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Editing Effects CHAPTER 7 EDITING EFFECTS About Signal Processing The built-in effects processor of the QuadraSynth is similar to that of the Alesis QuadraVerb, capable of generating multiple, fully digital effects simultaneously. The QuadraSynth effects processor has four inputs, or effect sends. You might think of these as the typical post-fader sends found on a mixing console. In a Program, each of the four Sounds can be assigned to one of the four effect sends. In a Mix, each Program can use its own effects routing or you may override this and assign the entire Program (all 4 sounds) to one of the four effect sends. Once you assign a Sound (in Program Edit) or a Program (in Mix Edit) to an effect send, you can adjust the Effect Send Level. ✪ To route a Sound/Program only to an effect send, and not the Main or Aux outputs, assign the Output parameter of the Sound/Program to ÒOFF,Ó assign its Effect Bus to one of the four effect sends, and adjust the Effects Level. Outputs Pan Level Main Left Aux Left 1 SOUND Main Right Aux Right Effect Level Effect Sends 1 2 3 4 The configuration determines the arrangement of effect functions of each effect send. Imagine a configuration as an arrangement of multiple effects processors patched together at the end of each effect send. Example: In one configuration, effect send 3 has its own separate reverb, while in another configuration it has its own delay and a level control feeding a reverb shared with send 1. When youÕre programming effects, you will need to refer to the charts on pages 91Ñ95 for the effect configuration youÕre using, so you know how the paths from different effect functions interact. The Effect functions consist of: Pitch, Delay and Reverb. Each function has several types to choose from. For example, the Pitch effect can be either a chorus, a flange, a resonator, etc. The Reverb can be a large hall, plate, gated, etc. The parameters available for an effect function depend on the selected effect type. Some effect types have very few parameters, while others have many. For example, the stereo delay effect has about twice as many parameters as the mono delay effect (since the stereo delay has two adjustmentsÐ left and right Ð for several parameters). Consequently, the more parameters an effect has, additional pages become available for that function. The number of pages the currently selected function has, and the current page are always shown in the bottom left of the display. Each effect has stereo outputs, which may be routed to the Main Left and Right outputs using the Mix function (the Aux Left and Right outputs do not use the internal effects processing). QuadraSynth Reference Manual 89