Download Yamaha CVP-70 Specifications
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CVP-305/303/301 CV P-305/303/301 ê ì ä é Ç é Ñ ë í Ç é è é ã ú á é Ç Ä í Ö ã ü êìäéÇéÑëíÇé èéãúáéÇÄíÖãü ÇÄÜçé Ç·-Ò‡ÈÚ ÒËÌÚÂÁ‡ÚÓ‡ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ) http://www.yamahaclavinova.com/ ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha —èӂ¸Ú ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl— ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌË ‚ ÓÁÂÚÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, Û͇Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ Ò̇·ÊÂÌ ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ÔflÊÂÌËfl, ÍÓÚÓ˚È ‡ÒÔÓÎÓÊÂÌ fl‰ÓÏ Ò ÒÂÚ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. èË ÔÓÏÓ˘Ë ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁΠÛ͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. http://www2.yamaha.co.jp/manual/english/ àÌÙ ÓχˆË˛ ÔÓ Ò·ÓÍ ÔÓ‰ÒÚ‡‚ÍË ‰Î fl ÍÎ ‡‚ˇÚÛ ˚ Ò Ï. ‚ ÍÓ̈  ˝Ú Ó„Ó Û ÍÓ ‚Ó‰ Ò Ú ‚‡ . U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2004 Yamaha Corporation BGA0 404YCXX3.2-01 Printed in Europe RU SPECIAL MESSAGE SECTION PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer’s warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. CVP-305 CVP-303 SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 1 (bottom) CVP-301 Model Serial No. Purchase Date èêÄÇàãÄ íÖïçàäà ÅÖáéèÄëçéëíà ÇçàåÄíÖãúçé èêéóàíÄâíÖ, èêÖÜÑÖ óÖå èêàëíìèÄíú ä ùäëèãìÄíÄñàà * ï‡ÌËÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ·ÂÁÓÔ‡ÒÌÓÏ ÏÂÒÚÂ. éÌÓ ‚‡Ï ¢ ÔÓ̇‰Ó·ËÚÒfl. èêÖÑìèêÖÜÑÖçàÖ ÇÓ ËÁ·ÂʇÌË Ò¸ÂÁÌ˚ı Ú‡‚Ï Ë ‰‡Ê ÒÏÂÚË ÓÚ Û‰‡‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ, ‡ Ú‡ÍÊ ÍÓÓÚÍÓ„Ó Á‡Ï˚͇ÌËfl, ÔÓ‚ÂʉÂÌËfl Ó·ÓÛ‰Ó‚‡ÌËfl, ÔÓʇ‡ Ë ‰Û„Ëı Ë̈ˉÂÌÚÓ‚ ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl ظ ÓÚ ‚Ó‰˚ • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Ì‡ÔflÊÂÌËÂ, Á‡‰‡ÌÌÓ ‰Îfl ËÌÒÚÛÏÂÌÚ‡. ùÚÓ Ì‡ÔflÊÂÌË Û͇Á‡ÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ. • Å„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ‰Óʉfl, Ì ËÒÔÓθÁÛÈÚÂ Â„Ó fl‰ÓÏ Ò ‚Ó‰ÓÈ, ‚ ÛÒÎÓ‚Ëflı Ò˚ÓÒÚË Ë ÔÓ‚˚¯ÂÌÌÓÈ ‚·ÊÌÓÒÚË; Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÂÏÍÓÒÚË Ò ÊˉÍÓÒÚ¸˛, ÍÓÚÓ‡fl ÏÓÊÂÚ ‡ÁÎËÚ¸Òfl Ë ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸. • èÂËӉ˘ÂÒÍË ÔÓ‚ÂflÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ Ë Û‰‡ÎflÈÚÂ Ò Ì „flÁ¸ Ë Ô˚θ. • àÒÔÓθÁÛÈÚ ÚÓθÍÓ Í‡·Âθ ÔËÚ‡ÌËfl Ë ‡Á˙ÂÏ, ‚ıÓ‰fl˘Ë ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. • 䇷Âθ ÔËÚ‡ÌËfl Ì ‰ÓÎÊÂÌ Ì‡ıÓ‰ËÚ¸Òfl fl‰ÓÏ Ò ËÒÚÓ˜ÌË͇ÏË ÚÂÔ· (̇„‚‡ÚÂÎflÏË, ‡‰Ë‡ÚÓ‡ÏË Ë ‰.). ç ‰ÓÔÛÒ͇ÈÚ ڇÍÊ ˜ÂÁÏÂÌÓ„Ó Ò„Ë·‡ÌËfl Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë ‰ÂÊËÚÂ Â„Ó ‚ Ú‡ÍÓÏ ÏÂÒÚÂ, „‰Â ̇ ÌÂ„Ó ÌÂθÁfl ̇ÒÚÛÔËÚ¸, Á‡‰ÂÚ¸ ÌÓ„ÓÈ ËÎË ˜ÚÓ-ÌË·Û‰¸ ÔÓ ÌÂÏÛ ÔÂÂ͇ÚËÚ¸. ç ÓÚÍ˚‚‡Ú¸ • ç ÓÚÍ˚‚‡ÈÚ ËÌÒÚÛÏÂÌÚ Ë Ì Ô˚Ú‡ÈÚÂÒ¸ ‡ÁÓ·‡Ú¸ ËÎË ÏÓ‰ËÙˈËÓ‚‡Ú¸ Â„Ó ‚ÌÛÚÂÌÌË ÍÓÏÔÓÌÂÌÚ˚. Ç ËÌÒÚÛÏÂÌÚ ÌÂÚ ÍÓÏÔÓÌÂÌÚÓ‚, ÍÓÚÓ˚ ‰ÓÎÊÂÌ Ó·ÒÎÛÊË‚‡Ú¸ ÔÓθÁÓ‚‡ÚÂθ. èË ÔÓfl‚ÎÂÌËË ÌÂËÒÔ‡‚ÌÓÒÚË ÌÂωÎÂÌÌÓ ÔÂ͇ÚËÚ ˝ÍÒÔÎÛ‡Ú‡ˆË˛ Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í Í‚‡ÎËÙˈËÓ‚‡ÌÌ˚Ï ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • çËÍÓ„‰‡ Ì ‚ÒÚ‡‚ÎflÈÚÂ Ë Ì ‚˚ÌËχÈÚ ‚ËÎÍÛ ˝ÎÂÍÚÓËÌÒÚÛÏÂÌÚ‡ ÏÓÍ˚ÏË Û͇ÏË. ظ ÓÚ Ó„Ìfl • ç ÒÚ‡‚¸Ú ̇ ËÌÒÚÛÏÂÌÚ „Ófl˘Ë Ô‰ÏÂÚ˚, ̇ÔËÏ ҂˜Ë. ÉÓfl˘ËÈ Ô‰ÏÂÚ ÏÓÊÂÚ ÛÔ‡ÒÚ¸ Ë ‚˚Á‚‡Ú¸ ÔÓʇ. Ç̯ڇÚÌ˚ ÒËÚÛ‡ˆËË • Ç ÒÎÛ˜‡Â ËÁÌÓÒ‡ Ë ÔÓ‚ÂʉÂÌËfl ͇·ÂÎfl ÔËÚ‡ÌËfl ËÎË ‡Á˙Âχ, ‡ Ú‡ÍÊ ÔË ‚ÌÂÁ‡ÔÌÓÏ ËÒ˜ÂÁÌÓ‚ÂÌËË Á‚Û͇ ‚Ó ‚ÂÏfl ˝ÍÒÔÎÛ‡Ú‡ˆËË, ÔË ÔÓfl‚ÎÂÌËË ÌÂÓ·˚˜ÌÓ„Ó Á‡Ô‡ı‡ Ë ‰˚χ ÌÂωÎÂÌÌÓ ÓÚÍβ˜ËÚ ˝ÎÂÍÚÓÔËÚ‡ÌËÂ, ‚˚̸Ú ‚ËÎÍÛ ËÁ ÓÁÂÚÍË Ë Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. ÇçàåÄçàÖ ÇÓ ËÁ·ÂʇÌË ̇ÌÂÒÂÌËfl Ò¸ÂÁÌ˚ı Ú‡‚Ï ÒÂ·Â Ë ÓÍÛʇ˛˘ËÏ, ‡ Ú‡ÍÊ ÔÓ‚ÂʉÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ë ‰Û„Ó„Ó ËÏÛ˘ÂÒÚ‚‡, ÔÓÏËÏÓ ÔÓ˜Ëı ‚Ò„‰‡ Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË: ùÎÂÍÚÓÔËÚ‡ÌËÂ/͇·Âθ ÔËÚ‡ÌËfl åÂÒÚÓ ÛÒÚ‡ÌÓ‚ÍË • èË ÓÚÍβ˜ÂÌËË Í‡·ÂÎfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ ËÎË ÓÚ ˝ÎÂÍÚÓÒÂÚË ·ÂËÚÂÒ¸ Á‡ ‚ËÎÍÛ, ‡ Ì Á‡ ͇·Âθ. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ͇·Âθ. • éÚÍβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˝ÎÂÍÚÓÒÂÚË, ÂÒÎË Ô·ÌËÛÂÚ Ì ËÒÔÓθÁÓ‚‡Ú¸ Â„Ó ‚ Ú˜ÂÌË ‰ÎËÚÂθÌÓ„Ó ‚ÂÏÂÌË, ‡ Ú‡ÍÊ ‚Ó ‚ÂÏfl „ÓÁ˚. • ç ÔÓ‰Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ Í Ó‰ÌÓÈ ˝ÎÂÍÚ˘ÂÒÍÓÈ ÓÁÂÚÍÂ Ò ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË (̇ÔËÏÂ, ˜ÂÂÁ ÚÓÈÌËÍ). ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÒÌËÊÂÌ˲ ͇˜ÂÒÚ‚‡ Á‚Û͇ ËÎË ÔÂÂ„Â‚Û ÓÁÂÚÍË. • ÇÓ ËÁ·ÂʇÌË ‰ÂÙÓχˆËË Ô‡ÌÂÎË Ë ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌËı ÍÓÏÔÓÌÂÌÚÓ‚ ·Â„ËÚ ËÌÒÚÛÏÂÌÚ ÓÚ ˜ÂÁÏÂÌÓÈ Ô˚ÎË Ë ÒËθÌÓÈ ‚Ë·‡ˆËË Ë Ì ËÒÔÓθÁÛÈÚÂ Â„Ó ÔË Ó˜Â̸ ‚˚ÒÓÍÓÈ ËÎË ÌËÁÍÓÈ ÚÂÏÔ‡ÚÛ (̇ÔËÏÂ, ̇ ÒÓÎ̈Â, fl‰ÓÏ Ò Ì‡„‚‡ÚÂÎÂÏ ËÎË ‚ χ¯ËÌ ‚ ‰Ì‚ÌÓ ‚ÂÏfl). • ç ËÒÔÓθÁÛÈÚ ËÌÒÚÛÏÂÌÚ ‚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓÈ ·ÎËÁÓÒÚË ÓÚ ÚÂ΂ËÁÓ‡, ‡‰ËÓÔËÂÏÌË͇, ÒÚÂÂÓÓ·ÓÛ‰Ó‚‡ÌËfl, ÏÓ·ËθÌÓ„Ó ÚÂÎÂÙÓ̇ Ë ‰Û„Ëı ˝ÎÂÍÚÓÔË·ÓÓ‚. Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ ËÌÒÚÛÏÂÌÚÂ, ÚÂ΂ËÁÓ ËÎË ‡‰ËÓÔËÂÏÌËÍ ÏÓ„ÛÚ ‚ÓÁÌËÍÌÛÚ¸ ÔÓÏÂıË. • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Ì ÓÒÚ‡‚ÎflÈÚÂ Â„Ó ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. ë·Ó͇ • ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ‰ÓÍÛÏÂÌÚ‡ˆË˛, ÓÔËÒ˚‚‡˛˘Û˛ ÔÓˆÂÒÒ Ò·ÓÍË. çÂÔ‡‚Ëθ̇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Ò·ÓÍË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ËÌÒÚÛÏÂÌÚ‡ ËÎË Ú‡‚χÏ. • è‰ ÔÂÂÏ¢ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ ÓÚÒÓ‰ËÌËÚ ‚Ò ͇·ÂÎË. (1)B-7 1/2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 3 èÓ‰Íβ˜ÂÌË àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË (ÂÒÎË Ó̇ ÂÒÚ¸) • è‰ ÔÓ‰Íβ˜ÂÌËÂÏ ËÌÒÚÛÏÂÌÚ‡ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï ÓÚÍβ˜ËÚ Ëı ÔËÚ‡ÌËÂ. è‰ ‚Íβ˜ÂÌËÂÏ ËÎË ÓÚÍβ˜ÂÌËÂÏ ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚ ÛÒÚ‡ÌÓ‚ËÚ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË. ì·Â‰ËÚÂÒ¸ Ú‡ÍÊ ‚ ÚÓÏ, ˜ÚÓ Ì‡ ‚ÒÂı ÍÓÏÔÓÌÂÌÚ‡ı ÛÒÚ‡ÌÓ‚ÎÂÌ ÏËÌËχθÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ‡ ‚Ó ‚ÂÏfl Ë„˚ ̇ ËÌÒÚÛÏÂÌÚ ÔÓÒÚÂÔÂÌÌÓ Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‰Ó ÌÛÊÌÓÈ. é·ÒÎÛÊË‚‡ÌË • èÓÚˇÈÚ Ô˚θ Ë Û‰‡ÎflÈÚ „flÁ¸ Ò ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ïfl„ÍÓÈ Ú̸͇˛. ç ÚËÚ ÒÎ˯ÍÓÏ ÛÒ‰ÌÓ, ÔÓÒÍÓθÍÛ Ì·Óθ¯Ë ˜‡ÒÚˈ˚ „flÁË ÏÓ„ÛÚ ÔÓˆ‡‡Ô‡Ú¸ ÔÓÎËÓ‚ÍÛ ËÌÒÚÛÏÂÌÚ‡. åÂ˚ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ˝ÍÒÔÎÛ‡Ú‡ˆËË • ÇÓ ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó Ô‡‰ÂÌËfl Ò͇ϘÍË Ì ÓÒÚ‡‚ÎflÈڠ ‚ ÌÂÛÒÚÓȘ˂ÓÏ ÔÓÎÓÊÂÌËË. • ç ͇˜‡ÈÚÂÒ¸ ̇ Ò͇ÏÂÈÍÂ Ë Ì ˄‡ÈÚÂ, ÒÚÓfl ̇ ÌÂÈ. àÒÔÓθÁÓ‚‡ÌË Ò͇ÏÂÈÍË ‚ ͇˜ÂÒÚ‚Â ÒÚÂÏflÌÍË ËÎË ‚ ËÌ˚ı ˆÂÎflı ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÌÂÒ˜‡ÒÚÌÓÏÛ ÒÎÛ˜‡˛ ËÎË Ú‡‚ÏÂ. • ë͇ÏÂÈ͇ Ô‰̇Á̇˜Â̇ ÚÓθÍÓ ‰Îfl Ó‰ÌÓ„Ó ˜ÂÎÓ‚Â͇. • ÖÒÎË ‚ËÌÚ˚ Ò͇ÏÂÈÍË ÒÚ‡ÎË Ò‚Ó·Ó‰Ì˚ÏË ‚ ÂÁÛθڇÚ ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl, ÔÂËӉ˘ÂÒÍË Á‡‚Ë̘˂‡ÈÚ Ëı Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË. ëÓı‡ÌÂÌË ‰‡ÌÌ˚ı ëÓı‡ÌÂÌËÂ Ë ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı • èË ‚˚Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡ ‰‡ÌÌ˚Â, Ô˂‰ÂÌÌ˚ ÌËÊÂ, ·Û‰ÛÚ ÔÓÚÂflÌ˚. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ‚Í·‰Í USER (ÒÚ. 26), ‰ËÒÍÂÚÂ, Ô·Ú SmartMedia ËÎË Ì‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ. • ëΉËÚÂ, ˜ÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì Á‡˘ÂÏË· ‚‡Ï ԇθˆ˚, Ì ‚ÒÚ‡‚ÎflÈÚ ԇθˆ˚ ËÎË ÛÍÛ ‚ ÓÚ‚ÂÒÚËfl ËÌÒÚÛÏÂÌÚ‡. • çËÍÓ„‰‡ Ì Á‡ÒÓ‚˚‚‡ÈÚÂ Ë Ì ÓÌflÈÚ ·Ûχ„Û, ÏÂÚ‡Î΢ÂÒÍËÂ Ë ÔӘˠԉÏÂÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ Í˚¯ÍÂ, Ô‡ÌÂÎË Ë Í·‚ˇÚÛÂ. ÖÒÎË ˝ÚÓ ÒÎÛ˜ËÎÓÒ¸, ÌÂωÎÂÌÌÓ ‚˚Íβ˜ËÚ ËÌÒÚÛÏÂÌÚ Ë ‚˚̸Ú ͇·Âθ ÔËÚ‡ÌËfl ËÁ ÓÁÂÚÍË. á‡ÚÂÏ Ó·‡ÚËÚÂÒ¸ Á‡ ÔÓÏÓ˘¸˛ Í ÒÔˆˇÎËÒÚ‡Ï ˆÂÌÚ‡ ÚÂıÌ˘ÂÒÍÓ„Ó Ó·ÒÎÛÊË‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha. • á‡ÔËÒ‡ÌÌ˚ / ÔÂÒÌË (ÒÚ. 41, 133, 148) • ç Í·‰ËÚ ̇ ËÌÒÚÛÏÂÌÚ Ô‰ÏÂÚ˚ ËÁ ‚ËÌË·, Ô·ÒÚχÒÒ˚ ËÎË ÂÁËÌ˚: ˝ÚÓ ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ‚˚ˆ‚ÂÚ‡ÌË ԇÌÂÎË ËÎË Í·‚ˇÚÛ˚. • éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ÒÚÓÈÍË MIDI (ÒÚ. 192) • ëÓÁ‰‡ÌÌ˚ / ÒÚËÎË (ÒÚ. 107) • éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÚÂÏ·˚ (ÒÚ. 89) • ëÓı‡ÌÂÌÌ˚ ̇ÒÚÓÈÍË «Ó‰ÌÓ Í‡Ò‡ÌË» (ÒÚ. 50) • ç ӷÎÓ͇˜Ë‚‡ÈÚÂÒ¸ ̇ ËÌÒÚÛÏÂÌÚ, Ì ÒÚ‡‚¸Ú ̇ ÌÂ„Ó ÚflÊÂÎ˚ Ô‰ÏÂÚ˚ Ë Ì ÔËÍ·‰˚‚‡ÈÚ ÒÎ˯ÍÓÏ ·Óθ¯ÓÈ ÒËÎ˚ ÔË ÔÓθÁÓ‚‡ÌËË ÍÌÓÔ͇ÏË, ‚˚Íβ˜‡ÚÂÎflÏË Ë ‡Á˙ÂχÏË. чÌÌ˚ ̇ ‚Í·‰Í USER (ÒÚ. 26) ÏÓ„ÛÚ ·˚Ú¸ ÔÓÚÂflÌ˚ ËÁ-Á‡ Ò·Ófl ËÎË ÌÂÔ‡‚ËθÌÓÈ ‡·ÓÚ˚. ëÓı‡ÌflÈÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÛ, Ô·ÚÛ SmartMedia ËÎË ‚̯ÌËÈ ÌÓÒËÚÂθ. • ç ÒΉÛÂÚ ‰ÓÎ„Ó ‡·ÓÚ‡Ú¸ Ò ‚˚ÒÓÍËÏ ËÎË ÌÂÍÓÏÙÓÚÌ˚Ï ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË, Ú‡Í Í‡Í ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. èË ÛıÛ‰¯ÂÌËË ÒÎÛı‡ ËÎË Á‚ÓÌ ‚ Û¯‡ı Ó·‡ÚËÚÂÒ¸ Í ‚‡˜Û. èË ËÁÏÂÌÂÌËË Ô‡‡ÏÂÚÓ‚ ̇ ÒÚ‡Ìˈ ˝Í‡Ì‡ ‰‡ÌÌ˚Â Ó Ì‡ÒÚÓÈÍ ÒËÒÚÂÏ˚ (Ô‰ÒÚ‡‚ÎÂÌÌ˚ ‚ Ú‡·Îˈ ԇ‡ÏÂÚÓ‚ ÔÓÒÚ‡‚ÎflÂÏÓ„Ó ÓÚ‰ÂθÌÓ Ò·ÓÌË͇ Ú‡·Îˈ Data List) ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ÔÓÒΠ‚˚ıÓ‰‡ Ò ˝ÚÓÈ ÒÚ‡Ìˈ˚. é‰Ì‡ÍÓ ÂÒÎË Ô‰ ÓÚÍβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl Ì ·˚· ‚˚ÔÓÎÌÂ̇ ̇‰ÎÂʇ˘‡fl Ôӈ‰ۇ ‚˚ıÓ‰‡ ËÁ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡, ‚Ò ˝ÚË ËÁÏÂÌÂÌËfl ·Û‰ÛÚ ÛÚ‡˜ÂÌ˚. äÓÔÓ‡ˆËfl Yamaha Ì ÌÂÒÂÚ ÓÚ‚ÂÚÒÚ‚ÂÌÌÓÒÚË Á‡ ÔÓ‚ÂʉÂÌËfl, ‚˚Á‚‡ÌÌ˚ ÌÂÔ‡‚ËθÌÓÈ ˝ÍÒÔÎÛ‡Ú‡ˆËÂÈ ËÎË ÏÓ‰ËÙË͇ˆËÂÈ ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ Á‡ ÔÓÚÂflÌÌ˚ ËÎË ËÒÔÓ˜ÂÌÌ˚ ‰‡ÌÌ˚Â. ÇÒ„‰‡ ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË Ì ËÒÔÓθÁÛÂÚ „Ó. (1)B-7 4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2/2 Å·„Ó‰‡ËÏ Á‡ ÔÓÍÛÔÍÛ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÔÓËÁ‚Ó‰ÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha! ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó, ˜ÚÓ·˚ ‚ ÔÓÎÌÓÈ Ï ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ‚ÒÂÏË Ô‰ӂ˚ÏË Ë Û‰Ó·Ì˚ÏË ÙÛÌ͈ËflÏË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. å˚ Ú‡ÍÊ ÒÓ‚ÂÚÛÂÏ ‰Âʇڸ ˝ÚÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ‚ ̇‰ÂÊÌÓÏ Ë Û‰Ó·ÌÓÏ ÏÂÒÚ ‰Îfl ‰‡Î¸ÌÂÈ¯Â„Ó ËÒÔÓθÁÓ‚‡ÌËfl. é ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl Ë Ò·ÓÌËÍ ڇ·Îˈ Data List êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ÒÓÒÚÓËÚ ËÁ ÒÎÂ‰Û˛˘Ëı ‡Á‰ÂÎÓ‚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ǂ‰ÂÌË (ÒÚ. 12) .......................................... ë ˝ÚËÏ ‡Á‰ÂÎÓÏ ÒΉÛÂÚ ÓÁ̇ÍÓÏËÚ¸Òfl ‚ ÔÂ‚Û˛ Ә‰¸. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó (ÒÚ. 23) ...................... ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ò‚Â‰ÂÌËfl Ó· ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÓ̇θÌ˚ı ‚ÓÁÏÓÊÌÓÒÚflı ËÌÒÚÛÏÂÌÚ‡. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË (ÒÚ. 57) ........................ ùÚÓÚ ‡Á‰ÂÎ Ó·˙flÒÌflÂÚ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË, ‚ ÚÓÏ ˜ËÒΠ˝Í‡ÌÌ˚ ˝ÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl. ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ (ÒÚ. 72) ................. ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ì‡ÒÚÓÈ͇ı ÙÛÌ͈ËÈ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. èËÎÓÊÂÌË (ÒÚ. 197) ................................... ùÚÓÚ ‡Á‰ÂÎ ÒÓ‰ÂÊËÚ ‰ÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl, Ú‡ÍËÂ Í‡Í ËÌÙÓχˆË˛ Ó· ÛÒÚ‡ÌÂÌËË ÌÂÔÓ·‰ÓÍ Ë ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË. ë·ÓÌËÍ Ú‡·Îˈ Data List ëÔËÒÓÍ ÚÂÏ·Ó‚, ÙÓÏ‡Ú ‰‡ÌÌ˚ı MIDI Ë Ú.Ô. • Ç ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÏÓ‰ÂÎË CVP-305/303/301 ·Û‰ÛÚ Ó·ÓÁ̇˜‡Ú¸Òfl Í‡Í CVP/Clavinova. • àÎβÒÚ‡ˆËË Ë ÒÌËÏÍË Üä-‰ËÒÔ΂ Ô˂‰ÂÌ˚ ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ÚÓθÍÓ ‚ ͇˜ÂÒÚ‚Â ÔËÏÂÓ‚. Ç ‰ÂÈÒÚ‚ËÚÂθÌÓÒÚË ‚Ò ÏÓÊÂÚ ‚˚„Îfl‰ÂÚ¸ ÌÂÒÍÓθÍÓ Ë̇˜Â. • ÇÒ ËÎβÒÚ‡ˆËË ‚ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓ ˝ÍÒÔÎÛ‡Ú‡ˆËË Ô˂‰ÂÌ˚ ̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ. • äÓÔËÓ‚‡ÌË ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl, Ëϲ˘Â„ÓÒfl ‚ ÔÓ‰‡ÊÂ, ‡Á¯ÂÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. Ç ˝ÚÓÏ ÔÓ‰ÛÍÚ ӷ˙‰ËÌÂÌ˚ ÍÓÏÔ¸˛ÚÂÌ˚ ÔÓ„‡ÏÏ˚ Ë ÒÓ‰ÂÊËÏÓÂ, ‡‚ÚÓÒÍË ԇ‚‡ ̇ ÍÓÚÓ˚ ÔË̇‰ÎÂÊ‡Ú ÍÓÔÓ‡ˆËË Yamaha ËÎË Ô‡‚Ó ËÒÔÓθÁÓ‚‡ÌËfl ÍÓÚÓ˚ı ÔÓÎÛ˜ÂÌÓ ÔÓ ÎˈÂÌÁËË ÓÚ ‰Û„Ëı ÙËÏ. ä χÚ¡·Ï, Á‡˘Ë˘ÂÌÌ˚Ï ‡‚ÚÓÒÍËÏË Ô‡‚‡ÏË, ÓÚÌÓÒflÚÒfl ·ÂÁ Ó„‡Ì˘ÂÌËfl ‚Ò ÍÓÏÔ¸˛ÚÂÌÓ èé, Ù‡ÈÎ˚ ÒÚËÎfl, Ù‡ÈÎ˚ MIDI, ‰‡ÌÌ˚ WAVE Ë Á‚ÛÍÓÁ‡ÔËÒË. ã˛·Ó ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ ËÒÔÓθÁÓ‚‡ÌË ڇÍËı ÔÓ„‡ÏÏ Ë ÒÓ‰ÂÊËÏÓ„Ó, ‚˚ıÓ‰fl˘Â Á‡ ‡ÏÍË Î˘ÌÓ„Ó ÔÓθÁÓ‚‡ÌËfl, Á‡Ô¢ÂÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË Á‡ÍÓ̇ÏË. ã˛·Ó ̇ۯÂÌË ‡‚ÚÓÒÍËı Ô‡‚ ÔÂÒΉÛÂÚÒfl ÔÓ Á‡ÍÓÌÛ. çÖ ëéáÑÄÇÄâíÖ, çÖ êÄëèêéëíêÄçüâíÖ à çÖ àëèéãúáìâíÖ çÖáÄäéççõÖ äéèàà. • îÓÚÓ„‡ÙËË Í·‚ÂÒË̇, ·‡Ì‰ÓÌÂÓ̇, ‡Á΢Ì˚ı ‚ˉӂ ˆËÏ·‡Î Ë ÏÛÁ˚͇θÌÓÈ ¯Í‡ÚÛÎÍË, ÍÓÚÓ˚ ËÁÓ·‡ÊÂÌ˚ ̇ ˝Í‡Ì‡ı ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-305/303/301, β·ÂÁÌÓ Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÏÛÁÂÂÏ Gakkigaku Shiryokan (ëÓ·‡ÌË ÒÚ‡ËÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚), ÏÛÁ˚͇θÌÓ„Ó ÍÓÎΉʇ Kunitachi. • ëÎÂ‰Û˛˘Ë ËÌÒÚÛÏÂÌÚ˚, ËÁÓ·‡Ê‡ÂÏ˚ ̇ ˝Í‡Ì‡ı CVP-305/303/301, ‰ÓÒÚÛÔÌ˚ ‰Îfl Ó·ÓÁÂÌËfl ‚ ÏÛÁ ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ Hamamatsu: ·‡Î‡ÙÓÌ, ‰ÊẨÂ, ͇ÎËÏ·‡, ͇ÌÛÌ, Ò‡ÌÚÛ, „‡Ï·Ì, ‡Ù‡, ÍÓÎÓÍÓθ˜ËÍ, ‚ÓÎ˚Ì͇, ·‡Ì‰ÊÓ, ͇ËθÓÌ, χ̉ÓÎË̇, Û‰, ÙÎÂÈÚ‡ è‡Ì‡, ÔÛ̉ÊË, ‡·‡·, ¯‡Ì‡Ë, ÒËÚ‡, ÒڇθÌÓÈ ·‡‡·‡Ì Ë Ú‡Ï·‡. • (CVP-305/303) чÌÌ˚È ÔÓ‰ÛÍÚ ÔÓËÁ‚‰ÂÌ ÔÓ ÎˈÂÌÁËË, Á‡˘Ë˘ÂÌÌÓÈ Ô‡ÚÂÌÚ‡ÏË ëòÄ No.5231671, No.5301259, No.5428708, ‡ Ú‡ÍÊ ԇÚÂÌÚÓÏ No.5567901, ÔË̇‰ÎÂʇ˘ËÏ IVL Technologies Ltd. • ê‡ÒÚÓ‚˚ ¯ËÙÚ˚, ËÒÔÓθÁÛÂÏ˚ ‚ ‰‡ÌÌÓÏ ËÌÒÚÛÏÂÌÚÂ, Ô‰ÓÒÚ‡‚ÎÂÌ˚ ÍÓÏÔ‡ÌËÂÈ Ricoh Co., Ltd. Ë fl‚Îfl˛ÚÒfl  ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛. • чÌÌ˚È ÔÓ‰ÛÍÚ ËÒÔÓθÁÛÂÚ NF, ‚ÒÚÓÂÌÌ˚È ËÌÚÂÌÂÚ-·‡ÛÁ ÍÓÏÔ‡ÌËË ACCESS Co., Ltd. NF ËÒÔÓθÁÛÂÚÒfl ÒÓ‚ÏÂÒÚÌÓ Ò Á‡Ô‡ÚÂÌÚÓ‚‡ÌÌ˚Ï ‡Î„ÓËÚÏÓÏ ÒʇÚËfl LZW, ÎˈÂÌÁËfl ̇ ÍÓÚÓ˚È ÔÓÎÛ˜Â̇ ÓÚ ÍÓÏÔ‡ÌËË Unisys Co., Ltd. NF Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÓÚ‰ÂθÌÓ ÓÚ ‰‡ÌÌÓ„Ó ÔÓ‰ÛÍÚ‡, Ì ÏÓÊÂÚ ·˚Ú¸ ÔÓ‰‡Ì, Ò‰‡Ì ‚ ‡ÂÌ‰Û ËÎË Ô‰‡Ì β·˚Ï ‰Û„ËÏ ÒÔÓÒÓ·ÓÏ. í‡ÍÊ Á‡Ô¢‡ÂÚÒfl ‰ÂÍÓÏÔËÎËÓ‚‡Ú¸, ‰Â‡ÒÒÂÏ·ÎËÓ‚‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÍ˚‚‡Ú¸ ÚÂıÌÓÎÓ„ËË NF. чÌÌÓ ÔÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË ‚Íβ˜‡ÂÚ ÏÓ‰Ûθ, ‡Á‡·ÓÚ‡ÌÌ˚È ÌÂÁ‡‚ËÒËÏÓÈ „ÛÔÔÓÈ JPEG (Independent JPEG Group). íÓ‚‡Ì˚ Á̇ÍË: • • • • Apple Ë Macintosh fl‚Îfl˛ÚÒfl ÚÓ‚‡Ì˚ÏË Á͇̇ÏË ÍÓÔÓ‡ˆËË Apple Computer, Inc. Windows fl‚ÎflÂÚÒfl Óı‡ÌflÂÏ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Microsoft®. SmartMedia fl‚ÎflÂÚÒfl Á‡Â„ËÒÚËÓ‚‡ÌÌ˚Ï ÚÓ‚‡Ì˚Ï Á̇ÍÓÏ ÍÓÔÓ‡ˆËË Toshiba. ÇÒ ÓÒڇθÌ˚ ÚÓ‚‡Ì˚ Á̇ÍË fl‚Îfl˛ÚÒfl ÒÓ·ÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‚·‰ÂθˆÂ‚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË Guide to Yamaha Online Member Product User Registration ë·ÓÌËÍ ÏÂÎÓ‰ËÈ “50 greats for the Piano” êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl ë·ÓÌËÍ Ú‡·Îˈ Data List Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË ÒÎÂ‰Û˛˘Ë ÔË̇‰ÎÂÊÌÓÒÚË ÏÓ„ÛÚ ·˚Ú¸ ‚Íβ˜ÂÌ˚ ËÎË Ì ‚Íβ˜ÂÌ˚ ‚ ÍÓÏÔÎÂÍÚ: ÑËÒÍÓ‚Ó‰ è·ڇ SmartMedia ë͇ÏÂÈ͇ ■ ç‡ÒÚÓÈ͇ Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ̇Òڇ˂‡Ú¸ Ì ̇‰Ó. éÌÓ ‚Ò„‰‡ ̇ÒÚÓÂÌÓ. ■ í‡ÌÒÔÓÚËӂ͇ ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ÏÓÊÌÓ Ô‚ÓÁËÚ¸ ‚ÏÂÒÚÂ Ò ‰Û„ËÏË ‚¢‡ÏË. èÂÂÏ¢‡Ú¸ ËÌÒÚÛÏÂÌÚ ÏÓÊÌÓ Í‡Í ‚ ÒÓ·‡ÌÌÓÏ, Ú‡Í Ë ‚ ‡ÁÓ·‡ÌÌÓÏ ‚ˉÂ, ‚ ÍÓÚÓÓÏ ‚˚ Ô‚˚È ‡Á ‰ÓÒÚ‡ÎË Â„Ó ËÁ ÍÓÓ·ÍË. ä·‚ˇÚÛÛ ÒΉÛÂÚ Ú‡ÌÒÔÓÚËÓ‚‡Ú¸ ‚ „ÓËÁÓÌڇθÌÓÏ ÔÓÎÓÊÂÌËË. ç ÔËÒÎÓÌflÈÚ ÂÂ Í ÒÚÂÌÂ Ë Ì ÒÚ‡‚¸Ú ̇·ÓÍ. ç ÔÓ‰‚„‡ÈÚ ËÌÒÚÛÏÂÌÚ ˜ÂÁÏÂÌÓÈ ‚Ë·‡ˆËË ËÎË ÒËθÌ˚Ï Û‰‡‡Ï. èË Ú‡ÌÒÔÓÚËÓ‚Í ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ‚ ÒÓ·‡ÌÌÓÏ ‚ˉ ۷‰ËÚÂÒ¸, ˜ÚÓ ‚Ò ‚ËÌÚ˚ ÚÛ„Ó Á‡ÚflÌÛÚ˚ Ë Ì ‡Á·ÓÎÚ‡ÎËÒ¸ ‚Ó ‚ÂÏfl Ú‡ÌÒÔÓÚËÓ‚ÍË. 6 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ëÓ‰ÂʇÌË ǂ‰ÂÌË éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ............................................. 57 ÑÓ·Ó ÔÓʇÎÓ‚‡Ú¸ ‚ ˜Û‰ÂÒÌ˚È ÏË ÏÛÁ˚ÍË Clavinova CVP! ....................................................................... 10 àÒÔÓθÁÓ‚‡ÌË ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÈ (ëÔ‡‚͇) ................57 è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl .............................................................. 12 Å˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ — ÙÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ ...................................................................................58 à„‡ ̇ Í·‚ˇÚÛ .............................................................. 14 ëÓÓ·˘ÂÌËfl, ÍÓÚÓ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ......................57 ç‡ÒÚÓÈ͇ ËÌÒÚÛÏÂÌÚ‡ Clavinova .................................... 16 è˛ÔËÚ .............................................................................. 16 îËÍÒ‡ÚÓ ‰Îfl ÌÓÚ ............................................................. 17 ç‡Û¯ÌËÍË .......................................................................... 17 àÁÏÂÌÂÌË flÁ˚͇ ............................................................. 18 ç‡ÒÚÓÈÍË ˝Í‡Ì‡ ............................................................ 19 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) ......................................................59 ÑËÒÍÓ‚Ó‰ Ë ‰ËÒÍÂÚ˚ ............................................................ 21 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰ÌÓÈ ÒËÒÚÂÏ˚ ..........................................69 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ ‰Îfl ÓÚ‰ÂθÌ˚ı Ô‡‡ÏÂÚÓ‚ ..................................................................................69 ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È· .......................................................................70 è·Ú˚ Ô‡ÏflÚË SmartMedia™* ............................................. 22 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ................. 23 ꇷÓÚ‡ Ò ÓÒÌÓ‚Ì˚ÏË ˝Í‡Ì‡ÏË .......................................... 25 ꇷÓÚ‡ Ò ˝Í‡ÌÓÏ Main ............................................................... 25 ꇷÓÚ‡ Ò ˝Í‡ÌÓÏ ‚˚·Ó‡ Ù‡ÈÎÓ‚ File Selection ..................... 25 ꇷÓÚ‡ Ò ˝Í‡ÌÓÏ ÙÛÌ͈ËÈ ........................................................ 26 ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ................................................ 28 à„‡ ÚÂÏ·ÓÏ Piano ................................................................... 28 ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ........................................... 31 ìÔ‡ÊÌÂÌËfl ÒÓ ‚ÒÚÓÂÌÌ˚ÏË ÔÂÒÌflÏË ........................... 34 èÓË„˚‚‡ÌË ÔÂÒÂÌ ‰Ó ̇˜‡Î‡ ÛÔ‡ÊÌÂÌËÈ .......................... 34 à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ (Guide Lamps) .............................................................................. 38 à„‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Repeat Playback (ñËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ) ....................................................................... 40 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ............................................. 41 èÓË„˚‚‡ÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Performance assistant technology ...................... 42 ùÍ‡Ì Main ...................................................................................59 ùÍ‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ Ë ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË Ì‡ ÌÂÏ ..............60 éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË, ‚˚ÔÓÎÌflÂÏ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ..........................................................62 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ..........................69 ëÔ‡‚Ó˜ÌËÍ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ .................................................................. 72 ÍÚÂËÒÚËÍË ÚÂÏ·‡ ......................................................72 é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ...................................................................................73 ó‡ÒÚË Í·‚ˇÚÛ˚ (Right 1, Right 2, Left) ...................................73 é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‚Ûı ÚÂÏ·Ó‚ (Ô‡ÚËË Right 1 Ë 2) .....................................................................74 ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË (Ô‡ÚËË Right 1 Ë Left) ....................................................75 àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ ....................................................76 í‡ÌÒÔÓÌËÓ‚‡ÌË ......................................................................76 íӘ̇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ ........76 åÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ ...................................................................76 ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÔË Ë„Â ÚÂÏ·˚ ...................................................................78 ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Accompaniment (ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl) ...................................................................................... 44 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ................................................................80 àÒÔÓÎÌÂÌË ÔÂÒÌË «Mary Had a Little Lamb» Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. ........................................................... 44 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) ...................89 Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ̇ÒÚÓÂÍ ‰Îfl ͇ʉÓÈ ÔÂÒÌË — Music Finder ........................................................... 50 éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ....................................................................80 éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl ....................................................................89 ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ Organ Flutes ..........................93 èÂÌË ÔÓ‰ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË (䇇ÓÍÂ) ËÎË ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌÓ ÒÓÔÓ‚ÓʉÂÌË ............................. 52 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ (CVP-305/303) ................................. 52 èÂÌËÂ Ò ˝Í‡ÌÓÏ Lyrics ............................................................... 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ͇‡ÓÍ ................................................. 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ÔÂÌËfl Ò ‚‡¯ËÏ ÒÓ·ÒÚ‚ÂÌÌ˚Ï ÒÓÔÓ‚ÓʉÂÌËÂÏ ........................................................................ 55 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 7 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ .............................97 èflÏÓ ÔÓ‰Íβ˜ÂÌË Clavinova Í àÌÚÂÌÂÚÛ ......................................................... 166 ÍÚÂËÒÚËÍË ÒÚËÎfl ........................................................ 97 èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ .......................166 Ç˚·Ó ÚËÔ‡ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ ................................. 97 ÑÓÒÚÛÔ Í ÒÔˆˇθÌÓÏÛ ‚·-Ò‡ÈÚÛ Clavinova ...............167 ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl ....................................................................................... 98 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova ...........167 ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ..................................................................................... 100 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE) (äÓÌÒÓθ ÏËͯ‡) .......................... 102 îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) ........................... 102 èÓËÒÍ Á‡ÔËÒÂÈ ........................................................................... 102 ëÓÁ‰‡ÌË ·Ë·ÎËÓÚÂÍË Î˛·ËÏ˚ı Á‡ÔËÒÂÈ ............................... 103 ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ ......................................................... 104 ëÓı‡ÌÂÌË Á‡ÔËÒË ................................................................... 105 îÛÌ͈Ëfl Style Creator ........................................................ 107 ëÚÛÍÚÛ‡ ÒÚËÎÂÈ ..................................................................... 107 ëÓÁ‰‡ÌË ÒÚËÎfl ........................................................................ 107 ꉇÍÚËÓ‚‡ÌË ÒÓÁ‰‡ÌÌÓ„Ó ÒÚËÎfl ......................................... 113 èÓÍÛÚ͇ ‚·-ÒÚ‡Ìˈ˚ ..........................................................167 ëÒ˚ÎÍË .......................................................................................168 Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ ..........................................................................168 ÇÓÁ‚‡Ú ̇ Ô‰˚‰Û˘Û˛ ‚·-ÒÚ‡ÌËˆÛ ..................................169 é·ÌÓ‚ÎÂÌË ‚·-ÒÚ‡Ìˈ˚/éÚÏÂ̇ Á‡„ÛÁÍË ‚·-ÒÚ‡Ìˈ˚ .............................................................................170 èÓÍÛÔ͇ Ë Á‡„ÛÁ͇ ‰‡ÌÌ˚ı ......................................................170 ëÓı‡ÌÂÌË Á‡Í·‰ÓÍ Î˛·ËÏ˚ı ÒÚ‡Ìˈ ................................171 àÁÏÂÌÂÌË ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚ .............................................174 é· ˝Í‡Ì ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ...............................................175 àÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ......................................178 ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ ..........................................179 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ........................................................ 180 àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ˚ [PHONES]) .........180 ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË – ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ...................................................................121 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ [MIC./LINE IN]) (CVP-305/303) ...............................180 ê„ËÒÚ‡ˆËfl Ë ÒÓı‡ÌÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ................................................................. 121 àÒÔÓθÁÓ‚‡ÌË ‚̯ÌËı ‡Û‰ËÓÛÒÚÓÈÒÚ‚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ë Á‡ÔËÒË (‡Á˙ÂÏ˚ [AUX OUT], ‡Á˙ÂÏ˚ [AUX OUT (LEVEL FIXED)], ‡Á˙ÂÏ [OPTICAL OUT]) ...........................................................180 ÇÓÒÔÓËÁ‚‰ÂÌË Á‚Û͇ ‚̯ÌËı ‡Û‰ËÓÛÒÚÓÈÒÚ‚ Ò ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌ˚ı ‰Ë̇ÏËÍÓ‚ (‡Á˙ÂÏ˚ [AUX IN]) .......181 Ç˚‚Ó‰ ËÁÓ·‡ÊÂÌËfl Ò ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡ ̇ ‚̯ÌËÈ ÚÂÎÂ˝Í‡Ì (CVP-305) .................................................................181 Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ............. 122 쉇ÎÂÌË ÌÂÌÛÊÌÓÈ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË/èËÒ‚ÓÂÌË ËÏÂÌË Ì‡ÒÚÓÈÍ ԇÌÂÎË .......................................................... 123 Ç˚Íβ˜ÂÌË ‚˚ÁÓ‚‡ ÒÔˆˇθÌ˚ı ˝ÎÂÏÂÌÚÓ‚ (ÙÛÌ͈Ëfl Freeze) ...................................................................... 123 Ç˚ÁÓ‚ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ÔÓ ÔÓfl‰ÍÛ — èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ....... 124 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ......................................126 àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂ-Íβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓÎ-· (‡Á˙ÂÏ [AUX PEDAL]) ..............182 ç‡Á̇˜ÂÌË ÒÔˆˇθÌ˚ı ÙÛÌ͈ËÈ Ô‰‡ÎflÏ .........................182 èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ ......................................... 126 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (ÔÓÚ˚ [MIDI]) .......................................................................185 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ................................................... 127 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡ .........185 ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ÒÓ˜ÂÚ‡ÌËfl ÚÂÏ·Ó‚ Ë Ú.‰. (MIXING CONSOLE) ................................... 130 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ (ÔÓÚ˚ [USB TO HOST] Ë [MIDI]) ..............................................185 èÓ‰Íβ˜ÂÌË ÒÂÚÂ‚Ó„Ó ‡‰‡ÔÚ‡ ËÎË ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ (˜ÂÂÁ ÔÓÚ [USB TO DEVICE]) .....................................................................186 àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Practice Function (Guide) ................................................................... 131 Ç˚·Ó ÚËÔ‡ ÙÛÌ͈ËË Guide ..................................................... 131 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl .................................. 133 ëÔÓÒÓ·˚ Á‡ÔËÒË ........................................................................ 133 ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË ........................................................... 148 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) .....157 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony ................ 157 ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ...................................................................... 160 ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk ................................................... 164 8 èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ- Ë ‚ˉÂÓÛÒÚÓÈÒÚ‚ ........................180 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 óÚÓ Ú‡ÍÓ MIDI .....................................................................188 óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ‰‡ÌÌ˚ÏË MIDI ..................................191 ç‡ÒÚÓÈÍË MIDI ....................................................................192 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ..................................................................192 ᇇÌ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ¯‡·ÎÓÌ˚ MIDI .....................192 ëËÒÚÂÏÌ˚ ̇ÒÚÓÈÍË MIDI ......................................................194 臇ÏÂÚ˚ Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ...................................194 臇ÏÂÚ˚ ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ....................................... 195 ìÒÚ‡Ìӂ͇ ·‡ÒÓ‚ÓÈ ÌÓÚ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı ...........................................195 ìÒÚ‡Ìӂ͇ ÚËÔ‡ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı ...........................................196 èËÎÓÊÂÌË ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ ...................................................... 197 ǂ‰ÂÌË CVP-305: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ............................. 202 Using Your Instrument with Other Devices CVP-303: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ............................. 204 CVP-301: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ............................. 206 ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ (Òڇ̉‡ÚÌÓ„Ó/‰ÓÔÓÎÌËÚÂθÌÓ„Ó) ................................... 208 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË .......................................... 209 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ..................................................... 211 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) èflÏÓ ÔÓ‰Íβ˜ÂÌË Clavinova Í àÌÚÂÌÂÚÛ èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ èËÎÓÊÂÌË êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 9 ÑÓ·Ó ÔÓʇÎÓ‚‡Ú¸ ‚ ˜Û‰ÂÒÌ˚È ÏË ÏÛÁ˚ÍË Clavinova CVP! ǂ‰ÂÌË éË„Ë̇θÌÓ ‡ÍÛÒÚ˘ÂÒÍÓ ÔˇÌËÌÓ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ Graded Hammer (GH) Ë Í·‚ˇÚÛÓÈ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH3 ñËÙÓ‚Ó ÔˇÌËÌÓ Clavinova Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÒÎÂ‰Û˛˘Â ÔÓÍÓÎÂÌË ÙÓÚÂÔˇÌÓ. Å·„Ó‰‡fl Á‡Ï˜‡ÚÂθÌÓÈ Í·‚ˇÚÛÂ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ Graded Hammer ÓÌÓ Ó·Î‡‰‡ÂÚ ËÒÍβ˜ËÚÂθÌÓ ÂÒÚÂÒÚ‚ÂÌÌ˚Ï Á‚Û˜‡ÌËÂÏ Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸˛ Í ÒËΠ̇ʇÚËfl. ä‡Í Ë ‚ ̇ÒÚÓfl˘ÂÏ ÙÓÚÂÔˇÌÓ, ‚ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ ‰ÓÒÚË„‡ÂÚÒfl ÔÓ‰ÎËÌÌÓÂ Ó˘Û˘ÂÌË Í·‚˯ ·Î‡„Ó‰‡fl ·ÓΠÚÛ„ÓÏÛ Ì‡Ê‡Ú˲ ‚ ÌËÊÌËı ÓÍÚ‡‚‡ı, ·ÓΠ΄ÍÓÏÛ ‚ ‚ÂıÌËı Ë ‚ÒÂÏ ÂÒÚÂÒÚ‚ÂÌÌ˚Ï „‡‰‡ˆËflÏ ÏÂÊ‰Û ÌËÏË. ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-305 ‚Íβ˜‡ÂÚ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌÛ˛ ÒËÒÚÂÏÛ Graded Hammer 3 (GH3), Ó·ÂÒÔ˜˂‡˛˘Û˛ Ú‡ÍË ÙÛÌ͈ËË ËÒÔÓÎÌÂÌËfl Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸, ÍÓÚÓ˚ ‚˚ ÛÒÎ˚¯ËÚ ÚÓθÍÓ Ì‡ ̇ÒÚÓfl˘ÂÏ ÙÓÚÂÔˇÌÓ, ̇ÔËÏ ‚ÓÒÔÓËÁ‚‰ÂÌË ˜ËÒÚÓ„Ó Á‚Û˜‡ÌËfl Í·‚˯Ë, ‰‡Ê ÂÒÎË ‚˚ ·˚ÒÚÓ Ë„‡ÂÚ ËÎË ˜‡ÒÚ˘ÌÓ ÓÚÔÛÒÚËÎË Í·‚˯Û. à„‡ ̇ ËÌÒÚÛÏÂÌÚ Clavinova ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ............................................................................... ÒÚ. 28 ë ÔÓÏÓ˘¸˛ ‚ÒÂ„Ó Ó‰ÌÓÈ ÍÌÓÔÍË ‚˚ ÏÓÊÂÚ ̇ÒÚÓËÚ¸ ‚ÂÒ¸ ËÌÒÚÛÏÂÌÚ Clavinova ‰Îfl ÓÔÚËχθÌÓ„Ó ÙÓÚÂÔ¸flÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ̇ÒÚÓÈÍË Á‡‰‡Ì˚ ̇ Ô‡ÌÂÎË. íÂÔ¸ ‚˚ ÏÓÊÂÚ ˄‡Ú¸ Ë ÛÔ‡ÊÌflÚ¸Òfl Ò ÔÓÎÌ˚Ï Ó˘Û˘ÂÌËÂÏ Ë„˚ ̇ ÓflÎÂ Ë Á‚Û˜‡ÌËÂÏ ÓflÎfl – Ë ˝ÚÓ ‰ÓÒÚË„‡ÂÚÒfl Ï„ÌÓ‚ÂÌÌÓ. PIANO ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ....................................... ÒÚ. 31 Clavinova Ô‰·„‡ÂÚ Ì ÚÓθÍÓ Â‡ÎËÒÚ˘Ì˚ ÙÓÚÂÔ¸flÌÌ˚ ÚÂÏ·˚, ÌÓ Ë Ó„ÓÏÌ˚È Ì‡·Ó ÚÂÏ·Ó‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚, Í‡Í ‡ÍÛÒÚ˘ÂÒÍËı, Ú‡Í Ë ˝ÎÂÍÚÓÌÌ˚ı. ORGAN FLUTES àÒÔÓÎÌÂÌËÂ Ò ·Óθ¯ËÏ ÓÍÂÒÚÓÏ – ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ...................................................................................ÒÚ. 34 Ç˚ ÏÓÊÂÚ ˄‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ‡Ì Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ, ‰ÓÔÓÎÌflfl ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË ÒÓθÌÓÈ Ô‡ÚËË Á‚Û˜‡ÌËÂÏ Ë ‡‡ÌÊËÓ‚ÍÓÈ ˆÂÎÓ„Ó ÓÍÂÒÚ‡. SONG SELECT èÓÒÚÓÚ‡ ËÒÔÓÎÌÂÌËfl ÙÓÌÓ‚˚ı Ô‡ÚËÈ – ÙÛÌ͈Ëfl Performance assistant technology ...................................................ÒÚ. 42 çÓ‚‡fl ÚÂıÌÓÎÓ„Ëfl Performance assistant technology ˜ÂÁ‚˚˜‡ÈÌÓ ÛÔÓ˘‡ÂÚ ËÒÔÓÎÌÂÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË. àÒÔÓÎÌÂÌË ÏÂÎÓ‰ËÈ Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ – ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl...................................................................................ÒÚ. 44 Ç˚ ÏÓÊÂÚ ˄‡Ú¸ ÚÓθÍÓ ÏÂÎӉ˲ Ë ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌ͈ËË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ÒÓÁ‰‡ÌËfl ÔÓÎÌ˚ı ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ë ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ùÚÓ ‚Ò ‡‚ÌÓ, ˜ÚÓ Ë„‡Ú¸ Ò ÔÓÙÂÒÒËÓ̇θÌ˚Ï ‡Ì҇ϷÎÂÏ. Ç˚·ÂËÚ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ̇ÔËÏ ÔÓÔ-ÏÛÁ˚ÍÛ, ‰Ê‡Á, ·ÚËÌÓ‡ÏÂË͇ÌÒÍÛ˛ ÏÛÁ˚ÍÛ Ë Ú.Ô., Ë Clavinova Á‡ÏÂÌËÚ ‚‡Ï ˆÂÎ˚È ÓÍÂÒÚ! STYLE SELECT 10 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ìÔ‡ÊÌÂÌËfl ǂ‰ÂÌË Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ̇ ˝Í‡Ì Ë Ë„‡ ÔÓ ÌÓÚ‡Ï ................................................. ÒÚ. 56 ÇÓ ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ÌÓÚ˚ ÏÓ„ÛÚ ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡ÌÂ, ˜ÚÓ ˜ÂÁ‚˚˜‡ÈÌÓ Û‰Ó·ÌÓ ‰Îfl Á‡ÔÓÏË̇ÌËfl Ë ‡Áۘ˂‡ÌËfl Ô‡ÚËÈ. SCORE ë‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ ........................................................................................ ÒÚ. 38 ë‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ Ú‡ÍÊ ÔÓÏÓ„‡˛Ú ‚ Á‡ÔÓÏË̇ÌËË Ë ‡Áۘ˂‡ÌËË Ô‡ÚËÈ. éÌË ÔÓ͇Á˚‚‡˛Ú, ͇ÍË ÌÓÚ˚ Ë„‡Ú¸, ÍÓ„‰‡ Ëı Ë„‡Ú¸ Ë Í‡Í ‰ÓÎ„Ó ‰Âʇڸ. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl................................................................... ÒÚ. 41 Clavinova ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ Á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌË ‚ Ô‡ÏflÚ¸ ËÎË ÒÓı‡ÌËÚ¸ Â„Ó ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ËÎË Ì‡ Ô·Ú SmartMedia. ùÚÓ Â˘Â Ó‰ËÌ ÓÚ΢Ì˚È ËÌÒÚÛÏÂÌÚ ‰Îfl ÛÔ‡ÊÌÂÌËÈ, ÔÓÁ‚ÓÎfl˛˘ËÈ ÛÒÎ˚¯‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ë„Û Ë ÔÓÌflÚ¸  ÒËθÌ˚Â Ë Ò··˚ ÒÚÓÓÌ˚. REC ì‚Â΢¸ÚÂ Ò‚Ó˛ ÍÓÎÎÂÍˆË˛ ÔÂÒÂÌ Internet Direct Connection (èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ)................ ÒÚ. 166 Clavinova ÏÓÊÂÚ Ì‡ÔflÏÛ˛ ÔÓ‰Íβ˜‡Ú¸Òfl Í àÌÚÂÌÂÚÛ, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Á‡„Ûʇڸ ÔÂÒÌË ÒÓ ÒÔˆˇθÌ˚ı ‚·-Ò‡ÈÚÓ‚ Ë ÒÓı‡ÌflÚ¸ Ëı ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ËÎË Ì‡ Ô·Ú SmartMedia. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 11 ǂ‰ÂÌË è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl çËÊ ËÁÓ·‡ÊÂ̇ Ô‡ÌÂθ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-305. 1 Ç˚Íβ˜‡ÚÂθ [POWER] .................................................................... C. 14 2 ê‡Á˙ÂÏ ‰Îfl Ô·Ú˚ SmartMedia......................................................... C. 22 ìèêÄÇãÖçàÖ ëíàãÖå M [ACMP ON/OFF]..................................................................................C. 45 N [OTS LINK] ..........................................................................................C. 50 åàäêéîéç (CVP-305/303) 3 äÌÓÔ͇ [MIC SETTING/VOCAL HARMONY] ..................................... C. 54 O [AUTO FILL IN]....................................................................................C. 47 METRONOME (åÂÚÓÌÓÏ) 4 [ON/OFF]............................................................................................. C. 30 Q MAIN VARIATION [A]/[B]/[C]/[D] .........................................................C. 47 VOLUME (ÉÓÏÍÓÒÚ¸) 5 [MASTER VOLUME], ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl............................................. C. 15 6 [FADE IN/OUT] ................................................................................... C. 46 P INTRO [I]/[II]/[III] ..................................................................................C. 46 R [BREAK] ..............................................................................................C. 47 S ENDING/rit. [I]/[II]/[III]...........................................................................C. 47 T äÌÓÔ͇ [SYNC STOP].........................................................................C. 47 U äÌÓÔ͇ [SYNC START].......................................................................C. 46 V [START/STOP]....................................................................................C. 46 íÖåè 7 äÌÓÔ͇ [TAP] ...................................................................................... C. 46 W [STYLE SELECT] ................................................................................C. 45 8 äÌÓÔÍË [+]/[-]....................................................................................... C. 30 X [HELP] .................................................................................................C. 57 íêÄçëèéçàêéÇÄçàÖ 9 äÌÓÔÍË [+]/[-]....................................................................................... C. 53 Y äÌÓÔ͇ [FUNCTION]...........................................................................C. 26 Z äÌÓÔ͇ [SOUND CREATOR]..............................................................C. 89 [ [DIGITAL RECORDING]............................................................C. 108, 134 SONG 0 ÍÌÓÔ͇ [GUIDE] .................................................................................. C. 38 A [PERFORMANCE ASSISTANT] ......................................................... C. 43 B [SCORE] ............................................................................................. C. 37 C [KARAOKE]......................................................................................... C. 53 D [REPEAT]............................................................................................ C. 40 E [EXTRA TRACKS (STYLE)].............................................................. C. 134 F [TRACK 2 (L)]...................................................................................... C. 40 G [TRACK 1 (R)] ..................................................................................... C. 38 H [SONG SELECT]................................................................................. C. 34 I [ REC].................................................................................................. C. 41 J äÌÓÔ͇ [STOP] ................................................................................... C. 35 K [PLAY/PAUSE].................................................................................... C. 35 L [REW]/[FF] ........................................................................................ C. 128 12 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 \ [BALANCE]..........................................................................................C. 39 ] äÌÓÔ͇ [MIXING CONSOLE]..............................................................C. 80 ^ [LCD CONTRAST]...............................................................................C. 19 a [A]–[J] ..................................................................................................C. 25 b [DIRECT ACCESS] .............................................................................C. 58 c [CHANNEL ON/OFF]...................................................................C. 99, 133 d äÌÓÔÍË [1π†]–[8π†] .................................................................C. 25 e TAB [√][®] ........................................................................................C. 26 f [EXIT]...................................................................................................C. 26 g äÌÓÔ͇ [DEMO]...................................................................................C. 23 h [MUSIC FINDER].................................................................................C. 50 i [DATA ENTRY]....................................................................................C. 61 j [ENTER] ..............................................................................................C. 61 CVP-305/303 CVP-301 ǂ‰ÂÌË íÖåÅê k VOICE ................................................................................................. C. 31 l [VOICE EFFECT] ................................................................................ C. 78 m çÄëíêéâäÄ Ç éÑçé äÄëÄçàÖ m äÌÓÔÍË [1]–[4] ..................................................................................... C. 49 n [LEFT HOLD] ..................................................................................... C. 48 èÄêíàü o äÌÓÔÍË PART ..................................................................................... C. 73 ç‡ÒÚÓÈ͇ PIANO p äÌÓÔ͇ [PIANO].................................................................................. C. 28 REGISTRATION MEMORY, ÍÌÓÔ͇ q [REGIST. BANK] ............................................................................... C. 122 r [FREEZE] .......................................................................................... C. 123 s [1]–[8] ................................................................................................ C. 121 t [MEMORY] ........................................................................................ C. 121 艇ÎË u ょfl Ô‰‡Î¸..................................................................................... C. 29 v ë‰Ìflfl Ô‰‡Î¸ (ÒÓÒÚÂÌÛÚÓ)l ........................................................... C. 29 w 臂‡fl Ô‰‡Î¸ (ÒÛÒÚÂÈÌ) .................................................................. C. 29 x à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ .................................................................. C. 38 àÌÙÓχˆË˛ Ó ‡Á˙Âχı, ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ΂ÓÏ ÌËÊÌÂÏ Û„ÎÛ ËÌÒÚÛÏÂÌÚ‡, ÒÏ. ̇ ÒÚ. 180. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 13 à„‡ ̇ Í·‚ˇÚÛ 1 èÓ‰Íβ˜ÂÌË ͇·ÂÎfl ÔËÚ‡ÌËfl. ë̇˜‡Î‡ ‚ÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ÔËÚ‡ÌËfl ‚ ‡Á˙ÂÏ Ì‡ ÔˇÌËÌÓ, Á‡ÚÂÏ ÔÓ‰ÒÓ‰ËÌËÚ ‰Û„ÓÈ ÍÓ̈ ͇·ÂÎfl Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÒÚÂÌÌÓÈ ÓÁÂÚÍÂ. CVP-303/CVP-301 ǂ‰ÂÌË CVP-305 (Ç ‡ÁÌ˚ı Òڇ̇ı ËÒÔÓθÁÛ˛ÚÒfl ‡ÁÌ˚ ‚ËÎÍË Ë ÓÁÂÚÍË.) 2 ä‡Í ÓÚÍ˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚. CVP-305/CVP-303: éÚÍÓÈÚ Í˚¯ÍÛ Í·‚ˇÚÛ˚ Ò ÔÓÏÓ˘¸˛ ÛÍÓflÚÍË, ‡ÒÔÓÎÓÊÂÌÌÓÈ Ì‡ Ô‰ÌÂÈ Ô‡ÌÂÎË. CVP-301: çÂÏÌÓ„Ó ÔËÔÓ‰ÌËÏËÚ Í˚¯ÍÛ Ë ÔÓ‰‚Ë̸ڠ ‚Ô‰. ÇçàåÄçàÖ CVP-305/303 CVP-301 éÚÍ˚‚‡fl Ë Á‡Í˚‚‡fl Í˚¯ÍÛ, ·ÂËÚÂÒ¸ Á‡ Ì ӷÂËÏË Û͇ÏË. ç ÓÚÔÛÒ͇ÈÚ Í˚¯ÍÛ, ÔÓ͇ Ó̇ Ì ÓÚÍÓÂÚÒfl ËÎË Ì Á‡ÍÓÂÚÒfl ÔÓÎÌÓÒÚ¸˛. èÓ‰ÌËχfl ËÎË ÓÔÛÒ͇fl Í˚¯ÍÛ, ÒΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì ÔˢÂÏËÚ¸ Ò‚ÓË ËÎË ˜ÛÊË ԇθˆ˚ (ÓÒÓ·ÂÌÌÓ Ô‡Î¸ˆ˚ ‰ÂÚÂÈ) ÏÂÊ‰Û Í˚¯ÍÓÈ Ë ÍÓÔÛÒÓÏ. ÇçàåÄçàÖ éÚÍ˚‚‡fl Í˚¯ÍÛ, Ì Ôӂ‰ËÚ ԇθˆ˚. ÇçàåÄçàÖ éÚÍ˚‚‡fl Í˚¯ÍÛ, Ì Ôӂ‰ËÚ ԇθˆ˚. ÇçàåÄçàÖ ç Í·‰ËÚ ̇ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ÏÂÚ‡Î΢ÂÒÍË Ô‰ÏÂÚ˚ ËÎË ·Ûχ„Û. èË ÓÚÍ˚ÚËË Í˚¯ÍË ÏÂÎÍË Ô‰ÏÂÚ˚ ÏÓ„ÛÚ ÔÓÔ‡ÒÚ¸ ‚ÌÛÚ¸ ÍÓÔÛÒ‡ ÔˇÌËÌÓ, Ë ËÁ‚Θ¸ Ëı ÓÚÚÛ‰‡ ·Û‰ÂÚ Ô‡ÍÚ˘ÂÒÍË Ì‚ÓÁÏÓÊÌÓ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‡ÊÂÌ˲ ÚÓÍÓÏ, ‡ Ú‡ÍÊÂ Í ÍÓÓÚÍÓÏÛ Á‡Ï˚͇Ì˲, ÔÓÊ‡Û Ë ‰Û„ËÏ Ò¸ÂÁÌ˚Ï ÔÓ‚ÂʉÂÌËflÏ ËÌÒÚÛÏÂÌÚ‡. 3 ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER] (èËÚ‡ÌËÂ) ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ËÌÒÚÛÏÂÌÚ. ÇÍβ˜ËÚÒfl ÔÓ‰Ò‚ÂÚ͇ ˝Í‡Ì‡ ‚ ˆÂÌÚ Ô‰ÌÂÈ Ô‡ÌÂÎË Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl, ̇ıÓ‰fl˘ËÈÒfl ̇ ÍÓÔÛÒ ÌËÊ ÎÂ‚Ó„Ó Í‡fl Í·‚ˇÚÛ˚. ᇄӇÂÚÒfl Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl. 14 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 4 à„‡ ̇ Í·‚ˇÚÛÂ. à„‡ÈÚ ̇ Í·‚˯‡ı ‰Îfl „Â̇ˆËË Á‚Û͇. ǂ‰ÂÌË ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË. ÇÓ ‚ÂÏfl ËÒÔÓÎÌÂÌËfl „ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME], ‡ÒÔÓÎÓÊÂÌÌÓ„Ó Ì‡ Ô‡ÌÂÎË Ò΂‡. 5 6 Ç˚Íβ˜ÂÌË ÔËÚ‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [POWER], ˜ÚÓ·˚ ‚˚Íβ˜ËÚ¸ ÔˇÌËÌÓ. ùÍ‡Ì Ë Ë̉Ë͇ÚÓ ÔËÚ‡ÌËfl ÔÓ„‡ÒÌÛÚ. ä‡Í Á‡Í˚Ú¸ Í˚¯ÍÛ Í·‚ˇÚÛ˚. CVP-305/CVP-303: ÇÓÁ¸ÏËÚÂÒ¸ Á‡ ÏÂÚ‡Î΢ÂÒÍËÈ Í‡È ‚ ‚ÂıÌÂÈ ˜‡ÒÚË Ô‡ÌÂÎË Ë Á‡ÍÓÈÚ Í˚¯ÍÛ Í·‚ˇÚÛ˚. CVP-301: èÓÚflÌËÚ Í˚¯ÍÛ Ì‡ Ò·fl Ë ÓÒÚÓÓÊÌÓ ÓÔÛÒÚËڠ ̇ Í·‚ˇÚÛÛ. CVP-305/303 ÇçàåÄçàÖ á‡Í˚‚‡fl Í˚¯ÍÛ, Ì Ôӂ‰ËÚ ԇθˆ˚. CVP-301 ÇçàåÄçàÖ á‡Í˚‚‡fl Í˚¯ÍÛ, Ì Ôӂ‰ËÚ ԇθˆ˚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 15 ç‡ÒÚÓÈ͇ ËÌÒÚÛÏÂÌÚ‡ Clavinova è˛ÔËÚ ä‡Í ÔÓ‰ÌflÚ¸ Ô˛ÔËÚ ÇçàåÄçàÖ Ç‚Â‰ÂÌË ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. éÔÛÒ͇fl Ô˛-ÔËÚ, Ì ‚˚ÔÛÒ͇ÈÚÂ Â„Ó ËÁ ÛÍ, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì Ó͇ÊÂÚÒfl ̇ ÏÂÒÚÂ. ÇçàåÄçàÖ ç ËÒÔÓθÁÛÈÚ ԲÔËÚ, ÍÓ„‰‡ ÓÌ ÔÓ‰ÌflÚ Ì‡ÔÓÎÓ‚ËÌÛ. CVP-305/303: ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl ̇ÒÍÓθÍÓ ‚ÓÁÏÓÊÌÓ. äÓ„‰‡ Ô˛ÔËÚ ÔÓ‰ÌflÚ, Û„ÓΠ̇ÍÎÓ̇ Ì ÏÓÊÂÚ Â„ÛÎËÓ‚‡Ú¸Òfl. CVP-301: 1 ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ ‚ÓÁÏÓÊÌÓ. 2 éÔÛÒÚËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡. 3 éÔÛÒÚËÚ ԲÔËÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ ÓÔˇÎÒfl ̇ ÙËÍÒ‡ÚÓ˚. CVP-305/303 CVP-301 ä‡Í ÓÔÛÒÚËÚ¸ Ô˛ÔËÚ ÇçàåÄçàÖ CVP-305/303 èÂʉ ˜ÂÏ ÓÔÛÒ͇ڸ Ô˛ÔËÚ, ÓÔÛÒÚËÚ Á‡ÊËÏ˚ ‰Îfl ÌÓÚ (ÒÏ. ÒÚ. 17). ÖÒÎË Á‡ÊËÏ˚ ‰Îfl ÌÓÚ Ì ÓÔÛ˘ÂÌ˚, Ô˛ÔËÚ Ì Á‡ÍÓÂÚÒfl. CVP-305/303: ë΄͇ ÔËÔÓ‰ÌËÏËÚ ԲÔËÚ Ë ÔÓ‚ÂÌËÚ ̇Á‡‰. CVP-301: 1 ç‡ÍÎÓÌËÚ ԲÔËÚ Ì‡ Ò·fl, ̇ÒÍÓθÍÓ ˝ÚÓ ‚ÓÁÏÓÊÌÓ. 2 èÓ‰ÌËÏËÚ ÏÂÚ‡Î΢ÂÒÍË ÙËÍÒ‡ÚÓ˚ (ÓÌË Ì‡ıÓ‰flÚÒfl ̇ Ó·ÓÓÚÌÓÈ ÒÚÓÓÌ ԲÔËÚ‡). 3 éÒÚÓÓÊÌÓ Ì‡ÍÎÓÌflÈÚ ԲÔËÚ Ì‡Á‡‰, ÔÓ͇ ÓÌ ÔÓÎÌÓÒÚ¸˛ Ì ÎflÊÂÚ Ì‡ ÏÂÒÚÓ. CVP-305/303 ÇçàåÄçàÖ ç ÔˢÂÏËÚ ԇθˆ˚. éÔÛÒÚËÚ ÙËÍÒ‡ÚÓ ‰Îfl ÌÓÚ 16 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 CVP-301 îËÍÒ‡ÚÓ ‰Îfl ÌÓÚ îËÍÒ‡ÚÓ ‰Îfl ÌÓÚ ùÚË ÒÍÓ·ÍË ÒÎÛÊ‡Ú ‰Îfl ÙËÍÒ‡ˆËË ÒÚ‡Ìˈ ÌÓÚ. èÓ‰ÌflÚ¸ ǂ‰ÂÌË éÔÛÒÚËÚ¸ . ç‡Û¯ÌËÍË èÓ‰Íβ˜ËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ [PHONES] ‚ ÌËÊÌÂÈ Î‚ÓÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡. åÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ‰‚ ԇ˚ ̇ۯÌËÍÓ‚. (ÖÒÎË ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ÍÓÏÔÎÂÍÚ Ì‡Û¯ÌËÍÓ‚, Â„Ó ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌËÚ¸ Í Î˛·ÓÏÛ ‡Á˙ÂÏÛ.) ÇçàåÄçàÖ ç ÒΉÛÂÚ ‰ÓÎ„Ó ËÒÔÓθÁÓ‚‡Ú¸ ̇ۯÌËÍË ÔË ÔÓ‚˚¯ÂÌÌÓÏ ÛÓ‚Ì „ÓÏÍÓÒÚË. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ÒÎÛı‡. CVP-301 CVP-305/303 INPUT VOLUME MIN MIC. LINE IN MIC. LINE PHONES MAX êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 17 àÁÏÂÌÂÌË flÁ˚͇ ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ÇçàåÄçàÖ Ç‚Â‰ÂÌË ç ‚¯‡ÈÚ ̇ ˝ÚÓÚ Í˛˜ÓÍ Ì˘„Ó, ÍÓÏ ̇ۯÌËÍÓ‚. à̇˜Â ÏÓÊÌÓ Ôӂ‰ËÚ¸ ÔˇÌËÌÓ ËÎË Í˛˜ÓÍ. ä˛˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ‚ıÓ‰ËÚ ‚ ÍÓÏÔÎÂÍÚ ÔˇÌËÌÓ Clavinova Ë ÔÓÁ‚ÓÎflÂÚ ‚¯‡Ú¸ ̇ۯÌËÍË Ì‡ ÍÓÔÛÒ. á‡ÍÂÔËÚ Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ ̇ ÍÓÔÛÒÂ Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ‚ËÌÚÓ‚ (4 ı 10 ÏÏ), Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. CVP-305/303 CVP-301 Ç˚‚Ó‰ Á‚Û͇ ˜ÂÂÁ ‰Ë̇ÏËÍ ÔË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[√][®] CONFIG 2 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†]/[6†] (SPEAKER), ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÓÒÚÓflÌË «ON». Ç˚‚Ó‰ Á‚Û͇ ÚÓθÍÓ ˜ÂÂÁ ̇ۯÌËÍË ç‡ ˝Í‡ÌÂ, ‚˚Á‚‡ÌÌÓÏ ‚˚¯Â ‚ ¯‡„ 1, ̇ÊÏËÚ ÍÌÓÔÍÛ [5†]/[6†] (SPEAKER), ˜ÚÓ·˚ ‚˚·‡Ú¸ ÒÓÒÚÓflÌË «OFF». ÖÒÎË ‚˚·‡ÌÓ ÒÓÒÚÓflÌË «OFF», ‰Ë̇ÏËÍË Ì ·Û‰ÛÚ Á‚Û˜‡Ú¸, Ë ‚˚ ·Û‰ÂÚ ÒÎ˚¯‡Ú¸ Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ Clavinova ÚÓθÍÓ ˜ÂÂÁ ̇ۯÌËÍË. àÁÏÂÌÂÌË flÁ˚͇ Ç˚·Ó flÁ˚͇ ‰Îfl ÒÓÓ·˘ÂÌËÈ, ËÏÂÌ Ù‡ÈÎÓ‚ Ë ‚‚Ó‰ËÏ˚ı ÒËÏ‚ÓÎÓ‚. 1 2 18 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[√][®] OWNER Ç˚·ÂËÚ flÁ˚Í Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†]. ç‡ÒÚÓÈÍË ˝Í‡Ì‡ ç‡ÒÚÓÈÍË ˝Í‡Ì‡ ç‡ÒÚÓÈ͇ ÍÓÌÚ‡ÒÚÌÓÒÚË ˝Í‡Ì‡ ǂ‰ÂÌË äÓÌÚ‡ÒÚÌÓÒÚ¸ ˝Í‡Ì‡ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ [LCD CONTRAST], ‡ÒÔÓÎÓÊÂÌÌÓ„Ó Ò΂‡ ÓÚ ˝Í‡Ì‡. ç‡ÒÚÓÈ͇ flÍÓÒÚË ˝Í‡Ì‡ (CVP-305/303) ç‡ÒÚÓÈÚ flÍÓÒÚ¸ ˝Í‡Ì‡. 1 2 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[√][®] CONFIG 2 óÚÓ·˚ ̇ÒÚÓËÚ¸ flÍÓÒÚ¸ ˝Í‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [2π†]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 19 ç‡ÒÚÓÈÍË ˝Í‡Ì‡ Ç‚Ó‰ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl ̇ ˝Í‡Ì Á‡„ÛÁÍË Ç‚Â‰ÂÌË åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‚‡¯Â ËÏfl (Owner Name) ÓÚÓ·‡Ê‡ÎÓÒ¸ ̇ ˝Í‡Ì Á‡„ÛÁÍË (˝Í‡Ì, ÍÓÚÓ˚È ÔÓfl‚ÎflÂÚÒfl ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl). 1 2 20 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[√][®] OWNER ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (OWNER NAME), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚‚Ó‰‡ ËÏÂÌË ÔÓθÁÓ‚‡ÚÂÎfl. àÌÙÓχˆË˛ Ó ‚‚Ӊ ÒËÏ‚ÓÎÓ‚ ÒÏ. ̇ ÒÚ. 67. ÑËÒÍÓ‚Ó‰ Ë ‰ËÒÍÂÚ˚ (Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÏÂÒÚ‡ ÔÓÍÛÔÍË, ‰ËÒÍÓ‚Ó‰ ÏÓÊÂÚ ‚ıÓ‰ËÚ¸ ËÎË Ì ‚ıÓ‰ËÚ¸ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË. àÌÒÚÛ͈ËË ÔÓ ÛÒÚ‡ÌÓ‚Í ‰ËÒÍÓ‚Ó‰‡ ÒÏ. ̇ ÒÚ. 208) • èÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ, ۷‰ËÚÂÒ¸, ˜ÚÓ ‚ ‰ËÒÍӂӉ ÌÂÚ ‰ËÒÍÂÚ˚. ÖÒÎË ‰ËÒÍÂÚ‡ ̇ıÓ‰ËÚÒfl ‚ ‰ËÒÍӂӉ ‰ÎËÚÂθÌÓ ‚ÂÏfl, Ó̇ ÏÓÊÂÚ ÔÓÍ˚Ú¸Òfl Ô˚θ˛ Ë „flÁ¸˛, ‡ ˝ÚÓ ‚˚Á˚‚‡ÂÚ Ó¯Ë·ÍË ÔË ˜ÚÂÌËË ËÎË Á‡ÔËÒË. ǂ‰ÂÌË ÇÒÚÓÂÌÌ˚È ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚ ÔÓÁ‚ÓÎflÂÚ ‚‡Ï ı‡ÌËÚ¸ Ò‚ÓË ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ Ë Á‡„Ûʇڸ Ëı Ò ‰ËÒ͇ ̇ ËÌÒÚÛÏÂÌÚ. ÅÂÂÊÌÓ Ó·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË Ë ‰ËÒÍÓ‚Ó‰ÓÏ. èËÌËχÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË. ÇçàåÄçàÖ ç ‚˚ÌËχÈÚ ‰ËÒÍÂÚÛ Ë Ì ‚˚Íβ˜‡ÈÚ ËÌÒÚÛÏÂÌÚ, ÂÒÎË ÂÒÚ¸ Ó·‡˘ÂÌËÂ Í ‰ËÒÍÂÚÂ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓÚ ‰‡ÌÌ˚ı Ë Í ÔÓ‚ÂʉÂÌ˲ ‰ËÒÍÓ‚Ó‰‡. ëÓ‚ÏÂÒÚËÏ˚ ‰ËÒÍÂÚ˚ • åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍÂÚ˚ 3,5" 2DD Ë 2HD. é˜ËÒÚ͇ „ÓÎÓ‚ÍË ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ˜ÚÂÌËfl/Á‡ÔËÒË ‰‡ÌÌ˚ı îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ • çÂÓ·ıÓ‰ËÏÓ Â„ÛÎflÌÓ ˜ËÒÚËÚ¸ „ÓÎÓ‚ÍÛ ˜ÚÂÌËfl/Á‡ÔËÒË ‰‡ÌÌ˚ı. àÌÒÚÛÏÂÌÚ ÓÒ̇˘ÂÌ Ï‡„ÌËÚÌÓÈ „ÓÎÓ‚ÍÓÈ ‚˚ÒÓÍÓÈ ÚÓ˜ÌÓÒÚË, ̇ ÍÓÚÓÓÈ ÔÓÒΠ‰ÎËÚÂθÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl Ó·‡ÁÛÂÚÒfl ÒÎÓÈ Ï‡„ÌËÚÌ˚ı ˜‡ÒÚˈ Ò ‰ËÒÍÂÚ, ˜ÚÓ ÒÓ ‚ÂÏÂÌÂÏ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ó¯Ë·Í‡Ï ‚Ó ‚ÂÏfl ˜ÚÂÌËfl Ë Á‡ÔËÒË ‰‡ÌÌ˚ı. • óÚÓ·˚ ÔÓ‰‰ÂÊË‚‡Ú¸ ‰ËÒÍÓ‚Ó‰ ‚ ‡·Ó˜ÂÏ ÒÓÒÚÓflÌËË, ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ‡Á ‚ ÏÂÒflˆ ËÒÔÓθÁÓ‚‡Ú¸ ÒÔˆˇθÌÛ˛ ‰ËÒÍÂÚÛ ÒÛıÓ„Ó ÚËÔ‡ (Ëϲ˘Û˛Òfl ‚ ÔÓ‰‡ÊÂ) ‰Îfl Ó˜ËÒÚÍË „ÓÎÓ‚ÍË. Ç˚flÒÌËÚ¸, ÂÒÚ¸ ÎË ‚ ÔÓ‰‡Ê ˜ËÒÚfl˘Ë ‰ËÒÍÂÚ˚, ÏÓÊÌÓ Û ÏÂÒÚÌÓ„Ó Ô‰ÒÚ‡‚ËÚÂÎfl ÍÓÔÓ‡ˆËË Yamaha. • ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ ‰ËÒÍÂÚ˚ ËÎË ‰ËÒÍÂÚ˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ ÙÓχÚËÓ‚‡Ì˲ ‰ËÒÍÂÚ˚ ÒÏ. ̇ ÒÚ. 62. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl ‚Ò ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚ ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚. ᇇÌ Ôӂ¸ÚÂ, ÂÒÚ¸ ÎË Ì‡ ‰ËÒÍÂÚ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â. ÑËÒÍÂÚ˚, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸ ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â. ÑËÒÍÂÚ˚ ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË ‰ËÒÍÂÚ ìÒÚ‡Ìӂ͇ ‰ËÒÍÂÚ˚ ‚ ‰ËÒÍÓ‚Ó‰ • ÑÂÊËÚ ‰ËÒÍÂÚÛ Ì‡ÍÎÂÈÍÓÈ ‚‚Âı, ÒÍÓθÁfl˘ÂÈ ¯ÚÓÍÓÈ ‚Ô‰ ÔÓ Ì‡Ô‡‚ÎÂÌ˲ Í ÔÓÂÁË ‰ËÒÍÓ‚Ó‰‡. éÒÚÓÓÊÌÓ ‚ÒÚ‡‚¸Ú ‰ËÒÍÂÚÛ ‚ „ÌÂÁ‰Ó Ë Ïfl„ÍÓ ÚÓÎÍÌËÚ ‚Ô‰, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ Ë Ì ‚˚ÒÍÓ˜ËÚ ÍÌÓÔ͇ ‰ËÒÍÓ‚Ó‰‡. ç ‚ÒÚ‡‚ÎflÈÚ ‚ ‰ËÒÍÓ‚Ó‰ Ì˘„Ó, ÍÓÏ ‰ËÒÍÂÚ. ÑÛ„Ë Ô‰ÏÂÚ˚ ÏÓ„ÛÚ Ôӂ‰ËÚ¸ ‰ËÒÍÓ‚Ó‰ ËÎË ‰ËÒÍÂÚÛ. 쉇ÎÂÌË ‰ËÒÍÂÚ˚ • ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ӷ‡˘‡ÂÚÒfl* Í ‰ËÒÍÂÚ (Ë̉Ë͇ÚÓ Ì‡ ‚ÒÚÓÂÌÌÓÏ ‰ËÒÍӂӉ Ì „ÓËÚ), ̇ÊÏËÚ ̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËfl, ‡ÒÔÓÎÓÊÂÌÌÛ˛ ÒÔ‡‚‡ ̇‰ „ÌÂÁ‰ÓÏ. äÓ„‰‡ ‰ËÒÍÂÚ‡ ‚˚‰‚ËÌÂÚÒfl, ‚˚Ú‡˘Ëڠ ËÁ ‰ËÒÍÓ‚Ó‰‡. ÖÒÎË ‰ËÒÍÂÚÛ Ì ۉ‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, Ì ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚ ̇ʇڸ ̇ ÍÌÓÔÍÛ ‚˚‰‚ËÊÂÌËfl ËÎË ÔÓ‚ÚÓÌÓ ‚ÒÚ‡‚ËÚ¸ ‰ËÒÍÂÚÛ Ë ÔÓÔ˚Ú‡Ú¸Òfl ‚˚‰‚ËÌÛÚ¸ ÂÂ. * ç ‚˚ÔÓÎÌfl˛ÚÒfl ÓÔ‡ˆËË, Ú‡ÍËÂ Í‡Í Á‡ÔËÒ¸, ‚ÓÒÔÓËÁ‚‰ÂÌË ËÎË Û‰‡ÎÂÌË ‰‡ÌÌ˚ı. ÖÒÎË ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ Ë ‚˚ ‚ÒÚ‡‚ÎflÂÚ ‰ËÒÍÂÚÛ, ËÌÒÚÛÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË Ó·‡˘‡ÂÚÒfl Í ÌÂÈ, ˜ÚÓ·˚ ÔÓ‚ÂËÚ¸ ̇΢ˠ‰‡ÌÌ˚ı. é·‡˘‡ÈÚÂÒ¸ Ò ‰ËÒÍÂÚ‡ÏË ‡ÍÍÛ‡ÚÌÓ Ë Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË • ç ÒÚ‡‚¸Ú ̇ ‰ËÒÍÂÚ˚ ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚÂ Ë Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌËÏË. äÓ„‰‡ ‰ËÒÍÂÚ˚ Ì ËÒÔÓθÁÛ˛ÚÒfl, ı‡ÌËÚ Ëı ‚ ÍÓӷ͇ı. • ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı Ë ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌËı Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË. • ç ÒΉÛÂÚ ÓÚÍ˚‚‡Ú¸ ¯ÚÓÍÛ Ë ÔË͇҇ڸÒfl Í Ï‡„ÌËÚÌÓÈ ÔÓ‚ÂıÌÓÒÚË ‰ËÒÍÂÚ˚. • ç ÔÓ‰‚„‡ÈÚ ‰ËÒÍÂÚ˚ ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë Ú.‰., Ú‡Í Í‡Í Ï‡„ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ÔÓÎÌÓÒÚ¸˛ ËÎË ˜‡ÒÚ˘ÌÓ ÒÚÂÂÚ¸ ‰‡ÌÌ˚ ̇ ‰ËÒÍÂÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl. • çËÍÓ„‰‡ Ì ËÒÔÓθÁÛÈÚ ‰ËÒÍÂÚ˚ Ò ‰ÂÙÓÏËÓ‚‡ÌÌÓÈ ¯ÚÓÍÓÈ ËÎË ÍÓÔÛÒÓÏ. • ç ̇ÍÎÂË‚‡ÈÚ ̇ ‰ËÒÍÂÚÛ Ì˘„Ó, ÍÓÏ ÔÓÒÚ‡‚ÎflÂÏ˚ı Ò ÌÂÈ Ì‡ÍÎÂÂÍ. èËÍÂÔÎflÈÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÂ. ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË) • óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔÂÂÏÂÒÚËÚ Á‡˘ÂÎÍÛ ‚ ÔÓÎÓÊÂÌË «Á‡˘ËÚ˚» (ÓÚ‚ÂÒÚË ÓÚÍ˚ÚÓ). äÓ„‰‡ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚Â, Á‡˘ÂÎ͇ ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË «Á‡ÔËÒ¸» (ÓÚ‚ÂÒÚË Á‡Í˚ÚÓ). ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË) êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 21 è·Ú˚ Ô‡ÏflÚË SmartMedia™* *SmartMedia – ˝ÚÓ ÚÓ‚‡Ì˚È ÁÌ‡Í ÍÓÔÓ‡ˆËË Toshiba. ǂ‰ÂÌËÂ ç‡ ËÌÒÚÛÏÂÌÚ ÂÒÚ¸ „ÌÂÁ‰Ó ‰Îfl Ô·Ú˚ SmartMedia (̇ Ô‰ÌÂÈ Ô‡ÌÂÎË). Ç˚ ÏÓÊÂÚ ı‡ÌËÚ¸ Ò‚ÓË ÓË„Ë̇θÌ˚ ‰‡ÌÌ˚ ̇ Ô·Ú SmartMedia Ë Á‡„Ûʇڸ Ëı Ò Ô·Ú˚ ‚ ËÌÒÚÛÏÂÌÚ. é·‡˘‡ÈÚÂÒ¸ Ò Ô·ڇÏË SmartMedia ‡ÍÍÛ‡ÚÌÓ. ëӷ≇ÈÚ ‚Ò Û͇Á‡ÌÌ˚ ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË. ëÓ‚ÏÂÒÚËÏ˚ ÚËÔ˚ SmartMedia • åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô·Ú˚ SmartMedia ̇ 3,3 Ç (3 Ç). è·Ú˚ SmartMedia ̇ 5 Ç ÌÂÒÓ‚ÏÂÒÚËÏ˚ Ò ËÌÒÚÛÏÂÌÚÓÏ. • ë ËÌÒÚÛÏÂÌÚÓÏ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô·Ú˚ SmartMedia ÒÂÏË ‡ÁÌ˚ı Ó·˙ÂÏÓ‚ Ô‡ÏflÚË (2, 4, 8, 16, 32, 64, 128 åÅ). è·Ú˚ SmartMedia ·ÓΠ32 åÅ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸, ÂÒÎË ÓÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Òڇ̉‡ÚÛ SSFDC Forum. SSFDC – ˝ÚÓ ‡··Â‚ˇÚÛ‡ ‰Îfl Solid State Floppy Disk Card (‰Û„Ó ̇Á‚‡ÌË ÔÎ‡Ú SmartMedia). SSFDC Forum – ˝ÚÓ ‰Ó·Ó‚Óθ̇fl Ó„‡ÌËÁ‡ˆËfl, ÒÓÁ‰‡Ì̇fl ‰Îfl ÒÓ‰ÂÈÒÚ‚Ëfl ËÒÔÓθÁÓ‚‡Ì˲ SmartMedia. îÓχÚËÓ‚‡ÌË ÔÎ‡Ú SmartMedia ÖÒÎË Ì ۉ‡ÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ÌÓ‚˚ ˜ËÒÚ˚ Ô·Ú˚ SmartMedia ËÎË Ô·Ú˚, ÍÓÚÓ˚ ËÒÔÓθÁÓ‚‡ÎËÒ¸ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı, Ëı ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. àÌÒÚÛ͈ËË ÔÓ ÙÓχÚËÓ‚‡Ì˲ Ô·Ú˚ SmartMedia ÒÏ. ̇ ÒÚ. 62. èÓÏÌËÚÂ, ˜ÚÓ ÔÓÒΠÙÓχÚËÓ‚‡ÌËfl ‚Ò ‰‡ÌÌ˚ ̇ Ô·Ú ·Û‰ÛÚ ÛÌ˘ÚÓÊÂÌ˚. ᇇÌ Ôӂ¸ÚÂ, ÂÒÚ¸ ÎË Ô·Ú ‚‡ÊÌ˚ ‰‡ÌÌ˚Â. è·Ú˚ SmartMedia, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓ„ÛÚ ·˚Ú¸ ÌÂÔË„Ó‰Ì˚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ̇ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â. ìÒÚ‡Ìӂ͇ Ë Û‰‡ÎÂÌË Ô·Ú˚ SmartMedia ìÒÚ‡Ìӂ͇ Ô·Ú˚ SmartMedia • CVP-305/303: ÇÒÚ‡‚¸Ú Ô·ÚÛ SmartMedia ‚ ‡Á˙ÂÏ ÔÓÁÓÎÓ˜ÂÌÌ˚ÏË ÍÓÌÚ‡ÍÚ‡ÏË ‚ÌËÁ. • CVP-301: ÇÒÚ‡‚¸Ú Ô·ÚÛ SmartMedia ‚ ‡Á˙ÂÏ ÔÓÁÓÎÓ˜ÂÌÌ˚ÏË ÍÓÌÚ‡ÍÚ‡ÏË ‚ÌËÁ. • ç ‚ÒÚ‡‚ÎflÈÚ Ô·ÚÛ SmartMedia ‚ ÌÂÔ‡‚ËθÌÓÏ ÔÓÎÓÊÂÌËË. • ç ‚ÒÚ‡‚ÎflÈÚ ‚ „ÌÂÁ‰Ó Ì˘„Ó, ÍÓÏ Ô·Ú˚ SmartMedia. 쉇ÎÂÌË Ô·Ú˚ SmartMedia • CVP-305/303: ì·Â‰Ë‚¯ËÒ¸, ˜ÚÓ ËÌÒÚÛÏÂÌÚ Ì ‚Á‡ËÏÓ‰ÂÈÒÚ‚ÛÂÚ* Ò Ô·ÚÓÈ SmartMedia, ̇‰‡‚ËÚ ̇ Ì ‰Ó ˘ÂΘ͇ Ë ÓÚÔÛÒÚËÚÂ. äÓ„‰‡ Ô·ڇ SmartMedia ‚˚‰‚ËÌÂÚÒfl, ‚˚Ú‡˘Ëڠ ËÁ ÛÒÚÓÈÒÚ‚‡. ÖÒÎË Ô·ÚÛ Ì ۉ‡ÂÚÒfl ‚˚Ú‡˘ËÚ¸, Ì ÔËÏÂÌflÈÚ ÒËÎÛ. ֢ ‡Á ÔÓÔÓ·ÛÈÚ ÔÓÎÌÓÒÚ¸˛ ‚ÒÚ‡‚ËÚ¸  ‚ „ÌÂÁ‰Ó Ë ‚˚‰‚ËÌÛÚ¸. • CVP-301: è‰ ÚÂÏ Í‡Í ËÁ‚ÎÂ͇ڸ Ô·ÚÛ SmartMedia, Û‰ÓÒÚӂ¸ÚÂÒ¸, ˜ÚÓ Ó̇ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ Ì ËÒÔÓθÁÛÂÚÒfl Ë ˜ÚÓ ËÌÒÚÛÏÂÌÚ Í ÌÂÈ Ì ӷ‡˘‡ÂÚÒfl. á‡ÚÂÏ ÓÒÚÓÓÊÌÓ ‚˚Ú‡˘ËÚ Ô·ÚÛ. ÖÒÎË ‚ ˝ÚÓ ‚ÂÏfl ÔÓËÒıÓ‰ËÚ Ó·‡˘ÂÌËÂ Í Ô·ÚÂ*, ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ ÔÓfl‚ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÒÓÓ·˘ÂÌËÂ. * ÇÁ‡ËÏÓ‰ÂÈÒÚ‚Ë ‚Íβ˜‡ÂÚ ‚ Ò·fl ÒÓı‡ÌÂÌËÂ, Á‡„ÛÁÍÛ, ÙÓχÚËÓ‚‡ÌËÂ, Û‰‡ÎÂÌËÂ Ë ÒÓÁ‰‡ÌË ͇ڇÎÓ„Ó‚. èÓÏÌËÚÂ, ˜ÚÓ, ÍÓ„‰‡ ‚˚ ‚ÒÚ‡‚ÎflÂÚ Ô·ÚÛ SmartMedia ‚Ó ‚Íβ˜ÂÌÌ˚È ËÌÒÚÛÏÂÌÚ, ÓÌ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‚ÂflÂÚ ÚËÔ ÌÓÒËÚÂÎfl. 22 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÇçàåÄçàÖ çËÍÓ„‰‡ Ì Ô˚Ú‡ÈÚÂÒ¸ ‚˚ÌÛÚ¸ Ô·ÚÛ SmartMedia ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ÂÒÎË ËÌÒÚÛÏÂÌÚ ‚Á‡ËÏÓ‰ÂÈÒÚ‚ÛÂÚ Ò Ô·ÚÓÈ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ ËÌÒÚÛÏÂÌÚ ËÎË Ì‡ Ô·ÚÂ, ‡ Ú‡ÍÊ ҇ÏÓÈ Ô·Ú˚ SmartMedia. é Ô·ڇı SmartMedia é·‡˘‡ÈÚÂÒ¸ Ò Ô·ڇÏË SmartMedia ‡ÍÍÛ‡ÚÌÓ Ë Òӷ≇ÈÚ ÒÎÂ‰Û˛˘Ë ÏÂ˚ Ô‰ÓÒÚÓÓÊÌÓÒÚË • ÖÒÚ¸ ÒËÚÛ‡ˆËË, ÍÓ„‰‡ ̇ Ô·ÚÛ SmartMedia ‚ÎËflÂÚ ÒÚ‡Ú˘ÂÒÍÓ ˝ÎÂÍÚ˘ÂÒÚ‚Ó. èÂʉ ˜ÂÏ ·‡Ú¸ ‚ ÛÍË Ô·ÚÛ SmartMedia, ÔËÍÓÒÌËÚÂÒ¸ Í ÏÂÚ‡Î΢ÂÒÍÓÈ ÔÓ‚ÂıÌÓÒÚË, ̇ÔËÏÂ Í ‰‚ÂÌÓÈ Û˜Í ËÎË ‡Î˛ÏËÌË‚ÓÏÛ Í‡Í‡ÒÛ, ˜ÚÓ·˚ ÒÌËÁËÚ¸ ÒÚ‡Ú˘ÂÒÍÓ ˝ÎÂÍÚ˘ÂÒÚ‚Ó. • Ç˚ÌËχÈÚ Ô·ÚÛ SmartMedia ËÁ „ÌÂÁ‰‡, ÂÒÎË Ó̇ Ì ËÒÔÓθÁÛÂÚÒfl ‰Ó΄Ó ‚ÂÏfl. • ç ÔÓ‰‚„‡ÈÚ Ô·ÚÛ SmartMedia ‚ÓÁ‰ÂÈÒڂ˲ ÔflÏÓ„Ó ÒÓÎ̘ÌÓ„Ó Ò‚ÂÚ‡, ÒÎ˯ÍÓÏ ÌËÁÍËı ËÎË ‚˚ÒÓÍËı ÚÂÏÔ‡ÚÛ, ËÁ·˚ÚÓ˜ÌÓÈ ‚·ÊÌÓÒÚË, ËÁ·Â„‡ÈÚ Ò͇ÔÎË‚‡ÌËfl ̇ ÌÂÈ Ô˚ÎË Ë ÔÓÔ‡‰‡ÌËfl ÊˉÍÓÒÚË. • ç ÒÚ‡‚¸Ú ̇ Ô·ÚÛ SmartMedia ÚflÊÂÎ˚ Ô‰ÏÂÚ˚, Ì ҄˷‡ÈÚÂ Ë Ì ÔËÏÂÌflÈÚ ÒËÎÛ ÔË Ó·‡˘ÂÌËË Ò ÌÂÈ. • ç ͇҇ÈÚÂÒ¸ ÁÓÎÓÚ˚ı ÍÓÌÚ‡ÍÚÓ‚ Ô·Ú˚ SmartMedia Ë Ì Í·‰ËÚ ̇ ÌËı ÏÂÚ‡Î΢ÂÒÍË Ô·ÒÚËÌ˚. • ç ÓÒÚ‡‚ÎflÈÚ Ô·ÚÛ SmartMedia ‚ ÚÂı ÏÂÒÚ‡ı, „‰Â Ó̇ ÏÓÊÂÚ ÔÓ‰‚„ÌÛÚ¸Òfl ‚ÓÁ‰ÂÈÒڂ˲ χ„ÌËÚÌ˚ı ÔÓÎÂÈ ÚÂ΂ËÁÓÓ‚, ‰Ë̇ÏËÍÓ‚, ˝ÎÂÍÚÓÏÓÚÓÓ‚ Ë ÚÓÏÛ ÔÓ‰Ó·Ì˚ı ÛÒÚÓÈÒÚ‚. 凄ÌËÚÌ˚ ÔÓÎfl ÏÓ„ÛÚ ‚˚Á‚‡Ú¸ ˜‡ÒÚ˘ÌÛ˛ ËÎË ÔÓÎÌÛ˛ ÔÓÚ² ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ Ô·ÚÂ, ҉·‚  ÌÂÔË„Ó‰ÌÓÈ Í ËÒÔÓθÁÓ‚‡Ì˲. • ç ÔËÍÂÔÎflÈÚÂ Í Ô·Ú Ì˘„Ó, ÍÓÏ ÒÔˆˇθÌ˚ı ̇ÍÎÂÂÍ. èËÍÎÂË‚‡ÂÚ ̇ÍÎÂÈÍË ‚ Ô‰̇Á̇˜ÂÌÌÓÏ ‰Îfl ˝ÚÓ„Ó ÏÂÒÚÂ. ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË) • óÚÓ·˚ ÒÎÛ˜‡ÈÌÓ Ì ۉ‡ÎËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚Â, ÔËÍÂÔËÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ Ó·Î‡ÒÚË (‚ ÍÛ„Â) ̇ Ô·Ú SmartMedia ̇ÍÎÂÈÍÛ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË (ÔÓÒÚ‡‚ÎflÂÏÛ˛ Ò Ô·ÚÓÈ SmartMedia). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ ‰‡ÌÌ˚ ̇ Ô·ÚÛ SmartMedia, Û‰‡ÎËÚÂ Ò Ì ̇ÍÎÂÈÍÛ Á‡˘ËÚ˚ ÓÚ Á‡ÔËÒË. • ç ËÒÔÓθÁÛÈÚ ÒÌflÚÛ˛ ̇ÍÎÂÈÍÛ ÔÓ‚ÚÓÌÓ. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË – ·Óθ¯Â ˜ÂÏ ÔÓÒÚÓ ÔÂÒÌË. éÌË ÔÓ͇Á˚‚‡˛Ú ‚ÓÁÏÓÊÌÓÒÚË ËÌÒÚÛÏÂÌÚ‡, Â„Ó ÙÛÌ͈ËË Ë ÓÔ‡ˆËË. Ç ÌÂÍÓÚÓÓÏ ÒÏ˚ÒΠ˝ÚÓ ËÌÚ‡ÍÚË‚Ì˚È ÏËÌË-ۘ·ÌËÍ Ò Ó·‡Áˆ‡ÏË Á‚Û˜‡ÌËfl Ë Ó·˙flÒÌÂÌËflÏË ‰Îfl ÔÓθÁÓ‚‡ÚÂÎfl. DEMO ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 Ç˚·ÂËÚ flÁ˚Í. 1 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ flÁ˚͇, ̇ÊÏËÚ ÍÌÓÔÍÛ [HELP] (ëÔ‡‚͇). 1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†] ‚˚·ÂËÚ ÌÛÊÌ˚È flÁ˚Í. 2 2 ÑÎfl Á‡ÔÛÒ͇ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DEMO]. ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ·Û‰ÛÚ Á‚Û˜‡Ú¸, ÔÓ͇ Ëı Ì ÓÒÚ‡ÌÓ‚flÚ. 3 DEMO ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èÓÒΠÓÒÚ‡ÌÓ‚ÍË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË ÔÓËÒıÓ‰ËÚ ‚ÓÁ‚‡Ú Í ÓÒÌÓ‚ÌÓÏÛ ˝Í‡ÌÛ (MAIN). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 23 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó Ç˚‚Ó‰ ÒÔËÒ͇ ‡Á‰ÂÎÓ‚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ 1 ÑÎfl ‚˚ÁÓ‚‡ ÏÂÌ˛ ÍÓÌÍÂÚÌÓ„Ó ‡Á‰Â· ̇ÊÏËÚ ÍÌÓÔÍË [7π†]/[8π†] ̇ ˝Í‡Ì Demo. 2 ÑÎfl ‚˚ÁÓ‚‡ ÍÓÌÍÂÚÌÓÈ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÔÂÒÌË Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[I]. ÑÎfl ‚ÓÁ‚‡Ú‡ Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [J]. ÖÒÎË ‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÔÂÒÌfl Á‡ÌËχÂÚ ·Óθ¯Â Ó‰ÌÓ„Ó ˝Í‡Ì‡ ç‡ÊÏËÚ ÍÌÓÔÍÛ [†] ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÌÓχ ˝Í‡Ì‡. 3 24 ÑÎfl ‚˚ıÓ‰‡ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ꇷÓÚ‡ Ò ÓÒÌÓ‚Ì˚ÏË ˝Í‡Ì‡ÏË ÑÎfl ‡·ÓÚ˚ Ò ÓÒÌÓ‚Ì˚ÏË ˝Í‡Ì‡ÏË ÌÂÓ·ıÓ‰ËÏÓ ËÏÂÚ¸ ÌÂÍÓÚÓÓ Ô‰ÒÚ‡‚ÎÂÌËÂ Ó ÌËı. ëÛ˘ÂÒÚ‚ÛÂÚ ÚË ÓÒÌÓ‚Ì˚ı ˝Í‡Ì‡: ùÍ‡Ì MAIN (É·‚Ì˚È) ➤ ëÏ. ÌËÊÂ. ùÍ‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ➤ ëÏ. ÌËÊÂ. ùÍ‡Ì ÙÛÌ͈ËÈ ➤ ÒÚ. 26 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ê‡·ÓÚ‡ Ò ˝Í‡ÌÓÏ Main É·‚Ì˚È ˝Í‡Ì ÒÓ‰ÂÊËÚ ÓÒÌÓ‚Ì˚ ̇ÒÚÓÈÍË Ë ‚‡ÊÌ˚ ҂‰ÂÌËfl Ó· ËÌÒÚÛÏÂÌÚ (˝ÚÓ ÚÓÚ ˝Í‡Ì, ÍÓÚÓ˚È ÔÓfl‚ÎflÂÚÒfl ÔË ‚Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡). ë „Î‡‚ÌÓ„Ó ˝Í‡Ì‡ Ú‡ÍÊ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÚ‡Ìˈ˚, ÓÚÌÓÒfl˘ËÂÒfl Í ÓÚÓ·‡ÊÂÌÌÓÈ ÙÛÌ͈ËË. 낉ÂÌËfl ̇ ˝Í‡Ì MAIN ëÏ. ÒÚ. 59. 1 äÌÓÔÍË [A]–[J] äÌÓÔÍË [A]–[J] ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ì‡ÒÚÓÈ͇Ï, ÍÓÚÓ˚ Û͇Á‡Ì˚ fl‰ÓÏ. ç‡ÔËÏÂ, ÂÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [F], ÔÓfl‚ËÚÒfl ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ ‰Îfl ˜‡ÒÚË Í·‚ˇÚÛ˚ RIGHT 1 (Voice (RIGHT 1)). π†]–[8π π†] 2 äÌÓÔÍË [1π äÌÓÔÍË [1π†]–[8π†] ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ô‡‡ÏÂÚ‡Ï, ÍÓÚÓ˚ Û͇Á‡Ì˚ ̇‰ ÌËÏË. (ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË (‰Îfl CVP-301).) ç‡ÔËÏÂ, ÂÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [1π], Û‚Â΢˂‡ÂÚÒfl „ÓÏÍÓÒÚ¸ Á‚Û˜‡ÌËfl ÔÂÒÌË (ÒÚ. 34). 3 äÌÓÔÍË [DIRECT ACCESS] Ë [EXIT] ÇÓÚ Û‰Ó·Ì˚È ÒÔÓÒÓ· ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN Ò Î˛·Ó„Ó ‰Û„Ó„Ó ˝Í‡Ì‡. èÓÒÚÓ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. 1 1 3 3 2 ꇷÓÚ‡ Ò ˝Í‡ÌÓÏ ‚˚·Ó‡ Ù‡ÈÎÓ‚ File Selection ë ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ ‚˚·Ó‡ Ù‡ÈÎÓ‚ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÚÂÏ· (ÒÚ. 28), ÔÂÒÌ˛ (ÒÚ. 34), ÒÚËθ (ÒÚ. 44) Ë Ú.‰. Ç ÒÎÂ‰Û˛˘ÂÏ ÔËÏ ‡ÒÒÏÓÚËÏ ‚˚ÁÓ‚ Ë ËÒÔÓθÁÓ‚‡ÌË ˝Í‡Ì‡ ‚˚·Ó‡ ÔÂÒÌË. 2 SONG SELECT 1 3, 5 3, 5 4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 25 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection), ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT]. 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ÌÛÊÌ˚È ÌÓÒËÚÂθ (PRESET/USER/CARD). çÓÒËÚÂÎË PRESET/USER/CARD PRESET ................. ÇÌÛÚÂÌÌflfl Ô‡ÏflÚ¸, ÍÛ‰‡ Á‡„Ûʇ˛ÚÒfl Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â. USER...................... ÇÌÛÚÂÌÌflfl Ô‡ÏflÚ¸, ÔÓÁ‚ÓÎfl˛˘‡fl Ò˜ËÚ˚‚‡Ú¸ Ë Á‡ÔËÒ˚‚‡Ú¸ ‰‡ÌÌ˚Â. CARD ..................... ëÎÛÊËÚ ‰Îfl ÔÂÂÌÓÒ‡ ‰‡ÌÌ˚ı ̇ Ô·ÚÛ SmartMedia Ë Ò Ì ˜ÂÂÁ ‡Á˙ÂÏ CVP. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó èË ÔÓ‰Íβ˜ÂÌËË ‚̯ÌÂ„Ó Ì‡ÍÓÔËÚÂÎfl USB (̇ÔËÏÂ, ‰ËÒÍÓ‚Ó‰‡ „Ë·ÍËı ‰ËÒÍÓ‚) ˜ÂÂÁ ‡Á˙ÂÏ USB [TO DEVICE] ̇ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ÔÓfl‚ÎflÂÚÒfl ̇‰ÔËÒ¸ «USB». (ëÏ. ÒÚ. 186, «àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB», ¯‡„ 2.) 3 Ç˚·ÂËÚ ԇÔÍÛ (ÂÒÎË Ú·ÛÂÚÒfl). Ç Ó‰ÌÓÈ Ô‡ÔÍ ÏÓÊÂÚ ·˚Ú¸ ÌÂÒÍÓθÍÓ ÔÂÒÂÌ. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl ËÁÓ·‡ÊÂÌË ӉÌÓÈ ËÎË ÌÂÒÍÓθÍËı Ô‡ÔÓÍ (ÒÏ. ËÒÛÌÓÍ ÒÔ‡‚‡). óÚÓ·˚ ‚˚·‡Ú¸ Ô‡ÔÍÛ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. 4 Ç˚·ÂËÚ ÒÚ‡ÌËˆÛ (ÂÒÎË ˝Í‡Ì ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓθÍËı ÒÚ‡Ìˈ). ÖÒÎË Ì‡ ‰ËÒÍ ÒÓ‰ÂÊËÚÒfl ·ÓΠ‰ÂÒflÚË ÔÂÒÂÌ, ˝Í‡Ì ‰ÂÎËÚÒfl ̇ ÌÂÒÍÓθÍÓ ÒÚ‡Ìˈ. ëÚ‡Ìˈ˚ Û͇Á‡Ì˚ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡. óÚÓ·˚ ‚˚·‡Ú¸ ÒÚ‡ÌˈÛ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1π]–[6π]. 5 óÚÓ·˚ ‚˚·‡Ú¸ ÔÂÒÌ˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ÔÂÒÌ˛ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY] Ë Á‡ÚÂÏ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER] ‰Îfl ‚˚ÔÓÎÌÂÌËfl. 6 óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ꇷÓÚ‡ Ò ˝Í‡ÌÓÏ ÙÛÌ͈ËÈ ë ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ ÙÛÌ͈ËÈ ÏÓÊÌÓ ‰Â·ڸ ‰ÂڇθÌ˚ ̇ÒÚÓÈÍË. Ç ÒÎÂ‰Û˛˘ÂÏ ÔËÏ ‡ÒÒÏÓÚËÏ ‚˚ÁÓ‚ Ë ËÒÔÓθÁÓ‚‡ÌË ˝Í‡Ì‡ ‰Îfl ̇ÒÚÓÈÍË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION]. èÓfl‚flÚÒfl ͇Ú„ÓËË ‰ÂڇθÌ˚ı ̇ÒÚÓÂÍ. 26 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [D] ‚˚·ÂËÚ ͇Ú„Ó˲ CONTROLLER. ÖÒÎË ‚˚·‡Ì̇fl ͇Ú„ÓËfl ‚Íβ˜‡ÂÚ Ó‰ÌÛ ËÎË ÌÂÒÍÓθÍÓ ÔӉ͇Ú„ÓËÈ, ̇ ˝Í‡Ì ÔÓfl‚ËÚÒfl Ӊ̇ ËÎË ÌÂÒÍÓθÍÓ ‚Í·‰ÓÍ. A B C D E ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 3 óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ KEYBOARD/PANEL (ä·‚ˇÚÛ‡/è‡ÌÂθ), ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [®]. ÖÒÎË Ì‡ÒÚÓÈ͇ ‚Íβ˜‡ÂÚ ‚ Ò·fl ÌÂÒÍÓθÍÓ ‰ÓÔÓÎÌËÚÂθÌ˚ı ̇ÒÚÓÂÍ, Ëı ÒÔËÒÓÍ ÔÓfl‚ËÚÒfl ̇ ˝Í‡ÌÂ. 4 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [A] ‚˚·ÂËÚ «1 INITIAL TOUCH». 4 5 5 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†]/[2π†] ‚˚·ÂËÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í Ì‡Ê‡Ú˲. Ç ËÌÒÚÛ͈Ëflı, Ô˂‰ÂÌÌ˚ı ‚ ˝ÚÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â, ÒÚÂÎÍË Ó·ÓÁ̇˜‡˛Ú ÔÓˆÂÒÒ ‚˚ÁÓ‚‡ ÓÔ‰ÂÎÂÌÌ˚ı ˝Í‡ÌÓ‚ Ë ÙÛÌ͈ËÈ. ç‡ÔËÏÂ, ‚˚¯ÂÓÔËÒ‡ÌÌÛ˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÏÓÊÌÓ Ô‰ÒÚ‡‚ËÚ¸ Ú‡Í: [FUNCTION] → [D] CONTROLLER → TAB [®] KEYBOARD/PANEL → [A] 1 INITIAL TOUCH. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 27 ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂÏ·Ó‚ ì ËÌÒÚÛÏÂÌÚ‡ Clavinova Ó„ÓÏÌ˚È Ì‡·Ó ÚÂÏ·Ó‚, ‚Íβ˜‡fl ˜ÂÁ‚˚˜‡ÈÌÓ ÂÒÚÂÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ ÙÓÚÂÔ¸flÌÓ. äÌÓÔÍË ÚÂÏ·‡ (ÒÚ. 31) ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó METRONOME (åÂÚÓÌÓÏ) äÌÓÔ͇ [ON/OFF] (ÒÚ. 30) ORGAN FLUTES PIANO äÌÓÔ͇ [PIANO] (ÒÏ. ÌËÊÂ) à„‡ ÚÂÏ·ÓÏ Piano åÓÊÌÓ ‚˚Á‚‡Ú¸ Ë ‚ÓÒÔÓËÁ‚ÂÒÚË ÚÂÏ· ÙÓÚÂÔˇÌÓ. à„‡fl ÚÂÏ·ÓÏ ÙÓÚÂÔ¸flÌÓ, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡ÎË ËÎË ÏÂÚÓÌÓÏ. à„‡ ̇ ÙÓÚÂÔˇÌÓ «‚ Ó‰ÌÓ Í‡Ò‡ÌË» ùÚ‡ ۉӷ̇fl Ë ‚ ÚÓ Ê ‚ÂÏfl ÔÓÒÚ‡fl ÙÛÌ͈Ëfl ÔÓÎÌÓÒÚ¸˛ Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÒڇ˂‡ÂÚ ‚ÂÒ¸ CVP ‰Îfl ÓÔÚËχθÌÓ„Ó ËÒÔÓÎÌÂÌËfl ‚ ÚÂÏ·Â ÙÓÚÂÔˇÌÓ. çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ̇ÒÚÓÈÍË ‚˚ Á‡‰‡ÎË Ì‡ Ô‡ÌÂÎË, ÏÓÊÌÓ ·˚ÒÚÓ ‚˚Á‚‡Ú¸ ̇ÒÚÓÈÍË ÔˇÌËÌÓ Ì‡Ê‡ÚËÂÏ Ó‰ÌÓÈ ÍÌÓÔÍË. ç‡ÊÏËÚ ÍÌÓÔÍÛ [PIANO], ÔÓ ÙÓÏ ̇ÔÓÏË̇˛˘Û˛ ÙÓÚÂÔ¸flÌÓ, ‚ Ô‡‚ÓÈ ÌËÊÌÂÈ ˜‡ÒÚË Ô‡ÌÂÎË. PIANO îÛÌ͈Ëfl Piano Lock ì‰Ó·Ì‡fl ÙÛÌ͈Ëfl Piano Lock ÔÓÁ‚ÓÎflÂÚ Á‡ÙËÍÒËÓ‚‡Ú¸ ÂÊËÏ ÙÓÚÂÔˇÌÓ ‚Ó ËÁ·ÂʇÌË ÒÎÛ˜‡ÈÌÓ„Ó ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÔË Ì‡Ê‡ÚËË ‰Û„ÓÈ ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl Piano Lock, ËÌÒÚÛÏÂÌÚ ÓÒÚ‡ÂÚÒfl ‚ ÂÊËÏ ÙÓÚÂÔˇÌÓ, ‰‡Ê ÂÒÎË Ì‡ÊËχ˛ÚÒfl ‰Û„Ë ÍÌÓÔÍË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ÒÎÛ˜‡ÈÌÓ„Ó Á‡ÔÛÒ͇ ÔÂÒÌË (ÒÚ. 34) ‚Ó ‚ÂÏfl ÙÓÚÂÔˇÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl. 28 1 ç‡ÊÏËÚÂ Ë ÌÂÏÌÓ„Ó ÔÓ‰ÂÊËÚ ÍÌÓÔÍÛ [PIANO] ‚ Ô‡‚ÓÈ ÌËÊÌÂÈ ˜‡ÒÚË Ô‡ÌÂÎË, ÔÓ͇ ̇ ˝Í‡Ì Ì ÔÓfl‚ËÚÒfl Ô‰ÎÓÊÂÌË ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Piano Lock. 2 ÑÎfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Piano Lock ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (OK). 3 óÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙËÍÒ‡ˆË˛, ¢ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [PIANO] Ë ÌÂÏÌÓ„Ó Â ÔÓ‰ÂÊËÚÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚ åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl (Í‡Í ·Û‰ÂÚ ÏÂÌflÚ¸Òfl Á‚ÛÍ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Û). óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl ·Û‰ÂÚ Ó‰Ë̇ÍÓ‚ÓÈ ‰Îfl ‚ÒÂı ÚÂÏ·Ó‚. Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì: [FUNCTION] → [D] CONTROLLER → TAB [®] KEYBOARD/PANEL → [A] 1 INITIAL TOUCH 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]/[2π†] Á‡‰‡ÈÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl. HARD 2 .........óÚÓ·˚ Á‚ÛÍ ·˚Î „ÓÏÍËÏ, ÌÛÊÌÓ ÒËθÌÓ Û‰‡flÚ¸ ÔÓ Í·‚˯‡Ï. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓÎÌËÚÂÎÂÈ, ÍÓÚÓ˚ ÔË‚˚ÍÎË ÒËθÌÓ ‰‡‚ËÚ¸ ̇ Í·‚˯Ë. HARD 1 .........óÚÓ·˚ Á‚ÛÍ ·˚Î „ÓÏÍËÏ, ÌÛÊÌÓ Û‰‡flÚ¸ ÔÓ Í·‚˯‡Ï ÓÚÌÓÒËÚÂθÌÓ ÒËθÌÓ. NORMAL .......ëڇ̉‡Ú̇fl ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl. SOFT 1 ..........óÚÓ·˚ Á‚ÛÍ ·˚Î „ÓÏÍËÏ, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì ӘÂ̸ ÒËθÌÓ Ì‡ÊËχڸ ̇ Í·‚˯Ë. SOFT 2 ..........óÚÓ·˚ Á‚ÛÍ ·˚Î ÓÚÌÓÒËÚÂθÌÓ „ÓÏÍËÏ, ‰ÓÒÚ‡ÚÓ˜ÌÓ ‰‡Ê Ò··Ó„Ó Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. ãÛ˜¯Â ‚ÒÂ„Ó ÔÓ‰ıÓ‰ËÚ ‰Îfl β‰ÂÈ, ÍÓÚÓ˚ ÔË‚˚ÍÎË ÌÂÒËθÌÓ Í‡Ò‡Ú¸Òfl Í·‚˯. • • ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 ùÚ‡ ̇ÒÚÓÈ͇ Ì ‚ÎËflÂÚ Ì‡ ‚ÂÒ Í·‚ˇÚÛ˚. ÖÒÎË ‚˚ Ì ıÓÚËÚ ËÒÔÓθÁÓ‚‡Ú¸ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl, ÛÒÚ‡ÌÓ‚ËÚ Touch ‚ Á̇˜ÂÌË OFF ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡ÚËÈ ÍÌÓÔ͇ÏË [5†]–[7†]. ÖÒÎË Ì‡ÒÚÓÈ͇ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl ÓÚÍβ˜Â̇, ÏÓÊÌÓ Á‡‰‡Ú¸ ÙËÍÒËÓ‚‡ÌÌ˚È ÛÓ‚Â̸ „ÓÏÍÓÒÚË, ̇ʇ‚ ÍÌÓÔÍÛ [4π†]. àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ ì ËÌÒÚÛÏÂÌÚ‡ Clavinova ÚË Ô‰‡ÎË: ΂‡fl Ô‰‡Î¸ ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸ Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») ● ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ (Ô‡‚‡fl) ÑÂÏÔÙÂ̇fl Ô‰‡Î¸ ‚˚ÔÓÎÌflÂÚ ÚÛ Ê ÙÛÌÍˆË˛, ˜ÚÓ Ë ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÔˇÌËÌÓ, ÚÓ ÂÒÚ¸ ÔӉ΂‡ÂÚ Á‚Û˜‡ÌË ÚÂÏ·‡ ‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í ÓÚÔÛÒÚËÎË Í·‚˯Û. • ÖÒÎË Ì‡Ê‡Ú‡ ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸, ÌÂÍÓÚÓ˚ ÚÂÏ·˚ ÏÓ„ÛÚ Á‚Û˜‡Ú¸ ÌÂÔÂ˚‚ÌÓ ËÎË ÒËθÌÓ ÔӉ΂‡Ú¸Òfl ÔÓÒΠÚÓ„Ó, Í‡Í Í·‚˯‡ ·˚· ÓÚÔÛ˘Â̇. • ç‡ ÌÂÍÓÚÓ˚ ÚÂÏ·˚ ‚ „ÛÔÔ‡ı «PERCUSSION & DRUM KIT», «GM&XG» Ë «GM2» Ô‡‚‡fl Ô‰‡Î¸ Ì ‚ÎËflÂÚ. ÖÒÎË Ì‡Ê‡Ú¸ ‰ÂÏÔÙÂÌÛ˛ Ô‰‡Î¸, ‚Ò ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ‰Óθ¯Â, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ● 艇θ ÒÓÒÚÂÌÛÚÓ (Ò‰Ìflfl) ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ», ÔÓ͇ Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. èÓÒÎÂ‰Û˛˘Ë ÌÓÚ˚ Ì ۉÎËÌfl˛ÚÒfl. • çÂÍÓÚÓ˚ ÚÂÏ·˚, ̇ÔËÏ [STRINGS] ËÎË [BRASS] ÌÂÔÂ˚‚ÌÓ ÔӉ΂‡˛ÚÒfl, ÂÒÎË Ì‡Ê‡Ú‡ Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ». • ç‡ ÌÂÍÓÚÓ˚ ÚÂÏ·˚ ‚ „ÛÔÔ‡ı «PERCUSSION & DRUM KIT», «GM&XG» Ë «GM2» Ô‰‡Î¸ «ÒÓÒÚÂÌÛÚÓ» Ì ‚ÎËflÂÚ. ÖÒÎË Ì‡Ê‡Ú¸ Ô‰‡Î¸ ÒÓÒÚÂÌÛÚÓ ‚ ÚÓ ‚ÂÏfl, ÍÓ„‰‡ ̇ʇÚ˚ Í·‚˯Ë, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. ● ょfl Ô‰‡Î¸ ÖÒÎË ‚˚·‡Ì ÚÂÏ· ÓflÎfl, ̇ʇÚË ˝ÚÓÈ Ô‰‡ÎË ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡ ÌÓÚ. èËÒ‚ÓÂÌÌ˚ ˝ÚÓÈ Ô‰‡ÎË Ì‡ÒÚÓÈÍË ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. ÉÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË ÏÓÊÌÓ Ì‡Òڇ˂‡Ú¸ (ÒÚ. 91). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 29 ● çÓÊÌÓÈ ÍÓÌÚÓÎÎÂ/艇θÌ˚È ÔÂÂÍβ˜‡ÚÂθ ÑÓÔÓÎÌËÚÂθÌ˚È ÌÓÊÌÓÈ ÍÓÚÓÎΠÍÓÔÓ‡ˆËË Yamaha (FC7) ËÎË Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ (FC4 ËÎË FC5) ÏÓ„ÛÚ ÔÓ‰ÒÓ‰ËÌflÚ¸Òfl Í ‡Á˙ÂÏÛ AUX PEDAL Ë ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ÍÓÌÚÓÎfl ̇‰ ‡Á΢Ì˚ÏË Ì‡Á̇˜ÂÌÌ˚ÏË ÙÛÌ͈ËflÏË (ÒÚ. 182). ç‡ÒÚÓÈ͇ Ô‰‡ÎÂÈ ä‡Ê‰ÓÈ ËÁ ÚÂı Ô‰‡ÎÂÈ, ‡ Ú‡ÍÊ ‰ÓÔÓÎÌËÚÂθÌÓÏÛ ÌÓÊÌÓÏÛ ÍÓÌÚÓÎÎÂÛ/Ô‰‡Î¸ÌÓÏÛ ÔÂÂÍβ˜‡ÚÂβ ÏÓÊÌÓ ÔËÒ‚ÓËÚ¸ Ó‰ÌÛ ËÁ ÏÌÓ„Ó˜ËÒÎÂÌÌ˚ı ÙÛÌ͈ËÈ – ̇ÔËÏÂ, ‰Îfl Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ÒÚËÎfl (ÒÚ. 182). ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ (Metronome) åÂÚÓÌÓÏ ËÁ‰‡ÂÚ Ò˄̇Î, Á‡‰‡‚‡fl ˜ÂÚÍËÈ ÚÂÏÔ ‰Îfl ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. äÓÏ ÚÓ„Ó, Ò ÔÓÏÓ˘¸˛ ÏÂÚÓÌÓχ ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸, Í‡Í Á‚Û˜ËÚ ÓÔ‰ÂÎÂÌÌ˚È ÚÂÏÔ. 1 ÑÎfl Á‡ÔÛÒ͇ ÏÂÚÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ METRONOME [ON/OFF]. 2 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ÏÂÚÓÌÓχ ̇ÊÏËÚ ÍÌÓÔÍÛ METRONOME [ON/OFF] ¢ ‡Á. ê„ÛÎËӂ͇ ÚÂÏÔ‡ ËÎË ÛÒÚ‡Ìӂ͇ Ú‡ÍÚÓ‚Ó„Ó ‡Áχ ÏÂÚÓÌÓχ ■ ê„ÛÎËӂ͇ ÚÂÏÔ‡ 1 Ç˚ÁÓ‚ËÚ ‚ÒÔÎ˚‚‡˛˘ËÈ ˝Í‡Ì ̇ÒÚÓÈÍË ÚÂÏÔ‡, ̇ʇ‚ ÍÌÓÔÍÛ TEMPO [–]/[+]. 