Download Yamaha CLAVINOVA CVP-210 Specifications
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Introduction SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 1 (bottom) CVP-210 Model Serial No. Purchase Date CVP-208 åÖêõ ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ëÓı‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ÏÓÊÌÓ ·˚ÎÓ Ó·‡ÚËÚ¸Òfl Í ÌÂÏÛ ‚ ‰‡Î¸ÌÂȯÂÏ. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‚Ó ËÁ·ÂʇÌË ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚, ‚Ò„‰‡ Òӷ≇ÈÚ ÓÒÌÓ‚Ì˚ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË, Ô˜ËÒÎÂÌÌ˚ ‰‡ÎÂÂ. ä ˝ÚËÏ Ï‡Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ. ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl • • • • ظ ÓÚ ‚Ó‰˚ • àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÓ Ì‡ÔflÊÂÌËÂ, ÍÓÚÓÓ ÓÔ‰ÂÎÂÌÓ ‰Îfl ‚‡¯Â„Ó ËÌÒÚÛÏÂÌÚ‡. çÛÊÌÓ ̇ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ. èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ Ë Û‰‡ÎflÈÚÂ Ò Ì „flÁ¸ Ë Ô˚θ, ÍÓÚÓ˚ ÏÓ„ÛÚ Ì‡ ÌÂÈ Ò͇ÔÎË‚‡Ú¸Òfl. àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸. • ظ ÓÚ Ó„Ìfl • ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ Á‡ÊÊÂÌÌ˚Â Ò‚Â˜Ë Ë ‰Û„Ë ÔÓ‰Ó·Ì˚ Ô‰ÏÂÚ˚. ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ. èË ‚̯ڇÚÌ˚ı ÒËÚÛ‡ˆËflı ç ÓÚÍ˚‚‡Ú¸ • ç ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Ï, „‰Â ÓÌ ÏÓÊÂÚ ÔÓÔ‡ÒÚ¸ ÔÓ‰ ‰Óʉ¸, ‡ Ú‡ÍÊ fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ Ò˚˚ı Ë ‚·ÊÌ˚ı ÔÓÏ¢ÂÌËflı; Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ ÓÚ‚ÂÒÚËfl. çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ‚·ÊÌ˚ÏË Û͇ÏË. • ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ËÌÒÚÛÏÂÌÚ Ë Ô˚Ú‡Ú¸Òfl ‡Á·Ë‡Ú¸ „Ó, ‡ Ú‡ÍÊ ͇ÍËÏ-ÎË·Ó Ó·‡ÁÓÏ ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ ËÎË ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ÇçàåÄçàÖ! ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡, ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÓÒÌÓ‚Ì˚ ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË. ä ˝ÚËÏ Ï‡Ï, ‚ ˜‡ÒÚÌÓÒÚË, ÓÚÌÓÒËÚÒfl ÒÎÂ‰Û˛˘ÂÂ. ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl • • • åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË • àÁ‚ÎÂ͇fl ¯ÚÂÔÒÂθÌÛ˛ ‚ËÎÍÛ ËÁ ËÌÒÚÛÏÂÌÚ‡ ËÎË ËÁ ÓÁÂÚÍË, ÌËÍÓ„‰‡ Ì ÚflÌËÚ Á‡ ¯ÌÛ, ‰ÂÊËÚÂÒ¸ Á‡ Ò‡ÏÛ ‚ËÎÍÛ. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ. éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚. ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ÔÓÏÓ˘¸˛ ÔÂÂıÓ‰ÌË͇. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË. • • ë·Ó͇ • • ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ Ò·ÓÍË. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ì‡ÌÂÒÚË Ú‡‚ÏÛ. • (1)B-7 ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ Ì ‰ÂÊËÚ ËÌÒÚÛÏÂÌÚ ‚ ÔÓÏ¢ÂÌËflı Ò ËÁ·˚ÚÓ˜ÌÓÈ ‚Ë·‡ˆËÂÈ, ‡ Ú‡ÍÊ ‚ ÏÂÒÚ‡ı, „‰Â ÒÎ˯ÍÓÏ Ô˚θÌÓ, ıÓÎÓ‰ÌÓ ËÎË Ê‡ÍÓ (̇ÔËÏ ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl). ç ÔÓθÁÛÈÚÂÒ¸ ËÌÒÚÛÏÂÌÚÓÏ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ ¯ÛÏ. ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó Ì‡ ÌÂÛÒÚÓȘ˂ÓÈ ÔÓ‚ÂıÌÓÒÚË. è‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË. í‡ÍÊ Ôӂ¸Ú Á‡ÚflÌÛÚ˚ ÎË ‚Ò ‚ËÌÚ˚ Ë Ì ‡Á·ÓÎÚ‡ÎËÒ¸ ÎË ÓÌË ÔË ÔÂÂÏ¢ÂÌËË ËÌÒÚÛÏÂÌÚ‡. ç ÛÒڇ̇‚ÎË‚‡ÈÚ ËÌÒÚÛÏÂÌÚ ‚ÔÎÓÚÌÛ˛ Í ÒÚÂÌ (ÌÂÓ·ıÓ‰ËÏ ıÓÚfl ·˚ 3-Ò‡ÌÚËÏÂÚÓ‚˚È Á‡ÁÓ), ÔÓÒÍÓθÍÛ ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÎÓıÛ˛ ˆËÍÛÎflˆË˛ ‚ÓÁ‰Ûı‡ Ë, Í‡Í ÒΉÒÚ‚ËÂ, Ô„‚ ËÌÒÚÛÏÂÌÚ‡. 1/2 CVP-210/208 3 èÓ‰Íβ˜ÂÌË • àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË ÂÒÚ¸) • èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. • • • é·ÒÎÛÊË‚‡ÌË • • èÓÚˇÈÚ Ô˚θ Ë Û‰‡ÎflÈÚ „flÁ¸ Ò ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210 Ïfl„ÍÓÈ Ú̸͇˛. ç ÚËÚ ÒÎ˯ÍÓÏ ÛÒ‰ÌÓ, ÔÓÒÍÓθÍÛ Ì·Óθ¯Ë ˜‡ÒÚˈ˚ „flÁË ÏÓ„ÛÚ ÔÓˆ‡‡Ô‡Ú¸ ÔÓÎËÓ‚ÍÛ ËÌÒÚÛÏÂÌÚ‡. ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ Ú̸͇˛. ç ËÒÔÓθÁÛÈÚ ÔflÚÌÓ‚˚‚Ó‰ËÚÂÎË, ‡ÒÚ‚ÓËÚÂÎË, ÊˉÍË ӘËÒÚËÚÂÎË ËÎË ˜ËÒÚfl˘Ë ҇ÎÙÂÚÍË Ò ÔÓÔËÚÍÓÈ. • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ÏÂÈÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‰Îfl ËÌ˚ı ˆÂÎÂÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ. ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇. ç Ô˚Ú‡ÈÚÂÒ¸ „ÛÎËÓ‚‡Ú¸ ‚˚ÒÓÚÛ, Òˉfl ̇ Ò͇ÏÂÈÍÂ, ÔË·„‡ÂÏÓÈ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210, ÔÓÒÍÓθÍÛ ˝ÚÓ ÔË‚Ó‰ËÚ Í ÔÂÂ̇ÔflÊÂÌ˲ „ÛÎËÛ˛˘Â„Ó ÏÂı‡ÌËÁχ, ˜ÚÓ, ‚ Ò‚Ó˛ Ә‰¸, ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ÏÂı‡ÌËÁχ ËÎË ‰‡Ê ڇ‚ÏÂ. ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ‡Á·ÓÎÚ‡ÎËÒ¸ ËÁ-Á‡ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, Á‡ÚflÌËÚ Ëı ÓÚ‚ÂÚÍÓÈ. ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı • åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË • • • • • • ÅÛ‰¸Ú ÓÒÚÓÓÊÌ˚, ÒΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚, Ë Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍË ‚ ÓÚ‚ÂÒÚËfl ̇ ËÌÒÚÛÏÂÌÚÂ. çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÔÓËÁÓ¯ÎÓ, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ÔËÚ‡ÌËÂ Ë ÓÚÒÓ‰ËÌËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË Ë Í·‚ˇÚÛ˚. 쉇˚ ÏÂÚ‡Î΢ÂÒÍËÏË, Ù‡ÙÓÓ‚˚ÏË ËÎË ‰Û„ËÏË ÊÂÒÚÍËÏË Ô‰ÏÂÚ‡ÏË ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ Ú¢ËÌ˚ ËÎË ¯ÂÎÛ¯ÂÌË ÔÓÎËÓ‚ÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË. ç ҇‰ËÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ Ë Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, ‡ Ú‡ÍÊ ËÁ·Â„‡ÈÚ ˜ÂÁÏÂÌ˚ı ÛÒËÎËÈ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË. ç ÒΉÛÂÚ ‰ÓÎ„Ó ËÒÔÓθÁÓ‚‡Ú¸ ‚˚ÒÓÍËÈ ËÎË ‡Á‰‡Ê‡˛˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË: ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û. èË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ÌÂÍÓÚÓ˚ ‰‡ÌÌ˚ ÚÂÍÛ˘ÂÈ Ô‡ÏflÚË ·Û‰ÛÚ ÔÓÚÂflÌ˚ (ÒÏ. ÒÚ. 43). ëÓı‡ÌflÈÚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ËÎË ‚ ‡Á‰ÂΠԇÏflÚË User (ÒÏ. ÒÚ. 40, 48). ÇÓÁÏÓÊ̇ ÔÓÚÂfl ÒÓı‡ÌÂÌÌ˚ı ‰‡ÌÌ˚ı ËÁ-Á‡ ÌÂËÒÔ‡‚ÌÓÒÚË ËÎË ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚ ËÌÒÚÛÏÂÌÚ‡. ëÓı‡ÌflÈÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ. èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ ÒËÒÚÂÏ˚ (Ô˜ËÒÎÂÌÌ˚ ‚ Ú‡·Îˈ ԇ‡ÏÂÚÓ‚ ÔÓÒÚ‡‚ÎflÂÏÓ„Ó ÓÚ‰ÂθÌÓ Ò·ÓÌË͇ Ú‡·Îˈ) ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ÔÓÒΠ‚˚ıÓ‰‡ Ò ˝ÚÓÈ ÒÚ‡Ìˈ˚. é‰Ì‡ÍÓ ÂÒÎË Ô‰ ÓÚÍβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl Ì ·˚· ‚˚ÔÓÎÌÂ̇ ̇‰ÎÂʇ˘‡fl Ôӈ‰ۇ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡, ‚Ò ˝ÚË ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚. êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰ËÒÍÂÚ˚ • óÚÓ·˚ ‰‡ÌÌ˚ Ì ÔÓÔ‡ÎË ËÁ-Á‡ ÔÓ‚ÂʉÂÌËfl ÌÓÒËÚÂÎfl, ÂÍÓÏẨÛÂÚÒfl ÒÓı‡ÌflÚ¸ ̇˷ÓΠ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË äÓ„‰‡ ̇ ‰ËÒÍ USER/ÑàëäéÇéÑÖ ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË, ̇ÔËÏ ÒÓı‡ÌÂÌËÂ, Û‰‡ÎÂÌË ËÎË ÍÓÔËÓ‚‡ÌËÂ, çàäéÉÑÄ Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‰Ó ÔÓÎÌÓ„Ó Á‡‚¯ÂÌËfl ÓÔ‡ˆËË. (é·flÁ‡ÚÂθÌÓ ÔÓ‰ÓʉËÚÂ, ÔÓ͇ Ì ËÒ˜ÂÁÌÂÚ ÔÓfl‚Ë‚¯ÂÂÒfl ÒÓÓ·˘ÂÌËÂ.) éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ˝ÚËı ÓÔ‡ˆËÈ ÔË‚Ó‰ËÚ Í ÔÓÚ ‰‡ÌÌ˚ı, ÒÓı‡ÌflÂÏ˚ı ËÎË ÍÓÔËÛÂÏ˚ı ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÌÓÒËÚÂθ. ÇÓ ‚ÂÏfl Ú‡ÍËı ÓÔ‡ˆËÈ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ÒÓı‡ÌflÚ¸ ÔÓ‰‡˜Û ÔËÚ‡ÌËfl Í ‰ËÒÍÛ USER. éÚÍβ˜ÂÌË ÔËÚ‡ÌËfl ‚Ó ‚ÂÏfl ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ‰‡ÌÌ˚ı ̇ ‰ËÒÍ USER ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÇëÖï ‰‡ÌÌ˚ı ̇ ˝ÚÓÏ ‰ËÒÍ (ÔË ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl), ‡ Ì ÚÓθÍÓ ‰‡ÌÌ˚ı, Ò ÍÓÚÓ˚ÏË ‚˚ÔÓÎÌfl·Ҹ ÓÔ‡ˆËfl. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ‚˚ÔÓÎÌflfl ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl/Û‰‡ÎÂÌËfl/ÍÓÔËÓ‚‡ÌËfl ÚÓθÍÓ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ Ì‡ ‰ËÒÍ USER Ë ÓÚÍβ˜Ë‚ ÔËÚ‡ÌË ‰Ó Á‡‚¯ÂÌËfl ÓÔ‡ˆËË, ÏÓÊÌÓ ÔÓÚÂflÚ¸ ÇëÖ ‰‡ÌÌ˚ ̇ ‰ËÒÍ USER, ‚ ÚÓÏ ˜ËÒΠ‚Ò ÚÂÏ·˚, ÒÚËÎË, ·‡ÌÍË ÏÛθÚËÔ˝‰Ó‚ Ë Ì‡ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÍÓÚÓ˚ ·˚ÎË ÒÓı‡ÌÂÌ˚ ̇ ‰ËÒÍ USER. ùÚË ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË Ú‡ÍÊ ÓÚÌÓÒflÚÒfl Í ÒÓÁ‰‡Ì˲ ÌÓ‚ÓÈ Ô‡ÔÍË Ì‡ ‰ËÒÍ USER ËÎË ÓÔ‡ˆËË ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ̇ÒÚÓÂÍ ËÁ„ÓÚÓ‚ËÚÂÎfl (ÒÚ. 154). äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÔÓÒΠÓÍÓ̘‡ÌËfl ‡·ÓÚ˚. (1)B-7 4 CVP-210/208 2/2 Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÍÓÔÓ‡ˆËË Yamaha! êÂÍÓÏẨÛÂÏ ‚ÌËχÚÂθÌÓ ÓÁ̇ÍÓÏËÚ¸Òfl Ò ‰‡ÌÌ˚Ï ÛÍÓ‚Ó‰ÒÚ‚ÓÏ, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ̇˷ÓΠÔÓÎÌÓ Ô‰ÒÚ‡‚ÎÂÌË ӷ Ò‡Ï˚ı ÒÓ‚ÂÏÂÌÌ˚ı Ë Û‰Ó·Ì˚ı ÙÛÌ͈Ëflı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ç‡ÒÚÓflÚÂθÌÓ ÂÍÓÏẨÛÂÏ ı‡ÌËÚ¸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ Û‰Ó·ÌÓÏ Ë Ì‡‰ÂÊÌÓÏ ÏÂÒÚÂ, ˜ÚÓ·˚ ÓÌÓ ‚Ò„‰‡ ·˚ÎÓ ÔÓ‰ ÛÍÓÈ. é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ ڇ·Îˈ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ˜ÂÚ˚Âı ÓÒÌÓ‚Ì˚ı ‡Á‰ÂÎÓ‚: «Ç‚‰ÂÌË», «ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó», «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» Ë «ëÔ‡‚Ó˜ÌËÍ». äÓÏ ÚÓ„Ó, ÔÓÒÚ‡‚ÎflÂÚÒfl ÓÚ‰ÂθÌ˚È Ò·ÓÌËÍ Ú‡·Îˈ. ǂ‰ÂÌË (ÒÚ. 2): ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 20): ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË (ÒÚ. 39): ùÚÓÚ ‡Á‰ÂÎ Ó·˙flÒÌflÂÚ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË, ‚ ÚÓÏ ˜ËÒΠ˝Í‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl. ëÔ‡‚Ó˜ÌËÍ (ÒÚ. 56): ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ËÌÒÚÛÏÂÌÚ‡. ë·ÓÌËÍ Ú‡·Îˈ: ÒÔËÒÓÍ ÚÂÏ·Ó‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú.Ô. * åÓ‰ÂÎË CVP-210/208 ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ó·ÓÁ̇˜‡˛ÚÒfl Í‡Í «CVP/Clavinova». * àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËı ˝Í‡ÌÓ‚ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚, ‚ ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â. * ëÌËÏÍË ˝Í‡ÌÓ‚ Operation Guide, Ô˂‰ÂÌÌ˚ ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÏÓ‰ÂÎË CVP-210 Ë Ô‰ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ. * äÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Ëϲ˘Â„ÓÒfl ‚ ÔÓ‰‡ÊÂ, ‡Á¯ÂÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä Ú‡ÍËÏ Ï‡Ú¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ, Ù‡ÈÎ˚ ÒÚËÎÂÈ, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. íÓ‚‡Ì˚ Á̇ÍË: • Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÏÔ‡ÌËË Apple Computer, Inc. • IBM-PC/AT fl‚ÎflÂÚÒfl ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË International Business Machines. • Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®. • ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚. * îÓÚÓ„‡ÙËË Í·‚ÂÒË̇, ·‡Ì‰ÓÌÂÓ̇, ‡Á΢Ì˚ı ‚ˉӂ ˆËÏ·‡Î Ë ÏÛÁ˚͇θÌÓÈ ¯Í‡ÚÛÎÍË, ËÁÓ·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì‡ı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, β·ÂÁÌÓ Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÏÛÁÂÂÏ Gakkigaku Shiryokan (ëÓ·‡ÌË ÒÚ‡ËÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚), ÏÛÁ˚͇θÌÓ„Ó ÍÓÎΉʇ Kunitachi. * ëÎÂ‰Û˛˘Ë ËÌÒÚÛÏÂÌÚ˚, ËÁÓ·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì‡ı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ‰ÓÒÚÛÔÌ˚ ‰Îfl Ó·ÓÁÂÌËfl ‚ ÏÛÁ ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ Hamamatsu: ·‡Î‡ÙÓÌ, ‰ÊẨÂ, ͇ÎËÏ·‡, ͇ÌÛÌ, Ò‡ÌÚÛ, „‡Ï·Ì, ‡Ù‡, ÍÓÎÓÍÓθ˜ËÍ, ‚ÓÎ˚Ì͇, ·‡Ì‰ÊÓ, ͇ËθÓÌ, χ̉ÓÎË̇, Û‰, ÙÎÂÈÚ‡ è‡Ì‡, ÔÛ̉ÊË, ‡·‡·, ¯‡Ì‡Ë, ÒËÚ‡, ÒڇθÌÓÈ ·‡‡·‡Ì, ڇϷ‡. * чÌÌ˚È ÔÓ‰ÛÍÚ ÔÓËÁ‚‰ÂÌ ÔÓ ÎˈÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊ ԇÚÂÌÚÓÏ No.5567901, ÔË̇‰ÎÂʇ˘ËÏ IVL Technologies Ltd. * ê‡ÒÚÓ‚˚ ¯ËÙÚ˚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÔÓ‡ˆËÂÈ Ricoh Co., Ltd. Ë fl‚Îfl˛ÚÒfl  ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛. CVP-210/208 5 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ■ ç‡·Ó ‰ËÒÍÓ‚ Ë Ô‡ÚËÚÛ «50 greats for the Piano» ■ á‡ÔËÒ˚‚‡ÂÏ˚È ‰ËÒÍ àÒÔÓθÁÛÈÚ ˝ÚÓÚ ‰ËÒÍ ‰Îfl ÒÓı‡ÌÂÌËfl ̇ ÌÂÏ Ò‚ÓËı Á‡ÔËÒÂÈ. ■ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÔÓÎÌ˚ ËÌÒÚÛ͈ËË ÔÓ ‡·ÓÚÂ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova. ■ ë·ÓÌËÍ Ú‡·Îˈ Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÒÓ‰ÂʇÚÒfl ÒÔËÒÍË ÚÂÏ·Ó‚, ÒÚËÎÂÈ, Ô‡‡ÏÂÚÓ‚ Ë Ú.‰. ■ ë͇ÏÂÈ͇ Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, Ò͇ÏÂÈ͇ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ. àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ íÂıÌË͇ ·ÂÁÓÔ‡ÒÌÓÒÚË ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. Ç˚ÔÓÎÌflÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË. ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ ‰ËÒÍÂÚ • åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD. ìÒÚ‡Ìӂ͇ Ë ËÁ‚ΘÂÌË ‰ËÒÍÂÚ óÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰, ÌÂÓ·ıÓ‰ËÏÓ ‚˚ÔÓÎÌËÚ¸ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl: • ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ¯ÚÓÍÓÈ ‚Ô‰ ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ˘Âθ Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚Ô‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡. óÚÓ·˚ ËÁ‚Θ¸ ‰ËÒÍÂÚÛ, ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl: èÂʉ ˜ÂÏ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ, ۷‰ËÚÂÒ¸, ˜ÚÓ Ì‡ Ì ̠Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚Â. ÖÒÎË Ì‡ ‰ËÒÍÂÚÛ Á‡ÔËÒ˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ÚÂÍÛ˘ÂÈ ÓÔ‡ˆËË, ̇ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË «Now executing» («à‰ÂÚ Á‡ÔËÒ¸»), «Now copying» («à‰ÂÚ ÍÓÔËÓ‚‡ÌË») ËÎË «Now formatting» («à‰ÂÚ ÙÓχÚËÓ‚‡ÌË»). • èÂÂÏ¢ÂÌËÂ, ÍÓÔËÓ‚‡ÌËÂ, ‚ÒÚ‡‚͇, ÒÓı‡ÌÂÌËÂ Ë Û‰‡ÎÂÌË ‰‡ÌÌ˚ı (ÒÚ. 46 - 48). • Ç˚·Ó ËÏÂÌ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ (ÒÚ. 45); ÒÓÁ‰‡ÌË ÌÓ‚ÓÈ Ô‡ÔÍË (ÒÚ. 48). • äÓÔËÓ‚‡ÌË ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛ ‰ËÒÍÂÚÛ (ÒÚ. 153); ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ (ÒÚ. 153). äÌÓÔ͇ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ à̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ (Ò΂‡ ‚ÌËÁÛ) „ÓËÚ, Û͇Á˚‚‡fl, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. 6 CVP-210/208 • çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌËχڸ ‰ËÒÍÂÚÛ ËÎË ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ‚Ó ‚ÂÏfl Á‡ÔËÒË ‰‡ÌÌ˚ı. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‰ËÒÍÂÚÛ, ‡ ËÌÓ„‰‡ Ë ‰ËÒÍÓ‚Ó‰. å‰ÎÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ ‰ËÒÍÓ‚Ó‰‡ ‰Ó ÛÔÓ‡ — Ë ‰ËÒÍÂÚ‡ ‚˚ÒÍÓ˜ËÚ ‡‚ÚÓχÚ˘ÂÒÍË. äÓ„‰‡ ‰ËÒÍÂÚ‡ ÔÓÎÌÓÒÚ¸˛ ÓÒ‚Ó·Ó‰ËÚÒfl, ÓÒÚÓÓÊÌÓ ‚˚̸Ú ÂÂ. • ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ ËÁ‚ΘÂÌËfl ‰ËÒÍÂÚ˚ ÒÎ˯ÍÓÏ ·˚ÒÚÓ ËÎË Ì‡Ê‡Ú¸  ̠‰Ó ÛÔÓ‡, ‰ËÒÍÂÚ‡ ÏÓÊÂÚ ‚˚ÈÚË ÌÂÔ‡‚ËθÌÓ. äÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡ ÏÓÊÂÚ Á‡ÒÚflÚ¸ ̇ ÔÓÎÔÛÚË, Ë ‰ËÒÍÂÚ‡ ‚˚ȉÂÚ ËÁ ‰ËÒÍÓ‚Ó‰‡ ÚÓθÍÓ Ì‡ ÌÂÒÍÓθÍÓ ÏËÎÎËÏÂÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ. èËÏÂÌÂÌË ÒËÎ˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË Ò‡ÏÛ ‰ËÒÍÂÚÛ. óÚÓ·˚ ‚˚Ú‡˘ËÚ¸ ‰ËÒÍÂÚÛ, ÔÓÔÓ·ÛÈÚ ̇ʇڸ ÍÌÓÔÍÛ Â˘Â ‡Á ËÎË ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ Ó·‡ÚÌÓ ‚ ‰ËÒÍÓ‚Ó‰ Ë ÔÓ‚ÚÓËÚ Ôӈ‰ÛÛ. • èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‰ËÒÍÂÚ‡ Ì ÓÒڇ·Ҹ ‚ ‰ËÒÍÓ‚Ó‰Â. ÑËÒÍÂÚ‡, ̇ıÓ‰fl˘‡flÒfl ‚ ‰ËÒÍӂӉ ‰ÎËÚÂθÌÓ ‚ÂÏfl, ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ˜ÚÓ Ô˂‰ÂÚ Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË. • ç ÓÒÚ‡‚ÎflÈÚ ‰ËÒÍÂÚ˚ ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â ÓÌË ÏÓ„ÛÚ ÔÓ‰‚„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚, ÍÓÎÓÌÓÍ, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚. 凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛ ÛÚ‡ÚÛ ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ Í ËÒÔÓθÁÓ‚‡Ì˲. • çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ ¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ. • ç ÔËÍÂÔÎflÈÚÂ Í ‰ËÒÍÂÚ Ì˘„Ó, ÍÓÏ ÒÔˆˇθÌ˚ı ̇ÍÎÂÂÍ, ÔÓÒÚ‡‚ÎflÂÏ˚ı ‚ÏÂÒÚÂ Ò ‰ËÒÍÂÚ‡ÏË. èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌÓ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÓ. ᇢËÚ‡ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ (Á‡˘ÂÎ͇ ‰Îfl Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË): • óÚÓ·˚ Á‡˘ËÚËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ÓÚ ÒÎÛ˜‡ÈÌÓ„Ó ÒÚˇÌËfl, ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ). é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/ Á‡ÔËÒË ‰‡ÌÌ˚ı • çÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ͇̇ÔÎË‚‡ÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÏÓÊÂÚ ÒÓ ‚ÂÏÂÌÂÏ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ÔË ˜ÚÂÌËË Ë Á‡ÔËÒË ‰‡ÌÌ˚ı. • óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË, ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸ Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡Ê ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ڇÍË ‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha. • Ç ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ‚ÒÚ‡‚ÎflÚ¸ ÚÓθÍÓ ‰ËÒÍÂÚ˚ Û͇Á‡ÌÌ˚ı ‚˚¯Â ÚËÔÓ‚. èÓÒÚÓÓÌÌË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ. ᇢÂÎ͇ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË ‚ ÓÚÍ˚ÚÓÈ ÔÓÁˈËË (Á‡ÔËÒ¸ Á‡Ô¢Â̇) êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı • ÑÎfl Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ı‡ÌËÚ¸ ÍÓÔËË Ì‡Ë·ÓΠ‚‡ÊÌ˚ı ‰‡ÌÌ˚ı ̇ ‰‚Ûı ‰ËÒÍÂÚ‡ı. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰‡ÌÌ˚ ÔË ÔÓÚ ËÎË ÔÓ‚ÂʉÂÌËË Ó‰ÌÓÈ ËÁ ‰ËÒÍÂÚ. ÑÎfl ÒÓÁ‰‡ÌËfl ÂÁ‚ÌÓÈ ‰ËÒÍÂÚ˚ ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Á‡ÔËÒË Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ, ÓÔËÒ‡ÌÌÛ˛ ̇ ÒÚ. 153. 낉ÂÌËfl Ó ‰ËÒÍÂÚ‡ı éÒÚÓÓÊÌÓ ӷ‡˘ÂÌËÂ Ò ‰ËÒÍÂÚ‡ÏË Ô‰ÔÓ·„‡ÂÚ Òӷβ‰ÂÌË ÒÎÂ‰Û˛˘Ëı ÏÂ: • ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚ Ëı Ë Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ Á‡˘ËÚÌ˚ı ÙÛÚÎfl‡ı. • ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË. • ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ ‰ËÒÍÂÚ˚ Ë ÔË͇҇ڸÒfl Í ‚ÌÛÚÂÌÌÂÈ ÔÓ‚ÂıÌÓÒÚË ‰ËÒ͇. CVP-210/208 7 ëÓÓ·˘ÂÌËfl ̇ ˝Í‡Ì àÌÓ„‰‡ ‰Îfl ӷ΄˜ÂÌËfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Ì‡ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓχˆËfl ËÎË ‚ÓÔÓÒ). èË ÔÓfl‚ÎÂÌËË Ú‡ÍÓ„Ó ÒÓÓ·˘ÂÌËfl ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‚Ò ËÌÒÚÛ͈ËË Ì‡ ˝Í‡ÌÂ, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ. èêàåÖóÄçàÖ ç‡ ˝Í‡Ì Help ÏÓÊÌÓ ‚˚·‡Ú¸ flÁ˚Í ÒÓÓ·˘ÂÌËÈ (ÒÚ. 53). F G H I Ç Ô˂‰ÂÌÌÓÏ ÔËÏ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [G] (YES) ‰Îfl ‚˚ÔÓÎÌÂÌËfl ÙÓχÚËÓ‚‡ÌËfl. J «Clavinova-Computer Connection» — ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ ‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò ÔÂÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Ì‡ÒÚÓËÚ¸ ÒËÒÚÂÏÛ Clavinova-äÓÏÔ¸˛Ú (ÛÍÓ‚Ó‰ÒÚ‚Ó Ì ‡ÒÒ˜ËÚ‡ÌÓ Ì‡ ͇ÍÛ˛-ÎË·Ó ÍÓÌÍÂÚÌÛ˛ ÏÓ‰Âθ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ÑÓχ¯Ìflfl ÒÚ‡Ìˈ‡ Clavinova .............................................. http://www.yamahaclavinova.com/ ÅË·ÎËÓÚÂ͇ ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï ÍÓÔÓ‡ˆËË Yamaha (ùÎÂÍÚÓÌÌ˚ ÏÛÁ˚͇θÌ˚ ËÌÒÚÛÏÂÌÚ˚)....................... http://www2.yamaha.co.jp/manual/english/ é·ÒÎÛÊË‚‡ÌË ÑÎfl ˜ËÒÚÍË ËÌÒÚÛÏÂÌÚ‡ ÔÓθÁÛÈÚÂÒ¸ Ïfl„ÍÓÈ ÒÛıÓÈ ËÎË Ò΄͇ ‚·ÊÌÓÈ (ıÓÓ¯Ó ÓÚʇÚÓÈ) Ú̸͇˛. ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ‰Îfl Ó˜ËÒÚÍË ·ÂÌÁËÌ, ‡ÒÚ‚ÓËÚÂθ, ÒÚˇθÌ˚È ÔÓÓ¯ÓÍ ËÎË ıËÏ˘ÂÒÍË ‡„ÂÌÚ˚. ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ ‚ËÌËÎÓ‚˚Â, Ô·ÒÚχÒÒÓ‚˚Â Ë ÂÁËÌÓ‚˚ Ô‰ÏÂÚ˚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó·ÂÒˆ‚˜˂‡Ì˲ Ô‡ÌÂÎË ËÎË Í·‚˯. ÇçàåÄçàÖ! èÂʉ ˜ÂÏ ÔËÒÚÛÔ‡Ú¸ Í ˝ÍÒÔÎÛ‡Ú‡ˆËË ËÌÒÚÛÏÂÌÚ‡ Clavinova, ÔÓ˜ËÚ‡ÈÚ ‡Á‰ÂÎ «íÂıÌË͇ ·ÂÁÓÔ‡ÒÌÓÒÚË» ̇ ÒÚ. 3 — 4. ■ ç‡ÒÚÓÈ͇ ËÌÒÚÛÏÂÌÚ‡ Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ÌÛʉ‡ÂÚÒfl ‚ ̇ÒÚÓÈÍÂ. éÌÓ ‚Ò„‰‡ ̇ÒÚÓÂÌÓ. ■ í‡ÌÒÔÓÚËӂ͇ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ Ô‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. è‚ÓÁËÚ¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉ (Í‡Í ÔË ÔÓÍÛÔÍÂ). ä·‚ˇÚÛÛ ÒΉÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔËÒÎÓÌflÈÚ ÂÂ Í ÒÚÂÌÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ. ç ÔÓ‰‚„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡‡Ï. èË Ú‡ÌÒÔÓÚËÓ‚Í ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓ·‡ÌÌÓÏ ‚ˉ ۷‰ËÚÂÒ¸, ˜ÚÓ ‚Ò ‚ËÌÚ˚ ÚÛ„Ó Á‡ÚflÌÛÚ˚ Ë Ì ‡Á·ÓÎÚ‡ÎËÒ¸ ‚Ó ‚ÂÏfl Ú‡ÌÒÔÓÚËÓ‚ÍË. 8 CVP-210/208 é„·‚ÎÂÌË ǂ‰ÂÌË .................................................. 2 ëÔ‡‚Ó˜ÌËÍ SPECIAL MESSAGE SECTION .................................................... 2 åÖêõ ÅÖáéèÄëçéëíà............................................................. 3 é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ ڇ·Îˈ ............... 5 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË ........................................ 6 àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ....................................... 6 ëÓÓ·˘ÂÌËfl ̇ ˝Í‡Ì ................................................................ 8 é·ÒÎÛÊË‚‡ÌËÂ............................................................................. 8 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ........................................................... 12 ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ..................... 14 ç‡ÒÚÓÈ͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ........................... 16 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚.............................................. 18 èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ....................................................... 56 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó........................... 20 èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ........................... 20 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ......................................................... 21 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ............................................................21 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â ...................................................... 25 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â.........................................................25 à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË.......................................26 ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË................................27 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ....................................................... 28 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.............................................................28 ó‡ÒÚË ÒÚËÎfl.................................................................................30 ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË».....................................................32 îÛÌ͈Ëfl Music Finder .............................................................. 33 àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder......................................33 èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder............................................34 èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl................................... 36 èÓ‰˚„˚‚‡ÂÏ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova .........................36 á‡ÔËÒ¸ .........................................................................................37 ê‡Áۘ˂‡ÌË ‚‡¯Ëı β·ËÏ˚ı ÔÂÒÂÌ........................................38 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË: Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı .................................................... 39 ëÓ‰ÂÊËÏÓ „·‚ÌÓ„Ó ˝Í‡Ì‡ ............................................... 39 ùÍ‡Ì Open/Save ....................................................................... 40 Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................................ 44 éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË ............................................ 45 Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ..............................................45 èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ .................................................46 äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ...................................................47 쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ.........................................................47 ëÓı‡ÌÂÌË هÈÎÓ‚...................................................................48 ìÔÓfl‰Ó˜ÂÌË هÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË ....48 èÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl........................48 Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌË Á̇˜ÍÓ‚.......................................48 àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ [DATA ENTRY].................................... 50 îÛÌ͈Ëfl Direct Access: ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ ................ 51 ëÔ‡‚ÍË ...................................................................................... 53 àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ..................................................... 54 ê„ÛÎËӂ͇ ÚÂÏÔ‡................................................................... 54 îÛÌ͈Ëfl Tap Tempo ...................................................................55 íÂÏ·˚.................................................... 58 Ç˚·Ó ÚÂÏ·‡............................................................................ 58 à„‡ ̇ ÙÓÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ................................... 59 íÂÏ·˚ Layer Ë Left: Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚............................................................. 60 ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚ ............................... 60 íÂÏ· ‰Îfl ΂ÓÈ ÛÍË: ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ................................ 61 èËÏÂÌÂÌË ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚ .................................. 61 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ.......................................................... 62 ëÚËÎË....................................................... 63 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl.......................................................... 63 ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl.......... 65 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË / ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚...................... 65 ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ ........................................................ 66 ćÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (óÄëíà: MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO (ËÌÚÓ‰Û͈Ëfl), ENDING (ÙË̇Î), BREAK (·ÂÈÍ))................................................................................. 68 éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚ (SYNC. STOP).................................................... 69 Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING)........ 70 Ä‚ÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: Auto Fill In ..................................................... 70 ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÙÛÌ͈Ëfl ONE TOUCH SETTING) ...................................................................... 71 Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: OTS Link.................................................................. 72 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ONE TOUCH SETTING)......................................................... 72 Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Music Finder ....................................................................................... 73 èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder ... 74 ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ: Music Finder.................................... 75 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË...................... 77 èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ............................................... 77 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË.......................................................... 78 ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ....................................... 78 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ .......................................... 80 èӘˠÓÔ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ............... 80 èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ – ‰ÓÓÊ͇1/‰ÓÓÊ͇2/ ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË .................................................. 81 èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË........................... 81 àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl: êÛÍÓ‚Ó‰ÒÚ‚Ó............. 82 îÛÌ͈ËË Ó·Û˜ÂÌËfl...................................................................... 82 ê‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ ................................................................... 83 CVP-210/208 9 éÚÓ·‡ÊÂÌË ÌÓÚ: Ô‡ÚËÚÛ‡ ................................................ 84 éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË .................................................... 87 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡.............. 123 ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ..................................................... 88 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 123 ìÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ — Volume/Voice .............. 124 àÁÏÂÌÂÌË ı‡‡ÍÚ‡ ÚÂÏ·‡ — Filter................................ 125 àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇ — Tune........................................................................ 125 ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ ............................................................. 126 äÓÂÍÚËӂ͇ Á‚Û͇ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍÛÊÂÌËÂÏ – EQ ................................................................ 128 ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ – „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ..................................................................................... 88 ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚.............................................89 ëÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚................................................ 129 ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚................................................. 90 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. .... 131 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator ......................................... 91 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ............................................. 91 臇ÏÂÚ˚ SOUND CREATOR (íÂÏ·˚ „ÛÔÔ˚ Natural/Regular) ...................................................................... 92 鄇ÌÌ˚ „ËÒÚ˚ ................................................................. 96 èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ .................................................................... 96 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator............................. 97 é Á‡ÔËÒË ÔÂÒÂÌ.......................................................................... 97 Å˚ÒÚ‡fl Á‡ÔËÒ¸......................................................................... 98 êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ ..................................... 99 á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ – èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ..................... 101 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ...............................................101 á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note).....................................103 á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Step Record (Chord).......................................................................104 Ç˚·Ó Ô‡‡ÏÂÚÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË – Rec Mode.............. 106 ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË ........................................................ 107 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï – Channel..................................................................................107 ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16 .............................110 ꉇÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD.......................111 ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX. (ÒÓÓ·˘ÂÌËfl System Exclusive) .............................................111 Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ....................................112 ç‡ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ – Filter..........................................112 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator......................... 113 é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .................................. 113 îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF) ................................................... 114 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ........................................... 114 á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË: Basic..................................... 115 èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ .................................................................. 116 ë·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly......................... 117 ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ........................... 118 àÁÏÂÌÂÌË ËÚχ: ÙÛÌ͈ËË Groove Ë Dynamics....................118 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇· .....................................120 ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF – Parameter...................121 10 CVP-210/208 Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·...................................... 131 èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ.................................................................... 133 ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·: MICROPHONE SETTING ............ 133 ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇: MICROPHONE SETTING....................................................... 133 ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚: ÒÚ‡Ìˈ‡ TALK SETTING ................................. 135 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function................................................. 136 èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ .................................................................. 136 íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔ‡ˆËË – Master Tune/Scale Tune ................................................................... 138 ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚ – Master Tune ................... 138 Ç˚·Ó ÚÂÏÔ‡ˆËË – Scale Tune............................................. 138 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song Settings.................................................................................. 140 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë Chord Fingering .................................................................... 141 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë Split Point ............ 141 Ç˚·Ó ‡ÔÔÎË͇ÚÛ˚ – Chord Fingering ................................... 142 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ – Controller............................................................................... 142 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ............................................. 142 àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ Ë Ì‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ú‡ÌÒÔÓÁˈËË – Keyboard/Panel..................... 144 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Registration Sequence, Freeze Ë Voice Set................................................................................ 145 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË – Registration Sequence ............ 145 ëÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò Ô‰ÌÂÈ Ô‡ÌÂÎË – Freeze.................................................................................... 145 àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ ÚÂÏ·‡, ‚˚·Ë‡ÂÏ˚ı ‡‚ÚÓχÚ˘ÂÒÍË – Voice Set .................................................. 146 ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ ........................ 146 éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ – Video Out ................................... 147 ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI.................................................. 148 é·˘‡fl ̇ÒÚÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) – System .......................................................... 148 艇˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit.................................... 149 èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive .......................................... 150 ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root ................. 150 ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ – Chord Detect ...............150 ÑÛ„Ë ԇ‡ÏÂÚ˚ – Utility.................................................... 151 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ÚÂÏÔ‡ – CONFIG 1 ..............................................................................151 ç‡ÒÚÓÈ͇ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰Ë̇ÏËÍÓ‚ Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ – CONFIG 2.............................................152 äÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ – Disk....................153 Ç‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ – Owner ..............154 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset.........................................................................154 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova. ........ 155 àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ PHONES)......................155 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN) ..........................................................155 èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ Ë ‚ˉÂÓ ÛÒÚÓÈÒÚ‚.................................156 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓÊÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl) ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ AUX PEDAL).....................157 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚)...........157 èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ (USB-ÔÓÚ, MIDI-ÔÓÚ) .............157 óÚÓ Ú‡ÍÓ MIDI?........................................................................159 óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI? .....................................................161 ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı................................................ 162 îÓÏ‡Ú ‰ËÒÍÂÚ .........................................................................162 îÓÏ‡Ú ÒÂÍ‚Â̈ËË ...................................................................162 îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚............................................163 ǂ‰ÂÌË ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó éÒÌÓ‚Ì˚ ÓÔ‡ˆËË – Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÈ íÂÏ·˚ ëÚËÎË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË CVP-210/208: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ .......................................... 164 ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ - Registration Memory ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ...................... 166 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ - Sound Creator íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË........... 168 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ - Song Creator è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ...................... 170 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ - Style Creator ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚ - Mixing Console àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ - MIC. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ - Function èÓ‰Íβ˜ÂÌËÂ Í Clavinova ‰Û„Ëı ÛÒÚÓÈÒÚ‚ èËÎÓÊÂÌË CVP-210/208 11 ëÔËÒÓÍ ÔËÏÂÌÂÌËÈ ùÚÓÚ Û͇Á‡ÚÂθ ÏÓÊÂÚ ÔË„Ó‰ËÚ¸Òfl ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡. èÓÒÎۯ˂‡ÌË èÓÒÎۯ˂‡ÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ..........................................................................................................................................ÒÚ. 78 èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ ........................................................................«ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚» ̇ ÒÚ. 80 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ .............................................................................................................................ÒÚ. 56 èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÁÏÓÊÌÓÒÚÂÈ ÚÂÏ·‡..........................................................................................................ÒÚ. 58 èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova...........................................................ÒÚ. 124 à„‡ ̇ Í·‚ˇÚÛ Ç˚ÁÓ‚ ̇ÒÚÓÂÍ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ .......................................................................................................................................ÒÚ. 59 àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ ÛÔ‡‚ÎÂÌËfl ËÒÔÓÎÌÂÌËÂÏ .......................................................................................................ÒÚ. 62 Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡....................................................................................................«Transpose» ̇ ÒÚ. 144 ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚...........................................................................«ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 60 ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ ..........................«íÂÏ· ‰Îfl ΂ÓÈ ÛÍË: ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 61 àÁÏÂÌÂÌË Á‚Û͇ ä‡Í ‰Ó·ËÚ¸Òfl ·ÓΠÂÒÚÂÒÚ‚ÂÌÌÓ„Ó Á‚Û˜‡ÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Â‚Â·Â‡ˆËË Ë ‰Û„Ëı ˝ÙÙÂÍÚÓ‚ ....................................................................................................................... «èËÏÂÌÂÌË ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 61 «ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚» ̇ ÒÚ. 126 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ...........................................................................................................................................................ÒÚ. 124 ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚...........................................................................«ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚» ̇ ÒÚ. 60 ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ ..........................«íÂÏ· ‰Îfl ΂ÓÈ ÛÍË: ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚» ̇ ÒÚ. 61 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ .....................................................................................................................................................................ÒÚ. 91 ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ................................................................................................................ÒÚ. 63 Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡............................................................................................................................ÒÚ. 73 à„‡ ̇ Í·‚ˇÚÛ éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË..........................................................................................................ÒÚ. 83 ÄÍÍÛ‡Ú̇fl Ë„‡ Òӄ·ÒÌÓ ˜ÂÚÍÓÏÛ ËÚÏÛ.......................................................................«àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» ̇ ÒÚ. 54 á‡ÔËÒ¸ á‡ÔËÒ¸ Ë„˚ ̇ Í·‚ˇÚÛ ................................................................................................................................................ÒÚ. 98, 99 ëÓÁ‰‡ÌË ÔÂÒÌË ÔÛÚÂÏ ‚‚Ó‰‡ ÓÚ‰ÂθÌ˚ı ÌÓÚ .......................................................................................................................ÒÚ. 101 ëÓÁ‰‡ÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ .....................................................................................................................................................................ÒÚ. 91 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.........................................................................................................................................ÒÚ. 113 12 CVP-210/208 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ .......................................«èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN)» ̇ ÒÚ. 155 Ä‚ÚÓχÚ˘ÂÒ͇fl „‡ÏÓÌËÁ‡ˆËfl ÔÂÌËfl ..................................................................................................................................ÒÚ. 131 ç‡ÒÚÓÈÍË ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ...........................................................................................................................................ÒÚ. 88 ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇/‚˚·Ó ÒÚÓfl...................................................................................................................................ÒÚ. 138 íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl .................................................................................................................ÒÚ. 140 íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡...........................................................................................................ÒÚ. 141 ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ ............................................................................ «ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ» ̇ ÒÚ. 142 íÓÌ͇fl ̇ÒÚÓÈ͇ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ ...........................................................................................................ÒÚ. 144 éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ̇ ÏÓÌËÚÓ ÚÂ΂ËÁÓ‡ ...................................«éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ – Video Out» ̇ ÒÚ. 147 ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI ...................................................................................................................................................ÒÚ. 148 èÓ‰Íβ˜ÂÌË Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï éÒÌÓ‚Ì˚ ҂‰ÂÌËfl Ó MIDI ............................................................................................................... «óÚÓ Ú‡ÍÓ MIDI?» ̇ ÒÚ. 159 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl........... «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT)» ̇ ÒÚ. 156 ì‚Â΢ÂÌË „ÓÏÍÓÒÚË ....... «ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ‚̯ÌÂÈ ÒÚÂÂÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯Ì Á‡ÔËÒ˚‚‡˛˘Â ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT)» ̇ ÒÚ. 156 Ç˚‚Ó‰ Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ............................... «Ç˚‚Ó‰ Á‚Û͇ ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (‡Á˙ÂÏ˚ AUX IN)» ̇ ÒÚ. 156 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡....................................................... «èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ (USB-ÔÓÚ, MIDI-ÔÓÚ)» ̇ ÒÚ. 157 äÓÏÔÓÌӂ͇ ë·Ó͇ Ë ‡Á·Ó͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ..................«CVP-210/208: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚» ̇ ÒÚ. 164 Å˚ÒÚÓ ¯ÂÌË ÔÓ·ÎÂÏ˚ éÒÌÓ‚Ì˚ ÙÛÌ͈ËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë ‚ÓÁÏÓÊÌÓÒÚË Â„Ó Ï‡ÍÒËχθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ...................ÒÚ. 12, 14 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ................................................................. «ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset» ̇ ÒÚ. 154 éÚÓ·‡ÊÂÌË ÒÓÓ·˘ÂÌËÈ............................................................................................................ «ëÓÓ·˘ÂÌËfl ̇ ˝Í‡Ì» ̇ ÒÚ. 8 ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË/flÍÓÒÚË..................................................................................«ç‡ÒÚÓÈ͇ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰Ë̇ÏËÍÓ‚ Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ ÚÂÏ·Ó‚: CONFIG 2» ̇ ÒÚ. 152 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ............................................................................................................................................................ÒÚ. 166 CVP-210/208 13 ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova SONG VOCAL HARMONY DEMO ÇÓÒÔÓËÁ‚‰ÂÌË Ô‰‚‡ËÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 21, 36, 77) Ä‚ÚÓχÚ˘ÂÒ͇fl ÔÓ‰Ô‚͇ (ÒÚ. 131) ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË (ÒÚ. 20, 56) 艷„‡ÂÚÒfl ·Óθ¯ÓÈ ‚˚·Ó ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. åÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË Ò ‰ËÒÍÓ‚, ÔËÓ·ÂÚÂÌÌ˚ı ‚ χ„‡ÁË̇ı. ùÚ‡ ÒÎÓÊ̇fl ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ÎflÂÚ Í ‚‡¯ÂÏÛ ÔÂÌ˲ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ „‡ÏÓÌ˲. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË ÔÓ͇Á˚‚‡˛Ú Ì ÚÓθÍÓ ‚ÓÁÏÓÊÌÓÒÚË ÚÂÏ·Ó‚ Ë ÒÚËÎÂÈ ËÌÒÚÛÏÂÌÚ‡, ÌÓ Ú‡ÍÊ ‡Á΢Ì˚ ÙÛÌ͈ËË Ë Ò‰ÒÚ‚‡ ÛÔ‡‚ÎÂÌËfl. éÌË ÔÓÁ‚ÓÎfl˛Ú ÔÓÎÛ˜ËÚ¸ Ô‡ÍÚ˘ÂÒÍËÈ ÓÔ˚Ú Ë„˚ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova! METRONOME POWER START STOP MIC. SIGNAL OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT MIC. SETTING MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R DEMO A MASTER VOLUME HELP FADE IN OUT REC TOP START STOP REW FF B GUIDE REPEAT FUNCTION C NEW SONG MIN MAX SYNC. START TEMPO TRANSPOSE DIGITAL STUDIO D SOUND CREATOR TAP TEMPO E RESET RESET STYLE ACMP AUTO FILL IN BREAK INTRO MAIN ENDING rit. SYNC.STOP SYNC.START START STOP OTS LINK DIGITAL RECORDING MIXING CONSOLE BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 14 1 STYLE GUIDE DIGITAL RECORDING ëÓÁ‰‡ÌË ÒÓÔÓ‚ÓʉÂÌËfl Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Accompaniment (ÒÚ. 28, 63) ì˜ËÚÂÒ¸ Ë ÛÔ‡ÊÌflÈÚÂÒ¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Guide (ÒÚ. 38, 82) á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl (ÒÚ. 97, 113) ÖÒÎË ‚ÁflÚ¸ ‡ÍÍÓ‰ ΂ÓÈ ÛÍÓÈ, Ô‡ÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË. Ç˚·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÔËÏÂ, ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ ÏÛÁ˚ÍÛ Ë Ú. Ô., Ë ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Á‡ÏÂÌËÚ ‚‡Ï ˆÂÎ˚È ÓÍÂÒÚ! á‡ÔÛÒÚËÚ ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË ËÎË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ; ˝Í‡Ì˚ Ë Ë̉Ë͇ÚÓ˚ Û͇ÊÛÚ, ÍÓ„‰‡ Ë „‰Â Ë„‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚. ê‡Áۘ˂‡ÌË ÌÓ‚˚ı ÔÓËÁ‚‰ÂÌËÈ ÌËÍÓ„‰‡ ¢ Ì ·˚ÎÓ Ú‡ÍËÏ ÔÓÒÚ˚Ï Ë Á‡ÌËχÚÂθÌ˚Ï! CVP-210/208 2 ùÚË ÏÓ˘Ì˚Â Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔÓÒÚ˚ Ò‰ÒÚ‚‡ Á‡ÔËÒË ÔÓÁ‚ÓÎfl˛Ú Á‡ÔËÒ˚‚‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌËÂ Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÔÓÎÌÓÒÚ¸˛ ÓÍÂÒÚÓ‚‡ÌÌ˚ ÍÓÏÔÓÁˈËË, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚ ‡Á‰ÂΠԇÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ. 3 4 5 6 7 Üä-‰ËÒÔÎÂÈ ÅÓθ¯ÓÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì (‚ÏÂÒÚÂ Ò ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ÏË ÍÌÓÔ͇ÏË Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË) Ó·ÂÒÔ˜˂‡ÂÚ ÛÌË‚Â҇θÌÓÂ Ë ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ÛÔ‡‚ÎÂÌË ‚ÒÂÏË ÓÔ‡ˆËflÏË Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. MUSIC FINDER VOICE Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Â„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 33, 73) é„ÓÏÌ˚È ‚˚·Ó ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·Ó‚ (ÒÚ. 25, 58) ÖÒÎË ‚˚ ¯ËÎË ËÒÔÓÎÌËÚ¸ ͇ÍÛ˛-ÚÓ ÔÂÒÌ˛, ÌÓ Ì Á̇ÂÚÂ, ͇ÍÓÈ ÒÚËθ ËÎË ÚÂÏ· ÔÓ‰ÓȉÂÚ ‰Îfl Ì ÎÛ˜¯Â ‚Ò„Ó, ‚‡Ï ÔÓÏÓÊÂÚ Ò‰ÒÚ‚Ó Music Finder. èÓÒÚÓ ‚˚‰ÂÎËÚ ̇Á‚‡ÌË ÔÂÒÌË, Ë ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰·ÂÂÚ Ì‡Ë·ÓΠÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ Ë ÚÂÏ·. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ô‰·„‡ÂÚ ˆÂÎ˚È fl‰ ËÒÍβ˜ËÚÂθÌÓ Â‡ÎËÒÚ˘Ì˚ı Ë ‰Ë̇Ï˘Ì˚ı ÚÂÏ·Ó‚ (·ÓΠ800), ‚Íβ˜‡fl ÙÓÚÂÔˇÌÓ, ÒÚÛÌÌ˚Â, ‰Â‚flÌÌ˚ ‰ÛıÓ‚˚ ËÌÒÚÛÏÂÌÚ˚ Ë ÏÌÓ„Ó ‰Û„ÓÂ! VOICE EFFECT REVERB BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT VOICE F PIANO & HARPSI. VOICE PART ON OFF G LAYER H LEFT BRASS ENTER ORGAN FLUTES USER ONE TOCTH SETTING MUSIC FINDER I 1 2 3 4 J REGISTRATION MEMORY PIANO DATA ENTRY 2 3 4 5 6 7 8 PIANO ç‡ÒÚÓÈÚ ÔˇÌËÌÓ – Ï„ÌÓ‚ÂÌÌÓ (ÒÚ. 59) é‰ÌËÏ Ì‡Ê‡ÚËÂÏ Í·‚Ë¯Ë ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÓÔÚËχθÌ˚ ̇ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë ‚ÓÒÔÓËÁ‚ÂÒÚË ÌÂÓ·˚˜‡ÈÌÓ Â‡ÎËÒÚ˘Ì˚È ÚÂÏ· ÓflÎfl. 1 FREEZE 2 3 4 5 6 7 8 MEMORY EXIT ê‡Á˙ÂÏ USB 鄇ÌÌ˚ ÚÂÏ·˚ ëÓÁ‰‡ÌË ÏÛÁ˚ÍË Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡: ΄ÍÓ Ë ·˚ÒÚÓ (ÒÚ. 157) ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚ (ÒÚ. 96) èÓ„ÛÁËÚÂÒ¸ ‚ ÌÂÓ·˙flÚÌ˚È ÏË ÍÓÏÔ¸˛ÚÂÌÓÈ ÏÛÁ˚ÍË Ë ËÒÔÓθÁÛÈÚÂ Â„Ó ÔÂËÏÛ˘ÂÒÚ‚‡. àÒÍβ˜ËÚÂθÌÓ ÔÓÒÚÓ ÔÓ‰Íβ˜ÂÌËÂ Ë Ì‡ÒÚÓÈ͇, ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ , Á‡ÔËÒ‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂÂ, ‚ ‡Á΢ÌÓÈ ÓÍÂÒÚÓ‚Í – Ë ‚Ò ˝ÚÓ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova! ùÚ‡ ÒÔˆˇθ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÔÓÎÌ˚È Ì‡·Ó „ÎÛ·ÓÍËı Ë ˝ÙÙÂÍÚÌ˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÏ ÚÓ„Ó, Ó̇ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ӄ‡ÌÌ˚ „ÓÎÓÒ‡, Ú‡Í ÊÂ Í‡Í Ë Ì‡ Ó·˚˜ÌÓÏ Ó„‡ÌÂ, Û‚Â΢˂‡fl ËÎË ÛÏÂ̸¯‡fl ‰ÎËÌÛ ÚÛ·, Ë ‰Ó·‡‚ÎflÚ¸ Á‚ÛÍË Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. USB AUX PEDAL MIDI THRU L/L+R VIDEO OUT R AUX IN L/L+R OUT R IN (LEVEL FIXED) L R AUX OUT CVP-210/208 15 ç‡ÒÚÓÈ͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ä˚¯Í‡ Í·‚ˇÚÛ˚ ■ óÚÓ·˚ ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë ÔÓ‰‚Ë̸ڠ ‚Ô‰. ■ óÚÓ·˚ ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ: 1 ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. ̇ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ 2 éÒÚÓÓÊÌÓ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. ■ óÚÓ·˚ Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚: èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËڠ ̇ Í·‚ˇÚÛÛ. ÇçàåÄçàÖ! ÇçàåÄçàÖ! äÓ„‰‡ ‚˚ ÓÚÍ˚‚‡ÂÚ ËÎË Á‡Í˚‚‡ÂÚ Í˚¯ÍÛ, ·Û‰¸Ú ÓÒÚÓÓÊÌ˚, ˜ÚÓ·˚ Ì Ôӂ‰ËÚ¸ ԇθˆ˚. ÇçàåÄçàÖ! éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ‰ÂÊËڠ ‰‚ÛÏfl Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍÓÂÚÒfl ËÎË Ì Á‡ÍÓÂÚÒfl ÔÓÎÌÓÒÚ¸˛. ç Á‡˘ÂÏËÚ ҂ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ. ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛ÔËÚ, Ì ‚˚ÔÛÒ͇ÈÚÂ Â„Ó ËÁ ÛÍ, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. îËÍÒ‡ÚÓ ‰Îfl ÌÓÚ ùÚË ÙËÍÒ‡ÚÓ˚ Û‰ÂÊË‚‡˛Ú ÒÚ‡Ìˈ˚ ÌÓÚ Ì‡ ÏÂÒÚÂ. ■ èÓ‰ÌflÚ¸ ÇçàåÄçàÖ! ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. äÓ„‰‡ Í˚¯Í‡ ÓÚÍ˚Ú‡, ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡, Ë ÚÓ„‰‡ ËÁ‚Θ¸ Ëı ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ‰Û„ËÏ Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡. è˛ÔËÚ ■ óÚÓ·˚ ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ: 1 ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. 2 éÔÛÒ͇ÈÚ ԲÔËÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì Á‡ÙËÍÒËÛÂÚÒfl. 16 CVP-210/208 ■ éÔÛÒÚËÚ¸ ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Ç˚·ÂËÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [MASTER VOLUME]. MASTER VOLUME èÓ‰Íβ˜ÂÌË ͇·ÂÎfl ÔËÚ‡ÌËfl Ó‰ËÌ ÍÓ̈ ͇·ÂÎfl ‚ ‡Á˙ÂÏ AC INLET 1 ÇÒÚ‡‚¸Ú ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‡ ‰Û„ÓÈ — ‚ ÓÁÂÚÍÛ. FADE IN / OUT Ç ÌÂÍÓÚÓ˚ı Òڇ̇ı ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ÔÂÂıÓ‰ÌËÍ ‰Îfl ÓÁÂÚÓÍ Ò ‰Û„ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. MAX MIN ÇçàåÄçàÖ! ç ËÒÔÓθÁÛÈÚ ÔˇÌËÌÓ Clavinova ÔË ‚˚ÒÓÍÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË ‰ÎËÚÂθÌÓ ‚ÂÏfl. ùÚÓ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ÒÎÛı. àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ èÓ‰ÒÓ‰ËÌËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES]. ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ ‰‚‡ ‡Á˙Âχ [PHONES]. ä ÌËÏ ÏÓÊÌÓ ÔÓ‰Íβ˜‡Ú¸ ‰‚ Òڇ̉‡ÚÌ˚ı Ô‡˚ ÒÚÂÂÓ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÚÓθÍÓ Ó‰Ì‡ Ô‡‡ ̇ۯÌËÍÓ‚, ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌflÚ¸ ÂÂ Í Î˛·ÓÏÛ ËÁ ‡Á˙ÂÏÓ‚.) (îÓχ ‚ËÎÍË Á‡‚ËÒËÚ ÓÚ ÒÚ‡Ì˚.) ÍÌÓÔÍÛ [POWER]. 2 ç‡ÊÏËÚ → ç‡ Üä-‰ËÒÔΠÔÓfl‚ÎflÂÚÒfl „·‚Ì˚È ˝Í‡Ì. à̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ ÔÓ‰ Ô‡‚˚Ï ÍÓ̈ÓÏ Í·‚ˇÚÛ˚ Ú‡ÍÊ „ÓËÚ. INPUT VOLUME MIN MIC. LINE IN MIC. LINE PHONES MAX POWER ON OFF ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ à̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ „ÓËÚ. BACK A B C ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ CVP-210/208 Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 × 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. D E ÇçàåÄçàÖ! BALANCE CHANNEL ON ⁄ OFF PART ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í˛˜ÓÍ. ÖÒÎË ‚˚ „ÓÚÓ‚˚ ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER]. → ùÍ‡Ì Ë Ë̉Ë͇ÚÓ ‰ËÒÍÓ‚Ó‰‡ (‚ÌËÁÛ ÒÔ‡‚‡) ÔÓ„‡ÒÌÛÚ. CVP-210/208 17 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë ‡Á˙ÂÏ˚ 69 70 71 72 INPUT VOLUME MIN MIC. LINE IN MIC. LINE 75 74 AUX PEDAL USB 73 MIDI THRU L/L+R METRONOME POWER MIC. START ⁄ STOP 1 ON OUT IN PHONES MAX 5 VIDEO OUT AUX IN 76 77 L/L+R (LEVEL FIXED) L R R AUX OUT 78 79 OVER VOCAL HARMONY 2 OFF SIGNAL R TALK 6 EFFECT VH TYPE SELECT 7 8 MIC. SETTING 9 36 37 38 SONG EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R MASTER VOLUME 10 11 REC FADE IN ⁄ OUT TOP START ⁄ STOP 12 REW FF GUIDE REPEAT MENU 42 DEMO A HELP B FUNCTION 3 MIN 13 4 NEW SONG MAX 14 15 SYNC. START 16 17 TEMPO 18 19 DIGITAL STUDIO TRANSPOSE TAP TEMPO 20 RESET STYLE ACMP AUTO FILL IN OTS LINK 23 BREAK INTRO MAIN 21 RESET ENDING ⁄ rit. 22 SYNC.STOP SYNC.START START ⁄ STOP 24 25 26 C 27 28 29 30 31 32 33 34 39 40 41 D SOUND CREATOR E DIGITAL RECORDING MIXING CONSOLE 35 CHANNEL ON ⁄ OFF DIRECT ACCESS 1 äÌÓÔ͇ [ON / OFF] (POWER)............................................................... ëÚ. 17 METRONOME 2 äÌÓÔ͇ [START / STOP] (METRONOME) ........................................... ëÚ. 54 MASTER VOLUME 3 4 ÑËÒÍ ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] .......................... ëÚ. 17 äÌÓÔ͇ [FADE IN / OUT] ...................................................................... ëÚ. 69 MIC. 5 6 7 8 9 äÌÓÔ͇ [VOCAL HARMONY].............................................................. ëÚ. 131 äÌÓÔ͇ [TALK] .................................................................................... ëÚ. 131 äÌÓÔ͇ [EFFECT] ............................................................................... ëÚ. 131 äÌÓÔ͇ [VH TYPE SELECT]............................................................... ëÚ. 131 äÌÓÔ͇ [MIC. SETTING] .................................................................... ëÚ. 131 SONG 10 11 12 13 14 15 16 17 18 19 äÌÓÔ͇ [EXTRA TRACKS (STYLE)]..................................................... ëÚ. 81 äÌÓÔ͇ [TRACK 2 (L)]........................................................................... ëÚ. 81 äÌÓÔ͇ [TRACK 1 (R)] .......................................................................... ëÚ. 81 äÌÓÔ͇ [REC]........................................................................................ ëÚ. 97 äÌÓÔ͇ [TOP]........................................................................................ ëÚ. 80 äÌÓÔ͇ [START / STOP] (SONG)......................................................... ëÚ. 78 äÌÓÔ͇ [REW]....................................................................................... ëÚ. 80 äÌÓÔ͇ [FF]........................................................................................... ëÚ. 80 äÌÓÔ͇ [REPEAT]................................................................................. ëÚ. 81 äÌÓÔ͇ [GUIDE].................................................................................... ëÚ. 82 3 4 5 DIGITAL STUDIO 39 äÌÓÔ͇ [SOUND CREATOR] ................................................................ëÚ. 91 40 äÌÓÔ͇ [DIGITAL RECORDING]...................................................ëÚ. 97, 113 41 äÌÓÔ͇ [MIXING CONSOLE] ..............................................................ëÚ. 123 DISPLAY CONTROL äÌÓÔÍË [A] - [J] ......................................................................................ëÚ. 44 äÌÓÔ͇ [BALANCE] ...............................................................................ëÚ. 65 äÌÓÔ͇ [CHANNEL ON / OFF] ........................................................ëÚ. 65, 80 äÌÓÔ͇ [DIRECT ACCESS]...................................................................ëÚ. 51 äÌÓÔ͇ [BACK] ................................................................................ëÚ. 44, 50 äÌÓÔ͇ [NEXT] ................................................................................ëÚ. 44, 50 äÌÓÔ͇ VOICE PART ON \/ OFF [LAYER]............................................ëÚ. 60 äÌÓÔ͇ VOICE PART ON / OFF [LEFT]................................................ëÚ. 60 äÌÓÔÍË [1▲▼] - [8▲▼]................................................................ëÚ. 39 - 49 äÌÓÔ͇ [ENTER]....................................................................................ëÚ. 50 ÑËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ........................................................ëÚ. 50 äÌÓÔ͇ [EXIT]........................................................................................ëÚ. 44 VOICE EFFECT 54 55 56 57 58 59 CVP-210/208 2 36 äÌÓÔ͇ [DEMO] .....................................................................................ëÚ. 56 37 äÌÓÔ͇ [HELP] ......................................................................................ëÚ. 53 38 äÌÓÔ͇ [FUNCTION] ...........................................................................ëÚ. 136 STYLE äÌÓÔ͇ [ACMP]..................................................................................... ëÚ. 64 äÌÓÔ͇ [AUTO FILLIN] ......................................................................... ëÚ. 70 äÌÓÔ͇ [OTS LINK]............................................................................... ëÚ. 72 äÌÓÔ͇ [BREAK] ................................................................................... ëÚ. 68 1 MENU 22 äÌÓÔÍË [E] [F] (TRANSPOSE).................................................. ëÚ. 144 23 24 25 26 50 äÌÓÔ͇ [INTRO]...............................................................................ëÚ. 31, 70 äÌÓÔ͇ MAIN [A] ...................................................................................ëÚ. 68 äÌÓÔ͇ MAIN [B] ...................................................................................ëÚ. 68 äÌÓÔ͇ MAIN [C] ...................................................................................ëÚ. 68 äÌÓÔ͇ MAIN [D] ...................................................................................ëÚ. 68 äÌÓÔ͇ [ENDING / rit.].....................................................................ëÚ. 31, 70 äÌÓÔ͇ [SYNC.STOP] ...........................................................................ëÚ. 69 äÌÓÔ͇ [SYNC.START] .........................................................................ëÚ. 64 äÌÓÔ͇ [START / STOP] (STYLE) ........................................................ëÚ. 64 TRANSPOSE 20 äÌÓÔÍË [E] [F] (TEMPO) ............................................................. ëÚ. 54 21 äÌÓÔ͇ [TAP TEMPO] .......................................................................... ëÚ. 55 18 27 28 29 30 31 32 33 34 35 42 43 44 45 46 47 48 49 50 51 52 53 TEMPO 44 PART 45 POWER 43 BALANCE PART äÌÓÔ͇ [REVERB] .................................................................................ëÚ. 61 äÌÓÔ͇ [DSP] ........................................................................................ëÚ. 61 äÌÓÔ͇ [VARIATION] ............................................................................ëÚ. 61 äÌÓÔ͇ [HARMONY / ECHO] ................................................................ëÚ. 62 äÌÓÔ͇ [MONO].....................................................................................ëÚ. 62 äÌÓÔ͇ [LEFT HOLD] ............................................................................ëÚ. 62 68 80 67 82 81 VOICE EFFECT 46 BACK NEXT REVERB 47 DSP 54 42 VARIATION 55 56 HARMONY ⁄ ECHO 57 MONO LEFT HOLD 58 59 VOICE F PIANO & HARPSI. VOICE PART ON ⁄ OFF G LAYER H LEFT 48 49 60 BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG ORGAN FLUTES USER 51 ENTER I ONE TOCTH SETTING MUSIC FINDER 62 61 1 2 3 4 J REGISTRATION MEMORY PIANO DATA ENTRY 52 50 4 5 6 7 8 63 64 1 2 3 4 5 6 7 8 MEMORY 66 53 60 äÌÓÔÍË VOICE ...................................................................................... ëÚ. 58 MUSIC FINDER 61 äÌÓÔ͇ [MUSIC FINDER] ..................................................................... ëÚ. 73 ONE TOUCH SETTING 62 äÌÓÔÍË [1] – [4] (ONE TOUCH SETTING)............................................ ëÚ. 71 ç‡ÒÚÓÈ͇ PIANO 63 äÌÓÔ͇ [PIANO] .................................................................................... ëÚ. 59 REGISTRATION MEMORY 64 äÌÓÔ͇ [FREEZE] ................................................................................. ëÚ. 90 65 äÌÓÔÍË [1] – [8] (REGISTRATION MEMORY)...................................... ëÚ. 88 66 äÌÓÔ͇ [MEMORY] ............................................................................... ëÚ. 88 67 ÑËÒÍÓ‚Ó‰ (‰Îfl ‰ËÒÍÂÚ ‡ÁÏÂÓÏ 3,5 ‰˛Èχ) ...................................... ëÚ. 6 68 à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ .................................................................... ëÚ. 82 ê‡Á˙ÂÏ˚ ̇ۯÌËÍÓ‚ Ë ÏËÍÓÙÓ̇ ê„ÛÎflÚÓ [INPUT VOLUME] ............................................................. ëÚ. 155 ê‡Á˙ÂÏ [MIC. LINE IN] ....................................................................... ëÚ. 155 Ç˚Íβ˜‡ÚÂθ [MIC. LINE] ................................................................. ëÚ. 155 ê‡Á˙ÂÏ˚ [PHONES] ........................................................................... ëÚ. 155 ê‡Á˙ÂÏ˚ 73 74 75 76 77 78 79 65 EXIT VOICE 69 70 71 72 FREEZE èÓÚ˚ MIDI [THRU] [OUT] [IN]........................................................... ëÚ. 157 èÓÚ [USB].......................................................................................... ëÚ. 157 ê‡Á˙ÂÏ [AUX PEDAL]......................................................................... ëÚ. 157 ê‡Á˙ÂÏ [VIDEO OUT] ......................................................................... ëÚ. 156 ê‡Á˙ÂÏ˚ AUX IN [L / L+R] [R]............................................................ ëÚ. 156 ê‡Á˙ÂÏ˚ AUX OUT [L / L+R] [R]........................................................ ëÚ. 156 ê‡Á˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ....................................... ëÚ. 156 艇ÎË 80 ょfl Ô‰‡Î¸....................................................................................... ëÚ. 62 81 ë‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») .......................................................... ëÚ. 62 82 臂‡fl Ô‰‡Î¸..................................................................................... ëÚ. 62 ãÓ„ÓÚËÔ˚ ̇ Ô‡ÌÂÎË ãÓ„ÓÚËÔ˚, ̇Ô˜‡Ú‡ÌÌ˚ ̇ Ô‡ÌÂÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ÒÓ‰ÂÊ‡Ú Ò‚Â‰ÂÌËfl Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı Òڇ̉‡Ú‡ı/ÙÓχڇı Ë Ó· ÓÒÓ·˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡. GM System Level 1 ëڇ̉‡Ú GM System Level 1 fl‚ÎflÂÚÒfl ‰ÓÔÓÎÌÂÌËÂÏ Í Òڇ̉‡ÚÛ MIDI Ë „‡‡ÌÚËÛÂÚ, ˜ÚÓ Î˛·˚ ‰‡ÌÌ˚Â, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ Òڇ̉‡ÚÛ, ·Û‰ÛÚ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ̇ β·ÓÏ GM-ÒÓ‚ÏÂÒÚËÏÓÏ ÚÓÌ-„Â̇ÚÓÂ Ë ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Î˛·Ó„Ó ÔÓËÁ‚Ó‰ÒÚ‚‡. îÓÏ‡Ú XG XG – ˝ÚÓ ÌÓ‚‡fl ÒÔˆËÙË͇ˆËfl MIDI ÍÓÔÓ‡ˆËË Yamaha. é̇ Á̇˜ËÚÂθÌÓ ‡Ò¯ËflÂÚ Ë ÛÎÛ˜¯‡ÂÚ Òڇ̉‡Ú GM System Level 1 Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË, Ò‰ÒÚ‚‡ÏË ‚˚‡ÁËÚÂθÌÓÒÚË Ë ˝ÙÙÂÍÚ‡ÏË Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·ÂÒÔ˜˂‡ÂÚ ÔÓÎÌÛ˛ ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÒÓ Òڇ̉‡ÚÓÏ GM. àÒÔÓθÁÓ‚‡ÌË ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ÚÂÏ·Ó‚ XG ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ Ù‡ÈÎ˚ ÔÂÒÂÌ ‚ ÙÓχÚ XG. îÓÏ‡Ú XF îÓÏ‡Ú XF ÍÓÔÓ‡ˆËË Yamaha ÛÒӂ¯ÂÌÒÚ‚ÛÂÚ Òڇ̉‡Ú SMF (Standard MIDI File) Á‡ Ò˜ÂÚ Û‚Â΢ÂÌËfl ÙÛÌ͈ËÓ̇θÌÓÒÚË Ë ‚ÓÁÏÓÊÌÓÒÚË ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚ XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ. (îÓÏ‡Ú SMF fl‚ÎflÂÚÒfl ̇˷ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚Ï ÙÓχÚÓÏ Ù‡ÈÎÓ‚ MIDI. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÒÓ‚ÏÂÒÚËÏÓ Ò ÙÓχڇÏË SMF 0 Ë 1; ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı» ‰‡ÌÌ˚ı ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SMF Format 0.) Vocal Harmony îÛÌ͈Ëfl Vocal Harmony ËÒÔÓθÁÛÂÚ ‚ÒÚÓÂÌÌÛ˛ ÚÂıÌÓÎӄ˲ ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Á‚Û͇ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‰Ó·‡‚ÎÂÌËfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ „‡ÏÓÌËË Í ‚Â‰Û˘ÂÏÛ ÚÂÏ·Û ÔË ËÒÔÓÎÌÂÌËË ÔÂÒÌË. íÂıÌÓÎÓ„Ëfl Vocal Harmony ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ı‡‡ÍÚÂ Ë Ó‰ ‚Â‰Û˘Â„Ó ÚÂÏ·‡, ‡ Ú‡ÍÊ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÚÂÏ·Ó‚ ‰Îfl ÒÓÁ‰‡ÌËfl ‡ÁÌÓÓ·‡ÁÌ˚ı ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. îÓÏ‡Ú Disk Orchestra Collection îÓÏ‡Ú DOC (Disk Orchestra Collection) ‰Îfl Á‡ÔËÒË ÚÂÏ·Ó‚ Ó·ÂÒÔ˜˂‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Yamaha Ë ÛÒÚÓÈÒÚ‚ MIDI. îÓÏ‡Ú Style File Format îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓË„Ë̇θÌ˚È ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÂÚÒfl ÙÓÏ‡Ú SFF, Á‡ÎÓÊÂÌÌ˚È ‚ Ô‡ÏflÚ¸, ÔË ˝ÚÓÏ Ò˜ËÚ˚‚‡˛ÚÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ËÒÍË ÒÓ ÒÚËÎflÏË SFF Ë ÒÓÁ‰‡˛ÚÒfl ÒÚËÎË SFF Ò ÔÓÏÓ˘¸˛ Ò‰ÒÚ‚‡ Style Creator (ÒÓÁ‰‡ÚÂθ ÒÚËÎÂÈ). USB USB – ˝ÚÓ ÒÓ͇˘ÂÌË ÓÚ Universal Serial Bus (ÛÌË‚Â҇θ̇fl ÔÓÒΉӂ‡ÚÂθ̇fl ¯Ë̇). ùÚÓ ÔÓÒΉӂ‡ÚÂθÌ˚È ËÌÚÂÙÂÈÒ ‰Îfl Ò‚flÁË ÍÓÏÔ¸˛Ú‡ Ò ÔÂËÙÂËÈÌ˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË. éÌ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ «„Ófl˜Û˛» Á‡ÏÂÌÛ ÔÂËÙÂËÈÌ˚ı ÛÒÚÓÈÒÚ‚ (·ÂÁ ‚˚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ÍÓÏÔ¸˛Ú‡). CVP-210/208 19 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó. . . . . . . . . . . . . . . . . . . . . . . . . . . . . èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ, ÔÓÁ‚ÓÎfl˛˘Ëı ÓˆÂÌËÚ¸ ·Ó„‡ÚÒÚ‚Ó Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸ Á‚Û˜‡ÌËfl Â„Ó ÚÂÏ·Ó‚, ËÚÏÓ‚ Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÅÓΠÚÓ„Ó, ̇ÏË ·˚Î ‡Á‡·ÓÚ‡Ì fl‰ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÙÛÌ͈ËÈ. ë Ëı ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ̇ Ô‡ÍÚËÍ ÓÁ̇ÍÓÏËÚ¸Òfl ÒÓ ‚ÒÂÏË ‚‡ÊÌÂȯËÏË ÙÛÌ͈ËflÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ë Ò‡ÏÓÒÚÓflÚÂθÌÓ Ì‡Û˜ËÚ¸Òfl ˝ÙÙÂÍÚË‚ÌÓÏÛ ÔËÏÂÌÂÌ˲ ‚ ÔÓˆÂÒÒ ÒÓÁ‰‡ÌËfl ÏÛÁ˚ÍË. 