚Â Ô‡‡ÏÂÚ˚ (ÒÚ. 151).
éÒÚ‡ÌÓ‚Í‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ÔË ÒÌﬂÚËË ÛÍ Ò ÍÎ‡‚Ë‡ÚÛ˚ (SYNC. STOP)
ÇÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË Synchro Stop (ÒËÌıÓÌÌ‡ﬂ ÓÒÚ‡ÌÓ‚Í‡) ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÔË ÓÚÒÛÚÒÚ‚ËË Ì‡Ê‡Ú˚ı ÍÎ‡‚Ë¯ ‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÒÎÂ ÚÓ„Ó, Í‡Í
·Û‰ÂÚ Ì‡Ê‡Ú‡ Ó‰Ì‡ ËÁ ÍÎ‡‚Ë¯ ‚ ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÍÎ‡‚Ë‡ÚÛ˚, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒÚËÚÒﬂ ÒÌÓ‚‡.
1
ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ ACMP (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ).
2
ÇÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ SYNC. STOP (ÒËÌıÓÌÌ‡ﬂ ÓÒÚ‡ÌÓ‚Í‡). SYNC. START
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔÛÒÍ‡ÂÚÒﬂ ÔË ‚ÍÎ˛˜ÂÌËË SYNC. ÙÛÌÍˆËﬂ STOP ‚ÍÎ˛˜ÂÌ‡.
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
3
ëÚËÎ¸ Á‡ÔÛÒÚËÚÒﬂ Ò‡ÁÛ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ ‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
• á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ
ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ Ì‡Ê‡ÚËÂÏ
ÍÌÓÔÍË STYLE [START/STOP].
• óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ
ËÌÚÓ‰ÛÍˆËË (Intro) Ë ÙËÌ‡Î‡
(Ending), ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [E] Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ
(MAIN) (ÒÚ. 70).
• ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [INTRO]
‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÙËÌ‡Î‡, ˜‡ÒÚ¸ Intro Ì‡˜ÌÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ò‡ÁÛ ÔÓ
ÓÍÓÌ˜‡ÌËË ÙËÌ‡Î‡.
• ÖÒÎË ÔË ‚ÍÎ˛˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[AUTO FILLIN] ‚˚
Ì‡ÊËÏ‡ÂÚÂ ÍÌÓÔÍÛ MAIN ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÙËÌ‡Î‡, ·ÂÈÍ Ì‡˜ÌÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ
ÌÂÏÂ‰ÎÂÌÌÓ Ë ·Û‰ÂÚ
ÔÓË„˚‚‡Ú¸Òﬂ ‚ÏÂÒÚÂ Ò
ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚ¸˛.
• ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÌÓ
Á‡ÔÛÒÚËÚ¸, ËÒÔÓÎ¸ÁÛﬂ ÙËÌ‡Î
‚ÏÂÒÚÓ ËÌÚÓ‰ÛÍˆËË. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ‡‚ÚÓ‡ÍÍÓÏ‡ÌÂÏÂÌÚ
·Û‰ÂÚ ÔÓ‰ÓÎÊ‡Ú¸
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ÙËÌ‡Î¸ÌÓÈ
˜‡ÒÚË.
• ÖÒÎË ‚˚ Â¯ËÚÂ ÒÏÂÌËÚ¸
ÒÚËÎ¸ ‚ ÂÊËÏÂ
ÓÚÍÎ˛˜ÂÌÌÓ„Ó
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ
ÌÓ‚Ó„Ó ÒÚËÎﬂ ·Û‰ÂÚ ‚˚·‡Ì ÔÓ
ÛÏÓÎ˜‡ÌË˛. í‡ ÊÂ ÓÔÂ‡ˆËﬂ
ÔË ‚ÍÎ˛˜ÂÌÌÓÏ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ÌÂ
ÔË‚Ó‰ËÚ Í ÒÏÂÌÂ ÚÂÏÔ‡.
• èË ‚ÍÎ˛˜ÂÌÌÓÈ ÍÌÓÔÍÂ
STOP ACMP Ë ÓÚÍÎ˛˜ÂÌÌÓÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ
Í‡Í ·‡Ú¸ ‡ÍÍÓ‰˚, Ú‡Í Ë
‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌË˛
(ÒÚ. 141).
èêàåÖóÄçàÖ
îÛÌÍˆË˛ SYNC. STOP ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÔË
Í‡ÚÍÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË
ÍÎ‡‚Ë¯ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141).
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
4
è‡ÚËﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÓÒÚ‡Ì‡‚ÎË‚‡Ú¸Òﬂ ‚ÒﬂÍËÈ ‡Á ‚ Ô‡ÛÁ‡ı ÏÂÊ‰Û
Ô‡ÚËﬂÏË ÎÂ‚ÓÈ ÛÍË.
5
ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂÚÂ ÎÂ‚ÓÈ
ÛÍÓÈ ‡ÍÍÓ‰, Ô‡ÚËﬂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡˜ÌÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ò Ì‡˜‡Î‡.
END
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÒÌÓ‚‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [SYNC.
[STOP]/[SYNC. START].
èêàåÖóÄçàÖ
ëËÌıÓÌÌ‡ﬂ ÓÒÚ‡ÌÓ‚Í‡ ÌÂ
ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔË
‚˚·ÓÂ ÂÊËÏ‡ Full Keyboard/
AI Keyboard ËÎË ÔË ÓÚÍÎ˛˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
CVP-210/208
69
ëÚËÎË
Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰ÛÍˆËÈ Ë ÙËÌ‡ÎÓ‚ (INTRO/ENDING)
èêàåÖóÄçàÖ
1
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ
˝Í‡ÌÛ [MAIN], ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [DIRECT ACCESS], ‡
Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT].
A
B
C
D
E
2
3
D
E
Ç˚·ÂËÚÂ ËÌÚÓ‰ÛÍˆË˛
Ç˚·ÂËÚÂ ÙËÌ‡Î
Ä‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ÔÓË„˚‚‡ÌËÂ ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıÓ‰Â
ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: Auto Fill In
1
èÓË„‡ÈÚÂ ÒÚËÎ¸ Ò
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
ËÌÚÓ‰ÛÍˆËË (Intro)
ËÎË ÙËÌ‡Î‡ (Ending)
(ÒÚ. 30, 31).
èêàåÖóÄçàÖ
ÇÒÚ‡‚Í‡
äÓÓÚÍ‡ﬂ ÏÛÁ˚Í‡Î¸Ì‡ﬂ Ù‡Á‡,
ÔËÏÂÌﬂÂÏ‡ﬂ ‰Îﬂ ‚‡¸ËÓ‚‡ÌËﬂ ÒÚËÎﬂ.
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
èêàåÖóÄçàÖ
2
èÓË„‡ÈÚÂ ÒÚËÎ¸ Ë ÔÓÔÓ·ÛÈÚÂ ‚Ó ‚ÂÏﬂ Ë„˚ ÔÂÂÍÎ˛˜‡Ú¸ ˜‡ÒÚË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 30, 31).
ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÙË„Û‡ÏË ÓÒÌÓ‚ÌÓÈ
˜‡ÒÚË.
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
ÏÓÊÌÓ Ú‡ÍÊÂ Ì‡Ê‡Ú¸ Â˘Â ‡Á
ÍÌÓÔÍÛ MAIN.
èêàåÖóÄçàÖ
END
70
CVP-210/208
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ Auto Fill, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [AUTO FILLIN].
îÛÌÍˆË˛ Auto Fill In
(‡‚ÚÓÁ‡ÔÓÎÌÂÌËÂ) ÏÓÊÌÓ
‚ÂÏÂÌÌÓ ÓÚÍÎ˛˜ËÚ¸ ÔÛÚÂÏ
·˚ÒÚÓ„Ó ‰‚ÛÍ‡ÚÌÓ„Ó Ì‡Ê‡ÚËﬂ
ÍÌÓÔÍË, ÓÚÌÓÒﬂ˘ÂÈÒﬂ Í
ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓﬂ‰ÍÛ ˜‡ÒÚË.
ëÚËÎË
ç‡ÒÚÓÈÍ‡ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ (ÙÛÌÍˆËﬂ ONE TOUCH SETTING)
ì‰Ó·ÒÚ‚Ó ÙÛÌÍˆËË One Touch Setting (Ì‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ Ó·ÎÂ„˜‡ÂÚ ÔÓ‰·Ó Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘Ëı
‰Îﬂ ÒÚËÎﬂ ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡Ë‡ÌÚ‡ı, ÍÓÚÓ˚Â ÏÓÊÌÓ ‚˚·Ë‡Ú¸
·ÛÍ‚‡Î¸ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
ENDING rit.
MAIN
I
E
J
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
OTS LINK
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
ONE TOUCH SETTING
1
2
1
Ç˚·ÂËÚÂ ÒÚËÎ¸ (ÒÚ. 63).
2
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]).
3
4
3
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – Ì‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ‚˚·‡Ì‡.
ONE TOUCH SETTING
1
2
3
ëÚËÎ¸ Á‡ÔÛÒÚËÚÒﬂ Ò‡ÁÛ,
Í‡Í ÚÓÎ¸ÍÓ ‚˚ ‚ÓÁ¸ÏÂÚÂ
‡ÍÍÓ‰ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
4
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – Ì‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ
Í‡Ò‡ÌËÂ» ÌÂ ‚˚·‡Ì‡.
ë‚ÂÚÓ‰ËÓ‰ ÌÂ „ÓËÚ – ‰‡ÌÌ˚ı ÔÓ
Ì‡ÒÚÓÈÍÂ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ÌÂÚ.
äÌÓÔÍ‡ Ì‡ÒÚÓÈÍË ÌÂ ÙÛÌÍˆËÓÌËÛÂÚ.
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËﬂ ˆÂÎÓ„Ó ﬂ‰‡ ÓÚÌÓÒﬂ˘ËıÒﬂ Í
ÒÚËÎ˛ Ô‡‡ÏÂÚÓ‚ (Ì‡ÔËÏÂ, ÚÂÏ·‡, ˝ÙÙÂÍÚÓ‚ Ë Ú.‰.) èË ˝ÚÓÏ ÁÌ‡˜ÂÌËﬂ
Ô‡‡ÏÂÚÓ‚ ·ÂÛÚÒﬂ ËÁ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, ÍÛ‰‡ ÓÌË ·˚ÎË ‡ÌÂÂ Á‡ÌÂÒÂÌ˚.
äÓ„‰‡ ÒÚËÎ¸ ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ, ÙÛÌÍˆËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıÓÌÌÓ„Ó
Á‡ÔÛÒÍ‡ ‚ÍÎ˛˜‡˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. á‡ÔÛÒÍ ‚ÍÎ˛˜ËÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ô‡‡ÏÂÚ‡ı Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ÔË‚Â‰ÂÌ˚ ‚
Ò·ÓÌËÍÂ Ú‡·ÎËˆ (Ú‡·ÎËˆ‡ Ô‡‡ÏÂÚÓ‚).
4
ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
éÒÚ‡ÌÓ‚ËÚÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
STYLE
ACMP
AUTO FILLIN
BREAK
INTRO
ENDING / rit.
MAIN
A
B
C
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
5
èÓÔÓ·ÛÈÚÂ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Í‡ÍËÂ-ÌË·Û‰¸ ‰Û„ËÂ Ì‡ÒÚÓÈÍË. Ç˚ ÏÓÊÂÚÂ Ú‡ÍÊÂ
ÒÓÁ‰‡Ú¸ Ì‡ÒÚÓÈÍÛ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ (ÒÚ. 72).
ONE TOUCH SETTING
1
2
3
4
CVP-210/208
71
ëÚËÎË
Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÒÏÂÌ‡ Ì‡ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: OTS Link
ì‰Ó·ÒÚ‚Ó ÙÛÌÍˆËË OTS Link (ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ì‡ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ÏÂÌﬂÚ¸ Ì‡ÒÚÓÈÍË
ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (A – D).
1
2
AUTO FILLIN
OTS LINK
END
èêàåÖóÄçàÖ
èË ˝ÚÓÏ ‚˚ÁÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË
ÔÓËÁ‚Ó‰ËÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
ó‡ÒÚË Main A, B, C Ë D ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï 1, 2,
3 Ë 4 ÙÛÌÍˆËË One Touch Settings ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
ëÏÂÌ‡ Ì‡ÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â
ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÂÚ
ÔÓËÒıÓ‰ËÚ¸ ‚ ‡ÁÌÓÂ ‚ÂÏﬂ
(ÒÚ. 141):
• Ò‡ÁÛ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˝ÚÓÈ
˜‡ÒÚË;
• Ò Ì‡˜‡ÎÓÏ ÒÎÂ‰Û˛˘Â„Ó
(ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË)
Ú‡ÍÚ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
óÚÓ·˚ ‚˚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ OTS Link, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [OTS LINK].
ëÓÁ‰‡ÌËÂ ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» (ONE TOUCH SETTING)
ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚ﬂ˘ÂÌ ÒÓÁ‰‡ÌË˛ ÒÓ·ÒÚ‚ÂÌÌ˚ı Ì‡ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» (˜ÂÚ˚Â Ì‡ÒÚÓÈÍË Ì‡ ÒÚËÎ¸). ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ
Ó Ô‡‡ÏÂÚ‡ı Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ÔË‚Â‰ÂÌ˚ ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (Ú‡·ÎËˆ‡ Ô‡‡ÏÂÚÓ‚).
1
Ç˚·ÂËÚÂ ÒÚËÎ¸.
2
4
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] – [4].
éÚÂ‰‡ÍÚËÛÈÚÂ
Ô‡‡ÏÂÚ˚ Ì‡ÒÚÓÈÍË Ò
ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ Ì‡ ÔÂÂ‰ÌÂÈ
Ô‡ÌÂÎË.
3
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[MEMORY].
MEMORY
ONE TOUCH SETTING
1
2
3
4
ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔÓÏËÌ‡ÌËÂ Ú‡ÍËı Ô‡‡ÏÂÚÓ‚, Í‡Í Voice (ÚÂÏ·), Harmony („‡ÏÓÌËﬂ) Ë Pedal (ÔÂ‰‡Î¸).
èêàåÖóÄçàÖ
END
72
èÓﬂ‚ÎﬂÂÚÒﬂ ÔÂ‰ÎÓÊÂÌËÂ ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËÎ¸. Ç˚·ÂËÚÂ ÓÚ‚ÂÚ
‚‡Ë‡ÌÚ YES, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ STYLE, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚÂ Ô‡‡ÏÂÚ˚
Ì‡ÒÚÓÈÍË (ÒÚ. 40, 48).
CVP-210/208
çÂÒÓı‡ÌÂÌÌ˚Â ÁÌ‡˜ÂÌËﬂ
Ô‡‡ÏÂÚÓ‚ ÒÚË‡˛ÚÒﬂ ÔË
ÔÂÂıÓ‰Â Í ‰Û„ÓÏÛ ÒÚËÎ˛
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ëÚËÎË
Ç˚ÁÓ‚ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Music Finder
Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚Â ÍÓÌÙË„Û‡ˆËË ÁÌ‡˜ÂÌËÈ Ú‡ÍËı
Ô‡‡ÏÂÚÓ‚, Í‡Í, Ì‡ÔËÏÂ, ÚÂÏ·, ÒÚËÎ¸ ËÎË Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ». ÑÎﬂ ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ
ÎË¯¸ ‚˚·‡Ú¸ Ì‡Á‚‡ÌËÂ ÔÂÒÌË. ÖÒÎË ÚÂ·ÛÂÚÒﬂ ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔÂ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ ÌÂ
ÁÌ‡ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ Ë ÒÚËÎﬂ, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ.
«á‡ÔËÒ¸», ÒÓÒÚÓﬂ˘Û˛ ËÁ ÂÍÓÏÂÌ‰ÛÂÏ˚ı ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚, ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë
ÒÓı‡ÌﬂÚ¸. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡‚‡Ú¸ Ë ÒÓı‡ÌﬂÚ¸ Á‡ÔËÒË Music Finder
‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ ·Û‰Û˘ÂÏ.
èêàåÖóÄçàÖ
á‡ÔËÒË Ë ‰ÂÈÒÚ‚Ëﬂ Ò ÌËÏË,
ÔË‚Â‰ÂÌÌ˚Â ‚ ÓÔËÒ‡ÌËË
ÙÛÌÍˆËË MUSIC FINDER, ‰‡Ì˚
ÎË¯¸ ‰Îﬂ ÔËÏÂ‡. Ç˚ ÏÓÊÂÚÂ
Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ Á‡‰‡‚‡Ú¸
Ô‡‡ÏÂÚ˚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
Î˛·ËÏ˚ı ÔÂÒÂÌ.
èêàåÖóÄçàÖ
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
STYLE
L
VOICE
DEMO
TRACK 1
R
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
C
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING rit.
D
I
E
J
SYNC.STOP SYNC.START START STOP
1
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
FREEZE
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
MUSIC FINDER
1
2
3
4
5
6
7
8
MEMORY
MUSIC FINDER
1
2
ONE TOCTH SETTING
MUSIC FINDER
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
DIGITAL
STUDIO
èÓÏÌËÚÂ, ˜ÚÓ Music Finder
ﬂ‚ÎﬂÂÚÒﬂ ÔÓÏÓ˘ÌËÍÓÏ, ÍÓÚÓ˚È
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ıÓ‰ËÚ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÒÚËÎË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÚÂÏ·‡ ‰Îﬂ
‚‡¯Â„Ó ËÒÔÓÎÌÂÌËﬂ. ïÓÚﬂ ‚˚
ÏÓÊÂÚÂ Á‡‰‡Ú¸ Ì‡Á‚‡ÌËﬂ ÔÂÒÂÌ,
Ò‡ÏË ÔÂÒÌË Ú‡Ï ÌÂ ÒÓ‰ÂÊ‡ÚÒﬂ.
Ç˚·ÂËÚÂ Á‡ÔËÒ¸. ÇÓÁ¸ÏËÚÂ, Ì‡ÔËÏÂ,
‚ÂıÌ˛˛ Á‡ÔËÒ¸ ‚ ÒÔËÒÍÂ Ë ÔËÏÂÌËÚÂ Í ÌÂÈ
ÂÍÓÏÂÌ‰Ó‚‡ÌÌ˚Â Ì‡ÒÚÓÈÍË, Ì‡Ê‡‚ ÍÌÓÔÍÛ [1].
Ñ‡ÌÌ˚Â, ÍÓÚÓ˚Â ‚˚ Û‚Ë‰ËÚÂ, Ë Ì‡Á˚‚‡˛ÚÒﬂ
«Á‡ÔËÒ¸˛».
All (‚ÒÂ) ..............................éÚÓ·‡ÊÂÌËÂ ‚ÒÂı Á‡ÔËÒÂÈ.
FAVORITE (Î˛·ËÏ˚Â) ......Ç˚‚Ó‰ Ì‡ ˝Í‡Ì ‚ÒÂı Á‡ÔËÒÂÈ Ì‡ ÒÚ‡ÌËˆÂ «Favorite».
SEARCH1,2 (ÔÓËÒÍ 1,2) .....éÚÓ·‡ÊÂÌËÂ ÂÁÛÎ¸Ú‡ÚÓ‚ ÙÛÌÍˆËË SEARCH (ÔÓËÒÍ) (ÒÚ. 74).
F
äÌÓÔÍ‡ ÒÓÚËÓ‚ÍË Á‡ÔËÒÂÈ
MUSIC (Ì‡Á‚‡ÌËÂ)... á‡ÔËÒË ÒÓÚËÛ˛ÚÒﬂ ÔÓ Ì‡Á‚‡ÌËﬂÏ ÔÂÒÂÌ.
STYLE (ÒÚËÎ¸) ......... á‡ÔËÒË ÒÓÚËÛ˛ÚÒﬂ ÔÓ Ì‡Á‚‡ÌËﬂÏ ÒÚËÎÂÈ.
BEAT (‡ÁÏÂ) ........ á‡ÔËÒË ÒÓÚËÛ˛ÚÒﬂ ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔËÒ‡Ì‡
ÔÂÒÌﬂ.
TEMPO (ÚÂÏÔ) ......... á‡ÔËÒË ÒÓÚËÛ˛ÚÒﬂ ÔÓ ÚÂÏÔÛ.
G
H
I
J
óËÒÎÓ Á‡ÔËÒÂÈ
Ì‡ ÒÚ‡ÌËˆÂ.
1
2
3
4
5
Ç˚·ÂËÚÂ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡ÌË˛ ÔÂÒÌË.
ëÓÚËÛﬂ Á‡ÔËÒË ÔÓ Ì‡Á‚‡ÌËﬂÏ ÔÂÒÂÌ,
ÏÓÊÌÓ ÔÂÂÏÂ˘‡Ú¸Òﬂ ÔÓ ‡ÎÙ‡‚ËÚÌÓÏÛ
ÒÔËÒÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1▲▼]. óÚÓ·˚
ÔÂÂÈÚË Í ÔÂ‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [▲▼].
6
7
8
àÁÏÂÌÂÌËÂ ÔÓﬂ‰Í‡ ÒÎÂ‰Ó‚‡ÌËﬂ Á‡ÔËÒÂÈ (ÔÓ
‚ÓÁ‡ÒÚ‡ÌË˛ ËÎË Û·˚‚‡ÌË˛).
äÌÓÔÍ‡ ‰Ó·‡‚ÎÂÌËﬂ ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE
èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [H] , ÔÓﬂ‚ÎﬂÂÚÒﬂ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ «Add selected
data to the favorite list? YES/NO». óÚÓ·˚ Á‡ÌÂÒÚË ‚˚‰ÂÎÂÌÌÛ˛
ÒÚ‡ÌËˆÛ Ì‡ ÒÚ‡ÌËˆÛ «FAVORITE», ‚˚·ÂËÚÂ ÓÚ‚ÂÚ [YES].
ÑÎﬂ Û‰‡ÎÂÌËﬂ ‰Ó·‡‚ÎÂÌÌÓÈ Á‡ÔËÒË, ‚˚·ÂËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
Á‡ÔËÒ¸ Ì‡ ÒÚ‡ÌËˆÂ «FAVORITE» Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [H] (DELETE
FROM FAVORITE).
èÓËÒÍ Á‡ÔËÒÂÈ. Ç‚Â‰ËÚÂ ÛÒÎÓ‚ËÂ ÔÓËÒÍ‡ Ì‡ ˝Í‡ÌÂ MUSIC FINDER
SEARCH (ÒÚ. 74). êÂÁÛÎ¸Ú‡Ú˚ SEARCH 1 (ÔÂ‚Ó„Ó ÔÓËÒÍ‡) ËÎË 2
(‚ÚÓÓ„Ó ÔÓËÒÍ‡) ÓÚÓ·‡Ê‡˛ÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ ÒÚ‡ÌËˆ‡ı
«SEARCH 1» ËÎË «SEARCH 2».
äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MUSIC FINDER RECORD EDIT (ÒÚ. 75) (˝Í‡Ì
Â‰‡ÍÚËÓ‚‡ÌËﬂ ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË).
ÇÍÎ˛˜ÂÌËÂ/ÓÚÍÎ˛˜ÂÌËÂ ÍÌÓÔÍË TEMPO LOCK. îÛÌÍˆËﬂTEMPO LOCK ÔÓÁ‚ÓÎﬂÂÚ ËÁ·ÂÊ‡Ú¸
ËÁÏÂÌÂÌËﬂ ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔË ‚˚·ÓÂ ‰Û„ÓÈ Á‡ÔËÒË. ÇÍÎ˛˜ÂÌËÂ/
ÓÚÍÎ˛˜ÂÌËÂ ‰‡ÌÌÓÈ ÙÛÌÍˆËË ‚ÎËﬂÂÚ Ì‡ ‚ÒÂ ÒÚ‡ÌËˆ˚ (ALL/FAVORITE/SEARCH 1/SEARCH 2).
Ç˚·ÂËÚÂ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡ÌË˛ ÔÂÒÌË. èË ÒÓÚËÓ‚ÍÂ Á‡ÔËÒÂÈ ÔÓ Ì‡Á‚‡ÌËﬂÏ ÔÂÒÂÌ ˝ÚË ÍÌÓÔÍË ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ
‰Îﬂ ‚˚·Ó‡ ÒÚËÎÂÈ (ÔÂ‰˚‰Û˘ËÈ ÒÚËÎ¸/ÒÎÂ‰Û˛˘ËÈ ÒÚËÎ¸). óÚÓ·˚ ÔÂÂÈÚË Í ÔÂ‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [▲▼].
èêàåÖóÄçàÖ
3
éˆÂÌËÚÂ Á‚Û˜‡ÌËÂ ÒÚËÎﬂ (ÒÚ. 64).
á‡ÔËÒË ÏÓÊÌÓ ‚˚·Ë‡Ú¸,
‚‡˘‡ﬂ ‰ËÒÍ ÛÔ‡‚ÎÂÌËﬂ [DATA
ENTRY] Ë Ì‡ÊËÏ‡ﬂ ÍÌÓÔÍÛ
[ENTER] ‰Îﬂ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
‚˚·Ó‡.
CVP-210/208
73
ëÚËÎË
èÓËÒÍ Ì‡Ë·ÓÎÂÂ Û‰‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder
àÒÍ‡Ú¸ Á‡ÔËÒË ÏÓÊÌÓ ÔÓ Ì‡Á‚‡ÌË˛ ÍÓÏÔÓÁËˆËË ËÎË ÔÓ ÍÎ˛˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛÎ¸Ú‡Ú˚ ÔÓËÒÍ‡ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì.
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[I] (SEARCH 1)
ËÎË ÍÌÓÔÍÛ [J]
(SEARCH 2) Ì‡
˝Í‡ÌÂ MUSIC
FINDER.
2
Ç‚Â‰ËÚÂ ÛÒÎÓ‚Ëﬂ
ÔÓËÒÍ‡ (ÒÏ. ÌËÊÂ), ‡
Á‡ÚÂÏ Á‡ÔÛÒÚËÚÂ
ÔÓ„‡ÏÏÛ ÔÓËÒÍ‡,
Ì‡Ê‡‚ ÍÌÓÔÍÛ
[START SEARCH].
äÌÓÔÍ‡ Á‡ÔÛÒÍ‡ ÔÓËÒÍÓ‚Ó„Ó
ÔÓˆÂÒÒ‡. êÂÁÛÎ¸Ú‡Ú˚,
Û‰Ó‚ÎÂÚ‚Óﬂ˛˘ËÂ ‚ÒÂÏ
ÛÒÎÓ‚ËﬂÏ ÔÓËÒÍ‡, ‚˚‚Ó‰ﬂÚÒﬂ
Ì‡ ÒÚ‡ÌËˆÂ SEARCH.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
Ô‡‡ÏÂÚ‡ı ÔÓËÒÍ‡ ÔË‚Â‰ÂÌ˚
ÌËÊÂ.
■
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
8
[A] MUSIC (ÍÓÏÔÓÁËˆËﬂ)
èÓËÒÍ ÔÓ Ì‡Á‚‡ÌË˛ ÍÓÏÔÓÁËˆËË. ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
Ì‡Á‚‡ÌËﬂ ÔÂÒÌË.
Ç ÂÊËÏÂ ÔÓËÒÍ‡ ÔÓ Ì‡Á‚‡ÌË˛ ÍÓÏÔÓÁËˆËË (ÒÚ. 49) ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ ÍÓÏÔÓÁËˆËË,
ÒÓ‰ÂÊ‡˘ËÂ ‚ Ì‡Á‚‡ÌËË Á‡‰‡ÌÌÓÂ ÒÎÓ‚Ó (ÒÎÓ‚‡).
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[B] KEYWORD (ÍÎ˛˜Â‚ÓÂ ÒÎÓ‚Ó)
èÓËÒÍ ÔÓ ÍÎ˛˜Â‚ÓÏÛ ÒÎÓ‚Û. ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ ÍÎ˛˜Â‚Ó„Ó
ÒÎÓ‚‡.
Ç ÂÊËÏÂ ÔÓËÒÍ‡ ÔÓ ÍÎ˛˜Â‚ÓÏÛ ÒÎÓ‚Û (ÒÚ. 49) ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ ÍÓÏÔÓÁËˆËË,
ÒÓ‰ÂÊ‡˘ËÂ Á‡‰‡ÌÌÓÂ ÒÎÓ‚Ó (ÒÎÓ‚‡). èÓËÒÍ ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ Ò‡ÁÛ ÔÓ ÌÂÒÍÓÎ¸ÍËÏ
ÍÎ˛˜Â‚˚Ï ÒÎÓ‚‡Ï, ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔﬂÚÓÈ. îÛÌÍˆËﬂ ÔÓËÒÍ‡ Ì‡ıÓ‰ËÚ Ë ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ‚ÒÂ Á‡ÔËÒË, ÒÓ‰ÂÊ‡˘ËÂ ıÓÚﬂ ·˚ Ó‰ÌÓ ËÁ
Á‡‰‡ÌÌ˚ı ÒÎÓ‚.
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[C] STYLE
èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒﬂ ÔÓ ËÏÂÌË ÒÚËÎﬂ. ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT.
ê‡ÒÔÓÎÓÊÂÌÌ˚Â Ì‡ ˝Í‡ÌÂ ÍÌÓÔÍË [A] - [J] ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚ‡
ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÈÚË ‚ÒÂ ÔÂÒÌË, ‚ ÍÓÚÓ˚ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÓÔÂ‰ÂÎÂÌÌ˚È ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..
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èêàåÖóÄçàÖ
ùÍ‡Ì STYLE FILE SELECT
ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÎË¯¸ ‰Îﬂ
ÔÓËÒÍ‡ ÔÓ Ì‡Á‚‡ÌË˛ ÒÚËÎﬂ;
‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛
ÌÂ‚ÓÁÏÓÊÌÓ.
[D] BEAT (‡ÁÏÂ)
èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒﬂ ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔËÒ‡Ì‡ ÍÓÏÔÓÁËˆËﬂ, ËÎË ÔÓ ı‡‡ÍÚÂÌÓÏÛ ‰Îﬂ ÌÂÂ ËÚÏË˜ÂÒÍÓÏÛ ËÒÛÌÍÛ.
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[E] SEARCH AREA (Ó·Î‡ÒÚ¸ ÔÓËÒÍ‡)
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚˚·‡Ú¸ Ó·Î‡ÒÚ¸ ÔÓËÒÍ‡. èÓËÒÍ ÏÓÊÌÓ Â˘Â ·ÓÎÂÂ ÒÛÁËÚ¸, ÂÒÎË ‚˚·‡Ú¸ Ô‡‡ÏÂÚ SEARCH 1 ËÎË 2.
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[F]~[H] CLEAR (Û‰‡ÎÂÌËÂ Ó·˙ÂÍÚ‡)
ùÚ‡ ÍÌÓÔÍ‡ Û‰‡ÎﬂÂÚ ‚‚Â‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ ÒÎÂ‚‡.
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[1▲▼] TEMPO FROM (ÚÂÏÔ, Ì‡˜ËÌ‡ﬂ Ò...)
åÓÊÌÓ ÒÛÁËÚ¸ Ó·Î‡ÒÚ¸ ÔÓËÒÍ‡, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚‚ÂÒÚË ÁÌ‡˜ÂÌËÂ ÏËÌËÏ‡Î¸ÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁËˆËÈ. óÚÓ·˚ Á‡‰‡Ú¸ ÏËÌËÏ‡Î¸ÌÓ ‚ÓÁÏÓÊÌÓÂ ÁÌ‡˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [▲▼].
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[2▲▼] TEMPO TO (ÚÂÏÔ, Á‡Í‡Ì˜Ë‚‡ﬂ...)
åÓÊÌÓ ÒÛÁËÚ¸ Ó·Î‡ÒÚ¸ ÔÓËÒÍ‡, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚‚ÂÒÚË ÁÌ‡˜ÂÌËÂ Ï‡ÍÒËÏ‡Î¸ÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı
ÍÓÏÔÓÁËˆËÈ. óÚÓ·˚ Á‡‰‡Ú¸ Ï‡ÍÒËÏ‡Î¸ÌÓ ‚ÓÁÏÓÊÌÓÂ ÁÌ‡˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË [▲▼].
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[3▲▼]~[5▲▼] GENRE (Ê‡Ì)
ìÍ‡Á‡ÌËÂ ËÒÍÓÏÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı ÁÌ‡˜ÂÌËÈ ‚ÍÎ˛˜‡ÂÚ: ‚ÒÂ Ê‡Ì˚ (ANY), ‚ÒÚÓÂÌÌ˚Â Ê‡Ì˚, ‡ Ú‡ÍÊÂ Î˛·˚Â Ê‡Ì˚,
Ì‡Á‚‡ÌËﬂ ÍÓÚÓ˚ı ‚˚ ‚‚Â‰ÂÚÂ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ (ÒÚ. 73).
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[8▼] CANCEL (ÓÚÏÂÌ‡)
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ÏÓÊÂÚÂ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
74
CVP-210/208
ëÚËÎË
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒÂÈ: Music Finder
ç‡ ˝ÚÓÏ ˝Í‡ÌÂ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÂ Á‡ÔËÒË Ë ÓÚÂ‰‡ÍÚËÓ‚‡Ú¸ Ëı. Ç˚ ÏÓÊÂÚÂ
Ú‡ÍÊÂ ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚Â Á‡ÔËÒË.
1
2
ç‡ ˝Í‡ÌÂ
MUSIC FINDER
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[8▲▼]
(RECORD EDIT).
èêàåÖóÄçàÖ
äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ËÎË
Û‰‡ÎËÚ¸ Á‡ÔËÒ¸, ‚ÌÂÒÂÌÌÛ˛
ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ. óÚÓ·˚ ËÁ·ÂÊ‡Ú¸
ËÁÏÂÌÂÌËﬂ (Û‰‡ÎÂÌËﬂ)
Â‰‡ÍÚËÛÂÏÓÈ Á‡ÔËÒË, ÔÓ
ÓÍÓÌ˜‡ÌËË Â‰‡ÍÚËÓ‚‡ÌËﬂ
ÒÓı‡ÌËÚÂ ÂÂ ÔÓ‰ ‰Û„ËÏ ËÏÂÌÂÏ.
àÁÏÂÌËÚÂ ËÎË Û‰‡ÎËÚÂ Á‡ÔËÒ¸. äÓÏÂ ÚÓ„Ó, ‚˚
ÏÓÊÂÚÂ Á‡Â„ËÒÚËÓ‚‡Ú¸ ÌÓ‚˚Â Á‡ÔËÒË.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó·Ó ‚ÒÂı
Ô‡‡ÏÂÚ‡ı Ë ÓÔÂ‡ˆËﬂı ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
èêàåÖóÄçàÖ
A
F
B
G
C
H
D
I
E
J
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2
3
4
5
6
7
8
ÇÒÂ Á‡ÔËÒË ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚
‚Ë‰Â Ó‰ÌÓ„Ó Ù‡ÈÎ‡ (ÒÚ. 154). èË
‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡ÈÎ‡ ÔÓﬂ‚ÎﬂÂÚÒﬂ
‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ò ÔÂ‰ÎÓÊÂÌËÂÏ
Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË
‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸ ‚ ÍÓÌÂˆ
ÒÚ‡ÓÈ.
• á‡ÏÂÌËÚ¸:
ÇÒÂ ÚÂÍÛ˘ËÂ Á‡ÔËÒË Music Finder
Û‰‡Îﬂ˛ÚÒﬂ Ë Á‡ÏÂÌﬂ˛ÚÒﬂ
Á‡ÔËÒﬂÏË, ÒÓ‰ÂÊ‡˘ËÏËÒﬂ ‚
‚˚‰ÂÎÂÌÌÓÏ Ù‡ÈÎÂ.
• ÑÓ·‡‚ËÚ¸:
çÓ‚˚Ï Á‡ÔËÒﬂÏ ÔËÒ‚‡Ë‚‡˛ÚÒﬂ
Ò‚Ó·Ó‰Ì˚Â ÌÓÏÂ‡.
[A] MUSIC (ÍÓÏÔÓÁËˆËﬂ)
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ì‡Á‚‡ÌËﬂ ÍÓÏÔÓÁËˆËË. ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
Ì‡Á‚‡ÌËﬂ ÔÂÒÌË. ç‡ÊÏËÚÂ ÂÂ, ‡ Á‡ÚÂÏ ‚‚Â‰ËÚÂ ÌÓ‚ÓÂ Ì‡Á‚‡ÌËÂ.
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[B] KEYWORD (ÍÎ˛˜Â‚ÓÂ ÒÎÓ‚Ó)
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÍÎ˛˜Â‚Ó„Ó ÒÎÓ‚‡. ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡
ÍÎ˛˜Â‚Ó„Ó ÒÎÓ‚‡. ç‡ÊÏËÚÂ ÂÂ, ‡ Á‡ÚÂÏ ‚‚Â‰ËÚÂ ÌÓ‚ÓÂ Ì‡Á‚‡ÌËÂ.
Ç‚Ó‰ËÚ¸ ÏÓÊÌÓ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ ÍÎ˛˜Â‚˚ı ÒÎÓ‚, ‡Á‰ÂÎÂÌÌ˚ı Á‡ÔﬂÚÓÈ.
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[C] STYLE
êÂ‰‡ÍÚËÓ‚‡ÌËÂ (ÒÚËÎ¸) ËÏÂÌË ÒÚËÎﬂ. èË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË ‚ÒÂ„‰‡ ÒÎÂ‰ÛÂÚ ‚‚Ó‰ËÚ¸ ËÏﬂ.
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚Â Ì‡ ˝Í‡ÌÂ ÍÌÓÔÍË [A]
through [J] ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ÒÚËÎ¸, ÍÓÚÓ˚È ÚÂ·ÛÂÚÒﬂ ËÁÏÂÌËÚ¸, Û‰‡ÎËÚ¸ ËÎË Á‡Â„ËÒÚËÓ‚‡Ú¸.
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[D] BEAT (‡ÁÏÂ)
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ‡ÁÏÂ‡, ‚ ÍÓÚÓÓÏ ·˚Î‡ Ì‡ÔËÒ‡Ì‡ ÍÓÏÔÓÁËˆËﬂ. èË ‚˚·ÓÂ ‰Û„Ó„Ó Ù‡ÈÎ‡ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ÂÂ ÁÌ‡˜ÂÌËÂ ‡ÁÏÂ‡ Á‡ÏÂÌﬂÂÚÒﬂ ÁÌ‡˜ÂÌËÂÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰‡ÌÌÓÏ Ù‡ÈÎÂ.
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[E] FAVORITE (Î˛·ËÏ˚Â)
ÑÓ·‡‚ÎÂÌËÂ ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE (ÒÚ. 73).
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[F]~[H] CLEAR (Û‰‡ÎÂÌËÂ Ó·˙ÂÍÚ‡)
ùÚ‡ ÍÌÓÔÍ‡ Û‰‡ÎﬂÂÚ ‚‚Â‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ ÒÎÂ‚‡.
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èêàåÖóÄçàÖ
ùÍ‡Ì STYLE FILE SELECT
ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÎË¯¸ ‰Îﬂ
‚˚·Ó‡ Ì‡Á‚‡ÌËﬂ ÒÚËÎﬂ ÔË
ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚÂ‰‡ÍÚËÓ‚‡Ú¸
Á‡ÔËÒ¸; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó
ÔÓÏÓ˘¸˛ ÌÂ‚ÓÁÏÓÊÌÓ.
èêàåÖóÄçàÖ
àÏÂÈÚÂ ‚ ‚Ë‰Û, ˜ÚÓ ËÁÏÂÌÂÌËﬂ
ÓÚÓ·‡Ê‡˛˘Â„ÓÒﬂ Ì‡ ˝Í‡ÌÂ
Ô‡‡ÏÂÚ‡ Beat (‡ÁÏÂ)
ÓÚÌÓÒﬂÚÒﬂ ÚÓÎ¸ÍÓ Í ÙÛÌÍˆËË
ÔÓËÒÍ‡ Ë ÌÂ ‚ÎËﬂ˛Ú Ì‡ Ò‡Ï ÒÚËÎ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
[I] DELETE RECORD (Û‰‡ÎÂÌËÂ Á‡ÔËÒË)
é˜ËÒÚÍ‡ ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. çÓÏÂ Û‰‡ÎÂÌÌÓÈ Á‡ÔËÒË ÓÒ‚Ó·ÓÊ‰‡ÂÚÒﬂ. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË
ÔÓﬂ‚ÎﬂÂÚÒﬂ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ò ÔÂ‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌËÂ ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.
YES....................... ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO ........................ ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, ÌÂ Û‰‡Îﬂﬂ Á‡ÔËÒ¸.
CANCEL............... ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
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[J] NEW RECORD (ÌÓ‚‡ﬂ Á‡ÔËÒ¸)
èêàåÖóÄçàÖ
êÂ„ËÒÚ‡ˆËﬂ ÌÓ‚ÓÈ Á‡ÔËÒË. èË Â„ËÒÚ‡ˆËË ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ì Ì‡ËÏÂÌ¸¯ËÈ ËÁ Ò‚Ó·Ó‰Ì˚ı ÌÓÏÂÓ‚
å‡ÍÒËÏ‡Î¸ÌÓÂ ˜ËÒÎÓ Á‡ÔËÒÂÈ –
2500, ‚ÍÎ˛˜‡ﬂ ÔÂ‰ÛÒÚ‡ÌÓ‚Á‡ÔËÒÂÈ. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓﬂ‚ÎﬂÂÚÒﬂ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ò ÔÂ‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸
ÎÂÌÌ˚Â Á‡ÔËÒË.
‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌËÂ ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.
YES....................... ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO ........................ ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, ÌÂ Â„ËÒÚËÛﬂ Á‡ÔËÒ¸.
CANCEL............... ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
CVP-210/208
75
ëÚËÎË
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[1▼▲] TEMPO (ÚÂÏÔ)
ìÍ‡Á˚‚‡ÂÚ ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ. èÓÒÎÂ ÒÏÂÌ˚ ÒÚËÎﬂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓ‰ÒÚ‡Ë‚‡ÂÚÒﬂ ÔÓ‰
ÚÂÏÔ, Á‡‰‡ÌÌ˚È ÌÓ‚˚Ï ÒÚËÎÂÏ.
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[3▼▲]~[5▼▲] GENRE (Ê‡Ì)
ìÍ‡Á˚‚‡ÂÚ Ë ËÁÏÂÌﬂÂÚ Ê‡Ì, ÍÓÚÓÓÏÛ ÔËÒ‚ÓÂÌ‡ ‚˚·‡ÌÌ‡ﬂ Á‡ÔËÒ¸. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı ÁÌ‡˜ÂÌËÈ ‚ÍÎ˛˜‡ÂÚ ‚ÒÚÓÂÌÌ˚Â Ê‡Ì˚, ‡
Ú‡ÍÊÂ Î˛·˚Â Ê‡Ì˚, Ì‡Á‚‡ÌËﬂ ÍÓÚÓ˚ı ‚˚ ‚‚Â‰ÂÚÂ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ.
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[6▼▲] GENRE NAME (Ì‡Á‚‡ÌËÂ Ê‡Ì‡)
óÚÓ·˚ ‚‚ÂÒÚË Ì‡Á‚‡ÌËÂ Ê‡Ì‡, Ì‡ÊÏËÚÂ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ. èÓﬂ‚ËÚÒﬂ ˝Í‡Ì ‚‚Ó‰‡
Ì‡Á‚‡ÌËﬂ Ê‡Ì‡, ÔÓÁ‚ÓÎﬂ˛˘ËÈ Á‡‰‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓÂ Ì‡Á‚‡ÌËÂ. å‡ÍÒËÏ‡Î¸ÌÓÂ ˜ËÒÎÓ
Ì‡Á‚‡ÌËÈ Ê‡ÌÓ‚ ÒÓÒÚ‡‚ÎﬂÂÚ 200.
Ç‚Â‰ÂÌÌÓÂ Ì‡Á‚‡ÌËÂ Ê‡Ì‡ ÒÚ‡ÌÓ‚ËÚÒﬂ ‰ÂÈÒÚ‚ËÚÂÎ¸Ì˚Ï ÔË Â‰‡ÍÚËÓ‚‡ÌËË (ÔÂÂÔËÒ˚‚‡ÌËË) ÚÂÍÛ˘ÂÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[8▲] (OK) ÎË·Ó ÔË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] (NEW RECORD).
ÖÒÎË ‚˚ Á‡ÍÓÂÚÂ ˝Í‡Ì MUSIC FINDER EDIT, ÌÂ ÓÚÂ‰‡ÍÚËÓ‚‡‚ ÒÛ˘ÂÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ Ë ÌÂ Á‡Â„ËÒÚËÓ‚‡‚ ÌÓ‚Û˛, ‚‚Â‰ÂÌÌÓÂ
Ì‡Á‚‡ÌËÂ Ê‡Ì‡ Û‰‡ÎﬂÂÚÒﬂ.
■
[8▲] OK
Ç˚ÔÓÎÌÂÌËÂ ‚ÒÂı ÛÍ‡Á‡ÌÌ˚ı ÓÔÂ‡ˆËÈ Â‰‡ÍÚËÓ‚‡ÌËﬂ. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓﬂ‚ÎﬂÂÚÒﬂ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ò ÔÂ‰ÎÓÊÂÌËÂÏ
‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂÍ‡˘ÂÌËÂ ËÎË ÓÚÏÂÌÛ ÓÔÂ‡ˆËË.
YES .............................ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì.
NO ...............................ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, ÌÂ Á‡ÏÂÌﬂﬂ Á‡ÔËÒ¸.
CANCEL....................ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ.
■
[8▼] CANCEL (ÓÚÏÂÌ‡)
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÓÔÂ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ (MUSIC FINDER).
ÇçàåÄçàÖ!
óÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ë Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Â ‰‡ÌÌ˚Â, Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÓı‡ÌËÚÂ ‚ÒÂ Á‡ÔËÒË Music Finder ‚ ‚Ë‰Â Ù‡ÈÎ‡ (ÒÚ. 154). Ç
ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â, ‰‡ÌÌ˚Â ·Û‰ÛÚ ÛÚÂﬂÌ˚ ÔË ‚˚ÁÓ‚Â ‰Û„Ó„Ó Ù‡ÈÎ‡ Music Finder ËÎË ÔÓËÁÓÈ‰ÂÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ Á‡‚Ó‰ÒÍËı Ì‡ÒÚÓÂÍ (ÒÚ. 154).
76
CVP-210/208
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
éÁÌ‡ÍÓÏË‚¯ËÒ¸ Ò ˝ÚËÏ ‡Á‰ÂÎÓÏ, ‚˚ Ì‡Û˜ËÚÂÒ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚÓÂÌÌ˚Â,
Á‡ÔËÒ‡ÌÌ˚Â (ÒÚ. 97) ‚Î‡‰ÂÎ¸ˆÂÏ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Ë ÔÂÒÌË Ò ÌÓÒËÚÂÎÂÈ, ËÏÂ˛˘ËıÒﬂ ‚ ÔÓ‰‡ÊÂ. ÇÓÁÏÓÊÌÓÒÚË ÙÛÌÍˆËË
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ‚ÂÒ¸Ï‡ ÏÌÓ„ÓÓ·‡ÁÌ˚: ÏÓÊÌÓ ÔÓ‰˚„˚‚‡Ú¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ, ËÎË ‡ÁÛ˜Ë‚‡Ú¸ ÌÓ‚˚Â ÏÛÁ˚Í‡Î¸Ì˚Â
ÔÓËÁ‚Â‰ÂÌËﬂ Ò ÔÓÏÓ˘¸˛ Û˜Â·Ì˚ı ÙÛÌÍˆËÈ (ÒÚ. 82) Ë ÙÛÌÍˆËÈ ÔÓ‚ÚÓÂÌËﬂ (ÒÚ. 81). äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚
ÔÂÒÌË (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË) ËÎË ÂÂ ÚÂÍÒÚ.
èÓ‰ÍÎ˛˜Ë‚ Í CVP-210/208 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚÂ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛. èË ˝ÚÓÏ ‚ÓÍ‡Î ·Û‰ÂÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òﬂ ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ (ÒÚ. 131).
METRONOME
POWER
MIC.
START STOP
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
REC
FADE IN OUT
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
VOICE PART
ON OFF
A
MASTER VOLUME
PIANO & HARPSI.
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
SONG
MAIN
ENDING rit.
J
SYNC.STOP SYNC.START START STOP
TRACK 2
(L)
MIXING
CONSOLE
NEW SONG
START / STOP
1
2
3
3
4
5
4
6
7
8
MEMORY
BALANCE
TRACK 1
(R)
REW
FREEZE
CHANNEL
ON OFF
DIRECT ACCESS
TOP
2
PIANO
DATA
ENTRY
PART
REC
1
DIGITAL
RECORDING
OTS LINK
EXTRA TRACKS
(STYLE)
I
E
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
D
ONE TOCTH SETTING
MUSIC FINDER
FF
PART
1
2
REPEAT
3
4
5
6
7
8
EXIT
GUIDE
SYNC.START
èÓ‰‰ÂÊË‚‡ÂÏ˚Â ÚËÔ˚ ÔÂÒÂÌ
• ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ)
• èÂÒÌË Ì‡ ‚ÍÎ˛˜ÂÌÌÓÏ ‚ ÍÓÏÔÎÂÍÚ ‰ËÒÍÂ (50 ıËÚÓ‚ ‰Îﬂ ÙÓÚÂÔË‡ÌÓ)
• èÂÒÌË, ËÏÂ˛˘ËÂÒﬂ ‚ ÔÓ‰‡ÊÂ
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ GM (General MIDI).
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ XG. ùÚÓÚ ÙÓÏ‡Ú ÔÂ‰ÒÚ‡‚ÎﬂÂÚ
ÒÓ·ÓÈ ÁÌ‡˜ËÚÂÎ¸ÌÓ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌÓÂ ‡Ò¯ËÂÌËÂ ÒÚ‡Ì‰‡Ú‡ General MIDI (GM
System level 1 format). äÓÔÓ‡ˆËﬂ Yamaha ‡Á‡·ÓÚ‡Î‡ ˝ÚÛ ÒÔÂˆËÙËÍ‡ˆË˛ Ò ˆÂÎ¸˛
Û‚ÂÎË˜ÂÌËﬂ ˜ËÒÎ‡ ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚, ‡Ò¯ËÂÌËﬂ ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËﬂ
ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊÂ Ó·ÂÒÔÂ˜ÂÌËﬂ ÔÓ‰‰ÂÊÍË ·ÓÎ¸¯Â„Ó ˜ËÒÎ‡ ˝ÙÙÂÍÚÓ‚
Ë Ëı ÚËÔÓ‚.
èêàåÖóÄçàÖ
èÂÒÌË, ËÏÂ˛˘ËÂÒﬂ ‚ ÔÓ‰‡ÊÂ,
ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ÚÓÎ¸ÍÓ ‰Îﬂ
ÎË˜ÌÓ„Ó ÔÓÎ¸ÁÓ‚‡ÌËﬂ, ÔÓÒÍÓÎ¸ÍÛ
Ëı ‡ÒÔÓÒÚ‡ÌÂÌËÂ Ó„‡ÌË˜ÂÌÓ
Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ Clavinova ÚËÔ‡ı ÔÂÒÂÌ
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 162.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ DOC (Disk Orchestra Collection), ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ
Yamaha.
ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ XF, ÒÓÁ‰‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha.
• èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â (ÒÚ. 97) Ë ÒÓı‡ÌÂÌÌ˚Â Ì‡ CVP-210/208 ËÎË ‰ËÒÍÂ.
CVP-210/208
77
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
èêàåÖóÄçàÖ
1
ÖÒÎË ÒÎÂ‚‡ ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ
„Î‡‚Ì˚È ˝Í‡Ì (MAIN), ÒÌ‡˜‡Î‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ – ÍÌÓÔÍÛ
[EXIT].
BACK
A
F
B
G
C
H
D
I
E
J
èêàåÖóÄçàÖ
äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸
ÏÌÓÊÂÒÚ‚Ó Ô‡‡ÏÂÚÓ‚ (ÚÂÏÔ,
ÚÂÏ·, ÙÛÌÍˆËË Ó·Û˜ÂÌËﬂ
Ë Ú. Ô.), ÍÓÚÓ˚Â ·Û‰ÛÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚Á˚‚‡Ú¸Òﬂ ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË
(ÒÚ. 109).
èêàåÖóÄçàÖ
2-1
2
èÂÂÈ‰ËÚÂ Ì‡ ‚ÍÎ‡‰ÍÛ PRESET Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [BACK].
BACK
A
F
B
G
C
H
D
I
E
J
óÚÓ·˚ ‚ÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛
Synchro Start (ÒËÌıÓÌÌ˚È
Á‡ÔÛÒÍ) ‰Îﬂ Í‡ÍÓÈ-ÎË·Ó ÔÂÒÌË,
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË
[TOP] Ë SONG [START/STOP].
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
Ì‡˜ÌÂÚÒﬂ Ò‡ÁÛ ÊÂ, Í‡Í ÚÓÎ¸ÍÓ
‚˚ ÍÓÒÌÂÚÂÒ¸ ÍÎ‡‚Ë¯. Ñ‡ÌÌÛ˛
ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
‚ÏÂÒÚÂ Ò ÙÛÌÍˆËÂÈ Style’s
Synchro Start (ÒËÌıÓÌÌ˚È
Á‡ÔÛÒÍ ÒÚËÎﬂ) (ÒÚ. 64).
èêàåÖóÄçàÖ
2-2
3
àÏÂÂÚÒﬂ ‚ÓÁÏÓÊÌÓÒÚ¸
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò
ÙÂÈ‰ËÌ„ÓÏ ‚ Ì‡˜‡ÎÂ Ë ÍÓÌˆÂ
ÍÓÏÔÓÁËˆËË. èË ˝ÚÓÏ
„ÓÏÍÓÒÚ¸ ‚ Ì‡˜‡ÎÂ ÔÂÒÌË ·Û‰ÂÚ
ÔÎ‡‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓÌˆÂ –
ÒÌËÊ‡Ú¸Òﬂ. ÑÎﬂ ˝ÚÓ„Ó
‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸
ÍÌÓÔÍÛ [FADEIN/OUT] ‚ Ì‡˜‡ÎÂ
ÔÂÒÌË, ‡ Á‡ÚÂÏ ÒÌÓ‚‡ Ì‡Ê‡Ú¸ ÂÂ
ÌÂÁ‡‰ÓÎ„Ó ‰Ó ÓÍÓÌ˜‡ÌËﬂ.
éÚÍÓÈÚÂ Ô‡ÔÍÛ Ë
‚˚·ÂËÚÂ ÔÂÒÌ˛.
Ç˚·‡ÌÌ‡ﬂ ÔÂÒÌﬂ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ.
END
START / STOP
REC
TOP
NEW SONG
START / STOP
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
èÂÒÌË ÏÓÊÌÓ ÔÓÒÚÓﬂÌÌÓ ÔÓË„˚‚‡Ú¸.
ìÒÚ‡ÌÓ‚ËÚÂ SONG CHAIN PLAY ‚
ÔÓÎÓÊÂÌËÂ ON Ì‡ ˝Í‡ÌÂ SONG SETTING
(ÒÚ. 140).
CVP-210/208
.
SYNC.START
íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]
(ÒÚ. 54) ËÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO].
óÚÓ·˚ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚
Û‰‡ËÚ¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ ÔÓ ÍÌÓÔÍÂ [TAP TEMPO].
78
óÚÓ·˚ Ò‡ÁÛ ÊÂ ÓÒÚ‡ÌÓ‚ËÚ¸
ÔÂÒÌ˛, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í
ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
EXIT
èêàåÖóÄçàÖ
èÓ‚Â¸ÚÂ, ˜ÚÓ·˚ Ì‡ÒÚÓÈÍ‡ ﬂÁ˚Í‡ ‰Îﬂ
ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡
Ì‡ÒÚÓÈÍÂ ËÏÂÌË Ù‡ÈÎ‡ ÔÓË„˚‚‡ÂÏÓÈ
ÔÂÒÌË.
.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
èêàåÖóÄçàÖ
é‰ÌÓ‚ÂÏÂÌÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË Ë ÒÚËÎﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Í‡Ì‡Î˚ 9 – 16
Á‡ÏÂÌﬂ˛ÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í‡Ì‡Î‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚ÏÂÒÚÓ ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÒÚËÎË Ë ‚ÓÁÏÓÊÌÓÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÌÚ‡. Ç˚ÔÓÎÌËÚÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ Ë Á‡ÏÂÌËÚÂ ‡ÍÍÓ‰˚ ÔÂÒÌË Ò‚ÓËÏË
ÒÓ·ÒÚ‚ÂÌÌ˚ÏË.
• ÍÌÓÔÍ‡ [ACMP] ...................... ON
• ÍÌÓÔÍ‡ [AUTO FILL IN] ......... ON
1
2
3
4
éÒÚ‡ÌÓ‚Ë‚ ÔÂÒÌ˛, ‚˚
ÓÒÚ‡ÌÓ‚ËÚÂ Ú‡ÍÊÂ Ë
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË
ÔÓË„˚‚‡ÌËÂ ÔÂÒÌË Ì‡˜ËÌ‡ÂÚÒﬂ
ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ. íÂÏ
ÌÂ ÏÂÌÂÂ, ‰Îﬂ ‚ÒÚÓÂÌÌ˚ı
ÔÂÒÂÌ, ËÒÔÓÎ¸ÁÛ˛˘Ëı ÒÚËÎË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÒÚËÎ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÌÂ ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ.
Ç˚·ÂËÚÂ ÔÂÒÌ˛ Ë Á‡ÔÛÒÚËÚÂ ÂÂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ SONG [START/STOP].
èÓ‰·ÂËÚÂ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
á‡ÔÛÒÍ ÒÚËÎﬂ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP].
Ç ÔÓˆÂÒÒÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ‚˚ ÏÓÊÂÚÂ ‚ÒÚ‡‚ÎﬂÚ¸ ·ÂÈÍË ËÎË ÔÂÂıÓ‰ËÚ¸ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ ‚ „ÛÔÔÂ STYLE).
ÇÓ ‚ÂÏﬂ ÔÂÂÍÎ˛˜ÂÌËﬂ ˜‡ÒÚÂÈ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ‚ÒÚ‡‚ÍË (·ÂÈÍË).
END
ëÚËÎ¸ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÂÂÒÚ‡ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÓ ÓÍÓÌ˜‡ÌËË ÔÂÒÌË ËÎË ÔË ÓÒÚ‡ÌÓ‚ÍÂ.
èêàåÖóÄçàÖ
çÂÍÓÚÓ˚Â ‚ÒÚÓÂÌÌ˚Â ÔÂÒÌË ÒÓÁ‰‡Ì˚ ÔË ÔÓÏÓ˘Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÑÎﬂ ˝ÚËı ÔÂÒÂÌ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Á‡ÔÛÒÍ‡˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔË Á‡ÔÛÒÍÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.
CVP-210/208
79
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚
èêàåÖóÄçàÖ
èÂÊ‰Â ‚ÒÂ„Ó, ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸ Ò
‡Á‰ÂÎÓÏ «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 6).
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰.
èêàåÖóÄçàÖ
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ¯ÚÓÍÓÈ
‚ÔÂÂ‰, Ì‡ÍÎÂÈÍÓÈ ‚‚Âı.
èÓˆÂ‰Û‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÂÌ Ë‰ÂÌÚË˜Ì‡ ÔÓˆÂ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ «ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» (ÒÚ. 78). Ö‰ËÌÒÚ‚ÂÌÌÓÂ ÓÚÎË˜ËÂ ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ˝Í‡ÌÂ SONG ÒÎÂ‰ÛÂÚ
ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ FLOPPY DISK.
èÓ˜ËÂ ÓÔÂ‡ˆËË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ
■ Repeat (ÔÓ‚ÚÓÂÌËÂ)/Rewind (ÔÂÂÏÓÚÍ‡ Ì‡Á‡‰)/Fast forward (ÔÂÂÏÓÚÍ‡ ‚ÔÂÂ‰)
ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË, ÔÂÒÌﬂ Ì‡˜ÌÂÚÒﬂ ÒÌ‡˜‡Î‡.
ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ, ÍÓ„‰‡ ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, ÔÓËÁÓÈ‰ÂÚ ‚ÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË.
REC
TOP
START / STOP
REW
FF
REPEAT
SYNC.START
NEW SONG
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SONG POSITION (ÒÏ. ÌËÊÂ).
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ˝Í‡ÌÛ SONG, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
åÓÊÌÓ ÛÍ‡Á‡Ú¸, ·Û‰ÂÚ ÎË
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚Á˚‚‡Ú¸
ÔÂ‚Û˛ ÔÂÒÌ˛ Ì‡ ‰ËÒÍÂÚÂ ÔÓÒÎÂ
ÂÂ ÔÓÏÂ˘ÂÌËﬂ ‚ ‰ËÒÍÓ‚Ó‰
(ÒÚ. 153).
èêàåÖóÄçàÖ
çÂÍÓÚÓ˚Â ËÁ ‚ÒÚÓÂÌÌ˚ı ‚
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í
Ì‡Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ
ÚÂÏÔÂ». èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
Ú‡ÍËı ÔÂÒÂÌ ÓÚÓ·‡Ê‡ÂÏ˚Â Ì‡
˝Í‡ÌÂ ÁÌ‡˜ÂÌËﬂ ÌÂ ËÏÂ˛Ú
ÓÚÌÓ¯ÂÌËﬂ Í Ù‡ÍÚË˜ÂÒÍÓÏÛ
‡ÁÏÂÛ ÔÂÒÌË. éÌË ÎË¯¸
ÔÓÍ‡Á˚‚‡˛Ú, Í‡Í‡ﬂ ˜‡ÒÚ¸ ÔÂÒÌË
ÛÊÂ ·˚Î‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌ‡.
èêàåÖóÄçàÖ
èÂÒÌË Ò ·ÓÎ¸¯ËÏ ÍÓÎË˜ÂÒÚ‚ÓÏ
‰‡ÌÌ˚ı ËÌÓ„‰‡ ÌÂ ÏÓ„ÛÚ ·˚Ú¸
Ò˜ËÚ‡Ì˚ ËÌÒÚÛÏÂÌÚÓÏ, Ë
‚˚·‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ
ÌÂ‚ÓÁÏÓÊÌÓ. å‡ÍÒËÏ‡Î¸Ì‡ﬂ
ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎﬂÂÚ 200–300ä·,
ÌÓ ÏÓÊÂÚ ÏÂÌﬂÚ¸Òﬂ ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó
Í‡Ê‰ÓÈ ÔÂÒÌË.
ùÍ‡Ì SONG POSITION
Ç˚·‡‚ ÒÚÓÍÛ «BAR», ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÓÏÂ Ú‡ÍÚ‡ (Ò˜ËÚ‡ﬂ Ò Ì‡˜‡Î‡
ÍÓÏÔÓÁËˆËË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF].
Ç˚·‡‚ ÒÚÓÍÛ «PHRASE MARK», ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF]
Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÎÓÍ‡ÚÓ‡.
èêàåÖóÄçàÖ
èÓÁËˆËﬂ ÎÓÍ‡ÚÓ‡
áÌ‡˜ÂÌËÂ ÔÓÁËˆËË ÎÓÍ‡ÚÓ‡
ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÓÔÂ‰ÂÎÂÌÌÓÂ
ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
ëÚÓÍ‡ «PHRASE MARK» ‚˚‚Ó‰ËÚÒﬂ ÎË¯¸ ÚÓ„‰‡, ÍÓ„‰‡ ÔÂÒÌﬂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â ÔÓ ÔÓÁËˆËﬂÏ
ÎÓÍ‡ÚÓ‡. Ç˚·ÂËÚÂ ÒÚÓÍÛ «BAR» ËÎË «PHRASE MARK» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J], ‡ Á‡ÚÂÏ
ÛÍ‡ÊËÚÂ ÌÛÊÌ˚È Ú‡ÍÚ ËÎË ÔÓÁËˆË˛ ÎÓÍ‡ÚÓ‡, ‚ÓÒÔÓÎ¸ÁÓ‚‡‚¯ËÒ¸ ÍÌÓÔÍ‡ÏË [REW] Ë [FF].
■ ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ/ÔË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı Í‡Ì‡ÎÓ‚
BALANCE
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ BALANCE (ÒÚ. 65).
CHANNEL
ON / OFF
PART
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ CHANNEL ON/OFF (ÒÏ. ÌËÊÂ).
ùÍ‡Ì CHANNEL ON/OFF
ç‡Ê‡‚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ÔÂÂÈ‰ËÚÂ Í ‚ÍÎ‡‰ÍÂ [SONG] Ë ÔË„ÎÛ¯ËÚÂ ÌÛÊÌ˚È Í‡Ì‡Î, Á‡‰‡‚
‰Îﬂ ÌÂ„Ó ÁÌ‡˜ÂÌËÂ [OFF]. óÚÓ·˚ Ò‰ÂÎ‡Ú¸ Í‡Ì‡Î ÒÓÎËÛ˛˘ËÏ, ÒÎÂ‰ÛÂÚ Û‰ÂÊË‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ. óÚÓ·˚ Á‡ÒÚ‡‚ËÚ¸ Â„Ó ÒÌÓ‚‡ Á‚Û˜‡Ú¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Í‡Ì‡Î‡ÏË, Â˘Â ‡Á Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ Í‡Ì‡Î‡.
80
CVP-210/208
èêàåÖóÄçàÖ
ä‡Ì‡Î
ùÚË ËÌ‰ËÍ‡ÚÓ˚ ÛÍ‡Á˚‚‡˛Ú
Í‡Ì‡Î MIDI, ËÒÔÓÎ¸ÁÛÂÏ˚È ‚
ÔÂÒÌÂ. Ç CVP-210/208 Í‡Ì‡Î˚
‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÒÎÂ‰Û˛˘ËÏ
Ó·‡ÁÓÏ:
èÂÒÌﬂ
1 - 16
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 – 16
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
èË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ – ‰ÓÓÊÍ‡1/‰ÓÓÊÍ‡2/
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ÓÓÊÍË
Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÔË„ÎÛ¯‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â ˜‡ÒÚË ÔÂÒÌË (ÔÂ‚Û˛, ‚ÚÓÛ˛ ËÎË ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ‰ÓÓÊÍË). ç‡ÔËÏÂ, ÂÒÎË
‚˚ ıÓÚËÚÂ Á‡ÔÓÏÌËÚ¸ ÏÂÎÓ‰Ë˛ Í‡ÍÓÈ-ÎË·Ó ÔÂÒÌË, ‚˚ ÏÓÊÂÚÂ ÔË„ÎÛ¯ËÚ¸ ˜‡ÒÚ¸ Ò ÚÂÏ·ÓÏ ‰Îﬂ Ô‡‚ÓÈ ÛÍË Ë ÔÓÔÓ·Ó‚‡Ú¸ Ò˚„‡Ú¸
ÏÂÎÓ‰Ë˛ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ.
1
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÔÂÒÌ˛ (ÒÚ. 77).
èÂ‚ÓÈ Ë ‚ÚÓÓÈ ‰ÓÓÊÍÂ ÏÓ„ÛÚ
·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ‡ÁÎË˜Ì˚Â
Í‡Ì‡Î˚ (ÒÚ. 140). ùÚÓ ÔÓÁ‚ÓÎËÚ
ÏÂÌﬂÚ¸ Í‡Ì‡Î˚ Ë ÛÍ‡Á˚‚‡Ú¸
˜‡ÒÚË, ÍÓÚÓ˚Â ·Û‰ÛÚ
ÔË„ÎÛ¯ÂÌ˚ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ
ÍÌÓÔÓÍ [TRACK 1]/[TRACK 2]/
[EXTRA TRACKS].
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸/ÓÚÍÎ˛˜ËÚ¸ ‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â
˜‡ÒÚË (ÚÓ ÂÒÚ¸ ‚ÒÂ, ÍÓÏÂ ˜‡ÒÚÂÈ ‰Îﬂ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË).
2
SONG
EXTRA TRACKS
(STYLE)
TRACK 2
(L)
TRACK 1
(R)
Ñ‡ÌÌ‡ﬂ ÍÌÓÔÍ‡ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ/
ÓÚÍÎ˛˜ÂÌËﬂ ˜‡ÒÚË ‰Îﬂ Ô‡‚ÓÈ ÛÍË.
Ñ‡ÌÌ‡ﬂ ÍÌÓÔÍ‡ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ/ÓÚÍÎ˛˜ÂÌËﬂ
˜‡ÒÚË ‰Îﬂ ÎÂ‚ÓÈ ÛÍË.
3
á‡ÔÛÒÚËÚÂ ÔÂÒÌ˛.
éÚÂ„ÛÎËÛÈÚÂ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [
REC
TOP
NEW SONG
START / STOP
REW
FF
REPEAT
][
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÌÓ‚ÓÈ ÔÂÒÌË ‚ÒÂ
‰ÓÓÊÍË ÔÓ ÛÏÓÎ˜‡ÌË˛
‚ÍÎ˛˜ÂÌ˚.
END
] (ÒÚ. 54).
GUIDE
START / STOP
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛,
Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
.
SYNC.START
èÓ‚ÚÓ ÓÔÂ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË
Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ „‡ÌËˆ˚ Ù‡„ÏÂÌÚ‡ ÚÓ˜Í‡ÏË Ä Ë Ç (Point A Ë Point B), ˜ÚÓ·˚ Á‡ÚÂÏ ˆËÍÎË˜ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Â„Ó.
1
2
èêàåÖóÄçàÖ
á‡ÔÛÒÚËÚÂ ÔÂÒÌ˛ (ÒÚ. 78, 80).
REC
TOP
NEW SONG
START / STOP
REW
FF
REPEAT
SYNC.START
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ Ì‡˜‡ÎÓ
ÔÓ‚ÚÓﬂ˛˘Â„ÓÒﬂ Ù‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚÓ˜Í‡ Ä).
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓÌÂˆ
ÔÓ‚ÚÓﬂ˛˘Â„ÓÒﬂ Ù‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚÓ˜Í‡ B).
ÑÎﬂ ÛÍ‡Á‡ÌËﬂ ÚÓ˜ÂÍ Ä Ë Ç
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ÌÂ
Ó·ﬂÁ‡ÚÂÎ¸ÌÓ. ìÒÚ‡ÌÓ‚ËÚÂ ÚÓ˜ÍÛ
A, Ì‡Ê‡‚ ÍÌÓÔÍÛ [REPEAT], ‡
Á‡ÚÂÏ ÓÚÏÓÚ‡ÈÚÂ ÔÂÒÌ˛ ‚ÔÂÂ‰ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF]. ÑÓÒÚË„ÌÛ‚
ÊÂÎ‡ÂÏÓÈ ÔÓÁËˆËË ÓÍÓÌ˜‡ÌËﬂ
Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡,
ÛÒÚ‡ÌÓ‚ËÚÂ ÚÓ˜ÍÛ Ç, ÒÌÓ‚‡ Ì‡Ê‡‚
ÍÌÓÔÍÛ [REPEAT].
èêàåÖóÄçàÖ
3
ì˜‡ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓﬂÂÚÒﬂ ˆËÍÎË˜ÂÒÍË ÔÓÒÎÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÒÚ‡‚ÎﬂÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËﬂ (ÔÓÏÓ„‡˛˘Â„Ó ÔÓ‰„ÓÚÓ‚ËÚ¸Òﬂ Í ‚ÓÒÔÓËÁ‚Â‰ÂÌË˛ Ù‡„ÏÂÌÚ‡).
ÇÌÂ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒﬂ ÎË ÔÂÒÌﬂ ËÎË ÌÂÚ, ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOP]
ÔÓËÒıÓ‰ËÚ ÔÂÂıÓ‰ Í ÚÓ˜ÍÂ Ä.
óÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸
ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ç, ÌÂÓ·ıÓ‰ËÏÓ
ÒÌ‡˜‡Î‡ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ä.
èêàåÖóÄçàÖ
ìÍ‡Á‡ÌËÂ Ó‰ÌÓÈ ÎË¯¸ ÚÓ˜ÍË Ä
ÔË‚Ó‰ËÚ Í Á‡ˆËÍÎË‚‡ÌË˛
Ù‡„ÏÂÌÚ‡ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó
ÍÓÌˆ‡ ÔÂÒÌË.
èêàåÖóÄçàÖ
4
éÒÚ‡ÌÓ‚Í‡ ÔÂÒÌË
START / STOP
END
REPEAT
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛
ÔÓ‚ÚÓ‡, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
.
ìÍ‡Á‡ÌÌ˚Â ÚÓ˜ÍË Û‰‡Îﬂ˛ÚÒﬂ ÔË
‚˚·ÓÂ ÔÂÒÌË Ò ‰Û„ËÏ ÌÓÏÂÓÏ,
‚˚ÍÎ˛˜ÂÌËË ÙÛÌÍˆËË ÔÓ‚ÚÓ‡
(Repeat) Ë ‚˚·ÓÂ ‰Û„Ó„Ó
ÂÊËÏ‡ ÔÓ‚ÚÓ‡, Ì‡ÔËÏÂ
Phrase Repeat (ÔÓ‚ÚÓ Ù‡Á˚)
ËÎË Song Chain Play (ÔÓ‚ÚÓ ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ÔÂÒÂÌ)
(ÒÚ. 140).
CVP-210/208
81
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ: êÛÍÓ‚Ó‰ÒÚ‚Ó
ë ÔÓÏÓ˘¸˛ ˝ÚËı Á‡·‡‚Ì˚ı ÙÛÌÍˆËÈ ‚˚ ÎÂ„ÍÓ ‡ÁÛ˜ËÚÂ ÌÓ‚˚Â ÏÛÁ˚Í‡Î¸Ì˚Â ÔÓËÁ‚Â‰ÂÌËﬂ.
àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯ ÛÍ‡Á˚‚‡˛Ú, Í‡ÍËÂ ÌÓÚ˚ Ë„‡Ú¸, ÍÓ„‰‡ Ëı Ë„‡Ú¸ Ë Í‡ÍÓ‚‡ Ëı ‰ÎËÚÂÎ¸ÌÓÒÚ¸.
í‡ÍÊÂ, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚÂ Ë ÔÓÂÚÂ, ËÒÔÓÎ¸ÁÛﬂ ÔÓ‰ÍÎ˛˜ÂÌÌ˚È ÏËÍÓÙÓÌ, ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ÒÚ‡Ë‚‡ÂÚ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚ÓÍ‡Î¸Ì˚Ï ËÒÔÓÎÌÂÌËÂÏ.
REC
TOP
NEW SONG
START / STOP
REW
FF
REPEAT
èêàåÖóÄçàÖ
Ç˚ ÏÓÊÂÚÂ ‚ÍÎ˛˜‡Ú¸/ÓÚÍÎ˛˜‡Ú¸
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯ Ì‡ ˝Í‡ÌÂ
SONG SETTING (ÒÚ. 140).
GUIDE
SYNC.START
àÌ‰ËÍ‡ÚÓ ÍÎ‡‚Ë¯Ë
îÛÌÍˆËË Ó·Û˜ÂÌËﬂ
ÑÎﬂ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
■ Follow Lights
ÖÒÎË ‚˚·‡Ì‡ ˝Ú‡ ÙÛÌÍˆËﬂ, ‚˚ ÛÁÌ‡ÂÚÂ, Í‡ÍËÂ ÌÓÚ˚ ÌÂÓ·ıÓ‰ËÏÓ Ë„‡Ú¸, Ì‡·Î˛‰‡ﬂ Á‡
ËÌ‰ËÍ‡ÚÓ‡ÏË ÍÎ‡‚Ë¯. éÌË Á‡„Ó‡˛ÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÏÛÁ˚ÍÓÈ, ÔÓÍ‡Á˚‚‡ﬂ, ÍÓ„‰‡
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÓÚÛ. í‡ÍÊÂ ‚˚ ÏÓÊÂÚÂ Ô‡ÍÚËÍÓ‚‡Ú¸Òﬂ ‚ Û‰Ó·ÌÓÏ ‰Îﬂ ‚‡Ò ÚÂÏÔÂ, Ú‡Í Í‡Í
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ê‰ÂÚ, ÔÓÍ‡ ‚˚ ÌÂ ‚ÓÒÔÓËÁ‚Â‰ÂÚÂ ÌÓÚ˚ Ô‡‚ËÎ¸ÌÓ.
• Accompaniment Guide
ÖÒÎË ËÒÔÓÎ¸ÁÛÂÏ‡ﬂ ‚‡ÏË ÔÂÒÌﬂ ÒÓ‰ÂÊËÚ ‡ÍÍÓ‰˚ Ë ‚ÍÎ˛˜ÂÌ‡ ÍÌÓÔÍ‡ [ACMP], ‚˚ ÏÓÊÂÚÂ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ËÌ‰ËÍ‡ÚÓ˚ (ÒÚ. 140) Ú‡ÍÊÂ Ë ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‡ÍÍÓ‰Ó‚. ç‡·Î˛‰‡ÈÚÂ Á‡
ËÌ‰ËÍ‡ÚÓ‡ÏË Ë ÔÓÒÚ‡‡ÈÚÂÒ¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ‡ÍÍÓ‰˚.
■ Any Key
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ‚˚ ÏÓÊÂÚÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÂÎÓ‰Ë˛ ÔÂÒÌË ÔÓÒÚ˚Ï Ì‡Ê‡ÚËÂÏ
ÍÎ‡‚Ë¯Ë (Î˛·ÓÈ) ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ. èÓÍ‡ ‚˚ Ë„‡ÂÚÂ Ì‡ ÍÎ‡‚Ë¯Â ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ËÚÏÓÏ, ÏÂÎÓ‰Ëﬂ ÔÎ‡‚ÌÓ ÚÂ˜ÂÚ ‚ÏÂÒÚÂ Ò ÔÂÒÌÂÈ.
èêàåÖóÄçàÖ
Ç˚ Ú‡ÍÊÂ ÏÓÊÂÚÂ ÓÔÂ‰ÂÎËÚ¸
˜ÂÂÁ Í‡ÍÓÂ ‚ÂÏﬂ ·Û‰ÛÚ
Á‡„Ó‡Ú¸Òﬂ ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯,
˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚‡¯ÂÏÛ
ËÒÔÓÎÌÂÌË˛ (ÇÂÏﬂ „ÓÂÌËﬂ
ËÌ‰ËÍ‡ÚÓ‡; ÒÚ. 140).
èêàåÖóÄçàÖ
ÖÒÎË ‚˚ ıÓÚËÚÂ ‡ÁÛ˜ËÚ¸
ÓÔÂ‰ÂÎÂÌÌ˚Â ‡ÍÍÓ‰˚,
ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ Chord
Tutor (ÒÚ. 142).
èêàåÖóÄçàÖ
îÛÌÍˆË˛ Accompaniment Guide
ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸, ÂÒÎË ‚
Í‡˜ÂÒÚ‚Â ÏÂÚÓ‰‡ ‡ÍÍÓ‰Ó‚ÓÈ
‡ÔÔÎËÍ‡ÚÛ˚ ‚˚·‡Ì Single
Finger, Full keyboard ËÎË AI Full
Keyboard.
íÓÎ¸ÍÓ ‰Îﬂ ‚ÓÍ‡Î¸ÌÓ„Ó ËÒÔÓÎÌÂÌËﬂ
■ Karao-Key
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ÔÂÚ¸ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ÛÔ‡‚ÎﬂÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ.
ÑÓÒÚ‡ÚÓ˜ÌÓ Ì‡ÊËÏ‡Ú¸ Î˛·Û˛ ÍÎ‡‚Ë¯Û ‚ ÌÛÊÌÓÏ ËÚÏÂ, Ë ‚‡¯‡ Ë„‡ ·Û‰ÂÚ ÒÓÔÓ‚ÓÊ‰‡Ú¸Òﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ
‚‡Ï ÍÓÌÚÓÎËÓ‚‡Ú¸ ÚÂÏÔ Ë ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ÔÓÎÌÓÏ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ ‚ÓÍ‡Î¸Ì˚Ï ËÒÔÓÎÌÂÌËÂÏ.
■ Vocal CueTIME
ä‡Í Ë Ò ÙÛÌÍˆËÂÈ Follow Lights, ‚˚ ÏÓÊÂÚÂ ‚Ë‰ÂÚ¸, Í‡ÍËÂ ÌÓÚ˚ ÔÂÚ¸, Ì‡·Î˛‰‡ﬂ Á‡ ËÌ‰ËÍ‡ÚÓ‡ÏË ÍÎ‡‚Ë¯. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova ÒÎÂ‰ËÚ Á‡ ‚‡¯ËÏ ÔÂÌËÂÏ Ë ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ÒÚ‡Ë‚‡ÂÚ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ Ë ÚÂÏÔ ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ
‚ÓÍ‡Î¸Ì˚Ï ËÒÔÓÎÌÂÌËÂÏ.
82
CVP-210/208
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
ê‡ÁÛ˜Ë‚‡ÌËÂ ÏÛÁ˚Í‡Î¸Ì˚ı ÔÓËÁ‚Â‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ Û˜Â·Ì˚ı ÙÛÌÍˆËÈ
1
èêàåÖóÄçàÖ
Ç˚·ÂËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÙÛÌÍˆË˛ Ó·Û˜ÂÌËﬂ Ì‡ ÒÚ‡ÌËˆÂ SONG SETTING
˝Í‡Ì‡ FUNCTION (ÒÚ. 140).
ÅÓÎÂÂ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛
ÔÓ ˝Í‡ÌÛ SONG SETTING ÒÏ. Ì‡
ÒÚ. 140.
Ç˚·Ë‡ÂÚ ÓÔÂ‰ÂÎÂÌÌ˚Â ÙÛÌÍˆËË Ó·Û˜ÂÌËﬂ.
èêàåÖóÄçàÖ
A
ÇÍÎ˛˜‡ÂÚ/ÓÚÍÎ˛˜‡ÂÚ ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯.
B
éÔÂ‰ÂÎﬂÂÚ ‚ÂÏﬂ, ˜ÂÂÁ ÍÓÚÓÓÂ Á‡„ÓﬂÚÒﬂ
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯.
JUST ....àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÏÛÁ˚ÍÓÈ, ‚ ÚÂ˜ÂÌËÂ
˝ÚÓ„Ó ‚ÂÏÂÌË ‚˚ ‰ÓÎÊÌ˚
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÌÓÚ˚.
NEXT....àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ Ò ÌÂ·ÓÎ¸¯ËÏ
ÓÔÂÂÊÂÌËÂÏ ÏÛÁ˚ÍË, ÛÍ‡Á˚‚‡ﬂ ÌÓÚ˚,
ÍÓÚÓ˚Â ÌÂÓ·ıÓ‰ËÏÓ ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚ÂÒÚË. àÌ‰ËÍ‡ÚÓ ÏË„‡ÂÚ, ÂÒÎË
‚˚ ÌÂ ‚Ó‚ÂÏﬂ Ì‡ÊËÏ‡ÂÚÂ Ì‡ ÍÎ‡‚Ë¯Û.
C
D
E
1
2
3
4
5
6
7
8
éÔÂ‰ÂÎﬂÂÚ, ·Û‰ÛÚ ÎË Ù‡„ÏÂÌÚÌ˚ ÔÓÁËˆËË ÎÓÍ‡ÚÓ‡ ÔÓË„˚‚‡Ú¸Òﬂ ÒÌÓ‚‡ Ë
ÒÌÓ‚‡ ËÎË ÌÂÚ. ÖÒÎË ÙÛÌÍˆËﬂ ÔË‚Â‰ÂÌ‡ ‚ ÔÓÎÓÊÂÌËÂ ON, ÓÔÂ‰ÂÎÂÌÌ˚Â Ú‡ÍÚ˚
Ù‡„ÏÂÌÚ‡ ÔÓË„˚‚‡˛ÚÒﬂ ÒÌÓ‚‡ Ë ÒÌÓ‚‡. Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì SONG POSITION
Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [REW] ËÎË [FF], Ë ‚˚·ÂËÚÂ «PHRASE MARK» Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË
[J]. á‡‰‡ÈÚÂ ÊÂÎ‡ÂÏÛ˛ ÔÓÁËˆË˛ ÎÓÍ‡ÚÓ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF].
éÔÂ‰ÂÎﬂÂÚ Í‡Ì‡Î
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ Á‚ÛÍ‡
„‡ÏÓÌËË ‚ÓÍÓ‰Â‡.
àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË,
Á‡ÔËÒ‡ÌÌ˚Ï Ì‡ ‰ÓÓÊÍ‡ı 1 Ë 2, Ë
‡ÍÍÓ‰‡ÏË ÔÂÒÌË (ÔË Ëı
Ì‡ÎË˜ËË). Ç˚ ÏÓÊÂÚÂ ÓÒÚ‡‚ËÚ¸
ÙÛÌÍˆË˛ AUTO SET CH ‚
ÔÓÎÓÊÂÌËË ON, Ë Í‡Ì‡Î ÔÂÒÌË
·Û‰ÂÚ Á‡‰‡Ì ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
ÖÒÎË ÂÁÛÎ¸Ú‡Ú ‚‡Ò ÌÂ
ÛÒÚ‡Ë‚‡ÂÚ, ÌÂÓ·ıÓ‰ËÏÓ
ÒÓ„Î‡ÒÓ‚‡Ú¸ Ô‡‡ÏÂÚ˚ Channel
Setting «TRK1 CH» Ë «TRK2
CH» ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı
Ô‡ÚËÈ Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË.
èêàåÖóÄçàÖ
ÇÓÍÓ‰Â
èÓÁ‚ÓÎﬂÂÚ ÛÍ‡Á˚‚‡Ú¸ ËÎË
«‚ÓÒÔÓËÁ‚Ó‰ËÚ¸» ÌÓÚ˚
„‡ÏÓÌËÁ‡ˆËË Ò ÍÎ‡‚Ë‡ÚÛ˚.
èêàåÖóÄçàÖ
èÓÁËˆËﬂ ÎÓÍ‡ÚÓ‡
áÌ‡˜ÂÌËÂ ÔÓÁËˆËË ÎÓÍ‡ÚÓ‡
ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÓÔÂ‰ÂÎÂÌÌÓÂ
ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
2
Ç˚·ÂËÚÂ ÊÂÎ‡ÂÏÛ˛ ÔÂÒÌ˛ (ÒÚ. 78, 80) Ë ÓÚÍÎ˛˜ËÚÂ ‰ÓÓÊÍÛ, ÍÓÚÓÛ˛ ıÓÚËÚÂ
‡ÁÛ˜ËÚ¸ (ÒÚ. 81).
3
REC
TOP
REC
REW
FF
REPEAT
GUIDE
TOP
START / STOP
èêàåÖóÄçàÖ
àÌÓ„‰‡ ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯
Á‡„Ó‡˛ÚÒﬂ Ì‡ ÓÍÚ‡‚Û ËÎË ‰‚Â
ÌËÊÂ/‚˚¯Â Â‡Î¸ÌÓÈ ‚˚ÒÓÚ˚
Á‚ÛÍ‡. àÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë¯ ÌÂ
ÏÓ„ÛÚ ÛÍ‡Á˚‚‡Ú¸ ÌÓÚ˚,
‚˚ıÓ‰ﬂ˘ËÂ Á‡ ÔÂ‰ÂÎ 88ÍÎ‡‚Ë¯ÌÓ„Ó ‰Ë‡Ô‡ÁÓÌ‡.
SYNC.START
NEW SONG
4
START / STOP
èêàåÖóÄçàÖ
èË ‚˚ÁÓ‚Â ÙÛÌÍˆËË Ó·Û˜ÂÌËﬂ
‰ÓÓÊÍ‡ 1 ËÎË ‰ÓÓÊÍË 1 Ë 2
‚˚·Ë‡˛ÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‰Ó
ÚÂı ÔÓ, ÔÓÍ‡ ‚˚ ÌÂ ÓÚÍÎ˛˜ËÚÂ
Ó·Û˜ÂÌËÂ ‰ÓÓÊÍÂ.
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
SYNC.START
NEW SONG
á‡ÔÛÒÚËÚÂ ÔÂÒÌ˛ Ë ÔÓÒÚ‡‡ÈÚÂÒ¸ ‚ÓÒÔÓËÁ‚ÂÒÚË Ô‡ÚË˛, ÍÓÚÓÛ˛ ‚˚ ÔË„ÎÛ¯ËÎË.
éÚÂ„ÛÎËÛÈÚÂ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] (ÒÚ. 54).
ÖÒÎË Á‡ÔËÒ‡ÌÌ˚Â Ô‡ÚËË ‰Îﬂ
Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË ÌÂ ·˚ÎË
ÓÚ‰ÂÎÂÌ˚ Ì‡‰ÎÂÊ‡˘ËÏ
Ó·‡ÁÓÏ, ÙÛÌÍˆËË Ó·Û˜ÂÌËﬂ ÌÂ
ÒÏÓ„ÛÚ ÙÛÌÍˆËÓÌËÓ‚‡Ú¸, Í‡Í
ÔÂ‰ÔÓÎ‡„‡ÎÓÒ¸.
5
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
END
NEW SONG
GUIDE
SYNC.START
éÒÚ‡ÌÓ‚Í‡ ÔÂÒÌË.
óÚÓ·˚ ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛
Ó·Û˜ÂÌËﬂ, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
.
CVP-210/208
83
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
éÚÓ·‡ÊÂÌËÂ ÌÓÚ: Ô‡ÚËÚÛ‡
ÇÍÎ˛˜Ë‚ ÂÊËÏ ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚, ÏÓÊÌÓ ‚Ó ‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË ÔÓÒÏ‡ÚË‚‡Ú¸ ÌÓÚ˚ Ì‡ ˝Í‡ÌÂ. ùÚ‡ ÙÛÌÍˆËﬂ
ÔÓ‰‰ÂÊË‚‡ÂÚ ÓÚÓ·‡ÊÂÌËÂ ÌÓÚ Í‡Í ‰Îﬂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Ú‡Í Ë ‰Îﬂ ÍÓÏÔÓÁËˆËÈ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÓ˜ËÌÂÌËﬂ.
1
Ç˚·ÂËÚÂ
ÔÂÒÌ˛
(ÒÚ. 78, 80).
èêàåÖóÄçàÖ
2
ÖÒÎË ÒÎÂ‚‡ ÌÂ ÓÚÓ·‡Ê‡ÂÚÒﬂ
„Î‡‚Ì˚È ˝Í‡Ì (MAIN), ÒÌ‡˜‡Î‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIRECT
ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ
[EXIT].
A
B
C
D
E
èêàåÖóÄçàÖ
éÚÓ·‡Ê‡ÂÏ˚Â ÌÓÚ˚
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÔÓË„˚‚‡ÂÏÓÈ ‚
‰‡ÌÌ˚È ÏÓÏÂÌÚ ÔÂÒÌÂ Ë
„ÂÌÂËÛ˛ÚÒﬂ ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ Clavinova ‚ Â‡Î¸ÌÓÏ
‚ÂÏÂÌË. èÓ˝ÚÓÏÛ ‚ÌÂ¯ÌËÈ ‚Ë‰
ÔÓÎÛ˜Ë‚¯ÂÈÒﬂ ‚ ËÚÓ„Â Ô‡ÚËÚÛ˚
ÏÓÊÂÚ ÓÚÎË˜‡Ú¸Òﬂ ÓÚ Ô‡ÚËÚÛ˚
ÚÓÈ ÊÂ ÔÂÒÌË, ÍÓÚÓÛ˛ ÏÓÊÌÓ
ÔËÓ·ÂÒÚË ‚ Ï‡„‡ÁËÌÂ. ê‡ÁÎË˜Ëﬂ
ÓÒÓ·ÂÌÌÓ Á‡ÏÂÚÌ˚ ÔË Ò‡‚ÌÂÌËË
ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË ‰ÎËÌÌÓÈ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ÍÓÓÚÍËı
ÌÓÚ.
3
ÇÍÎ˛˜‡ÂÚ/‚˚ÍÎ˛˜‡ÂÚ ÓÚÓ·‡ÊÂÌËÂ Ô‡ÚËË ÎÂ‚ÓÈ ÛÍË. Ç
Á‡‚ËÒËÏÓÒÚË ÓÚ ÁÌ‡˜ÂÌËﬂ ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ˝ÚÓÚ
Ô‡‡ÏÂÚ ÏÓÊÂÚ ·˚Ú¸ ÌÂ‰ÓÒÚÛÔÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÌ‰ËÍ‡ÚÓ Ì‡ ˝Í‡ÌÂ ·Û‰ÂÚ ÒÂ˚Ï. ÖÒÎË
Ô‡‡ÏÂÚ ÌÂ‰ÓÒÚÛÔÂÌ, ÚÓ ‚˚ ÏÓÊÂÚÂ ÔÂÂÈÚË Í ˝Í‡ÌÛ
ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË (detailed setting) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[8▲▼] Ë Á‡‰‡Ú¸ Ô‡‡ÏÂÚ LEFT CH ‰Îﬂ ‚ÒÂı Í‡Ì‡ÎÓ‚, Á‡
ËÒÍÎ˛˜ÂÌËÂÏ Í‡Ì‡Î‡ AUTO. äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ ‚˚Á‚‡Ú¸
˝Í‡Ì SONG SETTING ËÁ ÏÂÌ˛ Function (ÒÚ. 140) Ë
Á‡‰‡Ú¸ Ô‡‡ÏÂÚ TRACK 2 ‰Îﬂ ‚ÒÂı Í‡Ì‡ÎÓ‚, ÍÓÏÂ
Í‡Ì‡Î‡ OFF.
èêàåÖóÄçàÖ
çÂÍÓÚÓ˚Â ËÁ ‚ÒÚÓÂÌÌ˚ı ‚
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í
Ì‡Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔÂ».
íÂÏÔ, ËÚÏ, ‡ÁÏÂ Ë Ô‡ÚËÚÛ‡
Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ
ÌÂÔ‡‚ËÎ¸ÌÓ.
èêàåÖóÄçàÖ
1
2
3
4
5
6
ÇÍÎ˛˜‡ÂÚ/‚˚ÍÎ˛˜‡ÂÚ ÓÚÓ·‡ÊÂÌËÂ Ô‡ÚËË Ô‡‚ÓÈ ÛÍË.
ÖÒÎË Ì‡ ˝Í‡ÌÂ SONG SETTING (ÒÚ. 140) ÔÂ‚ÓÈ ‰ÓÓÊÍÂ
([TRACK1] ) ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ [OFF], ÔÂ‚˚È Í‡Ì‡Î
‚˚·Ë‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
äÌÓÔÍË ‚ÍÎ˛˜ÂÌËﬂ/ÓÚÍÎ˛˜ÂÌËﬂ ÔÓÍ‡Á‡ ÚÂÍÒÚ‡.
ÖÒÎË ÔÂÒÌﬂ ÌÂ ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ ÌÂ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ.
ÇÍÎ˛˜‡ÂÚ/‚˚ÍÎ˛˜‡ÂÚ ÔÓÍ‡Á ‡ÍÍÓ‰Ó‚.
ÖÒÎË ÔÂÒÌﬂ ÌÂ ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı, ÓÌË ÌÂ ·Û‰ÂÚ
ÓÚÓ·‡Ê‡Ú¸Òﬂ.
ÇÍÎ˛˜ÂÌËÂ/ÓÚÍÎ˛˜ÂÌËÂ ÔÓÍ‡Á‡ Ì‡Á‚‡ÌËﬂ ÌÓÚ˚ (‚˚ÒÓÚ˚ Á‚ÛÍ‡).
á‡‰‡ÂÚ ‡ÁÂ¯ÂÌËÂ ˝Í‡Ì‡ (Ï‡Ò¯Ú‡· ÓÚÓ·‡ÊÂÌËﬂ Ô‡ÚËÚÛ˚).
ê‡ÁÂ¯ÂÌËﬂ ‚˚·Ë‡˛ÚÒﬂ ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓﬂ‰ÍÂ: X-LARGE (Extra Large),
LARGE, MEDIUM Ë SMALL.
Ç˚ÁÓ‚ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ô‡ÚËÚÛ˚. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ.
7
8
çÂ‚ÓÁÏÓÊÌÓ ÓÚÍÎ˛˜ËÚ¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ ˜‡ÒÚË [RIGHT] Ë
[LEFT].
èêàåÖóÄçàÖ
ç‡Á‚‡ÌËÂ ÌÓÚ˚ ÛÍ‡Á˚‚‡ÂÚÒﬂ
ÒÎÂ‚‡ ÓÚ ÂÂ ËÁÓ·‡ÊÂÌËﬂ. ÖÒÎË
‡ÒÒÚÓﬂÌËÂ ÏÂÊ‰Û ÌÓÚ‡ÏË
ÒÎË¯ÍÓÏ Ï‡ÎÓ, Ì‡Á‚‡ÌËÂ ÌÓÚ˚
ÏÓÊÂÚ ·˚Ú¸ ‚˚‚Â‰ÂÌÓ ÒÎÂ‚‡ Ì‡‰
ÌÓÚÓÈ.
èêàåÖóÄçàÖ
óÂÏ ·ÓÎ¸¯Â Ì‡ ˝Í‡ÌÂ
ÓÚÓ·‡Ê‡ÂÚÒﬂ ‡ÁÎË˜ÌÓÈ
‰ÓÔÓÎÌËÚÂÎ¸ÌÓÈ ËÌÙÓÏ‡ˆËË
(Ì‡Á‚‡ÌËÈ ˜‡ÒÚÂÈ Ë ‡ÍÍÓ‰Ó‚,
ÚÂÍÒÚ‡ ÔÂÒÌË Ë Ú.‰.), ÚÂÏ ÏÂÌ¸¯Â
ÛÏÂ˘‡ÂÚÒﬂ Ì‡ ÌÂÏ Ú‡ÍÚÓ‚.
èêàåÖóÄçàÖ
ÖÒÎË ÌÓÚ˚ Ë ÁÌ‡ÍË ‡Î¸ÚÂ‡ˆËË
(‰ËÂÁ˚ Ë ·ÂÏÓÎË) ÌÂ ÔÓÏÂ˘‡˛ÚÒﬂ
‚ ﬂ‰, ÚÓ ÓÌË ÔÂÂÌÓÒﬂÚÒﬂ ‚
ÔÂ‚˚È Ú‡ÍÚ ÒÎÂ‰Û˛˘ÂÈ ÒÚÓÍË,
Ì‡˜ËÌ‡ﬂ Ò ÒÂÂ‰ËÌ˚ Ú‡ÍÚ‡.
èêàåÖóÄçàÖ
îÛÌÍˆËË Ô‡ÚËÚÛ˚ ÌÂ
ÔÓÁ‚ÓÎﬂ˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË
ÔÛÚÂÏ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ„Ó ‚‚Ó‰‡
ÌÓÚ. ë‚Â‰ÂÌËﬂ Ó ÒÓÁ‰‡ÌËË ÔÂÒÂÌ
ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 101.