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [–]/[+] ‚˚·ÂËÚ ÚÂÏÔ. ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰Âʇڸ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ, ÚÂÏÔ ·Û‰ÂÚ ÔÓÒÚÂÔÂÌÌÓ ‚ÓÁ‡ÒÚ‡Ú¸ ËÎË Û·˚‚‡Ú¸. ÑÎfl „ÛÎËÓ‚ÍË Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. ÑÎfl ‚ÓÁ‚‡Ú‡ Í Òڇ̉‡ÚÌÓÏÛ ÚÂÏÔÛ Ì‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË TEMPO [–]/[+]. ùÍ‡Ì ÚÂÏÔ‡ óËÒÎÓ Ì‡ ˝Í‡Ì ÔÓ͇Á˚‚‡ÂÚ ÍÓ΢ÂÒÚ‚Ó ˜ÂÚ‚ÂÚÂÈ, Á‚Û˜‡˘Ëı Á‡ Ó‰ÌÛ ÏËÌÛÚÛ. ùÚÓ ˜ËÒÎÓ ÏÓÊÂÚ Ì‡ıÓ‰ËÚ¸Òfl ‚ ԉ·ı ÓÚ 5 ‰Ó 500. óÂÏ ÓÌÓ ·Óθ¯Â, ÚÂÏ ·˚ÒÚ ÚÂÏÔ. 3 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì ÚÂÏÔ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ■ ì͇Á‡ÌË ڇÍÚÓ‚Ó„Ó ‡Áχ ÏÂÚÓÌÓχ Ë ‰Û„Ëı Ô‡‡ÏÂÚÓ‚ 1 30 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì: [FUNCTION] → [I] UTILITY → TAB [√] CONFIG 1 → [B] 2 METORONOME êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2 ᇉ‡ÈÚ ԇ‡ÏÂÚ˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†]–[7π†]. ᇉ‡ÂÚ „ÓÏÍÓÒÚ¸ Ò˄̇ÎÓ‚ ÏÂÚÓÌÓχ. SOUND (ÇÍ·‰Í‡) éÔ‰ÂÎflÂÚ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÏÂÚÓÌÓχ. Bell Off .................... ëڇ̉‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓχ ·ÂÁ Á‚ÓÌ͇ Bell On .................... ëڇ̉‡ÚÌ˚È Á‚ÛÍ ÏÂÚÓÌÓχ ÒÓ Á‚ÓÌÍÓÏ English Voice .......... ë˜ËÚ‡ÂÚ ÔÓ-‡Ì„ÎËÈÒÍË German Voice ......... ë˜ËÚ‡ÂÚ ÔÓ-ÌÂψÍË Japanese Voice....... ë˜ËÚ‡ÂÚ ÔÓ-flÔÓÌÒÍË French Voice ........... ë˜ËÚ‡ÂÚ ÔÓ-ه̈ÛÁÒÍË Spanish Voice ......... ë˜ËÚ‡ÂÚ ÔÓ-ËÒÔ‡ÌÒÍË TIME (ÇÂÏfl) SIGNATURE (ê‡ÁÏÂ) éÔ‰ÂÎflÂÚ Ú‡ÍÚÓ‚˚È ‡ÁÏ ÏÂÚÓÌÓχ. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó VOLUME (ÉÓÏÍÓÒÚ¸) ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ì ËÌÒÚÛÏÂÌÚ‡ Clavinova Ó„ÓÏÌ˚È Ì‡·Ó ÚÂÏ·Ó‚ (Ú‡ÍËı Í‡Í ÒÚÛÌÌ˚Â Ë ‰ÛıÓ‚˚ ËÌÒÚÛÏÂÌÚ˚), ‚Íβ˜‡fl ˜ÂÁ‚˚˜‡ÈÌÓ ÂÒÚÂÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ. ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚ ÇÒÚÓÂÌÌ˚ ÚÂÏ·˚ ‰ÂÎflÚÒfl ̇ ͇Ú„ÓËË Ë ı‡ÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡Ô͇ı. äÌÓÔÍË ÚÂÏ·Ó‚ ̇ Ô‡ÌÂÎË ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Í‡Ú„ÓËflÏ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚. ç‡ÔËÏÂ, ̇ʇ‚ ÍÌÓÔÍÛ [PIANO], ÏÓÊÌÓ ÓÚÓ·‡ÁËÚ¸ ‡Á΢Ì˚ ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ. ORGAN FLUTES íÂÏ·˚ ëÏ. ÒÔËÒÓÍ ÚÂÏ·Ó‚ ‚ Ò·ÓÌËÍ ڇ·Îˈ. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ PART ON/OFF [RIGHT 1] ‰Îfl ‚Íβ˜ÂÌËfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË. Ç˚·‡ÌÌ˚È ÚÂÏ· ·Û‰ÂÚ ÚÂÏ·ÓÏ RIGHT 1. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÚÂÏ·Â ÒÏ. ̇ ÒÚ. 73. 2 óÚÓ·˚ ‚˚·‡Ú¸ ͇Ú„Ó˲ ÚÂÏ·‡ Ë ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ VOICE. ORGAN FLUTES 3 óÚÓ·˚ ‚˚·‡Ú¸ ˝Í‡Ì PRESET, ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [√]. íËÔ ÚÂÏ·‡ Ë Â„Ó ÓÔ‰ÂÎfl˛˘Ë ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ̇Á‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓ„Ó ÚÂÏ·‡. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ı‡‡ÍÚÂËÒÚË͇ı ÒÏ. ̇ ÒÚ. 72. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 31 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 3 4 4 4 óÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È ÚÂÏ·, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. åÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN, ‰‚‡Ê‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] – [J]. 5 à„‡ÈÚ ̇ Í·‚ˇÚÛÂ. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ÙÓÚÂÔˇÌÌ˚ı ̇ÒÚÓÂÍ ÔÓ ÛÏÓΘ‡Ì˲ ç‡ÊÏËÚ ÍÌÓÔÍÛ [PIANO], ÔÓ ÙÓÏ ̇ÔÓÏË̇˛˘Û˛ ÙÓÚÂÔˇÌÓ. ä‡Í ‚˚Á‚‡Ú¸ β·ËÏ˚È ÚÂÏ· Å·„Ó‰‡fl ·Óθ¯ÓÏÛ Ì‡·ÓÛ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚, ËÏËÚËÛ˛˘Ëı Á‚Û˜‡ÌË ҇Ï˚ı ‡ÁÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚, CVP ÔÓ‰ıÓ‰ËÚ Ô‡ÍÚ˘ÂÒÍË ‰Îfl β·Ó„Ó ÏÛÁ˚͇θÌÓ„Ó ÔÓËÁ‚‰ÂÌËfl. çÓ Ò̇˜‡Î‡ ÍÓ΢ÂÒÚ‚Ó ÚÂÏ·Ó‚ ÏÓÊÂÚ Ó¯ÂÎÓÏËÚ¸. ÖÒÚ¸ ‰‚‡ ÔÓÒÚ˚ı ÒÔÓÒÓ·‡ ‚˚ÁÓ‚‡ β·ËÏÓ„Ó ÚÂÏ·‡: ● ëÓı‡ÌËÚ ҂ÓÈ Î˛·ËÏ˚È ÚÂÏ· ̇ ÔÓθÁÓ‚‡ÚÂθÒÍÓÏ ˝Í‡Ì USER ̇ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [USER] ̇ Ô‡ÌÂÎË VOICE. 1 ëÍÓÔËÛÈÚ β·ËÏ˚ ÚÂÏ·˚ ËÁ ‡Á‰Â· PRESET ̇ ÌÓÒËÚÂθ USER. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÍÓÔËÓ‚‡ÌËË ÒÏ. ̇ ÒÚ. 64. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [USER] ̇ Ô‡ÌÂÎË Voice ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ ÚÂÏ·‡ Ë ‚˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [A]–[J]. ● á‡Ô˯ËÚ ҂ÓÈ Î˛·ËÏ˚È ÚÂÏ· ‚ „ËÒÚ‡ˆËÓÌÌÛ˛ Ô‡ÏflÚ¸ Ë ‚˚Á˚‚‡ÈÚÂ Â„Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ REGISTRATION MEMORY [1]–[8]. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ‡·ÓÚÂ Ò Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚ¸˛ ÒÏ. ̇ ÒÚ. 121. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ, ‰ÂÏÓÌÒÚËÛ˛˘Ëı ÚÂÏ·˚ óÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ‡Á΢Ì˚ ÚÂÏ·˚ Ë ÔÓÌflÚ¸, Í‡Í ÓÌË Á‚Û˜‡Ú, ÓÒÓ·ÂÌÌÓ ‚ ÍÓÌÚÂÍÒÚÂ, ÔÓÒÎÛ¯‡ÈÚ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË ‰Îfl Í‡Ê‰Ó„Ó ÚÂÏ·‡. 32 1 ç‡ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ (ÒÚ. 31 ¯‡„ 2) ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (DEMO), ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. 2 óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÔÂÒÌ˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (DEMO) ¢ ‡Á. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚·Ó Á‚Û͇ Û‰‡Ì˚ı ÖÒÎË ‚˚·‡Ì ÚÂÏ· ËÁ „ÛÔÔ˚ Û‰‡Ì˚ı [PERCUSSION & DRUM KIT], ÚÓ Ì‡ Í·‚ˇÚÛ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚ÛÍË ‡Á΢Ì˚ı Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ÒÔËÒÍ ÚÂÏ·Ó‚ Û‰‡Ì˚ı ‚ Ò·ÓÌËÍ ڇ·Îˈ. á̇˜ÍË Ì‡‰ Í·‚˯‡ÏË ÔÓ͇Á˚‚‡˛Ú, ͇ÍÓÈ Á‚ÛÍ ËÁ Òڇ̉‡ÚÌÓ„Ó Ì‡·Ó‡ Û‰‡Ì˚ı «Standard Kit 1» ÔËÒ‚ÓÂÌ Í‡Ê‰ÓÈ Í·‚˯Â. Ç˚·Ó Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚ ë ÔÓÏÓ˘¸˛ Í·‚ˇÚÛ˚ ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ‡Á΢Ì˚ Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚, ̇ÔËÏ ˘Â·ÂÚ ÔÚˈ ËÎË ¯ÛÏ ÏÓfl. á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚ ‡ÒÔ‰ÂÎÂÌ˚ ÔÓ Í‡Ú„ÓËflÏ «GM&XG»/«GM2». óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [RIGHT 1] ̇ Ô‡ÌÂÎË PART SELECT. 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [E]/[F], ˜ÚÓ·˚ ‚˚·‡Ú¸ «GM&XG»/«GM2». 5 6 7 8 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [2π] ÓÚÓ·‡ÁËÚ ÒÚ‡ÌËˆÛ 2. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 2 3 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π] (UP) ‚˚ÁÓ‚ËÚ ͇Ú„ÓËË ÚÂÏ·Ó‚. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [2π] ÓÚÓ·‡ÁËÚ ÒÚ‡ÌËˆÛ 2. ç‡ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚·‡Ú¸ «SoundEffect» (á‚ÛÍÓ‚ÓÈ ˝ÙÙÂÍÚ). ÑÎfl ‚˚·Ó‡ ÌÛÊÌÓ„Ó Á‚ÛÍÓ‚Ó„Ó ˝ÙÙÂÍÚ‡ ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. à„‡ÈÚ ̇ Í·‚ˇÚÛÂ. Ç˚·Ó ÚÂÏ·Ó‚ GM/XG/GM2 íÂÏ·˚ GM/XG/GM2 ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ÔflÏÓ Ò Ô‡ÌÂÎË. Ç˚ÔÓÎÌËÚ ‚˚¯ÂÛ͇Á‡ÌÌ˚ ‰ÂÈÒÚ‚Ëfl 1–4, ‚˚·ÂËÚ ͇Ú„Ó˲ Ë Á‡ÚÂÏ ÌÛÊÌ˚È ÚÂÏ·. é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ àÌÒÚÛÏÂÌÚ Clavinova ÏÓÊÂÚ Ë„‡Ú¸ ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÚ. 73). • ëÓ˜ÂÚ‡ÌË ‰‚Ûı ‡ÁÌ˚ı ÚÂÏ·Ó‚ ùÚÓ ÔÓÏÓ„‡ÂÚ ÒÓÁ‰‡Ú¸ ̇Ò˚˘ÂÌÌÓÂ Ë ÔÓÎÌÓ Á‚Û˜‡ÌËÂ. • ìÒÚ‡Ìӂ͇ ‡Á΢Ì˚ı ÚÂÏ·Ó‚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ åÓÊÌÓ Ë„‡Ú¸ ‡ÁÌ˚ ÚÂÏ·˚ ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍÓÈ. ç‡ÔËÏÂ, ÏÓÊÌÓ Ú‡Í Ì‡ÒÚÓËÚ¸ Í·‚ˇÚÛÛ, ˜ÚÓ·˚ ΂ÓÈ ÛÍÓÈ Ë„‡Ú¸ ÚÂÏ· ·‡ÒÓ‚Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ‡ Ô‡‚ÓÈ – ÚÂÏ· ÙÓÚÂÔˇÌÓ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 33 ìÔ‡ÊÌÂÌËfl ÒÓ ‚ÒÚÓÂÌÌ˚ÏË ÔÂÒÌflÏË ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó SCORE KARAOKE SONG SELECT èÂÒÌfl ç‡ ËÌÒÚÛÏÂÌÚ Clavinova ‰‡ÌÌ˚ ËÒÔÓÎÌflÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl ̇Á˚‚‡˛ÚÒfl «ÔÂÒÌÂÈ». èÓË„˚‚‡ÌË ÔÂÒÂÌ ‰Ó ̇˜‡Î‡ ÛÔ‡ÊÌÂÌËÈ Clavinova ÒÓ‰ÂÊËÚ Ì ÚÓθÍÓ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË, ÌÓ Ë ÏÌÓÊÂÒÚ‚Ó ‰Û„Ëı ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ. Ç ˝ÚÓÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í ÔÓË„˚‚‡Ú¸ ‚ÒÚÓÂÌÌ˚ ÔÂÒÌË Ë ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ Ô·ÚÛ SmartMedia. äÓÏ ÚÓ„Ó, Ô‡ÚËÚÛ‡ ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÏÓÊÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡ÌÂ. ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection), ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT]. SONG SELECT 2 óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ PRESET, ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [√]. 2 3, 4 3 3, 4 óÚÓ·˚ ‚˚·‡Ú¸ ͇Ú„Ó˲ ÔÂÒÂÌ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. ÇÒÚÓÂÌÌ˚ ÔÂÒÌË ‰ÂÎflÚÒfl ̇ ͇Ú„ÓËË Ë ı‡ÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡Ô͇ı. 4 óÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌÛ˛ ÔÂÒÌ˛, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. åÓÊÌÓ Ú‡ÍÊ ‚˚·‡Ú¸ Ù‡ÈÎ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] Ë Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER] ‰Îfl ‚˚ÔÓÎÌÂÌËfl. åÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN, ‰‚‡Ê‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] – [J]. 34 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. REC 6 STOP PLAY/ PAUSE ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. STOP ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó REC PLAY/ PAUSE ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌÓÈ Ì‡ Ô·ÚÛ SmartMedia ÇçàåÄçàÖ ç‡ ÒÚ. 22 ÔÓ˜ÚËÚ ԇ‚Ë· ‡·ÓÚ˚ Ò Ô·ڇÏË SmartMedia Ë ‡Á˙ÂÏÓÏ ‰Îfl Ô·Ú. 1 ÇÓÁ¸ÏËÚ Ô·ÚÛ SmartMedia Ú‡Í, ˜ÚÓ·˚ ÍÓÌÚ‡ÍÚ˚ («ÁÓÎÓÚÓ») ·˚ÎË Ì‡Ô‡‚ÎÂÌ˚ ‚ÌËÁ Ë ‚Ô‰ ‚ ÒÚÓÓÌÛ ‡Á˙Âχ. (ÑÎfl CVP-305/303) ÄÍÍÛ‡ÚÌÓ ‚ÒÚ‡‚¸Ú ͇ÚÛ ‚ ‡Á˙ÂÏ, Ò΄͇ ̇‰‡‚ÎË‚‡fl ̇ ÌÂÂ, ÔÓ͇ Ì ÛÒÎ˚¯ËÚ ˘ÂΘÓÍ. (ÑÎfl CVP-301) ÄÍÍÛ‡ÚÌÓ ‚ÒÚ‡‚¸Ú ͇ÚÛ ‚ ‡Á˙ÂÏ, Ò΄͇ ̇‰‡‚ÎË‚‡fl, ˜ÚÓ·˚ Ó̇ ‚Òڇ· ̇ ÏÂÒÚÓ. 2 3 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection), ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT]. óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ CARD (è·ڇ), ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [√][®]. èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ åÓÊÌÓ ÔÓË„‡Ú¸ ‚Ò ÔÂÒÌË ËÁ Ô‡ÔÍË Ó‰ÌÛ Á‡ ‰Û„ÓÈ. 1 2 Ç˚·ÂËÚ ÔÂÒÌ˛ ‚ Ô‡ÔÍÂ. 3 4 ç‡Ê‡ÚËÂÏ ÍÌÓÔÍË [H] REPEAT MODE (êÂÊËÏ ÔÓ‚ÚÓ‡) ‚˚·ÂËÚ ALL (ÇÒÂ). 5 ÑÎfl ÔÂ͇˘ÂÌËfl ÔÓÒΉӂ‡ÚÂθÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H], ˜ÚÓ·˚ ‚˚·‡Ú¸ OFF ̇ ˝Í‡Ì ‚ ¯‡„ 2. Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [B] SONG SETTING óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ÇÒ ÔÂÒÌË, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ô‡ÔÍÂ, ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚‰ÂÌ˚ ÔÓ ÔÓfl‰ÍÛ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 35 ìÔ‡ÊÌÂÌËfl ÔÓ ÛÒËÎÂÌ˲ „ÓÏÍÓÒÚË Ô‡ÚËË é‰Ì‡ ÔÂÒÌfl ̇ ËÌÒÚÛÏÂÌÚ CVP ÏÓÊÂÚ ÒÓ‰Âʇڸ ÓÚ‰ÂθÌ˚ ‰‡ÌÌ˚ ‰Îfl ÌÂÒÍÓθÍËı MIDI-͇̇ÎÓ‚ (Ì ·ÓΠ16). Ç˚·ÂËÚÂ Í‡Ì‡Î Ë Û‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ˝ÚÓ„Ó Í‡Ì‡Î‡. 1 Ç˚·ÂËÚ ÔÂÒÌ˛ åÂÚÓ‰ ‚˚·Ó‡ ÔÂÒÌË ÚÓÚ ÊÂ, ˜ÚÓ Ë ‰Îfl ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÒÚ. 34) ËÎË ÔÂÒÂÌ, Á‡ÔËÒ‡ÌÌ˚ı ̇ Ô·ÚÛ SmartMedia (ÒÚ. 35). 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MIXING CONSOLE] ‚˚ÁÓ‚ËÚ ˝Í‡Ì MIXING CONSOLE. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 3 2, 4 3 ç‡ÊÏËÚ ÍÌÓÔÍË TAB [√][®], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ VOL/VOICE (ÉÓÏÍÓÒÚ¸/íÂÏ·). 4 5 6 ç‡ÊËχÈÚ ÍÌÓÔÍÛ [MIXING CONSOLE], ÔÓ͇ ‚ ‚ÂıÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ Ì ÔÓfl‚ËÚÒfl ̇‰ÔËÒ¸ «MIXING CONSOLE (SONG CH1-8)». C ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [E]/[J] ‚˚·ÂËÚ «VOLUME» (ÉÓÏÍÓÒÚ¸). óÚÓ·˚ ÔÓ‚˚ÒËÚ¸ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ ËÎË Í‡Ì‡ÎÓ‚, ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍÌÓÔÍË [1π†]–[8π†]. ÖÒÎË ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ ÌÂÚ Ì‡ ˝Í‡Ì ÏËͯÂÌÓ„Ó ÔÛθڇ MIXING CONSOLE (SONG CH1-8), ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXING CONSOLE], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MIXING CONSOLE (SONG CH9-16). ÖÒÎË ‚˚ Ì Á̇ÂÚÂ, „ÓÏÍÓÒÚ¸ ͇ÍÓ„Ó Í‡Ì‡Î‡ Û‚Â΢ËÚ¸: • èÓÒÏÓÚËÚ ̇ ËÁÓ·‡ÊÂÌËfl ËÌÒÚÛÏÂÌÚÓ‚ ÔÓ‰ ̇‰ÔËÒ¸˛ «VOICE». • èÓÒÏÓÚËÚ ̇ Ë̉Ë͇ÚÓ˚ ͇̇ÎÓ‚, ÍÓÚÓ˚ „ÓflÚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. 燷β‰ÂÌË Á‡ ÌËÏË ‚ ıӉ ÔÓÒÎۯ˂‡ÌËfl ÔÓ͇ÊÂÚ, ͇ÍÓÈ Í‡Ì‡Î ÒΉÛÂÚ ÛÒËÎËÚ¸. 36 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÚÓ·‡ÊÂÌË ÌÓÚÌÓÈ Ô‡ÚËÚÛ˚ (Score) åÓÊÌÓ ÔÓÒÏÓÚÂÚ¸ ÌÓÚ˚ ‚˚·‡ÌÌÓÈ ÔÂÒÌË. êÂÍÓÏẨÛÂÏ ÓÁ̇ÍÓÏËÚ¸Òfl Ò ÌÓÚÌÓÈ Ô‡ÚËÚÛÓÈ, ÔÂʉ ˜ÂÏ Ì‡˜Ë̇ڸ ÛÔ‡ÊÌÂÌËÂ. • Clavinova ÏÓÊÂÚ ÔÓ͇Á˚‚‡Ú¸ Ô‡ÚËÚÛÛ ÏÛÁ˚͇θÌ˚ı ÔÓËÁ‚‰ÂÌËÈ, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ‡ÎË Ò‡ÏË ËÎË ÍÛÔËÎË. • éÚÓ·‡Ê‡ÂÏ˚ ÌÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÔÂÒÌÂ, ÔÓË„˚‚‡ÂÏÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. èÓ˝ÚÓÏÛ ‚̯ÌËÈ ‚ˉ ÔÓÎۘ˂¯ÂÈÒfl ‚ ËÚÓ„Â Ô‡ÚËÚÛ˚ ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ Ô‡ÚËÚÛ˚ ÚÓÈ Ê ÔÂÒÌË, ÍÓÚÓÛ˛ ÏÓÊÌÓ ÔËÓ·ÂÒÚË ‚ χ„‡ÁËÌÂ. ê‡Á΢Ëfl ÓÒÓ·ÂÌÌÓ Á‡ÏÂÚÌ˚ ÔË Ò‡‚ÌÂÌËË ÒÎÓÊÌ˚ı Ô‡ÒÒ‡ÊÂÈ ËÎË ‰ÎËÌÌÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÍÓÓÚÍËı ÌÓÚ. • îÛÌ͈ËË Ô‡ÚËÚÛ˚ Ì ÔÓÁ‚ÓÎfl˛Ú ÒÓÁ‰‡‚‡Ú¸ ÔÂÒÌË ÔÛÚÂÏ ÔflÏÓ„Ó ‚‚Ó‰‡ ÌÓÚ. àÌÙÓχˆË˛ Ó ÒÓÁ‰‡ÌËË ÔÂÒÂÌ ÒÏ. ̇ ÒÚ. 133. Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SCORE], ˜ÚÓ·˚ ÔÓ͇Á‡Ú¸ ÌÓÚ˚. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 èÓÒÏÓÚËÚ ‚Ò˛ Ô‡ÚËÚÛÛ ÔÂʉÂ, ˜ÂÏ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÔÂÒÌ˛. ÑÎfl ‚˚·Ó‡ ÒÎÂ‰Û˛˘Ëı ÒÚ‡Ìˈ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ TAB [®]. 3 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. «ò‡ËÍ», ÔÂÂÏ¢‡˛˘ËÈÒfl ÔÓ Ô‡ÚËÚÛÂ, ÔÓ͇Á˚‚‡ÂÚ ÚÂÍÛ˘Â ÔÓÎÓÊÂÌËÂ. 4 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. àÁÏÂÌÂÌË ˝Í‡Ì‡ Ô‡ÚËÚÛ˚ Çˉ ˝Í‡Ì‡ Ô‡ÚËÚÛ˚ ÏÓÊÌÓ ËÁÏÂÌflÚ¸. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SCORE], ˜ÚÓ·˚ ÔÓ͇Á‡Ú¸ ÌÓÚ˚. 2 àÁÏÂÌËÚ ÒÎÂ‰Û˛˘Ë ̇ÒÚÓÈÍË ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. ● àÁÏÂÌÂÌË ‡Áχ Ô‡ÚËÚÛ˚ óÚÓ·˚ ËÁÏÂÌËÚ¸ ‡ÁÏ ԇÚËÚÛ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†]. ● Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ÚÓθÍÓ Ô‡‚ÓÈ ËÎË Î‚ÓÈ ÛÍË óÚÓ·˚ ÒÍ˚Ú¸ Ô‡ÚËÚÛÛ Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [1π†]/[2π†]. ● ç‡ÒÚÓÈ͇ ˝Í‡Ì‡ Ô‡ÚËÚÛ˚ • éÚÓ·‡ÊÂÌË ̇Á‚‡ÌËfl ÌÓÚ˚ Ò΂‡ ÓÚ ÌÓÚ˚ 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5π†] (NOTE), ˜ÚÓ·˚ ÔÓ͇Á‡Ú¸ ̇Á‚‡ÌË ÌÓÚ˚. 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] (SET UP) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‰ÂڇθÌ˚ı ̇ÒÚÓÂÍ. 3 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [6†] (NOTE NAME), ˜ÚÓ·˚ ‚˚·‡Ú¸ «Fixed Do» («ÔÓÒÚÓflÌÌÓ ‰Ó»). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK) ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl. • ÇÍβ˜ËÚ ˆ‚ÂÚ‡ ÌÓÚ (CVP 305) ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†] ‰Îfl ‚Íβ˜ÂÌËfl ˆ‚ÂÚ‡ (COLOR). ñ‚ÂÚ‡ ÌÓÚ ä‡Ê‰‡fl ÌÓÚ‡ ËÏÂÂÚ Ò‚ÓÈ ˆ‚ÂÚ, ÍÓÚÓ˚È ÌÂθÁfl ËÁÏÂÌËÚ¸. C («‰Ó») — ͇ÒÌ˚È, D («Â») — ÊÂÎÚ˚È, E («ÏË») — ÁÂÎÂÌ˚È, F («Ù‡») — Ó‡ÌÊ‚˚È, G («ÒÓθ») — ÒËÌËÈ, A («Îfl») — ÙËÓÎÂÚÓ‚˚È Ë B («ÒË») — ÒÂ˚È ● ì‚Â΢ÂÌË ˜ËÒ· Ú‡ÍÚÓ‚, ÓÚÓ·‡Ê‡ÂÏ˚ı ̇ ˝Í‡Ì åÓÊÌÓ Û‚Â΢ËÚ¸ ˜ËÒÎÓ ÓÚÓ·‡Ê‡ÂÏ˚ı Ú‡ÍÚÓ‚, ÛÏÂ̸¯Ë‚ ÍÓ΢ÂÒÚ‚Ó ‰Û„ÓÈ ËÌÙÓχˆËË Ì‡ ˝Í‡Ì (Ô‡ÚËfl, ÚÂÍÒÚ ÔÂÒÌË, ‡ÍÍÓ‰˚ Ë Ú.‰.). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]–[4π†] ÓÚÍβ˜ËÚ ‰‡ÌÌ˚Â, ÍÓÚÓ˚ Ì ÌÛÊÌÓ ÓÚÓ·‡Ê‡Ú¸ ̇ ˝Í‡ÌÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 37 ᇉ‡ÈÚ ‰ÂڇθÌ˚ ԇ‡ÏÂÚ˚ ÔÓÒÏÓÚ‡. 1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] (SETUP) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‰ÂڇθÌ˚ı ̇ÒÚÓÂÍ. 2 ÑÎfl ‚˚·Ó‡ ÚËÔ‡ ÔÓÒÏÓÚ‡ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[6π†]. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ì͇Á˚‚‡ÂÚ, ͇ÍÓÈ MIDI-͇̇Π‚ ‰‡ÌÌ˚ı ÔÂÒÌË ËÒÔÓθÁÛÂÚÒfl ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË. èË ‚˚·Ó ÌÓ‚ÓÈ ÔÂÒÌË ˝ÚÓÏÛ Ô‡‡ÏÂÚÛ ÔÓ ÛÏÓΘ‡Ì˲ ÔËÒ‚‡Ë‚‡ÂÚÒfl Á̇˜ÂÌË AUTO. AUTO MIDI-͇̇Î˚ ‰‡ÌÌ˚ı ÔÂÒÌË Ì‡Á̇˜‡˛ÚÒfl Ô‡ÚËflÏ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË ‡‚ÚÓχÚ˘ÂÒÍË. ùÚÓ Ú Ê ͇̇Î˚, LEFT CH/RIGHT CH ÍÓÚÓ˚ Á‡‰‡Ì˚ ̇ ˝Í‡Ì ÙÛÌ͈ËÈ [FUNCTION] → [B] SONG SETTING. (臂˚È/΂˚È Í‡Ì‡Î) 1–16 ç‡Á̇˜‡ÂÚ Û͇Á‡ÌÌ˚È MIDI-͇̇Π(1–16) ͇ʉÓÈ ËÁ Ô‡ÚËÈ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍË. OFF (ÚÓθÍÓ LEFT CH) ä‡Ì‡Î Ì ̇Á̇˜‡ÂÚÒfl. Ç˚Íβ˜‡ÂÚÒfl ÓÚÓ·‡ÊÂÌË ‰Ë‡Ô‡ÁÓ̇ Í·‚˯ ‰Îfl Ô‡ÚËË Î‚ÓÈ ÛÍË. KEY SIGNATURE (äβ˜) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ÚÓ̇θÌÓÒÚ¸ ‚ β·ÓÏ ÏÂÒÚ ÔÂÒÌË, „‰Â Ó̇ ÓÒÚ‡ÌÓ‚ÎÂ̇. ùÚÓ ÏÂÌ˛ Û‰Ó·ÌÓ ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ‚˚·‡Ì̇fl ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ Ì‡ÒÚÓÂÍ ÚÓ̇θÌÓÒÚË ‰Îfl ‚˚‚Ó‰‡ ÌÓÚ Ì‡ ˝Í‡Ì. QUANTIZE (䂇ÌÚËÁ‡ˆËfl) 臇ÏÂÚ Í‚‡ÌÚËÁ‡ˆËË ÔÓÁ‚ÓÎflÂÚ ÍÓÌÚÓÎËÓ‚‡Ú¸ ‡Á¯ÂÌË ÌÓÚ Ô‡ÚËÚÛ˚. ùÚÓ ÓÁ̇˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ Ò‰‚Ë„‡Ú¸ ËÎË ÍÓÂÍÚËÓ‚‡Ú¸ ‚ÂÏfl Á‚Û˜‡ÌËfl ÓÚÓ·‡Ê‡ÂÏ˚ı ÌÓÚ ÓÚÌÓÒËÚÂθÌÓ Û͇Á‡ÌÌ˚ı ‰ÓÎÂÈ Ú‡ÍÚ‡. á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÌÓÚ ÏËÌËχθÌÓÈ ‰ÎËÚÂθÌÓÒÚË, ËÒÔÓθÁÛÂÏÓÈ ‚ ÔÂÒÌÂ. NOTE NAME (ç‡Á‚‡ÌË ÌÓÚ˚) Ç˚·Ó Ó‰ÌÓ„Ó ËÁ ÚÂı ÚËÔÓ‚ ̇Á‚‡ÌËfl ÌÓÚ ‰Îfl ‚˚‚Ó‰‡ Ò΂‡ ÓÚ ÌÓÚ˚ ‚ Ô‡ÚËÚÛÂ. ùÚË Ì‡ÒÚÓÈÍË ‰ÓÒÚÛÔÌ˚, ÍÓ„‰‡ ‚Íβ˜ÂÌ Ô‡‡ÏÂÚ NOTE ‚ ̇ÒÚÓÈÍ «éÚÓ·‡ÊÂÌË ̇Á‚‡ÌËfl ÌÓÚ˚ Ò΂‡ ÓÚ ÌÓÚ˚» ‚ ¯‡„ 1. A, B, C ç‡Á‚‡ÌËfl ÌÓÚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚ ‚ˉ ·ÛÍ‚ (C, D, E, F, G, A, B). FIXED DO (ÔÓÒÚÓflÌÌÓ «‰Ó») çÓÚ˚ ̇ ˝Í‡Ì ӷÓÁ̇˜‡˛ÚÒfl, Í‡Í ‚ ÒÓθÙ‰ÊËÓ, ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó flÁ˚͇. üÁ˚Í ‚˚·Ë‡ÂÚÒfl Ô‡‡ÏÂÚÓÏ LANGUAGE ̇ ˝Í‡Ì HELP (ëÔ‡‚͇) (ÒÚ. 57). MOVABLE DO (ÔÓ‰‚ËÊÌÓ «‰Ó») çÓÚ˚ ̇ ˝Í‡Ì ӷÓÁ̇˜‡˛ÚÒfl, Í‡Í ‚ ÒÓθÙ‰ÊËÓ, ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÌÚ‚‡Î‡ÏË ÓÚÌÓÒËÚÂθÌÓ Íβ˜‡. çÓÚÓÈ «‰Ó» Ó·ÓÁ̇˜‡ÂÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ. ç‡ÔËÏÂ, ‚ ÚÓ̇θÌÓÒÚË ÒÓθ-χÊÓ ÌÓÚÓÈ «‰Ó» ÒÚ‡ÌÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ «ÒÓθ». ä‡Í Ë Ò «ÙËÍÒËÓ‚‡ÌÌ˚Ï ‰Ó», Ó·ÓÁ̇˜ÂÌË Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó flÁ˚͇. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK) ‰Îfl ÔÓ‰Ú‚ÂʉÂÌËfl. ëÓı‡ÌËÚ ̇ÒÚÓÈÍË ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚ ç‡ÒÚÓÈÍË ÔÓÒÏÓÚ‡ Ô‡ÚËÚÛ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Í‡Í ˜‡ÒÚ¸ ÔÂÒÌË (ÒÚ. 152). à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ (Guide Lamps) ë‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ Í·‚˯ Û͇Á˚‚‡˛Ú, ͇ÍË ÌÓÚ˚ Ë„‡Ú¸, ÍÓ„‰‡ Ëı Ë„‡Ú¸ Ë Í‡Í ‰ÓÎ„Ó Ëı ‰Âʇڸ. í‡ÍÊ ‚˚ ÏÓÊÂÚ ԇÍÚËÍÓ‚‡Ú¸Òfl ‚ Û‰Ó·ÌÓÏ ‰Îfl ‚‡Ò ÚÂÏÔÂ, Ú‡Í Í‡Í ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ê‰ÂÚ, ÔÓ͇ ‚˚ Ì Ò˚„‡ÂÚ ÌÓÚ˚ Ô‡‚ËθÌÓ. Ç˚Íβ˜ËÚ Á‚ÛÍ Ô‡ÚËË Ô‡‚ÓÈ ËÎË Î‚ÓÈ ÛÍË Ë Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ ÔÓÔ˚Ú‡ÈÚÂÒ¸ Ò˚„‡Ú¸ ˝ÚÛ Ô‡Ú˲ Ò‡ÏË. ê‡Áۘ˂‡ÌË ԇÚËË Ô‡‚ÓÈ ÛÍË (TRACK 1) Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE] (˜ÚÓ·˚ Ó̇ ·˚· ‚ ÔÓÎÓÊÂÌËË ON). SCORE 2 REC STOP 3 PLAY/ PAUSE 4 38 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 KARAOKE SONG SELECT 3 óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Á‚ÛÍ Ô‡ÚËË Ô‡‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1 (R)]. à̉Ë͇ÚÓ ÍÌÓÔÍË [TRACK 1 (R)] ÔÓ„‡ÒÌÂÚ. íÂÔ¸ ‚˚ ÏÓÊÂÚ Ò˚„‡Ú¸ ˝ÚÛ Ô‡Ú˲ Ò‡ÏË. 4 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ê‡ÁÛ˜ËÚ ‚˚Íβ˜ÂÌÌÛ˛ Ô‡Ú˲ Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ê„ÛÎËӂ͇ ÚÂÏÔ‡ 1 äÌÓÔÍÓÈ TEMPO [–]/[+] ‚˚ÁÓ‚ËÚ ˝Í‡Ì „ÛÎËÓ‚ÍË ÚÂÏÔ‡. 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË TEMPO [–]/[+] ËÁÏÂÌËÚ ÚÂÏÔ. ÑÎfl ˝ÚÓ„Ó ÒΉÛÂÚ Ì‡Ê‡Ú¸ Ë ‰Âʇڸ Ó‰ÌÛ ËÁ ˝ÚËı ÍÌÓÔÓÍ. ÑÎfl „ÛÎËÓ‚ÍË Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. Å˚ÒÚ‡fl ÒÏÂ̇ ÚÂÏÔ‡ ‚Ó ‚ÂÏfl Ë„˚ (ÙÛÌ͈Ëfl Tap) íÂÏÔ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ Ë ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ‰‚‡Ê‰˚ ̇ʇ‚ ÍÌÓÔÍÛ [TAP] ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ. èÛÒÚ¸ Ò‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ ÏË„‡˛Ú ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ô‰ ËÒÔÓÎÌÂÌËÂÏ ÌÛÊÌ˚ı ÌÓÚ ÑÎfl Ô‡‡ÏÂÚ‡ GUIDE LAMP TIMING ‚˚·ÂËÚ Á̇˜ÂÌË NEXT (ÒÚ. 132). 5 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE] (˜ÚÓ·˚ Ó̇ ·˚· ‚ ÔÓÎÓÊÂÌËË OFF). ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÔÂÒÌË Ë Í·‚ˇÚÛ˚ ùÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ÔÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË Ë Ë„ÓÈ Ì‡ Í·‚˯‡ı. 1 2 äÌÓÔÍÓÈ [BALANCE] ‚˚ÁÓ‚ËÚ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË. 3 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [1π†]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ (RIGHT 1) ̇ÊÏËÚ ÍÌÓÔÍÛ [6π†]. 1 3 2 2 ó‡ÒÚË Í·‚ˇÚÛ˚ (Right 1, Right 2, Left) ëÏ. ÒÚ. 73. ÑÛ„Ë ۘ·Ì˚ ÙÛÌ͈ËË ç‡˜‡Î¸Ì‡fl ̇ÒÚÓÈ͇ «Follow Lights» ËÒÔÓθÁÓ‚‡Î‡Ò¸ ‚˚¯Â ‚ ‡Á‰ÂΠ«à„‡ Ó‰ÌÓÈ ÛÍÓÈ Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚». чΠÓÔËÒ‡Ì˚ ‰ÓÔÓÎÌËÚÂθÌ˚ ۘ·Ì˚ ÙÛÌ͈ËË Guide. ä‡Í ‚˚·‡Ú¸ ۘ·ÌÛ˛ ÙÛÌÍˆË˛, ÔÓ͇Á‡ÌÓ Ì‡ ÒÚ. 131. ÑÎfl Ë„˚ ̇ Í·‚ˇÚÛ • Any Key (ã˛·‡fl Í·‚˯‡) ì˜ËÚ ‚Ó‚ÂÏfl ̇ÊËχڸ ̇ Í·‚˯Ë. ÑÎfl ͇‡ÓÍ • Karao-Key Ä‚ÚÓχÚ˘ÂÒÍË ÛÔ‡‚ÎflÂÚ ÒÍÓÓÒÚ¸˛ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÒÓ ÒÍÓÓÒÚ¸˛ ‚‡¯Â„Ó ÔÂÌËfl, ˜ÚÓ Û‰Ó·ÌÓ ‰Îfl ÔÂÌËfl Ò Í·‚˯Ì˚Ï ÒÓÔÓ‚ÓʉÂÌËÂÏ. • Vocal CueTIME (CVP-305/303) Ä‚ÚÓχÚ˘ÂÒÍË ÛÔ‡‚ÎflÂÚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÒÔÓÎÌflÂÏÓÈ ÏÂÎÓ‰ËÂÈ, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÛÔ‡ÊÌflÚ¸Òfl ‚ ÔÂÌËË Ò Ô‡‚ËθÌÓÈ ‚˚ÒÓÚÓÈ Á‚Û͇. àÌÙÓχˆËfl Ó ä‡‡ÓÍ ëÏ. ÒÚ. 52. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 39 ê‡Áۘ˂‡ÌË ԇÚËË Î‚ÓÈ ÛÍË (TRACK 2) Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ 1,2 3 Ç˚ÔÓÎÌËÚ Ú Ê ¯‡„Ë, ÍÓÚÓ˚ ÓÔËÒ‡Ì˚ ‚ ‡Á‰ÂΠ«ê‡Áۘ˂‡ÌË ԇÚËË Ô‡‚ÓÈ ÛÍË (TRACK 1) Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚» ̇ ÒÚ. 38. óÚÓ·˚ ‚˚Íβ˜ËÚ¸ Á‚ÛÍ Ô‡ÚËË Î‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [TRACK 2]. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó à̉Ë͇ÚÓ ÍÌÓÔÍË [TRACK 2 (L)] ÔÓ„‡ÒÌÂÚ. íÂÔ¸ ‚˚ ÏÓÊÂÚ Ò˚„‡Ú¸ ˝ÚÛ Ô‡Ú˲ Ò‡ÏË. 4 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ë ÔËÒÚÛÔËÚ¸ Í ‡Áۘ˂‡Ì˲ ‚˚Íβ˜ÂÌÌÓÈ Ô‡ÚËË Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚, ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [PLAY/PAUSE]. 5 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE] (˜ÚÓ·˚ Ó̇ ·˚· ‚ ÔÓÎÓÊÂÌËË OFF). à„‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Repeat Playback (ñËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ) îÛÌ͈ËË ÔÓ‚ÚÓ‡ ÔÂÒÌË ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ËÎË ‰Ë‡Ô‡ÁÓ̇ Ú‡ÍÚÓ‚ ÔÂÒÌË. ùÚÓ Û‰Ó·ÌÓ ‰Îfl ‡Áۘ˂‡ÌËfl ÚÛ‰Ì˚ı Ù‡„ÏÂÌÚÓ‚. ñËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‰Îfl ‚Íβ˜ÂÌËfl ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. 3 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. èÂÒÌfl ·Û‰ÂÚ ÔÓ‚ÚÓflÚ¸Òfl, ÔÓ͇ ‚˚ Ì ̇ÊÏÂÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‰Îfl ‚˚Íβ˜ÂÌËfl ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. Ç˚·Ó ‰Ë‡Ô‡ÁÓ̇ Ú‡ÍÚÓ‚ Ë Ëı ˆËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌË (A-B Repeat) 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. 3 ᇉ‡ÈÚ ‰Ë‡Ô‡ÁÓÌ ‰Îfl ÔÓ‚ÚÓ‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‚ ̇˜‡Î¸ÌÓÈ ÚӘ͠‰Ë‡Ô‡ÁÓ̇ (A). ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‚ ÍÓ̘ÌÓÈ ÚӘ͠‰Ë‡Ô‡ÁÓ̇ (B). 옇ÒÚÓÍ ÓÚ ÚÓ˜ÍË Ä ‰Ó ÚÓ˜ÍË Ç ÔÓ‚ÚÓflÂÚÒfl ˆËÍ΢ÂÒÍË ÔÓÒΠ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó Á‡Ú‡ÍÚ‡. å„ÌÓ‚ÂÌÌ˚È ‚ÓÁ‚‡Ú ‚ ÚÓ˜ÍÛ A çÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒfl ÔÂÒÌfl ËÎË ÌÂÚ, ̇ʇÚË ÍÌÓÔÍË [TOP] ‰Â·ÂÚ ‚ÓÁ‚‡Ú ‚ ÚÓ˜ÍÛ Ä. 40 4 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT] ‰Îfl ‚˚Íβ˜ÂÌËfl ˆËÍ΢ÂÒÍÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÑÛ„Ë ÏÂÚÓ‰˚ Û͇Á‡ÌËfl ‰Ë‡Ô‡ÁÓ̇ ÔÓ‚ÚÓ‡ A–B ● ì͇Á‡ÌË ‰Ë‡Ô‡ÁÓ̇ ÔÓ‚ÚÓ‡, ÍÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ÓÒÚ‡ÌÓ‚ÎÂÌÓ 1 2 3 4 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF] ÔÂÂȉËÚ ‚ ÚÓ ÏÂÒÚÓ, „‰Â ·Û‰ÂÚ ÚӘ͇ A. ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ A. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FF] ÔÂÂȉËÚ ‚ ÚÓ ÏÂÒÚÓ, „‰Â ·Û‰ÂÚ ÚӘ͇ B. ç‡ÊÏËÚ ÍÌÓÔÍÛ [REPEAT], ˜ÚÓ·˚ Á‡‰‡Ú¸ ÚÓ˜ÍÛ B. ● ì͇Á‡ÌË ‰Ë‡Ô‡ÁÓ̇ ÔÓ‚ÚÓ‡ ÏÂÊ‰Û ÚÓ˜ÍÓÈ A Ë ÍÓ̈ÓÏ ÔÂÒÌË ÖÒÎË Û͇Á‡Ú¸ Î˯¸ ÚÓ˜ÍÛ Ä, ·Û‰ÂÚ ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ù‡„ÏÂÌÚ ÓÚ ˝ÚÓÈ ÚÓ˜ÍË ‰Ó ÍÓ̈‡ ÔÂÒÌË. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl á‡ÔËÒ˚‚‡ÈÚ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Quick Recording (Å˚ÒÚ‡fl Á‡ÔËÒ¸). ùÚÓ ˝ÙÙÂÍÚË‚ÌÓ Ò‰ÒÚ‚Ó Ó·Û˜ÂÌËfl, ÔÓÁ‚ÓÎfl˛˘Â Î„ÍÓ Ò‡‚ÌËÚ¸ Ò‚Ó˛ Ë„Û Ò ËÒıÓ‰ÌÓÈ ÔÂÒÌÂÈ. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË Ú‡ÍÊ ÏÓÊÌÓ ‡Áۘ˂‡Ú¸ Ô¸ÂÒ˚ ‰Îfl Ë„˚ ‰Û˝ÚÓÏ, ÂÒÎË Û ‚‡Ò ÂÒÚ¸ Á‡ÔËÒ¸ Ô‡ÚËË ‚ÚÓÓ„Ó ËÒÔÓÎÌËÚÂÎfl. 1 ç‡ÊÏËÚ ÍÌÓÔÍË [REC] Ë [STOP] Ó‰ÌÓ‚ÂÏÂÌÌÓ. Ä‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡ÂÚÒfl ÔÛÒÚ‡fl ÔÂÒÌfl ‰Îfl Á‡ÔËÒË. REC STOP PLAY/ PAUSE 2 Ç˚·ÂËÚ ÚÂÏ· (ÒÚ. 31). ÅÛ‰ÂÚ Á‡ÔËÒ˚‚‡Ú¸Òfl ‚˚·‡ÌÌ˚È ÚÂÏ·. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [REC]. REC 4 STOP PLAY/ PAUSE 燘ÌËÚ Á‡ÔËÒ¸. á‡ÔËÒ¸ ̇˜ÌÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ̇ Í·‚˯Û. 5 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. èÓfl‚ËÚÒfl Ô‰ÎÓÊÂÌË ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸. óÚÓ·˚ Û·‡Ú¸ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. REC STOP PLAY/ PAUSE êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 41 6 ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌÓ„Ó Ï‡Ú¡· ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË SONG. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó REC STOP PLAY/ PAUSE 7 ëÓı‡ÌËÚ Á‡ÔËÒ‡ÌÌÛ˛ ÍÓÏÔÓÁËˆË˛. 1 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection), ̇ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT]. 3 4 5 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ ÌÓÒËÚÂÎfl, ̇ ÍÓÚÓÓÏ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ (USER, CARD Ë Ú.‰.). Ç˚·ÂËÚ USER, ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË, ËÎË CARD, ˜ÚÓ·˚ Á‡ÔËÒ‡Ú¸ Ëı ̇ Ô·ÚÛ SmartMedia. äÌÓÔÍÓÈ [6†] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‰Îfl ÔËÒ‚ÓÂÌËfl ËÏÂÌ Ù‡È·Ï. ǂ‰ËÚ ËÏfl هȷ (ÒÚ. 67). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK) ‰Îfl ÒÓı‡ÌÂÌËfl هȷ. ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Í ‰Û„ÓÈ ÔÂÒÌ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ Á‡ÔËÒ¸, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇. äÓ„‰‡ ÔÓfl‚ÎflÂÚÒfl ÒÎÂ‰Û˛˘Â ÒÓÓ·˘ÂÌËÂ: «Song» changed. Save?/«Song» speichern?/«Song» modifié. Sauv.?/«Song» cambiado. ¿Guardar?/Salvare «Song» ? á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ¢ Ì ÒÓı‡ÌÂÌ˚. óÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â, ̇ÊÏËÚ ÍÌÓÔÍÛ [G] (YES), ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË Ë ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ (ÒÏ. ‚˚¯Â). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [H] (NO). èÓË„˚‚‡ÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Performance assistant technology ùÚ‡ ÙÛÌ͈Ëfl ˜ÂÁ‚˚˜‡ÈÌÓ Ó·Î„˜‡ÂÚ ËÒÔÓÎÌÂÌË ÙÓÌÓ‚˚ı Ô‡ÚËÈ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË. èÂʉ ˜ÂÏ ÔÓθÁÓ‚‡Ú¸Òfl ÙÛÌ͈ËÂÈ Performance assistant technology óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Performance assistant technology, ÔÂÒÌfl ‰ÓÎÊ̇ ÒÓ‰Âʇڸ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı. ÖÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ Ú‡ÍË ‰‡ÌÌ˚Â, ̇Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓ‰‡ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡Ì MAIN ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÔÓ‚ÂËÚ¸, ÒÓ‰ÂÊËÚ ÔÂÒÌfl ‡ÍÍÓ‰˚ ËÎË ÌÂÚ. 1 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). Ç ˝ÚËı ËÌÒÚÛ͈Ëflı Ï˚ ÂÍÓÏẨÛÂÏ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂÒÌË ËÁ Ô‡ÔÍË «Sing-a-long». 42 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [PERFORMANCE ASSISTANT], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ˝ÚÛ ÙÛÌÍˆË˛. SCORE 3 SONG SELECT óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. STOP PLAY/ PAUSE ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó REC 4 KARAOKE à„‡ÈÚ ̇ Í·‚ˇÚÛÂ. àÌÒÚÛÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰Òڇ˂‡ÂÚ ‚‡¯Â ËÒÔÓÎÌÂÌË ̇ Í·‚ˇÚÛ ÔÓ‰ ‚ÓÒÔÓËÁ‚Ó‰ËÏÛ˛ ÔÂÒÌ˛ Ë ‡ÍÍÓ‰˚ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ̇ ͇ÍËı Í·‚˯‡ı ‚˚ Ë„‡ÂÚÂ. éÌ ‰‡Ê ÏÂÌflÂÚ Á‚ÛÍ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, Í‡Í ‚˚ Ë„‡ÂÚÂ. èÓÔÓ·ÛÈÚ ÔÓË„‡Ú¸ ÚÂÏfl ‡ÁÌ˚ÏË ÒÔÓÒÓ·‡ÏË, ÓÔËÒ‡ÌÌ˚ÏË ÌËÊÂ. ● é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍÓÈ ● é‰ÌÓ‚ÂÏÂÌ̇fl Ë„‡ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍÓÈ ● ょfl Ë Ô‡‚‡fl Û͇ Ë„‡˛Ú ÔÓӘ‰ÌÓ. (ÒÔÓÒÓ· 1). (ÒÔÓÒÓ· 2). ë˚„‡ÈÚ ӉÌÓ‚ÂÏÂÌÌÓ ÚË ÌÓÚ˚ Ô‡‚ÓÈ ÛÍÓÈ. ë˚„‡ÈÚ ÌÂÒÍÓθÍÓ ÌÓÚ Ó‰ÌÛ Á‡ ‰Û„ÓÈ ‡ÁÌ˚ÏË Ô‡Î¸ˆ‡ÏË Ô‡‚ÓÈ ÛÍË. ë˚„‡ÈÚ ӉÌÓ‚ÂÏÂÌÌÓ ÚË ÌÓÚ˚ Ô‡‚ÓÈ ÛÍÓÈ. 5 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. 6 óÚÓ·˚ ‚˚Íβ˜ËÚ¸ ˝ÚÛ ÙÛÌÍˆË˛, ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [PERFORMANCE ASSISTANT]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 43 ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Accompaniment (ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl) ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó îÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÓÁ‚ÓÎflÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ, Ë„‡fl «‡ÍÍÓ‰˚» ΂ÓÈ ÛÍÓÈ. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡Ú¸ Á‚Û˜‡ÌË ˆÂÎÓ„Ó ‡Ì҇ϷÎfl ËÎË ÓÍÂÒÚ‡, ‰‡Ê ÂÒÎË ‚˚ Ë„‡ÂÚ ӉÌË. á‚ÛÍ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÒÓÁ‰‡ÂÚÒfl ËÁ ËÚÏ˘ÂÒÍËı Ù‡Á ÒÚËÎfl. ëÚËÎË ËÌÒÚÛÏÂÌÚ‡ Óı‚‡Ú˚‚‡˛Ú Ó·¯ËÌ˚È ‰Ë‡Ô‡ÁÓÌ ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚, ‚Íβ˜‡fl ÔÓÔ, ‰Ê‡Á Ë ÏÌÓ„Ë ‰Û„ËÂ. STYLE SELECT àÒÔÓÎÌÂÌË ÔÂÒÌË «Mary Had a Little Lamb» Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ. MARY HAD A LITTLE LAMB 퇉ˈËÓÌ̇fl ëÚËθ: Country Pop C 3 2 1 C 2 1 C 3 44 2 C 2 1 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 3 4 G 3 C 2 1 2 1 1 G 3 4 3 5 1 2 äÓ̈ӂ͇ C 1 1 1 Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [STYLE SELECT]. 2 STYLE SELECT ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 3, 4 3, 4 2 óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ PRESET, ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [√]. íËÔ ÒÚËÎfl Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ̇Á‚‡ÌËÂÏ ‚ÒÚÓÂÌÌÓ„Ó ÒÚËÎfl. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ı‡‡ÍÚÂËÒÚË͇ı ÒÏ. ̇ ÒÚ. 97. 3 Ç˚·ÂËÚ ͇Ú„Ó˲ «Country» Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [A]–[J]. 4 Ç˚·ÂËÚ ÒÚËθ «CountryPop» Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [A]–[J]. åÓÊÌÓ Ï„ÌÓ‚ÂÌÌÓ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN, ‰‚‡Ê‰˚ ̇ʇ‚ Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] – [J]. 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. à„‡ÈÚ ‡ÍÍÓ‰˚ ‰Îfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ˜‡ÒÚË Í·‚ˇÚÛ˚ ‰Îfl ΂ÓÈ ÛÍË. 5 6 7 8 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC START], ˜ÚÓ·˚ Ô‚ÂÒÚË ÙÛÌÍˆË˛ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ÂÊËÏ ÓÊˉ‡ÌËfl. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚ÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇˜ÌÂÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚‡¯ÂÈ Ë„ÓÈ. 7 Ä‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ Ì‡˜Ë̇ÂÚ Á‚Û˜‡Ú¸, Í‡Í ÚÓθÍÓ ‚˚ ·ÂÂÚ ‡ÍÍÓ‰ ΂ÓÈ ÛÍÓÈ. èÓÔÓ·ÛÈÚ ˄‡Ú¸ ‡ÍÍÓ‰˚ ΂ÓÈ ÛÍÓÈ, ‡ ÏÂÎӉ˲ – Ô‡‚ÓÈ. ÄÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ ëÛ˘ÂÒÚ‚ÛÂÚ ÒÂϸ ‡Á΢Ì˚ı ‡ÔÔÎË͇ÚÛ, ÍÓÚÓ˚ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰Ó‚ (ÒÚ. 97). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 45 8 Ä‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒÚËÚ ÍÓ̈ӂÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [ENDING] ‚ ÚӘ͠ԇÚËÚÛ˚, Ó·ÓÁ̇˜ÂÌÌÓÈ Í‡Í ÍÓ̈ӂ͇ (Ending). äÓ„‰‡ ÍÓ̈ӂ͇ Á‡ÍÓ̘ËÚÒfl, ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇ÚËÚÒfl. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó •ëÚËÎË é·‡ÚËÚÂÒ¸ Í ÒÔËÒÍÛ ÒÚËÎÂÈ ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ. •Å˚ÒÚ‡fl ÒÏÂ̇ ÚÂÏÔ‡ ÒÚËÎfl ‚Ó ‚ÂÏfl Ë„˚ (ÙÛÌ͈Ëfl Tap) ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏÔ, ‰‚‡Ê‰˚ ̇ʇ‚ ÍÌÓÔÍÛ [TAP] ‚ ÌÛÊÌÓÏ ÚÂÏÔÂ. •ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Ô‡‚ÓÈ Ë Î‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ëÏ. ÒÚ. 100. •ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËΠ̇ʇÚËfl Í·‚˯ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl (Style Touch) ëÏ. ÒÚ. 101. ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÒÚËÎfl Ë Í·‚ˇÚÛ˚ ùÚÓÚ ÔÂÂÍβ˜‡ÚÂθ ÔÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl Ë Ë„ÓÈ Ì‡ Í·‚˯‡ı. 1 2 äÌÓÔÍÓÈ [BALANCE] ‚˚ÁÓ‚ËÚ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË. 3 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [2π†]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË Í·‚ˇÚÛ˚ (RIGHT 1) ̇ÊÏËÚ ÍÌÓÔÍÛ [6π†]. LJˇˆËfl Ù‡Á˚ ÇÓ ‚ÂÏfl Ë„˚ ÏÓÊÌÓ ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ÎflÚ¸ ÒÔˆˇθÌÓ ÒÓÁ‰‡ÌÌ˚ ‚ÒÚÛÔÎÂÌËfl Ë ÍÓ̈ӂÍË, ‡ Ú‡ÍÊ ‚‡Ë‡ˆËË ËÚÏ˘ÂÒÍËı Ë ‡ÍÍÓ‰Ó‚˚ı Ù‡Á ‰Îfl ÒÓÁ‰‡ÌËfl ·ÓΠ‰Ë̇Ï˘ÌÓ„Ó, ÔÓÙÂÒÒËÓ̇θÌÓ„Ó Á‚Û˜‡ÌËfl. ÑÎfl Í‡Ê‰Ó„Ó ÒÎÛ˜‡fl ÒÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ‚‡Ë‡ˆËÈ Ù‡Á ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ – ‚ ̇˜‡ÎÂ, ‚ Ò‰ËÌÂ Ë ‚ ÍÓ̈ ÔÓËÁ‚‰ÂÌËfl. èÓÔÓ·ÛÈÚ ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚË ‚‡Ë‡ˆËË Ë Ëı ÒÓ˜ÂÚ‡ÌËfl. 燘‡ÎÓ ËÒÔÓÎÌÂÌËfl STYLE SELECT ● á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ Ì‡˜Ë̇ÂÚÒfl Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË STYLE CONTROL [START/STOP]. ● àÌÚÓ‰Û͈Ëfl ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ̇˜‡Î ÔÂÒÌË. ä‡Ê‰˚È ‚ÒÚÓÂÌÌ˚È ÒÚËθ ËÏÂÂÚ ÚË ‡Á΢Ì˚ ËÌÚÓ‰Û͈ËË. èÓÒΠÓÍÓ̘‡ÌËfl ËÌÚÓ‰Û͈ËË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔÂÂıÓ‰ËÚ Í ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (Main). ëÏ. «Main» ÌËÊ ‚ ‡Á‰ÂΠ«ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl». ÑÓ Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍË INTRO [I]–[III]. á‡ÚÂÏ, ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE CONTROL [START/STOP]. ● ëËÌıÓÌÌ˚È Á‡ÔÛÒÍ ëËÌıÓÌÌ˚È Á‡ÔÛÒÍ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ ‚‡¯ÂÈ Ë„ÓÈ Ì‡ Í·‚˯‡ı. ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC START], ÍÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÓÒÚ‡ÌÓ‚ÎÂÌÓ, Ë Ò˚„‡ÈÚ ‡ÍÍÓ‰ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. ● Fade In (ÔÓÒÚÂÔÂÌÌÓ ÛÒËÎÂÌË Á‚Û͇) Fade In Ô·‚ÌÓ Û‚Â΢˂‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ ÔË Á‡ÔÛÒÍ ÒÚËÎfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT] ÔÓÒΠÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË STYLE CONTROL, ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. ● îÛÌ͈Ëfl Tap (Ç‚Ó‰ ÚÂÏÔ‡) ᇉ‡ÈÚ ÚÂÏÔ Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. èÓÒÚÓ «ÔÓÒÚÛ˜ËÚ», ̇ÊËχfl Ë ÓÚÔÛÒ͇fl, ÍÌÓÔÍÛ [TAP] (˜ÂÚ˚ ‡Á‡ ‰Îfl ‡Áχ 4/4), Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ÙÛÌ͈Ëfl Tap, ÏÓÊÌÓ Á‡‰‡Ú¸ ÍÓÌÍÂÚÌ˚È Á‚ÛÍ Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ Ë ÒÍÓÓÒÚ¸ („ÓÏÍÓÒÚ¸) ̇ ÒÎÂ‰Û˛˘ÂÏ ˝Í‡ÌÂ. [FUNCTION] → [I] UTILITY →TAB[√] CONFIG 1 → [B] 4 TAP 46 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl STYLE SELECT ● Main (éÒÌӂ̇fl ˜‡ÒÚ¸) àÒÔÓθÁÛÂÚÒfl ‰Îfl ÔÓË„˚‚‡ÌËfl ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ÔÂÒÌË. î‡Á‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÒÓÒÚÓfl˘‡fl ËÁ ÌÂÒÍÓθÍËı Ú‡ÍÚÓ‚, ÔÓ‚ÚÓflÂÚÒfl ·ÂÒÍÓ̘ÌÓ. ä‡Ê‰˚È ‚ÒÚÓÂÌÌ˚È ÒÚËθ ËÏÂÂÚ ˜ÂÚ˚ ‡Á΢Ì˚ هÁ˚. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ MAIN [A]–[D]. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ● Fill In (ÇÒÚ‡‚͇) ÇÒÚ‡‚ÍË ÔÓÁ‚ÓÎfl˛Ú Ó·Ó„‡ÚËÚ¸ ËÚÏ˘ÂÒÍËÈ ÛÁÓ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‰Ë̇Ï˘ÂÒÍËÏË ‚‡Ë‡ˆËflÏË Ë ·ÂÈ͇ÏË, ˜ÚÓ Ôˉ‡ÂÚ Ë„Â ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡ÌËÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [AUTO FILL IN] (˜ÚÓ·˚ Ó̇ ·˚· ‚ ÔÓÎÓÊÂÌËË ON) ‰Ó ËÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ MAIN VARIATION (A, B, C, D) ‚Ó ‚ÂÏfl Ë„˚, Ë ‚˚·‡Ì̇fl ‚ÒÚ‡‚͇ ·Û‰ÂÚ ËÒÔÓÎÌÂ̇ ‡‚ÚÓχÚ˘ÂÒÍË (AUTO FILL), Û͇¯‡fl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. èÓÒΠ‚ÒÚ‡‚ÍË ÔÓËÒıÓ‰ËÚ Ô·‚Ì˚È ÔÂÂıÓ‰ Í ‚˚·‡ÌÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË (A, B, C, D). чÊ ÂÒÎË ÍÌÓÔ͇ [AUTO FILL IN] ̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓflÌËË OFF, ̇ʇÚË ÍÌÓÔÍË ÚÓÈ Ê ˜‡ÒÚË, ÍÓÚÓ‡fl ÔÓË„˚‚‡ÂÚÒfl ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ, ‚˚Á˚‚‡ÂÚ ‡‚ÚÓχÚ˘ÂÒÍÓ ËÒÔÓÎÌÂÌË ‚ÒÚ‡‚ÍË, ÔÂʉ ˜ÂÏ ÔÓËÁÓȉÂÚ ‚ÓÁ‚‡Ú Í ˝ÚÓÈ Ê ҇ÏÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË. ● Break (ÅÂÈÍ) èÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ÎflÚ¸ ‰Ë̇Ï˘ÂÒÍË ·ÂÈÍË Í ËÚÏÛ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, Ôˉ‡‚‡fl ‚‡¯ÂÈ Ë„Â ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡ÌËÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [BREAK] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ᇂ¯ÂÌË ËÒÔÓÎÌÂÌËfl STYLE SELECT ● á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎÂÈ ÔÂ͇˘‡ÂÚÒfl Ò‡ÁÛ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [START/STOP] ̇ Ô‡ÌÂÎË STYLE CONTROL. ● äÓ̈ӂ͇ (Ending) ùÚ‡ ˜‡ÒÚ¸ ËÒÔÓθÁÛÂÚÒfl ‚ ÍÓ̈ ÔÂÒÌË. ä‡Ê‰˚È ‚ÒÚÓÂÌÌ˚È ÒÚËθ ËÏÂÂÚ ÚË ‡Á΢Ì˚ ÍÓ̈ӂÍË. èÓ Á‡‚¯ÂÌËË ÍÓ̈ӂÍË ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‡‚ÚÓχÚ˘ÂÒÍË ÔÂ͇˘‡ÂÚÒfl. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ENDING/rit. [I]–[III] ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ÑÎfl ÔÓÒÚÂÔÂÌÌÓ„Ó Á‡Ï‰ÎÂÌËfl ÍÓ̈ӂÍË (ËÚ‡‰‡Ì‰Ó) ÏÓÊÌÓ Â˘Â ‡Á ̇ʇڸ ÚÛ Ê ҇ÏÛ˛ ÍÌÓÔÍÛ ENDING/rit. ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÍÓ̈ӂÍË. ● Fade Out (èÓÒÚÂÔÂÌÌÓ Á‡ÚÛı‡ÌË Á‚Û͇) Fade Out Ô·‚ÌÓ ÛÏÂ̸¯‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ ÔË ÓÒÚ‡ÌÓ‚Í ÒÚËÎfl. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT]. ÑÓÔÓÎÌËÚÂθÌÛ˛ ËÌÙÓχˆË˛ ÔÓ Ì‡ÒÚÓÈÍ ‚ÂÏÂÌË ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ ÒÏ. ̇ ÒÚ. 99. ÑÛ„Ë ̇ÒÚÓÈÍË STYLE SELECT ● ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇ (Synchro Stop) ÇÍβ˜ÂÌÌ˚È ÂÊËÏ ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË (Synchro Stop) ÔÓÁ‚ÓÎflÂÚ ‚ β·Ó ‚ÂÏfl ÔÂ͇˘‡Ú¸ Ë Ì‡˜Ë̇ڸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl, ÔÓÒÚÓ ÓÚÔÛÒ͇fl Ë Ì‡ÊËχfl Í·‚Ë¯Ë ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ùÚÓ Á‡Ï˜‡ÚÂθÌ˚È ÏÂÚÓ‰ ‰Ó·‡‚ÎÂÌËfl ‰‡Ï‡ÚËÁχ ‚˚ÒÚÛÔÎÂÌ˲ Á‡ Ò˜ÂÚ ËÒÔÓθÁÓ‚‡ÌËfl ·ÂÈÍÓ‚ Ë ‡ÍˆÂÌÚÓ‚. è‰ ̇˜‡ÎÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [SYNC STOP]. • • ê‡Á¯ÂÌË ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË ÔÛÚÂÏ Ì‡Ê‡ÚËfl Ë ÓÚÔÛÒ͇ÌËfl Í·‚˯ (ÓÍÌÓ Synchro Stop Window) ëÏ. ÒÚ. 101. ᇉ‡ÌË ËÌÚÓ‰Û͈ËË ËÎË ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË ‚ ͇˜ÂÒÚ‚Â ˜‡ÒÚË ÔÓ ÛÏÓΘ‡Ì˲ (ÙÛÌ͈Ëfl Section Set) ç‡ÔËÏÂ, ‚ ͇˜ÂÒÚ‚Â ˜‡ÒÚË ÔÓ ÛÏÓΘ‡Ì˲, ‡‚ÚÓχÚ˘ÂÒÍË ËÒÔÓÎÌflÂÏÓÈ ÔË ‚˚ÁÓ‚Â ÒÚËÎfl, ÏÓÊÌÓ Á‡‰‡Ú¸ ËÌÚÓ‰ÛÍˆË˛ (ÒÚ. 101). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 47 à̉Ë͇ÚÓ˚ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ (INTRO/MAIN/ENDING Ë Ú.Ô.) • áÂÎÂÌ˚È ó‡ÒÚ¸ Ì ‚˚·‡Ì‡. • ä‡ÒÌ˚È ó‡ÒÚ¸ ‚˚·‡Ì‡. • Ç˚ÍÎ. ó‡ÒÚ¸ Ì ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ı Ë Ì ÏÓÊÂÚ ·˚Ú¸ ‚ÓÒÔÓËÁ‚‰Â̇. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ì‰ÂʇÌË ÚÂÏ·‡ Ô‡ÚËË LEFT (Left Hold) ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ˝Ú‡ ÙÛÌ͈Ëfl, ÚÂÏ· Ô‡ÚËË LEFT Á‚Û˜ËÚ ‰‡Ê ÔÓÒΠÚÓ„Ó, Í‡Í Í·‚˯‡ ÓÚÔÛ˘Â̇. çÂÁ‡ÚÛı‡˛˘Ë ÚÂÏ·˚, ̇ÔËÏ ÒÚÛÌÌ˚Â, Á‚Û˜‡Ú ÌÂÔÂ˚‚ÌÓ, ‡ Á‡ÚÛı‡˛˘Ë ÚÂÏ·˚, ̇ÔËÏ ÔˇÌËÌÓ, Á‡ÚÛı‡˛Ú ωÎÂÌÌÂÂ, ˜ÂÏ ·ÂÁ ˝ÚÓÈ ÙÛÌ͈ËË (Í‡Í ÔË Ì‡Ê‡ÚÓÈ Ô‰‡ÎË ÒÛÒÚÂÈ̇). ùÚ‡ ÙÛÌ͈Ëfl Ó·Ó„‡˘‡ÂÚ Á‚Û˜‡ÌË ‚ÒÂ„Ó ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. 1 óÚÓ·˚ ‚Íβ˜ËÚ¸ Á‚ÛÍ Ô‡ÚËË Î‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ [LEFT] ̇ Ô‡ÌÂÎË PART ON/OFF. 2 óÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Left Hold, ̇ÊÏËÚ ÍÌÓÔÍÛ [LEFT HOLD]. 2 1 ä‡Í Ë„‡Ú¸ (Û͇Á˚‚‡Ú¸) ‡ÍÍÓ‰˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ä‡ÍË ÌÓÚ˚ ·‡Ú¸ ‰Îfl ËÒÔÓÎÌÂÌËfl ÍÓÌÍÂÚÌ˚ı ‡ÍÍÓ‰Ó‚ ÖÒÎË ËÁ‚ÂÒÚÌÓ Ì‡Á‚‡ÌË ‡ÍÍÓ‰‡, ÌÓ ÌÂËÁ‚ÂÒÚÌÓ, Í‡Í Â„Ó Ë„‡Ú¸, ËÌÒÚÛÏÂÌÚ ÔÓÏÓÊÂÚ ‚‡Ï ‚ ˝ÚÓÏ (ÙÛÌ͈Ëfl Chord Tutor). 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB[√][®] CHORD FINGERING 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÓÒÌÓ‚ÌÓÈ ÚÓÌ. 2 3 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†]/[8π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ‡ÍÍÓ‰‡. çÓÚ˚, ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ‚ÁflÚ¸, ˜ÚÓ·˚ Á‡Á‚Û˜‡Î ‚˚·‡ÌÌ˚È ‡ÍÍÓ‰, ·Û‰ÛÚ ÔÓ͇Á‡Ì˚ ̇ ˝Í‡ÌÂ. çÓÚ˚ ·Û‰ÛÚ ÔÓ͇Á‡Ì˚ ‰Îfl Ú‡‰ËˆËÓÌÌÓÈ ‡ÔÔÎË͇ÚÛ˚ (ÂÊËÏ Fingered), ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇͇fl ‡ÔÔÎË͇ÚÛ‡ ‚˚·‡Ì‡ (ÒÚ. 98). 48 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ä‡Í Ë„‡Ú¸ ‡ÍÍÓ‰˚ Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ ÖÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‡ÍÍÓ‰˚, Ò‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ ̇ ËÌÒÚÛÏÂÌÚ ÏÓ„ÛÚ ÔÓ͇Á˚‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰Ó‚. Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [FUNCTION], ÔÓÚÓÏ ÍÌÓÔÍÛ [B], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ̇ÒÚÓÈÍË ÔÂÒÌË (Song Setting), Ë Á‡ÚÂÏ Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ô‡‡ÏÂÚ GUIDE MODE ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ «Follow Lights». 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF] ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE]. 5 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 ë‚ÂÚÓ‚˚ Ë̉Ë͇ÚÓ˚ ‚ ΂ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÏË„‡˛Ú ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡ÍÍÓ‰‡ÏË ÔÂÒÌË. èÓÛÔ‡ÊÌflÈÚÂÒ¸ ‚ Ë„Â ‡ÍÍÓ‰‡ÏË Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚. ç‡ÒÚÓÈÍË ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») åÓ˘Ì‡fl Ë Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl One Touch Setting ÔÓÁ‚ÓÎflÂÚ ‚˚Á‚‡Ú¸ ̇·Ó ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı Ô‡‡ÏÂÚÓ‚ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÚÂÏ·˚, ˝ÙÙÂÍÚ˚ Ë Ú.‰.) ̇ʇÚËÂÏ Ó‰ÌÓÈ ÍÌÓÔÍË. ÖÒÎË ‚˚ ÛÊ ¯ËÎË, ͇ÍÓÈ ÒÚËθ ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸, Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË One Touch Setting ÏÓÊÌÓ ÔÓ‰Ó·‡Ú¸ ‰Îfl ÌÂ„Ó ÔÓ‰ıÓ‰fl˘ËÈ ÚÂÏ·. 1 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 45). 2 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING [1] – [4]. èË ˝ÚÓÏ Ì ÚÓθÍÓ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á˚‚‡˛ÚÒfl ‚Ò ÔÓ‰ıÓ‰fl˘Ë ԇ‡ÏÂÚ˚ ‰Îfl ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ÚÂÏ·˚, ˝ÙÙÂÍÚ˚ Ë Ú.Ô.), ÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚Íβ˜‡˛ÚÒfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (ACMP) Ë ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ (SYNC START), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÌÂωÎÂÌÌÓ Ì‡˜‡Ú¸ ‚ÓÒÔÓ-ËÁ‚‰ÂÌË ÒÚËÎfl. 3 ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ̇˜Ë̇ÂÚÒfl, Í‡Í ÚÓθÍÓ ‚˚ Ò˚„‡ÂÚ ‡ÍÍÓ‰ ΂ÓÈ ÛÍÓÈ. ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ éÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ (̇ÔËÏÂ, ˝ÙÙÂÍÚ˚, ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë Ú.‰.) ÏÓÊÌÓ «Á‡·ÎÓÍËÓ‚‡Ú¸», ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ ‚˚·Ë‡Ú¸ ÚÓθÍÓ Ò Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (ÒÚ. 122). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 49 èÓ‰Ò͇ÁÍË ‰Îfl ‡·ÓÚ˚ Ò ÙÛÌ͈ËÂÈ One Touch Setting ● Ä‚ÚÓχÚ˘ÂÒ͇fl ÒÏÂ̇ ̇ÒÚÓÂÍ One Touch Setting ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (OTS Link) ì‰Ó·Ì‡fl ÙÛÌ͈Ëfl OTS (One Touch Setting) Link (èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») ÔÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇ÒÚÓÈÍË OTS ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ (A – D). óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ OTS Link, ̇ÊÏËÚ ÍÌÓÔÍÛ [OTS LINK]. ìÒÚ‡Ìӂ͇ ‚ÂÏÂÌË ÒÏÂÌ˚ ̇ÒÚÓÂÍ OTS ëÏÂ̇ ̇ÒÚÓÂÍ OTS ÔË ÔÂÂıӉ ÓÚ Ó‰ÌÓÈ ˜‡ÒÚË Í ‰Û„ÓÈ ÏÓÊÂÚ ÔÓËÒıÓ‰ËÚ¸ ‚ Ó‰ËÌ ËÁ ‰‚Ûı ÏÓÏÂÌÚÓ‚ ‚ÂÏÂÌË (ÒÚ. 101). ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ● á‡ÔËÒ¸ ̇ÒÚÓÂÍ Ô‡ÌÂÎË ‚ Ô‡ÏflÚ¸ ÙÛÌ͈ËË OTS åÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË One Touch Setting. 1 ìÒÚ‡ÌÓ‚ËÚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ÌÛÊÌ˚ ԇ‡ÏÂÚ˚ (ÚÂÏ·, ÒÚËθ, ˝ÙÙÂÍÚ˚ Ë Ú.‰.). 2 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MEMORY]. 4 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ONE TOUCH SETTING [1] – [4]. ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ, ‚ ÍÓÚÓÓÏ Ô‰·„‡ÂÚÒfl ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË. 2 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] (YES), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎfl (Style Selection), Ë ÒÓı‡ÌËÚ ̇ÒÚÓÈÍË ‚ Ù‡ÈΠÒÚËÎfl (ÒÚ. 63). ÇçàåÄçàÖ ç‡ÒÚÓÈÍË Ô‡ÌÂÎË, Á‡‰‡ÌÌ˚ ‰Îfl ͇ʉÓÈ ÍÌÓÔÍË OTS, ·Û‰ÛÚ ÔÓÚÂflÌ˚, ÂÒÎË ËÁÏÂÌËÚ¸ ÒÚËθ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl. Ç˚ÁÓ‚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘Ëı ̇ÒÚÓÂÍ ‰Îfl ͇ʉÓÈ ÔÂÒÌË — Music Finder ÖÒÎË ‚˚ ıÓÚËÚ ˄‡Ú¸ ‚ ͇ÍÓÏ-ÎË·Ó ÏÛÁ˚͇θÌÓÏ Ê‡ÌÂ, ÌÓ Ì Á̇ÂÚÂ, ͇ÍÓÈ ÒÚËθ Ë ÚÂÏ· ÔÓ‰ıÓ‰flÚ ‰Îfl ˝ÚÓ„Ó Ê‡Ì‡, ÙÛÌ͈Ëfl Music Finder ÔÓÏÓÊÂÚ ‚‡Ï Ëı ̇ÈÚË. èÓÒÚÓ ‚˚·ÂËÚÂ Ê‡Ì ‚ ÓÍÌ ÍÓÏÔÓÁˈËÈ Music Finder, Ë CVP ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÓËÚ ‚Ò ԇ‡ÏÂÚ˚ ‰Îfl Ë„˚ ‚ ‚˚·‡ÌÌÓÏ ÒÚËÎÂ. çÓ‚Û˛ Á‡ÔËÒ¸ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸, ÓÚ‰‡ÍÚËÓ‚‡‚ ‚˚·‡ÌÌÛ˛ (ÒÚ. 104). чÌÌ˚ (Á‡ÔËÒË) Music Finder – ˝ÚÓ Ì ÚÓ Ê ҇ÏÓÂ, ˜ÚÓ ‰‡ÌÌ˚ ÔÂÒÂÌ, Ë ÓÌË Ì ÏÓ„ÛÚ ·˚Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌ˚. 1 50 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MUSIC FINDER, ̇ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2 1 ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 3 2 óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ ALL (‚ÒÂ), ̇ÊÏËÚ ÍÌÓÔÍÛ TAB [√]. ÇÍ·‰Í‡ ALL ÒÓ‰ÂÊËÚ ‚ÒÚÓÂÌÌ˚ Á‡ÔËÒË. 3 Ç˚·ÂËÚ Á‡ÔËÒ¸, ËÒÔÓθÁÛfl ÒÎÂ‰Û˛˘Ë ˜ÂÚ˚ ͇Ú„ÓËË ÔÓËÒ͇. óÚÓ·˚ ‚˚·‡Ú¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍË [2π†]/[3π†]. • í‡ÍÊ ÏÓÊÌÓ ‚˚·‡Ú¸ ÌÛÊÌÛ˛ Á‡ÔËÒ¸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] Ë Á‡ÚÂÏ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [ENTER] ‰Îfl ‚˚ÔÓÎÌÂÌËfl. • èÓËÒÍ Á‡ÔËÒÂÈ Music Finder, ÔÓÏËÏÓ ÔӘ„Ó, ӷ·‰‡ÂÚ Û‰Ó·ÌÓÈ ÙÛÌ͈ËÂÈ ÔÓËÒ͇. Ç˚ ‚‚Ó‰ËÚ ̇Á‚‡ÌË ÔÂÒÌË ËÎË Íβ˜Â‚Ó ÒÎÓ‚Ó Ë Ò‡ÁÛ ‚ˉËÚ ̇ ˝Í‡Ì Á‡ÔËÒË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÍËÚÂ˲ ÔÓËÒ͇ (ÒÚ. 102). • MUSIC .................. ëÓ‰ÂÊËÚ Ì‡Á‚‡ÌË ÔÂÒÌË ËÎË ÏÛÁ˚͇θÌÓ„Ó Ê‡Ì‡ ‰Îfl ͇ʉÓÈ Á‡ÔËÒË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÌÛÊÌ˚È ÏÛÁ˚͇θÌ˚È ÒÚËθ. èÂÂÏ¢ÂÌË ‚‚Âı Ë ‚ÌËÁ ÔÓ ÒÔËÒÍÛ ÔÂÒÂÌ ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰Í ëÓÚËÛfl Á‡ÔËÒË ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ, ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı ËÎË ‚ÌËÁ ÔÓ ‡ÎÙ‡‚ËÚÌÓÏÛ ÒÔËÒÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†]. óÚÓ·˚ ÔÂÂÈÚË Í Ô‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [π†]. • STYLE .................... ùÚÓ ‚ÒÚÓÂÌÌ˚È ÒÚËθ, ̇Á̇˜ÂÌÌ˚È Á‡ÔËÒË. èÂÂÏ¢ÂÌË ‚‚Âı Ë ‚ÌËÁ ÔÓ ÒÔËÒÍÛ ÒÚËÎÂÈ ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰Í ëÓÚËÛfl Á‡ÔËÒË ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ, ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl ‚‚Âı ËÎË ‚ÌËÁ ÔÓ ‡ÎÙ‡‚ËÚÌÓÏÛ ÒÔËÒÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†]. óÚÓ·˚ ÔÂÂÈÚË Í Ô‚ÓÈ Á‡ÔËÒË ‚ ÒÔËÒÍÂ, ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [π†]. • BEAT..................... ùÚÓ Ú‡ÍÚÓ‚˚È ‡ÁÏÂ, Á‡Â„ËÒÚËÓ‚‡ÌÌ˚È ‰Îfl ͇ʉÓÈ Á‡ÔËÒË. • TEMPO .................. ùÚÓ ÚÂÏÔ, ̇Á̇˜ÂÌÌ˚È Á‡ÔËÒË. 4 à„‡ÈÚ ̇ Í·‚ˇÚÛÂ. èÓÏÌËÚÂ, ˜ÚÓ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ·˚ÎË ‡‚ÚÓχÚ˘ÂÒÍË ËÁÏÂÌÂÌ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÏÛÁ˚͇θÌ˚Ï Ê‡ÌÓÏ ‚˚·‡ÌÌÓÈ Á‡ÔËÒË. • Tempo Lock (ÅÎÓÍËӂ͇ ÚÂÏÔ‡) îÛÌ͈Ëfl TEMPO LOCK (ÅÎÓÍËӂ͇ ÚÂÏÔ‡) ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ËÁÏÂÌÂÌËfl ÚÂÏÔ‡ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ‚˚·Ó ‰Û„ÓÈ Á‡ÔËÒË. ÑÎfl ‚Íβ˜ÂÌËfl ÙÛÌ͈ËË Tempo Lock ̇ÊÏËÚ ÍÌÓÔÍË [6 π†]/[7π†] (TEMPO LOCK) ̇ ˝Í‡Ì Music Finder. • ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ éÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ (̇ÔËÏÂ, ˝ÙÙÂÍÚ˚, ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë Ú.‰.) ÏÓÊÌÓ «Á‡·ÎÓÍËÓ‚‡Ú¸», ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ ‚˚·Ë‡Ú¸ ÚÓθÍÓ Ò Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (ÒÚ. 122). ëÓÚËӂ͇ Á‡ÔËÒÂÈ ÑÎfl ÒÓÚËÓ‚ÍË Á‡ÔËÒÂÈ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [F] (SORT BY). • MUSIC (ÏÛÁ˚͇) .........á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÔÂÒÂÌ. • STYLE (ÒÚËθ) ............á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ Ì‡Á‚‡ÌËflÏ ÒÚËÎÂÈ. • BEAT (‡ÁÏÂ) ...........á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ ‡ÁÏÂÛ ÔÂÒÂÌ. • TEMPO (ÚÂÏÔ) ............á‡ÔËÒË ÒÓÚËÛ˛ÚÒfl ÔÓ ÚÂÏÔÛ. ëÏÂ̇ ÔÓfl‰Í‡ Á‡ÔËÒÂÈ ÑÎfl ÒÏÂÌ˚ ÔÓfl‰Í‡ Á‡ÔËÒÂÈ (ÔÓ Ì‡‡ÒÚ‡Ì˲ ËÎË Û·˚‚‡Ì˲) ̇ÊÏËÚ ÍÌÓÔÍÛ [G] (SORT ORDER). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 51 èÂÌË ÔÓ‰ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË (䇇ÓÍÂ) ËÎË ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌÓ ÒÓÔÓ‚ÓʉÂÌË èÓ‰Íβ˜ËÚ ÏËÍÓÙÓÌ Í ËÌÒÚÛÏÂÌÚÛ (CVP-305/303) Ë ÔÓÈÚ ӉÌÓ‚ÂÏÂÌÌÓ Ò ÔÓË„˚‚‡ÌËÂÏ ÔÂÒÌË (Karaoke) ËÎË ÔÓ‰ Ò‚Ó ÒÓ·ÒÚ‚ÂÌÌÓ ÒÓÔÓ‚ÓʉÂÌËÂ. ÖÒÎË ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÂÒÚ¸ ÒÎÓ‚‡, ÓÌË ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡ÌÂ. èÓÈÚÂ Ò ÏËÍÓÙÓÌÓÏ, ˜ËÚ‡fl ÒÎÓ‚‡ ̇ ˝Í‡ÌÂ. ëÎÓ‚‡ ÏÓ„ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‚ÏÂÒÚÂ Ò ÌÓÚ‡ÏË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ Ë ÔÂÚ¸, ˜ËÚ‡fl ÌÓÚ˚ Ë ÒÎÓ‚‡ ̇ ˝Í‡ÌÂ. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó SCORE KARAOKE (CVP-305/303) èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ (CVP-305/303) 1 ì·Â‰ËÚÂÒ¸, ˜ÚÓ Û ‚‡Ò ÂÒÚ¸ Ó·˚˜Ì˚È ‰Ë̇Ï˘ÂÒÍËÈ ÏËÍÓÙÓÌ. 2 èÓ‚ÂÌËÚ ۘÍÛ [INPUT VOLUME] ̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡ ̇ ÏËÌËÏÛÏ. 3 èÓ‰ÒÓ‰ËÌËÚ ÏËÍÓÙÓÌ Í ‡Á˙ÂÏÛ [MIC./LINE IN]. ÇÒ„‰‡ ÛÒڇ̇‚ÎË‚‡ÈÚ INPUT VOLUME ̇ ÏËÌËÏÛÏ, ÍÓ„‰‡ Í ‡Á˙ÂÏÛ MIC/LINE IN ÌË˜Â„Ó Ì ÔÓ‰Íβ˜ÂÌÓ. èÓÒÍÓθÍÛ ‡Á˙ÂÏ [MIC/LINE IN] Ó˜Â̸ ˜Û‚ÒÚ‚ËÚÂÎÂÌ, ÓÌ ÏÓÊÂÚ Û·‚ÎË‚‡Ú¸ Á‚ÛÍË Ë ÒÓÁ‰‡‚‡Ú¸ ¯ÛÏ, ÍÓ„‰‡ Í ÌÂÏÛ ÌË˜Â„Ó Ì ÔÓ‰Íβ˜ÂÌÓ. INPUT VOLUME MIN MIC. LINE IN MIC. LINE PHONES MAX 2, 5 34 4 ìÒÚ‡ÌÓ‚ËÚ ÔÂÂÍβ˜‡ÚÂθ [MIC. LINE] ‚ ÔÓÎÓÊÂÌË MIC. 5 (ÖÒÎË ÏËÍÓÙÓÌ Ò̇·ÊÂÌ ËÒÚÓ˜ÌËÍÓÏ ÔËÚ‡ÌËfl, Ò̇˜‡Î‡ ‚Íβ˜ËÚ ÔËÚ‡ÌËÂ.) ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ „ÛÎflÚÓÓÏ [INPUT VOLUME] ‚Ó ‚ÂÏfl ÔÂÌËfl ‚ ÏËÍÓÙÓÌ. éÚ„ÛÎËÛÈÚ ÛÓ‚Â̸ Ò˄̇·, ÔÓ‚Âflfl Ë̉Ë͇ÚÓ˚ SIGNAL Ë OVER. à̉Ë͇ÚÓ SIGNAL Á‡„Ó‡ÂÚÒfl ÔË ÔÓÒÚÛÔÎÂÌËË Á‚ÛÍÓ‚Ó„Ó Ò˄̇·. èÓÒÚ‡‚¸Ú „ÛÎflÚÓ INPUT VOLUME ‚ Ú‡ÍÓ ÔÓÎÓÊÂÌËÂ, ˜ÚÓ·˚ ˝ÚÓÚ Ë̉Ë͇ÚÓ „ÓÂÎ. à̉Ë͇ÚÓ OVER Á‡„Ó‡ÂÚÒfl, ÂÒÎË ÛÓ‚Â̸ ‚ıÓ‰ÌÓ„Ó Ò˄̇· ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ. èÓÒÚ‡‚¸Ú „ÛÎflÚÓ INPUT VOLUME ‚ Ú‡ÍÓ ÔÓÎÓÊÂÌËÂ, ˜ÚÓ·˚ ˝ÚÓÚ Ë̉Ë͇ÚÓ Ì „ÓÂÎ. éÚÍβ˜ÂÌË ÏËÍÓÙÓ̇ 1 èÓ‚ÂÌËÚ ۘÍÛ [INPUT VOLUME] ̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡ ̇ ÏËÌËÏÛÏ. 2 éÚÒÓ‰ËÌËÚ ÏËÍÓÙÓÌ ÓÚ ‡Á˙Âχ [MIC./LINE IN]. èÓ‚ÂÌËÚ ۘÍÛ [INPUT VOLUME] ̇ ÏËÌËÏÛÏ, ÔÂʉ ˜ÂÏ ÓÚÍβ˜‡Ú¸ ÔËÚ‡ÌËÂ. 52 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÂÌËÂ Ò ˝Í‡ÌÓÏ Lyrics èÓÔÓ·ÛÈÚ ÒÔÂÚ¸ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ÒÓ‰Âʇ˘ÂÈ ÚÂÍÒÚ. Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [KARAOKE], ˜ÚÓ·˚ ‚˚‚ÂÒÚË Â ÚÂÍÒÚ Ì‡ ˝Í‡Ì. 3 óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 1 ëÔÓÈÚ ÔÂÒÌ˛, „Îfl‰fl ̇ ˝Í‡Ì Ò Â ÚÂÍÒÚÓÏ. ñ‚ÂÚ ÒÚÓÍ ÚÂÍÒÚ‡ ÏÂÌflÂÚÒfl ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. 4 ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. Ç˚‚Ó‰ ÚÂÍÒÚ‡ ÔÂÒÂÌ Ì‡ ‚̯ÌËÈ ÚÂÎÂÏÓÌËÚÓ (CVP-305) íÂÍÒÚ ÔÂÒÌË, ÓÚÓ·‡Ê‡ÂÏ˚È Ì‡ ˝Í‡ÌÂ, Ú‡ÍÊ ÏÓÊÌÓ ‚˚‚ÂÒÚË ˜ÂÂÁ ÔÓÚ [VIDEO OUT]. 1 ë ÔÓÏÓ˘¸˛ ÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl ÒÓ‰ËÌËÚ ‚˚ıÓ‰ [VIDEO OUT] ËÌÒÚÛÏÂÌÚ‡ Ò ‡Á˙ÂÏÓÏ VIDEO INPUT ÚÂÎÂÏÓÌËÚÓ‡. 2 ÖÒÎË ÌÛÊÌÓ, ̇ÒÚÓÈÚ ÚÂÎÂ/‚ˉÂÓÒ˄̇Π(NTSC ËÎË PAL) ‰Îfl ‚ˉÂÓÓ·ÓÛ‰Ó‚‡ÌËfl. L L+R 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [G] VIDEO OUT 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [1π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ò˄̇Π‰Îfl ‚̯ÌÂ„Ó ÚÂÎÂ/‚ˉÂÓÏÓÌËÚÓ‡. VIDEO OUT R AUX IN • ÖÒÎË Ì‚ÓÁÏÓÊÌÓ ÔÓ˜ËÚ‡Ú¸ ÚÂÍÒÚ ÔÂÒÌË ÖÒÎË ÒÎÓ‚‡ ËÒ͇ÊÂÌ˚ ËÎË Ëı Ì‚ÓÁÏÓÊÌÓ ÔÓ˜ËÚ‡Ú¸, ÏÓÊÂÚ ÔÓÚ·ӂ‡Ú¸Òfl ÒÏÂ̇ ̇ÒÚÓÈÍË flÁ˚͇ ‰Îfl ÚÂÍÒÚ‡ ÔÂÒÌË Ì‡ International (åÂʉÛ̇ӉÌ˚È) ËÎË Japanese (üÔÓÌÒÍËÈ) ̇ ˝Í‡Ì ̇ÒÚÓÂÍ ÔÂÒÌË ([FUNCTION] → [B] SONG SETTING). ùÚÓÚ Ô‡‡ÏÂÚ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ ‰‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 152). • àÁÏÂÌÂÌË ÙÓ̇ ‰Îfl ÓÚÓ·‡ÊÂÌËfl ÚÂÍÒÚ‡ ÔÂÒÂÌ (CVP-305) îÓÌÓ‚Ó ËÁÓ·‡ÊÂÌË ‰Îfl ‚˚‚Ó‰‡ ÚÂÍÒÚ‡ ÔÂÒÂÌ ÏÓÊÌÓ ÏÂÌflÚ¸. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [7 π†]/[8π†] (BACKGROUND) ̇ ˝Í‡Ì ÚÂÍÒÚ‡ ÔÂÒÂÌ ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ͇ÚËÌÍË ‰Îfl ÚÂÍÒÚ‡ ÔÂÒÌË Ë ‚˚·ÂËÚ هÈÎ Ò ÌÛÊÌÓÈ Í‡ÚËÌÍÓÈ. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. • àÁÏÂÌÂÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ Ç˚ ÏÓÊÂÚ ËÁÏÂÌflÚ¸ ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲ (ÒÚ. 156). ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ͇‡ÓÍ ê„ÛÎËӂ͇ ÚÂÏÔ‡ ➤ ÒÚ. 30 í‡ÌÒÔÓÌËÓ‚‡ÌË ➤ ëÏ. ÌËÊÂ. ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ „ÓÎÓÒ (CVP-305/303) ➤ ÒÚ. 54 ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÁËÛ˛˘Â„Ó ‚Ó͇· Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl (CVP-305/303) ➤ ÒÚ. 54 èÂÌË ‚ ÌÛÊÌÓÈ ÚÓ̇θÌÓÒÚË (Vocal CueTIME) (CVP-305/303) ➤ ÒÚ. 131 í‡ÌÒÔÓÌËÓ‚‡ÌË åÓÊÂÚ ÔËÏÂÌflÚ¸Òfl ‰Îfl ËÁÏÂÌÂÌËfl ÚÓ̇θÌÓÒÚË ÔÂÒÌË, ÂÒÎË Ó̇ ÒÎ˯ÍÓÏ ‚˚ÒÓ͇fl ËÎË ÌËÁ͇fl. • àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ‚‚Âı ..................... ç‡ÊÏËÚ ÍÌÓÔÍÛ TRANSPOSE [+]. • àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË ‚ÌËÁ ....................... ç‡ÊÏËÚ ÍÌÓÔÍÛ TRANSPOSE [–]. • ë·ÓÒ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl .............................. ç‡ÊÏËÚ ÍÌÓÔÍË TRANSPOSE [+][–] Ó‰ÌÓ‚ÂÏÂÌÌÓ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 53 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ „ÓÎÓÒ (CVP-305/303) ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÁÏÓÊÌÓ Ì‡ÎÓÊÂÌË ‡Á΢Ì˚ı ˝ÙÙÂÍÚÓ‚ ̇ „ÓÎÓÒ. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ̇ÒÚÓÂÍ ÏËÍÓÙÓ̇ (Mic Setting). 2 óÚÓ·˚ ‚Íβ˜ËÚ¸ ˝ÙÙÂÍÚ, ̇ÊÏËÚ ÍÌÓÔÍË [4π†]/[5π†]. Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ íËÔ ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ‚˚·‡Ú¸ ̇ ÏËͯÂÌÓÏ ÔÛθÚ (ÒÚ. 84). ÑÓ·‡‚ÎÂÌË „‡ÏÓÌËÁËÛ˛˘Â„Ó ‚Ó͇· Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl (CVP-305/303) åÓÊÌÓ ‡‚ÚÓχÚ˘ÂÒÍË Ì‡Í·‰˚‚‡Ú¸ ̇ „ÓÎÓÒ ‡Á΢Ì˚ „‡ÏÓÌËÁËÛ˛˘Ë ‚Ó͇θÌ˚ ԇÚËË. 1 Ç˚·ÂËÚ ÔÂÒÌ˛, ÒÓ‰Âʇ˘Û˛ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı (ÒÚ. 34). ÖÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ Ú‡ÍË ‰‡ÌÌ˚Â, ̇Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓ‰‡ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡Ì MAIN ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ ÔÓ‚ÂËÚ¸, ÒÓ‰ÂÊËÚ ÔÂÒÌfl ‡ÍÍÓ‰˚ ËÎË ÌÂÚ. 2 ç‡ÊÏËÚ [MIC SETTING/VOCAL HARMONY], ‰Îfl ‚˚ÁÓ‚‡ ̇ÒÚÓÂÍ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (Vocal Harmony). 4 2 3 54 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 3 óÚÓ·˚ ‚Íβ˜ËÚ¸ „‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (Vocal Harmony), ̇ÊÏËÚ ÍÌÓÔÍË [6π†]/[7π†]. 4 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ „‡ÏÓÌËÁ‡ˆËË (Vocal Harmony), ̇ÊÏËÚ ÍÌÓÔÍÛ [H]. 5 óÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÚËÔ‡ı „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÒÓ‰ÂʇÚÒfl ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. 7 ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG Ë ÔÓÈÚ ‚ ÏËÍÓÙÓÌ. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 6 Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰Â, ̇ ‚‡¯ „ÓÎÓÒ Ì‡Í·‰˚‚‡ÂÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ „‡ÏÓÌËÁËÛ˛˘ËÈ ˝ÙÙÂÍÚ. ê„ÛÎËӂ͇ „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ Ë ÔÂÒÌË åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÔÂÒÌË Ë ÏËÍÓÙÓ̇. 1 2 3 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË (Volume Balance), ̇ÊÏËÚ ÍÌÓÔÍÛ [BALANCE]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÏËÍÓÙÓ̇ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [4π†]. ÑÎfl „ÛÎËÓ‚ÍË „ÓÏÍÓÒÚË ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [1π†]. óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ÔÂÌËfl Ò ‚‡¯ËÏ ÒÓ·ÒÚ‚ÂÌÌ˚Ï ÒÓÔÓ‚ÓʉÂÌËÂÏ àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË (Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ) ➤ ëÏ. ÌËÊÂ. Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ Ë ÚÂÍÒÚ‡ ÔÂÒÌË Ì‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ (CVP-305) ➤ ÒÚ. 56 é·‡˘ÂÌËÂ Í ÔÛ·ÎËÍ ÏÂÊ‰Û ÔÂÒÌflÏË (CVP-305/303) ➤ ÒÚ. 56 ëËÌıÓÌËÁ‡ˆËfl ËÒÔÓÎÌÂÌËfl Ò „ÓÎÓÒÓÏ (Karao-Key) ➤ ÒÚ. 131 àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË (Ú‡ÌÒÔÓÌËÓ‚‡ÌËÂ) àÒÔÓÎÌÂÌË ÔÂÒÌË Ë Ë„Û Ì‡ Í·‚ˇÚÛ ÏÓÊÌÓ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ‚ ÓÔ‰ÂÎÂÌÌÛ˛ ÚÓ̇θÌÓÒÚ¸. ç‡ÔËÏÂ, ÔÂÒÌfl Á‡ÔË҇̇ ‚ ÚÓ̇θÌÓÒÚË F (Ù‡), ÌÓ ‚‡Ï Û‰Ó·Ì ÔÂÚ¸ ‚ ÚÓ̇θÌÓÒÚË D (Â), ‡ Ë„‡Ú¸ ‚˚ ÔË‚˚ÍÎË Ë„‡Ú¸ ‚ ÚÓ̇θÌÓÒÚË C (‰Ó). óÚÓ·˚ ÔË‚ÂÒÚË ÚÓ̇θÌÓÒÚË ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËÂ, ÛÒÚ‡ÌÓ‚ËÚ Master Transpose (Ó·˘Â ڇÌÒÔÓÌËÓ‚‡ÌËÂ) ̇ 0, Keyboard Transpose (Ú‡ÌÒÔÓÌËÓ‚‡ÌË Í·‚ˇÚÛ˚) ̇ 2, ‡ Song Transpose (Ú‡ÌÒÔÓÌËÓ‚‡ÌË ÔÂÒÌË) ̇ -3. è‡ÚËfl, ËÒÔÓÎÌflÂχfl ̇ Í·‚ˇÚÛÂ, ·Û‰ÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ì‡ ‚‚Âı, ‡ ‰‡ÌÌ˚ ÔÂÒÌË — ‚ÌËÁ, ‚ ÚÓ̇θÌÓÒÚ¸, Û‰Ó·ÌÛ˛ ‰Îfl ÔÂÌËfl. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [D] CONTROLLER → TAB [®] KEYBOARD/PANEL → [B] TRANSPOSE ASSIGN êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 55 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†] ‚˚·ÂËÚ ÌÛÊÌ˚È ÚËÔ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl. ÑÓÒÚÛÔÌ˚ ÒÎÂ‰Û˛˘Ë ÚËÔ˚. Ç˚·ÂËÚ ̇˷ÓΠÔÓ‰ıÓ‰fl˘ËÈ. ●KEYBOARD (ä·‚ˇÚÛ‡) í‡ÌÒÔÓÌËÛÂÚ ÚÂÏ·˚ Í·‚ˇÚÛ˚ Ë ÒÚËÎË (‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ˜ÚÓ ‚˚ Ë„‡ÂÚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚). ●SONG (èÂÒÌfl) í‡ÌÒÔÓÌËÛÂÚ ÚÓ̇θÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. ●MASTER (é·˘‡fl Ú‡ÌÒÔÓÁˈËfl) ç‡ÒÚÓÈ͇ Ó·˘ÂÈ ‚˚ÒÓÚ˚ CVP. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó 3 ÑÎfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ TRANSPOSE [–]/[+]. á̇˜ÂÌË ÏÓÊÌÓ ÛÒڇ̇‚ÎË‚‡Ú¸ ¯‡„‡ÏË ÔÓ ÔÓÎÚÓ̇. ÑÎfl Ò·ÓÒ‡ Á̇˜ÂÌËfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ̇ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [+][–]. 4 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ Ë ÚÂÍÒÚ‡ ÔÂÒÌË Ì‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ (CVP-305) ùÚ‡ ۉӷ̇fl ‰Îfl ‚Ó͇· ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚˚‚Ó‰ËÚ¸ ÌÓÚ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ (‰Îfl ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl), ‡ ÒÎÓ‚‡ ÔÂÒÌË Ì‡ ÓÚ‰ÂθÌ˚È ÚÂÎÂ˝Í‡Ì (ÒÚ. 53), ˜ÚÓ·˚ ‰Û„Ë ÏÓ„ÎË ÔÂÚ¸. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [G] VIDEO OUT 2 ÑÎfl ‚˚·Ó‡ ÚÂÍÒÚ‡ ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [3π]/[4π]. é·‡˘ÂÌËÂ Í ÔÛ·ÎËÍ ÏÂÊ‰Û ÔÂÒÌflÏË (CVP-305/303) ùÚÓ Ë‰Â‡Î¸Ì‡fl ÙÛÌ͈Ëfl ‰Îfl Ó·‡˘ÂÌËfl Í ÔÛ·ÎËÍ ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÔÂÒÌflÏË. é·˚˜ÌÓ ‚Ó ‚ÂÏfl ÔÂÌËfl Í Ì‡ÒÚÓÈÍ ÏËÍÓÙÓ̇ ÔËÏÂÌfl˛ÚÒfl ÌÂÍÓÚÓ˚ ˝ÙÙÂÍÚ˚. çÓ ÂÒÎË ËÒÔÓÎÌËÚÂθ Ó·‡˘‡ÂÚÒfl Í ÔÛ·ÎËÍÂ, ˝ÚË ˝ÙÙÂÍÚ˚ ÏÓ„ÛÚ ËÒ͇ʇڸ „ÓÎÓÒ ËÎË ‰Â·ڸ Â„Ó ÌÂÂÒÚÂÒÚ‚ÂÌÌ˚Ï. ÖÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl TALK, ˝ÙÙÂÍÚ˚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Íβ˜‡˛ÚÒfl. 1 èÂʉ ˜ÂÏ ÔËÒÚÛÔËÚ¸ Í ËÒÔÓÎÌÂÌ˲, ̇ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MIC SETTING/VOCAL HARMONY (ç‡ÒÚÓÈÍË ÏËÍÓÙÓ̇/ɇÏÓÌËÁ‡ˆËfl ‚Ó͇·). 1 2 2 ÑÎfl ‚Íβ˜ÂÌËfl ˝ÚÓÈ ÙÛÌ͈ËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [2π]/[3π] (TALK). 臇ÏÂÚ˚ „ÓÎÓÒ‡ Ú‡ÍÊ ÏÓÊÌÓ Â„ÛÎËÓ‚‡Ú¸, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚Ó ‚ÂÏfl Ó·‡˘ÂÌËfl Í ÔÛ·ÎËÍ ‰Ó·‡‚ÎflÚ¸ Í „ÓÎÓÒÛ ÌÛÊÌ˚ ˝ÙÙÂÍÚ˚ (ÒÚ. 164). 56 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË àÒÔÓθÁÓ‚‡ÌË ÓÒÌÓ‚Ì˚ı ÙÛÌ͈ËÈ (ëÔ‡‚͇) ëÔ‡‚͇ Á̇ÍÓÏËÚ Ò ÌÂÍÓÚÓ˚ÏË ÓÒÌÓ‚Ì˚ÏË ÙÛÌ͈ËflÏË ËÌÒÚÛÏÂÌÚ‡. èÓÔÓ·ÛÈÚÂ Í‡Ê‰Û˛ ËÁ ÌËı, ÒΉÛfl Û͇Á‡ÌËflÏ Ì‡ ˝Í‡Ì Help (ëÔ‡‚͇). 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Help, ̇ÊÏËÚ ÍÌÓÔÍÛ [HELP] (ëÔ‡‚͇). Ç˚·‡ÌÌ˚È Á‰ÂÒ¸ flÁ˚Í Ú‡ÍÊ ËÒÔÓθÁÛÂÚÒfl ‚ ÚÂÍÒÚ ‡Á΢Ì˚ı ÒÓÓ·˘ÂÌËÈ, ÍÓÚÓ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì ‚Ó ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ. éÒÌÓ‚Ìû ÓÔÂp‡ˆËË 1 5 3 2 3 4 5 2 4 èË ÌÂÓ·ıÓ‰ËÏÓÒÚË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†] ‚˚·ÂËÚ flÁ˚Í. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†] – [5π†] ‚˚·ÂËÚ ӉÌÛ ËÁ ÙÛÌ͈ËÈ. ÑÎfl ÔÓ‰Ú‚ÂʉÂÌËfl ‚˚·Ó‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [8π†]. èÓfl‚ËÚÒfl ˝Í‡Ì Ò ÓÔËÒ‡ÌËÂÏ ‚˚·‡ÌÌÓÈ ÙÛÌ͈ËË. èÂÂÎËÒÚ˚‚‡Ú¸ ÒÚ‡Ìˈ˚ (ÂÒÎË Ëı ÌÂÒÍÓθÍÓ) ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®] (ÔÓfl‚Îfl˛ÚÒfl ‚Í·‰ÍË «P1», «P2» Ë Ú. ‰.). óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ëÓÓ·˘ÂÌËfl, ÍÓÚÓ˚ ‚˚‚Ó‰flÚÒfl ̇ ˝Í‡Ì àÌÓ„‰‡ ‰Îfl ӷ΄˜ÂÌËfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËË Ì‡ ˝Í‡Ì ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌË (ËÌÙÓχˆËfl ËÎË ‚ÓÔÓÒ). èË ÔÓfl‚ÎÂÌËË ÒÓÓ·˘ÂÌËfl ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ. Ç˚·Ó flÁ˚͇ ÒÓÓ·˘ÂÌËÈ üÁ˚Í ÒÓÓ·˘ÂÌËÈ ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Ò‡ÏË Ì‡ ˝Í‡Ì Help (ÒÏ. ‚˚¯Â). Ç ˝ÚÓÏ ÔËÏ ÌÛÊÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [F] (YES), ˜ÚÓ·˚ ̇˜‡Ú¸ ÙÓχÚËÓ‚‡ÌË Ô·Ú˚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 57 Å˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ — ÙÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ Å˚ÒÚ˚È ‚˚·Ó ˝Í‡Ì‡ — ÙÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ îÛÌ͈Ëfl ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡ ÔÓÁ‚ÓÎflÂÚ Ï„ÌÓ‚ÂÌÌÓ ‚˚Á‚‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì ̇ʇÚËÂÏ ‚ÒÂ„Ó Ó‰ÌÓÈ ‰ÓÔÓÎÌËÚÂθÌÓÈ ÍÌÓÔÍË. 1 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS] (èflÏÓÈ ‰ÓÒÚÛÔ). ç‡ ˝Í‡Ì ÔÓfl‚ËÚÒfl ÒÓÓ·˘ÂÌËÂ Ò Ô‰ÎÓÊÂÌËÂÏ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÌÛÊÌÓÏÛ ˝Í‡ÌÛ Ì‡ÒÚÓÂÍ, — Ë Ò‡ÁÛ ÔÓfl‚ËÚÒfl ˝ÚÓÚ ˝Í‡Ì. ëÔËÒÓÍ ˝Í‡ÌÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ÔflÏÓ„Ó ‰ÓÒÚÛÔ‡, ÒÓ‰ÂÊËÚÒfl ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ Data List. èËÏ ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÙÛÌ͈ËË Guide ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [GUIDE]. 1 2 ÇÓÁ‚‡Ú ˝Í‡ÌÛ MAIN (É·‚Ì˚È) ì‰Ó·Ì˚È ÒÔÓÒÓ· ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN Ò Î˛·Ó„Ó ‰Û„Ó„Ó ˝Í‡Ì‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. 58 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÓÒÌÓ‚Ì˚ı ÚËÔ‡ ˝Í‡Ì‡ – Main (É·‚Ì˚È) Ë Selection (Ç˚·Ó). Ç ˝ÚÓÏ ‡Á‰ÂΠÓÔËÒ˚‚‡ÂÚÒfl ͇ʉ˚È Ò„ÏÂÌÚ ˝Í‡Ì‡ Ë Â„Ó ÓÒÌӂ̇fl ÓÔ‡ˆËfl. ùÍ‡Ì Main ç‡ ˝Í‡Ì Main ÔÓ͇Á‡Ì˚ ÓÒÌÓ‚Ì˚ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË ËÌÒÚÛÏÂÌÚ‡, ̇ÔËÏ ÚÂÏ· Ë ÒÚËθ, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Î„ÍÓ Ëı ۂˉÂÚ¸. ùÍ‡Ì Main – ˝ÚÓ ˝Í‡Ì, ÍÓÚÓ˚È ‚˚ Ó·˚˜ÌÓ ‚ˉËÚ ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛÂ. CVP-305/303 7 8 CVP-301 7 ) 8 ) 1 1 2 3 3 4 9 éÒÌÓ‚Ìû ÓÔÂp‡ˆËË 9 ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ MAIN ì‰Ó·Ì˚È ÒÔÓÒÓ· ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ MAIN Ò Î˛·Ó„Ó ‰Û„Ó„Ó ˝Í‡Ì‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT]. 5 4 6 2 5 3 1 ç‡Á‚‡ÌË ÚÂÏ·‡ • RIGHT 1 (ÓÚÓ·‡Ê‡ÂÚÒfl Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡): ç‡Á‚‡ÌË ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó ‰Îfl Ô‡ÚËË RIGHT 1 (ÒÚ. 73). • RIGHT 2 (ÓÚÓ·‡Ê‡ÂÚÒfl Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡): ç‡Á‚‡ÌË ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó ‰Îfl Ô‡ÚËË RIGHT 2 (ÒÚ. 73). • LEFT (ÓÚÓ·‡Ê‡ÂÚÒfl Ò Ô‡‚ÓÈ ÒÚÓÓÌ˚ ˝Í‡Ì‡): ç‡Á‚‡ÌË ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó ‰Îfl Ô‡ÚËË LEFT (ÒÚ. 73). óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ ‰Îfl ͇ʉÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A], [B] Ë [F]–[I] (ÒÚ. 31). 2 ç‡Á‚‡ÌË ÔÂÒÌË Ë ‰ÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÌÂÈ á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl ̇Á‚‡ÌË ‚˚·‡ÌÌÓÈ ÔÂÒÌË. ÑÎfl CVP-305/303 Ú‡ÍÊ Û͇Á˚‚‡˛ÚÒfl Ú‡ÍÚÓ‚˚È ‡ÁÏÂ Ë ÚÂÏÔ. ÖÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı, ÚÂÍÛ˘Â ̇Á‚‡ÌË ‡ÍÍÓ‰‡ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‚ Ò„ÏÂÌÚ «CHORD» (ÄÍÍÓ‰) (ÒÏ. Ò„ÏÂÌÚ 3 ÌËÊÂ). óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] (‰Îfl CVP-305/303) (ÒÚ. 34). 3 ç‡Á‚‡ÌË ÒÚËÎfl Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ËÌÙÓχˆËfl; ̇Á‚‡ÌË ÚÂÍÛ˘Â„Ó ‡ÍÍÓ‰‡ Ç˚‚Ó‰ËÚ Ì‡ ˝Í‡Ì ̇Á‚‡ÌË ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-305/303 Ú‡ÍÊ Û͇Á‡Ì˚ ÏÛÁ˚͇θÌ˚È ‡ÁÏÂ Ë ÚÂÏÔ. ÖÒÎË ÍÌÓÔ͇ [ACMP ON/OFF] ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË ON, ÚÓ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‡ÍÍÓ‰, Á‡‰‡ÌÌ˚È ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. óÚÓ·˚ ‚˚Á‚‡Ú¸ ̇ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-305/303 ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [D] (ÒÚ. 45). 4 îÛÌ͈Ëfl àÌÚÂÌÂÚ óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ÔflÏÓ„Ó ÔÓ‰Íβ˜ÂÌËfl Í àÌÚÂÌÂÚÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [E] (ÒÚ. 166). 5 ç‡Á‚‡ÌË ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl ̇Á‚‡ÌË ‚˚·‡ÌÌÓ„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ̇ÊÏËÚ ÍÌÓÔÍÛ [J] (ÒÚ. 122). 6 ÉÓÏÍÓÒÚ¸ á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl „ÓÏÍÓÒÚ¸ ‡ÁÌ˚ı Ô‡ÚËÈ. (ç‡ÊÏËÚ ÍÌÓÔÍÛ [BALANCE], ˜ÚÓ·˚ ÓÚÍ˚Ú¸ ˝Í‡Ì ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË (‰Îfl CVP-301).) ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË ‡ÁÌ˚ı Ô‡ÚËÈ ÔÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]–[8π†]. 7 í‡ÌÒÔÓÌËÓ‚‡ÌË á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl ‚Â΢Ë̇ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ ÔÓÎÛÚÓ̇ı (ÒÚ. 53). 8 íÂÏÔ á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl ÚÂÍÛ˘ËÈ ÚÂÏÔ ÔÂÒÌË ËÎË ÒÚËÎfl. ç‡ ˆËÙÓ‚ÓÏ ÔˇÌËÌÓ CVP-301 ÏÛÁ˚͇θÌ˚È ‡ÁÏ ڇÍÊ ‚˚‚Ó‰ËÚÒfl ̇ ˝Í‡Ì. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 59 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) 9 í‡ÍÚ (ÚÂÍÛ˘‡fl ÔÓÁˈËfl ÔÂÒÌË ËÎË ÒÚËÎfl) á‰ÂÒ¸ ÔÓ͇Á˚‚‡ÂÚÒfl ÚÂÍÛ˘‡fl ÔÓÁˈËfl ÔÂÒÌË ËÎË ÌÓÏ ڇÍÚ‡ Ë ‰ÓÎË ÓÚ Ì‡˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ) èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ éÚÓ·‡Ê‡ÂÚÒfl, ÍÓ„‰‡ ÙÛÌ͈Ëfl Registration Sequence (èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌ-Ì˚ı Ù‡ÈÎÓ‚) ‚Íβ˜Â̇ (ÒÚ. 124). ùÍ‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ Ë ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË Ì‡ ÌÂÏ ùÍ‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ÔÓfl‚ÎflÂÚÒfl ÔË Ì‡Ê‡ÚËË Ó‰ÌÓÈ ËÁ ÔÓ͇Á‡ÌÌ˚ı ÌËÊ ÍÌÓÔÓÍ. ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ ‚˚·‡Ú¸ ÚÂÏ·, ÒÚËθ Ë ‰Û„Ë ‰‡ÌÌ˚Â. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË äÌÓÔÍË ‚˚·Ó‡ ͇Ú„ÓËË VOICE (íÂÏ·) äÌÓÔ͇ SONG SELECT (Ç˚·Ó ÔÂÒÌË) äÌÓÔ͇ STYLE SELECT (Ç˚·Ó ÒÚËÎfl) äÌÓÔ͇ ‚˚·Ó‡ REGIST. BANK ùÍ‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ • åÂÒÚÓÔÓÎÓÊÂÌË (ÌÓÒËÚÂθ) ‰‡ÌÌ˚ı Preset (ÇÒÚÓÂÌÌ˚Â) User (èÓθÁÓ‚‡ÚÂθÒÍËÂ) åÂÒÚÓ, „‰Â ı‡ÌflÚÒfl Á‡ÔËÒ‡ÌÌ˚ åÂÒÚÓ, „‰Â ı‡ÌflÚÒfl Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ (‚ÒÚÓÂÌÌ˚Â) ‰‡ÌÌ˚Â. ËÎË ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ‰‡ÌÌ˚Â. Card (ç‡ Ô·ÚÂ) åÂÒÚÓ, „‰Â ‰‡ÌÌ˚ ÒÓı‡Ìfl˛ÚÒfl ̇ Ô·ÚÛ SmartMedia. • î‡ÈÎ˚ ‰‡ÌÌ˚ı Ë Ô‡ÔÍË Ñ‡ÌÌ˚Â, Í‡Í Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚Â, Ú‡Í Ë ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ, ÒÓı‡Ìfl˛ÚÒfl ‚ ‚ˉ «Ù‡ÈÎÓ‚». î‡ÈÎ˚ ÏÓÊÌÓ ÒÎÓÊËÚ¸ ‚ Ô‡ÔÍÛ. è‡Ô͇ á̇˜ÓÍ Ô‡ÔÍË 60 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 î‡ÈÎ éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Ì‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ 1 3 3 3 3 2 3 4 éÒÌÓ‚Ìû ÓÔÂp‡ˆËË 1 2 4 Ç˚·ÂËÚ ‚Í·‰ÍÛ, ̇ ÍÓÚÓÓÈ Ì‡ıÓ‰ËÚÒfl ÌÛÊÌ˚È Ù‡ÈÎ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [√]/[®]. Ç˚·ÂËÚ ÒÚ‡ÌˈÛ, ̇ ÍÓÚÓÓÈ Ì‡ıÓ‰ËÚÒfl ÌÛÊÌ˚È Ù‡ÈÎ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π] – [7π] (ÍÌÓÔÓÍ [1π] – [6π] ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡ Ë ÔÂÒÌË). Ç˚·ÂËÚ هÈÎ. ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË. • ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J]. • ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ‚˚·ÂËÚ هÈÎ Ë Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [ENTER], ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT] (Ç˚ıÓ‰). á‡Í˚ÚË ÚÂÍÛ˘ÂÈ Ô‡ÔÍË Ë ‚˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ Ô‡ÔÍË ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl óÚÓ·˚ Á‡Í˚Ú¸ ÚÂÍÛ˘Û˛ Ô‡ÔÍÛ Ë ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Û˛ Ô‡ÔÍÛ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (UP) (Ç‚Âı). èËÏ ˝Í‡Ì‡ ‚˚·Ó‡ ÚÂÏ·Ó‚ ̇ ‚Í·‰Í PRESET (ÇÒÚÓÂÌÌ˚Â) î‡ÈÎ˚ ÚÂÏ·Ó‚ ̇ ‚Í·‰Í PRESET ‡Á‰ÂÎÂÌ˚ ̇ ͇Ú„ÓËË Ë Ì‡ıÓ‰flÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡Ô͇ı. ç‡ ˝ÚÓÏ ˝Í‡Ì ÔÓ͇Á‡Ì˚ Ù‡ÈÎ˚ ÚÂÏ·‡ ‚ Ô‡ÔÍÂ. 8 ëÎÂ‰Û˛˘ËÈ ·ÓΠ‚˚ÒÓÍËÈ ÛÓ‚Â̸ (‚ ‰‡ÌÌÓÏ ÒÎÛ˜‡Â Ô‡Ô͇). ä‡Ê‰‡fl Ô‡Ô͇, ËÁÓ·‡ÊÂÌ̇fl ̇ ˝ÚÓÏ ˝Í‡ÌÂ, ÒÓ‰ÂÊËÚ ÚÂÏ·˚, ‡Á‰ÂÎÂÌÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ Ì‡ ͇Ú„ÓËË. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 61 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) éÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË, ‚˚ÔÓÎÌflÂÏ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ • ëÓı‡ÌÂÌË هÈÎÓ‚......................................................................................................................ÒÚ. 63 • äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ (ÍÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚͇) ...........................................................ÒÚ. 64 • èÂÂÏ¢ÂÌË هÈÎÓ‚ (‚˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚͇) ...........................................................................ÒÚ. 65 • 쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ............................................................................................................ÒÚ. 65 • èÂÂËÏÂÌÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ...............................................................................................ÒÚ. 66 • Ç˚·Ó Á̇˜ÍÓ‚ ‰Îfl Ù‡ÈÎÓ‚ (‚˚‚Ó‰flÚÒfl Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·).............................................ÒÚ. 66 • ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Ô‡ÔÍË ..................................................................................................................ÒÚ. 67 • Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚...............................................................................................................................ÒÚ. 67 éÒÌÓ‚Ì˚ ÓÔ‡ˆËË îÓχÚËÓ‚‡ÌË ‰ËÒÍÂÚ˚ óÚÓ·˚ ÓÚÙÓχÚËÓ‚‡Ú¸ ‰ËÒÍÂÚÛ, ÔË ‚˚ÔÓÎÌÂÌËË ¯‡„‡ 3, ÓÔËÒ‡ÌÌÓ„Ó ÒÔ‡‚‡, ‚˚·ÂËÚ «USB». ÇçàåÄçàÖ ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚÂ, Í‡Í ÌÛÊÌÓ Ó·‡˘‡Ú¸Òfl Ò ‰ËÒÍÓ‚Ó‰ÓÏ Ë ‰ËÒÍÂÚ‡ÏË (ÒÚ. 21). îÓχÚËÓ‚‡ÌË Ô·Ú˚ SmartMedia çÓ‚‡fl Ô·ڇ SmartMedia ËÎË Ô·ڇ, ÍÓÚÓ‡fl ‡Ì¸¯Â ËÒÔÓθÁÓ‚‡Î‡Ò¸ ‚ ‰Û„ÓÏ ÛÒÚÓÈÒÚ‚Â, ÏÓÊÂÚ ·˚Ú¸ ÌÂÔ˄Ӊ̇ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ CVP ·ÂÁ Ôӂ‰ÂÌËfl ‰ÓÔÓÎÌËÚÂθÌ˚ı ÓÔ‡ˆËÈ. ÖÒÎË Í Ô·Ú SmartMedia, ‚ÒÚ‡‚ÎÂÌÌÓÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ‡Á˙ÂÏ ËÌÒÚÛÏÂÌÚ‡, ÌÂÚ ‰ÓÒÚÛÔ‡,  ÌÂÓ·ıÓ‰ËÏÓ ÓÚÙÓχÚËÓ‚‡Ú¸. ÇçàåÄçàÖ • èË ÙÓχÚËÓ‚‡ÌËË Ô·Ú˚ SmartMedia Ò Ì ÔÓÎÌÓÒÚ¸˛ Û‰‡Îfl˛ÚÒfl ‚Ò ‰‡ÌÌ˚Â. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ Ô·Ú SmartMedia, ÍÓÚÓÛ˛ ‚˚ ÙÓχÚËÛÂÚÂ, ÌÂÚ ‚‡ÊÌ˚ı ‰‡ÌÌ˚ı! • ÇÌËχÚÂθÌÓ ÔÓ˜ËÚ‡ÈÚÂ, Í‡Í ÌÛÊÌÓ Ó·‡˘‡Ú¸Òfl Ò ‡Á˙ÂÏÓÏ Ë Ô·ÚÓÈ SmartMedia (ÒÚ. 22). • è·Ú˚ SmartMedia, ÓÚÙÓχÚËÓ‚‡ÌÌ˚ ̇ ˝ÚÓÏ ÒËÌÚÂÁ‡ÚÓÂ, ÏÓ„ÛÚ ÒÚ‡Ú¸ ÌÂÔË„Ó‰Ì˚ÏË ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı. 1 ÇÒÚ‡‚¸Ú ‚ ‡Á˙ÂÏ Ô·ÚÛ SmartMedia, ÍÓÚÓÛ˛ ÌÛÊÌÓ ÓÚÙÓχÚËÓ‚‡Ú¸. 2 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√]/[®] MEDIA 3 óÚÓ·˚ ‚˚·‡Ú¸ «CARD», ̇ÊÏËÚ ÍÌÓÔÍÛ [A]. 4 óÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÙÓχÚËÓ‚‡ÌË Ô·Ú˚, ̇ÊÏËÚ ÍÌÓÔÍÛ [H]. 4 62 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) ëÓı‡ÌÂÌË هÈÎÓ‚ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ ‚ Ù‡ÈÎ ÔÓθÁÓ‚‡ÚÂθÒÍË ‰‡ÌÌ˚ (̇ÔËÏÂ, ÒÓÁ‰‡ÌÌ˚ ÔÂÒÌË Ë ÚÂÏ·˚). 1 èÓÒΠÚÓ„Ó Í‡Í Ì‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ˝Í‡Ì SONG CREATOR ËÎË SOUND CREATOR ‚˚ ÒÓÁ‰‡ÎË ÔÂÒÌ˛ ËÎË ÚÂÏ·, ̇ÊÏËÚ ÍÌÓÔÍÛ [SAVE] (ëÓı‡ÌËÚ¸). èÓfl‚ËÚÒfl ˝Í‡Ì ‚˚·Ó‡ هȷ ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‰‡ÌÌ˚ı. èÓÏÌËÚÂ, ˜ÚÓ ÒÓı‡ÌÂÌË ‚˚ÔÓÎÌflÂÚÒfl Ò ˝Í‡Ì‡ ‚˚·Ó‡ Ù‡ÈÎÓ‚. é·˙ÂÏ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË (ÇÍ·‰Í‡ User) é·˙ÂÏ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ËÌÒÚÛÏÂÌÚ‡ ÒÓÒÚ‡‚ÎflÂÚ ÔËÏÂÌÓ 1.5 åÅ (CVP-305/303)/650 äÅ (CVP301). ùÚÓÚ Ó·˙ÂÏ ‡ÒÔ‰ÂÎflÂÚÒfl ̇ ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚, ‚Íβ˜‡fl íÂÏ·, ëÚËθ, èÂÒÌ˛ Ë Ù‡ÈÎ˚ „ËÒÚ‡ˆËË ‰‡ÌÌ˚ı. éÒÌÓ‚Ìû ÓÔÂp‡ˆËË 2 3 4 5 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ (USER, CARD Ë Ú. ‰.), ̇ ÍÓÚÓÛ˛ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. ç‡ÊÏËÚ ÍÌÓÔÍÛ [6†] (SAVE), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‰Îfl ÔËÒ‚ÓÂÌËfl ËÏÂÌË Ù‡ÈÎÛ. ǂ‰ËÚ ËÏfl هȷ (ÒÚ. 67). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Ù‡ÈÎ. ÖÒÎË ıÓÚËÚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ëÓı‡ÌÂÌÌ˚È Ù‡ÈÎ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÌËχÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÏÂÒÚÓ ÒÂ‰Ë ‰Û„Ëı Ù‡ÈÎÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 63 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) éÒÌÓ‚Ì˚ ÓÔ‡ˆËË é„‡Ì˘ÂÌËfl ‰Îfl Á‡˘Ë˘ÂÌÌ˚ı ÔÂÒÂÌ àϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê ÔÂÒÌË ÏÓ„ÛÚ ·˚Ú¸ Á‡˘Ë˘ÂÌ˚, ˜ÚÓ·˚ ËÁ·Âʇڸ ÌÂÁ‡ÍÓÌÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl ËÎË ÒÎÛ˜‡ÈÌÓ„Ó ÒÚˇÌËfl. éÌË ÓÚϘÂÌ˚ Á̇˜Í‡ÏË, ÍÓÚÓ˚ ‡ÒÔÓ·„‡˛ÚÒfl ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ËÏÂÌË Ù‡È·. ê‡Ò¯ËÙӂ͇ Ó·ÓÁ̇˜ÂÌËÈ Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ó„‡Ì˘ÂÌËÈ ÔË‚Ó‰ËÚÒfl ÌËÊÂ. Prot. 1 ÇÒÚÓÂÌÌ˚ ÔÂÒÌË, ÒÓı‡ÌÂÌÌ˚ ̇ ‚Í·‰Í User, ÔÂÒÌË ‚ ÙÓχÚ Disk Orchestra Collection (DOC) Ë Disklavier Piano Soft. ùÚË Ù‡ÈÎ˚ Á‡Ô¢‡ÂÚÒfl ÍÓÔËÓ‚‡Ú¸/ÔÂÂÏ¢‡Ú¸/ÒÓı‡ÌflÚ¸ ̇ ‚̯ÌË ÛÒÚÓÈÒÚ‚‡, ̇ÔËÏ Ô·Ú˚ SmartMedia Ë ÊÂÒÚÍËÈ ‰ËÒÍ. Prot. 2 Orig èÂÒÌË, Á‡˘Ë˘ÂÌÌ˚ ÓÚ ÍÓÔËÓ‚‡ÌËfl ÍÓÔÓ‡ˆËÂÈ Yamaha. ùÚË Ù‡ÈÎ˚ Á‡Ô¢ÂÌÓ ÍÓÔËÓ‚‡Ú¸. àı ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸ ËÎË ÒÓı‡ÌflÚ¸ ÚÓθÍÓ Ì‡ ‚Í·‰ÍÛ USER Ë Ô·Ú˚ SmartMedia Ò ID. Prot. 2 Edit éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ÔÂÒÌË «Prot. 2 Orig». ëÓı‡ÌflÈÚ ˝ÚË Ù‡ÈÎ˚ ‚ ÚÛ Ê ԇÔÍÛ, „‰Â ̇ıÓ‰ËÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÔÂÒÌfl «Prot. 2 Orig». ùÚË Ù‡ÈÎ˚ Á‡Ô¢ÂÌÓ ÍÓÔËÓ‚‡Ú¸. àı ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸ ËÎË ÒÓı‡ÌflÚ¸ ÚÓθÍÓ Ì‡ ‚Í·‰ÍÛ USER Ë Ô·Ú˚ SmartMedia Ò ID. èËϘ‡ÌË ‰Îfl ÓÔ‡ˆËÈ Ò Ù‡È·ÏË, ÓÚϘÂÌÌ˚ÏË Á̇˜Í‡ÏË «Prot. 2 Orig» Ë «Prot. 2 Edit» ëÓı‡ÌflÈÚ ÔÂÒÌ˛ «Prot. 2 Edit» ÚÓθÍÓ ‚ ÚÛ Ô‡ÔÍÛ, „‰Â ̇ıÓ‰ËÚÒfl ËÒıӉ̇fl ÔÂÒÌfl «Prot. 2 Orig». Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â ‚ÓÒÔÓËÁ‚ÂÒÚË ÔÂÒÌ˛ «Prot. 2 Edit» Ì ۉ‡ÒÚÒfl. í‡ÍÊ ÔË ÔÂÂÏ¢ÂÌËË ÔÂÒÌË «Prot. 2 Edit» Ó·flÁ‡ÚÂθÌÓ ÔÂÂÏÂÒÚËÚÂ Ë ÂÂ. äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ (ÍÓÔËÓ‚‡ÌËÂ Ë ‚ÒÚ‡‚͇) ùÚ‡ ÓÔ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ Ë ‚ÒÚ‡‚ËÚ¸ Ëı ‚ ‰Û„Ó ÏÂÒÚÓ (Ô‡ÔÍÛ). 1 2 3 Ç˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ̇ıÓ‰ËÚÒfl Ù‡ÈÎ ËÎË Ô‡Ô͇, ÍÓÚÓ˚ ÌÛÊÌÓ ÒÍÓÔËÓ‚‡Ú¸. ç‡ÊÏËÚ ÍÌÓÔÍÛ [3†] (COPY) (äÓÔËÓ‚‡Ú¸), ˜ÚÓ·˚ ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. Ç ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÓÍÌÓ ‰Îfl ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]–[J] ¢ ‡Á. ■ Ç˚·Ó ‚ÒÂı Ù‡ÈÎÓ‚ ËÎË Ô‡ÔÓÍ óÚÓ·˚ ‚˚·‡Ú¸ ‚Ò ԇÔÍË ËÎË Ù‡ÈÎ˚ ̇ ÚÂÍÛ˘ÂÏ ˝Í‡ÌÂ, ‚ ÚÓÏ ˜ËÒΠهÈÎ˚ Ë Ô‡ÔÍË Ì‡ ‰Û„Ëı ÒÚ‡Ìˈ‡ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL OFF) ¢ ‡Á. 4 5 6 64 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (OK), ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó هȷ ËÎË Ô‡ÔÍË. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ÍÓÔËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ (USER, CARD Ë Ú. ‰.), ̇ ÍÓÚÓÛ˛ ·Û‰ÂÚ ‚ÒÚ‡‚ÎflÚ¸Òfl Ù‡ÈÎ ËÎË Ô‡Ô͇. ç‡ÊÏËÚ ÍÌÓÔÍÛ [4†] (PASTE) (ÇÒÚ‡‚ËÚ¸), ˜ÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. ëÍÓÔËÓ‚‡Ì̇fl Ë ‚ÒÚ‡‚ÎÂÌ̇fl Ô‡Ô͇ ËÎË Ù‡ÈÎ ÔÓfl‚ÎflÂÚÒfl ̇ ˝Í‡ÌÂ Ë Á‡ÌËχÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÏÂÒÚÓ ÒÂ‰Ë ‰Û„Ëı Ù‡ÈÎÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) èÂÂÏ¢ÂÌË هÈÎÓ‚ (‚˚ÂÁ‡ÌËÂ Ë ‚ÒÚ‡‚͇) ùÚ‡ ÓÔ‡ˆËfl ÔÓÁ‚ÓÎflÂÚ ‚˚ÂÁ‡Ú¸ Ù‡ÈÎ Ë ‚ÒÚ‡‚ËÚ¸ Â„Ó ‚ ‰Û„Ó ÏÂÒÚÓ (Ô‡ÔÍÛ). 1 2 3 Ç˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ̇ıÓ‰ËÚÒfl Ù‡ÈÎ, ÍÓÚÓ˚È ÌÛÊÌÓ ÔÂÂÏÂÒÚËÚ¸. ç‡ÊÏËÚ ÍÌÓÔÍÛ [2†] (CUT) (Ç˚ÂÁ‡Ú¸), ˜ÚÓ·˚ ‚˚ÂÁ‡Ú¸ Ù‡ÈÎ. Ç ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÓÍÌÓ, Ô‰·„‡˛˘Â ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ Cut (Ç˚ÂÁ‡ÌËÂ). ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]–[J] ¢ ‡Á. éÒÌÓ‚Ìû ÓÔÂp‡ˆËË ■ Ç˚·Ó ‚ÒÂı Ù‡ÈÎÓ‚ óÚÓ·˚ ‚˚·‡Ú¸ ‚Ò هÈÎ˚ ̇ ÚÂÍÛ˘ÂÏ ˝Í‡ÌÂ, ‚ ÚÓÏ ˜ËÒÎÂ Ë Ù‡ÈÎ˚ ̇ ‰Û„Ëı ÒÚ‡Ìˈ‡ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL OFF) ¢ ‡Á. 4 5 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (OK), ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó هȷ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ‚˚ÂÁ‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ (USER, CARD Ë Ú.‰.) ‰Îfl ‚ÒÚ‡‚ÍË Ù‡È·. ç‡ÊÏËÚ ÍÌÓÔÍÛ [4†] (PASTE), ˜ÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ. èÂÂÏ¢ÂÌÌ˚È Ë ‚ÒÚ‡‚ÎÂÌÌ˚È Ù‡ÈÎ ÔÓfl‚ÎflÂÚÒfl ̇ ˝Í‡ÌÂ Ë Á‡ÌËχÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÏÂÒÚÓ ÒÂ‰Ë ‰Û„Ëı Ù‡ÈÎÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. 쉇ÎÂÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ Û‰‡ÎËÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. 1 2 3 Ç˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ̇ıÓ‰ËÚÒfl Ù‡ÈÎ ËÎË Ô‡Ô͇, ÍÓÚÓ˚ ÌÛÊÌÓ Û‰‡ÎËÚ¸. ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†] (DELETE) (쉇ÎËÚ¸). Ç ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÓÍÌÓ, Ô‰·„‡˛˘Â ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ Delete (쉇ÎÂÌËÂ). ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]–[J] ¢ ‡Á. ■ Ç˚·Ó ‚ÒÂı Ù‡ÈÎÓ‚ ËÎË Ô‡ÔÓÍ óÚÓ·˚ ‚˚·‡Ú¸ ‚Ò ԇÔÍË ËÎË Ù‡ÈÎ˚ ̇ ÚÂÍÛ˘ÂÏ ˝Í‡ÌÂ, ‚ ÚÓÏ ˜ËÒΠهÈÎ˚ Ë Ô‡ÔÍË Ì‡ ‰Û„Ëı ÒÚ‡Ìˈ‡ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL OFF) ¢ ‡Á. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 65 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) 4 5 쉇ÎÂÌË ҇ÁÛ ‚ÒÂı ‰‡ÌÌ˚ı Ò Ô·Ú˚ SmartMedia èÓÎÌÓÒÚ¸˛ Û‰‡ÎËÚ¸ ‚Ò ‰‡ÌÌ˚Â Ò Ô·Ú˚ SmartMedia ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÙÓχÚËÓ‚‡ÌËfl (ÒÚ. 62). ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (OK), ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó هȷ ËÎË Ô‡ÔÍË. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Û‰‡ÎÂÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ëΉÛÈÚ ËÌÒÚÛ͈ËflÏ Ì‡ ˝Í‡ÌÂ. YES ............................. 쉇ÎËÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ YES ALL...................... 쉇ÎËÚ¸ ‚Ò ‚˚·‡ÌÌ˚ هÈÎ˚ ËÎË Ô‡ÔÍË NO............................... ç ۉ‡ÎflÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ CANCEL...................... éÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ Û‰‡ÎÂÌËfl èÂÂËÏÂÌÓ‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ ÔÂÂËÏÂÌÓ‚˚‚‡Ú¸ Ù‡ÈÎ˚ ËÎË Ô‡ÔÍË. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË 1 2 3 4 5 Ç˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ̇ıÓ‰ËÚÒfl Ù‡ÈÎ ËÎË Ô‡Ô͇, ÍÓÚÓ˚ ÌÛÊÌÓ ÔÂÂËÏÂÌÓ‚‡Ú¸. ç‡ÊÏËÚ ÍÌÓÔÍÛ [1†] (NAME) (ÔËÒ‚ÓÂÌË ËÏÂÌË). Ç ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÓÍÌÓ, Ô‰·„‡˛˘Â ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ Rename (èÂÂËÏÂÌÓ‚‡ÌËÂ). ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (OK), ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó هȷ ËÎË Ô‡ÔÍË. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ÔÂÂËÏÂÌÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ǂ‰ËÚ ËÏfl (Ò ÔÓÏÓ˘¸˛ ÒËÏ‚ÓÎÓ‚) ‚˚·‡ÌÌÓ„Ó Ù‡È· ËÎË Ô‡ÔÍË (ÒÚ. 68). èÂÂËÏÂÌÓ‚‡Ì̇fl Ô‡Ô͇ (ËÎË Ù‡ÈÎ) ÔÓfl‚ÎflÂÚÒfl ̇ ˝Í‡ÌÂ Ë Á‡ÌËχÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ÏÂÒÚÓ ÒÂ‰Ë ‰Û„Ëı Ù‡ÈÎÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚ı ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. Ç˚·Ó Á̇˜ÍÓ‚ ‰Îfl Ù‡ÈÎÓ‚ (‚˚‚Ó‰flÚÒfl Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·) Ç˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Á̇˜ÍË ‰Îfl Ù‡ÈÎÓ‚ (‚˚‚Ó‰flÚÒfl Ò΂‡ ÓÚ ËÏÂÌË Ù‡È·). 1–4 5 6 7 66 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÑÂÈÒÚ‚Ëfl Ú ÊÂ, ˜ÚÓ Ë ÓÔËÒ‡ÌÌ˚ ‚˚¯Â ‚ ‡Á‰ÂΠ«èÂÂËÏÂÌÓ‚‡ÌË هÈÎÓ‚ ËÎË Ô‡ÔÓÍ». ç‡ÊÏËÚ ÍÌÓÔÍÛ [1†](ICON), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ICON (á̇˜ÓÍ). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A] – [J] ËÎË [3π†]–[5π†] ‚˚·ÂËÚ Á̇˜ÓÍ. ùÍ‡Ì ICON ÒÓÒÚÓËÚ ËÁ ÌÂÒÍÓθÍËı ÒÚ‡Ìˈ. ÑÎfl ÔÂÂıÓ‰‡ ÒÓ ÒÚ‡Ìˈ˚ ̇ ÒÚ‡ÌËˆÛ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ TAB [®]. ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK), ˜ÚÓ·˚ ÔËÏÂÌËÚ¸ ‚˚·‡ÌÌ˚È Á̇˜ÓÍ. éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Ô‡ÔÍË ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÌÓ‚˚ ԇÔÍË. è‡ÔÍË ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸, ÔËÒ‚‡Ë‚‡Ú¸ ËÏ ËÏÂ̇ Ë ÛÔÓfl‰Ó˜Ë‚‡Ú¸ Ëı ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲, ˜ÚÓ·˚ ÛÔÓÒÚËÚ¸ ÔÓˆÂÒÒ ÔÓËÒ͇ Ë ‚˚·Ó‡ ‰‡ÌÌ˚ı. 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (FOLDER) (è‡Ô͇), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ÔËÒ‚ÓÂÌËfl ËÏÂÌË ÌÓ‚ÓÈ Ô‡ÔÍÂ. à‡ı˘ÂÒÍÓ ‰ÂÂ‚Ó Í‡Ú‡ÎÓ„Ó‚ ̇ ‚Í·‰Í USER ç‡ ‚Í·‰Í USER ‚ ˇı˘ÂÒÍÓÏ ‰Â‚ ͇ڇÎÓ„Ó‚ ÏÓÊÂÚ ·˚Ú¸ ‰Ó ˜ÂÚ˚Âı ÛÓ‚ÌÂÈ ‚ÎÓÊÂÌÌÓÒÚË. å‡ÍÒËχθÌÓ ӷ˘Â ˜ËÒÎÓ ÒÓı‡ÌflÂÏ˚ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ÒÓÒÚ‡‚ÎflÂÚ 740 (CVP-305/303)/370 (CVP-301), ÌÓ ÏÓÊÂÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‰ÎËÌ˚ ËÏÂÌ Ù‡ÈÎÓ‚. å‡ÍÒËχθÌÓ ˜ËÒÎÓ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ÍÓÚÓ˚ ÏÓ„ÛÚ ı‡ÌËÚ¸Òfl ‚ Ô‡ÔÍ ̇ ‚Í·‰Í USER — 250. ǂ‰ËÚ ËÏfl ÌÓ‚ÓÈ Ô‡ÔÍË (ÒÏ. ÌËÊÂ). Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ çËÊ ÔË‚Ó‰flÚÒfl ËÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ‚ ËÏÂ̇ Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ, ‡ Ú‡ÍÊ ÔÓ ‚‚Ó‰Û Íβ˜Â‚Ó„Ó ÒÎÓ‚‡ ‰Îfl ÙÛÌ͈ËË Music Finder. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‰ÂÈÒÚ‚ËÈ ÔË ˝ÚÓÏ Ì‡ÔÓÏË̇ÂÚ Ôӈ‰ÛÛ ‚‚Ó‰‡ ËÏÂÌ Ë ˜ËÒÂÎ ‚ Ó·˚˜Ì˚È ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ. ëËÏ‚ÓÎ˚ ‚‚Ó‰flÚÒfl ̇ ˝Í‡ÌÂ, ÔÓ͇Á‡ÌÌÓÏ ÌËÊÂ. 1 ç‡ ‚Í·‰Í PRESET ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ Ô‡ÔÍÛ ÌÂθÁfl. éÒÌÓ‚Ìû ÓÔÂp‡ˆËË 3 ç‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ‚˚ÁÓ‚ËÚ ÒÚ‡ÌˈÛ, ̇ ÍÓÚÓÓÈ ıÓÚËÚ ÒÓÁ‰‡Ú¸ ÌÓ‚Û˛ Ô‡ÔÍÛ. àÁÏÂÌËÚ ÚËÔ ÒËÏ‚Ó· Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π]. • ÖÒÎË ‚ ÏÂÌ˛ Language ‚˚·‡Ì Ì flÔÓÌÒÍËÈ (Japanese), ‡ ‰Û„ÓÈ flÁ˚Í (ÒÚ. 57), ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ÒËÏ‚ÓÎÓ‚: CASE .......................... ÄÎÙ‡‚ËÚ (ÔÓÔËÒÌ˚ ·ÛÍ‚˚, ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ) case ............................ ÄÎÙ‡‚ËÚ (ÒÚÓ˜Ì˚ ·ÛÍ‚˚, ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ) • (CVP-305/303) ÖÒÎË ‚ ÏÂÌ˛ Language ‚˚·‡Ì flÔÓÌÒÍËÈ flÁ˚Í (Japanese) (ÒÚ. 57), ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ÒËÏ‚ÓÎÓ‚ Ë ‡ÁÏÂ˚ ¯ËÙÚÓ‚: (͇̇-͇Ì) ...... ïˇ„‡Ì‡ Ë ËÂÓ„ÎËÙ˚, ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÌ˚È ‡ÁÏÂ) (͇̇)................ ä‡Ú‡Í‡Ì‡ (ÌÓχθÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÌ˚È ‡ÁÏÂ) (͇̇) .................. ä‡Ú‡Í‡Ì‡ (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ) A B C........................... ÄÎÙ‡‚ËÚ (ÔÓÔËÒÌ˚Â Ë ÒÚÓ˜Ì˚ ·ÛÍ‚˚, ÔÓÎÌ˚È ‡ÁÏÂ), ˆËÙ˚ (ÔÓÎÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÌ˚È ‡ÁÏÂ) ABC............................. ÄÎÙ‡‚ËÚ (ÔÓÔËÒÌ˚Â Ë ÒÚÓ˜Ì˚ ·ÛÍ‚˚, ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ˆËÙ˚ (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ), ÒÔˆˇθÌ˚ Á̇ÍË (ÔÓÎÓ‚ËÌÌ˚È ‡ÁÏÂ) 2 ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ÔÂÂÏÂÒÚËÚ ÍÛÒÓ ‚ ÌÛÊÌÓ ÔÓÎÓÊÂÌËÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 67 éÒÌÓ‚Ì˚ ˝Í‡Ì˚ (˝Í‡Ì Main (É·‚Ì˚È ˝Í‡Ì) Ë ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚) 3 ǂ‰ËÚ ÌÛÊÌ˚ ÒËÏ‚ÓÎ˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†] – [6π†] Ë [7π]. ä‡Ê‰ÓÈ ÍÌÓÔÍ ÔËÒ‚ÓÂÌÓ ÌÂÒÍÓθÍËı ÒËÏ‚ÓÎÓ‚, ÍÓÚÓ˚ ÒÏÂÌfl˛Ú ‰Û„ ‰Û„‡ ÔË Í‡Ê‰ÓÏ ÒÎÂ‰Û˛˘ÂÏ Ì‡Ê‡ÚËË. ç ‰ÓÔÛÒ͇ÂÚÒfl ËÒÔÓθÁÓ‚‡ÌË ‚ ËÏÂ̇ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ÒÎÂ‰Û˛˘Ëı ÒÔˆˇθÌ˚ı Á̇ÍÓ‚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ: ¥\/:*?"<>| éÒÌÓ‚Ì˚ ÓÔ‡ˆËË • 쉇ÎÂÌË ÒËÏ‚ÓÎÓ‚ ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ÔÓÏÂÒÚËÚ ÍÛÒÓ Ì‡ ÒËÏ‚ÓÎ, ÍÓÚÓ˚È ÌÛÊÌÓ Û‰‡ÎËÚ¸, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (DELETE). óÚÓ·˚ Û‰‡ÎËÚ¸ Ò‡ÁÛ ‚Ò ÒËÏ‚ÓÎ˚ ‚ ÒÚÓÍÂ, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÍÌÓÔÍÛ [7†] (DELETE). • î‡ÍÚ˘ÂÒÍËÈ ‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ èÂÂÏÂÒÚËÚ ÍÛÒÓ ËÎË Ì‡ÊÏËÚ ‰Û„Û˛ ÍÌÓÔÍÛ Ò ·ÛÍ‚‡ÏË. • éÚÏÂ̇ ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚ ç‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). • Ç‚Ó‰ ÒÔˆˇθÌ˚ı ÒËÏ‚ÓÎÓ‚ (ÛÏÎflÛÚ, ÒËÏ‚ÓÎ Û‰‡ÂÌËfl, flÔÓÌÒÍË ÒËÏ‚ÓÎ˚ « » Ë « ») Ç˚·ÂËÚ ÒËÏ‚ÓÎ, Í ÍÓÚÓÓÏÛ ÌÂÓ·ıÓ‰ËÏÓ ‰Ó·‡‚ËÚ¸ ÒÔˆˇθÌ˚È ÒËÏ‚ÓÎ, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [6†], ÔÂʉ ˜ÂÏ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚Ó‰ËÚ¸ ÒËÏ‚ÓÎ. • Ç‚Ó‰ Á̇ÍÓ‚ 1 èÓÒΠهÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡ ÒËÏ‚Ó· ÔÛÚÂÏ ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ÒÔËÒÓÍ Á̇ÍÓ‚. 2 ë ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY] ÔÂÂÏÂÒÚËÚ ÍÛÒÓ Ì‡ ÌÛÊÌ˚È ÁÌ‡Í Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK). • Ç‚Ó‰ ˆËÙ ë̇˜‡Î‡ ‚˚·ÂËÚ ӉËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ÚËÔÓ‚ ÒËÏ‚ÓÎÓ‚: «A B C» (ÔÓÎÌÓ‡ÁÏÂÌ˚È ‡ÎÙ‡‚ËÚ), «ABC» «CASE» (ÔÓÔËÒÌ˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ) ËÎË «case» (ÒÚÓ˜Ì˚ ·ÛÍ‚˚ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ). á‡ÚÂÏ Ì‡ÊÏËÚÂ Ë ÌÂÍÓÚÓÓ ‚ÂÏfl Û‰ÂÊË‚‡ÈÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [2π†] – [5π†], [6π] ËÎË [7π] ÎË·Ó Ì‡ÊËχÈڠ ‰Ó ÚÂı ÔÓ, ÔÓ͇ Ì ‚˚·ÂÂÚ ÌÛÊÌÛ˛ ˆËÙÛ. • èÂÓ·‡ÁÓ‚‡ÌË ‚ ËÂÓ„ÎËÙ˚ (flÔÓÌÒÍËÈ flÁ˚Í) äÓ„‰‡ ‚ ӷ·ÒÚË ˝Í‡Ì‡, ‚˚‰ÂÎÂÌÌÓÈ ˜ÂÌ˚Ï ˆ‚ÂÚÓÏ, ÓÚÓ·‡Ê‡˛ÚÒfl ‚‚‰ÂÌÌ˚ ÒËÏ‚ÓÎ˚ «ıˇ„‡Ì‡», ̇ÊÏËÚ ÍÌÓÔÍÛ [ENTER] Ó‰ËÌ ËÎË ÌÂÒÍÓθÍÓ ‡Á, ˜ÚÓ·˚ ÔÂÓ·‡ÁÓ‚‡Ú¸ ˝ÚË ÒËÏ‚ÓÎ˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ËÂÓ„ÎËÙ˚. óÚÓ·˚ ÔӉڂ‰ËÚ¸ ÔÂÓ·‡ÁÓ‚‡ÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK) ËÎË ‚‚‰ËÚ ÒÎÂ‰Û˛˘ËÈ ÒËÏ‚ÓÎ. ÖÒÎË ‚‚Ó‰flÚÒfl ÒËÏ‚ÓÎ˚, Ì ÚÂ·Û˛˘Ë ‰Ó·‡‚ÎÂÌËfl ÒÔˆˇθÌ˚ı ÒËÏ‚ÓÎÓ‚ (Á‡ ËÒÍβ˜ÂÌËÂÏ ‡Á·ÛÍ Í‡Ì‡-Í‡Ì Ë Í‡Ú‡Í‡Ì‡ ÔÓÎÓ‚ËÌÌÓ„Ó ‡Áχ), ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÒÔËÒÓÍ Á̇ÍÓ‚, ̇ʇ‚ ÍÌÓÔÍÛ [6†]. (Ñ·ڸ ˝ÚÓ ÒΉÛÂÚ ÔÓÒΠ‚˚·Ó‡ ÒËÏ‚Ó·, ÌÓ ‰Ó Â„Ó Ù‡ÍÚ˘ÂÒÍÓ„Ó ‚‚Ó‰‡.) äÓ„‰‡ ̇ ˝Í‡ÌÂ, ‚˚‰ÂÎÂÌÌÓÏ ˜ÂÌ˚Ï ˆ‚ÂÚÓÏ, ÓÚÓ·‡Ê‡˛ÚÒfl ‚‚‰ÂÌÌ˚ ÒËÏ‚ÓÎ˚ «ıˇ„‡Ì‡»: • èÓ‚ÚÓÌÓ ÔÂÓ·‡ÁÓ‚‡ÌË ÒËÏ‚ÓÎÓ‚ ‚ ‰Û„Ë ËÂÓ„ÎËÙ˚ ç‡ÊÏËÚ ÍÌÓÔÍÛ [ENTER]. • àÁÏÂÌÂÌË ӷ·ÒÚË ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËfl àÒÔÓθÁÛÈÚ ‰ËÒÍ [DATA ENTRY]. • é·‡ÚÌÓ ÔÂÓ·‡ÁÓ‚‡ÌË ËÂÓ„ÎËÙÓ‚ ‚ ÒËÏ‚ÓÎ˚ «ıˇ„‡Ì‡» ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (DELETE). • 쉇ÎÂÌË ‚ÒÂı ÒËÏ‚ÓÎÓ‚ ËÁ ӷ·ÒÚË ËÌ‚ÂÚËÓ‚‡ÌÌÓ„Ó ËÁÓ·‡ÊÂÌËfl ç‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). • Ç‚Ó‰ Ò‡ÏËı ÒËÏ‚ÓÎÓ‚ «ıˇ„‡Ì‡» (·ÂÁ ÔÂÓ·‡ÁÓ‚‡ÌËfl) ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK). 4 68 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK), ˜ÚÓ·˚ ‚‚ÂÒÚË ÌÓ‚Ó ËÏfl Ë ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰ÌÓÈ ÒËÒÚÂÏ˚ ì‰ÂÊË‚‡fl Í·‚Ë¯Û C7 (҇χfl Ô‡‚‡fl Í·‚˯‡ ̇ Í·‚ˇÚÛÂ), ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÒËÌÚÂÁ‡ÚÓ. êÂÁÛÎ¸Ú‡Ú ‚˚ÔÓÎÌÂÌËfl ˝ÚÓÈ Ôӈ‰Û˚ ·Û‰ÂÚ Ú‡ÍËÏ ÊÂ, Í‡Í Ë ÔË ‚˚ÔÓÎÌÂÌËË Ôӈ‰Û˚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ÒËÒÚÂÏÌ˚ı ̇ÒÚÓÂÍ, ÓÔËÒ‡ÌÌÓÈ ‚ ¯‡„ 2 ÒÎÂ‰Û˛˘Â„Ó ‡Á‰Â·. ùÚ‡ ÍÓÏ·Ë̇ˆËfl Í·‚˯ ÔÓÁ‚ÓÎflÂÚ ·˚ÒÚÓ ‚˚ÔÓÎÌËÚ¸ ‰‡ÌÌÛ˛ ÓÔ‡ˆË˛. ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ Ì ‚ÎËflÂÚ Ì‡ ̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡. àÌÙÓχˆË˛ Ó ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËË Ì‡ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ÒÏ. ̇ ÒÚ. 178. 1 2 éÒÌÓ‚Ìû ÓÔÂp‡ˆËË ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ ‰Îfl ÓÚ‰ÂθÌ˚ı Ô‡‡ÏÂÚÓ‚ ÇçàåÄçàÖ Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[®] SYSTEM RESET ùÚ‡ ÓÔ‡ˆËfl Û‰‡ÎflÂÚ ‚Ò ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎfl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ̇ÒÚÓÂÍ (MIDI SETUP, USER EFFECT, MUSIC FINDER Ë FILES&FOLDERS). Ç˚·ÂËÚ ÌÛÊÌ˚ ÔÛÌÍÚ˚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†] – [3π†]. SYSTEM SETUP ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ‰Îfl Ô‡‡ÏÂÚÓ‚ ÒËÒÚÂÏ˚. èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ÚÓÏ, ͇ÍË ԇ‡ÏÂÚ˚ ‚ıÓ‰flÚ ‚ „ÛÔÔÛ System Setup, ÒÏ. ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ Data List. MIDI SETUP ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ‰Îfl Ô‡‡ÏÂÚÓ‚ MIDI, ‚ ÚÓÏ ˜ËÒΠ‰Îfl ¯‡·ÎÓÌÓ‚ MIDI ̇ ‚Í·‰Í User. USER EFFECT ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ‰Îfl Ô‡‡ÏÂÚ‡ User Effect, ‚ ÚÓÏ ˜ËÒΠ‰Îfl ÔÓθÁÓ‚‡ÚÂθÒÍËı ÚËÔÓ‚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÏÔÂÒÒÓ‡ Ë ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (CVP-305/303), ÒÓÁ‰‡ÌÌ˚ı ̇ ˝Í‡Ì Mixing Console. MUSIC FINDER ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ‰Îfl ‰‡ÌÌ˚ı ÙÛÌ͈ËË Music Finder (‚Ò Á‡ÔËÒË). FILES&FOLDERS 쉇ÎflÂÚ ‚Ò هÈÎ˚ Ë Ô‡ÔÍË, ı‡Ìfl˘ËÂÒfl ̇ ‚Í·‰Í User. REGIST ÇÂÏÂÌÌÓ Û‰‡ÎflÂÚ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚˚·‡ÌÌÓ„Ó ·‡Ì͇. ùÚÓ„Ó Ê ˝ÙÙÂÍÚ‡ ÏÓÊÌÓ ‰ÓÒÚ˘¸ ÒÎÂ‰Û˛˘ËÏ ÒÔÓÒÓ·ÓÏ: Û‰ÂÊË‚‡fl Í·‚Ë¯Û B6 (҇χfl Ô‡‚‡fl ÌÓÚ‡ B ̇ Í·‚ˇÚÛÂ), ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ËÌÒÚÛÏÂÌÚ. 4 2 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 69 ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı Ô‡‡ÏÂÚÓ‚ 3 4 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [4π†] ÛÒÚ‡ÌÓ‚ËÚ Ù·ÊÓÍ fl‰ÓÏ Ò Ô‡‡ÏÂÚÓÏ, ‰Îfl ÍÓÚÓÓ„Ó Ì‡‰Ó ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË. ç‡ÊÏËÚ ÍÌÓÔÍÛ [D], ˜ÚÓ·˚ Á‡ÔÛÒÚËÚ¸ ÙÛÌÍˆË˛ Factory Reset Ë ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ Á‡‚Ó‰ÒÍË ̇ÒÚÓÈÍË ‰Îfl ‚ÒÂı Ô‡‡ÏÂÚÓ‚, ÓÚϘÂÌÌ˚ı Ù·ÊÍÓÏ. ëÓı‡ÌÂÌËÂ Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È· éÒÌÓ‚Ì˚ ÓÔ‡ˆËË åÓÊÌÓ ÒÓı‡ÌËÚ¸ ÔÓθÁÓ‚‡ÚÂθÒÍË ̇ÒÚÓÈÍË ‰Îfl Û͇Á‡ÌÌ˚ı ÌËÊ ԇ‡ÏÂÚÓ‚ ‚ ‚ˉ ÓÚ‰ÂθÌÓ„Ó Ù‡È·. 1 2 3 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [®] SYSTEM RESET ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [F]–[I] ‚˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. SYSTEM SETUP 臇ÏÂÚ˚, Á‡‰‡ÌÌ˚ ̇ ‡Á΢Ì˚ı ˝Í‡Ì‡ı, ̇ÔËÏ ̇ ˝Í‡Ì UTILITY ([FUNCTION] → UTILITY), Ó·‡·‡Ú˚‚‡˛ÚÒfl Í‡Í Ó‰ËÌ Ù‡ÈÎ System Setup. èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ÚÓÏ, ͇ÍË ԇ‡ÏÂÚ˚ ‚ıÓ‰flÚ ‚ „ÛÔÔÛ System Setup, ÒÏ. ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ Data List. MIDI SETUP ÇÒ ԇ‡ÏÂÚ˚ MIDI, ‚ ÚÓÏ ˜ËÒΠ¯‡·ÎÓÌ˚ MIDI ̇ ‚Í·‰Í User, Ó·‡·‡Ú˚‚‡˛ÚÒfl Í‡Í Ó‰ËÌ Ù‡ÈÎ. USER EFFECT ÇÒ ̇ÒÚÓÈÍË Ô‡‡ÏÂÚ‡ User Effect, ‚ ÚÓÏ ˜ËÒΠÔÓθÁÓ‚‡ÚÂθÒÍË ÚËÔ˚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÏÔÂÒÒÓ‡ Ë „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (CVP-305/303), ÒÓÁ‰‡ÌÌ˚ ̇ ˝Í‡Ì Mixing Console, ËÒÔÓθÁÛ˛ÚÒfl Í‡Í Ó‰ËÌ Ù‡ÈÎ. èéàëä åìáõäà ÇÒ ‚ÒÚÓÂÌÌ˚Â Ë ÒÓÁ‰‡ÌÌ˚ Á‡ÔËÒË ÙÛÌ͈ËË Music Finder Ó·‡·‡Ú˚‚‡˛ÚÒfl Í‡Í Ó‰ËÌ Ù‡ÈÎ. 4 5 6 70 ë‰Â·ÈÚ ÌÂÓ·ıÓ‰ËÏ˚ ̇ÒÚÓÈÍË Ì‡ ËÌÒÚÛÏÂÌÚÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®] ‚˚·ÂËÚ ӉÌÛ ËÁ ‚Í·‰ÓÍ (Á‡ ËÒÍβ˜ÂÌËÂÏ ‚Í·‰ÍË PRESET). èÓÏÌËÚÂ, ˜ÚÓ Ù‡ÈΠ̇ ‚Í·‰Í PRESET – ˝ÚÓ Ù‡ÈÎ Ò Á‡‚Ó‰ÒÍËÏË Ì‡ÒÚÓÈ͇ÏË. èË ‚˚·Ó ˝ÚÓ„Ó Ù‡È· ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ô‡‡ÏÂÚ‡ ·Û‰ÛÚ ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌ˚ ËÒıÓ‰Ì˚ ̇ÒÚÓÈÍË. (êÂÁÛÎ¸Ú‡Ú ·Û‰ÂÚ Ú‡ÍËÏ ÊÂ, Í‡Í ÔË ‚˚ÔÓÎÌÂÌËË ‰ÂÈÒÚ‚ËÈ ‡Á‰Â· «ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı ̇ÒÚÓÂÍ ‰Îfl ÓÚ‰ÂθÌ˚ı Ô‡‡ÏÂÚÓ‚» ̇ ÒÚ. 69.) ëÓı‡ÌËÚ ҂ÓÈ Ù‡ÈÎ (ÒÚ. 63). óÚÓ·˚ ÒÌÓ‚‡ ÔÂÂÈÚË Í ˝ÚÓÏÛ Ù‡ÈÎÛ, ‚˚·ÂËÚ ‚Í·‰ÍÛ Ë ÒÚ‡ÌˈÛ, ̇ ÍÓÚÓÓÈ Ù‡ÈÎ ·˚Î ÒÓı‡ÌÂÌ (‚Í·‰Í‡ Ë ÒÚ‡Ìˈ‡, Á‡‰‡ÌÌ˚ ÔË ‚˚ÔÓÎÌÂÌËË ¯‡„‡ 4) Ë Ì‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [A] – [J]. êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ÑÎfl Ó·ÂÒÔ˜ÂÌËfl χÍÒËχθÌÓÈ ·ÂÁÓÔ‡ÒÌÓÒÚË ‰‡ÌÌ˚ı ÍÓÔÓ‡ˆËfl Yamaha ÂÍÓÏẨÛÂÚ ÍÓÔËÓ‚‡Ú¸ Ë ı‡ÌËÚ¸ ‚‡ÊÌ˚ ‰‡ÌÌ˚ ̇ ÓÚ‰ÂθÌ˚ı ÌÓÒËÚÂÎflı ‰‡ÌÌ˚ı, ̇ÔËÏ ̇ Ô·Ú SmartMedia ËÎË ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB. ùÚÓ Ó·ÂÒÔ˜ËÚ ÒÓı‡ÌÌÓÒÚ¸ ‰‡ÌÌ˚ı ‚ ÒÎÛ˜‡Â ÔÓ‚ÂʉÂÌËfl ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË. 4 5 чÌÌ˚Â, ÍÓÚÓ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ 1 èÂÒÌfl*, ÒÚËθ, ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ë ÚÂÏ· 2 чÌÌ˚ Á‡ÔËÒË Music Finder, ˝ÙÙÂÍÚ‡**, ¯‡·ÎÓÌ˚ MIDI Ë ÒËÒÚÂÏÌ˚ هÈÎ˚ **чÌÌ˚ ˝ÙÙÂÍÚÓ‚: - чÌÌ˚Â, ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ËÎË ÒÓı‡ÌÂÌÌ˚ ̇ ‚Í·‰Í‡ı «EFFECT», «EQ» Ë «CMP» ˝Í‡Ì‡ Mixing Console. - éÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ËÎË ÒÓı‡ÌÂÌÌ˚ ‰‡ÌÌ˚ ÚËÔ‡ Vocal Harmony. 7 8 êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË èÂÒÌfl*, ÒÚËθ, ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ë ÚÂÏ· 2 ìÒÚ‡ÌÓ‚ËÚ ËÎË ÔÓ‰Íβ˜ËÚ ÌÓÒËÚÂθ ‰Îfl ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl (̇ ÍÓÚÓ˚È ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ), ̇ÔËÏ Ô·ÚÛ SmartMedia ËÎË ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB. 1 èÂÒÌfl: ç‡ÊÏËÚ ÍÌÓÔÍÛ [SONG SELECT] (Ç˚·Ó ÔÂÒÌË). 3 2 ŇÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË: ç‡ÊÏËÚ ÍÌÓÔÍÛ [REGIST. BANK] (ê„ËÒÚ‡ˆËÓÌÌ˚È ·‡ÌÍ). 3 íÂÏ·: ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ Ì‡ Ô‡ÌÂÎË VOICE. 4 èÂÂȉËÚ ̇ ‚Í·‰ÍÛ USER Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√] [®]. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ (CARD ËÎË USB), ̇ ÍÓÚÓÛ˛ ÌÛÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [4†] (PASTE), ˜ÚÓ·˚ ‚ÒÚ‡‚ËÚ¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. чÌÌ˚ Á‡ÔËÒË Music Finder, ˝ÙÙÂÍÚ‡, ¯‡·ÎÓ̇ MIDI Ë ÒËÒÚÂÏÌ˚ ‰‡ÌÌ˚ Ç˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ̇ıÓ‰ËÚÒfl Ù‡ÈÎ, ÍÓÚÓ˚È ÌÛÊÌÓ ÒÍÓÔËÓ‚‡Ú¸. ëÚËθ: ç‡ÊÏËÚ ÍÌÓÔÍÛ [STYLE SELECT] (Ç˚·Ó ÒÚËÎfl). ç‡ÊÏËÚ ÍÌÓÔÍÛ [7†] (OK), ˜ÚÓ·˚ ÔӉڂ‰ËÚ¸ ‚˚·Ó هȷ ËÎË Ô‡ÔÍË. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛ ÍÓÔËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). ÖÒÎË ‚˚‚Ó‰ËÚÒfl ÒÓÓ·˘ÂÌËÂ Ó Ì‚ÓÁÏÓÊÌÓÒÚË ÍÓÔËÓ‚‡ÌËfl ‰‡ÌÌ˚ı Ç ÍÓÔËÛÂÏ˚ هÈÎ˚ ‚Íβ˜ÂÌ˚ Á‡˘Ë˘ÂÌÌ˚ ÔÂÒÌË (‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ËÏÂÌË Ù‡È· ÂÒÚ¸ Á̇˜ÓÍ «Prot.1» ËÎË «Prot.2»). ùÚË Á‡˘Ë˘ÂÌÌ˚ ÔÂÒÌË Á‡Ô¢‡ÂÚÒfl ÍÓÔËÓ‚‡Ú¸. é‰Ì‡ÍÓ ÔÂÒÌË ÒÓ Á̇˜ÍÓÏ «Prot.2» ÏÓÊÌÓ ÔÂÂÏÂÒÚËÚ¸ (Ò ÔÓÏÓ˘¸˛ Ôӈ‰Û˚ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË) ̇ Ô·ÚÛ SmartMedia Ò ID. èӈ‰Û˚ ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl ‰Îfl ÚËÔÓ‚ ‰‡ÌÌ˚ı, Ô˜ËÒÎÂÌÌ˚ı ‚˚¯Â ‚ ÔÛÌÍÚ‡ı 1 Ë 2, ·Û‰ÛÚ ÓÚ΢‡Ú¸Òfl. 1 óÚÓ·˚ ‚˚·‡Ú¸ ‚Ò ԇÔÍË ËÎË Ù‡ÈÎ˚ ̇ ÚÂÍÛ˘ÂÏ ˝Í‡ÌÂ Ë Ì‡ ‰Û„Ëı ÒÚ‡Ìˈ‡ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ALL OFF) ¢ ‡Á. éÒÌÓ‚Ìû ÓÔÂp‡ˆËË * ᇢˢÂÌÌ˚ ÔÂÒÌË (ÒÓ Á̇˜ÍÓÏ «Prot.1/Prot.2» ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ËÏÂÌË Ù‡È·) ÒÓı‡ÌËÚ¸ ÌÂθÁfl. é‰Ì‡ÍÓ ÔÂÒÌË ÒÓ Á̇˜ÍÓÏ «Prot.2» ÏÓÊÌÓ ÔÂÂÌÂÒÚË (Ò ÔÓÏÓ˘¸˛ Ôӈ‰Û˚ ‚˚ÂÁ‡ÌËfl Ë ‚ÒÚ‡‚ÍË) ̇ Ô·ÚÛ SmartMedia Ò ID. èÂÒÌË ÒÓ Á̇˜ÍÓÏ «Prot.1» ÌÂθÁfl ÔÂÂÌÓÒËÚ¸ ̇ ‚̯ÌË ÌÓÒËÚÂÎË. 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [3†] (COPY), ˜ÚÓ·˚ ÒÍÓÔËÓ‚‡Ú¸ Ù‡ÈÎ ËÎË Ô‡ÔÍÛ. Ç ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÔÓfl‚ËÚÒfl ÓÍÌÓ ‰Îfl ÓÔ‡ˆËË ÍÓÔËÓ‚‡ÌËfl. 5 ìÒÚ‡ÌÓ‚ËÚ ËÎË ÔÓ‰Íβ˜ËÚ ÌÓÒËÚÂθ ‰Îfl ÂÁ‚ÌÓ„Ó ÍÓÔËÓ‚‡ÌËfl (̇ ÍÓÚÓ˚È ·Û‰ÂÚ ÔÓËÁ‚Ó‰ËÚ¸Òfl ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌËÂ), ̇ÔËÏ Ô·ÚÛ SmartMedia ËÎË ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB. Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√]/[®] SYSTEM RESET ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [F]–[I] ‚˚ÁÓ‚ËÚ ˝Í‡Ì, „‰Â ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ‚˚·ÂËÚ ‚Í·‰ÍÛ (CARD ËÎË USB), ̇ ÍÓÚÓÛ˛ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚Â. ëÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 71 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ ëÏ. ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó ÇÓÒÔÓËÁ‚Ó‰ËÏ˚ ÚÂÏ·˚ ...................................................................................... ÒÚ. 28 à„‡ ÚÂÏ·ÓÏ Piano.......................................................................................ÒÚ. 28 à„‡ ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË ...............................................................................ÒÚ. 31 ÍÚÂËÒÚËÍË ÚÂÏ·‡ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË íËÔ ÚÂÏ·‡ Ë Â„Ó ÓÔ‰ÂÎfl˛˘Ë ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌÓ„Ó ÚÂÏ·‡. ëÓ‚ÏÂÒÚËÏÓÒÚ¸ Ò ÚÂÏ·‡ÏË Mega Voice (Ï„‡ÚÂÏ·‡ÏË) (CVP-305) 儇ÚÂÏ·˚ ÒÓÁ‰‡Ì˚ ËÒÍβ˜ËÚÂθÌÓ ‰Îfl ÒËÌÚÂÁ‡ÚÓ‡ Clavinova Ë ÌÂÒÓ‚ÏÂÒÚËÏ˚ Ò ‰Û„ËÏË ÏÓ‰ÂÎflÏË. ã˛·˚ ÔÂÒÌË/ÒÚËÎË, ÒÓÁ‰‡ÌÌ˚ ̇ Clavinova Ò ÔËÏÂÌÂÌËÂÏ Ï„‡ÚÂÏ·Ó‚, Ì ·Û‰ÛÚ Ô‡‚ËθÌÓ Á‚Û˜‡Ú¸ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ì‡ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı. 72 Natural! ÉÎÛ·ÓÍËÂ Ë ˝ÙÙÂÍÚÌ˚ ÚÂÏ·˚ ÒÓÒÚÓflÚ „·‚Ì˚Ï Ó·‡ÁÓÏ ËÁ ËÌÒÚÛÏÂÌڇθÌ˚ı Á‚ÛÍÓ‚ Ë Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ÙÓÚÂÔˇÌÌ˚ı Ë ‰Û„Ëı Ô‡ÚËÈ Í·‚ˇÚÛ˚. í‡ÍÊ ÓÌË ËÒÔÓθÁÛ˛Ú ‚Ò ‚ÓÁÏÓÊÌÓÒÚË ÒÓ‚ÂÏÂÌÌÓÈ ÚÂıÌÓÎÓ„ËË Ò˝ÏÔÎËÓ‚‡ÌËfl ÍÓÔÓ‡ˆËË Yamaha, Ú‡ÍËÂ Í‡Í ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌËÂ, ‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ, ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËÂ Ë Ò˝ÏÔÎËÓ‚‡ÌË Á‚Û͇ ÓÚÔÛ˘ÂÌÌ˚ı Í·‚˯. Live! íÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·˚ÎË Á‡Ò˝ÏÔÎËÓ‚‡Ì˚ ‚ ÒÚÂÂÓ ÂÊËÏÂ, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ ÂÒÚÂÒÚ‚ÂÌÌÓÂ Ë ·Ó„‡ÚÓ Á‚Û˜‡ÌËÂ, ıÓÓ¯Ó Ô‰‡˛˘Â ÔÓÒÚ‡ÌÒÚ‚Ó Ë ‡ÚÏÓÒÙÂÛ. Cool! ùÚË „ÓÎÓÒ‡ ÒÔÓÒÓ·Ì˚ Ô‰‡‚‡Ú¸ ‰Ë̇Ï˘ÂÒÍÛ˛ ÚÂÍÒÚÛÛ Ë ÚÓ̘‡È¯ËÂ Ì˛‡ÌÒ˚ Á‚Û˜‡ÌËfl ˝ÎÂÍÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ ·Î‡„Ó‰‡fl ËÁÓ˘ÂÌÌÓÏÛ ÔÓ„‡ÏÏËÓ‚‡Ì˲ Ë ‚ÌÛ¯ËÚÂθÌÓÏÛ Ó·˙ÂÏÛ Ô‡ÏflÚË. Sweet! ùÚË ÚÂÏ·˚ ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚ Ú‡ÍÊ ‚˚Ë„˚‚‡˛Ú ÓÚ ËÒÔÓθÁÓ‚‡ÌËfl ÒÎÓÊÌÓÈ ÚÂıÌÓÎÓ„ËË. éÌË Á‚Û˜‡Ú ÒÚÓθ ÂÒÚÂÒÚ‚ÂÌÌÓ, ˜ÚÓ ÏÓÊÌÓ ‡Á΢ËÚ¸ ÏÂθ˜‡È¯Ë ‰ÂÚ‡ÎË Á‚ÛÍÓ‚ÓÈ Í‡ÚËÌ˚. чÊ Ì ‚ÂËÚÒfl, ˜ÚÓ Á‚Û˜ËÚ ÌÂ̇ÒÚÓfl˘ËÈ ËÌÒÚÛÏÂÌÚ. Drums á‚ÛÍË ‡Á΢Ì˚ı Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ ÔËÒ‚ÓÂÌ˚ ÓÚ‰ÂθÌ˚Ï Í·‚˯‡Ï, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ Ëı ̇ Í·‚ˇÚÛÂ. SFX ê‡Á΢Ì˚ Á‚ÛÍÓ‚˚ ÒÔˆ˝ÙÙÂÍÚ˚ ÔËÒ‚ÓÂÌ˚ ÓÚ‰ÂθÌ˚Ï Í·‚˯‡ÏË, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ëı ̇ Í·‚ˇÚÛÂ. Organ Flutes! íÂÏ· ̇ÒÚÓfl˘Â„Ó Ó„‡Ì‡ ÔÓÁ‚ÓÎflÂÚ Ì‡Òڇ˂‡Ú¸ Ô‡‡ÏÂÚ˚ Á‚Û˜‡ÌËfl ‡Á΢Ì˚ı ÚÛ· Ë ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ӄ‡ÌÌ˚ Á‚ÛÍË Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator. ÅÓΠÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ̇ ÒÚ. 93. Mega Voice (CVP-305) 儇ÚÂÏ·˚ Ì Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ò Í·‚ˇÚÛ˚. àı ÓÒÌÓ‚ÌÓ ̇Á̇˜ÂÌË – ËÒÔÓθÁÓ‚‡ÌËÂ Ò Á‡ÔËÒ‡ÌÌ˚ÏË MIDI-‰‡ÌÌ˚ÏË (ÔÂÒÌflÏË, ÒÚËÎflÏË Ë Ú.Ô.). çÂÍÓÚÓ˚ ÚÂÏ·˚ „ËÚ‡ Ë ·‡ÒÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚ ÒÓÁ‰‡Ì˚ Í‡Í Ï„‡ÚÂÏ·˚ ‰Îfl Clavinova, Ë Î„ÍÓ ÓÚ΢ËÏ˚ ÓÚ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ ÔÓ Á̇˜Í‡Ï ̇ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ Voice Selection. éÚ΢ËÚÂθÌÓÈ ÓÒÓ·ÂÌÌÓÒÚ¸˛ Ï„‡ÚÂÏ·Ó‚ fl‚ÎflÂÚÒfl ËÒÔÓθÁÓ‚‡ÌË ËÁÏÂÌÂÌËÈ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯. é·˚˜Ì˚ ÚÂÏ·˚ Ú‡ÍÊ ËÒÔÓθÁÛ˛Ú ËÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl, ˜ÚÓ·˚ ͇˜ÂÒÚ‚Ó Á‚Û˜‡ÌËfl Ë „ÓÏÍÓÒÚ¸ ÚÂÏ·‡ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡ÎË ÚÓÏÛ, ̇ÒÍÓθÍÓ ˝Ì„˘ÌÓ ËÎË Ïfl„ÍÓ Ì‡ÊËχ˛ÚÒfl Í·‚Ë¯Ë ‚Ó ‚ÂÏfl Ë„˚. Å·„Ó‰‡fl ˝ÚÓÏÛ ÚÂÏ·˚ Clavinova Á‚Û˜‡Ú ‡ÎËÒÚ˘ÌÓ Ë ÂÒÚÂÒÚ‚ÂÌÌÓ. é‰Ì‡ÍÓ, ‚ Ï„‡ÚÂÏ·‡ı ͇ʉ˚È ‰Ë‡Ô‡ÁÓÌ ÒÍÓÓÒÚÂÈ (χ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚˯Ë) ӷ·‰‡ÂÚ Òӂ¯ÂÌÌÓ ËÌ˚Ï Á‚Û˜‡ÌËÂÏ. ç‡ÔËÏÂ, Ï„‡ÚÂÏ· „ËÚ‡˚ ‚Íβ˜‡ÂÚ ‚ Ò·fl Á‚ÛÍË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Á΢Ì˚Ï ÚÂıÌËÍ‡Ï ËÒÔÓÎÌÂÌËfl. Ç Ú‡‰ËˆËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚ‡ı ‡Á΢Ì˚ ÚÂÏ·˚, ‰Îfl ÍÓÚÓ˚ı ı‡‡ÍÚÂÌ˚ ˝ÚË Á‚ÛÍË, ‚˚Á˚‚‡ÎËÒ¸ ·˚ ˜ÂÂÁ MIDI Ë ÔÓË„˚‚‡ÎËÒ¸ ‚ÏÂÒÚ ‰Îfl ‰ÓÒÚËÊÂÌËfl ÌÛÊÌÓ„Ó ˝ÙÙÂÍÚ‡. çÓ ÚÂÔ¸, ÍÓ„‰‡ ÂÒÚ¸ Ï„‡ÚÂÏ·˚, „ËÚ‡ÌÛ˛ Ô‡Ú˲ ÏÓÊÌÓ Û·Â‰ËÚÂθÌÓ Ò˚„‡Ú¸ Ò ÔÓÏÓ˘¸˛ ‚ÒÂ„Ó Ó‰ÌÓ„Ó ÚÂÏ·‡, ËÒÔÓθÁÛfl ‡Á΢Ì˚ Á̇˜ÂÌËfl ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl ‰Îfl ÔÓÎÛ˜ÂÌËfl Ê·ÂÏ˚ı Á‚ÛÍÓ‚. àÁ-Á‡ ÒÎÓÊÌÓÈ ÔËÓ‰˚ ˝ÚËı ÚÂÏ·Ó‚ Ë ÌÂÓ·ıÓ‰ËÏÓÒÚË ÚÓ˜ÌÓ ‚˚‰ÂÊË‚‡Ú¸ ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl, ÌÂÓ·ıÓ‰ËÏ˚ ‰Îfl ÔÓÎÛ˜ÂÌËfl Á‚ÛÍÓ‚, ÓÌË Ì Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ÔÓË„˚‚‡ÌËfl Ò Í·‚ˇÚÛ˚. é‰Ì‡ÍÓ ÓÌË Ó˜Â̸ Û‰Ó·Ì˚ Ë ÔÓÎÂÁÌ˚ ÔË ÒÓÁ‰‡ÌËË Ù‡ÈÎÓ‚ MIDI-‰‡ÌÌ˚ı, ÓÒÓ·ÂÌÌÓ ÂÒÎË Ê·ÚÂθÌÓ ËÁ·Âʇڸ ËÒÔÓθÁÓ‚‡ÌËfl ÌÂÒÍÓθÍËı ÚÂÏ·Ó‚ ‰Îfl Ô‡ÚËË Ó‰ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ëÔ‡‚Ó˜Ì˚ χÚ¡Î˚ é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ê‡Á΢Ì˚ ÙÛÌ͈ËË, ‚ÓÁÏÓÊÌÓÒÚË Ë ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌËfl ÒËÌÚÂÁ‡ÚÓ‡ Clavinova ÔÓÒÚÓ Ì‚ÓÁÏÓÊÌ˚ ‰Îfl ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡. ç‡ÔËÏÂ, ÏÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË – Ó‰ÌËÏ ÚÂÏ·ÓÏ Î‚ÓÈ ÛÍÓÈ Ë ‰Û„ËÏ ÚÂÏ·ÓÏ (ËÎË ‰‡Ê ‰‚ÛÏfl ̇ÒÎÓÂÌÌ˚ÏË ÚÂÏ·‡ÏË Ò‡ÁÛ) Ô‡‚ÓÈ. ó‡ÒÚË Í·‚ˇÚÛ˚ (Right 1, Right 2, Left) íÂÏ·˚ ÏÓ„ÛÚ ·˚Ú¸ ÌÂÁ‡‚ËÒËÏÓ Ì‡Á̇˜ÂÌ˚ ͇ʉÓÈ Ô‡ÚËË. Right 1, Right 2, Ë Left. è‡ÚËË Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË ÏÓ„ÛÚ ÒÓ‚Ï¢‡Ú¸Òfl ÔÓ Ì‡Ê‡Ú˲ ÍÌÓÔÓÍ PART ON/OFF ‰Îfl ÔÓÎÛ˜ÂÌËfl ·Ó„‡ÚÓ„Ó ‡Ì҇ϷÎÂ‚Ó„Ó Á‚Û˜‡ÌËfl. äÓÏ·Ë̇ˆËË Ô‡ÚËÈ Í·‚ˇÚÛ˚ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ■ ÇÓÒÔÓËÁ‚‰ÂÌË ÓÚ‰ÂθÌÓ„Ó ÚÂÏ·‡ (Ô‡ÚËfl Right 1) åÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Ó‰ËÌ ÚÂÏ·, ËÒÔÓθÁÛfl ‚Ò˛ Í·‚ˇÚÛÛ ˆÂÎËÍÓÏ. ùÚÓ ËÒÔÓθÁÛÂÚÒfl ÔË Ó·˚˜ÌÓÈ Ë„Â, ̇ÔËÏÂ Ò ÚÂÏ·ÓÏ ÙÓÚÂÔˇÌÓ. ê„ÛÎËӂ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË ÏÂÊ‰Û Ô‡ÚËflÏË. éÚ„ÛÎËÛÈÚ ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ÏÂÊ‰Û Ô‡ÚËflÏË Ì‡ ˝Í‡Ì BALANCE (ÒÚ. 39). è‡ÚËfl Right 1 ■ é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‚Ûı ÚÂÏ·Ó‚ (Ô‡ÚËË Right 1 Ë 2) ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÏËÚËÓ‚‡Ú¸ ÏÂÎӉ˘ÂÒÍËÈ ‰Û˝Ú ËÎË ÒÓ˜ÂÚ‡Ú¸ ‰‚‡ Ó‰Ë̇ÍÓ‚˚ı ÚÂÏ·‡ ‰Îfl ÔÓÎÛ˜ÂÌËfl ·ÓΠ̇Ò˚˘ÂÌÌÓ„Ó Á‚Û͇. ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl („‡Ìˈ˚ ÏÂÊ‰Û ‰Ë‡Ô‡ÁÓ̇ÏË Í·‚˯ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ – Ô‡ÚËÈ Right Ë Left) ëÏ. ÒÚ. 100. è‡ÚËfl Right 2 è‡ÚËfl Right 1 éÔËÒ‡ÌË Ôӈ‰Û˚ ‚˚·Ó‡ ÚÂÏ·‡ ‰Îfl Ô‡ÚËË Right 2 ÒÏ. ̇ ÒÚ. 74. ■ ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ‚ Ô‡ÚËflı Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË (Right 1 Ë Left) åÓÊÌÓ Ë„‡Ú¸ Ô‡ÚËË Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍ ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË. ç‡ÔËÏÂ, ΂ÓÈ ÛÍÓÈ ÏÓÊÌÓ Ë„‡Ú¸ ÚÂÏ· ·‡ÒÓ‚Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ‡ Ô‡‚ÓÈ — ÙÓÚÂÔˇÌÓ. Ç ÚӘ͠‡Á‰ÂÎÂÌËfl ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ Á‡ÊÊÂÚÒfl Ë̉Ë͇ÚÓ. è‡ÚËfl Left è‡ÚËfl Right 1 éÔËÒ‡ÌË Ôӈ‰Û˚ ‚˚·Ó‡ ÚÂÏ·‡ ‰Îfl Ô‡ÚËË Left ÒÏ. ̇ ÒÚ. 75. ■ ÇÓÒÔÓËÁ‚‰ÂÌË ÚÂı ‡ÁÌ˚ı ÚÂÏ·Ó‚ ‚ Ô‡ÚËflı Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË (Right 1, 2 Ë Left) ùÚË ÚË Ô‡ÚËË ÏÓ„ÛÚ ÒÓ˜ÂÚ‡Ú¸Òfl ‰Îfl ÒÓÁ‰‡ÌËfl ·Ó„‡ÚÓ„Ó ‡Ì҇ϷÎÂ‚Ó„Ó Á‚Û˜‡ÌËfl. è‡ÚËfl Left è‡ÚËfl Right 2 è‡ÚËfl Right 1 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 73 é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰‚Ûı ÚÂÏ·Ó‚ (Ô‡ÚËË Right 1 Ë 2) åÓÊÌÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ë„‡Ú¸ ‰‚ÛÏfl ÚÂÏ·‡ÏË, ËÒÔÓθÁÛfl Ô‡ÚËË Right 1 Ë 2. 1 ç‡Á‚‡ÌË ÚÂÏ·‡ ‰Îfl ‚˚·‡ÌÌÓÈ Ô‡ÚËË ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ Ì‡ É·‚ÌÓÏ ˝Í‡ÌÂ. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ Å˚ÒÚ˚È ‚˚·Ó ÚÂÏ·Ó‚ ‰Îfl Ô‡ÚËÈ Right 1 Ë 2 íÂÏ·˚ Ô‡ÚËÈ Right 1 Ë 2 ÏÓÊÌÓ ·˚ÒÚÓ ‚˚·‡Ú¸, ̇ÊËχfl ÍÌÓÔÍË Ì‡ Ô‡ÌÂÎË Voice. ç‡ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ Voice, Á‡ÚÂÏ Ì‡ÊÏËÚ ‰Û„Û˛. íÂÏ· Ô‚ÓÈ Ì‡Ê‡ÚÓÈ ÍÌÓÔÍË ‡‚ÚÓχÚ˘ÂÒÍË ÔËÒ‚‡Ë‚‡ÂÚÒfl Ô‡ÚËË Right 1, ‡ ÚÂÏ· ‚ÚÓÓÈ ÍÌÓÔÍË – Ô‡ÚËË Right 2. 2 3 ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÍÌÓÔ͇ PART ON/OFF [RIGHT 1] ̇ıÓ‰ËÚÒfl ‚Ó ‚Íβ˜ÂÌÌÓÏ ÔÓÎÓÊÂÌËË. ç‡ÊÏËÚ ÍÌÓÔÍÛ PART ON/OFF [RIGHT 2] ‰Îfl ‚Íβ˜ÂÌËfl Ô‡ÚËË. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ VOICE ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Voice selection Ë ‚˚·Ó‡ ÚÂÏ·‡ Ô‡ÚËË Right 2. ORGAN FLUTES 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ PRESET. 5 ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ԇÚËË Right 2 Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË è‡Ú˲ Right 2 ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ (ÂÒÎË Ó̇ ·˚· ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ Ì‡ÒÚÓÂ̇; ÒÚ. 182). í‡Í‡fl ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÎÂÁ̇ ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl Ô‡ÚËË Right 2 ‚Ó ‚ÂÏfl Ë„˚. 74 5 6 7 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 4 5 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J] ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡. à„‡ÈÚ ̇ ËÌÒÚÛÏÂÌÚÂ. ëÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ PART ON/OFF [RIGHT 2] ‰Îfl ‚˚Íβ˜ÂÌËfl Ô‡ÚËË. é‰ÌÓ‚ÂÏÂÌÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ ÇÓÒÔÓËÁ‚‰ÂÌË ‡ÁÌ˚ı ÚÂÏ·Ó‚ Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË (Ô‡ÚËË Right 1 Ë Left) 臂ÓÈ Ë Î‚ÓÈ Û͇ÏË ÏÓÊÌÓ Ë„‡Ú¸ ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË (Ô‡ÚËË Right 1 Ë Left). 1 2 3 ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÍÌÓÔ͇ PART ON/OFF [RIGHT 1] ̇ıÓ‰ËÚÒfl ‚Ó ‚Íβ˜ÂÌÌÓÏ ÒÓÒÚÓflÌËË. ç‡Á‚‡ÌË ÚÂÏ·‡ ‰Îfl ‚˚·‡ÌÌÓÈ Ô‡ÚËË ‚˚‰ÂÎflÂÚÒfl ˆ‚ÂÚÓÏ Ì‡ É·‚ÌÓÏ ˝Í‡ÌÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ PART ON/OFF [LEFT] ‰Îfl ‚Íβ˜ÂÌËfl Ô‡ÚËË. ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ VOICE ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Voice selection Ë ‚˚·Ó‡ ÚÂÏ·‡ Ô‡ÚËË Left. ORGAN FLUTES ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ PRESET. 5 5 6 7 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 4 4 5 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J] ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡. à„‡ÈÚ ̇ ËÌÒÚÛÏÂÌÚÂ. ëÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ PART ON/OFF [LEFT] ‰Îfl ‚˚Íβ˜ÂÌËfl Ô‡ÚËË. ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ԇÚËË Left Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË è‡Ú˲ Left ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ (ÂÒÎË Ó̇ ·˚· ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ Ì‡ÒÚÓÂ̇; ÒÚ. 182). í‡Í‡fl ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÎÂÁ̇ ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl Ô‡ÚËË Left ‚Ó ‚ÂÏfl Ë„˚. ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl („‡Ìˈ˚ ÏÂÊ‰Û ‰Ë‡Ô‡ÁÓ̇ÏË Í·‚˯ ‰Îfl Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ) ëÏ. ÒÚ. 100. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 75 àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ í‡ÌÒÔÓÌËÓ‚‡ÌË í‡ÌÒÔÓÌËÛÈÚ ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ ‚‚Âı ËÎË ‚ÌËÁ (‚ ÔÓÎÛÚÓ̇ı). • í‡ÌÒÔÓÌËÓ‚‡ÌË ‚Ó ‚ÂÏfl Ë„˚ Ü·Âχfl ‚Â΢Ë̇ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‚ÒÂ„Ó Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ ΄ÍÓ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÓÍ TRANSPOSE [–]/[+]. • í‡ÌÒÔÓÌËÓ‚‡ÌË ‰Ó Ë„˚ àÁÏÂÌËÚ Á̇˜ÂÌË ڇÌÒÔÓÌËÓ‚‡ÌËfl ̇ ˝Í‡Ì MIXING CONSOLE. åÓÊÌÓ Á‡‰‡Ú¸ Ú‡ÌÒÔÓÌËÓ‚‡ÌË ÔË Ë„Â Ì‡ Í·‚ˇÚÛ (KBD), ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (SONG) ËÎË ‚ÒÂ„Ó Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ (MASTER) ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [MIXING CONSOLE] → TAB [√][®] TUNE 2 ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1π†]–[3π†] ‰Îfl ̇ÒÚÓÈÍË Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl. íӘ̇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ èÓÏÌËÚÂ, ˜ÚÓ ÙÛÌ͈Ëfl Tune Ì ‚ÎËflÂÚ Ì‡ ÚÂÏ·˚ Drum Kit ËÎË SFX Kit. ÇÓÁÏÓÊÌÓÒÚ¸ ÚÓ˜ÌÓÈ Ì‡ÒÚÓÈÍË ‚˚ÒÓÚ˚ Á‚Û˜‡ÌËfl ËÌÒÚÛÏÂÌÚ‡ ÔÓÎÂÁ̇ ÔË ÒÓ‚ÏÂÒÚÌÓÈ Ë„Â Ì‡ Clavinova Ò ‰Û„ËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ËÎË ÔÓ‰ CD-ÙÓÌÓ„‡ÏÏÛ. 1 Ɉ (Ɉ): ùÚ‡ ‰ËÌˈ‡ ËÁÏÂÂÌËfl ˜‡ÒÚÓÚ˚ Á‚Û͇, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ˜ËÒÎÛ ÍÓη‡ÌËÈ Á‚ÛÍÓ‚ÓÈ ‚ÓÎÌ˚ ‚ ÒÂÍÛ̉Û. 2 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [√] MASTER TUNE ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [4π†]/[5π†] ‰Îfl ̇ÒÚÓÈÍË. óÚÓ·˚ ·˚ÒÚÓ ‚ÂÌÛÚ¸ Á‡‚Ó‰ÒÍÛ˛ ̇ÒÚÓÈÍÛ 440 Ɉ, ̇ÊÏËÚ ÍÌÓÔÍË [π] Ë [†] 4 ËÎË 5-È „ÛÔÔ Ó‰ÌÓ‚ÂÏÂÌÌÓ. åÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ åÓÊÌÓ ‚˚·Ë‡Ú¸ ‡Á΢Ì˚ ÒÚÓË ‰Îfl Ë„˚ ÒÓ ÒÔˆˇθÌ˚ÏË Ì‡ÒÚÓÈ͇ÏË, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏË ÓÚ‰ÂθÌ˚Ï ËÒÚÓ˘ÂÒÍËÏ ÔÂËÓ‰‡Ï ËÎË Ê‡Ì‡Ï. 1 2 3 76 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [A] MASTER TUNE/SCALE TUNE → TAB [®] SCALE TUNE Ç˚·ÂËÚ ԇÚ˲, ÒÚÓÈ ÍÓÚÓÓÈ ıÓÚËÚ ËÁÏÂÌËÚ¸, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†]. î·ÊÓÍ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÍË [8π]. Ç˚·ÂËÚ Ê·ÂÏ˚È ÒÚÓÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B]. ç‡ÒÚÓÈ͇ ͇ʉÓÈ ÌÓÚ˚ ÚÂÍÛ˘Â„Ó ÒÚÓfl ÔÓ͇Á‡Ì‡ ̇ ËÁÓ·‡ÊÂÌËË Í·‚ˇÚÛ˚ ‚ ‚ÂıÌÂÈ Ô‡‚ÓÈ ˜‡ÒÚË ˝Í‡Ì‡. àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇ 4 àÁÏÂÌËÚ ÒÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË. • ç‡ÒÚÓÈ͇ ÓÚ‰ÂθÌ˚ı ÌÓÚ Í·‚ˇÚÛ˚ (TUNE) 1 2 ç‡ÊËχÈÚ ÍÌÓÔÍÛ [3π†] ‰Îfl ‚˚·Ó‡ ̇Òڇ˂‡ÂÏÓÈ ÌÓÚ˚. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π†]/[5π†] ‰Îfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÈÍË ‚ ˆÂÌÚ‡ı. ñÂÌÚ: Ç ÏÛÁ˚Í «ˆÂÌÚ» ÓÁ̇˜‡ÂÚ 1/100-˛ ÔÓÎÛÚÓ̇. (100 ˆÂÌÚÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú Ó‰ÌÓÏÛ ÔÓÎÛÚÓÌÛ.) • ùÚË ÍÌÓÔÍË Á‡‰‡˛Ú ·‡ÁÓ‚Û˛ ÌÓÚÛ ‰Îfl Í‡Ê‰Ó„Ó ÒÚÓfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [2π†] ‰Îfl ‚˚·Ó‡ ·‡ÁÓ‚ÓÈ ÌÓÚ˚. ÖÒÎË ·‡ÁÓ‚‡fl ÌÓÚ‡ ËÁÏÂÌflÂÚÒfl, ÔÓËÒıÓ‰ËÚ Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‚˚ÒÓÚ˚ Á‚Û͇ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ, Ò ÒÓı‡ÌÂÌËÂÏ ËÒıÓ‰ÌÓ„Ó ÒÓÓÚÌÓ¯ÂÌËfl ÏÂÊ‰Û ‚˚ÒÓÚÓÈ ÌÓÚ. è‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ÚËÔ˚ ÒÚÓ‚ ó‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ Í‡Ê‰ÓÈ ÓÍÚ‡‚˚ ‰ÂÎËÚÒfl ̇ 12 ˜‡ÒÚÂÈ, Ò ‡‚ÌÓÏÂÌ˚Ï ‡ÒÔÓÎÓÊÂÌËÂÏ ÔÓÎÛÚÓÌÓ‚ ÔÓ ‚˚ÒÓÚÂ. ëÂȘ‡Ò ˝ÚÓ Ì‡Ë·ÓΠ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÒÚÓÈ ‚ ÏÛÁ˚ÍÂ. PURE MAJOR (˜ËÒÚ˚È Ï‡ÊÓ) PURE MINOR (˜ËÒÚ˚È ÏËÌÓ) Ç ˝ÚËı ÒÚÓflı ÒÓı‡ÌÂÌ˚ χÚÂχÚ˘ÂÒÍË ÚÓ˜Ì˚ ËÌÚ‚‡Î˚, ÓÒÓ·ÂÌÌÓ ‚ ÚÂÁ‚Û˜Ëflı (ÓÒÌÓ‚ÌÓÈ ÚÓÌ-ÚˆËfl-Í‚ËÌÚ‡). ü˜Â ‚ÒÂ„Ó Ú‡ÍÓÈ ÒÚÓÈ ÔÓfl‚ÎflÂÚÒfl ‚ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ‚Ó͇θÌ˚ı „‡ÏÓÌËflı – ıÓÓ‚ÓÏ ÔÂÌËË ËÎË ÔÂÌËË a ͇ÔÂη. PYTHAGOREAN (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ) ùÚÓÚ ÒÚÓÈ ·˚Î ‡Á‡·ÓÚ‡Ì Á̇ÏÂÌËÚ˚Ï „˜ÂÒÍËÏ ÙËÎÓÒÓÙÓÏ èËÙ‡„ÓÓÏ Ì‡ ÓÒÌÓ‚Â ˜ËÒÚ˚ı Í‚ËÌÚ, ÛÎÓÊÂÌÌ˚ı ‚ Ó‰ÌÛ ÓÍÚ‡‚Û. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÚˆËfl Ò΄͇ ÌÂÒÚ‡·Ëθ̇, ÌÓ Í‚‡Ú‡ Ë Í‚ËÌÚ‡ Á‚Û˜‡Ú ÔÂ͇ÒÌÓ Ë ıÓÓ¯Ó ÔÓ‰ıÓ‰flÚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ÏÂÎÓ‰Ëflı ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡. MEAN-TONE (ωˇθÌ˚È ÒÚÓÈ) ùÚÓÚ ÒÚÓÈ ÒÓÁ‰‡Ì Í‡Í ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡Ë‡ÌÚ èËÙ‡„ÓÂÈÒÍÓ„Ó Ë ÓÚ΢‡ÂÚÒfl ·ÓΠÒÚÓÈÌ˚Ï Á‚Û˜‡ÌËÂÏ Ï‡ÊÓÌÓÈ ÚˆËË. éÌ ·˚Î ÓÒÓ·ÂÌÌÓ ÔÓÔÛÎflÂÌ Ò ¯ÂÒÚ̇‰ˆ‡ÚÓ„Ó ÔÓ ‚ÓÒÂÏ̇‰ˆ‡Ú˚È ‚Â͇. ùÚËÏ ÒÚÓÂÏ ÔÓθÁÓ‚‡ÎÒfl ÉẨÂθ. WERCKMEISTER (ÒÚÓÈ ÇÂÍχÈÒÚ‡) KIRNBERGER (ÒÚÓÈ äË̷„‡) ùÚÓÚ ÒÓÒÚ‡‚ÌÓÈ ÒÚÓÈ ‡Á‡·ÓÚ‡Ì Ì‡ ÓÒÌÓ‚Â ‰‚Ûı ÒËÒÚÂÏ (Werckmeister Ë Kirnberger), Ô‰ÒÚ‡‚Îfl˛˘Ëı ÒÓ·ÓÈ ÛÎÛ˜¯ÂÌÌ˚ ‚‡Ë‡ÌÚ˚ ÔËÙ‡„ÓÂÈÒÍÓ„Ó Ë Ï‰ˇθÌÓ„Ó ÒÚÓ‚. É·‚̇fl ÓÒÓ·ÂÌÌÓÒÚ¸ ˝ÚÓ„Ó ÒÚÓfl ÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ÔË Â„Ó ËÒÔÓθÁÓ‚‡ÌËË Í‡Ê‰‡fl ÚÓ̇θÌÓÒÚ¸ ÔËÓ·ÂÚ‡ÂÚ ÓÒÓ·ÓÂ, ÛÌË͇θÌÓ Á‚Û˜‡ÌËÂ. éÌ ¯ËÓÍÓ ÔËÏÂÌflÎÒfl ‚Ó ‚ÂÏÂ̇ Ňı‡ Ë ÅÂÚıÓ‚Â̇; Ë ‰‡Ê ‚ ̇¯Â ‚ÂÏfl ËÒÔÓθÁÛÂÚÒfl ÔË ËÒÔÓÎÌÂÌËË ÒÚ‡ËÌÌ˚ı ÒÓ˜ËÌÂÌËÈ ‰Îfl Í·‚ÂÒË̇. ARABIC (‡‡·ÒÍËÈ) ùÚÓÚ ÒÚÓÈ ËÒÔÓθÁÛÂÚÒfl, ÍÓ„‰‡ ËÒÔÓÎÌflÂÚÒfl ‡‡·Ò͇fl ÏÛÁ˚͇. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ EQUAL TEMPERAMENT (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) å„ÌÓ‚ÂÌÌÓ ÔËÏÂÌÂÌË Ê·ÂÏÓ„Ó ÒÚÓfl á‡Ô˯ËÚ Ê·ÂÏ˚È ÒÚÓÈ ‚ Ô‡ÏflÚ¸ Registration Memory. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ù·ÊÓÍ SCALE ‚Íβ˜ÂÌ ‚Ó ‚ÂÏfl Á‡ÔËÒË (ÒÚ. 121). ç‡ÒÚÓ˜Ì˚ Á̇˜ÂÌËfl Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ÒÚÓ‚ (·‡ÁÓ‚ÓÈ ÌÓÚ˚ C) (‚ ˆÂÌÚ‡ı) C # C# D b Eb E F # F# G b Ab A b Bb B EQUAL TEMPERAMENT (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) 0 0 0 0 0 0 0 0 0 0 0 0 PURE MAJOR (˜ËÒÚ˚È Ï‡ÊÓ) 0 -29.7 3.9 15.6 -14.1 -2.3 -9.4 2.3 -27.3 -15.6 18.0 -11.7 PURE MINOR (˜ËÒÚ˚È ÏËÌÓ) 0 33.6 3.9 15.6 -14.1 -2.3 31.3 2.3 14.1 -15.6 18.0 -11.7 PYTHAGOREAN (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ) 0 14.1 3.9 -6.3 7.8 -2.3 11.7 2.3 15.6 6.3 -3.9 10.2 MEAN-TONE (ωˇθÌ˚È ÒÚÓÈ) 0 -24.2 -7.0 10.2 -14.1 3.1 -20.3 -3.1 -27.3 -10.2 7.0 -17.2 WERCKMEISTER (ÒÚÓÈ ÇÂÍχÈÒÚ‡) 0 -10.2 -7.8 -6.3 -10.2 -2.3 -11.7 -3.9 -7.8 -11.7 -3.9 -7.8 KIRNBERGER (ÒÚÓÈ äË̷„‡) 0 -10.2 -7.0 -6.3 -14.1 -2.3 -10.2 -3.1 -7.8 -10.2 -3.9 -11.7 ARABIC 1 (‡‡·ÒÍËÈ 1) 0 0 -50.0 0 0 0 0 0 0 -50.0 0 0 ARABIC 2 (‡‡·ÒÍËÈ 2) 0 0 0 0 -50.0 0 0 0 0 0 0 -50.0 * ç‡ ˝Í‡Ì ÓÚÓ·‡Ê‡ÂÚÒfl ÓÍÛ„ÎÂÌÌÓ Á̇˜ÂÌËÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 77 ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÔË Ë„Â ÚÂÏ·˚ ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÔË Ë„Â ÚÂÏ·˚ CVP ËÏÂÂÚ ÒÎÓÊÌÛ˛ ÏÌÓ„ÓÔÓˆÂÒÒÓÌÛ˛ ÒËÒÚÂÏÛ Ì‡ÎÓÊÂÌËfl ˝ÙÙÂÍÚÓ‚, Ôˉ‡˛˘Ëı ‚‡¯ÂÏÛ ËÒÔÓÎÌÂÌ˲ ˜ÂÁ‚˚˜‡ÈÌÛ˛ „ÎÛ·ËÌÛ Ë ‚˚‡ÁËÚÂθÌÓÒÚ¸. 1 2 Ç˚·ÂËÚ Ê·ÂÏÛ˛ Ô‡Ú˲, ̇ ÍÓÚÓÛ˛ ıÓÚËÚ ̇ÎÓÊËÚ¸ ˝ÙÙÂÍÚ˚, ̇ÊËχfl ÍÌÓÔÍË PART SELECT. ç‡ÊÏËÚ ÍÌÓÔÍÛ [VOICE EFFECT] ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì VOICE EFFECT. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 1 3 2 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ‰Îfl ̇ÎÓÊÂÌËfl ˝ÙÙÂÍÚÓ‚ ̇ ÚÂÏ·˚. 臇ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚ ÑÎfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ˝ÙÙÂÍÚ‡ Harmony/Echo ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ (ÒÚ. 182). Portamento: èÓÚ‡ÏÂÌÚÓ – ÙÛÌ͈Ëfl Ô·‚ÌÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ Ô‚ÓÈ ÌÓÚ˚, Ò˚„‡ÌÌÓÈ Ì‡ Í·‚ˇÚÛÂ, Í ÒÎÂ‰Û˛˘ÂÈ. ÇÂÏfl ÔÓÚ‡ÏÂÌÚÓ (‚ÂÏfl ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇) ÏÓÊÂÚ ·˚Ú¸ Á‡‰‡ÌÓ Ò ÔÓÏÓ˘¸˛ ˝Í‡Ì‡ MIXING CONSOLE (ÒÚ. 82). HARMONY/ECHO ùÙÙÂÍÚ˚ Harmony/Echo ÔËÏÂÌfl˛ÚÒfl Í ÚÂÏ·‡Ï Ô‡ÚËÈ Ô‡‚ÓÈ ÛÍË (ÒÚ. 79). MONO/POLY Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ Á‚Û˜‡ÌË ÚÂÏ·‡ Ô‡ÚËË ·Û‰ÂÚ ÏÓÌÓÙÓÌ˘ÂÒÍËÏ (‚ ͇ʉ˚È ÏÓÏÂÌÚ ‚ÂÏÂÌË Á‚Û˜ËÚ ÚÓθÍÓ Ó‰Ì‡ ÌÓÚ‡) ËÎË ÔÓÎËÙÓÌ˘ÂÒÍËÏ. êÂÊËÏ MONO ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl ·Óθ¯ÂÈ Â‡ÎËÒÚ˘ÌÓÒÚË ÓÚ‰ÂθÌ˚ı ÒÓÎËÛ˛˘Ëı Á‚ÛÍÓ‚ (̇ÔËÏÂ, ωÌ˚ı ‰ÛıÓ‚˚ı ËÌÒÚÛÏÂÌÚÓ‚). éÌ Ú‡ÍÊ ÔÓÁ‚ÓÎflÂÚ fl‚ÌÓ ÛÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÔÓÚ‡ÏÂÌÚÓ (‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡), Ë„‡fl ΄‡ÚÓ. DSP/DSP VARIATION ë ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌ˚ı ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚ ÒËÌÚÂÁ‡ÚÓ‡ ÏÓÊÌÓ ‰Ó·‡‚ËÚ¸ ‡ÎËÒÚ˘ÌÛ˛ ‡ÍÛÒÚ˘ÂÒÍÛ˛ ÒÂ‰Û Ë „ÎÛ·ËÌÛ ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË. ç‡ÔËÏÂ, ÔË Ì‡ÎÓÊÂÌËË ˝ÙÙÂÍÚ‡ ‚·‡ˆËË ÏÛÁ˚͇ Á‚Û˜ËÚ Í‡Í ‚ ÍÓ̈ÂÚÌÓÏ Á‡ÎÂ. • Ç˚Íβ˜‡ÚÂθ DSP ËÒÔÓθÁÛÂÚÒfl ‰Îfl ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl ˝ÙÙÂÍÚ‡ DSP (ˆËÙÓ‚Ó„Ó Ò˄̇θÌÓ„Ó ÔÓˆÂÒÒÓ‡) ‰Îfl ‚˚·‡ÌÌÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ Ô‡ÚËË. • Ç˚Íβ˜‡ÚÂθ DSP Variation ËÒÔÓθÁÛÂÚÒfl ‰Îfl Á‡‰‡ÌËfl ‚‡Ë‡ˆËË ˝ÙÙÂÍÚ‡ DSP. ç‡ÔËÏÂ, ÓÌ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl ËÁÏÂÌÂÌËfl ÒÍÓÓÒÚË ‚‡˘ÂÌËfl (·˚ÒÚÓ/ωÎÂÌÌÓ) ‚ ˝ÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇. DSP: ê‡Ò¯ËÙÓ‚˚‚‡ÂÚÒfl Í‡Í Digital Signal Processor (ñËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ). DSP ËÁÏÂÌflÂÚ Ë ÛÎÛ˜¯‡ÂÚ Á‚ÛÍÓ‚ÓÈ Ò˄̇Π‚ ˆËÙÓ‚ÓÏ Ô‰ÒÚ‡‚ÎÂÌËË, ÒÓÁ‰‡‚‡fl ¯ËÓÍËÈ Ì‡·Ó ˝ÙÙÂÍÚÓ‚. Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ Harmony/Echo Ü·ÂÏ˚È ÚËÔ ˝ÙÙÂÍÚ‡ Harmony/Echo ÏÓÊÌÓ ‚˚·‡Ú¸ ËÁ ÏÌÓ„Ëı ‚‡Ë‡ÌÚÓ‚. óÚÓ·˚ ÔËÏÂÌËÚ¸ ‚˚·‡ÌÌ˚È ÚËÔ, ÛÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ HARMONY/ECHO ‚ ÒÓÒÚÓflÌË On ̇ ˝Í‡ÌÂ, ÔÓ͇Á‡ÌÌÓÏ ‚˚¯Â ‚ ¯‡„ 2. 1 2 3 78 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [F] HARMONY/ECHO π†]–[3π π†] ‰Îfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Harmony/Echo àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π (ÒÚ. 79). π†]–[8π π†] ‰Îfl Á‡‰‡ÌËfl ‡Á΢Ì˚ı ̇ÒÚÓÂÍ ˝ÙÙÂÍÚ‡ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π Harmony/Echo (ÒÚ. 80). ëÔËÒÓÍ ‚ÓÁÏÓÊÌ˚ı Ô‡‡ÏÂÚÓ‚ Á‡‚ËÒËÚ ÓÚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Harmony/Echo. ç‡ÎÓÊÂÌË ˝ÙÙÂÍÚÓ‚ ̇ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÔË Ë„Â ÚÂÏ·˚ íËÔ˚ ˝ÙÙÂÍÚ‡ Harmony/Echo Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÍÓÌÍÂÚÌÓ„Ó ÔËÏÂÌflÂÏÓ„Ó ˝ÙÙÂÍÚ‡, ÚËÔ˚ Harmony/Echo ‰ÂÎflÚÒfl ̇ ÒÎÂ‰Û˛˘Ë „ÛÔÔ˚. íËÔ˚ Harmony èËÏÂÌfl˛Ú ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Harmony Í ÌÓÚ‡Ï, Ò˚„‡ÌÌ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË, ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ‡ÍÍÓ‰ÓÏ, Á‡‰‡ÌÌ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ ΂ÓÈ ÛÍË. (é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ‡ÍÍÓ‰˚ Ì ‚ÎËfl˛Ú ̇ ̇ÒÚÓÈÍË «1+5» Ë «Octave».) íËÔ˚ Echo ÑÓ·‡‚Îfl˛Ú ˝ÙÙÂÍÚ˚ Echo Í Ë„‡ÂÏ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ ԇ‚ÓÈ ÛÍË ÌÓÚ‡Ï ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË ÚÂÍÛ˘ËÏ Á‡‰‡ÌÌ˚Ï ÚÂÏÔÓÏ. íËÔ Multi Assign ç‡Í·‰˚‚‡ÂÚ ÒÔˆ˝ÙÙÂÍÚ˚ ̇ ‡ÍÍÓ‰˚, ÔÓË„˚‚‡ÂÏ˚ ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË. íӘ͇ ‡Á‰ÂÎÂÌËfl íӘ͇ ‡Á‰ÂÎÂÌËfl ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎÂÈ Ë ˝ÙÙÂÍÚ‡ Harmony íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚(‰Îfl ÒÚËÎfl) ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ íÂÏ· ‰Îfl ‚ÓÒÔÓËÁ‚Â- Ô‡ÚËË ‰ÂÌËfl ÒÚËÎfl Ë ˝Ù- Left ÙÂÍÚ‡ Harmony íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (‰Îfl ÚÂÏ·‡ Í·‚ˇÚÛ˚) íÂÏ· Ô‡ÚËË Left Ë ‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ ‰Îfl ˝ÙÙÂÍÚ‡ Harmony ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ● íËÔ˚ Harmony ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Harmony, ÚÓ ˝ÙÙÂÍÚ ÔËÏÂÌflÂÚÒfl Í ÔÓË„˚‚‡ÂÏ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË ÌÓÚ‡Ï ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÚËÔÓÏ, ‚˚·‡ÌÌ˚Ï ‚˚¯Â, Ë ‡ÍÍÓ‰ÓÏ, Û͇Á‡ÌÌÓÏ ‚ ÔÓ͇Á‡ÌÌÓÏ ÌËÊ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚ Í·‚ˇÚÛ˚. èÂ˚‚‡ÌË Á‚Û˜‡ÌËfl ‡ÍÍÓ‰‡ ‰Îfl ˝ÙÙÂÍÚ‡ Harmony èÂ˚‚‡ÂÚ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, Ë„‡ÂÏÓ„Ó ‚ ‡ÍÍÓ‰Ó‚ÓÏ ‰Ë‡Ô‡ÁÓÌ Í·‚ˇÚÛ˚, ÓÒÚ‡‚Îflfl Î˯¸ ˝ÙÙÂÍÚ Harmony. ìÒÚ‡ÌÓ‚ËÚ [ACMP ON/ OFF] ‚ On, [SYNC START] ‚ Off, Ë ‚˚·ÂËÚ Á̇˜ÂÌË “Off” ‰Îfl Ô‡‡ÏÂÚ‡ Stop Accompaniment (ÔÂ͇ÚËÚ¸ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ). Ô‡ÚËfl Right 1 Ô‡ÚËfl Right 2 íÂÏ·˚ Ô‡ÚËfl Right 1 Ô‡ÚËfl Right 2 íÂÏ·˚ ● íËÔ Multi Assign ùÙÙÂÍÚ Multi Assign ‡‚ÚÓχÚ˘ÂÒÍË ‡Á‚Ó‰ËÚ Ë„‡ÂÏ˚ ӉÌÓ‚ÂÏÂÌÌÓ ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÌÓÚ˚ ÔÓ ‡ÁÌ˚Ï Ô‡ÚËflÏ (ÚÂÏ·‡Ï). èË ËÒÔÓθÁÓ‚‡ÌËË ˝ÙÙÂÍÚ‡ Multi Assign ‰ÓÎÊÌ˚ ·˚Ú¸ ‚Íβ˜ÂÌ˚ Ó·Â Ô‡ÚËË [RIGHT 1] Ë [RIGHT 2]. íÂÏ·˚ Ô‡ÚËÈ Right 1 Ë Right 2 ÔÓÔÂÂÏÂÌÌÓ ÔËÒ‚‡Ë‚‡˛ÚÒfl ÌÓÚ‡Ï ‚ ÔÓfl‰Í ̇ʇÚËfl Í·‚˯. ● íËÔ˚ Echo ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Echo, ÚÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ˝ÙÙÂÍÚ (echo, tremolo, trill) ̇Í·‰˚‚‡ÂÚÒfl ̇ ÌÓÚÛ, Ë„‡ÂÏÛ˛ ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË, ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡‰‡ÌÌ˚Ï ÚÂÏÔÓÏ, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÎÓÊÂÌËfl ÍÌÓÔÍË [ACMP ON/OFF] Ë ‚Íβ˜ÂÌÌÓ„Ó/‚˚Íβ˜ÂÌÌÓ„Ó ÒÓÒÚÓflÌËfl Ô‡ÚËË Left. é·‡ÚËÚ ‚ÌËχÌËÂ, ˜ÚÓ ˝ÙÙÂÍÚ Trill ‰ÂÈÒÚ‚ÛÂÚ ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Ì‡Ê‡ÚËË ‰‚Ûı Í·‚˯ (ÂÒÎË Ì‡Ê‡ÚÓ ·ÓΠ‰‚Ûı Í·‚˯, ËÒÔÓθÁÛ˛ÚÒfl ‰‚ ÔÓÒΉÌË ÌÓÚ˚) Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ ‰‚ ÌÓÚ˚ ÔÓ Ó˜Â‰Ë. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 79 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ç‡ÒÚÓÈÍË ˝ÙÙÂÍÚ‡ Harmony/Echo VOLUME ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚, ÍÓÏ «Multi Assign». éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÌÓÚ, ÒÓÁ‰‡ÌÌ˚ı ˝ÙÙÂÍÚÓÏ Harmony/Echo. SPEED ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ Î˯¸ ÔË ‚˚·Ó ÚËÔÓ‚ Echo, Tremolo ËÎË Trill. ᇉ‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚÓ‚ Echo, Tremolo, Ë Trill. ASSIGN ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚, ÍÓÏ «Multi Assign». èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ô‡Ú˲, ˜ÂÂÁ ÍÓÚÓÛ˛ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡. CHORD NOTE ONLY ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ÔË ‚˚·Ó ӉÌÓ„Ó ËÁ ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Harmony. ÖÒÎË ‰Îfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‚˚·‡ÌÓ Á̇˜ÂÌË «ON», ÚÓ ˝ÙÙÂÍÚ Harmony ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ÌÓÚ‡Ï ‡ÍÍÓ‰‡ (Ë„‡ÂÏ˚Ï ‚ ‰Ë‡Ô‡ÁÓÌ Í·‚˯ Ô‡‚ÓÈ ÛÍË), Ò˚„‡ÌÌÓ„Ó ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚ ̇ Í·‚ˇÚÛÂ. TOUCH LIMIT ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ ‰Îfl ‚ÒÂı ÚËÔÓ‚ ÍÓÏ «Multi Assign». ᇉ‡ÂÚ ÏËÌËχθÌÓ Á̇˜ÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl, ÌÂÓ·ıÓ‰ËÏÓÂ, ˜ÚÓ·˚ Á‡Á‚Û˜‡Î‡ ÌÓÚ‡ „‡ÏÓÌËÁ‡ˆËË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÔËÏÂÌflÚ¸ ˝ÙÙÂÍÚ Harmony ‚˚·ÓÓ˜ÌÓ, ËÁÏÂÌflfl ÒËÎÛ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë, Ë ‡ÒÒÚ‡‚ÎflÚ¸ „‡ÏÓÌ˘ÂÒÍË ‡ÍˆÂÌÚ˚ ‚ ÏÂÎÓ‰ËË. ùÙÙÂÍÚ Harmony ÔËÏÂÌflÂÚÒfl, ÂÒÎË ÒË· (ÒÍÓÓÒÚ¸) ̇ʇÚËfl ̇ Í·‚Ë¯Û ‚˚¯Â Á‡‰‡ÌÌÓ„Ó Á̇˜ÂÌËfl. ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ùÍ‡Ì Mixing Console ‰‡ÂÚ ËÌÚÛËÚË‚Ì˚È ÍÓÌÚÓθ ̇‰ Ò‚ÓÈÒÚ‚‡ÏË ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ Ë Í‡Ì‡Î‡ÏË ÔÂÒÌË/ÒÚËÎfl, ‚Íβ˜‡fl ·‡Î‡ÌÒ „ÓÏÍÓÒÚË Ë ÚÂÏ· Á‚ÛÍÓ‚. èÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Ë ÒÚÂÂÓÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏËÓ‚‡ÌËÂ) Í‡Ê‰Ó„Ó ÚÂÏ·‡ ‰Îfl ‰ÓÒÚËÊÂÌËfl ̇ËÎÛ˜¯Â„Ó ·‡Î‡ÌÒ‡ Ë ÒÚÂÂÓÙÓÌ˘ÂÒÍÓ„Ó ‡ÁÏ¢ÂÌËfl Ë ÛÔ‡‚ÎflÚ¸ ÚÂÏ, Í‡Í Ì‡Í·‰˚‚‡˛ÚÒfl ˝ÙÙÂÍÚ˚. éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MIXING CONSOLE, ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXING CONSOLE]. 2 1, 3 4 4 5 2 80 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√]/[®] ‰Îfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ ̇ÒÚÓÂÍ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚ‡ı, ÒÏÓÚËÚ ‡Á‰ÂÎ «ç‡Òڇ˂‡ÂÏ˚ ӷ˙ÂÍÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ˝Í‡Ì MIXING CONSOLE» ̇ ÒÚ. 82. ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) 3 4 5 6 óÚÓ·˚ ÔÂÂÈÚË Í ˝Í‡ÌÛ MIXING CONSOLE ‰Îfl ÌÛÊÌÓÈ Ô‡ÚËË, ÌÂÒÍÓθÍÓ ‡Á ̇ÊÏËÚ ÍÌÓÔÍÛ [MIXING CONSOLE]. ù͇Ì˚ MIXING CONSOLE ̇ Ò‡ÏÓÏ ‰ÂΠÒÓÒÚÓflÚ ËÁ ÌÂÒÍÓθÍËı ˝Í‡ÌÓ‚ ‰Îfl ‡ÁÌ˚ı Ô‡ÚËÈ. ç‡Á‚‡ÌË ԇÚËË Û͇Á˚‚‡ÂÚÒfl ‚‚ÂıÛ ˝Í‡Ì‡. ç‡ ‡Á΢Ì˚ı ˝Í‡Ì‡ı MIXING CONSOLE ‚˚‰ÂÎfl˛Ú ÒÎÂ‰Û˛˘Ë ˝Í‡Ì˚: ˝Í‡Ì PANEL PART → ˝Í‡Ì STYLE PART → ˝Í‡Ì SONG CH 1-8 → ˝Í‡Ì SONG CH 9-16 é Ô‡ÚËflı ëÏ. ‰‡ÎÂÂ. óÚÓ·˚ ‚˚·‡Ú¸ Ê·ÂÏ˚È Ô‡‡ÏÂÚ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[8π†] ‰Îfl ÛÒÚ‡ÌÓ‚ÍË Á̇˜ÂÌËfl. ëÓı‡ÌËÚ ̇ÒÚÓÈÍË ˝Í‡Ì‡ MIXING CONSOLE. • ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ PANEL PART á‡Ô˯ËÚ Ëı ‚ Ô‡ÏflÚ¸ Registration Memory (ÒÚ. 121). ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ • ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ STYLE PART ëÓı‡ÌËÚ Ëı Í‡Í ‰‡ÌÌ˚ ÒÚËÎfl. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì STYLE CREATOR, ̇ÊÏËÚ ÍÌÓÔÍÛ [B]. 3 óÚÓ·˚ Á‡Í˚Ú¸ ˝Í‡Ì RECORD, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. 4 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ Ò ˆÂθ˛ ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE) Ë Á‡ÚÂÏ ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). å„ÌÓ‚ÂÌÌÓ ÔËÒ‚ÓÂÌË ӉË̇ÍÓ‚˚ı Á̇˜ÂÌËÈ ‚ÒÂÏ Ô‡ÚËflÏ èÓÒΠ‚˚·Ó‡ Ô‡‡ÏÂÚ‡ ‚ ¯‡„ 4 ‚˚ ÏÓÊÂÚ ÌÂωÎÂÌÌÓ ÔËÒ‚ÓËÚ¸ ÚÓ Ê Á̇˜ÂÌË ‚ÒÂÏ ÓÒڇθÌ˚Ï Ô‡ÚËflÏ. ÑÎfl ˝ÚÓ„Ó, Û‰ÂÊË‚‡fl Ó‰ÌÛ ËÁ ÍÌÓÔÓÍ [A] – [J], ̇ÊÏËÚ ÍÌÓÔÍÛ [1]–[8] ËÎË ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ‰ËÒÍÓÏ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. • ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ ˝Í‡Ì‡ SONG CH 1-8/9-16 ë̇˜‡Î‡ Á‡Â„ËÒÚËÛÈÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚ ̇ÒÚÓÈ͇ Í‡Í ˜‡ÒÚ¸ ‰‡ÌÌ˚ı ÔÂÒÌË (SET UP), Á‡ÚÂÏ ÒÓı‡ÌËÚ ÔÂÒÌ˛. ëÏ. SONG CREATOR → ˝Í‡Ì CHANNEL → ÓÔËÒ‡ÌË ÍÓχ̉˚ SETUP ̇ ÒÚ. 152. é Ô‡ÚËflı PANEL PART ç‡ ˝Í‡Ì PANEL PART ˝Í‡Ì‡ MIXING CONSOLE, ÏÓÊÌÓ ÌÂÁ‡‚ËÒËÏÓ Ì‡ÒÚÓËÚ¸ „ÓÏÍÓÒÚ¸ Ô‡ÚËÈ Í·‚ˇÚÛ˚ (RIGHT 1, RIGHT 2 Ë LEFT) Ô‡ÚËÈ SONG, STYLE Ë MIC (CVP-305/303). ùÍ‡Ì ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚Îfl˛ÚÒfl ̇ ˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [BALANCE] ̇ Ô‡ÌÂÎË. STYLE PART ëÚËθ ÒÓÒÚÓËÚ ËÁ ‚ÓÒ¸ÏË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. á‰ÂÒ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ ˝ÚËı ‚ÓÒ¸ÏË Í‡Ì‡ÎÓ‚ ËÎË Ô‡ÚËÈ. ùÍ‡Ì ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚Îfl˛ÚÒfl ̇ ˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [CHANNEL ON/OFF] ̇ Ô‡ÌÂÎË ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ STYLE. SONG CH 1–8/9–16 èÂÒÌfl ÒÓÒÚÓËÚ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. á‰ÂÒ¸ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ·‡Î‡ÌÒ ˝ÚËı ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚ ËÎË Ô‡ÚËÈ. ê‡Á‰ÂÎ ÒÓ‰ÂÊËÚ Ú Ê ԇ‡ÏÂÚ˚, ˜ÚÓ ÔÓfl‚Îfl˛ÚÒfl ̇ ˝Í‡Ì ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [CHANNEL ON/OFF] ̇ Ô‡ÌÂÎË ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SONG. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 81 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ç‡Òڇ˂‡ÂÏ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì‡ı MIXING CONSOLE чΠ‡Á˙flÒÌfl˛ÚÒfl ‰ÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì‡ı MIXING CONSOLE. VOL/VOICE • ä‡Ì‡Î RHY2 ̇ ˝Í‡Ì STYLE PART ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÚÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ (Drum Kit), Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ (Voices) ËÎË ÒÔˆ˝ÙÙÂÍÚÓ‚ (SFX). • èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ ÙÓχÚ GM, 10-È Í‡Ì‡Î (ÒÚ‡Ìˈ‡ SONG CH 9 -16) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ ‰Îfl ÚÂÏ·‡ ËÁ „ÛÔÔ˚ Û‰‡Ì˚ı Drum Kit. SONG AUTO REVOICE ëÏ. ÒÚ. 83. VOICE èÓÁ‚ÓÎflÂÚ ÔÂÂÓÔ‰ÂÎËÚ¸ ÚÂÏ· ͇ʉÓÈ ËÁ Ô‡ÚËÈ. ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl ͇̇Î˚ ÒÚËÎfl, ÌÂθÁfl ‚˚·‡Ú¸ ÚÂÏ·˚ Organ Flutes ËÎË ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ. ÖÒÎË ËÒÔÓθÁÛ˛ÚÒfl ͇̇Î˚ ÔÂÒÌË, ÌÂθÁfl ‚˚·‡Ú¸ ÒÓÁ‰‡ÌÌ˚ ÔÓθÁÓ‚‡ÚÂÎÂÏ ÚÂÏ·˚. PANPOT éÔ‰ÂÎflÂÚ ÒÚÂÂÓÔÓÎÓÊÂÌË ‚˚·‡ÌÌÓÈ Ô‡ÚËË (͇̇·) VOLUME éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ͇ʉÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ÚÓ˜ÌÓ ÍÓÌÚÓÎËÓ‚‡Ú¸ ·‡Î‡ÌÒ ‚ÒÂı Ô‡ÚËÈ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ FILTER HARMONIC CONTENT èÓÁ‚ÓÎflÂÚ Â„ÛÎËÓ‚‡Ú¸ ˝ÙÙÂÍÚ ÂÁÓ̇ÌÒ‡ (ÒÏ. ÒÚ. 91) ‰Îfl ͇ʉÓÈ Ô‡ÚËË. BRIGHTNESS éÔ‰ÂÎflÂÚ flÍÓÒÚ¸ Á‚Û͇ ͇ʉÓÈ Ô‡ÚËË ÔÛÚÂÏ Â„ÛÎËÓ‚ÍË „‡Ì˘ÌÓÈ ˜‡ÒÚÓÚ˚ (ÒÚ. 91). TUNE PORTAMENTO TIME èÓÚ‡ÏÂÌÚÓ – ÙÛÌ͈Ëfl Ô·‚ÌÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ Ô‚ÓÈ ÌÓÚ˚, Ò˚„‡ÌÌÓÈ Ì‡ Í·‚ˇÚÛÂ, Í ÒÎÂ‰Û˛˘ÂÈ. ÇÂÏfl ÔÓÚ‡ÏÂÌÚÓ ÓÔ‰ÂÎflÂÚ ‚ÂÏfl ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ‰Óθ¯Â ËÁÏÂÌflÂÚÒfl ‚˚ÒÓÚ‡ Á‚Û͇. ÖÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ‚˚·‡ÌÓ Á̇˜ÂÌË «0», ËÁÏÂÌÂÌËfl Ì ÔÓËÒıÓ‰ËÚ. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ, ÂÒÎË ‰Îfl ÚÂÍÛ˘ÂÈ Ô‡ÚËË Í·‚ˇÚÛ˚ ‚˚·‡Ì ÂÊËÏ Mono (ÒÚ. 78). PITCH BEND RANGE éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚ (ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË ‰Îfl ‚Íβ˜ÂÌËfl ˝ÚÓÈ ÙÛÌ͈ËË). OCTAVE éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÓÍÚ‡‚‡ı ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚. TUNING éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚. TRANSPOSE èÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ Ú‡ÌÒÔÓÌËÓ‚‡ÌË ‰Îfl ‚˚ÒÓÚ˚ Á‚Û͇ Í·‚ˇÚÛ˚ (KEYBOARD), ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË (SONG) ËÎË ‚ÒÂ„Ó ÔÓËÁ‚Ó‰ËÏÓ„Ó ËÌÒÚÛÏÂÌÚÓÏ Á‚Û͇ (MASTER), ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. EFFECT 82 TYPE Ç˚·ÂËÚ Ê·ÂÏ˚È ÚËÔ ˝ÙÙÂÍÚ‡ (ÒÚ. 85). èÓÒΠ‰‡ÍÚËÓ‚‡ÌËfl ‡Á΢Ì˚ı Ô‡‡ÏÂÚÓ‚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡, ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ‚ ‚ˉ ÌÓ‚Ó„Ó ˝ÙÙÂÍÚ‡. REVERB ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ Reverb. ëÔ‡‚‡ ÓÚ Ì‡‰ÔËÒË «REVERB» ‚ Á‡„ÓÎÓ‚Í ÓÚÓ·‡Ê‡ÂÚÒfl ̇Á‚‡ÌË ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ‚·‡ˆËË. CHORUS ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ Chorus. DSP ê„ÛÎËÛÂÚ ÛÓ‚Â̸ Ó·‡·ÓÚÍË Í‡Ê‰ÓÈ Ô‡ÚËË ËÎË Í‡Ì‡Î‡ ˝ÙÙÂÍÚÓÏ DSP. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) EQ (ùÍ‚‡Î‡ÈÁÂ) TYPE Ç˚·ÂËÚ Ê·ÂÏ˚È ÚËÔ ˝Í‚‡Î‡ÈÁ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÏÛÁ˚ÍÂ Ë ÓÍÛʇ˛˘ÂÈ Ó·ÒÚ‡ÌÓ‚Í (ÒÚ. 87). ùÚÓ Ó͇ÊÂÚ ‚ÎËflÌË ̇ Á‚Û˜‡ÌË CVP ‚ ˆÂÎÓÏ. EDIT ç‡ÒÚÓÈ͇ EQ (ÒÚ. 87). EQ HIGH éÔ‰ÂÎflÂÚ ˆÂÌڇθÌÛ˛ ˜‡ÒÚÓÚÛ ‚˚ÒÓÍÓ˜‡ÒÚÓÚÌÓÈ ÔÓÎÓÒ˚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ‡fl ÓÒ··ÎflÂÚÒfl ËÎË ÛÒËÎË‚‡ÂÚÒfl ‰Îfl ͇ʉÓÈ Ô‡ÚËË. EQ LOW éÔ‰ÂÎflÂÚ ˆÂÌڇθÌÛ˛ ˜‡ÒÚÓÚÛ ÌËÁÍÓ˜‡ÒÚÓÚÌÓÈ ÔÓÎÓÒ˚ ˝Í‚‡Î‡ÈÁ‡, ÍÓÚÓ‡fl ÓÒ··ÎflÂÚÒfl ËÎË ÛÒËÎË‚‡ÂÚÒfl ‰Îfl ͇ʉÓÈ Ô‡ÚËË. Song Auto Revoice 1–3 4 5 èӈ‰ۇ ÓÔË҇̇ ‚ ‡Á‰ÂΠ«éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ̇ ÒÚ. 80. Ç ¯‡„ 2 ‚˚·ÂËÚ ‚Í·‰ÍÛ VOL/VOICE. ç‡ÊÏËÚ ÍÌÓÔÍÛ [G] (SETUP) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ AUTO REVOICE SETUP. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[3π†] ‰Îfl ‚˚·Ó‡ Á‡ÏÂÌflÂÏÓ„Ó ÚÂÏ·‡. 5 6 6 7 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π†]–[6π†] ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡ ‚ÏÂÒÚÓ XG-ÚÂÏ·‡, ‚˚·‡ÌÌÓ„Ó ‚ ¯‡„ 5. ç‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ [F]/[I]/[J] ÏÓÊÌÓ ‚˚·‡Ú¸ ÏÂÊ‰Û ÌÂÒÍÓθÍËÏË ‡Á΢Ì˚ÏË Ì‡ÒÚÓÈ͇ÏË ÙÛÌ͈ËË Á‡ÏÂÌ˚ ÚÂÏ·Ó‚ Revoice, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Û‰Ó·ÌÓ ‚Íβ˜ËÚ¸ ÂÍÓÏẨÛÂÏ˚ ̇ÒÚÓÈÍË Ó‰ÌËÏ ‰‚ËÊÂÌËÂÏ. ALL REVOICE: PIANO REVOICE: BASIC REVOICE: ALL NO REVOICE: 7 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍË ‚˚ÒÓÍÓ„Ó Í‡˜ÂÒÚ‚‡, ˜ÚÓ·˚ χÍÒËχθÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚË ËÌÒÚÛÏÂÌÚ‡ ÔË ÔÓÒÎۯ˂‡ÌËË ÔÂÒÂÌ, ÒÓ‚ÏÂÒÚËÏ˚ı Ò ÙÓχÚÓÏ XG. èË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰ÓÒÚÛÔÌ˚ı ‰Îfl ÔËÓ·ÂÚÂÌËfl ËÎË ÒÓÁ‰‡ÌÌ˚ı ̇ ‰Û„Ëı ËÌÒÚÛÏÂÌÚ‡ı ÔÂÒÂÌ ‚ ÙÓχÚ XG, ÙÛÌÍˆË˛ Auto Revoice ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‡‚ÚÓχÚ˘ÂÒÍÓÈ Á‡ÏÂÌ˚ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ ̇ ÒÔˆˇθÌÓ ÒÓÁ‰‡ÌÌ˚ ‰Îfl Clainova ÚÂÏ·˚ (Natural!, Live!, Cool!, Ë Ú.‰.) ‚ÏÂÒÚÓ Ó·˚˜Ì˚ı ÚÂÏ·Ó‚ XG ÚÓ„Ó Ê ÚËÔ‡. èÓËÁ‚Ó‰ËÚ ÔÓÎÌÛ˛ Á‡ÏÂÌÛ ‚ÒÂı Á‡ÏÂÌËÏ˚ı ÚÂÏ·Ó‚ XG ̇ ‚˚ÒÓÍÓ͇˜ÂÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ Clavinova. á‡ÏÂÌflÂÚ ‚Ò ÚÂÏ·˚ ÔˇÌËÌÓ. á‡ÏÂÌflÂÚ ÚÓθÍÓ ÂÍÓÏẨÛÂÏ˚ ÚÂÏ·˚, ÔÓ‰ıÓ‰fl˘Ë ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÍÓÌÍÂÚÌÓÈ ÔÂÒÌË. ÇÓÁ‚‡˘‡ÂÚ ‚Ò ÚÂÏ·˚ Í Ô‚Ó̇˜‡Î¸Ì˚Ï ÚÂÏ·‡Ï XG. ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK) ˜ÚÓ·˚ ÔËÏÂÌËÚ¸ ̇ÒÚÓÈÍË Revoice. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 83 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Á‡ÏÂÌ˚ ÚÂÏ·Ó‚ ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). 8 ÇÓ ‚Í·‰Í VOL/VOICE ̇ÊÏËÚ ÍÌÓÔÍÛ [F] ‰Îfl ‚Íβ˜ÂÌËfl ÂÊËχ SONG AUTO REVOICE. íËÔ ˝ÙÙÂÍÚ‡ ■ Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 1–3 èӈ‰ۇ ÓÔË҇̇ ‚ ‡Á‰ÂΠ«éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ̇ ÒÚ. 80. Ç ¯‡„ 2 ‚˚·ÂËÚ ‚Í·‰ÍÛ EFFECT. 4 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] (TYPE). 5 π†]/[2π π†] Ë ‚˚·ÂËÚ „ÛÔÔÛ ˝ÙÙÂÍÚÓ‚ (BLOCK). ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1π DSP: ê‡Ò¯ËÙÓ‚˚‚‡ÂÚÒfl Í‡Í Digital Signal Processor (ñËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ) DSP ËÁÏÂÌflÂÚ Ë ÛÎÛ˜¯‡ÂÚ Á‚ÛÍÓ‚ÓÈ Ò˄̇Π‚ ˆËÙÓ‚ÓÏ Ô‰ÒÚ‡‚ÎÂÌËË, ÒÓÁ‰‡‚‡fl ¯ËÓÍËÈ Ì‡·Ó ˝ÙÙÂÍÚÓ‚. 5 84 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 6 7 8 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) ÉÛÔÔ‡ ˝ÙÙÂÍÚÓ‚ è‡ÚËË, Í ÍÓÚÓ˚Ï ÏÓÊÌÓ ÔËÏÂÌËÚ¸ ˝ÙÙÂÍÚ. ÍÚÂËÒÚËÍË ˝ÙÙÂÍÚ‡ REVERB ÇÒ ԇÚËË ÇÓÒÔÓËÁ‚Ó‰ËÚ Û˛ÚÌÛ˛ ‡ÚÏÓÒÙÂÛ Ë„˚ ‚ ÍÓ̈ÂÚÌÓÏ Á‡Î ËÎË ‰Ê‡Á-ÍÎÛ·Â. CHORUS ÇÒ ԇÚËË ëÓÁ‰‡ÂÚ ·Ó„‡Ú˚È Ë Ì‡Ò˚˘ÂÌÌ˚È Á‚ÛÍ, Í‡Í ÂÒÎË ·˚ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Á‚Û˜‡ÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ. DSP1 STYLE PART SONG CHANNNEL 1–16 Ç ‰ÓÔÓÎÌÂÌËÂ Í ˝ÙÙÂÍÚ‡Ï Reverb Ë Chorus ‚ ÒËÌÚÂÁ‡ÚÓ Clavinova ÂÒÚ¸ ÒÔˆˇθÌ˚ ˝ÙÙÂÍÚ˚ DSP, ‚ ÚÓÏ ˜ËÒΠ˝ÙÙÂÍÚ˚ ÔËÏÂÌflÂÏ˚ ‰Îfl ÓÒÓ·ÂÌÌ˚ı Ô‡ÚËÈ, ̇ÔËÏ ËÒ͇ÊÂÌËÂ Ë ÚÂÏÓÎÓ. DSP2 DSP3 RIGHT 1, RIGHT 2, LEFT, SONG CHANNEL 1–16 çÂËÒÔÓθÁÓ‚‡ÌÌ˚ „ÛÔÔ˚ ˝ÙÙÂÍÚÓ‚ DSP ‡‚ÚÓχÚ˘ÂÒÍË ‡ÒÔ‰ÂÎfl˛ÚÒfl ÔÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ô‡ÚËflÏ (͇̇·Ï) ÔÓ Ï ̇‰Ó·ÌÓÒÚË. DSP4 RIGHT 1, RIGHT 2, LEFT, SONG CHANNEL 1–16, MIC (CVP-305/303) 7 8 ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [3π†]/[4π†] ‰Îfl ‚˚·Ó‡ Ô‡ÚËË, ̇ ÍÓÚÓÛ˛ ıÓÚËÚ ̇ÎÓÊËÚ¸ ˝ÙÙÂÍÚ. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 6 ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [5π†]/[6π†] ‰Îfl ‚˚·Ó‡ ͇Ú„ÓËË ˝ÙÙÂÍÚ‡ CATEGORY. ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [7π†]/[8π†] ‰Îfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ TYPE. ÑÎfl ËÁÏÂÌÂÌËfl Ô‡‡ÏÂÚÓ‚ ˝ÙÙÂÍÚ‡ ÔÂÂıÓ‰ËÚÂ Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û. ■ àÁÏÂÌÂÌËÂ Ë ÒÓı‡ÌÂÌË ‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡. 9 10 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ ˝ÙÙÂÍÚ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [F] PARAMETER. ÖÒÎË ‚ ¯‡„ 5 ·˚· ‚˚·‡Ì‡ Ӊ̇ ËÁ „ÛÔÔ ˝ÙÙÂÍÚÓ‚ DSP 2-4. åÓÊÌÓ ËÁÏÂÌËÚ¸ Í‡Í Â Òڇ̉‡ÚÌ˚ ԇ‡ÏÂÚ˚, Ú‡Í Ë ‚‡Ë‡ˆË˛. ÑÎfl ‚˚·Ó‡ Òڇ̉‡ÚÌ˚ı Ô‡‡ÏÂÚÓ‚ ̇ÊËχÈÚ ÍÌÓÔÍÛ [B]. ÑÎfl ‚˚·Ó‡ ‚‡Ë‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [E]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 85 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) èÂÂıÓ‰ Í ‰Û„ÓÈ „ÛÔÔÂ, ͇Ú„ÓËË Ë ÚËÔÛ ˝ÙÙÂÍÚÓ‚ ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [1π†]– [3π†]. ç‡ÒÚÓÈÍË ‚ÌÓ‚¸ ‚˚·‡ÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ÓÚÓ·‡Ê‡˛ÚÒfl ‚ ‡ÏÍ ‚ ‚ÂıÌÂÈ Î‚ÓÈ ˜‡ÒÚË ˝Í‡Ì‡. 13 10 11 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 11 12 ÉÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡: éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ËÎË ÒËÎÛ ÔËÏÂÌflÂÏÓ„Ó ˝ÙÙÂÍÚ‡. ìÒڇ̇‚ÎË‚‡ÂÚÒfl ‰Îfl ‚ÒÂı Ô‡ÚËÈ ËÎË Í‡Ì‡ÎÓ‚. 13 14 12 Ç˚·ÂËÚ ӉËÌ ËÁ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚È ıÓÚËÚ ËÁÏÂÌËÚ¸, ̇ʇÚËÂÏ ÍÌÓÔÓÍ [4π†]/[5π†]. ëÔËÒÓÍ ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚÓ‚ ̇ ˝Í‡Ì Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚÓ‚. àÁÏÂÌËÚ Á̇˜ÂÌË ‚˚·‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/ [7π†]. ÖÒÎË ‚ ¯‡„ 5 ·˚· ‚˚·‡Ì‡ Ӊ̇ ËÁ „ÛÔÔ ˝ÙÙÂÍÚÓ‚ REVERB, CHORUS ËÎË DSP1. éÚ„ÛÎËÛÈÚ „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡, ̇ÊËχfl ÍÌÓÔÍÛ [8π†]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (USER EFFECT) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ÒÓı‡ÌÂÌËfl ÌÓ‚Ó„Ó ˝ÙÙÂÍÚ‡. ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [3π†]–[6π†] ‰Îfl ‚˚·Ó‡ ÏÂÒÚ‡ ÒÓı‡ÌÂÌËfl ˝ÙÙÂÍÚ‡. è‰ÂθÌÓ ˜ËÒÎÓ ÒÓı‡ÌflÂÏ˚ı ˝ÙÙÂÍÚÓ‚ Á‡‚ËÒËÚ ÓÚ „ÛÔÔ˚. 15 14 15 86 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ˝ÙÙÂÍÚ (ÒÚ. 63). ÑÎfl ÔÓ‚ÚÓÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÒÓı‡ÌÂÌÌÓ„Ó ˝ÙÙÂÍÚ‡ ÔÓ‚ÚÓËÚ Ú Ê ‰ÂÈÒÚ‚Ëfl, ˜ÚÓ ‚ ¯‡„ 8. óÚÓ·˚ ËÁÏÂÌËÚ¸ ËÏfl ˝ÙÙÂÍÚ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (NAME). ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) EQ (ùÍ‚‡Î‡ÈÁÂ) ùÍ‚‡Î‡ÈÁÂÓÏ (ÒÓ͇˘ÂÌÌÓ «EQ») ̇Á˚‚‡ÂÚÒfl Á‚ÛÍÓ‚ÓÈ ÔÓˆÂÒÒÓ, ÍÓÚÓ˚È ‰ÂÎËÚ ÒÔÂÍÚ ˜‡ÒÚÓÚ Ì‡ ÌÂÒÍÓθÍÓ ÔÓÎÓÒ, Í‡Ê‰Û˛ ËÁ ÍÓÚÓ˚ı ÏÓÊÌÓ ÛÒËÎËÚ¸ ËÎË ÓÒ··ËÚ¸ ÔÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË ‰Îfl ̇ÒÚÓÈÍË Ó·˘Ëı ˜‡ÒÚÓÚÌ˚ı ı‡‡ÍÚÂËÒÚËÍ. é·˚˜ÌÓ ˝Í‚‡Î‡ÈÁ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÍÓÂÍÚËÓ‚ÍË Á‚Û͇ ‰Ë̇ÏËÍÓ‚, ˜ÚÓ·˚ ‰Ó·ËÚ¸Òfl Â„Ó ÒÓÓÚ‚ÂÚÒÚ‚Ëfl ÓÒÓ·ÂÌÌÓÒÚflÏ ÔÓÏ¢ÂÌËfl. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ ÓÒ··ËÚ¸ ÌËÁÍË ˜‡ÒÚÓÚ˚ ÔË Ë„Â ‚ ·Óθ¯Ëı ÔÓÏ¢ÂÌËflı, „‰Â Á‚ÛÍ ÒÎ˯ÍÓÏ „ÛÎÍËÈ, ËÎË ÛÒËÎËÚ¸ ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚ ‚ Ì·Óθ¯Ëı ÍÓÏ̇ڇı Ë ÚÂÒÌ˚ı ÔÓÏ¢ÂÌËflı, „‰Â ÌÂÚ ˝ı‡, Ë Á‚ÛÍ Í‡ÊÂÚÒfl „ÎÛıËÏ. Clavinova ËÏÂÂÚ ÔflÚËÔÓÎÓÒÌ˚È ˆËÙÓ‚ÓÈ ˝Í‚‡Î‡ÈÁ ‚˚ÒÓÍÓ„Ó Í·ÒÒ‡. ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ‚˚ÔÓÎÌËÚ¸ ÙË̇θÌ˚È ÍÓÌÚÓθ ‚˚ıÓ‰fl˘Â„Ó Á‚Û͇. ç‡ ˝Í‡Ì EQ ÏÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÔflÚË Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‚‡Ë‡ÌÚÓ‚ ̇ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁ‡. Ç˚ Ú‡ÍÊ ÏÓÊÂÚ ÒÓÁ‰‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ̇ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁ‡, ÓÚ„ÛÎËÓ‚‡‚ ˜‡ÒÚÓÚÌ˚ ÔÓÎÓÒ˚, Ë ÒÓı‡ÌËÚ¸ ‚ Ó‰ÌÓÏ ËÁ ‰‚Ûı ÔÓθÁÓ‚‡ÚÂθÒÍËı ÚËÔÓ‚ ˝Í‚‡Î‡ÈÁ‡ User Master EQ. ó‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ (Ú‡ÍÊ ̇Á˚‚‡ÂÏ˚È «ÙÓÏÓÈ» ËÎË «Q»). ÄÏÔÎËÚÛ‰‡ 0 5 ÔÓÎÓÒ → ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ó‡ÒÚÓÚ‡ çàÜç. çàÜç. ëêÖÑç. ëêÖÑç. Çõëéä..ëêÖÑç. Çõëéä. EQ1 EQ2 EQ3 EQ4 EQ5 ■ Ç˚·ÂËÚ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚È ‚‡Ë‡ÌÚ Ì‡ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡ 1–3 4 èӈ‰ۇ ÓÔË҇̇ ‚ ‡Á‰ÂΠ«éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ̇ ÒÚ. 80. Ç ¯‡„ 2 ‚˚·ÂËÚ ‚Í·‰ÍÛ EQ. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ‚˚·ÂËÚ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ̇ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁ‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‚˚ÒÚÛÔÎÂÌ˲ (ÒÚËβ ÏÛÁ˚ÍË Ë Ó·ÒÚ‡ÌÓ‚ÍÂ). ÑÎfl ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡ ÔÂÂıÓ‰ËÚÂ Í ÒÎÂ‰Û˛˘ÂÏÛ ¯‡„Û. ■ àÁÏÂÌÂÌËÂ Ë ÒÓı‡ÌÂÌË ‚˚·‡ÌÌÓ„Ó ‚‡Ë‡ÌÚ‡ ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡. 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] (EDIT) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MASTER EQ EDIT. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 87 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÓ̇θÌÓ„Ó ·‡Î‡ÌÒ‡ (MIXING CONSOLE) 6 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [A]/[B] ‰Îfl ‚˚·Ó‡ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡. 6 9 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 8 7 8 7 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [3π†]–[7π†], ˜ÚÓ·˚ ÛÒËÎËÚ¸ ËÎË ÓÒ··ËÚ¸ Í‡Ê‰Û˛ ËÁ ÔflÚË ÔÓÎÓÒ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [8π†], ˜ÚÓ·˚ ÛÒËÎËÚ¸ ËÎË ÓÒ··ËÚ¸ ‚Ò ÔflÚ¸ ÔÓÎÓÒ Ó‰ÌÓ‚ÂÏÂÌÌÓ. ç‡ÒÚÓÈÚ ԇ‡ÏÂÚ˚ Q (˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ) Ë FREQ (ˆÂÌڇθ̇fl ˜‡ÒÚÓÚ‡) ÔÓÎÓÒ˚, ‚˚·‡ÌÌÓÈ ‚ ¯‡„ 7. • ó‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ (Ú‡ÍÊ ̇Á˚‚‡ÂÏ˚È «ÙÓÏÓÈ» ËÎË «Q») àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [1π†]. óÂÏ ‚˚¯Â Á̇˜ÂÌË «Q», ÚÂÏ ÛÊ ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ. • FREQ (ˆÂÌڇθ̇fl ˜‡ÒÚÓÚ‡) ÇÓÒÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔÍÓÈ [2π†]. ÑˇԇÁÓÌ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚ‡ FREQ ‡Á΢ÂÌ ‰Îfl ͇ʉÓÈ ÔÓÎÓÒ˚. 9 88 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] ËÎË [I] (STORE 1 ËÎË 2), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ËÁÏÂÌÂÌÌ˚ ̇ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁ‡ (ÒÚ. 63). åÓÊÌÓ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ ‰Ó ‰‚Ûı ÚËÔÓ‚ ˝Í‚‡Î‡ÈÁ‡. èË Á‡„ÛÁÍ ÒÓı‡ÌÂÌÌ˚ı ̇ÒÚÓÂÍ ˝Í‚‡Î‡ÈÁ‡ ÔÓ‚ÚÓËÚ ‰ÂÈÒÚ‚Ëfl, ÓÔËÒ‡ÌÌ˚ ‚ ¯‡„ 6. ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) Clavinova ӷ·‰‡ÂÚ ÙÛÌ͈ËÂÈ Sound Creator, ÍÓÚÓ‡fl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÚÂÏ·˚ ÔÛÚÂÏ Â‰‡ÍÚËÓ‚‡ÌËfl ÌÂÍÓÚÓ˚ı Ô‡‡ÏÂÚÓ‚ Ëϲ˘ËıÒfl ÚÂÏ·Ó‚. èÓÒΠÒÓÁ‰‡ÌËfl ÚÂÏ·‡ Â„Ó ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Í‡Í ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ· (User Voice) ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl ‚ ·Û‰Û˘ÂÏ, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ˝Í‡ÌÓÏ USER/CARD/(USB). ëÔÓÒÓ· ‰‡ÍÚËÓ‚‡ÌËfl ÚÂÏ·Ó‚ ORGAN FLUTES ÓÚ΢‡ÂÚÒfl ÓÚ ÔËÌflÚÓ„Ó ‰Îfl ‰Û„Ëı ÚÂÏ·Ó‚. ꉇÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ORGAN FLUTES ëÔÓÒÓ· ‰‡ÍÚËÓ‚‡ÌËfl ÚÂÏ·Ó‚ ORGAN FLUTES ÓÚ΢‡ÂÚÒfl ÓÚ ÔËÌflÚÓ„Ó ‰Îfl ‰Û„Ëı ÚÂÏ·Ó‚. àÌÒÚÛ͈ËË ÔÓ ËÁÏÂÌÂÌ˲ ÚÂÏ·Ó‚ ORGAN FLUTES ÒÏ. ̇ ÒÚ. 93. éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl 1 2 Ç˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· (ÍÓÏ ÚÂÏ·Ó‚ Organ Flutes) (ÒÚ. 31). óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì SOUND CREATOR, ̇ÊÏËÚ ÍÌÓÔÍÛ [SOUND CREATOR]. 3 4 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 6 7 2 5 3 4 5 6 7 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√]/[®] ‰Îfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ ̇ÒÚÓÂÍ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚ‡ı ÒÏ. «è‡‡ÏÂÚ˚ ̇ÒÚÓÈÍË ˝Í‡ÌÓ‚ SOUND CREATOR» ̇ ÒÚ. 90. èÓ ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [A]/[B] ‰Îfl ‚˚·Ó‡ ‰‡ÍÚËÛÂÏÓ„Ó Ô‡‡ÏÂÚ‡. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[8π†] ‰Îfl ËÁÏÂÌÂÌËfl ÚÂÏ·‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [D] (COMPARE) ˜ÚÓ·˚ Ò‡‚ÌËÚ¸ Á‚ÛÍ ËÁÏÂÌÂÌÌÓ„Ó ÚÂÏ·‡ Ò ËÒıÓ‰Ì˚Ï. ÇçàåÄçàÖ ÖÒÎË ‚˚·‡Ú¸ ‰Û„ÓÈ ÚÂÏ·, Ì ÒÓı‡ÌË‚ ̇ÒÚÓÈÍË, ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚. ÖÒÎË ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË Ì‡ ˝ÚÓÏ ˝Ú‡ÔÂ, ÒÓı‡ÌËÚ Ëı Í‡Í ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ· (User Voice), ÔÂʉ ˜ÂÏ ‚˚·‡Ú¸ ‰Û„ÓÈ ÚÂÏ· ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 89 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) 臇ÏÂÚ˚ ̇ÒÚÓÈÍË ˝Í‡ÌÓ‚ SOUND CREATOR ÑÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ‡Á΢‡˛ÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. чΠ‰ÂڇθÌÓ ÓÔËÒ˚‚‡˛ÚÒfl ËÁÏÂÌflÂÏ˚ ԇ‡ÏÂÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ ̇ ˝Í‡Ì‡ı, ÓÔËÒ˚‚‡ÂÏ˚ı ‚ ¯‡„ 3 ‡Á‰Â· «éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ̇ ÒÚ. 89. 臇ÏÂÚ˚ ÙÛÌ͈ËË Sound Creator Ó„‡ÌËÁÓ‚‡Ì˚ ‚ ‚ˉ ÔflÚË ‡ÁÌ˚ı ˝Í‡ÌÓ‚. 臇ÏÂÚ˚ Í‡Ê‰Ó„Ó ˝Í‡Ì‡ ÓÚ‰ÂθÌÓ ÓÔËÒ‡Ì˚ ÌËÊÂ. éÌË Ú‡ÍÊ ҘËÚ‡˛ÚÒfl ˜‡ÒÚ¸˛ Ô‡‡ÏÂÚÓ‚ Voice Set (ÒÚ. 96), ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡ÂÏ˚ı ÔË ‚˚·Ó ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚÂÏ·‡. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ PIANO ùÚÓÚ ˝Í‡Ì ‰ÓÒÚÛÔÂÌ, ÚÓθÍÓ ÂÒÎË ‚˚·‡Ì ÚÂÏ· ÙÓÚÂÔˇÌÓ Natural! (ÒÚ. 72). TUNING CURVE ᇉ‡ÂÚ ÏÂÎӉ˘ÂÒÍÛ˛ ÍË‚Û˛. ÖÒÎË ‚‡Ï ͇ÊÂÚÒfl, ˜ÚÓ ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÚÂÏ·‡ ÙÓÚÂÔˇÌÓ Ì ÒÓ‚ÒÂÏ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÏÂÎӉ˘ÂÒÍËÏ ÍË‚˚Ï ‰Û„Ëı ÚÂÏ·Ó‚, ‚˚·ÂËÚ ̇ÒÚÓÈÍÛ «FLAT». STRETCH ëÔˆˇθ̇fl ̇ÒÚÓÈ͇ ÍË‚ÓÈ ‰Îfl ÙÓÚÂÔˇÌÓ. FLAT åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl, ‚ ÍÓÚÓÓÈ ˜‡ÒÚÓÚ‡ Û‰‚‡Ë‚‡ÂÚÒfl ̇ ÓÍÚ‡‚Û ÔÓ ‚ÒÂÈ Í·‚ˇÚÛÂ. KEY OFF SAMPLE (CVP-305/303) éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ ÓÚÔÛ˘ÂÌÌÓÈ Í·‚Ë¯Ë (Ò··˚È Á‚ÛÍ, ÍÓÚÓ˚È ÒÎ˚¯ÂÌ ÔË ÓÚÔÛÒ͇ÌËË Í·‚˯Ë). SUSTAIN SAMPLE (CVP-305/303) éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌËfl ‰Îfl Ô‡‚ÓÈ Ô‰‡ÎË. STRING RESONANCE (CVP-305) éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÂÁÓ̇ÌÒ‡ ÒÚÛÌ. COMMON ÇÂÏfl ÔÓÚ‡ÏÂÌÚÓ: ÇÂÏfl ÔÓÚ‡ÏÂÌÚÓ ÓÔ‰ÂÎflÂÚ ‚ÂÏfl ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇. èÓÚ‡ÏÂÌÚÓ – ÙÛÌ͈Ëfl Ô·‚ÌÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÓÚ Ô‚ÓÈ ÌÓÚ˚, Ò˚„‡ÌÌÓÈ Ì‡ Í·‚ˇÚÛÂ, Í ÒÎÂ‰Û˛˘ÂÈ. 90 VOLUME ê„ÛÎËÛÂÚ „ÓÏÍÓÒÚ¸ ‰‡ÍÚËÛÂÏÓ„Ó ÚÂÏ·‡. TOUCH SENSE éÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚ˇÚÛ˚ Í ÒËΠ̇ʇÚËfl Í·‚˯ ËÎË ÚÓ, ̇ÒÍÓθÍÓ ÒËθÌÓ „ÓÏÍÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ Í·‚˯‡Ï. á̇˜ÂÌË «0» ÔË‚Ó‰ËÚ Í ÚÂÏ ·ÓΠÁ‡ÏÂÚÌÓÏÛ ÒÌËÊÂÌ˲ ÛÓ‚Ìfl „ÓÏÍÓÒÚË, ˜ÂÏ ÏÂ̸¯Â ÒË· ̇ʇÚËfl. á̇˜ÂÌË «64» ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ó·˚˜ÌÓÏÛ ÓÚÍÎËÍÛ, ‡ ÔË «127» „ÓÏÍÓÒÚ¸ ÓÒÚ‡ÂÚÒfl ‚˚ÒÓÍÓÈ (ÙËÍÒËÓ‚‡ÌÌÓÈ) ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÒËÎ˚ ̇ʇÚËfl. PART OCTAVE 뉂˄‡ÂÚ Â‰‡ÍÚËÛÂÏ˚È ÚÂÏ· ̇ ÓÍÚ‡‚Û ‚˚¯Â ËÎË ÌËÊÂ. ÖÒÎË ËÁÏÂÌÂÌÌ˚È ÚÂÏ· ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒڂ β·ÓÈ ËÁ Ô‡ÚËÈ RIGHT 1–2, ‰ÓÒÚÛÔÌ˚ Ô‡‡ÏÂÚ˚ R1/R2. ÖÒÎË ËÁÏÂÌÂÌÌ˚È ÚÂÏ· ËÒÔÓθÁÛÂÚÒfl ‚ Ô‡ÚËË LEFT, ‰ÓÒÚÛÔÂÌ Ô‡‡ÏÂÚ LEFT. MONO/POLY éÔ‰ÂÎflÂÚ Á‚Û˜‡ÌË ËÁÏÂÌÂÌÌÓ„Ó ÚÂÏ·‡ — ÏÓÌÓÙÓÌ˘ÂÒÍÓ ËÎË ÔÓÎËÙÓÌ˘ÂÒÍÓ (ÒÚ. 78). PORTAMENTO TIME ᇉ‡ÂÚ ‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ, ÂÒÎË ‡Ì ËÁÏÂÌÂÌÌÓÏÛ ÚÂÏ·Û ·˚Î ÔËÒ‚ÓÂÌ Ô‡‡ÏÂÚ «MONO». CONTROLLER 1. MODULATION ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl MODULATION (åÓ‰ÛÎflˆËfl),  ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÏÓ‰ÛÎflˆËË ÓÔËÒ‡ÌÌ˚ı ÌËÊ ԇ‡ÏÂÚÓ‚, ‡ Ú‡ÍÊ ‚˚ÒÓÚ˚ Á‚Û͇ (‚Ë·‡ÚÓ). á‰ÂÒ¸ ÏÓÊÌÓ Á‡‰‡Ú¸ ÒÚÂÔÂ̸ ÏÓ‰ÛÎflˆËË Í‡Ê‰Ó„Ó ËÁ ÌËÊÂÛ͇Á‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ÔÓ Ì‡Ê‡Ú˲ Ô‰‡ÎË. FILTER éÔ‰ÂÎflÂÚ, ‰Ó ͇ÍÓÈ ÒÚÂÔÂÌË Ì‡Ê‡ÚË Ô‰‡ÎË ËÁÏÂÌflÂÚ „‡Ì˘ÌÛ˛ ˜‡ÒÚÓÚÛ ÙËθڇ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙËθÚ Ô˂‰ÂÌ˚ ̇ ÒÚ. 91. AMPLITUDE éÔ‰ÂÎflÂÚ, ‚ ͇ÍÓÈ ÒÚÂÔÂÌË Ô‰‡Î¸ ËÁÏÂÌflÂÚ ‡ÏÔÎËÚÛ‰Û („ÓÏÍÓÒÚ¸). LFO PMOD éÔ‰ÂÎflÂÚ, ‚ ͇ÍÓÈ ÒÚÂÔÂÌË Ô‰‡Î¸ ËÁÏÂÌflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÎË ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. LFO FMOD éÔ‰ÂÎflÂÚ, ‚ ͇ÍÓÈ ÒÚÂÔÂÌË ÙÛÌ͈Ëfl Ô‰‡Î¸ ËÁÏÂÌflÂÚ ˜‡ÒÚÓÚÌ˚ ı‡‡ÍÚÂËÒÚËÍË ÙËθڇ ËÎË ˝ÙÙÂÍÚ ‚‡Û. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) FILTER éÔ‰ÂÎflÂÚ, ‰Ó ͇ÍÓÈ ÒÚÂÔÂÌË Ì‡Ê‡ÚË Ô‰‡ÎË ËÁÏÂÌflÂÚ „‡Ì˘ÌÛ˛ ˜‡ÒÚÓÚÛ ÙËθڇ. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙËθÚ Ô˂‰ÂÌ˚ ̇ ÒÚ. 91. LFO AMOD éÔ‰ÂÎflÂÚ, ‚ ͇ÍÓÈ ÒÚÂÔÂÌË Ô‰‡Î¸ ËÁÏÂÌflÂÚ ‡ÏÔÎËÚÛ‰Û ËÎË ˝ÙÙÂÍÚ ÚÂÏÓÎÓ. 2. LEFT PEDAL èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÙÛÌÍˆË˛, ÍÓÚÓ‡fl ·Û‰ÂÚ Ì‡Á̇˜Â̇ Ô‰‡ÎË. FUNCTION ᇉ‡ÂÚ ÙÛÌÍˆË˛, ̇Á̇˜‡ÂÏÛ˛ ‰Îfl ΂ÓÈ Ô‰‡ÎË. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÙÛÌ͈Ëflı Ô‰‡ÎË Ô˂‰ÂÌ˚ ̇ ÒÚ. 182. [2π†]–[8π†] ÍÌÓÔÍË (RIGHT 1, RIGHT 2, LEFT, Ë Ú.‰.) éÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË Ì‡Á̇˜ÂÌ̇fl ÙÛÌ͈Ëfl ÔËÏÂÌflÚ¸Òfl Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ô‡ÚËflÏ. í‡ÍÊ ÓÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ÙÛÌ͈ËË. èÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ ÒÏ. ̇ ÒÚ. 183. BRIGHTNESS ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ SOUND ● FILTER îËÎ¸Ú Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÔÓˆÂÒÒÓ, ÍÓÚÓ˚È ËÁÏÂÌflÂÚ ÚÂÏ· ËÎË ÚÓÌ Á‚Û͇, ·ÎÓÍËÛfl ËÎË ÔÓÔÛÒ͇fl Ú ËÎË ËÌ˚ ˜‡ÒÚÓÚÌ˚ ‰Ë‡Ô‡ÁÓÌ˚. è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú Ó·˘ËÈ ı‡‡ÍÚ Á‚Û˜‡ÌËfl ÚÂÏ·‡, ÔÓÁ‚ÓÎflfl ÛÒËÎËÚ¸ ËÎË «ÒÂÁ‡Ú¸» ÓÔ‰ÂÎÂÌÌ˚È ˜‡ÒÚÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ. îËÎ¸Ú Ì ÚÓθÍÓ ÏÓÊÂÚ Ôˉ‡Ú¸ ÚÂÏ·Û Ïfl„ÍÓÒÚ¸ ËÎË ÂÁÍÓÒÚ¸ – Â„Ó Ú‡ÍÊ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÒÓÁ‰‡ÌËfl ˝ÎÂÍÚÓÌÌ˚ı ÒËÌÚÂÁ‡ÚÓÌ˚ı ˝ÙÙÂÍÚÓ‚. ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡Ì˘ÌÛ˛ ˜‡ÒÚÓÚÛ ËÎË ‰Ë‡Ô‡ÁÓÌ ˝ÙÙÂÍÚË‚Ì˚ı ˜‡ÒÚÓÚ (ÂÁÓ̇ÌÒ) ÙËθڇ (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Â„Ó Á̇˜ÂÌËÂ, ÚÂÏ fl˜Â Á‚ÛÍ. ÉÓÏÍÓÒÚ¸ ó‡ÒÚÓÚ‡ ÒÂÁ‡ ó‡ÒÚÓÚ‡ (‚˚ÒÓÚ‡ Á‚Û͇) ó‡ÒÚÓÚ˚, «ÔÓÔÛÒ͇ÂÏ˚» ÙËθÚÓÏ. HARMONIC CONTENT ÑˇԇÁÓÌ ÒÂÁ‡ éÔ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ÛÒËÎÂÌËfl Á‚Û͇ ̇ „‡Ì˘ÌÓÈ ˜‡ÒÚÓÚ ÙËθڇ, Á‡‰‡ÌÌÓÈ ‡Ì ԇ‡ÏÂÚÓÏ BRIGHTNESS (ÒÏ. ‰Ë‡„‡ÏÏÛ). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚‡ÊÂÌÌ˚Ï ÒÚ‡ÌÓ‚ËÚÒfl ˝ÙÙÂÍÚ. ÉÓÏÍÓÒÚ¸ êÂÁÓ̇ÌÒ ó‡ÒÚÓÚ‡ (‚˚ÒÓÚ‡ Á‚Û͇) êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 91 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) ● EG 臇ÏÂÚ˚ EG („Â̇ÚÓ‡ Ó„Ë·‡˛˘Ëı) ‚ÎËfl˛Ú ̇ ‰Ë̇ÏËÍÛ Á‚Û͇. ë ÔÓÏÓ˘¸˛ Ó„Ë·‡˛˘Ëı ÏÓÊÌÓ ËÏËÚËÓ‚‡Ú¸ ÏÌÓ„Ë ÓÒÓ·ÂÌÌÓÒÚË Á‚Û˜‡ÌËfl ‡ÍÛÒÚ˘ÂÒÍËı ËÌÒÚÛÏÂÌÚÓ‚, ̇ÔËÏ ·˚ÒÚÛ˛ ‡Ú‡ÍÛ Ë ·˚ÒÚÓ Á‡ÚÛı‡ÌË ÔÂÍÛÒÒËÓÌÌ˚ı Á‚ÛÍÓ‚ Ë ‰ÎËÚÂθÌÓ ÔÓÒÎÂÁ‚Û˜‡ÌË ÙÓÚÂÔˇÌÓ, ÍÓ„‰‡ ̇ʇڇ Ô‡‚‡fl Ô‰‡Î¸. ATTACK éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË ÔÓÒΠ̇ʇÚËfl Í·‚˯Ë. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ ·˚ÒÚ ‡Ú‡Í‡. DECAY éÔ‰ÂÎflÂÚ, ̇ÒÍÓθÍÓ ·˚ÒÚÓ Á‚ÛÍ ‰ÓÒÚË„‡ÂÚ ÛÓ‚Ìfl ÒÛÒÚÂÈ̇ („ÓÏÍÓÒÚ¸ ÌÂÏÌÓ„Ó ÌËÊ χÍÒËχθÌÓÈ). óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ ·˚ÒÚ Á‡ÚÛı‡ÌËÂ. RELEASE éÔ‰ÂÎflÂÚ ‚ÂÏfl ÔÓÎÌÓ„Ó Á‡ÚÛı‡ÌËfl Á‚Û͇ ÔÓÒΠÓÚÔÛÒ͇ÌËfl Í·‚˯Ë. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ ·˚ÒÚ Á‡ÚÛı‡ÌËÂ. ÉÓÏÍÓÒÚ¸ ìÓ‚Â̸ ÒÛÒÚÂÈ̇ ATTACK ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ ç‡Ê‡ÚË Í·‚Ë¯Ë DECAY RELEASE ÇÂÏfl éÚÔÛÒ͇ÌË Í·‚Ë¯Ë ● VIBRATO ÇË·‡ÚÓ: ÑÓʇ˘ËÈ ‚Ë·ËÛ˛˘ËÈ Á‚ÛÍ, ÒÓÁ‰‡‚‡ÂÏ˚È Â„ÛÎflÌ˚Ï ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚Û͇ ÚÂÏ·‡. DEPTH éÔ‰ÂÎflÂÚ ËÌÚÂÌÒË‚ÌÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vibrato. óÂÏ ‚˚¯Â ˝ÚÓ Á̇˜ÂÌËÂ, ÚÂÏ ·ÓΠ‚˚‡ÊÂÌ ˝ÙÙÂÍÚ. SPEED éÔ‰ÂÎflÂÚ ˜‡ÒÚÓÚÛ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ. DELAY éÔ‰ÂÎflÂÚ ÔÂËÓ‰ ‚ÂÏÂÌË ÏÂÊ‰Û Ì‡Ê‡ÚËÂÏ Í·‚Ë¯Ë Ë ÔÓfl‚ÎÂÌËÂÏ ˝ÙÙÂÍÚ‡ Vibrato (ÒÏ. ‰Ë‡„‡ÏÏÛ). ÅÓΠ‚˚ÒÓÍÓ Á̇˜ÂÌË ۂÂ΢˂‡ÂÚ Á‡‰ÂÊÍÛ ÔÓfl‚ÎÂÌËfl ‚Ë·‡ÚÓ. SPEED ÉÓÏÍÓÒÚ¸ DEPTH DELAY ÇÂÏfl EFFECT/EQ 1. REVERB DEPTH/CHORUS DEPTH/DSP DEPTH ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË VIBE ROTOR Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ VIBE ROTOR (ÂÒÎË ÙÛÌ͈Ëfl VIBE ROTOR ON/OFF ·˚· ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ Ì‡Á̇˜Â̇ Ô‰‡ÎË; ÒÚ. 182). 92 REVERB DEPTH ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ‚·‡ˆËË (ÒÚ. 85). CHORUS DEPTH ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ chorus (ÒÚ. 85). DSP DEPTH ç‡ÒÚÓÈ͇ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ DSP (ÒÚ. 85). ÖÒÎË ‚˚ ıÓÚËÚ Á‡ÌÓ‚Ó ‚˚·‡Ú¸ ÚËÔ DSP, ‚ÓÒÔÓθÁÛÈÚÂÒ¸ ÏÂÌ˛ DSP, ÓÔËÒ‡ÌÌ˚Ï Ì‡ ÒÚ. 93. DSP ON/OFF ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˆËÙÓ‚ÓÈ Ò˄̇θÌ˚È ÔÓˆÂÒÒÓ. VIBE ROTOR éÚÓ·‡Ê‡ÂÚÒfl ÚÓθÍÓ, ÂÒÎË Á̇˜ÂÌË ԇ‡ÏÂÚ‡ DSP Type, ÓÔËÒ‡ÌÌÓ„Ó Ì‡ ÒÚ. 85, ‡‚ÌÓ VIBE VIBRATE. éÔ‰ÂÎflÂÚ, ‰ÓÎÊÂÌ ÎË ˝ÙÙÂÍÚ VIBE VIBRATE ·˚Ú¸ ‚Íβ˜ÂÌ ËÎË ‚˚Íβ˜ÂÌ ÔË ‚˚·Ó ÚÂÏ·‡. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) 2. DSP DSP TYPE ᇉ‡ÂÚ Í‡Ú„Ó˲ Ë ÚËÔ ˝ÙÙÂÍÚ‡ DSP. Ç˚·ÂËÚ ÚËÔ ˝ÙÙÂÍÚ‡ ÔÓÒΠ‚˚·Ó‡ ͇Ú„ÓËË. VARIATION ä‡Ê‰˚È ËÁ ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ DSP ËÏÂÂÚ ‰‚ ‚‡Ë‡ˆËË. á‰ÂÒ¸ ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ VARIATION Ë Á‡‰‡Ú¸ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ ‚‡Ë‡ˆËË. ON/OFF èË ÓÚÍβ˜ÂÌËË ‚‡Ë‡ˆËÈ, ‚Ò ÚÂÏ·˚ ÒÎÂ‰Û˛Ú Á‡‚Ó‰ÒÍËÏ Ì‡ÒÚÓÈÍ‡Ï (ÚÓ ÂÒÚ¸ ËÒÔÓθÁÛÂÚÒfl Òڇ̉‡Ú̇fl ‚‡Ë‡ˆËfl DSP). ÖÒÎË ‚˚·‡Ú¸ ÔÛÌÍÚ VARIATION ON, ÚÓ Í ÚÂÏ·Û ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl ‚‡Ë‡ˆËfl ˝ÙÙÂÍÚ‡ DSP. á̇˜ÂÌË ԇ‡ÏÂÚ‡ ‚‡Ë‡ˆËË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚ ÏÂÌ˛ VALUE, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ. PARAMETER èÓ͇Á˚‚‡ÂÚ Ô‡‡ÏÂÚ ‚‡Ë‡ˆËË. VALUE ê„ÛÎËÛÂÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ ‚‡Ë‡ˆËË DSP. 3. EQ ùÚË Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ˜‡ÒÚÓÚ˚ Ë ÍÓ˝ÙÙˈËÂÌÚ ÛÒËÎÂÌËfl ‰Îfl ÔÓÎÓÒ ÌËÁÍËı Ë ‚˚ÒÓÍËı ˜‡ÒÚÓÚ. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ EQ LOW/HIGH HARMONY Ä̇Îӄ˘ÌÓ ˝Í‡ÌÛ [FUNCTION] → [F] HARMONY/ECHO ÒÏ. ÒÚ. 78. ëÓÁ‰‡ÌË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚÂÏ·Ó‚ Organ Flutes Clavinova Ô‰·„‡ÂÚ ˆÂÎ˚È fl‰ ̇Ò˚˘ÂÌÌ˚ı Ë ‰Ë̇Ï˘Ì˚ı Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚Á‚‡Ú¸ ÍÌÓÔÍÓÈ [ORGAN FLUTES]. í‡ÍÊ ÒÛ˘ÂÒÚ‚ÛÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌ˚ı Ó„‡ÌÌ˚ı Á‚ÛÍÓ‚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Sound Creator. ä‡Í Ë ‚ Ú‡‰ËˆËÓÌÌÓÏ Ó„‡ÌÂ, ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ Á‚ÛÍË, ËÁÏÂÌflfl ‰ÎËÌÛ ÚÛ·. éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl 1 Ç˚·ÂËÚ Ê·ÂÏ˚È Ó„‡ÌÌ˚È ÚÂÏ· ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl (ÒÚ. 31). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 93 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) 2 ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 3 ç‡ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ ORGAN FLUTES ̇ÊÏËÚ ÍÌÓÔÍÛ [7π] (FOOTAGE) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ SOUND CREATOR [ORGAN FLUTES]. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√]/[®] ‰Îfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ ̇ÒÚÓÂÍ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó ‰ÓÒÚÛÔÌ˚ı Ô‡‡ÏÂÚ‡ı ÒÏ. «è‡‡ÏÂÚ˚ ̇ÒÚÓÈÍË ˝Í‡ÌÓ‚ SOUND CREATOR [ORGAN FLUTES]» ̇ ÒÚ. 95. 3 4 6 (èË ÔÂÂıӉ ̇ ‚Í·‰ÍÛ EFFECT/EQ) 5 4 5 ÇçàåÄçàÖ 6 ÖÒÎË ‚˚·‡Ú¸ ‰Û„ÓÈ ÚÂÏ·, Ì ÒÓı‡ÌË‚ ̇ÒÚÓÈÍË, ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚. ÖÒÎË ÌÛÊÌÓ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË Ì‡ ˝ÚÓÏ ˝Ú‡ÔÂ, ÒÓı‡ÌËÚ Ëı Í‡Í ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ· (User Voice), ÔÂʉ ˜ÂÏ ‚˚·‡Ú¸ ‰Û„ÓÈ ÚÂÏ· ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ. 94 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [A]/[B] ‰Îfl ‚˚·Ó‡ ‰‡ÍÚËÛÂÏÓ„Ó Ô‡‡ÏÂÚ‡ ‚Ó ‚Í·‰Í EFFECT/EQ. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [A]–[D], [F]–[H] Ë [1π†]–[8π†] ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl ÚÂÏ·‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÚÂÏ· ORGAN FLUTES (ÒÚ. 63). ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) 臇ÏÂÚ˚ ̇ÒÚÓÈÍË ˝Í‡ÌÓ‚ SOUND CREATOR [ORGAN FLUTES] чΠ‰ÂڇθÌÓ ÓÔËÒ˚‚‡˛ÚÒfl ËÁÏÂÌflÂÏ˚ ԇ‡ÏÂÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ ̇ ˝Í‡Ì‡ı, ÓÔËÒ˚‚‡ÂÏ˚ı ‚ ¯‡„ 3 ‡Á‰Â· «éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ̇ ÒÚ. 93. 臇ÏÂÚ˚ Ó„‡ÌÌ˚ı ÚÂÏ·Ó‚ ‡ÒÔ‰ÂÎÂÌ˚ ÔÓ ÚÂÏ ‡ÁÌ˚Ï ÒÚ‡Ìˈ‡Ï. 臇ÏÂÚ˚ ͇ʉÓÈ ÒÚ‡Ìˈ˚ ÓÔËÒ‡Ì˚ ÌËÊ ÔÓ ÓÚ‰ÂθÌÓÒÚË. éÌË Ú‡ÍÊ ҘËÚ‡˛ÚÒfl ˜‡ÒÚ¸˛ Ô‡‡ÏÂÚÓ‚ Voice Set (ÒÚ. 96), ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡ÂÏ˚ı ÔË ‚˚·Ó ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÚÂÏ·‡. FOOTAGE, VOLUME/ATTACK (Ó·˘Ë ԇ‡ÏÂÚ˚) ORGAN TYPE ì͇Á˚‚‡ÂÚ ÚËÔ ËÏËÚËÛÂÏÓ„Ó Ó„‡ÌÌÓ„Ó ÚÂÏ·‡: Sine ËÎË Vintage. ROTARY SP SPEED èÓ Ó˜ÂÂ‰Ë ÔÂÂÍβ˜‡ÂÚ ·˚ÒÚÛ˛ Ë Ï‰ÎÂÌÌÛ˛ ÒÍÓÓÒÚË ‚‡˘ÂÌËfl ‰Ë̇ÏË͇, ÂÒÎË ‚Íβ˜ÂÌ˚ ˝ÙÙÂÍÚ ‚‡˘‡˛˘Â„ÓÒfl ‰Ë̇ÏË͇ ‰Îfl ÚÂÏ·Ó‚ Organ Flutes (ÒÏ. Ô‡‡ÏÂÚ DSP TYPE «EFFECT/EQ» ̇ ÒÚ. 93) Ë DSP˝ÙÙÂÍÚ ÚÂÏ·‡ (ÒÚ. 93). ùÚÓÚ Ô‡‡ÏÂÚ Ó͇Á˚‚‡ÂÚ Ú‡ÍÓ Ê ‰ÂÈÒÚ‚ËÂ Í‡Í Ô‡‡ÏÂÚ VARIATION ON/OFF ˝ÙÙÂÍÚ‡ ÚÂÏ·‡. VIBRATO ON/OFF èÓ Ó˜ÂÂ‰Ë ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl ÚÂÏ·Ó‚ Organ Flutes. VIBRATO DEPTH ᇉ‡ÂÚ Ó‰ËÌ ËÁ ÚÂı ÛÓ‚ÌÂÈ „ÎÛ·ËÌ˚ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ: 1 (ÌËÁÍËÈ), 2 (Ò‰ÌËÈ) ËÎË 3 (‚˚ÒÓÍËÈ). ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ FOOTAGE 16' ← → 5 1/3' èÂÂÍβ˜‡ÂÚ ÚÂÍÛ˘ËÈ Â„ËÒÚ (ÔÓ Ì‡Ê‡Ú˲ ÍÌÓÔÍË [D]), ÏÂÊ‰Û 16' Ë 5 1/3' ‰ÎËÌ˚ ÚÛ·. 16'–1' éÔ‰ÂÎflÂÚ ÓÒÌÓ‚ÌÓÈ ÚÓÌ Á‚Û˜‡ÌËfl Ó„‡ÌÌ˚ı ÚÛ·. óÂÏ ‰ÎËÌÌ ÚÛ·‡, ÚÂÏ ÌËÊ Á‚ÛÍ. ëΉӂ‡ÚÂθÌÓ, Á̇˜ÂÌË 16’ (ÚÛ·‡ ‰ÎËÌÓÈ ‚ 16 ÙÛÚÓ‚) ÓÔ‰ÂÎflÂÚ Ò‡Ï˚È ÌËÁÍËÈ ÍÓÏÔÓÌÂÌÚ ÚÂÏ·‡, ‡ Á̇˜ÂÌË 1’ – Ò‡Ï˚È ‚˚ÒÓÍËÈ. óÂÏ ·Óθ¯Â Á̇˜ÂÌË ԇ‡ÏÂÚ‡, ÚÂÏ „ÓϘ Á‚Û˜ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÂÏÛ ÚÛ·‡. ëÓ˜ÂÚ‡fl ÚÛ·˚ Ò ‡ÁÌÓÈ „ÓÏÍÓÒÚ¸˛ Á‚Û˜‡ÌËfl, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ÛÌË͇θÌ˚ ӄ‡ÌÌ˚ ÚÂÏ·˚. Footage: ÄÌ„ÎËÈÒÍËÈ ÚÂÏËÌ “footage” (‰ÎË̇ Ó„‡ÌÌÓÈ ÚÛ·˚ ‚ ÙÛÚ‡ı) — ˝ÚÓ ‰‡Ì¸ Ú‡‰ËˆËË. éÌ ‚ÓÁÌËÍ ‚ ˝ÔÓıÛ ÒÚ‡ËÌÌ˚ı Ó„‡ÌÓ‚, „‰Â ËÒÚÓ˜ÌËÍÓÏ Á‚Û͇ ·˚Π̇·Ó ÚÛ· ‡ÁÌÓÈ ‰ÎËÌ˚. VOLUME/ATTACK VOL ç‡ÒÚÓÈ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË ÚÂÏ·Ó‚ Organ Flutes. óÂÏ ‰ÎËÌÌ ÔÓÎÓÒ͇Ë̉Ë͇ÚÓ, ÚÂÏ ‚˚¯Â „ÓÏÍÓÒÚ¸. RESP ùÚÓÚ Ô‡‡ÏÂÚ ‚ÎËflÂÚ Ì‡ Ù‡Á˚ ‡Ú‡ÍË Ë ÓÚÔÛÒ͇ÌËfl Á‚Û͇ (ÒÚ. 92), Û‚Â΢˂‡fl ËÎË ÛÏÂ̸¯‡fl ‚ÂÏfl ‡͈ËË ÚÂÏ·‡ ̇ ̇ʇÚËÂ Ë ÓÚÔÛÒ͇ÌË Í·‚Ë¯Ë Ì‡ ÓÒÌӂ ̇ÒÚÓÂÍ Â„ËÒÚ‡. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ Ï‰ÎÂÌÌ ̇‡ÒÚ‡ÂÚ „ÓÏÍÓÒÚ¸ Á‚Û͇ Ë ÚÂÏ ‰Óθ¯Â ‰ÎËÚÒfl ÍÓ̈‚Ó Á‡ÚÛı‡ÌËÂ. VIBRATO SPEED ᇉ‡ÂÚ ÒÍÓÓÒÚ¸ ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ. ìÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚÓ‚ Vibrato On/Off Ë Vibrato Depth, ÓÔËÒ‡ÌÌ˚ı ‚˚¯Â. MODE åÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ‰‚Ûı ÂÊËÏÓ‚: FIRST Ë EACH. Ç ÂÊËÏ FIRST Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Î˯¸ Û ÚÂı ÌÓÚ, ÍÓÚÓ˚ ‚˚ ̇ʇÎË Ë ‰ÂÊËÚ Ô‚˚ÏË. èÓ͇ ‚˚ Ëı Ì ÓÚÔÛÒÚËÚÂ, ÌË Í Í‡ÍËÏ ÔÓÒÎÂ‰Û˛˘ËÏ ÌÓÚ‡Ï ‡Ú‡Í‡ ÔËÏÂÌflÚ¸Òfl Ì ·Û‰ÂÚ. Ç ÂÊËÏ EACH Ù‡Á‡ ‡Ú‡ÍË ÂÒÚ¸ Û ‚ÒÂı ÌÓÚ. 4', 2 2/3', 2' ùÚË Á̇˜ÂÌËfl ÓÔ‰ÂÎfl˛Ú „ÓÏÍÓÒÚ¸ Á‚Û͇ ‡Ú‡ÍË ‰Îfl ÚÂÏ·‡ ORGAN FLUTE. àÌ˚ÏË ÒÎÓ‚‡ÏË, ÏÓÊÌÓ Û‚Â΢˂‡Ú¸ ËÎË ÛÏÂ̸¯‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇ ‡Ú‡ÍË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ‰ÎËÌ «ÚÛ·» 4’, 2 -2/3 ‘ Ë 2’. óÂÏ ‰ÎËÌÌ ÔÓÎÓÒ‡ Ë̉Ë͇ÚÓ‡, ÚÂÏ fl˜Â ‚˚‡ÊÂ̇ ‡Ú‡Í‡. LENG ùÚÓÚ Ô‡‡ÏÂÚ Â„ÛÎËÛÂÚ ‰ÎËÚÂθÌÓÒÚ¸ Ù‡Á˚ Ô‚˘ÌÓ„Ó Á‡ÚÛı‡ÌËfl, ÒÎÂ‰Û˛˘ÂÈ Ò‡ÁÛ Á‡ ‡Ú‡ÍÓÈ. ÑÎË̇ Ù‡Á˚ Ó·ÓÁ̇˜‡ÂÚÒfl Ë̉Ë͇ÚÓÓÏ ‚ ‚ˉ ÔÓÎÓÒ˚. óÂÏ ‰ÎËÌÌ ÔÓÎÓÒ‡, ÚÂÏ ‰Óθ¯Â Á‡ÚÛı‡ÌËÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 95 ëÓÁ‰‡ÌË ÚÂÏ·Ó‚ (ÙÛÌ͈Ëfl Sound Creator) EFFECT/EQ 臇ÏÂÚ˚ ‚Í·‰ÍË EFFECT/EQ ˝Í‡Ì‡ SOUND CREATOR ÓÔËÒ‡Ì˚ ̇ ÒÚ. 92. éÚÍβ˜ÂÌË ÙÛÌ͈ËË ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ‚˚·Ó‡ ̇·ÓÓ‚ ÚÂÏ·Ó‚ (˝ÙÙÂÍÚÓ‚ Ë Ú.‰.) ä‡Ê‰˚È ÚÂÏ· Ò‚flÁ‡Ì Ò ÓÔ‰ÂÎÂÌÌ˚ÏË Ì‡ÒÚÓÈ͇ÏË Ô‡‡ÏÂÚÓ‚, ÓÚÓ·‡Ê‡ÂÏ˚ÏË Ì‡ ˝Í‡Ì‡ı SOUND CREATOR, ‚Íβ˜‡fl ˝ÙÙÂÍÚ˚ Ë Ì‡ÒÚÓÈÍË ˝Í‚‡Î‡ÈÁ‡. é·˚˜ÌÓ ˝ÚË Ì‡ÒÚÓÈÍË ‡‚ÚÓχÚ˘ÂÒÍË Ò˜ËÚ˚‚‡˛ÚÒfl ÔË ‚˚·Ó ÚÂÏ·‡. é‰Ì‡ÍÓ, ˝ÚÓ Ôӂ‰ÂÌË ÏÓÊÌÓ Á‡ÔÂÚËÚ¸ ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ ˝Í‡ÌÂ, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ. ç‡ÔËÏÂ, ÂÒÎË ÌÛÊÌÓ ËÁÏÂÌËÚ¸ ÚÂÏ·, ÌÓ ÒÓı‡ÌËÚ¸ ÚÓÚ Ê ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË, ÛÒÚ‡ÌÓ‚ËÚ¸ Ô‡‡ÏÂÚ HARMONY/ECHO ‚ OFF (‚ ÓÔËÒ‡ÌÌÓÏ ÌËÊ ˝Í‡ÌÂ). ùÚÓÈ ‚ÓÁÏÓÊÌÓÒÚ¸˛ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ ÌÂÁ‡‚ËÒËÏÓ ‰Îfl ͇ʉÓÈ Ô‡ÚËË Ë „ÛÔÔ˚ Ô‡‡ÏÂÚÓ‚. ëÓÁ‰‡ÌËÂ, ËÒÔÓθÁÓ‚‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÏ·Ó‚ 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [E] REGIST.SEQUENCE/FREEZE/VOICE SET → TAB [®] VOICE SET 2 Ç˚·ÂËÚ ԇÚ˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B]. 3 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π†]–[8π†] ‰Îfl ‚Íβ˜ÂÌËfl ËÎË ‚˚Íβ˜ÂÌËfl (ON ËÎË OFF) ‡‚ÚÓχÚ˘ÂÒÍÓ„Ó ˜ÚÂÌËfl ̇ÒÚÓÂÍ ‰Îfl ͇ʉÓÈ ËÁ „ÛÔÔ Ô‡‡ÏÂÚÓ‚. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl Ó ÚÓÏ, ͇ÍË ԇ‡ÏÂÚ˚ ÒÓ‰ÂʇÚÒfl ‚ ͇ʉÓÈ „ÛÔÔÂ, ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ËÁ Ò·ÓÌË͇ Ú‡·Îˈ Data List. 96 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ é·‡ÚËÚÂÒ¸ Í ÒÚ‡Ìˈ‡Ï ͇ÚÍÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË «Mary Had a Little Lamb» Ò ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡..................................................................................ÒÚ. 44 LJˇˆËfl Ù‡Á...............................................................................................ÒÚ. 46 ä‡Í ·‡Ú¸ (Û͇Á˚‚‡Ú¸) ‡ÍÍÓ‰˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ...................ÒÚ. 48 ç‡ÒÚÓÈÍË ‰Îfl ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl (ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»: ÙÛÌ͈Ëfl One Touch Setting) ......................ÒÚ. 49 ÍÚÂËÒÚËÍË ÒÚËÎfl íËÔ ÒÚËÎfl Ë Â„Ó ı‡‡ÍÚÂËÒÚËÍË ÓÚÓ·‡Ê‡˛ÚÒfl ̇‰ ËÏÂÌÂÏ ‚ÒÚÓÂÌÌÓ„Ó ÒÚËÎfl. ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ÔÓÙÂÒÒËÓ̇θÌ˚ÏË Á‡ı‚‡Ú˚‚‡˛˘ËÏË ‡‡ÌÊËӂ͇ÏË ‚ ÒÓ˜ÂÚ‡ÌËË Ò Ë‰Â‡Î¸Ì˚Ï Û‰Ó·ÒÚ‚ÓÏ Ë„˚. ÄÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚ ÚÓ˜ÌÓÒÚË ÒΉÛÂÚ Á‡ ‚ÁflÚ˚ÏË ‡ÍÍÓ‰‡ÏË. Ç ÂÁÛθڇÚ ‡ÍÍÓ‰ ËÁÏÂÌflÂÚÒfl, Ë Í‡ÒÓ˜Ì˚ „‡ÏÓÌËË Ï„ÌÓ‚ÂÌÌÓ Ú‡ÌÒÙÓÏËÛ˛ÚÒfl ‚ ‡ÎËÒÚ˘Ì˚È ÏÛÁ˚͇θÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Session ùÚË ÒÚËÎË ÓÚ΢‡˛ÚÒfl ¢ ·Óθ¯ËÏ Â‡ÎËÁÏÓÏ Ë ÂÒÚÂÒÚ‚ÂÌÌÓÒÚ¸˛ ÒÓÔÓ‚ÓʉÂÌËfl, ˜ÚÓ ‰ÓÒÚË„‡ÂÚÒfl Á‡ Ò˜ÂÚ ÏËͯËÓ‚‡ÌËfl ËÒıÓ‰Ì˚ı Ë ËÁÏÂÌÂÌÌ˚ı ‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊ ÒÔˆˇθÌ˚ı ËÙÙÓ‚ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÁÏÂÌÂÌÌ˚ı ‡ÍÍÓ‰Ó‚, Ò ÓÒÌÓ‚Ì˚ÏË ˜‡ÒÚflÏË. чÌÌ˚ ÒÚËÎË ÒÓÁ‰‡‚‡ÎËÒ¸ ‰Îfl ÚÓ„Ó, ˜ÚÓ·˚ ‰Ó·‡‚ËÚ¸ «ËÁ˛ÏËÌÍÛ» ‚‡¯ËÏ ‚˚ÒÚÛÔÎÂÌËflÏ Ë Á‡ÒÚ‡‚ËÚ¸ Ëı Á‚Û˜‡Ú¸ ·ÓΠÔÓÙÂÒÒËÓ̇θÌÓ. é‰Ì‡ÍÓ ÌÂÓ·ıÓ‰ËÏÓ Û˜ËÚ˚‚‡Ú¸, ˜ÚÓ ˝ÚË ÒÚËÎË ÔÓ‰ıÓ‰flÚ Ì ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë Ì ‰Îfl ‚ÒÂı ʇÌÓ‚. èÓ˝ÚÓÏÛ ÔË ËÒÔÓÎÌÂÌËË ÓÔ‰ÂÎÂÌÌ˚ı ÔÂÒÂÌ Ë ËÒÔÓθÁÓ‚‡ÌËË ÓÔ‰ÂÎÂÌÌ˚ı ÒÚËÎÂÈ Ë„˚ ‡ÍÍÓ‰‡ÏË ÔËÏÂÌÂÌË ڇÍÓ„Ó ‡ÍÍÓÏÔ‡ÌÂ-ÏÂÌÚ‡ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ӯ˷ÍÓÈ Ë ‰‡Ê ÔË‚ÂÒÚË Í Ì‡Û¯ÂÌËflÏ „‡ÏÓÌËË. ç‡ÔËÏÂ, ‚ ÌÂÍÓÚÓ˚ı ÒËÚÛ‡ˆËflı ‚ÁflÚË ÔÓÒÚÓ„Ó Ï‡ÊÓÌÓ„Ó ÚÂÁ‚Û˜Ëfl ÔË ËÒÔÓÎÌÂÌËË ÔÂÒÌË ‚ ÒÚËΠ«Í‡ÌÚË» ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚ÓÒÔÓËÁ‚‰ÂÌ˲ «‰Ê‡ÁÓ‚Ó„Ó» ÒÂÔÚ‡ÍÍÓ‰‡, ÎË·Ó ‡ÍÍÓ‰ Ò ‰Ó·‡‚ÎÂÌËÂÏ ÌÓÚ(˚) ‚ ·‡ÒÓ‚ÓÏ Â„ËÒÚ ÏÓÊÂÚ ·˚Ú¸ Ó·˚„‡Ì ÌÂÓÊˉ‡ÌÌ˚Ï Ó·‡ÁÓÏ ËÎË ÌÂÔ‡‚ËθÌÓ. Pianist ùÚË ÒÔˆˇθÌ˚ ÒÚËÎË Ó·ÂÒÔ˜˂‡˛Ú ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÚÓθÍÓ ÔˇÌËÌÓ. èÓÒÚÓ Ë„‡fl ÌÛÊÌ˚ ‡ÍÍÓ‰˚ ΂ÓÈ ÛÍÓÈ, ‚˚ ÏÓÊÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‰Ó·‡‚ËÚ¸ ÒÎÓÊÌ˚Â, ÔÓÙÂÒÒËÓ̇θÌÓ Á‚Û˜‡˘Ë ‡Ô‰ÊËÓ, ·‡Ò˚ Ë ‡ÍÍÓ‰˚. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Pro Ç˚·Ó ÚËÔ‡ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ ÇÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ Ò ÔÓÏÓ˘¸˛ ‡ÍÍÓ‰Ó‚ ËÁ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ëÛ˘ÂÒÚ‚ÛÂÚ ÒÂϸ ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚. 1 2 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB [®] CHORD FINGERING ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]–[3π†] ‚˚·ÂËÚ ‡ÔÔÎË͇ÚÛÛ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 97 ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ SINGLE FINGER (é‰ÌËÏ Ô‡Î¸ˆÂÏ) AI: àÒÍÛÒÒÚ‚ÂÌÌ˚È ËÌÚÂÎÎÂÍÚ á‡ÔÛÒÍ ËÚχ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Sync Start (ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ) ÖÒÎË Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÙÛÌ͈Ëfl Sync Start (ÍÌÓÔ͇ [SYNC.START] ‚ ÔÓÎÓÊÂÌËË ON (ÇÍÎ.)), ËÚÏ ÏÓÊÌÓ Á‡ÔÛÒÚËÚ¸ ̇ʇÚËÂÏ Î˛·ÓÈ Í·‚Ë¯Ë ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. êËÚÏ Ì Á‚Û˜ËÚ ‰Îfl ÒÚËÎÂÈ Pianist (ËÎË ‰Û„Ëı ÔÓıÓÊËı ÒÚËÎÂÈ). ÇÒ„‰‡ ÔÓ‚ÂflÈÚÂ, ̇ʇڇ ÎË ÍÌÓÔ͇ [ACMP ON/OFF], ÍÓ„‰‡ ıÓÚËÚ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl Ó‰ÌËÏ ËÁ ˝ÚËı ÒÚËÎÂÈ. 98 èÓÁ‚ÓÎflÂÚ Î„ÍÓ ÒÓÁ‰‡‚‡Ú¸ ÓÍÂÒÚÓ‚ÍË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ Ï‡ÊÓÌ˚ı Ë ÏËÌÓÌ˚ı ‡ÍÍÓ‰Ó‚, ‡ Ú‡ÍÊ ÒÂÔÚ‡ÍÍÓ‰Ó‚, ̇ÊËχfl ÏËÌËχθÌÓ ÍÓ΢ÂÒÚ‚Ó Í·‚˯ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ùÚÓÚ ÚËÔ ‰ÓÒÚÛÔÂÌ ÚÓθÍÓ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. Ç ˝ÚÓÏ ÂÊËÏ ËÒÔÓθÁÛ˛ÚÒfl ‡ÍÍÓ‰Ó‚˚ ‡ÔÔÎË͇ÚÛ˚, Û͇Á‡ÌÌ˚ ÒÔ‡‚‡. C Cm C7 Cm 7 óÚÓ·˚ Ò˚„‡Ú¸ χÊÓÌ˚È ‡ÍÍÓ‰, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÚÓθÍÓ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌ˚È ‡ÍÍÓ‰, ̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. óÚÓ·˚ Ò˚„‡Ú¸ ÒÂÔÚ‡ÍÍÓ‰, ̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. óÚÓ·˚ Ò˚„‡Ú¸ ÏËÌÓÌ˚È ÒÂÔÚ‡ÍÍÓ‰, ̇‰Ó Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡Ê‡Ú¸ Í·‚Ë¯Û ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ·ÂÎÛ˛ Ë ˜ÂÌÛ˛ Í·‚Ë¯Û Ò΂‡ ÓÚ ÌÂÂ. MULTI FINGER (çÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) Ä‚ÚÓχÚ˘ÂÒÍË ‡ÒÔÓÁ̇ÂÚ ÚËÔ˚ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ Single Finger Ë Fingered. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ β·ÓÈ ËÁ ˝ÚËı ÚËÔÓ‚ ‡ÔÔÎË͇ÚÛ˚, Ì ÔÂÂÍβ˜‡fl ÂÊËÏ˚. FINGERED (퇉ˈËÓÌÌ˚È) èÓÁ‚ÓÎflÂÚ ·‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ‡ÍÍÓ‰˚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ÔË ˝ÚÓÏ CVP ‰Ó·‡‚ÎflÂÚ ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ÓÍÂÒÚÓ‚‡ÌÌ˚È ËÚÏ, ·‡Ò˚ Ë ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚ ‚˚·‡ÌÌÓÏ ÒÚËÎÂ. êÂÊËÏ Fingered ‡ÒÔÓÁ̇ÂÚ ‡Á΢Ì˚ ÚËÔ˚ ‡ÍÍÓ‰Ó‚, Ô˜ËÒÎÂÌÌ˚ ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ. àı Ú‡ÍÊ ÏÓÊÌÓ ÔÓÒÏÓÚÂÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Chord Tutor (ÒÚ. 48). FINGERED ON BASS (퇉ˈËÓÌÌ˚È Ò ·‡ÒÓÏ) èÓ‰‰ÂÊË‚‡ÂÚ Ú Ê ‡ÔÔÎË͇ÚÛ˚, ˜ÚÓ Ë ÂÊËÏ Fingered, ÌÓ Ò‡Ï‡fl ÌËÁ͇fl ÌÓÚ‡ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ËÒÔÓθÁÛÂÚÒfl ‚ ͇˜ÂÒÚ‚Â ·‡ÒÓ‚ÓÈ ÌÓÚ˚, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ‡ÍÍÓ‰˚ «Ò ‰Ó·‡‚ÎÂÌËÂÏ ·‡Ò‡» (‚ ÂÊËÏ Fingered ‚ ͇˜ÂÒÚ‚Â ·‡ÒÓ‚ÓÈ ÌÓÚ˚ ‚Ò„‰‡ ËÒÔÓθÁÛÂÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡). FULL KEYBOARD (ÇÒfl Í·‚ˇÚÛ‡) ê‡ÒÔÓÁ̇ÂÚ ‡ÍÍÓ‰˚, Ò˚„‡ÌÌ˚ ‚ β·ÓÏ ÏÂÒÚ Í·‚ˇÚÛ˚. ê‡ÒÔÓÁ̇‚‡ÌË ‡ÍÍÓ‰Ó‚ ̇ÔÓÏË̇ÂÚ ÏÂÚÓ‰, ÔËÌflÚ˚È ‚ ÂÊËÏ Fingered. ÄÍÍÓ‰˚ ÓÔ‰ÂÎfl˛ÚÒfl ‰‡Ê ‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÓÌË ·ÂÛÚÒfl Ò‡ÁÛ ‰‚ÛÏfl Û͇ÏË: ̇ÔËÏÂ, ÍÓ„‰‡ ΂ÓÈ ‚˚ ·ÂÂÚ ·‡ÒÓ‚Û˛ ÌÓÚÛ, ‡ Ô‡‚ÓÈ — ‡ÍÍÓ‰, ËÎË ÍÓ„‰‡ ‡ÍÍÓ‰ ·ÂÂÚÒfl ΂ÓÈ ÛÍÓÈ, ‚ ÚÓ ‚ÂÏfl Í‡Í Ô‡‚‡fl ‚‰ÂÚ ÏÂÎӉ˘ÂÒÍÛ˛ ÎËÌ˲. AI FINGERED (퇉ˈËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡) Ç ÓÒÌÓ‚ÌÓÏ ÔÓıÓÊ Ì‡ ÂÊËÏ FINGERED. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰. AI FULL KEYBOARD (ÇÒfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡) èË ‚˚·Ó ˝ÚÓ„Ó ÛÒÎÓÊÌÂÌÌÓ„Ó ÚËÔ‡ ‡ÔÔÎË͇ÚÛ˚ CVP ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÓÁ‰‡‚‡Ú¸ ÔÓ‰ıÓ‰fl˘ËÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍË ÌÓÚ˚ Ë ‚ ͇ÍÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ËÒÔÓÎÌfl˛ÚÒfl. à„‡Ú¸ ÔË ˝ÚÓÏ ÏÓÊÌÓ Ó·ÂËÏË Û͇ÏË. Ç‡Ï Ì ÔˉÂÚÒfl Û͇Á˚‚‡Ú¸ ‡ÍÍÓ‰˚ ÒÚËÎfl. ïÓÚfl ÂÊËÏ AI FULL KEYBOARD Ô‰̇Á̇˜ÂÌ ‰Îfl ‡ÍÍÓÏÔ‡ÌËÓ‚‡ÌËfl ÏÌÓ„ËÏ ÔÂÒÌflÏ, ‰Îfl ÌÂÍÓÚÓ˚ı ‡‡ÌÊËÓ‚ÓÍ ÓÌ ÏÓÊÂÚ Ó͇Á‡Ú¸Òfl ÌÂÔËÂÏÎÂÏ˚Ï. ùÚÓÚ ÂÊËÏ ÔÓıÓÊ Ì‡ ÂÊËÏ FULL KEYBOARD. Ö‰ËÌÒÚ‚ÂÌÌÓ ÓÚ΢ˠÒÓÒÚÓËÚ ‚ ÚÓÏ, ˜ÚÓ ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡ ‰ÓÒÚ‡ÚÓ˜ÌÓ ‚ÁflÚ¸ Ì ÚË ÌÓÚ˚, ‡ ÏÂ̸¯Â. ÑÎfl ‚ÓÒÒÓÁ‰‡ÌËfl ‡ÍÍÓ‰‡ ËÒÔÓθÁÛ˛ÚÒfl ҂‰ÂÌËfl Ó ÔÓÒΉÌÂÏ Ò˚„‡ÌÌÓÏ ‡ÍÍÓ‰Â Ë Ú.‰. ÄÍÍÓ‰˚ Ò 9, 11 Ë 13 ÒÚÛÔÂÌflÏË ÔÓË„‡Ú¸ ÌÂθÁfl. ùÚÓÚ ÚËÔ ‰ÓÒÚÛÔÂÌ ÚÓθÍÓ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl êËÚÏ – ˝ÚÓ Ó‰Ì‡ ËÁ Ò‡Ï˚ı ‚‡ÊÌ˚ı ˜‡ÒÚÂÈ ÒÚËÎfl. èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ÏÂÎӉ˲ ‚ÏÂÒÚÂ Ò ËÚÏÓÏ. Ç˚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ‡ÁÌ˚ ËÚÏ˚ ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl. é‰Ì‡ÍÓ ËÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÌÂ Û ‚ÒÂı ÒÚËÎÂÈ ÂÒÚ¸ ËÚÏ˘ÂÒÍË ͇̇Î˚. 1 2 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 45). ÑÎfl ‚˚Íβ˜ÂÌËfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF]. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË STYLE CONTROL (ìÔ‡‚ÎÂÌË ÒÚËÎÂÏ). ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ÒÚËÎfl 4 óÚÓ·˚ Ô‚‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚχ, ̇ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË STYLE CONTROL. ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ÒÚËÎfl ëÚËθ ÒÓÒÚÓËÚ ËÁ ‚ÓÒ¸ÏË Í‡Ì‡ÎÓ‚: RHY1 (Rhythm 1) – PHR2 (Phrase 2). Ç˚ ÏÓÊÂÚ ‰Ó·‡‚ÎflÚ¸ ‚‡Ë‡ˆËË Ë ËÁÏÂÌflÚ¸ Á‚Û˜‡ÌË ÒÚËÎfl, ‚Íβ˜‡fl Ë ‚˚Íβ˜‡fl ͇̇Î˚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì CHANNEL ON/OFF (ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ͇̇ÎÓ‚). ÖÒÎË ‚Í·‰Í‡ STYLE (ëÚËθ) Ì ‚˚·‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF] ¢ ‡Á. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 2 äÌÓÔ͇ÏË [1†]–[8†] ‚Íβ˜ËÚ ËÎË ‚˚Íβ˜ËÚ ͇̇Î˚. óÚÓ·˚ ÒÎÛ¯‡Ú¸ ÚÓθÍÓ Ò‡Ï ËÌÒÚÛÏÂÌÚ, ̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡, ˜ÚÓ·˚ Á‡‰‡Ú¸ ͇̇ΠSOLO (ëÓÎÓ). ÑÎfl ÓÚÏÂÌ˚ SOLO ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ Í‡Ì‡Î‡ ¢ ‡Á. èÓË„˚‚‡ÌË ‡ÍÍÓ‰Ó‚ ‚ Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ (·ÂÁ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) åÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ ‡ÍÍÓ‰˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ·ÂÁ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. ÑÎfl ˝ÚÓ„Ó ÌÛÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ [ACMP ON/OFF] ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.), ‡ [SYNC START] – ‚ ÔÓÎÓÊÂÌË OFF (Ç˚ÍÎ.). ç‡ÔËÏÂ, ÂÒÎË ‚˚·‡Ì ÂÊËÏ MULTI FINGER (ÒÚ. 98), ‚˚ ÏÓÊÂÚ ˄‡Ú¸ ‚ Û‰Ó·ÌÓÏ ‰Îfl Ò·fl ÚÂÏÔÂ, Á‡ÒÚ‡‚Îflfl ‡ÍÍÓ‰ Á‚Û˜‡Ú¸ Ò ÔÓÏÓ˘¸˛ ̇ʇÚËfl Ó‰ÌËÏ Ô‡Î¸ˆÂÏ Í·‚Ë¯Ë ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ìÒÚ‡Ìӂ͇ ‚ÂÏÂÌË ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl Á‚Û͇ åÓÊÌÓ Á‡‰‡Ú¸ ‚ÂÏfl ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ (ÒÚ. 47). 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB[√] CONFIG 1 → [A] FADE IN/OUT/HOLD TIME 2 ìÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3π†]–[5π†]. FADE IN TIME (ÇÂÏfl ÛÒËÎÂÌËfl Á‚Û͇) ᇉ‡ÂÚ ‚ÂÏfl ‰Îfl Û‚Â΢ÂÌËfl „ÓÏÍÓÒÚË ËÎË ÔÂÂıÓ‰‡ ÓÚ ÏËÌËχθÌÓÈ „ÓÏÍÓÒÚË Í Ï‡ÍÒËχθÌÓÈ. FADE OUT TIME (ÇÂÏfl Á‡ÚÛı‡ÌËfl Á‚Û͇) ᇉ‡ÂÚ ‚ÂÏfl ‰Îfl ÛÏÂ̸¯ÂÌËfl „ÓÏÍÓÒÚË ËÎË ÔÂÂıÓ‰‡ ÓÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË Í ÏËÌËχθÌÓÈ. FADE OUT HOLD TIME (ÇÂÏfl ÏËÌËχθÌÓÈ „ÓÏÍÓÒÚË Á‚Û͇ ÔÓÒΠÁ‡ÚÛı‡ÌËfl) ᇉ‡ÂÚ ‚ÂÏfl, ̇ ÔÓÚflÊÂÌËË ÍÓÚÓÓ„Ó „ÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËχθÌÓÈ ÔÓÒΠÁ‡ÚÛı‡ÌËfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 99 ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl Ç CVP ÂÒÚ¸ ÏÌÓÊÂÒÚ‚Ó ‡Á΢Ì˚ı ÙÛÌ͈ËÈ, Ò‚flÁ‡ÌÌ˚ı Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎÂÈ, ‚ ÚÓÏ ˜ËÒΠÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÏÌÓ„Ë ‰Û„ËÂ, ‰ÓÒÚÛÔ Í ÍÓÚÓ˚Ï ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ Ò ÌËÊÂÛ͇Á‡ÌÌÓ„Ó ˝Í‡Ì‡. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [C] STYLE SETTING/SPLIT POINT/CHORD FINGERING → TAB[√] STYLE SETTING/SPLIT POINT 2 óÚÓ·˚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (Split Point) (ÒÏ. ÌËÊÂ), ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [F]–[H] Ë ‰Îfl ͇ʉÓÈ Ì‡ÒÚÓÈÍË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[5π†] (ÒÚ. 101). ç‡ÒÚÓÈÍË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 臇ÏÂÚ˚ • SPLIT POINT è‰ÛÒÏÓÚÂÌ˚ ̇ÒÚÓÈÍË (‰‚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚), ‡Á‰ÂÎfl˛˘Ë Í·‚ˇÚÛÛ Ì‡ ‡Á΢Ì˚ ˜‡ÒÚË: ‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚, ‡Á‰ÂÎ Ô‡ÚËË LEFT Ë ‡Á‰ÂÎ Ô‡ÚËÈ RIGHT 1 Ë 2. é·Â ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (ÒÏ. ÌËÊÂ) Û͇Á˚‚‡˛ÚÒfl Í‡Í Ì‡Á‚‡ÌËfl ÌÓÚ. • íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) – ÓÚ‰ÂÎflÂÚ ‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎÂÈ ÓÚ ‡Á‰ÂÎÓ‚ ‰Îfl ÔÓË„˚‚‡ÌËfl ÚÂÏ·Ó‚ (RIGHT 1, 2 Ë LEFT). • íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (L) – ‡Á‰ÂÎflÂÚ ‰‚ ˜‡ÒÚË ‰Îfl ÔÓË„˚‚‡ÌËfl ÚÂÏ·Ó‚, LEFT Ë RIGHT 1-2. ùÚË ‰‚ ̇ÒÚÓÈÍË ÏÓ„ÛÚ ·˚Ú¸ Á‡‰‡Ì˚ Ó‰ÌÓÈ Ë ÚÓÈ Ê ÌÓÚÓÈ (Ú‡Í Ò‰Â·ÌÓ ÔÓ ÛÏÓΘ‡Ì˲) ËÎË ‰‚ÛÏfl ‡ÁÌ˚ÏË ÌÓÚ‡ÏË. é·ÓÁ̇˜ÂÌË ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) Ë (L) Ó‰ÌÓÈ Ë ÚÓÈ Ê ÌÓÚÓÈ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S+L) ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ + ÚÂÏ· LEFT íÂÏ· RIGHT 1 Ë 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] (S+L) Ë ÔÓ‚ÂÌËÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. é·ÓÁ̇˜ÂÌË ÚÓ˜ÂÍ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) Ë (L) ‡ÁÌ˚ÏË ÌÓÚ‡ÏË íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (S) ì͇Á‡ÌË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ÔÓ Ì‡Á‚‡Ì˲ ÌÓÚ˚ ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†]/[8π†] (SPLIT POINT) (íӘ͇ ‡Á‰ÂÎÂÌËfl). íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ÓÈ Ë ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚÂÈ Í·‚ˇÚÛ˚ ÏÓÊÌÓ Á‡‰‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË STYLE ̇ ‰ËÒÔÎÂÂ, ‡ ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl ÎÂ‚Ó„Ó Ë Ô‡‚Ó„Ó ÚÂÏ·Ó‚ – Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË LEFT. 100 ê‡Á‰ÂÎ ‡ÍÍÓ‰Ó‚ íӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ (L) íÂÏ· LEFT íÂÏ· RIGHT 1 Ë 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (S) ËÎË [G] (L) Ë ÔÓ‚ÂÌËÚ ‰ËÒÍ ÛÔ‡‚ÎÂÌËfl [DATA ENTRY]. íÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl (L) ÌÂθÁfl ÛÒڇ̇‚ÎË‚‡Ú¸ ΂ ÚÓ˜ÍË (S), ‡ ÚÓ˜ÍÛ (S) ÌÂθÁfl ÛÒڇ̇‚ÎË‚‡Ú¸ Ô‡‚ ÚÓ˜ÍË (L). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 ç‡ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl • éÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÖÒÎË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ‚Íβ˜ÂÌ (ÍÌÓÔ͇ [ACMP ON/OFF] ‚ ÔÓÎÓÊÂÌËË ON), ‡ ÙÛÌ͈Ëfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‚˚Íβ˜Â̇ (ÍÌÓÔ͇ [SYNC START] ‚ ÔÓÎÓÊÂÌËË OFF), ÏÓÊÌÓ ÔÓË„˚‚‡Ú¸ ‡ÍÍÓ‰˚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÒÚËΠË, ÚÂÏ Ì ÏÂÌÂÂ, ÒÎ˚¯‡Ú¸ ‡ÍÍÓ‰ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. Ç ˝ÚÓÏ ÒÓÒÚÓflÌËË, ÍÓÚÓÓ ̇Á˚‚‡ÂÚÒfl «ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡», ‡ÒÔÓÁ̇˛ÚÒfl ‚Ò ԇ‚ËθÌ˚ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚, Ë Ì‡ ˝Í‡Ì ‚˚‚Ó‰ËÚÒfl ÓÒÌÓ‚ÌÓÈ ÚÓÌ/ÚËÔ ‡ÍÍÓ‰‡. ç‡ ˝Í‡Ì (ÒÏ. ÒÚ. 100) ÏÓÊÌÓ Û͇Á‡Ú¸, ·Û‰ÂÚ ÎË ‡ÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ ÔË ÓÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. OFF ..................................... ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, Á‚Û˜‡Ú¸ Ì ·Û‰ÂÚ. STYLE ..................................ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ˜ÂÂÁ ÚÂÏ·˚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. FIXED ..................................ÄÍÍÓ‰, Ò˚„‡ÌÌ˚È ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚, ·Û‰ÂÚ Á‚Û˜‡Ú¸ ˜ÂÂÁ ÓÔ‰ÂÎÂÌÌ˚È ÚÂÏ· ÌÂÁ‡‚ËÒËÏÓ ÓÚ ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. • îÛÌ͈Ëfl OTS Link Timing ùÚÓ ÓÚÌÓÒËÚÒfl Í ÙÛÌ͈ËË OTS Link (ÒÚ. 50). ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒËÌıÓÌËÁ‡ˆË˛ ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÙÛÌ͈ËË One Touch Settings Ò ËÁÏÂÌÂÌËÂÏ ÙÛÌ͈ËË MAIN VARIATION [A]–[D]. (äÌÓÔ͇ [OTS LINK] ‰ÓÎÊ̇ ·˚Ú¸ ‚ ÔÓÎÓÊÂÌËË ON.) чÌÌ˚Â, Á‡ÔËÒ˚‚‡ÂÏ˚ ÔË Á‡ÔËÒË ÔÂÒÌË é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ, ÂÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «STYLE», ·Û‰ÛÚ Á‡ÔËÒ‡Ì˚ Ë Á‚ÛÍ ÚÂÏ·‡, Ë ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı, ‡ ÂÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «OFF» ËÎË «FIXED», ·Û‰ÛÚ Á‡ÔËÒ‡Ì˚ ÚÓθÍÓ ‰‡ÌÌ˚ ӷ ‡ÍÍÓ‰‡ı. Real Time ........................... ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË One Touch Setting Á‡„ÛʇÂÚÒfl Ò‡ÁÛ Ê (Ç Â‡Î¸ÌÓÏ ‚ÂÏÂÌË) ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [MAIN VARIATION]. Next Bar ............................. ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË One Touch Setting Á‡„ÛʇÂÚÒfl ̇ (ëÓ ÒÎÂ‰Û˛˘Â„Ó Ú‡ÍÚ‡) ÒÎÂ‰Û˛˘ËÈ Ú‡ÍÚ ÔÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [MAIN VARIATION]. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • éÍÌÓ ÙÛÌ͈ËË Synchro Stop éÔ‰ÂÎflÂÚ, ÒÍÓθÍÓ ‚ÂÏÂÌË ÏÓÊÌÓ Û‰ÂÊË‚‡Ú¸ ‡ÍÍÓ‰, ÔÂʉ ˜ÂÏ ÙÛÌ͈Ëfl Synchro Stop ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜ËÚÒfl. ÖÒÎË ÍÌÓÔ͇ [SYNC STOP] ̇ʇڇ Ë ÛÒÚ‡ÌÓ‚ÎÂ̇ ̇ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ «OFF», ÙÛÌ͈Ëfl Synchro Stop ‡‚ÚÓχÚ˘ÂÒÍË ÓÚÍβ˜‡ÂÚÒfl, ÂÒÎË ‡ÍÍÓ‰ Û‰ÂÊË‚‡ÂÚÒfl ‰Óθ¯Â, ˜ÂÏ Û͇Á‡ÌÓ Á‰ÂÒ¸. ùÚ‡ ۉӷ̇fl ÙÛÌ͈Ëfl ÔÂÂÍβ˜‡ÂÚ ÛÔ‡‚ÎÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ̇ Ó·˚˜ÌÓÂ, Ú‡Í ˜ÚÓ ÏÓÊÌÓ ÓÚÔÛÒÚËÚ¸ Í·‚˯Ë, ‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÓ‰ÓÎÊËÚÒfl. • îÛÌ͈Ëfl Style Touch ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í Ì‡Ê‡Ú˲ Í·‚˯ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. èË ‚˚·Ó Á̇˜ÂÌËfl «ON» „ÓÏÍÓÒÚ¸ ÒÚËÎfl Á‡‚ËÒËÚ ÓÚ ÒËÎ˚ ̇ʇÚËfl ̇ Í·‚Ë¯Ë ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. • îÛÌ͈Ëfl Section Set ᇉ‡ÂÚ ˜‡ÒÚ¸ ÔÓ ÛÏÓΘ‡Ì˲, ÍÓÚÓ‡fl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË ‚˚·Ó ‰Û„Ó„Ó ÒÚËÎfl (ÂÒÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÓÒÚ‡ÌÓ‚ÎÂÌÓ). ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË «OFF» Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ‡ÍÚ˂̇fl ˜‡ÒÚ¸ ÔÓ‰ÓÎʇÂÚ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ‚˚·‡Ì ‰Û„ÓÈ ÒÚËθ. ÖÒÎË ‚ ÒÚËΠÌÂÚ Í‡ÍÓÈ-ÎË·Ó ËÁ ˜‡ÒÚÂÈ MAIN A-D, ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ·ÎËʇȯ‡fl Í ÌÂÈ ˜‡ÒÚ¸. ç‡ÔËÏÂ, ÂÒÎË ‚ ‚˚·‡ÌÌÓÏ ÒÚËΠÌÂÚ ˜‡ÒÚË MAIN D, ‚ÏÂÒÚÓ Ì ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ˜‡ÒÚ¸ MAIN C. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 101 ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE) (äÓÌÒÓθ ÏËͯ‡) ꉇÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE) (äÓÌÒÓθ ÏËͯ‡) ÑÎfl ÒÚËÎfl ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‡Á΢Ì˚ ԇ‡ÏÂÚ˚, ÓÚÌÓÒfl˘ËÂÒfl Í ÏËͯËÓ‚‡Ì˲. (ëÏ. ‡Á‰ÂÎ «ç‡Òڇ˂‡ÂÏ˚ ӷ˙ÂÍÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ˝Í‡Ì MIXING CONSOLE» ̇ ÒÚ. 82.) Ç˚ÁÓ‚ËÚ ˝Í‡Ì STYLE PART (ó‡ÒÚ¸ ÒÚËÎfl), Í‡Í ˝ÚÓ ÓÔËÒ‡ÌÓ ‚ ¯‡„ 3 ÔÓ‰‡Á‰Â· «éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ‡Á‰Â· «ê‰‡ÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE)» ̇ ÒÚ. 80, Ë ÒΉÛÈÚ ‰‡Î¸ÌÂȯËÏ ËÌÒÚÛ͈ËflÏ. îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) Music Finder (ÒÚ. 50) – ˝ÚÓ Û‰Ó·Ì‡fl ÙÛÌ͈Ëfl, ÍÓÚÓ‡fl ‚˚Á˚‚‡ÂÚ Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ԇÌÂθÌ˚ ̇ÒÚÓÈÍË (‰Îfl ÚÂÏ·Ó‚, ÒÚËÎÂÈ Ë Ô.), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÔÂÒÌ ËÎË ÚËÔÛ ÏÛÁ˚ÍË, ÍÓÚÓÛ˛ ‚˚ ıÓÚËÚ Ò˚„‡Ú¸. á‡ÔËÒË ÙÛÌ͈ËË Music Finder ÏÓÊÌÓ Ì‡ıÓ‰ËÚ¸ Ë Â‰‡ÍÚËÓ‚‡Ú¸. èÓËÒÍ Á‡ÔËÒÂÈ àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ á‡ÔËÒË ÏÓÊÌÓ ËÒ͇ڸ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË Search (èÓËÒÍ) ÙÛÌ͈ËË Music Finder – Û͇Á‡‚ ̇Á‚‡ÌË ÔÂÒÌË ËÎË Â Íβ˜Â‚Ó ÒÎÓ‚Ó. í‡ÍÊ ÏÓÊÌÓ ÒÓı‡ÌflÚ¸ β·ËÏ˚ Á‡ÔËÒË Ì‡ ˝Í‡Ì FAVORITE (ã˛·ËÏ˚Â). 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ ALL (ÇÒÂ). ÇÍ·‰Í‡ ALL ÒÓ‰ÂÊËÚ ‚ÒÚÓÂÌÌ˚ Á‡ÔËÒË. 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SEARCH 1) (èÓËÒÍ 1), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ÔÓËÒ͇. 4 ǂ‰ËÚ ÍËÚÂËË ÔÓËÒ͇. é˜ËÒÚËÚ ÍËÚÂËË ÔÓËÒ͇ óÚÓ·˚ Ó˜ËÒÚËÚ¸ ÒÚÓÍË ‚‚‰ÂÌÌÓÈ ÏÛÁ˚ÍË/Íβ˜Â‚Ó„Ó ÒÎÓ‚‡/ÒÚËÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [F]/[G]/[H] (CLEAR) (é˜ËÒÚËÚ¸). 102 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MUSIC FINDER, ̇ÊÏËÚ ÍÌÓÔÍÛ [MUSIC FINDER] (èÓËÒÍ ÏÛÁ˚ÍË). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) • èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÔÂÒÌË, ÏÛÁ˚͇θÌÓÏÛ Ê‡ÌÛ (MUSIC) ËÎË Íβ˜Â‚ÓÏÛ ÒÎÓ‚Û 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A] (MUSIC) (åÛÁ˚͇)/[B] (KEYWORD) (äβ˜Â‚Ó ÒÎÓ‚Ó), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚. 2 ǂ‰ËÚ ̇Á‚‡ÌË ÔÂÒÌË, ÏÛÁ˚͇θÌ˚È Ê‡Ì ËÎË Íβ˜Â‚Ó ÒÎÓ‚Ó (ÒÚ. 67). Ç‚Ó‰ ÌÂÒÍÓθÍËı Íβ˜Â‚˚ı ÒÎÓ‚ èÓËÒÍ ÏÓÊÌÓ ÔÓËÁ‚Ó‰ËÚ¸ Ò‡ÁÛ ÔÓ ÌÂÒÍÓθÍËÏ Íβ˜Â‚˚Ï ÒÎÓ‚‡Ï, ‡Á‰ÂÎÂÌÌ˚Ï Á‡ÔflÚÓÈ. • èÓËÒÍ ÔÓ Ì‡Á‚‡Ì˲ ÒÚËÎfl 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] (STYLE) (ëÚËθ). 2 Ç˚·ÂËÚ ÒÚËθ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]–[J]. 3 óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ ÔÓËÒ͇, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT] (Ç˚ıÓ‰). • ÑÓ·‡‚ÎÂÌË ‰Û„Ëı ÍËÚÂË‚ ÔÓËÒ͇ äÓÏ ̇Á‚‡ÌËfl ÔÂÒÌË, Íβ˜Â‚Ó„Ó ÒÎÓ‚‡ Ë Ì‡Á‚‡ÌËfl ÒÚËÎfl ÏÓÊÌÓ Û͇Á˚‚‡Ú¸ ‰Û„Ë ÍËÚÂËË ÔÓËÒ͇. BEAT (êËÚÏ) ...................... ç‡Ê‡‚ ÍÌÓÔÍÛ [D], ‚˚·ÂËÚ ÌÛÊÌ˚È ËÚÏ (‡ÁÏÂ) ÍÓÏÔÓÁˈËË. ÖÒÎË ‚˚·‡Ú¸ ANY (ã˛·ÓÈ), ÚÓ ‚ ÍËÚÂËË ÔÓËÒ͇ ·Û‰ÛÚ ‚Íβ˜ÂÌ˚ ‚Ò ‡ÁÏÂ˚. SEARCH AREA ................. ç‡Ê‡‚ ÍÌÓÔÍÛ [E], ‚˚·ÂËÚ ÒÚ‡Ìˈ˚ ‰Îfl ÔÓËÒ͇. (éÌË (é·Î‡ÒÚ¸ ÔÓËÒ͇) ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ‚Í·‰Í‡Ï ‚ ‚ÂıÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ Music Finder.) TEMPO (íÂÏÔ).................... àÒÔÓθÁÛfl ÍÌÓÔÍË [1π†]/[2π†] (TEMPO), Á‡‰‡ÈÚ ‰Ë‡Ô‡ÁÓÌ ÚÂÏÔ‡ ‰Îfl ÍÓÏÔÓÁˈËË. GENRE (܇Ì) .................. àÒÔÓθÁÛfl ÍÌÓÔÍË [5π†]/[6π†] (GENRE), ‚˚·ÂËÚ ÌÛÊÌ˚È ÏÛÁ˚͇θÌ˚È Ê‡Ì. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 5 π] (START SEARCH) (燘‡Ú¸ ÔÓËÒÍ), ˜ÚÓ·˚ ̇˜‡Ú¸ ÔÓËÒÍ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π èÓfl‚ËÚÒfl ˝Í‡Ì Search 1 Ò ÂÁÛθڇڇÏË ÔÓËÒ͇. ÑÎfl ÓÚÏÂÌ˚ ÔÓËÒ͇ ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL) (éÚÏÂ̇). ê‡Ò¯ËÂÌÌ˚È ÔÓËÒÍ ÖÒÎË ÌÛÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÔÓËÒÍ ÒÂ‰Ë ‰Û„Ëı ÏÛÁ˚͇θÌ˚ı ʇÌÓ‚ ËÎË Ì‡ ÓÒÌÓ‚Â ÔÓÎÛ˜ÂÌÌ˚ı ‡Ì ÂÁÛθڇÚÓ‚ ÔÓ‚ÂÒÚË ‰‡Î¸ÌÂȯËÈ ÔÓËÒÍ Á‡ÔËÒÂÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [J] (SEARCH 2) (èÓËÒÍ 2) ̇ ˝Í‡Ì Music Finder. êÂÁÛÎ¸Ú‡Ú ÔÓËÒ͇ ·Û‰ÂÚ ÓÚÓ·‡ÊÂÌ Ì‡ ˝Í‡Ì SEARCH 2. ëÓÁ‰‡ÌË ·Ë·ÎËÓÚÂÍË Î˛·ËÏ˚ı Á‡ÔËÒÂÈ ç‡ ÓÒÌÓ‚Â Á‡ÔËÒÂÈ Music Finder ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ «Ô‡ÔÍÛ» β·ËÏ˚ı Á‡ÔËÒÂÈ, ˜ÚÓ·˚ ·˚ÒÚÓ ‚˚Á˚‚‡Ú¸ ̇˷ÓΠ˜‡ÒÚÓ ËÒÔÓθÁÛÂÏ˚ ÒÚËÎË Ë Ì‡ÒÚÓÈÍË. 1 Ç˚·ÂËÚ ÌÛÊÌÛ˛ Á‡ÔËÒ¸ ËÁ ˝Í‡Ì‡ Music Finder. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 103 îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) 2 3 óÚÓ·˚ ‰Ó·‡‚ËÚ¸ ‚˚·‡ÌÌÛ˛ Á‡ÔËÒ¸ ̇ Ò‚ÓÈ ˝Í‡Ì Favorite, ̇ÊÏËÚ ÍÌÓÔÍÛ [H] (ADD TO FAVORITE) (ÑÓ·‡‚ËÚ¸ ‚ ËÁ·‡ÌÌÓÂ). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®] ‚˚ÁÓ‚ËÚ ˝Í‡Ì FAVORITE Ë Ôӂ¸ÚÂ, ·˚· ÎË Á‡ÔËÒ¸ ‰Ó·‡‚ÎÂ̇. 쉇ÎÂÌË Á‡ÔËÒÂÈ Ò ˝Í‡Ì‡ FAVORITE àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 1 2 Ç˚·ÂËÚ Á‡ÔËÒ¸, ÍÓÚÓÛ˛ ÌÛÊÌÓ Û‰‡ÎËÚ¸ Ò ˝Í‡Ì‡ FAVORITE. ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (DELETE FROM FAVORITE) (쉇ÎËÚ¸ ËÁ ËÁ·‡ÌÌÓ„Ó). ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒÂÈ çÓ‚Û˛ Á‡ÔËÒ¸ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸, ÓÚ‰‡ÍÚËÓ‚‡‚ ÚÂÍÛ˘Û˛ Á‡ÔËÒ¸. çÓ‚˚ Á‡ÔËÒË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË. ÇçàåÄçàÖ ÑÎfl ÒÓÁ‰‡ÌËfl ÌÓ‚ÓÈ Á‡ÔËÒË Ú‡ÍÊ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ‚ÒÚÓÂÌÌÛ˛ Á‡ÔËÒ¸. ÖÒÎË ‚˚ ıÓÚËÚ ÒÓı‡ÌËÚ¸ ËÒıÓ‰ÌÛ˛ Á‡ÔËÒ¸, ‚˚·ÂËÚ ‰Îfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓÈ Á‡ÔËÒË ‰Û„Ó ËÏfl Ë Á‡Â„ËÒÚËÛÈڠ ÔÓ‰ ˝ÚËÏ ËÏÂÌÂÏ (ÒÏ. ¯‡„ 5, ÒÚ. 105). 104 1 2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 Ç˚·ÂËÚ ÌÛÊÌÛ˛ Á‡ÔËÒ¸ ̇ ˝Í‡Ì Music Finder. ÑÎfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‰‡ÍÚËÓ‚‡ÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [8π†] (RECORD EDIT) (ꉇÍÚËÓ‚‡Ú¸ Á‡ÔËÒ¸). îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) 3 éÚ‰‡ÍÚËÛÈÚ Á‡ÔËÒ¸. • ꉇÍÚËÓ‚‡ÌË ̇Á‚‡ÌËfl ÔÂÒÌË/Íβ˜Â‚Ó„Ó ÒÎÓ‚‡/̇Á‚‡ÌËfl ÒÚËÎfl Ç‚Ó‰ËÚ ͇ʉ˚È ˝ÎÂÏÂÌÚ Ú‡Í ÊÂ, Í‡Í Ì‡ ˝Í‡Ì ÔÓËÒ͇ (ÒÚ. 103). • àÁÏÂÌÂÌË ÚÂÏÔ‡ ç‡ÊÏËÚ ÍÌÓÔÍÛ [1π†] (TEMPO) (íÂÏÔ). • á‡ÔÓÏË̇ÌË ˜‡ÒÚË (‚ÒÚÛÔÎÂÌËÂ/ÓÒÌӂ̇fl ˜‡ÒÚ¸/ÍÓ̈ӂ͇) ÑÎfl ‚˚·Ó‡ ˜‡ÒÚË, ÍÓÚÓ‡fl ·Û‰ÂÚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË ‚˚·Ó Á‡ÔËÒË, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [2π†]/[4π†]. ùÚ‡ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÎÂÁ̇, ÍÓ„‰‡, ̇ÔËÏÂ, ÌÛÊÌÓ, ˜ÚÓ·˚ ‚˚·‡ÌÌ˚È ÒÚËθ ‡‚ÚÓχÚ˘ÂÒÍË Á‡ÔÛÒ͇ÎÒfl ‚ÏÂÒÚ ÒÓ ‚ÒÚÛÔÎÂÌËÂÏ. • ꉇÍÚËÓ‚‡ÌË ʇ̇ àÒÔÓθÁÛfl ÍÌÓÔÍË [5π†]/[6π†] (GENRE), ‚˚·ÂËÚ ÌÛÊÌ˚È Ê‡Ì. èË ÒÓÁ‰‡ÌËË ÌÓ‚Ó„Ó Ê‡Ì‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†] (GENRE NAME) (ç‡Á‚‡ÌË ʇ̇) Ë ‚‚‰ËÚ ̇Á‚‡ÌË ʇ̇. (ÒÚ. 68) • 쉇ÎÂÌË ÚÂÍÛ˘ÂÈ Á‡ÔËÒË ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (DELETE RECORD) (쉇ÎËÚ¸ Á‡ÔËÒ¸). èÓËÒÍ ÔÓ ËÚÏÛ (‡ÁÏÂÛ) èË ÔÓËÒÍ Á‡ÔËÒÂÈ ÔÓ ËÚÏÛ (‡ÁÏÂÛ) ̇ÊÏËÚ ÍÌÓÔÍÛ [D] (BEAT) (êËÚÏ). àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ‚˚ÔÓÎÌÂÌ̇fl ̇ÒÚÓÈ͇ Ô‡‡ÏÂÚ‡ Beat (êËÚÏ) ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÙÛÌ͈ËË ÔÓËÒ͇ Music Finder Ë Ì ‚ÎËflÂÚ Ì‡ Ù‡ÍÚ˘ÂÒÍÛ˛ ̇ÒÚÓÈÍÛ ËÚχ Ò‡ÏÓ„Ó ÒÚËÎfl. • éÚÏÂ̇ ÙÛÌ͈ËÈ Â‰‡ÍÚËÓ‚‡ÌËfl Ë ‚˚ıÓ‰ ËÁ ÌËı ç‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL). 5 óÚÓ·˚ ÔÓÏÂÒÚËÚ¸ ÓÚ‰‡ÍÚËÓ‚‡ÌÌÛ˛ Á‡ÔËÒ¸ ̇ ˝Í‡Ì FAVORITE, ̇ÊÏËÚ ÍÌÓÔÍÛ [E] (FAVORITE) – ·Û‰ÂÚ ‚Íβ˜ÂÌ ÂÊËÏ FAVORITE. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 4 ǂ‰ËÚ ÓÚ‰‡ÍÚËÓ‚‡ÌÌÛ˛ Á‡ÔËÒ¸, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ. • ëÓÁ‰‡ÌË ÌÓ‚ÓÈ Á‡ÔËÒË ç‡ÊÏËÚ ÍÌÓÔÍÛ [J] (NEW RECORD) (çÓ‚‡fl Á‡ÔËÒ¸). á‡ÔËÒ¸ ·Û‰ÂÚ ÔÓÏ¢Â̇ ̇ ˝Í‡Ì ALL. ÖÒÎË ‚˚ ÛÊ ÔÓÏÂÒÚËÎË Á‡ÔËÒ¸ ̇ ˝Í‡Ì FAVORITE (¯‡„ 4), ˝Ú‡ Á‡ÔËÒ¸ ·Û‰ÂÚ ‰Ó·‡‚ÎÂ̇ ̇ Ó·‡ ˝Í‡Ì‡ – ALL Ë FAVORITE. å‡ÍÒËχθÌÓ ˜ËÒÎÓ Á‡ÔËÒÂÈ ÒÓÒÚ‡‚ÎflÂÚ 2500 (CVP-305/303)/ 1200 (CVP-301) Á‡ÔËÒÂÈ, ‚Íβ˜‡fl ‚ÒÚÓÂÌÌ˚Â. • èÂÂÁ‡ÔËÒ¸ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ Á‡ÔËÒË ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (OK). ÖÒÎË ‚˚ ÓÔ‰ÂÎflÂÚ Á‡ÔËÒ¸ Í‡Í Î˛·ËÏÛ˛ (¯‡„ 4), Ó̇ ‰Ó·‡‚ÎflÂÚÒfl ̇ ˝Í‡Ì FAVORITE. èË Â‰‡ÍÚËÓ‚‡ÌËË Á‡ÔËÒË Ì‡ ˝Í‡Ì FAVORITE ˝Ú‡ Á‡ÔËÒ¸ ÔÂÂÔËÒ˚‚‡ÂÚÒfl. ëÓı‡ÌÂÌË Á‡ÔËÒË îÛÌ͈Ëfl Music Finder ‚ÓÒÔËÌËχÂÚ ‚Ò Á‡ÔËÒË, ‚Íβ˜‡fl Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Â Ë ÒÓÁ‰‡ÌÌ˚ ‰ÓÔÓÎÌËÚÂθÌÓ, Í‡Í Â‰ËÌ˚È Ù‡ÈÎ. èÓÏÌËÚÂ, ˜ÚÓ Ò ÓÚ‰ÂθÌ˚ÏË Á‡ÔËÒflÏË (̇ÒÚÓÈ͇ÏË Ô‡ÌÂÎË) ÌÂθÁfl ‡·ÓÚ‡Ú¸ Í‡Í Ò ÓÚ‰ÂθÌ˚ÏË Ù‡È·ÏË. 1 2 3 Ç˚ÁÓ‚ËÚ ˝Í‡Ì ÒÓı‡ÌÂÌËfl. [FUNCTION] → [I]UTILITY → TAB[®] SYSTEM RESET → [I] MUSIC FINDER FILES óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÒÚÓ ‰Îfl ÒÓı‡ÌÂÌËfl (USER/CARD), ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√][®]. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ù‡ÈÎ, ̇ÊÏËÚ ÍÌÓÔÍÛ [6†] (ÒÚ. 63). ÇÒ Á‡ÔËÒË ·Û‰ÛÚ ÒÓı‡ÌÂÌ˚ ‚ÏÂÒÚ ‚ Ó‰ÌÓÏ Ù‡ÈÎÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 105 îÛÌ͈Ëfl Music Finder (èÓËÒÍ ÏÛÁ˚ÍË) Ç˚ÁÓ‚ Á‡ÔËÒÂÈ ÙÛÌ͈ËÈ Music Finder, ÒÓı‡ÌÂÌÌ˚ı ‚ USER/CARD (èÓθÁÓ‚‡ÚÂθ/Ô·ڇ) óÚÓ·˚ ‚˚Á‚‡Ú¸ Á‡ÔËÒË Music Finder, ÒÓı‡ÌÂÌÌ˚ ‚ USER/CARD, ÒΉÛÈÚ Ô˂‰ÂÌÌ˚Ï ÌËÊ ËÌÒÚÛ͈ËflÏ. ÇçàåÄçàÖ èË ‚˚·Ó REPLACE (á‡ÏÂÌËÚ¸) ‚Ò ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË Á‡ÔËÒË ‚ ÙÛÌ͈ËË Music Finder ‡‚ÚÓχÚ˘ÂÒÍË Û‰‡ÎflÚÒfl ËÁ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË Ë Á‡ÏÂÌflÚÒfl ‰‡ÌÌ˚ÏË ÔÓËÁ‚Ó‰ËÚÂÎfl. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√][®] SYSTEM RESET 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [I][MUSIC FINDER], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ‚Í·‰ÍÛ USER/CARD ÙÛÌ͈ËË Music Finder. 3 óÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ USER ËÎË CARD, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√][®]. 4 Ç˚·ÂËÚ ÌÛÊÌ˚È Ù‡ÈÎ Music Finder Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]–[J]. èË ‚˚·Ó هÈ· ÔÓfl‚ÎflÂÚÒfl ÒÓÓ·˘ÂÌËÂ, Ô‰·„‡˛˘Â ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÒÎÂ‰Û˛˘Ëı ˝ÎÂÏÂÌÚÓ‚ ÏÂÌ˛. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÇÓÒÒÚ‡ÌÓ‚ÎÂÌË ËÒıÓ‰Ì˚ı ‰‡ÌÌ˚ı Music Finder åÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â, Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Music Finder ÔÓËÁ‚Ó‰ËÚÂÎÂÏ CVP (ÒÚ. 69). • REPLACE (á‡ÏÂ̇) ÇÒ Á‡ÔËÒË ÙÛÌ͈ËË Music Finder, ÒÓ‰Âʇ˘ËÂÒfl ‚Ó ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ËÌÒÚÛÏÂÌÚ‡, Û‰‡Îfl˛ÚÒfl Ë Á‡ÏÂÌfl˛ÚÒfl Á‡ÔËÒflÏË ËÁ ‚˚·‡ÌÌÓ„Ó Ù‡È·. • APPEND (ÑÓ·‡‚ÎÂÌËÂ) Ç˚Á‚‡ÌÌ˚Ï Á‡ÔËÒflÏ ÔËÒ‚‡Ë‚‡˛ÚÒfl Ò‚Ó·Ó‰Ì˚ ÌÓχ, Ë ÓÌË ‰Ó·‡‚Îfl˛ÚÒfl ‚ ÒÔËÒÓÍ. Ç˚·ÂËÚ ӉËÌ ËÁ ‚˚¯ÂÛ͇Á‡ÌÌ˚ı Ô‡‡ÏÂÚÓ‚ ‰Îfl ‚˚ÁÓ‚‡ هȷ ÙÛÌ͈ËË Music Finder. ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ CANCEL. 2 3 4 106 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 4 îÛÌ͈Ëfl Style Creator îÛÌ͈Ëfl Style Creator Ç˚ ÏÓÊÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÒÚËÎË, Ò‡ÏÓÒÚÓflÚÂθÌÓ Á‡ÔËÒ˚‚‡fl Ëı ËÎË ÒÓ˜ÂÚ‡fl ‰‡ÌÌ˚ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. ëÓÁ‰‡ÌÌ˚ ÒÚËÎË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸. ëÚÛÍÚÛ‡ ÒÚËÎÂÈ ëÚËÎË ÒÓÒÚÓflÚ ËÁ ÔflÚ̇‰ˆ‡ÚË ‡Á΢Ì˚ı ˜‡ÒÚÂÈ, Ë Í‡Ê‰‡fl ˜‡ÒÚ¸ ËÏÂÂÚ ‚ÓÒÂϸ ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. èË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Style Creator ÏÓÊÌÓ ÒÓÁ‰‡‚‡Ú¸ ÒÚËÎË, ÔÓ ÓÚ‰ÂθÌÓÒÚË Á‡ÔËÒ˚‚‡fl ͇̇Î˚ ËÎË ËÏÔÓÚËÛfl Ù‡Á˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. ëÚËθ ó‡ÒÚ¸ ÑÓÒÚÛÔÌ˚ 4 ‡Á΢Ì˚ ‚ÒÚ‡‚ÍË. ä‡Ì‡Î àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ëÓÁ‰‡ÌË ÒÚËÎfl ÑÎfl ÒÓÁ‰‡ÌËfl ÒÚËÎfl ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÏÂÚÓ‰Ó‚, ÓÔËÒ‡ÌÌ˚ı ÌËÊÂ. ëÓÁ‰‡ÌÌ˚ ÒÚËÎË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ (ÒÚ. 113). ■ á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ➤ ëÏ. ÒÚ. 108 ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÒÚËθ, ÔÓÒÚÓ Ì‡˜‡‚ Ë„‡Ú¸ ̇ ËÌÒÚÛÏÂÌÚÂ. åÓÊÌÓ ‚˚·‡Ú¸ ‚ÒÚÓÂÌÌ˚È ÒÚËθ, ̇˷ÓΠÚÓ˜ÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÒÚËβ, ÍÓÚÓ˚È ÌÛÊÌÓ ÒÓÁ‰‡Ú¸, Ë Á‡ÚÂÏ ÔÂÂÁ‡ÔËÒ‡Ú¸ ˜‡ÒÚË ˝ÚÓ„Ó ÒÚËÎfl ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲. í‡ÍÊ ÏÓÊÌÓ ÒÓÁ‰‡Ú¸ ÌÓ‚˚È ÒÚËθ Ò ÌÛÎfl. ■ èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ➤ ëÏ. ÒÚ. 111 àÒÔÓθÁÓ‚‡ÌË ˝ÚÓ„Ó ÏÂÚÓ‰‡ ̇ÔÓÏË̇ÂÚ Á‡ÔËÒ¸ ÌÓÚ Ì‡ ·Ûχ„Â, ÔÓÒÍÓθÍÛ Í‡Ê‰Û˛ ÌÓÚÛ ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÔÓ ÓÚ‰ÂθÌÓÒÚË Ò Û͇Á‡ÌËÂÏ Â ‰ÎËÚÂθÌÓÒÚË. ùÚÓ ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÚËθ ·ÂÁ ÌÂÓ·ıÓ‰ËÏÓÒÚË ÔÓË„˚‚‡ÌËfl Â„Ó ˜‡ÒÚÂÈ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ÔÓÒÍÓθÍÛ Í‡Ê‰Û˛ ËÁ ÌËı ÏÓÊÌÓ ‚‚ÂÒÚË ‚Û˜ÌÛ˛. ■ ë·Ó͇ ÒÚËÎfl ➤ ëÏ. ÒÚ. 112 ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ «ÒÓÒÚ‡‚Ì˚» ÒÚËÎË, ÒÓ˜ÂÚ‡fl ‡Á΢Ì˚ هÁ˚, ‚ÁflÚ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. ç‡ÔËÏÂ, ÂÒÎË Ú·ÛÂÚÒfl ÒÓÁ‰‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚È ‚ÓÒ¸ÏˉÓθÌ˚È ÒÚËθ, ‚˚ ÏÓÊÂÚ ‚ÁflÚ¸ ËÚÏ˘ÂÒÍËÈ ËÒÛÌÓÍ ËÁ ÒÚËÎfl «Live8Beat», ·‡Ò — ËÁ ÒÚËÎfl «Cool8Beat», ‡ÍÍÓ‰Ó‚Û˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ — ËÁ ÒÚËÎfl «8BeatModern» Ë ÒÓ·‡Ú¸ ˝ÚË ˝ÎÂÏÂÌÚ˚ ‚Ó‰ËÌÓ. Live8Beat Cool8Beat Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 8BeatModern Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Rhythm 1 Rhythm 2 Bass Chord 1 Chord 2 Pad Phrase 1 Phrase 2 Pad Phrase 1 Phrase 2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 107 îÛÌ͈Ëfl Style Creator á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË (BASIC) ëÓÁ‰‡‚‡ÈÚ ÒÚËθ, Á‡ÔËÒ˚‚‡fl ÓÚ‰ÂθÌ˚ ͇̇Î˚ Ó‰ËÌ Á‡ ‰Û„ËÏ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÏÂÚÓ‰‡ Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË. ÍÚÂËÒÚËÍË Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË • ñËÍ΢ÂÒ͇fl Á‡ÔËÒ¸ ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ˆËÍ΢ÂÒÍÓ ÔÓ‚ÚÓÂÌË ËÚÏ˘ÂÒÍËı Ù‡Á ÌÂÒÍÓθÍËı Ú‡ÍÚÓ‚, Á‡ÔËÒ¸ ÒÚËÎfl Ú‡ÍÊ ÔÓËÒıÓ‰ËÚ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ «ˆËÍÎÓ‚». ç‡ÔËÏÂ, ÂÒÎË Ì‡˜‡Ú¸ Á‡ÔËÒ¸ Ò ‰‚ÛıÚ‡ÍÚÓ‚ÓÈ ÓÒÌÓ‚ÌÓÈ ˜‡ÒÚË, ˝ÚË ‰‚‡ Ú‡ÍÚ‡ Á‡ÔËÒ˚‚‡˛ÚÒfl ÒÌÓ‚‡ Ë ÒÌÓ‚‡. çÓÚ˚, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ˚‚‡ÂÚÂ, ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó ÔÓ‚ÚÓ‡ (ˆËÍ·), ÔÓÁ‚ÓÎflfl ‚Ó ‚ÂÏfl Á‡ÔËÒË ÔÓÒÎۯ˂‡Ú¸ ÛÊ Á‡ÔËÒ‡ÌÌ˚È Ï‡Ú¡Î. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ • á‡ÔËÒ¸ Ò Ì‡ÎÓÊÂÌËÂÏ ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÌÓ‚˚È Ï‡ÚÂˇΠ‚ ͇̇Î, ÛÊ ÒÓ‰Âʇ˘ËÈ Á‡ÔËÒ¸. èË ˝ÚÓÏ ËÒıӉ̇fl Á‡ÔËÒ¸ ·Û‰ÂÚ ÒÓı‡ÌÂ̇. èË Á‡ÔËÒË ÒÚËÎfl Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ Ì ۉ‡Îfl˛ÚÒfl, ÍÓÏ ÒÎÛ˜‡Â‚ ËÒÔÓθÁÓ‚‡ÌËfl Ú‡ÍËı ÙÛÌ͈ËÈ, Í‡Í Rhythm Clear (ÒÚ. 110) Ë Delete (ÒÚ. 109). ç‡ÔËÏÂ, ÂÒÎË Ì‡˜‡Ú¸ Á‡ÔËÒ¸ Ò ‰‚ÛıÚ‡ÍÚÓ‚ÓÈ ˜‡ÒÚË MAIN (éÒÌӂ̇fl), ˝ÚË ‰‚‡ Ú‡ÍÚ‡ ÔÓ‚ÚÓfl˛ÚÒfl ÏÌÓ„Ó ‡Á. á‡ÔËÒ˚‚‡ÂÏ˚ ÌÓÚ˚ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÒÓ ÒÎÂ‰Û˛˘Â„Ó ÔÓ‚ÚÓÂÌËfl, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡Í·‰˚‚‡Ú¸ ̇ ˆËÍÎ ÌÓ‚˚ ‰‡ÌÌ˚Â, Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔÓÒÎۯ˂‡fl ÛÊ Á‡ÔËÒ‡ÌÌ˚È Ï‡Ú¡Î. ÖÒÎË ÒÚËθ ÒÓÁ‰‡ÂÚÒfl ̇ ·‡Á ÒÛ˘ÂÒÚ‚Û˛˘Â„Ó ‚ÒÚÓÂÌÌÓ„Ó ÒÚËÎfl, Á‡ÔËÒ¸ Ò Ì‡ÎÓÊÂÌËÂÏ ÔËÏÂÌflÂÚÒfl ÚÓθÍÓ Í ËÚÏ˘ÂÒÍËÏ Í‡Ì‡Î‡Ï. óÚÓ Í‡Ò‡ÂÚÒfl ‰Û„Ëı ͇̇ÎÓ‚ (ÍÓÏ ËÚÏ˘ÂÒÍËı), ÚÓ Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË Û‰‡ÎËÚ Ëı ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â. èË ‚˚ÔÓÎÌÂÌËË Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË Ì‡ ·‡Á ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ: á‡ÔËÒ¸ Ò Ì‡ÎÓÊÂÌËÂÏ ‚ÓÁÏÓÊ̇. 1 ÖÒÎË Á‡ÔËÒ¸ ‰ÓÓÊÂÍ BASS-PHR2 ‚˚ÔÓÎÌflÂÚÒfl ̇ ·‡Á ‚ÒÚÓÂÌÌÓ„Ó ÒÚËÎfl, Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË Û‰‡ÎËÚ Ëı ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â. á‡ÔËÒ¸ Ò Ì‡ÎÓÊÂÌËÂÏ ‚ ͇̇·ı BASSPHR2 Ì‚ÓÁÏÓÊ̇ (ÒÏ. ‚˚¯Â). äÓ„‰‡ ̇Á‚‡ÌË ͇̇· ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ËÒ˜ÂÁÌÂÚ, Â„Ó ÏÓÊÌÓ ‚ÌÓ‚¸ ÓÚÓ·‡ÁËÚ¸, ̇ʇ‚ ÍÌÓÔÍÛ [F] (REC CH) (á‡ÔËÒ¸ ͇̇·). 108 2 3 4 5 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ Ò Ì‡ÎÓÊÂÌËÂÏ Ì‚ÓÁÏÓÊ̇. 쉇ÎËÚ ‰‡ÌÌ˚ Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË. Ç˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ, ÍÓÚÓ˚È ·Û‰ÂÚ ÒÎÛÊËÚ¸ ÓÒÌÓ‚ÓÈ ‰Îfl Á‡ÔËÒË/ ‰‡ÍÚËÓ‚‡ÌËfl (ÒÚ. 45). ÖÒÎË ÌÓ‚˚È ÒÚËθ ÒÓÁ‰‡ÂÚÒfl Ò ÌÛÎfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [C] (NEW STYLE) (çÓ‚˚È ÒÚËθ) ̇ ˝Í‡ÌÂ, ÔÓ͇Á‡ÌÌÓÏ ÌËÊ ‚ ¯‡„ 5. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Style Creator, ̇ÊÏËÚ ÍÌÓÔÍÛ [B]. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®] ‚˚·ÂËÚ ‚Í·‰ÍÛ BASIC. Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1†]–[8†], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [F] (REC CH). îÛÌ͈Ëfl Style Creator óÚÓ·˚ ÓÚÏÂÌËÚ¸ Ò‚ÓÈ ‚˚·Ó, ̇ÊÏËÚ ÍÌÓÔÍÛ Ò ÚÂÏ Ê ÌÓÏÂÓÏ [1†] – [8†] ¢ ‡Á. 5 7 8 6 5 6 7 ÑÎfl Û‰‡ÎÂÌËfl ͇̇· ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1π]–[8π], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [J] (DELETE) (쉇ÎËÚ¸). éÔ‡ˆË˛ Û‰‡ÎÂÌËfl ÏÓÊÌÓ ÓÚÏÂÌËÚ¸, ÒÌÓ‚‡ ̇ʇ‚ ̇ ÍÌÓÔÍÛ Ò ÚÂÏ Ê ÌÓÏÂÓÏ Ë Ì ÓÚÔÛÒ͇fl ÍÌÓÔÍÛ [J]. Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ˜‡ÒÚÂÈ Ë Ú.‰. ̇ʇÚËÂÏ ÍÌÓÔÍË [EXIT]. 鄇Ì˘ÂÌËfl ̇ Á‡ÔËÒ˚‚‡ÂÏ˚ ÚÂÏ·˚ • ä‡Ì‡Î RHY1: ã˛·˚Â, ÍÓÏ ÚÂÏ·‡ Organ Flute • ä‡Ì‡Î RHY2: íÓθÍÓ Ì‡·Ó˚ Û‰‡Ì˚ı/ ÒÔˆ˝ÙÙÂÍÚÓ‚ • ä‡Ì‡Î˚ BASS–PHR2: ã˛·˚Â, ÍÓÏ ÚÂÏ·‡ Organ Flute Ë Ì‡·ÓÓ‚ Û‰‡Ì˚ı/ÒÔˆ˝ÙÙÂÍÚÓ‚ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [3π†]/[4π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸, ÍÓÚÓÛ˛ ÌÛÊÌÓ Á‡ÔËÒ‡Ú¸ (ÒÚ. 107). èË„ÎÛ¯ÂÌË ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚ ‚Ó ‚ÂÏfl Á‡ÔËÒË éÚÍβ˜ËÚ¸ ÌÛÊÌ˚ ͇̇Î˚ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1†]–[8†]. 10-2 ì͇Á‡ÌË ˜‡ÒÚÂÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ Ì‡ Ô‡ÌÂÎË ó‡ÒÚË ‰Îfl Á‡ÔËÒË ÏÓÊÌÓ Û͇Á˚‚‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ Ì‡ Ô‡ÌÂÎË ([INTRO]/[MAIN]/[ENDING] Ë Ú.‰.). ç‡Ê‡ÚË ӉÌÓÈ ËÁ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ ‚˚Á˚‚‡ÂÚ ˝Í‡Ì SECTION (ó‡ÒÚ¸). àÁÏÂÌËÚ ˜‡ÒÚË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†] Ë ‚˚ÔÓÎÌËÚ ÓÔ‡ˆË˛ ‚˚·Ó‡, ̇ʇ‚ ÍÌÓÔÍÛ [8π]. 9 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 8 9 Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π]–[8π] Ë ‚˚·ÂËÚ ÌÛÊÌ˚È ÚÂÏ· ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı ͇̇ÎÓ‚ Á‡ÔËÒË. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. 10-1 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 109 îÛÌ͈Ëfl Style Creator 10 11 쉇ÎÂÌË Á‡ÔËÒ‡ÌÌÓ„Ó ËÚÏ˘ÂÒÍÓ„Ó Í‡Ì‡Î‡ (RHY 1, 2) ÑÎfl Û‰‡ÎÂÌËfl Á‚Û͇ ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ̇ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ Í·‚˯Û, Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [E] (é˜ËÒÚËÚ¸ ËÚÏ˘ÂÒÍËÈ Í‡Ì‡Î), ̇ıÓ‰fl˘Û˛Òfl ̇ ˝Í‡ÌÂ, „‰Â ÔÓ͇Á‡Ì˚ Á‡ÔËÒ‡ÌÌ˚ ͇̇Î˚. ÇçàåÄçàÖ 12 13 14 á‡ÔËÒ‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓÚÂflÌ, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl (ÒÚ. 63). àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [5π†]/[6π†], ˜ÚÓ·˚ Á‡‰‡Ú¸ ‰ÎËÌÛ (ÍÓ΢ÂÒÚ‚Ó Ú‡ÍÚÓ‚) ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ǂ‰ËÚ Û͇Á‡ÌÌÛ˛ ‰ÎËÌÛ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË, ̇ʇ‚ ÍÌÓÔÍÛ [D] (EXECUTE) (Ç˚ÔÓÎÌËÚ¸). ÇÍβ˜ËÚ Á‡ÔËÒ¸, ̇ʇ‚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË Style Control. 燘ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË Û͇Á‡ÌÌÓÈ ˜‡ÒÚË. èÓÒÍÓθÍÛ Ù‡Á‡ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ˆËÍ΢ÂÒÍË ÔÓ‚ÚÓflÂÚÒfl, ‚˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ Á‚ÛÍË ÔÓ Ó˜Â‰Ë, ÔË ˝ÚÓÏ ÒÎÛ¯‡fl, Í‡Í ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ô‰˚‰Û˘Ë Á‚ÛÍË. 낉ÂÌËfl Ó Á‡ÔËÒË ‚ ͇̇Î˚, ÓÚ΢Ì˚ ÓÚ ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ (RHY1, 2), ÒÏ. ‚ ‡Á‰ÂΠ«è‡‚Ë· Á‡ÔËÒË ÌÂËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚», ÍÓÚÓ˚È Ì‡ıÓ‰ËÚÒfl ÌËÊÂ. óÚÓ·˚ ÔÓ‰ÓÎÊËÚ¸ Á‡ÔËÒ¸ ‚ ‰Û„ÓÏ Í‡Ì‡ÎÂ, ‚˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË (̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1†]–[8†], Û‰ÂÊË‚‡fl ÍÌÓÔÍÛ [F] (REC CH)) Ë Ì‡˜ÌËÚ ˄‡Ú¸. éÒÚ‡ÌÓ‚ËÚ Á‡ÔËÒ¸, ̇ʇ‚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË Style Control. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ‰Îfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ (ÒÚ. 63). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 臂Ë· Á‡ÔËÒË ÌÂËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ • èË Á‡ÔËÒË Í‡Ì‡ÎÓ‚ BASS Ë PHRASE ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÓ̇ „‡ÏÏ˚ CM7 (Ú.Â. C (‰Ó), D (Â), E (ÏË), G (ÒÓθ), A (Îfl) Ë B (ÒË)). ÑÎfl ˜‡ÒÚÂÈ INTRO (àÌÚÓ‰Û͈Ëfl) Ë ENDING (îË̇Î) ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ β·˚ ‡ÍÍÓ‰˚ Ë ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚. • èË Á‡ÔËÒË Í‡Ì‡ÎÓ‚ CHORD Ë PAD ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ÚÓ̇ ‡ÍÍÓ‰Ó‚ (Ú.Â. C (‰Ó), E (ÏË), G (ÒÓθ) Ë B (ÒË)). C = ÌÓÚ˚ ‡ÍÍÓ‰‡ C, R = ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ C R C àÁÏÂÌÂÌË ËÒıÓ‰ÌÓ„Ó ‡ÍÍÓ‰‡ ÖÒÎË ‚˚ ıÓÚËÚ Á‡ÔËÒ‡Ú¸ Ù‡ÁÛ Ò ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ, ÓÚ΢Ì˚Ï ÓÚ CM7, Ô‰ ̇˜‡ÎÓÏ Á‡ÔËÒË Á‡‰‡ÈÚ ԇ‡ÏÂÚ˚ PLAY ROOT Ë PLAY CHORD ̇ ÒÚ‡Ìˈ PARAMETER (臇ÏÂÚ) (ÒÚ. 117). 110 C R C àÒÔÓθÁÛfl Á‡ÔËÒ‡ÌÌ˚ Á‰ÂÒ¸ ‰‡ÌÌ˚Â, ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ (‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl) ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ ËÁÏÂÌflÂÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ËÁÏÂÌÂÌËÈ ‡ÍÍÓ‰Ó‚ ‚Ó ‚ÂÏfl Ë„˚. ÄÍÍÓ‰, ÍÓÚÓ˚È ÒÎÛÊËÚ ÓÒÌÓ‚ÓÈ ‰Îfl ˝ÚÓ„Ó ÔÂÓ·‡ÁÓ‚‡ÌËfl ÌÓÚ, ̇Á˚‚‡ÂÚÒfl ËÒıÓ‰Ì˚Ï ‡ÍÍÓ‰ÓÏ (Source Chord), Ë ÔÓ ÛÏÓΘ‡Ì˲ ‰Îfl ÌÂ„Ó ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Á̇˜ÂÌË CM7 (Í‡Í Ì‡ Ô˂‰ÂÌÌÓÏ ‚˚¯Â ËÒÛÌÍÂ). àÒıÓ‰Ì˚È ‡ÍÍÓ‰ (Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ë ÚËÔ) ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ ˝Í‡Ì PARAMETER ̇ ÒÚ. 117. àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ËÁÏÂÌÂÌË ËÒıÓ‰ÌÓ„Ó ‡ÍÍÓ‰‡ ÒÓ Á̇˜ÂÌËfl CM7, ËÒÔÓθÁÛÂÏÓ„Ó ÔÓ ÛÏÓΘ‡Ì˲, ̇ ‰Û„Ó ڇÍÊ Ô˂‰ÂÚ Í ËÁÏÂÌÂÌ˲ ÌÓÚ ‡ÍÍÓ‰‡ Ë ÂÍÓÏẨÛÂÏ˚ı ÌÓÚ. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÌÓÚ‡ı ‡ÍÍÓ‰‡ Ë ÂÍÓÏẨÛÂÏ˚ı ÌÓÚ‡ı Ô˂‰ÂÌ˚ ̇ ÒÚ. 118. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 îÛÌ͈Ëfl Style Creator èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ (EDIT) è˂‰ÂÌÌÓ Á‰ÂÒ¸ ÔÓflÒÌÂÌË ÓÚÌÓÒËÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚˚·Ó ‚Í·‰ÍË EDIT ‚ ¯‡„ 4 Ôӈ‰Û˚ Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË (ÒÚ. 108). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ç‡ ˝Í‡Ì EDIT ‚˚ ÏÓÊÂÚ Á‡ÔËÒ˚‚‡Ú¸ ÌÓÚ˚ Ò ‡·ÒÓβÚÌÓ ÚÓ˜Ì˚Ï ‚ÂÏÂÌÂÏ Á‚Û˜‡ÌËfl. èӈ‰ۇ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ô‡ÍÚ˘ÂÒÍË Ì ÓÚ΢‡ÂÚÒfl ÓÚ Ôӈ‰Û˚ Á‡ÔËÒË ÔÂÒÂÌ (ÒÚ. 111), Á‡ ËÒÍβ˜ÂÌËÂÏ ÒÎÂ‰Û˛˘Ëı ÏÓÏÂÌÚÓ‚: • Ç ÙÛÌ͈ËË Song Creator ÔÓÁËˆË˛ ÏÂÚÍË End Mark ÏÓÊÌÓ Ò‚Ó·Ó‰ÌÓ ËÁÏÂÌËÚ¸; ‚ ÙÛÌ͈ËË Style Creator  ËÁÏÂÌËÚ¸ ÌÂθÁfl. ùÚÓ Ò‚flÁ‡ÌÓ Ò ÚÂÏ, ˜ÚÓ ‰ÎË̇ ÒÚËÎfl ÙËÍÒËÛÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ç‡ÔËÏÂ, ÂÒÎË ÒÓÁ‰‡ÂÚÒfl ÒÚËθ ̇ ÓÒÌÓ‚Â ˜‡ÒÚË ‰ÎËÌÓÈ ‚ ˜ÂÚ˚ ڇÍÚ‡, ÔÓÁˈËfl ÏÂÚÍË End Mark ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡ÂÚÒfl ‚ ÍÓ̈ ˜ÂÚ‚ÂÚÓ„Ó Ú‡ÍÚ‡ Ë Ì ÏÓÊÂÚ ·˚Ú¸ ËÁÏÂÌÂ̇ ̇ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. • á‡ÔËÒ˚‚‡ÂÏ˚ ͇̇Î˚ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ̇ ‚Í·‰Í 1-16 ˝Í‡Ì‡ Song Creator; Ӊ̇ÍÓ Ëı ÌÂθÁfl ËÁÏÂÌËÚ¸ ̇ ˝Í‡Ì Style Creator. Ç˚·ÂËÚ ͇̇Π‰Îfl Á‡ÔËÒË Ì‡ ‚Í·‰Í BASIC. • Ç ÙÛÌ͈ËË Style Creator ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÚÓθÍÓ ‰‡ÌÌ˚ ͇̇ÎÓ‚ Ë ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl. èÂÂÍβ˜‡Ú¸Òfl ÏÂÊ‰Û ˝ÚËÏË ‰‚ÛÏfl ÚËÔ‡ÏË ÒÔËÒÍÓ‚ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [F]. чÌÌ˚ ӷ ‡ÍÍÓ‰‡ı Ë ÚÂÍÒÚ‡ı ÔÂÒÂÌ Ì‰ÓÒÚÛÔÌ˚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 111 îÛÌ͈Ëfl Style Creator ë·Ó͇ ÒÚËÎfl (ASSEMBLY) ë·Ó͇ ÒÚËÎfl ÔÓÁ‚ÓÎflÂÚ ÒÓÁ‰‡‚‡Ú¸ ÒÚËθ, ÒÓ˜ÂÚ‡fl ‡Á΢Ì˚ هÁ˚ (͇̇Î˚), ‚ÁflÚ˚ ËÁ ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ. 1 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 2 Ç˚·ÂËÚ ·‡ÁÓ‚˚È ÒÚËθ, Á‡ÚÂÏ ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‰Îfl Ò·ÓÍË ÒÚËÎfl. ò‡„Ë ˝ÚÓÈ ÓÔ‡ˆËË Ú‡ÍË ÊÂ, Í‡Í ¯‡„Ë 1–4 Ôӈ‰Û˚ Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË (ÒÚ. 108). Ç ¯‡„ 4 ‚˚·ÂËÚ ‚Í·‰ÍÛ ASSEMBLY. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ˜‡ÒÚ¸ (‚ÒÚÛÔÎÂÌËÂ, ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸, ÍÓ̈ӂÍÛ Ë Ú.‰.) ‰Îfl ÌÓ‚Ó„Ó ÒÚËÎfl. Ç˚ÁÓ‚ËÚ ˝Í‡Ì SECTION ̇ʇÚËÂÏ Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ ˜‡ÒÚÂÈ Ì‡ Ô‡ÌÂÎË ([INTRO]/ [MAIN]/[ENDING] Ë Ú.‰.). àÁÏÂÌËÚ ˜‡ÒÚ¸ ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†] Ë ‚˚ÔÓÎÌËÚ ˝ÚÛ ÓÔ‡ˆË˛, ̇ʇ‚ ÍÌÓÔÍÛ [8π] (OK). ùÍ‡Ì ˜‡ÒÚÂÈ ä‡Ì‡Î˚, ÍÓÚÓ˚ ‚ıÓ‰flÚ ‚ ˜‡ÒÚ¸. 3 4 5 6 7 ÇçàåÄçàÖ á‡ÔËÒ‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓÚÂflÌ, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl (ÒÚ. 63). 112 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 Ç˚·ÂËÚ ͇̇Î, ‰Îfl ÍÓÚÓÓ„Ó ÌÛÊÌÓ Á‡ÏÂÌËÚ¸ Ù‡ÁÛ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]– [D] Ë [F]–[I]. Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ÔÓ‚ÚÓÌ˚Ï Ì‡Ê‡ÚËÂÏ ÚÓÈ Ê ÍÌÓÔÍË. ç‡ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ‚˚·ÂËÚ ÒÚËθ, ÒÓ‰Âʇ˘ËÈ Ù‡ÁÛ, ÍÓÚÓÛ˛ ÌÛÊÌÓ Á‡ÏÂÌËÚ¸. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ô‰˚‰Û˘ÂÏÛ ˝Í‡ÌÛ, ÔÓÒΠ‚˚·Ó‡ ÒÚËÎfl ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ˜‡ÒÚ¸ ËÏÔÓÚËÓ‚‡ÌÌÓ„Ó ÒÚËÎfl (‚˚·‡ÌÌÓ„Ó ‚ ¯‡„ 3) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†]/[3π†] (SECTION). Ç˚·ÂËÚ ÌÛÊÌ˚È Í‡Ì‡Î ‰Îfl ˜‡ÒÚË, ‚˚·‡ÌÌÓÈ ‚ ¯‡„ 4, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†] (CHANNEL) (ä‡Ì‡Î). óÚÓ·˚ Á‡ÏÂÌËÚ¸ Ù‡Á˚ ‰Û„Ëı ͇̇ÎÓ‚, ÔÓ‚ÚÓËÚ ¯‡„Ë 3–5. ç‡ÊÏËÚ ÍÌÓÔÍÛ [J] (SAVE) (ëÓı‡ÌËÚ¸) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ ÒÚËÎÂÈ Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝ÚÓÏ ˝Í‡Ì (ÒÚ. 63). îÛÌ͈Ëfl Style Creator ÇÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ‚Ó ‚ÂÏfl Ò·ÓÍË ÒÚËÎfl ÇÓ ‚ÂÏfl Ò·ÓÍË ÒÚËÎfl ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚÓÚ ÒÚËθ Ë ‚˚·Ë‡Ú¸ ÏÂÚÓ‰ Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl. óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÚÓ‰ ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [6π†]/[7π†] (PLAY TYPE) (íËÔ Ë„˚) ̇ ˝Í‡Ì ҷÓÍË ÒÚËÎÂÈ. • SOLO èË„ÎÛ¯‡˛ÚÒfl ‚Ò ͇̇Î˚ ̇ ‚Í·‰Í ASSEMBLY, ÍÓÏ ‚˚·‡ÌÌÓ„Ó. ÇÒ ͇̇Î˚, ÔÓϘÂÌÌ˚Â Í‡Í ON ̇ ˝Í‡Ì RECORD ÒÚ‡Ìˈ˚ BASIC, ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ. • ON ÇÓÒÔÓËÁ‚Ó‰ËÚÒfl ͇̇Î, ‚˚·‡ÌÌ˚È Ì‡ ‚Í·‰Í ASSEMBLY. ÇÒ ͇̇Î˚ ̇ ˝Í‡Ì RECORD ÒÚ‡Ìˈ˚ BASIC, Ì ÔÓϘÂÌÌ˚Â Í‡Í OFF, ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ. • OFF èË„ÎÛ¯‡ÂÚÒfl ͇̇Î, ‚˚·‡ÌÌ˚È Ì‡ ‚Í·‰Í ASSEMBLY. ꉇÍÚËÓ‚‡ÌË ÒÓÁ‰‡ÌÌÓ„Ó ÒÚËÎfl àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ç˚ ÏÓÊÂÚ ÓÚ‰‡ÍÚËÓ‚‡Ú¸ ÒÚËθ, ÒÓÁ‰‡ÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÔÓˆÂ‰Û Á‡ÔËÒË ‚ ‡θÌÓÏ ‚ÂÏÂÌË, ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ë/ËÎË Ò·ÓÍË ÒÚËÎfl. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ Â‰‡ÍÚËÓ‚‡Ì˲ ÒÚËÎÂÈ 1 2 3 4 Ç˚·ÂËÚ ÒÚËθ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. Ç˚ÁÓ‚ËÚ ˝Í‡Ì ÙÛÌ͈ËË Style Creator/Edit ̇ʇÚËÂÏ ÍÌÓÔÍË [B]. äÌÓÔ͇ÏË TAB [√][®] ‚˚·ÂËÚ ‚Í·‰ÍÛ. • àÁÏÂÌÂÌË ËÚχ (GROOVE) ➤ ëÏ. ÒÚ. 114 ùÚË ÛÌË‚Â҇θÌ˚ ÙÛÌ͈ËË Ô‰ÓÒÚ‡‚Îfl˛Ú ¯ËÓÍË ‚ÓÁÏÓÊÌÓÒÚË ÔÓ ËÁÏÂÌÂÌ˲ ËÚÏ˘ÂÒÍÓ„Ó ËÒÛÌ͇ ÒÓÁ‰‡ÌÌ˚ı ÒÚËÎÂÈ. • ꉇÍÚËÓ‚‡ÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ (CHANNEL) ➤ ëÏ. ÒÚ. 116 ÇÓÁÏÓÊÌÓÒÚË Â‰‡ÍÚËÓ‚‡ÌËfl ÔÓÁ‚ÓÎfl˛Ú Û‰‡ÎflÚ¸ ‰‡ÌÌ˚ ÔÓ Ò‚ÓÂÏÛ ÛÒÏÓÚÂÌ˲ Ë ËÒÔÓθÁÓ‚‡Ú¸ ‚‡Ë‡ÌÚ˚ ‚˚‡‚ÌË‚‡ÌËfl ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ‚ ‰‡ÌÌ˚ı ÒÚËÎfl. • ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SFF (PARAMETER) ➤ ëÏ. ÒÚ. 117 ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÓÁ‰‡ÌÌÓ„Ó ÒÚËÎfl ‚˚ ÏÓÊÂÚ ¯ËÚ¸, Í‡Í ÌÓÚ˚ ·Û‰ÛÚ ËÁÏÂÌflÚ¸Òfl Ë Á‚Û˜‡Ú¸ ‚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ÔË ÒÏÂÌ ‡ÍÍÓ‰Ó‚ ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. 5 éÚ‰‡ÍÚËÛÈÚ ‚˚·‡ÌÌ˚È ÒÚËθ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 113 îÛÌ͈Ëfl Style Creator àÁÏÂÌÂÌË ËÚχ (GROOVE) è˂‰ÂÌÌÓ Á‰ÂÒ¸ ÔÓflÒÌÂÌË ÓÚÌÓÒËÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚˚·Ó ‚Í·‰ÍË GROOVE ‚ ¯‡„ 4 Ôӈ‰Û˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ Â‰‡ÍÚËÓ‚‡Ì˲ ÒÚËÎÂÈ» (ÒÚ. 113). 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A]/[B], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÌ˛ ‰‡ÍÚËÓ‚‡ÌËfl (ÒÚ. 115). 1 4 3 2 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 2 3 4 ÇçàåÄçàÖ éÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓÚÂflÌ, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl (ÒÚ. 63). 114 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 óÚÓ·˚ ÓÚ‰‡ÍÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[8π†]. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó· ËÁÏÂÌflÂÏ˚ı Ô‡‡ÏÂÚ‡ı ÒÏ. ̇ ÒÚ. 115. óÚÓ·˚ ‚‚ÂÒÚË Ô‡‚ÍË ‰Îfl Í‡Ê‰Ó„Ó ˝Í‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE). èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ ÔËÏÂÌËÚ¸ ËÒÔ‡‚ÎÂÌËfl, Ë Ì‡‰ÔËÒ¸ ̇ ÍÌÓÔÍ ËÁÏÂÌËÚÒfl ̇ UNDO (ÇÂÌÛÚ¸). ç‡Ê‡‚ ̇ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â, ÂÒÎË ‚‡Ï Ì ÔÓ̇‚ËÎËÒ¸ ÂÁÛθڇÚ˚ ÔËÏÂÌÂÌËfl ˝ÙÙÂÍÚÓ‚ Groove ËÎË Dynamics. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ‰Îfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ (ÒÚ. 63). îÛÌ͈Ëfl Style Creator ■ GROOVE èÓÁ‚ÓÎflÂÚ ‰Ó·‡‚ËÚ¸ Í ÏÛÁ˚Í ˝ÙÙÂÍÚ Ò‚ËÌ„‡ ËÎË ËÁÏÂÌËÚ¸ «Á‚Û˜‡ÌË» ‰ÓÎË, ÌÂÏÌÓ„Ó Ò‰‚Ë„‡fl ËÚÏ (ÒËÌıÓÌËÁ‡ˆË˛) ÒÚËÎfl. ç‡ÒÚÓÈÍË ˝ÙÙÂÍÚ‡ Groove ÔËÏÂÌfl˛ÚÒfl ÍÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. ì͇Á˚‚‡ÂÚ ‰ÓÎË, Í ÍÓÚÓ˚Ï ·Û‰ÂÚ ÔËÏÂÌÂÌ ËÚÏ ˝ÙÙÂÍÚ‡ Groove. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÔË ‚˚·Ó Á̇˜ÂÌËfl «8 Beat» ËÚÏ ˝ÙÙÂÍÚ‡ Groove ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í ‚ÓÒ¸Ï˚Ï ÌÓÚ‡Ï, ‡ ÔË ‚˚·Ó Á̇˜ÂÌËfl «12 Beat» — Í ÚËÓÎflÏ, ÒÓÒÚÓfl˘ËÏ ËÁ ‚ÓÒ¸Ï˚ı ÌÓÚ. BEAT CONVERTER (äÓ̘̇fl ‰ÎËÚÂθÌÓÒÚ¸) ÑÎËÚÂθÌÓÒÚ¸ ÌÓÚ (Á‡‰‡ÌÌ˚ı Á̇˜ÂÌËÂÏ Ô‡‡ÏÂÚ‡ ORIGINAL BEAT) ËÁÏÂÌflÂÚÒfl ̇ Û͇Á‡ÌÌÓ Á̇˜ÂÌËÂ. ç‡ÔËÏÂ, ÂÒÎË Á̇˜ÂÌË ORIGINAL BEAT — «8 Beat», ‡ Á̇˜ÂÌË BEAT CONVERTER — «12», ‚Ò ‚ÓÒ¸Ï˚ ÌÓÚ˚ ‚ ˜‡ÒÚË Ë„‡˛ÚÒfl Í‡Í ‚ÓÒ¸Ï˚ ÚËÓÎË. á̇˜ÂÌËfl BEAT CONVERTER «16A» Ë «16B», ÔÓfl‚Îfl˛˘ËÂÒfl ÔË ‚˚·Ó ‰Îfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT Á̇˜ÂÌËfl «12 Beat», fl‚Îfl˛ÚÒfl ‚‡Ë-‡ˆËflÏË ·‡ÁÓ‚ÓÈ Ì‡ÒÚÓÈÍË ËÚχ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı. SWING (ë‚ËÌ„) ëÓÁ‰‡ÂÚ ˝ÙÙÂÍÚ «Ò‚ËÌ„‡» Á‡ Ò˜ÂÚ Ò‰‚Ë„‡ ‰ÎËÚÂθÌÓÒÚË Ò··˚ı ‰ÓÎÂÈ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Ô‡‡ÏÂÚÓÏ ORIGINAL BEAT. ç‡ÔËÏÂ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ ORIGINAL BEAT ‚˚·‡ÌÓ Á̇˜ÂÌË «8 Beat», Ô‡‡ÏÂÚ SWING ·Û‰ÂÚ Á‡‰ÂÊË‚‡Ú¸ Á‚Û˜‡ÌË ËÏÂÌÌÓ ‚ÚÓ˚ı, ˜ÂÚ‚ÂÚ˚ı, ¯ÂÒÚ˚ı Ë ‚ÓÒ¸Ï˚ı ‰ÓÎÂÈ Í‡Ê‰Ó„Ó Ú‡ÍÚ‡, ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ Ò‚ËÌ„‡. á̇˜ÂÌËfl ÓÚ «A» ‰Ó «E» Á‡‰‡˛Ú ‡Á΢ÌÛ˛ ÒÚÂÔÂ̸ Ò‚ËÌ„‡, „‰Â «A» ÒÓÁ‰‡ÂÚ Â‰‚‡ ÛÎÓ‚ËÏ˚È Ò‚ËÌ„, ‡ «Ö» — ̇˷ÓΠfl‚Ì˚È. FINE (èËÏÂÌÂÌË ¯‡·ÎÓ̇) èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÏÌÓÊÂÒÚ‚Ó «¯‡·ÎÓÌÓ‚» ˝ÙÙÂÍÚ‡ Groove, ÍÓÚÓ˚ ·Û‰ÛÚ ÔËÏÂÌflÚ¸Òfl Í ‚˚·‡ÌÌÓÈ ˜‡ÒÚË. ë ̇ÒÚÓÈ͇ÏË PUSH ÓÔ‰ÂÎÂÌÌ˚ ‰ÓÎË ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl Ò ÓÔÂÂÊÂÌËÂÏ, Ò Ì‡ÒÚÓÈ͇ÏË HEAVY — Ò ÓÔÓÁ‰‡ÌËÂÏ. çÓχ Ô‡‡ÏÂÚÓ‚ (2, 3, 4, 5) Û͇Á˚‚‡˛Ú Á‡Ú‡„Ë‚‡ÂÏ˚ ‰ÓÎË. ÇÒ ‰ÓÎË ‚ÔÎÓÚ¸ ‰Ó Û͇Á‡ÌÌÓÈ (Á‡ ËÒÍβ˜ÂÌËÂÏ Ô‚ÓÈ) ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl Ò ÓÔÂÂÊÂÌËÂÏ ËÎË Ò Á‡‰ÂÊÍÓÈ — ̇ÔËÏÂ, ‚ÚÓ˚Â Ë ÚÂÚ¸Ë ‰ÓÎË, ÂÒÎË ‚˚·‡Ì ¯‡·ÎÓÌ Ò ˆËÙÓÈ «3». ÇÓ ‚ÒÂı ÒÎÛ˜‡flı ¯‡·ÎÓÌ˚ ÚËÔ‡ «A» ‰‡˛Ú ÏËÌËχθÌ˚È ˝ÙÙÂÍÚ, ¯‡·ÎÓÌ˚ ÚËÔ‡ «B» — Ò‰ÌËÈ, ‡ ¯‡·ÎÓÌ˚ ÚËÔ‡ «C» — χÍÒËχθÌ˚È. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ORIGINAL BEAT (àÒıӉ̇fl ‰ÎËÚÂθÌÓÒÚ¸) ■ DYNAMICS ùÚ‡ ÙÛÌ͈Ëfl ËÁÏÂÌflÂÚ ÒÍÓÓÒÚ¸/„ÓÏÍÓÒÚ¸ (ËÎË ‡ÍˆÂÌÚ) ÓÔ‰ÂÎÂÌÌ˚ı ÌÓÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl. ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Dynamics (ÑË̇ÏË͇) ÔËÏÂÌfl˛ÚÒfl Í Í‡Ê‰ÓÏÛ Í‡Ì‡ÎÛ ËÎË ÍÓ ‚ÒÂÏ Í‡Ì‡Î‡Ï ‚˚·‡ÌÌÓ„Ó ÒÚËÎfl. CHANNEL (ä‡Ì‡Î) Ç˚·Ó ͇̇· (Ô‡ÚËË), Í ÍÓÚÓÓÏÛ ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl ÙÛÌ͈Ëfl Dynamics. ACCENT TYPE (íËÔ ‡ÍˆÂÌÚ‡) Ç˚·Ó ÚËÔ‡ ÔËÏÂÌflÂÏÓ„Ó ‡ÍˆÂÌÚ‡ — ËÌ˚ÏË ÒÎÓ‚‡ÏË ‚˚·Ó ÌÓÚ (‚ Ô‡ÚËflı), ÍÓÚÓ˚ ·Û‰ÛÚ ‡ÍˆÂÌÚËÓ‚‡Ì˚ ̇ÒÚÓÈ͇ÏË ÙÛÌ͈ËË Dynamics. STRENGTH (ëË· ˝ÙÙÂÍÚ‡) éÔ‰ÂÎÂÌË ÒËÎ˚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ ‡ÍˆÂÌÚ‡ (ÒÏ. ‚˚¯Â). óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ÒËθÌ ˝ÙÙÂÍÚ. EXPAND/COMP. (ê‡Ò¯ËÂÌËÂ/ ÒÛÊÂÌËÂ) ê‡Ò¯ËÂÌË ËÎË ÒÛÊÂÌË ‰Ë‡Ô‡ÁÓ̇ Á̇˜ÂÌËÈ ÒÍÓÓÒÚË. á̇˜ÂÌËfl ‚˚¯Â 100% ‡Ò¯Ëfl˛Ú ‰Ë̇Ï˘ÂÒÍËÈ ‰Ë‡Ô‡ÁÓÌ, ‡ Á̇˜ÂÌËfl ÌËÊ 100% ÒÛʇ˛Ú „Ó. BOOST/CUT (ì‚Â΢ÂÌËÂ/ ÛÏÂ̸¯ÂÌË ‚ÒÂı Á̇˜ÂÌËÈ) ÇÒ Á̇˜ÂÌËfl ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl ‚ ‚˚‰ÂÎÂÌÌÓÈ ˜‡ÒÚË ËÎË Í‡Ì‡Î ۂÂ΢˂‡˛ÚÒfl ËÎË ÛÏÂ̸¯‡˛ÚÒfl. á̇˜ÂÌËfl ·Óθ¯Â 100% Û‚Â΢˂‡˛Ú Ó·˘Û˛ ÒÍÓÓÒÚ¸ ̇ʇÚËfl, Á̇˜ÂÌËfl ÏÂ̸¯Â 100% ÛÏÂ̸¯‡˛Ú ÂÂ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 115 îÛÌ͈Ëfl Style Creator ꉇÍÚËÓ‚‡ÌË ‰‡ÌÌ˚ı ‰Îfl Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ (CHANNEL) è˂‰ÂÌÌÓ Á‰ÂÒ¸ ÔÓflÒÌÂÌË ÓÚÌÓÒËÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚˚·Ó ‚Í·‰ÍË CHANNEL ‚ ¯‡„ 4 Ôӈ‰Û˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ Â‰‡ÍÚËÓ‚‡Ì˲ ÒÚËÎÂÈ» (ÒÚ. 113). 1 óÚÓ·˚ ‚˚·‡Ú¸ ÏÂÌ˛ ‰‡ÍÚËÓ‚‡ÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [A]/[B] (ÒÏ. ÌËÊÂ). 1 5 4 2 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 2 3 4 5 ÇçàåÄçàÖ éÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓÚÂflÌ, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl. 116 3 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]/[2π†](CHANNEL), ˜ÚÓ·˚ ‚˚·‡Ú¸ ͇̇Î, ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸. Ç˚·‡ÌÌ˚È Í‡Ì‡Î Û͇Á‡Ì ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ˝Í‡Ì‡. óÚÓ·˚ ÓÚ‰‡ÍÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π†]–[8π†]. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó· ËÁÏÂÌflÂÏ˚ı Ô‡‡ÏÂÚ‡ı ÒÏ. ÌËÊÂ. óÚÓ·˚ ‚‚ÂÒÚË Ô‡‚ÍË ‰Îfl Í‡Ê‰Ó„Ó ˝Í‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE). èÓÒΠÁ‡‚¯ÂÌËfl ˝ÚÓÈ ÓÔ‡ˆËË ÏÓÊÌÓ ÔËÏÂÌËÚ¸ ËÒÔ‡‚ÎÂÌËfl, Ë Ì‡‰ÔËÒ¸ ̇ ÍÌÓÔÍ ËÁÏÂÌËÚÒfl ̇ [UNDO]. ç‡Ê‡‚ ̇ ˝ÚÛ ÍÌÓÔÍÛ, ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸ ËÒıÓ‰Ì˚ ‰‡ÌÌ˚Â, ÂÒÎË ‚‡Ï Ì ÔÓ̇‚ËÎËÒ¸ ÂÁÛθڇÚ˚ ‚ÌÂÒÂÌÌ˚ı ËÒÔ‡‚ÎÂÌËÈ. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ‰Îfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ (ÒÚ. 63). QUANTIZE (Ç˚‡‚ÌË‚‡ÌËÂ) íÓ Ê ҇ÏÓÂ, ˜ÚÓ Ë ‚ ÙÛÌ͈ËË Song Creator (ÒÚ. 151), Á‡ ËÒÍβ˜ÂÌËÂÏ ‰‚Ûı Ëϲ˘ËıÒfl ‰ÓÔÓÎÌËÚÂθÌ˚ı Ô‡‡ÏÂÚÓ‚: C ÇÓÒ¸Ï˚ ÌÓÚ˚ ÒÓ Ò‚ËÌ„ÓÏ C òÂÒÚ̇‰ˆ‡Ú˚ ÌÓÚ˚ ÒÓ Ò‚ËÌ„ÓÏ VELOCITY CHANGE (àÁÏÂÌÂÌË ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl) ì‚Â΢˂‡ÂÚ ËÎË ÛÏÂ̸¯‡ÂÚ ÒÍÓÓÒÚ¸ ‚ÒÂı ÌÓÚ ‚ Û͇Á‡ÌÌÓÏ Í‡Ì‡Î ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡‰‡ÌÌ˚Ï ÔÓˆÂÌÚÓÏ. BAR COPY (äÓÔËÓ‚‡ÌË ڇÍÚÓ‚) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÒÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Ú‡ÍÚ ËÎË „ÛÔÔ ڇÍÚÓ‚, ̇ ‰Û„ÓÈ Û˜‡ÒÚÓÍ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡. 臇ÏÂÚ SOURCE Û͇Á˚‚‡ÂÚ Ô‚˚È (TOP) Ë ÔÓÒΉÌËÈ (LAST) Ú‡ÍÚ Û˜‡ÒÚ͇, ÍÓÚÓ˚È Ì‡‰Ó ÒÍÓÔËÓ‚‡Ú¸. DEST Û͇Á˚‚‡ÂÚ Ô‚˚È Ú‡ÍÚ Û˜‡ÒÚ͇, ‚ ÍÓÚÓ˚È ·Û‰ÂÚ ‚˚ÔÓÎÌÂÌÓ ÍÓÔËÓ‚‡ÌËÂ. BAR CLEAR (é˜ËÒÚ͇ Ú‡ÍÚÓ‚) ÇÒ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ Û͇Á‡ÌÌÓÏ ‰Ë‡Ô‡ÁÓÌ ڇÍÚÓ‚ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡, Û‰‡Îfl˛ÚÒfl. REMOVE EVENT (쉇ÎÂÌË ÒÓ·˚ÚËfl) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Û‰‡ÎËÚ¸ ËÁ ‚˚·‡ÌÌÓ„Ó Í‡Ì‡Î‡ ÓÔ‰ÂÎÂÌÌ˚ ÒÓ·˚ÚËfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 îÛÌ͈Ëfl Style Creator ìÒÚ‡Ìӂ͇ Ô‡‡ÏÂÚÓ‚ هȷ SFF (PARAMETER) ç‡ÒÚÓÈÍË ÒÔˆˇθÌ˚ı Ô‡‡ÏÂÚÓ‚, ÓÒÌÓ‚‡ÌÌ˚ ̇ ÙÓχÚ Style File Format (SFF) àÒıӉ̇fl Ù‡Á‡ SOURCE ROOT (àÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ) (ç‡ÒÚÓÈ͇ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡ ËÒıÓ‰ÌÓÈ Ù‡Á˚) SOURCE CHORD (àÒıÓ‰Ì˚È ‡ÍÍÓ‰) (ç‡ÒÚÓÈ͇ ÚËÔ‡ ‡ÍÍÓ‰‡ ËÒıÓ‰ÌÓÈ Ù‡Á˚) àÁÏÂÌÂÌË ‡ÍÍÓ‰‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ‡Á‰Â· ‡ÍÍÓ‰Ó‚ ̇ Í·‚ˇÚÛÂ. í‡ÌÒÔÓÌËÓ‚‡ÌË ÌÓÚ NTR (臂ËÎÓ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ, ÔËÏÂÌflÂÏÓÂ Í ËÁÏÂÌÂÌ˲ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡) NTT (퇷Îˈ‡ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ, ÔËÏÂÌflÂχfl Í ËÁÏÂÌÂÌ˲ ÚËÔ‡ ‡ÍÍÓ‰‡) ꉇÍÚËÓ‚‡ÌË ‰‡ÌÌ˚ı هȷ SFF ÓÚÌÓÒËÚÒfl ÚÓθÍÓ Í ÔÂÓ·‡ÁÓ‚‡Ì˲ ÌÓÚ. ꉇÍÚËÓ‚‡ÌË ËÚÏ˘ÂÒÍËı ͇̇ÎÓ‚ ˝ÙÙÂÍÚ‡ Ì ‰‡ÂÚ. • àÒıӉ̇fl Ù‡Á‡ ëÛ˘ÂÒÚ‚ÛÂÚ ÏÌÓÊÂÒÚ‚Ó ‚‡Ë‡ÌÚÓ‚ ÌÓÚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡. чÌÌ˚ ÒÚËÎfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Ó·‡ÁÓÏ ÔÂÓ·‡ÁÛ˛ÚÒfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ËÁÏÂÌÂÌËÈ ‡ÍÍÓ‰Ó‚, ÔÓËÒıÓ‰fl˘Ëı ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl. ùÚË ÓÒÌÓ‚Ì˚ ‰‡ÌÌ˚ ÒÚËÎfl, ÒÓÁ‰‡ÌÌ˚ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Style Creator, ̇Á˚‚‡˛ÚÒfl «ËÒıÓ‰ÌÓÈ Ù‡ÁÓÈ». • í‡ÌÒÔÓÌËÓ‚‡ÌË ÌÓÚ ùÚ‡ „ÛÔÔ‡ Ô‡‡ÏÂÚÓ‚ ‚Íβ˜‡ÂÚ ‚ Ò·fl ‰‚‡ Ô‡‡ÏÂÚ‡, ÓÔ‰ÂÎfl˛˘ËÂ, Í‡Í ÌÓÚ˚ ËÒıÓ‰ÌÓÈ Ù‡Á˚ ‰ÓÎÊÌ˚ ÔÂÓ·‡ÁÓ‚˚‚‡Ú¸Òfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÁÏÂÌÂÌËflÏË ‡ÍÍÓ‰Ó‚. • ÑÛ„Ë ̇ÒÚÓÈÍË àÒÔÓθÁÛfl Ô‡‡ÏÂÚ˚ ˝ÚÓÈ „ÛÔÔ˚, ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ ËÁÏÂÌÂÌËÈ, ÍÓÚÓ˚ ·Û‰ÛÚ ÔÓËÒıÓ‰ËÚ¸ ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl ‚ ÓÚ‚ÂÚ Ì‡ ËÒÔÓÎÌflÂÏ˚ ‡ÍÍÓ‰˚. ç‡ÔËÏÂ, Ô‡‡ÏÂÚ Note Limit ÔÓÁ‚ÓÎflÂÚ ‰Ó·ËÚ¸Òfl χÍÒËχθÌÓ Â‡ÎËÒÚ˘ÌÓ„Ó Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚ ÒÚËÎfl Á‡ Ò˜ÂÚ ÔÂÂÏ¢ÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ‚ÂÌ˚È ‰Ë‡Ô‡ÁÓÌ — ˝ÚÓ „‡‡ÌÚËÛÂÚ, ˜ÚÓ ‚Ò ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ‚ ÂÒÚÂÒÚ‚ÂÌÌÓÏ ÌÓÚÌÓÏ ‰Ë‡Ô‡ÁÓÌ ̇ÒÚÓfl˘Â„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ÙÎÂÈÚ‡ ÔËÍÍÓÎÓ Ì ·Û‰ÂÚ ‚˚‰‡‚‡Ú¸ Ó˜Â̸ ÌËÁÍËÈ Á‚ÛÍ). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÑÛ„Ë ̇ÒÚÓÈÍË HIGH KEY (ÇÂıÌflfl ÌÓÚ‡) (ÇÂıÌËÈ Ô‰ÂÎ ÓÍÚ‡‚ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ, ‚˚Á‚‡ÌÌÓ„Ó ËÁÏÂÌÂÌËÂÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡) NOTE LIMIT (ÑˇԇÁÓÌ Á‚Û˜‡ÌËfl ÌÓÚ˚) RTR (臂Ë· ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl, ÓÔ‰ÂÎfl˛˘ËÂ, Í‡Í ·Û‰ÛÚ Ó·‡·‡Ú˚‚‡Ú¸Òfl ÌÓÚ˚, Û‰ÂÊË‚‡ÂÏ˚ ‚Ó ‚ÂÏfl ËÁÏÂÌÂÌËfl ‡ÍÍÓ‰‡) îÓÏ‡Ú SFF (Style File Format) ·˚Î ‡Á‡·ÓÚ‡Ì ÍÓÔÓ‡ˆËÂÈ Yamaha Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊÂÌËÈ ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl). àÒÔÓθÁÛfl ÙÛÌÍˆË˛ Style Creator, ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ¯ËÓÍËÏË ‚ÓÁÏÓÊÌÓÒÚflÏË ÙÓχڇ SFF ‰Îfl ÒÓÁ‰‡ÌËfl ÒÓ·ÒÚ‚ÂÌÌ˚ı ÒÚËÎÂÈ. 퇷Îˈ‡ Ò΂‡ ÔÓ͇Á˚‚‡ÂÚ ÔÓˆÂÒÒ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. (ùÚÓ Ì ÓÚÌÓÒËÚÒfl Í ËÚÏ˘ÂÒÍÓÈ ‰ÓÓÊÍÂ.) ùÚË Ô‡‡ÏÂÚ˚ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ÔË ÔÓÏÓ˘Ë ÙÛÌ͈ËË Style Creator. Ç˚ıÓ‰ÌÓÈ Ò˄̇Πè˂‰ÂÌÌÓ Á‰ÂÒ¸ ÔÓflÒÌÂÌË ÓÚÌÓÒËÚÒfl Í ÚÓÏÛ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚˚·Ó ‚Í·‰ÍË PARAMETER ‚ ¯‡„ 4 Ôӈ‰Û˚ «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ Â‰‡ÍÚËÓ‚‡Ì˲ ÒÚËÎÂÈ» (ÒÚ. 113). 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A]/[B], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÏÂÌ˛ ‰‡ÍÚËÓ‚‡ÌËfl (ÒÚ. 118). 1 4 2 3 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 117 îÛÌ͈Ëfl Style Creator 2 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]/[2π†](CHANNEL), ˜ÚÓ·˚ ‚˚·‡Ú¸ ͇̇Î, ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸. Ç˚·‡ÌÌ˚È Í‡Ì‡Î Û͇Á‡Ì ‚ ΂ÓÏ ‚ÂıÌÂÏ Û„ÎÛ ˝Í‡Ì‡. ÇçàåÄçàÖ éÚ‰‡ÍÚËÓ‚‡ÌÌ˚È ÒÚËθ ·Û‰ÂÚ ÔÓÚÂflÌ, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÒÚËβ ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆËË ÒÓı‡ÌÂÌËfl. 3 óÚÓ·˚ ÓÚ‰‡ÍÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [3π†]–[8π†]. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó· ËÁÏÂÌflÂÏ˚ı Ô‡‡ÏÂÚ‡ı ÒÏ. ÌËÊÂ. 4 èÓÒÎۯ˂‡ÌË ÒÚËÎfl ÔÓÒ‰-ÒÚ‚ÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÓÔ‰Â-ÎÂÌÌÓ„Ó ‡ÍÍÓ‰‡ é·˚˜ÌÓ ‚ ÙÛÌ͈ËË Style Creator ÌÓ‚˚È ÒÚËθ ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸ ‚ ÔÓˆÂÒÒÂ Â„Ó ÒÓÁ‰‡ÌËfl ÔË ÔÓÏÓ˘Ë ËÒıÓ‰ÌÓÈ Ù‡Á˚. é‰Ì‡ÍÓ ÏÓÊÌÓ ÔÓÒÎÛ¯‡Ú¸, Í‡Í ÓÌ Á‚Û˜ËÚ ‚ ÓÔ‰ÂÎÂÌÌÓÏ ‡ÍÍÓ‰Â Ë ÚÓÌÂ. ÑÎfl ˝ÚÓ„Ó ‚˚·ÂËÚ ‰Îfl Ô‡‡ÏÂÚ‡ NTR Á̇˜ÂÌË Root Fixed, ‰Îfl Ô‡‡ÏÂÚ‡ NTT — Bypass, ‡ ‰Îfl NTT BASS — OFF Ë Á‡ÚÂÏ ËÁÏÂÌËÚ ÔÓfl‚Ë‚¯ËÂÒfl Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ Play Root Ë Play Chord ̇ ÌÛÊÌ˚Â. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ ‰Îfl ÒÓı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ëÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝Í‡Ì ‚˚·Ó‡ ÒÚËÎÂÈ (ÒÚ. 63). ■ 臇ÏÂÚ˚ SOURCE ROOT/CHORD (àÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ/‡ÍÍÓ‰) ùÚË Ô‡‡ÏÂÚ˚ Óڂ˜‡˛Ú Á‡ Ô‚Ó̇˜‡Î¸ÌÛ˛ ÚÓ̇θÌÓÒÚ¸ ËÒıÓ‰ÌÓÈ Ù‡Á˚ (Ú.Â. ÚÓ̇θÌÓÒÚ¸, ‚ ÍÓÚÓÓÈ Ó̇ Á‡ÔËÒ˚‚‡Î‡Ò¸). èÓ ÛÏÓΘ‡Ì˲ ËÒÔÓθÁÛÂÚÒfl Á̇˜ÂÌË CM7 (ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ — «C», ËÒıÓ‰Ì˚È ÚËÔ ‡ÍÍÓ‰‡ — «M7»), ‡‚ÚÓχÚ˘ÂÒÍË ‚˚·Ë‡ÂÚÒfl ‚ÒflÍËÈ ‡Á, ÍÓ„‰‡ Ô‰ Á‡ÔËÒ¸˛ ÌÓ‚Ó„Ó ÒÚËÎfl ‚˚ Û‰‡ÎflÂÚ ‚ÒÚÓÂÌÌ˚ ‰‡ÌÌ˚Â. èË ˝ÚÓÏ Á̇˜ÂÌËfl ËÒıÓ‰ÌÓ„Ó ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ Ë ÚËÔ‡ ‡ÍÍÓ‰‡, Û͇Á‡ÌÌ˚ ‚ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ‰‡ÌÌ˚ı, Ë„ÌÓËÛ˛ÚÒfl. ÖÒÎË Á̇˜ÂÌË ÔÓ ÛÏÓΘ‡Ì˲ (CM7) ËÁÏÂÌËÚ¸, ÚÓ ÌÓÚ˚, ‚ıÓ‰fl˘Ë ‚ ‡ÍÍÓ‰, Ë ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ Ú‡ÍÊ ËÁÏÂÌflÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÌÓ‚˚Ï ÚËÔÓÏ ‡ÍÍÓ‰‡. ÖÒÎË ËÒıÓ‰Ì˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ ë (‰Ó): CM 6 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ CM CM 7 (#11) CM 7 CM 7 (9) CM add9 C 6 (9) C C R C C R C R C C R Cm 7 (11) C C C C 7 b5 C C C C C C C C C 1+8 C R C C C R C C 1+5 C R C C C C C C C R C C 7 sus4 C C C C C 7 (#9) R C C C C 7 (b13) C C C R C C R C C C C R R C C C Cm 7 (9) C C C 7 (b9) C C C R C C7 C R C C R C C R C R C R C 7 (13) C R C C C Cm (9) C C C C R C C C R C C C 1+2+5 Csus 4 R C C C R C R C C R Cdim 7 C C C R C C 7 aug CM 7 aug C C C R C Cdim C 7 (#11) C 7 (9) C R C C R C R C C C C Cm 7 b5 C C R C C R C C R C C CmM 7 (9) C C R C R C Cm 7 C R R C CmM 7 C C R C C C R C R C R C C R C Cm 6 Cm Caug C R C C R C R C C = ÌÓÚ˚ ‡ÍÍÓ‰‡ C C C C R C C C C R C R C, R = ÂÍÓÏẨÛÂÏ˚ ÌÓÚ˚ ■ NTR (臂ËÎÓ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ) éÔ‰ÂÎflÂÚ ÓÚÌÓÒËÚÂθÌÓ ÔÓÎÓÊÂÌË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚ ‡ÍÍӉ ÔË ÔÂÓ·‡ÁÓ‚‡ÌËË ËÁ ËÒıÓ‰ÌÓÈ Ù‡Á˚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÁÏÂÌÂÌËflÏË ‡ÍÍÓ‰‡. ROOT TRANS (í‡ÌÒÔÓÌËÓ‚‡ÌË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) ROOT FIXED (éÒÌÓ‚ÌÓÈ ÚÓÌ ÙËÍÒËÓ‚‡Ì) 118 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 èË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ÒÓÓÚÌÓ¯ÂÌË ‚˚ÒÓÚ˚ ÌÓÚ ÒÓı‡ÌflÂÚÒfl. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3, Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË ë, ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ F (Ù‡) Ô‚‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ F3, A3 Ë C4. àÒÔÓθÁÛÈÚ ˝ÚË Ô‡‡ÏÂÚ˚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ Í‡Ì‡ÎÓ‚, ÒÓ‰Âʇ˘Ëı ÏÂÎӉ˘ÂÒÍË ÎËÌËË. éÒÌӂ̇fl ÌÓÚ‡ ÓÒÚ‡ÂÚÒfl Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í Ô‰˚‰Û˘ÂÏÛ ÌÓÚÌÓÏÛ ‰Ë‡Ô‡ÁÓÌÛ. ç‡ÔËÏÂ, ÌÓÚ˚ C3, E3 Ë G3, Á‡ÔËÒ‡ÌÌ˚ ‚ ÚÓ̇θÌÓÒÚË ë (‰Ó), ÔË Ú‡ÌÒÔÓÌËÓ‚‡ÌËË ‚ ÚÓ̇θÌÓÒÚ¸ F (Ù‡) Ô‚‡˘‡˛ÚÒfl ‚ ÌÓÚ˚ ë3, F3 Ë A3. àÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ Í‡Ì‡ÎÓ‚, ÒÓ‰Âʇ˘Ëı Ô‡ÚËË Ò ‡ÍÍÓ‰‡ÏË. èË ËÒÔÓÎÌÂÌËË Ï‡ÊÓÌÓ„Ó ‡ÍÍÓ‰‡ ë (‰Ó). èË ËÒÔÓÎÌÂÌËË Ï‡ÊÓÌÓ„Ó ‡ÍÍÓ‰‡ ë (‰Ó). èË ËÒÔÓÎÌÂÌËË Ï‡ÊÓÌÓ„Ó ‡ÍÍÓ‰‡ F (Ù‡). èË ËÒÔÓÎÌÂÌËË Ï‡ÊÓÌÓ„Ó ‡ÍÍÓ‰‡ F (Ù‡). îÛÌ͈Ëfl Style Creator ■ NTT (퇷Îˈ‡ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÌÓÚ) ᇉ‡ÂÚ Ú‡·ÎËˆÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‰Îfl ËÒıÓ‰ÌÓÈ Ù‡Á˚. ÖÒÎË Ô‡‡ÏÂÚÛ NTR ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË ROOT FIXED, ÔÂÓ·‡ÁÓ‚‡ÌËfl ÌÓÚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÒÔÓθÁÛÂÏÓÈ Ú‡·ÎˈÂÈ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl Ì ÔÓËÒıÓ‰ËÚ. ÖÒÎË Ô‡‡ÏÂÚÛ NTR ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË ROOT TRANS, ÔÂÓ·‡ÁÛÂÚÒfl ÚÓθÍÓ ÌÓÚ‡ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇. MELODY (åÂÎÓ‰Ëfl) èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÏÂÎӉ˘ÂÒÍÓÈ ÎËÌËË. àÒÔÓθÁÛÂÚÒfl ‰Îfl Ú‡ÍËı ͇̇ÎÓ‚, Í‡Í Phrase 1 Ë Phrase 2. CHORD (ÄÍÍÓ‰) èÓ‰ıÓ‰ËÚ ‰Îfl Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ‡ÍÍÓ‰Ó‚. àÒÔÓθÁÛÂÚÒfl ‰Îfl ͇̇ÎÓ‚ Chord 1 Ë Chord 2, ÓÒÓ·ÂÌÌÓ ÂÒÎË ÓÌË ÒÓ‰ÂÊ‡Ú ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‡ÍÍÓ‰Ó‚, ÔÓıÓÊË ̇ ‡ÍÍÓ‰Ó‚˚ ԇÚËË ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚. MELODIC MINOR (åÂÎӉ˘ÂÒÍËÈ ÏËÌÓ) ÖÒÎË Ë„‡ÂÏ˚È ‡ÍÍÓ‰ ËÁ χÊÓÌÓ„Ó ÒÚ‡ÌÓ‚ËÚÒfl ÏËÌÓÌ˚Ï, ‰‡Ì̇fl Ú‡·Îˈ‡ ÔÓÌËʇÂÚ ÚÂˆË˛ ˝ÚÓ„Ó ‡ÍÍÓ‰‡ ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÚ‡ÌÓ‚ËÚÒfl χÊÓÌ˚Ï, Â„Ó ÚˆËfl ÔÓ‚˚¯‡ÂÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. àÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ ‰Îfl ÏÂÎӉ˘ÂÒÍËı ͇̇ÎÓ‚ ÚÂı ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ‡„ËÛ˛Ú ÚÓθÍÓ Ì‡ χÊÓÌ˚ ËÎË ÏËÌÓÌ˚ ‡ÍÍÓ‰˚, ̇ÔËÏ ‰Îfl ‚ÒÚÛÔÎÂÌËÈ Ë ÍÓ̈ӂÓÍ. MELODIC MINOR 5th (åÂÎӉ˘ÂÒÍËÈ ÏËÌÓ Ò ËÁÏÂÌÂÌÌÓÈ 5 ÒÚÛ-ÔÂ̸˛) Ç ‰ÓÔÓÎÌÂÌËÂ Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲, ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«Melodic Minor», ‚ Û‚Â΢ÂÌÌ˚ı Ë ÛÏÂ̸¯ÂÌÌ˚ı ‡ÍÍÓ‰‡ı ËÁÏÂÌflÂÚÒfl ÔflÚ‡fl ÒÚÛÔÂ̸ ËÒıÓ‰ÌÓÈ Ù‡Á˚. HARMONIC MINOR (ɇÏÓÌ˘ÂÒÍËÈ ÏËÌÓ) ÖÒÎË Ë„‡ÂÏ˚È ‡ÍÍÓ‰ ËÁ χÊÓÌÓ„Ó ÒÚ‡ÌÓ‚ËÚÒfl ÏËÌÓÌ˚Ï, Â„Ó ÚˆËfl Ë ÒÂÍÒÚ‡ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÚ‡ÌÓ‚ËÚÒfl χÊÓÌ˚Ï, Â„Ó Ï‡Î‡fl ÚˆËfl Ë ÔÓÌËÊÂÌ̇fl ÒÂÍÒÚ‡ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. àÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ ‰Îfl ‡ÍÍÓ‰Ó‚˚ı ͇̇ÎÓ‚ ÚÂı ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ‡„ËÛ˛Ú ÚÓθÍÓ Ì‡ χÊÓÌ˚ ËÎË ÏËÌÓÌ˚ ‡ÍÍÓ‰˚, ̇ÔËÏ ‰Îfl ‚ÒÚÛÔÎÂÌËÈ Ë ÍÓ̈ӂÓÍ. HARMONIC MINOR 5th (ɇÏÓÌ˘ÂÒÍËÈ ÏËÌÓ Ò ËÁÏÂÌÂÌÌÓÈ 5 ÒÚÛ-ÔÂ̸˛) Ç ‰ÓÔÓÎÌÂÌËÂ Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲, ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«Harmonic Minor», ‚ Û‚Â΢ÂÌÌ˚ı Ë ÛÏÂ̸¯ÂÌÌ˚ı ‡ÍÍÓ‰‡ı ËÁÏÂÌflÂÚÒfl ÔflÚ‡fl ÒÚÛÔÂ̸ ËÒıÓ‰ÌÓÈ Ù‡Á˚. NATURAL MINOR (ç‡ÚۇθÌ˚È ÏËÌÓ) ÖÒÎË Ë„‡ÂÏ˚È ‡ÍÍÓ‰ ËÁ χÊÓÌÓ„Ó ÒÚ‡ÌÓ‚ËÚÒfl ÏËÌÓÌ˚Ï, Â„Ó ÚˆËfl, ÒÂÍÒÚ‡ Ë ÒÂÔÚËχ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÚ‡ÌÓ‚ËÚÒfl χÊÓÌ˚Ï, Â„Ó Ï‡Î‡fl ÚˆËfl, ÔÓÌËÊÂÌ̇fl ÒÂÍÒÚ‡ Ë ÔÓÌËÊÂÌ̇fl ÒÂÔÚËχ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. àÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ ‰Îfl ‡ÍÍÓ‰Ó‚˚ı ͇̇ÎÓ‚ ÚÂı ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ‡„ËÛ˛Ú ÚÓθÍÓ Ì‡ χÊÓÌ˚ ËÎË ÏËÌÓÌ˚ ‡ÍÍÓ‰˚, ̇ÔËÏ ‰Îfl ‚ÒÚÛÔÎÂÌËÈ Ë ÍÓ̈ӂÓÍ. NATURAL MINOR 5th (ç‡ÚۇθÌ˚È ÏËÌÓ Ò ËÁÏÂÌÂÌÌÓÈ 5 ÒÚÛ-ÔÂ̸˛) Ç ‰ÓÔÓÎÌÂÌËÂ Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲, ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«Natural Minor», ‚ Û‚Â΢ÂÌÌ˚ı Ë ÛÏÂ̸¯ÂÌÌ˚ı ‡ÍÍÓ‰‡ı ËÁÏÂÌflÂÚÒfl ÔflÚ‡fl ÒÚÛÔÂ̸ ËÒıÓ‰ÌÓÈ Ù‡Á˚. DORIAN (ÑÓËÈÒÍËÈ Î‡‰) ÖÒÎË Ë„‡ÂÏ˚È ‡ÍÍÓ‰ ËÁ χÊÓÌÓ„Ó ÒÚ‡ÌÓ‚ËÚÒfl ÏËÌÓÌ˚Ï, Â„Ó ÚˆËfl Ë ÒÂÔÚËχ ÔÓÌËʇ˛ÚÒfl ̇ ÔÓÎÚÓ̇. ÖÒÎË ÏËÌÓÌ˚È ‡ÍÍÓ‰ ÒÚ‡ÌÓ‚ËÚÒfl χÊÓÌ˚Ï, Â„Ó Ï‡Î‡fl ÚˆËfl Ë ÔÓÌËÊÂÌ̇fl ÒÂÔÚËχ ÔÓ‚˚¯‡˛ÚÒfl ̇ ÔÓÎÚÓ̇. éÒڇθÌ˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ Ì ËÁÏÂÌfl˛ÚÒfl. àÒÔÓθÁÛÈÚ ˝ÚÓÚ Ô‡‡ÏÂÚ ‰Îfl ‡ÍÍÓ‰Ó‚˚ı ͇̇ÎÓ‚ ÚÂı ˜‡ÒÚÂÈ, ÍÓÚÓ˚ ‡„ËÛ˛Ú ÚÓθÍÓ Ì‡ χÊÓÌ˚ ËÎË ÏËÌÓÌ˚ ‡ÍÍÓ‰˚, ̇ÔËÏ ‰Îfl ‚ÒÚÛÔÎÂÌËÈ Ë ÍÓ̈ӂÓÍ. DORIAN 5th (ÑÓËÈÒÍËÈ Î‡‰ Ò ËÁÏÂÌÂÌÌÓÈ 5 ÒÚÛÔÂ̸˛) Ç ‰ÓÔÓÎÌÂÌËÂ Í Ú‡ÌÒÔÓÌËÓ‚‡Ì˲, ÓÔËÒ‡ÌÌÓÏÛ ‚ ‡Á‰ÂΠ«Dorian», ‚ Û‚Â΢ÂÌÌ˚ı Ë ÛÏÂ̸¯ÂÌÌ˚ı ‡ÍÍÓ‰‡ı ËÁÏÂÌflÂÚÒfl ÔflÚ‡fl ÒÚÛÔÂ̸ ËÒıÓ‰ÌÓÈ Ù‡Á˚. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ BYPASS (é·ıÓ‰) ■ NTT BASS ON/OFF á‚Û˜‡ÌË ͇̇ÎÓ‚, ‰Îfl ÍÓÚÓ˚ı Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ‡‚ÌÓ ON, ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓ ·‡ÒÓ‚ÓÈ ÌÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇, ÍÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‡ÒÔÓÁ̇ÂÚ ‡ÍÍÓ‰˚ Ò ‰Ó·‡‚ÎÂÌËÂÏ ·‡ÒÓ‚ÓÈ ÌÓÚ˚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 119 îÛÌ͈Ëfl Style Creator ■ HIGH KEY (ÇÂıÌflfl ÌÓÚ‡) ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ ÌÓÚÛ (‚ÂıÌËÈ Ô‰ÂÎ ÓÍÚ‡‚), ÓÔ‰ÂÎflfl „‡ÌËˆÛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‡ÍÍÓ‰‡. ÇÒ ÌÓÚ˚, ÍÓÚÓ˚ ‚˚¯Â Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ Á‡‰‡ÌÌÓÈ ÌÓÚ˚, Ú‡ÌÒÔÓÌËÛ˛ÚÒfl ‚ÌËÁ ‰Ó ·ÎËʇȯÂÈ ÌËÊÌÂÈ ÓÍÚ‡‚˚. ùÚÓÚ Ô‡‡ÏÂÚ ‰ÓÒÚÛÔÂÌ, ÚÓθÍÓ ÂÒÎË Ô‡‡ÏÂÚÛ NTR (ÒÚ. 118) ÔËÒ‚ÓÂÌÓ Á̇˜ÂÌË Root Trans. èËÏÂ: ҇χfl ‚˚ÒÓ͇fl ÌÓÚ‡ — F (Ù‡). çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ CM C#M FM F#M àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚ C3-E3-G3 C#3-F3-G#3 F3-A3-C4 F#2-A#2-C#3 ■ NOTE LIMIT (çÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ) чÌÌ˚È Ô‡‡ÏÂÚ Á‡‰‡ÂÚ „‡Ìˈ˚ ÌÓÚÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇ (Ò‡Ï˚ ‚˚ÒÓÍËÂ Ë ÌËÁÍË ÌÓÚ˚) ‰Îfl ÚÂÏ·Ó‚, Á‡ÔËÒ˚‚‡ÂÏ˚ı ‚ ͇̇Î˚ ÒÚËÎfl. 臂ËθÌÓ Á‡‰‡‚ ˝ÚÓÚ ‰Ë‡Ô‡ÁÓÌ, ÏÓÊÌÓ ‰Ó·ËÚ¸Òfl χÍÒËχθÌÓÈ Â‡ÎËÒÚ˘ÌÓÒÚË Á‚Û˜‡ÌËfl ÚÂÏ·Ó‚. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÌÓÚ˚ ·Û‰ÛÚ Á‚Û˜‡Ú¸ ‚ ÂÒÚÂÒÚ‚ÂÌÌ˚ı ÌÓÚÌ˚ı ‰Ë‡Ô‡ÁÓ̇ı ‰Îfl ÍÓÌÍÂÚÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ (̇ÔËÏÂ, ·‡Ò-„ËÚ‡‡ Ì ·Û‰ÂÚ «Ôˢ‡Ú¸», ‡ ÙÎÂÈÚ‡ ÔËÍÍÓÎÓ — «·‡ÒËÚ¸»). çÓÚ˚ ‡‚ÚÓχÚ˘ÂÒÍË Ò‰‚Ë„‡˛ÚÒfl, ˜ÚÓ·˚ ÔÓÔ‡ÒÚ¸ ‚ Û͇Á‡ÌÌ˚È ‰Ë‡Ô‡ÁÓÌ. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÒÚËÎÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ èËÏÂ: ҇χfl ÌËÁ͇fl ÌÓÚ‡ — ë3, ‡ ҇χfl ‚˚ÒÓ͇fl — D4. çÓ‚˚È ÓÒÌÓ‚ÌÓÈ ÚÓÌ CM C#M FM àÒÔÓÎÌflÂÏ˚ ÌÓÚ˚ E3-G3-C4 F3-G#3-C#4 F3-A3-C4 ÇÂıÌËÈ Ô‰ÂÎ çËÊÌËÈ Ô‰ÂÎ ■ RTR (臂ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl) ùÚÓÚ Ô‡‡ÏÂÚ˚ ÓÔ‰ÂÎflÂÚ, ·Û‰ÛÚ ÎË ÌÓÚ˚ ÔÂÂÒÚ‡‚‡Ú¸ Á‚Û˜‡Ú¸ Ë Í‡Í ËÁÏÂÌflÂÚÒfl Ëı ‚˚ÒÓÚ‡ ÔÓÒΠÒÏÂÌ˚ ‡ÍÍÓ‰‡. STOP (ëÚÓÔ) çÓÚ˚ ÔÂÂÒÚ‡˛Ú Á‚Û˜‡Ú¸. PITCH SHIFT Ç˚ÒÓÚ‡ ÌÓÚ˚ «Ò‰‚Ë„‡ÂÚÒfl» ·ÂÁ ÌÓ‚ÓÈ ‡Ú‡ÍË, ˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÚËÔÛ (ëÍÓθÊÂÌË ‚˚ÒÓÚ˚) ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. 120 PITCH SHIFT TO ROOT (ëÍÓθÊÂÌË ‚˚ÒÓÚ˚ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) Ç˚ÒÓÚ‡ ÌÓÚ˚ «Ò‰‚Ë„‡ÂÚÒfl» ·ÂÁ ÌÓ‚ÓÈ ‡Ú‡ÍË, ˜ÚÓ·˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÓÒÌÓ‚ÌÓÏÛ ÚÓÌÛ ÌÓ‚Ó„Ó ‡ÍÍÓ‰‡. RETRIGGER (èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ) çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÌÓ‚ÓÈ ‡Ú‡ÍÓÈ Ì‡ ÌÓ‚ÓÈ ‚˚ÒÓÚÂ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÒÎÂ‰Û˛˘ÂÏÛ ‡ÍÍÓ‰Û. RETRIGGER TO ROOT (èÓ‚ÚÓÌÓ ‚ÓÒÔÓ-ËÁ‚‰ÂÌËÂ Ò Û˜ÂÚÓÏ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇) çÓÚ‡ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÌÓ‚ÓÈ ‡Ú‡ÍÓÈ Ì‡ ‚˚ÒÓÚ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ÒÎÂ‰Û˛˘Â„Ó ‡ÍÍÓ‰‡. é‰Ì‡ÍÓ ÓÍÚ‡‚‡ ÌÓ‚ÓÈ ÌÓÚ˚ ÓÒÚ‡ÂÚÒfl ÔÂÊÌÂÈ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‡ÚÂÎfl CVP-305/303/301 ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË – ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ îÛÌ͈Ëfl Registration Memory (ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸) ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ (ËÎË «Á‡Â„ËÒÚËÓ‚‡Ú¸») Ô‡ÍÚ˘ÂÒÍË ‚Ò ÔÓθÁÓ‚‡ÚÂθÒÍË ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ˜ÚÓ·˚ ÔÓÁÊ ӷ‡˘‡Ú¸Òfl Í ÌËÏ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË. á‡Â„ËÒÚËÓ‚‡ÌÌ˚ ̇ÒÚÓÈÍË ‰Îfl ‚ÓÒ¸ÏË ÍÌÓÔÓÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‰ÓÎÊÌ˚ ·˚Ú¸ ÒÓı‡ÌÂÌ˚ Í‡Í Ó‰ËÌ Å‡ÌÍ (Ù‡ÈÎ). ê„ËÒÚ‡ˆËfl Ë ÒÓı‡ÌÂÌË ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ê„ËÒÚ‡ˆËfl ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË 1 2 ìÒÚ‡ÌÓ‚ËÚ ̇ Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl ÌÛÊÌ˚ ԇ‡ÏÂÚ˚ (ÚÂÏ·, ÒÚËθ, ˝ÙÙÂÍÚ˚ Ë Ú.‰.). é·‡ÚËÚÂÒ¸ Í ÓÚ‰ÂθÌÓÏÛ Ò·ÓÌËÍÛ Ú‡·Îˈ Data List Á‡ ÒÔËÒÍÓÏ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ ÏÓ„ÛÚ ·˚Ú¸ Á‡Â„ËÒÚËÓ‚‡Ì˚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Registration Memory. ç‡ÊÏËÚ ÍÌÓÔÍÛ REGISTRATION MEMORY [MEMORY] (èÄåüíú). èÓfl‚ËÚÒfl ˝Í‡Ì ‚˚·Ó‡ ˝ÎÂÏÂÌÚÓ‚ ‰Îfl „ËÒÚ‡ˆËË. íÓθÍÓ ‚˚·‡ÌÌ˚ Á‰ÂÒ¸ ˝ÎÂÏÂÌÚ˚ ·Û‰ÛÚ Á‡Â„ËÒÚËÓ‚‡Ì˚. 1 5 3 3 4 5 6 ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË 2 4 ç‡ÊÏËÚ ÍÌÓÔÍË [2π†]–[7π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˝ÎÂÏÂÌÚ˚. ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [I] (CANCEL). èË ‚˚Áӂ ̇ÒÚÓÂÍ Â„ËÒÚ‡ˆËË Ú‡ÍÊ ÏÓÊÌÓ ‚˚·Ë‡Ú¸ ˝ÎÂÏÂÌÚ˚, ÍÓÚÓ˚ ·Û‰ÛÚ (ËÎË Ì ·Û‰ÛÚ) ‚˚Á‚‡Ì˚, ‰‡Ê ÂÒÎË ÔË Â„ËÒÚ‡ˆËË ·˚ÎË ‚˚·‡Ì˚ ‚Ò ˝ÎÂÏÂÌÚ˚ (ÒÚ. 123). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] ÛÒÚ‡ÌÓ‚ËÚ ËÎË Û‰‡ÎËÚ Ù·ÊÓÍ fl‰ÓÏ Ò ˝ÎÂÏÂÌÚÓÏ, ˜ÚÓ·˚ Û͇Á‡Ú¸, ÌÛÊÌÓ Â„Ó Â„ËÒÚËÓ‚‡Ú¸ ËÎË ÌÂÚ. óÚÓ·˚ Á‡Â„ËÒÚËÓ‚‡Ú¸ ̇ÒÚÓÈÍË, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1]–[8]. êÂÍÓÏẨÛÂÚÒfl ‚˚·Ë‡Ú¸ ÍÌÓÔÍÛ, Ë̉Ë͇ÚÓ ÍÓÚÓÓÈ Ì „ÓËÚ Í‡ÒÌ˚Ï ËÎË ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ. äÌÓÔÍË, „Ófl˘Ë ͇ÒÌ˚Ï ËÎË ÁÂÎÂÌ˚Ï Ò‚ÂÚÓÏ, ÛÊ ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚ ̇ÒÚÓÈÍË Ô‡ÌÂÎË. ã˛·˚ ‰‡ÌÌ˚Â, Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ ‡ÌÂÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ REGISTRATION MEMORY (Ò Í‡ÒÌ˚ÏË ËÎË ÁÂÎÂÌ˚ÏË Ë̉Ë͇ÚÓ‡ÏË), ·Û‰ÛÚ ÒÚÂÚ˚ Ë Á‡ÏÂÌÂÌ˚ ÌÓ‚˚ÏË ÛÒÚ‡Ìӂ͇ÏË. á‡Â„ËÒÚËÛÈÚ ‡Á΢Ì˚ ̇ÒÚÓÈÍË Ô‡ÌÂÎË ‰Îfl ‰Û„Ëı ÍÌÓÔÓÍ, ÔÓ‚ÚÓË‚ ¯‡„Ë 1–5. ëÓÒÚÓflÌË Ë̉Ë͇ÚÓ‡: ç „ÓËÚ........Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ‰‡ÌÌ˚ı ÌÂÚ ÉÓËÚ .............. ‰‡ÌÌ˚ Á‡Â„ËÒÚËÓ(ÁÂÎÂÌ˚È) ‚‡Ì˚, ÌÓ Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ Ì ‚˚·‡Ì˚ ÉÓËÚ .............‰‡ÌÌ˚ Á‡Â„ËÒÚËÓ(͇ÒÌ˚È) ‚‡Ì˚ Ë Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ ‚˚·‡Ì˚ 쉇ÎÂÌË ÌÂÌÛÊÌÓÈ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ëÏ. ÒÚ. 123. 쉇ÎÂÌË ‚ÒÂı ‚ÓÒ¸ÏË ÚÂÍÛ˘Ëı ̇ÒÚÓÂÍ Ô‡ÌÂÎË óÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ‚ÓÒÂϸ ÚÂÍÛ˘Ëı ̇ÒÚÓÂÍ Ô‡ÌÂÎË, ̇ÊÏËÚ ÍÌÓÔÍÛ [POWER] (˜ÚÓ·˚ Ó̇ ·˚· ‚ ÔÓÎÓÊÂÌËË ON), Û‰ÂÊË‚‡fl Í·‚Ë¯Û B6 (҇χfl Ô‡‚‡fl ÌÓÚ‡ «ÒË» ̇ Í·‚ˇÚÛÂ). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 121 Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ëÓı‡ÌÂÌË Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË åÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚Ò ‚ÓÒÂϸ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ‚ ‚ˉ ӉÌÓ„Ó Ù‡È· ŇÌ͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ŇÌÍ 4 ŇÌÍ 3 ŇÌÍ 2 ŇÌÍ 1 1 ëÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı „ËÒÚ-‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ÇÓÓ·˘Â, ‰‡ÌÌ˚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË (Ù‡ÈÎ˚ ·‡ÌÍÓ‚) ÏÓ‰ÂÎÂÈ CVP-309/307/305/303/301 ÒÓ‚ÏÂÒÚËÏ˚. é‰Ì‡ÍÓ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÒÔˆËÙË͇ˆËÈ ÍÓÌÍÂÚÌÓÈ ÏÓ‰ÂÎË ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ÏÓÊÂÚ ·˚Ú¸ ÌÂÔÓÎÌÓÈ. ç‡ÊÏËÚ ÍÌÓÔÍÛ REGISTRATION MEMORY [REGIST. BANK] (ÅÄçä êÖÉàëíêÄñàà) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ REGISTRATION BANK. 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [6†], ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Ù‡ÈΠŇÌ͇ (ÒÚ. 63). 1 2 ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË Ç˚ÁÓ‚ ̇ÒÚÓÂÍ Ò Ô·Ú˚ SmartMedia ËÎË ‰ËÒÍÂÚ˚ è‰ ‚˚ÁÓ‚ÓÏ Ì‡ÒÚÓÂÍ, ‚Íβ˜‡fl ‚˚·Ó Ù‡ÈÎÓ‚ Song/Style (èÂÒÌfl/ ëÚËθ), Ò Ô·Ú˚ SmartMedia ËÎË ‰ËÒÍÂÚ˚, ۷‰ËÚÂÒ¸, ˜ÚÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl Ô·ڇ ËÎË ‰ËÒÍÂÚ‡ ‚ÒÚ‡‚ÎÂÌ˚ ‚ „ÌÂÁ‰Ó ‰Îfl Ô·Ú˚ ËÎË ‚ ‰ËÒÍÓ‚Ó‰. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ REGISTRATION MEMORY [REGIST. BANK] (ÅÄçä êÖÉàëíêÄñàà) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ REGISTRATION BANK. 2 óÚÓ·˚ ‚˚·‡Ú¸ ·‡ÌÍ, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. 1 2 2 3 3 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ Registration Memory Ò „Ófl˘ËÏ ÁÂÎÂÌ˚Ï Ë̉Ë͇ÚÓÓÏ ([1]–[8]). ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ åÓÊÌÓ Á‡·ÎÓÍËÓ‚‡Ú¸ ÓÔ‰ÂÎÂÌÌ˚ ԇ‡ÏÂÚ˚ (̇ÔËÏÂ, ˝ÙÙÂÍÚ, ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë Ú.‰.), ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ ‚˚·Ë‡Ú¸ ÚÓθÍÓ ˜ÂÂÁ Ô‡ÌÂθ ÛÔ‡‚ÎÂÌËfl, ‡ Ì ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ̇ÒÚÓÂÍ «‚ Ó‰ÌÓ Í‡Ò‡ÌË», ÙÛÌ͈ËË Music Finder, ÔÂÒÂÌ ËÎË ‚ıÓ‰fl˘Ëı MIDI-‰‡ÌÌ˚ı Ë Ú.‰. Ç˚ÁÓ‚ËÚ ˝Í‡Ì Parameter Lock ([FUNCTION] → [I] UTILITY → TAB [√] CONFIG 1 → [B] 3 PARAMETER LOCK). Ç˚·ÂËÚ ÌÛÊÌ˚È Ô‡‡ÏÂÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]– [7π†], Á‡ÚÂÏ Á‡·ÎÓÍËÛÈÚ „Ó, ̇ʇ‚ ÍÌÓÔÍÛ [8π] (OK). 122 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ì‰‡ÎÂÌË ÌÂÌÛÊÌÓÈ Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË/èËÒ‚ÓÂÌË ËÏÂÌË Ì‡ÒÚÓÈÍ ԇÌÂÎË ç‡ÒÚÓÈÍË Ô‡ÌÂÎË ÔÓ Ê·Ì˲ ÏÓ„ÛÚ ·˚Ú¸ Û‰‡ÎÂÌ˚ ËÎË ÔÂÂËÏÂÌÓ‚‡Ì˚. 1 2 3 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ REGISTRATION MEMORY [REGIST. BANK] (ÅÄçä êÖÉàëíêÄñàà) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ REGISTRATION BANK. óÚÓ·˚ ‚˚·‡Ú¸ ·‡ÌÍ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (EDIT) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ REGISTRATION EDIT. éÚ‰‡ÍÚËÛÈÚ ̇ÒÚÓÈÍË Ô‡ÌÂÎË. • 쉇ÎÂÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†] ‰Îfl Û‰‡ÎÂÌËfl ̇ÒÚÓÈÍË Ô‡ÌÂÎË (ÒÚ. 65). • èÂÂËÏÂÌÓ‚‡ÌË ̇ÒÚÓÈÍË Ô‡ÌÂÎË ç‡ÊÏËÚ ÍÌÓÔÍÛ [1†] ‰Îfl ÔÂÂËÏÂÌÓ‚‡ÌËfl ̇ÒÚÓÈÍË Ô‡ÌÂÎË (ÒÚ. 66). çÓÏ ̇‰ ËÏÂÌÂÏ Ù‡È· ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÍÌÓÔÍ‡Ï REGISTRATION MEMORY [1]–[8]. ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π] (UP) (Ç‚Âı) ‰Îfl ‚ÓÁ‚‡Ú‡ Í ˝Í‡ÌÛ ‚˚·Ó‡ REGISTRATION BANK. Ç˚Íβ˜ÂÌË ‚˚ÁÓ‚‡ ÒÔˆˇθÌ˚ı ˝ÎÂÏÂÌÚÓ‚ (ÙÛÌ͈Ëfl Freeze) ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ ÔÓÁ‚ÓÎflÂÚ Ò ÔÓÏÓ˘¸˛ Ó‰ÌÓÈ ÍÌÓÔÍË ‚˚Á‚‡Ú¸ ‚Ò ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ÍÓÚÓ˚ ‚˚ Á‡‰‡ÎË ‡Ì¸¯Â. çÓ ËÌÓ„‰‡ Ê·ÚÂθÌÓ, ˜ÚÓ·˚ ÌÂÍÓÚÓ˚ ˝ÎÂÏÂÌÚ˚ Ì ÏÂÌflÎËÒ¸ ‰‡Ê ÔË ‚Íβ˜ÂÌËË Ì‡·ÓÓ‚ Ô‡‡ÏÂÚÓ‚ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. ç‡ÔËÏÂ, ‚˚ ÏÓÊÂÚ Á‡ıÓÚÂÚ¸ ÔÓÏÂÌflÚ¸ ÚÂÏ·˚ ËÎË ˝ÙÙÂÍÚ˚, ÌÓ ÓÒÚ‡‚ËÚ¸ ÔÂÊÌËÏ ÒÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. ë‰Â·ڸ ˝ÚÓ ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Freeze (á‡ÏÓÓÁËÚ¸). é̇ ÔÓÁ‚ÓÎflÂÚ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË ÓÔ‰ÂÎÂÌÌ˚ı ˝ÎÂÏÂÌÚÓ‚ Ë ÓÒÚ‡‚ËÚ¸ Ëı ·ÂÁ ËÁÏÂÌÂÌËÈ, ‰‡Ê ÂÒÎË ‚˚ ËÒÔÓθÁÛÂÚ ‰Û„Ë ÍÌÓÔÍË Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [√]/[®] FREEZE êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 123 Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ÇçàåÄçàÖ èË ‚˚ıÓ‰Â Ò ˝Í‡Ì‡ REGISTRATION FREEZE Â„Ó Ì‡ÒÚÓÈÍË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ. é‰Ì‡ÍÓ ÂÒÎË ‰Ó ‚˚ıÓ‰‡ ËÁ ˝ÚÓ„Ó ˝Í‡Ì‡ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚. 2 3 4 5 ç‡ÊÏËÚ ÍÌÓÔÍË [2π†]–[7π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˝ÎÂÏÂÌÚ˚. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] ÛÒÚ‡ÌÓ‚ËÚ Ù·ÊÍË ‰Îfl ˝ÎÂÏÂÌÚÓ‚, ÍÓÚÓ˚ ÒΉÛÂÚ «Á‡ÏÓÓÁËÚ¸» (Ú.Â. ÓÒÚ‡‚ËÚ¸ ÌÂËÁÏÂÌÂÌÌ˚ÏË). ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] (ÇõïéÑ) ‰Îfl ‚˚ıÓ‰‡ ËÁ ÓÔ‡ˆËÓÌÌÓ„Ó ˝Í‡Ì‡. ç‡ÊÏËÚ ̇ Ô‡ÌÂÎË ÍÌÓÔÍÛ [FREEZE] (áÄåéêéáàíú), ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Freeze. Ç˚ÁÓ‚ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ÔÓ ÔÓfl‰ÍÛ — èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ä‡Í ·˚ ÌË ·˚ÎË Û‰Ó·Ì˚ ÍÌÓÔÍË Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ‚Ó ‚ÂÏfl ËÒÔÓÎÌÂÌËfl ÏÓ„ÛÚ ·˚Ú¸ ÏÓÏÂÌÚ˚, ÍÓ„‰‡ ÌÛÊÌÓ ·˚ÒÚÓ ÔÂÂÍβ˜ËÚ¸ ̇ÒÚÓÈÍË, Ì ÓÚ˚‚‡fl ÔË ˝ÚÓÏ ÛÍ ÓÚ Í·‚ˇÚÛ˚. ì‰Ó·Ì‡fl ÙÛÌ͈Ëfl Registration Sequence (èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚) ÔÓÁ‚ÓÎflÂÚ ‚˚Á˚‚‡Ú¸ ‚ÓÒÂϸ ̇ÒÚÓÂÍ ‚ Á‡‰‡ÌÌÓÏ ÔÓfl‰ÍÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®] ËÎË Ô‰‡ÎË, Ì ÔÂ˚‚‡fl Ë„˚. 1 ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË 2 3 4 5 124 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚·ÂËÚ Ê·ÂÏ˚È ·‡ÌÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ˜ÚÓ·˚ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ (ÒÚ. 122). Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [E] REGIST SEQUENCE/FREEZE/VOICE SET → TAB [√]/[®] REGISTRATION SEQUENCE ÖÒÎË ‚˚ ̇ÏÂÂÌ˚ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ ‰Îfl ‚Íβ˜ÂÌËfl ̇ÒÚÓÂÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, Û͇ÊËÚ Á‰ÂÒ¸, Í‡Í ·Û‰ÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ô‰‡Î¸ – ‰Îfl ÔflÏÓ„Ó ËÎË Ó·‡ÚÌÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [C], ˜ÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ ‰Îfl ÔflÏÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [D], ˜ÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ ‰Îfl Ó·‡ÚÌÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [E] Á‡‰‡ÈÚ Ôӂ‰ÂÌË ÙÛÌ͈ËË Registration Sequence ÔÓ ‰ÓÒÚËÊÂÌËË ÍÓ̈‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË (SEQUENCE END). STOP .......................... ç‡Ê‡ÚË ÍÌÓÔÍË TAB [®] ËÎË Ô‰‡ÎË ÔflÏÓ„Ó ÔÂÂÏ¢ÂÌËfl ÔÓ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÌË Í ˜ÂÏÛ Ì ÔË‚Ó‰ËÚ. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ «ÓÒÚ‡ÌÓ‚ÎÂ̇». TOP............................. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò Ì‡˜‡Î‡. NEXT BANK................ èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡‚ÚÓχÚ˘ÂÒÍË ÔÂÂÏ¢‡ÂÚÒfl Í Ì‡˜‡ÎÛ ÒÎÂ‰Û˛˘Â„Ó ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚ ÚÓÈ Ê ԇÔÍÂ. á‡ÔÓ„‡ÏÏËÛÈÚ ÔÓfl‰ÓÍ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. çÓχ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï REGISTRATION MEMORY [1]–[8] ̇ Ô‡ÌÂÎË. èÓ„‡ÏÏËÛÈÚ ÔÓfl‰ÓÍ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ò΂‡ ̇ԇ‚Ó. Ç˚ÁÓ‚ Á‡Â„ËÒÚËÓ‚‡ÌÌ˚ı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1]–[8] ̇ Ô‡ÌÂÎË, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [6π†] (INSERT), ˜ÚÓ·˚ ‚‚ÂÒÚË ÌÓÏÂ. • á‡ÏÂ̇ ÌÓχ ç‡ÊÏËÚ ÍÌÓÔÍÛ [5π†] (REPLACE), ˜ÚÓ·˚ Á‡ÏÂÌËÚ¸ ÌÓÏÂ, ̇ ÍÓÚÓÓÏ Ì‡ıÓ‰ËÚÒfl ÍÛÒÓ, ‚˚·‡ÌÌ˚Ï ‚ ̇ÒÚÓfl˘ËÈ ÏÓÏÂÌÚ ÌÓÏÂÓÏ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. • 쉇ÎÂÌË ÌÓχ ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†] (DELETE), ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ÌÓÏÂ, ̇ ÍÓÚÓÓÏ Ì‡ıÓ‰ËÚÒfl ÍÛÒÓ. • 쉇ÎÂÌË ‚ÒÂı ÌÓÏÂÓ‚ ç‡ÊÏËÚ ÍÌÓÔÍÛ [8π†] (CLEAR), ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‚Ò ÌÓχ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË. 6 7 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÙÛÌÍˆË˛ Registration Sequence. ÇçàåÄçàÖ ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] (ÇõïéÑ), ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl ̇ „·‚Ì˚È ˝Í‡Ì, Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ ÌÓχ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚˚Á˚‚‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌÓÈ ‡Ì ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛. • àÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ TAB [®] ‰Îfl ‚˚ÁÓ‚‡ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚ ÔÓfl‰ÍÂ, Û͇Á‡ÌÌÓÏ ‚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ËÎË ÍÌÓÔÍÛ TAB [√] ‰Îfl ‚˚ÁÓ‚‡ ˝ÚËı ÌÓÏÂÓ‚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. äÌÓÔÍË TAB [√] [®] ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‡·ÓÚ˚ Ò ÙÛÌ͈ËÂÈ Registration Sequence, ÚÓθÍÓ ÂÒÎË ‚˚Á‚‡Ì „·‚Ì˚È ˝Í‡Ì. • èÓÒΠÚÓ„Ó Í‡Í ÙÛÌ͈Ëfl Ô‰‡ÎË ·˚· ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ¯‡„ 3, ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ ‰Îfl ‚˚·Ó‡ ÌÓÏÂÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚ ÓÔ‰ÂÎÂÌÌÓÏ ÔÓfl‰ÍÂ. 艇θ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‡·ÓÚ˚ Ò ÙÛÌ͈ËÂÈ Registration Sequence ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍÓÈ ˝Í‡Ì ‚˚Á‚‡Ì (Á‡ ËÒÍβ˜ÂÌËÂÏ ˝Í‡Ì‡, ÓÔËÒ‡ÌÌÓ„Ó ‚˚¯Â ‚ ¯‡„ 3). èË ‚˚ıÓ‰Â Ò ˝Í‡Ì‡ REGISTRATION SEQUENCE Â„Ó Ì‡ÒÚÓÈÍË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ. é‰Ì‡ÍÓ ÂÒÎË ‰Ó ‚˚ıÓ‰‡ ËÁ ˝ÚÓ„Ó ˝Í‡Ì‡ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚. ê„ËÒÚ‡ˆËfl Ë ‚˚ÁÓ‚ ÔÓθÁÓ‚‡ÚÂθÒÍËı ̇ÒÚÓÂÍ Ô‡ÌÂÎË ÇÓÁ‚‡Ú Í Ô‚ÓÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË «‚ Ó‰ÌÓ ‰ÂÈÒÚ‚Ë» ç‡ „·‚ÌÓÏ ˝Í‡Ì ̇ÊÏËÚ ÍÌÓÔÍË TAB [√] Ë [®] Ó‰ÌÓ‚ÂÏÂÌÌÓ. ùÚÓ ‰ÂÈÒÚ‚Ë ÓÚÏÂÌflÂÚ ÌÓÏ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË, ‚˚·‡ÌÌ˚È ‚ ̇ÒÚÓfl˘ËÈ ÏÓÏÂÌÚ (Ë̉Ë͇ÚÓ ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „‡ÒÌÂÚ). ç‡Ê‡ÚËÂÏ Ô‰‡ÎË ËÎË Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ TAB [√]/[®] ·Û‰ÂÚ ‚˚·‡Ì‡ Ô‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸. èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ÓÚÓ·‡Ê‡ÂÚÒfl ‚ Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ „·‚ÌÓ„Ó ˝Í‡Ì‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ÔÓ‚ÂËÚ¸ ÚÂÍÛ˘ËÈ ‚˚·‡ÌÌ˚È ÌÓÏÂ. ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ Registration Sequence ç‡ÒÚÓÈÍË ‰Îfl ÔÓfl‰Í‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË Ë ‰Îfl Ôӂ‰ÂÌËfl ÙÛÌ͈ËË Registration Sequence ÔÓ ‰ÓÒÚËÊÂÌËË ÍÓ̈‡ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË (SEQUENCE END) fl‚Îfl˛ÚÒfl ˜‡ÒÚ¸˛ هȷ ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. óÚÓ·˚ ÒÓı‡ÌËÚ¸ Ò‚Ó˛ ÌÓ‚Û˛ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚, ÒÓı‡ÌËÚ ÚÂÍÛ˘ËÈ Ù‡ÈÎ ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ REGISTRATION MEMORY [REGIST. BANK] (ÅÄçä êÖÉàëíêÄñàà) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚˚·Ó‡ REGISTRATION BANK. ç‡ÊÏËÚ ÍÌÓÔÍÛ [6†], ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ Ù‡ÈΠŇÌ͇ (ÒÚ. 63). ÇçàåÄçàÖ èÓÏÌËÚÂ, ˜ÚÓ ÔË ÒÏÂÌ ·‡ÌÍÓ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË ‚Ò ‰‡ÌÌ˚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ ·Û‰ÛÚ ÔÓÚÂflÌ˚, ÂÒÎË Ì ÒÓı‡ÌËÚ¸ Ëı ‚ Ù‡ÈΠ·‡Ì͇ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 125 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ é·‡ÚËÚÂÒ¸ Í ÒÚ‡Ìˈ‡Ï ͇ÚÍÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡ ìÔ‡ÊÌÂÌËfl ÒÓ ‚ÒÚÓÂÌÌ˚ÏË ÔÂÒÌflÏË................................................................. ÒÚ. 34 èÓË„˚‚‡ÌË ÔÂÒÂÌ ‰Ó ̇˜‡Î‡ ÛÔ‡ÊÌÂÌËÈ .............................................ÒÚ. 34 ìÔ‡ÊÌÂÌËfl Ó‰ÌÓÈ ÛÍÓÈ Ò ÔÓÏÓ˘¸˛ Ò‚ÂÚÓ‚˚ı Ë̉Ë͇ÚÓÓ‚ ..................ÒÚ. 38 ê‡Áۘ˂‡ÌËÂ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Repeat Playback (ñËÍ΢ÂÒÍÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ)..........................................................................................ÒÚ. 40 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ................................................................ÒÚ. 41 èÂÌË ÔÓ‰ ͇‡ÓÍ ËÎË ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ àÒÔÓÎÌÂÌË ........................................................................................................ ÒÚ. 52 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ (CVP-305/303) ................................................... ÒÚ. 52 èÂÌË ÒÓ ÒÎÓ‚‡ÏË ÔÂÒÌË Ì‡ ˝Í‡ÌÂ..............................................................ÒÚ. 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ͇‡ÓÍÂ.....................................................................ÒÚ. 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ÔÂÌËfl ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ..............ÒÚ. 55 èÓ‰‰ÂÊË‚‡ÂÏ˚ ÚËÔ˚ ÔÂÒÂÌ Clavinova ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÎÂ‰Û˛˘Ë ÚËÔ˚ ÔÂÒÂÌ. ÇÒÚÓÂÌÌ˚ ÔÂÒÌË èÂÒÌË Ì‡ ‚Í·‰Í PRESET ˝Í‡Ì‡ ‚˚·Ó‡ ÔÂÒÌË. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ èÂʉ ˜ÂÏ ËÒÔÓθÁÓ‚‡Ú¸ Ô·ÚÛ Ë „ÌÂÁ‰Ó SmartMedia, ÔÓ˜ÚËÚ ‡Á‰ÂÎ “è·Ú˚ Ô‡ÏflÚË SmartMedia™*» ̇ ÒÚ. 22. èÂʉ ˜ÂÏ ‡·ÓÚ‡Ú¸ Ò ‰ËÒÍÂÚÓÈ Ë ‰ËÒÍÓ‚Ó‰ÓÏ, ÔÓ˜ÚËÚ ‡Á‰ÂÎ “ÑËÒÍÓ‚Ó‰ Ë ‰ËÒÍÂÚ˚» ̇ ÒÚ. 21. èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡ÊÂ, Óı‡Ìfl˛ÚÒfl Á‡ÍÓÌÓÏ Ó· ‡‚ÚÓÒÍÓÏ Ô‡‚Â. äÓÔËÓ‚‡Ú¸ Ëı ÏÓÊÌÓ ÚÓθÍÓ ‰Îfl ΢ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl. èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ‚‡ÏË èÂÒÌË, ÍÓÚÓ˚ ‚˚ Á‡ÔËÒ‡ÎË (ÒÚ. 41, ÒÚ. 133) Ë ÒÓı‡ÌËÎË Ì‡ ˝Í‡Ì USER/CARD/USB. (ùÍ‡Ì USB ‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚˚ ÔÓ‰Íβ˜ËÎË Í ËÌÒÚÛÏÂÌÚÛ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ̇ÔËÏ ‰ËÒÍÓ‚Ó‰ ‰Îfl ‰ËÒÍÂÚ.) èÂÒÌË, Ëϲ˘ËÂÒfl ‚ ÔÓ‰‡Ê èË ÔÓ‰Íβ˜ÂÌËË Í ËÌÒÚÛÏÂÌÚÛ ‰ÓÔÓÎÌËÚÂθÌÓ„Ó ‰ËÒÍÓ‚Ó‰‡ ‰Îfl ‰ËÒÍÂÚ ÔÓfl‚ÎflÂÚÒfl ‚ÓÁÏÓÊÌÓÒÚ¸ ‡·ÓÚ‡Ú¸ Ò ‰‡ÌÌ˚ÏË ÔÂÒÂÌ, Á‡„ÛÊÂÌÌ˚ÏË Ò ‚·-Ò‡ÈÚ‡ Yamaha ËÎË ÍÛÔÎÂÌÌ˚ÏË Ì‡ ‰ËÒÍÂÚ‡ı. àÌÒÚÛÏÂÌÚ ÒÓ‚ÏÂÒÚËÏ Ò ‰ËÒÍÂÚ‡ÏË, Ëϲ˘ËÏË ÒÎÂ‰Û˛˘Û˛ χÍËÓ‚ÍÛ: àÌÙÓχˆË˛ Ó ÚËÔ‡ı Á‡ÔËÒÂÈ, ÍÓÚÓ˚ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚÂ, ÒÏ. ̇ ÒÚ. 191. 126 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ Ç ˝ÚÓÏ ‡Á‰ÂΠÒÓ·‡Ì˚ ҂‰ÂÌËfl Ó· ÓÔ‡ˆËflı Ë ÙÛÌ͈Ëflı, Ò‚flÁ‡ÌÌ˚ı Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÂÌ Ë Ì ‚ӯ‰¯Ëı ‚ ͇ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó. ■ á‡ÔÛÒÍ Ë ÓÒÚ‡Ìӂ͇ ÔÂÒÌË ç‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, Ë ÍÌÓÔÍÛ [STOP], ˜ÚÓ·˚ Â„Ó ÓÒÚ‡ÌÓ‚ËÚ¸. ëÛ˘ÂÒÚ‚ÛÂÚ Ë ÌÂÒÍÓθÍÓ ‰Û„Ëı ÒÔÓÒÓ·Ó‚ Á‡ÔÛÒ͇ Ë ÓÒÚ‡ÌÓ‚ÍË ÔÂÒÂÌ. á‡ÔÛÒÍ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ëËÌıÓÌÌ˚È Á‡ÔÛÒÍ Ç˚ ÏÓÊÂÚ Á‡ÔÛÒÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, Í‡Í ÚÓθÍÓ Ì‡˜ÌÂÚ ˄‡Ú¸ ̇ Í·‚˯‡ı. äÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [STOP] Ë [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ÑÎfl ÓÚÏÂÌ˚ ÙÛÌ͈ËË ÒËÌıÓÌÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÌÓ‚‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË [STOP] Ë [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. • îÛÌ͈Ëfl Tap ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ «Ì‡ÒÚÛ˜‡Ú¸» ÌÛÊÌ˚È ÚÂÏÔ ÍÌÓÔÍÓÈ TEMPO [TAP] Ë ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ‚ ˝ÚÓÏ ÚÂÏÔÂ. èÓÒÚÓ «ÔÓÒÚÛ˜ËÚ» ÔÓ ÍÌÓÔÍÂ, Ú.Â. ̇ÊÏËÚÂ Ë ÓÚÔÛÒÚËڠ (˜ÂÚ˚ ‡Á‡ ‰Îfl ‡Áχ 4/4), ÍÓ„‰‡ ËÌÒÚÛÏÂÌÚ Ì‡ıÓ‰ËÚÒfl ‚ ÂÊËÏ ÓÊˉ‡ÌËfl ÒËÌıÓÌÌÓ„Ó ÒÚ‡Ú‡, Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ‡‚ÚÓχÚ˘ÂÒÍË Ì‡˜ÌÂÚÒfl ‚ Á‡‰‡ÌÌÓÏ ÚÂÏÔÂ. Fade In ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [FADE IN/OUT] ÏÓÊÌÓ Ò‰Â·ڸ Ú‡Í, ˜ÚÓ·˚ ‚ ̇˜‡Î ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË „ÓÏÍÓÒÚ¸ Ô·‚ÌÓ Ì‡‡Òڇ·. ÑÎfl ˝ÚÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ÍÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ, ‡ Á‡ÚÂÏ ÍÌÓÔÍÓÈ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG Á‡ÔÛÒÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl Fade Out äÌÓÔÍÛ [FADE IN/OUT] ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Ô·‚ÌÓ„Ó ÒÌËÊÂÌËfl „ÓÏÍÓÒÚË ‚ ÍÓ̈ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. ç‡ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT] ‚ ̇˜‡Î هÁ˚, ÍÓÚÓÛ˛ ıÓÚËÚ ÔÓÒÚÂÔÂÌÌÓ Á‡„ÎÛ¯ËÚ¸. ìÒÚ‡Ìӂ͇ ‚ÂÏÂÌË ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl Á‚Û͇ ÇÂÏfl ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ÓÚ‰ÂθÌÓ. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√] CONFIG 1 → [A] FADE IN/OUT/HOLD TIME 2 ìÒÚ‡ÌÓ‚ËÚ ԇ‡ÏÂÚ˚ ÛÒËÎÂÌËfl Ë Á‡ÚÛı‡ÌËfl Á‚Û͇ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3π†]–[5π†]. FADE IN TIME ᇉ‡ÂÚ ‚ÂÏfl ÔÂÂıÓ‰‡ ÓÚ ÏËÌËχθÌÓÈ „ÓÏÍÓÒÚË Í Ï‡ÍÒËχθÌÓÈ. FADE OUT TIME ᇉ‡ÂÚ ‚ÂÏfl ÔÂÂıÓ‰‡ ÓÚ Ï‡ÍÒËχθÌÓÈ „ÓÏÍÓÒÚË Í ÏËÌËχθÌÓÈ. FADE OUT HOLD TIME ᇉ‡ÂÚ ‚ÂÏfl, ̇ ÔÓÚflÊÂÌËË ÍÓÚÓÓ„Ó „ÓÏÍÓÒÚ¸ ·Û‰ÂÚ ÏËÌËχθÌÓÈ ÔÓÒΠÁ‡ÚÛı‡ÌËfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 127 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ■ ä ̇˜‡ÎÛ/è‡ÛÁ‡/èÂÂÏÓÚ͇ ̇Á‡‰/èÂÂÏÓÚ͇ ‚Ô‰ èÂÂıÓ‰ ̇ ̇˜‡ÎÓ ÔÂÒÌË ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ÔÓË„˚‚‡ÂÚÒfl ÎË ÔÂÒÌfl ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌË ÓÒÚ‡ÌÓ‚ÎÂÌÓ. è‡ÛÁ‡ ÑÎfl Ô‡ÛÁ˚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [PLAY/PAUSE] ¢ ‡Á, ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÓ·ÌÓ‚ËÚÒfl Ò ÚÂÍÛ˘ÂÈ ÔÓÁˈËË. èÓÁˈËfl ÎÓ͇ÚÓ‡: èÓÁˈËfl ÎÓ͇ÚÓ‡ (phrase mark) – ˝ÚÓ Á‡‡Ì ÛÒÚ‡ÌÓ‚ÎÂÌ̇fl ÓÚÏÂÚ͇, Û͇Á˚‚‡˛˘‡fl ̇ ÓÔ‰ÂÎÂÌÌÓ ÏÂÒÚÓ (̇·Ó Ú‡ÍÚÓ‚) ‚ ÔÂÒÌÂ. èÂÂÏÓÚ͇ ‚Ô‰ Ë Ì‡Á‡‰ 1 ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [FF] ËÎË [REW] ̇ Ô‡ÌÂÎË SONG, ̇ „·‚Ì˚È ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ‚˚‚Ó‰ËÚÒfl ÓÍÌÓ Ò Û͇Á‡ÌËÂÏ ÚÂÍÛ˘Â„Ó ÌÓχ Ú‡ÍÚ‡ (ËÎË ÌÓχ ÎÓ͇ÚÓ‡). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [REW] ËÎË [FF] ̇ Ô‡ÌÂÎË SONG ‰Îfl ÔÂÂÏ¢ÂÌËfl (ÔÂÂÏÓÚÍË) ‚Ô‰ Ë Ì‡Á‡‰. ÖÒÎË ÔÂÒÌfl ÒÓ‰ÂÊËÚ ÎÓ͇ÚÓ˚, ÚÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [FF] ËÎË [REW] ÏÓÊÌÓ ÔÂÂÏ¢‡Ú¸Òfl ÏÂÊ‰Û ÔÓÁˈËflÏË ÎÓ͇ÚÓÓ‚. ÖÒÎË ‚˚ Ì ıÓÚËÚ ÓÚϘ‡Ú¸ ÔÓÎÓÊÂÌË ‚ ÔÂÒÌ ÎÓ͇ÚÓ‡ÏË, ̇ÊÏËÚ ÍÌÓÔÍÛ [E] Ë ‚˚·ÂËÚ BAR ‚ ÓÍÌÂ, ÔÓ͇Á˚‚‡˛˘ÂÏ ÔÓÁËˆË˛ ‚ ÔÂÒÌÂ. ÑÎfl ÔÂÒÂÌ, Ì ÒÓ‰Âʇ˘Ëı ÎÓ͇ÚÓ˚ ÑÎfl ÔÂÒÂÌ, ÒÓ‰Âʇ˘Ëı ÎÓ͇ÚÓ˚ 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT], ˜ÚÓ·˚ Á‡Í˚Ú¸ ÓÍÌÓ, ÔÓ͇Á˚‚‡˛˘Â ÚÂÍÛ˘ËÈ ÌÓÏ ڇÍÚ‡ (ËÎË ÌÓÏ ÔÓÁˈËË ÎÓ͇ÚÓ‡). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ■ èÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/ÇÓÒÔÓËÁ‚‰ÂÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ è‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ÔÂÒÌË ËÁ ͇ڇÎÓ„‡ Follow Lights ÒÓ‰ÂÊ‡Ú Ì‡ÒÚÓÈÍË ÙÛÌ͈ËË Guide. ùÚË ÔÂÒÌË ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ‚ ÂÊËÏ ÔÓ‚ÚÓ‡ ALL ËÎË RANDOM. 128 1 2 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [B] SONG SETTING ᇉ‡ÈÚ ԇ‡ÏÂÚ˚, Ò‚flÁ‡ÌÌ˚Â Ò ÔÓ‚ÚÓÌ˚Ï ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ, Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [H]/[I]. çËÊ Û͇Á‡Ì˚ Ëϲ˘ËÂÒfl Ô‡‡ÏÂÚ˚. REPEAT MODE OFF Ç˚·‡Ì̇fl ÔÂÒÌfl ÔÓË„˚‚‡ÂÚÒfl ÔÓÎÌÓÒÚ¸˛, ÔÓÒΠ˜Â„Ó ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂ͇˘‡ÂÚÒfl. SINGLE Ç˚·‡Ì̇fl ÔÂÒÌfl ÔÓ‚ÚÓflÂÚÒfl. ALL èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚Ò ÔÂÒÌË ‚ Ô‡ÔÍÂ, ÒÓ‰Âʇ˘ÂÈ ÚÂÍÛ˘Û˛ ÔÂÒÌ˛. RANDOM ÇÒ ÔÂÒÌË ‚ Ô‡ÔÍÂ, ÒÓ‰Âʇ˘ÂÈ ‰‡ÌÌÛ˛ ÔÂÒÌ˛, ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÂÔÂ˚‚ÌÓ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ. PHRASE MARK REPEAT ÑÎfl ÔÂÒÂÌ, ÒÓ‰Âʇ˘Ëı ÎÓ͇ÚÓ˚, ÏÓÊÌÓ ‚Íβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ÂÊËÏ ÔÓ‚ÚÓ‡. äÓ„‰‡ ˝ÚÓÚ ÂÊËÏ ‚Íβ˜ÂÌ, ˜‡ÒÚ¸, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÌÓÏÂÛ Û͇Á‡ÌÌÓÈ ÔÓÁˈËË ÎÓ͇ÚÓ‡, ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÔÓ‚ÚÓÌÓ. ò‡„Ë ÛÒÚ‡ÌÓ‚ÍË ÌÓÏÂÓ‚ ÎÓ͇ÚÓÓ‚ Ú ÊÂ, ˜ÚÓ Ë ¯‡„Ë 1–2 ‚ ‡Á‰ÂΠ«èÂÂÏÓÚ͇ ‚Ô‰ Ë Ì‡Á‡‰» (ÒÏ. ‚˚¯Â). ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÂÌ ■ èÓÒÚ‡Ìӂ͇ ÒÎÂ‰Û˛˘ÂÈ ÔÂÒÌË ‚ Ә‰¸ ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÏÓÊÌÓ ÔÓÒÚ‡‚ËÚ¸ ÒÎÂ‰Û˛˘Û˛ ÔÂÒÌ˛ ‚ Ә‰¸ ̇ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. ùÚÓ Û‰Ó·ÌÓ ‰Îfl Ô·‚ÌÓ„Ó ÔÂÂıÓ‰‡ Í ÒÎÂ‰Û˛˘ÂÈ ÔÂÒÌ ‚Ó ‚ÂÏfl ‚˚ÒÚÛÔÎÂÌËfl ̇ ÒˆÂÌÂ. ÇÓ ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚˚·ÂËÚ ̇ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË ÚÛ ÔÂÒÌ˛, ÍÓÚÓ‡fl ‰ÓÎÊ̇ ËÒÔÓÎÌflÚ¸Òfl ÒÎÂ‰Û˛˘ÂÈ. Ç Ô‡‚ÓÏ ‚ÂıÌÂÏ Û„ÎÛ Ì‡Á‚‡ÌËfl ÔÂÒÌË ÔÓfl‚ËÚÒfl Ë̉Ë͇ÚÓ «NEXT» (ëÎÂ‰Û˛˘‡fl). ÑÎfl ÓÚÏÂÌ˚ ˝ÚÓÈ Ì‡ÒÚÓÈÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (Cancel). ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚÓ‚ åÓÊÌÓ «Á‡·ÎÓÍËÓ‚‡Ú¸» ÓÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ (̇ÔËÏÂ, ˝ÙÙÂÍÚ˚, ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Ë Ú.‰.), ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ ‚˚·Ë‡Ú¸ ÚÓθÍÓ Ò Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (ÒÚ. 122). ■ àÒÔÓθÁÓ‚‡ÌË ÙÛÌ͈ËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ͇̇Î˚ 9–16 ‰‡ÌÌ˚ı ÔÂÒÌË Á‡ÏÂÌfl˛ÚÒfl ͇̇·ÏË ÒÚËÎfl, ˜ÚÓ ‰‡ÂÚ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ Ò‡ÏËÏ Ò˚„‡Ú¸ Ô‡Ú˲ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ÔÂÒÌË. èÓÔÓ·ÛÈÚ Ò˚„‡Ú¸ ‡ÍÍÓ‰˚ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË, Í‡Í ÓÔËÒ‡ÌÓ ÌËÊÂ. ÑÎfl Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ë ÒÚËÎfl ÎÛ˜¯Â ËÒÔÓθÁÓ‚‡Ú¸ Ô‰ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ ÔÂÒÌË ËÁ ͇ڇÎÓ„‡ Sing-a-long. 1 2 3 4 5 6 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 45). ç‡ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF] ̇ Ô‡ÌÂÎË STYLE CONTROL ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [SYNC START] ̇ Ô‡ÌÂÎË STYLE CONTROL, ˜ÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ÓÊˉ‡ÌËfl. ùÚÓ ÔÓÁ‚ÓÎËÚ Ì‡˜‡Ú¸ ËÒÔÓÎÌÂÌË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò Ì‡˜‡ÎÓÏ Ë„˚. ÑÎfl Á‡ÔÛÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ à„‡ÈÚ ‡ÍÍÓ‰˚ ‚ÏÂÒÚÂ Ò ÔÂÒÌÂÈ. ç‡Á‚‡ÌË ‡ÍÍÓ‰‡ ÓÚÓ·‡Ê‡ÂÚÒfl ̇ „·‚ÌÓÏ ˝Í‡ÌÂ. ÑÎfl ‚ÓÁ‚‡Ú‡ Í „·‚ÌÓÏÛ ˝Í‡ÌÛ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [DIRECT ACCESS], ‡ Á‡ÚÂÏ [EXIT]. äÓ„‰‡ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl, Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔÂ͇˘‡ÂÚÒfl Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. • íÂÏÔ Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ë ÒÚËÎfl èË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Ë ÒÚËÎfl ËÒÔÓθÁÛÂÚÒfl ÚÂÏÔ, Á‡‰‡ÌÌ˚È ‰Îfl ÔÂÒÌË. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÙÛÌ͈ËË ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇ (Quick Start) èÓ ÛÏÓΘ‡Ì˲ ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜Â̇. àÌÓ„‰‡ ‚ ÍÓÏϘÂÒÍËı Á‡ÔËÒflı ÌÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÔÂÒÌË (ÌÓÏ ÚÂÏ·‡, „ÓÏÍÓÒÚ¸ Ë Ú.‰.) Á‡ÔËÒ‡Ì˚ ‚ Ô‚ÓÏ Ú‡ÍÚ Ô‰ ÌÓÚ‡ÏË. ÖÒÎË Ô‡‡ÏÂÚ Quick Start ‚Íβ˜ÂÌ (ON), ËÌÒÚÛÏÂÌÚ Ò˜ËÚ˚‚‡ÂÚ ‚Ò ̇˜‡Î¸Ì˚ ÌÂÌÓÚÌ˚ ‰‡ÌÌ˚Â Ò Ï‡ÍÒËχθÌÓÈ ÒÍÓÓÒÚ¸˛, ‡ ̇ Ô‚ÓÈ ÌÓÚ ‡‚ÚÓχÚ˘ÂÒÍË ÒÌËʇÂÚ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰Ó ÌÛÊÌÓ„Ó ÚÂÏÔ‡. ùÚÓ ÔÓÁ‚ÓÎflÂÚ Ì‡˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ï‡ÍÒËχθÌÓ ·˚ÒÚÓ (Ò ÏËÌËχθÌÓÈ Á‡‰ÂÊÍÓÈ Ì‡ Ò˜ËÚ˚‚‡ÌË ÛÔ‡‚Îfl˛˘ÂÈ ËÌÙÓχˆËË). ÖÒÎË ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇ ‚Íβ˜Â̇ (ON), ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ì‡˜Ë̇ÂÚÒfl Ò Ô‚ÓÈ ÌÓÚ˚ (ÍÓÚÓ‡fl ÏÓÊÂÚ Ì‡ıÓ‰ËÚÒfl ‚ Ò‰ËÌ ڇÍÚ‡). ÖÒÎË ‚˚ ıÓÚËÚ ̇˜‡Ú¸ Ë„Û Ò Ú‡ÍÚ‡, ÒÓ‰Âʇ˘Â„Ó Ô‡ÛÁÛ Ô‰ Ô‚ÓÈ ÌÓÚÓÈ, ÓÚÍβ˜ËÚ ÙÛÌÍˆË˛ ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [B] SONG SETTING 2 ç‡ÊÏËÚ ÍÌÓÔÍË [7†]/[8†] (QUICK START), ˜ÚÓ·˚ ÓÚÍβ˜ËÚ¸ ÙÛÌÍˆË˛ ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 129 ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ÒÓ˜ÂÚ‡ÌËfl ÚÂÏ·Ó‚ Ë Ú.‰. (MIXING CONSOLE) Ä‚ÚÓχÚ˘ÂÒÍÓ ҘËÚ˚‚‡ÌË ‰‡ÌÌ˚ı ÔÂÒÌË ÔË ÛÒÚ‡ÌÓ‚Í Ô·Ú˚ SmartMedia åÓÊÌÓ Ì‡ÒÚÓËÚ¸ ËÌÒÚÛÏÂÌÚ Ú‡Í, ˜ÚÓ·˚ ÔË ‚ÒÚ‡‚Í Ô·Ú˚ SmartMedia ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Î‡Ò¸ Ô‚‡fl ÔÂÒÌfl (‡ÒÔÓÎÓÊÂÌ̇fl Ì ‚ Ô‡ÔÍÂ). ùÚÛ ÓÔ‡ˆË˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ë ‰Îfl ‰Û„Ëı ‚̯ÌËı ÌÓÒËÚÂÎÂÈ. 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√]/[®] MEDIA 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [3π]/[4π] (SONG AUTO OPEN), ˜ÚÓ·˚ ÔËÒ‚ÓËÚ¸ ÙÛÌ͈ËË Á̇˜ÂÌË ON. ç‡ÒÚÓÈ͇ ·‡Î‡ÌÒ‡ „ÓÏÍÓÒÚË, ÒÓ˜ÂÚ‡ÌËfl ÚÂÏ·Ó‚ Ë Ú.‰. (MIXING CONSOLE) àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ù͇Ì˚ [SONG CH 1–8]/ [SONG CH 9–16] èÂÒÌfl ÒÓÒÚÓËÚ ËÁ 16 ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. ä‡Ê‰˚È ËÁ 16 ͇̇ÎÓ‚ ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ̇ ˝Í‡Ì MIXING CONSOLE. ᇉ‡ÈÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ ̇ ˝Í‡Ì‡ı SONG CH 1-8 ËÎË SONG CH 9-16. é·˚˜ÌÓ Í‡Ì‡ÎÛ CH 1 ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÍÌÓÔ͇ [TRACK 1], CH 2 – ÍÌÓÔ͇ [TRACK 2], ‡ ͇̇Î˚ CH 3-16 ̇Á̇˜ÂÌ˚ ÍÌÓÔÍ [EXTRA TRACKS]. ÑÎfl ÔÂÒÌË ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ Ô‡‡ÏÂÚ˚, ÓÚÌÓÒfl˘ËÂÒfl Í ÏËͯËÓ‚‡Ì˲. ëÏ. ‡Á‰ÂÎ «ç‡Òڇ˂‡ÂÏ˚ ˝ÎÂÏÂÌÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ˝Í‡Ì MIXING CONSOLE» ̇ ÒÚ. 82. Ç˚ÁÓ‚ËÚ ˝Í‡Ì SONG CH 1–8 ËÎË SONG CH 9–16 Í‡Í ˝ÚÓ ÓÔËÒ‡ÌÓ ‚ ¯‡„ 3 ÔÓ‰‡Á‰Â· «éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl» ‡Á‰Â· «êÂ-‰‡ÍÚËÓ‚‡ÌË „ÓÏÍÓÒÚË Ë ÚÂÏ·‡ ÒÚËÎfl (MIXING CONSOLE)» ̇ ÒÚ. 80. ê‡ÒÒÏÓÚËÏ ‰‚‡ ÔËχ. ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ 1 2 3 4 5 6 7 130 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚·ÂËÚ ÔÂÒÌ˛ (ÒÚ. 34). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [MIXING CONSOLE] ‚˚ÁÓ‚ËÚ ˝Í‡Ì MIXING CONSOLE. Ç˚·ÂËÚ ‚Í·‰ÍÛ [VOL/VOICE] Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®]. èÓ‚ÚÓÌ˚Ï Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [MIXING CONSOLE] ‚˚ÁÓ‚ËÚ ˝Í‡Ì SONG CH 1–8 ËÎË SONG CH 9–16. C ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [J] ‚˚·ÂËÚ VOLUME. ç‡ÒÚÓÈÚ „ÓÏÍÓÒÚ¸ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]–[8π†]. åÓÊÌÓ ÒÓı‡ÌËÚ¸ ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ÔÂÒÌË ‚Ó ‚ÂÏfl ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚ ‚ ÏÂÌ˛ SETUP (ÒÚ. 152). èӂ¸ÚÂ, ˜ÚÓ·˚ ÔË ‚˚ÔÓÎÌÂÌËË ¯‡„‡ 2 Ôӈ‰Û˚ ̇ÒÚÓÈÍË ·˚Î ÓÚϘÂÌ ÔÛÌÍÚ VOICE. àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Practice Function (Guide) àÁÏÂÌÂÌË ÚÂÏ·Ó‚ 1–4 5 6 7 8 ÑÂÈÒÚ‚Ëfl Ú ÊÂ, ˜ÚÓ Ë ‚ ‡Á‰ÂΠ«ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡» (ÒÏ. ÒÚ. 130). C ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H] ‚˚·ÂËÚ VOICE. Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ ͇̇· Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]–[8π†]. óÚÓ·˚ ‚˚·‡Ú¸ ÚÂÏ·, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] ‰Ó [J]. ÇÓ ‚ÂÏfl ̇ÒÚÓÈÍË ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚˚·Ó ÚÂÏ·‡ ‚ ‰‡ÌÌ˚ı ÔÂÒÌË (ÒÚ. 152). èӂ¸ÚÂ, ˜ÚÓ·˚ ÔË ‚˚ÔÓÎÌÂÌËË ¯‡„‡ 2 Ôӈ‰Û˚ ̇ÒÚÓÈÍË ·˚Î ÓÚϘÂÌ ÔÛÌÍÚ VOICE. àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Practice Function (Guide) à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ Û͇Á˚‚‡˛Ú ÌÓÚ˚, ÍÓÚÓ˚ ‰ÓÎÊÌ˚ ·˚Ú¸ Ò˚„‡Ì˚ (ÔÓÎÓÊÂÌËÂ Ë ‚ÂÏfl ̇ʇÚËfl). í‡ÍÊÂ, ÍÓ„‰‡ ‚˚ ÔÓÂÚ ‚ ÏËÍÓÙÓÌ ÔÓ‰ Á‚Û˜‡˘Û˛ ÔÂÒÌ˛, ËÌÒÚÛÏÂÌÚ ‡‚ÚÓχÚ˘ÂÒÍË ÔÓ‰Òڇ˂‡ÂÚ ÒÍÓÓÒÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Í ÒÍÓÓÒÚË ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl (CVP-305/303). óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ Ó·Û˜‡˛˘Û˛ ÙÛÌÍˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [GUIDE]. ëÓı‡ÌÂÌË ̇ÒÚÓÂÍ Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË Guide ̇ ˝Í‡Ì SONG SETTING ç‡ÒÚÓÈÍË Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË Guide ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Í‡Í ˜‡ÒÚ¸ ‰‡ÌÌ˚ı ÔÂÒÌË (ÒÚ. 152). ÑÎfl ÔÂÒÂÌ, ÒÓ‰Âʇ˘Ëı ̇ÒÚÓÈÍË Guide, Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl ·Û‰ÂÚ ‚Íβ˜‡Ú¸Òfl ‡‚ÚÓχÚ˘ÂÒÍË, ‡ Ò‚flÁ‡ÌÌ˚Â Ò ÌÂÈ Ì‡ÒÚÓÈÍË ·Û‰ÛÚ ‚˚Á˚‚‡Ú¸Òfl ÔË ‚˚·Ó ÔÂÒÌË. Ç˚·Ó ÚËÔ‡ ÙÛÌ͈ËË Guide Ç˚ÁÓ‚ËÚ ˝Í‡Ì ̇ÒÚÓÂÍ: [FUNCTION] → [B] SONG SETTING 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ‚˚·ÂËÚ ÌÛÊÌ˚È ÚËÔ ÙÛÌ͈ËË Guide. ÑÓÒÚÛÔÌ˚ ÒÎÂ‰Û˛˘Ë ÚËÔ˚. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 1 éÚÍβ˜ÂÌË Ë̉Ë͇ÚÓÓ‚ Í·‚ˇÚÛ˚ ç‡ÊÏËÚ ÍÌÓÔÍÛ [C] (GUIDE LAMP) ̇ ˝Í‡Ì SONG SETTING (‚ ¯‡„ 1, Í‡Í Ì‡ÔËÒ‡ÌÓ Ò΂‡), ˜ÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ë̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚. 2 1 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 131 àÒÔÓθÁÓ‚‡ÌË ӷۘ‡˛˘ÂÈ ÙÛÌ͈ËË Practice Function (Guide) ÑÎfl Ë„˚ ̇ Í·‚ˇÚÛ Follow lights ùÚ‡ ÙÛÌ͈Ëfl Û͇Á˚‚‡ÂÚ ÌÓÚ˚, ÍÓÚÓ˚ ̇‰Ó Ò˚„‡Ú¸, Ò ÔÓÏÓ˘¸˛ Ë̉Ë͇ÚÓÓ‚ Í·‚ˇÚÛ˚ (ÒÚ. 38). ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ê‰ÂÚ, ÔÓ͇ ‚˚ ̇˜ÌÂÚ ˄Û. ä‡Í ÚÓθÍÓ Ô‡‚ËθÌ˚ ÌÓÚ˚ ·Û‰ÛÚ Ò˚„‡Ì˚, ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ‚ÓÁÓ·ÌÓ‚ËÚÒfl. Any key ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ‚˚ ÏÓÊÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÂÎӉ˲ ÔÂÒÌË ÔÓÒÚ˚Ï Ì‡Ê‡ÚËÂÏ Î˛·ÓÈ Í·‚Ë¯Ë ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ËÚÏÓÏ. ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ê‰ÂÚ, ÔÓ͇ ‚˚ ̇ÊÏÂÚ β·Û˛ Í·‚˯Û. èÓÒÚÓ Ì‡ÊËχÈÚ Í·‚Ë¯Ë (β·˚Â), ÛÒÔ‚‡fl Á‡ ÏÛÁ˚ÍÓÈ, Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ·Û‰ÂÚ ÔÓ‰ÓÎʇڸÒfl. ÑÎfl ͇‡ÓÍ Karao-key ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ ÔÂÚ¸ Ë Ó‰ÌÓ‚ÂÏÂÌÌÓ ÛÔ‡‚ÎflÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÔÂÒÌË Ó‰ÌËÏ Ô‡Î¸ˆÂÏ. ùÚÓ Û‰Ó·ÌÓ ÔË ÔÂÌËË ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÇÓÒÔÓËÁ‚‰ÂÌË ÔËÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ê‰ÂÚ, ÍÓ„‰‡ ‚˚ ̇˜ÌÂÚ ÔÂÚ¸. ç‡ÊÏËÚ ̇ Í·‚˯Û, Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÓ‰ÓÎÊËÚÒfl. Vocal CueTIME (CVP-305/303) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ÔÓÔ‡ÍÚËÍÓ‚‡Ú¸Òfl ‚ ÔÂÌËË Ò ÌÛÊÌÓÈ ‚˚ÒÓÚÓÈ Á‚Û͇. ÇÓÒÔÓËÁ‚‰ÂÌË ÔËÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë Ê‰ÂÚ, ÍÓ„‰‡ ‚˚ ̇˜ÌÂÚ ÔÂÚ¸. ä‡Í ÚÓθÍÓ ‚˚ ÒÔÓÂÚÂ Ò ÌÛÊÌÓÈ ‚˚ÒÓÚÓÈ, ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ‚ÓÁÓ·ÌÓ‚ÎflÂÚÒfl. éÔ‰ÂÎÂÌË ‚ÂÏÂÌË ‚Íβ˜ÂÌËfl Ë̉Ë͇ÚÓÓ‚ Í·‚ˇÚÛ˚ (GUIDE LAMP TIMING) ç‡ÊÏËÚ ÍÌÓÔÍÛ [D] ̇ ˝Í‡Ì SONG SETTING ‚ ¯‡„ 1 (ÒÚ. 131), ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚ÂÏfl ‚Íβ˜ÂÌËfl Ë̉Ë͇ÚÓÓ‚ Í·‚ˇÚÛ˚. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ JUST................................. à̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÏÛÁ˚ÍÓÈ ËÏÂÌÌÓ ‚ ÚÓÚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ‚˚ ‰ÓÎÊÌ˚ ̇ʇڸ ÌÛÊÌÛ˛ Í·‚˯Û. NEXT............................... à̉Ë͇ÚÓ˚ ÌÂÏÌÓ„Ó ÓÔÂÂʇ˛Ú ÏÛÁ˚ÍÛ, Û͇Á˚‚‡fl ÒÎÂ‰Û˛˘Ë ÌÓÚ˚, ÍÓÚÓ˚ ‰ÓÎÊÌ˚ ·˚Ú¸ Ò˚„‡Ì˚. ÖÒÎË ‚˚ Ì ÛÒÔ‚‡ÂÚ ̇ʇڸ ÌÛÊÌÛ˛ Í·‚˯Û, Ë̉Ë͇ÚÓ˚ ÏË„‡˛Ú. ÖÒÎË Ë̉Ë͇ÚÓ˚ Ì ‚Íβ˜‡˛ÚÒfl, Í‡Í ‰ÓÎÊÌ˚ à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡Î‡ÏË ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ÏË Ì‡ ‰ÓÓÊ͇ı 1 Ë 2, Ë ‡ÍÍÓ‰‡ÏË ÔÂÒÌË (ÔË Ëı ̇΢ËË). ÖÒÎË Ë̉Ë͇ÚÓ˚ Ì ‚Íβ˜‡˛ÚÒfl, Í‡Í ‰ÓÎÊÌ˚, ‚‡Ï ‚ÓÁÏÓÊÌÓ ÔÓÚ·ÛÂÚÒfl ̇Á̇˜ËÚ¸ ÔÓ‰ıÓ‰fl˘Ë ͇̇Î˚ Ô‡ÚËÈ Î‚ÓÈ Ë Ô‡‚ÓÈ ÛÍ ‰Îfl ‰ÓÓÊÂÍ Track 1 Ë 2 ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ËÒÔÓθÁÛfl ÍÌÓÔÍË [1π†]/[2π†] ̇ ˝Í‡Ì SONG SETTING, Í‡Í ÓÔËÒ‡ÌÓ ‚ ¯‡„ 1 ̇ Ô‰˚‰Û˘ÂÈ ÒÚ‡ÌˈÂ. 132 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ͇̇ÎÓ‚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË èÂÒÌfl ÒÓÒÚÓËÚ ËÁ 16 ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. ä‡Ê‰˚È Í‡Ì‡Î ‚˚·‡ÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÓÚ‰ÂθÌÓ. é·˚˜ÌÓ Í‡Ì‡ÎÛ CH 1 ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÍÌÓÔ͇ [TRACK 1], ͇̇ÎÛ CH 2 – ÍÌÓÔ͇ [TRACK 2], ‡ ͇̇Î˚ CH 3-16 ̇Á̇˜‡˛ÚÒfl ÍÌÓÔÍ [EXTRA TRACKS]. 1 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì CHANNEL ON/OFF, ̇ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/ OFF]. ÖÒÎË ÔÓ͇Á‡ÌÌ˚È ÌËÊ ˝Í‡Ì Ì ÔÓfl‚ËÎÒfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [CHANNEL ON/OFF] ¢ ‡Á. 2 ÇÍβ˜ËÚ¸ ËÎË ‚˚Íβ˜ËÚ¸ ͇ʉ˚È Í‡Ì‡Î ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [1π†]– [8π†]. ÖÒÎË ‚˚ ıÓÚËÚ ‚ÓÒÔÓËÁ‚ÂÒÚË ÚÓθÍÓ Ó‰ËÌ Í‡Ì‡Î (Ë ÔË„ÎÛ¯ËÚ¸ ‚Ò ÓÒڇθÌ˚Â), π†]–[8π π†], ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ‚˚·‡Ì̇ÊÏËÚÂ Ë Û‰ÂÊË‚‡ÈÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1π ÌÓÏÛ Í‡Ì‡ÎÛ. ÑÎfl ÓÚÏÂÌ˚ ÒÓθÌÓ„Ó ÂÊËχ (‚ÓÒÔÓËÁ‚‰ÂÌËfl ÚÓθÍÓ Ó‰ÌÓ„Ó Í‡Ì‡Î‡) ̇ÊÏËÚ ˝ÚÛ ÍÌÓÔÍÛ Â˘Â ‡Á. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl åÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ Ë ÒÓı‡ÌËÚ¸ Â„Ó Ì‡ ‚Í·‰Í User ËÎË ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ, ̇ÔËÏ Ô·Ú SmartMedia. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚ Á‡ÔËÒË: ·˚ÒÚ‡fl Á‡ÔËÒ¸ (Quick Recording), ÍÓ„‰‡ ÏÓÊÌÓ ·˚ÒÚÓ Ë Û‰Ó·ÌÓ ‚˚ÔÓÎÌËÚ¸ Á‡ÔËÒ¸, ÏÌÓ„Ó‰ÓÓʘ-̇fl Á‡ÔËÒ¸ (Multi track Recording), ÍÓ„‰‡ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÌÂÒÍÓθÍÓ Ô‡ÚËÈ Ì‡ ÌÂÒÍÓθÍÓ Í‡-̇ÎÓ‚, Ë ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ (Step Recording), ÔÓÁ‚ÓÎfl˛˘‡fl ‚‚Ó‰ËÚ¸ ÌÓÚ˚ Ó‰ÌÛ Á‡ ‰Û„ÓÈ). á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸. é·˙ÂÏ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË (ÇÍ·‰Í‡ User) é·˙ÂÏ ‚ÌÛÚÂÌÌÂÈ Ô‡ÏflÚË ËÌÒÚÛÏÂÌÚ‡ ÒÓÒÚ‡‚ÎflÂÚ ÔËÏÂÌÓ 1,5 MÅ (CVP-305/303)/650 KÅ (CVP-301). ùÚÓÚ Ó·˙ÂÏ ‡ÒÔ‰ÂÎflÂÚÒfl ̇ ‚Ò ÚËÔ˚ Ù‡ÈÎÓ‚, ‚Íβ˜‡fl íÂÏ·, ëÚËθ, èÂÒÌ˛ Ë Ù‡ÈÎ˚ „ËÒÚ‡ˆËË ‰‡ÌÌ˚ı. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ëÔÓÒÓ·˚ Á‡ÔËÒË ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Á‡ÔËÒ‡Ú¸ ÌÂθÁfl (CVP-305/303). èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ëÛ˘ÂÒÚ‚ÛÂÚ ÚË ÒÔÓÒÓ·‡ Á‡ÔËÒË. Å˚ÒÚ‡fl Á‡ÔËÒ¸ ➤ ÒÚ. 134 ùÚÓÚ ÔÓÒÚÓÈ Ë Û‰Ó·Ì˚È ÒÔÓÒÓ· Á‡ÔËÒË ‚˚ÒÚÛÔÎÂÌËfl Û‰Ó·ÂÌ, ̇ÔËÏÂ, ‰Îfl Á‡ÔËÒË ÒÓθÌ˚ı ÙÓÚÂÔ¸flÌÌ˚ı ÔÓËÁ‚‰ÂÌËÈ. á‡ÔËÒ¸ ÏÓÊÌÓ ‰Â·ڸ ̇ ‰ÓÓÊÍÛ TRACK 1 (R) ËÎË TRACK 2 (L) (ÍÌÓÔÍË [TRACK 1 (R)] ËÎË [TRACK 2 (L)]), ‡ Ú‡ÍÊ ̇ ‰ÓÓÊÍÛ EXTRA TRACKS (STYLE) (ÍÌÓÔ͇ [EXTRA TRACKS (STYLE)]), ÍÓÚÓÛ˛ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl Á‡ÔËÒË ‚ ˝ÚÓ Ê ‚ÂÏfl. åÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸ ➤ ÒÚ. 135 ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ÔÂÒÌ˛ Ò Ô‡ÚËflÏË ÌÂÒÍÓθÍËı ËÌÒÚÛÏÂÌÚÓ‚, ˜ÚÓ·˚ ÔÓÎÛ˜ËÚ¸ Á‚Û˜‡ÌË ·Ë„-·˝Ì‰‡ ËÎË ÓÍÂÒÚ‡. á‡Ô˯ËÚ ԇÚ˲ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ Ó‰ÌÛ Á‡ ‰Û„ÓÈ, ‡ Á‡ÚÂÏ ÒÓÁ‰‡ÈÚ ÓÍÂÒÚÓ‚ÍÛ. åÓÊÌÓ Ú‡ÍÊ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË ÔÓ‚Âı ÛÊ Á‡ÔËÒ‡ÌÌ˚ı ˜‡ÒÚÂÈ ÒÛ˘ÂÒÚ‚Û˛˘ÂÈ ÔÂÒÌË (‚ÒÚÓÂÌÌÓÈ ËÎË Á‡ÔËÒ‡ÌÌÓÈ Ì‡ ‚̯ÌÂÏ ÛÒÚÓÈÒÚ‚Â, ̇ÔËÏÂ, Ô·Ú SmartMedia). èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ➤ ÒÚ. 137 ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ËÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡fl» Â„Ó ÒÓ·˚ÚËfl ÔÓ Ó˜Â‰Ë. á‡ÔËÒ¸ ‚‰ÂÚÒfl ‚Û˜ÌÛ˛ Ë Ì ‚ ‡θÌÓÏ ‚ÂÏÂÌË (Í‡Í Á‡ÔËÒ¸ ÌÓÚ Ì‡ ·Ûχ„Û). åÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ÔӘˠÒÓ·˚ÚËfl Ó‰ÌÓ Á‡ ‰Û„ËÏ (ËÒÔÓÎÌÂÌË ‚ ‡θÌÓÏ ‚ÂÏÂÌË Ì Ú·ÛÂÚÒfl). á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ (ÒÚ. 148). ç‡ÔËÏÂ, ÏÓÊÌÓ Ó‰ÌÛ Á‡ ‰Û„ÓÈ Â‰‡ÍÚËÓ‚‡Ú¸ ÓÚ‰ÂθÌ˚ ÌÓÚ˚ ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Punch In/Out (Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË Á‡ÔËÒË ) ‰Îfl ÔÂÂÁ‡ÔËÒË ÓÚ‰ÂθÌÓÈ Ô‡ÚËË. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 133 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl Å˚ÒÚ‡fl Á‡ÔËÒ¸ èÓÁ‚ÓÎflÂÚ Î„ÍÓ Ë ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌËÂ. 1 ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [REC] Ë [STOP] ̇ Ô‡ÌÂÎË SONG. ÑÎfl Á‡ÔËÒË ·Û‰ÂÚ ‚˚Á‚‡Ì‡ ÔÛÒÚ‡fl ÔÂÒÌfl (New Song). REC 2 STOP PLAY/ PAUSE ç‡ÒÚÓÈÚ ԇÌÂθ ‰Îfl Ë„˚ ̇ Í·‚ˇÚÛÂ. çËÊ Ô˂‰ÂÌ˚ ÔËÏÂ˚ ̇ÒÚÓÂÍ, ÍÓÚÓ˚ ÏÓÊÌÓ ÔÓÔÓ·Ó‚‡Ú¸. • á‡ÔËÒ¸ Ô‡ÚËÈ RIGHT 2 Ë/ËÎË LEFT è‡ÚËË Í·‚ˇÚÛ˚ [RIGHT 2] Ë/ËÎË [LEFT] ‰ÓÎÊÌ˚ ·˚Ú¸ ‚Íβ˜ÂÌ˚. Ç˚·ÂËÚ ÚÂÏ· ‰Îfl ͇ʉÓÈ Ô‡ÚËË Í·‚ˇÚÛ˚ (RIGHT 2, LEFT) ̇ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·‡ (ÒÚ. 74, ÒÚ. 75). è‡ÚËË RIGHT 2 Ë/ËÎË LEFT Á‡ÔËÒ˚‚‡˛ÚÒfl ̇ ÓÚ‰ÂθÌ˚ı ‰ÓÓÊ͇ı. • á‡ÔËÒ¸ ÒÚËÎÂÈ 1 Ç˚·ÂËÚ ÒÚËθ (ÒÚ. 45). 2 èË ÌÂÓ·ıÓ‰ËÏÓÒÚË Ì‡ÒÚÓÈÚ ÚÂÏÔ Á‡ÔËÒË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TEMPO [–] [+]. • ç‡ÒÚÓÈÍË Ô‡ÌÂÎË Registration Memory ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ REGISTRATION MEMORY [1–8]. 3 ì‰ÂÊË‚‡fl ̇ʇÚÓÈ ÍÌÓÔÍÛ [REC] ̇ Ô‡ÌÂÎË SONG, ̇ÊÏËÚ ‰Îfl Á‡ÔËÒË ÍÌÓÔÍË SONG TRACK. REC + àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ • á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ÑÎfl Á‡ÔËÒË Ô‡ÚËË Ô‡‚ÓÈ ÛÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [TRACK 1 (R)], ‡ ‰Îfl Á‡ÔËÒË Ô‡ÚËË Î‚ÓÈ ÛÍË – ÍÌÓÔÍÛ [TRACK 2 (L)] ̇ Ô‡ÌÂÎË SONG. • á‡ÔËÒ¸ ÒÚËÎÂÈ ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXTRA TRACK (STYLE)] ̇ Ô‡ÌÂÎË SONG. • á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl Ò Ó‰ÌÓ‚ÂÏÂÌÌ˚Ï ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ç‡ÊÏËÚ ÍÌÓÔÍË SONG [TRACK 1 (R)]/[TRACK 2 (L)] Ë ÍÌÓÔÍÛ [EXTRA TRACKS (STYLE)] ̇ Ô‡ÌÂÎË SONG. 134 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 4 燘‡ÎÓ Á‡ÔËÒË ÖÒÚ¸ ÌÂÒÍÓθÍÓ ÒÔÓÒÓ·Ó‚ ̇˜‡Ú¸ Á‡ÔËÒ¸. • à„‡ ̇ Í·‚ˇÚÛ ÖÒÎË ‚ ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ ‚˚¯Â, ‚˚·‡Ì˚ ÍÌÓÔÍË SONG [TRACK 1(R)]/[TRACK 2 (L)] ̇ Ô‡ÌÂÎË SONG, Ë„‡ÈÚ ̇ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 73). ÖÒÎË ‚ ¯‡„ 3, ÓÔËÒ‡ÌÌÓÏ ‚˚¯Â, ‚˚·‡Ì˚ ÍÌÓÔÍË [EXTRA TRACKS (STYLES)] ̇ Ô‡ÌÂÎË SONG, Ë„‡ÈÚ ̇ ΂ÓÈ (‡ÍÍÓ‰Ó‚ÓÈ) ˜‡ÒÚË Í·‚ˇÚÛ˚ (ÒÚ. 100). á‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË, Í‡Í ÚÓθÍÓ ‚˚ ̇ÊÏÂÚ ̇ Í·‚˯Û. àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ åÓÊÌÓ Á‡ÔËÒ‡Ú¸ ËÒÔÓÎÌÂÌË ÔË Ó‰ÌÓ‚ÂÏÂÌÌÓÏ Á‚Û˜‡ÌËË ÏÂÚÓÌÓχ (ÒÚ. 30). ë˄̇Î˚ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡˛ÚÒfl. • ç‡Ê‡ÚË ÍÌÓÔÍË [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG ÖÒÎË ‚˚ Á‡ÔËÒ˚‚‡ÂÚ ÔÂÒÌ˛ ˝ÚËÏ ÒÔÓÒÓ·ÓÏ, ‚ ̇˜‡Î Á‡ÔËÒË Á‡ÔËÒ˚‚‡ÂÚÒfl Ô‡ÛÁ‡ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ‚˚ Ì Ò˚„‡ÂÚ ͇ÍÛ˛-ÌË·Û‰¸ ÌÓÚÛ Ì‡ Í·‚ˇÚÛÂ. ùÚÓ Û‰Ó·ÌÓ, ÂÒÎË ÔÂÒÌfl ̇˜Ë̇ÂÚÒfl ÔÓÒΠÍÓÓÚÍÓ„Ó ÓÚÒ˜ÂÚ‡ (Ӊ̇-‰‚ ‰ÓÎË) ËÎË Á‡Ú‡ÍÚ‡. • ç‡Ê‡ÚË ÍÌÓÔÍË STYLE CONTROL [START/STOP] Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚ÓÒÔÓËÁ‚‰ÂÌË ËÚÏ˘ÂÒÍËı Ô‡ÚËÈ (͇̇ÎÓ‚) ÒÚËÎfl Ë Á‡ÔËÒ¸ ̇˜Ë̇˛ÚÒfl Ó‰ÌÓ‚ÂÏÂÌÌÓ. 5 ÑÎfl ÔÂ͇˘ÂÌËfl Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. REC STOP PLAY/ PAUSE äÓ„‰‡ Á‡ÔËÒ¸ Á‡ÍÓ̘ËÚÒfl, ÔÓfl‚ËÚÒfl Ô˄·¯ÂÌË ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸. óÚÓ·˚ Û·‡Ú¸ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. àÌÒÚÛ͈ËË ÔÓ ÒÓı‡ÌÂÌ˲ Á‡ÔËÒË Ô˂‰ÂÌ˚ ‚ ¯‡„ 7. 6 èÓÒÎÛ¯‡ÈÚ ÌÓ‚Û˛ Á‡ÔËÒ¸. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. èËÓÒÚ‡Ìӂ͇ Ë ‚ÓÁÓ·ÌÓ‚ÎÂÌË Á‡ÔËÒË óÚÓ·˚ ÔËÓÒÚ‡ÌÓ‚ËÚ¸ Á‡ÔËÒ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. ÑÎfl ‚ÓÁÓ·ÌÓ‚ÎÂÌËfl Á‡ÔËÒË ‚˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘ÂÂ. • ÑÎfl Á‡ÔËÒË ‰ÓÓÊÂÍ [TRACK 1]/ [TRACK 2] ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/ PAUSE] ̇ Ô‡ÌÂÎË SONG. • ÑÎfl Á‡ÔËÒË ‰ÓÓÊÂÍ [EXTRA TRACKS] ̇ÊÏËÚ ÍÌÓÔÍÛ STYLE CONTROL [SYNC START], Á‡ÚÂÏ Ë„‡ÈÚ ̇ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ÇçàåÄçàÖ REC PLAY/ PAUSE ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 7 STOP ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [SONG SELECT] ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝ÚÓÏ ˝Í‡Ì (ÒÚ. 63). ä‡Ì‡Î˚ ëÏ. ÒÚ. 137. åÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸ èÂÒÌfl ÒÓÒÚÓËÚ ËÁ 16 ÓÚ‰ÂθÌ˚ı ͇̇ÎÓ‚. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó ÏÂÚÓ‰‡ ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ͇ʉ˚È Í‡Ì‡Î ÓÚ‰ÂθÌÓ, Ó‰ËÌ Á‡ ‰Û„ËÏ. åÓÊÌÓ Á‡ÔËÒ‡Ú¸ Ô‡ÚËË Í·‚ˇÚÛ˚ Ë ÒÚËÎfl. 1 ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [REC] Ë [STOP] ̇ Ô‡ÌÂÎË SONG. ÑÎfl Á‡ÔËÒË ·Û‰ÂÚ ‚˚Á‚‡Ì‡ ÔÛÒÚ‡fl ÔÂÒÌfl (New Song). Ç˚·ÂËÚ ÚÂÏ·˚ ‰Îfl Ô‡ÚËÈ Í·‚ˇÚÛ˚ (RIGHT 1, RIGHT 2 Ë/ËÎË LEFT) (ÒÚ. 31, ÒÚ. 74, ÒÚ. 75). í‡ÍÊ ‚˚·ÂËÚ ÌÛÊÌ˚È ÒÚËθ ‰Îfl Á‡ÔËÒË (ÒÚ. 45). REC STOP á‡ÔËÒ¸ Ô‡ÚËË RIGHT 2 ‚ ͇̇Π2 äÌÓÔÍÓÈ PART SELECT [RIGHT 2] ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË, Á‡ÚÂÏ ‚˚·ÂËÚ ÚÂÏ· ‰Îfl Ô‡ÚËË RIGHT 2. èӂ¸Ú ڇÍÊÂ, ˜ÚÓ ‚Íβ˜Â̇ ÍÌÓÔ͇ PART ON/OFF [RIGHT 2]. PLAY/ PAUSE êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 135 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl é‰ÌÓ‚ÂÏÂÌ̇fl ̇ÒÚÓÈ͇ ‚ÒÂı ͇̇ÎÓ‚ 9–16 ‰Îfl Á‡ÔËÒË èË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [REC] ̇ Ô‡ÌÂÎË SONG ̇ÊÏËÚ ÍÌÓÔÍÛ [EXTRA TRACKS]. 2 óÚÓ·˚ ̇Á̇˜ËÚ¸ ÌÛÊÌ˚ ͇̇Î˚ ‰Îfl Á‡ÔËÒË, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [REC] ̇ π†]– Ô‡ÌÂÎË SONG ̇ÊÏËÚ ÍÌÓÔÍË [1π [8π†]. ä‡Í Ô‡‚ËÎÓ, Ô‡ÚËË Í·‚ˇÚÛ˚ ÒΉÛÂÚ Á‡ÔËÒ˚‚‡Ú¸ ̇ ͇̇Î˚ 1–8, ‡ ÒÚËÎË – ̇ ͇̇Î˚ 9–16. ÑÎfl ÓÚÏÂÌ˚ ‚˚·Ó‡ ͇̇ÎÓ‚ ÒÌÓ‚‡ ̇ÊÏËÚ ÍÌÓÔÍÛ SONG [REC]. óÚÓ·˚ ̇Á̇˜ËÚ¸ ‰Îfl Á‡ÔËÒË Í‡Ì‡Î 2, ÔË Ì‡Ê‡ÚÓÈ ÍÌÓÔÍ [REC] ̇ Ô‡ÌÂÎË SONG ̇ÊÏËÚ ÍÌÓÔÍÛ [2π]. 3 REC àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ èË ‚˚·Ó ˜‡ÒÚË MIDI • ç‡ÒÚÓÈ͇ Ó‰ÌÓ„Ó Í‡Ì‡Î‡ ̇ MIDI á‡ÔËÒ˚‚‡˛ÚÒfl ‚Ò ‰‡ÌÌ˚Â, ÔÓÒÚÛÔ‡˛˘Ë ÔÓ Î˛·ÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò ‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË MIDI-ÍÓÌÚÓη, ‚‡Ï Ì ÌÛÊÌÓ Ì‡Òڇ˂‡Ú¸ Ô‰‡˛˘ËÈ Í‡Ì‡Î MIDI ˝ÚÓ„Ó ÛÒÚÓÈÒÚ‚‡. • ç‡ÒÚÓÈ͇ ÌÂÒÍÓθÍËı ͇̇ÎÓ‚ ̇ MIDI ÖÒÎË Á‡ÔËÒ¸ ÔÓËÁ‚Ó‰ËÚÒfl Ò ‚̯ÌÂÈ MIDI-Í·‚ˇÚÛ˚ ËÎË MIDIÍÓÌÚÓη, ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl ÚÓθÍÓ ˜ÂÂÁ Á‡‰‡ÌÌ˚È Í‡Ì‡Î. ùÚÓ Á̇˜ËÚ, ˜ÚÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ‰ÓÎÊÌÓ ·˚Ú¸ ̇ÒÚÓÂÌÓ Ì‡ ˝ÚÓÚ Ê ҇Ï˚È Í‡Ì‡Î. á‡ÔËÒ¸ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ Ò Ó‰ÌËÏ Ë ÚÂÏ Ê ÚÂÏÔÓÏ ÑÎfl Á‡ÔËÒË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡ ‚ Ó‰ÌÓÏ Ë ÚÓÏ Ê ÚÂÏÔ ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ ÏÂÚÓÌÓχ (ÒÚ. 30). èÓÏÌËÚÂ, ˜ÚÓ Á‚ÛÍ ÏÂÚÓÌÓχ Ì Á‡ÔËÒ˚‚‡ÂÚÒfl. + 2 3 4 5 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [C]/[D] ‚˚·ÂËÚ ÌÛÊÌÛ˛ Ô‡Ú˲ ‰Îfl Á‡ÔËÒ˚‚‡ÂÏÓ„Ó Í‡Ì‡Î‡. èË ˝ÚÓÏ ‚˚·Ë‡ÂÚÒfl, ͇͇fl Ô‡ÚËfl ·Û‰ÂÚ Á‡ÔË҇̇ ̇ ͇̇Î, ‚˚·‡ÌÌ˚È ‚ ¯‡„ 2, – Í·‚ˇÚÛ˚ ËÎË ÒÚËÎfl (Rhythm 1/2, Bass Ë Ú.‰.). ëڇ̉‡ÚÌÛ˛ ÔË‚flÁÍÛ Ô‡ÚËÈ Í Í‡Ì‡Î‡Ï ÒÏ. ‚ ‡Á‰ÂΠ«ä‡Ì‡Î˚ ÔÂÒÌË» (ÒÚ. 137) ÇÍβ˜ÂÌË Á‡ÔËÒË. ëÔÓÒÓ· ‚Íβ˜ÂÌËfl Á‡ÔËÒË ‡Ì‡Îӄ˘ÂÌ ÚÓÏÛ, ÍÓÚÓ˚È ÓÔËÒ‡Ì ‚ ¯‡„ 4 ÏÂÚÓ‰‡ ·˚ÒÚÓÈ Á‡ÔËÒË (ÒÚ. 135). ÑÎfl ÔÂ͇˘ÂÌËfl Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. REC STOP PLAY/ PAUSE èÓÒΠÓÍÓ̘‡ÌËfl Á‡ÔËÒË ÔÓfl‚ËÚÒfl Ô˄·¯ÂÌË ÒÓı‡ÌËÚ¸ Á‡ÔËÒ¸. óÚÓ·˚ Û·‡Ú¸ ˝ÚÓ ÒÓÓ·˘ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èӈ‰ۇ ÒÓı‡ÌÂÌËfl Á‡ÔËÒË ÓÔË҇̇ ‚ ¯‡„ 8. èËÓÒÚ‡Ìӂ͇ Ë ‚ÓÁÓ·ÌÓ‚ÎÂÌË Á‡ÔËÒË ëÏ. ÒÚ. 135. 6 èÓÒÎÛ¯‡ÈÚ ÌÓ‚Û˛ Á‡ÔËÒ¸. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌÓ„Ó Ì‡ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. REC 7 136 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [D] ‚˚·ÂËÚ RIGHT2. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 STOP PLAY/ PAUSE ÑÎfl Á‡ÔËÒË Ì‡ ‰Û„ÓÈ Í‡Ì‡Î ÔÓ‚ÚÓËÚ ¯‡„Ë 2 – 6. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 8 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [SONG SELECT] ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ ̇ ˝ÚÓÏ ˝Í‡Ì (ÒÚ. 63). é ͇̇·ı ÔÂÒÌË ëڇ̉‡Ú̇fl ÔË‚flÁ͇ Ô‡ÚËÈ Í Í‡Ì‡Î‡Ï ÓÔË҇̇ ÌËÊÂ. ä‡Ì‡Î˚ 9 10 11 12 13 14 15 16 è‡ÚËË Í·‚ˇÚÛ˚ RHYTHM1 RHYTHM2 BASS CHORD1 CHORD2 PAD PHRASE1 PHRASE2 è‡ÚËË ÒÚËÎfl RIGHT1 ä‡Ì‡Î˚ è‡ÚËË Í·‚ˇÚÛ˚ 1 2 3 4 5 6 7 8 è‡ÚËË ÔÓ ÛÏÓΘ‡Ì˲ ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). é Ô‡ÚËflı Í·‚ˇÚÛ˚ ëÛ˘ÂÒÚ‚ÛÂÚ ÚË Í·‚ˇÚÛÌ˚ ԇÚËË: RIGHT 1, RIGHT 2 Ë LEFT. èÓ ÛÏÓΘ‡Ì˲ Ô‡ÚËfl RIGHT 1 ̇Á̇˜‡ÂÚÒfl ͇ʉÓÏÛ ËÁ ͇̇ÎÓ‚ 1-8. ä‡Í Ô‡‚ËÎÓ, Ô‡ÚËË Í·‚ˇÚÛ˚ ÒΉÛÂÚ Á‡ÔËÒ˚‚‡Ú¸ ̇ ͇̇Î˚ 1-8. é Ô‡ÚËflı ÒÚËÎfl èÓ ÛÏÓΘ‡Ì˲ ͇ʉ‡fl Ô‡ÚËfl ÒÚËÎfl ̇Á̇˜‡ÂÚÒfl, ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, Í‡Ì‡Î‡Ï 9–16, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ. é·˚˜ÌÓ Ô‡ÚËË ÒÚËÎfl ÒΉÛÂÚ Á‡ÔËÒ˚‚‡Ú¸ ̇ ͇̇Î˚ 9–16. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ RHYTHM...............ùÚÓ ÓÒÌÓ‚‡ ÒÚËÎfl, ÒÓÒÚÓfl˘‡fl ËÁ Ù‡„ÏÂÌÚÓ‚ Á‚ÛÍÓ‚ Û‰‡Ì˚ı Ë ÔÂÍÛÒÒËÓÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚. é·˚˜ÌÓ ËÒÔÓθÁÛÂÚÒfl Ó‰ËÌ ËÁ ‚ÒÚÓÂÌÌ˚ı ̇·ÓÓ‚ Û‰‡Ì˚ı. BASS.....................Ç ·‡ÒÓ‚ÓÈ Ô‡ÚËË ËÒÔÓθÁÛ˛ÚÒfl Á‚ÛÍË ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÒÚËβ. CHORD .................êËÚÏ˘ÂÒ͇fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‡ÍÍÓ‰Ó‚. é·˚˜ÌÓ ‰Îfl ˝ÚÓÈ Ô‡ÚËË ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚ ÙÓÚÂÔˇÌÓ ËÎË „ËÚ‡˚. PAD.......................ùÚ‡ Ô‡ÚËfl ËÒÔÓθÁÛÂÚÒfl ‰Îfl ËÌÒÚÛÏÂÌÚÓ‚ Ò ‰ÎËÚÂθÌ˚Ï Á‚Û˜‡ÌËÂÏ, ̇ÔËÏ ÒÚÛÌÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚, Ó„‡Ì‡, ıÓ‡ Ë Ú.‰. PHRASE ................ùÚ‡ Ô‡ÚËfl ËÒÔÓθÁÛÂÚÒfl ‰Îfl Ó·˚„˚‚‡ÌËfl ÏÂÎÓ‰ËË Ò ÔÓÏÓ˘¸˛ ‡ÍˆÂÌÚËÓ‚‡ÌÌÓÈ Ï‰Ë, ‡ÍÍÓ‰Ó‚ ‡Ô‰ÊËÓ Ë ‰Û„Ëı ‰ÓÔÓÎÌËÚÂθÌ˚ı Á‚ÛÍÓ‚˚ı ˝ÙÙÂÍÚÓ‚, ÍÓÚÓ˚ ‰Â·˛Ú ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ·ÓΠËÌÚÂÂÒÌ˚Ï. èÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ùÚÓÚ ÏÂÚÓ‰ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ˚‚‡Ú¸ Ó·˚˜Ì˚ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚Â, Ú‡ÍËÂ Í‡Í ÏÂÎÓ‰ËË ËÎË ‡ÍÍÓ‰˚. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË 1 ç‡ÊÏËÚ ӉÌÓ‚ÂÏÂÌÌÓ ÍÌÓÔÍË [REC] Ë [STOP] ̇ Ô‡ÌÂÎË SONG. ÑÎfl Á‡ÔËÒË ·Û‰ÂÚ ‚˚Á‚‡Ì‡ ÔÛÒÚ‡fl ÔÂÒÌfl (New Song). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 137 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl REC STOP 1 2 3 4 3 PLAY/ PAUSE 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì Song Creator ‰Îfl Á‡ÔËÒË ËÎË Â‰‡ÍÚËÓ‚‡ÌËfl ÔÂÒÌË. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ‚Í·‰ÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®]. ÑÎfl Á‡ÔËÒË ÏÂÎÓ‰ËÈ .......................... ‚˚·ÂËÚ ‚Í·‰ÍÛ [1–16]. ÑÎfl Á‡ÔËÒË ‡ÍÍÓ‰Ó‚ ......................... ‚˚·ÂËÚ ‚Í·‰ÍÛ [CHORD]. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 4 5 6 5 6 7 138 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÖÒÎË ‚ ¯‡„ 4 ‚˚·‡Ì‡ ‚Í·‰Í‡ «1–16», ̇ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚·‡Ú¸ ͇̇Π‰Îfl Á‡ÔËÒË. óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË (STEP RECORD), ̇ÊÏËÚ ÍÌÓÔÍÛ [G]. á‡ÔÛÒÍ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ.................................. ëÏ. ÒÚ. 139. á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚................................. ëÏ. ÒÚ. 146. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl á‡ÔËÒ¸ ÏÂÎÓ‰ËÈ Ç ˝ÚÓÏ ‡Á‰ÂΠ̇ ÚÂı ÔËχı ÔÓ͇Á‡ÌÓ, Í‡Í Á‡ÔËÒ˚‚‡Ú¸ ÌÓÚ˚ ‚ ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ. èËÏ 1 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 7 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË» ̇ ÒÚ. 138. èÓÒÍÓθÍÛ Ô‡ÚËÚÛ‡, ÓÚÓ·‡Ê‡Âχfl ̇ ËÌÒÚÛÏÂÌÚÂ, ÙÓÏËÛÂÚÒfl ËÁ Á‡ÔËÒ‡ÌÌ˚ı ‰‡ÌÌ˚ı MIDI, Ó̇ ÏÓÊÂÚ Ì ÔÓÎÌÓÒÚ¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ÔÓ͇Á‡ÌÌÓÈ ÌËÊÂ. 3–5 1 6 7 2 * ñËÙ‡ ‚ Ô‡ÚËÚÛ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ¯‡„Û ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË. Ç˚·ÂËÚ ÚÂÏ· ‰Îfl Á‡ÔËÒË, ‚˚Á‚‡‚ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË (Step Record). 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [G], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˜‡ÒÚ¸ « ». 1 2 3 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 4 2 3 4 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H], ˜ÚÓ·˚ ‚˚·‡Ú¸ «Tenuto» (Ç˚‰ÂʇÌÌÓ). ç‡ÊÏËÚ ÍÌÓÔÍÛ [I], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ÌÓÚ˚ «normal». èÛÌÍÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [G] [H] [I] ëÏ. ÒÚ. 141. ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ˜ÂÚ‚ÂÚÛ˛. à„‡ÈÚ ̇ Í·‚˯‡ı C3, D3, E3, F3, G3 Ë A3 ‚ ÔÓfl‰ÍÂ, Û͇Á‡ÌÌÓÏ ‚ ÔËÏ ԇÚËÚÛ˚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 139 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ô‡ÛÁÛ ‚ Ó‰ÌÛ ˜ÂÚ‚ÂÚÛ˛. ÑÎfl ‚‚Ó‰‡ Ô‡ÛÁ˚ ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [4π†]–[8π†]. (ç‡ÊÏËÚ ÍÌÓÔÍÛ Ó‰ËÌ ‡Á ‰Îfl ‚˚·Ó‡ Ô‡ÛÁ˚ Ë Â˘Â ‡Á ‰Îfl ‚‚Ó‰‡ ‚˚·‡ÌÌÓ„Ó Á̇˜ÂÌËfl.) ÅÛ‰ÂÚ ‚‚‰Â̇ Ô‡ÛÁ‡ Á‡‰‡ÌÌÓÈ ‰ÎËÌ˚. 7 ç‡ÊÏËÚ Í·‚Ë¯Û C4. 8 ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG ‰Îfl Ô‚Ӊ‡ ÍÛÒÓ‡ ̇ ̇˜‡ÎÓ ÔÂÒÌË. REC STOP PLAY/ PAUSE 8 9 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ STOP PLAY/ PAUSE 9 ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË SONG. 10 ÇçàåÄçàÖ REC 11 ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). ÑÎfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. í‡ÍËÏ Ê ӷ‡ÁÓÏ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë ÛÊ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 148). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). 쉇ÎÂÌË ‰‡ÌÌ˚ı çÂÔ‡‚ËθÌÓ ‚‚‰ÂÌÌ˚ ÌÓÚ˚ ÏÓÊÌÓ Û‰‡ÎËÚ¸. 1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ̇ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË (STEP RECORD) ‚˚·ÂËÚ ‰‡ÌÌ˚ ‰Îfl Û‰‡ÎÂÌËfl (ÒÚ. 138). 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [J] (DELETE), ˜ÚÓ·˚ Û‰‡ÎËÚ¸ ‚˚·‡ÌÌ˚ ‰‡ÌÌ˚Â. 140 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ùÎÂÏÂÌÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [G] [H] [I] ̇ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË äÌÓÔ͇ [G]................. ᇉ‡ÂÚ ÒÍÓÓÒÚ¸ („ÓÏÍÓÒÚ¸) ‚‚Ó‰ËÏÓÈ ÌÓÚ˚. èÛÌÍÚ˚ Kbd.Vel fff ff f mf mp p pp ppp ëÍÓÓÒÚ¸ ‰Îfl Á‡ÔËÒË î‡ÍÚ˘ÂÒ͇fl ÒÍÓÓÒÚ¸, Ò ÍÓÚÓÓÈ ‚˚ Ë„‡ÂÚ 127 111 95 79 63 47 31 15 ëÍÓÓÒÚ¸ ëÍÓÓÒÚ¸ ̇ʇÚËfl ÓÔ‰ÂÎflÂÚÒfl ÒËÎÓÈ Ì‡Ê‡ÚËfl ̇ Í·‚˯Ë. óÂÏ ÒËθÌ ‚˚ Û‰‡flÂÚ ÔÓ Í·‚˯‡Ï, ÚÂÏ ·Óθ¯Â ÒÍÓÓÒÚ¸ Ë „ÓϘ Á‚ÛÍ. ëÍÓÓÒÚ¸ ÏÓÊÌÓ Á‡‰‡‚‡Ú¸ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ 1 ‰Ó 127. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ „ÓϘ Á‚ÛÍ. äÌÓÔ͇ [H]................. ᇉ‡ÂÚ ‚ÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÚÂθÌÓÒÚ¸) ‚‚‰ÂÌÌÓÈ ÌÓÚ˚. èÛÌÍÚ˚ ÇÂÏfl Á‚Û˜‡ÌËfl ‰Îfl Á‡ÔËÒË Normal 80% Tenuto 99% Staccato 40% Staccatissimo 20% Manual åÓÊÌÓ Á‡‰‡Ú¸ β·Ó ‚ÂÏfl Á‚Û˜‡ÌËfl (‰ÎËÌÛ ÌÓÚ˚) ‚ ÔÓˆÂÌÚ‡ı Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]. äÌÓÔ͇ [I] ....................ᇉ‡ÂÚ ÚËÔ ‚‚Ó‰ËÏÓÈ ÌÓÚ˚. ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÍÌÓÔÍË ÏÓÊÌÓ ‚˚·‡Ú¸ Ó‰ËÌ ËÁ ÚÂı ÚËÔÓ‚ ÌÓÚ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ˝Í‡Ì‡: normal (Ó·˚˜Ì˚Â), dotted (Ò ÚÓ˜ÍÓÈ) Ë triplet (ÚËÓÎË). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 141 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èËÏ 2 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 7 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË» ̇ ÒÚ. 138. 2–5 6–8 10–13 14–16 9 1 * ì͇Á‡ÌÌ˚ ˆËÙ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ¯‡„‡Ï ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË. Ç ˝ÚÓÏ ÔËÏ ÔÓÏÌËÚÂ Ó ÚÓÏ, ˜ÚÓ ‚ Ó‰ÌÓÏ ËÁ ¯‡„Ó‚ ÔË ‚˚ÔÓÎÌÂÌËË ÓÔ‡ˆËË Ì‡‰Ó Û‰ÂÊË‚‡Ú¸ ̇ʇÚÓÈ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. Ç˚·ÂËÚ ÚÂÏ· ‰Îfl Á‡ÔËÒË, ‚˚Á‚‡‚ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË (Step Record). èÛÌÍÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [G] [H] [I] ëÏ. ÒÚ. 141. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [G], ˜ÚÓ·˚ ‚˚·‡Ú¸ « ». àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 1 2 3 4 2 3 4 5 6 7 142 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H], ˜ÚÓ·˚ ‚˚·‡Ú¸ «Tenuto» (Ç˚‰ÂʇÌÌÓ). ç‡ÊÏËÚ ÍÌÓÔÍÛ [I], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ÌÓÚ˚ «normal». ç‡ÊÏËÚ ÍÌÓÔÍÛ [5π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ‚ÚÓÛ˛. ì‰ÂÊË‚‡fl ̇ʇÚÓÈ Í·‚Ë¯Û F3 ̇ Í·‚ˇÚÛÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†]. ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] , ˜ÚÓ·˚ ‚˚·‡Ú¸ «Staccato». ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 8 9 10 11 12 13 14 15 16 17 à„‡ÈÚ ̇ Í·‚˯‡ı E3, F3 Ë A3 ‚ ÔÓfl‰ÍÂ, Û͇Á‡ÌÌÓÏ ‚ ÔËÏ ԇÚËÚÛ˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ [G], ˜ÚÓ·˚ ‚˚·‡Ú¸ « ç‡ÊÏËÚ ÍÌÓÔÍÛ [H], ˜ÚÓ·˚ ‚˚·‡Ú¸ «Tenuto» (Ç˚‰ÂʇÌÌÓ). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] ‚˚·ÂËÚ «dotted» (ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ). ç‡ÊÏËÚ ÍÌÓÔÍÛ [5π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ‚ÚÓÛ˛ Ò ÚÓ˜ÍÓÈ. ë˚„‡ÈÚ ̇ Í·‚ˇÚÛ ÌÓÚÛ A3, Í‡Í Û͇Á‡ÌÓ ‚ ÔËÏÂÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ÌÓÚ˚ «normal». ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ˜ÂÚ‚ÂÚÛ˛. ë˚„‡ÈÚ ̇ Í·‚ˇÚÛ ÌÓÚÛ F3, Í‡Í Û͇Á‡ÌÓ ‚ ÔËÏÂÂ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG ‰Îfl Ô‚Ӊ‡ ÍÛÒÓ‡ ̇ ̇˜‡ÎÓ ÔÂÒÌË. REC 17 18 20 STOP PLAY/ PAUSE REC STOP PLAY/ PAUSE 18 ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË SONG. ÑÎfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ (ÒÚ. 148). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 19 ». ÇçàåÄçàÖ ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 143 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èËÏ 3 ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 7 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË» ̇ ÒÚ. 138. 5 1–4 6 7 * ì͇Á‡ÌÌ˚ ˆËÙ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ¯‡„‡Ï ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË. Ç ˝ÚÓÏ ÔËÏ ÔÓÏÌËÚÂ Ó ÚÓÏ, ˜ÚÓ ‚ Ó‰ÌÓÏ ËÁ ¯‡„Ó‚ ÔË ‚˚ÔÓÎÌÂÌËË ‚ÒÂÈ ÓÔ‡ˆËË Ì‡‰Ó Û‰ÂÊË‚‡Ú¸ ̇ʇÚÓÈ Í·‚Ë¯Û Ì‡ Í·‚ˇÚÛÂ. Ç˚·ÂËÚ ÚÂÏ· ‰Îfl Á‡ÔËÒË, ‚˚Á‚‡‚ ˝Í‡Ì ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË (Step Record). èÛÌÍÚ˚, ÍÓÚÓ˚ ÏÓÊÌÓ ‚˚·‡Ú¸ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [G] [H] [I] ëÏ. ÒÚ. 141. 1 C ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [H] ‚˚·ÂËÚ Normal. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 1 2 3 2 3 4 144 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÊÏËÚ ÍÌÓÔÍÛ [I], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÚËÔ ÌÓÚ˚ «normal». ç‡ÊÏËÚ ÍÌÓÔÍÛ [7π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛. ì‰ÂÊË‚‡fl ̇ʇÚÓÈ Í·‚Ë¯Û C3 ̇ Í·‚ˇÚÛÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†]. èÓ͇ Ì ÓÚÔÛÒ͇ÈÚ Í·‚Ë¯Û C3. ÑÂÊËڠ ̇ʇÚÓÈ ‚Ó ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÒÎÂ‰Û˛˘Ëı ¯‡„Ó‚. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 5 6 7 9 10 11 ÑÂʇ ̇ʇÚÓÈ Í·‚Ë¯Ë C3, E3 Ë G3, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†]. èÓ͇ Ì ÓÚÔÛÒ͇ÈÚ Í·‚Ë¯Ë C3, E3 Ë G3. ÑÂÊËÚ Ëı ̇ʇÚ˚ÏË ‚Ó ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÒÎÂ‰Û˛˘Ëı ¯‡„Ó‚. ÑÂʇ ̇ʇÚÓÈ Í·‚Ë¯Ë C3, E3, G3 Ë C4, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†] Ë Ò‡ÁÛ Á‡ ÌÂÈ ÍÌÓÔÍÛ [5π†]. èÓÒΠ̇ʇÚËfl ÍÌÓÔÍË [5π†] ÓÚÔÛÒÚËÚ Í·‚˯Ë. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 8 èË Ì‡Ê‡ÚÓÈ Í·‚˯ C3 Ë E3 Í·‚ˇÚÛ˚ ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†]. èÓ͇ Ì ÓÚÔÛÒ͇ÈÚ Í·‚Ë¯Ë C3 Ë E3. ÑÂÊËÚ Ëı ̇ʇÚ˚ÏË ‚Ó ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÒÎÂ‰Û˛˘Ëı ¯‡„Ó‚. ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ Ô‚ÂÒÚË ÍÛÒÓ Ì‡ ̇˜‡ÎÓ ÔÂÒÌË. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË SONG. ÑÎfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. í‡ÍËÏ Ê ӷ‡ÁÓÏ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë ÛÊ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 148). ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 145 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl á‡ÔËÒ¸ ‡ÍÍÓ‰Ó‚ åÓÊÌÓ ÔÓӘ‰ÌÓ Á‡ÔËÒ˚‚‡Ú¸ ‡ÍÍÓ‰˚ Ë ˜‡ÒÚË ÍÓÏÔÓÁˈËË (Intro, Main, Ending Ë Ú.‰.) Ò ÚÓ˜ÌÓÈ ÔÓ‰„ÓÌÍÓÈ. ùÚ‡ ËÌÒÚÛ͈Ëfl ÔÓ͇Á˚‚‡ÂÚ, Í‡Í Á‡ÔËÒ˚‚‡Ú¸ ËÁÏÂÌÂÌËfl ‡ÍÍÓ‰Ó‚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ¯‡„Û 7 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË» ̇ ÒÚ. 138. 1 4 7 MAIN A BREAK MAIN B C F G F 2, 3 G7 C 5, 6 8,9 * ñËÙ‡ ‚ Ô‡ÚËÚÛ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ¯‡„Û ÒÎÂ‰Û˛˘ÂÈ ÓÔ‡ˆËË. 1 èӂ¸ÚÂ, ˜ÚÓ ÍÌÓÔ͇ STYLE CONTROL [AUTO FILL IN] ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË OFF, Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ STYLE CONTROL [MAIN VARIATION A]. 3 C 1 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ F G 2 2 3 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ‚ÚÓÛ˛. ë˚„‡ÈÚ ‡ÍÍÓ‰˚ C, F Ë G ̇ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ STYLE CONTROL [BREAK]. 6 F G7 4 146 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 5 6 7 ç‡ÊÏËÚ ÍÌÓÔÍÛ [6π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ Ó‰ÌÛ ˜ÂÚ‚ÂÚÛ˛. ë˚„‡ÈÚ ‡ÍÍÓ‰˚ F Ë G7 ̇ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ç‡ÊÏËÚ ÍÌÓÔÍÛ STYLE CONTROL [MAIN VARIATION B]. 7 9 C 8 8 9 10 11 12 14 ë˚„‡ÈÚ ‡ÍÍÓ‰ C ̇ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ÇçàåÄçàÖ ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ Ô‚ÂÒÚË ÍÛÒÓ Ì‡ ̇˜‡ÎÓ ÔÂÒÌË. ÑÎfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‡ÔËÒ‡ÌÌ˚ı ÌÓÚ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [START/STOP] ̇ Ô‡ÌÂÎË SONG. ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). 쉇ÎÂÌË ‰‡ÌÌ˚ı çÂÔ‡‚ËθÌÓ ‚‚‰ÂÌÌ˚ ÌÓÚ˚ ÏÓÊÌÓ Û‰‡ÎËÚ¸ (ÒÚ. 140). ÑÎfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. í‡ÍËÏ Ê ӷ‡ÁÓÏ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Ë ÛÊ Á‡ÔËÒ‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 148). ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] (EXPAND) ‰Îfl ÔÂÓ·‡ÁÓ‚‡ÌËfl ‰‡ÌÌ˚ı ‚‚‰ÂÌÌÓ„Ó ‡ÍÍÓ‰‡ ‚ ‰‡ÌÌ˚ ÔÂÒÌË. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 13 ç‡ÊÏËÚ ÍÌÓÔÍÛ [4π†], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˆÂÎÛ˛ ÌÓÚÛ. Ç‚Ó‰ ‚ÒÚ‡‚ÓÍ è‚‰ËÚ ÍÌÓÔÍÛ STYLE CONTROL [AUTO FILL IN] ‚ ÔÓÎÓÊÂÌË ON Ë ÔÓÒÚÓ Ì‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ STYLE CONTROL [MAIN VARIATION (A, B, C, D)]. (ÅÛ‰ÂÚ ËÒÔÓÎÌÂ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ‚ÒÚ‡‚͇, ‡ Á‡ÚÂÏ ÔÓËÁÓȉÂÚ ‡‚ÚÓχÚ˘ÂÒÍËÈ ÔÂÂıÓ‰ ̇ ‚˚·‡ÌÌÛ˛ Ù‡ÁÛ [MAIN VARIATION (A, B, C, D)].) êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 147 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ꉇÍÚËÓ‚‡ÌË Á‡ÔËÒË åÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌ˛, Á‡ÔËÒ‡ÌÌÛ˛ β·˚Ï ÒÔÓÒÓ·ÓÏ — Quick Recording (·˚ÒÚ‡fl Á‡ÔËÒ¸), Multi Track Recording (ÏÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸) ËÎË Step Recording (ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸). éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl 1 2 Ç˚·ÂËÚ ÔÂÒÌ˛ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [DIGITAL RECORDING]. 2 3 3 àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [A], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ÒÓÁ‰‡ÌËfl ÔÂÒÂÌ SONG CREATOR ‰Îfl Á‡ÔËÒË ËÎË Â‰‡ÍÚËÓ‚‡ÌËfl ÔÂÒÌË. Ç˚·ÂËÚ ÌÛÊÌÛ˛ ‚Í·‰ÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√][®] Ë Â‰‡ÍÚËÛÈÚ ÔÂÒÌ˛. • èÂÂÁ‡ÔËÒ¸ ‡Á‰Â· — Punch In/Out (Ä‚ÚÓχÚ˘ÂÒÍÓ ‚Íβ˜ÂÌËÂ/ ‚˚Íβ˜ÂÌËÂ) (REC MODE) .............................................................................ÒÚ. 149 èÓÁ‚ÓÎflÂÚ ÔÂÂÁ‡ÔËÒ‡Ú¸ ‚˚·‡ÌÌ˚È Ù‡„ÏÂÌÚ ÔÂÒÌË. • ꉇÍÚËÓ‚‡ÌË ÒÓ·˚ÚËÈ Í‡Ì‡Î‡ (CHANNEL) ...........................................ÒÚ. 150 èÓÁ‚ÓÎflÂÚ Â‰‡ÍÚËÓ‚‡Ú¸ ÒÓ·˚ÚËfl ͇̇·. ç‡ÔËÏÂ, ÏÓÊÌÓ ÒÚˇڸ ‰‡ÌÌ˚ ËÎË Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ ÌÓÚ˚ Í‡Ê‰Ó„Ó Í‡Ì‡Î‡. • ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ËÎË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ (CHORD, 1–16) ......ÒÚ. 153 èÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ËÎË Û‰‡ÎflÚ¸ ÌÓÚ˚ ËÎË ‡ÍÍÓ‰˚. • ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓ·˚ÚËÈ (SYS/EX.) .......................................ÒÚ. 155 èÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ÚÂÏÔ ËÎË Ú‡ÍÚÓ‚˚È ‡ÁÏ (Ò˄̇ÚÛÛ). • ꉇÍÚËÓ‚‡ÌË ÚÂÍÒÚÓ‚ (LYRICS) ..............................................................ÒÚ. 156 èÓÁ‚ÓÎflÂÚ ÏÂÌflÚ¸ ̇Á‚‡ÌËÂ Ë ÚÂÍÒÚ ÔÂÒÌË. 148 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èÂÂÁ‡ÔËÒ¸ ‚˚·‡ÌÌÓ„Ó Ù‡„ÏÂÌÚ‡ – Punch In/Out (REC MODE) èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÛÊ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË ËÒÔÓθÁÛÈÚ ÙÛÌÍˆË˛ Punch IN/OUT. ÖÒÎË ËÒÔÓθÁÛÂÚÒfl ˝ÚÓÚ ÏÂÚÓ‰, ÔÂÂÁ‡ÔËÒ˚‚‡˛ÚÒfl ÚÓθÍÓ ‰‡ÌÌ˚ ÏÂÊ‰Û ÚÓ˜ÍÓÈ ‚Íβ˜ÂÌËfl Á‡ÔËÒË (Punch In) Ë ÚÓ˜ÍÓÈ ‚˚Íβ˜ÂÌËfl (Punch Out). èÓÏÌËÚÂ, ˜ÚÓ ÌÓÚ˚ ‰Ó ‚Íβ˜ÂÌËfl Ë ÔÓÒΠ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË Ì ÔÂÂÁ‡ÔËÒ˚‚‡˛ÚÒfl, ıÓÚfl Ëı ÏÓÊÌÓ ÒÎ˚¯‡Ú¸, ˜ÚÓ·˚ ÓÔ‰ÂÎËÚ¸ ÏÓÏÂÌÚ˚ ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl. åÓÊÌÓ Á‡‡Ì Û͇Á‡Ú¸ íÓ˜ÍË ‚Íβ˜ÂÌËfl Ë ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË ‚ ‚ˉ ÌÓÏÂÓ‚ Ú‡ÍÚÓ‚ ‰Îfl ‡·ÓÚ˚ ‚ ‡‚ÚÓχÚ˘ÂÒÍÓÏ ÂÊËÏ ËÎË ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ Á‡ÔËÒ¸ ‚Û˜ÌÛ˛ (Ò ÔÓÏÓ˘¸˛ ÌÓÊÌÓÈ Ô‰‡ÎË ËÎË ÔÓÒÚÓ Ë„ÓÈ Ì‡ Í·‚ˇÚÛÂ). ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ Á‡ÔËÒË REC MODE ¯‡„‡ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl» ̇ ÒÚ. 148. 1 2 ÑÎfl ‚˚·Ó‡ Ô‡‡ÏÂÚÓ‚ ÔÂÂÁ‡ÔËÒË ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[6π†] (ÒÏ. ÌËÊÂ). ÑÂʇ ̇ʇÚÓÈ ÍÌÓÔÍÛ [REC] ̇ Ô‡ÌÂÎË SONG, ̇ÊÏËÚ ÍÌÓÔÍÛ ÌÛÊÌÓÈ ‰ÓÓÊÍË. REC + 3 4 ÑÎfl Á‡ÔÛÒ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. à„‡ÈÚ ̇ Í·‚ˇÚÛ ÓÚ ÚÓ˜ÍË ‚Íβ˜ÂÌËfl Á‡ÔËÒË Ë ÓÒÚ‡ÌÓ‚ËÚ ËÒÔÓÎÌÂÌË ‚ ÚӘ͠‚˚Íβ˜ÂÌËfl Á‡ÔËÒË. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ■ 臇ÏÂÚ˚ ‚Íβ˜ÂÌËfl Á‡ÔËÒË (PUNCH IN) èÂÂÁ‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG ËÎË Ò Ì‡˜‡ÎÓÏ Ë„˚ ‚ ÂÊËÏ Synchro Standby. FIRST KEY ON èÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ, ÌÓ Í‡Í ÚÓθÍÓ Ì‡ÊËχÂÚÒfl Í·‚˯‡ ̇ Í·‚ˇÚÛÂ, ̇˜Ë̇ÂÚÒfl Á‡ÔËÒ¸ ÔÓ‚Âı ÔÂÊÌËı ‰‡ÌÌ˚ı. PUNCH IN AT èÂÒÌfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Í‡Í Ó·˚˜ÌÓ, ÌÓ ÔÓ ‰ÓÒÚËÊÂÌËË Ú‡ÍÚ‡, Ó·ÓÁ̇˜ÂÌÌÓ„Ó Í‡Í ÚӘ͇ ‚Íβ˜ÂÌËfl Á‡ÔËÒË (Punch In ), ̇˜Ë̇ÂÚÒfl Á‡ÔËÒ¸ ÔÓ‚Âı Ëϲ˘ËıÒfl ‰‡ÌÌ˚ı. èÓÏÂÚËÚ¸ Ú‡ÍÚ Í‡Í ÚÓ˜ÍÛ ‚Íβ˜ÂÌËfl Á‡ÔËÒË ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [3π†]. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ NORMAL ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). ■ 臇ÏÂÚ˚ ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (PUNCH OUT) REPLACE ALL ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÚÓ˜ÍË, „‰Â ·˚· ‚˚Íβ˜Â̇ Á‡ÔËÒ¸, Û‰‡Îfl˛ÚÒfl. PUNCH OUT èÓÁˈËfl ‚ ÔÂÒÌÂ, „‰Â ·˚· ÓÒÚ‡ÌÓ‚ÎÂ̇ Á‡ÔËÒ¸, Ò˜ËÚ‡ÂÚÒfl ÚÓ˜ÍÓÈ ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (Punch Out). ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÚÓ˜ÍË ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË ÒÓı‡Ìfl˛ÚÒfl. PUNCH OUT AT î‡ÍÚ˘ÂÒ͇fl ÔÂÂÁ‡ÔËÒ¸ ÔÓ‰ÓÎʇÂÚÒfl ‰Ó ̇˜‡Î‡ Ú‡ÍÚ‡, Á‡‰‡ÌÌÓ„Ó Í‡Í ÚӘ͇ ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË (ÓÌ ÛÒڇ̇‚ÎË‚‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÍÌÓÔÍË ‰ËÒÔÎÂfl). Ç ˝ÚÓÈ ÚӘ͠Á‡ÔËÒ¸ ÔÂ͇˘‡ÂÚÒfl, Ë ÔÓ‰ÓÎʇÂÚÒfl Ó·˚˜ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ. ÇÒ ‰‡ÌÌ˚ ÔÓÒΠÚÓ˜ÍË ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË ÒÓı‡Ìfl˛ÚÒfl. èÓÏÂÚËÚ¸ Ú‡ÍÚ Í‡Í ÚÓ˜ÍÛ ‚˚Íβ˜ÂÌËfl Á‡ÔËÒË ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 149 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl èËÏÂ˚ ÔÂÂÁ‡ÔËÒË Ò ‡Á΢Ì˚ÏË Ì‡ÒÚÓÈ͇ÏË Punch In/Out àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛ Punch In/Out ‡Á΢Ì˚ÏË ÒÔÓÒÓ·‡ÏË. çËÊ Ô˂‰ÂÌ˚ ÔËÏÂ˚ ÒËÚÛ‡ˆËÈ, ÍÓ„‰‡ Ú·ÛÂÚÒfl ÔÂÂÔËÒ‡Ú¸ ÓÚ‰ÂθÌ˚ ڇÍÚ˚ ÏÛÁ˚͇θÌÓÈ Ù‡Á˚, ÒÓÒÚÓfl˘ÂÈ ËÁ ‚ÓÒ¸ÏË Ú‡ÍÚÓ‚. ç‡ÒÚÓÈ͇ PUNCH IN ç‡ÒÚÓÈ͇ PUNCH OUT àÒıÓ‰Ì˚È Ï‡Ú¡Π1 2 3 4 5 ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË *1 NORMAL REPLACE ALL 1 2 1 NORMAL PUNCH OUT AT=006 2 3 4 1 2 FIRST KEY ON REPLACE ALL 1 2 FIRST KEY ON PUNCH OUT 1 FIRST KEY ON PUNCH OUT AT=006 3 4 5 2 1 3 4 5 3 4 3 4 3 4 1 1 PUNCH IN AT=003 PUNCH OUT AT=006 5 8 6 7 8 éÒÚ‡Ìӂ͇ ÔÂÂÁ‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰ÌÓ„Ó Ï‡Ú¡· 5 6 7 8 7 8 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 2 3 4 5 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 2 3 4 5 ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) 1 7 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) PUNCH IN AT=003 PUNCH OUT 6 5 ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) PUNCH IN AT=003 REPLACE ALL 8 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 à„‡ ̇ Í·‚ˇÚÛ ̇˜‡ÎÓ ÔÂÂÁ‡ÔËÒË 2 6 éÒÚ‡Ìӂ͇ ÔÂÂÁ‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰ÌÓ„Ó Ï‡Ú¡· à„‡ ̇ Í·‚ˇÚÛ ̇˜‡ÎÓ ÔÂÂÁ‡ÔËÒË ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) 7 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 à„‡ ̇ Í·‚ˇÚÛ ̇˜‡ÎÓ ÔÂÂÁ‡ÔËÒË ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) 8 5 ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË *1 ÇÓÒÔÓËÁ‚‰ÂÌË (ËÒıÓ‰Ì˚È Ï‡Ú¡Î) 7 éÒÚ‡Ìӂ͇ Á‡ÔËÒË *2 ÇÍβ˜ÂÌË ÔÂÂÁ‡ÔËÒË *1 NORMAL PUNCH OUT 6 6 éÒÚ‡Ìӂ͇ ÔÂÂÁ‡ÔËÒË/‚ÓÒÔÓËÁ‚‰ÂÌË ËÒıÓ‰ÌÓ„Ó Ï‡Ú¡· 2 3 4 5 6 *1 ÇÓ ËÁ·ÂʇÌËË ÔÂÂÁ‡ÔËÒË Ú‡ÍÚÓ‚ 1-2 ̇˜Ë̇ÈÚ Á‡ÔËÒ¸ Ò Ú‡ÍÚ‡ 3. *2 óÚÓ·˚ Á‡ÍÓ̘ËÚ¸ Á‡ÔËÒ¸., ̇ÊÏËÚ ÍÌÓÔÍÛ [REC] ‚ ÍÓ̈ ÔflÚÓ„Ó Ú‡ÍÚ‡. 7 8 èÂÊÌflfl Á‡ÔËÒ¸ çÓ‚‡fl Á‡ÔËÒ¸ 쉇ÎÂÌÌ˚È Ï‡Ú¡ΠàÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ■ ìÔ‡‚ÎÂÌË ÔÂÂÁ‡ÔËÒ¸˛ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË (ÙÛÌ͈Ëfl Pedal Punch In/Out ) ùÚË ÍÌÓÔÍË ‚Íβ˜‡˛Ú Ë ‚˚Íβ˜‡˛Ú ÂÊËÏ ÛÔ‡‚ÎÂÌËfl Á‡ÔËÒ¸˛ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÒÓÒÚÂÌÛÚÓ (Ò‰ÌÂÈ). ÖÒÎË ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË Ì‡Ê‡Ú¸ Ë ‰Âʇڸ ÒÂ‰Ì˛˛ Ô‰‡Î¸, ÔÂÂÁ‡ÔËÒ¸ ̇˜Ë̇ÂÚÒfl, ÍÓ„‰‡ ‚˚ ̇ÊËχÂÚ ̇ Ô‰‡Î¸, Ë ÔÂ͇˘‡ÂÚÒfl, ÍÓ„‰‡ ‚˚  ÓÚÔÛÒ͇ÂÚÂ. ç‡Ê‡Ú¸ Ë ÓÚÔÛÒÚËÚ¸ ÒÂ‰Ì˛˛ Ô‰‡Î¸ ‰Îfl ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÏÓÊÌÓ ÒÚÓθÍÓ ‡Á, ÒÍÓθÍÓ ÌÛÊÌÓ. á‡ÏÂÚ¸ÚÂ, ˜ÚÓ ÂÒÎË ‚Íβ˜Â̇ ÙÛÌ͈Ëfl Pedal Punch In/ Out, Ó·˚˜Ì‡fl ÙÛÌ͈Ëfl Ò‰ÌÂÈ Ô‰‡ÎË (ÒÓÒÚÂÌÛÚÓ) Ì ‰ÂÈÒÚ‚ÛÂÚ. ꉇÍÚËÓ‚‡ÌË ÒÓ·˚ÚËÈ Í‡Ì‡Î‡ (CHANNEL) ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ‚Í·‰Í CHANNEL ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl» ̇ ÒÚ. 148. 1 2 3 150 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ‚˚·ÂËÚ ÏÂÌ˛ ‰‡ÍÚËÓ‚‡ÌËfl (ÒÚ. 151). óÚÓ·˚ ÓÚ‰‡ÍÚËÓ‚‡Ú¸ ‰‡ÌÌ˚Â, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[8π†]. 