Download Sony SRP-V110 User's Manual

2-346-297-21 (1)
AUDIO MIXER
SRP-V110
Operating instructions
Table of Contents
Main characteristics ...............................
Dimensions ..............................................
2
2
Connections example ............................
Name and function of each part ...........
MONO INPUT section ..............................
STEREO INPUT section .............................
MONITOR section ...................................
MASTER section .....................................
Back panel section .................................
3
4
4
6
8
9
!º
Block diagram .........................................
Main specifications ................................
Trouble-shooting guide .........................
!™
!£
!¢
Before operating the unit, please read this manual and the supplied
“WARNING” thoroughly and retain it for future reference.
Precautions
On safety (Refer to the supplied “WARNING”.)
• Should any liquid or solid object fall into the cabinet, unplug the unit and
have it checked by qualified personnel before operating it any further.
• Unplug the unit from the wall outlet if it is not to be used for an extended
period of time. To disconnect the cord, pull it out by grasping the plug.
Never pull the cord itself.
On installation
• Do not install the unit in a location near heat sources such as radiators or
air ducts, or in a place subject to direct sunlight, excessive dust,
mechanical vibration or shock.
On operation
• Before making program source connections, be sure to turn the power
switch off and unplug the unit.
• When the unit is not used, turn the power off to conserve energy and to
extend the useful life of your unit.
On cleaning the cabinet
Clean the cabinet, panel and controls with a soft cloth lightly moistened
with mild detergent solution. Do not use any type of abrasive pad, scouring
powder or solvent such as alcohol or benzine.
On repacking
Do not throw away the carton and the packing material. It makes an ideal
container for transporting the unit.
When shipping the unit for repair work or to another location, repack it as it
was.
If you have any questions or problems concerning your unit, please contact
your nearest Sony dealer.
To prevent fire or shock hazard, do not
expose the unit to rain or moisture.
To avoid electrical shock, do not open
the cabinet. Refer servicing to qualified
personnel only.
This symbol is intended to alert the user to the
presence of uninsulated "dangerous voltage"
within the product's enclosure that may be of
sufficient magnitude to constitute a risk of
electric shock to persons.
This symbol is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.
*The caution marking is put on the bottom enclosure.
 1998 by Sony Sound Tec Corporation
Main characteristics
This is a small, multi-functional eight-group buses audio
mixer combined with a small/mid-sized SR system and
multi track recorder, etc. that supports recording systems.
Equipped with 10 channels of mono input, 4
channels of stereo input, and 4 channels of
auxiliary stereo input
Equipped with 8 AUX channels
AUX 1/2 can be used as STEREO AUX of the pre-fader.
AUX 3/4 can (simultaneously) switch between the pre and
post faders. AUX5/6 can be switched to AUX7/8 using the
fader.
All output systems can be monitored
Despite its small size, it can provide support in various
ways using a variety of input systems.
AFL is installed in all outputs. GROUP and AUX 1/2 can be
monitored in stereo.
Simple connection to multi-track recorders
This (9U) size can be installed onto a standard 19 inch rack
using the optional MU-110BK.
The TAPE IN connectors and GRP/DIRECT OUT
connectors are equipped with 8 channels enabling simple
connection to multi-track recorders.
Smooth operations are possible from recording to
mixing down each track
This enables all operations up until the mix down stage
without changing connections by simply switching between
the TAPE, MONI, and DIRECT buttons.
Dimensions
396 (155/8)
86 (31/2)
120 (43/4)
36 (17/16)
430 (17)
2
Unit : mm (inch)
Connections example
SR system connection
Main characteristics
Dimensions
Keyboard
Compressor
AUDIO MIXER SRP-V110
Microphone
CD or MD Player
Compressor
Connections example
Graphic Equalizer
Graphic Equalizer
Effector
Power Amplifier
Power Amplifier
Main Speaker
Monitor Speaker
Recording system connection
Keyboard
Multi Track Recorder
Compressor
Microphone
CD or MD Player
AUDIO MIXER SRP-V110
Monitor Speaker
Effector
DAT(Master Recorder)
3
Name and function of each part
MONO INPUT section
1 POWER switch
When the switch is pressed to the ON side, the power
is turned on.