84
CVP-210/208
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡ÚËÚÛ˚
èêàåÖóÄçàÖ
äÓ„‰‡ Ô‡ÚËË Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË
(«LEFT» Ë «RIGHT») Ì‡ÁÌ‡˜ÂÌ˚
Ó‰ÌÓÏÛ Ë ÚÓÏÛ ÊÂ Í‡Ì‡ÎÛ,
Ô‡ÚËÚÛ‡ Ì‡ ˝Í‡ÌÂ ÒÚ‡ÌÓ‚ËÚÒﬂ
ÔÓıÓÊ‡ Ì‡ ÙÓÚÂÔË‡ÌÌÛ˛ (‰‚‡
ÌÓÚÌ˚ı ÒÚ‡Ì‡).
1
2
3
4
5
6
7
8
■ [1▲▼] LEFT CH / [2▲▼] RIGHT CH
äÌÓÔÍË Ì‡ÒÚÓÈÍË ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). èË ‚˚·ÓÂ ÌÓ‚ÓÈ ÔÂÒÌË ÔÓ
ÛÏÓÎ˜‡ÌË˛ ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ AUTO.
AUTO ................................ ä‡Ì‡Î˚ ÔËÒ‚‡Ë‚‡˛ÚÒﬂ Ô‡ÚËﬂÏ ÎÂ‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË. è‡ÚËË ‡ÒÔÓÎ‡„‡˛ÚÒﬂ ÔÓ
Í‡Ì‡Î‡Ï, ÛÍ‡Á‡ÌÌ˚Ï Ì‡ ˝Í‡ÌÂ SONG SETTING ÏÂÌ˛ Function (ÒÚ. 140).
1-16 ................................... è‡ÚËﬂ ÔË‚ﬂÁ˚‚‡ÂÚÒﬂ Í ÓÔÂ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (Ò ÔÂ‚Ó„Ó ÔÓ ¯ÂÒÚÌ‡‰ˆ‡Ú˚È).
OFF (ÚÓÎ¸ÍÓ LEFT CH) ... èËÒ‚ÓÂÌËÂ Í‡Ì‡Î‡ ÓÚÒÛÚÒÚ‚ÛÂÚ.
■ [3▲▼], [4▲▼] KEY SIGNATURE
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ËÁÏÂÌﬂÚ¸ ÚÓÌ‡Î¸ÌÓÒÚ¸ ‚ Î˛·ÓÏ ÏÂÒÚÂ, „‰Â ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡. ùÚÓ ÏÂÌ˛ ÔÓÎÂÁÌÓ ‚ ÒÎÛ˜‡ﬂı, ÍÓ„‰‡
‚˚·‡ÌÌ‡ﬂ ÔÂÒÌﬂ ÌÂ ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÂÍ ÚÓÌ‡Î¸ÌÓÒÚË ‰Îﬂ ‚˚‚Ó‰‡ Ì‡ ˝Í‡Ì.
ëÔËÒÓÍ ÍÎ˛˜Â‚˚ı ÁÌ‡ÍÓ‚ ‰Îﬂ Ï‡ÊÓÌ˚ı ÚÓÌ‡Î¸ÌÓÒÚÂÈ ÒÓ ÁÌ‡Í‡ÏË ‡Î¸ÚÂ‡ˆËË Ë Ô‡‡ÎÎÂÎ¸Ì˚ÏË ÏËÌÓÌ˚ÏË ÚÓÌ‡Î¸ÌÓÒÚﬂÏË
ÔË‚Â‰ÂÌ ÌËÊÂ.
äÎ˛˜Ë Ë ÁÌ‡ÍË ‡Î¸ÚÂ‡ˆËË
C Maj (A min)
G Maj (E min)
D Maj (B min)
A Maj (F min)
E Maj (C min)
B Maj (G min)
F Maj (D min)
C Maj (A min)
G Maj (E min)
D Maj (B min)
A Maj (F min)
E Maj (C min)
B Maj (G min)
F Maj (D min)
çÓÚ‡
ÛÍ‡Á˚‚‡ÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ï‡ÊÓÌÓÈ ÚÓÌ‡Î¸ÌÓÒÚË, ‡
C Maj (A min)
– ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÈ ÏËÌÓÌÓÈ ÚÓÌ‡Î¸ÌÓÒÚË.
■ [5▲▼] QUANTIZE (Í‚‡ÌÚËÁ‡ˆËﬂ)
è‡‡ÏÂÚ˚ Í‚‡ÌÚËÁ‡ˆËË ÔÓÁ‚ÓÎﬂ˛Ú Á‡‰‡‚‡Ú¸ ÌÓÚÌÓÂ ‡ÁÂ¯ÂÌËÂ Ô‡ÚËÚÛ˚. ùÚÓ ÓÁÌ‡˜‡ÂÚ
‚ÓÁÏÓÊÌÓÒÚ¸ Ò‰‚Ë„‡Ú¸ ËÎË ÍÓÂÍÚËÓ‚‡Ú¸ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ ÓÚÓ·‡Ê‡ÂÏ˚ı ÌÓÚ ‚ ˆÂÎﬂı
‚˚‡‚ÌË‚‡ÌËﬂ Ô‡ÚËÚÛ˚. áÌ‡˜ÂÌËÂ ÌÓÚÌÓ„Ó ‡ÁÂ¯ÂÌËﬂ ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÏËÌËÏ‡Î¸ÌÓÈ
‰ÎËÚÂÎ¸ÌÓÒÚË, ËÒÔÓÎ¸ÁÛÂÏÓÈ ‚ ÔÂÒÌÂ.
Ç‡Ë‡ÌÚ˚ ÌÓÚÌÓ„Ó ‡ÁÂ¯ÂÌËﬂ:
èêàåÖóÄçàÖ
äÓÓÚÍËÂ ÌÓÚ˚ Ë ÏÂÎËÁÏ˚
(ÚÂÎË, ÙÓ¯Î‡„Ë, ÙËÓËÚÛ˚) Ò
‰ÎËÚÂÎ¸ÌÓÒÚ¸˛ ÏÂÌ¸¯ÂÈ, ˜ÂÏ
ÌÓÚÌÓÂ ‡ÁÂ¯ÂÌËÂ
(Ì‡ËÏÂÌ¸¯‡ﬂ ‰ÎËÚÂÎ¸ÌÓÒÚ¸
ÓÚÓ·‡Ê‡ÂÏÓÈ ÌÓÚ˚), ·Û‰ÛÚ
ÓÚÒÛÚÒÚ‚Ó‚‡Ú¸ ‚ Ô‡ÚËÚÛÂ.
1/4, 1/8, 1/16, 1/32, ÚËÓÎ¸ ËÁ ˜ÂÚ‚ÂÚÂÈ, ÚËÓÎ¸ ËÁ ‚ÓÒ¸Ï˚ı, ÚËÓÎ¸ ËÁ ¯ÂÒÚÌ‡‰ˆ‡Ú˚ı, ÚËÓÎ¸ ËÁ
ÚË‰ˆ‡Ú¸ ‚ÚÓ˚ı
CVP-210/208
85
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
■ [6▲▼] NOTE NAME (Ì‡Á‚‡ÌËÂ ÌÓÚ˚)
Ç˚·ÂËÚÂ Ó‰ËÌ ËÁ ÚÂı ÚËÔÓ‚ Ì‡Á‚‡ÌËﬂ ÌÓÚ˚ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ÂÊËÏÂ «NOTE» (ÒÚ. 84).
ABC................................................... ç‡Á‚‡ÌËﬂ ÌÓÚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì ‚ ‚Ë‰Â ·ÛÍ‚ (C, D, E, F, G, A, B).
Fixed Do ........................................... ç‡Á‚‡ÌËﬂ ÌÓÚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì ‚ ‚Ë‰Â ÔËÌﬂÚ˚ı ‚ ÒÓÎ¸ÙÂ‰ÊËÓ Ó·ÓÁÌ‡˜ÂÌËÈ, ÍÓÚÓ˚Â
Á‡‚ËÒﬂÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ﬂÁ˚Í‡ (ÒÚ. 53).
ÄÌ„ÎËÈÒÍËÈ ...........Do Re Mi Fa Sol La Si
î‡ÌˆÛÁÒÍËÈ ........Ut Re Mi Fa Sol La Si
àÚ‡Î¸ﬂÌÒÍËÈ .........Do Re Mi Fa Sol La Si
çÂÏÂˆÍËÈ...............Do Re Mi Fa Sol La Si
àÒÔ‡ÌÒÍËÈ .............Do re Mi Fa Sol La Si
üÔÓÌÒÍËÈ ...............
Movable Do (ÔÓ‰‚ËÊÌÓÂ «‰Ó»)..... ç‡Á‚‡ÌËﬂ ÌÓÚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì ‚ ‚Ë‰Â ÔËÌﬂÚ˚ı ‚ ÒÓÎ¸ÙÂ‰ÊËÓ Ó·ÓÁÌ‡˜ÂÌËÈ Ë Á‡‚ËÒﬂÚ ÓÚ
‚˚·‡ÌÌÓÈ ÚÓÌ‡Î¸ÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁÌ‡˜‡ÂÚÒﬂ Í‡Í «‰Ó». ç‡ÔËÏÂ, ‚ ÚÓÌ‡Î¸ÌÓÒÚË
ÒÓÎ¸-Ï‡ÊÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓÎ¸» ·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òﬂ «‰Ó».
ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡Ë‡ÌÚÓÏ «Fixed Do», Ó·ÓÁÌ‡˜ÂÌËﬂ ÌÓÚ Á‡‚ËÒﬂÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ﬂÁ˚Í‡.
■ [7▲▼] COLOR NOTE
ÖÒÎË Á‡‰‡Ì ˝ÚÓÚ Ô‡‡ÏÂÚ, ÌÓÚ˚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì ‡ÁÌÓˆ‚ÂÚÌ˚ÏË («‰Ó» — Í‡ÒÌÓÂ, «Â» — ÊÂÎÚÓÂ, «ÏË» — ÁÂÎÂÌÓÂ, «Ù‡»
— Ó‡ÌÊÂ‚ÓÂ, «ÒÓÎ¸» — ÒËÌÂÂ, «Îﬂ» — ÙËÓÎÂÚÓ‚ÓÂ Ë «ÒË» — ·ÂÎÓÂ).
■ [8▲] OK
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ Á‡Í˚ÚËﬂ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ë Á‡ÔÛÒÍ‡ ÔÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËﬂ
Ô‡ÚËÚÛ˚. íÛ ÊÂ ÓÔÂ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, Ì‡Ê‡‚ ÍÌÓÔÍÛ [ENTER] Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË.
■ [8▼] CANCEL (ÓÚÏÂÌ‡)
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ Á‡Í˚ÚËﬂ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËﬂ Ô‡‡ÏÂÚÓ‚. íÛ ÊÂ
ÓÔÂ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, Ì‡Ê‡‚ ÍÌÓÔÍÛ [ENTER] Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË.
86
CVP-210/208
èêàåÖóÄçàÖ
èÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡ÌËˆ˚
˝Í‡Ì‡ Í ‰Û„ÓÈ ÏÓÊÌÓ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË ÔÂ‰‡ÎË (ÒÚ. 142).
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
éÚÓ·‡ÊÂÌËÂ ÚÂÍÒÚ‡ ÔÂÒÌË
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ÂÏﬂ ÂÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡ÔÂ‚‡Ú¸ ÂÂ, ÌÂ ÓÚ‚ÎÂÍ‡ﬂÒ¸ ÓÚ Ë„˚.
èêàåÖóÄçàÖ
1
2
Ç˚·ÂËÚÂ
ÔÂÒÌ˛
(ÒÚ. 78, 80).
íÂÍÒÚ ÔÂÒÌË ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡
ﬂÁ˚ÍÂ ÓË„ËÌ‡Î‡. ÖÒÎË ÚÂÍÒÚ
ËÒÍ‡ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ,
‚˚ ÏÓÊÂÚÂ ËÒÔ‡‚ËÚ¸ Â„Ó,
ËÁÏÂÌË‚ Ô‡‡ÏÂÚ «LYRICS
LANGUAGE» Ì‡ ˝Í‡ÌÂ SONG
SETTING (ÒÚ. 140).
A
B
C
D
E
3
èêàåÖóÄçàÖ
ÖÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÛÍ‡Á‡Ì
ˆ‚ÂÚ ÙÓÌ‡, ËÁÏÂÌËÚ¸ Ì‡ÒÚÓÈÍÛ
BACK GROUND ÌÂÎ¸Áﬂ.
èêàåÖóÄçàÖ
ÖÒÎË ÔÂÒÌﬂ ÌÂ ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡,
ÓÌ ÌÂ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ.
Ç˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ
BACK GROUND.
èêàåÖóÄçàÖ
4
REC
NEW SONG
TOP
START / STOP
REW
FF
REPEAT
ÖÒÎË ‚˚·‡ÌÌ‡ﬂ ÔÂÒÌﬂ
ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚Â Ó· ‡ÍÍÓ‰‡ı,
Ì‡Á‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ
ÓÚÓ·‡Ê‡Ú¸Òﬂ ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ
ÔÂÒÌË.
GUIDE
SYNC.START
èêàåÖóÄçàÖ
ëÚÓÍË ÚÂÍÒÚ‡ Ú‡ÍÊÂ ÏÓ„ÛÚ
ÓÚÓ·‡Ê‡Ú¸Òﬂ Ì‡ ˝Í‡ÌÂ
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÚÂÎÂ‚ËÁÓ‡
(ÒÚ. 147, 156).
á‡ÔÛÒÚËÚÂ ÔÂÒÌ˛.
5
ñ‚ÂÚ ÒÚÓÍ ÚÂÍÒÚ‡
ËÁÏÂÌﬂÂÚÒﬂ ‚Ó
‚ÂÏﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË.
END
REC
TOP
START / STOP
REW
FF
REPEAT
GUIDE
èêàåÖóÄçàÖ
NEW SONG
íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸
(ÒÚ. 112).
SYNC.START
éÒÚ‡ÌÓ‚Í‡ ÔÂÒÌË.
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í
ÔÂ‰˚‰Û˘ÂÈ ÒÚ‡ÌËˆÂ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
EXIT
.
CVP-210/208
87
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡·ÓÓ‚
Ô‡‡ÏÂÚÓ‚: Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸
êÂ„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸ – ˝ÚÓ ÏÓ˘ÌÓÂ ÒÂ‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚÂ ‚˚·Ë‡Ú¸
ÚÂ·ÛÂÏ˚Â ÚÂÏ·˚ ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓı‡ÌﬂÚ¸ ‚ÒÂ ˝ÚË ‰‡ÌÌ˚Â ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ ·Û‰Û˘ÂÏ.
ÇÔÓÒÎÂ‰ÒÚ‚ËË ‚ÒﬂÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÚÂ·ÛÂÚÒﬂ Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ ÎË¯¸ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ REGISTRATION MEMORY (Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸).
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
F
B
G
LAYER
C
H
LEFT
D
I
HELP
TAP TEMPO
REGISTRATION MEMORY
FADE IN OUT
REC
TOP
START STOP
REW
FF
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
FREEZE
1
MAX
2
TEMPO
3
DIGITAL
STUDIO
TRANSPOSE
4
TAP TEMPO
5
6
RESET
RESET
AUTO FILL IN
BREAK
INTRO
ENDING rit.
MAIN
7
SOUND
CREATOR
E
8
MEMORY
USER
SYNC.STOP SYNC.START START STOP
1
2
3
4
J
PIANO
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
ONE TOCTH SETTING
MUSIC FINDER
DIGITAL
RECORDING
STYLE
ACMP
ORGAN FLUTES
FUNCTION
ENTER
MIN
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
êÂ„ËÒÚ‡ˆËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ – Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÓÔËÒ˚‚‡ÂÚÒﬂ ÔÓˆÂ‰Û‡ Â„ËÒÚ‡ˆËË (Á‡ÍÂÔÎÂÌËﬂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Á‡
ÍÌÓÔÍ‡ÏË REGISTRATION MEMORY). á‡‰‡ÈÚÂ Î˛·˚Â Ô‡‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚
ÛÔ‡‚ÎÂÌËﬂ, ‡ÒÔÓÎÓÊÂÌÌ˚ı Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË, Ë Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸ «Á‡ÔÓÏÌËÚ» Ëı.
1
èêàåÖóÄçàÖ
àÏÂÈÚÂ ‚ ‚Ë‰Û, ˜ÚÓ ÔÂÒÌË ËÎË
ÒÚËÎË, ı‡Ìﬂ˘ËÂÒﬂ Ì‡ ‰ËÒÍÂÚÂ,
ÌÂ‚ÓÁÏÓÊÌÓ «Á‡ÔÓÏÌËÚ¸» Ú‡ÍËÏ
Ó·‡ÁÓÏ. ÖÒÎË ‚˚ ıÓÚËÚÂ
Á‡Â„ËÒÚËÓ‚‡Ú¸ ÔÂÒÌ˛ ËÎË
ÒÚËÎ¸, ÔÂÂÌÂÒËÚÂ ÌÂÓ·ıÓ‰ËÏ˚Â
‰‡ÌÌ˚Â ‚ ‡Á‰ÂÎ Ô‡ÏﬂÚË USER
Ì‡ ˝Í‡ÌÂ SONG/STYLE (ÒÚ. 40)
Ë Á‡Â„ËÒÚËÛÈÚÂ Ëı ÔÓ
ÓÚ‰ÂÎ¸ÌÓÒÚË.
á‡‰‡ÈÚÂ ÌÂÓ·ıÓ‰ËÏ˚Â Ô‡‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ô‡‡ÏÂÚ‡ı, ÍÓÚÓ˚Â ÏÓÊÌÓ ÒÓı‡ÌﬂÚ¸ ‚
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË, ÔË‚Â‰ÂÌ˚ ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (í‡·ÎËˆ‡ Ô‡‡ÏÂÚÓ‚).
REGISTRATION MEMORY
2
FREEZE
1
2
3
4
5
6
7
8
MEMORY
3
Ç˚·ÂËÚÂ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â
ÚÂ·ÛÂÚÒﬂ Ì‡ÒÚÓËÚ¸ Ë ÒÓı‡ÌËÚ¸. ÑÎﬂ
ÔÂÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ÛÔÔ˚ Í ‰Û„ÓÈ ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY].
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ „ÛÔÔÛ Ô‡‡ÏÂÚÓ‚,
ÔÓÒÚ‡‚¸ÚÂ ﬂ‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. è‡‡ÏÂÚ˚,
Á‡‰‡ÌÌ˚Â ‰Îﬂ „ÛÔÔ, ÌÂ ÔÓÏÂ˜ÂÌÌ˚ı „‡ÎÓ˜Í‡ÏË,
ÌÂ ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‚Ë‰Â Ù‡ÈÎ‡ Ì‡·Ó‡
Ô‡‡ÏÂÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌﬂÚ¸
ÓÔÂ‰ÂÎÂÌÌ˚Â Ì‡ÒÚÓÈÍË ‰‡ÊÂ ÔË ÒÏÂÌÂ
Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ‚ÁﬂÚ˚ı ËÁ
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. ë ÚÓÈ ÊÂ ˆÂÎ¸˛
ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÙÛÌÍˆËÂÈ Freeze
(«Á‡ÏÓÓÁËÚ¸») (ÒÚ. 90), ÍÓÚÓ‡ﬂ ÔÓÁ‚ÓÎﬂÂÚ
Ë„ÌÓËÓ‚‡Ú¸ ËÁÏÂÌÂÌËﬂ Â„ËÒÚ‡ˆËÓÌÌÓÈ
Ô‡ÏﬂÚË, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í «Á‡ÏÓÓÊÂÌÌ˚Ï»
Ô‡‡ÏÂÚ‡Ï.
END
F
G
H
I
J
äÌÓÔÍ‡ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË.
íÓ ÊÂ Ò‡ÏÓÂ ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER].
1
2
3
4
5
6
7
äÌÓÔÍ‡ Û‰‡ÎÂÌËﬂ „‡ÎÓ˜ÍË. íÓ ÊÂ
Ò‡ÏÓÂ ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [ENTER].
8
óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ËÁÓ·‡ÊÂÌÌ˚ı ÌËÊÂ ÍÌÓÔÓÍ.
REGISTRATION MEMORY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì, ÌÓ ÌÂ ‚˚·‡Ì.
ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì Ë ‚˚·‡Ì.
ë‚ÂÚÓ‰ËÓ‰ ÌÂ „ÓËÚ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ ÌÂ Á‡Â„ËÒÚËÓ‚‡Ì.
ëÏ. ËÌÙÓÏ‡ˆË˛ Ó ÒÓı‡ÌÂÌËË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ì‡ÒÚÓÂÍ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ.
88
äÌÓÔÍ‡ ÓÚÏÂÌ˚ Â„ËÒÚ‡ˆËË Ë
ÔÂÂıÓ‰‡ Í „Î‡‚ÌÓÏÛ ˝Í‡ÌÛ.
ÑÎﬂ ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊÂ
‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍÓÈ [EXIT].
CVP-210/208
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸
ëÓı‡ÌÂÌËÂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ Í‡Ê‰ÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓı‡ÌﬂÂÚÒﬂ ‚ ‚Ë‰Â ÓÚ‰ÂÎ¸ÌÓ„Ó Ù‡ÈÎ‡.
èêàåÖóÄçàÖ
á‡ÍÂÔÎÂÌÌ˚È Á‡ Í‡Ê‰ÓÈ ËÁ ÍÌÓÔÓÍ [1] [8] Ì‡·Ó Ô‡‡ÏÂÚÓ‚ Ì‡Á˚‚‡ÂÚÒﬂ
«·‡ÌÍÓÏ». î‡ÈÎ˚ Â„ËÒÚ‡ˆËÓÌÌ˚ı
·‡ÌÍÓ‚ ÒÎÂ‰ÛÂÚ ÒÓı‡ÌﬂÚ¸ ‚ ‡Á‰ÂÎÂ
Ô‡ÏﬂÚË «USER» ËÎË «FLOPPY DISK» ËÎË
Ì‡ ‰ËÒÍÂÚÂ.
BANK 01
çÂ Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ‡ÁÏÂ
Ù‡ÈÎ‡ ‚ Â„ËÒÚ‡ˆËÓÌÌÓÏ ·‡ÌÍÂ
(‡ ÁÌ‡˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËÏ‡ÂÏÓÈ
ËÏ Ô‡ÏﬂÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒÎ‡
Á‡‰‡‚‡ÂÏ˚ı ÙÛÌÍˆËÈ.
èêàåÖóÄçàÖ
1
F
óÚÓ·˚ ÔÂÂÈÚË Í „Î‡‚ÌÓÏÛ
˝Í‡ÌÛ, ÒÌ‡˜‡Î‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[DIRECT ACCESS], ‡ Á‡ÚÂÏ –
ÍÌÓÔÍÛ [EXIT].
G
H
I
J
2
ëÓı‡ÌËÚÂ Ì‡·Ó Ô‡‡ÏÂÚÓ‚ ‚ ‚Ë‰Â Â‰ËÌÓ„Ó Ù‡ÈÎ‡
Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡ÌÍ‡ (ÒÚ. 48).
èÓﬂ‚ËÚÒﬂ ˝Í‡Ì REGISTRATION EDIT.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó· ˝ÚÓÏ
˝Í‡ÌÂ ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
1
2
3
4
5
6
7
8
ùÍ‡Ì REGISTRATION EDIT
ëÓ‰ÂÊËÏÓÂ ÚÂÍÛ˘Â„Ó ·‡ÌÍ‡ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË (REGIST.) ‚˚‚Ó‰ËÚÒﬂ Ì‡ ˝Í‡ÌÂ REGISTRATION EDIT. ç‡Á‚‡ÌËﬂ
ÒÓı‡ÌÂÌÌ˚ı Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ÓÚÓ·‡Ê‡˛ÚÒﬂ Ì‡ ˝Í‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION
MEMORY ÒÚ‡ÌÓ‚ﬂÚÒﬂ ÁÂÎÂÌ˚ÏË.
ç‡ ˝ÚÓÏ ˝Í‡ÌÂ ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸, Û‰‡ÎËÚ¸ Ì‡·Ó Ô‡‡ÏÂÚÓ‚ ËÎË Ì‡ÁÌ‡˜ËÚ¸ ÂÏÛ ËÏﬂ.
Ç˚·Ó .......................... ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚ﬂÁ‡Ì˚ Ò ˝Í‡ÌÓÏ
REGIST. èË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ò‚ÂÚÓ‰ËÓ‰ Ì‡‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ
ÒÚ‡ÌÓ‚ËÚÒﬂ Í‡ÒÌ˚Ï.
ç‡ÁÌ‡˜ÂÌËÂ ËÏÂÌË..... èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂ‡ˆËË Ë‰ÂÌÚË˜Ì‡ ÔÓˆÂ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚
‡Á‰ÂÎÂ «Ç˚·Ó ËÏÂÌ ‰Îﬂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 45) „Î‡‚˚ «éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË: Ó„‡ÌËÁ‡ˆËﬂ
‰‡ÌÌ˚ı».
ì‰‡ÎÂÌËÂ ..................... èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔÂ‡ˆËË Ë‰ÂÌÚË˜Ì‡ ÔÓˆÂ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚
‡Á‰ÂÎÂ «ì‰‡ÎÂÌËÂ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 47) „Î‡‚˚ «éÒÌÓ‚Ì˚Â ÓÔÂ‡ˆËË: Ó„‡ÌËÁ‡ˆËﬂ ‰‡ÌÌ˚ı».
èÓÒÎÂ ‚˚ÔÓÎÌÂÌËﬂ ÓÔÂ‡ˆËÈ Name/Delete (ÔËÒ‚ÓËÚ¸ ËÏﬂ/Û‰‡ÎËÚ¸) ‚ÂÌËÚÂÒ¸ Ì‡ ˝Í‡Ì REGISTRATION BANK Ë
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▼] (UP), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â.
CVP-210/208
89
ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁÍ‡ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: Â„ËÒÚ‡ˆËÓÌÌ‡ﬂ Ô‡ÏﬂÚ¸
á‡„ÛÁÍ‡ Ì‡·Ó‡ Ô‡‡ÏÂÚÓ‚
åÓÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ Ì‡·Ó Ì‡ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂÎ¸Ì˚Â Ô‡‡ÏÂÚ˚. ç‡ÔËÏÂ, ÔË ÒÌﬂÚËË „‡ÎÓ˜ÍË Ò „ÛÔÔ˚ «STYLE» Ì‡ ˝Í‡ÌÂ
REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËÎ¸ ÌÂ ËÁÏÂÌËÚÒﬂ, ‰‡ÊÂ ÂÒÎË Á‡„ÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË.
á‡„ÛÁÍ‡ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ·‡ÌÍ Ì‡ ˝Í‡ÌÂ REGISTRATION BANK (ÒÚ. 89).
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚Â ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚, Ì‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ
REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ Ì‡‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
èêàåÖóÄçàÖ
ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ Á‡„ÛÊ‡Ú¸
ÌÂÒÍÓÎ¸ÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚
‚ Î˛·ÓÏ ÔÓﬂ‰ÍÂ. ÅÛ‰Û˜Ë
Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË
1 - 8 ÏÓ„ÛÚ ·˚Ú¸ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ ‚˚Á‚‡Ì˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK][NEXT] ËÎË ÔÂ‰‡ÎË
(ÒÚ. 145).
REGISTRATION MEMORY
FREEZE
1
2
3
4
5
6
7
8
MEMORY
Ç˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»
1
2
MENU
DEMO
HELP
FUNCTION
èÂÂÈ‰ËÚÂ Ì‡ ÒÚ‡ÌËˆÛ
«FREEZE» ˝Í‡Ì‡
REGIST.SEQUENCE/
FREEZE/VOICE SET
(ÒÚ. 145).
äÌÓÔÍ‡ ÛÒÚ‡ÌÓ‚ÍË
„‡ÎÓ˜ÍË.
1
2
3
4
5
6
7
8
äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË»
3
äÌÓÔÍ‡ Û‰‡ÎÂÌËﬂ
„‡ÎÓ˜ÍË.
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ÂÊËÏ «Á‡ÏÓÓÁÍË» ‚ÍÎ˛˜ÂÌ („ÓËÚ Ò‚ÂÚÓ‰ËÓ‰ ﬂ‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE),
ÚÓ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚, ÛÍ‡Á‡ÌÌ˚ı Ì‡ ÒÚ‡ÌËˆÂ «Freeze», ÓÒÚ‡ÌÛÚÒﬂ ÌÂÚÓÌÛÚ˚ÏË ‰‡ÊÂ ÔË ÒÏÂÌÂ ·‡ÌÍÓ‚
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË.
REGISTRATION MEMORY
1
FREEZE
4
2
3
4
5
6
7
8
MEMORY
óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚Â ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚, Ì‡ÊÏËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION
MEMORY (Ò‚ÂÚÓ‰ËÓ‰ Ì‡‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï).
REGISTRATION MEMORY
FREEZE
90
CVP-210/208
1
2
3
4
5
6
7
8
MEMORY
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 Ó·Î‡‰‡ÂÚ ÙÛÌÍˆËÂÈ Sound Creator, ÍÓÚÓ‡ﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸
ÒÓ·ÒÚ‚ÂÌÌ˚Â ÚÂÏ·˚ ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËﬂ ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ ËÏÂ˛˘ËıÒﬂ ÚÂÏ·Ó‚. èÓÒÎÂ
ÒÓÁ‰‡ÌËﬂ ÚÂÏ·‡ Â„Ó ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ ·Û‰Û˘ÂÏ.
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
F
B
G
LAYER
C
H
LEFT
MASTER VOLUME
HELP
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
ENDING rit.
MAIN
I
E
J
MUSIC FINDER
ONE TOCTH SETTING
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
D
SYNC.STOP SYNC.START START STOP
OTS LINK
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
1
FREEZE
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
SOUND
CREATOR
DIRECT ACCESS
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
• íÂÏ· ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ‚
Â‡Î¸ÌÓÏ ‚ÂÏÂÌË, ÌÂ
ÔÂ˚‚‡ﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÔÂÒÌË/ÒÚËÎﬂ.
• àÏÂÈÚÂ ‚ ‚Ë‰Û, ˜ÚÓ ÔË
ÓÔÂ‰ÂÎÂÌÌ˚ı ÔÂ‚ÓÌ‡˜‡Î¸Ì˚ı Ì‡ÒÚÓÈÍ‡ı ÚÂÏ·‡
Â„ÛÎËÓ‚Í‡ Â„Ó Ô‡‡ÏÂÚÓ‚
ÏÓÊÂÚ ÒÎÂ„Í‡ ÓÚ‡Ê‡Ú¸Òﬂ Ì‡
Ù‡ÍÚË˜ÂÒÍÓÏ Á‚Û˜‡ÌËË
ÚÂÏ·‡.
EXIT
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
1
2
óÚÓ·˚ ‚˚·‡Ú¸ Ô‡ÚË˛ (MAIN, LAYER ËÎË
LEFT), ÒÓ‰ÂÊ‡˘Û˛ ËÒıÓ‰Ì˚È ÚÂÏ·,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [F], [G] ËÎË [H].
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[SOUND
CREATOR].
DIGITAL
STUDIO
F
SOUND
CREATOR
G
H
DIGITAL
RECORDING
I
MIXING
CONSOLE
J
PART
3
èêàåÖóÄçàÖ
íÂÏ· ÏÓÊÌÓ Ú‡ÍÊÂ ‚˚·‡Ú¸ Ì‡
˝Í‡ÌÂ SOUND CREATOR.
ÇçàåÄçàÖ!
ÖÒÎË Á‡ÏÂÌËÚ¸ ÚÂÏ·
Â‰‡ÍÚËÛÂÏÓÈ Ô‡ÚËË, ÚÓ
Á‡‰‡ÌÌ˚Â ÁÌ‡˜ÂÌËﬂ
Ô‡‡ÏÂÚÓ‚ ·Û‰ÛÚ ÛÚÂﬂÌ˚.
Ç‡ÊÌ˚Â ‰‡ÌÌ˚Â ÒÎÂ‰ÛÂÚ
ÒÓı‡ÌﬂÚ¸ ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË
USER ËÎË Ì‡ ‰ËÒÍÂÚÂ.
éÚÂ‰‡ÍÚËÛÈÚÂ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡.
èÓﬂ‰ÓÍ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚˚·Ë‡ÂÏ˚ı Ì‡ ˝ÚÓÏ ˝Ú‡ÔÂ ÙÛÌÍˆËÈ ‰ÂÚ‡Î¸ÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚ. 93 (ÚÂÏ·˚ „ÛÔÔ˚ Natural/
Regular) Ë ÒÚ. 96 (Ó„‡ÌÌ˚Â ÙÎÂÈÚ˚).
Ç˚·ÂËÚÂ ÚÂ·ÛÂÏÓÂ ÏÂÌ˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK].
REGULAR VOICE
NATURAL VOICE
ORGAN FLUTES
äÌÓÔÍË ‚˚·Ó‡
ÏÂÌ˛.
Ç ‚˚·‡ÌÌÓÏ
ÏÂÌ˛ ÙÓÌ
ÒÚ‡ÌÓ‚ËÚÒﬂ
˜ÂÌ˚Ï, ‡ ·ÛÍ‚˚
– ·ÂÎ˚ÏË.
á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒﬂ ‰ÓÒÚÛÔÌ˚Â ‰Îﬂ
Â‰‡ÍÚËÓ‚‡ÌËﬂ Ô‡‡ÏÂÚ˚. éÌË
ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ô‡‡ÏÂÚ‡Ï/ÁÌ‡˜ÂÌËﬂÏ,
ÛÍ‡Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡.
4
Ç ÔÓˆÂÒÒÂ ‡·ÓÚ˚ ÏÓÊÌÓ Ò‡‚ÌË‚‡Ú¸
ËÒıÓ‰Ì˚È ÚÂÏ· Ò ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Ï.
ëÓı‡ÌËÚÂ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· ‚
‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER (Flash ROM) ‚ ‚Ë‰Â
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÚÂÏ·‡ (User) (ÒÚ. 48).
5
ùÚ‡ ÍÌÓÔÍ‡ ÓÚÍ˚‚‡ÂÚ ˝Í‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛
ÍÓÚÓÓ„Ó ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Â‰‡ÍÚËÛÂÏ˚È ÚÂÏ· ‚
‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER (ÒÚ. 48).
óÚÓ·˚ ‚˚·‡Ú¸ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È
ÚÂÏ·, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER].
CVP-210/208
91
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
è‡‡ÏÂÚ˚ SOUND CREATOR (íÂÏ·˚ „ÛÔÔ˚ Natural/Regular)
PIANO
éÔÂ‰ÂÎﬂÂÚ Ô‡‡ÏÂÚ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Á‚ÛÍ‡ÏË ÙÓÚÂÔË‡ÌÓ, Ú‡ÍËÂ Í‡Í ÏÂÎÓ‰Ë˜ÂÒÍ‡ﬂ ÍË‚‡ﬂ
ËÎË ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ. ùÚ‡ ÒÚ‡ÌËˆ‡ ‰ÓÒÚÛÔÌ‡, ÚÓÎ¸ÍÓ ÍÓ„‰‡ ‚˚·‡Ì Ì‡ÒÚÓﬂ˘ËÈ ÚÂÏ·
ÙÓÚÂÔË‡ÌÓ.
COMMON
á‡‰‡˛ÚÒﬂ Ó·˚˜Ì˚Â Ô‡‡ÏÂÚ˚, Ì‡ÔËÏÂ „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ ËÎË ÓÍÚ‡‚‡.
SOUND
éÔÂ‰ÂÎﬂÂÚ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡/ÙÛÌÍˆËË Envelope Generator („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)/‚Ë·‡ÚÓ
(íÓÎ¸ÍÓ ÚÂÏ· „ÛÔÔ˚ Regular).
EFFECT/EQ
á‡‰‡˛ÚÒﬂ ÚËÔ/„ÎÛ·ËÌ‡ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ ˝ÙÙÂÍÚ‡ Ë Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁÂ‡.
HARMONY
á‡‰‡˛ÚÒﬂ Ô‡‡ÏÂÚ˚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡.
èêàåÖóÄçàÖ
ÑÓÒÚÛÔÌ˚Â Ô‡‡ÏÂÚ˚
‡ÁÎË˜‡˛ÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
‚˚·‡ÌÌ˚Ï ÚËÔÓÏ ÚÂÏ·‡:
Ó·˚˜Ì˚Ï (Regular) ËÎË
èêàåÖóÄçàÖ
ëÎÂ‰ÛÂÚ ËÏÂÚ¸ ‚ ‚Ë‰Û, ˜ÚÓ
Ì‡ÒÚÓÈÍ‡ ÌÂÍÓÚÓ˚ı ËÁ
ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ Ò
ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Sound Creator
ÔË‚Ó‰ËÚ ÚÓÎ¸ÍÓ Í ËÁÏÂÌÂÌË˛
è‡‡ÏÂÚ˚ Ó„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. Ì‡ ÒÚ. 96.
èÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ÌÂ ÚÓÎ¸ÍÓ Ì‡ ˝Í‡ÌÂ Â‰‡ÍÚËÓ‚‡ÌËﬂ ÚÂÏ·Ó‚, ÌÓ Ë Ò ÔÓÏÓ˘¸˛ ‰Û„Ëı ˝Í‡ÌÓ‚.
è‡‡ÏÂÚ
ÄÎ¸ÚÂÌ‡ÚË‚Ì˚È ˝Í‡Ì Ì‡ÒÚÓÈÍË
MONO (ÏÓÌÓÙÓÌËﬂ)
VOICE EFFECT (TOP PANEL (Ô‡ÌÂÎ¸ ÛÔ‡‚ÎÂÌËﬂ))
ÒÚ. 62
PORTAMENTO TIME (‚ÂÏﬂ ÔÓÚ‡ÏÂÌÚÓ)
MIXING CONSOLE
ÒÚ. 125
LEFT PEDAL TYPE
CONTROLLER (FUNCTION)
ÒÚ. 142
LEFT PEDAL SETTING
CONTROLLER (FUNCTION)
ÒÚ. 142
FILTER BRIGHTNESS (ÙËÎ¸Ú «ﬂÍÓÒÚË« ÚÂÏ·‡)
MIXING CONSOLE
ÒÚ. 125
FILTER HARMONIC CONTENT (ÙËÎ¸Ú „‡ÏÓÌËÍ)
MIXING CONSOLE
ÒÚ. 125
REVERB DEPTH (ÉÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË)
MIXING CONSOLE
ÒÚ. 126
CHORUS DEPTH (ÉÎÛ·ËÌ‡ ıÓÛÒ‡)
MIXING CONSOLE
ÒÚ. 126
DSP ON/OFF (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ˆËÙÓ‚Ó„Ó ÒË„Ì‡Î¸ÌÓ„Ó ÔÓˆÂÒÒÓ‡)
VOICE EFFECT (TOP PANEL)
ÒÚ. 61
DSP DEPTH (ÉÎÛ·ËÌ‡ ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË ÒË„Ì‡Î‡)
MIXING CONSOLE
ÒÚ. 126
DSP TYPE/VARIATION (ÚËÔ Ó·‡·ÓÚÍË/‚‡Ë‡ˆËË)
MIXING CONSOLE/VOICE EFFECT (TOP PANEL)
ÒÚ. 61, 126
EQ LOW/GAIN (ÛÒËÎÂÌËÂ ÌËÁÍËı ˜‡ÒÚÓÚ)
MIXING CONSOLE
ÒÚ. 128
EQ HIGH/GAIN (ÛÒËÎÂÌËÂ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ)
MIXING CONSOLE
ÒÚ. 128
HARMONY/ECHO TYPE (ÚËÔ „‡ÏÓÌËÁ‡ˆËË/˝ı‡)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
HARMONY/ECHO VOLUME („ÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó ÒË„Ì‡Î‡)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËﬂ ˝ı‡)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
HARMONY/ECHO ASSIGN (‚‡Ë‡ÌÚ˚ ÔËÏÂÌÂÌËﬂ ˝ÙÙÂÍÚ‡)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡ Á‡Ú‡„Ë‚‡ÂÚ ÚÓÎ¸ÍÓ
ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
HARMONY/ECHO TOUCH LIMIT (ÔÓÓ„ ÒËÎ˚ Ì‡Ê‡ÚËﬂ)
HARMONY/ECHO (FUNCTION)
ÒÚ. 146
íÂÏ·˚ „ÛÔÔ˚ Natural Ë Regular
Ç ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 ‚ÒÚÓÂÌ˚ ‰‚‡ ‡ÁÎË˜Ì˚ı ËÒÚÓ˜ÌËÍ‡ ‰Îﬂ ÚÓÌ-„ÂÌÂ‡ÚÓ‡:
Natural Ë XG. àÒÚÓ˜ÌËÍ ‰Îﬂ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Natural Ë Â„Ó ÚÂÏ·Ó‚ ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ
·ÓÎ¸¯ÓÂ ÍÓÎË˜ÂÒÚ‚Ó Á‚Û˜‡ÌËÈ ËÌÚÒÛÏÂÌÚÓ‚, Ó·ÂÒÔÂ˜Ë‚‡ﬂ ·ÓÎ¸¯Û˛ Ë ‰ÂÚ‡Î¸ÌÛ˛
‚˚‡ÁËÚÂÎ¸ÌÓÒÚ¸. àÒÚÓ˜ÌËÍ XG (ÔË‚Ó‰ﬂ˘ËÈ ‚ ‰ÂÈÒÚ‚ËÂ ÚÂÏ·˚ „ÛÔÔ˚ Regular)
Ó·ÂÒÔÂ˜Ë‚‡ÂÚ Ï‡ÍÒËÏ‡Î¸ÌÓÂ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ ˆÂÎÓÏÛ ﬂ‰Û ÛÒÚÓÈÒÚ‚ Ë ÔÂÒÂÌ.
èêàåÖóÄçàÖ
íÂÏ·˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚Â Ò
ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌËÍ‡ XG,
‰ÂÎﬂÚÒﬂ Ì‡ ‰‚Â „ÛÔÔ˚. é‰Ì‡ ËÁ
ÌËı ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ
ËÒıÓ‰Ì˚È Ì‡·Ó ÚÂÏ·Ó‚
Clavinova (Cool!, Sweet!, Live!,
Live!Drums, Organ Flutes), ‡
‰Û„‡ﬂ – ÒÚ‡Ì‰‡ÚÌ˚È Ì‡·Ó XG.
å‡ÍÒËÏ‡Î¸ÌÓÂ ÍÓÎË˜ÂÒÚ‚Ó ÚÂÏ·Ó‚ ÔÓÎËÙÓÌËË ‰Îﬂ Í‡Ê‰Ó„Ó ËÒÚÓ˜ÌËÍ‡ ÚÓÌ-„ÂÌÂ‡ÚÓ‡
Á‡‰‡ÂÚÒﬂ ‰Îﬂ Ì‡ËÎÛ˜¯ÂÈ ÔÓÏÓ˘Ë ÔË ‚˚ÒÚÛÔÎÂÌËË. ÇÓ·˘ÂÏ, ÔÂÒÌË Ë ÒÚËÎË ÔÓË„˚‚‡˛ÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌËÍ‡ XG, ‚ ÚÓ ‚ÂÏﬂ Í‡Í ÚÂÏ·˚ „ÛÔÔ˚ Natural ÔÓË„˚‚‡˛ÚÒﬂ Ò ÍÎ‡‚Ë‡ÚÛ˚,
ÔÓÁ‚ÓÎﬂﬂ ‚‡Ï ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÚÂÏ·˚ „ÛÔÔ˚ Natural Ò ÔÓÎÌÓÈ ÔÓÎËÙÓÌËÂÈ, ‰‡ÊÂ ÂÒÎË ÔÂÒÌﬂ Ë ÒÚËÎ¸ ‚˚ıÓ‰ﬂÚ Á‡ ÔÂ‰ÂÎ˚
‰Ë‡Ô‡ÁÓÌ‡ ÔÓÎËÙÓÌËË.
Natural!
Cool!
Sweet! (ËÌÒÚÛÏÂÌÚ:
«ÒÎ‡‰ÍÓÁ‚Û˜Ì˚È»)
Clavinova-˝ÍÒÍÎ˛ÁË‚Ì˚Â ÚÂÏ·˚
*
92
Live!
Live!Drums
OrganFlutes!
XG
GM/XG-ÒÓ˜ÂÚ‡˛˘ËÂÒﬂ ÚÂÏ·˚
íÂÏ·˚ „ÛÔÔ˚ Natural (‚ÓÒÔÓËÁ‚Ó‰ËÏ˚Â
ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„ÂÌÂ‡ÚÓ‡)
íÂÏ·˚ „ÛÔÔ˚ Regular (‚ÓÒÔÓËÁ‚Ó‰ËÏ˚Â ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ XG)
èÂËÏÛ˘ÂÒÚ‚ÂÌÌÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ
ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚
ÑÎﬂ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚, ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË/ÒÚËÎﬂ*
Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎﬂ, ÚÂÏ· „ÛÔÔ˚ Natural ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ Í‡˜ÂÒÚ‚Â ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é·˚˜ÌÓ, ÔÂÒÌË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ò
ÔÓÏÓ˘¸˛ ÚÂÏ·Ó‚ XG (ÒÚ. 163); ÚÂÏ ÌÂ ÏÂÌÂÂ, ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ ÌÂÓ·˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚ı Ë
Â‡ÎËÒÚË˜Ì˚ı Á‚ÛÍÓ‚, ËÒÔÓÎ¸ÁÛÂÏ˚ı Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-210/208 (ÒÚ. 124).
CVP-210/208
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
PIANO (ÔË ‚˚·ÓÂ Ì‡ÚÛ‡Î¸ÌÓ„Ó ÚÂÏ·‡ ÙÓÚÂÔË‡ÌÓ)
Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
èêàåÖóÄçàÖ
éÔÂ‰ÂÎﬂÂÚ ÏÂÎÓ‰Ë˜ÌÛ˛ ÍË‚Û˛, ‚
ÓÒÓ·ÂÌÌÓÒÚË ‰Îﬂ ÚÂÏ·Ó‚ ÙÓÚÂÔË‡ÌÓ. ÖÒÎË
‚‡Ï Í‡ÊÂÚÒﬂ, ˜ÚÓ ÏÂÎÓ‰Ë˜ÂÒÍ‡ﬂ ÍË‚‡ﬂ
ÚÂÏ·‡ ÙÓÚÂÔ¸ﬂÌÓ ÌÂ ÒÓ‚ÒÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
ÏÂÎÓ‰Ë˜ÂÒÍËÏ ÍË‚˚Ï ‰Û„Ëı ÚÂÏ·Ó‚,
‚˚·ÂËÚÂ Ì‡ÒÚÓÈÍÛ «FLAT».
STRETCH.....åÂÎÓ‰Ë˜ÂÒÍ‡ﬂ ÍË‚‡ﬂ
ÒÔÂˆË‡Î¸ÌÓ ‰Îﬂ ÙÓÚÂÔ¸ﬂÌÓ
FLAT.............åÂÎÓ‰Ë˜ÂÒÍ‡ﬂ ÍË‚‡ﬂ, ‚
ÍÓÚÓÓÈ ˜‡ÒÚÓÚ‡ Û‰‚‡Ë‚‡ÂÚÒﬂ Ì‡
ÓÍÚ‡‚Û ÔÓ ‚ÒÂÈ ÍÎ‡‚Ë‡ÚÛÂ
ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ
‰Îﬂ Â„ÛÎËÓ‚ÍË ﬂÍÓÒÚË Á‚ÛÍ‡. ùÚ‡
Ì‡ÒÚÓÈÍ‡ ÓÍ‡Á˚‚‡ÂÚ ‚ÎËﬂÌËÂ Ì‡ ‚ÒÂ
ÚÂÏ·˚ „ÛÔÔ˚ Natural. ÖÒÎË ‚˚·‡Ì Î˛·ÓÈ
ËÁ ÚÂÏ·Ó‚, ÍÓÏÂ Ì‡ÚÛ‡Î¸ÌÓ„Ó ÚÂÏ·‡
ÙÓÚÂÔË‡ÌÓ, Á‡‰‡ÈÚÂ ÁÌ‡˜ÂÌËÂ Ì‡ ÒÚ‡ÌËˆÂ
EFFECT. ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÒÏ.
Ì‡ (ÒÚ. 95).
ÑÓÒÚÛÔÌ˚Â Ô‡‡ÏÂÚ˚
‡ÁÎË˜‡˛ÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ.
éÔÂ‰ÂÎﬂÂÚ „ÎÛ·ËÌÛ ÂÁÓÌ‡ÌÒ‡
ÒÚÛÌ˚.
1
2
3
4
5
6
7
8
éÔÂ‰ÂÎﬂÂÚ „ÎÛ·ËÌÛ ÒÛÒÚÂÈÌÒ˝ÏÔÎËÓ‚‡ÌËﬂ ‰Îﬂ Ô‡‚ÓÈ
ÔÂ‰‡ÎË.
é·˚˜Ì˚Â Ô‡‡ÏÂÚ˚
Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
ùÚË Ô‡‡ÏÂÚ˚ Ë‰ÂÌÚË˜Ì˚
Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡ÌÂ
CONTROLLER. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 142.
äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ÂÏÂÌË ÔÓÚ‡ÏÂÌÚÓ
‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË (MAIN/LAYER/VOICE)
(ÚÓÎ¸ÍÓ ÚÂÏ· „ÛÔÔ˚ Regular) (ÒÚ. 125).
äÌÓÔÍË Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË
Â‰‡ÍÚËÛÂÏÓ„Ó ÚÂÏ·‡.
éÔÂ‰ÂÎﬂÂÚ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚ Í
ÒËÎÂ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯ (Á‡‚ËÒËÏÓÒÚ¸
„ÓÏÍÓÒÚË ÚÂÏ·‡ ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ
ÍÎ‡‚Ë¯‡Ï).
0....... ìÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ËÁÏÂÌﬂÂÚÒﬂ ‚
ÁÌ‡˜ËÚÂÎ¸Ì˚ı ÔÂ‰ÂÎ‡ı ÔË Â‰‚‡
Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË ÒËÎ˚ Ì‡Ê‡ÚËﬂ.
64..... äÎ‡‚Ë‡ÚÛ‡ Â‡„ËÛÂÚ Ì‡ Ì‡Ê‡ÚËÂ
Ó·˚˜Ì˚Ï Ó·‡ÁÓÏ.
127... íÂÏ· Á‚Û˜ËÚ Ó‰ËÌ‡ÍÓ‚Ó „ÓÏÍÓ ÔË
Î˛·ÓÈ ÒËÎÂ Ì‡Ê‡ÚËﬂ (ÙËÍÒËÓ‚‡ÌÌ˚È
ÛÓ‚ÂÌ¸ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË).
äÌÓÔÍ‡ ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û
ÔÓÎËÙÓÌË˜ÂÒÍËÏ Ë ÏÓÌÓÙÓÌË˜ÂÒÍËÏ
ÂÊËÏÓÏ Á‚Û˜‡ÌËﬂ ÚÂÏ·‡ (ÚÓÎ¸ÍÓ
ÚÂÏ· „ÛÔÔ˚ Regular) (ÒÚ. 62).
1
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8
äÌÓÔÍ‡ Ò‰‚Ë„‡ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ Ì‡
ÓÍÚ‡‚Û(˚) ‚‚Âı ËÎË ‚ÌËÁ. ÖÒÎË ‚˚·‡Ì
ÚÂÏ· ‰Îﬂ „Î‡‚ÌÓÈ ˜‡ÒÚË ËÎË ˜‡ÒÚË ÒÎÓﬂ,
Á‡‰‡ÂÚÒﬂ Ô‡‡ÏÂÚ M/LYR. ÖÒÎË ‚˚·‡Ì
ÚÂÏ· ‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ ÛÍË, ÚÓ
Á‡‰‡ÂÚÒﬂ Ô‡‡ÏÂÚ LEFT.
SOUND (íÓÎ¸ÍÓ ÚÂÏ· „ÛÔÔ˚ Regular)
Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
äÌÓÔÍË Ì‡ÒÚÓÈÍË ÙËÎ¸Ú‡, „ÂÌÂ‡ÚÓ‡
Ó„Ë·‡˛˘Ëı (EG) Ë ‚Ë·‡ÚÓ (ÒÏ. ÌËÊÂ).
1
2
3
4
5
6
7
8
CVP-210/208
93
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
■ FILTER
è‡‡ÏÂÚ˚ ÙËÎ¸Ú‡ ÓÔÂ‰ÂÎﬂ˛Ú Ó·˘ËÈ ı‡‡ÍÚÂ Á‚Û˜‡ÌËﬂ ÚÂÏ·‡, ÔÓÁ‚ÓÎﬂﬂ ÛÒËÎË‚‡Ú¸ ËÎË
«ÒÂÁ‡Ú¸» ÓÔÂ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ.
• BRIGHTNESS
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡ÌË˜ÌÛ˛ ˜‡ÒÚÓÚÛ
ËÎË ‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ
(ÂÁÓÌ‡ÌÒ) ÙËÎ¸Ú‡ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ
‚˚¯Â Â„Ó ÁÌ‡˜ÂÌËÂ, ÚÂÏ ﬂ˜Â Á‚ÛÍ.
ÉÓÏÍÓÒÚ¸
ó‡ÒÚÓÚ‡ ÒÂÁ‡
ó‡ÒÚÓÚ˚, ÔÓÔÛÒÍ‡ÂÏ˚Â
ÙËÎ¸ÚÓÏ.
• ÑÓ·‡‚ÎÂÌËÂ „‡ÏÓÌËÍ
éÔÂ‰ÂÎﬂÂÚ ÒÚÂÔÂÌ¸ ÛÒËÎÂÌËﬂ Á‚ÛÍ‡ Ì‡
„‡ÌË˜ÌÓÈ ˜‡ÒÚÓÚÂ ÙËÎ¸Ú‡, Á‡‰‡ÌÌÓÈ ‡ÌÂÂ
Ô‡‡ÏÂÚÓÏ BRIGHTNESS (ÒÏ. ‰Ë‡„‡ÏÏÛ).
óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ ‚˚‡ÊÂÌÌ˚Ï
ÒÚ‡ÌÓ‚ËÚÒﬂ ˝ÙÙÂÍÚ.
èêàåÖóÄçàÖ
îËÎ¸Ú ÌÂ ÚÓÎ¸ÍÓ ÏÓÊÂÚ
ÔË‰‡Ú¸ ÚÂÏ·Û Ïﬂ„ÍÓÒÚ¸ ËÎË
ÂÁÍÓÒÚ¸ – Â„Ó Ú‡ÍÊÂ ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ
«˝ÎÂÍÚÓÌÌ˚ı» ÒËÌÚÂÁ‡ÚÓÌ˚ı
˝ÙÙÂÍÚÓ‚.
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚ÛÍ‡)
ÑË‡Ô‡ÁÓÌ
ÒÂÁ‡
ÉÓÏÍÓÒÚ¸
êÂÁÓÌ‡ÌÒ
êÂÁÓÌ‡ÌÒ
ó‡ÒÚÓÚ‡
(‚˚ÒÓÚ‡ Á‚ÛÍ‡)
■ EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)
àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚ „ÂÌÂ‡ÚÓ‡ Ó„Ë·‡˛˘Ëı ‚ÎËﬂÂÚ Ì‡ ‰ËÌ‡ÏËÍÛ Á‚ÛÍ‡. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„ËÂ
ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËﬂ ‡ÍÛÒÚË˜ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ — Ì‡ÔËÏÂ, ·˚ÒÚÛ˛ ‡Ú‡ÍÛ Ë ·˚ÒÚÓÂ Á‡ÚÛı‡ÌËÂ ÔÂÍÛÒÒËÓÌÌ˚ı Á‚ÛÍÓ‚ Ë
‰ÎËÚÂÎ¸ÌÓÂ Á‚Û˜‡ÌËÂ ÙÓÚÂÔË‡ÌÓ, ÍÓ„‰‡ Ì‡Ê‡Ú‡ Ô‡‚‡ﬂ ÔÂ‰‡Î¸.
• ATTACK (‡Ú‡Í‡) ................................éÔÂ‰ÂÎﬂÂÚ, Ì‡ÒÍÓÎ¸ÍÓ ·˚ÒÚÓ ÔÓÒÎÂ
Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯Ë Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ
Ï‡ÍÒËÏ‡Î¸ÌÓÈ „ÓÏÍÓÒÚË. óÂÏ ‚˚¯Â
ÁÌ‡˜ÂÌËÂ, ÚÂÏ ÏÂ‰ÎÂÌÌÂÂ ‡Ú‡Í‡.
• DECAY (ÔÂ‚Ë˜ÌÓÂ Á‡ÚÛı‡ÌËÂ) ....éÔÂ‰ÂÎﬂÂÚ, Ì‡ÒÍÓÎ¸ÍÓ ·˚ÒÚÓ Á‚ÛÍ
‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìﬂ ÒÛÒÚÂÈÌ‡ („ÓÏÍÓÒÚ¸
ÌÂÏÌÓ„Ó ÌËÊÂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ). óÂÏ ‚˚¯Â
ÁÌ‡˜ÂÌËÂ, ÚÂÏ ÏÂ‰ÎÂÌÌÂÂ Á‡ÚÛı‡ÂÚ Á‚ÛÍ.
ìÓ‚ÂÌ¸
ÒË„Ì‡Î‡
ATTACK
DECAY
äÎ‡‚Ë¯‡ Ì‡Ê‡Ú‡
• RELEASE (ÍÓÌˆÂ‚ÓÂ Á‡ÚÛı‡ÌËÂ) ...éÔÂ‰ÂÎﬂÂÚ ‚ÂÏﬂ, ÌÂÓ·ıÓ‰ËÏÓÂ ‰Îﬂ
ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËﬂ Á‚ÛÍ‡ ÔÓÒÎÂ ÓÚÔÛÒÍ‡ÌËﬂ ÍÎ‡‚Ë¯Ë.
óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ, ÚÂÏ ‰ÓÎ¸¯Â ˝ÚÓ ÔÓËÒıÓ‰ËÚ.
ÇÂÏﬂ
äÎ‡‚Ë¯‡ ÓÚÔÛ˘ÂÌ‡
èêàåÖóÄçàÖ
óÂÏ ·ÓÎ¸¯Â ÁÌ‡˜ÂÌËÂ
Ô‡‡ÏÂÚ‡ RELEASE, ÚÂÏ
‰ÓÎ¸¯Â ‰ÎËÚÒﬂ Ù‡Á‡ ÒÛÒÚÂÈÌ‡.
■ ÇË·‡ÚÓ
• DEPTH („ÎÛ·ËÌ‡) ..............................á‡‰‡ÂÚ ÒÚÂÔÂÌ¸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ.
‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ ÁÌ‡˜ÂÌËÂ, ÚÂÏ ·ÓÎÂÂ ‚˚‡ÊÂÌ
˝ÙÙÂÍÚ.
• SPEED (ÔÂËÓ‰)................................á‡‰‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ (ÒÏ. ‰Ë‡„‡ÏÏÛ).
• DELAY (Á‡‰ÂÊÍ‡) ...........................éÔÂ‰ÂÎﬂÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û
Ì‡Ê‡ÚËÂÏ Ì‡ ÍÎ‡‚Ë¯Û Ë Á‡ÔÛÒÍÓÏ
˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ
‚˚¯Â ˝ÚÓ ÁÌ‡˜ÂÌËÂ, ÚÂÏ ·ÓÎ¸¯Â Á‡‰ÂÊÍ‡.
RELEASE
èêàåÖóÄçàÖ
ÇË·‡ÚÓ
á‡ Ò˜ÂÚ ÔÂËÓ‰Ë˜ÂÒÍÓ„Ó
ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡
ÒÓÁ‰‡ÂÚÒﬂ ˝ÙÙÂÍÚ «‰ÓÊ‡ÌËﬂ».
SPEED
ìÓ‚ÂÌ¸
ÒË„Ì‡Î‡
DEPTH
DELAY
ÇÂÏﬂ
94
CVP-210/208
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ
Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
NATURAL VOICE
éÔÂ‰ÂÎﬂÂÚ ﬂÍÓÒÚ¸ ÚÓÌ‡, ÍÓ„‰‡ ‚˚·‡Ì
ÚÂÏ· „ÛÔÔ˚ Natural. í‡ÍÊÂ ÏÓÊÌÓ Á‡‰‡Ú¸
ÁÌ‡˜ÂÌËﬂ Ì‡ ÒÚ‡ÌËˆÂ PIANO (ÒÚ. 93), ÂÒÎË
‚˚·‡Ì ÚÂÏ· ÙÓÚÂÔË‡ÌÓ.
• Metallic..... ÂÁÍËÈ ÏÂÚ‡ÎÎË˜ÂÒÍËÈ ÚÓÌ
• Bright ....... Ò‚ÂÚÎ˚È ÚÓÌ
• Normal...... ÒÚ‡Ì‰‡ÚÌ˚È ÚÓÌ
• Mellow ...... Ïﬂ„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ
• Dark .......... ÚÂÏÌ˚È ÚÓÌ
éÔÂ‰ÂÎﬂÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ (Reverb/Chorus/
DSP).
ÖÒÎË ‚˚·‡Ì ÚÂÏ· „ÛÔÔ˚ Regular, ÚËÔ DSP
Ë ˝ÙÙÂÍÚ ‚‡Ë‡ˆËË ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ ‚ ‰‚Ûı
‡ÁÎË˜Ì˚ı ÏÂÌ˛. ëÚÛÍÚÛÌ˚Â ÒıÂÏ˚
ÔÓıÓÊ‰ÂÌËﬂ Ó·‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË
ÒË„Ì‡Î‡ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 129; ÔÂÂ˜ÂÌ¸
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ÒÓ‰ÂÊËÚÒﬂ ‚ Ò·ÓÌËÍÂ
Ú‡·ÎËˆ.
èêàåÖóÄçàÖ
ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸, ·Û‰ÂÚ ÎË
ÔÓ‰ÎÂ‚‡Ú¸Òﬂ Á‚ÛÍ ÔË Ì‡Ê‡ÚËË ÍÎ‡‚Ë¯ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
(Ô‡‡ÏÂÚ «PIANO LIKE»), ËÎË Á‚ÛÍ ·Û‰ÂÚ ÔÓ‰ÎÂ‚‡Ú¸Òﬂ
ÚÓÎ¸ÍÓ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ ÔÂ‰‡Î¸, Í‡Í ÔË Ë„Â Ì‡
Ì‡ÒÚÓﬂ˘ÂÏ ‚Ë·ÓÙÓÌÂ (Ô‡‡ÏÂÚ «NORMAL») (ÚÓÎ¸ÍÓ
‰Îﬂ ÚÂÏ·‡ Vibraphone).
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌﬂ˛Ú ÚÛ ÊÂ ÓÎ¸, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËÍ¯Â‡ (ÒÏ. ÒÚ. 126).
íÂÏ· „ÛÔÔ˚ Regular
• ÖÒÎË ‚ Í‡˜ÂÒÚ‚Â ÚËÔ‡
˝ÙÙÂÍÚ‡ Brilliance ‚˚·‡Ú¸
[Bright] ËÎË [Metallic],
„ÓÏÍÓÒÚ¸ ÒÎÂ„Í‡ Û‚ÂÎË˜ËÚÒﬂ.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â, Û‚ÂÎË˜ÂÌËÂ
Ó·˘ÂÈ „ÓÏÍÓÒÚË [MASTER
VOLUME] ÏÓÊÂÚ ÔË‚ÂÒÚË Í
Ì‡Û¯ÂÌË˛ ÍÓÌÚ‡ÍÚ‡. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ÛÏÂÌ¸¯ËÚÂ „ÓÏÍÓÒÚ¸.
• è‡‡ÏÂÚ «SPEED»
‰Ó·‡‚ÎﬂÂÚÒﬂ, ÂÒÎË ‚˚·‡Ì
ÚËÔ VIBE ROTOR DSP. ë
ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚
ÏÓÊÂÚÂ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸
‚Ë·‡ÚÓ, ÂÒÎË ‚˚·‡Ì ÚÂÏ·
Vibraphone, ‚ÓÒÒÓÁ‰‡˛˘ËÈ
˝ÙÙÂÍÚ ÔÂ‰‡ÎË vibe rotor.
éÔÂ‰ÂÎﬂÂÚ ˜‡ÒÚÓÚÛ Ë ÛÓ‚ÂÌ¸
ÛÒËÎÂÌËﬂ, Á‡‰‡‚‡ÂÏ˚Â ‰Îﬂ
ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı
˜‡ÒÚÓÚ.
ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌﬂ˛Ú ÚÛ ÊÂ ÓÎ¸, ˜ÚÓ Ë
‚ ÍÓÌÒÓÎË ÏËÍ¯Â‡ (ÒÏ. ÒÚ. 126).
HARMONY („‡ÏÓÌËÁ‡ˆËﬂ)
Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
éÚÓ·‡Ê‡ÂÏ˚Â Ì‡ ‰‡ÌÌÓÏ ˝Í‡ÌÂ Ô‡‡ÏÂÚ˚ Ë‰ÂÌÚË˜Ì˚ Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡ÌÂ HARMONY/ECHO, ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸,
Ì‡Ê‡‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 147.
CVP-210/208
95
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÏ·Ó‚: ÙÛÌÍˆËﬂ Sound Creator
é„‡ÌÌ˚Â Â„ËÒÚ˚
èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, ËÏÂ˛˘ËıÒﬂ ‚ „ÛÔÔÂ ÚÂÏ·Ó‚ ORGAN, CVP-210/208 Ó·Î‡‰‡ÂÚ ÚÂÏ·ÓÏ ORGAN FLUTES
(«Ó„‡ÌÌ˚Â ÙÎÂÈÚ˚»). Ç ‰‡ÌÌÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91.
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ
èêàåÖóÄçàÖ
ìÒÚ‡ÌÓ‚ËÚÂ Â„ËÒÚ 16' ËÎË
5 1/3' Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË
[1▲▼]. Ç˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸
ÌÛÊÌ˚È Â„ËÒÚ (16 'ËÎË 5 1/
3') Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [D]
(ÚÓÎ¸ÍÓ CVP-210).
äÌÓÔÍË ‚˚·Ó‡/Ì‡ÒÚÓÈÍË
Ô‡‡ÏÂÚÓ‚ (ÒÏ. ÌËÊÂ).
ùÙÙÂÍÚ˚ tremolo Ë trill,
Á‡‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
Harmony/Echo (ÒÚ. 146), ÌÂ
‚ÎËﬂ˛Ú Ì‡ Á‚Û˜‡ÌËÂ Ó„‡ÌÌ˚ı
ÙÎÂÈÚ (ÚÓÎ¸ÍÓ CVP-210).
ìÒÚ‡ÌÓ‚ËÚÂ ÌÛÊÌÓÂ «ÒÓ˜ÂÚ‡ÌËÂ ÚÛ·».
■ è‡‡ÏÂÚ˚
Organ Type (ÚËÔ Ó„‡Ì‡)
íËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Ò ÒËÌÛÒÓË‰‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË ‚ÓÎÌÓÈ, ËÏËÚËÛ˛˘ÂÈ Á‚ÛÍ ÒÚ‡ËÌÌÓ„Ó Ó„‡Ì‡.
Rotary SP Speed (ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËﬂ
‰ËÌ‡ÏËÍ‡)
äÌÓÔÍ‡ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ·˚ÒÚÛ˛ ËÎË ÏÂ‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËﬂ ‰ËÌ‡ÏËÍ‡. óÚÓ·˚
Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚‡˘‡˛˘Â„ÓÒﬂ ‰ËÌ‡ÏËÍ‡», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ‰Îﬂ ÚÂÏ·‡ Organ Flutes (ÒÏ. ÌËÊÂ ÒÚÓÍÛ
«DSP Type»). äÓÏÂ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚ÍÎ˛˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔÍ‡ «Rotary SP Speed» Ë„‡ÂÚ ÚÛ ÊÂ ÓÎ¸,
˜ÚÓ Ë ÍÌÓÔÍ‡ VOICE EFFECT [VARIATION]).
Vibrato On/Off (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ
‚Ë·‡ÚÓ)
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë ÓÚÍÎ˛˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îﬂ «Ó„‡ÌÌ˚ı ÙÎÂÈÚ».
ÉÎÛ·ËÌ‡ ‚Ë·‡ÚÓ
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ, ÓÔÂ‰ÂÎﬂ˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓÌ‡, ÍÓÚÓ˚È Ë ÒÓÁ‰‡ÂÚ
˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ «1», «2» ËÎË «3».
Footage (Ó„‡ÌÌ˚Â Â„ËÒÚ˚)
ç‡ÒÚÓÈÍË Â„ËÒÚÓ‚ ÓÔÂ‰ÂÎﬂ˛Ú ÓÒÌÓ‚ÌÓÈ ÚÓÌ Á‚Û˜‡ÌËﬂ Ó„‡ÌÌ˚ı Â„ËÒÚÓ‚.
ÄÌ„Î. ÚÂÏËÌ «footage» (‰ÎËÌ‡ Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. éÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, „‰Â
ËÒÚÓ˜ÌËÍÓÏ Á‚ÛÍ‡ ·˚Î Ì‡·Ó ÚÛ· ‡ÁÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌÂÂ ÚÛ·‡, ÚÂÏ ÌËÊÂ Á‚ÛÍ. ëÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ, ÁÌ‡˜ÂÌËÂ 16’ (ÚÛ·‡
‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) ÓÔÂ‰ÂÎﬂÂÚ Ò‡Ï˚È ÌËÁÍËÈ ÍÓÏÔÓÌÂÌÚ ÚÂÏ·‡, ‡ ÁÌ‡˜ÂÌËÂ 1’ – Ò‡Ï˚È ‚˚ÒÓÍËÈ. óÂÏ ·ÓÎ¸¯Â ÁÌ‡˜ÂÌËÂ
Ô‡‡ÏÂÚ‡, ÚÂÏ „ÓÏ˜Â Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÂÏÛ «ÚÛ·‡». ëÓ˜ÂÚ‡ﬂ ÚÛ·˚ Ò ‡ÁÌÓÈ „ÓÏÍÓÒÚ¸˛ Á‚Û˜‡ÌËﬂ, ÏÓÊÌÓ
ÔÓÎÛ˜ËÚ¸ ÛÌËÍ‡Î¸Ì˚Â Ó„‡ÌÌ˚Â ÚÂÏ·˚.
Volume (VOL) („ÓÏÍÓÒÚ¸)
ç‡ÒÚÓÈÍ‡ Ó·˘ÂÈ „ÓÏÍÓÒÚË Ó„‡ÌÌ˚ı Â„ËÒÚÓ‚. óÂÏ ‰ÎËÌÌÂÂ ÔÓÎÓÒ‡ „‡ÙË˜ÂÒÍÓ„Ó ËÌ‰ËÍ‡ÚÓ‡ „ÓÏÍÓÒÚË, ÚÂÏ ·ÓÎ¸¯Â
„ÓÏÍÓÒÚ¸.
Response (RESP) (ÓÚÍÎËÍ)
ùÚÓÚ Ô‡‡ÏÂÚ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ Ì‡ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈÌ‡ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‚ÂÎË˜ËÚ¸ ËÎË
ÛÏÂÌ¸¯ËÚ¸ ‚ÂÏﬂ «Â‡ÍˆËË» ÚÂÏ·‡ Ì‡ Ì‡Ê‡ÚËÂ ÍÎ‡‚Ë¯Ë Ò Û˜ÂÚÓÏ ÁÌ‡˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îﬂ Ô‡‡ÏÂÚ‡ FOOTAGE
(«ÒÓ˜ÂÚ‡ÌËÂ ÚÛ·»). óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ, ÚÂÏ ÏÂ‰ÎÂÌÌÂÂ Ì‡‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚ÛÍ‡ Ë ÚÂÏ ‰ÓÎ¸¯Â ‰ÎËÚÒﬂ ÍÓÌˆÂ‚ÓÂ
Á‡ÚÛı‡ÌËÂ.
ëÍÓÓÒÚ¸ ‚Ë·‡ÚÓ
á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ˝ÙÙÂÍÚÂ ‚Ë·‡ÚÓ. ìÔ‡‚ÎﬂÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛
Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â.
Mode (ÂÊËÏ)
åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏÂ FIRST Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ ÎË¯¸ Û ÚÂı ÌÓÚ, ÍÓÚÓ˚Â ‚˚ Ì‡Ê‡ÎË
Ë ‰ÂÊËÚÂ ÔÂ‚˚ÏË. èÓÍ‡ ‚˚ Ëı ÌÂ ÓÚÔÛÒÚËÚÂ, ÌË Í Í‡ÍËÏ ÔÓÒÎÂ‰Û˛˘ËÏ ÌÓÚ‡Ï ‡Ú‡Í‡ ÔËÏÂÌﬂÚ¸Òﬂ ÌÂ ·Û‰ÂÚ. Ç ÂÊËÏÂ EACH
Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Û ‚ÒÂı ÌÓÚ.
Attack (‡Ú‡Í‡ ‰Îﬂ ÚÂÏ·‡ «ÚÛ·» 4’, 2 2/3’,
2’)
åÂÌﬂﬂ ÁÌ‡˜ÂÌËﬂ ˝ÚËı Ô‡‡ÏÂÚÓ‚, ‚˚ ÏÓÊÂÚÂ ‚ÎËﬂÚ¸ Ì‡ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂÎ¸Ì˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÚÂÏ·‡. àÌ˚ÏË ÒÎÓ‚‡ÏË,
ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒÎ‡·ÎﬂÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·‡ı «ÚÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌÂÂ ËÌ‰ËÍ‡ÚÓ ‚ ‚Ë‰Â ÔﬂÏÓÛ„ÓÎ¸ÌËÍ‡, ÚÂÏ
ﬂ˜Â ‚˚‡ÊÂÌ‡ ‡Ú‡Í‡.
Length (LENG) (‰ÎËÌ‡)
ùÚÓÚ Ô‡‡ÏÂÚ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ Â„ÛÎËÓ‚ÍË Ù‡Á˚ ÔÂ‚Ë˜ÌÓ„Ó Á‡ÚÛı‡ÌËﬂ, Ë‰Û˘ÂÈ Ò‡ÁÛ ÔÓÒÎÂ Ù‡Á˚ ‡Ú‡ÍË. ÑÎËÌ‡ Ù‡Á˚
ÓÚ‡Ê‡ÂÚÒﬂ ËÌ‰ËÍ‡ÚÓÓÏ ‚ ‚Ë‰Â ÔﬂÏÓÛ„ÓÎ¸ÌËÍ‡. óÂÏ ÓÌ ‰ÎËÌÌÂÂ, ÚÂÏ ‰ÓÎ¸¯Â ‰ÎËÚÒﬂ Á‡ÚÛı‡ÌËÂ.
„ÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË
Chorus Depth („ÎÛ·ËÌ‡ ıÓÛÒ‡)
DSP on/off (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ DSP)
DSP Depth („ÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ DSP)
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ˆËÙÓ‚˚ı ˝ÙÙÂÍÚ‡ı ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 61, 126.
íËÔ DSP
éÔÂ‰ÂÎﬂÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌﬂÂÏÓ„Ó Í ÚÂÏ·Û. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÔﬂÚÌ‡‰ˆ‡ÚË (CVP-210) ËÎË ÒÂÏË (CVP-208)
˝ÙÙÂÍÚÓ‚ «‚‡˘‡˛˘Â„ÓÒﬂ ‰ËÌ‡ÏËÍ‡». èË ‚˚·ÓÂ Î˛·Ó„Ó ‰Û„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔÍ‡ Rotary SP Speed ([C]) Ì‡ ˝Í‡Ì‡ı
FOOTAGE/VOL/ATTACK ÌÂ ‚ÎËﬂÂÚ Ì‡ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËﬂ ‰ËÌ‡ÏËÍ‡. ÇÏÂÒÚÓ ˝ÚÓ„Ó ÓÌ‡ ·Û‰ÂÚ Ë„‡Ú¸ ÚÛ ÊÂ ÓÎ¸, ˜ÚÓ Ë ÍÌÓÔÍ‡
VOICE EFFECT [VARIATION].
Ç‡Ë‡ˆËﬂ
Ç‡Ë‡ˆËﬂ
èÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡Ë‡ˆËË DSP ‰Îﬂ ÚÂÏ·‡ «é„‡ÌÌ˚Â ÙÎÂÈÚ˚» ÔË ‚ÍÎ˛˜ÂÌÌÓÈ ÙÛÌÍˆËË Voice Set (ÒÏ.
ÒÚ. 146).
áÌ‡˜ÂÌËÂ
ìÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚ‡ «‚‡Ë‡ˆËﬂ DSP» (Ì‡ÔËÏÂ, ÁÌ‡˜ÂÌËÂ «LFO Freq» ‰Îﬂ ˝ÙÙÂÍÚ‡ «‚‡˘‡˛˘Â„ÓÒﬂ
‰ËÌ‡ÏËÍ‡»), ÂÒÎË ‚‡Ë‡ˆËﬂ ‚ÍÎ˛˜ÂÌ‡.
EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂÂ)
EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚
˝Í‚‡Î‡ÈÁÂÂ)
96
CVP-210/208
ùÚË Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁÂ‡ ÓÔÂ‰ÂÎﬂ˛Ú ˜‡ÒÚÓÚ˚ Ë ÛÓ‚ÂÌ¸ ÛÒËÎÂÌËﬂ, Á‡‰‡‚‡ÂÏ˚Â ‰Îﬂ ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
îÛÌÍˆËË Á‡ÔËÒË, Â‡ÎËÁÓ‚‡ÌÌ˚Â ‚ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ, ÔÓÒÚ˚ ‰Îﬂ ÓÒ‚ÓÂÌËﬂ Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚ÔÂ˜‡ÚÎﬂ˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚﬂÏË.
ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌﬂÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÍÓÏÔÓÁËˆËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓÎ¸ÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording
(ÒÚ. 98) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 99), ÔÓÁ‚ÓÎﬂ˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 101),
ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌ˚È ‰Îﬂ ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚ÍÎ˛˜‡Ú¸ ÌÂ ÚÓÎ¸ÍÓ ÚÂÏ·Ó‚˚Â Ô‡‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò
ÍÎ‡‚Ë‡ÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊÂ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚Â ÔÂÒÌË
ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ (ÒÚ. 40, 48).
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
D
I
E
J
HELP
GUIDE
REPEAT
VOICE PART
ON OFF
A
MASTER VOLUME
PIANO & HARPSI.
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING rit.
ONE TOCTH SETTING
MUSIC FINDER
1
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
DIGITAL
STUDIO
SYNC.STOP SYNC.START START STOP
OTS LINK
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
8
EXIT
SONG
EXTRA TRACKS
(STYLE)
REC
NEW SONG
TRACK 2
(L)
TOP
START / STOP
DIGITAL
RECORDING
TRACK 1
(R)
REW
FF
REPEAT
GUIDE
SYNC.START
é Á‡ÔËÒË ÔÂÒÂÌ
ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÂÊËÏ‡ Á‡ÔËÒË ÔÂÒÂÌ: realtime recording Ë step recording.
■ Realtime Recording
àÒÔÓÎÌﬂÂÏÓÂ ÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ˚‚‡ÂÚÒﬂ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÂÊËÏ‡ Á‡ÔËÒË ‚
Â‡Î¸ÌÓÏ ‚ÂÏÂÌË: Quick Ë Multi.
Quick Recording (ÒÚ. 98)
èêàåÖóÄçàÖ
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, Ì‡ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸
• ÖÏÍÓÒÚ¸ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡ÁÛ˜Ë‚‡ÂÚÂ Ì‡ ÙÓÚÂÔË‡ÌÓ. Ç˚·ÂËÚÂ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îﬂ Á‡ÔËÒË:
Clavinova ÒÓÒÚ‡‚ÎﬂÂÚ ÓÍÓÎÓ 3,3 å·.
ÖÏÍÓÒÚ¸ Ô‡ÏﬂÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD
Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË, Ô‡ÚË˛ ÎÂ‚ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡Í, Ì‡ÔËÏÂ,
(‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD
ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË ËÎË ÊÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË Ë
(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
ÒÓÒÚ‡‚ÎﬂÂÚ 720ä· Ë 1,44å·
Multi Recording (ÒÚ. 99)
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ‡ÁÎË˜Ì˚ı
ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡ÊÂ ÔÓÔ˚Ú‡Ú¸Òﬂ ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌËÂ ·Ë„-·˝Ì‰‡ ËÎË
ÒËÏÙÓÌË˜ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡ÔË¯ËÚÂ Ô‡ÚË˛ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË, ‡
Á‡ÚÂÏ ÒÓÁ‰‡ÈÚÂ ÓÍÂÒÚÓ‚ÍÛ. äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡ÚË˛ ÔÓ‚Âı
ÍÓÏÔÓÁËˆËË, ËÏÂ˛˘ÂÈÒﬂ ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ.
•
•
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚ. 101)
ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎﬂÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡ﬂ» Â„Ó ÒÓ·˚ÚËﬂ ÔÓÓ˜ÂÂ‰ÌÓ. á‡ÔËÒ¸
‚Â‰ÂÚÒﬂ ‚Û˜ÌÛ˛ Ë ÌÂ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ùÚÓ ‡Ì‡ÎÓ„Ë˜ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·ÛÏ‡„Û. èÓÎ¸ÁÛﬂÒ¸
ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚ. 110 - 112), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ‰Û„ËÂ ÒÓ·˚ÚËﬂ ÔÓ Ó‰ÌÓÏÛ.
•
■ êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÔÂÒÂÌ (ÒÚ. 107)
ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚÂ Â‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ Î˛·ÓÏ ÂÊËÏÂ.
èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚ. 106).
•
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË
‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚ‡ı ‚ÒÂ ÚËÔ˚ Ù‡ÈÎÓ‚,
ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ
Clavinova (Ù‡ÈÎ˚ ÚÂÏ·‡, ÒÚËÎﬂ, ÔÂÒÌË,
Â„ËÒÚ‡ˆËÓÌÌ˚Â Ù‡ÈÎ˚ Ë Ú. ‰.),
ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.
ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Á‡ÔËÒ‡Ú¸
ÌÂÎ¸Áﬂ.
Ç CVP-210/208 Á‡ÔËÒ¸ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ
‚ ÙÓÏ‡ÚÂ SMF (Standard MIDI File
format 0). ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
SMF ÒÏ. Ì‡ ÒÚ. 162.
á‡ÔËÒ‡ÌÌ‡ﬂ ÔÂÒÌﬂ ÏÓÊÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ˜ÂÂÁ ÔÓÚ MIDI
OUT. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚‡Ï ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÚÂÏ·˚ ‚ÌÂ¯ÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡,
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ
(ÒÚ. 149).
ìÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡
ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛
ÍÓÌÒÓÎË ÏËÍ¯Â‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸
ÒÓ˜ÂÚ‡ÌËÂ Ô‡‡ÏÂÚÓ‚ ÏËÍ¯Â‡. ÅÓÎÂÂ
ÚÓ„Ó, ‰‡ÊÂ ÍÓ„‰‡ ÚÂÏ· ‰Îﬂ Á‡ÔËÒË ÛÊÂ
‚˚·‡Ì, ‚˚ ÏÓÊÂÚÂ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸
‡‚ÚÓÏ‡ÚË˜ÂÒÍÛ˛ ÒÏÂÌÛ ÚÂÏ·Ó‚ ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË
(ÒÚ. 109).
CVP-210/208
97
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
Å˚ÒÚ‡ﬂ Á‡ÔËÒ¸
ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎﬂ˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡ÁÛ˜Ë‚‡ÂÚÂ Ì‡ ÙÓÚÂÔË‡ÌÓ,
˜ÚÓ·˚ ÔÓÒÎÂ‰ËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ÓÈ.
ÇçàåÄçàÖ!
ÖÒÎË Á‡ÔËÒ¸ ÚÂ·ÛÂÚÒﬂ ÒÓı‡ÌËÚ¸, Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÍÓÔËÛÈÚÂ ÂÂ Ì‡ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚÂ ‚ ‡Á‰ÂÎ Ô‡ÏﬂÚË USER (ÒÚ. 40, 48).
ÖÒÎË ‚˚ ÌÂ ÒÓı‡ÌËÚÂ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ËÎË Á‡ÔËÒË ÔÓ‚Âı ÛÊÂ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚ÒÂ ÔÂ‰˚‰Û˘ËÂ Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚.
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
REC
1
NEW SONG
TOP
START / STOP
REW
FF
REPEAT
SYNC.START
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
ÍÓÏÔÓÁËˆËË, ËÏÂ˛˘ÂÈÒﬂ ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ:
1
Ç˚·ÂËÚÂ ÔÂÒÌ˛ (ÒÚ. 78, 80).
2
Ç˚·ÂËÚÂ ÚÂÏ· Ë ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚Â ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ ÔÂÒÌÂ.
ÖÒÎË ÚÂ·ÛÂÚÒﬂ Á‡ÔËÒ‡Ú¸ ÚÂÏ·˚ Layer/Left, Û·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [LAYER]/[LEFT] ‚ÍÎ˛˜ÂÌ˚.
ç‡ÒÚÓÈÚÂ ÔÓ˜ËÂ Ô‡‡ÏÂÚ˚ (Â‚Â·Â‡ˆËﬂ, ıÓÛÒ Ë Ú. ‰.).
3
ÑÎﬂ Á‡ÔËÒË ·ÂÁ ÛÍ‡Á‡ÌËﬂ ÓÔÂ‰ÂÎÂÌÌÓÈ ‰ÓÓÊÍË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒﬂ TRACK 1 (‰ÓÓÊÍ‡ 1).
ÖÒÎË ‚˚ ıÓÚËÚÂ ‚˚·‡Ú¸ ÓÔÂ‰ÂÎÂÌÌÛ˛ ‰ÓÓÊÍÛ ‰Îﬂ Á‡ÔËÒË, Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [REC],
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂÛ ‰ÓÓÊÍË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚÂ Á‡ÔËÒ‡Ú¸.
é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÒÓ˜ÂÚ‡ÌËﬂ ‰ÓÓÊÂÍ: TRACK 1 + EXTRA
TRACKS Ë TRACK 2 + EXTRA TRACKS.
• ìÍ‡Á‡ÌËÂ ‰ÓÓÊÍË ‰Îﬂ Á‡ÔËÒË
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ:
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [TRACK 1] ÎË·Ó ÍÌÓÔÍÛ [TRACK 2].
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ:
REC
EXTRA TRACKS
TRACK 2
TRACK 1
(STYLE)
(L)
(R)
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXTRA TRACKS].
èêàåÖóÄçàÖ
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, Â˘Â ‡Á Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [REC].
4
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒﬂ Ò‡ÁÛ ÊÂ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ ÍÎ‡‚Ë¯.
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË SONG/
STYLE [START/STOP]. äÓÏÂ ÚÓ„Ó, Í Á‡ÔËÒË ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸,
Ì‡Ê‡‚ ÔÂ‰‡Î¸. ÑÎﬂ ˝ÚÓ„Ó ÒÎÂ‰ÛÂÚ Á‡‡ÌÂÂ ÔËÒ‚ÓËÚ¸ ÔÂ‰‡ÎË
ÙÛÌÍˆË˛ Á‡ÔÛÒÍ‡/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142).
ÖÒÎË ÔÂÂ‰ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË
REC ‚ÍÎ˛˜ÂÌ˚ ÍÌÓÔÍË «LAYER»
or «LEFT», ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
˜‡ÒÚË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Á‡ÔËÒ˚‚‡˛ÚÒﬂ Ì‡ ‡ÁÌ˚Â
Í‡Ì‡Î˚.
èêàåÖóÄçàÖ
ëÓ‰ÂÊËÏÓÂ ‰ÓÓÊÂÍ 1 Ë 2
Á‡ÔËÒ˚‚‡ÂÚÒﬂ Ì‡ Í‡Ì‡Î,
ÛÍ‡Á‡ÌÌ˚È Ì‡ ˝Í‡ÌÂ SONG
SETTING (ÒÚ. 140).
èêàåÖóÄçàÖ
è‡ÚË˛ Ô‡‚ÓÈ ÛÍË (‚ÍÎ˛˜‡ﬂ
ÚÂÏ·˚ ÒÎÓÂ‚), Á‡ÔËÒ‡ÌÌÛ˛ Ì‡
‰ÓÓÊÍÛ 1, ÏÓÊÌÓ ÔÂÂÔËÒ‡Ú¸
Ì‡ ‰ÓÓÊÍÛ 2. ÑÎﬂ ˝ÚÓ„Ó
ÓÚÍÎ˛˜ËÚÂ ÍÌÓÔÍÛ [LEFT] Ë
ÔÓ‚ÚÓËÚÂ ¯‡„Ë 2 Ë 3.
èêàåÖóÄçàÖ
óÚÓ·˚ Ò‰ÂÎ‡Ú¸ Ô‡ÛÁÛ ‚Ó ‚ÂÏﬂ
Á‡ÔËÒË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP]. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/
STOP].
èêàåÖóÄçàÖ
END
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
äÓÏÂ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÓÒÚ‡ÌÓ‚ËÚ¸, Ì‡Ê‡‚ ÔÂ‰‡Î¸. ÑÎﬂ ˝ÚÓ„Ó ÒÎÂ‰ÛÂÚ Á‡‡ÌÂÂ
ÔËÒ‚ÓËÚ¸ ÔÂ‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒÍ‡/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142).
ÑÎﬂ ‚˚‡‚ÌË‚‡ÌËﬂ Á‡ÔËÒË
ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÏÂÚÓÌÓÏÓÏ.
á‚ÛÍ ÏÂÚÓÌÓÏ‡ ÌÂ
Á‡ÔËÒ˚‚‡ÂÚÒﬂ.
■ ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁËˆËË
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÍÓÌˆÂ ÔÂÒÌË, Ë ÔÂÒÌﬂ «ÔÂÂÏ‡Ú˚‚‡ÂÚÒﬂ» Ì‡ Ì‡˜‡ÎÓ.
ùÍ‡Ì˚ SONG CREATOR (1 - 16) ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110).
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [6▼] Ì‡ ˝Í‡ÌÂ Open/Save (ÓÚÍ˚Ú¸/ÒÓı‡ÌËÚ¸) ‰Îﬂ ÔÂÒÌË
(ÒÚ. 40, 48).
98
CVP-210/208
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚
ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ‡ÁÎË˜Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 Í‡Ì‡ÎÓ‚). Ç˚ ÏÓÊÂÚÂ,
Ì‡ÔËÏÂ, ÔÓÔ˚Ú‡Ú¸Òﬂ ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌËÂ ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌË˜ÂÒÍÓ„Ó ÓÍÂÒÚ‡.
ëÚÛÍÚÛ‡ Í‡Ì‡ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·‡ÊÂÌ‡ ‚ Ú‡·ÎËˆÂ ÌËÊÂ.
ä‡Ì‡Î˚
1
ó‡ÒÚË
(Ì‡ÒÚÓÈÍË ÔÓ
ÛÏÓÎ˜‡ÌË˛)
ÉÎ‡‚Ì˚È ÚÂÏ·
ÑÓÒÚÛÔÌ˚Â ˜‡ÒÚË
ä‡Ì‡Î˚
íÂÏ·˚ MAIN, LAYER, LEFT
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
MIDI
9
2
ÉÎ‡‚Ì˚È ÚÂÏ·
3
ÉÎ‡‚Ì˚È ÚÂÏ·
4
ÉÎ‡‚Ì˚È ÚÂÏ·
5
ÉÎ‡‚Ì˚È ÚÂÏ·
6
ÉÎ‡‚Ì˚È ÚÂÏ·
14
7
ÉÎ‡‚Ì˚È ÚÂÏ·
15
8
ÉÎ‡‚Ì˚È ÚÂÏ·
16
ó‡ÒÚË
(Ì‡ÒÚÓÈÍË ÔÓ
ÛÏÓÎ˜‡ÌË˛)
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
RHYTHM 1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
RHYTHM 2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
BASS
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
CHORD1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
CHORD2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PAD
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PHRASE1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
PHRASE2
10
11
12
13
ÑÓÒÚÛÔÌ˚Â ˜‡ÒÚË
íÂÏ·˚ MAIN, LAYER, LEFT
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2
MIDI
é ˜‡ÒÚﬂı ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Rhythm (ËÚÏ) ............ ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ñ‡ÌÌ‡ﬂ ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓﬂ˛˘ËıÒﬂ ËÚÏË˜ÂÒÍËı Ù‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë
ÔÂÍÛÒÒËË. é·˚˜ÌÓ ‰Îﬂ Ëı ÒÓÒÚ‡‚ÎÂÌËﬂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ Ó‰Ì‡ ËÁ ‚ÒÚÓÂÌÌ˚ı Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
Bass (·‡Ò) ................... ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎﬂÂÚÒﬂ ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËÎ˛ ËÌÒÚÛÏÂÌÚÓ‚ – Ú‡ÍËı, Í‡Í ‡ÍÛÒÚË˜ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚË˜ÂÒÍËÈ ·‡Ò Ë Ú. Ô.
Chord (‡ÍÍÓ‰˚) ........ ëÓÒÚÓËÚ ËÁ ËÚÏË˜ÂÒÍÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îﬂ ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÚÂÏ·˚ ÙÓÚÂÔË‡ÌÓ ËÎË „ËÚ‡˚.
Pad («ÔÓ‰ÍÎ‡‰˚»)...... ÑÎﬂ ˝ÚÓÈ ˜‡ÒÚË ıÓÓ¯Ó ÔÓ‰ıÓ‰ﬂÚ «‰ÓÎ„ÓË„‡˛˘ËÂ ‡ÍÍÓ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚Â ÚÂÏ·˚ ÒÚÛÌÌ˚ı, Ó„‡Ì‡ Ë ıÓ‡.
Phrase (Ù‡Á˚) .......... êËÙÙ˚ Ë Ù‡Á˚ (Ì‡ÔËÏÂ, ÍÓÓÚÍËÂ Ô‡ÚËË ÏÂ‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡ÔÂ‰ÊËÓ), ËÒÔÓÎ¸ÁÛÂÏ˚Â ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îﬂ ÛÍ‡¯ÂÌËﬂ
ËÚÏËÍÓ-ÏÂÎÓ‰Ë˜ÂÒÍÓÈ ÒÚÛÍÚÛ˚ ÔÂÒÌË.
ÇçàåÄçàÖ!
ÖÒÎË Á‡ÔËÒ¸ ÚÂ·ÛÂÚÒﬂ ÒÓı‡ÌËÚ¸, Ó·ﬂÁ‡ÚÂÎ¸ÌÓ ÒÍÓÔËÛÈÚÂ ÂÂ Ì‡ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚÂ ‚ ‡Á‰ÂÎ Ô‡ÏﬂÚË USER (ÒÚ. 40, 48).
ÖÒÎË ‚˚ ÌÂ ÒÓı‡ÌËÚÂ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ËÎË Á‡ÔËÒË ÔÓ‚Âı ÛÊÂ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚ÒÂ ÔÂ‰˚‰Û˘ËÂ Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚.
■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË:
REC
TOP
START / STOP
REW
FF
■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı
ÍÓÏÔÓÁËˆËË, ËÏÂ˛˘ÂÈÒﬂ ‚ Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ:
REPEAT
1
NEW SONG
2
SYNC.START
1
Ç˚·ÂËÚÂ ÔÂÒÌ˛ (ÒÚ. 78, 80).
Ç˚·ÂËÚÂ Í‡Ì‡Î ‰Îﬂ Á‡ÔËÒË (ÔÂÂ‚Â‰ËÚÂ Â„Ó ‚ ÂÊËÏ «REC»). ÑÎﬂ ˝ÚÓ„Ó
Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [REC].
é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ Í‡Ì‡ÎÓ‚.
REC .........ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË
ON ...........ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚Â‰ÂÌË˛
OFF..........ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË Á‡ÔÂÚËÚ¸ Á‡ÔËÒ¸, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
èêàåÖóÄçàÖ
ó‡ÒÚ¸ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚·Ë‡ÂÚÒﬂ, ÂÒÎË ÌÂÒÍÓÎ¸ÍÓ
Í‡Ì‡ÎÓ‚ Ó‰ÌÓ‚ÂÏÂÌÌÓ
ÔÂÂ‚Â‰ÂÌ˚ ‚ ÂÊËÏ «REC».
REC
1
2
3
4
5
6
7
8
CVP-210/208
99
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
3
Ç˚·ÂËÚÂ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÒÎÂ‰ÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ.
èË ˝ÚÓÏ ÓÔÂ‰ÂÎﬂÂÚÒﬂ, Í‡ÍËÂ ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ (Main/Layer/Left), Ë
˜‡ÒÚÂÈ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒﬂ Ì‡ Í‡Ì‡Î˚,
‚˚·‡ÌÌ˚Â ‚ ¯‡„Â 2.
ëÔËÒÓÍ ËÒıÓ‰Ì˚ı ÔËÒ‚ÓÂÌËÈ ÔÓ ÛÏÓÎ˜‡ÌË˛ ÔË‚Â‰ÂÌ Ì‡ ÒÚ. 99.
C
D
4
5
6
á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒﬂ Ò‡ÁÛ ÊÂ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ ÍÎ‡‚Ë¯.
á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË
SONG/STYLE [START/STOP]. äÓÏÂ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ
Ì‡˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, Ì‡Ê‡‚ ÔÂ‰‡Î¸. ÑÎﬂ ˝ÚÓ„Ó ÒÎÂ‰ÛÂÚ
Á‡‡ÌÂÂ ÔËÒ‚ÓËÚ¸ ÔÂ‰‡ÎË ÙÛÌÍˆË˛ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó
‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ Á‡ÔËÒË (ÒÚ. 106).
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, Â˘Â ‡Á Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [REC].
éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ ÔÂ‰‡Î¸. èË ˝ÚÓÏ ÔÂ‰‡ÎË ‰ÓÎÊÌ‡ ·˚Ú¸
Á‡‡ÌÂÂ ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓ„Ó ‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ Á‡ÔËÒË (ÒÚ. 106).
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁËˆËË.
óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡
Á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP].
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚ ÍÓÌˆÂ ÔÂÒÌË, Ë ÔÂÒÌﬂ
«ÔÂÂÏ‡Ú˚‚‡ÂÚÒﬂ» Ì‡ Ì‡˜‡ÎÓ.
END
100
CVP-210/208
óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Â˘Â Ó‰ÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓËÚÂ ¯‡„Ë 2 - 6.
èË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚Â ˜‡ÒÚË.
ÑÂÈÒÚ‚Ûﬂ Ú‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚÂ ‚ ËÚÓ„Â Á‡ÍÓÌ˜ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛.
