Download Baldwin Boxall Mitre Amplifiers Operating instructions
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IMITRE Issue 2 10/05/2000 Mitre Amplifiers Operating Instructions Baldwin Boxall Communications Ltd. Wealden Industrial Estate, Farningham Road Crowborough, East Sussex, TN6 2JR Telephone: 01892 664422 Fax: 01892 663146 Website: www.baldwinboxall.co.uk Email: [email protected] C O M M U N I C A T I O N S MITRE DESCRIPTION AND SPECIFICATIONS The Mitre range of amplifiers consists of integrated slave and tuner/amplifier models. They are designed to give a high degree of flexibility as well as quality and reliability. Integrated Amplifiers M2000M (Mixer) M2060M (60 Watt), M2120M (120 Watt), M2300M (300 Watt) 1. Four balanced microphone/line universal inputs. 2. Each universal input has the option of cascade priority, phantom power, chime and volume restoration/busy, XLR or screw terminations. 3. Built-in one, two or three note chime with pre-set volume control. 4. Built-in alarm tone generator with pre-set volume control. Tones are adjustable. A continuous 900 Hz- tone or continuous pips can also be configured making it suitable for class change, start and stop work, etc. 5. Each universal input has input live indicator. 6. Master volume, treble and bass controls. 7. 300 Watt version M2300M has four zone relay selector as standard. NB: As supplied from the factory all zoned outputs are energised. 8. Internal option socket. Can be used to add frequency equaliser etc. 9. Music mute facility, which allows for music to be totally muted or ‘ducked’ to a pre-set level, when paging operated. 10. Remote music mute DC input from time clocks etc. 11. Output stage protected by thermal shut down in event of unsuitable load. 12. Auxiliary stereo music input (internally mixed) to accept tuners, CD players or tape decks. 13. Power amplifier input phono connector to enable 2 amplifiers to be connected together to provide 10 inputs. 14. 24V DC output. 15. M2000M Mixer version has two 0dB balanced line level outputs to feed separate amplifiers. Slave Amplifiers M2120S (120 Watt), M2300S (300 Watt) 1. Each amplifier has two balanced line inputs which have selectable priority and rear mounted independent gain controls. 2. Priority selectable by DIL switch. 3. Internal option socket. Can be used to add frequency equalisers, etc. 4. Output level indicator. 5. Output stage protected by thermal shut down in event of unsuitable load. 6. 30V 1.5A output for powering mixers, etc. Tuner Amplifiers M2060A (60 Watt), M2120A (120 Watt), M2300A (300 Watt) 1. These have the same facilities as the mixer amplifiers with the added facilities of an FM/AM tuner. 2. The FM Tuner operates between 87-108 MHz and the AM between 525-1605 kHz. 3. Phase locked loop tuner with digital display of frequency and selected channel providing 7 FM, 7 AM and an auxiliary input for CD or tape. -2Issue 2 SAFETY IMPORTANT NOTES - DO’S AND DON’TS Ventilation Always ensure adequate ventilation to the amplifier especially the 300 Watt version. Do not obstruct ventilation holes in cover or base. The 300 Watt versions include internal fans that are temperature controlled to prevent overheating, especially if the amplifiers are rack mounted and used for continuous broadcast of music material. Should the amplifier exceed its safe operating temperature it will automatically reduce its volume to a safe level thus allowing it to cool. Once cooled it will operate normally without manual resetting. AC Power Input - Danger High Voltage Only connect to an AC 50-60 Hz 230V supply using the lead assembly supplied or an equivalent type with a suitable IEC connector. Always ensure that the amplifier is earthed. Always unplug the power before removing the top cover. 100V Loudspeaker Output - Danger High Voltage Ensure that the loudspeaker connections are suitably protected and cannot be touched. Always replace output plug insulated covers. Always ensure that the total speaker load does not exceed the rating of the amplifier used. If unsure use an impedance meter to measure the unknown load. Using a multimeter selected to the resistance range ensure that the speaker line is not connected to earth. NB: As supplied from the factory a jumper lead is included on the rear of the M2300. This lead energises the four output relays and enables the user to connect to any of the four zoned outputs. Moisture Do not allow water to come in contact with the amplifier and its external connections. Cable Types Always ensure that the correct cable type is used for the signal level. A twin screened cable should be used for balanced inputs operating at mic or line level. Zone selection and access control cables do not generally require screening and should not share the same screen as the balanced input. Loudspeaker output cables should be rated in excess of 100V and the cross sectional