2 LEVEL control
ON
1
POWER
OFF
1
2
LEVEL
TAPE
2
LCF
+10
-10
5
6
TAPE
LEVEL
LCF
+10
-10
-40
-60
LEVEL
-40
-60
+10
-10
HIGH
3
4
HIGH
-15
+15
-15
+15
-15
500
1.5K
500
1.5K
500
100
10K
100
10K
100
MID
MID
7
-15
8
+15
-15
+15
-15
+15
LOW
-15
+15
AUX
9
-15
AUX
1-2
MONI
1
2
-∞
0
1-2
MONI
1
2
-∞
0
1
!º
!™
-∞
0
-∞
0
0
-∞
!£
0
-∞
57
-∞
5 7
-∞
0
-∞
0
68
-∞
!§
-
0
ON
ON
PFL
PFL
L
R
ODD EVEN
L
ODD
PEAK
+10
L-R
+5
@º
0
-5
1-2
3-4
5-6
-10
!∞
!¶
!•
0
-5
1-2
3-4
7-8
!ª
5-6
7-8
-20
DIRECT
DIRECT
-∞
-∞
6 MID (Mid equalizer) frequency control
This varies the central frequencies of the mid equalizer
between 100 Hz - 10 kHz.
7 MID (Mid equalizer) level control
This varies the mid equalizer level between
–15 dB - +15 dB. The equalizer is a peaking type.
8 LOW (Low equalizer) level control
L-R
+5
-10
-20
4
L
ODD
R
EVEN
PEAK
+10
!¢
68
-∞
0
This suppresses frequencies of 80 Hz or lower from the
channel signal at 12 dB/oct (12 decibels per octave)
when it is on. This function is very effective for
removing “touch noise” that occurs when a
microphone is being held, and “blow noise” caused by
breathing.
This varies the high equalizer level between
–15 - +15 dB. The equalizer is a 12 kHz shelving type.
4
-∞
This switches the signal input from the MIC/LINE
connectors to the TAPE IN connectors. Using this
function, sounds, such as those from a multi-track
recorder connected to the TAPE IN connectors, can be
input to each channel without changing connections.
(Channels 1 - 8 only)
5 HIGH (High equalizer) level control
3
4
-∞
!¡
-∞
3
3 TAPE button
4 LCF (Low Cut Filter) button
-15
LOW
This controls the input signals from the MIC or LINE
connectors at a suitable level. When connected to the
MIC connector, the input signal level can be controlled
between –10 - –60 dBu, and when connected to the
LINE connector, it can be controlled between +10 –40 dBu. In order to control the input signal at a
suitable level, set the meter to VU operation, press the
PFL button of the channel to be controlled to display
the signal level on the meter. In this state, turn the
LEVEL control to control the signal so that 0VU
display on the meter is lit sometimes.
@¡
This varies the low equalizer level between
–15 dB - +15 dB. The equalizer is a 40 Hz peaking type.
9 AUX 1-2 PAN control
When turned towards the “1”, sound is shifted to the
AUX 1 bus, and when turned in the “2” direction, it is
shifted to the AUX 2 bus. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!º AUX 1-2 control
This controls the level that is sent to the AUX 1/2
buses. This AUX is a pre-fader (splitting the signal
before the channel fader). It is used to create a separate
balance mix and stereo monitor, as it does not depend
on the position of the channel fader.
This changes the function of the AUX 1/2. When it is
off, the AUX 1-2 PAN control and AUX 1-2 control
operate as normal AUX. When it is on, the input
signals from the TAPE IN connectors (or MIC/LINE
connectors if the TAPE button is turned on) are sent to
the AUX 1/2 buses. Sounds, such as those from a
multi-track recorder that has been connected to the
TAPE connectors, can be monitored through the AUX
1/2 output using this function. (MONO INPUT 1 - 8
only)
!™ AUX 3 and 4 controls
These control the levels that are sent to the
AUX 3 and 4 buses. These AUX’s can switch between
the pre-fader and post fader (splitting the signal after it
has passed through the channel fader) by using the
PRE switch. (Refer to the MASTER section “2 PRE
button”)
!£ AUX 5/7 and 6/8 controls
These control the levels that are output to the
AUX 5/7 and 6/8 buses. These AUX’s are post faders.
As a result, the AUX level changes depending on the
position of the channel fader. This is used when
sending signals to the effector, etc. to be connected
externally.