ùÍ‡Ì˚ SONG CREATOR (1 - 16) ÔÂ‰Ì‡ÁÌ‡˜ÂÌ˚ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ
Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110).
óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚Â ‰‡ÌÌ˚Â, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [6▼] Ì‡ ˝Í‡ÌÂ
Open/Save (ÓÚÍ˚Ú¸/ÒÓı‡ÌËÚ¸) ‰Îﬂ ÔÂÒÌË (ÒÚ. 40, 48).
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ˜‡ÒÚË MIDI
• Ç˚‰ÂÎÂÌËÂ Ó‰ÌÓ„Ó Í‡Ì‡Î‡
‰Îﬂ MIDI
á‡ÔËÒ˚‚‡˛ÚÒﬂ ‚ÒÂ MIDIÒÓÓ·˘ÂÌËﬂ, ÔÓÒÚÛÔ‡˛˘ËÂ ÔÓ
Î˛·ÓÏÛ ËÁ 16 Í‡Ì‡ÎÓ‚ MIDI.
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒﬂ Ò
‚ÌÂ¯ÌÂÈ MIDI-ÍÎ‡‚Ë‡ÚÛ˚
ËÎË MIDI-ÍÓÌÚÓÎÎÂ‡, ‚‡Ï ÌÂ
ÔË‰ÂÚÒﬂ Ì‡ÒÚ‡Ë‚‡Ú¸ Í‡Ì‡Î˚
MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡.
• Ç˚‰ÂÎÂÌËÂ ÌÂÒÍÓÎ¸ÍËı
Í‡Ì‡ÎÓ‚ ‰Îﬂ MIDI
ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒﬂ Ò
‚ÌÂ¯ÌÂÈ MIDI-ÍÎ‡‚Ë‡ÚÛ˚
ËÎË MIDI-ÍÓÌÚÓÎÎÂ‡,
‰‡ÌÌ˚Â Á‡ÔËÒ˚‚‡˛ÚÒﬂ ÎË¯¸
Ì‡ Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ
ÁÌ‡˜ËÚ, ˜ÚÓ ‚ÌÂ¯ÌÂÂ
ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌÓ ·˚Ú¸
Ì‡ÒÚÓÂÌÓ Ì‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò ˝ÚÓ„Ó
Í‡Ì‡Î‡.
èêàåÖóÄçàÖ
çÂÎ¸Áﬂ Ì‡ÁÌ‡˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡
ËÒÍÎ˛˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Ò‡ÁÛ
Ì‡ ÌÂÒÍÓÎ¸ÍÓ Í‡Ì‡ÎÓ‚.
èêàåÖóÄçàÖ
è‡‡ÏÂÚ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ
‚ÂÏÂÌÌÓ ÒÓı‡Ìﬂ˛ÚÒﬂ ‰Ó ÚÂı
ÔÓ, ÔÓÍ‡ ‚˚ ÌÂ ‚˚ÔÓÎÌËÚÂ
«·˚ÒÚÛ˛ Á‡ÔËÒ¸», ÌÂ ‚˚·ÂÂÚÂ
ÔÂÒÌ˛ ËÎË ÌÂ ‚˚ÍÎ˛˜ËÚÂ
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ.
èêàåÖóÄçàÖ
óÚÓ·˚ Ò‰ÂÎ‡Ú¸ Ô‡ÛÁÛ ‚Ó ‚ÂÏﬂ
Á‡ÔËÒË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP]. óÚÓ·˚
‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/
STOP].
èêàåÖóÄçàÖ
ÑÎﬂ ‚˚‡‚ÌË‚‡ÌËﬂ Á‡ÔËÒË
ÏÓÊÌÓ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÏÂÚÓÌÓÏÓÏ.
á‚ÛÍ ÏÂÚÓÌÓÏ‡ ÌÂ
Á‡ÔËÒ˚‚‡ÂÚÒﬂ.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
á‡ÔËÒ¸ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ – èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌﬂÚ¸ ÂÂ ‚
Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ÂÊËÏ‡ ÔÓﬂ‚ÎﬂÂÚÒﬂ Ú‡ÍÊÂ ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË.
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
1
Ç˚·ÂËÚÂ ÔÂÒÌ˛ (ÒÚ. 78, 80), ÍÓÚÓÛ˛
ÚÂ·ÛÂÚÒﬂ ÔÂÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸
ÌÓ‚˚ÏË ˜‡ÒÚﬂÏË. ÖÒÎË ‚˚ ıÓÚËÚÂ ÒÓÁ‰‡Ú¸
ÌÓ‚Û˛ ÔÂÒÌ˛, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ
ÍÌÓÔÍË [REC] Ë [TOP].
3
óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [A].
A
B
2
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [DIGITAL RECORDING].
C
D
DIGITAL
STUDIO
E
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
PART
4
5
Ç˚·ÂËÚÂ ‚ÍÎ‡‰ÍÛ «1 - 16»
‰Îﬂ Á‡ÔËÒË ÏÂÎÓ‰Ë˜ÂÒÍÓÈ
ÎËÌËË Ë ‰Û„Ëı ˜‡ÒÚÂÈ Ò
ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT] ËÎË ‚ÍÎ‡‰ÍÛ «CHD»
(ÄÍÍÓ‰) ‰Îﬂ Á‡ÔËÒË
‡ÍÍÓ‰Ó‚. èÓÒÎÂ ˝ÚÓ„Ó Ì‡
‚ÍÎ‡‰ÍÂ «1 -16» ‚˚·ÂËÚÂ
Í‡Ì‡Î ‰Îﬂ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÍË [F] (CH).
BACK
NEXT
F
G
H
I
J
èêàåÖóÄçàÖ
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [G],
˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ
Step Record.
F
G
èË ÔÂÂıÓ‰Â Ì‡ ÒÚ‡ÌËˆÛ CHD
(ÄÍÍÓ‰) ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚,
Á‡‰‡ÌÌ˚Â ‚ ÍÓÌÒÓÎË ÏËÍ¯Â‡,
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔËÌËÏ‡˛Ú
ÁÌ‡˜ÂÌËﬂ ÔÓ ÛÏÓÎ˜‡ÌË˛.
H
èêàåÖóÄçàÖ
I
J
êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÌÂ
ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ ÚÂÏ·Ó‚,
ı‡Ìﬂ˘ËıÒﬂ Ì‡ ÒÚ‡ÌËˆ‡ı USER
Ë FLOPPY DISK. åÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÂÏ·˚ Ì‡
ÒÚ‡ÌËˆÂ PRESET, Ó‰Ì‡ÍÓ ÔË
˝ÚÓÏ Ëı ÚÂÏ· ÏÓÊÂÚ ÒÎÂ„Í‡
ÓÚÎË˜‡Ú¸Òﬂ ÓÚ ËÒıÓ‰ÌÓ„Ó.
CVP-210/208
101
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
6
ëÌ‡˜‡Î‡ ‚˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ·. óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚÂ Ì‡ ˝Í‡ÌÂ ÂÂ ‰ÎËÚÂÎ¸ÌÓÒÚ¸ Ë ÛÓ‚ÂÌ¸
„ÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚÂ ‚˚ÒÓÚÛ, Ì‡Ê‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
äÌÓÔÍË ÔÂÂÏÂ˘ÂÌËﬂ ÍÛÒÓ‡
‚‚Âı-‚ÌËÁ.
ÇÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË
(ÔÂ‚‡ﬂ ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).
äÌÓÔÍË, ÔÓÁ‚ÓÎﬂ˛˘ËÂ
ÔÂÂÏÂ˘‡Ú¸ ‚˚·‡ÌÌÓÂ ÒÓ·˚ÚËÂ
(Ì‡ÔËÏÂ, ÌÓÚÛ) ‚ÔÂÂ‰ ËÎË
Ì‡Á‡‰ Ì‡ ÓÔÂ‰ÂÎÂÌÌÓÂ ˜ËÒÎÓ
Ú‡ÍÚÓ‚, ‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌËˆ
‚ÂÏÂÌË. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ Ó Ô‡‡ÏÂÚ‡ı Ú‡ÍÚÓ‚/
‰ÓÎÂÈ Ú‡ÍÚ‡/Â‰ËÌËˆ ‚ÂÏÂÌË
ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
END
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
ùÚ‡ ÍÌÓÔÍ‡ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸
Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯Ë („ÓÏÍÓÒÚ¸
‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë ÙÛÌÍˆËÓÌËÛÂÚ
ÎË¯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
Ô‡‡ÏÂÚ‡ı ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ
ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸
‰ÎËÚÂÎ¸ÌÓÒÚ¸ ÌÓÚ˚ (‚ ÔÓˆÂÌÚ‡ı)
Ò Û˜ÂÚÓÏ ÂÂ ÔÂ‰ÔÓÎ‡„‡ÂÏÓÈ
ÔÓÁËˆËË ‚ ÔÂÒÌÂ. (Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ
‰ÓÒÚÛÔÌ‡ ÎË¯¸ ÔË Á‡ÔËÒË
ÏÂÎÓ‰ËË.) ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ Ó Ô‡‡ÏÂÚ‡ı ‚ÂÏÂÌË
Á‚Û˜‡ÌËﬂ ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚÂ
‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚ ÌËÊÌÂÈ
˜‡ÒÚË ˝Í‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Ó
ÔÂ‰Î‡„‡ÂÚÒﬂ ÚË ÚËÔ‡ ÌÓÚ: ÒÚ‡Ì‰‡ÚÌ˚Â,
ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚËÓÎË. (Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ
‰ÓÒÚÛÔÌ‡ ÎË¯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.)
8
åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Ó ¯ÂÒÚÌ‡‰ˆ‡Ú˚ı ‰ÓÒÚÛÔÂÌ
ÎË¯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äÓÏÂ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
ÛÍ‡Á‡Ú¸ ¯‡„ ÔÂÂÏÂ˘ÂÌËﬂ ÍÛÒÓ‡ (‡ÒÒÚÓﬂÌËÂ, Ì‡ ÍÓÚÓÓÂ ÍÛÒÓ
Ò‰‚Ë„‡ÂÚÒﬂ ‚ÔÂÂ‰ ÔÓÒÎÂ ‚‚Ó‰‡ ÌÓÚ˚).
äÌÓÔÍ‡ Û‰‡ÎÂÌËﬂ ÒÓ·˚ÚËﬂ (ÌÓÚ˚, Ô‡ÛÁ˚ Ë Ú. ‰.) ÔÂÂ‰ ÍÛÒÓÓÏ.
óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STEP RECORD, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ÒÎÂ‰ÛÂÚ
Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚ. 48).
■ í‡ÍÚ/‰ÓÎﬂ/ÒËÌıÓÌËÁ‡ˆËﬂ
í‡ÍÚ
1
ÑÓÎﬂ
ëËÌıÓÌËÁ‡ˆËﬂ
1
2
2
3
4
1
000- 000- 000- 0001919 1919 1919 1919
2
3
4
000- 000- 000- 0001919 1919 1919 1919
■ ëÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ
Ç ÔË‚Â‰ÂÌÌÓÈ ÌËÊÂ Ú‡·ÎËˆÂ ÛÍ‡Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËﬂ ÏÂÊ‰Û ÁÌ‡˜ÂÌËﬂÏË ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „‡‰‡ˆËﬂÏË
‰ËÌ‡ÏË˜ÂÒÍËı ÓÚÚÂÌÍÓ‚.
ÑËÌ‡ÏËÍ‡
î‡ÍÚË˜ÂÒÍ‡ﬂ ÒËÎ‡
Ì‡Ê‡ÚËﬂ Ì‡
ÍÎ‡‚Ë¯Û
fff
ff
f
mf
mp
p
pp
ppp
127
111
95
79
63
47
31
15
■ ÇÂÏﬂ Á‚Û˜‡ÌËﬂ
ï‡‡ÍÚÂ Ë„˚ ÓÔÂ‰ÂÎﬂÂÚÒﬂ ÒÎÂ‰Û˛˘ËÏË ‚‡Ë‡ÌÚ‡ÏË Á‚Û˜‡ÌËﬂ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ:
Normal (ÒÚ‡Ì‰‡ÚÌÓÂ ÁÌ‡˜ÂÌËÂ).................
80%
Tenuto (Ò‚ﬂÁÌÓ) .............................................
99%
Staccato (ÓÚ˚‚ËÒÚÓ) ...................................
40%
Staccatissimo (Â˘Â ·ÓÎÂÂ ÓÚ˚‚ËÒÚÓ) ......
20%
Manual (‚Û˜ÌÛ˛) .......................................... ÇÂÏﬂ Á‚Û˜‡ÌËﬂ (‰ÎËÚÂÎ¸ÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÔÓˆÂÌÚ‡ı Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡
ÛÔ‡‚ÎÂÌËﬂ [DATA ENTRY].
102
CVP-210/208
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note)
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ Ï˚ Ì‡Û˜ËÏÒﬂ ‡·ÓÚ‡Ú¸ ‚ ÂÊËÏÂ ÔÓ¯‡„Ó‚ÓÈ
Á‡ÔËÒË. ÇÓÒÔÓÎ¸ÁÛÂÏÒﬂ ÍÓÌÍÂÚÌ˚Ï ÔËÏÂÓÏ, ËÁÓ·‡ÊÂÌÌ˚Ï
‚ Ô‡‚ÓÈ ˜‡ÒÚË ÒÚ‡ÌËˆ˚.
ÇÒÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 102.
1-2
1
çÂ ÓÚÔÛÒÍ‡ﬂ ÍÎ‡‚Ë¯Ë...
èêàåÖóÄçàÖ
1-1
Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
1-3
...‚‚Â‰ËÚÂ ˝ÚÓ (˜ÚÓ·˚ ‚‚ÂÒÚË ÎË„‡).
éÚÓ·‡ÊÂËÌÂ Ô‡ÚËÚÛ˚ Ì‡ ˝Í‡ÌÂ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÂÚ ·˚Ú¸
ÌÂÔ‡‚ËÎ¸Ì˚Ï; ÓÒÓ·ÂÌÌÓ ˝ÚÓ Í‡Ò‡ÂÚÒﬂ ÎË„ Ë ‰ÎËÌÌ˚ı ÌÓÚ. ÑÎﬂ
Ô‡‚ËÎ¸ÌÓ„Ó ÓÚÓ·‡ÊÂÌËﬂ Ô‡ÚËÚÛ˚ Á‡‰‡ÈÚÂ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ
«tenuto» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H] Ë ‚‚Â‰ËÚÂ ÌÛÊÌ˚Â ÌÓÚ˚.
2-2
2
2-3
2-1
Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
3
Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
Ç˚·Ó ÌÓÚ˚ ‚‚Ó‰ËÚ ÓÒÚ‡‚¯Û˛Òﬂ ˜‡ÒÚ¸
˝Í‚Ë‚‡ÎÂÌÚÌÓ„Ó ÁÌ‡˜ÂÌËﬂ. ç‡ÔËÏÂ,
‚˚·Ó Á‰ÂÒ¸ ‚ÓÒ¸ÏÓÈ ÌÓÚ˚ () Á‡‰‡ÒÚ
ÓÒÚ‡ÚÓÍ ‚ ‚ÓÒ¸ÏÓÈ ÌÓÚÂ ( ).
4-1
4
óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ Ò
ÚÓ˜ÍÓÈ, Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ.
4-3
4-2
Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
5-1
5
ç‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ÂÒÎË ıÓÚËÚÂ, ˜ÚÓ·˚ Ì‡
˝Í‡ÌÂ ÓÚÓ·‡ÁËÎËÒ¸ ÒÚ‡Ì‰‡ÚÌ˚Â ÌÓÚ˚.
5-3
5-2
Ç˚·ÂËÚÂ ˝ÚÛ ÌÓÚÛ.
■ èÓË„‡ÈÚÂ ÏÂÎÓ‰Ë˛.
óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [C] ( ▲ ). á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG [START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸
‚‚Â‰ÂÌÌ˚Â ÌÓÚ˚. óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (1 - 16) ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ
Â‰‡ÍÚËÓ‚‡ÌËﬂ Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110).
CVP-210/208
103
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Step Record (Chord)
îÛÌÍˆËﬂ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. ÄÍÍÓ‰˚ Á‡‰‡˛ÚÒﬂ ÔÓ Ó‰ÌÓÏÛ Á‡ ‡Á.
ÑÎﬂ Í‡Ê‰Ó„Ó ËÁ ÌËı ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ ÚÓ˜ÌÓÂ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ. èÓÒÍÓÎ¸ÍÛ ‡ÍÍÓ‰˚ ÌÂ ÚÂ·ÛÂÚÒﬂ Ë„‡Ú¸ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË, ÏÓÊÌÓ
ÒÓÁ‰‡‚‡Ú¸ ÒÎÓÊÌ˚Â, «ÔÎÓÚÌ˚Â» ‚‡Ë‡ÌÚ˚ „‡ÏÓÌËÁ‡ˆËË, ˜ÚÓ·˚ ‚ÔÓÒÎÂ‰ÒÚ‚ËË Á‡ÔËÒ‡Ú¸ ÔÓ‚Âı ‡ÍÍÓ‰Ó‚ ÏÂÎÓ‰Ë˛.
ÇÒÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û ∂6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 102.
Ç‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚)
èÓÔÓ·ÛÂÏ ‚‚ÂÒÚË ÓÔÂ‰ÂÎÂÌÌÛ˛ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚.
MAIN A
C
1
BREAK
F
G
F
èêàåÖóÄçàÖ
Ç‚Â‰ËÚÂ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛
‚˚·‡ÌÌÓ„Ó ÏÂÚÓ‰‡ ‡ÍÍÓ‰Ó‚ÓÈ
‡ÔÔÎËÍ‡ÚÛ˚ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
MAIN B
G7
C
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ MAIN [A], ˜ÚÓ·˚ ÛÍ‡Á‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˜‡ÒÚ¸, Ë ‚‚Â‰ËÚÂ ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
MAIN A
C
MAIN
F
G
C
001:1:000
F
001:3:000
Ç˚·ÂËÚÂ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
2
G
002:1:000
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [BREAK], ˜ÚÓ·˚ ÛÍ‡Á‡Ú¸ ˜‡ÒÚ¸ Break, Ë ‚‚Â‰ËÚÂ ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
MAIN A
C
BREAK
F
G
F
G7
F
BREAK
002:3:000
INTRO
G7
002:4:000
Ç˚·ÂËÚÂ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
104
CVP-210/208
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
3
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ MAIN [Ç], ˜ÚÓ·˚ ÛÍ‡Á‡Ú¸ ˜‡ÒÚ¸, Ë ‚‚Â‰ËÚÂ ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
MAIN A
BREAK
MAIN B
MAIN
C
F
G
F
G7
C
C
003:1:000
Ç˚·ÂËÚÂ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚÂ
ÛÍ‡Á‡ÌÌ˚Â ÒÔ‡‚‡ ‡ÍÍÓ‰˚.
■ èÓË„‡ÈÚÂ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚.
óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [C] ( ▲ ). á‡ÚÂÏ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ ‚‚Â‰ÂÌÌ˚Â ÌÓÚ˚. óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (CHD) ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ Á‡ÔËÒ‡ÌÌ˚ı
ÔÂÒÂÌ (ÒÚ. 111). à, Ì‡ÍÓÌÂˆ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [F] (EXPAND) Ì‡ ˝Í‡ÌÂ SONG CREATOR (CHD),
˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ‚‚Â‰ÂÌÌ˚Â ‰‡ÌÌ˚Â ‚ Ù‡ÈÎ ÔÂÒÌË.
èêàåÖóÄçàÖ
óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [AUTO FILL IN]
Ë Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ MAIN
[A] – [D].
èêàåÖóÄçàÖ
ÓÚÏÂÚÍ‡ «END»
Ç˚‚Ó‰ËÏ‡ﬂ Ì‡ ˝Í‡ÌÂ ÓÚÏÂÚÍ‡
«END» ÛÍ‡Á˚‚‡ÂÚ Ì‡ ÍÓÌÂˆ
ÔÂÒÌË.
ÖÂ Ù‡ÍÚË˜ÂÒÍÓÂ ÔÓÎÓÊÂÌËÂ
ÏÓÊÂÚ ·˚Ú¸ ‡ÁÌ˚Ï ‚
Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡ÍÓÈ
˜‡ÒÚ¸˛ Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ ÔÂÒÌﬂ.
èË ‰Ó·‡‚ÎÂÌËË ÙËÌ‡Î¸ÌÓÈ
˜‡ÒÚË (Ending) ÓÚÏÂÚÍ‡ «End»
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓÏÂ˘‡ÂÚÒﬂ ‚ ÂÂ
ÍÓÌÂˆ. ÖÒÎË ÔÓÒÎÂ‰Ìﬂﬂ ˜‡ÒÚ¸ ÌÂ
ﬂ‚ÎﬂÂÚÒﬂ ˜‡ÒÚ¸˛ «Ending»,
ÓÚÏÂÚÍ‡ ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ˜ÂÂÁ
‰‚‡ Ú‡ÍÚ‡ ÔÓÒÎÂ ÍÓÌˆ‡ Ú‡ÍÓÈ
˜‡ÒÚË.
éÚÏÂÚÍÛ «END» ÏÓÊÌÓ
ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ Î˛·ÓÏ ÏÂÒÚÂ.
CVP-210/208
105
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
Ç˚·Ó Ô‡‡ÏÂÚÓ‚: Ì‡˜‡ÎÓ, ÍÓÌÂˆ, ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ Ë
‚˚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË – Rec Mode
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ì‡˜‡ÎÓ Ë ÓÒÚ‡ÌÓ‚ÍÛ Á‡ÔËÒË ‚ ÂÊËÏ‡ı Quick Recording Ë Multi Recording. óÚÓ·˚ ‚˚Á‚‡Ú¸
˝ÚË Ì‡ÒÚÓÈÍË, ‚˚·ÂËÚÂ ˝Í‡Ì REC MODE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT], ÔÓÒÎÂ ÚÓ„Ó Í‡Í ‚˚ÔÓÎÌËÚÂ 1–3 ¯‡„Ë Ì‡ ÒÚ. 101.
ùÚË Ô‡‡ÏÂÚ˚ ÓÔÂ‰ÂÎﬂ˛Ú ÒÔÓÒÓ· ‚ÍÎ˛˜ÂÌËﬂ Á‡ÔËÒË.
ëÚ‡Ì‰‡ÚÌÓÂ ‚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË
á‡ÔËÒ¸ ÌÓ‚˚ı ‰‡ÌÌ˚ı ÔÓ‚Âı ÒÚ‡˚ı Ì‡˜ÌÂÚÒﬂ ÔË
Ì‡Ê‡ÚËË ÍÌÓÔÍË SONG [START/STOP] ËÎË ÍÎ‡‚Ë¯ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ, ÂÒÎË ÙÛÌÍˆËﬂ Synchro Ì‡ıÓ‰ËÚÒﬂ ‚ ÂÊËÏÂ
ÓÊË‰‡ÌËﬂ.
F
G
H
á‡ÔËÒ¸ ÔÓ ÔÂ‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚÂ
á‡ÔËÒ¸ Ì‡˜ÌÂÚÒﬂ Ò‡ÁÛ ÊÂ, Í‡Í ÚÓÎ¸ÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸
ÍÎ‡‚Ë¯. Ç ˝ÚÓÏ ÂÊËÏÂ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚È Ï‡ÚÂË‡Î
ÒÓı‡ÌﬂÂÚÒﬂ, ‡ ÌÓ‚˚Â ‰‡ÌÌ˚Â Á‡ÔËÒ˚‚‡˛ÚÒﬂ ÔÓ‚Âı ÌÂ„Ó.
I
J
á‡ÔËÒ¸ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜‡ÂÚÒﬂ ‚ Á‡‰‡ÌÌÓÂ
‚ÂÏﬂ)
èÂÒÌﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Í‡Í Ó·˚˜ÌÓ ‰Ó Ú‡ÍÚ‡,
Ó·ÓÁÌ‡˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch In» (Â„Ó ÏÓÊÌÓ ‚˚·‡Ú¸
Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3▲▼] ). èÓÒÎÂ ˝ÚÓ„Ó ‚ÍÎ˛˜‡ÂÚÒﬂ
Á‡ÔËÒ¸ Ò Û‰‡ÎÂÌËÂÏ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂË‡Î‡.
1
2
3
4
5
6
7
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
ùÚË ÍÌÓÔÍË ‚ÍÎ˛˜‡˛Ú/‚˚ÍÎ˛˜‡˛Ú
ÂÊËÏ ÛÔ‡‚ÎÂÌËﬂ Á‡ÔËÒ¸˛ Ò
ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË ÒÓÒÚÂÌÛÚÓ
(ÒÂ‰ÌÂÈ). ç‡ÊÏËÚÂ ÔÂ‰‡Î¸, ˜ÚÓ·˚
‚ÍÎ˛˜ËÚ¸ Á‡ÔËÒ¸. á‡ÔËÒ¸
ÔÂÍ‡˘‡ÂÚÒﬂ ‚ ÏÓÏÂÌÚ
ÓÚÔÛÒÍ‡ÌËﬂ ÔÂ‰‡ÎË.
8
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒﬂ Ú‡ÍÚ «Punch In», ÚÓ ÂÒÚ¸
Ú‡ÍÚ ‚ÍÎ˛˜ÂÌËﬂ Á‡ÔËÒË (ÔË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸
ÒÚÓÍÛ «PUNCH IN AT»).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú Á‡‰‡Ú¸ ÒÔÓÒÓ· ‚˚ÍÎ˛˜ÂÌËﬂ Á‡ÔËÒË, ‡ Ú‡ÍÊÂ ÓÔÂ‡ˆËË, ÍÓÚÓ˚Â ·Û‰ÛÚ ÔÓ‰ÂÎ‡Ì˚ Ò ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚Ï Ï‡ÚÂË‡ÎÓÏ.
Replace All (Á‡ÏÂÌËÚ¸ ‚ÒÂ)
ÇÒÂ ‰‡ÌÌ˚Â ÔÓÒÎÂ ÚÓ˜ÍË, „‰Â ·˚Î‡ ‚˚ÍÎ˛˜ÂÌ‡ Á‡ÔËÒ¸, Û‰‡Îﬂ˛ÚÒﬂ.
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒﬂ
Ú‡ÍÚ «Punch Out», ÚÓ ÂÒÚ¸ Ú‡ÍÚ
ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË (ÔË ˝ÚÓÏ
ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ÒÚÓÍÛ
«PUNCH OUT AT»).
èêàåÖóÄçàÖ
ÖÒÎË ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ Pedal
Punch In/Out, Ó·˚˜Ì‡ﬂ ÙÛÌÍˆËﬂ
ÔÂ‰‡ÎË ÒÓÒÚÂÌÛÚÓ ÌÂ ‰ÂÈÒÚ‚ÛÂÚ.
Punch Out (‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÂ ‚˚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË)
ÇÂÒ¸ Ï‡ÚÂË‡Î, ‡ÒÔÓÎÓÊÂÌÌ˚È ÔÓÒÎÂ ÚÓ˜ÍË ÓÍÓÌ˜‡ÌËﬂ Á‡ÔËÒË, ÒÓı‡ÌﬂÂÚÒﬂ.
Punch Out At (Á‡ÔËÒ¸ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚ÍÎ˛˜‡ÂÚÒﬂ ‚ Á‡‰‡ÌÌÓÂ ‚ÂÏﬂ)
á‡ÔËÒ¸ Ò Á‡ÏÂ˘ÂÌËÂÏ ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡ÚÂË‡Î‡ ÔÓ‰ÓÎÊ‡ÂÚÒﬂ ‰Ó Ú‡ÍÚ‡, Ó·ÓÁÌ‡˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch Out» (Â„Ó ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6▲▼]).
ç‡ ˝ÚÓÏ Ú‡ÍÚÂ Á‡ÔËÒ¸ ‚˚ÍÎ˛˜‡ÂÚÒﬂ, Ë ‰‡ÎÂÂ ÔÂÒÌﬂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Í‡Í Ó·˚˜ÌÓ.
é· ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÏ ‚ÍÎ˛˜ÂÌËË/‚˚ÍÎ˛˜ÂÌËË Á‡ÔËÒË
ùÚ‡ ÙÛÌÍˆËﬂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ÓÒÌÓ‚ÌÓÏ ‰Îﬂ ÔÂÂÁ‡ÔËÒË Ë Á‡ÏÂÌ˚ Í‡ÍÓÈ-ÎË·Ó ‡ÌÂÂ Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË. çËÊÂ ÔË‚Â‰ÂÌ˚
ÔËÏÂ˚ ÒËÚÛ‡ˆËÈ, ‚ ÍÓÚÓ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÔËÒ‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â (‚˚·‡ÌÌ˚Â) Ú‡ÍÚ˚ ÏÛÁ˚Í‡Î¸ÌÓÈ Ù‡Á˚, ÒÓÒÚÓﬂ˘ÂÈ ËÁ
‚ÓÒ¸ÏË Ú‡ÍÚÓ‚.
REC START setting
REC END setting
NORMAL
REPLACE ALL
NORMAL
PUNCH OUT
NORMAL
PUNCH OUT AT=006
FIRST KEY ON
REPLACE ALL
FIRST KEY ON
PUNCH OUT
FIRST KEY ON
PUNCH OUT AT=006
PUNCH IN AT=003
REPLACE ALL
PUNCH IN AT=003
PUNCH OUT
PUNCH IN AT=003
PUNCH OUT AT=006
106
CVP-210/208
àÒıÓ‰Ì˚Â ‰‡ÌÌ˚Â
1
2
ÇÍÎ˛˜ÂÌËÂ Á‡ÔËÒË Ò
Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
1
3
4
6
7
8
5
*1 ÖÒÎË Ú‡ÍÚ˚ 1-2 ÔÂÂÔËÒ˚‚‡Ú¸ ÌÂ
ÚÂ·ÛÂÚÒﬂ, Á‡ÔËÒ¸ Ì‡˜ËÌ‡ÂÚÒﬂ Ò
ÚÂÚ¸Â„Ó Ú‡ÍÚ‡.
*2 äÌÓÔÍÛ [REC] ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ ‚ ÍÓÌˆÂ
ÔﬂÚÓ„Ó Ú‡ÍÚ‡.
ì‰‡Îﬂ˛ÚÒﬂ
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
*1
1
5
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
2
2
ÇÍÎ˛˜ÂÌËÂ Á‡ÔËÒË Ò
Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
4
*1
1
ÇÍÎ˛˜ÂÌËÂ Á‡ÔËÒË Ò
Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
3
3
4
5
6
7
8
7
8
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
*1
2
3
4
ç‡˜‡ÎÓ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ/‚ÍÎ˛˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
2
3
3
4
3
4
3
4
3
4
3
6
7
8
5
6
7
8
5
ì‰‡Îﬂ˛ÚÒﬂ
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
4
5
6
7
8
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
ÇÍÎ˛˜ÂÌËÂ ÔÂÂÁ‡ÔËÒË
2
5
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
ÇÍÎ˛˜ÂÌËÂ ÔÂÂÁ‡ÔËÒË
2
ì‰‡Îﬂ˛ÚÒﬂ
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
ÇÍÎ˛˜ÂÌËÂ ÔÂÂÁ‡ÔËÒË
2
5
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
ç‡˜‡ÎÓ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ/‚ÍÎ˛˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
2
6
éÒÚ‡ÌÓ‚Í‡ Á‡ÔËÒË *2
ç‡˜‡ÎÓ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ/‚ÍÎ˛˜ÂÌËÂ
Á‡ÔËÒË Ò Á‡ÏÂ˘ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı
2
5
4
5
6
7
8
èÂÊÌËÂ ‰‡ÌÌ˚Â
çÓ‚˚Â ‰‡ÌÌ˚Â
ì‰‡ÎÂÌÌ˚Â ‰‡ÌÌ˚Â
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Á‡ÔËÒË
ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ ÔÓÁ‚ÓÎﬂ˛Ú Â‰‡ÍÚËÓ‚‡Ú¸ ÍÓÏÔÓÁËˆË˛. èË ˝ÚÓÏ ÌÂ ‚‡ÊÌÓ, ‚ Í‡ÍÓÏ ÂÊËÏÂ ÓÌ‡ Á‡ÔËÒ˚‚‡Î‡Ò¸.
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í Í‡Ì‡Î‡Ï – Channel
ÇÒÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û ∂4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚·ÂËÚÂ ÛÍ‡Á‡ÌÌ˚È ÌËÊÂ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK]/[NEXT].
Ç˚‡‚ÌË‚‡ÌËÂ
îÛÌÍˆËﬂ ‚˚‡‚ÌË‚‡ÌËﬂ ÔÓÁ‚ÓÎﬂÂÚ «ÔÓ˜ËÒÚËÚ¸» Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÚÓÏ ËÎË ËÌÓÏ Í‡Ì‡ÎÂ Ï‡ÚÂË‡Î ËÎË Ò‰ÂÎ‡Ú¸ Á‡ÔËÒ¸ ·ÓÎÂÂ
ËÚÏË˜ÌÓÈ. ÇÓÁ¸ÏÂÏ, ‰Îﬂ ÔËÏÂ‡, ÒÎÂ‰Û˛˘ËÈ Ô‡ÒÒ‡Ê, ÒÓÒÚÓﬂ˘ËÈ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı.
Ñ‡ÊÂ ÔË Ò‡ÏÓÈ ‡ÍÍÛ‡ÚÌÓÈ Ë„Â ËÒÔÓÎÌËÚÂÎ¸ ÔÓÓÈ ÓÚÒÚ‡ÂÚ ÓÚ ÚÂÏÔ‡, ‡ ÔÓÓÈ Á‡·Â„‡ÂÚ ‚ÔÂÂ‰. îÛÌÍˆËﬂ ‚˚‡‚ÌË‚‡ÌËﬂ ÔÓÁ‚ÓÎﬂÂÚ
Ú‡Í ‚˚Ó‚ÌﬂÚ¸ ‚ÂÏﬂ Á‚Û˜‡ÌËﬂ ‚ÒÂı ÌÓÚ Í‡Ì‡Î‡, ˜ÚÓ·˚ Ëı ‰ÎËÚÂÎ¸ÌÓÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ Á‡‰‡ÌÌÓÈ (ÒÏ. ÌËÊÂ).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸
ÓÔÂ‡ˆË˛ Â‰‡ÍÚËÓ‚‡ÌËﬂ.
äÌÓÔÍ‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
‚˚‡‚ÌË‚‡ÌËﬂ. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ ÔÓˆÂ‰Û˚
ÍÌÓÔÍ‡ ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡
[UNDO], ÔÓÁ‚ÓÎﬂﬂ ÔË ÊÂÎ‡ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ Undo
ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÚÓÎ¸ÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂ‡ˆË˛.
A
F
B
G
C
H
D
I
E
J
1
2
äÌÓÔÍË ‚˚·Ó‡
‚˚‡‚ÌË‚‡ÂÏÓ„Ó Í‡Ì‡Î‡.
3
4
5
6
7
8
Ç˚·Ó ‡ÁÂ¯ÂÌËﬂ ‚˚‡‚ÌË‚‡ÌËﬂ.
èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ.
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
éÔÂ‰ÂÎﬂÂÚ ÒÚÂÔÂÌ¸ ‚˚‡‚ÌË‚‡ÌËﬂ
‚˚·‡ÌÌ˚ı ÌÓÚ. ÖÒÎË ÁÌ‡˜ÂÌËÂ ˝ÚÓ„Ó
Ô‡‡ÏÂÚ‡ ÏÂÌ¸¯Â 100%, ÌÓÚ˚ ÚÓÎ¸ÍÓ
Ò‰‚ËÌÛÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ
‚ Ì‡Ô‡‚ÎÂÌËË ‚˚Ó‚ÌÂÌÌ˚ı ÔÓÁËˆËÈ,
ÌÓ ÌÂ Á‡ÈÏÛÚ Ëı. èÓ‰Ó·ÌÓÂ «ÌÂÔÓÎÌÓÂ»
‚˚‡‚ÌË‚‡ÌËÂ ÔÓÁ‚ÓÎﬂÂÚ ËÁ·ÂÊ‡Ú¸
«Ï‡¯ËÌÌÓ„Ó» ‚ÔÂ˜‡ÚÎÂÌËﬂ ÓÚ Á‡ÔËÒË.
Ç ÍÓÌˆÂ ÍÓÌˆÓ‚, ˜‡˘Â ‚ÒÂ„Ó
ÌÂÓ·ıÓ‰ËÏÓ ÒÓı‡ÌËÚ¸ Û ÒÎÛ¯‡ÚÂÎﬂ
Û‚ÂÂÌÌÓÒÚ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓÎÌËÚÂÎ¸ –
ÊË‚ÓÈ ˜ÂÎÓ‚ÂÍ, ÍÓÚÓÓÏÛ Ò‚ÓÈÒÚ‚ÂÌÌÓ
‚ÂÏﬂ ÓÚ ‚ÂÏÂÌË Ó¯Ë·‡Ú¸Òﬂ.
■ é ‡ÁÂ¯ÂÌËË ‚˚‡‚ÌË‚‡ÌËﬂ
ê‡ÁÂ¯ÂÌËÂ ‚˚‡‚ÌË‚‡ÌËﬂ ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓÚÂ Ì‡ËÏÂÌ¸¯ÂÈ ‰ÎËÚÂÎ¸ÌÓÒÚË, ËÒÔÓÎ¸ÁÛÂÏÓÈ ‚ ‚˚‡‚ÌË‚‡ÂÏÓÏ
Ù‡„ÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ÓÌ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı, Ô‡‡ÏÂÚ SIZE ‰ÓÎÊÂÌ ·˚Ú¸ ‡‚ÂÌ ‚ÓÒ¸ÏÓÈ. ÖÒÎË Á‡‰‡Ú¸ ‚
Í‡˜ÂÒÚ‚Â ‡ÁÂ¯ÂÌËﬂ ˜ÂÚ‚ÂÚ¸, ‚ÓÒ¸Ï˚Â ÌÓÚ˚ Ò‰‚ËÌÛÚÒﬂ Ë Ó·‡ÁÛ˛Ú ‡ÍÍÓ‰˚ Ò ˜ÂÚ‚ÂÚﬂÏË.
í‡ÍÚ Ò ‚ÓÒ¸Ï˚ÏË ‰Ó ‚˚‡‚ÌË‚‡ÌËﬂ
íÓÚ ÊÂ Ú‡ÍÚ ÔÓÒÎÂ ‚˚‡‚ÌË‚‡ÌËﬂ Ò ‡ÁÂ¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛
ê‡ÁÂ¯ÂÌËÂ ‚˚‡‚ÌË‚‡ÌËﬂ
˜ÂÚ‚ÂÚ¸
ÚËÓÎ¸ ËÁ
˜ÂÚ‚ÂÚÂÈ
‚ÓÒ¸Ï‡ﬂ
ÚËÓÎ¸ ËÁ
‚ÓÒ¸Ï˚ı
¯ÂÒÚÌ‡‰ˆ‡Ú‡ﬂ
ÚËÓÎ¸ ËÁ
¯ÂÒÚÌ‡‰ˆ‡Ú˚ı
ÚË‰ˆ‡Ú¸
‚ÚÓ‡ﬂ
‚ÓÒ¸Ï‡ﬂ+
ÚËÓÎ¸ ËÁ
‚ÓÒ¸Ï˚ı *
¯ÂÒÚÌ‡‰ˆ‡Ú‡ﬂ+
ÚËÓÎ¸ ËÁ ‚ÓÒ¸Ï˚ı *
¯ÂÒÚÌ‡‰ˆ‡Ú‡ﬂ+
ÚËÓÎ¸ ËÁ
¯ÂÒÚÌ‡‰ˆ‡Ú˚ı *
Ç‡Ë‡ÌÚ˚ ‚˚‡‚ÌË‚‡ÌËﬂ, ÓÚÏÂ˜ÂÌÌ˚Â Á‚ÂÁ‰Ó˜ÍÓÈ (*), ˜ÂÁ‚˚˜‡ÈÌÓ Û‰Ó·Ì˚, Ú‡Í Í‡Í ÔÓÁ‚ÓÎﬂ˛Ú Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·‡·‡Ú˚‚‡Ú¸ ÌÓÚ˚ ‡ÁÌÓÈ
‰ÎËÚÂÎ¸ÌÓÒÚË, ÌÂ ÊÂÚ‚Ûﬂ Í‡˜ÂÒÚ‚ÓÏ. ç‡ÔËÏÂ, ÂÒÎË Ì‡ Í‡Ì‡ÎÂ Á‡ÔËÒ‡Ì˚ Ë ‚ÓÒ¸Ï˚Â Ë ÚËÓÎË ËÁ ‚ÓÒ¸Ï˚ı, ÚÓ ‚˚‡‚ÌË‚‡ÌËÂ Ò ‡ÁÂ¯ÂÌËÂÏ ‚
‚ÓÒ¸ÏÛ˛ ÔË‚Â‰ÂÚ Í Á‡ÏÂÌÂ ÚËÓÎÂÈ ‚ÓÒ¸Ï˚ÏË. í‡ÍËÏ Ó·‡ÁÓÏ, Á‡ÔËÒ¸ ÛÚ‡ÚËÚ ‚Ò˛ ÚÛ ı‡‡ÍÚÂÌÓÒÚ¸, ÍÓÚÓÛ˛ Ó·ÂÒÔÂ˜Ë‚‡ÂÚ ÔËÏÂÌÂÌËÂ ‚ÓÒ¸Ï˚ı.
çÓ ÂÒÎË ‚˚·‡Ú¸ ‡ÁÂ¯ÂÌËÂ «‚ÓÒ¸Ï‡ﬂ + ÚËÓÎ¸ ËÁ ‚ÓÒ¸Ï˚ı», ÌÓÚ˚ Ó·ÓËı ÚËÔÓ‚ ·Û‰ÛÚ ‚˚‡‚ÌÂÌ˚ Ô‡‚ËÎ¸ÌÓ.
CVP-210/208
107
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
ì‰‡ÎÂÌËÂ (Delete)
å‡ÚÂË‡Î, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÓÔÂ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ, ÏÓÊÌÓ Û‰‡ÎËÚ¸.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
ùÚ‡ ÍÌÓÔÍ‡ ÔÓ‰Ú‚ÂÊ‰‡ÂÚ
Û‰‡ÎÂÌËÂ ‚ÒÂı ‰‡ÌÌ˚ı Ì‡
Í‡Ì‡ÎÂ. èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ
ÔÓˆÂ‰Û˚ ÍÌÓÔÍ‡ ÏÂÌﬂÂÚ
Ì‡Á‚‡ÌËÂ Ì‡ [UNDO], ÔÓÁ‚ÓÎﬂﬂ
ÔË ÊÂÎ‡ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚È Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ
Undo ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸
ÚÓÎ¸ÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛
ÓÔÂ‡ˆË˛.
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
8
äÌÓÔÍË ‚˚·Ó‡ Û‰‡ÎﬂÂÏÓ„Ó Í‡Ì‡Î‡.
é·˙Â‰ËÌÂÌËÂ
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ó·˙Â‰ËÌËÚ¸ Ï‡ÚÂË‡Î, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ‰‚Ûı ‡ÁÌ˚ı Í‡Ì‡Î‡ı, Ë ÒÓı‡ÌËÚ¸ ÂÁÛÎ¸Ú‡Ú Ì‡ ÌÓ‚ÓÏ Í‡Ì‡ÎÂ. äÓÏÂ
ÚÓ„Ó, Ò ÂÂ ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ÒÓ‰ÂÊËÏÓÂ Ó‰ÌÓ„Ó Í‡Ì‡Î‡ Ì‡ ‰Û„ÓÈ.
èêàåÖóÄçàÖ
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
äÌÓÔÍ‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
Ó·˙Â‰ËÌÂÌËﬂ. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ ÔÓˆÂ‰Û˚
ÍÌÓÔÍ‡ ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡
[UNDO], ÔÓÁ‚ÓÎﬂﬂ ÔË ÊÂÎ‡ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ Undo
ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÚÓÎ¸ÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂ‡ˆË˛.
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ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
‚˚·‡Ú¸ ‰‚‡ Ó·˙Â‰ËÌﬂÂÏ˚ı Í‡Ì‡Î‡.
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CVP-210/208
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
8
äÌÓÔÍË ÛÍ‡Á‡ÌËﬂ ˆÂÎÂ‚Ó„Ó Í‡Ì‡Î‡ ‰Îﬂ
ÒÓı‡ÌÂÌËﬂ ÂÁÛÎ¸Ú‡ÚÓ‚ Ó·˙Â‰ËÌÂÌËﬂ.
èË ‚˚·ÓÂ ÁÌ‡˜ÂÌËﬂ «COPY» ‰‡ÌÌ˚Â ËÁ Í‡Ì‡Î‡
«Source 1» ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‚ ˆÂÎÂ‚ÓÈ Í‡Ì‡Î.
108
ÇÒÂ ‰‡ÌÌ˚Â Ó ÒÓ‰ÂÊËÏÓÏ
Ó·˙Â‰ËÌﬂÂÏ˚ı Í‡Ì‡ÎÓ‚, ÌÂ
ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÏÛÁ˚Í‡Î¸ÌÓÈ
ÌÓÚ‡ˆËË, ·ÂÛÚÒﬂ ËÁ Í‡Ì‡Î‡
Source 1.
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
í‡ÌÒÔÓÌËÓ‚‡ÌËÂ Í‡Ì‡Î‡
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔÂ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ Ï‡ÚÂË‡Î ‚ ÔÂ‰ÂÎ‡ı ‰‚Ûı ÓÍÚ‡‚ ‚ Î˛·Û˛ ÒÚÓÓÌÛ Ò
¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
äÌÓÔÍ‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
Ú‡ÌÒÔÓÁËˆËË. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ ÔÓˆÂ‰Û˚
ÍÌÓÔÍ‡ ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡
[UNDO], ÔÓÁ‚ÓÎﬂﬂ ÔË ÊÂÎ‡ÌËË
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ Undo
ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÚÓÎ¸ÍÓ
Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂ‡ˆË˛.
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B
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äÌÓÔÍ‡ ÔÂÂÍÎ˛˜ÂÌËﬂ ÏÂÊ‰Û
‰‚ÛÏﬂ ÒÔËÒÍ‡ÏË Í‡Ì‡ÎÓ‚:
Í‡Ì‡Î˚ 1 -8 Ë Í‡Ì‡Î˚ 9 -16.
óÚÓ·˚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ‚ÒÂ
Í‡Ì‡Î˚ Ì‡ Á‡‰‡ÌÌÓÂ ˜ËÒÎÓ
ÔÓÎÛÚÓÌÓ‚, Á‡‰‡ÈÚÂ ÁÌ‡˜ÂÌËÂ
Ô‡‡ÏÂÚ‡ Channel Transpose ‰Îﬂ
Ó‰ÌÓ„Ó ËÁ Í‡Ì‡ÎÓ‚, ‰ÂÊ‡ ˝ÚÛ
ÍÌÓÔÍÛ Ì‡Ê‡ÚÓÈ.
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
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éÔÂ‰ÂÎﬂÂÚ ‚ÂÎË˜ËÌÛ Ú‡ÌÒÔÓÁËˆËË ‰Îﬂ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
á‡ÏÂÌ‡ ÁÌ‡˜ÂÌËÈ
àÒıÓ‰Ì˚Â ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË (Ì‡ÔËÏÂ, ÚÂÏ·, ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ËÎË ÚÂÏÔ) ÏÓÊÌÓ Á‡ÏÂÌËÚ¸ ÚÂÍÛ˘ËÏË ÁÌ‡˜ÂÌËﬂÏË,
Á‡‰‡ÌÌ˚ÏË Ò ÔÓÏÓ˘¸˛ ÍÓÌÒÓÎË ÏËÍ¯Â‡ ËÎË ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
äÌÓÔÍ‡ ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ
Á‡ÏÂÌ˚ ÁÌ‡˜ÂÌËÈ.
éÔÂ‡ˆË˛ Á‡ÏÂÌ˚
ÓÚÏÂÌËÚ¸ ÌÂ‚ÓÁÏÓÊÌÓ.
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Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
ÓÚÏÂÚËÚ¸ ‚˚·‡ÌÌ˚È Ô‡‡ÏÂÚ
„‡ÎÓ˜ÍÓÈ. áÌ‡˜ÂÌËﬂ
ÔÓÏÂ˜ÂÌÌ˚ı Ú‡ÍËÏ Ó·‡ÁÓÏ
Ô‡‡ÏÂÚÓ‚ ÒÓı‡Ìﬂ˛ÚÒﬂ ‚
Ù‡ÈÎÂ ÔÂÒÌË.
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ Ì‡·Ó ÙÛÌÍˆËÈ Ë Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ, ÍÓÚÓ˚È ·Û‰ÂÚ Á‡„ÛÊ‡Ú¸Òﬂ ÔË ‚˚ÁÓ‚Â
‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÇÒÂ ÒÓ·˚ÚËﬂ, Á‡ ËÒÍÎ˛˜ÂÌËÂÏ «KEYBOARD VOICE» (ÒÏÂÌ˚ ÚÂÏ·‡), ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ ‚ Ì‡˜‡ÎÂ ÔÂÒÌË.
èÂÊ‰Â ˜ÂÏ ‚˚·‡Ú¸ ËÎË ÓÚÏÂÚËÚ¸ „‡ÎÓ˜ÍÓÈ Î˛·ÓÈ ËÁ ˝ÚËı Ô‡‡ÏÂÚÓ‚ (ÍÓÏÂ KEYBOARD VOICE), ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ
ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP] Ë ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
Song ...................... ëÓı‡ÌﬂÂÚ ÚÂÏÔ Ë ÔÓ˜ËÂ Ô‡‡ÏÂÚ˚, Á‡‰‡ÌÌ˚Â Ò ÍÓÌÒÓÎË ÏËÍ¯Â‡.
Keyboard Voice .... Ä‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ ÚÂÏ·‡ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚ (Main/Layer/Left). èË
‚˚·ÓÂ ˝ÚÓ„Ó ÔÛÌÍÚ‡ ÒÓı‡ÌﬂÂÚÒﬂ Ì‡Á‚‡ÌËÂ ÚÂÏ·‡, ÍÓÚÓ˚È ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ˜‡ÒÚﬂı, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚, Ë
ÁÌ‡˜ÂÌËﬂ ‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ ˜‡ÒÚË (part ON/OFF). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÒÏÂÌÛ ÚÂÏ·‡ ‚ ÒÂÂ‰ËÌÂ ÔÂÒÌË ‰Îﬂ
˜‡ÒÚË, Ë„‡ÂÏÓÈ Ò ÍÎ‡‚Ë‡ÚÛ˚, ÓÒÚ‡ÌÓ‚ËÚÂ ÔÂÒÌ˛ ‚ ÌÛÊÌÓÏ ÏÂÒÚÂ, Á‡‰‡ÈÚÂ ÒÏÂÌÛ ÚÂÏ·‡ Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [D]
(EXECUTE).
Lyrics Bkgd/Lng ... ëÓı‡ÌﬂÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Lyrics.
Score Setting ........ ëÓı‡ÌﬂÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Score.
Mic. Settings ......... ëÓı‡ÌﬂÂÚ ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÏËÍÓÙÓÌÛ Ô‡‡ÏÂÚ˚, Á‡‰‡ÌÌ˚Â Ì‡ ÍÓÌÒÓÎË ÏËÍ¯Â‡.
Guide Setting........ ëÓı‡ÌﬂÂÚ Ì‡ÒÚÓÈÍË ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ. ÖÒÎË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌ˚, ÔË ‚˚·ÓÂ ÔÂÒÌË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚ÍÎ˛˜‡ÂÚÒﬂ ÙÛÌÍˆËﬂ Guide.
CVP-210/208
109
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÓÚ‰ÂÎ¸Ì˚Â ÌÓÚ˚ (ÒÏ. ÌËÊÂ). ÇÒÂ ÔÂÂ˜ËÒÎÂÌÌ˚Â Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í
¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚÂ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊÂ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT].
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
ÔÂÂÏÂ˘‡Ú¸Òﬂ ‚‚Âı-‚ÌËÁ ÔÓ
ÒÔËÒÍÛ Ë ‚˚·Ë‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓÂ
ÒÓ·˚ÚËÂ.
èÂÂıÓ‰ Í Ì‡˜‡ÎÛ ÔÂÒÌË
(ÔÂ‚‡ﬂ ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
ÔÂÂÏÂ˘‡Ú¸ ÍÛÒÓ ‚ÎÂ‚Ó/
‚Ô‡‚Ó Ë ‚˚·Ë‡Ú¸
ÌÂÓ·ıÓ‰ËÏ˚È Ô‡‡ÏÂÚ
‚˚‰ÂÎÂÌÌÓ„Ó ˆ‚ÂÚÓÏ ÒÓ·˚ÚËﬂ.
éÔÂ‰ÂÎﬂÂÚ Â‰‡ÍÚËÛÂÏ˚È
Í‡Ì‡Î.
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F
B
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Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì Step Recording
(ÒÚ. 102).
äÌÓÔÍ‡ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Filter
(ÒÚ. 112), ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ‚˚·‡Ú¸
ÒÓ·˚ÚËﬂ ‰Îﬂ ÓÚÓ·‡ÊÂÌËﬂ ‚
ÒÔËÒÍÂ ÒÓ·˚ÚËÈ.
Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ.
ÖÒÎË ÚÂ·ÛÂÚÒﬂ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓÎ¸ÍÓ
ÒÓ·˚ÚËÈ, ÒÎÂ‰ÛÂÚ, Û‰ÂÊË‚‡ﬂ ˝ÚÛ ÍÌÓÔÍÛ
‚ Ì‡Ê‡ÚÓÏ ÔÓÎÓÊÂÌËË, Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
[A] ËÎË [B].
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ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ‚ÒÚ‡‚ÎﬂÚ¸ ‚ÒÂ
‚˚ÂÁ‡ÌÌ˚Â ËÎË ÒÍÓÔËÓ‚‡ÌÌ˚Â ÒÓ·˚ÚËﬂ
Ì‡˜ËÌ‡ﬂ Ò Á‡‰‡ÌÌÓÈ ÔÓÁËˆËË ‚ ÔÂÒÌÂ.
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÚÂÍÛ˘ÂÂ
ÔÓÎÓÊÂÌËÂ Â‰‡ÍÚËÛÂÏÓ„Ó
ÒÓ·˚ÚËﬂ.
ÉÛ·‡ﬂ Ì‡ÒÚÓÈÍ‡ ÁÌ‡˜ÂÌËﬂ.
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ÁÌ‡˜ÂÌËﬂ.
äÌÓÔÍ‡ ‚˚ÂÁ‡ÌËﬂ (Û‰‡ÎÂÌËﬂ) ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı ÒÓ·˚ÚËÈ. Ç˚ÂÁ‡ÌÌ˚Â ÒÓ·˚ÚËﬂ
ÍÓÔËÛ˛ÚÒﬂ, ÔÓ˝ÚÓÏÛ Ëı ÏÓÊÌÓ ÔÓÏÂÒÚËÚ¸ ‚ Î˛·ÓÂ ‰Û„ÓÂ ÏÂÒÚÓ ÔÂÒÌË.
äÌÓÔÍ‡ ‰Ó·‡‚ÎÂÌËﬂ ÌÓ‚Ó„Ó ÒÓ·˚ÚËﬂ ‚
ÒÔËÒÓÍ ÒÓ·˚ÚËÈ ÙÛÌÍˆËË Event List.
ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÓÂ
ÁÌ‡˜ÂÌËÂ, ÂÒÎË ‚˚ Ó¯Ë·ÎËÒ¸ ÔË ‚‚Ó‰Â ÁÌ‡˜ÂÌËﬂ,
ÌÓ Â˘Â ÌÂ ÔÓ‰Ú‚Â‰ËÎË ‚‚Ó‰ (ÚÓ ÂÒÚ¸ ÍÓ„‰‡ ÍÛÒÓ
Â˘Â Ì‡ıÓ‰ËÚÒﬂ ﬂ‰ÓÏ Ò ÌÓ‚˚Ï ÁÌ‡˜ÂÌËÂÏ).
äÌÓÔÍ‡ ÍÓÔËÓ‚‡ÌËﬂ ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı
ÒÓ·˚ÚËÈ. ëÍÓÔËÓ‚‡ÌÌ˚Â ÒÓ·˚ÚËﬂ ÏÓÊÌÓ
ÔÓÏÂÒÚËÚ¸ ‚ Î˛·ÓÂ ‰Û„ÓÂ ÏÂÒÚÓ.
äÌÓÔÍË Û‰‡ÎÂÌËﬂ
ÒÓ·˚ÚËﬂ ÔÂÂ‰
ÍÛÒÓÓÏ.
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰
ËÁÏÂÌÂÌÌÓ„Ó ÁÌ‡˜ÂÌËﬂ,
ÔÂÂÏÂÒÚËÚÂ ÍÛÒÓ ‚ ‰Û„ÓÂ
ÔÓÎÂ ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP].
çÓÚÌ˚Â ÒÓ·˚ÚËﬂ
è‡‡ÏÂÚ
Note (ÌÓÚ‡)
Ctrl (ÒÏÂÌ‡ ÁÌ‡˜ÂÌËﬂ ÍÓÌÚÓÎÎÂ‡)
Prog (ÒÏÂÌ‡ ÔÓ„‡ÏÏ˚)
éÔËÒ‡ÌËÂ
éÔÂ‰ÂÎﬂÂÚ ‚˚ÒÓÚÛ, ÒÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ („ÓÏÍÓÒÚ¸) Ë ‰ÎËÚÂÎ¸ÌÓÒÚ¸ ÌÓÚ˚.
á‡‰‡ÂÚ ÌÓÏÂ ÍÓÌÚÓÎÎÂ‡ Ë ÁÌ‡˜ÂÌËÂ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı ˝ÚÓ„Ó ÚËÔ‡ ÒÏ. ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (MIDI Data Format).
á‡‰‡ÂÚ ÌÓÏÂ ÚÂÏ·‡ (ÔÓ„‡ÏÏ˚). ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÒÓÓ·˘ÂÌËﬂı ˝ÚÓ„Ó ÚËÔ‡ ÔË‚Â‰ÂÌ˚ ‚ ÓÚ‰ÂÎ¸ÌÓÏ ·ÛÍÎÂÚÂ (ÒÔËÒÓÍ
ÚÂÏ·Ó‚ Voice List).
P.Bnd (ËÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚)
á‡‰‡ÂÚ ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚ‡ «ËÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚».
A.T. (‰‡‚ÎÂÌËÂ Ì‡ ÍÎ‡‚Ë¯Û ÔÓÒÎÂ ÂÂ á‡‰‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÁÌ‡˜ÂÌËÂ.
Ì‡Ê‡ÚËﬂ)
èêàåÖóÄçàÖ
íÂÏ· „ÓÎÓÒÓ‚, Á‡ÔËÒ‡ÌÌ˚ı ‚
ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ, ÏÓÊÂÚ
ÒÎÂ„Í‡ ÓÚÎË˜‡Ú¸Òﬂ ÓÚ ËÒıÓ‰ÌÓ„Ó.
110
CVP-210/208
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD
ùÚÓÚ ˝Í‡Ì ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ Â‰‡ÍÚËÓ‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ù‡ÈÎÂ ÔÂÒÌË.
ÇÒÂ ÔÂÂ˜ËÒÎÂÌÌ˚Â Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û #4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚÂ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊÂ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]. ç‡ÁÌ‡˜ÂÌËÂ ‚ÒÂı ÍÌÓÔÓÍ (Á‡ ËÒÍÎ˛˜ÂÌËÂÏ ÍÌÓÔÍË [F] (EXPAND)) Ë‰ÂÌÚË˜ÌÓ ÓÔËÒ‡ÌÌÓÏÛ ‚ ÔÂ‰˚‰Û˘ÂÏ
‡Á‰ÂÎÂ (ÒÚ. 110).
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F
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C
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äÌÓÔÍ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ Á‡ÔËÒÂÈ,
ÓÚÌÓÒﬂ˘ËıÒﬂ Í ‡ÍÍÓ‰‡Ï Ë ˜‡ÒÚﬂÏ,
‚ ‰‡ÌÌ˚Â ÔÂÒÌË.
èêàåÖóÄçàÖ
óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰
ËÁÏÂÌÂÌÌÓ„Ó ÁÌ‡˜ÂÌËﬂ,
ÔÂÂÏÂÒÚËÚÂ ÍÛÒÓ ‚ ‰Û„ÓÂ
ÔÓÎÂ ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP].
ÄÍÍÓ‰Ó‚˚Â ÒÓ·˚ÚËﬂ
è‡‡ÏÂÚ
Style (ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡)
Tempo (ÚÂÏÔ)
Chord (‡ÍÍÓ‰)
Sect (˜‡ÒÚ¸)
OnOff (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ
Í‡Ì‡Î‡)
CH.Vol („ÓÏÍÓÒÚ¸ Í‡Ì‡Î‡)
S.Vol („ÓÏÍÓÒÚ¸ ÒÚËÎﬂ)
éÔËÒ‡ÌËÂ
Ç˚‚Ó‰ËÚ Ì‡Á‚‡ÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Á‡‰‡Ú¸ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÂÈ‰ËÚÂ Ì‡ ˝Í‡Ì STYLE Ë ‚˚·ÂËÚÂ
ÔÓ‰ıÓ‰ﬂ˘ËÈ ÒÚËÎ¸.
á‡‰‡ÂÚ ÁÌ‡˜ÂÌËÂ ÚÂÏÔ‡.
éÔÂ‰ÂÎﬂÂÚ ‡ÍÍÓ‰ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÚËÔ Ë ·‡ÒÓ‚Û˛ ÌÓÚÛ).
á‡‰‡ÂÚ ˜‡ÒÚ¸ – ÂÂ Ì‡Á‚‡ÌËÂ Ë ‚‡Ë‡ˆË˛ (Ä/B/C/D).
éÔÂ‰ÂÎﬂÂÚ ÒÚ‡ÚÛÒ ÓÔÂ‰ÂÎÂÌÌ˚ı Í‡Ì‡ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.).
ìÍ‡Á˚‚‡ÂÚ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÓÔÂ‰ÂÎÂÌÌ˚ı Í‡Ì‡ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.).
éÔÂ‰ÂÎﬂÂÚ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ˆÂÎÓÏ.
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX. (ÒÓÓ·˘ÂÌËﬂ System Exclusive)
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÒËÒÚÂÏÌ˚Â ÒÓ·˚ÚËﬂ.
ÇÒÂ ÔÂÂ˜ËÒÎÂÌÌ˚Â Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚÂ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊÂ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓﬂ‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚË˜ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂÎÂ «êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚ. 110).
ëËÒÚÂÏÌ˚Â ÒÓ·˚ÚËﬂ
è‡‡ÏÂÚ
ScBar (ÔÂ‚˚È Ú‡ÍÚ Ô‡ÚËÚÛÂ)
Tempo (ÚÂÏÔ)
Time (˜‡ÒÚÓÚ‡ ÒË„Ì‡Î‡)
Key (ÍÎ‡‚Ë¯‡)
XG Prm (Ô‡‡ÏÂÚ˚ XG)
SYS/EX. (ÒÓÓ·˘ÂÌËﬂ System
Exclusive)
Meta (ÏÂÚ‡ÒÓ·˚ÚËÂ)
éÔËÒ‡ÌËÂ
á‡‰‡ÂÚ ÌÓÏÂ ÔÂ‚Ó„Ó Ú‡ÍÚ‡ ‚ ÍÓÏÔÓÁËˆËË. çÓÏÂ Ú‡ÍÚ‡ ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ Ë Ì‡ ˝Í‡ÌÂ ÌÓÚ‡ˆËË. Ç Ì‡˜‡ÎÂ ÔÂÒÌË ÏÓÊÌÓ
ÛÍ‡Á˚‚‡Ú¸ ÚÓÎ¸ÍÓ Ó‰ÌÓ ÁÌ‡˜ÂÌËÂ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡.
á‡‰‡ÂÚ ÁÌ‡˜ÂÌËÂ ÚÂÏÔ‡.
á‡‰‡ÂÚ ÁÌ‡˜ÂÌËÂ ‡ÁÏÂ‡.
á‡‰‡ÂÚ ÚÓÌ‡Î¸ÌÓÒÚ¸ Ë Î‡‰ (Ï‡ÊÓ/ÏËÌÓ).
èÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÚÓÌÍÛ˛ Ì‡ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚ MIDI. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Ô‡‡ÏÂÚ‡ı MIDI ÒÏ. ‚ ÓÚ‰ÂÎ¸ÌÓÏ ·ÛÍÎÂÚÂ
(MIDI Data Format).
ÇÍÎ˛˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËﬂ ÒÓÓ·˘ÂÌËÈ System Exclusive. àÁÏÂÌﬂÚ¸ Ú‡ÍËÂ ÒÓÓ·˘ÂÌËﬂ ÌÂ ‡ÁÂ¯‡ÂÚÒﬂ. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎﬂÚ¸,
‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎﬂÚ¸.
ÇÍÎ˛˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËﬂ ÏÂÚ‡ÒÓ·˚ÚËÈ SMF. àÁÏÂÌﬂÚ¸ Ú‡ÍËÂ ÒÓÓ·˘ÂÌËﬂ ÌÂ ‡ÁÂ¯‡ÂÚÒﬂ. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎﬂÚ¸, ‚˚ÂÁ‡Ú¸,
ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎﬂÚ¸.
CVP-210/208
111
á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ – Song Creator
Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌËÂ ÚÂÍÒÚ‡ ÔÂÒÂÌ
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚‚Ó‰ËÚ¸ Ì‡Á‚‡ÌËÂ ÔÂÒÌË Ë ÂÂ ÚÂÍÒÚ. äÓÏÂ ÚÓ„Ó, Ò ÂÂ ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÍÓÂÍÚËÓ‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÈ
ÚÂÍÒÚ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó· ˝ÚÓÏ ÚËÔÂ ÒÓ·˚ÚËÈ ÒÏ. ÌËÊÂ ‚ Ú‡·ÎËˆÂ. ÇÒÂ ÔÂÂ˜ËÒÎÂÌÌ˚Â Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û
4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚÂ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊÂ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓﬂ‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ
Ë‰ÂÌÚË˜ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂÎÂ «êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚ. 110).
Ç Í‡˜ÂÒÚ‚Â ÔËÏÂ‡ ‚ÓÁ¸ÏÂÏ ÔÂÒÌ˛ «Twinkle Twinkle Little Star» Ë ÔÂÂÔË¯ÂÏ Ù‡„ÏÂÌÚ ÂÂ ÚÂÍÒÚ‡.
Ç˚·ÂËÚÂ ‚ÒÚÓÂÌÌÛ˛ ÔÂÒÌ˛ «Twinkle Twinkle Little Star». åÂÚÓ‰ ‚˚·Ó‡ ÔÂÒÌË Ë‰ÂÌÚË˜ÂÌ ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. ÒÚ. 78.
1
2
3
Ç˚‰ÂÎËÚÂ
ÍÛÒÓÓÏ
Ì‡Á‚‡ÌËÂ ÔÂÒÌË
‚ ÒÔËÒÍÂ.
èÓÏÂÒÚËÚÂ ÍÛÒÓ
ÔÂÂ‰ ÒÎÓ‚ÓÏ «star».
A
F
B
G
C
H
D
I
E
J
4
äÌÓÔÍ‡
ÒÓı‡ÌÂÌËﬂ
ÌÓ‚Ó„Ó ÚÂÍÒÚ‡.
èêàåÖóÄçàÖ
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı ÍÌÓÔÓÍ
ÔÂÂÈ‰ËÚÂ Í ˝Í‡ÌÛ «Lyric».
ç‡ ˝Í‡ÌÂ Lyric (ÒÚ. 49)
‚‚Â‰ËÚÂ ÌÓ‚ÓÂ ÒÎÓ‚Ó
(Ì‡ÔËÏÂ, Ò‚ÓÂ ËÏﬂ).
èÂÒÌﬂ «Twinkle Twinkle Little
Star» Ì‡ıÓ‰ËÚÒﬂ ‚ Ô‡ÔÍÂ «For
Children» äÌË„Ë ÔÂÒÂÌ (ÒÚ. 78).
èêàåÖóÄçàÖ
1
2
3
4
5
6
7
óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸ ‚‚Ó‰
ËÁÏÂÌÂÌÌÓ„Ó ÁÌ‡˜ÂÌËﬂ,
ÔÂÂÏÂÒÚËÚÂ ÍÛÒÓ ‚ ‰Û„ÓÂ
ÔÓÎÂ ËÎË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG
[START/STOP].
8
íÂÍÒÚÓ‚˚Â ÒÓ·˚ÚËﬂ
è‡‡ÏÂÚ
Name (Ì‡Á‚‡ÌËÂ ÔÂÒÌË)
Lyrics (ÚÂÍÒÚ˚ ÔÂÒÂÌ)
Code (‰Û„ËÂ Ô‡‡ÏÂÚ˚)
éÔËÒ‡ÌËÂ
á‡‰‡ÂÚ Ì‡Á‚‡ÌËÂ ÔÂÒÌË. Ç˚Á˚‚‡ÂÚ ˝Í‡Ì «NAME», ÔÓÁ‚ÓÎﬂ˛˘ËÈ ‚‚ÂÒÚË Ì‡Á‚‡ÌËÂ ÔÂÒÌË.
èÓÁ‚ÓÎﬂÂÚ ‚‚ÂÒÚË ÚÂÍÒÚ ÔÂÒÌË.
CR : ÇÒÚ‡‚Í‡ ‚ ÚÂÍÒÚ Ó·˚‚‡ ÒÚÓÍË.
LF : ì‰‡ÎÂÌËÂ ‚˚‚Â‰ÂÌÌÓ„Ó Ì‡ ˝Í‡Ì ÚÂÍÒÚ‡ Ë ÓÚÓ·‡ÊÂÌËÂ ÌÓ‚Ó„Ó ÚÂÍÒÚÓ‚Ó„Ó Ù‡„ÏÂÌÚ‡.
ç‡ÒÚÓÈÍ‡ ÒÔËÒÍ‡ ÒÓ·˚ÚËÈ – Filter
ùÚ‡ ÙÛÌÍˆËﬂ ÒÎÛÊËÚ ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ÒÔËÒÍ‡ ÓÚÓ·‡Ê‡ÂÏ˚ı Ì‡ ˝Í‡Ì‡ı Â‰‡ÍÚËÓ‚‡ÌËﬂ ÚËÔÓ‚ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·‡Ú¸ ÒÓ·˚ÚËÂ,
ÛÒÚ‡ÌÓ‚ËÚÂ „‡ÎÓ˜ÍÛ ‚ ÔÓÎÂ ﬂ‰ÓÏ Ò Ì‡Á‚‡ÌËÂÏ ÒÓ·˚ÚËﬂ. óÚÓ·˚ ËÒÍÎ˛˜ËÚ¸ ÓÔÂ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËﬂ ËÁ ÒÔËÒÍ‡ ÓÚÓ·‡Ê‡ÂÏ˚ı
ÒÓ·˚ÚËÈ, ÒÌËÏËÚÂ „‡ÎÓ˜ÍÛ.
óÚÓ·˚ ‚˚Á‚‡Ú¸ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊÂ ˝Í‡Ì, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [H] (FILTER) Ì‡ Î˛·ÓÏ ËÁ ˝ÚËı ˝Í‡ÌÓ‚: CHD, 1 - 16, SysEX ËÎË LYRICS
(ÒÚ. 110 - ÒÚ. 112).
èÂÂıÓ‰ Í ˝Í‡ÌÛ Main Filter
(ÓÒÌÓ‚ÌÓÈ ÙËÎ¸Ú). ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ Ó Í‡Ê‰ÓÏ ÚËÔÂ ÒÓ·˚ÚËÈ
ÒÏ. ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (MIDI Data
Format).
èÂÂıÓ‰ Í ˝Í‡ÌÛ Control Change
Filter. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
Í‡Ê‰ÓÏ ÚËÔÂ ÒÓ·˚ÚËÈ ÒÏ. ‚ Ò·ÓÌËÍÂ
Ú‡·ÎËˆ (MIDI Data Format).
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÚËÚ¸
„‡ÎÓ˜ÍÓÈ ‚ÒÂ ÚËÔ˚ ÒÓ·˚ÚËÈ.
A
F
B
G
C
H
D
I
E
J
èÂÂıÓ‰ Í ˝Í‡ÌÛ Accompaniment Filter.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó Í‡Ê‰ÓÏ ÚËÔÂ ÒÓ·˚ÚËÈ
ÒÏ. ‚ Ò·ÓÌËÍÂ Ú‡·ÎËˆ (MIDI Data Format).
Ç˚·Ë‡ÂÚ ÚÓÎ¸ÍÓ ÌÓÚÌ˚Â
‰‡ÌÌ˚Â, ÙÎ‡ÊÍË ËÁ ‚ÒÂı
ÓÒÚ‡Î¸Ì˚ı ÔÓÎÂÈ ÒÌËÏ‡˛ÚÒﬂ.
ëÌËÏ‡ÂÚ ‚ÒÂ ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â
ÙÎ‡ÊÍË Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚ
ÙÎ‡ÊÍË Ú‡Ï, „‰Â Ëı ÌÂ ·˚ÎÓ
‡Ì¸¯Â. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË
˝ÚÓÏ ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ „‡ÎÓ˜ÍË
‚Ó ‚ÒÂı ÔÓÎﬂı, ‚ ÍÓÚÓ˚ı Ëı ‰Ó
˝ÚÓ„Ó ÌÂ ·˚ÎÓ, Ë Ì‡Ó·ÓÓÚ.
äÌÓÔÍ‡ ÛÒÚ‡ÌÓ‚ÍË/ÒÌﬂÚËﬂ „‡ÎÓ˜ÍË.
1
2
3
4
5
6
7
8
äÌÓÔÍË ‚˚·Ó‡ ÒÚÓÍË.
END
EXIT
112
CVP-210/208
óÚÓ·˚ ÔÓ‰Ú‚Â‰ËÚ¸
‚ÌÂÒÂÌÌ˚Â ËÁÏÂÌÂÌËﬂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ
[EXIT].
èË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ «MAIN FILTER» ËÎË «ACCOMPANIMENT FILTER» ˝ÚË
ÍÌÓÔÍË ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ÔÓÍÛÚÍË ÒÔËÒÍ‡ Ë ‚˚·Ó‡ ÚËÔ‡ ÒÓ·˚ÚËﬂ. èË
ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ «CONTROL CHANGE FILTER» ÓÌË ÒÎÛÊ‡Ú ‰Îﬂ ÔÓÍÛÚÍË
ÒÔËÒÍ‡ (8 ÒÚÓÍ ‚‚Âı ËÎË ‚ÌËÁ Á‡ Ó‰ÌÓ Ì‡Ê‡ÚËÂ) Ë ‚˚·Ó‡ ÚËÔ‡ ÒÓ·˚ÚËﬂ.
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
ùÚ‡ ÏÓ˘Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚Â ÏÓ„ÛÚ ÔËÏÂÌﬂÚÒﬂ Ì‡‡‚ÌÂ Ò
‚ÒÚÓÂÌÌ˚ÏË.
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
A
F
MASTER VOLUME
HELP
TAP TEMPO
DIGITAL
RECORDING
FADE IN OUT
REC
TOP
START STOP
REW
FF
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
B
G
LAYER
C
H
LEFT
D
I
E
J
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
RESET
RESET
AUTO FILL IN
BREAK
INTRO
MAIN
ONE TOCTH SETTING
1
DIGITAL
RECORDING
STYLE
ACMP
MUSIC FINDER
SOUND
CREATOR
TAP TEMPO
ENDING rit.
SYNC.STOP SYNC.START START STOP
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
OTS LINK
2
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
STYLE
ACMP
DIRECT ACCESS
AUTO FILLIN
BREAK
INTRO
1
B
3
4
5
ENDING / rit.
MAIN
A
2
C
6
7
EXIT
8
SYNC.STOP SYNC.START START / STOP
D
OTS LINK
é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
í‡·ÎËˆ‡ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÒÚ‡ÌËˆ˚ ÒÓ‰ÂÊËÚ Ì‡Á‚‡ÌËﬂ Í‡Ì‡ÎÓ‚, ÍÓÚÓ˚Â ÔÂ‰ÒÚ‡‚ÎÂÌ˚ ‚
Í‡Ê‰ÓÈ ˜‡ÒÚË ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÒÚËÎ¸, ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ Á‡ÔË¯ËÚÂ
ÏÛÁ˚Í‡Î¸Ì˚Â Ù‡Á˚ (ÔÓ Ó‰ÌÓÈ Ì‡ Í‡Ì‡Î) ‰Îﬂ Í‡Ê‰ÓÈ ÚÂ·ÛÂÏÓÈ ˜‡ÒÚË.
ó‡ÒÚ¸
Í‡Ì‡Î
INTRO A - D
MAIN A - D
■ á‡ÔËÒ¸ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË (ÒÚ. 115)
ëÚËÎË ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ÑÎﬂ ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡ÔËÒ‡Ú¸
˜‡ÒÚË, ÍÓÚÓ˚Â Ë„‡˛ÚÒﬂ «‚ ÊË‚Û˛» Ò ÍÎ‡‚Ë‡ÚÛ˚. é‰Ì‡ÍÓ ÌÂ Ó·ﬂÁ‡ÚÂÎ¸ÌÓ
Á‡ÔËÒ˚‚‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ Ò‡ÏÓÒÚÓﬂÚÂÎ¸ÌÓ. ÇÏÂÒÚÓ ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚·‡Ú¸
‚ÒÚÓÂÌÌ˚È ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‚Û˜‡ÌËÂ ÍÓÚÓÓ„Ó ·ÎËÁÍÓ Í ÚÂ·ÛÂÏÓÏÛ, ‡ Á‡ÚÂÏ
‰Ó·‡‚ËÚ¸ ËÎË Á‡ÏÂÌËÚ¸ ÓÚ‰ÂÎ¸Ì˚Â ˜‡ÒÚË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ‚ ËÚÓ„Â ÓË„ËÌ‡Î¸Ì˚È
ÒÚËÎ¸.
RHYTHM 1, RHYTHM 2,
BASS, CHORD 1,
CHORD 2, PAD,
PHRASE 1, PHRASE 2
FILL IN A - D
BREAK
ENDING A - D
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
ÒÚÛÍÚÛÂ ˜‡ÒÚÂÈ ‚ ÒÚËÎﬂı
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. Ì‡ ÒÚ. 99.
ï‡‡ÍÚÂËÒÚËÍË Á‡ÔËÒË ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË
• ñËÍÎË˜ÂÒÍ‡ﬂ Á‡ÔËÒ¸
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Â„Ó Ù‡Á˚ (ÌÂÒÍÓÎ¸ÍÓ Ú‡ÍÚÓ‚) Á‡ˆËÍÎË‚‡˛ÚÒﬂ, ÚÓ ÂÒÚ¸ ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ Á‡
ÓÍÓÌ˜‡ÌËÂÏ Ù‡Á˚ ÒÎÂ‰ÛÂÚ ÂÂ Ì‡˜‡ÎÓ. í‡Í‡ﬂ Ù‡Á‡ Ì‡Á˚‚‡ÂÚÒﬂ «ÔÂÚÎÂÈ». Ç˚ ÚÓÊÂ ÏÓÊÂÚÂ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â «ÔÂÚÎË».
ç‡ÔËÏÂ, ÔË Á‡ÔËÒË ‰‚ÛıÚ‡ÍÚÓ‚ÓÈ Ù‡Á˚ ‰Îﬂ „Î‡‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ Á‡ÔËÒ˚‚‡˛ÚÒﬂ ÒÌÓ‚‡ Ë ÒÌÓ‚‡. ùÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ
Á‡ÔËÒ‡ÌÌ˚Â ‚ ÔÂ‰˚‰Û˘ÂÏ ˆËÍÎÂ ÌÓÚ˚ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ì‡˜ËÌ‡ﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó ˆËÍÎ‡. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚÂ Á‡ÔËÒ˚‚‡Ú¸
ÌÓ‚˚È Ï‡ÚÂË‡Î ÔÓ‚Âı ÒÚ‡Ó„Ó.
• êÂÊËÏ Ì‡ÎÓÊÂÌËﬂ Á‡ÔËÒË
Ç ˝ÚÓÏ ÂÊËÏÂ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡ÚÂË‡Î Ì‡ ‰ÓÓÊÍÛ, ÛÊÂ ÒÓ‰ÂÊ‡˘Û˛ Á‡ÔËÒ¸. èË ˝ÚÓÏ ËÒıÓ‰Ì‡ﬂ Á‡ÔËÒ¸ ·Û‰ÂÚ
ÒÓı‡ÌÂÌ‡. ÖÒÎË ‚˚ ÒÔÂˆË‡Î¸ÌÓ ÌÂ Û‰‡ÎËÚÂ ‡ÌÌ˛˛ Á‡ÔËÒ¸, ÓÌ‡ ÓÒÚ‡ÌÂÚÒﬂ ‚ ˆÂÎÓÒÚË Ë ÒÓı‡ÌÌÓÒÚË, ‡ ÌÓ‚˚Â Ù‡Á˚ ·Û‰ÛÚ
Ì‡ÎÓÊÂÌ˚ ÔÓ‚Âı ÌÂÂ. ç‡ÔËÏÂ, ÔË Á‡ÔËÒË Ù‡Á˚ ËÁ ‰‚Ûı Ú‡ÍÚÓ‚ ‰Îﬂ „Î‡‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ ÔÓ‚ÚÓﬂ˛ÚÒﬂ ÒÌÓ‚‡ Ë
ÒÌÓ‚‡. çÓÚ˚, Á‡ÔËÒ‡ÌÌ˚Â Á‡ Í‡Ê‰ÓÂ ÔÓıÓÊ‰ÂÌËÂ «ÔÂÚÎË» (ÔÓ‚ÚÓÂÌËÂ ˆËÍÎ‡), Ì‡˜ËÌ‡˛Ú ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‚ ÒÎÂ‰Û˛˘ÂÏ
ˆËÍÎÂ. ÇÒÂ, ˜ÚÓ ÚÂ·ÛÂÚÒﬂ, – ˝ÚÓ ‰Ó·‡‚ÎﬂÚ¸ ÌÓ‚˚È Ï‡ÚÂË‡Î, ÔÓÒÎÛ¯Ë‚‡ﬂ ÛÊÂ Á‡ÔËÒ‡ÌÌ˚Â Ù‡Á˚.
■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚ. 116)
èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ‰‡ÌÌÓ„Ó ÚËÔ‡ Á‡ÔËÒË ‚˚ ÒÏÓÊÂÚÂ ‡·ÓÚ‡Ú¸ Í‡Í ÍÓÏÔÓÁËÚÓ, ÍÓÚÓ˚È ÔË¯ÂÚ ÌÓÚ˚ Ì‡ ·ÛÏ‡„Â. ä‡Ê‰‡ﬂ ÌÓÚ‡
‚‚Ó‰ËÚÒﬂ ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË Ò ÛÍ‡Á‡ÌËÂÏ ‰ÎËÚÂÎ¸ÌÓÒÚË. ùÚÓ Ë‰Â‡Î¸Ì˚È ÂÊËÏ ‰Îﬂ ÚÂı ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ‚‡ÊÌ‡ ÚÓ˜ÌÓÒÚ¸, ËÎË ‰Îﬂ
Á‡ÔËÒË ÒÎÓÊÌ˚ı Ô‡ÚËÈ.
■ ë·ÓÍ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 117)
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡‚‡Ú¸ «ÒÓÒÚ‡‚Ì˚Â» ÒÚËÎË, ÒÓ˜ÂÚ‡ﬂ ‡ÁÎË˜Ì˚Â
Ù‡Á˚, ‚ÁﬂÚ˚Â ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. ç‡ÔËÏÂ, ÂÒÎË ÚÂ·ÛÂÚÒﬂ ÒÓÁ‰‡Ú¸
ÓË„ËÌ‡Î¸Ì˚È ‚ÓÒ¸ÏË‰ÓÎ¸Ì˚È ÒÚËÎ¸, ‚˚ ÏÓÊÂÚÂ ‚ÁﬂÚ¸ ËÚÏË˜ÂÒÍËÂ Ù‡Á˚
ËÁ ÒÚËÎﬂ «8 Beat 1», ·‡Ò – ËÁ ÒÚËÎﬂ «8 Beat 2», ‡ ‡ÍÍÓ‰Ó‚Û˛ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ – ËÁ ÒÚËÎﬂ «60’s 8 Beat». éÒÚ‡ÂÚÒﬂ ÎË¯¸ ÒÓ·‡Ú¸ ÒÚËÎ¸ ‚ÓÂ‰ËÌÓ.
8 Beat 1
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
60’s 8 Beat
Rhythm 1
Rhythm 2
Bass
Chord 1
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
Chord 2
■ êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 118)
ëÚËÎË, ÒÓÁ‰‡ÌÌ˚Â Î˛·˚Ï ËÁ ‚˚¯ÂÔÂÂ˜ËÒÎÂÌÌ˚ı ÏÂÚÓ‰Ó‚, ‰ÓÔÛÒÍ‡˛Ú
Â‰‡ÍÚËÓ‚‡ÌËÂ.
8 Beat 2
Rhythm 1
Rhythm 2
Bass
Chord 1
Chord 2
Pad
Phrase 1
Phrase 2
Pad
Phrase 1
Phrase 2
CVP-210/208
113
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
îÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ (SFF)
îÓÏ‡Ú SFF ·˚Î ‡Á‡·ÓÚ‡Ì ÍÓÔÓ‡ˆËÂÈ Yamaha
Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊÂÌËÈ ‚ Ó·Î‡ÒÚË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. îÛÌÍˆËË Â‰‡ÍÚËÓ‚‡ÌËﬂ
ÔÓÁ‚ÓÎﬂ˛Ú ‚ ÔÓÎÌÓÈ ÏÂÂ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
ÔÂËÏÛ˘ÂÒÚ‚‡ÏË ÙÓÏ‡Ú‡ SFF ‰Îﬂ ÒÓÁ‰‡ÌËﬂ
ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ.
ëÔ‡‚‡ ÔË‚Â‰ÂÌ‡ ËÎÎ˛ÒÚ‡ˆËﬂ ÔÓˆÂÒÒ‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ùÚÓ ÌÂ
ÓÚÌÓÒËÚÒﬂ Í ËÚÏË˜ÂÒÍËÏ ‰ÓÓÊÍ‡Ï.) éÒÌÓ‚Ì‡ﬂ,
ËÎË «ËÒıÓ‰Ì‡ﬂ» Ù‡Á‡ ‚ Ú‡·ÎËˆÂ ÔÂ‰ÒÚ‡‚ÎﬂÂÚ
ÒÓ·ÓÈ ËÒıÓ‰Ì˚È ÒÚËÎ¸. åÂÚÓ‰ Á‡ÔËÒË ËÒıÓ‰ÌÓÈ
Ù‡Á˚ Ó·˙ﬂÒÌÂÌ ÌËÊÂ.
ç‡ ÒıÂÏÂ ÒÔ‡‚‡ ÔÓÍ‡Á‡ÌÓ, ˜ÚÓ ÒË„Ì‡Î Ì‡ ‚˚ıÓ‰Â
ÓÔÂ‰ÂÎﬂÂÚÒﬂ ÁÌ‡˜ÂÌËﬂÏË ﬂ‰‡ Ô‡‡ÏÂÚÓ‚ Ë
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸˛ ‡ÍÍÓ‰Ó‚, ‚ÁﬂÚ˚ı ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
àÒıÓ‰Ì‡ﬂ Ù‡Á‡
1 àÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ (ÚÓÌËÍ‡ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓ‰‡)
2 àÒıÓ‰Ì˚È ‡ÍÍÓ‰ (ÚËÔ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓ‰‡)
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚ (‚ ‡Á‰ÂÎÂ
ÍÎ‡‚Ë‡ÚÛ˚, ÓÚ‚Â‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ)
àÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡
3 NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁËˆËË)
4 NTT (Ú‡·ÎËˆ‡ Ú‡ÌÒÔÓÁËˆËË)
î‡Á˚, Á‡ÔËÒ‡ÌÌ˚Â ‚
Ù‡ÈÎÂ ÒÚËÎﬂ (ÒÚ. 121).
ùÚ‡ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
Á‡‰‡ÂÚÒﬂ ‡ÍÍÓ‰‡ÏË,
ÍÓÚÓ˚Â Ë„‡˛ÚÒﬂ ‚
‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 66).
ùÚË Ô‡‡ÏÂÚ˚
Ì‡ÒÚ‡Ë‚‡˛ÚÒﬂ Ì‡
‚ÍÎ‡‰ÍÂ PARAMETER.
éÌË ÓÔÂ‰ÂÎﬂ˛Ú ÏÂÚÓ‰
ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚
ËÒıÓ‰ÌÓÈ Ù‡Á˚ ÔË
‚ÁﬂÚËË ‡ÍÍÓ‰Ó‚ ‚
‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 121).
ÑÛ„ËÂ Ì‡ÒÚÓÈÍË
5 High Key (‚ÂıÌËÈ ÔÓÓ„ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚)
6 Note Limit (Á‚Û˜‡˘ËÈ ‰Ë‡Ô‡ÁÓÌ)
7 RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ,
ÍÓÚÓÓÂ ÓÔÂ‰ÂÎﬂÂÚ ÏÂÚÓ‰ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ
‚ıÓ‰ﬂ˘Ëı ‚ ‡ÍÍÓ‰ ÚÓÌÓ‚)
ëË„Ì‡Î Ì‡ ‚˚ıÓ‰Â
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
1
èÓ‰·ÂËÚÂ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
Á‡ÔËÒ‡Ú¸ ÌÓ‚˚È ÒÚËÎ¸ «Ò ÌÛÎﬂ», ÔÂÂÈ‰ËÚÂ Í
ÒÚ‡ÌËˆÂ BASIC ˝Í‡Ì‡ Style Creator Ë
‚˚·ÂËÚÂ «New Style», Ì‡Ê‡‚ ÍÌÓÔÍÛ [C].
3
A
B
C
D
2
E
DIGITAL
STUDIO
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
PART
4
á‡ÔË¯ËÚÂ Ë ÓÚÂ‰‡ÍÚËÛÈÚÂ
ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÔÓﬂ‰ÍÂ
‡·ÓÚ˚ Ò Í‡Ê‰ÓÈ ÒÚ‡ÌËˆÂÈ ˝Í‡Ì‡
Multi Pad Creator ÒÏ. ‰‡ÎÂÂ, Ì‡˜ËÌ‡ﬂ
ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆ˚.
BACK
NEXT
F
G
èÂÂıÓ‰ ÓÚ ÒÚ‡ÌËˆ˚ Í
ÒÚ‡ÌËˆÂ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ
Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/
[NEXT].
H
I
J
5
114
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì Style, Ì‡Ê‡‚ ÍÌÓÔÍÛ [I] (SAVE) (ÂÒÎË ÚÂÍÛ˘‡ﬂ
ÒÚ‡ÌËˆ‡ – «Assembly», ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [J]), ‡ Á‡ÚÂÏ
ÒÓı‡ÌËÚÂ Á‡ÔËÒ‡ÌÌ˚È/ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚È Ï‡ÚÂË‡Î Ì‡
‰ËÒÍÂÚÂ ËÎË ‚ ‡Á‰ÂÎÂ Ô‡ÏﬂÚË USER.
CVP-210/208
END
óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì
STYLE CREATOR, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
á‡ÔËÒ¸ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË: Basic
ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í «Ò ÌÛÎﬂ», Ú‡Í Ë Ì‡ ÓÒÌÓ‚Â ‚ÒÚÓÂÌÌ˚ı
ÒÚËÎÂÈ). ÇÒÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114.
1
Ç˚·ÂËÚÂ Í‡Ì‡Î ‰Îﬂ Á‡ÔËÒË. ÑÎﬂ ˝ÚÓ„Ó Ì‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡ﬂ ÍÌÓÔÍÛ [F]
(REC CH).
èÂÊ‰Â ˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ Ì‡ Í‡Ì‡Î, ÌÂ ﬂ‚Îﬂ˛˘ËÈÒﬂ Í‡Ì‡ÎÓÏ ËÚÏ‡ (BASS - PHR 2), Û‰‡ÎËÚÂ Ï‡ÚÂË‡Î, ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚È Ì‡ ˝ÚÓÏ Í‡Ì‡ÎÂ. èÓ˜ËÂ Ô‡‡ÏÂÚ˚ (ÒÏ. ÓÔËÒ‡ÌËÂ ÔÓÎﬂ «Other Parameters Ì‡ ˝Í‡ÌÂ BASIC» ÒÚ. 116)
Á‡‰‡˛ÚÒﬂ ÔÓÒÎÂ ÚÓ„Ó, Í‡Í ‚˚ Á‡ÍÓÂÚÂ ˝Í‡Ì REC CHANNEL, Ì‡Ê‡‚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÌÓ‚‡ ‚˚Á‚‡Ú¸ ˝Í‡Ì REC
CHANNEL, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [F] (REC CH).
èÂÂıÓ‰ Í ˝Í‡ÌÛ ËÁÏÂÌÂÌËﬂ ÚÂÏÔ‡ Ë
‡ÁÏÂ‡.
äÌÓÔÍ‡ ‚˚·Ó‡ ÔÛÒÚÓ„Ó
ÒÚËÎﬂ ‰Îﬂ ÒÓÁ‰‡ÌËﬂ ÌÓ‚Ó„Ó
ÒÚËÎﬂ «Ò ÌÛÎﬂ».
èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË Ì‡‰ Í‡Ì‡Î‡ÏË, ÒÓ‰ÂÊ‡˘ËÏË ‡ÌÂÂ
Á‡ÔËÒ‡ÌÌ˚È Ï‡ÚÂË‡Î, ÔÓﬂ‚ÎﬂÂÚÒﬂ Ì‡‰ÔËÒ¸ «DELETE». óÚÓ·˚ Û‰‡ÎËÚ¸
Á‡ÔËÒ¸ Ò ÓÔÂ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, Ì‡ÊÏËÚÂ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ, Û‰ÂÊË‚‡ﬂ
ÔË ˝ÚÓÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [1▲] - [8▲].
A
F
B
G
C
H
D
I
E
J
ùÚ‡ ÍÌÓÔÍ‡ ‰ÓÒÚÛÔÌ‡ ÎË¯¸ ÔË ‚˚·ÓÂ Í‡Ì‡ÎÓ‚
[RHY1] Ë [RHY2]. ë ÂÂ ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‰‡ÎËÚ¸
ÔÂÍÛÒÒËÓÌÌ˚Â Á‚ÛÍË ‚Ó ‚ÂÏﬂ Á‡ÔËÒË. ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎﬂÂÏÓÏÛ
ËÌÒÚÛÏÂÌÚÛ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡ﬂ ˝ÚÛ
ÍÌÓÔÍÛ.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó
ÓÔÂ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, Ì‡ÊÏËÚÂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ
[1▼] - [8▼]. ÑÓ ÚÂı ÔÓ ÔÓÍ‡ ‚˚
Û‰ÂÊË‚‡ÂÚÂ ÍÌÓÔÍÛ [J], ‚˚
ÏÓÊÂÚÂ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛
ÓÔÂ‡ˆË˛ (Û‰‡ÎÂÌËÂ ËÎË
ÒÓı‡ÌÂÌËÂ Ï‡ÚÂË‡Î‡ Ì‡
Í‡Ì‡ÎÂ). éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [J], ‚˚
ÔÓ‰Ú‚ÂÊ‰‡ÂÚÂ ÓÍÓÌ˜‡ÚÂÎ¸ÌÓÂ
Û‰‡ÎÂÌËÂ Ï‡ÚÂË‡Î‡. èÂÊ‰Â
˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ Ì‡ Í‡Ì‡Î,
ÌÂ ﬂ‚Îﬂ˛˘ËÈÒﬂ Í‡Ì‡ÎÓÏ ËÚÏ‡
(BASS - PHR 2), Û‰‡ÎËÚÂ
Ï‡ÚÂË‡Î, ‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚È Ì‡
˝ÚÓÏ Í‡Ì‡ÎÂ.
REC ........ ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË.
ON .......... ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚Â‰ÂÌË˛.
OFF......... ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ.
èêàåÖóÄçàÖ
2
ëÌ‡˜‡Î‡ ‚˚·ÂËÚÂ ÌÛÊÌ˚È ÚÂÏ·. ÇÍÎ˛˜ËÚÂ Á‡ÔËÒ¸, Ì‡Ê‡‚ ÍÌÓÔÍÛ STYLE [START/
STOP].
ç‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ‚˚‰ÂÎÂÌÌ‡ﬂ ˜‡ÒÚ¸ ÒÚËÎﬂ. èÓÒÍÓÎ¸ÍÛ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ
ËÚÏË˜ÂÒÍËı Ù‡Á Á‡ˆËÍÎÂÌÓ, ‚˚ ÏÓÊÂÚÂ ‰Ó·‡‚ÎﬂÚ¸ ‚ «ÔÂÚÎ˛» ÌÓ‚˚Â Á‚ÛÍË ÔË
Í‡Ê‰ÓÏ ÔÓıÓ‰Â, ÌÂ ÔÂ˚‚‡ﬂ ÔÓÒÎÛ¯Ë‚‡ÌËﬂ Á‡ÔËÒ˚‚‡ÂÏÓÈ Ù‡Á˚. ä‡ÚËÌÍ‡,
‡ÒÔÓÎÓÊÂÌÌ‡ﬂ Ì‡‰ ÍÎ‡‚Ë¯ÂÈ, ÛÍ‡Á˚‚‡ÂÚ Ì‡ Á‡ÍÂÔÎÂÌÌ˚È Á‡ ÌÂÈ Û‰‡Ì˚È ËÌÒÚÛÏÂÌÚ.
Ç ÂÊËÏÂ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡
(ÍÓÚÓ˚È ‚ÍÎ˛˜‡ÂÚÒﬂ ÍÌÓÔÍÓÈ
SYNC. START) Á‡ÔËÒ¸
‚ÍÎ˛˜‡ÂÚÒﬂ ÔË Ì‡Ê‡ÚËË Î˛·ÓÈ
ÍÎ‡‚Ë¯Ë Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
3
Ç˚ÍÎ˛˜ËÚÂ Á‡ÔËÒ¸, Â˘Â ‡Á Ì‡Ê‡‚ ÍÌÓÔÍÛ STYLE [START/STOP].
4
óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì REC CHANNEL, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
• ÑÎﬂ Á‡ÔËÒË ‚ Í‡Ì‡Î RHY1
ÏÓÊÌÓ ‚˚·‡Ú¸ Î˛·ÓÈ ÚÂÏ·,
Á‡ ËÒÍÎ˛˜ÂÌËÂÏ ÚÂÏ·‡
Organ Flutes («Ó„‡ÌÌ‡ﬂ
ÙÎÂÈÚ‡»).