area to suit the load without excessive power loss. Always ensure that output cables are kept as far away from input cables as possible reducing the risk of instability. Fuses Always replace using the correct rating and type to ensure safe operation. -3Issue 2 Mitre Integrated Technical Specification Rated output power 100V line 230V AC supply MIXER 60 120 300 N/A 60W 166 Ohms 120W 83 Ohms 300W 33 Ohms THD 1 kHz rated output Aux input 230V AC supply Less than 0.5% typically 0.2% Typical output power 1% THD Aux input 230V AC supply N/A Output regulation (1 kHz 100V line) N/A Output voltages obtainable (Pin selection) N/A 80W 125 Ohms Fuse protection 1 x AC supply 20 x 5 mm 2 x DC (amplifier) auto blade type 50 & 100V 230V 50-60 Hz 20VA N/A 12VA 150VA 18VA 300VA 26VA 700VA 630mA(T) 1x1A(F) 1x5A(F) 2A(T) 5A(F) 3.15A(T) 10A(F) 6.3A(T) 20A(F) 1 x DC Aux output Self Resettable Fuse Aux input phono stereo summed mono Sensitivity Frequency response -3 dB @ Signal to noise ratio 100mV @ 20k Ohms 40 Hz - 20 kHz Better than 80 dB Tone controls Bass Treble ± 12 dB @ 100 Hz ± 12 dB @ 12 kHz Universal input (line) Sensitivity Frequency response -3 dB @ Signal to noise ratio 80mV @ 12K balanced 40 Hz - 18 kHz Better than 70 dB Universal input (Mic) Sensitivity 600 µV balanced Input impedance Without phantom power With phantom power 15V 12k Ohms 660 Ohms Frequency response -3dB @ 40 Hz - 18 kHz Common mode rejection ratio 50 Hz - 30 kHz Better than 60 dB Signal to noise ratio terminated 200 Ohms Better than 60 dB System busy output Open collector 0.5A @ 40V total max. Aux line output level Source impedance 0 dBm transformer isolated 100 Ohms Power amplifier input Sensitivity Impedance 800mV 15K Ohms Busy/restoration relay output 2 pole change-over 5A @ 100V max. DC Aux output 4-zone relay output 30V @ 1.5A max. N/A LED indicators x 5 N/A N/A 5A @100V max. 1 per universal input (indicates busy state) 1 indicates presence of 24V Aux supply Terminations AC supply input Power amp input Aux signal input Universal input Alarm trigger & 0dB line output Busy/restoration relay output Loudspeaker line output 3-pin, DIN IEC 6A 1 x phono 2 x phono, Stereo summed mono 6-pin, Screw terminated connector + 3-pin XLR 6-pin, Screw terminated connector 8-pin, Screw terminated connector 3-pin, Screw terminated connector Dimensions (cm) (D x W x H) Weight 340W 29 Ohms Better than 1dB Supply voltage AC Power consumption @ 230V Quiescent (no external DC load) Rated output power @ 1 kHz 150W 66 Ohms 340 x 430 x 90 7.1 Kg 11.2 Kg 340 x 430 x 132 12 Kg 18 Kg -4Issue 2 Mitre Tuner Specification FM tuning range 87-108 MHz Sensitivity for 40 dB signal to noise ratio (ref. to ±22.5 kHz) 20 dBµ typical IF frequency 10.7 MHz IF rejection @ 98 MHz 70 dB typical Image rejection @ 98 MHz 80 dB typical AM rejection @ 98 MHz 70 dB typical Antenna input impedance 75 Ohms unbalanced AM tuning range 525-1605 kHz Sensitivity for 30 dB signal to noise ratio (ref. to 30% modulation) 40 dBµ typical IF frequency 450 kHz IF rejection @ 1050 kHz 55 dB typical Image rejection @ 1050 kHz 36 dB typical AGC @ 1050 kHz 60 dB typical Antenna input impedance To suit loop antenna Pre-set channel selection 7 FM Tuned frequency indicator 4 7 segment LED displays Channel indicator 1 7 segment LED displays Memory battery back-up 90 days 7 AM 1 Aux -5Issue 2 -6- Issue 2 MOUNTED ON PC1180 2 3 3 2 1 1 600uV MIC 80mV LINE INPUT 4 UNIVERSAL MOUNTED ON PC1180 2 3 3 2 1 1 600uV MIC 80mV LINE INPUT 3 UNIVERSAL MOUNTED ON PC1180 2 3 3 2 1 1 600uV MIC 80mV LINE INPUT 2 UNIVERSAL MOUNTED ON PC1180 2 3 3 2 1 1 600uV MIC 80mV LINE INPUT 1 UNIVERSAL 2 3 4 I/P 0V ACCESS 1 2 3 4 I/P 0V ACCESS 6 +24V 4 ACCESS 6 +24V 2 3 4 I/P 0V ACCESS 6 +24V 6 INPUT 5 PHONO INPUT 100mV 3 2 1 5 BUSY 0V 1 I/P 3 2 1 5 BUSY 0V 2 3 0V 1 I/P I/P 3 2 1 5 BUSY 0V 1 I/P 3 2 1 6 +24V 5 5 BUSY 0V 1 I/P 4 2 3 0V 0V 0V 0V 0V R L CHIME 0V 0V +15V +15V +15V SELECT 1,2 0R 3 NOTE 330R X2 PHANTOM POWER 330R X2 PHANTOM POWER 0V +15V 330R X2 PHANTOM POWER 330R X2 PHANTOM POWER REAR PRESET MUSIC MUTE PRESET INPUT 5 VOLUME MIC/LINE MIC/LINE MIC/LINE 0V ALARM SIREN MIC/LINE 0V INPUT 4 VOLUME 0V INPUT 3 VOLUME 0V INPUT 2 VOLUME 0V INPUT 1 VOLUME 0V REAR PRESET AUX MUTE +15V PRIORITY 6 PRIORITY 5 CHIME REST PRI PRIORITY 4 CHIME REST PRI PRIORITY 3 CHIME REST PRI PRIORITY 2 PRIORITY 1 CHIME REST PRI PRIORITY CIRCUIT +24V +24V +24V +24V 0V INPUT ACTIVE INPUT ACTIVE INPUT ACTIVE INPUT ACTIVE VIRTUAL EARTH MIXER 0V BASS ONLY FITTED TO 300W VERSIONS PC1171 MASTER VOLUME 60,120 & 300W LINK -VE 0V +VE TREBLE 12K OPTION PSU SWITCH ON TO SELECT MUSIC OUT 0V +VE IN MIXER LINK POST PRE 4 3K3 RL4 2 0V +24V RL3 MAINS SWITCH 3 1 2 3 RL2 POWER AMPLIFIER 60,120 OR 300W 0V MAINS FUSE SUPPLY PRESENT 2A RESETTABLE 0V L E 1 3 4 5 6 7 +24V 0V NOT FITTED TO 300W VERSIONS LINE ZONE 4 LINE ZONE 3 LINE ZONE 2 LINE ZONE 1 220V - 240V AC 50Hz - 60Hz 5A @ 100V