!¢ AUX 7/8 button
When turned in the “L ODD” direction, sound is
shifted to the MASTER L, GROUP 1, 3, 5 and 7 (odd
channel) buses, and when turned in the “R EVEN”
direction, sound is shifted to the MASTER R, GROUP
2, 4, 6, and 8 (even channel) buses. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!¶ PFL button
When turned on, the signals before they pass through
the channel fader are routed to the PHONES connector
and the MONITOR OUTPUT connectors, while
displaying the level on the meter. When PFL buttons
for a number of channels are pressed simultaneously, a
mixed signal is routed. In this case, signals from
channels whose AFL button is turned on are not
output.
Name and function of
each part
!¡ MONI button
!§ PAN control
!• PEAK indicator
This is lit up whenever the signal level, after passing
through the equalizer, is within 3 dB of the maximum
level. When this LED is lit, the signal is excessive, and
must be controlled using the LEVEL control. When the
MIC connector is used, change it to the LINE
connector.
!ª Assign buttons
When the L-R button is pressed, the signal is routed to
the MASTER L/R bus, and when the 1/2, 3/4, 5/6 or
7/8 buttons are pressed, the signal is routed to each
group bus.
@º Channel fader
This sets the signal level for the channels.
@¡ DIRECT button
When this button is turned off, the signals from the
GROUP bus are output; and when it is turned on, the
post fader signals from the MONO INPUT channels
1 - 8 are output to the GRP/DIRECT OUT 1 - 8
connectors.
These send the signals to the AUX 5/6 buses when
turned off, and to the AUX 7/8 buses when turned on.
!∞ ON button
* 0 dBu=0.775 V
When turned on, the signals from the channels are
routed to each output. However, the PFL function is
available even if this switch is turned off.
5
Name and function of each part
STEREO INPUT section
ST5
ST6
ST7
ST8
!∞
-∞
2
0
-∞
0
-∞
ST2
ST3
ST4
-10dBs
-10dBs
-10dBs
-15
+15
-15
+15
-15
+15
HIGH
-15
+15
-15
+15
-15
+15
MID
4
LOW
5
0
-∞
0
-∞
0
-∞
0
0
-∞
0
-∞
0
-∞
0
L-R
0
-5
1-2
3-4
5-6
-10
--∞
0
-∞
0
0
-∞
0
-5
3-4
5-6
-10
7-8
LOW
AUX
1-2
0
3
-∞
0
-∞
0
-∞
0
4
57
57
8
68
68
-∞
0
0
ON
ON
PFL
PFL
L
R
ODD EVEN
PEAK
+10
1-2
+15
4
L-R
+5
-15
MID
3
PEAK
+10
+15
-∞
L
R
ODD EVEN
R
EVEN
PEAK
+5
0
PFL
L
ODD
-15
1-2
-∞
ON
PFL
+15
AUX
-∞
0
-15
LOW
6 8
-∞
+10
+15
5 7
ON
L
R
ODD EVEN
-15
1
HIGH
MID
4
68
!º
+15
3
5 7
0
-15
1-2
-∞
4
7
+15
AUX
3
6
-15
LOW
1-2
-∞
HIGH
MID
AUX
6
0
ST1
3
!¢
-∞
-10dBs
HIGH
-∞
0
PEAK
+10
L-R
+5
0
-5
1-2
3-4
5-6
-10
7-8
9
!¡
!™
L-R
+5
0
-5
1-2
3-4
5-6
-10
7-8
7-8
-20
-20
-20
-20
-∞
-∞
-∞
-∞
!£
ST1 - ST4 channels
1 –10 dBs button
When this button is turned off, the reference input
level is +4 dBu; and when it is turned on, it is –10 dBu.
2 HIGH (High equalizer) level control
This varies the high equalizer level between
–15 - +15 dB. The equalizer is a 12 kHz shelving type.
3 MID (Mid equalizer) level control
4
LOW (Low equalizer) level control
This varies the low equalizer level between
–15 - +15 dB. The equalizer is a 40 Hz peaking type.
5 AUX 1-2 control
This controls the level to be sent to AUX 1/2 buses. The
signal that has been input to L is routed through the
AUX 1 bus, while the signal that has been input to R is
routed through the AUX 2 bus. This AUX is a prefader (splitting the signal before the channel fader).
