Download RM69 Mix Mate 3 - Rolls Corporation

USING THE MIC EFFECTS INSERT
In order to add effects to the microphone signal, an insert cable is needed. The Tip of the plug
acts as the Send, the Ring is the Return.
Connect the insert cable’s TRS end to the Mic FX
Insert jack on the rear of the RM69. Connect the
Tip connection to your effects processor’s Input
jack, and the Ring connection to the Output of
the effects processor. The RM69 effects insert
is mono, so if the effects processor is stereo choose a Mono output. You may need to refer
to your effects processor owners manual for more information about operating it in mono.
RM69
MixMate 3
Mic/Source Mixer
Make sure a microphone is properly connected to the RM69 and the unit is on. Speak into the
microphone and adjust the levels of your effects processor for the desired process and level of
effect.
www.rolls.com
IN
4
SCHEMATIC
HEADPHONE
C103
.001
10U
3
R109
4.7K
+12V
P100K
P1
27PF
LEVEL
C105
J1
C109
10U
10U
C102
6
Vb
4
LEVEL
P100K
P2
C207
.01
4.7K
Vb
C205
R212
.1
22K
+12V
C6
10U
R702
10K
470K
1
R701
J10
XLR JACK M
3
R10
51
2
C701
3
8
1U
SPECIFICATIONS
Input Impedance:
LEFT
4560
Vb
C702
1
R9
51
7
P6A
P100K X2
3
1
+12V
LINE OUT
R8
1K
C4
27PF
U12B
5
J5A
RCAX4
R4
1K J8
PCRCAX2
3
6
4
R207
22K
R7
22K
4560
Vb
PHAN PWR
Vb
SW SPST
R6
1
U2A
3
4560
100K
R211
4.7K
2
7
U2B
5
1
C206
27PF
LEVEL
PHAN PWR
27PF
U8A
3
SOURCE 3
C21
R703
22K
25PF
R808
C24
2
R403
R704
R705
10K
470K
4
R818
R706
22K
+12V
8
Vb
27PF
8
R404
10K
7
RIGHT IN
C19
4
R602
1
J12
R503
22K
Vb
6
R821
6
33K
1U
4
R506
22K
C502
+12V
+12V
U5B
5
P11B R822 33K
P100K X2
R11
R606
22K
3
P3A
P100K X2
2
U3A
3
7
R13
10K
Vb
6
4
+12V
5
D1
1N4001
+12V
C14
503
C15
503
2
3
1
J11
JAPDC
R16
C8
Vb
D5
LDSG
22K
R17
1000UF
22K
47K
R18
POWER
4.7K
C5
47U
C7
R14
10
4556
U3B
5
Vb
R15
AUX OUT/
PHONE 1/4
J9
P3B
P100K X2
6
Q3
+Vph
2N3904
HDPHN
1
R12
10
Vb
7
+12V
C13
503
C16
47U
4556
2
+12V
+12V
1
10K
27PF
U9B
Vb
C12
503
7
Vb
4
4560
6
+12V
U11B
5
4560
5
27PF
4560
6
8
470K
R504
10K
P8B
P100K X2
6
C602
6
5
R505
8
1U
4
P5B
P100K X2
6
470K
8
LEFT IN
J6D
RCAX4 C504
5
4
R605
R604
10K
10K
1M
+12V
TREBLE
C18
5
R824
R820
22K
4
LEFT IN
R825
C23 27PF
5
J5D
RCAX4
4560
Vb
4560
C808
220PF
SOURCE 4
1
U5A
3
4
P10B
P100K X2
22K
Vb
2
SOURCE 2
7 33K
4
2
C501
27PF
U10B
5
R823
33K
BASS
6
1
U9A
PHONE 1/8 Stereo 3
470K
C807 .047
4560
2
R502
100