BUSY/VOLUME RESTORATION +24V 8 ALL 2 1 4 2 3 2 N 1 3 4 2 ALL 1 GROUP 0V 50V 100V 0V 50V 100V 0V 50V 100V 0V 50V 100V 0V 50V 100V 800mV POWER AMP INPUT AUX MUTE RELAY COIL ALARM ACCESS 6 5 0dB OUTPUT FITTED TO MIXER ONLY 0dB OUTPUT 7 8 6 5 4 3 2 1 +24V RL1 0V 0V 1 3 2 1 3 2 0V 1 MOUNTED ON PC1180 1 2 3 Mitre Slave 120W 300W The Mitre Slave is equipped with two 0dBM balanced line inputs incorporating a priority switching system. The priority is selected using a two-way dual in line switch. Switch ‘1’ when selected ‘on’ provides input 2 muting when 1 is accessed. Switch ‘2’ when selected ‘off’ enables the first input irrespective of access conditions. When both switches are selected ‘on’ input 1 will override input 2. Therefore it is possible to have both inputs mixing together or cascade priority depending on the requirements, refer to rear panel drawing. LED indicators on the front panel show clearly which input or inputs are busy and the channel gain may be individually set using the rear panel controls. The output stage is protected against overload conditions, i.e. short circuits etc., by means of sensing the current and voltage and presenting this error signal to a drive limiter circuit. Should the amplifier be subjected to an abnormal load the input to the power amplifier is limited to a safe level. Over temperature protection is provided using sensors attached to the output stage heatsink. Should the temperature exceed 90°C the input signal is reduced to a low level preventing permanent damage to the amplifier. When the amplifier cools down, it will perform as normal without manual resetting. For added reliability the 300 Watt version includes internal fans that will operate if the heatsink temperature exceeds 70°C. The inputs to the amplifier are presented on two separate four-way plug-in screw terminal connectors, each connector provides a balanced audio input, ground and access DC control input. The output is presented on a three-way plug/screw termination connector providing 50V or 100V output. The front panel LED indicators include an output level status indicator consisting of four LED’s indicating 5V, 25V, 50V and 100V maximum output level. -7Issue 2 Mitre Slave Technical Specification Rated output power 100V line 230V AC supply 120W 300W 120W 83 Ohms 300W 33 Ohms THD 1 kHz rated output 230V AC supply Typical output power 1% THD 230V AC supply Less than 0.5% typically 0.2% 150W 66 Ohms Output regulation 1 kHz 100V line 360W 29 Ohms Better than 1 dB Output voltages obtainable by pin selection 50 & 100V Supply voltage AC 230V 50-60 Hz Power consumption Quiescent Rated output power @ 1 kHz Fuse protection 1 x AC supply 20 x 5 mm 2 x DC (amplifier) auto blade type 1 x DC Aux output 20 x 5 mm Input type 18VA 300VA 26VA 700VA 3.15A(T) 10A(F) 2A(T) 6.3A(T) 20A(F) 2A(T) 2 x line balanced with priority gating Input sensitivity 0.5V @ 40K Ohms balanced Input common mode rejection ratio 50 Hz - 30 kHz Frequency response -3dB @ Signal to noise ratio Selectable high pass filter Better than 40 dB typically 60 dB 40 Hz - 20 kHz Better than 85 dB 200 Hz 12 dB/octave DC Aux output 30V @ 1.5A max. LED indicators Output level indicator 5V 25V 50V 100V Inputs busy, i.e. accessed Terminations AC supply input Line signal inputs DC Aux output Loudspeaker line output Dimensions (cm) (D x W x H) 3-pin 4-pin 2-pin 3-pin DIN IEC 6A Screw terminated connector Crimp terminated connector Screw terminated connector 340 x 430 x 90 340 x 430 x 132 11.5 Kg 17.5 Kg Weight -8Issue 2 -9- Issue 2 INPUT 2 BALANCED INPUT 500mV INPUT 1 BALANCED INPUT 500mV 3 0V 3 0V 4 2 I/P ACCESS 1 I/P 4 2 I/P ACCESS 1 I/P 0V 0V + - + - 0V INPUT 2 VOLUME 24V AUX SUPPLY OUTPUT 1.5A MAX PRIORITY LOGIC 0V INPUT 1 VOLUME -VE +VE -30V 0V +30V 2A 200Hz HIGH PASS FILTER LK1 REMOVE LINK TO ENABLE FILTER PSU 0V +VE OUT IN MAINS SWITCH OPTION SOCKET OUTPUT LEVEL INDICATOR 5V 25V 50V 100V POWER AMPLIFIER 120 OR 300W MAINS FUSE L N E 230V AC 50Hz-60Hz 0V 50V 100V MITRE INTEGRATED AMPLIFIER FEATURES Universal Inputs. Each of the universal inputs has a 6 way DIL switch to select the required facilities as shown below : Note: Each universal input has to be accessed (by linking pins 3 and 4) in order to make the input live. The green LED on the front panel illuminates when an input has been accessed. Priority Selection If priority is set to ‘ON’ then the input will override descending inputs. The hierarchy in descending order is as follows: Input 1 – Overall Priority Alarm Tone Input 2 Input 3 Input 4 Music / Aux – No Priority CHIME ON = CHIME WILL SOUND WHEN INPUT IS ACCESSED OFF = NO CHIME VOLUME RESTORATION/BUSY ON = VOL REST RELAY & BUSY OUTPUTS OPERATE WHEN INPUT ACCESSED OFF = VOL REST RELAY & BUSY OUTPUTS WILL NOT OPERATE WHEN INPUT ACCESSED SENSITIVITY ON = MIC 0.6mV. OFF = LINE 80mV. PHANTOM POWER PRIORITY ON = THIS INPUT WILL OVERRIDE DESCENDING INPUTS OFF = THIS INPUT WILL NOT OVERRIDE DESCENDING INPUTS AND WILL MIX BOTH ON = 15V MIC PHANTOM POWER BOTH OFF = NO PHANTOM POWER ON 1 2 3 4 5 6 ACCESS CLOSE TO 0V TO ACCESS INPUT. BUSY OPEN COLLECTOR OUTPUT 40V @ 0.5A MAX CLOSES TO 0V WHEN ACTIVE. SEE SWITCH 2 ABOVE. 