Thus, this is used to create a separate balance mix and
stereo monitor, as it does not depend on the position of
the channel fader.
6 AUX 3 and 4 controls
These control the levels to be sent to the AUX 3/4
buses. In this case, the L and R signals are mixed. This
AUX can switch between the pre-fader and post fader
(which splits the signal after the channel fader) using
the PRE button. (Refer to the MASTER section “2 PRE
button”)
7 AUX 5/7 and 6/8 controls
These control the levels that are sent to the
AUX 5/7 and 6/8 buses. In this case, the L and R
signals are mixed. These AUX’s are post faders. As a
result, the AUX level changes depending on the
position of the channel fader. This is used when
sending signals to the effector, etc. to be connected
externally.
8 AUX 7/8 button
These output the signals to the AUX 5/6 buses when
turned off, and to the AUX 7/8 buses when turned on.
When turned on, the signals from the channels are
routed to each output. However, the PFL function is
available even if this switch is turned off.
!º Balance control
When turned in the “L ODD” direction, sound is
shifted to the MASTER L, GROUP 1, 3, 5, and 7 (odd
channel) buses, and when turned in the “R EVEN”
direction, sound is shifted to the MASTER R, GROUP
2, 4, 6, and 8 (even channel) buses. When turned to the
maximum in either direction, the output level is
increased by +3 dB.
!¡ PFL button
Name and function of
each part
This varies the mid equalizer level between
–15 - +15 dB. The equalizer is a 2.5 kHz peaking type.
9 ON button
When turned on, the signals in stereo before they pass
through the channel fader are routed to the PHONES
connector and the MONITOR OUTPUT connectors,
while displaying the level on the meter. When PFL
buttons for a number of channels are pressed
simultaneously, the mixed signal is routed. In this case,
signals from channels whose AFL button is turned on
are not output.
!™ PEAK indicator
This is lit up whenever the signal level, after passing
through the equalizer, is within 3 dB of the maximum
level. When this LED is lit, the signal is excessive, and
must be controlled using the LEVEL control.
!£ Assign buttons
When the L-R button is pressed, the signal is routed to
the MASTER L/R buses, and when the 1/2, 3/4, 5/6,
or 7/8 buttons are pressed, the signal is routed to each
group bus.
!¢ Channel fader
This sets the signal level for the channels.
ST5 - ST8 channels
ST5 - ST8 channels are auxiliary stereo input channels.
Signals from these channels are only routed to the MASTER
L/R buses.
!∞ Channel volume control
This controls the level that is routed to the MASTER L/
R buses.
7
Name and function of each part
MONITOR section
1 PHONES (headphones) connector
Phone jack
(Tip: L, Ring: R, Sleeve: GND)
This is the connector that the headphones are
connected to. The same signals are output as those
from the MONITOR OUTPUT connectors, and signals
from channels whose PFL or AFL buttons are turned
on can be confirmed.
2 PEAK meter indicator
AUDIO MIXER SRP-V110
1
This is lit up when the level meter is used as a peak
meter.
PHONES
3 VU meter indicator
2
3
PEAK
4
8
PEAK
VU
5
POWER
+15
+5
+13
+11
+3
+1
+10
+9
0
-1
+7
-3
+5
+3
-5
-7
0
-10
-10
-20
+48V
6
PFL
7
R
L
AFL MONO
MONITOR
L/ODD
9
R/EVEN
-∞
0
AUX MASTER
0 AFL
-∞
0 AFL
0
AFL
6 +48 V indicator
3
-∞
+10
0 AFL
PRE
TO L-R
4
-∞
2TR IN
7 PFL indicator
5
AUX 1-2
+10
This is lit up when the PFL button of any channel is
turned on.
0 AFL
6
-∞
GRP1-2
+10
0
GRP3-4
AFL
8 PEAK button
7
-∞
When off, the level meter operates as the VU meter,
and when on it switches to operating as the PEAK
meter.
GRP5-6
+10
0
AFL
8
-∞
This is lit up when the power (DC +48 V) for condenser
microphone is output.
+10
0 AFL
-∞
This displays the level of whichever channels PFL or
AFL buttons are turned on. The level meter in this
system can be switched between PEAK operation and
VU operation. Whichever of the PEAK or VU meters
indicator is lit shows the scale to use. During PEAK or
VU operation, the “0 ” represents the reference level in
both the PEAK and VU meters.
