Download MIDI - Deep!sonic
Transcript
Recording via MIDI When you exchange a Song between two sequencers remember to synchronise their Clocks. The recording Start and Play command must be controlled by only one sequencer so that the start is perfectly synchronised. The Clock of the controlling sequencer must be on “Internal”, while the Clock of the controlled sequencer must be on “External”. If you use the Music Processor to record a Song that has been created with another sequencer, all the Performance tracks must be set to “record” mode so that the entire Song can be transferred with one operation. Metronome During Play and Record, the leds of the << and >> buttons act as a visual metronome. The led of << flashes at the first beat of a bar while the led of >> flashes the remaining beats of the bar. The ‘click’ is not sent to the Midi Out. Song Position Pointer / Clock Resolution The S Series transmits and receives the Song Position Pointer precisely. This message stops, moves forwards or backwards and starts the Song in precise positions at the minimum resolution of the Midi Clock (24 bpq, exactly one quarter of the Clock resolution of the S Series). Chase Events or True Events The S Series Sequencer recognises the status of the ProgramChanges and Midi Controllers during a fast forward or fast rewind operation. If, for example, you press >>, the Volume is adjusted to the value of the arrival point, even if the Volume event was not actually performed by the Sequencer. This system is often called Chase Events (Cubase and Notator Logic) or True Events (Notator). Songs with different Time Signatures Use the “Insert” function to create Songs with different Time Signatures. Before you start recording, create a “basic structure” of bars with Insert: (a) insert the first group of bars with the initial Time Signature, (b) insert the second group of bars with the second Time Signature, (c) insert the remaining groups of bars with different Time Signatures, (d) record the Song; the Time Signature changes automatically during recording. The Structure of a Song The following table shows how a Song is structured MasterTrack TEMPO PERF. CH. Track 1 Analog_1 Track 2 Mooog_Wv Track 3 PEDAL VOLUME PERF. CH. GrandPiano1 Track 4 Track 5 Track 6 Dyn_Bass Track 7 Fretless_B PERF. CH. EFFECT CHANGE PERF. CH. Tot_Horn_2 Arp_260000 SoftSax GrandPiano GrandPiano SoundTrack1 SoundTrack1 Dyn_ElGuit Ac_Bass Fretless_B Track 8 Track 9 Door Track 10 Track 11 Drum_kit1 Strings 1 Strings 2 Track 12 Synth Strings Track 13 Track 14 Choir Analog_Pad Track 15 Track 16 Strings 2 APPLAUSE BIRDS BIRDS Used Track Unused Track (8) Sequencer e Song 183