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO] ‰Îfl ‚˚ÁÓ‚‡ ÏÂÌ˛ ‚˚·Ó‡ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË. ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 56 äÌÓÔ͇ Demo óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK]/[NEXT]. BACK NEXT MENU DEMO HELP FUNCTION èêàåÖóÄçàÖ ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡Á΢Ì˚ı ÙÛÌ͈ËÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ÔÓÁ‚ÓÎfl˛Ú ÔÓÎÛ˜ËÚ¸ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ‰ÓÒÚÛÔÌ˚ı ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 ËÚχı Ë ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 56). Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì‡ ‚Í·‰Í‡ VOICE. ÑÂÏÓÌÒÚ‡ˆËË ÚÂÏ·Ó‚ ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθÁÓ‚‡ÌËfl ÚÂÏ·Ó‚ CVP-210/208. 3 óÚÓ·˚ ‚˚·‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J] ËÎË ÍÌÓÔÍÛ [8▼] (AUTO) (ËÏÂÂÚÒfl ÚÓθÍÓ Ì‡ ÒÚ‡Ìˈ FUNCTION). ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚ÓÒÔÓËÁ‚ÂÒÚË ‰ÂÏÓÌÒÚ‡ˆË˛ ÔÂÒÌË GrandPiano(C). èêàåÖóÄçàÖ VOICE PART ON ⁄ OFF A F B G LAYER C H LEFT D I E J 1 2 3 4 5 6 7 ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‰ÂÏÓÌÒÚ‡ˆËflı Ô˂‰ÂÌ˚ ̇ ÒÚ. 56. 8 óÚÓ·˚ ‚˚ÈÚË ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ Ë ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN) ÔÓ Á‡‚¯ÂÌËË ‚ÒÂı ‰ÂÏÓÌÒÚ‡ˆËÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÓÁ̇ÍÓÏËÚÂÒ¸ Ò ‰ÂÏÓÌÒÚ‡ˆËflÏË, ÒÚÓËÚ ‡ÁÓ·‡Ú¸Òfl Â˘Â Ò ‰‚ÛÏfl ÙÛÌ͈ËflÏË, ÍÓÚÓ˚ ÔÓÏÓ„ÛÚ ‚‡Ï ÎÛ˜¯Â ÛÁ̇ڸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova. • ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ) (ÒÚ. 21) • ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ (ÒÚ. 21) • ÇÓÒÔÓËÁ‚‰ÂÌË ÍÓÓÚÍÓ„Ó ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌÓ„Ó Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ (̇ ˝Í‡Ì Voice Open; ÒÚ. 26). 20 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 77 ÇÒ ‚ÓÁÏÓÊÌÓÒÚË ÔÓÚflÒ‡˛˘Ëı ÚÂÏ·Ó‚, ˝ÙÙÂÍÚÓ‚, ËÚÏÓ‚, ÒÚËÎÂÈ Ë ‰Û„Ëı ÒÎÓÊÌ˚ı ‡Î„ÓËÚÏÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓfl‚Îfl˛ÚÒfl ‚ Ó‰ÌÓÏ – ‚ ÔÂÒÌÂ! ä‡Í ‚˚ ÒÎ˚¯‡ÎË ‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÌflı, ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó Á‡ÔËÒÂÈ. çÓ ËϲÚÒfl Ë ‰ÓÔÓÎÌËÚÂθÌ˚Â. Ç˚ÁÓ‚ËÚ ˝Í‡Ì Song Open (PRESET). á‰ÂÒ¸ ‚˚ ̇ȉÂÚ ¢ ·Óθ¯Â ‡ÁÌÓÓ·‡ÁË ÔÂÒÂÌ, ÍÓÚÓ˚ ‚˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova – ·Óθ¯ËÌÒÚ‚Ó Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ, Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ. èêàåÖóÄçàÖ èӂ¸ÚÂ, ˜ÚÓ·˚ ̇ÒÚÓÈ͇ flÁ˚͇ ‰Îfl ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ̇ÒÚÓÈÍ ËÏÂÌË Ù‡È· ÔÓË„˚‚‡ÂÏÓÈ ÔÂÒÌË. äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌ äÌÓÔÍË BALANCE Ë CHANNEL ÑËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ Ç CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ‚ Û͇Á‡ÌÌ˚ı ÌËÊ ÙÓχڇı. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ Ó ÎÓ„ÓÚËÔ‡ı ÒÏ. ̇ ÒÚ. 77, 162. èêàåÖóÄçàÖ ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú GM. ÑËÒÍÂÚ˚ Ò ˝ÚÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ Òڇ̉‡Ú XG. XG — ˝ÚÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡ GM, ÔÓ‰‰ÂÊË‚‡˛˘Â ·Óθ¯Â ˜ËÒÎÓ ÚÂÏ·Ó‚ Ë Ô‰ÓÒÚ‡‚Îfl˛˘Â ÏÛÁ˚͇ÌÚÛ ·ÓΠÔÓÎÌ˚È ÍÓÌÚÓθ Á‡ Ô‡‡ÏÂÚ‡ÏË Á‚Û͇. ÑËÒÍÂÚ˚ Ò ‰‡ÌÌÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha Òڇ̉‡Ú DOC. èÂÒÌË Ò ·Óθ¯ËÏ ÍÓ΢ÂÒÚ‚ÓÏ ‰‡ÌÌ˚ı ËÌÓ„‰‡ Ì ÏÓ„ÛÚ ·˚Ú¸ Ò˜ËÚ‡Ì˚ ËÌÒÚÛÏÂÌÚÓÏ, Ë ‚˚·‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ Ì‚ÓÁÏÓÊÌÓ. å‡ÍÒËχθ̇fl ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚ 200–300ä·, ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó Í‡Ê‰ÓÈ ÔÂÒÌË. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ 1 ÖÒÎË Ú·ÛÂÚÒfl ÔÓË„‡Ú¸ ÔÂÒÌ˛ Ò ‰ËÒÍÂÚ˚, ‚ÒÚ‡‚¸Ú ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰. ÇçàåÄçàÖ! • é·flÁ‡ÚÂθÌÓ ÓÁ̇ÍÓϸÚÂÒ¸ Ò ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» ̇ ÒÚ. 6. äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 21 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Open, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]. ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ A É·‚Ì˚È ˝Í‡Ì (‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ, ÔÓfl‚Îfl˛˘ÂÂÒfl ̇ ˝Í‡Ì ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÔÂÒÌË, ÚÂÏ·˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë Ú.‰. B C D E PRESET FLOPPY DISK óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Ô‡ÏflÚË, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK]/[NEXT]. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË (Ô‡Ô͇ äÌË„‡ ÔÂÒÂÌ). A B C D E 22 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 4 5 óÚÓ·˚ ‚˚·‡Ú¸ Ù‡ÈÎ ÔÂÒÌË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. èêàåÖóÄçàÖ REC TOP • óÚÓ·˚ ÔÂÂÏÓÚ‡Ú¸ ÔÂÒÌ˛ ‚Ô‰ ËÎË Ì‡Á‡‰, ̇ÊÏËÚ ÍÌÓÔÍÛ [REW] ËÎË [FF]. • ÖÒÎË Ù‡ÈÎ ÔÂÒÌË ÒÓ‰ÂÊËÚ ÚÂÍÒÚ (ÚËÔ Ù‡È· – Standard MIDI format 0), Â„Ó ÏÓÊÌÓ ÔÓÒχÚË‚‡Ú¸ ̇ ˝Í‡Ì ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. åÓÊÌÓ Ú‡ÍÊ ÔÓÒÏÓÚÂÚ¸ Ô‡ÚËÚÛÛ. èÓ‰Ó·ÌÓÒÚË Ô˂‰ÂÌ˚ ̇ ÒÚ. 84 Ë 87. SYNC.START NEW SONG 6 START / STOP èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÔË„ÎÛ¯ÂÌËfl ͇̇· ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎËÚ ‚‡Ï ÒÓÁ‰‡‚‡Ú¸ ‰Ë̇Ï˘Ì˚ ‡‡ÌÊËÓ‚ÍË ·ÛÍ‚‡Î¸ÌÓ Ì‡ ÎÂÚÛ! 1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF]. 2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ͇̇ÎÛ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ‚Íβ˜ËÚ¸ ËÎË ÓÚÍβ˜ËÚ¸. CHANNEL ON / OFF PART 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 ÖÒÎË ‚˚·‡Ì‡ ‚Í·‰Í‡ STYLE, ÒÌÓ‚‡ ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 23 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 7 à, ̇ÍÓ̈, ÔÓÔÓ·ÛÈÚ Ò·fl ‚ ÓÎË Á‚ÛÍÓÂÊËÒÒ‡, ÍÓÚÓÓÏÛ Ô‰ÒÚÓËÚ ÒÏËͯËÓ‚‡Ú¸ ÚÓθÍÓ ˜ÚÓ Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÔÓÁ‚ÓÎfl˛Ú ̇Òڇ˂‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ: ÔÂÒÌË, ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‚‡¯Â„Ó ÚÂÏ·‡ Ë ÒÓÎÓ Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ. 1) ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE]. 2) ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1 - 8▲▼], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Ô‡ÚËË, „ÓÏÍÓÒÚ¸ ÍÓÚÓÓÈ Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸. èêàåÖóÄçàÖ Ç˚ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚ÂÒ¸ ̇·Ó ‰ÓÒÚÛÔÌ˚ı ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ [MIXING CONSOLE] (ÒÚ. 123). BALANCE 1 8 3 4 5 6 7 8 óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. REC NEW SONG 24 2 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó TOP START / STOP SYNC.START èêàåÖóÄçàÖ • äÌÓÔ͇ [FADE IN/OUT] (ÒÚ. 69) ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË. èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ – ÒÌËʇڸÒfl. à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 58 ñËÙÓ‚Ó ÔˇÌËÌÓ ÒÓ‰ÂÊËÚ ·ÓΠ800 ‰Ë̇Ï˘Ì˚ı, ‡ÎËÒÚ˘Ì˚ı ÚÂÏ·Ó‚ Ò ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ. èÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË, ˜ÚÓ·˚ ÔÓÌflÚ¸, Í‡Í Ëı ÏÓÊÌÓ ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‚‡¯Ëı ÒÓ·ÒÚ‚ÂÌÌ˚ı ÍÓÏÔÓÁˈËflı. Ç‡Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚·Ë‡Ú¸ ÓÚ‰ÂθÌ˚ ÚÂÏ·˚, Ò‚flÁ˚‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ ‚ ÒÎÓÈ Ë Ì‡Á̇˜‡Ú¸ ‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ. äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÚÂÏ·Û à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÏÂÌ˛ ‚˚·Ó‡ „·‚ÌÓ„Ó ÚÂÏ·‡. ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ F Ç˚·‡ÌÌ˚È ‚ ÏÂÌ˛ ÚÂÏ· ÓÚÌÓÒËÚÒfl Í „·‚ÌÓÈ ˜‡ÒÚË Ë ÌÓÒËÚ Ì‡Á‚‡ÌË „·‚ÌÓ„Ó ÚÂÏ·‡. (ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚ. 60.) VOICE PART ON OFF G LAYER H LEFT I J ÖÒÎË Ú·ÛÂÚÒfl ÛÒÎ˚¯‡Ú¸ ÚÓθÍÓ „·‚Ì˚È ÚÂÏ·, ‚˚Íβ˜ËÚ ‰ÓÔÓÎÌËÚÂθÌ˚ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ LAYER Ë LEFT. 2 Ç˚·ÂËÚ „ÛÔÔÛ ÚÂÏ·Ó‚. VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG ORGAN FLUTES USER Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì ÚÂÏ· STRINGS (ÒÚÛÌÌ˚Â). óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÒÚÓ̇ıÓʉÂÌË ÚÂÏ·‡, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK]/[NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ ·Û‰ÂÚ ‚Í·‰Í‡ PRESET. äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 25 à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â 3 Ç˚·ÂËÚ ÚÂÏ·. èêàåÖóÄçàÖ åÓÊÌÓ ÏÓÏÂÌڇθÌÓ ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ‰‚‡Ê‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J]. A B C D Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì ÚËÔ Orchestra. E ç‡ÊÏËÚ ÍÌÓÔÍÛ [8▲], ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛, ¢ ‡Á ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ‚ÓÁÏÓÊÌÓÒÚË Ì ӄ‡Ì˘ÂÌ˚ Ó‰ÌËÏË Î˯¸ ÚÂÏ·‡ÏË. èÓ‰Ó·ÌÓÒÚË ÒÏ. ̇ ÒÚ. 56. óÚÓ·˚ ÔÓÔ‡ÒÚ¸ ̇ ‰Û„Ë ÒÚ‡Ìˈ˚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍÌÓÔÍË. ä‡Ê‰‡fl ڇ͇fl ÒÚ‡Ìˈ‡ ÒÓ‰ÂÊËÚ ÒÔËÒÓÍ ÌÓ‚˚ı, ¢ ÌÂËÁ‚‰‡ÌÌ˚ı ÚÂÏ·Ó‚. 4 éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·Ó‚. äÓ̘ÌÓ, ‚˚ ÏÓÊÂÚ ҇ÏË ÔÓÔÓ·Ó‚‡Ú¸ ÔÓË„‡Ú¸ ÚÂÏ ËÎË ËÌ˚Ï ÚÂÏ·ÓÏ. é‰Ì‡ÍÓ ÒÛ˘ÂÒÚ‚ÛÂÚ Ë ‰Û„‡fl ‚ÓÁÏÓÊÌÓÒÚ¸: Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ë ÔÓÒÎÛ¯‡Ú¸, Í‡Í ‡ÒÍ˚‚‡ÂÚÒfl ÔÓÚÂ̈ˇΠÚÂÏ·‡. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [8▲] ̇ ËÁÓ·‡ÊÂÌÌÓÏ ‚˚¯Â ˝Í‡ÌÂ, Ë ‰ÂÏÓÌÒÚ‡ˆËfl ÚÂÏ·‡ Á‡ÔÛÒÚËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. à„‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·‡ÏË 1 2 3 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART ON/OFF [LAYER]. VOICE PART ON OFF óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LAYER, ̇ÊÏËÚ ÍÌÓÔÍÛ [G]. G LAYER H LEFT Ç˚·ÂËÚ „ÛÔÔÛ ÚÂÏ·Ó‚. óÚÓ·˚ ‰Ó·ËÚ¸Òfl ÒÓ˜ÌÓ„Ó Á‚Û˜‡ÌËfl, ‚˚·ÂÂÏ Í‡ÍÓÈ-ÌË·Û‰¸ «ÔÎÓÚÌ˚È» ÚÂÏ·. Ç˚ÁÓ‚ËÚ „ÛÔÔÛ «CHOIR & PAD» (ıÓ˚ Ë ÔӉͷ‰˚). VOICE PIANO & HARPSI. BRASS 4 5 E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG ORGAN FLUTES USER Ç˚·ÂËÚ ÚÂÏ·. ç‡ÔËÏÂ, ‚˚·ÂËÚ «Hah Choir». éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·Ó‚. íÂÔ¸ ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË, Ó·˙‰ËÌÂÌÌ˚ÏË ‚ ÒÓ˜ÌÓ Á‚Û˜‡˘ËÈ ÒÎÓÈ: „·‚Ì˚Ï ÚÂÏ·ÓÏ, ‚˚·Ó ÍÓÚÓÓ„Ó ÓÔËÒ‡Ì ‚ Ô‰˚‰Û˘ÂÏ ‡Á‰ÂΠÛÍÓ‚Ó‰ÒÚ‚‡, Ë ÚÂÏ·ÓÏ ÒÎÓfl, ÍÓÚÓ˚È ‚˚ ÚÓθÍÓ ˜ÚÓ ‚˚·‡ÎË. çÓ ˝ÚÓ ÚÓθÍÓ Ì‡˜‡ÎÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË, ÓÚÌÓÒfl˘ËÏËÒfl Í ÚÂÏ·Û: • å„ÌÓ‚ÂÌ̇fl ̇ÒÚÓÈ͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÂÊËÏ ÙÓÚÂÔˇÌÓ – ̇ʇÚËÂÏ Ó‰ÌÓÈ ÍÌÓÔÍË (ÒÚ. 59). • ëÓÁ‰‡ÈÚ ҂ÓË ÒÓ·ÒÚ‚ÂÌÌ˚Â, ÓË„Ë̇θÌ˚ ÚÂÏ·˚. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ΄ÍÓ Ë ÔÓÒÚÓ, ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ ÒÛ˘ÂÒÚ‚Û˛˘Ëı ÚÂÏ·Ó‚ (ÒÚ. 91). • ëÓÒÚ‡‚¸Ú ÒÔËÒÓÍ ‚‡¯Ëı β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·Ó‚, ÒÚËÎÂÈ Ë Ú. ‰.) Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó ÔË Ô‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË (ÒÚ. 88). 26 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó à„‡ ‚ ‚˚·‡ÌÌÓÏ ÚÂÏ·Â ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË 1 2 3 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE PART ON/OFF [LEFT]. VOICE PART ON OFF G LAYER H LEFT óÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ LEFT, ̇ÊÏËÚ ÍÌÓÔÍÛ [H]. Ç˚·ÂËÚ „ÛÔÔÛ ÚÂÏ·Ó‚. Ç ‰‡ÌÌÓÏ ÔËÏ Ï˚ Ò ‚‡ÏË ‚˚·ÂÂÏ „ÛÔÔÛ «STRINGS» (ÒÚÛÌÌ˚Â), ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË ·‡Ú¸ ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰˚ Ò ·Ó„‡Ú˚Ï ÓÍÂÒÚÓ‚˚Ï Á‚Û˜‡ÌËÂÏ. VOICE PIANO & HARPSI. BRASS 4 5 6 E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG ORGAN FLUTES USER Ç˚·ÂËÚ ÚÂÏ·, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í „·‚ÌÓÏÛ ÏÂÌ˛. èÛÒÚ¸ ˝ÚÓ ·Û‰ÂÚ «Symphon. Str» („ÛÔÔ‡ ÒÚÛÌÌ˚ı ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡). óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì SPLIT POINT, ̇ÊÏËÚ ÍÌÓÔÍÛ [I]. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Ì‡Á̇˜ËÚ¸ Í·‚˯Û, ‡Á‰ÂÎfl˛˘Û˛ ‚˚·‡ÌÌ˚ ÚÂÏ·˚, ÍÓÚÓ‡fl ·Û‰ÂÚ Ì‡Á˚‚‡Ú¸Òfl ÚÓ˜ÍÓÈ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Split Point). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ Ú·ÛÂÏÛ˛ Í·‚˯Û, Û‰ÂÊË‚‡fl ÔË ˝ÚÓÏ ÍÌÓÔÍÛ [F] ËÎË [G]. (ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 141.) F F G G H H I I J J éˆÂÌËÚ Á‚Û˜‡ÌË ÚÂÏ·Ó‚. àÚ‡Í, ΂‡fl Û͇ Ë„‡ÂÚ Ó‰ÌËÏ ÚÂÏ·ÓÏ, ‡ Ô‡‚‡fl – ‰Û„ËÏ(Ë). íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ MAIN/LAYER LEFT É·‚Ì˚È (MAIN) ÚÂÏ· Ë ÚÂÏ· ÒÎÓfl (LAYER) Ë„‡˛ÚÒfl Ô‡‚ÓÈ ÛÍÓÈ. íÂÏ· LEFT Ô‰̇Á̇˜ÂÌ ‰Îfl Ë„˚ ΂ÓÈ ÛÍÓÈ. 7 óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. EXIT äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 27 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ӷ·‰‡ÂÚ Ó„ÓÏÌ˚Ï ÍÓ΢ÂÒÚ‚ÓÏ ÏÛÁ˚͇θÌ˚ı «ÒÚËÎÂÈ», ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ÒÓÔÓ‚ÓʉÂÌËfl. á‰ÂÒ¸ ÂÒÚ¸ ‚ÒÂ: ÓÚ ÔÓÒÚÓ„Ó, ÌÓ ˝ÙÙÂÍÚÌÓ„Ó ÒÓÔÓ‚ÓʉÂÌËfl Ò ÔÓÏÓ˘¸˛ ÙÓÚÂÔˇÌÓ ËÎË ÔÂÍÛÒÒËË ‰Ó ÓÍÂÒÚ‡ Ë ·Ë„-·˝Ì‰‡. ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 63 äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÒÚËβ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [D], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ „ÛÔÔÛ ÒÚËÎÂÈ. ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Ô‡ÏflÚË, ‚ ÍÓÚÓÓÏ ‡ÒÔÓÎÓÊÂÌ ÒÚËθ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK]/ [NEXT]. ÑÓÔÛÒÚËÏ, ˝ÚÓ ·Û‰ÂÚ ‚Í·‰Í‡ PRESET. A B C D E 2 Ç˚·ÂËÚ „ÛÔÔÛ ÒÚËÎÂÈ Ë ÒÚËθ. A A B B C C D D E E Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì‡ „ÛÔÔ‡ ÒÚËÎÂÈ Dance (ڇ̈‚‡Î¸Ì˚Â). 28 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ç „ÛÔÔ Dance ‚˚·ÂÂÏ ÒÚËθ EuroTrance. ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP. ᇉ‡ÌÌ˚È Î‚˚È ‡Á‰ÂÎ Í·‚ˇÚÛ˚ ÓÚ‚Ó‰ËÚÒfl ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÇÁflÚ˚ ‚ ÌÂÏ ‡ÍÍÓ‰˚ ‡‚ÚÓχÚ˘ÂÒÍË ‡ÒÔÓÁ̇˛ÚÒfl Ë ÒÎÛÊ‡Ú ÓÒÌÓ‚ÓÈ ‰Îfl ÒÓÁ‰‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔˉÂÊË‚‡˛˘Â„ÓÒfl ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. èêàåÖóÄçàÖ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ • ä·‚˯‡, ‡Á‰ÂÎfl˛˘‡fl ‚˚·‡ÌÌ˚ ÚÂÏ·˚, ̇Á˚‚‡ÂÚÒfl ÚÓ˜ÍÓÈ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Split Point). àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ڇÍÓÈ ÚÓ˜ÍË Ô˂‰ÂÌ˚ ̇ ÒÚ. 141. ACMP ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 4 ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC.START. SYNC.START 5 ëÚËθ Á‡ÔÛÒ͇ÂÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ·ÂÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÓÁ¸ÏËÚÂ, Í ÔËÏÂÛ, ‰Ó-χÊÓÌÓ ÚÂÁ‚ۘˠ(ÒÏ. ÌËÊÂ). íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 6 7 8 èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚ„ÛÎËÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ËÒıÓ‰ÌÓÏÛ ÚÂÏÔÛ, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Ó·Â ÍÌÓÔÍË TEMPO [ [ ]. óÚÓ·˚ ‚˚ÈÚË ËÁ ˝Í‡Ì‡ TEMPO, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ ] íÂÏÔ ÏÓÊÌÓ Ú‡ÍÊ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO] (ÒÚ. 55). èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ¢ ÌÂÒÍÓθÍÓ ‡ÍÍÓ‰Ó‚ ΂ÓÈ ÛÍÓÈ. Ç ‡Á‰ÂΠ«ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡» ̇ ÒÚ. 66 ‚˚ ̇ȉÂÚ ҂‰ÂÌËfl Ó Ô‡‚Ë·ı ‚ÁflÚËfl ‡ÍÍÓ‰Ó‚. óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE [START/STOP]. ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â ÏÌÓ„ÓÂ, ˜ÚÓ ‚‡Ï Ô‰ÒÚÓËÚ ÓÒ‚ÓËÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. èÓÁ̇ÍÓϸÚÂÒ¸ Ò ‰Û„ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË, ÓÚÌÓÒfl˘ËÏËÒfl Í ÒÚËβ: • èÓÒÚÓÈ ÒÔÓÒÓ· ÒÓÁ‰‡ÌËfl ÓË„Ë̇θÌ˚ı ÒÚËÎÂÈ (ÒÚ. 113). • åÂÚÓ‰ ÒÓÒÚ‡‚ÎÂÌËfl ÒÔËÒ͇ β·ËÏ˚ı ÙÛÌ͈ËÈ Ë Ó·˙ÂÍÚÓ‚ (ÚÂÏ·Ó‚, ÒÚËÎÂÈ Ë Ú.‰.), ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á˚‚‡Ú¸ ÔË Ô‚ÓÈ ÌÂÓ·ıÓ‰ËÏÓÒÚË (ÒÚ. 88). äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 29 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ é·Ó„‡ÚËÚÂ Ë Û͇ҸÚÂ Ò‚Ó˛ ÏÛÁ˚ÍÛ Ò ÔÓÏÓ˘¸˛ ‡‚ÚÓχÚ˘ÂÒÍËı ˝ÙÙÂÍÚÓ‚ Harmony („‡ÏÓÌËÁ‡ˆËfl) Ë Echo (˝ıÓ). ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË „‡ÏÓÌËÁËÓ‚‡Ú¸ ÏÂÎÓ‰ËË, ÍÓÚÓ˚ ‚‰ÂÚ Ô‡‚‡fl Û͇, ̇ ÓÒÌÓ‚Â ‡ÍÍÓ‰Ó‚, ÍÓÚÓ˚ ·ÂÂÚ Î‚‡fl. èÓÏËÏÓ ‰‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ˝ÙÙÂÍÚ‡ÏË ÚÂÏÓÎÓ, ˝ı‡ Ë Ú.‰. 1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ [HARMONY/ECHO]. VOICE EFFECT REVERB DSP VARIATION HARMONY / ECHO MONO LEFT HOLD 2 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (ÒÚ. 28). 3 ÇÓÁ¸ÏËڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ô‡‚ÓÈ Ò˚„‡ÈÚ ÌÂÒÍÓθÍÓ ÌÓÚ ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. CVP-210/208 ‡ÒÔÓ·„‡ÂÚ ‡Á΢Ì˚ÏË ÚËÔ‡ÏË „‡ÏÓÌËÁ‡ˆËË/˝ı‡ (ÒÚ. 146). ùÚË ÚËÔ˚ ÏÓ„ÛÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó „·‚ÌÓ„Ó ÚÂÏ·‡. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‚ˉ‡ı „‡ÏÓÌËÁ‡ˆËË/˝ı‡ ÒÓ‰ÂʇÚÒfl ‚ ÓÚ‰ÂθÌÓÏ ÒÔËÒÍÂ. • ɇÏÓÌËÁ‡ˆËfl/˝ıÓ — ˝ÚÓ ÚÓθÍÓ Ó‰ËÌ ËÁ ÏÌÓÊÂÒÚ‚‡ Ëϲ˘ËıÒfl ÚÂÏ·Ó‚˚ı ˝ÙÙÂÍÚÓ‚. èÓÔÓ·ÛÈÚ ÔËÏÂÌËÚ¸ ͇ÍËÂ-ÎË·Ó ‰Û„Ë ˝ÙÙÂÍÚ˚, ˜ÚÓ·˚ ÛÁ̇ڸ, ˜ÂÏ ÓÌË ÒÏÓ„ÛÚ ÔÓÏÓ˜¸ ÔË ‚˚ÒÚÛÔÎÂÌËË (ÒÚ. 61). ó‡ÒÚË ÒÚËÎfl ä‡Ê‰˚È ÒÚËθ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÓÒÚÓËÚ ËÁ «˜‡ÒÚÂÈ». èÓÒÍÓθÍÛ Í‡Ê‰‡fl ËÁ ÌËı fl‚ÎflÂÚÒfl ËÚÏ˘ÂÒÍÓÈ ‚‡Ë‡ˆËÂÈ ·‡ÁÓ‚Ó„Ó ÒÚËÎfl, Ëı ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ôˉ‡ÌËfl ‚˚ÒÚÛÔÎÂÌ˲ ÓÒÚÓÚ˚ Ë Òϯ˂‡Ú¸ ËÚÏ˚, Ì ÓÚ‚ÎÂ͇flÒ¸ ÓÚ Ë„˚. ÇÒÂ„Ó ÒÛ˘ÂÒÚ‚ÛÂÚ ˜ÂÚ˚ ‡ÁÌӂˉÌÓÒÚË ˜‡ÒÚÂÈ: ËÌÚÓ‰Û͈Ëfl, ÙË̇Î, ÓÒÌӂ̇fl ˜‡ÒÚ¸ Ë ·ÂÈÍ. ùÚÓ Ú ‰Ë̇Ï˘ÂÒÍË ˝ÎÂÏÂÌÚ˚, ÍÓÚÓ˚Â Ë ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡˘Ë ‡‡ÌÊËÓ‚ÍË. INTRO MAIN ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ̇˜‡Î ÔÂÒÌË. èÓÒΠÓÍÓ̘‡ÌËfl ËÌÚÓ‰Û͈ËË Ì‡˜Ë̇ÂÚÒfl ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ Ò‰ËÌ ÔÂÒÌË. é̇ ÒÓÒÚÓËÚ ËÁ ËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍËı ÙË„Û ‰ÎËÌÓÈ ‚ ÌÂÒÍÓθÍÓ Ú‡ÍÚÓ‚, ÍÓÚÓ˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ·Û‰ÂÚ Ì‡Ê‡Ú‡ ÍÌÓÔ͇ ÒÎÂ‰Û˛˘ÂÈ ˜‡ÒÚË. ùÚ‡ ˜‡ÒÚ¸ ÔÓÁ‚ÓÎflÂÚ Ó·Ó„‡ÚËÚ¸ ËÚÏ˘ÂÒÍËÈ ÛÁÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰Ë̇Ï˘ÂÒÍËÏË ‚‡Ë‡ˆËflÏË Ë ·ÂÈ͇ÏË, ˜ÚÓ ‰Â·ÂÚ Á‚Û˜‡ÌË ·ÓΠÔÓÙÂÒÒËÓ̇θÌ˚Ï. ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË. èÓ Á‡‚¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl. BREAK ENDING 1-4 5 Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ‡Ì‡Îӄ˘Ì˚ ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇ ÒÚ. 28 Ë 29. ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. BREAK INTRO 6 ENDING / rit. MAIN A B C D àÌÚÓ‰Û͈Ëfl Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÓÁ¸ÏËÚÂ, Í ÔËÏÂÛ, ‰Ó-χÊÓÌÓ ÚÂÁ‚ۘˠ(ÒÏ. ÌËÊÂ). íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ èÓ Á‡‚¯ÂÌËË ËÌÚÓ‰Û͈ËË ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒÚÛÔ‡ÂÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸. 7 30 ç‡ÊÏËÚ β·Û˛ ËÁ ÍÌÓÔÓÍ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË [A] — [D] ËÎË ÍÌÓÔÍÛ [BREAK]. (ëÏ. ‡Á‰ÂÎ «ëÚÛÍÚÛ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡» ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ.) äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó BREAK INTRO ËÎË ENDING / rit. MAIN A B C D ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ 8 9 ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN]. ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÙË„Û‡ÏË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË. AUTO FILLIN ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENDING]. 燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÍÓ̈ӂÍË. äÓ„‰‡ ÍÓ̈ӂ͇ Á‡ÍÓ̘ËÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇ÚËÚÒfl. BREAK INTRO ENDING / rit. MAIN A B C D ■ ëÚÛÍÚÛ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ INTRO (ÒÚ. 70) INTRO A INTRO B INTRO C (χÍÒËÏÛÏ 3 Ù‡Á˚) MAIN VARIATION ˜ÂÂÁ BREAK MAIN VARIATION B ˜ÂÂÁ BREAK MAIN VARIATION A MAIN VARIATION C ˜ÂÂÁ BREAK MAIN VARIATION D ˜ÂÂÁ BREAK ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENDING]. ENDING (ÒÚ. 70) ENDING A (χÍÒËÏÛÏ 3 Ù‡Á˚) ENDING B ENDING C èÓÒÚÂÔÂÌÌÓ Á‡Ï‰ÎÂÌË (ËÚ‡‰‡Ì‰Ó) ‰ÓÒÚË„‡ÂÚÒfl ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó Ì‡Ê‡ÚËfl ÍÌÓÔÍË [ENDING] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ ˜‡ÒÚË. èêàåÖóÄçàÖ • àÌÚÓ‰Û͈Ëfl Ì ӷflÁ‡ÚÂθÌÓ ‰ÓÎÊ̇ Á‚Û˜‡Ú¸ ‚ ̇˜‡ÎÂ! èË Ê·ÌËË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ËÚ¸  ‚ Ò‰ËÌ ËÒÔÓÎÌÂÌËfl, ̇ʇ‚ ‚ ÌÛÊÌ˚È ÏÓÏÂÌÚ ÍÌÓÔÍÛ INTRO]. • èË ËÒÔÓθÁÓ‚‡ÌËË ·ÂÈÍÓ‚ ÌÂÓ·ıÓ‰ËÏÓ ÒΉËÚ¸ Á‡ ‚ÂÏÂÌÂÏ Ëı ‚Íβ˜ÂÌËfl. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ÒÎ˯ÍÓÏ ·ÎËÁÍÓ Í ÍÓÌˆÛ Ú‡ÍÚ‡ (̇ÔËÏ ÔÓÒΠÔÓÒΉÌÂÈ ‚ÓÒ¸ÏÓÈ), ·ÂÈÍ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌ ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ‡‚ÚÓχÚ˘ÂÒÍËÏ ‚ÒÚ‡‚Í‡Ï (Auto Fill-In). • èË Ê·ÌËË ‚ ̇˜‡Î ÍÓÏÔÓÁˈËË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ ËÌÚÓ‰Û͈ËÈ ËÎË ‚ÓÓ·˘Â ҉·ڸ ‚‚Ó‰ÌÓÈ Î˛·Û˛ ˜‡ÒÚ¸. • ÖÒÎË Ú·ÛÂÚÒfl Ì ÔÂ˚‚‡Ú¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚ˚„‡ÂÚ ÙË̇Î, ÔÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO] ‚ ıӉ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇θÌÓÈ ˜‡ÒÚË. • ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [BREAK] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇·, ·ÂÈÍ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ, ‡ ‚ÒΉ Á‡ ÌËÏ ‚ÒÚÛÔËÚ ÓÒÌӂ̇fl ˜‡ÒÚ¸. äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 31 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ÑÛ„Ë ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl FADE IN/OUT FADE IN / OUT TAP TEMPO TAP TEMPO SYNC.STOP SYNC.STOP äÌÓÔ͇ [FADE IN/OUT] ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË. èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ – ÒÌËʇڸÒfl (ÒÚ. 69). ëÚËθ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ Ò Î˛·˚Ï ÚÂÏÔÓÏ. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, Û‰‡Ë‚ ÌÂÒÍÓθÍÓ ‡Á ÔÓ ÍÌÓÔÍ [TAP TEMPO] ‚ Ê·ÂÏÓÏ ÚÂÏÔÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 55. êÂÊËÏ ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË (Synchro Stop) ÔÓÁ‚ÓÎflÂÚ Ì‡˜Ë̇ڸ Ë ÔÂ͇˘‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔÓÒÚÓ Ì‡ÊËχfl Í·‚Ë¯Ë ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÓÚÔÛÒ͇fl Ëı. ùÚÓ Á‡Ï˜‡ÚÂθÌ˚È ÏÂÚÓ‰ ÛÒËÎÂÌËfl ‰‡Ï‡ÚËÁχ ‚˚ÒÚÛÔÎÂÌËfl Á‡ Ò˜ÂÚ ÔËÏÂÌÂÌËfl Ô‡ÛÁ Ë ‰Ë̇Ï˘ÂÒÍËı ‡ÍˆÂÌÚÓ‚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 69. äÌÓÔ͇ ONE TOUCH SETTING ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, ̇˷ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ (ÌÓÏ ÚÂÏ·‡ Ë Ú.‰.), ̇ʇÚËÂÏ Ó‰ÌÓÈ-‰ËÌÒÚ‚ÂÌÌÓÈ ÍÌÓÔÍË. ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡Ï˜‡ÚÂθ̇ ÚÂÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÓÏÂÌڇθÌÓ ËÁÏÂÌËÚ¸ ‚Ò ԇ‡ÏÂÚ˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Ú‡Í, ˜ÚÓ·˚ ÓÌË Ì‡ËÎÛ˜¯ËÏ Ó·‡ÁÓÏ ÔÓ‰ıÓ‰ËÎË Í ‚˚·‡ÌÌÓÏÛ ÒÚËβ. 1 2 3 4 5 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 28). ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [ONE TOUCH SETTING]. èË ˝ÚÓÏ ÔÓËÒıÓ‰ËÚ Ì ÚÓθÍÓ Ï„ÌÓ‚ÂÌÌ˚È ‚˚ÁÓ‚ (ÒÏ. ÒÚ. 71) ‚ÒÂı ÌÂÓ·ıÓ‰ËÏ˚ı Ô‡‡ÏÂÚÓ‚ (ÚÂÏ·Ó‚, ˝ÙÙÂÍÚÓ‚ Ë Ú.Ô.), ÌÓ Ë ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌË ÂÊËÏÓ‚ ACMP Ë SYNC. START, ˜Ú·˚ ÌÂωÎÂÌÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÚËθ. ONE TOUCH SETTING 1 2 3 4 ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÏÂÎӉ˲ Ô‡‚ÓÈ ÛÍÓÈ, ‡ ‡ÍÍÓ‰˚ — ΂ÓÈ. ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ èÓÔÓ·ÛÈÚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ͇ÍËÂ-ÌË·Û‰¸ ‰Û„Ë ̇ÒÚÓÈÍË. åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË One Touch Setting. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 72. ONE TOUCH SETTING 1 2 3 4 • ëÛ˘ÂÒÚ‚ÛÂÚ ÒÔÓÒÓ·, ÔÓÁ‚ÓÎfl˛˘ËÈ Â˘Â ·ÓΠ‡‚ÚÓχÚËÁËÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚ Ë ÓÊË‚ËÚ¸ ‚˚ÒÚÛÔÎÂÌËÂ. ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»). ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÙË„Û˚ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (ÒÚ. 72). 32 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó îÛÌ͈Ëfl Music Finder îÛÌ͈Ëfl Music Finder ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 73 äÌÓÔ͇ MUSIC FINDER ÖÒÎË Ú·ÛÂÚÒfl ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ Ì Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ Ë ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ‚˚·‡Ú¸ ̇Á‚‡ÌË ÍÓÏÔÓÁˈËË ‚ ÓÍÌ Music Finder — Ë CVP-210/208 ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÓËÚ ‚Ò ԇ‡ÏÂÚ˚, ÌÂÓ·ıÓ‰ËÏ˚ ‰Îfl Ë„˚ ‚ ‚˚·‡ÌÌÓÏ ÒÚËÎÂ! àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Music Finder 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER]. MUSIC FINDER 2 Ç˚·ÂËÚ Á‡ÔËÒ¸. óÚÓ·˚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛ ÒÚ‡ÌˈÛ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK]/[NEXT]. Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì‡ ‚Í·‰Í‡ ALL (‚ÒÂ). Ç˚·ÂËÚ Á‡ÔËÒ¸. 1 2 3 4 5 6 7 8 óÚÓ·˚ ‚˚·‡Ú¸ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲, Í‡Í ‚ ̇¯ÂÏ ÔËÏÂÂ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1 - 3▲▼]. 3 èÓÔÓ·ÛÈÚ ÔÓ‰˚„‡Ú¸ ÔÂÒÌÂ Ò ‚Íβ˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. èêàåÖóÄçàÖ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ç˚ ÏÓÊÂÚ ҉·ڸ Ú‡Í, ˜ÚÓ ÚÂÏ· Ë ‰Û„Ë ‚‡ÊÌ˚ ԇ‡ÏÂÚ˚ ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË ËÁÏÂÌflÚ¸Òfl ÔË ËÁÏÂÌÂÌËË ÒÚËÎfl. ÑÎfl ˝ÚÓ„Ó ‚Íβ˜ËÚ ÙÛÌÍˆË˛ OTS LINK (ÒÚ. 72) Ë ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «REAL TIME» ‰Îfl Ô‡‡ÏÂÚ‡ OTS LINK TIMING (ÒÚ. 141). ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 33 îÛÌ͈Ëfl Music Finder èÓËÒÍ ÒÂ‰Ë Á‡ÔËÒÂÈ Music Finder Music Finder, ÔÓÏËÏÓ ÔӘ„Ó, ӷ·‰‡ÂÚ Û‰Ó·ÌÓÈ ÙÛÌ͈ËÂÈ ÔÓËÒ͇. Ç˚ Á‡‰‡ÂÚ ̇Á‚‡ÌË ÔÂÒÌË ËÎË Íβ˜Â‚Ó ÒÎÓ‚Ó Ë Ò‡ÁÛ Ê ‚ˉËÚ ̇ ˝Í‡Ì Á‡ÔËÒË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍËÚÂ˲ ÔÓËÒ͇. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER]. MUSIC FINDER 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MUSIC FINDER SEARCH 1, ̇ÊÏËÚ ÍÌÓÔÍÛ [I]. èêàåÖóÄçàÖ êÂÁÛθڇÚ˚ ÔÂ‚Ó„Ó Ë ‚ÚÓÓ„Ó ÔÓËÒ͇ (Search 1 Ë Search 2) ‚˚‚Ó‰flÚÒfl ̇ Ó‰ÌÓËÏÂÌÌ˚ı ˝Í‡Ì‡ı. F G H I J èêàåÖóÄçàÖ àÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ Ô˂‰ÂÌ˚ ̇ ÒÚ. 49. 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚‚Ó‰‡ ̇Á‚‡ÌËfl ÔÂÒÌË. A F B G C H D I E J Ç ‰‡ÌÌÓÏ ÔËÏ ‚˚·‡Ì‡ ‚Í·‰Í‡ ANY (β·ÓÈ ‡ÁÏÂ). 1 5 34 ǂ‰ËÚ ̇Á‚‡ÌË ÔÂÒÌË, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK). äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 2 3 4 5 6 Ç ˝ÚÓÏ ÔËÏ ‚˚·‡Ì‡ ‚Í·‰Í‡ ALL (‚ÒÂ). 7 3 ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ Û‰‡ÎËÚ¸ ‡Ì Á‡‰‡ÌÌ˚ ÛÒÎÓ‚Ëfl ÔÓËÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H]. 8 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ the [8▲] (START SEARCH). ç‡ ˝Í‡Ì ÓÚÓ·‡ÁflÚÒfl ‚Ò ÍÓÏÔÓÁˈËË, ÒÓ‰Âʇ˘Ë Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). îÛÌ͈Ëfl Music Finder 7 Ç˚·ÂËÚ Á‡ÔËÒ¸ (ÒÏ. ¯‡„ 2 ̇ ÒÚ. 33) Ë ÔÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ Ò ‚Íβ˜ÂÌÌ˚Ï ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË ÙÛÌ͈ËË Music Finder Ë ÒÓı‡ÌflÚ¸ Ëı ̇ ‰ËÒÍÂÚ (ÒÏ. ÒÚ. 40 Ë 48). ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‡Ò¯ËËÚ¸ ÍÓÎÎÂÍˆË˛ Á‡ÔËÒÂÈ, Ó·ÏÂÌË‚‡flÒ¸ ËÏË Ò ‰Û„ËÏË ÔÓθÁÓ‚‡ÚÂÎflÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ‰‡ÌÌ˚ı ÔÓËÒ͇ óÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ ÔÓËÒ͇, ‚˚ÁÓ‚ËÚ ÓÍÌÓ MUSIC FINDER Open/Save ËÁ ÒÚ‡Ìˈ˚ SYSTEM RESET (ÒÚ. 154) ˝Í‡Ì‡ UTILITY Ë ‚˚ÔÓÎÌËÚ ÚÛ Ê ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ, ˜ÚÓ Ë ÔË ‡·ÓÚÂ Ò ‡Ì‡Îӄ˘Ì˚Ï ˝Í‡ÌÓÏ ‰Îfl ÚÂÏ·‡ (ÒÚ. 40, 48). óÚÓ·˚ Á‡„ÛÁËÚ¸ ÒÓı‡ÌÂÌÌ˚ ‰‡ÌÌ˚Â, ‚˚ÔÓÎÌËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÓÔ‡ˆË˛ ̇ ˝Í‡Ì MUSIC FINDER Open/ Save. á‡ÔËÒË ÏÓÊÌÓ Á‡ÏÂÌflÚ¸ Ë ‰Ó·‡‚ÎflÚ¸ (ÒÚ. 75). èêàåÖóÄçàÖ éÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË ÔÓËÒ͇ ÔÓ‰‰ÂÊË‚‡˛ÚÒfl Í‡Í CVP-210, Ú‡Í Ë CVP-208. ëӄ·ÒÌÓ ‚˚¯ÂÔ˂‰ÂÌÌ˚Ï ËÌÒÚÛ͈ËflÏ, ‚Ò ‰‡ÌÌ˚ ÔÓËÒ͇ ‚˚ÒÚÛÔ‡˛Ú Í‡Í Â‰ËÌÓ ˆÂÎÓÂ. é‰Ì‡ÍÓ ÔË ÒÓı‡ÌÂÌËË/Á‡„ÛÁÍ هÈÎÓ‚ ÒÚËÎÂÈ Ú ‰‡ÌÌ˚ ÔÓËÒ͇, ÍÓÚÓ˚ ӷ‡˘‡˛ÚÒfl Í ˝ÚËÏ Ù‡È·Ï, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ËÎË ‰Ó·‡‚Îfl˛ÚÒfl. ÖÒÎË Ù‡ÈÎ ÒÚËÎfl ÍÓÔËÛÂÚÒfl ËÎË ÔÂÂÏ¢‡ÂÚÒfl Ò ‰ËÒÍÂÚ˚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚ. 46, 47), Á‡ÔËÒ¸, ÒÓÁ‰‡Ì̇fl ÔË ÒÓı‡ÌÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÒÚËÎfl, ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ÎflÂÚÒfl ‚ Ô‡ÏflÚ¸ CVP-210/208. • Ç ‚˚¯ÂÔ˂‰ÂÌÌÓÏ ÔËÏ ‚˚ ËÒ͇ÎË ÍÓÏÔÓÁËˆË˛ ÔÓ Ì‡Á‚‡Ì˲. èÓÏËÏÓ ˝ÚÓ„Ó, ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ ÔÓËÒÍ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û ËÎË ÏÛÁ˚͇θÌÓÏÛ Ê‡ÌÛ, ̇ÔËÏ ·ÚËÌÓ‡ÏÂË͇ÌÒÍËÈ ËÚÏ, ËÚÏ, Á‡‰‡ÌÌ˚È ‚ÓÒ¸Ï˚ÏË Ë Ú.‰. (ÒÚ. 74). äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 35 èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl ëÔ‡‚Ó˜ÌËÍ Ì‡ ÒÚ. 77 äÌÓÔÍË, ÓÚÌÓÒfl˘ËÂÒfl Í ÔÂÒÌ èÓ‰˚„˚‚‡ÂÏ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova Ç‡Ï Ô‰ÒÚÓËÚ Ì‡Û˜ËÚ¸Òfl ‚˚Íβ˜‡Ú¸ ËÎË Á‡„ÎÛ¯‡Ú¸ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ˜ÚÓ·˚ ‚ÂÒÚË Â ҇ÏÓÒÚÓflÚÂθÌÓ. è‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ ‚‡Ï ÔÓ‰˚„˚‚‡ÂÚ ˜ÂÁ‚˚˜‡ÈÌÓ ‡ÁÌÓÒÚÓÓÌÌ Ӊ‡ÂÌÌ˚È ÔˇÌËÒÚ. ÖÒÎË ‚˚ ¢ Ì ÓÒ‚ÓËÎË ÏÂÎӉ˘ÂÒÍÛ˛ Ô‡Ú˲, Á‡„ÎflÌËÚ ‚ ‡Á‰ÂÎ «ê‡Áۘ˂‡ÌË ‚‡¯Ëı β·ËÏ˚ı ÔÂÒÂÌ» ̇ ÒÚ. 38 Ë ÌÂÏÌÓ„Ó ÔÓÔ‡ÍÚËÍÛÈÚÂÒ¸. 1-4 5 Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ‡Ì‡Îӄ˘Ì˚ ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË» ̇ ÒÚ. 21 — 23. óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1]. èêàåÖóÄçàÖ TRACK 1 (R) 6 óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ô‡Ú˲ ΂ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 2]. ÖÒÎË ‚Ó ‚ÂÏfl Ë„˚ ‚˚ ıÓÚËÚ ‚ˉÂÚ¸ ̇ ˝Í‡Ì ÌÓÚ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [C]. ÖÒÎË ıÓÚËÚ ‚ˉÂÚ¸ ÚÂÍÒÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [B]. ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÓÚÓ·‡Ê‡ÂÚÒfl, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. èêàåÖóÄçàÖ ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl. A B C D E 7 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ԇÚËË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/ STOP]. REC TOP SYNC.START NEW SONG 8 óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. REC TOP NEW SONG 36 START / STOP äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó START / STOP SYNC.START èêàåÖóÄçàÖ • ÖÒÎË ÌÂÓ·ıÓ‰ËÏÓ, ˜ÚÓ·˚ ÔÂÒÌfl ̇˜Ë̇·Ҹ ·ÂÁ ‚ÒÚÛÔÎÂÌËfl (ËÌÚÓ‰Û͈ËË), ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÙÛÌ͈ËÂÈ Sync Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ Ô‚ÂÒÚË ÙÛÌÍˆË˛ ‚ ÂÊËÏ ÓÊˉ‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP], Û‰ÂÊË‚‡fl ÔË ˝ÚÓÏ ÍÌÓÔÍÛ [TOP]. èÂÒÌfl ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. • ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÓÏËÏÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓË„˚‚‡ÂÚ Â˘Â Ë ÏÂÎӉ˘ÂÒÍÛ˛ Ô‡Ú˲, Ôӂ¸Ú ԇ‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Í‡Ì‡Î‡ Ë ÒÏÂÌËÚ ͇̇Î, ÔËÒ‚‡Ë‚‡ÂÏ˚È Ô‚ÓÈ ‰ÓÓÊÍ (Track 1) (ÒÚ. 140). äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ÒÏÂÌËÚ¸ ͇̇Π‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò‡ÏÓÈ ÔÂÒÌË (ÒÚ. 108). èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl á‡ÔËÒ¸ Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova ËÏÂÂÚÒfl ÔÓÒÚ‡fl Ë Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Á‡ÔËÒË. èÓÔÓ·ÛÂÏ Á‡ÔËÒ‡Ú¸ ˜ÚÓ-ÌË·Û‰¸ Ò Í·‚ˇÚÛ˚ ‚ ÂÊËÏ Quick Recording (·˚ÒÚ‡fl Á‡ÔËÒ¸). 1-3 4 Ç˚·ÂËÚ ÚÂÏ·. Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ˚ ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇ ÒÚ. 25, 26. óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, ÒΉÛÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍË [REC] Ë [TOP]. REC TOP REW FF REPEAT SYNC.START NEW SONG 5 START / STOP ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. REC 6 á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. 7 èÓ ÓÍÓ̘‡ÌËË Ò‡ÌÒ‡ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. REC 8 óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. REC NEW SONG 9 TOP START / STOP SYNC.START ÇçàåÄçàÖ! á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚ ÔË ‚˚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. óÚÓ·˚ ˝ÚÓ„Ó Ì ÔÓËÁÓ¯ÎÓ, Ëı ÒΉÛÂÚ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË User ËÎË Ì‡ ‰ËÒÍÂÚÂ. ëÓı‡ÌËÚ Á‡ÔËÒ¸ (ÒÚ. 40, 48). äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 37 èÓ‰˚„˚‚‡ÂÏ ÔÂÒÌÂ Ë Ô‡ÍÚËÍÛÂÏÒfl ê‡Áۘ˂‡ÌË ‚‡¯Ëı β·ËÏ˚ı ÔÂÒÂÌ Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ÒÚÓÂÌÓ ÌÂÒÍÓθÍÓ Ó˜Â̸ ÔÓÎÂÁÌ˚ı ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl, ÍÓÚÓ˚ ÔÓÏÓ„‡˛Ú ‡Áۘ˂‡Ú¸ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË. Ç ˝ÚÓÏ ‡Á‰ÂΠ‚˚ ‚ÓÒÔÓθÁÛÂÚÂÒ¸ ÙÛÌ͈ËÂÈ Follow Lights Ë ÒÔˆˇθÌ˚ÏË Ë̉Ë͇ÚÓ‡ÏË, ÔÓÏÓ„‡˛˘ËÏË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ô‡‚ËθÌ˚ ÌÓÚ˚. 1-6 7 Ç˚ÔÓÎÌËÚ ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ˚ ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl» ̇ ÒÚ. 36. Ç ˝ÚÓÏ ÔËÏ ‚˚ ‡Áۘ˂‡ÂÚ ԇÚ˲ ‰Îfl Ô‡‚ÓÈ ÛÍË ‡Á‰Â· «ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl». èêàåÖóÄçàÖ è‰ ÚÂÏ, Í‡Í ÔÂÂÈÚË Í Ô‡ÍÚËÍ è‰ ÚÂÏ Í‡Í ÔËÒÚÛÔËÚ¸ Í ÛÔ‡ÊÌÂÌ˲, ÔÓË„‡ÈÚ ÔÂÒÌ˛ ˆÂÎËÍÓÏ (Ì ÓÚÏÂÌflfl ͇ÍËÂ-ÎË·Ó Ô‡ÚËË) Ë ‚ÌËχÚÂθÌÓ Â ÔÓÒÎÛ¯‡ÈÚÂ. ùÚÓ ÔÓÏÓÊÂÚ ‚‡Ï ÒÓÒÚ‡‚ËÚ¸ flÒÌÓ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÚÓÏ, Í‡Í ÌÂÓ·ıÓ‰ËÏÓ Ë„‡Ú¸ ˝ÚÛ ÔÂÒÌ˛, Ë Ò‰Â·ÂÚ ‚‡¯Û Ë„Û ·ÓΠÔ·‚ÌÓÈ. ÖÒÎË ‚˚ ıÓÚËÚ ÒÎ˚¯‡Ú¸ ÚÓθÍÓ ÏÂÎӉ˘ÂÒÍÛ˛ Ô‡Ú˲, ‚˚Íβ˜ËÚ ÍÌÓÔÍË [TRACK 2] Ë [EXTRA TRACKS]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE]. GUIDE 8 ç‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP] Ë ‡ÁÛ˜Ëڠ̉ÓÒÚ‡˛˘Û˛ (ÔË„ÎÛ¯ÂÌÌÛ˛) Ô‡Ú˲, ÓËÂÌÚËÛflÒ¸ ̇ Ë̉Ë͇ÚÓ˚ Í·‚˯. èË Ê·ÌËË ‚˚ ÏÓÊÂÚ ËÁÏÂÌËÚ¸ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ]. REC TOP START / STOP TEMPO RESET SYNC.START NEW SONG 9 óÚÓ·˚ ӂ·‰ÂÚ¸ ÚÛ‰Ì˚ÏË Ô‡ÚËflÏË, ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. èÓÒÚÓ Û͇ÊËÚ ÍÓÓÚÍËÈ Ù‡„ÏÂÌÚ, ̇‰ ÍÓÚÓ˚Ï ‚˚ ıÓÚËÚ ÔÓ‡·ÓÚ‡Ú¸, Ë ÔÓ‚ÚÓflÈÚÂ Â„Ó ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì Á‡ÔÓÏÌËÚÂ. 1) ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE] Ó‰ËÌ ‡Á, ˜ÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ GUIDE. 2) è‰ ̇˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚˚·‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁ̇˜ËÚ¸ ÓÚÔ‡‚ÌÛ˛ ÚÓ˜ÍÛ ‰Îfl ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. 3) ä‡Í ÚÓθÍÓ Ù‡„ÏÂÌÚ Á‡ÍÓ̘ËÚ¸Òfl, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Ó·ÓÁ̇˜ËÚ¸ ÍÓ̘ÌÛ˛ ÚÓ˜ÍÛ. 4) ëÌÓ‚‡ ‚Íβ˜ËÚ ÙÛÌÍˆË˛ GUIDE. 10 óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. REC TOP NEW SONG 38 äaÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó START / STOP SYNC.START èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÔÓ ÙÛÌ͈ËË Guide ÒÏ. ̇ ÒÚ. 82 Ë 140. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË: Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı ëÓ‰ÂÊËÏÓ „·‚ÌÓ„Ó ˝Í‡Ì‡ äÓ„‰‡ ‚Íβ˜‡ÂÚÒfl ÔËÚ‡ÌËÂ, ÔÓfl‚ÎflÂÚÒfl „·‚Ì˚È ˝Í‡Ì MAIN Ò ‚‡ÊÌÓÈ ËÌÙÓχˆËÂÈ Ó· ÓÔ‡ˆËflı. ÖÒÎË Ì‡Ê‡Ú¸ ̇ ˝Í‡Ì MAIN ÍÌÓÔÍË [A] — [J], ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ˝Í‡Ì˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇ʉÓÈ ÍÌÓÔÍÂ. ù͇Ì˚, ‚˚Á˚‚‡ÂÏ˚ ˝ÚËÏË ÍÌÓÔ͇ÏË (ÍÓÏ ÍÌÓÔÓÍ [B] Ë [C]), ̇Á˚‚‡˛ÚÒfl ˝Í‡Ì‡ÏË Open/Save (ÒÏ. ÒÎÂ‰Û˛˘Û˛ ÒÚ‡ÌˈÛ). ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [B] ËÎË [C], ÔÓfl‚ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ˝Í‡Ì Lyrics (íÂÍÒÚ˚ ÔÂÒÂÌ) Ë Score (è‡ÚËÚÛ˚). 8 èêàåÖóÄçàÖ ÖÒÎË „·‚Ì˚È ˝Í‡Ì (MAIN) Ì ÔÓfl‚ÎflÂÚÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. 9 1 2 3 4 5 0 6 C 7 D A B E 1 í‡ÌÒÔÓÌËÓ‚‡ÌË (ÒÚ. 144) äÌÓÔÍË [TRANSPOSE] ÔÓÁ‚ÓÎfl˛Ú ÔÓÌËʇڸ ËÎË ÔÓ‚˚¯‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ Í·‚ˇÚÛ˚ Ë ÔÂÒÌË Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇. á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ‚Â΢Ë̇ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ÔÓÎÛÚÓ̇ı. 2 èÂÒÌfl (ÒÚ. 78) éÚÓ·‡Ê‡ÂÚÒfl ËÏfl ÚÂÍÛ˘ÂÈ ‚˚·‡ÌÌÓÈ ÔÂÒÌË Ë ‰Û„‡fl ËÌÙÓχˆËfl Ó ÌÂÈ. 3 èÓÁˈËfl ‚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌ (ÒÚ. 78) ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 63) éÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÛ˘‡fl ÔÓÁˈËfl ‚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌ ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 4 íÂÏÔ (ÒÚ. 54) ÇÓ ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÏÔ. 5 ÄÍÍÓ‰ (ÒÚ. 66) ÖÒÎË ÍÌÓÔ͇ [ACMP] ‚Íβ˜Â̇, ÓÚÓ·‡Ê‡ÂÚÒfl ‡ÍÍÓ‰, Á‡‰‡ÌÌ˚È ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. 6 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 63) éÚÓ·‡Ê‡ÂÚÒfl ËÏfl, ËÚÏ Ë ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 7 ÇÒÚÛÔÎÂÌË (Intro) Ë ÍÓ̈ӂ͇ (Ending) (ÒÚ. 70) éÚÓ·‡Ê‡˛ÚÒfl ËÏÂ̇ ‚ÒÚÛÔÎÂÌËfl Ë ÍÓ̈ӂÍË ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. 8 îÛÌ͈ËË Ô‰‡ÎË (ÒÚ. 142) èÓÏËÏÓ Ó·˚˜Ì˚ı ÙÛÌ͈ËÈ Sustain, Sostenuto Ë Soft, Ô‰‡ÎflÏ ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ‰Û„Ë ÙÛÌ͈ËË, Ú‡ÍËÂ Í‡Í Song Start/Stop Ë Glide. á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒfl ÙÛÌ͈ËË, ÔËÒ‚ÓÂÌÌ˚ ÚÂÏ Ô‰‡ÎflÏ. 9 îÛÌ͈Ëfl Registration Sequence (ÒÚ. 145) ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ı Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ë Á‡„Ûʇڸ ‚ β·ÓÈ ÏÓÏÂÌÚ Ì‡Ê‡ÚËÂÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË REGISTRATION MEMORY [1] — [8]. îÛÌ͈Ëfl Registration Sequence ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸ ÌÂÒÍÓθÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ú‡Í, ˜ÚÓ·˚ ÓÌË ‚˚·Ë‡ÎËÒ¸ ‚ ÓÔ‰ÂÎÂÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÔÂÂÏ¢‡Ú¸Òfl ÔÓ ÍÓÚÓÓÈ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎË. á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ÌÓÏ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ (ÂÒÎË ÙÛÌ͈Ëfl Registration Sequence Ì ÓÚÍβ˜Â̇). 0 è‡ÚËfl Main (ÒÚ. 58) á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Ô‡ÚËË Main. A è‡ÚËfl Layer (ÒÚ. 60) éÚÓ·‡Ê‡ÂÚÒfl ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Ô‡ÚËË Layer. B è‡ÚËfl Left (ÒÚ. 61) éÚÓ·‡Ê‡ÂÚÒfl ÚÂÏ·, ‚˚·‡ÌÌ˚È ‰Îfl Ô‡ÚËË Left. C íӘ͇ ‡Á‰ÂÎÂÌËfl (ÒÚ. 141) íÓ˜ÍË ‡Á‰ÂÎÂÌËfl ‰ÂÎflÚ Í·‚ˇÚÛÛ Ì‡ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË. ÖÒÚ¸ ‰‚‡ ‚ˉ‡ ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËfl: «A», ÓÚ‰ÂÎfl˛˘‡fl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÚ ÓÒڇθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, Ë «L», ‡Á‰ÂÎfl˛˘‡fl Í·‚ˇÚÛÛ Ì‡ ‰‚ ˜‡ÒÚË: Ô‡‚Û˛ Ë ÎÂ‚Û˛. D ŇÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (ÒÚ. 89) 燷Ó˚ Ô‡‡ÏÂÚÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ı‡ÌflÚÒfl ‚ ·‡Ì͇ı — Ó‰ËÌ ·‡ÌÍ Ì‡ ‚ÓÒÂϸ ̇·ÓÓ‚. á‰ÂÒ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ËÏfl ‚˚·‡ÌÌÓ„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. E Ň·ÌÒ „ÓÏÍÓÒÚË Ô‡ÚËÈ (ÒÚ. 65) Ň·ÌÒ „ÓÏÍÓÒÚË ÏÓÊÌÓ ÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1▲▼] — [8▲▼], ‡ÒÔÓÎÓÊÂÌÌ˚ı ÔÓ‰ Üä-‰ËÒÔÎÂÂÏ. éÚÓ·‡Ê‡ÂÚÒfl ·‡Î‡ÌÒ „ÓÏÍÓÒÚË Í‡Ê‰ÓÈ Ô‡ÚËË. CVP-210/208 39 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı ùÍ‡Ì Open/Save Ç CVP-210/208 ËÒÔÓθÁÛ˛ÚÒfl ‰‡ÌÌ˚ ‡ÁÌ˚ı ÚËÔÓ‚: ÚÂÏ·˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë Ì‡·Ó˚ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. åÌÓ„Ë ËÁ ˝ÚËı ‰‡ÌÌ˚ı ÛÊ ‚ÌÂÒÂÌ˚ ‚ Ô‡ÏflÚ¸ CVP-210/208. äÓÏ ÚÓ„Ó, ‰‡ÌÌ˚ ÌÂÍÓÚÓ˚ı ÚËÔÓ‚ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ Ë Â‰‡ÍÚËÓ‚‡Ú¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. ÇÒ ÓÌË ı‡ÌflÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌ˚ı Ù‡ÈÎÓ‚, Í‡Í Ì‡ ÍÓÏÔ¸˛ÚÂÂ. Ç ˝ÚÓÈ „·‚ ÔÓ͇Á‡ÌÓ, Í‡Í ‚˚ÔÓÎÌflÚ¸ ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËÈ ÔÓ Ó·‡·ÓÚÍÂ Ë Ó„‡ÌËÁ‡ˆËË ‰‡ÌÌ˚ı CVP-210/208 Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ̇ Üä-˝Í‡ÌÂ. ÑÎfl ÓÚÍ˚ÚËfl, ÒÓı‡ÌÂÌËfl, ÔËÒ‚ÓÂÌËfl ËÏÂÌË, ÔÂÂÏ¢ÂÌËfl Ë Û‰‡ÎÂÌËfl Ù‡ÈÎÓ‚ ËÒÔÓθÁÛ˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝Í‡Ì˚ Open/ Save. Ç˚·Ó Ú‡ÍËı ˝Í‡ÌÓ‚ ÏÓÊÂÚ Ú‡ÍÊ ÔÓËÁ‚Ó‰ËÚ¸Òfl Ò Û˜ÂÚÓÏ ÚËÔ‡ هȷ: ÔÂÒÌfl, ÚÂÏ·, ÒÚËθ Ë Ú.‰. äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ ÛÔÓfl‰Ó˜ËÚ¸ ‰‡ÌÌ˚Â, ÔÓÏ¢‡fl Ù‡ÈÎ˚ Ó‰ÌÓ„Ó ÚËÔ‡ ‚ ÓÚ‰ÂθÌ˚ ԇÔÍË. ù͇Ì˚ Open/Save ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò „·‚ÌÓ„Ó ˝Í‡Ì‡ MAIN (ÓÌ ÔÓfl‚ÎflÂÚÒfl ̇ Üä-‰ËÒÔΠÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl). ç‡Ê‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ (ÓÚ [A] ‰Ó [J]), ÏÓÊÌÓ ÔÂÂÈÚË Í ˝Í‡Ì‡Ï Open/Save ‰Îfl ÔÂÒÌË (Song), ÚÂÏ·‡ (Voice), ÒÚËÎfl (Style) Ë Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (Registration Bank). ùÍ‡Ì Open/Save ‰Îfl ÔÂÒÌË (ÒÚ. 78) àÒÔÓθÁÛÂÚÒfl ‰Îfl ‡·ÓÚ˚ Ò Ù‡È·ÏË ÔÂÒÂÌ. ùÍ‡Ì Open/Save (éÚÍ˚Ú¸/ëÓı‡ÌËÚ¸) ‰Îfl ÚÂÏ·‡ (ÒÚ. 58) àÒÔÓθÁÛÂÚÒfl ‰Îfl ‡·ÓÚ˚ Ò Ù‡È·ÏË ÚÂÏ·Ó‚. èêàåÖóÄçàÖ A F B G C H D I E J ä ÒÎÂ‰Û˛˘ËÏ ÚËÔ‡Ï ˝Í‡ÌÓ‚ Open/Save ÌÂθÁfl ÔÂÂÈÚË ËÁ ˝Í‡Ì‡ MAIN (ÒÚ. 154). • SYSTEM SETUP • MIDI SETUP • USER EFFECT • MUSIC FINDER • MAIN PICTURE • LYRICS BACKGROUND PICTURE (ÒÚ. 87) èêàåÖóÄçàÖ ÖÒÎË ˝Í‡Ì MAIN Ì ÓÚÓ·‡Ê‡ÂÚÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì Open/Save ‰Îfl ÒÚËÎfl (ÒÚ. 63) àÒÔÓθÁÛÂÚÒfl ‰Îfl ‡·ÓÚ˚ Ò Ù‡È·ÏË ÒÚËÎÂÈ. 40 CVP-210/208 ùÍ‡Ì Open/Save ‰Îfl „ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚ. 89) àÒÔÓθÁÛÂÚÒfl ‰Îfl ‡·ÓÚ˚ Ò Ù‡È·ÏË Â„ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇. éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı èËÏÂ. ùÍ‡Ì Open/Save ç‡ Í‡Ê‰ÓÏ ˝Í‡Ì Open/Save ÂÒÚ¸ ÚË ÒÚ‡Ìˈ˚ ‡Á‰ÂÎÓ‚ Ô‡ÏflÚË: PRESET, USER Ë FLOPPY DISK. Ç Ô˂‰ÂÌÌ˚ı ÔËχı ÔÓ͇Á‡Ì ˝Í‡Ì Open/Save ‰Îfl ÚÂÏ·‡. ê‡Á‰ÂÎ PRESET á‰ÂÒ¸ ı‡ÌflÚÒfl Á‡‡Ì ÒÓÁ‰‡ÌÌ˚Â Ë Á‡ÎÓÊÂÌÌ˚ ‚ Ô‡ÏflÚ¸ CVP-210/ 208 Ù‡ÈÎ˚. è‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ هÈÎ˚ ÏÓÊÌÓ Á‡„ÛÁËÚ¸, ÌÓ ÌÂθÁfl ÔÂÂÔËÒ‡Ú¸. íÂÏ Ì ÏÂÌÂÂ, Ëı ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Í‡Í ÓÒÌÓ‚Û ‰Îfl ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌ˚ı Ù‡ÈÎÓ‚ (ÍÓÚÓ˚ ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‡Á‰Â·ı USER ËÎË FLOPPY DISK). ê‡Á‰ÂÎ USER á‰ÂÒ¸ ı‡ÌflÚÒfl Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ËÎË ËÁÏÂÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ÙÛÌ͈ËÈ CVP-210/208. éÌË ı‡ÌflÚÒfl ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË CVP-210/208. ê‡Á‰ÂÎ FLOPPY DISK Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ. Ç ˝ÚÓÏ ‡Á‰ÂΠڇÍÊ ÏÓÊÌÓ Á‡ÔÛÒ͇ڸ Ëϲ˘ÂÂÒfl ‚ ÔÓ‰‡Ê ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ. äÓ̘ÌÓ, ‰ÓÒÚÛÔ Í ˝ÚËÏ Ù‡ÈÎ‡Ï ‚ÓÁÏÓÊÂÌ ÚÓθÍÓ ÔÓÒΠÚÓ„Ó, Í‡Í ‚ ‰ËÒÍÓ‚Ó‰ ‚ÒÚ‡‚ÎÂ̇ ÌÛÊ̇fl ‰ËÒÍÂÚ‡. BACK NEXT äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚ PRESET, USER Ë FLOPPY DISK. Ç˚Á˚‚‡ÂÚ ÒÚ‡ÌËˆÛ Í‡Ú‡ÎÓ„‡ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl. Ç ˝ÚÓÏ ÔËÏ ̇ʇÚË ̇ ÍÌÓÔÍÛ ‚˚ÁÓ‚ÂÚ ÒÚ‡ÌËˆÛ ‚˚·Ó‡ Ô‡ÔÍË Ò ÚÂÏ·‡ÏË. î‡ÈΠчÌÌ˚Â, Í‡Í Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â, Ú‡Í Ë ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ, ı‡ÌflÚÒfl ‚ ‚ˉ «Ù‡ÈÎÓ‚». éÔ‡Ú˂̇fl Ô‡ÏflÚ¸ «éÔ‡Ú˂̇fl Ô‡ÏflÚ¸» — ˝ÚÓ Ó·Î‡ÒÚ¸ ‚ ÍÓÚÓÛ˛ Á‡„ÛʇÂÚÒfl ‚˚·‡ÌÌ˚È ÚÂÏ·. á‰ÂÒ¸ Ú‡ÍÊ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË SOUND CREATOR. éÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· ̇‰Ó ·Û‰ÂÚ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠUSER ËÎË FLOPPY DISK. á‡ÔËÒ¸ ÔÂÒÂÌ (ÒÚ. 97) Ë ÒÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 113) ÔÓËÒıÓ‰ËÚ ‚ ÓÔ‡ÚË‚ÌÓÈ Ô‡ÏflÚË. é·flÁ‡ÚÂθÌÓ ÒÓı‡ÌflÈÚ ˝ÚË ‰‡ÌÌ˚ ‚ ‡Á‰ÂΠUSER/FLOPPY DISK ‚ ‚ˉ هÈ· ËÎË Ù‡ÈÎÓ‚. ÖÒÎË ˝ÚË ‰‡ÌÌ˚ Ì ÒÓı‡ÌËÚ¸, ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚ ÔË ‚˚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ̇ ÒÚ. 43. CVP-210/208 41 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı ■ î‡ÈÎ˚ Ë ‡Á‰ÂÎ˚ ìÔ‡‚ÎflÚ¸ هȷÏË ‚ ‡Á‰ÂΠԇÏflÚË USER Ë Ì‡ ‰ËÒÍÂÚ‡ı (ÍÓÔËÓ‚‡Ú¸, ÒÓı‡ÌflÚ¸ Ëı Ë Ú.‰.) ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡. (ÒÚ. 157) ê‡Á‰ÂÎ PRESET ê‡Á‰ÂÎ USER ê‡Á‰ÂÎ FLOPPY DISK á‡ÔËÒ¸ Ì‚ÓÁÏÓÊ̇ Voice Voice Style Style Style Song Song Song Registration Memory Bank Registration Memory Bank Vocal Harmony Type System Setup System Setup MIDI Template äÓÔËÓ‚‡ÌË Vocal Harmony Type MIDI Template ëÓı‡ÌÂÌË äÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚͇ / Ç˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚͇ Voice System Setup MIDI Setup MIDI Setup User Effect User Effect Music Finder Music Finder Music Finder Main Display Picture Main Display Picture Main Display Picture Lyrics Background Picture Lyrics Background Picture Lyrics Background Picture ùÚÓ ˝Í‡Ì Open/Save ‰Îfl ÚÂÏ·Ó‚, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [PIANO] ‚ ÒÂ͈ËË VOICE. MIDI Setup User Effect BACK NEXT Ç˚·ÂËÚ ‡Á‰ÂÎ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. èêàåÖóÄçàÖ ùÍ‡Ì Open/Save ÓÚÓ·‡Ê‡ÂÚ ÚÓθÍÓ Ú هÈÎ˚, Ò ÍÓÚÓ˚ÏË ÏÓÊÌÓ ‡·ÓÚ‡Ú¸ ̇ ˝ÚÓÏ ˝Í‡ÌÂ. ç‡ÔËÏÂ, ËÁ ‡Á‰Â· FD (Floppy Disk) ̇ ˝Í‡Ì Open/Save ‰Îfl ÚÂÏ·Ó‚ ÓÚÓ·‡Ê‡˛ÚÒfl ÚÓθÍÓ ÚÂÏ·˚, ‰‡Ê ÂÒÎË Ì‡ ‰ËÒÍÂÚ ÂÒÚ¸ Â˘Â Ù‡ÈÎ˚ ÒÚËÎÂÈ ËÎË ÔÂÒÂÌ. 42 CVP-210/208 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı ■ îÛÌ͈ËË Ë ‡Á‰ÂÎ˚ Ô‡ÏflÚË Ñ‡ÌÌ˚Â, ÍÓÚÓ˚ ÚÂfl˛ÚÒfl ÔË ‚˚Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡ чÌÌ˚Â, ÍÓÚÓ˚ Ì ÚÂfl˛ÚÒfl ÔË ‚˚Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡ îÛÌ͈ËË éÔ‡Ú˂̇fl Ô‡ÏflÚ¸ ê‡Á‰ÂÎ USER FLOPPY DISK Unedited voice 뇂ÌÂÌË Style Creator àÁÏÂÌÂÌË á‡ÔËÒ¸/ ë·Ó͇ ê„ËÒÚ ê„ËÒÚ ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Song Creator ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Á‡ÔËÒË á‡ÔËÒ¸ Voice Voice Style Style One Touch Setting Registration Memory Registration Memory Bank Music Finder á‡ÔËÒ¸ Music Finder System Setup System Setup Song àÁÏÂÌÂÌË MIDI ç‡ÒÚÓÈÍË MIDI ëÓı‡ÌÂÌË Sound Creator Song MIDI Template ëÓı‡ÌÂÌË MIDI Setup Vocal Harmony Type àÁÏÂÌÂÌË User Effect (ÏËͯÂÌ˚È ÔÛθÚ) àÁÏÂÌÂÌË Master EQ Edit (ÏËͯÂÌ˚È ÔÛθÚ) àÁÏÂÌÂÌË User Vocal Harmony User Effect User Effect User Master EQ ÇçàåÄçàÖ! • чÌÌ˚ ‚ ‡Á‰Â·ı Ô‡ÏflÚË USER/FLOPPY DISK ÒÓı‡Ìfl˛ÚÒfl ‰‡Ê ÔË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl. çÓ ‰‡ÌÌ˚ ‚ ÓÔ‡ÚË‚ÌÓÈ Ô‡ÏflÚË ÏÓ„ÛÚ ·˚Ú¸ ÛÚÂflÌ˚ ÔË Ó·‡˘ÂÌËË Í ‰Û„ÓÏÛ Ù‡ÈÎÛ ËÎË ‚˚Íβ˜ÂÌËË ÔËÚ‡ÌËfl. èÓ˝ÚÓÏÛ, ÔÂʉ ˜ÂÏ ÔÂÂÈÚË Í ‰Û„ÓÏÛ Ù‡ÈÎÛ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ó·flÁ‡ÚÂθÌÓ ÒÓı‡ÌflÈÚ ÌÛÊÌ˚ ‰‡ÌÌ˚ ‚ ‡Á‰ÂÎ USER ËÎË Ì‡ ‰ËÒÍÂÚÂ. * éÔ‡ˆËfl Save (ëÓı‡ÌËÚ¸) ‚˚ÔÓÎÌflÂÚÒfl Ò ˝Í‡Ì‡ Open/Save. ** çÛÊÌ˚È ˝Í‡Ì Open/Save ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò ˝Í‡Ì‡ [FUNCTION] → UTILITY → SYSTEM RESET. CVP-210/208 43 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı Ç˚·Ó Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ Ç˚·ÂËÚ ӉËÌ ËÁ Ù‡ÈÎÓ‚ ̇ ˝Í‡ÌÂ. Ç ˝ÚÓÏ ÔËÏ ‚˚·ÂÂÏ Ù‡ÈÎ ÚÂÏ·‡. ë̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ VOICE [PIANO & HARPSI] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÒÓ ÒÔËÒÍÓÏ Ù‡ÈÎÓ‚. ùÚÓÚ ˝Í‡Ì (Open/Save) ÔÓıÓÊ Ì‡ ‚Ò ÓÒڇθÌ˚ ˝Í‡Ì˚, ËÒÔÓθÁÛÂÏ˚ ‰Îfl Á‡„ÛÁÍË Ë ı‡ÌÂÌËfl Ù‡ÈÎÓ‚. àÌÒÚÛÏÂÌÚ CVP-210/208 ÔÓÒÚ‡‚ÎflÂÚÒfl Ò Ì‡·ÓÓÏ ÚÂÏ·Ó‚, ÍÓÚÓ˚ ı‡ÌflÚÒfl ‚ ‡Á‰ÂΠPRESET. íÂÏ·˚, ÒÓÁ‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator, ÒΉÛÂÚ ı‡ÌËÚ¸ ‚ ‡Á‰ÂΠUSER ËÎË Ì‡ ‰ËÒÍÂÚ (FLOPPY DISK). BACK ÒÚ‡ÌËˆÛ «PRESET», 1 Ç˚·ÂËÚ «USER» ËÎË «FLOPPY DISK» Ò NEXT ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT]. A F B G C H D I E J VOICE PART ON OFF èêàåÖóÄçàÖ LAYER LEFT ENTER DATA ENTRY 1 2 3 4 5 6 7 8 3 Ç˚·ÂËÚ هÈÎ/Ô‡ÔÍÛ. • ÔÓÒÏÓÚ‡ ÒÚ‡Ìˈ ËÒÔÓθÁÛÈÚ 2 ÑÎfl ÍÌÓÔÍË [1▲] — [7▲]. ÖÒÎË ÍÓ΢ÂÒÚ‚Ó ÒÚ‡Ìˈ Ô‚˚¯‡ÂÚ 7, ÌËÊÌflfl ˜‡ÒÚ¸ ˝Í‡Ì‡ ÔËÓ·ÂÚ‡ÂÚ ÒÎÂ‰Û˛˘ËÈ ‚ˉ. ç‡ÊÏËÚ ÍÌÓÔÍÛ Prev. (Ô‰˚‰Û˘ËÈ Ó·˙ÂÍÚ) ç‡ÊÏËÚ ÍÌÓÔÍÛ Next (‚Ô‰) • ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] — [J]. ç‡ÊÏËÚ ÍÌÓÔÍÛ, ‡ÒÔÓÎÓÊÂÌÌÛ˛ fl‰ÓÏ Ò Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ, ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ÓÚÍ˚Ú¸. (Ç Ì‡¯ÂÏ ÔËÏ ̇ ˝Í‡Ì ÔÓ͇Á‡Ì˚ Ù‡ÈÎ˚ ÚÂÏ·Ó‚.) àÒÔÓθÁÛÈÚ ‰ËÒÍ [DATA ENTRY] Ë ÍÌÓÔÍÛ [ENTER]. èÓ‚Ó‡˜Ë‚‡fl ‰ËÒÍ [DATA ENTRY], ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ/Ô‡ÔÍÛ ËÁ ÚÂÍÛ˘Â„Ó ÒÔËÒ͇. Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ (‚ ̇¯ÂÏ ÔËÏ ˝ÚÓ Ù‡ÈÎ ÚÂÏ·‡) Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ENTER]. Ç˚·Ó ‰Û„Ó„Ó flÁ˚͇ ̇ ˝Í‡Ì «LANGUAGE» (ÒÚ. 53, 154) ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÔÓ·ÎÂÏ˚. • çÂÍÓÚÓ˚ ÒËÏ‚ÓÎ˚ ‚Ó ‚‚‰ÂÌÌ˚ı ËÏÂ̇ı Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚. • çÂÍÓÚÓ˚ هÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸ ̉ÓÒÚÛÔÌ˚ÏË. ÑÎfl ÛÒÚ‡ÌÂÌËfl ˝ÚËı ÔÓ·ÎÂÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂÌÛÚ¸ ÔÂÊÌËÈ flÁ˚Í. Ä̇Îӄ˘Ì˚ ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ÔË ˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ò ‰Û„ÓÈ flÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ. èêàåÖóÄçàÖ Ñ‚ÓÈÌÓ ̇ʇÚË ÍÌÓÔÓÍ [A] — [J] ‚˚Á˚‚‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ù‡ÈÎ Ë ‚ÓÁ‚‡Ú Í „·‚ÌÓÏÛ ˝Í‡ÌÛ. èêàåÖóÄçàÖ í‡ÍÊ ‚˚ÁÓ‚ ÚÂÏ·‡ Ë ÔÂÂıÓ‰ Í „·‚ÌÓÏÛ ÏÂÌ˛ MAIN ÔÓËÁÓȉÛÚ, ÂÒÎË ‚˚‰ÂÎËÚ¸ ÌÛÊÌ˚È Ù‡ÈÎ Ë ‰‚‡Ê‰˚ ̇ʇڸ ÍÌÓÔÍÛ [ENTER]. END óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. äÌÓÔ͇ [EXIT] ÔÓÁ‚ÓÎflÂÚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. Ç˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚‡˛˘Â„Ó ÓÍ̇ äÌÓÔ͇ [EXIT] ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡Í˚Ú¸ ‚ÒÔÎ˚‚‡˛˘Â ÓÍÌÓ (Í‡Í Ì‡ ËÎβÒÚ‡ˆËË). 44 CVP-210/208 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ î‡ÈÎ‡Ï Ë Ô‡ÔÍ‡Ï ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ËÏÂ̇. ã˛·ÓÏÛ Ù‡ÈÎÛ ËÎË Ô‡ÔÍ ‚ ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ ËÏfl ËÎË ËÁÏÂÌËÚ¸ „Ó. èË ‡·ÓÚÂ Ò ‰‡ÌÌ˚ÏË ‚ ‡Á‰ÂΠUSER ‚˚ÔÓÎÌflÈÚ ¯‡„Ë, Û͇Á‡ÌÌ˚ ÌËÊÂ. ÖÒÎË Ú·ÛÂÚÒfl ÔÂÂËÏÂÌÓ‚‡Ú¸ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË ËÁ ‡Á‰Â· PRESET, ÒÍÓÔËÛÈÚ Ëı ‚ ‡Á‰ÂÎ USER (ÒÚ. 47). èêàåÖóÄçàÖ 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [1▼] (NAME) (ÒÚ. 39). àÏfl هȷ ËÎË Ô‡ÔÍË ÏÓÊÂÚ ÒÓ‰Âʇڸ ‰Ó 50 ÒËÏ‚ÓÎÓ‚, ‚Íβ˜‡fl ˉÂÌÚËÙË͇ÚÓ Á̇˜Í‡ (ÒÏ. ÔËÏ ÌËÊÂ) Ë ‡Ò¯ËÂÌËÂ. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl flÔÓÌÒÍËÈ flÁ˚Í, ËÏfl ÏÓÊÂÚ ‚Íβ˜‡Ú¸ ‰Ó 25 ÒËÏ‚ÓÎÓ‚ «Í‡Ì‰ÁË» ËÎË ÒÎÓ„Ó‚ÓÈ ‡Á·ÛÍË «ıˇ„‡Ì‡». èÓfl‚ËÚÒfl ˝Í‡Ì NAME. 2 Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ì ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J]. A F B G C H ABCDE.S002.MID D I ID هȷ E J 1 END èêàåÖóÄçàÖ ç‡ ÍÓÏÔ¸˛Ú ËÏfl هȷ ·Û‰ÂÚ ‚˚„Îfl‰ÂÚ¸ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ. ÖÒÎË ËÁÏÂÌËÚ¸ ˉÂÌÚËÙË͇ÚÓ Á̇˜Í‡, ÏÓÊÂÚ ËÁÏÂÌËÚ¸Òfl Á̇˜ÓÍ. ÖÒÎË ËÁÏÂÌËÚ¸ ‡Ò¯ËÂÌËÂ, ‡ÒÔÓÁ̇‚‡ÌË هÈ· ÏÓÊÂÚ ÒÚ‡Ú¸ Ì‚ÓÁÏÓÊÌ˚Ï. 2 3 4 5 6 7 ID Á̇˜Í‡ ê‡Ò¯ËÂÌË 8 ǂ‰ËÚ ÌÓ‚Ó ËÏfl (ÒÚ. 49). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). CVP-210/208 45 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı èÂÂÏ¢ÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ÑÎfl ÛÔÓfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ‚ ‡Á‰ÂΠUSER Ë FLOPPY DISK ÏÓÊÌÓ ÔÂÂÏÂÒÚËÚ¸ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôӈ‰Û˚ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [2▼] (CUT). ëÏ. (ÒÚ. 40). èÓfl‚ËÚÒfl ˝Í‡Ì CUT. 2 Ç˚·ÂËÚ هÈÎ ËÎË Ô‡ÔÍÛ. Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ì ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J]. åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË ÓÌË Ì‡ıÓ‰flÚÒfl ‚ ‡ÁÌ˚ı ‡Á‰Â·ı. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á ̇ʇڸ ÍÌÓÔÍÛ fl‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ. äÌÓÔ͇ [6▼] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË, ÓÚÓ·‡Ê‡ÂÏ˚ ‚ ÚÂÍÛ˘ÂÏ ‡Á‰ÂΠ(USER/ FLOPPY DISK). èË Ì‡Ê‡ÚËË Ì‡ ÍÌÓÔÍÛ [6▼] (ALL) Ó̇ ] ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ «ALL OFF», ˜ÚÓ·˚ ‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó. èêàåÖóÄçàÖ èflÏÓ ÔÂÂÌÓÒËÚ¸ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛ Ì‚ÓÁÏÓÊÌÓ. çÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ‚˚ÂÁ‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡ ‰ËÒÍÂÚÂ Ë ‚ÒÚ‡‚ËÚ¸ ‚ ‡Á‰ÂÎ USER, ‡ Á‡ÚÂÏ ÒÏÂÌËÚ¸ ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰Â Ë ‚ÒÚ‡‚ËÚ¸ ÚÛ‰‡ ÔÂÂÏ¢‡ÂÏ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. èêàåÖóÄçàÖ ÇÒ هÈÎ˚ Ë Ô‡ÔÍË Ò ‰ËÒÍÂÚ˚ ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ̇ ‰Û„ÓÈ ‰ËÒÍ Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÚ. 153). èêàåÖóÄçàÖ ÇÒÚ‡‚ÎÂÌÌ˚ هÈÎ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÚËÛ˛ÚÒfl ÔÓ ËÏÂÌË Ë ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). 4 èÂÂıÓ‰ ̇ ˝Í‡Ì, „‰Â ‰ÓÎÊ̇ ‚˚ÔÓÎÌflÚ¸Òfl ‚ÒÚ‡‚͇. ÇÒÚ‡‚͇ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ Ì‡ ÒÚ‡Ìˈ‡ı USER Ë FLOPPY DISK. END 46 CVP-210/208 ç‡ÊÏËÚ ÍÌÓÔÍÛ [4▼] (PASTE). Ç˚ÂÁ‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ÏÂÒÚÓ Ì‡Á̇˜ÂÌËfl. èêàåÖóÄçàÖ î‡ÈÎ˚ Ë Ô‡ÔÍË Ì‡ ‰ËÒÍÂÚÂ ç‡ ÒÚ‡Ìˈ FLOPPY DISK ˝Í‡Ì‡ Open/Save ·Û‰ÛÚ ÓÚÓ·‡ÊÂÌ˚ ÚÓθÍÓ ÚËÔ˚ Ù‡ÈÎÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ Ó·‡·‡Ú˚‚‡Ú¸ Ò ˝ÚÓ„Ó ˝Í‡Ì‡, ıÓÚfl Ô‡Ô͇ ̇ ‰ËÒÍÂÚ ÏÓÊÂÚ ÒÓ‰Âʇڸ ‡ÁÌ˚ ‚ˉ˚ Ù‡ÈÎÓ‚. èӈ‰ÛÛ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË ÏÓÊÌÓ ÔËÏÂÌËÚ¸ Í ˆÂÎÓÈ Ô‡ÔÍÂ. é‰Ì‡ÍÓ ·Û‰ÛÚ ‚ÒÚ‡‚ÎÂÌ˚ ÚÓθÍÓ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÏÓ„ÛÚ Ó·‡·‡Ú˚‚‡Ú¸Òfl ‚ ÚÂÍÛ˘ÂÏ ÓÍÌ Open/Save. éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ óÚÓ·˚ ÛÔÓfl‰Ó˜ËÚ¸ Ù‡ÈÎ˚ Ë Ô‡ÔÍË, Ëı ÏÓÊÌÓ ÍÓÔËÓ‚‡Ú¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡Ô͇ ̇ ÒÚ‡Ìˈ‡ı PRESET, USER Ë FLOPPY DISK ÏÓÊÂÚ ·˚Ú¸ ÒÍÓÔËÓ‚‡Ì Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôӈ‰Û˚ ÍÓÔËÓ‚‡ÌËfl Ë ‚ÒÚ‡‚ÍË. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [3▼] (COPY) (ëÏ. ÒÚ. 40). èÓfl‚ËÚÒfl ˝Í‡Ì COPY. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). ̇ ˝Í‡Ì, „‰Â ‰ÓÎÊ̇ 4 èÂÂıÓ‰ ‚˚ÔÓÎÌflÚ¸Òfl ‚ÒÚ‡‚͇. ÇÒÚ‡‚͇ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ Ì‡ ÒÚ‡Ìˈ˚ USER Ë FLOPPY DISK. 2 èêàåÖóÄçàÖ Ç˚·ÂËÚ هÈÎ ËÎË Ô‡ÔÍÛ. Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ì ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ/Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J]. åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË ÓÌË Ì‡ıÓ‰flÚÒfl ‚ ‡ÁÌ˚ı ‡Á‰Â·ı. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á ̇ʇڸ ÍÌÓÔÍÛ fl‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ. äÌÓÔ͇ [6▼] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ Ò‡ÁÛ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË, ÓÚÓ·‡Ê‡ÂÏ˚ ̇ ÚÂÍÛ˘ÂÈ ÒÚ‡Ìˈ (PRESET/USER/FLOPPY DISK). èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [6▼] (ALL) Ó̇] ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ ALL OFF, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó ‚ÒÂı Ó·˙ÂÍÚÓ‚. END èÓÏÌËÚÂ Ó ÚÓÏ, ˜ÚÓ ÙÛÌ͈ËË ÍÓÔËÓ‚‡ÌËfl Ô‰̇Á̇˜ÂÌ˚ ËÒÍβ˜ËÚÂθÌÓ ‰Îfl ‚‡¯Â„Ó Î˘ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. èêàåÖóÄçàÖ èflÏÓ ÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ˚ Ë Ô‡ÔÍË Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛ Ì‚ÓÁÏÓÊÌÓ. çÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡ ‰ËÒÍÂÚÂ Ë ‚ÒÚ‡‚ËÚ¸  ̇ ÒÚ‡ÌËˆÛ USER, ‡ Á‡ÚÂÏ ÔÓÏÂÒÚËÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ‰Û„Û˛ ‰ËÒÍÂÚÛ Ë ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ì‡ ÒÚ‡Ìˈ Floppy Disk. ç‡ÊÏËÚ ÍÌÓÔÍÛ [4▼] (PASTE) button. ëÍÓÔËÓ‚‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚ÒÚ‡‚ÎÂÌ˚ ̇ ÌÛÊÌÛ˛ ÒÚ‡ÌˈÛ. 쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ÑÎfl ÛÔÓfl‰Ó˜ÂÌËfl ‰‡ÌÌ˚ı Ù‡ÈÎ˚ Ë Ô‡ÔÍË ÏÓÊÌÓ Û‰‡ÎflÚ¸. ã˛·ÓÈ Ù‡ÈÎ ËÎË Ô‡Ô͇ ̇ ÒÚ‡Ìˈ‡ı USER Ë FLOPPY DISK ÏÓ„ÛÚ ·˚Ú¸ Û‰‡ÎÂÌ˚ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘ÂÈ Ôӈ‰Û˚. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5▼] (DELETE) (ÒÚ. 40). èÓfl‚ËÚÒfl ˝Í‡Ì DELETE. 2 Ç˚·ÂËÚ هÈÎ ËÎË Ô‡ÔÍÛ. Ç˚·ÂËÚ هÈÎ ËÎË Ô‡ÔÍÛ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (éä). Ç˚·‡ÌÌ˚È Ù‡ÈÎ ËÎË Ô‡Ô͇ ‚˚‰ÂÎflÂÚÒfl ̇ ˝Í‡Ì ‰Û„ËÏ ˆ‚ÂÚÓÏ. Ç˚·‡Ú¸ ‰Û„ÓÈ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J]. åÓÊÌÓ ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‰‡Ê ÂÒÎË ÓÌË Ì‡ıÓ‰flÚÒfl ̇ ‡ÁÌ˚ı ÒÚ‡Ìˈ‡ı. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ‰ÓÒÚ‡ÚÓ˜ÌÓ Â˘Â ‡Á ̇ʇڸ ÍÌÓÔÍÛ fl‰ÓÏ Ò ‚˚·‡ÌÌ˚Ï Ù‡ÈÎÓÏ ËÎË Ô‡ÔÍÓÈ. äÌÓÔ͇ [6▼] (ALL) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ‚Ò هÈÎ˚ ËÎË Ô‡ÔÍË Ì‡ ÚÂÍÛ˘ÂÈ ÒÚ‡Ìˈ (USER/FLOPPY DISK). èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [6▼] (ALL) Ó̇] ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ ALL OFF, ˜ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÓÚÏÂÌËÚ¸ ‚˚·Ó ‚ÒÂı Ó·˙ÂÍÚÓ‚. END ç‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (OK). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL) . èÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure you want to delete the «******» file (or data/folder)? YES/NO» (Ç˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?) èÓfl‚flÚÒfl ÍÌÓÔÍË YES/ NO. YES .......쉇ÎÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡. NO .........Ç˚ıÓ‰ ËÁ ÓÍ̇ ·ÂÁ Û‰‡ÎÂÌËfl Ó·˙ÂÍÚ‡. èË ‚˚·Ó ÌÂÒÍÓθÍËı Ù‡ÈÎÓ‚ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Are you sure you want to delete the «******» file (or data/folder)?» (Ç˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ıÓÚËÚ ۉ‡ÎËÚ¸ Ù‡ÈÎ/Ô‡ÔÍÛ «******»?) èÓfl‚flÚÒfl ÍÌÓÔÍË YES/YES ALL/NO/CANCEL. YES/NO .....쉇ÎÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó Ó·˙ÂÍÚ‡ (YES) ËÎË Â„Ó ÔÓÔÛÒÍ ·ÂÁ Û‰‡ÎÂÌËfl (NO). YES ALL ...쉇ÎÂÌË ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı Ó·˙ÂÍÚÓ‚. CANCEL....Ç˚ıÓ‰ ËÁ ÓÍ̇ ·ÂÁ Û‰‡ÎÂÌËfl Ó·˙ÂÍÚÓ‚. CVP-210/208 47 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı ëÓı‡ÌÂÌË هÈÎÓ‚ ùÚ‡ ÓÔ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ‰‡ÌÌ˚ (ÔÂÒÌË Ë ÚÂÏ·˚), ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‚ ÓÔ‡ÚË‚ÌÓÈ Ô‡ÏflÚË (ÒÚ. 41). î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ÚÓθÍÓ Ì‡ ÒÚ‡Ìˈ‡ı USER Ë FLOPPY DISK. ÖÒÎË ˝Í‡Ì Open/Save ‰Îfl ÚËÔ‡ ‰‡ÌÌ˚ı, ÍÓÚÓ˚È ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸, Ì ÔÓfl‚ÎflÂÚÒfl, ‚ÂÌËÚÂÒ¸ ̇ „·‚Ì˚È ˝Í‡Ì, ̇ʇ‚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. ç‡ „·‚ÌÓÏ ˝Í‡Ì ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [A] — [J], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì Open/Save. èÂÂȉËÚÂ Í ÒÚ‡Ìˈ USER ËÎË FLOPPY DISK (ÒÚ. 40, 41). ÍÌÓÔÍÛ 1 ç‡ÊÏËÚ [6▼] (SAVE). ǂ‰ËÚ ËÏfl ÌÓ‚Ó„Ó Ù‡È· (ÒÚ. 49). èêàåÖóÄçàÖ ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 3,3 M·. ÖÏÍÓÒÚ¸ ‰ËÒÍÂÚ ÚËÔ‡ 2DD Ë 2HD ÒÓÒÚ‡‚ÎflÂÚ 720ä· Ë 1,44å· ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova (Ù‡ÈÎ˚ ÚÂÏ·‡, ÒÚËÎfl, ÔÂÒÌË, „ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú.‰.), ÒÓı‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ. èêàåÖóÄçàÖ ç‡ÊÏËÚ ÍÌÓÔÍÛ [8] (OK). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). ìÔÓfl‰Ó˜ÂÌË هÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Ô‡ÔÍË ùÚ‡ ÓÔ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÛÔÓfl‰Ó˜ËÚ¸ Ù‡ÈÎ˚, ‡ÒÔ‰ÂÎË‚ Ëı ÔÓ Í‡Ú„ÓËflÏ Ë ÒÓÁ‰‡‚ ‰Îfl ͇ʉÓÈ Í‡Ú„ÓËË ÓÚ‰ÂθÌÛ˛ Ô‡ÔÍÛ. î‡ÈÎ˚ ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ÚÓθÍÓ ‚ ‡Á‰Â·ı USER Ë FLOPPY DISK. î‡ÈÎ˚ Ëϲ˘Â„ÓÒfl ‚ ÔÓ‰‡Ê ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl DOC Ë ÔÓ„‡ÏÏ˚ Yamaha Disklavier, ‡ Ú‡ÍÊ هÈÎ˚, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ˝ÚËı ÔÓ„‡ÏÏ Ì‡ CVP-210/208, ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ̇ ÒÚ‡Ìˈ USER. é‰Ì‡ÍÓ Ëı ÌÂθÁfl ·Û‰ÂÚ ÒÍÓÔËÓ‚‡Ú¸ ̇ ‰Û„Û˛ ‰ËÒÍÂÚÛ. èêàåÖóÄçàÖ ÒÚ‡ÌˈÛ, 1 Ç˚ÁÓ‚ËÚ ̇ ÍÓÚÓÓÈ ıÓÚËÚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ Ô‡ÔÍÛ, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (NEW) (ÒÚ. 40). ǂ‰ËÚ ËÏfl ÌÓ‚ÓÈ Ô‡ÔÍË (ÒÚ. 49). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8▲](OK). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). Ç Ë‡ı˘ÂÒÍÓÏ ‰Â‚ ͇ڇÎÓ„Ó‚ ÏÓÊÂÚ ·˚Ú¸ ‰Ó ˜ÂÚ˚Âı ÛÓ‚ÌÂÈ. å‡ÍÒËχθÌÓ ӷ˘Â ˜ËÒÎÓ ÒÓı‡ÌflÂÏ˚ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ÒÓÒÚ‡‚ÎflÂÚ 3200, ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰ÎËÌ˚ ËÏÂÌ Ù‡ÈÎÓ‚. å‡ÍÒËχθÌÓ ˜ËÒÎÓ Ù‡ÈÎÓ‚ ‚ Ô‡ÔÍ — 250. èÂÂıÓ‰ ̇ ÒÚ‡Ìˈ˚ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl óÚÓ·˚ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▼] (UP). ç‡ÔËÏÂ, Ú‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÔÂÂÈÚË ÒÓ ÒÚ‡Ìˈ˚, ÒÓ‰Âʇ˘ÂÈ ÒÔËÒÓÍ Ù‡ÈÎÓ‚, ̇ ÒÚ‡ÌËˆÛ ÒÓ ÒÔËÒÍÓÏ Ô‡ÔÓÍ. Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ë ËÁÏÂÌÂÌË Á̇˜ÍÓ‚ ÍÌÓÔÍÛ 1 ç‡ÊÏËÚ [1▼] (NAME), [6▼] (SAVE) ËÎË [7▼] (NEW) (ÒÚ. 40). íËÔ ÒËÏ‚Ó· ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1▲]. Ç˚·Ó flÁ˚͇ ËÌÚÂÙÂÈÒ‡ ÔÓËÒıÓ‰ËÚ Ì‡ ˝Í‡Ì FUNCTION (ÒÚ. 154). èË ‚˚·Ó flÔÓÌÒÍÓ„Ó flÁ˚͇ (Japanese) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒËÒÚÂÏ˚ Á‡ÔËÒË Ë ‡ÁÏÂ˚ ¯ËÙÚÓ‚: (kana-kan) ïˇ„‡Ì‡ Ë Í‡Ì‰ÁË (ÔÓÎÌÓ‡ÁÏÂÌ˚È ¯ËÙÚ) èÂÂȉËÚ ̇ ˝Í‡Ì ICON SELECT, ̇ʇ‚ ÍÌÓÔÍÛ [1▼]. (kana) ùÚÓ ÔÓÁ‚ÓÎËÚ ÔÓÏÂÌflÚ¸ Á̇˜ÓÍ Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·. ä‡Ú‡Í‡Ì‡ (¯ËÙÚ ÌÓχθÌÓ„Ó ‡Áχ, ÔÓÎÌÓ‡ÁÏÂÌ˚ ÒÔˆÒËÏ‚ÓÎ˚) (kana) ä‡Ú‡Í‡Ì‡ (¯ËÙÚ Ë ÒÔˆÒËÏ‚ÓÎ˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ) A B C — ‡ÎÙ‡‚ËÚ (ÔÓÎÌÓ‡ÁÏÂÌ˚ ÒÚÓ˜Ì˚Â Ë ÔÓÔËÒÌ˚ ·ÛÍ‚˚), ˆËÙ˚ (ÔÓÎÌÓ‡ÁÏÂÌ˚Â), ÒÔˆÒËÏ‚ÓÎ˚ (ÔÓÎÌÓ‡ÁÏÂÌ˚Â). ABC — ‡ÎÙ‡‚ËÚ (ÒÚÓ˜Ì˚Â Ë ÔÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ÒÔˆÒËÏ‚ÓÎ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ). èË ‚˚·Ó ̇ ˝Í‡Ì FUNCTION β·Ó„Ó ‰Û„Ó„Ó flÁ˚͇ ËÌÚÂÙÂÈÒ‡ (ÒÚ. 154) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ‡ÁÏÂ˚ ¯ËÙÚÓ‚: CASE — ‡ÎÙ‡‚ËÚ (ÔÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ÒÔˆÒËÏ‚ÓÎ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ) case — ‡ÎÙ‡‚ËÚ (ÒÚÓ˜Ì˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ÒÔˆÒËÏ‚ÓÎ˚ (ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ) 48 CVP-210/208 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ çËÊ ÔË‚Ó‰flÚÒfl ËÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ‚ ËÏÂ̇ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ Ì‡ÔÓÏË̇ÂÚ Ôӈ‰ÛÛ ‚‚Ó‰‡ ËÏÂÌ Ë ˜ËÒÂÎ ‚ ÒÓÚÓ‚˚È ÚÂÎÂÙÓÌ. 1 ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] Ô‚‰ËÚ ÍÛÒÓ ‚ ÌÛÊÌÓ ÔÓÎÓÊÂÌËÂ. ÌÛÊÌÛ˛ ÍÌÓÔÍÛ, [2▲] — [7▲] Ë [2▼] — [6▼], ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÏ‚Ó·, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ‚‚ÂÒÚË. 2ä‡Ê‰ÓÈç‡ÊÏËÚ ÍÌÓÔÍ ÔËÔËÒ‡ÌÓ ÌÂÒÍÓθÍËı ÒËÏ‚ÓÎÓ‚, ÍÓÚÓ˚ ÒÏÂÌfl˛Ú ‰Û„ ‰Û„‡ ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË. óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚ÂÒÚË ‚˚·‡ÌÌ˚È ÒËÏ‚ÓÎ, Ô‰‚Ë̸Ú ÍÛÒÓ ËÎË Ì‡ÊÏËÚ ‰Û„Û˛ ÍÌÓÔÍÛ Ò ·ÛÍ‚‡ÏË. ÖÒÎË ‚˚ ӯ˷ÎËÒ¸ ÔË ‚‚Ӊ ÒËÏ‚Ó·, ÔÓÒÚ‡‚¸Ú ÍÛÒÓ Û ÒËÏ‚Ó·, ÍÓÚÓ˚È ÌÛÊÌÓ Û‰‡ÎËÚ¸, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7▼] (DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ÒËÏ‚ÓÎ˚ ‚ ÒÚÓÍÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [7▼] (DELETE) Ë Ì ÓÚÔÛÒ͇ÈÚ ÌÂÍÓÚÓÓ ‚ÂÏfl ËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). ÖÒÎË ÍÛÒÓ Ì‡ıÓ‰ËÚÒfl ‚ ӷ·ÒÚË, ‚˚‰ÂÎÂÌÌÓÈ ˜ÂÌ˚Ï ˆ‚ÂÚÓÏ, ·Û‰ÛÚ Û‰‡ÎÂÌ˚ ÚÓθÍÓ ÒËÏ‚ÓÎ˚ ‚ ˝ÚÓÈ Ó·Î‡ÒÚË. 3 óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÔËÒ‚ÓËÚ¸ Ó·˙ÂÍÚÛ ÌÓ‚Ó ËÏfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). ■ èÂÓ·‡ÁÓ‚‡ÌË ‚ «Í‡Ì‰ÁË» (flÔÓÌÒÍËÈ flÁ˚Í) ùÚÓ Á‡Ï˜‡ÌË ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÒÎÛ˜‡˛, ÍÓ„‰‡ ËÒÔÓθÁÛÂÚÒfl ÍÌÓÔ͇ « ͇̇-͇̻ (flÔÓÌÒÍËÈ flÁ˚Í). óÚÓ·˚ Á‡ÏÂÌËÚ¸ ËÒıÓ‰Ì˚ ÒËÏ‚ÓÎ˚ ÒËÏ‚Ó·ÏË «Í‡Ì‰ÁË», ‚˚‰ÂÎËÚ ËÏfl, ̇ÔËÒ‡ÌÌÓ ÒËÏ‚Ó·ÏË «ıˇ„‡Ì‡», Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ENTER] Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á. é·Î‡ÒÚ¸ ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËfl (·ÂÎ˚ ÒËÏ‚ÓÎ˚ ̇ ˜ÂÌÓÏ ÙÓÌÂ) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ÒËÏ‚ÓÎ‡Ï «ıˇ„‡Ì‡», ̇ÊÏËÚ ÍÌÓÔÍÛ [7▼] (DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ÒËÏ‚ÓÎ˚ ËÁ ӷ·ÒÚË ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▼] (CANCEL). óÚÓ·˚ ÔӉڂ‰ËÚ¸ ÔÂÓ·‡ÁÓ‚‡ÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK) ËÎË ‚‚‰ËÚ ÒÎÂ‰Û˛˘ËÈ ÒËÏ‚ÓÎ. óÚÓ·˚ ‚‚ÂÒÚË ËÏfl ‚ ÒËÏ‚Ó·ı «ıˇ„‡Ì‡» (·ÂÁ ÔÂÓ·‡ÁÓ‚‡ÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK). èêàåÖóÄçàÖ Ç ËÏÂ̇ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ Ì ‰ÓÔÛÒ͇˛ÚÒfl ÒÎÂ‰Û˛˘Ë ÒÔˆÒËÏ‚ÓÎ˚: ¥\/:*?“<>| ■ Ç‚Ó‰ ‰Ë‡ÍËÚ˘ÂÒÍËı Á̇ÍÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËfl, flÔÓÌÒÍË ÒËÏ‚ÓÎ˚ « » Ë « ») Ç˚·ÂËÚ ÒËÏ‚ÓÎ, Í ÍÓÚÓÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ÒÔˆÒËÏ‚ÓÎ, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [6▼] (ÔÂʉ ˜ÂÏ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚Ó‰ËÚ¸ ÒËÏ‚ÓÎ). ■ Ç‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚ ëÔËÒÓÍ ÒÔˆÒËÏ‚ÓÎÓ‚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸, ̇ʇ‚ ÍÌÓÔÍÛ [6▼] ÔÓÒΠهÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡ ÒËÏ‚Ó· ÔÛÚÂÏ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡. ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] ÔÓÒÚ‡‚¸Ú ÍÛÒÓ fl‰ÓÏ Ò ÌÛÊÌ˚Ï ÒÔˆÒËÏ‚ÓÎÓÏ, ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▲] (OK) ËÎË [ENTER]. ■ Ç‚Ó‰ ˆËÙ èêàåÖóÄçàÖ ÖÒÎË ‚‚Ó‰flÚÒfl ÒËÏ‚ÓÎ˚, Ì ÚÂ·Û˛˘Ë ‰Ó·‡‚ÎÂÌËfl ‰Ë‡ÍËÚ˘ÂÒÍËı Á̇ÍÓ‚ (Á‡ ËÒÍβ˜ÂÌËÂÏ ‡Á·ÛÍ Í‡Ì‡-Í‡Ì Ë Í‡Ú‡Í‡Ì‡ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÔËÒÓÍ ÒÔˆÒËÏ‚ÓÎÓ‚, ̇ʇ‚ ÍÌÓÔÍÛ [6▼]. Ñ·ڸ ˝ÚÓ ÒΉÛÂÚ ÔÓÒΠ‚˚·Ó‡ ÒËÏ‚Ó·, ÌÓ ‰Ó Â„Ó Ù‡ÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡). ë̇˜‡Î‡ ‚˚·ÂËÚ „ËÒÚ ÒËÏ‚ÓÎÓ‚: «A B C» (ÔÓÎÌÓ‡ÁÏÂÌ˚È ‡ÎÙ‡‚ËÚ), «ABC» «CASE» (ÔÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ) Ë «case» (ÒÚÓ˜Ì˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ). á‡ÚÂÏ Ì‡ÊÏËÚÂ Ë Ì ÓÚÔÛÒ͇ÈÚ ÌÂÍÓÚÓÓ ‚ÂÏfl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [2▲] — [7▲] Ë [2▼] — [5▼], ÎË·Ó Ì‡ÊËχÈڠ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ‚˚·ÂÂÚ ÌÛÊÌÛ˛ ˆËÙÛ. CVP-210/208 49 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı àÁÏÂÌÂÌË Á̇˜Í‡ åÓÊÌÓ Ú‡ÍÊ ÔÓÏÂÌflÚ¸ Á̇˜ÓÍ, ÔÓfl‚Îfl˛˘ËÈÒfl Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·. èÂÂȉËÚ ̇ ˝Í‡Ì ICON SELECT, ̇ʇ‚ ÍÌÓÔÍÛ [1▼] (ICON) ̇ ˝Í‡Ì ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚ (ÒÚ. 49). Ç˚·ÂËÚ Á̇˜ÓÍ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] — [J] ËÎË [3▲▼] — [5▲▼], ‡ Á‡ÚÂÏ ‚‚‰ËÚ ‚˚·‡ÌÌ˚È Á̇˜ÓÍ, ̇ʇ‚ ÍÌÓÔÍÛ [8▲] (OK). BACK NEXT A F B G C H D I E J «èÂÂÎËÒÚ˚‚‡ÌË» ÒÚ‡Ìˈ. Ç‚Ó‰ ‚˚·‡ÌÌÓ„Ó Á̇˜Í‡. 1 2 3 4 5 6 7 8 éÚÏÂ̇ ‚˚·Ó‡ Á̇˜Í‡. àÒÔÓθÁÓ‚‡ÌË ‰ËÒ͇ [DATA ENTRY] ùÚÓÚ ‰ËÒÍ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ‚˚·Ë‡Ú¸ Ó·˙ÂÍÚ˚ ̇ ˝Í‡ÌÂ Ë ÏÂÌflÚ¸ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚. îÛÌ͈ËË ‰ËÒ͇ [DATA ENTRY] Á‡‚ËÒflÚ ÓÚ ÚËÔ‡ ˝Í‡Ì‡, ÓÚÓ·‡Ê‡ÂÏÓ„Ó ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. ■ àÁÏÂÌÂÌË Á̇˜ÂÌËÈ á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ÏÓÊÌÓ ÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ ̇ ˝Í‡Ì [BALANCE], ‰ËÒÍ Â„ÛÎËÛÂÚ „ÓÏÍÓÒÚ¸ ‚˚‰ÂÎÂÌÌÓÈ Ô‡ÚËË. óÚÓ·˚ ÓÚ„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ ‰Û„ÓÈ Ô‡ÚËË, Ò̇˜‡Î‡ ‚˚·ÂËÚ ˝ÚÛ Ô‡Ú˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [▲▼], ‡ Á‡ÚÂÏ ÔÓ‚ÂÌËÚ ‰ËÒÍ [DATA ENTRY]. ■ Ç˚·Ó Ó·˙ÂÍÚÓ‚ LJ˘‡fl ‰ËÒÍ [DATA ENTRY], ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ó·˙ÂÍÚ ËÎË ÙÛÌÍˆË˛. èÓÒΠ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ó·˙ÂÍÚ ËÎË ÙÛÌÍˆË˛, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER]. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ̇ıÓ‰ËÚÂÒ¸ ̇ ˝Í‡Ì VOICE, ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY], ‡ Á‡ÚÂÏ ‚˚Á‚‡Ú¸ Â„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER]. 50 CVP-210/208 ENTER DATA ENTRY éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı îÛÌ͈Ëfl Direct Access: ·˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ DIRECT ACCESS METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT VOICE PART ON OFF A MASTER VOLUME PIANO & HARPSI. BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE RESET STYLE ACMP AUTO FILL IN BREAK INTRO MAIN ENDING rit. OTS LINK DIGITAL STUDIO D I E J ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET MUSIC FINDER SYNC.STOP SYNC.START START STOP DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT îÛÌ͈Ëfl Direct Access ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì, ̇ʇ‚ ‚ÒÂ„Ó Ó‰ÌÛ ‰ÓÔÓÎÌËÚÂθÌÛ˛ ÍÌÓÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS]. Ç‡Ï Ô‰ÎÓÊ‡Ú Ì‡Ê‡Ú¸ ÌÛÊÌÛ˛ ÍÌÓÔÍÛ. èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ˝Í‡ÌÛ Ì‡ÒÚÓÂÍ, — Ë Ò‡ÁÛ ÔÓfl‚ËÚÒfl ˝ÚÓÚ ˝Í‡Ì. Ç ÒÎÂ‰Û˛˘ÂÏ ÔËÏ ÙÛÌ͈Ëfl Direct Access ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Chord Fingering (ÒÚ. 142). ACMP DIRECT ACCESS ëÔËÒÓÍ ˝Í‡ÌÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Direct Access, ÒÓ‰ÂÊËÚÒfl ‚ Ú‡·Îˈ (ÒÚ. 52). èêàåÖóÄçàÖ åÓÊÌÓ Î„ÍÓ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. CVP-210/208 51 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı 퇷Îˈ‡ ÙÛÌ͈ËË Direct Access ëÓ˜ÂÚ‡ÌË ÍÌÓÔÓÍ: [DIRECT ACCESS] + Ӊ̇ ËÁ Ô˜ËÒÎÂÌÌ˚ı ÍÌÓÔÓÍ STYLE [ACMP] [BREAK] [INTRO] MAIN [A] MAIN [B] MAIN [C] MAIN [D] [ENDING] [AUTO FILL IN] [OTS LINK] [SYNC. STOP] [SYNC. START] [START/STOP] SONG [TRACK1] [TRACK2] [EXTRA TRACKS] [REPEAT] [GUIDE] [REC] [TOP] [START/STOP] [REW] [FF] METRONOME [START/STOP] [FADE IN/OUT] TEMPO [TAP TEMPO] [E ] [ ] TRANSPOSE [E ] [ ] MENU [DEMO] [HELP] [FUNCTION] DIGITAL STUDIO [SOUND CREATOR] [DIGITAL RECORDING] [MIXING CONSOLE] [BALANCE] [CHANNEL ON/OFF] [DIRECT ACCESS] [NEXT] [BACK] [ENTER] [EXIT] VOICE PART [LAYER] [LEFT] VOICE EFFECT [REVERB] [DSP] [VARIATION] [HARMONY/ECHO] [MONO] [LEFT HOLD] VOICE [PIANO & HARPSI] [E.PIANO] [ORGAN & ACCORDION] [PERCUSSION] [GUITAR] [BASS] [BRASS] [WOODWIND] [STRINGS] [CHOIR & PAD] [SYNTH.] [XG] [USER] ORGAN FLUTES [MUSIC FINDER] ONE TOUCH SETTING [1] [2] [3] [4] MIC. [VOCAL HARMONY] [TALK] [EFFECT] [VH TYPE SELECT] [MIC. SETTING] [PIANO] REGISTRATION MEMORY [FREEZE] [1] [2] [3] [4] [5] [6] [7] [8] [MEMORY] PEDAL RIGHT CENTER LEFT AUX FUNCTION MIXING CONSOLE (STYLE PART) FUNCTION E CVP-210/208 STYLE SETTING/SPLIT POINT ç‡ÒÚÓÈ͇ SYNC. STOP WINDOW ëÚ‡Ìˈ‡ 142 124 125 126 141 — — Ç˚·Ó TRACK1 CHANNEL Ç˚·Ó TRACK2 CHANNEL FUNCTION SONG SETTING 140 Ç˚·Ó GUIDE MODE — — — — — UTILITY FUNCTION MIDI E 52 ëÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝Í‡Ì Ë ÙÛÌ͈Ëfl CHORD FINGERING FINGERING TYPE selection ç‡ÒÚÓÈÍË VOICE VOLUME/VOICE ç‡ÒÚÓÈÍË PANPOT ç‡ÒÚÓÈÍË VOLUME ç‡ÒÚÓÈÍË HARMONIC CONTENT FILTER ç‡ÒÚÓÈÍË BRIGHTNESS ç‡ÒÚÓÈÍË REVERB EFFECT ç‡ÒÚÓÈÍË CHORUS ç‡ÒÚÓÈÍË DSP MIXING CONSOLE CONTROLLER TUNE UTILITY FUNCTION MIDI MASTER TUNE/SCALE TUNE MIXING CONSOLE ç‡ÒÚÓÈÍË EQ MIXING CONSOLE (SONG PART) VOLUME/VOICE ç‡ÒÚÓÈÍË METRONOME ç‡ÒÚÓÈÍË FADE IN/OUT ç‡ÒÚÓÈÍË TAP ç‡ÒÚÓÈ͇ MIDI CLOCK ç‡Á̇˜ÂÌË TRANSPOSE ç‡ÒÚÓÈÍË TRANSPOSE Ç˚·Ó LANGUAGE ç‡ÒÚÓÈÍË LCD BRIGHTNESS ç‡ÒÚÓÈÍË MIDI ç‡ÒÚÓÈ͇ MASTER TUNING ç‡ÒÚÓÈ͇ SCALE TUNING 151 149 144 125 154 152 148 138 128 ç‡ÒÚÓÈÍË VOLUME ç‡ÒÚÓÈÍË VOICE 124 Ç˚ıÓ‰ ËÁ ÂÊËχ Direct Access — — — ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ MAIN TUNE MIXING CONSOLE EFFECT FUNCTION MIXING CONSOLE FUNCTION HARMONY/ECHO TUNE STYLE SETTING/SPLIT POINT ç‡ÒÚÓÈÍË OCTAVE ç‡ÒÚÓÈÍË REVERB ç‡ÒÚÓÈÍË DSP Ç˚·Ó EFFECT TYPE ç‡ÒÚÓÈÍË PORTAMENTO TIME ç‡ÒÚÓÈ͇ SPLIT POINT (LEFT) 125 126 146 125 141 VOICE SET 146 ç‡ÒÚÓÈÍË EQ MUSIC FINDER SEARCH1 (ÔÓËÒÍ Á‡ÔËÒÂÈ) 128 74 EFFECT ç‡ÒÚÓÈ͇ MIC. REVERB TALK SETTING EFFECT ç‡ÒÚÓÈ͇ MIC. DSP VOCAL HARMONY EDIT (‰‡ÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ VOCAL HARMONY) EFFECT MIC. Ç˚·Ó EFFECT TYPE CONTROLLER Ç˚·Ó KEYBOARD TOUCH FREEZE 126 135 126 131 126 144 145 REGISTRATION BANK REGISTRATION EDIT (‰‡ÍÚËÓ‚‡ÌË REGISTRATION) 89 145 FUNCTION REGISTRATION SEQUENCE (ÒÓÁ‰‡ÌË REGISTRATION SEQUENCE) ç‡Á̇˜ÂÌË ÙÛÌ͈ËË RIGHT PEDAL ç‡Á̇˜ÂÌË ÙÛÌ͈ËË CENTER PEDAL CONTROLLER ç‡Á̇˜ÂÌË ÙÛÌ͈ËË LEFT PEDAL ç‡Á̇˜ÂÌË ÙÛÌ͈ËË AUX PEDAL MIXING CONSOLE MUSIC FINDER — — — — MIXING CONSOLE MIC. SETTING MIXING CONSOLE VOCAL HARMONY MIXING CONSOLE FUNCTION 142 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı ëÔ‡‚ÍË èÓ ‚ÒÂÏ ÓÒÌÓ‚Ì˚Ï ÙÛÌ͈ËflÏ Ë ‚ÓÁÏÓÊÌÓÒÚflÏ CVP-210/208 ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ÒÔ‡‚ÍÛ. HELP METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO F B G LAYER C H LEFT MASTER VOLUME HELP TAP TEMPO FADE IN OUT REC TOP START STOP REW FF GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN I E J 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D ONE TOCTH SETTING MUSIC FINDER ENDING rit. SYNC.STOP SYNC.START START STOP DATA ENTRY MIXING CONSOLE OTS LINK 2 3 4 PIANO FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART èêàåÖóÄçàÖ 1 MENU 2 ëÔ‡‚ÍË ÏÓ„ÛÚ ‚˚‰‡‚‡Ú¸Òfl ̇ ÒÎÂ‰Û˛˘Ëı flÁ˚͇ı: ÄçÉãàâëäàâ üèéçëäàâ çÖåÖñäàâ îêÄçñìáëäàâ àëèÄçëäàâ àíÄãúüçëäàâ DEMO HELP FUNCTION èêàåÖóÄçàÖ üÁ˚Í ÒÔ‡‚ÓÍ Ú‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ̇ ˝Í‡Ì «LANGUAGE» (ÒÚ. 154). 1 2-1 2 3 4 5 Ç˚·Ó ‡Á‰Â· ëÔ‡‚ÍË. 6 2-2 7 8 Ç˚ÁÓ‚ ‡Á‰Â· ëÔ‡‚ÍË. ÖÒÎË ÌÛÊÌÓ, ‚˚·ÂËÚ flÁ˚Í. Ç˚·‡ÌÌ˚È Á‰ÂÒ¸ flÁ˚Í ·Û‰ÂÚ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÚÂÍÒÚ ‡Á΢Ì˚ı ÒÓÓ·˘ÂÌËÈ, ‚˚‰‡‚‡ÂÏ˚ı ̇ ˝Í‡Ì ‚Ó ‚ÂÏfl ‡·ÓÚ˚. èêàåÖóÄçàÖ Ç˚·Ó ‰Û„Ó„Ó flÁ˚͇ ̇ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÔÓ·ÎÂÏ˚: • çÂÍÓÚÓ˚ ÒËÏ‚ÓÎ˚ ‚Ó ‚‚‰ÂÌÌ˚ı ËÏÂ̇ı Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚. • çÂÍÓÚÓ˚ هÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸ ̉ÓÒÚÛÔÌ˚ÏË. ÑÎfl ÛÒÚ‡ÌÂÌËfl ˝ÚËı ÔÓ·ÎÂÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÂÌÛÚ¸ ÔÂÊÌËÈ flÁ˚Í. Ä̇Îӄ˘Ì˚ ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ÔË ˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ò ‰Û„ÓÈ flÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ. 