This is lit up when the power is turned on.
+10
PRE
4 LEVEL meter
5 POWER indicator
2TR IN
1-2
-∞
!º
This is lit up when the level meter is used as a VU
meter.
GRP7-8
+10
AFL
AFL
AFL
1-2
3-4
5-6
AFL
AFL
7-8
L-R
9 MONITOR control
+10
+5
0
-5
-10
-20
-∞
8
This controls the output levels of the PHONES and
MONITOR OUT connectors.
!º AFL MONO buttons
This outputs an AFL mono signal that is routed
through the PHONES and MONITOR connectors.
When the L/ODD button is turned on, sound is only
routed through the L and odd channels, and when the
R/EVEN button is turned on, sound is only routed
through the R and even channels.
MASTER section
1 AUX MASTER controls
This controls the output level to the AUX OUTPUT
connector.
2 PRE buttons
This switches AUX 3 and AUX 4 for all channels
between the pre-fader and post fader. It is switched to
pre-fader when it is on, and post fader when it is off.
3 AFL buttons
AUDIO MIXER SRP-V110
PHONES
PEAK
PEAK
VU
POWER
+15
+5
+13
+11
+3
+1
+10
+9
0
-1
+7
-3
+5
+3
-5
-7
0
-10
-10
-20
+48V
4 2TR IN level control
PFL
This controls the level of the signals that are input
from the 2TR IN connector.
R
L
AFL MONO
MONITOR
L/ODD
This sends each signal to the MASTER L/R bus.
2TR IN
4
1-2
+10
-∞
0 AFL
PRE
5 TO L-R button
R/EVEN
-∞
0
AUX MASTER
0 AFL
-∞
0
-∞
+10
0 AFL
PRE
TO L-R
4
-∞
+10
2TR IN
0 AFL
1
5
-∞
AUX 1-2
+10
0 AFL
6
-∞
3
GRP1-2
5
+10
0
GRP3-4
AFL
7
-∞
GRP5-6
+10
0
AFL
8
-∞
6 GROUP faders
This controls the level of the signals to be routed to the
MASTER L/R bus when signals are routed from the
GROUP bus to the GRP/DIRECT OUT connector and
the TO L-R button is turned on. Each GROUP fader
controls the signal level of every 2 channels, and each
channel is not controlled one by one.
AFL
3
2
Name and function of
each part
The signals after the AUX MASTER volume are routed
to the PHONES or MONITOR OUT connectors, and
displays the level on the meter. When the AFL buttons
for a number of channels are turned on
simultaneously, they are output after being mixed.
However, when a PFL button is turned on, signals
from channels whose AFL buttons are pressed are not
routed, and only signals from channels whose PFL
buttons are pressed are routed.
GRP7-8
+10
AFL
AFL
AFL
AFL
AFL
1-2
3-4
5-6
7-8
L-R
7
7 AFL buttons
The signals after the GROUP fader or L/R fader are
routed to the PHONES and MONITOR OUT
connectors, and displays their levels on the meter.
However, when a PFL button is turned on, signals
from channels whose AFL buttons are pressed are not
routed, and only signals from channels whose PFL
buttons are pressed are routed. When the AFL buttons
for a number of channels are turned on
simultaneously, a mixed signal is routed.
+10
8 L-R fader
+5
6
0
-5
8
This controls the level of the signals that are routed
from the MASTER L/R bus to the MASTER OUTPUT
connectors.
-10
-20
-∞
9
Name and function of each part
Back panel section
74
5
STEREO INPUT
ST5
ST2
ST6
R
L
L(MONO)
R
GRP/
DIRECT
OUT
ST1
L(MONO)
R
TAPE
IN
MONO INPUT
8
7
L(MONO)
INSERT
LINE
INSERT
LINE
MIC
ON
OFF
!£
!º
8
R
+48V
MONITOR
OUT
R
ST8
L
ST7
L(MONO)
R
L
ST4
R
10
ST3
R
L(MONO)
L(MONO)
MIC
R
OUTPUT
INSERT
R
R
L
8
L
L
OUT
7
6
5
4
3
IN
R
2TR
MASTER
!™
1 MONO INPUT MIC connectors
XLR-3-31 type
(Balanced, reference level: –60 - –10 dBu)
(Pin No.1: ground, No.2: hot, No.3: cold)
These are input connectors for the MONO INPUT
channels. Microphones can be connected.