R603
C601
470K 27PF
R601
10K
1U
P5A
P100K X2
3
Vb
R501
10K
1
6
U4B
5
C503
4
1U
J5C
RCAX4
4560
6
RIGHT IN
P8A
P100K X2
3
R406
22K
33K
TREBLE
P11A
P100K X2
R819
8
+12V
2
C402
470K
33K
DPDT
47K
R817
6
5
C404
2
1U
J6C
RCAX4
C2027PF
7
U8B
5
R405
SW2A
3
4560
P4B
P100K X2
6
4
J6B
RCAX4
R826
10K
10K
Vb
R812
1
R811
3
6
4560
Vb
LEFT IN
1
U11A
3
1
8
+12V 27PF
1
U4A
3
C806
220PF
R816
R815 10K
4560
2
2
22K
SOURCE 1
Vb
C26
1M
R810
22K
2
1U
1
4
27PF
C22
4560
U10A
3
R814 25PF
5
C401
2
6
P6B
P100K X2
1
47K
5
470K
4
R813
33K
BASS
3
P10A
P100K X2
4
3
J5B
RCAX4
2
R402
R401
10K
1U
R807
100
2
P4A
P100K X2
3
1
C403
1
R809
33K
1
4
Vb
5
4560
Vb
C805 .047
2
7
U7B
5
2
4560
6
J6A
RCAX4
RM69
1
R209
4.7K
6
R206
330
+Vph
RIGHT IN
OUTPUT
MONO
2
27PF
+12V
C209
10U
R202
3.3K
SW3B
J4
XLR JACK M
3
R5
51
8
C203
.001
1
R201
3.3K
10U
R210
8
1
C202
10U
R208
22K
R205
330
10U
3
XLR F PC
RIGHT
P100K
P12
C204
C208
J2
4560
Vb
R3
51
C3
1
U12A
3
Vb
SW SPST
C201 10U
2
22K
10U
FX INSERT
PHAN PWR
SW3A
MIX MATE 3
R2
2
R117
100
Vb
+Vph
XLR F PC
22K
C27
1
U7A
3
4
3
4560
R107
22K
PHONE 1/4 10U
J7
27PF
4560
2
C1
27PF
R1
C2
R112
100K
R111
4.7K
.1
4
2 1
J3
R106
330
R102
3.3K
C28
C107
.01
C106
1
U1A
3
R113
100K
Vb
4560
2
7
U1B
5
R101
3.3K
P100K
P7
R110
4.7K
2
2
C104 27PF
R108
22K
330
R105
C108
8
C101
10U
2
XLR F PC
7
C17
47U
C25
503
ROLLS CORPORATION
5968 S 350 W
47U
Murray, Utah 84107
Title
MIXMATE III RM69
Size:
Rb
Document Number:
RM69.SCH
Date: 8 August 2011
Rev:
A
Sheet 1 of 1
ROLLS CORPORATION
SALT LAKE CITY, UTAH
09/11
www.rolls.com
Mic:
Source:
Mic Insert:
Mic:
Source:
600 Ohms XLR balanced
22K Ohms RCA
22K Ohms 1/4” TRS insert
Max Input Level:
-14 dBV Mic level
24 dBV
Headphone Output Impedance:
>8 Ohms
Total - In/Out Connectors:
5: XLR, 5: Stereo RCA, 1: 1/4” TRS, 2: 3.5mm
Phantom Power:
+15 VDC
Output Level:
+17 dBV max
Output Impedance:
100 Ohms Balanced
Max Gain:
Mic:
60 dB
Source:
26 dB
Tone Controls:
+/-12 dB 100 Hz Bass
+/-12 dB 11kHz Treble
Noise Floor:
- 80 dB, THD: <.025%,
S/N Ratio:
96 dB
Size:
19” x 1.75” x 4” (48.3 x 4.5 x 10 cm)
Weight:
5 lbs. (2.3 kg)
USER GUIDE
Thank your for your purchase of the Rolls RM69 MixMate 3 Mic / Source Mixer. The RM69 mixes
two microphones with up to four stereo source signals such as CD players, karaoke machines,
MP3 Players, etc.. The unit is housed in a compact yet sturdy steel 1U rack chassis.