0V (GROUND) BALANCED SIGNAL INPUT SEE SWITCH 4 ABOVE +24V TO FEED MICROPHONE PRE-AMP, BUSY INDICATORS ETC. 1 2 3 4 5 6 INPUT CONNECTOR BUSY INDICATOR PRESS TO SPEAK SWITCH - 10 Issue 2 Volume Restoration Relay. This relay will energise whenever an input is accessed if the “Vol. Rest / Busy” switch (2) has been selected. The relay contacts can switch either an AC or DC signal providing it does not exceed 100V @ 5A. Here are 3 examples : VOLUME CONTROL 100V AMPLIFIER OUTPUT 50V 0V Example 1: 3 Wire System to Override a Remote Auto Transformer Volume Control. +24V SYSTEM BUSY INDICATOR 0V Example 2: Aux. Busy Indicator. 100V PAGING ONLY (OFFICES) 50V 0V MUSIC & PAGING (WORKSHOP) Example 3: Paging Only Output. - 11 Issue 2 FLOATING LINE OUTPUT SWITCH 1 2 AFTER MASTER & TONE CONTROLS BEFORE MASTER & TONE CONTROLS CHIME SELECTION SWITCH 3 4 ON OFF NO CHIME OFF OFF ON 1 NOTE CHIME OFF ON 2 NOTE CHIME ON OFF 3 NOTE CHIME ON ON NOTE. DO NOT SELECT BOTH SWITCHES TO ON OFF ON MAX CHIME VOLUME 1 2 3 4 MAX ALARM TONE VOLUME ALARM ACCESS, CLOSE TO 0V TO ACCESS ALARM TONE GENERATOR 0V (GROUND) FLOATING LINE OUTPUT RELAY COIL 0dB TRANSFORMER ISOLATED OUTPUT TO FEED SLAVE AMPLIFIER, TAPE RECORDERS ETC SEE SWITCH 1&2 AUX MUTE 1 2 3 4 5 6 CONNECTOR CLOSE TO 0V TO MUTE AUX INPUT. TIME SWITCH ETC OUTPUT TO FEED OTHER EQUIPMENT CLOSE TO SOUND ALARM TONE Alarm, Chime and Aux. Line Output Connections. Music Mute Control The amplifier has an internal pre-set VR6 which controls the residual level of background music during paging. For full muting VR6 should be turned fully clockwise. For partial muting VR6 should be turned anti-clockwise to suit operational requirements. Once the priority microphone is deselected the background music level will fade up gently to its original setting. The unit is supplied with muting set to maximum. MAX MUTE VR6 MUSIC MUTE AUX VOLUME CONTROL PART VIEW OF PRINTED BOARD CIRCUIT WITH TOP COVER REMOVED - 12 Issue 2 Alarm Tone Generator. The Alarm Tone Generator is configured when dispatched from the factory to produce a 1 second alternating 500 and 900 Hz Dee-Daa sound. However, it is possible to produce pulsed or continuous single frequency tones which could be used for start and stop work, class change, etc. Will remain sounding until access switch removed. FACTORY SET 900Hz FACTORY SET 500Hz VR9 JP22 SET ALARM C76 R105 D8 D9 R104 C64 VR10 TP4 R121 VR9 JP22 JUMPER LINK CONTINUOUS 900Hz 500Hz TP4 CONTINUOUS 900Hz 500Hz SET ALARM VR10 R121 JUMPER LINK C76 R105 D8 D9 R104 C64 TR1 TR1 R103 R103 C77 C77 JP21 U6 JP21 C38 500Hz PIPS U6 C38 500Hz PIPS 900Hz PIPS 900Hz PIPS CONTINUOUS 900Hz TONE VR9 JP22 SET ALARM VR10 TP4 R121 VR9 JP22 C76 R105 D8 D9 R104 CONTINUOUS 500Hz 900Hz TP4 CONTINUOUS 500Hz 900Hz SET ALARM VR10 R121 CONTINUOUS 500Hz TONE C76 R105 D8 D9 R104 C64 C64 TR1 TR1 R103 C77 JP21 500Hz PIPS R103 JUMPER LINK U6 C38 C77 JP21 500Hz PIPS 900Hz PIPS U6 C38 900Hz PIPS CONTINUOUS 900Hz PIPS CONTINUOUS 500Hz PIPS Part views of printed circuit board with top cover removed. When the Alarm Tone Generator is accessed it will provide a “Busy” output to all universal inputs and energise the Volume Restoration relay. - 13 Issue 2 Mitre FM / AM Tuner Amplifier. The tuner provides 7 x FM, 7 x AM (MW) and 1 x Aux. programme. Front Panel View. Rear Panel Time Switch Connections FLOATING LINE OUTPUT CONNECTOR AUX MUTE 0V (GROUND) 1 2 3 4 5 6 STORE SWITCH VIA FRO NT PANEL HOLE CONNECTOR up frequency AM=kH z FM=MHz programme CLOSE TO 0V TO MUTE AUX INPUT / TUNER. USING TIME SWITCH ETC am fm Connect the Time Switch between pin 6 and 0V (pin 3) to mute the Tuner. down programme Tuning a Channel. Press the “Programme” switch until the channel you wish to tune is displayed by the Programme indicator and the FM / AM indicators. The Frequency indicator will indicate the original setting. By using the “UP” or “DOWN” switches step to the required frequency. The Programme indicator will now pulse inviting you to store the new selection by pressing the “Store” switch using a small screwdriver or similar tool through the front panel hole. After storing, the Programme indicator will stop pulsing. Press the “Programme” switch once and the Programme indicator will indicate the next programme. To tune repeat the above until all channels have been set. After 7 channels have been selected the Aux. input is selected. The Programme indicator displays an “A”. When installing this unit it is important to connect a suitable aerial. A dipole or a multi-element directional antenna, mounted externally should give optimum FM reception. For AM a loop, long whip or long wire aerial