3 BACK NEXT ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚ Í ‰Û„ÓÈ. ENTER END DATA ENTRY ëÔ‡‚ÍË ÏÓ„ÛÚ ÒÓ‰Âʇڸ ÒÒ˚ÎÍË Ì‡ ‰ÓÍÛÏÂÌÚ˚ Ò ÔÓ‰Ó·Ì˚ÏË Ó·˙flÒÌÂÌËflÏË Ë ËÁÓ·‡ÊÂÌËfl ˝Í‡Ì‡ ̇ÒÚÓÂÍ. óÚÓ·˚ ÔÂÂÈÚË Í ÔÓ‰Ó·ÌÓÏÛ ÓÔËÒ‡Ì˲ ËÎË ˝Í‡ÌÛ Ì‡ÒÚÓÂÍ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚˚·‡Ú¸ ÔÓ‰˜ÂÍÌÛÚÓ ÒÎÓ‚Ó Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] Ë Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER]. ÇÓÁ‚‡Ú Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. EXIT CVP-210/208 53 éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ åÂÚÓÌÓÏ ÔÓÏÓ„‡ÂÚ ‰Âʇڸ ÚÂÏÔ ‚Ó ‚ÂÏfl Ë„˚, ‡ Ú‡ÍÊ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ Ë ÓˆÂÌËÚ¸ ÚÓÚ ËÎË ËÌÓÈ ÚÂÏÔ. METRONOME START STOP METRONOME POWER MIC. START STOP SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO F B G LAYER C H LEFT MASTER VOLUME TAP TEMPO REC FADE IN OUT TOP START STOP REW FF HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET ENDING rit. MAIN I E J ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D MUSIC FINDER SYNC.STOP SYNC.START START STOP DATA ENTRY MIXING CONSOLE OTS LINK 2 3 4 PIANO FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 ÑÎfl Á‡ÔÛÒ͇ ÏÂÚÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ METRONOME [START/STOP]. íÂÏÔ Â„ÛÎËÛÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÏ. ÌËÊÂ). óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÏÂÚÓÌÓÏ, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. èêàåÖóÄçàÖ åÓÊÌÓ ÏÂÌflÚ¸ Á‚ÛÍ, „ÓÏÍÓÒÚ¸ Ë ˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ (ÒÚ. 151). ê„ÛÎËӂ͇ ÚÂÏÔ‡ ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ Â„ÛÎËÓ‚Í ÚÂÏÔ‡, ÍÓÚÓ‡fl ‚ÎËflÂÚ Ì ÚÓθÍÓ Ì‡ ÚÂÏÔ ÏÂÚÓÌÓχ, ÌÓ Ë Ì‡ ÚÂÏÔ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. TEMPO TAP TEMPO RESET METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 STYLE L VOICE DEMO TRACK 1 R TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN D I E J MUSIC FINDER ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET STYLE ACMP DIGITAL STUDIO ENDING rit. SYNC.STOP SYNC.START START STOP OTS LINK DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT èêàåÖóÄçàÖ 1 TEMPO TAP TEMPO 2 RESET íÂÏÔ ÏÓÊÌÓ ÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] ËÎË ‰ËÒ͇ [DATA ENTRY]. óËÒÎÓ Ì‡ ˝Í‡Ì Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ΢ÂÒÚ‚Ó ˜ÂÚ‚ÂÚÂÈ ‚ ÏËÌÛÚÛ. ùÚÓ ˜ËÒÎÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ ԉ·ı ÓÚ 5 ‰Ó 500. óÂÏ ÓÌÓ ·Óθ¯Â, ÚÂÏ ·˚ÒÚ ÚÂÏÔ. ç‡ÊÏËÚ ÍÌÓÔÍÛ TEMPO [ ] ËÎË [ ]. E 54 äÌÓÔ͇ ‚˚ıÓ‰‡ ND ËÁ ˝Í‡Ì‡ TEMPO. CVP-210/208 EXIT ÖÒÎË ËÁÏÂÌËÚ¸ ÚÂÏÔ, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ËÁÏÂÌflÚÒfl ÚÂÏÔ ÚÂÍÛ˘ÂÈ ÔÂÒÌË Ë ÚÂÏÔ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Òڇ̉‡ÚÌ˚È (̇˜‡Î¸Ì˚È) ÚÂÏÔ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË TEMPO [ ] [ ]. ÅÓθ¯Â Ó ÚÂÏÔ ÒÏ. ‚ ‡Á‰ÂΠ«à̉Ë͇ÚÓ˚ ÚÂÏÔ‡: „·‚Ì˚È ˝Í‡Ì» (ÒÚ. 55). èÓ ÛÏÓΘ‡Ì˲ ÔÂÒÌË Ë ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓË„˚‚‡˛ÚÒfl ‚ Òڇ̉‡ÚÌÓÏ (̇˜‡Î¸ÌÓÏ) ÚÂÏÔÂ, ÍÓÚÓ˚È ÎÛ˜¯Â ‚ÒÂ„Ó ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ‰‡ÌÌÓÈ ÔÂÒÌ ËÎË ÒÚËβ. éÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı îÛÌ͈Ëfl Tap Tempo í‡ÍËÏ Ó·‡ÁÓÏ, ÌÛÊÌ˚È ÚÂÏÔ ÏÓÊÌÓ ÔÓÒÚÓ ÓÚ·ËÚ¸. çÂÒÍÓθÍÓ Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] — Ë ÔÂÒÌfl ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. ÔÂÒÌË ËÎË 1 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 63, 78). 2 TEMPO TAP TEMPO èêàåÖóÄçàÖ RESET óÚÓ·˚ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ‰‚‡Ê‰˚ ̇ÊÏËÚ ÍÌÓÔÍÛ [TAP TEMPO]. ■ à̉Ë͇ÚÓ˚ ÚÂÏÔ‡: „·‚Ì˚È ˝Í‡Ì (MAIN) ç‡ „·‚ÌÓÏ ˝Í‡Ì ÂÒÚ¸ ÚË Ë̉Ë͇ÚÓ‡ ÚÂÏÔ‡. à̉Ë͇ÚÓ Òڇ̉‡ÚÌÓ„Ó (̇˜‡Î¸ÌÓ„Ó) ÚÂÏÔ‡ ‚˚·‡ÌÌÓÈ ÔÂÒÌË (ÂÒÎË ÚÂÏÔ Ì ·˚Î ËÁÏÂÌÂÌ ‚Û˜ÌÛ˛). à̉Ë͇ÚÓ Ù‡ÍÚ˘ÂÒÍÓ„Ó ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚Ó‰ÂÌËfl ÔÂÒÌË, ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÏÂÚÓÌÓχ. ÖÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ˝ÚÓÚ Ë̉Ë͇ÚÓ ÔÓ͇Á˚‚‡ÂÚ ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. ÖÒÎË ÔÂÒÌfl Ë ÒÚËθ ÔÓË„˚‚‡˛ÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ, ÚÂÏÔ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰„ÓÌflÂÚÒfl ÔÓ‰ ÚÂÏÔ ÔÂÒÌË Ë ÓÚÓ·‡Ê‡ÂÚÒfl ̇ ˝ÚÓÏ Ë̉Ë͇ÚÓÂ. èË Á‡ÔËÒË ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÒÔÓθÁÛÂÚÒfl ËÏÂÌÌÓ ˝ÚÓÚ ÚÂÏÔ. èêàåÖóÄçàÖ ç‡Ê‡ÚË ÍÌÓÔÍË [TAP TEMPO] ÒÓÁ‰‡ÂÚ Á‚ÛÍ, ÔÓıÓÊËÈ Ì‡ ÒÚÛÍ. èË Ê·ÌËË ˝ÚÓÚ Á‚ÛÍ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ (ÒÚ. 152). ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Tap Tempo ÏÓÊÌÓ Ú‡ÍÊ Á‡‰‡Ú¸ ÚÂÏÔ, ‚ ÍÓÚÓÓÏ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÂÒÌfl ËÎË ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒÚÛÍÌËÚ ÌÂÒÍÓθÍÓ ‡Á ÔÓ ÍÌÓÔÍ [TAP TEMPO]. Ç˚·‡ÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒÚËÚÒfl ‚ ˝ÚÓÏ ÚÂÏÔÂ. ÖÒÎË Á‡‰‡Ú¸ ‰Îfl ÔÂÒÌË ÂÊËÏ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ Sync. Start stand-by (ÒÚ. 64, 78) Ë ÔÓÒÚÛ˜‡Ú¸ ÔÓ ÍÌÓÔÍ [TAP TEMPO], ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡˜ÌÂÚÒfl ‚ ˝ÚÓÏ ÚÂÏÔÂ. ÑÎfl ÔÂÒÌË Ë ÒÚËÎfl Ò ‡ÁÏÂÓÏ 2/4 Ë 4/4 Û‰‡¸Ú ÔÓ ÍÌÓÔÍ ˜ÂÚ˚ ‡Á‡, ‰Îfl ‡Áχ 3/4 — ÚË ‡Á‡, ‰Îfl ‡Áχ 5/4 — ÔflÚ¸ ‡Á. à̉Ë͇ÚÓ Òڇ̉‡ÚÌÓ„Ó (̇˜‡Î¸ÌÓ„Ó) ÚÂÏÔ‡ ÚÂÍÛ˘Â„Ó ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÂÒÎË ÚÂÏÔ Ì ·˚Î ËÁÏÂÌÂÌ ‚Û˜ÌÛ˛). CVP-210/208 55 èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 – ˝ÚÓ „Ë·ÍËÈ ËÌÒÚÛÏÂÌÚ Ò ‡Á‚ËÚÓÈ ÒËÒÚÂÏÓÈ ÛÔ‡‚ÎÂÌËfl, ÏÌÓÊÂÒÚ‚ÓÏ ‰Ë̇Ï˘ÂÒÍËı ÚÂÏ·Ó‚ Ë ËÚÏÓ‚, Ò̇·ÊÂÌÌ˚È ˆÂÎ˚Ï fl‰ÓÏ ‰ÓÔÓÎÌËÚÂθÌ˚ı ÙÛÌ͈ËÈ. ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ Ï ÔÓ‰ÂÏÓÌÒÚËÓ‚‡Ú¸ ·Ó„‡ÚÒÚ‚Ó Á‚Û͇ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, Ï˚ Á‡ÎÓÊËÎË ‚ Ô‡ÏflÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÚË ÚËÔ‡ ‰ÂÏÓÌÒÚ‡ˆËË. ëÔ‡‚Ó˜ÌËÍ MENU DEMO METRONOME POWER START ⁄ STOP ON MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R TOP START ⁄ STOP REW FF GUIDE REPEAT FUNCTION PIANO & HARPSI. VOICE PART ON ⁄ OFF A F B G LAYER C H LEFT HELP TAP TEMPO REC MAX TEMPO BREAK AUTO FILL IN INTRO DIGITAL STUDIO TRANSPOSE RESET ENDING ⁄ rit. MAIN MONO LEFT HOLD PERCUSSION GUITAR BRASS BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG D I E J MUSIC FINDER ORGAN FLUTES USER ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET STYLE ACMP HARMONY ⁄ ECHO FUNCTION ENTER MIN VARIATION ORGAN & ACCORDION VOICE DEMO MASTER VOLUME FADE IN ⁄ OUT DSP E. PIANO NEXT MENU HELP SONG OFF SYNC.STOP SYNC.START START ⁄ STOP DIGITAL RECORDING MIXING CONSOLE OTS LINK 2 3 4 PIANO DATA ENTRY FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON ⁄ OFF PART 1 MENU DEMO HELP FUNCTION 2 2-1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK][NEXT] ÏÓÊÌÓ ‚˚·‡Ú¸ ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲ ÚËÔ ‰ÂÏÓÌÒÚ‡ˆËË. ÑÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ ........ Óڇʇ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ‡Á΢Ì˚ı ÙÛÌ͈ËÈ. ÑÂÏÓÌÒÚ‡ˆËË ÚÂÏ·Ó‚......... ËÎβÒÚËÛ˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÒÔÓθÁÓ‚‡ÌËfl ÚÂÏ·Ó‚. ÑÂÏÓÌÒÚ‡ˆËË ÒÚËÎÂÈ ........... ÔÓÁ‚ÓÎflÂÚ ÔÓÎÛ˜ËÚ¸ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ËÚχı Ë ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. BACK NEXT A F B G C H D I E J 2-3 1 2-2 56 CVP-210/208 2 3 ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ Í ‰Û„ÓÈ. 4 5 6 7 ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËË Ì‡ÊÏËÚ ӉÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ. 8 ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ‰ÂÏÓÌÒÚ‡ˆËË ÌÂÔÂ˚‚ÌÓ, ̇˜Ë̇fl Ò Ô‚ÓÈ ÔÓÁˈËË ‚ ÒÔËÒÍ (‚ÂıÌflfl ‚ ΂ÓÏ fl‰Û). í‡ÍÓÈ ÂÊËÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ‚˚·‡Ú¸ Î˯¸ ÔË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ FUNCTION. ÇÒ Ëϲ˘ËÂÒfl ‰ÂÏÓÌÒÚ‡ˆËË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ӊ̇ Á‡ ‰Û„ÓÈ, ̇˜Ë̇fl Ò ‚ÂıÌÂÈ ‚ ΂ÓÏ fl‰Û. ù͇Ì˚ VOICE Ë STYLE Ì ‡ÒÔÓ·„‡˛Ú ÍÌÓÔÍÓÈ [AUTO], Ӊ̇ÍÓ ˝ÚÓ Ì ÔÂÔflÚÒÚ‚ÛÂÚ ÔÓÒΉӂ‡ÚÂθÌÓÏÛ ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ. ç‡Ê‡ÚË ‰‡ÌÌÓÈ ÍÌÓÔÍË ‰Â·ÂÚ Ì‚ÓÁÏÓÊÌ˚Ï ËÌÚ‡ÍÚË‚ÌÓ ‚ÓÁ‰ÂÈÒÚ‚Ë ̇ ‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ (ÒÏ. ¯‡„ 3). èÓË„˚‚‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ èêàåÖóÄçàÖ 3 èË ‚˚·Ó ‰ÂÏÓÌÒÚ‡ˆËË ÙÛÌ͈ËÈ Ì‡ ˝Í‡Ì ÔÓfl‚Îfl˛ÚÒfl ‚‚Ó‰Ì˚ ҂‰ÂÌËfl Ë Ì‡˜Ë̇ÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. óÚÓ·˚ ÔÂÂÈÚË Í Ô‰˚‰Û˘ÂÈ ËÎË ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [BACK][NEXT]. çËÊ Ô˂‰ÂÌ ÔËÏ ˝Í‡Ì‡ Ò ‚‚Ó‰Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó ÚÂÏ·‡ı. èêàåÖóÄçàÖ BACK óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. óÚÓ·˚ ÔÓ‰ÓÎÊËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ Ò ÏÂÒÚ‡ ÓÒÚ‡ÌÓ‚ÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP] ¢ ‡Á. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËflÏË ·˚ÒÚÓÈ ÔÂÂÏÓÚÍË ‚Ô‰ Ë Ì‡Á‡‰ (ÒÚ. 80). NEXT VOICE PART ON OFF F G LAYER H LEFT ENTER I J DATA ENTRY 1 2 3 4 5 6 7 8 Ç˚·ÂËÚ ÌÛÊÌÓ ÒÎÓ‚Ó ËÎË Ó·˙ÂÍÚ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY], ‡ Á‡ÚÂÏ ‚˚ÁÓ‚ËÚ „Ó, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ËÎË ÍÌÓÔÍË ([1▼], [2▼], Ë Ú. ‰.). 4 ëÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ӷ˙flÒÌÂÌËfl ÓÚÓ·‡ÊÂÌ˚ ̇ ˝Í‡ÌÂ. A F B G C H D I E J 1 2 3 4 5 6 7 8 END EXIT äÌÓÔ͇ ‚ÓÁ‚‡Ú‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ MAIN. CVP-210/208 57 íÂÏ·˚ ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ·Ó„‡ÚÂȯËÏ Ì‡·ÓÓÏ Ì‡ÚۇθÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·Ó‚, ‚Íβ˜‡fl ‚Ò ‡ÁÌÓÓ·‡ÁË ÚÂÏ·Ó‚ Í·‚˯Ì˚ı, ÒÚÛÌÌ˚ı Ë ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚, ‡ Ú‡ÍÊ ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı. VOICE PIANO & HARPSI. BRASS METRONOME POWER START STOP MIC. SIGNAL E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG USER VOICE EFFECT OVER VOCAL HARMONY ORGAN FLUTES TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO A F MASTER VOLUME HELP TAP TEMPO FADE IN OUT REC TOP START STOP REW FF GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF B G LAYER C H LEFT BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET ENDING rit. MAIN I E J ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D MUSIC FINDER SYNC.STOP SYNC.START START STOP 2 3 4 PIANO DATA ENTRY MIXING CONSOLE OTS LINK FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 Ç˚·Ó ÚÂÏ·‡ 1 Ç˚·ÂËÚ ÌÂÓ·ıÓ‰ËÏÛ˛ „ÛÔÔÛ ÚÂÏ·Ó‚. èêàåÖóÄçàÖ VOICE PIANO & HARPSI. BRASS E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG ORGAN FLUTES USER èË ‚˚·Ó „ÛÔÔ˚ ÚÂÏ·Ó‚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚‰ÂÎflÂÚÒfl ÚÓÚ ÚÂÏ·, ÍÓÚÓ˚È ·˚Î ‚˚·‡Ì ÔÓÒΉÌËÏ. èêàåÖóÄçàÖ 2 ùÚ‡ ̇‰ÔËÒ¸ Û͇Á˚‚‡ÂÚ Ì‡ ÚÓ, ˜ÚÓ ˝Í‡Ì Ô‰̇Á̇˜ÂÌ ‰Îfl ‚˚·Ó‡ „·‚ÌÓ„Ó ÚÂÏ·‡ (ÒÚ. 25). 2-1 äÌÓÔÍË ‰Îfl Û͇Á‡ÌËfl ÏÂÒÚÓ̇ıÓʉÂÌËfl ÚÂÏ·‡ (‡Á‰ÂÎ˚ PRESET/USER/FLOPPY DISK). BACK èÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡ÂÚÒfl Ì ÔÓÒÚÓ Ò‡Ï ÚÂÏ·, ÌÓ Ë Ì‡Ë·ÓΠÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÏÛ ˝ÙÙÂÍÚ ‚ÏÂÒÚÂ Ò ÔÓ˜ËÏË Ô‡‡ÏÂÚ‡ÏË ÚÂÏ·‡. îÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ ÚÂÏ·‡ ÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ (ÒÚ. 146). NEXT èêàåÖóÄçàÖ A F B G C H D I E J åÓÊÌÓ Á‡‰‡Ú¸, ‚ ͇ÍÓÈ Ï „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ ·Û‰ÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚Ë¯Û (ÒÚ. 144). èêàåÖóÄçàÖ è˜Â̸ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ. èêàåÖóÄçàÖ 2-3 2-2 3 äÌÓÔÍË ‰Îfl ÔÂÂıÓ‰‡ ÏÂÊ‰Û ÒÚ‡Ìˈ‡ÏË ÚÂÍÛ˘ÂÈ „ÛÔÔ˚ ÚÂÏ·Ó‚. 1 2 3 4 5 6 7 8 ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ „ÛÔÔ˚ ÚÂÏ·Ó‚. óÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‚˚·‡ÌÌ˚È ÚÂÏ·, ÔÓË„‡ÈÚ ̇ Í·‚ˇÚÛÂ. END äÌÓÔÍË ‚˚·Ó‡ ÚÂÏ·‡. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡. èË ÔÓ‚ÚÓÌÓÏ Â ̇ʇÚËË ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂ͇˘‡ÂÚÒfl. äÌÓÔ͇ ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ MAIN. EXIT 58 CVP-210/208 åÓÊÌÓ Û͇Á‡Ú¸, ÒΉÛÂÚ ÎË ÓÚÓ·‡Ê‡Ú¸ ÌÓχ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ Ë ·‡ÌÍÓ‚ («MSB-LSBProgram Change number» ÒÔ‡‚‡ ÓÚ ËÏÂÌË ÚÂÏ·‡) (ÒÚ. 152). èêàåÖóÄçàÖ XG Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ Á̇˜ËÚÂθÌÓ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡ General MIDI (GM System level 1 format). äÓÔÓ‡ˆËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI ‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ. íÂÏ·˚ ÍÚÂËÒÚËÍË ÚÂÏ·‡ íËÔ ÚÂÏ·‡ Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ ÚÂÏ·‡. Natural! ùÚË „ÎÛ·ÓÍËÂ Ë ˝ÙÙÂÍÚÌ˚ ÚÂÏ·˚ ÒÓÒÚÓflÚ „·‚Ì˚Ï Ó·‡ÁÓÏ ËÁ ËÌÒÚÛÏÂÌڇθÌ˚ı Á‚ÛÍÓ‚ Ë Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ÙÓÚÂÔˇÌÌ˚ı Ë ‰Û„Ëı Ô‡ÚËÈ Í·‚ˇÚÛ˚. í‡Í Í‡Í ÓÌË ËÒÔÓθÁÛ˛Ú Òӂ¯ÂÌÌÓ ÌÂÁ‡‚ËÒËÏ˚È ËÒÚÓ˜ÌËÍ Á‚Û͇, ‚˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇Ò˚˘ÂÌÌ˚ ÔÓ‰ÓÎÊËÚÂθÌ˚ ‡ÍÍÓ‰˚, ‰‡Ê ‚ÏÂÒÚ ÒÓ ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ë Ì ·ÂÒÔÓÍÓËÚ¸Òfl Ó· Ó·˚‚‡˛˘ËıÒfl ÌÓÚ‡ı. í‡ÍÊ ÓÌË ËÒÔÓθÁÛ˛Ú ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÓ‚ÂÏÂÌÌÓÈ ÚÂıÌÓÎÓ„ËË Ò˝ÏÔÎËÓ‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha, Ú‡ÍËÂ Í‡Í ÒÚÂÂÓÒ˝ÔÎËÓ‚‡ÌËÂ, ‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ Ë Ò˝ÏÔÎËÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯. Live! ùÚË ÚÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·˚ÎË Á‡Ò˝ÏÔÎËÓ‚‡Ì˚ ‚ ‚ˉ ÒÚÂÂÓهȷ. Ç ÂÁÛθڇÚ ÓÌË Á‚Û˜‡Ú ‰ÂÈÒÚ‚ËÚÂθÌÓ Ì‡ÚۇθÌÓ. ë˝ÏÔÎ˚ ӷ·‰‡˛Ú ·Ó„‡Ú˚Ï Á‚Û˜‡ÌËÂÏ, ıÓÓ¯Ó Ô‰‡˛Ú ÔÓÒÚ‡ÌÒÚ‚Ó Ë ‡ÚÏÓÒÙÂÛ. Cool! ùÚË ÚÂÏ·˚ ÒÔÓÒÓ·Ì˚ Ô‰‡‚‡Ú¸ ‰Ë̇ÏËÍÛ Ë ÚÓ̘‡È¯ËÂ Ì˛‡ÌÒ˚ Á‚Û˜‡ÌËfl ˝ÎÂÍÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·Î‡„Ó‰‡fl ËÁÓ˘ÂÌÌÓÏÛ ÔÓ„‡ÏÏËÓ‚‡Ì˲ Ë ‚ÌÛ¯ËÚÂθÌÓÏÛ Ó·˙ÂÏÛ Ô‡ÏflÚË. Sweet! ùÚË ÚÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ Ú‡ÍÊ ‚˚Ë„˚‚‡˛Ú ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl ÒÎÓÊÌÓÈ ÚÂıÌÓÎÓ„ËË. éÌË Á‚Û˜‡Ú ÒÚÓθ ÂÒÚÂÒÚ‚ÂÌÌÓ, ˜ÚÓ ÏÓÊÌÓ ‡Á΢ËÚ¸ ÏÂθ˜‡È¯Ë ‰ÂÚ‡ÎË Á‚ÛÍÓ‚ÓÈ Í‡ÚËÌ˚. чÊ Ì ‚ÂËÚÒfl, ˜ÚÓ ËÒÚÓ˜ÌËÍ Á‚Û͇ – ˆËÙÓ‚Ó ÔˇÌËÌÓ! Drum ä‡Ê‰ÓÈ Í·‚˯ ÔËÒ‚ÓÂÌ Á‚ÛÍ Í‡ÍÓ„Ó-ÎË·Ó Ó‰ÌÓ„Ó Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡. LJ¯‡ Í·‚ˇÚÛ‡ Ô‚‡˘‡ÂÚÒfl ‚ ÔÓ‰Ó·Ë ۉ‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË. SFX ë ͇ʉÓÈ Í·‚˯ÂÈ ÒÓÓÚÌÂÒÂÌ Í‡ÍÓÈ-ÎË·Ó Á‚ÛÍÓ‚ÓÈ ÒÔˆ˝ÙÙÂÍÚ. Live!Drums Ç˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ·‡‡·‡ÌÌ˚ Á‚ÛÍË, ËÒÔÓθÁÛ˛˘Ë ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂÂÓ- Ë ‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËfl. Organ Flutes! íÂÏ· Ó„‡Ì‡ ÔÓÁ‚ÓÎflÂÚ Ì‡Òڇ˂‡Ú¸ ÏÌÓ„Ë ԇ‡ÏÂÚ˚ Á‚Û˜‡ÌËfl Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ӄ‡ÌÌ˚ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator. Live! SFX (ËÌÒÚÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚) Ç˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ÔÂÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ËÌÒÚÛÏÂÌÚÓ‚ ã‡ÚËÌÒÍÓÈ ÄÏÂËÍË, ËÒÔÓθÁÛ˛˘Ë ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÚÂÂÓ- Ë ‰Ë̇Ï˘ÂÒÍÓ„Ó Ò˝ÏÔÎËÓ‚‡ÌËfl. Å·„Ó‰‡fl ËÏ ‚˚ ÔÓÎÛ˜‡ÂÚ ·ÓΠ¯ËÓÍËÈ Ë ÏÌÓ„ÓÒÚÓÓÌÌËÈ ‰Ë‡Ô‡ÁÓÌ ÔÂÍÛÒÒËË ËÌÒÚÛÏÂÌÚÓ‚ ã‡ÚËÌÒÍÓÈ ÄÏÂËÍË, ˜ÂÏ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ ·‡‡·‡ÌÓ‚. èÂÍÛÒÒËÓÌ̇fl Í·‚ˇÚÛ‡ èË ‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ ÒÔˆ˝ÙÙÂÍÚÓ‚ ËÎË ·‡‡·‡ÌÓ‚ ËÁ „ÛÔÔ˚ ÚÂÏ·Ó‚ PERCUSSION ͇ʉÓÈ Í·‚˯ ÔËÒ‚‡Ë‚‡˛ÚÒfl Á‚ÛÍË, ‚ıÓ‰fl˘Ë ‚ ˝ÚÓÚ Ì‡·Ó. ê‡Á΢Ì˚ ۉ‡Ì˚Â Ë ÔÂÍÛÒÒËÓÌÌ˚ ËÌÒÚÛÏÂÌÚ˚ Òڇ̉‡ÚÌÓ„Ó Ì‡·Ó‡ Standard Kit Ó·ÓÁ̇˜ÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÒËÏ‚Ó·ÏË ÔÓ‰ Í·‚˯‡ÏË. àÏÂÈÚ ‚ ‚ˉÛ: ÌÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ‡Á΢Ì˚ ̇·Ó˚ ÒÓÒÚÓflÚ ËÁ ‡ÁÌ˚ı Á‚ÛÍÓ‚, ÌÂÍÓÚÓ˚ Á‚ÛÍË ÏÓ„ÛÚ Ì‡Á˚‚‡Ú¸Òfl Ë Á‚Û˜‡Ú¸ Ó‰Ë̇ÍÓ‚Ó ‚ ÌÂÒÍÓθÍËı ̇·Ó‡ı. ëÔËÒÓÍ Á‚ÛÍÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ê‰ÓÏÛ Ì‡·ÓÛ, Ô˂‰ÂÌ ‚ Ò·ÓÌËÍ ڇ·Îˈ (Drum/key Assignment List). à„‡ ̇ ÙÓÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ùÚ‡ ۉӷ̇fl Ë ‚ ÚÓ Ê ‚ÂÏfl ÔÓÒÚ‡fl ÙÛÌ͈Ëfl ÔÓÎÌÓÒÚ¸˛ Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒڇ˂‡ÂÚ ‚Ò CVP-210/208 ‰Îfl ÓÔÚËχθÌÓ„Ó ËÒÔÓÎÌÂÌËfl ‚ ÚÂÏ·Â ÙÓÚÂÔˇÌÓ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ̇ÒÚÓÈÍË ‚˚ Á‡‰‡ÎË Ì‡ Ô‡ÌÂÎË, ÏÓÊÌÓ ·˚ÒÚÓ ‚˚Á‚‡Ú¸ ˝Í‡Ì ̇ÒÚÓÂÍ ÔˇÌËÌÓ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË. PIANO èêàåÖóÄçàÖ äÌÓÔ͇ PIANO àÁÏÂÌflÂÚ ‚Ò ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ÔÓÁ‚ÓÎflfl Ë„‡Ú¸ ̇ CVP-210/208, Í‡Í Ì‡ ÙÓÚÂÔˇÌÓ. îÛÌ͈Ëfl Piano Lock ì‰Ó·Ì‡fl ÙÛÌ͈Ëfl Piano Lock ÔÓÁ‚ÓÎflÂÚ «Á‡·ÎÓÍËÓ‚‡Ú¸» ÔˇÌËÌÓ ‚Ó ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÔË Ì‡Ê‡ÚËË ‰Û„ÓÈ ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË. èË ËÒÔÓθÁÓ‚‡ÌËË ·ÎÓÍËÓ‚ÍË CVP210/208 ÓÒÚ‡ÂÚÒfl ‚ ÂÊËÏ ÙÓÚÂÔˇÌÓ ‰‡Ê ÔË Ì‡Ê‡ÚËË ‰Û„Ëı ÍÌÓÔÓÍ, ÔÓÁ‚ÓÎflfl ËÁ·Âʇڸ ÒÎÛ˜‡ÈÌÓ„Ó ÔÂÂıÓ‰‡ Í ÔÂÒÌ ËÎË ÒÚËβ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl ÍÓ̈ÂÚ‡ ÙÓÚÂÔˇÌÓ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [PIANO] Ë Û‰ÂÊË‚‡ÈÚ ÂÂ, ÔÓ͇ ̇ ˝Í‡Ì Ì ÔÓfl‚ËÚÒfl Ô‰ÎÓÊÂÌË ‡ÍÚË‚ËÓ‚‡Ú¸ ·ÎÓÍËÓ‚ÍÛ ÔˇÌËÌÓ. ÑÎfl ‡ÍÚË‚‡ˆËË ·ÎÓÍËÓ‚ÍË ‚˚·ÂËÚ «OK». ÑÎfl ÓÚÍβ˜ÂÌËfl ·ÎÓÍËÓ‚ÍË Â˘Â ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [PIANO] ̇ ÌÂÍÓÚÓÓ ‚ÂÏfl. í‡ÍÊ ‚ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÏÂÚÓÌÓÏ (ÒÚ. 54). èêàåÖóÄçàÖ Ñ‡Ê ÔÓÒΠÓÚÍβ˜ÂÌËfl ·ÎÓÍËÓ‚ÍË Ì‡ÒÚÓÈÍË ÔˇÌËÌÓ ÓÒÚ‡ÌÛÚÒfl ‡ÍÚË‚Ì˚. CVP-210/208 59 íÂÏ·˚ íÂÏ·˚ Layer Ë Left: Ë„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ CVP-210/208ÔÓ‰‰ÂÊË‚‡ÂÚ Ó‰ÌÓ‚ÂÏÂÌÌÛ˛ Ë„Û ÚÂı ÚÂÏ·Ó‚. MAIN („·‚Ì˚È), LAYER (ÒÎÓÈ) Ë LEFT (ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË). äÓÏ·ËÌËÛfl ˝ÚË ÚË ÚÂÏ·‡, ‚˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÏÛθÚËËÌÒÚÛÏÂÌڇθÌ˚ ÒÏÂÒË Ò ·Ó„‡Ú˚ÏË ÚÂÍÒÚÛ‡ÏË ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl ‚Ó ‚ÂÏfl ÍÓ̈ÂÚ‡. VOICE PART ON OFF METRONOME POWER START STOP MIC. SIGNAL G LAYER H LEFT VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO F FADE IN OUT REC TOP START STOP REW FF B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE TAP TEMPO RESET AUTO FILL IN BREAK INTRO RESET ENDING rit. MAIN D I E J MUSIC FINDER ONE TOCTH SETTING 1 SOUND CREATOR STYLE ACMP DIGITAL STUDIO SYNC.STOP SYNC.START START STOP OTS LINK DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÒÎÓfl ËÁ ‰‚Ûı ÚÂÏ·Ó‚ ó‡ÒÚ¸ ÒÎÓfl (LAYER) É·‚̇fl ˜‡ÒÚ¸ (MAIN) à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‰‚Ûı ÌÂÒϯ‡ÌÌ˚ı ÚÂÏ·Ó‚ (Ó‰ËÌ ÒÔ‡‚‡, ‰Û„ÓÈ Ò΂‡) íӘ͇ ‡Á‰ÂÎÂÌËfl ó‡ÒÚ¸ ‰Îfl ΂ÓÈ ÛÍË (LEFT ) ょfl ˜‡ÒÚ¸ à„‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂı ÚÂÏ·Ó‚ (Ó‰ËÌ Ò΂‡ Ë ‰‚‡ Òϯ‡ÌÌ˚ı ÚÂÏ·‡ ÒÔ‡‚‡) 臂‡fl ˜‡ÒÚ¸ ó‡ÒÚ¸ ÒÎÓfl (LAYER) íӘ͇ ‡Á‰ÂÎÂÌËfl ó‡ÒÚ¸ ‰Îfl ΂ÓÈ ÛÍË (LEFT ) ょfl ˜‡ÒÚ¸ É·‚̇fl ˜‡ÒÚ¸ (MAIN) 臂‡fl ˜‡ÒÚ¸ É·‚̇fl ˜‡ÒÚ¸ (MAIN) ëÎÓÈ: ëϯ˂‡ÌË ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚ 1 äÌÓÔ͇ ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË LAYER. ùÚ‡ Ê ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÍβ˜ËÚ¸ ‰‡ÌÌÛ˛ ÙÛÌÍˆË˛. VOICE PART ON OFF G LAYER H LEFT 2 Ç˚·ÂËÚ ÒÎÓÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [G]. ùÚ‡ Ê ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE, „‰Â ‚˚ ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÚÓÚ ÚÂÏ·, ÍÓÚÓ˚È ·Û‰ÂÚ Òϯ‡Ì Ò „·‚Ì˚Ï. åÂÚÓ‰ ‚˚·Ó‡ ÚÂÏ·‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡, ÔËÏÂÌflÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò ˝Í‡ÌÓÏ VOICE (MAIN) (ÒÚ. 58). F G H I J èêàåÖóÄçàÖ END 60 CVP-210/208 EXIT äÌÓÔ͇ ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ MAIN. ëÛ˘ÂÒÚ‚ÛÂÚ Â˘Â Ó‰ËÌ ÒÔÓÒÓ· ·˚ÒÚÓ ‚˚·‡Ú¸ „·‚Ì˚È (MAIN) Ë ‰ÓÔÓÎÌËÚÂθÌ˚È (LAYER) ÚÂÏ·‡. ì‰ÂÊË‚‡fl ÍÌÓÔÍÛ ‚˚·Ó‡ ÓÔ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡, ̇ÊÏËÚ ‰Û„Û˛ ÍÌÓÔÍÛ ‚˚·Ó‡ ÚÂÏ·‡. è‚˚È ËÁ ‚˚·‡ÌÌ˚ı ÚÂÏ·Ó‚ ÒÚ‡ÌÂÚ „·‚Ì˚Ï, ‡ ‚ÚÓÓÈ – ‰ÓÔÓÎÌËÚÂθÌ˚Ï. íÂÏ·˚ íÂÏ· ‰Îfl ΂ÓÈ ÛÍË: ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ 1 G LAYER H LEFT èêàåÖóÄçàÖ 2 ÇÍβ˜ËÚ ÔÂÂÍβ˜‡ÚÂθ LEFT. èÓ‚ÚÓÌÓ ̇ʇÚË Ô˂‰ÂÚ Í ‚˚Íβ˜ÂÌ˲ ÚÂÏ·‡ ‰Îfl ΂ÓÈ ÛÍË. Ç˚·ÂËÚ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H]. ùÚ‡ Ê ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE, „‰Â ‚˚ ÒÏÓÊÂÚ ‚˚·‡Ú¸ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË. åÂÚÓ‰ ‚˚·Ó‡ ÚÂÏ·‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÏÂÚÓ‰‡, ÔËÏÂÌflÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò ˝Í‡ÌÓÏ VOICE (MAIN) (ÒÚ. 58). F G H END I íÓ˜ÍÓÈ ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚ ÏÓÊÂÚ ÒÎÛÊËÚ¸ β·‡fl Í·‚˯‡ ÑÎfl  ̇ÒÚÓÈÍË ‚˚ÁÓ‚ËÚ ˝Í‡Ì SPLIT POINT, ̇ʇ‚ ÍÌÓÔÍÛ [I] (SPLIT POINT) ̇ ˝Í‡Ì MAIN. ò‡„Ë ÓÔ‡ˆËË Ú‡ÍË ÊÂ, Í‡Í Ë Ì‡ ˝Í‡Ì STYLE SETTING/SPLIT POINT ÒÚ‡Ìˈ˚ FUNCTION (ÒÚ. 141). èêàåÖóÄçàÖ ÑÎfl ͇ʉÓÈ ˜‡ÒÚË – MAIN („·‚̇fl), LAYER (ÒÎÓÈ) Ë LEFT (‰Îfl ΂ÓÈ ÛÍË) – ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ Ò‚ÓÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË (ÒÚ. 65). J èêàåÖóÄçàÖ äÓÏ ÚÓ„Ó, ÒÓ‚ÏÂÒÚÌÓ ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ LAYER Ë LEFT ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÎÓË ËÁ ‰‚Ûı ÚÂÏ·Ó‚ Ë ‡Á·Ë‚‡Ú¸ Í·‚ˇÚÛÛ Ì‡ ‰‚ ÁÓÌ˚. ÑÎfl ˝ÚÓ„Ó Ì‡Á̇˜¸Ú (Û͇Á‡ÌÌ˚Ï ‚˚¯Â ÒÔÓÒÓ·ÓÏ) ‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ Ë Òϯ‡ÈÚ ‰‚‡ ÚÂÏ·‡ ‰Îfl Ë„˚ Ô‡‚ÓÈ ÛÍÓÈ. EXIT äÌÓÔ͇ ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ MAIN. èËÏÂÌÂÌË ÚÂÏ·‡Î¸Ì˚ı ˝ÙÙÂÍÚÓ‚ ùÚ‡ ˜‡ÒÚ¸ Ô‰ÌÂÈ Ô‡ÌÂÎË ÔÓÁ‚ÓÎflÂÚ Ó·‡·‡Ú˚‚‡Ú¸ ÚÂÏ·˚ Ò ÔÓÏÓ˘¸˛ ‡Á΢Ì˚ı ˝ÙÙÂÍÚÓ‚. VOICE EFFECT REVERB METRONOME POWER START STOP MIC. SIGNAL DSP VARIATION HARMONY ECHO MONO LEFT HOLD VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE TAP TEMPO RESET AUTO FILL IN OTS LINK BREAK INTRO RESET MAIN ENDING rit. D I E J ONE TOCTH SETTING MUSIC FINDER 1 SOUND CREATOR STYLE ACMP DIGITAL STUDIO SYNC.STOP SYNC.START START STOP DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝ÙÙÂÍÚ. èÓ‚ÚÓÌÓ ̇ʇÚË ÔË‚Ó‰ËÚ Í ÓÚÍβ˜ÂÌ˲ ˝ÙÙÂÍÚ‡. çËÊ Ô˂‰ÂÌÓ ÓÔËÒ‡ÌËÂ Í‡Ê‰Ó„Ó ËÁ Ëϲ˘ËıÒfl ˝ÙÙÂÍÚÓ‚. ■ REVERB ê‚·‡ˆËfl Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ˝ÙÙÂÍÚ, ÍÓÚÓ˚È ‚ÓÒÔÓËÁ‚Ó‰ËÚ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒÂ‰Û ÔÓÏ¢ÂÌËfl: ÓÚ Ï‡ÎÂ̸ÍÓ„Ó ‰Ê‡Á-ÍÎÛ·‡ ‰Ó ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡. ■ DSP ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208ÒÓ‰ÂÊËÚ ÏÌÓÊÂÒÚ‚Ó ‚ÒÚÓÂÌÌ˚ı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÔÓÁ‚ÓÎfl˛˘Ëı Ó·‡·‡Ú˚‚‡Ú¸ Á‚ÛÍ ‡Á΢Ì˚Ï Ó·‡ÁÓÏ. îÛÌ͈ËË DSP ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ÚÂÏ·‡. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ÔËÏÂÌËÚ¸ ˝ÙÙÂÍÚ ıÓÛÒ‡, ˜ÚÓ·˚ ÓÊË‚ËÚ¸ ÚÂÏ· Ë Ôˉ‡Ú¸ ÂÏÛ „ÎÛ·ËÌÛ, ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ÒËÏÙÓÌ˘ÂÒÍËÈ ˝ÙÙÂÍÚ ‰Îfl ‰Ó·‡‚ÎÂÌËfl ÚÂÔÎÓÚ˚ Ë Ì‡Ò˚˘ÂÌÌÓÒÚË. ëÂ‰Ë ÙÛÌ͈ËÈ DSP ËÏÂÂÚÒfl Ú‡ÍÊ ˝ÙÙÂÍÚ «‰ËÒÚӯ̻, ÍÓÚÓ˚È ÏÓÊÂÚ Òӂ¯ÂÌÌÓ ËÁÏÂÌËÚ¸ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡. DSP Á‡‰‡ÂÚÒfl ‰Îfl ‚˚·‡ÌÌÓÈ Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ Ô‡ÚËË (MAIN/LAYER/LEFT). èêàåÖóÄçàÖ ùÙÙÂÍÚ˚ DSP Ë VARIATION ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ ˝Í‡Ì MIXING CONSOLE (ÒÚ. 126). í‡Ï Ê ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡. ■ VARIATION (ç‰ÓÒÚÛÔ̇ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural; ÒÚ. 92) ùÙÙÂÍÚ ‚‡Ë‡ˆËË ‚Íβ˜‡ÂÚ ‚ Ò·fl Ò‡ÁÛ ÌÂÒÍÓθÍÓ ‚ˉӂ Ó·‡·ÓÚÍË Ò˄̇·. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ˝ÙÙÂÍÚ Rotary Speaker (‚‡˘‡˛˘ËÈÒfl ‰Ë̇ÏËÍ) (ÒÚ. 126). ìÔ‡‚Îflfl ˝ÚËÏ ˝ÙÙÂÍÚÓÏ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‚ÓÓ·‡Ê‡ÂÏÓ„Ó ËÒÚÓ˜ÌË͇ Á‚Û͇. CVP-210/208 61 íÂÏ·˚ ■ HARMONY/ECHO èêàåÖóÄçàÖ ÑÓ·‡‚ÎÂÌË ˝ı‡ Ë „‡ÏÓÌËÁ‡ˆËfl ÚÂÏ·Ó‚, ËÒÔÓθÁÛÂÏ˚ı ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 146). ■ MONO ìÒÚ‡Ìӂ͇ ÂÊËÏÓ‚ ÔÓÎËÙÓÌËË (ÌÂÒÍÓθÍÓ ÌÓÚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ) ÎË·Ó ÏÓÌÓÙÓÌËË ‰Îfl Í‡Ê‰Ó„Ó ÚËÔ‡ ÚÂÏ·‡ (MAIN/LAYER/LEFT). ÉÓfl˘‡fl ·ÏÔӘ͇ fl‰ÓÏ Ò ÔÂÂÍβ˜‡ÚÂÎÂÏ ÓÁ̇˜‡ÂÚ ÂÊËÏ MONO. Ç˚Íβ˜ÂÌ̇fl ·ÏÔӘ͇ Û͇Á˚‚‡ÂÚ Ì‡ ËÒÔÓθÁÓ‚‡ÌË ÔÓÎËÙÓÌËË. Ç ÂÊËÏ MONO Á‚Û˜ËÚ Î˯¸ ÌÓÚ‡, Ò˚„‡Ì̇fl ÔÓÒΉÌÂÈ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚˚ÒËÚ¸ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û˜‡ÌËfl ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚. äÓÏ ÚÓ„Ó, ‰‡ÌÌ˚È ÂÊËÏ ÏÓÊÂÚ Ò‰Â·ڸ ËÒÔÓθÁÓ‚‡ÌË «ÔÓÚ‡ÏÂÌÚÓ» ·ÓΠ˝ÙÙÂÍÚÌ˚Ï ÔË Ë„Â Î„‡ÚÓ. ■ LEFT HOLD (Û‰ÂʇÌË ÚÂÏ·‡ ‰Îfl ΂ÓÈ ÛÍË) ùÚ‡ ÙÛÌ͈Ëfl Á‡ÒÚ‡‚ÎflÂÚ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË Á‡Ïˇڸ ωÎÂÌÌÂÂ. ä·‚Ë¯Ë ÛÊ ÓÚÔÛ˘ÂÌ˚, ‡ Á‚ÛÍ Â˘Â ÚflÌÂÚÒfl. ùÙÙÂÍÚ Â ÚÓÚ ÊÂ, ˜ÚÓ Ë ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‡‚ÓÈ Ô‰‡ÎË (Ô‰‡ÎË ÒÛÒÚÂÈ̇). ùÚ‡ ÙÛÌ͈Ëfl ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁ̇ ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ÚÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÍÓÚÓ‡fl Óڂ‰Â̇ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ‡ Á‡ÚÂÏ ÓÚÔÛÒÚËÚ Í·‚Ë¯Ë (ÔË ‚Íβ˜ÂÌÌÓÏ ‡Á‰ÂÎÂÌËË Í·‚ˇÚÛ˚; ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË — ÒÚÛÌÌ˚ (Strings)), ‡ÍÍÓ‰ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, Ôˉ‡‚‡fl ̇Ò˚˘ÂÌÌÓÒÚ¸ Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÙÙÂÍÚ Portamento (ÔÓÚ‡ÏÂÌÚÓ) ÔÓÁ‚ÓÎflÂÚ Ô·‚ÌÓ ÒÏ¢‡Ú¸ ‚˚ÒÓÚÛ Á‚Û͇ ÓÚ ÌÓÚ˚ Í ÌÓÚ ÔË ÔÓÒΉӂ‡ÚÂθÌÓÏ Ì‡Ê‡ÚËË ÌÂÒÍÓθÍËı Í·‚˯. ëéÇÖí Ç˚ ÏÓÊÂÚ ÔÓ‰˜ÂÍÌÛÚ¸ ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓ‡fl ‚‰ÂÚÒfl ‚ Ó·‡ÏÎÂÌËË ‡ÍÍÓ‰Ó‚. ÑÎfl ˝ÚÓ„Ó ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ ÒÎÓfl Ë Ò‰Â·ڸ ‚Â‰Û˘Û˛ Ô‡Ú˲ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ. ìÒÚ‡ÌÓ‚ËÚ ÔÓÎËÙÓÌ˘ÂÒÍËÈ ÂÊËÏ ‰Îfl „·‚ÌÓ„Ó ÚÂÏ·‡ (Main) Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÈ (MONO) — ‰Îfl ÚÂÏ·‡ ÒÎÓfl (Layer). Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚‡¯‡ ÏÂÎÓ‰Ëfl, ‚ ÚÓÏ ˜ËÒΠ̇˷ÓΠ‚˚ÒÓÍË ÌÓÚ˚ β·˚ı ‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÏÓÌÓÙÓÌ˘ÂÒÍË. èÓÔÓ·ÛÈÚ ÔËÏÂÌËÚ¸ ˝ÚÓÚ ˝ÙÙÂÍÚ Í ÒÎÂ‰Û˛˘ËÏ ÚÂÏ·‡Ï. É·‚Ì˚È ÚÂÏ·: ÔÓÎËÙÓÌ˘ÂÒ͇fl ‰ÛıÓ‚‡fl ÒÂ͈Ëfl (Brass Section) + ÚÂÏ· ÒÎÓfl: ÏÓÌÓÙÓÌ˘ÂÒ͇fl «Ò·‰ÍÓÁ‚ۘ̇fl» ÚÛ·‡ (Sweet Trump). àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ èêàåÖóÄçàÖ Ç CVP-210/208 ËÒÔÓθÁÛ˛ÚÒfl ÚË Ô‰‡ÎË. ΂‡fl Ô‰‡Î¸ Ô‡‚‡fl Ô‰‡Î¸ Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») ■ 臂‡fl Ô‰‡Î¸ (Ô‡‚‡fl) í‡ÍÊ ‚˚ ÏÓÊÂÚ ÔËÒ‚ÓËÚ¸ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó ‰Û„Ëı ÙÛÌ͈ËÈ ˝ÚËÏ Ô‰‡ÎflÏ (Ú‡ÍÊÂ Í‡Í ‰ÓÔÓÎÌËÚÂθÌ˚È ÌÓÊÌÓÈ ÍÓÌÚÓÎΠËÎË ÌÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ). ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸  ‰Îfl Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ Fill-in (‚ÒÚ‡‚ÓÍ) (ÒÚ. 142). èêàåÖóÄçàÖ è‡‚‡fl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ ÚÛ Ê ÙÛÌÍˆË˛, ˜ÚÓ Ë Ô‡‚‡fl Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÚÓ ÂÒÚ¸ ÔӉ΂‡ÂÚ Á‚Û˜‡ÌË ÚÂÏ·‡ ‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚÔÛÒÚËÎË Í·‚˯Û. ÖÒÎË Ì‡Ê‡Ú¸ Ô‡‚Û˛ Ô‰‡Î¸, ‚Ò ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ‰Óθ¯Â, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ■ 艇θ ÒÓÒÚÂÌÛÚÓ (Ò‰Ìflfl) • ÖÒÎË Ì‡Ê‡Ú‡ Ô‡‚‡fl Ô‰‡Î¸, ÌÂÍÓÚÓ˚ ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔÂ˚‚ÌÓ ËÎË ÒËθÌÓ ÔӉ΂‡Ú¸Òfl ÔÓÒΠÚÓ„Ó, Í‡Í Í·‚˯‡ ·˚· ÓÚÔÛ˘Â̇. • 臂‡fl Ô‰‡Î¸ Ì ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌ˚ ÚÂÏ·˚ „ÛÔÔ [PERCUSSION] Ë [XG]. èêàåÖóÄçàÖ ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ», ÔÓ͇ Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸, ÌÓ ‚Ò ‰Û„Ë ÌÓÚ˚ ÔӉ΂‡Ú¸Òfl Ì ·Û‰ÛÚ. ÖÒÎË Ì‡Ê‡Ú¸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÍÓ„‰‡ ̇ʇڇ Í·‚˯‡, ÌÓÚ‡ ·Û‰ÂÚ Á‚Û˜‡Ú¸, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ■ ょfl Ô‰‡Î¸ ÖÒÎË ‚˚·‡Ì ÚÂÏ· ÓflÎfl, ̇ʇÚË ˝ÚÓÈ Ô‰‡ÎË ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡ ÌÓÚ. èËÒ‚ÓÂÌÌ˚ ˝ÚÓÈ Ô‰‡ÎË Ì‡ÒÚÓÈÍË ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. • çÂÍÓÚÓ˚ ÚÂÏ·˚, ̇ÔËÏ [STRINGS] ËÎË [BRASS], ÌÂÔÂ˚‚ÌÓ ÔӉ΂‡˛ÚÒfl, ÂÒÎË Ì‡Ê‡Ú‡ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ». • 艇θ «ÒÓÒÚÂÌÛÚÓ» Ì ‰ÂÈÒÚ‚ÛÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌ˚ ÚÂÏ·˚ „ÛÔÔ [PERCUSSION] Ë [XG]. èêàåÖóÄçàÖ ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ (ÒÚ. 142). ■ çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ/艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ ÑÓÔÓÎÌËÚÂθÌ˚È ÌÓÊÌÓÈ ÍÓÚÓÎΠÍÓÔÓ‡ˆËË Yamaha (FC7) ËÎË Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ (FC4 ËÎË FC5) ÏÓ„ÛÚ ÔÓ‰ÒÓ‰ËÌflÚ¸Òfl Í ‡Á˙ÂÏÛ AUX PEDAL Ë ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÍÓÌÚÓÎfl ̇‰ ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË, ̇Á̇˜ÂÌÌ˚ÏË Ì‡ ÒÚ‡Ìˈ FUNCTION (ÒÚ. 142). 62 CVP-210/208 ëÚËÎË Ç CVP-210/208 ‚ÒÚÓÂÌ˚ ÒÚËÎË (‚‡Ë‡ÌÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡), ı‡‡ÍÚÂÌ˚ ‰Îfl ÏÌÓÊÂÒÚ‚‡ ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚, ‚Íβ˜‡fl ÔÓÔÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ Ë Ú‡ÌˆÂ‚‡Î¸ÌÛ˛ ÏÛÁ˚ÍÛ. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏË, ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ ·‡Ú¸ ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰˚. Ç˚·‡ÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚‡Ï ÔÓ‰˚„˚‚‡Ú¸, Ï„ÌÓ‚ÂÌÌÓ Â‡„ËÛfl ̇ ÒÏÂÌÛ ‡ÍÍÓ‰‡. èÓÔÓ·ÛÈÚ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ ÒÚËÎÂÈ (ÒÏ. ‰ÓÔÓÎÌËÚÂθÌ˚È ÒÔËÒÓÍ) Ë ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı. METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING rit. I E J 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D ONE TOCTH SETTING MUSIC FINDER SYNC.STOP SYNC.START START STOP 3 4 PIANO DATA ENTRY MIXING CONSOLE OTS LINK 2 FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT STYLE ACMP AUTO FILLIN INTRO BREAK ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl èêàåÖóÄçàÖ 1 óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ [MAIN], Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. A B C D E 2 èêàåÖóÄçàÖ BACK NEXT A F B G C H D I E J 1 2 3 4 5 6 7 8 2-1 Ç˚·ÂËÚ ‡Á‰ÂÎ Ô‡ÏflÚË (Preset, User, Floppy Disk) ‰Îfl ÒÓı‡ÌÂÌËfl ÒÚËÎfl. 2-2 Ç˚·ÂËÚ ÒÚËθ. è˜Â̸ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÓ‰ÂÊËÚÒfl ‚ ‰ÓÔÓÎÌËÚÂθÌÓÏ ÒÔËÒÍ (ÒÔËÒÍ ÒÚËÎÂÈ). èË ÓÚÍ˚ÚËË Í‡Ú‡ÎÓ„‡ ÌËÊÌÂ„Ó ÛÓ‚Ìfl ˝Ú‡ ÍÌÓÔ͇ (UP) ÔÓÁ‚ÓÎflÂÚ ÔÂÂÈÚË Ì‡ ‚ÂıÌËÈ ÛÓ‚Â̸, „‰Â ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ „ÛÔÔÛ ÒÚËÎÂÈ. CVP-210/208 63 ëÚËÎË 3 ÇÍβ˜Ë‚ ÍÌÓÔÍÛ [ACMP], ‚˚ ÏÓÊÂÚ ·‡Ú¸ ËÎË Û͇Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ‡Á‰Â· Í·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓ„Ó ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ˝ÚËÏ ‡Á‰ÂÎÓÏ ÏÓÊÂÚ ·˚Ú¸ ÁÓ̇, Óڂ‰ÂÌ̇fl ÔÓ‰ ÚÂÏ· ‰Îfl ΂ÓÈ ÛÍË, ÎË·Ó ‚Òfl Í·‚ˇÚÛ‡.) èêàåÖóÄçàÖ Ç˚ ÏÓÊÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ „‡Ìˈ˚ ‡Á‰Â· Í·‚ˇÚÛ˚ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141). STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK èêàåÖóÄçàÖ 4 ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D Sync. Start ÖÒÎË ˝Ú‡ ÍÌÓÔ͇ ‚Íβ˜Â̇, ÚÓ ‰Îfl Á‡ÔÛÒ͇ ÒÚËÎfl ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡˜‡Ú¸ Ë„‡Ú¸ ̇ Í·‚ˇÚÛÂ. OTS LINK èêàåÖóÄçàÖ 5 ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 낉ÂÌËfl Ó· ‡ÔÔÎË͇ÚÛ ‡ÍÍÓ‰Ó‚ ÒÏ. ÒÚ. 66. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] Ë [TAP TEMPO]. ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÚÂÏÔ‡. ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • á‡ÔÛÒÍ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ (‰ÓÓÊÂÍ) ÒÚËÎfl ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [START/STOP]. • ùÚË ‰ÓÓÊÍË ÏÓÊÌÓ Ú‡ÍÊ Á‡ÔÛÒÚËÚ¸, Û‰‡Ë‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO]. éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ë Û‰‡¸Ú ÔÓ ÍÌÓÔÍ [TAP TEMPO] ÚË, ˜ÂÚ˚ ËÎË ÔflÚ¸ ‡Á (ÚË ‡Á‡ – ‰Îfl ‡Áχ 3/4, ˜ÂÚ˚ – ‰Îfl ‡ÁÏÂÓ‚ 2/4 Ë 4/4, ÔflÚ¸ ‡Á – ‰Îfl ‡Áχ 5/4). èêàåÖóÄçàÖ 6 éÒÚ‡ÌÓ‚ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. END STYLE SYNC.STOP SYNC.START START / STOP ACMP éÚÍβ˜ËÚ ÍÌÓÔÍÛ ACMP. äÓ„‰‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÔÂÒÌÂÈ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ͇ÍÓÈ-ÎË·Ó ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÓ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‡ÔËÒ‡ÌÌ˚ ̇ ͇̇Î˚ 9 – 16, ‚ÂÏÂÌÌÓ Á‡ÏÂÌfl˛ÚÒfl ‚˚·‡ÌÌ˚Ï ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓËÒ͇ڸ ÒÚËθ, ̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl ‰‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 79). ÍÚÂËÒÚËÍË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÍÚÂËÒÚËÍË ÌÂÍÓÚÓ˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ËÏÂ̇ÏË ÒÚËÎfl ̇ ˝Í‡Ì Open/Save. ëÂÒÒËfl (Session!) ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ÔÓ‚˚¯ÂÌÌ˚Ï Â‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔÓ‚ÓʉÂÌËfl. í‡ÍÓÈ ˝ÙÙÂÍÚ ‰ÓÒÚË„‡ÂÚÒfl Á‡ Ò˜ÂÚ ÏËͯËÓ‚‡ÌËfl ËÒıÓ‰Ì˚ı Ë ËÁÏÂÌÂÌÌ˚ı ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. äÓÏ ÚÓ„Ó, ÒÓÎÓ ÏÓÊÂÚ „‡ÏÓÌËÁËÓ‚‡Ú¸Òfl ËÙÙ‡ÏË Ò ÏÓ‰ËÙˈËÓ‚‡ÌÌÓÈ ‡ÍÍÓ‰Ó‚ÓÈ ÒÚÛÍÚÛÓÈ. чÌÌ˚ ÒÚËÎË ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËflÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ. èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÚËı ÒÚËÎÂÈ ÌÂÓ·ıÓ‰ËÏÓ Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ÓÌË ÔÓ‰ıÓ‰flÚ Ì ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë Ì ‰Îfl ‚ÒÂı ʇÌÓ‚. èÓ˝ÚÓÏÛ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÓÔ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„˚ ‡ÍÍÓ‰‡ÏË ÔËÏÂÌÂÌË ڇÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ӯ˷ÍÓÈ Ë ‰‡Ê ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËflÏ „‡ÏÓÌËË. Ç ÌÂÍÓÚÓ˚ı ÒËÚÛ‡ˆËflı ‚ÁflÚË ÔÓÒÚÓ„Ó Ï‡ÊÓÌÓ„Ó ÚÂÁ‚Û˜Ëfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ ÒÂÔÚ‡ÍÍÓ‰‡ ÎË·Ó, ̇ÔËÏÂ, ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ Â„ËÒÚ ÏÓÊÂÚ ·˚Ú¸ Ó·˚„‡Ì ÌÂÓÊˉ‡ÌÌ˚Ï Ó·‡ÁÓÏ ËÎË ÌÂÔ‡‚ËθÌÓ. äÓÏ·Ó (Piano Combo!) àÌÒÚÛÏÂÌÚ˚, Á‡‰ÂÈÒÚ‚Ó‚‡ÌÌ˚ ‚ ˝ÚËı ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ó·˚˜ÌÓ fl‚Îfl˛ÚÒfl ÓÒÌÓ‚ÓÈ ‡ÒÔÓÒÚ‡ÌÂÌÌÓ„Ó ÚËÓ (ÙÓÚÂÔˇÌÓ, ·‡Ò Ë Û‰‡Ì˚Â). àÌÓ„‰‡ Í ÌËÏ ÔËÒÓ‰ËÌfl˛ÚÒfl ‰Û„Ë ËÌÒÚÛÏÂÌÚ˚. èÓÒÍÓθÍÛ Ï˚ ËÏÂÂÏ ‰ÂÎÓ Ò Ì·Óθ¯ËÏ ‡Ì҇ϷÎÂÏ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‡ÒÍÂÚ˘ÌÓ. ùÚÓ ÏÓÊÌÓ ˝ÙÙÂÍÚÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ‡‡ÌÊËӂ͇ı ÏÌÓÊÂÒÚ‚‡ Ò‡Ï˚ı ‡ÁÌ˚ı ÔÂÒÂÌ. èˇÌËÒÚ (Pianist!) ùÚË ÒÔˆˇθÌ˚ ÒÚËÎË Ó·ÂÒÔ˜˂‡˛Ú ÚÓθÍÓ ÙÓÚÂÔˇÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ˝ÙÙÂÍÚË‚ÌÓ ‚ÓÒÒÓÁ‰‡‚‡fl ËÒÔÓÎÌÂÌˠ΂ÓÈ ÛÍÓÈ ËÒÍÛÒÌÓ„Ó ÔˇÌËÒÚ‡. ÇÓÒÔÓËÁ‚Ó‰fl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡ÍÍÓ‰˚ ΂ÓÈ ÛÍÓÈ, ‚˚ ÏÓÊÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ÎflÚ¸ ÒÎÓÊÌ˚ ‡Ô‰ÊËÓ Ë ·‡Ò/Ù‡Á˚ ‡ÍÍÓ‰Ó‚, Ú‡ÍËÂ Í‡Í ÒÎÓÊÌ˚ ÙÓÚÂÔˇÌÌ˚ ԇÚËË Òڇȉ-ÒÚËÎfl. 64 CVP-210/208 ëÚËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl èêàåÖóÄçàÖ 1 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 63). êËÚÏ˘ÂÒÍË ͇̇Î˚ (‰ÓÓÊÍË) fl‚Îfl˛ÚÒfl ÒÓÒÚ‡‚Ì˚ÏË ˜‡ÒÚflÏË ÒÚËÎÂÈ. ÑÎfl Í‡Ê‰Ó„Ó ÒÚËÎfl ÔËÏÂÌfl˛ÚÒfl ÓÒÓ·˚ ËÚÏ˘ÂÒÍË ÛÁÓ˚. èêàåÖóÄçàÖ 2 á‡ÔÛÒÍ ËÚχ. STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl ÒËÌıÓÒÚ‡Ú‡ (Sync Start), Á‡ÔÛÒÍ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÔÓËÁ‚Ó‰ËÚÒfl ̇ʇÚËÂÏ Î˛·ÓÈ Í·‚Ë¯Ë (ÍÌÓÔ͇ [SYNC.START]). OTS LINK Ç˚Íβ˜ËÚ ÍÌÓÔÍÛ. 3 à„‡ÈÚÂ Ò ‚Íβ˜ÂÌÌ˚Ï ËÚÏÓÏ. íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] Ë [TAP TEMPO]. ëÍÓÓÒÚ¸ ÒÂËË Û‰‡Ó‚ ÔÓ ÍÌÓÔÍ [TAP TEMPO] Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÚÂÏÔ‡. èêàåÖóÄçàÖ END ÖÒÎË ‚˚·‡Ì‡ „ÛÔÔ‡ ÒÚËÎfl «PIANIST», ËÚÏ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl. ÇÒ„‰‡ ÔÓ‚ÂflÈÚÂ, ‚Íβ˜ÂÌ ÎË ACMP, ÍÓ„‰‡ ıÓÚËÚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl Ó‰ÌËÏ ËÁ ˝ÚËı ÒÚËÎÂÈ. óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚχ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP]. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË / ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ùÍ‡Ì BALANCE (·‡Î‡ÌÒ) ó‡ÒÚ¸ MIC (ÏËÍÓÙÓÌ) Ç˚ÁÓ‚ËÚ ˝Í‡Ì BALANCE. ó‡ÒÚ¸ STYLE (‡Á‰ÂÎ, Óڂ‰ÂÌÌ˚È ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) ó‡ÒÚË, ÍÓÚÓ˚ ˄‡˛ÚÒfl ̇ Í·‚ˇÚÛ (MAIN/LAYER/LEFT) ó‡ÒÚ¸ SONG (ÔÂÒÌfl) éÚ„ÛÎËÛÈÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ˜‡ÒÚË. BALANCE CHANNEL ON / OFF ùÍ‡Ì CHANNEL ON/OFF PART Ç˚ÁÓ‚ËÚ ˝Í‡Ì Channel ON/ OFF. Ç˚ÁÓ‚ËÚ ˝Í‡Ì STYLE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [CHANNEL ON/OFF], ‡ Á‡ÚÂÏ ÓÚÍβ˜ËÚ ÌÂÌÛÊÌ˚È ËÌÒÚÛÏÂÌÚ. óÚÓ·˚ ÒÎÛ¯‡Ú¸ ÚÓθÍÓ Ò‡Ï ËÌÒÚÛÏÂÌÚ, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡, ˜ÚÓ·˚ Á‡‰‡Ú¸ ͇̇ΠSOLO. ÑÎfl ÓÚÏÂÌ˚ SOLO ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡ ¢ ‡Á. èêàåÖóÄçàÖ ä‡Ì‡Î ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ËÒÔÓθÁÛÂÏ˚È ‚ ÔÂÒÌ (ÒÚ. 161). ä‡Ì‡Î˚ ‡ÒÔ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ. èÂÒÌfl 1 - 16 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 9 - 16 CVP-210/208 65 ëÚËÎË ÄÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ ÇÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓ‰Ó‚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á·ËÂÌËfl Í·‚ˇÚÛ˚. çËÊ Ô˂‰ÂÌÓ ÓÔËÒ‡ÌË ÒÂÏË ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚. èÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ CHORD FINGERING (ÒÚ. 142) Ë ‚˚·ÂËÚ ӷ˙ÂÍÚ Chord Fingerings (ÚËÔ˚ ‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛ˚). Ç˚ ۂˉËÚ ‚‡Ë‡ÌÚ˚ ‡ÍÍÓ‰Ó‚ ‰Îfl ΂ÓÈ ÛÍË. SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ) чÌÌ˚È ‚‡Ë‡ÌÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÔÂ͇ÒÌ˚ ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı ‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊ ÒÂÔÚ‡ÍÍÓ‰Ó‚. èË ˝ÚÓÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ Î˯¸ ÏËÌËÏÛÏ Í·‚˯ ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ‰‡ÌÌÓÏ ÂÊËÏ ËÒÔÓθÁÛÂÚÒfl ÛÔÓ˘ÂÌ̇fl ‡ÍÍÓ‰Ó‚‡fl ‡ÔÔÎË͇ÚÛ‡ (ÒÏ. ÌËÊÂ). ÑÎfl ÚÓ„Ó ˜ÚÓ·˚ ‚ÁflÚ¸ χÊÓÌ˚È ‡ÍÍÓ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Î˯¸ Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ. óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. óÚÓ·˚ ‚ÁflÚ¸ ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. óÚÓ·˚ ‚ÁflÚ¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ Ò Í·‚˯ÂÈ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚Ë¯Ë Ò΂‡ ÓÚ ÌÂÂ. MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) Ç ÂÊËÏ Multi Finger ‡ÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚, Á‡‰‡ÌÌ˚ı ÏÂÚÓ‰‡ÏË Single Finger Ë Fingered, ‡ÒÔÓÁ̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Û‰Ó·ÌÓ, Ú‡Í Í‡Í ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÂÂÍβ˜ÂÌËfl ÂÊËÏÓ‚. ÖÒÎË ‚ ÂÊËÏ MULTI FINGER Ú·ÛÂÚÒfl ‚ÁflÚ¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ÒÂÔÚ‡ÍÍÓ‰ ËÎË ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ ÏÂÚÓ‰ÓÏ SINGLE FINGER, ‚Ò„‰‡ ̇ÊËχÈÚ ˜ÂÌ˚Â/·ÂÎ˚ Í·‚˯Ë, ·ÎËʇȯËÂ Í ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ‡ÍÍÓ‰‡. FINGERED (Ú‡‰ËˆËÓÌÌ˚È) Ç ˝ÚÓÏ ÂÊËÏ ‚˚ ÏÓÊÂÚ ·‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡Á‰ÂÎÂ, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÔË‚˚˜Ì˚Ï ÒÔÓÒÓ·ÓÏ. ç‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ Ô‰ÒÚ‡‚ÎÂÌ ÒÔËÒÓÍ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ı ‚ ÂÊËÏ Fingered. FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ) чÌÌ˚È ÂÊËÏ ÔÓ‰‰ÂÊË‚‡ÂÚ ÚÛ Ê ‡ÔÔÎË͇ÚÛÛ, ˜ÚÓ Ë ÂÊËÏ FINGERED. éÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡, Ò˚„‡Ì̇fl ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â ·‡ÒÓ‚ÓÈ ÌÓÚ˚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ·‡Ú¸ ‡ÍÍÓ‰˚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ. ç‡ÔËÏÂ, ˜ÚÓ·˚ Û͇Á‡Ú¸ ‰Ó-χÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ·‡ÒÓÏ «ÏË», ‚ÓÁ¸ÏËÚ ‡ÍÍÓ‰ Ú‡ÍËÏ Ó·‡ÁÓÏ, ˜ÚÓ·˚ «ÏË» Ó͇Á‡Î‡Ò¸ Ò‡ÏÓÈ ÌËÁÍÓÈ ÌÓÚÓÈ (ÏË, ÒÓθ, ‰Ó). èêàåÖóÄçàÖ îÛÌ͈Ëfl ‡ÒÔÓÁ̇‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ‚ ÂÊËÏ AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡) ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ‰Îfl ‡ÍÍÓ‰Ó‚ ‰ÎËÚÂθÌÓÒÚ¸˛ ÔËÏÂÌÓ ÓÚ Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ. ÄÍÍÓ‰˚ ÏÂÌ ÔÓ‰ÓÎÊËÚÂθÌÓ„Ó Á‚Û˜‡ÌËfl, ˜ÂÏ Ó‰Ì‡ ‚ÓҸχfl, ÏÓ„ÛÚ Ì ‡ÒÔÓÁ̇‚‡Ú¸Òfl. èêàåÖóÄçàÖ FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡) ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ‡ÒÔÓÁ̇‚‡Ú¸ ‡ÍÍÓ‰˚, ‚ÁflÚ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ê‡ÒÔÓÁ̇‚‡ÌË ‡ÍÍÓ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔËÌflÚ˚È ‚ ÂÊËÏ Fingered. ÄÍÍÓ‰˚ ÓÔ‰ÂÎfl˛ÚÒfl ‰‡Ê ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒfl Ò‡ÁÛ ‰‚ÛÏfl Û͇ÏË: ̇ÔËÏÂ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡ Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰ ·ÂÂÚÒfl ΂ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏfl Í‡Í Ô‡‚‡fl ‚‰ÂÚ ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲. Ç ÂÊËÏ Full Keyboard (‚Òfl Í·‚ˇÚÛ‡) ‡ÍÍÓ‰ ‡ÒÔÓÁ̇ÂÚÒfl ÔÓ ‰‚ÛÏ ÌËÊÌËÏ ÌÓÚ‡Ï. ÖÒÎË Ó·Â ˝ÚË ÌÓÚ˚ ‡ÒÔÓÎÓÊÂÌ˚ ‚ ԉ·ı Ó‰ÌÓÈ ÓÍÚ‡‚˚, ÓÌË ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ‡ÍÍÓ‰. ÖÒÎË ËÌÚ‚‡Î ÏÂÊ‰Û ÌËÏË Ô‚˚¯‡ÂÚ ÓÍÚ‡‚Û, ҇χfl ÌËÁ͇fl ÌÓÚ‡ ÔËÌËχÂÚÒfl Á‡ ·‡Ò, ‡ ‡ÍÍÓ‰ ÓÔ‰ÂÎflÂÚÒfl ̇ ÓÒÌÓ‚Â ‚ÚÓÓÈ ÌÓÚ˚ Ë ‰Û„Ëı ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ÚÓÈ Ê ÓÍÚ‡‚ ÌÓÚ. AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡) Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰. AI àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ èêàåÖóÄçàÖ AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡) èË ‚˚·Ó ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÂÊËχ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CVP-210/208 ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÍÓÏÔ‡ÌËÓ‚‡Ú¸ ‚‡Ï ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ Ò˚„‡ÌÌ˚ı ‚‡ÏË ÌÓÚ Ë ‡Á‰Â· Í·‚ˇÚÛ˚. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË. Ç‡Ï Ì ÔˉÂÚÒfl ÛÚÛʉ‡Ú¸ Ò·fl Û͇Á‡ÌËÂÏ ‡ÍÍÓ‰Ó‚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ïÓÚfl ÂÊËÏ AI Full Keyboard Ô‰̇Á̇˜ÂÌ ‰Îfl ‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï. Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝ÚÓÚ ÂÊËÏ Ì‡ÔÓÏË̇ÂÚ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰.) ÄÍÍÓ‰˚ 9 Ë 11 ÔÓË„‡Ú¸ ÌÂθÁfl. 66 CVP-210/208 ëÚËÎË íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered (‚ ͇˜ÂÒÚ‚Â ÔËχ Ô˂‰ÂÌ˚ ‡ÍÍÓ‰˚ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó») CmM7 CmM7 9 ( ) ( ( C5 CM7 5 Cm7 9 Cm7 11 ) CM7aug 11 ( Caug CM7 ( Csus4 CM7 9 CM7 ) C6 ) C9 ) C6 9 C Cm9 Cm6 Cm7 Cm7 5 CmM7 5 Cdim Cdim7 C7 C7 13 C7 9 C7 5 C7aug C7sus4 ) ) ) ( ( ( ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ [ÒÓ͇˘ÂÌÌÓ] èflÏÓ ËÁÎÓÊÂÌË ìÒÎÓ‚ÌÓ ӷÓÁ̇˜ÂÌË ‡ÍÍÓ‰‡ (Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ «‰Ó») å‡ÊÓÌÓ ÚÂÁ‚ۘˠ[M] 1-3-5 C çÓ̇ÍÍÓ‰ [9] 1-2-3-5 C9 ëÂÍÒÚ‡ÍÍÓ‰ [6] 1 - (3) - 5 - 6 C6 ëÂÍÒÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [69] 1 - 2 - 3 - (5) - 6 or 3 - 6 - 2* C69 å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7] 1 - 3 - (5) - 7 CM7 å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [M79] 11 å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [M7 ] å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [ 5] å‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [M7 5] 1 - 2 - 3 - (5)j - 7 CM79 1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 CM7 1 - 3 - 5 1 - 3 - 5 - 7 C 5 11 CM7 5 ᇉÂʇÌ̇fl Í‚‡Ú‡ [sus4] 1-4-5 Csus4 ì‚Â΢ÂÌÌÓ ÚÂÁ‚ۘˠ[aug] 1-3- 5 Caug ì‚Â΢ÂÌÌ˚È Ï‡ÊÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [M7aug] 1 - (3) - 5 - 7 CM7aug åËÌÓÌ˚È ÌÓ̇ÍÍÓ‰ [m9] 1 - 3 - 5 1 - 2 - 3 - 5 åËÌÓÌ˚È ÒÂÍÒÚ‡ÍÍÓ‰ [m6] 1 - 3 - 5 - 6 Cm6 åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [m7] 1 - 3 - (5) - 7 Cm7 åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [m79] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2 Cm79 åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Û̉ˆËÏÓÈ [m711] 1 - (2) - 3 - 4 - 5 - ( 7) 1 - 3 - (5) - 7 Cm711 åËÌÓÌÓ ÚÂÁ‚ۘˠ[m] å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [mM7] Cm Cm9 CmM7 åËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [m7 5] 1 - 2 - 3 - (5) - 7 1 - 3 - 5 - 7 Cm7 5 å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [mM7 5] 1 - 3 - 5 - 7 CmM7 5 å‡ÊÓÌÓ-ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [mM79] 1 - 3 - 5 1 - 3 - 5 - 6 ìÏÂ̸¯ÂÌÌÓ ÚÂÁ‚ۘˠ[dim] ìÏÂ̸¯ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [dim7] CmM79 Cdim Cdim7 ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 9] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 C7 9 ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Úˆ‰ÂˆËÏÓÈ [7 13] 1 - 3 - 5 - 6 - 7 C7 13 ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ ÌÓÌÓÈ [79] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2* C79 1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7 C7 11 1 - 3 - (5) - 6 - 7 or 3 - 6 - 7 C713 9 ëÂÔÚ‡ÍÍÓ‰ [7] ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓ‚˚¯ÂÌÌÓÈ Û̉ˆËÏÓÈ [7 11 ] ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌÌÓÈ Úˆ‰ÂˆËÏÓÈ [713] ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ë ÔÓ‚˚¯ÂÌÌÓÈ ÌÓÌÓÈ [7 9] ÑÓÏË̇ÌÚÒÂÔÚ‡ÍÍÓ‰ Ò ÔÓÌËÊÂÌÌÓÈ Í‚ËÌÚÓÈ [7 5] 1 - 2 - 3 - (5) - 7 1 - 3 - 5 - 7 C7 ) ) ( ( ) ( ( ) 11 ( C7 C7 13 C7 9 ) ) ( ) ( C7 9 ( ( ) ) ( ) Cm Csus2 èêàåÖóÄçàÖ • çÓÚ˚, Á‡Íβ˜ÂÌÌ˚ ‚ ÍÛ„Î˚ ÒÍÓ·ÍË, ÏÓÊÌÓ Ì ˄‡Ú¸. • èË Ì‡Ê‡ÚËË ÚÂı ‡ÒÔÓÎÓÊÂÌÌ˚ı fl‰ÓÏ Í·‚˯ (‚Íβ˜‡fl ˜ÂÌ˚Â) ‚ ÂÊËχı FINGERED, FINGERED ON BASS Ë AI FINGERED, ‡ÍÍÓ‰ ÔÂÂÒÚ‡ÂÚ Á‚Û˜‡Ú¸; ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ÚÓθÍÓ ËÚÏ (ÙÛÌ͈Ëfl Chord Cancel). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚ β·ÓÈ ÏÓÏÂÌÚ Ó„‡Ì˘ËÚ¸ Ô‡Ú˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÚÏ˘ÂÒÍËÏË ÙË„Û‡ÏË. • ÇÁfl‚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ˜ÂÂÁ ÓÍÚ‡‚Û, ‚˚ ÛÒÎ˚¯ËÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È Î˯¸ ̇ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ. • ÇÁfl‚ ˜ËÒÚÛ˛ Í‚ËÌÚÛ (1 + 5), ‚˚ ÛÒÎ˚¯ËÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÓÒÌÓ‚‡ÌÌ˚È Ì‡ ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ Ë Í‚ËÌÚÂ. • àÌÓ„‰‡ ÒÚËθ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì ÏÂÌflÂÚÒfl ÔË ÔÓÒΉӂ‡ÚÂθÌÓÏ ‚ÁflÚËË ·ÎËÁÍËı ÔÓ Á‚Û˜‡Ì˲ ‡ÍÍÓ‰Ó‚ (̇ÔËÏÂ, ÍÓ„‰‡ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰ ÒΉÛÂÚ Á‡ ÏËÌÓÌ˚ÏË ÚÂÁ‚Û˜ËflÏË). • Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP210/208 Ô‰ÛÒÏÓÚÂ̇ ‚ÓÁÏÓÊÌÓÒÚ¸ Ó·Û˜ÂÌËfl ËÒÔÓÎÌËÚÂÎfl ‡ÍÍÓ‰Ó‚ÓÈ Ë„Â ‚ ÂÊËÏ Fingered. ÖÒÎË ‚‡Ò ËÌÚÂÂÒÛÂÚ ÒÓ˜ÂÚ‡ÌË Í·‚˯ ‚ ͇ÍÓÏ-ÎË·Ó ‡ÍÍÓ‰Â, Û͇ÊËÚÂ Â„Ó Ì‡ ˝Í‡Ì CHORD FINGERING (ÒÚ. 142), Ë ‚˚ Ò‡ÁÛ Ê ۂˉËÚÂ, ͇ÍË Í·‚Ë¯Ë ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸. C7 C7 5 ì‚Â΢ÂÌÌ˚È ÒÂÔÚ‡ÍÍÓ‰ [7aug] 1 - 3 - 5 - 7 ëÂÔÚ‡ÍÍÓ‰ Ò Á‡‰ÂʇÌÌÓÈ Í‚‡ÚÓÈ [7sus4] 1 - 4 - 5 - 7 C7sus4 å‡ÊÓÌÓ ÚÂÁ‚Û˜ËÂ Ò Á‡‰ÂʇÌÌÓÈ ÒÂÍÛ̉ÓÈ [sus2] 1-2-5 Csus2 C7aug * ê‡ÒÔÓÁ̇ÂÚÒfl Î˯¸ ˝Ú‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒÚÛÔÂÌÂÈ (Ó·‡˘ÂÌËÂ). ÑÎfl ‡ÍÍÓ‰Ó‚, Ì ÓÚϘÂÌÌ˚ı Á‚ÂÁ‰Ó˜ÍÓÈ, ‰ÓÔÛÒÚËÏ˚ β·˚ ӷ‡˘ÂÌËfl. CVP-210/208 67 ëÚËÎË Ä‡ÌÊËӂ͇ Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (óÄëíà: MAIN A/B/C/D (ÓÒÌӂ̇fl), INTRO (ËÌÚÓ‰Û͈Ëfl), ENDING (ÙË̇Î), BREAK (·ÂÈÍ)) CVP-210/208 ‡ÒÔÓ·„‡ÂÚ ‡Á΢Ì˚ÏË ÚËÔ‡ÏË ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Auto Accompaniment Sections), ÍÓÚÓ˚ ÔÓÁ‚ÓÎfl˛Ú ‚‡¸ËÓ‚‡Ú¸ ‡‡ÌÊËÓ‚ÍÛ ‚ ԉ·ı ÒÚËÎfl. ùÚË ˜‡ÒÚË Ì‡Á˚‚‡˛ÚÒfl Intro (ËÌÚÓ‰Û͈Ëfl), Main (ÓÒÌӂ̇fl), Break (·ÂÈÍ) Ë Ending (ÙË̇Î). èÂÂıÓ‰fl ‚ ÔÓˆÂÒÒ ˄˚ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ, ‚˚ ÏÓÊÂڠ΄ÍÓ ‚‚Ó‰ËÚ¸ ‚ Ò‚ÓË ‡‡ÌÊËÓ‚ÍË ˝ÎÂÏÂÌÚ ÔÓÙÂÒÒËÓ̇θÌÓ„Ó ÓÚÌÓ¯ÂÌËfl Í ‰Ë̇ÏËÍ ‡Á‚ËÚËfl ÚÂÏ˚. 1 èêàåÖóÄçàÖ Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 63). 2 STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK 2-1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP. 2-3 ÇÍβ˜ËÚ ÍÌÓÔÍÛ îÛÌ͈Ëfl SYNC. START ‚Íβ˜Â̇. 2-2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. óÚÓ·˚ ˜‡ÒÚ¸ INTRO Ì ‚ÓÒÔÓËÁ‚Ӊ˷Ҹ ‚ ̇˜‡Î ‡‡ÌÊËÓ‚ÍË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [INTRO]. 3 ó‡ÒÚ¸ Intro Á‡ÔÛÒ͇ÂÚÒfl ÔÓ Ô‚ÓÏÛ Ì‡Ê‡Ú˲ Í·‚Ë¯Ë ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë ÒÏÂÌflÂÚÒfl ˜‡ÒÚ¸˛ Main. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 4 éÒÌÓ‚Ì˚ ˜‡ÒÚË ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸. STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C D OTS LINK ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚ ·ÂÈÍË. 68 èêàåÖóÄçàÖ Ñ‡Ì̇fl ÙÛÌ͈Ëfl ÏÓÊÂÚ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÚÏ˘ÂÒÍËı ÙË„Û (ÒÚ. 65). CVP-210/208 SYNC.STOP SYNC.START START / STOP • ÖÒÎË ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ [INTRO], ‚ÓÒÔÓËÁ‚‰ÂÚÒfl ËÌÚÓ‰Û͈Ëfl (Intro) ‚ ÒÓÔÓ‚ÓʉÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • èÓ͇Á‡ÌËfl ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ – [BREAK], [INTRO], [MAIN], [ENDING] áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ˜‡ÒÚ¸ Ì ‚˚·‡Ì‡. ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ˜‡ÒÚ¸ ‚˚·‡Ì‡. ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ – ˜‡ÒÚ¸ Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ë Ì ÏÓÊÂÚ ·˚Ú¸ ÔÓË„‡Ì‡. • Ç˚ ÏÓÊÂÚ ‰Ë̇Ï˘ÂÒÍË ÍÓÌÚÓÎËÓ‚‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÓÒÍÓθÍÛ Ó̇ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÒËÎ˚, ÔËÎÓÊÂÌÌÓÈ Í Í·‚˯‡Ï (ÒÚ. 141). • ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [SYNC. START] ÔË ‚Íβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ÓÌ ÓÒÚ‡ÌÓ‚ËÚÒfl Ë ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ÔÂÂȉÂÚ ‚ ÂÊËÏ ÓÊˉ‡ÌËfl Ò ÙÛÌ͈ËÂÈ ÒËÌıÓÒÚ‡Ú‡. • ÑÎfl ÔÂÂıÓ‰‡ ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ (ÒÚ. 142). • ó‡ÒÚ¸ Break ÔÓÁ‚ÓÎflÂÚ Ó·Ó„‡ÚËÚ¸ ËÚÏ˘ÂÒÍËÈ ÛÁÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰Ë̇Ï˘ÂÒÍËÏË ‚‡Ë‡ˆËflÏË Ë ·ÂÈ͇ÏË. ùÚÓ ÔÓ‚˚¯‡ÂÚ ÔÓÙÂÒÒËÓ̇ÎËÁÏ Á‚Û˜‡ÌËfl, ˜ÚÓ ÓÒÓ·ÂÌÌÓ ‚‡ÊÌÓ ‰Îfl ‚˚ÒÚÛÔÎÂÌËÈ ‚ÊË‚Û˛. ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚ ̇ÊÏÂÚ ÍÌÓÔÍÛ [BREAK], ËÚÏ˘ÂÒ͇fl ‚ÒÚ‡‚͇ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚‰Â̇ ¢ ‡Á. • ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ·ÂÈ͇ ·Û‰ÂÚ ÏË„‡Ú¸ Ò‚ÂÚÓ‰ËÓ‰, Û͇Á˚‚‡˛˘ËÈ Ì‡ ÒÎÂ‰Û˛˘Û˛ ÔÓ ÔÓfl‰ÍÛ ˜‡ÒÚ¸ (MAIN A/B/C/D). • ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [AUTO FILLIN] ‚˚ ̇ÊÏÂÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ MAIN [A][B][C][D] Ò‡ÁÛ ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚÁ‚Û˜ËÚ ÔÓÒΉÌflfl ‚ÓҸχfl ‚ Ú‡ÍÚÂ, ·ÂÈÍ Ì‡˜ÌÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡. ëÚËÎË èêàåÖóÄçàÖ ç‡˜ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ÍÓ̈ӂÍË. èÓ Á‡‚¯ÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚Íβ˜‡ÂÚÒfl. ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÍÓ̈ӂÍË (ËÚ‡‰‡Ì‰Ó) ÏÓÊÌÓ Â˘Â ‡Á ̇ʇڸ ÚÛ Ê ҇ÏÛ˛ ÍÌÓÔÍÛ [ENDING/rit.] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÍÓ̈ӂÍË. END STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK Fade-in (ÔÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌË Á‚Û͇) Ë Fade-out (ÔÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË Á‚Û͇) ëÛ˘ÂÒÚ‚ÛÂÚ Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl Fade-in/Fade-out, ÔÓÁ‚ÓÎfl˛˘‡fl ‰Ó·Ë‚‡Ú¸Òfl ÔÓÒÚÂÔÂÌÌÓ„Ó ÛÒËÎÂÌËfl ËÎË Á‡ÚÛı‡ÌËfl Á‚Û͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ ÍÌÓÔÍÛ SYNC. START (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ò Ì‡‡ÒÚ‡˛˘ÂÈ „ÓÏÍÓÒÚ¸˛, ¢ ‡Á ̇ÊÏËÚ ÚÛ Ê ÍÌÓÔÍÛ. óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÒÚÂÔÂÌÌÓ ÒÌËÊÂÌË „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏfl Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ Á‡‰‡Ú¸ ‚ÂÏÂÌÌ˚ ԇ‡ÏÂÚ˚ (ÒÚ. 151). éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò Í·‚ˇÚÛ˚ (SYNC. STOP) ÇÍβ˜ÂÌË ÙÛÌ͈ËË Synchro Stop (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÔË‚Ó‰ËÚ Í ÚÓÏÛ, ˜ÚÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ÔË ÓÚÒÛÚÒÚ‚ËË Ì‡Ê‡Ú˚ı Í·‚˯ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓÒΠÚÓ„Ó, Í‡Í ·Û‰ÂÚ Ì‡Ê‡Ú‡ Ӊ̇ ËÁ Í·‚˯ ‚ ‰‡ÌÌÓÏ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Á‡ÔÛÒÚËÚÒfl ÒÌÓ‚‡. 1 ÇÍβ˜ËÚ ÍÌÓÔÍÛ ACMP (‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ). 2 ÇÍβ˜ËÚ ÍÌÓÔÍÛ SYNC. STOP (ÒËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇). SYNC. START ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇ÂÚÒfl ÔË ‚Íβ˜ÂÌËË SYNC. ÙÛÌ͈Ëfl STOP ‚Íβ˜Â̇. STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK 3 ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ • á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP]. • óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ËÌÚÓ‰Û͈ËË (Intro) Ë ÙË̇· (Ending), ÌÂÓ·ıÓ‰ËÏÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [E] ̇ „·‚ÌÓÏ ˝Í‡Ì (MAIN) (ÒÚ. 70). • ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [INTRO] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇·, ˜‡ÒÚ¸ Intro ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò‡ÁÛ ÔÓ ÓÍÓ̘‡ÌËË ÙË̇·. • ÖÒÎË ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [AUTO FILLIN] ‚˚ ̇ÊËχÂÚ ÍÌÓÔÍÛ MAIN ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÙË̇·, ·ÂÈÍ Ì‡˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂωÎÂÌÌÓ Ë ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚ¸˛. • ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸, ËÒÔÓθÁÛfl ÙË̇Π‚ÏÂÒÚÓ ËÌÚÓ‰Û͈ËË. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓ‡ÍÍÓχÌÂÏÂÌÚ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÒΠÁ‡‚¯ÂÌËfl ÙË̇θÌÓÈ ˜‡ÒÚË. • ÖÒÎË ‚˚ ¯ËÚ ÒÏÂÌËÚ¸ ÒÚËθ ‚ ÂÊËÏ ÓÚÍβ˜ÂÌÌÓ„Ó ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÚÂÏÔ ÌÓ‚Ó„Ó ÒÚËÎfl ·Û‰ÂÚ ‚˚·‡Ì ÔÓ ÛÏÓΘ‡Ì˲. í‡ Ê ÓÔ‡ˆËfl ÔË ‚Íβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì ÔË‚Ó‰ËÚ Í ÒÏÂÌ ÚÂÏÔ‡. • èË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ STOP ACMP Ë ÓÚÍβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ Í‡Í ·‡Ú¸ ‡ÍÍÓ‰˚, Ú‡Í Ë ‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌ˲ (ÒÚ. 141). èêàåÖóÄçàÖ îÛÌÍˆË˛ SYNC. STOP ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÔË Í‡ÚÍÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË Í·‚˯ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 141). ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 4 è‡ÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÓÒڇ̇‚ÎË‚‡Ú¸Òfl ‚ÒflÍËÈ ‡Á ‚ Ô‡ÛÁ‡ı ÏÂÊ‰Û Ô‡ÚËflÏË Î‚ÓÈ ÛÍË. 5 ÖÒÎË ‚˚ ‚ÓÁ¸ÏÂڠ΂ÓÈ ÛÍÓÈ ‡ÍÍÓ‰, Ô‡ÚËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò Ì‡˜‡Î‡. END óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC. [STOP]/[SYNC. START]. èêàåÖóÄçàÖ ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇ Ì ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔË ‚˚·Ó ÂÊËχ Full Keyboard/ AI Keyboard ËÎË ÔË ÓÚÍβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. CVP-210/208 69 ëÚËÎË Ç˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙË̇ÎÓ‚ (INTRO/ENDING) èêàåÖóÄçàÖ 1 óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ [MAIN], Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. A B C D E 2 3 D E Ç˚·ÂËÚ ËÌÚÓ‰ÛÍˆË˛ Ç˚·ÂËÚ ÙË̇ΠĂÚÓχÚ˘ÂÒÍÓ ÔÓË„˚‚‡ÌË ‚ÒÚ‡‚ÓÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: Auto Fill In 1 èÓË„‡ÈÚ ÒÚËθ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÌÚÓ‰Û͈ËË (Intro) ËÎË ÙË̇· (Ending) (ÒÚ. 30, 31). èêàåÖóÄçàÖ ÇÒÚ‡‚͇ äÓÓÚ͇fl ÏÛÁ˚͇θ̇fl Ù‡Á‡, ÔËÏÂÌflÂχfl ‰Îfl ‚‡¸ËÓ‚‡ÌËfl ÒÚËÎfl. STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK èêàåÖóÄçàÖ 2 èÓË„‡ÈÚ ÒÚËθ Ë ÔÓÔÓ·ÛÈÚ ‚Ó ‚ÂÏfl Ë„˚ ÔÂÂÍβ˜‡Ú¸ ˜‡ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 30, 31). ÇÒÚ‡‚ÍË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÙË„Û‡ÏË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË. óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, ÏÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ¢ ‡Á ÍÌÓÔÍÛ MAIN. èêàåÖóÄçàÖ END 70 CVP-210/208 óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ Auto Fill, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILLIN]. îÛÌÍˆË˛ Auto Fill In (‡‚ÚÓÁ‡ÔÓÎÌÂÌËÂ) ÏÓÊÌÓ ‚ÂÏÂÌÌÓ ÓÚÍβ˜ËÚ¸ ÔÛÚÂÏ ·˚ÒÚÓ„Ó ‰‚Û͇ÚÌÓ„Ó Ì‡Ê‡ÚËfl ÍÌÓÔÍË, ÓÚÌÓÒfl˘ÂÈÒfl Í ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ ˜‡ÒÚË. ëÚËÎË ç‡ÒÚÓÈ͇ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÙÛÌ͈Ëfl ONE TOUCH SETTING) ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË One Touch Setting (̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ӷ΄˜‡ÂÚ ÔÓ‰·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ‰Îfl ÒÚËÎfl ÚÂÏ·Ó‚ Ë ˝ÙÙÂÍÚÓ‚. ä‡Ê‰˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ ˜ÂÚ˚Âı ‚‡Ë‡ÌÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ·ÛÍ‚‡Î¸ÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË». METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET ENDING rit. MAIN I E J ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D MUSIC FINDER SYNC.STOP SYNC.START START STOP OTS LINK 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT ONE TOUCH SETTING 1 2 1 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 63). 2 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING ([1] - [4]). 3 4 3 ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ‚˚·‡Ì‡. ONE TOUCH SETTING 1 2 3 ëÚËθ Á‡ÔÛÒÚËÚÒfl Ò‡ÁÛ, Í‡Í ÚÓθÍÓ ‚˚ ‚ÓÁ¸ÏÂÚ ‡ÍÍÓ‰ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 4 íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ – ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ì ‚˚·‡Ì‡. ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ – ‰‡ÌÌ˚ı ÔÓ Ì‡ÒÚÓÈÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÌÂÚ. äÌÓÔ͇ ̇ÒÚÓÈÍË Ì ÙÛÌ͈ËÓÌËÛÂÚ. ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ï„ÌÓ‚ÂÌÌÓ„Ó ËÁÏÂÌÂÌËfl ˆÂÎÓ„Ó fl‰‡ ÓÚÌÓÒfl˘ËıÒfl Í ÒÚËβ Ô‡‡ÏÂÚÓ‚ (̇ÔËÏÂ, ÚÂÏ·‡, ˝ÙÙÂÍÚÓ‚ Ë Ú.‰.) èË ˝ÚÓÏ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·ÂÛÚÒfl ËÁ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ÍÛ‰‡ ÓÌË ·˚ÎË ‡Ì Á‡ÌÂÒÂÌ˚. äÓ„‰‡ ÒÚËθ Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl, ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. á‡ÔÛÒÍ ‚Íβ˜ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚). 4 ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ éÒÚ‡ÌÓ‚ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. STYLE ACMP AUTO FILLIN BREAK INTRO ENDING / rit. MAIN A B C SYNC.STOP SYNC.START START / STOP D OTS LINK 5 èÓÔÓ·ÛÈÚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ͇ÍËÂ-ÌË·Û‰¸ ‰Û„Ë ̇ÒÚÓÈÍË. Ç˚ ÏÓÊÂÚ ڇÍÊ ÒÓÁ‰‡Ú¸ ̇ÒÚÓÈÍÛ Ò‡ÏÓÒÚÓflÚÂθÌÓ (ÒÚ. 72). ONE TOUCH SETTING 1 2 3 4 CVP-210/208 71 ëÚËÎË Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ: OTS Link ì‰Ó·ÒÚ‚Ó ÙÛÌ͈ËË OTS Link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (A – D). 1 2 AUTO FILLIN OTS LINK END èêàåÖóÄçàÖ èË ˝ÚÓÏ ‚˚ÁÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ì‡ÒÚÓÈÍË ÔÓËÁ‚Ó‰ËÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ó‡ÒÚË Main A, B, C Ë D ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï 1, 2, 3 Ë 4 ÙÛÌ͈ËË One Touch Settings ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. ëÏÂ̇ ̇ÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ ˜‡ÒÚË Í ˜‡ÒÚË ÏÓÊÂÚ ÔÓËÒıÓ‰ËÚ¸ ‚ ‡ÁÌÓ ‚ÂÏfl (ÒÚ. 141): • Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˝ÚÓÈ ˜‡ÒÚË; • Ò Ì‡˜‡ÎÓÏ ÒÎÂ‰Û˛˘Â„Ó (ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË) Ú‡ÍÚ‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ OTS Link, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [OTS LINK]. ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (ONE TOUCH SETTING) ùÚÓÚ ‡Á‰ÂÎ ÔÓÒ‚fl˘ÂÌ ÒÓÁ‰‡Ì˲ ÒÓ·ÒÚ‚ÂÌÌ˚ı ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» (˜ÂÚ˚ ̇ÒÚÓÈÍË Ì‡ ÒÚËθ). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (Ú‡·Îˈ‡ Ô‡‡ÏÂÚÓ‚). 1 Ç˚·ÂËÚ ÒÚËθ. 2 4 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING: [1] – [4]. éÚ‰‡ÍÚËÛÈÚ ԇ‡ÏÂÚ˚ ̇ÒÚÓÈÍË Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MEMORY]. MEMORY ONE TOUCH SETTING 1 2 3 4 ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔÓÏË̇ÌË ڇÍËı Ô‡‡ÏÂÚÓ‚, Í‡Í Voice (ÚÂÏ·), Harmony („‡ÏÓÌËfl) Ë Pedal (Ô‰‡Î¸). èêàåÖóÄçàÖ END 72 èÓfl‚ÎflÂÚÒfl Ô‰ÎÓÊÂÌË ÒÓı‡ÌËÚ¸ ÚÂÍÛ˘ËÈ ÒÚËθ. Ç˚·ÂËÚ ÓÚ‚ÂÚ ‚‡Ë‡ÌÚ YES, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ STYLE, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ ԇ‡ÏÂÚ˚ ̇ÒÚÓÈÍË (ÒÚ. 40, 48). CVP-210/208 çÂÒÓı‡ÌÂÌÌ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ÒÚˇ˛ÚÒfl ÔË ÔÂÂıÓ‰Â Í ‰Û„ÓÏÛ ÒÚËβ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ëÚËÎË Ç˚ÁÓ‚ ̇˷ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Music Finder чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚ ÍÓÌÙË„Û‡ˆËË Á̇˜ÂÌËÈ Ú‡ÍËı Ô‡‡ÏÂÚÓ‚, ͇Í, ̇ÔËÏÂ, ÚÂÏ·, ÒÚËθ ËÎË Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Î˯¸ ‚˚·‡Ú¸ ̇Á‚‡ÌË ÔÂÒÌË. ÖÒÎË Ú·ÛÂÚÒfl ‚ÓÒÔÓËÁ‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÂÒÌ˛, ‡ ‚˚ Ì Á̇ÂÚÂ, Í‡Í ÎÛ˜¯Â ‚ÒÂ„Ó Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ Ë ÒÚËÎfl, Music Finder ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ. «á‡ÔËÒ¸», ÒÓÒÚÓfl˘Û˛ ËÁ ÂÍÓÏẨÛÂÏ˚ı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚, ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ Á‡ÔËÒË Music Finder ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. èêàåÖóÄçàÖ á‡ÔËÒË Ë ‰ÂÈÒÚ‚Ëfl Ò ÌËÏË, Ô˂‰ÂÌÌ˚ ‚ ÓÔËÒ‡ÌËË ÙÛÌ͈ËË MUSIC FINDER, ‰‡Ì˚ Î˯¸ ‰Îfl ÔËχ. Ç˚ ÏÓÊÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl β·ËÏ˚ı ÔÂÒÂÌ. èêàåÖóÄçàÖ METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 STYLE L VOICE DEMO TRACK 1 R TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A C MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING rit. D I E J SYNC.STOP SYNC.START START STOP 1 DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE OTS LINK FREEZE BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 MUSIC FINDER 1 2 3 4 5 6 7 8 MEMORY MUSIC FINDER 1 2 ONE TOCTH SETTING MUSIC FINDER SOUND CREATOR TAP TEMPO RESET STYLE ACMP DIGITAL STUDIO èÓÏÌËÚÂ, ˜ÚÓ Music Finder fl‚ÎflÂÚÒfl ÔÓÏÓ˘ÌËÍÓÏ, ÍÓÚÓ˚È ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ıÓ‰ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÚÂÏ·‡ ‰Îfl ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. ïÓÚfl ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ̇Á‚‡ÌËfl ÔÂÒÂÌ, Ò‡ÏË ÔÂÒÌË Ú‡Ï Ì ÒÓ‰ÂʇÚÒfl. Ç˚·ÂËÚ Á‡ÔËÒ¸. ÇÓÁ¸ÏËÚÂ, ̇ÔËÏÂ, ‚ÂıÌ˛˛ Á‡ÔËÒ¸ ‚ ÒÔËÒÍÂ Ë ÔËÏÂÌËÚÂ Í ÌÂÈ ÂÍÓÏẨӂ‡ÌÌ˚ ̇ÒÚÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ [1]. чÌÌ˚Â, ÍÓÚÓ˚ ‚˚ ۂˉËÚÂ, Ë Ì‡Á˚‚‡˛ÚÒfl «Á‡ÔËÒ¸˛». All (‚ÒÂ) ..............................éÚÓ·‡ÊÂÌË ‚ÒÂı Á‡ÔËÒÂÈ. FAVORITE (β·ËÏ˚Â) ......Ç˚‚Ó‰ ̇ ˝Í‡Ì ‚ÒÂı Á‡ÔËÒÂÈ Ì‡ ÒÚ‡Ìˈ «Favorite». SEARCH1,2 (ÔÓËÒÍ 1,2) .....éÚÓ·‡ÊÂÌË ÂÁÛθڇÚÓ‚ ÙÛÌ͈ËË SEARCH (ÔÓËÒÍ) (ÒÚ. 74). F äÌÓÔ͇ ÒÓÚËÓ‚ÍË Á‡ÔËÒÂÈ MUSIC (̇Á‚‡ÌËÂ)... á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ. STYLE (ÒÚËθ) ......... á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ. BEAT (‡ÁÏÂ) ........ á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔË҇̇ ÔÂÒÌfl. TEMPO (ÚÂÏÔ) ......... á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ ÚÂÏÔÛ. G H I J óËÒÎÓ Á‡ÔËÒÂÈ Ì‡ ÒÚ‡ÌˈÂ. 1 2 3 4 5 Ç˚·ÂËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË. ëÓÚËÛfl Á‡ÔËÒË ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ, ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl ÔÓ ‡ÎÙ‡‚ËÚÌÓÏÛ ÒÔËÒÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1▲▼]. óÚÓ·˚ ÔÂÂÈÚË Í Ô‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼]. 6 7 8 àÁÏÂÌÂÌË ÔÓfl‰Í‡ ÒΉӂ‡ÌËfl Á‡ÔËÒÂÈ (ÔÓ ‚ÓÁ‡ÒÚ‡Ì˲ ËÎË Û·˚‚‡Ì˲). äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE èË Ì‡Ê‡ÚËË ÍÌÓÔÍË [H] , ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ «Add selected data to the favorite list? YES/NO». óÚÓ·˚ Á‡ÌÂÒÚË ‚˚‰ÂÎÂÌÌÛ˛ ÒÚ‡ÌËˆÛ Ì‡ ÒÚ‡ÌËˆÛ «FAVORITE», ‚˚·ÂËÚ ÓÚ‚ÂÚ [YES]. ÑÎfl Û‰‡ÎÂÌËfl ‰Ó·‡‚ÎÂÌÌÓÈ Á‡ÔËÒË, ‚˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ ̇ ÒÚ‡Ìˈ «FAVORITE» Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H] (DELETE FROM FAVORITE). èÓËÒÍ Á‡ÔËÒÂÈ. ǂ‰ËÚ ÛÒÎÓ‚Ë ÔÓËÒ͇ ̇ ˝Í‡Ì MUSIC FINDER SEARCH (ÒÚ. 74). êÂÁÛθڇÚ˚ SEARCH 1 (ÔÂ‚Ó„Ó ÔÓËÒ͇) ËÎË 2 (‚ÚÓÓ„Ó ÔÓËÒ͇) ÓÚÓ·‡Ê‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ Ì‡ ÒÚ‡Ìˈ‡ı «SEARCH 1» ËÎË «SEARCH 2». äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MUSIC FINDER RECORD EDIT (ÒÚ. 75) (˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË). ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÍÌÓÔÍË TEMPO LOCK. îÛÌ͈ËflTEMPO LOCK ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔË ‚˚·Ó ‰Û„ÓÈ Á‡ÔËÒË. ÇÍβ˜ÂÌËÂ/ ÓÚÍβ˜ÂÌË ‰‡ÌÌÓÈ ÙÛÌ͈ËË ‚ÎËflÂÚ Ì‡ ‚Ò ÒÚ‡Ìˈ˚ (ALL/FAVORITE/SEARCH 1/SEARCH 2). Ç˚·ÂËÚ Á‡ÔËÒ¸ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË. èË ÒÓÚËÓ‚Í Á‡ÔËÒÂÈ ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ ˝ÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ‚˚·Ó‡ ÒÚËÎÂÈ (Ô‰˚‰Û˘ËÈ ÒÚËθ/ÒÎÂ‰Û˛˘ËÈ ÒÚËθ). óÚÓ·˚ ÔÂÂÈÚË Í Ô‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼]. èêàåÖóÄçàÖ 3 éˆÂÌËÚ Á‚Û˜‡ÌË ÒÚËÎfl (ÒÚ. 64). á‡ÔËÒË ÏÓÊÌÓ ‚˚·Ë‡Ú¸, ‚‡˘‡fl ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] Ë Ì‡ÊËχfl ÍÌÓÔÍÛ [ENTER] ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl ‚˚·Ó‡. CVP-210/208 73 ëÚËÎË èÓËÒÍ Ì‡Ë·ÓΠۉ‡˜ÌÓ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Music Finder àÒ͇ڸ Á‡ÔËÒË ÏÓÊÌÓ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË ËÎË ÔÓ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï. êÂÁÛθڇÚ˚ ÔÓËÒ͇ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SEARCH 1) ËÎË ÍÌÓÔÍÛ [J] (SEARCH 2) ̇ ˝Í‡Ì MUSIC FINDER. 2 ǂ‰ËÚ ÛÒÎÓ‚Ëfl ÔÓËÒ͇ (ÒÏ. ÌËÊÂ), ‡ Á‡ÚÂÏ Á‡ÔÛÒÚËÚ ÔÓ„‡ÏÏÛ ÔÓËÒ͇, ̇ʇ‚ ÍÌÓÔÍÛ [START SEARCH]. äÌÓÔ͇ Á‡ÔÛÒ͇ ÔÓËÒÍÓ‚Ó„Ó ÔÓˆÂÒÒ‡. êÂÁÛθڇÚ˚, Û‰Ó‚ÎÂÚ‚Ófl˛˘Ë ‚ÒÂÏ ÛÒÎÓ‚ËflÏ ÔÓËÒ͇, ‚˚‚Ó‰flÚÒfl ̇ ÒÚ‡Ìˈ SEARCH. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÔÓËÒ͇ Ô˂‰ÂÌ˚ ÌËÊÂ. ■ A F B G C H D I E J 1 2 3 4 5 6 7 8 [A] MUSIC (ÍÓÏÔÓÁˈËfl) èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ ̇Á‚‡ÌËfl ÔÂÒÌË. Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÍÓÏÔÓÁˈËË (ÒÚ. 49) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË, ÒÓ‰Âʇ˘Ë ‚ ̇Á‚‡ÌËË Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). ■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó) èÓËÒÍ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. Ç ÂÊËÏ ÔÓËÒ͇ ÔÓ Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û (ÒÚ. 49) ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò ÍÓÏÔÓÁˈËË, ÒÓ‰Âʇ˘Ë Á‡‰‡ÌÌÓ ÒÎÓ‚Ó (ÒÎÓ‚‡). èÓËÒÍ ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ Ò‡ÁÛ ÔÓ ÌÂÒÍÓθÍËÏ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï, ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔflÚÓÈ. îÛÌ͈Ëfl ÔÓËÒ͇ ̇ıÓ‰ËÚ Ë ‚˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ‚Ò Á‡ÔËÒË, ÒÓ‰Âʇ˘Ë ıÓÚfl ·˚ Ó‰ÌÓ ËÁ Á‡‰‡ÌÌ˚ı ÒÎÓ‚. ■ [C] STYLE èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ËÏÂÌË ÒÚËÎfl. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] - [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ì‡ÈÚË ‚Ò ÔÂÒÌË, ‚ ÍÓÚÓ˚ı ËÒÔÓθÁÛÂÚÒfl ÓÔ‰ÂÎÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡.. ■ èêàåÖóÄçàÖ ùÍ‡Ì STYLE FILE SELECT ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl ÔÓËÒ͇ ÔÓ Ì‡Á‚‡Ì˲ ÒÚËÎfl; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛ Ì‚ÓÁÏÓÊÌÓ. [D] BEAT (‡ÁÏÂ) èÓËÒÍ ÔÓËÁ‚Ó‰ËÚÒfl ÔÓ ‡ÁÏÂÛ, ‚ ÍÓÚÓÓÏ Ì‡ÔË҇̇ ÍÓÏÔÓÁˈËfl, ËÎË ÔÓ ı‡‡ÍÚÂÌÓÏÛ ‰Îfl Ì ËÚÏ˘ÂÒÍÓÏÛ ËÒÛÌÍÛ. ■ [E] SEARCH AREA (ӷ·ÒÚ¸ ÔÓËÒ͇) ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚˚·‡Ú¸ ӷ·ÒÚ¸ ÔÓËÒ͇. èÓËÒÍ ÏÓÊÌÓ Â˘Â ·ÓΠÒÛÁËÚ¸, ÂÒÎË ‚˚·‡Ú¸ Ô‡‡ÏÂÚ SEARCH 1 ËÎË 2. ■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡) ùÚ‡ ÍÌÓÔ͇ Û‰‡ÎflÂÚ ‚‚‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ Ò΂‡. ■ [1▲▼] TEMPO FROM (ÚÂÏÔ, ̇˜Ë̇fl Ò...) åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË ÏËÌËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ ÏËÌËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼]. ■ [2▲▼] TEMPO TO (ÚÂÏÔ, Á‡Í‡Ì˜Ë‚‡fl...) åÓÊÌÓ ÒÛÁËÚ¸ ӷ·ÒÚ¸ ÔÓËÒ͇, Á‡‰‡‚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡. чÌ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Á̇˜ÂÌË χÍÒËχθÌÓ„Ó ÚÂÏÔ‡ ËÒÍÓÏ˚ı ÍÓÏÔÓÁˈËÈ. óÚÓ·˚ Á‡‰‡Ú¸ χÍÒËχθÌÓ ‚ÓÁÏÓÊÌÓ Á̇˜ÂÌËÂ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [▲▼]. ■ [3▲▼]~[5▲▼] GENRE (ʇÌ) ì͇Á‡ÌË ËÒÍÓÏÓ„Ó Ê‡Ì‡. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ: ‚Ò ʇÌ˚ (ANY), ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚, ̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ (ÒÚ. 73). ■ [8▼] CANCEL (ÓÚÏÂ̇) ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ‚˚ ÏÓÊÂÚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. 74 CVP-210/208 ëÚËÎË ê‰‡ÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ: Music Finder ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘Ë Á‡ÔËÒË Ë ÓÚ‰‡ÍÚËÓ‚‡Ú¸ Ëı. Ç˚ ÏÓÊÂÚ ڇÍÊ ÒÓÁ‰‡‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‡ÔËÒË. 1 2 ç‡ ˝Í‡Ì MUSIC FINDER ̇ÊÏËÚ ÍÌÓÔÍÛ [8▲▼] (RECORD EDIT). èêàåÖóÄçàÖ äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ËÎË Û‰‡ÎËÚ¸ Á‡ÔËÒ¸, ‚ÌÂÒÂÌÌÛ˛ ËÁ„ÓÚÓ‚ËÚÂÎÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. óÚÓ·˚ ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl (Û‰‡ÎÂÌËfl) ‰‡ÍÚËÛÂÏÓÈ Á‡ÔËÒË, ÔÓ ÓÍÓ̘‡ÌËË Â‰‡ÍÚËÓ‚‡ÌËfl ÒÓı‡ÌËڠ ÔÓ‰ ‰Û„ËÏ ËÏÂÌÂÏ. àÁÏÂÌËÚ ËÎË Û‰‡ÎËÚ Á‡ÔËÒ¸. äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ÌÓ‚˚ Á‡ÔËÒË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó·Ó ‚ÒÂı Ô‡‡ÏÂÚ‡ı Ë ÓÔ‡ˆËflı Ô˂‰ÂÌ˚ ÌËÊÂ. èêàåÖóÄçàÖ A F B G C H D I E J 1 ■ 2 3 4 5 6 7 8 ÇÒ Á‡ÔËÒË ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· (ÒÚ. 154). èË ‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË ‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸ ‚ ÍÓ̈ ÒÚ‡ÓÈ. • á‡ÏÂÌËÚ¸: ÇÒ ÚÂÍÛ˘Ë Á‡ÔËÒË Music Finder Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl Á‡ÔËÒflÏË, ÒÓ‰Âʇ˘ËÏËÒfl ‚ ‚˚‰ÂÎÂÌÌÓÏ Ù‡ÈÎÂ. • ÑÓ·‡‚ËÚ¸: çÓ‚˚Ï Á‡ÔËÒflÏ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ò‚Ó·Ó‰Ì˚ ÌÓχ. [A] MUSIC (ÍÓÏÔÓÁˈËfl) ꉇÍÚËÓ‚‡ÌË ̇Á‚‡ÌËfl ÍÓÏÔÓÁˈËË. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ ̇Á‚‡ÌËfl ÔÂÒÌË. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ. ■ [B] KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó) ꉇÍÚËÓ‚‡ÌË Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ Íβ˜Â‚Ó„Ó ÒÎÓ‚‡. ç‡ÊÏËÚ ÂÂ, ‡ Á‡ÚÂÏ ‚‚‰ËÚ ÌÓ‚Ó ̇Á‚‡ÌËÂ. Ç‚Ó‰ËÚ¸ ÏÓÊÌÓ Ò‡ÁÛ ÌÂÒÍÓθÍÓ Íβ˜Â‚˚ı ÒÎÓ‚, ‡Á‰ÂÎÂÌÌ˚ı Á‡ÔflÚÓÈ. ■ [C] STYLE ꉇÍÚËÓ‚‡ÌË (ÒÚËθ) ËÏÂÌË ÒÚËÎfl. èË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË ‚Ò„‰‡ ÒΉÛÂÚ ‚‚Ó‰ËÚ¸ ËÏfl. ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE FILE SELECT. ê‡ÒÔÓÎÓÊÂÌÌ˚ ̇ ˝Í‡Ì ÍÌÓÔÍË [A] through [J] ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÒÚËθ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸, Û‰‡ÎËÚ¸ ËÎË Á‡Â„ËÒÚËÓ‚‡Ú¸. ■ [D] BEAT (‡ÁÏÂ) ꉇÍÚËÓ‚‡ÌË ‡Áχ, ‚ ÍÓÚÓÓÏ ·˚· ̇ÔË҇̇ ÍÓÏÔÓÁˈËfl. èË ‚˚·Ó ‰Û„Ó„Ó Ù‡È· Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘Â Á̇˜ÂÌË ‡Áχ Á‡ÏÂÌflÂÚÒfl Á̇˜ÂÌËÂÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰‡ÌÌÓÏ Ù‡ÈÎÂ. ■ [E] FAVORITE (β·ËÏ˚Â) ÑÓ·‡‚ÎÂÌË ‚˚‰ÂÎÂÌÌÓÈ Á‡ÔËÒË Ì‡ ÒÚ‡ÌËˆÛ FAVORITE (ÒÚ. 73). ■ [F]~[H] CLEAR (Û‰‡ÎÂÌË ӷ˙ÂÍÚ‡) ùÚ‡ ÍÌÓÔ͇ Û‰‡ÎflÂÚ ‚‚‰ÂÌÌ˚È ˝ÎÂÏÂÌÚ Ò΂‡. ■ èêàåÖóÄçàÖ ùÍ‡Ì STYLE FILE SELECT ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Î˯¸ ‰Îfl ‚˚·Ó‡ ̇Á‚‡ÌËfl ÒÚËÎfl ÔË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÓÚ‰‡ÍÚËÓ‚‡Ú¸ Á‡ÔËÒ¸; ‚˚Á˚‚‡Ú¸ ÒÚËÎË Ò Â„Ó ÔÓÏÓ˘¸˛ Ì‚ÓÁÏÓÊÌÓ. èêàåÖóÄçàÖ àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁÏÂÌÂÌËfl ÓÚÓ·‡Ê‡˛˘Â„ÓÒfl ̇ ˝Í‡Ì ԇ‡ÏÂÚ‡ Beat (‡ÁÏÂ) ÓÚÌÓÒflÚÒfl ÚÓθÍÓ Í ÙÛÌ͈ËË ÔÓËÒ͇ Ë Ì ‚ÎËfl˛Ú ̇ Ò‡Ï ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. [I] DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË) é˜ËÒÚ͇ ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. çÓÏ ۉ‡ÎÂÌÌÓÈ Á‡ÔËÒË ÓÒ‚Ó·Óʉ‡ÂÚÒfl. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË. YES....................... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì. NO ........................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì ۉ‡Îflfl Á‡ÔËÒ¸. CANCEL............... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ■ [J] NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸) èêàåÖóÄçàÖ ê„ËÒÚ‡ˆËfl ÌÓ‚ÓÈ Á‡ÔËÒË. èË Â„ËÒÚ‡ˆËË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ì ̇ËÏÂ̸¯ËÈ ËÁ Ò‚Ó·Ó‰Ì˚ı ÌÓÏÂÓ‚ å‡ÍÒËχθÌÓ ˜ËÒÎÓ Á‡ÔËÒÂÈ – 2500, ‚Íβ˜‡fl Ô‰ÛÒÚ‡ÌÓ‚Á‡ÔËÒÂÈ. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ÎÂÌÌ˚ Á‡ÔËÒË. ‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË. YES....................... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì. NO ........................ ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì „ËÒÚËÛfl Á‡ÔËÒ¸. CANCEL............... ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. CVP-210/208 75 ëÚËÎË ■ [1▼▲] TEMPO (ÚÂÏÔ) ì͇Á˚‚‡ÂÚ ÚÂÏÔ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. èÓÒΠÒÏÂÌ˚ ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [C] ÚÂÍÛ˘ËÈ ÚÂÏÔ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰Òڇ˂‡ÂÚÒfl ÔÓ‰ ÚÂÏÔ, Á‡‰‡ÌÌ˚È ÌÓ‚˚Ï ÒÚËÎÂÏ. ■ [3▼▲]~[5▼▲] GENRE (ʇÌ) ì͇Á˚‚‡ÂÚ Ë ËÁÏÂÌflÂÚ Ê‡Ì, ÍÓÚÓÓÏÛ ÔËÒ‚ÓÂ̇ ‚˚·‡Ì̇fl Á‡ÔËÒ¸. ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ ‚Íβ˜‡ÂÚ ‚ÒÚÓÂÌÌ˚ ʇÌ˚, ‡ Ú‡ÍÊ β·˚ ʇÌ˚, ̇Á‚‡ÌËfl ÍÓÚÓ˚ı ‚˚ ‚‚‰ÂÚ ҇ÏÓÒÚÓflÚÂθÌÓ. ■ [6▼▲] GENRE NAME (̇Á‚‡ÌË ʇ̇) óÚÓ·˚ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ʇ̇, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ. èÓfl‚ËÚÒfl ˝Í‡Ì ‚‚Ó‰‡ ̇Á‚‡ÌËfl ʇ̇, ÔÓÁ‚ÓÎfl˛˘ËÈ Á‡‰‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓ ̇Á‚‡ÌËÂ. å‡ÍÒËχθÌÓ ˜ËÒÎÓ Ì‡Á‚‡ÌËÈ Ê‡ÌÓ‚ ÒÓÒÚ‡‚ÎflÂÚ 200. ǂ‰ÂÌÌÓ ̇Á‚‡ÌË ʇ̇ ÒÚ‡ÌÓ‚ËÚÒfl ‰ÂÈÒÚ‚ËÚÂθÌ˚Ï ÔË Â‰‡ÍÚËÓ‚‡ÌËË (ÔÂÂÔËÒ˚‚‡ÌËË) ÚÂÍÛ˘ÂÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8▲] (OK) ÎË·Ó ÔË Â„ËÒÚ‡ˆËË ÌÓ‚ÓÈ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] (NEW RECORD). ÖÒÎË ‚˚ Á‡ÍÓÂÚ ˝Í‡Ì MUSIC FINDER EDIT, Ì ÓÚ‰‡ÍÚËÓ‚‡‚ ÒÛ˘ÂÒÚ‚Û˛˘Û˛ Á‡ÔËÒ¸ Ë Ì Á‡Â„ËÒÚËÓ‚‡‚ ÌÓ‚Û˛, ‚‚‰ÂÌÌÓ ̇Á‚‡ÌË ʇ̇ Û‰‡ÎflÂÚÒfl. ■ [8▲] OK Ç˚ÔÓÎÌÂÌË ‚ÒÂı Û͇Á‡ÌÌ˚ı ÓÔ‡ˆËÈ Â‰‡ÍÚËÓ‚‡ÌËfl. èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ ‚˚·‡Ú¸ ‚˚ÔÓÎÌÂÌËÂ, ÔÂ͇˘ÂÌË ËÎË ÓÚÏÂÌÛ ÓÔ‡ˆËË. YES .............................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ Á‡ÔËÒ¸ Ë Á‡Í˚Ú¸ ˝Í‡Ì. NO ...............................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì, Ì Á‡ÏÂÌflfl Á‡ÔËÒ¸. CANCEL....................ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, Á‡Í˚Ú¸ ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ■ [8▼] CANCEL (ÓÚÏÂ̇) ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ (MUSIC FINDER). ÇçàåÄçàÖ! óÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Â Ë Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â, Ó·flÁ‡ÚÂθÌÓ ÒÓı‡ÌËÚ ‚Ò Á‡ÔËÒË Music Finder ‚ ‚ˉ هÈ· (ÒÚ. 154). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â, ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚ ÔË ‚˚ÁÓ‚Â ‰Û„Ó„Ó Ù‡È· Music Finder ËÎË ÔÓËÁÓȉÂÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ (ÒÚ. 154). 76 CVP-210/208 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË éÁ̇ÍÓÏË‚¯ËÒ¸ Ò ˝ÚËÏ ‡Á‰ÂÎÓÏ, ‚˚ ̇ۘËÚÂÒ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË. èÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚: ‚ÒÚÓÂÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ (ÒÚ. 97) ‚·‰ÂθˆÂÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ë ÔÂÒÌË Ò ÌÓÒËÚÂÎÂÈ, Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ. ÇÓÁÏÓÊÌÓÒÚË ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ÂҸχ ÏÌÓ„ÓÓ·‡ÁÌ˚: ÏÓÊÌÓ ÔÓ‰˚„˚‚‡Ú¸ ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ, ËÎË ‡Áۘ˂‡Ú¸ ÌÓ‚˚ ÏÛÁ˚͇θÌ˚ ÔÓËÁ‚‰ÂÌËfl Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ (ÒÚ. 82) Ë ÙÛÌ͈ËÈ ÔÓ‚ÚÓÂÌËfl (ÒÚ. 81). äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ ÔÂÒÌË (ÚÓθÍÓ ÔË ËÒÔÓθÁÓ‚‡ÌËË) ËÎË Â ÚÂÍÒÚ. èÓ‰Íβ˜Ë‚ Í CVP-210/208 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛. èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ (ÒÚ. 131). METRONOME POWER MIC. START STOP SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO REC FADE IN OUT TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT VOICE PART ON OFF A MASTER VOLUME PIANO & HARPSI. BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET SONG MAIN ENDING rit. J SYNC.STOP SYNC.START START STOP TRACK 2 (L) MIXING CONSOLE NEW SONG START / STOP 1 2 3 3 4 5 4 6 7 8 MEMORY BALANCE TRACK 1 (R) REW FREEZE CHANNEL ON OFF DIRECT ACCESS TOP 2 PIANO DATA ENTRY PART REC 1 DIGITAL RECORDING OTS LINK EXTRA TRACKS (STYLE) I E SOUND CREATOR TAP TEMPO RESET STYLE ACMP D ONE TOCTH SETTING MUSIC FINDER FF PART 1 2 REPEAT 3 4 5 6 7 8 EXIT GUIDE SYNC.START èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ • ÇÒÚÓÂÌÌ˚ ÔÂÒÌË (äÌË„‡ ÔÂÒÂÌ) • èÂÒÌË Ì‡ ‚Íβ˜ÂÌÌÓÏ ‚ ÍÓÏÔÎÂÍÚ ‰ËÒÍ (50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔˇÌÓ) • èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ GM (General MIDI). ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XG. ùÚÓÚ ÙÓÏ‡Ú Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ Á̇˜ËÚÂθÌÓ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡ General MIDI (GM System level 1 format). äÓÔÓ‡ˆËfl Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ Ò ˆÂθ˛ Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚, ‡Ò¯ËÂÌËfl ‚ÓÁÏÓÊÌÓÒÚÂÈ ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ӷÂÒÔ˜ÂÌËfl ÔÓ‰‰ÂÊÍË ·Óθ¯Â„Ó ˜ËÒ· ˝ÙÙÂÍÚÓ‚ Ë Ëı ÚËÔÓ‚. èêàåÖóÄçàÖ èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ, Ô‰̇Á̇˜ÂÌ˚ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, ÔÓÒÍÓθÍÛ Ëı ‡ÒÔÓÒÚ‡ÌÂÌË ӄ‡Ì˘ÂÌÓ Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ÚËÔ‡ı ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇ ÒÚ. 162. ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ DOC (Disk Orchestra Collection), ‡Á‡·ÓÚ‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha. ÑËÒÍË Ò Ú‡ÍÓÈ ˝Ï·ÎÂÏÓÈ ÒÓ‰ÂÊ‡Ú ÔÂÒÌË ‚ ÙÓχÚ XF, ÒÓÁ‰‡ÌÌÓÏ ÍÓÔÓ‡ˆËÂÈ Yamaha. • èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ (ÒÚ. 97) Ë ÒÓı‡ÌÂÌÌ˚ ̇ CVP-210/208 ËÎË ‰ËÒÍÂ. CVP-210/208 77 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ èêàåÖóÄçàÖ 1 ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl „·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ – ÍÌÓÔÍÛ [EXIT]. BACK A F B G C H D I E J èêàåÖóÄçàÖ äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸ ÏÌÓÊÂÒÚ‚Ó Ô‡‡ÏÂÚÓ‚ (ÚÂÏÔ, ÚÂÏ·, ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Ë Ú. Ô.), ÍÓÚÓ˚ ·Û‰ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË (ÒÚ. 109). èêàåÖóÄçàÖ 2-1 2 èÂÂȉËÚ ̇ ‚Í·‰ÍÛ PRESET Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK]. BACK A F B G C H D I E J óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Synchro Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ) ‰Îfl ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [TOP] Ë SONG [START/STOP]. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. чÌÌÛ˛ ÙÛÌÍˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ÏÂÒÚÂ Ò ÙÛÌ͈ËÂÈ Style’s Synchro Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ ÒÚËÎfl) (ÒÚ. 64). èêàåÖóÄçàÖ 2-2 3 àÏÂÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌË Ò ÙÂȉËÌ„ÓÏ ‚ ̇˜‡ÎÂ Ë ÍÓ̈ ÍÓÏÔÓÁˈËË. èË ˝ÚÓÏ „ÓÏÍÓÒÚ¸ ‚ ̇˜‡Î ÔÂÒÌË ·Û‰ÂÚ Ô·‚ÌÓ Ì‡‡ÒÚ‡Ú¸, ‡ ‚ ÍÓ̈ – ÒÌËʇڸÒfl. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ÔÓÒÚÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [FADEIN/OUT] ‚ ̇˜‡Î ÔÂÒÌË, ‡ Á‡ÚÂÏ ÒÌÓ‚‡ ̇ʇڸ  ÌÂÁ‡‰ÓÎ„Ó ‰Ó ÓÍÓ̘‡ÌËfl. éÚÍÓÈÚ ԇÔÍÛ Ë ‚˚·ÂËÚ ÔÂÒÌ˛. Ç˚·‡Ì̇fl ÔÂÒÌfl ̇˜ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl. END START / STOP REC TOP NEW SONG START / STOP REW FF REPEAT GUIDE èêàåÖóÄçàÖ èÂÒÌË ÏÓÊÌÓ ÔÓÒÚÓflÌÌÓ ÔÓË„˚‚‡Ú¸. ìÒÚ‡ÌÓ‚ËÚ SONG CHAIN PLAY ‚ ÔÓÎÓÊÂÌË ON ̇ ˝Í‡Ì SONG SETTING (ÒÚ. 140). CVP-210/208 . SYNC.START íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ] [ ] (ÒÚ. 54) ËÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TAP TEMPO]. óÚÓ·˚ ËÁÏÂÌËÚ¸ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‚‡Ê‰˚ Û‰‡ËÚ¸ ‚ ÌÛÊÌÓÏ ÚÂÏÔ ÔÓ ÍÌÓÔÍ [TAP TEMPO]. 78 óÚÓ·˚ Ò‡ÁÛ Ê ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ EXIT èêàåÖóÄçàÖ èӂ¸ÚÂ, ˜ÚÓ·˚ ̇ÒÚÓÈ͇ flÁ˚͇ ‰Îfl ËÌÒÚÛÏÂÌÚ‡ (ÒÚ. 154) ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ̇ÒÚÓÈÍ ËÏÂÌË Ù‡È· ÔÓË„˚‚‡ÂÏÓÈ ÔÂÒÌË. . ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË èêàåÖóÄçàÖ é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ͇̇Î˚ 9 – 16 Á‡ÏÂÌfl˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Í‡Ì‡Î‡ÏË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÏÂÒÚÓ ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÓ‚‡Ú¸ ÒÚËÎË Ë ‚ÓÁÏÓÊÌÓÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÌÚ‡. Ç˚ÔÓÎÌËÚ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl Ë Á‡ÏÂÌËÚ ‡ÍÍÓ‰˚ ÔÂÒÌË Ò‚ÓËÏË ÒÓ·ÒÚ‚ÂÌÌ˚ÏË. • ÍÌÓÔ͇ [ACMP] ...................... ON • ÍÌÓÔ͇ [AUTO FILL IN] ......... ON 1 2 3 4 éÒÚ‡ÌÓ‚Ë‚ ÔÂÒÌ˛, ‚˚ ÓÒÚ‡ÌÓ‚ËÚ ڇÍÊÂ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÖÒÎË ÔÓË„˚‚‡ÌË ÔÂÒÌË Ì‡˜Ë̇ÂÚÒfl ÔË ‚Íβ˜ÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ, ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl. íÂÏ Ì ÏÂÌÂÂ, ‰Îfl ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, ËÒÔÓθÁÛ˛˘Ëı ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ì ÓÒڇ̇‚ÎË‚‡ÂÚÒfl. Ç˚·ÂËÚ ÔÂÒÌ˛ Ë Á‡ÔÛÒÚËÚ ÂÂ, ̇ʇ‚ ÍÌÓÔÍÛ SONG [START/STOP]. èÓ‰·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔÛÒÍ ÒÚËÎfl ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË STYLE [START/STOP]. Ç ÔÓˆÂÒÒ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚˚ ÏÓÊÂÚ ‚ÒÚ‡‚ÎflÚ¸ ·ÂÈÍË ËÎË ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ‚˚·Ó‡ ˜‡ÒÚÂÈ ‚ „ÛÔÔ STYLE). ÇÓ ‚ÂÏfl ÔÂÂÍβ˜ÂÌËfl ˜‡ÒÚÂÈ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚ÒÚ‡‚ÍË (·ÂÈÍË). END ëÚËθ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒÚ‡ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ÓÍÓ̘‡ÌËË ÔÂÒÌË ËÎË ÔË ÓÒÚ‡ÌÓ‚ÍÂ. èêàåÖóÄçàÖ çÂÍÓÚÓ˚ ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË ÒÓÁ‰‡Ì˚ ÔË ÔÓÏÓ˘Ë ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÑÎfl ˝ÚËı ÔÂÒÂÌ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡ÔÛÒ͇˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ÔË Á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. CVP-210/208 79 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ èêàåÖóÄçàÖ èÂʉ ‚Ò„Ó, ÓÁ̇ÍÓϸÚÂÒ¸ Ò ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» (ÒÚ. 6). ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰. èêàåÖóÄçàÖ ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ¯ÚÓÍÓÈ ‚Ô‰, ̇ÍÎÂÈÍÓÈ ‚‚Âı. èӈ‰ۇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» (ÒÚ. 78). Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ˝Í‡Ì SONG ÒΉÛÂÚ ÔÂÂÈÚË Ì‡ ÒÚ‡ÌËˆÛ FLOPPY DISK. èӘˠÓÔ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ■ Repeat (ÔÓ‚ÚÓÂÌËÂ)/Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰)/Fast forward (ÔÂÂÏÓÚ͇ ‚Ô‰) ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ÔÂÒÌfl ̇˜ÌÂÚÒfl Ò̇˜‡Î‡. ÖÒÎË Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ, ÍÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÔÓËÁÓȉÂÚ ‚ÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË. REC TOP START / STOP REW FF REPEAT SYNC.START NEW SONG ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SONG POSITION (ÒÏ. ÌËÊÂ). óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ SONG, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. åÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸ ÔÂ‚Û˛ ÔÂÒÌ˛ ̇ ‰ËÒÍÂÚ ÔÓÒΠ ÔÓÏ¢ÂÌËfl ‚ ‰ËÒÍÓ‚Ó‰ (ÒÚ. 153). èêàåÖóÄçàÖ çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í Ì‡Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ». èË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ú‡ÍËı ÔÂÒÂÌ ÓÚÓ·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì Á̇˜ÂÌËfl Ì ËÏÂ˛Ú ÓÚÌÓ¯ÂÌËfl Í Ù‡ÍÚ˘ÂÒÍÓÏÛ ‡ÁÏÂÛ ÔÂÒÌË. éÌË Î˯¸ ÔÓ͇Á˚‚‡˛Ú, ͇͇fl ˜‡ÒÚ¸ ÔÂÒÌË ÛÊ ·˚· ‚ÓÒÔÓËÁ‚‰Â̇. èêàåÖóÄçàÖ èÂÒÌË Ò ·Óθ¯ËÏ ÍÓ΢ÂÒÚ‚ÓÏ ‰‡ÌÌ˚ı ËÌÓ„‰‡ Ì ÏÓ„ÛÚ ·˚Ú¸ Ò˜ËÚ‡Ì˚ ËÌÒÚÛÏÂÌÚÓÏ, Ë ‚˚·‡Ú¸ Ëı ‚ ˝ÚÓÏ ÒÎÛ˜‡Â ·Û‰ÂÚ Ì‚ÓÁÏÓÊÌÓ. å‡ÍÒËχθ̇fl ÂÏÍÓÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚ 200–300ä·, ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓ‰ÂÊËÏÓ„Ó Í‡Ê‰ÓÈ ÔÂÒÌË. ùÍ‡Ì SONG POSITION Ç˚·‡‚ ÒÚÓÍÛ «BAR», ÏÓÊÌÓ Á‡‰‡Ú¸ ÌÓÏ ڇÍÚ‡ (Ò˜ËÚ‡fl Ò Ì‡˜‡Î‡ ÍÓÏÔÓÁˈËË) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF]. Ç˚·‡‚ ÒÚÓÍÛ «PHRASE MARK», ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF] Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡. èêàåÖóÄçàÖ èÓÁˈËfl ÎÓ͇ÚÓ‡ á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓ‡ Û͇Á˚‚‡ÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌÓ ÏÂÒÚÓ ‚ ÔÂÒÌÂ. ëÚÓ͇ «PHRASE MARK» ‚˚‚Ó‰ËÚÒfl Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ÔÓ ÔÓÁˈËflÏ ÎÓ͇ÚÓ‡. Ç˚·ÂËÚ ÒÚÓÍÛ «BAR» ËÎË «PHRASE MARK» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J], ‡ Á‡ÚÂÏ Û͇ÊËÚ ÌÛÊÌ˚È Ú‡ÍÚ ËÎË ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÍÌÓÔ͇ÏË [REW] Ë [FF]. ■ ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ/ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚ BALANCE ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ BALANCE (ÒÚ. 65). CHANNEL ON / OFF PART ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ CHANNEL ON/OFF (ÒÏ. ÌËÊÂ). ùÍ‡Ì CHANNEL ON/OFF ç‡Ê‡‚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ÔÂÂȉËÚÂ Í ‚Í·‰Í [SONG] Ë ÔË„ÎÛ¯ËÚ ÌÛÊÌ˚È Í‡Ì‡Î, Á‡‰‡‚ ‰Îfl ÌÂ„Ó Á̇˜ÂÌË [OFF]. óÚÓ·˚ ҉·ڸ ͇̇ΠÒÓÎËÛ˛˘ËÏ, ÒΉÛÂÚ Û‰ÂÊË‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ. óÚÓ·˚ Á‡ÒÚ‡‚ËÚ¸ Â„Ó ÒÌÓ‚‡ Á‚Û˜‡Ú¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË Í‡Ì‡Î‡ÏË, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ Í‡Ì‡Î‡. 80 CVP-210/208 èêàåÖóÄçàÖ ä‡Ì‡Î ùÚË Ë̉Ë͇ÚÓ˚ Û͇Á˚‚‡˛Ú ͇̇ΠMIDI, ËÒÔÓθÁÛÂÏ˚È ‚ ÔÂÒÌÂ. Ç CVP-210/208 ͇̇Î˚ ‡ÒÔ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: èÂÒÌfl 1 - 16 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 9 – 16 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ – ‰ÓÓÊ͇1/‰ÓÓÊ͇2/ ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË Ñ‡Ì̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË ÔÂÒÌË (ÔÂ‚Û˛, ‚ÚÓÛ˛ ËÎË ‰ÓÔÓÎÌËÚÂθÌ˚ ‰ÓÓÊÍË). ç‡ÔËÏÂ, ÂÒÎË ‚˚ ıÓÚËÚ Á‡ÔÓÏÌËÚ¸ ÏÂÎӉ˲ ͇ÍÓÈ-ÎË·Ó ÔÂÒÌË, ‚˚ ÏÓÊÂÚ ÔË„ÎÛ¯ËÚ¸ ˜‡ÒÚ¸ Ò ÚÂÏ·ÓÏ ‰Îfl Ô‡‚ÓÈ ÛÍË Ë ÔÓÔÓ·Ó‚‡Ú¸ Ò˚„‡Ú¸ ÏÂÎӉ˲ Ò‡ÏÓÒÚÓflÚÂθÌÓ. 1 èêàåÖóÄçàÖ Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 77). è‚ÓÈ Ë ‚ÚÓÓÈ ‰ÓÓÊÍ ÏÓ„ÛÚ ·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ‡Á΢Ì˚ ͇̇Î˚ (ÒÚ. 140). ùÚÓ ÔÓÁ‚ÓÎËÚ ÏÂÌflÚ¸ ͇̇Î˚ Ë Û͇Á˚‚‡Ú¸ ˜‡ÒÚË, ÍÓÚÓ˚ ·Û‰ÛÚ ÔË„ÎÛ¯ÂÌ˚ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÓÍ [TRACK 1]/[TRACK 2]/ [EXTRA TRACKS]. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ‰ÓÔÓÎÌËÚÂθÌ˚ ˜‡ÒÚË (ÚÓ ÂÒÚ¸ ‚ÒÂ, ÍÓÏ ˜‡ÒÚÂÈ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË). 2 SONG EXTRA TRACKS (STYLE) TRACK 2 (L) TRACK 1 (R) чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/ ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl Ô‡‚ÓÈ ÛÍË. чÌ̇fl ÍÌÓÔ͇ Ô‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ˜‡ÒÚË ‰Îfl ΂ÓÈ ÛÍË. 3 á‡ÔÛÒÚËÚ ÔÂÒÌ˛. éÚ„ÛÎËÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ REC TOP NEW SONG START / STOP REW FF REPEAT ][ èêàåÖóÄçàÖ èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ‚Ò ‰ÓÓÊÍË ÔÓ ÛÏÓΘ‡Ì˲ ‚Íβ˜ÂÌ˚. END ] (ÒÚ. 54). GUIDE START / STOP óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ . SYNC.START èÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË Ñ‡Ì̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ „‡Ìˈ˚ Ù‡„ÏÂÌÚ‡ ÚӘ͇ÏË Ä Ë Ç (Point A Ë Point B), ˜ÚÓ·˚ Á‡ÚÂÏ ˆËÍ΢ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ „Ó. 1 2 èêàåÖóÄçàÖ á‡ÔÛÒÚËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80). REC TOP NEW SONG START / STOP REW FF REPEAT SYNC.START ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ̇˜‡ÎÓ ÔÓ‚ÚÓfl˛˘Â„ÓÒfl Ù‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚӘ͇ Ä). ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓ̈ ÔÓ‚ÚÓfl˛˘Â„ÓÒfl Ù‡„ÏÂÌÚ‡ ÔÂÒÌË (ÚӘ͇ B). ÑÎfl Û͇Á‡ÌËfl ÚÓ˜ÂÍ Ä Ë Ç ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ Ì ӷflÁ‡ÚÂθÌÓ. ìÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ A, ̇ʇ‚ ÍÌÓÔÍÛ [REPEAT], ‡ Á‡ÚÂÏ ÓÚÏÓÚ‡ÈÚ ÔÂÒÌ˛ ‚Ô‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF]. ÑÓÒÚË„ÌÛ‚ Ê·ÂÏÓÈ ÔÓÁˈËË ÓÍÓ̘‡ÌËfl Á‡ˆËÍÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡, ÛÒÚ‡ÌÓ‚ËÚ ÚÓ˜ÍÛ Ç, ÒÌÓ‚‡ ̇ʇ‚ ÍÌÓÔÍÛ [REPEAT]. èêàåÖóÄçàÖ 3 옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒΠ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒÚ‡‚ÎflÂÏÓ„Ó ‚ÒÚÛÔÎÂÌËfl (ÔÓÏÓ„‡˛˘Â„Ó ÔÓ‰„ÓÚÓ‚ËÚ¸Òfl Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ Ù‡„ÏÂÌÚ‡). ÇÌ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒfl ÎË ÔÂÒÌfl ËÎË ÌÂÚ, ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TOP] ÔÓËÒıÓ‰ËÚ ÔÂÂıÓ‰ Í ÚӘ͠Ä. óÚÓ·˚ ËÏÂÚ¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ç, ÌÂÓ·ıÓ‰ËÏÓ Ò̇˜‡Î‡ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ Ä. èêàåÖóÄçàÖ ì͇Á‡ÌË ӉÌÓÈ Î˯¸ ÚÓ˜ÍË Ä ÔË‚Ó‰ËÚ Í Á‡ˆËÍÎË‚‡Ì˲ Ù‡„ÏÂÌÚ‡ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó ÍÓ̈‡ ÔÂÒÌË. èêàåÖóÄçàÖ 4 éÒÚ‡Ìӂ͇ ÔÂÒÌË START / STOP END REPEAT óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ . ì͇Á‡ÌÌ˚ ÚÓ˜ÍË Û‰‡Îfl˛ÚÒfl ÔË ‚˚·Ó ÔÂÒÌË Ò ‰Û„ËÏ ÌÓÏÂÓÏ, ‚˚Íβ˜ÂÌËË ÙÛÌ͈ËË ÔÓ‚ÚÓ‡ (Repeat) Ë ‚˚·Ó ‰Û„Ó„Ó ÂÊËχ ÔÓ‚ÚÓ‡, ̇ÔËÏ Phrase Repeat (ÔÓ‚ÚÓ Ù‡Á˚) ËÎË Song Chain Play (ÔÓ‚ÚÓ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ) (ÒÚ. 140). CVP-210/208 81 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl: êÛÍÓ‚Ó‰ÒÚ‚Ó ë ÔÓÏÓ˘¸˛ ˝ÚËı Á‡·‡‚Ì˚ı ÙÛÌ͈ËÈ ‚˚ ΄ÍÓ ‡ÁÛ˜ËÚ ÌÓ‚˚ ÏÛÁ˚͇θÌ˚ ÔÓËÁ‚‰ÂÌËfl. à̉Ë͇ÚÓ˚ Í·‚˯ Û͇Á˚‚‡˛Ú, ͇ÍË ÌÓÚ˚ Ë„‡Ú¸, ÍÓ„‰‡ Ëı Ë„‡Ú¸ Ë Í‡ÍÓ‚‡ Ëı ‰ÎËÚÂθÌÓÒÚ¸. í‡ÍÊÂ, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚÂ Ë ÔÓÂÚÂ, ËÒÔÓθÁÛfl ÔÓ‰Íβ˜ÂÌÌ˚È ÏËÍÓÙÓÌ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Òڇ˂‡ÂÚ ‚ÂÏfl Á‚Û˜‡ÌËfl ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ. REC TOP NEW SONG START / STOP REW FF REPEAT èêàåÖóÄçàÖ Ç˚ ÏÓÊÂÚ ‚Íβ˜‡Ú¸/ÓÚÍβ˜‡Ú¸ Ë̉Ë͇ÚÓ˚ Í·‚˯ ̇ ˝Í‡Ì SONG SETTING (ÒÚ. 140). GUIDE SYNC.START à̉Ë͇ÚÓ Í·‚Ë¯Ë îÛÌ͈ËË Ó·Û˜ÂÌËfl ÑÎfl Ë„˚ ̇ Í·‚ˇÚÛ ■ Follow Lights ÖÒÎË ‚˚·‡Ì‡ ˝Ú‡ ÙÛÌ͈Ëfl, ‚˚ ÛÁ̇ÂÚÂ, ͇ÍË ÌÓÚ˚ ÌÂÓ·ıÓ‰ËÏÓ Ë„‡Ú¸, ̇·Î˛‰‡fl Á‡ Ë̉Ë͇ÚÓ‡ÏË Í·‚˯. éÌË Á‡„Ó‡˛ÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ÏÛÁ˚ÍÓÈ, ÔÓ͇Á˚‚‡fl, ÍÓ„‰‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÌÓÚÛ. í‡ÍÊ ‚˚ ÏÓÊÂÚ ԇÍÚËÍÓ‚‡Ú¸Òfl ‚ Û‰Ó·ÌÓÏ ‰Îfl ‚‡Ò ÚÂÏÔÂ, Ú‡Í Í‡Í ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ê‰ÂÚ, ÔÓ͇ ‚˚ Ì ‚ÓÒÔÓËÁ‚‰ÂÚ ÌÓÚ˚ Ô‡‚ËθÌÓ. • Accompaniment Guide ÖÒÎË ËÒÔÓθÁÛÂχfl ‚‡ÏË ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‡ÍÍÓ‰˚ Ë ‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP], ‚˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ Ë̉Ë͇ÚÓ˚ (ÒÚ. 140) Ú‡ÍÊÂ Ë ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓ‰Ó‚. 燷≇ÈÚ Á‡ Ë̉Ë͇ÚÓ‡ÏË Ë ÔÓÒÚ‡‡ÈÚÂÒ¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡ÍÍÓ‰˚. ■ Any Key ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÂÎӉ˲ ÔÂÒÌË ÔÓÒÚ˚Ï Ì‡Ê‡ÚËÂÏ Í·‚Ë¯Ë (β·ÓÈ) ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ. èÓ͇ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ, ÏÂÎÓ‰Ëfl Ô·‚ÌÓ Ú˜ÂÚ ‚ÏÂÒÚÂ Ò ÔÂÒÌÂÈ. èêàåÖóÄçàÖ Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÓÔ‰ÂÎËÚ¸ ˜ÂÂÁ ͇ÍÓ ‚ÂÏfl ·Û‰ÛÚ Á‡„Ó‡Ú¸Òfl Ë̉Ë͇ÚÓ˚ Í·‚˯, ˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‚‡¯ÂÏÛ ËÒÔÓÎÌÂÌ˲ (ÇÂÏfl „ÓÂÌËfl Ë̉Ë͇ÚÓ‡; ÒÚ. 140). èêàåÖóÄçàÖ ÖÒÎË ‚˚ ıÓÚËÚ ‡ÁÛ˜ËÚ¸ ÓÔ‰ÂÎÂÌÌ˚ ‡ÍÍÓ‰˚, ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Chord Tutor (ÒÚ. 142). èêàåÖóÄçàÖ îÛÌÍˆË˛ Accompaniment Guide ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÏÂÚÓ‰‡ ‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛ˚ ‚˚·‡Ì Single Finger, Full keyboard ËÎË AI Full Keyboard. íÓθÍÓ ‰Îfl ‚Ó͇θÌÓ„Ó ËÒÔÓÎÌÂÌËfl ■ Karao-Key ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂÚ¸ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ÛÔ‡‚ÎflÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ. ÑÓÒÚ‡ÚÓ˜ÌÓ Ì‡ÊËχڸ β·Û˛ Í·‚Ë¯Û ‚ ÌÛÊÌÓÏ ËÚÏÂ, Ë ‚‡¯‡ Ë„‡ ·Û‰ÂÚ ÒÓÔÓ‚Óʉ‡Ú¸Òfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ÍÓÌÚÓÎËÓ‚‡Ú¸ ÚÂÏÔ Ë ‚ÂÏfl Á‚Û˜‡ÌËfl ÔÂÒÌË Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ÔÓÎÌÓÏ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ ‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ. ■ Vocal CueTIME ä‡Í Ë Ò ÙÛÌ͈ËÂÈ Follow Lights, ‚˚ ÏÓÊÂÚ ‚ˉÂÚ¸, ͇ÍË ÌÓÚ˚ ÔÂÚ¸, ̇·Î˛‰‡fl Á‡ Ë̉Ë͇ÚÓ‡ÏË Í·‚˯. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÒΉËÚ Á‡ ‚‡¯ËÏ ÔÂÌËÂÏ Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Òڇ˂‡ÂÚ ‚ÂÏfl Á‚Û˜‡ÌËfl Ë ÚÂÏÔ ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚‡¯ËÏ ‚Ó͇θÌ˚Ï ËÒÔÓÎÌÂÌËÂÏ. 82 CVP-210/208 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ê‡Áۘ˂‡ÌË ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ 1 èêàåÖóÄçàÖ Ç˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÙÛÌÍˆË˛ Ó·Û˜ÂÌËfl ̇ ÒÚ‡Ìˈ SONG SETTING ˝Í‡Ì‡ FUNCTION (ÒÚ. 140). ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÔÓ ˝Í‡ÌÛ SONG SETTING ÒÏ. ̇ ÒÚ. 140. Ç˚·Ë‡ÂÚ ÓÔ‰ÂÎÂÌÌ˚ ÙÛÌ͈ËË Ó·Û˜ÂÌËfl. èêàåÖóÄçàÖ A ÇÍβ˜‡ÂÚ/ÓÚÍβ˜‡ÂÚ Ë̉Ë͇ÚÓ˚ Í·‚˯. B éÔ‰ÂÎflÂÚ ‚ÂÏfl, ˜ÂÂÁ ÍÓÚÓÓ Á‡„ÓflÚÒfl Ë̉Ë͇ÚÓ˚ Í·‚˯. JUST ....à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÏÛÁ˚ÍÓÈ, ‚ Ú˜ÂÌË ˝ÚÓ„Ó ‚ÂÏÂÌË ‚˚ ‰ÓÎÊÌ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚. NEXT....à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl Ò Ì·Óθ¯ËÏ ÓÔÂÂÊÂÌËÂÏ ÏÛÁ˚ÍË, Û͇Á˚‚‡fl ÌÓÚ˚, ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚ÂÒÚË. à̉Ë͇ÚÓ ÏË„‡ÂÚ, ÂÒÎË ‚˚ Ì ‚Ó‚ÂÏfl ̇ÊËχÂÚ ̇ Í·‚˯Û. C D E 1 2 3 4 5 6 7 8 éÔ‰ÂÎflÂÚ, ·Û‰ÛÚ ÎË Ù‡„ÏÂÌÚÌ˚ ÔÓÁˈËË ÎÓ͇ÚÓ‡ ÔÓË„˚‚‡Ú¸Òfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡ ËÎË ÌÂÚ. ÖÒÎË ÙÛÌ͈Ëfl Ô˂‰Â̇ ‚ ÔÓÎÓÊÂÌË ON, ÓÔ‰ÂÎÂÌÌ˚ ڇÍÚ˚ Ù‡„ÏÂÌÚ‡ ÔÓË„˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. Ç˚ÁÓ‚ËÚ ˝Í‡Ì SONG POSITION ̇ʇÚËÂÏ ÍÌÓÔÍË [REW] ËÎË [FF], Ë ‚˚·ÂËÚ «PHRASE MARK» ̇ʇÚËÂÏ ÍÌÓÔÍË [J]. ᇉ‡ÈÚ Ê·ÂÏÛ˛ ÔÓÁËˆË˛ ÎÓ͇ÚÓ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [REW] Ë [FF]. éÔ‰ÂÎflÂÚ Í‡Ì‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‚Û͇ „‡ÏÓÌËË ‚ÓÍӉ‡. à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Ï Ì‡ ‰ÓÓÊ͇ı 1 Ë 2, Ë ‡ÍÍÓ‰‡ÏË ÔÂÒÌË (ÔË Ëı ̇΢ËË). Ç˚ ÏÓÊÂÚ ÓÒÚ‡‚ËÚ¸ ÙÛÌÍˆË˛ AUTO SET CH ‚ ÔÓÎÓÊÂÌËË ON, Ë Í‡Ì‡Î ÔÂÒÌË ·Û‰ÂÚ Á‡‰‡Ì ‡‚ÚÓχÚ˘ÂÒÍË. ÖÒÎË ÂÁÛÎ¸Ú‡Ú ‚‡Ò Ì ÛÒڇ˂‡ÂÚ, ÌÂÓ·ıÓ‰ËÏÓ Òӄ·ÒÓ‚‡Ú¸ Ô‡‡ÏÂÚ˚ Channel Setting «TRK1 CH» Ë «TRK2 CH» ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË. èêàåÖóÄçàÖ ÇÓÍӉ èÓÁ‚ÓÎflÂÚ Û͇Á˚‚‡Ú¸ ËÎË «‚ÓÒÔÓËÁ‚Ó‰ËÚ¸» ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Ò Í·‚ˇÚÛ˚. èêàåÖóÄçàÖ èÓÁˈËfl ÎÓ͇ÚÓ‡ á̇˜ÂÌË ÔÓÁˈËË ÎÓ͇ÚÓ‡ Û͇Á˚‚‡ÂÚ Ì‡ ÓÔ‰ÂÎÂÌÌÓ ÏÂÒÚÓ ‚ ÔÂÒÌÂ. 2 Ç˚·ÂËÚ Ê·ÂÏÛ˛ ÔÂÒÌ˛ (ÒÚ. 78, 80) Ë ÓÚÍβ˜ËÚ ‰ÓÓÊÍÛ, ÍÓÚÓÛ˛ ıÓÚËÚ ‡ÁÛ˜ËÚ¸ (ÒÚ. 81). 3 REC TOP REC REW FF REPEAT GUIDE TOP START / STOP èêàåÖóÄçàÖ àÌÓ„‰‡ Ë̉Ë͇ÚÓ˚ Í·‚˯ Á‡„Ó‡˛ÚÒfl ̇ ÓÍÚ‡‚Û ËÎË ‰‚ ÌËÊÂ/‚˚¯Â ‡θÌÓÈ ‚˚ÒÓÚ˚ Á‚Û͇. à̉Ë͇ÚÓ˚ Í·‚˯ Ì ÏÓ„ÛÚ Û͇Á˚‚‡Ú¸ ÌÓÚ˚, ‚˚ıÓ‰fl˘Ë Á‡ Ô‰ÂÎ 88Í·‚˯ÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇. SYNC.START NEW SONG 4 START / STOP èêàåÖóÄçàÖ èË ‚˚ÁÓ‚Â ÙÛÌ͈ËË Ó·Û˜ÂÌËfl ‰ÓÓÊ͇ 1 ËÎË ‰ÓÓÊÍË 1 Ë 2 ‚˚·Ë‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚˚ Ì ÓÚÍβ˜ËÚ ӷۘÂÌË ‰ÓÓÊÍÂ. REW FF REPEAT GUIDE èêàåÖóÄçàÖ SYNC.START NEW SONG á‡ÔÛÒÚËÚ ÔÂÒÌ˛ Ë ÔÓÒÚ‡‡ÈÚÂÒ¸ ‚ÓÒÔÓËÁ‚ÂÒÚË Ô‡Ú˲, ÍÓÚÓÛ˛ ‚˚ ÔË„ÎÛ¯ËÎË. éÚ„ÛÎËÛÈÚ ÚÂÏÔ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [ ][ ] (ÒÚ. 54). ÖÒÎË Á‡ÔËÒ‡ÌÌ˚ ԇÚËË ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË Ì ·˚ÎË ÓÚ‰ÂÎÂÌ˚ ̇‰ÎÂʇ˘ËÏ Ó·‡ÁÓÏ, ÙÛÌ͈ËË Ó·Û˜ÂÌËfl Ì ÒÏÓ„ÛÚ ÙÛÌ͈ËÓÌËÓ‚‡Ú¸, Í‡Í Ô‰ÔÓ·„‡ÎÓÒ¸. 5 REC TOP START / STOP REW FF REPEAT GUIDE END NEW SONG GUIDE SYNC.START éÒÚ‡Ìӂ͇ ÔÂÒÌË. óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ Ó·Û˜ÂÌËfl, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ . CVP-210/208 83 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË éÚÓ·‡ÊÂÌË ÌÓÚ: Ô‡ÚËÚÛ‡ ÇÍβ˜Ë‚ ÂÊËÏ ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚, ÏÓÊÌÓ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÔÓÒχÚË‚‡Ú¸ ÌÓÚ˚ ̇ ˝Í‡ÌÂ. ùÚ‡ ÙÛÌ͈Ëfl ÔÓ‰‰ÂÊË‚‡ÂÚ ÓÚÓ·‡ÊÂÌË ÌÓÚ Í‡Í ‰Îfl ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, Ú‡Í Ë ‰Îfl ÍÓÏÔÓÁˈËÈ ‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÒÓ˜ËÌÂÌËfl. 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80). èêàåÖóÄçàÖ 2 ÖÒÎË Ò΂‡ Ì ÓÚÓ·‡Ê‡ÂÚÒfl „·‚Ì˚È ˝Í‡Ì (MAIN), Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ — ÍÌÓÔÍÛ [EXIT]. A B C D E èêàåÖóÄçàÖ éÚÓ·‡Ê‡ÂÏ˚ ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÔÓË„˚‚‡ÂÏÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ÔÂÒÌÂ Ë „ÂÌÂËÛ˛ÚÒfl ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ‚ ‡θÌÓÏ ‚ÂÏÂÌË. èÓ˝ÚÓÏÛ ‚̯ÌËÈ ‚ˉ ÔÓÎۘ˂¯ÂÈÒfl ‚ ËÚÓ„Â Ô‡ÚËÚÛ˚ ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ Ô‡ÚËÚÛ˚ ÚÓÈ Ê ÔÂÒÌË, ÍÓÚÓÛ˛ ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ χ„‡ÁËÌÂ. ê‡Á΢Ëfl ÓÒÓ·ÂÌÌÓ Á‡ÏÂÚÌ˚ ÔË Ò‡‚ÌÂÌËË ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË ‰ÎËÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÍÓÓÚÍËı ÌÓÚ. 3 ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÓÚÓ·‡ÊÂÌË ԇÚËË Î‚ÓÈ ÛÍË. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Á̇˜ÂÌËfl ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ ˝ÚÓÚ Ô‡‡ÏÂÚ ÏÓÊÂÚ ·˚Ú¸ ̉ÓÒÚÛÔÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ë̉Ë͇ÚÓ Ì‡ ˝Í‡Ì ·Û‰ÂÚ ÒÂ˚Ï. ÖÒÎË Ô‡‡ÏÂÚ Ì‰ÓÒÚÛÔÂÌ, ÚÓ ‚˚ ÏÓÊÂÚ ÔÂÂÈÚË Í ˝Í‡ÌÛ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË (detailed setting) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [8▲▼] Ë Á‡‰‡Ú¸ Ô‡‡ÏÂÚ LEFT CH ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, Á‡ ËÒÍβ˜ÂÌËÂÏ Í‡Ì‡Î‡ AUTO. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ˝Í‡Ì SONG SETTING ËÁ ÏÂÌ˛ Function (ÒÚ. 140) Ë Á‡‰‡Ú¸ Ô‡‡ÏÂÚ TRACK 2 ‰Îfl ‚ÒÂı ͇̇ÎÓ‚, ÍÓÏ ͇̇· OFF. èêàåÖóÄçàÖ çÂÍÓÚÓ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÂÒÂÌ ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í Ì‡Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ». íÂÏÔ, ËÚÏ, ‡ÁÏÂ Ë Ô‡ÚËÚÛ‡ Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÂÔ‡‚ËθÌÓ. èêàåÖóÄçàÖ 1 2 3 4 5 6 ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÓÚÓ·‡ÊÂÌË ԇÚËË Ô‡‚ÓÈ ÛÍË. ÖÒÎË Ì‡ ˝Í‡Ì SONG SETTING (ÒÚ. 140) Ô‚ÓÈ ‰ÓÓÊÍ ([TRACK1] ) ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË [OFF], Ô‚˚È Í‡Ì‡Î ‚˚·Ë‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. äÌÓÔÍË ‚Íβ˜ÂÌËfl/ÓÚÍβ˜ÂÌËfl ÔÓ͇Á‡ ÚÂÍÒÚ‡. ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl. ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÔÓ͇Á ‡ÍÍÓ‰Ó‚. ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı, ÓÌË Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl. ÇÍβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ÔÓ͇Á‡ ̇Á‚‡ÌËfl ÌÓÚ˚ (‚˚ÒÓÚ˚ Á‚Û͇). ᇉ‡ÂÚ ‡Á¯ÂÌË ˝Í‡Ì‡ (χүڇ· ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËÚÛ˚). ê‡Á¯ÂÌËfl ‚˚·Ë‡˛ÚÒfl ‚ ÒÎÂ‰Û˛˘ÂÏ ÔÓfl‰ÍÂ: X-LARGE (Extra Large), LARGE, MEDIUM Ë SMALL. Ç˚ÁÓ‚ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ô‡ÚËÚÛ˚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ. 7 8 ç‚ÓÁÏÓÊÌÓ ÓÚÍβ˜ËÚ¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ ˜‡ÒÚË [RIGHT] Ë [LEFT]. èêàåÖóÄçàÖ ç‡Á‚‡ÌË ÌÓÚ˚ Û͇Á˚‚‡ÂÚÒfl Ò΂‡ ÓÚ Â ËÁÓ·‡ÊÂÌËfl. ÖÒÎË ‡ÒÒÚÓflÌË ÏÂÊ‰Û ÌÓÚ‡ÏË ÒÎ˯ÍÓÏ Ï‡ÎÓ, ̇Á‚‡ÌË ÌÓÚ˚ ÏÓÊÂÚ ·˚Ú¸ ‚˚‚‰ÂÌÓ Ò΂‡ ̇‰ ÌÓÚÓÈ. èêàåÖóÄçàÖ óÂÏ ·Óθ¯Â ̇ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ‡Á΢ÌÓÈ ‰ÓÔÓÎÌËÚÂθÌÓÈ ËÌÙÓχˆËË (̇Á‚‡ÌËÈ ˜‡ÒÚÂÈ Ë ‡ÍÍÓ‰Ó‚, ÚÂÍÒÚ‡ ÔÂÒÌË Ë Ú.‰.), ÚÂÏ ÏÂ̸¯Â ÛÏ¢‡ÂÚÒfl ̇ ÌÂÏ Ú‡ÍÚÓ‚. èêàåÖóÄçàÖ ÖÒÎË ÌÓÚ˚ Ë Á̇ÍË ‡Î¸Ú‡ˆËË (‰ËÂÁ˚ Ë ·ÂÏÓÎË) Ì ÔÓÏ¢‡˛ÚÒfl ‚ fl‰, ÚÓ ÓÌË ÔÂÂÌÓÒflÚÒfl ‚ Ô‚˚È Ú‡ÍÚ ÒÎÂ‰Û˛˘ÂÈ ÒÚÓÍË, ̇˜Ë̇fl Ò Ò‰ËÌ˚ Ú‡ÍÚ‡. èêàåÖóÄçàÖ îÛÌ͈ËË Ô‡ÚËÚÛ˚ Ì ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË ÔÛÚÂÏ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ. 낉ÂÌËfl Ó ÒÓÁ‰‡ÌËË ÔÂÒÂÌ Ô˂‰ÂÌ˚ ̇ ÒÚ. 101. 84 CVP-210/208 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË íÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚ èêàåÖóÄçàÖ äÓ„‰‡ Ô‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË («LEFT» Ë «RIGHT») ̇Á̇˜ÂÌ˚ Ó‰ÌÓÏÛ Ë ÚÓÏÛ Ê ͇̇ÎÛ, Ô‡ÚËÚÛ‡ ̇ ˝Í‡Ì ÒÚ‡ÌÓ‚ËÚÒfl ÔÓıÓʇ ̇ ÙÓÚÂÔˇÌÌÛ˛ (‰‚‡ ÌÓÚÌ˚ı Òڇ̇). 1 2 3 4 5 6 7 8 ■ [1▲▼] LEFT CH / [2▲▼] RIGHT CH äÌÓÔÍË Ì‡ÒÚÓÈÍË ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó Í‡Ì‡ÎÓ‚ (‰Îfl Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ). èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ÔÓ ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË AUTO. AUTO ................................ ä‡Ì‡Î˚ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ô‡ÚËflÏ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ‡‚ÚÓχÚ˘ÂÒÍË. è‡ÚËË ‡ÒÔÓ·„‡˛ÚÒfl ÔÓ Í‡Ì‡Î‡Ï, Û͇Á‡ÌÌ˚Ï Ì‡ ˝Í‡Ì SONG SETTING ÏÂÌ˛ Function (ÒÚ. 140). 1-16 ................................... è‡ÚËfl ÔË‚flÁ˚‚‡ÂÚÒfl Í ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (Ò ÔÂ‚Ó„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È). OFF (ÚÓθÍÓ LEFT CH) ... èËÒ‚ÓÂÌË ͇̇· ÓÚÒÛÚÒÚ‚ÛÂÚ. ■ [3▲▼], [4▲▼] KEY SIGNATURE ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÓ̇θÌÓÒÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ, „‰Â ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇. ùÚÓ ÏÂÌ˛ ÔÓÎÂÁÌÓ ‚ ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚·‡Ì̇fl ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÂÍ ÚÓ̇θÌÓÒÚË ‰Îfl ‚˚‚Ó‰‡ ̇ ˝Í‡Ì. ëÔËÒÓÍ Íβ˜Â‚˚ı Á̇ÍÓ‚ ‰Îfl χÊÓÌ˚ı ÚÓ̇θÌÓÒÚÂÈ ÒÓ Á͇̇ÏË ‡Î¸Ú‡ˆËË Ë Ô‡‡ÎÎÂθÌ˚ÏË ÏËÌÓÌ˚ÏË ÚÓ̇θÌÓÒÚflÏË Ô˂‰ÂÌ ÌËÊÂ. äβ˜Ë Ë Á̇ÍË ‡Î¸Ú‡ˆËË C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min) C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min) çÓÚ‡ Û͇Á˚‚‡ÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ï‡ÊÓÌÓÈ ÚÓ̇θÌÓÒÚË, ‡ C Maj (A min) – ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÈ ÏËÌÓÌÓÈ ÚÓ̇θÌÓÒÚË. ■ [5▲▼] QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl) 臇ÏÂÚ˚ Í‚‡ÌÚËÁ‡ˆËË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡‚‡Ú¸ ÌÓÚÌÓ ‡Á¯ÂÌË ԇÚËÚÛ˚. ùÚÓ ÓÁ̇˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ò‰‚Ë„‡Ú¸ ËÎË ÍÓÂÍÚËÓ‚‡Ú¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ÓÚÓ·‡Ê‡ÂÏ˚ı ÌÓÚ ‚ ˆÂÎflı ‚˚‡‚ÌË‚‡ÌËfl Ô‡ÚËÚÛ˚. á̇˜ÂÌË ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÏËÌËχθÌÓÈ ‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ÔÂÒÌÂ. LJˇÌÚ˚ ÌÓÚÌÓ„Ó ‡Á¯ÂÌËfl: èêàåÖóÄçàÖ äÓÓÚÍË ÌÓÚ˚ Ë ÏÂÎËÁÏ˚ (ÚÂÎË, Ùӯ·„Ë, ÙËÓËÚÛ˚) Ò ‰ÎËÚÂθÌÓÒÚ¸˛ ÏÂ̸¯ÂÈ, ˜ÂÏ ÌÓÚÌÓ ‡Á¯ÂÌË (̇ËÏÂ̸¯‡fl ‰ÎËÚÂθÌÓÒÚ¸ ÓÚÓ·‡Ê‡ÂÏÓÈ ÌÓÚ˚), ·Û‰ÛÚ ÓÚÒÛÚÒÚ‚Ó‚‡Ú¸ ‚ Ô‡ÚËÚÛÂ. 1/4, 1/8, 1/16, 1/32, ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÂÈ, ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı, ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı, ÚËÓθ ËÁ Úˉˆ‡Ú¸ ‚ÚÓ˚ı CVP-210/208 85 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ■ [6▲▼] NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚) Ç˚·ÂËÚ ӉËÌ ËÁ ÚÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ˚ ÔË ‚Íβ˜ÂÌÌÓÏ ÂÊËÏ «NOTE» (ÒÚ. 84). ABC................................................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B). Fixed Do ........................................... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ, ÍÓÚÓ˚ Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓ„Ó flÁ˚͇ (ÒÚ. 53). ÄÌ„ÎËÈÒÍËÈ ...........Do Re Mi Fa Sol La Si î‡ÌˆÛÁÒÍËÈ ........Ut Re Mi Fa Sol La Si àڇθflÌÒÍËÈ .........Do Re Mi Fa Sol La Si çÂψÍËÈ...............Do Re Mi Fa Sol La Si àÒÔ‡ÌÒÍËÈ .............Do re Mi Fa Sol La Si üÔÓÌÒÍËÈ ............... Movable Do (ÔÓ‰‚ËÊÌÓ «‰Ó»)..... ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ÔËÌflÚ˚ı ‚ ÒÓθÙ‰ÊËÓ Ó·ÓÁ̇˜ÂÌËÈ Ë Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓÈ ÚÓ̇θÌÓÒÚË. éÒÌÓ‚ÌÓÈ ÚÓÌ Ó·ÓÁ̇˜‡ÂÚÒfl Í‡Í «‰Ó». ç‡ÔËÏÂ, ‚ ÚÓ̇θÌÓÒÚË ÒÓθ-χÊÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓθ» ·Û‰ÂÚ ÛÒÎÓ‚ÌÓ Ì‡Á˚‚‡Ú¸Òfl «‰Ó». ä‡Í Ë ‚ ÒÎÛ˜‡Â Ò ‚‡Ë‡ÌÚÓÏ «Fixed Do», Ó·ÓÁ̇˜ÂÌËfl ÌÓÚ Á‡‚ËÒflÚ ÓÚ ‚˚·‡ÌÌÓ„Ó flÁ˚͇. ■ [7▲▼] COLOR NOTE ÖÒÎË Á‡‰‡Ì ˝ÚÓÚ Ô‡‡ÏÂÚ, ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‡ÁÌÓˆ‚ÂÚÌ˚ÏË («‰Ó» — ͇ÒÌÓÂ, «Â» — ÊÂÎÚÓÂ, «ÏË» — ÁÂÎÂÌÓÂ, «Ù‡» — Ó‡ÌÊ‚ÓÂ, «ÒÓθ» — ÒËÌÂÂ, «Îfl» — ÙËÓÎÂÚÓ‚ÓÂ Ë «ÒË» — ·ÂÎÓÂ). ■ [8▲] OK ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË Ë Á‡ÔÛÒ͇ ÔÓˆÂÒÒ‡ ÒÓÁ‰‡ÌËfl Ô‡ÚËÚÛ˚. íÛ Ê ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË. ■ [8▼] CANCEL (ÓÚÏÂ̇) ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl Á‡Í˚ÚËfl ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ·ÂÁ ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚. íÛ Ê ÓÔ‡ˆË˛ ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [ENTER] ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË. 86 CVP-210/208 èêàåÖóÄçàÖ èÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ÒÚ‡Ìˈ˚ ˝Í‡Ì‡ Í ‰Û„ÓÈ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎË (ÒÚ. 142). ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË éÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÓ·‡Ê‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ‚Ó ‚ÂÏfl  ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ˜ÚÓ·˚ ‚˚ ÏÓ„ÎË Ì‡Ô‚‡Ú¸ ÂÂ, Ì ÓÚ‚ÎÂ͇flÒ¸ ÓÚ Ë„˚. èêàåÖóÄçàÖ 1 2 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80). íÂÍÒÚ ÔÂÒÌË ÓÚÓ·‡Ê‡ÂÚÒfl ̇ flÁ˚Í ÓË„Ë̇·. ÖÒÎË ÚÂÍÒÚ ËÒ͇ÊÂÌ ËÎË ÌÂÛ‰Ó·Ó˜ËÚ‡ÂÏ, ‚˚ ÏÓÊÂÚ ËÒÔ‡‚ËÚ¸ „Ó, ËÁÏÂÌË‚ Ô‡‡ÏÂÚ «LYRICS LANGUAGE» ̇ ˝Í‡Ì SONG SETTING (ÒÚ. 140). A B C D E 3 èêàåÖóÄçàÖ ÖÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Û͇Á‡Ì ˆ‚ÂÚ ÙÓ̇, ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ BACK GROUND ÌÂθÁfl. èêàåÖóÄçàÖ ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl. Ç˚·ÂËÚ ̇ÒÚÓÈÍÛ BACK GROUND. èêàåÖóÄçàÖ 4 REC NEW SONG TOP START / STOP REW FF REPEAT ÖÒÎË ‚˚·‡Ì̇fl ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı, ̇Á‚‡ÌËfl ‡ÍÍÓ‰Ó‚ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÚÂÍÒÚÓÏ ÔÂÒÌË. GUIDE SYNC.START èêàåÖóÄçàÖ ëÚÓÍË ÚÂÍÒÚ‡ Ú‡ÍÊ ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡Ì ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÂ΂ËÁÓ‡ (ÒÚ. 147, 156). á‡ÔÛÒÚËÚ ÔÂÒÌ˛. 5 ñ‚ÂÚ ÒÚÓÍ ÚÂÍÒÚ‡ ËÁÏÂÌflÂÚÒfl ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. END REC TOP START / STOP REW FF REPEAT GUIDE èêàåÖóÄçàÖ NEW SONG íÂÍÒÚ ÔÂÒÌË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ (ÒÚ. 112). SYNC.START éÒÚ‡Ìӂ͇ ÔÂÒÌË. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡ÌˈÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ EXIT . CVP-210/208 87 ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ – ˝ÚÓ ÏÓ˘ÌÓ Ò‰ÒÚ‚Ó Ì‡ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. ë Â„Ó ÔÓÏÓ˘¸˛ ‚˚ ÏÓÊÂÚ ‚˚·Ë‡Ú¸ Ú·ÛÂÏ˚ ÚÂÏ·˚ ÒÚËÎË, Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, ‡ Á‡ÚÂÏ ÒÓı‡ÌflÚ¸ ‚Ò ˝ÚË ‰‡ÌÌ˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. ÇÔÓÒΉÒÚ‚ËË ‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ ÔÓÚ·ÛÂÚÒfl Á‡‰‡Ú¸ ˝ÚÓÚ Ì‡·Ó Ô‡‡ÏÂÚÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ ·Û‰ÂÚ Î˯¸ ̇ʇڸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY („ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸). METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO F B G LAYER C H LEFT D I HELP TAP TEMPO REGISTRATION MEMORY FADE IN OUT REC TOP START STOP REW FF GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS FREEZE 1 MAX 2 TEMPO 3 DIGITAL STUDIO TRANSPOSE 4 TAP TEMPO 5 6 RESET RESET AUTO FILL IN BREAK INTRO ENDING rit. MAIN 7 SOUND CREATOR E 8 MEMORY USER SYNC.STOP SYNC.START START STOP 1 2 3 4 J PIANO DATA ENTRY MIXING CONSOLE OTS LINK ONE TOCTH SETTING MUSIC FINDER DIGITAL RECORDING STYLE ACMP ORGAN FLUTES FUNCTION ENTER MIN FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 ê„ËÒÚ‡ˆËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ – „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl Ôӈ‰ۇ „ËÒÚ‡ˆËË (Á‡ÍÂÔÎÂÌËfl ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Á‡ ÍÌÓÔ͇ÏË REGISTRATION MEMORY). ᇉ‡ÈÚ β·˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, Ë Â„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ «Á‡ÔÓÏÌËÚ» Ëı. 1 èêàåÖóÄçàÖ àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÂÒÌË ËÎË ÒÚËÎË, ı‡Ìfl˘ËÂÒfl ̇ ‰ËÒÍÂÚÂ, Ì‚ÓÁÏÓÊÌÓ «Á‡ÔÓÏÌËÚ¸» Ú‡ÍËÏ Ó·‡ÁÓÏ. ÖÒÎË ‚˚ ıÓÚËÚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ÔÂÒÌ˛ ËÎË ÒÚËθ, ÔÂÂÌÂÒËÚ ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER ̇ ˝Í‡Ì SONG/STYLE (ÒÚ. 40) Ë Á‡Â„ËÒÚËÛÈÚ Ëı ÔÓ ÓÚ‰ÂθÌÓÒÚË. ᇉ‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Ô˂‰ÂÌ˚ ‚ Ò·ÓÌËÍ ڇ·Îˈ (퇷Îˈ‡ Ô‡‡ÏÂÚÓ‚). REGISTRATION MEMORY 2 FREEZE 1 2 3 4 5 6 7 8 MEMORY 3 Ç˚·ÂËÚ „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ Ú·ÛÂÚÒfl ̇ÒÚÓËÚ¸ Ë ÒÓı‡ÌËÚ¸. ÑÎfl ÔÂÂıÓ‰‡ ÓÚ Ó‰ÌÓÈ „ÛÔÔ˚ Í ‰Û„ÓÈ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ „ÛÔÔÛ Ô‡‡ÏÂÚÓ‚, ÔÓÒÚ‡‚¸Ú fl‰ÓÏ Ò ÌÂÈ „‡ÎÓ˜ÍÛ. 臇ÏÂÚ˚, Á‡‰‡ÌÌ˚ ‰Îfl „ÛÔÔ, Ì ÔÓϘÂÌÌ˚ı „‡ÎӘ͇ÏË, Ì ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ ‚ˉ هÈ· ̇·Ó‡ Ô‡‡ÏÂÚÓ‚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌflÚ¸ ÓÔ‰ÂÎÂÌÌ˚ ̇ÒÚÓÈÍË ‰‡Ê ÔË ÒÏÂÌ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ‚ÁflÚ˚ı ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ë ÚÓÈ Ê ˆÂθ˛ ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Freeze («Á‡ÏÓÓÁËÚ¸») (ÒÚ. 90), ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ Ë„ÌÓËÓ‚‡Ú¸ ËÁÏÂÌÂÌËfl „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÓÚÌÓÒfl˘ËÂÒfl Í «Á‡ÏÓÓÊÂÌÌ˚Ï» Ô‡‡ÏÂÚ‡Ï. END F G H I J äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË. íÓ Ê ҇ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER]. 1 2 3 4 5 6 7 äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. íÓ Ê ҇ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENTER]. 8 óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ӉÌÛ ËÁ ËÁÓ·‡ÊÂÌÌ˚ı ÌËÊ ÍÌÓÔÓÍ. REGISTRATION MEMORY FREEZE 1 2 3 4 5 6 7 8 MEMORY áÂÎÂÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì, ÌÓ Ì ‚˚·‡Ì. ä‡ÒÌ˚È Ò‚ÂÚÓ‰ËÓ‰ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Á‡Â„ËÒÚËÓ‚‡Ì Ë ‚˚·‡Ì. ë‚ÂÚÓ‰ËÓ‰ Ì „ÓËÚ ........... ç‡·Ó Ô‡‡ÏÂÚÓ‚ Ì Á‡Â„ËÒÚËÓ‚‡Ì. ëÏ. ËÌÙÓχˆË˛ Ó ÒÓı‡ÌÂÌËË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ì‡ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌˈÂ. 88 äÌÓÔ͇ ÓÚÏÂÌ˚ „ËÒÚ‡ˆËË Ë ÔÂÂıÓ‰‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ. ÑÎfl ˝ÚÓ„Ó ÏÓÊÌÓ Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔÍÓÈ [EXIT]. CVP-210/208 ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ëÓı‡ÌÂÌË ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ç‡·Ó Ô‡‡ÏÂÚÓ‚, Á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1] - [8], ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·. èêàåÖóÄçàÖ á‡ÍÂÔÎÂÌÌ˚È Á‡ ͇ʉÓÈ ËÁ ÍÌÓÔÓÍ [1] [8] ̇·Ó Ô‡‡ÏÂÚÓ‚ ̇Á˚‚‡ÂÚÒfl «·‡ÌÍÓÏ». î‡ÈÎ˚ „ËÒÚ‡ˆËÓÌÌ˚ı ·‡ÌÍÓ‚ ÒΉÛÂÚ ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË «USER» ËÎË «FLOPPY DISK» ËÎË Ì‡ ‰ËÒÍÂÚÂ. BANK 01 ç Á‡·˚‚‡ÈÚÂ, ˜ÚÓ ‡ÁÏ هÈ· ‚ „ËÒÚ‡ˆËÓÌÌÓÏ ·‡ÌÍ (‡ Á̇˜ËÚ, Ë Ó·˙ÂÏ Á‡ÌËχÂÏÓÈ ËÏ Ô‡ÏflÚË) Á‡‚ËÒËÚ ÓÚ ˜ËÒ· Á‡‰‡‚‡ÂÏ˚ı ÙÛÌ͈ËÈ. èêàåÖóÄçàÖ 1 F óÚÓ·˚ ÔÂÂÈÚË Í „·‚ÌÓÏÛ ˝Í‡ÌÛ, Ò̇˜‡Î‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ – ÍÌÓÔÍÛ [EXIT]. G H I J 2 ëÓı‡ÌËÚ ̇·Ó Ô‡‡ÏÂÚÓ‚ ‚ ‚ˉ ‰ËÌÓ„Ó Ù‡È· „ËÒÚ‡ˆËÓÌÌÓ„Ó ·‡Ì͇ (ÒÚ. 48). èÓfl‚ËÚÒfl ˝Í‡Ì REGISTRATION EDIT. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ ˝Í‡Ì Ô˂‰ÂÌ˚ ÌËÊÂ. 1 2 3 4 5 6 7 8 ùÍ‡Ì REGISTRATION EDIT ëÓ‰ÂÊËÏÓ ÚÂÍÛ˘Â„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (REGIST.) ‚˚‚Ó‰ËÚÒfl ̇ ˝Í‡Ì REGISTRATION EDIT. ç‡Á‚‡ÌËfl ÒÓı‡ÌÂÌÌ˚ı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ÓÚÓ·‡Ê‡˛ÚÒfl ̇ ˝Í‡ÌÂ. ë‚ÂÚÓ‰ËÓ‰˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ REGISTRATION MEMORY ÒÚ‡ÌÓ‚flÚÒfl ÁÂÎÂÌ˚ÏË. ç‡ ˝ÚÓÏ ˝Í‡Ì ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸, Û‰‡ÎËÚ¸ ̇·Ó Ô‡‡ÏÂÚÓ‚ ËÎË Ì‡Á̇˜ËÚ¸ ÂÏÛ ËÏfl. Ç˚·Ó .......................... ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A] - [J]. äÌÓÔÍË REGISTRATION MEMORY [1] - [8] Ò‚flÁ‡Ì˚ Ò ˝Í‡ÌÓÏ REGIST. èË ‚˚·Ó ӉÌÓ„Ó ËÁ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÂÏÛ ÍÌÓÔÍÓÈ ÒÚ‡ÌÓ‚ËÚÒfl ͇ÒÌ˚Ï. ç‡Á̇˜ÂÌË ËÏÂÌË..... èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«Ç˚·Ó ËÏÂÌ ‰Îfl Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 45) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË: Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı». 쉇ÎÂÌË ..................... èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ‚˚ÔÓÎÌÂÌËË ˝ÚÓÈ ÓÔ‡ˆËË Ë‰ÂÌÚ˘̇ Ôӈ‰ÛÂ, ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂΠ«ì‰‡ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ» (ÒÚ. 47) „·‚˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË: Ó„‡ÌËÁ‡ˆËfl ‰‡ÌÌ˚ı». èÓÒΠ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Name/Delete (ÔËÒ‚ÓËÚ¸ ËÏfl/Û‰‡ÎËÚ¸) ‚ÂÌËÚÂÒ¸ ̇ ˝Í‡Ì REGISTRATION BANK Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8▼] (UP), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. CVP-210/208 89 ëÓı‡ÌÂÌËÂ Ë Á‡„ÛÁ͇ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚: „ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ᇄÛÁ͇ ̇·Ó‡ Ô‡‡ÏÂÚÓ‚ åÓÊÌÓ Á‡„ÛÁËÚ¸ Í‡Í ‚ÂÒ¸ ̇·Ó ̇ÒÚÓÂÍ, Ú‡Í Ë ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚. ç‡ÔËÏÂ, ÔË ÒÌflÚËË „‡ÎÓ˜ÍË Ò „ÛÔÔ˚ «STYLE» ̇ ˝Í‡Ì REGISTRATION MEMORY, ÚÂÍÛ˘ËÈ ÒÚËθ Ì ËÁÏÂÌËÚÒfl, ‰‡Ê ÂÒÎË Á‡„ÛÁËÚ¸ ÌÓ‚˚È ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ᇄÛÁ͇ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ Ì‡ ˝Í‡Ì REGISTRATION BANK (ÒÚ. 89). óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï). èêàåÖóÄçàÖ ëÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡„Ûʇڸ ÌÂÒÍÓθÍÓ Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ‚ β·ÓÏ ÔÓfl‰ÍÂ. ÅÛ‰Û˜Ë Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ÏË, ·‡ÌÍË 1 - 8 ÏÓ„ÛÚ ·˚Ú¸ ÔÓÒΉӂ‡ÚÂθÌÓ ‚˚Á‚‡Ì˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK][NEXT] ËÎË Ô‰‡ÎË (ÒÚ. 145). REGISTRATION MEMORY FREEZE 1 2 3 4 5 6 7 8 MEMORY Ç˚·Ó Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» 1 2 MENU DEMO HELP FUNCTION èÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ «FREEZE» ˝Í‡Ì‡ REGIST.SEQUENCE/ FREEZE/VOICE SET (ÒÚ. 145). äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË „‡ÎÓ˜ÍË. 1 2 3 4 5 6 7 8 äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ «Á‡ÏÓÓÁÍË» 3 äÌÓÔ͇ Û‰‡ÎÂÌËfl „‡ÎÓ˜ÍË. ç‡ÊÏËÚ ÍÌÓÔÍÛ [FREEZE]. ÖÒÎË ÂÊËÏ «Á‡ÏÓÓÁÍË» ‚Íβ˜ÂÌ („ÓËÚ Ò‚ÂÚÓ‰ËÓ‰ fl‰ÓÏ Ò ÍÌÓÔÍÓÈ FREEZE), ÚÓ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, Û͇Á‡ÌÌ˚ı ̇ ÒÚ‡Ìˈ «Freeze», ÓÒÚ‡ÌÛÚÒfl ÌÂÚÓÌÛÚ˚ÏË ‰‡Ê ÔË ÒÏÂÌ ·‡ÌÍÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. REGISTRATION MEMORY 1 FREEZE 4 2 3 4 5 6 7 8 MEMORY óÚÓ·˚ Á‡„ÛÁËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY (Ò‚ÂÚÓ‰ËÓ‰ ̇‰ ÌÂÈ ‰ÓÎÊÂÌ ·˚Ú¸ ÁÂÎÂÌ˚Ï). REGISTRATION MEMORY FREEZE 90 CVP-210/208 1 2 3 4 5 6 7 8 MEMORY ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËfl ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ Ëϲ˘ËıÒfl ÚÂÏ·Ó‚. èÓÒΠÒÓÁ‰‡ÌËfl ÚÂÏ·‡ Â„Ó ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË USER ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO F B G LAYER C H LEFT MASTER VOLUME HELP TAP TEMPO FADE IN OUT REC TOP START STOP REW FF GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET ENDING rit. MAIN I E J MUSIC FINDER ONE TOCTH SETTING 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP D SYNC.STOP SYNC.START START STOP OTS LINK 2 3 4 PIANO DATA ENTRY MIXING CONSOLE 1 FREEZE 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART SOUND CREATOR DIRECT ACCESS 1 2 3 4 5 6 7 8 èêàåÖóÄçàÖ • íÂÏ· ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË, Ì ÔÂ˚‚‡fl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË/ÒÚËÎfl. • àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔË ÓÔ‰ÂÎÂÌÌ˚ı Ô‚Ó̇˜‡Î¸Ì˚ı ̇ÒÚÓÈ͇ı ÚÂÏ·‡ „ÛÎËӂ͇ Â„Ó Ô‡‡ÏÂÚÓ‚ ÏÓÊÂÚ Ò΄͇ ÓڇʇڸÒfl ̇ Ù‡ÍÚ˘ÂÒÍÓÏ Á‚Û˜‡ÌËË ÚÂÏ·‡. EXIT èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ 1 2 óÚÓ·˚ ‚˚·‡Ú¸ Ô‡Ú˲ (MAIN, LAYER ËÎË LEFT), ÒÓ‰Âʇ˘Û˛ ËÒıÓ‰Ì˚È ÚÂÏ·, ̇ÊÏËÚ ÍÌÓÔÍÛ [F], [G] ËÎË [H]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [SOUND CREATOR]. DIGITAL STUDIO F SOUND CREATOR G H DIGITAL RECORDING I MIXING CONSOLE J PART 3 èêàåÖóÄçàÖ íÂÏ· ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ̇ ˝Í‡Ì SOUND CREATOR. ÇçàåÄçàÖ! ÖÒÎË Á‡ÏÂÌËÚ¸ ÚÂÏ· ‰‡ÍÚËÛÂÏÓÈ Ô‡ÚËË, ÚÓ Á‡‰‡ÌÌ˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ·Û‰ÛÚ ÛÚÂflÌ˚. LJÊÌ˚ ‰‡ÌÌ˚ ÒΉÛÂÚ ÒÓı‡ÌflÚ¸ ‚ ‡Á‰ÂΠԇÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÂ. éÚ‰‡ÍÚËÛÈÚ ԇ‡ÏÂÚ˚ ÚÂÏ·‡. èÓfl‰ÓÍ ËÒÔÓθÁÓ‚‡ÌËfl ‚˚·Ë‡ÂÏ˚ı ̇ ˝ÚÓÏ ˝Ú‡Ô ÙÛÌ͈ËÈ ‰ÂڇθÌÓ ËÁÎÓÊÂÌ Ì‡ ÒÚ. 93 (ÚÂÏ·˚ „ÛÔÔ˚ Natural/ Regular) Ë ÒÚ. 96 (Ó„‡ÌÌ˚ ÙÎÂÈÚ˚). Ç˚·ÂËÚ Ú·ÛÂÏÓ ÏÂÌ˛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [NEXT]/[BACK]. REGULAR VOICE NATURAL VOICE ORGAN FLUTES äÌÓÔÍË ‚˚·Ó‡ ÏÂÌ˛. Ç ‚˚·‡ÌÌÓÏ ÏÂÌ˛ ÙÓÌ ÒÚ‡ÌÓ‚ËÚÒfl ˜ÂÌ˚Ï, ‡ ·ÛÍ‚˚ – ·ÂÎ˚ÏË. á‰ÂÒ¸ ÓÚÓ·‡Ê‡˛ÚÒfl ‰ÓÒÚÛÔÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Ô‡‡ÏÂÚ˚. éÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ô‡‡ÏÂÚ‡Ï/Á̇˜ÂÌËflÏ, Û͇Á‡ÌÌ˚Ï ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. 4 Ç ÔÓˆÂÒÒ ‡·ÓÚ˚ ÏÓÊÌÓ Ò‡‚ÌË‚‡Ú¸ ËÒıÓ‰Ì˚È ÚÂÏ· Ò ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚Ï. ëÓı‡ÌËÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· ‚ ‡Á‰ÂΠԇÏflÚË USER (Flash ROM) ‚ ‚ˉ ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·‡ (User) (ÒÚ. 48). 5 ùÚ‡ ÍÌÓÔ͇ ÓÚÍ˚‚‡ÂÚ ˝Í‡Ì Save (Voice), Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‰‡ÍÚËÛÂÏ˚È ÚÂÏ· ‚ ‡Á‰ÂΠԇÏflÚË USER (ÒÚ. 48). óÚÓ·˚ ‚˚·‡Ú¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ·, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [USER]. CVP-210/208 91 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator 臇ÏÂÚ˚ SOUND CREATOR (íÂÏ·˚ „ÛÔÔ˚ Natural/Regular) PIANO éÔ‰ÂÎflÂÚ Ô‡‡ÏÂÚ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Á‚Û͇ÏË ÙÓÚÂÔˇÌÓ, Ú‡ÍËÂ Í‡Í ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ËÎË ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ. ùÚ‡ ÒÚ‡Ìˈ‡ ‰ÓÒÚÛÔ̇, ÚÓθÍÓ ÍÓ„‰‡ ‚˚·‡Ì ̇ÒÚÓfl˘ËÈ ÚÂÏ· ÙÓÚÂÔˇÌÓ. COMMON ᇉ‡˛ÚÒfl Ó·˚˜Ì˚ ԇ‡ÏÂÚ˚, ̇ÔËÏ „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ ËÎË ÓÍÚ‡‚‡. SOUND éÔ‰ÂÎflÂÚ Ô‡‡ÏÂÚ˚ ÚÂÏ·‡/ÙÛÌ͈ËË Envelope Generator („Â̇ÚÓ Ó„Ë·‡˛˘Ëı)/‚Ë·‡ÚÓ (íÓθÍÓ ÚÂÏ· „ÛÔÔ˚ Regular). EFFECT/EQ ᇉ‡˛ÚÒfl ÚËÔ/„ÎÛ·Ë̇ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Ë Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡. HARMONY ᇉ‡˛ÚÒfl Ô‡‡ÏÂÚ˚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡. èêàåÖóÄçàÖ ÑÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ‡Á΢‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚˚·‡ÌÌ˚Ï ÚËÔÓÏ ÚÂÏ·‡: Ó·˚˜Ì˚Ï (Regular) ËÎË èêàåÖóÄçàÖ ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ Ì‡ÒÚÓÈ͇ ÌÂÍÓÚÓ˚ı ËÁ ÒÛ˘ÂÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator ÔË‚Ó‰ËÚ ÚÓθÍÓ Í ËÁÏÂÌÂÌ˲ 臇ÏÂÚ˚ Ó„‡ÌÌ˚ı ÙÎÂÈÚ ÒÏ. ̇ ÒÚ. 96. è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ Ì ÚÓθÍÓ Ì‡ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl ÚÂÏ·Ó‚, ÌÓ Ë Ò ÔÓÏÓ˘¸˛ ‰Û„Ëı ˝Í‡ÌÓ‚. 臇ÏÂÚ ÄθÚÂ̇ÚË‚Ì˚È ˝Í‡Ì ̇ÒÚÓÈÍË MONO (ÏÓÌÓÙÓÌËfl) VOICE EFFECT (TOP PANEL (Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl)) ÒÚ. 62 PORTAMENTO TIME (‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ) MIXING CONSOLE ÒÚ. 125 LEFT PEDAL TYPE CONTROLLER (FUNCTION) ÒÚ. 142 LEFT PEDAL SETTING CONTROLLER (FUNCTION) ÒÚ. 142 FILTER BRIGHTNESS (ÙËÎ¸Ú «flÍÓÒÚË« ÚÂÏ·‡) MIXING CONSOLE ÒÚ. 125 FILTER HARMONIC CONTENT (ÙËÎ¸Ú „‡ÏÓÌËÍ) MIXING CONSOLE ÒÚ. 125 REVERB DEPTH (ÉÎÛ·Ë̇ ‚·‡ˆËË) MIXING CONSOLE ÒÚ. 126 CHORUS DEPTH (ÉÎÛ·Ë̇ ıÓÛÒ‡) MIXING CONSOLE ÒÚ. 126 DSP ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔÓˆÂÒÒÓ‡) VOICE EFFECT (TOP PANEL) ÒÚ. 61 DSP DEPTH (ÉÎÛ·Ë̇ ˆËÙÓ‚ÓÈ Ó·‡·ÓÚÍË Ò˄̇·) MIXING CONSOLE ÒÚ. 126 DSP TYPE/VARIATION (ÚËÔ Ó·‡·ÓÚÍË/‚‡Ë‡ˆËË) MIXING CONSOLE/VOICE EFFECT (TOP PANEL) ÒÚ. 61, 126 EQ LOW/GAIN (ÛÒËÎÂÌË ÌËÁÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 128 EQ HIGH/GAIN (ÛÒËÎÂÌË ‚˚ÒÓÍËı ˜‡ÒÚÓÚ) MIXING CONSOLE ÒÚ. 128 HARMONY/ECHO TYPE (ÚËÔ „‡ÏÓÌËÁ‡ˆËË/˝ı‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146 HARMONY/ECHO VOLUME („ÓÏÍÓÒÚ¸ ‰Ó·‡‚ÎÂÌÌÓ„Ó Ò˄̇·) HARMONY/ECHO (FUNCTION) ÒÚ. 146 HARMONY/ECHO SPEED (˜‡ÒÚÓÚ‡ „‡ÏÓÌËÁ‡ˆËË/‰Ó·‡‚ÎÂÌËfl ˝ı‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146 HARMONY/ECHO ASSIGN (‚‡Ë‡ÌÚ˚ ÔËÏÂÌÂÌËfl ˝ÙÙÂÍÚ‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146 HARMONY/ECHO CHORD NOTE ONLY (˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡ Á‡Ú‡„Ë‚‡ÂÚ ÚÓθÍÓ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡) HARMONY/ECHO (FUNCTION) ÒÚ. 146 HARMONY/ECHO TOUCH LIMIT (ÔÓÓ„ ÒËÎ˚ ̇ʇÚËfl) HARMONY/ECHO (FUNCTION) ÒÚ. 146 íÂÏ·˚ „ÛÔÔ˚ Natural Ë Regular Ç ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ‚ÒÚÓÂÌ˚ ‰‚‡ ‡Á΢Ì˚ı ËÒÚÓ˜ÌË͇ ‰Îfl ÚÓÌ-„Â̇ÚÓ‡: Natural Ë XG. àÒÚÓ˜ÌËÍ ‰Îfl ÚÓÌ-„Â̇ÚÓ‡ Natural Ë Â„Ó ÚÂÏ·Ó‚ Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ·Óθ¯Ó ÍÓ΢ÂÒÚ‚Ó Á‚Û˜‡ÌËÈ ËÌÚÒÛÏÂÌÚÓ‚, Ó·ÂÒÔ˜˂‡fl ·Óθ¯Û˛ Ë ‰ÂڇθÌÛ˛ ‚˚‡ÁËÚÂθÌÓÒÚ¸. àÒÚÓ˜ÌËÍ XG (ÔË‚Ó‰fl˘ËÈ ‚ ‰ÂÈÒÚ‚Ë ÚÂÏ·˚ „ÛÔÔ˚ Regular) Ó·ÂÒÔ˜˂‡ÂÚ Ï‡ÍÒËχθÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ë ˆÂÎÓÏÛ fl‰Û ÛÒÚÓÈÒÚ‚ Ë ÔÂÒÂÌ. èêàåÖóÄçàÖ íÂÏ·˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚Â Ò ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌË͇ XG, ‰ÂÎflÚÒfl ̇ ‰‚ „ÛÔÔ˚. é‰Ì‡ ËÁ ÌËı Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ËÒıÓ‰Ì˚È Ì‡·Ó ÚÂÏ·Ó‚ Clavinova (Cool!, Sweet!, Live!, Live!Drums, Organ Flutes), ‡ ‰Û„‡fl – Òڇ̉‡ÚÌ˚È Ì‡·Ó XG. å‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó ÚÂÏ·Ó‚ ÔÓÎËÙÓÌËË ‰Îfl Í‡Ê‰Ó„Ó ËÒÚÓ˜ÌË͇ ÚÓÌ-„Â̇ÚÓ‡ Á‡‰‡ÂÚÒfl ‰Îfl ̇ËÎÛ˜¯ÂÈ ÔÓÏÓ˘Ë ÔË ‚˚ÒÚÛÔÎÂÌËË. ÇÓ·˘ÂÏ, ÔÂÒÌË Ë ÒÚËÎË ÔÓË„˚‚‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ËÒÚÓ˜ÌË͇ XG, ‚ ÚÓ ‚ÂÏfl Í‡Í ÚÂÏ·˚ „ÛÔÔ˚ Natural ÔÓË„˚‚‡˛ÚÒfl Ò Í·‚ˇÚÛ˚, ÔÓÁ‚ÓÎflfl ‚‡Ï ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÚÂÏ·˚ „ÛÔÔ˚ Natural Ò ÔÓÎÌÓÈ ÔÓÎËÙÓÌËÂÈ, ‰‡Ê ÂÒÎË ÔÂÒÌfl Ë ÒÚËθ ‚˚ıÓ‰flÚ Á‡ Ô‰ÂÎ˚ ‰Ë‡Ô‡ÁÓ̇ ÔÓÎËÙÓÌËË. Natural! Cool! Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È») Clavinova-˝ÍÒÍβÁË‚Ì˚ ÚÂÏ·˚ * 92 Live! Live!Drums OrganFlutes! XG GM/XG-ÒÓ˜ÂÚ‡˛˘ËÂÒfl ÚÂÏ·˚ íÂÏ·˚ „ÛÔÔ˚ Natural (‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„Â̇ÚÓ‡) íÂÏ·˚ „ÛÔÔ˚ Regular (‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ËÒÚÓ˜ÌËÍÓÏ ÚÓÌ-„Â̇ÚÓ‡ XG) èÂËÏÛ˘ÂÒÚ‚ÂÌÌÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ ÑÎfl ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚, ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/ÒÚËÎfl* Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl, ÚÂÏ· „ÛÔÔ˚ Natural ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ͇˜ÂÒÚ‚Â ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. é·˚˜ÌÓ, ÔÂÒÌË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ò ÔÓÏÓ˘¸˛ ÚÂÏ·Ó‚ XG (ÒÚ. 163); ÚÂÏ Ì ÏÂÌÂÂ, ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ‡‚ÚÓχÚ˘ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ ÌÂÓ·˚˜‡ÈÌÓ Ì‡Ò˚˘ÂÌÌ˚ı Ë Â‡ÎËÒÚ˘Ì˚ı Á‚ÛÍÓ‚, ËÒÔÓθÁÛÂÏ˚ı ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 (ÒÚ. 124). CVP-210/208 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator PIANO (ÔË ‚˚·Ó ̇ÚۇθÌÓ„Ó ÚÂÏ·‡ ÙÓÚÂÔˇÌÓ) Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. èêàåÖóÄçàÖ éÔ‰ÂÎflÂÚ ÏÂÎӉ˘ÌÛ˛ ÍË‚Û˛, ‚ ÓÒÓ·ÂÌÌÓÒÚË ‰Îfl ÚÂÏ·Ó‚ ÙÓÚÂÔˇÌÓ. ÖÒÎË ‚‡Ï ͇ÊÂÚÒfl, ˜ÚÓ ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ Ì ÒÓ‚ÒÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÏÂÎӉ˘ÂÒÍËÏ ÍË‚˚Ï ‰Û„Ëı ÚÂÏ·Ó‚, ‚˚·ÂËÚ ̇ÒÚÓÈÍÛ «FLAT». STRETCH.....åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÒÔˆˇθÌÓ ‰Îfl ÙÓÚÂÔ¸flÌÓ FLAT.............åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl, ‚ ÍÓÚÓÓÈ ˜‡ÒÚÓÚ‡ Û‰‚‡Ë‚‡ÂÚÒfl ̇ ÓÍÚ‡‚Û ÔÓ ‚ÒÂÈ Í·‚ˇÚÛ ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl „ÛÎËÓ‚ÍË flÍÓÒÚË Á‚Û͇. ùÚ‡ ̇ÒÚÓÈ͇ Ó͇Á˚‚‡ÂÚ ‚ÎËflÌË ̇ ‚Ò ÚÂÏ·˚ „ÛÔÔ˚ Natural. ÖÒÎË ‚˚·‡Ì β·ÓÈ ËÁ ÚÂÏ·Ó‚, ÍÓÏ ̇ÚۇθÌÓ„Ó ÚÂÏ·‡ ÙÓÚÂÔˇÌÓ, Á‡‰‡ÈÚ Á̇˜ÂÌË ̇ ÒÚ‡Ìˈ EFFECT. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ̇ (ÒÚ. 95). ÑÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ‡Á΢‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‚˚·‡ÌÌ˚Ï ÚÂÏ·ÓÏ. éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÂÁÓ̇ÌÒ‡ ÒÚÛÌ˚. 1 2 3 4 5 6 7 8 éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÒÛÒÚÂÈÌÒ˝ÏÔÎËÓ‚‡ÌËfl ‰Îfl Ô‡‚ÓÈ Ô‰‡ÎË. é·˚˜Ì˚ ԇ‡ÏÂÚ˚ Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. ùÚË Ô‡‡ÏÂÚ˚ ˉÂÌÚ˘Ì˚ Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡Ì CONTROLLER. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 142. äÌÓÔÍË ÛÒÚ‡ÌÓ‚ÍË ‚ÂÏÂÌË ÔÓÚ‡ÏÂÌÚÓ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË (MAIN/LAYER/VOICE) (ÚÓθÍÓ ÚÂÏ· „ÛÔÔ˚ Regular) (ÒÚ. 125). äÌÓÔÍË Â„ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Â‰‡ÍÚËÛÂÏÓ„Ó ÚÂÏ·‡. éÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl Í·‚˯ (Á‡‚ËÒËÏÓÒÚ¸ „ÓÏÍÓÒÚË ÚÂÏ·‡ ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ Í·‚˯‡Ï). 0....... ìÓ‚Â̸ „ÓÏÍÓÒÚË ËÁÏÂÌflÂÚÒfl ‚ Á̇˜ËÚÂθÌ˚ı ԉ·ı ÔË Â‰‚‡ Á‡ÏÂÚÌÓÏ ËÁÏÂÌÂÌËË ÒËÎ˚ ̇ʇÚËfl. 64..... ä·‚ˇÚÛ‡ ‡„ËÛÂÚ Ì‡ ̇ʇÚË ӷ˚˜Ì˚Ï Ó·‡ÁÓÏ. 127... íÂÏ· Á‚Û˜ËÚ Ó‰Ë̇ÍÓ‚Ó „ÓÏÍÓ ÔË Î˛·ÓÈ ÒËΠ̇ʇÚËfl (ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË). äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ÔÓÎËÙÓÌ˘ÂÒÍËÏ Ë ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÂÊËÏÓÏ Á‚Û˜‡ÌËfl ÚÂÏ·‡ (ÚÓθÍÓ ÚÂÏ· „ÛÔÔ˚ Regular) (ÒÚ. 62). 1 2 3 4 5 6 7 8 äÌÓÔ͇ Ò‰‚Ë„‡ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡ ̇ ÓÍÚ‡‚Û(˚) ‚‚Âı ËÎË ‚ÌËÁ. ÖÒÎË ‚˚·‡Ì ÚÂÏ· ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ËÎË ˜‡ÒÚË ÒÎÓfl, Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ M/LYR. ÖÒÎË ‚˚·‡Ì ÚÂÏ· ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË, ÚÓ Á‡‰‡ÂÚÒfl Ô‡‡ÏÂÚ LEFT. SOUND (íÓθÍÓ ÚÂÏ· „ÛÔÔ˚ Regular) Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. äÌÓÔÍË Ì‡ÒÚÓÈÍË ÙËθڇ, „Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı (EG) Ë ‚Ë·‡ÚÓ (ÒÏ. ÌËÊÂ). 1 2 3 4 5 6 7 8 CVP-210/208 93 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator ■ FILTER 臇ÏÂÚ˚ ÙËθڇ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎË‚‡Ú¸ ËÎË «ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ. • BRIGHTNESS ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡Ì˘ÌÛ˛ ˜‡ÒÚÓÚÛ ËÎË ‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ (ÂÁÓ̇ÌÒ) ÙËθڇ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Â„Ó Á̇˜ÂÌËÂ, ÚÂÏ fl˜Â Á‚ÛÍ. ÉÓÏÍÓÒÚ¸ ó‡ÒÚÓÚ‡ ÒÂÁ‡ ó‡ÒÚÓÚ˚, ÔÓÔÛÒ͇ÂÏ˚ ÙËθÚÓÏ. • ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÍ éÔ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ÛÒËÎÂÌËfl Á‚Û͇ ̇ „‡Ì˘ÌÓÈ ˜‡ÒÚÓÚ ÙËθڇ, Á‡‰‡ÌÌÓÈ ‡Ì ԇ‡ÏÂÚÓÏ BRIGHTNESS (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚‡ÊÂÌÌ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ. èêàåÖóÄçàÖ îËÎ¸Ú Ì ÚÓθÍÓ ÏÓÊÂÚ Ôˉ‡Ú¸ ÚÂÏ·Û Ïfl„ÍÓÒÚ¸ ËÎË ÂÁÍÓÒÚ¸ – Â„Ó Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl «˝ÎÂÍÚÓÌÌ˚ı» ÒËÌÚÂÁ‡ÚÓÌ˚ı ˝ÙÙÂÍÚÓ‚. ó‡ÒÚÓÚ‡ (‚˚ÒÓÚ‡ Á‚Û͇) ÑˇԇÁÓÌ ÒÂÁ‡ ÉÓÏÍÓÒÚ¸ êÂÁÓ̇ÌÒ êÂÁÓ̇ÌÒ ó‡ÒÚÓÚ‡ (‚˚ÒÓÚ‡ Á‚Û͇) ■ EG („Â̇ÚÓ Ó„Ë·‡˛˘Ëı) àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ „Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı ‚ÎËflÂÚ Ì‡ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„Ë ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ — ̇ÔËÏÂ, ·˚ÒÚÛ˛ ‡Ú‡ÍÛ Ë ·˚ÒÚÓ Á‡ÚÛı‡ÌË ÔÂÍÛÒÒËÓÌÌ˚ı Á‚ÛÍÓ‚ Ë ‰ÎËÚÂθÌÓ Á‚Û˜‡ÌË ÙÓÚÂÔˇÌÓ, ÍÓ„‰‡ ̇ʇڇ Ô‡‚‡fl Ô‰‡Î¸. • ATTACK (‡Ú‡Í‡) ................................éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ ÔÓÒΠ̇ʇÚËfl Í·‚Ë¯Ë Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ‡Ú‡Í‡. • DECAY (Ô‚˘ÌÓ Á‡ÚÛı‡ÌËÂ) ....éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ÒÛÒÚÂÈ̇ („ÓÏÍÓÒÚ¸ ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ Á‡ÚÛı‡ÂÚ Á‚ÛÍ. ìÓ‚Â̸ Ò˄̇· ATTACK DECAY ä·‚˯‡ ̇ʇڇ • RELEASE (ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ) ...éÔ‰ÂÎflÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒΠÓÚÔÛÒ͇ÌËfl Í·‚˯Ë. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ˝ÚÓ ÔÓËÒıÓ‰ËÚ. ÇÂÏfl ä·‚˯‡ ÓÚÔÛ˘Â̇ èêàåÖóÄçàÖ óÂÏ ·Óθ¯Â Á̇˜ÂÌË ԇ‡ÏÂÚ‡ RELEASE, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl Ù‡Á‡ ÒÛÒÚÂÈ̇. ■ ÇË·‡ÚÓ • DEPTH („ÎÛ·Ë̇) ..............................ᇉ‡ÂÚ ÒÚÂÔÂ̸ ‚˚‡ÊÂÌÌÓÒÚË ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚‡ÊÂÌ ˝ÙÙÂÍÚ. • SPEED (ÔÂËÓ‰)................................ᇉ‡ÂÚ ÔÂËÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ (ÒÏ. ‰Ë‡„‡ÏÏÛ). • DELAY (Á‡‰ÂÊ͇) ...........................éÔ‰ÂÎflÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û Ì‡Ê‡ÚËÂÏ Ì‡ Í·‚Ë¯Û Ë Á‡ÔÛÒÍÓÏ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â ˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇. RELEASE èêàåÖóÄçàÖ ÇË·‡ÚÓ á‡ Ò˜ÂÚ ÔÂËӉ˘ÂÒÍÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ «‰ÓʇÌËfl». SPEED ìÓ‚Â̸ Ò˄̇· DEPTH DELAY ÇÂÏfl 94 CVP-210/208 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator ùÙÙÂÍÚ˚ Ë ˝Í‚‡Î‡ÈÁÂ Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. NATURAL VOICE éÔ‰ÂÎflÂÚ flÍÓÒÚ¸ ÚÓ̇, ÍÓ„‰‡ ‚˚·‡Ì ÚÂÏ· „ÛÔÔ˚ Natural. í‡ÍÊ ÏÓÊÌÓ Á‡‰‡Ú¸ Á̇˜ÂÌËfl ̇ ÒÚ‡Ìˈ PIANO (ÒÚ. 93), ÂÒÎË ‚˚·‡Ì ÚÂÏ· ÙÓÚÂÔˇÌÓ. • Metallic..... ÂÁÍËÈ ÏÂÚ‡Î΢ÂÒÍËÈ ÚÓÌ • Bright ....... Ò‚ÂÚÎ˚È ÚÓÌ • Normal...... Òڇ̉‡ÚÌ˚È ÚÓÌ • Mellow ...... Ïfl„ÍËÈ Ë ÒÔÓÍÓÈÌ˚È Á‚ÛÍ • Dark .......... ÚÂÏÌ˚È ÚÓÌ éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ (Reverb/Chorus/ DSP). ÖÒÎË ‚˚·‡Ì ÚÂÏ· „ÛÔÔ˚ Regular, ÚËÔ DSP Ë ˝ÙÙÂÍÚ ‚‡Ë‡ˆËË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ‚ ‰‚Ûı ‡Á΢Ì˚ı ÏÂÌ˛. ëÚÛÍÚÛÌ˚ ÒıÂÏ˚ ÔÓıÓʉÂÌËfl Ó·‡·‡Ú˚‚‡ÂÏÓ„Ó ˝ÙÙÂÍÚ‡ÏË Ò˄̇· Ô˂‰ÂÌ˚ ̇ ÒÚ. 129; Ô˜Â̸ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚ ÒÓ‰ÂÊËÚÒfl ‚ Ò·ÓÌËÍ ڇ·Îˈ. èêàåÖóÄçàÖ ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸, ·Û‰ÂÚ ÎË ÔӉ΂‡Ú¸Òfl Á‚ÛÍ ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇ Í·‚ˇÚÛ (Ô‡‡ÏÂÚ «PIANO LIKE»), ËÎË Á‚ÛÍ ·Û‰ÂÚ ÔӉ΂‡Ú¸Òfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‡‚Û˛ Ô‰‡Î¸, Í‡Í ÔË Ë„Â Ì‡ ̇ÒÚÓfl˘ÂÏ ‚Ë·ÓÙÓÌ (Ô‡‡ÏÂÚ «NORMAL») (ÚÓθÍÓ ‰Îfl ÚÂÏ·‡ Vibraphone). ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê Óθ, ˜ÚÓ Ë ‚ ÍÓÌÒÓÎË ÏËͯ‡ (ÒÏ. ÒÚ. 126). íÂÏ· „ÛÔÔ˚ Regular • ÖÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡ ˝ÙÙÂÍÚ‡ Brilliance ‚˚·‡Ú¸ [Bright] ËÎË [Metallic], „ÓÏÍÓÒÚ¸ Ò΄͇ Û‚Â΢ËÚÒfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, Û‚Â΢ÂÌË ӷ˘ÂÈ „ÓÏÍÓÒÚË [MASTER VOLUME] ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌ˲ ÍÓÌÚ‡ÍÚ‡. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÛÏÂ̸¯ËÚ „ÓÏÍÓÒÚ¸. • 臇ÏÂÚ «SPEED» ‰Ó·‡‚ÎflÂÚÒfl, ÂÒÎË ‚˚·‡Ì ÚËÔ VIBE ROTOR DSP. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ, ÂÒÎË ‚˚·‡Ì ÚÂÏ· Vibraphone, ‚ÓÒÒÓÁ‰‡˛˘ËÈ ˝ÙÙÂÍÚ Ô‰‡ÎË vibe rotor. éÔ‰ÂÎflÂÚ ˜‡ÒÚÓÚÛ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. ùÚË ÍÌÓÔÍË ‚˚ÔÓÎÌfl˛Ú ÚÛ Ê Óθ, ˜ÚÓ Ë ‚ ÍÓÌÒÓÎË ÏËͯ‡ (ÒÏ. ÒÚ. 126). HARMONY („‡ÏÓÌËÁ‡ˆËfl) Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. éÚÓ·‡Ê‡ÂÏ˚ ̇ ‰‡ÌÌÓÏ ˝Í‡Ì ԇ‡ÏÂÚ˚ ˉÂÌÚ˘Ì˚ Ô‡‡ÏÂÚ‡Ï Ì‡ ˝Í‡Ì HARMONY/ECHO, ÍÓÚÓ˚È ÏÓÊÌÓ ‚˚Á‚‡Ú¸, ̇ʇ‚ ÍÌÓÔÍÛ FUNCTION. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ̇ ÒÚ. 147. CVP-210/208 95 ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚: ÙÛÌ͈Ëfl Sound Creator 鄇ÌÌ˚ „ËÒÚ˚ èÓÏËÏÓ ÏÌÓÊÂÒÚ‚‡ ÚÂÏ·Ó‚ Ó„‡ÌÓ‚, Ëϲ˘ËıÒfl ‚ „ÛÔÔ ÚÂÏ·Ó‚ ORGAN, CVP-210/208 ӷ·‰‡ÂÚ ÚÂÏ·ÓÏ ORGAN FLUTES («Ó„‡ÌÌ˚ ÙÎÂÈÚ˚»). Ç ‰‡ÌÌÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 91. èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ èêàåÖóÄçàÖ ìÒÚ‡ÌÓ‚ËÚ „ËÒÚ 16' ËÎË 5 1/3' Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1▲▼]. Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÛÊÌ˚È Â„ËÒÚ (16 'ËÎË 5 1/ 3') Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [D] (ÚÓθÍÓ CVP-210). äÌÓÔÍË ‚˚·Ó‡/̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ (ÒÏ. ÌËÊÂ). ùÙÙÂÍÚ˚ tremolo Ë trill, Á‡‰‡ÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Harmony/Echo (ÒÚ. 146), Ì ‚ÎËfl˛Ú ̇ Á‚Û˜‡ÌË ӄ‡ÌÌ˚ı ÙÎÂÈÚ (ÚÓθÍÓ CVP-210). ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÓ «ÒÓ˜ÂÚ‡ÌË ÚÛ·». ■ 臇ÏÂÚ˚ Organ Type (ÚËÔ Ó„‡Ì‡) íËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Ò ÒËÌÛÒÓˉ‡Î¸ÌÓÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌÓÈ ËÎË ‚ÓÎÌÓÈ, ËÏËÚËÛ˛˘ÂÈ Á‚ÛÍ ÒÚ‡ËÌÌÓ„Ó Ó„‡Ì‡. Rotary SP Speed (ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇) äÌÓÔ͇ «Rotary SP Speed» ([C]) ÔÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ·˚ÒÚÛ˛ ËÎË Ï‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇. óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ˝ÙÙÂÍÚ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇», Â„Ó ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ‰Îfl ÚÂÏ·‡ Organ Flutes (ÒÏ. ÌËÊ ÒÚÓÍÛ «DSP Type»). äÓÏ ÚÓ„Ó, ÌÂÓ·ıÓ‰ËÏÓ ‚Íβ˜ËÚ¸ ÍÌÓÔÍÛ VOICE EFFECT [DSP]. äÌÓÔ͇ «Rotary SP Speed» Ë„‡ÂÚ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]). Vibrato On/Off (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·‡ÚÓ) ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([G]) ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl «Ó„‡ÌÌ˚ı ÙÎÂÈÚ». ÉÎÛ·Ë̇ ‚Ë·‡ÚÓ ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË ([H]) ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ, ÓÔ‰ÂÎfl˛˘Ëı Ò‰‚Ë„ ‚˚ÒÓÚ˚ ÚÓ̇, ÍÓÚÓ˚È Ë ÒÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓ Á‡‰‡Ú¸ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ «1», «2» ËÎË «3». Footage (Ó„‡ÌÌ˚ „ËÒÚ˚) ç‡ÒÚÓÈÍË Â„ËÒÚÓ‚ ÓÔ‰ÂÎfl˛Ú ÓÒÌÓ‚ÌÓÈ ÚÓÌ Á‚Û˜‡ÌËfl Ó„‡ÌÌ˚ı „ËÒÚÓ‚. ÄÌ„Î. ÚÂÏËÌ «footage» (‰ÎË̇ Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. éÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, „‰Â ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Ó ÚÛ· ‡ÁÌÓÈ ‰ÎËÌ˚. óÂÏ ‰ÎËÌÌ ÚÛ·‡, ÚÂÏ ÌËÊ Á‚ÛÍ. ëΉӂ‡ÚÂθÌÓ, Á̇˜ÂÌË 16’ (ÚÛ·‡ ‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) ÓÔ‰ÂÎflÂÚ Ò‡Ï˚È ÌËÁÍËÈ ÍÓÏÔÓÌÂÌÚ ÚÂÏ·‡, ‡ Á̇˜ÂÌË 1’ – Ò‡Ï˚È ‚˚ÒÓÍËÈ. óÂÏ ·Óθ¯Â Á̇˜ÂÌË ԇ‡ÏÂÚ‡, ÚÂÏ „ÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ «ÚÛ·‡». ëÓ˜ÂÚ‡fl ÚÛ·˚ Ò ‡ÁÌÓÈ „ÓÏÍÓÒÚ¸˛ Á‚Û˜‡ÌËfl, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ÛÌË͇θÌ˚ ӄ‡ÌÌ˚ ÚÂÏ·˚. Volume (VOL) („ÓÏÍÓÒÚ¸) ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË Ó„‡ÌÌ˚ı „ËÒÚÓ‚. óÂÏ ‰ÎËÌÌ ÔÓÎÓÒ‡ „‡Ù˘ÂÒÍÓ„Ó Ë̉Ë͇ÚÓ‡ „ÓÏÍÓÒÚË, ÚÂÏ ·Óθ¯Â „ÓÏÍÓÒÚ¸. Response (RESP) (ÓÚÍÎËÍ) ùÚÓÚ Ô‡‡ÏÂÚ ÒÔÓÒÓ·ÂÌ ‚ÓÁ‰ÂÈÒÚ‚Ó‚‡Ú¸ ̇ Ù‡Á˚ ‡Ú‡ÍË Ë ÒÛÒÚÂÈ̇ Ó„Ë·‡˛˘ÂÈ. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‚Â΢ËÚ¸ ËÎË ÛÏÂ̸¯ËÚ¸ ‚ÂÏfl «Â‡ÍˆËË» ÚÂÏ·‡ ̇ ̇ʇÚË Í·‚Ë¯Ë Ò Û˜ÂÚÓÏ Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı ‰Îfl Ô‡‡ÏÂÚ‡ FOOTAGE («ÒÓ˜ÂÚ‡ÌË ÚÛ·»). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ. ëÍÓÓÒÚ¸ ‚Ë·‡ÚÓ á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË ‚Íβ˜ÂÌÌÓÏ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. ìÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â. Mode (ÂÊËÏ) åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Î˯¸ Û ÚÂı ÌÓÚ, ÍÓÚÓ˚ ‚˚ ̇ʇÎË Ë ‰ÂÊËÚ Ô‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÚÂ, ÌË Í Í‡ÍËÏ ÔÓÒÎÂ‰Û˛˘ËÏ ÌÓÚ‡Ï ‡Ú‡Í‡ ÔËÏÂÌflÚ¸Òfl Ì ·Û‰ÂÚ. Ç ÂÊËÏ EACH Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Û ‚ÒÂı ÌÓÚ. Attack (‡Ú‡Í‡ ‰Îfl ÚÂÏ·‡ «ÚÛ·» 4’, 2 2/3’, 2’) åÂÌflfl Á̇˜ÂÌËfl ˝ÚËı Ô‡‡ÏÂÚÓ‚, ‚˚ ÏÓÊÂÚ ‚ÎËflÚ¸ ̇ Ù‡ÁÛ ‡Ú‡ÍË ÓÚ‰ÂθÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÚÂÏ·‡. àÌ˚ÏË ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÒËÎË‚‡Ú¸ ËÎË ÓÒ··ÎflÚ¸ ‡Ú‡ÍÛ ‚ ÚÂÏ·‡ı «ÚÛ·» 4’, 2 2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ Ë̉Ë͇ÚÓ ‚ ‚ˉ ÔflÏÓÛ„ÓθÌË͇, ÚÂÏ fl˜Â ‚˚‡ÊÂ̇ ‡Ú‡Í‡. Length (LENG) (‰ÎË̇) ùÚÓÚ Ô‡‡ÏÂÚ Ô‰̇Á̇˜ÂÌ ‰Îfl „ÛÎËÓ‚ÍË Ù‡Á˚ Ô‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, Ë‰Û˘ÂÈ Ò‡ÁÛ ÔÓÒΠهÁ˚ ‡Ú‡ÍË. ÑÎË̇ Ù‡Á˚ ÓڇʇÂÚÒfl Ë̉Ë͇ÚÓÓÏ ‚ ‚ˉ ÔflÏÓÛ„ÓθÌË͇. óÂÏ ÓÌ ‰ÎËÌÌÂÂ, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl Á‡ÚÛı‡ÌËÂ. „ÎÛ·Ë̇ ‚·‡ˆËË Chorus Depth („ÎÛ·Ë̇ ıÓÛÒ‡) DSP on/off (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË DSP) DSP Depth („ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ DSP) ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ˆËÙÓ‚˚ı ˝ÙÙÂÍÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 61, 126. íËÔ DSP éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í ÚÂÏ·Û. é·˚˜ÌÓ ˝ÚÓ Ó‰ËÌ ËÁ ÔflÚ̇‰ˆ‡ÚË (CVP-210) ËÎË ÒÂÏË (CVP-208) ˝ÙÙÂÍÚÓ‚ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇». èË ‚˚·Ó β·Ó„Ó ‰Û„Ó„Ó ˝ÙÙÂÍÚ‡ ÍÌÓÔ͇ Rotary SP Speed ([C]) ̇ ˝Í‡Ì‡ı FOOTAGE/VOL/ATTACK Ì ‚ÎËflÂÚ Ì‡ ÒÍÓÓÒÚ¸ ‚‡˘ÂÌËfl ‰Ë̇ÏË͇. ÇÏÂÒÚÓ ˝ÚÓ„Ó Ó̇ ·Û‰ÂÚ Ë„‡Ú¸ ÚÛ Ê Óθ, ˜ÚÓ Ë ÍÌÓÔ͇ VOICE EFFECT [VARIATION]. LJˇˆËfl LJˇˆËfl èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÍÓÓÒÚ¸ ‚‡Ë‡ˆËË DSP ‰Îfl ÚÂÏ·‡ «é„‡ÌÌ˚ ÙÎÂÈÚ˚» ÔË ‚Íβ˜ÂÌÌÓÈ ÙÛÌ͈ËË Voice Set (ÒÏ. ÒÚ. 146). á̇˜ÂÌË ìÒڇ̇‚ÎË‚‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «‚‡Ë‡ˆËfl DSP» (̇ÔËÏÂ, Á̇˜ÂÌË «LFO Freq» ‰Îfl ˝ÙÙÂÍÚ‡ «‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇»), ÂÒÎË ‚‡Ë‡ˆËfl ‚Íβ˜Â̇. EQ Low (ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ‚ ˝Í‚‡Î‡ÈÁÂÂ) EQ High (ÔÓÎÓÒ‡ ‚˚ÒÓÍËı ˜‡ÒÚÓÚ ‚ ˝Í‚‡Î‡ÈÁÂÂ) 96 CVP-210/208 ùÚË Ô‡‡ÏÂÚ˚ ˝Í‚‡Î‡ÈÁ‡ ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÛÓ‚Â̸ ÛÒËÎÂÌËfl, Á‡‰‡‚‡ÂÏ˚ ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator îÛÌ͈ËË Á‡ÔËÒË, ‡ÎËÁÓ‚‡ÌÌ˚ ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ, ÔÓÒÚ˚ ‰Îfl ÓÒ‚ÓÂÌËfl Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚Ô˜‡ÚÎfl˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË. ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌflÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÍÓÏÔÓÁˈËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording (ÒÚ. 98) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 99), ÔÓÁ‚ÓÎfl˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓθÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 101), Ô‰̇Á̇˜ÂÌÌ˚È ‰Îfl ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚Íβ˜‡Ú¸ Ì ÚÓθÍÓ ÚÂÏ·Ó‚˚ ԇ‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊ ԇ‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚ (ÒÚ. 40, 48). METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT D I E J HELP GUIDE REPEAT VOICE PART ON OFF A MASTER VOLUME PIANO & HARPSI. BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING rit. ONE TOCTH SETTING MUSIC FINDER 1 SOUND CREATOR TAP TEMPO RESET STYLE ACMP DIGITAL STUDIO SYNC.STOP SYNC.START START STOP OTS LINK DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 8 EXIT SONG EXTRA TRACKS (STYLE) REC NEW SONG TRACK 2 (L) TOP START / STOP DIGITAL RECORDING TRACK 1 (R) REW FF REPEAT GUIDE SYNC.START é Á‡ÔËÒË ÔÂÒÂÌ ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÂÊËχ Á‡ÔËÒË ÔÂÒÂÌ: realtime recording Ë step recording. ■ Realtime Recording àÒÔÓÎÌflÂÏÓ ÔÓËÁ‚‰ÂÌË Á‡ÔËÒ˚‚‡ÂÚÒfl ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ ËÒÔÓθÁÓ‚‡ÌËfl ÂÊËχ Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË: Quick Ë Multi. Quick Recording (ÒÚ. 98) èêàåÖóÄçàÖ ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, ̇ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸ • ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ. Ç˚·ÂËÚ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îfl Á‡ÔËÒË: Clavinova ÒÓÒÚ‡‚ÎflÂÚ ÓÍÓÎÓ 3,3 å·. ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË, Ô‡Ú˲ ΂ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. í‡Í, ̇ÔËÏÂ, (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË ËÎË Ê ӉÌÓ‚ÂÏÂÌÌÓ Ô‡Ú˲ Ô‡‚ÓÈ ÛÍË Ë (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÒÓÒÚ‡‚ÎflÂÚ 720ä· Ë 1,44å· Multi Recording (ÒÚ. 99) ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡Ê ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡Ô˯ËÚ ԇÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂθÌÓÒÚË, ‡ Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÓÍÂÒÚÓ‚ÍÛ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡Ú˲ ÔÓ‚Âı ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ. • • ■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚ. 101) ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎflÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡fl» Â„Ó ÒÓ·˚ÚËfl ÔÓӘ‰ÌÓ. á‡ÔËÒ¸ ‚‰ÂÚÒfl ‚Û˜ÌÛ˛ Ë Ì ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ùÚÓ ‡Ì‡Îӄ˘ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·Ûχ„Û. èÓθÁÛflÒ¸ ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚ. 110 - 112), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ‰Û„Ë ÒÓ·˚ÚËfl ÔÓ Ó‰ÌÓÏÛ. • ■ ꉇÍÚËÓ‚‡ÌË ÔÂÒÂÌ (ÒÚ. 107) ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚ ‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚ β·ÓÏ ÂÊËÏÂ. èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚ. 106). • ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ‡ı ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova (Ù‡ÈÎ˚ ÚÂÏ·‡, ÒÚËÎfl, ÔÂÒÌË, „ËÒÚ‡ˆËÓÌÌ˚ هÈÎ˚ Ë Ú. ‰.), ÒÓı‡Ìfl˛ÚÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚÂ. ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Á‡ÔËÒ‡Ú¸ ÌÂθÁfl. Ç CVP-210/208 Á‡ÔËÒ¸ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl ‚ ÙÓχÚ SMF (Standard MIDI File format 0). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó SMF ÒÏ. ̇ ÒÚ. 162. á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ˜ÂÂÁ ÔÓÚ MIDI OUT. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ·˚ ‚̯ÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡, ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ (ÒÚ. 149). ìÓ‚Â̸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÓÌÒÓÎË ÏËͯ‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸ ÒÓ˜ÂÚ‡ÌË ԇ‡ÏÂÚÓ‚ ÏËͯ‡. ÅÓΠÚÓ„Ó, ‰‡Ê ÍÓ„‰‡ ÚÂÏ· ‰Îfl Á‡ÔËÒË ÛÊ ‚˚·‡Ì, ‚˚ ÏÓÊÂÚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ ÒÏÂÌÛ ÚÂÏ·Ó‚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË (ÒÚ. 109). CVP-210/208 97 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator Å˚ÒÚ‡fl Á‡ÔËÒ¸ ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰, ÔÓÁ‚ÓÎfl˛˘ËÈ ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸, ‡ Á‡ÚÂÏ ÔÓÒÎÛ¯‡Ú¸ ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡Áۘ˂‡ÂÚ ̇ ÙÓÚÂÔˇÌÓ, ˜ÚÓ·˚ ÔÓÒΉËÚ¸ Á‡ Ò‚ÓÂÈ Ë„ÓÈ. ÇçàåÄçàÖ! ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚ. 40, 48). ÖÒÎË ‚˚ Ì ÒÓı‡ÌËÚ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚. ■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË: REC 1 NEW SONG TOP START / STOP REW FF REPEAT SYNC.START ■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ: 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80). 2 Ç˚·ÂËÚ ÚÂÏ· Ë ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ ÔÂÒÌÂ. ÖÒÎË Ú·ÛÂÚÒfl Á‡ÔËÒ‡Ú¸ ÚÂÏ·˚ Layer/Left, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔÍË [LAYER]/[LEFT] ‚Íβ˜ÂÌ˚. ç‡ÒÚÓÈÚ ÔӘˠԇ‡ÏÂÚ˚ (‚·‡ˆËfl, ıÓÛÒ Ë Ú. ‰.). 3 ÑÎfl Á‡ÔËÒË ·ÂÁ Û͇Á‡ÌËfl ÓÔ‰ÂÎÂÌÌÓÈ ‰ÓÓÊÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡ÂÚÒfl TRACK 1 (‰ÓÓÊ͇ 1). ÖÒÎË ‚˚ ıÓÚËÚ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌÛ˛ ‰ÓÓÊÍÛ ‰Îfl Á‡ÔËÒË, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC], ̇ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÓÏÂÛ ‰ÓÓÊÍË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÒÓ˜ÂÚ‡ÌËfl ‰ÓÓÊÂÍ: TRACK 1 + EXTRA TRACKS Ë TRACK 2 + EXTRA TRACKS. • ì͇Á‡ÌË ‰ÓÓÊÍË ‰Îfl Á‡ÔËÒË óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ë„Û Ì‡ Í·‚ˇÚÛÂ: ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1] ÎË·Ó ÍÌÓÔÍÛ [TRACK 2]. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ: REC EXTRA TRACKS TRACK 2 TRACK 1 (STYLE) (L) (R) ̇ÊÏËÚ ÍÌÓÔÍÛ [EXTRA TRACKS]. èêàåÖóÄçàÖ óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. 4 á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË SONG/ STYLE [START/STOP]. äÓÏ ÚÓ„Ó, Í Á‡ÔËÒË ÏÓÊÌÓ ÔËÒÚÛÔËÚ¸, ̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142). ÖÒÎË Ô‰ ̇ʇÚËÂÏ ÍÌÓÔÍË REC ‚Íβ˜ÂÌ˚ ÍÌÓÔÍË «LAYER» or «LEFT», ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˜‡ÒÚË ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ‡ÁÌ˚ ͇̇Î˚. èêàåÖóÄçàÖ ëÓ‰ÂÊËÏÓ ‰ÓÓÊÂÍ 1 Ë 2 Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ͇̇Î, Û͇Á‡ÌÌ˚È Ì‡ ˝Í‡Ì SONG SETTING (ÒÚ. 140). èêàåÖóÄçàÖ è‡Ú˲ Ô‡‚ÓÈ ÛÍË (‚Íβ˜‡fl ÚÂÏ·˚ ÒÎÓ‚), Á‡ÔËÒ‡ÌÌÛ˛ ̇ ‰ÓÓÊÍÛ 1, ÏÓÊÌÓ ÔÂÂÔËÒ‡Ú¸ ̇ ‰ÓÓÊÍÛ 2. ÑÎfl ˝ÚÓ„Ó ÓÚÍβ˜ËÚ ÍÌÓÔÍÛ [LEFT] Ë ÔÓ‚ÚÓËÚ ¯‡„Ë 2 Ë 3. èêàåÖóÄçàÖ óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. óÚÓ·˚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/ STOP]. èêàåÖóÄçàÖ END óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ Á‡ÔÛÒ͇/ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË (ÒÚ. 142). ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ. á‚ÛÍ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡ÂÚÒfl. ■ ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl «ÔÂÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ. ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110). óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â, ̇ÊÏËÚ ÍÌÓÔÍÛ [6▼] ̇ ˝Í‡Ì Open/Save (ÓÚÍ˚Ú¸/ÒÓı‡ÌËÚ¸) ‰Îfl ÔÂÒÌË (ÒÚ. 40, 48). 98 CVP-210/208 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌÂÒÍÓθÍËı ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (‰Ó 16 ͇̇ÎÓ‚). Ç˚ ÏÓÊÂÚÂ, ̇ÔËÏÂ, ÔÓÔ˚Ú‡Ú¸Òfl ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÒËÏÙÓÌ˘ÂÒÍÓ„Ó ÓÍÂÒÚ‡. ëÚÛÍÚÛ‡ ͇̇ÎÓ‚ Ë ˜‡ÒÚÂÈ ÓÚÓ·‡ÊÂ̇ ‚ Ú‡·Îˈ ÌËÊÂ. ä‡Ì‡Î˚ 1 ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲) É·‚Ì˚È ÚÂÏ· ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË ä‡Ì‡Î˚ íÂÏ·˚ MAIN, LAYER, LEFT ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2 MIDI 9 2 É·‚Ì˚È ÚÂÏ· 3 É·‚Ì˚È ÚÂÏ· 4 É·‚Ì˚È ÚÂÏ· 5 É·‚Ì˚È ÚÂÏ· 6 É·‚Ì˚È ÚÂÏ· 14 7 É·‚Ì˚È ÚÂÏ· 15 8 É·‚Ì˚È ÚÂÏ· 16 ó‡ÒÚË (̇ÒÚÓÈÍË ÔÓ ÛÏÓΘ‡Ì˲) ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2 10 11 12 13 ÑÓÒÚÛÔÌ˚ ˜‡ÒÚË íÂÏ·˚ MAIN, LAYER, LEFT ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD2 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE1 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE2 MIDI é ˜‡ÒÚflı ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Rhythm (ËÚÏ) ............ ùÚÓ ÓÒÌÓ‚‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. чÌ̇fl ˜‡ÒÚ¸ ÒÓÒÚÓËÚ ËÁ ÔÓ‚ÚÓfl˛˘ËıÒfl ËÚÏ˘ÂÒÍËı Ù‡„ÏÂÌÚÓ‚, ÒÓÒÚ‡‚ÎÂÌÌ˚ı ËÁ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËË. é·˚˜ÌÓ ‰Îfl Ëı ÒÓÒÚ‡‚ÎÂÌËfl ËÒÔÓθÁÛÂÚÒfl Ӊ̇ ËÁ ‚ÒÚÓÂÌÌ˚ı Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ. Bass (·‡Ò) ................... ùÚ‡ ˜‡ÒÚ¸ ÒÓÒÚ‡‚ÎflÂÚÒfl ËÁ Á‚ÛÍÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÒÚËβ ËÌÒÚÛÏÂÌÚÓ‚ – Ú‡ÍËı, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËÈ ·‡Ò, ÒËÌÚÂÚ˘ÂÒÍËÈ ·‡Ò Ë Ú. Ô. Chord (‡ÍÍÓ‰˚) ........ ëÓÒÚÓËÚ ËÁ ËÚÏ˘ÂÒÍÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ ˜‡ÒÚË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚. Pad («ÔӉͷ‰˚»)...... ÑÎfl ˝ÚÓÈ ˜‡ÒÚË ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ «‰Ó΄ÓË„‡˛˘Ë ‡ÍÍÓ‰˚» Ë Ì‡Ò˚˘ÂÌÌ˚ ÚÂÏ·˚ ÒÚÛÌÌ˚ı, Ó„‡Ì‡ Ë ıÓ‡. Phrase (Ù‡Á˚) .......... êËÙÙ˚ Ë Ù‡Á˚ (̇ÔËÏÂ, ÍÓÓÚÍË ԇÚËË Ï‰Ì˚ı ‰ÛıÓ‚˚ı ËÎË ‡Ô‰ÊËÓ), ËÒÔÓθÁÛÂÏ˚ ‚ ˝ÚÓÈ ˜‡ÒÚË, ÒÎÛÊ‡Ú ‰Îfl Û͇¯ÂÌËfl ËÚÏËÍÓ-ÏÂÎӉ˘ÂÒÍÓÈ ÒÚÛÍÚÛ˚ ÔÂÒÌË. ÇçàåÄçàÖ! ÖÒÎË Á‡ÔËÒ¸ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸, Ó·flÁ‡ÚÂθÌÓ ÒÍÓÔËÛÈڠ ̇ ‰ËÒÍÂÚÛ ËÎË Á‡ÌÂÒËÚ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER (ÒÚ. 40, 48). ÖÒÎË ‚˚ Ì ÒÓı‡ÌËÚ ‡·ÓÚÛ, ÚÓ ÔË ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ËÎË Á‡ÔËÒË ÔÓ‚Âı ÛÊ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ‰ÓÓÊÍË ‚Ò Ô‰˚‰Û˘Ë Á‡ÔËÒË ·Û‰ÛÚ ÒÚÂÚ˚. ■ èË ÒÓÁ‰‡ÌËË ÌÓ‚ÓÈ ÔÂÒÌË: REC TOP START / STOP REW FF ■ èË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ô‡ÚËË ÔÓ‚Âı ÍÓÏÔÓÁˈËË, Ëϲ˘ÂÈÒfl ‚ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ËÎË Ì‡ ‰ËÒÍÂÚÂ: REPEAT 1 NEW SONG 2 SYNC.START 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80). Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË (Ô‚‰ËÚÂ Â„Ó ‚ ÂÊËÏ «REC»). ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [REC]. é‰ÌÓ‚ÂÏÂÌÌÓ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚. REC .........ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË ON ...........ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ OFF..........ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ óÚÓ·˚ ÓÚÏÂÌËÚ¸ ËÎË Á‡ÔÂÚËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. èêàåÖóÄçàÖ ó‡ÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl, ÂÒÎË ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ô‚‰ÂÌ˚ ‚ ÂÊËÏ «REC». REC 1 2 3 4 5 6 7 8 CVP-210/208 99 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 3 Ç˚·ÂËÚ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÒΉÛÂÚ ÔËÒ‚ÓËÚ¸ Á‡ÔËÒ˚‚‡ÂÏÓÏÛ Í‡Ì‡ÎÛ. èË ˝ÚÓÏ ÓÔ‰ÂÎflÂÚÒfl, ͇ÍË ËÁ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left), Ë ˜‡ÒÚÂÈ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (RHYTHM 1/2, BASS Ë Ú. ‰.) Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ͇̇Î˚, ‚˚·‡ÌÌ˚ ‚ ¯‡„ 2. ëÔËÒÓÍ ËÒıÓ‰Ì˚ı ÔËÒ‚ÓÂÌËÈ ÔÓ ÛÏÓΘ‡Ì˲ Ô˂‰ÂÌ Ì‡ ÒÚ. 99. C D 4 5 6 á‡ÔËÒ¸ ÔÂÒÌË Ì‡˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. á‡ÔÛÒÍ ÒÚËÎÂÈ ÏÓÊÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl ̇ʇÚËÂÏ ÍÌÓÔÍË SONG/STYLE [START/STOP]. äÓÏ ÚÓ„Ó, Á‡ÔËÒ¸ ÏÓÊÌÓ Ì‡˜‡Ú¸/ÓÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ Ô‰‡Î¸. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Á‡‡Ì ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË ÙÛÌÍˆË˛ ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (ÒÚ. 106). óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [REC]. éÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸ ÏÓÊÌÓ Ú‡ÍÊÂ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸. èË ˝ÚÓÏ Ô‰‡ÎË ‰ÓÎÊ̇ ·˚Ú¸ Á‡‡Ì ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (ÒÚ. 106). ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒ‡ÌÌÓÈ ÍÓÏÔÓÁˈËË. óÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ Á‡ÔËÒ¸, ‚ÂÌËÚÂÒ¸ Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP], ‡ Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË, Ë ÔÂÒÌfl «ÔÂÂχÚ˚‚‡ÂÚÒfl» ̇ ̇˜‡ÎÓ. END 100 CVP-210/208 óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ¢ ӉÌÛ ˜‡ÒÚ¸, ÔÓ‚ÚÓËÚ ¯‡„Ë 2 - 6. èË Á‡ÔËÒË ÌÓ‚˚ı ˜‡ÒÚÂÈ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡Ì Á‡ÔËÒ‡ÌÌ˚ ˜‡ÒÚË. ÑÂÈÒÚ‚Ûfl Ú‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜ËÚ ‚ ËÚÓ„Â Á‡ÍÓ̘ÂÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. ù͇Ì˚ SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110). óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚Â, ̇ÊÏËÚ ÍÌÓÔÍÛ [6▼] ̇ ˝Í‡Ì Open/Save (ÓÚÍ˚Ú¸/ÒÓı‡ÌËÚ¸) ‰Îfl ÔÂÒÌË (ÒÚ. 40, 48). èêàåÖóÄçàÖ èË ‚˚·Ó ˜‡ÒÚË MIDI • Ç˚‰ÂÎÂÌË ӉÌÓ„Ó Í‡Ì‡Î‡ ‰Îfl MIDI á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò MIDIÒÓÓ·˘ÂÌËfl, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ Î˛·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò ‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË MIDI-ÍÓÌÚÓη, ‚‡Ï Ì ÔˉÂÚÒfl ̇Òڇ˂‡Ú¸ ͇̇Î˚ MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡. • Ç˚‰ÂÎÂÌË ÌÂÒÍÓθÍËı ͇̇ÎÓ‚ ‰Îfl MIDI ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò ‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË MIDI-ÍÓÌÚÓη, ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl Î˯¸ ̇ Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌÓ ·˚Ú¸ ̇ÒÚÓÂÌÓ Ì‡ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò ˝ÚÓ„Ó Í‡Ì‡Î‡. èêàåÖóÄçàÖ çÂθÁfl ̇Á̇˜ËÚ¸ Ó‰ÌÛ ˜‡ÒÚ¸ (Á‡ ËÒÍβ˜ÂÌËÂÏ ˜‡ÒÚÂÈ MIDI) Ò‡ÁÛ Ì‡ ÌÂÒÍÓθÍÓ Í‡Ì‡ÎÓ‚. èêàåÖóÄçàÖ è‡‡ÏÂÚ˚ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ‚ÂÏÂÌÌÓ ÒÓı‡Ìfl˛ÚÒfl ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚˚ Ì ‚˚ÔÓÎÌËÚ «·˚ÒÚÛ˛ Á‡ÔËÒ¸», Ì ‚˚·ÂÂÚ ÔÂÒÌ˛ ËÎË Ì ‚˚Íβ˜ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ. èêàåÖóÄçàÖ óÚÓ·˚ ҉·ڸ Ô‡ÛÁÛ ‚Ó ‚ÂÏfl Á‡ÔËÒË, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. óÚÓ·˚ ‚ÓÁÓ·ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [START/ STOP]. èêàåÖóÄçàÖ ÑÎfl ‚˚‡‚ÌË‚‡ÌËfl Á‡ÔËÒË ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÏÂÚÓÌÓÏÓÏ. á‚ÛÍ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡ÂÚÒfl. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator á‡ÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ – èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÍÓÏÔÓÁËˆË˛ ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸  ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ì‰Ó·ÒÚ‚Ó ˝ÚÓ„Ó ÂÊËχ ÔÓfl‚ÎflÂÚÒfl Ú‡ÍÊ ÔË Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ Ë ÏÂÎÓ‰ËË ÔÓ ÓÚ‰ÂθÌÓÒÚË. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 78, 80), ÍÓÚÓÛ˛ Ú·ÛÂÚÒfl ÔÂÂÔËÒ‡Ú¸ ËÎË ‰ÓÔÓÎÌËÚ¸ ÌÓ‚˚ÏË ˜‡ÒÚflÏË. ÖÒÎË ‚˚ ıÓÚËÚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ ÔÂÒÌ˛, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [REC] Ë [TOP]. 3 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]. A B 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. C D DIGITAL STUDIO E SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE PART 4 5 Ç˚·ÂËÚ ‚Í·‰ÍÛ «1 - 16» ‰Îfl Á‡ÔËÒË ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË Ë ‰Û„Ëı ˜‡ÒÚÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/ [NEXT] ËÎË ‚Í·‰ÍÛ «CHD» (ÄÍÍÓ‰) ‰Îfl Á‡ÔËÒË ‡ÍÍÓ‰Ó‚. èÓÒΠ˝ÚÓ„Ó Ì‡ ‚Í·‰Í «1 -16» ‚˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [F] (CH). BACK NEXT F G H I J èêàåÖóÄçàÖ ç‡ÊÏËÚ ÍÌÓÔÍÛ [G], ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ Step Record. F G èË ÔÂÂıӉ ̇ ÒÚ‡ÌËˆÛ CHD (ÄÍÍÓ‰) Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ ‚ ÍÓÌÒÓÎË ÏËͯ‡, ‡‚ÚÓχÚ˘ÂÒÍË ÔËÌËχ˛Ú Á̇˜ÂÌËfl ÔÓ ÛÏÓΘ‡Ì˲. H èêàåÖóÄçàÖ I J êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ì ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ ÚÂÏ·Ó‚, ı‡Ìfl˘ËıÒfl ̇ ÒÚ‡Ìˈ‡ı USER Ë FLOPPY DISK. åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ·˚ ̇ ÒÚ‡Ìˈ PRESET, Ӊ̇ÍÓ ÔË ˝ÚÓÏ Ëı ÚÂÏ· ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó. CVP-210/208 101 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 6 ë̇˜‡Î‡ ‚˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ·. óÚÓ·˚ ‚‚ÂÒÚË ÌÓÚÛ, Á‡‰‡ÈÚ ̇ ˝Í‡Ì Â ‰ÎËÚÂθÌÓÒÚ¸ Ë ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ Á‡ÚÂÏ Á‡‰‡ÈÚ ‚˚ÒÓÚÛ, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. äÌÓÔÍË ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ ‚‚Âı-‚ÌËÁ. ÇÓÁ‚‡Ú Í Ì‡˜‡ÎÛ ÔÂÒÌË (Ô‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡). äÌÓÔÍË, ÔÓÁ‚ÓÎfl˛˘Ë ÔÂÂÏ¢‡Ú¸ ‚˚·‡ÌÌÓ ÒÓ·˚ÚË (̇ÔËÏÂ, ÌÓÚÛ) ‚Ô‰ ËÎË Ì‡Á‡‰ ̇ ÓÔ‰ÂÎÂÌÌÓ ˜ËÒÎÓ Ú‡ÍÚÓ‚, ‰ÓÎÂÈ Ú‡ÍÚ‡ ËÎË Â‰ËÌˈ ‚ÂÏÂÌË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı Ú‡ÍÚÓ‚/ ‰ÓÎÂÈ Ú‡ÍÚ‡/‰ËÌˈ ‚ÂÏÂÌË Ô˂‰ÂÌ˚ ÌËÊÂ. END A F B G C H D I E J 1 2 3 4 5 6 7 ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ ÒÍÓÓÒÚ¸ ̇ʇÚËfl Í·‚Ë¯Ë („ÓÏÍÓÒÚ¸ ‚‚Ó‰ËÏÓÈ ÌÓÚ˚) Ë ÙÛÌ͈ËÓÌËÛÂÚ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Ô˂‰ÂÌ˚ ÌËÊÂ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚ (‚ ÔÓˆÂÌÚ‡ı) Ò Û˜ÂÚÓÏ Â Ô‰ÔÓ·„‡ÂÏÓÈ ÔÓÁˈËË ‚ ÔÂÒÌÂ. (чÌ̇fl ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ‚ÂÏÂÌË Á‚Û˜‡ÌËfl Ô˂‰ÂÌ˚ ÌËÊÂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÌÓÚ˚ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. ÇÒÂ„Ó Ì‡ ‚˚·Ó Ô‰·„‡ÂÚÒfl ÚË ÚËÔ‡ ÌÓÚ: Òڇ̉‡ÚÌ˚Â, ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ Ë ÚËÓÎË. (чÌ̇fl ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) 8 åÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ÒÎÂ‰Û˛˘ÂÈ ÌÓÚ˚. (Ç˚·Ó ¯ÂÒÚ̇‰ˆ‡Ú˚ı ‰ÓÒÚÛÔÂÌ Î˯¸ ÔË Á‡ÔËÒË ÏÂÎÓ‰ËË.) äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ¯‡„ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ (‡ÒÒÚÓflÌËÂ, ̇ ÍÓÚÓÓ ÍÛÒÓ Ò‰‚Ë„‡ÂÚÒfl ‚Ô‰ ÔÓÒΠ‚‚Ó‰‡ ÌÓÚ˚). äÌÓÔ͇ Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl (ÌÓÚ˚, Ô‡ÛÁ˚ Ë Ú. ‰.) Ô‰ ÍÛÒÓÓÏ. óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STEP RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [I] (SAVE) (ÒÚ. 48). ■ í‡ÍÚ/‰ÓÎfl/ÒËÌıÓÌËÁ‡ˆËfl í‡ÍÚ 1 ÑÓÎfl ëËÌıÓÌËÁ‡ˆËfl 1 2 2 3 4 1 000- 000- 000- 0001919 1919 1919 1919 2 3 4 000- 000- 000- 0001919 1919 1919 1919 ■ ëÍÓÓÒÚ¸ ̇ʇÚËfl Ç Ô˂‰ÂÌÌÓÈ ÌËÊ ڇ·Îˈ Û͇Á‡Ì˚ ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û Á̇˜ÂÌËflÏË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË „‡‰‡ˆËflÏË ‰Ë̇Ï˘ÂÒÍËı ÓÚÚÂÌÍÓ‚. ÑË̇ÏË͇ î‡ÍÚ˘ÂÒ͇fl ÒË· ̇ʇÚËfl ̇ Í·‚Ë¯Û fff ff f mf mp p pp ppp 127 111 95 79 63 47 31 15 ■ ÇÂÏfl Á‚Û˜‡ÌËfl ÍÚ ˄˚ ÓÔ‰ÂÎflÂÚÒfl ÒÎÂ‰Û˛˘ËÏË ‚‡Ë‡ÌÚ‡ÏË Á‚Û˜‡ÌËfl ÓÚ‰ÂθÌ˚ı ÌÓÚ: Normal (Òڇ̉‡ÚÌÓ Á̇˜ÂÌËÂ)................. 80% Tenuto (Ò‚flÁÌÓ) ............................................. 99% Staccato (ÓÚ˚‚ËÒÚÓ) ................................... 40% Staccatissimo (¢ ·ÓΠÓÚ˚‚ËÒÚÓ) ...... 20% Manual (‚Û˜ÌÛ˛) .......................................... ÇÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚) ÏÓÊÌÓ Á‡‰‡Ú¸ ‚ ÔÓˆÂÌÚ‡ı Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. 102 CVP-210/208 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ – Step Record (Note) Ç ˝ÚÓÏ ‡Á‰ÂΠÏ˚ ̇ۘËÏÒfl ‡·ÓÚ‡Ú¸ ‚ ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. ÇÓÒÔÓθÁÛÂÏÒfl ÍÓÌÍÂÚÌ˚Ï ÔËÏÂÓÏ, ËÁÓ·‡ÊÂÌÌ˚Ï ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÒÚ‡Ìˈ˚. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 102. 1-2 1 ç ÓÚÔÛÒ͇fl Í·‚˯Ë... èêàåÖóÄçàÖ 1-1 Ç˚·ÂËÚ ˝ÚÛ ÌÓÚÛ. 1-3 ...‚‚‰ËÚ ˝ÚÓ (˜ÚÓ·˚ ‚‚ÂÒÚË ÎË„‡). éÚÓ·‡ÊÂËÌ ԇÚËÚÛ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÂÚ ·˚Ú¸ ÌÂÔ‡‚ËθÌ˚Ï; ÓÒÓ·ÂÌÌÓ ˝ÚÓ Í‡Ò‡ÂÚÒfl ÎË„ Ë ‰ÎËÌÌ˚ı ÌÓÚ. ÑÎfl Ô‡‚ËθÌÓ„Ó ÓÚÓ·‡ÊÂÌËfl Ô‡ÚËÚÛ˚ Á‡‰‡ÈÚ ‚ÂÏfl Á‚Û˜‡ÌËfl «tenuto» Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H] Ë ‚‚‰ËÚ ÌÛÊÌ˚ ÌÓÚ˚. 2-2 2 2-3 2-1 Ç˚·ÂËÚ ˝ÚÛ ÌÓÚÛ. 3 Ç˚·ÂËÚ ˝ÚÛ ÌÓÚÛ. Ç˚·Ó ÌÓÚ˚ ‚‚Ó‰ËÚ ÓÒÚ‡‚¯Û˛Òfl ˜‡ÒÚ¸ ˝Í‚Ë‚‡ÎÂÌÚÌÓ„Ó Á̇˜ÂÌËfl. ç‡ÔËÏÂ, ‚˚·Ó Á‰ÂÒ¸ ‚ÓÒ¸ÏÓÈ ÌÓÚ˚ () Á‡‰‡ÒÚ ÓÒÚ‡ÚÓÍ ‚ ‚ÓÒ¸ÏÓÈ ÌÓÚ ( ). 4-1 4 óÚÓ·˚ ‚˚‚ÂÒÚË Ì‡ ˝Í‡Ì ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ, ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ. 4-3 4-2 Ç˚·ÂËÚ ˝ÚÛ ÌÓÚÛ. 5-1 5 ç‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ÂÒÎË ıÓÚËÚÂ, ˜ÚÓ·˚ ̇ ˝Í‡Ì ÓÚÓ·‡ÁËÎËÒ¸ Òڇ̉‡ÚÌ˚ ÌÓÚ˚. 5-3 5-2 Ç˚·ÂËÚ ˝ÚÛ ÌÓÚÛ. ■ èÓË„‡ÈÚ ÏÂÎӉ˲. óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] ( ▲ ). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ ‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (1 - 16) Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 110). CVP-210/208 103 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator á‡ÔËÒ¸ Á‡ÏÂÌ˚ ‡ÍÍÓ‰Ó‚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – Step Record (Chord) îÛÌ͈Ëfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. ÄÍÍÓ‰˚ Á‡‰‡˛ÚÒfl ÔÓ Ó‰ÌÓÏÛ Á‡ ‡Á. ÑÎfl Í‡Ê‰Ó„Ó ËÁ ÌËı ÏÓÊÌÓ Û͇Á‡Ú¸ ÚÓ˜ÌÓ ‚ÂÏfl Á‚Û˜‡ÌËfl. èÓÒÍÓθÍÛ ‡ÍÍÓ‰˚ Ì Ú·ÛÂÚÒfl Ë„‡Ú¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË, ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÎÓÊÌ˚Â, «ÔÎÓÚÌ˚» ‚‡Ë‡ÌÚ˚ „‡ÏÓÌËÁ‡ˆËË, ˜ÚÓ·˚ ‚ÔÓÒΉÒÚ‚ËË Á‡ÔËÒ‡Ú¸ ÔÓ‚Âı ‡ÍÍÓ‰Ó‚ ÏÂÎӉ˲. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ∂6, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 102. Ç‚Ó‰ ‡ÍÍÓ‰Ó‚ Ë ˜‡ÒÚÂÈ (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚) èÓÔÓ·ÛÂÏ ‚‚ÂÒÚË ÓÔ‰ÂÎÂÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. MAIN A C 1 BREAK F G F èêàåÖóÄçàÖ Ç‚Â‰ËÚ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ ‚˚·‡ÌÌÓ„Ó ÏÂÚÓ‰‡ ‡ÍÍÓ‰Ó‚ÓÈ ‡ÔÔÎË͇ÚÛ˚ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. MAIN B G7 C ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [A], ˜ÚÓ·˚ Û͇Á‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. MAIN A C MAIN F G C 001:1:000 F 001:3:000 Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. 2 G 002:1:000 ç‡ÊÏËÚ ÍÌÓÔÍÛ [BREAK], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸ Break, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. MAIN A C BREAK F G F G7 F BREAK 002:3:000 INTRO G7 002:4:000 Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. 104 CVP-210/208 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ MAIN [Ç], ˜ÚÓ·˚ Û͇Á‡Ú¸ ˜‡ÒÚ¸, Ë ‚‚‰ËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. MAIN A BREAK MAIN B MAIN C F G F G7 C C 003:1:000 Ç˚·ÂËÚ ˝ÚÓÚ ÚËÔ ÌÓÚ˚ Ë ‚ÓÁ¸ÏËÚ Û͇Á‡ÌÌ˚ ÒÔ‡‚‡ ‡ÍÍÓ‰˚. ■ èÓË„‡ÈÚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. óÚÓ·˚ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] ( ▲ ). á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP], ˜ÚÓ·˚ ÔÓÒÎÛ¯‡Ú¸ ‚‚‰ÂÌÌ˚ ÌÓÚ˚. óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ÌÓÚ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ùÍ‡Ì SONG CREATOR (CHD) Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 111). à, ̇ÍÓ̈, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (EXPAND) ̇ ˝Í‡Ì SONG CREATOR (CHD), ˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ‚‚‰ÂÌÌ˚ ‰‡ÌÌ˚ ‚ Ù‡ÈÎ ÔÂÒÌË. èêàåÖóÄçàÖ óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚ÒÚ‡‚ÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN] Ë Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ MAIN [A] – [D]. èêàåÖóÄçàÖ ÓÚÏÂÚ͇ «END» Ç˚‚Ó‰Ëχfl ̇ ˝Í‡Ì ÓÚÏÂÚ͇ «END» Û͇Á˚‚‡ÂÚ Ì‡ ÍÓ̈ ÔÂÒÌË. Ö هÍÚ˘ÂÒÍÓ ÔÓÎÓÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‡ÁÌ˚Ï ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ͇ÍÓÈ ˜‡ÒÚ¸˛ Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÂÒÌfl. èË ‰Ó·‡‚ÎÂÌËË ÙË̇θÌÓÈ ˜‡ÒÚË (Ending) ÓÚÏÂÚ͇ «End» ‡‚ÚÓχÚ˘ÂÒÍË ÔÓÏ¢‡ÂÚÒfl ‚  ÍÓ̈. ÖÒÎË ÔÓÒΉÌflfl ˜‡ÒÚ¸ Ì fl‚ÎflÂÚÒfl ˜‡ÒÚ¸˛ «Ending», ÓÚÏÂÚ͇ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ˜ÂÂÁ ‰‚‡ Ú‡ÍÚ‡ ÔÓÒΠÍÓ̈‡ Ú‡ÍÓÈ ˜‡ÒÚË. éÚÏÂÚÍÛ «END» ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ β·ÓÏ ÏÂÒÚÂ. CVP-210/208 105 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator Ç˚·Ó Ô‡‡ÏÂÚÓ‚: ̇˜‡ÎÓ, ÍÓ̈, ‡‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË – Rec Mode ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ̇˜‡ÎÓ Ë ÓÒÚ‡ÌÓ‚ÍÛ Á‡ÔËÒË ‚ ÂÊËχı Quick Recording Ë Multi Recording. óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝ÚË Ì‡ÒÚÓÈÍË, ‚˚·ÂËÚ ˝Í‡Ì REC MODE Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK][NEXT], ÔÓÒΠÚÓ„Ó Í‡Í ‚˚ÔÓÎÌËÚ 1–3 ¯‡„Ë Ì‡ ÒÚ. 101. ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ‚Íβ˜ÂÌËfl Á‡ÔËÒË. ëڇ̉‡ÚÌÓ ‚Íβ˜ÂÌË Á‡ÔËÒË á‡ÔËÒ¸ ÌÓ‚˚ı ‰‡ÌÌ˚ı ÔÓ‚Âı ÒÚ‡˚ı ̇˜ÌÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË SONG [START/STOP] ËÎË Í·‚˯ ̇ Í·‚ˇÚÛÂ, ÂÒÎË ÙÛÌ͈Ëfl Synchro ̇ıÓ‰ËÚÒfl ‚ ÂÊËÏ ÓÊˉ‡ÌËfl. F G H á‡ÔËÒ¸ ÔÓ Ô‚ÓÈ Ò˚„‡ÌÌÓÈ ÌÓÚ á‡ÔËÒ¸ ̇˜ÌÂÚÒfl Ò‡ÁÛ ÊÂ, Í‡Í ÚÓθÍÓ ‚˚ ÍÓÒÌÂÚÂÒ¸ Í·‚˯. Ç ˝ÚÓÏ ÂÊËÏ ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ï‡Ú¡ΠÒÓı‡ÌflÂÚÒfl, ‡ ÌÓ‚˚ ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ÔÓ‚Âı Ì„Ó. I J á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ‚ Á‡‰‡ÌÌÓ ‚ÂÏfl) èÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ ‰Ó Ú‡ÍÚ‡, Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch In» (Â„Ó ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3▲▼] ). èÓÒΠ˝ÚÓ„Ó ‚Íβ˜‡ÂÚÒfl Á‡ÔËÒ¸ Ò Û‰‡ÎÂÌËÂÏ ‡Ì Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡·. 1 2 3 4 5 6 7 Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. ùÚË ÍÌÓÔÍË ‚Íβ˜‡˛Ú/‚˚Íβ˜‡˛Ú ÂÊËÏ ÛÔ‡‚ÎÂÌËfl Á‡ÔËÒ¸˛ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÒÓÒÚÂÌÛÚÓ (Ò‰ÌÂÈ). ç‡ÊÏËÚ Ô‰‡Î¸, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ Á‡ÔËÒ¸. á‡ÔËÒ¸ ÔÂ͇˘‡ÂÚÒfl ‚ ÏÓÏÂÌÚ ÓÚÔÛÒ͇ÌËfl Ô‰‡ÎË. 8 ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒfl Ú‡ÍÚ «Punch In», ÚÓ ÂÒÚ¸ Ú‡ÍÚ ‚Íβ˜ÂÌËfl Á‡ÔËÒË (ÔË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ÒÚÓÍÛ «PUNCH IN AT»). ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ÒÔÓÒÓ· ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË, ‡ Ú‡ÍÊ ÓÔ‡ˆËË, ÍÓÚÓ˚ ·Û‰ÛÚ ÔӉ·Ì˚ Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚Ï Ï‡Ú¡ÎÓÏ. Replace All (Á‡ÏÂÌËÚ¸ ‚ÒÂ) ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÚÓ˜ÍË, „‰Â ·˚· ‚˚Íβ˜Â̇ Á‡ÔËÒ¸, Û‰‡Îfl˛ÚÒfl. ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ Á‡‰‡ÂÚÒfl Ú‡ÍÚ «Punch Out», ÚÓ ÂÒÚ¸ Ú‡ÍÚ ÓÍÓ̘‡ÌËfl Á‡ÔËÒË (ÔË ˝ÚÓÏ ÌÂÓ·ıÓ‰ËÏÓ ‚˚·‡Ú¸ ÒÚÓÍÛ «PUNCH OUT AT»). èêàåÖóÄçàÖ ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Pedal Punch In/Out, Ó·˚˜Ì‡fl ÙÛÌ͈Ëfl Ô‰‡ÎË ÒÓÒÚÂÌÛÚÓ Ì ‰ÂÈÒÚ‚ÛÂÚ. Punch Out (‡‚ÚÓχÚ˘ÂÒÍÓ ‚˚Íβ˜ÂÌË Á‡ÔËÒË) ÇÂÒ¸ χÚ¡Î, ‡ÒÔÓÎÓÊÂÌÌ˚È ÔÓÒΠÚÓ˜ÍË ÓÍÓ̘‡ÌËfl Á‡ÔËÒË, ÒÓı‡ÌflÂÚÒfl. Punch Out At (Á‡ÔËÒ¸ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡ÂÚÒfl ‚ Á‡‰‡ÌÌÓ ‚ÂÏfl) á‡ÔËÒ¸ Ò Á‡Ï¢ÂÌËÂÏ ‡Ì Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡· ÔÓ‰ÓÎʇÂÚÒfl ‰Ó Ú‡ÍÚ‡, Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í Ú‡ÍÚ «Punch Out» (Â„Ó ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6▲▼]). ç‡ ˝ÚÓÏ Ú‡ÍÚ Á‡ÔËÒ¸ ‚˚Íβ˜‡ÂÚÒfl, Ë ‰‡Î ÔÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ. é· ‡‚ÚÓχÚ˘ÂÒÍÓÏ ‚Íβ˜ÂÌËË/‚˚Íβ˜ÂÌËË Á‡ÔËÒË ùÚ‡ ÙÛÌ͈Ëfl ËÒÔÓθÁÛÂÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ÔÂÂÁ‡ÔËÒË Ë Á‡ÏÂÌ˚ ͇ÍÓÈ-ÎË·Ó ‡Ì Á‡ÔËÒ‡ÌÌÓÈ ˜‡ÒÚË. çËÊ Ô˂‰ÂÌ˚ ÔËÏÂ˚ ÒËÚÛ‡ˆËÈ, ‚ ÍÓÚÓ˚ı ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÔËÒ‡Ú¸ ÓÚ‰ÂθÌ˚ (‚˚·‡ÌÌ˚Â) Ú‡ÍÚ˚ ÏÛÁ˚͇θÌÓÈ Ù‡Á˚, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸ÏË Ú‡ÍÚÓ‚. REC START setting REC END setting NORMAL REPLACE ALL NORMAL PUNCH OUT NORMAL PUNCH OUT AT=006 FIRST KEY ON REPLACE ALL FIRST KEY ON PUNCH OUT FIRST KEY ON PUNCH OUT AT=006 PUNCH IN AT=003 REPLACE ALL PUNCH IN AT=003 PUNCH OUT PUNCH IN AT=003 PUNCH OUT AT=006 106 CVP-210/208 àÒıÓ‰Ì˚ ‰‡ÌÌ˚ 1 2 ÇÍβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 ÇÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 1 3 4 6 7 8 5 *1 ÖÒÎË Ú‡ÍÚ˚ 1-2 ÔÂÂÔËÒ˚‚‡Ú¸ Ì Ú·ÛÂÚÒfl, Á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl Ò ÚÂÚ¸Â„Ó Ú‡ÍÚ‡. *2 äÌÓÔÍÛ [REC] ÒΉÛÂÚ Ì‡Ê‡Ú¸ ‚ ÍÓ̈ ÔflÚÓ„Ó Ú‡ÍÚ‡. 쉇Îfl˛ÚÒfl éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 *1 1 5 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 2 2 ÇÍβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 4 *1 1 ÇÍβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 3 3 4 5 6 7 8 7 8 éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı *1 2 3 4 燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛÂ/‚Íβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 2 3 3 4 3 4 3 4 3 4 3 6 7 8 5 6 7 8 5 쉇Îfl˛ÚÒfl éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 4 5 6 7 8 éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË 2 5 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË 2 쉇Îfl˛ÚÒfl éÒÚ‡Ìӂ͇ Á‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË 2 5 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛÂ/‚Íβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 2 6 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 燘‡ÎÓ Ë„˚ ̇ Í·‚ˇÚÛÂ/‚Íβ˜ÂÌË Á‡ÔËÒË Ò Á‡Ï¢ÂÌËÂÏ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı 2 5 4 5 6 7 8 èÂÊÌË ‰‡ÌÌ˚ çÓ‚˚ ‰‡ÌÌ˚ 쉇ÎÂÌÌ˚ ‰‡ÌÌ˚ á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË ÇÓÁÏÓÊÌÓÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ÔÓÁ‚ÓÎfl˛Ú ‰‡ÍÚËÓ‚‡Ú¸ ÍÓÏÔÓÁËˆË˛. èË ˝ÚÓÏ Ì ‚‡ÊÌÓ, ‚ ͇ÍÓÏ ÂÊËÏ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸. ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í Í‡Ì‡Î‡Ï – Channel ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û ∂4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚·ÂËÚ Û͇Á‡ÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. Ç˚‡‚ÌË‚‡ÌË îÛÌ͈Ëfl ‚˚‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ «ÔÓ˜ËÒÚËÚ¸» Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÚÓÏ ËÎË ËÌÓÏ Í‡Ì‡Î χÚ¡ΠËÎË Ò‰Â·ڸ Á‡ÔËÒ¸ ·ÓΠËÚÏ˘ÌÓÈ. ÇÓÁ¸ÏÂÏ, ‰Îfl ÔËχ, ÒÎÂ‰Û˛˘ËÈ Ô‡ÒÒ‡Ê, ÒÓÒÚÓfl˘ËÈ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı. чÊ ÔË Ò‡ÏÓÈ ‡ÍÍÛ‡ÚÌÓÈ Ë„Â ËÒÔÓÎÌËÚÂθ ÔÓÓÈ ÓÚÒÚ‡ÂÚ ÓÚ ÚÂÏÔ‡, ‡ ÔÓÓÈ Á‡·Â„‡ÂÚ ‚Ô‰. îÛÌ͈Ëfl ‚˚‡‚ÌË‚‡ÌËfl ÔÓÁ‚ÓÎflÂÚ Ú‡Í ‚˚Ó‚ÌflÚ¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ‚ÒÂı ÌÓÚ Í‡Ì‡Î‡, ˜ÚÓ·˚ Ëı ‰ÎËÚÂθÌÓÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ Á‡‰‡ÌÌÓÈ (ÒÏ. ÌËÊÂ). ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl ‚˚‡‚ÌË‚‡ÌËfl. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ÔÓÁ‚ÓÎflfl ÔË Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. A F B G C H D I E J 1 2 äÌÓÔÍË ‚˚·Ó‡ ‚˚‡‚ÌË‚‡ÂÏÓ„Ó Í‡Ì‡Î‡. 3 4 5 6 7 8 Ç˚·Ó ‡Á¯ÂÌËfl ‚˚‡‚ÌË‚‡ÌËfl. èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ. Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. éÔ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ‚˚‡‚ÌË‚‡ÌËfl ‚˚·‡ÌÌ˚ı ÌÓÚ. ÖÒÎË Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÂ̸¯Â 100%, ÌÓÚ˚ ÚÓθÍÓ Ò‰‚ËÌÛÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ ‚ ̇ԇ‚ÎÂÌËË ‚˚Ó‚ÌÂÌÌ˚ı ÔÓÁˈËÈ, ÌÓ Ì Á‡ÈÏÛÚ Ëı. èÓ‰Ó·ÌÓ «ÌÂÔÓÎÌÓ» ‚˚‡‚ÌË‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ «Ï‡¯ËÌÌÓ„Ó» ‚Ô˜‡ÚÎÂÌËfl ÓÚ Á‡ÔËÒË. Ç ÍÓ̈ ÍÓ̈ӂ, ˜‡˘Â ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÒÓı‡ÌËÚ¸ Û ÒÎÛ¯‡ÚÂÎfl Û‚ÂÂÌÌÓÒÚ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓÎÌËÚÂθ – ÊË‚ÓÈ ˜ÂÎÓ‚ÂÍ, ÍÓÚÓÓÏÛ Ò‚ÓÈÒÚ‚ÂÌÌÓ ‚ÂÏfl ÓÚ ‚ÂÏÂÌË Ó¯Ë·‡Ú¸Òfl. ■ é ‡Á¯ÂÌËË ‚˚‡‚ÌË‚‡ÌËfl ê‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓÚ ̇ËÏÂ̸¯ÂÈ ‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ‚˚‡‚ÌË‚‡ÂÏÓÏ Ù‡„ÏÂÌÚÂ. ç‡ÔËÏÂ, ÂÒÎË ÓÌ ÒÓÒÚÓËÚ ËÁ ˜ÂÚ‚ÂÚÂÈ Ë ‚ÓÒ¸Ï˚ı, Ô‡‡ÏÂÚ SIZE ‰ÓÎÊÂÌ ·˚Ú¸ ‡‚ÂÌ ‚ÓÒ¸ÏÓÈ. ÖÒÎË Á‡‰‡Ú¸ ‚ ͇˜ÂÒÚ‚Â ‡Á¯ÂÌËfl ˜ÂÚ‚ÂÚ¸, ‚ÓÒ¸Ï˚ ÌÓÚ˚ Ò‰‚ËÌÛÚÒfl Ë Ó·‡ÁÛ˛Ú ‡ÍÍÓ‰˚ Ò ˜ÂÚ‚ÂÚflÏË. í‡ÍÚ Ò ‚ÓÒ¸Ï˚ÏË ‰Ó ‚˚‡‚ÌË‚‡ÌËfl íÓÚ Ê ڇÍÚ ÔÓÒΠ‚˚‡‚ÌË‚‡ÌËfl Ò ‡Á¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛ ê‡Á¯ÂÌË ‚˚‡‚ÌË‚‡ÌËfl ˜ÂÚ‚ÂÚ¸ ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÂÈ ‚ÓҸχfl ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı ¯ÂÒÚ̇‰ˆ‡Ú‡fl ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı Úˉˆ‡Ú¸ ‚ÚÓ‡fl ‚ÓҸχfl+ ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı * ¯ÂÒÚ̇‰ˆ‡Ú‡fl+ ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı * ¯ÂÒÚ̇‰ˆ‡Ú‡fl+ ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı * LJˇÌÚ˚ ‚˚‡‚ÌË‚‡ÌËfl, ÓÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*), ˜ÂÁ‚˚˜‡ÈÌÓ Û‰Ó·Ì˚, Ú‡Í Í‡Í ÔÓÁ‚ÓÎfl˛Ú Ó‰ÌÓ‚ÂÏÂÌÌÓ Ó·‡·‡Ú˚‚‡Ú¸ ÌÓÚ˚ ‡ÁÌÓÈ ‰ÎËÚÂθÌÓÒÚË, Ì ÊÂÚ‚Ûfl ͇˜ÂÒÚ‚ÓÏ. ç‡ÔËÏÂ, ÂÒÎË Ì‡ ͇̇ΠÁ‡ÔËÒ‡Ì˚ Ë ‚ÓÒ¸Ï˚Â Ë ÚËÓÎË ËÁ ‚ÓÒ¸Ï˚ı, ÚÓ ‚˚‡‚ÌË‚‡ÌËÂ Ò ‡Á¯ÂÌËÂÏ ‚ ‚ÓÒ¸ÏÛ˛ Ô˂‰ÂÚ Í Á‡ÏÂÌ ÚËÓÎÂÈ ‚ÓÒ¸Ï˚ÏË. í‡ÍËÏ Ó·‡ÁÓÏ, Á‡ÔËÒ¸ ÛÚ‡ÚËÚ ‚Ò˛ ÚÛ ı‡‡ÍÚÂÌÓÒÚ¸, ÍÓÚÓÛ˛ Ó·ÂÒÔ˜˂‡ÂÚ ÔËÏÂÌÂÌË ‚ÓÒ¸Ï˚ı. çÓ ÂÒÎË ‚˚·‡Ú¸ ‡Á¯ÂÌË «‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı», ÌÓÚ˚ Ó·ÓËı ÚËÔÓ‚ ·Û‰ÛÚ ‚˚‡‚ÌÂÌ˚ Ô‡‚ËθÌÓ. CVP-210/208 107 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator 쉇ÎÂÌË (Delete) å‡Ú¡Î, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡ÎÂ, ÏÓÊÌÓ Û‰‡ÎËÚ¸. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. ùÚ‡ ÍÌÓÔ͇ ÔÓ‰Ú‚Âʉ‡ÂÚ Û‰‡ÎÂÌË ‚ÒÂı ‰‡ÌÌ˚ı ̇ ͇̇ÎÂ. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ÔÓÁ‚ÓÎflfl ÔË Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. A F B G C H D I E J 1 2 3 4 5 6 7 Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. 8 äÌÓÔÍË ‚˚·Ó‡ Û‰‡ÎflÂÏÓ„Ó Í‡Ì‡Î‡. é·˙‰ËÌÂÌË ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌËÚ¸ χÚ¡Î, Á‡ÔËÒ‡ÌÌ˚È Ì‡ ‰‚Ûı ‡ÁÌ˚ı ͇̇·ı, Ë ÒÓı‡ÌËÚ¸ ÂÁÛÎ¸Ú‡Ú Ì‡ ÌÓ‚ÓÏ Í‡Ì‡ÎÂ. äÓÏ ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ÒÓ‰ÂÊËÏÓ ӉÌÓ„Ó Í‡Ì‡Î‡ ̇ ‰Û„ÓÈ. èêàåÖóÄçàÖ ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl Ó·˙‰ËÌÂÌËfl. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ÔÓÁ‚ÓÎflfl ÔË Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. A F B G C H D I E J 1 2 3 ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ‚˚·‡Ú¸ ‰‚‡ Ó·˙‰ËÌflÂÏ˚ı ͇̇·. 4 5 6 7 CVP-210/208 Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. 8 äÌÓÔÍË Û͇Á‡ÌËfl ˆÂÎÂ‚Ó„Ó Í‡Ì‡Î‡ ‰Îfl ÒÓı‡ÌÂÌËfl ÂÁÛθڇÚÓ‚ Ó·˙‰ËÌÂÌËfl. èË ‚˚·Ó Á̇˜ÂÌËfl «COPY» ‰‡ÌÌ˚ ËÁ ͇̇· «Source 1» ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‚ ˆÂ΂ÓÈ Í‡Ì‡Î. 108 ÇÒ ‰‡ÌÌ˚Â Ó ÒÓ‰ÂÊËÏÓÏ Ó·˙‰ËÌflÂÏ˚ı ͇̇ÎÓ‚, Ì ÓÚÌÓÒfl˘ËÂÒfl Í ÏÛÁ˚͇θÌÓÈ ÌÓÚ‡ˆËË, ·ÂÛÚÒfl ËÁ ͇̇· Source 1. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator í‡ÌÒÔÓÌËÓ‚‡ÌË ͇̇· ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡Î χÚÂˇΠ‚ ԉ·ı ‰‚Ûı ÓÍÚ‡‚ ‚ β·Û˛ ÒÚÓÓÌÛ Ò ¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl Ú‡ÌÒÔÓÁˈËË. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ÔÓÁ‚ÓÎflfl ÔË Ê·ÌËË ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. A F B G C H D I E J äÌÓÔ͇ ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ‰‚ÛÏfl ÒÔËÒ͇ÏË Í‡Ì‡ÎÓ‚: ͇̇Î˚ 1 -8 Ë Í‡Ì‡Î˚ 9 -16. óÚÓ·˚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ‚Ò ͇̇Î˚ ̇ Á‡‰‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚, Á‡‰‡ÈÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ Channel Transpose ‰Îfl Ó‰ÌÓ„Ó ËÁ ͇̇ÎÓ‚, ‰Âʇ ˝ÚÛ ÍÌÓÔÍÛ Ì‡Ê‡ÚÓÈ. Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. 1 2 3 4 5 6 7 8 éÔ‰ÂÎflÂÚ ‚Â΢ËÌÛ Ú‡ÌÒÔÓÁˈËË ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡. á‡ÏÂ̇ Á̇˜ÂÌËÈ àÒıÓ‰Ì˚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË (̇ÔËÏÂ, ÚÂÏ·, ÛÓ‚Â̸ „ÓÏÍÓÒÚË ËÎË ÚÂÏÔ) ÏÓÊÌÓ Á‡ÏÂÌËÚ¸ ÚÂÍÛ˘ËÏË Á̇˜ÂÌËflÏË, Á‡‰‡ÌÌ˚ÏË Ò ÔÓÏÓ˘¸˛ ÍÓÌÒÓÎË ÏËͯ‡ ËÎË Ô‰ÌÂÈ Ô‡ÌÂÎË. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. äÌÓÔ͇ ÔÓ‰Ú‚ÂʉÂÌËfl Á‡ÏÂÌ˚ Á̇˜ÂÌËÈ. éÔ‡ˆË˛ Á‡ÏÂÌ˚ ÓÚÏÂÌËÚ¸ Ì‚ÓÁÏÓÊÌÓ. A F B G C H D I E J 1 2 3 4 5 6 7 8 Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ÓÚÏÂÚËÚ¸ ‚˚·‡ÌÌ˚È Ô‡‡ÏÂÚ „‡ÎÓ˜ÍÓÈ. á̇˜ÂÌËfl ÔÓϘÂÌÌ˚ı Ú‡ÍËÏ Ó·‡ÁÓÏ Ô‡‡ÏÂÚÓ‚ ÒÓı‡Ìfl˛ÚÒfl ‚ Ù‡ÈΠÔÂÒÌË. ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ Û͇Á‡Ú¸ ̇·Ó ÙÛÌ͈ËÈ Ë Ô‡‡ÏÂÚÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÍÓÚÓ˚È ·Û‰ÂÚ Á‡„ÛʇڸÒfl ÔË ‚˚ÁÓ‚Â ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÇÒ ÒÓ·˚ÚËfl, Á‡ ËÒÍβ˜ÂÌËÂÏ «KEYBOARD VOICE» (ÒÏÂÌ˚ ÚÂÏ·‡), ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓθÍÓ ‚ ̇˜‡Î ÔÂÒÌË. èÂʉ ˜ÂÏ ‚˚·‡Ú¸ ËÎË ÓÚÏÂÚËÚ¸ „‡ÎÓ˜ÍÓÈ Î˛·ÓÈ ËÁ ˝ÚËı Ô‡‡ÏÂÚÓ‚ (ÍÓÏ KEYBOARD VOICE), ÌÂÓ·ıÓ‰ËÏÓ ÔÂÂÈÚË Í Ì‡˜‡ÎÛ ÔÂÒÌË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [TOP] Ë ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. Song ...................... ëÓı‡ÌflÂÚ ÚÂÏÔ Ë ÔӘˠԇ‡ÏÂÚ˚, Á‡‰‡ÌÌ˚Â Ò ÍÓÌÒÓÎË ÏËͯ‡. Keyboard Voice .... Ä‚ÚÓχÚ˘ÂÒ͇fl ÛÒÚ‡Ìӂ͇ ÚÂÏ·‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚ (Main/Layer/Left). èË ‚˚·Ó ˝ÚÓ„Ó ÔÛÌÍÚ‡ ÒÓı‡ÌflÂÚÒfl ̇Á‚‡ÌË ÚÂÏ·‡, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ˜‡ÒÚflı, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚, Ë Á̇˜ÂÌËfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ˜‡ÒÚË (part ON/OFF). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÒÏÂÌÛ ÚÂÏ·‡ ‚ Ò‰ËÌ ÔÂÒÌË ‰Îfl ˜‡ÒÚË, Ë„‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚, ÓÒÚ‡ÌÓ‚ËÚ ÔÂÒÌ˛ ‚ ÌÛÊÌÓÏ ÏÂÒÚÂ, Á‡‰‡ÈÚ ÒÏÂÌÛ ÚÂÏ·‡ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE). Lyrics Bkgd/Lng ... ëÓı‡ÌflÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Lyrics. Score Setting ........ ëÓı‡ÌflÂÚ Ô‡‡ÏÂÚ˚ ˝Í‡Ì‡ Score. Mic. Settings ......... ëÓı‡ÌflÂÚ ÓÚÌÓÒfl˘ËÂÒfl Í ÏËÍÓÙÓÌÛ Ô‡‡ÏÂÚ˚, Á‡‰‡ÌÌ˚ ̇ ÍÓÌÒÓÎË ÏËͯ‡. Guide Setting........ ëÓı‡ÌflÂÚ Ì‡ÒÚÓÈÍË ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl. ÖÒÎË Ì‡ÒÚÓÈÍË ÒÓı‡ÌÂÌ˚, ÔË ‚˚·Ó ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÙÛÌ͈Ëfl Guide. CVP-210/208 109 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ – 1 - 16 ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ (ÒÏ. ÌËÊÂ). ÇÒ Ô˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı-‚ÌËÁ ÔÓ ÒÔËÒÍÛ Ë ‚˚·Ë‡Ú¸ ÌÂÓ·ıÓ‰ËÏÓ ÒÓ·˚ÚËÂ. èÂÂıÓ‰ Í Ì‡˜‡ÎÛ ÔÂÒÌË (Ô‚‡fl ÌÓÚ‡ ÔÂ‚Ó„Ó Ú‡ÍÚ‡). ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ÔÂÂÏ¢‡Ú¸ ÍÛÒÓ ‚΂Ó/ ‚Ô‡‚Ó Ë ‚˚·Ë‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È Ô‡‡ÏÂÚ ‚˚‰ÂÎÂÌÌÓ„Ó ˆ‚ÂÚÓÏ ÒÓ·˚ÚËfl. éÔ‰ÂÎflÂÚ Â‰‡ÍÚËÛÂÏ˚È Í‡Ì‡Î. A F B G C H D I E J Ç˚ÁÓ‚ËÚ ˝Í‡Ì Step Recording (ÒÚ. 102). äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Filter (ÒÚ. 112), ÔÓÁ‚ÓÎfl˛˘Â„Ó ‚˚·‡Ú¸ ÒÓ·˚ÚËfl ‰Îfl ÓÚÓ·‡ÊÂÌËfl ‚ ÒÔËÒÍ ÒÓ·˚ÚËÈ. Ç˚ÁÓ‚ ˝Í‡Ì‡ SONG, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ù‡ÈÎ. ÖÒÎË Ú·ÛÂÚÒfl ‚˚·‡Ú¸ Ò‡ÁÛ ÌÂÒÍÓθÍÓ ÒÓ·˚ÚËÈ, ÒΉÛÂÚ, Û‰ÂÊË‚‡fl ˝ÚÛ ÍÌÓÔÍÛ ‚ ̇ʇÚÓÏ ÔÓÎÓÊÂÌËË, ̇ʇڸ ÍÌÓÔÍÛ [A] ËÎË [B]. 1 2 3 4 5 6 7 8 ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ‚ÒÚ‡‚ÎflÚ¸ ‚Ò ‚˚ÂÁ‡ÌÌ˚ ËÎË ÒÍÓÔËÓ‚‡ÌÌ˚ ÒÓ·˚ÚËfl ̇˜Ë̇fl Ò Á‡‰‡ÌÌÓÈ ÔÓÁˈËË ‚ ÔÂÒÌÂ. ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÚÂÍÛ˘Â ÔÓÎÓÊÂÌË ‰‡ÍÚËÛÂÏÓ„Ó ÒÓ·˚ÚËfl. ÉÛ·‡fl ̇ÒÚÓÈ͇ Á̇˜ÂÌËfl. íÓÌ͇fl ̇ÒÚÓÈ͇ Á̇˜ÂÌËfl. äÌÓÔ͇ ‚˚ÂÁ‡ÌËfl (Û‰‡ÎÂÌËfl) ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı ÒÓ·˚ÚËÈ. Ç˚ÂÁ‡ÌÌ˚ ÒÓ·˚ÚËfl ÍÓÔËÛ˛ÚÒfl, ÔÓ˝ÚÓÏÛ Ëı ÏÓÊÌÓ ÔÓÏÂÒÚËÚ¸ ‚ β·Ó ‰Û„Ó ÏÂÒÚÓ ÔÂÒÌË. äÌÓÔ͇ ‰Ó·‡‚ÎÂÌËfl ÌÓ‚Ó„Ó ÒÓ·˚ÚËfl ‚ ÒÔËÒÓÍ ÒÓ·˚ÚËÈ ÙÛÌ͈ËË Event List. ç‡Ê‡‚ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰ÌÓ Á̇˜ÂÌËÂ, ÂÒÎË ‚˚ ӯ˷ÎËÒ¸ ÔË ‚‚Ӊ Á̇˜ÂÌËfl, ÌÓ Â˘Â Ì ÔӉڂ‰ËÎË ‚‚Ó‰ (ÚÓ ÂÒÚ¸ ÍÓ„‰‡ ÍÛÒÓ Â˘Â Ì‡ıÓ‰ËÚÒfl fl‰ÓÏ Ò ÌÓ‚˚Ï Á̇˜ÂÌËÂÏ). äÌÓÔ͇ ÍÓÔËÓ‚‡ÌËfl ‚ÒÂı ‚˚‰ÂÎÂÌÌ˚ı ÒÓ·˚ÚËÈ. ëÍÓÔËÓ‚‡ÌÌ˚ ÒÓ·˚ÚËfl ÏÓÊÌÓ ÔÓÏÂÒÚËÚ¸ ‚ β·Ó ‰Û„Ó ÏÂÒÚÓ. äÌÓÔÍË Û‰‡ÎÂÌËfl ÒÓ·˚ÚËfl Ô‰ ÍÛÒÓÓÏ. èêàåÖóÄçàÖ óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl, ÔÂÂÏÂÒÚËÚ ÍÛÒÓ ‚ ‰Û„Ó ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. çÓÚÌ˚ ÒÓ·˚ÚËfl 臇ÏÂÚ Note (ÌÓÚ‡) Ctrl (ÒÏÂ̇ Á̇˜ÂÌËfl ÍÓÌÚÓη) Prog (ÒÏÂ̇ ÔÓ„‡ÏÏ˚) éÔËÒ‡ÌË éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ, ÒÍÓÓÒÚ¸ ̇ʇÚËfl („ÓÏÍÓÒÚ¸) Ë ‰ÎËÚÂθÌÓÒÚ¸ ÌÓÚ˚. ᇉ‡ÂÚ ÌÓÏ ÍÓÌÚÓη Ë Á̇˜ÂÌËÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (MIDI Data Format). ᇉ‡ÂÚ ÌÓÏ ÚÂÏ·‡ (ÔÓ„‡ÏÏ˚). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÓÓ·˘ÂÌËflı ˝ÚÓ„Ó ÚËÔ‡ Ô˂‰ÂÌ˚ ‚ ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚ (ÒÔËÒÓÍ ÚÂÏ·Ó‚ Voice List). P.Bnd (ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚) ᇉ‡ÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ «ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚». A.T. (‰‡‚ÎÂÌË ̇ Í·‚Ë¯Û ÔÓÒΠ ᇉ‡ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌËÂ. ̇ʇÚËfl) èêàåÖóÄçàÖ íÂÏ· „ÓÎÓÒÓ‚, Á‡ÔËÒ‡ÌÌ˚ı ‚ ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ, ÏÓÊÂÚ Ò΄͇ ÓÚ΢‡Ú¸Òfl ÓÚ ËÒıÓ‰ÌÓ„Ó. 110 CVP-210/208 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator ꉇÍÚËÓ‚‡ÌË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ – CHD ùÚÓÚ ˝Í‡Ì Ô‰̇Á̇˜ÂÌ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ, Á‡ÔËÒ‡ÌÌ˚ı ‚ Ù‡ÈΠÔÂÒÌË. ÇÒ Ô˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û #4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. ç‡Á̇˜ÂÌË ‚ÒÂı ÍÌÓÔÓÍ (Á‡ ËÒÍβ˜ÂÌËÂÏ ÍÌÓÔÍË [F] (EXPAND)) ˉÂÌÚ˘ÌÓ ÓÔËÒ‡ÌÌÓÏÛ ‚ Ô‰˚‰Û˘ÂÏ ‡Á‰ÂΠ(ÒÚ. 110). A F B G C H D I E J äÌÓÔ͇ ÔÂÓ·‡ÁÓ‚‡ÌËfl Á‡ÔËÒÂÈ, ÓÚÌÓÒfl˘ËıÒfl Í ‡ÍÍÓ‰‡Ï Ë ˜‡ÒÚflÏ, ‚ ‰‡ÌÌ˚ ÔÂÒÌË. èêàåÖóÄçàÖ óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl, ÔÂÂÏÂÒÚËÚ ÍÛÒÓ ‚ ‰Û„Ó ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. ÄÍÍÓ‰Ó‚˚ ÒÓ·˚ÚËfl 臇ÏÂÚ Style (ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) Tempo (ÚÂÏÔ) Chord (‡ÍÍÓ‰) Sect (˜‡ÒÚ¸) OnOff (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ͇̇·) CH.Vol („ÓÏÍÓÒÚ¸ ͇̇·) S.Vol („ÓÏÍÓÒÚ¸ ÒÚËÎfl) éÔËÒ‡ÌË Ç˚‚Ó‰ËÚ Ì‡Á‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Á‡‰‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÂȉËÚ ̇ ˝Í‡Ì STYLE Ë ‚˚·ÂËÚ ÔÓ‰ıÓ‰fl˘ËÈ ÒÚËθ. ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡. éÔ‰ÂÎflÂÚ ‡ÍÍÓ‰ (ÓÒÌÓ‚ÌÓÈ ÚÓÌ, ÚËÔ Ë ·‡ÒÓ‚Û˛ ÌÓÚÛ). ᇉ‡ÂÚ ˜‡ÒÚ¸ –  ̇Á‚‡ÌËÂ Ë ‚‡Ë‡ˆË˛ (Ä/B/C/D). éÔ‰ÂÎflÂÚ ÒÚ‡ÚÛÒ ÓÔ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.). ì͇Á˚‚‡ÂÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÓÔ‰ÂÎÂÌÌ˚ı ͇̇ÎÓ‚ (ËÚÏ, ·‡Ò Ë Ú. ‰.). éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ˆÂÎÓÏ. ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ – SYS/EX. (ÒÓÓ·˘ÂÌËfl System Exclusive) ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓ„Ó ˝Í‡Ì‡ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÒËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl. ÇÒ Ô˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓfl‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«ê‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚ. 110). ëËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl 臇ÏÂÚ ScBar (Ô‚˚È Ú‡ÍÚ Ô‡ÚËÚÛÂ) Tempo (ÚÂÏÔ) Time (˜‡ÒÚÓÚ‡ Ò˄̇·) Key (Í·‚˯‡) XG Prm (Ô‡‡ÏÂÚ˚ XG) SYS/EX. (ÒÓÓ·˘ÂÌËfl System Exclusive) Meta (ÏÂÚ‡ÒÓ·˚ÚËÂ) éÔËÒ‡ÌË ᇉ‡ÂÚ ÌÓÏ ÔÂ‚Ó„Ó Ú‡ÍÚ‡ ‚ ÍÓÏÔÓÁˈËË. çÓÏ ڇÍÚ‡ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ „·‚ÌÓÏ ˝Í‡ÌÂ Ë Ì‡ ˝Í‡Ì ÌÓÚ‡ˆËË. Ç Ì‡˜‡Î ÔÂÒÌË ÏÓÊÌÓ Û͇Á˚‚‡Ú¸ ÚÓθÍÓ Ó‰ÌÓ Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡. ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡. ᇉ‡ÂÚ Á̇˜ÂÌË ‡Áχ. ᇉ‡ÂÚ ÚÓ̇θÌÓÒÚ¸ Ë Î‡‰ (χÊÓ/ÏËÌÓ). èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚ MIDI. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı MIDI ÒÏ. ‚ ÓÚ‰ÂθÌÓÏ ·ÛÍÎÂÚ (MIDI Data Format). ÇÍβ˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËfl ÒÓÓ·˘ÂÌËÈ System Exclusive. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ‡Á¯‡ÂÚÒfl. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸, ‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸. ÇÍβ˜‡ÂÚ ÂÊËÏ ÓÚÓ·‡ÊÂÌËfl ÏÂÚ‡ÒÓ·˚ÚËÈ SMF. àÁÏÂÌflÚ¸ Ú‡ÍË ÒÓÓ·˘ÂÌËfl Ì ‡Á¯‡ÂÚÒfl. çÓ Ëı ÏÓÊÌÓ Û‰‡ÎflÚ¸, ‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸. CVP-210/208 111 á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌË ÔÂÒÂÌ – Song Creator Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚‚Ó‰ËÚ¸ ̇Á‚‡ÌË ÔÂÒÌË Ë Â ÚÂÍÒÚ. äÓÏ ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÍÓÂÍÚËÓ‚‡Ú¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÈ ÚÂÍÒÚ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó· ˝ÚÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ÌËÊ ‚ Ú‡·ÎˈÂ. ÇÒ Ô˜ËÒÎÂÌÌ˚ Á‰ÂÒ¸ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 101. Ç˚ÁÓ‚ËÚ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT]. èÓfl‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«ê‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ» (ÒÚ. 110). Ç Í‡˜ÂÒÚ‚Â ÔËχ ‚ÓÁ¸ÏÂÏ ÔÂÒÌ˛ «Twinkle Twinkle Little Star» Ë ÔÂÂÔ˯ÂÏ Ù‡„ÏÂÌÚ Â ÚÂÍÒÚ‡. Ç˚·ÂËÚ ‚ÒÚÓÂÌÌÛ˛ ÔÂÒÌ˛ «Twinkle Twinkle Little Star». åÂÚÓ‰ ‚˚·Ó‡ ÔÂÒÌË Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. ÒÚ. 78. 1 2 3 Ç˚‰ÂÎËÚ ÍÛÒÓÓÏ Ì‡Á‚‡ÌË ÔÂÒÌË ‚ ÒÔËÒÍÂ. èÓÏÂÒÚËÚ ÍÛÒÓ Ô‰ ÒÎÓ‚ÓÏ «star». A F B G C H D I E J 4 äÌÓÔ͇ ÒÓı‡ÌÂÌËfl ÌÓ‚Ó„Ó ÚÂÍÒÚ‡. èêàåÖóÄçàÖ ë ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı ÍÌÓÔÓÍ ÔÂÂȉËÚÂ Í ˝Í‡ÌÛ «Lyric». ç‡ ˝Í‡Ì Lyric (ÒÚ. 49) ‚‚‰ËÚ ÌÓ‚Ó ÒÎÓ‚Ó (̇ÔËÏÂ, Ò‚Ó ËÏfl). èÂÒÌfl «Twinkle Twinkle Little Star» ̇ıÓ‰ËÚÒfl ‚ Ô‡ÔÍ «For Children» äÌË„Ë ÔÂÒÂÌ (ÒÚ. 78). èêàåÖóÄçàÖ 1 2 3 4 5 6 7 óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚‚Ó‰ ËÁÏÂÌÂÌÌÓ„Ó Á̇˜ÂÌËfl, ÔÂÂÏÂÒÚËÚ ÍÛÒÓ ‚ ‰Û„Ó ÔÓΠËÎË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG [START/STOP]. 8 íÂÍÒÚÓ‚˚ ÒÓ·˚ÚËfl 臇ÏÂÚ Name (̇Á‚‡ÌË ÔÂÒÌË) Lyrics (ÚÂÍÒÚ˚ ÔÂÒÂÌ) Code (‰Û„Ë ԇ‡ÏÂÚ˚) éÔËÒ‡ÌË ᇉ‡ÂÚ Ì‡Á‚‡ÌË ÔÂÒÌË. Ç˚Á˚‚‡ÂÚ ˝Í‡Ì «NAME», ÔÓÁ‚ÓÎfl˛˘ËÈ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ÔÂÒÌË. èÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË ÚÂÍÒÚ ÔÂÒÌË. CR : ÇÒÚ‡‚͇ ‚ ÚÂÍÒÚ Ó·˚‚‡ ÒÚÓÍË. LF : 쉇ÎÂÌË ‚˚‚‰ÂÌÌÓ„Ó Ì‡ ˝Í‡Ì ÚÂÍÒÚ‡ Ë ÓÚÓ·‡ÊÂÌË ÌÓ‚Ó„Ó ÚÂÍÒÚÓ‚Ó„Ó Ù‡„ÏÂÌÚ‡. ç‡ÒÚÓÈ͇ ÒÔËÒ͇ ÒÓ·˚ÚËÈ – Filter ùÚ‡ ÙÛÌ͈Ëfl ÒÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÒÔËÒ͇ ÓÚÓ·‡Ê‡ÂÏ˚ı ̇ ˝Í‡Ì‡ı ‰‡ÍÚËÓ‚‡ÌËfl ÚËÔÓ‚ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·‡Ú¸ ÒÓ·˚ÚËÂ, ÛÒÚ‡ÌÓ‚ËÚ „‡ÎÓ˜ÍÛ ‚ ÔÓΠfl‰ÓÏ Ò Ì‡Á‚‡ÌËÂÏ ÒÓ·˚ÚËfl. óÚÓ·˚ ËÒÍβ˜ËÚ¸ ÓÔ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËfl ËÁ ÒÔËÒ͇ ÓÚÓ·‡Ê‡ÂÏ˚ı ÒÓ·˚ÚËÈ, ÒÌËÏËÚ „‡ÎÓ˜ÍÛ. óÚÓ·˚ ‚˚Á‚‡Ú¸ ËÁÓ·‡ÊÂÌÌ˚È ÌËÊ ˝Í‡Ì, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (FILTER) ̇ β·ÓÏ ËÁ ˝ÚËı ˝Í‡ÌÓ‚: CHD, 1 - 16, SysEX ËÎË LYRICS (ÒÚ. 110 - ÒÚ. 112). èÂÂıÓ‰ Í ˝Í‡ÌÛ Main Filter (ÓÒÌÓ‚ÌÓÈ ÙËθÚ). ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (MIDI Data Format). èÂÂıÓ‰ Í ˝Í‡ÌÛ Control Change Filter. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (MIDI Data Format). ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÚËÚ¸ „‡ÎÓ˜ÍÓÈ ‚Ò ÚËÔ˚ ÒÓ·˚ÚËÈ. A F B G C H D I E J èÂÂıÓ‰ Í ˝Í‡ÌÛ Accompaniment Filter. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÏ ÚËÔ ÒÓ·˚ÚËÈ ÒÏ. ‚ Ò·ÓÌËÍ ڇ·Îˈ (MIDI Data Format). Ç˚·Ë‡ÂÚ ÚÓθÍÓ ÌÓÚÌ˚ ‰‡ÌÌ˚Â, Ù·ÊÍË ËÁ ‚ÒÂı ÓÒڇθÌ˚ı ÔÓÎÂÈ ÒÌËχ˛ÚÒfl. ëÌËχÂÚ ‚Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ Ù·ÊÍË Ë ÛÒڇ̇‚ÎË‚‡ÂÚ Ù·ÊÍË Ú‡Ï, „‰Â Ëı Ì ·˚ÎÓ ‡Ì¸¯Â. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË ˝ÚÓÏ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl „‡ÎÓ˜ÍË ‚Ó ‚ÒÂı ÔÓÎflı, ‚ ÍÓÚÓ˚ı Ëı ‰Ó ˝ÚÓ„Ó Ì ·˚ÎÓ, Ë Ì‡Ó·ÓÓÚ. äÌÓÔ͇ ÛÒÚ‡ÌÓ‚ÍË/ÒÌflÚËfl „‡ÎÓ˜ÍË. 1 2 3 4 5 6 7 8 äÌÓÔÍË ‚˚·Ó‡ ÒÚÓÍË. END EXIT 112 CVP-210/208 óÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚ÌÂÒÂÌÌ˚ ËÁÏÂÌÂÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ «MAIN FILTER» ËÎË «ACCOMPANIMENT FILTER» ˝ÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÔÓÍÛÚÍË ÒÔËÒ͇ Ë ‚˚·Ó‡ ÚËÔ‡ ÒÓ·˚ÚËfl. èË ÔÂÂıÓ‰Â Í ˝Í‡ÌÛ «CONTROL CHANGE FILTER» ÓÌË ÒÎÛÊ‡Ú ‰Îfl ÔÓÍÛÚÍË ÒÔËÒ͇ (8 ÒÚÓÍ ‚‚Âı ËÎË ‚ÌËÁ Á‡ Ó‰ÌÓ Ì‡Ê‡ÚËÂ) Ë ‚˚·Ó‡ ÚËÔ‡ ÒÓ·˚ÚËfl. ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ùÚ‡ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚ ÏÓ„ÛÚ ÔËÏÂÌflÚÒfl ̇‡‚ÌÂ Ò ‚ÒÚÓÂÌÌ˚ÏË. METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO A F MASTER VOLUME HELP TAP TEMPO DIGITAL RECORDING FADE IN OUT REC TOP START STOP REW FF GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF B G LAYER C H LEFT D I E J BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO DIGITAL STUDIO TRANSPOSE RESET RESET AUTO FILL IN BREAK INTRO MAIN ONE TOCTH SETTING 1 DIGITAL RECORDING STYLE ACMP MUSIC FINDER SOUND CREATOR TAP TEMPO ENDING rit. SYNC.STOP SYNC.START START STOP 3 4 PIANO DATA ENTRY MIXING CONSOLE OTS LINK 2 FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART STYLE ACMP DIRECT ACCESS AUTO FILLIN BREAK INTRO 1 B 3 4 5 ENDING / rit. MAIN A 2 C 6 7 EXIT 8 SYNC.STOP SYNC.START START / STOP D OTS LINK é ÒÓÁ‰‡ÌËË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 퇷Îˈ‡ ‚ Ô‡‚ÓÈ ˜‡ÒÚË ÒÚ‡Ìˈ˚ ÒÓ‰ÂÊËÚ Ì‡Á‚‡ÌËfl ͇̇ÎÓ‚, ÍÓÚÓ˚ Ô‰ÒÚ‡‚ÎÂÌ˚ ‚ ͇ʉÓÈ ˜‡ÒÚË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ÒÓÁ‰‡Ú¸ ÒÚËθ, ÔÓÒΉӂ‡ÚÂθÌÓ Á‡Ô˯ËÚ ÏÛÁ˚͇θÌ˚ هÁ˚ (ÔÓ Ó‰ÌÓÈ Ì‡ ͇̇Î) ‰Îfl ͇ʉÓÈ Ú·ÛÂÏÓÈ ˜‡ÒÚË. ó‡ÒÚ¸ ͇̇ΠINTRO A - D MAIN A - D ■ á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË (ÒÚ. 115) ëÚËÎË ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ Á‡ÔËÒ‡Ú¸ ˜‡ÒÚË, ÍÓÚÓ˚ ˄‡˛ÚÒfl «‚ ÊË‚Û˛» Ò Í·‚ˇÚÛ˚. é‰Ì‡ÍÓ Ì ӷflÁ‡ÚÂθÌÓ Á‡ÔËÒ˚‚‡Ú¸ Í‡Ê‰Û˛ ˜‡ÒÚ¸ Ò‡ÏÓÒÚÓflÚÂθÌÓ. ÇÏÂÒÚÓ ˝ÚÓ„Ó ÏÓÊÌÓ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌ˚È ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Á‚Û˜‡ÌË ÍÓÚÓÓ„Ó ·ÎËÁÍÓ Í Ú·ÛÂÏÓÏÛ, ‡ Á‡ÚÂÏ ‰Ó·‡‚ËÚ¸ ËÎË Á‡ÏÂÌËÚ¸ ÓÚ‰ÂθÌ˚ ˜‡ÒÚË, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ‚ ËÚÓ„Â ÓË„Ë̇θÌ˚È ÒÚËθ. RHYTHM 1, RHYTHM 2, BASS, CHORD 1, CHORD 2, PAD, PHRASE 1, PHRASE 2 FILL IN A - D BREAK ENDING A - D èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÒÚÛÍÚÛ ˜‡ÒÚÂÈ ‚ ÒÚËÎflı ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÏ. ̇ ÒÚ. 99. ÍÚÂËÒÚËÍË Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË • ñËÍ΢ÂÒ͇fl Á‡ÔËÒ¸ èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Â„Ó Ù‡Á˚ (ÌÂÒÍÓθÍÓ Ú‡ÍÚÓ‚) Á‡ˆËÍÎË‚‡˛ÚÒfl, ÚÓ ÂÒÚ¸ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Á‡ ÓÍÓ̘‡ÌËÂÏ Ù‡Á˚ ÒΉÛÂÚ Â ̇˜‡ÎÓ. í‡Í‡fl Ù‡Á‡ ̇Á˚‚‡ÂÚÒfl «ÔÂÚÎÂÈ». Ç˚ ÚÓÊ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ «ÔÂÚÎË». ç‡ÔËÏÂ, ÔË Á‡ÔËÒË ‰‚ÛıÚ‡ÍÚÓ‚ÓÈ Ù‡Á˚ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ Á‡ÔËÒ˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Á‡ÔËÒ‡ÌÌ˚ ‚ Ô‰˚‰Û˘ÂÏ ˆËÍΠÌÓÚ˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ̇˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘Â„Ó ˆËÍ·. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡Ú¡ΠÔÓ‚Âı ÒÚ‡Ó„Ó. • êÂÊËÏ Ì‡ÎÓÊÂÌËfl Á‡ÔËÒË Ç ˝ÚÓÏ ÂÊËÏ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡Ú¡Π̇ ‰ÓÓÊÍÛ, ÛÊ ÒÓ‰Âʇ˘Û˛ Á‡ÔËÒ¸. èË ˝ÚÓÏ ËÒıӉ̇fl Á‡ÔËÒ¸ ·Û‰ÂÚ ÒÓı‡ÌÂ̇. ÖÒÎË ‚˚ ÒÔˆˇθÌÓ Ì ۉ‡ÎËÚ ‡ÌÌ˛˛ Á‡ÔËÒ¸, Ó̇ ÓÒÚ‡ÌÂÚÒfl ‚ ˆÂÎÓÒÚË Ë ÒÓı‡ÌÌÓÒÚË, ‡ ÌÓ‚˚ هÁ˚ ·Û‰ÛÚ Ì‡ÎÓÊÂÌ˚ ÔÓ‚Âı ÌÂÂ. ç‡ÔËÏÂ, ÔË Á‡ÔËÒË Ù‡Á˚ ËÁ ‰‚Ûı Ú‡ÍÚÓ‚ ‰Îfl „·‚ÌÓÈ ˜‡ÒÚË ˝ÚË ‰‚‡ Ú‡ÍÚ‡ ÔÓ‚ÚÓfl˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. çÓÚ˚, Á‡ÔËÒ‡ÌÌ˚ Á‡ ͇ʉÓ ÔÓıÓʉÂÌË «ÔÂÚÎË» (ÔÓ‚ÚÓÂÌË ˆËÍ·), ̇˜Ë̇˛Ú ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‚ ÒÎÂ‰Û˛˘ÂÏ ˆËÍÎÂ. ÇÒÂ, ˜ÚÓ Ú·ÛÂÚÒfl, – ˝ÚÓ ‰Ó·‡‚ÎflÚ¸ ÌÓ‚˚È Ï‡Ú¡Î, ÔÓÒÎۯ˂‡fl ÛÊ Á‡ÔËÒ‡ÌÌ˚ هÁ˚. ■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË – Step Recording (ÒÚ. 116) èË ËÒÔÓθÁÓ‚‡ÌËË ‰‡ÌÌÓ„Ó ÚËÔ‡ Á‡ÔËÒË ‚˚ ÒÏÓÊÂÚ ‡·ÓÚ‡Ú¸ Í‡Í ÍÓÏÔÓÁËÚÓ, ÍÓÚÓ˚È Ô˯ÂÚ ÌÓÚ˚ ̇ ·Ûχ„Â. ä‡Ê‰‡fl ÌÓÚ‡ ‚‚Ó‰ËÚÒfl ÔÓ ÓÚ‰ÂθÌÓÒÚË Ò Û͇Á‡ÌËÂÏ ‰ÎËÚÂθÌÓÒÚË. ùÚÓ Ë‰Â‡Î¸Ì˚È ÂÊËÏ ‰Îfl ÚÂı ÒÎÛ˜‡Â‚, ÍÓ„‰‡ ‚‡Ê̇ ÚÓ˜ÌÓÒÚ¸, ËÎË ‰Îfl Á‡ÔËÒË ÒÎÓÊÌ˚ı Ô‡ÚËÈ. ■ ë·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 117) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ «ÒÓÒÚ‡‚Ì˚» ÒÚËÎË, ÒÓ˜ÂÚ‡fl ‡Á΢Ì˚ هÁ˚, ‚ÁflÚ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. ç‡ÔËÏÂ, ÂÒÎË Ú·ÛÂÚÒfl ÒÓÁ‰‡Ú¸ ÓË„Ë̇θÌ˚È ‚ÓÒ¸ÏˉÓθÌ˚È ÒÚËθ, ‚˚ ÏÓÊÂÚ ‚ÁflÚ¸ ËÚÏ˘ÂÒÍË هÁ˚ ËÁ ÒÚËÎfl «8 Beat 1», ·‡Ò – ËÁ ÒÚËÎfl «8 Beat 2», ‡ ‡ÍÍÓ‰Ó‚Û˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ – ËÁ ÒÚËÎfl «60’s 8 Beat». éÒÚ‡ÂÚÒfl Î˯¸ ÒÓ·‡Ú¸ ÒÚËθ ‚Ó‰ËÌÓ. 8 Beat 1 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 60’s 8 Beat Rhythm 1 Rhythm 2 Bass Chord 1 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 Chord 2 ■ ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 118) ëÚËÎË, ÒÓÁ‰‡ÌÌ˚ β·˚Ï ËÁ ‚˚¯ÂÔ˜ËÒÎÂÌÌ˚ı ÏÂÚÓ‰Ó‚, ‰ÓÔÛÒ͇˛Ú ‰‡ÍÚËÓ‚‡ÌËÂ. 8 Beat 2 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 Pad Phrase 1 Phrase 2 CVP-210/208 113 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF) îÓÏ‡Ú SFF ·˚Î ‡Á‡·ÓÚ‡Ì ÍÓÔÓ‡ˆËÂÈ Yamaha Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊÂÌËÈ ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. îÛÌ͈ËË Â‰‡ÍÚËÓ‚‡ÌËfl ÔÓÁ‚ÓÎfl˛Ú ‚ ÔÓÎÌÓÈ Ï ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÔÂËÏÛ˘ÂÒÚ‚‡ÏË ÙÓχڇ SFF ‰Îfl ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ. ëÔ‡‚‡ Ô˂‰Â̇ ËÎβÒÚ‡ˆËfl ÔÓˆÂÒÒ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ùÚÓ Ì ÓÚÌÓÒËÚÒfl Í ËÚÏ˘ÂÒÍËÏ ‰ÓÓÊ͇Ï.) éÒÌӂ̇fl, ËÎË «ËÒıӉ̇fl» Ù‡Á‡ ‚ Ú‡·Îˈ Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ËÒıÓ‰Ì˚È ÒÚËθ. åÂÚÓ‰ Á‡ÔËÒË ËÒıÓ‰ÌÓÈ Ù‡Á˚ Ó·˙flÒÌÂÌ ÌËÊÂ. ç‡ ÒıÂÏ ÒÔ‡‚‡ ÔÓ͇Á‡ÌÓ, ˜ÚÓ Ò˄̇Π̇ ‚˚ıӉ ÓÔ‰ÂÎflÂÚÒfl Á̇˜ÂÌËflÏË fl‰‡ Ô‡‡ÏÂÚÓ‚ Ë ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛ ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. àÒıӉ̇fl Ù‡Á‡ 1 àÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ (ÚÓÌË͇ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓ‰‡) 2 àÒıÓ‰Ì˚È ‡ÍÍÓ‰ (ÚËÔ ÓÒÌÓ‚ÌÓ„Ó ‡ÍÍÓ‰‡) èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚ (‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚, Óڂ‰ÂÌÌÓÏ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ) àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ 3 NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË) 4 NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) î‡Á˚, Á‡ÔËÒ‡ÌÌ˚ ‚ Ù‡ÈΠÒÚËÎfl (ÒÚ. 121). ùÚ‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡‰‡ÂÚÒfl ‡ÍÍÓ‰‡ÏË, ÍÓÚÓ˚ ˄‡˛ÚÒfl ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 66). ùÚË Ô‡‡ÏÂÚ˚ ̇Òڇ˂‡˛ÚÒfl ̇ ‚Í·‰Í PARAMETER. éÌË ÓÔ‰ÂÎfl˛Ú ÏÂÚÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ ËÒıÓ‰ÌÓÈ Ù‡Á˚ ÔË ‚ÁflÚËË ‡ÍÍÓ‰Ó‚ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÒÚ. 121). ÑÛ„Ë ̇ÒÚÓÈÍË 5 High Key (‚ÂıÌËÈ ÔÓÓ„ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚) 6 Note Limit (Á‚Û˜‡˘ËÈ ‰Ë‡Ô‡ÁÓÌ) 7 RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÍÓÚÓÓ ÓÔ‰ÂÎflÂÚ ÏÂÚÓ‰ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ ‚ıÓ‰fl˘Ëı ‚ ‡ÍÍÓ‰ ÚÓÌÓ‚) ë˄̇Π̇ ‚˚ıӉ èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ 1 èÓ‰·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ÌÓ‚˚È ÒÚËθ «Ò ÌÛÎfl», ÔÂÂȉËÚÂ Í ÒÚ‡Ìˈ BASIC ˝Í‡Ì‡ Style Creator Ë ‚˚·ÂËÚ «New Style», ̇ʇ‚ ÍÌÓÔÍÛ [C]. 3 A B C D 2 E DIGITAL STUDIO SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE PART 4 á‡Ô˯ËÚÂ Ë ÓÚ‰‡ÍÚËÛÈÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÔÓfl‰Í ‡·ÓÚ˚ Ò Í‡Ê‰ÓÈ ÒÚ‡ÌˈÂÈ ˝Í‡Ì‡ Multi Pad Creator ÒÏ. ‰‡ÎÂÂ, ̇˜Ë̇fl ÒÓ ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ˚. BACK NEXT F G èÂÂıÓ‰ ÓÚ ÒÚ‡Ìˈ˚ Í ÒÚ‡Ìˈ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/ [NEXT]. H I J 5 114 Ç˚ÁÓ‚ËÚ ˝Í‡Ì Style, ̇ʇ‚ ÍÌÓÔÍÛ [I] (SAVE) (ÂÒÎË ÚÂÍÛ˘‡fl ÒÚ‡Ìˈ‡ – «Assembly», ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [J]), ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ Á‡ÔËÒ‡ÌÌ˚È/ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È Ï‡Ú¡Π̇ ‰ËÒÍÂÚ ËÎË ‚ ‡Á‰ÂΠԇÏflÚË USER. CVP-210/208 END óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì STYLE CREATOR, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË: Basic ë ÔÓÏÓ˘¸˛ ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Í‡Í «Ò ÌÛÎfl», Ú‡Í Ë Ì‡ ÓÒÌÓ‚Â ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ). ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114. 1 Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1▲▼] - [8▲▼], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [F] (REC CH). èÂʉ ˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ̇ ͇̇Î, Ì fl‚Îfl˛˘ËÈÒfl ͇̇ÎÓÏ ËÚχ (BASS - PHR 2), Û‰‡ÎËÚ χÚ¡Î, ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ì‡ ˝ÚÓÏ Í‡Ì‡ÎÂ. èӘˠԇ‡ÏÂÚ˚ (ÒÏ. ÓÔËÒ‡ÌË ÔÓÎfl «Other Parameters ̇ ˝Í‡Ì BASIC» ÒÚ. 116) Á‡‰‡˛ÚÒfl ÔÓÒΠÚÓ„Ó, Í‡Í ‚˚ Á‡ÍÓÂÚ ˝Í‡Ì REC CHANNEL, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. óÚÓ·˚ ÒÌÓ‚‡ ‚˚Á‚‡Ú¸ ˝Í‡Ì REC CHANNEL, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (REC CH). èÂÂıÓ‰ Í ˝Í‡ÌÛ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ Ë ‡Áχ. äÌÓÔ͇ ‚˚·Ó‡ ÔÛÒÚÓ„Ó ÒÚËÎfl ‰Îfl ÒÓÁ‰‡ÌËfl ÌÓ‚Ó„Ó ÒÚËÎfl «Ò ÌÛÎfl». èË Ì‡Ê‡ÚËË ˝ÚÓÈ ÍÌÓÔÍË Ì‡‰ ͇̇·ÏË, ÒÓ‰Âʇ˘ËÏË ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ï‡Ú¡Î, ÔÓfl‚ÎflÂÚÒfl ̇‰ÔËÒ¸ «DELETE». óÚÓ·˚ Û‰‡ÎËÚ¸ Á‡ÔËÒ¸ Ò ÓÔ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, ̇ÊÏËÚ ‰‡ÌÌÛ˛ ÍÌÓÔÍÛ, Û‰ÂÊË‚‡fl ÔË ˝ÚÓÏ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [1▲] - [8▲]. A F B G C H D I E J ùÚ‡ ÍÌÓÔ͇ ‰ÓÒÚÛÔ̇ Î˯¸ ÔË ‚˚·Ó ͇̇ÎÓ‚ [RHY1] Ë [RHY2]. ë  ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Û‰‡ÎËÚ¸ ÔÂÍÛÒÒËÓÌÌ˚ Á‚ÛÍË ‚Ó ‚ÂÏfl Á‡ÔËÒË. ç‡ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Û‰‡ÎflÂÏÓÏÛ ËÌÒÚÛÏÂÌÚÛ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl ˝ÚÛ ÍÌÓÔÍÛ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó ÓÔ‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÂÏÛ ÍÌÓÔÍÛ [1▼] - [8▼]. ÑÓ ÚÂı ÔÓ ÔÓ͇ ‚˚ Û‰ÂÊË‚‡ÂÚ ÍÌÓÔÍÛ [J], ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏÛ˛ ÓÔ‡ˆË˛ (Û‰‡ÎÂÌË ËÎË ÒÓı‡ÌÂÌË χÚ¡· ̇ ͇̇ÎÂ). éÚÔÛÒÚË‚ ÍÌÓÔÍÛ [J], ‚˚ ÔÓ‰Ú‚Âʉ‡ÂÚ ÓÍÓ̘‡ÚÂθÌÓ ۉ‡ÎÂÌË χÚ¡·. èÂʉ ˜ÂÏ ÔÓËÁ‚Ó‰ËÚ¸ Á‡ÔËÒ¸ ̇ ͇̇Î, Ì fl‚Îfl˛˘ËÈÒfl ͇̇ÎÓÏ ËÚχ (BASS - PHR 2), Û‰‡ÎËÚ χÚ¡Î, ‡Ì Á‡ÔËÒ‡ÌÌ˚È Ì‡ ˝ÚÓÏ Í‡Ì‡ÎÂ. REC ........ ä‡Ì‡Î „ÓÚÓ‚ Í Á‡ÔËÒË. ON .......... ä‡Ì‡Î „ÓÚÓ‚ Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲. OFF......... ä‡Ì‡Î ÔË„ÎÛ¯ÂÌ. èêàåÖóÄçàÖ 2 ë̇˜‡Î‡ ‚˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ·. ÇÍβ˜ËÚ Á‡ÔËÒ¸, ̇ʇ‚ ÍÌÓÔÍÛ STYLE [START/ STOP]. 燘ÌÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ‚˚‰ÂÎÂÌ̇fl ˜‡ÒÚ¸ ÒÚËÎfl. èÓÒÍÓθÍÛ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚÏ˘ÂÒÍËı Ù‡Á Á‡ˆËÍÎÂÌÓ, ‚˚ ÏÓÊÂÚ ‰Ó·‡‚ÎflÚ¸ ‚ «ÔÂÚβ» ÌÓ‚˚ Á‚ÛÍË ÔË Í‡Ê‰ÓÏ ÔÓıÓ‰Â, Ì ÔÂ˚‚‡fl ÔÓÒÎۯ˂‡ÌËfl Á‡ÔËÒ˚‚‡ÂÏÓÈ Ù‡Á˚. ä‡ÚËÌ͇, ‡ÒÔÓÎÓÊÂÌ̇fl ̇‰ Í·‚˯ÂÈ, Û͇Á˚‚‡ÂÚ Ì‡ Á‡ÍÂÔÎÂÌÌ˚È Á‡ ÌÂÈ Û‰‡Ì˚È ËÌÒÚÛÏÂÌÚ. Ç ÂÊËÏ ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ (ÍÓÚÓ˚È ‚Íβ˜‡ÂÚÒfl ÍÌÓÔÍÓÈ SYNC. START) Á‡ÔËÒ¸ ‚Íβ˜‡ÂÚÒfl ÔË Ì‡Ê‡ÚËË Î˛·ÓÈ Í·‚Ë¯Ë Ì‡ Í·‚ˇÚÛÂ. 3 Ç˚Íβ˜ËÚ Á‡ÔËÒ¸, ¢ ‡Á ̇ʇ‚ ÍÌÓÔÍÛ STYLE [START/STOP]. 4 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì REC CHANNEL, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. • ÑÎfl Á‡ÔËÒË ‚ ͇̇ΠRHY1 ÏÓÊÌÓ ‚˚·‡Ú¸ β·ÓÈ ÚÂÏ·, Á‡ ËÒÍβ˜ÂÌËÂÏ ÚÂÏ·‡ Organ Flutes («Ó„‡Ì̇fl ÙÎÂÈÚ‡»). • ä‡Ì‡Î RHY 2 ÔÓ‰‰ÂÊË‚‡ÂÚ Á‡ÔËÒ¸ ÚÓθÍÓ ÚÂÏ·‡ Drum Kit/SFX Kit (Û‰‡Ì‡fl ÛÒÚ‡Ìӂ͇/̇·Ó ÒÔˆ˝ÙÙÂÍÚÓ‚). • ÑÎfl ÌÂËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ (BASS - PHR 2) ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ‚Ò ÚÂÏ·˚, ÍÓÏ ÚÂÏ·Ó‚ Organ Flutes Ë Drum Kit/SFX Kit. èêàåÖóÄçàÖ CVP-210/208 115 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator èêàåÖóÄçàÖ èӘˠԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì BASIC • äÌÓÔ͇ [I] (SAVE) èÂÂıÓ‰ Í ˝Í‡ÌÛ «Style» ‰Îfl ÒÓı‡ÌÂÌËfl هȷ ÒÚËÎfl. • [3▲▼] [4▲▼] (Section) éÔ‰ÂÎfl˛Ú Á‡ÔËÒ˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸. • [5▲▼] [6▲▼] (Pattern Length) ᇉ‡˛Ú ‰ÎËÌÛ Ù‡Á˚ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË ‚ Ú‡ÍÚ‡ı (1 - 32). ó‡ÒÚ¸ ‚ÒÚ‡‚ÍË/·ÂÈÍ ËÏÂÂÚ ÙËÍÒËÓ‚‡ÌÌÛ˛ ‰ÎËÌÛ ‚ 1 Ú‡ÍÚ. • äÌÓÔ͇ [D] (Execute) èÓ‰Ú‚Âʉ‡ÂÚ ËÁÏÂÌÂÌË ‰ÎËÌ˚ Ù‡Á˚. ó‡ÒÚ¸ ‰Îfl Á‡ÔËÒË ÏÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸, ̇ʇ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Ì‡ Ô‡ÌÂÎË. ç‡Ê‡ÚË ӉÌÓÈ ËÁ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ (Section) ÔË‚Ó‰ËÚ Í ÔÓfl‚ÎÂÌ˲ Ó‰ÌÓËÏÂÌÌÓ„Ó ˝Í‡Ì‡, ÔÓÁ‚ÓÎfl˛˘Â„Ó ÔÂÂıÓ‰ËÚ¸ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6▲▼]/[7▲▼]. óÚÓ·˚ ̇ Ò‡ÏÓÏ ‰ÂΠ‚‚ÂÒÚË ËÁÏÂÌÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [8▲]. óÚÓ·˚ ‚˚·‡Ú¸ ‡Á‰ÂÎ Fill In, ̇ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN]. LJÊÌ˚ Á‡Ï˜‡ÌËfl ÔÓ ÔÓ‚Ó‰Û Á‡ÔËÒË • éÒÌÓ‚ÌÓÈ ‡ÍÍÓ‰ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇Á˚‚‡ÂÚÒfl ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ. Ç˚ÒÓÚ‡ ‚ÒÂı ÓÒڇθÌ˚ı Á‚ÛÍÓ‚ Ë ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ ËÒıÓ‰ÌÓ„Ó ‡ÍÍÓ‰‡. èË Á‡ÔËÒË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Ë C R C C R C ‚ÒÚ‡‚ÍË (Ò ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ CM7) ËÏÂÈÚ ‚ ‚Ë‰Û ÒÎÂ‰Û˛˘ÂÂ. C = ÌÓÚ‡ ‡ÍÍÓ‰‡ * á‡ÔËÒ˚‚‡fl ͇̇Î˚ Bass ËÎË Phrase, ÔÓÒÚ‡‡ÈÚÂÒ¸ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ÂÍÓÏẨӂ‡ÌÌ˚ C, R = ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ ÌÓÚ˚. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ̇ËÎÛ˜¯Ëı ÂÁÛθڇÚÓ‚ ÔË ÔÓÔ˚ÚÍ ӷӄ‡ÚËÚ¸ „‡ÏÓÌ˲ ÒÚËÎfl ‡Á΢Ì˚ÏË ‡ÍÍÓ‰‡ÏË. (ÑÛ„Ë ÌÓÚ˚ Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. é‰Ì‡ÍÓ ÂÍÓÏẨÛÂÚÒfl ÛÔÓÚ·ÎflÚ¸ Ëı ‚ ͇˜ÂÒÚ‚Â ÔÓıÓ‰fl˘Ëı Á‚ÛÍÓ‚). * á‡ÔËÒ˚‚‡fl ͇̇Î˚ Chord ËÎË Pad, ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ÌÓÚ˚, ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓ‰ CM7. í‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl ̇ËÎÛ˜¯Ëı ÂÁÛθڇÚÓ‚, Ì ÊÂÚ‚Ûfl ‡ÁÌÓÓ·‡ÁËÂÏ ‡ÍÍÓ‰Ó‚. (ÑÛ„Ë ÌÓÚ˚ Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. é‰Ì‡ÍÓ ÂÍÓÏẨÛÂÚÒfl ÛÔÓÚ·ÎflÚ¸ Ëı ‚ ͇˜ÂÒÚ‚Â ÔÓıÓ‰fl˘Ëı Á‚ÛÍÓ‚). èÓ ÛÏÓΘ‡Ì˲ ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ fl‚ÎflÂÚÒfl CM7; Ӊ̇ÍÓ ‚˚ ÏÓÊÂÚ ҉·ڸ ËÒıÓ‰Ì˚Ï Î˛·ÓÈ ‡ÍÍÓ‰. ëÏ. ‡Á‰ÂÎ «ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF – Parameter» ̇ ÒÚ. 121. • èË Á‡ÔËÒË ËÌÚÓ‰Û͈ËË Ë ÙË̇· (Intro/Ending) ÏÓÊÌÓ Ì ӷ‡˘‡Ú¸ ‚ÌËχÌËfl ̇ ËÒıÓ‰Ì˚È ‡ÍÍÓ‰ Ë ÔËÏÂÌflÚ¸ β·˚ ÌÓÚ˚ Ë ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ NTR Á‡‰‡ÌÓ Á̇˜ÂÌË «ROOT TRANSPOSE», ‡ ‰Îfl Ô‡‡ÏÂÚ‡ NTT – Á̇˜ÂÌË «HARMONIC MINOR» ËÎË «MELODIC MINOR» (ÒÚ‡Ìˈ‡ PARAMETER), ÓÊˉ‡ÂÏÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ì ÔÓËÒıÓ‰ËÚ. ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ú‡ÍÓ ËÁÏÂÌÂÌË ·Û‰ÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸Òfl Î˯¸ ÔË ÒÏÂÌ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇, ‡ Ú‡ÍÊ ·‰‡ (ÚÓ ÂÒÚ¸ ÔË ÔÂÂıӉ ËÁ ÏËÌÓ‡ ‚ χÊÓ Ë Ó·‡ÚÌÓ). èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡Ú¸ Ù‡ÁÛ ÒÚËÎfl ÔÛÚÂÏ ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚‚Ó‰‡ ÌÓÚ; ÔË ˝ÚÓÏ ÌÂÚ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓÎÌflÚ¸ Ëı ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114. F G H I J èӈ‰ۇ Á‡ÔËÒË Ë‰ÂÌÚ˘̇ ÓÔËÒ‡ÌÌÓÈ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË ÔÂÒÂÌ (ÒÚ. 101). éÚ΢Ëfl ÏÂÊ‰Û ÌËÏË Ô˂‰ÂÌ˚ ÌËÊÂ. ã˛·Ó ÒÓ·˚ÚË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ̇ ÒÚ‡Ìˈ Edit. èË ˝ÚÓÏ ËÒÔÓθÁÛÂÚÒfl ÚÓÚ Ê ÏÂÚÓ‰, ˜ÚÓ Ë ÔË Â‰‡ÍÚËÓ‚‡ÌËË ÔÂÒÂÌ (ÒÚ. 110). • • 116 èË Á‡ÔËÒË ÔÂÒÂÌ ÔÓÁËˆË˛ ÏÂÚÍË ÓÍÓ̘‡ÌËfl ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔÓ Ê·Ì˲. é‰Ì‡ÍÓ ÔË Á‡ÔËÒË ÒÚËÎfl  ËÁÏÂÌËÚ¸ ÌÂθÁfl. ùÚÓ Ò‚flÁ‡ÌÓ Ò ÚÂÏ, ˜ÚÓ ‰ÎË̇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÙËÍÒËÛÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË Ò Û˜ÂÚÓÏ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ÇÓÁ¸ÏÂÏ, Í ÔËÏÂÛ, ÒÚËθ, ‚ ÓÒÌÓ‚Â ÍÓÚÓÓ„Ó ÎÂÊËÚ ˜‡ÒÚ¸ ËÁ ˜ÂÚ˚Âı Ú‡ÍÚÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÏÂÚ͇ ÓÍÓ̘‡ÌËfl ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ˜ÂÚ‚ÂÚÓ„Ó Ú‡ÍÚ‡. èË ˝ÚÓÏ ËÁÏÂÌËÚ¸  ÏÂÒÚÓÔÓÎÓÊÂÌËÂ Ò ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ «Step Record» Ì‚ÓÁÏÓÊÌÓ. èË Â‰‡ÍÚËÓ‚‡ÌËË ‰‡ÌÌ˚ı ̇ ÒÚ‡Ìˈ «Edit» ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ëı ÚËÔ (‰‡ÌÌ˚Â, ÓÚÌÓÒfl˘ËÂÒfl Í ÒÓ·˚ÚËflÏ, ËÎË ÛÔ‡‚Îfl˛˘Ë ‰‡ÌÌ˚Â). ÑÎfl ÔÂÂıÓ‰‡ ÓÚ ˝Í‡Ì‡ Event (Ô‡‡ÏÂÚ˚ Note, Control Change Ë Ú. ‰.) Í ˝Í‡ÌÛ Control (ËÒÍβ˜ËÚÂθÌ˚ ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl Ë Ú. ‰.) Ë Ó·‡ÚÌÓ ÒÎÛÊËÚ ÍÌÓÔ͇ [F] (TRACK EVT). ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Í‡Ì‡Î Ì‡ÒÚÓÂÌ ‰Îfl Á‡ÔËÒË Ì‡ ‰Û„ÓÈ ÒÚ‡Ìˈ (̇ÔËÏÂ, ̇ ÒÚ‡Ìˈ BASIC; ÒÚ. 115). CVP-210/208 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ë·Ó͇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: Assembly ì‰Ó·ÒÚ‚Ó ‰‡ÌÌÓÈ ÙÛÌ͈ËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Ó̇ ÔÓÁ‚ÓÎflÂÚ ÍÓÌÒÚÛËÓ‚‡Ú¸ ÓË„Ë̇θÌ˚ ÒÚËÎË ËÁ ˝ÎÂÏÂÌÚÓ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Ú‡ÍËı, ͇Í, ̇ÔËÏÂ, Ù‡Á˚ ËÚχ, ·‡Ò‡ Ë ‡ÍÍÓ‰Ó‚˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË), ÔË̇‰ÎÂʇ˘Ëı ÛÊ Ëϲ˘ËÏÒfl ÒÚËÎflÏ. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114. 1 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ÌÓ‚Ó„Ó ÒÚËÎfl. Ç˚·ÂËÚ ÌÛÊÌ˚È Í‡Ì‡Î, ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] - [D], [F] – [I]. èÓÒΠ˝ÚÓ„Ó Â˘Â ‡Á ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ Style, ÔÓÁ‚ÓÎfl˛˘ÂÏÛ ‚˚·‡Ú¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. èÓ‚ÚÓË‚ ¯‡„Ë 1 Ë 2 ÌÛÊÌÓ ˜ËÒÎÓ ‡Á, ̇ÊÏËÚ ÍÌÓÔÍÛ [J] (SAVE), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÒÓ·‡ÌÌ˚È ÒÚËθ. ùÚ‡ ÍÓχ̉‡ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ‰Îfl ‚ÒÂı ͇̇ÎÓ‚ (RHYTHM 1, RHYTHM 2, BASS Ë. Ú. ‰.) ‚ ‚ˉ ӉÌÓ„Ó Ù‡È·. A F B G C H D I E J 1 2 3 äÌÓÔÍË ‚˚·Ó‡ ˜‡ÒÚË Ë Í‡Ì‡Î‡ ÒÚËÎfl, ÍÓÚÓ˚ ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚. ùÚË Í‡Ì‡Î˚ ‚˚·Ë‡˛ÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] - [D] Ë [F] - [I]. 2 3 4 5 6 7 8 ᇉ‡ÂÚ Ô‡‡ÏÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡. äÓÏÔÓÌÓ‚ÍÛ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÏÓÊÌÓ ÔÓ‚Ó‰ËÚ¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÍÓÔËÛÂÏÓÈ ˜‡ÒÚË Ë Í‡Ì‡Î‡. SOLO .........ÇÒ ͇̇Î˚, ÍÓÏ ‚˚·‡ÌÌÓ„Ó, ÔË„ÎÛ¯‡˛ÚÒfl. ä‡Ì‡Î˚ RHYTHM, ÔÓϘÂÌÌ˚ ‰Îfl Á‡ÔËÒË (REC) ̇ ˝Í‡Ì REC CHANNEL (ÒÚ. 115), ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ. ON ..............Ç˚·‡ÌÌ˚ ͇̇Î˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl. ÇÒ ͇̇Î˚, ÔÓϘÂÌÌ˚ ‰Îfl Á‡ÔËÒË (REC) ̇ ˝Í‡Ì REC CHANNEL (ÒÚ. 115), ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ. OFF ............èË„ÎÛ¯‡ÂÚ ‚˚·‡ÌÌ˚È Í‡Ì‡Î. ÖÒÎË Ì‡ ˝Í‡Ì REC CHANNEL (ÒÚ. 115) ‚˚‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË ON, ÒÚÓ͇ OFF Ì ‚ˉ̇ Ë Ì‰ÓÒÚÛÔ̇. èêàåÖóÄçàÖ ÖÒÎË ‚ ¯‡„ 1 ËÎË 2 ÒÏÂÌËÚ¸ ˜‡ÒÚ¸ ËÎË Í‡Ì‡Î, ÚÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ËÏ Í‡Ì‡Î ËÎË ˜‡ÒÚ¸ Ú‡ÍÊ ·Û‰ÛÚ Á‡ÏÂÌÂÌ˚. èË ˝ÚÓÏ ÔÓËÒıÓ‰ËÚ ‡‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ Á‡ÔËÒ˚‚‡ÂÏÓ„Ó Í‡Ì‡Î‡ Ë ‚˚Íβ˜ÂÌË Á‡ÔËÒË. èêàåÖóÄçàÖ ÑÂÈÒÚ‚Ë ԇ‡ÏÂÚ‡ PLAY TYPE ÔÓfl‚ÎflÂÚÒfl ÚÓθÍÓ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl; Ò‡Ï ÓÌ Ì Ó͇Á˚‚‡ÂÚ ‚ÎËflÌËfl ̇ Ù‡ÈÎ ÒÚËÎfl. CVP-210/208 117 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ꉇÍÚËÓ‚‡ÌË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ àÁÏÂÌÂÌË ËÚχ: ÙÛÌ͈ËË Groove Ë Dynamics îÛÌ͈ËË Groove Ë Dynamics fl‚Îfl˛ÚÒfl ÏÓ˘Ì˚Ï Ò‰ÒÚ‚ÓÏ, ÔÓÁ‚ÓÎfl˛˘ËÏ ‡ÁÌÓÓ·‡ÁËÚ¸ ËÚÏ˚ ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114. ■ ÉÛ‚ ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. A F B G C H D I E J èÓ‰Ú‚Âʉ‡ÂÚ ÔËÏÂÌÂÌË „Û‚‡. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO], ˜ÚÓ·˚ ÔË Ê·ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë ÒÓı‡ÌÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó Ù‡È· ÒÚËÎfl. ᇉ‡˛Ú Á̇˜ÂÌË ԇ‡ÏÂÚÓ‚ „Û‚‡ (ÒÏ. ÒÔËÒÓÍ ÌËÊÂ). 1 2 3 4 5 6 7 8 臇ÏÂÚ˚ „Û‚‡ Original Beat (ËÒıӉ̇fl ì͇Á˚‚‡ÂÚ ‰ÓÎË, Í ÍÓÚÓ˚Ï ·Û‰ÂÚ ÔËÏÂÌÂÌ ËÚÏ ËÁ ÙÛÌ͈ËË Groove. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË ‚˚·Ó Á̇˜ÂÌËfl «8 Beat» ËÚÏ ËÁ ÙÛÌ͈ËË Groove ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í ‚ÓÒ¸Ï˚Ï, ‡ ÔË ‚˚·Ó Á̇˜ÂÌËfl «12 Beat» – Í ÚËÓÎË, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸Ï˚ı. ‰ÎËÚÂθÌÓÒÚ¸) Beat Converter (ÍÓ̘̇fl ‰ÎËÚÂθÌÓÒÚ¸) Swing (Ò‚ËÌ„) ëÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ «Ò‚ËÌ„‡» Á‡ Ò˜ÂÚ Ò‰‚Ë„‡ ËÚχ Ò··˚ı ‰ÓÎÂÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡‡ÏÂÚÓÏ ORIGINAL BEAT. ç‡ÔËÏÂ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT ‚˚·‡ÌÓ Á̇˜ÂÌË «8 Beat», Ô‡‡ÏÂÚ SWING ·Û‰ÂÚ Á‡‰ÂÊË‚‡Ú¸ Á‚Û˜‡ÌË ËÏÂÌÌÓ ‚ÚÓ˚ı, ˜ÂÚ‚ÂÚ˚ı, ¯ÂÒÚ˚ı Ë ‚ÓÒ¸Ï˚ı ‰ÓÎÂÈ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡, ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ Ò‚ËÌ„‡. á̇˜ÂÌËfl ÓÚ «A» ‰Ó «E» Á‡‰‡˛Ú ‡Á΢ÌÛ˛ ÒÚÂÔÂ̸ Ò‚ËÌ„‡, „‰Â «A» ÒÓÁ‰‡ÂÚ Â‰‚‡ ÛÎÓ‚ËÏ˚È Ò‚ËÌ„, ‡ «Ö» – ̇˷ÓΠ˜ÂÚÍËÈ. Fine (ÔËÏÂÌÂÌË èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÏÌÓÊÂÒÚ‚Ó «¯‡·ÎÓÌÓ‚» ÙÛÌ͈ËË Groove, ÍÓÚÓ˚ ·Û‰ÛÚ ÔËÏÂÌflÚ¸Òfl Í ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ë ̇ÒÚÓÈ͇ÏË «PUSH» ÓÔ‰ÂÎÂÌÌ˚ ‰ÓÎË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ò ÓÔÂÂÊÂÌËÂÏ, Ò Ì‡ÒÚÓÈ͇ÏË «HEAVY» – Ò ÓÔÓÁ‰‡ÌËÂÏ. çÓχ ‚ Ô‡‡ÏÂÚ‡ı (2, 3, 4, 5) Û͇Á˚‚‡˛Ú ‰ÓÎË ‰Îfl Ó·‡·ÓÚÍË. ÇÒ ‰ÓÎË ‚ÔÎÓÚ¸ ‰Ó Û͇Á‡ÌÌÓÈ (Á‡ ËÒÍβ˜ÂÌËÂÏ Ô‚ÓÈ) ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò ÓÔÂÂÊÂÌËÂÏ ËÎË Ò Á‡‰ÂÊÍÓÈ. ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ¯‡·ÎÓÌ Ò ˆËÙÓÈ «3», ·Û‰ÛÚ Ó·‡·‡Ú˚‚‡Ú¸Òfl ‚ÚÓ˚Â Ë ÚÂÚ¸Ë ‰ÓÎË. ÇÓ ‚ÒÂı ÒÎÛ˜‡flı ¯‡·ÎÓÌ˚ ÚËÔ‡ «A» Ó͇Á˚‚‡˛Ú ÏËÌËχθÌÓ ‚ÓÁ‰ÂÈÒÚ‚ËÂ, ¯‡·ÎÓÌ˚ ÚËÔ‡ «B» – Ò‰ÌÂÂ, ‡ ¯‡·ÎÓÌ˚ ÚËÔ‡ «C» – χÍÒËχθÌÓÂ. ¯‡·ÎÓ̇) 118 ÑÎËÚÂθÌÓÒÚË ÌÓÚ (Á‡‰‡ÌÌ˚ı Á̇˜ÂÌËÂÏ Ô‡‡ÏÂÚ‡ ORIGINAL BEAT) ËÁÏÂÌflÂÚÒfl ̇ Û͇Á‡ÌÌÓ Á̇˜ÂÌËÂ. ç‡ÔËÏÂ, ÂÒÎË Á̇˜ÂÌË ORIGINAL BEAT – «8 Beat», ‡ Á̇˜ÂÌË BEAT CONVERTER – «12», ‚Ò ‚ÓÒ¸Ï˚ ÌÓÚ˚ ‚ ‡Á‰ÂΠÔÂÂÏ¢‡˛ÚÒfl ̇ ‚ÓÒ¸Ï˚ ÚËÓÎË. á̇˜ÂÌËfl BEAT CONVERTER «16A» Ë «16B», ÔÓfl‚Îfl˛˘ËÂÒfl ÔË ‚˚·Ó ‰Îfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT Á̇˜ÂÌËfl «12 Beat», fl‚Îfl˛ÚÒfl ‚‡Ë‡ˆËflÏË ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË ËÚχ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı. CVP-210/208 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ■ ÑË̇ÏË͇ ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÓÔ‡ˆË˛ ‰‡ÍÚËÓ‚‡ÌËfl. A F B G C H D I E J èÓ‰Ú‚Âʉ‡ÂÚ ÔËÏÂÌÂÌË ÙÛÌ͈ËË ‰Ë̇ÏËÍË. èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔÍ ̇‰ÔËÒ¸ ̇ ˝Í‡Ì ÒÏÂÌflÂÚÒfl ̇‰ÔËÒ¸˛ [UNDO], ˜ÚÓ·˚ ÔË Ê·ÌËË ÏÓÊÌÓ ·˚ÎÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚È Ï‡Ú¡Î. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ó‰ÌÛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. äÌÓÔÍË ‚˚·Ó‡ ͇̇·, Í ÍÓÚÓÓÏÛ Ú·ÛÂÚÒfl ÔËÏÂÌËÚ¸ ÙÛÌÍˆË˛ ‰Ë̇ÏËÍË. 1 2 3 4 5 6 7 8 ᇉ‡˛Ú Á̇˜ÂÌË ԇ‡ÏÂÚÓ‚ ‰Ë̇ÏËÍË (ÒÏ. ÒÔËÒÓÍ ÌËÊÂ). 臇ÏÂÚ˚ ‰Ë̇ÏËÍË Accent Type (ÚËÔ èêàåÖóÄçàÖ Ç˚·Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡. ‡ÍˆÂÌÚ‡) Strength (ÒË· ‚ÓÁ‰ÂÈÒÚ‚Ëfl) Expand/Compress (˝ÍÒԇ̉Â/ ÍÓÏÔÂÒÒÓ) Boost/Cut (Û‚Â΢ÂÌËÂ/ ÛÏÂ̸¯ÂÌË ‚ÒÂı Á̇˜ÂÌËÈ) äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Style Ë ÒÓı‡ÌÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó Ù‡È· ÒÚËÎfl. éÔ‰ÂÎflÂÚ ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ Accent Type (ÒÏ. ‚˚¯Â). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ÒËθÌ ˝ÙÙÂÍÚ. ëÍÓÓÒÚ¸ ̇ʇÚËfl ÓÔ‰ÂÎflÂÚÒfl ÒËÎÓÈ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. óÂÏ ÒËθÌ ‚˚ Û‰‡flÂÚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ‚˚¯Â Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡, ‡ Á̇˜ËÚ Ë „ÓϘ Á‚ÛÍ. ê‡Ò¯ËflÂÚ ËÎË ÒÛʇÂÚ ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ (‰Ë‡Ô‡ÁÓÌ Á̇˜ÂÌËÈ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl). àÁÏÂÌÂÌË „‡Ìˈ ‰Ë‡Ô‡ÁÓ̇ ÔÓËÁ‚Ó‰ËÚÒfl ÒËÏÏÂÚ˘ÌÓ (ˆÂÌڇθÌÓ Á̇˜ÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl – «64»). á̇˜ÂÌËfl ‚˚¯Â 100% ‡Ò¯Ëfl˛Ú ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, ÏÂ̸¯Â 100% ÒÊËχ˛Ú „Ó. ÇÒ Á̇˜ÂÌËfl ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl ‚ ‚˚‰ÂÎÂÌÌÓÈ ˜‡ÒÚË/͇̇ΠۂÂ΢˂‡˛ÚÒfl ËÎË ÛÏÂ̸¯‡˛ÚÒfl. á̇˜ÂÌËfl ‚˚¯Â 100% Û‚Â΢˂‡˛Ú ÒÍÓÓÒÚ¸ ̇ʇÚËfl, ÏÂ̸¯Â 100% – ÒÌËʇ˛Ú ÂÂ. CVP-210/208 119 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ ͇̇· ùÍ‡Ì ÒÓ‰ÂÊËÚ ÔflÚ¸ ÙÛÌ͈ËÈ Â‰‡ÍÚËÓ‚‡ÌËfl Ô‡‡ÏÂÚÓ‚ ͇̇·, ËÒÔÓθÁÛÂÏÓ„Ó ‚ ÒÓÁ‰‡ÌÌÓÏ ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇÒ ÓÔËÒ‡ÌÌ˚ ÌËÊ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 4, ÓÔËÒ‡ÌÌÓÏÛ Ì‡ ÒÚ. 114. èÓflÒÌÂÌËfl Ô˂‰ÂÌ˚ ÌËÊÂ. èêàåÖóÄçàÖ ÇÒÚÓÂÌÌ˚È Í‡Ì‡Î BASS PHRASE2 ËÁÏÂÌflÚ¸ ÌÂθÁfl. ■ Quantize (‚˚‡‚ÌË‚‡ÌËÂ) ëÏ. ÒÚ. 107. ■ Velocity Change (ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl) ëÍÓÓÒÚ¸ ̇ʇÚËfl ‚ÒÂı ÌÓÚ ‚˚‰ÂÎÂÌÌÓ„Ó Í‡Ì‡Î‡ (‚˚·Ë‡ÂÏÓ„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1▲▼]/[2▲▼] (CHANNEL) ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚Â΢ËÌ˚, Á‡‰‡ÌÌÓÈ ‚ ÔÓˆÂÌÚ‡ı (Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼]/[5▲▼] (BOOST/CUT). ■ Bar Copy (ÍÓÔËÓ‚‡ÌË ڇÍÚÓ‚) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ÛÔÔ ڇÍÚÓ‚, ̇ ‰Û„ÓÈ Û˜‡ÒÚÓÍ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë [5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡Ìˈ˚ ÍÓÔËÛÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚ Ô‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚. óÚÓ·˚ Á‡‰‡Ú¸ ÔÓÁËˆË˛ ÚÓ˜ÍË ÍÓÔËÓ‚‡ÌËfl (ÌÓÏ ڇÍÚ‡), ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [6▲▼] (DEST). ■ Bar Clear (Ó˜ËÒÚ͇ Ú‡ÍÚÓ‚) ÇÒ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ÛÔÔ ڇÍÚÓ‚ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡, Û‰‡Îfl˛ÚÒfl. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4▲▼] (TOP) Ë [5▲▼] (LAST) ÏÓÊÌÓ Á‡‰‡Ú¸ „‡Ìˈ˚ Ó˜Ë˘‡ÂÏÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ú‡ÍÚÓ‚, Û͇Á‡‚ Ô‚˚È Ë ÔÓÒΉÌËÈ Ú‡ÍÚ˚. ■ Remove Event (Û‰‡ÎÂÌË ÒÓ·˚ÚËfl) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎËÚ¸ ËÁ ͇̇· ÓÔ‰ÂÎÂÌÌ˚È ÚËÔ ÒÓ·˚ÚËÈ. óÚÓ·˚ ‚˚·‡Ú¸ ÌÂÓ·ıÓ‰ËÏ˚È ÚËÔ ÒÓ·˚ÚËÈ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [4▲▼] - [6▲▼] (EVENT). 120 CVP-210/208 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SMF – Parameter ç‡ ˝ÚÓÏ ˝Í‡Ì Ô‰ÒÚ‡‚ÎÂÌ ˆÂÎ˚È fl‰ ÙÛÌ͈ËÈ ÛÔ‡‚ÎÂÌËfl Ô‡‡ÏÂÚ‡ÏË ÒÚËÎfl. ç‡ÔËÏÂ, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‡‚ËÒËÏÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚ÛÍÓ‚, ËÒÔÓθÁÛÂÏ˚ı ‚ ÒÚËÎÂ, ÓÚ ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ‚Á‡ËÏÓ‰ÂÈÒÚ‚ËË ‰‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ÒÏ. ‚ ‡Á‰ÂΠ«îÓÏ‡Ú Ù‡È· ÒÚËÎfl (SFF)» ̇ ÒÚ. 114. èÓfl‰ÓÍ ‡·ÓÚ˚ Ò ˝Í‡ÌÓÏ Ë‰ÂÌÚ˘ÂÌ ÓÔËÒ‡ÌÌÓÏÛ ‚ ¯‡„ 4 ̇ ÒÚ. 114. èêàåÖóÄçàÖ ÖÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ NTR — «Root Fixed», ‡ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ NTT — «Bypass», Ô‡‡ÏÂÚ˚ «Source Root» Ë «Source Chord» ÔËÌËχ˛Ú Á̇˜ÂÌËfl «Play Root» Ë «Play Chord» ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚˚ ÏÓÊÂÚ ÏÂÌflÚ¸ ‡ÍÍÓ‰˚ Ë ÔÓÒÎۯ˂‡Ú¸ ÔÓÎÛ˜ÂÌÌ˚È ‚ ÂÁÛθڇÚ Á‚ÛÍ ÔÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï. èÓflÒÌÂÌËfl Ô˂‰ÂÌ˚ ÌËÊÂ. ■ Source Root/Chord (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰) ùÚË Ô‡‡ÏÂÚ˚ Óڂ˜‡˛Ú Á‡ Ô‚Ó̇˜‡Î¸ÌÛ˛ ÚÓ̇θÌÓÒÚ¸ ËÒıÓ‰ÌÓÈ Ù‡Á˚ (Ú. Â. ÚÓ̇θÌÓÒÚ¸, ‚ ÍÓÚÓÓÈ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸). èÓ ÛÏÓΘ‡Ì˲ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË «CM7» (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ — «C», ËÒıÓ‰Ì˚È ÚËÔ ‡ÍÍÓ‰‡ — «M7»). ùÚÓ Á̇˜ÂÌË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ Ô‰ Á‡ÔËÒ¸˛ ÌÓ‚Ó„Ó ÒÚËÎfl ‚˚ Û‰‡ÎflÂÚ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ‰‡ÌÌ˚Â. èË ˝ÚÓÏ Á̇˜ÂÌËfl ËÒıÓ‰ÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡, Û͇Á‡ÌÌ˚ ‚ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰‡ÌÌ˚ı, Ë„ÌÓËÛ˛ÚÒfl. ÖÒÎË Á̇˜ÂÌË ÔÓ ÛÏÓΘ‡Ì˲ ËÁÏÂÌËÚ¸, ÚÓ ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓ‰ Ë ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ Ú‡ÍÊ ËÁÏÂÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓ‚˚Ï ÚËÔÓÏ ‡ÍÍÓ‰‡. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÌÓÚ‡ı ‡ÍÍÓ‰‡ Ë ÂÍÓÏẨÛÂÏ˚ı ÌÓÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 116. ÖÒÎË ÓÒÌÓ‚ÌÓÈ ÚÓÌ ë («‰Ó»): C6 CMaj CM711 CM7 CM79 C9 C69 C C R C C R C R C C C R Cm Caug R C R C R R C C C R C C R C C C7 5 R C C C C C C C R C C C R C R C R C R C R C C C C R C R C R C R C C C C1+5 C R C C C C C C C R C C C C C R C C C C C C R C C C C R C C Csus2 Csus4 C C C79 R C C C R C R C C C R C C C7sus4 C713 C C C R C C R R C C C Cm79 C C C C C R C C7 C79 C C R C R C C R C C C Cm9 C C713 C R C R Cdim7 C C C R C C Cdim C1+8 C7aug CM7aug C C C C C Cm75 C R C C C711 C C R C C C C79 C C R C Cm7 CmM79 CmM7 C C R C C C C R C R C Cm711 C R C Cm6 C C C C R C R C = ÌÓÚ‡ ‡ÍÍÓ‰‡ C, R = ÂÍÓÏẨÛÂχfl ÌÓÚ‡ ■ NTR Ë NTT • NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË) éÔ‰ÂÎflÂÚ ÒËÒÚÂÏÛ, Òӄ·ÒÌÓ ÍÓÚÓÓÈ ËÁÏÂÌflÂÚÒfl ‚˚ÒÓÚ‡ Á‚ÛÍÓ‚ ËÒıÓ‰ÌÓÈ Ù‡Á˚. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ‚‡Ë‡ÌÚ‡ Ô‡‚Ë·: Root Trans (Ú‡ÌÒÔÓÁˈËfl ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) èË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚˚ÒÓÚÌÓ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ÌÓÚ‡ÏË ÒÓı‡ÌflÂÚÒfl. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3, Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë, ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F Ô‚‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ F3, A3 Ë C4. ùÚÓ Ô‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âʇ˘Ëı ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲ (ÎËÌËË). Root Fixed (ÓÒÌÓ‚ÌÓÈ ÚÓÌ ÙËÍÒËÓ‚‡Ì) í‡ÌÒÔÓÌËÛÂχfl ÌÓÚ‡ ÓÒÚ‡ÂÚÒfl Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í Ô‰˚‰Û˘ÂÏÛ ÌÓÚÌÓÏÛ ‰Ë‡Ô‡ÁÓÌÛ. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3, Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ë («‰Ó»), Ô‚‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ ë3, F3 Ë A3 ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ Ò ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ F («Ù‡»). ùÚÓ Ô‡‚ËÎÓ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ͇̇ÎÓ‚, ÒÓ‰Âʇ˘Ëı ˜‡ÒÚË Ò ‡ÍÍÓ‰‡ÏË. CVP-210/208 121 ëÓÁ‰‡ÌË ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡: ÙÛÌ͈Ëfl Style Creator • NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ì͇Á‡ÌË ڇ·Îˈ˚ Ú‡ÌÒÔÓÁˈËË ‰Îfl ËÒıÓ‰ÌÓÈ Ù‡Á˚. àÏÂÂÚÒfl ¯ÂÒÚ¸ ÚËÔÓ‚ Ú‡ÌÒÔÓÁˈËË. Bypass (Ó·ıÓ‰) ÅÂÁ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl. Melody (ÏÂÎÓ‰Ëfl) èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Phrase 1 Ë Phrase 2. Chord (‡ÍÍÓ‰) èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‡ÍÍÓ‰Ó‚. ùÚÓÚ ÚËÔ ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ͇̇ÎÓ‚ Chord 1 Ë Chord 2, ÓÒÓ·ÂÌÌÓ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÍÓ„‰‡ ÓÌË ÒÓ‰ÂÊ‡Ú ‡ÍÍÓ‰Ó‚˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ÚËÔ˘Ì˚ ‰Îfl ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚. Bass (·‡Ò) èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ·‡ÒÓ‚ÓÈ ÎËÌËË. Ç ÓÒÌÓ‚Â Ò‚ÓÂÈ ˝Ú‡ Ú‡·Îˈ‡ ̇ÔÓÏË̇ÂÚ ÓÔËÒ‡ÌÌÛ˛ ‚˚¯Â Ú‡·ÎËˆÛ «Melody». éÚ΢ˠÒÓÒÚÓËÚ ‚ ‡ÒÔÓÁ̇‚‡ÌËË ‡ÍÍÓ‰Ó‚ Ò ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÔË ‚˚·Ó ‡ÔÔÎË͇ÚÛ˚ FINGERED ON BASS. ùÚÓÚ ÚËÔ „Ó‰ËÚÒfl ‚ ÓÒÌÓ‚ÌÓÏ ‰Îfl ·‡ÒÓ‚˚ı ÎËÌËÈ. Melodic Minor (ÏÂÎӉ˘ÂÒÍËÈ ÏËÌÓ) ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓÌ˚Ï, ˝Ú‡ Ú‡·Îˈ‡ ÔÓÌËʇÂÚ ÚÂˆË˛ ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl χÊÓÌ˚Ï, ÚˆËfl ÔÓ‚˚¯‡ÂÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. Harmonic Minor („‡ÏÓÌ˘ÂÒÍËÈ ÏËÌÓ) ÖÒÎË Ï‡ÊÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl ÏËÌÓÌ˚Ï, ÚˆËfl Ë ÒÂÍÒÚ‡ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÏÂÌflÂÚÒfl χÊÓÌ˚Ï, ÏËÌÓ̇fl ÚˆËfl Ë ÔÓÌËÊÂÌ̇fl ÒÂÍÒÚ‡ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. ■ High Key/Note Limit (‚ÂıÌflfl ÌÓÚ‡/ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ) • ÇÂıÌflfl ÌÓÚ‡ ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ ÌÓÚÛ, èËÏÂ: ‚ÂıÌflfl ÌÓÚ‡ – F («Ù‡») ÓÔ‰ÂÎflfl „‡ÌËˆÛ Ú‡ÌÒÔÓÁˈËË ÓÒÌÓ‚ÌÓ„Ó çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ CM ÚÓ̇ ‡ÍÍÓ‰‡. ÇÒ ÌÓÚ˚, ˜¸fl ‚˚ÒÓÚ‡ C3-E3-G3 àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚ Ô‚˚¯‡ÂÚ Á‡‰‡ÌÌÓ Á̇˜ÂÌËÂ, Ú‡ÌÒÔÓÌËÛ˛ÚÒfl ‚ ÓÍÚ‡‚Û, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÌËÊ ҇ÏÓÈ ‚˚ÒÓÍÓÈ ÌÓÚ˚ Ë ÔËÏ˚͇˛˘Û˛ Í ÌÂÈ. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ÚÓ„‰‡, ÍÓ„‰‡ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ NTR (ÒÚ. 121) ‡‚ÌÓ «Root Trans». • çÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Ñ‡ÌÌ˚È Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡Ìˈ˚ ÌÓÚÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇ ‰Îfl ÚÂÏ·Ó‚, Á‡ÔËÒ˚‚‡ÂÏ˚ı ̇ ͇̇Î˚ ÒÚËÎfl. 臂ËθÌÓ Á‡‰‡‚ ‰‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ, ‚˚ ÏÓÊÂÚ ‰Ó·ËÚ¸Òfl χÍÒËχθÌÓÈ Â‡ÎËÒÚ˘ÌÓÒÚË Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÏÓÊÌÓ Û͇Á‡Ú¸ ÂÒÚÂÒÚ‚ÂÌÌ˚ Ô‰ÂÎ˚ Á‚Û˜‡ÌËfl ÍÓÌÍÂÚÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ËÁ·Âʇڸ ÔÓfl‚ÎÂÌËfl Á‚ÛÍÓ‚ «ÔË͇˛˘ÂÈ» ·‡Ò-„ËÚ‡˚, ËÎË «·‡Òfl˘ÂÈ» ÙÎÂÈÚ˚-ÔËÍÍÓÎÓ). çÓÚ˚ ‡‚ÚÓχÚ˘ÂÒÍË Ò‰‚Ë„‡˛ÚÒfl, ˜ÚÓ·˚ ÔÓÔ‡ÒÚ¸ ‚ Û͇Á‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ. CM C 3-F3-G 3 FM F3-A3-C4 FM F 2-A 2-C 3 èËÏÂ: ҇χfl ÌËÁ͇fl ÌÓÚ‡ – ë3, ‡ ҇χfl ‚˚ÒÓ͇fl – D4 çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚ CM CM E3-G3-C4 F3-G 3-C 4 FM F3-A3-C4 ÇÂıÌËÈ Ô‰ÂÎ çËÊÌËÈ Ô‰ÂÎ ■ RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸, ÌÂÓ·ıÓ‰ËÏÓ ÎË Á‡„ÎÛ¯‡Ú¸ ËÒıÓ‰Ì˚ ÌÓÚ˚ ËÎË ÌÂÚ. äÓÏ ÚÓ„Ó, ÏÓÊÌÓ Á‡‰‡Ú¸ Á‡‚ËÒËÏÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ ÒÏÂÌ˚ ‡ÍÍÓ‰‡. Stop (ÓÒÚ‡Ìӂ͇) çÓÚ˚ ÔÂÂÒÚ‡˛Ú Á‚Û˜‡Ú¸. Pitch Shift (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚) Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» Ò Û˜ÂÚÓÏ ÚËÔ‡ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl. Pitch Shift to Root (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) Ç˚ÒÓÚ‡ ÌÓÚ˚ «ÒÍÓθÁËÚ» ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ‚˚ÒÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. î‡Á‡ ‡Ú‡ÍË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl. Retrigger (ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ) çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ËÁÏÂÌÂÌÌ˚Ï ‡ÍÍÓ‰ÓÏ. Retrigger To Root (ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Ù‡ÁÓÈ ‡Ú‡ÍË Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, Á‡‰‡‚‡ÂÏÓÈ ÓÒÌÓ‚Ì˚Ï ÚÓÌÓÏ ËÁÏÂÌÂÌÌÓ„Ó ‡ÍÍÓ‰‡. èË ˝ÚÓÏ Ó̇ Á‚Û˜ËÚ ‚ ԉ·ı ËÒıÓ‰ÌÓÈ ÓÍÚ‡‚˚. 