• ä‡Ì‡Î RHY 2 ÔÓ‰‰ÂÊË‚‡ÂÚ
Á‡ÔËÒ¸ ÚÓÎ¸ÍÓ ÚÂÏ·‡ Drum
Kit/SFX Kit (Û‰‡Ì‡ﬂ
ÛÒÚ‡ÌÓ‚Í‡/Ì‡·Ó
ÒÔÂˆ˝ÙÙÂÍÚÓ‚).
• ÑÎﬂ ÌÂËÚÏË˜ÂÒÍËı Í‡Ì‡ÎÓ‚
(BASS - PHR 2) ÏÓÊÌÓ
‚˚·Ë‡Ú¸ ‚ÒÂ ÚÂÏ·˚, ÍÓÏÂ
ÚÂÏ·Ó‚ Organ Flutes Ë Drum
Kit/SFX Kit.
èêàåÖóÄçàÖ
CVP-210/208
115
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
èêàåÖóÄçàÖ
èÓ˜ËÂ Ô‡‡ÏÂÚ˚ Ì‡ ˝Í‡ÌÂ BASIC
• äÌÓÔÍ‡ [I] (SAVE)
èÂÂıÓ‰ Í ˝Í‡ÌÛ «Style» ‰Îﬂ ÒÓı‡ÌÂÌËﬂ Ù‡ÈÎ‡ ÒÚËÎﬂ.
• [3▲▼] [4▲▼] (Section)
éÔÂ‰ÂÎﬂ˛Ú Á‡ÔËÒ˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸.
• [5▲▼] [6▲▼] (Pattern Length)
á‡‰‡˛Ú ‰ÎËÌÛ Ù‡Á˚ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË ‚ Ú‡ÍÚ‡ı (1 - 32). ó‡ÒÚ¸ ‚ÒÚ‡‚ÍË/·ÂÈÍ ËÏÂÂÚ
ÙËÍÒËÓ‚‡ÌÌÛ˛ ‰ÎËÌÛ ‚ 1 Ú‡ÍÚ.
• äÌÓÔÍ‡ [D] (Execute)
èÓ‰Ú‚ÂÊ‰‡ÂÚ ËÁÏÂÌÂÌËÂ ‰ÎËÌ˚ Ù‡Á˚.
ó‡ÒÚ¸ ‰Îﬂ Á‡ÔËÒË ÏÓÊÌÓ Ú‡ÍÊÂ
‚˚·‡Ú¸, Ì‡Ê‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË. ç‡Ê‡ÚËÂ Ó‰ÌÓÈ
ËÁ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ (Section)
ÔË‚Ó‰ËÚ Í ÔÓﬂ‚ÎÂÌË˛
Ó‰ÌÓËÏÂÌÌÓ„Ó ˝Í‡Ì‡,
ÔÓÁ‚ÓÎﬂ˛˘Â„Ó ÔÂÂıÓ‰ËÚ¸ ÓÚ
Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [6▲▼]/[7▲▼]. óÚÓ·˚ Ì‡
Ò‡ÏÓÏ ‰ÂÎÂ ‚‚ÂÒÚË ËÁÏÂÌÂÌËÂ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [8▲]. óÚÓ·˚
‚˚·‡Ú¸ ‡Á‰ÂÎ Fill In, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [AUTO FILL IN].
Ç‡ÊÌ˚Â Á‡ÏÂ˜‡ÌËﬂ ÔÓ ÔÓ‚Ó‰Û Á‡ÔËÒË
• éÒÌÓ‚ÌÓÈ ‡ÍÍÓ‰ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡Á˚‚‡ÂÚÒﬂ ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ. Ç˚ÒÓÚ‡ ‚ÒÂı
ÓÒÚ‡Î¸Ì˚ı Á‚ÛÍÓ‚ Ë ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ ËÒıÓ‰ÌÓ„Ó ‡ÍÍÓ‰‡. èË Á‡ÔËÒË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Ë
C R C
C R C
‚ÒÚ‡‚ÍË (Ò ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ CM7) ËÏÂÈÚÂ ‚ ‚Ë‰Û ÒÎÂ‰Û˛˘ÂÂ.
C
=
ÌÓÚ‡
‡ÍÍÓ‰‡
* á‡ÔËÒ˚‚‡ﬂ Í‡Ì‡Î˚ Bass ËÎË Phrase, ÔÓÒÚ‡‡ÈÚÂÒ¸ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÓÎ¸ÍÓ ÂÍÓÏÂÌ‰Ó‚‡ÌÌ˚Â
C, R = ÂÍÓÏÂÌ‰ÛÂÏ˚Â ÌÓÚ˚
ÌÓÚ˚. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·ËÚ¸Òﬂ Ì‡ËÎÛ˜¯Ëı ÂÁÛÎ¸Ú‡ÚÓ‚ ÔË ÔÓÔ˚ÚÍÂ Ó·Ó„‡ÚËÚ¸ „‡ÏÓÌË˛
ÒÚËÎﬂ ‡ÁÎË˜Ì˚ÏË ‡ÍÍÓ‰‡ÏË. (ÑÛ„ËÂ ÌÓÚ˚ Ú‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸. é‰Ì‡ÍÓ
ÂÍÓÏÂÌ‰ÛÂÚÒﬂ ÛÔÓÚÂ·ÎﬂÚ¸ Ëı ‚ Í‡˜ÂÒÚ‚Â ÔÓıÓ‰ﬂ˘Ëı Á‚ÛÍÓ‚).
* á‡ÔËÒ˚‚‡ﬂ Í‡Ì‡Î˚ Chord ËÎË Pad, ËÒÔÓÎ¸ÁÛÈÚÂ ÚÓÎ¸ÍÓ ÌÓÚ˚, ‚ıÓ‰ﬂ˘ËÂ ‚ ‡ÍÍÓ‰ CM7. í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ‰Ó·ËÚ¸Òﬂ
Ì‡ËÎÛ˜¯Ëı ÂÁÛÎ¸Ú‡ÚÓ‚, ÌÂ ÊÂÚ‚Ûﬂ ‡ÁÌÓÓ·‡ÁËÂÏ ‡ÍÍÓ‰Ó‚. (ÑÛ„ËÂ ÌÓÚ˚ Ú‡ÍÊÂ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸. é‰Ì‡ÍÓ
ÂÍÓÏÂÌ‰ÛÂÚÒﬂ ÛÔÓÚÂ·ÎﬂÚ¸ Ëı ‚ Í‡˜ÂÒÚ‚Â ÔÓıÓ‰ﬂ˘Ëı Á‚ÛÍÓ‚).
èÓ ÛÏÓÎ˜‡ÌË˛ ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ ﬂ‚ÎﬂÂÚÒﬂ CM7; Ó‰Ì‡ÍÓ ‚˚ ÏÓÊÂÚÂ Ò‰ÂÎ‡Ú¸ ËÒıÓ‰Ì˚Ï Î˛·ÓÈ ‡ÍÍÓ‰. ëÏ. ‡Á‰ÂÎ
«ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ Ù‡ÈÎ‡ SMF – Parameter» Ì‡ ÒÚ. 121.
• èË Á‡ÔËÒË ËÌÚÓ‰ÛÍˆËË Ë ÙËÌ‡Î‡ (Intro/Ending) ÏÓÊÌÓ ÌÂ Ó·‡˘‡Ú¸ ‚ÌËÏ‡ÌËﬂ Ì‡ ËÒıÓ‰Ì˚È ‡ÍÍÓ‰ Ë ÔËÏÂÌﬂÚ¸ Î˛·˚Â
ÌÓÚ˚ Ë ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË ‡ÍÍÓ‰Ó‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ‰Îﬂ Ô‡‡ÏÂÚ‡ NTR Á‡‰‡ÌÓ ÁÌ‡˜ÂÌËÂ «ROOT TRANSPOSE», ‡
‰Îﬂ Ô‡‡ÏÂÚ‡ NTT – ÁÌ‡˜ÂÌËÂ «HARMONIC MINOR» ËÎË «MELODIC MINOR» (ÒÚ‡ÌËˆ‡ PARAMETER), ÓÊË‰‡ÂÏÓ„Ó
ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÌÂ ÔÓËÒıÓ‰ËÚ. ùÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ Ú‡ÍÓÂ ËÁÏÂÌÂÌËÂ ·Û‰ÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸Òﬂ ÎË¯¸
ÔË ÒÏÂÌÂ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡, ‡ Ú‡ÍÊÂ Î‡‰‡ (ÚÓ ÂÒÚ¸ ÔË ÔÂÂıÓ‰Â ËÁ ÏËÌÓ‡ ‚ Ï‡ÊÓ Ë Ó·‡ÚÌÓ).
èÓ¯‡„Ó‚‡ﬂ Á‡ÔËÒ¸
ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎﬂÂÚ ÒÓÁ‰‡Ú¸ Ù‡ÁÛ ÒÚËÎﬂ ÔÛÚÂÏ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌﬂÚ¸ Ëı ‚
Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ÇÒÂ ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114.
F
G
H
I
J
èÓˆÂ‰Û‡ Á‡ÔËÒË Ë‰ÂÌÚË˜Ì‡ ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚ﬂ˘ÂÌÌÓÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÔÂÒÂÌ (ÒÚ. 101). éÚÎË˜Ëﬂ ÏÂÊ‰Û ÌËÏË
ÔË‚Â‰ÂÌ˚ ÌËÊÂ. ã˛·ÓÂ ÒÓ·˚ÚËÂ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ì‡ ÒÚ‡ÌËˆÂ Edit. èË ˝ÚÓÏ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÚÓÚ ÊÂ ÏÂÚÓ‰, ˜ÚÓ Ë ÔË
Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÂÌ (ÒÚ. 110).
•
•
116
èË Á‡ÔËÒË ÔÂÒÂÌ ÔÓÁËˆË˛ ÏÂÚÍË ÓÍÓÌ˜‡ÌËﬂ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔÓ ÊÂÎ‡ÌË˛. é‰Ì‡ÍÓ ÔË Á‡ÔËÒË ÒÚËÎﬂ ÂÂ ËÁÏÂÌËÚ¸ ÌÂÎ¸Áﬂ. ùÚÓ
Ò‚ﬂÁ‡ÌÓ Ò ÚÂÏ, ˜ÚÓ ‰ÎËÌ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÙËÍÒËÛÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ò Û˜ÂÚÓÏ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ,
ÒÚËÎ¸, ‚ ÓÒÌÓ‚Â ÍÓÚÓÓ„Ó ÎÂÊËÚ ˜‡ÒÚ¸ ËÁ ˜ÂÚ˚Âı Ú‡ÍÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÏÂÚÍ‡ ÓÍÓÌ˜‡ÌËﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‚
ÍÓÌÂˆ ˜ÂÚ‚ÂÚÓ„Ó Ú‡ÍÚ‡. èË ˝ÚÓÏ ËÁÏÂÌËÚ¸ ÂÂ ÏÂÒÚÓÔÓÎÓÊÂÌËÂ Ò ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ «Step Record» ÌÂ‚ÓÁÏÓÊÌÓ.
èË Â‰‡ÍÚËÓ‚‡ÌËË ‰‡ÌÌ˚ı Ì‡ ÒÚ‡ÌËˆÂ «Edit» ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ Ëı ÚËÔ (‰‡ÌÌ˚Â, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÒÓ·˚ÚËﬂÏ, ËÎË
ÛÔ‡‚Îﬂ˛˘ËÂ ‰‡ÌÌ˚Â). ÑÎﬂ ÔÂÂıÓ‰‡ ÓÚ ˝Í‡Ì‡ Event (Ô‡‡ÏÂÚ˚ Note, Control Change Ë Ú. ‰.) Í ˝Í‡ÌÛ Control (ËÒÍÎ˛˜ËÚÂÎ¸Ì˚Â
ÒËÒÚÂÏÌ˚Â ÒÓÓ·˘ÂÌËﬂ Ë Ú. ‰.) Ë Ó·‡ÚÌÓ ÒÎÛÊËÚ ÍÌÓÔÍ‡ [F] (TRACK EVT).
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Í‡Ì‡Î Ì‡ÒÚÓÂÌ ‰Îﬂ Á‡ÔËÒË Ì‡ ‰Û„ÓÈ ÒÚ‡ÌËˆÂ (Ì‡ÔËÏÂ, Ì‡ ÒÚ‡ÌËˆÂ BASIC; ÒÚ. 115).
CVP-210/208
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
ë·ÓÍ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly
ì‰Ó·ÒÚ‚Ó ‰‡ÌÌÓÈ ÙÛÌÍˆËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÓÌ‡ ÔÓÁ‚ÓÎﬂÂÚ ÍÓÌÒÚÛËÓ‚‡Ú¸ ÓË„ËÌ‡Î¸Ì˚Â ÒÚËÎË ËÁ ˝ÎÂÏÂÌÚÓ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
(Ú‡ÍËı, Í‡Í, Ì‡ÔËÏÂ, Ù‡Á˚ ËÚÏ‡, ·‡Ò‡ Ë ‡ÍÍÓ‰Ó‚˚Â ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË), ÔËÌ‡‰ÎÂÊ‡˘Ëı ÛÊÂ ËÏÂ˛˘ËÏÒﬂ ÒÚËÎﬂÏ. ÇÒÂ
ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114.
1
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ÒÚËÎ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ
Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ÌÓ‚Ó„Ó ÒÚËÎﬂ. Ç˚·ÂËÚÂ ÌÛÊÌ˚È Í‡Ì‡Î,
Ì‡Ê‡‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] - [D], [F] – [I]. èÓÒÎÂ ˝ÚÓ„Ó Â˘Â
‡Á Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ Style,
ÔÓÁ‚ÓÎﬂ˛˘ÂÏÛ ‚˚·‡Ú¸ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
èÓ‚ÚÓË‚ ¯‡„Ë 1 Ë 2 ÌÛÊÌÓÂ ˜ËÒÎÓ
‡Á, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [J] (SAVE),
˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÓ·‡ÌÌ˚È
ÒÚËÎ¸. ùÚ‡ ÍÓÏ‡Ì‰‡ ÔÓÁ‚ÓÎﬂÂÚ
ÒÓı‡ÌËÚ¸ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚
‰Îﬂ ‚ÒÂı Í‡Ì‡ÎÓ‚ (RHYTHM 1,
RHYTHM 2, BASS Ë. Ú. ‰.) ‚ ‚Ë‰Â
Ó‰ÌÓ„Ó Ù‡ÈÎ‡.
A
F
B
G
C
H
D
I
E
J
1
2
3
äÌÓÔÍË ‚˚·Ó‡ ˜‡ÒÚË Ë
Í‡Ì‡Î‡ ÒÚËÎﬂ, ÍÓÚÓ˚Â
·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ Ì‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
Í‡Ì‡Î˚. ùÚË Í‡Ì‡Î˚
‚˚·Ë‡˛ÚÒﬂ Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [A] - [D] Ë [F] - [I].
2
3
4
5
6
7
8
á‡‰‡ÂÚ Ô‡‡ÏÂÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‰Îﬂ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡.
äÓÏÔÓÌÓ‚ÍÛ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ ÔÓ‚Ó‰ËÚ¸ ‚Ó ‚ÂÏﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÍÓÔËÛÂÏÓÈ ˜‡ÒÚË Ë Í‡Ì‡Î‡.
SOLO .........ÇÒÂ Í‡Ì‡Î˚, ÍÓÏÂ ‚˚·‡ÌÌÓ„Ó, ÔË„ÎÛ¯‡˛ÚÒﬂ. ä‡Ì‡Î˚
RHYTHM, ÔÓÏÂ˜ÂÌÌ˚Â ‰Îﬂ Á‡ÔËÒË (REC) Ì‡ ˝Í‡ÌÂ REC
CHANNEL (ÒÚ. 115), ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
ON ..............Ç˚·‡ÌÌ˚Â Í‡Ì‡Î˚ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ. ÇÒÂ Í‡Ì‡Î˚,
ÔÓÏÂ˜ÂÌÌ˚Â ‰Îﬂ Á‡ÔËÒË (REC) Ì‡ ˝Í‡ÌÂ REC CHANNEL
(ÒÚ. 115), ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
OFF ............èË„ÎÛ¯‡ÂÚ ‚˚·‡ÌÌ˚È Í‡Ì‡Î. ÖÒÎË Ì‡ ˝Í‡ÌÂ REC
CHANNEL (ÒÚ. 115) ‚˚‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ ÔËÒ‚ÓÂÌÓ
ÁÌ‡˜ÂÌËÂ ON, ÒÚÓÍ‡ OFF ÌÂ ‚Ë‰Ì‡ Ë ÌÂ‰ÓÒÚÛÔÌ‡.
èêàåÖóÄçàÖ
ÖÒÎË ‚ ¯‡„Â 1 ËÎË 2 ÒÏÂÌËÚ¸ ˜‡ÒÚ¸ ËÎË Í‡Ì‡Î, ÚÓ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ËÏ Í‡Ì‡Î ËÎË ˜‡ÒÚ¸ Ú‡ÍÊÂ ·Û‰ÛÚ
Á‡ÏÂÌÂÌ˚. èË ˝ÚÓÏ ÔÓËÒıÓ‰ËÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍ‡ﬂ
ÒÏÂÌ‡ Á‡ÔËÒ˚‚‡ÂÏÓ„Ó Í‡Ì‡Î‡ Ë ‚˚ÍÎ˛˜ÂÌËÂ Á‡ÔËÒË.
èêàåÖóÄçàÖ
ÑÂÈÒÚ‚ËÂ Ô‡‡ÏÂÚ‡ PLAY TYPE ÔÓﬂ‚ÎﬂÂÚÒﬂ
ÚÓÎ¸ÍÓ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÒÚËÎﬂ; Ò‡Ï ÓÌ ÌÂ
ÓÍ‡Á˚‚‡ÂÚ ‚ÎËﬂÌËﬂ Ì‡ Ù‡ÈÎ ÒÚËÎﬂ.
CVP-210/208
117
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
àÁÏÂÌÂÌËÂ ËÚÏ‡: ÙÛÌÍˆËË Groove Ë Dynamics
îÛÌÍˆËË Groove Ë Dynamics ﬂ‚Îﬂ˛ÚÒﬂ ÏÓ˘Ì˚Ï ÒÂ‰ÒÚ‚ÓÏ, ÔÓÁ‚ÓÎﬂ˛˘ËÏ ‡ÁÌÓÓ·‡ÁËÚ¸ ËÚÏ˚ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒÂ
ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114.
■ ÉÛ‚
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛
Â‰‡ÍÚËÓ‚‡ÌËﬂ.
A
F
B
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C
H
D
I
E
J
èÓ‰Ú‚ÂÊ‰‡ÂÚ ÔËÏÂÌÂÌËÂ „Û‚‡. èÓÒÎÂ
Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ ÔÓˆÂ‰Û˚ ÍÌÓÔÍ‡
ÏÂÌﬂÂÚ Ì‡Á‚‡ÌËÂ Ì‡ [UNDO], ˜ÚÓ·˚ ÔË
ÊÂÎ‡ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ËÒıÓ‰Ì˚È Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ Undo
ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸ ÚÓÎ¸ÍÓ Ó‰ÌÛ
ÔÓÒÎÂ‰Ì˛˛ ÓÔÂ‡ˆË˛.
äÌÓÔÍ‡ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë
ÒÓı‡ÌÂÌËﬂ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó
Ù‡ÈÎ‡ ÒÚËÎﬂ.
á‡‰‡˛Ú ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚÓ‚ „Û‚‡
(ÒÏ. ÒÔËÒÓÍ ÌËÊÂ).
1
2
3
4
5
6
7
8
è‡‡ÏÂÚ˚ „Û‚‡
Original Beat
(ËÒıÓ‰Ì‡ﬂ
ìÍ‡Á˚‚‡ÂÚ ‰ÓÎË, Í ÍÓÚÓ˚Ï ·Û‰ÂÚ ÔËÏÂÌÂÌ ËÚÏ ËÁ ÙÛÌÍˆËË Groove. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË ‚˚·ÓÂ ÁÌ‡˜ÂÌËﬂ «8 Beat» ËÚÏ ËÁ ÙÛÌÍˆËË
Groove ·Û‰ÂÚ ÔËÏÂÌﬂÚ¸Òﬂ Í ‚ÓÒ¸Ï˚Ï, ‡ ÔË ‚˚·ÓÂ ÁÌ‡˜ÂÌËﬂ «12 Beat» – Í ÚËÓÎË, ÒÓÒÚÓﬂ˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı.
‰ÎËÚÂÎ¸ÌÓÒÚ¸)
Beat Converter
(ÍÓÌÂ˜Ì‡ﬂ
‰ÎËÚÂÎ¸ÌÓÒÚ¸)
Swing (Ò‚ËÌ„)
ëÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ «Ò‚ËÌ„‡» Á‡ Ò˜ÂÚ Ò‰‚Ë„‡ ËÚÏ‡ ÒÎ‡·˚ı ‰ÓÎÂÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡‡ÏÂÚÓÏ ORIGINAL BEAT. ç‡ÔËÏÂ, ÂÒÎË ‰Îﬂ
Ô‡‡ÏÂÚ‡ ORIGINAL BEAT ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «8 Beat», Ô‡‡ÏÂÚ SWING ·Û‰ÂÚ Á‡‰ÂÊË‚‡Ú¸ Á‚Û˜‡ÌËÂ ËÏÂÌÌÓ ‚ÚÓ˚ı, ˜ÂÚ‚ÂÚ˚ı,
¯ÂÒÚ˚ı Ë ‚ÓÒ¸Ï˚ı ‰ÓÎÂÈ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡, ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌË˛ Ò‚ËÌ„‡. áÌ‡˜ÂÌËﬂ ÓÚ «A» ‰Ó «E» Á‡‰‡˛Ú ‡ÁÎË˜ÌÛ˛ ÒÚÂÔÂÌ¸
Ò‚ËÌ„‡, „‰Â «A» ÒÓÁ‰‡ÂÚ Â‰‚‡ ÛÎÓ‚ËÏ˚È Ò‚ËÌ„, ‡ «Ö» – Ì‡Ë·ÓÎÂÂ ˜ÂÚÍËÈ.
Fine (ÔËÏÂÌÂÌËÂ
èÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ÏÌÓÊÂÒÚ‚Ó «¯‡·ÎÓÌÓ‚» ÙÛÌÍˆËË Groove, ÍÓÚÓ˚Â ·Û‰ÛÚ ÔËÏÂÌﬂÚ¸Òﬂ Í ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ë Ì‡ÒÚÓÈÍ‡ÏË «PUSH»
ÓÔÂ‰ÂÎÂÌÌ˚Â ‰ÓÎË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ Ò ÓÔÂÂÊÂÌËÂÏ, Ò Ì‡ÒÚÓÈÍ‡ÏË «HEAVY» – Ò ÓÔÓÁ‰‡ÌËÂÏ. çÓÏÂ‡ ‚ Ô‡‡ÏÂÚ‡ı (2, 3, 4, 5)
ÛÍ‡Á˚‚‡˛Ú ‰ÓÎË ‰Îﬂ Ó·‡·ÓÚÍË. ÇÒÂ ‰ÓÎË ‚ÔÎÓÚ¸ ‰Ó ÛÍ‡Á‡ÌÌÓÈ (Á‡ ËÒÍÎ˛˜ÂÌËÂÏ ÔÂ‚ÓÈ) ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ Ò ÓÔÂÂÊÂÌËÂÏ ËÎË Ò
Á‡‰ÂÊÍÓÈ. ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ¯‡·ÎÓÌ Ò ˆËÙÓÈ «3», ·Û‰ÛÚ Ó·‡·‡Ú˚‚‡Ú¸Òﬂ ‚ÚÓ˚Â Ë ÚÂÚ¸Ë ‰ÓÎË. ÇÓ ‚ÒÂı ÒÎÛ˜‡ﬂı ¯‡·ÎÓÌ˚ ÚËÔ‡
«A» ÓÍ‡Á˚‚‡˛Ú ÏËÌËÏ‡Î¸ÌÓÂ ‚ÓÁ‰ÂÈÒÚ‚ËÂ, ¯‡·ÎÓÌ˚ ÚËÔ‡ «B» – ÒÂ‰ÌÂÂ, ‡ ¯‡·ÎÓÌ˚ ÚËÔ‡ «C» – Ï‡ÍÒËÏ‡Î¸ÌÓÂ.
¯‡·ÎÓÌ‡)
118
ÑÎËÚÂÎ¸ÌÓÒÚË ÌÓÚ (Á‡‰‡ÌÌ˚ı ÁÌ‡˜ÂÌËÂÏ Ô‡‡ÏÂÚ‡ ORIGINAL BEAT) ËÁÏÂÌﬂÂÚÒﬂ Ì‡ ÛÍ‡Á‡ÌÌÓÂ ÁÌ‡˜ÂÌËÂ. ç‡ÔËÏÂ, ÂÒÎË ÁÌ‡˜ÂÌËÂ
ORIGINAL BEAT – «8 Beat», ‡ ÁÌ‡˜ÂÌËÂ BEAT CONVERTER – «12», ‚ÒÂ ‚ÓÒ¸Ï˚Â ÌÓÚ˚ ‚ ‡Á‰ÂÎÂ ÔÂÂÏÂ˘‡˛ÚÒﬂ Ì‡ ‚ÓÒ¸Ï˚Â ÚËÓÎË.
áÌ‡˜ÂÌËﬂ BEAT CONVERTER «16A» Ë «16B», ÔÓﬂ‚Îﬂ˛˘ËÂÒﬂ ÔË ‚˚·ÓÂ ‰Îﬂ Ô‡‡ÏÂÚ‡ ORIGINAL BEAT ÁÌ‡˜ÂÌËﬂ «12 Beat», ﬂ‚Îﬂ˛ÚÒﬂ
‚‡Ë‡ˆËﬂÏË ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË ËÚÏ‡ ËÁ ¯ÂÒÚÌ‡‰ˆ‡Ú˚ı.
CVP-210/208
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
■ ÑËÌ‡ÏËÍ‡
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸
ÌÛÊÌÛ˛ ÓÔÂ‡ˆË˛ Â‰‡ÍÚËÓ‚‡ÌËﬂ.
A
F
B
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C
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D
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E
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èÓ‰Ú‚ÂÊ‰‡ÂÚ ÔËÏÂÌÂÌËÂ ÙÛÌÍˆËË ‰ËÌ‡ÏËÍË.
èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ ˝ÚÓÈ ÔÓˆÂ‰Û˚,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÍÌÓÔÍÂ Ì‡‰ÔËÒ¸ Ì‡ ˝Í‡ÌÂ
ÒÏÂÌﬂÂÚÒﬂ Ì‡‰ÔËÒ¸˛ [UNDO], ˜ÚÓ·˚ ÔË
ÊÂÎ‡ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È
Ï‡ÚÂË‡Î. îÛÌÍˆËﬂ Undo ÔÓÁ‚ÓÎﬂÂÚ ÓÚÏÂÌËÚ¸
ÚÓÎ¸ÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔÂ‡ˆË˛.
äÌÓÔÍË ‚˚·Ó‡ Í‡Ì‡Î‡, Í ÍÓÚÓÓÏÛ
ÚÂ·ÛÂÚÒﬂ ÔËÏÂÌËÚ¸ ÙÛÌÍˆË˛ ‰ËÌ‡ÏËÍË.
1
2
3
4
5
6
7
8
á‡‰‡˛Ú ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚÓ‚ ‰ËÌ‡ÏËÍË
(ÒÏ. ÒÔËÒÓÍ ÌËÊÂ).
è‡‡ÏÂÚ˚ ‰ËÌ‡ÏËÍË
Accent Type (ÚËÔ
èêàåÖóÄçàÖ
Ç˚·Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡.
‡ÍˆÂÌÚ‡)
Strength (ÒËÎ‡
‚ÓÁ‰ÂÈÒÚ‚Ëﬂ)
Expand/Compress
(˝ÍÒÔ‡Ì‰Â/
ÍÓÏÔÂÒÒÓ)
Boost/Cut (Û‚ÂÎË˜ÂÌËÂ/
ÛÏÂÌ¸¯ÂÌËÂ ‚ÒÂı
ÁÌ‡˜ÂÌËÈ)
äÌÓÔÍ‡ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë
ÒÓı‡ÌÂÌËﬂ ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó
Ù‡ÈÎ‡ ÒÚËÎﬂ.
éÔÂ‰ÂÎﬂÂÚ ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ ˝ÙÙÂÍÚ‡ Accent Type (ÒÏ. ‚˚¯Â). óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ, ÚÂÏ
ÒËÎ¸ÌÂÂ ˝ÙÙÂÍÚ.
ëÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ
ÓÔÂ‰ÂÎﬂÂÚÒﬂ ÒËÎÓÈ Ì‡Ê‡ÚËﬂ Ì‡
ÍÎ‡‚Ë¯Ë.
óÂÏ ÒËÎ¸ÌÂÂ ‚˚ Û‰‡ﬂÂÚÂ ÔÓ
ÍÎ‡‚Ë¯‡Ï, ÚÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ
˝ÚÓ„Ó Ô‡‡ÏÂÚ‡, ‡ ÁÌ‡˜ËÚ Ë
„ÓÏ˜Â Á‚ÛÍ.
ê‡Ò¯ËﬂÂÚ ËÎË ÒÛÊ‡ÂÚ ‰ËÌ‡ÏË˜ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ (‰Ë‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ).
àÁÏÂÌÂÌËÂ „‡ÌËˆ ‰Ë‡Ô‡ÁÓÌ‡ ÔÓËÁ‚Ó‰ËÚÒﬂ ÒËÏÏÂÚË˜ÌÓ (ˆÂÌÚ‡Î¸ÌÓÂ ÁÌ‡˜ÂÌËÂ ÒÍÓÓÒÚË
Ì‡Ê‡ÚËﬂ – «64»). áÌ‡˜ÂÌËﬂ ‚˚¯Â 100% ‡Ò¯Ëﬂ˛Ú ‰ËÌ‡ÏË˜ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, ÏÂÌ¸¯Â 100%
ÒÊËÏ‡˛Ú Â„Ó.
ÇÒÂ ÁÌ‡˜ÂÌËﬂ ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ ‚ ‚˚‰ÂÎÂÌÌÓÈ ˜‡ÒÚË/Í‡Ì‡ÎÂ Û‚ÂÎË˜Ë‚‡˛ÚÒﬂ ËÎË
ÛÏÂÌ¸¯‡˛ÚÒﬂ. áÌ‡˜ÂÌËﬂ ‚˚¯Â 100% Û‚ÂÎË˜Ë‚‡˛Ú ÒÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ, ÏÂÌ¸¯Â 100% –
ÒÌËÊ‡˛Ú ÂÂ.
CVP-210/208
119
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
êÂ‰‡ÍÚËÓ‚‡ÌËÂ Ô‡‡ÏÂÚÓ‚ Í‡Ì‡Î‡
ùÍ‡Ì ÒÓ‰ÂÊËÚ ÔﬂÚ¸ ÙÛÌÍˆËÈ Â‰‡ÍÚËÓ‚‡ÌËﬂ Ô‡‡ÏÂÚÓ‚ Í‡Ì‡Î‡, ËÒÔÓÎ¸ÁÛÂÏÓ„Ó ‚ ÒÓÁ‰‡ÌÌÓÏ ÒÚËÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒÂ
ÓÔËÒ‡ÌÌ˚Â ÌËÊÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114.
èÓﬂÒÌÂÌËﬂ ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
èêàåÖóÄçàÖ
ÇÒÚÓÂÌÌ˚È Í‡Ì‡Î BASS PHRASE2 ËÁÏÂÌﬂÚ¸ ÌÂÎ¸Áﬂ.
■ Quantize (‚˚‡‚ÌË‚‡ÌËÂ)
ëÏ. ÒÚ. 107.
■ Velocity Change (ËÁÏÂÌÂÌËÂ ÒÍÓÓÒÚË Ì‡Ê‡ÚËﬂ)
ëÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ ‚ÒÂı ÌÓÚ ‚˚‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡ (‚˚·Ë‡ÂÏÓ„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1▲▼]/[2▲▼] (CHANNEL) ÔÓ‚˚¯‡ÂÚÒﬂ ËÎË
ÔÓÌËÊ‡ÂÚÒﬂ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚ÂÎË˜ËÌ˚, Á‡‰‡ÌÌÓÈ ‚ ÔÓˆÂÌÚ‡ı (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼]/[5▲▼] (BOOST/CUT).
■ Bar Copy (ÍÓÔËÓ‚‡ÌËÂ Ú‡ÍÚÓ‚)
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ÒÓ‰ÂÊ‡˘ËÂÒﬂ ‚ Ú‡ÍÚÂ ËÎË „ÛÔÔÂ Ú‡ÍÚÓ‚, Ì‡ ‰Û„ÓÈ Û˜‡ÒÚÓÍ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡.
ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë [5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡ÌËˆ˚ ÍÓÔËÛÂÏÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Ú‡ÍÚÓ‚, ÛÍ‡Á‡‚
ÔÂ‚˚È Ë ÔÓÒÎÂ‰ÌËÈ Ú‡ÍÚ˚. óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÚÓ˜ÍË ÍÓÔËÓ‚‡ÌËﬂ (ÌÓÏÂ Ú‡ÍÚ‡), ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [6▲▼] (DEST).
■ Bar Clear (Ó˜ËÒÚÍ‡ Ú‡ÍÚÓ‚)
ÇÒÂ ‰‡ÌÌ˚Â, ÒÓ‰ÂÊ‡˘ËÂÒﬂ ‚ Ú‡ÍÚÂ ËÎË „ÛÔÔÂ Ú‡ÍÚÓ‚ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡, Û‰‡Îﬂ˛ÚÒﬂ. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë
[5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡ÌËˆ˚ Ó˜Ë˘‡ÂÏÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Ú‡ÍÚÓ‚, ÛÍ‡Á‡‚ ÔÂ‚˚È Ë ÔÓÒÎÂ‰ÌËÈ Ú‡ÍÚ˚.
■ Remove Event (Û‰‡ÎÂÌËÂ ÒÓ·˚ÚËﬂ)
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Û‰‡ÎËÚ¸ ËÁ Í‡Ì‡Î‡ ÓÔÂ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÒÓ·˚ÚËÈ,
‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË [4▲▼] - [6▲▼] (EVENT).
120
CVP-210/208
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ Ù‡ÈÎ‡ SMF – Parameter
ç‡ ˝ÚÓÏ ˝Í‡ÌÂ ÔÂ‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È ﬂ‰ ÙÛÌÍˆËÈ ÛÔ‡‚ÎÂÌËﬂ Ô‡‡ÏÂÚ‡ÏË ÒÚËÎﬂ. ç‡ÔËÏÂ, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‡‚ËÒËÏÓÒÚ¸
ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍÓ‚, ËÒÔÓÎ¸ÁÛÂÏ˚ı ‚ ÒÚËÎÂ, ÓÚ ‡ÍÍÓ‰Ó‚, ‚ÁﬂÚ˚ı ‚ ÎÂ‚ÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚. èÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
‚Á‡ËÏÓ‰ÂÈÒÚ‚ËË ‰‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ÒÏ. ‚ ‡Á‰ÂÎÂ «îÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ (SFF)» Ì‡ ÒÚ. 114. èÓﬂ‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚË˜ÂÌ
ÓÔËÒ‡ÌÌÓÏÛ ‚ ¯‡„Â 4 Ì‡ ÒÚ. 114.
èêàåÖóÄçàÖ
ÖÒÎË ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚ‡ NTR
— «Root Fixed», ‡ ÁÌ‡˜ÂÌËÂ
Ô‡‡ÏÂÚ‡ NTT — «Bypass»,
Ô‡‡ÏÂÚ˚ «Source Root» Ë
«Source Chord» ÔËÌËÏ‡˛Ú
ÁÌ‡˜ÂÌËﬂ «Play Root» Ë «Play
Chord» ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. Ç ˝ÚÓÏ
ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚÂ ÏÂÌﬂÚ¸
‡ÍÍÓ‰˚ Ë ÔÓÒÎÛ¯Ë‚‡Ú¸
ÔÓÎÛ˜ÂÌÌ˚È ‚ ÂÁÛÎ¸Ú‡ÚÂ Á‚ÛÍ
ÔÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï.
èÓﬂÒÌÂÌËﬂ ÔË‚Â‰ÂÌ˚ ÌËÊÂ.
■ Source Root/Chord (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰)
ùÚË Ô‡‡ÏÂÚ˚ ÓÚ‚Â˜‡˛Ú Á‡ ÔÂ‚ÓÌ‡˜‡Î¸ÌÛ˛ ÚÓÌ‡Î¸ÌÓÒÚ¸ ËÒıÓ‰ÌÓÈ Ù‡Á˚ (Ú. Â. ÚÓÌ‡Î¸ÌÓÒÚ¸, ‚ ÍÓÚÓÓÈ ÓÌ‡ Á‡ÔËÒ˚‚‡Î‡Ò¸). èÓ
ÛÏÓÎ˜‡ÌË˛ ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ «CM7» (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ — «C», ËÒıÓ‰Ì˚È ÚËÔ ‡ÍÍÓ‰‡ — «M7»). ùÚÓ ÁÌ‡˜ÂÌËÂ
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÒﬂÍËÈ ‡Á, ÍÓ„‰‡ ÔÂÂ‰ Á‡ÔËÒ¸˛ ÌÓ‚Ó„Ó ÒÚËÎﬂ ‚˚ Û‰‡ÎﬂÂÚÂ ÔÂ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â ‰‡ÌÌ˚Â. èË ˝ÚÓÏ
ÁÌ‡˜ÂÌËﬂ ËÒıÓ‰ÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ Ë ÚËÔ‡ ‡ÍÍÓ‰‡, ÛÍ‡Á‡ÌÌ˚Â ‚ ÔÂ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰‡ÌÌ˚ı, Ë„ÌÓËÛ˛ÚÒﬂ. ÖÒÎË ÁÌ‡˜ÂÌËÂ ÔÓ
ÛÏÓÎ˜‡ÌË˛ ËÁÏÂÌËÚ¸, ÚÓ ‚ıÓ‰ﬂ˘ËÂ ‚ ‡ÍÍÓ‰ Ë ÂÍÓÏÂÌ‰ÛÂÏ˚Â ÌÓÚ˚ Ú‡ÍÊÂ ËÁÏÂÌﬂÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓ‚˚Ï ÚËÔÓÏ ‡ÍÍÓ‰‡.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÌÓÚ‡ı ‡ÍÍÓ‰‡ Ë ÂÍÓÏÂÌ‰ÛÂÏ˚ı ÌÓÚ‡ı ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 116.
ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ë («‰Ó»):
C6
CMaj
CM711
CM7
CM79
C9
C69
C
C R C
C R
C R C
C C R
Cm
Caug
R C R
C R
R C
C
C R
C
C R
C C
C7 5
R C
C
C
C C C
C R C
C
C R C R
C
R C
R C
R C
C
C
C R C
R
C
R
C R
C
C C
C1+5
C
R C
C C
C
C
C
C
R
C
C
C
C
C R
C
C C
C C
C R C
C
C
C
R
C
C
Csus2
Csus4
C
C
C79
R C C
C R C
R C
C
C R
C
C
C7sus4
C713
C
C C R
C
C R
R
C C C
Cm79
C C
C
C
C R C
C7
C79
C
C R C
R C
C R
C C C
Cm9
C
C713
C R
C R
Cdim7
C
C
C R C
C
Cdim
C1+8
C7aug
CM7aug
C C
C C C
Cm75
C
R C C
C711
C
C R C
C
C
C79
C
C R C
Cm7
CmM79
CmM7
C
C R C
C
C
C R
C R C
Cm711
C R C
Cm6
C C
C C R
C R
C = ÌÓÚ‡ ‡ÍÍÓ‰‡
C, R = ÂÍÓÏÂÌ‰ÛÂÏ‡ﬂ
ÌÓÚ‡
■ NTR Ë NTT
• NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁËˆËË)
éÔÂ‰ÂÎﬂÂÚ ÒËÒÚÂÏÛ, ÒÓ„Î‡ÒÌÓ ÍÓÚÓÓÈ ËÁÏÂÌﬂÂÚÒﬂ ‚˚ÒÓÚ‡ Á‚ÛÍÓ‚ ËÒıÓ‰ÌÓÈ Ù‡Á˚. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚‡Ë‡ÌÚ‡ Ô‡‚ËÎ‡:
Root Trans (Ú‡ÌÒÔÓÁËˆËﬂ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡)
èË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ ‚˚ÒÓÚÌÓÂ ÒÓÓÚÌÓ¯ÂÌËÂ ÏÂÊ‰Û ÌÓÚ‡ÏË ÒÓı‡ÌﬂÂÚÒﬂ. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3,
Á‡ÔËÒ‡ÌÌ˚Â ‚ ÚÓÌ‡Î¸ÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë, ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓÌ‡Î¸ÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F ÔÂ‚‡˘‡˛ÚÒﬂ ‚
ÌÓÚ˚ F3, A3 Ë C4. ùÚÓ Ô‡‚ËÎÓ ÒÎÂ‰ÛÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ Í‡Ì‡ÎÓ‚, ÒÓ‰ÂÊ‡˘Ëı ÏÂÎÓ‰Ë˜ÂÒÍÛ˛ ÎËÌË˛
(ÎËÌËË).
Root Fixed (ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÙËÍÒËÓ‚‡Ì)
í‡ÌÒÔÓÌËÛÂÏ‡ﬂ ÌÓÚ‡ ÓÒÚ‡ÂÚÒﬂ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í ÔÂ‰˚‰Û˘ÂÏÛ ÌÓÚÌÓÏÛ ‰Ë‡Ô‡ÁÓÌÛ. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3,
Á‡ÔËÒ‡ÌÌ˚Â ‚ ÚÓÌ‡Î¸ÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë («‰Ó»), ÔÂ‚‡˘‡˛ÚÒﬂ ‚ ÌÓÚ˚ ë3, F3 Ë A3 ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚
ÚÓÌ‡Î¸ÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F («Ù‡»). ùÚÓ Ô‡‚ËÎÓ ÒÎÂ‰ÛÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ Í‡Ì‡ÎÓ‚, ÒÓ‰ÂÊ‡˘Ëı
˜‡ÒÚË Ò ‡ÍÍÓ‰‡ÏË.
CVP-210/208
121
ëÓÁ‰‡ÌËÂ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌÍˆËﬂ Style Creator
• NTT (Ú‡·ÎËˆ‡ Ú‡ÌÒÔÓÁËˆËË)
ìÍ‡Á‡ÌËÂ Ú‡·ÎËˆ˚ Ú‡ÌÒÔÓÁËˆËË ‰Îﬂ ËÒıÓ‰ÌÓÈ Ù‡Á˚. àÏÂÂÚÒﬂ ¯ÂÒÚ¸ ÚËÔÓ‚ Ú‡ÌÒÔÓÁËˆËË.
Bypass (Ó·ıÓ‰)
ÅÂÁ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ.
Melody (ÏÂÎÓ‰Ëﬂ)
èÓ‰ıÓ‰ËÚ ‰Îﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ÏÂÎÓ‰Ë˜ÂÒÍÓÈ ÎËÌËË. ùÚÓÚ ÚËÔ ÒÎÂ‰ÛÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Í‡Ì‡ÎÓ‚ Phrase 1 Ë Phrase 2.
Chord (‡ÍÍÓ‰)
èÓ‰ıÓ‰ËÚ ‰Îﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ‡ÍÍÓ‰Ó‚. ùÚÓÚ ÚËÔ ÒÎÂ‰ÛÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Í‡Ì‡ÎÓ‚ Chord 1 Ë Chord 2, ÓÒÓ·ÂÌÌÓ ‚ ÚÓÏ
ÒÎÛ˜‡Â, ÍÓ„‰‡ ÓÌË ÒÓ‰ÂÊ‡Ú ‡ÍÍÓ‰Ó‚˚Â ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË, ÚËÔË˜Ì˚Â ‰Îﬂ ÙÓÚÂÔË‡ÌÓ ËÎË „ËÚ‡˚.
Bass (·‡Ò)
èÓ‰ıÓ‰ËÚ ‰Îﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ ·‡ÒÓ‚ÓÈ ÎËÌËË. Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝Ú‡ Ú‡·ÎËˆ‡ Ì‡ÔÓÏËÌ‡ÂÚ ÓÔËÒ‡ÌÌÛ˛ ‚˚¯Â Ú‡·ÎËˆÛ «Melody».
éÚÎË˜ËÂ ÒÓÒÚÓËÚ ‚ ‡ÒÔÓÁÌ‡‚‡ÌËË ‡ÍÍÓ‰Ó‚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ, ÍÓÚÓ˚Â ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔË ‚˚·ÓÂ ‡ÔÔÎËÍ‡ÚÛ˚ FINGERED
ON BASS. ùÚÓÚ ÚËÔ „Ó‰ËÚÒﬂ ‚ ÓÒÌÓ‚ÌÓÏ ‰Îﬂ ·‡ÒÓ‚˚ı ÎËÌËÈ.
Melodic Minor (ÏÂÎÓ‰Ë˜ÂÒÍËÈ ÏËÌÓ)
ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌﬂÂÚÒﬂ ÏËÌÓÌ˚Ï, ˝Ú‡ Ú‡·ÎËˆ‡ ÔÓÌËÊ‡ÂÚ ÚÂˆË˛ Ì‡ ÔÓÎÚÓÌ‡. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌﬂÂÚÒﬂ
Ï‡ÊÓÌ˚Ï, ÚÂˆËﬂ ÔÓ‚˚¯‡ÂÚÒﬂ Ì‡ ÔÓÎÚÓÌ‡. éÒÚ‡Î¸Ì˚Â ÌÓÚ˚ ‡ÍÍÓ‰‡ ÌÂ ËÁÏÂÌﬂ˛ÚÒﬂ.
Harmonic Minor („‡ÏÓÌË˜ÂÒÍËÈ ÏËÌÓ)
ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌﬂÂÚÒﬂ ÏËÌÓÌ˚Ï, ÚÂˆËﬂ Ë ÒÂÍÒÚ‡ ÔÓÌËÊ‡˛ÚÒﬂ Ì‡ ÔÓÎÚÓÌ‡. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌﬂÂÚÒﬂ
Ï‡ÊÓÌ˚Ï, ÏËÌÓÌ‡ﬂ ÚÂˆËﬂ Ë ÔÓÌËÊÂÌÌ‡ﬂ ÒÂÍÒÚ‡ ÔÓ‚˚¯‡˛ÚÒﬂ Ì‡ ÔÓÎÚÓÌ‡. éÒÚ‡Î¸Ì˚Â ÌÓÚ˚ ‡ÍÍÓ‰‡ ÌÂ ËÁÏÂÌﬂ˛ÚÒﬂ.
■ High Key/Note Limit (‚ÂıÌﬂﬂ ÌÓÚ‡/ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)
• ÇÂıÌﬂﬂ ÌÓÚ‡
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ ÌÓÚÛ,
èËÏÂ: ‚ÂıÌﬂﬂ ÌÓÚ‡ – F («Ù‡»)
ÓÔÂ‰ÂÎﬂﬂ „‡ÌËˆÛ Ú‡ÌÒÔÓÁËˆËË ÓÒÌÓ‚ÌÓ„Ó
çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ
CM
ÚÓÌ‡ ‡ÍÍÓ‰‡. ÇÒÂ ÌÓÚ˚, ˜¸ﬂ ‚˚ÒÓÚ‡
C3-E3-G3
àÒÔÓÎÌﬂÂÏ˚Â ÌÓÚ˚
ÔÂ‚˚¯‡ÂÚ Á‡‰‡ÌÌÓÂ ÁÌ‡˜ÂÌËÂ,
Ú‡ÌÒÔÓÌËÛ˛ÚÒﬂ ‚ ÓÍÚ‡‚Û, ‡ÒÔÓÎÓÊÂÌÌÛ˛
ÌËÊÂ Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ Ë ÔËÏ˚Í‡˛˘Û˛ Í
ÌÂÈ. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓÎ¸ÍÓ ÚÓ„‰‡,
ÍÓ„‰‡ ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚ‡ NTR (ÒÚ. 121) ‡‚ÌÓ «Root Trans».
• çÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ
Ñ‡ÌÌ˚È Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡ÌËˆ˚ ÌÓÚÌÓ„Ó
‰Ë‡Ô‡ÁÓÌ‡ ‰Îﬂ ÚÂÏ·Ó‚, Á‡ÔËÒ˚‚‡ÂÏ˚ı Ì‡
Í‡Ì‡Î˚ ÒÚËÎﬂ. è‡‚ËÎ¸ÌÓ Á‡‰‡‚ ‰‡ÌÌ˚È
‰Ë‡Ô‡ÁÓÌ, ‚˚ ÏÓÊÂÚÂ ‰Ó·ËÚ¸Òﬂ Ï‡ÍÒËÏ‡Î¸ÌÓÈ
Â‡ÎËÒÚË˜ÌÓÒÚË Á‚Û˜‡ÌËﬂ ÚÂÏ·Ó‚. ÑÛ„ËÏË
ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ ÂÒÚÂÒÚ‚ÂÌÌ˚Â
ÔÂ‰ÂÎ˚ Á‚Û˜‡ÌËﬂ ÍÓÌÍÂÚÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡
(Ì‡ÔËÏÂ, ËÁ·ÂÊ‡Ú¸ ÔÓﬂ‚ÎÂÌËﬂ Á‚ÛÍÓ‚
«ÔËÍ‡˛˘ÂÈ» ·‡Ò-„ËÚ‡˚, ËÎË «·‡Òﬂ˘ÂÈ»
ÙÎÂÈÚ˚-ÔËÍÍÓÎÓ). çÓÚ˚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Ò‰‚Ë„‡˛ÚÒﬂ, ˜ÚÓ·˚ ÔÓÔ‡ÒÚ¸ ‚ ÛÍ‡Á‡ÌÌ˚È
‰Ë‡Ô‡ÁÓÌ.
CM
C 3-F3-G 3
FM
F3-A3-C4
FM
F 2-A 2-C 3
èËÏÂ: Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ÌÓÚ‡ – ë3, ‡ Ò‡Ï‡ﬂ ‚˚ÒÓÍ‡ﬂ – D4
çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ
àÒÔÓÎÌﬂÂÏ˚Â ÌÓÚ˚
CM
CM
E3-G3-C4
F3-G 3-C 4
FM
F3-A3-C4
ÇÂıÌËÈ ÔÂ‰ÂÎ
çËÊÌËÈ ÔÂ‰ÂÎ
■ RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ)
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸, ÌÂÓ·ıÓ‰ËÏÓ ÎË Á‡„ÎÛ¯‡Ú¸ ËÒıÓ‰Ì˚Â ÌÓÚ˚ ËÎË ÌÂÚ. äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸
Á‡‚ËÒËÏÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ÓÚ ÒÏÂÌ˚ ‡ÍÍÓ‰‡.
Stop (ÓÒÚ‡ÌÓ‚Í‡)
çÓÚ˚ ÔÂÂÒÚ‡˛Ú Á‚Û˜‡Ú¸.
Pitch Shift (ÒÍÓÎ¸ÊÂÌËÂ ‚˚ÒÓÚ˚)
Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓÎ¸ÁËÚ» Ò Û˜ÂÚÓÏ ÚËÔ‡ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ.
Pitch Shift to Root (ÒÍÓÎ¸ÊÂÌËÂ ‚˚ÒÓÚ˚ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡)
Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓÎ¸ÁËÚ» ÔÓ Ì‡Ô‡‚ÎÂÌË˛ Í ‚˚ÒÓÚÂ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ.
Retrigger (ÔÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ)
çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ËÁÏÂÌÂÌÌ˚Ï ‡ÍÍÓ‰ÓÏ.
Retrigger To Root (ÔÓ‚ÚÓÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ‡)
çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ËÁÏÂÌÂÌÌÓ„Ó ‡ÍÍÓ‰‡. èË ˝ÚÓÏ ÓÌ‡
Á‚Û˜ËÚ ‚ ÔÂ‰ÂÎ‡ı ËÒıÓ‰ÌÓÈ ÓÍÚ‡‚˚.
122
CVP-210/208
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸
ÏËÍ¯Â‡
ùÍ‡Ì ÍÓÌÒÓÎË ‚˚„Îﬂ‰ËÚ Í‡Í Ì‡ÒÚÓﬂ˘ËÈ ÏËÍ¯Â Ë ÔÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÔÓÎÌ˚È ÍÓÌÚÓÎ¸ Ì‡‰
Á‚ÛÍÓÏ.
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
A
F
MASTER VOLUME
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
B
G
LAYER
C
H
LEFT
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING rit.
D
I
E
J
1
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
DIGITAL
STUDIO
ONE TOCTH SETTING
MUSIC FINDER
SYNC.STOP SYNC.START START STOP
OTS LINK
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
èêàåÖóÄçàÖ
åËÍ¯ÂÒÍËÈ ÔÛÎ¸Ú
ë ÔÓÏÓ˘¸˛ ÏËÍ¯Â‡ ÏÓÊÌÓ
Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë
·‡Î‡ÌÒ Í‡Ê‰Ó„Ó ËÁ
ËÒÔÓÎ¸ÁÛÂÏ˚ı ÚÂÏ·Ó‚, ‡ Ú‡ÍÊÂ
Á‡‰‡‚‡Ú¸ ÛÓ‚ÂÌ¸ ÔÓÒ˚Î‡
˝ÙÙÂÍÚÓ‚.
PART
DIRECT ACCESS
MIXING
CONSOLE
1
2
3
4
5
6
7
8
EXIT
PART
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â ÒÚ‡Ì‰‡ÚÌ˚Â ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ ÏÓÊÌÓ ‰Ó·‡‚ÎﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BALANCE] Ë [CHANNEL ON/OFF]
(ÒÚ. 65).
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ
èêàåÖóÄçàÖ
1
MIXING
CONSOLE
PART
èÂÂÈ‰ﬂ Í ˝Í‡ÌÛ MIXING CONSOLE, Ì‡ÊËÏ‡ÈÚÂ ËÁÓ·‡ÊÂÌÌÛ˛
ÒÎÂ‚‡ ÍÌÓÔÍÛ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ Û‚Ë‰ËÚÂ ÔÂÂ‰ ÒÓ·ÓÈ ÌÛÊÌ˚È
˝Í‡Ì. ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ «ÔÓÎËÒÚ˚‚‡Ú¸» ÒÚ‡ÌËˆ˚ ÍÓÌÒÓÎË.
ëÛ˘ÂÒÚ‚ÛÂÚ ÔÓÒÚÓÈ ÒÔÓÒÓ·
ÛÒÚ‡ÌÓ‚ÍË Â‰ËÌÓ„Ó ‰Îﬂ ‚ÒÂı
˜‡ÒÚÂÈ ÁÌ‡˜ÂÌËﬂ Î˛·Ó„Ó ËÁ
Ô‡‡ÏÂÚÓ‚ (ÍÓÏÂ Ô‡‡ÏÂÚ‡
VOICE). óÚÓ·˚ Á‡‰‡Ú¸ Ú‡ÍÓÂ
ÁÌ‡˜ÂÌËÂ, ÒÎÂ‰ÛÂÚ
‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÌÓÔÍ‡ÏË [1] [8] ËÎË ‰ËÒÍÓÏ ÛÔ‡‚ÎÂÌËﬂ
[DATA ENTRY], Ó‰ÌÓ‚ÂÏÂÌÌÓ
Û‰ÂÊË‚‡ﬂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] [J], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ËÁÏÂÌﬂÂÏÓÏÛ Ô‡‡ÏÂÚÛ.
è‡ÌÂÎ¸ ˜‡ÒÚÂÈ
éÚ‚Â˜‡ÂÚ Á‡ Ì‡ÒÚÓÈÍÛ ˜‡ÒÚÂÈ, ÍÓÚÓ˚Â Ë„‡˛ÚÒﬂ Ò
ÍÎ‡‚Ë‡ÚÛ˚ (Main/Layer, Left), ˜‡ÒÚÂÈ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡.
STYLE PART (ó‡ÒÚ¸ ÒÚËÎﬂ)
ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
SONG CH 1 – 8 (èÂÒÌﬂ (Í‡Ì‡Î˚ 1 – 8))
ä‡Ì‡Î˚ ÔÓË„˚‚‡ÌËﬂ ÔÂÒÌË (Ò ÔÂ‚Ó„Ó ÔÓ ‚ÓÒ¸ÏÓÈ)
SONG CH 9 – 16 (èÂÒÌﬂ (Í‡Ì‡Î˚ 1 – 8))
ä‡Ì‡Î˚ ÔÓË„˚‚‡ÌËﬂ ÔÂÒÌË (Ò ‰Â‚ﬂÚÓ„Ó ÔÓ
¯ÂÒÚÌ‡‰ˆ‡Ú˚È)
2
èÂÂÈ‰ËÚÂ Ì‡ ‰Û„ËÂ ÒÚ‡ÌËˆ˚ ÍÓÌÒÓÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[BACK]/[NEXT] Ë Á‡‰‡ÈÚÂ ÌÂÓ·ıÓ‰ËÏ˚Â Ô‡‡ÏÂÚ˚.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ‡ÁÎË˜Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı
Ì‡ÒÚÓÈÍË ÒÏ. Ì‡ ÒÚ. 124 Ë ‰‡ÎÂÂ.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
Ô‡‡ÏÂÚ‡ı ÙÛÌÍˆËË Sound
Creator ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 92.
END
á‡ÍÓÈÚÂ ˝Í‡Ì Mixing
Console, Ì‡Ê‡‚ ÍÌÓÔÍÛ
[EXIT].
■ é Ô‡‡ÏÂÚ‡ı
•
•
•
•
•
VOL/VOICE („ÓÏÍÓÒÚ¸/ÚÂÏ·) (ÒÚ. 124)
ç‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Ë ÚÂÏ· ‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË/Í‡Ì‡Î‡. äÓÏÂ ÚÓ„Ó, Á‰ÂÒ¸ ‚˚ ÏÓÊÂÚÂ ‚ÍÎ˛˜ËÚ¸
ÙÛÌÍˆË˛ Auto Revoice, ÍÓÚÓ‡ﬂ ÔÓÁ‚ÓÎﬂÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓË„˚‚‡Ú¸ ÔÂÒÌË ‚ ÙÓÏ‡ÚÂ XG (ÒÚ. 163) Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
ÛÌËÍ‡Î¸Ì˚ı ÔÓ ·Ó„‡ÚÒÚ‚Û Á‚Û˜‡ÌËﬂ Ë ‰ËÌ‡ÏËÍÂ ÚÂÏ·Ó‚ (ÚÓÎ¸ÍÓ ‰Îﬂ CVP-210/208). ÅÎ‡„Ó‰‡ﬂ ˝ÚÓÏÛ ‚ ‚‡¯ÂÈ ÔÂÒÌÂ Á‡Á‚Û˜‡Ú
„Ó‡Á‰Ó ·ÓÎÂÂ Â‡ÎËÒÚË˜Ì˚Â Ë ÂÒÚÂÒÚ‚ÂÌÌ˚Â ÚÂÏ·˚.
FILTER (ÙËÎ¸Ú) (ÒÚ. 125)
ç‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ‚˚ ÏÓÊÂÚÂ Ì‡ÒÚÓËÚ¸ Í‡˜ÂÒÚ‚Ó ÚÂÏ·‡ , ÔË‰‡‚ ÂÏÛ ÏÓ˘¸, ˝ÌÂ„Ë˛ Ë ﬂÍÓÒÚ¸.
TUNE (Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚) (ÒÚ. 125)
ùÚ‡ ÒÚ‡ÌËˆ‡ ÒÎÛÊËÚ ‰Îﬂ Ì‡ÒÚÓÈÍË ‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ë Á‡‰‡ÌËﬂ ÒÓÔÛÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚.
EFFECT (˝ÙÙÂÍÚ) (ÒÚ. 126)
á‰ÂÒ¸ ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ ÛÓ‚ÂÌ¸ ÔÓÒ˚Î‡ ˝ÙÙÂÍÚÓ‚.
EQ (ÒÚ. 128)
ùÍ‚‡Î‡ÈÁÂ ÔÓÏÓ„‡ÂÚ ÔÓ‰ÒÚÓËÚ¸ Ó·˘ÂÂ Á‚Û˜‡ÌËÂ ËÌÒÚÛÏÂÌÚ‡ ÔÓ‰ ‡ÍÛÒÚËÍÛ ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏÂ˘ÂÌËﬂ. äÓÏÂ ÚÓ„Ó, Á‰ÂÒ¸
ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ËÎË ÚÂÏ· Í‡Ê‰ÓÈ ˜‡ÒÚË.
CVP-210/208
123
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
ìÒÚ‡ÌÓ‚Í‡ „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ — Volume/Voice
éÔËÒ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 2 ËÌÒÚÛÍˆËË Ì‡ ÒÚ. 123.
èêàåÖóÄçàÖ
1
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ﬂ‰˚
Ô‡‡ÏÂÚÓ‚ VOICE (íÂÏ·), PANPOT
(è‡ÌÓ‡Ï‡) ËÎË VOLUME (ÉÓÏÍÓÒÚ¸).
óÚÓ·˚ ÔÂÂÈÚË Í
ÚÂ·ÛÂÏÓÈ ˜‡ÒÚË/
Í‡Ì‡ÎÛ, ÒÎÂ‰ÛÂÚ
Ì‡Ê‡Ú¸ ˝ÚÛ
ÍÌÓÔÍÛ ÌÂÒÍÓÎ¸ÍÓ
‡Á.
DIGITAL
STUDIO
óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ÂÊËÏ ‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÈ Á‡ÏÂÌ˚ ÚÂÏ·Ó‚
XG ÚÂÏ·‡ÏË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208, ‚ÍÎ˛˜ËÚÂ ˝ÚÛ
ÍÌÓÔÍÛ (ÛÒÚ‡ÌÓ‚Ë‚ ÁÌ‡˜ÂÌËÂ ON). ÖÒÎË ÓÌ‡ ÓÚÍÎ˛˜ÂÌ‡ (Off),
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÚÂÏ·˚ ËÁ Ó·˚˜ÌÓ„Ó Ì‡·Ó‡ XG.
èêàåÖóÄçàÖ
A
F
B
G
C
H
D
I
E
J
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
äÌÓÔÍ‡ ‚˚·Ó‡
Á‡ÏÂÌﬂÂÏÓ„Ó ÚÂÏ·‡.
PART
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ÚÂÏ· ‰Îﬂ Í‡Ê‰ÓÈ ËÁ ˜‡ÒÚÂÈ, ‡ Ú‡ÍÊÂ ÓÚÂ„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë Ô‡ÌÓ‡ÏÛ.
VOICE (íÖåÅê)
Ç˚ÁÓ‚ ˝Í‡Ì‡ VOICE, Ì‡ ÍÓÚÓÓÏ ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ ÔÓÌ‡‚Ë‚¯ËÈÒﬂ ÚÂÏ· (ÒÚ. 58). èË ‚˚·ÓÂ ˜‡ÒÚË Style
(ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÚÂÏ·Ó‚ Organ Flutes Ë ÚÂÏ·Ó‚ ËÁ ‡Á‰ÂÎ‡ Ô‡ÏﬂÚË User ÌÂ‚ÓÁÏÓÊÌÓ.
ÖÒÎË ‚˚·‡Ì‡ ˜‡ÒÚ¸ Song (ÔÂÒÌﬂ), ÌÂ‰ÓÒÚÛÔÌ˚ ÚÂÏ·˚ ËÁ ‡Á‰ÂÎ‡ Ô‡ÏﬂÚË User.
PANPOT (è‡ÌÓ‡Ï‡)
éÔÂ‰ÂÎﬂÂÚ ÔÓÎÓÊÂÌËÂ ‚ ÒÚÂÂÓ ·‡ÁÂ ÚÂÍÛ˘Â„Ó ÚÂÏ·‡ ËÎË ‰ÓÓÊÍË. áÌ‡˜ÂÌËÂ «0» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡ÈÌÂÏÛ
ÎÂ‚ÓÏÛ ÔÓÎÓÊÂÌË˛ ËÒÚÓ˜ÌËÍ‡ Á‚ÛÍ‡, «127» – Í‡ÈÌÂÏÛ Ô‡‚ÓÏÛ ÔÓÎÓÊÂÌË˛, ‡ «64» – ˆÂÌÚ‡Î¸ÌÓÈ ÔÓÁËˆËË.
VOLUME (ÉÓÏÍÓÒÚ¸)
Ç ˝ÚÓÈ ˜‡ÒÚË ˝Í‡Ì‡ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‰Îﬂ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡, ˝ÍÒÔÂËÏÂÌÚËÛﬂ Ò ‡ÁÎË˜Ì˚ÏË
‚‡Ë‡ÌÚ‡ÏË ÒÓ˜ÂÚ‡ÌËﬂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ.
ALL REVOICE
êÂÊËÏ «„ÎÓ·‡Î¸ÌÓÈ Á‡ÏÂÌ˚». Ç ˝ÚÓÏ ÂÊËÏÂ ‚ÒÂ ‰ÓÔÛÒÍ‡˛˘ËÂ Á‡ÏÂÌÛ ÚÂÏ·˚
XG Á‡ÏÂÌﬂ˛ÚÒﬂ Â‡ÎËÒÚË˜Ì˚ÏË Ë Ì‡Ò˚˘ÂÌÌ˚ÏË ÚÂÏ·‡ÏË CVP-210/208.
2
PIANO REVOICE
á‡ÏÂÌﬂÂÚ ‚ÒÂ ÚÂÏ·˚ ÔË‡ÌËÌÓ.
F
G
H
DRUM REVOICE
á‡ÏÂÌﬂÂÚ ‚ÒÂ ÚÂÏ·˚ Û‰‡Ì˚ı.
I
J
BASIC REVOICE
Ç ˝ÚÓÏ ÂÊËÏÂ Á‡ÏÂÌﬂ˛ÚÒﬂ
ÚÓÎ¸ÍÓ ÚÂ ÚÂÏ·˚, ÍÓÚÓ˚Â
ÔÓ‰ıÓ‰ﬂÚ ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÍÓÌÍÂÚÌÓÈ ÔÂÒÌË.
ALL NO REVOICE
ÇÒÂ ÚÂÏ·˚ ‚ÓÁ‚‡˘‡˛ÚÒﬂ Í
ÔÂ‚ÓÌ‡˜‡Î¸Ì˚Ï ÚÂÏ·‡Ï XG.
1
2
3
4
5
6
7
Ç˚·Ó ÚÂÏ·Ó‚ XG,
ÍÓÚÓ˚Â ÌÛÊÌÓ Á‡ÏÂÌËÚ¸
(ÚÂÏ·Ó‚, Ó·˚˜ÌÓ
Ç˚·Ó ÚÂÏ·Ó‚, Á‡ÏÂÌﬂ˛˘Ëı
ËÒÔÓÎ¸ÁÛÂÏ˚ı ÔË
ÚÂÏ·˚ XG (ÔË ÛÒÎÓ‚ËË ÛÒÚ‡ÌÓ‚ÍË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË).
ÁÌ‡˜ÂÌËﬂ ON ‰Îﬂ Ô‡‡ÏÂÚ‡ SONG
AUTO REVOICE).
124
CVP-210/208
ä‡Ì‡Î [RHY1], ÛÍ‡Á‡ÌÌ˚È Ì‡
˝Í‡ÌÂ STYLE PART, ÏÓÊÌÓ
ÔËÒ‚ÓËÚ¸ Î˛·ÓÏÛ ÚÂÏ·Û,
ÍÓÏÂ Organ Flutes.
8
äÌÓÔÍ‡ ÒÓı‡ÌÂÌËﬂ ËÁÏÂÌÂÌÌ˚ı Ô‡‡ÏÂÚÓ‚ Ë
Á‡Í˚ÚËﬂ ˝Í‡Ì‡ Auto Revoice Setup.
àÁÏÂÌÂÌËﬂ Ô‡‡ÏÂÚÓ‚ ÌÂ
ÒÓı‡Ìﬂ˛ÚÒﬂ, ˝Í‡Ì Auto Revoice
Setup Á‡Í˚‚‡ÂÚÒﬂ.
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÂÌ ‚
ÙÓÏ‡ÚÂ GM 10-È Í‡Ì‡Î
(ÒÚ‡ÌËˆ‡ SONG CH 9 - 16)
ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÓÎ¸ÍÓ ‰Îﬂ
Û‰‡Ì˚ı (ÚÂÏ· Drum Kit).
èêàåÖóÄçàÖ
èË ÒÏÂÌÂ ËÚÏ‡/
ÔÂÍÛÒÒËÓÌÌ˚ı ÚÂÏ·Ó‚
(Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ Ë Ú. Ô.) ‚
ÔÂÒÌÂ Ë ÒÚËÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡ VOICE
ÔÓËÒıÓ‰ËÚ Ò·ÓÒ ÁÌ‡˜ÂÌËÈ
ÚÓÌÍËı Ì‡ÒÚÓÂÍ. Ç ÌÂÍÓÚÓ˚ı
ÒÎÛ˜‡ﬂı ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÌÂ‚ÓÁÏÓÊÌÓÒÚË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡. ÖÒÎË ˝ÚÓ
ÔÓËÒıÓ‰ËÚ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË, ÚÓ ‰Îﬂ
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ËÒıÓ‰ÌÓ„Ó
ÚÂÏ·‡ ÌÛÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í
Ì‡˜‡ÎÛ ÔÂÒÌË Ë Á‡ÔÛÒÚËÚ¸ ÂÂ
Á‡ÌÓ‚Ó. ÖÒÎË Ò·ÓÒ ÁÌ‡˜ÂÌËÈ
ÔÓËÁÓ¯ÂÎ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂ‚ÓÌ‡˜‡Î¸Ì˚È
ÚÂÏ· ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸
ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó ‚˚·Ó‡
ÒÚËÎﬂ.
èêàåÖóÄçàÖ
ÔË˜ÂÏ ÚÂÏ·˚ PIANO, BASIC
Ë DRUM ÏÓ„ÛÚ ·˚Ú¸
ÛÒÚ‡ÌÓ‚ÎÂÌ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
èêàåÖóÄçàÖ
çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚Ë‰Û, ˜ÚÓ
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÙÛÌÍˆËË
Revoice ÏÓÊÂÚ ÔË‚ÂÒÚË Í
ÌÂÔÂ‰‚Ë‰ÂÌÌÓÈ ÌÂÂÒÚÂÒÚ‚ÂÌÌÓÒÚË Á‚Û˜‡ÌËﬂ. ÇÒÂ Á‡‚ËÒËÚ ÓÚ
ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË.
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
àÁÏÂÌÂÌËÂ ı‡‡ÍÚÂ‡ ÚÂÏ·‡ — Filter
éÔËÒ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 2 ËÌÒÚÛÍˆËË Ì‡ ÒÚ. 123.
äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ HARMONIC Ë BRIGHTNESS.
èêàåÖóÄçàÖ
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
ÙËÎ¸ÚÂ ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 94.
èêàåÖóÄçàÖ
èË ‚˚·ÓÂ ÚÂÏ·‡ Natural
voice ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚
Harmonic Ë Brightness ÌÂÎ¸Áﬂ.
A
F
B
G
C
H
èêàåÖóÄçàÖ
DIGITAL
STUDIO
D
I
E
J
èË Ì‡ÒÚÓÈÍÂ ‰‡ÌÌ˚ı
Ô‡‡ÏÂÚÓ‚ ÒÎÂ‰ÛÂÚ ÔÓﬂ‚ÎﬂÚ¸
ÓÒÚÓÓÊÌÓÒÚ¸. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ
‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÛÒÚ‡ÌÓ‚Í‡
Í‡ÈÌËı ÁÌ‡˜ÂÌËÈ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ËÒÍ‡ÊÂÌËﬂÏ ÒË„Ì‡Î‡
ËÎË ÔÓﬂ‚ÎÂÌË˛ ¯ÛÏÓ‚.
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
óÚÓ·˚ ÔÂÂÈÚË Í
ÚÂ·ÛÂÏÓÈ ˜‡ÒÚË/Í‡Ì‡ÎÛ,
ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ
ÌÂÒÍÓÎ¸ÍÓ ‡Á.
1
2
3
4
5
6
7
8
HARMONIC .........èÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚÓËÚ¸ ˝ÙÙÂÍÚ ÂÁÓÌ‡ÌÒ‡ (ÒÏ. ‡·Á‡ˆ
«ÑÓ·‡‚ÎÂÌËÂ „‡ÏÓÌËÍ» Ì‡ ÒÚ. 94).
BRIGHTNESS .....éÔÂ‰ÂÎﬂÂÚ ﬂÍÓÒÚ¸ ÚÂÏ·‡ ÔÛÚÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌËﬂ
˜‡ÒÚÓÚ˚ ÒÂÁ‡ (ÒÚ. 94).
àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚ÛÍ‡ — Tune
éÔËÒ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 2 ËÌÒÚÛÍˆËË Ì‡ ÒÚ. 123.
äÌÓÔÍË ‚˚·Ó‡ ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚÓ‚: PORTAMENTO TIME, PITCH
BEND RANGE, OCTAVE Ë TUNING.
èêàåÖóÄçàÖ
Portamento ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ
ÒÓÁ‰‡ÌËﬂ ˝ÙÙÂÍÚ‡ ÔÎ‡‚ÌÓ„Ó
ÒÍÓÎ¸ÊÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ÓÚ
Ó‰ÌÓÈ ÌÓÚ˚ Í ‰Û„ÓÈ.
èêàåÖóÄçàÖ
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F
B
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C
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èË ‚˚·ÓÂ ÚÂÏ·‡ Natural
voice ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ
Portamento Time ÌÂÎ¸Áﬂ.
ç‡ÁÌ‡˜ÂÌËÂ ˝ÚËı ÍÌÓÔÓÍ Ó·˙ﬂÒÌﬂÂÚÒﬂ ÌËÊÂ.
1
2
3
4
5
6
7
8
äÌÓÔÍË ÔÓ‚˚¯ÂÌËﬂ/ÔÓÌËÊÂÌËﬂ (Ú‡ÌÒÔÓÁËˆËË) ‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓÌ‡.
MASTER ....í‡ÌÒÔÓÁËˆËﬂ Á‡Ú‡„Ë‚‡ÂÚ Í‡Í ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÔË Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, Ú‡Í Ë ‚˚ÒÓÚÛ Á‚ÛÍ‡ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË.
SONG .........í‡ÌÒÔÓÌËÛÂÚÒﬂ ÚÓÎ¸ÍÓ ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË.
KBD............í‡ÌÒÔÓÌËÛÂÚÒﬂ ÚÓÎ¸ÍÓ ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ÔË Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
PORTAMENTO TIME........ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ‚ÂÏÂÌÌ˚Â „‡ÌËˆ˚ ÒÍÓÎ¸ÊÂÌËﬂ ‚˚ÒÓÚ˚. óÚÓ·˚ ‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ËÏ, ÌÂÓ·ıÓ‰ËÏÓ
Ò‰ÂÎ‡Ú¸ Ó·‡·‡Ú˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸ ÏÓÌÓÙÓÌË˜ÂÒÍÓÈ (ÒÏ. ÒÚ. 62, 93). óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡,
ÚÂÏ ‰ÓÎ¸¯Â ‰ÎËÚÒﬂ ÒÍÓÎ¸ÊÂÌËÂ. ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÎË¯¸ ÔË Ë„Â ÎÂ„‡ÚÓ (Í‡Ê‰‡ﬂ
ÔÓÒÎÂ‰Û˛˘‡ﬂ ÍÎ‡‚Ë¯‡ Ì‡ÊËÏ‡ÂÚÒﬂ, ÍÓ„‰‡ Â˘Â ÌÂ ÓÚÔÛ˘ÂÌ‡ ÔÂ‰˚‰Û˘‡ﬂ).
PITCH BEND RANGE.......Ç˚ ÏÓÊÂÚÂ ÛÔ‡‚ÎﬂÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË, ÛÍ‡Á˚‚‡ﬂ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËﬂ ‚
ÔÓÎÛÚÓÌ‡ı. èË ˝ÚÓÏ ÔÂ‰‡ÎË Á‡‡ÌÂÂ ‰ÓÎÊÌ˚ ·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ÙÛÌÍˆËË ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ËÎË
˝ÙÙÂÍÚ ÒÍÓÎ¸ÊÂÌËﬂ.
OCTAVE............................éÔÂ‰ÂÎﬂÂÚ ‰Ë‡Ô‡ÁÓÌ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚. ë‰‚Ë„‡Ú¸ ‚˚ÒÓÚÛ ÏÓÊÌÓ ·ÓÎÂÂ ˜ÂÏ Ì‡ ‰‚Â ÓÍÚ‡‚˚ ‚‚Âı ËÎË ‚ÌËÁ.
TUNING .............................éÔÂ‰ÂÎﬂÂÚ ‚˚ÒÓÚÛ ËÌÒÚÛÏÂÌÚ‡.
CVP-210/208
125
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚
éÔËÒ‡ÌÌ˚Â Ì‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ‰ÂÈÒÚ‚Ëﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 2 ËÌÒÚÛÍˆËË Ì‡ ÒÚ. 123.
1
ìÍ‡Á˚‚‡˛Ú Ì‡Á‚‡ÌËﬂ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚. äÓ„‰‡ ‚˚·‡Ì
ÂÒÚÂÒÚ‚ÂÌÌ˚È ÚÂÏ·, Ì‡Á‚‡ÌËﬂ ˝ÙÙÂÍÚÓ‚ ÛÍ‡Á‡Ì˚ Ì‡‰
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÍÌÓÔÍ‡ÏË ˝Í‡Ì‡.
DIGITAL
STUDIO
ìÍ‡Á˚‚‡ÂÚ Ì‡Á‚‡ÌËﬂ ÚËÔÓ‚
˝ÙÙÂÍÚÓ‚. èË ‚˚·ÓÂ
ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·‡,
ÛÍ‡Á˚‚‡˛ÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
ÂÏÛ Ì‡Á‚‡ÌËﬂ ˝ÙÙÂÍÚÓ‚
A
F
B
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C
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I
E
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ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ
ÍÌÓÔÍË ÏÓÊÌÓ
ÔÂÂÈÚË ‚
ÂÊËÏ
Â‰‡ÍÚËÓ‚‡ÌËﬂ
Ë ÒÓı‡ÌÂÌËﬂ
˝ÙÙÂÍÚ‡
(ÒÚ. 126, 127).
SOUND
CREATOR
DIGITAL
RECORDING
MIXING
CONSOLE
BALANCE
PART
CHANNEL
ON OFF
PART
óÚÓ·˚ ÔÂÂÈÚË Í
ÌÛÊÌÓÈ ˜‡ÒÚË/Í‡Ì‡ÎÛ,
ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ
ÍÌÓÔÍÛ ÌÂÒÍÓÎ¸ÍÓ ‡Á.
1
2
3
4
5
6
7
äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚
˝Í‡Ì‡: REVERB, CHORUS Ë
DSP.
8
ùÚË ÍÌÓÔÍË ÓÔÂ‰ÂÎﬂ˛Ú ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ ˝ÙÙÂÍÚ‡ Ì‡ Í‡Ê‰Û˛ ËÁ ˜‡ÒÚÂÈ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ Ó ı‡‡ÍÚÂËÒÚËÍ‡ı ˝ÙÙÂÍÚÓ‚ ÔË‚Â‰ÂÌ˚ ‚ Ú‡·ÎËˆÂ ÅÎÓÍË ˝ÙÙÂÍÚÓ‚ Ì‡ ÒÚ. 127.
2
ÖÒÎË Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ REVERB1, CHORUS1 ËÎË DSP 3-7 (CVP-210)/
DSP 3-5 (CVP-208), ˝ÚÛ ÍÌÓÔÍÛ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË
‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡.
F
G
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J
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2
3
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ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ‚˚·‡Ú¸ ·ÎÓÍ ˝ÙÙÂÍÚÓ‚ Ë Ì‡ÁÌ‡˜ËÚ¸ ÓÔÂ‰ÂÎÂÌÌ˚È ˝ÙÙÂÍÚ.
BLOCK ............. Ç˚·Ó ·ÎÓÍ‡ ˝ÙÙÂÍÚÓ‚ („ÛÔÔ‡ ÔÓıÓÊËı ËÎË Ó‰ÒÚ‚ÂÌÌ˚ı ˝ÙÙÂÍÚÓ‚).
PART ................ Ç˚·Ó ˜‡ÒÚË, Ó·‡·‡Ú˚‚‡ÂÏÓÈ ˝ÙÙÂÍÚÓÏ. ùÚÓ ÏÓÊÌÓ Ò‰ÂÎ‡Ú¸ ÎË¯¸ ÚÓ„‰‡, ÍÓ„‰‡ Ô‡‡ÏÂÚÛ
BLOCK ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «DSP1», Ô‡‡ÏÂÚÛ PARAMETER — «CONNECTION», ‡ Ô‡‡ÏÂÚÛ
VALUE — «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «DSP 3-7» (CVP-210)
ËÎË «DSP 3-5» (CVP-208).
CATEGORY ..... ê‡ÁÎË˜Ì˚Â ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ (ÒÏ. ÌËÊÂ ÒÚÓÎ·Âˆ Type) Ò„ÛÔÔËÓ‚‡Ì˚ ÔÓ Í‡ÚÂ„ÓËﬂÏ. èË
‚˚·ÓÂ ÌÂÍÓÚÓ˚ı ·ÎÓÍÓ‚ ˝ÚÓÚ Ô‡‡ÏÂÚ ÏÓÊÂÚ ·˚Ú¸ ÌÂ‰ÓÒÚÛÔÂÌ.
TYPE ................ éÔÂ‰ÂÎﬂÂÚ ÚËÔ ˝ÙÙÂÍÚ‡, ÔËÒ‚ÓÂÌÌÓ„Ó ‚˚·‡ÌÌÓÏÛ ·ÎÓÍÛ ˝ÙÙÂÍÚÓ‚. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ
‚˚·‡ÌÌÓ„Ó ·ÎÓÍ‡ ÒÔËÒÓÍ ˝ÙÙÂÍÚÓ‚ ÏÓÊÂÚ ‚˚„Îﬂ‰ÂÚ¸ ËÌ‡˜Â.
126
CVP-210/208
èêàåÖóÄçàÖ
ùÍ‡Ì ‡Á·ËÚ Ì‡ ÚË ‡Á‰ÂÎ‡:
Reverb, Chorus Ë DSP
(ÔÓÒÎÂ‰ÌËÈ ÒÓ‰ÂÊËÚ ÌÂÒÍÓÎ¸ÍÓ
ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚). àÏË ÏÓÊÌÓ
ÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÌÂÁ‡‚ËÒËÏÓ ‚
ÂÊËÏÂ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ë
Ó·˚˜Ì˚ı ÚÂÏ·Ó‚.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ
ÔË‚Â‰ÂÌ˚ ‚ Ú‡·ÎËˆÂ «ÅÎÓÍË
˝ÙÙÂÍÚÓ‚» (ÒÚ. 127).
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
èêàåÖóÄçàÖ
3
A
F
B
G
C
H
D
I
E
J
äÌÓÔÍË ÔÂÂÍÎ˛˜ÂÌËﬂ
ÏÂÊ‰Û ‚ÂıÌËÏ Ë
ÌËÊÌËÏ Ô‡‡ÏÂÚÓÏ.
ÉÎÛ·ËÌÛ ÌËÊÌÂ„Ó
Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ
ËÁÏÂÌËÚ¸ ÔË
‚ÍÎ˛˜ÂÌÌÓÈ ÍÌÓÔÍÂ
[VARIATION].
1
2
3
4
5
6
7
äÌÓÔÍË ‚˚·Ó‡ ·ÎÓÍ‡ ˝ÙÙÂÍÚÓ‚.
8
äÌÓÔÍ‡ ‚˚ÁÓ‚‡ ˝Í‡Ì‡
‰Îﬂ ÒÓı‡ÌÂÌËﬂ
˝ÙÙÂÍÚ‡.
ùÚÓÚ Ô‡‡ÏÂÚ ÌÂ ÏÓÊÂÚ ·˚Ú¸
ÛÒÚ‡ÌÓ‚ÎÂÌ, ÂÒÎË Ô‡‡ÏÂÚÛ
BLOCK ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ
«REVERB2», «CHORUS2», ËÎË
«DSP2» (ËÎË «BRILLIANCE»).
éÔÂ‰ÂÎﬂÂÚ ÛÓ‚ÂÌ¸ ˝ÙÙÂÍÚ‡
(ÛÓ‚ÂÌ¸ ‚ÓÁ‚‡Ú‡). ùÚÓ„Ó ÌÂÎ¸Áﬂ
Ò‰ÂÎ‡Ú¸, ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK
ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «DSP1»,
Ô‡‡ÏÂÚÛ PARAMETER —
«CONNECTION», ‡ Ô‡‡ÏÂÚÛ VALUE
— «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡‡ÏÂÚÛ
BLOCK ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «DSP3-7»
(CVP-210) ËÎË «DSP 3-5» (CVP-208).
äÌÓÔÍË ‚˚·Ó‡ ÁÌ‡˜ÂÌËﬂ ÚÂÍÛ˘Â„Ó Ô‡‡ÏÂÚ‡.
äÌÓÔÍË ‚˚·Ó‡ Í‡ÚÂ„ÓËË ˝ÙÙÂÍÚÓ‚.
äÌÓÔÍË ‚˚·Ó‡ Ì‡ÒÚ‡Ë‚‡ÂÏÓ„Ó Ô‡‡ÏÂÚ‡ ˝ÙÙÂÍÚ‡.
äÌÓÔÍË ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡.
èêàåÖóÄçàÖ
4
F
äÌÓÔÍ‡ ‚˚ÁÓ‚‡ ˝Í‡Ì‡
‰Îﬂ Ì‡ÁÌ‡˜ÂÌËﬂ ËÏÂÌË
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓÏÛ
˝ÙÙÂÍÚÛ (ÒÚ. 49).
G
çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚Ë‰Û, ˜ÚÓ ‚
ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡ﬂı Â„ÛÎËÓ‚Í‡
Ô‡‡ÏÂÚÓ‚ ‚Ó ‚ÂÏﬂ Ë„˚
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓﬂ‚ÎÂÌË˛
¯ÛÏ‡.
H
I
J
1
2
3
4
5
6
7
8
äÌÓÔÍ‡ ÒÓı‡ÌÂÌËﬂ ËÁÏÂÌÂÌÌ˚ı
Ô‡‡ÏÂÚÓ‚ ˝ÙÙÂÍÚ‡ ‚ ‡Á‰ÂÎÂ
Ô‡ÏﬂÚË User Effect (SYSTEM). óÚÓ·˚
‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ, ‚ ÓÍÌÂ Ô‡‡ÏÂÚ‡
CATEGORY ‚˚·ÂËÚÂ ÒÚÓÍÛ USER, ‡
Á‡ÚÂÏ ‚˚·ÂËÚÂ ÚÂ·ÛÂÏ˚È ˝ÙÙÂÍÚ ‚
ÓÍÌÂ Ô‡‡ÏÂÚ‡ TYPE.
Ç˚·ÂËÚÂ ÏÂÒÚÓ, „‰Â ·Û‰ÂÚ ı‡ÌËÚ¸Òﬂ ˝ÙÙÂÍÚ. äÓÎË˜ÂÒÚ‚Ó
‰ÓÒÚÛÔÌ˚ı ÒÚÓÍ ‡ÁÎË˜ÌÓ ‰Îﬂ Í‡Ê‰Ó„Ó ·ÎÓÍ‡ ˝ÙÙÂÍÚÓ‚
(ÒÏ. Ú‡·ÎËˆÛ ÌËÊÂ).
ÅÎÓÍ ˝ÙÙÂÍÚÓ‚
Block
ó‡ÒÚË
REVERB 1 (‰Îﬂ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚)
ÇÒÂ Ô‡ÚËË
REVERB 2 (‰Îﬂ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚)
ÇÒÂ Ô‡ÚËË, Á‡ ËÒÍÎ˛˜ÂÌËÂÏ
ÏËÍÓÙÓÌÌ˚ı (MIC)
CHORUS 1 (‰Îﬂ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚)
ÇÒÂ Ô‡ÚËË
ÇÒÂ Ô‡ÚËË, Á‡ ËÒÍÎ˛˜ÂÌËÂÏ
CHORUS 2 (‰Îﬂ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚)
ÏËÍÓÙÓÌÌ˚ı (MIC)
DSP 1 (‰Îﬂ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚)
ëÚËÎ¸ ÔÂÒÌË (Í‡Ì‡Î 1 - 16)
DSP 2 (‰Îﬂ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚)
ÇÒÂ Ô‡ÚËË, Á‡ ËÒÍÎ˛˜ÂÌËÂÏ
ÏËÍÓÙÓÌÌ˚ı (MIC)
DSP 3-6 (DSP6; ÚÓÎ¸ÍÓ ‰Îﬂ CVP-210)
(‰Îﬂ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚)
Main, Layer, Left, Song (Ch. 1 - 16), MIC
(ÚÓÎ¸ÍÓ ‰Îﬂ CVP-208)
DSP 7 (ÚÓÎ¸ÍÓ ‰Îﬂ CVP-210)
MIC (ÏËÍÓÙÓÌ)
ï‡‡ÍÚÂËÒÚËÍË
äÓÎË˜ÂÒÚ‚Ó ˝ÙÙÂÍÚÓ‚
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ
3
ÇÓÒÔÓËÁ‚Ó‰ËÚ Û˛ÚÌÛ˛ ‡ÚÏÓÒÙÂÛ Ë„˚ ‚ ÍÓÌˆÂÚÌÓÏ
Á‡ÎÂ ËÎË ‰Ê‡Á-ÍÎÛ·Â.
—
3
á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒﬂ ·Ó„‡Ú˚Ï Ë Ì‡Ò˚˘ÂÌÌ˚Ï, Í‡Í ÂÒÎË ·˚
ÌÂÒÍÓÎ¸ÍÓ Ô‡ÚËÈ Á‚Û˜‡ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ.
èÓÏËÏÓ Â‚Â·Â‡ˆËË Ë ıÓÛÒ‡ ˝ÚÓÚ ·ÎÓÍ ÒÓ‰ÂÊËÚ ﬂ‰
ÓÒÓ·˚ı ˝ÙÙÂÍÚÓ‚, ‚ÍÎ˛˜‡ﬂ ËÒÍ‡ÊÂÌËÂ. äÓ„‰‡ ‚˚·‡Ì
«MIC» (ÚÓÎ¸ÍÓ ‰Îﬂ CVP-208), ‚˚ ÏÓÊÂÚÂ ‰Ó·‡‚ËÚ¸
‡ÁÎË˜Ì˚Â ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ ÚÂÏ·Û Ò ÔÓÏÓ˘¸˛
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÏËÍÓÙÓÌ‡.
èÓÁ‚ÓÎﬂÂÚ ‰Ó·‡‚ÎﬂÚ¸ ‡ÁÎË˜Ì˚Â ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ
ÚÂÏ·Û, Ò ÔÓÏÓ˘¸˛ ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÏËÍÓÙÓÌ‡.
—
3
—
10
10
CVP-210/208
127
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
äÓÂÍÚËÓ‚Í‡ Á‚ÛÍ‡ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍÛÊÂÌËÂÏ – EQ
ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌﬂÂÚÒﬂ ‰Îﬂ ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË ÔÓÏÂ˘ÂÌËﬂ. Ç
Á‚ÛÍÂ ‚˚‰ÂÎﬂÂÚÒﬂ ÌÂÒÍÓÎ¸ÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ, Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËﬂ ËÎË ÔÓÌËÊÂÌËﬂ ÛÓ‚Ìﬂ Í‡Ê‰ÓÈ ÔÓÎÓÒ˚, ÔÓËÒıÓ‰ËÚ
ÍÓÂÍÚËÓ‚Í‡ Á‚ÛÍ‡. èÂÂ‰ ‚˚ÒÚÛÔÎÂÌËÂÏ ‚˚ ÏÓÊÂÚÂ Ò Â„Ó ÔÓÏÓ˘¸˛ ‰Ó·ËÚ¸Òﬂ ÓÔÚËÏ‡Î¸ÌÓ„Ó ‰Îﬂ ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏÂ˘ÂÌËﬂ
ÚÂÏ·‡. äÓÏÂ ÚÓ„Ó, Ú‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÍÓÏÔÂÌÒËÓ‚‡Ú¸ ÌÂÍÓÚÓ˚Â ÌÂ‰ÓÒÚ‡ÚÍË ‡ÍÛÒÚËÍË ‚‡¯ÂÈ ‰ÓÏ‡¯ÌÂÈ ÒÚÛ‰ËË. ç‡ÔËÏÂ,
‚˚ ÏÓÊÂÚÂ Ó·ÂÁ‡Ú¸ ÌËÁÍËÂ ˜‡ÒÚÓÚ˚ ÔË Ë„Â ‚ ·ÓÎ¸¯Ëı ÔÓÏÂ˘ÂÌËﬂı, „‰Â Á‚ÛÍ ÒÎË¯ÍÓÏ „ÛÎÍËÈ, ËÎË ‡Ò¯ËËÚ¸ ‚˚ÒÓÍËÂ ˜‡ÒÚÓÚ˚ ‚
ÌÂ·ÓÎ¸¯Ëı ÍÓÏÌ‡Ú‡ı Ë ÚÂÒÌ˚ı ÔÓÏÂ˘ÂÌËﬂı, „‰Â Û Á‚ÛÍ‡ ÌÂÚ ˝ı‡, Ë ÓÌ Á‡„ÎÛ¯‡ÂÚÒﬂ. Ç ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-210/208 ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ÔﬂÚË-ÔÓÎÓÒÌ˚È ˆËÙÓ‚ÓÈ ˝Í‚‡Î‡ÈÁÂ ‚˚ÒÓÍÓ„Ó Í‡˜ÂÒÚ‚‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ
ÔÓ‰‚Â„ÌÛÚ¸ ‰ÂÈÒÚ‚Ë˛ ÔÓÒÎÂ‰ÌÂ„Ó ˝ÙÙÂÍÚ‡ – ÍÓÌÚÓÎﬂ ÚÓÌ‡.
ùÚË ÔÓﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ, ÍÓ„‰‡ ‚ ¯‡„Â 2, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 123.
äÌÓÔÍ‡ ‚˚·Ó‡ ÚËÔ‡ Master EQ.
ÑÎﬂ Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚
EQ Low (ÛÒËÎÂÌËÂ
ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó ÒË„Ì‡Î‡) ‰Îﬂ
Í‡Ê‰ÓÈ ˜‡ÒÚË ÔÓÎ¸ÁÛÈÚÂÒ¸
ÍÌÓÔÍ‡ÏË [1▲▼] - [8▲▼].
DIGITAL
STUDIO
A
F
B
G
C
H
D
I
E
J
SOUND
CREATOR
DIGITAL
RECORDING
ùÚ‡ ÍÌÓÔÍ‡ ÒÎÛÊËÚ ‰Îﬂ ‚˚ÁÓ‚‡
˝Í‡Ì‡ MASTER EQ. ÑÎﬂ Ì‡ÒÚÓÈÍË
Ô‡‡ÏÂÚÓ‚ EQ High (ÛÒËÎÂÌËÂ
‚˚ÒÓÍÓ˜‡ÒÚÓÚÌÓ„Ó ÒË„Ì‡Î‡) ‰Îﬂ
Í‡Ê‰ÓÈ ˜‡ÒÚË ÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË
[1▲▼] - [8▲▼].
ÑÎﬂ Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ EQ Low
(ÛÒËÎÂÌËÂ ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó ÒË„Ì‡Î‡)
‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË ÔÓÎ¸ÁÛÈÚÂÒ¸
ÍÌÓÔÍ‡ÏË [1▲▼] - [8▲▼].
MIXING
CONSOLE
óÚÓ·˚ ÔÂÂÈÚË Í ÌÛÊÌÓÈ
˜‡ÒÚË/Í‡Ì‡ÎÛ, ÒÎÂ‰ÛÂÚ
Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓÎ¸ÍÓ
‡Á.
PART
A
F
B
G
C
H
Ç˚·ÂËÚÂ ÚËÔ Master EQ.
D
I
E
J
ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÒÓı‡ÌËÚ¸
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚Â ÍË‚˚Â
PRESET ËÎË USER Ì‡ USER 1 ËÎË
USER 2
Q
GAIN
é‰ÌÓ‚ÂÏÂÌÌ‡ﬂ Â„ÛÎËÓ‚Í‡ Ó·˘ÂÈ
‡ÏÔÎËÚÛ‰˚ ‚ÒÂı ÔÓÎÓÒ EQ.
1
2
3
4
5
6
7
8
FREQ
ä‡Ê‰˚È ‡Á ÔË Ì‡ÒÚÓÈÍÂ Ó‰ÌÓÈ ËÁ ÔÓÎÓÒ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
ÁÌ‡˜ÂÌËÂ EQ ‚˚‰ÂÎﬂÂÚÒﬂ ˆ‚ÂÚÓÏ, ‡ Ì‡‰ ˝ÎÂÏÂÌÚ‡ÏË ÛÔ‡‚ÎÂÌËﬂ Q Ë
FREQ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÌÓÏÂ ˝ÚÓÈ ÔÓÎÓÒ˚. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËﬂ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ Q (¯ËËÌ‡ ÔÓÎÓÒ˚) Ë FREQ
(ˆÂÌÚ‡Î¸Ì‡ﬂ ˜‡ÒÚÓÚ‡) ‚˚·‡ÌÌÓÈ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ. óÂÏ ‚˚¯Â ÁÌ‡˜ÂÌËÂ
«Q», ÚÂÏ ÛÊÂ ÔÓÎÓÒ‡ ˜‡ÒÚÓÚ. ÑË‡Ô‡ÁÓÌ ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚ‡ FREQ
‡ÁÎË˜ÂÌ ‰Îﬂ Í‡Ê‰ÓÈ ÔÓÎÓÒ˚.
128
CVP-210/208
äË‚˚Â PRESET Ë USER ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸
Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ. ä‡Ê‰Û˛
ËÁ ÔﬂÚË ÔÓÎÓÒ ÏÓÊÌÓ ‡Ò¯ËﬂÚ¸ ËÎË Ó·ÂÁ‡Ú¸
‰Ó 12 ‰Å.
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
ëÚÛÍÚÛÌ‡ﬂ ÒıÂÏ‡ ˝ÙÙÂÍÚÓ‚
CVP-210/208 Ó·Î‡‰‡ÂÚ ÒÎÂ‰Û˛˘ËÏË ÒËÒÚÂÏ‡ÏË ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÓÚ‰ÂÎ¸ÌÓ ÔËÏÂÌﬂÂÏ˚ÏË Í ÂÒÚÂÒÚ‚ÂÌÌ˚Ï (ÒÚ. 92) Ë
Ó·˚˜Ì˚Ï (ÒÚ. 92) ÚÂÏ·‡Ï. ë ÔÓÏÓ˘¸˛ ‡ÒÔÓÎÓÊÂÌÌ˚ı Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡,
Â„Ó „ÎÛ·ËÌÛ Ë ÔÓ˜ËÂ Ô‡‡ÏÂÚ˚.