will suit. Both FM and AM aerials should be wired using a coax type cable, and the cable kept to a minimum length for best results. Please note. An internal battery supports the memory of the tuner module. If the module fails to operate correctly when first switched on then the battery voltage may have dropped too low to maintain the memory. Once this has happened the tuner module must be reset before it can be reprogrammed. To reset the tuner the unit must be turned off and the “STORE” button held in whilst switching the power back on. This will restore all pre-set stations to their default settings of 89.1MHz for FM stations and 909KHz for AM stations. - 14 Issue 2 VOL REST RELAY 5A 100V MAX 2A MAX 0V +24V MANUFACTURED IN THE UK BY BALDWIN BOXALL COMMUNICATIONS LTD. CROWBOROUGH, E.SUSSEX. TN6 2JR TEL 01892 664422 FAX 01892 663146 +24V DC O/P FUSE SELF RESETTABLE SUPPLY PRESENT FM AM/FM AERIAL AM PUSH O/P 2 0V 1 0dBM FLOATING ALARM LINE O/P 0V ACC BALANCED 0dB OUTPUT 2 BAL O/P 2 PUSH O/P 1 1 2 34 1 2 3 NOTE CHIME ON POWER AMP I/P RLY COIL POST MASTER V/C AUX PRE MASTER V/C MUTE 3 ALARM VOLUME R AUX INPUT PRIORITY 0.6mV MIC 1 23 45 6 CHIME V REST/BUSY PUSH PUSH CHIME VOLUME INPUT3 INPUT4 L BALANCED 0dB OUTPUT 1 MITRE MIXER The Mitre Mixer has all of the features of the Mitre Integrated Amplifiers but instead of producing a 100V line output to drive speakers directly, the output is a 0dB balanced line output to drive other amplifiers. The output is presented on two paralleled XLR connectors. - 15 - Issue 2 Example Installations With Wiring Diagrams. The following drawings show examples of how to connect amplifiers using the numerous facilities included in them. NB. As supplied from the factory a jumper lead is included on the rear of the M2300. This lead energises the four output relays and enables the user to connect to any of the four zoned outputs. If any output zones are not required the relevant ‘Group Select’ DIL switch should be set to ‘OFF’. FIGURE 1 (Page 18) - 3 Zone : Music only, Paging only, and Music and Paging. This example shows the recommended method of obtaining the amplifier output i.e. Music and Paging, and also provides two switched outputs for Music only and Paging only. The Paging only output is useful for installations that require music to be broadcast to a factory / ware house but not the offices. However, Paging announcements will be broadcast to both areas. To obtain this facility the “Vol. Rest / Busy” switch on each microphone input used must be set to “ON”. FIGURE 2 (Page 19) - 2 Zones. Music and Paging and Paging Only. The M2060 and M2120 do not include the 4 zone output relay selection. This example shows how paging only output may be obtained using the internal Vol. Rest relay which energises when the microphones are accessed. If output zoning is required an external relay selector e.g. B41R may be used (see fig 3). FIGURE 3 (Page 20) – 4 Zone: Music and Paging. This example shows a simple installation using the M2120M or M2060M, a B41R Relay Set and a 4 zone BDM Microphone to provide 4 zones with Music and Paging. FIGURE 4 (Page 21) - 4 Zones. 3 with Paging and Music, 1 Paging Only. This example shows a typical 4 zone system using the M2300 providing the following features: a) b) c) d) e) f) Single zone all call microphone (BDM 201) overriding all other inputs, 2 Tone alarm signal to all zones overriding descending inputs, 2 off 4 zone microphones (BDM 204) with 3 note chime overriding descending inputs, Background music broadcast to all zones except zone 3 “Offices”, Local volume control for zone 4 which is overridden when a paging announcement is made. Background music selected on-off by a time switch. The music is selected to the required zones by switching “On” the appropriate group select switches. If more than 4 zones are required it is possible to use 2 or more M2300 inputs wired in parallel. FIGURE 5 (Page 22) - 4 Zones. Using 4 Amplifiers. In this example each zone is served by a separate amplifier and zone selection is accomplished using input access. A music source i.e. CD, tape etc. may be injected into the required zonal amplifiers which would only be overridden when that particular zone is paged and not interrupt other zones. The first input is an all zone call but the other two can select the zone they wish to page. This example only shows four zones but up to sixteen zones would be possible using this technique. FIGURE 6 (Page 23) - 6 Zones. Using 1 Mixer Amplifier and 2 Slaves. This example shows how both input and output access zone selection can be achieved. The slave amplifiers have two 0dB line inputs which incorporate a priority access system allowing the music to be overridden when paging. Input 1 of each slave is fed from the master amplifier via its 0dB line output. This output provides a signal before the master volume and tone controls (pre-fade), but