낉ÂÌËfl Ó· Ëϲ˘ËıÒfl Ô‡‡ÏÂÚ‡ı ÒÏ. ̇ ÒÚ. 151. ç‡ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE), ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛ ‰Îfl ÚÂÍÛ˘Â„Ó ˝Í‡Ì‡. äÓ„‰‡ ÓÔ‡ˆËfl Á‡Í‡Ì˜Ë‚‡ÂÚÒfl (Á‡ ËÒÍβ˜ÂÌËÂÏ ˝Í‡Ì‡ ÏÂÌ˛ SETUP), ˝Ú‡ ÍÌÓÔ͇ ÏÂÌflÂÚ Ì‡Á‚‡ÌË ̇ [UNDO] (éÚÏÂ̇), ÔÓÁ‚ÓÎflfl ‚ÂÌÛÚ¸Òfl Í ÔÂÊÌËÏ ‰‡ÌÌ˚Ï, ÂÒÎË ÂÁÛθڇÚ˚ ÓÔ‡ˆËË ÌÂÛ‰Ó‚ÎÂÚ‚ÓËÚÂθÌ˚. îÛÌ͈Ëfl Undo ÔÓÁ‚ÓÎflÂÚ ÓÚÏÂÌËÚ¸ ÚÓθÍÓ Ò‡ÏÛ˛ ÔÓÒÎÂ‰Ì˛˛ ÓÔ‡ˆË˛. á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 4 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). ■ åÂÌ˛ QUANTIZE îÛÌ͈Ëfl Quantize ÔÓÁ‚ÓÎflÂÚ ‚˚Ó‚ÌflÚ¸ ÔÓ ‚ÂÏÂÌË ‚Ò ÌÓÚ˚ ‚ ͇̇ÎÂ. ç‡ÔËÏÂ, ÂÒÎË ‚˚ Á‡ÔËÒ˚‚‡ÂÚ ÏÛÁ˚͇θÌÛ˛ Ù‡ÁÛ, ÔÓ͇Á‡ÌÌÛ˛ ÒÔ‡‚‡, ‚˚ ÏÓÊÂÚ Ò˚„‡Ú¸  ̠ӘÂ̸ ÚÓ˜ÌÓ. LJ¯Â ËÒÔÓÎÌÂÌË ÏÓÊÂÚ Ò΄͇ ÒÔ¯ËÚ¸ ËÎË Á‡Ô‡Á‰˚‚‡Ú¸. Ç˚‡‚ÌË‚‡ÌË – ˝ÚÓ Û‰Ó·Ì˚È ÒÔÓÒÓ· ÍÓÂ͈ËË Ú‡ÍËı ÌÂÚÓ˜ÌÓÒÚÂÈ. CHANNEL (ä‡Ì‡Î) ᇉ‡ÂÚ Í‡Ì‡Î ÔÂÒÌË, Í ÍÓÚÓÓÏÛ ·Û‰ÂÚ ÔËÏÂÌÂ̇ ÙÛÌ͈Ëfl QUANTIZE. SIZE (ê‡ÁÏÂ) Ç˚·Ó ‡Áχ (‡Á¯ÂÌËfl) ‚˚‡‚ÌË‚‡ÌËfl. ÑÎfl ÓÔÚËχθÌÓ„Ó ÂÁÛθڇڇ ‡Á¯ÂÌË ‰ÓÎÊÌÓ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ Ò‡ÏÓÈ ÍÓÓÚÍÓÈ ÌÓÚ ‚ ͇̇ÎÂ. ç‡ÔËÏÂ, ÂÒÎË Ò‡Ï‡fl ÍÓÓÚ͇fl ÌÓÚ‡ ˝ÚÓ„Ó Í‡Ì‡Î‡ – Ӊ̇ ‚ÓҸχfl, ÒΉÛÂÚ Û͇Á‡Ú¸ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛ ‚ ͇˜ÂÒÚ‚Â ‡Á¯ÂÌËfl ÔË ‚˚‡‚ÌË‚‡ÌËË. Quantize (Ç˚‡‚ÌË‚‡ÌËÂ) ê‡ÁÏÂ, ËÎË ‡Á¯ÂÌËÂ, ‚˚‡‚ÌË‚‡ÌËfl – ˝ÚÓ ˜ËÒÎÓ Í‚‡ÌÚÓ‚ (‰ËÌˈ ‚ÂÏÂÌË) ‚ ÌÓÚ ‰ÎËÚÂθÌÓÒÚ¸˛ Ӊ̇ ˜ÂÚ‚ÂÚ‡fl. èÓÒΠ‚˚‡‚ÌË‚‡ÌËfl ÔÓ Ó‰ÌÓÈ ‚ÓÒ¸ÏÓÈ ç‡ÒÚÓÈÍË Ó‰Ì‡ ‚ÓҸχfl Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl Ӊ̇ Úˉˆ‡Ú¸ ‚ÚÓ‡fl Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl + ÚËÓθ ‚ÓÒ¸Ï˚ÏË* ÚËÓθ ËÁ ˜ÂÚ‚ÂÚÌ˚ı ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı Ӊ̇ ‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı* Ӊ̇ ¯ÂÒÚ̇‰ˆ‡Ú‡fl + ÚËÓθ ËÁ ¯ÂÒÚ̇‰ˆ‡Ú˚ı* àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ Ó‰Ì‡ ˜ÂÚ‚ÂÚ‡fl LJˇÌÚ˚ ‚˚‡‚ÌË‚‡ÌËfl, ÓÚϘÂÌÌ˚ Á‚ÂÁ‰Ó˜ÍÓÈ (*), ˜ÂÁ‚˚˜‡ÈÌÓ Û‰Ó·Ì˚, Ú‡Í Í‡Í ÔÓÁ‚ÓÎfl˛Ú Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚‡‚ÌË‚‡Ú¸ ÌÓÚ˚ ‡ÁÌÓÈ ‰ÎËÚÂθÌÓÒÚË. ç‡ÔËÏÂ, ÂÒÎË Í‡Ì‡Î ÒÓ‰ÂÊËÚ Ë ÌÓÚ˚, Ë ÚËÓÎË ‰ÎËÚÂθÌÓÒÚ¸˛ ‚ Ó‰ÌÛ ¯ÂÒÚ̇‰ˆ‡ÚÛ˛, ÔË ‚˚‡‚ÌË‚‡ÌËË Ò ‡Á¯ÂÌËÂÏ ‚ Ó‰ÌÛ ‚ÓÒ¸ÏÛ˛ ‚Ò ÚËÓÎË ÒÚ‡ÌÛÚ ‚ÓÒ¸Ï˚ÏË. çÓ ÂÒÎË ‚˚·‡Ú¸ ‡Á¯ÂÌË «‚ÓҸχfl + ÚËÓθ ËÁ ‚ÓÒ¸Ï˚ı», ÌÓÚ˚ Ó·ÓËı ÚËÔÓ‚ ·Û‰ÛÚ ‚˚Ó‚ÌÂÌ˚ Ô‡‚ËθÌÓ. STRENGTH (íÓ˜ÌÓÒÚ¸) éÔ‰ÂÎflÂÚ ÒÚÂÔÂ̸ ‚˚‡‚ÌË‚‡ÌËfl ÌÓÚ. á̇˜ÂÌË 100% ‰‡ÂÚ 100-ÔÓˆÂÌÚÌÛ˛ ÚÓ˜ÌÓÒÚ¸. ÖÒÎË Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÂ̸¯Â 100%, ÌÓÚ˚ ÚÓθÍÓ Ò‰‚Ë„‡˛ÚÒfl ‚ ÌÛÊÌÓÏ Ì‡Ô‡‚ÎÂÌËË Òӄ·ÒÌÓ Á‡‰‡ÌÌÓÏÛ ÔÓˆÂÌÚÛ, ÌÓ Ì Á‡ÌËχ˛Ú ÚÓ˜ÌÛ˛ ÔÓÁËˆË˛. èÓ‰Ó·ÌÓ «ÌÂÔÓÎÌÓ» ‚˚‡‚ÌË‚‡ÌË ÔÓÁ‚ÓÎflÂÚ ËÁ·Âʇڸ ‚Ô˜‡ÚÎÂÌËfl «Ï‡¯ËÌÌÓÈ» Á‡ÔËÒË, ‰Â·fl Á‡ÔËÒ¸ ·ÓΠÔÓıÓÊÂÈ Ì‡ Ë„Û ˜ÂÎÓ‚Â͇. é‰Ì‡ ˜ÂÚ‚ÂÚ‡fl àÒıÓ‰Ì˚È Ï‡Ú¡ΠíÓ˜ÌÓÒÚ¸ ‚˚‡‚ÌË‚‡ÌËfl =100 íÓ˜ÌÓÒÚ¸ ‚˚‡‚ÌË‚‡ÌËfl = 50 ■ 쉇ÎÂÌË ‰‡ÌÌ˚ı ËÁ Á‡‰‡ÌÌÓ„Ó Í‡Ì‡Î‡ (ÏÂÌ˛ DELETE) åÓÊÌÓ Û‰‡ÎËÚ¸ ‰‡ÌÌ˚ ËÁ Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡ ÔÂÒÌË. Ç˚·ÂËÚ ͇̇ΠÍÌÓÔ͇ÏË [1π†]– [8π†], Á‡ÚÂÏ Ì‡ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE), ˜ÚÓ·˚ ‚˚ÔÓÎÌËÚ¸ ÓÔ‡ˆË˛. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 151 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ■ åËͯËÓ‚‡ÌË (ÒÎËflÌËÂ) ‰‡ÌÌ˚ı ‰‚Ûı Á‡‰‡ÌÌ˚ı ͇̇ÎÓ‚ (ÏÂÌ˛ MIX). ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ó·˙‰ËÌËÚ¸ ‰‡ÌÌ˚Â, Á‡ÔËÒ‡ÌÌ˚ ̇ ‰‚Ûı ‡ÁÌ˚ı ͇̇·ı, Ë ÒÓı‡ÌËÚ¸ ÂÁÛÎ¸Ú‡Ú ‚ ‰Û„ÓÏ Í‡Ì‡ÎÂ. äÓÏ ÚÓ„Ó, Ò Â ÔÓÏÓ˘¸˛ ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ÒÓ‰ÂÊËÏÓ ӉÌÓ„Ó Í‡Ì‡Î‡ ̇ ‰Û„ÓÈ. SOURCE 1 Ç˚·Ë‡ÂÚ Í‡Ì‡Î (1–16) ‰Îfl ÏËͯËÓ‚‡ÌËfl. ÇÒ MIDI-ÒÓ·˚ÚËfl Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡ ÍÓÔËÛ˛ÚÒfl ‚ ͇̇Π̇Á̇˜ÂÌËfl. SOURCE 2 Ç˚·Ë‡ÂÚ Í‡Ì‡Î (1–16) ‰Îfl ÏËͯËÓ‚‡ÌËfl. ÇÒ MIDI-ÒÓ·˚ÚËfl Û͇Á‡ÌÌÓ„Ó Í‡Ì‡Î‡ ÍÓÔËÛ˛ÚÒfl ‚ ͇̇Π̇Á̇˜ÂÌËfl. èÓÏËÏÓ Á̇˜ÂÌËÈ 1-16, ÒÛ˘ÂÒÚ‚ÛÂÚ Â˘Â Ì‡ÒÚÓÈ͇ COPY, ÔÓÁ‚ÓÎfl˛˘‡fl ÍÓÔËÓ‚‡Ú¸ ‰‡ÌÌ˚ ËÁ Source 1 ‚ ͇̇Π̇Á̇˜ÂÌËfl. èË ‚˚·Ó Á̇˜ÂÌËfl COPY ‰‡ÌÌ˚ ËÁ ͇̇· Source 1 ·Û‰ÛÚ ÒÍÓÔËÓ‚‡Ì˚ ‚ ͇̇Π̇Á̇˜ÂÌËfl. (чÌÌ˚ ‚ ËÒıÓ‰ÌÓÏ Í‡Ì‡Î ÒÓı‡ÌflÚÒfl). DESTINATION ì͇Á˚‚‡ÂÚ Í‡Ì‡Î Ì‡Á̇˜ÂÌËfl, Ú.Â. ͇̇Î, ÍÛ‰‡ ·Û‰ÛÚ ÔÓÏ¢ÂÌ˚ ÂÁÛθڇÚ˚ ÏËͯËÓ‚‡ÌËfl ËÎË ÍÓÔËÓ‚‡ÌËfl. ■ åÂÌ˛ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ͇̇· (CHANNEL TRANSPOSE) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Ú‡ÌÒÔÓÌËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚È ‚ ÓÔ‰ÂÎÂÌÌÓÏ Í‡Ì‡Î χÚÂˇΠ‚ ԉ·ı ‰‚Ûı ÓÍÚ‡‚ ‚ β·Û˛ ÒÚÓÓÌÛ Ò ¯‡„ÓÏ ‚ ÔÓÎÛÚÓÌ. ÑÎfl ÓÚÓ·‡ÊÂÌËfl ͇̇ÎÓ‚ 9–16 ç‡ÊÏËÚ ÍÌÓÔÍÛ [F] ‰Îfl ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ‰ËÒÔÎÂflÏË Í‡Ì‡ÎÓ‚1–8 Ë 9–16. é‰ÌÓ‚ÂÏÂÌÌÓ ڇÌÒÔÓÌËÓ‚‡ÌË ‚ÒÂı ͇̇ÎÓ‚ ÑÂʇ ̇ʇÚÓÈ ÍÌÓÔÍÛ [G] (ALL CH), ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [1π†]–[8π†]. åÂÌ˛ ̇ÒÚÓÂÍ (SETUP) íÂÍÛ˘Ë ̇ÒÚÓÈÍË ÏËͯÂÌÓ„Ó ÔÛθڇ (ÒÚ. 80) Ë ‰Û„Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ ̇˜‡Î ÔÂÒÌË ‚ ͇˜ÂÒڂ ̇·Ó‡ ̇ÒÚÓÂÍ (Setup). èË Á‡ÔÛÒÍ ÔÂÒÌË ÏËͯÂÌ˚È ÔÛÎ¸Ú Ë Ì‡ÒÚÓÈÍË Ô‡ÌÂÎË ‚˚Á˚‚‡˛ÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. ■ á‡ÔËÒ¸ ̇ÒÚÓÂÍ àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 1 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [DIGITAL RECORDING] → [A] SONG CREATOR → TAB [√]/[®] CHANNEL → [B] SET UP 2 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[7π†] ‰Îfl Û͇Á‡ÌËfl ̇ÒÚÓÂÍ, ÍÓÚÓ˚ ‰ÓÎÊÌ˚ ‡‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡Ú¸Òfl ÔË Á‡ÔÛÒÍ ÔÂÒÌË. SONG ëÓı‡ÌflÂÚ ÚÂÏÔ Ë ÔӘˠԇ‡ÏÂÚ˚, Á‡‰‡ÌÌ˚Â Ò ÏËͯÂÌÓ„Ó ÔÛθڇ. KEYBOARD VOICE á‡ÔËÒ˚‚‡ÂÚ ÚÂÍÛ˘Ë ̇ÒÚÓÈÍË Ô‡ÌÂÎË, ‚ ÚÓÏ ˜ËÒΠÚÂÏ· Ô‡ÚËÈ, ÔÓË„˚‚‡ÂÏ˚ı ̇ Í·‚ˇÚÛ (RIGHT1, 2 Ë LEFT), Ë Ëı ÒÓÒÚÓflÌË (‚ÍÎ./‚˚ÍÎ.). ùÚÓ Ú Ê ҇Ï˚ ̇ÒÚÓÈÍË, ÍÓÚÓ˚ Á‡ÔÓÏË̇˛ÚÒfl ‰Îfl ̇ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». àı ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ β·ÓÈ ÚӘ͠ÔÂÒÌË (ÓÒڇθÌ˚ ̇ÒÚÓÈÍË ËÁ ˝ÚÓÈ Ú‡·Îˈ˚ ÏÓ„ÛÚ ·˚Ú¸ Á‡ÔËÒ‡Ì˚ ÚÓθÍÓ ‚ ̇˜‡Î ÔÂÒÌË). SCORE SETTING á‡ÔËÒ˚‚‡ÂÚ Ì‡ÒÚÓÈÍË ˝Í‡Ì‡ Ô‡ÚËÚÛ˚ (Score). GUIDE SETTING á‡ÔËÒ˚‚‡ÂÚ Ì‡ÒÚÓÈÍË ÙÛÌ͈ËÈ Guide, ‚Íβ˜‡fl ‚Íβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ˝ÚÓÈ ÙÛÌ͈ËË. LYRICS SETTING á‡ÔËÒ˚‚‡ÂÚ Ì‡ÒÚÓÈÍË ˝Í‡Ì‡ Lyrics. MIC SETTING (CVP-305/303) á‡ÔËÒ˚‚‡ÂÚ Ì‡ÒÚÓÈÍË ÏËÍÓÙÓ̇ Ë ˝ÙÙÂÍÚ‡ Vocal Harmony ̇ ˝Í‡Ì Mixing Console (ÒÚ. 80). 3 éÚÏÂÚ¸Ú ÌÛÊÌ˚È ÔÛÌÍÚ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÍË [8π]. 152 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [D] (EXECUTE), ˜ÚÓ·˚ Á‡ÔËÒ‡Ú¸ ̇ÒÚÓÈÍÛ SETUP. 5 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). ꉇÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ËÎË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ (CHORD, 1–16) ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ‚Í·‰Í‡Ï CHORD Ë 1—16 ¯‡„‡ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl» ̇ ÒÚ. 148. 1 2 3 äÓ„‰‡ ‚˚·‡Ì‡ ‚Í·‰Í‡ 1–16, ̇ÊÏËÚ ÍÌÓÔÍÛ [F], ˜ÚÓ·˚ ‚˚·‡Ú¸ ͇̇Π‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. 肉ËÚ ÍÛÒÓ ‚ ÌÛÊÌÛ˛ ÔÓÁËˆË˛. ÑÎfl ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ ‚‚Âı Ë ‚ÌËÁ ...........................ËÒÔÓθÁÛÈÚ ÍÌÓÔÍÛ [A]/[B]. óÚÓ·˚ Ô‚ÂÒÚË ÍÛÒÓ Í Ì‡˜‡ÎÛ ......................................̇ÊÏËÚ ÍÌÓÔÍÛ [C]. óÚÓ·˚ Ò‰‚ËÌÛÚ¸ ÍÛÒÓ Ì‡ Ó‰ËÌ Ú‡ÍÚ/‰Óβ/Ò˄̇Π...........ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[3π†]. ꉇÍÚËÓ‚‡ÌË ‰‡ÌÌ˚ı. ꉇÍÚËÓ‚‡ÌË ÒÚÓ͇ Á‡ ÒÚÓÍÓÈ ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]–[8π] ‚˚ÂʸÚÂ, ÒÍÓÔËÛÈÚÂ, ‚ÒÚ‡‚¸Ú ËÎË Û‰‡ÎËÚ ÒÓ·˚ÚËfl. ꉇÍÚËÓ‚‡ÌËÂ Í‡Ê‰Ó„Ó Ô‡‡ÏÂÚ‡ ‰‡ÌÌ˚ı 1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [D]/[E] ‚˚·ÂËÚ ԇ‡ÏÂÚ ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. 2 ꉇÍÚËÛÈÚ Á̇˜ÂÌËfl Ô‡‡ÏÂÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†]. åÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ [DATA ENTRY]. óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚ÂÒÚË ËÁÏÂÌÂÌÌÓ Á̇˜ÂÌËÂ, ÔÓÒÚÓ Û·ÂËÚ ÍÛÒÓ Ò Ô‡‡ÏÂÚ‡. ÑÎfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó Á̇˜ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ [8†] (CANCEL) ÔÂʉÂ, ˜ÂÏ Û·‡Ú¸ ÍÛÒÓ. 5 Ç˚‚Ó‰ ÒÓ·˚ÚËÈ ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ (FILTER) åÓÊÌÓ ‚˚·‡Ú¸ ÚËÔ ÒÓ·˚ÚËÈ, ÍÓÚÓ˚ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ‚Í·‰Í‡ı [CHORD] Ë [1-16]. ç‡ÔËÏÂ, ˝ÚÓ Û‰Ó·ÌÓ, ÂÒÎË ‚˚ ıÓÚËÚ ‚ˉÂÚ¸ ÚÓθÍÓ ÌÓÚÌ˚ ÒÓ·˚ÚËfl (ÒÚ. 155). àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ 4 Ç˚·Ó ÌÂÒÍÓθÍËı ÎËÌËÈ ‰‡ÌÌ˚ı ÑÂʇ ̇ʇÚÓÈ ÍÌÓÔÍÛ [J] (MULTI SELECT), ̇ÊÏËÚ ÍÌÓÔÍË [A]/[B]. ÇçàåÄçàÖ ÖÒÎË ‚˚·‡Ì‡ ‚Í·‰Í‡ CHORD, ÔË Ì‡Ê‡ÚËË ÍÌÓÔÍË [F] (EXPAND) ‰‡ÌÌ˚ ÔÂÂȉÛÚ ‚ ‰‡ÌÌ˚ ÔÂÒÌË. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı-‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 153 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ëÓ·˚ÚËfl, ÔÓ͇Á‡ÌÌ˚ ̇ ˝Í‡Ì 1 2 3 䂇ÌÚ˚ Ö‰ËÌˈ‡ ‚˚‡‚ÌË‚‡ÌËfl ÌÓÚ. ê‡ÁÏÂ, ËÎË ‡Á¯ÂÌËÂ, ÙÛÌ͈ËË Quantize – ˝ÚÓ ˜ËÒÎÓ Í‚‡ÌÚÓ‚ (‰ËÌˈ ‚ÂÏÂÌË) ‚ ˜ÂÚ‚ÂÚÌÓÈ ÌÓÚÂ. ç‡ ËÌÒÚÛÏÂÌÚ CVP-305/303/301 Ó‰ËÌ Í‚‡ÌÚ ‡‚ÂÌ 1/1920 ˜ÂÚ‚ÂÚÌÓÈ ÌÓÚ˚. èËÏ 001 : 1 : 1440 ÑÓÎfl 䂇ÌÚ çÓÏ ڇÍÚ‡ (BAR) 1 èÓ͇Á˚‚‡ÂÚ ÏÂÒÚÓÔÓÎÓÊÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÒÓ·˚ÚËfl. ëÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡‰ÔËÒË ‚ ÌËÊÌÂÈ Î‚ÓÈ ˜‡ÒÚË ˝Í‡Ì‡. 2 èÓ͇Á˚‚‡ÂÚ ÚËÔ˚ ÒÓ·˚ÚËÈ (ÒÏ. ÌËÊÂ). 3 èÓ͇Á˚‚‡ÂÚ Á̇˜ÂÌËfl ÒÓ·˚ÚËÈ. àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ íËÔ˚ ÒÓ·˚ÚËÈ, ÔÓ͇Á‡ÌÌ˚ı ̇ ‚Í·‰Í 1–16 Note éÚ‰Âθ̇fl ÌÓÚ‡ ÔÂÒÌË. èÓ͇Á˚‚‡ÂÚ ÌÓÏ ÌÓÚ˚, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ Ì‡Ê‡ÚÓÈ Í·‚˯Â, ÔÎ˛Ò Á̇˜ÂÌË ÒÍÓÓÒÚË, Á‡‚ËÒfl˘Â ÓÚ ÒËÎ˚ ̇ʇÚËfl Í·‚˯Ë, Ë ‰ÎËÚÂθÌÓÒÚ¸ Á‚Û˜‡ÌËfl. Ctrl (Control Change) 臇ÏÂÚ ÚÂÏ·‡, ̇ÔËÏÂ: „ÓÏÍÓÒÚ¸, Ô‡ÌӇχ, ÙËθÚ, „ÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ (‰‡ÍÚËÛÂÚÒfl Ò ÔÓÏÓ˘¸˛ ÏËͯÂÌÓÈ ÍÓÌÒÓÎË, ÓÔËÒ‡ÌÌÓÈ Ì‡ ÒÚ. 80) Ë Ú.‰. Prog (Program Change) çÓÏ ÚÂÏ·‡ (ÌÓÏ «MIDI program change number») ‰Îfl ‚˚·Ó‡ ÚÂÏ·‡. P.Bnd (Pitch Bend) чÌÌ˚ ‰Îfl ÔÓÒÚÓflÌÌÓ„Ó ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ ÚÓ̇. A.T.(Aftertouch) ùÚÓ ÒÓ·˚ÚË ‚ÓÁÌË͇ÂÚ, ÍÓ„‰‡ Ó͇Á˚‚‡ÂÚÒfl ‰‡‚ÎÂÌË ̇ ̇ʇÚÛ˛ Í·‚Ë¯Û ÔÓÒΠÚÓ„Ó, Í‡Í ‚˚ Ò˚„‡ÎË ÌÓÚÛ. íËÔ˚ ÒÓ·˚ÚËÈ Ì‡ ‚Í·‰Í CHORD 154 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Style ëÚËθ Tempo íÂÏÔ Chord íÓÌ ‡ÍÍÓ‰‡, ÚËÔ ‡ÍÍÓ‰‡ ËÎË ·‡ÒÓ‚˚È Â„ËÒÚ Sect ó‡ÒÚ¸ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (àÌÚÓ‰Û͈Ëfl, ÓÒÌӂ̇fl ÚÂχ, ‚ÒÚ‡‚͇, ·ÂÈÍ, ÍÓ̈ӂ͇) OnOff ëÓÒÚÓflÌË ͇ʉÓÈ ˜‡ÒÚË (͇̇·) ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (‚Íβ˜ÂÌÓ ËÎË ‚˚Íβ˜ÂÌÓ) CH.Vol ÉÓÏÍÓÒÚ¸ ͇ʉÓÈ ˜‡ÒÚË (͇̇·) ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ S.Vol é·˘‡fl „ÓÏÍÓÒÚ¸ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl éÚÓ·‡ÊÂÌË ÓÔ‰ÂÎÂÌÌ˚ı ÚËÔÓ‚ ÒÓ·˚ÚËÈ (FILTER) ç‡ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl ÔÓ͇Á‡Ì˚ ‡Á΢Ì˚ ÚËÔ˚ ÒÓ·˚ÚËÈ. àÌÓ„‰‡ ÚÛ‰ÌÓ Û͇Á‡Ú¸ ÒÓ·˚ÚËfl, ÍÓÚÓ˚ Ú·ÛÂÚÒfl ‰‡ÍÚËÓ‚‡Ú¸. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ÔË„Ó‰ËÚÒfl ÙÛÌ͈Ëfl Filter. é̇ Á‡‰‡ÂÚ ÚËÔ˚ ÒÓ·˚ÚËÈ, ÍÓÚÓ˚ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl. 1 2 3 4 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (FILTER) ̇ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl. Ç˚·ÂËÚ ÚËÔ ÒÓ·˚ÚËÈ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†]–[5π†]. ìÒÚ‡ÌÓ‚ËÚ ËÎË Û‰‡ÎËÚ ÌÛÊÌ˚ Ù·ÊÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [6π†]/[7π†]. [H] (ALL ON) ..................... éÚϘ‡ÂÚ ‚Ò ÚËÔ˚ ÒÓ·˚ÚËÈ. [I] (NOTE/CHORD)............ Ç˚·Ë‡ÂÚ ÚÓθÍÓ ‰‡ÌÌ˚ ÌÓÚ/‡ÍÍÓ‰Ó‚ (NOTE/CHORD). [J] (INVERT)...................... ëÌËχÂÚ ‚Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ Ù·ÊÍË Ë ÛÒڇ̇‚ÎË‚‡ÂÚ ÚÂ, ÍÓÚÓ˚ Ì ·˚ÎË ÛÒÚ‡ÌÓ‚ÎÂÌ˚. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, Á̇˜ÂÌË ÔÓÎÂÈ ÏÂÌflÂÚÒfl ̇ ÔÓÚË‚ÓÔÓÎÓÊÌÓÂ. óÚÓ·˚ ÓÚÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. èË Ì‡Ê‡ÚËË ÍÌÓÔÓÍ [C]–[E] ‚˚Á˚‚‡ÂÚÒfl ˝Í‡Ì ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ÙËθڇ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ. MAIN Ç˚Á˚‚‡ÂÚ ˝Í‡Ì ÓÒÌÓ‚ÌÓ„Ó ÙËθڇ (Main Filter). CTRL CHG.......................Ç˚Á˚‚‡ÂÚ ˝Í‡Ì ÙËθڇ ËÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl (Control Change Filter). STYLE..............................Ç˚Á˚‚‡ÂÚ ˝Í‡Ì ÙËθڇ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Style Filter). ꉇÍÚËÓ‚‡ÌË ÒËÒÚÂÏÌ˚ı ÒÓÓ·˘ÂÌËÈ (SYS/EX.) àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ‚Í·‰Í [SYS/EX] ¯‡„‡ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl» ̇ ÒÚ. 148. ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚ ÒËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl, Ì ÔË̇‰ÎÂʇ˘Ë ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ, Ú‡ÍËÂ Í‡Í ÚÂÏÔ Ë Ú‡ÍÚÓ‚˚È ‡ÁÏ (Ò˄̇ÚÛ‡). éÔ‡ˆËË, ‚ ÓÒÌÓ‚ÌÓÏ, ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂΠ«ê‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ËÎË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ» ̇ ÒÚ. 153. ëËÒÚÂÏÌ˚ ÒÓ·˚ÚËfl ScBar (Score Start Bar) éÔ‰ÂÎflÂÚ Ô‚˚È Ú‡ÍÚ ÔÂÒÌË. Tempo ᇉ‡ÂÚ Á̇˜ÂÌË ÚÂÏÔ‡. Time (Time Signature) ᇉ‡ÂÚ Ú‡ÍÚÓ‚˚È ‡ÁÏÂ. Key (Key Signature) ᇉ‡ÂÚ ÚÓ̇θÌÓÒÚ¸ Ë Î‡‰ (χÊÓ/ÏËÌÓ) ‰Îfl Ô‡ÚËÚÛ˚, ÔÓ͇Á‡ÌÌÓÈ Ì‡ ˝Í‡ÌÂ. XGPrm (XG Parameters) èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÚÓÌÍÛ˛ ̇ÒÚÓÈÍÛ Ô‡‡ÏÂÚÓ‚ XG. ÑÓÔÓÎÌËÚÂθÌ˚ ҂‰ÂÌËfl ÒÏ. ‚ ‡Á‰ÂΠ«îÓÏ‡Ú ‰‡ÌÌ˚ı MIDI» ‚ ÓÚ‰ÂθÌÓÏ Ò·ÓÌËÍ ڇ·Îˈ. SysEx (System exclusive) èÓ͇Á˚‚‡ÂÚ ÒËÒÚÂÏÌ˚ ‰‡ÌÌ˚ (System Exclusive) ÔÂÒÌË. èÓÏÌËÚÂ, Á‰ÂÒ¸ ÌÂθÁfl ÒÓÁ‰‡‚‡Ú¸ ÌÓ‚˚ ‰‡ÌÌ˚Â Ë ËÁÏÂÌflÚ¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÂ, ÌÓ ÏÓÊÌÓ Û‰‡ÎflÚ¸ Ëı, ‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸. Meta (Meta Event) èÓ͇Á˚‚‡ÂÚ ÏÂÚ‡ÒÓ·˚ÚËfl SMF ‚ ÔÂÒÌÂ. èÓÏÌËÚÂ, Á‰ÂÒ¸ ÌÂθÁfl ÒÓÁ‰‡‚‡Ú¸ ÌÓ‚˚ ‰‡ÌÌ˚Â Ë ËÁÏÂÌflÚ¸ ÒÛ˘ÂÒÚ‚Û˛˘ËÂ, ÌÓ ÏÓÊÌÓ Û‰‡ÎflÚ¸ Ëı, ‚˚ÂÁ‡Ú¸, ÍÓÔËÓ‚‡Ú¸ Ë ‚ÒÚ‡‚ÎflÚ¸. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). ÇçàåÄçàÖ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı-‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 155 á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl ꉇÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ (LYRICS) ùÚË Ó·˙flÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ‚Í·‰Í LYRICS ¯‡„‡ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË Â‰‡ÍÚËÓ‚‡ÌËfl» ̇ ÒÚ. 148. ç‡ ˝ÚÓÏ ˝Í‡Ì ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Á‡ÔËÒ‡ÌÌ˚ ÒÓ·˚ÚËfl Lyrics. Ç ÓÒÌÓ‚ÌÓÏ, ‰ÂÈÒÚ‚Ëfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂΠ«ê‰‡ÍÚËÓ‚‡ÌË ÌÓÚÌ˚ı ËÎË ‡ÍÍÓ‰Ó‚˚ı ÒÓ·˚ÚËÈ» ̇ ÒÚ. 153. íÂÍÒÚÓ‚˚ ÒÓ·˚ÚËfl Name (ç‡Á‚‡ÌË ÔÂÒÌË) èÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË Ì‡Á‚‡ÌË ÔÂÒÌË. íÂÍÒÚ ÔÂÒÌË èÓÁ‚ÓÎflÂÚ ‚‚ÂÒÚË ÚÂÍÒÚ ÔÂÒÌË. Control Codes (ìÔ‡‚Îfl˛˘Ë ÍÓ‰˚) CR Ç‚Ó‰ËÚ ÁÌ‡Í ÒÏÂÌ˚ ÒÚÓÍË ‚ ÚÂÍÒÚ ÔÂÒÌË. LF ç‰ÓÒÚÛÔÌÓ ‚ Clavinova. ç‡ ÌÂÍÓÚÓ˚ı MIDI-ÛÒÚÓÈÒÚ‚‡ı ˝ÚÓ ÒÓ·˚ÚË ÏÓÊÂÚ Û‰‡ÎËÚ¸ ÚÂÍÒÚ, ÓÚÓ·‡ÊÂÌÌ˚È Ì‡ ˝Í‡ÌÂ, Ë ‚˚‚ÂÒÚË ÒÎÂ‰Û˛˘ËÈ ·ÎÓÍ ÚÂÍÒÚ‡. Ç‚Ó‰ Ë Â‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚ‡ ÔÂÒÂÌ ÇçàåÄçàÖ àÒÔÓθÁÓ‚‡ÌËÂ, ÒÓÁ‰‡ÌËÂ Ë Â‰‡ÍÚËÓ‚‡ÌË ÔÂÒÂÌ ÖÒÎË ÔÂÂÈÚË Ì‡ ‰Û„Û˛ ÔÂÒÌ˛ ËÎË ‚˚Íβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ÒÓı-‡ÌË‚ ÔÂÒÌ˛, Á‡ÔËÒ‡Ì̇fl ÔÂÒÌfl ·Û‰ÂÚ ÛÚÂfl̇ (ÒÚ. 63). 1 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [4π†]/[5π†](DATA ENTRY) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‰‡ÍÚËÓ‚‡ÌËfl ÚÂÍÒÚ‡ ÔÂÒÌË. éÔ‡ˆËË ‡Ì‡Îӄ˘Ì˚ ÓÔËÒ‡ÌÌ˚Ï ‚ ‡Á‰ÂΠ«Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚» (ÒÚ. 66). 2 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [I] (SAVE) ‚˚ÁÓ‚ËÚ ˝Í‡Ì ‚˚·Ó‡ ÔÂÒÌË (Song Selection) Ë ÒÓı‡ÌËÚ ‰‡ÌÌ˚ (ÒÚ. 63). 156 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) ëÏ. «ä‡ÚÍÓ ÛÍÓ‚Ó‰ÒÚ‚Ó» èÂÌË ÔÓ‰ ͇‡ÓÍ ËÎË ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ............................... ÒÚ. 52 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ......................................................................................ÒÚ. 52 èÂÌËÂ Ò ÚÂÍÒÚÓÏ ÔÂÒÂÌ Ì‡ ˝Í‡ÌÂ.........................................................................ÒÚ. 53 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ͇‡ÓÍ .............................................................................ÒÚ. 53 ç‡ÒÚÓÈ͇ ÚÂÏÔ‡............................................................................................ÒÚ. 30 í‡ÌÒÔÓÌËÓ‚‡ÌË .........................................................................................ÒÚ. 53 èËÏÂÌÂÌË ˝ÙÙÂÍÚÓ‚ Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl............................................ÒÚ. 54 ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl .....................ÒÚ. 54 ìÔ‡ÊÌÂÌËfl ‚ ÔÂÌËË Ë Ô‡‚ËθÌÓÏ ËÒÔÓÎÌÂÌËË ÌÓÚ (Vocal CueTIME) ...........................................................................................ÒÚ. 131 ì‰Ó·Ì˚ ÙÛÌ͈ËË ‰Îfl ÔÂÌËfl ÔÓ‰ ÒÓ·ÒÚ‚ÂÌÌ˚È ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ ..................ÒÚ. 55 àÁÏÂÌÂÌË ÚÓ̇θÌÓÒÚË (í‡ÌÒÔÓÌËÓ‚‡ÌËÂ) ............................................ÒÚ. 55 Ç˚‚Ó‰ Ô‡ÚËÚÛ˚ ̇ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡ Ë ÚÂÍÒÚ‡ ÔÂÒÂÌ Ì‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ (CVP-305) ...................................................................................ÒÚ. 56 é·‡˘ÂÌËÂ Í ÔÛ·ÎËÍ ‚ ÔÂÂ˚‚‡ı ÏÂÊ‰Û ÔÂÒÌflÏË..................................ÒÚ. 56 ìÔ‡‚ÎÂÌË Á‡ÔÛÒÍÓÏ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚Ó ‚ÂÏfl ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ÔÂÌËfl (Karao-Key) ................................................................ÒÚ. 131 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony Ç ˝ÚÓÏ ‡Á‰ÂΠ͇ÚÍÓ Ó·˙flÒÌflÂÚÒfl, Í‡Í ÒÓÁ‰‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌ˚ ÚËÔ˚ ˝ÙÙÂÍÚ‡ Vocal Harmony ÒÚ. 54, Ë ÔË‚Ó‰ËÚÒfl ÔÓ‰Ó·Ì˚È ÒÔËÒÓÍ Ô‡‡ÏÂÚÓ‚, ÍÓÚÓ˚ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸. åÓÊÌÓ ÒÓÁ‰‡Ú¸ Ë ÒÓı‡ÌËÚ¸ ‰Ó ‰ÂÒflÚË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÚËÔÓ‚ ˝ÙÙÂÍÚ‡ Vocal Harmony. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY] (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇/ ˝ÙÙÂÍÚ VOCAL HARMONY). 2 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) 1 2 ç‡ÊÏËÚ ÍÌÓÔÍÛ [H] (VOCAL HARMONY TYPE) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY TYPE (íËÔ ˝ÙÙÂÍÚ‡ VOCAL HARMONY). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 157 ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony 3 ç‡ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ [A]–[J] ‰Îfl ‚˚·Ó‡ ÚËÔ‡ ˝ÙÙÂÍÚ‡ Vocal Harmony, ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸. 3 3 4 4 5 ç‡ÊÏËÚ ÍÌÓÔÍÛ [8†] (EDIT) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ VOCAL HARMONY EDIT (ꉇÍÚËÓ‚‡ÌË ˝ÙÙÂÍÚ‡ VOCAL HARMONY). ÖÒÎË ÌÛÊÌÓ Á‡ÌÓ‚Ó ‚˚·‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡ Vocal Harmony, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]/[2π†]. àÎË ÏÓÊÌÓ ÒÌÓ‚‡ ‚˚·‡Ú¸ ÚËÔ ˝ÙÙÂÍÚ‡ Vocal Harmony, ‚ÂÌÛ‚¯ËÒ¸ ̇ ˝Í‡Ì ‚˚·Ó‡ Vocal Harmony Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [8π†] (RETURN). àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) 8 5 6 ÇçàåÄçàÖ ë‰Â·ÌÌ˚ Á‰ÂÒ¸ ̇ÒÚÓÈÍË ·Û‰ÛÚ ÔÓÚÂflÌ˚, ÂÒÎË ÔÂÂÈÚË Í ‰Û„ÓÏÛ ÚËÔÛ ˝ÙÙÂÍÚ‡ Vocal Harmony ËÎË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌËÂ, Ì ‚˚ÔÓÎÌË‚ ÓÔ‡ˆË˛ ÒÓı‡ÌÂÌËfl. 158 7 8 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 6 7 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3π†]–[5π†] ‚˚·ÂËÚ ԇ‡ÏÂÚ (ÒÚ. 159), ÍÓÚÓ˚È ÌÛÊÌÓ ÓÚ‰‡ÍÚËÓ‚‡Ú¸. ᇉ‡ÈÚ Á̇˜ÂÌË ԇ‡ÏÂÚ‡, ‚˚·‡ÌÌÓ„Ó ‚˚¯Â. ç‡ÊÏËÚ ÍÌÓÔÍÛ [I] (SAVE) ‰Îfl ÒÓı‡ÌÂÌËfl ÓÚ‰‡ÍÚËÓ‚‡ÌÌÓ„Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ Vocal Harmony (ÒÚ. 63). ꉇÍÚËÓ‚‡ÌË ԇ‡ÏÂÚÓ‚ Vocal Harmony ꉇÍÚËÛÂÏ˚ ԇ‡ÏÂÚ˚ ̇ ˝Í‡Ì VOCAL HARMONY EDIT éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚ „‡ÏÓÌËË ÔËÏÂÌfl˛ÚÒfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇, ÂÒÎË ‰Îfl ÂÊËχ Harmony (ÒÚ. 163) ‚˚·‡ÌÓ Á̇˜ÂÌË VOCODER. CHORDAL TYPE éÔ‰ÂÎflÂÚ, Í‡Í ÌÓÚ˚ „‡ÏÓÌËË ÔËÏÂÌfl˛ÚÒfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇, ÂÒÎË ‰Îfl ÂÊËχ Harmony (ÒÚ. 163) ‚˚·‡ÌÓ Á̇˜ÂÌË CHORDAL. HARMONY GENDER TYPE éÔ‰ÂÎflÂÚ, ÏÂÌflÂÚÒfl ÎË Ó‰ Á‚Û͇ „‡ÏÓÌËË Ì‡ ÏÛÊÒÍÓÈ ËÎË ÊÂÌÒÍËÈ. Off á‚ÛÍ „‡ÏÓÌËË Ì ÏÂÌflÂÚÒfl. Auto êÓ‰ Á‚Û͇ „‡ÏÓÌËË ÏÂÌflÂÚÒfl ‡‚ÚÓχÚ˘ÂÒÍË. LEAD GENDER TYPE éÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ÏÂÌflÚ¸Òfl Ó‰ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· (Ú.Â. Á‚Û͇, Ë‰Û˘Â„Ó ÔflÏÓ ÓÚ ÏËÍÓÙÓ̇) ̇ ÏÛÊÒÍÓÈ ËÎË ÊÂÌÒÍËÈ Ë Í‡ÍËÏ Ó·‡ÁÓÏ. é·‡ÚËÚ ‚ÌËχÌË ̇ ÚÓ, ˜ÚÓ ÍÓ΢ÂÒÚ‚Ó ÌÓÚ „‡ÏÓÌËË Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË OFF, ÒÓÁ‰‡˛ÚÒfl ÚË ÌÓÚ˚ „‡ÏÓÌËË. èË ‚ÒÂı ÓÒڇθÌ˚ı Á̇˜ÂÌËflı ÒÓÁ‰‡˛ÚÒfl ‰‚ ÌÓÚ˚ „‡ÏÓÌËË. Off êÓ‰ Ì ÏÂÌflÂÚÒfl. Unison êÓ‰ Ì ÏÂÌflÂÚÒfl. åÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ô‡‡ÏÂÚ LEAD GENDER DEPTH (êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇·), ÓÔËÒ‡ÌÌ˚È ÌËÊÂ. Male êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇· ÏÂÌflÂÚÒfl ̇ ÏÛÊÒÍÓÈ. Female êÓ‰ ‚Â‰Û˘Â„Ó ‚Ó͇· ÏÂÌflÂÚÒfl ̇ ÊÂÌÒÍËÈ. LEAD GENDER DEPTH ç‡ÒÚÓÈ͇ ÒÚÂÔÂÌË ËÁÏÂÌÂÌËfl Ó‰‡ ‚Â‰Û˘Â„Ó ‚Ó͇·. îÛÌ͈Ëfl ‰ÓÒÚÛÔ̇, ÂÒÎË ‰Îfl ‚˚¯ÂÛ͇Á‡ÌÌÓ„Ó Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE Á‡‰‡ÌÓ Á̇˜ÂÌË OFF. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ. LEAD PITCH CORRECTION äÓ„‰‡ ‚˚·Ë‡ÂÚÒfl Á̇˜ÂÌË Correct, ‚˚ÒÓÚ‡ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇· ÒÏ¢‡ÂÚÒfl ¯‡„‡ÏË ÔÓ ÔÓÎÚÓ̇. ÑÂÈÒÚ‚ÛÂÚ, ÂÒÎË ‚˚¯ÂÛ͇Á‡ÌÌ˚È Ô‡‡ÏÂÚ LEAD GENDER TYPE Ì ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ OFF. UPPER GENDER THRESHOLD ÇÂıÌËÈ ÔÓÓ„. êÓ‰ ÏÂÌflÂÚÒfl, ÍÓ„‰‡ ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÔÓ‰ÌËχÂÚÒfl ̇ Û͇Á‡ÌÌÓ ËÎË ·Óθ¯Â ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ ‚˚¯Â ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. LOWER GENDER THRESHOLD çËÊÌËÈ ÔÓÓ„. êÓ‰ ÏÂÌflÂÚÒfl, ÍÓ„‰‡ ‚˚ÒÓÚ‡ Á‚Û͇ „‡ÏÓÌËË ÓÔÛÒ͇ÂÚÒfl ̇ Û͇Á‡ÌÌÓ (ËÎË ·Óθ¯ÂÂ) ˜ËÒÎÓ ÔÓÎÛÚÓÌÓ‚ ÌËÊ ‚˚ÒÓÚ˚ Á‚Û͇ ‚Â‰Û˘Â„Ó ‚Ó͇·. UPPER GENDER DEPTH ê„ÛÎËÛÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï „‡ÏÓÌËË ‚˚¯Â ÔÓÓ„‡, Á‡‰‡ÌÌÓ„Ó Ô‡‡ÏÂÚÓÏ UPPER GENDER THRESHOLD. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ. LOWER GENDER DEPTH ç‡Òڇ˂‡ÂÚ ÒÚÂÔÂ̸ ËÁÏÂÌÂÌËfl Ó‰‡, ÔËÏÂÌflÂÏÓ„Ó Í ÌÓÚ‡Ï ÌËÊ ÔÓÓ„‡, Á‡‰‡ÌÌÓ„Ó Ô‡‡ÏÂÚÓÏ LOWER GENDER THRESHOLD. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ «ÊÂÌÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ „‡ÏÓÌËË. óÂÏ ÌËÊ Á̇˜ÂÌËÂ, ÚÂÏ «ÏÛÊÂÒÚ‚ÂÌÌÂÈ» „ÓÎÓÒ. VIBRATO DEPTH ᇉ‡ÂÚ „ÎÛ·ËÌÛ ‚Ë·‡ÚÓ, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ „‡ÏÓÌËË. ÇÎËflÂÚ Ú‡ÍÊ ̇ Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇·, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE ‚˚·‡ÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ Off. VIBRATO RATE ìÒڇ̇‚ÎË‚‡ÂÚ ÒÍÓÓÒÚ¸ ‚Ë·‡ÚÓ. ÇÎËflÂÚ Ú‡ÍÊ ̇ Á‚ÛÍ ‚Â‰Û˘Â„Ó ‚Ó͇·, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ LEAD GENDER TYPE ‚˚·‡ÌÓ Á̇˜ÂÌËÂ, ÓÚ΢ÌÓ ÓÚ Off. VIBRATO DELAY ì͇Á˚‚‡ÂÚ Á‡‰ÂÊÍÛ Ô‰ ̇˜‡ÎÓÏ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚ‡ ‚Ë·‡ÚÓ, ÍÓ„‰‡ ÒËÌÚÂÁËÛÂÚÒfl ÌÓÚ‡. óÂÏ ‚˚¯Â Á̇˜ÂÌËÂ, ÚÂÏ ·Óθ¯Â Á‡‰ÂÊ͇. HARMONY1/2/3 VOLUME ìÒڇ̇‚ÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ Ô‚ÓÈ (Ò‡ÏÓÈ ÌËÁÍÓÈ), ‚ÚÓÓÈ Ë ÚÂÚ¸ÂÈ (Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ) ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) VOCODER TYPE 159 ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË HARMONY1/2/3 PAN ìÒڇ̇‚ÎË‚‡ÂÚ ÒÚÂÂÓÔÓÁËˆË˛ (Ô‡ÌÓ‡ÏÛ) Ô‚ÓÈ (Ò‡ÏÓÈ ÌËÁÍÓÈ), ‚ÚÓÓÈ Ë ÚÂÚ¸ÂÈ (Ò‡ÏÓÈ ‚˚ÒÓÍÓÈ) ÌÓÚ˚ „‡ÏÓÌËÁ‡ˆËË. Random ëÚÂÂÓÔÓÁˈËfl Á‚Û͇ ·Û‰ÂÚ ÒÎÛ˜‡ÈÌÓ ËÁÏÂÌflÚ¸Òfl ÔË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Ì‡ Í·‚˯Ë. ùÚÓ ˝ÙÙÂÍÚË‚ÌÓ, ÍÓ„‰‡ ÂÊËÏ Harmony (ÒÚ. 163) ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ Á̇˜ÂÌË VOCODER ËÎË CHORDAL. L63>R – C – L<R63 á̇˜ÂÌË L63>R Ò‰‚Ë„‡ÂÚ Á‚ÛÍ ‰Ó ÍÓ̈‡ ‚΂Ó, 0 – ˆÂÌڇθ̇fl ÔÓÁˈËfl, ‡ L<R63 – ͇ÈÌflfl Ô‡‚‡fl. HARMONY1/2/3 DETUNE ëÏ¢‡ÂÚ ÔÂ‚Û˛ (Ò‡ÏÛ˛ ÌËÁÍÛ˛), ‚ÚÓÛ˛ Ë ÚÂÚ¸˛ (Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛) ÌÓÚÛ „‡ÏÓÌËÁ‡ˆËË Ì‡ Û͇Á‡ÌÌ˚È ÔÓˆÂÌÚ. PITCH TO NOTE ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË ON, „ÓÎÓÒ ËÒÔÓÎÌËÚÂÎfl ÏÓÊÂÚ «Ë„‡Ú¸» ÚÂÏ·‡ÏË ËÌÒÚÛÏÂÌÚ‡. (Clavinova ÓÚÒÎÂÊË‚‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ „ÓÎÓÒ‡ ËÒÔÓÎÌËÚÂÎfl Ë ÔÂÓ·‡ÁÛÂÚ Â ‚ ÌÓÚÌ˚ ‰‡ÌÌ˚ ‰Îfl ÚÓÌ-„Â̇ÚÓ‡. é‰Ì‡ÍÓ ‰Ë̇Ï˘ÂÒÍË ËÁÏÂÌÂÌËfl „ÓÎÓÒ‡ ËÒÔÓÎÌËÚÂÎfl Ì ‚ÎËfl˛Ú ̇ „ÓÏÍÓÒÚ¸ ÚÓÌ-„Â̇ÚÓ‡.) PITCH TO NOTE PART éÔ‰ÂÎflÂÚ, ͇͇fl ËÁ Ô‡ÚËÈ ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸Òfl ‚Â‰Û˘ÂÏ ‚Ó͇ÎÓÏ, ÂÒÎË ‰Îfl Ô‡‡ÏÂÚ‡ PITCH TO NOTE ‚˚·‡ÌÓ Á̇˜ÂÌË ON. ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY]. àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) 1 2 160 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MICROPHONE SETTING, ̇ÊÏËÚ ÍÌÓÔÍÛ [I] (MIC SETTING). 2 ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√], ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ‚Í·‰ÍË OVERALL SETTING. 3 4 4 6 5 4 5 6 3 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]–[J] ‚˚·ÂËÚ ˝ÎÂÏÂÌÚ/Ô‡‡ÏÂÚ (ÒÏ. ÌËÊÂ), ÍÓÚÓ˚È ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[8π†] ‰Îfl ‚˚·Ó‡ Á̇˜ÂÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] ‰Îfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ MICROPHONE SETTING. ÇçàåÄçàÖ èË ‚˚ıӉ c ˝Í‡Ì‡ ‚Í·‰ÍË OVERALL SETTING ̇ÒÚÓÈÍË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ. çÓ ‚ ÒÎÛ˜‡Â ÓÚÍβ˜ÂÌËfl ÔËÚ‡ÌËfl ‰Ó ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚. ç‡Òڇ˂‡ÂÏ˚ ˝ÎÂÏÂÌÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ‚Í·‰Í OVERALL SETTING àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) ■ 3BAND EQ (íÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) EQ (˝Í‚‡Î‡ÈÁÂ) - ˝ÚÓ ÔÓˆÂÒÒÓ, ÍÓÚÓ˚È ‰ÂÎËÚ ˜‡ÒÚÓÚÌ˚È ÒÔÂÍÚ Ì‡ ÌÂÒÍÓθÍÓ ÔÓÎÓÒ, ÍÓÚÓ˚ ÏÓ„ÛÚ ÛÒËÎË‚‡Ú¸Òfl ËÎË ÔÓ‰‡‚ÎflÚ¸Òfl ‰Îfl ÒÓÁ‰‡ÌËfl ÌÛÊÌ˚ı ˜‡ÒÚÓÚÌ˚ı ı‡‡ÍÚÂËÒÚËÍ. àÌÒÚÛÏÂÌÚ Clavinova ÓÒ̇˘ÂÌ ‚˚ÒÓÍÓÍ·ÒÒÌ˚Ï ÚÂıÔÓÎÓÒÌ˚Ï ˆËÙÓ‚˚Ï ˝Í‚‡Î‡ÈÁÂÓÏ (ÌËÁÍËÂ, Ò‰ÌËÂ Ë ‚˚ÒÓÍË ˜‡ÒÚÓÚ˚) ‰Îfl Ó·‡·ÓÚÍË Ò˄̇· ÏËÍÓÙÓ̇. • Hz (Ɉ) ê„ÛÎËӂ͇ ˆÂÌڇθÌÓÈ ˜‡ÒÚÓÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚. • dB (‰Å) ì‚Â΢ÂÌË ËÎË ÒÌËÊÂÌË ÛÓ‚Ìfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÈ ÔÓÎÓÒ˚ ̇ ‚Â΢ËÌÛ ‰Ó 12 ‰Å. ■ NOISE GATE (òÛÏÓÔÓ‰‡‚ÎÂÌËÂ) ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ Á‡„ÎÛ¯‡Ú¸ ‚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‡‰‡ÂÚ ÌËÊ Û͇Á‡ÌÌÓ„Ó ÛÓ‚Ìfl. Ç ÂÁÛθڇÚ ÒÛ˘ÂÒÚ‚ÂÌÌÓ ÒÌËʇÂÚÒfl ÛÓ‚Â̸ ÔÓÒÚÓÓÌÌËı ¯ÛÏÓ‚, ÔÓÁ‚ÓÎflfl ÔÓıÓ‰ËÚ¸ ÌÛÊÌÓÏÛ Ò˄̇ÎÛ (‚Ó͇ÎÛ Ë Ú.Ô.). • SW (Switch) (Ç˚Íβ˜‡ÚÂθ) ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ Noise Gate. • TH (Threshold) (èÓÓ„) ᇉ‡ÂÚ ÛÓ‚Â̸ Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó Ò˄̇ΠÔÓÔÛÒ͇ÂÚÒfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 161 ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ■ COMPRESSOR ùÚÓÚ ˝ÙÙÂÍÚ ÔÓÁ‚ÓÎflÂÚ ÒÌËʇڸ ‚˚ıÓ‰ÌÓÈ Ò˄̇Π‚ ÚÂı ÒÎÛ˜‡flı, ÍÓ„‰‡ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ô‚˚¯‡ÂÚ Û͇Á‡ÌÌ˚È ÛÓ‚Â̸. éÒÓ·ÂÌÌÓ ÔÓÎÂÁÂÌ ‰Îfl ҄·ÊË‚‡ÌËfl ‚Ó͇· Ò ·Óθ¯ËÏ ‰Ë̇Ï˘ÂÒÍËÏ ‰Ë‡Ô‡ÁÓÌÓÏ. î‡ÍÚ˘ÂÒÍË, Ò˄̇Π«ÒÊËχÂÚÒfl» Ú‡Í, ˜ÚÓ ÚËıË ˜‡ÒÚË ÒÚ‡ÌÓ‚flÚÒfl „ÓϘÂ, ‡ „ÓÏÍË – Ú˯Â. • SW (Switch) (Ç˚Íβ˜‡ÚÂθ) ÇÍβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÍÓÏÔÂÒÒÓ. • TH (Threshold) (èÓÓ„) ᇉ‡ÂÚ ÛÓ‚Â̸ Á‚ÛÍÓ‚Ó„Ó Ò˄̇· ̇ ‚ıÓ‰Â, ̇˜Ë̇fl Ò ÍÓÚÓÓ„Ó ÔËÏÂÌflÂÚÒfl ÒʇÚËÂ. • RATIO (äÓ˝ÙÙˈËÂÌÚ ÒʇÚËfl) ᇉ‡ÂÚ ÍÓ˝ÙÙˈËÂÌÚ ÒʇÚËfl. • OUT (Ç˚ıÓ‰) ᇉ‡ÂÚ ËÚÓ„Ó‚˚È ÛÓ‚Â̸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇·. ■ VOCAL HARMONY CONTROL (ìÔ‡‚ÎÂÌË „‡ÏÓÌËÂÈ ‚Ó͇·) ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ ÓÔ‰ÂÎfl˛Ú ÒÔÓÒÓ· ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË. àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) • VOCODER CONTROL Ç ÂÊËÏ Vocoder (ÒÚ. 163) ˝ÙÙÂÍÚ Vocal Harmony ÍÓÌÚÓÎËÛÂÚÒfl ‰‡ÌÌ˚ÏË ÌÓÚ – ÌÓÚ, ÍÓÚÓ˚ ‚˚ Ë„‡ÂÚ ̇ Í·‚ˇÚÛÂ, Ë/ËÎË ÌÓÚ ÔÂÒÂÌ. ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸, ͇ÍË ÌÓÚ˚ ·Û‰ÛÚ ÛÔ‡‚ÎflÚ¸ „‡ÏÓÌËÁ‡ˆËÂÈ. SONG CHANNEL MUTE/PLAY ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË MUTE, ÚÓ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË Í‡Ì‡Î, ‚˚·‡ÌÌ˚È ‰Îfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË (ÒÏ. ÌËÊÂ), ÓÚÍβ˜‡ÂÚÒfl. OFF/Channels 1–16 ÖÒÎË ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË OFF, ‰‡ÌÌ˚ ÔÂÒÌË Ì ÛÔ‡‚Îfl˛Ú ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË. ÖÒÎË ‚˚·‡ÌÓ Ó‰ÌÓ ËÁ Á̇˜ÂÌËÈ ÓÚ 1–16, ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËË ÛÔ‡‚Îfl˛Ú ÌÓÚÌ˚ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏ Í‡Ì‡Î (ËÁ ÔÂÒÌË, ÔÓË„˚‚‡ÂÏÓÈ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ËÎË Ò ‚̯ÌÂ„Ó MIDI-ÒÂÍ‚ÂÌÒÓ‡). ùÚ‡ ̇ÒÚÓÈ͇ Ò‚flÁ‡Ì‡ Ò Ì‡ÒÚÓÈÍÓÈ HARMONY CH (͇̇Î˚ „‡ÏÓÌËË) ̇ ˝Í‡Ì SONG SETTING (ç‡ÒÚÓÈ͇ Ô‡‡ÏÂÚÓ‚ ÔÂÒÌË) (ÒÚ. 131). KEYBOARD OFF Ç˚Íβ˜ÂÌË ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ „‡ÏÓÌËÁ‡ˆËË Ò Í·‚ˇÚÛ˚. UPPER ɇÏÓÌ˲ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. LOWER ɇÏÓÌ˲ Á‡‰‡˛Ú ÌÓÚ˚, ‡ÒÔÓÎÓÊÂÌÌ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl. • BAL. ᇉ‡ÂÚ ÒÓÓÚÌÓ¯ÂÌË „ÓÏÍÓÒÚË ‚Â‰Û˘Â„Ó ‚Ó͇· (‚‡¯Â„Ó ÒÓ·ÒÚ‚ÂÌÌÓ„Ó „ÓÎÓÒ‡) Ë ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. ì‚Â΢ÂÌË Á̇˜ÂÌËfl ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÛÒËÎË‚‡ÂÚ „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ Vocal Harmony Ë ÛÏÂ̸¯‡ÂÚ „ÓÏÍÓÒÚ¸ ‚Â‰Û˘Â„Ó ‚Ó͇·. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L<H63 („‰Â L: ‚Â‰Û˘ËÈ ‚Ó͇Î, H: ˝ÙÙÂÍÚ Vocal Harmony), Á‚Û˜ËÚ ÚÓθÍÓ ˝ÙÙÂÍÚ Vocal Harmony. ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË L63>H, Á‚Û˜ËÚ ÚÓθÍÓ ‚Â‰Û˘ËÈ ‚Ó͇Î. 162 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇ Ë Á‚Û͇ ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË • MODE íËÔ˚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇ ÚË ÂÊËχ, ÔË ÍÓÚÓ˚ı „‡ÏÓÌËÁ‡ˆËfl ÔÓËÁ‚Ó‰ËÚÒfl ‡Á΢Ì˚Ï Ó·‡ÁÓÏ. ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË Á‡‚ËÒËÚ ÓÚ Á‡‰‡ÌÌÓ„Ó ÂÊËχ. чÌÌ˚È Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ͇ÍËÏ Ó·‡ÁÓÏ ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í „ÓÎÓÒÛ ËÒÔÓÎÌËÚÂÎfl. ùÚË ÚË ÂÊËχ ÓÔËÒ‡Ì˚ ÌËÊÂ. AUTO ÖÒÎË ‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP ON/OFF] ËÎË [LEFT] (‚˚·‡ÌÓ Á̇˜ÂÌË ON) Ë ‚ ‰‡ÌÌ˚ı ÔÂÒÌË ÂÒÚ¸ ‡ÍÍÓ‰˚, ‡‚ÚÓχÚ˘ÂÒÍË ‚Íβ˜‡ÂÚÒfl ÂÊËÏ CHORDAL. ÇÓ ‚ÒÂı ÓÒڇθÌ˚ı ÒÎÛ˜‡flı ËÒÔÓθÁÛÂÚÒfl ÂÊËÏ VOCODER. VOCODER çÓÚ˚ „‡ÏÓÌËË ÓÔ‰ÂÎfl˛ÚÒfl ÌÓÚ‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË Ì‡ Í·‚ˇÚÛÂ, Ë/ËÎË ‰‡ÌÌ˚ÏË ÔÂÒÌË. åÓÊÌÓ Û͇Á‡Ú¸, ˜ÚÓ ·Û‰ÂÚ ÛÔ‡‚ÎflÚ¸ ˝ÙÙÂÍÚÓÏ Vocoder: Í·‚ˇÚÛ‡ ËÎË ‰‡ÌÌ˚ ÔÂÒÌË (ÒÚ. 162). CHORDAL çÓÚ˚ „‡ÏÓÌËË ÓÔ‰ÂÎfl˛ÚÒfl ÚÂÏfl ÒÎÂ‰Û˛˘ËÏË ÚËÔ‡ÏË ‡ÍÍÓ‰Ó‚: ‡ÍÍÓ‰‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË ‚ ‡Á‰ÂΠ‡ÍÍÓ‰Ó‚ ̇ Í·‚ˇÚÛ (ÂÒÎË ‚Íβ˜Â̇ ÍÌÓÔ͇ [ACMP]), ‡ÍÍÓ‰‡ÏË, ÔÓË„˚‚‡ÂÏ˚ÏË ‚ ‡Á‰ÂΠÚÂÏ·‡ LEFT ̇ Í·‚ˇÚÛ (ÂÒÎË ÍÌÓÔ͇ [ACMP] ÓÚÍβ˜Â̇, ‡ ÍÌÓÔ͇ [LEFT] ‚Íβ˜Â̇), Ë ‡ÍÍÓ‰‡ÏË, ÒÓ‰Âʇ˘ËÏËÒfl ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Ë ÍÓÌÚÓÎËÛ˛˘ËÏË „‡ÏÓÌ˲. (ùÚÓÚ ÂÊËÏ Ì‰ÓÒÚÛÔÂÌ, ÂÒÎË ‚ ÔÂÒÌ ÌÂÚ ‡ÍÍÓ‰Ó‚.) • CHORD ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ Û͇Á˚‚‡˛Ú, ͇ÍË ‰‡ÌÌ˚ Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÓÔ‰ÂÎÂÌËfl ‡ÍÍÓ‰Ó‚. OFF èÓËÒÍ ‡ÍÍÓ‰Ó‚ ‚ ‰‡ÌÌ˚ı ÔÂÒÌË Ì ÔÓËÁ‚Ó‰ËÚÒfl. XF ÑÎfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ Vocal Harmony ËÒÔÓθÁÛ˛ÚÒfl ‡ÍÍÓ‰˚ ‚ ÙÓχÚ XF. 1–16 ê‡ÒÔÓÁ̇˛ÚÒfl ‡ÍÍÓ‰˚ ËÁ ÌÓÚÌ˚ı ‰‡ÌÌ˚ı ‚ Û͇Á‡ÌÌÓÏ Í‡Ì‡Î ÔÂÒÌË. ■ MIC ëÎÂ‰Û˛˘Ë ԇ‡ÏÂÚ˚ Á‡‰‡˛Ú ÒÔÓÒÓ·˚ ÛÔ‡‚ÎÂÌËfl Á‚ÛÍÓÏ ÏËÍÓÙÓ̇. • MUTE ÖÒÎË ‚˚·‡ÌÓ Á̇˜ÂÌË ON, Á‚ÛÍ ÏËÍÓÙÓ̇ ÓÚÍβ˜ÂÌ. • VOLUME ç‡Òڇ˂‡ÂÚ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏËÍÓÙÓ̇. àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 163 ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÒÔˆˇθÌ˚ ̇ÒÚÓÈÍË ‰Îfl Ó·‡˘ÂÌËÈ Í ÔÛ·ÎËÍ ‚ ÔÓÏÂÊÛÚ͇ı ÏÂÊ‰Û ÔÂÒÌflÏË, ÓÚ΢Ì˚ ÓÚ Ì‡ÒÚÓÂÍ ‰Îfl ËÒÔÓÎÌÂÌËfl ÔÂÒÂÌ. 1 ç‡ÊÏËÚ ÍÌÓÔÍÛ [MIC SETTING/VOCAL HARMONY] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ MIC SETTING/VOCAL HARMONY. 1 2 3 2 óÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì MICROPHONE SETTING, ̇ÊÏËÚ ÍÌÓÔÍÛ [I] (MIC SETTING). ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [®], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ TALK SETTING. 3 àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) 4 6 5 4 ÇçàåÄçàÖ èË ‚˚ıӉ ËÁ ‚Í·‰ÍË TALK SETTING ̇ÒÚÓÈÍË ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡Ìfl˛ÚÒfl ‚ ËÌÒÚÛÏÂÌÚÂ. çÓ ‚ ÒÎÛ˜‡Â ÓÚÍβ˜ÂÌËfl ÔËÚ‡ÌËfl ‰Ó ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ ÓÌË ·Û‰ÛÚ ÔÓÚÂflÌ˚. 164 5 6 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]–[B] ‚˚·ÂËÚ ˝ÎÂÏÂÌÚ/Ô‡‡ÏÂÚ (ÒÚ. 165), ÍÓÚÓ˚È ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸. àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [1π†]–[7π†] ‰Îfl ‚˚·Ó‡ Á̇˜ÂÌËfl. ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT] ‰Îfl ‚˚ıÓ‰‡ Ò ˝Í‡Ì‡ MICROPHONE SETTING. ç‡ÒÚÓÈ͇ ÙÛÌ͈ËË Talk ç‡Òڇ˂‡ÂÏ˚ ˝ÎÂÏÂÌÚ˚ (Ô‡‡ÏÂÚ˚) ̇ ‚Í·‰Í TALK SETTING VOLUME (ÉÓÏÍÓÒÚ¸) PAN (è‡ÌÓ‡ÏËÓ‚‡ÌËÂ) REVERB DEPTH (ÉÎÛ·Ë̇ ‚·‡ˆËË) CHORUS DEPTH (ÉÎÛ·Ë̇ ıÓÛÒ‡) TOTAL VOLUME ATTENUATOR (é·˘ËÈ ÛÓ‚Â̸ Á‡ÚÛı‡ÌËfl) DSP MIC ON/OFF DSP MIC TYPE DSP MIC DEPTH éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ÏËÍÓÙÓ̇. ᇉ‡ÂÚ ÒÚÂÂÓÔÓÁËˆË˛ Á‚Û͇ ÏËÍÓÙÓ̇. ᇉ‡ÂÚ „ÎÛ·ËÌÛ Â‚Â·Â‡ˆËË, ÔËÏÂÌflÂÏÓÈ Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. ᇉ‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ëhorus, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. ᇉ‡ÂÚ ÍÓ˝ÙÙˈËÂÌÚ Á‡ÚÛı‡ÌËfl, ÍÓÚÓÓ ·Û‰ÂÚ ÔËÏÂÌflÚ¸Òfl Í Ó·˘ÂÏÛ Á‚Û˜‡Ì˲ (Á‡ ËÒÍβ˜ÂÌËÂÏ ‚ıÓ‰fl˘Â„Ó Ò˄̇· ÏËÍÓÙÓ̇), ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ˝ÙÙÂÍÚË‚ÌÓ Â„ÛÎËÓ‚‡Ú¸ ÒÓÓÚÌÓ¯ÂÌË ÏÂÊ‰Û „ÓÎÓÒÓÏ ËÒÔÓÎÌËÚÂÎfl Ë Ó·˘ËÏ Á‚Û˜‡ÌËÂÏ ËÌÒÚÛÏÂÌÚ‡. ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ˝ÙÙÂÍÚ DSP, ÔËÏÂÌflÂÏ˚È Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. Ç˚·Ó ÚËÔ‡ ˝ÙÙÂÍÚ‡ DSP, ÍÓÚÓ˚È ‰ÓÎÊÂÌ ÔËÏÂÌflÚ¸Òfl Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. ᇉ‡ÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ DSP, ÔËÏÂÌflÂÏÓ„Ó Í Á‚ÛÍÛ ÏËÍÓÙÓ̇. àÒÔÓθÁÓ‚‡ÌË ÏËÍÓÙÓ̇ (CVP-305/303) êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 165 èflÏÓ ÔÓ‰Íβ˜ÂÌË Clavinova Í àÌÚÂÌÂÚÛ äÓ„‰‡ ËÌÒÚÛÏÂÌÚ ÔflÏÓ ÔÓ‰Íβ˜‡ÂÚÒfl Clavinova Í àÌÚÂÌÂÚÛ, ÏÓÊÌÓ ÓÚÍ˚Ú¸ ÒÔˆˇθÌ˚È ‚·-Ò‡ÈÚ Clavinova. èÓ‰Íβ˜‡flÒ¸ ÔflÏÓ Í àÌÚÂÌÂÚÛ, ‚˚ ÏÓÊÂÚ ÔËÓ·ÂÚ‡Ú¸ Ë Á‡„Ûʇڸ ‰‡ÌÌ˚ ÔÂÒÂÌ Ë ‰Û„Ë ÚËÔ˚ ‰‡ÌÌ˚ı ÒÓ ÒÔˆˇθÌÓ„Ó ‚·-Ò‡ÈÚ‡ Clavinova. Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÚÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò ÍÓÏÔ¸˛Ú‡ÏË Ë ÒÂÚflÏË Ò‚flÁË. ÖÒÎË ‚ÒÚÂÚflÚÒfl ͇ÍËÂ-ÚÓ ÌÂÔÓÌflÚÌ˚ ÚÂÏËÌ˚, Ó·‡ÚËÚÂÒ¸ Í ÒÎÓ‚‡˛ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ (ÒÚ. 179). èÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ àÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ ÔÓ‰Íβ˜ÂÌ Í àÌÚÂÌÂÚÛ ÔÓÒÚÓflÌÌÓ (ADSL, ÓÔÚÓ‚ÓÎÓÍÓÌÌ˚È Í‡·Âθ, àÌÚÂÌÂÚ-͇·Âθ Ë Ú.‰.) ˜ÂÂÁ χ¯ÛÚËÁ‡ÚÓ ËÎË ÏÓ‰ÂÏ Ò Ï‡¯ÛÚËÁ‡ÚÓÓÏ. èÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ (‡ Ú‡ÍÊ ËÌÙÓχˆË˛ ÔÓ ÒÓ‚ÏÂÒÚËÏ˚Ï ãÇë-‡‰‡ÔÚ‡Ï, χ¯ÛÚËÁ‡ÚÓ‡Ï Ë Ú.‰.) ÏÓÊÌÓ ÔÓÎÛ˜ËÚ¸ ̇ ‚·-Ò‡ÈÚ Yamaha: CVP-305 http://music.yamaha.com/CVP-305 CVP-303 http://music.yamaha.com/CVP-303 CVP-301 http://music.yamaha.com/CVP-301 ÇÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰Íβ˜ÂÌËfl ‰‚Ûı ËÎË ·Óθ¯Â„Ó ÍÓ΢ÂÒÚ‚‡ ÛÒÚÓÈÒÚ‚ (̇ÔËÏÂ, ÍÓÏÔ¸˛Ú‡ Ë ËÌÒÚÛÏÂÌÚ‡) Á‡‚ËÒËÚ ÓÚ ÍÓÌÚ‡ÍÚ‡ Ò ÔÓ‚‡È‰ÂÓÏ. ùÚÓ ÓÁ̇˜‡ÂÚ, ˜ÚÓ Ò‡Ï‡ Clavinova ÛÒÚ‡ÌÓ‚ËÚ¸ Ú‡ÍÓ ÒÓ‰ËÌÂÌË Ì ÏÓÊÂÚ. ÖÒÎË ‚˚ Ì ۂÂÂÌ˚ ‚ ‚ÓÁÏÓÊÌÓÒÚË ÔÓ‰Íβ˜ÂÌËfl, Ó·‡ÚËÚÂÒ¸ Í ÛÒÎÓ‚ËflÏ ÍÓÌÚ‡ÍÚ‡ ËÎË Í ÔÓ‚‡È‰ÂÛ. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ, ÔÓ‰Íβ˜ËÚÂÒ¸ Í àÌÚÂÌÂÚÛ Ò ÔÓÏÓ˘¸˛ ÍÓÏÔ¸˛Ú‡ Ë ·Û‰¸Ú ‚ ÒÂÚË, Ú‡Í Í‡Í Ò ËÌÒÚÛÏÂÌÚ‡ ÌË͇ÍË ̇ÒÚÓÈÍË ÏÓ‰Âχ ËÎË Ï‡¯ÛÚËÁ‡ÚÓ‡ Ì‚ÓÁÏÓÊÌ˚. ÑÎfl ÔÓ‰Íβ˜ÂÌËfl Í àÌÚÂÌÂÚÛ ÌÂÓ·ıÓ‰ËÏÓ ÔÂʉ ÔÓ‰ÔËÒ‡Ú¸Òfl ̇ àÌÚÂÌÂÚ-ÛÒÎÛ„Ë ËÎË Á‡Íβ˜ËÚ¸ ‰Ó„Ó‚Ó Ò ÔÓ‚‡È‰ÂÓÏ. èËÏ ÔÓ‰Íβ˜ÂÌËfl 1: èÓ‰Íβ˜ÂÌË ˜ÂÂÁ ͇·Âθ (Ò ÏÓ‰ÂÏÓÏ ·ÂÁ χ¯ÛÚËÁ‡ÚÓ‡) åÓ‰ÂÏ* îÛÌ͈Ëfl χ¯ÛÚËÁ‡ÚÓ‡ ÓÚÒÛÚÒÚ‚ÛÂÚ å‡¯ÛÚËÁ‡ÚÓ íËÔ Í‡·ÂÎfl 䇷Âθ LAN 䇷Âθ LAN ĉ‡ÔÚ USB LAN * èÓ‰ «ÏÓ‰ÂÏÓÏ» Á‰ÂÒ¸ ÔÓÌËχÂÚÒfl ÏÓ‰ÂÏ ADSL, ÓÔÚ˘ÂÒÍËÈ ÒÂÚ‚ÓÈ ·ÎÓÍ (ONU) ËÎË Í‡·ÂθÌ˚È ÏÓ‰ÂÏ. çÂÍÓÚÓ˚ ÚËÔ˚ ÏÓ‰ÂÏÓ‚ ÚÂ·Û˛Ú ‰ÓÔÓÎÌËÚÂθÌÓÈ ÒÂÚË Ò ÍÓ̈ÂÌÚ‡ÚÓ‡ÏË ‰Îfl Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ÔÓ‰Íβ˜ÂÌËfl Í ÌÂÒÍÓθÍËÏ ÛÒÚÓÈÒÚ‚‡Ï (̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂÛ, ÏÛÁ˚͇θÌÓÏÛ ËÌÒÚÛÏÂÌÚÛ Ë Ú.‰.). èËÏ ÔÓ‰Íβ˜ÂÌËfl 2: èÓ‰Íβ˜ÂÌË ˜ÂÂÁ ͇·Âθ (ÏÓ‰ÂÏ Ò Ï‡¯ÛÚËÁ‡ÚÓÓÏ) åÓ‰ÂÏ ADSL îÛÌ͈Ëfl χ¯ÛÚËÁ‡ÚÓ‡ 䇷Âθ LAN 䇷Âθ LAN èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ Ä‰‡ÔÚ USB LAN èËÏ ÔÓ‰Íβ˜ÂÌËfl 3: ÅÂÒÔÓ‚Ó‰ÌÓ ÔÓ‰Íβ˜ÂÌË åÓ‰ÂÏ* íӘ͇ ‰ÓÒÚÛÔ‡ ĉ‡ÔÚ USB LAN ‰Îfl ·ÂÒÔÓ‚Ó‰Ì˚ı ÒÂÚÂÈ * èÓ‰ «ÏÓ‰ÂÏÓÏ» Á‰ÂÒ¸ ÔÓÌËχÂÚÒfl ÏÓ‰ÂÏ ADSL, ÓÔÚ˘ÂÒÍËÈ ÒÂÚ‚ÓÈ ·ÎÓÍ (ONU) ËÎË Í‡·ÂθÌ˚È ÏÓ‰ÂÏ. 166 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÑÓÒÚÛÔ Í ÒÔˆˇθÌÓÏÛ ‚·-Ò‡ÈÚÛ Clavinova ÑÓÒÚÛÔ Í ÒÔˆˇθÌÓÏÛ ‚·-Ò‡ÈÚÛ Clavinova ëÂ‰Ë ÔӘ„Ó, ÒÓ ÒÔˆˇθÌÓ„Ó ‚·-Ò‡ÈÚ‡ Clavinova ÏÓÊÌÓ ÒÎÛ¯‡Ú¸ Ë ÔËÓ·ÂÚ‡Ú¸ ‰‡ÌÌ˚ ÔÂÒÂÌ. óÚÓ·˚ ÔÓÔ‡ÒÚ¸ ̇ Ò‡ÈÚ, ̇ÊÏËÚ ̇ „·‚ÌÓÏ ˝Í‡Ì ÍÌÓÔÍÛ [E] (INTERNET), ÍÓ„‰‡ ËÌÒÚÛÏÂÌÚ ÔÓ‰Íβ˜ÂÌ Í àÌÚÂÌÂÚÛ. ÇÓÁ‚‡Ú Í ˝Í‡ÌÛ MAIN óÚÓ·˚ ‚ÂÌÛÚ¸Òfl ̇ „·‚Ì˚È ˝Í‡Ì Ò Î˛·Ó„Ó ‰Û„Ó„Ó ˝Í‡Ì‡, ‰ÓÒÚ‡ÚÓ˜ÌÓ Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ [DIRECT ACCESS] (èêüåéâ Ñéëíìè) Ë Á‡ÚÂÏ ÍÌÓÔÍÛ [EXIT] (ÇõïéÑ). Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ àÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ̇ ‚·-Ò‡ÈÚ ÒÏ. ̇ ÒÚ. 168. óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Ò ‚·-Ò‡ÈÚ‡ ̇ Ó·˚˜Ì˚È ‡·Ó˜ËÈ ˝Í‡Ì ËÌÒÚÛÏÂÌÚ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova èÓÍÛÚ͇ ‚·-ÒÚ‡Ìˈ˚ ÖÒÎË ‚Òfl ‚·-ÒÚ‡Ìˈ‡ Ì ÔÓÏ¢‡ÂÚÒfl ‚ ·‡ÛÁ ËÌÒÚÛÏÂÌÚ‡, ÏÓÊÌÓ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl ÔÓÎÓÒÓÈ ÔÓÍÛÚÍË, ÍÓÚÓ‡fl ̇ıÓ‰ËÚÒfl ÒÔ‡‚‡. ÑÎfl ÔÓÍÛÚÍË ËÁÓ·‡ÊÂÌËfl Ë ÔÓÒÏÓÚ‡ ÒÍ˚Ú˚ı ˜‡ÒÚÂÈ ÒÚ‡Ìˈ˚ ËÒÔÓθÁÛÈÚ ‰ËÒÍ [DATA ENTRY] (ÇÇéÑ ÑÄççõï). èÓÎÓÒ‡ ÔÓÍÛÚÍË èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 167 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova ëÒ˚ÎÍË ÖÒÎË Ì‡ ÒÚ‡Ìˈ ÂÒÚ¸ ÒÒ˚Î͇, Ó̇ ÔÓ͇Á‡Ì‡ ‚ ‚ˉ ÍÌÓÔÍË, ˆ‚ÂÚÌ˚Ï ÚÂÍÒÚÓÏ Ë Ú.Ô. ÑÎfl ‚˚·Ó‡ ÒÒ˚ÎÍË ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [6†]/[7π†]/[8†]. óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÔÂÂÈÚË ÔÓ ÒÒ˚ÎÍÂ, ̇ÊÏËÚ [8π] (ENTER). óÚÓ·˚ ‚˚·‡Ú¸ ÒÒ˚ÎÍÛ Ë ÔÂÂÈÚË ÔÓ ÌÂÈ, ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ [DATA ENTRY] Ë ÍÌÓÔÍÛ [ENTER]. Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ Ç ˝ÚÓÏ ‡Á‰ÂΠÔÓ͇Á‡ÌÓ, Í‡Í ‚‚Ó‰ËÚ¸ ÒËÏ‚ÓÎ˚, ÍÓ„‰‡ ‚˚ ̇ıÓ‰ËÚÂÒ¸ ̇ ‚·-Ò‡ÈÚÂ Ë ıÓÚËÚ ‚‚ÂÒÚË Ô‡Óθ, ÍËÚÂËË ‰Îfl ÔÓËÒ͇ ‰‡ÌÌ˚ı Ë Ú.Ô. 1 äÓ„‰‡ ÍÛÒÓ Ì‡ıÓ‰ËÚÒfl ̇ ÌÛÊÌÓÏ ÔÓΠ‰Îfl ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚ (‚ ÓÍÌ ԇÓÎfl ËÎË ‰Û„ÓÏ ÔÓÎÂ, ÒÏ. «àÒÔÓθÁÓ‚‡ÌË ÒÒ˚ÎÓÍ» ‚˚¯Â), ̇ÊÏËÚ ÍÌÓÔÍÛ [ENTER] ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚. èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 2 4 3 5 2 3 168 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 1 Ç˚·ÂËÚ ÌÛÊÌ˚È ÚËÔ ÒËÏ‚ÓÎÓ‚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B]. ÑÎfl ‚˚‰ÂÎÂÌËfl ÌÛÊÌÓ„Ó ÒËÏ‚Ó· ͇ÒÌ˚Ï ˆ‚ÂÚÓÏ ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [6†]/[7π†]/[8†]. éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova ÑÎfl ÔÂÂıÓ‰‡ ‚ ÌÛÊÌÛ˛ ÔÓÁËˆË˛ Ë ‚˚‰ÂÎÂÌËfl ÒËÏ‚Ó· ͇ÒÌ˚Ï ˆ‚ÂÚÓÏ ÏÓÊÌÓ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ‰ËÒÍ [DATA ENTRY]. 4 ÑÎfl ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚ ̇ÊÏËÚ [8π] (ENTER). ÑÎfl ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚ ÏÓÊÌÓ Ú‡ÍÊ ̇ʇڸ ÍÌÓÔÍÛ [ENTER] ̇ Ô‡ÌÂÎË. 쉇ÎÂÌË ÒËÏ‚ÓÎÓ‚ • ÑÎfl Û‰‡ÎÂÌËfl Ô‰˚‰Û˘Â„Ó ÒËÏ‚Ó· ̇ÊÏËÚ ÍÌÓÔÍÛ [5π] (DELETE). • ÑÎfl Û‰‡ÎÂÌËfl ÍÓÌÍÂÚÌÓ„Ó ÒËÏ‚Ó·: 1 ìÒÚ‡ÌÓ‚ËÚ ÍÛÒÓ Ì‡ ÒËÏ‚ÓÎÂ, ÍÓÚÓ˚È Ú·ÛÂÚÒfl Û‰‡ÎËÚ¸. 1-1 óÚÓ·˚ ÍÛÒÓ Ó͇Á‡ÎÒfl ÔÓ‰ ‡ÏÍÓÈ Ò ÒËÏ‚Ó·ÏË, ËÒÔÓθÁÛÈÚ ÍÌÓÔÍË [6†]/[7π†]/[8†√®]. 1-2 ÑÎfl ÔÂÂÏ¢ÂÌËfl ÍÛÒÓ‡ ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (ENTER). 2 ÑÎfl Û‰‡ÎÂÌËfl ÒËÏ‚Ó· ̇ÊÏËÚ ÍÌÓÔÍÛ [5π] (DELETE). • ÑÎfl Û‰‡ÎÂÌËfl ‚ÒÂı ÒËÏ‚ÓÎÓ‚ ̇ÊÏËÚ [4π] (CLEAR). ÇÒÚ‡‚͇ ÒËÏ‚Ó· 1 肉ËÚ ÍÛÒÓ ‚ ÌÛÊÌÛ˛ ÔÓÁËˆË˛. àÒÔÓθÁÛÈÚ Ú Ê ÓÔ‡ˆËË, ˜ÚÓ Ë ‚ ¯‡„ 1 ‡Á‰Â· «ì‰‡ÎÂÌË ÒËÏ‚ÓÎÓ‚». 2 ÑÎfl ‚˚‰ÂÎÂÌËfl ÌÛÊÌÓ„Ó ÒËÏ‚Ó· ͇ÒÌ˚Ï ˆ‚ÂÚÓÏ ÔÓθÁÛÈÚÂÒ¸ ÍÌÓÔ͇ÏË [6π]/[7π†]/[8†]. 3 ÑÎfl ‚‚Ó‰‡ ÒËÏ‚Ó· ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (ENTER). Ç‚Ó‰ Ôӷ· 1 肉ËÚ ÍÛÒÓ ‚ ÌÛÊÌÛ˛ ÔÓÁËˆË˛. àÒÔÓθÁÛÈÚ Ú Ê ÓÔ‡ˆËË, ˜ÚÓ Ë ‚ ¯‡„ 1 ‡Á‰Â· «ì‰‡ÎÂÌË ÒËÏ‚ÓÎÓ‚». 2 ÑÎfl ‚‚Ó‰‡ Ôӷ· ̇ÊÏËÚ [5†] (SPACE). Ç‚Ó‰ ÒËÏ‚Ó· ÔÂÂıÓ‰‡ ̇ ÌÓ‚Û˛ ÒÚÓÍÛ ÖÒÎË ‚ ÚÂÍÒÚÓ‚Ó ÔÓΠÏÓÊÌÓ ‚‚ÂÒÚË Ì‡ÒÍÓθÍÓ ÒÚÓÍ, ‰Îfl ÔÂÂıÓ‰‡ ̇ ÌÓ‚Û˛ ÒÚÓÍÛ Ì‡ÊÏËÚ [4†] (RETURN). 5 óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ‚‚ÂÒÚË ÒËÏ‚ÓÎ˚, ̇ÊÏËÚ [1π†] (OK). ÑÎfl ÓÚÏÂÌ˚ ÓÔ‡ˆËË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [2π†] (CANCEL). èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ ÇÓÁ‚‡Ú ̇ Ô‰˚‰Û˘Û˛ ‚·-ÒÚ‡ÌËˆÛ óÚÓ·˚ ‚ÂÌÛÚ¸Òfl ̇ ‚·-ÒÚ‡ÌˈÛ, ÍÓÚÓ‡fl ·˚· ‚˚·‡Ì‡ Ô‰ ÚÂÍÛ˘ÂÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [1π†] (BACK). óÚÓ·˚ ‚ÂÌÛÚ¸Òfl ̇ ÒÚ‡ÌˈÛ, ÍÓÚÓ‡fl ·˚· ‚˚·‡Ì‡ ‰Ó ̇ʇÚËfl ÍÌÓÔÍË [1π†] (BACK), ̇ÊÏËÚ ÍÌÓÔÍÛ [2π†] (FORWARD). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 169 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova é·ÌÓ‚ÎÂÌË ‚·-ÒÚ‡Ìˈ˚/éÚÏÂ̇ Á‡„ÛÁÍË ‚·-ÒÚ‡Ìˈ˚ óÚÓ·˚ Ó·ÌÓ‚ËÚ¸ ‚·-ÒÚ‡ÌËˆÛ (۷‰ËÚ¸Òfl ‚ ÚÓÏ, ˜ÚÓ Û ‚‡Ò ÔÓÒΉÌflfl ‚ÂÒËfl ÒÚ‡Ìˈ˚, ËÎË ÔÓÔ˚Ú‡Ú¸Òfl ÔÂÂÁ‡„ÛÁËÚ¸ ÒÚ‡ÌˈÛ), ̇ÊÏËÚ ÍÌÓÔÍÛ [3π†] (REFRESH). ÑÎfl ÓÚÏÂÌ˚ Á‡„ÛÁÍË ÒÚ‡Ìˈ˚ (ÂÒÎË Á‡„ÛÁ͇ ˉÂÚ ÒÎ˯ÍÓÏ ‰Ó΄Ó) ̇ÊÏËÚ ÍÌÓÔÍÛ [4π†] (STOP). ëÎÂÊÂÌË Á‡ ÒÓÒÚÓflÌËÂÏ ÒÓ‰ËÌÂÌËfl Ò àÌÚÂÌÂÚÓÏ íË Á̇˜Í‡ ‚ Ô‡‚ÓÈ ÌËÊÌÂÈ ˜‡ÒÚË àÌÚÂÌÂÚ-˝Í‡Ì‡ ÔÓ͇Á˚‚‡˛Ú ÚÂÍÛ˘Â ÒÓÒÚÓflÌË ÒÓ‰ËÌÂÌËfl Ò àÌÚÂÌÂÚÓÏ. 2 è‡ÌÂθ ÒÓÒÚÓflÌËfl 1 2 3 1 à̉Ë͇ÚÓ ‡‚ÚÓÌÓÏÌÓ„Ó ÂÊËχ éÚÓ·‡Ê‡ÂÚÒfl, ÍÓ„‰‡ ËÌÒÚÛÏÂÌÚ Ì ÔÓ‰Íβ˜ÂÌ Í àÌÚÂÌÂÚÛ. ÖÒÎË ˝ÚÓÚ Á̇˜ÓÍ Ì‡ıÓ‰ËÚÒfl ̇ ˝Í‡ÌÂ, ‚ˉÂÚ¸ ͇ÍËÂ-ÎË·Ó ‚·-ÒÚ‡Ìˈ˚ Ì‚ÓÁÏÓÊÌÓ. 2 à̉Ë͇ÚÓ Ò‚flÁË èÓ͇Á˚‚‡ÂÚ, ˜ÚÓ Ë‰ÂÚ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË Ò ‚·-Ò‡ÈÚÓÏ. SSL: SSL (Secure Sockets Layer) – ˝ÚÓ Òڇ̉‡ÚÌ˚È ‰Îfl ÓÚ‡ÒÎË ÏÂÚÓ‰ Á‡˘ËÚ˚ ‰‡ÌÌ˚ı, Ô‰‡‚‡ÂÏ˚ı ÔÓ àÌÚÂÌÂÚÛ, ÔÛÚÂÏ ¯ËÙÓ‚‡ÌËfl ‰‡ÌÌ˚ı Ë ‰Û„ËÏË ÒÔÓÒÓ·‡ÏË. èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ á‡„Ûʇfl ‰‡ÌÌ˚ ̇ Ô·ÚÛ SmartMedia, ËÒÔÓθÁÛÈÚ Ô·ÚÛ SmartMedia Ò ID. ÇçàåÄçàÖ ÖÒÎË ‚Ó ‚ÂÏfl Á‡„ÛÁÍË ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ÍÛÔÎÂÌÌ˚ ‰‡ÌÌ˚ ·Û‰ÛÚ ÛÚÂflÌ˚. 3 à̉Ë͇ÚÓ SSL éÚÓ·‡Ê‡ÂÚÒfl, ÂÒÎË ÓÚÍ˚Ú˚È ‚·-Ò‡ÈÚ ËÒÔÓθÁÛÂÚ ÔÓÚÓÍÓÎ SSL, Ë ÓÁ̇˜‡ÂÚ, ˜ÚÓ ‰‡ÌÌ˚ Ô‰ Ô‰‡˜ÂÈ ¯ËÙÛ˛ÚÒfl. èÓÍÛÔ͇ Ë Á‡„ÛÁ͇ ‰‡ÌÌ˚ı Ç˚ ÏÓÊÂÚ ÔËÓ·ÂÚ‡Ú¸ Ë Á‡„Ûʇڸ ‰‡ÌÌ˚ ÔÂÒÂÌ (‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ ˝ÚÓÏ ËÌÒÚÛÏÂÌÚ‡) Ë ‰Û„Ë ÚËÔ˚ ‰‡ÌÌ˚ı ÒÓ ÒÔˆˇθÌÓ„Ó ‚·-Ò‡ÈÚ‡ Clavinova. àÌÒÚÛ͈ËË ÔÓ ÔÓÍÛÔÍÂ Ë Á‡„ÛÁÍ ‰‡ÌÌ˚ı ÒÓ‰ÂʇÚÒfl ̇ Ò‡ÏÓÏ Ò‡ÈÚÂ. éÔ‡ˆËfl ÔÓÒΠÔÓÍÛÔÍË Ë Á‡„ÛÁÍË äÓ„‰‡ Á‡„ÛÁ͇ Á‡ÍÓ̘Â̇, ÔÓfl‚ÎflÂÚÒfl ‚ÓÔÓÒ Ó ÚÓÏ, ÓÚÍ˚‚‡Ú¸ ÎË ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ (File Selection). ÖÒÎË ÓÚ‚ÂÚËÚ¸ «Ñ‡», ÔÓfl‚ËÚÒfl ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚, ̇ ÍÓÚÓÓÏ ÏÓÊÌÓ ‚˚·‡Ú¸ Á‡„ÛÊÂÌÌ˚ ‰‡ÌÌ˚Â. ÖÒÎË ÓÚ‚ÂÚËÚ¸ «çÂÚ», ÔÓËÁÓȉÂÚ ‚ÓÁ‚‡Ú ̇ ˝Í‡Ì àÌÚÂÌÂÚ‡. äÓ„‰‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ ÓÚÍ˚Ú, ‰Îfl ÔÂÂıÓ‰‡ ‚ ͇ڇÎÓ„ ÒÎÂ‰Û˛˘Â„Ó ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (UP). åÂÒÚÓ Á‡„ÛÁÍË åÂÒÚÓ, ÍÛ‰‡ Á‡„Ûʇ˛ÚÒfl ‰‡ÌÌ˚Â, Á‡‚ËÒËÚ ÓÚ ËÒÔÓθÁÛÂÏ˚ı ÛÒÚÓÈÒÚ‚ Ô‡ÏflÚË, Í‡Í Û͇Á‡ÌÓ ÌËÊÂ. • ÖÒÎË ËÌÒÚÛÏÂÌÚ ÔËÓ·ÂÚÂÌ ÒÓ ‚ÒÚ‡‚ÎÂÌÌÓÈ Ô·ÚÓÈ SmartMedia: ᇄÛʇÂÏ˚ ‰‡ÌÌ˚ ÒÓı‡Ìfl˛ÚÒfl ‚ Ô‡ÔÍ «MyDownloads» (åÓË Á‡„ÛÁÍË) ̇ ‚Í·‰Í Card (è·ڇ) ˝Í‡Ì‡ File Selection (Ç˚·Ó Ù‡ÈÎÓ‚). óÚÓ·˚ Á‡Í˚Ú¸ ˝ÚÛ Ô‡ÔÍÛ Ë ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Â˛ Ô‡ÔÍÛ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (UP) ̇ ˝Í‡Ì File Selection. 170 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova • ÖÒÎË ËÌÒÚÛÏÂÌÚ ÔËÓ·ÂÚÂÌ ·ÂÁ ‚ÒÚ‡‚ÎÂÌÌÓÈ Ô·Ú˚ SmartMedia: ᇄÛʇÂÏ˚ ‰‡ÌÌ˚ ÒÓı‡Ìfl˛ÚÒfl ‚ Ô‡ÔÍ «MyDownloads» (åÓË Á‡„ÛÁÍË) ̇ ‚Í·‰Í User (èÓθÁÓ‚‡ÚÂθ) ˝Í‡Ì‡ File Selection (Ç˚·Ó Ù‡ÈÎÓ‚). óÚÓ·˚ Á‡Í˚Ú¸ ˝ÚÛ Ô‡ÔÍÛ Ë ‚˚Á‚‡Ú¸ ÒÎÂ‰Û˛˘Â˛ Ô‡ÔÍÛ ·ÓΠ‚˚ÒÓÍÓ„Ó ÛÓ‚Ìfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π] (UP) ̇ ˝Í‡Ì File Selection. ëÓı‡ÌÂÌË Á‡Í·‰ÓÍ Î˛·ËÏ˚ı ÒÚ‡Ìˈ ç‡ ÔÓÒχÚË‚‡ÂÏÓÈ ÒÚ‡Ìˈ ÏÓÊÌÓ ÓÒÚ‡‚ËÚ¸ «Á‡Í·‰ÍÛ» Ë ÒÓÁ‰‡Ú¸ ÒÒ˚ÎÍÛ Ì‡ ÌÂÂ, ˜ÚÓ·˚ ·˚ÒÚÓ ‚˚Á˚‚‡Ú¸ ˝ÚÛ ÒÚ‡ÌËˆÛ ‚ ·Û‰Û˘ÂÏ. 1 äÓ„‰‡ ÌÛÊ̇fl ÒÚ‡Ìˈ‡ ‚˚·‡Ì‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [6π] (BOOKMARK). èÓfl‚ÎflÂÚÒfl ˝Í‡Ì Á‡Í·‰ÓÍ (Bookmark) ÒÓ ÒÔËÒÍÓÏ Á‡Í·‰ÓÍ, Ëϲ˘ËıÒfl ̇ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. èÓ‰ ÒÔËÒÍÓÏ ÓÚÓ·‡Ê‡ÂÚÒfl Á‡„·‚Ë ‚·-ÒÚ‡Ìˈ˚, ‚˚·‡ÌÌÓÈ ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. 2 π†] (ADD). Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‰Îfl ‚Íβ˜ÂÌËfl ÌÓ‚˚ı Á‡Í·‰ÓÍ Ì‡Ê‡ÚËÂÏ Ì‡ ÍÌÓÔÍÛ [3π 3 Ç˚·ÂËÚ ÏÂÒÚÓ ÌÓ‚ÓÈ Á‡Í·‰ÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†] (UP/DOWN). 4 5 èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 3 4 ÑÎfl ÒÓı‡ÌÂÌËfl Á‡Í·‰ÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [7π†] (EXECUTE), ‰Îfl ÓÚÏÂÌ˚ – ÍÌÓÔÍÛ [8π†] (CANCEL). ÑÎfl ‚ÓÁ‚‡Ú‡ ‚ ·‡ÛÁ ̇ÊÏËÚ ÍÌÓÔÍÛ [8π†] (CLOSE). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 171 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova Ç˚ÁÓ‚ ÒÚ‡Ìˈ˚ Ò Á‡Í·‰ÍÓÈ 1 2 ÑÎfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ Á‡Í·‰ÓÍ (Bookmark) ̇ÊÏËÚ ÍÌÓÔÍÛ [6π] (BOOKMARK). Ç˚·ÂËÚ ÌÛÊÌÛ˛ Á‡Í·‰ÍÛ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†] (UP/DOWN). 2 3 èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 3 172 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 óÚÓ·˚ ÓÚÍ˚Ú¸ ÒÚ‡ÌËˆÛ Ò ‚˚·‡ÌÌÓÈ Á‡Í·‰ÍÓÈ, ̇ÊÏËÚ ÍÌÓÔÍÛ [2π†] (JUMP). éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova àÁÏÂÌÂÌË Á‡Í·‰ÓÍ ç‡ ˝Í‡Ì Á‡Í·‰ÓÍ ÏÓÊÌÓ ÏÂÌflÚ¸ ËÏÂ̇ Ë ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡Í·‰ÓÍ, ‡ Ú‡ÍÊ ۉ‡ÎflÚ¸ ÌÂÌÛÊÌ˚ Á‡Í·‰ÍË ËÁ ÒÔËÒ͇. 1 2 3 4 5 6 7 1 èÂÂÏ¢ÂÌË ÍÛÒÓ‡ ‚‚Âı Ë ‚ÌËÁ àÒÔÓθÁÛÂÚÒfl ‰Îfl ‚˚·Ó‡ ÌÛÊÌÓÈ ÔÓÁˈËË ‚ ÒÔËÒÍ Á‡Í·‰ÓÍ. 2 èÂÂıÓ‰ ÔÓ ÏÂÚÍ‡Ï éÚÍ˚‚‡ÂÚ ‚·-ÒÚ‡ÌËˆÛ ÔÓ ‚˚·‡ÌÌÓÈ Á‡Í·‰ÍÂ. 3 çÓ‚‡fl Á‡Í·‰Í‡ àÒÔÓθÁÛÂÚÒfl, ÍÓ„‰‡ Ú·ÛÂÚÒfl ÒÓı‡ÌËÚ¸ Á‡Í·‰ÍÛ (ÒÚ. 171). 4 àÁÏÂÌÂÌË ËÏÂÌ åÂÌflÂÚ ËÏfl ‚˚·‡ÌÌÓÈ Á‡Í·‰ÍË. ç‡Ê‡ÚË ÍÌÓÔÍË [4π†] (CHANGE) ‚˚Á˚‚‡ÂÚ ˝Í‡Ì ‰Îfl ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚. èÓ‰Ó·Ì˚ ËÌÒÚÛ͈ËË ÔÓ ‚‚Ó‰Û ÒËÏ‚ÓÎÓ‚ ÒÏ. ̇ ÒÚ. 168. 5 쉇ÎÂÌË 쉇ÎflÂÚ ‚˚·‡ÌÌÛ˛ Á‡Í·‰ÍÛ ËÁ ÒÔËÒ͇ Á‡Í·‰ÓÍ. 6 èÂÂÏ¢ÂÌË åÂÌflÂÚ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸ Á‡Í·‰ÓÍ ‚ ÒÔËÒÍÂ. 1 Ç˚·ÂËÚ Á‡Í·‰ÍÛ, ÍÓÚÓÛ˛ ıÓÚËÚ ÔÂÂÏÂÒÚËÚ¸, Ë Ì‡ÊÏËÚ ÍÌÓÔÍÛ [6π†] (MOVE). çËÊÌflfl ˜‡ÒÚ¸ ˝Í‡Ì‡ ËÁÏÂÌËÚÒfl, ˜ÚÓ·˚ ‰‡Ú¸ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ ‚˚·‡Ú¸ ÌÓ‚Û˛ ÔÓÁËˆË˛ ‰Îfl Á‡Í·‰ÍË. 2 Ç˚·ÂËÚ ÏÂÒÚÓ ‰Îfl Á‡Í·‰ÍË Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†] (UP/DOWN). π†] (EXECUTE). 3 èÂÂÏÂÒÚËÚ Á‡Í·‰ÍÛ Ì‡ ˝ÚÓ ÏÂÒÚÓ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [7π èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 7 á‡Í˚ÚË á‡Í˚‚‡ÂÚ ˝Í‡Ì Á‡Í·‰ÓÍ Ë ‚ÓÁ‚‡˘‡ÂÚ Ì‡ ˝Í‡Ì ·‡ÛÁ‡. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 173 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova àÁÏÂÌÂÌË ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚ èÓ ÛÏÓΘ‡Ì˲ ‰Óχ¯ÌÂÈ ÒÚ‡ÌˈÂÈ ‚‡¯Â„Ó ·‡ÛÁ‡ ‡‚ÚÓχÚ˘ÂÒÍË Ì‡ÒÚÓÂ̇ „·‚̇fl ÒÚ‡Ìˈ‡ ÒÔˆˇθÌÓ„Ó ‚·-Ò‡ÈÚ‡ Clavinova. é‰Ì‡ÍÓ ‰Óχ¯ÌÂÈ ÒÚ‡ÌˈÂÈ ÏÓÊÌÓ Ò‰Â·ڸ β·Û˛ ÒÚ‡ÌËˆÛ Ò‡ÈÚ‡. 1 2 3 éÚÍÓÈÚ ÒÚ‡ÌˈÛ, ÍÓÚÓÛ˛ ÌÛÊÌÓ Ì‡ÒÚÓËÚ¸ Í‡Í ‰Óχ¯Ì˛˛ ÒÚ‡ÌˈÛ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†] (SETTING) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ BROWSER. 3 4 4 5 èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 6 174 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 6 ç‡ÊÏËÚ ÍÌÓÔÍÛ [1†] (DOWN), ˜ÚÓ·˚ ‚˚·‡Ú¸ ̇ÒÚÓÈÍÛ Set this page as Home. ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†]/[3π†] (EDIT) ̇ÒÚÓÈÚ ‚˚·‡ÌÌÛ˛ ÒÚ‡ÌËˆÛ Í‡Í ‰Óχ¯Ì˛˛. ÑÎfl ‚ÓÁ‚‡Ú‡ ‚ ·‡ÛÁ ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†] (EXECUTE). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π†] (CANCEL). éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova é· ˝Í‡Ì ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ë ˝Í‡Ì‡ ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ (Internet Settings) ÏÓÊÌÓ ÔÓËÁ‚ÂÒÚË ‡Á΢Ì˚ ̇ÒÚÓÈÍË, Ò‚flÁ‡ÌÌ˚Â Ò ÔÓ‰Íβ˜ÂÌËÂÏ Í àÌÚÂÌÂÚÛ, ‚Íβ˜‡fl Ô‰ÔÓ˜ÚÂÌËfl ‚ ÏÂÌ˛ Ë ˝Í‡Ì‡ı. ùÍ‡Ì Ì‡ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ËÏÂÂÚ ˜ÂÚ˚ ÔÓ‰˝Í‡Ì‡: ŇÛÁÂ, LAN, ÅÂÒÔӂӉ̇fl LAN Ë èÓ˜ÂÂ. éÒÌÓ‚Ì˚ ÓÔ‡ˆËË 1 2 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†] (SETTING) ‰Îfl ‚˚ÁÓ‚‡ ˝Í‡Ì‡ ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡. ç‡ÊÏËÚ ÍÌÓÔÍË TAB [√]/[®], ˜ÚÓ·˚ ‚˚·‡Ú¸ ÌÛÊÌ˚È ˝Í‡Ì. Ç˚·ÂËÚ ÌÛÊÌ˚È ˝ÎÂÏÂÌÚ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†] (UP/DOWN). 3 4 5 4 ÑÎfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ ‰‡ÍÚËÓ‚‡ÌËfl ̇ÊÏËÚ [2π†]/ [3π†] (EDIT). ÑÎfl ÌÂÍÓÚÓ˚ı ˝ÎÂÏÂÌÚÓ‚ ˝Í‡Ì EDIT Ì ‚˚‰‡ÂÚÒfl, ÌÓ ‚˚ÔÓÎÌËÚ¸ ̇ÒÚÓÈÍÛ ËÎË ‚ÌÂÒÚË ËÁÏÂÌÂÌË ‚ÒÂ-Ú‡ÍË ÏÓÊÌÓ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [2π†] (UP/DOWN), ˜ÚÓ·˚ ‚˚·‡Ú¸ ̇ÒÚÓÈÍÛ ËÎË ËÁÏÂÌËÚ¸ Á̇˜ÂÌËÂ. íÓ Ê ҇ÏÓ ÏÓÊÌÓ Ò‰Â·ڸ Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ [DATA ENTRY]. èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚ ëËÏ‚ÓÎ˚ ÏÓÊÌÓ ‚‚Ó‰ËÚ¸, ÍÓ„‰‡ ÓÚÍ˚Ú ˝Í‡Ì ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚. (ëÏ. «Ç‚Ó‰ ÒËÏ‚ÓÎÓ‚» ̇ ÒÚ. 168.) 5 6 6 ÑÎfl ‚˚ÔÓÎÌÂÌËfl ̇ÒÚÓÈÍË Ì‡ÊÏËÚ ÍÌÓÔÍÛ [3π] (ENTER). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [3†] (CANCEL). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 175 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova 7 óÚÓ·˚ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÔËÌflÚ¸ ‚Ò ̇ÒÚÓÈÍË, ҉·ÌÌ˚ ̇ ˝Í‡Ì ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡, ̇ÊÏËÚ ÍÌÓÔÍÛ [7π†] (EXECUTE). óÚÓ·˚ ÓÚÏÂÌËÚ¸ ÓÔ‡ˆË˛, ̇ÊÏËÚ ÍÌÓÔÍÛ [8π†] (CANCEL). Browser - ŇÛÁ 1 2 3 4 5 6 7 1 Encode (äÓ‰Ëӂ͇) ᇉ‡ÂÚ ¯ËÙÓ‚‡ÌË ÒËÏ‚ÓÎÓ‚ ‰Îfl ·‡ÛÁ‡. 2 Home Page (ÑÓχ¯Ìflfl ÒÚ‡Ìˈ‡) éÚÓ·‡Ê‡ÂÚ Ë ÔÓÁ‚ÓÎflÂÚ Â‰‡ÍÚËÓ‚‡Ú¸ ‚·-ÒÚ‡Ìˈ˚, ̇ÒÚÓÂÌÌ˚Â Í‡Í ‰Óχ¯ÌË ÒÚ‡Ìˈ˚. 3 Set this page as Home (ë‰Â·ڸ ˝ÚÛ ÒÚ‡ÌËˆÛ ‰Óχ¯ÌÂÈ) ëÏ. ‡Á‰ÂÎ «àÁÏÂÌÂÌËfl ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚» ̇ ÒÚ. 174. 4 Restore Default Home (ÇÓÒÒÚ‡ÌÓ‚ËÚ¸ ‰Óχ¯Ì˛˛ ÒÚ‡ÌËˆÛ ÔÓ ÛÏÓΘ‡Ì˲) ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Ì‡ÒÚÓÈÍÛ ‰Óχ¯ÌÂÈ ÒÚ‡Ìˈ˚. 5 Show images (èÓ͇Á ËÁÓ·‡ÊÂÌËÈ) ÖÒÎË Á‡‰‡Ì ˝ÚÓÚ Ô‡‡ÏÂÚ, ‰‡ÌÌ˚ ӷ‡ÁÓ‚ Ë Í‡ÚËÌÓÍ, Ëϲ˘ËıÒfl ̇ ‚·-ÒÚ‡ÌˈÂ, ÓÚÓ·‡Ê‡˛ÚÒfl ‚ ·‡ÛÁÂÂ. ÖÒÎË ˝ÚÓÚ Ô‡‡ÏÂÚ Ì ÛÒÚ‡ÌÓ‚ÎÂÌ, ͇ÚËÌÍË Ì ÓÚÓ·‡Ê‡˛ÚÒfl. 6 Character entry keys (ä·‚Ë¯Ë ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚) ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Á‡‰‡Ú¸ ÔÓfl‰ÓÍ ÒËÏ‚ÓÎÓ‚ ̇ ‚ËÚۇθÌÓÈ Í·‚ˇÚÛ ‰Îfl ‚‚Ó‰‡ ÒËÏ‚ÓÎÓ‚. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË Alphabetical (èÓ ‡ÎÙ‡‚ËÚÛ), Í·‚Ë¯Ë ‡ÒÔÓÎÓÊÂÌ˚ ‚ ‡ÎÙ‡‚ËÚÌÓÏ ÔÓfl‰ÍÂ. ÖÒÎË Á‡‰‡ÌÓ Á̇˜ÂÌË ASCII, Í·‚Ë¯Ë ‡ÒÔÓÎÓÊÂÌ˚, Í‡Í Ì‡ Ó·˚˜ÌÓÈ Í·‚ˇÚÛ QWERTY. 7 Time zone (ÇÂÏÂÌÌÓÈ ÔÓflÒ) ùÚÓÚ Ô‡‡ÏÂÚ Á‡‰‡ÂÚ ‚ÂÏfl ‰Îfl ·‡ÛÁ‡. LAN – ãÓ͇θ̇fl ‚˚˜ËÒÎËÚÂθ̇fl ÒÂÚ¸ á‡Ô˯ËÚ Á‰ÂÒ¸ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ̇ ÒÎÛ˜‡È, ÂÒÎË ÔˉÂÚÒfl ‚‚Ó‰ËÚ¸ Ëı ¢ ‡Á. 1 2 Use DHCP èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ DNS server1 3 DNS server2 IP address Subnet mask Gateway 1 Use DHCP (àÒÔÓθÁÓ‚‡ÌË DHCP) éÔ‰ÂÎflÂÚ, ËÒÔÓθÁÛÂÚÒfl ÎË DHCP. 2 DNS server 1/DNS server 2 (ë‚ DNS 1/ë‚ DNS 2) ùÚË Ô‡‡ÏÂÚ˚ Á‡‰‡˛Ú ‡‰ÂÒ‡ ÓÒÌÓ‚ÌÓ„Ó Ë ÂÁ‚ÌÓ„Ó Ò‚ÂÓ‚ DNS. éÌË ‰ÓÎÊÌ˚ ·˚Ú¸ Á‡‰‡Ì˚, ÂÒÎË ‚˚¯ÂÛ͇Á‡ÌÌ˚È Ô‡‡ÏÂÚ «Use DHCP» ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ON (set DNS manually) ËÎË OFF. 3 IP address (IP-‡‰ÂÒ)/Subnet mask (å‡Ò͇ ÔÓ‰ÒÂÚË)/Gateway (òβÁ) ùÚË Ô‡‡ÏÂÚ˚ ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË DHCP Ì ËÒÔÓθÁÛÂÚÒfl. éÌË ÔÓÁ‚ÓÎfl˛Ú Á‡‰‡Ú¸ IP-‡‰ÂÒ, χÒÍÛ ÔÓ‰ÒÂÚË Ë ‡‰ÂÒ Ò‚‡-¯Î˛Á‡. ÖÒÎË Ô‡‡ÏÂÚ Use DHCP Ì ÛÒÚ‡ÌÓ‚ÎÂÌ (̇ıÓ‰ËÚÒfl ‚ ÒÓÒÚÓflÌËË OFF), ˝ÚË Ô‡‡ÏÂÚ˚ Ó·flÁ‡ÚÂθÌ˚. 176 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova Wireless LAN - ÅÂÒÔӂӉ̇fl ÎÓ͇θ̇fl ‚˚˜ËÒÎËÚÂθ̇fl ÒÂÚ¸ á‡Ô˯ËÚ Á‰ÂÒ¸ Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ ̇ ÒÎÛ˜‡È, ÂÒÎË ÔˉÂÚÒfl ‚‚Ó‰ËÚ¸ Ëı ¢ ‡Á. 1 2 SSID 3 ͇̇Π4 Encryption WEP key type WEP key length WEP key 1 SSID ᇉ‡ÂÚ SSID (Service Set Identifier). 2 Channel (ä‡Ì‡Î) ᇉ‡ÂÚ Í‡Ì‡Î. 3 Encryption (òËÙÓ‚‡ÌËÂ) ì͇Á˚‚‡ÂÚ, ¯ËÙÛ˛ÚÒfl ÎË ‰‡ÌÌ˚Â. 4 WEP key type (íËÔ Íβ˜‡ WEP)/WEP key length (ÑÎË̇ Íβ˜‡ WEP)/WEP key (äβ˜ WEP) ùÚË Ô‡‡ÏÂÚ˚ ‰ÓÒÚÛÔÌ˚ ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ‚Íβ˜ÂÌÓ ¯ËÙÓ‚‡ÌË (Encryption). éÌË Á‡‰‡˛Ú ÚËÔ Ë ‰ÎËÌÛ Íβ˜‡ ¯ËÙÓ‚‡ÌËfl. Others - èӘ 1 2 3 4 5 èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ 1 Proxy server (èÓÍÒË-Ò‚Â)/Proxy port (èÓÚ ÔÓÍÒË-Ò‚‡)/Non-proxy server (ç ÔÓÍÒË-Ò‚Â) ᇉ‡ÂÚ ËÏfl ÔÓÍÒË-Ò‚‡, ÌÓÏ ÔÓÚ‡ Ë ÌÓÏ ıÓÒÚ‡ ‰Îfl Ò‚‡, Ì fl‚Îfl˛˘Â„ÓÒfl ÔÓÍÒË-Ò‚ÂÓÏ. ùÚË Ô‡‡ÏÂÚ˚ ÚÂ·Û˛ÚÒfl ÚÓθÍÓ ‚ ÒÎÛ˜‡Â, ÂÒÎË ËÒÔÓθÁÛÂÚÒfl ÔÓÍÒËÒ‚Â. 2 Delete cookies (쉇ÎËÚ¸ cookie-Ù‡ÈÎ˚) 쉇ÎflÂÚ ÒÓ‰ÂÊËÏÓ ‚ÒÂı ÒÓı‡ÌÂÌÌ˚ı cookie-Ù‡ÈÎÓ‚. 3 Delete all bookmarks (쉇ÎËÚ¸ ‚Ò Á‡Í·‰ÍË) 쉇ÎflÂÚ ‚Ò ÒÓı‡ÌÂÌÌ˚ Á‡Í·‰ÍË. 4 Initialize setup (àÌˈˇÎËÁËÓ‚‡Ú¸ Ô‡‡ÏÂÚ˚) ÇÓÒÒڇ̇‚ÎË‚‡ÂÚ Òڇ̉‡ÚÌ˚ Á̇˜ÂÌËfl ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ̇ ˝Í‡Ì ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡. ëÏ. ‡Á‰ÂÎ «àÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡» ̇ ÒÚ. 178. 5 Connection information (àÌÙÓχˆËfl Ó ÒÓ‰ËÌÂÌËË) Ç˚‰‡ÂÚ ÔÓ‰Ó·ÌÛ˛ ËÌÙÓχˆË˛ Ó ÒÓ‰ËÌÂÌËË, ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ Ì‡ ‰‡ÌÌ˚È ÏÓÏÂÌÚ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 177 éÔ‡ˆËË Ì‡ ÒÔˆˇθÌÓÏ ‚·-Ò‡ÈÚ Clavinova àÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ ÇÓ ‚ÂÏfl ÓÔ‡ˆËË Initialize ̇ÒÚÓÈÍË ÙÛÌ͈ËË àÌÚÂÌÂÚ‡ Ì ËÌˈˇÎËÁËÛ˛ÚÒfl. çÂÓ·ıÓ‰ËÏÓ ËÌˈˇÎËÁËÓ‚‡Ú¸ Ëı ÓÚ‰ÂθÌÓ, Í‡Í ÔÓ͇Á‡ÌÓ ‰‡ÎÂÂ. ÇÓ ‚ÂÏfl ËÌˈˇÎËÁ‡ˆËË ÔË‚Ó‰flÚÒfl ‚ ËÒıÓ‰ÌÓ ÒÓÒÚÓflÌË Ì ÚÓθÍÓ Ì‡ÒÚÓÈÍË ·‡ÛÁ‡, ÌÓ Ë ‚ÒÂ, ˜ÚÓ ‚˚ Á‡‰‡ÎË Ì‡ ˝Í‡Ì‡ı ̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡. 1 2 3 ç‡ÊÏËÚ ÍÌÓÔÍÛ [5†] (SETTING), ˜ÚÓ·˚ ‚˚Á‚‡Ú¸ ˝Í‡Ì ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [®], ˜ÚÓ·˚ ‚˚·‡Ú¸ ‚Í·‰ÍÛ OTHERS (èêéóÖÖ). Ç˚·ÂËÚ Initialize Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π†] (UP/DOWN). 3 4 ÇÂÌËÚ ̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡ ‚ ËÒıÓ‰ÌÓ ÒÓÒÚÓflÌËÂ Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [2π†]/ [3π†] (EDIT). 쉇ÎÂÌË cookie-Ù‡ÈÎÓ‚ Ë Á‡Í·‰ÓÍ Ç˚¯ÂÓÔËÒ‡Ì̇fl ÓÔ‡ˆËfl ËÌˈˇÎËÁ‡ˆËË Ì ۉ‡ÎflÂÚ cookie-Ù‡ÈÎ˚ Ë Á‡Í·‰ÍË. ÑÎfl Û‰‡ÎÂÌËfl cookie-Ù‡ÈÎÓ‚ Ë Á‡Í·‰ÓÍ ÌÂÓ·ıÓ‰ËÏÓ ËÒÔÓθÁÓ‚‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÓÔ‡ˆËË Ì‡ ‚Í·‰Í OTHERS (èêéóÖÖ) (ÒÚ. 177). èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ Cookie-Ù‡ÈÎ˚ ÒÓ‰ÂÊ‡Ú Î˘ÌÛ˛ ËÌÙÓχˆË˛. 178 4 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡ ëËÒÚÂχ „ËÒÚ‡ˆËË ÓÔ‰ÂÎÂÌÌÓÈ ËÌÙÓχˆËË, Ô‰‡‚‡ÂÏÓÈ ÔÓθÁÓ‚‡ÚÂÎÂÏ ÔË ÔÓÒ¢ÂÌËË ‚·-Ò‡ÈÚ‡ Ë ËÒÔÓθÁÓ‚‡ÌËË àÌÚÂÌÂÚ‡. ùÚ‡ ÙÛÌ͈Ëfl ‡Ì‡Îӄ˘̇ Ù‡ÈÎÛ Ô‰ÔÓ˜ÚÂÌËÈ ‚ Ú‡‰ËˆËÓÌÌÓÈ ÍÓÏÔ¸˛ÚÂÌÓÈ ÔÓ„‡ÏÏÂ, ‚ ÍÓÚÓÓÏ «Á‡ÔÓÏË̇ÂÚÒfl» ڇ͇fl ËÌÙÓχˆËfl, Í‡Í ‚‡¯Â ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl Ë Ô‡Óθ, ˜ÚÓ·˚ ‚‡Ï Ì ÔËıÓ‰ËÎÓÒ¸ ‚‚Ó‰ËÚ¸ Ëı Á‡ÌÓ‚Ó ÔË Í‡Ê‰ÓÏ ÔÓÒ¢ÂÌËË Ò‡ÈÚ‡. DHCP ùÚÓ Òڇ̉‡Ú ËÎË ÔÓÚÓÍÓÎ, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó IP-‡‰ÂÒ‡ Ë ‰Û„‡fl ËÌÙÓχˆËfl Ó ÍÓÌÙË„Û‡ˆËË ÒÂÚË ÌËÁÍÓ„Ó ÛÓ‚Ìfl ÏÓ„ÛÚ Ì‡Á̇˜‡Ú¸Òfl ‰Ë̇Ï˘ÂÒÍË Ë ‡‚ÚÓχÚ˘ÂÒÍË ÔË Í‡Ê‰ÓÏ ÔÓ‰Íβ˜ÂÌËË Í àÌÚÂÌÂÚÛ. DNS ëËÒÚÂχ, ÍÓÚÓ‡fl ÔÂÓ·‡ÁÛÂÚ ËÏÂ̇ ÍÓÏÔ¸˛ÚÂÓ‚, ÔÓ‰Íβ˜ÂÌÌ˚ı Í ÒÂÚË, ‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë IP-‡‰ÂÒ‡. IP-‡‰ÂÒ (IP address) ñËÙÓ‚‡fl ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸, ÔËÒ‚ÓÂÌ̇fl ͇ʉÓÏÛ ÍÓÏÔ¸˛ÚÂÛ ‚ ÒÂÚË Ë Ó·ÓÁ̇˜‡˛˘‡fl ÏÂÒÚÓ̇ıÓʉÂÌË ÛÒÚÓÈÒÚ‚‡ ‚ ÒÂÚË. NTP ëڇ̉‡Ú ‰Îfl ÒËÌıÓÌËÁ‡ˆËË ‚ÌÛÚÂÌÌÂ„Ó ‚ÂÏÂÌË ÍÓÏÔ¸˛Ú‡ Ò ËÒÚÓ˜ÌËÍÓÏ ÚÓ˜ÌÓ„Ó ‚ÂÏÂÌË ÔÓ ÒÂÚË. Ç ÍÓÌÚÂÍÒÚ ‰‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚ÌÛÚÂÌÌË ˜‡Ò˚ ÍÓÏÔ¸˛Ú‡ ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl Û͇Á‡ÌËfl ÚÓ˜ÌÓ„Ó ‚ÂÏÂÌË Ë ‰‡Ú˚ ‰Îfl cookieÙ‡ÈÎÓ‚ Ë SSL. SSID SSID (Service Set Identifier) – ˝ÚÓ Ë‰ÂÌÚËÙË͇ÚÓ ·ÂÒÔÓ‚Ó‰ÌÓÈ ÎÓ͇θÌÓÈ ÒÂÚË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ÍÓÌÍÂÚÌÓÈ ÒÂÚË ‚ ÙËÁ˘ÂÒÍÓÈ Ó·Î‡ÒÚË, „‰Â ‡·ÓÚ‡ÂÚ ÌÂÒÍÓθÍÓ ÌÂÁ‡‚ËÒËÏ˚ı ÒÂÚÂÈ. ë‚flÁ¸ ‚ÓÁÏÓÊ̇ ÚÓθÍÓ ÏÂÊ‰Û ÚÂÏË̇·ÏË Ò ÒÓ‚Ô‡‰‡˛˘ËÏË ËÏÂ̇ÏË SSID. SSL ëÓ͇˘ÂÌË ÓÚ «Secure Sockets Layer». ëڇ̉‡Ú ‰Îfl Ô‰‡˜Ë ÔÓ àÌÚÂÌÂÚÛ Ú‡ÍËı ÍÓÌÙˉÂ̈ˇθÌ˚ı ‰‡ÌÌ˚ı, Í‡Í ÌÓχ ͉ËÚÌ˚ı ͇Ú. URL ëÓ͇˘ÂÌË ÓÚ «Uniform Resource Locator». èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ÒËÏ‚ÓÎÓ‚, ËÒÔÓθÁÛÂχfl ‰Îfl ˉÂÌÚËÙË͇ˆËË ÍÓÌÍÂÚÌ˚ı ‚·-Ò‡ÈÚÓ‚ Ë ÒÚ‡Ìˈ ‚ àÌÚÂÌÂÚÂ Ë ‰Îfl ÔÂÂıÓ‰‡ ̇ ÌËı. èÓÎÌ˚È ‡‰ÂÒ URL Ó·˚˜ÌÓ Ì‡˜Ë̇ÂÚÒfl Ò ÒËÏ‚ÓÎÓ‚ «http://.» ÅÂÒÔӂӉ̇fl ÎÓ͇θ̇fl ÒÂÚ¸ (Wireless LAN, WLAN) èÓ‰Íβ˜ÂÌË ˜ÂÂÁ ÎÓ͇θÌÛ˛ ‚˚˜ËÒÎËÚÂθÌÛ˛ ÒÂÚ¸, ÔÓÁ‚ÓÎfl˛˘Â Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ÔÓ ·ÂÒÔÓ‚Ó‰ÌÓÏÛ ÒÓ‰ËÌÂÌ˲ ·ÂÁ ͇ÍËı-ÎË·Ó Í‡·ÂÎÂÈ. ŇÛÁ (Browser) èÓ„‡ÏÏÌÓ ӷÂÒÔ˜ÂÌË ‰Îfl ÔÓËÒ͇ Ë ÔÓÒÏÓÚ‡ ‚·-ÒÚ‡Ìˈ, ‡ Ú‡ÍÊ ‰ÓÒÚÛÔ‡ Í ÌËÏ. ÑÎfl ‰‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ˝ÚÓ ˝Í‡Ì, ̇ ÍÓÚÓÓÏ ÓÚÓ·‡Ê‡ÂÚÒfl ÒÓ‰ÂÊËÏÓ ‚·-ÒÚ‡Ìˈ. Ç·-ÒÚ‡Ìˈ‡ (Web page) é·ÓÁ̇˜‡ÂÚ Í‡Ê‰Û˛ ËÁ ÒÚ‡Ìˈ, ÒÓÒÚ‡‚Îfl˛˘Ëı ‚·-Ò‡ÈÚ. ÑÓχ¯Ìflfl ÒÚ‡Ìˈ‡ (Home page) 肇fl ÒÚ‡Ìˈ‡, ÍÓÚÓ‡fl ÔÓfl‚ÎflÂÚÒfl ̇ ˝Í‡ÌÂ, ÍÓ„‰‡ ‚˚ ÓÚÍ˚‚‡ÂÚ ·‡ÛÁÂ Ë ÔÓ‰Íβ˜‡ÂÚÂÒ¸ Í àÌÚÂÌÂÚÛ. ÄÌ„ÎËÈÒÍË ÒËÌÓÌËÏ˚ – «front screen» (ËÌÚÂÙÂÈÒÌ˚È ˝Í‡Ì) Ë «top page» (Ô‚‡fl ÒÚ‡Ìˈ‡). ᇄÛÁ͇ (Download) 艇˜‡ ‰‡ÌÌ˚ı ÔÓ ÒÂÚË ËÁ ·Óθ¯ÂÈ ÒËÒÚÂÏ˚ (ıÓÒÚ‡) ̇ ÊÂÒÚÍËÈ ‰ËÒÍ ËÎË ‰Û„Ó ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÂ̸¯ÂÈ «ÍÎËÂÌÚÒÍÓÈ» ÒËÒÚÂÏ˚ (‡Ì‡Îӄ˘ÌÓ ÍÓÔËÓ‚‡Ì˲ Ù‡ÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ̇ ‰ËÒÍÂÚÛ). ÑÎfl ‰‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ˝ÚÓ ÔÓˆÂÒÒ Ô‰‡˜Ë ‰‡ÌÌ˚ı ÔÂÒÌË Ë ‰Û„Ëı ‰‡ÌÌ˚ı Ò ‚·-Ò‡ÈÚ‡ ‚ ËÌÒÚÛÏÂÌÚ. àÌÚÂÌÂÚ (Internet) é„ÓÏ̇fl ÒÂÚ¸, ÒÓÒÚÓfl˘‡fl ËÁ ÏÂÌ ÍÛÔÌ˚ı ÒÂÚÂÈ. èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ‚˚ÒÓÍÓÒÍÓÓÒÚÌÓÈ Ó·ÏÂÌ ‰‡ÌÌ˚ÏË ÏÂÊ‰Û ÍÓÏÔ¸˛Ú‡ÏË, ÏÓ·ËθÌ˚ÏË ÚÂÎÂÙÓ̇ÏË Ë ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË. ãÓ͇θ̇fl ‚˚˜ËÒÎËÚÂθ̇fl ÒÂÚ¸ (LAN) ëÂÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı, Ò‚flÁ˚‚‡˛˘‡fl ÏÂÊ‰Û ÒÓ·ÓÈ „ÛÔÔÛ ÍÓÏÔ¸˛ÚÂÓ‚, ̇ıÓ‰fl˘ËıÒfl ‚ Ó‰ÌÓÏ ÏÂÒÚ (̇ÔËÏÂ, ‚ ÓÙËÒ ËÎË ‰Óχ) Ò ÔÓÏÓ˘¸˛ ÒÔˆˇθÌÓ„Ó Í‡·ÂÎfl. èÓ‚‡È‰Â (Provider) 鄇ÌËÁ‡ˆËfl, Ô‰·„‡˛˘‡fl ÛÒÎÛ„Ë ÔÓ ÔÓ‰Íβ˜ÂÌ˲ Í àÌÚÂÌÂÚÛ. óÚÓ·˚ ÔÓ‰Íβ˜ËÚ¸Òfl Í àÌÚÂÌÂÚÛ, ÌÂÓ·ıÓ‰ËÏÓ Á‡Íβ˜ËÚ¸ ‰Ó„Ó‚Ó Ò ÔÓ‚‡È‰ÂÓÏ. èÓÍÒË (Proxy) èÓÍÒË-Ò‚ – ˝ÚÓ Ò‚Â, ˜ÂÂÁ ÍÓÚÓ˚È ‰ÓÎÊÌ˚ ÔÓıÓ‰ËÚ¸ ‚Ò ÍÓÏÔ¸˛ÚÂ˚ ‚ÌÛÚÂÌÌÂÈ ÒÂÚË ÔÂʉÂ, ˜ÂÏ ÓÌË ÔÓÎÛ˜‡Ú ‰ÓÒÚÛÔ Í ËÌÙÓχˆËË ‚ àÌÚÂÌÂÚÂ. èÓÍÒË-Ò‚ ÔÂÂı‚‡Ú˚‚‡ÂÚ ‚Ò ËÎË Û͇Á‡ÌÌ˚ Á‡ÔÓÒ˚, ‡‰ÂÒÓ‚‡ÌÌ˚ ‡θÌÓÏÛ Ò‚ÂÛ, Ë ÓÔ‰ÂÎflÂÚ, Ì ÏÓÊÂÚ ÎË ÓÌ ‚˚ÔÓÎÌËÚ¸ Ëı Ò‡Ï. ÖÒÎË ÌÂÚ, ÚÓ ÓÌ ÔÂÂÒ˚·ÂÚ Á‡ÔÓÒ Ì‡ ‡θÌ˚È Ò‚Â. èÓÍÒË-Ò‚Â˚ ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÔÓ‚˚¯ÂÌËfl ÔÓËÁ‚Ó‰ËÚÂθÌÓÒÚË Ë ÒÍÓÓÒÚË Ô‰‡˜Ë ‰‡ÌÌ˚ı, ‡ Ú‡ÍÊ ‰Îfl ÙËθÚÓ‚‡ÌËfl Á‡ÔÓÒÓ‚ – Ó·˚˜ÌÓ ‚ ˆÂÎflı ·ÂÁÓÔ‡ÒÌÓÒÚË ËÎË ‰Îfl Ô‰ÓÚ‚‡˘ÂÌËfl ÌÂÒ‡Ì͈ËÓÌËÓ‚‡ÌÌÓ„Ó ‰ÓÒÚÛÔ‡ Í ‚ÌÛÚÂÌÌÂÈ ÒÂÚË. 凯ÛÚËÁ‡ÚÓ (Router) ìÒÚÓÈÒÚ‚‡ ‰Îfl ÒÓ‰ËÌÂÌËfl ÌÂÒÍÓθÍËı ÍÓÏÔ¸˛ÚÂÌ˚ı ÒÂÚÂÈ. ç‡ÔËÏÂ, χ¯ÛÚËÁ‡ÚÓ Ú·ÛÂÚÒfl ‰Îfl ÒÓ‰ËÌÂÌËfl ÌÂÒÍÓθÍËı ÍÓÏÔ¸˛ÚÂÓ‚ ‰Óχ ËÎË ‚ ÓÙËÒÂ Ë Ó·ÂÒÔ˜˂‡ÂÚ ËÏ ‚ÒÂÏ ‰ÓÒÚÛÔ ‚ àÌÚÂÌÂÚ Ë Í Ó·˘ËÏ ‰‡ÌÌ˚Ï. é·˚˜ÌÓ Ï‡¯ÛÚËÁ‡ÚÓ ÔÓ‰Íβ˜‡ÂÚÒfl ÏÂÊ‰Û ÏÓ‰ÂÏÓÏ Ë ÍÓÏÔ¸˛ÚÂÓÏ, ÌÓ ‚ ÌÂÍÓÚÓ˚ ÏÓ‰ÂÏ˚ ÓÌ ‚ÒÚÓÂÌ. å‡Ò͇ ÔÓ‰ÒÂÚË (Subnet mask) ùÚ‡ ̇ÒÚÓÈ͇ ÔÓÁ‚ÓÎflÂÚ ‡Á‰ÂÎËÚ¸ ·Óθ¯Û˛ ÒÂÚ¸ ̇ ÌÂÒÍÓθÍÓ ÒÂÚÂÈ ÏÂ̸¯Â„Ó ‡Áχ. åÓ‰ÂÏ (Modem) ìÒÚÓÈÒÚ‚Ó, ÒÓ‰ËÌfl˛˘Â ӷ˚˜ÌÛ˛ ÚÂÎÂÙÓÌÌÛ˛ ÎËÌ˲ Ë ÍÓÏÔ¸˛ÚÂ Ë ÔÓÁ‚ÓÎfl˛˘Â ËÏ Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ‰Û„ ‰Û„Û. éÌÓ ÔÂÓ·‡ÁÛÂÚ ˆËÙÓ‚˚ Ò˄̇Î˚ ÍÓÏÔ¸˛Ú‡ ‚ ‡Ì‡ÎÓ„Ó‚˚ Á‚ÛÍÓ‚˚ Ò˄̇Î˚ ÚÂÎÂÙÓÌÌÓÈ ÎËÌËË Ë Ì‡Ó·ÓÓÚ. ë‡ÈÚ (Site) ëÓ͇˘ÂÌÌÓ ̇Á‚‡ÌË ‚·-Ò‡ÈÚ‡. é·ÓÁ̇˜‡ÂÚ „ÛÔÔÛ ‚·-ÒÚ‡Ìˈ, ÍÓÚÓ˚ ÓÚÍ˚‚‡˛ÚÒfl ‚ÏÂÒÚÂ. ç‡ÔËÏÂ, ÒÓ‚ÓÍÛÔÌÓÒÚ¸ ‚·-ÒÚ‡Ìˈ, ‡‰ÂÒ‡ ÍÓÚÓ˚ı ̇˜Ë̇˛ÚÒfl Ò http://www.yamaha.com/, ̇Á˚‚‡ÂÚÒfl Ò‡ÈÚÓÏ Yamaha. ë‚ (Server) ÄÔÔ‡‡Ú̇fl ÒËÒÚÂχ ËÎË ÍÓÏÔ¸˛ÚÂ, ËÒÔÓθÁÛÂÏ˚ ‚ ͇˜ÂÒÚ‚Â ˆÂÌڇθÌÓÈ ÚÓ˜ÍË ÒÂÚË Ë Ó·ÂÒÔ˜˂‡˛˘Ë ‰ÓÒÚÛÔ Í Ù‡ÈÎ‡Ï Ë ÒÎÛÊ·‡Ï. ëÒ˚Î͇ (Link) Ç˚‰ÂÎÂÌÌÓ ÒÎÓ‚Ó, ÍÌÓÔ͇ ËÎË Á̇˜ÓÍ Ì‡ ‚·-ÒÚ‡ÌˈÂ. ôÂÎÍÌÛ‚ ̇ ÒÒ˚ÎÍÂ, ‚˚ ÓÚÍ˚‚‡ÂÚ ‰Û„Û˛ ‚·-ÒÚ‡ÌˈÛ. òËÓÍÓÔÓÎÓÒ̇fl Ò‚flÁ¸ (Broadband) íÂıÌÓÎÓ„Ëfl/ÛÒÎÛ„‡ àÌÚÂÌÂÚ‡ (̇ÔËÏÂ, ADSL Ë ÓÔÚ˘ÂÒÍÓ ‚ÓÎÓÍÌÓ), ÔÓÁ‚ÓÎfl˛˘‡fl ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ‚˚ÒÓÍÓÒÍÓÓÒÚÌÛ˛ Ô‰‡˜Û ·Óθ¯Ëı Ó·˙ÂÏÓ‚ ‰‡ÌÌ˚ı. òβÁ (Gateway) ëËÒÚÂχ, Ò‚flÁ˚‚‡˛˘‡fl ‡Á΢Ì˚ ÒÂÚË ËÎË ÒËÒÚÂÏ˚ Ë Ó·ÂÒÔ˜˂‡˛˘‡fl Ô‰‡˜Û Ë ÔÂÓ·‡ÁÓ‚‡ÌË ‰‡ÌÌ˚ı ÌÂÁ‡‚ËÒËÏÓ ÓÚ ‡Á΢ËÈ ‚ Òڇ̉‡Ú‡ı Ò‚flÁË. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èflÏÓ ÔÓ‰Íβ˜ÂÌË ËÌÒÚÛÏÂÌÚ‡ Í àÌÚÂÌÂÚÛ Cookie-Ù‡ÈÎ (Cookie) 179 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ CVP-305 3 9 8 Ò. 186 Ò. 185 78 Ò. 185 CVP-303/CVP-301 3 78 Ò. 185 ÇçàåÄçàÖ CVP-305/303 CVP-301 MIC. LINE IN MIC. LINE 4 Ò. 181 3 6 Ò. 182 èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ‰Û„ËÏ ˝ÎÂÍÚÓÌÌ˚Ï ÍÓÏÔÓÌÂÌÚ‡Ï, ÒΉÛÂÚ ÓÚÍβ˜ËÚ¸ Ëı ÓÚ ÒÂÚË. èÂʉ ˜ÂÏ ‚Íβ˜‡Ú¸ ËÎË ‚˚Íβ˜‡Ú¸ Ó·ÓÛ‰Ó‚‡ÌËÂ, ÒΉÛÂÚ ÛÒÚ‡ÌÓ‚ËÚ¸ ÏËÌËχθÌÛ˛ „ÓÏÍÓÒÚ¸ (0). Ç ÔÓÚË‚ÌÓÏ ÒÎÛ˜‡Â Ó·ÓÛ‰Ó‚‡ÌË ÏÓÊÂÚ ·˚Ú¸ ÔÓ‚ÂʉÂÌÓ, ‡ ‚˚ Ò‡ÏË ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ Û‰‡ ˝ÎÂÍÚ˘ÂÒÍËÏ ÚÓÍÓÏ. INPUT VOLUME 5 Ò. 181 4 Ò. 181 9 9 Ò. 186 Ò. 185 MIN 6 Ò. 182 PHONES MAX 3 àÒÔÓθÁÓ‚‡ÌË ‚̯ÌËı ‡Û‰ËÓÛÒÚÓÈÒÚ‚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ë Á‡ÔËÒË (‡Á˙ÂÏ˚ [AUX OUT], ‡Á˙ÂÏ˚ [AUX OUT (LEVEL FIXED)], ‡Á˙ÂÏ [OPTICAL OUT]) ë ÔÓÏÓ˘¸˛ ˝ÚËı ‡Á˙ÂÏÓ‚ ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ÒÚÂÂÓÒËÒÚÂÏÛ (‰Îfl ÛÒËÎÂÌËfl Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡), ͇ÒÒÂÚÌ˚È Ï‡„ÌËÚÓÙÓÌ ËÎË ˆËÙÓ‚Ó ‡Û‰ËÓÛÒÚÓÈÒÚ‚Ó ‰Îfl Á‡ÔËÒË ‚‡¯Â„Ó ËÒÔÓÎÌÂÌËfl. á‚ÛÍ Ò ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚, ÔÓ‰Íβ˜ÂÌÌ˚ı Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ‡Á˙ÂÏ [MIC./LINE IN] (CVP-305/303), Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔÓ‰‡ÂÚÒfl ̇ ‚˚ıÓ‰. é·‡ÚËÚÂÒ¸ Í ÒıÂÏ‡Ï Ë ËÒÔÓθÁÛÈÚ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ‡Û‰ËÓ͇·ÂÎË. ùÚË ‡Á˙ÂÏ˚ ̇ıÓ‰flÚÒfl ̇ Ô‡ÌÂÎË ‡Á˙ÂÏÓ‚ ̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡. ÇçàåÄçàÖ 2 1 1 1 àÒÔÓθÁÓ‚‡ÌË ̇ۯÌËÍÓ‚ (‡Á˙ÂÏ˚ [PHONES]) èÓ‰Íβ˜ËÚ ̇ۯÌËÍË Í Ó‰ÌÓÏÛ ËÁ ‡Á˙ÂÏÓ‚ PHONES, ̇ıÓ‰fl˘ËıÒfl ÒÌËÁÛ ËÌÒÚÛÏÂÌÚ‡ Ò΂‡ (Òڇ̉‡ÚÌ˚ ‡Á˙ÂÏ˚ 1/4 ‰˛Èχ). ëÏ. ÔÓ‰Ó·Ì˚ ҂‰ÂÌËfl ̇ ÒÚ. 17. 2 èÓ‰Íβ˜ÂÌË ÏËÍÓÙÓ̇ ËÎË „ËÚ‡˚ (‡Á˙ÂÏ [MIC./LINE IN]) (CVP-305/303) èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ èÓ‰Íβ˜Ë‚ ÏËÍÓÙÓÌ Í ‡Á˙ÂÏÛ [MIC./LINE IN], ‡ÒÔÓÎÓÊÂÌÌÓÏÛ Ò΂‡ ̇ Ó·‡ÚÌÓÈ ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡, Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó ˜ÂÚ‚ÂÚ¸‰˛ÈÏÓ‚Ó„Ó ¯ÚÂ͇, ‚˚ ÔÓÎÛ˜ËÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÂÚ¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÏÂÎÓ‰ËË (ÂÊËÏ KARAOKE) ËÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚‡¯ÂÈ Ë„ÓÈ. LJ¯ „ÓÎÓÒ ËÎË Á‚ÛÍ „ËÚ‡˚ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ ‰Ë̇ÏËÍË. àÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ Ô˂‰ÂÌ˚ ̇ ÒÚ. 52. èË ÔÓ‰Íβ˜ÂÌËË ÛÒÚÓÈÒÚ‚ Ò ‚˚ÒÓÍËÏ ÛÓ‚ÌÂÏ ‚˚ıÓ‰ÌÓ„Ó Ò˄̇· ۷‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ [MIC. LINE] ̇ıÓ‰ËÚÒfl ‚ ÔÓÎÓÊÂÌËË LINE. 345 èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ- Ë ‚ˉÂÓÛÒÚÓÈÒÚ‚ êÂÍÓÏẨÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ ‡Û‰ËÓ͇·ÂÎË Ë ¯ÚÂÍÂ˚ Ò ÒÓÔÓÚË‚ÎÂÌËÂÏ, ·ÎËÁÍËÏ Í ÌÛβ. 180 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ÖÒÎË Í ‚˚ıÓ‰Ì˚Ï ‡Á˙ÂÏ‡Ï ËÌÒÚÛÏÂÌÚ‡ ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌË ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. ç ̇ԇ‚ÎflÈÚ Ò˄̇Î˚ Ò ‚˚ıÓ‰Ó‚ [AUX OUT] [AUX OUT (LEVEL FIXED)] ̇ ‚ıÓ‰˚ [AUX IN]. èË Ú‡ÍÓÏ ÔÓ‰Íβ˜ÂÌËË ‚ıÓ‰ÌÓÈ Ò˄̇Î, ÔÓÒÚÛÔ‡˛˘ËÈ ˜ÂÂÁ ‡Á˙ÂÏ˚ [AUX IN], ÒÚ‡ÌÂÚ ‚˚ıÓ‰Ì˚Ï Ò˄̇ÎÓÏ ‡Á˙ÂÏÓ‚ [AUX OUT] [AUX OUT (LEVEL FIXED)]. í‡ÍÓ ÒÓ‰ËÌÂÌË ÏÓÊÂÚ ‚˚Á‚‡Ú¸ ÔÂÚβ Ó·‡ÚÌÓÈ Ò‚flÁË, ˜ÚÓ Ò‰Â·ÂÚ Ì‚ÓÁÏÓÊÌ˚Ï ÌÓχθÌÓ ËÒÔÓÎÌÂÌË ËÎË ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ Ó·ÓËı ÛÒÚÓÈÒÚ‚. ê‡Á˙ÂÏ˚ [AUX OUT] (ëڇ̉‡ÚÌ˚ ÚÂÎÂÙÓÌÌ˚ ‡Á˙ÂÏ˚ [L/L+R] Ë [R]) ëÓ‰ËÌË‚ ËÌÒÚÛÏÂÌÚ Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌ˚ı ‡Á˙ÂÏÓ‚, ‚˚ ÏÓÊÂÚ „ÛÎËÓ‚‡Ú¸ „ÓÏÍÓÒÚ¸ Á‚Û͇, ÔÓ‰‡‚‡ÂÏÓ„Ó Ì‡ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó, Ò ÔÓÏÓ˘¸˛ ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]. ëÓ‰ËÌËÚ ‚˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ AUX OUT [L/L+R]/[R] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ Ô‡˚ ‡ÍÚË‚Ì˚ı ÍÓÎÓÌÓÍ Ò ÔÓÏÓ˘¸˛ ÔÓ‰ıÓ‰fl˘Ëı ‡Û‰ËÓ͇·ÂÎÂÈ. ÑÎfl ÔÓ‰Íβ˜ÂÌËfl Í ÏÓÌÓÛÒÚÓÈÒÚ‚Û ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ‡Á˙ÂÏ [L/L+R]. àÌÒÚÛÏÂÌÚ L/L+R R ÄÍÚË‚Ì˚ ÍÓÎÓÌÍË (LEVEL FIXED) L R AUX OUT ëڇ̉‡ÚÌ˚È ÚÂÎÂÙÓÌÌ˚È ¯ÚÂÍ á‚ÛÍÓ‚ÓÈ Í‡·Âθ ÇıÓ‰ÌÓÈ ‡Á˙ÂÏ ëڇ̉‡ÚÌ˚È ¯ÚÂÍ èÓ‰Íβ˜ÂÌË ‡Û‰ËÓ- Ë ‚ˉÂÓÛÒÚÓÈÒÚ‚. ê‡Á˙ÂÏ˚ [AUX OUT (LEVEL FIXED)] (RCA-¯ÚÂÍÂ˚ [L] Ë [R]) ÖÒÎË ÒÓ‰ËÌËÚ¸ ËÌÒÚÛÏÂÌÚ Ë ‡Û‰ËÓÒËÒÚÂÏÛ Ò ÔÓÏÓ˘¸˛ ¯ÚÂÍÂÓ‚ RCA («Ú˛Î¸Ô‡Ì˚»), ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‡ÂÚÒfl Ò˄̇ΠÙËÍÒËÓ‚‡ÌÌÓ„Ó ÛÓ‚Ìfl. èË ˝ÚÓÏ ÔÓÎÓÊÂÌË ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME] Ë„ÌÓËÛÂÚÒfl. àÒÔÓθÁÛÈÚ Ëı, ÂÒÎË „ÓÏÍÓÒÚ¸ „ÛÎËÛÂÚÒfl ̇ ‚̯ÌÂÈ ‡Û‰ËÓÒËÒÚÂÏ ËÎË Á‚ÛÍ ËÌÒÚÛÏÂÌÚ‡ Á‡ÔËÒ˚‚‡ÂÚÒfl ̇ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó. ëÓ‰ËÌflÈÚ ‚˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ AUX OUT [L]/[R] (LEVEL FIXED) ËÌÒÚÛÏÂÌÚ‡ Ë ‚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ AUX IN ‡Û‰ËÓÒËÒÚÂÏ˚ Ò ÔÓÏÓ˘¸˛ ÔÓ‰ıÓ‰fl˘Ëı ‡Û‰ËÓ͇·ÂÎÂÈ. 4 ÇÓÒÔÓËÁ‚‰ÂÌË Á‚Û͇ ‚̯ÌËı ‡Û‰ËÓÛÒÚÓÈÒÚ‚ Ò ÔÓÏÓ˘¸˛ ‚ÒÚÓÂÌÌ˚ı ‰Ë̇ÏËÍÓ‚ (‡Á˙ÂÏ˚ [AUX IN]) ä ˝ÚËÏ ‡Á˙ÂÏ‡Ï ÏÓÊÌÓ ÔÓ‰ÒÓ‰ËÌflÚ¸ ÒÚÂÂÓ‚˚‚Ó‰˚ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡, ˜ÚÓ ÔÓÁ‚ÓÎflÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‰Û„Ó„Ó ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‰Ë̇ÏËÍË ËÌÒÚÛÏÂÌÚ‡. ëÓ‰ËÌflÈÚ ‚˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ (LINE OUT Ë Ú. ‰.) ‚̯ÌÂ„Ó ÒËÌÚÂÁ‡ÚÓ‡ ËÎË ÏÓ‰ÛÎfl ÚÓÌ-„Â̇ÚÓ‡ Ë ‚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ AUX IN [L/L+R]/[R] ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ÔÓ‰ıÓ‰fl˘Ëı ‡Û‰ËÓ͇·ÂÎÂÈ. àÌÒÚÛÏÂÌÚ L/L+R àÌÒÚÛÏÂÌÚ L/L+R R ëËÌÚÂÁ‡ÚÓ íÓÌ-„Â̇ÚÓ R ëÚÂÂÓÒËÒÚÂχ AUX IN (LEVEL FIXED) L R LINE OUT ëڇ̉‡ÚÌ˚È ¯ÚÂÍ AUX OUT á‚ÛÍÓ‚ÓÈ Í‡·Âθ AUX IN òÚÂÍ òÚÂÍ òÚÂÍ á‚ÛÍÓ‚ÓÈ Í‡·Âθ ÇçàåÄçàÖ ÖÒÎË Ì‡ ‚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ ËÌÒÚÛÏÂÌÚ‡ ÔÓ‰‡ÂÚÒfl Á‚ÛÍ Ò ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, Ò̇˜‡Î‡ ‚Íβ˜‡ÈÚ ÔËÚ‡ÌË ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡, ‡ Á‡ÚÂÏ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡. Ç˚Íβ˜‡Ú¸ ÔËÚ‡ÌË ÒΉÛÂÚ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. èÓÚ [OPTICAL OUT] (CVP-305) àÒÔÓθÁÛÂÚÒfl ‰Îfl ÓÔÚ˘ÂÒÍÓ„Ó ‚˚‚Ó‰‡ ˆËÙÓ‚Ó„Ó ‡Û‰ËÓÒ˄̇· (˜‡ÒÚÓÚ‡ 44,1 ÍɈ) ‰Îfl ̇˂˚Ò¯Â„Ó Í‡˜ÂÒÚ‚‡ Á‚Û͇. Ç˚ıÓ‰ÌÓÈ ÒË„Ì‡Î Ò ‡Á˙Âχ [OPTICAL OUT] ËÏÂÂÚ ÔÓÒÚÓflÌÌ˚È ÛÓ‚Â̸, Ë Â„ÛÎËӂ͇ Ó·˘ÂÈ „ÓÏÍÓÒÚË Ì‡ ËÌÒÚÛÏÂÌÚ ̇ ÌÂ„Ó Ì ‚ÎËflÂÚ. ë ÔÓÏÓ˘¸˛ ÔÓ‰ıÓ‰fl˘Â„Ó Í‡·ÂÎfl ÒÓ‰ËÌËÚ ˝ÚÓÚ ‡Á˙ÂÏ Ò ÓÔÚ˘ÂÒÍËÏ ˆËÙÓ‚˚Ï ‚ıÓ‰ÓÏ ÛÒÚÓÈÒÚ‚‡ Á‡ÔËÒË ÏËÌË-‰ËÒÍÓ‚ (MD-ÂÍÓ‰Â) ËÎË ÛÒÚÓÈÒÚ‚‡ Á‡ÔËÒË ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ (CD-ÂÍÓ‰Â). (ê‡Á˙ÂÏ˚ ͇·ÂÎfl ‰ÓÎÊÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ ‡Á˙ÂÏ‡Ï Ì‡ Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı.) í‡Í Í‡Í ˆËÙÓ‚‡fl Ô‰‡˜‡ ÔÓÁ‚ÓÎflÂÚ Á‡ÔËÒ‡Ú¸ ˜ÂÚÍËÈ Ò˄̇Π·ÂÁ ÔÓÏÂı, ÛıÛ‰¯ÂÌËfl ËÎË ËÒ͇ÊÂÌËfl, ‚˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ò‚Ó ËÒÔÓÎÌÂÌËÂ Ò Ì‡Ë‚˚Ò¯ËÏ Í‡˜ÂÒÚ‚ÓÏ. • ÑÎfl ÔÓ‰Íβ˜ÂÌËfl Í ÏÓÌÓÛÒÚÓÈÒÚ‚Û ËÒÔÓθÁÛÈÚ ÚÓθÍÓ ‡Á˙ÂÏ [L/L+R]. • 臇ÏÂÚ [MASTER VOLUME] ‚ÎËflÂÚ Ì‡ ‚ıÓ‰ÌÓÈ Ò˄̇ΠËÁ ‡Á˙ÂÏÓ‚ [AUX IN]. 5 Ç˚‚Ó‰ ËÁÓ·‡ÊÂÌËfl Ò ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡ ̇ ‚̯ÌËÈ ÚÂÎÂ˝Í‡Ì (CVP-305) ä ËÌÒÚÛÏÂÌÚÛ ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ‚̯ÌËÈ ÚÂÎÂÏÓÌËÚÓ Ë ‚˚‚Ó‰ËÚ¸ ÚÂÍÛ˘Â ËÁÓ·‡ÊÂÌËÂ Ë ÚÂÍÒÚ ÔÂÒÂÌ Ì‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ‰Îfl „ÛÔÔÓ‚Ó„Ó ÔÂÌËfl Ë Ú.Ô. àÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ Ô˂‰ÂÌ˚ ̇ ÒÚ. 53. àÌÒÚÛÏÂÌÚ ç‡ÒÚÓÈÍË ÙÛÌ͈ËË Video Out USB-ÔÓÚ ÓÔÚ˘ÂÒÍËÈ ‚˚ıÓ‰ Í ÛÒÚÓÈÒÚ‚Û 1 åËÌˉËÒÍÓ‚‡fl ‰Â͇ Ë Ú.Ô. éÔÚ˘ÂÒÍËÈ ˆËÙÓ‚ÓÈ ‚ıÓ‰ 2 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [G] VIDEO OUT Ç˚·ÂËÚ Òڇ̉‡Ú ‚ˉÂÓÓ·ÓÛ‰Ó‚‡ÌËfl (NTSC π†]. Ç˚·ÂËÚ ËÎË PAL) Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π ÒÓ‰ÂʇÌË ËÒıÓ‰fl˘Â„Ó ‚ˉÂÓÒ˄̇· – ÚÂÍÛ˘Â ÒÓ‰ÂʇÌË ˝Í‡Ì‡ (LCD) ËÎË ÚÂÍÒÚ ÔÂÒÌË (LYRICS) π†]/[4π π†]. – Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [3π éÔÚ˘ÂÒÍËÈ ˆËÙÓ‚ÓÈ Í‡·Âθ èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 181 àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ [AUX PEDAL]) ç‡Á̇˜ÂÌË ÒÔˆˇθÌ˚ı ÙÛÌ͈ËÈ Ô‰‡ÎflÏ • Ç˚·ÂËÚ Òڇ̉‡Ú (NTSC ËÎË PAL), ËÒÔÓθÁÛÂÏ˚È ‚‡¯ËÏ ‚ˉÂÓÓ·ÓÛ‰Ó‚‡ÌËÂÏ. • ÖÒÎË ‚ ͇˜ÂÒÚ‚Â ÒÓ‰ÂʇÌËfl ËÒıÓ‰fl˘Â„Ó ‚ˉÂÓÒ˄̇· ‚˚·‡ÌÓ Á̇˜ÂÌË LYRICS, ˜ÂÂÁ ‚ˉÂÓ‚˚ıÓ‰ VIDEO OUT ‚˚‚Ó‰ËÚÒfl ÚÓθÍÓ ÚÂÍÒÚ ÔÂÒÌË, ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÚÓ„Ó, ͇ÍÓÈ ˝Í‡Ì ‚˚Á‚‡Ì ‚ ˝ÚÓÚ ÏÓÏÂÌÚ Ì‡ ‰ËÒÔÎÂÈ Ò‡ÏÓ„Ó ËÌÒÚÛÏÂÌÚ‡. • ç ÒÏÓÚËÚ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ‡ ÒÎ˯ÍÓÏ ‰ÓÎ„Ó – ˝ÚÓ ‚‰ÌÓ ‰Îfl ÁÂÌËfl. èÓ˜‡˘Â ‰Â·ÈÚ ÔÂÂ˚‚ Ë ÒÏÓÚËÚ ̇ Û‰‡ÎÂÌÌ˚ ӷ˙ÂÍÚ˚, ˜ÚÓ·˚ „·Á‡ ÓÚ‰ÓıÌÛÎË. 6 àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ [AUX PEDAL]) èÓ‰Íβ˜Ë‚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠËÎË ÌÓÊÌÓÈ ÔÂÂÍβ˜‡ÚÂθ ˜ÂÂÁ ‡Á˙ÂÏ [AUX PEDAL], ÏÓÊÌÓ Î„ÍÓ ÛÔ‡‚ÎflÚ¸ ‡Á΢Ì˚ÏË ÙÛÌ͈ËflÏË, ÍÓÚÓ˚ ̇Á̇˜‡˛ÚÒfl ÔÓθÁÓ‚‡ÚÂÎÂÏ. ç‡ÔËÏÂ, ÂÒÎË ÔÓ‰Íβ˜ËÚ¸ Ú‡ÍËÏ Ó·‡ÁÓÏ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠFC7 Ë Ì‡Á̇˜ËÚ¸ ÂÏÛ ÙÛÌÍˆË˛ ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛, ÏÓÊÌÓ Ò‰Â·ڸ Ò‚Ó ËÒÔÓÎÌÂÌË ·ÓΠ‚˚‡ÁËÚÂθÌ˚Ï, ÛÔ‡‚Îflfl ÛÓ‚ÌÂÏ „ÓÏÍÓÒÚË Ë„‡ÂÏ˚ı ÌÓÚ. àÎË, ÔÓ‰Íβ˜Ë‚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠFC4 ËÎË FC5 Ë Ì‡Á̇˜Ë‚ ÂÏÛ ÙÛÌÍˆË˛ Á‡ÔÛÒ-͇ Ë ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl, ÏÓÊÌÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÒÚËθ ÌÓ„ÓÈ. (Ç ˝ÚÓÏ ÒÎÛ˜‡Â Û Ô‰‡ÎË ·Û‰ÂÚ Ú‡ Ê ÙÛÌ͈Ëfl, ˜ÚÓ Ë Û ÍÌÓÔÍË STYLE CONTROL [START/STOP] ̇ Ô‡ÌÂÎË.) îÛÌ͈ËË, ÍÓÚÓ˚ ÏÓÊÌÓ Ì‡Á̇˜‡Ú¸, Û͇Á‡Ì˚ ‰‡Î ÔÓÒΠËÌÒÚÛ͈ËÈ. ê‡Á΢Ì˚ ÙÛÌ͈ËË ÏÓÊÌÓ Ì‡Á̇˜‡Ú¸ Ì ÚÓθÍÓ Ô‰‡Î¸ÌÓÏÛ ÔÂÂÍβ˜‡ÚÂβ ËÎË ÍÓÌÚÓÎÎÂÛ, ÌÓ Ë ÚÂÏ Ô‰‡ÎflÏ ËÌÒÚÛÏÂÌÚ‡ (Ô‡‚ÓÈ, Ò‰ÌÂÈ Ë Î‚ÓÈ). чΠӷÒÛʉ‡˛ÚÒfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‰ÂÈÒÚ‚Ëfl Ë Ì‡Á̇˜‡ÂÏ˚ ÙÛÌ͈ËË (Ô‡‡ÏÂÚ˚). 1 2 3 4 5 çÓÊÌ˚ Ô‰‡ÎË è‰‡Î¸Ì˚È ÔÂÂÍβ- 艇θÌ˚È ÔÂÂÍβ- çÓÊÌÓÈ ÍÓÌÚÓÎΠ˜‡ÚÂθ FC4 (Ì ‚ıÓ‰ËÚ ˜‡ÚÂθ FC5 (Ì ‚ıÓ‰ËÚ FC7 (Ì ‚ıÓ‰ËÚ ‚ ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË) ‚ ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË) ÍÓÏÔÎÂÍÚ ÔÓÒÚ‡‚ÍË) ÇçàåÄçàÖ èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ èÓ‰Íβ˜‡ÈÚÂ Ë ÓÚÍβ˜‡ÈÚ Ô‰‡Î¸, ÚÓθÍÓ ÍÓ„‰‡ ËÌÒÚÛÏÂÌÚ ‚˚Íβ˜ÂÌ. 182 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç˚ÁÓ‚ËÚ ÓÔ‡ˆËÓÌÌ˚È ˝Í‡Ì. [FUNCTION] → [I] UTILITY → TAB [√] OWNER ë ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ‚˚·ÂËÚ ӉÌÛ ËÁ ÚÂı Ô‰‡ÎÂÈ ‰Îfl ÔËÒ‚ÓÂÌËfl ÙÛÌ͈ËË. π†] ‚˚·ÂËÚ ÙÛÌ͈ËË, ë ÔÓÏÓ˘¸˛ ÍÌÓÔÍË [1π ÍÓÚÓ˚ ÌÂÓ·ıÓ‰ËÏÓ ÔËÒ‚ÓËÚ¸ Ô‰‡ÎË, ‚˚·‡ÌÌÓÈ ‚ ¯‡„ 2. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÙÛÌ͈Ëflı Ô‰‡ÎÂÈ Ô˂‰ÂÌ˚ ÌËÊÂ. π†] – [8π π†], ˜ÚÓ·˚ Á‡‰‡Ú¸ àÒÔÓθÁÛÈÚ ÍÌÓÔÍË [2π ÔÓ‰Ó·Ì˚ ԇ‡ÏÂÚ˚ ‚˚·‡ÌÌ˚ı ÙÛÌ͈ËÈ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÙÛÌ͈ËË, ‚˚·‡ÌÌÓÈ ‚ ¯‡„ 3, ‰ÓÒÚÛÔÌ˚ ԇ‡ÏÂÚ˚ ‡Á΢‡˛ÚÒfl. èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó Ô‡‡ÏÂÚ‡ı Ô˂‰ÂÌ˚ ÌËÊÂ. ì‰ÓÒÚӂ¸ÚÂÒ¸, ˜ÚÓ ‚˚·‡ÌÌÓÈ ÙÛÌ͈ËÂÈ ÏÓÊÌÓ ÛÔ‡‚ÎflÚ¸ ̇ʇÚËÂÏ Ô‰‡ÎË. ìÒÚ‡ÌÓ‚ËÚ ÔÓÎflÌÓÒÚ¸ Ô‰‡ÎË ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÙÛÌ͈ËË Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË Á‡‚ËÒËÚ ÓÚ ÚÓ„Ó, ͇͇fl ËÏÂÌÌÓ Ô‰‡Î¸ ÔÓ‰Íβ˜Â̇ Í ËÌÒÚÛÏÂÌÚÛ. ç‡ÔËÏÂ, ̇ʇÚË Ô‰‡ÎË Ó‰ÌÓÈ ÏÓ‰ÂÎË ‚Íβ˜‡ÂÚ ÙÛÌÍˆË˛, ‡ ̇ʇÚË Ô‰‡ÎË ‰Û„ÓÈ ÏÓ‰ÂÎË ÓÚÍβ˜‡ÂÚ ÂÂ. ë ÔÓÏÓ˘¸˛ ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡ ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ÔÓfl‰ÓÍ ‡·ÓÚ˚ Ô‰‡ÎË Ò ÔflÏÓ„Ó Ì‡ Ó·‡ÚÌ˚È. óÚÓ·˚ ÔÂÂÍβ˜ËÚ¸ ÔÓÎflÌÓÒÚ¸, ̇ÊÏËÚ ÍÌÓÔÍÛ [I] (AUX PEDAL POLARITY). èÓ‰Ó·Ì˚ ҂‰ÂÌËfl Ó ÙÛÌ͈Ëflı Ô‰‡ÎÂÈ Ô˂‰ÂÌ˚ ÌËÊÂ. îÛÌ͈ËË, ÓÚϘÂÌÌ˚ Á̇ÍÓÏ , ËÒÔÓθÁÛ˛ÚÒfl ÚÓθÍÓ ‰Îfl * ÌÓÊÌÓ„Ó ÍÓÌÚÓη; ÓÌË Ì ·Û‰ÛÚ ‰ÂÈÒÚ‚Ó‚‡Ú¸ Ô‡‚ËθÌÓ Ò Ô‰‡Î¸Ì˚Ï ÔÂÂÍβ˜‡ÚÂÎÂÏ. àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ [AUX PEDAL]) ç‡Á̇˜‡ÂÏ˚ ÙÛÌ͈ËË Ô‰‡ÎË èÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠ‰Îfl ÛÔ‡‚ÎÂÌËfl „ÓÏÍÓÒÚ¸˛. ùÚ‡ ÙÛÌ͈Ëfl ‰ÓÒÚÛÔ̇ ÚÓθÍÓ ‰Îfl Ô‰‡ÎË, ÔÓ‰Íβ˜ÂÌÌÓÈ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ‡Á˙ÂÏ AUX PEDAL. SUSTAIN (ëÛÒÚÂÈÌ) èÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠ‰Îfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ «ÒÛÒÚÂÈÌ». ÖÒÎË Ì‡Ê‡Ú¸ Ë ‰Âʇڸ ̇ʇÚÓÈ Ô‰‡Î¸, Á‚ÛÍ ‚ÒÂı ÔÓË„˚‚‡ÂÏ˚ı ÌÓÚ ·Û‰ÂÚ ÚflÌÛÚ¸Òfl ‰Óθ¯Â. ÖÒÎË Ô‰‡Î¸ ÓÚÔÛÒÚËÚ¸, Á‚Û˜‡ÌË ÔӉ΂‡‚¯ËıÒfl ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ ÔÂ͇˘‡ÂÚÒfl (Á‡„ÎÛ¯‡ÂÚÒfl). SOSTENUTO (ëÓÒÚÂÌÛÚÓ) ÖÒÎË ‚ÁflÚ¸ ÌÓÚÛ ËÎË ‡ÍÍÓ‰ Ë Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸, ÔÓ͇ Í·‚Ë¯Ë Ì‡Ê‡Ú˚, ˝ÚË ÌÓÚ˚ ·Û‰ÛÚ ‰ÎËÚ¸Òfl, ÔÓ͇ ‚˚ Ì ÓÚÔÛÒÚËÚ Ô‰‡Î¸. èÓÒÎÂ‰Û˛˘Ë ÌÓÚ˚ Ì ۉÎËÌfl˛ÚÒfl. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÂÒÎË, ̇ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘Ë ‚ÒΉ Á‡ ‡ÍÍÓ‰ÓÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ. SOFT (èË„ÎÛ¯ÂÌË Á‚Û͇) èÓÁ‚ÓÎflÂÚ ËÒÔÓθÁÓ‚‡Ú¸ Ô‰‡Î¸ ‰Îfl ÛÔ‡‚ÎÂÌËfl ˝ÙÙÂÍÚÓÏ ÔË„ÎÛ¯ÂÌËfl. ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡ ÌÓÚ. ùÚÓÚ ˝ÙÙÂÍÚ ‰ÂÈÒÚ‚ÛÂÚ ÚÓθÍÓ ‰Îfl ÓÔ‰ÂÎÂÌÌ˚ı ÚÂÏ·Ó‚. GLIDE (ëÍÓθÊÂÌËÂ) ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ‚˚ÒÓÚ‡ Á‚Û͇ ËÁÏÂÌflÂÚÒfl, ÂÒÎË Ô‰‡Î¸ ÓÚÔÛÒÚËÚ¸, ‚ÓÒÒڇ̇‚ÎË‚‡ÂÚÒfl Ó·˚˜Ì‡fl ‚˚ÒÓÚ‡ Á‚Û͇. PORTAMENTO (èÓÚ‡ÏÂÌÚÓ) ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (Ô·‚ÌÓ ÒÍÓθÊÂÌË Á‚Û͇ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒfl ÔË Ë„Â Î„‡ÚÓ (Ú.Â. ÔÓÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ Ë„‡ÂÚÒfl ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ ¢ Ì ÓÚÔÛ˘Â̇ Ô‰˚‰Û˘‡fl). 臇ÏÂÚ Portamento Time ÏÓÊÌÓ Ú‡ÍÊ „ÛÎËÓ‚‡Ú¸ Ò ÏËͯÂÌÓ„Ó ÔÛθڇ (ÒÚ. 82). ùÚ‡ ÙÛÌ͈Ëfl Ì ‚ÎËflÂÚ Ì‡ ÌÂÍÓÚÓ˚ ÚÂÏ·˚ „ÛÔÔ˚ Natural, Á‚Û˜‡ÌË ÍÓÚÓ˚ı ÏÓ„ÎÓ ·˚ ÒËθÌÓ ËÒ͇ʇڸÒfl ˝ÚÓÈ ÙÛÌ͈ËÂÈ. PITCH BEND* (àÁÏÂÌÂÌË ‚˚ÒÓÚ˚ Á‚Û͇) ùÚ‡ ÙÛÌ͈Ëfl ÔÓÁ‚ÓÎflÂÚ ËÁÏÂÌflÚ¸ ‚˚ÒÓÚÛ Á‚Û͇ ‚‚Âı ËÎË ‚ÌËÁ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË. èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‡‚ÓÈ Ô‰‡ÎË ËÎË Ô‰‡ÎË, ÔÓ‰ÒÓ‰ËÌÂÌÌÓÈ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ ˜ÂÂÁ „ÌÂÁ‰Ó AUX PEDAL („ÌÂÁ‰Ó ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË). MODULATION* (åÓ‰ÛÎflˆËfl) ÇÍβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl ÌÓÚ, Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛÂ. ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Û‚Â΢˂‡ÂÚÒfl, ÔÓ͇ Ô‰‡Î¸ ̇ʇڇ. èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‡‚ÓÈ Ô‰‡ÎË ËÎË Ô‰‡ÎË, ÔÓ‰ÒÓ‰ËÌÂÌÌÓÈ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ ˜ÂÂÁ „ÌÂÁ‰Ó AUX PEDAL („ÌÂÁ‰Ó ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË). DSP VARIATION (LJˇˆËË, Á‡‰‡‚‡ÂÏ˚ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ) ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‰Îfl ÚÂÏ·‡ ˝ÙÙÂÍÚ ‚‡Ë‡ˆËË, Á‡‰‡‚‡ÂÏÓÈ ˆËÙÓ‚˚Ï Ò˄̇θÌ˚Ï ÔÓˆÂÒÒÓÓÏ. VIBE ROTOR ON/OFF (ÇË·‡ˆËË) ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ Ô‡‡ÏÂÚ VIBRATE SW, ÍÓ„‰‡ ‚˚·‡Ì ˝ÙÙÂÍÚ VIBE VIBRATE. HARMONY/ECHO ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ‰Îfl ÚÂÏ·‡ ˝ÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË/˝ı‡. VOCAL HARMONY (CVP-305/303) ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇·. TALK (CVP-305/303) ÇÍβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ ÙÛÌÍˆË˛ ËÁÏÂÌÂÌËfl ̇ÒÚÓÂÍ ÏËÍÓÙÓ̇ MIC SETTING Talk. SCORE PAGE+ (ëÎÂ‰Û˛˘‡fl ÒÚ‡Ìˈ‡ Ô‡ÚËÚÛ˚) äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚. SCORE PAGE– (è‰˚‰Û˘‡fl ÒÚ‡Ìˈ‡ Ô‡ÚËÚÛ˚) äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í Ô‰˚‰Û˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚. SONG PLAY/PAUSE (á‡ÔÛÒÍ/Ô‡ÛÁ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [PLAY/PAUSE] ̇ Ô‡ÌÂÎË SONG. STYLE START/STOP (á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [START/STOP] ̇ Ô‡ÌÂÎË STYLE CONTROL. TAP TEMPO (ëÓ·ÒÚ‚ÂÌÌ˚È ÚÂÏÔ) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [TAP]. SYNCHRO START (ëËÌıÓÌÌ˚È Á‡ÔÛÒÍ) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [SYNC START]. SYNCHRO STOP (ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [SYNC STOP]. INTRO1–3 (àÌÚÓ‰Û͈Ëfl 1–3) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [INTRO I-III]. MAIN A–D (éÒÌӂ̇fl ˜‡ÒÚ¸ A–D) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔÍË [MAIN VARIATION A-D]. FILL DOWN (ÇÒÚ‡‚͇ Ë ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‚ÌËÁ) à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË Ò΂‡. FILL SELF (íÓθÍÓ ‚ÒÚ‡‚͇) à„‡ÂÚÒfl ‚ÒÚ‡‚͇. FILL BREAK (ÇÒÚ‡‚͇ ·ÂÈ͇) èÓË„˚‚‡ÂÚ ·ÂÈÍ. FILL UP (ÇÒÚ‡‚͇ Ë ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‚‚Âı) à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË ÒÔ‡‚‡. ENDING1–3 (äÓ̈ӂ͇ 1–3) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔÍË [ENDING/rit. I-III]. FADE IN/OUT (燇ÒÚ‡ÌËÂ/Á‡ÚÛı‡ÌË „ÓÏÍÓÒÚË Á‚Û͇) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ [FADE IN/OUT]. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ VOLUME* (ÉÓÏÍÓÒÚ¸) 183 àÒÔÓθÁÓ‚‡ÌË Ô‰‡Î¸ÌÓ„Ó ÔÂÂÍβ˜‡ÚÂÎfl ËÎË ÌÓÊÌÓ„Ó ÍÓÌÚÓη (‡Á˙ÂÏ [AUX PEDAL]) FING/ON BASS (퇉ˈËÓÌÌ˚È Ò ·‡ÒÓÏ) 艇θ ÒÎÛÊËÚ ÔÂÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 97). BASS HOLD (ᇉÂÊ͇ ·‡Ò‡) èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓ‰. ùÚ‡ ÙÛÌ͈Ëfl Ì ‡·ÓÚ‡ÂÚ, ÂÒÎË ‰Îfl ‡ÔÔÎË͇ÚÛ˚ ‚˚·‡Ì Ô‡‡ÏÂÚ AI FULL KEYBOARD. PERCUSSION (èÂÍÛÒÒËfl) ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ ̇ Û‰‡ÌÓÏ ËÌÒÚÛÏÂÌÚÂ, ‚˚·‡ÌÌÓÏ ÍÌÓÔ͇ÏË [4π†]–[8π†]. ÑÎfl ‚˚·Ó‡ Û‰‡ÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Í·‚ˇÚÛÛ. RIGHT1 ON/OFF (ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË RIGHT1) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [RIGHT 1]. RIGHT2 ON/OFF (ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË RIGHT2) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [RIGHT 2]. LEFT ON/OFF (ÇÍβ˜ÂÌËÂ Ë ‚˚Íβ˜ÂÌË ԇÚËË LEFT) ÑÂÈÒÚ‚ÛÂÚ Ú‡Í ÊÂ, Í‡Í ÍÌÓÔ͇ PART ON/OFF [LEFT]. OTS+ (ëÎÂ‰Û˛˘‡fl ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». OTS– (è‰˚‰Û˘‡fl ̇ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË») Ç˚ÁÓ‚ Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË». чÊ ÂÒÎË Á‡ Ô‰‡ÎflÏË Á‡ÍÂÔÎÂÌ˚ ÙÛÌ͈ËË Sostenuto Ë Portamento, ÓÌË Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ÚÂÏ·˚ Organ Flutes. ê„ÛÎËÛÂÏ˚ ԇ‡ÏÂÚ˚ ‰Îfl ͇ʉÓÈ ÙÛÌ͈ËË è˜ËÒÎÂÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛Ú ÍÌÓÔÍ‡Ï [2π†]–[8π†], ‡ Ëı ‰ÓÒÚÛÔÌÓÒÚ¸ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ Ô‡‡ÏÂÚ‡. ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡ ‚˚·‡Ì SUSTAIN, ̇ ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡‡ÏÂÚ˚ HALF PEDAL POINT, RIGHT 1, RIGHT 2 Ë LEFT. SONG, STYLE, MIC, LEFT, RIGHT1, RIGHT2 ëÎÛÊ‡Ú ‰Îfl Û͇Á‡ÌËfl Ô‡ÚËÈ, ÛÔ‡‚ÎflÂÏ˚ı Ô‰‡Î¸˛. HALF PEDAL POINT* åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ô‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓڇΠÔÂÂÍβ˜‡ÚÂθ (ÒÚ. 183). èËÏÂÌËÏÓ ÚÓθÍÓ Í Ô‡‚ÓÈ Ô‰‡ÎË Ë Í Ô‰‡ÎË, ÔÓ‰ÒÓ‰ËÌÂÌÌÓÈ Í ˆËÙÓ‚ÓÏÛ ÔˇÌËÌÓ ˜ÂÂÁ „ÌÂÁ‰Ó AUX PEDAL („ÌÂÁ‰Ó ‚ÒÔÓÏÓ„‡ÚÂθÌÓÈ Ô‰‡ÎË). DEPTH éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ Ô‰‡ÎË. UP/DOWN ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË ‚˚ÒÓÚ‡ ÚÓ̇ ÔÓ‚˚¯‡Ú¸Òfl ËÎË ÔÓÌËʇڸÒfl. RANGE (ÑˇԇÁÓÌ) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE ËÎË PITCH BEND, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ‚ ÔÓÎÛÚÓ̇ı. í‡ÍÊ Á‡‰‡ÂÚÒfl Ò ÔÓÏÓ˘¸˛ ̇ÒÚÓÈÍË → Pitch Bend Range (ÒÚ. 82). ON SPEED (ëÍÓÓÒÚ¸ ‚Íβ˜ÂÌËfl) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ ÔË Ì‡Ê‡ÚËË Ô‰‡ÎË. OFF SPEED (ëÍÓÓÒÚ¸ ‚˚Íβ˜ÂÌËfl) ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ˝ÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇, ÍÓ„‰‡ Ô‰‡Î¸ ÓÚÔÛ˘Â̇. KIT (ç‡·Ó Û‰‡Ì˚ı) ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸ ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Ëϲ˘ËÂÒfl ̇·Ó˚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚. í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌ˚È Ì‡·Ó Û‰‡Ì˚ı, ÛÔ‡‚ÎflÂÏ˚È Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË. PERCUSSION (èÂÍÛÒÒËfl) ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡Î¸ ÓÚÓ·‡Ê‡˛ÚÒfl ‚Ò Á‚ÛÍË ‚˚·‡ÌÌÓ„Ó Ì‡·Ó‡ Û‰‡Ì˚ı (ÒÏ. ÙÛÌÍˆË˛ KIT ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÏÓÊÂÚ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÔËÒ‚ÓÂÌÌ˚È Ô‰‡ÎË. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ Ñ‡Ê ÂÒÎË Á‡ Ô‰‡ÎflÏË Á‡ÍÂÔÎÂÌ˚ ÙÛÌ͈ËË Sostenuto Ë Portamento, ÓÌË Ì ·Û‰ÛÚ ‚ÎËflÚ¸ ̇ ÚÂÏ·˚ Organ Flutes. 184 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDI-ÛÒÚÓÈÒÚ‚ (ÔÓÚ˚ [MIDI])/èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡ 7 èÓ‰Íβ˜ÂÌË ‚̯ÌËı MIDIÛÒÚÓÈÒÚ‚ (ÔÓÚ˚ [MIDI]) èÓ‰Íβ˜‡ÈÚ ‚̯ÌË MIDI-ÛÒÚÓÈÒÚ‚‡ ˜ÂÂÁ ‚ÒÚÓÂÌÌ˚ ÔÓÚ˚ [MIDI], ËÒÔÓθÁÛfl Òڇ̉‡ÚÌ˚ ͇·ÂÎË MIDI. MIDI IN ÇıÓ‰, ̇ ÍÓÚÓ˚È ÔÓÒÚÛÔ‡˛Ú MIDI-‰‡ÌÌ˚Â Ò ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. MIDI OUT Ç˚ıÓ‰, Ô‰‡˛˘ËÈ MIDI-‰‡ÌÌ˚Â, „ÂÌÂËÛÂÏ˚ ËÌÒÚÛÏÂÌÚÓÏ. MIDI THRU èÓÒÚÓ Ô‰‡ÂÚ MIDI-ÒÓÓ·˘ÂÌËfl, ÔÓÎÛ˜ÂÌÌ˚ ˜ÂÂÁ MIDI IN. 鷢ˠ҂‰ÂÌËfl Ó· ËÌÚÂÙÂÈÒ MIDI Ë ‚ÓÁÏÓÊÌÓÒÚflı Â„Ó ˝ÙÙÂÍÚË‚ÌÓ„Ó ËÒÔÓθÁÓ‚‡ÌËfl ÒÓ‰ÂʇÚÒfl ‚ ÒÎÂ‰Û˛˘Ëı ‡Á‰Â·ı: • óÚÓ Ú‡ÍÓ MIDI.............................................................ÒÚ. 188 • óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI .......................... ÒÚ. 191 • ç‡ÒÚÓÈÍË MIDI............................................................ÒÚ. 192 89 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡ 8 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ (ÔÓÚ˚ [USB TO HOST] Ë [MIDI]) èÓ‰Íβ˜Ë‚ ÍÓÏÔ¸˛ÚÂ Í ËÌÒÚÛÏÂÌÚÛ ˜ÂÂÁ ÔÓÚ˚ [USB TO HOST] ËÎË [MIDI], ‚˚ ÏÓÊÂÚ Ô‰‡‚‡Ú¸ ‰‡ÌÌ˚ ÏÂÊ‰Û ÍÓÏÔ¸˛ÚÂÓÏ Ë ËÌÒÚÛÏÂÌÚÓÏ ˜ÂÂÁ ËÌÚÂÙÂÈÒ MIDI, ‡ Ú‡ÍÊ ËÒÔÓθÁÓ‚‡Ú¸ ÔÂËÏÛ˘ÂÒÚ‚‡ ÒÎÓÊÌ˚ı ÍÓÏÔ¸˛ÚÂÌ˚ı ÏÛÁ˚͇θÌ˚ı ÔÓ„‡ÏÏ. àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔÓÚ·ÛÂÚÒfl Ú‡ÍÊ ÛÒÚ‡ÌÓ‚ËÚ¸ ÔÓ‰ıÓ‰fl˘ËÈ ‰‡È‚ USB MIDI. çËÊ Ô˂‰ÂÌ˚ ËÌÒÚÛ͈ËË ÔÓ ÔÓ‰Íβ˜ÂÌ˲ Ë ËÒÔÓθÁÓ‚‡Ì˲ ÔÓÚÓ‚. ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛Ú ӷÓÛ‰Ó‚‡Ì USB-ËÌÚÂÙÂÈÒÓÏ, Ï˚ ÂÍÓÏẨÛÂÏ ÔÓ‰Íβ˜‡Ú¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ Ò ÔÓÏÓ˘¸˛ USB, ‡ Ì MIDI. чȂ чȂ – ˝ÚÓ ÔÓ„‡Ïχ, ÍÓÚÓ‡fl Ó·ÂÒÔ˜˂‡ÂÚ ËÌÚÂÙÂÈÒ Ô‰‡˜Ë ‰‡ÌÌ˚ı ÏÂÊ‰Û ÓÔ‡ˆËÓÌÌÓÈ ÒËÒÚÂÏÓÈ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰ÒÓ‰ËÌÂÌÌ˚Ï Ó·ÓÛ‰Ó‚‡ÌËÂÏ. óÚÓ·˚ ÒÓ‰ËÌËÚ¸ ÍÓÏÔ¸˛ÚÂ Ë ËÌÒÚÛÏÂÌÚ, ÌÂÓ·ıÓ‰ËÏÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‰‡È‚ USB MIDI. (ùÚÓ Ó·˙flÒÌÂÌË ‡Á·ËÚÓ Ì‡ ‰‚ ˜‡ÒÚË ‰Îfl ‰‚Ûı ÚËÔÓ‚ ÔÓ‰Íβ˜ÂÌËÈ: ˜ÂÂÁ ÔÓÚ [USB TO HOST] Ë ˜ÂÂÁ ÔÓÚ [MIDI].) • èÓ‰Íβ˜ÂÌËÂ Í ÔÓÚÛ [USB TO HOST] èË ÔÓ‰Íβ˜ÂÌËË ËÌÒÚÛÏÂÌÚ‡ Í ÍÓÏÔ¸˛ÚÂÛ ˜ÂÂÁ USB ËÒÔÓθÁÛÈÚ Òڇ̉‡ÚÌ˚È USB-͇·Âθ (Ò Ï‡ÍËÓ‚ÍÓÈ USB). ëÓ‰ËÌËÚÂ Ò ÔÓÏÓ˘¸˛ ͇·ÂÎfl ÔÓÚ [USB TO HOST] ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓÚ USB ÍÓÏÔ¸˛Ú‡. á‡ÚÂÏ ÛÒÚ‡ÌÓ‚ËÚ USB MIDI ‰‡È‚Â. àÌÒÚÛÏÂÌÚ ä‡·Âθ USB é ÔÓÚ‡ı [USB TO HOST] Ë [USB TO DEVICE] àÌÒÚÛÏÂÌÚ Ó·ÓÛ‰Ó‚‡Ì ‡Á˙ÂχÏË USB ‰‚Ûı ÚËÔÓ‚: [USB TO HOST] Ë [USB TO DEVICE]. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚, Ì ÔÂÂÔÛÚ‡ÈÚ ˝ÚË ÔÓÚ˚ Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Á˙ÂÏ˚ ͇·ÂÎfl. èÓ‰Íβ˜‡ÈÚÂ Í ‡Á˙ÂÏ‡Ï ÚÓθÍÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ¯ÚÂÍÂ˚. éÔËÒ‡ÌË ÔÓÚ‡ [USB TO DEVICE] Ô˂‰ÂÌÓ ‚ ÒÎÂ‰Û˛˘ÂÏ ‡Á‰ÂÎÂ. ÇçàåÄçàÖ íÂıÌË͇ ·ÂÁÓÔ‡ÒÌÓÒÚË ÔË ÔÓ‰Íβ˜ÂÌËË Í ÔÓÚÛ [USB TO HOST] èÓ‰Íβ˜‡fl ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ÒΉÛÈÚ Ô˜ËÒÎÂÌÌ˚Ï ÌËÊ ԇ‚Ë·Ï. àı ÌÂÒӷβ‰ÂÌË ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‚ÂʉÂÌ˲ ËÎË ÔÓÚ ‰‡ÌÌ˚ı. ÖÒÎË ÍÓÏÔ¸˛Ú ËÎË ËÌÒÚÛÏÂÌÚ Á‡‚ËÒÎË, ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ë ÔÂÂÁ‡„ÛÁËÚ ÍÓÏÔ¸˛ÚÂ. • èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ÍÓÏÔ¸˛ÚÂ Í ÔÓÚÛ [USB TO HOST], ‚˚ȉËÚ ËÁ ˝Ì„Óҷ„‡˛˘Ëı ÂÊËÏÓ‚ ÍÓÏÔ¸˛Ú‡ (˝ÍÓÌÓÏ˘ÌÓ„Ó, ‰ÂÊÛÌÓ„Ó, ÂÊËχ ÓÊˉ‡ÌËfl), Á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl, ‡ Ú‡ÍÊ ‚˚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡. • Ç˚ÔÓÎÌËÚ ÒÎÂ‰Û˛˘Ë ‰ÂÈÒÚ‚Ëfl, ÔÂʉ ˜ÂÏ ÓÚÍβ˜ËÚ¸ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ ËÎË ÔÓ‰ÒÓ‰ËÌËÚ¸/ÓÚÒÓ‰ËÌËÚ¸ USB-͇·Âθ Í ÍÓÏÔ¸˛ÚÂÛ ËÎË ËÌÒÚÛÏÂÌÚÛ. - á‡ÍÓÈÚ ‚Ò ÓÚÍ˚Ú˚ ÔËÎÓÊÂÌËfl ̇ ÍÓÏÔ¸˛ÚÂÂ. - ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì ˉÂÚ Ô‰‡˜‡ ‰‡ÌÌ˚ı Ò ËÌÒÚÛÏÂÌÚ‡. (чÌÌ˚ Ô‰‡˛ÚÒfl ÚÓθÍÓ ÔË Ì‡Ê‡ÚËË Í·‚˯ ̇ Í·‚ˇÚÛ ËÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË.) • ÇÓ ‚ÂÏfl ÔÓ‰Íβ˜ÂÌËfl USB-ÛÒÚÓÈÒÚ‚‡ Í ËÌÒÚÛÏÂÌÚÛ ‰Â·ÈÚ ԇÛÁ˚ Ì ÏÂÌ 6 ÒÂÍÛ̉ ÏÂÊ‰Û ÒÎÂ‰Û˛˘ËÏË ÓÔ‡ˆËflÏË: ÏÂÊ‰Û ‚˚Íβ˜ÂÌËÂÏ Ë ‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ÏÂÊ‰Û ÔÓ‰ÒÓ‰ËÌÂÌËÂÏ Ë ÓÚÒÓ‰ËÌÂÌËÂÏ USB-͇·ÂÎfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ • àÌÒÚÛÏÂÌÚ Ì‡˜ÌÂÚ Ô‰‡˜Û ˜ÂÂÁ ÌÂÍÓÚÓÓ ‚ÂÏfl ÔÓÒΠÛÒÚ‡ÌÓ‚ÍË USB-ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ‰Îfl ÔÓ‰Íβ˜ÂÌËfl ËÌÒÚÛÏÂÌÚ‡ Í ÍÓÏÔ¸˛ÚÂÛ ËÒÔÓθÁÛÂÚÒfl ͇·Âθ USB, ÔÓ‰Íβ˜ÂÌË ‰ÓÎÊÌÓ ·˚Ú¸ ÔflÏ˚Ï (·ÂÁ ÔÓÏÂÊÛÚÓ˜ÌÓ„Ó ÍÓ̈ÂÌÚ‡ÚÓ‡ USB). • ÑÎfl ÔÓÎÛ˜ÂÌËfl ҂‰ÂÌËÈ ÔÓ Ì‡ÒÚÓÈÍ ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl Ó·‡˘‡ÈÚÂÒ¸ Í ÛÍÓ‚Ó‰ÒÚ‚Û ÔÓθÁÓ‚‡ÚÂÎfl ˝ÚÓ„Ó ÔÓ„‡ÏÏÌÓ„Ó Ó·ÂÒÔ˜ÂÌËfl. 185 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡ • èÓ‰Íβ˜ÂÌË ˜ÂÂÁ ÔÓÚ˚ [MIDI] èÓ‰Íβ˜ËÚ¸ ËÌÒÚÛÏÂÌÚ Í ÍÓÏÔ¸˛ÚÂÛ ˜ÂÂÁ MIDI ÏÓÊÌÓ ‰‚ÛÏfl ÒÔÓÒÓ·‡ÏË. ÖÒÎË ‚‡¯ ÍÓÏÔ¸˛Ú ÓÒ̇˘ÂÌ ‚ÒÚÓÂÌÌ˚Ï MIDI-ËÌÚÂÙÂÈÒÓÏ, ÔÓ‰Íβ˜ËÚ ‚˚ıÓ‰ÌÓÈ ‡Á˙ÂÏ MIDI OUT ÍÓÏÔ¸˛Ú‡ Í ‚ıÓ‰ÌÓÏÛ ÔÓÚÛ [MIDI IN] ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ‚˚ıÓ‰ÌÓÈ ‡Á˙ÂÏ [MIDI OUT] ËÌÒÚÛÏÂÌÚ‡ Í ‚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ MIDI IN ÍÓÏÔ¸˛Ú‡. àÌÒÚÛÏÂÌÚ àÒÔÓθÁÓ‚‡ÌË ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB 䇷Âθ MIDI èÓÚ èÓÚ [MIDI IN] [MIDI OUT] èÓÚ [MIDI OUT] èÓÚ [MIDI IN] äÓÏÔ¸˛ÚÂ Ò ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚Ï MIDI-ËÌÚÂÙÂÈÒÓÏ ÇÚÓÓÈ ÒÔÓÒÓ· ÔÓ‰Íβ˜ÂÌËfl – Ò ÔÓÏÓ˘¸˛ ÓÚ‰ÂθÌÓ„Ó ‚̯ÌÂ„Ó MIDI-ËÌÚÂÙÂÈÒ‡, ÔÓ‰Íβ˜ÂÌÌÓ„Ó Í ÍÓÏÔ¸˛ÚÂÛ ˜ÂÂÁ ÔÓÚ USB ËÎË ÔÓÒΉӂ‡ÚÂθÌ˚È ÔÓÚ (‰Îfl ÏÓ‰Âχ ËÎË ÔËÌÚ‡). ë ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌ˚ı MIDI-͇·ÂÎÂÈ ÔÓ‰Íβ˜ËÚ ‚˚ıÓ‰ÌÓÈ ‡Á˙ÂÏ MIDI OUT ‚̯ÌÂ„Ó ËÌÚÂÙÂÈÒ‡ Í ‚ıÓ‰ÌÓÏÛ ÔÓÚÛ [MIDI IN] ËÌÒÚÛÏÂÌÚ‡, ‡ Ú‡ÍÊ ‚˚ıÓ‰ÌÓÈ ‡Á˙ÂÏ [MIDI OUT] ËÌÒÚÛÏÂÌÚ‡ Í ‚ıÓ‰ÌÓÏÛ ‡Á˙ÂÏÛ MIDI IN ‚̯ÌÂ„Ó ËÌÚÂÙÂÈÒ‡. 䇷Âθ MIDI àÌÒÚÛÏÂÌÚ èÓÚ [MIDI IN] é ÔÓÚ‡ı [USB TO HOST] Ë [USB TO DEVICE] àÌÒÚÛÏÂÌÚ Ó·ÓÛ‰Ó‚‡Ì ‡Á˙ÂχÏË USB ‰‚Ûı ÚËÔÓ‚: [USB TO HOST] Ë [USB TO DEVICE]. ÅÛ‰¸Ú ‚ÌËχÚÂθÌ˚, Ì ÔÂÂÔÛÚ‡ÈÚ ˝ÚË ÔÓÚ˚ Ë ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ‡Á˙ÂÏ˚ ͇·ÂÎfl. èÓ‰Íβ˜‡ÈÚÂ Í ‡Á˙ÂÏ‡Ï ÚÓθÍÓ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ¯ÚÂÍÂ˚. éÔËÒ‡ÌË ÔÓÚ‡ [USB TO HOST] Ô˂‰ÂÌÓ ‚ Ô‰˚‰Û˘ÂÏ ‡Á‰ÂÎÂ. èÓÚ USB ËÎË ÔÓÒΉӂ‡ÚÂθÌ˚È ÔÓÚ (‰Îfl ÏÓ‰Âχ ËÎË ÔËÌÚ‡) MIDI-ËÌÚÂÙÂÈÒ èÓÚ [MIDI OUT] ùÚÓÚ ÚËÔ Ô‰̇Á̇˜ÂÌ ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ËÌÒÚÛÏÂÌÚÛ ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ, ˜ÚÓ·˚ ÒÓı‡ÌflÚ¸ ̇ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ ‰‡ÌÌ˚Â Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡. çËÊ Ô˂‰ÂÌ˚ ËÌÒÚÛ͈ËË ÔÓ Ëı ÔÓ‰Íβ˜ÂÌ˲ Ë ËÒÔÓθÁÓ‚‡Ì˲. • ëÓ‚ÏÂÒÚËÏ˚ ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB ä ÔÓÚÛ [USB TO DEVICE] ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ‰Ó ‰‚Ûı ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ú‡ÍËı Í‡Í ‰ËÒÍÓ‚Ó‰ „Ë·ÍËı ‰ËÒÍÓ‚, ÊÂÒÚÍËÈ ‰ËÒÍ, ‰ËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚, ÛÒÚÓÈÒÚ‚Ó ˜ÚÂÌËfl/Á‡ÔËÒË Ùν¯-Ô‡ÏflÚË Ë ‰. (èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ËÒÔÓθÁÛÈÚ ÍÓ̈ÂÌÚ‡ÚÓ USB.) ÑÛ„Ë ÛÒÚÓÈÒÚ‚‡ Ò ËÌÚÂÙÂÈÒÓÏ USB (Ú‡ÍËÂ, Í‡Í ÍÓÏÔ¸˛ÚÂÌ˚ Í·‚ˇÚÛ˚ ËÎË Ï˚¯Ë) ËÒÔÓθÁÓ‚‡Ú¸ ÌÂθÁfl. àÌÒÚÛÏÂÌÚ ÌÂÓ·flÁ‡ÚÂθÌÓ ÔÓ‰‰ÂÊË‚‡ÂÚ ‚Ò ÒÛ˘ÂÒÚ‚Û˛˘Ë ̇ ˚ÌÍ ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò ËÌÚÂÙÂÈÒÓÏ USB. äÓÔÓ‡ˆËfl Yamaha Ì „‡‡ÌÚËÛÂÚ ‡·ÓÚÛ ÔËÓ·ÂÚÂÌÌÓ„Ó ‚‡ÏË ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. èÂʉ ˜ÂÏ ÔËÓ·ÂÒÚË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÔÓÍÓÌÒÛθÚËÛÈÚÂÒ¸ Ò Â„ËÓ̇θÌ˚Ï ‰ËÎÂÓÏ Yamaha ËÎË ‡‚ÚÓËÁÓ‚‡ÌÌ˚Ï ‰ËÒÚË·¸˛ÚÓÓÏ (ÒÔËÒÓÍ ÒÏ. ‚ ÍÓ̈ ÛÍÓ‚Ó‰ÒÚ‚‡ ÔÓθÁÓ‚‡ÚÂÎfl) ËÎË ÔÓÒÂÚËÚ ÒÎÂ‰Û˛˘Û˛ ‚·-ÒÚ‡ÌˈÛ: http://www.yamahaclavinova.com/ äÓÏÔ¸˛Ú àÒÔÓθÁÛÈÚ ÚÓθÍÓ ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl ‚‡¯Â„Ó ÍÓÏÔ¸˛Ú‡ MIDI-ËÌÚÂÙÂÈÒ. ÑËÒÍÓ‚Ó‰ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ïÓÚfl Ò ÔË¯Û˘Ëı ‰ËÒÍÓ‚Ó‰Ó‚ ÍÓÏÔ‡ÍÚ-‰ËÒÍÓ‚ ÏÓÊÌÓ Ò˜ËÚ˚‚‡Ú¸ ‰‡ÌÌ˚ ‚ ËÌÒÚÛÏÂÌÚ, ̇ ÌËı ÌÂθÁfl ÒÓı‡ÌflÚ¸ ‰‡ÌÌ˚Â. 1 9 èÓ‰Íβ˜ÂÌË ÒÂÚÂ‚Ó„Ó ‡‰‡ÔÚ‡ ËÎË ÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USBËÌÚÂÙÂÈÒÓÏ (˜ÂÂÁ ÔÓÚ [USB TO DEVICE]) èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ ËÒÔÓθÁÓ‚‡ÌËfl ÔÓÚ‡ [USB TO DEVICE] ̇ ÌËÊÌÂÈ Ô‡ÌÂÎË ËÌÒÚÛÏÂÌÚ‡. ■ ë ÔÓÏÓ˘¸˛ ÒÂÚÂ‚Ó„Ó ‡‰‡ÔÚ‡ Ò USB-ËÌÚÂÙÂÈÒÓÏ ‚˚ ÏÓÊÂÚ ÔÓ‰Íβ˜ËÚ¸Òfl ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Í àÌÚÂÌÂÚÛ Ë Á‡„Ûʇڸ ÏÛÁ˚͇θÌ˚ ‰‡ÌÌ˚ ÒÓ ÒÔˆˇÎËÁËÓ‚‡ÌÌ˚ı ‚·-Ò‡ÈÚÓ‚ (ÒÚ. 166). ■ èÓ‰Íβ˜Ë‚ Í ËÌÒÚÛÏÂÌÚÛ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ò USB-ËÌÚÂÙÂÈÒÓÏ Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó Í‡·ÂÎfl USB, ‚˚ ÏÓÊÂÚ ÒÓı‡ÌflÚ¸ ̇ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó ÒÓÁ‰‡ÌÌ˚ ‚‡ÏË ‰‡ÌÌ˚Â, ‡ Ú‡ÍÊ ҘËÚ˚‚‡Ú¸ ‰‡ÌÌ˚Â Ò ÔÓ‰Íβ˜ÂÌÌÓ„Ó ÛÒÚÓÈÒÚ‚‡. 2 èÓ‰Íβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Í ÔÓÚÛ [USB TO DEVICE] Ò ÔÓÏÓ˘¸˛ Òڇ̉‡ÚÌÓ„Ó Í‡·ÂÎfl USB. èÓÒΠ˝ÚÓ„Ó ‚˚ȉËÚ ËÁ ˝Í‡Ì‡ ‚˚·Ó‡ Ë ‚ÂÌËÚÂÒ¸ Í ˝ÚÓÏÛ ˝Í‡ÌÛ (ËÎË Ó‰ÌÓ‚ÂÏÂÌÌÓ Ì‡ÊÏËÚ ÍÌÓÔÍË ÔÂÂÍβ˜ÂÌËfl ÏÂÊ‰Û ‚Í·‰Í‡ÏË [√] Ë [®] ̇ ˝Í‡Ì ‚˚·Ó‡). Ä‚ÚÓχÚ˘ÂÒÍË ‚˚Á˚‚‡˛ÚÒfl ‚Í·‰ÍË USB (USB 1, USB 2 Ë Ú. ‰.), Ë ‚˚ ÏÓÊÂÚ ÒÓı‡ÌflÚ¸ Ù‡ÈÎ˚ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÏÛÁ˚ÍÛ Ò Á‡ÔÓÏË̇˛˘Ëı ÛÒÚÓÈÒÚ‚. äÓ̈ÂÌÚ‡ÚÓ USB ÑÎfl ÔÓ‰Íβ˜ÂÌËfl Ó‰ÌÓ‚ÂÏÂÌÌÓ ‰‚Ûı ËÎË ÚÂı ÛÒÚÓÈÒÚ‚ (̇ÔËÏÂ, ‰‚Ûı ÛÒÚÓÈÒÚ‚ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı Ë ÒÂÚÂ‚Ó„Ó ‡‰‡ÔÚ‡) ËÒÔÓθÁÛÈÚ ÍÓ̈ÂÌÚ‡ÚÓ USB. äÓ̈ÂÌÚ‡ÚÓ USB ‰ÓÎÊÂÌ ËÏÂÚ¸ ‡‚ÚÓÌÓÏÌÓ ÔËÚ‡ÌË (ÓÚ‰ÂθÌ˚È ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl), Ë ÔËÚ‡ÌË ‰ÓÎÊÌÓ ·˚Ú¸ ‚Íβ˜ÂÌÓ. åÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÓθÍÓ Ó‰ËÌ ÍÓ̈ÂÌÚ‡ÚÓ USB. ÖÒÎË ‚Ó ‚ÂÏfl ËÒÔÓθÁÓ‚‡ÌËfl ÍÓ̈ÂÌÚ‡ÚÓ‡ USB ÔÓfl‚ËÎÓÒ¸ ÒÓÓ·˘ÂÌË ӷ ӯ˷ÍÂ, ÓÚÍβ˜ËÚ ÍÓ̈ÂÌÚ‡ÚÓ ÓÚ ËÌÒÚÛÏÂÌÚ‡, Á‡ÚÂÏ ‚Íβ˜ËÚ ÔËÚ‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ë ÒÌÓ‚‡ ÔÓ‰Íβ˜ËÚ ÍÓ̈ÂÌÚ‡ÚÓ. é ‚Í·‰Í‡ı USB åÓÊÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl ‰Ó 20 ‚Í·‰ÓÍ (‰Îfl Í‡Ê‰Ó„Ó ÛÒÚÓÈÒÚ‚‡ ËÎË ‡Á‰Â·), Ó·ÓÁ̇˜‡˛˘Ëı ÔÓ‰Íβ˜ÂÌÌ˚ ÛÒÚÓÈÒÚ‚‡ USB: USB 1, USB 2 Ë Ú.‰. çÓχ Ì ÙËÍÒËÓ‚‡Ì˚ Ë ÏÓ„ÛÚ ÏÂÌflÚ¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ÚÓ„Ó, ‚ ͇ÍÓÏ ÔÓfl‰Í ÛÒÚÓÈÒÚ‚‡ ÔÓ‰Íβ˜‡˛ÚÒfl Ë ÓÚÍβ˜‡˛ÚÒfl. 186 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡ èÓ‚Â͇ Ò‚Ó·Ó‰ÌÓÈ Ô‡ÏflÚË Ì‡ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı èÓ‚ÂËÚ¸ Ó·˙ÂÏ Ò‚Ó·Ó‰ÌÓÈ Ô‡ÏflÚË ÏÓÊÌÓ Ò ˝Í‡Ì‡, ‚˚Á˚‚‡ÂÏÓ„Ó ÒÎÂ‰Û˛˘ÂÈ ÔÓÒΉӂ‡ÚÂθÌÓÒÚ¸˛ ‰ÂÈÒÚ‚ËÈ: [FUNCTION] → [I] UTILITY → TAB [√]/[®] MEDIA Ç˚·ÂËÚ ÛÒÚÓÈÒÚ‚Ó Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ [A]/[B] ̇ ˝Í‡ÌÂ Ë Ì‡ÊÏËÚ [F] (PROPERTY) (ë‚ÓÈÒÚ‚Ó). îÓχÚËÓ‚‡ÌË USB-ÌÓÒËÚÂÎfl äÓ„‰‡ ÔÓ‰Íβ˜‡ÂÚÒfl USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ËÎË ‚ÒÚ‡‚ÎflÂÚÒfl ÌÓÒËÚÂθ, ÏÓÊÂÚ ÔÓfl‚ËÚ¸Òfl ÒÓÓ·˘ÂÌËÂ, Ô‰·„‡˛˘Â ÓÚÙÓχÚËÓ‚‡Ú¸ ÛÒÚÓÈÒÚ‚Ó/ÌÓÒËÚÂθ. ÖÒÎË ÒÓÓ·˘ÂÌË ÔÓfl‚ËÎÓÒ¸, ‚˚ÔÓÎÌËÚ ÙÓχÚËÓ‚‡ÌË (ÒÚ. 62). êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛Ú ■ êÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ‰‡ÌÌ˚ı ËÌÒÚÛÏÂÌÚ‡ ̇ ÍÓÏÔ¸˛Ú èÓÒΠÚÓ„Ó Í‡Í ‚˚ ÒÓı‡ÌËÎË ‰‡ÌÌ˚ ̇ Ô·ÚÛ SmartMedia ËÎË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ ˝ÚË ‰‡ÌÌ˚ ̇ ÊÂÒÚÍËÈ ‰ËÒÍ ÍÓÏÔ¸˛Ú‡, ‡ Á‡ÚÂÏ ‡ıË‚ËÓ‚‡Ú¸ Ë ÛÔÓfl‰Ó˜Ë‚‡Ú¸ ‰‡ÌÌ˚ ÔÓ Ò‚ÓÂÏÛ Ê·Ì˲. èÓÒÚÓ ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÍÓÏÔ¸˛ÚÂÛ, Í‡Í ÔÓ͇Á‡ÌÓ ÌËÊÂ. ëÓı‡ÌÂÌË ‚ÌÛÚÂÌÌËı ‰‡ÌÌ˚ı ̇ Ô·ÚÛ SmartMedia ËÎË USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl. ÇçàåÄçàÖ èË ÙÓχÚËÓ‚‡ÌËË ‚Ò ‡Ì Á‡ÔËÒ‡ÌÌ˚ ‰‡ÌÌ˚ ۉ‡Îfl˛ÚÒfl. ÑÂÈÒÚ‚ÛÈÚ ÓÒÚÓÓÊÌÓ. äÓÏÔ¸˛Ú USB-ÛÒÚÓÈÒÚ‚Ó ê‡Á˙ÂÏ USB TO DEVICE àÌÒÚÛÏÂÌÚ ÇçàåÄçàÖ ç ÒΉÛÂÚ ÒÎ˯ÍÓÏ ˜‡ÒÚÓ ‚Íβ˜‡Ú¸ Ë ‚˚Íβ˜‡Ú¸ ÔËÚ‡ÌË USBÛÒÚÓÈÒÚ‚‡ ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ËÎË ÔÓ‰Íβ˜‡Ú¸ Ë ÓÚÍβ˜‡Ú¸ ͇·Âθ. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Á‡‚ËÒ‡Ì˲ ËÌÒÚÛÏÂÌÚ‡. ÇÓ ‚ÂÏfl ‚˚ÔÓÎÌÂÌËfl ÓÔ‡ˆËÈ Ò ‰‡ÌÌ˚ÏË (ÒÓı‡ÌÂÌËÂ, ÍÓÔËÓ‚‡ÌË ËÎË Û‰‡ÎÂÌËÂ) çÖ ÓÚÒÓ‰ËÌflÈÚ ͇·Âθ USB, çÖ ËÁ‚ÎÂ͇ÈÚ ÌÓÒËÚÂθ ËÁ ÛÒÚÓÈÒÚ‚‡ Ë çÖ ‚˚Íβ˜‡ÈÚ ÔËÚ‡ÌË ÌË Ó‰ÌÓ„Ó ËÁ ÛÒÚÓÈÒÚ‚. ùÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÔÓ‚ÂʉÂÌ˲ ‰‡ÌÌ˚ı ̇ Ó‰ÌÓÏ ËÎË Ó·ÓËı ÛÒÚÓÈÒÚ‚‡ı. éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ÓÚ ËÌÒÚÛÏÂÌÚ‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í ÍÓÏÔ¸˛ÚÂÛ. ëÓı‡ÌÂÌË ÂÁ‚ÌÓÈ ÍÓÔËË ‰‡ÌÌ˚ı ̇ ÍÓÏÔ¸˛ÚÂ Ë ÛÔÓfl‰Ó˜Ë‚‡ÌË هÈÎÓ‚ Ë Ô‡ÔÓÍ. ᇢËÚ‡ ‰‡ÌÌ˚ı (Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË): óÚÓ·˚ Ô‰ÓÚ‚‡ÚËÚ¸ ÒÎÛ˜‡ÈÌÓ ÒÚˇÌË ‰‡ÌÌ˚ı, ÔËÏÂÌflÈÚ Á‡˘ËÚÛ ÓÚ Á‡ÔËÒË, ÍÓÚÓÓÈ ÓÒ̇˘ÂÌÓ Í‡Ê‰Ó ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ËÎË ÌÓÒËÚÂθ. ÖÒÎË ‚˚ ÒÓı‡ÌflÂÚ ‰‡ÌÌ˚ ̇ USBÛÒÚÓÈÒÚ‚Ó, ۷‰ËÚÂÒ¸, ˜ÚÓ Á‡˘ËÚ‡ ÓÚ Á‡ÔËÒË ÓÚÍβ˜Â̇. USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı äÓÏÔ¸˛Ú àÌÒÚÛÏÂÌÚ Ñ‡Ê ÂÒÎË ÍÓÏÔ¸˛Ú ÔÓ‰Íβ˜ÂÌ Í ÔÓÚÛ [USB TO HOST], ‡ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı – Í ÔÓÚÛ [USB TO DEVICE], ÍÓÏÔ¸˛Ú Ì ÏÓÊÂÚ ÔÓÎÛ˜ËÚ¸ ‰ÓÒÚÛÔ Í ÛÒÚÓÈÒÚ‚Û ı‡ÌÂÌËfl ˜ÂÂÁ ËÌÒÚÛÏÂÌÚ. çÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ ËÌÒÚÛÏÂÌÚ ÔÓ‰‰ÂÊË‚‡ÂÚ Òڇ̉‡Ú USB 1.1, ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ Í ÌÂÏÛ ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl USB 2.0. é‰Ì‡ÍÓ ÒÍÓÓÒÚ¸ Ô‰‡˜Ë ‰‡ÌÌ˚ı ·Û‰ÂÚ ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Ú¸ USB 1.1. Ç ˝ÚÓÏ ÔËÏ ÔÓ͇Á‡ÌÓ, Í‡Í ËÒÔÓθÁÓ‚‡Ú¸ ÔÓ‰Íβ˜ÂÌÌÓ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı, Ӊ̇ÍÓ ‚˚ ÏÓÊÂÚ ڇÍÊ ÒÓı‡ÌflÚ¸ ÂÁ‚Ì˚ ÍÓÔËË ÒÓÁ‰‡ÌÌ˚ı ‚‡ÏË ‰‡ÌÌ˚ı, Á‡ÔËÒ‡ÌÌ˚ı ̇ Ô·ÚÛ SmartMedia, ÍÓÚÓ‡fl ‚ÒÚ‡‚ÎflÂÚÒfl ‚ „ÌÂÁ‰Ó CARD. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 187 èÓ‰Íβ˜ÂÌË ÍÓÏÔ¸˛Ú‡ ËÎË USB-ÛÒÚÓÈÒÚ‚‡/óÚÓ Ú‡ÍÓ MIDI äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı î‡ÈÎ˚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ÏÓÊÌÓ ÔÂÂÌÂÒÚË Ì‡ ËÌÒÚÛÏÂÌÚ, Ò̇˜‡Î‡ ÒÍÓÔËÓ‚‡‚ Ëı ̇ Ò˙ÂÏÌ˚È ÌÓÒËÚÂθ, ‡ Á‡ÚÂÏ ÔÓ‰Íβ˜Ë‚ ˝ÚÓÚ ÌÓÒËÚÂθ Í ËÌÒÚÛÏÂÌÚÛ. ë ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ Ô·ÚÛ SmartMedia ËÎË USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÏÓÊÌÓ ÒÍÓÔËÓ‚‡Ú¸ Ì ÚÓθÍÓ Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ÌÂÔÓÒ‰ÒÚ‚ÂÌÌÓ Ì‡ ËÌÒÚÛÏÂÌÚÂ, ÌÓ Ë Òڇ̉‡ÚÌ˚ MIDI-Ù‡ÈÎ˚ Ë Ù‡ÈÎ˚ ÒÚËÎÂÈ, ÒÓÁ‰‡ÌÌ˚ ̇ ‰Û„Ëı ÛÒÚÓÈÒÚ‚‡ı. ëÍÓÔËÓ‚‡‚ ‰‡ÌÌ˚Â, ‚ÒÚ‡‚¸Ú ͇ÚÛ ‚ „ÌÂÁ‰Ó ‰Îfl ÔÎ‡Ú Ô‡ÏflÚË ËÎË ÔÓ‰Íβ˜ËÚ ÛÒÚÓÈÒÚ‚Ó Í ÔÓÚÛ [USB TO DEVICE] ËÌÒÚÛÏÂÌÚ‡ Ë ‚ÓÒÔÓËÁ‚‰ËÚ ‰‡ÌÌ˚ ̇ ËÌÒÚÛÏÂÌÚÂ. äÓÔËÓ‚‡ÌË هÈÎÓ‚ Ò ÊÂÒÚÍÓ„Ó ‰ËÒ͇ ÍÓÏÔ¸˛Ú‡ ̇ USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı óÚÓ Ú‡ÍÓ MIDI ÉÓ‚Ófl ÔÓÒÚ˚ÏË ÒÎÓ‚‡ÏË, MIDI – ˝ÚÓ Òڇ̉‡Ú Ô‰‡˜Ë ‰‡ÌÌ˚ı, ÍÓÚÓ˚È Ó·ÂÒÔ˜˂‡ÂÚ ÔÓÒÚÓÂ Ë ‚ÒÂÒÚÓÓÌÌ ‚Á‡ËÏÓ‰ÂÈÒÚ‚Ë ˝ÎÂÍÚÓÌÌ˚ı/ˆËÙÓ‚˚ı ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚ Ë ‰Û„Ëı ÛÒÚÓÈÒÚ‚. óÚÓ·˚ ÎÛ˜¯Â ÔÓÌflÚ¸, ‰Îfl ˜Â„Ó ÒÎÛÊËÚ MIDI, Ò̇˜‡Î‡ ‰‡‚‡ÈÚ ‡ÒÒÏÓÚËÏ ‡ÍÛÒÚ˘ÂÒÍË ËÌÒÚÛÏÂÌÚ˚, Ú‡ÍËÂ Í‡Í Óflθ Ë Í·ÒÒ˘ÂÒ͇fl „ËÚ‡‡. ç‡ ÔˇÌËÌÓ ‚˚ ̇ÊËχÂÚ Í·‚˯Û, ‡ ÏÓÎÓÚÓ˜ÂÍ ‚ÌÛÚË Û‰‡flÂÚ ÔÓ ÒÚÛÌÂ Ë ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÌÓÚÛ. èË Ë„Â Ì‡ „Ëڇ ‚˚ Ô·ˇÂÚ ÒÚÛÌ˚, Ë ÓÌË ËÁ‰‡˛Ú Á‚ÛÍË. Ä Í‡Í ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ÌÓÚ˚ ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚÂ? àÁ‚ΘÂÌË Á‚Û͇ ̇ ‡ÍÛÒÚ˘ÂÒÍÓÈ „ËÚ‡Â à„‡ ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚ Internal amp L USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı äÓÏÔ¸˛Ú Ç˚ ‰Â„‡ÂÚ ÒÚÛÌÛ, ÍÓÔÛÒ „ËÚ‡˚ ÂÁÓÌËÛÂÚ, Ë ÔÓÎÛ˜‡ÂÚÒfl Á‚ÛÍ ë˜ËÚ˚‚‡ÌË ËÌÒÚÛÏÂÌÚÓÏ Ù‡ÈÎÓ‚, ı‡Ìfl˘ËıÒfl ̇ USB-ÛÒÚÓÈÒÚ‚Â ı‡ÌÂÌËfl ‰‡ÌÌ˚ı äÓÏÔ¸˛Ú USB-ÛÒÚÓÈÒÚ‚Ó èÓÚ [USB TO DEVICE] àÌÒÚÛÏÂÌÚ Internal amp R Playing the key board àÌÒÚÛÏÂÌÚ éÚÍβ˜ËÚ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ÓÚ ÍÓÏÔ¸˛Ú‡ Ë ÔÓ‰Íβ˜ËÚÂ Â„Ó Í ËÌÒÚÛÏÂÌÚÛ. Tone generator (Electric circuit) à„‡fl ̇ Í·‚ˇÚÛÂ, ‚˚ ÔÓÒ˚·ÂÚ ÍÓÏ‡Ì‰Û ‚ÓÒÔÓËÁ‚ÂÒÚË ÚÛ ËÎË ËÌÛ˛ ÌÓÚÛ ˜ÂÂÁ ‰Ë̇ÏËÍË ˝ÎÂÍÚÓÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡. ÇÒ ÌÓÚ˚ ı‡ÌflÚÒfl ‚ ‚Ë‰Â Ò˝ÏÔÎÓ‚ ‚ ÚÓÌ-„Â̇ÚÓÂ. ì ˝ÎÂÍÚÓÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, Í‡Í ÔÓ͇Á‡ÌÓ ‚˚¯Â ̇ ËÎβÒÚ‡ˆËË, Ò˝ÏÔÎ Á‚Û͇ (Á‡ÔËÒ‡Ì̇fl ‡Ì ÌÓÚ‡), ÍÓÚÓ˚È ı‡ÌËÚÒfl ‚ ÚÓÌ-„Â̇ÚÓ (˝ÎÂÍÚÓÌÌÓÈ ÒıÂÏÂ), ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ̇ ÓÒÌÓ‚Â ËÌÙÓχˆËË, ÔÓÒÚÛÔË‚¯ÂÈ Ò Í·‚ˇÚÛ˚. íÂÔ¸ ‰‡‚‡ÈÚ ÔÓÒÏÓÚËÏ, ˜ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Á‡ÔËÒË. èË ÔÓÒÎۯ˂‡ÌËË ÍÓÏÔ‡ÍÚ-‰ËÒ͇ (̇ÔËÏÂ, Ò Á‡ÔËÒ¸˛ ÒÓθÌÓ„Ó ÍÓ̈ÂÚ‡ ÔˇÌËÒÚ‡) ‚˚ ÒÎ˚¯ËÚ Á‚ÛÍ (ÍÓη‡ÌËfl ‚ÓÁ‰Ûı‡) ˝ÚÓ„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡ Í‡Í Ú‡ÍÓ‚ÓÈ. ùÚÓ Ì‡Á˚‚‡ÂÚÒfl ‡Û‰ËÓ‰‡ÌÌ˚ÏË, ‚ ÓÚ΢ˠÓÚ ‰‡ÌÌ˚ı MIDI. á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ˄˚ ̇ ‡ÍÛÒÚ˘ÂÒÍÓÏ ËÌÒÚÛÏÂÌÚ (‡Û‰ËÓ‰‡ÌÌ˚Â) èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ á‡ÔËÒ¸ ÇÓÒÔÓËÁ‚‰ÂÌËÂ Ç Ô˂‰ÂÌÌÓÏ ‚˚¯Â ÔËÏ ̇ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Á‡ÔËÒ˚‚‡ÂÚÒfl Á‚ÛÍ ÙÓÚÂÔˇÌÓ Í‡Í Ú‡ÍÓ‚Ó„Ó ‚ ‚ˉ ‡Û‰ËÓ‰‡ÌÌ˚ı. èÓÒÎÛ¯‡‚ ˝ÚÓÚ ÍÓÏÔ‡ÍÚ-‰ËÒÍ ‰Óχ, ‚˚ Ù‡ÍÚ˘ÂÒÍË ÛÒÎ˚¯ËÚ «ÍÓÔ˲» ÙÓÚÂÔˇÌÌÓ„Ó ÍÓ̈ÂÚ‡. ë‡ÏÓ ÙÓÚÂÔˇÌÓ ÔË ˝ÚÓÏ Ì Ú·ÛÂÚÒfl, Ú‡Í Í‡Í Â„Ó Á‚ÛÍ ÛÊ Á‡ÔËÒ‡Ì Ì‡ ÍÓÏÔ‡ÍÚ-‰ËÒÍ Ë Â„Ó ÓÒÚ‡ÂÚÒfl Î˯¸ ‚ÓÒÔÓËÁ‚ÂÒÚË Â„Ó ˜ÂÂÁ ‰Ë̇ÏËÍË. 188 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 óÚÓ Ú‡ÍÓ MIDI á‡ÔËÒ¸ Ë ‚ÓÒÔÓËÁ‚‰ÂÌË ˄˚ ̇ ˆËÙÓ‚ÓÏ ËÌÒÚÛÏÂÌÚ (‰‡ÌÌ˚ MIDI) á‡ÔËÒ¸ ÇÓÒÔÓËÁ‚‰ÂÌË Tone Generator Sequencer äÓÌÚÓÎΠ(Í·‚ˇÚÛ‡ Ë Ú.‰.) è·ڇ SmartMedia è·ڇ SmartMedia à, ̇ÍÓ̈, ‰‡‚‡ÈÚ ‚˚flÒÌËÏ, ͇ÍÓ„Ó Ó‰‡ ‰‡ÌÌ˚ Á‡ÔËÒ˚‚‡˛ÚÒfl Ë ÒÎÛÊ‡Ú ÓÒÌÓ‚ÓÈ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Á‚Û͇. ÑÓÔÛÒÚËÏ, ‚˚ ‚ÁflÎË ˜ÂÚ‚ÂÚÌÛ˛ ÌÓÚÛ C, ‚ÓÒÔÓθÁÓ‚‡‚¯ËÒ¸ ÚÂÏ·ÓÏ ÓflÎfl, ÍÓÚÓ˚È ı‡ÌËÚÒfl ‚ Ô‡ÏflÚË Clavinova. Ç ÓÚ΢ˠÓÚ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ËÌÒÚÛÏÂÌÚ‡, „‰Â Á‚ÛÍ ÔÓËÁ‚Ó‰ËÚÒfl ‚ÒΉÒÚ‚Ë ÂÁÓÌËÓ‚‡ÌËfl, ˝ÎÂÍÚÓÌÌ˚È ËÌÒÚÛÏÂÌÚ ÔÓÎÛ˜‡ÂÚ ËÌÙÓχˆË˛ Ò Í·‚ˇÚÛ˚ Ó ÚÓÏ, ͇͇fl Í·‚˯‡ Ë ÍÓ„‰‡ ·˚· ̇ʇڇ, Ò Í‡ÍËÏ ÚÂÏ·ÓÏ, ̇ÒÍÓθÍÓ ÒËθÌÓ Ë ÍÓ„‰‡ Ó̇ ·˚· ÓÚÔÛ˘Â̇. á‡ÚÂÏ Í‡Ê‰˚È ‚ˉ ËÌÙÓχˆËË ÔÂÓ·‡ÁÛÂÚÒfl ‚ ˜ËÒÎÓ‚Û˛ ‚Â΢ËÌÛ Ë ÔÓÒ˚·ÂÚÒfl ‚ ÚÓÌ„Â̇ÚÓ. ÅÂfl Á‡ ÓÒÌÓ‚Û Ì‡·Ó Ú‡ÍËı Á̇˜ÂÌËÈ, ÚÓÌ„Â̇ÚÓ ‚ÓÒÔÓËÁ‚Ó‰ËÚ ı‡Ìfl˘ËÈÒfl ‚ Ô‡ÏflÚË Ò˝ÏÔÎ. èËÏ ËÌÙÓχˆËË, Ò˜ËÚ˚‚‡ÂÏÓÈ Ò Í·‚ˇÚÛ˚ Ç ÒÎÛ˜‡Â Ò ˆËÙÓ‚˚Ï ËÌÒÚÛÏÂÌÚÓÏ Á‚ÛÍÓ‚ÓÈ Ò˄̇ΠÔÓÒ˚·ÂÚÒfl ˜ÂÂÁ ÔÓÚ˚ ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, [AUX OUT]). ëÓ˜ÂÚ‡ÌË ÍÓÌÚÓη Ë ÚÓÌ-„Â̇ÚÓ‡ fl‚ÎflÂÚÒfl ˝Í‚Ë‚‡ÎÂÌÚÓÏ ÙÓÚÂÔˇÌÓ, ‡ÒÒÏÓÚÂÌÌÓ„Ó ‚ Ô‰˚‰Û˘ÂÏ ÔËÏÂÂ. Ç ‰‡ÌÌÓÈ ÒËÚÛ‡ˆËË Ë„‡ ËÒÔÓÎÌËÚÂÎfl ÒÓı‡ÌflÂÚÒfl ‚ ‚ˉ ‰‡ÌÌ˚ı MIDI (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ). óÚÓ·˚ Á‡ÔËÒ‡Ú¸ Á‚ÛÍ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, Ú·ÛÂÚÒfl ÒÔˆˇθÌÓ Á‚ÛÍÓÁ‡ÔËÒ˚‚‡˛˘Â ӷÓÛ‰Ó‚‡ÌËÂ. é‰Ì‡ÍÓ ÔÓÒÍÓθÍÛ Clavinova ӷ·‰‡ÂÚ ‚ÒÚÓÂÌÌ˚Ï ÒÂÍ‚ÂÌÒÓÓÏ, ˝ÚÓ ÔÓÁ‚ÓÎflÂÚ ‰Â·ڸ Á‡ÔËÒË ·ÂÁ ÒÔˆӷÓÛ‰Ó‚‡ÌËfl. í‡ÍËÏ Ó·‡ÁÓÏ, ‚‡¯ ˆËÙÓ‚ÓÈ ËÌÒÚÛÏÂÌÚ — Clavinova — ÒÎÛÊËÚ Ó‰ÌÓ‚ÂÏÂÌÌÓ Í‡Í ‰Îfl Á‡ÔËÒË, Ú‡Í Ë ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÏÛÁ˚ÍË. íÓÌ-„Â̇ÚÓ ëÂÍ‚ÂÌÒÓ à„‡ ̇ Í·‚ˇÚÛ (‰‡ÌÌ˚ MIDI) 01 (Óflθ) çÓÏ ÌÓÚ˚ (̇Á‚‡ÌË Í·‚˯Ë) 60 (C3) 燘‡ÎÓ Á‚Û˜‡ÌËfl (ÍÓ„‰‡ Í·‚˯‡ ̇ʇڇ) Ë ÍÓ̈ Á‚Û˜‡ÌËfl (ÍÓ„‰‡ Í·‚˯‡ ÓÚÔÛ˘Â̇) ÑÎËÚÂθÌÓÒÚ¸ ‚ ˜ËÒÎÓ‚ÓÏ ‚˚‡ÊÂÌËË (˜ÂÚ‚ÂÚ¸) ëÍÓÓÒÚ¸ (Velocity) (ÒË·, Ò ÍÓÚÓÓÈ ·˚· ̇ʇڇ Í·‚˯‡) 120 (ÒËθÌÓ ̇ʇÚËÂ) éÔ‡ˆËË, ‚˚ÔÓÎÌÂÌÌ˚Â Ò ÔÓÏÓ˘¸˛ ˝ÎÂÏÂÌÚÓ‚ ÛÔ‡‚ÎÂÌËfl ̇ Ô‰ÌÂÈ Ô‡ÌÂÎË Clavinova, ̇ÔËÏ ‚˚·Ó ÚÂÏ·Ó‚ Ë Ë„‡ ̇ Í·‚ˇÚÛÂ, ÒÓı‡Ìfl˛ÚÒfl ‚ ‚ˉ ‰‡ÌÌ˚ı MIDI. ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ë ÔÂÒÌË Ú‡ÍÊ ÒÓÒÚÓflÚ ËÁ ‰‡ÌÌ˚ı MIDI. MIDI ÓÁ̇˜‡ÂÚ Musical Instrument Digital Interface (ñËÙÓ‚ÓÈ ËÌÚÂÙÂÈÒ ‰Îfl ÏÛÁ˚͇θÌ˚ı ËÌÒÚÛÏÂÌÚÓ‚). ùÚÓÚ ËÌÚÂÙÂÈÒ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÏÛÁ˚͇θÌ˚Ï ËÌÒÚÛÏÂÌÚ‡Ï ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ò‚flÁ¸ ‰Û„ Ò ‰Û„ÓÏ, ÓÚÔ‡‚Îflfl Ë ÔÓÎÛ˜‡fl ÒÓÓ·˘ÂÌËfl Note, Control Change, Program Change, ‡ Ú‡ÍÊ ‰Û„Ëı ‚ˉӂ MIDI-ÒÓÓ·˘ÂÌËÈ ËÎË ‰‡ÌÌ˚ı. Clavinova ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ ÔÛÚÂÏ Ô‰‡˜Ë ‰‡ÌÌ˚ı, ÓÚÌÓÒfl˘ËıÒfl Í ÌÓÚ‡Ï, Ë ‡Á΢Ì˚ı ÛÔ‡‚Îfl˛˘Ëı ‰‡ÌÌ˚ı. ë ‰Û„ÓÈ ÒÚÓÓÌ˚, Clavinova ÏÓÊÂÚ ‡·ÓÚ‡Ú¸ ÔÓ‰ ÛÔ‡‚ÎÂÌËÂÏ ‚ıÓ‰fl˘Ëı MIDI-ÒÓÓ·˘ÂÌËÈ, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÓÔ‰ÂÎfl˛Ú ÂÊËÏ ‡·ÓÚ˚ ÚÓÌ„Â̇ÚÓ‡, Á‡‰‡˛Ú MIDI-͇̇Î˚, ÚÂÏ·˚ Ë ˝ÙÙÂÍÚ˚, ÏÂÌfl˛Ú Á̇˜ÂÌËfl Ô‡‡ÏÂÚÓ‚ Ë, ÍÓ̘ÌÓ, ‚ÓÒÔÓËÁ‚Ó‰flÚ ÚÂÏ·˚, Á‡‰‡ÌÌ˚ ‰Îfl ‡ÁÌ˚ı Ô‡ÚËÈ. ì ‰‡ÌÌ˚ı MIDI ÂÒÚ¸ ÒÎÂ‰Û˛˘Ë ÔÂËÏÛ˘ÂÒÚ‚‡ Ô‰ ‡Û‰ËÓ‰‡ÌÌ˚ÏË. • ç‡ÏÌÓ„Ó ÏÂ̸¯Â Ó·˙ÂÏ ‰‡ÌÌ˚ı. • í‡ÍË ‰‡ÌÌ˚ ÏÓÊÌÓ Î„ÍÓ Ë ˝ÙÙÂÍÚË‚ÌÓ Â‰‡ÍÚËÓ‚‡Ú¸, ‚ÔÎÓÚ¸ ‰Ó ÒÏÂÌ˚ ÚÂÏ·Ó‚ Ë ÔÓÎÌÓ„Ó ÔÂÓ·‡ÁÓ‚‡ÌËfl هȷ. MIDI-ÒÓÓ·˘ÂÌËfl ÏÓÊÌÓ ‡Á‰ÂÎËÚ¸ ̇ ‰‚ „ÛÔÔ˚: ͇̇θÌ˚ (Channel) Ë ÒËÒÚÂÏÌ˚ (System). èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ íÂÏ Ì ÏÂÌÂÂ, ˜ÚÓ·˚ ÛÒÎ˚¯‡Ú¸ ËÁ ‰Ë̇ÏËÍÓ‚ Á‚ÛÍ, ÌÂÓ·ıÓ‰ËÏ Â„Ó ËÒÚÓ˜ÌËÍ. íÓÌ-„Â̇ÚÓ Clavinova ‚˚ÔÓÎÌflÂÚ ˝ÚÛ ÙÛÌÍˆË˛. á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ÍÓÚÓ˚È ÔÂÓ·‡ÁÛÂÚ ËÌÙÓχˆË˛, ı‡Ìfl˘Û˛Òfl ‚ هȷı MIDI ‚ Á‚ÛÍË. èË ˝ÚÓÏ ËÒÔÓθÁÛ˛ÚÒfl ÚÂÏ·˚, ı‡Ìfl˘ËÂÒfl ‚ Ô‡ÏflÚË ÚÓÌ-„Â̇ÚÓ‡. éÌ ÒÔÓÒÓ·ÂÌ ÚÓ˜ÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ‡ÁÌ˚ı Á‚ÛÍÓ‚, ‚Íβ˜‡fl ÚÂÏ· ÙÓÚÂÔˇÌÓ. ÖÒÎË ‚Á„ÎflÌÛÚ¸ ̇ Ò‚flÁ¸ ÒÂÍ‚ÂÌÒÓ‡ Ë ÚÓÌ„Â̇ÚÓ‡ Ò ‰Û„ÓÈ ÒÚÓÓÌ˚, ÚÓ Ó͇ÊÂÚÒfl, ˜ÚÓ Ëı ÓÎË Ì‡ÔÓÏË̇˛Ú ÓÎË ÔˇÌËÒÚ‡ Ë ÙÓÚÂÔˇÌÓ, ËÒÔÓÎÌËÚÂÎfl Ë ËÌÒÚÛÏÂÌÚ‡. èÓÒÍÓθÍÛ ˆËÙÓ‚˚ ËÌÒÚÛÏÂÌÚ˚ ÒÔÓÒÓ·Ì˚ Ó·‡·‡Ú˚‚‡Ú¸ ‡Û‰ËÓ‰‡ÌÌ˚Â Ë ‰‡ÌÌ˚ MIDI ÔÓ ÓÚ‰ÂθÌÓÒÚË, Ï˚ ËÏÂÂÏ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÒÎÛ¯‡Ú¸ ‚˚ÒÚÛÔÎÂÌË ÔˇÌËÒÚ‡, ÍÓÚÓÓ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌÓ ÚÂÏ·ÓÏ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, „ËÚ‡˚ ËÎË ÒÍËÔÍË). çÓÏ ÚÂÏ·‡ (̇Á‚‡ÌË ÚÂÏ·‡) ä‡Ì‡Î¸Ì˚ MIDI-ÒÓÓ·˘ÂÌËfl ïÓÚfl Clavinova Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ Â‰ËÌ˚È ÏÛÁ˚͇θÌ˚È ËÌÒÚÛÏÂÌÚ, Â„Ó ÏÓÊÌÓ Ô‰ÒÚ‡‚ËÚ¸ ‚ ‚ˉ ÒÓ‚ÓÍÛÔÌÓÒÚË ˝ÎÂÍÚÓÌÌ˚ı ÍÓÏÔÓÌÂÌÚÓ‚: ÍÓÌÚÓη, ÚÓÌ-„Â̇ÚÓ‡ Ë ÒÂÍ‚ÂÌÒÓ‡. Clavinova ÔÓ‰‰ÂÊË‚‡ÂÚ 16 MIDI-͇̇ÎÓ‚ (32 ͇̇· ÔËÂχ ‰‡ÌÌ˚ı MIDI ÔË ËÒÔÓθÁÓ‚‡ÌËË ÔÓÚ‡ [USB]). ùÚÓ ÏÓÊÌÓ Ò‡‚ÌËÚ¸ Ò Ó‰ÌÓ‚ÂÏÂÌÌÓÈ Ë„ÓÈ Ì‡ 16 ËÌÒÚÛÏÂÌÚ‡ı. ëÓÓ·˘ÂÌËfl ͇̇ÎÓ‚ Ô‰‡˛Ú Ú‡ÍÛ˛ ËÌÙÓχˆË˛, Í‡Í Note ON/OFF (燘‡ÎÓ Ë ÍÓ̈ Á‚Û˜‡ÌËfl) Ë Program Change (àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚) ‰Îfl Í‡Ê‰Ó„Ó ËÁ 16 ͇̇ÎÓ‚. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 189 óÚÓ Ú‡ÍÓ MIDI ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl ÑÂÈÒÚ‚ËÂ/̇ÒÚÓÈÍË Ô‡ÌÂÎË Note ON/OFF (燘‡ÎÓ Ë ÍÓ̈ Á‚Û˜‡ÌËfl) ùÚË ÒÓÓ·˘ÂÌËfl ÒÓÁ‰‡˛ÚÒfl ‚Ó ‚ÂÏfl Ë„˚ ̇ Í·‚ˇÚÛÂ. ä‡Ê‰Ó ÒÓÓ·˘ÂÌË ÒÓ‰ÂÊËÚ ÌÓÏ ÍÓÌÍÂÚÌÓÈ ÌÓÚ˚, ÍÓÚÓ˚È ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡Ê‡ÚÓÈ Í·‚˯Â, Ë Á̇˜ÂÌË ÒÍÓÓÒÚË, Á‡‚ËÒfl˘Â ÓÚ ÒËÎ˚ Û‰‡‡ ÔÓ Í·‚˯Â. Program Change (àÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚) Ç˚·Ó ÚÂÏ·‡ (Ô‡‡ÏÂÚ˚ MSB/LSB) Control Change (àÁÏÂÌÂÌËfl ÛÔ‡‚ÎÂÌËfl) àÁÏÂÌÂÌË „ÓÏÍÓÒÚË, Ô‡ÌÓ‡Ï˚ (ÏËͯÂÌ˚È ÔÛθÚ) Ë Ú. Ô. àÌÙÓχˆËfl Ó· ˄ ̇ Í·‚ˇÚÛ ‰Îfl ‚ÒÂı ÔÂÒÂÌ Ë ÒÚËÎÂÈ Ó·‡·‡Ú˚‚‡ÂÚÒfl Í‡Í ‰‡ÌÌ˚ MIDI. ä‡Ì‡Î˚ MIDI àÌÙÓχˆËfl Ó· ˄ ̇ Í·‚ˇÚÛ ‚ ÙÓχÚ MIDI ÔË‚flÁ˚‚‡ÂÚÒfl Í Ó‰ÌÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. ê‡ÒÔ‰ÂÎÂÌË ÒÓÓ·˘ÂÌËÈ ÔÓ 16 Í‡Ì‡Î‡Ï ‰Â·ÂÚ ‚ÓÁÏÓÊÌ˚Ï Ô‰‡˜Û ‰‡ÌÌ˚ı ¯ÂÒÚ̇‰ˆ‡ÚË ‡Á΢Ì˚ı ËÌÒÚÛÏÂÌڇθÌ˚ı Ô‡ÚËÈ ÔÓ Ó‰ÌÓÏÛ MIDI-͇·Âβ. è‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ MIDI-͇̇Î˚ – ˝ÚÓ ÚÂ΂ËÁËÓÌÌ˚ ͇̇Î˚. ä‡Ê‰‡fl ÚÂ΂ËÁËÓÌ̇fl Òڇ̈Ëfl ‚¢‡ÂÚ ÔÓ ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ. LJ¯ ÚÂ΂ËÁÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχÂÚ ÏÌÓÊÂÒÚ‚Ó Ò‡Ï˚ı ‡ÁÌ˚ı ÔÓ„‡ÏÏ, ‡ ‚˚ ‚˚·Ë‡ÂÚ ÌÛÊÌ˚È Í‡Ì‡Î, ˜ÚÓ·˚ ÒÏÓÚÂÚ¸ ËÌÚÂÂÒÛ˛˘Û˛ ‚‡Ò ÔÓ„‡ÏÏÛ. èÓ„ÌÓÁ ÔÓ„Ó‰˚ çéÇéëíà 1 2 çéÇéëíà èËÏÂ: á‡ÔËÒ¸ ËÒÔÓÎÌÂÌËfl ̇ Clavinova Ò ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÓÏ (‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl) ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ ä‡·Âθ MIDI ÑÓÓÊ͇ (͇̇Î) PSR-3000/1500 Channel 1 Channel 2 Channel 3 Channel 4 Channel 5 Channel 6 Channel 7 Channel 8 Channel 9 Channel 10 Channel 11 RIGHT 1 RIGHT 2 LEFT STYLE instrument STYLE instrument STYLE instrument STYLE instrument STYLE instrument STYLE instrument STYLE instrument STYLE instrument Ç̯ÌËÈ ÒÂÍ‚ÂÌÒÓ Track 1 Track 2 Track 3 Track 4 Track 5 Track 6 Track 7 Track 8 Track 9 Track 10 Track 11 LJÊÌÓ ÓÔ‰ÂÎËÚ¸, ͇ÍË ÚËÔ˚ ‰‡ÌÌ˚ı ‰ÓÎÊÌ˚ Ô‰‡‚‡Ú¸Òfl ͇ʉÓÏÛ ËÁ ͇̇ÎÓ‚ MIDI (ÒÚ. 194). Clavinova Ú‡ÍÊ ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, ͇ÍËÏ Ó·‡ÁÓÏ ·Û‰ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÎÛ˜ÂÌÌ˚ ‰‡ÌÌ˚ (ÒÚ. 195). ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ùÚË ‰‡ÌÌ˚ ËÒÔÓθÁÛ˛ÚÒfl ‚ÒÂÈ MIDI-ÒËÒÚÂÏÓÈ. 벉‡ ÓÚÌÓÒflÚÒfl ÒËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl Exclusive, ‚ ÍÓÚÓ˚ı Ô‰‡˛ÚÒfl ‰‡ÌÌ˚Â, ÒÔˆËÙ˘Ì˚ ‰Îfl ËÌÒÚÛÏÂÌÚÓ‚ Í‡Ê‰Ó„Ó ÔÓËÁ‚Ó‰ËÚÂÎfl, Ë ÒÓÓ·˘ÂÌËfl Realtime (‡θÌÓ„Ó ‚ÂÏÂÌË), ÛÔ‡‚Îfl˛˘Ë ‡·ÓÚÓÈ MIDI-ÛÒÚÓÈÒÚ‚‡. ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl ÑÂÈÒÚ‚ËÂ/̇ÒÚÓÈÍË Ô‡ÌÂÎË ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl Exclusive ç‡ÒÚÓÈÍË ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÏËͯÂÌ˚È ÔÛθÚ) Ë Ú. Ô. ëÓÓ·˘ÂÌËfl Realtime ìÒÚ‡Ìӂ͇ ˜‡ÒÚÓÚ˚ ÒËÌıÓÌËÁ‡ˆËË, ‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl 2 èË̈ËÔ ‰ÂÈÒÚ‚Ëfl MIDI ÚÓÚ ÊÂ. 艇˛˘Â ÛÒÚÓÈÒÚ‚Ó ÔÓÒ˚·ÂÚ ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ (MIDI Transmit Channel) ÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ ÒÓÓ·˘ÂÌËfl ÔÓ MIDI-͇·Âβ. ÖÒÎË MIDI-͇̇ΠÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (MIDI Receive Channel) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡ÎÛ Ô‰‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (Transmit Channel), ÔËÌËχ˛˘Â ÛÒÚÓÈÒÚ‚Ó ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÎÛ˜ÂÌÌ˚ÏË ÒÓÓ·˘ÂÌËflÏË. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ä‡Ì‡Î 2 Ô‰‡˜Ë MIDI 䇷Âθ MIDI ä‡Ì‡Î 2 ÔËÂχ MIDI ä·‚ˇÚÛ‡ Ë ‚ÌÛÚÂÌÌËÈ ÚÓÌ-„Â̇ÚÓ ËÌÒÚÛÏÂÌÚ‡ ÚÓÊ ÒÓ‰ËÌfl˛ÚÒfl Ò ÔÓÏÓ˘¸˛ MIDI. → LOCAL CONTROL (ÒÚ. 194) (ÎÓ͇θÌÓ ÛÔ‡‚ÎÂÌËÂ) ç‡ÔËÏÂ, ‰‡ÌÌ˚ ÌÂÒÍÓθÍËı Ô‡ÚËÈ ËÎË Í‡Ì‡ÎÓ‚, ‚Íβ˜‡fl ‰‡ÌÌ˚Â Ó ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÓÊÌÓ Ô‰‡‚‡Ú¸ Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ). 190 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ëÔËÒÓÍ ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ Ô˂‰ÂÌ ‚ ‡Á‰Â·ı «MIDI Data Format» Ë «MIDI Implementation Chart» Ò·ÓÌË͇ Ú‡·Îˈ Data List. óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ‰‡ÌÌ˚ÏË MIDI óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ‰‡ÌÌ˚ÏË MIDI ■ Ç˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ò‚Ó˛ Ë„Û (͇̇Î˚ 1-16) ‚ ÒÓÔÓ‚ÓʉÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Clavinova ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ (ËÎË ÍÓÏÔ¸˛ÚÂ Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ). èÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË ÓÚ‰‡ÍÚËÛÈÚ χÚÂË‡Î Ò ÔÓÏÓ˘¸˛ ÒÂÍ‚ÂÌÒÓ‡, ‡ Á‡ÚÂÏ ‚ÓÒÔÓËÁ‚Ó‰ËÚÂ Â„Ó Ì‡ ËÌÒÚÛÏÂÌÚÂ. èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ àÌÒÚÛÏÂÌÚ MIDI IN MIDI OUT MIDI OUT MIDI IN 艇˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ äÓÏÔ¸˛Ú ËÎË ÒÂÍ‚ÂÌÒÓ ÖÒÎË Ú·ÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ Clavinova ‚ ͇˜ÂÒÚ‚Â ÏÌÓ„ÓÚÂÏ·Ó‚Ó„Ó ÚÓÌ-„Â̇ÚÓ‡, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÙÓχÚÓÏ XG, ̇ ÒÚ‡Ìˈ Receive ˝Í‡Ì‡ MIDI (͇̇Î˚ 1-16) ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË SONG ‰Îfl ͇̇ÎÓ‚ MIDI, ̇ÒÚÓÂÌÌ˚ı ̇ ÔËÂÏ (ÒÚ. 195). ■ Ç˚ ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ ËÌÒÚÛÏÂÌÚÓÏ Ò ‚̯ÌÂÈ MIDIÍ·‚ˇÚÛ˚. ӷ·‰‡˛˘ËÈ ‚ÓÁÏÓÊÌÓÒÚ¸˛ ‰‡Î¸ÌÂÈ¯Â„Ó ‡Ò¯ËÂÌËfl. Clavinova ÏÓÊÂÚ ‚˚‚Ó‰ËÚ¸ ̇ ˝Í‡Ì ÚÂÍÒÚ˚ ÔÂÒÂÌ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË Ù‡È· ‚ ÙÓχÚ XF, ÒÓ‰Âʇ˘Â„Ó ÚÂÍÒÚ. (SMF – ˝ÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓÏ‡Ú Ù‡ÈÎÓ‚ MIDI. àÌÒÚÛÏÂÌÚ Clavinova ÒÓ‚ÏÂÒÚËÏ Ò ÙÓχڇÏË SMF 0 Ë 1 Ë ÔË Á‡ÔËÒË «ÔÂÒÂÌÌ˚ı» ‰‡ÌÌ˚ı ËÒÔÓθÁÛÂÚ ÙÓÏ‡Ú SMF Format 0.) ● î‡ÈÎ ÒÚËÎfl îÓÏ‡Ú SFF (ÙÓÏ‡Ú Ù‡È· ÒÚËÎfl) ·˚Î ‡Á‡·ÓÚ‡Ì Ò Û˜ÂÚÓÏ ‚ÒÂı ‰ÓÒÚËÊÂÌËÈ ÍÓÔÓ‡ˆËË Yamaha ‚ ӷ·ÒÚË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. îÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ Ç MIDI ÚÂÏ·˚ ÔËÔËÒ˚‚‡˛ÚÒfl Í Ú‡Í Ì‡Á˚‚‡ÂÏ˚Ï «ÌÓÏÂ‡Ï ÔÓ„‡ÏÏ». ëڇ̉‡Ú ÔËÒ‚ÓÂÌËfl Ú‡ÍËı ÌÓÏÂÓ‚ (ÔÓfl‰ÓÍ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚) Ë Ì‡Á˚‚‡ÂÚÒfl «ÙÓχÚÓÏ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚». íÂÏ·˚ ÏÓ„ÛÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÌÂÔ‡‚ËθÌÓ, ÂÒÎË ˝ÚÓÚ ÙÓÏ‡Ú ‰‡ÌÌ˚ı ÔÂÒÌË Ì ÒÓ‚Ô‡‰‡ÂÚ Ò ÙÓχÚÓÏ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. CVP-305/303/301 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚. èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ àÌÒÚÛÏÂÌÚ MIDI IN MIDI OUT ëÓ‚ÏÂÒÚËÏÓÒÚ¸ MIDI-‰‡ÌÌ˚ı Ç ˝ÚÓÏ ‡Á‰ÂΠӷÒÛʉ‡˛ÚÒfl ÓÒÌÓ‚Ì˚ ‚ÓÔÓÒ˚ ÒÓ‚ÏÂÒÚËÏÓÒÚË ‰‡ÌÌ˚ı: ÏÓ„ÛÚ ÎË ‰Û„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓË„˚‚‡Ú¸ Ù‡ÈÎ˚, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-305/303/301, Ë ÏÓÊÂÚ ÎË CVP-305/303/301 ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÍÓÏϘÂÒÍË Á‡ÔËÒË Ë MIDI-Ù‡ÈÎ˚, ÒÓÁ‰‡ÌÌ˚ ‰Îfl ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ËÎË Ì‡ ÍÓÏÔ¸˛ÚÂÂ. Ç Á‡‚ËÒËÏÓÒÚË ÓÚ ÚËÔ‡ MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ı‡‡ÍÚÂËÒÚËÍ ‰‡ÌÌ˚ı ÏÓÊÌÓ ÎË·Ó Ò‡ÁÛ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ˝ÚË ‰‡ÌÌ˚Â, ÎË·Ó Ò̇˜‡Î‡ ̇‰Ó ‚˚ÔÓÎÌËÚ¸ ÌÂÍÓÚÓ˚ ‰ÂÈÒÚ‚Ëfl. ÖÒÎË ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ‰‡ÌÌ˚ı ‚ÓÁÌË͇˛Ú ÔÓ·ÎÂÏ˚, ÒÏ. ÒÎÂ‰Û˛˘Ë ‡Á‰ÂÎ˚. îÓχÚ˚ ÒÂÍ‚Â̈ËË Ñ‡ÌÌ˚ ÔÂÒÂÌ Á‡ÔËÒ˚‚‡˛ÚÒfl Ë ı‡ÌflÚÒfl ‚ ‡Á΢Ì˚ı ÒËÒÚÂχı, ÍÓÚÓ˚ ̇Á˚‚‡˛ÚÒfl ÙÓχڇÏË ÒÂÍ‚Â̈ËË. ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ, ÚÓθÍÓ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚Ó ÔÓ‰‰ÂÊË‚‡ÂÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË, ËÒÔÓθÁÛ˛˘ËÈÒfl ‚ ÔÂÒÌÂ. ëËÌÚÂÁ‡ÚÓ CVP-305/303/301 ÔÓ‰‰ÂÊË‚‡ÂÚ ÒÎÂ‰Û˛˘Ë ÙÓχÚ˚. ● îÓÏ‡Ú ESEQ ùÚÓÚ ÙÓÏ‡Ú ÒÂÍ‚Â̈ËË ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDIÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ÒÂ˲ ËÌÒÚÛÏÂÌÚÓ‚ Clavinova. ùÚÓ Ó·˚˜Ì˚È ÙÓχÚ, ÍÓÚÓ˚È ËÒÔÓθÁÛÂÚÒfl ‡ÁÌ˚Ï ÔÓ„‡ÏÏÌ˚Ï Ó·ÂÒÔ˜ÂÌËÂÏ Yamaha. • ñËÙÓ‚Ó ÔˇÌËÌÓ CVP-305/303/301 ÒÓ‚ÏÂÒÚËÏÓ Ò ESEQ. ● ëڇ̉‡Ú GM System Level 1 ùÚÓ Ó‰ËÌ ËÁ Ò‡Ï˚ı ‡ÒÔÓÒÚ‡ÌÂÌÌ˚ı ÙÓχÚÓ‚ ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚. åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÒÓ‚ÏÂÒÚËÏ˚ Ò ÙÓχÚÓÏ GM System Level 1, ÔÓÒÍÓθÍÛ ˝ÚÓ Ò‡Ï˚È ‰ÓÒÚÛÔÌ˚È ËÁ ÍÓÏϘÂÒÍËı ÙÓχÚÓ‚. ● ëڇ̉‡Ú GM System Level 2 «GM System Level 2» – ˝ÚÓ Òڇ̉‡Ú̇fl ÒÔˆËÙË͇ˆËfl, fl‚Îfl˛˘‡flÒfl ÛÎÛ˜¯ÂÌÌ˚Ï ‚‡Ë‡ÌÚÓÏ Òڇ̉‡Ú‡ «GM System Level 1», ÔÓ‚˚¯‡˛˘‡fl ÒÓ‚ÏÂÒÚËÏÓÒÚ¸ ‰‡ÌÌ˚ı ÔÂÒÌË. ùÚÓÚ Òڇ̉‡Ú Ó·ÂÒÔ˜˂‡ÂÚ ÛÎÛ˜¯ÂÌÌÛ˛ ÔÓÎËÙÓÌ˲, ӷ·‰‡ÂÚ ·Óθ¯ËÏ ‚˚·ÓÓÏ ÚÂÏ·Ó‚, ‡Ò¯ËflÂÚ Ô‡‡ÏÂÚ˚ ÚÂÏ·Ó‚ Ë ‰Â·ÂÚ ‚ÓÁÏÓÊÌÓÈ ËÌÚ„ËÓ‚‡ÌÌÛ˛ Ó·‡·ÓÚÍÛ ˝ÙÙÂÍÚÓ‚. ● îÓÏ‡Ú XG îÓÏ‡Ú XG fl‚ÎflÂÚÒfl ‡Ò¯ËÂÌËÂÏ ÙÓχڇ General MIDI (GM System level 1 format). îËχ Yamaha ‡Á‡·Óڇ· ˝ÚÛ ÒÔˆËÙË͇ˆË˛ ‰Îfl Û‚Â΢ÂÌËfl ˜ËÒ· ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë ÎÛ˜¯Â„Ó ÛÔ‡‚ÎÂÌËfl ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË, ‡ Ú‡ÍÊ ‰Îfl ÒÓ‚ÏÂÒÚËÏÓÒÚË MIDI-‰‡ÌÌ˚ı ‚ ·Û‰Û˘ÂÏ. èÂÒÌË, Á‡ÔËÒ‡ÌÌ˚ ̇ CVP-305/303/301 Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ÚÂÏ·Ó‚ XG, ÒÓ‚ÏÂÒÚËÏ˚ Ò Î˛·˚ÏË ÛÒÚÓÈÒÚ‚‡ÏË, ÔÓ‰‰ÂÊË‚‡˛˘ËÏË ÙÓÏ‡Ú XG. ● îÓÏ‡Ú DOC (Disk Orchestra Collection) ùÚÓÚ ÙÓÏ‡Ú ‡ÒÔ‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔÓ‰‰ÂÊË‚‡˛Ú ÏÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÍÓÔÓ‡ˆËË Yamaha, ‚Íβ˜‡fl ËÌÒÚÛÏÂÌÚ˚ ÒÂËË Clavinova. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ● îÓÏ‡Ú SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ùÚÓ Ò‡Ï˚È ‡ÒÔÓÒÚ‡ÌÂÌÌ˚È ÙÓχÚ. ÖÒÚ¸ ‰‚‡ ÚËÔ‡ ÙÓχڇ SMF: Format 0 Ë Format 1. åÌÓ„Ë MIDI-ÛÒÚÓÈÒÚ‚‡ ÔÓ‰‰ÂÊË‚‡˛Ú Format 0. äÓÏ ÚÓ„Ó, ·Óθ¯ËÌÒÚ‚Ó Ëϲ˘ËıÒfl ‚ ÔÓ‰‡Ê ÔÂÒÂÌ Á‡ÔËÒ‡Ì˚ ‚ ˝ÚÓÏ ÙÓχÚÂ. • CVP-305/303/301 ÔÓ‰‰ÂÊË‚‡ÂÚ Ó·‡ ÙÓχڇ. • èÂÒÌfl, Á‡ÔËÒ‡Ì̇fl Ò ÔÓÏÓ˘¸˛ CVP-305/303/301, ‡‚ÚÓχÚ˘ÂÒÍË ÒÓı‡ÌflÂÚÒfl ‚ ÙÓχÚ SMF Format 0. чÊ ÂÒÎË MIDI-ÛÒÚÓÈÒÚ‚‡ Ë ËÒÔÓθÁÛÂÏ˚ ‰‡ÌÌ˚ ۉӂÎÂÚ‚Ófl˛Ú ‚ÒÂÏ ‚˚¯ÂÔ˜ËÒÎÂÌÌ˚Ï ÛÒÎÓ‚ËflÏ, ‰‡ÌÌ˚ ‚Ò ‡‚ÌÓ ÏÓ„ÛÚ Ó͇Á‡Ú¸Òfl ÌÂÒÓ‚ÏÂÒÚËÏ˚ÏË ËÁ-Á‡ ÓÒÓ·ÂÌÌÓÒÚÂÈ ÛÒÚÓÈÒÚ‚ Ë ÏÂÚÓ‰Ó‚ Á‡ÔËÒË ‰‡ÌÌ˚ı. ● îÓÏ‡Ú GS îÓÏ‡Ú GS ·˚Î ‡Á‡·ÓÚ‡Ì ÍÓÔÓ‡ˆËÂÈ Roland. í‡Í ÊÂ, Í‡Í Ë Òڇ̉‡Ú XG ÍÓÔÓ‡ˆËË Yamaha, ÙÓÏ‡Ú GS – ˝ÚÓ Á̇˜ËÚÂθÌÓ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌÓ ‡Ò¯ËÂÌË Òڇ̉‡Ú‡ GM, Ó·ÂÒÔ˜˂‡˛˘Â ·Óθ¯Â ÍÓ΢ÂÒÚ‚Ó ‰ÓÒÚÛÔÌ˚ı ÚÂÏ·Ó‚ Ë Ì‡·ÓÓ‚ Û‰‡Ì˚ı ËÌÒÚÛÏÂÌÚÓ‚ Ë Ëı ‚‡Ë‡ˆËÈ, ‡ Ú‡ÍÊ ÎÛ˜¯Â ÛÔ‡‚ÎÂÌË ÚÂÏ·‡ÏË Ë ˝ÙÙÂÍÚ‡ÏË. ● îÓÏ‡Ú XF ëڇ̉‡Ú XF, ‡Á‡·ÓÚ‡ÌÌ˚È ÍÓÔÓ‡ˆËÂÈ Yamaha, Ô‰ÒÚ‡‚ÎflÂÚ ÒÓ·ÓÈ ÛÒӂ¯ÂÌÒÚ‚Ó‚‡ÌÌ˚È ‚‡Ë‡ÌÚ Òڇ̉‡Ú‡ SMF (Standard MIDI File), ·ÓΠÙÛÌ͈ËÓ̇θÌ˚È Ë êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 191 ç‡ÒÚÓÈÍË MIDI ç‡ÒÚÓÈÍË MIDI ùÚÓÚ ‡Á‰ÂÎ ÔÓÏÓÊÂÚ ‚‡Ï ̇ÒÚÓËÚ¸ Ô‡‡ÏÂÚ˚ MIDI ̇ ËÌÒÚÛÏÂÌÚÂ. Ç ÒËÌÚÂÁ‡ÚÓ Clavinova ‚ÒÚÓÂÌÓ 10 Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ı ¯‡·ÎÓÌÓ‚, ÔÓÁ‚ÓÎfl˛˘Ëı ·˚ÒÚÓ Ë Î„ÍÓ Ì‡ÒÚÓËÚ¸ ËÌÒÚÛÏÂÌÚ Ì‡ ÍÓÌÍÂÚÌÓ MIDI-ÔËÎÓÊÂÌË ËÎË ‚̯Ì ÛÒÚÓÈÒÚ‚Ó. í‡ÍÊ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ¯‡·ÎÓÌ˚ Ë ÒÓı‡ÌËÚ¸ ‰Ó ‰ÂÒflÚË ÒÓ·ÒÚ‚ÂÌÌ˚ı ÓË„Ë̇θÌ˚ı ¯‡·ÎÓÌÓ‚ ̇ ˝Í‡Ì USER. ùÚË ÓË„Ë̇θÌ˚ ¯‡·ÎÓÌ˚ ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ Í‡Í Â‰ËÌ˚È Ù‡ÈΠ̇ Ô·ÚÛ SmartMedia ËÎË ‚̯Ì USBÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı ̇ ˝Í‡Ì ‚˚·Ó‡ MIDI SETUP (‚˚Á˚‚‡ÂÚÒfl ̇ʇÚËÂÏ ÍÌÓÔÓÍ [FUNCTION] → [I] UTILITY → TAB [F] SYSTEM RESET). éÒÌÓ‚Ì˚ ÓÔ‡ˆËË 1 Ç˚ÁÓ‚ËÚ ˝Í‡Ì ‰Îfl ÓÔ‡ˆËÈ ‚˚·Ó‡ ¯‡·ÎÓ̇ MIDI. îÛÌ͈Ëfl [H] MIDI 4 àÒÔÓθÁÛÈÚ ÍÌÓÔÍË TAB [√]/[®] ‰Îfl ‚˚ÁÓ‚‡ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó ˝Í‡Ì‡ ̇ÒÚÓÂÍ. ùÍ‡Ì SYSTEM ëËÒÚÂÏÌ˚ ̇ÒÚÓÈÍË MIDI (ÒÚ. 194) ùÍ‡Ì TRANSMIT ç‡ÒÚÓÈÍË Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ (ÒÚ. 194) ùÍ‡Ì RECEIVE ç‡ÒÚÓÈÍË ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ (ÒÚ. 195) ùÍ‡Ì BASS ç‡ÒÚÓÈÍË ·‡ÒÓ‚ÓÈ ÌÓÚ˚ ‡ÍÍÓ‰‡ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl ̇ ÓÒÌÓ‚Â ÔÓÎÛ˜ÂÌÌ˚ı ‰‡ÌÌ˚ı MIDI (ÒÚ. 195) ùÍ‡Ì CHORD DETECT ç‡ÒÚÓÈÍË ÚËÔ‡ ‡ÍÍÓ‰‡ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl ̇ ÓÒÌÓ‚Â ÔÓÎÛ˜ÂÌÌ˚ı ‰‡ÌÌ˚ı MIDI (ÒÚ. 196) 5 6 èÓÒΠÚÓ„Ó Í‡Í ‚˚ ‚ÌÂÒÎË ËÁÏÂÌÂÌËfl, ̇ÊÏËÚ ÍÌÓÔÍÛ [EXIT] (Ç˚ıÓ‰), ˜ÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í ˝Í‡ÌÛ ‚˚·Ó‡ ¯‡·ÎÓÌÓ‚ MIDI (PRESET ËÎË USER). Ç˚·ÂËÚ ‚Í·‰ÍÛ USER Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ TAB [√]/[®], ˜ÚÓ·˚ ÒÓı‡ÌËÚ¸ ‰‡ÌÌ˚ (ÒÚ. 63). ᇇÌ Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ¯‡·ÎÓÌ˚ MIDI 2 †] óÚÓ·˚ ËÁÏÂÌËÚ¸ ¯‡·ÎÓÌ, ̇ʇÚËÂÏ ÍÌÓÔÍË [8† (EDIT) (‰‡ÍÚËÓ‚‡ÌËÂ), ‚˚ÁÓ‚ËÚ ˝Í‡Ì MIDI ‰Îfl ‰‡ÍÚËÓ‚‡ÌËfl. ÑÎfl ‚˚·‡ÌÌÓ„Ó ¯‡·ÎÓ̇ ÓÚÓ·‡Ê‡˛ÚÒfl Ë̉˂ˉۇθÌ˚ ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚. á‰ÂÒ¸ ÏÓÊÌÓ Â‰‡ÍÚËÓ‚‡Ú¸ ͇ʉ˚È Ô‡‡ÏÂÚ. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ 3 ä‡Í ËÒÔÓθÁÓ‚‡Ú¸ Á‡‡Ì Á‡ÔÓ„‡ÏÏËÓ‚‡ÌÌ˚ ¯‡·ÎÓÌ˚ ËÎË Â‰‡ÍÚËÓ‚‡Ú¸ Ëı. ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [√], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˝Í‡Ì PRESET. óÚÓ·˚ ‚˚·‡Ú¸ ¯‡·ÎÓÌ MIDI, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] – [J]. óÚÓ·˚ ËÒÔÓθÁÓ‚‡Ú¸ ÒÓı‡ÌÂÌÌ˚ ̇ ˝Í‡Ì USER ¯‡·ÎÓÌ˚ ËÎË Â‰‡ÍÚËÓ‚‡Ú¸ Ëı. ç‡ÊÏËÚ ÍÌÓÔÍÛ TAB [®], ˜ÚÓ·˚ ‚˚·‡Ú¸ ˝Í‡Ì USER. óÚÓ·˚ ‚˚·‡Ú¸ ¯‡·ÎÓÌ MIDI, ̇ÊÏËÚ ӉÌÛ ËÁ ÍÌÓÔÓÍ ÓÚ [A] – [J]. 192 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÒÚÓÈÍË MIDI ç‡Á‚‡ÌË ¯‡·ÎÓ̇ éÔËÒ‡ÌË All Parts (ÇÒ ԇÚËË) 艇˜‡ ‚ÒÂı Ô‡ÚËÈ, ‚Íβ˜‡fl Ô‡ÚËË Í·‚ˇÚÛ˚ (RIGHT 1, 2, Ë LEFT), Á‡ ËÒÍβ˜ÂÌËÂÏ Ô‡ÚËÈ ÔÂÒÌË. KBD & STYLE éÚ΢‡ÂÚÒfl ÓÚ ¯‡·ÎÓ̇ «All Parts» ÚÓθÍÓ ÒÔÓÒÓ·ÓÏ ÛÔ‡‚ÎÂÌËfl Ô‡ÚËflÏË Í·‚ˇÚÛ˚. è‡ÚËfl Ô‡‚ÓÈ ÛÍË Ó·‡·‡Ú˚‚‡ÂÚÒfl Í‡Í Ô‡ÚËfl UPPER (‚ÏÂÒÚÓ RIGHT1 Ë 2), ‡ Ô‡ÚËfl ΂ÓÈ ÛÍË – Í‡Í LOWER. Master KBD èË ˝ÚÓÈ Ì‡ÒÚÓÈÍ ÒËÌÚÂÁ‡ÚÓ ËÒÔÓθÁÛÂÚÒfl Í‡Í «„·‚̇fl» Í·‚ˇÚÛ‡, ÛÔ‡‚Îfl˛˘‡fl Ó‰ÌËÏ ËÎË ÌÂÒÍÓθÍËÏË ÚÓÌ-„Â̇ÚÓ‡ÏË ËÎË ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË (̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂÓÏ/ ÒÂÍ‚ÂÌÒÓÓÏ). èÂÒÌfl ÇÒ ͇̇Î˚ Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ Ì‡Òڇ˂‡˛ÚÒfl ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò Í‡Ì‡Î‡ÏË 1-16 ÔÂÒÌË. ùÚÓÚ ¯‡·ÎÓÌ ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ÚÂÏ·‡ÏË ‚̯ÌÂ„Ó ÚÓÌ„Â̇ÚÓ‡ ËÎË ‰Îfl Á‡ÔËÒË ÏÛÁ˚ÍË Ì‡ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ. Clock Ext. (Ç̯Ìflfl ÒËÌıÓÌËÁ‡ˆËfl) ÇÓÒÔÓËÁ‚‰ÂÌË (ÔÂÒÌË ËÎË ÒÚËÎfl) ÒËÌıÓÌËÁËÛ˛ÚÒfl Ò ‚̯ÌËÏ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, ‡ ÌÂ Ò ‚ÌÛÚÂÌÌËÏ ËÒÚÓ˜ÌËÍÓÏ ÒËÌıÓÌËÁ‡ˆËË ËÌÒÚÛÏÂÌÚ‡. ùÚÓÚ ¯‡·ÎÓÌ ËÒÔÓθÁÛÂÚÒfl, ÂÒÎË ÌÛÊÌÓ Á‡‰‡Ú¸ ÚÂÏÔ Ì‡ MIDI-ÛÒÚÓÈÒÚ‚Â, ÔÓ‰Íβ˜ÂÌÌÓÏ Í ËÌÒÚÛÏÂÌÚÛ. MIDI Accord 1 MIDI-‡ÍÍÓ‰ÂÓÌ˚ ÔÓÁ‚ÓÎfl˛Ú Ô‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â Ë ÔÓË„˚‚‡Ú¸ ÏÂÎӉ˲ ̇ ÔÓ‰Íβ˜ÂÌÌ˚ı ÚÓÌ-„Â̇ÚÓ‡ı Ò Í·‚ˇÚÛ˚ Ë ÍÌÓÔÓÍ ·‡Ò‡/‡ÍÍÓ‰Ó‚ ‡ÍÍÓ‰ÂÓ̇. ùÚÓÚ ¯‡·ÎÓÌ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ÏÂÎÓ‰ËË Ò Í·‚ˇÚÛ˚ Ë ÛÔ‡‚ÎflÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂÏ ÒÚËÎfl ̇ ÒËÌÚÂÁ‡ÚÓÂ Ò ÔÓÏÓ˘¸˛ Í·‚˯ ‰Îfl ΂ÓÈ ÛÍË. MIDI Accord 2 éÚ΢‡ÂÚÒfl ÓÚ ¯‡·ÎÓ̇ «MIDI Accord1» ÚÓθÍÓ ÚÂÏ, ˜ÚÓ ‡ÍÍÓ‰˚ Ë ·‡ÒÓ‚˚ ÌÓÚ˚, ÍÓÚÓ˚ ‚˚ Ë„‡Âڠ΂ÓÈ ÛÍÓÈ Ì‡ MIDI–‡ÍÍÓ‰ÂÓÌÂ, ‚ÓÒÔËÌËχ˛ÚÒfl Ú‡Í ÊÂ, Í‡Í ÌÓÚÌ˚ MIDI-ÒÓ·˚ÚËfl. MIDI Pedal 1 MIDI-Ô‰‡ÎË ÔÓÁ‚ÓÎfl˛Ú Ë„‡Ú¸ ̇ ÔÓ‰Íβ˜ÂÌÌ˚ı ÚÓÌ-„Â̇ÚÓ‡ı ÌÓ„‡ÏË (˝ÚÓ ÓÒÓ·ÂÌÌÓ Û‰Ó·ÌÓ ‰Îfl ÔÓË„˚‚‡ÌËfl ·‡ÒÓ‚˚ı Ô‡ÚËÈ ËÁ Ó‰ÌÓÈ ÌÓÚ˚). ùÚÓÚ ¯‡·ÎÓÌ ÔÓÁ‚ÓÎflÂÚ ÔÓË„˚‚‡Ú¸ ÓÒÌÓ‚ÌÓÈ ÚÓÌ ‡ÍÍÓ‰‡ Ë ÛÔ‡‚ÎflÚ¸ ËÏ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ MIDI-Ô‰‡ÎË. MIDI Pedal 2 ùÚÓÚ ¯‡·ÎÓÌ ÔÓÁ‚ÓÎflÂÚ Ë„‡Ú¸ ·‡ÒÓ‚Û˛ Ô‡Ú˲ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl Ò ÔÓÏÓ˘¸˛ MIDIÔ‰‡ÎË. MIDI OFF MIDI-Ò˄̇Î˚ Ì ÓÚÔ‡‚Îfl˛ÚÒfl Ë Ì ÔËÌËχ˛ÚÒfl. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 193 ç‡ÒÚÓÈÍË MIDI ùÍ‡Ì SYSTEM ëËÒÚÂÏÌ˚ ̇ÒÚÓÈÍË MIDI ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ SYSTEM, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» ̇ ÒÚ. 192. ● RECEIVE TRANSPOSE ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ·Û‰ÂÚ ÎË Ì‡ÒÚÓÈ͇ Ú‡ÌÒÔÓÌËÓ‚‡ÌËfl ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 55) ÔËÏÂÌflÚ¸Òfl Í ÌÓÚ‡Ï, ÔÓÎÛ˜ÂÌÌ˚Ï ˜ÂÂÁ MIDI. ● START/STOP ùÚÓÚ Ô‡‡ÏÂÚ ÔÓÁ‚ÓÎflÂÚ Û͇Á‡Ú¸, ·Û‰ÛÚ ÎË ÒÓÓ·˘ÂÌËfl «FA» Ë «FC» ‚ÎËflÚ¸ ̇ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË ËÎË ÒÚËÎfl. ■ MESSAGE SW ● SYS/EX. 臇ÏÂÚ «Tx» ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ Ô‰‡˜Û ÒËÒÚÂÏÌ˚ı MIDI-ÒÓÓ·˘ÂÌËÈ Exclusive (‰Îfl ÛÒÚÓÈÒÚ‚ ÓÔ‰ÂÎÂÌÌÓ„Ó ÔÓËÁ‚Ó‰ËÚÂÎfl). 臇ÏÂÚ «Rx» ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÔËÂÏ Ë ‡ÒÔÓÁ̇‚‡ÌË ÒËÒÚÂÏÌ˚ı MIDI– ÒÓÓ·˘ÂÌËÈ Exclusive (‰Îfl ÛÒÚÓÈÒÚ‚ ÓÔ‰ÂÎÂÌÌÓ„Ó ÔÓËÁ‚Ó‰ËÚÂÎfl), ÍÓÚÓ˚ ÒÓÁ‰‡˛ÚÒfl ‚̯ÌËÏ Ó·ÓÛ‰Ó‚‡ÌËÂÏ. ■ LOCAL CONTROL (ãÓ͇θÌÓ ÛÔ‡‚ÎÂÌËÂ) èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÔÓÒÓ· ÒËÌıÓÌËÁ‡ˆËË MIDI-ÛÒÚÓÈÒÚ‚. åÓÊÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ Clavinova Ë ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ ‚ÌÛÚÂÌÌÂÏÛ Ú‡ÈÏÂÛ ÒËÌÚÂÁ‡ÚÓ‡ ËÎË, ̇ӷÓÓÚ, ÔÓ Ò˄̇ÎÛ ÒËÌıÓÌËÁ‡ˆËË ÓÚ ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. INTERNAL (ÇÌÛÚÂÌÌflfl) – ˝ÚÓ Ó·˚˜Ì‡fl ÛÒÚ‡Ìӂ͇ ÒËÌıÓÌËÁ‡ˆËË, ÂÒÎË Clavinova ËÒÔÓθÁÛÂÚÒfl ÓÚ‰ÂθÌÓ ËÎË ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓÈ Í·‚ˇÚÛ˚, ÛÔ‡‚Îfl˛˘ÂÈ ‚̯ÌËÏ ÛÒÚÓÈÒÚ‚ÓÏ. ÖÒÎË Clavinova ËÒÔÓθÁÛÂÚÒfl ‚ÏÂÒÚÂ Ò ‚̯ÌËÏ ÒÂÍ‚ÂÌÒÓÓÏ, ÍÓÏÔ¸˛ÚÂÓÏ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ‰Û„ËÏ MIDIÛÒÚÓÈÒÚ‚ÓÏ, Ò ÍÓÚÓ˚Ï Ì‡‰Ó ÒËÌıÓÌËÁËÓ‚‡Ú¸ ÒËÌÚÂÁ‡ÚÓ, ‚˚·ÂËÚ ÔÓ‰ıÓ‰fl˘Â Á̇˜ÂÌË ˝ÚÓ„Ó Ô‡‡ÏÂÚ‡: MIDI, USB 1 ËÎË USB 2. èӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó (̇ÔËÏÂ, Í ‡Á˙ÂÏÛ MIDI IN ËÌÒÚÛÏÂÌÚ‡ Clavinova), Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó Ô‡‚ËθÌÓ Ô‰‡ÂÚ MIDI-Ò˄̇ΠÒËÌıÓÌËÁ‡ˆËË. ÖÒÎË ‚˚·‡Ì‡ ÒËÌıÓÌËÁ‡ˆËfl ÔÓ ‚̯ÌÂÏÛ ÛÒÚÓÈÒÚ‚Û (MIDI, USB 1 ËÎË USB 2), ÚÓ ‚ Ò„ÏÂÌÚ «Tempo» „·‚ÌÓ„Ó ˝Í‡Ì‡ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Á̇˜ÂÌË «Ext.». ● CHORD SYS/EX. 臇ÏÂÚ «Tx» ‚Íβ˜‡ÂÚ Ë ‚˚Íβ˜‡ÂÚ Ô‰‡˜Û MIDI-‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı (ÓÔ‰ÂÎÂÌË ‡ÍÍÓ‰‡, Â„Ó ÓÒÌÓ‚ÌÓÈ ÚÓÌ Ë ÚËÔ). 臇ÏÂÚ «Rx» ‚Íβ˜‡ÂÚ ËÎË ‚˚Íβ˜‡ÂÚ ÔËÂÏ Ë ‡ÒÔÓÁ̇‚‡ÌË MIDI-‰‡ÌÌ˚ı Ó· ‡ÍÍÓ‰‡ı, ÍÓÚÓ˚ ÒÓÁ‰‡˛ÚÒfl ‚̯ÌËÏ Ó·ÓÛ‰Ó‚‡ÌËÂÏ. ùÍ‡Ì TRANSMIT 臇ÏÂÚ˚ Ô‰‡˜Ë MIDI-ÒÓÓ·˘ÂÌËÈ ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ TRANSMIT, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» ̇ ÒÚ. 192. á‰ÂÒ¸ ÏÓÊÌÓ Û͇Á‡Ú¸ Ô‡ÚËË, ÍÓÚÓ˚ ·Û‰ÛÚ Ô‰‡‚‡Ú¸ MIDI-‰‡ÌÌ˚Â, Ë MIDI-͇̇Î, ÔÓ ÍÓÚÓÓÏÛ ˝ÚË ‰‡ÌÌ˚ ·Û‰ÛÚ Ô‰‡‚‡Ú¸Òfl. ■ ç‡ÒÚÓÈ͇ ÒËÌıÓÌËÁ‡ˆËË Ë Ú. ‰. èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ● CLOCK èÓÁ‚ÓÎflÂÚ ‚˚·‡Ú¸ ÒÔÓÒÓ· ÒËÌıÓÌËÁ‡ˆËË MIDI-ÛÒÚÓÈÒÚ‚. åÓÊÌÓ ÒËÌıÓÌËÁËÓ‚‡Ú¸ Clavinova Ë ‚̯Ì ÛÒÚÓÈÒÚ‚Ó ÔÓ ‚ÌÛÚÂÌÌÂÏÛ Ú‡ÈÏÂÛ ÒËÌÚÂÁ‡ÚÓ‡ ËÎË, ̇ӷÓÓÚ, ÔÓ Ò˄̇ÎÛ ÒËÌıÓÌËÁ‡ˆËË ÓÚ ‚̯ÌÂ„Ó ÛÒÚÓÈÒÚ‚‡. INTERNAL (ÇÌÛÚÂÌÌflfl) – ˝ÚÓ Ó·˚˜Ì‡fl ÛÒÚ‡Ìӂ͇ ÒËÌıÓÌËÁ‡ˆËË, ÂÒÎË Clavinova ËÒÔÓθÁÛÂÚÒfl ÓÚ‰ÂθÌÓ ËÎË ‚ ͇˜ÂÒÚ‚Â „·‚ÌÓÈ Í·‚ˇÚÛ˚. ÖÒÎË Clavinova ËÒÔÓθÁÛÂÚÒfl ‚ÏÂÒÚÂ Ò ‚̯ÌËÏ ÒÂÍ‚ÂÌÒÂÓÏ, ÍÓÏÔ¸˛ÚÂÓÏ Ò MIDI-ËÌÚÂÙÂÈÒÓÏ ËÎË ‰Û„ËÏ MIDI-ÛÒÚÓÈÒÚ‚ÓÏ, Ò ÍÓÚÓ˚Ï Ì‡‰Ó ÒËÌıÓÌËÁËÓ‚‡Ú¸ ÒËÌÚÂÁ‡ÚÓ, ̇‰Ó ‚˚·‡Ú¸ Ó‰ÌÓ ËÁ ÒÎÂ‰Û˛˘Ëı Á̇˜ÂÌËÈ Ô‡‡ÏÂÚ‡ CLOCK: MIDI, USB 1 ËÎË USB 2. èӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÔÓ‰Íβ˜ÂÌÓ ‚̯Ì ÛÒÚÓÈÒÚ‚Ó (̇ÔËÏÂ, Í ‡Á˙ÂÏÛ MIDI IN ËÌÒÚÛÏÂÌÚ‡ Clavinova), Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ ˝ÚÓ ÛÒÚÓÈÒÚ‚Ó Ô‡‚ËθÌÓ Ô‰‡ÂÚ MIDI-Ò˄̇ΠÒËÌıÓÌËÁ‡ˆËË. ÖÒÎË ‚˚·‡Ì‡ ÒËÌıÓÌËÁ‡ˆËfl ÔÓ ‚̯ÌÂÏÛ ÛÒÚÓÈÒÚ‚Û (MIDI, USB 1 ËÎË USB 2), ÚÓ ‚ Ò„ÏÂÌÚ «Tempo» „·‚ÌÓ„Ó ˝Í‡Ì‡ ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl Á̇˜ÂÌË «Ext.». ● TRANSMIT CLOCK ùÚÓÚ Ô‡‡ÏÂÚ ÛÔ‡‚ÎflÂÚ ‚Íβ˜ÂÌËÂÏ/ÓÚÍβ˜ÂÌËÂÏ ÂÊËχ Ô‰‡˜Ë Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË (F8). ÖÒÎË ÓÌ ÓÚÍβ˜ÂÌ (OFF), MIDI-Ò˄̇Î˚ ÒËÌıÓÌËÁ‡ˆËË ËÎË ‰‡ÌÌ˚ Start/Stop (Á‡ÔÛÒÍ/ÓÒÚ‡Ìӂ͇) Ì Ô‰‡˛ÚÒfl ‰‡Ê ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË ËÎË ÒÚËÎfl. ìÔ‡‚ÎÂÌË Ç˚·ÂËÚ ԇÚ˲, ÍÓÚÓ‡fl ·Û‰ÂÚ Ô‰‡‚‡Ú¸Òfl, Ë Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ Ó̇ ·Û‰ÂÚ Ô‰‡‚‡Ú¸Òfl. åÓÊÌÓ Ú‡ÍÊ Û͇Á‡Ú¸ ÚËÔ Ô‰‡‚‡ÂÏ˚ı ‰‡ÌÌ˚ı. ● ᇠËÒÍβ˜ÂÌËÂÏ ‰‚Ûı Ô‡ÚËÈ, Ô˜ËÒÎÂÌÌ˚ı ÌËÊÂ, ̇ÒÚÓÈ͇ Ô‡ÚËÈ Ë‰ÂÌÚ˘̇ ÓÔËÒ‡ÌÌ˚Ï ‚ ‰Û„Ëı ‡Á‰Â·ı ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡. • UPPER è‡ÚËfl, ËÒÔÓÎÌflÂχfl ̇ ˜‡ÒÚË Í·‚ˇÚÛ˚, ‡ÒÔÓÎÓÊÂÌÌÓÈ ÒÔ‡‚‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ‰Îfl ÚÂÏ·Ó‚ (RIGHT1 Ë/ËÎË 2). • LOWER è‡ÚËfl, ËÒÔÓÎÌflÂχfl ̇ ˜‡ÒÚË Í·‚ˇÚÛ˚, ‡ÒÔÓÎÓÊÂÌÌÓÈ Ò΂‡ ÓÚ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl ‰Îfl ÚÂÏ·Ó‚. ëÓÒÚÓflÌË ÍÌÓÔÍË [ACMP ON/OFF] ̇ ˝ÚÛ ˜‡ÒÚ¸ Í·‚ˇÚÛ˚ Ì ‚ÎËflÂÚ. 194 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 ç‡ÒÚÓÈÍË MIDI ● Tx MONITOR ä‡Ê‰ÓÏÛ ËÁ ¯ÂÒÚ̇‰ˆ‡ÚË Í‡Ì‡ÎÓ‚ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇ ˝Í‡ÌÂ, ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË Ô‰‡˜Â MIDIÒÓÓ·˘ÂÌËÈ ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ. ÖÒÎË ‡ÁÌ˚ ԇÚËË ÔË‚flÁ‡Ì˚ Í Ó‰ÌÓÏÛ Í‡Ì‡ÎÛ Ô‰‡˜Ë ÖÒÎË Ó‰ËÌ Ë ÚÓÚ Ê ͇̇Π‚˚·‡Ì ‰Îfl ÌÂÒÍÓθÍËı ‡ÁÌ˚ı Ô‡ÚËÈ, Ô‰‡‚‡ÂÏ˚ MIDI-ÒÓÓ·˘ÂÌËfl Òϯ˂‡˛ÚÒfl ‚ ˝ÚÓÏ Í‡Ì‡ÎÂ, ˜ÚÓ ÔË‚Ó‰ËÚ Í ‚ÓÁÌËÍÌÓ‚ÂÌ˲ ÌÂÓÊˉ‡ÌÌ˚ı Á‚ÛÍÓ‚ Ë ÏÓÊÂÚ ‚˚Á‚‡Ú¸ Ò·ÓË ‚ ÔÓ‰Íβ˜ÂÌÌÓÏ MIDI-ÛÒÚÓÈÒÚ‚Â. ᇢˢÂÌÌ˚ ÔÂÒÌË èÂÒÌË, Á‡˘Ë˘ÂÌÌ˚ ÓÚ Á‡ÔËÒË, Ë ÔÂÒÌË ‚ ÙÓχÚ GS Ì‚ÓÁÏÓÊÌÓ Ô‰‡‚‡Ú¸, ‰‡Ê ÂÒÎË ‰Îfl Ô‰‡˜Ë ‚˚·‡Ì˚ Ô‡‚ËθÌ˚ ͇̇Î˚ ÔÂÒÂÌ 1–16. ■ MIDI-ÒÓÓ·˘ÂÌËfl, ÍÓÚÓ˚ ÏÓÊÌÓ Ô‰‡‚‡Ú¸ ËÎË ÔËÌËχڸ (‡ÒÔÓÁ̇‚‡Ú¸) ç‡ ˝Í‡Ì TRANSMIT/RECEIVE ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ ÒÎÂ‰Û˛˘Ë MIDI-ÒÓÓ·˘ÂÌËfl. • Note (çÓÚÌ˚ ÒÓ·˚ÚËfl) ...............................................ÒÚ. 154 • CC (CONTROL CHANGE, ÒÏÂ̇ Á̇˜ÂÌËfl ÍÓÌÚÓη) ...............................................................ÒÚ. 154 • PC (PROGRAM CHANGE, ËÁÏÂÌÂÌË ÔÓ„‡ÏÏ˚) ..................................................................ÒÚ. 154 • PB (Pitch Bend, ‚˚ÒÓÚ‡ Á‚Û͇) .................................... ÒÚ. 154 • AT (Aftertouch, ÔÓÒΠ̇ʇÚËfl) .................................. ÒÚ. 154 • EXTRA PART 1–5 ëÛ˘ÂÒÚ‚ÛÂÚ ÔflÚ¸ Ô‡ÚËÈ, ÒÔˆˇθÌÓ Ô‰̇Á̇˜ÂÌÌ˚ı ‰Îfl ÔËÂχ Ë ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‰‡ÌÌ˚ı MIDI. ä‡Í Ô‡‚ËÎÓ, Ò‡ÏËÏ ËÌÒÚÛÏÂÌÚÓÏ ˝ÚË Ô‡ÚËË Ì ËÒÔÓθÁÛ˛ÚÒfl. Clavinova ÏÓÊÂÚ ÒÎÛÊËÚ¸ ‚ ͇˜ÂÒÚ‚Â 32-͇̇θÌÓ„Ó ÏÌÓ„ÓÚÂÏ·Ó‚Ó„Ó ÚÓÌ-„Â̇ÚÓ‡, ÂÒÎË ËÒÔÓθÁÓ‚‡Ú¸ ˝ÚË ÔflÚ¸ Ô‡ÚËÈ ‰ÓÔÓÎÌËÚÂθÌÓ Í ÓÒÌÓ‚Ì˚Ï Ô‡ÚËflÏ (ÍÓÏ Á‚Û͇ ÏËÍÓÙÓ̇). ● Rx MONITOR ä‡Ê‰ÓÏÛ ËÁ ͇̇ÎÓ‚ (1–16) ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ «Î‡ÏÔӘ͇» ̇ ˝Í‡ÌÂ, ÍÓÚÓ‡fl ÏË„‡ÂÚ ÔË ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ÔÓ ˝ÚÓÏÛ Í‡Ì‡ÎÛ. ÅÎÓÍËӂ͇ Ô‡‡ÏÂÚ‡ éÚ‰ÂθÌ˚ ԇ‡ÏÂÚ˚ (̇ÔËÏÂ, ˝ÙÙÂÍÚ˚, ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl Ë Ú.‰.) ÏÓÊÌÓ «Á‡·ÎÓÍËÓ‚‡Ú¸», ˜ÚÓ·˚ Ëı ÏÓÊÌÓ ·˚ÎÓ ‚˚·Ë‡Ú¸ ÚÓθÍÓ Ò Ô‡ÌÂÎË ÛÔ‡‚ÎÂÌËfl (ÒÚ. 122). ■ 艇˜‡/ÔËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ ˜ÂÂÁ ÔÓÚ USB Ë ÔÓÚ˚ MIDI èÓÚ˚ [MIDI] Ë [USB], ÍÓÚÓ˚ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ‰Îfl Ô‰‡˜Ë Ë ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ ÔÓ 32 Í‡Ì‡Î‡Ï (16 ͇̇ÎÓ‚ ı 2 ÔÓÚ‡), ‚Á‡ËÏÓ‰ÂÈÒÚ‚Û˛Ú ÒÎÂ‰Û˛˘ËÏ Ó·‡ÁÓÏ: èËÂÏ MIDI-ÒÓÓ·˘ÂÌËÈ è‰‡˜‡ MIDI-ÒÓÓ·˘ÂÌËÈ ê‡Á˙ÂÏ [USB TO HOST] ê‡Á˙ÂÏ [MIDI IN] ê‡Á˙ÂÏ [USB T ê‡Á˙ÂÏ [MIDI OUT] HOST] ùÍ‡Ì RECEIVE 臇ÏÂÚ˚ ÔËÂχ MIDI-ÒÓÓ·˘ÂÌËÈ Port handling USB1 Merge MIDI/USB1 01–16 USB2 Merge USB2 01–16 MIDI/USB 01–16 ùÍ‡Ì BASS ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ RECEIVE, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» ̇ ÒÚ. 192. á‰ÂÒ¸ ÏÓÊÌÓ Û͇Á‡Ú¸ Ô‡ÚËË, ÔËÌËχ˛˘Ë MIDIÒÓÓ·˘ÂÌËfl Ë Í‡Ì‡Î, ÔÓ ÍÓÚÓÓÏÛ ÓÌË ·Û‰ÛÚ ÔËÌËχڸÒfl. Ç˚·ÂËÚ ͇̇Î, Ò ÍÓÚÓÓ„Ó ·Û‰ÛÚ ÔËÌËχڸÒfl ‰‡ÌÌ˚Â, Ë Ô‡Ú˲, ÍÓÚÓ‡fl ·Û‰ÂÚ Ëı ÔÓÎÛ˜‡Ú¸. åÓÊÌÓ Ú‡ÍÊ Û͇Á‡Ú¸ ÚËÔ ÔÓÎÛ˜‡ÂÏ˚ı ‰‡ÌÌ˚ı. ● ëËÌÚÂÁ‡ÚÓ ÏÓÊÂÚ ÔËÌËχڸ ÔÓ USB-ÒÓ‰ËÌÂÌ˲ MIDI-ÒÓÓ·˘ÂÌËfl ÔÓ 32 Í‡Ì‡Î‡Ï (16 ͇̇ÎÓ‚ x 2 ÔÓÚ‡). ● ᇠËÒÍβ˜ÂÌËÂÏ ‰‚Ûı Ô‡ÚËÈ, Ô˜ËÒÎÂÌÌ˚ı ÌËÊÂ, ̇ÒÚÓÈ͇ Ô‡ÚËÈ Ë‰ÂÌÚ˘̇ ÓÔËÒ‡ÌÌ˚Ï ‚ ‰Û„Ëı ‡Á‰Â·ı ˝ÚÓ„Ó ÛÍÓ‚Ó‰ÒÚ‚‡. • KEYBOARD èÓÎÛ˜ÂÌÌ˚ ÌÓÚÌ˚ ÒÓÓ·˘ÂÌËfl ÛÔ‡‚Îfl˛Ú Ô‡ÚËÂÈ Í·‚ˇÚÛ˚ ËÌÒÚÛÏÂÌÚ‡ Clavinova. ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ BASS, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» ̇ ÒÚ. 192. ùÚË Ô‡‡ÏÂÚ˚ ÔÓÁ‚ÓÎfl˛Ú Û͇Á‡Ú¸ ·‡ÒÓ‚Û˛ ÌÓÚÛ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ ÓÒÌÓ‚‡ÌËË ÌÓÚÌ˚ı ÒÓÓ·˘ÂÌËÈ, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. ëÓÓ·˘ÂÌËfl ÚËÔ‡ «Note ON/OFF» (ÇÍβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÌÓÚ˚), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË ON, ‡ÒÔÓÁ̇˛ÚÒfl Í‡Í ·‡ÒÓ‚˚ ÌÓÚ˚ ‡ÍÍÓ‰‡ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl. ŇÒÓ‚˚ ÌÓÚ˚ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÔÓÎÓÊÂÌËfl ÍÌÓÔÍË [ACMP ON/OFF]. ÖÒÎË Á̇˜ÂÌË ON Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡ÌÓ ‰Îfl ÌÂÒÍÓθÍËı ͇̇ÎÓ‚, ÔÓËÒÍ ÓÒÌÓ‚ÌÓ„Ó ÚÓ̇ ‚˚ÔÓÎÌflÂÚÒfl ‚ Òϯ‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ìÔ‡‚ÎÂÌË ìÒÚ‡Ìӂ͇ ·‡ÒÓ‚ÓÈ ÌÓÚ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı 195 ç‡ÒÚÓÈÍË MIDI éÚÓ·‡ÊÂÌË ÌÓχ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÚÂÏ·‡ ùÚÓÚ Ô‡‡ÏÂÚ ÓÔ‰ÂÎflÂÚ, ·Û‰ÛÚ ÎË Ì‡ ˝Í‡Ì ‚˚·Ó‡ ÚÂÏ·Ó‚ ÓÚÓ·‡Ê‡Ú¸Òfl ̇Á‚‡ÌË ·‡Ì͇ ÚÂÏ·Ó‚ Ë ÌÓÏ ÚÂÏ·‡. ùÚÓ ·˚‚‡ÂÚ ÔÓÎÂÁÌÓ, ÂÒÎË ÌÛÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÚÂÏ· ‚̯ÌÂ„Ó MIDI-ÛÒÚÓÈÒÚ‚‡. ÑÎfl ˝ÚÓ„Ó Ó·˚˜ÌÓ ÒΉÛÂÚ ÔÓ‚ÂflÚ¸ Á̇˜ÂÌËfl MSB/LSB Ë ÌÓχ ÔÓ„‡ÏÏ ‚˚·‡ÌÌÓ„Ó ·‡Ì͇ ÚÂÏ·Ó‚. Ç˚Á‚‡Ú¸ ˝ÚÓÚ ˝Í‡Ì ÏÓÊÌÓ Ò ÔÓÏÓ˘¸˛ ÒÎÂ‰Û˛˘Ëı ‰ÂÈÒÚ‚ËÈ: [FUNCTION] → [I] UTILITY → TAB [√]/[®] CONFIG 2. åÂÌ˛ DISPLAY VOICE NUMBER ÏÓÊÌÓ ‚Íβ˜‡Ú¸ (ON) Ë ‚˚Íβ˜‡Ú¸ (OFF). ìÔ‡‚ÎÂÌË Ç˚·ÂËÚÂ Í‡Ì‡Î Ë ÛÒÚ‡ÌÓ‚ËÚ ‰Îfl ÌÂ„Ó Á̇˜ÂÌË ON/OFF. óÚÓ·˚ ‰Îfl ‚ÒÂı ͇̇ÎÓ‚ ÛÒÚ‡ÌÓ‚ËÚ¸ Á̇˜ÂÌË OFF, ËÒÔÓθÁÛÈÚ ˝ÎÂÏÂÌÚ All OFF. ùÍ‡Ì CHORD DETECT ìÒÚ‡Ìӂ͇ ÚËÔ‡ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ÔË ÔÓÏÓ˘Ë ÔÓÎÛ˜ÂÌÌ˚ı MIDI-‰‡ÌÌ˚ı èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ËÌÒÚÛÏÂÌÚÛ ùÚË ÔÓflÒÌÂÌËfl ÓÚÌÓÒflÚÒfl Í ˝Í‡ÌÛ CHORD DETECT, ÍÓÚÓ˚È ‚˚Á˚‚‡ÂÚÒfl ‚ ¯‡„ 4 ‡Á‰Â· «éÒÌÓ‚Ì˚ ÓÔ‡ˆËË» ̇ ÒÚ. 192. ùÚË Ô‡‡ÏÂÚ˚ ÔÓÁ‚ÓÎfl˛Ú ÓÔ‰ÂÎËÚ¸ ÚËÔ ‡ÍÍÓ‰‡ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl ̇ ÓÒÌÓ‚‡ÌËË ÌÓÚÌ˚ı ÒÓÓ·˘ÂÌËÈ, ÔÓÎÛ˜ÂÌÌ˚ı ˜ÂÂÁ MIDI-ËÌÚÂÙÂÈÒ. ëÓÓ·˘ÂÌËfl ÚËÔ‡ «Note ON/OFF» (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÌÓÚ˚), ÔËÌËχÂÏ˚ ͇̇·ÏË, ‰Îfl ÍÓÚÓ˚ı ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË ON, ‡ÒÔÓÁ̇˛ÚÒfl Í‡Í ÌÓÚ˚ ‰Îfl ÓÔ‰ÂÎÂÌËfl ‡ÍÍÓ‰Ó‚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl. éÔ‰ÂÎÂÌË ‡ÍÍÓ‰Ó‚ Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓÈ ‡ÔÔÎË͇ÚÛ˚. íËÔ˚ ‡ÍÍÓ‰Ó‚ ‡ÒÔÓÁ̇˛ÚÒfl ÌÂÁ‡‚ËÒËÏÓ ÓÚ ÔÓÁˈËË ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ Ë ÓÚ ÔÓÎÓÊÂÌËfl ÍÌÓÔÍË [ACMP ON/OFF]. ÖÒÎË Á̇˜ÂÌË ON Ó‰ÌÓ‚ÂÏÂÌÌÓ ‚˚·‡ÌÓ ‰Îfl ÌÂÒÍÓθÍËı ͇̇ÎÓ‚, ÔÓËÒÍ ÚËÔ‡ ‡ÍÍÓ‰‡ ‚˚ÔÓÎÌflÂÚÒfl ‚ Òϯ‡ÌÌ˚ı MIDI-‰‡ÌÌ˚ı, ÔÓÎÛ˜ÂÌÌ˚ı ÔÓ ˝ÚËÏ Í‡Ì‡Î‡Ï. éÒÌÓ‚Ì˚ ‰ÂÈÒÚ‚Ëfl Ô‡ÍÚ˘ÂÒÍË Ë‰ÂÌÚ˘Ì˚ ÚÂÏ, ˜ÚÓ ·˚ÎË ÓÔËÒ‡Ì˚ ‚ ‡Á‰ÂÎÂ, ÔÓÒ‚fl˘ÂÌÌÓÏ ˝Í‡ÌÛ BASS. 196 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 • éÚÓ·‡Ê‡ÂÏ˚ Á‰ÂÒ¸ ÌÓχ ̇˜Ë̇˛ÚÒfl Ò «1». ëÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ, ‡θÌ˚ ÌÓχ ËÁÏÂÌÂÌËfl MIDI-ÔÓ„‡ÏÏ Ì‡ ‰ËÌËˆÛ ÏÂ̸¯Â, ÔÓÒÍÓθÍÛ ÓÚÒ˜ÂÚ Ì‡˜Ë̇ÂÚÒfl Ò «0». • ÑÎfl ÚÂÏ·Ó‚ ‚ ÙÓχÚ GS ˝Ú‡ ÙÛÌ͈Ëfl ̉ÓÒÚÛÔ̇ (ÌÓχ ìÒÚ‡ÌÂÌË ÌÂÔÓ·‰ÓÍ çÂËÒÔ‡‚ÌÓÒÚË Ó·˘Â„Ó ı‡‡ÍÚ‡ - èË Ë„Â Ì‡ Í·‚ˇÚÛ ͇˜ÂÒÚ‚Ó Á‚Û͇ Û ‡ÁÌ˚ı ÌÓÚ ÌÂÏÌÓ„Ó ‡ÁÌÓÂ. Clavinova Ì ‚Íβ˜‡ÂÚÒfl. • èӂ¸Ú ÔÓ‰Íβ˜ÂÌË ͇·ÂÎfl Í ‡Á˙ÂÏÛ Ì‡ Clavinova Ë Í ÓÁÂÚÍÂ. - çÂÍÓÚÓ˚ ÚÂÏ·˚ ÔÓÒÚÓÂÌ˚ ̇ ÓÒÌÓ‚Â Á‡ˆËÍÎÂÌÌ˚ı Á‚ÛÍÓ‚˚ı Ù‡„ÏÂÌÚÓ‚ («ÔÂÚÂθ»). èË ‚Íβ˜ÂÌËË Ë ÓÚÍβ˜ÂÌËË ÔËÚ‡ÌËfl ÒÎ˚¯Ì˚ ˘ÂΘÍË Ë ıÎÓÔÍË. • ç‡ ËÌÒÚÛÏÂÌÚ ÔÓ‰‡ÂÚÒfl ˝ÎÂÍÚÓÔËÚ‡ÌËÂ. ùÚÓ ÌÓχθÌÓ. • í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸, Ú‡ÍÓÈ ˝ÙÙÂÍÚ Ó·ÛÒÎÓ‚ÎÂÌ ÒËÒÚÂÏÓÈ Ò˝ÏÔÎËÓ‚‡ÌËfl ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova. àÁ ‰Ë̇ÏËÍÓ‚ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova ÒÎ˚¯ÂÌ ¯ÛÏ. • òÛÏ ÏÓÊÂÚ ‚ÓÁÌË͇ڸ, ÂÒÎË ‚·ÎËÁË ËÌÒÚÛÏÂÌÚ‡ Clavinova ËÒÔÓθÁÛÂÚÒfl ËÎË Á‚ÓÌËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ. éÚÍβ˜ËÚ ÏÓ·ËθÌ˚È ÚÂÎÂÙÓÌ ËÎË ËÒÔÓθÁÛÈÚÂ Â„Ó Ì‡ ·Óθ¯ÂÏ ‡ÒÒÚÓflÌËË ÓÚ Clavinova. 燉ÔËÒË Ì‡ ˝Í‡Ì ÚÛ‰ÌÓ ÔÓ˜ÂÒÚ¸, ÔÓÚÓÏÛ ˜ÚÓ ˝Í‡Ì ÒÎ˯ÍÓÏ flÍËÈ (ËÎË ÒÎ˯ÍÓÏ ÚÂÏÌ˚È). • ë ÔÓÏÓ˘¸˛ Û˜ÍË [LCD CONTRAST] ÓÚ„ÛÎËÛÈÚ ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ˝Í‡Ì‡. • (CVP-305/303) éÚ„ÛÎËÛÈÚ flÍÓÒÚ¸ ˝Í‡Ì‡ (ÒÚ. 19). é·˘ËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÒÎ˯ÍÓÏ ÌËÁÓÍ ËÎË Á‚ÛÍ ÓÚÒÛÚÒÚ‚ÛÂÚ ‚ÓÓ·˘Â. • Ç˚·‡Ì‡ ÒÎ˯ÍÓÏ ÌËÁ͇fl Ó·˘‡fl „ÓÏÍÓÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ ÌÛÊÌÛ˛ „ÓÏÍÓÒÚ¸ ÔË ÔÓÏÓ˘Ë ‰ËÒ͇ ÛÔ‡‚ÎÂÌËfl [MASTER VOLUME]. • ÇÒ ԇÚËË Í·‚ˇÚÛ˚ ‚˚Íβ˜ÂÌ˚. ÇÍβ˜ËÚ Ëı Ò ÔÓÏÓ˘¸˛ ÍÌÓÔÓÍ PART ON/OFF [RIGHT 1]/[RIGHT 2]/[LEFT]. • ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÌËÁÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË ‰Îfl ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ. ì‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ̇ ˝Í‡Ì BALANCE (ÒÚ. 39). • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÂÂÍβ˜‡ÚÂθ ÌÛÊÌÓ„Ó Í‡Ì‡Î‡ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 99). • èË ÔÓ‰Íβ˜ÂÌÌ˚ı ̇ۯÌË͇ı ‚˚ıÓ‰ÌÓÈ Ò˄̇Π̇ ‰Ë̇ÏËÍË ÓÚÍβ˜‡ÂÚÒfl. ùÚÓ ÔÓËÒıÓ‰ËÚ, ÂÒÎË ‚ Ô‡‡ÏÂÚ Speaker ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ HEADPHONE SW, ÒÚ. 18. éÚÍβ˜ËÚ ̇ۯÌËÍË. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ô‡‡ÏÂÚ Speaker ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 18). • äÌÓÔ͇ [FADE IN/OUT] ‚Íβ˜Â̇ Ë Á‡„ÎÛ¯‡ÂÚ Á‚ÛÍ. ç‡ÊÏËÚ ÍÌÓÔÍÛ [FADE IN/OUT], ˜ÚÓ·˚ ‚˚Íβ˜ËÚ¸ ˝ÚÛ ÙÛÌÍˆË˛. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Local Control (ËÒÔÓθÁÓ‚‡ÌË ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚) ÛÒÚ‡ÌÓ‚ÎÂ̇ ‚ ÔÓÎÓÊÂÌË ON (ÇÍÎ.) (ÒÚ. 194). ç ‚Ò ӉÌÓ‚ÂÏÂÌÌÓ Ë„‡ÂÏ˚ ÌÓÚ˚ ÒÎ˚¯Ì˚. • ÇÓÁÏÓÊÌÓ, Ô‚˚¯ÂÌÓ Ô‰ÂθÌÓ Á̇˜ÂÌË ÔÓÎËÙÓÌËË (ÒÚ. 209) ÒËÌÚÂÁ‡ÚÓ‡ CVP. ÖÒÎË ˝ÚÓÚ Ï‡ÍÒËÏÛÏ Ô‚˚¯ÂÌ, Ò˚„‡ÌÌ˚ Ô‚˚ÏË ÌÓÚ˚ Á‡„ÎÛ¯‡˛ÚÒfl, ˜ÚÓ·˚ ‰‡Ú¸ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓÁ‚Û˜‡Ú¸ ÔÓÒÎÂ‰Û˛˘ËÏ ÌÓÚ‡Ï. ÉÓÏÍÓÒÚ¸ Í·‚ˇÚÛ˚ ÌËÊÂ, ˜ÂÏ „ÓÏÍÓÒÚ¸ ÔÓË„˚‚‡ÌËfl ÔÂÒÌË ËÎË ÒÚËÎfl. • ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ˚ ÒÎ˯ÍÓÏ ÌËÁÍË ÛÓ‚ÌË „ÓÏÍÓÒÚË ÓÚ‰ÂθÌ˚ı Ô‡ÚËÈ. ì‚Â΢¸Ú „ÓÏÍÓÒÚ¸ ̇ ˝Í‡Ì BALANCE (ÒÚ. 39). éÚ‰ÂθÌ˚ ÌÓÚ˚ Á‚Û˜‡Ú Ì ̇ ÚÓÈ ‚˚ÒÓÚÂ. á̇˜ÂÌË ԇ‡ÏÂÚ‡ Scale (ëÚÓÈ) ÏÓÊÂÚ ÓÚ΢‡Ú¸Òfl ÓÚ Equal (ꇂÌÓÏÂ̇fl ÚÂÏÔ‡ˆËfl), ˜ÚÓ Ë ÔË‚Ó‰ËÚ Í ËÁÏÂÌÂÌ˲ ÒËÒÚÂÏ˚ ̇ÒÚÓÈÍË (ÚÂÏÔ‡ˆËË) Í·‚ˇÚÛ˚. ç‡ ˝Í‡Ì Scale Tune ÛÒÚ‡ÌÓ‚ËÚ ‰Îfl ÒÚÓfl Á̇˜ÂÌË Equal (ÒÚ. 76). çÂÍÓÚÓ˚ ÚÂÏ·˚ ÏÂÌfl˛Ú ‚˚ÒÓÚÛ Á‚Û˜‡ÌËfl ̇ ˆÂÎÛ˛ ÓÍÚ‡‚Û ÔË Ë„Â ‚ ‚ÂıÌËı ËÎË ÌËÊÌËı „ËÒÚ‡ı. • ùÚÓ ÌÓχθÌÓ. çÂÍÓÚÓ˚ ÚÂÏ·˚ ËÏÂ˛Ú Ó„‡Ì˘ÂÌËfl ÔÓ ‚˚ÒÓÚÂ. ÖÒÎË Ô‰ÂÎ ‰ÓÒÚË„ÌÛÚ, ÔÓËÒıÓ‰ËÚ Ú‡ÍÓÈ Ò‰‚Ë„. É·‚Ì˚È ˝Í‡Ì Ì ÔÓfl‚ÎflÂÚÒfl ‰‡Ê ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl. • ùÚÓ ‚ÓÁÏÓÊÌÓ, ÂÒÎË Í ÒËÌÚÂÁ‡ÚÓÛ ·˚ÎÓ ÔÓ‰Íβ˜ÂÌÓ USB-ÛÒÚÓÈÒÚ‚Ó ı‡ÌÂÌËfl ‰‡ÌÌ˚ı. ìÒÚ‡Ìӂ͇ ÌÂÍÓÚÓ˚ı USB-ÛÒÚÓÈÒÚ‚ ÏÓÊÂÚ ÔË‚ÂÒÚË Í ÚÓÏÛ, ˜ÚÓ „·‚Ì˚È ˝Í‡Ì ÔË ‚Íβ˜ÂÌËË ÔËÚ‡ÌËfl ·Û‰ÂÚ ÔÓfl‚ÎflÚ¸Òfl ÒÓ Á̇˜ËÚÂθÌÓÈ Á‡‰ÂÊÍÓÈ. óÚÓ·˚ ËÁ·Âʇڸ ˝ÚÓ„Ó, ÓÚÍβ˜‡ÈÚ ÛÒÚÓÈÒÚ‚Ó Ô‰ ‚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl. 艇ÎË îÛÌ͈ËË damper, sostenuto Ë soft Ì ËÒÔÓθÁÛ˛ÚÒfl ‰Îfl ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‰‡ÎÂÈ. • òÌÛ Ô‰‡ÎË ÏÓÊÂÚ ·˚Ú¸ Ì ÔÓ‰ÒÓ‰ËÌÂÌ. èÓ‰Íβ˜ËÚ ¯ÌÛ Ô‰‡ÎË Í ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ÂÏÛ ‡Á˙ÂÏÛ (ÒÚ. 210). • ä‡Ê‰ÓÈ Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÓÚ‰Âθ̇fl ÙÛÌ͈Ëfl. ì·Â‰ËÚÂÒ¸, ˜ÚÓ Í‡Ê‰ÓÈ Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÙÛÌ͈Ëfl SUSTAIN, SOSTENUTO Ë SOFT (ÒÚ. 182). • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÙÛÌ͈Ëfl Registration Sequence ‚˚Íβ˜Â̇ (ÒÚ. 125). î‡ÈÎ˚ Ë Ô‡ÔÍË çÂÍÓÚÓ˚ ÒËÏ‚ÓÎ˚ ‚ ËÏÂ̇ı Ù‡ÈÎÓ‚ Ë Ô‡ÔÓÍ ËÒ͇ÊÂÌ˚. • àÁÏÂÌËÎËÒ¸ flÁ˚ÍÓ‚˚ ̇ÒÚÓÈÍË. ì͇ÊËÚ ԇ‚ËθÌ˚È flÁ˚Í ËÏÂÌË Ù‡È· ËÎË Ô‡ÔÍË (ÒÚ. 18). ç ÔÓ͇Á‡Ì ÒÛ˘ÂÒÚ‚Û˛˘ËÈ Ù‡ÈÎ. • ÇÓÁÏÓÊÌÓ, ·˚ÎÓ ËÁÏÂÌÂÌÓ ËÎË Û‰‡ÎÂÌÓ ‡Ò¯ËÂÌË ËÏÂÌË Ù‡È· (MID Ë Ú.‰.). èÂÂËÏÂÌÛÈÚ هÈÎ ‚Û˜ÌÛ˛ ̇ ÍÓÏÔ¸˛ÚÂÂ, ‰Ó·‡‚Ë‚ ÌÛÊÌÓ ‡Ò¯ËÂÌËÂ. àÌÒÚÛÏÂÌÚ Ì ÔÓ͇Á˚‚‡ÂÚ ‰‡ÌÌ˚Â, ÒÓ‰Âʇ˘ËÂÒfl ̇ ‚̯ÌÂÏ ÌÓÒËÚÂΠ(Ô·Ú SmartMedia Ë Ú.‰.). • àÌÒÚÛÏÂÌÚ Ì ÏÓÊÂÚ Ó·‡·‡Ú˚‚‡Ú¸ ËÏÂ̇ Ù‡ÈÎÓ‚ ‰ÎËÌÌ 50 Á̇ÍÓ‚. èÂÂËÏÂÌÛÈÚ هÈÎ, ÛÏÂ̸¯Ë‚ ‰ÎËÌÛ ËÏÂÌË ‰Ó 50 Á̇ÍÓ‚ ËÎË ÏÂÌÂÂ. î‡ÈÎ ËÎË Ô‡Ô͇, ÒÍÓÔËÓ‚‡ÌÌ˚ ËÎË ‚˚ÂÁ‡ÌÌ˚Â Ò Ó‰ÌÓ„Ó ÌÓÒËÚÂÎfl (̇ÔËÏÂ, Ô·Ú˚ SmartMedia Ë Ú.‰.), ÌÂθÁfl ̇ÔflÏÛ˛ ÒÍÓÔËÓ‚‡Ú¸ ËÎË ‚ÒÚ‡‚ËÚ¸ ̇ ‰Û„ÓÈ ÌÓÒËÚÂθ. • ùÚÓ ÌÓχθÌÓ. èÓÒÍÓθÍÛ ÔflÏÓ ÍÓÔËÓ‚‡ÌË Ì‚ÓÁÏÓÊÌÓ, ÒÍÓÔËÛÈÚ ËÎË ‚ÒÚ‡‚¸Ú ‰‡ÌÌ˚ ӉËÌ ‡Á ̇ ˝Í‡Ì User, ÒÏÂÌËÚ ÌÓÒËÚÂθ ‰‡ÌÌ˚ı, Á‡ÚÂÏ ÒÍÓÔËÛÈÚ ËÎË ‚ÒÚ‡‚¸Ú ‰‡ÌÌ˚ ÒÌÓ‚‡ ̇ ˝Í‡Ì Card/USB. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èËÎÓÊÂÌË çÂÔ‡‚Ëθ̇fl ‚˚ÒÓÚ‡ Á‚Û͇. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÍÌÓÔ͇ [PERFORMANCE ASSISTANT] ̇ıÓ‰ËÚÒfl ‚ ‚˚Íβ˜ÂÌÌÓÏ ÔÓÎÓÊÂÌËË. - èË ËÒÔÓθÁÓ‚‡ÌËË ÌÂÍÓÚÓ˚ı ÚÂÏ·Ó‚ Ò Û‚Â΢ÂÌËÂÏ ‚˚ÒÓÚ˚ ÌÓÚ ÒÎ˚¯ÂÌ ¯ÛÏ ËÎË ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. 197 ÑÂÏÓÌÒÚ‡ˆËfl ä‡Í ÓÒÚ‡ÌÓ‚ËÚ¸ ‰ÂÏÓÌÒÚ‡ˆË˛ • ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. ëÔ‡‚͇ ä‡Í ‚˚ÈÚË ËÁ ÂÊËχ ÒÔ‡‚ÍË • ç‡ÊÏËÚ ÍÌÓÔÍÛ [EXIT]. íÂÏ· íÂÏ·, ‚˚·‡ÌÌ˚È Ì‡ ˝Í‡Ì Voice Selection, Ì Á‚Û˜ËÚ. • èӂ¸ÚÂ, ‚Íβ˜Â̇ ÎË ‚˚·‡Ì̇fl Ô‡ÚËfl (ÒÚ. 73). • óÚÓ·˚ Á‡‰‡Ú¸ ÚÂÏ· ‰Îfl Ô‡ÚËË Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ PART SELECT [RIGHT 1]. óÚÓ·˚ Á‡‰‡Ú¸ «Ì‡Ò·˂‡ÂÏ˚È» ÚÂÏ· ‰Îfl Ô‡ÚËË Ô‡‚ÓÈ ÛÍË, ̇ÊÏËÚ ÍÌÓÔÍÛ PART SELECT [RIGHT 2]. óÚÓ·˚ Á‡‰‡Ú¸ ÚÂÏ· ‰Îfl Ô‡ÚËË Î‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ̇ÊÏËÚ ÍÌÓÔÍÛ PART SELECT [LEFT 1]. ëÎ˚¯ÂÌ «‰‚ÓÈÌÓÈ Á‚ÛÍ» ËÎË Á‚ÛÍ, ̇ÔÓÏË̇˛˘ËÈ Á‚Û˜‡ÌË ÙνÌʇ. èË Í‡Ê‰ÓÏ Ì‡Ê‡ÚËË Í·‚Ë¯Ë Á‚ÛÍ ÌÂÏÌÓ„Ó ‰Û„ÓÈ. • è‡ÚËË RIGHT 1 Ë RIGHT 2 ‚ ÔÓÎÓÊÂÌËË ON, Ó·Â Ô‡ÚËË Ì‡ÒÚÓÂÌ˚ ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ó‰ÌÓ„Ó ÚÂÏ·‡. éÚÍβ˜ËÚ ԇÚ˲ RIGHT 2 ËÎË ËÁÏÂÌËÚ ÚÂÏ· Ó‰ÌÓÈ ËÁ Ô‡ÚËÈ. ëÚ‡ÌÌÓ ËÎË ÓÚ΢‡˛˘ÂÂÒfl ÓÚ ÓÊˉ‡ÂÏÓ„Ó Á‚Û˜‡ÌË ÔË ÒÏÂÌ ËÚχ/ÔÂÍÛÒÒËÓÌÌ˚ı ÚÂÏ·Ó‚ (Û‰‡Ì˚Â Ë Ú.‰.) ‚ ÒÚËΠËÎË ÔÂÒÌÂ Ò ÔÓÏÓ˘¸˛ ÏËͯ‡. • èË ÒÏÂÌ ËÚχ/ÔÂÍÛÒÒËÓÌÌ˚ı ÚÂÏ·Ó‚ (Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ Ë Ú.Ô.) ‚ ÔÂÒÌÂ Ë ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ Ô‡‡ÏÂÚ‡ VOICE ÔÓËÒıÓ‰ËÚ Ò·ÓÒ Á̇˜ÂÌËÈ ÚÓ˜Ì˚ı ̇ÒÚÓÂÍ, ÓÚÌÓÒfl˘ËıÒfl Í ÚÂÏ·Û Û‰‡Ì˚ı. Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ˝ÚÓ ÏÓÊÂÚ ÔË‚ÂÒÚË Í Ì‚ÓÁÏÓÊÌÓÒÚË ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó Á‚Û˜‡ÌËfl. ÖÒÎË ˝ÚÓ ÔÓËÒıÓ‰ËÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË, ÚÓ ‰Îfl ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌËfl ËÒıÓ‰ÌÓ„Ó ÚÂÏ·‡ ÌÛÊÌÓ ‚ÂÌÛÚ¸Òfl Í Ì‡˜‡ÎÛ ÔÂÒÌË Ë Á‡ÔÛÒÚËÚ¸  Á‡ÌÓ‚Ó. ÖÒÎË Ò·ÓÒ Á̇˜ÂÌËÈ ÔÓËÁÓ¯ÂÎ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÒÚËÎfl, ËÒıÓ‰Ì˚È Á‚ÛÍ ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, Á‡ÌÓ‚Ó ‚˚·‡‚ ÚÓÚ Ê ÒÚËθ. ç‚ÓÁÏÓÊÌÓ ÔËÏÂÌËÚ¸ ÚÂÏÓÎÓ/ÚÂθ Í Ó„‡ÌÌÓÏÛ ÚÂÏ·Û. • ùÚÓ ÌÓχθÌÓ fl‚ÎÂÌËÂ. ç‡ÒÚÓÈÍË ÚÂÏÓÎÓ Ë ÚÂÎË ˝Í‡Ì‡ Harmony/Echo ÌÂÔËÏÂÌËÏ˚ Í Ó„‡ÌÌ˚Ï ÚÂÏ·‡Ï. ç ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl Harmony. • îÛÌ͈Ëfl Harmony Ì ÏÓÊÂÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl ÔË ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÏ ÂÊËÏ ‡ÔÔÎË͇ÚÛ «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). Ç˚·ÂËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 97). èËÎÓÊÂÌË èË ÒÏÂÌ ÚÂÏ·‡ ÏÂÌflÂÚÒfl ‡Ì ‚˚·‡ÌÌ˚È ˝ÙÙÂÍÚ. • ì Í‡Ê‰Ó„Ó ÚÂÏ·‡ ÂÒÚ¸ ‚ÒÚÓÂÌÌ˚ ̇ÒÚÓÈÍË, ÍÓÚÓ˚ ‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ÔË ‚Íβ˜ÂÌËË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ëı Ô‡‡ÏÂÚÓ‚ ÙÛÌ͈ËË Voice Set (ÒÚ. 96). 198 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 íÂÏ· ÒÎ˯ÍÓÏ Á‡¯ÛÏÎÂÌ. • éÚ‰ÂθÌ˚ ÚÂÏ·˚ ÏÓ„ÛÚ ÒÓÁ‰‡‚‡Ú¸ ¯ÛÏ. ùÚÓ Á‡‚ËÒËÚ ÓÚ Ô‡‡ÏÂÚÓ‚ Harmonic Content Ë Brightness, ÛÒÚ‡ÌÓ‚ÎÂÌÌ˚ı ̇ ÒÚ‡Ìˈ FILTER ˝Í‡Ì‡ Mixing Console (ÒÚ. 82). á‚ÛÍ ËÒ͇ÊÂÌ ËÎË Á‡¯ÛÏÎÂÌ. • ÇÓÁÏÓÊÌÓ, ÛÒÚ‡ÌÓ‚ÎÂÌ ÒÎ˯ÍÓÏ ‚˚ÒÓÍËÈ ÛÓ‚Â̸ „ÓÏÍÓÒÚË. èӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË Ì‡ÒÚÓÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ԇ‡ÏÂÚ˚ „ÓÏÍÓÒÚË. • àÒ͇ÊÂÌË ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ÓÚ‰ÂθÌ˚ÏË ˝ÙÙÂÍÚ‡ÏË. èÓÔÓ·ÛÈÚ ۷‡Ú¸ ‚Ò Î˯ÌË ˝ÙÙÂÍÚ˚, ÓÒÓ·ÂÌÌÓ ÚÂ, ÍÓÚÓ˚ ‚˚Á˚‚‡˛Ú ËÒ͇ÊÂÌË Á‚Û͇ (ÒÚ. 84). • çÂÍÓÚÓ˚ ԇ‡ÏÂÚ˚ ÂÁÓ̇ÌÒ‡ ÙËθڇ, Á‡‰‡ÌÌ˚ ̇ ˝Í‡Ì ÙÛÌ͈ËË Sound Creator (ÒÚ. 91), ÏÓ„ÛÚ ‚˚Á˚‚‡Ú¸ ËÒ͇ÊÂÌË Á‚Û͇. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÏÓÊÌÓ ËÁÏÂÌËÚ¸ ˝ÚË Ô‡‡ÏÂÚ˚. • òÛÏ ÏÓÊÂÚ ÔÓfl‚ÎflÚ¸Òfl ËÁ-Á‡ ̇ÒÚÓÂÍ ˝Í‡Ì‡ Filter ‚ Mixing Console. éÚ„ÛÎËÛÈÚ ԇ‡ÏÂÚ˚ ÒÓ‰ÂʇÌËfl „‡ÏÓÌËÍ ËÎË flÍÓÒÚË Ì‡ ˝Í‡Ì Filter (ÒÚ. 82). á‚ÛÍ Ì ËÁÏÂÌflÂÚÒfl ÔË Á‡ÏÂÌ ÚÂÏ·Ó‚ Ò ÔÓÏÓ˘¸˛ ÙÛÌ͈ËË Auto Revoice. • ÇÓÁÏÓÊÌ˚ ÒÎÛ˜‡Ë, ÍÓ„‰‡ ÙÛÌ͈Ëfl Song Auto Revoice Ì Ó͇Á˚‚‡ÂÚ ÌË͇ÍÓ„Ó ˝ÙÙÂÍÚ‡, ‰‡Ê ÔË Á‡ÏÂÌ ÚÂÏ·Ó‚. á‚Û˜‡ÌË ÚÂÏ·‡ Ì ËÁÏÂÌflÂÚÒfl ‰‡Ê ÔÓÒΠ‰‡ÍÚËÓ‚‡ÌËfl. • àÏÂÈÚ ‚ ‚ˉÛ, ˜ÚÓ ÔË ÓÔ‰ÂÎÂÌÌ˚ı Ô‚Ó̇˜‡Î¸Ì˚ı ̇ÒÚÓÈ͇ı ÚÂÏ·‡ „ÛÎËӂ͇ Â„Ó Ô‡‡ÏÂÚÓ‚ Ì ÏÓÊÂÚ ÒËθÌÓ ËÁÏÂÌËÚ¸ Ù‡ÍÚ˘ÂÒÍÓ Á‚Û˜‡ÌËÂ. íÂÏ·˚, ÍÓÚÓ˚ı ÌÂÚ Ì‡ ˝Í‡Ì Preset, ÌÂθÁfl ‚˚·‡Ú¸ ‰Îfl ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË. • ùÚÓ ÌÓχθÌÓ. ëÚËθ ç ۉ‡ÂÚÒfl ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. • ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÍÌÓÔ͇ [START/STOP] (ÇÍÎ./Ç˚ÍÎ.) ̇ Ô‡ÌÂÎË STYLE CONTROL ·˚· ̇ʇڇ. • ÇÓÁÏÓÊÌÓ, ·˚ÎÓ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË EXTERNAL (Ç̯ÌËÈ) ‰Îfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË. ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË INTERNAL (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 194). ÇÓÒÔÓËÁ‚Ó‰flÚÒfl ÚÓθÍÓ ËÚÏ˘ÂÒÍË ͇̇Î˚. • ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ÙÛÌ͈Ëfl ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚Íβ˜Â̇; ̇ÊÏËÚ ÍÌÓÔÍÛ [ACMP ON/OFF]. • ÇÓÁÏÓÊÌÓ, ‚˚ ËÒÔÓθÁÛÂÚ Í·‚Ë¯Ë ‚ Ô‡‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ÇÓÁÏÓÊÌÓ, ‚˚ ËÒÔÓθÁÛÂÚ Í·‚Ë¯Ë ‚ ‡ÍÍÓ‰Ó‚ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚. ç ۉ‡ÂÚÒfl ‚˚·‡Ú¸ ÒÚËÎË. • ëÚËθ ÌÂθÁfl ‚˚·‡Ú¸, ÂÒÎË ‡ÁÏ هÈ· ÒÚËÎfl ÒÎ˯ÍÓÏ ‚ÂÎËÍ (120 äÅ Ë ·ÓÎÂÂ), ÔÓÚÓÏÛ ˜ÚÓ Ú‡ÍÓÈ ÒÚËθ Ì ÏÓÊÂÚ ·˚Ú¸ Á‡„ÛÊÂÌ ËÌÒÚÛÏÂÌÚÓÏ. çÛÊÌ˚È ‡ÍÍÓ‰ Ì ‡ÒÔÓÁ̇ÂÚÒfl ËÎË Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ÙÛÌ͈ËÂÈ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. • ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Ì‚ÂÌ˚ Í·‚Ë¯Ë ‰Îfl Û͇Á‡ÌËfl ‡ÍÍÓ‰‡. ëÏ. „·‚Û «íËÔ˚ ‡ÍÍÓ‰Ó‚, ‡ÒÔÓÁ̇‚‡ÂÏ˚ ‚ ÂÊËÏ Fingered» ‚ Ò·ÓÌËÍ ڇ·Îˈ Data List. • ÇÓÁÏÓÊÌÓ, ·˚ÎË Ì‡Ê‡Ú˚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÂÊËÏÛ, ÓÚ΢ÌÓÏÛ ÓÚ ÚÂÍÛ˘Â„Ó. èӂ¸ÚÂ, ͇ÍÓÈ ÂÊËÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‚˚·‡Ì, Ë ‚Ó ‚ÂÏfl Ë„˚ ̇ÊËχÈÚ Í·‚˯Ë, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ˝ÚÓÏÛ ÂÊËÏÛ (ÒÚ. 98). ç ۉ‡ÂÚÒfl ‚Íβ˜ËÚ¸ ÂÊËÏ ÒËÌıÓÌÌÓÈ ÓÒÚ‡ÌÓ‚ÍË (Synchro Stop). • ëËÌıÓÌ̇fl ÓÒÚ‡Ìӂ͇ Ì ÏÓÊÂÚ ·˚Ú¸ Á‡‰ÂÈÒÚ‚Ó‚‡Ì‡ ÔË ‚˚·Ó ÂÊËÏÓ‚ ‡ÔÔÎË͇ÚÛ˚ «Full Keyboard» ËÎË «AI Full Keyboard», ËÎË ÔË ÓÚÍβ˜ÂÌÌÓÏ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚÂ. ì·Â‰ËÚÂÒ¸ ˜ÚÓ ËÒÔÓθÁÛÂÏ˚È ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ Ì «Full Keyboard» ËÎË «AI Full Keyboard» Ë ‚Íβ˜ËÚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. ÄÍÍÓ‰˚ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ‡ÒÔÓÁ̇˛ÚÒfl ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ËÎË ÓÚ ÚÓ„Ó ÏÂÒÚ‡ ̇ Í·‚ˇÚÛÂ, „‰Â ÓÌË ·˚ÎË ‚ÁflÚ˚. • í‡Í ‰ÓÎÊÌÓ ·˚Ú¸, ÂÒÎË ‚Íβ˜ÂÌ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ «Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡) ËÎË «AI Full Keyboard» (ÇÒfl Í·‚ˇÚÛ‡ AI). ÖÒÎË ‚˚·‡Ì Ó‰ËÌ ËÁ ˝ÚËı ÂÊËÏÓ‚, ‡ÍÍÓ‰˚ ‡ÒÔÓÁ̇˛ÚÒfl ÔÓ ‚ÒÂÏÛ ‰Ë‡Ô‡ÁÓÌÛ Í·‚ˇÚÛ˚ ‚Ì Á‡‚ËÒËÏÓÒÚË ÓÚ ÛÒÚ‡ÌÓ‚ÎÂÌÌÓÈ ÚÓ˜ÍË ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚. èË ÌÂÓ·ıÓ‰ËÏÓÒÚË ÛÒÚ‡ÌÓ‚ËÚ ‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 98). èË ‚˚·Ó ÌÓ‚Ó„Ó ÒÚËÎfl ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl Ô‰˚‰Û˘Â„Ó, ‚ÌÓ‚¸ ‚˚·‡ÌÌ˚È ÒÚËθ ‚ÓÒÔÓËÁ‚Ó‰ËÚÒfl ‚ Ì‚ÂÌÓÏ ÚÂÏÔÂ. • í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. èË ÒÏÂÌ ÒÚËÎÂÈ ÚÂÏÔ ÓÒÚ‡ÂÚÒfl ÔÓÒÚÓflÌÌ˚Ï. 燘‡ÎÓ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÒÚËÎfl ÓÒڇ̇‚ÎË‚‡ÂÚ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl. è˘Ë̇ ‚ ÚÓÏ, ˜ÚÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË fl‚ÎflÂÚÒfl ÔËÓËÚÂÚÌÓÈ Á‡‰‡˜ÂÈ. чΠԉÎÓÊÂÌ˚ ‰‚‡ ÒÔÓÒÓ·‡ ‰Ó·ËÚ¸Òfl Ó‰ÌÓ‚ÂÏÂÌÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl Ë ÔÂÒÌË. • ÇÍβ˜ËÚ ÂÊËÏ ÓÊˉ‡ÌËfl ÒËÌıÓÌÌÓ„Ó Á‡ÔÛÒ͇ ‰Îfl ÔÂÒÌË Ë Ì‡˜ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl. • á‡ÔÛÒÚËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÒÚËÎfl ÔÓÒΠ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÌË. èË ‚˚·Ó ÒÚËÎfl ËÎË ÚÂÏ·‡ ÔÓÒΠÁ‡„ÛÁÍË ÔÂÒÌË Ò·Ë‚‡ÂÚÒfl ·‡Î‡ÌÒ „ÓÏÍÓÒÚË ‡Á΢Ì˚ı Ô‡ÚËÈ ËÎË ‚ÓÁÌË͇˛Ú ÌÂÓÊˉ‡ÌÌ˚ Á‚ÛÍË. • àÁÏÂÌÂÌË ·‡Î‡ÌÒ‡ Ô‡ÚËÈ Ë ÔÓfl‚ÎÂÌË ÔÓÒÚÓÓÌÌËı Á‚ÛÍÓ‚ ‚ÓÁÏÓÊÌÓ ‚ ÂÁÛθڇÚ ‰ÂÈÒÚ‚Ëfl ˝ÙÙÂÍÚÓ‚, ̇Í·‰˚‚‡ÂÏ˚ı ̇ Í‡Ê‰Û˛ ËÁ Ô‡ÚËÈ. LJˇÌÚ Á̇˜ÂÌËfl Off (Ç˚ÍÎ.) Ì ÓÚÓ·‡Ê‡ÂÚÒfl ‰Îfl Ô‡‡ÏÂÚ‡ Play Type ‚ ÙÛÌ͈ËË Assembly (Style Creator). • Ç˚·‡Ì̇fl ˜‡ÒÚ¸ ̇ıÓ‰ËÚÒfl ‚ ÂÊËÏ Á‡ÔËÒË. ÑÎfl ÓÚÏÂÌ˚ Á‡ÔËÒË Ì‡ÊÏËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÌÓÔÍÛ [1†]-[8†] ̇ ˝Í‡Ì ͇̇· Á‡ÔËÒË (TAB [√] → ‚Í·‰Í‡ BASIC → [F] REC CH). ä‡Ì‡Î˚ BASS-PHR2 ÌÂθÁfl ‰‡ÍÚËÓ‚‡Ú¸ ‚ ‰‡ÍÚÓ ͇̇ÎÓ‚ (Channel Edit). • í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. ꉇÍÚËÓ‚‡ÌË ͇̇ÎÓ‚ BASS-PHR2 ‚ÒÚÓÂÌÌ˚ı ÒÚËÎÂÈ Ì‚ÓÁÏÓÊÌÓ. ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ èË ËÒÔÓθÁÓ‚‡ÌËË ÙÛÌ͈ËË Freeze («Á‡ÏÓÓÁ͇») ËÁ ̇ÒÚÓÂÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ô‡‡ÏÂÚ ‚Íβ˜ÂÌËfl Ô‡ÚËË Î‚ÓÈ ÛÍË Ì ËÁÏÂÌflÂÚÒfl ‰‡Ê ÔÓÒΠÒÏÂÌ˚ ı‡ÌËÏ˚ı ‚ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ì‡ÒÚÓÂÍ. • 臇ÏÂÚ ‚Íβ˜ÂÌËfl/‚˚Íβ˜ÂÌËfl Ô‡ÚËË Î‚ÓÈ ÛÍË ‚ıÓ‰ËÚ ‚ „ÛÔÔÛ ÒÚËÎÂÈ. ëÌËÏËÚ Ù·ÊÓÍ STYLE ̇ ˝Í‡Ì ̇ÒÚÓÈÍË ÙÛÌ͈ËË Freeze (ÒÚ. 123). ùÍ‡Ì ‚˚·Ó‡ هȷ ÔÓ͇Á˚‚‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ·, ‰‡Ê ÂÒÎË ‚ ÛÒÚ‡Ìӂ͇ı „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Á‡ÔËÒ‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ· ËÎË ÚÂÏ· ËÁ ͇Ú˚ Ô‡ÏflÚË. • í‡Í Ë ‰ÓÎÊÌÓ ·˚Ú¸. çÂÒÏÓÚfl ̇ ÓÚÓ·‡ÊÂÌË ‚ÒÚÓÂÌÌÓ„Ó ÚÂÏ·‡, ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ·Û‰ÂÚ ‚˚·‡ÌÌ˚È ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·. èË ÒÓı‡ÌÂÌËË ÔÓθÁÓ‚‡ÚÂθÒÍÓ„Ó ÚÂÏ·‡ ̇ ‚̯ÌËÈ ÌÓÒËÚÂθ ‰‡ÌÌ˚ ‰ÂÎflÚÒfl ̇ ‰‚‡ ‡ÁÌ˚ı ÚËÔ‡: 1) Ò‡Ï ËÒıÓ‰Ì˚È ‚ÒÚÓÂÌÌ˚È ÚÂÏ· Ë 2) ÛÒÚ‡ÌÓ‚ÍË Ô‡‡ÏÂÚÓ‚, Á‡‰‡ÌÌ˚ ‚ ÙÛÌ͈ËË Sound Creator. èË ‚˚ÁÓ‚Â ÛÒÚ‡ÌÓ‚ÓÍ Â„ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË, ÒÓ‰Âʇ˘Ëı ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·, ‚˚·Ë‡ÂÚ ‚ÒÚÓÂÌÌ˚È ÚÂÏ· (̇ ÍÓÚÓÓÏ ÓÒÌÓ‚‡Ì ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·) Ë ÔËÏÂÌflÂÚ Í ÌÂÏÛ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ̇ÒÚÓÈÍË Ô‡‡ÏÂÚÓ‚. Ç ÂÁÛθڇÚ Á‚Û˜ËÚ ÔÓθÁÓ‚‡ÚÂθÒÍËÈ ÚÂÏ·. èÂÒÌfl ç ۉ‡ÂÚÒfl ‚˚·‡Ú¸ ÔÂÒÌ˛. • ÇÓÁÏÓÊÌÓ, ËÁÏÂÌËÎËÒ¸ flÁ˚ÍÓ‚˚ ̇ÒÚÓÈÍË. ì͇ÊËÚ ԇ‚ËθÌ˚È flÁ˚Í ‰Îfl ËÏÂÌË Ù‡È· ‰‡ÌÌ˚ı ÔÂÒÌË. • èÂÒÌ˛ ÌÂθÁfl ‚˚·‡Ú¸, ÂÒÎË ‡ÁÏ هÈ· ÒÎ˯ÍÓÏ ‚ÂÎËÍ (300 äÅ Ë ·ÓÎÂÂ), ÔÓÚÓÏÛ ˜ÚÓ Ú‡Í‡fl ÔÂÒÌfl Ì ÏÓÊÂÚ ·˚Ú¸ Á‡„ÛÊÂ̇ ËÌÒÚÛÏÂÌÚÓÏ. ç ۉ‡ÂÚÒfl ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË. • åÓ„ ·˚Ú¸ ‚˚·‡Ì Ô‡‡ÏÂÚ «New Song» (ÒÓÁ‰‡ÌË ÔÂÒÌË Ò ˜ËÒÚÓ„Ó ÎËÒÚ‡). Ç˚·ÂËÚ ̇ ˝Í‡Ì SONG (èÂÒÌfl) (ÒÚ. 34) ÌÛÊÌÛ˛ ÔÂÒÌ˛. • ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ·˚· ̇ʇڇ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡fl ÍÌÓÔ͇ [START/STOP] ̇ Ô‡ÌÂÎË SONG. • ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÍÓ̘ËÎÓÒ¸, ‰Óȉfl ‰Ó ÍÓ̈‡. ÇÂÌËÚÂÒ¸ ‚ ̇˜‡ÎÓ ÔÂÒÌË, ̇ʇ‚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG. • ÖÒÎË ÔÂÒÌfl ·˚· Á‡˘Ë˘Â̇ ÓÚ ÔÂÂÁ‡ÔËÒË (Ò΂‡ Ë Ò‚ÂıÛ ÓÚ Ì‡Á‚‡ÌËfl ÔÂÒÌË ÂÒÚ¸ ̇‰ÔËÒ¸ «Prot.2 Edit»), ËÒıÓ‰Ì˚È Ù‡ÈÎ Ì ÏÓÊÂÚ Ì‡ıÓ‰ËÚ¸Òfl ‚ ÚÓÈ Ê ԇÔÍÂ. ÇÓÒÔÓËÁ‚‰ÂÌË ‚ÓÁÏÓÊÌÓ ÚÓθÍÓ ÂÒÎË ËÒıÓ‰Ì˚È Ù‡ÈÎ (Ò Ì‡‰ÔËÒ¸˛ «Prot.2 Orig» Ò΂‡ Ë Ò‚ÂıÛ ÓÚ ËÏÂÌË ÔÂÒÌË) ̇ıÓ‰ËÚÒfl ‚ ÚÓÈ Ê ԇÔÍÂ. • ÖÒÎË ÔÂÒÌfl ·˚· Á‡˘Ë˘Â̇ ÓÚ ÔÂÂÁ‡ÔËÒË (Ò΂‡ Ë Ò‚ÂıÛ ÓÚ Ì‡Á‚‡ÌËfl ÔÂÒÌË ÂÒÚ¸ ̇‰ÔËÒ¸ «Prot.2 Edit»), ÏÓ„ÎÓ ·˚Ú¸ ËÁÏÂÌÂÌÓ ËÒıÓ‰ÌÓ ËÏfl هȷ. èÂÂËÏÂÌÛÈÚ هÈÎ, ‚ÂÌÛ‚ ËÒıÓ‰ÌÓ ËÏfl (˜ÚÓ·˚ ÔÓfl‚Ë·Ҹ ̇‰ÔËÒ¸ «Prot.2 Orig» Ò΂‡ Ë Ò‚ÂıÛ ÓÚ ËÏÂÌË Ù‡È·). • ÖÒÎË ÔÂÒÌfl ·˚· Á‡˘Ë˘Â̇ ÓÚ ÔÂÂÁ‡ÔËÒË (Ò΂‡ Ë Ò‚ÂıÛ ÓÚ Ì‡Á‚‡ÌËfl ÔÂÒÌË ÂÒÚ¸ ̇‰ÔËÒ¸ «Prot.2 Edit»), Ïӄ· ·˚Ú¸ ËÁÏÂÌÂ̇ ÔËÍÚÓ„‡Ïχ هȷ. ᇢˢÂÌÌ˚ ÓÚ Á‡ÔËÒË ÔÂÒÌË ÌÂθÁfl ‚ÓÒÔÓËÁ‚ÂÒÚË, ÂÒÎË ËÁÏÂÌË·Ҹ ÔËÍÚÓ„‡Ïχ ËÒıÓ‰ÌÓ„Ó Ù‡È·. • ÇÓÁÏÓÊÌÓ, ·˚ÎÓ ÛÒÚ‡ÌÓ‚ÎÂÌÓ Á̇˜ÂÌË EXTERNAL (Ç̯ÌËÈ) ‰Îfl Ò˄̇· ÒËÌıÓÌËÁ‡ˆËË. ìÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË INTERNAL (ÇÌÛÚÂÌÌËÈ) (ÒÚ. 194). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èËÎÓÊÂÌË ç ۉ‡ÂÚÒfl Á‡„ÛÁËÚ¸ ÔÂÒÌ˛ ËÎË ÒÚËθ, Á‡ÔËÒ‡ÌÌ˚ ‚ Ô‡ÏflÚ¸. • èÂÒÌ˛ ËÎË ÒÚËθ Ì‚ÓÁÏÓÊÌÓ Á‡„ÛÁËÚ¸, ÂÒÎË ˝ÚË ‰‡ÌÌ˚ ̇ıÓ‰flÚÒfl ̇ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ, Ú‡ÍÓÏ Í‡Í Ô·Ú˚ SmartMedia, ÍÓÚÓ˚È ‚ ‰‡ÌÌ˚È ÏÓÏÂÌÚ Ì ÔÓ‰Íβ˜ÂÌ Í ËÌÒÚÛÏÂÌÚÛ. ÇÒÚ‡‚¸Ú ËÎË ÔÓ‰Íβ˜ËÚ ÌÓÒËÚÂθ ‰‡ÌÌ˚ı, ÒÓ‰Âʇ˘ËÈ ÔÂÒÌ˛ ËÎË ÒÚËθ. èÓfl‰ÓÍ Á‡„ÛÁÍË Ì‡ÒÚÓÂÍ ËÁ „ËÒÚ‡ˆËÓÌÌÓÈ Ô‡ÏflÚË Ì ÓÚÓ·‡Ê‡ÂÚÒfl ̇ ˝Í‡Ì Registration Sequence. • ç ‚˚·‡Ì ·‡ÌÍ Ô‡ÏflÚË, ÒÓ‰Âʇ˘ËÈ Â„ËÒÚ‡ˆËÓÌÌ˚ ‰‡ÌÌ˚Â. Ç˚·ÂËÚ ÌÛÊÌ˚È ·‡ÌÍ (ÒÚ. 122). 199 ÇÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Ó·˚‚‡ÂÚÒfl, Ì ‰Óȉfl ‰Ó ÍÓ̈‡. • ÇÍβ˜Â̇ Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl Guide. Ç ˝ÚÓÏ ÒÎÛ˜‡Â ‚ÓÒÔÓËÁ‚‰ÂÌË ÔËÓÒڇ̇‚ÎË‚‡ÂÚÒfl Ë «Ê‰ÂÚ», ÔÓ͇ Ì ·Û‰ÂÚ Ì‡Ê‡Ú‡ ÌÛÊ̇fl Í·‚˯‡. ç‡ÊÏËÚ ÍÌÓÔÍÛ [GUIDE], ˜ÚÓ·˚ ‚˚Íβ˜ËÚ¸ Ó·Û˜‡˛˘Û˛ ÙÛÌÍˆË˛. èÓÒΉÌflfl ‚˚·‡Ì̇fl Ô‰ ‚˚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÔÂÒÌfl ·ÓΠ̉ÓÒÚÛÔ̇. • ÖÒÎË ÔÓÒΉÌflfl ‚˚·‡Ì̇fl Ô‰ ‚˚Íβ˜ÂÌËÂÏ ÔËÚ‡ÌËfl ÔÂÒÌfl ̇ıÓ‰ËÚÒfl ̇ ‚̯ÌÂÏ ÌÓÒËÚÂÎÂ, Ú‡ÍÓÏ Í‡Í Ô·Ú˚ SmartMedia, ÌÂÓ·ıÓ‰ËÏÓ Á‡ÌÓ‚Ó ‚ÒÚ‡‚ËÚ¸ ËÎË ÔÓ‰Íβ˜ËÚ¸ ÚÓÚ Ê ÌÓÒËÚÂθ ‰Îfl Á‡„ÛÁÍË ÔÂÒÌË. çÓÏ ڇÍÚ‡ ÓÚ΢‡ÂÚÒfl ÓÚ Û͇Á‡ÌÌÓ„Ó ‚ Ô‡ÚËÚÛ ̇ ˝Í‡Ì Song Position, ‚˚Á˚‚‡ÂÏÓÏ Ì‡Ê‡ÚËÂÏ ÍÌÓÔÓÍ [REW]/[FF]. • ùÚÓ ÒÎÛ˜‡ÂÚÒfl ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÏÛÁ˚͇θÌ˚ı ‰‡ÌÌ˚ı Ò ÊÂÒÚÍÓ Á‡‰‡ÌÌ˚Ï ÚÂÏÔÓÏ. Ç ÙÛÌ͈ËË AB Repeat Ì‚ÓÁÏÓÊÌÓ Á‡‰‡Ú¸ ÚÓ˜ÍÛ B. • çÛÊÌÓ Á‡‰‡Ú¸ ÚÓ˜ÍÛ A. ìÒÚ‡ÌÓ‚ËÚ¸ ÚÓ˜ÍÛ B ÏÓÊÌÓ ÚÓθÍÓ ÔÓÒΠÓÔ‰ÂÎÂÌËfl ÚÓ˜ÍË A. çÂÍÓÚÓ˚ ͇̇Î˚ Ì ‚ÓÒÔÓËÁ‚Ó‰flÚÒfl ‚Ó ‚ÂÏfl ÔÓË„˚‚‡ÌËfl ÔÂÒÌË. • ÇÓÁÏÓÊÌÓ, ‚ÓÒÔÓËÁ‚‰ÂÌË ˝ÚËı ͇̇ÎÓ‚ Á‡Ô¢ÂÌÓ. ê‡Á¯ËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ͇̇ÎÓ‚, ÍÓÚÓ˚ ̇ıÓ‰ËÎËÒ¸ ‚ ÒÓÒÚÓflÌËË OFF (ÒÚ. 133). ç ۉ‡ÂÚÒfl ÔÂÂÏÂÒÚËÚ¸ Á‡˘Ë˘ÂÌÌÛ˛ ÓÚ ÔÂÂÁ‡ÔËÒË ÔÂÒÌ˛ (Ò΂‡ Ë Ò‚ÂıÛ ÓÚ Ì‡Á‚‡ÌËfl ÔÂÒÌË ÂÒÚ¸ ̇‰ÔËÒ¸ «Prot. 2 Edit») ̇ Ô·ÚÛ SmartMedia Ò ID. • ᇢˢÂÌÌ˚ ÓÚ Á‡ÔËÒË ÔÂÒÌË ÌÂθÁfl ÔÂÂÏÂÒÚËÚ¸ ̇ Ô·ÚÛ ID SmartMedia c ID, ÂÒÎË ËÒÔÓθÁÛÂÚÒfl ‚̯ÌËÈ ‡‰‡ÔÚ ÔÎ‡Ú Ô‡ÏflÚË. ÇÓÒÔÓθÁÛÈÚÂÒ¸ ‚ÒÚÓÂÌÌ˚Ï ‡Á˙ÂÏÓÏ ˜ÚÂÌËfl ÔÎ‡Ú Ì‡ ËÌÒÚÛÏÂÌÚÂ. åÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ÚÂÏ·‡ ÔˇÌËÌÓ Ì ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÚÂÏ·‡Ï ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. • ùÚ‡ ÏÂÎӉ˘ÂÒ͇fl ÍË‚‡fl ‡Á‡·Óڇ̇ ÒÔˆˇθÌÓ ‰Îfl ÚÂÏ·Ó‚ ÔˇÌËÌÓ Ë ÏÓÊÂÚ Ì ÒÓÁ‰‡‚‡Ú¸ Á‚ÛÍ ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ò ÚÂÏ·‡ÏË ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚. Ç˚·ÂËÚ ‰Îfl ÏÂÎӉ˘ÂÒÍÓÈ ÍË‚ÓÈ (Tuning Curve) Á̇˜ÂÌË FLAT (ÒÚ. 90). à̉Ë͇ÚÓ ÇÓÒÔÓËÁ‚‰ÂÌË ÏÂÎÓ‰ËË ÔÓ‰ÓÎʇÂÚÒfl, ÌÂÒÏÓÚfl ̇ ÚÓ, ˜ÚÓ Ô‡ÚËfl ‰ÓÓÊÍË 1 ·˚· Á‡„ÎÛ¯Â̇ ‰Îfl ÂÔÂÚˈËË Ë„˚ Ó‰ÌÓÈ ÛÍÓÈ. • ÇÏÂÒÚÓ ÏÂÎӉ˘ÂÒÍÓÈ Ô‡ÚËË ‰ÓÓÊÍ 1 ·˚· ̇Á̇˜Â̇ ‰Û„‡fl Ô‡ÚËfl. ç‡Á̇˜¸Ú ‰Îfl ‰ÓÓÊÍË 1 ͇̇Î, ÒÓ‰Âʇ˘ËÈ ÏÂÎӉ˲ (ÒÚ. 132). èËÎÓÊÂÌË à̉Ë͇ÚÓ˚ Ì „ÓflÚ ÔË ‚ÓÒÔÓËÁ‚‰ÂÌËË ÔÂÒÌË, ‰‡Ê ÂÒÎË Ì‡Ê‡Ú‡ ÍÌÓÔ͇ [GUIDE]. • ç Á‡·Û‰¸Ú ‚Íβ˜ËÚ¸ Ë̉Ë͇ÚÓ˚ (ÒÚ. 131). • à̉Ë͇ÚÓ˚ Í·‚˯ Ì ÏÓ„ÛÚ Û͇Á˚‚‡Ú¸ ÌÓÚ˚, ‚˚ıÓ‰fl˘Ë Á‡ Ô‰ÂÎ 88-Í·‚˯ÌÓ„Ó ‰Ë‡Ô‡ÁÓ̇. à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚ ‚˚¯Â/ÌËÊ ‡θÌÓÈ ‚˚ÒÓÚ˚ Á‚Û͇. • à̉Ë͇ÚÓ˚ Á‡„Ó‡˛ÚÒfl ̇ Ó‰ÌÛ ËÎË ‰‚ ÓÍÚ‡‚˚ ‚˚¯Â/ÌËÊ ‡θÌÓÈ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ ‚˚·‡ÌÌÓ„Ó ÚÂÏ·‡. 