2 MONO INPUT LINE connectors
Phone jacks
(Balanced, reference level: –40 - +10 dBu)
(Tip: hot, Ring: cold, Sleeve: ground)
These are input connectors for the MONO INPUT
channels. Line level output equipment can be
connected.
3 MONO INPUT INSERT connectors
Phone jacks
(Unbalanced, reference level: –3 dBu)
(Tip: output, Ring: input, Sleeve: ground)
These are INSERT IN/OUT connectors for the MONO
INPUT channels. External equipment can be inserted
before the installed equalizer. Compressors and gates,
etc. are connected.
4 TAPE IN connectors
Phono jacks (Unbalanced, reference level: –10 dBu)
These are TAPE IN connectors for MONO INPUT
channels. They connect the output for each track, such
as from a multi-track recorder, etc., and are used for
monitoring or laying down tracks.
10
0
!¡
96
AUX OUTPUT
8
5 STEREO INPUT connectors
Phone jacks (ST1 – ST4)
(Tip: hot, Ring: cold, Sleeve: ground)
(Balanced, reference level: +4/ –10 dBu)
Phone jacks (ST6, ST8)
(Unbalanced, reference level: –10 dBu)
Phono jacks (ST5, ST7)
(Unbalanced, reference level: –10 dBu)
These are input connectors for the STEREO INPUT
channels. Line level output equipment with a
reference level of between +4 dBu and –10 dBu can be
connected for ST1 - ST4, and line level output
equipment with a reference level of –10 dBu can be
connected for ST5 - ST8 in stereo. Signals are internally
distributed to the R side when only the L (MONO)
connector is connected for ST1 - ST4, ST6 and ST8.
6 2TR IN connectors
Phono jacks (Unbalanced, reference level: –10 dBu)
These are connectors to input signals, such as those
from DAT or MD recorders. The level is controlled by
the 2TR IN level control on the MASTER section.
7 GRP/DIRECT OUT connectors
Phono jacks (Unbalanced, reference level: –10 dBu)
These output each GROUP bus signal. When the
DIRECT button for the MONO INPUT 1 - 8 channels is
turned on, they become direct output connectors that
output post fader signals from each MONO INPUT
channel.
3 2
GRP/
DIRECT
OUT
MONO INPUT
7
INSERT
TAPE
IN
MONO INPUT
2
MIC
1
LINE
INSERT
LINE
INSERT
LINE
INSERT
LINE
1
MIC
INSERT
LINE
INSERT
LINE
INSERT
LINE
MIC
2
9
INSERT
4
MIC
3
LINE
3
MIC
MIC
6
2
5
1
5
MIC
MIC
6
1
Name and function of
each part
4
74
8 AUX OUTPUT connectors
Phone jacks (Unbalanced, reference level: +4 dBu)
9 2TR OUT connectors
Phono jacks (Unbalanced, reference level: –10 dBu)
These distribute and output the MASTER OUTPUT L/
R signals. They are connected to DAT or MD recorders,
or equivalent.
!º MONITOR OUT connectors
Phone jacks (Unbalanced, reference level: +4 dBu)
These output the same signals as the PHONES
connector, and signals from any channels whose PFL
or AFL buttons are turned on can be confirmed.
!£ +48 V button
This is the button to supply power (DC +48 V) for
condenser microphones to the MIC connectors of the
MONO INPUT channels 1 - 8. When this button is
turned on, DC +48 V is output to all MIC connectors.
Caution
• Before turning on the +48 V button or after changing the cable
connection, turn down the output fader or the output volume.
• The line equipment must be connected to the LINE input side.
• When a dynamic microphone is used in conjunction with a
microphone that uses +48 V power, the dynamic microphone
may under-perform.
!¡ MASTER OUTPUT connectors
XLR-3-32 type
(Balanced, reference level: +4 dBu)
(Pin No. 1: ground, No. 2: hot, No. 3: cold)
* 0 dBu=0.775 V
!™ MASTER INSERT connectors
Phone jacks
(Unbalanced, reference level: –6 dBu)
(Tip: output, Ring: input, Sleeve: ground)
These are the INSERT IN/OUT connectors of the
MASTER OUTPUT. External equipment can be
inserted before the L/R fader. They are connected to
the compressor or gate, etc.