can be selected to after (post-fade) if required by means of the relevant DIL switch. - 16 Issue 2 OBTAINING A 600W SINGLE LOUDSPEAKER OUTPUT FIGURE 7 (Page 24) - 1 Zone of 600W Using 2 Slave Amplifiers Shows how two 300W slaves may be configured to produce 600 Watts into a single load. We do not recommend paralleled outputs because both amplifiers would have to possess identical gain and phase throughout the audio frequency range. The two 50V outputs are connected in series to produce 100V to the load and small changes in gain will not cause any problems. Both amplifiers must be of the same power output rating and the gains are set to produce the same output voltage within 5%. If in doubt set both to maximum. FIGURE 8 (Page 25) - 1 Zone of 600W Using a Master and Slave Amplifier Shows how a 300W slave may be connected to a 300W integrated amplifier to produce 600 Watts into a single load. To obtain an output from the integrated amplifier all zone selection relays are energised by applying 0V to the ‘ALL’ terminal of the zone selector. The slave amplifier obtains its input signal from the floating line output selected to ‘post master V/C’ and must be in the correct phase. As with the previous example the outputs are wired in series. The slave volume (gain) must be set so both amplifiers produce the same output voltage within 5%. Input 1 of the slave is enabled by selecting both DIL switches off therefore a link is not required between access and 0V. FIGURE 9 (Page 26) Shows how 2 300W amplifiers may be connected to provide 10 inputs and 600W output using the power amplifier input socket. FIGURE 10 (Page 27) Slave amplifier rear view showing controls and connections. FIGURE 11 (Page 27) Shows where to position self-adhesive cable ties to help cable management. FIGURE 12 (Page 28) Rack and wall mounting adapters. FIGURE 13 (Page 28) Stacking bracket. REMOVING THE COVER Ensure that the AC power has been unplugged. To remove the cover from the Mitre, remove all screws from cover. There are 9 x M3 screws and 4 No.4 self-tapping screws. Lift cover from chassis. Re-assembly is the reversal of the above, but please ensure the No.4 screws are refitted to the extrusion rails at the front of the amplifier. - 17 Issue 2 - 18 - Issue 2 GROUP SELECT GROUP ALL 1 12 34 ZONE 2 3 ON MUSIC & PAGING 50V LOUDSPEAKER OUTPUT ZONE1 100V PAGING ONLY 50V LOUDSPEAKER OUTPUT ZONE2 100V MUSIC ONLY 50V LOUDSPEAKER OUTPUT ZONE3 100V M2300M 50V LOUDSPEAKER OUTPUT ZONE4 100V LED INDICATES PRESENCE OF +24V AUX SUPPLY 12 34 AUX DC OUTPUT RESETTABLE FUSE 2A 0V +24V 2A MAX POWER AMPLIFIER INPUT 5 12 34 ON CHIME 2 NOTE 1 NOTE R R CD OR CASSETTE PLAYER L L R L 1 2345 6 3 12 34 5 6 80mV LINE PRIORITY THIS CABLE SHOULD NOT EXCEED 3 METERS 12 34 56 4 3 NOTE CHIME V REST/BUSY 500mV POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P CHIME VOLUME ALARM VOLUME ALARM AUX ACCESS MUTE 0dBM RLY FLOATING COIL LINE O/P 0V FIG 1. 3 ZONE MUSIC ONLY, PAGING ONLY & MUSIC & PAGING. ALL +24V 4 ON 2 1 3 6 5 4 SET LINE LEVEL OUT BMS6 1 2 SET LINE LEVEL OUT 5 4 BAL I/P 0V 1 BAL 0V I/P 1 12 34 56 3 1 BDM201 6 2 XLR INPUT BDM201 3 1 2 3456 2 BALANCED ACCESS +24V INPUT 0V BUSY BMS6 0.6mV MIC PHANTOM POWER 2 5 1 6 +24V 3 5 4 DIN INPUT ACCESS BUSY - 19 - Issue 2 MUSIC & PAGING 50V PAGING ONLY LED INDICATES PRESENCE OF +24V AUX SUPPLY 123 4 AUX DC OUTPUT RESETTABLE FUSE 2A 2A MAX 0V +24V 5 CHIME R R CD OR CASSETTE PLAYER L L R L 4 3 NOTE 1 23 456 3 12 3 456 80mV LINE PRIORITY THIS CABLE SHOULD NOT EXCEED 3 METERS 1 2345 6 CHIME VOLUME ALARM VOLUME POWER AMPLIFIER INPUT 12 34 ON 2 NOTE 1 NOTE CHIME V REST/BUSY 500mV POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P ON 1 2 1 3 6 5 4 SET LINE LEVEL OUT BMS6 2 SET LINE LEVEL OUT 5 4 BAL 0V 1 BAL 0V I/P 1 1 2345 6 3 1 BDM201 6 2 XLR INPUT BDM201 3 123 45 6 2 BALANCED ACCESS +24V INPUT 0V BUSY BMS6 0.6mV MIC PHANTOM POWER FIG 2. PAGING ONLY OUTPUT USING VOL REST RELAY. LOUDSPEAKER OUTPUT 100V M2060M M2120M ALARM AUX ACCESS MUTE 0dBM RLY FLOATING LINE O/P 0V COIL 2 5 1 6 +24V 3 5 4 DIN INPUT BUSY ACCESS - 20 - Issue 2 50V ZONE 4 ZONE 3 ZONE 2 ZONE 1 N/C N/O SW FOR MORE INFORMATION PLEASE SEE THE B41R INSTRUCTIONS B41R 4 3 2 1 +24V DIV LED INDICATES PRESENCE OF +24V AUX SUPPLY 2A MAX 0V +24V AUX DC OUTPUT RESETTABLE FUSE 2A 12 3 4 5 CHIME R R CD OR CASSETTE PLAYER L L R L 4 3 NOTE 1 23 4 56 3 1 23 4 5 6 80mV LINE PRIORITY THIS CABLE SHOULD NOT EXCEED 3 METERS 12 3 4 56 CHIME VOLUME ALARM VOLUME POWER AMPLIFIER INPUT 1 2 3 4 ON 2 NOTE 1 NOTE CHIME V REST/BUSY 500mV POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P ON 0.6mV MIC PHANTOM POWER 1 23 4 5 6 2 2 3 BMS25 1 BALANCED ACCESS +24V BUSY INPUT 0V FIG 3. SIMPLE 4 ZONE MUSIC & PAGING SYSTEM USING B41R. LOUDSPEAKER OUTPUT 100V M2060M M2120M ALARM AUX ACCESS MUTE 0dBM RLY FLOATING LINE O/P 0V COIL 4 BAL 0V ZONED SET LINE LEVEL OUT BDM204 1 BAL 0V I/P 1 1 