200 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 à̉Ë͇ÚÓ˚ ‚ ӷ·ÒÚË ‡ÍÍÓ‰Ó‚ Í·‚ˇÚÛ˚. • ÇÍβ˜Â̇ Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl ‰Îfl ‡ÍÍÓ‰Ó‚ (ÒÚ. 49). Ç˚Íβ˜ËÚ ÒÚËθ, ̇ʇ‚ ÍÌÓÔÍÛ [ACMP ON/OFF]. à̉Ë͇ÚÓ˚ Í·‚˯ Ì ÔÓ͇Á˚‚‡˛Ú Í‡Í Ë„‡Ú¸ ‡ÍÍÓ‰˚. • ì·Â‰ËÚÂÒ¸, ˜ÚÓ Á̇˜ÂÌË ԇ‡ÏÂÚ‡ Guide Mode ‡‚ÌÓ «FollowLights» (ÒÚ. 98). • ç‚ÓÁÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ Ë̉Ë͇ÚÓ˚ Í·‚ˇÚÛ˚ ‰Îfl Ó·Û˜ÂÌËfl ‡ÍÍÓ‰‡Ï, ÂÒÎË ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ ‡ÍÍÓ‰Ó‚ ÛÒÚ‡ÌÓ‚ÎÂÌ ‚ «Single Finger», «Full Keyboard» ËÎË «AI Full Keyboard». Ç˚·ÂËÚ ‰Û„ÓÈ ÂÊËÏ ‡ÔÔÎË͇ÚÛ˚ (ÒÚ. 98). è‡ÚËÚÛ‡ èË ÔÓ͇Á ԇÚËÚÛ˚ ÌÂÔ‡‚ËθÌÓ ÓÚÓ·‡Ê‡˛ÚÒfl ‰ÎËÌÌ˚ ÌÓÚ˚, Ú‡ÍËÂ Í‡Í ˆÂÎ˚ ÌÓÚ˚ Ë ÎË„Ë. • ÑÎËÌÌ˚ ÌÓÚ˚ Ì‚ÓÁÏÓÊÌÓ ÓÚÓ·‡ÁËÚ¸ ÔË ÔÓ͇Á ԇÚËÚÛ˚ ÚÓ˜ÌÓ Ú‡Í, Í‡Í ÓÌË ·˚ÎË ‚‚‰ÂÌ˚. ÑÎfl ·ÓΠÚÓ˜ÌÓ„Ó ÓÚÓ·‡ÊÂÌËfl ˝ÚËı ÌÓÚ ‚˚·ÂËÚ Tenuto, ̇ÊËχfl ÍÌÓÔÍÛ [H] Ô‰ ‚‚Ó‰ÓÏ Í‡Ê‰ÓÈ ÌÓÚ˚ ̇ ˝Í‡Ì Step Record (ÒÚ. 137). íÂÏÔ, ËÚÏ, ‡ÁÏÂ Ë Ô‡ÚËÚÛ‡ ÓÚÓ·‡Ê‡˛ÚÒfl Ì‚ÂÌÓ. • çÂÍÓÚÓ˚ ËÁ ÔÂÒÂÌ ‰Îfl Clavinova ·˚ÎË Á‡ÔËÒ‡Ì˚ ‚ Ú‡Í Ì‡Á˚‚‡ÂÏÓÏ «Ò‚Ó·Ó‰ÌÓÏ ÚÂÏÔ». íÂÏÔ, ËÚÏ, ‡ÁÏÂ Ë Ô‡ÚËÚÛ‡ Ú‡ÍËı ÔÂÒÂÌ ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl ÌÂÔ‡‚ËθÌÓ. ç‡Á‚‡ÌË ÌÓÚ˚ ˜‡ÒÚ˘ÌÓ ÔÂÂÍ˚‚‡ÂÚ ÌÓÚÛ Ì‡ ˝Í‡ÌÂ. • ÖÒÎË ÌÂÒÍÓθÍÓ ÌÓÚ ‡ÒÔÓÎÓÊÂÌ˚ ·ÎËÁÍÓ ‰Û„ Í ‰Û„Û, ̇Á‚‡ÌË ÌÓÚ˚ ÏÓÊÂÚ Á‡Í˚‚‡Ú¸ ÌÓÚÛ Ò΂‡. ç ÓÚÓ·‡Ê‡ÂÚÒfl Ô‡ÚËÚÛ‡ Ô‡ÚËÈ Ô‡‚ÓÈ ËÎË Î‚ÓÈ ÛÍË. • è‡ÚËflÏ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍË Ì ·˚ÎË Ì‡Á̇˜ÂÌ˚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ͇̇Î˚. ç‡Á̇˜¸Ú ԇÚËË RIGHT Ë LEFT ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ Í‡Ì‡Î‡Ï (ÒÚ. 38). è‡ÚËÚÛ‡ ̇ ˝Í‡Ì ӷÂÁ‡ÂÚÒfl Ë Ì‡˜Ë̇ÂÚÒfl Ò Ò‰ËÌ˚ Ú‡ÍÚ‡ ̇ ÒÎÂ‰Û˛˘ÂÈ ÒÚÓÍÂ. • ÖÒÎË ‚Ò ÌÓÚ˚ Ú‡ÍÚ‡ Ì ÛÏ¢‡˛ÚÒfl ‚ Ó‰ÌÓÈ ÒÚÓÍÂ, ÓÒÚ‡‚¯ËÂÒfl ÌÓÚ˚ ÔÂÂÌÓÒflÚÒfl ̇ ÒÎÂ‰Û˛˘Û˛ ÒÚÓÍÛ. çÓÚ˚ Ò ÚÓ˜ÍÓÈ ÓÚÓ·‡Ê‡˛ÚÒfl Í‡Í Ô‡ÛÁ˚. • ùÚÓ ÌÓχθÌÓ fl‚ÎÂÌËÂ. àÌÓ„‰‡ ÌÓÚ˚ Ò ÚÓ˜ÍÓÈ ‰ÂÈÒÚ‚ËÚÂθÌÓ ÓÚÓ·‡Ê‡˛ÚÒfl Í‡Í Ô‡ÛÁ˚. ç ÓÚÓ·‡Ê‡˛ÚÒfl ‡ÍÍÓ‰˚. • ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ‡ÍÍÓ‰Ó‚, ÓÌË Ì ·Û‰ÛÚ ÓÚÓ·‡Ê‡Ú¸Òfl. íÂÍÒÚ (䇇ÓÍÂ) ç ÓÚÓ·‡Ê‡ÂÚÒfl ÚÂÍÒÚ. • ÖÒÎË ÔÂÒÌfl Ì ÒÓ‰ÂÊËÚ ÚÂÍÒÚ‡, ÓÌ Ì ·Û‰ÂÚ ÓÚÓ·‡Ê‡Ú¸Òfl. ó‡ÒÚË ÚÂÍÒÚ‡ ‚Á‡ËÏÌÓ ÔÂÂÍ˚‚‡˛ÚÒfl. • ùÚÓ ÔÓËÒıÓ‰ËÚ Ò ÔÂÒÌflÏË, Ëϲ˘ËÏË ‰ÎËÌÌ˚ ÚÂÍÒÚ˚. (CVP-305) ç ۉ‡ÂÚÒfl ËÁÏÂÌËÚ¸ ˆ‚ÂÚ ÙÓ̇ ÚÂÍÒÚ‡ ÔÂÒÌË. • ÖÒÎË ˆ‚ÂÚ ÙÓ̇ Á‡‰‡ÂÚÒfl ‚ ‰‡ÌÌ˚ı ÔÂÒÌË, ÚÓ ËÁÏÂÌËÚ¸ ̇ÒÚÓÈÍÛ BACKGROUND ÌÂθÁfl. íÂıÌÓÎÓ„Ëfl Performance assistant (èÓÏÓ˘ÌËÍ ÏÛÁ˚͇ÌÚ‡) çÂÔ‡‚ËθÌÓ ‡·ÓÚ‡ÂÚ ÙÛÌ͈Ëfl Performance assistant. • ç‡ÊÏËÚ ÍÌÓÔÍÛ [STOP] ̇ Ô‡ÌÂÎË SONG, ˜ÚÓ·˚ ÔÂ͇ÚËÚ¸ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË, Ë Ô‚‰ËÚ ÍÌÓÔÍË [ACMP ON/OFF] Ë PART ON/OFF [LEFT] ‚ ‚˚Íβ˜ÂÌÌÓ ÒÓÒÚÓflÌËÂ. á‡ÚÂÏ Ì‡˜ÌËÚ ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË Á‡ÌÓ‚Ó. îÛÌ͈Ëfl Vocal Harmony Ì ‚ÓÒÔÓËÁ‚Ó‰ËÚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Ë ÌÓÚ˚ „‡ÏÓÌËË. • ì·Â‰ËÚÂÒ¸ ‚ ÚÓÏ, ˜ÚÓ ËÒÔÓθÁÛÂÚ ԇ‚ËθÌ˚È ÒÔÓÒÓ· ÓÔ‰ÂÎÂÌËfl ÌÓÚ „‡ÏÓÌËË ‰Îfl ÚÂÍÛ˘Â„Ó ÂÊËχ ÙÛÌ͈ËË „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· (ÒÚ. 163). ÇˉÂÓ‚˚ıÓ‰ (CVP-305) àÁÓ·‡ÊÂÌË ˝Í‡Ì‡ Clavinova Ì ۉ‡ÂÚÒfl Ô‰‡Ú¸ ˜ÂÂÁ ‚˚ıÓ‰ ‚ˉÂÓÒ˄̇· Ë Û‚Ë‰ÂÚ¸ ̇ ‚̯ÌÂÏ ÏÓÌËÚÓÂ. • Ç˚·ÂËÚ Òڇ̉‡Ú (NTSC ËÎË PAL), ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÈ ËÒÔÓθÁÛÂÏÓÏÛ ‚ˉÂÓÓ·ÓÛ‰Ó‚‡Ì˲ (ÒÚ. 53). ç‡ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘Ë ԇ‡ÎÎÂθÌ˚ ÎËÌËË. • àÌÓ„‰‡ ̇ ˝Í‡Ì ÚÂ΂ËÁÓ‡ ËÎË ‚ˉÂÓÏÓÌËÚÓ ÔÓfl‚Îfl˛ÚÒfl ÏË„‡˛˘Ë ԇ‡ÎÎÂθÌ˚ ÎËÌËË. ùÚÓ Ì ‚Ò„‰‡ ÓÁ̇˜‡ÂÚ, ˜ÚÓ ÛÒÚÓÈÒÚ‚Ó ÌÂËÒÔ‡‚ÌÓ. ÑÎfl ÔÓÎÛ˜ÂÌËfl ̇ËÎÛ˜¯Â„Ó ÂÁÛθڇڇ ÔÓÔ˚Ú‡ÈÚÂÒ¸ ÓÚ„ÛÎËÓ‚‡Ú¸ ˆ‚ÂÚ Ì‡ Ò‡ÏÓÏ ÏÓÌËÚÓÂ. àÒÔÓθÁÛÂÏ˚È ÏÓÌËÚÓ Ì‚ÂÌÓ ÓÚÓ·‡Ê‡ÂÚ ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡. • èÓÏÌËÚÂ, ˜ÚÓ ‰‡Ê ̇ÒÚÓÈ͇ ‚ÒÂı Ô‡‡ÏÂÚÓ‚ ‚ ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÂÍÓÏẨ‡ˆËflÏË Ì „‡‡ÌÚËÛÂÚ Ô‡‚ËθÌÓ ÓÚÓ·‡ÊÂÌË ˝Í‡Ì‡ ËÌÒÚÛÏÂÌÚ‡ (̇ÔËÏÂ, ÒÓ‰ÂÊËÏÓ ˝Í‡Ì‡ Ì ÛÏ¢‡ÂÚÒfl ̇ ÏÓÌËÚÓÂ, ̘ÂÚÍË ÒËÏ‚ÓÎ˚, ÌÂÔ‡‚ËθÌ˚ ˆ‚ÂÚ‡). åËÍÓÙÓÌ/ɇÏÓÌËÁ‡ˆËfl Vocal harmony (CVP-305/303) ç ۉ‡ÂÚÒfl Á‡ÔËÒ‡Ú¸ ÒË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡. • ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ Ì‚ÓÁÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ‚ Ô‡ÏflÚ¸ ËÌÒÚÛÏÂÌÚ‡. çÓ ÏÓÊÌÓ ÔÓ‰Íβ˜ËÚ¸ ÛÒÚÓÈÒÚ‚Ó Á‡ÔËÒË Í ‚˚ıÓ‰‡Ï [AUX OUT, AUX OUT (LEVEL FIXED), OPTICAL OUT (CVP-305) Ë Á‡ÔËÒ˚‚‡Ú¸ Ò˄̇ΠÏËÍÓÙÓ̇. ç‡ Á‚ÛÍ ÏËÍÓÙÓ̇ ̇Í·‰˚‚‡ÂÚÒfl „‡ÏÓÌËÁ‡ˆËfl. • 臇ÏÂÚ Vocal Harmony ËÏÂÂÚ Á̇˜ÂÌË ON. Ç˚Íβ˜ËÚ „‡ÏÓÌËÁ‡ˆË˛ ‚Ó͇· (ÒÚ. 55). èËÎÓÊÂÌË ùÙÙÂÍÚ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· Á‚Û˜ËÚ ËÒ͇ÊÂÌÌÓ ËÎË Ì ÒΉÛÂÚ ÏÂÎÓ‰ËË. åËÍÓÙÓÌ Û·‚ÎË‚‡ÂÚ ÔÓÒÚÓÓÌÌË Á‚ÛÍË, ̇ÔËÏ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚È ÒËÌÚÂÁ‡ÚÓÓÏ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ. Ç ˜‡ÒÚÌÓÒÚË, ËÒ͇ÊÂÌË ˝ÙÙÂÍÚ‡ „‡ÏÓÌËÁ‡ˆËË ‚Ó͇· ÏÓÊÂÚ ·˚Ú¸ ‚˚Á‚‡ÌÓ ·‡Ò‡ÏË. ëÔÓÒÓ·˚ ¯ÂÌËfl ÔÓ·ÎÂÏ˚: • èË ÔÂÌËË ‰ÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ·ÎËÊÂ Í „Û·‡Ï. • àÒÔÓθÁÛÈÚ ̇ԇ‚ÎÂÌÌ˚È ÏËÍÓÙÓÌ. • ìÏÂ̸¯ËÚ ӷ˘Û˛ „ÓÏÍÓÒÚ¸, „ÓÏÍÓÒÚ¸ ÒÚËÎfl ËÎË ÔÂÒÌË (ÒÚ. 39). • ÑÂÊËÚ ÏËÍÓÙÓÌ Í‡Í ÏÓÊÌÓ ‰‡Î¸¯Â ÓÚ ‚̯ÌËı ‰Ë̇ÏËÍÓ‚. • éÒ··¸Ú ÌËÁÍË ˜‡ÒÚÓÚ˚ Ò ÔÓÏÓ˘¸˛ ÚÂıÔÓÎÓÒÌÓ„Ó ˝Í‚‡Î‡ÈÁ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 161). • ì‚Â΢¸Ú ÛÓ‚Â̸ „ÓÏÍÓÒÚË ÏËÍÓÙÓÌÌÓ„Ó ‚˚ıÓ‰‡ (TH) Ò ÔÓÏÓ˘¸˛ ÍÓÏÔÂÒÒÓ‡ ̇ ˝Í‡Ì MICROPHONE SETTING (ç‡ÒÚÓÈ͇ ÏËÍÓÙÓ̇) (ÒÚ. 162). êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 201 CVP-305: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊ ËÌÒÚÛ͈ËË. • ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. • èÓÒΠÁ‡‚¯ÂÌËfl èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ. Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË 3 èËÍÂÔËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ. 1 ëÓ‚ÏÂÒÚËÚÂ Ë ÒÓ‰ËÌËÚ ÔÂÂ‰Ì˛˛ Ô‡ÌÂθ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Ò Ô‰ÌÂÈ Ô‡ÌÂθ˛ ·ÎÓ͇ Ô‰‡ÎÂÈ Ë ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. 2 á‡ÍÂÔËÚ ԇÌÂθ Ò ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ. * ÇÒÚ‡‚¸Ú ¯ÂÒÚ¸ ‚ËÌÚÓ‚ ‚ χÎ˚ ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı. Á‡ÚflÌËÚ ‚ËÌÚ˚. • ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. 1 éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Ì‡ ÔÂÌÓÔ·ÒÚ. ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ú‡Í, ˜ÚÓ·˚ ÓÌË Á‡˘Ë˘‡ÎË ‡Á˙ÂÏ ‰Îfl ̇ۯÌËÍÓ‚ Ë ÓÒڇθÌ˚ ‡Á˙ÂÏ˚, ̇ıÓ‰fl˘ËÂÒfl ÔÓ‰ Ô‰ÌËÏ Î‚˚Ï Û„ÎÓÏ ËÌÒÚÛÏÂÌÚ‡. óÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì ÓÚÍ˚·Ҹ ÒÎÛ˜‡ÈÌÓ ‚Ó ‚ÂÏfl Ò·ÓÍË, ̇ÊÏËÚ ̇ ÌÂÂ Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ó̇ Á‡ÍÂÔÎÂ̇ (ÒÏ. ËÒÛÌÓÍ). É·‚̇fl ˜‡ÒÚ¸ è‡ÌÂθ ‡Á˙Âχ èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚ 4 ìÒÚ‡ÌÓ‚ËÚ „·‚ÌÛ˛ ˜‡ÒÚ¸. ÇçàåÄçàÖ • ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ. èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚. è‰Ìflfl Ô‡ÌÂθ ᇉÌflfl Ô‡ÌÂθ ÅÎÓÍ Ô‰‡ÎÂÈ ä‡·Âθ Ô‰‡ÎË åËÌËÏÛÏ 10 ÒÏ ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) 䇷Âθ ÔËÚ‡ÌËfl ÑÂÚ‡ÎË Ò·ÓÍË äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú. ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 5 ¯Ú. íÓÌÍË ‚ËÌÚ˚ 4 x 14 ÏÏ, 8 ¯Ú. ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú. èËÎÓÊÂÌË èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ. ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) 2 쉇ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ ÒÓ ¯ÌÛ‡ Ô‰‡ÎË. ç ۉ‡ÎflÈÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ fl‰ÓÏ Ò ÓÚ‚ÂÒÚËÂÏ. 1 èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı ‚ËÌÚÓ‚ 6x25 ÏÏ. ÅÓÍÓ‚‡fl Ç̇˜‡Î ÔËÍÂÔËÚ ԇԇÌÂθ (Ô‡‚‡fl) ÌÂθ Ò Ó‰ÌÓÈ ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ. 202 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡. 1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË. ÑÎËÌÌ˚ ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú. 2 5 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ÒÁ‡‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı ‚ËÌÚÓ‚ 6x16 ÏÏ. * á‡ÍÛÚËÚ ‚ËÌÚ˚ ‚ ÓÚ‚ÂÒÚËfl ̇ ÒÍÓ·‡ı Ô‰ÌÂÈ Ô‡ÌÂÎË. 6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ‰Ë̇ÏËÍÓ‚. ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl 1 è‰ ˝ÚËÏ Û‰‡ÎËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ, Ò ÔÓÏÓ˘¸˛ ÍÓÚÓÓ„Ó Í‡·Âθ ÍÂÔËÚÒfl Í Ô‰ÌÂÈ Ô‡ÌÂÎË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. 2 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl ‰Ë̇ÏËÍÓ‚ ‚ ‡Á˙ÂÏ Ì‡ÍÎÂÈÍÓÈ ‚ÌËÁ. • Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ. 7 10 ìÒÚ‡ÌÓ‚ËÚ ÙËÍÒ‡ÚÓ. éëíéêéÜçé èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎÂÈ. 1 ÇÒÚ‡‚¸Ú ¯ÚÂÍ ͇·ÂÎfl Ô‰‡ÎË ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎË. èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ. 2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË ‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚ 8 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ. 2 á‡ÍÂÔËÚ ԇÌÂθ ÔÓ Û„Î‡Ï Ò΂‡ Ë ÒÔ‡‚‡ Ò ÔÓÏÓ˘¸˛ ÚÓÌÍËı ‚ËÌÚÓ‚ 4x14 ÏÏ. 1 èÓÏÂÒÚË‚ Á‡‰Ì˛˛ Ô‡ÌÂθ ̇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ, ÒÓ‚ÏÂÒÚËÚ ԇÌÂθ Ò Ô‡Á‡ÏË Ë Á‡ÍÂÔËڠ ‚ÂıÌ˛˛ ˜‡ÒÚ¸. • ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? → èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. • ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? → èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. • ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)? → á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. • ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË „ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË? → èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ. • 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚? → èӂ¸Ú ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÒÚ‡ÌÓ‚Í ËÌÒÚÛÏÂÌÚ‡ ÔÓÒΠҷÓÍË ‚Ò„‰‡ ‰ÂÊËÚÂ Â„Ó Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Ë Á‡ Û˜ÍË Ì‡ Á‡‰ÌÂÈ Ô‡ÌÂÎË. ÇçàåÄçàÖ 3 á‡ÍÂÔËÚ ˆÂÌڇθÌÛ˛ Ë ÌËÊÌ˛˛ ˜‡ÒÚË Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ. ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. ä˚¯Í‡ èËÎÓÊÂÌË 110 220 240 9 èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·. ä˚¯Í‡ Í·‚ˇÚÛ˚ 127 ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 203 CVP-303: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊ ËÌÒÚÛ͈ËË. • ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. • èÓÒΠÁ‡‚¯ÂÌËfl èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ. Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚. • ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. 1 2 1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È É·‚̇fl ˜‡ÒÚ¸ óÚÓ·˚ Í˚¯Í‡ Í·‚ˇÚÛ˚ Ì ÓÚÍ˚·Ҹ ÒÎÛ˜‡ÈÌÓ ‚Ó ‚ÂÏfl Ò·ÓÍË, ̇ÊÏËÚ ̇ ÌÂÂ Ë Û·Â‰ËÚÂÒ¸, ˜ÚÓ Ó̇ Á‡ÍÂÔÎÂ̇ (ÒÏ. ËÒÛÌÓÍ). ÉÌÂÁ‰Ó ‰Îfl ̇ۯÌËÍÓ‚ èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Í‡·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË ·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6. ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) 2 èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌ-Ì˚ı éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Ì‡ ÔÂÌÓÔ·ÒÚ. ê‡ÒÔÓÎÓÊËÚ ÔÂÌÓÔ·ÒÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Á‡˘Ë˘‡Î ‡Á˙ÂÏ ‰Îfl ̇ۯÌËÍÓ‚, ‡ÒÔÓÎÓÊÂÌÌ˚È ‚ ‚ÂıÌÂÏ Î‚ÓÏ Û„ÎÛ. èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ. ‚ËÌÚÓ‚ 6x25 ÏÏ. Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ. 3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ. 1 ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È Ì‡ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ. ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË 2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ. 3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ. Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ. ᇉÌflfl Ô‡ÌÂθ ÅÎÓÍ Ô‰‡ÎÂÈ ä‡·Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) 4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. ÇçàåÄçàÖ ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl ÑÎËÌÌ˚ ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú. äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú. ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú. íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú. ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú. • ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚. èËÎÓÊÂÌË åËÌËÏÛÏ 10 ÒÏ 204 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 8 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ. 1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË. 2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı ‚ËÌÚÓ‚ 6x16 ÏÏ. èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·. ■ èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ. 6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. 1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ. 3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ ÌÛÊÌÓ, Á‡ÍÂÔËÚ ÎË¯Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇. 2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË ‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚ ͇·Âθ ‚ ‰ÂʇÚÂÎflı. 7 • ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? → èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. • ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? → èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. • ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)? → á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. • ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË „ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË? → èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ. • 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚? → èӂ¸Ú ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇. ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. ÇçàåÄçàÖ ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ä˚¯Í‡ ä˚¯Í‡ Í·‚ˇÚÛ˚ ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl èËÎÓÊÂÌËÂ Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. éëíéêéÜçé Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 205 CVP-301: èÓ‰ÒÚ‡‚͇ ‰Îfl Í·‚ˇÚÛ˚ ÇçàåÄçàÖ • ç ÔÂÂÔÛÚ‡ÈÚ ÍÓÏÔÓÌÂÌÚ˚ Ë ÛÒÚ‡ÌÓ‚ËÚ Ëı ‚ Ô‡‚ËθÌÓÏ Ì‡Ô‡‚ÎÂÌËË. Ç˚ÔÓÎÌflÈÚ ҷÓÍÛ Òӄ·ÒÌÓ Ô˂‰ÂÌÌÓÈ ÌËÊ ËÌÒÚÛ͈ËË. • ë·ÓÍÛ ‰ÓÎÊÌ˚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ Ì ÏÂÌ ‰‚Ûı ˜ÂÎÓ‚ÂÍ. • àÒÔÓθÁÛÈÚ ‚ËÌÚ˚ Û͇Á‡ÌÌÓ„Ó ‡Áχ. àÒÔÓθÁÛfl ÌÂÔ‡‚ËθÌ˚ ‚ËÌÚ˚ ‚˚ ÏÓÊÂÚ Ôӂ‰ËÚ¸ ËÌÒÚÛÏÂÌÚ. • èÓÒΠÁ‡‚¯ÂÌËfl èË„ÓÚÓ‚¸Ú ÍÂÒÚÓ‚Û˛ ÓÚ‚ÂÚÍÛ. Ò·ÓÍË Í‡Ê‰ÓÈ ˜‡ÒÚË Á‡ÚflÌËÚ ‚ËÌÚ˚. • ÑÎfl ‡Á·ÓÍË ËÌÒÚÛÏÂÌÚ‡ ‚˚ÔÓÎÌËÚ ËÌÒÚÛÍˆË˛ ‚ Ó·‡ÚÌÓÏ ÔÓfl‰ÍÂ. 1 2 1 éÚ‚flÊËÚÂ Ë ‡ÒÔflÏËÚ ÛÔ‡ÍÓ‚‡ÌÌ˚È Í‡·Âθ, ÔËÍÂÔÎÂÌÌ˚È Í ÌËÊÌÂÈ ˜‡ÒÚË ·ÎÓ͇ Ô‰‡ÎÂÈ. ëÓı‡ÌËÚ ‚ËÌËÎÓ‚˚È ¯ÌÛÓÍ, ÓÌ ÔÓ̇‰Ó·ËÚÒfl ‚‡Ï ̇ ˝Ú‡Ô 6.. ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) 2 èËÍÂÔËÚ ·ÎÓÍ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ‰ÎËÌÌ˚ı éÚÍÓÈÚ ԇÍÂÚ, ‚˚̸Ú Ô‰‡Î¸Ì˚È ·ÎÓÍ, ÔÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ë ÛÒÚ‡ÌÓ‚ËÚ ˆËÙÓ‚Ó ÔˇÌËÌÓ Ì‡ ÔÂÌÓÔ·ÒÚ. É·‚̇fl ˜‡ÒÚ¸ èËÍÂÔËÚ ·ÓÍÓ‚˚ ԇÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ. ‚ËÌÚÓ‚ 6x25 ÏÏ. Ç̇˜‡Î ÔËÍÂÔËÚ ԇ-ÌÂθ Ò Ó‰ÌÓÈ ÒÚÓÓÌ˚, Á‡ÚÂÏ Ò ‰Û„ÓÈ. 3 èËÍÂÔËÚ Á‡‰Ì˛˛ Ô‡ÌÂθ. 1 ÑÂʇ Ô‡ÌÂθ ‚ ̇ÍÎÓÌÌÓÏ ÔÓÎÓÊÂÌËË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, èÂÌÓÔ·ÒÚÓ‚˚ ÔÓÍ·‰ÍË Ç˚̸Ú ËÁ ÍÓÓ·ÍË ˜‡ÒÚË, ÔÓ͇Á‡ÌÌ˚ ̇ ÒÎÂ‰Û˛˘ÂÏ ËÒÛÌÍÂ. ᇉÌflfl Ô‡ÌÂθ ÅÎÓÍ Ô‰‡ÎÂÈ ÔÓÏÂÒÚËڠ ÌËÊÌËÈ Í‡È Ì‡ Ò΄͇ ‚˚ÒÚÛÔ‡˛˘Ë ˜‡ÒÚË ÌÓÊÂÍ. ëÓ‚ÏÂÒÚËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Ò ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË 2 èËÍÂÔËÚ ‚ÂıÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ÍÓ̯ÚÂÈÌ‡Ï ·ÓÍÓ‚ÓÈ Ô‡ÌÂÎË Ò ÔÓÏÓ˘¸˛ ‰‚Ûı ÚÓÌÍËı ‚ËÌÚÓ‚ 4x12 ÏÏ. 3 èËÍÂÔËÚ ÌËÊÌ˛˛ ˜‡ÒÚ¸ Á‡‰ÌÂÈ Ô‡ÌÂÎË Í ·ÎÓÍÛ Ô‰‡ÎÂÈ Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı Ò‡ÏÓ̇ÂÁ‡˛˘Ëı ‚ËÌÚÓ‚ 4x20 ÏÏ. 䇷Âθ Ô‰‡ÎÂÈ, ÔËÍÂÔÎÂÌÌ˚È ‚ÌÛÚË ÅÓÍÓ‚‡fl Ô‡ÌÂθ (΂‡fl) ÅÓÍÓ‚‡fl Ô‡ÌÂθ (Ô‡‚‡fl) ÑÂÚ‡ÎË Ò·ÓÍË ä‡·Âθ ÔËÚ‡ÌËfl 4 ìÒÚ‡ÌÓ‚ËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. ÇçàåÄçàÖ ÑÎËÌÌ˚ ‚ËÌÚ˚ 6 x 25 ÏÏ, 4 ¯Ú. äÓÓÚÍË ‚ËÌÚ˚ 6 x 16 ÏÏ, 4 ¯Ú. ë‡ÏÓ̇ÂÁ‡˛˘Ë ‚ËÌÚ˚ 4 x 20 ÏÏ, 4 ¯Ú. íÓÌÍË ‚ËÌÚ˚ 4 x 12 ÏÏ, 2 ¯Ú. ÑÂʇÚÂÎË ‰Îfl ͇·ÂÎÂÈ - 2 ¯Ú. • ëΉËÚ Á‡ ÚÂÏ, ˜ÚÓ·˚ Ì Á‡˘ÂÏËÚ¸ ԇθˆ˚ ÏÂÊ‰Û ÓÒÌÓ‚Ì˚Ï ÛÒÚÓÈÒÚ‚ÓÏ Ë Á‡‰ÌÂÈ ËÎË ·ÓÍÓ‚˚ÏË Ô‡ÌÂÎflÏË. ÅÛ‰¸Ú ˜ÂÁ‚˚˜‡ÈÌÓ ÓÒÚÓÓÊÌ˚ Ë Ì ÛÓÌËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. • ÑÂÊËÚ Í·‚ˇÚÛÛ ÚÓθÍÓ Ú‡Í, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ. èË ÛÒÚ‡ÌÓ‚Í ‰ÂÊËÚ ÛÍË Ì‡ ‡ÒÒÚÓflÌËË Ì ÏÂÌ 10 ÒÏ ÓÚ Í‡Â‚. èËÎÓÊÂÌË åËÌËÏÛÏ At least 10 ÒÏ 10 cm 206 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 5 8 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸. ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ. 1 ê‡ÒÔÓÎÓÊËÚ ËÌÒÚÛÏÂÌÚ ÔÓ ˆÂÌÚÛ Ú‡Í, ˜ÚÓ·˚ Á‡ÁÓ˚ ÒÔ‡‚‡ Ë Ò΂‡ ·˚ÎË Ó‰Ë̇ÍÓ‚˚ÏË. 2 á‡ÍÂÔËÚ ÓÒÌÓ‚ÌÛ˛ ˜‡ÒÚ¸ ÒÔÂÂ‰Ë Ò ÔÓÏÓ˘¸˛ ÍÓÓÚÍËı ‚ËÌÚÓ‚ 6x16 ÏÏ. èÓ‚Ó‡˜Ë‚‡ÈÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ ‰Ó ÚÂı ÔÓ, ÔÓ͇ ÓÌ Ì ÔˉÂÚ ‚ ÚÂÒÌ˚È ÍÓÌÚ‡ÍÚ Ò ÔÓ‚ÂıÌÓÒÚ¸˛ ÔÓ·. ■ èÓÒΠҷÓÍË Ôӂ¸Ú ÒÎÂ‰Û˛˘ÂÂ. 6 èÓ‰ÒÓ‰ËÌËÚ ͇·Âθ Ô‰‡ÎË. 1 ÇÒÚ‡‚¸Ú ‚ËÎÍÛ Í‡·ÂÎfl Ô‰‡ÎÂÈ ÒÔÂÂ‰Ë ‚ ‡Á˙ÂÏ ‰Îfl Ô‰‡ÎÂÈ. 3 ÖÒÎË Í‡·Âθ Ô‰‡ÎË Ó͇Á‡ÎÒfl ‰ÎËÌÌÂÂ, ˜ÂÏ ÌÛÊÌÓ, Á‡ÍÂÔËÚ ÎË¯Ì˛˛ ˜‡ÒÚ¸ Ò ÔÓÏÓ˘¸˛ ‚ËÌËÎÓ‚Ó„Ó ¯ÌÛ͇. 2 èËÒÓ‰ËÌËÚ ‰ÂʇÚÂÎË ‰Îfl ͇·ÂÎfl Í Á‡‰ÌÂÈ Ô‡ÌÂÎË, Í‡Í ÔÓ͇Á‡ÌÓ Ì‡ ËÒÛÌÍÂ, Ë Á‡ÚÂÏ Á‡˘ÂÎÍÌËÚ 7 • ç ÓÒÚ‡ÎÓÒ¸ ÎË «Î˯ÌËı» ‰ÂÚ‡ÎÂÈ? → èӂ¸Ú ҷÓÍÛ Ë ËÒÔ‡‚¸Ú ӯ˷ÍË. • ç Ï¯‡ÂÚ ÎË ÔˇÌËÌÓ Clavinova ÓÚÍ˚‚‡Ú¸ ‰‚ÂË Ë ÔÂÂÏ¢‡Ú¸ Ô‰ÏÂÚ˚? → èÓÒÚ‡‚¸Ú ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ‚ Û‰Ó·ÌÓ ÏÂÒÚÓ. • ç «·ÓÎÚ‡ÂÚÒfl» ÎË ËÌÒÚÛÏÂÌÚ Clavinova, ÍÓ„‰‡ ‚˚ Â„Ó ÚflÒÂÚ (Ó· ˝ÚÓÏ ÏÓÊÌÓ ÒÛ‰ËÚ¸ ÔÓ „ÓıÓÚÛ)? → á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. • ç ÒÏ¢‡ÂÚÒfl ÎË Ô‰‡Î¸Ì˚È ·ÎÓÍ Ë Ì ÒÎ˚¯ÌÓ ÎË „ÓıÓÚ‡ ÔË Ì‡Ê‡ÚËË Ì‡ Ô‰‡ÎË? → èÓ‚ÂÌËÚ ÙËÍÒËÛ˛˘ËÈ ‚ËÌÚ Ú‡Í, ˜ÚÓ·˚ ÓÌ Ú‚Â‰Ó ÒÚÓflΠ̇ ÔÓÎÛ. • 䇷ÂÎË Ô‰‡ÎË Ë ÔËÚ‡ÌËfl ÔÎÓÚÌÓ ‚ÒÚ‡‚ÎÂÌ˚ ‚ ‡Á˙ÂÏ˚? → èӂ¸Ú ÒÓ‰ËÌÂÌËfl. • ÖÒÎË ÓÒÌӂ̇fl ˜‡ÒÚ¸ ËÌÒÚÛÏÂÌÚ‡ ÒÍËÔËÚ ËÎË ÌÂÛÒÚÓȘ˂‡, ÍÓ„‰‡ ‚˚ Ë„‡ÂÚ ̇ Í·‚˯‡ı, ÔÓÒÏÓÚËÚ ÒıÂÏÛ Ò·ÓÍË Ë Á‡ÚflÌËÚ ‚Ò ‚ËÌÚ˚. èË ÔÂÂÏ¢ÂÌËË ÒÓ·‡ÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡ ‚Ò„‰‡ ·ÂËÚÂÒ¸ Á‡ ÌËÊÌ˛˛ ˜‡ÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ·ÎÓ͇. ìÒÚ‡ÌÓ‚ËÚ ÒÂÎÂÍÚÓ Ì‡ÔflÊÂÌËfl Ë ÔÓ‰ÒÓ‰ËÌËÚ ͇·Âθ ÔËÚ‡ÌËfl. ÇçàåÄçàÖ ç ·ÂËÚÂÒ¸ Á‡ Í˚¯ÍÛ Í·‚ˇÚÛ˚ ËÎË Â ‚ÂıÌ˛˛ ˜‡ÒÚ¸. çÂÔ‡‚Ëθ̇fl ˝ÍÒÔÎÛ‡Ú‡ˆËfl ÏÓÊÂÚ ÔË‚ÂÒÚË Í ‚˚ıÓ‰Û ËÌÒÚÛÏÂÌÚ‡ ËÁ ÒÚÓfl ËÎË Í Ú‡‚ÏÂ. ä˚¯Í‡ 110 127 220 240 ä˚¯Í‡ Í·‚ˇÚÛ˚ ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÏÓÊÌÓ. ᇠ˝ÚÓ ‰ÂʇڸÒfl ÌÂθÁfl. ê„ÛÎflÚÓ Ì‡ÔflÊÂÌËfl èËÎÓÊÂÌËÂ Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ËÒÔÓθÁÛÂÚÒfl „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl. èÂʉ ˜ÂÏ ÔÓ‰Íβ˜‡Ú¸ ͇·Âθ ÔËÚ‡ÌËfl, Ôӂ¸ÚÂ, Ô‡‚ËθÌÓ ÎË ÓÌ ÛÒÚ‡ÌÓ‚ÎÂÌ. ÑÎfl ÛÒÚ‡ÌÓ‚ÍË Â„ÛÎflÚÓ‡ ̇ 110, 127, 220 ËÎË 240 ‚ÓÎ¸Ú Ò ÔÓÏÓ˘¸˛ ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ‰ËÒÍ Ú‡Í, ˜ÚÓ·˚ Ô‡‚ËθÌÓ ̇ÔflÊÂÌË ‰Îfl ‚‡¯Â„Ó Â„ËÓ̇ ̇ıÓ‰ËÎÓÒ¸ ̇ÔÓÚË‚ Û͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. èË ÔÓÒÚ‡‚Í „ÛÎflÚÓ Ì‡ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. Ç˚·‡‚ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â ̇ÔflÊÂÌËÂ, ÔÓ‰Íβ˜ËÚ ͇·Âθ ÔËÚ‡ÌËfl Í ‡Á˙ÂÏÛ AC INLET Ë Í ˝ÎÂÍÚÓÒÂÚË. Ç ÌÂÍÓÚÓ˚ı „ËÓ̇ı ‰Îfl ÔÓ‰Íβ˜ÂÌËfl Í ˝ÎÂÍÚÓÒÂÚË ÚÂ·Û˛ÚÒfl ÔÂÂıÓ‰ÌËÍË Ò ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘ËÏ ‡ÒÔÓÎÓÊÂÌËÂÏ ÍÓÌÚ‡ÍÚÓ‚. éëíéêéÜçé Ç˚·Ó ÌÂÔ‡‚ËθÌÓ„Ó Ì‡ÔflÊÂÌËfl ÏÓÊÂÚ Ò¸ÂÁÌÓ Ôӂ‰ËÚ¸ ˆËÙÓ‚Ó ÔˇÌËÌÓ Clavinova ËÎË Ì‡Û¯ËÚ¸ Â„Ó ‡·ÓÚÛ. êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 207 ìÒÚ‡Ìӂ͇ ‰ËÒÍÓ‚Ó‰‡ (Òڇ̉‡ÚÌÓ„Ó/‰ÓÔÓÎÌËÚÂθÌÓ„Ó) ÑËÒÍÓ‚Ó‰ ÏÓÊÌÓ ÛÒÚ‡ÌÓ‚ËÚ¸ ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ Ò ÔÓÏÓ˘¸˛ ÍÓÊÛı‡ Ë ‚ËÌÚÓ‚, ‚ıÓ‰fl˘Ëı ‚ ÔÓÒÚ‡‚ÍÛ. ÑÛ„Ë ‰ËÒÍÓ‚Ó‰˚, ÍÓÚÓ˚ ÏÓ„ÛÚ ËÒÔÓθÁÓ‚‡Ú¸Òfl Ò ˝ÚËÏ ËÌÒÚÛÏÂÌÚÓÏ, ÒÏ. ‚ ‡Á‰ÂΠ«ÑÓÔÓÎÌËÚÂθÌ˚ ÔË̇‰ÎÂÊÌÓÒÚË» (ÒÚ. 210). ì ‚‡Ò ‰ÓÎÊ̇ ·˚Ú¸ ̇„ÓÚÓ‚Â ÍÂÒÚÓ‚‡fl ÓÚ‚ÂÚ͇ (Phillips). 1 쉇ÎËÚ ÚË Í‡ÚÓÌÍË Ò ÍÎÂÈÍÓÈ ÎÂÌÚ˚ ‚ ÍÓÊÛıÂ Ë ÔÓÏÂÒÚËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı. 3 ÇÒÚ‡‚¸Ú ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛı. ëÚÓÓ̇ Ò ÂÁËÌÓ‚˚ÏË Ó„‡Ì˘ËÚÂÎflÏË ‰ÓÎÊ̇ ·˚Ú¸ Ó·‡˘Â̇ Í ÍÓÊÛıÛ. 4 Ñ‚ÛÒÚÓÓÌÌflfl ÍÎÂÈ͇fl ÎÂÌÚ‡ ë‚ÂÌËÚ ͇·Âθ USB ‚ÌÛÚË ÍÓÊÛı‡, Í‡Í ÔÓ͇Á‡ÌÓ. èËÎÓÊÂÌË 2 208 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èËÍÂÔËÚ ‰ËÒÍÓ‚Ó‰ ‚ ÍÓÊÛıÂ Í ÌËÊÌÂÈ ÒÚÓÓÌ ËÌÒÚÛÏÂÌÚ‡ (Ò΂‡) Ò ÔÓÏÓ˘¸˛ ˜ÂÚ˚Âı ÔË·„‡ÂÏ˚ı ‚ËÌÚÓ‚ (4 ÏÏ x 10 ÏÏ). èÓ‰Íβ˜ËÚ ͇·Âθ USB Í ‡Á˙ÂÏÛ [USB TO DEVICE]. íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË CVP-305 àÒÚÓ˜ÌËÍ Á‚Û͇ CVP-303 ÑË̇Ï˘ÂÒÍÓ ÒÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM ä·‚ˇÚÛ‡ ùÍ‡Ì ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH3 (88 Í·‚˯) ä·‚ˇÚÛ‡ Ò ÏÓÎÓÚÓ˜ÍÓ‚˚Ï ÏÂı‡ÌËÁÏÓÏ ÒËÒÚÂÏ˚ GH (88 Í·‚˯) ñ‚ÂÚÌÓÈ Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ) óÂÌÓ-·ÂÎ˚È Üä-‰ËÒÔÎÂÈ (240 ÚÓ˜ÂÍ) åÛÁ˚͇θ̇fl Ô‡ÚËÚÛ‡, ÒÎÓ‚‡ èÓÎËÙÓÌËfl (χÍÒËχθ̇fl) Ç˚·Ó ÚÂÏ·Ó‚ 儇ÚÂÏ·˚ (Mega Voice) íÂÏ· é·˚˜Ì˚ ÚÂÏ·˚ (Regular) ÑÄ 128 96 353 ÚÂÏ·‡ + 480 ÚÂÏ·Ó‚ Òڇ̉‡Ú‡ XG 17 ̇·ÓÓ‚ Û‰‡Ì˚ı/ ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS (íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ ‚ ÙÓχÚ GS) 319 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚ Òڇ̉‡Ú‡ XG 14 ̇·ÓÓ‚ Û‰‡Ì˚ı/ ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS (íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ ‚ ÙÓχÚ GS) — 261 271 21 14 íÂÏ· «Cool!» 18 11 5 íÂÏ· «Live!» 19 1 10 îÛÌ͈Ëfl Sound ëreator íËÔ˚ ˝ÙÙÂÍÚÓ‚ ÑÄ ê‚·‡ˆËfl/ ïÓÛÒ/DSP 6 åËÍÓÙÓÌ 1 — ê‚·‡ˆËfl/ ïÓÛÒ/DSP Reverb: 35 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı Chorus: 30 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı DSP 1: 183 ‚ÒÚÓÂÌÌ˚ı + 3 ÔÓθÁÓ‚‡ÚÂθÒÍËı DSP 2–4: 105 ‚ÒÚÓÂÌÌ˚ı + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı Master EQ (Ó·˘‡fl ̇ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁ‡) 5 ‚ÒÚÓÂÌÌ˚ı + 2 ÔÓθÁÓ‚‡ÚÂθÒÍËı Part EQ (̇ÒÚÓÈ͇ ˝Í‚‡Î‡ÈÁ‡ ‰Îfl Ô‡ÚËË) ɇÏÓÌËÁ‡ˆËfl ‚Ó͇· 27 Ô‡ÚËÈ 61 ‚ÒÚÓÂÌÌ˚È + 10 ÔÓθÁÓ‚‡ÚÂθÒÍËı — ëÚËÎË ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 308 258 180 ëÚËÎË Pro 248 208 133 ëÚËÎË Session 24 14 11 CÚËÎË Pianist ëÚËÎË Mega Voice ëÚËθ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ 14 íÂÏ· «Sweet!» íÂÏ· «Organ Flutes!» ÅÎÓÍË ˝ÙÙÂÍÚÓ‚ 312 ÚÂÏ·Ó‚ + 480 ÚÂÏ·Ó‚ Òڇ̉‡Ú‡ XG 14 ̇·ÓÓ‚ Û‰‡Ì˚ı/ ÒÔˆ˝ÙÙÂÍÚÓ‚ + GM2 + GS (íÂÏ·˚ Òڇ̉‡ÚÓ‚ GS ‰Îfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÔÂÒÂÌ ‚ ÙÓχÚ GS) 10 íÂÏ· «Natural!» ùÙÙÂÍÚ˚ CVP-301 ëÚÂÂÓÒ˝ÏÔÎËÓ‚‡ÌË AWM Stereo Sampling ÄÔÔÎË͇ÚÛ‡ îÛÌ͈Ëfl Style Creator OTS (ç‡ÒÚÓÈ͇ «‚ Ó‰ÌÓ Í‡Ò‡ÌË»: ÙÛÌ͈Ëfl One Touch Setting) îÛÌ͈Ëfl Music Finder — Single Finger (‰Îfl Ë„˚ Ó‰ÌËÏ Ô‡Î¸ˆÂÏ), Fingered (Ú‡‰ËˆËÓÌ̇fl), Fingered On Bass (Ú‡‰ËˆËÓÌ̇fl Ò ·‡ÒÓÏ), Multi Finger (‰Îfl Ë„˚ ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË), AI Fingered (Ú‡‰ËˆËÓÌ̇fl AI), Full Keyboard (‚Òfl Í·‚ˇÚÛ‡), AI Full Keyboard (‚Òfl Í·‚ˇÚÛ‡ Al) ÑÄ 4 ‰Îfl Í‡Ê‰Ó„Ó ÒÚËÎfl èËÎÓÊÂÌË îÛÌ͈Ëfl OTS Link 36 ÑÄ ÑÄ ÇÒÚÓÂÌÌ˚ ‰‡ÌÌ˚ (Preset) ÑÄ àÁÏÂÌÂÌË ÑÄ êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 209 CVP-305 CVP-303 ÇÒÚÓÂÌÌ˚ ÔÂÒÌË é·Û˜ÂÌË 56 Follow Lights, Any Key, Karao-Key, Vocal CueTIME Follow Lights, Any Key, Karao-Key à̉Ë͇ÚÓ èÂÒÌfl ÑÄ îÛÌ͈Ëfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ performance assistant ÑÄ Å˚ÒÚ‡fl Á‡ÔËÒ¸, ÏÛθÚËÁ‡ÔËÒ¸ (Ò ÌÂÒÍÓθÍËÏË ÚÂÏ·‡ÏË Ì‡ ÌÂÒÍÓθÍËı ͇̇·ı), ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸, ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË á‡ÔËÒ¸ ä‡Ì‡Î˚ Á‡ÔËÒË 16 Internet Direct Connection (èflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ) ìÒÚÓÈÒÚ‚Ó Ô‡ÏflÚË Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE) ÑËÒÍÂÚ‡ (2HD, 2DD) Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE) ÜÂÒÚÍËÈ ‰ËÒÍ Ç̯ÌËÈ ‡‰‡ÔÚ (˜ÂÂÁ ÔÓÚ USB to DEVICE) îν¯-Ô‡ÏflÚ¸ (‚ÌÛÚÂÌÌflfl) ê‡Á˙ÂÏ ‰Îfl Ô·Ú˚ SmartMedia 1,5 å· 5 -500, ÒÓ·ÒÚ‚ÂÌÌ˚È ÚÂÏÔ åÂÚÓÌÓÏ ÑÄ á‚ÛÍ á‚ÓÌÓÍ ‚ÍÎ./‚˚ÍÎ., Ò˜ÂÚ „ÓÎÓÒÓÏ (5 flÁ˚ÍÓ‚) äÌÓÔÍË ê„ËÒÚ‡ˆËÓÌ̇fl Ô‡ÏflÚ¸ 8 èÓÒΉӂ‡ÚÂθÌÓÒÚ¸ ‚˚ÁÓ‚‡ „ËÒÚ‡ˆËÓÌÌ˚ı Ù‡ÈÎÓ‚ / «á‡ÏÓÓÁ͇» ÑÄ ÑÂÏÓÌÒÚ‡ˆËfl / ëÔ‡‚͇ ÑÄ üÁ˚Í èӘ 6 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, flÔÓÌÒÍËÈ, ÌÂψÍËÈ, ه̈ÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ) Direct Access (ÔflÏÓÈ ‰ÓÒÚÛÔ) ÑÄ äÌÓÔ͇ Piano (‚Íβ˜‡fl Piano Lock) ÑÄ í‡ÌÒÔÓÌËÓ‚‡ÌË 5 flÁ˚ÍÓ‚ (‡Ì„ÎËÈÒÍËÈ, ÌÂψÍËÈ, ه̈ÛÁÒÍËÈ, ËÒÔ‡ÌÒÍËÈ, ËڇθflÌÒÍËÈ) ä·‚ˇÚÛ‡/ÔÂÒÌfl/Ó·˘Â ڇÌÒÔÓÌËÓ‚‡ÌË íËÔ ÚÂÏÔ‡ˆËË èÓ‰Íβ˜ÂÌËÂ Í ËÌÚÂÙÂÈÒÛ USB 650 ä· 1 (ÒÓ‚ÏÂÒÚËÏ Ò Ô·ڇÏË SmartMedia ÙÓχڇ FAT 12 ËÎË 16) ÑˇԇÁÓÌ ÚÂÏÔ‡ íÂÏÔ CVP-301 120 9 ЧÂÂÁ ÔÓÚ USB to HOST (ÍÓÏÔ¸˛ÚÂ) ÑÄ ЧÂÂÁ ÔÓÚ USB to DEVICE ÑÄ PHONES (̇ۯÌËÍË) x 2, MIDI (THRU, OUT, IN), ‡Á˙ÂÏ˚ AUX PEDAL, AUX IN (L/L+R, R), AUX OUT (L/L+R, R), AUX OUT (LEVEL FIXED) (L, R) MIC (INPUT VOLUME („ÛÎflÚÓ „ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·), MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ / ÎËÌÂÈÌ˚È ‚ıÓ‰)), ‡Á˙ÂÏ OPTICAL OUT, ‡Á˙ÂÏ VIDEO OUT ÑÛ„Ë ‡Á˙ÂÏ˚ îÛÌ͈ËË ìÒËÎËÚÂÎË/ ‰Ë̇ÏËÍË ìÒËÎËÚÂÎË 40 ÇÚ ✕ 2 ÑË̇ÏËÍË (16 ÒÏ + 5 ÒÏ) ✕ 2 ÇÂÒ ÑÓÔÓÎÌËÚÂθÌ˚ ‡ÍÒÂÒÒÛ‡˚ — VOLUME („ÓÏÍÓÒÚ¸), SUSTAIN (ÒÛÒÚÂÈÌ), SOSTENUTO (ÒÓÒÚÂÌÛÚÓ), SOFT, GLIDE (ÒÍÓθÊÂÌË ‚˚ÒÓÚ˚ Á‚Û͇), SONG PLAY/PAUSE (‚ÓÒÔÓËÁ‚‰ÂÌË ÔÂÒÌË/Ô‡ÛÁ‡), STYLE START/STOP (‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ÂÊËχ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ÒÚËÎfl) Ë Ú.‰. 艇ÎË É‡·‡ËÚ˚ [¯ËË̇ ✕ ‰ÎË̇ ✕ ‚˚ÒÓÚ‡] (Ò̇·ÊÂÌÓ Ô˛ÔËÚÓÏ) èËÎÓÊÂÌË MIC (INPUT VOLUME („ÛÎflÚÓ „ÓÏÍÓÒÚË ‚ıÓ‰ÌÓ„Ó Ò˄̇·), MIC./LINE IN (ÏËÍÓÙÓÌÌ˚È ‚ıÓ‰ / ÎËÌÂÈÌ˚È ‚ıÓ‰)) 1432 ÏÏ ✕ 614 ÏÏ ✕ 885 ÏÏ [56-3/8" ✕ 24-3/16" ✕ 34-13/16"] (1432 ÏÏ ✕ 614 ÏÏ ✕ 1042 ÏÏ) [56-3/8" ✕ 24-3/16" ✕ 41"] 1432 ÏÏ ✕ 614 ÏÏ ✕ 885 ÏÏ [56-3/8" ✕ 24-3/16" ✕ 34-13/16"] (1432 ÏÏ ✕ 614 ÏÏ ✕ 1044 ÏÏ) [56-3/8" ✕ 24-3/16" ✕ 41-1/8"] 1379 ÏÏ ✕ 595 ÏÏ ✕ 896 ÏÏ [54-5/16" ✕ 23-7/16" ✕ 35-1/4"] (1379 ÏÏ ✕ 595 ÏÏ ✕ 1070 ÏÏ) [54-5/16" ✕ 23-7/16" ✕ 42-1/8"] 86 Í„ (189 ÙÛÌÚÓ‚, 10 Û̈ËÈ) 70 Í„ (154 ÙÛÌÚ‡, 5 Û̈ËÈ) 68 Í„ (149 ÙÛÌÚÓ‚, 15 Û̈ËÈ) ç‡Û¯ÌËÍË HPE-160 艇θ FC 4/FC 5 çÓÊÌÓÈ ÍÓÌÚÓÎΠFC 7 ìÒÚÓÈÒÚ‚Ó USB-FDD UD-FD01 * íÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË Ë Ëı ÓÔËÒ‡ÌËfl ‚ ‰‡ÌÌÓÏ ÛÍÓ‚Ó‰ÒÚ‚Â ÔÓθÁÓ‚‡ÚÂÎfl ‰‡Ì˚ ÚÓθÍÓ ‰Îfl ËÌÙÓχˆËË. äÓÔÓ‡ˆËfl Yamaha ÒÓı‡ÌflÂÚ Á‡ ÒÓ·ÓÈ Ô‡‚Ó ÏÓ‰ËÙˈËÓ‚‡Ú¸ Ò‚ÓË ËÁ‰ÂÎËfl Ë ÏÂÌflÚ¸ Ëı ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË ·ÂÁ Ô‰‚‡ËÚÂθÌÓ„Ó Û‚Â‰ÓÏÎÂÌËfl. èÓÒÍÓθÍÛ ÚÂıÌ˘ÂÒÍË ı‡‡ÍÚÂËÒÚËÍË, Ó·ÓÛ‰Ó‚‡ÌËÂ Ë Ì‡·Ó ‚ÓÁÏÓÊÌÓÒÚÂÈ ÏÓ„ÛÚ ‡Á΢‡Ú¸Òfl ‚ Á‡‚ËÒËÏÓÒÚË ÓÚ Â„ËÓ̇, Ó·‡˘‡ÈÚÂÒ¸ Á‡ ËÌÙÓχˆËÂÈ Í ÏÂÒÚÌÓÏÛ Ô‰ÒÚ‡‚ËÚÂβ ÍÓÔÓ‡ˆËË Yamaha. 210 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 è‰ÏÂÚÌ˚È Û͇Á‡ÚÂθ ñËÙ˚ G 1–16 ...................................................................................... 138, 148 GM System Level 1, Òڇ̉‡Ú .......................................................... 191 GM System Level 2, Òڇ̉‡Ú .......................................................... 191 GROOVE, ˝ÙÙÂÍÚ .......................................................................... 114 GS, ÙÓÏ‡Ú ................................................................................... 191 GUIDE LAMP ON/OFF ..................................................................... 131 GUIDE LAMP TIMING ...................................................................... 132 Guide, ÙÛÌ͈Ëfl .............................................................................. 131 A A-B Repeat, ÙÛÌ͈Ëfl .........................................................................40 AI .....................................................................................................98 AI FINGERED, ‡ÔÔÎË͇ÚÛ‡ ..............................................................98 AI FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡ ....................................................98 Any Key, ÙÛÌ͈Ëfl ...........................................................................132 ARABIC (‡‡·ÒÍËÈ) ...........................................................................77 Assembly ...................................................................... 202, 204, 206 ASSEMBLY (Style), ‚Í·‰Í‡ ............................................................112 Auto Accompaniment, ÙÛÌ͈Ëfl ..........................................................44 AUTO REVOICE SETUP, ˝Í‡Ì ..........................................................83 B H HARMONY, ˝Í‡Ì ............................................................................. 93 HARMONY/ECHO, ˝ÙÙÂÍÚ ............................................................... 78 HELP, ÍÌÓÔ͇ ................................................................................... 57 I ICON, ˝Í‡Ì ..................................................................................... 66 BALANCE, ÍÌÓÔ͇ .............................................................................39 BASIC .............................................................................................108 BASS ..............................................................................................195 BOOKMARK ....................................................................................171 Browser ...........................................................................................176 Browser, ‚Í·‰Í‡ ............................................................................176 K Karao-key, ÙÛÌ͈Ëfl ........................................................................ 132 KEYBOARD/PANEL, ‚Í·‰Í‡ ......................................................29, 55 KIRNBERGER (ÒÚÓÈ äË̷„‡) .................................................. 77 C L CARD, ÌÓÒËÚÂθ ...............................................................................26 CHANNEL .......................................................................................148 CHANNEL ON/OFF ............................................................................99 CHANNEL, ‚Í·‰Í‡ .........................................................................116 CHORD (ÄÍÍÓ‰) .................................................................... 138, 148 CHORD DETECT .............................................................................196 CHORD FINGERING, ‚Í·‰Í‡ ...........................................................97 Chord Tutor, ÙÛÌ͈Ëfl ........................................................................48 COMMON, ˝Í‡Ì ...............................................................................90 CONFIG 1, ÒÚ‡Ìˈ‡ ...................................................30, 46, 99, 122 CONFIG 2 .......................................................................................196 CONTROLLER, ˝Í‡Ì ........................................................................90 Cool!, ÚËÔ ÚÂÏ·‡ ..............................................................................72 COPY, ÓÔ‡ˆËfl ...............................................................................64 CUT, ÓÔ‡ˆËfl ..................................................................................65 LAN ................................................................................................ 176 Left ................................................................................................... 73 Left Hold, ÙÛÌ͈Ëfl ............................................................................ 48 Live!, ÚËÔ ÚÂÏ·‡ .............................................................................. 72 LYRICS (ÚÂÍÒÚ ÔÂÒÌË) ..................................................................... 148 M DELETE, ÓÔ‡ˆËfl ............................................................................65 DOC (Disk Orchestra Collection), ÙÓÏ‡Ú .........................................191 Drums, ÚËÔ ÚÂÏ·‡ ............................................................................72 DSP ..................................................................................................78 DSP/DSP VARIATION (‚‡Ë‡ˆËfl DSP), ˝ÙÙÂÍÚ ................................78 Main, ˝Í‡Ì ................................................................................25, 59 MASTER TUNE ................................................................................. 76 MEAN-TONE (ωˇθÌ˚È ÒÚÓÈ) ..................................................... 77 MEDIA .............................................................................62, 130, 187 Mega Voice, ÚËÔ ÚÂÏ·‡ (CVP-305)................................................... 72 MELODIC MINOR ........................................................................... 119 MIC SETTING (CVP-305/303) ......................................................... 160 MICROPHONE SETTING (CVP-305/303)......................................... 160 MIDI, ¯‡·ÎÓÌ˚ ............................................................................... 192 MIDI, ̇ÒÚÓÈÍË .............................................................................. 192 MIDI, Òڇ̉‡Ú ............................................................................... 188 MIXING CONSOLE ............................................................................ 80 MONO/POLY, ˝ÙÙÂÍÚ ...................................................................... 78 MULTI FINGER, ‡ÔÔÎË͇ÚÛ‡ ............................................................ 98 Music Finder, ÙÛÌ͈Ëfl ...................................................................... 50 E N Edit (OTS), ÙÛÌ͈Ëfl ..........................................................................50 EDIT, ‚Í·‰Í‡ .................................................................................111 EFFECT, ‚Í·‰Í‡ ..............................................................................82 EFFECT/EQ, ˝Í‡Ì ............................................................................92 EQ, ‚Í·‰Í‡ ......................................................................................83 EQUAL TEMPERAMENT (‡‚ÌÓÏÂÌÓ ÚÂÏÔÂËÓ‚‡ÌÌ˚È ÒÚÓÈ) .......77 ESEQ, ÙÓÏ‡Ú ................................................................................191 EXIT, ÍÌÓÔ͇ .....................................................................................61 NAME; ÓÔ‡ˆËfl .............................................................................. 66 Natural!, ÚËÔ ÚÂÏ·‡ .......................................................................... 72 D F êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èËÎÓÊÂÌË FADE IN/OUT (ëÚËθ) .......................................................................46 FADE IN/OUT (Song), ÙÛÌ͈Ëfl ........................................................127 FADE IN/OUT/HOLD TIME, ˝Í‡Ì .......................................................99 Fast forward (ÔÂÂÏÓÚ͇ ‚Ô‰) .....................................................128 FILTER .............................................................................................82 FILTER, ‚Í·‰Í‡ .............................................................................155 FINGERED ON BASS, ‡ÔÔÎË͇ÚÛ‡ ...................................................98 FINGERED, ‡ÔÔÎË͇ÚÛ‡ ..................................................................98 Follow Lights, ÙÛÌ͈Ëfl ....................................................................132 FOOTAGE .................................................................................. 94, 95 FREEZE, ÙÛÌ͈Ëfl ...........................................................................123 FULL KEYBOARD, ‡ÔÔÎË͇ÚÛ‡ ........................................................98 - àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ. ‚ ‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‰ÌÂÈ Ô‡ÌÂÎË» ̇ ÒÚ. 12. - àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180. - íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂΠ“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179 - ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı ‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ. 211 O T Organ Flutes!, ÚËÔ ÚÂÏ·‡ ..................................................................72 Organ Flutes, ÚÂÏ·˚ ........................................................................93 Others, ‚Í·‰Í‡ ..............................................................................177 OTS Link Timing, ÙÛÌ͈Ëfl ...............................................................101 OTS Link, ÙÛÌ͈Ëfl ............................................................................50 OVERALL SETTING ........................................................................161 OWNER ..................................................................................... 18, 20 Owner Name (ËÏfl ÔÓθÁÓ‚‡ÚÂÎfl) ......................................................20 TALK ................................................................................................ 56 TALK SETTING, ‚Í·‰Í‡ ................................................................. 164 Tap, ÙÛÌ͈Ëfl ................................................................................. 127 Top (Í Ì‡˜‡ÎÛ) ................................................................................ 128 TRANSMIT ..................................................................................... 194 TUNE, ‚Í·‰Í‡ ................................................................................. 82 P UP .................................................................................................... 61 USER, ÌÓÒËÚÂθ ............................................................................... 26 PANEL PART ....................................................................................81 PARAMETER, ‚Í·‰Í‡ ....................................................................117 PASTE, ÓÔ‡ˆËfl ....................................................................... 64, 65 Pause (Ô‡ÛÁ‡) .................................................................................128 PEDAL ............................................................................................182 Performance Assistant Technology, ÙÛÌ͈Ëfl .......................................42 PHRASE MARK REPEAT .................................................................128 Pianist ...............................................................................................97 Piano Lock (îËÍÒ‡ˆËfl ÂÊËχ ÙÓÚÂÔ¸flÌÓ), ÙÛÌ͈Ëfl ......................28 PIANO, ˝Í‡Ì ....................................................................................90 PRESET, ÌÓÒËÚÂθ ............................................................................26 Pro ...................................................................................................97 PROPERTY .....................................................................................187 Prot. 1, Á̇˜ÓÍ ...................................................................................64 Prot. 2 Edit ........................................................................................64 Prot. 2 Orig ........................................................................................64 PURE MAJOR (˜ËÒÚ˚È Ï‡ÊÓ) ..........................................................77 PURE MINOR (˜ËÒÚ˚È ÏËÌÓ) ...........................................................77 PYTHAGOREAN (ÔËÙ‡„ÓÂÈÒÍËÈ ÒÚÓÈ) ...........................................77 VIDEO OUT, ÔÓÚ (CVP-305) ............................................................ 53 Vocal CueTIME (CVP-305/303) ....................................................... 132 VOCAL HARMONY (CVP-305/303) ................................................. 157 VOCAL HARMONY EDIT, ˝Í‡Ì (CVP-305/303)....................... 158, 159 VOCAL HARMONY TYPE (CVP-305/303) ........................................ 157 VOICE EFFECT ................................................................................ 78 VOICE SET ....................................................................................... 96 VOL/ATTACK .................................................................................... 95 VOL/VOICE, ‚Í·‰Í‡ ........................................................................ 82 W WERCKMEISTER (ÒÚÓÈ ÇÂÍχÈÒÚ‡) ........................................... 77 Wireless LAN, ‚Í·‰Í‡ .................................................................... 177 X XF .................................................................................................. 191 XG, ÙÓÏ‡Ú ................................................................................... 191 QUANTIZE ......................................................................................116 QUICK START, ÙÛÌ͈Ëfl .................................................................129 Å R ·˚ÒÚ‡fl Á‡ÔËÒ¸ .............................................................................. 133 S SAVE, ÍÌÓÔ͇ ...................................................................................63 Section Set, ÙÛÌ͈Ëfl .......................................................................101 Session .............................................................................................97 SFX, ÚËÔ ÚÂÏ·‡ ...............................................................................72 SINGLE FINGER, ‡ÔÔÎË͇ÚÛ‡ ..........................................................98 SMF (Standard MIDI file) ..................................................................191 SONG CH 1-8/9-16 ............................................................................81 song;ÔÂÒÌfl ........................................................................................34 Sound ëreator, ÙÛÌ͈Ëfl ....................................................................89 SOUND, ˝Í‡Ì ..................................................................................91 SPLIT POINT ...................................................................................100 Style Creator, ÙÛÌ͈Ëfl ....................................................................107 STYLE PART .....................................................................................81 STYLE SETTING/SPLIT POINT, ‚Í·‰Í‡ ..........................................100 Style Touch, ÙÛÌ͈Ëfl ......................................................................101 Style;ÒÚËθ ........................................................................................44 Sweet!, ÚËÔ ÚÂÏ·‡ ...........................................................................72 Synchro Start (Song), ÙÛÌ͈Ëfl .........................................................127 Synchro Stop, ÓÍÌÓ ..........................................................................101 Synchro Stop, ÙÛÌ͈Ëfl ......................................................................47 SYS/EX. ..........................................................................................148 SYSTEM .........................................................................................194 SYSTEM RESET, ‚Í·‰Í‡ .................................................................69 èËÎÓÊÂÌË V Q RANDOM ........................................................................................128 REC MODE .....................................................................................148 RECEIVE ........................................................................................195 REGISTRATION MEMORY, ÍÌÓÔ͇ ..................................................121 REGISTRATION SEQUENCE, ÙÛÌ͈Ëfl ............................................124 REPEAT MODE (êÂÊËÏ ÔÓ‚ÚÓ‡) .....................................................35 REPEAT MODE, ÙÛÌ͈Ëfl ................................................................128 Repeat Playback, ÙÛÌ͈Ëfl .................................................................40 Rewind (ÔÂÂÏÓÚ͇ ̇Á‡‰) ..............................................................128 Right 1 ..............................................................................................73 Right 2 ..............................................................................................73 212 U êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 Ç ‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ ................................................................................. 67 ‚‚Ó‰ ÒËÏ‚ÓÎÓ‚ (ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ) ....................... 168 ‚Ë·‡ÚÓ ............................................................................................ 92 ‚ÓÒÔÓËÁ‚‰ÂÌË ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ ................................. 128 ‚ÓÒÒÚ‡ÌÓ‚ÎÂÌË Á‡‚Ó‰ÒÍËı ̇ÒÚÓÂÍ ................................................ 69 ‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ ............................................................................ 90 ‚ÂÏfl ÛÒËÎÂÌËfl/Á‡ÚÛı‡ÌËfl ............................................................. 127 É „‡ÏÓÌËÁ‡ˆËfl ‚Ó͇· (CVP-305/303)............................................... 54 „ÓÏÍÓÒÚ¸ ˝ÙÙÂÍÚ‡ ......................................................................... 86 Ɉ .................................................................................................... 76 Ñ ‰ÂÏÓÌÒÚ‡ˆËÓÌ̇fl ÔÂÒÌfl (‰Îfl ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡) ................ 23, 32 ‰ÂÏÔÙÂ̇fl Ô‰‡Î¸ ......................................................................... 29 ‰ÎË̇ ÚÛ· (ËÎË Â„ËÒÚ˚ Ó„‡Ì‡) .................................................... 95 ‰Óχ¯Ìflfl ÒÚ‡Ìˈ‡ ....................................................................... 174 á Á‡ÔËÒ¸ (ÔÂÒÌË) ..........................................................................41, 133 Á‡ÔËÒ¸ (ÒÚËÎfl) ................................................................................ 107 Á‡ÔËÒ¸ ‚ ‡θÌÓÏ ‚ÂÏÂÌË ........................................................... 107 Á‚ÛÍË Û‰‡Ì˚ı .................................................................................. 33 Á‚ÛÍÓ‚˚ ˝ÙÙÂÍÚ˚ .......................................................................... 33 à Ë„‡ Ó‰ÌÓÈ ÛÍÓÈ .............................................................................. 38 ËÁ·‡ÌÌÓ ...................................................................................... 103 ËÁÏÂÌÂÌË (Á‡Í·‰ÓÍ) .................................................................... 173 ËÌˈˇÎËÁ‡ˆËfl ................................................................................. 69 ËÌˈˇÎËÁ‡ˆËfl ̇ÒÚÓÂÍ àÌÚÂÌÂÚ‡ .............................................. 178 ËÒıÓ‰Ì˚ ԇ‡ÏÂÚ˚ ........................................................................69 ä ͇̇Î˚ ÔÂÒÌË .................................................................................137 ͇‡ÓÍ ............................................................................................52 ÍÓÌÚ‡ÒÚÌÓÒÚ¸ ..................................................................................19 Í˚¯Í‡ Í·‚ˇÚÛ˚ .........................................................................14 Ͳ˜ÓÍ ‰Îfl ̇ۯÌËÍÓ‚ .....................................................................18 ã Ò‰Ìflfl Ô‰‡Î¸ («ÒÓÒÚÂÌÛÚÓ») .......................................................... 29 ÒÚ‡Ìˈ‡ CONFIG 2 ....................................................................18, 19 ÒÚÛÍÚÛ‡ ÒÚËÎÂÈ ........................................................................... 107 í ÚÂÍÒÚ ÔÂÒÌË ...................................................................................... 53 ÚÂÏ· ........................................................................... 28, 31, 72, 73 ÚËÔ ˝ÙÙÂÍÚ‡ .................................................................................... 84 Ú‡ÌÒÔÓÌËÓ‚‡ÌË ...............................................................53, 55, 76 ì ΂‡fl Ô‰‡Î¸ ....................................................................................29 å ÏÂÎӉ˘ÂÒÍËÈ ÒÚÓÈ .........................................................................76 ÏËÍÓÙÓÌ (CVP-305/303) ................................................................52 ÏÌÓ„Ó‰ÓÓʘ̇fl Á‡ÔËÒ¸ ...............................................................133 ç ̇ÒÚÓÈ͇ ‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ; ÙÛÌ͈Ëfl One Touch Setting .....................49 ̇ÒÚÓÈ͇ ‰Ë̇ÏË͇ (Speaker) ..........................................................18 ̇ÒÚÓÈÍË àÌÚÂÌÂÚ‡, ˝Í‡Ì ...........................................................175 ̇ۯÌËÍË ..........................................................................................17 ÌÓÊÌÓÈ ÍÓÌÚÓÎΠ..........................................................................30 ÌÓÏ ËÁÏÂÌÂÌËfl ÔÓ„‡ÏÏ˚ ÚÂÏ·‡ .............................................196 ÌÓÚ˚ .................................................................................................37 é Ó·Û˜‡˛˘‡fl ÙÛÌ͈Ëfl .......................................................................131 ÓÔ‡ˆËË Ò Ù‡È·ÏË Ë Ô‡Ô͇ÏË ........................................................62 ÓÒÌÓ‚Ì˚ ÓÔ‡ˆËË Ì‡ ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ .................................61 ÓÒÚ‡Ìӂ͇ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................................101 è ÛÒÚ‡Ìӂ͇ ÔÓÎflÌÓÒÚË Ô‰‡ÎË ........................................................ 182 î Ù‡ÈÎ ................................................................................................ 60 Ù‡ÈÎ ÒÚËÎfl .................................................................................... 191 ÙËÍÒ‡ÚÓ ‰Îfl ÌÓÚ ............................................................................. 17 ÙÓÌ (ÚÂÍÒÚ ÔÂÒÌË) (CVP-305) ........................................................... 53 ÙÓχÚËÓ‚‡ÌË ............................................................................. 62 ó ˜‡ÒÚË Í·‚ˇÚÛ˚ ............................................................................ 73 ù ùÍ .................................................................................................. 195 ˝Í‡Ì ‚˚·Ó‡ Ù‡ÈÎÓ‚ .........................................................25, 60, 62 ˝Í‡Ì ÙÛÌ͈ËÈ ................................................................................. 26 ˝ÙÙÂÍÚ (ÏËÍÓÙÓÌ) (CVP-305/303)................................................. 54 ˝ÙÙÂÍÚ (íÂÏ·) ............................................................................... 78 ü flÁ˚Í ................................................................................................. 18 flÍÓÒÚ¸ (CVP-305/303) .................................................................... 19 Ô‡ÚËË ÒÚËÎfl ..................................................................................137 Ô‡ÚËÚÛ‡ .........................................................................................37 Ô‡ÚËfl ..............................................................................................73 Ô‡Ô͇ ......................................................................................... 60, 67 Ô‰‡Î¸Ì˚È ÔÂÂÍβ˜‡ÚÂθ ...............................................................30 Ô‰‡ÎË ..............................................................................................29 ÔÓ‚ÚÓÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ...........................................................128 ÔÓÁˈËfl ÎÓ͇ÚÓ‡ ...........................................................................128 ÔÓËÒÍ Á‡ÔËÒÂÈ ÙÛÌ͈ËË Music Finder ...............................................102 ÔÓÎflÌÓÒÚ¸ Ô‰‡ÎË .........................................................................182 ÔÓÚ‡ÏÂÌÚÓ ......................................................................................78 ÔÓ¯‡„Ó‚‡fl Á‡ÔËÒ¸ ...................................................................107, 133 ÔflÏÓ ÔÓ‰Íβ˜ÂÌËÂ Í àÌÚÂÌÂÚÛ ..................................................166 ÔflÏÓÈ ‰ÓÒÚÛÔ ..................................................................................58 Ô˛ÔËÚ .............................................................................................16 ê ꉇÍÚËÓ‚‡ÌË (ÚÂÏ·‡) .................................................................89 ‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Music Finder) .........................................104 ‰‡ÍÚËÓ‚‡ÌË (ÙÛÌ͈Ëfl Vocal Harmony) (CVP-305/303)..............157 ꉇÍÚËÓ‚‡ÌË (ùÍ‚‡Î‡ÈÁ‡) ........................................................87 ꉇÍÚËÓ‚‡ÌË (ùÙÙÂÍÚ‡) .............................................................85 ‰‡ÍÚËÓ‚‡ÌË ÔÂÒÌË ....................................................................148 ‰‡ÍÚËÓ‚‡ÌË ÒÚËÎfl ....................................................................113 ‰‡ÍÚËÓ‚‡ÌË ÚÂÍÒÚÓ‚ .................................................................148 ÂÁ‚ÌÓ ÍÓÔËÓ‚‡ÌË ....................................................................71 Ò·Ó͇ ÒÚËÎfl ..................................................................................107 Ò‚ÂÚÓ‚ÓÈ Ë̉Ë͇ÚÓ .........................................................................38 ÒËÏ‚ÓÎ˚ ...........................................................................................67 ÒËÌıÓÌÌ˚È Á‡ÔÛÒÍ (ëÚËθ) ...............................................................46 ÒÓÓ·˘ÂÌËfl ........................................................................................57 ÒÓı‡ÌÂÌË (ÙÛÌ͈Ëfl Music Finder) .................................................105 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl CVP-305/303/301 èËÎÓÊÂÌË ë - àÌÙÓχˆË˛ Ó· ˝ÎÂÏÂÌÚ‡ı ÛÔ‡‚ÎÂÌËfl ̇ Ô‡ÌÂÎË ÒÏ. ‚ ‡Á‰ÂΠ«ùÎÂÏÂÌÚ˚ ÛÔ‡‚ÎÂÌËfl Ô‰ÌÂÈ Ô‡ÌÂÎË» ̇ ÒÚ. 12. - àÌÙÓχˆË˛ Ó ‡Á˙Âχı ‚ ÌËÊÌÂÈ ˜‡ÒÚË ËÌÒÚÛÏÂÌÚ‡ ÒÏ. ‚ ‡Á‰ÂΠ«àÒÔÓθÁÓ‚‡ÌË ËÌÒÚÛÏÂÌÚ‡ Ò ‰Û„ËÏË ÛÒÚÓÈÒÚ‚‡ÏË» ̇ ÒÚ. 180. - íÂÏËÌ˚, Ò‚flÁ‡ÌÌ˚Â Ò àÌÚÂÌÂÚÓÏ, ÒÏ. ‚ ‡Á‰ÂΠ“ëÎÓ‚‡¸ ÚÂÏËÌÓ‚ àÌÚÂÌÂÚ‡” ̇ ÒÚ. 179 - ÑÎfl ÔÓÎÛ˜ÂÌËfl ËÌÙÓχˆËË Ó Ô‡‡ÏÂÚ‡ı ̇ ˝Í‡Ì‡ı ‚Í·‰ÓÍ ÒÏ. ̇Á‚‡ÌËfl ‚Í·‰ÓÍ ‚ Ë̉ÂÍÒÂ. 213 çËÊ Û͇Á‡Ì˚ ӷ·‰‡ÚÂÎË ‡‚ÚÓÒÍËı Ë ‰Û„Ëı Ô‡‚ ̇ ÔflÚ¸‰ÂÒflÚ ÒÂϸ (57) ÔÂÒÂÌ, ‚ÒÚÓÂÌÌ˚ı ‚ ˝ÚÓÚ ËÌÒÚÛÏÂÌÚ (CVP-305/303). Alfie Theme from the Paramount Picture ALFIE Words by Hal David Music by Burt Bacharach Copyright © 1966 (Renewed 1994) by Famous Music Corporation International Copyright Secured All Rights Reserved All Shook Up Words and Music by Otis Blackwell and Elvis Presley Copyright © 1957 by Shalimar Music Corporation Copyright Renewed and Assigned to Elvis Presley Music All Rights Administered by Cherry River Music Co. and Chrysalis Songs International Copyright Secured All Rights Reserved Beauty And The Beast from Walt Disney’s BEAUTY AND THE BEAST Lyrics by Howard Ashman Music by Alan Menken © 1991 Walt Disney Music Company and Wonderland Music Company, Inc. All Rights Reserved Used by Permission Bésame Mucho (Kiss Me Much) Music and Spanish Words by Consuelo Velazquez English Words by Sunny Skylar Copyright © 1941, 1943 by Promotora Hispano Americana de Musica, S.A. Copyrights Renewed All Rights Administered by Peer International Corporation International Copyright Secured All Rights Reserved Blue Hawaii from the Paramount Picture WAIKIKI WEDDING Words and Music by Leo Robin and Ralph Rainger Copyright © 1936, 1937 (Renewed 1963, 1964) by Famous Music Corporation International Copyright Secured All Rights Reserved Blue Moon Words by Lorenz Hart Music by Richard Rodgers © 1934 (Renewed 1962) METRO-GOLDWYN-MAYER INC. All Rights Controlled by EMI ROBBINS CATALOG INC. (Publishing) and WARNER BROS. PUBLICATIONS U.S. INC. (Print) All Rights Reserved Used by Permission Brazil Words and Music by Ray Barroso English lyrics by S. K. Russell Copyright © 1941 by Peer International Corporation Copyright Renewed International Copyright Secured All Rights Reserved California Girls Words and Music by Brian Wilson and Mike Love Copyright © 1965 IRVING MUSIC, INC. Copyright Renewed All Rights Reserved Used by Permission Can You Feel The Love Tonight from Walt Disney Pictures’ THE LION KING Music by Elton John Lyrics by Tim Rice © 1994 Wonderland Music Company, Inc. All Rights Reserved Used by Permission Can’t Help Falling In Love from the Paramount Picture BLUE HAWAII Words and Music by George David Weiss, Hugo Peretti and Luigi Creatore Copyright © 1961 by Gladys Music, Inc. Copyright Renewed and Assigned to Gladys Music All Rights Administered by Cherry Lane Music Publishing Company, Inc. and Chrysalis Music International Copyright Secured All Rights Reserved Chim Chim Cher-ee from Walt Disney’s MARY POPPINS Words and Music by Richard M. Sherman and Robert B. Sherman © 1963 Wonderland Music Company, Inc. Copyright Renewed All Rights Reserved Used by Permission Do-Re-Mi from THE SOUND OF MUSIC Lyrics by Oscar Hammerstein II Music by Richard Rodgers Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II Copyright Renewed WILLIAMSON MUSIC owner of publication and allied rights throughout the world International Copyright Secured All Rights Reserved Don’t Be Cruel (To A Heart That’s True) Words and Music by Otis Blackwell and Elvis Presley Copyright © 1956 by Unart Music Corporation and Elvis Presley Music, Inc. Copyright Renewed and Assigned to Elvis Presley Music All Rights Administered by Cherry River Music Co. and Chrysalis Songs International Copyright Secured All Rights Reserved Edelweiss from THE SOUND OF MUSIC Lyrics by Oscar Hammerstein II Music by Richard Rodgers Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II Copyright Renewed WILLIAMSON MUSIC owner of publication and allied rights throughout the world International Copyright Secured All Rights Reserved Fly Me To The Moon (In Other Words) featured in the Motion Picture ONCE AROUND Words and Music by Bart Howard TRO - © Copyright 1954 (Renewed) Hampshire House Publishing Corp., New York, NY International Copyright Secured All Rights Reserved Including Public Performance For Profit Used by Permission Hey Jude Words and Music by John Lennon and Paul McCartney Copyright © 1968 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved Hound Dog Words and Music by Jerry Leiber and Mike Stoller Copyright © 1956 by Elvis Presley Music, Inc. and Lion Publishing Co., Inc. Copyright Renewed, Assigned to Gladys Music and Universal - MCA Music Publishing, A Division of Universal Studios, Inc. All Rights Administered by Cherry Lane Music Publishing Company, Inc. and Chrysalis Music International Copyright Secured All Rights Reserved I Just Called To Say I Love You Words and Music by Stevie Wonder © 1984 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC c/o EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission I Left My Heart In San Francisco Words by Douglass Cross Music by George Cory © 1954 (Renewed 1982) COLGEMS-EMI MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission In The Mood By Joe Garland Copyright © 1939, 1960 Shapiro, Bernstein & Co., Inc., New York Copyright Renewed International Copyright Secured All Rights Reserved Used by Permission Moon River from the Paramount Picture BREAKFAST AT TIFFANY’S Words by Johnny Mercer Music by Henry Mancini Copyright © 1961 (Renewed 1989) by Famous Music Corporation International Copyright Secured All Rights Reserved Isn’t She Lovely Words and Music by Stevie Wonder © 1976 JOBETE MUSIC CO., INC. and BLACK BULL MUSIC c/o EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Moonlight Serenade Words by Mitchell Parish Music by Glen Miller Copyright © 1939 (Renewed 1967) by ROBBINS MUSIC CORPORATION All Rights Controlled and Administered by EMI ROBBINS CATALOG INC. International Copyright Secured All Rights Reserved Let It Be Words and Music by John Lennon and Paul McCartney Copyright © 1970 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved Let’s Twist Again Words by Kal Mann Music by Dave Appell and Kal Mann Copyright © 1961 Kalmann Music, Inc. Copyright Renewed All Rights Controlled and Administered by Spirit Two Music, Inc. (ASCAP) International Copyright Secured All Rights Reserved Linus And Lucy By Vince Guaraldi Copyright © 1965 LEE MENDELSON FILM PRODUCTIONS, INC. Copyright Renewed International Copyright Secured All Rights Reserved Love Story Theme from the Paramount Picture LOVE STORY Music by Francis Lai Copyright © 1970, 1971 (Renewed 1998, 1999) by Famous Music Corporation International Copyright Secured All Rights Reserved Lullaby Of Birdland Words by George David Weiss Music by George Shearing © 1952, 1954 (Renewed 1980, 1982) EMI LONGITUDE MUSIC All Rights Reserved International Copyright Secured Used by Permission Michelle Words and Music by John Lennon and Paul McCartney Copyright © 1965 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved Mickey Mouse March from Walt Disney’s THE MICKEY MOUSE CLUB Words and Music by Jimmie Dodd © 1955 Walt Disney Music Company Copyright Renewed All Rights Reserved Used by Permission Mission: Impossible Theme from the Paramount Television Series MISSION: IMPOSSIBLE By Lalo Schifrin Copyright © 1966, 1967 (Renewed 1994, 1995) by Bruin Music Company International Copyright Secured All Rights Reserved Mona Lisa from the Paramount Picture CAPTAIN CAREY, U.S.A. Words and Music by Jay Livingston and Ray Evans Copyright © 1949 (Renewed 1976) by Famous Music Corporation International Copyright Secured All Rights Reserved My Favorite Things from THE SOUND OF MUSIC Lyrics by Oscar Hammerstein II Music by Richard Rodgers Copyright © 1959 by Richard Rodgers and Oscar Hammerstein II Copyright Renewed WILLIAMSON MUSIC owner of publication and allied rights throughout the world International Copyright Secured All Rights Reserved My Way By Paul Anka, Jacques Revaux, Claude Francois and Giles Thibault © 1997 by Chrysalis Standards, Inc. Used by Permission. All Rights Reserved. The Nearness Of You from the Paramount Picture ROMANCE IN THE DARK Words by Ned Washington Music by Hoagy Carmichael Copyright © 1937, 1940 (Renewed 1964, 1967) by Famous Music Corporation International Copyright Secured All Rights Reserved Theme From “New York, New York” Music by John Kander Words by Fred Ebb © 1977 UNITED ARTISTS CORPORATION All Rights Controlled by EMI UNART CATALOG INC. (Publishing) and WARNER BROS. PUBLICATIONS U.S. INC. (Print) All Rights Reserved Used by Permission Ob-La-Di, Ob-La-Da Words and Music by John Lennon and Paul McCartney Copyright © 1968 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved Proud Mary Words and Music by J.C. Fogerty © 1968 (Renewed) JONDORA MUSIC All Rights Reserved Used by Permission Return To Sender Words and Music by Otis Blackwell and Winfield Scott Copyright © 1962 by Elvis Presley Music, Inc. Copyright Renewed and Assigned to Elvis Presley Music All Rights Administered by Cherry River Music Co. and Chrysalis Songs International Copyright Secured All Rights Reserved The Shoop Shoop Song (It’s In His Kiss) Words and Music by Rudy Clark Copyright © 1963, 1964 by Trio Music Company, Inc. and Top Of The Charts Copyright Renewed All Rights for the United States Controlled and Administered by Trio Music Company, Inc. All Rights for the World excluding the United States Controlled and Administered by Trio Music Company, Inc. and Alley Music Corp. International Copyright Secured All Rights Reserved Used by Permission (Sittin’ On) The Dock Of The Bay Words and Music by Steve Cropper and Otis Redding Copyright © 1968, 1975 IRVING MUSIC, INC. Copyright Renewed All Rights Reserved Used by Permission Smoke Gets In Your Eyes from ROBERTA Words by Otto Harbach Music by Jerome Kern © 1933 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. Copyright Renewed All Rights Reserved International Rights Secured. Not for broadcast transmission. DO NOT DUPLICATE. NOT FOR RENTAL. WARNING: It is a violation of Federal Copyright Law to synchronize this Multimedia Disc with video tape or film, or to print the Composition(s) embodied on this Multimedia Disc in the form of standard music notation, without the express written permission of the copyright owner. Somewhere, My Love Lara’s Theme from DOCTOR ZHIVAGO Lyric by Paul Francis Webster Music by Maurice Jarre Copyright © 1965, 1966 (Renewed 1993, 1994) Webster Music Co. and EMI Robbins Catalog Inc. International Copyright Secured All Rights Reserved Spanish Eyes Words by Charles Singleton and Eddie Snyder Music by Bert Kaempfert © 1965, 1966 (Renewed 1993, 1994) EDITION DOMA BERT KAEMPFERT All Rights for the world, excluding Germany, Austria and Switzerland, Controlled and Administered by SCREEN GEMS-EMI MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission Speak Softly, Love (Love Theme) from the Paramount Picture THE GODFATHER Words by Larry Kusik Music by Nino Rota Copyright © 1972 (Renewed 2000) by Famous Music Corporation International Copyright Secured All Rights Reserved Stella By Starlight from the Paramount Picture THE UNINVITED Words by Ned Washington Music by Victor Young Copyright © 1946 (Renewed 1973, 1974) by Famous Music Corporation International Copyright Secured All Rights Reserved Take The “A” Train Words and Music by Billy Strayhorn Copyright © 1941; Renewed 1969 DreamWorks Songs (ASCAP) and Billy Strayhorn Songs, Inc. (ASCAP) for the U.S.A. Rights for DreamWorks Songs and Billy Strayhorn Songs, Inc. Administered by Cherry Lane Music Publishing Company, Inc. International Copyright Secured All Rights Reserved Tears In Heaven Words and Music by Eric Clapton and Will Jennings Copyright © 1992 by E.C. Music Ltd. and Blue Sky Rider Songs All Rights for E.C. Music Ltd. Administered by Unichappell Music Inc. All Rights for Blue Sky Rider Songs Administered by Irving Music, Inc. International Copyright Secured All Rights Reserved That Old Black Magic from the Paramount Picture STAR SPANGLED RHYTHM Words by Johnny Mercer Music by Harold Arlen Copyright © 1942 (Renewed 1969) by Famous Music Corporation International Copyright Secured All Rights Reserved That’s Amore (That’s Love) from the Paramount Picture THE CADDY Words by Jack Brooks Music by Harry Warren Copyright © 1953 (Renewed 1981) by Paramount Music Corporation and Four Jays Music International Copyright Secured All Rights Reserved Up Where We Belong from the Paramount Picture AN OFFICER AND A GENTLEMAN Words by Will Jennings Music by Buffy Sainte-Marie and Jack Nitzsche Copyright © 1982 by Famous Music Corporation and Ensign Music Corporation International Copyright Secured All Rights Reserved Waltz For Debby Lyric by Gene Lees Music by Bill Evans TRO - © Copyright 1964 (Renewed), 1965 (Renewed), 1966 (Renewed) Folkways Music Publishers, Inc., New York, NY International Copyright Secured All Rights Reserved Including Public Performance For Profit Used by Permission White Christmas from the Motion Picture Irving Berlin’s HOLIDAY INN Words and Music by Irving Berlin © Copyright 1940, 1942 by Irving Berlin Copyright Renewed International Copyright Secured All Rights Reserved A Whole New World from Walt Disney’s ALADDIN Music by Alan Menken Lyrics by Tim Rice © 1992 Wonderland Music Company, Inc. and Walt Disney Music Company All Rights Reserved Used by Permission Yesterday Words and Music by John Lennon and Paul McCartney Copyright © 1965 Sony/ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 International Copyright Secured All Rights Reserved You Are The Sunshine Of My Life Words and Music by Stevie Wonder © 1972 (Renewed 2000) JOBETE MUSIC CO., INC. and BLACK BULL MUSIC c/o EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission You Sexy Thing Words and Music by E. Brown Copyright © 1975 by Finchley Music Corp. Administered in the USA and Canada by Music & Media International, Inc. Administered for the World excluding the USA and Canada by RAK Music Publishing Ltd. International Copyright Secured All Rights Reserved IMPORTANT SAFETY INSTRUCTIONS INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply. 2. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual. 9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product. 10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical storm activity. 11. 3. This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug. 4. Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha. 5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician. 6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required. 7. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement. Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist. 12. Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged. 13. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel. 14. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. 15. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended. PLEASE KEEP THIS MANUAL 92-469-2 FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries. * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug. (2 wires) • This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd. CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU FOND. (polarity) • This applies only to products distributed by Yamaha Canada Music Ltd. • Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée. (class B) This product contains a high intensity lamp that contains a small amount of mercury. Disposal of this material may be regulated due to environmental considerations. For disposal information in the United States, refer to the Electronic Industries Alliance web site: www.eiae.org * This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (mercury) ᇠ·ÓΠÔÓ‰Ó·Ì˚ÏË Ò‚Â‰ÂÌËflÏË Ó·‡˘‡ÈÚÂÒ¸ ‚ ÏÂÒÚÌÓ Ô‰ÒÚ‡‚ËÚÂθÒÚ‚Ó ÍÓÔÓ‡ˆËË Yamaha. For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 Yamaha Music Central Europe GmbH, Branch Belgium Rue de Geneve (Genevastraat) 10, 1140 - Brussels, Belgium Tel: 02-726 6032 FRANCE U.S.A. Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011 CENTRAL & SOUTH AMERICA MEXICO Yamaha de México S.A. de C.V. Calz. Javier Rojo Gómez #1149, Col. Guadalupe del Moral C.P. 09300, México, D.F., México Tel: 55-5804-0600 BRAZIL Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377 ARGENTINA Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021 PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanización Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panamá, Panamá Tel: +507-269-5311 EUROPE THE UNITED KINGDOM Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700 IRELAND Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177 GERMANY Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 SWITZERLAND/LIECHTENSTEIN Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zürich, Switzerland Tel: 01-383 3990 AUSTRIA Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900 THE NETHERLANDS Yamaha Music Central Europe, Branch Nederland Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 ASIA BELGIUM/LUXEMBOURG Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ITALY Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 SPAIN/PORTUGAL Yamaha-Hazen Música, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888 GREECE Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160 SWEDEN THE PEOPLE’S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211 HONG KONG Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577 KOREA Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660 MALAYSIA Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900 Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-400 43 Göteborg, Sweden Tel: 031 89 34 00 PHILIPPINES DENMARK YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 44 92 49 00 FINLAND F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511 Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551 SINGAPORE Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374 TAIWAN NORWAY Norsk filial av Yamaha Scandinavia AB Grini Næringspark 1 N-1345 Østerås, Norway Tel: 67 16 77 70 ICELAND Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000 Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688 THAILAND Siam Music Yamaha Co., Ltd. 891/1 Siam Motors Building, 15-16 floor Rama 1 road, Wangmai, Pathumwan Bangkok 10330, Thailand Tel: 02-215-2626 OTHER ASIAN COUNTRIES OTHER EUROPEAN COUNTRIES Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030 Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317 OCEANIA AFRICA Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 MIDDLE EAST TURKEY/CYPRUS Yamaha Music Central Europe GmbH Siemensstraße 22-34, 25462 Rellingen, Germany Tel: 04101-3030 OTHER COUNTRIES Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868 AUSTRALIA Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111 NEW ZEALAND Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099 COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN Yamaha Corporation, Asia-Pacific Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312 HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-3273 [CL] 34 CVP-305/303/301 CV P-305/303/301 ê ì ä é Ç é Ñ ë í Ç é è é ã ú á é Ç Ä í Ö ã ü êìäéÇéÑëíÇé èéãúáéÇÄíÖãü ÇÄÜçé Ç·-Ò‡ÈÚ ÒËÌÚÂÁ‡ÚÓ‡ Clavinova (̇ ‡Ì„ÎËÈÒÍÓÏ flÁ˚ÍÂ) http://www.yamahaclavinova.com/ ëÓ·‡ÌË ÛÍÓ‚Ó‰ÒÚ‚ ÔÓ ÔÓ‰ÛÍÚ‡Ï Yamaha —èӂ¸Ú ËÒÚÓ˜ÌËÍ ÔËÚ‡ÌËfl— ì·Â‰ËÚÂÒ¸, ˜ÚÓ Ì‡ÔflÊÂÌË ‚ ÓÁÂÚÍ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, Û͇Á‡ÌÌÓÏÛ Ì‡ ËÌÒÚÛÏÂÌÚÂ. Ç ÌÂÍÓÚÓ˚ı ÒÎÛ˜‡flı ËÌÒÚÛÏÂÌÚ ÏÓÊÂÚ ·˚Ú¸ Ò̇·ÊÂÌ ÔÂÂÍβ˜‡ÚÂÎÂÏ Ì‡ÔflÊÂÌËfl, ÍÓÚÓ˚È ‡ÒÔÓÎÓÊÂÌ fl‰ÓÏ Ò ÒÂÚ‚˚Ï Í‡·ÂÎÂÏ. ì·Â‰ËÚÂÒ¸, ˜ÚÓ ÔÓÎÓÊÂÌË ÔÂÂÍβ˜‡ÚÂÎfl ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Ì‡ÔflÊÂÌ˲, ËÒÔÓθÁÛÂÏÓÏÛ ‚ ‚‡¯ÂÏ Â„ËÓÌÂ. èË ÔÓÒÚ‡‚Í ÔÂÂÍβ˜‡ÚÂθ ̇ÔflÊÂÌËfl ÛÒÚ‡ÌÓ‚ÎÂÌ Ì‡ ̇ÔflÊÂÌË ‚ 240 Ç. èË ÔÓÏÓ˘Ë ÓÚ‚ÂÚÍË ÔÓ‚ÂÌËÚ ÔÂÂÍβ˜‡ÚÂθ Ú‡Í, ˜ÚÓ·˚ Ó·ÓÁ̇˜ÂÌË ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Â„Ó Ì‡ÔflÊÂÌËfl ·˚ÎÓ ‡ÒÔÓÎÓÊÂÌÓ ‚ÓÁΠÛ͇Á‡ÚÂÎfl ̇ Ô‡ÌÂÎË. http://www2.yamaha.co.jp/manual/english/ àÌÙ ÓχˆË˛ ÔÓ Ò·ÓÍ ÔÓ‰ÒÚ‡‚ÍË ‰Î fl ÍÎ ‡‚ˇÚÛ ˚ Ò Ï. ‚ ÍÓ̈  ˝Ú Ó„Ó Û ÍÓ ‚Ó‰ Ò Ú ‚‡ . U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation © 2004 Yamaha Corporation BGA0 404YCXX3.2-01 Printed in Europe RU