é Ò‚ﬂÁﬂı ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË — ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË
ÇÒÂ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ ÔÓ‰‰ÂÊË‚‡˛Ú Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚ ÒÓÂ‰ËÌÂÌËﬂ: ùÙÙÂÍÚ˚, ÔËÏÂÌﬂÂÏ˚Â ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ËÎË ˝ÙÙÂÍÚ˚,
ÔËÏÂÌﬂÂÏ˚Â Í ÓÚ‰ÂÎ¸Ì˚Ï Ô‡ÚËﬂÏ. ùÙÙÂÍÚ˚, ÔËÏÂÌﬂÂÏ˚Â ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ÔËÏÂÌﬂ˛ÚÒﬂ Ò‡ÁÛ ÍÓ ‚ÒÂÏ Ô‡ÚËﬂÏ, ‡ ˝ÙÙÂÍÚ˚,
ÔËÏÂÌﬂÂÏ˚Â Í ÓÚ‰ÂÎ¸Ì˚Ï Ô‡ÚËﬂÏ, – ÚÓÎ¸ÍÓ Í Ó‰ÌÓÈ ÍÓÌÍÂÚÌÓÈ. Reverb, Chorus Ë DSP 2 ﬂ‚Îﬂ˛ÚÒﬂ ˝ÙÙÂÍÚ‡ÏË, ÔËÏÂÌﬂÂÏ˚ÏË ÍÓ
‚ÒÂÈ ÒËÒÚÂÏÂ, ‡ DSP 3 - 7 (CVP-210)/DSP 3 - 5 (CVP-208) – ˝ÙÙÂÍÚ‡ÏË, ÔËÏÂÌﬂÂÏ˚ÏË Í ÓÚ‰ÂÎ¸Ì˚Ï Ô‡ÚËﬂÏ. ùÙÙÂÍÚ DSP1, ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ Ó·ÓËı ÂÊËÏ‡ı.
èË‚Ó‰ËÏ‡ﬂ ÌËÊÂ ÒıÂÏ‡ ‰‡ÂÚ ÔÂ‰ÒÚ‡‚ÎÂÌËÂ Ó ÒËÒÚÂÏÂ Ò‚ﬂÁÂÈ ÏÂÊ‰Û ÓÚ‰ÂÎ¸Ì˚ÏË ·ÎÓÍ‡ÏË Ë ÔÓÁ‚ÓÎﬂÂÚ ÔÓÒÎÂ‰ËÚ¸ ÔÛÚ¸
ÔÓıÓÊ‰ÂÌËﬂ ÒË„Ì‡Î‡ ÔÓ ÎËÌËﬂÏ ÔÓÒ˚Î‡ Ë ‚ÓÁ‚‡Ú‡ ‚ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-210/208.
ÑÎﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Regular (CVP-210)
çÂËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚Â ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔËÒ‚‡Ë‚‡˛ÚÒﬂ ÓÒÚ‡‚¯ËÏÒﬂ ÌÂÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚﬂÏ.
Dry
MAIN VOICE
DSP3
DRY LINE
REVERB1
Rev Send
Cho Send
Dry
LAYER VOICE
DSP4
Rev Send
Cho Send
Dry
LEFT VOICE
DSP5
CHORUS1
Master EQ
ëË„Ì‡Î Ì‡
‚˚ıÓ‰Â
Rev Send
Cho Send
Dry
SONG
(Í‡Ê‰˚È Í‡Ì‡Î)
DSP6
Rev Send
Cho Send
MIC. ˝ÙÙÂÍÚ
Dry
MIC
3 Band
EQ
Noise
Gate
ÍÓÏÔÂÒÒÓ
DSP7
Vocal
Harmony
Rev Send
Cho Send
STYLE
(Í‡Ê‰˚È Í‡Ì‡Î)
Dry
DSP1
ÖÒÎË DSP ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË
(‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) Ì‡ÁÌ‡˜ÂÌ‡
Ó‰ÌÓÏÛ ËÁ Í‡Ì‡ÎÓ‚ ÒÚËÎﬂ (STYLE)), ÚÓ ËÏ
Ó·‡·‡Ú˚‚‡ÂÚÒﬂ ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
Rev Send
Cho Send
ÖÒÎË DSP ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡Í ÒËÒÚÂÏÌ˚È
˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒﬂ
‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
DSP Send
DSP1
CVP-210/208
129
êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË Ë Á‡ÏÂÌ‡ ÚÂÏ·Ó‚: äÓÌÒÓÎ¸ ÏËÍ¯Â‡
ÑÎﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Regular (CVP-208)
DRY LINE
çÂËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚Â ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔËÒ‚‡Ë‚‡˛ÚÒﬂ ÓÒÚ‡‚¯ËÏÒﬂ ÌÂÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚﬂÏ.
Dry
MAIN VOICE
DSP3
REVERB 1
Rev Send
Cho Send
DSP Send
Dry
LAYER VOICE
DSP4
Rev Send
Cho Send
Dry
LEFT VOICE
DSP5
CHORUS 1
Master EQ
ëË„Ì‡Î
Ì‡ ‚˚ıÓ‰Â
Rev Send
Cho Send
Dry
MIC
ùÙÙÂÍÚ
MIC
Vocal
Harmony
Rev Send
Cho Send
DSP Send
Dry
SONG
(Í‡Ê‰˚È Í‡Ì‡Î)
Rev Send
Cho Send
DSP Send
Dry
STYLE
DSP1
(Í‡Ê‰˚È Í‡Ì‡Î)
ÖÒÎË DSP ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË
(‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) Ì‡ÁÌ‡˜ÂÌ‡
Ó‰ÌÓÏÛ ËÁ Í‡Ì‡ÎÓ‚ ÒÚËÎﬂ (STYLE)), ÚÓ ËÏ
Ó·‡·‡Ú˚‚‡ÂÚÒﬂ ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
Rev Send
Cho Send
DSP Send
DSP1
DRY LINE
ÑÎﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural
Dry
MAIN VOICE
ÖÒÎË DSP ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡Í ÒËÒÚÂÏÌ˚È
˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒﬂ ‡Û‰ËÓÔÓÚÓÍ
‚ ˝ÚÓÈ ÚÓ˜ÍÂ.
REVERB 2
Rev Send
Cho Send
DSP Send
Dry
LAYER VOICE
Rev Send
Cho Send
DSP Send
CHORUS 2
Dry
LEFT VOICE
Rev Send
Cho Send
DSP Send
Dry
MIC
Rev Send
Cho Send
DSP Send
Dry
STYLE/SONG
(Í‡Ê‰˚È Í‡Ì‡Î)
Rev Send
Cho Send
DSP Send
DSP2
130
CVP-210/208
BRILLIANCE
ëË„Ì‡Î
Ì‡ ‚˚ıÓ‰Â
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC.
ùÚ‡ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ ÏÓ˘Ì‡ﬂ ÙÛÌÍˆËﬂ ‡Á‡·ÓÚ‡Ì‡ Ò ÔËÏÂÌÂÌËÂÏ ÔÂÂ‰Ó‚ÓÈ ÚÂıÌÓÎÓ„ËË Ó·‡·ÓÚÍË ÚÂÏ·‡, ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌÓÈ ‰Îﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍÓÈ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ì‡ ÓÒÌÓ‚Â Ó‰ÌÓ„Ó ‚Â‰Û˘Â„Ó ÚÂÏ·‡. àÏÂ˛ÚÒﬂ ˜ÂÚ˚Â ‡ÁÌ˚ı ÂÊËÏ‡ „‡ÏÓÌËÁ‡ˆËË Ì‡ﬂ‰Û Ò
¯ËÓÍËÏ ‚˚·ÓÓÏ ÔÂ‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË. èÓÏËÏÓ Ó·˚˜ÌÓÈ „‡ÏÓÌËÁ‡ˆËË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208
ÔÓÁ‚ÓÎﬂÂÚ Ú‡ÍÊÂ ËÁÏÂÌﬂÚ¸ ÔÓÎ ËÒÔÓÎÌËÚÂÎﬂ ÔË „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë/ËÎË Á‚Û˜‡ÌËﬂ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡. ç‡ÔËÏÂ, Î˛·ÓÈ ÔÂ‚Âˆ
ÏÓÊÂÚ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208 ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÓÁ‰‡Ú¸ ‰‚Â Ô‡ÚËË ÊÂÌÒÍÓ„Ó ·˝Í-‚ÓÍ‡Î‡. ÅÓÎ¸¯ÓÈ ‚˚·Ó
Ô‡‡ÏÂÚÓ‚ ÔÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ËÒÍÎ˛˜ËÚÂÎ¸ÌÓ ÚÓ˜ÌÓÂ Ë „Ë·ÍÓÂ ÛÔ‡‚ÎÂÌËÂ Á‚Û˜‡ÌËÂÏ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
èêàåÖóÄçàÖ
MIC.
SIGNAL
OVER
VOCAL HARMONY
METRONOME
POWER
START ⁄ STOP
MIC.
SIGNAL
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
ÔÓ‰ÍÎ˛˜ÂÌËË ÏËÍÓÙÓÌ‡ ÒÏ. Ì‡
ÒÚ. 155.
TALK
EFFECT
VH TYPE SELECT
MIC. SETTING
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ⁄ ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
WOODWIND
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
A
F
MASTER VOLUME
TAP TEMPO
REC
FADE IN ⁄ OUT
TOP
START ⁄ STOP
REW
FF
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON ⁄ OFF
B
G
LAYER
C
H
LEFT
D
I
E
J
BRASS
ORGAN FLUTES
USER
FUNCTION
ENTER
MIN
MAX
TEMPO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING ⁄ rit.
ONE TOCTH SETTING
MUSIC FINDER
1
SOUND
CREATOR
TAP TEMPO
RESET
STYLE
ACMP
DIGITAL
STUDIO
SYNC.STOP SYNC.START START ⁄ STOP
OTS LINK
DIGITAL
RECORDING
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON ⁄ OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
ë ÔÓÏÓ˘¸˛ ËÌ‰ËÍ‡ÚÓÓ‚ SIGNAL Ë OVER ‚˚·ÂËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ì‡ÒÚÓÈÍÛ (ÒÚ. 155).
MIC.
SIGNAL
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
èÓ‰ÍÎ˛˜Ë‚ Í CVP-210/208 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚÂ
ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛
ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èË ˝ÚÓÏ ‚ÓÍ‡Î ·Û‰ÂÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òﬂ ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı
‰ÓÓÊÂÍ.
MIC. SETTING
ùÚ‡ ÍÌÓÔÍ‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚˚ÁÓ‚‡
˝Í‡Ì‡ MICROPHONE SETTING
(Ì‡ÒÚÓÈÍË ÏËÍÓÙÓÌ‡) (ÒÚ. 133),
ÔÓÁ‚ÓÎﬂﬂ Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸
ÏËÍÓÙÓÌ‡ Ë „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
ùÚ‡ ÍÌÓÔÍ‡ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY
TYPE, ÔÓÁ‚ÓÎﬂﬂ Á‡‰‡‚‡Ú¸ ÚÂ·ÛÂÏ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
èÂ‰Ì‡ÁÌ‡˜ÂÌ‡ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó
ÒË„Ì‡Î‡ ˝ÙÙÂÍÚÓÏ, Á‡‰‡ÌÌ˚Ï Ì‡ ˝Í‡ÌÂ MIXING CONSOLE (ÒÚ. 126).
ùÚ‡ Û‰Ó·Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ‚ÂÏÂÌÌÓ ÓÚÍÎ˛˜‡Ú¸
„‡ÏÓÌËÁ‡ˆË˛ ‚ÓÍ‡Î‡ Ë ‰Û„ËÂ ˝ÙÙÂÍÚ˚ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÏËÍÓÙÓÌ‡. ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË ÏÂÊ‰Û
ËÒÔÓÎÌÂÌËÂÏ ÔÂÒÂÌ ËÒÔÓÎÌËÚÂÎ¸ Ó·‡˘‡ÂÚÒﬂ Í ÔÛ·ÎËÍÂ.
Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡
1
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ
[VH TYPE
SELECT].
2
Ç˚·Ó ÚËÔ‡
„‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
A
F
B
G
C
H
D
I
E
J
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ
Â„ÛÎËÓ‚‡Ú¸ ÛÓ‚ÂÌ¸
ÔÓÒ˚Î‡ ˝ÙÙÂÍÚ‡.
1
2
3
4
5
6
7
8
CVP-210/208
131
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC.
3
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
6
7
ëÓı‡ÌÂÌËÂ ËÁÏÂÌÂÌÌ˚ı
‰‡ÌÌ˚ı (ÒÚ. 39, 48).
8
ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ VOCAL HARMONY TYPE.
Ç˚·Ó Ô‡‡ÏÂÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ (ÒÏ. ÌËÊÂ).
Ç˚·Ó ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚ‡.
èêàåÖóÄçàÖ
END
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
ç‡ÒÚÓÈÍ‡Ï, ÒÓı‡ÌÂÌÌ˚Ï Ì‡
ÒÚ‡ÌËˆÂ USER, ÏÓÊÌÓ
Ì‡ÁÌ‡˜ËÚ¸ ËÏﬂ (ÒÚ. 45). äÓÏÂ
ÚÓ„Ó, Ëı ÏÓÊÌÓ Û‰‡ÎËÚ¸
(ÒÚ. 47).
è‡‡ÏÂÚ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony
íËÔ chordal/ÚËÔ vocoder
132
éÔÂ‰ÂÎﬂÂÚ, Í‡Í ÔËÏÂÌﬂ˛ÚÒﬂ ÌÓÚ˚ „‡ÏÓÌËË.
íËÔ Ó‰‡ „‡ÏÓÌËË
ÇÓÁÏÓÊÌ˚ ÂÊËÏ˚ «Off» Ë «Auto». Ç ÂÊËÏÂ «Auto» Ó‰ Á‚ÛÍ‡ „‡ÏÓÌËË ËÁÏÂÌﬂÂÚÒﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË.
íËÔ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡
éÔÂ‰ÂÎﬂÂÚ, ·Û‰ÂÚ ÎË ËÁÏÂÌﬂÚ¸Òﬂ Ó‰ Á‚ÛÍ‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡ (Ú.Â. Á‚ÛÍ, Ë‰Û˘ËÈ ÔﬂÏÓ ÓÚ ÏËÍÓÙÓÌ‡) Ë Í‡ÍËÏ Ó·‡ÁÓÏ. Ç
ÂÊËÏÂ «Off» Ó‰ ÌÂ ËÁÏÂÌﬂÂÚÒﬂ. èË ‚˚·ÓÂ «Unison» (ÛÌËÒÓÌ), «Male» (ÏÛÊÒÍÓÈ ÚÂÏ·) ËÎË «Female» (ÊÂÌÒÍËÈ ÚÂÏ·)
ÏÂÌﬂÂÚÒﬂ Ó‰ Á‚ÛÍ‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡. (Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÍÓÎË˜ÂÒÚ‚Ó ÌÓÚ „‡ÏÓÌËË, ÒÓÔÓ‚ÓÊ‰‡˛˘Ëı ‚Â‰Û˘ËÈ ‚ÓÍ‡Î,
ÛÏÂÌ¸¯ËÚÒﬂ ‰Ó Ó‰ÌÓÈ.)
ÉÎÛ·ËÌ‡ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡
ç‡ÒÚÓÈÚÂ ÒÚÂÔÂÌ¸ ËÁÏÂÌÂÌËﬂ Ó‰‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡ ÔË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ Â„Ó ÚËÔÓ‚ (ÒÏ. ‚˚¯Â).
àÁÏÂÌÂÌËÂ ‚˚ÒÓÚ˚ ‚Â‰Û˘Â„Ó
ÚÂÏ·‡
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «Correct», ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡ ÔÂÂÏÂ˘‡ÂÚÒﬂ Ò ËÌÚÂ‚‡ÎÓÏ ÚÓ˜ÌÓ ‚ ÔÓÎÚÓÌ‡. ùÚÓÚ
Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓÎ¸ÍÓ ÔË ‚˚·ÓÂ Ó‰ÌÓ„Ó ËÁ ÚËÔÓ‚ Ó‰‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡.
Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ ÔÓÓ„ ‚ÂıÌÂ„Ó
Ó‰‡
êÓ‰ ËÁÏÂÌËÚÒﬂ, ÂÒÎË ‚˚ÒÓÚ‡ Á‚ÛÍ‡ „‡ÏÓÌËË ÔÓ‰ÌËÏÂÚÒﬂ Ì‡ ÛÍ‡Á‡ÌÌÓÂ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·ÓÎ¸¯ÂÂ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)
‚˚¯Â ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡.
Ä‚ÚÓÏ‡ÚË˜ÂÒÍËÈ ÔÓÓ„ ÌËÊÌÂ„Ó
Ó‰‡
êÓ‰ ËÁÏÂÌËÚÒﬂ, ÂÒÎË ‚˚ÒÓÚ‡ Á‚ÛÍ‡ „‡ÏÓÌËË ÒÚ‡ÌÂÚ Ì‡ ÛÍ‡Á‡ÌÌÓÂ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·ÓÎ¸¯ÂÂ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚)
ÌËÊÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡.
ÉÎÛ·ËÌ‡ ‚ÂıÌÂ„Ó Ó‰‡
ç‡ÒÚ‡Ë‚‡ÂÚ ÒÚÂÔÂÌ¸ ËÁÏÂÌÂÌËﬂ Ó‰‡, ÔËÏÂÌﬂÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ·ÓÎÂÂ ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚÂ
AUTO UPPER GENDER THRESHOLD.
ÉÎÛ·ËÌ‡ ÌËÊÌÂ„Ó Ó‰‡
ç‡ÒÚ‡Ë‚‡ÂÚ ÒÚÂÔÂÌ¸ ËÁÏÂÌÂÌËﬂ Ó‰‡, ÔËÏÂÌﬂÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ÏÂÌÂÂ ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚÂ
AUTO LOWER GENDER THRESHOLD.
ÉÎÛ·ËÌ‡ ‚Ë·‡ÚÓ
ìÒÚ‡Ì‡‚ÎË‚‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ, ÔËÏÂÌﬂÂÏÛ˛ Í Á‚ÛÍÛ „‡ÏÓÌËË. í‡ÍÊÂ ‚ÎËﬂÂÚ Ì‡ Á‚Û˜‡ÌËÂ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡.
ëÍÓÓÒÚ¸ ‚Ë·‡ÚÓ
ìÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ.
á‡‰ÂÊÍ‡ ‚Ë·‡ÚÓ
ÖÒÎË ÒËÌÚÂÁËÛÂÚÒﬂ ÌÓÚ‡, ÛÍ‡Á˚‚‡ÂÚ ÔÓ‰ÓÎÊËÚÂÎ¸ÌÓÒÚ¸ Á‡‰ÂÊÍË ÔÂÂ‰ Ì‡˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëﬂ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ.
ÉÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Harmony 1/2/3
ìÒÚ‡Ì‡‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ÔÂ‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË 1 – 3
Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‚ ÔÓﬂ‰ÍÂ ÔÓ‚˚¯ÂÌËﬂ ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËﬂ (1 – Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËﬂ, 3 – Ò‡Ï‡ﬂ ‚˚ÒÓÍ‡ﬂ).
è‡ÌÓ‡Ï‡ ˝ÙÙÂÍÚ‡ Harmony 1/2/3
ìÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) ÔÂ‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚
„‡ÏÓÌËÁ‡ˆËË 1 – 3 Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‚ ÔÓﬂ‰ÍÂ ÔÓ‚˚¯ÂÌËﬂ ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËﬂ (1 – Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËﬂ, 3 – Ò‡Ï‡ﬂ
‚˚ÒÓÍ‡ﬂ). èË ‚˚·ÓÂ ÂÊËÏ‡ «Random» ÒÚÂÂÓ-ÔÓÁËˆËﬂ Á‚ÛÍ‡ ·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌﬂÚ¸Òﬂ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡
ÍÎ‡‚Ë¯Ë.
ëÏÂ˘ÂÌËÂ ˝ÙÙÂÍÚ‡ Harmony 1/2/3
ëÏÂ˘ÂÌËÂ ÔÂ‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Ì‡ ÛÍ‡Á‡ÌÌ˚È ÔÓˆÂÌÚ. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË 1 - 3 Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‚
ÔÓﬂ‰ÍÂ ÔÓ‚˚¯ÂÌËﬂ ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËﬂ (1 – Ò‡Ï‡ﬂ ÌËÁÍ‡ﬂ ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËﬂ, 3 – Ò‡Ï‡ﬂ ‚˚ÒÓÍ‡ﬂ).
Pitch to Note
Ç ÂÊËÏÂ «ON» (ÇÍÎ.) Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡ ÔÓË„˚‚‡ÂÚÒﬂ ÒËÒÚÂÏÓÈ ÚÓÌ-„ÂÌÂ‡ÚÓ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.
(é‰Ì‡ÍÓ ‰ËÌ‡ÏË˜ÂÒÍËÂ ËÁÏÂÌÂÌËﬂ Á‚Û˜‡ÌËﬂ ‚ÓÍ‡Î‡ ÌÂ ‚ÎËﬂ˛Ú Ì‡ „ÓÏÍÓÒÚ¸ ÚÓÌ-„ÂÌÂ‡ÚÓ‡.)
ó‡ÒÚ¸ Pitch to Note
éÔÂ‰ÂÎﬂÂÚ, Í‡Í‡ﬂ ËÁ Ô‡ÚËÈ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208 ·Û‰ÂÚ ÛÔ‡‚ÎﬂÚ¸Òﬂ ‚Â‰Û˘ÂÏ ‚ÓÍ‡ÎÓÏ, ÂÒÎË ‰Îﬂ Ô‡‡ÏÂÚ‡
Pitch to Note ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «ON».
CVP-210/208
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC.
ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ÏËÍÓÙÓÌ‡: MICROPHONE SETTING
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ
1
2
ç‡ÊÏËÚÂ
ÍÌÓÔÍÛ [MIC.
SETTING].
Ç˚·ÂËÚÂ ÒÚ‡ÌËˆÛ MICROPHONE SETTING Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK]/
[NEXT] Ë ÛÒÚ‡ÌÓ‚ËÚÂ Ô‡‡ÏÂÚ˚.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ‡ÁÎË˜Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı Ì‡ÒÚÓÈÍË
ÒÏ. ‰‡ÎÂÂ.
BACK
END
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í
ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
NEXT
A
F
B
G
C
H
D
I
E
J
ç‡ÒÚÓÈÍ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ˝ÙÙÂÍÚÓ‚ ‰Îﬂ Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó
ÒË„Ì‡Î‡: OVERALL SETTING
ëÓ‰ÂÊ‡ÌËÂ ‰‡ÌÌÓ„Ó ‡Á‰ÂÎ‡ ÓÚÌÓÒËÚÒﬂ Í ¯‡„Û 2, ÓÔËÒ‡ÌÌÓÏÛ ‚˚¯Â.
Ç˚·Ó Ô‡‡ÏÂÚ‡ 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ).
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
Ç˚·Ó Ô‡‡ÏÂÚÓ‚ NOISE GATE („ÂÈÚ)/COMPRESSOR
(ÍÓÏÔÂÒÒÓ).
Ç˚·Ó Ô‡‡ÏÂÚÓ‚ VOCAL HARMONY CONTROL
(ÛÔ‡‚ÎÂÌËÂ „‡ÏÓÌËÁ‡ˆËÂÈ ‚ÓÍ‡Î‡)/MIC (ÏËÍÓÙÓÌ).
8
ùÚË ÍÌÓÔÍË ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ ËÁÏÂÌÂÌËﬂ ÁÌ‡˜ÂÌËﬂ ÙÛÌÍˆËÈ Ë Ì‡ÒÚÓÂÍ. ÑÓÔÓÎÌËÚÂÎ¸ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÒÏ. ÌËÊÂ.
■ 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ)
ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌﬂÂÚÒﬂ ‰Îﬂ ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡ ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË
ÔÓÏÂ˘ÂÌËﬂ. Ç Á‚ÛÍÂ ‚˚‰ÂÎﬂÂÚÒﬂ ÌÂÒÍÓÎ¸ÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËﬂ ËÎË ÔÓÌËÊÂÌËﬂ ÛÓ‚Ìﬂ Í‡Ê‰ÓÈ ÔÓÎÓÒ˚,
ÔÓËÒıÓ‰ËÚ ÍÓÂÍÚËÓ‚Í‡ Á‚ÛÍ‡. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 Ó·Î‡‰‡ÂÚ ‚˚ÒÓÍÓÍÎ‡ÒÒÌ˚Ï ÚÂıÔÓÎÓÒÌ˚Ï ˆËÙÓ‚˚Ï
˝Í‚‡Î‡ÈÁÂÓÏ ‰Îﬂ Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡.
Hz ............. êÂ„ÛÎËÓ‚Í‡ ˆÂÌÚ‡Î¸ÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚.
dB............. èÓ‰ÌﬂÚËÂ ËÎË ÒÌËÊÂÌËÂ ÛÓ‚Ìﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ Ì‡ ‚ÂÎË˜ËÌÛ ‰Ó 12 ‰Å.
■ ùÙÙÂÍÚ NOISE GATE
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎﬂÂÚ ÔË„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ ÒË„Ì‡Î ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊÂ ÛÍ‡Á‡ÌÌÓ„Ó
ÛÓ‚Ìﬂ. Ç ÂÁÛÎ¸Ú‡ÚÂ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËÊ‡ÂÚÒﬂ ÛÓ‚ÂÌ¸ ÔÓÒÚÓÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎﬂﬂ ÔÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ ÒË„Ì‡ÎÛ (‚ÓÍ‡ÎÛ Ë Ú.Ô.).
SW ............«SW» – ‡··Â‚Ë‡ÚÛ‡ ÒÎÓ‚‡ Switch (ÔÂÂÍÎ˛˜‡ÚÂÎ¸). àÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë ‚˚ÍÎ˛˜ÂÌËﬂ ˝ÙÙÂÍÚ‡ Noise Gate.
TH. ............«TH». – ‡··Â‚Ë‡ÚÛ‡ ÒÎÓ‚‡ Threshold (ÔÓÓ„). Ñ‡ÌÌ˚È Â„ÛÎﬂÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìﬂ ¯ÛÏ‡, ÔË
ÍÓÚÓÓÏ „ÂÈÚ Ì‡˜ËÌ‡ÂÚ «ÓÚÍ˚‚‡Ú¸Òﬂ».
CVP-210/208
133
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC.
■ ùÙÙÂÍÚ COMPRESSOR
ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎﬂÂÚ ÒÌËÊ‡Ú¸ ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ ÔÂ‚˚¯‡ÂÚ ÛÍ‡Á‡ÌÌ˚È
ÛÓ‚ÂÌ¸. Ö„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÓÏÓ„‡ÂÚ ÔË Á‡ÔËÒË ÒË„Ì‡Î‡ Ò ·ÓÎ¸¯ËÏ ‰ËÌ‡ÏË˜ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. éÌ ˝ÙÙÂÍÚË‚ÌÓ «ÒÊËÏ‡ÂÚ»
ÒË„Ì‡Î Ú‡Í, ˜ÚÓ ÚËıËÂ ˜‡ÒÚË ÒÚ‡ÌÓ‚ﬂÚÒﬂ „ÓÏ˜Â, ‡ „ÓÏÍËÂ – ÚË¯Â.
SW............ «SW» – ˝ÚÓ ‡··Â‚Ë‡ÚÛ‡ ÒÎÓ‚‡ Switch (ÔÂÂÍÎ˛˜‡ÚÂÎ¸). Ñ‡ÌÌ˚È ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ‚ÍÎ˛˜ÂÌËﬂ Ë
‚˚ÍÎ˛˜ÂÌËﬂ ÍÓÏÔÂÒÒÓ‡.
TH............. «TH». – ‡··Â‚Ë‡ÚÛ‡ ÒÎÓ‚‡ Threshold (ÔÓÓ„). Ñ‡ÌÌ˚È Â„ÛÎﬂÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìﬂ Á‚ÛÍÓ‚Ó„Ó
ÒË„Ì‡Î‡ Ì‡ ‚ıÓ‰Â, Ì‡˜ËÌ‡ﬂ Ò ÍÓÚÓÓ„Ó Ì‡˜ËÌ‡ÂÚ ÔËÏÂÌﬂÚ¸Òﬂ ÒÊ‡ÚËÂ.
RATIO ...... ùÚÓÚ Â„ÛÎﬂÚÓ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ Ì‡ÒÚÓÈÍË ÍÓ˝ÙÙËˆËÂÌÚ‡ ÒÊ‡ÚËﬂ.
OUT .......... ç‡ÒÚÓÈÍ‡ ÛÓ‚Ìﬂ ÓÍÓÌ˜‡ÚÂÎ¸ÌÓ„Ó ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡.
■ VOCAL HARMONY CONTROL (Ô‡‡ÏÂÚ˚ ÛÔ‡‚ÎÂÌËﬂ „‡ÏÓÌËÁ‡ˆËÂÈ ‚ÓÍ‡Î‡)
èË‚Â‰ÂÌÌ˚Â ÌËÊÂ Ô‡‡ÏÂÚ˚ ÓÔÂ‰ÂÎﬂ˛Ú ÒÔÓÒÓ· ÛÔ‡‚ÎÂÌËﬂ ˝ÙÙÂÍÚÓÏ çarmony.
VOCODER CONTROL (‚ÓÍÓ‰Â)
ùÙÙÂÍÚÓÏ Vocal Harmony ÛÔ‡‚Îﬂ˛Ú ÌÓÚÌ˚Â ‰‡ÌÌ˚Â, ÚÓ ÂÒÚ¸ ÌÓÚ˚, ÔÓË„˚‚‡ÂÏ˚Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, Ë ÌÓÚ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ
ÔÂÒÌË. ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎﬂÂÚ ÓÔÂ‰ÂÎËÚ¸, Í‡ÍËÂ ÌÓÚ˚ ‰ÓÎÊÌ˚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ ˝ÙÙÂÍÚÓÏ Harmony.
• SONG CHANNEL (Í‡Ì‡Î ÔÂÒÌË)
MUTE/PLAY (‚˚ÍÎ./‚ÍÎ.):
ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ «MUTE», ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ËÎË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË ‚˚·‡ÌÌ˚È Í‡Ì‡Î
Á‡„ÎÛ¯‡ÂÚÒﬂ (ÓÚÍÎ˛˜‡ÂÚÒﬂ).
OFF:
Ç˚ÍÎ˛˜ÂÌËÂ Ô‡‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËﬂ „‡ÏÓÌËÁ‡ˆËÂÈ ‚ÓÍ‡Î‡ Ò ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı, ‚ÁﬂÚ˚ı ËÁ Ù‡ÈÎ‡ ÔÂÒÌË.
1-16:
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ËÎË Ò ‚ÌÂ¯ÌÂ„Ó MIDI-ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ ÌÓÚÌ˚Â ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚Â ‚ Á‡‰‡ÌÌ˚È
Í‡Ì‡Î ÔÂÒÌË, ÓÔÂ‰ÂÎﬂ˛Ú „‡ÏÓÌËÁ‡ˆË˛.
• KEYBOARD
OFF: Ç˚ÍÎ˛˜ÂÌËÂ Ô‡‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËﬂ „‡ÏÓÌËÁ‡ˆËÂÈ Ò ÍÎ‡‚Ë‡ÚÛ˚.
UPPER (‚˚¯Â): É‡ÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚Â ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚.
LOWER (ÌËÊÂ): É‡ÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚Â ÒÎÂ‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ.
BALANCE
èÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚ‡Ë‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌËÂ „ÓÏÍÓÒÚË ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡ (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·‡) Ë ˝ÙÙÂÍÚÓÏ Vocal Harmony.
ì‚ÂÎË˜ÂÌËÂ ÁÌ‡˜ÂÌËﬂ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÛÒËÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vocal Harmony Ë ÛÏÂÌ¸¯‡ÂÚ „ÓÏÍÓÒÚ¸ ‚Â‰Û˘Â„Ó ‚ÓÍ‡Î‡.
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ L<H63 („‰Â L – ‚Â‰Û˘ËÈ ‚ÓÍ‡Î, ‡ H – ˝ÙÙÂÍÚ Vocal Harmony), Á‚Û˜ËÚ ÚÓÎ¸ÍÓ ˝ÙÙÂÍÚ Vocal Harmony;
ÂÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ L63>H, Á‚Û˜ËÚ ÚÓÎ¸ÍÓ ‚Â‰Û˘ËÈ ‚ÓÍ‡Î.
MODE (ÂÊËÏ „‡ÏÓÌËÁ‡ˆËË)
ÇÒÂ ÚËÔ˚ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ ÔÓ‰‡Á‰ÂÎﬂ˛ÚÒﬂ Ì‡ ÚË ÂÊËÏ‡, ÔË ÍÓÚÓ˚ı „‡ÏÓÌËÁ‡ˆËﬂ ÔÓËÁ‚Ó‰ËÚÒﬂ ‡ÁÎË˜Ì˚Ï Ó·‡ÁÓÏ.
ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ ‚˚·Ó‡ ‰ÓÓÊÍË Ë ÂÊËÏ‡ „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ, Í‡ÍËÏ Ó·‡ÁÓÏ
·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òﬂ „‡ÏÓÌËÁ‡ˆËﬂ ÚÂÏ·‡. ùÚË ÚË ÂÊËÏ‡ ÓÔËÒ‡Ì˚ ÌËÊÂ.
VOCODER (‚ÓÍÓ‰Â):
çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛ÚÒﬂ ÌÓÚ‡ÏË, ‚‚Ó‰ËÏ˚ÏË ÔË Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (Main, Layer Ë Left), Ë/ ËÎË ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
Ù‡ÈÎ‡ ÔÂÒÌË, ÒÓ‰ÂÊ‡˘Â„Ó ‰ÓÓÊÍË „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡.
CHORDAL (‡ÍÍÓ‰˚):
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÍÓÚÓ˚Â Ë„‡˛ÚÒﬂ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÍÎ‡‚Ë‡ÚÛ˚. èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÒÓ‰ÂÊ‡˘ËÂÒﬂ ‚ Ù‡ÈÎÂ
ÔÂÒÌË. (ùÚÓÚ ÂÊËÏ ÌÂ‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÌÂÚ ‡ÍÍÓ‰Ó‚.)
AUTO (‡‚ÚÓÏ‡ÚË˜ÂÒÍËÈ):
ÖÒÎË ‰Îﬂ Ô‡ÚËË ÎÂ‚ÓÈ ÛÍË ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ ON Ë ÂÒÎË ‚ Ù‡ÈÎÂ ÔÂÒÌË ÒÓ‰ÂÊ‡ÚÒﬂ ‡ÍÍÓ‰˚,
ÂÊËÏÛ „‡ÏÓÌËÁ‡ˆËË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ CHORDAL (‡ÍÍÓ‰˚). ÇÓ ‚ÒÂı ‰Û„Ëı ÒÎÛ˜‡ﬂı ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ÂÊËÏ VOCODER.
CHORD
èÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ÚÂ ‰‡ÌÌ˚Â ‚ Ù‡ÈÎÂ ÔÂÒÌË, ÍÓÚÓ˚Â ·Û‰ÛÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ‡ÒÔÓÁÌ‡‚‡ÌËﬂ
‡ÍÍÓ‰Ó‚.
OFF: ÄÍÍÓ‰˚ ÌÂ ‡ÒÔÓÁÌ‡˛ÚÒﬂ.
XF: ê‡ÒÔÓÁÌ‡˛ÚÒﬂ ‡ÍÍÓ‰˚ ‚ ÙÓÏ‡ÚÂ XF.
1-16: ê‡ÒÔÓÁÌ‡˛ÚÒﬂ ‡ÍÍÓ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ ÛÍ‡Á‡ÌÌÓÏ Í‡Ì‡ÎÂ ÔÂÒÌË.
■ MIC (MICROPHONE) (ÏËÍÓÙÓÌ)
èË‚Â‰ÂÌÌ˚Â ÌËÊÂ Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔ‡‚ÎÂÌËﬂ Á‚ÛÍÓÏ ÏËÍÓÙÓÌ‡.
MUTE ................................ Ç ÔÓÎÓÊÂÌËË OFF ÏËÍÓÙÓÌ ÓÚÍÎ˛˜ÂÌ.
VOLUME („ÓÏÍÓÒÚ¸)..... êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡.
134
CVP-210/208
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÏËÍÓÙÓÌ‡: MIC.
ç‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌ‡ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚: ÒÚ‡ÌËˆ‡
TALK SETTING
á‡‰‡ÂÚ Ô‡‡ÏÂÚ˚ ÔË ‚ÍÎ˛˜ÂÌÌÓÈ ÍÌÓÔÍÂ [TALK] (Â˜¸).
èË‚Â‰ÂÌÌ˚Â Ò‚Â‰ÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 2 Ì‡ ÒÚ. 133.
VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR („ÓÏÍÓÒÚ¸/Ô‡ÌÓ‡ÏÌÓÂ
Á‚Û˜‡ÌËÂ/„ÎÛ·ËÌ‡ Â‚Â·Â‡ˆËË/„ÎÛ·ËÌ‡ ıÓÛÒ‡/Ó·˘ËÈ ÛÓ‚ÂÌ¸ Á‡ÚÛı‡ÌËﬂ)
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
8
ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ‚ÂÎË˜ËÌÛ ÍÓ˝ÙÙËˆËÂÌÚ‡ Á‡ÚÛı‡ÌËﬂ,
ÍÓÚÓ‡ﬂ ‰ÓÎÊÌ‡ ·˚Ú¸ ÔËÏÂÌÂÌ‡ Í Ó·˘ÂÏÛ Á‚Û˜‡ÌË˛ (Á‡
ËÒÍÎ˛˜ÂÌËÂÏ ‚ıÓ‰ﬂ˘Â„Ó ÒË„Ì‡Î‡ ÏËÍÓÙÓÌ‡), ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ
˝ÙÙÂÍÚË‚ÌÓ Â„ÛÎËÓ‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌËÂ ÏÂÊ‰Û ÚÂÏ·ÓÏ
ËÒÔÓÎÌËÚÂÎﬂ Ë Ó·˘ËÏ Á‚Û˜‡ÌËÂÏ ËÌÒÚÛÏÂÌÚ‡.
ùÚ‡ ÍÌÓÔÍ‡ Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸
Á‚Û˜‡ÌËﬂ ÏËÍÓÙÓÌ‡.
ùÚÓÚ Ô‡‡ÏÂÚ ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚ ÒÚÂÂÓÔÓÁËˆË˛ Á‚ÛÍ‡ ÏËÍÓÙÓÌ‡.
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË Ë ıÓÛÒ‡,
ÔËÏÂÌﬂÂÏ˚ı Í ÏËÍÓÙÓÌÌÓÏÛ ÒË„Ì‡ÎÛ.
DSP/TYPE/DEPTH (DSP/ÚËÔ/„ÎÛ·ËÌ‡)
A
F
B
G
C
H
D
I
E
J
1
2
3
4
5
6
7
8
á‡‰‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌﬂÂÏÓ„Ó
Í Á‚ÛÍÛ ÏËÍÓÙÓÌ‡.
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ (ON/OFF) ˝ÙÙÂÍÚ‡
DSP, ÔËÏÂÌﬂÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍÓÙÓÌ‡.
Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP, ÍÓÚÓ˚È ‰ÓÎÊÂÌ
ÔËÏÂÌﬂÚ¸Òﬂ Í Á‚ÛÍÛ ÏËÍÓÙÓÌ‡.
CVP-210/208
135
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ — ÏÂÌ˛ Function
êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í ﬂ‰Û ÒÓ‚ÂÏÂÌÌ˚ı ÙÛÌÍˆËÈ, ‚ÎËﬂ˛˘Ëı Ì‡ ËÌÒÚÛÏÂÌÚ ‚ ˆÂÎÓÏ. ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚÂ·ÌÓÒÚﬂÏË Ë ‚ÍÛÒ‡ÏË.
METRONOME
POWER
START STOP
MIC.
SIGNAL
VOICE EFFECT
OVER
VOCAL HARMONY
TALK
EFFECT
VH TYPE SELECT
REVERB
MIC. SETTING
BACK
DSP
VARIATION
HARMONY ECHO
MONO
LEFT HOLD
E. PIANO
ORGAN & ACCORDION
PERCUSSION
GUITAR
BASS
STRINGS
CHOIR & PAD
SYNTH.
XG
NEXT
MENU
ON
SONG
OFF
EXTRA TRACKS
TRACK 2
TRACK 1
STYLE
L
R
VOICE
DEMO
TAP TEMPO
FADE IN OUT
REC
TOP
START STOP
REW
FF
F
B
G
LAYER
C
H
LEFT
HELP
GUIDE
REPEAT
PIANO & HARPSI.
VOICE PART
ON OFF
A
MASTER VOLUME
BRASS
WOODWIND
ORGAN FLUTES
USER
FUNCTION
MIN
MENU
MAX
TEMPO
DIGITAL
STUDIO
TRANSPOSE
AUTO FILL IN
BREAK
INTRO
RESET
MAIN
ENDING rit.
D
I
E
J
ONE TOCTH SETTING
MUSIC FINDER
1
SOUND
CREATOR
TAP TEMPO
RESET
DIGITAL
RECORDING
STYLE
ACMP
ENTER
SYNC.STOP SYNC.START START STOP
OTS LINK
2
3
4
PIANO
DATA
ENTRY
MIXING
CONSOLE
FREEZE
1
2
3
4
5
6
7
8
MEMORY
BALANCE
PART
CHANNEL
ON OFF
PART
DIRECT ACCESS
1
2
3
4
5
6
7
EXIT
8
FUNCTION
èÓﬂ‰ÓÍ ‰ÂÈÒÚ‚ËÈ
MENU
DEMO
1
2
Ç˚·ÂËÚÂ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛.
HELP
FUNCTION
3
ç‡ÒÚÓÈÚÂ Ô‡‡ÏÂÚ˚ ‚˚·‡ÌÌÓÈ
ÙÛÌÍˆËË.
èÓﬂ‰ÓÍ Ì‡ÒÚÓÈÍË Í‡Ê‰ÓÈ ÙÛÌÍˆËË
ÓÔËÒ‡Ì ÌËÊÂ.
END
A
F
B
G
C
H
D
I
E
J
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í
ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ [EXIT].
êÂ„ÛÎËÓ‚Í‡ ‚˚ÒÓÚ˚ Ë Ì‡ÒÚÓÈÍ‡ ËÌÒÚÛÏÂÌÚ‡ – Master Tune Ë Scale Tune
■ Master Tune (Ó·˘‡ﬂ Ì‡ÒÚÓÈÍ‡) (ÒÚ. 138)
ùÚÓÚ Ô‡‡ÏÂÚ ÓÚ‚Â˜‡ÂÚ Á‡ ÚÓÌÍÛ˛ Ì‡ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ÔÓ‰ÒÚÓËÚ¸Òﬂ ÔÓ‰ ‚˚ÒÓÚÛ Á‚ÛÍ‡
‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚.
■ Scale Tune (ÒÚ. 138)
ùÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ ÍÓÌÍÂÚÌÛ˛ ÒËÒÚÂÏÛ Ì‡ÒÚÓÈÍË (ÚÂÏÔÂ‡ˆË˛) ËÌÒÚÛÏÂÌÚ‡. ùÚÓ ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁÌÓ ‰Îﬂ ËÒÔÓÎÌÂÌËﬂ
ÒÚ‡ËÌÌ˚ı ÔÓËÁ‚Â‰ÂÌËÈ, ÍÓ„‰‡ ÚÂ·ÛÂÚÒﬂ ÚÂÏÔÂ‡ˆËﬂ, ÔËÌﬂÚ‡ﬂ ‚ ÚÛ ˝ÔÓıÛ.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ – Song Settings (ÒÚ. 140)
èÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ÔÓË„˚‚‡ÌËﬂ ÔÂÒÌË Ë ÚËÔ˚ ÙÛÌÍˆËÈ Ó·Û˜ÂÌËﬂ.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë Chord Fingering
■ Style Setting/Split Point (Ì‡ÒÚÓÈÍ‡ ÒÚËÎﬂ/ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚) (ÒÚ. 141)
ùÚÓÚ ˝Í‡Ì ÔÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ë Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ.
■ Chord Fingering (‡ÔÔÎËÍ‡ÚÛ‡ ‡ÍÍÓ‰Ó‚) (ÒÚ. 142)
ùÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ ÏÂÚÓ‰ ‚ÁﬂÚËﬂ/ÓÚÓ·‡ÊÂÌËﬂ ‡ÍÍÓ‰Ó‚ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÙÛÌÍˆËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. åÓÊÌÓ
‰‡ÊÂ ÔÓ‚ÂﬂÚ¸, Í‡Í ·‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓ‰, ÔÓÒÍÓÎ¸ÍÛ ÓÚ‰ÂÎ¸Ì˚Â ÌÓÚ˚ ‚˚‚Ó‰ﬂÚÒﬂ Ì‡ ˝Í‡Ì.
136
CVP-210/208
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂ‰‡ÎÂÈ –
˝Í‡Ì Controller
■ Pedal (ÒÚ. 142)
ùÚË Ô‡‡ÏÂÚ˚ ÓÔÂ‰ÂÎﬂ˛Ú, Í‡Í ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÔÂ‰‡ÎË
(‚ÍÎ˛˜‡ﬂ ÌÓÊÌ˚Â ÍÓÌÚÓÎÎÂ˚ Ë ÔÂÂÍÎ˛˜‡ÚÂÎË).
èÂ‰‡ÎﬂÏ ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ‡ÁÌ˚Â ÙÛÌÍˆËË, ˜ÚÓ
ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌÓÊÌÓÂ ÛÔ‡‚ÎÂÌËÂ Ú‡ÍËÏË
ÙÛÌÍˆËﬂÏË, Í‡Í ‚ÍÎ˛˜ÂÌËÂ/ÓÚÍÎ˛˜ÂÌËÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ËÎË ‚ÍÎ˛˜ÂÌËÂ ‚ÒÚ‡‚ÓÍ (Ù‡Á Fill In).
■ Keyboard/Panel (ÍÎ‡‚Ë‡ÚÛ‡/ÔÂÂ‰Ìﬂﬂ Ô‡ÌÂÎ¸)
(ÒÚ. 144)
ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚ Í
ÒËÎÂ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯ (Á‡‚ËÒËÏÓÒÚ¸ ÛÓ‚Ìﬂ „ÓÏÍÓÒÚË ÓÚ
ÒËÎ˚ Ì‡Ê‡ÚËﬂ) Ë ÔÓÁ‚ÓÎﬂ˛Ú ÌÂÁ‡‚ËÒËÏÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸
ÍÎ‡‚Ë‡ÚÛÛ, ÔÂÒÌ˛ Ë ‚ÂÒ¸ ËÌÒÚÛÏÂÌÚ.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ Registration Sequence,
Freeze Ë Voice Set
■ Registration Sequence (ÒÚ. 145)
éÔÂ‰ÂÎﬂÂÚ ÔÓﬂ‰ÓÍ ‚˚ÁÓ‚‡ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚,
ÒÓı‡ÌÂÌÌ˚ı ‚ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË (1 - 8), Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË ÔÂ‰‡ÎË.
■ Freeze (ÒÚ. 145)
èÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚, ÍÓÚÓ˚Â ÌÂ ‰ÓÎÊÌ˚
ÏÂÌﬂÚ¸Òﬂ ÔË ÒÏÂÌÂ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ËÁ
Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË.
■ Voice Set (ÒÚ. 146)
èÓÁ‚ÓÎﬂÂÚ ÛÍ‡Á‡Ú¸, ‰ÓÎÊÌ˚ ÎË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Á‡„ÛÊ‡Ú¸Òﬂ ÌÂÍÓÚÓ˚Â Ô‡‡ÏÂÚ˚, Ò‚ﬂÁ‡ÌÌ˚Â Ò
ÚÂÏ·‡ÏË (˝ÙÙÂÍÚ˚, ˝Í‚‡Î‡ÈÁÂ, „‡ÏÓÌËÁ‡ˆËﬂ Ë Ú. ‰.),
ÔË ‚˚·ÓÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚÂÏ·‡.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ Harmony Ë Echo (ÒÚ. 146)
ç‡ ˝ÚÓÏ ˝Í‡ÌÂ ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ Ë ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëﬂ
˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË ËÎË ˝ı‡ ‰Îﬂ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ì‡
ÍÎ‡‚Ë‡ÚÛÂ.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ MIDI
■ System (ÒÚ. 148)
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ‡ÁÎË˜Ì˚ı ÒËÒÚÂÏÌ˚ı
ÒÓÓ·˘ÂÌËÈ (Clock, Start/Stop, System Exclusive Ë Ú. Ô.), ‡
Ú‡ÍÊÂ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ ÂÊËÏ Local Control.
■ Transmit (ÒÚ. 149)
ùÚÓÚ ˝Í‡Ì ÓÔÂ‰ÂÎﬂÂÚ, Í‡Í ‰‡ÌÌ˚Â ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ÔÂÂ‰‡˛ÚÒﬂ Ì‡ MIDI-ÛÒÚÓÈÒÚ‚‡, Ú.Â. Í‡Í Ô‡ÚËË
‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÏÂÊ‰Û Í‡Ì‡Î‡ÏË MIDI Transmit. åÓÊÌÓ
Ú‡ÍÊÂ ÛÍ‡Á‡Ú¸ ÚËÔ ‰‡ÌÌ˚ı, ÔÂÂ‰‡‚‡ÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ
Í‡Ì‡ÎÓ‚.
■ Receive (ÒÚ. 150)
ùÚÓÚ ˝Í‡Ì ÓÔÂ‰ÂÎﬂÂÚ, Í‡Í ˜‡ÒÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
CVP-210/208 Ó·‡·‡Ú˚‚‡˛Ú ÍÓÏ‡Ì‰˚, ÔÓÒÚÛÔ‡˛˘ËÂ Ò
ÔÓ‰ÍÎ˛˜ÂÌÌ˚ı MIDI-ÛÒÚÓÈÒÚ‚, Ú.Â. Í‡Í ˝ÚË ˜‡ÒÚË
‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÔÓ Í‡Ì‡Î‡Ï MIDI Receive. åÓÊÌÓ Ú‡ÍÊÂ
ÛÍ‡Á‡Ú¸ ÚËÔ ÍÓÏ‡Ì‰, ÔËÌËÏ‡ÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ Í‡Ì‡ÎÓ‚.
■ Root (ÒÚ. 150)
éÔÂ‰ÂÎﬂÂÚ Í‡Ì‡Î˚, ÓÚ‚Â‰ÂÌÌ˚Â ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Ë ‡ÒÔÓÁÌ‡‚‡ÂÏ˚Â ÔÓ ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ.
■ Chord Detect (ÒÚ. 150)
éÔÂ‰ÂÎﬂÂÚ Í‡Ì‡Î˚, ÓÚ‚Â‰ÂÌÌ˚Â ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
Ë ‡ÒÔÓÁÌ‡‚‡ÂÏ˚Â ÔÓ ‡ÍÍÓ‰‡Ï.
èÓ˜ËÂ Ô‡‡ÏÂÚ˚ – ˝Í‡Ì Utility
■ Config 1 (ÒÚ. 151)
ùÚ‡ ÒÚ‡ÌËˆ‡ ÔÓÁ‚ÓÎﬂÂÚ Ì‡ÒÚÓËÚ¸ ÙÂÈ‰ËÌ„ (Fade In/Out),
ÏÂÚÓÌÓÏ (Metronome), ÙÛÌÍˆËË ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡
(Parameter Lock) Ë Á‡‰‡Ú¸ Á‚ÛÍ, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚È ÔË
Ì‡Ê‡ÚËË ÍÌÓÔÍË Tap.
■ Config 2 (ÒÚ. 152)
á‰ÂÒ¸ ÏÓÊÌÓ ÓÚÂ„ÛÎËÓ‚‡Ú¸ ˝Í‡Ì, Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚
‰ËÌ‡ÏËÍÓ‚ Ë ËÁÏÂÌËÚ¸ ÔÓﬂ‰ÓÍ Ó·ÓÁÌ‡˜ÂÌËﬂ ÌÓÏÂÓ‚
ÚÂÏ·Ó‚.
■ Disk (ÒÚ. 153)
ç‡ ˝ÚÓÈ ÒÚ‡ÌË˜Â ÏÓÊÌÓ ÙÓÏ‡ÚËÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ Ë
ÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ˚ Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ Ì‡ ‰Û„Û˛.
■ Owner (ÒÚ. 154)
éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova Ì‡ ˝Í‡ÌÂ ÚÂÎÂ‚ËÁÓ‡ – Video Out
(ÒÚ. 147)
ùÚË Ì‡ÒÚÓÈÍË ÓÔÂ‰ÂÎﬂ˛Ú ÒÓ‰ÂÊËÏÓÂ ËÒıÓ‰ﬂ˘Â„Ó
‚Ë‰ÂÓÒË„Ì‡Î‡ ÔË ‚˚‚Ó‰Â ÒÓ‰ÂÊËÏÓ„Ó ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ CVP-210/208 Ì‡ ÏÓÌËÚÓ ÚÂÎÂ‚ËÁÓ‡ (ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó
Í ‡Á˙ÂÏÛ VIDEO OUT).
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ﬂÁ˚Í ËÌÚÂÙÂÈÒ‡ Ë ‚‚ÂÒÚË
ÒÓ·ÒÚ‚ÂÌÌÓÂ ËÏﬂ, ÍÓÚÓÓÂ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ Ì‡ ˝Í‡ÌÂ
Í‡Ê‰˚È ‡Á ÔË ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ. åÓÊÌÓ
Ú‡ÍÊÂ ‚˚·‡Ú¸ ÙÓÌ ‰Îﬂ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡.
■ System Reset (ÒÚ. 154)
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍËÂ
Ì‡ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208. åÓÊÌÓ Ú‡ÍÊÂ
ÛÍ‡Á‡Ú¸, Í‡ÍËÂ ÚËÔ˚ Ô‡‡ÏÂÚÓ‚ ÚÂ·ÛÂÚÒﬂ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸,
Ë ÒÓı‡ÌËÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â Ì‡ÒÚÓÈÍË ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚
·Û‰Û˘ÂÏ.
CVP-210/208
137
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
íÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔÂ‡ˆËË – Master Tune/Scale Tune
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ. ÒÚ. 136.
ç‡ÒÚÓÈÍ‡ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚ – Master Tune
èêàåÖóÄçàÖ
Éˆ („Âˆ)
ÉÂˆ – ˝ÚÓ Â‰ËÌËˆ‡ ËÁÏÂÂÌËﬂ
˜‡ÒÚÓÚ˚ Á‚ÛÍ‡,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ˜ËÒÎÛ
ÍÓÎÂ·‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚
ÒÂÍÛÌ‰Û.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Ì‡ÒÚÓÈÍË ‚˚ÒÓÚ˚ ÌÂ
‚ÎËﬂÂÚ Ì‡ ÚÂÏ·˚ Drum Kit Ë
SFX Kit (Û‰‡Ì˚Â Ë
ÒÔÂˆ˝ÙÙÂÍÚ˚).
1
2
3
4
5
6
7
8
éÔÂ‰ÂÎﬂÂÚ ·‡ÁÓ‚Û˛ ‚˚ÒÓÚÛ Á‚ÛÍ‡ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ CVP-210/208 ‚ ÔÂ‰ÂÎ‡ı ÓÚ 414,8 ‰Ó 466,8 Éˆ.
óÚÓ·˚ ·˚ÒÚÓ ‚ÂÌÛÚ¸Òﬂ Í Á‡‚Ó‰ÒÍÓÈ ÛÒÚ‡ÌÓ‚ÍÂ
(440,0 Éˆ), Ì‡ÊÏËÚÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË 4 Ë 5 [▲▼].
Ç˚·Ó ÚÂÏÔÂ‡ˆËË – Scale Tune
èêàåÖóÄçàÖ
ñÂÌÚ
Ö‰ËÌËˆ‡ ËÁÏÂÂÌËﬂ ‚˚ÒÓÚ˚,
‡‚Ì‡ﬂ Ó‰ÌÓÈ ÒÓÚÓÈ ÔÓÎÛÚÓÌ‡
(100 ˆÂÌÚÓ‚ = 1 ÔÓÎÛÚÓÌ).
Ç˚·ÂËÚÂ ÌÛÊÌ˚È ¯‡·ÎÓÌ ÒÚÓﬂ.
èêàåÖóÄçàÖ
íÂÏÔÂ‡ˆË˛, Á‡‰‡ÌÌÛ˛
ÔÓÎ¸ÁÓ‚‡ÚÂÎÂÏ, ÏÓÊÌÓ
ÔË‚ﬂÁ‡Ú¸ Í ÍÌÓÔÍÂ
REGISTRATION MEMORY. ÑÎﬂ
˝ÚÓ„Ó ÔÓÏÂÚ¸ÚÂ „‡ÎÓ˜ÍÓÈ
Ô‡‡ÏÂÚ «SCALE» Ì‡ ˝Í‡ÌÂ
REGISTRATION MEMORY
(ÒÚ. 88).
A
B
C
D
E
1
2
ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÓÒÌÓ‚ÌÛ˛ ÌÓÚÛ ‰Îﬂ Í‡Ê‰ÓÈ
ÚÂÏÔÂ‡ˆËË.
ÖÒÎË ÓÒÌÓ‚Ì‡ﬂ ÌÓÚ‡ ÏÂÌﬂÂÚÒﬂ, ‚˚ÒÓÚ‡ Á‚ÛÍ‡
ÍÎ‡‚Ë‡ÚÛ˚ Ú‡ÌÒÔÓÌËÛÂÚÒﬂ, ÌÓ ËÒıÓ‰ÌÓÂ
ÒÓÓÚÌÓ¯ÂÌËÂ ÏÂÊ‰Û ‚˚ÒÓÚÓÈ ÌÓÚ ÒÓı‡ÌﬂÂÚÒﬂ.
3
4
5
6
7
8
èÓÁ‚ÓÎﬂÂÚ ‚˚·‡Ú¸ ˜‡ÒÚË, ÍÓÚÓ˚Â ·Û‰ÛÚ Â„ÛÎËÓ‚‡Ú¸Òﬂ
Ì‡ÒÚÓÈÍ‡ÏË ÒÚÓﬂ.
Ç˚·ÂËÚÂ ˜‡ÒÚ¸ ‰Îﬂ Ì‡ÒÚÓÈÍË, Ì‡Ê‡‚ ÍÌÓÔÍÛ 6 ËÎË 7 [▲▼], ‡
Á‡ÚÂÏ ‚ÍÎ˛˜ËÚÂ (ON) ËÎË ‚˚ÍÎ˛˜ËÚÂ (OFF) ÙÛÌÍˆË˛, Ì‡Ê‡‚
ÍÌÓÔÍÛ 8 [▲▼].
ó‡ÒÚË, ‰Îﬂ ÍÓÚÓ˚ı ÙÛÌÍˆËﬂ ‚˚ÍÎ˛˜ÂÌ‡ (OFF), ÒÓı‡Ìﬂ˛Ú
‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ (Equal Temperament).
ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ÚÓÌÍÛ˛
Â„ÛÎËÓ‚ÍÛ ‚˚ÒÓÚ˚ Ò ¯‡„ÓÏ ‚ 1 ˆÂÌÚ. óÚÓ·˚ ·˚ÒÚÓ
‚ÂÌÛÚ¸Òﬂ Í ÁÌ‡˜ÂÌË˛ ÔÓ ÛÏÓÎ˜‡ÌË˛ (440,0 Éˆ),
Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚÂ ÍÌÓÔÍË 4 Ë 5 [▲▼].
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ÛÍ‡Á‡Ú¸ Ì‡ÒÚ‡Ë‚‡ÂÏÛ˛ ÌÓÚÛ Ë ‚ÂÎË˜ËÌÛ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚.
ÑË‡Ô‡ÁÓÌ ‚ÓÁÏÓÊÌ˚ı ÁÌ‡˜ÂÌËÈ: ÓÚ -64 ‰Ó +63. ç‡ÒÚÓÈÍ‡ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ Ò ¯‡„ÓÏ ‚
1 ˆÂÌÚ (1/100 ÔÓÎÛÚÓÌ‡).
138
CVP-210/208
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ëÚÓÈ
■ Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ)
Ç˚ÒÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Í‡Ê‰ÓÈ ÓÍÚ‡‚˚ ‰ÂÎËÚÒﬂ Ì‡ 12 ‡‚Ì˚ı ˜‡ÒÚÂÈ Ò ‡‚ÌÓÏÂÌ˚Ï ‡ÒÔÂ‰ÂÎÂÌËÂÏ ÔÓ ‚˚ÒÓÚÂ (‡‚ÌÓÏÂÌÓ
ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ). ëÂÈ˜‡Ò ˝ÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÒÚÓÈ.
■ Pure Major/Pure Minor (˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ)
Ç ˝ÚËı ÚÂÏÔÂ‡ˆËﬂı ÒÓı‡ÌÂÌ˚ Ï‡ÚÂÏ‡ÚË˜ÂÒÍË ÚÓ˜Ì˚Â ËÌÚÂ‚‡Î˚, ÓÒÓ·ÂÌÌÓ ‚ ÚÂÁ‚Û˜Ëﬂı (ÓÒÌÓ‚ÌÓÈ ÚÓÌ-ÚÂˆËﬂ-Í‚ËÌÚ‡). ü˜Â
‚ÒÂ„Ó Ú‡Í‡ﬂ ÚÂÏÔÂ‡ˆËﬂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ‚ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ‚ÓÍ‡Î¸Ì˚ı „‡ÏÓÌËﬂı (ıÓÓ‚ÓÂ ÔÂÌËÂ ËÎË ÔÂÌËÂ a capella).
■ Pythagorean (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ)
ùÚÓÚ ÒÚÓÈ ·˚Î ‡Á‡·ÓÚ‡Ì ÁÌ‡ÏÂÌËÚ˚Ï „Â˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ Ì‡ ÓÒÌÓ‚Â ˜ËÒÚ˚ı Í‚ËÌÚ, ÛÎÓÊÂÌÌ˚ı ‚ Ó‰ÌÛ ÓÍÚ‡‚Û.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚÂˆËﬂ ÒÎÂ„Í‡ ÌÂÒÚ‡·ËÎ¸Ì‡, ÌÓ Í‚‡Ú‡ Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂÍ‡ÒÌÓ Ë ıÓÓ¯Ó ÔÓ‰ıÓ‰ﬂÚ ‰Îﬂ ÏÂÎÓ‰ËÈ ÓÔÂ‰ÂÎÂÌÌÓ„Ó
ÚËÔ‡.
■ Mean-Tone
ùÚ‡ ÚÂÏÔÂ‡ˆËﬂ ÒÓÁ‰‡‚‡Î‡Ò¸ Í‡Í ÛÎÛ˜¯ÂÌÌ˚È ‚‡Ë‡ÌÚ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓﬂ Ë ÓÚÎË˜‡ÂÚÒﬂ ·ÓÎÂÂ ÒÚÓÈÌ˚Ï Á‚Û˜‡ÌËÂÏ
Ï‡ÊÓÌÓÈ ÚÂˆËË. éÌ‡ ·˚Î‡ ÓÒÓ·ÂÌÌÓ ÔÓÔÛÎﬂÌ‡ Ò ¯ÂÒÚÌ‡‰ˆ‡ÚÓ„Ó ÔÓ ‚ÓÒÂÏÌ‡‰ˆ‡Ú˚È ‚ÂÍ. ÖÂ ËÒÔÓÎ¸ÁÓ‚‡ÎË ÏÌÓ„ËÂ
ÍÓÏÔÓÁËÚÓ˚, ‚ ÚÓÏ ˜ËÒÎÂ ÉÂÌ‰ÂÎ¸.
■ Werckmeister/Kirnberger
ùÚ‡ ÒÓÒÚ‡‚Ì‡ﬂ ÚÂÏÔÂ‡ˆËﬂ ‡Á‡·ÓÚ‡Ì‡ Ì‡ ÓÒÌÓ‚Â ‰‚Ûı ÒËÒÚÂÏ ÚÂÏÔÂ‡ˆËË (Werckmeister Ë Kirnberger), ÔÂ‰ÒÚ‡‚Îﬂ˛˘Ëı ÒÓ·ÓÈ
ÛÎÛ˜¯ÂÌÌ˚Â ‚‡Ë‡ÌÚ˚ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓﬂ Ë ÒÚÓﬂ «mean-tone». ÉÎ‡‚Ì‡ﬂ ÓÒÓ·ÂÌÌÓÒÚ¸ ˝ÚÓÈ ÚÂÏÔÂ‡ˆËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ
Í‡Ê‰‡ﬂ ÚÓÌ‡Î¸ÌÓÒÚ¸ ÔËÓ·ÂÚ‡ÂÚ ÓÒÓ·ÓÂ ÛÌËÍ‡Î¸ÌÓÂ Á‚Û˜‡ÌËÂ. ùÚ‡ ÚÂÏÔÂ‡ˆËﬂ ¯ËÓÍÓ ÔËÏÂÌﬂÎ‡Ò¸ ‚Ó ‚ÂÏÂÌ‡ Å‡ı‡ Ë
ÅÂÚıÓ‚ÂÌ‡ Ë ‰‡ÊÂ ‚ Ì‡¯Â ‚ÂÏﬂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÔË ËÒÔÓÎÌÂÌËË ÒÚ‡ËÌÌ˚ı ÒÓ˜ËÌÂÌËÈ ‰Îﬂ ÍÎ‡‚ÂÒËÌ‡.
■ Arabic
ùÚ‡ ÚÂÏÔÂ‡ˆËﬂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ, ÍÓ„‰‡ ËÒÔÓÎÌﬂÂÚÒﬂ ‡‡·ÒÍ‡ﬂ ÏÛÁ˚Í‡.
áÌ‡˜ÂÌËﬂ ‚˚ÒÓÚ ‰Îﬂ Í‡Ê‰Ó„Ó ÒÚÓﬂ (‚ ˆÂÌÚ‡ı,‚ Í‡˜ÂÒÚ‚Â ÔËÏÂ‡ ‚ÁﬂÚ ‰Ó-Ï‡ÊÓ)
áÌ‡˜ÂÌËﬂ ‚ ˝ÚÓÈ Ú‡·ÎËˆÂ ÓÍÛ„ÎÂÌ˚ ‰Ó ˆÂÎÓ„Ó ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
C
C
D
E
E
F
F
Equal Temperament
0.0
0.0
0.0
0.0
0.0
0.0
Pure Major
0.0
-29,7
3,9
15,6
-14,1
Pure Minor
0.0
33,6
3,9
15,6
-14,1
Pythagorean
0.0
14,1
3,9
-6,3
Mean-Tone
0.0
-24,2
-7,0
Werckmeister
0.0
-10,2
Kirnberger
0.0
Arabic1
Arabic2
G
A
A
B
B
0.0
0.0
0.0
0.0
0.0
0.0
-2,3
-9,4
2,3
-27,3
-15,6
18,0
-11,7
-2,3
31,3
2,3
14,1
-15,6
18,0
-11,7
7,8
-2,3
11,7
2,3
15,6
6,3
-3,9
10,2
10,2
-14,1
3,1
-20,3
-3,1
-27,3
-10,2
7,0
-17,2
-7,8
-6,3
-10,2
-2,3
-11,7
-3,9
-7,8
-11,7
-3,9
-7,8
-10,2
-7,0
-6,3
-14,1
-2,3
-10,2
-3,1
-7,8
-10,2
-3,9
-11,7
0.0
0.0
-50.0
0.0
0.0
0.0
0.0
0.0
0.0
-50.0
0.0
0.0
0.0
0.0
0.0
0.0
-50.0
0.0
0.0
0.0
0.0
0.0
0.0
-50.0
CVP-210/208
139
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song Settings
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ ÒÚ. 136.
èêàåÖóÄçàÖ
èÓÁ‚ÓÎﬂÂÚ ÔÓË„˚‚‡Ú¸ ‚ÒÂ ÔÂÒÌË ËÁ
Á‡‰‡ÌÌÓÈ Ô‡ÔÍË Ó‰ÌÛ Á‡ ‰Û„ÓÈ.
äÌÓÔÍ‡ ‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ ÙÛÌÍˆËË Quick Start (ÒÏ. ÔËÏÂ˜‡ÌËÂ).
á‡‰‡ÂÚ ÏÂÚÓ‰ Guide.
ÇÍÎ˛˜‡ÂÚ (ON) ËÎË
‚˚ÍÎ˛˜‡ÂÚ (OFF)
ËÌ‰ËÍ‡ÚÓ˚.
A
F
B
G
C
H
D
I
E
J
éÔÂ‰ÂÎﬂÂÚ ‚ÂÏﬂ, ˜ÂÂÁ ÍÓÚÓÓÂ Á‡„ÓﬂÚÒﬂ
ËÌ‰ËÍ‡ÚÓ˚.
JUST .... àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ËÏÂÌÌÓ ‚
ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚
Ë„‡Ú¸.
NEXT.... àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ÌÂÏÌÓ„Ó
‡Ì¸¯Â ÚÓ„Ó ÏÓÏÂÌÚ‡, ÍÓ„‰‡ ‚˚
‰ÓÎÊÌ˚ Ë„‡Ú¸. ÖÒÎË ‚˚
Ì‡ÊËÏ‡ÂÚÂ Ì‡ ÍÎ‡‚Ë¯Ë ÌÂ ‚Ó‚ÂÏﬂ,
ËÌ‰ËÍ‡ÚÓ˚ Ì‡˜ËÌ‡˛Ú ÏË„‡Ú¸.
èêàåÖóÄçàÖ
1
ìÍ‡Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔË‚ﬂÁ‡ÌÌ˚È Í ÍÌÓÔÍÂ
[TRACK2].
ìÍ‡Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔË‚ﬂÁ‡ÌÌ˚È Í ÍÌÓÔÍÂ
[TRACK1].
á‡‰‡ÂÚ Í‡Ì‡Î „‡ÏÓÌËÁ‡ˆËË Ò ÔÓÏÓ˘¸˛
‚ÓÍÓ‰Â‡ (ÒÚ. 134).
2
3
4
5
6
7
8
ÇÍÎ˛˜‡ÂÚ/‚˚ÍÎ˛˜‡ÂÚ ÙÛÌÍˆË˛ Phrase
Mark Repeat (Á‡ˆËÍÎË‚‡ÌËﬂ
ÏÛÁ˚Í‡Î¸ÌÓ„Ó Ù‡„ÏÂÌÚ‡). ÖÒÎË ˝Ú‡
ÙÛÌÍˆËﬂ ‚ÍÎ˛˜ÂÌ‡, Á‡‰‡ÌÌ˚È
Ù‡„ÏÂÌÚ ÔÂÒÌË ÏÓÊÌÓ «Á‡ˆËÍÎËÚ¸»
Ú‡Í, ˜ÚÓ·˚ ÓÌ ‚ÓÒÔÓËÁ‚Ó‰ËÎÒﬂ ÒÌÓ‚‡
Ë ÒÌÓ‚‡. ëÔÓÒÓ· ‚˚·Ó‡ ÔÓÁËˆËË
ÎÓÍ‡ÚÓ‡ ÌË˜ÂÏ ÌÂ ÓÚÎË˜‡ÂÚÒﬂ ÓÚ
ÒÔÓÒÓ·‡, ÔËÏÂÌﬂÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò
˝Í‡ÌÓÏ SONG POSITION (ÒÚ. 80).
äÌÓÔÍË ‚˚·Ó‡ ﬂÁ˚Í‡ ‰Îﬂ
ÓÚÓ·‡ÊÂÌËﬂ ÚÂÍÒÚ‡ ÔÂÒÌË.
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «AUTO», ÔÓ
ÛÏÓÎ˜‡ÌË˛ ‚˚·Ë‡ÂÚÒﬂ ﬂÁ˚Í,
ÛÍ‡Á‡ÌÌ˚È ‚ Ù‡ÈÎÂ ÔÂÒÌË. ÖÒÎË
‚˚·‡ÌÓ ‰Û„ÓÂ ÁÌ‡˜ÂÌËÂ (ÌÂ
«AUTO»), ÚÂÍÒÚ ÓÚÓ·‡Ê‡ÂÚÒﬂ Ì‡
ﬂÔÓÌÒÍÓÏ ﬂÁ˚ÍÂ, ÂÒÎË ‚ Í‡˜ÂÒÚ‚Â
ﬂÁ˚Í‡ ËÌÚÂÙÂÈÒ‡ (ÒÚ. 154) ‚˚·‡Ì
«JAPANESE». ÑÎﬂ ‚ÒÂı ÓÒÚ‡Î¸Ì˚ı
ﬂÁ˚ÍÓ‚ ‚˚·Ë‡ÂÚÒﬂ ÁÌ‡˜ÂÌËÂ
«INTERNATIONAL».
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «ON»,
Í‡Ì‡Î˚ ‰ÓÓÊÂÍ 1 Ë 2 Ì‡ÁÌ‡˜‡˛ÚÒﬂ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‰Îﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ò
ÙÛÌÍˆËﬂÏË Ó·Û˜ÂÌËﬂ. é·˚˜ÌÓ ˝Ú‡
ÙÛÌÍˆËﬂ ‰ÓÎÊÌ‡ ·˚Ú¸ ‚ÍÎ˛˜ÂÌ‡.
140
CVP-210/208
Quick Start (·˚ÒÚ˚È Á‡ÔÛÒÍ)
àÌÓ„‰‡ ‚ ÍÓÏÏÂ˜ÂÒÍËı Á‡ÔËÒﬂı
ÌÂÍÓÚÓ˚Â Ô‡‡ÏÂÚ˚ ÔÂÒÌË
(ÌÓÏÂ ÚÂÏ·‡, „ÓÏÍÓÒÚ¸ Ë Ú. ‰.)
Á‡ÔËÒ‡Ì˚ ‚ ÔÂ‚ÓÏ Ú‡ÍÚÂ ÔÂÂ‰
ÌÓÚ‡ÏË. ÖÒÎË Ô‡‡ÏÂÚÛ «Quick
Start» ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ ON,
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208
Ò˜ËÚ˚‚‡ÂÚ ˝ÚË ‰‡ÌÌ˚Â Ò
Ï‡ÍÒËÏ‡Î¸ÌÓÈ ÒÍÓÓÒÚ¸˛, ‡
Á‡ÚÂÏ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÌËÊ‡ÂÚ
ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡‰‡ÌÌ˚Ï
ÚÂÏÔÓÏ. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ Ì‡˜‡Ú¸
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË
Ï‡ÍÒËÏ‡Î¸ÌÓ ·˚ÒÚÓ (Ò
ÏËÌËÏ‡Î¸ÌÓÈ Á‡‰ÂÊÍÓÈ Ì‡
Ò˜ËÚ˚‚‡ÌËÂ ÛÔ‡‚Îﬂ˛˘ÂÈ
ËÌÙÓÏ‡ˆËË).
Channel (Í‡Ì‡Î)
àÏÂÂÚÒﬂ ‚ ‚Ë‰Û Í‡Ì‡Î MIDI
(ÒÚ. 161). ä‡Ì‡Î˚
‡ÒÔÂ‰ÂÎﬂ˛ÚÒﬂ ÒÎÂ‰Û˛˘ËÏ
Ó·‡ÁÓÏ.
èÂÒÌﬂ
1 - 16
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
9 - 16
èêàåÖóÄçàÖ
àÌ‰ËÍ‡ÚÓ˚ Á‡„Ó‡˛ÚÒﬂ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË,
ÔËÒ‚ÓÂÌÌ˚Ï ‰ÓÓÊÍ‡Ï 1 Ë 2, Ë
‡ÍÍÓ‰‡ÏË ÔÂÒÌË (ÂÒÎË ÓÌË
ÂÒÚ¸). åÓÊÌÓ ÓÒÚ‡‚ËÚ¸ ÙÛÌÍˆË˛
AUTO SET CH ‚ ÔÓÎÓÊÂÌËË ON,
Ë Í‡Ì‡Î ÔÂÒÌË ·Û‰ÂÚ Á‡‰‡Ì
‡‚ÚÓÏ‡ÚË˜ÂÒÍË. ÖÒÎË
ÂÁÛÎ¸Ú‡Ú˚ ‚‡Ò ÌÂ ÛÒÚ‡Ë‚‡˛Ú,
ÌÂÓ·ıÓ‰ËÏÓ ÒÓ„Î‡ÒÓ‚‡Ú¸
Ô‡‡ÏÂÚ˚ Channel Setting
«TRK1 CH» Ë «TRK2 CH» ‰Îﬂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ
Ô‡‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍË.
èêàåÖóÄçàÖ
èÓÁËˆËﬂ ÎÓÍ‡ÚÓ‡
ùÚË ‰‡ÌÌ˚Â ÛÍ‡Á˚‚‡˛Ú Ì‡
ÓÔÂ‰ÂÎÂÌÌÓÂ ÏÂÒÚÓ ‚ ÔÂÒÌÂ.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style
Setting, Split Point Ë Chord Fingering
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ ÒÚ. 136.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚, Ò‚ﬂÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë
Split Point
F
G
H
I
J
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚, ‰Îﬂ ÍÓÚÓ˚ı
è‡‡ÏÂÚ Section Set
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ÚÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚:
ÖÒÎË Í‡Í‡ﬂ ÎË·Ó ËÁ „Î‡‚Ì˚ı
‡Á‰ÂÎ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡Á‰ÂÎ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË ËÎË
˜‡ÒÚÂÈ (Main A - D) ÌÂ ‚ÍÎ˛˜ÂÌ‡
Ó·‡ ˝ÚËı ‡Á‰ÂÎ‡. ÑÂÊ‡ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ,
‚ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡,
Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û, ÍÓÚÓ‡ﬂ ÒÚ‡ÌÂÚ ÚÓ˜ÍÓÈ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚·Ë‡ÂÚÒﬂ
‡Á‰ÂÎÂÌËﬂ. ç‡Ê‡Ú‡ﬂ ÍÎ‡‚Ë¯‡ ‚ıÓ‰ËÚ ‚ ‰Ë‡Ô‡ÁÓÌ,
·ÎËÊ‡È¯‡ﬂ Í ÌÂÈ ˜‡ÒÚ¸.
ÓÚ‚Â‰ÂÌÌ˚È ÔÓ‰ ‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ç‡ÔËÏÂ, ÂÒÎË ÔÓÔÛ˘ÂÌ‡
(ACMP), ËÎË ‚ ‡Á‰ÂÎ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË (LEFT).
˜‡ÒÚ¸ D, ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
A+L (ACMP + LEFT)
˜‡ÒÚ¸ C.
èÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰Îﬂ ‡Á‰ÂÎ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
‡Á‰ÂÎ‡ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË.
L (LEFT)
èÓÁ‚ÓÎﬂÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ‡Á‰ÂÎ‡ ÎÂ‚ÓÈ ÛÍË.
A (ACMP)
èÓÁ‚ÓÎﬂÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ‡Á‰ÂÎ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
á‡‰‡ÂÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ‰Îﬂ ‡Á‰ÂÎ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ACMP) Ë ‡Á‰ÂÎ‡ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË
(LEFT). ùÚÓ ÁÌ‡˜ÂÌËÂ ÏÓÊÂÚ ÓÚÌÓÒËÚÒﬂ Í Ó·ÓËÏ ‡Á‰ÂÎ‡Ï ËÎË Í Í‡Ê‰ÓÏÛ ËÁ ÌËı ÔÓ
ÓÚ‰ÂÎ¸ÌÓÒÚË. óÚÓ·˚ ‚˚·‡Ú¸ ÔÓ‰ıÓ‰ﬂ˘ËÈ ‚‡Ë‡ÌÚ, ‚ÓÒÔÓÎ¸ÁÛÈÚÂÒ¸ ÍÌÓÔÍ‡ÏË [F], [G] Ë [H]
(ÒÏ. ‚˚¯Â). äÓÏÂ ÚÓ„Ó, ˝ÚË ÍÌÓÔÍË ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Ò‡ÏË ÔÓ ÒÂ·Â ‰Îﬂ ÛÒÚ‡ÌÓ‚ÍË
ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚.
á‡‰‡ÂÚ ˜‡ÒÚ¸ ÔÓ ÛÏÓÎ˜‡ÌË˛, ÍÓÚÓ‡ﬂ ·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚Á˚‚‡Ú¸Òﬂ ÔË ‚˚·ÓÂ
‡ÁÎË˜Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÍÓ„‰‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚ÍÎ˛˜ÂÌ).
ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÒËÎÂ Ì‡Ê‡ÚËﬂ ‰Îﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË
Á‡‰‡ÌÓ ÁÌ‡˜ÂÌËÂ «ON», ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ Ì‡Ê‡ÚËﬂ Ì‡
ÍÎ‡‚Ë¯Ë (‚ ‡Á‰ÂÎÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).
àÌÒÚÛÏÂÌÚ CVP-210/208 ÔÓÁ‚ÓÎﬂÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÍÎ˛˜‡Ú¸ ÂÊËÏ Sync Stop (ÒËÌıÓÌÌÓÈ
ÓÒÚ‡ÌÓ‚ÍË) (ÒÚ. 69). ÑÎﬂ ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚ÒÚÓ Ì‡Ê‡Ú¸ Ë ÓÚÔÛÒÚËÚ¸ ÌÂÒÍÓÎ¸ÍÓ ÍÎ‡‚Ë¯ ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ ‚ÂÏﬂ Û‰ÂÊ‡ÌËﬂ ÍÎ‡‚Ë¯.
ùÚË ÍÌÓÔÍË ÓÚÌÓÒﬂÚÒﬂ Í ÙÛÌÍˆËË OTS Link, ÔÓÁ‚ÓÎﬂ˛˘ÂÈ ‚ ÓÔÂ‰ÂÎÂÌÌÓÏ ÔÓﬂ‰ÍÂ Á‡„ÛÊ‡Ú¸ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ
Í‡Ò‡ÌËÂ» ÔË ÒÏÂÌÂ ˜‡ÒÚÂÈ. éÌË ÔÓÁ‚ÓÎﬂ˛Ú Á‡‰‡Ú¸ ‚ÂÏﬂ ÒÏÂÌ˚ Ï„ÌÓ‚ÂÌÌ˚ı Ì‡ÒÚÓÂÍ. (äÌÓÔÍ‡ [OTS LINK] ‰ÓÎÊÌ‡
·˚Ú¸ ‚ÍÎ˛˜ÂÌ‡.)
Real Time (‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË)
ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» Á‡„ÛÊ‡ÂÚÒﬂ Ò‡ÁÛ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË.
Next Bar (ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡)
ç‡ÒÚÓÈÍ‡ «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ» Á‡„ÛÊ‡ÂÚÒﬂ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË.
åÓÊÌÓ ÛÍ‡Á‡Ú¸, ‰ÓÎÊÂÌ ÎË ‡ÍÍÓ‰, ÔÓË„‡ÌÌ˚È ‚ ‡Á‰ÂÎÂ ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ.
ÖÒÎË Á‡‰‡ÌÓ ÁÌ‡˜ÂÌËÂ «OFF», ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ˝ÙÙÂÍÚ Harmony (ÒÚ. 62), ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ﬂ ÒÚËÎ¸.
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ ÓÚ‰ÂÎﬂÂÚ ‡Á‰ÂÎ ÍÎ‡‚Ë‡ÚÛ˚, ÓÚ‚Â‰ÂÌÌ˚È ÔÓ‰
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP), Ë ‡Á‰ÂÎ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË (LEFT) ÓÚ ‡Á‰ÂÎ‡ ‰Îﬂ
Ô‡‚ÓÈ ÛÍË (MAIN). íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ LEFT ÌÂ ÏÓÊÂÚ Ì‡ıÓ‰ËÚ¸Òﬂ ÎÂ‚ÂÂ ÚÓ˜ÍË
ACMP. ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ÚÓ˜Í‡ ACMP ÌÂ ÏÓÊÂÚ ·˚Ú¸ Ô‡‚ÂÂ ÚÓ˜ÍË LEFT.
èêàåÖóÄçàÖ
è‡‡ÏÂÚ Split point ÏÓÊÌÓ
Á‡‰‡Ú¸ Ì‡ ˝Í‡ÌÂ MAIN.
èêàåÖóÄçàÖ
éÒÚ‡ÌÓ‚Í‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ
‚ÍÎ˛˜ÂÌ, ‡ ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ
‚˚ÍÎ˛˜ÂÌ, ÏÓÊÌÓ Ë„‡Ú¸
‡ÍÍÓ‰˚ ‚ ÎÂ‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚ (˜‡ÒÚË
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ÔË
ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÒÚËÎÂ Ë ‚ÒÂ-Ú‡ÍË
ÒÎ˚¯‡Ú¸ ‡ÍÍÓ‰˚
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (A)
ê‡Á‰ÂÎ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (L)
ê‡Á‰ÂÎ ‰Îﬂ
ê‡Á‰ÂÎ ‰Îﬂ
Ô‡‚ÓÈ ÛÍË
ÎÂ‚ÓÈ ÛÍË
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ (A) + (L)
ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
+ ‡Á‰ÂÎ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË
ê‡Á‰ÂÎ ‰Îﬂ
Ô‡‚ÓÈ ÛÍË
CVP-210/208
141
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
Ç˚·Ó ‡ÔÔÎËÍ‡ÚÛ˚ – Chord Fingering
éÔÂ‰ÂÎﬂÂÚ, Í‡Í ÌÓÚ˚, ÍÓÚÓ˚Â ‚˚ Ë„‡ÂÚÂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ÓÚÓ·‡Ê‡˛ÚÒﬂ ËÎË ‚ÓÒÔÓËÁ‚Ó‰ﬂÚ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚
‡ÁÛ˜ËÚ¸ ÓÔÂ‰ÂÎÂÌÌ˚Â ‡ÍÍÓ‰˚, ËÒÔÓÎ¸ÁÛÈÚÂ Û‰Ó·ÌÛ˛ ÙÛÌÍˆË˛ Chord Tutor (ÒÏ. ÌËÊÂ).
èêàåÖóÄçàÖ
ìÍ‡Á˚‚‡ÂÚ ÌÓÚ˚, ÓÚÌÓÒﬂ˘ËÂÒﬂ
Í ‡ÍÍÓ‰Û. çÂÍÓÚÓ˚Â ÌÓÚ˚
ÏÓÊÌÓ ÌÂ Ë„‡Ú¸. ìÒÎÓ‚ÌÓÂ
Ó·ÓÁÌ‡˜ÂÌËÂ ‡ÍÍÓ‰‡
ÛÍ‡Á˚‚‡ÂÚÒﬂ ÒÔ‡‚‡ ÓÚ ÒÚÓÍË
«CHORD NAME».
1
2
3
4
5
6
7
.... é·ﬂÁ‡ÚÂÎ¸Ì‡ﬂ ÌÓÚ‡
.... åÓÊÂÚ ·˚Ú¸ ÓÔÛ˘ÂÌ‡
.... ã˛·‡ﬂ ËÁ ˝ÚËı ÌÓÚ ÏÓÊÂÚ
·˚Ú¸ ÓÔÛ˘ÂÌ‡
.... ùÚÛ ÌÓÚÛ ÏÓÊÌÓ ÓÔÛ¯ÂÌ‡,
ÂÒÎË ÓÔÛ˘ÂÌ‡ ÌÓÚ‡ ÒÓ
ÁÌ‡˜ÍÓÏ
8
ùÚË ÍÌÓÔÍË ÓÔÂ‰ÂÎﬂ˛Ú ÚËÔ
‡ÔÔÎËÍ‡ÚÛ˚ (ÒÚ. 66).
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
ËÁÏÂÌËÚ¸ ÚËÔ ‡ÍÍÓ‰‡.
ùÚË ÍÌÓÔÍË ÔÂ‰ÒÚ‡‚Îﬂ˛Ú ‡ÍÍÓ‰ Ì‡
ﬂÁ˚ÍÂ ÏÛÁ˚Í‡Î¸ÌÓÈ ÌÓÚ‡ˆËË.
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú ËÁÏÂÌËÚ¸
ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡.
ç‡ ˝Í‡ÌÂ ‡ÍÍÓ‰˚
ÓÚÓ·‡Ê‡˛ÚÒﬂ ‰Îﬂ ÏÂÚÓ‰‡
Fingered ÌÂÁ‡‚ËÒËÏÓ ÓÚ
‡ÔÔÎËÍ‡ÚÛ˚, Ù‡ÍÚË˜ÂÒÍË
‚˚·‡ÌÌÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Chord Tutor
óÚÓ·˚ ÛÁÌ‡Ú¸, Í‡Í Ô‡‚ËÎ¸ÌÓ
‚ÁﬂÚ¸ ‡ÍÍÓ‰, ÏÓÊÌÓ
‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ «˝ÎÂÍÚÓÌÌÓÈ
Ú‡·ÎËˆÂÈ ‡ÍÍÓ‰Ó‚» Chord Tutor.
ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË
ÌÛÊÌÓ Ò˚„‡Ú¸ Á‡‰‡ÌÌÛ˛
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚.
ÑÓÒÚ‡ÚÓ˜ÌÓ ÛÍ‡Á‡Ú¸ ÌÛÊÌ˚È
‡ÍÍÓ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[6▲▼] - [8▲▼], Ë Ì‡ ˝Í‡ÌÂ
ÓÚÓ·‡ÁﬂÚÒﬂ ÔÓÏÂ˜ÂÌÌ˚Â
ÓÒÓ·˚ÏË ÁÌ‡˜Í‡ÏË ÍÎ‡‚Ë¯Ë
(‡ÔÔÎËÍ‡ÚÛ‡ ‡ÍÍÓ‰‡ ‚ ÂÊËÏÂ
Fingered).
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂ‰‡ÎÂÈ – Controller
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ ÒÚ. 136.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÔÂ‰‡ÎÂÈ
á‡‰‡ÂÚ ÔÂ‰‡Î¸, ÍÓÚÓÓÈ
Ì‡ÁÌ‡˜‡ÂÚÒﬂ ÙÛÌÍˆËﬂ.
A
F
B
G
C
H
D
I
E
J
1
2
3
á‡‰‡ÂÚ ÙÛÌÍˆË˛, ÔËÒ‚‡Ë‚‡ÂÏÛ˛
‚˚·‡ÌÌÓÈ ÔÂ‰‡ÎË. ã˛·ÓÈ ÔÂ‰‡ÎË ÏÓÊÌÓ
ÔËÒ‚ÓËÚ¸ Î˛·Û˛ ÙÛÌÍˆËÈ ËÁ ÒÔËÒÍ‡.
àÌÙÓÏ‡ˆË˛ Ó ÚÓÏ, Í‡ÍËÂ ÙÛÌÍˆËË
ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸, ÒÏ ‚ ‡Á‰ÂÎÂ
«îÛÌÍˆËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ Ò
ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎÂÈ» Ì‡ ÒÚ. ÒÚ. 143.
142
CVP-210/208
4
5
6
7
8
ÖÒÎË ÚÂ·ÛÂÚÒﬂ, ÏÓÊÌÓ
‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ ˜‡ÒÚ¸,
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÂ.
åÓÊÌÓ Ú‡ÍÊÂ Á‡‰‡Ú¸ ÛÓ‚ÂÌ¸
ÔÓÒ˚Î‡ ˝ÙÙÂÍÚ‡ (ÒÏ.
ÒÎÂ‰Û˛˘Û˛ ÒÚ‡ÌËˆÛ).
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ
ÙÛÌÍˆËË Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË
Á‡‚ËÒËÚ ÓÚ ÚÓ„Ó, Í‡Í‡ﬂ ËÏÂÌÌÓ
ÔÂ‰‡Î¸ ÔÓ‰ÍÎ˛˜ÂÌ‡ Í ‡Á˙ÂÏÛ
[AUX PEDAL]. ç‡ÔËÏÂ,
Ì‡Ê‡ÚËÂ ÔÂ‰‡ÎË Ó‰ÌÓÈ Ï‡ÍË
‚ÍÎ˛˜‡ÂÚ ÙÛÌÍˆË˛, ‡ ‰Û„ÓÈ –
‚˚ÍÎ˛˜‡ÂÚ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó
Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸
ÔÂ‰‡ÎË ÔË‚˚˜Ì˚Ï ‰Îﬂ ‚‡Ò
Ó·‡ÁÓÏ.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
îÛÌÍˆËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎÂÈ
VOLUME*
èÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÌÓÊÌÓÂ ÛÔ‡‚ÎÂÌËÂ „ÓÏÍÓÒÚ¸˛ (ÚÓÎ¸ÍÓ ÔÂ‰‡Î¸ AUX).
SUSTAIN
ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ÔÓË„˚‚‡ÂÏ˚Â ÌÓÚ˚ Á‚Û˜‡Ú ‰ÓÎ¸¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ ÔÂ‰‡Î¸, Á‚Û˜‡ÌËÂ ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂÍ‡˘‡ÂÚÒﬂ.
SOSTENUTO
ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰ÂÊ‡Ú¸ ÔÂ‰‡Î¸, ‚ÍÎ˛˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÔÓ‰ÎﬂÂÚÒﬂ ÚÓÎ¸ÍÓ ÔÂ‚‡ﬂ ÌÓÚ‡ (ÌÓÚ‡, ÍÓÚÓÛ˛ ‚˚ Ò˚„‡ÎË Ë ‰ÂÊ‡ÎË ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËﬂ
ÔÂ‰‡ÎË). ç‡ÔËÏÂ, ˝ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡, ÍÓ„‰‡ ÌÓÚ˚, Ë‰Û˘ËÂ Ò‡ÁÛ Á‡ ÌËÏ, Ë„‡˛ÚÒﬂ ÒÚ‡ÍÍ‡ÚÓ.
SOFT
ç‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÌÂÏÌÓ„Ó ÛÏÂÌ¸¯‡ÂÚ „ÓÏÍÓÒÚ¸ Ë ÒÎÂ„Í‡ ËÁÏÂÌﬂÂÚ ÚÂÏ·. ùÚÓÚ ˝ÙÙÂÍÚ ÒÎÂ‰ÛÂÚ ÔËÏÂÌﬂÚ¸ ÎË¯¸ Í ÌÂÍÓÚÓ˚Ï ÚÂÏ·‡Ï – Ì‡ÔËÏÂ,
PIANO (ÙÓÚÂÔË‡ÌÓ).
GLIDE
äÓ„‰‡ ‚˚ Ì‡ÊËÏ‡ÂÚÂ Ì‡ ÔÂ‰‡Î¸, ‚˚ÒÓÚ‡ ÏÂÌﬂÂÚÒﬂ. äÓ„‰‡ ‚˚ ÓÚÔÛÒÍ‡ÂÚÂ ÔÂ‰‡Î¸, ‚˚ÒÓÚ‡ ‚ÓÁ‚‡˘‡ÂÚÒﬂ Í ÌÓÏ‡Î¸ÌÓÈ.
PORTAMENTO
ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ÒÓÁ‰‡ÂÚÒﬂ ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (ÔÎ‡‚ÌÓÂ ÒÍÓÎ¸ÊÂÌËÂ Á‚ÛÍ‡ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒﬂ ÔË Ë„Â ÎÂ„‡ÚÓ (Ú.Â.
ÔÓÒÎÂ‰Û˛˘‡ﬂ ÌÓÚ‡ Ë„‡ÂÚÒﬂ ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ Â˘Â ÓÚÔÛ˘ÂÌ‡ ÔÂ‰˚‰Û˘‡ﬂ). ÇÂÏÂÌÌ˚Â „‡ÌËˆ˚ ÔÓÚ‡ÏÂÌÚÓ ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ ˝Í‡ÌÂ Mixing Console
(ÒÚ. 125). çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
PITCHBEND*
ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒﬂ ËÎË ÔÓÌËÊ‡ÂÚÒﬂ. èËÏÂÌËÏÓ ÚÓÎ¸ÍÓ Í ÔÂ‰‡ÎË AUX Ë Ô‡‚ÓÈ ÔÂ‰‡ÎË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.
MODULATION*
ÇÍÎ˛˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îﬂ ÌÓÚ, Ò˚„‡ÌÌ˚ı Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ÉÎÛ·ËÌ‡ ˝ÙÙÂÍÚ‡ Û‚ÂÎË˜Ë‚‡ÂÚÒﬂ, ÔÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡. çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚
„ÛÔÔ˚ Natural.
DSP VARIATION
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [VARIATION]. çÂ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
VIBROTOR ON/OFF
ÇÍÎ˛˜‡ÂÚ Ë ‚˚ÍÎ˛˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor« (ÒÚ. 126). íÓÎ¸ÍÓ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
HARMONY/ECHO
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [HARMONY/ECHO].
VOCAL HARMONY
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [VOCAL HARMONY].
TALK
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [TALK].
SCORE PAGE+
äÓ„‰‡ ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, ÏÓÊÌÓ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÈ ÒÚ‡ÌËˆÂ Ô‡ÚËÚÛ˚ (ÚÓÎ¸ÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ Ì‡Á‡‰).
SCORE PAGE-
äÓ„‰‡ ÔÂÒÌﬂ ÓÒÚ‡ÌÓ‚ÎÂÌ‡, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ Ô‡ÚËÚÛ˚ (ÚÓÎ¸ÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ ‚ÔÂÂ‰).
SONG START/STOP
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ SONG [START/STOP].
STYLE START/STOP
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ STYLE [START/STOP].
TAP TEMPO
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [TAP TEMPO].
SYNCHRO START
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [SYNC. START].
SYNCHRO STOP
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [SYNC. STOP].
INTRO
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [INTRO].
MAIN A
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [A].
MAIN B
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [B].
MAIN C
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [C].
MAIN D
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ MAIN [D].
FILL DOWN
à„‡ÂÚÒﬂ ‚ÒÚ‡‚Í‡, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÎÂ‰ÛÂÚ ˜‡ÒÚ¸ Main ·ÎËÊ‡È¯ÂÈ ÍÌÓÔÍË ÒÎÂ‚‡.
FILL SELF
ÑÓ·‡‚ÎÂÌËÂ ‚ÒÚ‡‚ÍË.
FILL BREAK
ÑÓ·‡‚ÎÂÌËÂ ·ÂÈÍ‡.
FILL UP
à„‡ÂÚÒﬂ ‚ÒÚ‡‚Í‡, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÒÎÂ‰ÛÂÚ ˜‡ÒÚ¸ Main ·ÎËÊ‡È¯ÂÈ ÍÌÓÔÍË ÒÔ‡‚‡.