!¡
11
AUX 5-8
PFL L
PFL R
CONTROL
GP OUT1-8
L-R
GROUP 1-8
AUX 1-2
AUX 3-4PRE
AUX 3-4POST
Block diagram
+48V
FADER
PEAK
TAPE
MIC
-10 - -60dBs
L-R
ON
LCF
FADER
1-2
INSERT
LCF
LINE
+10 - -40dBs
-20dB
STEREO L
OUTPUT
+4dBs
PAN
EQ
3-4
FREQ
LEVEL
5-6
LEVEL
7-8
LOW MID HIGH
INSERT
MONI
STEREO R
OUTPUT
+4dBs
PAN
TAPE INPUT
-10dBs
INSERT
AUX1-2
AUX3
AFL
ATT
GROUP/DIRECT
OUTPUT
-10dBs
ATT
AUX4
DIRECT
2TR
OUTPUT
-10dBs
ATT
AFL MONO
7/8
LEVEL
METER
AUX5/7
7/8
PEAK
AUX6/8
L/ODD
PFL
PHONES
MONO INPUT 1-8
R/EVEN
+48V
PEAK
FADER
PAN
-20dB
MONITOR
1-2
EQ
LCF
LINE
+10 - -40dBs
MONITOR
OUTPUT
+4dBs
L-R
ON
LCF
MIC
-10 - -60dBs
3-4
FREQ
LEVEL
FADER
5-6
LEVEL
7-8
LOW MID HIGH
INSERT
PAN
AUX1-2
TO L-R
GROUP1-2/3-4/5-6/7-8
OUTPUT
AUX3
AFL
AUX4
7/8
AUX5/7
7/8
AUX6/8
AUX1-2
AUX1 OUTPUT
+4dBs
PFL
MONO INPUT 9-10
AUX2 OUTPUT
+4dBs
AFL
PEAK
FADER
ON
BAL
-10dBs
EQ
TO L-R
L-R
L (MONO)
+4/-10dBs
+
1-2
+
3-4
R
+4/-10dBs
AUX3/4
AUX3/4 OUTPUT
+4dBs
5-6
LEVEL
PRE
7-8
LOW MID HIGH
AFL
AUX1-2
AUX5/6/7/8
AUX3
AUX5/6/7/8
OUTPUT
+4dBs
AFL
AUX4
AFL
2TR IN
7/8
2TR
INPUT
-10dBs
AUX5/7
7/8
TO L-R
AUX6/8
+48V
PFL
+48V
STEREO INPUT 1-4
LEVEL
L
-10dBs
R
-10dBs
STEREO INPUT 5,7
LEVEL
L (MONO)
-10dBs
R
-10dBs
STEREO INPUT 6,8
12
!™
Main specifications
Name
MONO INPUT
Connector type
Circuit
Reference level
Maximum level
Impedance
Suitable load
impedance
MIC
XLR-3-31 type
Balanced
–60 - –10 dBu
–37 - +13 dBu
2.2 kΩ
—
LINE
ø 6.3 Phone
jack
–40 - +10 dBu
–17 - +27 dBu
22 kΩ
—
TAPE INPUT
Phono jack
Unbalanced
–10 dBu
+13 dBu
10 kΩ
—
INSERT
INPUT
ø 6.3 Phone
jack
Unbalanced
–3 dBu
+20 dBu
30 kΩ
—
–3 dBu
+20 dBu
47 Ω
600 Ω or more
INSERT
OUTPUT
STEREO INPUT
ø 6.3 Phone
jack
Balanced
–10/+4 dBu
+13/+27 dBu
3.3 kΩ or
more
—
5,7
Phono jack
Unbalanced
–10 dBu
+27 dBu
10 kΩ or
more
—
6,8
ø 6.3 Phone
jack
Unbalanced
–10 dBu
+27 dBu
10 kΩ or
more
—
AUX OUTPUT
ø 6.3 Phone
jack
Unbalanced
+4 dBu
+20 dBu
100 Ω
600 Ω or more
GROUP/DIRECT OUTPUT
Phono jack
Unbalanced
–10 dBu
+10 dBu
320 Ω
10 kΩ or more
INPUT
Phono jack
Unbalanced
–10 dBu
+27 dBu
10 kΩ or
more
—
OUTPUT
Phono jack
Unbalanced
–10 dBu
+10 dBu
320 Ω
10 kΩ or more
Balanced
+4 dBu
+24 dBu
47 Ω
600 Ω or more
Unbalanced
–6 dBu
+20 dBu
30 kΩ or
more
—
–6 dBu
+20 dBu
47 Ω
600 Ω or more
2TR
XLR-3-32 type
STEREO OUTPUT
INSERT
INPUT
ø 6.3 Phone
jack
INSERT
OUTPUT
MONITOR OUTPUT
PHONES
ø 6.3 Phone
jack
Unbalanced
+4 dBu
+20 dBu
100 Ω
600 Ω or more
ø 6.3 Phone
jack
Unbalanced
—
40 mW + 40 mW
—
8 Ω or more
Audio section
General section
Frequency response +0.5/–1.0 dB (20 Hz – 50 kHz)
+0.5/–0.5 dB (20 Hz – 20 kHz)
Total harmonic distortion
Less than 0.005%
(MIC INPUT: –60 dBu, L-R OUTPUT:
+14 dBu, 1 kHz)
E.I.N
Less than –129 dBu
(MIC INPUT: –60 dBu)
Residual noise level Less than –95 dBu (20 Hz - 20 kHz,
L-R OUTPUT FADER: – ∞)
Less than –82 dBu (20 Hz - 20 kHz,
L-R OUTPUT FADER: 0, 14 ch routed)
Less than –106 dBu (20 Hz - 20 kHz,
GROUP OUTPUT FADER: – ∞)
Less than –95 dBu (20 Hz - 20 kHz,
GROUP OUTPUT FADER: 0, 14 ch
routed)
Crosstalk
Less than –90 dB (Fader down, 1 kHz)
Less than –98 dB (ON button: OFF,
1 kHz)
(0 dBu=0.775 V)
Power supply voltage
Refer to the supplied “WARNING ”.
Power consumption 50 W
Operating temperature
0°C – 40°C
Storage temperature
–20°C – 60°C
Mass
Approx. 8.7 kg
External dimensions 430 × 120 × 396 mm
(17 × 4 3/4 × 15 5/8 inches)
(width/height/depth, excluding
protruding parts)
Supplied Accessories
Operating instructions (1),
WARNING (1)
Block diagram
Main specifications
1-4
Specifications and external appearance are subject to change
for improvement without prior notice.
!£
13
Trouble-shooting guide
In the event of any unexpected problems, please double-check the following points.
If after that, normal operation cannot be resumed, contact the store from which the item was purchased, or your nearest
Sony dealer.
Condition
Causes/Solutions
When the POWER switch is turned on, the power
indicator does not light up, nor is any sound output.
• Check that the power cord is connected.
Although the POWER indicator is lit, no sound is
output.
• Check whether or not the ON button is turned off.
(Pages 5 and 7)
• Check whether the assign button is correctly pressed. (Pages 5
and 7)
No sound is output from the TAPE IN connector.
• Check whether or not the TAPE button is turned off. (Page 4)
No sound is output from the GROUP bus.
• Check whether or not the DIRECT button is turned on. (Page 5)
No sound is output from the 2TR IN connector.
• Check whether or not the TO L-R button is turned off.
(Page 9)
No sound is output from the AUX 5, 6, 7 and 8 buses.
• Check whether the AUX 7/8 button is pressed correctly.
(Pages 5 and 7)
No sound is output from the PHONES connector or the
MONITOR OUT connector.
• Check whether or not all of the AFL buttons are turned off.
(Page 9)
• Check whether or not the PFL button is turned on.
(Pages 5 and 7)
Sound from the AUX 1/2 and GROUP bus is output
through the MASTER OUTPUT.
• Check whether or not the TO L-R button is turned on.
(Page 9)
The sound is distorted.
• Check whether the settings of the LEVEL controls and –10 dBu
button are correct. (Pages 4 and 7)
• Check whether or not the line level output equipment is
connected to the MIC connector. (Page 10)
14
!¢
15
Printed in Japan