23 4 5 6 3 1 161718 19 20 21 22 2 XLR INPUT 2 5 1 6 +24V 3 5 4 DIN INPUT ACCESS BUSY - 21 - Issue 2 GROUP SELECT GROUP ALL 1 12 34 ON ALL ZONE 2 3 4 +24V ZONE 2 WAREHOUSE 2 50V LOUDSPEAKER OUTPUT ZONE2 100V ZONE 3 OFFICES 50V LOUDSPEAKER OUTPUT ZONE3 100V RELAY OUT ZONE 4 CUSTOMER WAITING AREA PAGE LOCAL VOLUME CONTROL OF MUSIC, OVERRIDE ON PAGE AND ALARM IN 50V LOUDSPEAKER OUTPUT ZONE4 100V 1 23 4 CLOSE TO MUTE AUX INPUT TIME SWITCH.ETC ALARM ALL ZONES AUX DC OUTPUT RESETTABLE FUSE 2A 2A MAX 0V +24V 5 12 34 ON CHIME 2 NOTE 1 NOTE R R CD OR CASSETTE PLAYER L L R L 2 3 BMS25 1 4 1 23 45 6 3 2 ON 3 1 ALL ZONES SET LINE LEVEL OUT 5 4 ZONED SET LINE LEVEL OUT 6 ZONED SET LINE LEVEL OUT 3 BAL I/P 0V 1 BAL 0V I/P 1 1 23 45 6 3 1 BDM201 BMS6 2 2 XLR INPUT BDM204 16 1718 19 20 21 22 12 34 56 2 BALANCED ACCESS +24V INPUT 0V BUSY BDM204 4 0.6mV MIC PHANTOM POWER BMS25 1 12 34 56 80mV LINE PRIORITY 161718 19 20 21 22 THIS CABLE SHOULD NOT EXCEED 3 METERS 123 45 6 4 3 NOTE CHIME V REST/BUSY 500mV POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P CHIME VOLUME ALARM VOLUME POWER AMPLIFIER INPUT FIG 4. 4 ZONE SYSTEM USING THE M2300M. ZONE 1 WAREHOUSE 1 50V LOUDSPEAKER OUTPUT ZONE1 100V LED INDICATES PRESENCE OF +24V AUX SUPPLY ALARM AUX ACCESS MUTE 0dBM RLY FLOATING LINE O/P 0V COIL 2 5 1 6 +24V 3 5 4 DIN INPUT BUSY ACCESS - 22 - Issue 2 ZONE4 ZONE3 ZONE2 ZONE1 2A MAX 0V +24V 2A MAX 0V +24V 2A MAX 0V +24V 2A MAX 0V +24V 12 3 4 12 3 4 12 3 4 12 3 4 POWER AMPLIFIER INPUT CHIME 5 5 1 2 34 56 5 1 2 34 56 R L 1 2 34 56 CHIME VOLUME ALARM VOLUME R L CHIME VOLUME ALARM VOLUME R L CHIME VOLUME ALARM VOLUME R L 1 2 34 56 CHIME VOLUME ALARM VOLUME 5 1234 ON 2 NOTE 1 NOTE 4 4 4 4 12 34 5 6 3 12 34 5 6 3 12 34 5 6 3 12 34 5 6 3 1 2 34 5 6 80mV LINE PRIORITY CHIME V REST/BUSY 500mV 3 NOTE POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P FIG 5. ZONE SELECTION USING INPUT ACCESS. 50V LOUDSPEAKER OUTPUT 100V 50V LOUDSPEAKER OUTPUT 100V 50V LOUDSPEAKER OUTPUT 100V 50V LOUDSPEAKER OUTPUT 100V LED INDICATES PRESENCE OF +24V AUX SUPPLY ALARM AUX ACCESS MUTE 0dBM RLY FLOATING COIL LINE O/P 0V ON 0.6mV MIC PHANTOM POWER 12 3 45 6 2 12 3 45 6 2 12 3 45 6 2 12 3 45 6 2 BALANCED ACCESS +24V INPUT 0V BUSY 2 BAL I/P 1 23 4 56 1 1 23 4 56 1 1 23 4 56 1 1 1 1 1 BAL 0V I/P 1 0V 1 23 4 56 3 1 XLR INPUT 5 5 5 5 1 2 6 +24V 3 5 4 DIN INPUT ACCESS BUSY 6 5 4 BDM201 3 BMS25 BMS25 SET LINE LEVEL OUT 4 ZONE BDM204 1 2 3 4 16 17 18 19 20 21 22 SET LINE LEVEL OUT 4 ZONE BDM204 1 2 3 4 16 17 18 19 20 21 22 SET LINE LEVEL OUT ALL ZONES BMS6 1 2 - 23 - Issue 2 3 1 23 4 2 ZO NE ON 4 +24V ALL ZO NE 1 50V LOUD SPEAKE R OU TPUT Z ON E1 100V Z ONE 2 50V LO U DSPEAKER O UTPU T ZO N E2 100V Z ONE 3 50V LO UD SP EAKER O UT PU T ZO NE3 100V LED INDICATES PRESENCE OF +24V AUX SUPPLY ZO NE 4 50V LO U D SPEAKER O U TPU T ZO NE4 100V M2300M M2300S +V +V 2A MAX 0V +24V 1 23 4 ON ON 5 1 2 34 ON C HIME 2 NOTE 1 NOTE 1 2 3 45 6 4 3 NOTE PRE MASTER V/C POST MASTER V/C 2 3 BM S25 1 4 5 6 ON 2 3 6 0V 1 BAL 0V I/P 1 16 1718 19 20 21 22 ZO NED SET LIN E LEV EL OUT 5 B AL I/P 1 1 2 34 5 6 3 ZON ED SET LIN E LEVEL O UT 4 2 XLR INPUT BALANCED ACCESS INPUT 0V ACCESS BALANCED INPUT 0V BDM 208 BM S25 1 1 2 3 4 56 2 BALANCED ACCESS +24V INPUT 0V BUSY PAG IN G VO LUM E Z ON E 5 IN PUT 1 VOLUM E PAG IN G VO LUM E Z ON E 6 IN PUT 1 VOLUM E BD M208 16 1718 19 20 21 22 12 3 4 5 6 3 1 2 3 4 5 6 80mV LINE PRIORITY 0.6mV MIC P HANTOM POW ER BA LANCED A CCESS INPUT 0V BA LANCED A CCESS INPUT 0V CHIME V REST/BUSY 500m V M USIC VO LU ME ZO N E 5 INP UT 2 V OLUM E M USIC VO LU ME ZO N E 6 INP UT 2 V OLUM E BASM1 FLO ATIN G LIN E O /P 1 2 1 2 C HIME VO LU ME ALAR M VOLU ME POWER AMPLIFIER INPUT AUX T2A 24V DC O U TPUT FUSE T2A 24V DC O U TPUT FUSE ALARM AC C ESS MUTE 0dBM RLY FLOAT ING LINE O/ P 0V COIL 0V AUX OUTPUT 0V AUX OUTPUT L R FIG 6. EXAMPLE SHOWING INPUT ACCESS ZONE SELECTION. GR OUP SE LEC T ALL 1 GR O UP ZO NE 5 50V LOUD SPEAKE R OU TP UT 100V ZO NE 6 50V LOUD SPEAKE R OU TP UT 100V M2300S P LAYER CD O R C ASSET TE 2 1 5 6 +24V 3 5 4 DIN INPUT BUSY ACCESS - 24 - Issue 2 600W 16.6 Ohms SERIES OUTPUTS 50V 50V M2300S 300W SLAVE M2300S 300W SLAVE +V 0V +V AUX OUTPUT 0V AUX OUTPUT T2A 24V DC OUTPUT FUSE BOTH OFF T2A 24V DC OUTPUT FUSE 1 2 1 2 ON ON INPUT 2 VOLUME INPUT 2 VOLUME ACC ESS BALANC ED INPUT 0V ACC ESS BALANC ED INPUT 0V FIG 7. OBTAINING A 600W SINGLE LOUDSPEAKER OUTPUT. USING TWO SLAVE AMPLIFIERS. LOUDSPEAKER OUTPUT 100V 50V LOUDSPEAKER OUTPUT 100V BOTH OFF ACCESS BALANCED INPUT 0V ACCESS BALANCED INPUT 0V PARALLELED INPUTS FROM MIXER ETC INPUT 1 VOLUME SET TO PRODUCE IDENTICAL OUTPUT VOLTAGE FROM BOTH AMPLIFIERS. INPUT 1 VOLUME - 25 - Issue 2 600W 16.6 Ohms 1 2 34 ZONE 2 3 ON ALL +24V 4 SERIES OUTPUTS 50V GROUP SELECT GROUP ALL 1 50V 50V LOUDSPEAKER OUTPUT ZONE2 100V 50V 50V LOUDSPEAKER OUTPUT ZONE4 100V M2300S 300W SLAVE LOUDSPEAKER OUTPUT ZONE3 100V 1=ON ENSURE CORRECT