122 CVP-210/208 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ ùÍ‡Ì ÍÓÌÒÓÎË ‚˚„Îfl‰ËÚ Í‡Í Ì‡ÒÚÓfl˘ËÈ ÏËÍ¯Â Ë ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÔÓÎÌ˚È ÍÓÌÚÓθ ̇‰ Á‚ÛÍÓÏ. METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO A F MASTER VOLUME TAP TEMPO FADE IN OUT REC TOP START STOP REW FF HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF B G LAYER C H LEFT BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING rit. D I E J 1 SOUND CREATOR TAP TEMPO RESET STYLE ACMP DIGITAL STUDIO ONE TOCTH SETTING MUSIC FINDER SYNC.STOP SYNC.START START STOP OTS LINK DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF èêàåÖóÄçàÖ åËͯÂÒÍËÈ ÔÛÎ¸Ú ë ÔÓÏÓ˘¸˛ ÏËͯ‡ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë ·‡Î‡ÌÒ Í‡Ê‰Ó„Ó ËÁ ËÒÔÓθÁÛÂÏ˚ı ÚÂÏ·Ó‚, ‡ Ú‡ÍÊ Á‡‰‡‚‡Ú¸ ÛÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚÓ‚. PART DIRECT ACCESS MIXING CONSOLE 1 2 3 4 5 6 7 8 EXIT PART ÑÓÔÓÎÌËÚÂθÌ˚ Òڇ̉‡ÚÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ ‰Ó·‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BALANCE] Ë [CHANNEL ON/OFF] (ÒÚ. 65). èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ èêàåÖóÄçàÖ 1 MIXING CONSOLE PART èÂÂȉfl Í ˝Í‡ÌÛ MIXING CONSOLE, ̇ÊËχÈÚ ËÁÓ·‡ÊÂÌÌÛ˛ Ò΂‡ ÍÌÓÔÍÛ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ۂˉËÚ Ô‰ ÒÓ·ÓÈ ÌÛÊÌ˚È ˝Í‡Ì. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ «ÔÓÎËÒÚ˚‚‡Ú¸» ÒÚ‡Ìˈ˚ ÍÓÌÒÓÎË. ëÛ˘ÂÒÚ‚ÛÂÚ ÔÓÒÚÓÈ ÒÔÓÒÓ· ÛÒÚ‡ÌÓ‚ÍË Â‰ËÌÓ„Ó ‰Îfl ‚ÒÂı ˜‡ÒÚÂÈ Á̇˜ÂÌËfl β·Ó„Ó ËÁ Ô‡‡ÏÂÚÓ‚ (ÍÓÏ ԇ‡ÏÂÚ‡ VOICE). óÚÓ·˚ Á‡‰‡Ú¸ Ú‡ÍÓ Á̇˜ÂÌËÂ, ÒΉÛÂÚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÍÌÓÔ͇ÏË [1] [8] ËÎË ‰ËÒÍÓÏ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY], Ó‰ÌÓ‚ÂÏÂÌÌÓ Û‰ÂÊË‚‡fl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] [J], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ËÁÏÂÌflÂÏÓÏÛ Ô‡‡ÏÂÚÛ. è‡ÌÂθ ˜‡ÒÚÂÈ éڂ˜‡ÂÚ Á‡ ̇ÒÚÓÈÍÛ ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ˄‡˛ÚÒfl Ò Í·‚ˇÚÛ˚ (Main/Layer, Left), ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÔÂÒÌË Ë ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·. STYLE PART (ó‡ÒÚ¸ ÒÚËÎfl) ó‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ SONG CH 1 – 8 (èÂÒÌfl (͇̇Î˚ 1 – 8)) ä‡Ì‡Î˚ ÔÓË„˚‚‡ÌËfl ÔÂÒÌË (Ò ÔÂ‚Ó„Ó ÔÓ ‚ÓÒ¸ÏÓÈ) SONG CH 9 – 16 (èÂÒÌfl (͇̇Î˚ 1 – 8)) ä‡Ì‡Î˚ ÔÓË„˚‚‡ÌËfl ÔÂÒÌË (Ò ‰Â‚flÚÓ„Ó ÔÓ ¯ÂÒÚ̇‰ˆ‡Ú˚È) 2 èÂÂȉËÚ ̇ ‰Û„Ë ÒÚ‡Ìˈ˚ ÍÓÌÒÓÎË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] Ë Á‡‰‡ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ԇ‡ÏÂÚ˚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‡Á΢Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı ̇ÒÚÓÈÍË ÒÏ. ̇ ÒÚ. 124 Ë ‰‡ÎÂÂ. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı ÙÛÌ͈ËË Sound Creator Ô˂‰ÂÌ˚ ̇ ÒÚ. 92. END á‡ÍÓÈÚ ˝Í‡Ì Mixing Console, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. ■ é Ô‡‡ÏÂÚ‡ı • • • • • VOL/VOICE („ÓÏÍÓÒÚ¸/ÚÂÏ·) (ÒÚ. 124) ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ë ÚÂÏ· ‰Îfl ͇ʉÓÈ ˜‡ÒÚË/͇̇·. äÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Auto Revoice, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓË„˚‚‡Ú¸ ÔÂÒÌË ‚ ÙÓχÚ XG (ÒÚ. 163) Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÛÌË͇θÌ˚ı ÔÓ ·Ó„‡ÚÒÚ‚Û Á‚Û˜‡ÌËfl Ë ‰Ë̇ÏËÍ ÚÂÏ·Ó‚ (ÚÓθÍÓ ‰Îfl CVP-210/208). Å·„Ó‰‡fl ˝ÚÓÏÛ ‚ ‚‡¯ÂÈ ÔÂÒÌ Á‡Á‚Û˜‡Ú „Ó‡Á‰Ó ·ÓΠ‡ÎËÒÚ˘Ì˚Â Ë ÂÒÚÂÒÚ‚ÂÌÌ˚ ÚÂÏ·˚. FILTER (ÙËθÚ) (ÒÚ. 125) ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ‚˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ ͇˜ÂÒÚ‚Ó ÚÂÏ·‡ , Ôˉ‡‚ ÂÏÛ ÏÓ˘¸, ˝Ì„˲ Ë flÍÓÒÚ¸. TUNE (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚) (ÒÚ. 125) ùÚ‡ ÒÚ‡Ìˈ‡ ÒÎÛÊËÚ ‰Îfl ̇ÒÚÓÈÍË ‚˚ÒÓÚ˚ Á‚Û͇ Ë Á‡‰‡ÌËfl ÒÓÔÛÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚. EFFECT (˝ÙÙÂÍÚ) (ÒÚ. 126) á‰ÂÒ¸ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ÛÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚÓ‚. EQ (ÒÚ. 128) ùÍ‚‡Î‡ÈÁ ÔÓÏÓ„‡ÂÚ ÔÓ‰ÒÚÓËÚ¸ Ó·˘Â Á‚Û˜‡ÌË ËÌÒÚÛÏÂÌÚ‡ ÔÓ‰ ‡ÍÛÒÚËÍÛ ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl. äÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ ËÎË ÚÂÏ· ͇ʉÓÈ ˜‡ÒÚË. CVP-210/208 123 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ ìÒÚ‡Ìӂ͇ „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ — Volume/Voice éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. èêàåÖóÄçàÖ 1 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ fl‰˚ Ô‡‡ÏÂÚÓ‚ VOICE (íÂÏ·), PANPOT (è‡ÌӇχ) ËÎË VOLUME (ÉÓÏÍÓÒÚ¸). óÚÓ·˚ ÔÂÂÈÚË Í Ú·ÛÂÏÓÈ ˜‡ÒÚË/ ͇̇ÎÛ, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ ‡Á. DIGITAL STUDIO óÚÓ·˚ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ÂÊËÏ ‡‚ÚÓχÚ˘ÂÒÍÓÈ Á‡ÏÂÌ˚ ÚÂÏ·Ó‚ XG ÚÂÏ·‡ÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, ‚Íβ˜ËÚ ˝ÚÛ ÍÌÓÔÍÛ (ÛÒÚ‡ÌÓ‚Ë‚ Á̇˜ÂÌË ON). ÖÒÎË Ó̇ ÓÚÍβ˜Â̇ (Off), ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ËÁ Ó·˚˜ÌÓ„Ó Ì‡·Ó‡ XG. èêàåÖóÄçàÖ A F B G C H D I E J SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE BALANCE PART CHANNEL ON OFF äÌÓÔ͇ ‚˚·Ó‡ Á‡ÏÂÌflÂÏÓ„Ó ÚÂÏ·‡. PART 1 2 3 4 5 6 7 8 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ÚÂÏ· ‰Îfl ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ, ‡ Ú‡ÍÊ ÓÚ„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë Ô‡ÌÓ‡ÏÛ. VOICE (íÖåÅê) Ç˚ÁÓ‚ ˝Í‡Ì‡ VOICE, ̇ ÍÓÚÓÓÏ ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÔÓ̇‚Ë‚¯ËÈÒfl ÚÂÏ· (ÒÚ. 58). èË ‚˚·Ó ˜‡ÒÚË Style (ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ËÒÔÓθÁÓ‚‡ÌË ÚÂÏ·Ó‚ Organ Flutes Ë ÚÂÏ·Ó‚ ËÁ ‡Á‰Â· Ô‡ÏflÚË User Ì‚ÓÁÏÓÊÌÓ. ÖÒÎË ‚˚·‡Ì‡ ˜‡ÒÚ¸ Song (ÔÂÒÌfl), ̉ÓÒÚÛÔÌ˚ ÚÂÏ·˚ ËÁ ‡Á‰Â· Ô‡ÏflÚË User. PANPOT (è‡ÌӇχ) éÔ‰ÂÎflÂÚ ÔÓÎÓÊÂÌË ‚ ÒÚÂÂÓ ·‡Á ÚÂÍÛ˘Â„Ó ÚÂÏ·‡ ËÎË ‰ÓÓÊÍË. á̇˜ÂÌË «0» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡ÈÌÂÏÛ Î‚ÓÏÛ ÔÓÎÓÊÂÌ˲ ËÒÚÓ˜ÌË͇ Á‚Û͇, «127» – ͇ÈÌÂÏÛ Ô‡‚ÓÏÛ ÔÓÎÓÊÂÌ˲, ‡ «64» – ˆÂÌڇθÌÓÈ ÔÓÁˈËË. VOLUME (ÉÓÏÍÓÒÚ¸) Ç ˝ÚÓÈ ˜‡ÒÚË ˝Í‡Ì‡ ÏÓÊÌÓ Á‡‰‡Ú¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡, ˝ÍÒÔÂËÏÂÌÚËÛfl Ò ‡Á΢Ì˚ÏË ‚‡Ë‡ÌÚ‡ÏË ÒÓ˜ÂÚ‡ÌËfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ. ALL REVOICE êÂÊËÏ «„ÎÓ·‡Î¸ÌÓÈ Á‡ÏÂÌ˚». Ç ˝ÚÓÏ ÂÊËÏ ‚Ò ‰ÓÔÛÒ͇˛˘Ë Á‡ÏÂÌÛ ÚÂÏ·˚ XG Á‡ÏÂÌfl˛ÚÒfl ‡ÎËÒÚ˘Ì˚ÏË Ë Ì‡Ò˚˘ÂÌÌ˚ÏË ÚÂÏ·‡ÏË CVP-210/208. 2 PIANO REVOICE á‡ÏÂÌflÂÚ ‚Ò ÚÂÏ·˚ ÔˇÌËÌÓ. F G H DRUM REVOICE á‡ÏÂÌflÂÚ ‚Ò ÚÂÏ·˚ Û‰‡Ì˚ı. I J BASIC REVOICE Ç ˝ÚÓÏ ÂÊËÏ Á‡ÏÂÌfl˛ÚÒfl ÚÓθÍÓ Ú ÚÂÏ·˚, ÍÓÚÓ˚ ÔÓ‰ıÓ‰flÚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÍÓÌÍÂÚÌÓÈ ÔÂÒÌË. ALL NO REVOICE ÇÒ ÚÂÏ·˚ ‚ÓÁ‚‡˘‡˛ÚÒfl Í Ô‚Ó̇˜‡Î¸Ì˚Ï ÚÂÏ·‡Ï XG. 1 2 3 4 5 6 7 Ç˚·Ó ÚÂÏ·Ó‚ XG, ÍÓÚÓ˚ ÌÛÊÌÓ Á‡ÏÂÌËÚ¸ (ÚÂÏ·Ó‚, Ó·˚˜ÌÓ Ç˚·Ó ÚÂÏ·Ó‚, Á‡ÏÂÌfl˛˘Ëı ËÒÔÓθÁÛÂÏ˚ı ÔË ÚÂÏ·˚ XG (ÔË ÛÒÎÓ‚ËË ÛÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËË). Á̇˜ÂÌËfl ON ‰Îfl Ô‡‡ÏÂÚ‡ SONG AUTO REVOICE). 124 CVP-210/208 ä‡Ì‡Î [RHY1], Û͇Á‡ÌÌ˚È Ì‡ ˝Í‡Ì STYLE PART, ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ β·ÓÏÛ ÚÂÏ·Û, ÍÓÏ Organ Flutes. 8 äÌÓÔ͇ ÒÓı‡ÌÂÌËfl ËÁÏÂÌÂÌÌ˚ı Ô‡‡ÏÂÚÓ‚ Ë Á‡Í˚ÚËfl ˝Í‡Ì‡ Auto Revoice Setup. àÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚ Ì ÒÓı‡Ìfl˛ÚÒfl, ˝Í‡Ì Auto Revoice Setup Á‡Í˚‚‡ÂÚÒfl. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÂÌ ‚ ÙÓχÚ GM 10-È Í‡Ì‡Î (ÒÚ‡Ìˈ‡ SONG CH 9 - 16) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ‰Îfl Û‰‡Ì˚ı (ÚÂÏ· Drum Kit). èêàåÖóÄçàÖ èË ÒÏÂÌ ËÚχ/ ÔÂÍÛÒÒËÓÌÌ˚ı ÚÂÏ·Ó‚ (Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ Ë Ú. Ô.) ‚ ÔÂÒÌÂ Ë ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡ VOICE ÔÓËÒıÓ‰ËÚ Ò·ÓÒ Á̇˜ÂÌËÈ ÚÓÌÍËı ̇ÒÚÓÂÍ. Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ì‚ÓÁÏÓÊÌÓÒÚË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡. ÖÒÎË ˝ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË, ÚÓ ‰Îfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡ ÌÛÊÌÓ ‚ÂÌÛÚ¸Òfl Í Ì‡˜‡ÎÛ ÔÂÒÌË Ë Á‡ÔÛÒÚËÚ¸  Á‡ÌÓ‚Ó. ÖÒÎË Ò·ÓÒ Á̇˜ÂÌËÈ ÔÓËÁÓ¯ÂÎ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ô‚Ó̇˜‡Î¸Ì˚È ÚÂÏ· ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÔÛÚÂÏ ÔÓ‚ÚÓÌÓ„Ó ‚˚·Ó‡ ÒÚËÎfl. èêàåÖóÄçàÖ Ô˘ÂÏ ÚÂÏ·˚ PIANO, BASIC Ë DRUM ÏÓ„ÛÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ. èêàåÖóÄçàÖ çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ËÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË Revoice ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÔ‰‚ˉÂÌÌÓÈ ÌÂÂÒÚÂÒÚ‚ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl. ÇÒ Á‡‚ËÒËÚ ÓÚ ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ àÁÏÂÌÂÌË ı‡‡ÍÚ‡ ÚÂÏ·‡ — Filter éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. äÌÓÔÍË ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ HARMONIC Ë BRIGHTNESS. èêàåÖóÄçàÖ ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙËθÚ Ô˂‰ÂÌ˚ ̇ ÒÚ. 94. èêàåÖóÄçàÖ èË ‚˚·Ó ÚÂÏ·‡ Natural voice ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ Harmonic Ë Brightness ÌÂθÁfl. A F B G C H èêàåÖóÄçàÖ DIGITAL STUDIO D I E J èË Ì‡ÒÚÓÈÍ ‰‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ÒΉÛÂÚ ÔÓfl‚ÎflÚ¸ ÓÒÚÓÓÊÌÓÒÚ¸. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡, ÛÒÚ‡Ìӂ͇ ͇ÈÌËı Á̇˜ÂÌËÈ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ËÒ͇ÊÂÌËflÏ Ò˄̇· ËÎË ÔÓfl‚ÎÂÌ˲ ¯ÛÏÓ‚. SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE BALANCE PART CHANNEL ON OFF óÚÓ·˚ ÔÂÂÈÚË Í Ú·ÛÂÏÓÈ ˜‡ÒÚË/͇̇ÎÛ, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ ‡Á. 1 2 3 4 5 6 7 8 HARMONIC .........èÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ ˝ÙÙÂÍÚ ÂÁÓ̇ÌÒ‡ (ÒÏ. ‡·Á‡ˆ «ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÍ» ̇ ÒÚ. 94). BRIGHTNESS .....éÔ‰ÂÎflÂÚ flÍÓÒÚ¸ ÚÂÏ·‡ ÔÛÚÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌËfl ˜‡ÒÚÓÚ˚ ÒÂÁ‡ (ÒÚ. 94). àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚Û͇ — Tune éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. äÌÓÔÍË ‚˚·Ó‡ ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚÓ‚: PORTAMENTO TIME, PITCH BEND RANGE, OCTAVE Ë TUNING. èêàåÖóÄçàÖ Portamento ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÙÙÂÍÚ‡ Ô·‚ÌÓ„Ó ÒÍÓθÊÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ Ó‰ÌÓÈ ÌÓÚ˚ Í ‰Û„ÓÈ. èêàåÖóÄçàÖ A F B G C H D I E J èË ‚˚·Ó ÚÂÏ·‡ Natural voice ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ Portamento Time ÌÂθÁfl. ç‡Á̇˜ÂÌË ˝ÚËı ÍÌÓÔÓÍ Ó·˙flÒÌflÂÚÒfl ÌËÊÂ. 1 2 3 4 5 6 7 8 äÌÓÔÍË ÔÓ‚˚¯ÂÌËfl/ÔÓÌËÊÂÌËfl (Ú‡ÌÒÔÓÁˈËË) ‚˚ÒÓÚ˚ Á‚Û͇ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇. MASTER ....í‡ÌÒÔÓÁˈËfl Á‡Ú‡„Ë‚‡ÂÚ Í‡Í ‚˚ÒÓÚÛ Á‚Û͇ ÔË Ë„Â Ì‡ Í·‚ˇÚÛÂ, Ú‡Í Ë ‚˚ÒÓÚÛ Á‚Û͇ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. SONG .........í‡ÌÒÔÓÌËÛÂÚÒfl ÚÓθÍÓ ‚˚ÒÓÚ‡ Á‚Û͇ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. KBD............í‡ÌÒÔÓÌËÛÂÚÒfl ÚÓθÍÓ ‚˚ÒÓÚ‡ Á‚Û͇ ÔË Ë„Â Ì‡ Í·‚ˇÚÛÂ. PORTAMENTO TIME........ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ‚ÂÏÂÌÌ˚ „‡Ìˈ˚ ÒÍÓθÊÂÌËfl ‚˚ÒÓÚ˚. óÚÓ·˚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ËÏ, ÌÂÓ·ıÓ‰ËÏÓ Ò‰Â·ڸ Ó·‡·‡Ú˚‚‡ÂÏÛ˛ ˜‡ÒÚ¸ ÏÓÌÓÙÓÌ˘ÂÒÍÓÈ (ÒÏ. ÒÚ. 62, 93). óÂÏ ‚˚¯Â Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡, ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÒÍÓθÊÂÌËÂ. ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ËÒÔÓθÁÛÂÚÒfl Î˯¸ ÔË Ë„Â Î„‡ÚÓ (͇ʉ‡fl ÔÓÒÎÂ‰Û˛˘‡fl Í·‚˯‡ ̇ÊËχÂÚÒfl, ÍÓ„‰‡ ¢ Ì ÓÚÔÛ˘Â̇ Ô‰˚‰Û˘‡fl). PITCH BEND RANGE.......Ç˚ ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚Û͇ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË, Û͇Á˚‚‡fl ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚ ÔÓÎÛÚÓ̇ı. èË ˝ÚÓÏ Ô‰‡ÎË Á‡‡Ì ‰ÓÎÊÌ˚ ·˚Ú¸ ÔËÒ‚ÓÂÌ˚ ÙÛÌ͈ËË ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ËÎË ˝ÙÙÂÍÚ ÒÍÓθÊÂÌËfl. OCTAVE............................éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚. 뉂˄‡Ú¸ ‚˚ÒÓÚÛ ÏÓÊÌÓ ·ÓΠ˜ÂÏ Ì‡ ‰‚ ÓÍÚ‡‚˚ ‚‚Âı ËÎË ‚ÌËÁ. TUNING .............................éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ ËÌÒÚÛÏÂÌÚ‡. CVP-210/208 125 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ éÔËÒ‡ÌÌ˚ ̇ ˝ÚÓÈ ÒÚ‡Ìˈ ‰ÂÈÒÚ‚Ëfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ËÌÒÚÛ͈ËË Ì‡ ÒÚ. 123. 1 ì͇Á˚‚‡˛Ú ̇Á‚‡ÌËfl ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚. äÓ„‰‡ ‚˚·‡Ì ÂÒÚÂÒÚ‚ÂÌÌ˚È ÚÂÏ·, ̇Á‚‡ÌËfl ˝ÙÙÂÍÚÓ‚ Û͇Á‡Ì˚ ̇‰ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÍÌÓÔ͇ÏË ˝Í‡Ì‡. DIGITAL STUDIO ì͇Á˚‚‡ÂÚ Ì‡Á‚‡ÌËfl ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚. èË ‚˚·Ó ÂÒÚÂÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·‡, Û͇Á˚‚‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÂÏÛ Ì‡Á‚‡ÌËfl ˝ÙÙÂÍÚÓ‚ A F B G C H D I E J ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ÔÂÂÈÚË ‚ ÂÊËÏ Â‰‡ÍÚËÓ‚‡ÌËfl Ë ÒÓı‡ÌÂÌËfl ˝ÙÙÂÍÚ‡ (ÒÚ. 126, 127). SOUND CREATOR DIGITAL RECORDING MIXING CONSOLE BALANCE PART CHANNEL ON OFF PART óÚÓ·˚ ÔÂÂÈÚË Í ÌÛÊÌÓÈ ˜‡ÒÚË/͇̇ÎÛ, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ ‡Á. 1 2 3 4 5 6 7 äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚ ˝Í‡Ì‡: REVERB, CHORUS Ë DSP. 8 ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ̇ Í‡Ê‰Û˛ ËÁ ˜‡ÒÚÂÈ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ı‡‡ÍÚÂËÒÚË͇ı ˝ÙÙÂÍÚÓ‚ Ô˂‰ÂÌ˚ ‚ Ú‡·Îˈ ÅÎÓÍË ˝ÙÙÂÍÚÓ‚ ̇ ÒÚ. 127. 2 ÖÒÎË Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË REVERB1, CHORUS1 ËÎË DSP 3-7 (CVP-210)/ DSP 3-5 (CVP-208), ˝ÚÛ ÍÌÓÔÍÛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÚÓÌÍÓÈ Ì‡ÒÚÓÈÍË ‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡. F G H I J 1 2 3 4 5 6 7 8 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ ·ÎÓÍ ˝ÙÙÂÍÚÓ‚ Ë Ì‡Á̇˜ËÚ¸ ÓÔ‰ÂÎÂÌÌ˚È ˝ÙÙÂÍÚ. BLOCK ............. Ç˚·Ó ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚ („ÛÔÔ‡ ÔÓıÓÊËı ËÎË Ó‰ÒÚ‚ÂÌÌ˚ı ˝ÙÙÂÍÚÓ‚). PART ................ Ç˚·Ó ˜‡ÒÚË, Ó·‡·‡Ú˚‚‡ÂÏÓÈ ˝ÙÙÂÍÚÓÏ. ùÚÓ ÏÓÊÌÓ Ò‰Â·ڸ Î˯¸ ÚÓ„‰‡, ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP1», Ô‡‡ÏÂÚÛ PARAMETER — «CONNECTION», ‡ Ô‡‡ÏÂÚÛ VALUE — «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP 3-7» (CVP-210) ËÎË «DSP 3-5» (CVP-208). CATEGORY ..... ê‡Á΢Ì˚ ÚËÔ˚ ˝ÙÙÂÍÚÓ‚ (ÒÏ. ÌËÊ ÒÚÓηˆ Type) Ò„ÛÔÔËÓ‚‡Ì˚ ÔÓ Í‡Ú„ÓËflÏ. èË ‚˚·Ó ÌÂÍÓÚÓ˚ı ·ÎÓÍÓ‚ ˝ÚÓÚ Ô‡‡ÏÂÚ ÏÓÊÂÚ ·˚Ú¸ ̉ÓÒÚÛÔÂÌ. TYPE ................ éÔ‰ÂÎflÂÚ ÚËÔ ˝ÙÙÂÍÚ‡, ÔËÒ‚ÓÂÌÌÓ„Ó ‚˚·‡ÌÌÓÏÛ ·ÎÓÍÛ ˝ÙÙÂÍÚÓ‚. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ·ÎÓ͇ ÒÔËÒÓÍ ˝ÙÙÂÍÚÓ‚ ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ Ë̇˜Â. 126 CVP-210/208 èêàåÖóÄçàÖ ùÍ‡Ì ‡Á·ËÚ Ì‡ ÚË ‡Á‰Â·: Reverb, Chorus Ë DSP (ÔÓÒΉÌËÈ ÒÓ‰ÂÊËÚ ÌÂÒÍÓθÍÓ ÚËÔÓ‚ ˝ÙÙÂÍÚÓ‚). àÏË ÏÓÊÌÓ ÔÓθÁÓ‚‡Ú¸Òfl ÌÂÁ‡‚ËÒËÏÓ ‚ ÂÊËÏ ÂÒÚÂÒÚ‚ÂÌÌ˚ı Ë Ó·˚˜Ì˚ı ÚÂÏ·Ó‚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ô˂‰ÂÌ˚ ‚ Ú‡·Îˈ «ÅÎÓÍË ˝ÙÙÂÍÚÓ‚» (ÒÚ. 127). ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ èêàåÖóÄçàÖ 3 A F B G C H D I E J äÌÓÔÍË ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ‚ÂıÌËÏ Ë ÌËÊÌËÏ Ô‡‡ÏÂÚÓÏ. ÉÎÛ·ËÌÛ ÌËÊÌÂ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [VARIATION]. 1 2 3 4 5 6 7 äÌÓÔÍË ‚˚·Ó‡ ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚. 8 äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‰Îfl ÒÓı‡ÌÂÌËfl ˝ÙÙÂÍÚ‡. ùÚÓÚ Ô‡‡ÏÂÚ Ì ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌ, ÂÒÎË Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «REVERB2», «CHORUS2», ËÎË «DSP2» (ËÎË «BRILLIANCE»). éÔ‰ÂÎflÂÚ ÛÓ‚Â̸ ˝ÙÙÂÍÚ‡ (ÛÓ‚Â̸ ‚ÓÁ‚‡Ú‡). ùÚÓ„Ó ÌÂθÁfl ҉·ڸ, ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP1», Ô‡‡ÏÂÚÛ PARAMETER — «CONNECTION», ‡ Ô‡‡ÏÂÚÛ VALUE — «Insertion», ÎË·Ó ÍÓ„‰‡ Ô‡‡ÏÂÚÛ BLOCK ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «DSP3-7» (CVP-210) ËÎË «DSP 3-5» (CVP-208). äÌÓÔÍË ‚˚·Ó‡ Á̇˜ÂÌËfl ÚÂÍÛ˘Â„Ó Ô‡‡ÏÂÚ‡. äÌÓÔÍË ‚˚·Ó‡ ͇Ú„ÓËË ˝ÙÙÂÍÚÓ‚. äÌÓÔÍË ‚˚·Ó‡ ̇Òڇ˂‡ÂÏÓ„Ó Ô‡‡ÏÂÚ‡ ˝ÙÙÂÍÚ‡. äÌÓÔÍË ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡. èêàåÖóÄçàÖ 4 F äÌÓÔ͇ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‰Îfl ̇Á̇˜ÂÌËfl ËÏÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍÓÏÛ ˝ÙÙÂÍÚÛ (ÒÚ. 49). G çÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‚ ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı „ÛÎËӂ͇ Ô‡‡ÏÂÚÓ‚ ‚Ó ‚ÂÏfl Ë„˚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓfl‚ÎÂÌ˲ ¯Ûχ. H I J 1 2 3 4 5 6 7 8 äÌÓÔ͇ ÒÓı‡ÌÂÌËfl ËÁÏÂÌÂÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ˝ÙÙÂÍÚ‡ ‚ ‡Á‰ÂΠԇÏflÚË User Effect (SYSTEM). óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝ÙÙÂÍÚ, ‚ ÓÍÌ ԇ‡ÏÂÚ‡ CATEGORY ‚˚·ÂËÚ ÒÚÓÍÛ USER, ‡ Á‡ÚÂÏ ‚˚·ÂËÚ Ú·ÛÂÏ˚È ˝ÙÙÂÍÚ ‚ ÓÍÌ ԇ‡ÏÂÚ‡ TYPE. Ç˚·ÂËÚ ÏÂÒÚÓ, „‰Â ·Û‰ÂÚ ı‡ÌËÚ¸Òfl ˝ÙÙÂÍÚ. äÓ΢ÂÒÚ‚Ó ‰ÓÒÚÛÔÌ˚ı ÒÚÓÍ ‡Á΢ÌÓ ‰Îfl Í‡Ê‰Ó„Ó ·ÎÓ͇ ˝ÙÙÂÍÚÓ‚ (ÒÏ. Ú‡·ÎËˆÛ ÌËÊÂ). ÅÎÓÍ ˝ÙÙÂÍÚÓ‚ Block ó‡ÒÚË REVERB 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·Ó‚) ÇÒ ԇÚËË REVERB 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚) ÇÒ ԇÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ ÏËÍÓÙÓÌÌ˚ı (MIC) CHORUS 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·Ó‚) ÇÒ ԇÚËË ÇÒ ԇÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ CHORUS 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚) ÏËÍÓÙÓÌÌ˚ı (MIC) DSP 1 (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·Ó‚) ëÚËθ ÔÂÒÌË (͇̇Π1 - 16) DSP 2 (‰Îfl ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚) ÇÒ ԇÚËË, Á‡ ËÒÍβ˜ÂÌËÂÏ ÏËÍÓÙÓÌÌ˚ı (MIC) DSP 3-6 (DSP6; ÚÓθÍÓ ‰Îfl CVP-210) (‰Îfl Ó·˚˜Ì˚ı ÚÂÏ·Ó‚) Main, Layer, Left, Song (Ch. 1 - 16), MIC (ÚÓθÍÓ ‰Îfl CVP-208) DSP 7 (ÚÓθÍÓ ‰Îfl CVP-210) MIC (ÏËÍÓÙÓÌ) ÍÚÂËÒÚËÍË äÓ΢ÂÒÚ‚Ó ˝ÙÙÂÍÚÓ‚ ÔÓθÁÓ‚‡ÚÂÎfl 3 ÇÓÒÔÓËÁ‚Ó‰ËÚ Û˛ÚÌÛ˛ ‡ÚÏÓÒÙÂÛ Ë„˚ ‚ ÍÓ̈ÂÚÌÓÏ Á‡Î ËÎË ‰Ê‡Á-ÍÎÛ·Â. — 3 á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒfl ·Ó„‡Ú˚Ï Ë Ì‡Ò˚˘ÂÌÌ˚Ï, Í‡Í ÂÒÎË ·˚ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Á‚Û˜‡ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ. èÓÏËÏÓ Â‚Â·Â‡ˆËË Ë ıÓÛÒ‡ ˝ÚÓÚ ·ÎÓÍ ÒÓ‰ÂÊËÚ fl‰ ÓÒÓ·˚ı ˝ÙÙÂÍÚÓ‚, ‚Íβ˜‡fl ËÒ͇ÊÂÌËÂ. äÓ„‰‡ ‚˚·‡Ì «MIC» (ÚÓθÍÓ ‰Îfl CVP-208), ‚˚ ÏÓÊÂÚ ‰Ó·‡‚ËÚ¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ ÚÂÏ·Û Ò ÔÓÏÓ˘¸˛ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍÓÙÓ̇. èÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Ò‚ÓÂÏÛ ÚÂÏ·Û, Ò ÔÓÏÓ˘¸˛ ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍÓÙÓ̇. — 3 — 10 10 CVP-210/208 127 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ äÓÂÍÚËӂ͇ Á‚Û͇ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍÛÊÂÌËÂÏ – EQ ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌflÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË ÔÓÏ¢ÂÌËfl. Ç Á‚ÛÍ ‚˚‰ÂÎflÂÚÒfl ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ, Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËfl ËÎË ÔÓÌËÊÂÌËfl ÛÓ‚Ìfl ͇ʉÓÈ ÔÓÎÓÒ˚, ÔÓËÒıÓ‰ËÚ ÍÓÂÍÚËӂ͇ Á‚Û͇. è‰ ‚˚ÒÚÛÔÎÂÌËÂÏ ‚˚ ÏÓÊÂÚÂ Ò Â„Ó ÔÓÏÓ˘¸˛ ‰Ó·ËÚ¸Òfl ÓÔÚËχθÌÓ„Ó ‰Îfl ÚÓ„Ó ËÎË ËÌÓ„Ó ÔÓÏ¢ÂÌËfl ÚÂÏ·‡. äÓÏ ÚÓ„Ó, Ú‡ÍËÏ Ó·‡ÁÓÏ ÏÓÊÌÓ ÍÓÏÔÂÌÒËÓ‚‡Ú¸ ÌÂÍÓÚÓ˚ Ì‰ÓÒÚ‡ÚÍË ‡ÍÛÒÚËÍË ‚‡¯ÂÈ ‰Óχ¯ÌÂÈ ÒÚÛ‰ËË. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ӷÂÁ‡Ú¸ ÌËÁÍË ˜‡ÒÚÓÚ˚ ÔË Ë„Â ‚ ·Óθ¯Ëı ÔÓÏ¢ÂÌËflı, „‰Â Á‚ÛÍ ÒÎ˯ÍÓÏ „ÛÎÍËÈ, ËÎË ‡Ò¯ËËÚ¸ ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚ ‚ Ì·Óθ¯Ëı ÍÓÏ̇ڇı Ë ÚÂÒÌ˚ı ÔÓÏ¢ÂÌËflı, „‰Â Û Á‚Û͇ ÌÂÚ ˝ı‡, Ë ÓÌ Á‡„ÎÛ¯‡ÂÚÒfl. Ç ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 ËÒÔÓθÁÛÂÚÒfl ÔflÚË-ÔÓÎÓÒÌ˚È ˆËÙÓ‚ÓÈ ˝Í‚‡Î‡ÈÁ ‚˚ÒÓÍÓ„Ó Í‡˜ÂÒÚ‚‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ıÓ‰ÌÓÈ Ò˄̇ΠËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ÔÓ‰‚„ÌÛÚ¸ ‰ÂÈÒڂ˲ ÔÓÒΉÌÂ„Ó ˝ÙÙÂÍÚ‡ – ÍÓÌÚÓÎfl ÚÓ̇. ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ, ÍÓ„‰‡ ‚ ¯‡„ 2, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 123. äÌÓÔ͇ ‚˚·Ó‡ ÚËÔ‡ Master EQ. ÑÎfl ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ EQ Low (ÛÒËÎÂÌË ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·) ‰Îfl ͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1▲▼] - [8▲▼]. DIGITAL STUDIO A F B G C H D I E J SOUND CREATOR DIGITAL RECORDING ùÚ‡ ÍÌÓÔ͇ ÒÎÛÊËÚ ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MASTER EQ. ÑÎfl ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ EQ High (ÛÒËÎÂÌË ‚˚ÒÓÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·) ‰Îfl ͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1▲▼] - [8▲▼]. ÑÎfl ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ EQ Low (ÛÒËÎÂÌË ÌËÁÍÓ˜‡ÒÚÓÚÌÓ„Ó Ò˄̇·) ‰Îfl ͇ʉÓÈ ˜‡ÒÚË ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1▲▼] - [8▲▼]. MIXING CONSOLE óÚÓ·˚ ÔÂÂÈÚË Í ÌÛÊÌÓÈ ˜‡ÒÚË/͇̇ÎÛ, ÒΉÛÂÚ Ì‡Ê‡Ú¸ ˝ÚÛ ÍÌÓÔÍÛ ÌÂÒÍÓθÍÓ ‡Á. PART A F B G C H Ç˚·ÂËÚ ÚËÔ Master EQ. D I E J ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÍË‚˚ PRESET ËÎË USER ̇ USER 1 ËÎË USER 2 Q GAIN é‰ÌÓ‚ÂÏÂÌ̇fl „ÛÎËӂ͇ Ó·˘ÂÈ ‡ÏÔÎËÚÛ‰˚ ‚ÒÂı ÔÓÎÓÒ EQ. 1 2 3 4 5 6 7 8 FREQ ä‡Ê‰˚È ‡Á ÔË Ì‡ÒÚÓÈÍ ӉÌÓÈ ËÁ ÔÓÎÓÒ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â Á̇˜ÂÌË EQ ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ, ‡ ̇‰ ˝ÎÂÏÂÌÚ‡ÏË ÛÔ‡‚ÎÂÌËfl Q Ë FREQ ÔÓfl‚ÎflÂÚÒfl ÌÓÏ ˝ÚÓÈ ÔÓÎÓÒ˚. ùÚË ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ Q (¯ËË̇ ÔÓÎÓÒ˚) Ë FREQ (ˆÂÌڇθ̇fl ˜‡ÒÚÓÚ‡) ‚˚·‡ÌÌÓÈ ÔÓÎÓÒ˚ ˜‡ÒÚÓÚ. óÂÏ ‚˚¯Â Á̇˜ÂÌË «Q», ÚÂÏ ÛÊ ÔÓÎÓÒ‡ ˜‡ÒÚÓÚ. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚ‡ FREQ ‡Á΢ÂÌ ‰Îfl ͇ʉÓÈ ÔÓÎÓÒ˚. 128 CVP-210/208 äË‚˚ PRESET Ë USER ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ÍÌÓÔÓÍ. ä‡Ê‰Û˛ ËÁ ÔflÚË ÔÓÎÓÒ ÏÓÊÌÓ ‡Ò¯ËflÚ¸ ËÎË Ó·ÂÁ‡Ú¸ ‰Ó 12 ‰Å. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ ëÚÛÍÚÛ̇fl ÒıÂχ ˝ÙÙÂÍÚÓ‚ CVP-210/208 ӷ·‰‡ÂÚ ÒÎÂ‰Û˛˘ËÏË ÒËÒÚÂχÏË ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÓÚ‰ÂθÌÓ ÔËÏÂÌflÂÏ˚ÏË Í ÂÒÚÂÒÚ‚ÂÌÌ˚Ï (ÒÚ. 92) Ë Ó·˚˜Ì˚Ï (ÒÚ. 92) ÚÂÏ·‡Ï. ë ÔÓÏÓ˘¸˛ ‡ÒÔÓÎÓÊÂÌÌ˚ı ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡, Â„Ó „ÎÛ·ËÌÛ Ë ÔӘˠԇ‡ÏÂÚ˚. é Ò‚flÁflı ÏÂÊ‰Û ˝ÙÙÂÍÚ‡ÏË — ÒËÒÚÂÏÌ˚È ÂÊËÏ Ë ÂÊËÏ ‚ÒÚ‡‚ÍË ÇÒ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ ÔÓ‰‰ÂÊË‚‡˛Ú Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚ ÒÓ‰ËÌÂÌËfl: ùÙÙÂÍÚ˚, ÔËÏÂÌflÂÏ˚ ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ËÎË ˝ÙÙÂÍÚ˚, ÔËÏÂÌflÂÏ˚Â Í ÓÚ‰ÂθÌ˚Ï Ô‡ÚËflÏ. ùÙÙÂÍÚ˚, ÔËÏÂÌflÂÏ˚ ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ÔËÏÂÌfl˛ÚÒfl Ò‡ÁÛ ÍÓ ‚ÒÂÏ Ô‡ÚËflÏ, ‡ ˝ÙÙÂÍÚ˚, ÔËÏÂÌflÂÏ˚Â Í ÓÚ‰ÂθÌ˚Ï Ô‡ÚËflÏ, – ÚÓθÍÓ Í Ó‰ÌÓÈ ÍÓÌÍÂÚÌÓÈ. Reverb, Chorus Ë DSP 2 fl‚Îfl˛ÚÒfl ˝ÙÙÂÍÚ‡ÏË, ÔËÏÂÌflÂÏ˚ÏË ÍÓ ‚ÒÂÈ ÒËÒÚÂÏÂ, ‡ DSP 3 - 7 (CVP-210)/DSP 3 - 5 (CVP-208) – ˝ÙÙÂÍÚ‡ÏË, ÔËÏÂÌflÂÏ˚ÏË Í ÓÚ‰ÂθÌ˚Ï Ô‡ÚËflÏ. ùÙÙÂÍÚ DSP1, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ Ó·ÓËı ÂÊËχı. èË‚Ó‰Ëχfl ÌËÊ ÒıÂχ ‰‡ÂÚ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÒËÒÚÂÏ ҂flÁÂÈ ÏÂÊ‰Û ÓÚ‰ÂθÌ˚ÏË ·ÎÓ͇ÏË Ë ÔÓÁ‚ÓÎflÂÚ ÔÓÒΉËÚ¸ ÔÛÚ¸ ÔÓıÓʉÂÌËfl Ò˄̇· ÔÓ ÎËÌËflÏ ÔÓÒ˚· Ë ‚ÓÁ‚‡Ú‡ ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208. ÑÎfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Regular (CVP-210) çÂËÒÔÓθÁÓ‚‡ÌÌ˚ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡˛ÚÒfl ÓÒÚ‡‚¯ËÏÒfl ÌÂÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚflÏ. Dry MAIN VOICE DSP3 DRY LINE REVERB1 Rev Send Cho Send Dry LAYER VOICE DSP4 Rev Send Cho Send Dry LEFT VOICE DSP5 CHORUS1 Master EQ ë˄̇Π̇ ‚˚ıӉ Rev Send Cho Send Dry SONG (͇ʉ˚È Í‡Ì‡Î) DSP6 Rev Send Cho Send MIC. ˝ÙÙÂÍÚ Dry MIC 3 Band EQ Noise Gate ÍÓÏÔÂÒÒÓ DSP7 Vocal Harmony Rev Send Cho Send STYLE (͇ʉ˚È Í‡Ì‡Î) Dry DSP1 ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) ̇Á̇˜Â̇ Ó‰ÌÓÏÛ ËÁ ͇̇ÎÓ‚ ÒÚËÎfl (STYLE)), ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ. Rev Send Cho Send ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ÒËÒÚÂÏÌ˚È ˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ. DSP Send DSP1 CVP-210/208 129 ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË Ë Á‡ÏÂ̇ ÚÂÏ·Ó‚: äÓÌÒÓθ ÏËͯ‡ ÑÎfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Regular (CVP-208) DRY LINE çÂËÒÔÓθÁÓ‚‡ÌÌ˚ ·ÎÓÍË ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡˛ÚÒfl ÓÒÚ‡‚¯ËÏÒfl ÌÂÓ·‡·ÓÚ‡ÌÌ˚ÏË ‡ÍÚË‚Ì˚Ï ˜‡ÒÚflÏ. Dry MAIN VOICE DSP3 REVERB 1 Rev Send Cho Send DSP Send Dry LAYER VOICE DSP4 Rev Send Cho Send Dry LEFT VOICE DSP5 CHORUS 1 Master EQ ë˄̇Π̇ ‚˚ıӉ Rev Send Cho Send Dry MIC ùÙÙÂÍÚ MIC Vocal Harmony Rev Send Cho Send DSP Send Dry SONG (͇ʉ˚È Í‡Ì‡Î) Rev Send Cho Send DSP Send Dry STYLE DSP1 (͇ʉ˚È Í‡Ì‡Î) ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ˝ÙÙÂÍÚ ‚ÒÚ‡‚ÍË (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â ˜‡ÒÚ¸ (PART) ̇Á̇˜Â̇ Ó‰ÌÓÏÛ ËÁ ͇̇ÎÓ‚ ÒÚËÎfl (STYLE)), ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ. Rev Send Cho Send DSP Send DSP1 DRY LINE ÑÎfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural Dry MAIN VOICE ÖÒÎË DSP ËÒÔÓθÁÛÂÚÒfl Í‡Í ÒËÒÚÂÏÌ˚È ˝ÙÙÂÍÚ, ÚÓ ËÏ Ó·‡·‡Ú˚‚‡ÂÚÒfl ‡Û‰ËÓÔÓÚÓÍ ‚ ˝ÚÓÈ ÚÓ˜ÍÂ. REVERB 2 Rev Send Cho Send DSP Send Dry LAYER VOICE Rev Send Cho Send DSP Send CHORUS 2 Dry LEFT VOICE Rev Send Cho Send DSP Send Dry MIC Rev Send Cho Send DSP Send Dry STYLE/SONG (͇ʉ˚È Í‡Ì‡Î) Rev Send Cho Send DSP Send DSP2 130 CVP-210/208 BRILLIANCE ë˄̇Π̇ ‚˚ıӉ àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. ùÚ‡ ËÒÍβ˜ËÚÂθÌÓ ÏÓ˘Ì‡fl ÙÛÌ͈Ëfl ‡Á‡·Óڇ̇ Ò ÔËÏÂÌÂÌËÂÏ Ô‰ӂÓÈ ÚÂıÌÓÎÓ„ËË Ó·‡·ÓÚÍË ÚÂÏ·‡, Ô‰̇Á̇˜ÂÌÌÓÈ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ̇ ÓÒÌÓ‚Â Ó‰ÌÓ„Ó ‚Â‰Û˘Â„Ó ÚÂÏ·‡. àϲÚÒfl ˜ÂÚ˚ ‡ÁÌ˚ı ÂÊËχ „‡ÏÓÌËÁ‡ˆËË Ì‡fl‰Û Ò ¯ËÓÍËÏ ‚˚·ÓÓÏ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË. èÓÏËÏÓ Ó·˚˜ÌÓÈ „‡ÏÓÌËÁ‡ˆËË ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ÔÓÁ‚ÓÎflÂÚ Ú‡ÍÊ ËÁÏÂÌflÚ¸ ÔÓÎ ËÒÔÓÎÌËÚÂÎfl ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë/ËÎË Á‚Û˜‡ÌËfl ‚Â‰Û˘Â„Ó ‚Ó͇·. ç‡ÔËÏÂ, β·ÓÈ Ô‚ˆ ÏÓÊÂÚ Ò ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡Ú¸ ‰‚ ԇÚËË ÊÂÌÒÍÓ„Ó ·˝Í-‚Ó͇·. ÅÓθ¯ÓÈ ‚˚·Ó Ô‡‡ÏÂÚÓ‚ ÔÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ËÒÍβ˜ËÚÂθÌÓ ÚÓ˜ÌÓÂ Ë „Ë·ÍÓ ÛÔ‡‚ÎÂÌË Á‚Û˜‡ÌËÂÏ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. èêàåÖóÄçàÖ MIC. SIGNAL OVER VOCAL HARMONY METRONOME POWER START ⁄ STOP MIC. SIGNAL ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÔÓ‰Íβ˜ÂÌËË ÏËÍÓÙÓ̇ ÒÏ. ̇ ÒÚ. 155. TALK EFFECT VH TYPE SELECT MIC. SETTING VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ⁄ ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS WOODWIND STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO A F MASTER VOLUME TAP TEMPO REC FADE IN ⁄ OUT TOP START ⁄ STOP REW FF HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON ⁄ OFF B G LAYER C H LEFT D I E J BRASS ORGAN FLUTES USER FUNCTION ENTER MIN MAX TEMPO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING ⁄ rit. ONE TOCTH SETTING MUSIC FINDER 1 SOUND CREATOR TAP TEMPO RESET STYLE ACMP DIGITAL STUDIO SYNC.STOP SYNC.START START ⁄ STOP OTS LINK DIGITAL RECORDING 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON ⁄ OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 ë ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ SIGNAL Ë OVER ‚˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ̇ÒÚÓÈÍÛ (ÒÚ. 155). MIC. SIGNAL OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT èÓ‰Íβ˜Ë‚ Í CVP-210/208 ÏËÍÓÙÓÌ, ‚˚ ÏÓÊÂÚ ÔÂÚ¸ ‚ ÌÂ„Ó Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛ ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èË ˝ÚÓÏ ‚Ó͇Π·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔËÒ˚‚‡Ú¸Òfl ÔÓ‚Âı ÒÛ˘ÂÒÚ‚Û˛˘Ëı ‰ÓÓÊÂÍ. MIC. SETTING ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MICROPHONE SETTING (̇ÒÚÓÈÍË ÏËÍÓÙÓ̇) (ÒÚ. 133), ÔÓÁ‚ÓÎflfl „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ ÏËÍÓÙÓ̇ Ë „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. ùÚ‡ ÍÌÓÔ͇ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY TYPE, ÔÓÁ‚ÓÎflfl Á‡‰‡‚‡Ú¸ Ú·ÛÂÏ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. è‰̇Á̇˜Â̇ ‰Îfl ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇· ˝ÙÙÂÍÚÓÏ, Á‡‰‡ÌÌ˚Ï Ì‡ ˝Í‡Ì MIXING CONSOLE (ÒÚ. 126). ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚ÂÏÂÌÌÓ ÓÚÍβ˜‡Ú¸ „‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· Ë ‰Û„Ë ˝ÙÙÂÍÚ˚ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÏËÍÓÙÓ̇. ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË ÏÂÊ‰Û ËÒÔÓÎÌÂÌËÂÏ ÔÂÒÂÌ ËÒÔÓÎÌËÚÂθ Ó·‡˘‡ÂÚÒfl Í ÔÛ·ÎËÍÂ. Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [VH TYPE SELECT]. 2 Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. A F B G C H D I E J ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ ÛÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚ‡. 1 2 3 4 5 6 7 8 CVP-210/208 131 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. 3 A F B G C H D I E J 1 2 3 4 5 Ç˚·Ó ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. 6 7 ëÓı‡ÌÂÌË ËÁÏÂÌÂÌÌ˚ı ‰‡ÌÌ˚ı (ÒÚ. 39, 48). 8 ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ VOCAL HARMONY TYPE. Ç˚·Ó Ô‡‡ÏÂÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (ÒÏ. ÌËÊÂ). Ç˚·Ó Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡. èêàåÖóÄçàÖ END óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ç‡ÒÚÓÈ͇Ï, ÒÓı‡ÌÂÌÌ˚Ï Ì‡ ÒÚ‡Ìˈ USER, ÏÓÊÌÓ Ì‡Á̇˜ËÚ¸ ËÏfl (ÒÚ. 45). äÓÏ ÚÓ„Ó, Ëı ÏÓÊÌÓ Û‰‡ÎËÚ¸ (ÒÚ. 47). 臇ÏÂÚ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony íËÔ chordal/ÚËÔ vocoder 132 éÔ‰ÂÎflÂÚ, Í‡Í ÔËÏÂÌfl˛ÚÒfl ÌÓÚ˚ „‡ÏÓÌËË. íËÔ Ó‰‡ „‡ÏÓÌËË ÇÓÁÏÓÊÌ˚ ÂÊËÏ˚ «Off» Ë «Auto». Ç ÂÊËÏ «Auto» Ó‰ Á‚Û͇ „‡ÏÓÌËË ËÁÏÂÌflÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. íËÔ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡ éÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ËÁÏÂÌflÚ¸Òfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· (Ú.Â. Á‚ÛÍ, Ë‰Û˘ËÈ ÔflÏÓ ÓÚ ÏËÍÓÙÓ̇) Ë Í‡ÍËÏ Ó·‡ÁÓÏ. Ç ÂÊËÏ «Off» Ó‰ Ì ËÁÏÂÌflÂÚÒfl. èË ‚˚·Ó «Unison» (ÛÌËÒÓÌ), «Male» (ÏÛÊÒÍÓÈ ÚÂÏ·) ËÎË «Female» (ÊÂÌÒÍËÈ ÚÂÏ·) ÏÂÌflÂÚÒfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. (Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÍÓ΢ÂÒÚ‚Ó ÌÓÚ „‡ÏÓÌËË, ÒÓÔÓ‚Óʉ‡˛˘Ëı ‚Â‰Û˘ËÈ ‚Ó͇Î, ÛÏÂ̸¯ËÚÒfl ‰Ó Ó‰ÌÓÈ.) ÉÎÛ·Ë̇ Ó‰‡ ‚Â‰Û˘Â„Ó ÚÂÏ·‡ ç‡ÒÚÓÈÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ Â„Ó ÚËÔÓ‚ (ÒÏ. ‚˚¯Â). àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ ‚Â‰Û˘Â„Ó ÚÂÏ·‡ ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË «Correct», ‚˚ÒÓÚ‡ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔÂÂÏ¢‡ÂÚÒfl Ò ËÌÚ‚‡ÎÓÏ ÚÓ˜ÌÓ ‚ ÔÓÎÚÓ̇. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚËÔÓ‚ Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇·. Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓÓ„ ‚ÂıÌÂ„Ó Ó‰‡ êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÔÓ‰ÌËÏÂÚÒfl ̇ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚) ‚˚¯Â ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. Ä‚ÚÓχÚ˘ÂÒÍËÈ ÔÓÓ„ ÌËÊÌÂ„Ó Ó‰‡ êÓ‰ ËÁÏÂÌËÚÒfl, ÂÒÎË ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÒÚ‡ÌÂÚ Ì‡ Û͇Á‡ÌÌÓ ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ (ËÎË Ì‡ ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚) ÌËÊ ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. ÉÎÛ·Ë̇ ‚ÂıÌÂ„Ó Ó‰‡ ç‡Òڇ˂‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ·ÓΠ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚ AUTO UPPER GENDER THRESHOLD. ÉÎÛ·Ë̇ ÌËÊÌÂ„Ó Ó‰‡ ç‡Òڇ˂‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË, ÏÂÌ ‚˚ÒÓÍËÏ, ˜ÂÏ ÛÒÚ‡ÌÓ‚ÎÂÌÓ ‚ Ô‡‡ÏÂÚ AUTO LOWER GENDER THRESHOLD. ÉÎÛ·Ë̇ ‚Ë·‡ÚÓ ìÒڇ̇‚ÎË‚‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ, ÔËÏÂÌflÂÏÛ˛ Í Á‚ÛÍÛ „‡ÏÓÌËË. í‡ÍÊ ‚ÎËflÂÚ Ì‡ Á‚Û˜‡ÌË ‚Â‰Û˘Â„Ó ‚Ó͇·. ëÍÓÓÒÚ¸ ‚Ë·‡ÚÓ ìÒڇ̇‚ÎË‚‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ. ᇉÂÊ͇ ‚Ë·‡ÚÓ ÖÒÎË ÒËÌÚÂÁËÛÂÚÒfl ÌÓÚ‡, Û͇Á˚‚‡ÂÚ ÔÓ‰ÓÎÊËÚÂθÌÓÒÚ¸ Á‡‰ÂÊÍË Ô‰ ̇˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ. ÉÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Harmony 1/2/3 ìÒڇ̇‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ Ô‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË 1 – 3 ̇Á̇˜‡˛ÚÒfl ‚ ÔÓfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl ‚˚ÒÓ͇fl). è‡ÌӇχ ˝ÙÙÂÍÚ‡ Harmony 1/2/3 ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓ-ÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) Ô‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË 1 – 3 ̇Á̇˜‡˛ÚÒfl ‚ ÔÓfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl ‚˚ÒÓ͇fl). èË ‚˚·Ó ÂÊËχ «Random» ÒÚÂÂÓ-ÔÓÁˈËfl Á‚Û͇ ·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë. ëÏ¢ÂÌË ˝ÙÙÂÍÚ‡ Harmony 1/2/3 ëÏ¢ÂÌË Ô‚ÓÈ/‚ÚÓÓÈ/ÚÂÚ¸ÂÈ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Ì‡ Û͇Á‡ÌÌ˚È ÔÓˆÂÌÚ. çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË 1 - 3 ̇Á̇˜‡˛ÚÒfl ‚ ÔÓfl‰Í ÔÓ‚˚¯ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl (1 – ҇χfl ÌËÁ͇fl ‚˚ÒÓÚ‡ Á‚Û˜‡ÌËfl, 3 – ҇χfl ‚˚ÒÓ͇fl). Pitch to Note Ç ÂÊËÏ «ON» (ÇÍÎ.) Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇· ÔÓË„˚‚‡ÂÚÒfl ÒËÒÚÂÏÓÈ ÚÓÌ-„Â̇ÚÓ‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. (é‰Ì‡ÍÓ ‰Ë̇Ï˘ÂÒÍË ËÁÏÂÌÂÌËfl Á‚Û˜‡ÌËfl ‚Ó͇· Ì ‚ÎËfl˛Ú ̇ „ÓÏÍÓÒÚ¸ ÚÓÌ-„Â̇ÚÓ‡.) ó‡ÒÚ¸ Pitch to Note éÔ‰ÂÎflÂÚ, ͇͇fl ËÁ Ô‡ÚËÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸Òfl ‚Â‰Û˘ÂÏ ‚Ó͇ÎÓÏ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ Pitch to Note ‚˚·‡ÌÓ Á̇˜ÂÌË «ON». CVP-210/208 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ÏËÍÓÙÓ̇: MICROPHONE SETTING èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC. SETTING]. Ç˚·ÂËÚ ÒÚ‡ÌËˆÛ MICROPHONE SETTING Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [BACK]/ [NEXT] Ë ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‡Á΢Ì˚ı Ô‡‡ÏÂÚ‡ı Ë ÒÔÓÒÓ·‡ı Ëı ̇ÒÚÓÈÍË ÒÏ. ‰‡ÎÂÂ. BACK END óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. NEXT A F B G C H D I E J ç‡ÒÚÓÈ͇ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·: OVERALL SETTING ëÓ‰ÂʇÌË ‰‡ÌÌÓ„Ó ‡Á‰Â· ÓÚÌÓÒËÚÒfl Í ¯‡„Û 2, ÓÔËÒ‡ÌÌÓÏÛ ‚˚¯Â. Ç˚·Ó Ô‡‡ÏÂÚ‡ 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ). A F B G C H D I E J 1 2 3 4 5 6 7 Ç˚·Ó Ô‡‡ÏÂÚÓ‚ NOISE GATE („ÂÈÚ)/COMPRESSOR (ÍÓÏÔÂÒÒÓ). Ç˚·Ó Ô‡‡ÏÂÚÓ‚ VOCAL HARMONY CONTROL (ÛÔ‡‚ÎÂÌË „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·)/MIC (ÏËÍÓÙÓÌ). 8 ùÚË ÍÌÓÔÍË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ËÁÏÂÌÂÌËfl Á̇˜ÂÌËfl ÙÛÌ͈ËÈ Ë Ì‡ÒÚÓÂÍ. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ÌËÊÂ. ■ 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) ùÍ‚‡Î‡ÈÁÂ, Í‡Í Ô‡‚ËÎÓ, ÔËÏÂÌflÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÛÒËÎËÚÂÎÂÈ/ÍÓÎÓÌÓÍ Ò Û˜ÂÚÓÏ ‡ÍÛÒÚËÍË ÔÓÏ¢ÂÌËfl. Ç Á‚ÛÍ ‚˚‰ÂÎflÂÚÒfl ÌÂÒÍÓθÍÓ ˜‡ÒÚÓÚÌ˚ı ÔÓÎÓÒ Ë, Ò ÔÓÏÓ˘¸˛ ÔÓ‚˚¯ÂÌËfl ËÎË ÔÓÌËÊÂÌËfl ÛÓ‚Ìfl ͇ʉÓÈ ÔÓÎÓÒ˚, ÔÓËÒıÓ‰ËÚ ÍÓÂÍÚËӂ͇ Á‚Û͇. ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ӷ·‰‡ÂÚ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÚÂıÔÓÎÓÒÌ˚Ï ˆËÙÓ‚˚Ï ˝Í‚‡Î‡ÈÁÂÓÏ ‰Îfl Ó·‡·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·. Hz ............. ê„ÛÎËӂ͇ ˆÂÌڇθÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚. dB............. èÓ‰ÌflÚË ËÎË ÒÌËÊÂÌË ÛÓ‚Ìfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ ̇ ‚Â΢ËÌÛ ‰Ó 12 ‰Å. ■ ùÙÙÂÍÚ NOISE GATE ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÔË„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊ Û͇Á‡ÌÌÓ„Ó ÛÓ‚Ìfl. Ç ÂÁÛθڇÚ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËʇÂÚÒfl ÛÓ‚Â̸ ÔÓÒÚÓÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎflfl ÔÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ Ò˄̇ÎÛ (‚Ó͇ÎÛ Ë Ú.Ô.). SW ............«SW» – ‡··Â‚ˇÚÛ‡ ÒÎÓ‚‡ Switch (ÔÂÂÍβ˜‡ÚÂθ). àÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ˝ÙÙÂÍÚ‡ Noise Gate. TH. ............«TH». – ‡··Â‚ˇÚÛ‡ ÒÎÓ‚‡ Threshold (ÔÓÓ„). чÌÌ˚È Â„ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìfl ¯Ûχ, ÔË ÍÓÚÓÓÏ „ÂÈÚ Ì‡˜Ë̇ÂÚ «ÓÚÍ˚‚‡Ú¸Òfl». CVP-210/208 133 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. ■ ùÙÙÂÍÚ COMPRESSOR ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÒÌËʇڸ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È ÛÓ‚Â̸. Ö„Ó ËÒÔÓθÁÓ‚‡ÌË ÔÓÏÓ„‡ÂÚ ÔË Á‡ÔËÒË Ò˄̇· Ò ·Óθ¯ËÏ ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. éÌ ˝ÙÙÂÍÚË‚ÌÓ «ÒÊËχÂÚ» Ò˄̇ΠڇÍ, ˜ÚÓ ÚËıË ˜‡ÒÚË ÒÚ‡ÌÓ‚flÚÒfl „ÓϘÂ, ‡ „ÓÏÍË – Ú˯Â. SW............ «SW» – ˝ÚÓ ‡··Â‚ˇÚÛ‡ ÒÎÓ‚‡ Switch (ÔÂÂÍβ˜‡ÚÂθ). чÌÌ˚È ÔÂÂÍβ˜‡ÚÂθ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ÍÓÏÔÂÒÒÓ‡. TH............. «TH». – ‡··Â‚ˇÚÛ‡ ÒÎÓ‚‡ Threshold (ÔÓÓ„). чÌÌ˚È Â„ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìfl Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó Ì‡˜Ë̇ÂÚ ÔËÏÂÌflÚ¸Òfl ÒʇÚËÂ. RATIO ...... ùÚÓÚ Â„ÛÎflÚÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ̇ÒÚÓÈÍË ÍÓ˝ÙÙˈËÂÌÚ‡ ÒʇÚËfl. OUT .......... ç‡ÒÚÓÈ͇ ÛÓ‚Ìfl ÓÍÓ̘‡ÚÂθÌÓ„Ó ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·. ■ VOCAL HARMONY CONTROL (Ô‡‡ÏÂÚ˚ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇·) è˂‰ÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ çarmony. VOCODER CONTROL (‚ÓÍÓ‰Â) ùÙÙÂÍÚÓÏ Vocal Harmony ÛÔ‡‚Îfl˛Ú ÌÓÚÌ˚ ‰‡ÌÌ˚Â, ÚÓ ÂÒÚ¸ ÌÓÚ˚, ÔÓË„˚‚‡ÂÏ˚ ̇ Í·‚ˇÚÛÂ, Ë ÌÓÚ˚ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓÈ ÔÂÒÌË. ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ ÓÔ‰ÂÎËÚ¸, ͇ÍË ÌÓÚ˚ ‰ÓÎÊÌ˚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ Harmony. • SONG CHANNEL (͇̇ΠÔÂÒÌË) MUTE/PLAY (‚˚ÍÎ./‚ÍÎ.): ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «MUTE», ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ‚˚·‡ÌÌ˚È Í‡Ì‡Î Á‡„ÎÛ¯‡ÂÚÒfl (ÓÚÍβ˜‡ÂÚÒfl). OFF: Ç˚Íβ˜ÂÌË ԇ‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ ‚Ó͇· Ò ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı, ‚ÁflÚ˚ı ËÁ هȷ ÔÂÒÌË. 1-16: èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ò ‰ËÒÍÂÚ˚ ËÎË Ò ‚̯ÌÂ„Ó MIDI-ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ÌÓÚÌ˚ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ‚ Á‡‰‡ÌÌ˚È Í‡Ì‡Î ÔÂÒÌË, ÓÔ‰ÂÎfl˛Ú „‡ÏÓÌËÁ‡ˆË˛. • KEYBOARD OFF: Ç˚Íβ˜ÂÌË ԇ‡ÏÂÚ‡ ÛÔ‡‚ÎÂÌËfl „‡ÏÓÌËÁ‡ˆËÂÈ Ò Í·‚ˇÚÛ˚. UPPER (‚˚¯Â): ɇÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. LOWER (ÌËÊÂ): ɇÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl. BALANCE èÓÁ‚ÓÎflÂÚ Ì‡Òڇ˂‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË „ÓÏÍÓÒÚË ‚Â‰Û˘Â„Ó ‚Ó͇· (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÚÂÏ·‡) Ë ˝ÙÙÂÍÚÓÏ Vocal Harmony. ì‚Â΢ÂÌË Á̇˜ÂÌËfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÛÒËÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vocal Harmony Ë ÛÏÂ̸¯‡ÂÚ „ÓÏÍÓÒÚ¸ ‚Â‰Û˘Â„Ó ‚Ó͇·. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L<H63 („‰Â L – ‚Â‰Û˘ËÈ ‚Ó͇Î, ‡ H – ˝ÙÙÂÍÚ Vocal Harmony), Á‚Û˜ËÚ ÚÓθÍÓ ˝ÙÙÂÍÚ Vocal Harmony; ÂÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L63>H, Á‚Û˜ËÚ ÚÓθÍÓ ‚Â‰Û˘ËÈ ‚Ó͇Î. MODE (ÂÊËÏ „‡ÏÓÌËÁ‡ˆËË) ÇÒ ÚËÔ˚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇ ÚË ÂÊËχ, ÔË ÍÓÚÓ˚ı „‡ÏÓÌËÁ‡ˆËfl ÔÓËÁ‚Ó‰ËÚÒfl ‡Á΢Ì˚Ï Ó·‡ÁÓÏ. ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ ‚˚·Ó‡ ‰ÓÓÊÍË Ë ÂÊËχ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ͇ÍËÏ Ó·‡ÁÓÏ ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl „‡ÏÓÌËÁ‡ˆËfl ÚÂÏ·‡. ùÚË ÚË ÂÊËχ ÓÔËÒ‡Ì˚ ÌËÊÂ. VOCODER (‚ÓÍÓ‰Â): çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛ÚÒfl ÌÓÚ‡ÏË, ‚‚Ó‰ËÏ˚ÏË ÔË Ë„Â Ì‡ Í·‚ˇÚÛ (Main, Layer Ë Left), Ë/ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ÔÂÒÌË, ÒÓ‰Âʇ˘Â„Ó ‰ÓÓÊÍË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. CHORDAL (‡ÍÍÓ‰˚): èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÍÓÚÓ˚ ˄‡˛ÚÒfl ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Í·‚ˇÚÛ˚. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ÚËÔ „‡ÏÓÌËÁ‡ˆËË Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ù‡ÈΠÔÂÒÌË. (ùÚÓÚ ÂÊËÏ Ì‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÌÂÚ ‡ÍÍÓ‰Ó‚.) AUTO (‡‚ÚÓχÚ˘ÂÒÍËÈ): ÖÒÎË ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË ËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË ON Ë ÂÒÎË ‚ Ù‡ÈΠÔÂÒÌË ÒÓ‰ÂʇÚÒfl ‡ÍÍÓ‰˚, ÂÊËÏÛ „‡ÏÓÌËÁ‡ˆËË ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË CHORDAL (‡ÍÍÓ‰˚). ÇÓ ‚ÒÂı ‰Û„Ëı ÒÎÛ˜‡flı ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ VOCODER. CHORD è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú Ú ‰‡ÌÌ˚ ‚ Ù‡ÈΠÔÂÒÌË, ÍÓÚÓ˚ ·Û‰ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ‡ÒÔÓÁ̇‚‡ÌËfl ‡ÍÍÓ‰Ó‚. OFF: ÄÍÍÓ‰˚ Ì ‡ÒÔÓÁ̇˛ÚÒfl. XF: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ‚ ÙÓχÚ XF. 1-16: ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ Û͇Á‡ÌÌÓÏ Í‡Ì‡Î ÔÂÒÌË. ■ MIC (MICROPHONE) (ÏËÍÓÙÓÌ) è˂‰ÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔ‡‚ÎÂÌËfl Á‚ÛÍÓÏ ÏËÍÓÙÓ̇. MUTE ................................ Ç ÔÓÎÓÊÂÌËË OFF ÏËÍÓÙÓÌ ÓÚÍβ˜ÂÌ. VOLUME („ÓÏÍÓÒÚ¸)..... ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·. 134 CVP-210/208 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇: MIC. ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚: ÒÚ‡Ìˈ‡ TALK SETTING ᇉ‡ÂÚ Ô‡‡ÏÂÚ˚ ÔË ‚Íβ˜ÂÌÌÓÈ ÍÌÓÔÍ [TALK] (˜¸). è˂‰ÂÌÌ˚ ҂‰ÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 2 ̇ ÒÚ. 133. VOLUME/PAN/REVERB DEPTH/CHORUS DEPTH/TOTAL VOLUME ATTENUATOR („ÓÏÍÓÒÚ¸/Ô‡ÌÓ‡ÏÌÓ Á‚Û˜‡ÌËÂ/„ÎÛ·Ë̇ ‚·‡ˆËË/„ÎÛ·Ë̇ ıÓÛÒ‡/Ó·˘ËÈ ÛÓ‚Â̸ Á‡ÚÛı‡ÌËfl) A F B G C H D I E J 1 2 3 4 5 6 7 8 ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ‚Â΢ËÌÛ ÍÓ˝ÙÙˈËÂÌÚ‡ Á‡ÚÛı‡ÌËfl, ÍÓÚÓ‡fl ‰ÓÎÊ̇ ·˚Ú¸ ÔËÏÂÌÂ̇ Í Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ (Á‡ ËÒÍβ˜ÂÌËÂÏ ‚ıÓ‰fl˘Â„Ó Ò˄̇· ÏËÍÓÙÓ̇), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ˝ÙÙÂÍÚË‚ÌÓ Â„ÛÎËÓ‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ÚÂÏ·ÓÏ ËÒÔÓÎÌËÚÂÎfl Ë Ó·˘ËÏ Á‚Û˜‡ÌËÂÏ ËÌÒÚÛÏÂÌÚ‡. ùÚ‡ ÍÌÓÔ͇ Á‡‰‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û˜‡ÌËfl ÏËÍÓÙÓ̇. ùÚÓÚ Ô‡‡ÏÂÚ ÛÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓÔÓÁËˆË˛ Á‚Û͇ ÏËÍÓÙÓ̇. ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË Ë ıÓÛÒ‡, ÔËÏÂÌflÂÏ˚ı Í ÏËÍÓÙÓÌÌÓÏÛ Ò˄̇ÎÛ. DSP/TYPE/DEPTH (DSP/ÚËÔ/„ÎÛ·Ë̇) A F B G C H D I E J 1 2 3 4 5 6 7 8 ᇉ‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË (ON/OFF) ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ÔËÏÂÌflÚ¸Òfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. CVP-210/208 135 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ — ÏÂÌ˛ Function êÂÊËÏ Function ‰‡ÂÚ ‰ÓÒÚÛÔ Í fl‰Û ÒÓ‚ÂÏÂÌÌ˚ı ÙÛÌ͈ËÈ, ‚ÎËfl˛˘Ëı ̇ ËÌÒÚÛÏÂÌÚ ‚ ˆÂÎÓÏ. ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ Ò‚ÓËÏË ÔÓÚ·ÌÓÒÚflÏË Ë ‚ÍÛÒ‡ÏË. METRONOME POWER START STOP MIC. SIGNAL VOICE EFFECT OVER VOCAL HARMONY TALK EFFECT VH TYPE SELECT REVERB MIC. SETTING BACK DSP VARIATION HARMONY ECHO MONO LEFT HOLD E. PIANO ORGAN & ACCORDION PERCUSSION GUITAR BASS STRINGS CHOIR & PAD SYNTH. XG NEXT MENU ON SONG OFF EXTRA TRACKS TRACK 2 TRACK 1 STYLE L R VOICE DEMO TAP TEMPO FADE IN OUT REC TOP START STOP REW FF F B G LAYER C H LEFT HELP GUIDE REPEAT PIANO & HARPSI. VOICE PART ON OFF A MASTER VOLUME BRASS WOODWIND ORGAN FLUTES USER FUNCTION MIN MENU MAX TEMPO DIGITAL STUDIO TRANSPOSE AUTO FILL IN BREAK INTRO RESET MAIN ENDING rit. D I E J ONE TOCTH SETTING MUSIC FINDER 1 SOUND CREATOR TAP TEMPO RESET DIGITAL RECORDING STYLE ACMP ENTER SYNC.STOP SYNC.START START STOP OTS LINK 2 3 4 PIANO DATA ENTRY MIXING CONSOLE FREEZE 1 2 3 4 5 6 7 8 MEMORY BALANCE PART CHANNEL ON OFF PART DIRECT ACCESS 1 2 3 4 5 6 7 EXIT 8 FUNCTION èÓfl‰ÓÍ ‰ÂÈÒÚ‚ËÈ MENU DEMO 1 2 Ç˚·ÂËÚ ÌÛÊÌÛ˛ ÙÛÌÍˆË˛. HELP FUNCTION 3 ç‡ÒÚÓÈÚ ԇ‡ÏÂÚ˚ ‚˚·‡ÌÌÓÈ ÙÛÌ͈ËË. èÓfl‰ÓÍ Ì‡ÒÚÓÈÍË Í‡Ê‰ÓÈ ÙÛÌ͈ËË ÓÔËÒ‡Ì ÌËÊÂ. END A F B G C H D I E J óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ê„ÛÎËӂ͇ ‚˚ÒÓÚ˚ Ë Ì‡ÒÚÓÈ͇ ËÌÒÚÛÏÂÌÚ‡ – Master Tune Ë Scale Tune ■ Master Tune (Ó·˘‡fl ̇ÒÚÓÈ͇) (ÒÚ. 138) ùÚÓÚ Ô‡‡ÏÂÚ Óڂ˜‡ÂÚ Á‡ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ ‚˚ÒÓÚ˚ Á‚Û͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‰ÒÚÓËÚ¸Òfl ÔÓ‰ ‚˚ÒÓÚÛ Á‚Û͇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. ■ Scale Tune (ÒÚ. 138) ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÍÓÌÍÂÚÌÛ˛ ÒËÒÚÂÏÛ Ì‡ÒÚÓÈÍË (ÚÂÏÔ‡ˆË˛) ËÌÒÚÛÏÂÌÚ‡. ùÚÓ ÓÒÓ·ÂÌÌÓ ÔÓÎÂÁÌÓ ‰Îfl ËÒÔÓÎÌÂÌËfl ÒÚ‡ËÌÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ÍÓ„‰‡ Ú·ÛÂÚÒfl ÚÂÏÔ‡ˆËfl, ÔËÌflÚ‡fl ‚ ÚÛ ˝ÔÓıÛ. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ – Song Settings (ÒÚ. 140) èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ÔÓË„˚‚‡ÌËfl ÔÂÒÌË Ë ÚËÔ˚ ÙÛÌ͈ËÈ Ó·Û˜ÂÌËfl. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë Chord Fingering ■ Style Setting/Split Point (̇ÒÚÓÈ͇ ÒÚËÎfl/ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚) (ÒÚ. 141) ùÚÓÚ ˝Í‡Ì ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚, Ò‚flÁ‡ÌÌ˚Â Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ■ Chord Fingering (‡ÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰Ó‚) (ÒÚ. 142) ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÏÂÚÓ‰ ‚ÁflÚËfl/ÓÚÓ·‡ÊÂÌËfl ‡ÍÍÓ‰Ó‚ ÔË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. åÓÊÌÓ ‰‡Ê ÔÓ‚ÂflÚ¸, Í‡Í ·‡Ú¸ ÚÓÚ ËÎË ËÌÓÈ ‡ÍÍÓ‰, ÔÓÒÍÓθÍÛ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì. 136 CVP-210/208 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ – ˝Í‡Ì Controller ■ Pedal (ÒÚ. 142) ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú, Í‡Í ËÒÔÓθÁÛ˛ÚÒfl Ô‰‡ÎË (‚Íβ˜‡fl ÌÓÊÌ˚ ÍÓÌÚÓÎÎÂ˚ Ë ÔÂÂÍβ˜‡ÚÂÎË). 艇ÎflÏ ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸ ‡ÁÌ˚ ÙÛÌ͈ËË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÌÓÊÌÓ ÛÔ‡‚ÎÂÌË ڇÍËÏË ÙÛÌ͈ËflÏË, Í‡Í ‚Íβ˜ÂÌËÂ/ÓÚÍβ˜ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ‚Íβ˜ÂÌË ‚ÒÚ‡‚ÓÍ (Ù‡Á Fill In). ■ Keyboard/Panel (Í·‚ˇÚÛ‡/Ô‰Ìflfl Ô‡ÌÂθ) (ÒÚ. 144) ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl Í·‚˯ (Á‡‚ËÒËÏÓÒÚ¸ ÛÓ‚Ìfl „ÓÏÍÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl) Ë ÔÓÁ‚ÓÎfl˛Ú ÌÂÁ‡‚ËÒËÏÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Í·‚ˇÚÛÛ, ÔÂÒÌ˛ Ë ‚ÂÒ¸ ËÌÒÚÛÏÂÌÚ. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Registration Sequence, Freeze Ë Voice Set ■ Registration Sequence (ÒÚ. 145) éÔ‰ÂÎflÂÚ ÔÓfl‰ÓÍ ‚˚ÁÓ‚‡ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚, ÒÓı‡ÌÂÌÌ˚ı ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (1 - 8), Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎË. ■ Freeze (ÒÚ. 145) èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚, ÍÓÚÓ˚ Ì ‰ÓÎÊÌ˚ ÏÂÌflÚ¸Òfl ÔË ÒÏÂÌ ̇·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ■ Voice Set (ÒÚ. 146) èÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, ‰ÓÎÊÌ˚ ÎË ‡‚ÚÓχÚ˘ÂÒÍË Á‡„ÛʇڸÒfl ÌÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚, Ò‚flÁ‡ÌÌ˚Â Ò ÚÂÏ·‡ÏË (˝ÙÙÂÍÚ˚, ˝Í‚‡Î‡ÈÁÂ, „‡ÏÓÌËÁ‡ˆËfl Ë Ú. ‰.), ÔË ‚˚·Ó ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚÂÏ·‡. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Harmony Ë Echo (ÒÚ. 146) ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ Á‡‰‡Ú¸ ÚËÔ Ë ÒËÎÛ ‚ÓÁ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË ËÎË ˝ı‡ ‰Îfl ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı ̇ Í·‚ˇÚÛÂ. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ MIDI ■ System (ÒÚ. 148) á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ‡Á΢Ì˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ (Clock, Start/Stop, System Exclusive Ë Ú. Ô.), ‡ Ú‡ÍÊ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ ÂÊËÏ Local Control. ■ Transmit (ÒÚ. 149) ùÚÓÚ ˝Í‡Ì ÓÔ‰ÂÎflÂÚ, Í‡Í ‰‡ÌÌ˚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‰‡˛ÚÒfl ̇ MIDI-ÛÒÚÓÈÒÚ‚‡, Ú.Â. Í‡Í Ô‡ÚËË ‡ÒÔ‰ÂÎfl˛ÚÒfl ÏÂÊ‰Û Í‡Ì‡Î‡ÏË MIDI Transmit. åÓÊÌÓ Ú‡ÍÊ Û͇Á‡Ú¸ ÚËÔ ‰‡ÌÌ˚ı, Ô‰‡‚‡ÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ ͇̇ÎÓ‚. ■ Receive (ÒÚ. 150) ùÚÓÚ ˝Í‡Ì ÓÔ‰ÂÎflÂÚ, Í‡Í ˜‡ÒÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 Ó·‡·‡Ú˚‚‡˛Ú ÍÓχ̉˚, ÔÓÒÚÛÔ‡˛˘ËÂ Ò ÔÓ‰Íβ˜ÂÌÌ˚ı MIDI-ÛÒÚÓÈÒÚ‚, Ú.Â. Í‡Í ˝ÚË ˜‡ÒÚË ‡ÒÔ‰ÂÎfl˛ÚÒfl ÔÓ Í‡Ì‡Î‡Ï MIDI Receive. åÓÊÌÓ Ú‡ÍÊ Û͇Á‡Ú¸ ÚËÔ ÍÓχ̉, ÔËÌËχÂÏ˚ı ÔÓ Í‡Ê‰ÓÏÛ ËÁ ͇̇ÎÓ‚. ■ Root (ÒÚ. 150) éÔ‰ÂÎflÂÚ Í‡Ì‡Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë ‡ÒÔÓÁ̇‚‡ÂÏ˚ ÔÓ ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ. ■ Chord Detect (ÒÚ. 150) éÔ‰ÂÎflÂÚ Í‡Ì‡Î˚, Óڂ‰ÂÌÌ˚ ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ë ‡ÒÔÓÁ̇‚‡ÂÏ˚ ÔÓ ‡ÍÍÓ‰‡Ï. èӘˠԇ‡ÏÂÚ˚ – ˝Í‡Ì Utility ■ Config 1 (ÒÚ. 151) ùÚ‡ ÒÚ‡Ìˈ‡ ÔÓÁ‚ÓÎflÂÚ Ì‡ÒÚÓËÚ¸ ÙÂȉËÌ„ (Fade In/Out), ÏÂÚÓÌÓÏ (Metronome), ÙÛÌ͈ËË ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ (Parameter Lock) Ë Á‡‰‡Ú¸ Á‚ÛÍ, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚È ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË Tap. ■ Config 2 (ÒÚ. 152) á‰ÂÒ¸ ÏÓÊÌÓ ÓÚ„ÛÎËÓ‚‡Ú¸ ˝Í‡Ì, Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ‰Ë̇ÏËÍÓ‚ Ë ËÁÏÂÌËÚ¸ ÔÓfl‰ÓÍ Ó·ÓÁ̇˜ÂÌËfl ÌÓÏÂÓ‚ ÚÂÏ·Ó‚. ■ Disk (ÒÚ. 153) ç‡ ˝ÚÓÈ ÒÚ‡Ì˘ ÏÓÊÌÓ ÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ Ë ÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ˚ Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛. ■ Owner (ÒÚ. 154) éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ – Video Out (ÒÚ. 147) ùÚË Ì‡ÒÚÓÈÍË ÓÔ‰ÂÎfl˛Ú ÒÓ‰ÂÊËÏÓ ËÒıÓ‰fl˘Â„Ó ‚ˉÂÓÒ˄̇· ÔË ‚˚‚Ӊ ÒÓ‰ÂÊËÏÓ„Ó ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ̇ ÏÓÌËÚÓ ÚÂ΂ËÁÓ‡ (ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ‡Á˙ÂÏÛ VIDEO OUT). á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ flÁ˚Í ËÌÚÂÙÂÈÒ‡ Ë ‚‚ÂÒÚË ÒÓ·ÒÚ‚ÂÌÌÓ ËÏfl, ÍÓÚÓÓ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡Ì ͇ʉ˚È ‡Á ÔË ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. åÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ ÙÓÌ ‰Îfl „·‚ÌÓ„Ó ˝Í‡Ì‡. ■ System Reset (ÒÚ. 154) ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. åÓÊÌÓ Ú‡ÍÊ Û͇Á‡Ú¸, ͇ÍË ÚËÔ˚ Ô‡‡ÏÂÚÓ‚ Ú·ÛÂÚÒfl ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Ë ÒÓı‡ÌËÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ. CVP-210/208 137 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚/‚˚·Ó ÚÂÏÔ‡ˆËË – Master Tune/Scale Tune ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. ÒÚ. 136. ç‡ÒÚÓÈ͇ ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚ – Master Tune èêàåÖóÄçàÖ Éˆ („ˆ) Ɉ – ˝ÚÓ Â‰ËÌˈ‡ ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û. èêàåÖóÄçàÖ îÛÌ͈Ëfl ̇ÒÚÓÈÍË ‚˚ÒÓÚ˚ Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·˚ Drum Kit Ë SFX Kit (Û‰‡Ì˚Â Ë ÒÔˆ˝ÙÙÂÍÚ˚). 1 2 3 4 5 6 7 8 éÔ‰ÂÎflÂÚ ·‡ÁÓ‚Û˛ ‚˚ÒÓÚÛ Á‚Û͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ‚ ԉ·ı ÓÚ 414,8 ‰Ó 466,8 Ɉ. óÚÓ·˚ ·˚ÒÚÓ ‚ÂÌÛÚ¸Òfl Í Á‡‚Ó‰ÒÍÓÈ ÛÒÚ‡ÌÓ‚Í (440,0 Ɉ), ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË 4 Ë 5 [▲▼]. Ç˚·Ó ÚÂÏÔ‡ˆËË – Scale Tune èêàåÖóÄçàÖ ñÂÌÚ Ö‰ËÌˈ‡ ËÁÏÂÂÌËfl ‚˚ÒÓÚ˚, ‡‚̇fl Ó‰ÌÓÈ ÒÓÚÓÈ ÔÓÎÛÚÓ̇ (100 ˆÂÌÚÓ‚ = 1 ÔÓÎÛÚÓÌ). Ç˚·ÂËÚ ÌÛÊÌ˚È ¯‡·ÎÓÌ ÒÚÓfl. èêàåÖóÄçàÖ íÂÏÔ‡ˆË˛, Á‡‰‡ÌÌÛ˛ ÔÓθÁÓ‚‡ÚÂÎÂÏ, ÏÓÊÌÓ ÔË‚flÁ‡Ú¸ Í ÍÌÓÔÍ REGISTRATION MEMORY. ÑÎfl ˝ÚÓ„Ó ÔÓÏÂÚ¸Ú „‡ÎÓ˜ÍÓÈ Ô‡‡ÏÂÚ «SCALE» ̇ ˝Í‡Ì REGISTRATION MEMORY (ÒÚ. 88). A B C D E 1 2 ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ÓÒÌÓ‚ÌÛ˛ ÌÓÚÛ ‰Îfl ͇ʉÓÈ ÚÂÏÔ‡ˆËË. ÖÒÎË ÓÒÌӂ̇fl ÌÓÚ‡ ÏÂÌflÂÚÒfl, ‚˚ÒÓÚ‡ Á‚Û͇ Í·‚ˇÚÛ˚ Ú‡ÌÒÔÓÌËÛÂÚÒfl, ÌÓ ËÒıÓ‰ÌÓ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û ‚˚ÒÓÚÓÈ ÌÓÚ ÒÓı‡ÌflÂÚÒfl. 3 4 5 6 7 8 èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ˜‡ÒÚË, ÍÓÚÓ˚ ·Û‰ÛÚ Â„ÛÎËÓ‚‡Ú¸Òfl ̇ÒÚÓÈ͇ÏË ÒÚÓfl. Ç˚·ÂËÚ ˜‡ÒÚ¸ ‰Îfl ̇ÒÚÓÈÍË, ̇ʇ‚ ÍÌÓÔÍÛ 6 ËÎË 7 [▲▼], ‡ Á‡ÚÂÏ ‚Íβ˜ËÚ (ON) ËÎË ‚˚Íβ˜ËÚ (OFF) ÙÛÌÍˆË˛, ̇ʇ‚ ÍÌÓÔÍÛ 8 [▲▼]. ó‡ÒÚË, ‰Îfl ÍÓÚÓ˚ı ÙÛÌ͈Ëfl ‚˚Íβ˜Â̇ (OFF), ÒÓı‡Ìfl˛Ú ‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ (Equal Temperament). ë ÔÓÏÓ˘¸˛ ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ ÓÒÛ˘ÂÒÚ‚ËÚ¸ ÚÓÌÍÛ˛ „ÛÎËÓ‚ÍÛ ‚˚ÒÓÚ˚ Ò ¯‡„ÓÏ ‚ 1 ˆÂÌÚ. óÚÓ·˚ ·˚ÒÚÓ ‚ÂÌÛÚ¸Òfl Í Á̇˜ÂÌ˲ ÔÓ ÛÏÓΘ‡Ì˲ (440,0 Ɉ), Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË 4 Ë 5 [▲▼]. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Û͇Á‡Ú¸ ̇Òڇ˂‡ÂÏÛ˛ ÌÓÚÛ Ë ‚Â΢ËÌÛ Ò‰‚Ë„‡ ‚˚ÒÓÚ˚. ÑˇԇÁÓÌ ‚ÓÁÏÓÊÌ˚ı Á̇˜ÂÌËÈ: ÓÚ -64 ‰Ó +63. ç‡ÒÚÓÈ͇ ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ¯‡„ÓÏ ‚ 1 ˆÂÌÚ (1/100 ÔÓÎÛÚÓ̇). 138 CVP-210/208 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ëÚÓÈ ■ Equal Temperament (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) Ç˚ÒÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Í‡Ê‰ÓÈ ÓÍÚ‡‚˚ ‰ÂÎËÚÒfl ̇ 12 ‡‚Ì˚ı ˜‡ÒÚÂÈ Ò ‡‚ÌÓÏÂÌ˚Ï ‡ÒÔ‰ÂÎÂÌËÂÏ ÔÓ ‚˚ÒÓÚ (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ). ëÂȘ‡Ò ˝ÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÒÚÓÈ. ■ Pure Major/Pure Minor (˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ) Ç ˝ÚËı ÚÂÏÔ‡ˆËflı ÒÓı‡ÌÂÌ˚ χÚÂχÚ˘ÂÒÍË ÚÓ˜Ì˚ ËÌÚ‚‡Î˚, ÓÒÓ·ÂÌÌÓ ‚ ÚÂÁ‚Û˜Ëflı (ÓÒÌÓ‚ÌÓÈ ÚÓÌ-ÚˆËfl-Í‚ËÌÚ‡). ü˜Â ‚ÒÂ„Ó Ú‡Í‡fl ÚÂÏÔ‡ˆËfl ÔÓfl‚ÎflÂÚÒfl ‚ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ‚Ó͇θÌ˚ı „‡ÏÓÌËflı (ıÓÓ‚Ó ÔÂÌË ËÎË ÔÂÌË a capella). ■ Pythagorean (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ) ùÚÓÚ ÒÚÓÈ ·˚Î ‡Á‡·ÓÚ‡Ì Á̇ÏÂÌËÚ˚Ï „˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ Ì‡ ÓÒÌÓ‚Â ˜ËÒÚ˚ı Í‚ËÌÚ, ÛÎÓÊÂÌÌ˚ı ‚ Ó‰ÌÛ ÓÍÚ‡‚Û. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚˆËfl Ò΄͇ ÌÂÒÚ‡·Ëθ̇, ÌÓ Í‚‡Ú‡ Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂ͇ÒÌÓ Ë ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ ‰Îfl ÏÂÎÓ‰ËÈ ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡. ■ Mean-Tone ùÚ‡ ÚÂÏÔ‡ˆËfl ÒÓÁ‰‡‚‡Î‡Ò¸ Í‡Í ÛÎÛ˜¯ÂÌÌ˚È ‚‡Ë‡ÌÚ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl Ë ÓÚ΢‡ÂÚÒfl ·ÓΠÒÚÓÈÌ˚Ï Á‚Û˜‡ÌËÂÏ Ï‡ÊÓÌÓÈ ÚˆËË. é̇ ·˚· ÓÒÓ·ÂÌÌÓ ÔÓÔÛÎfl̇ Ò ¯ÂÒÚ̇‰ˆ‡ÚÓ„Ó ÔÓ ‚ÓÒÂÏ̇‰ˆ‡Ú˚È ‚ÂÍ. Ö ËÒÔÓθÁÓ‚‡ÎË ÏÌÓ„Ë ÍÓÏÔÓÁËÚÓ˚, ‚ ÚÓÏ ˜ËÒΠÉẨÂθ. ■ Werckmeister/Kirnberger ùÚ‡ ÒÓÒÚ‡‚̇fl ÚÂÏÔ‡ˆËfl ‡Á‡·Óڇ̇ ̇ ÓÒÌÓ‚Â ‰‚Ûı ÒËÒÚÂÏ ÚÂÏÔ‡ˆËË (Werckmeister Ë Kirnberger), Ô‰ÒÚ‡‚Îfl˛˘Ëı ÒÓ·ÓÈ ÛÎÛ˜¯ÂÌÌ˚ ‚‡Ë‡ÌÚ˚ ÔËÙ‡„ÓÂÈÒÍÓ„Ó ÒÚÓfl Ë ÒÚÓfl «mean-tone». É·‚̇fl ÓÒÓ·ÂÌÌÓÒÚ¸ ˝ÚÓÈ ÚÂÏÔ‡ˆËË ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ Í‡Ê‰‡fl ÚÓ̇θÌÓÒÚ¸ ÔËÓ·ÂÚ‡ÂÚ ÓÒÓ·Ó ÛÌË͇θÌÓ Á‚Û˜‡ÌËÂ. ùÚ‡ ÚÂÏÔ‡ˆËfl ¯ËÓÍÓ ÔËÏÂÌfl·Ҹ ‚Ó ‚ÂÏÂ̇ Ňı‡ Ë ÅÂÚıÓ‚Â̇ Ë ‰‡Ê ‚ ̇¯Â ‚ÂÏfl ËÒÔÓθÁÛÂÚÒfl ÔË ËÒÔÓÎÌÂÌËË ÒÚ‡ËÌÌ˚ı ÒÓ˜ËÌÂÌËÈ ‰Îfl Í·‚ÂÒË̇. ■ Arabic ùÚ‡ ÚÂÏÔ‡ˆËfl ËÒÔÓθÁÛÂÚÒfl, ÍÓ„‰‡ ËÒÔÓÎÌflÂÚÒfl ‡‡·Ò͇fl ÏÛÁ˚͇. á̇˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÓfl (‚ ˆÂÌÚ‡ı,‚ ͇˜ÂÒÚ‚Â ÔËχ ‚ÁflÚ ‰Ó-χÊÓ) á̇˜ÂÌËfl ‚ ˝ÚÓÈ Ú‡·Îˈ ÓÍÛ„ÎÂÌ˚ ‰Ó ˆÂÎÓ„Ó ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ËÌÒÚÛÏÂÌÚÂ. C C D E E F F Equal Temperament 0.0 0.0 0.0 0.0 0.0 0.0 Pure Major 0.0 -29,7 3,9 15,6 -14,1 Pure Minor 0.0 33,6 3,9 15,6 -14,1 Pythagorean 0.0 14,1 3,9 -6,3 Mean-Tone 0.0 -24,2 -7,0 Werckmeister 0.0 -10,2 Kirnberger 0.0 Arabic1 Arabic2 G A A B B 0.0 0.0 0.0 0.0 0.0 0.0 -2,3 -9,4 2,3 -27,3 -15,6 18,0 -11,7 -2,3 31,3 2,3 14,1 -15,6 18,0 -11,7 7,8 -2,3 11,7 2,3 15,6 6,3 -3,9 10,2 10,2 -14,1 3,1 -20,3 -3,1 -27,3 -10,2 7,0 -17,2 -7,8 -6,3 -10,2 -2,3 -11,7 -3,9 -7,8 -11,7 -3,9 -7,8 -10,2 -7,0 -6,3 -14,1 -2,3 -10,2 -3,1 -7,8 -10,2 -3,9 -11,7 0.0 0.0 -50.0 0.0 0.0 0.0 0.0 0.0 0.0 -50.0 0.0 0.0 0.0 0.0 0.0 0.0 -50.0 0.0 0.0 0.0 0.0 0.0 0.0 -50.0 CVP-210/208 139 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ÔÂÒÌÂÈ — Song Settings ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. èêàåÖóÄçàÖ èÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ‚Ò ÔÂÒÌË ËÁ Á‡‰‡ÌÌÓÈ Ô‡ÔÍË Ó‰ÌÛ Á‡ ‰Û„ÓÈ. äÌÓÔ͇ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl ÙÛÌ͈ËË Quick Start (ÒÏ. ÔËϘ‡ÌËÂ). ᇉ‡ÂÚ ÏÂÚÓ‰ Guide. ÇÍβ˜‡ÂÚ (ON) ËÎË ‚˚Íβ˜‡ÂÚ (OFF) Ë̉Ë͇ÚÓ˚. A F B G C H D I E J éÔ‰ÂÎflÂÚ ‚ÂÏfl, ˜ÂÂÁ ÍÓÚÓÓ Á‡„ÓflÚÒfl Ë̉Ë͇ÚÓ˚. JUST .... à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ËÏÂÌÌÓ ‚ ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚ Ë„‡Ú¸. NEXT.... à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ÌÂÏÌÓ„Ó ‡Ì¸¯Â ÚÓ„Ó ÏÓÏÂÌÚ‡, ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚ Ë„‡Ú¸. ÖÒÎË ‚˚ ̇ÊËχÂÚ ̇ Í·‚Ë¯Ë Ì ‚Ó‚ÂÏfl, Ë̉Ë͇ÚÓ˚ ̇˜Ë̇˛Ú ÏË„‡Ú¸. èêàåÖóÄçàÖ 1 ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔË‚flÁ‡ÌÌ˚È Í ÍÌÓÔÍ [TRACK2]. ì͇Á˚‚‡ÂÚ Í‡Ì‡Î MIDI, ÔË‚flÁ‡ÌÌ˚È Í ÍÌÓÔÍ [TRACK1]. ᇉ‡ÂÚ Í‡Ì‡Î „‡ÏÓÌËÁ‡ˆËË Ò ÔÓÏÓ˘¸˛ ‚ÓÍӉ‡ (ÒÚ. 134). 2 3 4 5 6 7 8 ÇÍβ˜‡ÂÚ/‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ Phrase Mark Repeat (Á‡ˆËÍÎË‚‡ÌËfl ÏÛÁ˚͇θÌÓ„Ó Ù‡„ÏÂÌÚ‡). ÖÒÎË ˝Ú‡ ÙÛÌ͈Ëfl ‚Íβ˜Â̇, Á‡‰‡ÌÌ˚È Ù‡„ÏÂÌÚ ÔÂÒÌË ÏÓÊÌÓ «Á‡ˆËÍÎËÚ¸» Ú‡Í, ˜ÚÓ·˚ ÓÌ ‚ÓÒÔÓËÁ‚Ó‰ËÎÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. ëÔÓÒÓ· ‚˚·Ó‡ ÔÓÁˈËË ÎÓ͇ÚÓ‡ Ì˘ÂÏ Ì ÓÚ΢‡ÂÚÒfl ÓÚ ÒÔÓÒÓ·‡, ÔËÏÂÌflÂÏÓ„Ó ÔË ‡·ÓÚÂ Ò ˝Í‡ÌÓÏ SONG POSITION (ÒÚ. 80). äÌÓÔÍË ‚˚·Ó‡ flÁ˚͇ ‰Îfl ÓÚÓ·‡ÊÂÌËfl ÚÂÍÒÚ‡ ÔÂÒÌË. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË «AUTO», ÔÓ ÛÏÓΘ‡Ì˲ ‚˚·Ë‡ÂÚÒfl flÁ˚Í, Û͇Á‡ÌÌ˚È ‚ Ù‡ÈΠÔÂÒÌË. ÖÒÎË ‚˚·‡ÌÓ ‰Û„Ó Á̇˜ÂÌË (Ì «AUTO»), ÚÂÍÒÚ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ flÔÓÌÒÍÓÏ flÁ˚ÍÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â flÁ˚͇ ËÌÚÂÙÂÈÒ‡ (ÒÚ. 154) ‚˚·‡Ì «JAPANESE». ÑÎfl ‚ÒÂı ÓÒڇθÌ˚ı flÁ˚ÍÓ‚ ‚˚·Ë‡ÂÚÒfl Á̇˜ÂÌË «INTERNATIONAL». ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË «ON», ͇̇Î˚ ‰ÓÓÊÂÍ 1 Ë 2 ̇Á̇˜‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl Ò ÙÛÌ͈ËflÏË Ó·Û˜ÂÌËfl. é·˚˜ÌÓ ˝Ú‡ ÙÛÌ͈Ëfl ‰ÓÎÊ̇ ·˚Ú¸ ‚Íβ˜Â̇. 140 CVP-210/208 Quick Start (·˚ÒÚ˚È Á‡ÔÛÒÍ) àÌÓ„‰‡ ‚ ÍÓÏϘÂÒÍËı Á‡ÔËÒflı ÌÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÔÂÒÌË (ÌÓÏ ÚÂÏ·‡, „ÓÏÍÓÒÚ¸ Ë Ú. ‰.) Á‡ÔËÒ‡Ì˚ ‚ Ô‚ÓÏ Ú‡ÍÚ Ô‰ ÌÓÚ‡ÏË. ÖÒÎË Ô‡‡ÏÂÚÛ «Quick Start» ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË ON, ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 Ò˜ËÚ˚‚‡ÂÚ ˝ÚË ‰‡ÌÌ˚Â Ò Ï‡ÍÒËχθÌÓÈ ÒÍÓÓÒÚ¸˛, ‡ Á‡ÚÂÏ ‡‚ÚÓχÚ˘ÂÒÍË ÒÌËʇÂÚ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡‰‡ÌÌ˚Ï ÚÂÏÔÓÏ. ùÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ï‡ÍÒËχθÌÓ ·˚ÒÚÓ (Ò ÏËÌËχθÌÓÈ Á‡‰ÂÊÍÓÈ Ì‡ Ò˜ËÚ˚‚‡ÌË ÛÔ‡‚Îfl˛˘ÂÈ ËÌÙÓχˆËË). Channel (͇̇Î) àÏÂÂÚÒfl ‚ ‚Ë‰Û Í‡Ì‡Î MIDI (ÒÚ. 161). ä‡Ì‡Î˚ ‡ÒÔ‰ÂÎfl˛ÚÒfl ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ. èÂÒÌfl 1 - 16 ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 9 - 16 èêàåÖóÄçàÖ à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡ÎÓÏ ÔÂÒÌË, ÔËÒ‚ÓÂÌÌ˚Ï ‰ÓÓÊÍ‡Ï 1 Ë 2, Ë ‡ÍÍÓ‰‡ÏË ÔÂÒÌË (ÂÒÎË ÓÌË ÂÒÚ¸). åÓÊÌÓ ÓÒÚ‡‚ËÚ¸ ÙÛÌÍˆË˛ AUTO SET CH ‚ ÔÓÎÓÊÂÌËË ON, Ë Í‡Ì‡Î ÔÂÒÌË ·Û‰ÂÚ Á‡‰‡Ì ‡‚ÚÓχÚ˘ÂÒÍË. ÖÒÎË ÂÁÛθڇÚ˚ ‚‡Ò Ì ÛÒڇ˂‡˛Ú, ÌÂÓ·ıÓ‰ËÏÓ Òӄ·ÒÓ‚‡Ú¸ Ô‡‡ÏÂÚ˚ Channel Setting «TRK1 CH» Ë «TRK2 CH» ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË. èêàåÖóÄçàÖ èÓÁˈËfl ÎÓ͇ÚÓ‡ ùÚË ‰‡ÌÌ˚ Û͇Á˚‚‡˛Ú ̇ ÓÔ‰ÂÎÂÌÌÓ ÏÂÒÚÓ ‚ ÔÂÒÌÂ. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting, Split Point Ë Chord Fingering ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚, Ò‚flÁ‡ÌÌ˚ı Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – Style Setting Ë Split Point F G H I J 1 2 3 4 5 6 7 8 èêàåÖóÄçàÖ äÌÓÔÍË ‚˚·Ó‡ ‡Á‰ÂÎÓ‚, ‰Îfl ÍÓÚÓ˚ı 臇ÏÂÚ Section Set ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚: ÖÒÎË Í‡Í‡fl ÎË·Ó ËÁ „·‚Ì˚ı ‡Á‰ÂÎ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ÛÍË ËÎË ˜‡ÒÚÂÈ (Main A - D) Ì ‚Íβ˜Â̇ Ó·‡ ˝ÚËı ‡Á‰Â·. ÑÂʇ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ, ‚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÊÏËÚ Í·‚˯Û, ÍÓÚÓ‡fl ÒÚ‡ÌÂÚ ÚÓ˜ÍÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ‡Á‰ÂÎÂÌËfl. ç‡Ê‡Ú‡fl Í·‚˯‡ ‚ıÓ‰ËÚ ‚ ‰Ë‡Ô‡ÁÓÌ, ·ÎËʇȯ‡fl Í ÌÂÈ ˜‡ÒÚ¸. Óڂ‰ÂÌÌ˚È ÔÓ‰ ‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ç‡ÔËÏÂ, ÂÒÎË ÔÓÔÛ˘Â̇ (ACMP), ËÎË ‚ ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ÛÍË (LEFT). ˜‡ÒÚ¸ D, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl A+L (ACMP + LEFT) ˜‡ÒÚ¸ C. èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰Îfl ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ‡Á‰Â· ‰Îfl ΂ÓÈ ÛÍË. L (LEFT) èÓÁ‚ÓÎflÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ‡Á‰Â· ΂ÓÈ ÛÍË. A (ACMP) èÓÁ‚ÓÎflÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ᇉ‡ÂÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ‰Îfl ‡Á‰Â· ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ACMP) Ë ‡Á‰Â· ‰Îfl ΂ÓÈ ÛÍË (LEFT). ùÚÓ Á̇˜ÂÌË ÏÓÊÂÚ ÓÚÌÓÒËÚÒfl Í Ó·ÓËÏ ‡Á‰ÂÎ‡Ï ËÎË Í Í‡Ê‰ÓÏÛ ËÁ ÌËı ÔÓ ÓÚ‰ÂθÌÓÒÚË. óÚÓ·˚ ‚˚·‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ‚‡Ë‡ÌÚ, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [F], [G] Ë [H] (ÒÏ. ‚˚¯Â). äÓÏ ÚÓ„Ó, ˝ÚË ÍÌÓÔÍË ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ò‡ÏË ÔÓ Ò· ‰Îfl ÛÒÚ‡ÌÓ‚ÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. ᇉ‡ÂÚ ˜‡ÒÚ¸ ÔÓ ÛÏÓΘ‡Ì˲, ÍÓÚÓ‡fl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË ‚˚·Ó ‡Á΢Ì˚ı ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (ÍÓ„‰‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚˚Íβ˜ÂÌ). ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË «ON», ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚Ë¯Ë (‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡). àÌÒÚÛÏÂÌÚ CVP-210/208 ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡Ú¸ ÂÊËÏ Sync Stop (ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË) (ÒÚ. 69). ÑÎfl ˝ÚÓ„Ó ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚ÒÚÓ Ì‡Ê‡Ú¸ Ë ÓÚÔÛÒÚËÚ¸ ÌÂÒÍÓθÍÓ Í·‚˯ ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚ ÏÓÊÂÚ Á‡‰‡Ú¸ ‚ÂÏfl Û‰ÂʇÌËfl Í·‚˯. ùÚË ÍÌÓÔÍË ÓÚÌÓÒflÚÒfl Í ÙÛÌ͈ËË OTS Link, ÔÓÁ‚ÓÎfl˛˘ÂÈ ‚ ÓÔ‰ÂÎÂÌÌÓÏ ÔÓfl‰Í Á‡„Ûʇڸ ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ÔË ÒÏÂÌ ˜‡ÒÚÂÈ. éÌË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ‚ÂÏfl ÒÏÂÌ˚ Ï„ÌÓ‚ÂÌÌ˚ı ̇ÒÚÓÂÍ. (äÌÓÔ͇ [OTS LINK] ‰ÓÎÊ̇ ·˚Ú¸ ‚Íβ˜Â̇.) Real Time (‚ ‡θÌÓÏ ‚ÂÏÂÌË) ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡„ÛʇÂÚÒfl Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË. Next Bar (ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡) ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» Á‡„ÛʇÂÚÒfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ˜‡ÒÚË. åÓÊÌÓ Û͇Á‡Ú¸, ‰ÓÎÊÂÌ ÎË ‡ÍÍÓ‰, ÔÓË„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË «OFF», ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÙÙÂÍÚ Harmony (ÒÚ. 62), Ì ‚ÓÒÔÓËÁ‚Ó‰fl ÒÚËθ. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÓÚ‰ÂÎflÂÚ ‡Á‰ÂÎ Í·‚ˇÚÛ˚, Óڂ‰ÂÌÌ˚È ÔÓ‰ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP), Ë ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ÛÍË (LEFT) ÓÚ ‡Á‰Â· ‰Îfl Ô‡‚ÓÈ ÛÍË (MAIN). íӘ͇ ‡Á‰ÂÎÂÌËfl LEFT Ì ÏÓÊÂÚ Ì‡ıÓ‰ËÚ¸Òfl ΂ ÚÓ˜ÍË ACMP. ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ÚӘ͇ ACMP Ì ÏÓÊÂÚ ·˚Ú¸ Ô‡‚ ÚÓ˜ÍË LEFT. èêàåÖóÄçàÖ è‡‡ÏÂÚ Split point ÏÓÊÌÓ Á‡‰‡Ú¸ ̇ ˝Í‡Ì MAIN. èêàåÖóÄçàÖ éÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ, ‡ ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ ‚˚Íβ˜ÂÌ, ÏÓÊÌÓ Ë„‡Ú¸ ‡ÍÍÓ‰˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÒÚËÎÂ Ë ‚ÒÂ-Ú‡ÍË ÒÎ˚¯‡Ú¸ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (A) ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (L) ê‡Á‰ÂÎ ‰Îfl ê‡Á‰ÂÎ ‰Îfl Ô‡‚ÓÈ ÛÍË Î‚ÓÈ ÛÍË íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (A) + (L) ê‡Á‰ÂÎ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ + ‡Á‰ÂÎ ‰Îfl ΂ÓÈ ÛÍË ê‡Á‰ÂÎ ‰Îfl Ô‡‚ÓÈ ÛÍË CVP-210/208 141 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function Ç˚·Ó ‡ÔÔÎË͇ÚÛ˚ – Chord Fingering éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚, ÍÓÚÓ˚ ‚˚ Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ, ÓÚÓ·‡Ê‡˛ÚÒfl ËÎË ‚ÓÒÔÓËÁ‚Ó‰flÚ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. óÚÓ·˚ ‡ÁÛ˜ËÚ¸ ÓÔ‰ÂÎÂÌÌ˚ ‡ÍÍÓ‰˚, ËÒÔÓθÁÛÈÚ ۉӷÌÛ˛ ÙÛÌÍˆË˛ Chord Tutor (ÒÏ. ÌËÊÂ). èêàåÖóÄçàÖ ì͇Á˚‚‡ÂÚ ÌÓÚ˚, ÓÚÌÓÒfl˘ËÂÒfl Í ‡ÍÍÓ‰Û. çÂÍÓÚÓ˚ ÌÓÚ˚ ÏÓÊÌÓ Ì ˄‡Ú¸. ìÒÎÓ‚ÌÓ ӷÓÁ̇˜ÂÌË ‡ÍÍÓ‰‡ Û͇Á˚‚‡ÂÚÒfl ÒÔ‡‚‡ ÓÚ ÒÚÓÍË «CHORD NAME». 1 2 3 4 5 6 7 .... é·flÁ‡ÚÂθ̇fl ÌÓÚ‡ .... åÓÊÂÚ ·˚Ú¸ ÓÔÛ˘Â̇ .... ã˛·‡fl ËÁ ˝ÚËı ÌÓÚ ÏÓÊÂÚ ·˚Ú¸ ÓÔÛ˘Â̇ .... ùÚÛ ÌÓÚÛ ÏÓÊÌÓ ÓÔÛ¯Â̇, ÂÒÎË ÓÔÛ˘Â̇ ÌÓÚ‡ ÒÓ Á̇˜ÍÓÏ 8 ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú ÚËÔ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 66). ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ËÁÏÂÌËÚ¸ ÚËÔ ‡ÍÍÓ‰‡. ùÚË ÍÌÓÔÍË Ô‰ÒÚ‡‚Îfl˛Ú ‡ÍÍÓ‰ ̇ flÁ˚Í ÏÛÁ˚͇θÌÓÈ ÌÓÚ‡ˆËË. ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ËÁÏÂÌËÚ¸ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡. ç‡ ˝Í‡Ì ‡ÍÍÓ‰˚ ÓÚÓ·‡Ê‡˛ÚÒfl ‰Îfl ÏÂÚÓ‰‡ Fingered ÌÂÁ‡‚ËÒËÏÓ ÓÚ ‡ÔÔÎË͇ÚÛ˚, Ù‡ÍÚ˘ÂÒÍË ‚˚·‡ÌÌÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. èêàåÖóÄçàÖ îÛÌ͈Ëfl Chord Tutor óÚÓ·˚ ÛÁ̇ڸ, Í‡Í Ô‡‚ËθÌÓ ‚ÁflÚ¸ ‡ÍÍÓ‰, ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl «˝ÎÂÍÚÓÌÌÓÈ Ú‡·ÎˈÂÈ ‡ÍÍÓ‰Ó‚» Chord Tutor. ùÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ, ÂÒÎË ÌÛÊÌÓ Ò˚„‡Ú¸ Á‡‰‡ÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. ÑÓÒÚ‡ÚÓ˜ÌÓ Û͇Á‡Ú¸ ÌÛÊÌ˚È ‡ÍÍÓ‰ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6▲▼] - [8▲▼], Ë Ì‡ ˝Í‡Ì ÓÚÓ·‡ÁflÚÒfl ÔÓϘÂÌÌ˚ ÓÒÓ·˚ÏË Á̇˜Í‡ÏË Í·‚Ë¯Ë (‡ÔÔÎË͇ÚÛ‡ ‡ÍÍÓ‰‡ ‚ ÂÊËÏ Fingered). ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Í·‚ˇÚÛ˚ Ë Ô‰‡ÎÂÈ – Controller ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ô‰‡ÎÂÈ á‡‰‡ÂÚ Ô‰‡Î¸, ÍÓÚÓÓÈ Ì‡Á̇˜‡ÂÚÒfl ÙÛÌ͈Ëfl. A F B G C H D I E J 1 2 3 ᇉ‡ÂÚ ÙÛÌÍˆË˛, ÔËÒ‚‡Ë‚‡ÂÏÛ˛ ‚˚·‡ÌÌÓÈ Ô‰‡ÎË. ã˛·ÓÈ Ô‰‡ÎË ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ β·Û˛ ÙÛÌ͈ËÈ ËÁ ÒÔËÒ͇. àÌÙÓχˆË˛ Ó ÚÓÏ, ͇ÍË ÙÛÌ͈ËË ÏÓÊÌÓ ÔËÒ‚‡Ë‚‡Ú¸, ÒÏ ‚ ‡Á‰ÂΠ«îÛÌ͈ËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ» ̇ ÒÚ. ÒÚ. 143. 142 CVP-210/208 4 5 6 7 8 ÖÒÎË Ú·ÛÂÚÒfl, ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ˜‡ÒÚ¸, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÂ. åÓÊÌÓ Ú‡ÍÊ Á‡‰‡Ú¸ ÛÓ‚Â̸ ÔÓÒ˚· ˝ÙÙÂÍÚ‡ (ÒÏ. ÒÎÂ‰Û˛˘Û˛ ÒÚ‡ÌˈÛ). ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË Á‡‚ËÒËÚ ÓÚ ÚÓ„Ó, ͇͇fl ËÏÂÌÌÓ Ô‰‡Î¸ ÔÓ‰Íβ˜Â̇ Í ‡Á˙ÂÏÛ [AUX PEDAL]. ç‡ÔËÏÂ, ̇ʇÚË Ô‰‡ÎË Ó‰ÌÓÈ Ï‡ÍË ‚Íβ˜‡ÂÚ ÙÛÌÍˆË˛, ‡ ‰Û„ÓÈ – ‚˚Íβ˜‡ÂÚ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ô‰‡ÎË ÔË‚˚˜Ì˚Ï ‰Îfl ‚‡Ò Ó·‡ÁÓÏ. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function îÛÌ͈ËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎÂÈ VOLUME* èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÌÓÊÌÓ ÛÔ‡‚ÎÂÌË „ÓÏÍÓÒÚ¸˛ (ÚÓθÍÓ Ô‰‡Î¸ AUX). SUSTAIN ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ Á‚Û˜‡Ú ‰Óθ¯Â. ÖÒÎË ÓÚÔÛÒÚËÚ¸ Ô‰‡Î¸, Á‚Û˜‡ÌË ÔÓ‰ÎÂÌÌ˚ı ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂ͇˘‡ÂÚÒfl. SOSTENUTO ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰Âʇڸ Ô‰‡Î¸, ‚Íβ˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÔÓ‰ÎflÂÚÒfl ÚÓθÍÓ Ô‚‡fl ÌÓÚ‡ (ÌÓÚ‡, ÍÓÚÓÛ˛ ‚˚ Ò˚„‡ÎË Ë ‰ÂʇÎË ‚ ÏÓÏÂÌÚ Ì‡Ê‡ÚËfl Ô‰‡ÎË). ç‡ÔËÏÂ, ˝ÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÍÓ„‰‡ ÌÓÚ˚, Ë‰Û˘Ë ҇ÁÛ Á‡ ÌËÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ. SOFT ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÌÂÏÌÓ„Ó ÛÏÂ̸¯‡ÂÚ „ÓÏÍÓÒÚ¸ Ë Ò΄͇ ËÁÏÂÌflÂÚ ÚÂÏ·. ùÚÓÚ ˝ÙÙÂÍÚ ÒΉÛÂÚ ÔËÏÂÌflÚ¸ Î˯¸ Í ÌÂÍÓÚÓ˚Ï ÚÂÏ·‡Ï – ̇ÔËÏÂ, PIANO (ÙÓÚÂÔˇÌÓ). GLIDE äÓ„‰‡ ‚˚ ̇ÊËχÂÚ ̇ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ÏÂÌflÂÚÒfl. äÓ„‰‡ ‚˚ ÓÚÔÛÒ͇ÂÚ Ô‰‡Î¸, ‚˚ÒÓÚ‡ ‚ÓÁ‚‡˘‡ÂÚÒfl Í ÌÓχθÌÓÈ. PORTAMENTO ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (Ô·‚ÌÓ ÒÍÓθÊÂÌË Á‚Û͇ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒfl ÔË Ë„Â Î„‡ÚÓ (Ú.Â. ÔÓÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ Ë„‡ÂÚÒfl ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ¢ ÓÚÔÛ˘Â̇ Ô‰˚‰Û˘‡fl). ÇÂÏÂÌÌ˚ „‡Ìˈ˚ ÔÓÚ‡ÏÂÌÚÓ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ ˝Í‡Ì Mixing Console (ÒÚ. 125). ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural. PITCHBEND* ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl. èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‰‡ÎË AUX Ë Ô‡‚ÓÈ Ô‰‡ÎË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. MODULATION* ÇÍβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl ÌÓÚ, Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛÂ. ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Û‚Â΢˂‡ÂÚÒfl, ÔÓ͇ Ô‰‡Î¸ ̇ʇڇ. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural. DSP VARIATION íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VARIATION]. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural. VIBROTOR ON/OFF ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor« (ÒÚ. 126). íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural. HARMONY/ECHO íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [HARMONY/ECHO]. VOCAL HARMONY íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [VOCAL HARMONY]. TALK íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TALK]. SCORE PAGE+ äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ Ì‡Á‡‰). SCORE PAGE- äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ ‚Ô‰). SONG START/STOP íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ SONG [START/STOP]. STYLE START/STOP íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ STYLE [START/STOP]. TAP TEMPO íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [TAP TEMPO]. SYNCHRO START íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. START]. SYNCHRO STOP íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [SYNC. STOP]. INTRO íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [INTRO]. MAIN A íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [A]. MAIN B íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [B]. MAIN C íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [C]. MAIN D íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ MAIN [D]. FILL DOWN à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË Ò΂‡. FILL SELF ÑÓ·‡‚ÎÂÌË ‚ÒÚ‡‚ÍË. FILL BREAK ÑÓ·‡‚ÎÂÌË ·ÂÈ͇. FILL UP à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË ÒÔ‡‚‡. ENDING íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [ENDING/rit.]. FADE IN/OUT íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [FADE IN/OUT]. FING/ON BASS 艇θ ÒÎÛÊËÚ ÔÂÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 66). BASS HOLD èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓ‰. ùÚ‡ ÙÛÌ͈Ëfl Ì ‡·ÓÚ‡ÂÚ, ÂÒÎË ‡ÔÔÎË͇ÚÛ‡ ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ FULL KEYBOARD. PERCUSSION ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Á‡‰‡ÌÌÓÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4▲▼] - [8▲▼]. ÑÎfl ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Í·‚ˇÚÛÛ. LAYER ON/OFF íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LAYER]. LEFT ON/OFF íÓ Ê ҇ÏÓÂ, ˜ÚÓ ÍÌÓÔ͇ [LEFT]. OTS+ Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». OTS- Ç˚ÁÓ‚ Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË«. * ë‡Ï˚ ÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠYamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ. ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2▲▼] - [8▲▼], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‰Û„Ó„Ó ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ (Type). ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡ ‚˚·‡Ì SUSTAIN, ̇ ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT«. SONG, STYLE, MIC, LEFT, LAYER, MAIN ùÚË Ô‡‡ÏÂÚ˚ ÒÎÛÊ‡Ú ‰Îfl Û͇Á‡ÌËfl ˜‡ÒÚÂÈ, ̇ ÍÓÚÓ˚ ·Û‰ÂÚ ‚ÎËflÚ¸ Ô‰‡Î¸. HALF PEDAL POINT* åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ô‡‚Û˛ Ô‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓڇΠÔÂÂÍβ˜‡ÚÂθ (ÒÚ. 62). èËÏÂÌËÏÓ ‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ Ô‰‡ÎÂÈ, ̇ÔËÏÂ, AUX (YAMAHA FC7) ËÎË Ô‡‚‡fl Ô‰‡Î¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. DEPTH éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË, ÍÓ‰‡ ‚˚·‡Ì SOFT. íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural. UP/DOWN ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ÔÓ‚˚¯‡ÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇ ËÎË ÔÓÌËʇÂÚÒfl. RANGE ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ÏÓÊÌÓ Á‡‰‡Ú¸ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı. ON SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇. OFF SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇, ÍÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛÒ͇ÂÚÒfl. KIT ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Ëϲ˘ËÂÒfl ̇·Ó˚ ÚÂÏ·Ó‚ Û‰‡Ì˚ı, Ë ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ̇·Ó, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Ô‰‡ÎË. PERCUSSION ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Á‚ÛÍË ‚˚·‡ÌÌÓÈ Û‰‡ÌÓÈ ÛÒÚ‡ÌÓ‚ÍË (ÒÏ ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÍÓÚÓ˚È ·Û‰ÂÚ ÔËÔËÒ‡Ì Ô‰‡ÎË. * ë‡Ï˚ ÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠYamaha FC7, ÍÓÚÓ˚È ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ÏÂÒÚÂ Ò Ó·ÓÛ‰Ó‚‡ÌËÂÏ. CVP-210/208 143 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function àÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ Ë Ì‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Ú‡ÌÒÔÓÁˈËË – Keyboard/Panel óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl Í·‚˯ îÛÌ͈Ëfl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ (Touch) ÔÓÁ‚ÓÎflÂÚ ÛÔ‡‚ÎflÚ¸ „ÓÏÍÓÒÚ¸˛ ÚÂÏ·‡, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. Ç˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Ú‡Í, Í‡Í ‚‡Ï Û‰Ó·ÌÓ. HARD 2 ÉÓÏÍËÈ Á‚ÛÍ ‚ÓÁÌË͇ÂÚ Î˯¸ ÔË ÒËθÌÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌËÚÂÎÂÈ, ÍÓÚÓ˚ ÔË‚˚ÍÎË ÒËθÌÓ ‰‡‚ËÚ¸ ̇ Í·‚˯Ë. B HARD 1 çÂÓ·ıÓ‰ËÏÓ ‰Ó‚ÓθÌÓ ÒËθÌÓ Ì‡ÊËχڸ ̇ Í·‚˯Ë. C NORMAL ëڇ̉‡Ú̇fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸. D SOFT 1 ÉÓÏÍËÈ Á‚ÛÍ ÔÓÎÛ˜‡ÂÚÒfl ÔË Ò‰ÌÂÈ ÒËΠ̇ʇÚËfl. E SOFT 2 íÂÏ· Á‚Û˜ËÚ ÓÚÌÓÒËÚÂθÌÓ „ÓÏÍÓ ‰‡Ê ÔË ÌÂÒËθÌÓÏ Ì‡Ê‡ÚËË. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl β‰ÂÈ, ÍÓÚÓ˚ ÔË‚˚ÍÎË ÌÂÒËθÌÓ Í‡Ò‡Ú¸Òfl Í·‚˯. A ùÚ‡ ÍÌÓÔ͇ ÓÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í Ì‡Ê‡Ú˲ (ÒÏ. Ú‡·ÎËˆÛ ÒÔ‡‚‡). èêàåÖóÄçàÖ á‡‰‡ÂÚ ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ÂÒÎË Ô‡‡ÏÂÚ Touch ÓÚÍβ˜ÂÌ (OFF). 