ENDING
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [ENDING/rit.].
FADE IN/OUT
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [FADE IN/OUT].
FING/ON BASS
èÂ‰‡Î¸ ÒÎÛÊËÚ ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎËÍ‡ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 66).
BASS HOLD
èÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ·‡ÒÓ‚‡ﬂ ÌÓÚ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎÊ‡Ú¸ Á‚Û˜‡Ú¸, ‰‡ÊÂ ÂÒÎË ÒÏÂÌËÚÒﬂ ‡ÍÍÓ‰. ùÚ‡ ÙÛÌÍˆËﬂ ÌÂ ‡·ÓÚ‡ÂÚ, ÂÒÎË
‡ÔÔÎËÍ‡ÚÛ‡ ÛÒÚ‡ÌÓ‚ÎÂÌ‡ Ì‡ FULL KEYBOARD.
PERCUSSION
ë ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ Ì‡ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Á‡‰‡ÌÌÓÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4▲▼] - [8▲▼]. ÑÎﬂ ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÍÎ‡‚Ë‡ÚÛÛ.
LAYER ON/OFF
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [LAYER].
LEFT ON/OFF
íÓ ÊÂ Ò‡ÏÓÂ, ˜ÚÓ ÍÌÓÔÍ‡ [LEFT].
OTS+
Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».
OTS-
Ç˚ÁÓ‚ ÔÂ‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ«.
* ë‡Ï˚Â ÎÛ˜¯ËÂ ÂÁÛÎ¸Ú‡Ú˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
ëÎÂ‰Û˛˘ËÂ Ô‡‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2▲▼] - [8▲▼], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‰Û„Ó„Ó ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ (Type). ç‡ÔËÏÂ, ÂÒÎË ‚ Í‡˜ÂÒÚ‚Â
ÚËÔ‡ ‚˚·‡Ì SUSTAIN, Ì‡ ˝Í‡ÌÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓﬂ‚Îﬂ˛ÚÒﬂ Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT«.
SONG, STYLE, MIC, LEFT, LAYER,
MAIN
ùÚË Ô‡‡ÏÂÚ˚ ÒÎÛÊ‡Ú ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ˜‡ÒÚÂÈ, Ì‡ ÍÓÚÓ˚Â ·Û‰ÂÚ ‚ÎËﬂÚ¸ ÔÂ‰‡Î¸.
HALF PEDAL POINT*
åÓÊÌÓ ÛÍ‡Á‡Ú¸, Ì‡ÒÍÓÎ¸ÍÓ ÒËÎ¸ÌÓ ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ Ì‡ Ô‡‚Û˛ ÔÂ‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓÚ‡Î ÔÂÂÍÎ˛˜‡ÚÂÎ¸ (ÒÚ. 62). èËÏÂÌËÏÓ ‰Îﬂ ÓÔÂ‰ÂÎÂÌÌÓ„Ó
ÚËÔ‡ ÔÂ‰‡ÎÂÈ, Ì‡ÔËÏÂ, AUX (YAMAHA FC7) ËÎË Ô‡‚‡ﬂ ÔÂ‰‡Î¸ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208.
DEPTH
éÔÂ‰ÂÎﬂÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ÎÂ‚ÓÈ ÔÂ‰‡ÎË, ÍÓ‰‡ ‚˚·‡Ì SOFT. íÓÎ¸ÍÓ ‰Îﬂ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
UP/DOWN
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ, ÔÓ‚˚¯‡ÂÚÒﬂ ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ËÎË ÔÓÌËÊ‡ÂÚÒﬂ.
RANGE
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE ËÎË PITCH BEND, ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ ‚ ÔÓÎÛÚÓÌ‡ı.
ON SPEED
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.
OFF SPEED
ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡, ÍÓ„‰‡ ÔÂ‰‡Î¸ ÓÚÔÛÒÍ‡ÂÚÒﬂ.
KIT
ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ ËÏÂ˛˘ËÂÒﬂ Ì‡·Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı, Ë ‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ Ì‡·Ó, ÍÓÚÓ˚È
‰ÓÎÊÂÌ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‰Îﬂ ÔÂ‰‡ÎË.
PERCUSSION
ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒﬂ ‚ÒÂ Á‚ÛÍË ‚˚·‡ÌÌÓÈ Û‰‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË (ÒÏ ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ,
‚˚ ÏÓÊÂÚÂ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ÔËÔËÒ‡Ì ÔÂ‰‡ÎË.
* ë‡Ï˚Â ÎÛ˜¯ËÂ ÂÁÛÎ¸Ú‡Ú˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ.
CVP-210/208
143
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
àÁÏÂÌÂÌËÂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Ì‡Ê‡ÚË˛ Ë Ì‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚
Ú‡ÌÒÔÓÁËˆËË – Keyboard/Panel
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯
îÛÌÍˆËﬂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Ì‡Ê‡ÚË˛ (Touch) ÔÓÁ‚ÓÎﬂÂÚ ÛÔ‡‚ÎﬂÚ¸ „ÓÏÍÓÒÚ¸˛ ÚÂÏ·‡, ËÁÏÂÌﬂﬂ ÒËÎÛ Ì‡Ê‡ÚËﬂ Ì‡ ÍÎ‡‚Ë¯Ë.
Ç˚ ÏÓÊÂÚÂ Ì‡ÒÚÓËÚ¸ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ ÍÎ‡‚Ë‡ÚÛ˚ Ú‡Í, Í‡Í ‚‡Ï Û‰Ó·ÌÓ.
HARD 2
ÉÓÏÍËÈ Á‚ÛÍ ‚ÓÁÌËÍ‡ÂÚ ÎË¯¸ ÔË ÒËÎ¸ÌÓÏ Ì‡Ê‡ÚËË
Ì‡ ÍÎ‡‚Ë¯Ë. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îﬂ
ËÒÔÓÎÌËÚÂÎÂÈ, ÍÓÚÓ˚Â ÔË‚˚ÍÎË ÒËÎ¸ÌÓ ‰‡‚ËÚ¸ Ì‡
ÍÎ‡‚Ë¯Ë.
B
HARD 1
çÂÓ·ıÓ‰ËÏÓ ‰Ó‚ÓÎ¸ÌÓ ÒËÎ¸ÌÓ Ì‡ÊËÏ‡Ú¸ Ì‡ ÍÎ‡‚Ë¯Ë.
C
NORMAL
ëÚ‡Ì‰‡ÚÌ‡ﬂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸.
D
SOFT 1
ÉÓÏÍËÈ Á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒﬂ ÔË ÒÂ‰ÌÂÈ ÒËÎÂ Ì‡Ê‡ÚËﬂ.
E
SOFT 2
íÂÏ· Á‚Û˜ËÚ ÓÚÌÓÒËÚÂÎ¸ÌÓ „ÓÏÍÓ ‰‡ÊÂ ÔË
ÌÂÒËÎ¸ÌÓÏ Ì‡Ê‡ÚËË. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îﬂ
Î˛‰ÂÈ, ÍÓÚÓ˚Â ÔË‚˚ÍÎË ÌÂÒËÎ¸ÌÓ Í‡Ò‡Ú¸Òﬂ
ÍÎ‡‚Ë¯.
A
ùÚ‡ ÍÌÓÔÍ‡ ÓÔÂ‰ÂÎﬂÂÚ
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í
Ì‡Ê‡ÚË˛ (ÒÏ. Ú‡·ÎËˆÛ
ÒÔ‡‚‡).
èêàåÖóÄçàÖ
á‡‰‡ÂÚ
ÙËÍÒËÓ‚‡ÌÌ˚È
ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË,
ÂÒÎË Ô‡‡ÏÂÚ Touch
ÓÚÍÎ˛˜ÂÌ (OFF).
1
2
3
4
5
6
7
éÔÂ‰ÂÎﬂÂÚ, ‚ÍÎ˛˜ÂÌ ÎË Ô‡‡ÏÂÚ Touch ‰Îﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ.
8
è‡‡ÏÂÚ TOUCH ‚ÎËﬂÂÚ Ì‡ ‚ÒÂ ÚÂÏ·˚ Ò‡ÁÛ. èÓÏÌËÚÂ,
˜ÚÓ ÏÓÊÌÓ Á‡‰‡Ú¸ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Ë ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ
Í‡Ê‰Ó„Ó ÚÂÏ·‡ (TOUCH SENSE). ç‡ÔËÏÂ, ˜ÚÓ·˚
Ì‡Ë·ÓÎÂÂ Â‡ÎËÒÚË˜ÌÓ Ò˚„‡Ú¸ ÚÂÏ·ÓÏ Ó„‡Ì‡, ÒÎÂ‰ÛÂÚ
ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆË˛ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í Ì‡Ê‡ÚË˛ ‰Îﬂ
˝ÚÓ„Ó ÚÂÏ·‡ (ÒÚ. 93).
è‡‡ÏÂÚ Transpose Assign
ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸, ˜ÚÓ ËÏÂÌÌÓ ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸Òﬂ ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TRANSPOSE].
Transpose
Ç˚ÒÓÚÛ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë‡ÚÛ˚, ‡ Ú‡ÍÊÂ ÒÚËÎﬂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÂÌ ÏÓÊÌÓ ËÁÏÂÌﬂÚ¸ Ò ¯‡„ÓÏ ‚ 1 ÔÓÎÛÚÓÌ.
1
ç‡ÊÏËÚÂ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [TRANSPOSE].
TRANSPOSE
RESET
1
2
3
4
5
6
7
SONG
í‡ÌÒÔÓÌËÛÂÚÒﬂ ÚÓÎ¸ÍÓ ÔÂÒÌﬂ.
MASTER
í‡ÌÒÔÓÌËÛÂÚÒﬂ ‚˚ÒÓÚ‡ Á‚ÛÍ‡ ‚ÒÂ„Ó ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
(ÚÂÏ·˚, Ë„‡ÂÏ˚Â Ò ÍÎ‡‚Ë‡ÚÛ˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
Ë ÔÂÒÌË).
èêàåÖóÄçàÖ
îÛÌÍˆËﬂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ
ÌÂ ‚ÎËﬂÂÚ Ì‡ ÚÂÏ·˚ Drum Kit
Ë SFX Kit (Û‰‡Ì˚Â Ë
ÒÔÂˆ˝ÙÙÂÍÚ˚).
CVP-210/208
ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ‚ÒÔÎ˚‚‡˛˘ÂÂ ÓÍÌÓ TRANSPOSE,
‚˚·‡ÌÌÓÂ Ò Û˜ÂÚÓÏ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚ‡ TRANSPOSE
ASSIGN.
3
á‡‰‡ÈÚÂ ÌÛÊÌÓÂ ÁÌ‡˜ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ
[TRANSPOSE].
8
KEYBOARD
í‡ÌÒÔÓÌËÛ˛ÚÒﬂ ÚÂÏ·˚, Ë„‡ÂÏ˚Â Ò ÍÎ‡‚Ë‡ÚÛ˚ (Main,
Layer Ë Left), ‡ Ú‡ÍÊÂ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
144
2
END
á‡ÍÓÈÚÂ ÓÍÌ‡ TRANSPOSE, Ì‡Ê‡‚ ÍÌÓÔÍÛ [EXIT].
• àÁ·Ë‡ÚÂÎ¸ÌÓÂ Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÔÂÒÌË
ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸, ˜ÚÓ·˚ ÔÓ‰Ó·‡Ú¸
ÚÓÌ‡Î¸ÌÓÒÚ¸ ‰Îﬂ ÔÓ‰˚„˚‚‡ÌËﬂ Í‡ÍÓÈ-ÎË·Ó ÔÂÒÌÂ. ÑÓÔÛÒÚËÏ, ‚‡Ï
ıÓ˜ÂÚÒﬂ ÔÓ‰˚„‡Ú¸ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ Ë ÒÔÂÚ¸ ÂÂ ‚ ÏËÍÓÙÓÌ.
èÂÒÌﬂ Á‡ÔËÒ‡Ì‡ ‚ Ù‡-Ï‡ÊÓÂ, ÌÓ ‚‡Ï Û‰Ó·ÌÂÂ ÔÂÚ¸ ÂÂ Â-Ï‡ÊÓÂ,
‡ ÔÓ‰˚„˚‚‡Ú¸ ‚˚ ÔË‚˚ÍÎË ‚ ‰Ó-Ï‡ÊÓÂ. óÚÓ·˚ ÔÓÎÛ˜ËÚ¸
ÌÛÊÌ˚È ÂÁÛÎ¸Ú‡Ú, Á‡‰‡ÈÚÂ ÌÛÎÂ‚ÓÂ ÁÌ‡˜ÂÌËÂ ‰Îﬂ Ô‡‡ÏÂÚ‡
Master Transpose, «2» ‰Îﬂ Keyboard Transpose Ë «-3» ‰Îﬂ Song
Transpose. ó‡ÒÚ¸, Ë„‡ÂÏ‡ﬂ Ò ÍÎ‡‚Ë‡ÚÛ˚, ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì‡
‚‚Âı, ‡ ÔÂÒÌﬂ – ‚ÌËÁ ‰Îﬂ ÔË‚Â‰ÂÌËﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ Ò
ÚÓÌ‡Î¸ÌÓÒÚ¸˛, ‚ ÍÓÚÓÓÈ ‚˚ ÔÓÂÚÂ.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ Registration Sequence, Freeze Ë Voice Set
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ. 136.
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ ‚˚ÁÓ‚‡ Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ ËÁ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË
– Registration Sequence
ç‡·Ó˚ Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚Â Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓı‡ÌﬂÚ¸ ‚ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. óÚÓ·˚ ‚˚Á‚‡Ú¸ Ó‰ËÌ ËÁ Ú‡ÍËı
Ì‡·ÓÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY [1] - [8]. ùÚ‡ Û‰Ó·Ì‡ﬂ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ
Á‡„ÛÊ‡Ú¸ Ì‡·Ó˚ Ì‡ÒÚÓÂÍ ‚ Î˛·ÓÏ ÔÓﬂ‰ÍÂ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË ËÎË ÍÌÓÔÓÍ [BACK]/[NEXT], ÌÂ ÔÂ˚‚‡ﬂ Ë„˚.
á‡‰‡ÂÚ ÔÂ‰‡Î¸ ‰Îﬂ
‚˚ÁÓ‚‡ Ì‡·ÓÓ‚
Ì‡ÒÚÓÂÍ ‚ Ó·‡ÚÌÓÏ
ÔÓﬂ‰ÍÂ.
èêàåÖóÄçàÖ
àÏﬂ ‚˚·‡ÌÌÓ„Ó ·‡ÌÍ‡ Â„ËÒÚ‡ˆËÓÌÌÓÈ
Ô‡ÏﬂÚË.
á‡‰‡ÂÚ ÔÂ‰‡Î¸ ‰Îﬂ ÔÓ‰‚ËÊÂÌËﬂ Í ÒÎÂ‰Û˛˘ÂÏÛ
Ì‡·ÓÛ Ì‡ÒÚÓÂÍ ‚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
A
F
B
G
C
H
D
I
E
J
ÖÒÎË ‚˚ ËÒÔÓÎ¸ÁÛÂÚÂ ÔÂ‰‡Î¸ ‰Îﬂ
‚˚ÁÓ‚‡ Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ,
Á‡‰‡ÌÌÛ˛ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
ÏÓÊÌÓ ÎÂ„ÍÓ ÓÚÏÂÌËÚ¸ Ë
‚ÂÌÛÚ¸Òﬂ Í ÔÂ‚ÓÏÛ Ì‡·ÓÛ.
ÑÓÒÚ‡ÚÓ˜ÌÓ ÔÓ‰ÂÊ‡Ú¸ ÔÂ‰‡Î¸
ÌÂÒÍÓÎ¸ÍÓ ÒÂÍÛÌ‰ (Í‡ÒÌ˚È
ËÌ‰ËÍ‡ÚÓ ‚ ‚ÂıÌÂÏ Ô‡‚ÓÏ
Û„ÎÛ ˝Í‡Ì‡ MAIN „‡ÒÌÂÚ).
ç‡ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚÂ ÔÂ‰‡Î¸,
˜ÚÓ·˚ ÒÌÓ‚‡ ‚˚·‡Ú¸ ÔÂ‚˚È
˝ÎÂÏÂÌÚ ‚ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
èêàåÖóÄçàÖ
ùÚ‡ ÍÌÓÔÍ‡ ÓÔÂ‰ÂÎﬂÂÚ ÓÔÂ‡ˆË˛,
‚˚ÔÓÎÌﬂÂÏÛ˛ ‚ ÍÓÌˆÂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Ì‡·ÓÓ‚
Ô‡‡ÏÂÚÓ‚.
Stop
ç‡Ê‡ÚËÂ ÍÌÓÔÍË [NEXT] ËÎË ÔÂ‰‡ÎË
«ÔÓ‰‚ËÊÂÌËﬂ» ÌË Í ˜ÂÏÛ ÌÂ
ÔË‚Ó‰ËÚ. èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
«ÓÒÚ‡ÌÓ‚ÎÂÌ‡».
Top
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ì‡˜ËÌ‡ÂÚÒﬂ Ò
Ì‡˜‡Î‡.
Next Bank
äÓ„‰‡ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
Á‡Í‡Ì˜Ë‚‡ÂÚÒﬂ, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Á‡„ÛÊ‡ÂÚÒﬂ ÒÎÂ‰Û˛˘ËÈ ·‡ÌÍ ‚ ˝ÚÓÈ
ÊÂ Ò‡ÏÓÈ Ô‡ÔÍÂ. ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
ÌÓ‚ÓÈ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË
Ì‡˜ËÌ‡ÂÚÒﬂ Ò Ì‡˜‡Î‡.
1
2
3
4
5
èÓÍ‡Á˚‚‡ÂÚ ÌÓÏÂ‡ Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ ‚
ÔÓﬂ‰ÍÂ, Á‡‰‡ÌÌÓÏ ÙÛÌÍˆËÂÈ Registration
Sequence Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
ùÚË ÍÌÓÔÍË ÔÂÂÏÂ˘‡˛Ú ÍÛÒÓ ÔÓ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
6
7
8
ÇÍÎ˛˜ÂÌËÂ Ë
‚˚ÍÎ˛˜ÂÌËÂ ÙÛÌÍˆËË
Registration Sequence.
ÖÒÎË ˝ÚÓÚ Ô‡‡ÏÂÚ
‡‚ÂÌ «ON», Á‡‰‡ÌÌ‡ﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸
ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ Ô‡‚ÓÏ
‚ÂıÌÂÏ Û„ÎÛ „Î‡‚ÌÓ„Ó
˝Í‡Ì‡ Ë ÏÓÊÌÓ
ÛÔ‡‚ÎﬂÚ¸ ÔÓˆÂÒÒÓÏ
Á‡„ÛÁÍË Ò ÔÓÏÓ˘¸˛
ÍÌÓÔÓÍ [BACK]/[NEXT]
ËÎË ÔÂ‰‡ÎÂÈ.
ÖÒÎË Ô‡‡ÏÂÚÛ Registration
Sequence Enable ÔËÒ‚‡Ë‚‡ÂÚÒﬂ
ÁÌ‡˜ÂÌËÂ «ON», ÙÛÌÍˆËﬂ ‚˚ÁÓ‚‡
Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ ÔÓÎÛ˜‡ÂÚ
ÔËÓËÚÂÚ Ë ÔËÒ‚‡Ë‚‡ÂÚÒﬂ
ÔÂ‰‡ÎË ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÙÛÌÍˆËË,
ÔËÒ‚ÓÂÌÌÓÈ ‡ÌÂÂ (‚ ÔËÏÂÂ
Ì‡ ˝Í‡ÌÂ Ú‡ÍËÏË ÙÛÌÍˆËﬂÏË
ﬂ‚Îﬂ˛ÚÒﬂ «Regist (+) Pedal» Ë
«Regist (-) Pedal»). ëÔËÒÓÍ
‚˚ÚÂÒÌﬂÂÏ˚ı ÙÛÌÍˆËÈ ÔË‚Â‰ÂÌ
Ì‡ ÒÚ. 142. äÓÏÂ ÚÓ„Ó, ÏÓÊÂÚ
‚˚ÚÂÒÌﬂÚ¸Òﬂ ÙÛÌÍˆËﬂ Voice Set,
ÓÔËÒ‡ÌÌ‡ﬂ Ì‡ ÒÚ. 146.
èêàåÖóÄçàÖ
ì‰‡ÎÂÌËÂ ‚ÒÂı ÌÓÏÂÓ‚ Ì‡·ÓÓ‚ ‚
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË.
ì‰‡ÎÂÌËÂ ÌÓÏÂ‡, Ì‡ ÍÓÚÓÓÏ
Ì‡ıÓ‰ËÚÒﬂ ÍÛÒÓ.
ÇÒÚ‡‚Í‡ ÌÓÏÂ‡ Ì‡·Ó‡ Ì‡ÒÚÓÂÍ ÔﬂÏÓ
ÔÂÂ‰ ÍÛÒÓÓÏ.
ÖÒÎË Á‡‰‡Ú¸ ÁÌ‡˜ÂÌËÂ «OFF» Ë
‰Îﬂ («Regist (+) Pedal», Ë ‰Îﬂ
«Regist (-) Pedal»), ÛÔ‡‚ÎÂÌËÂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸˛ ‚˚ÁÓ‚‡
Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛
ÔÂ‰‡ÎË ÒÚ‡ÌÂÚ ÌÂ‚ÓÁÏÓÊÌ˚Ï. Ç
˝ÚÓÏ ÒÎÛ˜‡Â ÒÎÂ‰ÛÂÚ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÍÌÓÔÍË [BACK]/
[NEXT] Ì‡ „Î‡‚ÌÓÏ ˝Í‡ÌÂ.
èêàåÖóÄçàÖ
ÖÒÎË Ì‡ÁÌ‡˜ËÚ¸ ÙÛÌÍˆËË «Regist
(+) Pedal» Ë «Regist (-) Pedal»
Ó‰ÌÓÈ Ë ÚÓÈ ÊÂ ÔÂ‰‡ÎË,
ÔËÓËÚÂÚ ËÏÂÂÚ ÙÛÌÍˆËﬂ
«Regist (+) Pedal».
á‡ÏÂÌ‡ ÔÓﬂ‰ÍÓ‚Ó„Ó ÌÓÏÂ‡ ‚ ÔÓÁËˆËË ÍÛÒÓ‡ ÌÓÏÂÓÏ,
‚˚·‡ÌÌ˚Ï Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ.
èêàåÖóÄçàÖ
END
èÓ‰Ú‚Â‰ËÚÂ ËÁÏÂÌÂÌËﬂ, Ì‡Ê‡‚ ÍÌÓÔÍÛ [EXIT].
Ñ‡ÌÌ˚Â Ó ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË Á‡„ÛÁÍË ‚ÍÎ˛˜ÂÌ˚ ‚
Ù‡ÈÎ ·‡ÌÍ‡ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. óÚÓ·˚
ÒÓı‡ÌËÚ¸ ÌÓ‚Û˛ ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Á‡„ÛÁÍË,
ÒÓı‡ÌËÚÂ ÚÂÍÛ˘ËÈ Ù‡ÈÎ ·‡ÌÍ‡ (ÒÚ. 39, 48). ÖÒÎË
˝ÚÓ„Ó ÌÂ Ò‰ÂÎ‡Ú¸, ‚ÒÂ ‰‡ÌÌ˚Â, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÌÓ‚ÓÈ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚË, ·Û‰ÛÚ ÛÚÂﬂÌ˚ ÔË ÒÏÂÌÂ ·‡ÌÍÓ‚.
ëÓı‡ÌÂÌËÂ ÁÌ‡˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË – Freeze
èÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚Â ÌÂ ‰ÓÎÊÌ˚ ÏÂÌﬂÚ¸Òﬂ ÔË ÒÏÂÌÂ Ì‡·ÓÓ‚ Ì‡ÒÚÓÂÍ ËÁ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË. ëÏ.
ÒÚ. 90.
CVP-210/208
145
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
àÁÏÂÌÂÌËÂ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡, ‚˚·Ë‡ÂÏ˚ı ‡‚ÚÓÏ‡ÚË˜ÂÒÍË – Voice Set
èË ÒÏÂÌÂ ÚÂÏ·Ó‚ (‚˚·ÓÂ Ù‡ÈÎ‡ ÚÂÏ·‡) ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚˚Á˚‚‡˛ÚÒﬂ Ô‡‡ÏÂÚ˚, Ì‡Ë·ÓÎÂÂ ÔÓ‰ıÓ‰ﬂ˘ËÂ ‰Îﬂ ˝ÚÓ„Ó ÚÂÏ·‡. ùÚÓ
ÚÂ ÊÂ Ò‡Ï˚Â Ô‡‡ÏÂÚ˚, ÍÓÚÓ˚Â Á‡‰‡˛ÚÒﬂ ‚ ÙÛÌÍˆËË Sound Creator. ç‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ÏÓÊÌÓ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸
‡‚ÚÓÏ‡ÚË˜ÂÒÍÛ˛ Á‡„ÛÁÍÛ Ô‡‡ÏÂÚÓ‚ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË. ç‡ÔËÏÂ, Í‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ Ó·Î‡‰‡ÂÚ ÒÓ·ÒÚ‚ÂÌÌ˚Ï
Ô‡‡ÏÂÚÓÏ LEFT PEDAL. çÓ ÂÒÎË Ì‡ ‰‡ÌÌÓÈ ÒÚ‡ÌËˆÂ ˝ÚÓÏÛ Ô‡‡ÏÂÚÛ ·Û‰ÂÚ ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «OFF», ÓÌÓ ÌÂ ËÁÏÂÌËÚÒﬂ ‰‡ÊÂ
ÔË ÒÏÂÌÂ ÚÂÏ·Ó‚.
èêàåÖóÄçàÖ
é·˚˜ÌÓ ˝ÚÓ Ô‡‡ÏÂÚ ‰ÓÎÊÂÌ
·˚Ú¸ «ON».
A
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚˚·‡Ú¸ Ô‡ÚË˛.
B
C
èêàåÖóÄçàÖ
è‡‡ÏÂÚ˚ Harmony/Echo Ë
Ì‡ÁÌ‡˜ÂÌËÂ ÎÂ‚ÓÈ ÔÂ‰‡ÎË
ÌÂÎ¸Áﬂ Á‡‰‡Ú¸ ‰Îﬂ ˜‡ÒÚÂÈ Layer
Ë Left.
D
E
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÓÔÂ‰ÂÎﬂ˛Ú, Á‡„ÛÊ‡˛ÚÒﬂ ÎË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ (‚˚·Ó ÚÂÏ·‡, ˝Í‚‡Î‡ÈÁÂ,
„‡ÏÓÌËÁ‡ˆËﬂ/˝ıÓ Ë ÔËÒ‚ÓÂÌËÂ ÙÛÌÍˆËË ÎÂ‚ÓÈ ÔÂ‰‡ÎË)
ÔË ÒÏÂÌÂ ÚÂÏ·‡. ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ‚ÍÎ˛˜‡Ú¸ Ë
‚˚ÍÎ˛˜‡Ú¸ ÓÚ‰ÂÎ¸ÌÓ ‰Îﬂ Í‡Ê‰ÓÈ Ô‡ÚËË.
ç‡ÒÚÓÈÍ‡ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ. 136.
äÌÓÔÍ‡ ‚˚·Ó‡ ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË.
ëÏ. ÒÚ. 147.
1
2
3
4
5
éÔÂ‰ÂÎﬂÂÚ ÒËÎÛ ‰ÂÈÒÚ‚Ëﬂ ˝ÙÙÂÍÚ‡.
á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ÔË ‚˚·ÓÂ Ú‡ÍËı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË, Í‡Í
Echo, Tremolo Ë Trill. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ÎË¯¸ ÔË ‚˚·ÓÂ
Ú‡ÍËı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË, Í‡Í Multi Assign, Echo, Tremolo Ë Trill.
146
CVP-210/208
6
7
8
á‡‰‡ÂÚ ÏËÌËÏ‡Î¸ÌÛ˛ ÒÍÓÓÒÚ¸ Ì‡Ê‡ÚËﬂ, ÔË
ÍÓÚÓÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ „‡ÏÓÌËÁ‡ˆËË. ùÚÓ
ÔÓÁ‚ÓÎﬂÂÚ ÔËÏÂÌﬂÚ¸ ˝ÙÙÂÍÚ Harmony
‚˚·ÓÓ˜ÌÓ, ËÁÏÂÌﬂﬂ ÒËÎÛ Ì‡Ê‡ÚËﬂ Ì‡ ÍÎ‡‚Ë¯Ë, Ë
‡ÒÒÚ‡‚ÎﬂÚ¸ „‡ÏÓÌË˜ÂÒÍËÂ ‡ÍˆÂÌÚ˚ ‚ ÏÂÎÓ‰ËË.
ùÙÙÂÍÚ Harmony ÔËÏÂÌﬂÂÚÒﬂ, ÂÒÎË ÒËÎ‡
(ÒÍÓÓÒÚ¸) Ì‡Ê‡ÚËﬂ Ì‡ ÍÎ‡‚Ë¯Û ‚˚¯Â Á‡‰‡ÌÌÓÈ.
ÖÒÎË ‚˚·‡ÌÓ ÁÌ‡˜ÂÌËÂ «ON», ˝ÙÙÂÍÚ
„‡ÏÓÌËÁ‡ˆËË ÔËÏÂÌﬂÂÚÒﬂ ÚÓÎ¸ÍÓ Í ÌÓÚÂ,
ÍÓÚÓ‡ﬂ ‚ıÓ‰ËÚ ‚ ‡ÍÍÓ‰, ‚ÁﬂÚ˚È ‚ ‡Á‰ÂÎÂ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË ‚˚·‡Ì ÚËÔ Multi
Assign, Echo, Tremolo ËÎË Trill, ˝ÚÓÚ Ô‡‡ÏÂÚ
ÌÂ‰ÓÒÚÛÔÂÌ.
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ ÔËÏÂÌﬂÚ¸
˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Í ‡ÁÎË˜Ì˚Ï
˜‡ÒÚﬂÏ. ëÏ. ssÒÚ. 147.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
íËÔ˚ ˝ÙÙÂÍÚ‡ Harmony
ÖÒÎË ‚˚·‡Ì ÒÚ‡Ì‰‡ÚÌ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË (ÓÚ «Standard Duet» ‰Ó «Strum»)
íÓ˜Í‡ ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚
çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË (ÍÓÚÓ˚Â Á‡‚ËÒﬂÚ ÓÚ
‡ÍÍÓ‰‡ Ë ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË)
‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ó·˚„˚‚‡˛Ú ÏÂÎÓ‰Ë˜ÂÒÍÛ˛
ÎËÌË˛, ÍÓÚÓ‡ﬂ ‚Â‰ÂÚÒﬂ ‚ ‡Á‰ÂÎÂ ‰Îﬂ
Ô‡‚ÓÈ ÛÍË (ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚).
É‡ÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ‡ÍÍÓ‰˚,
ÍÓÚÓ˚Â ·ÂÛÚÒﬂ ÒÎÂ‚‡ ÓÚ ÚÓ˜ÍË
‡Á‰ÂÎÂÌËﬂ.
■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Multi Assign»
ÖÒÎË ‚˚·‡Ì ˝ÚÓÚ ÚËÔ, ÌÓÚ˚, ÍÓÚÓ˚Â ·ÂÛÚÒﬂ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ ‡Á‰ÂÎÂ ‰Îﬂ Ô‡‚ÓÈ ÛÍË, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‡Á‚Ó‰ﬂÚÒﬂ ÔÓ ‡ÁÌ˚Ï
ÚÂÏ·‡Ï. ç‡ÔËÏÂ, ÂÒÎË ‚ÁﬂÚ¸ Ó‰ÌÛ Á‡ ‰Û„ÓÈ ‰‚Â ÌÓÚ˚, ÚÓ ÔÂ‚‡ﬂ ·Û‰ÂÚ Ò˚„‡Ì‡ ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ÓÏ (Main), ‡ ‚ÚÓ‡ﬂ —
ÚÂÏ·ÓÏ ÒÎÓﬂ (Layer).
■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Echo»
ë˚„‡ÌÌ‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÌÓÚ‡ Ó·‡·‡Ú˚‚‡ÂÚÒﬂ ˝ÙÙÂÍÚÓÏ ˝ı‡ ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Tremolo»
ë˚„‡ÌÌ‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÌÓÚ‡ Ó·‡·‡Ú˚‚‡ÂÚÒﬂ ˝ÙÙÂÍÚÓÏ ÚÂÏÓÎÓ ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Trill»
ÖÒÎË ‰ÂÊ‡Ú¸ ‰‚Â ÍÎ‡‚Ë¯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÌÓÚ˚ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ÔÓ Ó˜ÂÂ‰Ë ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ.
ç‡ÁÌ‡˜ÂÌËÂ „‡ÏÓÌËÁ‡ˆËË
Multi
èÂ‚‡ﬂ, ‚ÚÓ‡ﬂ, ÚÂÚ¸ﬂ Ë ˜ÂÚ‚ÂÚ˚Â ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Ì‡ÁÌ‡˜‡˛ÚÒﬂ ‡ÁÌ˚Ï ˜‡ÒÚﬂÏ (ÚÂÏ·‡Ï). ç‡ÔËÏÂ, ÂÒÎË
‚˚·‡Ì ÚËÔ „‡ÏÓÌËÁ‡ˆËË «Standard Duet» Ë ‚ÍÎ˛˜ÂÌ˚ ˜‡ÒÚË Main Ë Layer, ÌÓÚ‡, Ò˚„‡ÌÌ‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
ÚÂÏ· Main, ‡ ÌÓÚ‡ „‡ÏÓÌËÁ‡ˆËË – ÚÂÏ· Layer.
Main
É‡ÏÓÌËÁ‡ˆËﬂ ÔËÏÂÌﬂÂÚÒﬂ ÚÓÎ¸ÍÓ Í ˜‡ÒÚË Main.
Layer
É‡ÏÓÌËÁ‡ˆËﬂ ÔËÏÂÌﬂÂÚÒﬂ ÚÓÎ¸ÍÓ Í ˜‡ÒÚË Layer. ÖÒÎË ˜‡ÒÚ¸ Layer ‚˚ÍÎ˛˜ÂÌ‡, ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ÌÂ ÔËÏÂÌﬂÂÚÒﬂ.
éÚÓ·‡ÊÂÌËÂ ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Ì‡ ˝Í‡ÌÂ ÚÂÎÂ‚ËÁÓ‡ –
Video Out
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ. 136.
èêàåÖóÄçàÖ
íÂÎÂ‚ËÁÓ
VIDEO IN
Ç˚·ÂËÚÂ ÒÚ‡Ì‰‡Ú,
ËÒÔÓÎ¸ÁÛÂÏ˚È ‚‡¯ËÏ
ÚÂÎÂ/‚Ë‰ÂÓÓ·ÓÛ‰Ó‚‡ÌËÂÏ: NTSC ËÎË
PAL.
VIDEO OUT
1
2
3
4
5
6
7
8
éÔÂ‰ÂÎﬂÂÚ ÒÓ‰ÂÊ‡ÌËÂ ËÒıÓ‰ﬂ˘Â„Ó ‚Ë‰ÂÓÒË„Ì‡Î‡, Ú.Â. ‰‡ÌÌ˚Â, ÍÓÚÓ˚Â ÔÓÒ˚Î‡˛ÚÒﬂ Ì‡
‚Ë‰ÂÓÏÓÌËÚÓ.
Lyrics ....çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, Í‡ÍÓÈ ˝Í‡Ì ‚˚Á‚‡Ì Ì‡ Ò‡ÏÓÏ ËÌÒÚÛÏÂÌÚÂ, Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VIDEO
OUT Ì‡ ˝Í‡Ì ÏÓÌËÚÓ‡ ÔÂÂ‰‡ÂÚÒﬂ ÚÓÎ¸ÍÓ ÚÂÍÒÚ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚Ë‰ÂÚ¸ ÚÂÍÒÚ Ì‡
ÏÓÌËÚÓÂ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·Ë‡Ú¸ ‰Û„ËÂ ˝Í‡Ì˚ Ì‡ ËÌÒÚÛÏÂÌÚÂ.
LCD........ë ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË VIDEO OUT Ì‡ ÏÓÌËÚÓ ‚˚‚Ó‰ËÚÒﬂ ÒÓ‰ÂÊËÏÓÂ ÚÂÍÛ˘Â„Ó ˝Í‡Ì‡.
• àÌÓ„‰‡ Ì‡ ˝Í‡ÌÂ ÚÂÎÂ‚ËÁÓ‡ ËÎË
‚Ë‰ÂÓÏÓÌËÚÓÂ ÔÓﬂ‚Îﬂ˛ÚÒﬂ ÏË„‡˛˘ËÂ
Ô‡‡ÎÎÂÎ¸Ì˚Â ÎËÌËË. ùÚÓ ÌÂ ‚ÒÂ„‰‡
ÓÁÌ‡˜‡ÂÚ, ˜ÚÓ ÛÒÚÓÈÒÚ‚Ó ÌÂËÒÔ‡‚ÌÓ.
é·˚˜ÌÓ ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚‚‡ÂÌÚ ËÁÏÂÌËÚ¸
Ô‡‡ÏÂÚ˚ Character Color ËÎË Background
Color. ÑÎﬂ ÔÓÎÛ˜ÂÌËﬂ ÓÔÚËÏ‡Î¸ÌÓ„Ó
ÂÁÛÎ¸Ú‡Ú‡ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚÂ„ÛÎËÓ‚‡Ú¸
ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓÂ.
• çÂ ÒÏÓÚËÚÂ Ì‡ ˝Í‡Ì ÚÂÎÂ‚ËÁÓ‡ ËÎË
ÏÓÌËÚÓ‡ ÒÎË¯ÍÓÏ ‰ÓÎ„Ó – ˝ÚÓ ‚Â‰ÌÓ ‰Îﬂ
ÁÂÌËﬂ. èÓ˜‡˘Â ‰ÂÎ‡ÈÚÂ ÔÂÂ˚‚ Ë ÒÏÓÚËÚÂ
Ì‡ Û‰‡ÎÂÌÌ˚Â Ó·˙ÂÍÚ˚, ˜ÚÓ·˚ „Î‡Á‡
ÓÚ‰ÓıÌÛÎË.
• èÓÏÌËÚÂ, ˜ÚÓ ‰‡ÊÂ Ì‡ÒÚÓÈÍ‡ ‚ÒÂı
Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò
ÂÍÓÏÂÌ‰‡ˆËﬂÏË ÌÂ „‡‡ÌÚËÛÂÚ, ˜ÚÓ ˝Í‡Ì
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ·Û‰ÂÚ
ÓÚÓ·‡Ê‡Ú¸Òﬂ Ô‡‚ËÎ¸ÌÓ (Ì‡ÔËÏÂ,
ÒÓ‰ÂÊËÏÓÂ ˝Í‡Ì‡ ÌÂ ÛÏÂ˘‡ÂÚÒﬂ Ì‡
ÏÓÌËÚÓÂ, ÌÂ˜ÂÚÍËÂ ÒËÏ‚ÓÎ˚, ÌÂÔ‡‚ËÎ¸Ì˚Â
ˆ‚ÂÚ‡).
CVP-210/208
147
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ìÒÚ‡ÌÓ‚Í‡ Ô‡‡ÏÂÚÓ‚ MIDI
ùÚÓÚ ˝Í‡Ì ÔÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ MIDI. ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ÒÂ ‚ÏÂÒÚÂ Ì‡ ˝Í‡ÌÂ USER ‰Îﬂ ÔÓÒÎÂ‰Û˛˘Â„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ.
é·˘Û˛ Ë ÔÓ‰Ó·ÌÛ˛ ËÌÙÓÏ‡ˆË˛ ÔÓ Ô‡‡ÏÂÚÛ MIDI ÒÏ. ‚ ‡Á‰ÂÎÂ «óÚÓ Ú‡ÍÓÂ MIDI?» (ÒÚ. 159).
ùÚË Ó·˙ﬂÒÌÂÌËﬂ ÓÚÌÓÒﬂÚÒﬂ Í ¯‡„Û 3 Ì‡ ÒÚ ÒÚ. 136.
1
ò‡·ÎÓÌ˚ MIDI (Á‡‚Ó‰ÒÍËÂ ÛÒÚ‡ÌÓ‚ÍË)
Ç˚·ÂËÚÂ ÔÓ‰ıÓ‰ﬂ˘ËÈ ¯‡·ÎÓÌ.
A
F
B
G
C
H
D
I
E
J
1
3
2
3
4
5
èÂÂÈ‰ËÚÂ Ì‡ ÒÚ‡ÌËˆÛ User
Ë Ì‡ÊÏËÚÂ ˝ÚÛ ÍÌÓÔÍÛ,
˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÁÌ‡˜ÂÌËﬂ
ÓÚÂ‰‡ÍÚËÓ‚‡ÌÌ˚ı
Ô‡‡ÏÂÚÓ‚ MIDI.
åÓÊÌÓ ÒÓı‡ÌËÚ¸ ‰Ó 10
¯‡·ÎÓÌÓ‚.
6
7
2
All Parts
èÓ Í‡Ì‡Î‡Ï MIDI ÔÂÂ‰‡˛ÚÒﬂ ‚ÒÂ ˜‡ÒÚË, ‚ÍÎ˛˜‡ﬂ
Main, Layer Ë Left.
Master KBD
Clavinova ÒÎÛÊËÚ ÍÎ‡‚Ë‡ÚÛÓÈ ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ
‚ÌÂ¯ÌËÏË ÚÓÌ-„ÂÌÂ‡ÚÓ‡ÏË Ë ‰Û„ËÏË
ÛÒÚÓÈÒÚ‚‡ÏË.
KBD & Style
ÇÏÂÒÚÓ ÚÂı ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ (Main/Layer/Left)
ÔÂÂ‰‡˛ÚÒﬂ ‰‡ÌÌ˚Â Ó ‰‚Ûı Ô‡ÚËﬂı, Ò˚„‡ÌÌ˚ı ‚
«‚ÂıÌÂÈ» Ë «ÌËÊÌÂÈ» ˜‡ÒÚﬂı ÍÎ‡‚Ë‡ÚÛ˚.
Song
ÇÒÂ Í‡Ì‡Î˚ ÔÂÂ‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ
ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ì‡ÒÚÓÈÍ‡ÏË
Í‡Ì‡ÎÓ‚ 1-16 ÍÓÌÍÂÚÌÓÈ ÔÂÒÌË. èÂÒÌﬂ, Á‡ÔËÒ‡ÌÌ‡ﬂ ‚
Ô‡ÏﬂÚË Clavinova ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÚÂÏ·‡ÏË
‚ÌÂ¯ÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡. ùÚÓÚ ¯‡·ÎÓÌ ÏÓÊÌÓ
ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ Á‡ÔËÒË ÏÛÁ˚ÍË Ì‡ ‚ÌÂ¯ÌËÈ
ÒÂÍ‚ÂÌÒÓ.
Clock Ext.
èÓÚ MIDI IN ÔËÌËÏ‡ÂÚ ÒÓÓ·˘ÂÌËﬂ MIDI clock, Ë
Clavinova ÒËÌıÓÌËÁËÛÂÚÒﬂ Ò ‚ÌÂ¯ÌËÏ MIDIÛÒÚÓÈÒÚ‚ÓÏ.
MIDI Accord 1
à‰Â‡Î¸Ì˚È ¯‡·ÎÓÌ ‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ ÚÂÏ·ÓÏ Ë
ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ MIDI-‡ÍÍÓ‰ÂÓÌ‡.
MIDI Accord 2
ë ÔÓÏÓ˘¸˛ ·‡ÒÓ‚˚ı ÍÎ‡‚Ë¯ Ë ‡ÍÍÓ‰Ó‚, ‚ÁﬂÚ˚ı Ì‡
MIDI-‡ÍÍÓ‰ÂÓÌÂ, ÏÓÊÌÓ ÛÔ‡‚ÎﬂÚ¸ ÒÚËÎÂÏ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ú‡ÍÊÂ Ë„‡Ú¸ ‡ÍÍÓ‰˚ Ë ‚ÂÒÚË
·‡ÒÓ‚Û˛ ÎËÌË˛.
MIDI Pedal 1
èÂ‰‡Î¸, ÔÓ‰ÍÎ˛˜ÂÌÌ‡ﬂ Í ÔÓÚÛ MIDI IN, ËÒÔÓÎ¸ÁÛÂÚÒﬂ
‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
MIDI Pedal 2
èÂ‰‡Î¸, ÔÓ‰ÍÎ˛˜ÂÌÌ‡ﬂ Í ÔÓÚÛ MIDI IN, ËÒÔÓÎ¸ÁÛÂÚÒﬂ
‰Îﬂ ‚Â‰ÂÌËﬂ ·‡ÒÓ‚ÓÈ Ô‡ÚËË.
MIDI OFF
MIDI-ÒÓÓ·˘ÂÌËﬂ ÌÂ ÔÂÂ‰‡˛ÚÒﬂ Ë ÌÂ ÔËÌËÏ‡˛ÚÒﬂ.
8
èÂÂÈ‰ËÚÂ Ì‡ ˝Í‡Ì Edit,
‚˚·ÂËÚÂ ÌÛÊÌ˚Â
ÙÛÌÍˆËË/Ô‡‡ÏÂÚ˚ Ë
Ì‡ÒÚÓÈÚÂ Ëı.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ
Ó Í‡Ê‰ÓÈ ËÁ ÒÚ‡ÌËˆ ˝ÚÓ„Ó
˝Í‡Ì‡ ÔË‚Â‰ÂÌ˚ ‰‡ÎÂÂ.
èêàåÖóÄçàÖ
END
óÚÓ·˚ ‚ÂÌÛÚ¸Òﬂ Í ÔÂ‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [EXIT].
ç‡ÒÚÓÈÍ‡Ï, ÒÓı‡ÌÂÌÌ˚Ï Ì‡ ÒÚ‡ÌËˆÂ User, ÏÓÊÌÓ
‰‡Ú¸ ËÏﬂ (ÒÚ. 45) ËÎË Û‰‡ÎËÚ¸ Ëı (ÒÚ. 47).
é·˘‡ﬂ Ì‡ÒÚÓÈÍ‡ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) – System
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì, Í‡Í ÓÔËÒ‡ÌÓ ‚ ¯‡„Â 2.
ÑÎﬂ Â„ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ Clock, Transmit
Clock, Receive Transpose Ë Start/Stop.
ÑÎﬂ Â„ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ ÙÛÌÍˆËË Local
Control.
ÑÎﬂ Â„ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ ÙÛÌÍˆËË
Message Switch.
Local Control
ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎﬂÂÚ ‚ÍÎ˛˜ËÚ¸ ËÎË ‚˚ÍÎ˛˜ËÚ¸ ÂÊËÏ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ‚ÌÛÚÂÌÌËı ÚÂÏ·Ó‚ ‰Îﬂ Í‡Ê‰ÓÈ ˜‡ÒÚË. ÖÒÎË Ô‡‡ÏÂÚÛ
Local Control ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «ON», ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ˜‡ÒÚË ·Û‰ÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„ÂÌÂ‡ÚÓ CVP-210/208.
í‡ÍËÏ Ó·‡ÁÓÏ, ÔË Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ÒÚÓÂÌÌ˚Â ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ. ÖÒÎË Ô‡‡ÏÂÚÛ Local
Control ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «OFF», ÍÎ‡‚Ë‡ÚÛ‡ Ë ÍÓÌÚÓÎÎÂ˚ ÓÚÍÎ˛˜‡˛ÚÒﬂ ÓÚ ‚ÌÛÚÂÌÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡ CVP-210/208. ùÚÓ
ÔÓÁ‚ÓÎﬂÂÚ, Ì‡ÔËÏÂ, ÔÓ‰ÍÎ˛˜ËÚ¸ ‚ÌÂ¯ÌËÈ MIDI-ÒÂÍ‚ÂÌÒÓ, ÍÓÚÓ˚È Ë ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸ ÔÂÒÌ˛ Ò Û˜ÂÚÓÏ ËÒÔÓÎ¸ÁÛÂÏ˚ı ‚ CVP210/208 ÚÂÏ·Ó‚. í‡ÍËÏ Ó·‡ÁÓÏ, ÍÎ‡‚Ë‡ÚÛÛ CVP-210/208 ÏÓÊÌÓ ÔËÏÂÌﬂÚ¸ ‰Îﬂ Á‡ÔËÒË Ì‡ ‚ÌÂ¯ÌËÈ ÒÂÍ‚ÂÌÒÓ Ë/ËÎË ‰Îﬂ Ë„˚
ÚÂÏ·‡ÏË ‚ÌÂ¯ÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡.
148
CVP-210/208
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
Clock (ÒËÌıÓÌËÁ‡ˆËﬂ), Transmit Clock (ÔÂÂ‰‡˜‡ ÒË„Ì‡ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË), Receive Transpose
(Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ ‚ÌÂ¯ÌÂ„Ó ÒË„Ì‡Î‡) Ë Start/Stop (Á‡ÔÛÒÍ/ÓÒÚ‡ÌÓ‚Í‡)
■ Clock
èÓÁ‚ÓÎﬂÂÚ Á‡‰‡Ú¸ ÒÔÓÒÓ· ÒËÌıÓÌËÁ‡ˆËË MIDI-ÛÒÚÓÈÒÚ‚. èË‡ÌËÌÓ CVP-210/208 ÏÓÊÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ÔÓ ‚ÒÚÓÂÌÌ˚Ï ˜‡Ò‡Ï
ËÎË ÔÓ ÒË„Ì‡Î‡Ï ÒËÌıÓÌËÁ‡ˆËË, ÔÓÒÚÛÔ‡˛˘ËÏ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. ÖÒÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 ËÒÔÓÎ¸ÁÛÂÚÒﬂ
ÓÚ‰ÂÎ¸ÌÓ, ÒÎÂ‰ÛÂÚ ‚˚·‡Ú¸ ÁÌ‡˜ÂÌËÂ «INTERNAL». ÖÒÎË Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ CVP-210/208 ÔÓ‰ÍÎ˛˜ÂÌ ‚ÌÂ¯ÌËÈ ÒÂÍ‚ÂÌÒÓ,
ÍÓÏÔ¸˛ÚÂ Ò ËÌÚÂÙÂÈÒÓÏ MIDI ËÎË Í‡ÍÓÂ-ÎË·Ó ‰Û„ÓÂ MIDI-ÛÒÚÓÈÒÚ‚Ó, Ò ÍÓÚÓ˚Ï ÌÂÓ·ıÓ‰ËÏÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ CVP-210/208,
ÛÍ‡ÊËÚÂ ÁÌ‡˜ÂÌËÂ «EXTERNAL». Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÎÂ‰ÛÂÚ Û·Â‰ËÚ¸Òﬂ ‚ ÚÓÏ, ˜ÚÓ ‚ÌÂ¯ÌÂÂ ÛÒÚÓÈÒÚ‚Ó ÔÓ‰ÍÎ˛˜ÂÌÓ Í ˆËÙÓ‚ÓÏÛ
ÔË‡ÌËÌÓ CVP-210/208 ˜ÂÂÁ ÔÓÚ MIDI IN Ë ˜ÚÓ ÓÌÓ ÔÂÂ‰‡ÂÚ ÒË„Ì‡Î ÒËÌıÓÌËÁ‡ˆËË.
■ Transmit Clock
ùÚÓÚ Ô‡‡ÏÂÚ ÛÔ‡‚ÎﬂÂÚ ‚ÍÎ˛˜ÂÌËÂÏ Ë ‚˚ÍÎ˛˜ÂÌËÂÏ ÂÊËÏ‡ ÔÂÂ‰‡˜Ë ÒË„Ì‡Î‡ ÒËÌıÓÌËÁ‡ˆËË. ÖÒÎË Á‡‰‡Ú¸ ÁÌ‡˜ÂÌËÂ
«OFF», ÒË„Ì‡Î˚ ÒËÌıÓÌËÁ‡ˆËË ËÎË ÍÓÏ‡Ì‰˚ ‚ÍÎ˛˜ÂÌËﬂ/‚˚ÍÎ˛˜ÂÌËﬂ (START/STOP data) ÌÂ ÔÂÂ‰‡˛ÚÒﬂ.
■ Receive Transpose
ÖÒÎË Ô‡‡ÏÂÚÛ ÔËÒ‚ÓÂÌÓ ÁÌ‡˜ÂÌËÂ «OFF», ‰‡ÌÌ˚Â, ÔÓÒÚÛÔ‡˛˘ËÂ Ì‡ ‚ıÓ‰ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208, ÌÂ
Ú‡ÌÒÔÓÌËÛ˛ÚÒﬂ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÌÂ¯ÌËÈ ÒË„Ì‡Î Ú‡ÌÒÔÓÌËÛÂÚÒﬂ ÒÓ„Î‡ÒÌÓ ÚÂÍÛ˘ËÏ ÁÌ‡˜ÂÌËﬂÏ Ô‡‡ÏÂÚÓ‚
Ú‡ÌÒÔÓÌËÓ‚‡ÌËﬂ CVP-210/208 (ÒÚ. 144).
■ Start/Stop
èêàåÖóÄçàÖ
ùÚÓÚ Ô‡‡ÏÂÚ ÓÔÂ‰ÂÎﬂÂÚ, ‚ÎËﬂ˛Ú ÎË ‚ıÓ‰ﬂ˘ËÂ ÍÓÏ‡Ì‰˚ «FA» Ë «FC» Ì‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË ËÎË ÒÚËÎﬂ.
FA, FC
MIDI-cÓÓ·˘ÂÌËﬂ (ÍÓÏ‡Ì‰˚) ‰Îﬂ Á‡ÔÛÒÍ‡/
ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË ËÎË ÒÚËÎﬂ. «FA» –
ÍÓÏ‡Ì‰‡ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ, «FC»
– ÍÓÏ‡Ì‰‡ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ.
Message Switch
SYS/EX. Tx (TRANSMIT).................... ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ÔÂÂ‰‡˜Ë ËÒÍÎ˛˜ËÚÂÎ¸Ì˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ.
SYS/EX. Rx (RECEIVE) ...................... ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ÔËÂÏ‡ ËÒÍÎ˛˜ËÚÂÎ¸Ì˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ Ò ‚ÌÂ¯ÌÂ„Ó
ÛÒÚÓÈÒÚ‚‡.
CHORD SYS/EX. Tx (TRANSMIT) ..... ÇÍÎ˛˜ÂÌËÂ /‚˚ÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ÔÂÂ‰‡˜Ë ËÒÍÎ˛˜ËÚÂÎ¸Ì˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï (‰‡ÌÌ˚Â
Ó ÚËÔÂ ‡ÍÍÓ‰‡ Ë ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ).
CHORD SYS/EX. Rx (RECEIVE)........ ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ÂÊËÏ‡ ÔËÂÏ‡ ËÒÍÎ˛˜ËÚÂÎ¸Ì˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï Ò ‚ÌÂ¯ÌÂ„Ó
ÛÒÚÓÈÒÚ‚‡.
èÂÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit
ç‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸ Ô‡ÚËË,
ÍÓÚÓ˚Â ·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â,
Ë MIDI-Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ˝ÚË ‰‡ÌÌ˚Â
·Û‰ÛÚ ÔÂÂ‰‡‚‡Ú¸Òﬂ.
A
B
C
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú Á‡‰‡Ú¸
Í‡Ì‡Î, ‰Îﬂ ÍÓÚÓÓ„Ó ÚÂ·ÛÂÚÒﬂ
ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ ÔÂÂ‰‡˜Ë.
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚÌ‡‰ˆ‡ÚË
Í‡Ì‡ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
«Î‡ÏÔÓ˜Í‡» Ì‡ ˝Í‡ÌÂ,
ÍÓÚÓ‡ﬂ ÏË„‡ÂÚ ÔË
ÔÂÂ‰‡˜Â MIDI-ÒÓÓ·˘ÂÌËÈ
ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ.
D
E
ùÚË ÍÌÓÔÍË ÔÓÏÓ„‡˛Ú Ì‡ÁÌ‡˜ËÚ¸
˜‡ÒÚ¸ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚ÍÎ˛˜ËÚ¸/ÓÚÍÎ˛˜ËÚ¸
ÔÂÂ‰‡˜Û ÓÔÂ‰ÂÎÂÌÌ˚ı
ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ.
èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ.
íËÔ˚ ‰‡ÌÌ˚ı Ì‡ ˝Í‡ÌÂ MIDI TRANSMIT/RECEIVE
Note
ùÚË ÒÓÓ·˘ÂÌËﬂ ÒÓÁ‰‡˛ÚÒﬂ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ. ä‡Ê‰ÓÂ ÒÓÓ·˘ÂÌËÂ ÒÓ‰ÂÊËÚ ÌÓÏÂ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ
Ì‡Ê‡ÚÓÈ ÍÎ‡‚Ë¯Â, ‡ Ú‡ÍÊÂ ÒÍÓÓÒÚ¸ (ÒËÎÛ Û‰‡‡ ÔÓ ÍÎ‡‚Ë¯Â) ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ÒËÎ¸ÌÓ Ì‡ÊËÏ‡˛ÚÒﬂ ÍÎ‡‚Ë¯Ë.
Control Change (CC)
ùÚÓÚ ÚËÔ ‰‡ÌÌ˚ı ‚ÍÎ˛˜‡ÂÚ ‰‡ÌÌ˚Â Ó ÔÓÎÓÊÂÌËË ÔÂ‰‡ÎË Ë ‰Û„ËÂ ‰‡ÌÌ˚Â ÍÓÌÚÓÎÎÂÓ‚.
Program Change (PC)
ëÎÛÊËÚ ‰Îﬂ ÔÂÂ‰‡˜Ë ÍÓÏ‡Ì‰ ÒÏÂÌ˚ ÌÓÏÂ‡ ÚÂÏ·‡ ËÎË «Ô˝Ú˜‡».
Pitch Bend (PB)
ëÏ. ÒÚ. 143.
After Touch (AT)*
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova Â‡„ËÓ‚‡Ú¸ Ì‡ ‚ÂÎË˜ËÌÛ ÛÒËÎËﬂ, ÔËÎÓÊÂÌÌÓ„Ó Í ÍÎ‡‚Ë¯‡Ï. êÂ‡ÍˆËﬂ
‚˚‡Ê‡ÂÚÒﬂ ‚ Ó·‡·ÓÚÍÂ Á‚ÛÍ‡ ‡ÁÎË˜Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. ùÚÓ Á‡ÏÂÚÌÓ ÔÓ‚˚¯‡ÂÚ
‚˚‡ÁËÚÂÎ¸ÌÓÒÚ¸ Ë ÔÓÁ‚ÓÎﬂÂÚ ‰Ó·‡‚ÎﬂÚ¸ ‡ÁÎË˜Ì˚Â ˝ÙÙÂÍÚ˚ Í ÚÂıÌËÍÂ ËÒÔÓÎÌÂÌËﬂ.
* Ç˚‚Ó‰ËÚÒﬂ ÚÓÎ¸ÍÓ Ì‡ ˝Í‡ÌÂ RECEIVE (ÒÏ. ÒÚ. 150).
CVP-210/208
149
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive
ç‡ ˝ÚÓÈ ÒÚ‡ÌËˆÂ ÏÓÊÌÓ ÛÍ‡Á‡Ú¸
˜‡ÒÚË, ÔËÌËÏ‡˛˘ËÂ MIDI-ÒÓÓ·˘ÂÌËﬂ.
äÓÏÂ ÚÓ„Ó, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Í‡Ì‡Î
‰Îﬂ ÔËÂÏ‡ Ú‡ÍËı ÒÓÓ·˘ÂÌËÈ.
èêàåÖóÄçàÖ
èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1
‡Á˙ÂÏ‡ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙ÂÏ‡
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
A
B
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú Á‡‰‡Ú¸ Í‡Ì‡Î,
‰Îﬂ ÍÓÚÓÓ„Ó ÚÂ·ÛÂÚÒﬂ ËÁÏÂÌËÚ¸
Ô‡‡ÏÂÚ˚ ÔËÂÏ‡.
C
D
E
ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚÌ‡‰ˆ‡ÚË Í‡Ì‡ÎÓ‚
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔÓ˜Í‡» Ì‡
˝Í‡ÌÂ, ÍÓÚÓ‡ﬂ ÏË„‡ÂÚ ÔË
ÔÓÎÛ˜ÂÌËË MIDI-ÒÓÓ·˘ÂÌËÈ.
ùÚË ÍÌÓÔÍË ÓÔÂ‰ÂÎﬂ˛Ú ˜‡ÒÚ¸,
Ì‡ÁÌ‡˜ÂÌÌÛ˛ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ.
èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ.
1
2
3
4
5
6
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú
‚ÍÎ˛˜ËÚ¸/ÓÚÍÎ˛˜ËÚ¸ ÔËÂÏ
ÓÔÂ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚
ÒÓÓ·˘ÂÌËÈ. èÓ‰Ó·ÌÓÒÚË Ó
ÚËÔ‡ı ‰‡ÌÌ˚ı ÒÏ. Ì‡ ÒÚ. 149.
ó‡ÒÚË ‰Îﬂ ÔËÂÏ‡ MIDI-ÒÓÓ·˘ÂÌËÈ
OFF
SONG
MAIN
LAYER
LEFT
KEYBOARD
ACMP RHYTHM1-2
ACMP BASS
ACMP CHORD1-2
ACMP PAD
ACMP PHRASE1-2
EXTRA PART1-5
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ÌÂ ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ.
é·˚˜ÌÓ ˜‡ÒÚ¸, ÔËÌËÏ‡˛˘‡ﬂ MIDI-ÒÓÓ·˘ÂÌËﬂ, ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ˜‡ÒÚË/ÚÂÏ·Û, ËÒÔÓÎ¸ÁÛÂÏÓÏÛ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË. àÌ˚ÏË ÒÎÓ‚‡ÏË,
Í‡Ì‡Î˚ Ò 1 ÔÓ 16 ÔË‚ﬂÁ‡Ì˚ Í Ó‰ÌÓËÏÂÌÌ˚Ï Í‡Ì‡Î‡Ï ÔÂÒÌË.
ìÔ‡‚ÎÂÌËÂ ˜‡ÒÚ¸˛ MAIN ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
ìÔ‡‚ÎÂÌËÂ ˜‡ÒÚ¸˛ LAYER ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
ìÔ‡‚ÎÂÌËÂ ˜‡ÒÚ¸˛ LEFT ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ.
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÔËÌËÏ‡ÂÚ MIDI-ÒÓÓ·˘ÂÌËﬂ, ÓÚÌÓÒﬂ˘ËÂÒﬂ Í ÌÓÚ‡Ï, Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ Ëı Ú‡Í, Í‡Í ÂÒÎË ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
·˚ÎË Ò˚„‡Ì˚ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 Ë RHYTHM 2.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD 1 Ë CHORD 2.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD.
çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE 1 Ë PHRASE 2.
ëÛ˘ÂÒÚ‚ÛÂÚ ÔﬂÚ¸ ˜‡ÒÚÂÈ, ÒÔÂˆË‡Î¸ÌÓ ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌ˚ı ‰Îﬂ ÔËÂÏ‡ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ MIDI-ÒÓÓ·˘ÂÌËÈ. ä‡Í Ô‡‚ËÎÓ, Ò‡ÏËÏ ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ ˝ÚË ˜‡ÒÚË ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ. çÓ ÂÒÎË ÓÌË ‚ÒÂ-Ú‡ÍË Á‡‰ÂÈÒÚ‚Ó‚‡Ì˚, ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ Í‡˜ÂÒÚ‚Â 32Í‡Ì‡Î¸ÌÓ„Ó ÏÛÎ¸ÚËÚÂÏ·‡Î¸ÌÓ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡.
ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root
ëÓÓ·˘ÂÌËﬂ ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚ÍÎ˛˜ÂÌ‡/‚˚ÍÎ˛˜ÂÌ‡), ÔËÌËÏ‡ÂÏ˚Â Í‡Ì‡Î‡ÏË, ‰Îﬂ ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ «ON»,
‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÓÒÌÓ‚Ì˚Â ÚÓÌ‡, Ò˚„‡ÌÌ˚Â ‚ ‡Á‰ÂÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÌÓ‚Ì˚Â ÚÓÌ‡ ‡ÒÔÓÁÌ‡˛ÚÒﬂ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁËˆËË
ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚ÍÎ˛˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.
èêàåÖóÄçàÖ
èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1
‡Á˙ÂÏ‡ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú
Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙ÂÏ‡
USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï
17 – 32.
A
äÌÓÔÍË ‚˚·Ó‡ „ÛÔÔ˚ ËÁ ‚ÓÒ¸ÏË
Í‡Ì‡ÎÓ‚: 1 – 8, 9 – 16, 17 – 24 Ë 25 – 32
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
B
C
D
E
èêàåÖóÄçàÖ
ÖÒÎË ÁÌ‡˜ÂÌËÂ «ON»
Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‡‰‡ÌÓ ‰Îﬂ
ÌÂÒÍÓÎ¸ÍËı Í‡Ì‡ÎÓ‚, ÔÓËÒÍ
ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ ‚˚ÔÓÎÌﬂÂÚÒﬂ ‚
ÒÏÂ¯‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı,
ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï.
1
2
3
4
5
6
7
ÇÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ (ÔÂÂÍÎ˛˜ÂÌËÂ ÏÂÊ‰Û ÁÌ‡˜ÂÌËﬂÏË ON Ë OFF).
8
Ç˚ÍÎ˛˜ÂÌËÂ ‚ÒÂı Í‡Ì‡ÎÓ‚ (OFF).
ç‡ÁÌ‡˜ÂÌËÂ Í‡Ì‡ÎÓ‚ ‰Îﬂ ‡ÍÍÓ‰Ó‚ – Chord Detect
ëÓÓ·˘ÂÌËﬂ ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚ÍÎ˛˜ÂÌ‡/‚˚ÍÎ˛˜ÂÌ‡), ÔËÌËÏ‡ÂÏ˚Â Í‡Ì‡Î‡ÏË, ‰Îﬂ ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ «ON»,
‚ÓÒÔËÌËÏ‡˛ÚÒﬂ Í‡Í ÌÓÚ˚ ‡ÍÍÓ‰Ó‚, ‚ÁﬂÚ˚ı ‚ ‡Á‰ÂÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÔÂ‰ÂÎÂÌËÂ ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓÈ ‡ÔÔÎËÍ‡ÚÛ˚.
éÒÌÓ‚Ì˚Â ÚÓÌ‡ ‡ÒÔÓÁÌ‡˛ÚÒﬂ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁËˆËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚ÍÎ˛˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ë
ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÒÚ‡ÌËˆ˚ ÏÓÊÌÓ ‚˚ÔÓÎÌﬂÚ¸ Ô‡ÍÚË˜ÂÒÍË ÚÂ ÊÂ ÓÔÂ‡ˆËË, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚ﬂ˘ÂÌÌÓÏ ÒÚ‡ÌËˆÂ ROOT.
150
CVP-210/208
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ÑÛ„ËÂ Ô‡‡ÏÂÚ˚ – Utility
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ ÔË‚Â‰ÂÌ˚ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ¯‡„Â 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 136.
ç‡ÒÚÓÈÍ‡ Ô‡‡ÏÂÚÓ‚ ÙÂÈ‰ËÌ„‡, ÏÂÚÓÌÓÏ‡, ‡ Ú‡ÍÊÂ ÙÛÌÍˆËÈ ·ÎÓÍËÓ‚ÍË
Ô‡‡ÏÂÚ‡ Ë ÛÍ‡Á‡ÌËﬂ ÚÂÏÔ‡ – CONFIG 1
è‡‡ÏÂÚ˚ Fade In Time (‚ÂÏﬂ Ì‡‡˘Ë‚‡ÌËﬂ „ÓÏÍÓÒÚË), Fade Out Time (‚ÂÏﬂ ÒÌËÊÂÌËﬂ „ÓÏÍÓÒÚË),
Fade Out Hold Time (‚ÂÏﬂ ÌÛÎÂ‚ÓÈ „ÓÏÍÓÒÚË)
ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ‚ÂÏﬂ ÙÂÈ‰ËÌ„‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË.
á‡‰‡ÂÚ ‚ÂÏﬂ, ÌÂÓ·ıÓ‰ËÏÓÂ ‰Îﬂ Û‚ÂÎË˜ÂÌËﬂ
„ÓÏÍÓÒÚË ÓÚ ÏËÌËÏ‡Î¸ÌÓÈ ‰Ó Ï‡ÍÒËÏ‡Î¸ÌÓÈ
(‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 0 ‰Ó 20 Ò).
1
2
3
4
5
6
7
8
á‡‰‡ÂÚ ‚ÂÏﬂ, Ì‡ ÔÓÚﬂÊÂÌËË ÍÓÚÓÓ„Ó
„ÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËÏ‡Î¸ÌÓÈ (ÓÚ 0 ‰Ó 5,0 Ò).
á‡‰‡ÂÚ ‚ÂÏﬂ, ÌÂÓ·ıÓ‰ËÏÓÂ ‰Îﬂ ÛÏÂÌ¸¯ÂÌËﬂ
„ÓÏÍÓÒÚË ÓÚ Ï‡ÍÒËÏ‡Î¸ÌÓÈ ‰Ó ÏËÌËÏ‡Î¸ÌÓÈ
(‚ ‰Ë‡Ô‡ÁÓÌÂ ÓÚ 0 ‰Ó 20 Ò).
Metronome
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ÏÂÚÓÌÓÏ‡.
á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓÏ‡.
1
2
3
4
5
6
éÔÂ‰ÂÎﬂÂÚ ı‡‡ÍÚÂ Á‚Û˜‡ÌËﬂ ÏÂÚÓÌÓÏ‡.
Bell Off........................ëÚ‡Ì‰‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓÏ‡, ·ÂÁ Á‚ÓÌÍ‡.
Bell On ........................ëÚ‡Ì‰‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓÏ‡, ÒÓ Á‚ÓÌÍÓÏ.
English Voice .............ë˜ÂÚ ÔÓ-‡Ì„ÎËÈÒÍË (One, Two, Three, Four)
German Voice ............ë˜ÂÚ ÔÓ-ÌÂÏÂˆÍË (Eins, Zwei, Drei, Vier)
Japanese Voice .........ë˜ÂÚ ÔÓ-ﬂÔÓÌÒÍË (Ichi, Ni, San, Shi)
French Voice..............ë˜ÂÚ ÔÓ-Ù‡ÌˆÛÁÒÍË (Un, Deux, Trois, Quatre)
Spanish Voice ............ë˜ÂÚ ÔÓ-ËÒÔ‡ÌÒÍË (Uno, Dos, Tres, Cuatro)
7
8
éÔÂ‰ÂÎﬂÂÚ ˜‡ÒÚÓÚÛ ÒË„Ì‡Î‡
ÏÂÚÓÌÓÏ‡.
èË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË ËÎË
ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÁÌ‡˜ÂÌËÂ
‡ÁÏÂ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÛÒÚ‡Ì‡‚ÎË‚‡ÂÚÒﬂ ‡‚Ì˚Ï
ÁÌ‡˜ÂÌË˛, ÛÍ‡Á‡ÌÌÓÏÛ ‚ Ù‡ÈÎÂ
ÔÂÒÌË/ÒÚËÎﬂ.
CVP-210/208
151
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
ÅÎÓÍËÓ‚Í‡ Ô‡‡ÏÂÚ‡
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ Á‡·ÎÓÍËÓ‚‡Ú¸ ÓÔÂ‰ÂÎÂÌÌ˚Â Ô‡‡ÏÂÚ˚ Ú‡Í, ˜ÚÓ·˚ Ëı ÁÌ‡˜ÂÌËﬂ ÏÓÊÌÓ ·˚ÎÓ ËÁÏÂÌËÚ¸ ÚÓÎ¸ÍÓ Ò ÔÂÂ‰ÌÂÈ
Ô‡ÌÂÎË. àÌ‡˜Â „Ó‚Óﬂ, ÓÌ‡ Á‡ÔÂ˘‡ÂÚ ËÁÏÂÌﬂÚ¸ Ô‡‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËÈ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË, Ì‡ÒÚÓÂÍ «‚ Ó‰ÌÓ
Í‡Ò‡ÌËÂ», Music Finder ËÎË ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËﬂ Ù‡ÈÎÓ‚ ÔÂÒÂÌ.
Ç˚·Ó Ô‡‡ÏÂÚ‡ ‰Îﬂ
‚ÍÎ˛˜ÂÌËﬂ/ÒÌﬂÚËﬂ
·ÎÓÍËÓ‚ÍË.
1
2
3
4
5
6
7
8
7
8
ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎﬂ˛Ú Á‡·ÎÓÍËÓ‚‡Ú¸
‚˚·‡ÌÌ˚È Ô‡‡ÏÂÚ („‡ÎÓ˜Í‡ ÂÒÚ¸) Ë
‡Á·ÎÓÍËÓ‚‡Ú¸ Â„Ó („‡ÎÓ˜ÍË ÌÂÚ).
Tap Count
á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‚ÛÍ, ËÒÔÓÎ¸ÁÛÂÏ˚È ‰Îﬂ ÙÛÌÍˆËË Tap Start (ÒÚ. 55).
á‡‰‡ÂÚ Á‚ÛÍ, ËÒÔÓÎ¸ÁÛÂÏ˚È
ÙÛÌÍˆËÂÈ Tap Start. í‡ÍËÏ Á‚ÛÍÓÏ
ÏÓÊÂÚ ·˚Ú¸ Á‚ÛÍ Î˛·Ó„Ó Û‰‡ÌÓ„Ó
ËÎË ÔÂÍÛÒÒËÓÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ËÁ
ÒÚ‡Ì‰‡ÚÌÓ„Ó Ì‡·Ó‡ (ÒÚ. 59).
éÔÂ‰ÂÎﬂÂÚ „ÓÏÍÓÒÚ¸ ËÚÏ‡.
1
2
3
4
5
6
ç‡ÒÚÓÈÍ‡ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰ËÌ‡ÏËÍÓ‚ Ë ÓÚÓ·‡ÊÂÌËﬂ ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ –
CONFIG 2
HEADPHONE SW (SWITCH)
ÑËÌ‡ÏËÍ ‡·ÓÚ‡ÂÚ, ÌÓ ÓÚÍÎ˛˜‡ÂÚÒﬂ, ÂÒÎË ‚
‡Á˙ÂÏ PHONES ‚ÍÎ˛˜ÂÌ˚ Ì‡Û¯ÌËÍË.
ON
á‚ÛÍ ‚ÒÂ„‰‡ ÔÓıÓ‰ËÚ ˜ÂÂÁ ‰ËÌ‡ÏËÍ.
OFF
á‚ÛÍ ˜ÂÂÁ ‰ËÌ‡ÏËÍ ÌÂ ÔÓıÓ‰ËÚ.
äÌÓÔÍ‡, Â„ÛÎËÛ˛˘‡ﬂ ﬂÍÓÒÚ¸
˝Í‡Ì‡.
äÌÓÔÍ‡, Â„ÛÎËÛ˛˘‡ﬂ ﬂÍÓÒÚ¸
ÔÓ‰Ò‚ÂÚÍË ˝Í‡Ì‡.
152
CVP-210/208
1
2
3
4
5
6
7
8
ÇÍÎ˛˜‡˛Ú/‚˚ÍÎ˛˜‡˛Ú ÂÊËÏ ÓÚÓ·‡ÊÂÌËﬂ
Ì‡Á‚‡ÌËﬂ ·‡ÌÍ‡ Ë ÌÓÏÂ‡ ÚÂÏ·‡ Ì‡ ÒÚ‡ÌËˆÂ
PRESET ˝Í‡Ì‡ VOICE (ÒÚ. 58). ùÚÓ ·˚‚‡ÂÚ
ÔÓÎÂÁÌÓ ÂÒÎË, ÌÛÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÂÏ·
‚ÌÂ¯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. ÑÎﬂ ˝ÚÓ„Ó Ó·˚˜ÌÓ
ÔÓ‚Âﬂ˛ÚÒﬂ ÁÌ‡˜ÂÌËﬂ MSB/LSB Ë ÌÓÏÂ‡
ÔÓ„‡ÏÏ ‚˚·‡ÌÌÓ„Ó ·‡ÌÍ‡ ÚÂÏ·Ó‚.
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
äÓÔËÓ‚‡ÌËÂ Ë ÙÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ – Disk
ùÚË ÍÌÓÔÍË
‚ÍÎ˛˜‡˛Ú/
ÓÚÍÎ˛˜‡˛Ú
ÙÛÌÍˆË˛ Song Auto
Open. ÖÒÎË Á‡‰‡Ú¸
‰Îﬂ ˝ÚÓ„Ó
Ô‡‡ÏÂÚ‡
ÁÌ‡˜ÂÌËÂ ON,
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova ·Û‰ÂÚ
‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‚˚Á˚‚‡Ú¸ ÔÂ‚Û˛
ÔÂÒÌ˛ Ì‡ ‰ËÒÍÂÚÂ,
Í‡Í ÚÓÎ¸ÍÓ ‚˚
ÔÓÏÂÒÚËÚÂ ÂÂ ‚
‰ËÒÍÓ‚Ó‰.
F
G
H
I
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ
ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò Ó‰ÌÓÈ
‰ËÒÍÂÚ˚ Ì‡ ‰Û„Û˛, ˜ÚÓ·˚
ÒÓÁ‰‡Ú¸ ‡ıË‚ Ò ‚‡ÊÌÓÈ
ËÌÙÓÏ‡ˆËÂÈ ÔÂÂ‰
Â‰‡ÍÚËÓ‚‡ÌËÂÏ. ìÍ‡Á‡ÌËﬂ
ÔÓ ‚˚ÔÓÎÌÂÌË˛ ‰‡ÌÌÓÈ
ÔÓˆÂ‰Û˚ ÒÏ. ÌËÊÂ.
J
ùÚ‡ ÙÛÌÍˆËﬂ ÔÓÁ‚ÓÎﬂÂÚ
ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ
(ÒÏ. ÌËÊÂ).
1
2
3
4
5
6
7
8
äÓÔËÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ Ì‡ ‰ËÒÍÂÚÛ
ëÌ‡˜‡Î‡ ÒÎÂ‰ÛÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ ‚ Ô‡ÏﬂÚ¸ CVP-210/208, ‡ ÓÚÚÛ‰‡ Ì‡ ÌÓ‚Û˛
‰ËÒÍÂÚÛ (ÒÏ. ËÒÛÌÓÍ).
1
3
èêàåÖóÄçàÖ
• äÓÔËÓ‚‡ÌËÂ ‰‡ÌÌ˚ı Ò
‰ËÒÍÂÚ˚ ÚËÔ‡ 2DD Ì‡ ‰ËÒÍÂÚÛ
ÚËÔ‡ 2HD Ë Ó·‡ÚÌÓ
ÌÂ‚ÓÁÏÓÊÌÓ. èËÒÚÛÔ‡ﬂ Í
ÍÓÔËÓ‚‡ÌË˛, Û·Â‰ËÚÂÒ¸ ‚
ÚÓÏ, ˜ÚÓ Ó·Â ‰ËÒÍÂÚ˚ Ó‰ÌÓ„Ó
ÚËÔ‡.
• Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ó·˙ÂÏ‡
‰‡ÌÌ˚ı, ÒÓ‰ÂÊ‡˘ËıÒﬂ Ì‡
ÍÓÔËÛÂÏÓÈ ‰ËÒÍÂÚÂ, ÏÓÊÂÚ
ÔÓÚÂ·Ó‚‡Ú¸Òﬂ ÌÂÒÍÓÎ¸ÍÓ ‡Á
‚ÒÚ‡‚ÎﬂÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÚÓ
Ó‰ÌÛ, ÚÓ ‰Û„Û˛ ‰ËÒÍÂÚÛ ‰Ó
ÚÂı ÔÓ, ÔÓÍ‡ ÌÂ ·Û‰ÛÚ
ÒÍÓÔËÓ‚‡Ì˚ ‚ÒÂ ‰‡ÌÌ˚Â.
• èÂÊ‰Â ‚ÒÂ„Ó, ÓÁÌ‡ÍÓÏ¸ÚÂÒ¸
Ò ‡Á‰ÂÎÓÏ «àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» Ì‡
ÒÚ. 6.
2
ç‡ÊÏËÚÂ ÍÌÓÔÍÛ [F]. ç‡ ˝Í‡ÌÂ
ÔÓﬂ‚ËÚÒﬂ ÔÂ‰ÎÓÊÂÌËÂ ‚ÒÚ‡‚ËÚ¸
‰ËÒÍÂÚÛ.
äÓ„‰‡ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Please
insert a destination disk and press
the OK button», ‚˚Ì¸ÚÂ ‰ËÒÍÂÚÛ Ò
ËÒıÓ‰Ì˚ÏË ‰‡ÌÌ˚ÏË, Á‡ÏÂÌËÚÂ ÂÂ
˜ËÒÚÓÈ ÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚÓÈ
Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ «OK». óÚÓ·˚
ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔÂ‡ˆË˛, Ì‡ÊÏËÚÂ
ÍÌÓÔÍÛ «CANCEL».
4
ÇÌÛÚÂÌÌﬂﬂ Ô‡ÏﬂÚ¸
äÓÔËÓ‚‡ÌËÂ
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Ë
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ «OK».
ç‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓ·˘ÂÌËÂ «Now
copying», Ë ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP210/208 ÔËÒÚÛÔËÚ Í ÍÓÔËÓ‚‡ÌË˛
‰‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏﬂÚ¸.
óÚÓ·˚ ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔÂ‡ˆË˛,
Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ «CANCEL».
äÓ„‰‡ ÍÓÔËÓ‚‡ÌËÂ Á‡ÍÓÌ˜ËÚÒﬂ (ËÎË
Ì‡ ˝Í‡ÌÂ ÔÓﬂ‚ËÚÒﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ÒÓÓ·˘ÂÌËÂ), ‚˚Ì¸ÚÂ ‰ËÒÍÂÚÛ ËÁ
‰ËÒÍÓ‚Ó‰‡.
ÑËÒÍÂÚ‡ Ò
ËÒıÓ‰Ì˚ÏË
‰‡ÌÌ˚ÏË
äÓÔËÓ‚‡ÌËÂ
ÑËÒÍÂÚ‡ Ò
ÍÓÔËÂÈ ËÒıÓ‰Ì˚ı
‰‡ÌÌ˚ı
èêàåÖóÄçàÖ
èÂÒÌË, ‡ÒÔÓÒÚ‡ÌﬂÂÏ˚Â
˜ÂÂÁ ÚÓ„Ó‚Û˛ ÒÂÚ¸,
Óı‡Ìﬂ˛ÚÒﬂ Á‡ÍÓÌÓÏ Ó·
‡‚ÚÓÒÍÓÏ Ô‡‚Â.
äÓÔËÓ‚‡Ú¸ Ëı ÏÓÊÌÓ
ÚÓÎ¸ÍÓ ‰Îﬂ ÎË˜ÌÓ„Ó
ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ. çÂÍÓÚÓ˚Â
ÏÛÁ˚Í‡Î¸Ì˚Â ÔÓ„‡ÏÏ˚
ÒÔÂˆË‡Î¸ÌÓ Á‡˘Ë˘ÂÌ˚ ÓÚ
ÍÓÔËÓ‚‡ÌËﬂ.
îÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ
çÂÓÚÙÓÏ‡ÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ ÒÎÂ‰ÛÂÚ
ÓÚÙÓÏ‡ÚËÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÔË
ÔÂ‚ÓÏ Û‰Ó·ÌÓÏ ÒÎÛ˜‡Â. îÓÏ‡ÚËÓ‚‡ÌË˛
ÔÓ‰ÎÂÊ‡Ú Í‡Í ˜ËÒÚ˚Â ‰ËÒÍÂÚ˚, Ú‡Í Ë ‰ËÒÍÂÚ˚
‰Û„Ó„Ó ÙÓÏ‡Ú‡. èË ÙÓÏ‡ÚËÓ‚‡ÌËË ‚ÒÂ
‰‡ÌÌ˚Â Ì‡ ‰ËÒÍÂÚÂ ÒÚË‡˛ÚÒﬂ.
ÇÒÚ‡‚¸ÚÂ ‰ËÒÍÂÚÛ ¯ÚÓÍÓÈ ‚ÔÂÂ‰ Ë Ì‡ÍÎÂÈÍÓÈ
‚‚Âı. óÚÓ·˚ ÔËÒÚÛÔËÚ¸ Í ÙÓÏ‡ÚËÓ‚‡ÌË˛,
ÔÂÂÈ‰ËÚÂ Ì‡ ÒÚ‡ÌËˆÛ DISK Ë Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [H]
(DISK FORMAT).
àÌ‰ËÍ‡ÚÓ „ÓÚÓ‚ÌÓÒÚË ‰ËÒÍÓ‚Ó‰‡
äÓ„‰‡ ÔËÚ‡ÌËÂ ‚ÍÎ˛˜ÂÌÓ, ËÌ‰ËÍ‡ÚÓ „ÓÚÓ‚ÌÓÒÚË
‰ËÒÍÓ‚Ó‰‡ (ÒÎÂ‚‡ ‚ÌËÁÛ) „ÓËÚ, ÛÍ‡Á˚‚‡ﬂ, ˜ÚÓ
‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸.
èêàåÖóÄçàÖ
îÓÏ‡ÚËÓ‚‡ÌËÂ – ˝ÚÓ ‡ÁÏÂÚÍ‡
‰ËÒÍÂÚ˚ ÒÓ„Î‡ÒÌÓ Ô‡‚ËÎ‡Ï ‰Îﬂ
ÓÔÂ‰ÂÎÂÌÌÓÈ Ù‡ÈÎÓ‚ÓÈ
ÒËÒÚÂÏ˚, ˜ÚÓ·˚ Í ÌÂÈ ÏÓ„ÎÓ
Ó·‡˘‡Ú¸Òﬂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ
ÛÒÚÓÈÒÚ‚Ó (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â
CVP-210/208).
ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓÎ¸ÍÓ ‚Ë‰Ó‚
ÙÓÏ‡ÚËÓ‚‡ÌËﬂ Ë ÚËÔÓ‚
‰ËÒÍÂÚ, ÔÓ˝ÚÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ
ÁÌ‡Ú¸, Í‡ÍËÂ ËÁ ÌËı
ÔÓ‰‰ÂÊË‚‡˛ÚÒﬂ ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ CVP-210/208. ÖÏÍÓÒÚ¸
Ô‡ÏﬂÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD Ë 2HD
ÒÓÒÚ‡‚ÎﬂÂÚ 720 ä· Ë 1440 ä·
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
ÇçàåÄçàÖ!
îÓÏ‡ÚËÓ‚‡ÌËÂ ‰ËÒÍÂÚ˚
Û‰‡ÎﬂÂÚ Ò ÌÂÂ ‚ÒÂ ‰‡ÌÌ˚Â.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡
ÙÓÏ‡ÚËÛÂÏÓÈ ‰ËÒÍÂÚÂ ÌÂÚ
‚‡ÊÌ˚ı ‰‡ÌÌ˚ı.
CVP-210/208
153
ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function
Ç‚Ó‰ ËÏÂÌË ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ Ë ‚˚·Ó ﬂÁ˚Í‡ – Owner
èêàåÖóÄçàÖ
ùÚ‡ ÍÌÓÔÍ‡ ÔÓÁ‚ÓÎﬂÂÚ
ÛÍ‡Á‡Ú¸ ËÏﬂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ (ÒÚ. 17;
ËÌÒÚÛÍˆËË ÔÓ
ÔËÒ‚ÓÂÌË˛ ËÏÂÌË ÒÏ.
Ì‡ ÒÚ. 49). ùÚÓ ËÏﬂ
·Û‰ÂÚ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÔÓﬂ‚ÎﬂÚ¸Òﬂ ÔË
‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ.
F
G
H
I
äÌÓÔÍË ‚˚·Ó‡
ﬂÁ˚Í‡ ÒÓÓ·˘ÂÌËÈ,
‚˚‚Ó‰ËÏ˚ı Ì‡
˝Í‡Ì. ä‡Í ÚÓÎ¸ÍÓ
‚˚ ËÁÏÂÌËÚÂ ˝ÚÛ
Ì‡ÒÚÓÈÍÛ, ‚ÒÂ
ÒÓÓ·˘ÂÌËﬂ ·Û‰ÛÚ
ÔÓﬂ‚ÎﬂÚ¸Òﬂ Ì‡
Á‡‰‡ÌÌÓÏ ﬂÁ˚ÍÂ.
Ç˚·Ó ÙÓÌ‡ Ò ‰ËÒÍÂÚ˚:
• Ç Í‡˜ÂÒÚ‚Â ÙÓÌ‡ ‰Îﬂ „Î‡‚ÌÓ„Ó ˝Í‡Ì‡
(˝Í‡Ì‡ MAIN) ÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÚÓÎ¸ÍÓ
Ù‡ÈÎ˚ ‚ ÙÓÏ‡ÚÂ BMP. å‡ÍÒËÏ‡Î¸Ì˚È
‡ÁÏÂ ËÁÓ·‡ÊÂÌËﬂ ÌÂ ‰ÓÎÊÂÌ ÔÂ‚˚¯‡Ú¸
640 ı 480 ÔËÍÒÂÎÂÈ. àÁÓ·‡ÊÂÌËﬂ ÏÂÌ¸¯Â„Ó
‡ÁÏÂ‡ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‡ÒÚﬂ„Ë‚‡˛ÚÒﬂ ‰Ó
‡ÁÏÂ‡ ˝Í‡Ì‡.
• Ç˚·‡ÌÌ˚È ÙÓÌ ÌÂ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òﬂ ÔË
ÒÎÂ‰Û˛˘ÂÏ ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ,
ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ ÌÂ ·Û‰ÂÚ ‚ÒÚ‡‚ÎÂÌ‡ ‰ËÒÍÂÚ‡
Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ‰‡ÌÌ˚ÏË.
• éÚÓ·‡ÊÂËÌÂ ÙÓÌ‡ ÔÓËÒıÓ‰ËÚ Ò
ÌÂ·ÓÎ¸¯ËÏ ÓÔÓÁ‰‡ÌËÂÏ. ÖÒÎË ‚˚ ıÓÚËÚÂ
ÒÓÍ‡ÚËÚ¸ ÔÓÏÂÊÛÚÓÍ ‚ÂÏÂÌË ‰Ó
ÔÓﬂ‚ÎÂÌËﬂ ÙÓÌ‡, ÒÓı‡ÌËÚÂ ÙÓÌ Ì‡
ÒÚ‡ÌËˆÂ USER ˝Í‡Ì‡ MAIN PICTURE.
J
Ç˚ÁÓ‚ËÚÂ ˝Í‡Ì MAIN PICTURE, Ì‡
ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚·‡Ú¸ ÙÓÌ ‰Îﬂ
„Î‡‚ÌÓ„Ó ˝Í‡Ì‡.
1
2
3
4
5
6
7
8
èêàåÖóÄçàÖ
Ç˚·Ó ‰Û„Ó„Ó ﬂÁ˚Í‡ ‚ ˝ÚÓÏ ÏÂÒÚÂ ÏÓÊÂÚ
‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘ËÂ ÔÓ·ÎÂÏ˚.
• çÂÍÓÚÓ˚Â ÒËÏ‚ÓÎ˚ ‚Ó ‚‚Â‰ÂÌÌ˚ı ËÏÂÌ‡ı
Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒÍ‡ÊÂÌ˚.
• çÂÍÓÚÓ˚Â Ù‡ÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸
ÌÂ‰ÓÒÚÛÔÌ˚ÏË.
ÑÎﬂ ÛÒÚ‡ÌÂÌËﬂ ˝ÚËı ÔÓ·ÎÂÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ
‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÔÂÊÌËÈ ﬂÁ˚Í.
ÄÌ‡ÎÓ„Ë˜Ì˚Â ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔË
˜ÚÂÌËË Ù‡ÈÎÓ‚ Ì‡ ÍÓÏÔ¸˛ÚÂÂ Ò ‰Û„ÓÈ
ﬂÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ.
ÇÓÒÒÚ‡ÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌÍˆËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍËÂ ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚ ‰Îﬂ CVP-210/208. ÇÓÒÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ ÁÌ‡˜ÂÌËﬂ
Ô‡‡ÏÂÚÓ‚, ‚ıÓ‰ﬂ˘Ëı ‚ „ÛÔÔ˚ System Setup, MIDI Setup, User Effect, Music Finder Ë Files&Folders.
èêàåÖóÄçàÖ
ÇÓÒÒÚ‡Ì‡‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍËÂ Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ System
Setup. áÌ‡˜ÂÌËﬂ ˝ÚËı Ô‡‡ÏÂÚÓ‚ (ÌÓ ÚÓÎ¸ÍÓ ˝ÚËı!) ÏÓÊÌÓ
Ú‡ÍÊÂ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ÂÒÎË ÔË ‚ÍÎ˛˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
‰ÂÊ‡Ú¸ Í‡ÈÌ˛˛ Ô‡‚Û˛ ÍÎ‡‚Ë¯Û Ì‡ ÍÎ‡‚Ë‡ÚÛÂ (ë7).
äÌÓÔÍ‡ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ
Ô‡‡ÏÂÚÓ‚ MIDI-¯‡·ÎÓÌÓ‚.
äÌÓÔÍ‡ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ
ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ‰Îﬂ
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı ˝ÙÙÂÍÚÓ‚
(ÒÚ. 127).
A
F
B
G
C
H
D
I
E
J
èêàåÖóÄçàÖ
äÌÓÔÍ‡ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ
ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÙÛÌÍˆËË
Music Finder.
äÌÓÔÍ‡ Û‰‡ÎÂÌËﬂ ‚ÒÂı Ù‡ÈÎÓ‚ Ë
Ô‡ÔÓÍ ËÁ ‡Á‰ÂÎ Ô‡ÏﬂÚË User.
1
2
äÌÓÔÍË ÔÓ‰Ú‚ÂÊ‰ÂÌËﬂ ÓÔÂ‡ˆËË
‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËﬂ ËÒıÓ‰Ì˚ı ÁÌ‡˜ÂÌËÈ
‰Îﬂ ‚ÒÂı ÓÚÏÂ˜ÂÌÌ˚ı Ì‡ ˝Í‡ÌÂ „ÛÔÔ
Ô‡‡ÏÂÚÓ‚.
154
CVP-210/208
îÛÌÍˆËË Ë Ô‡‡ÏÂÚ˚,
ÔÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ, ÌÂ ÓÚÌÓÒﬂÚÒﬂ Í
ÓÔÂ‡ˆËË Factory Reset. íÂÏ ÌÂ
ÏÂÌÂÂ, Ëı ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸,
‚˚Á‚‡‚ „ÓÚÓ‚˚È Ì‡·Ó Ô‡‡ÏÂÚÓ‚
System Setup Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË
Open/Save System Files.
Language (ﬂÁ˚Í ÒÓÓ·˘ÂÌËÈ)
Owner Name (ËÏﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ)
LDC Contrast (ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ˝Í‡Ì‡)
LCD Brightness (ﬂÍÓÒÚ¸ ˝Í‡Ì‡)
ç‡ÒÚÓÈÍË Video Out (NTSC/PAL)
Screen Content (ÒÓ‰ÂÊËÏÓÂ ˝Í‡Ì‡)
3
4
5
6
7
8
äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡ÌÓ‚ Open/Save,
ÔÓÁ‚ÓÎﬂ˛˘Ëı ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â Ì‡
‰ËÒÍÂÚÂ ‚ ‚Ë‰Â Ù‡ÈÎ‡. ä‡Ê‰‡ﬂ ËÁ ˝ÚËı
ÍÌÓÔÓÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÓÔÂ‰ÂÎÂÌÌÓÏÛ
˝Í‡ÌÛ Open/Save, ÔÂÂÈ‰ﬂ Í ÍÓÚÓÓÏÛ
ÏÓÊÌÓ ‚˚·‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛
ÒÚ‡ÌËˆÛ PRESET. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ
ÒÚ‡ÌËˆ˚ ‚˚ ÏÓÊÂÚÂ ÒÓı‡ÌËÚ¸
ÌÂÓ·ıÓ‰ËÏ˚Â ‰‡ÌÌ˚Â.
ÇÒÂ Á‡ÔËÒË ÙÛÌÍˆËË Music Finder
ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ Ó‰ÌÓÏ
Ù‡ÈÎÂ. èË ‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡ÈÎ‡
ÔÓﬂ‚ÎﬂÂÚÒﬂ ‰Ë‡ÎÓ„Ó‚ÓÂ ÓÍÌÓ Ò
ÔÂ‰ÎÓÊÂÌËÂÏ Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛
Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË ‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛
Á‡ÔËÒ¸ ‚ ÍÓÌÂˆ ÒÚ‡ÓÈ.
á‡ÏÂÌËÚ¸
ÇÒÂ ËÏÂ˛˘ËÂÒﬂ ‚Ó ‚ÌÛÚÂÌÌÂÈ
Ô‡ÏﬂÚË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Á‡ÔËÒË
ÙÛÌÍˆËË Music Finder Û‰‡Îﬂ˛ÚÒﬂ Ë
Á‡ÏÂÌﬂ˛ÚÒﬂ Á‡ÔËÒﬂÏË ËÁ ‚˚·‡ÌÌÓ„Ó
Ù‡ÈÎ‡.
ÑÓ·‡‚ËÚ¸
Ç˚Á‚‡ÌÌ˚Ï Á‡ÔËÒﬂÏ ÔËÒ‚‡Ë‚‡˛ÚÒﬂ
Ò‚Ó·Ó‰Ì˚Â ÌÓÏÂ‡ Ë ÓÌË
‰Ó·‡‚Îﬂ˛ÚÒﬂ ‚ ÒÔËÒÓÍ.
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ
ÔË‡ÌËÌÓ Clavinova
ÇçàåÄçàÖ!
èÂÂ‰ ÔÓ‰ÍÎ˛˜ÂÌËÂÏ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚ÍÎ˛˜ËÚÂ ÔËÚ‡ÌËÂ
‚ÒÂı ÒÓÂ‰ËÌﬂÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂÊ‰Â ˜ÂÏ ‚ÍÎ˛˜‡Ú¸ ËÎË ‚˚ÍÎ˛˜‡Ú¸
Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒÎÂ‰ÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËÏ‡Î¸ÌÛ˛ „ÓÏÍÓÒÚ¸ (0).
Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌËÂ ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂÊ‰ÂÌÓ, ‡ ‚˚ Ò‡ÏË
ÏÓÊÂÚÂ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚË˜ÂÒÍËÏ ÚÓÍÓÏ.
INPUT
VOLUME
MIN
MIC.