PHASE LED INDICATES PRESENCE OF +24V AUX SUPPLY 2=OFF 2A MAX 0V +24V B 0V +V AUX OUTPUT A 1 2 3 4 5 CHIME T2A 24V DC OUTPUT FUSE BOTH OFF R L 1 2 ON 1 2 3 4 5 6 CHIME VOLUME ALARM VOLUME POWER AMPLIFIER INPUT 1 2 3 4 ON 2 NOTE 1 NOTE MUSIC VOLUME 3 12 3 4 5 6 12 3 4 5 6 2 SET TO PRODUCE IDENTICAL OUTPUT VOLTAGE AS MASTER PAGING VOLUME BAL I/P 0V B A BALANCED ACCESS INPUT 0V 1 BAL 0V I/P 1 1 23 4 5 6 3 1 XLR INPUT INPUT 1 VOLUME 2 +24V BALANCED AC CESS INPUT 0V BUSY INPUTS AS REQUIRED ON 0.6mV MIC PHANTOM POWER ACCESS BALANCED INPUT 0V 1 2 3 4 5 6 80mV LINE PRIORITY INPUT 2 VOLUME 4 3 NOTE CHIME V REST/BUSY 500mV POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P FIG 8. OBTAINING A 600W SINGLE LOUDSPEAKER OUTPUT. USING 1 MASTER & 1 SLAVE AMPLIFIERS. LOUDSPEAKER OUTPUT 100V 50V LOUDSPEAKER OUTPUT ZONE1 100V M2300M 300W MASTER ALARM AUX ACCESS MUTE 0dBM RLY FLOATING LINE O/P 0V COIL 2 5 1 6 +24V 3 5 4 DIN INPUT ACCESS BUSY 600W 16.6 Ohms 1 2 3 4 1 2 3 4 ZONE 2 3 ON ON 4 +24V ALL SERIES OUTPUTS 50V GROUP SELECT GROUP SELECT ALL 1 GROUP 50V LOUDSPEAKER OUTPUT ZONE1 100V 50V LOUDSPEAKER OUTPUT ZONE1 100V 50V 50V LOUDSPEAKER OUTPUT ZONE3 100V 50V LOUDSPEAKER OUTPUT ZONE3 100V M2300M LOUDSPEAKER OUTPUT ZONE2 100V 50V LOUDSPEAKER OUTPUT ZONE2 100V M2300M 50V LOUDSPEAKER OUTPUT ZONE4 100V 50V LOUDSPEAKER OUTPUT ZONE4 100V LED INDICATES PRESENCE OF +24V AUX SUPPLY 2A MAX 1 2 3 4 0V +24V 2A MAX 1 2 3 4 POWER AMPLIFIER INPUT 0V +24V CHIME 5 R L 1 2 3 4 56 CHIME VOLUME ALARM VOLUME 4 12 3 4 5 6 3 1 2 3 4 5 6 3 ON 0.6mV MIC PHANTOM PO WER 1 2 3 4 5 6 2 BALANCED ACCESS +24V BUSY INPUT 0V 5 INPUTS AS REQUIRED 1 2 34 5 6 2 5 INPUTS AS REQUIRED 1 2 3 4 56 80mV LINE PRIORITY CHIME V REST/BUSY 500mV 3 NOTE 4 1 23 4 5 6 THIS CABLE SHOULD NOT EXCEED 3 METERS R L CHIME VOLUME ALARM VOLUME 5 1 2 3 4 ON 2 NOTE 1 NOTE POST MASTER V/C PRE MASTER V/C FLOATING LINE O/P POWER AMPLIFIER INPUT ALARM AUX ACCESS MUTE 0dBM RLY FLOATING LINE O/P 0V COIL 2 BAL I/P 0V 1 2 3 4 5 6 1 1 1 BAL 0V I/P 1 12 3 4 5 6 3 1 XLR INPUT 2 5 5 1 6 +24V 3 5 4 DIN INPUT BUSY ACCESS FIG 9. USING THE POWER AMP INPUT SOCKET TO PROVIDE 10 INPUTS AND 1 600W OUTPUT. - 26 - Issue 2 - 27 - Issue 2 FIG 11. +V T2A 24V DC OUTPUT FUSE AUX 24V DC OUTPUT 1.5A MAX TO FEED MIXERS BVMX ETC 0V ON OFF ON ON OFF ON 2 OFF 1 OFF AUX OUTPUT 1 2 ON 1 2 ON 5A 100V MAX VOL REST RELAY 2A MAX 0V +24V 0dBM FLOATING ALARM LINE O/P 0V ACC 3 BAL I/P 0V 1 RLY COIL AUX MUTE 1 2 34 1 2 3 NOTE CHIME ON POST MASTER V/C PRE MASTER V/C POWER AMP INPUT 2 ALARM VOLUME CHIME VOLUME PUSH INPUT4 R L AUX INPUT PRIORITY ON 0V BAL 2 I/P PHANTOM POWER 0.6mV MIC 80mV 1 2 3 4 5 6 LINE CHIME V REST/BUSY PUSH INPUT3 1 3 6 5 PUSH 4 EN1461 BALANCED ACCESS +24V INPUT 0V BUSY ACCESS BUSY +24V PUSH INPUT1 ACCESS BALANCED INPUT 0V 0V (GROUND) CLOSE TO 0V TO ACCESS INPUT INPUT 1 VOLUME BALANCED SIGNAL INPUT 500mV @ 44K Ohms CABLES CAN BE ATTACHED NEATLY USING CABLE TIE. +24V DC O/P FUSE SELF RESETTABLE SUPPLY PRESENT FM AM/FM AERIAL AM INPUT2 INPUT 2 VOLUME AREA PROVIDED FOR SELF ADHESIVE CABLE TIE FIG 10. SLAVE REAR PANEL VIEW. MANUFACTURED IN THE UK BY BALDWIN BOXALL COMMUNICATIONS LTD. CROWBOROUGH, E.SUSSEX. TN6 2JR TEL 01892 664422 FAX 01892 663146 OUTPUT 100V OR 50V LOUDSPEAKER 50V LOUDSPEAKER OUTPUT 100V INPUT1 WHEN ACCESSED OVERRIDES INPUT2. INPUT1 ENABLED IRRESPECTIVE OF ACCESS STATE. INPUT1 ACCESS WILL OVERRIDE 2 INPUT1 AND 2 WILL MIX WHEN THEY ARE ACCESSED. INPUT PRIORITY SWITCHING INPUT1 ENABLED IRRESPECTIVE OF ACCESS STATE. INPUT2 WILL MIX WHEN ACCESSED. BALANCED ACCESS INPUT 0V No4 TO RACK MOUNT M2000, REMOVE 2 x No4 SCREWS, REMOVE 3 x M3 SCREWS AND ALIGN RACK BRACKET. REFIT SCREWS AND REPEAT FOR OTHER SIDE. 2U CODE = M2RACK 3U CODE = M3RACK No4 M3 M3 M3 TO WALL MOUNT M2000, REMOVE 3 x M3 SCREWS AND ALIGN WALL BRACKET. REFIT SCREWS AND REPEAT FOR OTHER SIDE. CODE = MWALL 3 X HOLES FOR MOUNTING TO WALL RECOMENDED SIZE = No10 FIG 12. RACK & WALL MOUNTING ADAPTORS INSERT BRACKETS INTO SLOT IN COVER. (2 OFF) STACK M2000 ON TOP OF BASE UNIT AND INSERT SCREW INTO REAR PANEL. REPEAT FOR OTHER SIDE REAR OF COVER FIG 13. STACKING ADAPTORS CODE = M2000SB - 28 Issue 2 1 ADDENDUM Please note - The orientation of the six-way plug on pages 10,12 and 14 are reversed. ACCESS CLOSE TO 0V TO ACCESS INPUT. BUSY OPEN COLLECTOR OUTPUT 40V @ 0.5A MAX CLOSES TO 0V WHEN ACTIVE. SEE SWITCH 2 ABOVE. 0V (GROUND) BALANCED SIGNAL INPUT SEE SWITCH 4 ABOVE +24V TO FEED MICROPHONE PRE-AMP, BUSY INDICATORS ETC. INPUT CONNECTOR BUSY INDICATOR PRESS TO SPEAK SWITCH FLOATING LINE OUTPUT 0V (GROUND) 0dB TRANSFORMER ISOLATED OUTPUT TO FEED SLAVE AMPLIFIER, TAPE RECORDERS ETC SEE SWITCH 1&2 Page 10 ALARM ACCESS, CLOSE TO 0V TO ACCESS ALARM TONE GENERATOR RELAY COIL AUX MUTE CONNECTOR CLOSE TO 0V TO MUTE AUX INPUT. TIME SWITCH ETC OUTPUT TO FEED OTHER EQUIPMENT Ecr 1231 addendum for mitre iss1.doc CLOSE TO SOUND ALARM TONE Pages 12 & 14