1 2 3 4 5 6 7 éÔ‰ÂÎflÂÚ, ‚Íβ˜ÂÌ ÎË Ô‡‡ÏÂÚ Touch ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ. 8 臇ÏÂÚ TOUCH ‚ÎËflÂÚ Ì‡ ‚Ò ÚÂÏ·˚ Ò‡ÁÛ. èÓÏÌËÚÂ, ˜ÚÓ ÏÓÊÌÓ Á‡‰‡Ú¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Ë ÓÚ‰ÂθÌÓ ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡ (TOUCH SENSE). ç‡ÔËÏÂ, ˜ÚÓ·˚ ̇˷ÓΠ‡ÎËÒÚ˘ÌÓ Ò˚„‡Ú¸ ÚÂÏ·ÓÏ Ó„‡Ì‡, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í Ì‡Ê‡Ú˲ ‰Îfl ˝ÚÓ„Ó ÚÂÏ·‡ (ÒÚ. 93). 臇ÏÂÚ Transpose Assign ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ Û͇Á‡Ú¸, ˜ÚÓ ËÏÂÌÌÓ ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸Òfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [TRANSPOSE]. Transpose Ç˚ÒÓÚÛ ÚÂÏ·Ó‚, Ë„‡ÂÏ˚ı Ò Í·‚ˇÚÛ˚, ‡ Ú‡ÍÊ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÂÌ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ò ¯‡„ÓÏ ‚ 1 ÔÓÎÛÚÓÌ. 1 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [TRANSPOSE]. TRANSPOSE RESET 1 2 3 4 5 6 7 SONG í‡ÌÒÔÓÌËÛÂÚÒfl ÚÓθÍÓ ÔÂÒÌfl. MASTER í‡ÌÒÔÓÌËÛÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇ ‚ÒÂ„Ó ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ (ÚÂÏ·˚, Ë„‡ÂÏ˚Â Ò Í·‚ˇÚÛ˚, ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÌË). èêàåÖóÄçàÖ îÛÌ͈Ëfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·˚ Drum Kit Ë SFX Kit (Û‰‡Ì˚Â Ë ÒÔˆ˝ÙÙÂÍÚ˚). CVP-210/208 ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ‚ÒÔÎ˚‚‡˛˘Â ÓÍÌÓ TRANSPOSE, ‚˚·‡ÌÌÓÂ Ò Û˜ÂÚÓÏ Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ TRANSPOSE ASSIGN. 3 ᇉ‡ÈÚ ÌÛÊÌÓ Á̇˜ÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [TRANSPOSE]. 8 KEYBOARD í‡ÌÒÔÓÌËÛ˛ÚÒfl ÚÂÏ·˚, Ë„‡ÂÏ˚Â Ò Í·‚ˇÚÛ˚ (Main, Layer Ë Left), ‡ Ú‡ÍÊ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 144 2 END á‡ÍÓÈÚ ÓÍ̇ TRANSPOSE, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. • àÁ·Ë‡ÚÂθÌÓ ڇÌÒÔÓÌËÓ‚‡ÌË Í·‚ˇÚÛ˚ Ë ÔÂÒÌË ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸, ˜ÚÓ·˚ ÔÓ‰Ó·‡Ú¸ ÚÓ̇θÌÓÒÚ¸ ‰Îfl ÔÓ‰˚„˚‚‡ÌËfl ͇ÍÓÈ-ÎË·Ó ÔÂÒÌÂ. ÑÓÔÛÒÚËÏ, ‚‡Ï ıÓ˜ÂÚÒfl ÔÓ‰˚„‡Ú¸ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ Ë ÒÔÂÚ¸  ‚ ÏËÍÓÙÓÌ. èÂÒÌfl Á‡ÔË҇̇ ‚ Ù‡-χÊÓÂ, ÌÓ ‚‡Ï Û‰Ó·Ì ÔÂÚ¸  Â-χÊÓÂ, ‡ ÔÓ‰˚„˚‚‡Ú¸ ‚˚ ÔË‚˚ÍÎË ‚ ‰Ó-χÊÓÂ. óÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÌÛÊÌ˚È ÂÁÛθڇÚ, Á‡‰‡ÈÚ ÌÛ΂ӠÁ̇˜ÂÌË ‰Îfl Ô‡‡ÏÂÚ‡ Master Transpose, «2» ‰Îfl Keyboard Transpose Ë «-3» ‰Îfl Song Transpose. ó‡ÒÚ¸, Ë„‡Âχfl Ò Í·‚ˇÚÛ˚, ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì‡ ‚‚Âı, ‡ ÔÂÒÌfl – ‚ÌËÁ ‰Îfl Ô˂‰ÂÌËfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ Ò ÚÓ̇θÌÓÒÚ¸˛, ‚ ÍÓÚÓÓÈ ‚˚ ÔÓÂÚÂ. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ Registration Sequence, Freeze Ë Voice Set ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. 136. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË – Registration Sequence 燷Ó˚ Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË, ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚ ‚˚Á‚‡Ú¸ Ó‰ËÌ ËÁ Ú‡ÍËı ̇·ÓÓ‚, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ REGISTRATION MEMORY [1] - [8]. ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡„Ûʇڸ ̇·Ó˚ ̇ÒÚÓÂÍ ‚ β·ÓÏ ÔÓfl‰ÍÂ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ËÎË ÍÌÓÔÓÍ [BACK]/[NEXT], Ì ÔÂ˚‚‡fl Ë„˚. ᇉ‡ÂÚ Ô‰‡Î¸ ‰Îfl ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. èêàåÖóÄçàÖ àÏfl ‚˚·‡ÌÌÓ„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ᇉ‡ÂÚ Ô‰‡Î¸ ‰Îfl ÔÓ‰‚ËÊÂÌËfl Í ÒÎÂ‰Û˛˘ÂÏÛ Ì‡·ÓÛ Ì‡ÒÚÓÂÍ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. A F B G C H D I E J ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ Ô‰‡Î¸ ‰Îfl ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ, Á‡‰‡ÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÏÓÊÌÓ Î„ÍÓ ÓÚÏÂÌËÚ¸ Ë ‚ÂÌÛÚ¸Òfl Í Ô‚ÓÏÛ Ì‡·ÓÛ. ÑÓÒÚ‡ÚÓ˜ÌÓ ÔÓ‰Âʇڸ Ô‰‡Î¸ ÌÂÒÍÓθÍÓ ÒÂÍÛ̉ (͇ÒÌ˚È Ë̉Ë͇ÚÓ ‚ ‚ÂıÌÂÏ Ô‡‚ÓÏ Û„ÎÛ ˝Í‡Ì‡ MAIN „‡ÒÌÂÚ). ç‡ÊÏËÚÂ Ë ÓÚÔÛÒÚËÚ Ô‰‡Î¸, ˜ÚÓ·˚ ÒÌÓ‚‡ ‚˚·‡Ú¸ Ô‚˚È ˝ÎÂÏÂÌÚ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. èêàåÖóÄçàÖ ùÚ‡ ÍÌÓÔ͇ ÓÔ‰ÂÎflÂÚ ÓÔ‡ˆË˛, ‚˚ÔÓÎÌflÂÏÛ˛ ‚ ÍÓ̈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚. Stop ç‡Ê‡ÚË ÍÌÓÔÍË [NEXT] ËÎË Ô‰‡ÎË «ÔÓ‰‚ËÊÂÌËfl» ÌË Í ˜ÂÏÛ Ì ÔË‚Ó‰ËÚ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ «ÓÒÚ‡ÌÓ‚ÎÂ̇». Top èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇˜Ë̇ÂÚÒfl Ò Ì‡˜‡Î‡. Next Bank äÓ„‰‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡Í‡Ì˜Ë‚‡ÂÚÒfl, ‡‚ÚÓχÚ˘ÂÒÍË Á‡„ÛʇÂÚÒfl ÒÎÂ‰Û˛˘ËÈ ·‡ÌÍ ‚ ˝ÚÓÈ Ê ҇ÏÓÈ Ô‡ÔÍÂ. ÇÓÒÔÓËÁ‚‰ÂÌË ÌÓ‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ì‡˜Ë̇ÂÚÒfl Ò Ì‡˜‡Î‡. 1 2 3 4 5 èÓ͇Á˚‚‡ÂÚ ÌÓχ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ‚ ÔÓfl‰ÍÂ, Á‡‰‡ÌÌÓÏ ÙÛÌ͈ËÂÈ Registration Sequence ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. ùÚË ÍÌÓÔÍË ÔÂÂÏ¢‡˛Ú ÍÛÒÓ ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. 6 7 8 ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Registration Sequence. ÖÒÎË ˝ÚÓÚ Ô‡‡ÏÂÚ ‡‚ÂÌ «ON», Á‡‰‡Ì̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÓÚÓ·‡Ê‡ÂÚÒfl ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡ Ë ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ ÔÓˆÂÒÒÓÏ Á‡„ÛÁÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [BACK]/[NEXT] ËÎË Ô‰‡ÎÂÈ. ÖÒÎË Ô‡‡ÏÂÚÛ Registration Sequence Enable ÔËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË «ON», ÙÛÌ͈Ëfl ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ÔÓÎÛ˜‡ÂÚ ÔËÓËÚÂÚ Ë ÔËÒ‚‡Ë‚‡ÂÚÒfl Ô‰‡ÎË ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÙÛÌ͈ËË, ÔËÒ‚ÓÂÌÌÓÈ ‡Ì (‚ ÔËÏ ̇ ˝Í‡Ì ڇÍËÏË ÙÛÌ͈ËflÏË fl‚Îfl˛ÚÒfl «Regist (+) Pedal» Ë «Regist (-) Pedal»). ëÔËÒÓÍ ‚˚ÚÂÒÌflÂÏ˚ı ÙÛÌ͈ËÈ Ô˂‰ÂÌ Ì‡ ÒÚ. 142. äÓÏ ÚÓ„Ó, ÏÓÊÂÚ ‚˚ÚÂÒÌflÚ¸Òfl ÙÛÌ͈Ëfl Voice Set, ÓÔËÒ‡Ì̇fl ̇ ÒÚ. 146. èêàåÖóÄçàÖ ì‰‡ÎÂÌË ‚ÒÂı ÌÓÏÂÓ‚ ̇·ÓÓ‚ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. 쉇ÎÂÌË ÌÓχ, ̇ ÍÓÚÓÓÏ Ì‡ıÓ‰ËÚÒfl ÍÛÒÓ. ÇÒÚ‡‚͇ ÌÓχ ̇·Ó‡ ̇ÒÚÓÂÍ ÔflÏÓ Ô‰ ÍÛÒÓÓÏ. ÖÒÎË Á‡‰‡Ú¸ Á̇˜ÂÌË «OFF» Ë ‰Îfl («Regist (+) Pedal», Ë ‰Îfl «Regist (-) Pedal»), ÛÔ‡‚ÎÂÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛ ‚˚ÁÓ‚‡ ̇·ÓÓ‚ ̇ÒÚÓÂÍ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÒÚ‡ÌÂÚ Ì‚ÓÁÏÓÊÌ˚Ï. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒΉÛÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË [BACK]/ [NEXT] ̇ „·‚ÌÓÏ ˝Í‡ÌÂ. èêàåÖóÄçàÖ ÖÒÎË Ì‡Á̇˜ËÚ¸ ÙÛÌ͈ËË «Regist (+) Pedal» Ë «Regist (-) Pedal» Ó‰ÌÓÈ Ë ÚÓÈ Ê Ô‰‡ÎË, ÔËÓËÚÂÚ ËÏÂÂÚ ÙÛÌ͈Ëfl «Regist (+) Pedal». á‡ÏÂ̇ ÔÓfl‰ÍÓ‚Ó„Ó ÌÓχ ‚ ÔÓÁˈËË ÍÛÒÓ‡ ÌÓÏÂÓÏ, ‚˚·‡ÌÌ˚Ï Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. èêàåÖóÄçàÖ END èӉڂ‰ËÚ ËÁÏÂÌÂÌËfl, ̇ʇ‚ ÍÌÓÔÍÛ [EXIT]. чÌÌ˚Â Ó ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Á‡„ÛÁÍË ‚Íβ˜ÂÌ˚ ‚ Ù‡ÈÎ ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ ÌÓ‚Û˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ÛÁÍË, ÒÓı‡ÌËÚ ÚÂÍÛ˘ËÈ Ù‡ÈÎ ·‡Ì͇ (ÒÚ. 39, 48). ÖÒÎË ˝ÚÓ„Ó Ì ҉·ڸ, ‚Ò ‰‡ÌÌ˚Â, ÓÚÌÓÒfl˘ËÂÒfl Í ÌÓ‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ·Û‰ÛÚ ÛÚÂflÌ˚ ÔË ÒÏÂÌ ·‡ÌÍÓ‚. ëÓı‡ÌÂÌË Á̇˜ÂÌËÈ, Á‡‰‡ÌÌ˚ı Ò Ô‰ÌÂÈ Ô‡ÌÂÎË – Freeze èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ̇·Ó Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ Ì ‰ÓÎÊÌ˚ ÏÂÌflÚ¸Òfl ÔË ÒÏÂÌ ̇·ÓÓ‚ ̇ÒÚÓÂÍ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ëÏ. ÒÚ. 90. CVP-210/208 145 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function àÁÏÂÌÂÌË ԇ‡ÏÂÚÓ‚ ÚÂÏ·‡, ‚˚·Ë‡ÂÏ˚ı ‡‚ÚÓχÚ˘ÂÒÍË – Voice Set èË ÒÏÂÌ ÚÂÏ·Ó‚ (‚˚·Ó هÈ· ÚÂÏ·‡) ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡˛ÚÒfl Ô‡‡ÏÂÚ˚, ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ë ‰Îfl ˝ÚÓ„Ó ÚÂÏ·‡. ùÚÓ Ú Ê ҇Ï˚ ԇ‡ÏÂÚ˚, ÍÓÚÓ˚ Á‡‰‡˛ÚÒfl ‚ ÙÛÌ͈ËË Sound Creator. ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ‡‚ÚÓχÚ˘ÂÒÍÛ˛ Á‡„ÛÁÍÛ Ô‡‡ÏÂÚÓ‚ ‰Îfl ͇ʉÓÈ Ô‡ÚËË. ç‡ÔËÏÂ, ͇ʉ˚È ËÁ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ӷ·‰‡ÂÚ ÒÓ·ÒÚ‚ÂÌÌ˚Ï Ô‡‡ÏÂÚÓÏ LEFT PEDAL. çÓ ÂÒÎË Ì‡ ‰‡ÌÌÓÈ ÒÚ‡Ìˈ ˝ÚÓÏÛ Ô‡‡ÏÂÚÛ ·Û‰ÂÚ ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», ÓÌÓ Ì ËÁÏÂÌËÚÒfl ‰‡Ê ÔË ÒÏÂÌ ÚÂÏ·Ó‚. èêàåÖóÄçàÖ é·˚˜ÌÓ ˝ÚÓ Ô‡‡ÏÂÚ ‰ÓÎÊÂÌ ·˚Ú¸ «ON». A ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚˚·‡Ú¸ Ô‡Ú˲. B C èêàåÖóÄçàÖ è‡‡ÏÂÚ˚ Harmony/Echo Ë Ì‡Á̇˜ÂÌˠ΂ÓÈ Ô‰‡ÎË ÌÂθÁfl Á‡‰‡Ú¸ ‰Îfl ˜‡ÒÚÂÈ Layer Ë Left. D E 1 2 3 4 5 6 7 8 ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú, Á‡„Ûʇ˛ÚÒfl ÎË ‡‚ÚÓχÚ˘ÂÒÍË Ô‡‡ÏÂÚ˚ ÚÂÏ·‡ (‚˚·Ó ÚÂÏ·‡, ˝Í‚‡Î‡ÈÁÂ, „‡ÏÓÌËÁ‡ˆËfl/˝ıÓ Ë ÔËÒ‚ÓÂÌË ÙÛÌ͈ËË Î‚ÓÈ Ô‰‡ÎË) ÔË ÒÏÂÌ ÚÂÏ·‡. ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÓÚ‰ÂθÌÓ ‰Îfl ͇ʉÓÈ Ô‡ÚËË. ç‡ÒÚÓÈ͇ ˝ÙÙÂÍÚÓ‚ „‡ÏÓÌËÁ‡ˆËË Ë ˝ı‡ ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. 136. äÌÓÔ͇ ‚˚·Ó‡ ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË. ëÏ. ÒÚ. 147. 1 2 3 4 5 éÔ‰ÂÎflÂÚ ÒËÎÛ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡. ᇉ‡ÂÚ ÒÍÓÓÒÚ¸ ÔË ‚˚·Ó ڇÍËı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË, Í‡Í Echo, Tremolo Ë Trill. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ Î˯¸ ÔË ‚˚·Ó ڇÍËı ÚËÔÓ‚ „‡ÏÓÌËÁ‡ˆËË, Í‡Í Multi Assign, Echo, Tremolo Ë Trill. 146 CVP-210/208 6 7 8 ᇉ‡ÂÚ ÏËÌËχθÌÛ˛ ÒÍÓÓÒÚ¸ ̇ʇÚËfl, ÔË ÍÓÚÓÓÈ ·Û‰ÂÚ Á‚Û˜‡Ú¸ ÌÓÚ‡ „‡ÏÓÌËÁ‡ˆËË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ˝ÙÙÂÍÚ Harmony ‚˚·ÓÓ˜ÌÓ, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë, Ë ‡ÒÒÚ‡‚ÎflÚ¸ „‡ÏÓÌ˘ÂÒÍË ‡ÍˆÂÌÚ˚ ‚ ÏÂÎÓ‰ËË. ùÙÙÂÍÚ Harmony ÔËÏÂÌflÂÚÒfl, ÂÒÎË ÒË· (ÒÍÓÓÒÚ¸) ̇ʇÚËfl ̇ Í·‚Ë¯Û ‚˚¯Â Á‡‰‡ÌÌÓÈ. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË «ON», ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ÌÓÚÂ, ÍÓÚÓ‡fl ‚ıÓ‰ËÚ ‚ ‡ÍÍÓ‰, ‚ÁflÚ˚È ‚ ‡Á‰ÂΠ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÖÒÎË ‚˚·‡Ì ÚËÔ Multi Assign, Echo, Tremolo ËÎË Trill, ˝ÚÓÚ Ô‡‡ÏÂÚ Ì‰ÓÒÚÛÔÂÌ. ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Í ‡Á΢Ì˚Ï ˜‡ÒÚflÏ. ëÏ. ssÒÚ. 147. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function íËÔ˚ ˝ÙÙÂÍÚ‡ Harmony ÖÒÎË ‚˚·‡Ì Òڇ̉‡ÚÌ˚È ÚËÔ „‡ÏÓÌËÁ‡ˆËË (ÓÚ «Standard Duet» ‰Ó «Strum») íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ çÓÚ˚ „‡ÏÓÌËÁ‡ˆËË (ÍÓÚÓ˚ Á‡‚ËÒflÚ ÓÚ ‡ÍÍÓ‰‡ Ë ÚËÔ‡ „‡ÏÓÌËÁ‡ˆËË) ‡‚ÚÓχÚ˘ÂÒÍË Ó·˚„˚‚‡˛Ú ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲, ÍÓÚÓ‡fl ‚‰ÂÚÒfl ‚ ‡Á‰ÂΠ‰Îfl Ô‡‚ÓÈ ÛÍË (ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚). ɇÏÓÌËÁ‡ˆË˛ Á‡‰‡˛Ú ‡ÍÍÓ‰˚, ÍÓÚÓ˚ ·ÂÛÚÒfl Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl. ■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Multi Assign» ÖÒÎË ‚˚·‡Ì ˝ÚÓÚ ÚËÔ, ÌÓÚ˚, ÍÓÚÓ˚ ·ÂÛÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ ‡Á‰ÂΠ‰Îfl Ô‡‚ÓÈ ÛÍË, ‡‚ÚÓχÚ˘ÂÒÍË ‡Á‚Ó‰flÚÒfl ÔÓ ‡ÁÌ˚Ï ÚÂÏ·‡Ï. ç‡ÔËÏÂ, ÂÒÎË ‚ÁflÚ¸ Ó‰ÌÛ Á‡ ‰Û„ÓÈ ‰‚ ÌÓÚ˚, ÚÓ Ô‚‡fl ·Û‰ÂÚ Ò˚„‡Ì‡ ÓÒÌÓ‚Ì˚Ï ÚÂÏ·ÓÏ (Main), ‡ ‚ÚÓ‡fl — ÚÂÏ·ÓÏ ÒÎÓfl (Layer). ■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Echo» ë˚„‡Ì̇fl ̇ Í·‚ˇÚÛ ÌÓÚ‡ Ó·‡·‡Ú˚‚‡ÂÚÒfl ˝ÙÙÂÍÚÓÏ ˝ı‡ ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ. ■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Tremolo» ë˚„‡Ì̇fl ̇ Í·‚ˇÚÛ ÌÓÚ‡ Ó·‡·‡Ú˚‚‡ÂÚÒfl ˝ÙÙÂÍÚÓÏ ÚÂÏÓÎÓ ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ. ■ ÖÒÎË ‚˚·‡Ì ÚËÔ «Trill» ÖÒÎË ‰Âʇڸ ‰‚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ Ó˜ÂÂ‰Ë ÒËÌıÓÌÌÓ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï ÚÂÏÔÓÏ. ç‡Á̇˜ÂÌË „‡ÏÓÌËÁ‡ˆËË Multi 肇fl, ‚ÚÓ‡fl, ÚÂÚ¸fl Ë ˜ÂÚ‚ÂÚ˚ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Á̇˜‡˛ÚÒfl ‡ÁÌ˚Ï ˜‡ÒÚflÏ (ÚÂÏ·‡Ï). ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ÚËÔ „‡ÏÓÌËÁ‡ˆËË «Standard Duet» Ë ‚Íβ˜ÂÌ˚ ˜‡ÒÚË Main Ë Layer, ÌÓÚ‡, Ò˚„‡Ì̇fl ̇ Í·‚ˇÚÛÂ, ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ· Main, ‡ ÌÓÚ‡ „‡ÏÓÌËÁ‡ˆËË – ÚÂÏ· Layer. Main ɇÏÓÌËÁ‡ˆËfl ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ˜‡ÒÚË Main. Layer ɇÏÓÌËÁ‡ˆËfl ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ˜‡ÒÚË Layer. ÖÒÎË ˜‡ÒÚ¸ Layer ‚˚Íβ˜Â̇, ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Ì ÔËÏÂÌflÂÚÒfl. éÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ – Video Out ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ. 136. èêàåÖóÄçàÖ íÂ΂ËÁÓ VIDEO IN Ç˚·ÂËÚ Òڇ̉‡Ú, ËÒÔÓθÁÛÂÏ˚È ‚‡¯ËÏ ÚÂÎÂ/‚ˉÂÓÓ·ÓÛ‰Ó‚‡ÌËÂÏ: NTSC ËÎË PAL. VIDEO OUT 1 2 3 4 5 6 7 8 éÔ‰ÂÎflÂÚ ÒÓ‰ÂʇÌË ËÒıÓ‰fl˘Â„Ó ‚ˉÂÓÒ˄̇·, Ú.Â. ‰‡ÌÌ˚Â, ÍÓÚÓ˚ ÔÓÒ˚·˛ÚÒfl ̇ ‚ˉÂÓÏÓÌËÚÓ. Lyrics ....çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍÓÈ ˝Í‡Ì ‚˚Á‚‡Ì ̇ Ò‡ÏÓÏ ËÌÒÚÛÏÂÌÚÂ, Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VIDEO OUT ̇ ˝Í‡Ì ÏÓÌËÚÓ‡ Ô‰‡ÂÚÒfl ÚÓθÍÓ ÚÂÍÒÚ ÔÂÒÌË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ˉÂÚ¸ ÚÂÍÒÚ Ì‡ ÏÓÌËÚÓÂ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·Ë‡Ú¸ ‰Û„Ë ˝Í‡Ì˚ ̇ ËÌÒÚÛÏÂÌÚÂ. LCD........ë ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË VIDEO OUT ̇ ÏÓÌËÚÓ ‚˚‚Ó‰ËÚÒfl ÒÓ‰ÂÊËÏÓ ÚÂÍÛ˘Â„Ó ˝Í‡Ì‡. • àÌÓ„‰‡ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ‚ˉÂÓÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘Ë ԇ‡ÎÎÂθÌ˚ ÎËÌËË. ùÚÓ Ì ‚Ò„‰‡ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÛÒÚÓÈÒÚ‚Ó ÌÂËÒÔ‡‚ÌÓ. é·˚˜ÌÓ ‰ÓÒÚ‡ÚÓ˜ÌÓ ·˚‚‡ÂÌÚ ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ Character Color ËÎË Background Color. ÑÎfl ÔÓÎÛ˜ÂÌËfl ÓÔÚËχθÌÓ„Ó ÂÁÛθڇڇ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚ„ÛÎËÓ‚‡Ú¸ ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓÂ. • ç ÒÏÓÚËÚ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ‡ ÒÎ˯ÍÓÏ ‰ÓÎ„Ó – ˝ÚÓ ‚‰ÌÓ ‰Îfl ÁÂÌËfl. èÓ˜‡˘Â ‰Â·ÈÚ ÔÂÂ˚‚ Ë ÒÏÓÚËÚ ̇ Û‰‡ÎÂÌÌ˚ ӷ˙ÂÍÚ˚, ˜ÚÓ·˚ „·Á‡ ÓÚ‰ÓıÌÛÎË. • èÓÏÌËÚÂ, ˜ÚÓ ‰‡Ê ̇ÒÚÓÈ͇ ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÂÍÓÏẨ‡ˆËflÏË Ì „‡‡ÌÚËÛÂÚ, ˜ÚÓ ˝Í‡Ì ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Ô‡‚ËθÌÓ (̇ÔËÏÂ, ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ Ì ÛÏ¢‡ÂÚÒfl ̇ ÏÓÌËÚÓÂ, ̘ÂÚÍË ÒËÏ‚ÓÎ˚, ÌÂÔ‡‚ËθÌ˚ ˆ‚ÂÚ‡). CVP-210/208 147 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ MIDI ùÚÓÚ ˝Í‡Ì ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ MIDI. ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚Ò ‚ÏÂÒÚ ̇ ˝Í‡Ì USER ‰Îfl ÔÓÒÎÂ‰Û˛˘Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. é·˘Û˛ Ë ÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÔÓ Ô‡‡ÏÂÚÛ MIDI ÒÏ. ‚ ‡Á‰ÂΠ«óÚÓ Ú‡ÍÓ MIDI?» (ÒÚ. 159). ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 3 ̇ ÒÚ ÒÚ. 136. 1 ò‡·ÎÓÌ˚ MIDI (Á‡‚Ó‰ÒÍË ÛÒÚ‡ÌÓ‚ÍË) Ç˚·ÂËÚ ÔÓ‰ıÓ‰fl˘ËÈ ¯‡·ÎÓÌ. A F B G C H D I E J 1 3 2 3 4 5 èÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ User Ë Ì‡ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Á̇˜ÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ MIDI. åÓÊÌÓ ÒÓı‡ÌËÚ¸ ‰Ó 10 ¯‡·ÎÓÌÓ‚. 6 7 2 All Parts èÓ Í‡Ì‡Î‡Ï MIDI Ô‰‡˛ÚÒfl ‚Ò ˜‡ÒÚË, ‚Íβ˜‡fl Main, Layer Ë Left. Master KBD Clavinova ÒÎÛÊËÚ Í·‚ˇÚÛÓÈ ‰Îfl ÛÔ‡‚ÎÂÌËfl ‚̯ÌËÏË ÚÓÌ-„Â̇ÚÓ‡ÏË Ë ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË. KBD & Style ÇÏÂÒÚÓ ÚÂı ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ (Main/Layer/Left) Ô‰‡˛ÚÒfl ‰‡ÌÌ˚Â Ó ‰‚Ûı Ô‡ÚËflı, Ò˚„‡ÌÌ˚ı ‚ «‚ÂıÌÂÈ» Ë «ÌËÊÌÂÈ» ˜‡ÒÚflı Í·‚ˇÚÛ˚. Song ÇÒ ͇̇Î˚ Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ì‡ÒÚÓÈ͇ÏË Í‡Ì‡ÎÓ‚ 1-16 ÍÓÌÍÂÚÌÓÈ ÔÂÒÌË. èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl ‚ Ô‡ÏflÚË Clavinova ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÚÂÏ·‡ÏË ‚̯ÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡. ùÚÓÚ ¯‡·ÎÓÌ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Á‡ÔËÒË ÏÛÁ˚ÍË Ì‡ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ. Clock Ext. èÓÚ MIDI IN ÔËÌËχÂÚ ÒÓÓ·˘ÂÌËfl MIDI clock, Ë Clavinova ÒËÌıÓÌËÁËÛÂÚÒfl Ò ‚̯ÌËÏ MIDIÛÒÚÓÈÒÚ‚ÓÏ. MIDI Accord 1 à‰Â‡Î¸Ì˚È ¯‡·ÎÓÌ ‰Îfl ÛÔ‡‚ÎÂÌËfl ÚÂÏ·ÓÏ Ë ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ MIDI-‡ÍÍÓ‰ÂÓ̇. MIDI Accord 2 ë ÔÓÏÓ˘¸˛ ·‡ÒÓ‚˚ı Í·‚˯ Ë ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ̇ MIDI-‡ÍÍÓ‰ÂÓÌÂ, ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ ÒÚËÎÂÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‡ Ú‡ÍÊ ˄‡Ú¸ ‡ÍÍÓ‰˚ Ë ‚ÂÒÚË ·‡ÒÓ‚Û˛ ÎËÌ˲. MIDI Pedal 1 艇θ, ÔÓ‰Íβ˜ÂÌ̇fl Í ÔÓÚÛ MIDI IN, ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÛÔ‡‚ÎÂÌËfl ·‡ÒÓ‚ÓÈ ÌÓÚÓÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. MIDI Pedal 2 艇θ, ÔÓ‰Íβ˜ÂÌ̇fl Í ÔÓÚÛ MIDI IN, ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚‰ÂÌËfl ·‡ÒÓ‚ÓÈ Ô‡ÚËË. MIDI OFF MIDI-ÒÓÓ·˘ÂÌËfl Ì Ô‰‡˛ÚÒfl Ë Ì ÔËÌËχ˛ÚÒfl. 8 èÂÂȉËÚ ̇ ˝Í‡Ì Edit, ‚˚·ÂËÚ ÌÛÊÌ˚ ÙÛÌ͈ËË/Ô‡‡ÏÂÚ˚ Ë Ì‡ÒÚÓÈÚ Ëı. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Í‡Ê‰ÓÈ ËÁ ÒÚ‡Ìˈ ˝ÚÓ„Ó ˝Í‡Ì‡ Ô˂‰ÂÌ˚ ‰‡ÎÂÂ. èêàåÖóÄçàÖ END óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ç‡ÒÚÓÈ͇Ï, ÒÓı‡ÌÂÌÌ˚Ï Ì‡ ÒÚ‡Ìˈ User, ÏÓÊÌÓ ‰‡Ú¸ ËÏfl (ÒÚ. 45) ËÎË Û‰‡ÎËÚ¸ Ëı (ÒÚ. 47). é·˘‡fl ̇ÒÚÓÈ͇ ÒËÒÚÂÏ˚ (Ô‡‡ÏÂÚ˚ Local Control, Clock Ë Ú. ‰.) – System Ç˚ÁÓ‚ËÚ ˝Í‡Ì, Í‡Í ÓÔËÒ‡ÌÓ ‚ ¯‡„ 2. ÑÎfl „ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ Clock, Transmit Clock, Receive Transpose Ë Start/Stop. ÑÎfl „ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Local Control. ÑÎfl „ÛÎËÓ‚ÍË Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Message Switch. Local Control ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÂÊËÏ ËÒÔÓθÁÓ‚‡ÌËfl ‚ÌÛÚÂÌÌËı ÚÂÏ·Ó‚ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË. ÖÒÎË Ô‡‡ÏÂÚÛ Local Control ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «ON», ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˜‡ÒÚË ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ CVP-210/208. í‡ÍËÏ Ó·‡ÁÓÏ, ÔË Ë„Â Ì‡ Í·‚ˇÚÛ ÏÓÊÌÓ Á‡‰ÂÈÒÚ‚Ó‚‡Ú¸ ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. ÖÒÎË Ô‡‡ÏÂÚÛ Local Control ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», Í·‚ˇÚÛ‡ Ë ÍÓÌÚÓÎÎÂ˚ ÓÚÍβ˜‡˛ÚÒfl ÓÚ ‚ÌÛÚÂÌÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡ CVP-210/208. ùÚÓ ÔÓÁ‚ÓÎflÂÚ, ̇ÔËÏÂ, ÔÓ‰Íβ˜ËÚ¸ ‚̯ÌËÈ MIDI-ÒÂÍ‚ÂÌÒÓ, ÍÓÚÓ˚È Ë ·Û‰ÂÚ ÔÓË„˚‚‡Ú¸ ÔÂÒÌ˛ Ò Û˜ÂÚÓÏ ËÒÔÓθÁÛÂÏ˚ı ‚ CVP210/208 ÚÂÏ·Ó‚. í‡ÍËÏ Ó·‡ÁÓÏ, Í·‚ˇÚÛÛ CVP-210/208 ÏÓÊÌÓ ÔËÏÂÌflÚ¸ ‰Îfl Á‡ÔËÒË Ì‡ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ Ë/ËÎË ‰Îfl Ë„˚ ÚÂÏ·‡ÏË ‚̯ÌÂ„Ó ÚÓÌ-„Â̇ÚÓ‡. 148 CVP-210/208 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function Clock (ÒËÌıÓÌËÁ‡ˆËfl), Transmit Clock (Ô‰‡˜‡ Ò˄̇ÎÓ‚ ÒËÌıÓÌËÁ‡ˆËË), Receive Transpose (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚̯ÌÂ„Ó Ò˄̇·) Ë Start/Stop (Á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇) ■ Clock èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÒÔÓÒÓ· ÒËÌıÓÌËÁ‡ˆËË MIDI-ÛÒÚÓÈÒÚ‚. èˇÌËÌÓ CVP-210/208 ÏÓÊÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ ÔÓ ‚ÒÚÓÂÌÌ˚Ï ˜‡Ò‡Ï ËÎË ÔÓ ÒË„Ì‡Î‡Ï ÒËÌıÓÌËÁ‡ˆËË, ÔÓÒÚÛÔ‡˛˘ËÏ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ËÒÔÓθÁÛÂÚÒfl ÓÚ‰ÂθÌÓ, ÒΉÛÂÚ ‚˚·‡Ú¸ Á̇˜ÂÌË «INTERNAL». ÖÒÎË Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210/208 ÔÓ‰Íβ˜ÂÌ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ, ÍÓÏÔ¸˛ÚÂ Ò ËÌÚÂÙÂÈÒÓÏ MIDI ËÎË Í‡ÍÓÂ-ÎË·Ó ‰Û„Ó MIDI-ÛÒÚÓÈÒÚ‚Ó, Ò ÍÓÚÓ˚Ï ÌÂÓ·ıÓ‰ËÏÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ CVP-210/208, Û͇ÊËÚ Á̇˜ÂÌË «EXTERNAL». Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÒΉÛÂÚ Û·Â‰ËÚ¸Òfl ‚ ÚÓÏ, ˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ‰Íβ˜ÂÌÓ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ CVP-210/208 ˜ÂÂÁ ÔÓÚ MIDI IN Ë ˜ÚÓ ÓÌÓ Ô‰‡ÂÚ Ò˄̇ΠÒËÌıÓÌËÁ‡ˆËË. ■ Transmit Clock ùÚÓÚ Ô‡‡ÏÂÚ ÛÔ‡‚ÎflÂÚ ‚Íβ˜ÂÌËÂÏ Ë ‚˚Íβ˜ÂÌËÂÏ ÂÊËχ Ô‰‡˜Ë Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË. ÖÒÎË Á‡‰‡Ú¸ Á̇˜ÂÌË «OFF», Ò˄̇Î˚ ÒËÌıÓÌËÁ‡ˆËË ËÎË ÍÓχ̉˚ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl (START/STOP data) Ì Ô‰‡˛ÚÒfl. ■ Receive Transpose ÖÒÎË Ô‡‡ÏÂÚÛ ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË «OFF», ‰‡ÌÌ˚Â, ÔÓÒÚÛÔ‡˛˘Ë ̇ ‚ıÓ‰ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208, Ì ڇÌÒÔÓÌËÛ˛ÚÒfl. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚̯ÌËÈ Ò˄̇ΠڇÌÒÔÓÌËÛÂÚÒfl Òӄ·ÒÌÓ ÚÂÍÛ˘ËÏ Á̇˜ÂÌËflÏ Ô‡‡ÏÂÚÓ‚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl CVP-210/208 (ÒÚ. 144). ■ Start/Stop èêàåÖóÄçàÖ ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ‚ÎËfl˛Ú ÎË ‚ıÓ‰fl˘Ë ÍÓχ̉˚ «FA» Ë «FC» ̇ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË ÒÚËÎfl. FA, FC MIDI-cÓÓ·˘ÂÌËfl (ÍÓχ̉˚) ‰Îfl Á‡ÔÛÒ͇/ ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÌË ËÎË ÒÚËÎfl. «FA» – ÍÓχ̉‡ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, «FC» – ÍÓχ̉‡ ÓÒÚ‡ÌÓ‚ËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. Message Switch SYS/EX. Tx (TRANSMIT).................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ Ô‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ. SYS/EX. Rx (RECEIVE) ...................... ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ÔËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. CHORD SYS/EX. Tx (TRANSMIT) ..... ÇÍβ˜ÂÌË /‚˚Íβ˜ÂÌË ÂÊËχ Ô‰‡˜Ë ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï (‰‡ÌÌ˚Â Ó ÚËÔ ‡ÍÍÓ‰‡ Ë ÓÒÌÓ‚ÌÓÏ ÚÓÌÂ). CHORD SYS/EX. Rx (RECEIVE)........ ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ÔËÂχ ËÒÍβ˜ËÚÂθÌ˚ı ÒÓÓ·˘ÂÌËÈ ÔÓ ‡ÍÍÓ‰‡Ï Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. 艇˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ – Transmit ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸ Ô‡ÚËË, ÍÓÚÓ˚ ·Û‰ÛÚ Ô‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â, Ë MIDI-͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˝ÚË ‰‡ÌÌ˚ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl. A B C ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ͇̇Î, ‰Îfl ÍÓÚÓÓ„Ó Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ Ô‰‡˜Ë. ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇ ˝Í‡ÌÂ, ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË Ô‰‡˜Â MIDI-ÒÓÓ·˘ÂÌËÈ ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ. D E ùÚË ÍÌÓÔÍË ÔÓÏÓ„‡˛Ú ̇Á̇˜ËÚ¸ ˜‡ÒÚ¸ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ. 1 2 3 4 5 6 7 8 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ Ô‰‡˜Û ÓÔ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ. èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ. íËÔ˚ ‰‡ÌÌ˚ı ̇ ˝Í‡Ì MIDI TRANSMIT/RECEIVE Note ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂÊËÚ ÌÓÏ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ê‡ÚÓÈ Í·‚˯Â, ‡ Ú‡ÍÊ ÒÍÓÓÒÚ¸ (ÒËÎÛ Û‰‡‡ ÔÓ Í·‚˯Â) ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ÒËθÌÓ Ì‡ÊËχ˛ÚÒfl Í·‚˯Ë. Control Change (CC) ùÚÓÚ ÚËÔ ‰‡ÌÌ˚ı ‚Íβ˜‡ÂÚ ‰‡ÌÌ˚Â Ó ÔÓÎÓÊÂÌËË Ô‰‡ÎË Ë ‰Û„Ë ‰‡ÌÌ˚ ÍÓÌÚÓÎÎÂÓ‚. Program Change (PC) ëÎÛÊËÚ ‰Îfl Ô‰‡˜Ë ÍÓχ̉ ÒÏÂÌ˚ ÌÓχ ÚÂÏ·‡ ËÎË «Ô˝Ú˜‡». Pitch Bend (PB) ëÏ. ÒÚ. 143. After Touch (AT)* ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ‡„ËÓ‚‡Ú¸ ̇ ‚Â΢ËÌÛ ÛÒËÎËfl, ÔËÎÓÊÂÌÌÓ„Ó Í Í·‚˯‡Ï. ê‡͈Ëfl ‚˚‡Ê‡ÂÚÒfl ‚ Ó·‡·ÓÚÍ Á‚Û͇ ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. ùÚÓ Á‡ÏÂÚÌÓ ÔÓ‚˚¯‡ÂÚ ‚˚‡ÁËÚÂθÌÓÒÚ¸ Ë ÔÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ‡Á΢Ì˚ ˝ÙÙÂÍÚ˚ Í ÚÂıÌËÍ ËÒÔÓÎÌÂÌËfl. * Ç˚‚Ó‰ËÚÒfl ÚÓθÍÓ Ì‡ ˝Í‡Ì RECEIVE (ÒÏ. ÒÚ. 150). CVP-210/208 149 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ – Receive ç‡ ˝ÚÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ Û͇Á‡Ú¸ ˜‡ÒÚË, ÔËÌËχ˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl. äÓÏ ÚÓ„Ó, Á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ͇̇Π‰Îfl ÔËÂχ Ú‡ÍËı ÒÓÓ·˘ÂÌËÈ. èêàåÖóÄçàÖ èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1 ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï 17 – 32. A B ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ ͇̇Î, ‰Îfl ÍÓÚÓÓ„Ó Ú·ÛÂÚÒfl ËÁÏÂÌËÚ¸ Ô‡‡ÏÂÚ˚ ÔËÂχ. C D E ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇ ˝Í‡ÌÂ, ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË ÔÓÎÛ˜ÂÌËË MIDI-ÒÓÓ·˘ÂÌËÈ. ùÚË ÍÌÓÔÍË ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚ¸, ̇Á̇˜ÂÌÌÛ˛ ‚˚·‡ÌÌÓÏÛ Í‡Ì‡ÎÛ. èÓ‰Ó·ÌÓÒÚË ÒÏ. ÌËÊÂ. 1 2 3 4 5 6 7 8 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú ‚Íβ˜ËÚ¸/ÓÚÍβ˜ËÚ¸ ÔËÂÏ ÓÔ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ. èÓ‰Ó·ÌÓÒÚË Ó ÚËÔ‡ı ‰‡ÌÌ˚ı ÒÏ. ̇ ÒÚ. 149. ó‡ÒÚË ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ OFF SONG MAIN LAYER LEFT KEYBOARD ACMP RHYTHM1-2 ACMP BASS ACMP CHORD1-2 ACMP PAD ACMP PHRASE1-2 EXTRA PART1-5 èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ Ì ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl. é·˚˜ÌÓ ˜‡ÒÚ¸, ÔËÌËχ˛˘‡fl MIDI-ÒÓÓ·˘ÂÌËfl, ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ˜‡ÒÚË/ÚÂÏ·Û, ËÒÔÓθÁÛÂÏÓÏÛ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. àÌ˚ÏË ÒÎÓ‚‡ÏË, ͇̇Î˚ Ò 1 ÔÓ 16 ÔË‚flÁ‡Ì˚ Í Ó‰ÌÓËÏÂÌÌ˚Ï Í‡Ì‡Î‡Ï ÔÂÒÌË. ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ MAIN ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ. ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LAYER ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ. ìÔ‡‚ÎÂÌË ˜‡ÒÚ¸˛ LEFT ÓÒÛ˘ÂÒÚ‚ÎflÂÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI-ÒÓÓ·˘ÂÌËÈ, ÔÓÒÚÛÔ‡˛˘Ëı ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ Í‡Ì‡ÎÛ. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔËÌËχÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÓÚÌÓÒfl˘ËÂÒfl Í ÌÓÚ‡Ï, Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ Ëı Ú‡Í, Í‡Í ÂÒÎË ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ·˚ÎË Ò˚„‡Ì˚ ̇ Í·‚ˇÚÛÂ. çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ RHYTHM 1 Ë RHYTHM 2. çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BASS. çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CHORD 1 Ë CHORD 2. çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PAD. çÓÚ˚, ÔÓÒÚÛÔË‚¯ËÂ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PHRASE 1 Ë PHRASE 2. ëÛ˘ÂÒÚ‚ÛÂÚ ÔflÚ¸ ˜‡ÒÚÂÈ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌ˚ı ‰Îfl ÔËÂχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl MIDI-ÒÓÓ·˘ÂÌËÈ. ä‡Í Ô‡‚ËÎÓ, Ò‡ÏËÏ ˆËÙÓ‚˚Ï ÔˇÌËÌÓ ˝ÚË ˜‡ÒÚË Ì ËÒÔÓθÁÛ˛ÚÒfl. çÓ ÂÒÎË ÓÌË ‚ÒÂ-Ú‡ÍË Á‡‰ÂÈÒÚ‚Ó‚‡Ì˚, ˆËÙÓ‚Ó ÔˇÌËÌÓ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ ͇˜ÂÒÚ‚Â 32͇̇θÌÓ„Ó ÏÛθÚËÚÂÏ·‡Î¸ÌÓ„Ó ÚÓÌ-„Â̇ÚÓ‡. ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚ – Root ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON», ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÓÒÌÓ‚Ì˚ ÚÓ̇, Ò˚„‡ÌÌ˚ ‚ ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÒÌÓ‚Ì˚ ÚÓ̇ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èêàåÖóÄçàÖ èÓÚ˚ MIDI IN/OUT Ë ÔÓÚ 1 ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Í‡Ì‡Î‡Ï 1 – 16. èÓÚ 2 ‡Á˙Âχ USB ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡Î‡Ï 17 – 32. A äÌÓÔÍË ‚˚·Ó‡ „ÛÔÔ˚ ËÁ ‚ÓÒ¸ÏË Í‡Ì‡ÎÓ‚: 1 – 8, 9 – 16, 17 – 24 Ë 25 – 32 ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. B C D E èêàåÖóÄçàÖ ÖÒÎË Á̇˜ÂÌË «ON» Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‡‰‡ÌÓ ‰Îfl ÌÂÒÍÓθÍËı ͇̇ÎÓ‚, ÔÓËÒÍ ÓÒÌÓ‚ÌÓ„Ó ÚÓÌ ‚˚ÔÓÎÌflÂÚÒfl ‚ Òϯ‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï. 1 2 3 4 5 6 7 ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ (ÔÂÂÍβ˜ÂÌË ÏÂÊ‰Û Á̇˜ÂÌËflÏË ON Ë OFF). 8 Ç˚Íβ˜ÂÌË ‚ÒÂı ͇̇ÎÓ‚ (OFF). ç‡Á̇˜ÂÌË ͇̇ÎÓ‚ ‰Îfl ‡ÍÍÓ‰Ó‚ – Chord Detect ëÓÓ·˘ÂÌËfl ÚËÔ‡ «note ON/OFF» (ÌÓÚ‡ ‚Íβ˜Â̇/‚˚Íβ˜Â̇), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON», ‚ÓÒÔËÌËχ˛ÚÒfl Í‡Í ÌÓÚ˚ ‡ÍÍÓ‰Ó‚, ‚ÁflÚ˚ı ‚ ‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. éÔ‰ÂÎÂÌË ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓÈ ‡ÔÔÎË͇ÚÛ˚. éÒÌÓ‚Ì˚ ÚÓ̇ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÚÓ„Ó, ‚Íβ˜ÂÌ ÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÒÚ‡Ìˈ˚ ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ Ô‡ÍÚ˘ÂÒÍË Ú Ê ÓÔ‡ˆËË, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ÒÚ‡Ìˈ ROOT. 150 CVP-210/208 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ÑÛ„Ë ԇ‡ÏÂÚ˚ – Utility Ç ˝ÚÓÏ ‡Á‰ÂΠÔ˂‰ÂÌ˚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ Ì‡ ÒÚ. 136. ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÙÂȉËÌ„‡, ÏÂÚÓÌÓχ, ‡ Ú‡ÍÊ ÙÛÌ͈ËÈ ·ÎÓÍËÓ‚ÍË Ô‡‡ÏÂÚ‡ Ë Û͇Á‡ÌËfl ÚÂÏÔ‡ – CONFIG 1 臇ÏÂÚ˚ Fade In Time (‚ÂÏfl ̇‡˘Ë‚‡ÌËfl „ÓÏÍÓÒÚË), Fade Out Time (‚ÂÏfl ÒÌËÊÂÌËfl „ÓÏÍÓÒÚË), Fade Out Hold Time (‚ÂÏfl ÌÛ΂ÓÈ „ÓÏÍÓÒÚË) ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ‚ÂÏfl ÙÂȉËÌ„‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌË. ᇉ‡ÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl Û‚Â΢ÂÌËfl „ÓÏÍÓÒÚË ÓÚ ÏËÌËχθÌÓÈ ‰Ó χÍÒËχθÌÓÈ (‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 0 ‰Ó 20 Ò). 1 2 3 4 5 6 7 8 ᇉ‡ÂÚ ‚ÂÏfl, ̇ ÔÓÚflÊÂÌËË ÍÓÚÓÓ„Ó „ÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËχθÌÓÈ (ÓÚ 0 ‰Ó 5,0 Ò). ᇉ‡ÂÚ ‚ÂÏfl, ÌÂÓ·ıÓ‰ËÏÓ ‰Îfl ÛÏÂ̸¯ÂÌËfl „ÓÏÍÓÒÚË ÓÚ Ï‡ÍÒËχθÌÓÈ ‰Ó ÏËÌËχθÌÓÈ (‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 0 ‰Ó 20 Ò). Metronome á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Ô‡‡ÏÂÚ˚ ÏÂÚÓÌÓχ. ᇉ‡ÂÚ „ÓÏÍÓÒÚ¸ ÏÂÚÓÌÓχ. 1 2 3 4 5 6 éÔ‰ÂÎflÂÚ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÏÂÚÓÌÓχ. Bell Off........................ëڇ̉‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓχ, ·ÂÁ Á‚ÓÌ͇. Bell On ........................ëڇ̉‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓχ, ÒÓ Á‚ÓÌÍÓÏ. English Voice .............ë˜ÂÚ ÔÓ-‡Ì„ÎËÈÒÍË (One, Two, Three, Four) German Voice ............ë˜ÂÚ ÔÓ-ÌÂψÍË (Eins, Zwei, Drei, Vier) Japanese Voice .........ë˜ÂÚ ÔÓ-flÔÓÌÒÍË (Ichi, Ni, San, Shi) French Voice..............ë˜ÂÚ ÔÓ-ه̈ÛÁÒÍË (Un, Deux, Trois, Quatre) Spanish Voice ............ë˜ÂÚ ÔÓ-ËÒÔ‡ÌÒÍË (Uno, Dos, Tres, Cuatro) 7 8 éÔ‰ÂÎflÂÚ ˜‡ÒÚÓÚÛ Ò˄̇· ÏÂÚÓÌÓχ. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Á̇˜ÂÌË ‡Áχ ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‡‚Ì˚Ï Á̇˜ÂÌ˲, Û͇Á‡ÌÌÓÏÛ ‚ Ù‡ÈΠÔÂÒÌË/ÒÚËÎfl. CVP-210/208 151 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡·ÎÓÍËÓ‚‡Ú¸ ÓÔ‰ÂÎÂÌÌ˚ ԇ‡ÏÂÚ˚ Ú‡Í, ˜ÚÓ·˚ Ëı Á̇˜ÂÌËfl ÏÓÊÌÓ ·˚ÎÓ ËÁÏÂÌËÚ¸ ÚÓθÍÓ Ò Ô‰ÌÂÈ Ô‡ÌÂÎË. à̇˜Â „Ó‚Ófl, Ó̇ Á‡Ô¢‡ÂÚ ËÁÏÂÌflÚ¸ Ô‡‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËÈ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË», Music Finder ËÎË ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËfl Ù‡ÈÎÓ‚ ÔÂÒÂÌ. Ç˚·Ó Ô‡‡ÏÂÚ‡ ‰Îfl ‚Íβ˜ÂÌËfl/ÒÌflÚËfl ·ÎÓÍËÓ‚ÍË. 1 2 3 4 5 6 7 8 7 8 ùÚË ÍÌÓÔÍË ÔÓÁ‚ÓÎfl˛Ú Á‡·ÎÓÍËÓ‚‡Ú¸ ‚˚·‡ÌÌ˚È Ô‡‡ÏÂÚ („‡ÎӘ͇ ÂÒÚ¸) Ë ‡Á·ÎÓÍËÓ‚‡Ú¸ Â„Ó („‡ÎÓ˜ÍË ÌÂÚ). Tap Count á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ Á‚ÛÍ, ËÒÔÓθÁÛÂÏ˚È ‰Îfl ÙÛÌ͈ËË Tap Start (ÒÚ. 55). ᇉ‡ÂÚ Á‚ÛÍ, ËÒÔÓθÁÛÂÏ˚È ÙÛÌ͈ËÂÈ Tap Start. í‡ÍËÏ Á‚ÛÍÓÏ ÏÓÊÂÚ ·˚Ú¸ Á‚ÛÍ Î˛·Ó„Ó Û‰‡ÌÓ„Ó ËÎË ÔÂÍÛÒÒËÓÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ËÁ Òڇ̉‡ÚÌÓ„Ó Ì‡·Ó‡ (ÒÚ. 59). éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ËÚχ. 1 2 3 4 5 6 ç‡ÒÚÓÈ͇ ˝Í‡Ì‡, ÒËÒÚÂÏ˚ ‰Ë̇ÏËÍÓ‚ Ë ÓÚÓ·‡ÊÂÌËfl ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ – CONFIG 2 HEADPHONE SW (SWITCH) ÑË̇ÏËÍ ‡·ÓÚ‡ÂÚ, ÌÓ ÓÚÍβ˜‡ÂÚÒfl, ÂÒÎË ‚ ‡Á˙ÂÏ PHONES ‚Íβ˜ÂÌ˚ ̇ۯÌËÍË. ON á‚ÛÍ ‚Ò„‰‡ ÔÓıÓ‰ËÚ ˜ÂÂÁ ‰Ë̇ÏËÍ. OFF á‚ÛÍ ˜ÂÂÁ ‰Ë̇ÏËÍ Ì ÔÓıÓ‰ËÚ. äÌÓÔ͇, „ÛÎËÛ˛˘‡fl flÍÓÒÚ¸ ˝Í‡Ì‡. äÌÓÔ͇, „ÛÎËÛ˛˘‡fl flÍÓÒÚ¸ ÔÓ‰Ò‚ÂÚÍË ˝Í‡Ì‡. 152 CVP-210/208 1 2 3 4 5 6 7 8 ÇÍβ˜‡˛Ú/‚˚Íβ˜‡˛Ú ÂÊËÏ ÓÚÓ·‡ÊÂÌËfl ̇Á‚‡ÌËfl ·‡Ì͇ Ë ÌÓχ ÚÂÏ·‡ ̇ ÒÚ‡Ìˈ PRESET ˝Í‡Ì‡ VOICE (ÒÚ. 58). ùÚÓ ·˚‚‡ÂÚ ÔÓÎÂÁÌÓ ÂÒÎË, ÌÛÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ· ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. ÑÎfl ˝ÚÓ„Ó Ó·˚˜ÌÓ ÔÓ‚Âfl˛ÚÒfl Á̇˜ÂÌËfl MSB/LSB Ë ÌÓχ ÔÓ„‡ÏÏ ‚˚·‡ÌÌÓ„Ó ·‡Ì͇ ÚÂÏ·Ó‚. ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function äÓÔËÓ‚‡ÌËÂ Ë ÙÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ – Disk ùÚË ÍÌÓÔÍË ‚Íβ˜‡˛Ú/ ÓÚÍβ˜‡˛Ú ÙÛÌÍˆË˛ Song Auto Open. ÖÒÎË Á‡‰‡Ú¸ ‰Îfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ Á̇˜ÂÌË ON, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸ ÔÂ‚Û˛ ÔÂÒÌ˛ ̇ ‰ËÒÍÂÚÂ, Í‡Í ÚÓθÍÓ ‚˚ ÔÓÏÂÒÚËڠ ‚ ‰ËÒÍÓ‚Ó‰. F G H I ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò Ó‰ÌÓÈ ‰ËÒÍÂÚ˚ ̇ ‰Û„Û˛, ˜ÚÓ·˚ ÒÓÁ‰‡Ú¸ ‡ıË‚ Ò ‚‡ÊÌÓÈ ËÌÙÓχˆËÂÈ Ô‰ ‰‡ÍÚËÓ‚‡ÌËÂÏ. ì͇Á‡ÌËfl ÔÓ ‚˚ÔÓÎÌÂÌ˲ ‰‡ÌÌÓÈ Ôӈ‰Û˚ ÒÏ. ÌËÊÂ. J ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÓÚÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ (ÒÏ. ÌËÊÂ). 1 2 3 4 5 6 7 8 äÓÔËÓ‚‡ÌËÂ Ò ‰ËÒÍÂÚ˚ ̇ ‰ËÒÍÂÚÛ ë̇˜‡Î‡ ÒΉÛÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â Ò ‰ËÒÍÂÚ˚ ‚ Ô‡ÏflÚ¸ CVP-210/208, ‡ ÓÚÚÛ‰‡ ̇ ÌÓ‚Û˛ ‰ËÒÍÂÚÛ (ÒÏ. ËÒÛÌÓÍ). 1 3 èêàåÖóÄçàÖ • äÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı Ò ‰ËÒÍÂÚ˚ ÚËÔ‡ 2DD ̇ ‰ËÒÍÂÚÛ ÚËÔ‡ 2HD Ë Ó·‡ÚÌÓ Ì‚ÓÁÏÓÊÌÓ. èËÒÚÛÔ‡fl Í ÍÓÔËÓ‚‡Ì˲, ۷‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ó·Â ‰ËÒÍÂÚ˚ Ó‰ÌÓ„Ó ÚËÔ‡. • Ç Á‡‚ËÒËÏÓÒÚË ÓÚ Ó·˙Âχ ‰‡ÌÌ˚ı, ÒÓ‰Âʇ˘ËıÒfl ̇ ÍÓÔËÛÂÏÓÈ ‰ËÒÍÂÚÂ, ÏÓÊÂÚ ÔÓÚ·ӂ‡Ú¸Òfl ÌÂÒÍÓθÍÓ ‡Á ‚ÒÚ‡‚ÎflÚ¸ ‚ ‰ËÒÍÓ‚Ó‰ ÚÓ Ó‰ÌÛ, ÚÓ ‰Û„Û˛ ‰ËÒÍÂÚÛ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‚Ò ‰‡ÌÌ˚Â. • èÂʉ ‚Ò„Ó, ÓÁ̇ÍÓϸÚÂÒ¸ Ò ‡Á‰ÂÎÓÏ «àÒÔÓθÁÓ‚‡ÌË ‰ËÒÍÓ‚Ó‰‡ Ë ‰ËÒÍÂÚ» ̇ ÒÚ. 6. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F]. ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl Ô‰ÎÓÊÂÌË ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ. äÓ„‰‡ ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Please insert a destination disk and press the OK button», ‚˚̸Ú ‰ËÒÍÂÚÛ Ò ËÒıÓ‰Ì˚ÏË ‰‡ÌÌ˚ÏË, Á‡ÏÂÌËڠ ˜ËÒÚÓÈ ÓÚÙÓχÚËÓ‚‡ÌÌÓÈ ‰ËÒÍÂÚÓÈ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ «OK». óÚÓ·˚ ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ «CANCEL». 4 ÇÌÛÚÂÌÌflfl Ô‡ÏflÚ¸ äÓÔËÓ‚‡ÌË ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ ‰ËÒÍÓ‚Ó‰ Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ «OK». ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌË «Now copying», Ë ˆËÙÓ‚Ó ÔˇÌËÌÓ CVP210/208 ÔËÒÚÛÔËÚ Í ÍÓÔËÓ‚‡Ì˲ ‰‡ÌÌ˚ı ‚Ó ‚ÌÛÚÂÌÌ˛˛ Ô‡ÏflÚ¸. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ˝ÚÛ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ «CANCEL». äÓ„‰‡ ÍÓÔËÓ‚‡ÌË Á‡ÍÓ̘ËÚÒfl (ËÎË Ì‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÒÓÓ·˘ÂÌËÂ), ‚˚̸Ú ‰ËÒÍÂÚÛ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÑËÒÍÂÚ‡ Ò ËÒıÓ‰Ì˚ÏË ‰‡ÌÌ˚ÏË äÓÔËÓ‚‡ÌË ÑËÒÍÂÚ‡ Ò ÍÓÔËÂÈ ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı èêàåÖóÄçàÖ èÂÒÌË, ‡ÒÔÓÒÚ‡ÌflÂÏ˚ ˜ÂÂÁ ÚÓ„Ó‚Û˛ ÒÂÚ¸, Óı‡Ìfl˛ÚÒfl Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â. äÓÔËÓ‚‡Ú¸ Ëı ÏÓÊÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. çÂÍÓÚÓ˚ ÏÛÁ˚͇θÌ˚ ÔÓ„‡ÏÏ˚ ÒÔˆˇθÌÓ Á‡˘Ë˘ÂÌ˚ ÓÚ ÍÓÔËÓ‚‡ÌËfl. îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ çÂÓÚÙÓχÚËÓ‚‡ÌÌÛ˛ ‰ËÒÍÂÚÛ ÒΉÛÂÚ ÓÚÙÓχÚËÓ‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÔË Ô‚ÓÏ Û‰Ó·ÌÓÏ ÒÎÛ˜‡Â. îÓχÚËÓ‚‡Ì˲ ÔÓ‰ÎÂÊ‡Ú Í‡Í ˜ËÒÚ˚ ‰ËÒÍÂÚ˚, Ú‡Í Ë ‰ËÒÍÂÚ˚ ‰Û„Ó„Ó ÙÓχڇ. èË ÙÓχÚËÓ‚‡ÌËË ‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ÒÚˇ˛ÚÒfl. ÇÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ¯ÚÓÍÓÈ ‚Ô‰ Ë Ì‡ÍÎÂÈÍÓÈ ‚‚Âı. óÚÓ·˚ ÔËÒÚÛÔËÚ¸ Í ÙÓχÚËÓ‚‡Ì˲, ÔÂÂȉËÚ ̇ ÒÚ‡ÌËˆÛ DISK Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H] (DISK FORMAT). à̉Ë͇ÚÓ „ÓÚÓ‚ÌÓÒÚË ‰ËÒÍÓ‚Ó‰‡ äÓ„‰‡ ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, Ë̉Ë͇ÚÓ „ÓÚÓ‚ÌÓÒÚË ‰ËÒÍÓ‚Ó‰‡ (Ò΂‡ ‚ÌËÁÛ) „ÓËÚ, Û͇Á˚‚‡fl, ˜ÚÓ ‰ËÒÍÓ‚Ó‰ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸. èêàåÖóÄçàÖ îÓχÚËÓ‚‡ÌË – ˝ÚÓ ‡ÁÏÂÚ͇ ‰ËÒÍÂÚ˚ Òӄ·ÒÌÓ Ô‡‚ËÎ‡Ï ‰Îfl ÓÔ‰ÂÎÂÌÌÓÈ Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏ˚, ˜ÚÓ·˚ Í ÌÂÈ ÏÓ„ÎÓ Ó·‡˘‡Ú¸Òfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÛÒÚÓÈÒÚ‚Ó (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â CVP-210/208). ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ‚ˉӂ ÙÓχÚËÓ‚‡ÌËfl Ë ÚËÔÓ‚ ‰ËÒÍÂÚ, ÔÓ˝ÚÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ Á̇ڸ, ͇ÍË ËÁ ÌËı ÔÓ‰‰ÂÊË‚‡˛ÚÒfl ˆËÙÓ‚˚Ï ÔˇÌËÌÓ CVP-210/208. ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD Ë 2HD ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1440 ä· ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. ÇçàåÄçàÖ! îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ Û‰‡ÎflÂÚ Ò Ì ‚Ò ‰‡ÌÌ˚Â. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ÙÓχÚËÛÂÏÓÈ ‰ËÒÍÂÚ ÌÂÚ ‚‡ÊÌ˚ı ‰‡ÌÌ˚ı. CVP-210/208 153 ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ – ÏÂÌ˛ Function Ç‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl Ë ‚˚·Ó flÁ˚͇ – Owner èêàåÖóÄçàÖ ùÚ‡ ÍÌÓÔ͇ ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸ ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚ. 17; ËÌÒÚÛ͈ËË ÔÓ ÔËÒ‚ÓÂÌ˲ ËÏÂÌË ÒÏ. ̇ ÒÚ. 49). ùÚÓ ËÏfl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚ÎflÚ¸Òfl ÔË ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. F G H I äÌÓÔÍË ‚˚·Ó‡ flÁ˚͇ ÒÓÓ·˘ÂÌËÈ, ‚˚‚Ó‰ËÏ˚ı ̇ ˝Í‡Ì. ä‡Í ÚÓθÍÓ ‚˚ ËÁÏÂÌËÚ ˝ÚÛ Ì‡ÒÚÓÈÍÛ, ‚Ò ÒÓÓ·˘ÂÌËfl ·Û‰ÛÚ ÔÓfl‚ÎflÚ¸Òfl ̇ Á‡‰‡ÌÌÓÏ flÁ˚ÍÂ. Ç˚·Ó ÙÓ̇ Ò ‰ËÒÍÂÚ˚: • Ç Í‡˜ÂÒÚ‚Â ÙÓ̇ ‰Îfl „·‚ÌÓ„Ó ˝Í‡Ì‡ (˝Í‡Ì‡ MAIN) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ Ù‡ÈÎ˚ ‚ ÙÓχÚ BMP. å‡ÍÒËχθÌ˚È ‡ÁÏ ËÁÓ·‡ÊÂÌËfl Ì ‰ÓÎÊÂÌ Ô‚˚¯‡Ú¸ 640 ı 480 ÔËÍÒÂÎÂÈ. àÁÓ·‡ÊÂÌËfl ÏÂ̸¯Â„Ó ‡Áχ ‡‚ÚÓχÚ˘ÂÒÍË ‡ÒÚfl„Ë‚‡˛ÚÒfl ‰Ó ‡Áχ ˝Í‡Ì‡. • Ç˚·‡ÌÌ˚È ÙÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÔË ÒÎÂ‰Û˛˘ÂÏ ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, ÂÒÎË ‚ ‰ËÒÍÓ‚Ó‰ Ì ·Û‰ÂÚ ‚ÒÚ‡‚ÎÂ̇ ‰ËÒÍÂÚ‡ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ‰‡ÌÌ˚ÏË. • éÚÓ·‡ÊÂËÌ ÙÓ̇ ÔÓËÒıÓ‰ËÚ Ò Ì·Óθ¯ËÏ ÓÔÓÁ‰‡ÌËÂÏ. ÖÒÎË ‚˚ ıÓÚËÚ ÒÓ͇ÚËÚ¸ ÔÓÏÂÊÛÚÓÍ ‚ÂÏÂÌË ‰Ó ÔÓfl‚ÎÂÌËfl ÙÓ̇, ÒÓı‡ÌËÚ ÙÓÌ Ì‡ ÒÚ‡Ìˈ USER ˝Í‡Ì‡ MAIN PICTURE. J Ç˚ÁÓ‚ËÚ ˝Í‡Ì MAIN PICTURE, ̇ ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚·‡Ú¸ ÙÓÌ ‰Îfl „·‚ÌÓ„Ó ˝Í‡Ì‡. 1 2 3 4 5 6 7 8 èêàåÖóÄçàÖ Ç˚·Ó ‰Û„Ó„Ó flÁ˚͇ ‚ ˝ÚÓÏ ÏÂÒÚ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÔÓ·ÎÂÏ˚. • çÂÍÓÚÓ˚ ÒËÏ‚ÓÎ˚ ‚Ó ‚‚‰ÂÌÌ˚ı ËÏÂ̇ı Ù‡ÈÎÓ‚ ÏÓ„ÛÚ ·˚Ú¸ ËÒ͇ÊÂÌ˚. • çÂÍÓÚÓ˚ هÈÎ˚ ÏÓ„ÛÚ ÒÚ‡Ú¸ ̉ÓÒÚÛÔÌ˚ÏË. ÑÎfl ÛÒÚ‡ÌÂÌËfl ˝ÚËı ÔÓ·ÎÂÏ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ÔÂÊÌËÈ flÁ˚Í. Ä̇Îӄ˘Ì˚ ÔÓ·ÎÂÏ˚ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔË ˜ÚÂÌËË Ù‡ÈÎÓ‚ ̇ ÍÓÏÔ¸˛ÚÂÂ Ò ‰Û„ÓÈ flÁ˚ÍÓ‚ÓÈ ÒËÒÚÂÏÓÈ. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ CVP-210/208 – System Reset ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍË Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ‰Îfl CVP-210/208. ÇÓÒÒڇ̇‚ÎË‚‡˛ÚÒfl Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ „ÛÔÔ˚ System Setup, MIDI Setup, User Effect, Music Finder Ë Files&Folders. èêàåÖóÄçàÖ ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ System Setup. á̇˜ÂÌËfl ˝ÚËı Ô‡‡ÏÂÚÓ‚ (ÌÓ ÚÓθÍÓ ˝ÚËı!) ÏÓÊÌÓ Ú‡ÍÊ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ÂÒÎË ÔË ‚Íβ˜ÂÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ‰Âʇڸ ͇ÈÌ˛˛ Ô‡‚Û˛ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛ (ë7). äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl Ô‡‡ÏÂÚÓ‚ MIDI-¯‡·ÎÓÌÓ‚. äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ‰Îfl ÔÓθÁÓ‚‡ÚÂθÒÍËı ˝ÙÙÂÍÚÓ‚ (ÒÚ. 127). A F B G C H D I E J èêàåÖóÄçàÖ äÌÓÔ͇ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Music Finder. äÌÓÔ͇ Û‰‡ÎÂÌËfl ‚ÒÂı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ËÁ ‡Á‰ÂÎ Ô‡ÏflÚË User. 1 2 äÌÓÔÍË ÔÓ‰Ú‚ÂʉÂÌËfl ÓÔ‡ˆËË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰Ì˚ı Á̇˜ÂÌËÈ ‰Îfl ‚ÒÂı ÓÚϘÂÌÌ˚ı ̇ ˝Í‡Ì „ÛÔÔ Ô‡‡ÏÂÚÓ‚. 154 CVP-210/208 îÛÌ͈ËË Ë Ô‡‡ÏÂÚ˚, Ô˜ËÒÎÂÌÌ˚ ÌËÊÂ, Ì ÓÚÌÓÒflÚÒfl Í ÓÔ‡ˆËË Factory Reset. íÂÏ Ì ÏÂÌÂÂ, Ëı ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ‚˚Á‚‡‚ „ÓÚÓ‚˚È Ì‡·Ó Ô‡‡ÏÂÚÓ‚ System Setup Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Open/Save System Files. Language (flÁ˚Í ÒÓÓ·˘ÂÌËÈ) Owner Name (ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl) LDC Contrast (ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ˝Í‡Ì‡) LCD Brightness (flÍÓÒÚ¸ ˝Í‡Ì‡) ç‡ÒÚÓÈÍË Video Out (NTSC/PAL) Screen Content (ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡) 3 4 5 6 7 8 äÌÓÔÍË ‚˚ÁÓ‚‡ ˝Í‡ÌÓ‚ Open/Save, ÔÓÁ‚ÓÎfl˛˘Ëı ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ‚ ‚ˉ هÈ·. ä‡Ê‰‡fl ËÁ ˝ÚËı ÍÌÓÔÓÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÓÔ‰ÂÎÂÌÌÓÏÛ ˝Í‡ÌÛ Open/Save, ÔÂÂȉfl Í ÍÓÚÓÓÏÛ ÏÓÊÌÓ ‚˚·‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÒÚ‡ÌËˆÛ PRESET. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÒÚ‡Ìˈ˚ ‚˚ ÏÓÊÂÚ ÒÓı‡ÌËÚ¸ ÌÂÓ·ıÓ‰ËÏ˚ ‰‡ÌÌ˚Â. ÇÒ Á‡ÔËÒË ÙÛÌ͈ËË Music Finder ÏÓ„ÛÚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ ‚ Ó‰ÌÓÏ Ù‡ÈÎÂ. èË ‚˚ÁÓ‚Â ˝ÚÓ„Ó Ù‡È· ÔÓfl‚ÎflÂÚÒfl ‰Ë‡ÎÓ„Ó‚Ó ÓÍÌÓ Ò Ô‰ÎÓÊÂÌËÂÏ Á‡ÏÂÌËÚ¸ ÒÚ‡Û˛ Á‡ÔËÒ¸ ÌÓ‚ÓÈ ËÎË ‰Ó·‡‚ËÚ¸ ÌÓ‚Û˛ Á‡ÔËÒ¸ ‚ ÍÓ̈ ÒÚ‡ÓÈ. á‡ÏÂÌËÚ¸ ÇÒ Ëϲ˘ËÂÒfl ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Á‡ÔËÒË ÙÛÌ͈ËË Music Finder Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl Á‡ÔËÒflÏË ËÁ ‚˚·‡ÌÌÓ„Ó Ù‡È·. ÑÓ·‡‚ËÚ¸ Ç˚Á‚‡ÌÌ˚Ï Á‡ÔËÒflÏ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ò‚Ó·Ó‰Ì˚ ÌÓχ Ë ÓÌË ‰Ó·‡‚Îfl˛ÚÒfl ‚ ÒÔËÒÓÍ. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ÇçàåÄçàÖ! è‰ ÔÓ‰Íβ˜ÂÌËÂÏ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ‚ÒÂı ÒÓ‰ËÌflÂÏ˚ı ÍÓÏÔÓÌÂÌÚÓ‚. èÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒΉÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌË ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ, ‡ ‚˚ Ò‡ÏË ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. INPUT VOLUME MIN MIC. LINE IN MIC. LINE PHONES MAX 2 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ MIC./LINE IN) èÓ‰Íβ˜Ë‚ ÏËÍÓÙÓÌ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova, ‚˚ ÏÓÊÂÚ ÔÓ‰Ô‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓÏÛ ËÒÔÓÎÌÂÌ˲ ËÎË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌÂ. (êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ˝ÚÓÈ ˆÂÎË ‰Ë̇Ï˘ÂÒÍËÈ ÏËÍÓÙÓÌ.) LJ¯ „ÓÎÓÒ ËÎË Á‚ÛÍ „ËÚ‡˚ ÔÓÒÚÛÔ‡ÂÚ Ì‡ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË. 1 èÓ‰Íβ˜ËÚ ÏËÍÓÙÓÌ Í ‡Á˙ÂÏÛ MIC./LINE IN (Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂ͇). èêàåÖóÄçàÖ êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÂ̇ԇ‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ. 2 1 2 ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ [MIC. LINE] (ÓÌ ‡ÒÔÓÎÓÊÂÌ fl‰ÓÏ Ò „ÌÂÁ‰ÓÏ MIC./LINE IN) ‚ ÔÓÎÓÊÂÌË MIC. MIC. LINE 1 àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ PHONES) ÑÎfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ۯÌËÍÓ‚, ÔÓ‰Íβ˜ËÚ Ëı ‚ Ó‰ËÌ ËÁ ‡Á˙ÂÏÓ‚ PHONES (Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂ͇), ̇ıÓ‰fl˘ËıÒfl ̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ Í·‚ˇÚÛ˚. èË ÔÓ‰Íβ˜ÂÌËË Ì‡Û¯ÌËÍÓ‚ Í ‡Á˙ÂÏÛ PHONES (ÒÚ. 152) ‚ÒÚÓÂÌÌ˚ ‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ ‰Ë̇ÏËÍË ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡˛ÚÒfl. ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ò̇·ÊÂÌÓ ‰‚ÛÏfl ‡Á˙ÂχÏË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‰‚ ԇ˚ ̇ۯÌËÍÓ‚. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÎÛ¯‡Ú¸ ÏÛÁ˚ÍÛ ‰‚ÛÏ Î˛‰flÏ Ó‰ÌÓ‚ÂÏÂÌÌÓ. MIC. LINE èË ÔÓ‰Íβ˜ÂÌËË ÏËÍÓÙÓ̇ èË ÔÓ‰Íβ˜ÂÌËË „ËÚ‡˚ èêàåÖóÄçàÖ ÇÍβ˜ËÚ ÎËÌÂÈÌ˚È ‚ıÓ‰, ÛÒÚ‡ÌÓ‚Ë‚ ÔÂÂÍβ˜‡ÚÂθ [MIC. LINE] ‚ ÔÓÎÓÊÂÌË LINE, ÂÒÎË Ú·ÛÂÚÒfl ÔÓ‰Íβ˜ËÚ¸ Í ‡Á˙ÂÏÛ MIC./LINE IN ÛÒÚÓÈÒÚ‚Ó Ò ÎËÌÂÈÌ˚Ï ÛÓ‚ÌÂÏ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·. 3 ë ÔÓÏÓ˘¸˛ Û˜ÍË [INPUT VOLUME] (Ó̇ ‡ÒÔÓÎÓÊÂ̇ fl‰ÓÏ Ò „ÌÂÁ‰ÓÏ [MIC./LINE IN]) ÏÓÊÌÓ ‚˚ÒÚ‡‚ËÚ¸ ÛÓ‚Â̸ ÏËÍÓÙÓÌÌÓ„Ó Ò˄̇·. ìÓ‚Â̸ ‚ıÓ‰ÌÓ„Ó Ò˄̇· ‰ÓÎÊÂÌ ·˚Ú¸ Ú‡ÍËÏ, ˜ÚÓ·˚ ÔË ÔÂÌËË Ò‚ÂÚÓ‰ËÓ‰ SIGNAL ÛÒÚÓÈ˜Ë‚Ó „ÓÂÎ. èË ˝ÚÓÏ ÒΉÛÂÚ ËÁ·Â„‡Ú¸ ÛÒÚ‡ÌÓ‚ÍË ÛÓ‚Ìfl Ò˄̇·, ÔË‚Ó‰fl˘Â„Ó Í ÚÓÏÛ, ˜ÚÓ Á‡„Ó‡ÂÚÒfl Ò‚ÂÚÓ‰ËÓ‰ OVER (ÒÚ. 131). ëÚ.157 ëÚ.157 6 ëÚ.157 8 7 USB AUX PEDAL MIDI THRU L/L+R VIDEO OUT 5 ëÚ.156 R AUX IN 4 ëÚ.156 L/L+R OUT IN (LEVEL FIXED) L R R AUX OUT 3 ëÚ.156 CVP-210/208 155 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 345 èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ Ë ‚ˉÂÓ ÛÒÚÓÈÒÚ‚ Ç˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Í ‡ÁÌÓ„Ó Ó‰‡ Á‚ÛÍÓ‚ÓÈ ‡ÔÔ‡‡ÚÛ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX IN and AUX OUT, ÍÓÚÓ˚ ̇ıÓ‰flÚÒfl ‚ ΂ÓÏ ÌËÊÌÂÏ Û„ÎÛ ËÌÒÚÛÏÂÌÚ‡. èÓ‰Íβ˜ËÚ ӷÓÛ‰Ó‚‡ÌË Û͇Á‡ÌÌ˚Ï ÌËÊ ÒÔÓÒÓ·ÓÏ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌ˚ı Á‚ÛÍÓ‚˚ı ͇·ÂÎÂÈ. 4 Ç˚‚Ó‰ Á‚Û͇ ‚̯ÌÂ„Ó ‡Û‰ËÓ Ó·ÓÛ‰Ó‚‡ÌËfl ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË Clavinova (‡Á˙ÂÏ˚ AUX IN) ÇçàåÄçàÖ! ÖÒÎË Í ‚ıÓ‰‡Ï AUX IN ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˝ÚÓ„Ó ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌË Clavinova. èêàåÖóÄçàÖ Clavinova êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‡Û‰ËÓ͇·ÂÎË Ë ¯ÚÂ͇ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ, ·ÎËÁÍËÏ Í ÌÛβ. L L+R R íÓÌ-„Â̇ÚÓ AUX IN ÇçàåÄçàÖ! LINE OUT èË ÔÓ‰Íβ˜ÂÌËË Clavinova Í ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ ˜ÂÂÁ ‡Á˙ÂÏ˚ AUX OUT ÒΉÛÂÚ Ò̇˜‡Î‡ ‚Íβ˜‡Ú¸ ÔËÚ‡ÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova, ‡ ÛÊ Á‡ÚÂÏ — ÔËÚ‡ÌË ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ˚. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. 3 èÓÒÎۯ˂‡ÌË Clavinova ˜ÂÂÁ ÍÓÎÓÌÍË ‡Û‰ËÓÒËÒÚÂÏ˚ Ë Á‡ÔËÒ¸ ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó (‡Á˙ÂÏ˚ AUX OUT) òÚÂÍ ̇ۯÌËÍÓ‚ (Òڇ̉‡ÚÌ˚È) á‚ÛÍÓ‚ÓÈ Í‡·Âθ èêàåÖóÄçàÖ • Clavinova 臇ÏÂÚ [MASTER VOLUME] ‚ÎËflÂÚ Ì‡ ‚ıÓ‰ÌÓÈ Ò˄̇ΠËÁ ‡Á˙ÂÏÓ‚ AUX IN • ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓ ÛÒÚÓÈÒÚ‚Ó ÒΉÛÂÚ ÔÓ‰Íβ˜‡Ú¸ ˜ÂÂÁ ‡Á˙ÂÏ AUX IN L/L+R. ÇçàåÄçàÖ! çËÍÓ„‰‡ Ì ÒÓ‰ËÌflÈÚ ‡Á˙ÂÏ˚ AUX OUT Ë AUX IN Clavinova ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ ‰Û„ Ò ‰Û„ÓÏ ËÎË ˜ÂÂÁ ‚̯Ì ‡Û‰ËÓ Ó·ÓÛ‰Ó‚‡ÌËÂ. í‡ÍÓ ÒÓ‰ËÌÂÌË ÏÓÊÂÚ ÔӂΘ¸ Ó·‡ÚÌÛ˛ Ò‚flÁ¸ Ë ÚÂÏ Ò‡Ï˚Ï Ò‰Â·ڸ Ì‚ÓÁÏÓÊÌ˚Ï ÌÓχθÌÛ˛ ‡·ÓÚÛ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Ë ‰‡Ê ‚˚Á‚‡Ú¸ ÔÓ‚ÂʉÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. Clavinova L+R ä‡ÒÒÂÚÌ˚È ÒÚÂÂÓχ„ÌËÚÓÙÓÌ (LEVEL FIXED) L R R ä ‡ÍÚË‚Ì˚Ï ÍÓÎÓÌÍ‡Ï ëÓ‰ËÌË‚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌ˚ı ¯ÚÂÍÂÓ‚ ‰Ë‡ÏÂÚÓÏ 3,5 ÏÏ («ÏËÌË-‰ÊÂÍ»), ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ ̇ ‚˚ıӉ Ç˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸ Clavinova Í íÇ ËÎË ‚ˉÂÓ-ÏÓÌËÚÓÛ, ˜ÚÓ·˚ ÒÎÓ‚‡ ÔÂÒÌË ËÎË ‰‡ÌÌ˚ Üä ‰ËÒÔÎÂfl ÓÚÓ·‡Ê‡ÎËÒ¸ ̇ ·Óθ¯ÂÏ ˝Í‡ÌÂ. í‡ÍÊ ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ ÓÔ‰ÂÎÂÌÌÓ ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ (ÒÚ. 147). èêàåÖóÄçàÖ AUX OUT òÚÂÍ ̇ۯÌËÍÓ‚ (Òڇ̉‡ÚÌ˚È) 5 Ç˚‚Ó‰ ‰‡ÌÌ˚ı Ò ˝Í‡Ì‡ Clavinova ̇ ˝Í‡Ì ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÚÂ΂ËÁÓ‡ (VIDEO OUT) äÓÌÚ‡ÍÚÌ˚È ¯ÚÂÍ RCA á‚ÛÍÓ‚ÓÈ Í‡·Âθ AUX IN äÓÌÚ‡ÍÚÌ˚È ¯ÚÂÍ RCA ëÓ‰ËÌÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ë ‡Û‰ËÓÒËÒÚÂÏ˚ Ò ÔÓÏÓ˘¸˛ ¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚») ÔË‚Ó‰ËÚ Í Ô‰‡˜Â ‚̯ÌÂÏÛ ÛÒÚÓÈÒÚ‚Û Ò˄̇· ÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìfl. èË ˝ÚÓÏ ÔÓÎÓÊÂÌË ۘÍË [MASTER VOLUME] Ë„ÌÓËÛÂÚÒfl. • ᇠËÌÙÓχˆËÂÈ ÔÓ ÛÒÚ‡ÌÓ‚Í ‚ˉÂÓ Òڇ̉‡ÚÓ‚ (NTSC or PAL), Ó·‡˘‡ÈÚÂÒ¸ Í ÒÚ. 147. èÓ ÛÏÓΘ‡Ì˲ ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡Ú PAL. • àÒÔÓθÁÛÈÚ ‚˚ÒÓÍÓ˜‡ÒÚÓÚÌ˚ ‡Û‰ËÓ Ë ‚ˉÂÓ Í‡·ÂÎË Ë RCA-„ÌÂÁ‰‡ ‡Á˙ÂÏÓ‚, ˜ÚÓ·˚ ÒÓ‰ËÌËÚ¸ Clavinova Ò ÚÂ΂ËÁÓÓÏ ËÎË ÏÓÌËÚÓÓÏ. äÓÌÚ‡ÍÚÌ˚È ¯ÚÂÍ RCA äÓÌÚ‡ÍÚÌ˚È ¯ÚÂÍ RCA VIDEO IN L L+R AUX PEDAL VIDEO OUT R AUX IN íÂ΂ËÁÓ èêàåÖóÄçàÖ • ÖÒÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÌÂÓ·ıÓ‰ËÏÓ ÒÓ‰ËÌËÚ¸ Ò ÏÓÌÓÙÓÌ˘ÂÒÍËÏ ÛÒÚÓÈÒÚ‚ÓÏ, ÚÓ Ú‡ÍÓ ÛÒÚÓÈÒÚ‚Ó ÒΉÛÂÚ ÔÓ‰Íβ˜‡Ú¸ ˜ÂÂÁ ‡Á˙ÂÏ OUTPUT L/L+R. 156 CVP-210/208 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova 6 àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎË (ÌÓÊÌÓ„Ó 8 èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ ÔÂÂÍβ˜‡ÚÂÎfl) ËÎË ÌÓÊÌÓ„Ó (USB-ÔÓÚ, MIDI-ÔÓÚ) ÍÓÌÚÓη (‡Á˙ÂÏ AUX PEDAL) èÓ‰Íβ˜Ë‚ CVP-210/208 Í ÍÓÏÔ¸˛ÚÂÛ, ‚˚ ÒÏÓÊÂÚ Ô‰‡‚‡Ú¸ èÓ‰Íβ˜Ë‚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠ(̇ÔËÏ ÏÓ‰ÂÎË FC7) Í ‡Á˙ÂÏÛ AUX PEDAL, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ „ÛÎËÓ‚‡Ú¸ Ò Â„Ó ÔÓÏÓ˘¸˛ Ó‰ÌÛ ËÁ ÙÛÌ͈ËÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. í‡Í ÏÓÊÌÓ, ̇ÔËÏÂ, ÛÔ‡‚ÎflÚ¸ „ÓÏÍÓÒÚ¸˛ ‚Ó ‚ÂÏfl Ë„˚ (ÒÚ. 142). èÓ‰Íβ˜Ë‚ Í Ó‰ÌÓÏÛ ËÁ ˝ÚËı ‡Á˙ÂÏÓ‚ ÌÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ (ÏÓ‰ÂÎË FC4 Ë FC5), ÏÓÊÌÓ ÔÓ‰Û·ÎËÓ‚‡Ú¸ ÙÛÌ͈ËË ÌÂÍÓÚÓ˚ı ÍÌÓÔÓÍ Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË, ̇ÔËÏ ‚Íβ˜ÂÌËÂ/ ‚˚Íβ˜ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ÇçàåÄçàÖ! èÓ‰Íβ˜‡ÈÚÂ Ë ÓÚÍβ˜‡ÈÚ Ô‰‡Î¸ ÚÓθÍÓ ÚÓ„‰‡, ÍÓ„‰‡ ˆËÙÓ‚Ó ÔˇÌËÌÓ ‚˚Íβ˜ÂÌÓ. 7 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDIÛÒÚÓÈÒÚ‚ (MIDI-ÔÓÚ˚) èÓ‰Íβ˜‡ÈÚ ‚̯ÌË MIDI-ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ MIDI-ÔÓÚ˚, ËÒÔÓθÁÛfl Òڇ̉‡ÚÌ˚ ͇·ÂÎË MIDI. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÔÓ‰Íβ˜ÂÌËË MIDI-ÛÒÚÓÈÒÚ‚ ÒÏ. ‚ ‡Á‰ÂΠ«óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-هȷÏË?« ̇ ÒÚ. 161. ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ MIDI-ÔÓÚ˚, ÂÒÎË ÍÓÏÔ¸˛Ú ÛÊ ËÒÔÓθÁÛÂÚ USB-ÔÓÚ. MIDI IN.................. ùÚÓÚ ÔÓÚ Ô‰̇Á̇˜ÂÌ ‰Îfl ÔËÂχ MIDIÒÓÓ·˘ÂÌËÈ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡ MIDI OUT.............. ùÚÓÚ ÔÓÚ ÔËÏÂÌflÂÚÒfl ‰Îfl Ô‰‡˜Ë MIDIÒÓÓ·˘ÂÌËÈ, „ÂÌÂËÛÂÏ˚ı ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova MIDI THRU ........... ÔÓÒÚÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÔÓÎÛ˜ÂÌÌ˚ ˜ÂÂÁ MIDI IN ‰‡ÌÌ˚ ÏÂÊ‰Û ˝ÚËÏË ÛÒÚÓÈÒÚ‚‡ÏË Ë ËÒÔÓθÁÓ‚‡Ú¸ ‚Ò ÔÂËÏÛ˘ÂÒÚ‚‡, ÍÓÚÓ˚ ‰‡ÂÚ ÏÓ˘ÌÓÂ Ë ÏÌÓ„ÓÓ·‡ÁÌÓ ÏÛÁ˚͇θÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌËÂ. èÓ‰Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚‡ ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË. ■ ë ÔÓÏÓ˘¸˛ USB-ÔÓÚ‡ ■ ë ÔÓÏÓ˘¸˛ MIDI-ÔÓÚÓ‚ MIDI-ÔÓÚ˚ ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ËÒÔÓθÁÛÂÚÒfl USB-ÔÓÚ. í·ÛÂÚÒfl MIDI-ÔËÎÓÊÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ‚‡¯ÂÏÛ ÍÓÏÔ¸˛ÚÂÛ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó Á̇˜ÂÌËflı Ô‡‡ÏÂÚÓ‚ MIDI, ÌÂÓ·ıÓ‰ËÏ˚ı ‰Îfl Ô‡‚ËθÌÓÈ ‡·ÓÚ˚ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ„‡ÏÏ˚-ÒÂÍ‚ÂÌÒÓ‡, Ô˂‰ÂÌ˚ ‚ ÓÚÌÓÒfl˘ÂÈÒfl Í ÌËÏ ‰ÓÍÛÏÂÌÚ‡ˆËË. «Clavinova-Computer Connection» – ˝ÚÓ ‰ÓÔÓÎÌËÚÂθÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‰Îfl ̇˜Ë̇˛˘Ëı, ‚ ÍÓÚÓÓÏ ‡ÒÒ͇Á˚‚‡ÂÚÒfl Ó ÚÓÏ, ˜ÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova Ë ÔÂÒÓ̇θÌ˚Ï ÍÓÏÔ¸˛ÚÂÓÏ Ë Í‡Í ÛÒڇ̇‚ÎË‚‡Ú¸ ÒËÒÚÂÏÛ Clavinova-äÓÏÔ¸˛Ú (ÛÍÓ‚Ó‰ÒÚ‚Ó ÂÒÚ¸ Ì ‰Îfl ‚ÒÂı ÏÓ‰ÂÎÂÈ). èÓÎÛ˜ËÚ¸ ˝ÚÓÚ ‰ÓÍÛÏÂÌÚ ‚ ‚ˉ هÈ· PDF ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚Í ÏÓÊÌÓ ÔÓ ÒÎÂ‰Û˛˘ÂÏÛ ‡‰ÂÒÛ ‚ àÌÚÂÌÂÚÂ: ë‡ÈÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova (ÚÓθÍÓ Ì‡ ‡Ì„ÎËÈÒÍÓÏ): http://www.yamahaclavinova.com/ Yamaha Manual Library http://www2.yamaha.co.jp/manual/english/ 鷢ˠ҂‰ÂÌËfl Ó· ËÌÚÂÙÂÈÒ MIDI Ë ‚ÓÁÏÓÊÌÓÒÚflı Â„Ó ˝ÙÙÂÍÚË‚ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÒÓ‰ÂʇÚÒfl ‚ ÒÎÂ‰Û˛˘Ëı ‡Á‰Â·ı: • óÚÓ Ú‡ÍÓ MIDI? (ÒÚ. 159) • óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI-هȷÏË? (ÒÚ. 161) • îÛÌ͈ËË MIDI (ÒÚ. 148) èêàåÖóÄçàÖ • çË ‚ ÍÓÂÏ ÒÎÛ˜‡Â ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ͇·ÂÎË ‰Îfl Ó·ÏÂ̇ MIDIÒÓÓ·˘ÂÌËflÏË, ‰ÎË̇ ÍÓÚÓ˚ı Ô‚˚¯‡ÂÚ 15 ÏÂÚÓ‚. CVP-210/208 157 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova óÂÂÁ USB-ÔÓÚ óÂÂÁ MIDI-ÔÓÚ ë ÔÓÏÓ˘¸˛ USB-͇·ÂÎfl ÔÓ‰Íβ˜ËÚ USB-ÔÓÚ ÍÓÏÔ¸˛Ú‡ Í USB-ÔÓÚÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208. àÒÔÓθÁÛÈÚ ÚÓθÍÓ Òڇ̉‡ÚÌ˚È USB-͇·Âθ Ò ÎÓ„ÓÚËÔÓÏ USB. MIDI-ÔÓÚ˚ CVP-210/208 ÔÓ‰Íβ˜‡˛ÚÒfl Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÔÓÚ‡Ï ÍÓÏÔ¸˛Ú‡ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌ˚ı ͇·ÂÎÂÈ MIDI. • ëÓ‰ËÌËÚ ÔÓÚ MIDI OUT ÍÓÏÔ¸˛Ú‡ Ò ÔÓÚÓÏ MIDI IN ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. Clavinova 䇷Âθ USB NEC MultiSync PC-9821 AS Clavinova NEC MIDI IN MIDI OUT MIDI OUT MIDI IN NEC MultiSync PC-9821 AS é ‰‡È‚ USB ÑÎfl Ó·ÏÂ̇ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ CVP-210/208ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ̇ ÍÓÏÔ¸˛Ú ‰‡È‚ USB (YAMAHA USB MIDI Driver). äÓÔ˲ ‰‡È‚‡ YAMAHA USB MIDI ÏÓÊÌÓ ·ÂÒÔ·ÚÌÓ Á‡„ÛÁËÚ¸ ËÁ ·Ë·ÎËÓÚÂÍË XG (XG Library), ‡ÒÔÓÎÓÊÂÌÌÓÈ Ì‡ ‚·-Ò‡ÈÚ ÍÓÔÓ‡ˆËË Yamaha (http://www.yamaha-xg.com/). NEC • ÇçàåÄçàÖ! ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB, ˝ÚÓÚ Í‡·Âθ ‰ÓÎÊÂÌ ·˚Ú¸ ÔÓ‰ÒÓ‰ËÌÂÌ ‰Ó ‚Íβ˜ÂÌËfl ÔËÚ‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. äÓÏ ÚÓ„Ó, Ì ‚Íβ˜‡ÈÚÂ Ë Ì ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ‚Ó ‚ÂÏfl ‡·ÓÚ˚ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, ËÒÔÓθÁÛ˛˘Â„Ó USB ËÎË MIDI. ÖÒÎË ‚Íβ˜‡Ú¸/‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ËÎË ÔÓ‰ÒÓ‰ËÌflÚ¸/ÓÚÒÓ‰ËÌflÚ¸ ͇·Âθ USB ‚ ÒÎÂ‰Û˛˘Ëı ÒÓÒÚÓflÌËflı, ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÓ·ÎÂÏ˚ ‚ ÍÓÏÔ¸˛ÚÂÌÓÈ ÒËÒÚÂÏ (‚ ÚÓÏ ˜ËÒΠÁ‡‚ËÒ‡ÌËÂ) ËÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÂÂÒÚ‡ÌÂÚ ‡·ÓÚ‡Ú¸. • ÇÓ ‚ÂÏfl ÛÒÚ‡ÌÓ‚ÍË ‰‡È‚‡. • ÇÓ ‚ÂÏfl Á‡ÔÛÒ͇ ËÎË ‚˚Íβ˜ÂÌËfl ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏ˚. • ÖÒÎË ÍÓÏÔ¸˛Ú ‡·ÓÚ‡ÂÚ ‚ ÂÊËÏ ˝ÍÓÌÓÏËË ˝ÎÂÍÚÓ˝Ì„ËË ËÎË ‚ ÂÊËÏ ÓÊˉ‡ÌËfl. • ÇÓ ‚ÂÏfl Á‡ÔÛÒ͇ MIDI-ÔËÎÓÊÂÌËfl. çÖãúáü ‚˚ÔÓÎÌflÚ¸ ÒÎÂ‰Û˛˘Ë ÓÔ‡ˆËË. ùÚÓ ÏÓÊÂÚ Á‡·ÎÓÍËÓ‚‡Ú¸ ÍÓÏÔ¸˛Ú ËÎË ÓÚÍβ˜ËÚ¸ ÙÛÌ͈ËË Clavinova. • ëÎ˯ÍÓÏ ˜‡ÒÚÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ÔÓ‰Íβ˜‡Ú¸ ËÎË ÓÚÍβ˜‡Ú¸ ͇·Âθ. • èÂÂıÓ‰ËÚ¸ ‚ ÂÊËÏ ˝ÍÓÌÓÏËË ˝ÎÂÍÚÓ˝Ì„ËË ËÎË ÓÊˉ‡ÌËfl Ë ‚˚ıÓ‰ËÚ¸ ËÁ ˝ÚÓ„Ó ÂÊËχ ‚Ó ‚ÂÏfl Ô‰‡˜Ë MIDI-‰‡ÌÌ˚ı. • èÓ‰Íβ˜‡Ú¸ ËÎË ÓÚÍβ˜‡Ú¸ ͇·Âθ ÔË ‚Íβ˜ÂÌÌÓÏ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova. • ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ Clavinova, Á‡ÔÛÒÍ ÍÓÏÔ¸˛Ú‡ ËÎË ÛÒÚ‡Ìӂ͇ ‰‡È‚‡ ‚Ó ‚ÂÏfl Ô‰‡˜Ë ·Óθ¯Ó„Ó Ó·˙Âχ ‰‡ÌÌ˚ı èêàåÖóÄçàÖ • Clavinova ̇˜ÌÂÚ Ô‰‡˜Û ‚ÒÍÓ ÔÓÒΠÛÒÚ‡ÌÓ‚ÍË USB-ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Clavinova Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB, ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸ ÔflÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó ÍÓ̈ÂÌÚ‡ÚÓ‡ USB). • Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÓÒÚÓflÌËfl ÍÓÏÔ¸˛Ú‡ ‡·ÓÚ‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÏÓÊÂÚ ÒÚ‡Ú¸ ÌÂÒÚ‡·ËθÌÓÈ. ç ËÒÔÓθÁÛÈÚ ÍÓÏÔ¸˛Ú ÒÔÓÒÓ·ÓÏ, ÍÓÚÓ˚È ÔË‚Ó‰ËÚ Í ÌÂÒÚ‡·ËθÌÓÈ ‡·ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. 158 CVP-210/208 èË ÔÓ‰Íβ˜ÂÌËË Í ÍÓÏÔ¸˛ÚÂÛ Macintosh ÌÂÓ·ıÓ‰ËÏÓ ‰ÂÈÒÚ‚Ó‚‡Ú¸ ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ. ë̇˜‡Î‡ ÔÓ‰Íβ˜ËÚ ÍÓÏÔ¸˛ÚÂÌ˚È ÔÓÚ RS-422 (ÔÓÚ ÏÓ‰Âχ ËÎË ÔËÌÚ‡) Í MIDI-ËÌÚÂÙÂÈÒÛ, ‡ Á‡ÚÂÏ ÒÓ‰ËÌËÚ ÔÓÚ MIDI OUT ˝ÚÓ„Ó ËÌÚÂÙÂÈÒ‡ Ò ÔÓÚÓÏ MIDI IN CVP-210/208 (ÒÏ. ‰Ë‡„‡ÏÏÛ ÌËÊÂ). Clavinova MIDI IN MIDI OUT • RS422 MINI DIN 8-¯Ú˚¸ÍÓ‚˚È ÖÒÎË ‚˚ ËÒÔÓθÁÛÂÚ ÍÓÏÔ¸˛Ú «Macintosh», ÛÒÚ‡ÌÓ‚ËÚ ‚ ÔËÍ·‰ÌÓÏ èé Á̇˜ÂÌË ԇ‡ÏÂÚ‡ ÒËÌıÓÌËÁ‡ˆËË ‰Îfl MIDI-ËÌÚÂÙÂÈÒ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÒÚÓÈÍ ËÒÔÓθÁÛÂÏÓ„Ó MIDI-ËÌÚÂÙÂÈÒÂ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ËÒÔÓθÁÓ‚‡Ì˲ ÔÓ„‡ÏÏ˚, ËÒÔÓθÁÛ˛˘ÂÈÒfl ‚ ͇˜ÂÒÚ‚Â ÒÂÍ‚ÂÌÒÓ‡. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova óÚÓ Ú‡ÍÓ MIDI? íËÔ˘Ì˚ÏË ‡ÍÛÒÚ˘ÂÒÍËÏË ËÌÒÚÛÏÂÌÚ‡ÏË fl‚Îfl˛ÚÒfl Ó·˚˜ÌÓ ÔˇÌËÌÓ Ë Í·ÒÒ˘ÂÒ͇fl „ËÚ‡‡. ç‡ ÔˇÌËÌÓ ‚˚ ̇ÊËχÂÚ Í·‚˯Û, ‡ ÏÓÎÓÚÓ˜ÂÍ ‚ÌÛÚË Û‰‡ÎflÂÚ ÔÓ ÒÚÛÌÂ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÌÓÚÛ. Ç˚ Û‰‡flÂÚ ÔÓ ÒÚÛÌ „ËÚ‡˚, Ë ÌÓÚ‡ Á‚Û˜ËÚ. Ä Í‡Í ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÓÚ˚ ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚÂ? à„‡ ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ „Ëڇ ÇÒÚÓÂÌÌ˚È ÛÒËÎËÚÂθ ÇÒÚÓÂÌÌ˚È ÛÒËÎËÚÂθ íÓÌ-„Â̇ÚÓ (˝ÎÂÍÚ˘ÂÒ͇fl ˆÂÔ¸) á‡ÔËÒ¸ ÇÓÒÔÓËÁ‚‰ÂÌË íÓÌ-„Â̇ÚÓ ëÂÍ‚ÂÌÒÓ äÓÌÚÓÎΠ(Í·‚ˇÚÛ‡ Ë Ú.‰.) à„‡ ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚ L á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚ÒÚÛÔÎÂÌËfl ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚ (‰‡ÌÌ˚ MIDI) ÑËÒÍÂÚ‡ ÑËÒÍÂÚ‡ R à„‡ ̇ Í·‚˯‡ı èêàåÖóÄçàÖ Ç˚ ‰Â„‡ÂÚ ÒÚÛÌÛ, ÍÓÔÛÒ „ËÚ‡˚ ÂÁÓÌËÛÂÚ Ë ÔÓÎÛ˜‡ÂÚÒfl Á‚ÛÍ à„‡fl ̇ Í·‚ˇÚÛÂ, ‚˚ ÔÓÒ˚·ÂÚ ÍÓÏ‡Ì‰Û ‚ÓÒÔÓËÁ‚ÂÒÚË ÚÛ ËÎË ËÌÛ˛ ÌÓÚÛ ˜ÂÂÁ ‰Ë̇ÏËÍË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ. ÇÒ ÌÓÚ˚ ı‡ÌflÚÒfl ‚ ‚Ë‰Â Ò˝ÏÔÎÓ‚ ‚ ÚÓÌ-„Â̇ÚÓÂ. Ç ÒÎÛ˜‡Â Ò ˆËÙÓ‚˚Ï ËÌÒÚÛÏÂÌÚÓÏ Á‚ÛÍÓ‚ÓÈ Ò˄̇ΠÔÓÒ˚·ÂÚÒfl ̇ ÔÓÚ˚ Ú‡ÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏ AUX OUT). í‡ÍËÏ Ó·‡ÁÓÏ, „Îfl‰fl ̇ Ô˂‰ÂÌÌÛ˛ ‚˚¯Â ËÎβÒÚ‡ˆË˛, Ï˚ ÔÓÌËχÂÏ, ˜ÚÓ Í·‚ˇÚÛ‡ ÒÎÛÊËÚ ËÒÚÓ˜ÌËÍÓÏ ÛÔ‡‚Îfl˛˘Ëı ‰‡ÌÌ˚ı. éÌË ÔÓÒÚÛÔ‡˛Ú ‚ ÚÓÌ-„Â̇ÚÓ, „‰Â ı‡ÌflÚÒfl Á‡Ò˝ÏÔÎËÓ‚‡ÌÌ˚ (‡Ì Á‡ÔËÒ‡ÌÌ˚Â) ÌÓÚ˚, Ë ÂÏÛ ÓÒÚ‡ÂÚÒfl Î˯¸ ‚ÓÒÔÓËÁ‚ÂÒÚË Ëı ˜ÂÂÁ ÍÓÎÓÌÍË. íÂÔ¸ ‰‡‚‡ÈÚ ÔÓÒÏÓÚËÏ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. èË ÔÓÒÎۯ˂‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ (‰ÓÔÛÒÚËÏ, Ò Á‡ÔËÒ¸˛ ÒÓθÌÓ„Ó ÍÓ̈ÂÚ‡ ÔˇÌËÒÚ‡) ‚˚ ÒÎ˚¯ËÚ Á‚ÛÍ (ÍÓη‡ÌËfl ‚ÓÁ‰Ûı‡) ˝ÚÓ„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡ Í‡Í Ú‡ÍÓ‚ÓÈ. ùÚÓÚ Á‚ÛÍ ÔËÌflÚÓ Ò˜ËÚ‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚ÏË, ÓÚ΢Ì˚ÏË ÓÚ ‰‡ÌÌ˚ı MIDI. á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ‚˚ÒÚÛÔÎÂÌËfl ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚ (‡Û‰ËÓ‰‡ÌÌ˚Â) á‡ÔËÒ¸ ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ç ‚˚¯ÂÔ˂‰ÂÌÌÓÏ ÔËÏ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Á‡ÔËÒ˚‚‡ÂÚÒfl Á‚ÛÍ ÙÓÚÂÔˇÌÓ Í‡Í Ú‡ÍÓ‚Ó„Ó. èÓÒÎÛ¯‡‚ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Óχ, ‚˚ Ù‡ÍÚ˘ÂÒÍË ÛÒÎ˚¯ËÚ «ÍÓÔ˲« ÙÓÚÂÔˇÌÌÓ„Ó ÍÓ̈ÂÚ‡. ë‡ÏÓ ÙÓÚÂÔˇÌÓ ÔË ˝ÚÓÏ Ì Ú·ÛÂÚÒfl, Ú‡Í Í‡Í Â„Ó Á‚ÛÍ ÛÊ Á‡ÔËÒ‡Ì Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ë Â„Ó ÓÒÚ‡ÂÚÒfl Î˯¸ ‚ÓÒÔÓËÁ‚ÂÒÚË ˜ÂÂÁ ‰Ë̇ÏËÍË. CVP-210/208 159 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova äÓÌÚÓÎÎÂ Ë ÚÓÌ-„Â̇ÚÓ fl‚Îfl˛ÚÒfl ˝Í‚Ë‚‡ÎÂÌÚÓÏ ÙÓÚÂÔˇÌÓ, ‡ÒÒÏÓÚÂÌÌÓ„Ó ‚ Ô‰˚‰Û˘ÂÏ ÔËÏÂÂ. Ç ‰‡ÌÌÓÈ ÒËÚÛ‡ˆËË Ë„‡ ËÒÔÓÎÌËÚÂÎfl ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ هÈ· MIDI (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Á‚ÛÍ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, Ú·ÛÂÚÒfl ÒÔˆˇθÌÓ Á‚ÛÍÓÁ‡ÔËÒ˚‚‡˛˘Â ӷÓÛ‰Ó‚‡ÌËÂ. é‰Ì‡ÍÓ ÔÓÒÍÓθÍÛ Clavinova ӷ·‰‡ÂÚ ‚ÒÚÓÂÌÌ˚Ï ÒÂÍ‚ÂÌÒÓÓÏ, ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ Ó·ÓÈÚËÒ¸ ÔË Á‡ÔËÒË ·ÂÁ ÒÔˆӷÓÛ‰Ó‚‡ÌËfl. í‡ÍËÏ Ó·‡ÁÓÏ, ‚‡¯ ˆËÙÓ‚ÓÈ ËÌÒÚÛÏÂÌÚ Clavinova ÒÎÛÊËÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Í‡Í ‰Îfl Á‡ÔËÒË, Ú‡Í Ë ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛÁ˚ÍË. íÓÌ-„Â̇ÚÓ ■ èËÏ ËÌÙÓχˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚ çÓÏ ÚÂÏ·‡ (̇Á‚‡ÌË ÚÂÏ·‡) 01 (Óflθ) Note number (ÌÓÏ ÌÓÚ˚) 60 (C3) á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ «note on« (ÍÓ„‰‡ Í·‚˯‡ ·˚· ̇ʇڇ) Ë «note off» (ÍÓ„‰‡ Ó̇ ·˚· ÓÚÔÛ˘Â̇) ë˄̇ΠÒËÌıÓÌËÁ‡ˆËË, ‚˚‡ÊÂÌÌ˚È ˜ËÒÎÓÏ (˜ÂÚ‚ÂÚ̇fl ÌÓÚ‡) Velocity (ÒË· ̇ʇÚËfl) 120 (ÒËθÌÓ ̇ʇÚËÂ) éÔ‡ˆËË, ‚˚ÔÓÎÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË CVP-210/208, ̇ÔËÏ ‚˚·Ó ÚÂÏ·Ó‚, ÒÓı‡Ìfl˛ÚÒfl ‚ ‚ˉ ‰‡ÌÌ˚ı MIDI. ëÚËÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÌË Ú‡ÍÊ ÒÓÒÚÓflÚ ËÁ ‰‡ÌÌ˚ı MIDI. ëÂÍ‚ÂÌÒÓ à„‡ ̇ Í·‚ˇÚÛ (MIDI-‰‡ÌÌ˚Â) íÂÏ Ì ÏÂÌÂÂ, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ËÁ ‰Ë̇ÏËÍÓ‚ Á‚ÛÍ, Ú·ÛÂÚÒfl Á‡‰‡Ú¸ Â„Ó ËÒÚÓ˜ÌËÍ. íÓÌ-„Â̇ÚÓ Clavinova ÔÂ͇ÒÌÓ ÒÔ‡‚ÎflÂÚÒfl Ò ˝ÚÓÈ ÙÛÌ͈ËÂÈ. á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ÍÓÚÓ˚È ÔÂÓ·‡ÁÛÂÚ ËÌÙÓχˆË˛, ı‡Ìfl˘Û˛Òfl ‚ هȷı MIDI ‚ Á‚ÛÍË. èË ˝ÚÓÏ ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚, ı‡Ìfl˘ËÂÒfl ‚ Ô‡ÏflÚË ÚÓÌ-„Â̇ÚÓ‡. éÌ ÒÔÓÒÓ·ÂÌ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ‡ÁÌ˚ı Á‚ÛÍÓ‚, ‚Íβ˜‡fl ÚÂÏ· ÙÓÚÂÔˇÌÓ. ÖÒÎË ‚Á„ÎflÌÛÚ¸ ̇ Ò‚flÁ¸ ÒÂÍ‚ÂÌÒÓ‡ Ë ÚÓÌ-„Â̇ÚÓ‡ Ò ‰Û„ÓÈ ÒÚÓÓÌ˚, ÚÓ Ó͇ÊÂÚÒfl, ˜ÚÓ Ëı ÓÎË Ì‡ÔÓÏË̇˛Ú ÓÎË ÔˇÌËÒÚ‡ Ë ÙÓÚÂÔˇÌÓ, ËÒÔÓÎÌËÚÂÎfl Ë ËÌÒÚÛÏÂÌÚ‡. èÓÒÍÓθÍÛ ˆËÙÓ‚˚ ËÌÒÚÛÏÂÌÚ˚ ÒÔÓÒÓ·Ì˚ Ó·‡·‡Ú˚‚‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚Â Ë ‰‡ÌÌ˚ MIDI ÔÓ ÓÚ‰ÂθÌÓÒÚË, Ï˚ ËÏÂÂÏ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ ‚˚ÒÚÛÔÎÂÌË ÔˇÌËÒÚ‡, ÍÓÚÓÓ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌÓ ÚÂÏ·ÓÏ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏ „ËÚ‡˚ ËÎË ÒÍËÔÍË). èêàåÖóÄçàÖ ïÓÚfl Clavinova Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓÚ‰ÂθÌ˚È ÏÛÁ˚͇θÌ˚È ËÌÒÚÛÏÂÌÚ, Â„Ó ÏÓÊÌÓ Ô‰ÒÚ‡‚ËÚ¸ ‚ ‚ˉ ÒÓ‚ÓÍÛÔÌÓÒÚË ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚: ÍÓÌÚÓη, ÚÓÌ-„Â̇ÚÓ‡ Ë ÒÂÍ‚ÂÌÒÓ‡. à, ̇ÍÓ̈, ‰‡‚‡ÈÚ ‚˚flÒÌËÏ, ͇ÍÓ„Ó Ó‰‡ ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ‚ ‚ˉ MIDI-ÒÓÓ·˘ÂÌËÈ. ÑÓÔÛÒÚËÏ, ‚˚ ‚ÁflÎË ˜ÂÚ‚ÂÚÌÛ˛ ÌÓÚÛ «‰Ó», ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÚÂÏ·ÓÏ ÓflÎfl, ÍÓÚÓ˚È ı‡ÌËÚÒfl ‚ Ô‡ÏflÚË CVP-210/208. Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡, „‰Â Á‚ÛÍ ÔÓËÁ‚Ó‰ËÚÒfl ‚ÒΉÒÚ‚Ë ÂÁÓÌËÓ‚‡ÌËfl, ˝ÎÂÍÚÓÌÌ˚È ËÌÒÚÛÏÂÌÚ ÔÓÎÛ˜‡ÂÚ ËÌÙÓχˆË˛ Ò Í·‚ˇÚÛ˚ Ó ÚÓÏ, ͇͇fl Í·‚˯‡ Ë ÍÓ„‰‡ ̇ʇڇ, Ò Í‡ÍËÏ ÚÂÏ·ÓÏ, ̇ÒÍÓθÍÓ ÒËθÌÓ Ë ÍÓ„‰‡ ·˚· ÓÚÔÛ˘Â̇. á‡ÚÂÏ Í‡Ê‰˚È ‚ˉ ËÌÙÓχˆËË ÔÂÓ·‡ÁÛÂÚÒfl ‚ ˜ËÒÎÓ‚Û˛ ‚Â΢ËÌÛ Ë ÔÓÒ˚·ÂÚÒfl ‚ ÚÓÌ-„Â̇ÚÓ. ÅÂfl Á‡ ÓÒÌÓ‚Û Ì‡·Ó Ú‡ÍËı Á̇˜ÂÌËÈ, ÚÓÌ-„Â̇ÚÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ ı‡Ìfl˘ËÈÒfl ‚ Ô‡ÏflÚË Ò˝ÏÔÎ. 160 CVP-210/208 MIDI ÓÁ̇˜‡ÂÚ Musical Instrument Digital Interface (ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚). ùÚÓÚ ËÌÚÂÙÂÈÒ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÏÛÁ˚͇θÌ˚Ï ËÌÒÚÛÏÂÌÚ‡Ï ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ò‚flÁ¸ ‰Û„ Ò ‰Û„ÓÏ ÔÛÚÂÏ ÔÓÒ˚ÎÍË Ë ÔËÂχ ÒÓÓ·˘ÂÌËÈ Note, Control Change, Program Change, ‡ Ú‡ÍÊ ‰Û„Ëı ‚ˉӂ MIDIÒÓÓ·˘ÂÌËÈ ËÎË ‰‡ÌÌ˚ı. CVP-210/208 ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ Ò ÔÓÏÓ˘¸˛ ‰‡ÌÌ˚ı, ÓÚÌÓÒfl˘ËıÒfl Í ÌÓÚ‡Ï Ë ÍÓÌÚÓηÏ. ë ‰Û„ÓÈ ÒÚÓÓÌ˚, ‚̯Ì ÛÒÚÓÈÒÚ‚Ó Ú‡ÍÊ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÛÔ‡‚ÎÂÌËfl CVP-210/208. èË ˝ÚÓÏ ˆËÙÓ‚Ó ÔˇÌËÌÓ ÔËÌËχÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË Á‡‰‡˛Ú ÂÊËÏ ‡·ÓÚ˚ ÚÓÌ-„Â̇ÚÓ‡, ‚˚·Ë‡˛Ú ͇̇Î˚, ÚÂÏ·˚ Ë ˝ÙÙÂÍÚ˚, ËÁÏÂÌfl˛Ú Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ Ë ‚Íβ˜‡˛Ú ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚, Á‡ÔËÒ‡ÌÌ˚ı ‚ ‡Á΢Ì˚ı ˜‡ÒÚflı. èêàåÖóÄçàÖ èË Ò‡‚ÌÂÌËË ‡Û‰ËÓ ÔÓÚÓ͇ Ò ‰‡ÌÌ˚ÏË MIDI ÏÓÊÌÓ ÓÚÏÂÚËÚ¸ ÒÎÂ‰Û˛˘Ë ÔÂËÏÛ˘ÂÒÚ‚‡ ÔÓÒΉÌËı: • é·˙ÂÏ ËÌÙÓχˆËË Á̇˜ËÚÂθÌÓ ÏÂ̸¯Â, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ı‡ÌËÚ¸ ÔÂÒÌË ‚ ÙÓχÚ MIDI ̇ ‰ËÒÍÂÚÂ. • í‡ÍÓ„Ó Ó‰‡ ‰‡ÌÌ˚ ÏÓÊÌÓ Î„ÍÓ Ë ˝ÙÙÂÍÚË‚ÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸, ‚ÔÎÓÚ¸ ‰Ó ÒÏÂÌ˚ ÚÂÏ·Ó‚ Ë ÔÓÎÌÓ„Ó ÔÂÓ·‡ÁÓ‚‡ÌËfl هȷ. MIDI-ÒÓÓ·˘ÂÌËfl ÏÓÊÌÓ ‡Á‰ÂÎËÚ¸ ̇ ‰‚ „ÛÔÔ˚: ÒÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ (Channel) Ë ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl (System). ■ ëÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ 16 ͇̇ÎÓ‚ (32 ͇̇· ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓÚ‡ USB). ùÚÓ ÏÓÊÌÓ Ò‡‚ÌËÚ¸ Ò Ó‰ÌÓ‚ÂÏÂÌÌÓÈ Ë„ÓÈ Ì‡ 16 ËÌÒÚÛÏÂÌÚ‡ı. ä‡Ì‡Î¸Ì˚ ÒÓÓ·˘ÂÌËfl Ô‰‡˛Ú Ú‡ÍÛ˛ ËÌÙÓχˆË˛, Í‡Í Note ON/OFF (ÇÍÎ./Ç˚ÍÎ. Á‚Û͇) Ë Program Change (àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚) ‰Îfl Í‡Ê‰Ó„Ó ËÁ 16 ͇̇ÎÓ‚. ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡‡ÏÂÚ, ̇Òڇ˂‡ÂÏ˚È Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË Note ON/OFF ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂÊËÚ ÌÓÏ ÍÓÌÍÂÚÌÓÈ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ê‡ÚÓÈ Í·‚˯Â, Ë Á̇˜ÂÌË ÒÍÓÓÒÚË, Á‡‚ËÒfl˘Â ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ Í·‚˯Â. ëÓÓ·˘ÂÌË Program Change Ç˚·Ó ÚÂÏ·‡ (Ô‡‡ÏÂÚ˚ MSB/LSB) ëÓÓ·˘ÂÌËfl Control Change ÉÓÏÍÓÒÚ¸, Ô‡ÌӇχ (ÏËͯÂÒÍËÈ ÔÛθÚ) Ë Ú.‰. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova èêàåÖóÄçàÖ ÇÒ ÔÂÒÌË Ë ÒÚËÎË ËÒÔÓθÁÛ˛Ú ‰‡ÌÌ˚ MIDI ‰Îfl ı‡ÌÂÌËfl ËÌÙÓχˆËË Ó· ˄ ̇ Í·‚ˇÚÛÂ. ä‡Ì‡Î˚ MIDI àÌÙÓχˆËfl Ó· ˄ ̇ Í·‚ˇÚÛ ‚ ÙÓχÚ MIDI ÔËÒ‚‡Ë‚‡ÂÚÒfl Ó‰ÌÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ê‡ÒÔ‰ÂÎÂÌË ÒÓÓ·˘ÂÌËÈ ÔÓ 16 Í‡Ì‡Î‡Ï ‰Â·ÂÚ ‚ÓÁÏÓÊÌ˚Ï Ô‰‡˜Û ‰‡ÌÌ˚ı Ó· Ë„Â ¯ÂÒÚ̇‰ˆ‡Ú¸˛ ‡Á΢Ì˚ÏË ËÌÒÚÛÏÂÌÚ‡ÏË ÔÓ Ó‰ÌÓÏÛ MIDI-͇·Âβ. è‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ MIDI-͇̇Î˚ – ˝ÚÓ ÚÂ΂ËÁËÓÌÌ˚ ͇̇Î˚. ä‡Ê‰‡fl ÚÂÎÂÍÓÏÔ‡ÌËfl ‚˚ıÓ‰ËÚ ‚ ˝ÙË ÔÓ ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ. LJ¯ ÚÂ΂ËÁÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχÂÚ ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ‡ÁÌ˚ı ÔÓ„‡ÏÏ, Ú‡Í ˜ÚÓ ‚‡Ï ÓÒÚ‡ÂÚÒfl ÚÓθÍÓ ‚˚·‡Ú¸ ÌÛÊÌÛ˛. èÓ„ÌÓÁ ÔÓ„Ó‰˚ çÓ‚ÓÒÚË 1 2 LJÊÌÓ ÓÔ‰ÂÎËÚ¸, ͇ÍË ÚËÔ˚ ‰‡ÌÌ˚ı ‰ÓÎÊÌ˚ Ô‰‡‚‡Ú¸Òfl ͇ʉÓÏÛ ËÁ ͇̇ÎÓ‚ MIDI (ÒÚ. 149). Clavinova ÔÓÁ‚ÓÎflÂÚ ÔÓÌflÚ¸, ͇ÍËÏ Ó·‡ÁÓÏ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÎÛ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. (ÒÚ. 150). ■ ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ùÚË ‰‡ÌÌ˚ ËÒÔÓθÁÛ˛ÚÒfl ‚ÒÂÈ MIDI-ÒËÒÚÂÏÓÈ. ä ÒËÒÚÂÏÌ˚Ï ÒÓÓ·˘ÂÌËflÏ ÓÚÌÓÒflÚÒfl ÒÓÓ·˘ÂÌËfl Exclusive, ‚ ÍÓÚÓ˚ı Ô‰‡˛ÚÒfl ‰‡ÌÌ˚ ‰Îfl ËÌÒÚÛÏÂÌÚÓ‚ ÍÓÌÍÂÚÌÓÈ ÙËÏ˚, Ë ÒÓÓ·˘ÂÌËfl Realtime (‡θÌÓ„Ó ‚ÂÏÂÌË), ÛÔ‡‚Îfl˛˘Ë ‡·ÓÚÓÈ MIDI-ÛÒÚÓÈÒÚ‚‡. ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl CVP-210/208 ÑÂÈÒÚ‚ËÂ/Ô‡‡ÏÂÚ, ̇Òڇ˂‡ÂÏ˚È Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË System Exclusive Message ç‡ÒÚÓÈÍË ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÏËͯÂÒÍËÈ ÔÛθÚ) Ë Ú.Ô. ëÓÓ·˘ÂÌËfl ‡θÌÓ„Ó ‚ÂÏÂÌË (Realtime) ìÒÚ‡Ìӂ͇ ˜‡ÒÚÓÚ˚ ÒËÌıÓÌËÁ‡ˆËË, ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ëÔËÒÓÍ ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı CVP-210/208 ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ Ô˂‰ÂÌ ‚ ‡Á‰Â·ı «MIDI Data Format» Ë «MIDI Implementation Chart» Ò·ÓÌË͇ Ú‡·Îˈ. çÓ‚ÓÒÚË 2 óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò MIDI? èË̈ËÔ ‰ÂÈÒÚ‚Ëfl MIDI ÚÓÚ ÊÂ. 艇˛˘Â ÛÒÚÓÈÒÚ‚Ó ÔÓÒ˚·ÂÚ ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (MIDI Transmit Channel) ÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ ÒÓÓ·˘ÂÌËfl ÔÓ MIDI-͇·Âβ. ÖÒÎË MIDI-͇̇ΠÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (MIDI Receive Channel) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡ÎÛ Ô‰‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (Transmit Channel), ÔËÌËχ˛˘Â ÛÒÚÓÈÒÚ‚Ó ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÎÛ˜ÂÌÌ˚ÏË ÒÓÓ·˘ÂÌËflÏË. MIDI -͇·Âθ ÇÚÓÓÈ Í‡Ì‡Î ‰Îfl Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ÇÚÓÓÈ Í‡Ì‡Î ‰Îfl ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ èêàåÖóÄçàÖ ä·‚ˇÚÛ‡ Ë ÚÓÌ-„Â̇ÚÓ Clavinova ÒÓ‰ËÌfl˛ÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI (ÒÚ. 148). ç‡ÔËÏÂ, ‰‡ÌÌ˚Â Ò ÌÂÒÍÓθÍËı ‰ÓÓÊÂÍ (͇̇ÎÓ‚), ‚Íβ˜‡fl ‰‡ÌÌ˚Â Ó ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ). ë ÔÓÏÓ˘¸˛ Clavinova ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸ ÒÎÂ‰Û˛˘Ë ÓÔ‡ˆËË Ò ‰‡ÌÌ˚ÏË MIDI: • ÒÓÁ‰‡‚‡Ú¸ ¯‡·ÎÓÌ˚ MIDI (̇·Ó˚ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚ MIDI, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ÏÌÓ„ËÏË ÏÛÁ˚͇θÌ˚ÏË ÔËÎÓÊÂÌËflÏË) (ÒÚ. 148) • Ô‰‡‚‡Ú¸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚ. 149) • ÔËÌËχڸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚ. 150) • ËÒÔÓθÁÓ‚‡Ú¸ ‚ÒÚÓÂÌÌ˚ ÚÂÏ·˚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ (ÒÚ. 148) • ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÒËÌıÓÌËÁ‡ˆË˛ Ò ‚̯ÌËÏË ÛÒÚÓÈÒÚ‚‡ÏË (ÒÚ. 149) ■ ë ÔÓÏÓ˘¸˛ CVP-210/208 ‚˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ò‚Ó ‚˚ÒÚÛÔÎÂÌË (͇̇Î˚ 1 - 16) ‚ ÒÓÔÓ‚ÓʉÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ (ÍÓÚÓ˚Ï ÏÓÊÂÚ ÒÎÛÊËÚ¸, ̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂ). èÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË ÓÚ‰‡ÍÚËÛÈÚ χÚÂË‡Î Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ‡ Á‡ÚÂÏ ÔÓË„‡ÈÚÂ Â„Ó Ì‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-210/208 (‚ÓÒÔÓËÁ‚‰ÂÌËÂ). èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ Clavinova MIDI IN MIDI OUT MIDI OUT MIDI IN NEC MultiSync èËÏÂ: á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Clavinova ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ PC-9821 AS NEC 艇˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ MIDI-͇·Âθ ËÎË Í‡·Âθ ‰Îfl ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ÔÓÚ‡ ÑÓÓÊ͇ Clavinova (͇̇Î) MAIN LAYER LEFT Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE Ò‰ÒÚ‚Ó STYLE ä‡Ì‡Î 1 ä‡Ì‡Î 2 ä‡Ì‡Î 3 ä‡Ì‡Î 4 ä‡Ì‡Î 5 ä‡Ì‡Î 6 ä‡Ì‡Î 7 ä‡Ì‡Î 8 ä‡Ì‡Î 9 ä‡Ì‡Î 10 ä‡Ì‡Î 11 Ç̯ÌËÈ ÒÂÍ‚ÂÌÒÓ ÑÓÓÊ͇ 1 ÑÓÓÊ͇ 2 ÑÓÓÊ͇ 3 ÑÓÓÊ͇ 4 ÑÓÓÊ͇ 5 ÑÓÓÊ͇ 6 ÑÓÓÊ͇ 7 ÑÓÓÊ͇ 8 ÑÓÓÊ͇ 9 ÑÓÓÊ͇ 10 ÑÓÓÊ͇ 11 äÓÏÔ¸˛ÚÂ, ÛÒÚÓÈÒÚ‚Ó ÒÂËË QY Ë Ú. Ô. ÖÒÎË Ú·ÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ Clavinova ‚ ͇˜ÂÒÚ‚Â ÚÓÌ„Â̇ÚÓ‡, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÙÓχÚÓÏ XG, ̇ ÒÚ‡Ìˈ Receive ˝Í‡Ì‡ MIDI (͇̇Î˚ 1 - 16) ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «SONG« ‰Îfl ͇̇ÎÓ‚ MIDI, ̇ÒÚÓÂÌÌ˚ı ̇ ÔËÂÏ (ÒÚ. 150). ■ äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ ˄‡Ú¸ Á‚Û͇ÏË Clavinova, ÛÔ‡‚Îflfl ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Ò ÔÓÏÓ˘¸˛ ‰Û„ÓÈ Í·‚ˇÚÛ˚. Clavinova èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ MIDI IN MIDI OUT CVP-210/208 161 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-210/208, Ë ÏÓÊÂÚ ÎË CVP-210/208 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÏϘÂÒÍË Á‡ÔËÒË Ë MIDIÙ‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡ ÍÓÏÔ¸˛ÚÂÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ÎË·Ó Ò̇˜‡Î‡ ̇‰Ó ‚˚ÔÓÎÌËÚ¸ fl‰ ‰ÂÈÒÚ‚ËÈ. ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌË͇˛Ú ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘Ë ‡Á‰ÂÎ˚. îÓÏ‡Ú ‰ËÒÍÂÚ ÑËÒÍÂÚ˚ fl‚Îfl˛ÚÒfl Ó‰ÌËÏ ËÁ ÓÒÌÓ‚Ì˚ı ÌÓÒËÚÂÎÂÈ ‰‡ÌÌ˚ı, ËÒÔÓθÁÛÂÏ˚ı ‡Á΢Ì˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ‚Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ˚. ëËÒÚÂÏ˚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ‡Á΢Ì˚ Û ‡ÁÌ˚ı ÛÒÚÓÈÒÚ‚. èÓ˝ÚÓÏÛ ÔÂʉ ‚ÒÂ„Ó ÌÂÓ·ıÓ‰ËÏÓ ÔÓ‰„ÓÚÓ‚ËÚ¸ ‰ËÒÍÂÚÛ ‰Îfl Ó·ÂÒÔ˜ÂÌËfl ÒÓ‚ÏÂÒÚËÏÓÒÚË Ò Ù‡ÈÎÓ‚ÓÈ ÒËÒÚÂÏÓÈ Ëϲ˘Â„ÓÒfl ÛÒÚÓÈÒÚ‚‡. ùÚ‡ ÓÔ‡ˆËfl ̇Á˚‚‡ÂÚÒfl ÙÓχÚËÓ‚‡ÌËÂÏ. • ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÚËÔ‡ ‰ËÒÍÂÚ: MF2DD (‰‚ÛÒÚÓÓÌÌËÂ, ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë MF2HD (‰‚ÛÒÚÓÓÌÌËÂ, ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË). ä‡Ê‰˚È ËÁ ˝ÚËı ÚËÔÓ‚ ÔÓ‰‰ÂÊË‚‡ÂÚ ‡ÁÌÓ ÙÓχÚËÓ‚‡ÌËÂ. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-210/208 ÒÓ‚ÏÂÒÚËÏÓ Ò Ó·ÓËÏË ÚËÔ‡ÏË. • ÖÏÍÓÒÚ¸ Ô‡ÏflÚË ‰ËÒÍÂÚ ÚËÔÓ‚ 2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD (‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË) ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl Ò ÔÓÏÓ˘¸˛ CVP-210/208 ÒÓÒÚ‡‚ÎflÂÚ 720 ä· Ë 1,44 å·. (ùÚÓ Á̇˜ËÚ, ˜ÚÓ Ì‡ Ú‡ÍËı ‰ËÒÍÂÚ‡ı ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ 720 ä· Ë 1,44 å· ËÌÙÓχˆËË ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. éÌË Ú‡ÍÊ ËÒÔÓθÁÛ˛ÚÒfl Ë ‰Îfl Ó·ÓÁ̇˜ÂÌËfl ÙÓχڇ ‰ËÒÍÂÚ˚.) • 162 ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ò ‰ËÒÍÂÚ˚ ‚ÓÁÏÓÊÌÓ Î˯¸ ‚ ÚÓÏ ÒÎÛ˜‡Â, ÍÓ„‰‡ MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ‰ËÒÍÂÚ˚. CVP-210/208 îÓÏ‡Ú ÒÂÍ‚Â̈ËË ëËÒÚÂχ, Á‡ÔËÒ˚‚‡˛˘‡fl ‰‡ÌÌ˚Â Ó ÔÂÒÌÂ, ̇Á˚‚‡ÂÚÒfl «ÙÓχÚÓÏ ÒÂÍ‚Â̈ËË». ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ, ÚÓθÍÓ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË, ËÒÔÓθÁÓ‚‡ÌÌ˚È Ì‡ ‰ËÒÍÂÚÂ. CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚ Ù‡ÈÎÓ‚. ■ SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ùÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓχÚ. ÖÒÚ¸ ‰‚‡ ÚËÔ‡ SMF ÙÓχڇ: Format 0 Ë Format 1. åÌÓ„Ë MIDIÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. äÓÏ ÚÓ„Ó, ÏÌÓ„Ë Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÔÂÒÌË Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓχÚÂ. • CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÚËÔ‡ Òڇ̉‡ÚÌ˚ı Ù‡ÈÎÓ‚. • èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ CVP-210/208, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0. • èÂÒÌfl, Á‡„ÛÊÂÌ̇fl ‚ CVP-210/208, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0 ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ËÒıÓ‰ÌÓ„Ó ÙÓχڇ. ■ ESEQ ùÚÓÚ ÙÓÏ‡Ú ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ χÍË Yamaha, ‚ ÚÓÏ ˜ËÒÎÂ Ë ˆËÙÓ‚˚ ÔˇÌËÌÓ ÒÂËË Clavinova. ùÚÓÚ ÙÓÏ‡Ú Ú‡ÍÊ ¯ËÓÍÓ ÔÓ‰‰ÂÊË‚‡ÂÚÒfl ÏÛÁ˚͇θÌ˚ÏË ÔËÎÓÊÂÌËflÏË, ‡Á‡·ÓÚ‡ÌÌ˚ÏË ÍÓÔÓ‡ˆËÂÈ Yamaha. ■ XF îÓÏ‡Ú XF, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡Ë‡ÌÚ Òڇ̉‡Ú‡ SMF (Standard MIDI File), ̇‰ÂÎÂÌÌ˚È ·Óθ¯ÂÈ ÙÛÌ͈ËÓ̇θÌÓÒÚ¸˛ Ë ‚ÓÁÏÓÊÌÓÒÚflÏË ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. • ë ÔÓÏÓ˘¸˛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-210/208 ÏÓÊÌÓ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚ XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ. ■ î‡ÈÎ ÒÚËÎfl îÓÏ‡Ú Style File Format (SFF) Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÓË„Ë̇θÌ˚È ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, ‚ ÍÓÚÓÓÏ ËÒÔÓθÁÛÂÚÒfl ÛÌË͇θ̇fl ÒËÒÚÂχ ÔÂÓ·‡ÁÓ‚‡ÌËfl, ÔÓÁ‚ÓÎfl˛˘‡fl ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡ ÓÒÌÓ‚Â ·Óθ¯Ó„Ó ÍÓ΢ÂÒÚ‚‡ ÚËÔÓ‚ ‡ÍÍÓ‰Ó‚. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ Clavinova îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓfl‰ÓÍ ‡ÁÏ¢ÂÌËfl ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒfl «ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚». 臂ËθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ˝ÚÓÚ ÙÓÏ‡Ú ‰Îfl ‰‡ÌÌ˚ı ÔÂÒÌË ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓχÚÓÏ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. CVP-210/208 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚ Ù‡ÈÎÓ‚. èêàåÖóÄçàÖ Ñ‡Ê ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë MIDI-Ù‡ÈÎ˚ Û‰Ó‚ÎÂÚ‚Ófl˛Ú ‚ÒÂÏ ‚˚¯ÂÔ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı. ■ GM System Level 1 ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı ÙÓχÚÓ‚. • åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ GM System Level 1. íÓ Ê ÓÚÌÓÒËÚÒfl Ë Í ·Óθ¯ËÌÒÚ‚Û ÔÂÒÂÌ, Ëϲ˘ËıÒfl ‚ ÔÓ‰‡ÊÂ. ■ XG îÓÏ‡Ú XG fl‚ÎflÂÚÒfl ‡Ò¯ËÂÌËÂÏ Òڇ̉‡Ú‡ General MIDI (GM System level 1 format). îËχ Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ ‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ‰Îfl ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ. • èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-210/208 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG. ■ DOC ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ˆËÙÓ‚˚ ÔˇÌËÌÓ ÒÂËË Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‚ ‡ÁÌÓÏ ÔÓ„‡ÏÏÌÓÏ Ó·ÂÒÔ˜ÂÌËË Yamaha. CVP-210/208 163 CVP-210/208: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ! ■ ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒڇ̇‚ÎË‚‡ÈÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ ÒÎÂ‰Û˛˘ÂÈ ËÌÒÚÛ͈ËË. ÑÎfl Ò·ÓÍË Ú·ÛÂÚÒfl Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. çÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ. àÒÔÓθÁÓ‚‡ÌË ÌÂÔ‡‚ËθÌ˚ı ‚ËÌÚÓ‚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. èÓÒΠÁ‡‚¯ÂÌËfl Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚. ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. ■ ■ ■ ■ 1 Ç˚̸Ú ‚Ò ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÁ ÍÓÓ·ÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ·˚ ‚Ò Û͇Á‡ÌÌ˚ ̇ ËÒÛÌÍ ÍÓÏÔÎÂÍÚÛ˛˘Ë ËÏÂÎËÒ¸ ‚ ̇΢ËË. 3 ëÌËÏËÚ Í˚¯ÍÛ Ò ÍÓÔÛÒ‡ ‰Ë̇ÏË͇. ä˚¯Í‡ ‰Ë̇ÏË͇ ÔËÍÂÔÎÂ̇ Í ÛÒÚÓÈÒÚ‚Û ‚ ÌÂÒÍÓθÍËı ÏÂÒÚ‡ı Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÔÂÚÂθ Ë Velcro-ÎÂÌÚ˚. èÓÚflÌËÚ Ëı ‚ÌËÁ, ˜ÚÓ·˚ ÒÌflÚ¸ Í˚¯ÍÛ ‰Ë̇ÏË͇. ç ÔË͇҇ÈÚÂÒ¸ Í ‰Ë̇ÏËÍÛ ÔË ÔÂÂϯ˘ÂÌËË ÍÓÔÛÒ‡. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲. ÇçàåÄçàÖ! èÓÎÓÊËÚ ÛÍË, Í‡Í Û͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Ë ÔÓÚflÌËÚÂ. ÑË̇ÏËÍË ‡ÒÔÓÎÓÊÂÌ˚ ÔÓ ·ÓÍ‡Ï – Ì ÔËÚ‡„Ë‚‡ÈÚÂÒ¸ Í ÌËÏ ‚Ó ËÁ·ÂʇÌË ÔÓ‚ÂʉÂÌËÈ. 4 èËÍÂÔËÚ Ô‰ÌË ÌÓÊÍË. è‰Ìflfl ÌÓÊ͇ (Ô‡‚‡fl) É·‚̇fl ˜‡ÒÚ¸ 1 èËÍÂÔËÚ ÔÂÂ‰Ì˛˛ Ô‡‚Û˛ ÌÓÊÍÛ Í ÌËÊÌÂÈ ÔÓ‚ÂıÌÓÒÚË ÛÒÚÓÈÒÚ‚‡ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚. è‰Ìflfl ÌÓÊ͇ (΂‡fl) ᇉÌflfl ÌÓÊ͇ 䇷Âθ ÔËÚ‡ÌËfl 2 èËÍÂÔËÚ ÔÂÂ‰Ì˛˛ Ô‡‚Û˛ ÌÓÊÍÛ Í ÍÓÔÛÒÛ ‰Ë̇ÏË͇ Ò ÔÓÏÓ˘¸˛ ÚÂı ‚ËÌÚÓ‚. è‰Ìflfl ÌÓÊ͇ (Ô‡‚‡fl) 䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË ÅÎÓÍ Ô‰‡ÎÂÈ è‰Ìflfl ÌÓÊ͇ (΂‡fl) 5x18 ÏÏ ÍÂÔÂÊÌ˚ ‚ËÌÚ˚ x16 3 í‡ÍËÏ Ê ӷ‡ÁÓÏ ÔËÍÂÔËÚ ÔÂÂ‰Ì˛˛ ÎÂ‚Û˛ ÌÓÊÍÛ. ÖÒÎË ÓÚ‚ÂÒÚËfl ‰Îfl ‚ËÌÚÓ‚ Ì ÒÓ‚Ô‡‰‡˛Ú, ÓÒ··¸Ú ÓÒڇθÌ˚ ‚ËÌÚ˚ Ë ÔÓ‰„ÓÌËÚ ÔÓÎÓÊÂÌË Ô‰ÌÂÈ ÌÓÊÍË. 5 èËÍÂÔËÚ Á‡‰Ì˛˛ ÌÓÊÍÛ. 2 èËÍÂÔËÚ Á‡‰ÌË ÌÓÊÍË Í ÍÓÔÛÒÛ ‰Ë̇ÏË͇ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚. 2 èËÒÎÓÌËÚ ÛÒÚÓÈÒÚ‚Ó Í ÒÚÂÌÂ Ò Á‡Í˚ÚÓÈ Í˚¯ÍÓÈ Ë ÓÔÛ˘ÂÌÌÓÈ Í·‚ˇÚÛÓÈ. ÇçàåÄçàÖ! • ç ÔˢÂÏËÚ ԇθˆ˚. • ÇÂıÌflfl ˜‡ÒÚ¸ Ô˛ÔËÚ‡ Ì Á‡ÙËÍÒËÓ‚‡Ì‡. èËÒÎÓÌflfl ÛÒÚÓÈÒÚ‚Ó Í ÒÚÂÌÂ, ÔÓ‰‰ÂÊË‚‡ÈÚ ԲÔËÚ ÛÍÓÈ, ˜ÚÓ·˚ ÓÌ Ì ÛÔ‡Î. ê‡ÒÒÚÂÎËÚ ̇ ÔÓÎÛ Ïfl„ÍÛ˛ Ú̸͇ ·Óθ¯Ó„Ó ‡Áχ, ̇ÔËÏ ӉÂflÎÓ. ê‡ÒÔÓÎÓÊËÚ ÛÒÚÓÈÒÚ‚Ó Ì‡ Ú͇ÌË Í·‚ˇÚÛÓÈ ‚ÌËÁ, Ë ÔËÒÎÓÌËÚ ÛÒÚÓÈÒÚ‚Ó Í ÒÚÂÌ ڇÍ, ˜ÚÓ·˚ ÓÌÓ Ì ÛÔ‡ÎÓ Ë Ì ÒÔÓÎÁÎÓ. èÓ‚ÂÒ¸Ú ̇ ÒÚÂÌÛ Ïfl„ÍÛ˛ Ú̸͇, ˜ÚÓ·˚ Á‡˘ËÚËÚ¸ ËÌÒÚÛÏÂÌÚ Ë ÒÚÂÌÛ ÓÚ ˆ‡‡ÔËÌ. èӂ¸ÚÂ, ˜ÚÓ·˚ Í·‚ˇÚÛ‡ ·˚· ‚ÌËÁÛ. ÇçàåÄçàÖ! ç ÔË͇҇ÈÚÂÒ¸ Í Á‡˘ËÚÌÓÈ ÒÂÚÍ ‰Ë̇ÏË͇. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‚ÌÛÚÂÌÌÂÈ ˜‡ÒÚË ‰Ë̇ÏË͇. ÇçàåÄçàÖ! ç ÒÚ‡‚¸Ú ÍÓÔÛÒ Á‡‰ÌÂÈ ˜‡ÒÚ¸˛ ‚ÌËÁ. ÇçàåÄçàÖ! ç ÒÚ‡‚¸Ú ÍÓÔÛÒ Ì‡ ÔÓÎ ‚ Ô‚ÂÌÛÚÓÏ ÒÓÒÚÓflÌËË. 164 CVP-210/208 1 èËÍÂÔËÚ Á‡‰ÌË ÌÓÊÍË Í ÌËÊÌÂÈ ÔÓ‚ÂıÌÓÒÚË ÛÒÚÓÈÒÚ‚‡ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚. ÖÒÎË ÓÚ‚ÂÒÚËfl ‰Îfl ‚ËÌÚÓ‚ Ì ÒÓ‚Ô‡‰‡˛Ú, ÓÒ··¸Ú ÓÒڇθÌ˚ ‚ËÌÚ˚ Ë ÔÓ‰„ÓÌËÚ ÔÓÎÓÊÂÌË Á‡‰ÌËı ÌÓÊÂÍ. 6 èÓÒÚ‡‚¸Ú ÛÒÚÓÈÒÚ‚Ó Ì‡ ÌÓÊÍË. èÓ‰ÌËχfl ÛÒÚÓÈÒÚ‚Ó, ËÒÔÓθÁÛÈÚ ‚ ͇˜ÂÒÚ‚Â ÓÔÓ˚ Ô‰ÌË ÌÓÊÍË. ÇçàåÄçàÖ! • ç ÔˢÂÏËÚ ԇθˆ˚. • èÓ‰ÌËχfl ÛÒÚÓÈÒÚ‚Ó, Ì ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚. CVP-210/208: ë·Ó͇ ÔÓ‰ÒÚ‡‚ÍË ‰Îfl Í·‚ˇÚÛ˚ 7 ìÒÚ‡Ìӂ͇ ·ÎÓ͇ Ô‰‡ÎÂÈ. 1 ëÌËÏËÚ Ô·ÒÚËÍÓ‚˚È ˜ÂıÓÎ Ò Á‡‰ÌËı ÌÓÊÂÍ. 2 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË ·ÎÓ͇ Ô‰‡ÎÂÈ. ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚ 10 ìÒÚ‡ÌÓ‚ËÚ ͇·Âθ ÔËÚ‡ÌËfl. 220 240 110 127 3 èÓÔÛÒÚËÚ ͇·Âθ Ô‰‡ÎÂÈ ÏÂÊ‰Û ·ÎÓÍÓÏ Ô‰‡ÎÂÈ Ë Á‡‰ÌÂÈ ÌÓÊÍÓÈ. 4 èӂ¸ÚÂ, ˜ÚÓ·˚ ·ÎÓÍ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ ÔË΄‡Î Í ÔÓÎÛ (·ÂÁ ÔÓÒ‚ÂÚÓ‚), Ë ÔËÍÂÔËÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚. 8 èÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË ÔÂÂÍβ˜‡ÚÂÎfl ̇ 110, 127, 220 ËÎË 240 ‚ÓθÚ, Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. éëíéêéÜçé! çÂÔ‡‚Ëθ̇fl ÛÒÚ‡Ìӂ͇ ̇ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË ‚˚Á‚‡Ú¸ ÌÂÔ‡‚ËθÌÛ˛ ‡·ÓÚÛ. ■ èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ. • èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? → èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. 1 ÇÒÚ‡‚¸Ú ¯ÚÂÍ ͇·ÂÎfl Ô‰‡ÎË ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎË. ÇÒÚ‡‚¸Ú ¯ÚÂÍ ÒÚÂÎÍÓÈ ‚Ô‰ (‚ ÒÚÓÓÌÛ Í·‚ˇÚÛ˚). ÖÒÎË ¯ÚÂÍ Ì ‚ÒÚ‡‚ÎflÂÚÒfl, Ì ‰‡‚ËÚ ̇ Ì„Ó. èӂ¸Ú ¢ ‡Á ̇ԇ‚ÎÂÌË ¯ÚÂ͇ Ë ÔÓÔÓ·ÛÈÚ ÒÌÓ‚‡. • • • • 2 ÇÒÚ‡‚¸Ú ͇·Âθ Ô‰‡ÎË ‚ ͇̇‚ÍÛ Á‡‰ÌÂÈ ÌÓÊÍË Ë ÛÒÚ‡ÌÓ‚ËÚ Ô·ÒÚËÍÓ‚˚È ˜ÂıÓΠ̇ ͇̇‚ÍÂ. ç ÔÓÔÛÒ͇ÈÚ ÒÓ‰ËÌËÚÂθÌÛ˛ ÎÂÌÚÛ ÏÂÊ‰Û ÒÚÂÌÍÓÈ Í‡Ì‡‚ÍË Ë ÌÓÊÍÓÈ. 9 (ÌËÊÌflfl ˜‡ÒÚ¸ Ô‡‚ÓÈ ÒÚÓÓÌ˚: ‚ˉ ÒÔ‰Ë) ìÒÚ‡Ìӂ͇ Í˚¯ÍË ‰Ë̇ÏË͇ ̇ ÍÓÔÛÒ ‰Ë̇ÏË͇. ìÒÚ‡ÌÓ‚ËÚ Í˚¯ÍÛ Ì‡ ÍÓÔÛÒ ‰Ë̇ÏË͇ ÁÛ·˜‡ÚÓÈ ÒÚÓÓÌÓÈ Í ‚ÂıÌÂÏÛ Ô‡‚ÓÏÛ Û„ÎÛ. ëÓ‚ÏÂÒÚËÚ ‰‚‡ ¯ÚÂ͇ ̇ Í˚¯Í ‰Ë̇ÏË͇ Ò ÓÚ‚ÂÒÚËflÏË ‚ ÍÓÔÛÒ ‰Ë̇ÏË͇ Ë ÔÓÚÓÎÍÌËÚ Ëı ÚÛ‰‡, „‰Â ÔËÍÂÔÎÂ̇ Velcro-ÎÂÌÚ‡. ÇçàåÄçàÖ! ä˚¯Í‡ ‰Ë̇ÏË͇ ҉·̇ ËÁ Ó˜Â̸ Ïfl„ÍÓ„Ó Ï‡Ú¡·. ÖÒÎË ‚˚ ÔÓÚÓÎÍÌÂÚ ¯ÚÂÍÂ˚ ‚ β·Ó ‰Û„Ó ÏÂÒÚÓ, ÍÓÏ ÚÓ„Ó „‰Â ‡ÒÔÓÎÓÊÂÌ˚ Û¯ÍÓ Ë Velcro-ÎÂÌÚ‡, ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰Ë̇ÏËÍÓ‚. ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? → èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. ç «·ÓÎÚ‡ÂÚÒfl» ÎË ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)? → á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚? → èӂ¸Ú ÒÓ‰ËÌÂÌËfl. ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇. ÇçàåÄçàÖ! ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ä˚¯Í‡ ä˚¯Í‡ Í·‚ˇÚÛ˚ ÖÒÎË ‚˚ Ô‰‚Ë„‡ÂÚ ËÌÒÚÛÏÂÌÚ ÔÓÒΠҷÓÍË, ÒÌÓ‚‡ Á‡ÍÂÔËÚ ‚ËÌÚ˚ ̇ ·ÎÓÍ Ô‰‡ÎÂÈ Ú‡Í, ˜ÚÓ·˚ ·ÎÓÍ ÔÎÓÚÌÓ ÔË΄‡Î Í ÔÓÎÛ (·ÂÁ ÔÓÒ‚ÂÚÓ‚). (ëÏ. ¯‡„ 7-4.) CVP-210/208 165 ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl • ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ì ‚Íβ˜‡ÂÚÒfl; ÓÚÒÛÚÒÚ‚ÛÂÚ ÔËÚ‡ÌËÂ. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÔÓ‰Íβ˜ÂÌÓ Í ÓÁÂÚÍ ̇‰ÎÂʇ˘ËÏ Ó·‡ÁÓÏ. èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ‡Á˙ÂÏÛ ÔÂÂÏÂÌÌÓ„Ó ÚÓ͇ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ Clavinova Ë Í ÓÁÂÚÍ (ÒÚ. 17). • èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚ ˘ÂΘÍË Ë ıÎÓÔÍË. í‡Í ‚Ò„‰‡ ÔÓËÒıÓ‰ËÚ ÔË ÔÓ‰‡˜Â Ë ˝ÎÂÍÚÓÔËÚ‡ÌËfl. • àÁ ‰Ë̇ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÎ˚¯ÂÌ ¯ÛÏ. ÖÒÎË fl‰ÓÏ Ò ˆËÙÓ‚˚Ï ÔˇÌËÌÓ Clavinova ËÒÔÓθÁÛÂÚÒfl ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ, ÏÓ„ÛÚ ‚ÓÁÌË͇ڸ ÔÓÏÂıË. ÇÓ ËÁ·ÂʇÌË ‚ÓÁÌËÍÌÓ‚ÂÌËfl ÔÓÏÂı ÓÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡ Á̇˜ËÚÂθÌÓÏ ‡ÒÒÚÓflÌËË ÓÚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. • ùÍ‡Ì ÒÎ˯ÍÓÏ flÍËÈ ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È, ÚÛ‰ÌÓ ˜ÚÓ-ÎË·Ó ÔÓ˜ÂÒÚ¸. üÍÓÒÚ¸ ˝Í‡Ì‡ ÏÓÊÂÚ Á‡‚ËÒÂÚ¸ ÓÚ ÚÂÏÔ‡ÚÛ˚ ÓÍÛʇ˛˘Â„Ó ‚ÓÁ‰Ûı‡; ÔÓÔÓ·ÛÈÚ ÓÚ„ÛÎËÓ‚‡Ú¸ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ (ÒÚ. 152). • ä·‚ˇÚÛ‡ Á‚Û˜ËÚ ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ËÎË ÔÂÒÌÂÈ. 鷢 Á‚Û˜‡ÌË Í·‚ˇÚÛ˚ ËÎË ÓÚ‰ÂθÌÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Ì‡ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÚÂÏ·Ó‚ MAIN/LAYER/ LEFT ËÎË ·ÓΠÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ô‡‡ÏÂÚ‡ STYLE/SONG (èÂÒÌfl/ÒÚËθ) ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË) (ÒÚ. 65). • Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ËÎË ÔÂÒÌfl Á‚Û˜‡Ú ÒÎ˯ÍÓÏ ÚËıÓ ÔÓ Ò‡‚ÌÂÌ˲ Ò Í·‚ˇÚÛÓÈ. ìÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl Ó‰ÌÓÈ ËÎË ÌÂÒÍÓθÍËı ˜‡ÒÚÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË Í‡Ì‡ÎÓ‚ ÔÂÒÌË. ìÒÚ‡ÌÓ‚ËÚ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ‰‡ÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î‡ ÔÂÒÌË Ì‡ ˝Í‡Ì MIXER (åËͯÂ) (ÒÚ. 124). • é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÍËÈ ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â. • • • • • • • îÛÌ͈ËË damper, sostenuto Ë soft Ì ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‰‡ÎÂÈ. ä‡Ê‰ÓÈ Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÓÚ‰Âθ̇fl ÙÛÌ͈Ëfl. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡Ê‰ÓÈ Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÙÛÌ͈Ëfl SUSTAIN, SOSTENUTO Ë SOFT (ÒÚ. 142). • 臂‡fl Ô‰‡Î¸ Ì ‡·ÓÚ‡ÂÚ ËÎË Á‚ÛÍ ÔӉ΂‡ÂÚÒfl, ‰‡Ê ÂÒÎË Ó̇ Ì ̇ʇڇ. ÇÓÁÏÓÊÌÓ, ͇·Âθ Ô‰‡ÎÂÈ ÌÂÔ‡‚ËθÌÓ ÔÓ‰Íβ˜ÂÌ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡·Âθ Ô‰‡ÎÂÈ ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ (ÒÚ. 164 - 165). • á‚Û˜‡Ú Ì ‚Ò ӉÌÓ‚ÂÏÂÌÌÓ Ë„‡ÂÏ˚ ÌÓÚ˚. ÇÓÁÏÓÊÌÓ, ·˚ÎÓ Ô‚˚¯ÂÌÓ Ï‡ÍÒËχθÌÓ ÍÓ΢ÂÒÚ‚Ó ÚÂÏ·Ó‚ ÔÓÎËÙÓÌËË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. Ç Ú‡ÍËı ÒÎÛ˜‡flı ÌÓÚ˚, ÍÓÚÓ˚ ·˚ÎË Ò˚„‡Ì˚ Ô‚˚ÏË, ÔÂÂÒÚ‡˛Ú Á‚Û˜‡Ú¸, ˜ÚÓ·˚ ‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚Û˜‡Ú¸ ÔÓÒΉÌËÏ ËÁ Ò˚„‡ÌÌ˚ı ÌÓÚ. ÅÓΠÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ï‡ÍÒËχθÌÓÏ ÍÓ΢ÂÒÚ‚Â Ó‰ÌÓ‚ÂÏÂÌÌÓ Á‚Û˜‡˘Ëı ÚÂÏ·Ó‚ (ÔÓÎËÙÓÌËË) ÒÏ. ̇ ÒÚ. 168. • çÂÍÓÚÓ˚ ÚÂÏ·˚ „ÛÔÔ˚ Regular (ÒÚ. 92) ÔÓfl‚Îfl˛ÚÒfl ‚ÏÂÒÚÓ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural, ÍÓ„‰‡ ‚˚ Á‡‰‡ÂÚ ̇ÒÚÓÈÍË Sound Creator, Mixing Console Ë Pedal control (in Function). ÇÒ ‚ ÔÓfl‰ÍÂ. íÂÏ·˚ „ÛÔÔ˚ Regular, Ô˜ËÒÎÂÌÌ˚ ÌËÊÂ, ‚ÒÚÓÂÌ˚ ‚ ËÒÚÓ˜ÌËÍ ÚÓÌ„Â̇ÚÓ‡ ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural (ÒÚ. 92): Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È») Harmonica, Sweet! Mandolin (CVP-210), Trumpet (CVP-210), Live! French Horn (CVP-210), Sweet! Oboe, Live! Sax Section (CVP-210), Sweet! Violin • ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ËÎË ÔÂÒÌ˛. • • • • ÑÎfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (ÏÓÊÂÚ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «EXTERNAL» (Ç̯ÌËÈ). ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «INTERNAL» (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 149). ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚· ̇ʇڇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔ͇ [START/STOP] (ÇÍÎ./‚˚ÍÎ.). ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE (ëÚËθ) [START/STOP] (ÒÚ. 65); ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ SONG (èÂÒÌfl) [START/STOP] (ÒÚ. 78). åÓ„ ·˚Ú¸ ‚˚·‡Ì Ô‡‡ÏÂÚ «çÓ‚‡fl ÔÂÒÌfl» (ÒÓÁ‰‡ÌË ÔÂÒÌË Ò «ÌÛÎfl»). Ç˚·ÂËÚ ̇ ˝Í‡Ì SONG (èÂÒÌfl) (ÒÚ. 78) ÌÛÊÌÛ˛ ÔÂÒÌ˛. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÍÓ̘ËÎÓÒ¸. ÇÂÌËÚÂÒ¸ ‚ ̇˜‡ÎÓ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [TOP] (ÒÚ. 80). • ÇÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ ËÚÏ˘ÂÒÍË ͇̇Î˚. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜Â̇ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡; ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP]. • ç ۉ‡ÂÚÒfl Á‡ÔÛÒÚËÚ¸ ÒÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ‰‡Ê ÍÓ„‰‡ ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ̇ıÓ‰ËÚÒfl ‚ ÂÊËÏ ÓÊˉ‡ÌËfl Ë Ì‡Ê‡Ú‡ Í·‚˯‡ ̇ Í·‚ˇÚÛÂ. ÇÓÁÏÓÊÌÓ, ·˚· ҉·̇ ÔÓÔ˚Ú͇ Á‡ÔÛÒÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ç‡ÊÏËÚ Í·‚Ë¯Û ‚ ‡Á‰ÂΠÍ·‚ˇÚÛ˚ ‰Îfl ΂ÓÈ ÛÍË (‡Á‰ÂΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡). • çÛÊÌ˚È ‡ÍÍÓ‰ Ì ‡ÒÔÓÁ̇ÂÚÒfl ËÎË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • • 166 é·˘‡fl „ÓÏÍÓÒÚ¸ ÒÎ˯ÍÓÏ ÌËÁ͇; ÛÒÚ‡ÌÓ‚ËÚ ÌÛÊÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]. ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ. ì‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ˜‡ÒÚÂÈ MAIN, LAYER, LEFT, STYLE Ë SONG ̇ ˝Í‡Ì BALANCE (ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË) (ÒÚ. 65). ì·Â‰ËÚÂÒ¸ Ú‡ÍÊÂ, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ Ú·ÛÂÏÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 65, 80). èË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı ‚˚ıÓ‰ÌÓÈ Ò˄̇Π̇ ‰Ë̇ÏËÍË ÓÚÍβ˜‡ÂÚÒfl. (ùÚÓ ÔÓËÒıÓ‰ËÚ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â Ô‡‡ÏÂÚ‡ «speaker» Á‡‰‡Ì «HEADPHONE SW»; ÒÚ. 152.) éÚÍβ˜ËÚ ̇ۯÌËÍË. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ô‡‡ÏÂÚ speaker ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 152). ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Local Control (ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚) ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 148). CVP-210/208 ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Ì‚ÂÌ˚ Í·‚Ë¯Ë ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡. ëÏ. „·‚Û «íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered» ̇ (ÒÚ. 67). ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÂÊËÏÛ, ÓÚ΢ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó. èӂ¸ÚÂ, ͇ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë Ì‡ÊÏËÚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÂÊËÏÛ (ÒÚ. 66). ìÒÚ$$$ÌÂÌË ÌÂÔÓÎ$$$‰ÓÍ èÓ·ÎÂχ ÇÓÁÏÓÊÌ˚ Ô˘ËÌ˚ Ë ÒÔÓÒÓ·˚ ÛÒÚ‡ÌÂÌËfl • ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁ̇˛ÚÒfl ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛÂ, „‰Â ÓÌË ·˚ÎË ‚ÁflÚ˚. ùÚÓ Ó·˚˜ÌÓ ÔÓËÒıÓ‰ËÚ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚ ͇˜ÂÒÚ‚Â ÂÊËχ ‡ÔÔÎË͇ÚÛ˚ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚, ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ Í·‚ˇÚÛ˚ ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÛÒÚ‡ÌÓ‚ËÚ ‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 66). • éÚ‰ÂθÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ. ÑÎfl Ô‡‡ÏÂÚ‡ ÏÓ„ÎÓ ·˚Ú¸ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «Equal» (ꇂÌÓÏÂ̇fl ÚÂÏÔ‡ˆËfl), ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ËÁÏÂÌÂÌ˲ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË (ÚÂÏÔ‡ˆËË) Í·‚ˇÚÛ˚. ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ‰‡ÌÌÓ„Ó ÒÚÓfl Á̇˜ÂÌË «Equal» (ꇂÌÓÏÂ̇fl ÚÂÏÔ‡ˆËfl) ̇ ÒÚ‡Ìˈ Scale Tune (ÒÚ. 138). • çÂÍÓÚÓ˚ ͇̇Î˚ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÂÔ‡‚ËθÌÓ ÔË ÔÓË„˚‚‡ÌËË ÔÂÒÌË. ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ‚Íβ˜ÂÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ͇̇ÎÓ‚ (ÒÚ. 80). • ÖÒÎË ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚ÛÍ ËÒ͇ʇÂÚÒfl ËÎË ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ, ‚ÓÁÏÓÊÌÓ, ‚ ÏËÍÓÙÓÌ ÔË ÔÂÌËË ÔÓÔ‡‰‡˛Ú ÔÓÒÚÓÓÌÌË Á‚ÛÍË, ̇ÔËÏ Á‚Û˜‡ÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. Ç ˜‡ÒÚÌÓÒÚË, ËÒ͇ÊÂÌËfl ÔË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓ„ÛÚ ·˚Ú¸ ‚˚Á‚‡Ì˚ ËÒÔÓθÁÓ‚‡ÌËÂÏ ÌËÁÍËı Á‚ÛÍÓ‚. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÌÂÓ·ıÓ‰ËÏÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‚ ÏËÍÓÙÓÌ ÔÓÔ‡‰‡ÎÓ Í‡Í ÏÓÊÌÓ ÏÂ̸¯Â ÔÓÒÚÓÓÌÌËı Á‚ÛÍÓ‚: • èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï. • àÒÔÓθÁÛÈÚ ̇ԇ‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ. • ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸ ËÎË „ÓÏÍÓÒÚ¸ ͇ʉÓÈ ˜‡ÒÚË. • 쉇ÎËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‰Ë̇ÏËÍÓ‚ ËÌÒÚÛÏÂÌÚ‡. • ì·ÂËÚ ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133). • ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ («TH.») Ò ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 133). • îÛÌ͈Ëfl Vocal Harmony Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËË. ì·Â‰ËÚÂÒ¸ Ò ÚÓÏ, ˜ÚÓ ËÒÔÓθÁÛÂÚ ԇ‚ËθÌ˚È ÒÔÓÒÓ· ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËË ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ ÙÛÌ͈ËË Vocal Harmony. ëÏ. ÒÚ. 134. • ç ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl „‡ÏÓÌËÁ‡ˆËË. ɇÏÓÌËÁ‡ˆËfl Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÂÊËÏ ‡ÔÔÎË͇ÚÛ «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). Ç˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 66). • ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ë ˝ÙÙÂÍÚ Vocal Harmony. í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸ — Á‡ÔËÒ¸ Ò ÏËÍÓÙÓÌÌÓ„Ó ‡Û‰ËÓ‚ıÓ‰‡ Ì‚ÓÁÏÓÊ̇. • MIDI-ÒÓÓ·˘ÂÌËfl Ì Ô‰‡˛ÚÒfl Ë Ì ÔËÌËχ˛ÚÒfl ˜ÂÂÁ ÔÓÚ˚ MIDI ‰‡Ê ÔË Ô‡‚ËθÌÓÏ ÔÓ‰Íβ˜ÂÌËË Í‡·ÂÎÂÈ MIDI. éÚÒÓ‰ËÌËÚ ͇·Âθ USB ÓÚ USB-ÔÓÚ‡ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. • èË ÒÏÂÌ ÚÂÏ·‡ ÏÂÌflÂÚÒfl ‡Ì ‚˚·‡ÌÌ˚È ˝ÙÙÂÍÚ. ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ËϲÚÒfl Ò‚ÓË ÒÓ·ÒÚ‚ÂÌÌ˚ ‚ÒÚÓÂÌÌ˚ Á̇˜ÂÌËfl, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ‡ÍÚË‚ËÛ˛ÚÒfl ÔË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Voice Set (ÒÚ. 146). • èË Ë„Â Ì‡ Í·‚ˇÚÛ ͇˜ÂÒÚ‚Ó Á‚Û͇ Û ‡ÁÌ˚ı ÌÓÚ ÌÂÏÌÓ„Ó ‡ÁÌÓÂ. çÂÍÓÚÓ˚ ÚÂÏ·˚ ÔÓÒÚÓÂÌ˚ ̇ ÓÒÌÓ‚Â Á‡ˆËÍÎÂÌÌ˚ı Á‚ÛÍÓ‚˚ı Ù‡„ÏÂÌÚÓ‚ («ÔÂÚÂθ»). èË ËÒÔÓθÁÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ Ò Û‚Â΢ÂÌËÂÏ ‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËÓ‚‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. • çÂÍÓÚÓ˚ ÚÂÏ·˚ ÔË Ë„Â ‚ ·ÓΠ‚˚ÒÓÍËı ËÎË ÌËÁÍËı „ËÒÚ‡ı ËÁÏÂÌfl˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ̇ ˆÂÎÛ˛ ÓÍÚ‡‚Û. ÇÒ ‚ ÔÓfl‰ÍÂ. çÂÍÓÚÓ˚ ÚÂÏ·˚ ËÏÂ˛Ú Ó„‡Ì˘ÂÌËfl ÔÓ ‚˚ÒÓÚÂ. ÖÒÎË Ô‰ÂÎ ‰ÓÒÚË„ÌÛÚ, ÔÓËÒıÓ‰ËÚ Ú‡ÍÓÈ Ò‰‚Ë„. • ç‡ ˝Í‡Ì Open/Save ÓÚÓ·‡Ê‡ÂÚÒfl ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, ‰‡Ê ÂÒÎË ‚ ÛÒÚ‡Ìӂ͇ı „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Á‡ÔËÒ‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·. í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ÇÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·. èË Â„ËÒÚ‡ˆËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·‡ ‚ ‡Á‰ÂÎ Ô‡ÏflÚË USER ËÎË Ì‡ ‰ËÒÍÂÚÛ Â„ËÒÚËÛÂÚÒfl ÒÎÂ‰Û˛˘ÂÂ: 1) ËÒıÓ‰Ì˚È ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, Ë 2) ÛÒÚ‡ÌÓ‚ÍË Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Sound Creator. èË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÒÓ‰Âʇ˘Ëı ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚˚·Ë‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· (̇ ÍÓÚÓÓÏ ÓÒÌÓ‚‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·) Ë ÔËÏÂÌflÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚. Ç ÂÁÛθڇÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·. • ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ ÓÚÌËχÂÚ ÏÌÓ„Ó ‚ÂÏÂÌË. ÇÒ ‚ ÔÓfl‰ÍÂ. ëΉÛÂÚ ËÏÂÚ¸ ‚ ‚ˉÛ, ˜ÚÓ ‰Îfl ÒÓı‡ÌÂÌËfl 1 å·‡ÈÚ‡ ‰‡ÌÌ˚ı ̇ ‰ËÒÍÂÚ Ú·ÛÂÚÒfl ÔË·ÎËÁËÚÂθÌÓ 1 ÏËÌÛÚ‡. • íÂÏ· ÒÎ˯ÍÓÏ Á‡¯ÛÏÎÂÌ. éÚ‰ÂθÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ËÏÂÚ¸ ¯ÛÏÓ‚˚ ÔËÁ‚ÛÍË, ˝ÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚÓ‚ Harmonic Content (ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÍ) Ë/ËÎË Brightness (üÍÓÒÚ¸), ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ ÒÚ‡Ìˈ FILTER ˝Í‡Ì‡ Mixing Console (ÒÚ. 125). • á‚ÛÍ ËÒ͇ÊÂÌ ËÎË Á‡¯ÛÏÎÂÌ. • • • • • • • ëÎ˚¯ÂÌ «‰‚ÓÈÌÓÈ Á‚ÛÍ» ËÎË Á‚ÛÍ, ̇ÔÓÏË̇˛˘ËÈ Á‚Û˜‡ÌË ÙνÌʇ. äÓÏ ÚÓ„Ó, ͇ʉ˚È ‡Á ÔË Ì‡Ê‡ÚËË Í·‚˯ Á‚ÛÍ ÌÂÒÍÓθÍÓ ‰Û„ÓÈ. ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. èӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË Ì‡ÒÚÓÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ԇ‡ÏÂÚ˚ „ÓÏÍÓÒÚË. àÒ͇ÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂθÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔÓ·ÛÈÚ ۷‡Ú¸ ‚Ò Î˯ÌË ˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓ˚ ‚˚Á˚‚‡˛Ú ËÒ͇ÊÂÌË Á‚Û͇ (ÒÚ. 126). çÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÙËθڇ ÂÁÓ̇ÌÒ‡, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ̇ ˝Í‡Ì Custom Voice Creator (ÒÚ. 94), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒ͇ÊÂÌË Á‚Û͇. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ˝ÚË Ô‡‡ÏÂÚ˚. ÇÓÁÏÓÊÌÓ, ÔÓÎÓÒ‡ ÌËÁÍËı ˜‡ÒÚÓÚ ÒÎ˯ÍÓÏ ÛÒËÎÂ̇ ̇ ˝Í‡Ì Master Equalizer (Mixing Console — ÒÚ. 128). ÑÎfl ˜‡ÒÚÂÈ Main Ë Layer ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «ON» (ÇÍÎ.), Ë Ó·Â ÓÌË Ì‡ÒÚÓÂÌ˚ ̇ ‚ÓÒÔÓËÁ‚‰ÂÌË ӉÌÓ„Ó Ë ÚÓ„Ó Ê ÚÂÏ·‡. ìÒÚ‡ÌÓ‚ËÚ ‰Îfl ˜‡ÒÚË Layer Á̇˜ÂÌË «OFF» (Ç˚ÍÎ.) (ÒÚ. 60) ËÎË Ì‡Á̇˜¸Ú ҂ÓÈ ÚÂÏ· ͇ʉÓÈ ËÁ ˜‡ÒÚÂÈ (ÒÚ. 58). CVP-210/208 167 íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË : ‰ÓÒÚÛÔÌ˚ ç‡Á‚‡ÌË ÏÓ‰ÂÎË CVP-210 àÒÚÓ˜ÌËÍ Á‚Û͇ CVP-208 ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË ÚÂÏ·Ó‚ AWM 640 ✕ ɇÙ˘ÂÒÍËÈ ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ‰ËÒÔÎÂÈ Ò ÔÓ‰Ò‚ÂÚÍÓÈ (480 ÚÓ˜ÂÍ) ùÍ‡Ì ä·‚ˇÚÛ‡ íÂÏ· 88 Í·‚˯ (A-1 - C7) èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) Ç˚·Ó ÚÂÏ·Ó‚ íÂÏ· „ÛÔÔ˚ Regular íÂÏ· «Sweet» 256 192 397 ÚÂÏ·Ó‚ + 480 ÚÓÂÏ·Ó‚ ‚ ÙÓχÚ XG + 26 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ 378 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚ ‚ ÙÓχÚ XG + 26 Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ 311 310 14 13 íÂÏ· «Cool» íÂÏ· «Live» íÂÏ· „ÛÔÔ˚ Natural 鄇ÌÌ˚ ÚÂÏ·˚ 6 19 17 37 22 10 (9 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·) 10 (8 ÒÓ˜ÂÚ‡ÌËÈ ÚÛ·) îÛÌ͈Ëfl Sound creator ùÙÙÂÍÚ˚ ÅÎÓÍË ˝ÙÙÂÍÚÓ‚ ê‚·‡ˆËfl 2 ùÙÙÂÍÚ Chorus 2 DSP 7 5 flÍÓÒÚË 1 MIC;ÏËÍÓÙÓÌ 1 REVERB1 29 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı REVERB2 5 CHORUS1 25 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı CHORUS2 íËÔ˚ ˝ÙÙÂÍÚÓ‚ 3 DSP1 164 ‚ÒÚÓÂÌÌ˚ı +3 ÔÓθÁÓ‚‡ÚÂθÒÍËı DSP2 12 DSP3,4,5,6 (DSP6; ÚÓθÍÓ CVP-210) 164 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı 88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı DSP7 (ÚÓθÍÓ CVP-210) 88 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı — Brilliance (flÍÓÒÚË) 5 ‚ÒÚÓÂÌÌ˚ı + 2 ÔÓθÁÓ‚‡ÚÂθÒÍËı Part EQ (̇ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁ‡ ‰Îfl Ô‡ÚËË) 27 ˜‡ÒÚÂÈ É‡ÏÓÌËÁ‡ˆËfl ‚Ó͇· ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 5 Master EQ (Ó·˘‡fl ̇ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁ‡) äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 59 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı 49 ‚ÒÚÓÂÌÌ˚ı +10 ÔÓθÁÓ‚‡ÚÂθÒÍËı 261 247 äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÒÂÒÒËÈ 31 äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ ÔˇÌËÒÚ‡ 36 äÓ΢ÂÒÚ‚Ó ÒÚËÎÂÈ äÓÏ·Ó 17 Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass (Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered (Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡), AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡ AI) AÔÔÎË͇ÚÛ‡ îÛÌ͈Ëfl Style Creator OTS (ÛÒÚ‡ÌÓ‚ÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ˜ÂÚ‚ÂÚÂÈ îÛÌ͈Ëfl OTS link (ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») îÛÌ͈Ëfl Music Finder 168 CVP-210/208 ÔË·ÎËÁËÚÂθÌÓ 2500 Á‡ÔËÒÂÈ àÁÏÂÌÂÌË íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ç‡Á‚‡ÌË ÏÓ‰ÂÎË èÂÒÌfl CVP-210 îÓÏ‡Ú CVP-208 SMF (ÙÓÏ‡Ú 0,1), ESEQ ÇÒÚÓÂÌÌ˚ ÔÂÒÌË Guide Follow Lights, Any Key, Karao-Key, Vocal CueTIME Ë̉Ë͇ÚÓ 88 ͇ÒÌ˚È íÂÍÒÚ˚ ÔÂÒÂÌ è‡ÚËÚÛ‡ á‡ÔËÒ¸ êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË, ÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚, ÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË, ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË ä‡Ì‡Î˚ Á‡ÔËÒË è‡ÏflÚ¸ ìÒÚÓÈÒÚ‚Ó ‰ËÒÍÂÚ‡ (2HD, 2DD) îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) íËÔ˚ Ù‡ÈÎÓ‚, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ Ùν¯-Ô‡ÏflÚ¸˛ ÚÂÏÔ;Tempo 16 3302 äÅ î‡ÈÎ˚ ÔÂÒÂÌ (ÙÓÏ‡Ú SMF), ÒÚËÎÂÈ (ÙÓÏ‡Ú SFF), „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÚÂÏ·Ó‚ Ë Ú. Ô. ÑˇԇÁÓÌ ÚÂÏÔ‡ 5 - 500 ëÓ·ÒÚ‚ÂÌÌ˚È ËÚÏ ÏÂÚÓÌÓÏ òËÓÚ‡ ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ äÌÓÔÍË ÑÛ„Ë ÑÂÏÓÌÒÚ‡ˆËfl Á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., ˜ÂÎӂ˜ÂÒÍË ÚÂÏ·˚ (5 flÁ˚ÍÓ‚) 8 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡„ÛÁÍË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ÙÛÌ͈Ëfl Freeze flÁ˚Í îÛÌ͈Ëfl, ÚÂÏ·, ÒÚËθ 6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, ه̈ÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ) ëÔ‡‚͇ Direct Access (ÔflÏÓÈ ‰ÓÒÚÛÔ) ÍÌÓÔ͇ ̇ÒÚÓÈÍË ÔˇÌËÌÓ (‚Íβ˜‡fl ·ÎÓÍËÓ‚ÍÛ) é·˘‡fl „ÓÏÍÓÒÚ¸ ÙÛÌ͈Ëfl Fade In/Out Ú‡ÌÒÔÓÌËÓ‚‡ÌË ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘‡fl ̇ÒÚÓÈ͇ Á‚Û͇ ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ëÚÓÈ Flat/Stretch (ÚÓθÍÓ Ì‡ÚۇθÌ˚È ÚÂÏ· ÙÓÚÂÔˇÌÓ) ꇂÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ, ˜ËÒÚ˚È Ï‡ÊÓ/˜ËÒÚ˚È ÏËÌÓ, ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ, ÒÚÓÈ Ò «ÛÒ‰ÌÂÌËÂÏ», ÒÚÓÈ ÇÂÍχÈÒÚ‡/äË̷„‡, ‡‡·ÒÍËÈ ÒÚÓÈ 1/2 óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl 艇ÎË ÍÓ΢ÂÒÚ‚Ó Ô‰‡ÎÂÈ îÛÌ͈ËË Ô‰‡ÎË ìÒËÎËÚÂÎË/‰Ë̇ÏËÍË 3 VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), PORTAMENTO (ÔÓÚ‡ÏÂÌÚÓ), PITCHBEND (ËÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), MODULATION (ÏÓ‰ÛÎflˆËfl), DSP VARIATION (‚‡Ë‡ˆËË, Á‡‰‡‚‡ÂÏ˚ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ), VIBROTOR ON/OFF (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚Ë·‡ÚÓ), SONG START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË), STYLE START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú. Ô. ìÒËÎËÚÂÎË 60 ÇÚ ✕ 2 ÑË̇ÏËÍË (16 ÒÏ + 5 ÒÏ + 3 ÒÏ) ✕ 2 ê‡ÁÏÂ˚ [òËË̇ ✕ ÑÎË̇ ✕ Ç˚ÒÓÚ‡] (Ò̇·ÊÂÌÓ Ô˛ÔËÚÓÏ) ÇÂÒ 5 ÛÓ‚ÌÂÈ PHONES ✕ 2, MIDI (THRU, OUT, IN), USB, AUX PEDAL, AUX IN (L/L+R, R), AUX OUT (LEVEL FIXED) (L/R), AUX OUT (L/L+R, R) MIC (INPUT VOLUME, MIC./ LINE IN),VIDEO OUT ÉÌÂÁ‰‡/‡Á˙ÂÏ˚ 1426,0 ✕ 633,5 ✕ 932 ÏÏ [56-1/8" ✕ 24-15/16" ✕ 36-11/16"] (1426,0 ✕ 633,5 ✕ 1097,4 ÏÏ) [56-1/8" ✕ 24-15/16" ✕ 43-3/16"] 1429,9 ✕ 634,3 ✕ 927,4 ÏÏ [56-5/16" ✕ 24-15/16" ✕ 36-1/2"] (1429,9 ✕ 634,3 ✕ 1092,6 ÏÏ) [56-5/16" ✕ 24-15/16" ✕ 43-1/8"] 83,5 Í„ (184 ÙÛÌÚÓ‚, 13 Û̈ËÈ) 78,5 Í„ (173 ÙÛÌÚÓ‚, 10 Û̈ËÈ) * íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë ÓÔËÒ‡ÌËfl ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ Á‡‚ËÒÂÚ¸ ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha. CVP-210/208 169 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ 0-9 I 1 — 16 ................................................................................. 110 3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚aÎaÈÁÂ) .................................... 133 ICON SELECT .........................................................................50 INTRO....................................................................................70 A K Accompaniment Guide............................................................... 82 AI.......................................................................................... 66 AI FINGERED.......................................................................... 66 AI FULL KEYBOARD ................................................................ 66 Any Key.................................................................................. 82 AUTO .................................................................................... 20 Karao-Key ...............................................................................82 KEY SIGNATURE (Íβ˜) ...........................................................85 KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó) ..............................................74, 75 B BACK GROUND....................................................................... 87 Bass (·aÒ) .............................................................................. 99 BEAT (aÁÏÂ) .................................................................. 74, 75 C Channel (ÍaÌaÎ)..................................................................... 140 CHD .................................................................................... 111 Chord (aÍÍÓ‰) ........................................................................ 99 Clock ................................................................................... 149 COLOR NOTE ......................................................................... 86 COMMON............................................................................... 93 COMPRESSOR (ÍÓÏÔÂÒÒÓ) .................................................. 134 Cool!...................................................................................... 59 COPY (ÍÓÔËÓ‚aÌËÂ) ............................................................... 47 CUT (‚˚ÂÁaÚ¸) ...................................................................... 46 D Delete (Û‰aÎÂÌËÂ) .................................................................. 108 DELETE RECORD (Û‰aÎÂÌË ÁaÔËÒË) ......................................... 75 DELETE ................................................................................. 47 DOC .................................................................................... 163 Drum ..................................................................................... 59 E ECHO .................................................................................. 146 EDIT.................................................................................... 116 EFFECT/EQ ............................................................................ 95 EG („ÂÌÂaÚÓ Ó„Ë·a˛˘Ëı)....................................................... 94 ENDING ................................................................................. 70 EQ (˝Í‚aÎaÈÁÂ) ................................................................... 128 ESEQ .................................................................................. 162 F FAVORITE (β·ËÏ˚Â).............................................................. 75 FINGERED (Úa‰ËˆËÓÌÌ˚È) ...................................................... 66 FINGERED ON BASS (Úa‰ËˆËÓÌÌ˚È Ò ·aÒÓÏ)............................. 66 Follow Lights ........................................................................... 82 FOOTAGE (Ó„aÌÌ˚ ÙÎÂÈÚ˚) .................................................. 96 FULL KEYBOARD (‚Òfl ÍÎa‚ËaÚÛa)............................................ 66 G GENRE (ÊaÌ).................................................................. 74, 76 GENRE NAME (ÌaÁ‚aÌË ÊaÌa) ............................................... 76 H HARMONY ............................................................... 62, 95, 146 170 CVP-210/208 L Layer......................................................................................60 LEFT CH.................................................................................85 Live!.......................................................................................59 Live!Drums ..............................................................................59 LYRICS BACKGROUND PICTURE...............................................87 M MAIN A/B/C/D ..........................................................................68 MAIN PICTURE......................................................................154 Master Tune ..........................................................................138 Mean-Tone............................................................................139 Message Switch .....................................................................149 MIC......................................................................................131 MICROPHONE SETTING .........................................................133 MIDI.....................................................................................148 MIDI [THRU] ..........................................................................157 MIDI IN .................................................................................157 MIDI OUT..............................................................................157 MIDI-aÁ˙ÂÏ˚ .......................................................................157 MIDI-ÍaÌaÎ˚ .........................................................................161 Mix (Ó·˙‰ËÌÂÌË ÍaÌaÎÓ‚) .....................................................108 MULTI FINGER (ÌÂÒÍÓθÍËÏË ÔaθˆaÏË) .....................................66 Multi Recording ........................................................................99 N NAME ....................................................................................45 Natural!...................................................................................59 NEW (FOLDER) .......................................................................48 NEW RECORD (ÌÓ‚afl ÁaÔËÒ¸) ...................................................75 NOISE GATE („ÂÈÚ) ................................................................133 Note Limit..............................................................................122 NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚) ....................................................86 NTR (Ôa‚ËÎÓ ÚaÌÒÔÓÁˈËË)...................................................121 NTT (Úa·Îˈa ÚaÌÒÔÓÁˈËË) ...................................................122 é OCTAVE (Ò‰‚Ë„ Ìa ÓÍÚa‚Û) ......................................................125 Organ Flutes! ...........................................................................59 OVERALL SETTING (Ó·˘afl ÌaÒÚÓÈÍa) .....................................133 P Pad («ÔÓ‰ÍÎa‰˚») ....................................................................99 PASTE (‚ÒÚa‚Ía) ...............................................................46, 47 Phrase (ÙaÁ˚) .......................................................................99 PITCH BEND RANGE (‰ËaÔaÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)...................125 PORTAMENTO TIME (‚ÂÏfl ÔÓÚaÏÂÌÚÓ)..................................125 Pure Major (˜ËÒÚ˚È ÏaÊÓ) .....................................................139 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ Q Å QUANTIZE.............................................................................. 85 Quantize (ÙÛÌ͈Ëfl ‚˚a‚ÌË‚aÌËfl) ................................... 107, 120 Quick Recording (·˚ÒÚ‡fl Á‡ÔËÒ¸) .............................................. 98 Quick Start (·˚ÒÚ˚È ÁaÔÛÒÍ) ................................................... 140 ·ÎÓÍ ˝ÙÙÂÍÚÓ‚ .....................................................................127 ·ÎÓÍËÓ‚Ía ÔaaÏÂÚa ...........................................................152 ·˚ÒÚ˚È ‚˚·Ó ˝ÍaÌa.............................................................51 R Receive Transpose ................................................................. 149 REGISTRATION BANK.............................................................. 89 Rhythm (ËÚÏ)......................................................................... 99 RIGHT CH (Ô‡‚˚È Í‡Ì‡Î). ....................................................... 85 RTR (Ôa‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ............................ 122 S SAVE (ÒÓıaÌÂÌËÂ).................................................................. 48 Scale Tune............................................................................ 138 SFX (ÒÔˆ˝ÙÙÂÍÚ˚) ................................................................ 59 SINGLE FINGER (Ó‰ÌËÏ ÔaθˆÂÏ).............................................. 66 SMF (ÒÚảaÚÌ˚È ÙaÈÎ MIDI) ................................................ 162 SONG AUTO REVOICE........................................................... 124 Song (ÔÂÒÌfl)........................................................................... 14 SPEED (ÒÍÓÓÒÚ¸) ................................................................... 94 Style File ................................................................................ 19 Style (ÒÚËθ) ........................................................................... 14 Sweet! (ËÌÒÚÛÏÂÌÚ: «ÒÎa‰ÍÓÁ‚Û˜Ì˚È») ...................................... 59 SYS/EX. (ÒÓÓ·˘ÂÌËfl System Exclusive) ..................................... 111 T TALK SETTING...................................................................... 135 TEMPO FROM (ÔÓËÒÍ, Ìa˜ËÌafl Ò ÚÂÏÔa…) .................................. 74 TEMPO TO (ÔÓËÒÍ, ÁaÍa̘˂afl ÚÂÏÔÓÏ…)................................... 74 Transmit Clock....................................................................... 149 Tune.................................................................................... 125 TUNING (ÌaÒÚÓÈÍa ‚˚ÒÓÚ˚)................................................... 125 U UP (‚‚Âı).............................................................................. 48 USB ...................................................................................... 19 USER EFFECT ...................................................................... 127 Utility ................................................................................... 151 V Vocal CueTIME........................................................................ 82 VOCAL HARMONY CONTROL ................................................. 134 VOL/ATTACK .......................................................................... 96 Volume/Voice („ÓÏÍÓÒÚ¸/ÚÂÏ·) .............................................. 124 X XF................................................................................. 19, 162 XG ................................................................................ 19, 163 Ä a‚ÚÓÏaÚ˘ÂÒÍafl ÒÏÂÌa ÌaÒÚÓÂÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜aÒÚË Í ‰Û„ÓÈ ....................................................... 72 a‚ÚÓÏaÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÁaÔËÒË ....................... 106 a‚ÚÓÏaÚ˘ÂÒÍÓ ÔÓË„˚‚aÌË ‚ÒÚa‚ÓÍ ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜aÒÚË Í ‰Û„ÓÈ............................................................ 70 aÍÍÓ‰Ó‚˚ ÒÓ·˚ÚËfl ............................................................. 111 aa·ÒÍËÈ ÒÚÓÈ ..................................................................... 139 aaÌÊËÓ‚Ía Ë a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚ .......................................... 68 aÚaÍa..................................................................................... 94 Ç ‚‚Ó‰ aÍÍÓ‰Ó‚ Ë ˜aÒÚÂÈ (ÔÓ¯a„Ó‚afl ÁaÔËÒ¸ aÍÍÓ‰Ó‚) ................104 ‚‚Ó‰ ‰ËaÍËÚ˘ÂÒÍËı ÁÌaÍÓ‚ (ÛÏÎflÛÚÓ‚, ÒËÏ‚ÓÎÓ‚ Û‰aÂÌËfl, flÔÓÌÒÍËı ÒËÏ‚ÓÎÓ‚ « » Ë « ») ...........................................49 ‚‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚aÚÂÎfl Ë ‚˚·Ó flÁ˚Ía..................................154 ‚‚Ó‰ Ë Â‰aÍÚËÓ‚aÌË ÚÂÍÒÚa ÔÂÒÂÌ .......................................112 ‚‚Ó‰ ÔÓ˜Ëı ÒËÏ‚ÓÎÓ‚..............................................................49 ‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ ........................................................................49 ‚‚Ó‰ ˆËÙ ..............................................................................49 ‚ÂıÌflfl ÌÓÚa ........................................................................122 ‚Ë·aÚÓ..................................................................................94 ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ..........................................78 ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚaˆËÈ ................................................20 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ............................................................21 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ò ‰ËÒÍÂÚ˚ .............................................80 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË................................................21, 77, 78 ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ......................................................28, 63 ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ........................................................25 ‚ÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ‰ÓÓÊÂÍ ÒÚËÎfl ..................65 ‚ÓÒÒÚaÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı ÔaaÏÂÚÓ‚ CVP-210/208 ..................154 ‚ÂÏfl Á‚Û˜aÌËfl (Gate Time) ....................................................102 ‚ÂÏfl Ìaa˘Ë‚aÌËfl „ÓÏÍÓÒÚË, ‚ÂÏfl ÒÌËÊÂÌËfl „ÓÏÍÓÒÚË, ‚ÂÏfl ÌÛ΂ÓÈ „ÓÏÍÓÒÚË....................................................151 ‚ÒÚa‚Ía ..................................................................................70 ‚˚·Ó aÔÔÎËÍaÚÛ˚ ...............................................................142 ‚˚·Ó ËÏÂÌ ‰Îfl ÙaÈÎÓ‚ Ë ÔaÔÓÍ................................................45 ‚˚·Ó Ó·˙ÂÍÚÓ‚ ......................................................................50 ‚˚·Ó ÔaaÏÂÚÓ‚ «ÁaÏÓÓÁÍË» ................................................90 ‚˚·Ó ÔaaÏÂÚÓ‚ ÁaÔËÒË: Ìa˜aÎÓ, ÍÓ̈, a‚ÚÓÏaÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ÁaÔËÒË .........................................106 ‚˚·Ó ÚÂÏ·a .........................................................................58 ‚˚·Ó ÚÂÏÔÂaˆËË.................................................................138 ‚˚·Ó ÚËÔÓ‚ ËÌÚÓ‰Û͈ËÈ Ë ÙËÌaÎÓ‚ .........................................70 ‚˚·Ó ÙaÈÎÓ‚ Ë ÔaÔÓÍ .............................................................44 ‚˚‚Ó‰ ‰aÌÌ˚ı Ìa ˝ÍaÌ ÚÂ΂ËÁÓa .........................................156 ‚˚‚Ó‰ Á‚ÛÍa ‚̯ÌÂ„Ó aÛ‰ËÓ Ó·ÓÛ‰Ó‚aÌËfl ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ ‰ËÌaÏËÍË ˆËÙÓ‚Ó„Ó ÔËaÌËÌÓ Clavinova ................................156 ‚˚ÁÓ‚ ÌaË·ÓΠۉa˜ÌÓ„Ó aÍÍÓÏÔaÌÂÏÂÌÚa .................................73 ‚˚Íβ˜ÂÌË ÍaÌaÎÓ‚ ...............................................................65 ‚˚ıÓ‰ ËÁ ‚ÒÔÎ˚‚a˛˘Â„Ó ÓÍÌa ...................................................44 É „ÎÛ·ËÌa ..................................................................................94 „ÌÂÁ‰Ó [MIC. LINE IN]..............................................................155 Ɉ........................................................................................138 Ñ ‰ËÒÍ [MASTER VOLUME]...........................................................17 ‰ËÒÍ ÛÔa‚ÎÂÌËfl [DATA ENTRY] ..........................................18, 50 ‰ËÒÍ ÛÔa‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛ [MASTER VOLUME] ........................18 ‰ËÒÍÂÚa ................................................................................153 ‰ËÒÍÓ‚Ó‰ ‰ËÒÍÂÚ..................................................................6, 19 ‰Ó·a‚ÎÂÌË ............................................................................75 ‰Ó·a‚ÎÂÌË „aÏÓÌËÍ...............................................................94 ‰ÓÔÓÎÌËÚÂθÌ˚ ÔËÌa‰ÎÂÊÌÓÒÚË ...............................................6 ‰Û„Ë ÌaÒÚÓÈÍË ..................................................................151 Ü Üä-‰ËÒÔÎÂÈ ...........................................................................15 CVP-210/208 171 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ á Áa„ÛÁÍa Áa„ËÒÚËÓ‚aÌÌ˚ı ÔaaÏÂÚÓ‚ ................................. 90 Áa„ÛÁÍa Ìa·Óa ÔaaÏÂÚÓ‚ .................................................... 90 ÁaÏÂÌa ËÒıÓ‰Ì˚ı ÁÌa˜ÂÌËÈ ÔaaÏÂÚÓ‚ ÔÂÒÌË ÚÂÍÛ˘ËÏË............ 109 ÁaÏÂ̇ .................................................................................. 75 ÁaÔËÒ¸ ............................................................................. 37, 73 ÁaÔËÒ¸ ‚ ÂaθÌÓÏ ‚ÂÏÂÌË.................................................... 115 ÁaÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰aÌË ÔÂÒÂÌ ....................................... 97 ÁaÔËÒ¸ ÁaÏÂÌ˚ aÍÍÓ‰Ó‚ a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚa.......................... 104 ÁaÔËÒ¸ ÏÂÎÓ‰ËÈ .................................................................... 103 ÁaÔËÒ¸ ÓÚ‰ÂθÌ˚ı ÌÓÚ............................................................ 101 ÁaÔËÒ¸ ÔÂÒÂÌ .......................................................................... 97 ÁaÔËÒ¸ ÔÓ Ô‚ÓÈ Ò˚„aÌÌÓÈ ÌÓÚÂ............................................ 106 Á‚ÛÍ ‰Îfl ÙÛÌ͈ËË Tap Start..................................................... 152 ÁÌa˜ÂÌËfl ‚˚ÒÓÚ ‰Îfl ÍaÊ‰Ó„Ó ÒÚÓfl ......................................... 139 à Ë„a Ìa ÙÓÚÂÔËaÌÓ «‚ Ó‰ÌÓ ÍaÒaÌË» ....................................... 59 Ë„a Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚ÛÏfl ÚÂÏ·aÏË.......................................... 26 Ë„a Ò ËÒÔÓθÁÓ‚aÌËÂÏ ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ ............................... 60 ËÁÏÂÌÂÌË ÁÌa˜ÂÌËÈ................................................................ 50 ËÁÏÂÌÂÌË ÁÌa˜Ía ................................................................... 50 ËÁÏÂÌÂÌË ÔaaÏÂÚÓ‚ ÚÂÏ·a, ‚˚·ËaÂÏ˚ı a‚ÚÓÏaÚ˘ÂÒÍË ...... 146 ËÁÏÂÌÂÌË ÔaaÏÂÚÓ‚, Ò‚flÁaÌÌ˚ı Ò ‚˚ÒÓÚÓÈ Á‚ÛÍa .................. 125 ËÁÏÂÌÂÌË ËÚÏa .................................................................. 118 ËÁÏÂÌÂÌË ÒÍÓÓÒÚË ÌaÊaÚËfl ................................................. 120 ËÁÏÂÌÂÌË ıaaÍÚÂa ÚÂÏ·a.................................................. 125 ËÁÏÂÌÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÌaÊaÚ˲ Ë ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÚaÌÒÔÓÁˈËË .................................................. 144 Ë̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚..................................................... 19, 82 Ë̉ËÍaÚÓ˚ ÚÂÏÔa: „Îa‚Ì˚È ˝ÍaÌ MAIN .................................... 55 ËÒÔÓθÁÓ‚aÌË ‰ËÒÍÓ‚Ó‰a Ë ‰ËÒÍÂÚ ............................................. 6 ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/aÍÍÓ‰ ............................................... 121 ä ÍaÌaÎ .............................................................. 65, 80, 107, 120 ÍaÌaθÌ˚ MIDI-ÒÓÓ·˘ÂÌËfl .................................................... 160 ÍÎa‚ËaÚÛa ‰Îfl Û‰aÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ ...................................... 59 ÍÌË„a ÔÂÒÂÌ ...................................................................... 22, 77 ÍÌÓÔÍa [ACMP] .................................................................. 18, 64 ÍÌÓÔÍa [AUTO FILLIN]......................................................... 18, 70 ÍÌÓÔÍa [BACK] ............................................................ 18, 44, 50 ÍÌÓÔÍa [BALANCE]............................................................. 18, 65 ÍÌÓÔÍa [BREAK]................................................................. 18, 68 ÍÌÓÔÍa [CHANNEL ON / OFF]......................................... 18, 65, 80 ÍÌÓÔÍa [DEMO]............................................................ 14, 18, 56 ÍÌÓÔÍa [DIGITAL RECORDING] .............................. 14, 18, 97, 113 ÍÌÓÔÍa [DIRECT ACCESS]................................................... 18, 51 ÍÌÓÔÍa [DSP] ............................................................ 18, 61, 129 ÍÌÓÔÍa [EFFECT] ............................................................. 18, 131 ÍÌÓÔÍa [ENDING / rit.] ................................................... 18, 31, 69 ÍÌÓÔÍa [ENTER]................................................................. 18, 50 ÍÌÓÔÍa [EXIT] .................................................................... 18, 44 ÍÌÓÔÍa [EXTRA TRACKS (STYLE)].............................................. 18 ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)].............................................. 81 ÍÌÓÔÍa [FADE IN / OUT] ...................................................... 18, 69 ÍÌÓÔ͇ [FF] ....................................................................... 18, 80 ÍÌÓÔÍa [FREEZE] ....................................................... 19, 90, 145 ÍÌÓÔÍa [FUNCTION] ......................................................... 18, 136 ÍÌÓÔ͇ [GUIDE] ........................................................... 14, 18, 82 ÍÌÓÔÍa [HARMONY / ECHO] ................................................ 18, 62 ÍÌÓÔÍa [HELP]................................................................... 18, 53 ÍÌÓÔÍa [INTRO] ........................................................... 18, 31, 68 ÍÌÓÔÍa [LEFT HOLD] .......................................................... 18, 62 ÍÌÓÔÍa [MEMORY] ............................................................. 19, 88 ÍÌÓÔÍa [MIC. SETTING]..................................................... 18, 131 172 CVP-210/208 ÍÌÓÔÍa [MIXING CONSOLE] ...............................................18, 123 ÍÌÓÔÍa [MONO]..................................................................18, 62 ÍÌÓÔÍa [MUSIC FINDER]..........................................15, 19, 33, 73 ÍÌÓÔÍa [NEXT] .............................................................44, 18, 50 ÍÌÓÔÍa [ON / OFF] (POWER) ................................................18, 17 ÍÌÓÔÍa [OTS LINK]..............................................................18, 72 ÍÌÓÔÍa [PIANO]............................................................15, 19, 59 ÍÌÓÔÍa [REC].....................................................................18, 97 ÍÌÓÔ͇ [REPEAT] ...............................................................18, 81 ÍÌÓÔÍa [REVERB]...............................................................18, 61 ÍÌÓÔ͇ [REW] ....................................................................18, 80 ÍÌÓÔÍa [SOUND CREATOR] .................................................91, 18 ÍÌÓÔÍa [SYNC.START] ........................................................18, 64 ÍÌÓÔÍa [SYNC.STOP] ..........................................................18, 69 ÍÌÓÔÍa [TALK]..................................................................18, 131 ÍÌÓÔÍa [TAP TEMPO] ..........................................................18, 55 ÍÌÓÔ͇ [TOP] .....................................................................18, 80 ÍÌÓÔ͇ [TRACK 1 (R)]..........................................................18, 81 ÍÌÓÔ͇ [TRACK 2 (L)] ..........................................................18, 81 ÍÌÓÔÍa [VARIATION] ...........................................................18, 61 ÍÌÓÔÍa [VH TYPE SELECT] ................................................18, 131 ÍÌÓÔÍa [VOCAL HARMONY] ...............................................18, 131 ÍÌÓÔÍa MAIN [A].................................................................18, 68 ÍÌÓÔÍa MAIN [B].................................................................18, 68 ÍÌÓÔÍa MAIN [C].................................................................18, 68 ÍÌÓÔÍa MAIN [D].................................................................18, 68 ÍÌÓÔÍa METRONOME [START \/ STOP]..................................18, 54 ÍÌÓÔÍa SONG [START / STOP] .............................................18, 78 ÍÌÓÔÍa STYLE [START / STOP].............................................18, 64 ÍÌÓÔÍa VOICE PART ON / OFF [LAYER] .................................18, 60 ÍÌÓÔÍa VOICE PART ON / OFF [LEFT] ...................................18, 60 ÍÌÓÔÍË [1▲▼] — [8▲▼]...............................................18, 39–49 ÍÌÓÔÍË [A] — [J] .................................................................18, 44 ÍÌÓÔÍË ONE TOUCH SETTING [1] — [4] ...........................19, 71, 72 ÍÌÓÔÍË REGISTRATION MEMORY [1] — [8] ............................19, 88 ÍÌÓÔÍË TEMPO [E] [F] ..................................................18, 54 ÍÌÓÔÍË TRANSPOSE [E] [F].........................................18, 144 ÍÌÓÔÍË VOICE ...................................................................15, 19 ÍÌÓÔÍË VOICE („ÛÔÔ˚ ÚÂÏ·Ó‚) ................................................58 ÍÓ̈‚Ó ÁaÚÛıaÌË .................................................................94 ÍÓÔËÓ‚aÌËÂ Ë ÙÓÏaÚËÓ‚aÌË ‰ËÒÍÂÚ ...................................153 ÍÓÔËÓ‚aÌËÂ Ò ‰ËÒÍÂÚ˚ Ìa ‰ËÒÍÂÚÛ...........................................153 ÍÓÔËÓ‚aÌË ÙaÈÎÓ‚ Ë ÔaÔÓÍ ....................................................47 ÍÓÔËÓ‚aÌË ÚaÍÚÓ‚ ...............................................................120 ÍÓÂÍÚËÓ‚Ía Á‚ÛÍa ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÓÍÛÊÂÌËÂÏ ...................128 Í˚¯Ía ÍÎa‚ËaÚÛ˚.................................................................16 Ͳ˜ÓÍ ‰Îfl ÌaÛ¯ÌËÍÓ‚ .............................................................17 ã ΂afl Ô‰aθ ..............................................................19, 61, 62 å ÏÂÚÓÌÓÏ .............................................................................151 ç ÌaÁÌa˜ÂÌË „aÏÓÌËÁaˆËË ......................................................147 ÌaÁÌa˜ÂÌË ÍaÌaÎÓ‚ ‰Îfl aÍÍÓ‰Ó‚ ...........................................150 ÌaÁÌa˜ÂÌË ÍaÌaÎÓ‚ ‰Îfl ÓÒÌÓ‚Ì˚ı ÚÓÌÓ‚..................................150 ÌaÒÚÓÈÍa Registration Sequence, Freeze Ë Voice Set ...................145 ÌaÒÚÓÈÍa ‚ Ó‰ÌÓ ÍaÒaÌËÂ.........................................................32 ÌaÒÚÓÈÍa ‚˚·aÌÌÓ„Ó ÒÚËÎfl.....................................................71 ÌaÒÚÓÈÍa ‚˚ÒÓÚ˚ ‚ÒÂı ÚÂÏ·Ó‚..............................................138 ÌaÒÚÓÈÍa „aÏÓÌËÁaˆËË ‚ÓÍaÎa Ë ÏËÍÓÙÓÌa...........................133 ÌaÒÚÓÈÍa „ÓÏÍÓÒÚË................................................................17 ÌaÒÚÓÈÍa „ÓÏÍÓÒÚË ÏËÍÓÙÓÌa Ë ÒÓÔÛÚÒÚ‚Û˛˘Ëı ˝ÙÙÂÍÚÓ‚.....135 ̇ÒÚÓÈ͇ „ÓÏÍÓÒÚË ˜‡ÒÚÂÈ / ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚.....80 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ÌaÒÚÓÈÍa Ó·˘Ëı ÔaaÏÂÚÓ‚ ................................................. 136 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÍÎa‚ËaÚÛ˚ Ë Ô‰aÎÂÈ........................... 142 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚ ÙÂȉËÌ„a, ÏÂÚÓÌÓÏa, a ÚaÍÊ ÙÛÌ͈ËÈ ·ÎÓÍËÓ‚ÍË ÔaaÏÂÚa Ë ÛÍaÁaÌËfl ÚÂÏÔa .............................. 151 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚, Ò‚flÁaÌÌ˚ı Ò a‚ÚÓaÍÍÓÏÔaÌÂÏÂÌÚÓÏ........ 141 ÌaÒÚÓÈÍa ÔaaÏÂÚÓ‚, Ò‚flÁaÌÌ˚ı Ò ÔÂÒÌÂÈ.............................. 140 ÌaÒÚÓÈÍa Ô‰aÎÂÈ................................................................ 142 ÌaÒÚÓÈÍa ÒÔËÒÍa ÒÓ·˚ÚËÈ – ÙËθÚ........................................ 112 ÌaÒÚÓÈÍa ˝ÍaÌa, ‰ËÌaÏËÍÓ‚ Ë ÓÚÓ·aÊÂÌËfl ÌÓÏÂÓ‚ ÚÂÏ·Ó‚ .. 152 ÌaÒÚÓÈÍa ˝ÙÙÂÍÚÓ‚ ............................................................. 126 ÌaÒÚÓÈÍa ˝ÙÙÂÍÚÓ‚ „aÏÓÌËÁaˆËË Ë ˝ıa................................. 146 ÌaÛ¯ÌËÍË ....................................................................... 17, 155 ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ......................................................... 62, 157 ÌÓÚÌ˚ ÒÓ·˚ÚËfl.................................................................... 110 ÔÓÚ [USB] ......................................................................19, 157 ÔÓÚ˚ MIDI [THRU] [OUT] [IN].............................................19, 157 ÔÓ¯a„Ó‚afl ÁaÔËÒ¸..........................................................101, 116 Ôa‚afl Ô‰aθ ..................................................................19, 62 ÔÂÓ·aÁÓ‚aÌË ‚ «ÍảÁË» (flÔÓÌÒÍËÈ flÁ˚Í) ...............................49 ÔË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ˜‡ÒÚÂÈ.................................................81 ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ...........................................................150 ÔËÏÂÌÂÌË ÚÂÏ·aθÌ˚ı ˝ÙÙÂÍÚÓ‚..........................................61 ÔËÏ ËÌÙÓÏaˆËË, Ò˜ËÚ˚‚aÂÏÓÈ Ò ÍÎa‚ËaÚÛ˚ ......................160 ÔÓË„˚‚aÌË ‰ÂÏÓÌÒÚaˆËÓÌÌ˚ı ÔÂÒÂÌ.....................................56 ÔÓÒÎۯ˂aÌË ˜ÂÂÁ ÍÓÎÓÌÍË Ë ÁaÔËÒ¸ Ìa ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ..156 ÔӘˠÓÔ‡ˆËË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ .......................80 ÔӘˠÔaaÏÂÚ˚ Ìa ˝ÍaÌ Basic ..........................................116 Ô˛ÔËÚ...................................................................................16 é ê Ó·Ó„a˘ÂÌË ÏÛÁ˚ÍË ˝ÙÙÂÍÚ‡ÏË Harmony Ë Echo......................... 30 Ó·ÒÎÛÊË‚aÌË .......................................................................... 8 Ó·˘afl ÌaÒÚÓÈÍa ÒËÒÚÂÏ˚...................................................... 148 Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÒÚËÎfl ‡‚ÚÓ‡Í-Ú‡ ........... 79 ÓÔÂaÚË‚Ìafl ÔaÏflÚ¸ ................................................................ 41 ÓÔÂaˆËË Ò ÙaÈÎaÏË Ë ÔaÔÍaÏË ................................................ 45 ÓÒÌÓ‚Ì˚ ÓÔÂaˆËË: Ó„aÌËÁaˆËfl ‰aÌÌ˚ı................................... 39 ÓÒÚaÌÓ‚Ía ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÒÌflÚËË ÛÍ Ò ÍÎa‚ËaÚÛ˚ ... 69 ÓÚÏÂÚÍa «END»..................................................................... 105 ÓÚÓ·‡ÊÂÌË ÌÓÚ .................................................................... 84 ÓÚÓ·‡ÊÂÌË ÚÂÍÒÚ‡ ÔÂÒÌË ....................................................... 87 ÓÚÓ·aÊÂÌË ˝ÍaÌa Clavinova Ìa ˝ÍaÌ ÚÂ΂ËÁÓa ................ 147 Ó˜ËÒÚÍa ÚaÍÚÓ‚ ..................................................................... 120 a‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚aÌÌ˚È ÒÚÓÈ .......................................139 aÁ‰ÂÎ FLOPPY DISK ...................................................41, 42, 43 aÁ‰ÂÎ PRESET.................................................................41, 42 aÁ‰ÂÎ USER ..............................................................41, 42, 43 aÁ‰ÂÎ˚ .................................................................................30 aÁÌ˚ ÚÂÏ·˚ ‰Îfl Ôa‚ÓÈ Ë Î‚ÓÈ ÛÍ ......................................27 aÁ¯ÂÌË ‚˚a‚ÌË‚aÌËfl .....................................................107 aÁۘ˂aÌË ‚a¯Ëı β·ËÏ˚ı ÔÂÒÂÌ ...........................................38 ‡Áۘ˂‡ÌË ÔÓËÁ‚‰ÂÌËÈ Ò ÔÓÏÓ˘¸˛ ۘ·Ì˚ı ÙÛÌ͈ËÈ .............83 aÁ˙ÂÏ [AUX PEDAL]........................................................19, 157 aÁ˙ÂÏ [VIDEO OUT] ................................................19, 147, 156 ‡Á˙ÂÏ [USB] ..........................................................................15 aÁ˙ÂÏ˚ [PHONES]..........................................................19, 155 aÁ˙ÂÏ˚ AUX IN [L / L+R] [R] .....................................................19 aÁ˙ÂÏ˚ AUX OUT (LEVEL FIXED) [L] [R] ............................19, 156 aÁ˙ÂÏ˚ AUX OUT [L / L+R] [R] ..........................................19, 156 aÁ˙ÂÏ˚ OUTPUT [L / L+R] [R] .................................................156 ‚·ÂaˆËfl .......................................................................129 ‰aÍÚËÓ‚aÌË aÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ ......................................111 ‰aÍÚËÓ‚aÌË ÁaÔËÒÂÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder ...........75 ‰aÍÚËÓ‚aÌË ÁaÔËÒË ..........................................................107 ‰aÍÚËÓ‚aÌË ÌÓÚÌ˚ı ÒÓ·˚ÚËÈ.............................................110 ‰aÍÚËÓ‚aÌË ÔaaÏÂÚÓ‚ ÍaÌaÎa ........................................120 ‰aÍÚËÓ‚aÌË ÔaaÏÂÚÓ‚, ÓÚÌÓÒfl˘ËıÒfl Í ÍaÌaÎaÏ ................107 ‰aÍÚËÓ‚aÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ........................................111 ‰aÍÚËÓ‚aÌË ÒÚËÎfl aÍÍÓÏÔaÌÂÏÂÌÚa ...................................118 ‰aÍÚËÓ‚aÌË ÚÂÏ·Ó‚..........................................................91 „ËÒÚaˆËfl Ìa·ÓÓ‚ ÔaaÏÂÚÓ‚ ..............................................88 „ÛÎËÓ‚Ía „ÓÏÍÓÒÚË ............................................................65 „ÛÎËÓ‚Ía „ÓÏÍÓÒÚË Ë ÁaÏÂÌa ÚÂÏ·Ó‚.................................123 „ÛÎËÓ‚Ía ÌaÒÚÓÂÍ „aÏÓÌËÁaˆËË ‚ÓÍaÎa Ë ˝ÙÙÂÍÚÓ‚ ‰Îfl Ó·a·ÓÚÍË ÏËÍÓÙÓÌÌÓ„Ó ÒË„ÌaÎa ........................................133 „ÛÎËÓ‚Ía ÚÂÏÔa ..................................................................54 „ÛÎflÚÓ [INPUT VOLUME] ..............................................19, 155 ÂÊËÏ ÌaÎÓÊÂÌËfl ÁaÔËÒË.......................................................113 ÂÁÓÌaÌÒ ................................................................................94 è ÔaaÏÂÚ Transpose Assign..................................................... 144 ÔaaÏÂÚ˚ ........................................................................... 121 ÔaaÏÂÚ˚ SOUND CREATOR (ÚÂÏ·˚ „ÛÔÔ˚ Natural/Regular)..... 92 Ô‡‡ÏÂÚ˚ ÒËÒÚÂÏ˚ .............................................................. 154 Ô‡‡ÏÂÚ˚ MIDI .................................................................... 154 ÔaaÏÂÚ˚ „Û‚a................................................................... 118 Ô‡ÚËÚÛ‡ .............................................................................. 84 Ô‰aθ (΂afl)........................................................................ 62 Ô‰aθ (Ôa‚afl) ...................................................................... 62 Ô‰aθ (Ò‰Ìflfl)..................................................................... 62 Ô‰aθÌ˚È ÔÂÂÍβ˜aÚÂθ............................................... 62, 157 ÔÂÒÌfl..................................................................................... 77 Ô‚˘ÌÓ ÁaÚÛıaÌËÂ............................................................... 94 Ô‰a˜a ............................................................................. 149 Ô‰a˜a MIDI-ÒÓÓ·˘ÂÌËÈ ...................................................... 149 ÔÂÂÁa„ÛÁÍa ÒËÒÚÂÏ˚;System Reset ........................................ 154 ÔÂÂÍβ˜aÚÂθ [MIC. LINE]............................................... 19, 155 ÔÂÂÏ¢ÂÌË ÙaÈÎÓ‚ Ë ÔaÔÓÍ .................................................. 46 ÔÂÂıÓ‰ Ìa ÒÚaÌˈ˚ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl.............................. 48 ÔËÙa„ÓÂÈÒÍËÈ ÒÚÓÈ ............................................................ 139 ÔÓ‚ÚÓ ÓÔ‰ÂÎÂÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ ÔÂÒÌË.................................... 81 ÔÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ ..................................... 157 ÔÓ‰Íβ˜ÂÌË ‰Û„Ëı ÛÒÚÓÈÒÚ‚ Í ˆËÙÓ‚ÓÏÛ ÔËaÌËÌÓ Clavinova. . 155 ÔÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ.................................................... 157 ÔÓ‰Íβ˜ÂÌË ÏËÍÓÙÓÌa ËÎË „ËÚa˚....................................... 155 ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ................................................... 77 ÔÓ‰Íβ˜ÂÌË aÛ‰ËÓ Ë ‚ˉÂÓ ÛÒÚÓÈÒÚ‚..................................... 156 ÔÓ‰Íβ˜ÂÌË Ía·ÂÎfl ÔËÚaÌËfl ................................................... 17 ÔÓ‰˚„˚‚aÂÏ ÔÂÒÌÂ Ë ÔaÍÚËÍÛÂÏÒfl .......................................... 36 ÔÓ‰˚„˚‚aÂÏ ˆËÙÓ‚ÓÏÛ ÔËaÌËÌÓ Clavinova............................... 36 ÔÓÁˈËfl ÎÓÍaÚÓa............................................................ 80, 140 ÔÓËÒÍ ÌaË·ÓΠۉa˜ÌÓ„Ó aÍÍÓÏÔaÌÂÏÂÌÚa ................................. 74 ÔÓËÒÍ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Music Finder...................................... 74 ÔÓËÒÍ ÒÂ‰Ë ÁaÔËÒÂÈ Music Finder .............................................. 34 ÔÓÍaÁaÌËfl ÍÌÓÔÓÍ – [BREAK], [INTRO], [MAIN], [ENDING] ............... 68 ë c·ÓÍa CVP-208.....................................................................164 c·ÓÍa CVP-210.....................................................................164 Ò·ÓÍa ÒÚËÎfl aÍÍÓÏÔaÌÂÏÂÌÚa.................................................117 ÒÂÍ‚ÂÌÒÓ.............................................................................160 ÒËÒÚÂÏa................................................................................148 ÒËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl ...............................................................111 ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl............................................................161 ÒÍÓÓÒÚ¸ ÌaÊaÚËfl (Velocity).............................................102, 119 Òϯ˂aÌË ‰‚Ûı aÁÌ˚ı ÚÂÏ·Ó‚ .............................................60 ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰aÌÌ˚ı ...................................................162 ÒÓÁ‰aÌË ÒÓ·ÒÚ‚ÂÌÌÓÈ ÌaÒÚÓÈÍË «‚ Ó‰ÌÓ ÍaÒaÌË» .....................72 ÒÓÁ‰aÌË ÒÚËÎÂÈ aÍÍÓÏÔaÌÂÏÂÌÚa............................................113 CVP-210/208 173 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ÒÓÓ·˘ÂÌËfl ............................................................................... 8 ÒÓıaÌÂÌË ...................................................................... 40, 48 ÒÓıaÌÂÌË ÁÌa˜ÂÌËÈ, Áa‰aÌÌ˚ı Ò Ô‰ÌÂÈ ÔaÌÂÎË................... 145 ÒÓıaÌÂÌË Ìa·ÓÓ‚ ÔaaÏÂÚÓ‚............................................... 89 ÒÓıaÌÂÌË ÙaÈÎÓ‚................................................................. 48 ÒÔa‚ÍË Ìa ‡ÁÌ˚ı flÁ˚Íaı........................................................ 53 Ò‰Ìflfl Ô‰aθ («ÒÓÒÚÂÌÛÚÓ»)............................................. 19, 62 ÒÚảaÚ GM System Level 1 ............................................. 19, 163 ÒÚảaÚÌÓ ‚Íβ˜ÂÌË ÁaÔËÒË .............................................. 106 ÒÚËθ..................................................................................... 63 ÒÚaÌˈa.............................................................. 103, 104, 106 ÒÚaÌˈa (SOUND CREATOR) ................................................... 93 ÒÚaÌˈa Chord Detect............................................................ 150 ÒÚaÌˈa Chord Fingering.................................................. 66, 142 ÒÚaÌˈa CONFIG 1 ............................................................... 151 ÒÚaÌˈa CONFIG 2 ............................................................... 152 ÒÚaÌˈa Controller ................................................................ 142 ÒÚaÌˈa Keyboard/Panel ........................................................ 144 ÒÚaÌˈa Owner .................................................................... 154 ÒÚaÌˈa Pedal ..................................................................... 142 ÒÚaÌˈa PIANO (SOUND CREATOR) ......................................... 93 ÒÚaÌˈa Receive .................................................................. 150 ÒÚaÌˈa Song Settings........................................................... 140 ÒÚaÌˈa Style Setting ............................................................ 141 ÒÚaÌˈa Voice Set ................................................................ 146 ÒÚÓÈ................................................................................... 139 ÒÚÓÈ äË̷„Âa................................................................ 139 ÒÚÓÈ ÇÂÍÏÂÈÒÚÂa .............................................................. 139 ÒÚÛÍÚÛÌafl ÒıÂÏa ˝ÙÙÂÍÚÓ‚ ................................................. 129 ÒÛÒÚÂÈÌ.................................................................................. 94 í Úa·Îˈa ÙÛÌ͈ËË Direct Access ................................................. 52 ÚaÍÚ / ‰ÓÎfl / ÒËÌıÓÌËÁaˆËfl .................................................... 102 ÚÂÍÒÚ˚ ÔÂÒÂÌ .................................................................. 87, 112 ÚÂÏ·aθÌ˚ ˝ÙÙÂÍÚ˚............................................................ 61 ÚÂÏ·˚ „ÛÔÔ˚ Natural ............................................................. 92 ÚÂÏ·˚ „ÛÔÔ˚ Regular ............................................................ 92 ÚËÔ ˝ÙÙÂÍÚa Vocal Harmony ................................................... 131 ÚËÔ˚ aÍÍÓ‰Ó‚, aÒÔÓÁÌa‚aÂÏ˚ ‚ ÂÊËÏ Fingered.................... 67 ÚËÔ˚ ‰aÌÌ˚ı Ìa ˝ÍaÌ MIDI TRANSMIT/RECEIVE ..................... 149 ÚËÔ˚ ˝ÙÙÂÍÚa Harmony ......................................................... 147 ÚÓÌËÍa ................................................................................. 150 ÚÓÌ͇fl ̇ÒÚÓÈ͇ Ô‡ÚËÚÛ˚ .................................................... 85 ÚÓ˜Ía aÁ‰ÂÎÂÌËfl ÍÎa‚ËaÚÛ˚ ................................................ 141 ÚaÌÒÔÓÌËÓ‚aÌË ÍaÌaÎa ...................................................... 109 ì Û‰aÎÂÌË ÒÓ·˚ÚËfl ................................................................. 120 Û‰aÎÂÌË ÙaÈÎÓ‚ Ë ÔaÔÓÍ......................................................... 47 ÛÍaÁaÌË ÔÓÒΉӂaÚÂθÌÓÒÚË ‚˚ÁÓ‚a Ìa·ÓÓ‚ ÌaÒÚÓÂÍ ........... 145 ÛÔÓfl‰Ó˜ÂÌË ÙaÈÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÒÓÁ‰aÌËfl ÌÓ‚ÓÈ ÔaÔÍË.............. 48 ÛÒÚaÌÓ‚Ía „ÓÏÍÓÒÚË Ë ÚÂÏ·a ................................................ 124 ÛÒÚaÌÓ‚Ía ÔaaÏÂÚÓ‚ MIDI .................................................... 148 ÛÒÚaÌÓ‚Ía ÔaaÏÂÚÓ‚ ÙaÈÎa SMF .......................................... 121 ÛÒÚaÌÓ‚Ía ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ôa‚ÓÈ ˜aÒÚË ÍÎa‚ËaÚÛ˚ ............ 61 î ÙaÈÎ ..................................................................................... 41 ÙaÈÎ ÒÚËÎfl .......................................................................... 162 ÙaÈÎ˚ Ë ÔaÔÍË Ìa ‰ËÒÍÂÚÂ........................................................ 46 ÙËÍÒaÚÓ ‰Îfl ÌÓÚ.................................................................... 16 ÙËÎ¸Ú .................................................................. 94, 112, 125 ÙÓÏaÚ ‰ËÒÍÂÚ ..................................................................... 162 ÙÓÏaÚ aÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ............................................. 163 ÙÓÏaÚ ÒÂÍ‚Â̈ËË ................................................................ 162 174 CVP-210/208 ÙÛÌ͈Ëfl Auto Revoice.............................................................124 ÙÛÌ͈Ëfl Style Creator .............................................................113 ÙÓÏaÚ Disk Orchestra Collection ................................................19 ÙÓÏaÚ ÙaÈÎa ÒÚËÎfl (SFF) .....................................................114 ÙÓÏaÚËÓ‚aÌË ‰ËÒÍÂÚ.........................................................153 ÙÛÌ͈ËË Ó·Û˜ÂÌËfl ...................................................................82 ÙÛÌ͈ËË, ÍÓÚÓ˚ÏË ÏÓÊÌÓ ÛÔa‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ Ô‰aÎÂÈ .........143 ÙÛÌ͈Ëfl Chord Tutor ..............................................................142 ÙÛÌ͈Ëfl Dynamics .................................................................119 ÙÛÌ͈Ëfl Groove ....................................................................118 ÙÛÌ͈Ëfl Local Control.............................................................148 ÙÛÌ͈Ëfl Piano Lock..................................................................59 ÙÛÌ͈Ëfl Registration Sequence ................................................145 ÙÛÌ͈Ëfl Song Creator...............................................................97 ï ıaaÍÚÂËÒÚËÍË ÁaÔËÒË ‚ ÂaθÌÓÏ ‚ÂÏÂÌË .............................113 ıaaÍÚÂËÒÚËÍË ÚÂÏ·a ............................................................59 ñ ˆÂÌÚ.....................................................................................138 ˆËÍ΢ÂÒÍafl ÁaÔËÒ¸ ...............................................................113 ó ˜aÒÚË ‰Îfl ÔËÂÏa MIDI-ÒÓÓ·˘ÂÌËÈ...........................................150 ˜aÒÚË ÒÚËÎfl ............................................................................30 ˜aÒÚË ÒÚËÎfl aÍÍÓÏÔaÌÂÏÂÌÚa ....................................................99 ˜ËÒÚ˚È ÏËÌÓ........................................................................139 ˜ÚÓ ÏÓÊÌÓ ‰ÂÎaÚ¸ Ò MIDI? ......................................................161 ˜ÚÓ ÚaÍÓ MIDI?.....................................................................159 ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÌaÊaÚ˲ ..................................................144 ò ¯a·ÎÓÌ˚ MIDI .......................................................................148 ù ˝ÍaÌ REGISTRATION EDIT.......................................................89 ˝ÍaÌ˚ Open/Save ...................................................................40 ˝ÙÙÂÍÚ Chorus .....................................................................129 ˝ÙÙÂÍÚ˚..............................................................................126 ˝ÙÙÂÍÚ˚ ÔÓθÁÓ‚‡ÚÂÎfl..........................................................154 ˝ıÓ ........................................................................................62 ü flÍÓÒÚ¸ ..................................................................................94 MEMO MEMO CVP-210/208 175 MEMO MEMO 176 CVP-210/208 IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. (class B) For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de Mexico S.A. De C.V., Departamento de ventas Javier Rojo Gomez No.1149, Col. Gpe Del Moral, Deleg. Iztapalapa, 09300 Mexico, D.F. Tel: 686-00-33 BRAZIL Yamaha Musical do Brasil LTDA. Av. Rebouças 2636, São Paulo, Brasil Tel: 011-853-1377 ARGENTINA Yamaha de Panamá S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha de Panamá S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Central Europe GmbH, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 BELGIUM/LUXEMBOURG Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha más cercana o el distribuidor autorizado que se lista debajo. ASIA FRANCE Yamaha Musique France, S.A. Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-201-0700 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0661 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-703-0900 PHILIPPINES DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374 TAIWAN NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2 Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951 THE PEOPLE’S REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND TURKEY/CYPRUS OTHER COUNTRIES OCEANIA AUSTRALIA Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445 [CL] 26