LINE IN
MIC. LINE
PHONES
MAX
2 èÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌ‡ ËÎË
„ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)
èÓ‰ÍÎ˛˜Ë‚ ÏËÍÓÙÓÌ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova, ‚˚
ÏÓÊÂÚÂ ÔÓ‰ÔÂ‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓÏÛ ËÒÔÓÎÌÂÌË˛ ËÎË Á‡ÔËÒ‡ÌÌÓÈ
ÔÂÒÌÂ. (êÂÍÓÏÂÌ‰ÛÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰Îﬂ ˝ÚÓÈ ˆÂÎË
‰ËÌ‡ÏË˜ÂÒÍËÈ ÏËÍÓÙÓÌ.) Ç‡¯ „ÓÎÓÒ ËÎË Á‚ÛÍ „ËÚ‡˚
ÔÓÒÚÛÔ‡ÂÚ Ì‡ ‚ÒÚÓÂÌÌ˚Â ‰ËÌ‡ÏËÍË.
1
èÓ‰ÍÎ˛˜ËÚÂ ÏËÍÓÙÓÌ Í ‡Á˙ÂÏÛ MIC./LINE IN (Ò
ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂÍÂ‡).
èêàåÖóÄçàÖ
êÂÍÓÏÂÌ‰ÛÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ÌÂÌ‡Ô‡‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.
2
1
2
ìÒÚ‡ÌÓ‚ËÚÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [MIC. LINE] (ÓÌ ‡ÒÔÓÎÓÊÂÌ
ﬂ‰ÓÏ Ò „ÌÂÁ‰ÓÏ MIC./LINE IN) ‚ ÔÓÎÓÊÂÌËÂ MIC.
MIC. LINE
1 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ Ì‡Û¯ÌËÍÓ‚
(‡Á˙ÂÏ PHONES)
ÑÎﬂ ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ Ì‡Û¯ÌËÍÓ‚, ÔÓ‰ÍÎ˛˜ËÚÂ Ëı ‚ Ó‰ËÌ ËÁ
‡Á˙ÂÏÓ‚ PHONES (Ò ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌÓ„Ó
˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂÍÂ‡), Ì‡ıÓ‰ﬂ˘ËıÒﬂ Ì‡ Ó·‡ÚÌÓÈ
ÒÚÓÓÌÂ ÍÎ‡‚Ë‡ÚÛ˚. èË ÔÓ‰ÍÎ˛˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ Í ‡Á˙ÂÏÛ
PHONES (ÒÚ. 152) ‚ÒÚÓÂÌÌ˚Â ‚ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ ‰ËÌ‡ÏËÍË
‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÓÚÍÎ˛˜‡˛ÚÒﬂ. ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova
ÒÌ‡·ÊÂÌÓ ‰‚ÛÏﬂ ‡Á˙ÂÏ‡ÏË, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‰‚Â
Ô‡˚ Ì‡Û¯ÌËÍÓ‚. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÎÛ¯‡Ú¸ ÏÛÁ˚ÍÛ ‰‚ÛÏ
Î˛‰ﬂÏ Ó‰ÌÓ‚ÂÏÂÌÌÓ.
MIC. LINE
èË ÔÓ‰ÍÎ˛˜ÂÌËË ÏËÍÓÙÓÌ‡
èË ÔÓ‰ÍÎ˛˜ÂÌËË „ËÚ‡˚
èêàåÖóÄçàÖ
ÇÍÎ˛˜ËÚÂ ÎËÌÂÈÌ˚È ‚ıÓ‰, ÛÒÚ‡ÌÓ‚Ë‚ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ [MIC. LINE] ‚
ÔÓÎÓÊÂÌËÂ LINE, ÂÒÎË ÚÂ·ÛÂÚÒﬂ ÔÓ‰ÍÎ˛˜ËÚ¸ Í ‡Á˙ÂÏÛ MIC./LINE IN
ÛÒÚÓÈÒÚ‚Ó Ò ÎËÌÂÈÌ˚Ï ÛÓ‚ÌÂÏ ‚˚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡.
3
ë ÔÓÏÓ˘¸˛ Û˜ÍË [INPUT
VOLUME] (ÓÌ‡ ‡ÒÔÓÎÓÊÂÌ‡
ﬂ‰ÓÏ Ò „ÌÂÁ‰ÓÏ [MIC./LINE IN])
ÏÓÊÌÓ ‚˚ÒÚ‡‚ËÚ¸ ÛÓ‚ÂÌ¸
ÏËÍÓÙÓÌÌÓ„Ó ÒË„Ì‡Î‡.
ìÓ‚ÂÌ¸ ‚ıÓ‰ÌÓ„Ó ÒË„Ì‡Î‡
‰ÓÎÊÂÌ ·˚Ú¸ Ú‡ÍËÏ, ˜ÚÓ·˚ ÔË ÔÂÌËË Ò‚ÂÚÓ‰ËÓ‰ SIGNAL
ÛÒÚÓÈ˜Ë‚Ó „ÓÂÎ. èË ˝ÚÓÏ ÒÎÂ‰ÛÂÚ ËÁ·Â„‡Ú¸ ÛÒÚ‡ÌÓ‚ÍË
ÛÓ‚Ìﬂ ÒË„Ì‡Î‡, ÔË‚Ó‰ﬂ˘Â„Ó Í ÚÓÏÛ, ˜ÚÓ Á‡„Ó‡ÂÚÒﬂ
Ò‚ÂÚÓ‰ËÓ‰ OVER (ÒÚ. 131).
ëÚ.157
ëÚ.157
6
ëÚ.157
8
7
USB
AUX PEDAL
MIDI
THRU
L/L+R
VIDEO OUT
5
ëÚ.156
R
AUX IN
4
ëÚ.156
L/L+R
OUT
IN
(LEVEL FIXED)
L
R
R
AUX OUT
3
ëÚ.156
CVP-210/208
155
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
345 èÓ‰ÍÎ˛˜ÂÌËÂ ‡Û‰ËÓ Ë ‚Ë‰ÂÓ
ÛÒÚÓÈÒÚ‚
Ç˚ ÏÓÊÂÚÂ ÔÓ‰ÍÎ˛˜ËÚ¸ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova Í ‡ÁÌÓ„Ó
Ó‰‡ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡‡ÚÛÂ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX IN and AUX
OUT, ÍÓÚÓ˚Â Ì‡ıÓ‰ﬂÚÒﬂ ‚ ÎÂ‚ÓÏ ÌËÊÌÂÏ Û„ÎÛ ËÌÒÚÛÏÂÌÚ‡.
èÓ‰ÍÎ˛˜ËÚÂ Ó·ÓÛ‰Ó‚‡ÌËÂ ÛÍ‡Á‡ÌÌ˚Ï ÌËÊÂ ÒÔÓÒÓ·ÓÏ Ò
ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌ˚ı Á‚ÛÍÓ‚˚ı Í‡·ÂÎÂÈ.
4 Ç˚‚Ó‰ Á‚ÛÍ‡ ‚ÌÂ¯ÌÂ„Ó ‡Û‰ËÓ Ó·ÓÛ‰Ó‚‡ÌËﬂ
˜ÂÂÁ ‚ÒÚÓÂÌÌ˚Â ‰ËÌ‡ÏËÍË Clavinova
(‡Á˙ÂÏ˚ AUX IN)
ÇçàåÄçàÖ!
ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÔÓ‰ÍÎ˛˜ÂÌÓ ‚ÌÂ¯ÌÂÂ
ÛÒÚÓÈÒÚ‚Ó, ÒÌ‡˜‡Î‡ ‚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ˝ÚÓ„Ó ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡
Á‡ÚÂÏ ÔËÚ‡ÌËÂ Clavinova.
èêàåÖóÄçàÖ
Clavinova
êÂÍÓÏÂÌ‰ÛÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‡Û‰ËÓÍ‡·ÂÎË Ë ¯ÚÂÍÂ‡ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ,
·ÎËÁÍËÏ Í ÌÛÎ˛.
L L+R
R
íÓÌ-„ÂÌÂ‡ÚÓ
AUX IN
ÇçàåÄçàÖ!
LINE OUT
èË ÔÓ‰ÍÎ˛˜ÂÌËË Clavinova Í ‚ÌÂ¯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏÂ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX
OUT ÒÎÂ‰ÛÂÚ ÒÌ‡˜‡Î‡ ‚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova, ‡
ÛÊÂ Á‡ÚÂÏ — ÔËÚ‡ÌËÂ ‚ÌÂ¯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ ÒÎÂ‰ÛÂÚ
‚ Ó·‡ÚÌÓÏ ÔÓﬂ‰ÍÂ.
3 èÓÒÎÛ¯Ë‚‡ÌËÂ Clavinova ˜ÂÂÁ ÍÓÎÓÌÍË
‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ Ì‡ ‚ÌÂ¯ÌÂÂ
ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT)
òÚÂÍÂ Ì‡Û¯ÌËÍÓ‚
(ÒÚ‡Ì‰‡ÚÌ˚È)
á‚ÛÍÓ‚ÓÈ Í‡·ÂÎ¸
èêàåÖóÄçàÖ
• Clavinova è‡‡ÏÂÚ [MASTER VOLUME] ‚ÎËﬂÂÚ Ì‡ ‚ıÓ‰ÌÓÈ ÒË„Ì‡Î ËÁ
‡Á˙ÂÏÓ‚ AUX IN
• ÖÒÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓÂ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌË˜ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓÂ ÛÒÚÓÈÒÚ‚Ó ÒÎÂ‰ÛÂÚ ÔÓ‰ÍÎ˛˜‡Ú¸
˜ÂÂÁ ‡Á˙ÂÏ AUX IN L/L+R.
ÇçàåÄçàÖ!
çËÍÓ„‰‡ ÌÂ ÒÓÂ‰ËÌﬂÈÚÂ ‡Á˙ÂÏ˚ AUX OUT Ë AUX IN Clavinova
ÌÂÔÓÒÂ‰ÒÚ‚ÂÌÌÓ ‰Û„ Ò ‰Û„ÓÏ ËÎË ˜ÂÂÁ ‚ÌÂ¯ÌÂÂ ‡Û‰ËÓ Ó·ÓÛ‰Ó‚‡ÌËÂ.
í‡ÍÓÂ ÒÓÂ‰ËÌÂÌËÂ ÏÓÊÂÚ ÔÓ‚ÎÂ˜¸ Ó·‡ÚÌÛ˛ Ò‚ﬂÁ¸ Ë ÚÂÏ Ò‡Ï˚Ï Ò‰ÂÎ‡Ú¸
ÌÂ‚ÓÁÏÓÊÌ˚Ï ÌÓÏ‡Î¸ÌÛ˛ ‡·ÓÚÛ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Ë ‰‡ÊÂ ‚˚Á‚‡Ú¸
ÔÓ‚ÂÊ‰ÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
Clavinova
L+R
ä‡ÒÒÂÚÌ˚È
ÒÚÂÂÓÏ‡„ÌËÚÓÙÓÌ
(LEVEL FIXED)
L
R
R
ä ‡ÍÚË‚Ì˚Ï ÍÓÎÓÌÍ‡Ï
ëÓÂ‰ËÌË‚ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
Clavinova Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò
ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌ˚ı
¯ÚÂÍÂÓ‚ ‰Ë‡ÏÂÚÓÏ 3,5 ÏÏ
(«ÏËÌË-‰ÊÂÍ»), ‚˚ ÔÓÎÛ˜‡ÂÚÂ
‚ÓÁÏÓÊÌÓÒÚ¸ Â„ÛÎËÓ‚‡Ú¸
„ÓÏÍÓÒÚ¸ Á‚ÛÍ‡ Ì‡ ‚˚ıÓ‰Â
Ç˚ ÏÓÊÂÚÂ ÔÓ‰ÍÎ˛˜ËÚ¸ Clavinova Í íÇ ËÎË ‚Ë‰ÂÓ-ÏÓÌËÚÓÛ,
˜ÚÓ·˚ ÒÎÓ‚‡ ÔÂÒÌË ËÎË ‰‡ÌÌ˚Â Üä ‰ËÒÔÎÂﬂ ÓÚÓ·‡Ê‡ÎËÒ¸
Ì‡ ·ÓÎ¸¯ÂÏ ˝Í‡ÌÂ.
í‡ÍÊÂ ÏÓÊÌÓ Ì‡ÒÚ‡Ë‚‡Ú¸ ÓÔÂ‰ÂÎÂÌÌÓÂ ÒÓ‰ÂÊËÏÓÂ
˝Í‡Ì‡ (ÒÚ. 147).
èêàåÖóÄçàÖ
AUX OUT
òÚÂÍÂ Ì‡Û¯ÌËÍÓ‚
(ÒÚ‡Ì‰‡ÚÌ˚È)
5 Ç˚‚Ó‰ ‰‡ÌÌ˚ı Ò ˝Í‡Ì‡ Clavinova Ì‡ ˝Í‡Ì
ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó ÚÂÎÂ‚ËÁÓ‡ (VIDEO OUT)
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂ RCA
á‚ÛÍÓ‚ÓÈ Í‡·ÂÎ¸
AUX IN
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂ RCA
ëÓÂ‰ËÌÂÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Ë
‡Û‰ËÓÒËÒÚÂÏ˚ Ò ÔÓÏÓ˘¸˛
¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»)
ÔË‚Ó‰ËÚ Í ÔÂÂ‰‡˜Â ‚ÌÂ¯ÌÂÏÛ
ÛÒÚÓÈÒÚ‚Û ÒË„Ì‡Î‡
ÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìﬂ. èË ˝ÚÓÏ
ÔÓÎÓÊÂÌËÂ Û˜ÍË [MASTER
VOLUME] Ë„ÌÓËÛÂÚÒﬂ.
• á‡ ËÌÙÓÏ‡ˆËÂÈ ÔÓ ÛÒÚ‡ÌÓ‚ÍÂ ‚Ë‰ÂÓ ÒÚ‡Ì‰‡ÚÓ‚ (NTSC or PAL),
Ó·‡˘‡ÈÚÂÒ¸ Í ÒÚ. 147. èÓ ÛÏÓÎ˜‡ÌË˛ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÒÚ‡Ì‰‡Ú PAL.
• àÒÔÓÎ¸ÁÛÈÚÂ ‚˚ÒÓÍÓ˜‡ÒÚÓÚÌ˚Â ‡Û‰ËÓ Ë ‚Ë‰ÂÓ Í‡·ÂÎË Ë RCA-„ÌÂÁ‰‡
‡Á˙ÂÏÓ‚, ˜ÚÓ·˚ ÒÓÂ‰ËÌËÚ¸ Clavinova Ò ÚÂÎÂ‚ËÁÓÓÏ ËÎË ÏÓÌËÚÓÓÏ.
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂ RCA
äÓÌÚ‡ÍÚÌ˚È
¯ÚÂÍÂ RCA
VIDEO IN
L L+R
AUX PEDAL
VIDEO OUT
R
AUX IN
íÂÎÂ‚ËÁÓ
èêàåÖóÄçàÖ
• ÖÒÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓÂ‰ËÌËÚ¸ Ò
ÏÓÌÓÙÓÌË˜ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓÂ ÛÒÚÓÈÒÚ‚Ó ÒÎÂ‰ÛÂÚ ÔÓ‰ÍÎ˛˜‡Ú¸
˜ÂÂÁ ‡Á˙ÂÏ OUTPUT L/L+R.
156
CVP-210/208
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
6 àÒÔÓÎ¸ÁÓ‚‡ÌËÂ ÔÂ‰‡ÎË (ÌÓÊÌÓ„Ó 8 èÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ
ÔÂÂÍÎ˛˜‡ÚÂÎﬂ) ËÎË ÌÓÊÌÓ„Ó
(USB-ÔÓÚ, MIDI-ÔÓÚ)
ÍÓÌÚÓÎÎÂ‡ (‡Á˙ÂÏ AUX PEDAL) èÓ‰ÍÎ˛˜Ë‚ CVP-210/208 Í ÍÓÏÔ¸˛ÚÂÛ, ‚˚ ÒÏÓÊÂÚÂ ÔÂÂ‰‡‚‡Ú¸
èÓ‰ÍÎ˛˜Ë‚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ (Ì‡ÔËÏÂ ÏÓ‰ÂÎË FC7) Í
‡Á˙ÂÏÛ AUX PEDAL, ‚˚ ÔÓÎÛ˜‡ÂÚÂ ‚ÓÁÏÓÊÌÓÒÚ¸ Â„ÛÎËÓ‚‡Ú¸
Ò Â„Ó ÔÓÏÓ˘¸˛ Ó‰ÌÛ ËÁ ÙÛÌÍˆËÈ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ. í‡Í
ÏÓÊÌÓ, Ì‡ÔËÏÂ, ÛÔ‡‚ÎﬂÚ¸ „ÓÏÍÓÒÚ¸˛ ‚Ó ‚ÂÏﬂ Ë„˚
(ÒÚ. 142).
èÓ‰ÍÎ˛˜Ë‚ Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı ‡Á˙ÂÏÓ‚ ÌÓÊÌÓÈ ÔÂÂÍÎ˛˜‡ÚÂÎ¸
(ÏÓ‰ÂÎË FC4 Ë FC5), ÏÓÊÌÓ ÔÓ‰Û·ÎËÓ‚‡Ú¸ ÙÛÌÍˆËË
ÌÂÍÓÚÓ˚ı ÍÌÓÔÓÍ Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË, Ì‡ÔËÏÂ ‚ÍÎ˛˜ÂÌËÂ/
‚˚ÍÎ˛˜ÂÌËÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
ÇçàåÄçàÖ!
èÓ‰ÍÎ˛˜‡ÈÚÂ Ë ÓÚÍÎ˛˜‡ÈÚÂ ÔÂ‰‡Î¸ ÚÓÎ¸ÍÓ ÚÓ„‰‡, ÍÓ„‰‡ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
‚˚ÍÎ˛˜ÂÌÓ.
7 èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı MIDIÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)
èÓ‰ÍÎ˛˜‡ÈÚÂ ‚ÌÂ¯ÌËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚Â
MIDI-ÔÓÚ˚, ËÒÔÓÎ¸ÁÛﬂ ÒÚ‡Ì‰‡ÚÌ˚Â Í‡·ÂÎË MIDI.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÔÓ‰ÍÎ˛˜ÂÌËË MIDI-ÛÒÚÓÈÒÚ‚ ÒÏ. ‚
‡Á‰ÂÎÂ «óÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò MIDI-Ù‡ÈÎ‡ÏË?« Ì‡ ÒÚ. 161.
çÂ‚ÓÁÏÓÊÌÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ MIDI-ÔÓÚ˚, ÂÒÎË ÍÓÏÔ¸˛ÚÂ ÛÊÂ
ËÒÔÓÎ¸ÁÛÂÚ USB-ÔÓÚ.
MIDI IN.................. ùÚÓÚ ÔÓÚ ÔÂ‰Ì‡ÁÌ‡˜ÂÌ ‰Îﬂ ÔËÂÏ‡ MIDIÒÓÓ·˘ÂÌËÈ Ò ‚ÌÂ¯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡
MIDI OUT.............. ùÚÓÚ ÔÓÚ ÔËÏÂÌﬂÂÚÒﬂ ‰Îﬂ ÔÂÂ‰‡˜Ë MIDIÒÓÓ·˘ÂÌËÈ, „ÂÌÂËÛÂÏ˚ı ˆËÙÓ‚˚Ï
ÔË‡ÌËÌÓ Clavinova
MIDI THRU ........... ÔÓÒÚÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ MIDI-ÒÓÓ·˘ÂÌËﬂ,
ÔÓÎÛ˜ÂÌÌ˚Â ˜ÂÂÁ MIDI IN
‰‡ÌÌ˚Â ÏÂÊ‰Û ˝ÚËÏË ÛÒÚÓÈÒÚ‚‡ÏË Ë ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ÒÂ
ÔÂËÏÛ˘ÂÒÚ‚‡, ÍÓÚÓ˚Â ‰‡ÂÚ ÏÓ˘ÌÓÂ Ë ÏÌÓ„ÓÓ·‡ÁÌÓÂ
ÏÛÁ˚Í‡Î¸ÌÓÂ ÔÓ„‡ÏÏÌÓÂ Ó·ÂÒÔÂ˜ÂÌËÂ. èÓ‰ÍÎ˛˜ËÚ¸
ÛÒÚÓÈÒÚ‚‡ ÏÓÊÌÓ ‰‚ÛÏﬂ ÒÔÓÒÓ·‡ÏË.
■ ë ÔÓÏÓ˘¸˛ USB-ÔÓÚ‡
■ ë ÔÓÏÓ˘¸˛ MIDI-ÔÓÚÓ‚
MIDI-ÔÓÚ˚ ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸, ÂÒÎË ËÒÔÓÎ¸ÁÛÂÚÒﬂ USB-ÔÓÚ.
íÂ·ÛÂÚÒﬂ MIDI-ÔËÎÓÊÂÌËÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ ‚‡¯ÂÏÛ
ÍÓÏÔ¸˛ÚÂÛ.
ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó ÁÌ‡˜ÂÌËﬂı Ô‡‡ÏÂÚÓ‚ MIDI,
ÌÂÓ·ıÓ‰ËÏ˚ı ‰Îﬂ Ô‡‚ËÎ¸ÌÓÈ ‡·ÓÚ˚ ÍÓÏÔ¸˛ÚÂ‡ Ë
ÔÓ„‡ÏÏ˚-ÒÂÍ‚ÂÌÒÓ‡, ÔË‚Â‰ÂÌ˚ ‚ ÓÚÌÓÒﬂ˘ÂÈÒﬂ Í ÌËÏ
‰ÓÍÛÏÂÌÚ‡ˆËË.
«Clavinova-Computer Connection» – ˝ÚÓ ‰ÓÔÓÎÌËÚÂÎ¸ÌÓÂ
ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îﬂ Ì‡˜ËÌ‡˛˘Ëı, ‚ ÍÓÚÓÓÏ ‡ÒÒÍ‡Á˚‚‡ÂÚÒﬂ Ó
ÚÓÏ, ˜ÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova Ë
ÔÂÒÓÌ‡Î¸Ì˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Í‡Í ÛÒÚ‡Ì‡‚ÎË‚‡Ú¸ ÒËÒÚÂÏÛ
Clavinova-äÓÏÔ¸˛ÚÂ (ÛÍÓ‚Ó‰ÒÚ‚Ó ÂÒÚ¸ ÌÂ ‰Îﬂ ‚ÒÂı
ÏÓ‰ÂÎÂÈ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚Ë‰Â Ù‡ÈÎ‡ PDF Ì‡
‡Ì„ÎËÈÒÍÓÏ ﬂÁ˚ÍÂ ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚
àÌÚÂÌÂÚÂ:
ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova (ÚÓÎ¸ÍÓ Ì‡
‡Ì„ÎËÈÒÍÓÏ):
http://www.yamahaclavinova.com/
Yamaha Manual Library
http://www2.yamaha.co.jp/manual/english/
é·˘ËÂ Ò‚Â‰ÂÌËﬂ Ó· ËÌÚÂÙÂÈÒÂ MIDI Ë ‚ÓÁÏÓÊÌÓÒÚﬂı Â„Ó
˝ÙÙÂÍÚË‚ÌÓ„Ó ËÒÔÓÎ¸ÁÓ‚‡ÌËﬂ ÒÓ‰ÂÊ‡ÚÒﬂ ‚ ÒÎÂ‰Û˛˘Ëı
‡Á‰ÂÎ‡ı:
• óÚÓ Ú‡ÍÓÂ MIDI? (ÒÚ. 159)
• óÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò MIDI-Ù‡ÈÎ‡ÏË? (ÒÚ. 161)
• îÛÌÍˆËË MIDI (ÒÚ. 148)
èêàåÖóÄçàÖ
• çË ‚ ÍÓÂÏ ÒÎÛ˜‡Â ÌÂÎ¸Áﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Í‡·ÂÎË ‰Îﬂ Ó·ÏÂÌ‡ MIDIÒÓÓ·˘ÂÌËﬂÏË, ‰ÎËÌ‡ ÍÓÚÓ˚ı ÔÂ‚˚¯‡ÂÚ 15 ÏÂÚÓ‚.
CVP-210/208
157
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
óÂÂÁ USB-ÔÓÚ
óÂÂÁ MIDI-ÔÓÚ
ë ÔÓÏÓ˘¸˛ USB-Í‡·ÂÎﬂ ÔÓ‰ÍÎ˛˜ËÚÂ USB-ÔÓÚ ÍÓÏÔ¸˛ÚÂ‡ Í
USB-ÔÓÚÛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208. àÒÔÓÎ¸ÁÛÈÚÂ
ÚÓÎ¸ÍÓ ÒÚ‡Ì‰‡ÚÌ˚È USB-Í‡·ÂÎ¸ Ò ÎÓ„ÓÚËÔÓÏ USB.
MIDI-ÔÓÚ˚ CVP-210/208 ÔÓ‰ÍÎ˛˜‡˛ÚÒﬂ Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ
ÔÓÚ‡Ï ÍÓÏÔ¸˛ÚÂ‡ Ò ÔÓÏÓ˘¸˛ ÒÚ‡Ì‰‡ÚÌ˚ı Í‡·ÂÎÂÈ MIDI.
•
ëÓÂ‰ËÌËÚÂ ÔÓÚ MIDI OUT ÍÓÏÔ¸˛ÚÂ‡ Ò ÔÓÚÓÏ MIDI IN
ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ.
Clavinova
ä‡·ÂÎ¸ USB
NEC MultiSync
PC-9821 AS
Clavinova
NEC
MIDI IN
MIDI OUT
MIDI OUT
MIDI IN
NEC MultiSync
PC-9821 AS
é ‰‡È‚ÂÂ USB
ÑÎﬂ Ó·ÏÂÌ‡ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ
CVP-210/208ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ Ì‡ ÍÓÏÔ¸˛ÚÂÂ
‰‡È‚Â USB (YAMAHA USB MIDI Driver).
äÓÔË˛ ‰‡È‚Â‡ YAMAHA USB MIDI ÏÓÊÌÓ ·ÂÒÔÎ‡ÚÌÓ
Á‡„ÛÁËÚ¸ ËÁ ·Ë·ÎËÓÚÂÍË XG (XG Library), ‡ÒÔÓÎÓÊÂÌÌÓÈ Ì‡
‚Â·-Ò‡ÈÚÂ ÍÓÔÓ‡ˆËË Yamaha (http://www.yamaha-xg.com/).
NEC
•
ÇçàåÄçàÖ!
ÖÒÎË ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ
ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡·ÂÎ¸ USB, ˝ÚÓÚ Í‡·ÂÎ¸ ‰ÓÎÊÂÌ ·˚Ú¸ ÔÓ‰ÒÓÂ‰ËÌÂÌ ‰Ó
‚ÍÎ˛˜ÂÌËﬂ ÔËÚ‡ÌËﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ.
äÓÏÂ ÚÓ„Ó, ÌÂ ‚ÍÎ˛˜‡ÈÚÂ Ë ÌÂ ‚˚ÍÎ˛˜‡ÈÚÂ ÔËÚ‡ÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ ‚Ó
‚ÂÏﬂ ‡·ÓÚ˚ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔÂ˜ÂÌËﬂ, ËÒÔÓÎ¸ÁÛ˛˘Â„Ó USB ËÎË MIDI.
ÖÒÎË ‚ÍÎ˛˜‡Ú¸/‚˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ËÎË
ÔÓ‰ÒÓÂ‰ËÌﬂÚ¸/ÓÚÒÓÂ‰ËÌﬂÚ¸ Í‡·ÂÎ¸ USB ‚ ÒÎÂ‰Û˛˘Ëı ÒÓÒÚÓﬂÌËﬂı, ˝ÚÓ ÏÓÊÂÚ
‚˚Á‚‡Ú¸ ÔÓ·ÎÂÏ˚ ‚ ÍÓÏÔ¸˛ÚÂÌÓÈ ÒËÒÚÂÏÂ (‚ ÚÓÏ ˜ËÒÎÂ Á‡‚ËÒ‡ÌËÂ) ËÎË
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÔÂÂÒÚ‡ÌÂÚ ‡·ÓÚ‡Ú¸.
• ÇÓ ‚ÂÏﬂ ÛÒÚ‡ÌÓ‚ÍË ‰‡È‚Â‡.
• ÇÓ ‚ÂÏﬂ Á‡ÔÛÒÍ‡ ËÎË ‚˚ÍÎ˛˜ÂÌËﬂ ÓÔÂ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ˚.
• ÖÒÎË ÍÓÏÔ¸˛ÚÂ ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏÂ ˝ÍÓÌÓÏËË ˝ÎÂÍÚÓ˝ÌÂ„ËË ËÎË ‚
ÂÊËÏÂ ÓÊË‰‡ÌËﬂ.
• ÇÓ ‚ÂÏﬂ Á‡ÔÛÒÍ‡ MIDI-ÔËÎÓÊÂÌËﬂ.
çÖãúáü ‚˚ÔÓÎÌﬂÚ¸ ÒÎÂ‰Û˛˘ËÂ ÓÔÂ‡ˆËË. ùÚÓ ÏÓÊÂÚ Á‡·ÎÓÍËÓ‚‡Ú¸
ÍÓÏÔ¸˛ÚÂ ËÎË ÓÚÍÎ˛˜ËÚ¸ ÙÛÌÍˆËË Clavinova.
• ëÎË¯ÍÓÏ ˜‡ÒÚÓ ‚ÍÎ˛˜‡Ú¸ Ë ‚˚ÍÎ˛˜‡Ú¸ ÔËÚ‡ÌËÂ, ÔÓ‰ÍÎ˛˜‡Ú¸ ËÎË
ÓÚÍÎ˛˜‡Ú¸ Í‡·ÂÎ¸.
• èÂÂıÓ‰ËÚ¸ ‚ ÂÊËÏ ˝ÍÓÌÓÏËË ˝ÎÂÍÚÓ˝ÌÂ„ËË ËÎË ÓÊË‰‡ÌËﬂ Ë ‚˚ıÓ‰ËÚ¸
ËÁ ˝ÚÓ„Ó ÂÊËÏ‡ ‚Ó ‚ÂÏﬂ ÔÂÂ‰‡˜Ë MIDI-‰‡ÌÌ˚ı.
• èÓ‰ÍÎ˛˜‡Ú¸ ËÎË ÓÚÍÎ˛˜‡Ú¸ Í‡·ÂÎ¸ ÔË ‚ÍÎ˛˜ÂÌÌÓÏ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ
Clavinova.
• ÇÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ÔËÚ‡ÌËﬂ ËÌÒÚÛÏÂÌÚ‡ Clavinova, Á‡ÔÛÒÍ
ÍÓÏÔ¸˛ÚÂ‡ ËÎË ÛÒÚ‡ÌÓ‚Í‡ ‰‡È‚Â‡ ‚Ó ‚ÂÏﬂ ÔÂÂ‰‡˜Ë ·ÓÎ¸¯Ó„Ó
Ó·˙ÂÏ‡ ‰‡ÌÌ˚ı
èêàåÖóÄçàÖ
• Clavinova Ì‡˜ÌÂÚ ÔÂÂ‰‡˜Û ‚ÒÍÓÂ ÔÓÒÎÂ ÛÒÚ‡ÌÓ‚ÍË USB-ÒÓÂ‰ËÌÂÌËﬂ.
• ÖÒÎË ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓÎ¸ÁÛÂÚÒﬂ Í‡·ÂÎ¸
USB, ÔÓ‰ÍÎ˛˜ÂÌËÂ ‰ÓÎÊÌÓ ·˚Ú¸ ÔﬂÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó
ÍÓÌˆÂÌÚ‡ÚÓ‡ USB).
• Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓﬂÌËﬂ ÍÓÏÔ¸˛ÚÂ‡ ‡·ÓÚ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova ÏÓÊÂÚ ÒÚ‡Ú¸ ÌÂÒÚ‡·ËÎ¸ÌÓÈ. çÂ ËÒÔÓÎ¸ÁÛÈÚÂ ÍÓÏÔ¸˛ÚÂ
ÒÔÓÒÓ·ÓÏ, ÍÓÚÓ˚È ÔË‚Ó‰ËÚ Í ÌÂÒÚ‡·ËÎ¸ÌÓÈ ‡·ÓÚÂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ.
158
CVP-210/208
èË ÔÓ‰ÍÎ˛˜ÂÌËË Í ÍÓÏÔ¸˛ÚÂÛ Macintosh ÌÂÓ·ıÓ‰ËÏÓ
‰ÂÈÒÚ‚Ó‚‡Ú¸ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ. ëÌ‡˜‡Î‡ ÔÓ‰ÍÎ˛˜ËÚÂ
ÍÓÏÔ¸˛ÚÂÌ˚È ÔÓÚ RS-422 (ÔÓÚ ÏÓ‰ÂÏ‡ ËÎË ÔËÌÚÂ‡) Í
MIDI-ËÌÚÂÙÂÈÒÛ, ‡ Á‡ÚÂÏ ÒÓÂ‰ËÌËÚÂ ÔÓÚ MIDI OUT ˝ÚÓ„Ó
ËÌÚÂÙÂÈÒ‡ Ò ÔÓÚÓÏ MIDI IN CVP-210/208 (ÒÏ. ‰Ë‡„‡ÏÏÛ
ÌËÊÂ).
Clavinova
MIDI IN
MIDI OUT
•
RS422
MINI DIN
8-¯Ú˚¸ÍÓ‚˚È
ÖÒÎË ‚˚ ËÒÔÓÎ¸ÁÛÂÚÂ ÍÓÏÔ¸˛ÚÂ «Macintosh», ÛÒÚ‡ÌÓ‚ËÚÂ ‚
ÔËÍÎ‡‰ÌÓÏ èé ÁÌ‡˜ÂÌËÂ Ô‡‡ÏÂÚ‡ ÒËÌıÓÌËÁ‡ˆËË ‰Îﬂ
MIDI-ËÌÚÂÙÂÈÒ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ Ì‡ÒÚÓÈÍÂ
ËÒÔÓÎ¸ÁÛÂÏÓ„Ó MIDI-ËÌÚÂÙÂÈÒÂ. ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â
Ò‚Â‰ÂÌËﬂ ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ËÒÔÓÎ¸ÁÓ‚‡ÌË˛ ÔÓ„‡ÏÏ˚,
ËÒÔÓÎ¸ÁÛ˛˘ÂÈÒﬂ ‚ Í‡˜ÂÒÚ‚Â ÒÂÍ‚ÂÌÒÓ‡.
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
óÚÓ Ú‡ÍÓÂ MIDI?
íËÔË˜Ì˚ÏË ‡ÍÛÒÚË˜ÂÒÍËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ﬂ‚Îﬂ˛ÚÒﬂ Ó·˚˜ÌÓÂ
ÔË‡ÌËÌÓ Ë ÍÎ‡ÒÒË˜ÂÒÍ‡ﬂ „ËÚ‡‡. ç‡ ÔË‡ÌËÌÓ ‚˚ Ì‡ÊËÏ‡ÂÚÂ
ÍÎ‡‚Ë¯Û, ‡ ÏÓÎÓÚÓ˜ÂÍ ‚ÌÛÚË Û‰‡ÎﬂÂÚ ÔÓ ÒÚÛÌÂ Ë
‚ÓÒÔÓËÁ‚Ó‰ËÚ ÌÓÚÛ. Ç˚ Û‰‡ﬂÂÚÂ ÔÓ ÒÚÛÌÂ „ËÚ‡˚, Ë ÌÓÚ‡
Á‚Û˜ËÚ.
Ä Í‡Í ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ÌÓÚ˚ Ì‡ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚÂ?
à„‡ Ì‡ ‡ÍÛÒÚË˜ÂÒÍÓÏ
„ËÚ‡Â
ÇÒÚÓÂÌÌ˚È
ÛÒËÎËÚÂÎ¸
ÇÒÚÓÂÌÌ˚È
ÛÒËÎËÚÂÎ¸
íÓÌ-„ÂÌÂ‡ÚÓ
(˝ÎÂÍÚË˜ÂÒÍ‡ﬂ ˆÂÔ¸)
á‡ÔËÒ¸
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
íÓÌ-„ÂÌÂ‡ÚÓ
ëÂÍ‚ÂÌÒÓ
äÓÌÚÓÎÎÂ (ÍÎ‡‚Ë‡ÚÛ‡ Ë Ú.‰.)
à„‡ Ì‡ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚÂ
L
á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚ÒÚÛÔÎÂÌËﬂ Ì‡ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚÂ
(‰‡ÌÌ˚Â MIDI)
ÑËÒÍÂÚ‡
ÑËÒÍÂÚ‡
R
à„‡ Ì‡
ÍÎ‡‚Ë¯‡ı
èêàåÖóÄçàÖ
Ç˚ ‰Â„‡ÂÚÂ ÒÚÛÌÛ, ÍÓÔÛÒ „ËÚ‡˚
ÂÁÓÌËÛÂÚ Ë ÔÓÎÛ˜‡ÂÚÒﬂ Á‚ÛÍ
à„‡ﬂ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, ‚˚ ÔÓÒ˚Î‡ÂÚÂ
ÍÓÏ‡Ì‰Û ‚ÓÒÔÓËÁ‚ÂÒÚË ÚÛ ËÎË ËÌÛ˛
ÌÓÚÛ ˜ÂÂÁ ‰ËÌ‡ÏËÍË ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ. ÇÒÂ ÌÓÚ˚ ı‡ÌﬂÚÒﬂ ‚ ‚Ë‰Â
Ò˝ÏÔÎÓ‚ ‚ ÚÓÌ-„ÂÌÂ‡ÚÓÂ.
Ç ÒÎÛ˜‡Â Ò ˆËÙÓ‚˚Ï ËÌÒÚÛÏÂÌÚÓÏ Á‚ÛÍÓ‚ÓÈ ÒË„Ì‡Î ÔÓÒ˚Î‡ÂÚÒﬂ Ì‡ ÔÓÚ˚
Ú‡ÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡ (Ì‡ÔËÏÂ AUX OUT).
í‡ÍËÏ Ó·‡ÁÓÏ, „Îﬂ‰ﬂ Ì‡ ÔË‚Â‰ÂÌÌÛ˛ ‚˚¯Â ËÎÎ˛ÒÚ‡ˆË˛, Ï˚
ÔÓÌËÏ‡ÂÏ, ˜ÚÓ ÍÎ‡‚Ë‡ÚÛ‡ ÒÎÛÊËÚ ËÒÚÓ˜ÌËÍÓÏ ÛÔ‡‚Îﬂ˛˘Ëı
‰‡ÌÌ˚ı. éÌË ÔÓÒÚÛÔ‡˛Ú ‚ ÚÓÌ-„ÂÌÂ‡ÚÓ, „‰Â ı‡ÌﬂÚÒﬂ
Á‡Ò˝ÏÔÎËÓ‚‡ÌÌ˚Â (‡ÌÂÂ Á‡ÔËÒ‡ÌÌ˚Â) ÌÓÚ˚, Ë ÂÏÛ ÓÒÚ‡ÂÚÒﬂ
ÎË¯¸ ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı ˜ÂÂÁ ÍÓÎÓÌÍË.
íÂÔÂ¸ ‰‡‚‡ÈÚÂ ÔÓÒÏÓÚËÏ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË ÔÂÒÌË. èË ÔÓÒÎÛ¯Ë‚‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒÍ‡
(‰ÓÔÛÒÚËÏ, Ò Á‡ÔËÒ¸˛ ÒÓÎ¸ÌÓ„Ó ÍÓÌˆÂÚ‡ ÔË‡ÌËÒÚ‡) ‚˚ ÒÎ˚¯ËÚÂ
Á‚ÛÍ (ÍÓÎÂ·‡ÌËﬂ ‚ÓÁ‰Ûı‡) ˝ÚÓ„Ó ‡ÍÛÒÚË˜ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡ Í‡Í
Ú‡ÍÓ‚ÓÈ. ùÚÓÚ Á‚ÛÍ ÔËÌﬂÚÓ Ò˜ËÚ‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚ÏË, ÓÚÎË˜Ì˚ÏË
ÓÚ ‰‡ÌÌ˚ı MIDI.
á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚˚ÒÚÛÔÎÂÌËﬂ Ì‡ ‡ÍÛÒÚË˜ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚÂ
(‡Û‰ËÓ‰‡ÌÌ˚Â)
á‡ÔËÒ¸
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ
Ç ‚˚¯ÂÔË‚Â‰ÂÌÌÓÏ ÔËÏÂÂ Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Á‡ÔËÒ˚‚‡ÂÚÒﬂ
Á‚ÛÍ ÙÓÚÂÔË‡ÌÓ Í‡Í Ú‡ÍÓ‚Ó„Ó. èÓÒÎÛ¯‡‚ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ
‰ÓÏ‡, ‚˚ Ù‡ÍÚË˜ÂÒÍË ÛÒÎ˚¯ËÚÂ «ÍÓÔË˛« ÙÓÚÂÔË‡ÌÌÓ„Ó
ÍÓÌˆÂÚ‡. ë‡ÏÓ ÙÓÚÂÔË‡ÌÓ ÔË ˝ÚÓÏ ÌÂ ÚÂ·ÛÂÚÒﬂ, Ú‡Í Í‡Í Â„Ó
Á‚ÛÍ ÛÊÂ Á‡ÔËÒ‡Ì Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ë Â„Ó ÓÒÚ‡ÂÚÒﬂ ÎË¯¸
‚ÓÒÔÓËÁ‚ÂÒÚË ˜ÂÂÁ ‰ËÌ‡ÏËÍË.
CVP-210/208
159
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
äÓÌÚÓÎÎÂ Ë ÚÓÌ-„ÂÌÂ‡ÚÓ ﬂ‚Îﬂ˛ÚÒﬂ ˝Í‚Ë‚‡ÎÂÌÚÓÏ
ÙÓÚÂÔË‡ÌÓ, ‡ÒÒÏÓÚÂÌÌÓ„Ó ‚ ÔÂ‰˚‰Û˘ÂÏ ÔËÏÂÂ. Ç ‰‡ÌÌÓÈ
ÒËÚÛ‡ˆËË Ë„‡ ËÒÔÓÎÌËÚÂÎﬂ ÒÓı‡ÌﬂÂÚÒﬂ ‚ ‚Ë‰Â Ù‡ÈÎ‡ MIDI (ÒÏ.
ËÒÛÌÓÍ ÌËÊÂ). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Á‚ÛÍ ‡ÍÛÒÚË˜ÂÒÍÓ„Ó
ÙÓÚÂÔË‡ÌÓ, ÚÂ·ÛÂÚÒﬂ ÒÔÂˆË‡Î¸ÌÓÂ Á‚ÛÍÓÁ‡ÔËÒ˚‚‡˛˘ÂÂ
Ó·ÓÛ‰Ó‚‡ÌËÂ. é‰Ì‡ÍÓ ÔÓÒÍÓÎ¸ÍÛ Clavinova Ó·Î‡‰‡ÂÚ
‚ÒÚÓÂÌÌ˚Ï ÒÂÍ‚ÂÌÒÓÓÏ, ˝ÚÓ ÔÓÁ‚ÓÎﬂÂÚ Ó·ÓÈÚËÒ¸ ÔË Á‡ÔËÒË
·ÂÁ ÒÔÂˆÓ·ÓÛ‰Ó‚‡ÌËﬂ. í‡ÍËÏ Ó·‡ÁÓÏ, ‚‡¯ ˆËÙÓ‚ÓÈ
ËÌÒÚÛÏÂÌÚ Clavinova ÒÎÛÊËÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Í‡Í ‰Îﬂ Á‡ÔËÒË, Ú‡Í
Ë ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÏÛÁ˚ÍË.
íÓÌ-„ÂÌÂ‡ÚÓ
■ èËÏÂ ËÌÙÓÏ‡ˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò ÍÎ‡‚Ë‡ÚÛ˚
çÓÏÂ ÚÂÏ·‡ (Ì‡Á‚‡ÌËÂ ÚÂÏ·‡)
01 (ÓﬂÎ¸)
Note number (ÌÓÏÂ ÌÓÚ˚)
60 (C3)
áÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚ «note on«
(ÍÓ„‰‡ ÍÎ‡‚Ë¯‡ ·˚Î‡ Ì‡Ê‡Ú‡) Ë
«note off» (ÍÓ„‰‡ ÓÌ‡ ·˚Î‡
ÓÚÔÛ˘ÂÌ‡)
ëË„Ì‡Î ÒËÌıÓÌËÁ‡ˆËË, ‚˚‡ÊÂÌÌ˚È
˜ËÒÎÓÏ (˜ÂÚ‚ÂÚÌ‡ﬂ ÌÓÚ‡)
Velocity (ÒËÎ‡ Ì‡Ê‡ÚËﬂ)
120 (ÒËÎ¸ÌÓÂ Ì‡Ê‡ÚËÂ)
éÔÂ‡ˆËË, ‚˚ÔÓÎÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËﬂ Ì‡
ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË CVP-210/208, Ì‡ÔËÏÂ ‚˚·Ó ÚÂÏ·Ó‚,
ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ ‚Ë‰Â ‰‡ÌÌ˚ı MIDI. ëÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë
ÔÂÒÌË Ú‡ÍÊÂ ÒÓÒÚÓﬂÚ ËÁ ‰‡ÌÌ˚ı MIDI.
ëÂÍ‚ÂÌÒÓ
à„‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ
(MIDI-‰‡ÌÌ˚Â)
íÂÏ ÌÂ ÏÂÌÂÂ, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ËÁ ‰ËÌ‡ÏËÍÓ‚ Á‚ÛÍ, ÚÂ·ÛÂÚÒﬂ
Á‡‰‡Ú¸ Â„Ó ËÒÚÓ˜ÌËÍ. íÓÌ-„ÂÌÂ‡ÚÓ Clavinova ÔÂÍ‡ÒÌÓ
ÒÔ‡‚ÎﬂÂÚÒﬂ Ò ˝ÚÓÈ ÙÛÌÍˆËÂÈ. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËﬂ
‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ÍÓÚÓ˚È ÔÂÓ·‡ÁÛÂÚ
ËÌÙÓÏ‡ˆË˛, ı‡Ìﬂ˘Û˛Òﬂ ‚ Ù‡ÈÎ‡ı MIDI ‚ Á‚ÛÍË. èË ˝ÚÓÏ
ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ÚÂÏ·˚, ı‡Ìﬂ˘ËÂÒﬂ ‚ Ô‡ÏﬂÚË ÚÓÌ-„ÂÌÂ‡ÚÓ‡.
éÌ ÒÔÓÒÓ·ÂÌ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ‡ÁÌ˚ı
Á‚ÛÍÓ‚, ‚ÍÎ˛˜‡ﬂ ÚÂÏ· ÙÓÚÂÔË‡ÌÓ. ÖÒÎË ‚Á„ÎﬂÌÛÚ¸ Ì‡ Ò‚ﬂÁ¸
ÒÂÍ‚ÂÌÒÓ‡ Ë ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Ò ‰Û„ÓÈ ÒÚÓÓÌ˚, ÚÓ ÓÍ‡ÊÂÚÒﬂ,
˜ÚÓ Ëı ÓÎË Ì‡ÔÓÏËÌ‡˛Ú ÓÎË ÔË‡ÌËÒÚ‡ Ë ÙÓÚÂÔË‡ÌÓ,
ËÒÔÓÎÌËÚÂÎﬂ Ë ËÌÒÚÛÏÂÌÚ‡. èÓÒÍÓÎ¸ÍÛ ˆËÙÓ‚˚Â ËÌÒÚÛÏÂÌÚ˚
ÒÔÓÒÓ·Ì˚ Ó·‡·‡Ú˚‚‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚Â Ë ‰‡ÌÌ˚Â MIDI ÔÓ
ÓÚ‰ÂÎ¸ÌÓÒÚË, Ï˚ ËÏÂÂÏ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ ‚˚ÒÚÛÔÎÂÌËÂ
ÔË‡ÌËÒÚ‡, ÍÓÚÓÓÂ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Â‰ÂÌÓ ÚÂÏ·ÓÏ ‰Û„Ó„Ó
ËÌÒÚÛÏÂÌÚ‡ (Ì‡ÔËÏÂ „ËÚ‡˚ ËÎË ÒÍËÔÍË).
èêàåÖóÄçàÖ
ïÓÚﬂ Clavinova ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ÓÚ‰ÂÎ¸Ì˚È ÏÛÁ˚Í‡Î¸Ì˚È ËÌÒÚÛÏÂÌÚ,
Â„Ó ÏÓÊÌÓ ÔÂ‰ÒÚ‡‚ËÚ¸ ‚ ‚Ë‰Â ÒÓ‚ÓÍÛÔÌÓÒÚË ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚:
ÍÓÌÚÓÎÎÂ‡, ÚÓÌ-„ÂÌÂ‡ÚÓ‡ Ë ÒÂÍ‚ÂÌÒÓ‡.
à, Ì‡ÍÓÌÂˆ, ‰‡‚‡ÈÚÂ ‚˚ﬂÒÌËÏ, Í‡ÍÓ„Ó Ó‰‡ ‰‡ÌÌ˚Â
Á‡ÔËÒ˚‚‡˛ÚÒﬂ ‚ ‚Ë‰Â MIDI-ÒÓÓ·˘ÂÌËÈ. ÑÓÔÛÒÚËÏ, ‚˚ ‚ÁﬂÎË
˜ÂÚ‚ÂÚÌÛ˛ ÌÓÚÛ «‰Ó», ‚ÓÒÔÓÎ¸ÁÓ‚‡‚¯ËÒ¸ ÚÂÏ·ÓÏ ÓﬂÎﬂ,
ÍÓÚÓ˚È ı‡ÌËÚÒﬂ ‚ Ô‡ÏﬂÚË CVP-210/208. Ç ÓÚÎË˜ËÂ ÓÚ
‡ÍÛÒÚË˜ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡, „‰Â Á‚ÛÍ ÔÓËÁ‚Ó‰ËÚÒﬂ ‚ÒÎÂ‰ÒÚ‚ËÂ
ÂÁÓÌËÓ‚‡ÌËﬂ, ˝ÎÂÍÚÓÌÌ˚È ËÌÒÚÛÏÂÌÚ ÔÓÎÛ˜‡ÂÚ
ËÌÙÓÏ‡ˆË˛ Ò ÍÎ‡‚Ë‡ÚÛ˚ Ó ÚÓÏ, Í‡Í‡ﬂ ÍÎ‡‚Ë¯‡ Ë ÍÓ„‰‡
Ì‡Ê‡Ú‡, Ò Í‡ÍËÏ ÚÂÏ·ÓÏ, Ì‡ÒÍÓÎ¸ÍÓ ÒËÎ¸ÌÓ Ë ÍÓ„‰‡ ·˚Î‡
ÓÚÔÛ˘ÂÌ‡. á‡ÚÂÏ Í‡Ê‰˚È ‚Ë‰ ËÌÙÓÏ‡ˆËË ÔÂÓ·‡ÁÛÂÚÒﬂ ‚
˜ËÒÎÓ‚Û˛ ‚ÂÎË˜ËÌÛ Ë ÔÓÒ˚Î‡ÂÚÒﬂ ‚ ÚÓÌ-„ÂÌÂ‡ÚÓ. ÅÂﬂ Á‡
ÓÒÌÓ‚Û Ì‡·Ó Ú‡ÍËı ÁÌ‡˜ÂÌËÈ, ÚÓÌ-„ÂÌÂ‡ÚÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ
ı‡Ìﬂ˘ËÈÒﬂ ‚ Ô‡ÏﬂÚË Ò˝ÏÔÎ.
160
CVP-210/208
MIDI ÓÁÌ‡˜‡ÂÚ Musical Instrument Digital Interface (ñËÙÓ‚ÓÈ
ËÌÚÂÙÂÈÒ ‰Îﬂ ÏÛÁ˚Í‡Î¸Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚). ùÚÓÚ ËÌÚÂÙÂÈÒ
‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÏÛÁ˚Í‡Î¸Ì˚Ï ËÌÒÚÛÏÂÌÚ‡Ï ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸
Ò‚ﬂÁ¸ ‰Û„ Ò ‰Û„ÓÏ ÔÛÚÂÏ ÔÓÒ˚ÎÍË Ë ÔËÂÏ‡ ÒÓÓ·˘ÂÌËÈ Note,
Control Change, Program Change, ‡ Ú‡ÍÊÂ ‰Û„Ëı ‚Ë‰Ó‚ MIDIÒÓÓ·˘ÂÌËÈ ËÎË ‰‡ÌÌ˚ı.
CVP-210/208 ÏÓÊÂÚ ÛÔ‡‚ÎﬂÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ Ò ÔÓÏÓ˘¸˛
‰‡ÌÌ˚ı, ÓÚÌÓÒﬂ˘ËıÒﬂ Í ÌÓÚ‡Ï Ë ÍÓÌÚÓÎÎÂ‡Ï. ë ‰Û„ÓÈ
ÒÚÓÓÌ˚, ‚ÌÂ¯ÌÂÂ ÛÒÚÓÈÒÚ‚Ó Ú‡ÍÊÂ ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ
‰Îﬂ ÛÔ‡‚ÎÂÌËﬂ CVP-210/208. èË ˝ÚÓÏ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ
ÔËÌËÏ‡ÂÚ MIDI-ÒÓÓ·˘ÂÌËﬂ, ÍÓÚÓ˚Â ‡‚ÚÓÏ‡ÚË˜ÂÒÍË Á‡‰‡˛Ú
ÂÊËÏ ‡·ÓÚ˚ ÚÓÌ-„ÂÌÂ‡ÚÓ‡, ‚˚·Ë‡˛Ú Í‡Ì‡Î˚, ÚÂÏ·˚ Ë
˝ÙÙÂÍÚ˚, ËÁÏÂÌﬂ˛Ú ÁÌ‡˜ÂÌËﬂ Ô‡‡ÏÂÚÓ‚ Ë ‚ÍÎ˛˜‡˛Ú
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚, Á‡ÔËÒ‡ÌÌ˚ı ‚ ‡ÁÎË˜Ì˚ı ˜‡ÒÚﬂı.
èêàåÖóÄçàÖ
èË Ò‡‚ÌÂÌËË ‡Û‰ËÓ ÔÓÚÓÍ‡ Ò ‰‡ÌÌ˚ÏË MIDI ÏÓÊÌÓ ÓÚÏÂÚËÚ¸ ÒÎÂ‰Û˛˘ËÂ
ÔÂËÏÛ˘ÂÒÚ‚‡ ÔÓÒÎÂ‰ÌËı:
• é·˙ÂÏ ËÌÙÓÏ‡ˆËË ÁÌ‡˜ËÚÂÎ¸ÌÓ ÏÂÌ¸¯Â, ˜ÚÓ ÔÓÁ‚ÓÎﬂÂÚ ı‡ÌËÚ¸ ÔÂÒÌË ‚
ÙÓÏ‡ÚÂ MIDI Ì‡ ‰ËÒÍÂÚÂ.
• í‡ÍÓ„Ó Ó‰‡ ‰‡ÌÌ˚Â ÏÓÊÌÓ ÎÂ„ÍÓ Ë ˝ÙÙÂÍÚË‚ÌÓ ÓÚÂ‰‡ÍÚËÓ‚‡Ú¸,
‚ÔÎÓÚ¸ ‰Ó ÒÏÂÌ˚ ÚÂÏ·Ó‚ Ë ÔÓÎÌÓ„Ó ÔÂÓ·‡ÁÓ‚‡ÌËﬂ Ù‡ÈÎ‡.
MIDI-ÒÓÓ·˘ÂÌËﬂ ÏÓÊÌÓ ‡Á‰ÂÎËÚ¸ Ì‡ ‰‚Â „ÛÔÔ˚: ÒÓÓ·˘ÂÌËﬂ
Í‡Ì‡ÎÓ‚ (Channel) Ë ÒËÒÚÂÏÌ˚Â ÒÓÓ·˘ÂÌËﬂ (System).
■ ëÓÓ·˘ÂÌËﬂ Í‡Ì‡ÎÓ‚
CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ 16 Í‡Ì‡ÎÓ‚ (32 Í‡Ì‡Î‡ ÔË
ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÔÓÚ‡ USB). ùÚÓ ÏÓÊÌÓ Ò‡‚ÌËÚ¸ Ò
Ó‰ÌÓ‚ÂÏÂÌÌÓÈ Ë„ÓÈ Ì‡ 16 ËÌÒÚÛÏÂÌÚ‡ı. ä‡Ì‡Î¸Ì˚Â
ÒÓÓ·˘ÂÌËﬂ ÔÂÂ‰‡˛Ú Ú‡ÍÛ˛ ËÌÙÓÏ‡ˆË˛, Í‡Í Note ON/OFF
(ÇÍÎ./Ç˚ÍÎ. Á‚ÛÍ‡) Ë Program Change (àÁÏÂÌÂÌËÂ ÔÓ„‡ÏÏ˚)
‰Îﬂ Í‡Ê‰Ó„Ó ËÁ 16 Í‡Ì‡ÎÓ‚.
ç‡Á‚‡ÌËÂ ÒÓÓ·˘ÂÌËﬂ
CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡‡ÏÂÚ,
Ì‡ÒÚ‡Ë‚‡ÂÏ˚È Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË
Note ON/OFF
ùÚË ÒÓÓ·˘ÂÌËﬂ ÒÓÁ‰‡˛ÚÒﬂ ‚Ó ‚ÂÏﬂ Ë„˚ Ì‡
ÍÎ‡‚Ë‡ÚÛÂ. ä‡Ê‰ÓÂ ÒÓÓ·˘ÂÌËÂ ÒÓ‰ÂÊËÚ ÌÓÏÂ
ÍÓÌÍÂÚÌÓÈ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ê‡ÚÓÈ
ÍÎ‡‚Ë¯Â, Ë ÁÌ‡˜ÂÌËÂ ÒÍÓÓÒÚË, Á‡‚ËÒﬂ˘ÂÂ ÓÚ ÒËÎ˚
Û‰‡‡ ÔÓ ÍÎ‡‚Ë¯Â.
ëÓÓ·˘ÂÌËÂ Program
Change
Ç˚·Ó ÚÂÏ·‡ (Ô‡‡ÏÂÚ˚ MSB/LSB)
ëÓÓ·˘ÂÌËﬂ Control
Change
ÉÓÏÍÓÒÚ¸, Ô‡ÌÓ‡Ï‡ (ÏËÍ¯ÂÒÍËÈ ÔÛÎ¸Ú) Ë Ú.‰.
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
èêàåÖóÄçàÖ
ÇÒÂ ÔÂÒÌË Ë ÒÚËÎË ËÒÔÓÎ¸ÁÛ˛Ú ‰‡ÌÌ˚Â MIDI ‰Îﬂ ı‡ÌÂÌËﬂ ËÌÙÓÏ‡ˆËË Ó·
Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
ä‡Ì‡Î˚ MIDI
àÌÙÓÏ‡ˆËﬂ Ó· Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ ‚ ÙÓÏ‡ÚÂ MIDI
ÔËÒ‚‡Ë‚‡ÂÚÒﬂ Ó‰ÌÓÏÛ ËÁ 16 Í‡Ì‡ÎÓ‚ MIDI. ê‡ÒÔÂ‰ÂÎÂÌËÂ
ÒÓÓ·˘ÂÌËÈ ÔÓ 16 Í‡Ì‡Î‡Ï ‰ÂÎ‡ÂÚ ‚ÓÁÏÓÊÌ˚Ï ÔÂÂ‰‡˜Û
‰‡ÌÌ˚ı Ó· Ë„Â ¯ÂÒÚÌ‡‰ˆ‡Ú¸˛ ‡ÁÎË˜Ì˚ÏË ËÌÒÚÛÏÂÌÚ‡ÏË
ÔÓ Ó‰ÌÓÏÛ MIDI-Í‡·ÂÎ˛.
èÂ‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ MIDI-Í‡Ì‡Î˚ – ˝ÚÓ ÚÂÎÂ‚ËÁËÓÌÌ˚Â Í‡Ì‡Î˚.
ä‡Ê‰‡ﬂ ÚÂÎÂÍÓÏÔ‡ÌËﬂ ‚˚ıÓ‰ËÚ ‚ ˝ÙË ÔÓ ÓÔÂ‰ÂÎÂÌÌÓÏÛ
Í‡Ì‡ÎÛ. Ç‡¯ ÚÂÎÂ‚ËÁÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËÏ‡ÂÚ ÏÌÓÊÂÒÚ‚Ó
Ò‡Ï˚ı ‡ÁÌ˚ı ÔÓ„‡ÏÏ, Ú‡Í ˜ÚÓ ‚‡Ï ÓÒÚ‡ÂÚÒﬂ ÚÓÎ¸ÍÓ
‚˚·‡Ú¸ ÌÛÊÌÛ˛.
èÓ„ÌÓÁ ÔÓ„Ó‰˚
çÓ‚ÓÒÚË
1
2
Ç‡ÊÌÓ ÓÔÂ‰ÂÎËÚ¸, Í‡ÍËÂ ÚËÔ˚ ‰‡ÌÌ˚ı ‰ÓÎÊÌ˚
ÔÂÂ‰‡‚‡Ú¸Òﬂ Í‡Ê‰ÓÏÛ ËÁ Í‡Ì‡ÎÓ‚ MIDI (ÒÚ. 149). Clavinova
ÔÓÁ‚ÓÎﬂÂÚ ÔÓÌﬂÚ¸, Í‡ÍËÏ Ó·‡ÁÓÏ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ
ÔÓÎÛ˜ÂÌÌ˚Â ‰‡ÌÌ˚Â. (ÒÚ. 150).
■ ëËÒÚÂÏÌ˚Â ÒÓÓ·˘ÂÌËﬂ
ùÚË ‰‡ÌÌ˚Â ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‚ÒÂÈ MIDI-ÒËÒÚÂÏÓÈ. ä ÒËÒÚÂÏÌ˚Ï
ÒÓÓ·˘ÂÌËﬂÏ ÓÚÌÓÒﬂÚÒﬂ ÒÓÓ·˘ÂÌËﬂ Exclusive, ‚ ÍÓÚÓ˚ı
ÔÂÂ‰‡˛ÚÒﬂ ‰‡ÌÌ˚Â ‰Îﬂ ËÌÒÚÛÏÂÌÚÓ‚ ÍÓÌÍÂÚÌÓÈ ÙËÏ˚, Ë
ÒÓÓ·˘ÂÌËﬂ Realtime (Â‡Î¸ÌÓ„Ó ‚ÂÏÂÌË), ÛÔ‡‚Îﬂ˛˘ËÂ
‡·ÓÚÓÈ MIDI-ÛÒÚÓÈÒÚ‚‡.
ç‡Á‚‡ÌËÂ ÒÓÓ·˘ÂÌËﬂ
CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡‡ÏÂÚ,
Ì‡ÒÚ‡Ë‚‡ÂÏ˚È Ì‡ ÔÂÂ‰ÌÂÈ Ô‡ÌÂÎË
System Exclusive Message
ç‡ÒÚÓÈÍË ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÏËÍ¯ÂÒÍËÈ ÔÛÎ¸Ú)
Ë Ú.Ô.
ëÓÓ·˘ÂÌËﬂ Â‡Î¸ÌÓ„Ó
‚ÂÏÂÌË (Realtime)
ìÒÚ‡ÌÓ‚Í‡ ˜‡ÒÚÓÚ˚ ÒËÌıÓÌËÁ‡ˆËË,
‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ
ëÔËÒÓÍ ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı CVP-210/208 ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ
ÔË‚Â‰ÂÌ ‚ ‡Á‰ÂÎ‡ı «MIDI Data Format» Ë «MIDI Implementation
Chart» Ò·ÓÌËÍ‡ Ú‡·ÎËˆ.
çÓ‚ÓÒÚË
2
óÚÓ ÏÓÊÌÓ ‰ÂÎ‡Ú¸ Ò MIDI?
èËÌˆËÔ ‰ÂÈÒÚ‚Ëﬂ MIDI ÚÓÚ ÊÂ. èÂÂ‰‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó
ÔÓÒ˚Î‡ÂÚ ÓÔÂ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (MIDI Transmit Channel)
ÔËÌËÏ‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ ÒÓÓ·˘ÂÌËﬂ ÔÓ MIDI-Í‡·ÂÎ˛. ÖÒÎË
MIDI-Í‡Ì‡Î ÔËÌËÏ‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (MIDI Receive
Channel) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡ÎÛ ÔÂÂ‰‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡
(Transmit Channel), ÔËÌËÏ‡˛˘ÂÂ ÛÒÚÓÈÒÚ‚Ó ·Û‰ÂÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÎÛ˜ÂÌÌ˚ÏË
ÒÓÓ·˘ÂÌËﬂÏË.
MIDI
-Í‡·ÂÎ¸
ÇÚÓÓÈ Í‡Ì‡Î ‰Îﬂ
ÔÂÂ‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ
ÇÚÓÓÈ Í‡Ì‡Î ‰Îﬂ
ÔËÂÏ‡ MIDI-ÒÓÓ·˘ÂÌËÈ
èêàåÖóÄçàÖ
äÎ‡‚Ë‡ÚÛ‡ Ë ÚÓÌ-„ÂÌÂ‡ÚÓ Clavinova ÒÓÂ‰ËÌﬂ˛ÚÒﬂ Ò ÔÓÏÓ˘¸˛ MIDI
(ÒÚ. 148).
ç‡ÔËÏÂ, ‰‡ÌÌ˚Â Ò ÌÂÒÍÓÎ¸ÍËı ‰ÓÓÊÂÍ (Í‡Ì‡ÎÓ‚), ‚ÍÎ˛˜‡ﬂ
‰‡ÌÌ˚Â Ó ÒÚËÎÂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÓÊÌÓ ÔÂÂ‰‡‚‡Ú¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ).
ë ÔÓÏÓ˘¸˛ Clavinova ÏÓÊÌÓ ‚˚ÔÓÎÌﬂÚ¸ ÒÎÂ‰Û˛˘ËÂ
ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË MIDI:
• ÒÓÁ‰‡‚‡Ú¸ ¯‡·ÎÓÌ˚ MIDI (Ì‡·Ó˚ ÁÌ‡˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚
MIDI, ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â ÏÌÓ„ËÏË ÏÛÁ˚Í‡Î¸Ì˚ÏË
ÔËÎÓÊÂÌËﬂÏË) (ÒÚ. 148)
• ÔÂÂ‰‡‚‡Ú¸ MIDI-ÒÓÓ·˘ÂÌËﬂ (ÒÚ. 149)
• ÔËÌËÏ‡Ú¸ MIDI-ÒÓÓ·˘ÂÌËﬂ (ÒÚ. 150)
• ËÒÔÓÎ¸ÁÓ‚‡Ú¸ ‚ÒÚÓÂÌÌ˚Â ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
(ÒÚ. 148)
• ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÒËÌıÓÌËÁ‡ˆË˛ Ò ‚ÌÂ¯ÌËÏË ÛÒÚÓÈÒÚ‚‡ÏË
(ÒÚ. 149)
■ ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚÂ Á‡ÔËÒ‡Ú¸ Ò‚ÓÂ
‚˚ÒÚÛÔÎÂÌËÂ (Í‡Ì‡Î˚ 1 - 16) ‚ ÒÓÔÓ‚ÓÊ‰ÂÌËË
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ ‚ÌÂ¯ÌËÈ ÒÂÍ‚ÂÌÒÓ (ÍÓÚÓ˚Ï
ÏÓÊÂÚ ÒÎÛÊËÚ¸, Ì‡ÔËÏÂ, ÍÓÏÔ¸˛ÚÂ). èÓ ÓÍÓÌ˜‡ÌËË
Á‡ÔËÒË ÓÚÂ‰‡ÍÚËÛÈÚÂ Ï‡ÚÂË‡Î Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ‡
Á‡ÚÂÏ ÔÓË„‡ÈÚÂ Â„Ó Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ CVP-210/208
(‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ).
èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ
Clavinova
MIDI IN
MIDI OUT
MIDI OUT
MIDI IN
NEC MultiSync
èËÏÂ: á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Clavinova Ì‡ ‚ÌÂ¯ÌËÈ ÒÂÍ‚ÂÌÒÓ
PC-9821 AS
NEC
èÂÂ‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ
MIDI-Í‡·ÂÎ¸ ËÎË
Í‡·ÂÎ¸ ‰Îﬂ
ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓ„Ó ÔÓÚ‡
ÑÓÓÊÍ‡ Clavinova (Í‡Ì‡Î)
MAIN
LAYER
LEFT
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ÒÂ‰ÒÚ‚Ó STYLE
ä‡Ì‡Î 1
ä‡Ì‡Î 2
ä‡Ì‡Î 3
ä‡Ì‡Î 4
ä‡Ì‡Î 5
ä‡Ì‡Î 6
ä‡Ì‡Î 7
ä‡Ì‡Î 8
ä‡Ì‡Î 9
ä‡Ì‡Î 10
ä‡Ì‡Î 11
ÇÌÂ¯ÌËÈ ÒÂÍ‚ÂÌÒÓ
ÑÓÓÊÍ‡ 1
ÑÓÓÊÍ‡ 2
ÑÓÓÊÍ‡ 3
ÑÓÓÊÍ‡ 4
ÑÓÓÊÍ‡ 5
ÑÓÓÊÍ‡ 6
ÑÓÓÊÍ‡ 7
ÑÓÓÊÍ‡ 8
ÑÓÓÊÍ‡ 9
ÑÓÓÊÍ‡ 10
ÑÓÓÊÍ‡ 11
äÓÏÔ¸˛ÚÂ, ÛÒÚÓÈÒÚ‚Ó
ÒÂËË QY Ë Ú. Ô.
ÖÒÎË ÚÂ·ÛÂÚÒﬂ ËÒÔÓÎ¸ÁÓ‚‡Ú¸ Clavinova ‚ Í‡˜ÂÒÚ‚Â ÚÓÌ„ÂÌÂ‡ÚÓ‡, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÙÓÏ‡ÚÓÏ XG, Ì‡ ÒÚ‡ÌËˆÂ
Receive ˝Í‡Ì‡ MIDI (Í‡Ì‡Î˚ 1 - 16) ÛÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ
«SONG« ‰Îﬂ Í‡Ì‡ÎÓ‚ MIDI, Ì‡ÒÚÓÂÌÌ˚ı Ì‡ ÔËÂÏ (ÒÚ. 150).
■ äÓÏÂ ÚÓ„Ó, ‚˚ ÏÓÊÂÚÂ Ë„‡Ú¸ Á‚ÛÍ‡ÏË Clavinova, ÛÔ‡‚Îﬂﬂ
ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Ò ÔÓÏÓ˘¸˛ ‰Û„ÓÈ ÍÎ‡‚Ë‡ÚÛ˚.
Clavinova
èËÂÏ
MIDI-ÒÓÓ·˘ÂÌËÈ
MIDI IN
MIDI OUT
CVP-210/208
161
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı
Ç ˝ÚÓÏ ‡Á‰ÂÎÂ Ó·ÒÛÊ‰‡˛ÚÒﬂ ÓÒÌÓ‚Ì˚Â ‚ÓÔÓÒ˚
ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰Û„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡
ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ CVP-210/208, Ë ÏÓÊÂÚ ÎË
CVP-210/208 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÏÏÂ˜ÂÒÍËÂ Á‡ÔËÒË Ë MIDIÙ‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚Â ‰Îﬂ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡
ÍÓÏÔ¸˛ÚÂÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë
ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË
‰‡ÌÌ˚Â, ÎË·Ó ÒÌ‡˜‡Î‡ Ì‡‰Ó ‚˚ÔÓÎÌËÚ¸ ﬂ‰ ‰ÂÈÒÚ‚ËÈ. ÖÒÎË ÔË
‚ÓÒÔÓËÁ‚Â‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌËÍ‡˛Ú ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘ËÂ
‡Á‰ÂÎ˚.
îÓÏ‡Ú ‰ËÒÍÂÚ
ÑËÒÍÂÚ˚ ﬂ‚Îﬂ˛ÚÒﬂ Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ÌÓÒËÚÂÎÂÈ ‰‡ÌÌ˚ı,
ËÒÔÓÎ¸ÁÛÂÏ˚ı ‡ÁÎË˜Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚ÍÎ˛˜‡ﬂ
ÍÓÏÔ¸˛ÚÂ˚. ëËÒÚÂÏ˚ ı‡ÌÂÌËﬂ ‰‡ÌÌ˚ı ‡ÁÎË˜Ì˚ Û ‡ÁÌ˚ı
ÛÒÚÓÈÒÚ‚. èÓ˝ÚÓÏÛ ÔÂÊ‰Â ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰„ÓÚÓ‚ËÚ¸
‰ËÒÍÂÚÛ ‰Îﬂ Ó·ÂÒÔÂ˜ÂÌËﬂ ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ
ËÏÂ˛˘Â„ÓÒﬂ ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔÂ‡ˆËﬂ Ì‡Á˚‚‡ÂÚÒﬂ
ÙÓÏ‡ÚËÓ‚‡ÌËÂÏ.
•
ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ,
‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ
ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓÂ
ÙÓÏ‡ÚËÓ‚‡ÌËÂ.
•
ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ CVP-210/208 ÒÓ‚ÏÂÒÚËÏÓ Ò Ó·ÓËÏË
ÚËÔ‡ÏË.
•
ÖÏÍÓÒÚ¸ Ô‡ÏﬂÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ
ÔÎÓÚÌÓÒÚË) Ë 2HD (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ÔÓÒÎÂ
ÙÓÏ‡ÚËÓ‚‡ÌËﬂ Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÒÓÒÚ‡‚ÎﬂÂÚ
720 ä· Ë 1,44 å·. (ùÚÓ ÁÌ‡˜ËÚ, ˜ÚÓ Ì‡ Ú‡ÍËı ‰ËÒÍÂÚ‡ı ÏÓÊÌÓ
ÒÓı‡ÌﬂÚ¸ 720 ä· Ë 1,44 å· ËÌÙÓÏ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ.
éÌË Ú‡ÍÊÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ Ë ‰Îﬂ Ó·ÓÁÌ‡˜ÂÌËﬂ ÙÓÏ‡Ú‡
‰ËÒÍÂÚ˚.)
•
162
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ ÎË¯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â,
ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚.
CVP-210/208
îÓÏ‡Ú ÒÂÍ‚ÂÌˆËË
ëËÒÚÂÏ‡, Á‡ÔËÒ˚‚‡˛˘‡ﬂ ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ, Ì‡Á˚‚‡ÂÚÒﬂ
«ÙÓÏ‡ÚÓÏ ÒÂÍ‚ÂÌˆËË».
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÓÁÏÓÊÌÓ, ÚÓÎ¸ÍÓ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó
ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚ÂÌˆËË, ËÒÔÓÎ¸ÁÓ‚‡ÌÌ˚È Ì‡ ‰ËÒÍÂÚÂ.
CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘ËÂ ÙÓÏ‡Ú˚ Ù‡ÈÎÓ‚.
■ SMF (ÒÚ‡Ì‰‡ÚÌ˚È Ù‡ÈÎ MIDI)
ùÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓÏ‡Ú.
ÖÒÚ¸ ‰‚‡ ÚËÔ‡ SMF ÙÓÏ‡Ú‡: Format 0 Ë Format 1. åÌÓ„ËÂ MIDIÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. äÓÏÂ ÚÓ„Ó, ÏÌÓ„ËÂ
ËÏÂ˛˘ËÂÒﬂ ‚ ÔÓ‰‡ÊÂ ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓÏ‡ÚÂ.
•
CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÚËÔ‡ ÒÚ‡Ì‰‡ÚÌ˚ı Ù‡ÈÎÓ‚.
•
èÂÒÌﬂ, Á‡ÔËÒ‡ÌÌ‡ﬂ Ò ÔÓÏÓ˘¸˛ CVP-210/208, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓı‡ÌﬂÂÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF Format 0.
•
èÂÒÌﬂ, Á‡„ÛÊÂÌÌ‡ﬂ ‚ CVP-210/208, ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓı‡ÌﬂÂÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF Format 0 ‚ÌÂ Á‡‚ËÒËÏÓÒÚË ÓÚ
ËÒıÓ‰ÌÓ„Ó ÙÓÏ‡Ú‡.
■ ESEQ
ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ Ï‡ÍË
Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ˆËÙÓ‚˚Â ÔË‡ÌËÌÓ ÒÂËË Clavinova.
ùÚÓÚ ÙÓÏ‡Ú Ú‡ÍÊÂ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒﬂ ÏÛÁ˚Í‡Î¸Ì˚ÏË
ÔËÎÓÊÂÌËﬂÏË, ‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha.
■ XF
îÓÏ‡Ú XF, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha,
ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ ÛÒÓ‚Â¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡Ë‡ÌÚ ÒÚ‡Ì‰‡Ú‡
SMF (Standard MIDI File), Ì‡‰ÂÎÂÌÌ˚È ·ÓÎ¸¯ÂÈ
ÙÛÌÍˆËÓÌ‡Î¸ÌÓÒÚ¸˛ Ë ‚ÓÁÏÓÊÌÓÒÚﬂÏË ‰‡Î¸ÌÂÈ¯Â„Ó
‡Ò¯ËÂÌËﬂ.
•
ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ CVP-210/208 ÏÓÊÌÓ
‚˚‚Ó‰ËÚ¸ Ì‡ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚Â‰ÂÌËË
Ù‡ÈÎ‡ ‚ ÙÓÏ‡ÚÂ XF, ÒÓ‰ÂÊ‡˘Â„Ó ÚÂÍÒÚ.
■ î‡ÈÎ ÒÚËÎﬂ
îÓÏ‡Ú Style File Format (SFF) ÔÂ‰ÒÚ‡‚ÎﬂÂÚ ÒÓ·ÓÈ
ÓË„ËÌ‡Î¸Ì˚È ÙÓÏ‡Ú Ù‡ÈÎ‡ ÒÚËÎﬂ, ‡Á‡·ÓÚ‡ÌÌ˚È
ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÛÌËÍ‡Î¸Ì‡ﬂ
ÒËÒÚÂÏ‡ ÔÂÓ·‡ÁÓ‚‡ÌËﬂ, ÔÓÁ‚ÓÎﬂ˛˘‡ﬂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓÍ‡˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â
·ÓÎ¸¯Ó„Ó ÍÓÎË˜ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚.
èÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔË‡ÌËÌÓ Clavinova
îÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚
Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒﬂ Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï
ÔÓ„‡ÏÏ». ëÚ‡Ì‰‡Ú ÔËÒ‚ÓÂÌËﬂ Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓﬂ‰ÓÍ
‡ÁÏÂ˘ÂÌËﬂ ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒﬂ «ÙÓÏ‡ÚÓÏ ‡ÒÔÂ‰ÂÎÂÌËﬂ
ÚÂÏ·Ó‚».
è‡‚ËÎ¸ÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÓÁÏÓÊÌÓ ÚÓÎ¸ÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË
˝ÚÓÚ ÙÓÏ‡Ú ‰Îﬂ ‰‡ÌÌ˚ı ÔÂÒÌË ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓÏ‡ÚÓÏ
‚ÓÒÔÓËÁ‚Ó‰ﬂ˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡.
CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘ËÂ ÙÓÏ‡Ú˚ Ù‡ÈÎÓ‚.
èêàåÖóÄçàÖ
Ñ‡ÊÂ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Óﬂ˛Ú ‚ÒÂÏ
‚˚¯ÂÔÂÂ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËﬂÏ, ‰‡ÌÌ˚Â ‚ÒÂ ‡‚ÌÓ ÏÓ„ÛÚ ÓÍ‡Á‡Ú¸Òﬂ
ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı.
■ GM System Level 1
ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı ÙÓÏ‡ÚÓ‚.
•
åÌÓ„ËÂ MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓÏ‡ÚÓÏ GM
System Level 1. íÓ ÊÂ ÓÚÌÓÒËÚÒﬂ Ë Í ·ÓÎ¸¯ËÌÒÚ‚Û ÔÂÒÂÌ,
ËÏÂ˛˘ËıÒﬂ ‚ ÔÓ‰‡ÊÂ.
■ XG
îÓÏ‡Ú XG ﬂ‚ÎﬂÂÚÒﬂ ‡Ò¯ËÂÌËÂÏ ÒÚ‡Ì‰‡Ú‡ General MIDI (GM
System level 1 format). îËÏ‡ Yamaha ‡Á‡·ÓÚ‡Î‡ ˝ÚÛ
ÒÔÂˆËÙËÍ‡ˆË˛ ‰Îﬂ Û‚ÂÎË˜ÂÌËﬂ ˜ËÒÎ‡ ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë
ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËﬂ ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊÂ ‰Îﬂ
ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ.
•
èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â Ì‡ CVP-210/208 Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ
ÚÂÏ·Ó‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË,
ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG.
■ DOC
ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„ËÂ
MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚ÍÎ˛˜‡ﬂ ˆËÙÓ‚˚Â
ÔË‡ÌËÌÓ ÒÂËË Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓÏ‡Ú, ÍÓÚÓ˚È
ËÒÔÓÎ¸ÁÛÂÚÒﬂ ‚ ‡ÁÌÓÏ ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔÂ˜ÂÌËË Yamaha.
CVP-210/208
163
CVP-210/208: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚
ÇçàåÄçàÖ!
■ çÂ ÔÂÂÔÛÚ‡ÈÚÂ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡Ì‡‚ÎË‚‡ÈÚÂ Ëı ‚ Ô‡‚ËÎ¸ÌÓÏ
Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌﬂÈÚÂ Ò·ÓÍÛ ÒÓ„Î‡ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ
ËÌÒÚÛÍˆËË.
ÑÎﬂ Ò·ÓÍË ÚÂ·ÛÂÚÒﬂ ÌÂ ÏÂÌÂÂ ‰‚Ûı ˜ÂÎÓ‚ÂÍ.
çÂÓ·ıÓ‰ËÏÓ ËÒÔÓÎ¸ÁÓ‚‡Ú¸
‚ËÌÚ˚ ÛÍ‡Á‡ÌÌÓ„Ó ‡ÁÏÂ‡. èË„ÓÚÓ‚¸ÚÂ ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ.
àÒÔÓÎ¸ÁÓ‚‡ÌËÂ
ÌÂÔ‡‚ËÎ¸Ì˚ı ‚ËÌÚÓ‚
ÏÓÊÂÚ ÔÓ‚Â‰ËÚ¸
ËÌÒÚÛÏÂÌÚ.
èÓÒÎÂ Á‡‚Â¯ÂÌËﬂ Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚﬂÌËÚÂ ‚ËÌÚ˚.
ÑÎﬂ ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚÂ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ
ÔÓﬂ‰ÍÂ.
■
■
■
■
1
Ç˚Ì¸ÚÂ ‚ÒÂ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸,
˜ÚÓ·˚ ‚ÒÂ ÛÍ‡Á‡ÌÌ˚Â Ì‡ ËÒÛÌÍÂ ÍÓÏÔÎÂÍÚÛ˛˘ËÂ
ËÏÂÎËÒ¸ ‚ Ì‡ÎË˜ËË.
3
ëÌËÏËÚÂ Í˚¯ÍÛ Ò ÍÓÔÛÒ‡ ‰ËÌ‡ÏËÍ‡.
ä˚¯Í‡ ‰ËÌ‡ÏËÍ‡ ÔËÍÂÔÎÂÌ‡ Í
ÛÒÚÓÈÒÚ‚Û ‚ ÌÂÒÍÓÎ¸ÍËı ÏÂÒÚ‡ı Ò
ÔÓÏÓ˘¸˛ ‰‚Ûı ÔÂÚÂÎ¸ Ë Velcro-ÎÂÌÚ˚.
èÓÚﬂÌËÚÂ Ëı ‚ÌËÁ, ˜ÚÓ·˚ ÒÌﬂÚ¸ Í˚¯ÍÛ
‰ËÌ‡ÏËÍ‡.
çÂ ÔËÍ‡Ò‡ÈÚÂÒ¸ Í ‰ËÌ‡ÏËÍÛ ÔË
ÔÂÂÏÂ¯˘ÂÌËË ÍÓÔÛÒ‡. ùÚÓ ÏÓÊÂÚ
ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛.
ÇçàåÄçàÖ!
èÓÎÓÊËÚÂ ÛÍË, Í‡Í ÛÍ‡Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Ë ÔÓÚﬂÌËÚÂ. ÑËÌ‡ÏËÍË
‡ÒÔÓÎÓÊÂÌ˚ ÔÓ ·ÓÍ‡Ï – ÌÂ ÔËÚ‡„Ë‚‡ÈÚÂÒ¸ Í ÌËÏ ‚Ó ËÁ·ÂÊ‡ÌËÂ
ÔÓ‚ÂÊ‰ÂÌËÈ.
4
èËÍÂÔËÚÂ ÔÂÂ‰ÌËÂ ÌÓÊÍË.
èÂÂ‰Ìﬂﬂ ÌÓÊÍ‡
(Ô‡‚‡ﬂ)
ÉÎ‡‚Ì‡ﬂ
˜‡ÒÚ¸
1 èËÍÂÔËÚÂ ÔÂÂ‰Ì˛˛ Ô‡‚Û˛
ÌÓÊÍÛ Í ÌËÊÌÂÈ ÔÓ‚ÂıÌÓÒÚË
ÛÒÚÓÈÒÚ‚‡ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚.
èÂÂ‰Ìﬂﬂ
ÌÓÊÍ‡ (ÎÂ‚‡ﬂ)
á‡‰Ìﬂﬂ ÌÓÊÍ‡
ä‡·ÂÎ¸ ÔËÚ‡ÌËﬂ
2 èËÍÂÔËÚÂ ÔÂÂ‰Ì˛˛ Ô‡‚Û˛
ÌÓÊÍÛ Í ÍÓÔÛÒÛ ‰ËÌ‡ÏËÍ‡ Ò
ÔÓÏÓ˘¸˛ ÚÂı ‚ËÌÚÓ‚.
èÂÂ‰Ìﬂﬂ
ÌÓÊÍ‡ (Ô‡‚‡ﬂ)
ä‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ,
ÔËÍÂÔÎÂÌÌ˚È
‚ÌÛÚË
ÅÎÓÍ ÔÂ‰‡ÎÂÈ
èÂÂ‰Ìﬂﬂ
ÌÓÊÍ‡ (ÎÂ‚‡ﬂ)
5x18 ÏÏ ÍÂÔÂÊÌ˚Â ‚ËÌÚ˚ x16
3 í‡ÍËÏ ÊÂ Ó·‡ÁÓÏ ÔËÍÂÔËÚÂ ÔÂÂ‰Ì˛˛ ÎÂ‚Û˛ ÌÓÊÍÛ.
ÖÒÎË ÓÚ‚ÂÒÚËﬂ ‰Îﬂ ‚ËÌÚÓ‚ ÌÂ ÒÓ‚Ô‡‰‡˛Ú, ÓÒÎ‡·¸ÚÂ ÓÒÚ‡Î¸Ì˚Â ‚ËÌÚ˚ Ë
ÔÓ‰„ÓÌËÚÂ ÔÓÎÓÊÂÌËÂ ÔÂÂ‰ÌÂÈ ÌÓÊÍË.
5
èËÍÂÔËÚÂ Á‡‰Ì˛˛ ÌÓÊÍÛ.
2 èËÍÂÔËÚÂ Á‡‰ÌËÂ ÌÓÊÍË Í ÍÓÔÛÒÛ ‰ËÌ‡ÏËÍ‡ Ò
ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚.
2
èËÒÎÓÌËÚÂ ÛÒÚÓÈÒÚ‚Ó Í ÒÚÂÌÂ Ò Á‡Í˚ÚÓÈ
Í˚¯ÍÓÈ Ë ÓÔÛ˘ÂÌÌÓÈ ÍÎ‡‚Ë‡ÚÛÓÈ.
ÇçàåÄçàÖ!
• çÂ ÔË˘ÂÏËÚÂ Ô‡Î¸ˆ˚.
• ÇÂıÌﬂﬂ ˜‡ÒÚ¸ Ô˛ÔËÚ‡ ÌÂ Á‡ÙËÍÒËÓ‚‡Ì‡. èËÒÎÓÌﬂﬂ ÛÒÚÓÈÒÚ‚Ó Í
ÒÚÂÌÂ, ÔÓ‰‰ÂÊË‚‡ÈÚÂ Ô˛ÔËÚ ÛÍÓÈ, ˜ÚÓ·˚ ÓÌ ÌÂ ÛÔ‡Î.
ê‡ÒÒÚÂÎËÚÂ Ì‡ ÔÓÎÛ Ïﬂ„ÍÛ˛ ÚÍ‡Ì¸ ·ÓÎ¸¯Ó„Ó
‡ÁÏÂ‡, Ì‡ÔËÏÂ Ó‰ÂﬂÎÓ. ê‡ÒÔÓÎÓÊËÚÂ
ÛÒÚÓÈÒÚ‚Ó Ì‡ ÚÍ‡ÌË ÍÎ‡‚Ë‡ÚÛÓÈ ‚ÌËÁ, Ë
ÔËÒÎÓÌËÚÂ ÛÒÚÓÈÒÚ‚Ó Í ÒÚÂÌÂ Ú‡Í, ˜ÚÓ·˚
ÓÌÓ ÌÂ ÛÔ‡ÎÓ Ë ÌÂ ÒÔÓÎÁÎÓ. èÓ‚ÂÒ¸ÚÂ Ì‡ ÒÚÂÌÛ
Ïﬂ„ÍÛ˛ ÚÍ‡Ì¸, ˜ÚÓ·˚ Á‡˘ËÚËÚ¸ ËÌÒÚÛÏÂÌÚ Ë
ÒÚÂÌÛ ÓÚ ˆ‡‡ÔËÌ.
èÓ‚Â¸ÚÂ,
˜ÚÓ·˚
ÍÎ‡‚Ë‡ÚÛ‡ ·˚Î‡
‚ÌËÁÛ.
ÇçàåÄçàÖ!
çÂ ÔËÍ‡Ò‡ÈÚÂÒ¸ Í Á‡˘ËÚÌÓÈ ÒÂÚÍÂ ‰ËÌ‡ÏËÍ‡. ùÚÓ
ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛ ‚ÌÛÚÂÌÌÂÈ ˜‡ÒÚË
‰ËÌ‡ÏËÍ‡.
ÇçàåÄçàÖ!
çÂ ÒÚ‡‚¸ÚÂ ÍÓÔÛÒ Á‡‰ÌÂÈ ˜‡ÒÚ¸˛ ‚ÌËÁ.
ÇçàåÄçàÖ!
çÂ ÒÚ‡‚¸ÚÂ ÍÓÔÛÒ Ì‡ ÔÓÎ ‚
ÔÂÂ‚ÂÌÛÚÓÏ ÒÓÒÚÓﬂÌËË.
164
CVP-210/208
1 èËÍÂÔËÚÂ Á‡‰ÌËÂ
ÌÓÊÍË Í ÌËÊÌÂÈ
ÔÓ‚ÂıÌÓÒÚË
ÛÒÚÓÈÒÚ‚‡ Ò
ÔÓÏÓ˘¸˛ ‰‚Ûı
‚ËÌÚÓ‚.
ÖÒÎË ÓÚ‚ÂÒÚËﬂ ‰Îﬂ ‚ËÌÚÓ‚ ÌÂ ÒÓ‚Ô‡‰‡˛Ú, ÓÒÎ‡·¸ÚÂ ÓÒÚ‡Î¸Ì˚Â ‚ËÌÚ˚ Ë
ÔÓ‰„ÓÌËÚÂ ÔÓÎÓÊÂÌËÂ Á‡‰ÌËı ÌÓÊÂÍ.
6
èÓÒÚ‡‚¸ÚÂ ÛÒÚÓÈÒÚ‚Ó Ì‡ ÌÓÊÍË.
èÓ‰ÌËÏ‡ﬂ ÛÒÚÓÈÒÚ‚Ó, ËÒÔÓÎ¸ÁÛÈÚÂ ‚ Í‡˜ÂÒÚ‚Â ÓÔÓ˚
ÔÂÂ‰ÌËÂ ÌÓÊÍË.
ÇçàåÄçàÖ!
• çÂ ÔË˘ÂÏËÚÂ Ô‡Î¸ˆ˚.
• èÓ‰ÌËÏ‡ﬂ ÛÒÚÓÈÒÚ‚Ó, ÌÂ ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚.
CVP-210/208: ë·ÓÍ‡ ÔÓ‰ÒÚ‡‚ÍË ‰Îﬂ ÍÎ‡‚Ë‡ÚÛ˚
7
ìÒÚ‡ÌÓ‚Í‡ ·ÎÓÍ‡ ÔÂ‰‡ÎÂÈ.
1 ëÌËÏËÚÂ ÔÎ‡ÒÚËÍÓ‚˚È ˜ÂıÓÎ
Ò Á‡‰ÌËı ÌÓÊÂÍ.
2 éÚ‚ﬂÊËÚÂ Ë ‡ÒÔﬂÏËÚÂ
ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·ÂÎ¸,
ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË
·ÎÓÍ‡ ÔÂ‰‡ÎÂÈ.
ÒÂÎÂÍÚÓ Ì‡ÔﬂÊÂÌËﬂ Ë ÔÓ‰ÒÓÂ‰ËÌËÚÂ
10 ìÒÚ‡ÌÓ‚ËÚÂ
Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ.
220
240
110
127
3 èÓÔÛÒÚËÚÂ Í‡·ÂÎ¸
ÔÂ‰‡ÎÂÈ ÏÂÊ‰Û ·ÎÓÍÓÏ
ÔÂ‰‡ÎÂÈ Ë Á‡‰ÌÂÈ ÌÓÊÍÓÈ.
4 èÓ‚Â¸ÚÂ, ˜ÚÓ·˚ ·ÎÓÍ ÔÂ‰‡ÎÂÈ ÔÎÓÚÌÓ ÔËÎÂ„‡Î Í ÔÓÎÛ (·ÂÁ
ÔÓÒ‚ÂÚÓ‚), Ë ÔËÍÂÔËÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚.
8
èÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ
Ç ÌÂÍÓÚÓ˚ı Â„ËÓÌ‡ı ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ì‡ÔﬂÊÂÌËﬂ. èÂÊ‰Â ˜ÂÏ
ÔÓ‰ÍÎ˛˜‡Ú¸ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ, ÔÓ‚Â¸ÚÂ, Ô‡‚ËÎ¸ÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎﬂ
ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍÎ˛˜‡ÚÂÎﬂ Ì‡ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú, Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË
ÔÓ‚ÂÌËÚÂ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËÎ¸ÌÓÂ Ì‡ÔﬂÊÂÌËÂ ‰Îﬂ ‚‡¯Â„Ó Â„ËÓÌ‡
Ì‡ıÓ‰ËÎÓÒ¸ Ì‡ÔÓÚË‚ ÛÍ‡Á‡ÚÂÎﬂ Ì‡ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚ÍÂ ÔÂÂÍÎ˛˜‡ÚÂÎ¸
Ì‡ÔﬂÊÂÌËﬂ ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ Ì‡ÔﬂÊÂÌËÂ ‚ 240 Ç.
Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÂ Ì‡ÔﬂÊÂÌËÂ, ÔÓ‰ÍÎ˛˜ËÚÂ Í‡·ÂÎ¸ ÔËÚ‡ÌËﬂ Í ‡Á˙ÂÏÛ
AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı Â„ËÓÌ‡ı ‰Îﬂ ÔÓ‰ÍÎ˛˜ÂÌËﬂ Í ˝ÎÂÍÚÓÒÂÚË
ÚÂ·Û˛ÚÒﬂ ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚.
éëíéêéÜçé!
çÂÔ‡‚ËÎ¸Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ Ì‡ÔﬂÊÂÌËﬂ ÏÓÊÂÚ ÒÂ¸ÂÁÌÓ ÔÓ‚Â‰ËÚ¸
ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸ ÌÂÔ‡‚ËÎ¸ÌÛ˛ ‡·ÓÚÛ.
■ èÓÒÎÂ Ò·ÓÍË ÔÓ‚Â¸ÚÂ ÒÎÂ‰Û˛˘ÂÂ.
•
èÓ‰ÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ ÔÂ‰‡ÎË.
çÂ ÓÒÚ‡ÎÓÒ¸ ÎË «ÎË¯ÌËı» ‰ÂÚ‡ÎÂÈ?
→ èÓ‚Â¸ÚÂ Ò·ÓÍÛ Ë ËÒÔ‡‚¸ÚÂ Ó¯Ë·ÍË.
1 ÇÒÚ‡‚¸ÚÂ ¯ÚÂÍÂ
Í‡·ÂÎﬂ ÔÂ‰‡ÎË ‚
‡Á˙ÂÏ ‰Îﬂ
ÔÂ‰‡ÎË.
ÇÒÚ‡‚¸ÚÂ ¯ÚÂÍÂ
ÒÚÂÎÍÓÈ ‚ÔÂÂ‰ (‚
ÒÚÓÓÌÛ
ÍÎ‡‚Ë‡ÚÛ˚).
ÖÒÎË ¯ÚÂÍÂ ÌÂ ‚ÒÚ‡‚ÎﬂÂÚÒﬂ, ÌÂ
‰‡‚ËÚÂ Ì‡ ÌÂ„Ó. èÓ‚Â¸ÚÂ Â˘Â ‡Á
Ì‡Ô‡‚ÎÂÌËÂ ¯ÚÂÍÂ‡ Ë ÔÓÔÓ·ÛÈÚÂ
ÒÌÓ‚‡.
•
•
•
•
2 ÇÒÚ‡‚¸ÚÂ Í‡·ÂÎ¸ ÔÂ‰‡ÎË ‚
Í‡Ì‡‚ÍÛ Á‡‰ÌÂÈ ÌÓÊÍË Ë
ÛÒÚ‡ÌÓ‚ËÚÂ ÔÎ‡ÒÚËÍÓ‚˚È ˜ÂıÓÎ
Ì‡ Í‡Ì‡‚ÍÂ. çÂ ÔÓÔÛÒÍ‡ÈÚÂ
ÒÓÂ‰ËÌËÚÂÎ¸ÌÛ˛ ÎÂÌÚÛ ÏÂÊ‰Û
ÒÚÂÌÍÓÈ Í‡Ì‡‚ÍË Ë ÌÓÊÍÓÈ.
9
(ÌËÊÌﬂﬂ ˜‡ÒÚ¸ Ô‡‚ÓÈ ÒÚÓÓÌ˚:
‚Ë‰ ÒÔÂÂ‰Ë)
ìÒÚ‡ÌÓ‚Í‡ Í˚¯ÍË ‰ËÌ‡ÏËÍ‡ Ì‡ ÍÓÔÛÒÂ ‰ËÌ‡ÏËÍ‡.
ìÒÚ‡ÌÓ‚ËÚÂ Í˚¯ÍÛ Ì‡ ÍÓÔÛÒÂ
‰ËÌ‡ÏËÍ‡ ÁÛ·˜‡ÚÓÈ ÒÚÓÓÌÓÈ Í
‚ÂıÌÂÏÛ Ô‡‚ÓÏÛ Û„ÎÛ.