INSPECTION
1. Unpack and inspect the RM69 box and package.
Your RM69 was carefully packed at the factory in a protective carton. Nonetheless, be sure to examine the unit and the carton for any signs of damage that may have occurred during shipping.
If obvious physical damage is noticed, contact the carrier immediately to make a damage claim.
We suggest saving the shipping carton and packing materials for safely transporting the unit in
the future.
CONNECTION
Ensure the RM69 is securely mounted in a 19” rack. Connect the power supply to an AC outlet
(preferrably a power strip with master switch). If the unit is to be used in a permanent install,
connect all sources and microphones to the desired channels on the rear panel. Remember
which signal sources are connected to which Source Inputs.
For use in mobile DJ/Karaoke rigs, the microphone should be connected to the front panel Microphone Input so it may be easily removed when the mobile rig is packed.
2. For warranty information, visit our website; www.rolls.com Please register your new RM69
there, or complete the Warranty Registration Card and return it to the factory.
DESCRIPTION
FRONT PANEL
OPERATION
HEADPHONE
MIX MATE 3
www.rolls.com
IN
4 MONO
LEVEL
RM69
OUTPUT
INPUT: Balanced XLR jack for connection to a dynamic or condenser microphone. This jack parallels the Channel 1 Microphone Input on the rear panel.
NOTE: The following two descriptions are for Mic 1 and Mic 2.
LEVEL: Adjusts the amount of signal from the Microphone Input channel to the Main Outputs.
TONE: Adjusts the relative frequency components of the Mic signal. Turning this control clockwise from the center (detented) position decreases the low frequencies. Turning the control
counter-clockwise from center decreases the high frequencies.
SOURCE LEVEL CONTROLS 1 - 4: Adjust the amount of signal from the indicated Source channel
to the Main Outputs.
IN 4: 1/8” (3.5 mm) Source Input jack. This jack parallels the Source 4 Input on the rear panel.
BASS: Varies the amount of the low frequency portion (150 Hz) of the Source signals.
TREBLE: Varies the amount of the high frequency portion (10 kHz) of the Source signals.
HEADPHONE LEVEL: Adjusts the amount of signal to the Headphone Output.
HEADPHONE OUTPUT: 1/8” Tip-Ring-Sleeve jack for connection to any standard pair of audio
headphones.
pwr LED:Indicates that the RM69 is powered on.
REAR PANEL
MAIN OUTPUTS
ROLLS
VDC
www.rolls.com
+
-
PHANTOM POWER
ON=UP
OFF=DOWN
MixMate 3
MODEL RM69
MADE IN USA
DC INPUT: Connects to the included Rolls PS27s power adapter.
LINE OUTPUTS
RCA: Unbalanced output jacks
XLR: balanced ouput jacks
SOURCE INPUTS: Unbalanced RCA input jacks.
FX INSERT: 1/4” Tip-Ring-Sleeve jack for connection to an insert plug (see diagram) and to an
effects processor. Allows for effects to be added to the microphone signals.
PHANTOM POWER: Dip switches for applying phantom power to the indicated microphone.
MICROPHONE INPUTS 1 and 2: Balanced XLR jacks for connecting to dynamic or condenser
microphones.
Make sure all audio connections are in place, and power is applied to all pieces of equipment
necessary for operation, ie; speakers, power amplifiers, microphones etc.
Normally, only one source signal is heard at a time along with a microphone signal. Therefore,
begin with all Levels completely counter-clockwise (off ). Keep the Headphone Level control
low at first. There will be nothing heard from the Main Outputs until you increase the level of a
Source or Mic channel. You may now turn up the Source’s for playing. Set the Headphone Level
for a comfortable amount. Increase the Source Level of the desired channel, and begin playing
the selection.