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CHAPTER 10: Acadia: Bussing, Routing, & Bouncing to Disk
To record from a stereo Audio Instrument, or if you have a mono Audio
Instrument using mono-to-stereo plug-ins:
햲 Check Linked Pairs in the
Record Monitor.
Recording from Busses
You may want to record a master mix, or
submix, from the output of a bus that has
several plug-ins on it. In this case you
would select a bus as your record source
in the Record Monitor. Recording from
busses is similar to recording from Audio
Instruments as previously described. You
cannot record from a bus if its output is
not assigned to a hardware output.
To record a submix:
햳 Select the desired (stereo)
Audio Instrument from the
Record Source pop-up.
햲 In a Console Window, assign the
output of each audio channel in
your mix to a stereo bus.
This can even include hardware inputs
and even other busses.
햴 Make sure that you are
recording to an unused (stereo)
Audio Instrument.
햵 Record as you would any audio
track.
When you record from Audio Instruments and busses, your volume fader
movements affect the volume of the
recording (the actual amplitude of the
recorded signal). Any plug-ins EQs that
are assigned to those Instruments are
also recorded. Vision records the signal
from Audio Instruments and busses post
volume fader but pre pan fader (unlike
hardware inputs). Any real-time changes
you make to plug-ins are also recorded. In
all cases, you cannot record from an
Audio Instrument if its output is not
assigned to a hardware output.
Then assign the output of that bus to a
hardware output pair. This channel will
act as your ÒsubmasterÓ fader.
햳 Assign any desired plug-ins and
EQs to your console channels
(including the submix bus),
햴 Check Linked Pairs in the
Record Monitor Window.
Vision & Studio Vision Pro — Audio Reference Manual
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