ëÓ‚ÏÂÒÚËÚÂ ‰‚‡ ¯ÚÂÍÂ‡ Ì‡
Í˚¯ÍÂ ‰ËÌ‡ÏËÍ‡ Ò ÓÚ‚ÂÒÚËﬂÏË
‚ ÍÓÔÛÒÂ ‰ËÌ‡ÏËÍ‡ Ë
ÔÓÚÓÎÍÌËÚÂ Ëı ÚÛ‰‡, „‰Â
ÔËÍÂÔÎÂÌ‡ Velcro-ÎÂÌÚ‡.
ÇçàåÄçàÖ!
ä˚¯Í‡ ‰ËÌ‡ÏËÍ‡ Ò‰ÂÎ‡Ì‡ ËÁ Ó˜ÂÌ¸ Ïﬂ„ÍÓ„Ó Ï‡ÚÂË‡Î‡. ÖÒÎË ‚˚
ÔÓÚÓÎÍÌÂÚÂ ¯ÚÂÍÂ˚ ‚ Î˛·ÓÂ ‰Û„ÓÂ ÏÂÒÚÓ, ÍÓÏÂ ÚÓ„Ó „‰Â
‡ÒÔÓÎÓÊÂÌ˚ Û¯ÍÓ Ë Velcro-ÎÂÌÚ‡, ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂÊ‰ÂÌË˛
‰ËÌ‡ÏËÍÓ‚.
çÂ ÏÂ¯‡ÂÚ ÎË ÔË‡ÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë
ÔÂÂÏÂ˘‡Ú¸ ÔÂ‰ÏÂÚ˚?
→ èÓÒÚ‡‚¸ÚÂ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓÂ ÏÂÒÚÓ.
çÂ «·ÓÎÚ‡ÂÚÒﬂ» ÎË ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova,
ÍÓ„‰‡ ‚˚ Â„Ó ÚﬂÒÂÚÂ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ
„ÓıÓÚÛ)?
→ á‡ÚﬂÌËÚÂ ‚ÒÂ ‚ËÌÚ˚.
ä‡·ÂÎË ÔÂ‰‡ÎË Ë ÔËÚ‡ÌËﬂ ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚
‡Á˙ÂÏ˚?
→ èÓ‚Â¸ÚÂ ÒÓÂ‰ËÌÂÌËﬂ.
ÖÒÎË ÓÒÌÓ‚Ì‡ﬂ ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË
ÌÂÛÒÚÓÈ˜Ë‚‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚÂ Ì‡ ÍÎ‡‚Ë¯‡ı,
ÔÓÒÏÓÚËÚÂ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚﬂÌËÚÂ ‚ÒÂ ‚ËÌÚ˚.
èË ÔÂÂÏÂ˘ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚ÒÂ„‰‡
·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓÍ‡.
ÇçàåÄçàÖ!
çÂ ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÂÂ ‚ÂıÌ˛˛ ˜‡ÒÚ¸.
çÂÔ‡‚ËÎ¸Ì‡ﬂ ˝ÍÒÔÎÛ‡Ú‡ˆËﬂ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û
ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓﬂ ËÎË Í Ú‡‚ÏÂ.
ä˚¯Í‡
ä˚¯Í‡
ÍÎ‡‚Ë‡ÚÛ˚
ÖÒÎË ‚˚ ÔÂÂ‰‚Ë„‡ÂÚÂ ËÌÒÚÛÏÂÌÚ ÔÓÒÎÂ Ò·ÓÍË, ÒÌÓ‚‡ Á‡ÍÂÔËÚÂ ‚ËÌÚ˚
Ì‡ ·ÎÓÍÂ ÔÂ‰‡ÎÂÈ Ú‡Í, ˜ÚÓ·˚ ·ÎÓÍ ÔÎÓÚÌÓ ÔËÎÂ„‡Î Í ÔÓÎÛ (·ÂÁ
ÔÓÒ‚ÂÚÓ‚). (ëÏ. ¯‡„ 7-4.)
CVP-210/208
165
ìÒÚ‡ÌÂÌËÂ ÌÂÔÓÎ‡‰ÓÍ
èÓ·ÎÂÏ‡
ÇÓÁÏÓÊÌ˚Â ÔË˜ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËﬂ
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ñËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÌÂ ‚ÍÎ˛˜‡ÂÚÒﬂ;
ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ÔÓ‰ÍÎ˛˜ÂÌÓ Í ÓÁÂÚÍÂ Ì‡‰ÎÂÊ‡˘ËÏ Ó·‡ÁÓÏ.
èÓ‚Â¸ÚÂ ÔÓ‰ÍÎ˛˜ÂÌËÂ Í‡·ÂÎﬂ Í ‡Á˙ÂÏÛ ÔÂÂÏÂÌÌÓ„Ó ÚÓÍ‡ Ì‡ ˆËÙÓ‚ÓÏ ÔË‡ÌËÌÓ Clavinova Ë Í
ÓÁÂÚÍÂ (ÒÚ. 17).
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èË ‚ÍÎ˛˜ÂÌËË Ë ÓÚÍÎ˛˜ÂÌËË ÔËÚ‡ÌËﬂ ÒÎ˚¯Ì˚ ˘ÂÎ˜ÍË
Ë ıÎÓÔÍË.
í‡Í ‚ÒÂ„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ˝ÎÂÍÚÓÔËÚ‡ÌËﬂ.
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àÁ ‰ËÌ‡ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova ÒÎ˚¯ÂÌ
¯ÛÏ.
ÖÒÎË ﬂ‰ÓÏ Ò ˆËÙÓ‚˚Ï ÔË‡ÌËÌÓ Clavinova ËÒÔÓÎ¸ÁÛÂÚÒﬂ ÏÓ·ËÎ¸Ì˚È ÚÂÎÂÙÓÌ, ÏÓ„ÛÚ ‚ÓÁÌËÍ‡Ú¸
ÔÓÏÂıË. ÇÓ ËÁ·ÂÊ‡ÌËÂ ‚ÓÁÌËÍÌÓ‚ÂÌËﬂ ÔÓÏÂı ÓÚÍÎ˛˜ËÚÂ ÏÓ·ËÎ¸Ì˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓÎ¸ÁÛÈÚÂ
Â„Ó Ì‡ ÁÌ‡˜ËÚÂÎ¸ÌÓÏ ‡ÒÒÚÓﬂÌËË ÓÚ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
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ùÍ‡Ì ÒÎË¯ÍÓÏ ﬂÍËÈ ËÎË ÒÎË¯ÍÓÏ ÚÂÏÌ˚È, ÚÛ‰ÌÓ
˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸.
üÍÓÒÚ¸ ˝Í‡Ì‡ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚÂÏÔÂ‡ÚÛ˚ ÓÍÛÊ‡˛˘Â„Ó ‚ÓÁ‰Ûı‡; ÔÓÔÓ·ÛÈÚÂ
ÓÚÂ„ÛÎËÓ‚‡Ú¸ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ (ÒÚ. 152).
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äÎ‡‚Ë‡ÚÛ‡ Á‚Û˜ËÚ ÒÎË¯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌË˛ Ò
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ÔÂÒÌÂÈ.
é·˘ÂÂ Á‚Û˜‡ÌËÂ ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÓÚ‰ÂÎ¸ÌÓÈ ˜‡ÒÚË ÍÎ‡‚Ë‡ÚÛ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡
ÌËÁÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. ìÒÚ‡ÌÓ‚ËÚÂ ·ÓÎÂÂ ‚˚ÒÓÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÚÂÏ·Ó‚ MAIN/LAYER/
LEFT ËÎË ·ÓÎÂÂ ÌËÁÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‰Îﬂ Ô‡‡ÏÂÚ‡ STYLE/SONG (èÂÒÌﬂ/ÒÚËÎ¸) Ì‡ ˝Í‡ÌÂ
BALANCE (êÂ„ÛÎËÓ‚Í‡ „ÓÏÍÓÒÚË) (ÒÚ. 65).
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Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÔÂÒÌﬂ Á‚Û˜‡Ú ÒÎË¯ÍÓÏ ÚËıÓ ÔÓ
Ò‡‚ÌÂÌË˛ Ò ÍÎ‡‚Ë‡ÚÛÓÈ.
ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎË¯ÍÓÏ ÌËÁÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‰Îﬂ Ó‰ÌÓÈ ËÎË ÌÂÒÍÓÎ¸ÍËı ˜‡ÒÚÂÈ
‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Ì‡ÎÓ‚ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚÂ ·ÓÎÂÂ ‚˚ÒÓÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‰Îﬂ
‰‡ÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î‡ ÔÂÒÌË Ì‡ ˝Í‡ÌÂ MIXER (åËÍ¯Â) (ÒÚ. 124).
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é·˘ËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÒÎË¯ÍÓÏ ÌËÁÍËÈ ËÎË Á‚ÛÍ
ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â.
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îÛÌÍˆËË damper, sostenuto Ë soft ÌÂ ËÒÔÓÎ¸ÁÛ˛ÚÒﬂ ‰Îﬂ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÔÂ‰‡ÎÂÈ.
ä‡Ê‰ÓÈ ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÓÚ‰ÂÎ¸Ì‡ﬂ ÙÛÌÍˆËﬂ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡Ê‰ÓÈ ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÙÛÌÍˆËﬂ SUSTAIN, SOSTENUTO Ë SOFT (ÒÚ. 142).
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è‡‚‡ﬂ ÔÂ‰‡Î¸ ÌÂ ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ ÔÓ‰ÎÂ‚‡ÂÚÒﬂ,
‰‡ÊÂ ÂÒÎË ÓÌ‡ ÌÂ Ì‡Ê‡Ú‡.
ÇÓÁÏÓÊÌÓ, Í‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ ÌÂÔ‡‚ËÎ¸ÌÓ ÔÓ‰ÍÎ˛˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·ÂÎ¸ ÔÂ‰‡ÎÂÈ ÔÎÓÚÌÓ
‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 164 - 165).
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á‚Û˜‡Ú ÌÂ ‚ÒÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡ÂÏ˚Â ÌÓÚ˚.
ÇÓÁÏÓÊÌÓ, ·˚ÎÓ ÔÂ‚˚¯ÂÌÓ Ï‡ÍÒËÏ‡Î¸ÌÓÂ ÍÓÎË˜ÂÒÚ‚Ó ÚÂÏ·Ó‚ ÔÓÎËÙÓÌËË ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova. Ç Ú‡ÍËı ÒÎÛ˜‡ﬂı ÌÓÚ˚, ÍÓÚÓ˚Â ·˚ÎË Ò˚„‡Ì˚ ÔÂ‚˚ÏË, ÔÂÂÒÚ‡˛Ú Á‚Û˜‡Ú¸, ˜ÚÓ·˚
‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚Û˜‡Ú¸ ÔÓÒÎÂ‰ÌËÏ ËÁ Ò˚„‡ÌÌ˚ı ÌÓÚ. ÅÓÎÂÂ ÔÓ‰Ó·Ì˚Â Ò‚Â‰ÂÌËﬂ Ó
Ï‡ÍÒËÏ‡Î¸ÌÓÏ ÍÓÎË˜ÂÒÚ‚Â Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·Ó‚ (ÔÓÎËÙÓÌËË) ÒÏ. Ì‡ ÒÚ. 168.
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çÂÍÓÚÓ˚Â ÚÂÏ·˚ „ÛÔÔ˚ Regular (ÒÚ. 92)
ÔÓﬂ‚Îﬂ˛ÚÒﬂ ‚ÏÂÒÚÓ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural, ÍÓ„‰‡ ‚˚
Á‡‰‡ÂÚÂ Ì‡ÒÚÓÈÍË Sound Creator, Mixing Console Ë
Pedal control (in Function).
ÇÒÂ ‚ ÔÓﬂ‰ÍÂ. íÂÏ·˚ „ÛÔÔ˚ Regular, ÔÂÂ˜ËÒÎÂÌÌ˚Â ÌËÊÂ, ‚ÒÚÓÂÌ˚ ‚ ËÒÚÓ˜ÌËÍ ÚÓÌ„ÂÌÂ‡ÚÓ‡ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural (ÒÚ. 92):
Sweet! (ËÌÒÚÛÏÂÌÚ: «ÒÎ‡‰ÍÓÁ‚Û˜Ì˚È») Harmonica, Sweet! Mandolin (CVP-210), Trumpet (CVP-210),
Live! French Horn (CVP-210), Sweet! Oboe, Live! Sax Section (CVP-210), Sweet! Violin
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çÂ Û‰‡ÂÚÒﬂ Á‡ÔÛÒÚËÚ¸ ÒÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË
ÔÂÒÌ˛.
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ÑÎﬂ ÒË„Ì‡Î‡ ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ «EXTERNAL» (ÇÌÂ¯ÌËÈ).
ìÒÚ‡ÌÓ‚ËÚÂ ÁÌ‡˜ÂÌËÂ «INTERNAL» (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 149).
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚Î‡ Ì‡Ê‡Ú‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÍÌÓÔÍ‡ [START/STOP] (ÇÍÎ./‚˚ÍÎ.). ÑÎﬂ
‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ STYLE (ëÚËÎ¸) [START/STOP]
(ÒÚ. 65); ‰Îﬂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ SONG (èÂÒÌﬂ) [START/STOP] (ÒÚ. 78).
åÓ„ ·˚Ú¸ ‚˚·‡Ì Ô‡‡ÏÂÚ «çÓ‚‡ﬂ ÔÂÒÌﬂ» (ÒÓÁ‰‡ÌËÂ ÔÂÒÌË Ò «ÌÛÎﬂ»). Ç˚·ÂËÚÂ Ì‡ ˝Í‡ÌÂ
SONG (èÂÒÌﬂ) (ÒÚ. 78) ÌÛÊÌÛ˛ ÔÂÒÌ˛.
ÇÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË Á‡ÍÓÌ˜ËÎÓÒ¸. ÇÂÌËÚÂÒ¸ ‚ Ì‡˜‡ÎÓ ÔÂÒÌË, Ì‡Ê‡‚ ÍÌÓÔÍÛ [TOP]
(ÒÚ. 80).
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ÇÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ÚÓÎ¸ÍÓ ËÚÏË˜ÂÒÍËÂ Í‡Ì‡Î˚.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÍÎ˛˜ÂÌ‡ ÙÛÌÍˆËﬂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; Ì‡ÊÏËÚÂ ÍÌÓÔÍÛ [ACMP].
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çÂ Û‰‡ÂÚÒﬂ Á‡ÔÛÒÚËÚ¸ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰‡ÊÂ
ÍÓ„‰‡ ÙÛÌÍˆËﬂ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒÍ‡ Ì‡ıÓ‰ËÚÒﬂ ‚
ÂÊËÏÂ ÓÊË‰‡ÌËﬂ Ë Ì‡Ê‡Ú‡ ÍÎ‡‚Ë¯‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ.
ÇÓÁÏÓÊÌÓ, ·˚Î‡ Ò‰ÂÎ‡Ì‡ ÔÓÔ˚ÚÍ‡ Á‡ÔÛÒÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÎ‡‚Ë¯Ë ‚ Ô‡‚ÓÈ ˜‡ÒÚË
ÍÎ‡‚Ë‡ÚÛ˚. ç‡ÊÏËÚÂ ÍÎ‡‚Ë¯Û ‚ ‡Á‰ÂÎÂ ÍÎ‡‚Ë‡ÚÛ˚ ‰Îﬂ ÎÂ‚ÓÈ ÛÍË (‡Á‰ÂÎÂ
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡).
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çÛÊÌ˚È ‡ÍÍÓ‰ ÌÂ ‡ÒÔÓÁÌ‡ÂÚÒﬂ ËÎË ÌÂ
‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÙÛÌÍˆËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.
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166
é·˘‡ﬂ „ÓÏÍÓÒÚ¸ ÒÎË¯ÍÓÏ ÌËÁÍ‡; ÛÒÚ‡ÌÓ‚ËÚÂ ÌÛÊÌ˚È ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛ ‰ËÒÍ‡
ÛÔ‡‚ÎÂÌËﬂ [MASTER VOLUME].
ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ‰Îﬂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ. ì‚ÂÎË˜¸ÚÂ
„ÓÏÍÓÒÚ¸ ˜‡ÒÚÂÈ MAIN, LAYER, LEFT, STYLE Ë SONG Ì‡ ˝Í‡ÌÂ BALANCE (êÂ„ÛÎËÓ‚Í‡
„ÓÏÍÓÒÚË) (ÒÚ. 65).
ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ, ˜ÚÓ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ ÚÂ·ÛÂÏÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.)
(ÒÚ. 65, 80).
èË ÔÓ‰ÍÎ˛˜ÂÌÌ˚ı Ì‡Û¯ÌËÍ‡ı ‚˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ì‡ ‰ËÌ‡ÏËÍË ÓÚÍÎ˛˜‡ÂÚÒﬂ. (ùÚÓ ÔÓËÒıÓ‰ËÚ,
ÂÒÎË ‚ Í‡˜ÂÒÚ‚Â Ô‡‡ÏÂÚ‡ «speaker» Á‡‰‡Ì «HEADPHONE SW»; ÒÚ. 152.) éÚÍÎ˛˜ËÚÂ
Ì‡Û¯ÌËÍË.
ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ô‡‡ÏÂÚ speaker ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.) (ÒÚ. 152).
ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌÍˆËﬂ Local Control (ËÒÔÓÎ¸ÁÓ‚‡ÌËÂ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚) ÛÒÚ‡ÌÓ‚ÎÂÌ‡ ‚
ÔÓÎÓÊÂÌËÂ ON (ÇÍÎ.) (ÒÚ. 148).
CVP-210/208
ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ ÌÂ‚ÂÌ˚Â ÍÎ‡‚Ë¯Ë ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ‡ÍÍÓ‰‡. ëÏ. „Î‡‚Û «íËÔ˚
‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁÌ‡‚‡ÂÏ˚Â ‚ ÂÊËÏÂ Fingered» Ì‡ (ÒÚ. 67).
ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ ÍÎ‡‚Ë¯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÂÊËÏÛ, ÓÚÎË˜ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó.
èÓ‚Â¸ÚÂ, Í‡ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë Ì‡ÊÏËÚÂ ÍÎ‡‚Ë¯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ
˝ÚÓÏÛ ÂÊËÏÛ (ÒÚ. 66).
ìÒÚ$$$ÌÂÌËÂ ÌÂÔÓÎ$$$‰ÓÍ
èÓ·ÎÂÏ‡
ÇÓÁÏÓÊÌ˚Â ÔË˜ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËﬂ
•
ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁÌ‡˛ÚÒﬂ ‚ÌÂ
Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ
ÍÎ‡‚Ë‡ÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ Ì‡ ÍÎ‡‚Ë‡ÚÛÂ, „‰Â ÓÌË
·˚ÎË ‚ÁﬂÚ˚.
ùÚÓ Ó·˚˜ÌÓ ÔÓËÒıÓ‰ËÚ ‚ ÚÂı ÒÎÛ˜‡ﬂı, ÍÓ„‰‡ ‚ Í‡˜ÂÒÚ‚Â ÂÊËÏ‡ ‡ÔÔÎËÍ‡ÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ
ÁÌ‡˜ÂÌËÂ «Full Keyboard» (ÇÒﬂ ÍÎ‡‚Ë‡ÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒﬂ ÍÎ‡‚Ë‡ÚÛ‡ AI). ÖÒÎË
‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚, ‡ÍÍÓ‰˚ ‡ÒÔÓÁÌ‡˛ÚÒﬂ ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ ÍÎ‡‚Ë‡ÚÛ˚ ‚ÌÂ
Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËﬂ ÍÎ‡‚Ë‡ÚÛ˚. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÛÒÚ‡ÌÓ‚ËÚÂ
‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎËÍ‡ÚÛ˚ (ÒÚ. 66).
•
éÚ‰ÂÎ¸Ì˚Â ÌÓÚ˚ Á‚Û˜‡Ú ÌÂ Ì‡ ÚÓÈ ‚˚ÒÓÚÂ.
ÑÎﬂ Ô‡‡ÏÂÚ‡ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ, ÓÚÎË˜ÌÓÂ ÓÚ «Equal» (ê‡‚ÌÓÏÂÌ‡ﬂ
ÚÂÏÔÂ‡ˆËﬂ), ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ËÁÏÂÌÂÌË˛ ÒËÒÚÂÏ˚ Ì‡ÒÚÓÈÍË (ÚÂÏÔÂ‡ˆËË) ÍÎ‡‚Ë‡ÚÛ˚.
ìÒÚ‡ÌÓ‚ËÚÂ ‰Îﬂ ‰‡ÌÌÓ„Ó ÒÚÓﬂ ÁÌ‡˜ÂÌËÂ «Equal» (ê‡‚ÌÓÏÂÌ‡ﬂ ÚÂÏÔÂ‡ˆËﬂ) Ì‡ ÒÚ‡ÌËˆÂ Scale
Tune (ÒÚ. 138).
•
çÂÍÓÚÓ˚Â Í‡Ì‡Î˚ ‚ÓÒÔÓËÁ‚Ó‰ﬂÚÒﬂ ÌÂÔ‡‚ËÎ¸ÌÓ ÔË
ÔÓË„˚‚‡ÌËË ÔÂÒÌË.
ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚ÍÎ˛˜ÂÌÓ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Í‡Ì‡ÎÓ‚ (ÒÚ. 80).
•
ÖÒÎË ÔË „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Á‚ÛÍ ËÒÍ‡Ê‡ÂÚÒﬂ ËÎË
‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÌÂ Ì‡ ÚÓÈ ‚˚ÒÓÚÂ, ‚ÓÁÏÓÊÌÓ, ‚
ÏËÍÓÙÓÌ ÔË ÔÂÌËË ÔÓÔ‡‰‡˛Ú ÔÓÒÚÓÓÌÌËÂ Á‚ÛÍË,
Ì‡ÔËÏÂ Á‚Û˜‡ÌËÂ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ˆËÙÓ‚Ó„Ó
ÔË‡ÌËÌÓ Clavinova. Ç ˜‡ÒÚÌÓÒÚË, ËÒÍ‡ÊÂÌËﬂ ÔË
„‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ ÏÓ„ÛÚ ·˚Ú¸ ‚˚Á‚‡Ì˚
ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌËÁÍËı Á‚ÛÍÓ‚.
Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ Ò‰ÂÎ‡Ú¸ Ú‡Í, ˜ÚÓ·˚ ‚ ÏËÍÓÙÓÌ ÔÓÔ‡‰‡ÎÓ Í‡Í ÏÓÊÌÓ ÏÂÌ¸¯Â
ÔÓÒÚÓÓÌÌËı Á‚ÛÍÓ‚:
• èË ÔÂÌËË ‰ÂÊËÚÂ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï.
• àÒÔÓÎ¸ÁÛÈÚÂ Ì‡Ô‡‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ.
• ìÏÂÌ¸¯ËÚÂ Ó·˘Û˛ „ÓÏÍÓÒÚ¸ ËÎË „ÓÏÍÓÒÚ¸ Í‡Ê‰ÓÈ ˜‡ÒÚË.
• ì‰‡ÎËÚÂ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‰ËÌ‡ÏËÍÓ‚ ËÌÒÚÛÏÂÌÚ‡.
• ì·ÂËÚÂ ÌËÁÍËÂ ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁÂ‡ Ì‡ ˝Í‡ÌÂ MICROPHONE
SETTING (ç‡ÒÚÓÈÍ‡ ÏËÍÓÙÓÌ‡) (ÒÚ. 133).
• ì‚ÂÎË˜¸ÚÂ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ («TH.») Ò ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ Ì‡
˝Í‡ÌÂ MICROPHONE SETTING (ç‡ÒÚÓÈÍ‡ ÏËÍÓÙÓÌ‡) (ÒÚ. 133).
•
îÛÌÍˆËﬂ Vocal Harmony ÌÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚ
ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ ÌÓÚ˚ „‡ÏÓÌËË.
ì·Â‰ËÚÂÒ¸ Ò ÚÓÏ, ˜ÚÓ ËÒÔÓÎ¸ÁÛÂÚÂ Ô‡‚ËÎ¸Ì˚È ÒÔÓÒÓ· ÓÔÂ‰ÂÎÂÌËﬂ ÌÓÚ „‡ÏÓÌËË ‰Îﬂ ÚÂÍÛ˘Â„Ó
ÂÊËÏ‡ ÙÛÌÍˆËË Vocal Harmony. ëÏ. ÒÚ. 134.
•
çÂ ‡·ÓÚ‡ÂÚ ÙÛÌÍˆËﬂ „‡ÏÓÌËÁ‡ˆËË.
É‡ÏÓÌËÁ‡ˆËﬂ ÌÂ ÏÓÊÂÚ ËÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÔË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÂÊËÏÂ ‡ÔÔÎËÍ‡ÚÛÂ «Full Keyboard»
(ÇÒﬂ ÍÎ‡‚Ë‡ÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒﬂ ÍÎ‡‚Ë‡ÚÛ‡ AI). Ç˚·ÂËÚÂ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÊËÏ
‡ÔÔÎËÍ‡ÚÛ˚ (ÒÚ. 66).
•
çÂ Û‰‡ÂÚÒﬂ Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ë
˝ÙÙÂÍÚ Vocal Harmony.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ — Á‡ÔËÒ¸ Ò ÏËÍÓÙÓÌÌÓ„Ó ‡Û‰ËÓ‚ıÓ‰‡ ÌÂ‚ÓÁÏÓÊÌ‡.
•
MIDI-ÒÓÓ·˘ÂÌËﬂ ÌÂ ÔÂÂ‰‡˛ÚÒﬂ Ë ÌÂ ÔËÌËÏ‡˛ÚÒﬂ
˜ÂÂÁ ÔÓÚ˚ MIDI ‰‡ÊÂ ÔË Ô‡‚ËÎ¸ÌÓÏ ÔÓ‰ÍÎ˛˜ÂÌËË
Í‡·ÂÎÂÈ MIDI.
éÚÒÓÂ‰ËÌËÚÂ Í‡·ÂÎ¸ USB ÓÚ USB-ÔÓÚ‡ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ Clavinova.
•
èË ÒÏÂÌÂ ÚÂÏ·‡ ÏÂÌﬂÂÚÒﬂ ‡ÌÂÂ ‚˚·‡ÌÌ˚È
˝ÙÙÂÍÚ.
ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ËÏÂ˛ÚÒﬂ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â ‚ÒÚÓÂÌÌ˚Â ÁÌ‡˜ÂÌËﬂ, ÍÓÚÓ˚Â ‡‚ÚÓÏ‡ÚË˜ÂÒÍË
‡ÍÚË‚ËÛ˛ÚÒﬂ ÔË ‚ÍÎ˛˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ ÙÛÌÍˆËË Voice Set (ÒÚ. 146).
•
èË Ë„Â Ì‡ ÍÎ‡‚Ë‡ÚÛÂ Í‡˜ÂÒÚ‚Ó Á‚ÛÍ‡ Û ‡ÁÌ˚ı ÌÓÚ
ÌÂÏÌÓ„Ó ‡ÁÌÓÂ.
çÂÍÓÚÓ˚Â ÚÂÏ·˚ ÔÓÒÚÓÂÌ˚ Ì‡ ÓÒÌÓ‚Â Á‡ˆËÍÎÂÌÌ˚ı
Á‚ÛÍÓ‚˚ı Ù‡„ÏÂÌÚÓ‚ («ÔÂÚÂÎ¸»).
èË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ Ò Û‚ÂÎË˜ÂÌËÂÏ
‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËÓ‚‡ÌËﬂ ˆËÙÓ‚Ó„Ó ÔË‡ÌËÌÓ
Clavinova.
•
çÂÍÓÚÓ˚Â ÚÂÏ·˚ ÔË Ë„Â ‚ ·ÓÎÂÂ ‚˚ÒÓÍËı ËÎË
ÌËÁÍËı Â„ËÒÚ‡ı ËÁÏÂÌﬂ˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËﬂ Ì‡ ˆÂÎÛ˛
ÓÍÚ‡‚Û.
ÇÒÂ ‚ ÔÓﬂ‰ÍÂ. çÂÍÓÚÓ˚Â ÚÂÏ·˚ ËÏÂ˛Ú Ó„‡ÌË˜ÂÌËﬂ ÔÓ ‚˚ÒÓÚÂ. ÖÒÎË ÔÂ‰ÂÎ ‰ÓÒÚË„ÌÛÚ,
ÔÓËÒıÓ‰ËÚ Ú‡ÍÓÈ Ò‰‚Ë„.
•
ç‡ ˝Í‡ÌÂ Open/Save ÓÚÓ·‡Ê‡ÂÚÒﬂ ‚ÒÚÓÂÌÌ˚È
ÚÂÏ·, ‰‡ÊÂ ÂÒÎË ‚ ÛÒÚ‡ÌÓ‚Í‡ı Â„ËÒÚ‡ˆËÓÌÌÓÈ
Ô‡ÏﬂÚË Á‡ÔËÒ‡Ì ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÚÂÏ·.
í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ÇÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ·Û‰ÂÚ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÚÂÏ·.
èË Â„ËÒÚ‡ˆËË ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍÓ„Ó ÚÂÏ·‡ ‚ ‡Á‰ÂÎ Ô‡ÏﬂÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÛ
Â„ËÒÚËÛÂÚÒﬂ ÒÎÂ‰Û˛˘ÂÂ: 1) ËÒıÓ‰Ì˚È ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, Ë 2) ÛÒÚ‡ÌÓ‚ÍË Ô‡‡ÏÂÚÓ‚,
Á‡‰‡ÌÌ˚Â ‚ ÙÛÌÍˆËË Sound Creator. èË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË, ÒÓ‰ÂÊ‡˘Ëı
ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÚÂÏ·, ˆËÙÓ‚ÓÂ ÔË‡ÌËÌÓ Clavinova ‚˚·Ë‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· (Ì‡ ÍÓÚÓÓÏ
ÓÒÌÓ‚‡Ì ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÚÂÏ·) Ë ÔËÏÂÌﬂÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Ì‡ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚.
Ç ÂÁÛÎ¸Ú‡ÚÂ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒﬂ ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËÈ ÚÂÏ·.
•
ëÓı‡ÌÂÌËÂ ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ ÓÚÌËÏ‡ÂÚ ÏÌÓ„Ó
‚ÂÏÂÌË.
ÇÒÂ ‚ ÔÓﬂ‰ÍÂ. ëÎÂ‰ÛÂÚ ËÏÂÚ¸ ‚ ‚Ë‰Û, ˜ÚÓ ‰Îﬂ ÒÓı‡ÌÂÌËﬂ 1 å·‡ÈÚ‡ ‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚÂ ÚÂ·ÛÂÚÒﬂ
ÔË·ÎËÁËÚÂÎ¸ÌÓ 1 ÏËÌÛÚ‡.
•
íÂÏ· ÒÎË¯ÍÓÏ Á‡¯ÛÏÎÂÌ.
éÚ‰ÂÎ¸Ì˚Â ÚÂÏ·˚ ÏÓ„ÛÚ ËÏÂÚ¸ ¯ÛÏÓ‚˚Â ÔËÁ‚ÛÍË, ˝ÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚÓ‚ Harmonic Content
(ÑÓ·‡‚ÎÂÌËÂ „‡ÏÓÌËÍ) Ë/ËÎË Brightness (üÍÓÒÚ¸), ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı Ì‡ ÒÚ‡ÌËˆÂ FILTER ˝Í‡Ì‡
Mixing Console (ÒÚ. 125).
•
á‚ÛÍ ËÒÍ‡ÊÂÌ ËÎË Á‡¯ÛÏÎÂÌ.
•
•
•
•
•
•
•
ëÎ˚¯ÂÌ «‰‚ÓÈÌÓÈ Á‚ÛÍ» ËÎË Á‚ÛÍ, Ì‡ÔÓÏËÌ‡˛˘ËÈ
Á‚Û˜‡ÌËÂ ÙÎ˝ÌÊÂ‡. äÓÏÂ ÚÓ„Ó, Í‡Ê‰˚È ‡Á ÔË
Ì‡Ê‡ÚËË ÍÎ‡‚Ë¯ Á‚ÛÍ ÌÂÒÍÓÎ¸ÍÓ ‰Û„ÓÈ.
ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎË¯ÍÓÏ ‚˚ÒÓÍËÈ ÛÓ‚ÂÌ¸ „ÓÏÍÓÒÚË. èÓ‚Â¸ÚÂ, Ô‡‚ËÎ¸ÌÓ ÎË
Ì‡ÒÚÓÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÂ Ô‡‡ÏÂÚ˚ „ÓÏÍÓÒÚË.
àÒÍ‡ÊÂÌËÂ ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂÎ¸Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔÓ·ÛÈÚÂ Û·‡Ú¸ ‚ÒÂ ÎË¯ÌËÂ
˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓ˚Â ‚˚Á˚‚‡˛Ú ËÒÍ‡ÊÂÌËÂ Á‚ÛÍ‡ (ÒÚ. 126).
çÂÍÓÚÓ˚Â Ô‡‡ÏÂÚ˚ ÙËÎ¸Ú‡ ÂÁÓÌ‡ÌÒ‡, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â Ì‡ ˝Í‡ÌÂ Custom Voice Creator
(ÒÚ. 94), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒÍ‡ÊÂÌËÂ Á‚ÛÍ‡. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ˝ÚË
Ô‡‡ÏÂÚ˚.
ÇÓÁÏÓÊÌÓ, ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ÒÎË¯ÍÓÏ ÛÒËÎÂÌ‡ Ì‡ ˝Í‡ÌÂ Master Equalizer (Mixing Console
— ÒÚ. 128).
ÑÎﬂ ˜‡ÒÚÂÈ Main Ë Layer ÛÒÚ‡ÌÓ‚ÎÂÌÓ ÁÌ‡˜ÂÌËÂ «ON» (ÇÍÎ.), Ë Ó·Â ÓÌË Ì‡ÒÚÓÂÌ˚ Ì‡
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ Ó‰ÌÓ„Ó Ë ÚÓ„Ó ÊÂ ÚÂÏ·‡. ìÒÚ‡ÌÓ‚ËÚÂ ‰Îﬂ ˜‡ÒÚË Layer ÁÌ‡˜ÂÌËÂ «OFF» (Ç˚ÍÎ.)
(ÒÚ. 60) ËÎË Ì‡ÁÌ‡˜¸ÚÂ Ò‚ÓÈ ÚÂÏ· Í‡Ê‰ÓÈ ËÁ ˜‡ÒÚÂÈ (ÒÚ. 58).
CVP-210/208
167
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË
: ‰ÓÒÚÛÔÌ˚Â
ç‡Á‚‡ÌËÂ ÏÓ‰ÂÎË
CVP-210
àÒÚÓ˜ÌËÍ Á‚ÛÍ‡
CVP-208
ÑËÌ‡ÏË˜ÂÒÍÓÂ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ ÚÂÏ·Ó‚ AWM
640 ✕ É‡ÙË˜ÂÒÍËÈ ÊË‰ÍÓÍËÒÚ‡ÎÎË˜ÂÒÍËÈ ‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (480 ÚÓ˜ÂÍ)
ùÍ‡Ì
äÎ‡‚Ë‡ÚÛ‡
íÂÏ·
88 ÍÎ‡‚Ë¯ (A-1 - C7)
èÓÎËÙÓÌËﬂ (Ï‡ÍÒËÏ‡Î¸Ì‡ﬂ)
Ç˚·Ó ÚÂÏ·Ó‚
íÂÏ· „ÛÔÔ˚ Regular
íÂÏ· «Sweet»
256
192
397 ÚÂÏ·Ó‚ + 480 ÚÓÂÏ·Ó‚ ‚
ÙÓÏ‡ÚÂ XG + 26 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ
378 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚ ‚ ÙÓÏ‡ÚÂ
XG + 26 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ
311
310
14
13
íÂÏ· «Cool»
íÂÏ· «Live»
íÂÏ· „ÛÔÔ˚ Natural
é„‡ÌÌ˚Â ÚÂÏ·˚
6
19
17
37
22
10 (9 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·)
10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·)
îÛÌÍˆËﬂ Sound creator
ùÙÙÂÍÚ˚
ÅÎÓÍË ˝ÙÙÂÍÚÓ‚
êÂ‚Â·Â‡ˆËﬂ
2
ùÙÙÂÍÚ Chorus
2
DSP
7
5
ﬂÍÓÒÚË
1
MIC;ÏËÍÓÙÓÌ
1
REVERB1
29 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
REVERB2
5
CHORUS1
25 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
CHORUS2
íËÔ˚ ˝ÙÙÂÍÚÓ‚
3
DSP1
164 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
DSP2
12
DSP3,4,5,6
(DSP6; ÚÓÎ¸ÍÓ CVP-210)
164 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
DSP7 (ÚÓÎ¸ÍÓ CVP-210)
88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
—
Brilliance (ﬂÍÓÒÚË)
5 ‚ÒÚÓÂÌÌ˚ı + 2 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
Part EQ (Ì‡ÒÚÓÈÍ‡
˝Í‚‡Î‡ÈÁÂ‡ ‰Îﬂ Ô‡ÚËË)
27 ˜‡ÒÚÂÈ
É‡ÏÓÌËÁ‡ˆËﬂ ‚ÓÍ‡Î‡
ëÚËÎ¸
‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
5
Master EQ (Ó·˘‡ﬂ
Ì‡ÒÚÓÈÍ‡ ˝Í‚‡Î‡ÈÁÂ‡)
äÓÎË˜ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡
59 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
49 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓÎ¸ÁÓ‚‡ÚÂÎ¸ÒÍËı
261
247
äÓÎË˜ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ
31
äÓÎË˜ÂÒÚ‚Ó ÒÚËÎÂÈ ÔË‡ÌËÒÚ‡
36
äÓÎË˜ÂÒÚ‚Ó ÒÚËÎÂÈ äÓÏ·Ó
17
Single Finger (‰Îﬂ Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌÌ‡ﬂ), Fingered On Bass
(Ú‡‰ËˆËÓÌÌ‡ﬂ Ò ·‡ÒÓÏ), Multi Finger (‰Îﬂ Ë„˚ ÌÂÒÍÓÎ¸ÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered
(Ú‡‰ËˆËÓÌÌ‡ﬂ AI), Full Keyboard (‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡), AI Full Keyboard (‚Òﬂ ÍÎ‡‚Ë‡ÚÛ‡ AI)
AÔÔÎËÍ‡ÚÛ‡
îÛÌÍˆËﬂ Style Creator
OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»)
ëÚËÎ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂÚÂÈ
îÛÌÍˆËﬂ OTS link (ÔÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Ì‡ÒÚÓÂÍ
«‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ»)
îÛÌÍˆËﬂ Music
Finder
168
CVP-210/208
ÔË·ÎËÁËÚÂÎ¸ÌÓ 2500 Á‡ÔËÒÂÈ
àÁÏÂÌÂÌËÂ
íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË
ç‡Á‚‡ÌËÂ ÏÓ‰ÂÎË
èÂÒÌﬂ
CVP-210
îÓÏ‡Ú
CVP-208
SMF (ÙÓÏ‡Ú 0,1), ESEQ
ÇÒÚÓÂÌÌ˚Â ÔÂÒÌË
Guide
Follow Lights, Any Key, Karao-Key, Vocal CueTIME
ËÌ‰ËÍ‡ÚÓ
88 Í‡ÒÌ˚È
íÂÍÒÚ˚ ÔÂÒÂÌ
è‡ÚËÚÛ‡
á‡ÔËÒ¸
êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË, ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚, ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ
Á‡ÔËÒË, Â‰‡ÍÚËÓ‚‡ÌËÂ ÔÂÒÌË
ä‡Ì‡Î˚ Á‡ÔËÒË
è‡ÏﬂÚ¸
ìÒÚÓÈÒÚ‚Ó
‰ËÒÍÂÚ‡ (2HD, 2DD)
îÎ˝¯-Ô‡ÏﬂÚ¸ (‚ÌÛÚÂÌÌﬂﬂ)
íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â ÙÎ˝¯-Ô‡ÏﬂÚ¸˛
ÚÂÏÔ;Tempo
16
3302 äÅ
î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓÏ‡Ú SFF), Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË,
ÚÂÏ·Ó‚ Ë Ú. Ô.
ÑË‡Ô‡ÁÓÌ ÚÂÏÔ‡
5 - 500
ëÓ·ÒÚ‚ÂÌÌ˚È ËÚÏ
ÏÂÚÓÌÓÏ
òËÓÚ‡
êÂ„ËÒÚ‡ˆËÓÌÌ‡ﬂ
Ô‡ÏﬂÚ¸
äÌÓÔÍË
ÑÛ„ËÂ
ÑÂÏÓÌÒÚ‡ˆËﬂ
Á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., ˜ÂÎÓ‚Â˜ÂÒÍËÂ ÚÂÏ·˚ (5 ﬂÁ˚ÍÓ‚)
8
èÓÒÎÂ‰Ó‚‡ÚÂÎ¸ÌÓÒÚ¸ Á‡„ÛÁÍË Ì‡·ÓÓ‚
Ô‡‡ÏÂÚÓ‚ ËÁ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏﬂÚË
ÙÛÌÍˆËﬂ Freeze
ﬂÁ˚Í
îÛÌÍˆËﬂ, ÚÂÏ·, ÒÚËÎ¸
6 ﬂÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, ﬂÔÓÌÒÍËÈ, ÌÂÏÂˆÍËÈ, Ù‡ÌˆÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËÚ‡Î¸ﬂÌÒÍËÈ)
ëÔ‡‚Í‡
Direct Access (ÔﬂÏÓÈ ‰ÓÒÚÛÔ)
ÍÌÓÔÍ‡ Ì‡ÒÚÓÈÍË ÔË‡ÌËÌÓ (‚ÍÎ˛˜‡ﬂ ·ÎÓÍËÓ‚ÍÛ)
é·˘‡ﬂ „ÓÏÍÓÒÚ¸
ÙÛÌÍˆËﬂ Fade In/Out
Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ
äÎ‡‚Ë‡ÚÛ‡/ÔÂÒÌﬂ/Ó·˘‡ﬂ
Ì‡ÒÚÓÈÍ‡ Á‚ÛÍ‡
ÏÂÎÓ‰Ë˜ÂÒÍ‡ﬂ ÍË‚‡ﬂ
ëÚÓÈ
Flat/Stretch (ÚÓÎ¸ÍÓ Ì‡ÚÛ‡Î¸Ì˚È ÚÂÏ· ÙÓÚÂÔË‡ÌÓ)
ê‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ,
ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ, ÒÚÓÈ Ò «ÛÒÂ‰ÌÂÌËÂÏ», ÒÚÓÈ ÇÂÍÏ‡ÈÒÚÂ‡/äËÌ·Â„Â‡,
‡‡·ÒÍËÈ ÒÚÓÈ 1/2
óÛ‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÒËÎÂ Ì‡Ê‡ÚËﬂ
èÂ‰‡ÎË
ÍÓÎË˜ÂÒÚ‚Ó ÔÂ‰‡ÎÂÈ
îÛÌÍˆËË ÔÂ‰‡ÎË
ìÒËÎËÚÂÎË/‰ËÌ‡ÏËÍË
3
VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE
(ÒÍÓÎ¸ÊÂÌËÂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡), PORTAMENTO (ÔÓÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌËÂ
‚˚ÒÓÚ˚ Á‚ÛÍ‡), MODULATION (ÏÓ‰ÛÎﬂˆËﬂ), DSP VARIATION (‚‡Ë‡ˆËË,
Á‡‰‡‚‡ÂÏ˚Â ˆËÙÓ‚˚Ï ÒË„Ì‡Î¸Ì˚Ï ÔÓˆÂÒÒÓÓÏ), VIBROTOR ON/OFF
(‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ‚Ë·‡ÚÓ), SONG START/STOP (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ
ÂÊËÏ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÔÂÒÌË), STYLE START/STOP (‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ
ÂÊËÏ‡ ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ) Ë Ú. Ô.
ìÒËÎËÚÂÎË
60 ÇÚ ✕ 2
ÑËÌ‡ÏËÍË
(16 ÒÏ + 5 ÒÏ + 3 ÒÏ) ✕ 2
ê‡ÁÏÂ˚ [òËËÌ‡ ✕ ÑÎËÌ‡ ✕ Ç˚ÒÓÚ‡]
(ÒÌ‡·ÊÂÌÓ Ô˛ÔËÚÓÏ)
ÇÂÒ
5 ÛÓ‚ÌÂÈ
PHONES ✕ 2, MIDI (THRU, OUT, IN), USB, AUX PEDAL,
AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED) (L/R),
AUX OUT (L/L+R, R)
MIC (INPUT VOLUME, MIC./ LINE IN),VIDEO OUT
ÉÌÂÁ‰‡/‡Á˙ÂÏ˚
1426,0 ✕ 633,5 ✕ 932 ÏÏ
[56-1/8" ✕ 24-15/16" ✕ 36-11/16"]
(1426,0 ✕ 633,5 ✕ 1097,4 ÏÏ)
[56-1/8" ✕ 24-15/16" ✕ 43-3/16"]
1429,9 ✕ 634,3 ✕ 927,4 ÏÏ
[56-5/16" ✕ 24-15/16" ✕ 36-1/2"]
(1429,9 ✕ 634,3 ✕ 1092,6 ÏÏ)
[56-5/16" ✕ 24-15/16" ✕ 43-1/8"]
83,5 Í„ (184 ÙÛÌÚÓ‚, 13 ÛÌˆËÈ)
78,5 Í„ (173 ÙÛÌÚÓ‚, 10 ÛÌˆËÈ)
* íÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËﬂ ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ ‰‡Ì˚ ÚÓÎ¸ÍÓ ‰Îﬂ ËÌÙÓÏ‡ˆËË. äÓÔÓ‡ˆËﬂ Yamaha ÒÓı‡ÌﬂÂÚ Á‡
ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙËˆËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËﬂ Ë ÏÂÌﬂÚ¸ Ëı ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ ÔÂ‰‚‡ËÚÂÎ¸ÌÓ„Ó Û‚Â‰ÓÏÎÂÌËﬂ. èÓÒÍÓÎ¸ÍÛ
ÚÂıÌË˜ÂÒÍËÂ ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ Â„ËÓÌ‡, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓÏ‡ˆËÂÈ Í ÏÂÒÚÌÓÏÛ
ÔÂ‰ÒÚ‡‚ËÚÂÎ˛ ÍÓÔÓ‡ˆËË Yamaha.
CVP-210/208
169
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
0-9
I
1 — 16 ................................................................................. 110
3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚aÎaÈÁÂ) .................................... 133
ICON SELECT .........................................................................50
INTRO....................................................................................70
A
K
Accompaniment Guide............................................................... 82
AI.......................................................................................... 66
AI FINGERED.......................................................................... 66
AI FULL KEYBOARD ................................................................ 66
Any Key.................................................................................. 82
AUTO .................................................................................... 20
Karao-Key ...............................................................................82
KEY SIGNATURE (ÍÎ˛˜) ...........................................................85
KEYWORD (ÍÎ˛˜Â‚ÓÂ ÒÎÓ‚Ó) ..............................................74, 75
B
BACK GROUND....................................................................... 87
Bass (·aÒ) .............................................................................. 99
BEAT (aÁÏÂ) .................................................................. 74, 75
C
Channel (ÍaÌaÎ)..................................................................... 140
CHD .................................................................................... 111
Chord (aÍÍÓ‰) ........................................................................ 99
Clock ................................................................................... 149
COLOR NOTE ......................................................................... 86
COMMON............................................................................... 93
COMPRESSOR (ÍÓÏÔÂÒÒÓ) .................................................. 134
Cool!...................................................................................... 59
COPY (ÍÓÔËÓ‚aÌËÂ) ............................................................... 47
CUT (‚˚ÂÁaÚ¸) ...................................................................... 46
D
Delete (Û‰aÎÂÌËÂ) .................................................................. 108
DELETE RECORD (Û‰aÎÂÌËÂ ÁaÔËÒË) ......................................... 75
DELETE ................................................................................. 47
DOC .................................................................................... 163
Drum ..................................................................................... 59
E
ECHO .................................................................................. 146
EDIT.................................................................................... 116
EFFECT/EQ ............................................................................ 95
EG („ÂÌÂaÚÓ Ó„Ë·a˛˘Ëı)....................................................... 94
ENDING ................................................................................. 70
EQ (˝Í‚aÎaÈÁÂ) ................................................................... 128
ESEQ .................................................................................. 162
F
FAVORITE (Î˛·ËÏ˚Â).............................................................. 75
FINGERED (Úa‰ËˆËÓÌÌ˚È) ...................................................... 66
FINGERED ON BASS (Úa‰ËˆËÓÌÌ˚È Ò ·aÒÓÏ)............................. 66
Follow Lights ........................................................................... 82
FOOTAGE (Ó„aÌÌ˚Â ÙÎÂÈÚ˚) .................................................. 96
FULL KEYBOARD (‚Òﬂ ÍÎa‚ËaÚÛa)............................................ 66
G
GENRE (ÊaÌ).................................................................. 74, 76
GENRE NAME (ÌaÁ‚aÌËÂ ÊaÌa) ............................................... 76
H
HARMONY ............................................................... 62, 95, 146
170
CVP-210/208
L
Layer......................................................................................60
LEFT CH.................................................................................85
Live!.......................................................................................59
Live!Drums ..............................................................................59
LYRICS BACKGROUND PICTURE...............................................87
M
MAIN A/B/C/D ..........................................................................68
MAIN PICTURE......................................................................154
Master Tune ..........................................................................138
Mean-Tone............................................................................139
Message Switch .....................................................................149
MIC......................................................................................131
MICROPHONE SETTING .........................................................133
MIDI.....................................................................................148
MIDI [THRU] ..........................................................................157
MIDI IN .................................................................................157
MIDI OUT..............................................................................157
MIDI-aÁ˙ÂÏ˚ .......................................................................157
MIDI-ÍaÌaÎ˚ .........................................................................161
Mix (Ó·˙Â‰ËÌÂÌËÂ ÍaÌaÎÓ‚) .....................................................108
MULTI FINGER (ÌÂÒÍÓÎ¸ÍËÏË ÔaÎ¸ˆaÏË) .....................................66
Multi Recording ........................................................................99
N
NAME ....................................................................................45
Natural!...................................................................................59
NEW (FOLDER) .......................................................................48
NEW RECORD (ÌÓ‚aﬂ ÁaÔËÒ¸) ...................................................75
NOISE GATE („ÂÈÚ) ................................................................133
Note Limit..............................................................................122
NOTE NAME (Ì‡Á‚‡ÌËÂ ÌÓÚ˚) ....................................................86
NTR (Ôa‚ËÎÓ ÚaÌÒÔÓÁËˆËË)...................................................121
NTT (Úa·ÎËˆa ÚaÌÒÔÓÁËˆËË) ...................................................122
é
OCTAVE (Ò‰‚Ë„ Ìa ÓÍÚa‚Û) ......................................................125
Organ Flutes! ...........................................................................59
OVERALL SETTING (Ó·˘aﬂ ÌaÒÚÓÈÍa) .....................................133
P
Pad («ÔÓ‰ÍÎa‰˚») ....................................................................99
PASTE (‚ÒÚa‚Ía) ...............................................................46, 47
Phrase (ÙaÁ˚) .......................................................................99
PITCH BEND RANGE (‰ËaÔaÁÓÌ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚)...................125
PORTAMENTO TIME (‚ÂÏﬂ ÔÓÚaÏÂÌÚÓ)..................................125
Pure Major (˜ËÒÚ˚È ÏaÊÓ) .....................................................139
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
Q
Å
QUANTIZE.............................................................................. 85
Quantize (ÙÛÌÍˆËﬂ ‚˚a‚ÌË‚aÌËﬂ) ................................... 107, 120
Quick Recording (·˚ÒÚ‡ﬂ Á‡ÔËÒ¸) .............................................. 98
Quick Start (·˚ÒÚ˚È ÁaÔÛÒÍ) ................................................... 140
·ÎÓÍ ˝ÙÙÂÍÚÓ‚ .....................................................................127
·ÎÓÍËÓ‚Ía ÔaaÏÂÚa ...........................................................152
·˚ÒÚ˚È ‚˚·Ó ˝ÍaÌa.............................................................51
R
Receive Transpose ................................................................. 149
REGISTRATION BANK.............................................................. 89
Rhythm (ËÚÏ)......................................................................... 99
RIGHT CH (Ô‡‚˚È Í‡Ì‡Î). ....................................................... 85
RTR (Ôa‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ) ............................ 122
S
SAVE (ÒÓıaÌÂÌËÂ).................................................................. 48
Scale Tune............................................................................ 138
SFX (ÒÔÂˆ˝ÙÙÂÍÚ˚) ................................................................ 59
SINGLE FINGER (Ó‰ÌËÏ ÔaÎ¸ˆÂÏ).............................................. 66
SMF (ÒÚaÌ‰aÚÌ˚È ÙaÈÎ MIDI) ................................................ 162
SONG AUTO REVOICE........................................................... 124
Song (ÔÂÒÌﬂ)........................................................................... 14
SPEED (ÒÍÓÓÒÚ¸) ................................................................... 94
Style File ................................................................................ 19
Style (ÒÚËÎ¸) ........................................................................... 14
Sweet! (ËÌÒÚÛÏÂÌÚ: «ÒÎa‰ÍÓÁ‚Û˜Ì˚È») ...................................... 59
SYS/EX. (ÒÓÓ·˘ÂÌËﬂ System Exclusive) ..................................... 111
T
TALK SETTING...................................................................... 135
TEMPO FROM (ÔÓËÒÍ, Ìa˜ËÌaﬂ Ò ÚÂÏÔa…) .................................. 74
TEMPO TO (ÔÓËÒÍ, ÁaÍaÌ˜Ë‚aﬂ ÚÂÏÔÓÏ…)................................... 74
Transmit Clock....................................................................... 149
Tune.................................................................................... 125
TUNING (ÌaÒÚÓÈÍa ‚˚ÒÓÚ˚)................................................... 125
U
UP (‚‚Âı).............................................................................. 48
USB ...................................................................................... 19
USER EFFECT ...................................................................... 127
Utility ................................................................................... 151
V
Vocal CueTIME........................................................................ 82
VOCAL HARMONY CONTROL ................................................. 134
VOL/ATTACK .......................................................................... 96
Volume/Voice („ÓÏÍÓÒÚ¸/ÚÂÏ·) .............................................. 124
X
XF................................................................................. 19, 162
XG ................................................................................ 19, 163
Ä
a‚ÚÓÏaÚË˜ÂÒÍaﬂ ÒÏÂÌa ÌaÒÚÓÂÍ ÔË ÔÂÂıÓ‰Â ÓÚ Ó‰ÌÓÈ
ÓÒÌÓ‚ÌÓÈ ˜aÒÚË Í ‰Û„ÓÈ ....................................................... 72
a‚ÚÓÏaÚË˜ÂÒÍÓÂ ‚ÍÎ˛˜ÂÌËÂ/‚˚ÍÎ˛˜ÂÌËÂ ÁaÔËÒË ....................... 106
a‚ÚÓÏaÚË˜ÂÒÍÓÂ ÔÓË„˚‚aÌËÂ ‚ÒÚa‚ÓÍ ÔË ÔÂÂıÓ‰Â ÓÚ
Ó‰ÌÓÈ ˜aÒÚË Í ‰Û„ÓÈ............................................................ 70
aÍÍÓ‰Ó‚˚Â ÒÓ·˚ÚËﬂ ............................................................. 111
aa·ÒÍËÈ ÒÚÓÈ ..................................................................... 139
aaÌÊËÓ‚Ía Ë a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚ .......................................... 68
aÚaÍa..................................................................................... 94
Ç
‚‚Ó‰ aÍÍÓ‰Ó‚ Ë ˜aÒÚÂÈ (ÔÓ¯a„Ó‚aﬂ ÁaÔËÒ¸ aÍÍÓ‰Ó‚) ................104
‚‚Ó‰ ‰ËaÍËÚË˜ÂÒÍËı ÁÌaÍÓ‚ (ÛÏÎﬂÛÚÓ‚, ÒËÏ‚ÓÎÓ‚ Û‰aÂÌËﬂ,
ﬂÔÓÌÒÍËı ÒËÏ‚ÓÎÓ‚ « » Ë « ») ...........................................49
‚‚Ó‰ ËÏÂÌË ÔÓÎ¸ÁÓ‚aÚÂÎﬂ Ë ‚˚·Ó ﬂÁ˚Ía..................................154
‚‚Ó‰ Ë Â‰aÍÚËÓ‚aÌËÂ ÚÂÍÒÚa ÔÂÒÂÌ .......................................112
‚‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚..............................................................49
‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ ........................................................................49
‚‚Ó‰ ˆËÙ ..............................................................................49
‚ÂıÌﬂﬂ ÌÓÚa ........................................................................122
‚Ë·aÚÓ..................................................................................94
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ..........................................78
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ‰ÂÏÓÌÒÚaˆËÈ ................................................20
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ............................................................21
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ .............................................80
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË................................................21, 77, 78
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÒÚËÎﬂ ......................................................28, 63
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÂÏ·Ó‚ ........................................................25
‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÚÓÎ¸ÍÓ ËÚÏË˜ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎﬂ ..................65
‚ÓÒÒÚaÌÓ‚ÎÂÌËÂ ËÒıÓ‰Ì˚ı ÔaaÏÂÚÓ‚ CVP-210/208 ..................154
‚ÂÏﬂ Á‚Û˜aÌËﬂ (Gate Time) ....................................................102
‚ÂÏﬂ Ìaa˘Ë‚aÌËﬂ „ÓÏÍÓÒÚË, ‚ÂÏﬂ ÒÌËÊÂÌËﬂ „ÓÏÍÓÒÚË,
‚ÂÏﬂ ÌÛÎÂ‚ÓÈ „ÓÏÍÓÒÚË....................................................151
‚ÒÚa‚Ía ..................................................................................70
‚˚·Ó aÔÔÎËÍaÚÛ˚ ...............................................................142
‚˚·Ó ËÏÂÌ ‰Îﬂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ................................................45
‚˚·Ó Ó·˙ÂÍÚÓ‚ ......................................................................50
‚˚·Ó ÔaaÏÂÚÓ‚ «ÁaÏÓÓÁÍË» ................................................90
‚˚·Ó ÔaaÏÂÚÓ‚ ÁaÔËÒË: Ìa˜aÎÓ, ÍÓÌÂˆ, a‚ÚÓÏaÚË˜ÂÒÍÓÂ
‚ÍÎ˛˜ÂÌËÂ Ë ‚˚ÍÎ˛˜ÂÌËÂ ÁaÔËÒË .........................................106
‚˚·Ó ÚÂÏ·a .........................................................................58
‚˚·Ó ÚÂÏÔÂaˆËË.................................................................138
‚˚·Ó ÚËÔÓ‚ ËÌÚÓ‰ÛÍˆËÈ Ë ÙËÌaÎÓ‚ .........................................70
‚˚·Ó ÙaÈÎÓ‚ Ë ÔaÔÓÍ .............................................................44
‚˚‚Ó‰ ‰aÌÌ˚ı Ìa ˝ÍaÌ ÚÂÎÂ‚ËÁÓa .........................................156
‚˚‚Ó‰ Á‚ÛÍa ‚ÌÂ¯ÌÂ„Ó aÛ‰ËÓ Ó·ÓÛ‰Ó‚aÌËﬂ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚Â
‰ËÌaÏËÍË ˆËÙÓ‚Ó„Ó ÔËaÌËÌÓ Clavinova ................................156
‚˚ÁÓ‚ ÌaË·ÓÎÂÂ Û‰a˜ÌÓ„Ó aÍÍÓÏÔaÌÂÏÂÌÚa .................................73
‚˚ÍÎ˛˜ÂÌËÂ ÍaÌaÎÓ‚ ...............................................................65
‚˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚a˛˘Â„Ó ÓÍÌa ...................................................44
É
„ÎÛ·ËÌa ..................................................................................94
„ÌÂÁ‰Ó [MIC. LINE IN]..............................................................155
Éˆ........................................................................................138
Ñ
‰ËÒÍ [MASTER VOLUME]...........................................................17
‰ËÒÍ ÛÔa‚ÎÂÌËﬂ [DATA ENTRY] ..........................................18, 50
‰ËÒÍ ÛÔa‚ÎÂÌËﬂ „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] ........................18
‰ËÒÍÂÚa ................................................................................153
‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ..................................................................6, 19
‰Ó·a‚ÎÂÌËÂ ............................................................................75
‰Ó·a‚ÎÂÌËÂ „aÏÓÌËÍ...............................................................94
‰ÓÔÓÎÌËÚÂÎ¸Ì˚Â ÔËÌa‰ÎÂÊÌÓÒÚË ...............................................6
‰Û„ËÂ ÌaÒÚÓÈÍË ..................................................................151
Ü
Üä-‰ËÒÔÎÂÈ ...........................................................................15
CVP-210/208
171
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
á
Áa„ÛÁÍa ÁaÂ„ËÒÚËÓ‚aÌÌ˚ı ÔaaÏÂÚÓ‚ ................................. 90
Áa„ÛÁÍa Ìa·Óa ÔaaÏÂÚÓ‚ .................................................... 90
ÁaÏÂÌa ËÒıÓ‰Ì˚ı ÁÌa˜ÂÌËÈ ÔaaÏÂÚÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË............ 109
ÁaÏÂÌ‡ .................................................................................. 75
ÁaÔËÒ¸ ............................................................................. 37, 73
ÁaÔËÒ¸ ‚ ÂaÎ¸ÌÓÏ ‚ÂÏÂÌË.................................................... 115
ÁaÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰aÌËÂ ÔÂÒÂÌ ....................................... 97
ÁaÔËÒ¸ ÁaÏÂÌ˚ aÍÍÓ‰Ó‚ a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚa.......................... 104
ÁaÔËÒ¸ ÏÂÎÓ‰ËÈ .................................................................... 103
ÁaÔËÒ¸ ÓÚ‰ÂÎ¸Ì˚ı ÌÓÚ............................................................ 101
ÁaÔËÒ¸ ÔÂÒÂÌ .......................................................................... 97
ÁaÔËÒ¸ ÔÓ ÔÂ‚ÓÈ Ò˚„aÌÌÓÈ ÌÓÚÂ............................................ 106
Á‚ÛÍ ‰Îﬂ ÙÛÌÍˆËË Tap Start..................................................... 152
ÁÌa˜ÂÌËﬂ ‚˚ÒÓÚ ‰Îﬂ ÍaÊ‰Ó„Ó ÒÚÓﬂ ......................................... 139
à
Ë„a Ìa ÙÓÚÂÔËaÌÓ «‚ Ó‰ÌÓ ÍaÒaÌËÂ» ....................................... 59
Ë„a Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏﬂ ÚÂÏ·aÏË.......................................... 26
Ë„a Ò ËÒÔÓÎ¸ÁÓ‚aÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ÚÂÏ·Ó‚ ............................... 60
ËÁÏÂÌÂÌËÂ ÁÌa˜ÂÌËÈ................................................................ 50
ËÁÏÂÌÂÌËÂ ÁÌa˜Ía ................................................................... 50
ËÁÏÂÌÂÌËÂ ÔaaÏÂÚÓ‚ ÚÂÏ·a, ‚˚·ËaÂÏ˚ı a‚ÚÓÏaÚË˜ÂÒÍË ...... 146
ËÁÏÂÌÂÌËÂ ÔaaÏÂÚÓ‚, Ò‚ﬂÁaÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚ÛÍa .................. 125
ËÁÏÂÌÂÌËÂ ËÚÏa .................................................................. 118
ËÁÏÂÌÂÌËÂ ÒÍÓÓÒÚË ÌaÊaÚËﬂ ................................................. 120
ËÁÏÂÌÂÌËÂ ıaaÍÚÂa ÚÂÏ·a.................................................. 125
ËÁÏÂÌÂÌËÂ ˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚË Í ÌaÊaÚË˛ Ë ÌaÒÚÓÈÍa
ÔaaÏÂÚÓ‚ ÚaÌÒÔÓÁËˆËË .................................................. 144
ËÌ‰ËÍ‡ÚÓ˚ ÍÎ‡‚Ë‡ÚÛ˚..................................................... 19, 82
ËÌ‰ËÍaÚÓ˚ ÚÂÏÔa: „Îa‚Ì˚È ˝ÍaÌ MAIN .................................... 55
ËÒÔÓÎ¸ÁÓ‚aÌËÂ ‰ËÒÍÓ‚Ó‰a Ë ‰ËÒÍÂÚ ............................................. 6
ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/aÍÍÓ‰ ............................................... 121
ä
ÍaÌaÎ .............................................................. 65, 80, 107, 120
ÍaÌaÎ¸Ì˚Â MIDI-ÒÓÓ·˘ÂÌËﬂ .................................................... 160
ÍÎa‚ËaÚÛa ‰Îﬂ Û‰aÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ ...................................... 59
ÍÌË„a ÔÂÒÂÌ ...................................................................... 22, 77
ÍÌÓÔÍa [ACMP] .................................................................. 18, 64
ÍÌÓÔÍa [AUTO FILLIN]......................................................... 18, 70
ÍÌÓÔÍa [BACK] ............................................................ 18, 44, 50
ÍÌÓÔÍa [BALANCE]............................................................. 18, 65
ÍÌÓÔÍa [BREAK]................................................................. 18, 68
ÍÌÓÔÍa [CHANNEL ON / OFF]......................................... 18, 65, 80
ÍÌÓÔÍa [DEMO]............................................................ 14, 18, 56
ÍÌÓÔÍa [DIGITAL RECORDING] .............................. 14, 18, 97, 113
ÍÌÓÔÍa [DIRECT ACCESS]................................................... 18, 51
ÍÌÓÔÍa [DSP] ............................................................ 18, 61, 129
ÍÌÓÔÍa [EFFECT] ............................................................. 18, 131
ÍÌÓÔÍa [ENDING / rit.] ................................................... 18, 31, 69
ÍÌÓÔÍa [ENTER]................................................................. 18, 50
ÍÌÓÔÍa [EXIT] .................................................................... 18, 44
ÍÌÓÔÍa [EXTRA TRACKS (STYLE)].............................................. 18
ÍÌÓÔÍ‡ [EXTRA TRACKS (STYLE)].............................................. 81
ÍÌÓÔÍa [FADE IN / OUT] ...................................................... 18, 69
ÍÌÓÔÍ‡ [FF] ....................................................................... 18, 80
ÍÌÓÔÍa [FREEZE] ....................................................... 19, 90, 145
ÍÌÓÔÍa [FUNCTION] ......................................................... 18, 136
ÍÌÓÔÍ‡ [GUIDE] ........................................................... 14, 18, 82
ÍÌÓÔÍa [HARMONY / ECHO] ................................................ 18, 62
ÍÌÓÔÍa [HELP]................................................................... 18, 53
ÍÌÓÔÍa [INTRO] ........................................................... 18, 31, 68
ÍÌÓÔÍa [LEFT HOLD] .......................................................... 18, 62
ÍÌÓÔÍa [MEMORY] ............................................................. 19, 88
ÍÌÓÔÍa [MIC. SETTING]..................................................... 18, 131
172
CVP-210/208
ÍÌÓÔÍa [MIXING CONSOLE] ...............................................18, 123
ÍÌÓÔÍa [MONO]..................................................................18, 62
ÍÌÓÔÍa [MUSIC FINDER]..........................................15, 19, 33, 73
ÍÌÓÔÍa [NEXT] .............................................................44, 18, 50
ÍÌÓÔÍa [ON / OFF] (POWER) ................................................18, 17
ÍÌÓÔÍa [OTS LINK]..............................................................18, 72
ÍÌÓÔÍa [PIANO]............................................................15, 19, 59
ÍÌÓÔÍa [REC].....................................................................18, 97
ÍÌÓÔÍ‡ [REPEAT] ...............................................................18, 81
ÍÌÓÔÍa [REVERB]...............................................................18, 61
ÍÌÓÔÍ‡ [REW] ....................................................................18, 80
ÍÌÓÔÍa [SOUND CREATOR] .................................................91, 18
ÍÌÓÔÍa [SYNC.START] ........................................................18, 64
ÍÌÓÔÍa [SYNC.STOP] ..........................................................18, 69
ÍÌÓÔÍa [TALK]..................................................................18, 131
ÍÌÓÔÍa [TAP TEMPO] ..........................................................18, 55
ÍÌÓÔÍ‡ [TOP] .....................................................................18, 80
ÍÌÓÔÍ‡ [TRACK 1 (R)]..........................................................18, 81
ÍÌÓÔÍ‡ [TRACK 2 (L)] ..........................................................18, 81
ÍÌÓÔÍa [VARIATION] ...........................................................18, 61
ÍÌÓÔÍa [VH TYPE SELECT] ................................................18, 131
ÍÌÓÔÍa [VOCAL HARMONY] ...............................................18, 131
ÍÌÓÔÍa MAIN [A].................................................................18, 68
ÍÌÓÔÍa MAIN [B].................................................................18, 68
ÍÌÓÔÍa MAIN [C].................................................................18, 68
ÍÌÓÔÍa MAIN [D].................................................................18, 68
ÍÌÓÔÍa METRONOME [START \/ STOP]..................................18, 54
ÍÌÓÔÍa SONG [START / STOP] .............................................18, 78
ÍÌÓÔÍa STYLE [START / STOP].............................................18, 64
ÍÌÓÔÍa VOICE PART ON / OFF [LAYER] .................................18, 60
ÍÌÓÔÍa VOICE PART ON / OFF [LEFT] ...................................18, 60
ÍÌÓÔÍË [1▲▼] — [8▲▼]...............................................18, 39–49
ÍÌÓÔÍË [A] — [J] .................................................................18, 44
ÍÌÓÔÍË ONE TOUCH SETTING [1] — [4] ...........................19, 71, 72
ÍÌÓÔÍË REGISTRATION MEMORY [1] — [8] ............................19, 88
ÍÌÓÔÍË TEMPO [E] [F] ..................................................18, 54
ÍÌÓÔÍË TRANSPOSE [E] [F].........................................18, 144
ÍÌÓÔÍË VOICE ...................................................................15, 19
ÍÌÓÔÍË VOICE („ÛÔÔ˚ ÚÂÏ·Ó‚) ................................................58
ÍÓÌˆÂ‚ÓÂ ÁaÚÛıaÌËÂ .................................................................94
ÍÓÔËÓ‚aÌËÂ Ë ÙÓÏaÚËÓ‚aÌËÂ ‰ËÒÍÂÚ ...................................153
ÍÓÔËÓ‚aÌËÂ Ò ‰ËÒÍÂÚ˚ Ìa ‰ËÒÍÂÚÛ...........................................153
ÍÓÔËÓ‚aÌËÂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ ....................................................47
ÍÓÔËÓ‚aÌËÂ ÚaÍÚÓ‚ ...............................................................120
ÍÓÂÍÚËÓ‚Ía Á‚ÛÍa ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍÛÊÂÌËÂÏ ...................128
Í˚¯Ía ÍÎa‚ËaÚÛ˚.................................................................16
Í˛˜ÓÍ ‰Îﬂ ÌaÛ¯ÌËÍÓ‚ .............................................................17
ã
ÎÂ‚aﬂ ÔÂ‰aÎ¸ ..............................................................19, 61, 62
å
ÏÂÚÓÌÓÏ .............................................................................151
ç
ÌaÁÌa˜ÂÌËÂ „aÏÓÌËÁaˆËË ......................................................147
ÌaÁÌa˜ÂÌËÂ ÍaÌaÎÓ‚ ‰Îﬂ aÍÍÓ‰Ó‚ ...........................................150
ÌaÁÌa˜ÂÌËÂ ÍaÌaÎÓ‚ ‰Îﬂ ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚..................................150
ÌaÒÚÓÈÍa Registration Sequence, Freeze Ë Voice Set ...................145
ÌaÒÚÓÈÍa ‚ Ó‰ÌÓ ÍaÒaÌËÂ.........................................................32
ÌaÒÚÓÈÍa ‚˚·aÌÌÓ„Ó ÒÚËÎﬂ.....................................................71
ÌaÒÚÓÈÍa ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚..............................................138
ÌaÒÚÓÈÍa „aÏÓÌËÁaˆËË ‚ÓÍaÎa Ë ÏËÍÓÙÓÌa...........................133
ÌaÒÚÓÈÍa „ÓÏÍÓÒÚË................................................................17
ÌaÒÚÓÈÍa „ÓÏÍÓÒÚË ÏËÍÓÙÓÌa Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚.....135
Ì‡ÒÚÓÈÍ‡ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı Í‡Ì‡ÎÓ‚.....80
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
ÌaÒÚÓÈÍa Ó·˘Ëı ÔaaÏÂÚÓ‚ ................................................. 136
ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÍÎa‚ËaÚÛ˚ Ë ÔÂ‰aÎÂÈ........................... 142
ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÙÂÈ‰ËÌ„a, ÏÂÚÓÌÓÏa, a ÚaÍÊÂ ÙÛÌÍˆËÈ
·ÎÓÍËÓ‚ÍË ÔaaÏÂÚa Ë ÛÍaÁaÌËﬂ ÚÂÏÔa .............................. 151
ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚, Ò‚ﬂÁaÌÌ˚ı Ò a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚÓÏ........ 141
ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚, Ò‚ﬂÁaÌÌ˚ı Ò ÔÂÒÌÂÈ.............................. 140
ÌaÒÚÓÈÍa ÔÂ‰aÎÂÈ................................................................ 142
ÌaÒÚÓÈÍa ÒÔËÒÍa ÒÓ·˚ÚËÈ – ÙËÎ¸Ú........................................ 112
ÌaÒÚÓÈÍa ˝ÍaÌa, ‰ËÌaÏËÍÓ‚ Ë ÓÚÓ·aÊÂÌËﬂ ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ .. 152
ÌaÒÚÓÈÍa ˝ÙÙÂÍÚÓ‚ ............................................................. 126
ÌaÒÚÓÈÍa ˝ÙÙÂÍÚÓ‚ „aÏÓÌËÁaˆËË Ë ˝ıa................................. 146
ÌaÛ¯ÌËÍË ....................................................................... 17, 155
ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ......................................................... 62, 157
ÌÓÚÌ˚Â ÒÓ·˚ÚËﬂ.................................................................... 110
ÔÓÚ [USB] ......................................................................19, 157
ÔÓÚ˚ MIDI [THRU] [OUT] [IN].............................................19, 157
ÔÓ¯a„Ó‚aﬂ ÁaÔËÒ¸..........................................................101, 116
Ôa‚aﬂ ÔÂ‰aÎ¸ ..................................................................19, 62
ÔÂÓ·aÁÓ‚aÌËÂ ‚ «ÍaÌ‰ÁË» (ﬂÔÓÌÒÍËÈ ﬂÁ˚Í) ...............................49
ÔË„ÎÛ¯ÂÌËÂ ÓÚ‰ÂÎ¸Ì˚ı ˜‡ÒÚÂÈ.................................................81
ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ...........................................................150
ÔËÏÂÌÂÌËÂ ÚÂÏ·aÎ¸Ì˚ı ˝ÙÙÂÍÚÓ‚..........................................61
ÔËÏÂ ËÌÙÓÏaˆËË, Ò˜ËÚ˚‚aÂÏÓÈ Ò ÍÎa‚ËaÚÛ˚ ......................160
ÔÓË„˚‚aÌËÂ ‰ÂÏÓÌÒÚaˆËÓÌÌ˚ı ÔÂÒÂÌ.....................................56
ÔÓÒÎÛ¯Ë‚aÌËÂ ˜ÂÂÁ ÍÓÎÓÌÍË Ë ÁaÔËÒ¸ Ìa ‚ÌÂ¯ÌÂÂ ÛÒÚÓÈÒÚ‚Ó ..156
ÔÓ˜ËÂ ÓÔÂ‡ˆËË, Ò‚ﬂÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂÏ .......................80
ÔÓ˜ËÂ ÔaaÏÂÚ˚ Ìa ˝ÍaÌÂ Basic ..........................................116
Ô˛ÔËÚ...................................................................................16
é
ê
Ó·Ó„a˘ÂÌËÂ ÏÛÁ˚ÍË ˝ÙÙÂÍÚ‡ÏË Harmony Ë Echo......................... 30
Ó·ÒÎÛÊË‚aÌËÂ .......................................................................... 8
Ó·˘aﬂ ÌaÒÚÓÈÍa ÒËÒÚÂÏ˚...................................................... 148
Ó‰ÌÓ‚ÂÏÂÌÌÓÂ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË Ë ÒÚËÎﬂ ‡‚ÚÓ‡Í-Ú‡ ........... 79
ÓÔÂaÚË‚Ìaﬂ ÔaÏﬂÚ¸ ................................................................ 41
ÓÔÂaˆËË Ò ÙaÈÎaÏË Ë ÔaÔÍaÏË ................................................ 45
ÓÒÌÓ‚Ì˚Â ÓÔÂaˆËË: Ó„aÌËÁaˆËﬂ ‰aÌÌ˚ı................................... 39
ÓÒÚaÌÓ‚Ía ‚ÓÒÔÓËÁ‚Â‰ÂÌËﬂ ÒÚËÎﬂ ÔË ÒÌﬂÚËË ÛÍ Ò ÍÎa‚ËaÚÛ˚ ... 69
ÓÚÏÂÚÍa «END»..................................................................... 105
ÓÚÓ·‡ÊÂÌËÂ ÌÓÚ .................................................................... 84
ÓÚÓ·‡ÊÂÌËÂ ÚÂÍÒÚ‡ ÔÂÒÌË ....................................................... 87
ÓÚÓ·aÊÂÌËÂ ˝ÍaÌa Clavinova Ìa ˝ÍaÌÂ ÚÂÎÂ‚ËÁÓa ................ 147
Ó˜ËÒÚÍa ÚaÍÚÓ‚ ..................................................................... 120
a‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚aÌÌ˚È ÒÚÓÈ .......................................139
aÁ‰ÂÎ FLOPPY DISK ...................................................41, 42, 43
aÁ‰ÂÎ PRESET.................................................................41, 42
aÁ‰ÂÎ USER ..............................................................41, 42, 43
aÁ‰ÂÎ˚ .................................................................................30
aÁÌ˚Â ÚÂÏ·˚ ‰Îﬂ Ôa‚ÓÈ Ë ÎÂ‚ÓÈ ÛÍ ......................................27
aÁÂ¯ÂÌËÂ ‚˚a‚ÌË‚aÌËﬂ .....................................................107
aÁÛ˜Ë‚aÌËÂ ‚a¯Ëı Î˛·ËÏ˚ı ÔÂÒÂÌ ...........................................38
‡ÁÛ˜Ë‚‡ÌËÂ ÔÓËÁ‚Â‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ Û˜Â·Ì˚ı ÙÛÌÍˆËÈ .............83
aÁ˙ÂÏ [AUX PEDAL]........................................................19, 157
aÁ˙ÂÏ [VIDEO OUT] ................................................19, 147, 156
‡Á˙ÂÏ [USB] ..........................................................................15
aÁ˙ÂÏ˚ [PHONES]..........................................................19, 155
aÁ˙ÂÏ˚ AUX IN [L / L+R] [R] .....................................................19
aÁ˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ............................19, 156
aÁ˙ÂÏ˚ AUX OUT [L / L+R] [R] ..........................................19, 156
aÁ˙ÂÏ˚ OUTPUT [L / L+R] [R] .................................................156
Â‚Â·ÂaˆËﬂ .......................................................................129
Â‰aÍÚËÓ‚aÌËÂ aÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ ......................................111
Â‰aÍÚËÓ‚aÌËÂ ÁaÔËÒÂÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Music Finder ...........75
Â‰aÍÚËÓ‚aÌËÂ ÁaÔËÒË ..........................................................107
Â‰aÍÚËÓ‚aÌËÂ ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ.............................................110
Â‰aÍÚËÓ‚aÌËÂ ÔaaÏÂÚÓ‚ ÍaÌaÎa ........................................120
Â‰aÍÚËÓ‚aÌËÂ ÔaaÏÂÚÓ‚, ÓÚÌÓÒﬂ˘ËıÒﬂ Í ÍaÌaÎaÏ ................107
Â‰aÍÚËÓ‚aÌËÂ ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ........................................111
Â‰aÍÚËÓ‚aÌËÂ ÒÚËÎﬂ aÍÍÓÏÔaÌÂÏÂÌÚa ...................................118
Â‰aÍÚËÓ‚aÌËÂ ÚÂÏ·Ó‚..........................................................91
Â„ËÒÚaˆËﬂ Ìa·ÓÓ‚ ÔaaÏÂÚÓ‚ ..............................................88
Â„ÛÎËÓ‚Ía „ÓÏÍÓÒÚË ............................................................65
Â„ÛÎËÓ‚Ía „ÓÏÍÓÒÚË Ë ÁaÏÂÌa ÚÂÏ·Ó‚.................................123
Â„ÛÎËÓ‚Ía ÌaÒÚÓÂÍ „aÏÓÌËÁaˆËË ‚ÓÍaÎa Ë ˝ÙÙÂÍÚÓ‚ ‰Îﬂ
Ó·a·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó ÒË„ÌaÎa ........................................133
Â„ÛÎËÓ‚Ía ÚÂÏÔa ..................................................................54
Â„ÛÎﬂÚÓ [INPUT VOLUME] ..............................................19, 155
ÂÊËÏ ÌaÎÓÊÂÌËﬂ ÁaÔËÒË.......................................................113
ÂÁÓÌaÌÒ ................................................................................94
è
ÔaaÏÂÚ Transpose Assign..................................................... 144
ÔaaÏÂÚ˚ ........................................................................... 121
ÔaaÏÂÚ˚ SOUND CREATOR (ÚÂÏ·˚ „ÛÔÔ˚ Natural/Regular)..... 92
Ô‡‡ÏÂÚ˚ ÒËÒÚÂÏ˚ .............................................................. 154
Ô‡‡ÏÂÚ˚ MIDI .................................................................... 154
ÔaaÏÂÚ˚ „Û‚a................................................................... 118
Ô‡ÚËÚÛ‡ .............................................................................. 84
ÔÂ‰aÎ¸ (ÎÂ‚aﬂ)........................................................................ 62
ÔÂ‰aÎ¸ (Ôa‚aﬂ) ...................................................................... 62
ÔÂ‰aÎ¸ (ÒÂ‰Ìﬂﬂ)..................................................................... 62
ÔÂ‰aÎ¸Ì˚È ÔÂÂÍÎ˛˜aÚÂÎ¸............................................... 62, 157
ÔÂÒÌﬂ..................................................................................... 77
ÔÂ‚Ë˜ÌÓÂ ÁaÚÛıaÌËÂ............................................................... 94
ÔÂÂ‰a˜a ............................................................................. 149
ÔÂÂ‰a˜a MIDI-ÒÓÓ·˘ÂÌËÈ ...................................................... 149
ÔÂÂÁa„ÛÁÍa ÒËÒÚÂÏ˚;System Reset ........................................ 154
ÔÂÂÍÎ˛˜aÚÂÎ¸ [MIC. LINE]............................................... 19, 155
ÔÂÂÏÂ˘ÂÌËÂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ .................................................. 46
ÔÂÂıÓ‰ Ìa ÒÚaÌËˆ˚ ·ÓÎÂÂ ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìﬂ.............................. 48
ÔËÙa„ÓÂÈÒÍËÈ ÒÚÓÈ ............................................................ 139
ÔÓ‚ÚÓ ÓÔÂ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË.................................... 81
ÔÓ‰ÍÎ˛˜ÂÌËÂ ‚ÌÂ¯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ..................................... 157
ÔÓ‰ÍÎ˛˜ÂÌËÂ ‰Û„Ëı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔËaÌËÌÓ Clavinova. . 155
ÔÓ‰ÍÎ˛˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ.................................................... 157
ÔÓ‰ÍÎ˛˜ÂÌËÂ ÏËÍÓÙÓÌa ËÎË „ËÚa˚....................................... 155
ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â ÚËÔ˚ ÔÂÒÂÌ ................................................... 77
ÔÓ‰ÍÎ˛˜ÂÌËÂ aÛ‰ËÓ Ë ‚Ë‰ÂÓ ÛÒÚÓÈÒÚ‚..................................... 156
ÔÓ‰ÍÎ˛˜ÂÌËÂ Ía·ÂÎﬂ ÔËÚaÌËﬂ ................................................... 17
ÔÓ‰˚„˚‚aÂÏ ÔÂÒÌÂ Ë ÔaÍÚËÍÛÂÏÒﬂ .......................................... 36
ÔÓ‰˚„˚‚aÂÏ ˆËÙÓ‚ÓÏÛ ÔËaÌËÌÓ Clavinova............................... 36
ÔÓÁËˆËﬂ ÎÓÍaÚÓa............................................................ 80, 140
ÔÓËÒÍ ÌaË·ÓÎÂÂ Û‰a˜ÌÓ„Ó aÍÍÓÏÔaÌÂÏÂÌÚa ................................. 74
ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌÍˆËË Music Finder...................................... 74
ÔÓËÒÍ ÒÂ‰Ë ÁaÔËÒÂÈ Music Finder .............................................. 34
ÔÓÍaÁaÌËﬂ ÍÌÓÔÓÍ – [BREAK], [INTRO], [MAIN], [ENDING] ............... 68
ë
c·ÓÍa CVP-208.....................................................................164
c·ÓÍa CVP-210.....................................................................164
Ò·ÓÍa ÒÚËÎﬂ aÍÍÓÏÔaÌÂÏÂÌÚa.................................................117
ÒÂÍ‚ÂÌÒÓ.............................................................................160
ÒËÒÚÂÏa................................................................................148
ÒËÒÚÂÏÌ˚Â ÒÓ·˚ÚËﬂ ...............................................................111
ÒËÒÚÂÏÌ˚Â ÒÓÓ·˘ÂÌËﬂ............................................................161
ÒÍÓÓÒÚ¸ ÌaÊaÚËﬂ (Velocity).............................................102, 119
ÒÏÂ¯Ë‚aÌËÂ ‰‚Ûı aÁÌ˚ı ÚÂÏ·Ó‚ .............................................60
ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰aÌÌ˚ı ...................................................162
ÒÓÁ‰aÌËÂ ÒÓ·ÒÚ‚ÂÌÌÓÈ ÌaÒÚÓÈÍË «‚ Ó‰ÌÓ ÍaÒaÌËÂ» .....................72
ÒÓÁ‰aÌËÂ ÒÚËÎÂÈ aÍÍÓÏÔaÌÂÏÂÌÚa............................................113
CVP-210/208
173
èÂ‰ÏÂÚÌ˚È ÛÍ‡Á‡ÚÂÎ¸
ÒÓÓ·˘ÂÌËﬂ ............................................................................... 8
ÒÓıaÌÂÌËÂ ...................................................................... 40, 48
ÒÓıaÌÂÌËÂ ÁÌa˜ÂÌËÈ, Áa‰aÌÌ˚ı Ò ÔÂÂ‰ÌÂÈ ÔaÌÂÎË................... 145
ÒÓıaÌÂÌËÂ Ìa·ÓÓ‚ ÔaaÏÂÚÓ‚............................................... 89
ÒÓıaÌÂÌËÂ ÙaÈÎÓ‚................................................................. 48
ÒÔa‚ÍË Ìa ‡ÁÌ˚ı ﬂÁ˚Íaı........................................................ 53
ÒÂ‰Ìﬂﬂ ÔÂ‰aÎ¸ («ÒÓÒÚÂÌÛÚÓ»)............................................. 19, 62
ÒÚaÌ‰aÚ GM System Level 1 ............................................. 19, 163
ÒÚaÌ‰aÚÌÓÂ ‚ÍÎ˛˜ÂÌËÂ ÁaÔËÒË .............................................. 106
ÒÚËÎ¸..................................................................................... 63
ÒÚaÌËˆa.............................................................. 103, 104, 106
ÒÚaÌËˆa (SOUND CREATOR) ................................................... 93
ÒÚaÌËˆa Chord Detect............................................................ 150
ÒÚaÌËˆa Chord Fingering.................................................. 66, 142
ÒÚaÌËˆa CONFIG 1 ............................................................... 151
ÒÚaÌËˆa CONFIG 2 ............................................................... 152
ÒÚaÌËˆa Controller ................................................................ 142
ÒÚaÌËˆa Keyboard/Panel ........................................................ 144
ÒÚaÌËˆa Owner .................................................................... 154
ÒÚaÌËˆa Pedal ..................................................................... 142
ÒÚaÌËˆa PIANO (SOUND CREATOR) ......................................... 93
ÒÚaÌËˆa Receive .................................................................. 150
ÒÚaÌËˆa Song Settings........................................................... 140
ÒÚaÌËˆa Style Setting ............................................................ 141
ÒÚaÌËˆa Voice Set ................................................................ 146
ÒÚÓÈ................................................................................... 139
ÒÚÓÈ äËÌ·Â„Âa................................................................ 139
ÒÚÓÈ ÇÂÍÏÂÈÒÚÂa .............................................................. 139
ÒÚÛÍÚÛÌaﬂ ÒıÂÏa ˝ÙÙÂÍÚÓ‚ ................................................. 129
ÒÛÒÚÂÈÌ.................................................................................. 94
í
Úa·ÎËˆa ÙÛÌÍˆËË Direct Access ................................................. 52
ÚaÍÚ / ‰ÓÎﬂ / ÒËÌıÓÌËÁaˆËﬂ .................................................... 102
ÚÂÍÒÚ˚ ÔÂÒÂÌ .................................................................. 87, 112
ÚÂÏ·aÎ¸Ì˚Â ˝ÙÙÂÍÚ˚............................................................ 61
ÚÂÏ·˚ „ÛÔÔ˚ Natural ............................................................. 92
ÚÂÏ·˚ „ÛÔÔ˚ Regular ............................................................ 92
ÚËÔ ˝ÙÙÂÍÚa Vocal Harmony ................................................... 131
ÚËÔ˚ aÍÍÓ‰Ó‚, aÒÔÓÁÌa‚aÂÏ˚Â ‚ ÂÊËÏÂ Fingered.................... 67
ÚËÔ˚ ‰aÌÌ˚ı Ìa ˝ÍaÌÂ MIDI TRANSMIT/RECEIVE ..................... 149
ÚËÔ˚ ˝ÙÙÂÍÚa Harmony ......................................................... 147
ÚÓÌËÍa ................................................................................. 150
ÚÓÌÍ‡ﬂ Ì‡ÒÚÓÈÍ‡ Ô‡ÚËÚÛ˚ .................................................... 85
ÚÓ˜Ía aÁ‰ÂÎÂÌËﬂ ÍÎa‚ËaÚÛ˚ ................................................ 141
ÚaÌÒÔÓÌËÓ‚aÌËÂ ÍaÌaÎa ...................................................... 109
ì
Û‰aÎÂÌËÂ ÒÓ·˚ÚËﬂ ................................................................. 120
Û‰aÎÂÌËÂ ÙaÈÎÓ‚ Ë ÔaÔÓÍ......................................................... 47
ÛÍaÁaÌËÂ ÔÓÒÎÂ‰Ó‚aÚÂÎ¸ÌÓÒÚË ‚˚ÁÓ‚a Ìa·ÓÓ‚ ÌaÒÚÓÂÍ ........... 145
ÛÔÓﬂ‰Ó˜ÂÌËÂ ÙaÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰aÌËﬂ ÌÓ‚ÓÈ ÔaÔÍË.............. 48
ÛÒÚaÌÓ‚Ía „ÓÏÍÓÒÚË Ë ÚÂÏ·a ................................................ 124
ÛÒÚaÌÓ‚Ía ÔaaÏÂÚÓ‚ MIDI .................................................... 148
ÛÒÚaÌÓ‚Ía ÔaaÏÂÚÓ‚ ÙaÈÎa SMF .......................................... 121
ÛÒÚaÌÓ‚Ía ÚÂÏ·Ó‚ ‰Îﬂ ÎÂ‚ÓÈ Ë Ôa‚ÓÈ ˜aÒÚË ÍÎa‚ËaÚÛ˚ ............ 61
î
ÙaÈÎ ..................................................................................... 41
ÙaÈÎ ÒÚËÎﬂ .......................................................................... 162
ÙaÈÎ˚ Ë ÔaÔÍË Ìa ‰ËÒÍÂÚÂ........................................................ 46
ÙËÍÒaÚÓ ‰Îﬂ ÌÓÚ.................................................................... 16
ÙËÎ¸Ú .................................................................. 94, 112, 125
ÙÓÏaÚ ‰ËÒÍÂÚ ..................................................................... 162
ÙÓÏaÚ aÒÔÂ‰ÂÎÂÌËﬂ ÚÂÏ·Ó‚ ............................................. 163
ÙÓÏaÚ ÒÂÍ‚ÂÌˆËË ................................................................ 162
174
CVP-210/208
ÙÛÌÍˆËﬂ Auto Revoice.............................................................124
ÙÛÌÍˆËﬂ Style Creator .............................................................113
ÙÓÏaÚ Disk Orchestra Collection ................................................19
ÙÓÏaÚ ÙaÈÎa ÒÚËÎﬂ (SFF) .....................................................114
ÙÓÏaÚËÓ‚aÌËÂ ‰ËÒÍÂÚ.........................................................153
ÙÛÌÍˆËË Ó·Û˜ÂÌËﬂ ...................................................................82
ÙÛÌÍˆËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔa‚ÎﬂÚ¸ Ò ÔÓÏÓ˘¸˛ ÔÂ‰aÎÂÈ .........143
ÙÛÌÍˆËﬂ Chord Tutor ..............................................................142
ÙÛÌÍˆËﬂ Dynamics .................................................................119
ÙÛÌÍˆËﬂ Groove ....................................................................118
ÙÛÌÍˆËﬂ Local Control.............................................................148
ÙÛÌÍˆËﬂ Piano Lock..................................................................59
ÙÛÌÍˆËﬂ Registration Sequence ................................................145
ÙÛÌÍˆËﬂ Song Creator...............................................................97
ï
ıaaÍÚÂËÒÚËÍË ÁaÔËÒË ‚ ÂaÎ¸ÌÓÏ ‚ÂÏÂÌË .............................113
ıaaÍÚÂËÒÚËÍË ÚÂÏ·a ............................................................59
ñ
ˆÂÌÚ.....................................................................................138
ˆËÍÎË˜ÂÒÍaﬂ ÁaÔËÒ¸ ...............................................................113
ó
˜aÒÚË ‰Îﬂ ÔËÂÏa MIDI-ÒÓÓ·˘ÂÌËÈ...........................................150
˜aÒÚË ÒÚËÎﬂ ............................................................................30
˜aÒÚË ÒÚËÎﬂ aÍÍÓÏÔaÌÂÏÂÌÚa ....................................................99
˜ËÒÚ˚È ÏËÌÓ........................................................................139
˜ÚÓ ÏÓÊÌÓ ‰ÂÎaÚ¸ Ò MIDI? ......................................................161
˜ÚÓ ÚaÍÓÂ MIDI?.....................................................................159
˜Û‚ÒÚ‚ËÚÂÎ¸ÌÓÒÚ¸ Í ÌaÊaÚË˛ ..................................................144
ò
¯a·ÎÓÌ˚ MIDI .......................................................................148
ù
˝ÍaÌ REGISTRATION EDIT.......................................................89
˝ÍaÌ˚ Open/Save ...................................................................40
˝ÙÙÂÍÚ Chorus .....................................................................129
˝ÙÙÂÍÚ˚..............................................................................126
˝ÙÙÂÍÚ˚ ÔÓÎ¸ÁÓ‚‡ÚÂÎﬂ..........................................................154
˝ıÓ ........................................................................................62
ü
ﬂÍÓÒÚ¸ ..................................................................................94
MEMO
MEMO
CVP-210/208
175
MEMO
MEMO
176
CVP-210/208
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
1.
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, including connection to the main supply.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
9.
This product should be used only with the components
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
10.
The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
7.
8.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
12.
Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
e. The product has been dropped, or the enclosure of the
product has been damaged.
13.
Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
14.
This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
15.
Some Yamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
PLEASE KEEP THIS MANUAL
92-469-2
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
Relocate either this product or the device that is being
affected by the interference.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in
accordance with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows:
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or coloured
BLACK.
The wire which is coloured BROWN must be connected to
the terminal which is marked with the letter L or coloured
RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
(2 wires)
• This applies only to products distributed by Yamaha-Kemble Music
(U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA
PRISE ET POUSSER JUSQU’AU FOND.
(polarity)
• This applies only to products distributed by Yamaha Canada Music
Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada
Musique Ltée.
(class B)
For details of products, please contact your nearest Yamaha or the
authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
NORTH AMERICA
CANADA
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tel: 714-522-9011
CENTRAL & SOUTH AMERICA
MEXICO
Yamaha de Mexico S.A. De C.V.,
Departamento de ventas
Javier Rojo Gomez No.1149, Col. Gpe Del
Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.
Tel: 686-00-33
BRAZIL
Yamaha Musical do Brasil LTDA.
Av. Rebouças 2636, São Paulo, Brasil
Tel: 011-853-1377
ARGENTINA
Yamaha de Panamá S.A. Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha de Panamá S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Tel: +507-269-5311
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
THE NETHERLANDS
Yamaha Music Central Europe GmbH,
Branch Nederland
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
BELGIUM/LUXEMBOURG
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más cercana
o el distribuidor autorizado que se lista debajo.
ASIA
FRANCE
Yamaha Musique France, S.A.
Division Professionnelle
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALY
Yamaha Musica Italia S.P.A.
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGAL
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-201-0700
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
HONG KONG
Tom Lee Music Co., Ltd.
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0661
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-703-0900
PHILIPPINES
DENMARK
YS Copenhagen Liaison Office
Generatorvej 8B
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
SINGAPORE
Yamaha Music Asia Pte., Ltd.
11 Ubi Road #06-00, Meiban Industrial Building,
Singapore
Tel: 65-747-4374
TAIWAN
NORWAY
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2
Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILAND
Siam Music Yamaha Co., Ltd.
121/60-61 RS Tower 17th Floor,
Ratchadaphisek RD., Dindaeng,
Bangkok 10320, Thailand
Tel: 02-641-2951
THE PEOPLE’S REPUBLIC OF CHINA
AND OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
MIDDLE EAST
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Tel: 3-9693-5111
NEW ZEALAND
TURKEY/CYPRUS
OTHER COUNTRIES
OCEANIA
AUSTRALIA
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
Yamaha Music Central Europe GmbH,
Branch Belgium
Rue de Geneve (Genevastraat) 10, 1140 - Brussels,
Belgium
Tel: 02-726 6032
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2445
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Download Yamaha CLAVINOVA CVP-210 Specifications